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OCTOBER 3 Anoushka Shankar 5 Isidore Quartet* 12 MOMIX: Alice 14 Justin Willman - UConn Family Weekend 20 Samara Joy 22 Daniel Tiger’s Neighborhood Live!: King for a Day 28 Randy Rainbow for President NOVEMBER 2 Le Consort* 4 Jessica Vosk - Cabaret 11 Molly Tuttle & Golden Highway - Cabaret 17 American Ballet Theatre Studio Company 30 Messiah Sing DECEMBER 3 MacMaster & Leahy A Celtic Family Christmas 8 Holiday Pops *The Lenard Chamber Music Series is made possible through the Lenard Chamber Music Endowment. Thanks to the Lenard Endowment, UConn students, non-UConn students, and youth under 18 are invited to attend all chamber events for free.
Tickets & information: jorgensen.uconn.edu Note: all artists, events, dates, programs and policies are subject to change.
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SPEECH AND HEARING CLINIC
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Connecticut Repertory Theatre is the producing arm of the University of Connecticut’s Department of Dramatic Arts.
2023-2024 SEASON A HUNDRED WORDS FOR SNOW By Tatty Hennessy Oct. 5-15, 2023 Nafe Katter Theatre WAR OF THE WORLDS 2023 Conceived and directed by Jaron Hollander Nov. 30-Dec. 10, 2023 Nafe Katter Theatre THE DOCTOR’S DILEMMA By George Bernard Shaw Adapted and Directed by Tlaloc Rivas March 21– 30, 2024 Nafe Katter Theatre THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE Book by Rachel Sheinkin Music and Lyrics by William Finn Conceived by Rebecca Feldman April 18–28, 2024 Harriet S. Jorgensen Theatre Tickets & Information: crt.uconn.edu CRT BOX OFFICE 860.486.2113 crtboxoffice@uconn.edu crt.uconn.edu Group Discounts available Call 860.486.2113 FOLLOW CRT Facebook: @CRTuconn Instagram: @crt_uconn Note: all artists, events, dates, programs and COVID-19 policies are subject to change. CRT cover: METAMORPHOSES Samantha Seawolf, MFA Acting ‘23 Photo: © 2022 Mattias Lundblad
F O R YO U R I N F O R M AT I O N JORGENSEN BOX OFFICE (860) 486-4226 jorgensen.uconn.edu Hours Mon-Fri, 10-5 pm, and 90 minutes before curtain. CRT BOX OFFICE (860) 486-2113 crt.uconn.edu Hours Mon-Tues, 11-1 pm, Wed-Fri, 2-5 pm, and 60 minutes before curtain.
SPECIAL SERVICE Accessible rest rooms located in the lower Jorgensen & Katter lobbies. Elevator service from the main Jorgensen lobby down to the lower lobby only. ASSISTIVE LISTENING SYSTEM Free from the front office for Jorgensen and Katter Theatre productions.
LATE ARRIVALS Latecomers will be seated at the discretion of the artists’ management.
TOO LOUD? Free hearing protection is available upon request from the front office.
CAMERAS AND RECORDING DEVICES Strictly prohibited.
LOST AND FOUND ARTICLES Can be reported or picked up at each box office.
SMOKING Not permitted within 25 feet of the building. CHILDREN AND INFANTS Tickets are required for everyone, no matter how young. Minimum 4 years old recommended for Jorgensen Center events and CRT productions. BAG POLICY For the safety of all, bags and backpacks larger than 10” x 10” are prohibited in the theater. Small bags and purses are permitted. An exception will be made for medically necessary items and diaper bags after proper inspection. All bags are subject to search.
REFRESHMENT BARS Enjoy refreshments at your seat. Bars located in the upper Jorgensen and main lobbies of each theater. GROUP TICKETS Call the respective box office for more information. REST ROOMS Located in the upper and lower Jorgensen lobbies and the Katter Theatre lobby.
PARKING & TRAVEL Parking is available across from Jorgensen in the North Garage. For a detailed parking map, visit park.uconn.edu PLEASE NOTE: The parking fee for Jorgensen events is now included as part of your ticket price. Patrons will no longer have to pay upon entry or exit in the North Garage. All gates have been removed and gateless parking begins one hour prior to showtime through the conclusion of each performance. Please note: this applies to North Garage only. IMPORTANT UPDATE: Hillside Road on the UConn Storrs campus is closed to vehicular traffic between Glenbrook Road and Jim Calhoun Way. Motorists who park in North Garage should access the garage by taking Discovery Drive or Glenbrook Road to the garage entrance on north Hillside Road.
Thursday, November 2, 2023, 7:30 pm University of Connecticut School of Fine Arts Alain Frogley, Interim Dean Jorgensen Center for the Performing Arts Rodney Rock, Director presents
LE CONSORT
Lenard Chamber Music Event Théotime Langlois de Swarte, violin Sophie de Bardonnèche, violin Hanna Salzenstein, cello Justin Taylor, harpsichord
Media Sponsors
David Rowe Artists David Rowe david@rowearts.com
PROGRAM
A Journey Through Baroque Europe Antonio Vivaldi (1678-1741) Trio Sonata in G-minor, Op. 1, No. 1 I. Preludio. Grave II. Allemanda. Allegro III. Adagio IV. Capriccio. Allegro V. Gavotta Giovanni Battista Reali (1681-1751) Violin Sonata Op. 2, No. 1 (Grave) Arcangelo Corelli (1653-1713) Trio Sonata in C-Major, Op. 4, No. 1 I. Preludio, Largo II. Corrente, Allegro III. Adagio IV. Allemanda, Presto Jean-Philippe Rameau (1883-1764) Excerpts from "Les Indes galantes" Jean-François Dandrieu (1682-1738) Trio Sonata in G-minor, Op. 1 I. Adagio II. Allegro III. Adagio IV. Giga Arcangelo Corelli (1653-1713) Violin Sonata, Op. 5, No. 12, "La Folia" Francesco Maria Veracini (1690-1768) Violin Sonata in A-Major, Op. 1, No. 7 (Finale) - INTERMISSION John Eccles (1668-1735) "The Mad Lover" (Aire V) Henry Purcell (1659-1695) Sonata of Four Parts in G Minor, Z807 Jean-Philippe Rameau (1883-1764) Gavotte et ses doubles Johann Sebastian Bach (1685-1750) Trio Sonata in G-Major, BWV 1038 I. Largo II. Vivace III. Adagio IV. Presto Johann Sebastian Bach (1685-1750) Andante, BWV 974 Antonio Vivaldi (1678-1741) Trio Sonata in D-minor, Op. 1, No. 12, "Follia"
Le Consort Le Consort, a leading baroque chamber ensemble co-directed by harpsichordist Justin Taylor and violinist Théotime Langlois de Swarte, comprises four young musicians who interpret the trio sonata repertoire with enthusiasm, sincerity, and modernity. The group’s mission is to bring together compelling musical personalities in the service of chamber music from the repertoire of the 17th and 18th centuries. From Corelli to Vivaldi, from Purcell to Couperin, the dialogue between the two violins and the basso continuo displays a wealth of contrasts between vocality, sensuality and virtuosity. Le Consort takes this genre, the quintessence of baroque chamber music, and interprets it with a personal, dynamic, and colorful language. With a core which has remained constant since their founding in 2016, Le Consort performances approach a level of musical integration typically found in long-standing string quartets. In 2017 they claimed First Prize and the Audience Prize at the Loire Valley International Early Music Competition, chaired by William Christie. Their recordings, including OPUS 1 (featuring the unpublished sonatas of Jean-François Dandrieu), and Specchio Veneziano (trio sonatas of Vivaldi alongside music of his less familiar contemporary, Giovanni Reali), have earned numerous awards and extensive critical acclaim. In the 2023-24 season, Le Consort will make its North American debut with concerts in cities across the continent, including Montreal, Boston, Chicago, New Orleans, Kansas City, Berkeley, La Jolla, Vancouver, and many others. The ensemble has performed extensively throughout Europe, including at Radio France Auditorium and Louvre Auditorium (Paris); the Dijon Opera; the Deauville Easter Festival; the Arsenal in Metz; the MA Festival Brugge and in Antwerp de Singel (Belgium); the Pau Casals Foundation (Spain); and at the Misteria Paschalia Festival in Krakow (Poland). They have also been featured on numerous broadcasts on France 3, France Musique, France Inter and Radio Classique. Le Consort is in residence at the Banque de France, the SingerPolignac Foundation, and the Abbaye de Royaumont.
Thursday, November 2, 2023, 7:30 pm
Jorgensen Center for the Performing Arts
LE CONSORT
Lenard Chamber Music Event Théotime Langlois de Swarte, violin Sophie de Bardonnèche, violin Hanna Salzenstein, cello Justin Taylor, harpsichord
PROGRAM NOTES
A Journey Through Baroque Europe At the beginning of the 18th century, the city of Venice was home to violinists and genius composers. Antonio Vivaldi’s talents are beyond question; he has achieved lasting fame as one of the most inventive, prolific and virtuosic composers of the Baroque period. The Sonata in G minor is the very first work Vivaldi published, when he was 23 years old. Its five sections mingle elements of the sonata da chiesa (Preludio Grave and Adagio) with dances (Allemanda, Capriccio, Gavotta). Vivaldi first plunges us into the intensely contemplative atmosphere of a Venetian church, then surprises us with dance movements in which the violins vie with each other in virtuosity. As for the violinist-composer Giovanni Battista Reali, his life is shrouded in mystery. He published only two opus numbers – a set of 12 trio sonatas in 1709, followed in 1712 by solo sonatas for violin and bass continuo. That his trio sonatas were republished in Amsterdam by Estienne Roger in 1710 is proof that his works enjoyed a degree of success, but we know very little of his biography. He is mentioned as being a violinist in Venice’s Teatro San Fantin, then in 1727 as maestro di cappella for the Duke of Guastalla in Emilia-Romagna – after which we lose all trace of him. This Grave is an intimate duet of two violins.
The trio sonata was born during the second half of the 17th century and it was Arcangelo Corelli, the master of the genre, who developed, established and popularized it throughout Europe. A violin virtuoso himself, he devoted his entire output to that instrument. Of the six sets of compositions he left behind, the first four are devoted to the trio with two violins, which became the paramount ensemble of the Baroque era. The immensely famed Corelli became a model for his contemporaries, with a strong influence on the composers of his own time and on succeeding generations as well. Publication of his works was keenly anticipated in the whole of Europe, each new opus enjoying a success even greater than the last. The Sonata in C major is luminous, with a breathtaking third movement. Les Sauvages is undoubtedly Jean-Philippe Rameau’s most famous piece. Originally for harpsichord, it was orchestrated and inserted into the new “entrée” added in 1736 in his celebrated Opéra, Les Indes Galantes. Rameau’s source of inspiration was the presentation, in 1725, at the Théâtre des Italiens, of Indians from Louisiana dancing to the sounds of their instruments. Influenced by the exoticism of this encounter, he translated into music this obsessive rhythmic repetition. The trio sonatas of Jean-François Dandrieu really do deserve a place in the very front rank of the chamber music of the period. They show a mastery of style as well as a variety of astonishing character types. There are dances overflowing with energy, a playful, spirited counterpoint between the three voices, movements that seem suspended in time by the most expressive italianate ritardandi, with articulation, phrasing, rhythm, sweetness, passion – full of life. So who was Dandrieu? Born in 1682, in the heart of Paris, on the Île de la Cité, Jean-François grew up in the family home. From his earliest years he devoted himself to music; even as a young boy he was able to play the harpsichord with tremendous facility. In 1687, aged only five, he presented himself at the court of Versailles before the Princess of the Palatinate, to whom he later dedicated his trio sonatas. On reaching adulthood, Dandrieu decided to consecrate himself to God, taking holy orders. Dandrieu’s Op. 1 sonatas carry special meaning for us, as they were the very first works we read
during our initial rehearsals! Perhaps we felt a special connection since he was about our ages – 23 – when he published them. Whatever the reasons, we felt a common bond with his Sonata in G minor. From our very first notes together we discovered the darting motifs of those descending appoggiaturas and there was, quite simply, a feeling we all shared; a common rhythm. The ensuing rapid, light-footed Allegro is marked by a fugue that is completely Italian in character. The third movement, meditative, quasi-liturgical, is a contemplation in an introspective lyrical form, without a trace of ostentation. The final Gigue brings us back to the French style, with its bass voice recalling the full, earthy style of a Forqueray. For all of us, it was the moment of falling in love, both musically and emotionally. This sonata has become our anthem, our watchword, an emblematic banner of our vision of the trio sonata. The Violin Sonata Op. 5, No. 12 by Corelli is a set of virtuosic variations on the popular ground bass in triple time known by its Spanish name La Folia – alluding to the ‘frenzy’ of the dance, and is unquestionably among the composer’s most popular works. Francesco Maria Veracini, was born in Florence and enjoyed a tremendous life travelling across Europe. This final movement from the Violin Sonata in A Major, written in the high register of the Baroque violin, is very challenging to perform. (Incidentally Veracini played on a violin made by Jakobus Stainer, the maker of Théotime’s violin!) --The Mad Lover began life around 1616 as a comedy by the prolific and versatile English dramatist John Fletcher, a younger contemporary of William Shakespeare (with whom he collaborated on two plays). The score from Eccles for the new version of Fletcher’s play, besides its three masques, included an abundance of instrumental pieces, such as this ground. The descending tetrachord forms a relentless, repetitive motif, one which sticks in the memory with an immediacy that touches everyone. The greatest musical genius of late seventeenth century London was undoubtedly Henry Purcell, an extraordinary musician present on all fronts. At a time when both the form and the instrument
already belonged to a fast-disappearing world, he wrote the last fantasias for viols in the great English tradition. He was also enthusiastic about the newer violin and the Italian sonata. Purcell had his Sonatas of III Parts printed at his own expense in 1683, a significant risk for the youthful composer, still only twenty-four years old. And sadly, these works remained misunderstood; the 1683 collection, along with a successor of 1697 published by his widow after his death, sold so poorly that Frances Purcell was forced to remainder them, without being able to sell off her stock. Purcell, so beloved for his operas, had bad luck with his sonatas. Yet from the very beginnings of our ensemble we have performed the wonderful Sonata VI. Built on a ground that repeats itself tirelessly, this work is a compendium of Purcell’s genius which question the human soul in its most intimate aspects, and through its emotional intensity remind us of Dido’s Lament by the same composer. In Gavotte et ses doubles, the term “double”, derived from the French air of the XVII century, denotes the variety of reprise of a piece. Here, Rameau has an “orchestral” bent, his variations are based on rhythm, harmony, melodic variation, and the interplay between registers. Bach’s Trio Sonata BWV 1038 is enigmatic. While the surviving materiel is in Bach’s handwriting, the source is unsigned and its authenticity regularly questioned. In 4 movements, this Sonata in G Major is inspired by the Italian style. This influence is even more visible in the Andante BWV 974, adapted from a work originally by the Venetian composer Marcello for oboe and orchestra. Bach discovered the score and decided to transcribe it for his own instrument, the harpsichord. The Sonata No. 12, La Follia, by Vivaldi is a masterpiece of the trio sonata repertoire, irresistible in its sheer momentum. The variations are built up impressively; by turns slow and fast, introspective and passionately fiery, they unfold organically with stylistic mastery, taking performers and listeners alike on a journey from intimacy to virtuosity. Notes copyright 2023 by Sophie de Bardonnèche
American Ballet Theatre Studio Company Fri, Nov 17, 8 pm
“ABT Studio Company plays out charmingly as a fresh and fleet display of young dancers...” - The Wall Street Journal
TICKETS ON SALE NOW! Co-Sponsored byBoston UConnCamerata Women’s Center A Medival Christmas Media Sponsors: CT Public, CT VOICE, The Chronicle Dec 6
jorgensen.uconn.edu
Tue, Oct 3, 7:30 pm The Boston Pops On Tour Keith Lockhart, conductor
Fri, Dec 8, 8 pm
Celebrate the
MacMaster & Leahy
A Celtic Family Christmas Sun, Dec 3, 3 pm
of the Season at Jorgensen
Messiah Sing!
UConn Music Department Thu, Nov 30, 8 pm
Free and Open to the Public
2023-24 SEASON @ JORGENSEN CENTER
Spring 2024 Events To Be Announced Soon!
jorgensen.uconn.edu
@JorgensenUConn
CoSt ★rs
Jorgensen Center for the Performing Arts
2023 - 2024 Co-Chairs: Jane Moskowitz & Ruth Buczynski $750 per person, $1,500 per couple Elena Sevilla & Paul Aho Mona & Greg Anderson Marianne Barton Deborah Walsh Bellingham In Memory of Dr. Bruce A. Bellingham Honey & Harry Birkenruth Ruth Buczynski Carol Colombo In Memory of Maurice Thompson Anne D’Alleva Madison & Bob Day Susan & John DeWolf Pamela Diggle
Stan & Sandy Hale Judy & Peter Halvorson Patricia Hempel Shareen Hertel & Donald Swinton Jan Huber Tina & Bryan Huey Lynn & Harry Johnson Blair T. Johnson & Blanche Şerban Janet & George Jones Lin & Waldo Klein James Knox Ann Kouatly Becky & Scott Lehmann
Jean & John Lenard Gene Likens & Leola Spilbor Margarethe & Matthew Mashikian Antonia Moran Jane & Robert Moskowitz Constance & Rodney Rock Nancy & John Silander Beverly Sims & William Okeson Winthrop Smith In Memory of Anne K. Smith Michael & Susan Zito
Join the CoStars, Jorgensen’s Active Volunteers! The CoStars is a special group of volunteers who generously donate not only $750 per person, but also their talent and time. The invaluable CoStars support Jorgensen through community advocacy by creative fund-raising activities, and by hosting pre- and post-concert receptions that often feature world-class luminaries. The CoStars have been instrumental in the purchase of the new portable chamber stage and acoustical shell, a new Steinway Model D Concert Grand Piano, funding the JOY! Conservatory Program, the installation of the exterior Jorgensen message center, the renovation of the Jorgensen Gallery, and continued support of Jorgensen programming. By becoming a CoStar, you’ll join with other vibrant, thoughtful and devoted arts lovers who have made Jorgensen’s success a priority. CoStars receive an honorary membership in the Jorgensen Circle of Friends at the Producers Circle level. Benefits include early ticket ordering privileges for one full year from the date of enrollment; reserved lower-level parking in the North Garage, providing a speedier exit after each Jorgensen event; and recognition in the Jorgensen playbill.
As a Special Thank You... An Invitation to the CoStars CoStar members receive an exclusive invitation to attend the Annual Sneak Peek hosted by Jorgensen Director Rodney Rock. This party offers attendees an exciting preview of the coming season – prior to the public announcement. Join the CoStars and be the first to know what’s new! If you are interested in becoming a CoStar, please contact Rodney Rock at 860-486-1983, or by e-mail at rodney.rock@uconn.edu.
Jorgensen
Circle of Friends 2023-2024 Become a Friend of Jorgensen!
We invite you to join Jorgensen’s Circle of Friends, a group of generous arts supporters who over the years have made vital contributions to Jorgensen’s special projects, commissioned works, and interior restorations. Your membership in the Circle of Friends entitles you to early ticket ordering privileges for one full year from the date of your enrollment; you will be recognized in the Jorgensen Playbill; and if you contribute at the Directors or Producers Circle levels, you will enjoy reserved parking in the North Campus Parking Garage for each Jorgensen performance you attend. Please consider making your tax-deductible donation and become a Circle of Friends member today. Simply call 860-486-4226 for more information.
Jorgensen Center for the Performing Arts gratefully acknowledges the support of its Friends. Producers Circle Janet & George Jones* Directors Circle $500/person $250/person, Lin & Waldo Klein* $1,000 & above/couple $500/couple James Knox* Kenneth A. Doeg Elena Sevilla & Paul Aho* Ann Kouatly* Mona & Todd Friedland Mona & Greg Anderson* Becky & Scott Lehmann* In honor of Jane Moskowitz Marianne Barton* Jean & John Lenard* Mr. David Johnson Deborah Walsh Bellingham* Gene Likens & David & Carol Jordan In Memory of Leola Spilbor* Maureen Kohler & Dr. Bruce A. Bellingham* Margarethe & John Zavokjancik Honey & Harry Birkenruth* Matthew Mashikian* Tom Martin & Susan Spiggle Lynn Brown Antonia Moran* Mr. & Ms. Steven & Ruth Buczynski* Jane & Robert Moskowitz* Barbara Rogers Carol Colombo* Craig & Karen Nass Ms. Nancy A. Swiacki In Memory of Barbara Rhein & Stan Shaw In honor of Janina W. Swiacki Maurice Thompson* Constance & Rodney Rock* & Nancy A. Swiacki Michael E. Cucka Cheryl A. & Mark J. Roy Keith Wilson & Anne D’Alleva* Marjorie Hayes Eric Schultz & Stella Ross Madison & Bob Day* Artists Circle Nancy & John Silander* $125/person, Susan & John DeWolf* Beverly Sims & $250/couple Pamela Diggle* William Okeson* Patricia Anderson Ms. Joan N. Gionfriddo Winthrop Smith* Mr. & Mrs. Bennett & Stan & Sandy Hale* In Memory of Linda Brockman Judy & Peter Halvorson* Anne K. Smith* Carol & Carl Brolin Patricia Hempel* Dana Wilder Dr. & Mrs. Steven & Shareen Hertel & Karen Zimmer & Elaine Cohen Donald Swinton* Roger Ingraham Maryellen Donnelly & Jan Huber* Michael & Susan Zito* James Krall Tina & Bryan Huey* *Members of the M. Kevin & Jeanne Fahey Lynn & Harry Johnson* Jorgensen CoStars Mrs. Alice Hale Blair T. Johnson & Betty & Kenneth Hanson Blanche Şerban* Rob & Mary Hoskin
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ki
Ms. Cathy Jameson & Shoshana Levinson & John H. Mayer & Irwin M. Krieger Ms. Renee Fournier Chris Crossgrove Ms. Mary Lacek & Julia J. & Stan & Sue McMillen Mr. Neil Aldin Carl W. Lindquist, MD Linda Pelletier Sari & James Rosokoff Mr. & Mrs. Robin Lubatkin Gerald Leibowitz Rev. Donald Miller Dr. Jay S. Shivers Mrs. Pamela Sutkaitis Carl Nawrocki Kelly Olander Len Oberg Pamela Paine Patricia Tanaka Daryl & Paul Ramsey Yvonne & Joseph Prudente Denise Winland Bonnie Ryan Mrs. Laura T. Raccagni Director’s Fund Mrs. Kristin Santini Judith Rhodes Paul Aho & Elena Sevilla Harriet Walkerer Jacqueline Seide Mona & Greg Anderson Paul & Annette Shapiro Honey & Harry Birkenruth Patrons Circle Eric Shultz $50/person, Diane & Joseph Briody Susan Stoppelman $100/couple Carol Colombo Adeline Theis Anonymous Paula & Keith Enderle Susanna Thomas Roger & Cynthia Adam David & Marilyn Foster George Thompson Jo & George Fox Robert Bittner Aaron Tumel Dorothy Blocker Mr. Thomas French Shirley Waldron Susan & John Boland Lin & Waldo Klein Fund Dr. & Mrs. Irene & Richard Brown Ann Kouatly Joel Zuckerbraun Anne-Marie Campbell Scott & Becky Lehmann In memory of Paul D’Italia Critics Circle Mary & Michael Donnelly $25/person, David Markowitz Howard & Carol Drescher $50/couple Jane & Robert Moskowitz Lorraine Gallup Anonymous In honor of Dr. & Mrs. Ed & Joyce Armstrong Linda K. Klein, PhD & Susan Grace Ms. Kathleen Donahue Rodney D. Rock Richard & Karin James Ms. Joyce Donohoo NICABM Col. & Dr. Leonard & Drs. Rebecca & Jennifer Person Judith Kaplan Jacob Earp Mr. Allen Schmied & Art Kirschenbaum & Mrs. Joy Favretti Ms. Tina Polttila-Schmied Cheryl Pomerantz Mrs. Audrey Gough Rabbi Jeremy Schwartz & Dr. & Mrs. Uwe & Mr. & Mrs. Joseph Linonis Ms. Merle Potchinsky Helen Koehn Wesley & Mary Lord Nancy & John Silander Yves & Carol Kraus Joseph & Nancy Madar Ms. Joanne Sousa Donald Kray Donna Matulis In Memory of John P. Sousa
Endowed Sponsorship Program The Endowed Sponsorship Program provides individuals and families with the opportunity to support Jorgensen by sponsoring any concert or other program. Benefits to Endowed Sponsors will include name recognition in the Jorgensen playbill, additional recognition in the community through press releases provided by the University, and an opportunity to visit with the guest artist. Sponsorship could be a means of celebrating a special holiday or anniversary, or of dedicating an event to a loved one. Most importantly, by contributing to the cost of current programs, sponsors would help ensure that the Jorgensen Center for the Performing Arts will continue to present wonderful music and other programs in the future. Your gift would benefit not only Jorgensen, but also the community at large. Patrons interested in sponsoring an event should contact Rodney Rock at 860-486-1983 or rodney.rock@uconn.edu for further information.
Jorgensen Outreach for Youth Funded through private contributions as well as corporate support, JOY! provides school-age children, many from economically disadvantaged backgrounds, with access to live performances and special enrichment programs. Now in its 16th season, the JOY! Conservatory program offers instrumental and vocal students in grades 9-12 the opportunity for a rigorous course of study including private lessons, ensemble rehearsals and coaching, and basic musicianship courses. For more information, contact Jorgensen director Rodney Rock at 860-486-1983. Sapphire / $100+ Pearl / up to $99 Corporate / Dorothy Blocker Sabrina & Foundation Sponsors Margaret Dillon & Daniel Bowersett SBM Charitable Foundation Larry Bowman Mr. Paul D’Italia Diamond / $1000+ Shingo Goto Karen Jason Honey & Harry Birkenruth Jan Huber Irwin Krieger & Carol Colombo Carol & David Jordan John Mayer Harry & Lynn Johnson Craig Knox Robin Lubatkin Jean & John Lenard In Memory of Jane Knox Pamela Paine Nancy & John Silander James Knox Bonnie Ryan Mrs. Nora Stevens The McChesney Family Marti & Tom Smith Ruby / $300+ In honor of James Knox Dale Swett Becky & Scott Lehmann Carl Nawrocki Joanne Todd The University of Peter Polomski Ilene Whitacre Connecticut League, Inc. Joanne Sousa
Lenard Chamber Music Endowment Fund The Lenard Chamber Series is made possible through the generosity of longtime patrons Jean and John Lenard and the Lenard Chamber Music Endowment. Thanks to the generous philanthropy of patrons Jean and John Lenard, chamber music, one of the hallmarks and most dearly loved elements of the programming at Jorgensen, is secure well into the future. Also thanks to the Lenard Endowment, UConn students, non-UConn students, and area youth are invited to attend all chamber music events for free. Please join this giving community and make your contribution today. To make a gift, contact Jorgensen Director Rodney Rock at rodney.rock@uconn.edu or 860-486-1983, or visit jorgensen.uconn.edu/online/article/lenard-endowment. Jean & John Lenard Elena Sevilla & Paul Aho Greg & Mona Anderson Deborah Walsh Bellingham Ruth Buczynski Carol Colombo Anne D’Alleva Kenneth Doeg Judy & Peter Halvorson Patricia Hempel
George & Janet Jones Carol & David Jordan Lin & Waldo Klein James Knox June & Henry Krisch Becky & Scott Lehmann Shoshana Levinson & Chris Crossgrove Julia J. & Carl W. Lindquist, MD
Joan & Austin McGuigan Jane & Robert Moskowitz Lauren & Eric Prause Donald Shankweiler & Ruth Garrett Millikan John & Nancy Silander Beverly Sims & William Okeson Kenneth & Janet Slavett Marilyn & Arthur Wright
Box Office Administration Marketing
860.486.4226 860.486.4228 860.486.5795
BOX OFFICE & ADMINISTRATION 2132 Hillside Road Unit 3104 Storrs, CT 06269-3104 jorgensen.uconn.edu SCHOOL OF FINE ARTS Alain Frogley Interim Dean JORGENSEN ADMINISTRATION Rodney Rock Director Gary Yakstis Operations Manager Leann Sanders Administrative Assistant Diane Briody House Manager
BOX OFFICE Jennifer Darius Amanda Salas
Box Office Manager Asst. Box Office Manager
MARKETING/PUBLICITY Renee Fournier Marketing Manager Carina Bies Marketing Coordinator PRODUCTION TECHNICIANS Bryan Wosczyna Technical Manager Scott Fisher Technical Assistant
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SCHOOL OF FINE ARTS Alain Frogley, Interim Dean CRT ADMINISTRATION Megan Monaghan Rivas Michelle S. Polgar Vincent Tycer Annie Suite
Box Office: 860.486.2113 802 Bolton Road, Unit 1127 Storrs, CT 06269-1127 crt.uconn.edu
CRT PRODUCTION Robert Copley Alison Savino Michael Beschta John Parmelee Daniela Weiser Susan Tolis Michael Demers Matthew Sorensen Jake Neighbors Gino Costabile
Artistic Director & Head, Department of Dramatic Arts Managing Director Associate Artistic Director Box Office Manager Production Manager Production Stage Manager Technical Director Associate Technical Director Scenic Charge Artist Costume Shop Supervisor Production Master Electrician Puppet Arts Technical Supervisor Sound Supervisor Properties Manager
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Serving the best pizza in Tolland County for 46 years 860-429-7433 Rt. 32, Willington Trading Center www.willingtonpizza.com
10% Discount w/tickets day of the performance only.
Award Winning Restaurant & Pub Brewery!
Willington Pizza Rte 32, Willington Center • 860.429.7433 Italian Cuisine served in a 200-year-old home with lovely antique decor. Seating for 200. National award-winning pizza featured on CBS This Morning and ABC Good Morning America. Desserts. Open Mon-Thurs 11am–11pm; Fri & Sat 11am– 12am; Sun 11am–10pm. Casual attire. Entrées $6–$13. No reservations. (MC, V, D, AE) Best Pizza, Tolland County by Connecticut Magazine.
Willimantic Brewing Co. Main Street Café Willimantic Brewing Company 967 Main Street Willimantic 860.423.6777 Willibrew.com
967 Main Street, Willimantic • 860.423.6777 The Willimantic Brewing Co./Main Street Café is a living landmark restaurant & pub brewery located in Willimantic, in the heart of rural northeastern Connecticut. We offer an extensive menu from fun appetizers, daily specials, gluten free, vegetarian and so much more. Fresh craft beers brewed on site, ciders, cocktails, and guest beers we have something to please everyone. Visit us at www. willibrew.com for more information.
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50 Higgins Hwy Mansfield, CT 860-423-4414
50 Higgins Highway, Mansfield • 860.423.4414 Coyote Flaco is a family owned & operated restaurant. We invite you to try some of our favorite dishes such as our churrasco or one of our home-made tamales. Please try our many “Fresh-Lime Juice” margaritas, our full menu can be found at www.coyoteflacoct.com
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Hilltop 39 Adamec Rd., Willington• 860.477.1054 Come and visit Hilltop Restaurant, Bar & Banquet to experience a delicious meal, live entertainment, full bar with flat screen TVs, and more, stop in today. If you’re looking for a place to hold a party or event, call and talk to us about our banquet rooms, Make sure that you call ahead to find out what our Chef’s Specials are. They change daily. hilltopct.net
39 Adamec Rd, Willington 860-477-1054 Our menu offers Traditional Italian, Prime Rib, Seafood Wraps, Salads, Apps, Brick oven pizzas and Sandwiches.
Fenton River Grill 135A Storrs Road, Mansfield• 860.786.7870 A dynamic and friendly bar and restaurant located near the University of Connecticut and Eastern Connecticut University offering an enticing selection of craft beer, carefully crafted cocktails and an approachable menu including lighter shareable plates, salads, flatbreads, sandwiches, and full dinners. Lively Bar, Cozy Atmosphere, Shareable Food, Outdoor Patio, Craft Cocktails.
Delicious food prepared from seasonal, fresh ingredients. Well-crafted cocktails and 20 beers on tap. Just 5 Miles from UConn 135A Storrs Road, Mansfield, CT 860.786.7870 fentonrivergrill.com
Dog Lane Cafe One Dog Lane, Storrs • 860.429.4900 Northeastern Connecticut’s European/American cafe, offering something for everyone from early morning to late at night. Our menu and our daily specials emphasize seasonal, local and freshly-prepared food, all made to order. Offering a wide variety of sandwiches, grilled items and freshly tossed salads or help yourself to coffee at our self-service coffee bar. Offering indoor and outdoor seating. Whether you are in a hurry or want to take some time and relax with friends, our style of service lets you set your own pace. Serving beer & wine. doglanecafe.com
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Beni’s American Bar and Grill 1280 Hartford Turnpike, Vernon Rockville 860.875.4443 Family and Locally Owned American bar & grill featuring fresh seafood, premium steaks, upscale pasta dishes, salads and sandwiches. Indoor, Outdoor, & Lounge Seating. Live Entertainment! Let Us Cater Your Next Event or Party. We have two banquet rooms available, accommodating 25 and 50 people each (or more!). Full and half trays are available for catering orders! Please allow us at least 24 hours of notice for large orders. Seasonal items, special requests, and some entrees require additional time. www.benisct.com
American Bar and Grill 1280 Hartford Tpke, Vernon CT - Exit 67 off 1-84 860-875-4443 • www.benisct.com Open Monday Saturday 11am-10:00pm Sunday 11:30am-9:30pm
restaurant & bar
39 Adamec Rd, Willington, CT Rte 32 Exit 69 off I-84.
860-477-1054 • www.hilltopct.net
Monday-Friday 11am-10pm • Saturday and Sunday 8am-10pm • Serving Breakfast Sat and Sun 8-noon
Enjoy a Fantastic Meal with Your Friends and Loved Ones Steaks, Seafood, Pasta Dishes, Salads, Burgers, Wraps, Brick Oven Pizzas and more. Open for dining indoor or on our beautiful patio Chefs Specials • Take Out Trays Banquet Facilities up to 85 guests Live Entertainment Fri and Sat Night Happy Hour Daily 3:30-6:30. Extended Lounge Hours
Weekend Breakfast
Exciting Coupons!
$10 off $75 • $5 off $40 Hilltop Restaurant, Willington
Not valid with any other offers or on holidays. One per table. Offer expires 4/30/24
Sat & Sun 8am-12 noon
Enjoy our Specialty Omelets, our Creative Benedicts, Belgium Waffles, Breakfast Burritos. $5 Mimosas and more!
Enjoy the Flavor of the Neighorhood Local cuisine expertly prepared by people who appreciate good food and honest value as much as you do.
We offer
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Banquet Rooms for guests up to 50 or as allowed.
American Bar and Grill
$10 OFF $75 • $5 OFF $40
1280 Hartford Tpke, Vernon, CT • Exit 67 off I-84. 860-875-4443 • www.benisct.com Open Monday-Saturday 11am-10:00pm Sunday 11:30am-9:30pm
Not valid with any other offers or on holidays. One per table. Offer expires April 30, 2024
Beni's Vernon