|RojoAparicioJonportfolio.| projectsstudiesjobsideas2022
Hello, this is the of and here you can find an attempt to collectshowand all of his that hasdoingdonealongtime until the year
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Final Degree Project (Merit with distinction - 9)
French - B1. Fluid. Medium level
"Contemporary museum in the consolidated city. Madrid interventions" - Navarro Martínez, Héctor. Scholar Professor in Proyect Design 0. Alberto Nanclares. ETSAM.
Spanish - Native English - C1. High Level
Euskera - B1. Fluid. Medium level
Knowledge of writing and layout. Sewing and dressmaking. Design 2D, 3D, image and model. Handling and enjoyment in freehand drawing. Experience in costumer service. Driving License.
Graduated from the Higher Technical School of Architecture of Madrid (ETSAM), in which he has also just completed the Enabling Master's Degree in Architecture with the proposal "Mediation of the Occupied Space, Regeneration Strategy for the self-managed neigh borhood of Erreakelor Bizirik". Throughout his career, he has carried out works that have stood out for his connection with the city and his condition of improving the pre-existance.
Vitoria-Gasteiz | Madrid +34 677 296 @apariciojonj.apariciorojo@gmail.com744 |info.|
Sofia Blanco Santos. Studio Internship. Active participation in projects.
V-Ray Course. Off-Miau.
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Studio Pachon-Paredes
Turkish - A1. Basic Level
Master of Architecture| Final Degree Project. ETSAM, Technical University of Madrid (UPM).
Erasmus+ Internship, Istanbul. Mimarlik, Istanbul Teknik Universitesi (ITÜ).
Sanal Arc. Studio participation. Advanced Photoshop Course. daETSAM.
Interested in several contexts and cultural situations regarding the role of architecture and the different parts that make it up. Making the design process an exercise of relating, bases the projects on ideas, memories, experiences and forms that can be realted to each other and can be adapted to condition of inhabiting for each project.
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Degree in Architecture. ETSAM, Technical University of Madrid (UPM).
Both in projects and in any work environment, he aims to create a con text based on enjoyment and understanding the process as a work system.
T.U Tuñón- With honors. "Inhabit Soria. The limits of the urban".
Rhinoceros, Grasshoper, VectorWorks, Revit, Adobe Illustrator, Photoshop, InDesign, Premiere, V-Ray,Office... 2015_20212018_20192021_2022Present202220212020202220182021
Open House Madrid 2021. Espacio SOLO. Estudio Herreros. Active participation in divulgation of the project.
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CONTEMPORARY MUSEUM IN THE CONSOLIDATED CITY. Final Thesis, Madrid. ETSAM. 2021
RE-CREATIONAL SUPER FLAGSHIP Madrid, ETSAM. 2022
ATOMIC ECOSYSTEM Madrid, ETSAM, 2017
MEDIATION OF THE OCCUPIED SPACE
COLLECTIVE HOUSING Vallecas, ETSAM. 2017
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SOSKINE CENTER Madrid. ETSAM. 2016
Final Masters Project, Vitoria-Gasteiz. ETSAM. 2022
INHABIT SORIA Soria. ETSAM. 2019
An intervention linked to regeneration is proposed, an archi tecture as a process-management and not as an object-result where links are established and Errekaleor is, now, a neigh borhood with the capacity for dialogue.
Regeneration strategy for the self-managed neighborhood of "Errekaleor Bizirik".
Restore and at the same time demolish the archi tecture, generated by the compatibility of structu res. Through a free appropriation of space, the pro ject explores new spatial forms that are shaped by new infrastructures on both a domestic and community scale. Thanks to the progressive unevenness, the new sys tem allows the slabs to be linked at different hei ghts and thus break with the impositions of the postwar architecture that supports the neighborhood.
Starting from unifying the neighborhood and its ele ments, the project differentiates the interve ned space —defined by the volumes and the spa ce to intervene corresponding to the appropriation—.
This neighborhood was built in the 1950s to house Vito rian industry homes, but with the plan to expand the Sal burua neighborhood over Errekaleor, a relocation plan for the residents was carried out by the Administration and a possible demolition. It is in 2013 when the neigh borhood begins to be squatted together with some of the neighbors. After several eviction attempts and the power cut, the neighborhood is currently a self-mana gement project, considered the largest in Spain today.
MEDIATION OF THE OCCUPIED SPACE
Madrid interventions.
The work uses the city of Madrid as a repre sentative example of a consolidated city, where there are various cases of reconversion of museums. It is a city that has a high level of heritage and historical character, whose identity has been renewed in recent years.
This research takes museum interventions as a starting point. From questioning whe re the current museums are going, the chan ges that are taking place, and the role of ar chitecture in them, this work aims to analyze the typologies of modification of museums as a determining factor for its evolution.
The reconversion in museums constitutes a contemporary museological resource that has architecture as an essential factor for its con figuration. This current phenomenon has been developing from historical precedents and is proving to be the most dynamic resource in the redefinition of museums.
This work aims to analyze this phenomenon and point out the different typologies and conditions that are being carried out in the established city. From a decidedly contemporary perspecti ve, it is proposed to develop the compositional and transformation component that houses the architectural project in the redefinition of urban heritage and in the reality in which they are inserted.
The idea of the work is to collect the different spatial systems that are being carried out for the recontextualization of cultural identity and its architecture, understanding the museum as an essential and representative institution in the urban fabric of established cities. From this frame of renewal of museums, this work studies the interventions that are being carried out for their reconversion, the various contexts with the pre-existing and urban identity.
CONTEMPORARY MUSEUM IN THE CONSOLIDATED CITY.
MUSEO NACIONAL DEL PRADO Museo del Prado 1785. Juan de Villanueva. 45.322m2 Intervención 2007. Rafael Moneo. 2.893m2 CAIXAFORUM Antigua Central Eléctrica del Mediodía 1900. Jesús Carrasco. 8.000 Intervención 2008. Herzog & de Meuron. 11.000m2 LA TABACALERA Antigua Fábrica de Tabacos de Madrid 1790,Manuel de la Ballina. 8.000 Intervención 2003. Autogestionado. 1.783m2 CENTRO DE ARTE REINA SOFIA Antiguo Hospital General de Madrid 1785. José de Hermosilla, Francisco Sabatini . 45.322 Intervención 2005. Jean Nouvel . 3.942m COLECCIONES REALES Palacio Real de Madrid/Catedral de la Almudena 1735 - 1764 /1883-1993. 135.000/ 4800 Intervención: 2020. Tuñón + Mansilla . 40.475m2 MUSEO THYSSEN BORNEMISZA Preexistencia: Palacio de Villahermosa 1805/ 1992.Antonio López Aguado. 20.7786m2 Intervención 1900. Manuel Baquero, Robert, Brufau, BOPBAA 1.135m2
ESTRATEGIAS DE INTERVENCIÓN, IDENTIDAD URBANA
When considering any museum in tervention, it is necessary to acquire a series of derived spaces in these institutions. As we have already classified in the comparative analysis, these spaces are: cafeteria, audito rium, technical spaces, store, library-bookshop, in addition to a reconfiguration of the access if required, since the entrance hall turns out to be the essential place facing the user. Ta king into account the time spent visiting a mu seum, it is very necessary for the user to be able to organize and offer rest spaces such as cafeterias, which are becoming increasingly important in this aspect, in addition to being integrated with all the established circulation. Through the selected case studies, it can be seen how all museum reconversions have included in their final solutions all those issues relevant to the conception of the museum of the 21st century.
In the city of Madrid, one of the most important tourist attractions is the network of museums it offers. The succession of interventions that have taken place in recent years has transfor med the traditional museum into a space open to the city, welcoming visitors and integrating them into the life of the neighborhoods in which they are located through facilities and programs that manage to transcend both the museogra phic sphere and the public and social scale.
INTEGRACIÓN DEL ESPACIO PÚBLICO
Auditorio-salasBiblioteca-libreríade eventos Tienda Salas de exposición Cafetería-RestaurantetemporalNuevoacceso
In this way, these museums make up a broad cultural framework where several problems to intervene in the consolidated city have been addressed, such as the broad pro gram required, the limit of surface area wi thin the city or the relationship with the high heritage component of Madrid. This exercise has been essential to highlight the main aspects and particularities that de termine the reconversion of museums and their cultural and urban context within the city, as well as on a public and social scale.
In short, through the analysis of the cases studied, the various approa ches to museum development and the complexity of intervening in the con solidated city have been highlighted. the various approaches to museum develop ment and the complexity of intervening in the consolidated city. The interventions highligh ted show the great variety of formal strate gies and intervention modalities, as well as the multiple conditioning factors that inter vene on the pre-existing architecture and in the cultural sphere of a city such as Madrid.
The project proposes a solution to the boundary between the natural and artificial landscape and El Cerro del Mirón as the protagonist of the intervention.
The proposal arises, beyond the condition of inhabiting, from an exercise of reinforcing the character of the landscape and its history, from which the new volume suspended over the slope is formed.
The limits of the urban.
From the idea of generating a dialogue with the environment and the city, giving continuity to the landscape and redefi ning the protected historical boundary, the project proposes to build a new wall that relies on the existing topographic di fference, and that hides inside the spaces that relate directly to the circumstances of the environment. Thus favoring the enhancement of the hill itself, its character and the proposed reconfiguration of the wall and the boundary.
INHABIT SORIA
The interior public space is "carved" out of the volume. Thus, the breaks and changes of direction of the wall are enough to solve the accesses and the relationship between the different spaces, evoking a long and broken unfinished wall to configure an element fused with the hill and open to the landscape and the city.
SUPER- RECREATIONAL FLAGSHIP
Understanding the Gran Via not as what it wanted to be but what it has become, being currently a large com mercial structure based on consumption as leisure, the project aims to make an exercise of recharging, not as an isolated event, but as an active space that enhances the reality of the environment from the uninhabited Palacio de la Música.
To make the Music Palace a representative space of the global system of centrality based on the activity of "shopping", as a use of leisure and free time attracted by the iconic character of these spaces, making the buil ding of the pre-existing Palace for the experiences of consumption and contemporary leisure. It is no longer just a space for the simple exchange of goods between producers and consumers, but also an imaginary and symbolic place for the representation of the subject in the consumer culture.
The project is based on the coexistence of the infras tructure and the city, undoing the traditional separation between these two "worlds". From the technological, through the design of a complex stacked system of production of "artificial atmospheres", which use the in frastructure of the city for its operation, to the almost "ceremonial", through the realization of each and every one of the agents and "rituals" that come together in the proposal, building an "ad hoc" universe of great interest and innovation.
Although it was abandoned in the early seventies, it is propo sed to make a proposal that describes its historical context, formal, perceptual and ecological characteristics and discusses its inclusion in new methodologies in architecture.
ATOMIC ECOSYSTEM
Atomic Garden "El Encín".
As a matter adapts to the environment, relating the areas of interest that we discover both inside and outside the garden and that the bubbles, as living areas, will be reorganized according to a matrix of time and climate. Everyone changes places when they want to. Life is an endless journey through a bubble space that transforms so quickly that each time it looks different. The ecosystem under the bubble and communica tions would be one and the same as one continuous element.
Exercise that deals with the current transformation of architecture, specifically in its possible alterations. The ato mic garden "El Encín", an element of landscape architecture a few kilometers from Madrid.
A project research on the reconfiguration of density in the Villaverde neighborhood, Madrid, which has grown rapidly and irregularly since the middle of the last century.
COLLECTIVE HOUSING IN VALLECAS
The approach is to test hybrid typologies, which can offer new types of leisure, social and user interac tion, allowing people to choose their own environ ment, the new residents are empowered to operate independently and for the benefit of all.
The light, mostly zenithal, as the main element. The glass ceiling bathes this environment, channeling light into the building through luminous walls. The spaces are designed in such a way that natural light is part of them.
CENTRO SOSKINE
Understanding the exhibition space as an environment, both for the viewer and the exhibits, it aims to be si nuous through a continuous route.
Starting from the container, a site occupied by a parking lot, an element that limits the sinuous and wide space formed by rooms of different dimensions, but starting from the same volume. The positive side offers the ex hibition area and the negative side the place for storage and conservation of the works.
place where the spaces are articulated. The in dependent spaces have a series of openings that allow diagonal views of almost 11 meters. A room module with measures of 5x5 meters and with diffe rent combinations of hollow. With a base structure in which there are infinite solutions for the user to arrange according to their needs and tastes.
Culturelab as a meeting place for all kinds of cultural productions based on contemporary methodologies. A media space that "channels" the existing building. A set of devices, installations and communications that allow the building to be updated according to current require ments. A light and articulated media that infiltrates the building allowing a wide transformation capacity.
BOMONTIADA
ZENON
This combinatory game of horizontal and vertical excavation, organic architecture, scale and visual perception of the excavated space are presented sequentially, in a fragmentary way; the interior spa ce is perceived by surprise according to a gradient from exterior climate to interior climate, from light to darkness.
By proposing the subway intervention un der the Temple of Debod, in addition to opening up to the public space, it aims to reinterpret the space for the congregation in relation to the temple and the environment, highlighting an atmosphere that en courages the visitor to reflect, the contrast between the human scale and the monumentality of the site.
