THE LAND ISSUNG

Zulu Performances and the Politics of Place

THOMAS M. POOLEY MUSIC /

CULTURE

Ethnography on the politics of land and belonging in post apartheid Zulu performances

What does it mean to belong? In The Land is Sung, musicologist Thomas Pooley shows how performances of song, dance, and praise poetry connect Zulu communities to their ancestral homes and genealogies

For those without land tenure in the province of KwaZulu-Nata, performances articulate a sense of place. Migrants express their allegiances through performance and spiritual relationships to land are embodied in rituals that invoke ancestral connection while advancing well-being through intergenerational communication

Engaging with justice and environmental ethics, education and indigenous knowledge systems, musical and linguistic analysis, and the ethics of recording practice, Pooley's analysis draws on genres of music and dance recorded in the midlands and borderlands of South Africa, and in Johannesburg's inner city. His detailed sound writing captures the visceral experiences of performances in everyday life. The book is richly illustrated and there is a companion website featuring both video and audio examples.

Endorsement

“The Land Is Sung is a significant addition to a long tradition of critical writing about South African performance after apartheid. Focusing on one of the most marginalized regions of South Africa, Pooley adroitly complicates the concept of “Zulu” music as a homogeneous body of sounds. Music, he argues, is inextricably intertwined with the heady debates about governance, justice, ethics, community, land ownership, and genealogy that have defined the north-eastern edges of the province of Kwazulu-Natal for centuries and that continue to both divide and unite its inhabitants.” Veit Erlmann, author of Lion’s share Remaking South African Copyright

OCTOBER 2023

Music • Ethnomusicology

288 Pages • 6 x 9 • QSR • 17 b&w photos, 6 maps, 4 figures

9780819500571 • $95.00 • Hardcover

9780819500588 • $26.95 • Trade Paperback

Also available as an e-book

THOMAS POOLEY (Empangeni, KwaZulu-Natal, South Africa) is an associate professor of musicology and chair of the department of art and music at the University of South Africa. He is the editor-in-chief of Muziki: Journal of Music Research in Africa.