John Moran Auctioneers | The Traditional Collector—December 15, 2019

The Traditional Collector Sunday, December 15, 2019—12pm 1969

2019

Front Cover pg. 6

10 Two Buccellati sterling silver and agate tazzas pg. 22

36 Fabio Cipolla

(1852-1935 Italian) Chagrin D’Amore

The Traditional Collector Featuring property from: The Ralph and Gloria Schack Mechanical Music Box Collection and The Kelton Collection.

Sale 165 December 15, 2019—12pm 145 East Walnut Avenue, Monrovia CA 91016 Previews December 12–December 14: 12pm-4pm December 15: Doors open 10am

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Pg. 136

217 Thomas Luny

(1759-1837 British) “The General Goddard East Indiaman with the Dutch Fleet,”

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Furniture & Decorative Arts Roland Rykiewiscz Director, Vice President roland@johnmoran.com John Simon Taylor Furniture & Decorative Arts Specialist jsimon@johnmoran.com Jardine Gates Cataloguer jardine@johnmoran.com

Fine Art Department Morgana Blackwelder Director, Vice President morgana@johnmoran.com Jeff Moran President jeff@johnmoran.com Bobby Cullen Cataloguer bobby@johnmoran.com

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A malachite, gold, and enamel box

18k yellow gold Signed: Italy Zoccai Topped with a family of ducks with enameled bodies over a hinged rectangular box with malachite veneers 2.5” H x 6.125” W x 4.125” D

Phil Latimer Dike

$1,000-1,500

Sunday, December 15, 2019 - The Traditional Collector

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A Tiffany & Co. sterling silver coffee and tea service

1907-1947 Each stamped: Tiffany & Co. makers sterling silver 925-1000. 18382 6378 The directorship John C. Moore, each designed with chased floral swags, each monogrammed DD, comprising a coffee pot (11” H x 9.5” W x 3.75” D), a teapot (8.25” H x 10.5” W x 4.5” D), a covered sugar bowl (7.5” H x 8” W x 4.25” D), a cream jug (5.5” H x 6.325” W x 3.5” D), and a waste bowl (4” H x 6” W x 4.5” D), 5 pieces 74.855 oz. troy $3,000-4,000

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(1892-1990 Russian) “Vanity” mirror Patinated and cold-painted bronze on a mirrored swivel base Signed: Erte 13.5”H x 17.25”W x 12.5”D

(1883-1932 French) Bust of a woman Patinated bronze Signed: George Coudray; Further stamped: Made in France / 2747 / E. V. 20.25” H x 14” W x 7.25” D

Romain (Erté) de Tirtoff

$1,000-2,000

After George Charles Coudray

$1,000-1,500

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A pair of green Bohemian glass portrait vases Late 19th/early 20th century Each forest green glass vase centering a hand-painted portrait panel further adorned with gilt highlights, 2 pieces 11” H x 4.75” Dia. $1,200-1,800

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Twelve Royal Doulton luncheon plates

1886-1902 Three plates signed: D. Dewberry Comprising twelve hand-painted luncheon plates with gilt highlights and applied metal design, 12 pieces .75” H x 9” Dia. $1,000-2,000

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A Continental carved curio cabinet

Late 19th/early 20th century The exaggerated, ornately-carved pediment over a hinged glass door enclosing three later-added glass shelves, electrified 43.25” H x 27.75” W x 16” D $800-1,200

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A François Linke transitional marble and bronze gueridon table

First quarter 20th century Signed: F. Linke Round marble top over an apron adorned with gilt-bronze putti on curved legs joined by an upswept stretcher topped with a floriform finial on hoof-capped feet 29.75” H x 20.5” W x 20.5” D $3,000-4,000

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A pair of Italian giltwood stools with glass top First quarter 20th century The carved giltwood stools with caned top over an x-form stretcher with a later-added glass top to be used as a coffee table Overall: 17” H x 50” W x 22” D $1,200-1,800

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Two Buccellati sterling silver and agate tazzas Third quarter 20th century Each signed: Buccellati 925 Each agate bowl set into an oak leaf and acorn-motif pedestal base, 2 pieces Larger: 4.75” H x 4.25” W x 3.875” D 13.410 oz troy approximately $1,500-2,000

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A pair of Buccelatti figural salt cellars Third quarter 20th century Each stamped: Buccelatti 925 Each in the form of a merman holding a shell, 2 pieces 4.325” H x 5” W x 2.75” D 33.065 oz troy approximately $1,200-1,800

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Two Buccelatti sterling silver bowls

Third quarter 20th century Each stamped for Mario Buccelatti; Further stamped: 925 Comprising two bowls with ribbed, rolled edges together with the original fitted boxes, 2 pieces Larger: 2.125” H x 10.5” Dia. 31.130 oz. troy approximately $800-1,200

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A pair of gilt-bronze sconces

Late 19th/early 20th century Each signed: Garnier Each seven-light sconce with leaf and scroll-motif arms, 2 pieces 30” H x 17.5” W x 19” D $800-1,200

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A pair of French Empire-style gilt-bronze figural candelabra Fourth quarter 19th century One stamped: Thomire a Paris Each four-light gilt-bronze candelabrum set with an opposing centurion raised on a squared columnar base with applied military-motif frieze, 2 pieces Each: 20.75” H x 8” W x 5.75” D $4,000-6,000

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An Italian inlaid secretary cabinet

Late 18th/early 19th century The marble top over a pull-out writing surface over two long drawers raised on tapering post feet designed with marquetry panels 37.75” H x 49.325” W x 23.25” D $1,500-2,500

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A pair of gilt-bronze and crystal wall sconces

First quarter 20th century Each gilt-bronze six-light sconce with cut-crystal drops issuing from a scrolled arm, 2 pieces 19” H x 16” W x 17” D $1,000-1,500

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A French figural gilt-bronze table clock

First quarter 20th century Movement signed: Samuel Marti, Medaille D’or Paris 1900 Surmounted by a Maenad holding grapes flanked by putti over a clockface set with a white porcelain dial with Roman numeral hour markers and Arabic numeral sub-seconds over a white marble base raised on toupie feet 15.5” H x 11.25” W x 7.75” D $2,500-3,500

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A French curio vitrine

First quarter 20th century The glass top set into a serpentine wood top with gilt-bronze mounts and hand-painted embellishments over a glass-lined compartment with hinged door enclosing a single glass shelf and velvet interior raised on cabriole legs, with key 38.25” H x 20.75” W x 20.75” D $1,000-1,500

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Rubens Santoro

(1859-1942 Italian) Middle Eastern street scene Oil on canvas Signed lower right: Rubens Santoro 15.5” H x 11.5” W $6,000-8,000

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A pair of porcelain and brass wall sconces Late 19th/early 20th century Each numbered verso; One signed in pencil: Lenhart Each brass frame issuing a single candleholder enclosing opposing portraits of a woman in Renaissance dress, 2 pieces Each: 13.75” H x 13” Dia. x 6.875” D $1,200-1,800

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A pair of Syrian parquetry barrel chairs

Second half of 19th century Inlaid with mother-of-pearl, bone, and various fruitwoods with rounded back enclosing a conforming seat with upholstered dropin cushion, the slender squared legs connected by geometric aprons, 2 pieces Each: 31” H x 24.25” W x 21.5” D $800-1,200

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A hand-knotted Fereghan rug First quarter 20th century Wool on cotton foundation, repeated boteh motif to field 79� H x 50� W $500-700

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A Persian Tabriz rug

Fourth quarter 20th century Signed to the border Wool on cotton foundation, all-over floral design 12’5” H x 8’11” W $2,000-3,000

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Louis Hottot

(1829-1905 French) A pair of Orientalist wall plaques Cold-painted bronze Each signed: L. Hottot Each plaque approximately: 23” H x 16.5” W x 6.5” D $3,000-5,000

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A Persian Qom silk rug Second quarter 20th century Silk on silk foundation 10’4” H x 7’1” W $6,000-8,000

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A Marshall Laird oak corner gate-leg table and wall mirror

First quarter 20th century Mirror with metal tag: Marshall Laird Los Angeles The triangular square hinged top over a three-leg gate-leg table together with a carved mirror Table: 31.25” H x 36.25” W x 18” D; Top open: 30.5” H x 36” W x 36” D; Mirror: 17.75” H x 27” W $500-700

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Umberto Ongania

(1860/65-1896 Italian) Figures along a Venice waterway Watercolor on paper laid to board under glass Signed lower right: U. Ongania Sight: 30.25” H x 20” W $1,000-1,500

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An Italian Rococo-style painted chest with mirror Late 18th/early 19th century The carved, gilt, and painted mirror over a bombe chest painted with flowers issuing two drawers 95” H x 52.5” W x 25.25” D $2,500-3,500

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Ercole Magrotti

(1890-1967 Italian) Italian lakeside village Oil on canvas Signed lower right: E. Magrotti 27.75� H x 39.25� W $2,000-3,000

Tuesday, November 19, 2019 - Prints & Multiples

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A pair of Italian silvered and giltwood mirrors

19th century Each silvered and giltwood frame carved with cherubs and seminude women enclosing a mirror panel issuing a single candle holder, 2 pieces 37” H x 25.5” W x 8” D $1,500-2,500

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An Italian Baroque cabinet

Late 18th/early 19th century The rectangular top over two short drawers over a two-door cabinet raised on bracket feet 47” H x 51” W x 20” D $2,000-3,000

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Jesus Christ in an interior with figures 17th Century Continental School Oil on canvas laid to canvas Unsigned 71.5” H x 58” W $3,000-5,000

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An Italian Della Robia wall plaque

20th century Centering a panel of the Virgin Mary admiring the Christ child surrounded by a garland of fruit and pinecones on a custom wood backing 42” H x 25.5” W x 6” D $1,000-1,500

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A Continental carved wood figure of Christ as the Man of Sorrows

17th century The standing Christ figure depicted as the Man of Sorrows with right hand raised in benediction with wounds of the Passion made of carved and polychromed wood, with associated stand Figure: 37.325” H x 22” W x 13” D

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$3,000-5,000

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Affortunato (Fortunato) Gory

(1895-1925 Italian/French) Dancing 18th-century woman Gilt-bronze and alabaster on marble plinth Signed: A. Gory; Further stamped for foundry: DM; Signed illegibly to base: D. Mon** edit.

Paris 28” H x 12.5” W x 9” D $4,000-6,000

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(1852-1935 Italian) “Chagrin D’Amore” Oil on canvas Signed with conjoined initials lower right: FCipolla, titled on a label affixed verso 18.5” H x 23.5” W

Late 18th/early 19th century The marble top over a marquetry body set with three long drawers raised on a scrolled apron over tapering post feet 35” H x 46.25” W x 23.25” D

Fabio Cipolla

$3,000-5,000

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An Italian marquetry commode

$1,500-2,500

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A Mexican silver tea and coffee service

Third quarter 20th century Each marked to base: [Eagle 57] Plata 925 / AHG / Sterling Comprising a handled tray (2” H x 31” W x 18.5” D), tippingkettle (14.5” H x 18” W x 6.5” D), a coffee pot (9.25” H x 9.5” W x 4.75” D), a teapot (8.25” H x 10.25” W x 9.25” D), a cream jug (6.5” H x 4.75” W x 3.25” D), a covered sugar bowl (5.5” H x 6.25” W x 3.75”D ), and waste bowl (3.25” H x 4.25” Dia.), 7 pieces 282.270 oz troy approximately $3,000-5,000

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A Deniere France white marble and gilt-bronze clock set

Late 19th/early 20th century Dial signed: Deniere Paris; Ft-De Bronzes Comprising a white marble and gilt-bronze clock surmounted by patinated bronze putti with grape clusters and scythes over a white marble base set with a white porcelain dial with Roman numeral hour markers together with a pair of six-light candelabra with putti, 3 pieces Clock: 20.5” H x 25” W x 9.75” D; Each candelabrum: 2 5.5” H x 11” W x 11” D $6,000-8,000

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A French marquetry and gilt bronze-mounted cabinet

Fourth quarter 19th century Stamped to one gilt-bronze mount: BP The black marble top over a gilt bronze-mounted double-door cabinet raised on tapering legs 39.5” H x 46.5” W x 18.5” D $10,000-15,000

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A 1956 Bentley S1 saloon

1956, England VIN: B293AP; Mileage shows: 34,077 Coachwork by Hooper, completed May 15, 1956, right-hand drive, Empress doors $50,000-70,000 Provenance: Letter from Osmond Rivers, Hooper designer from the 1930s to 1950s and Managing Director, dated November 26, 1977, stating one of three Bentley Hooper S1 Saloons with cut-out spats made.

Exhibitions: Rolls-Royce Owners’ Club, Dana Point, CA, August 1999, pg. 39.

Literature: Rolls-Royce Owners’ Club Southern California Region, The Spirit of Ecstacy Society Newsletter Volume 41, Issue 5, May 2007, front cover.

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Affortunato (Fortunato) Gory (1895-1925 Italian/French) Walking woman Gilt-bronze and alabaster Signed to base: Gory 26” H x 11.75” W x 9.5” D $5,000-7,000

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Affortunato (Fortunato) Gory (1895-1925 Italian/French) Walking lady Gilt-bronze and alabaster Signed to base: A. Gory 27.5” H x 14” W x 11” D $7,000-9,000

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A gilt-bronze and enamel jewelry box

20th century Set with bombe panels with mauve ground and raised enamel decoration set into a gilt-bronze mount 5.625” H x 10” W x 7” D $2,000-3,000

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A pair of framed KPM plaques

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Late 19th/early 20th century Stamped for KPM; Signed: J Eiselt Each centering an oval panel of floral bouquets enclosed in a giltwood frame, 2 pieces Each plaque: 18” H x 13.5” W $5,000-7,000

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A Royal Vienna portrait plaque with carved frame

Late 19th/early 20th century Blue Royal Vienna mark verso; Signed to portrait: Wagner After the self-portrait by Elisabeth Vigee Le Brun (1755-1842 French) enclosed in an elaborate giltwood frame Plaque approximately: 7.75” H x 5” W; Frame: 13.75” H x 9” W x 2.5” D $2,000-3,000

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A framed painted porcelain portrait plaque

Late 19th/early 20th century Apparently unsigned After “Countess Sophie Potocka” by Elizabeth Louise Vigee-LeBrun (1755-1842 French) enclosed in a giltwood frame Plaque approximately: 4.75” H x 6.75” W; Frame: 14” H x 10.25” W x 2.5” D $1,200-1,800

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A pair of Italian armchairs

Second quarter 20th century Each carved and painted armchair with sphinx masks at either armrest raised on scrolled feet, 2 pieces Each: 38.75” H x 34” W x 35” D $1,500-2,000

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A French gilt and patinated bronze clock and garniture set

Late 19th/early 20th Century Dial signed: Japy Frares Cie / Med. D’honneur; Further stamped: E.P Lepsse 5424 Surmounted by a patinated bronze figure of Psyche and Cupid over white porcelain dial partially signed for maker over a cloud form base with rose highlights over a breakfront base with floral swags raised on toupie feet, each five-light candalabrum with gilt bronze bobeche over a patinated bronze standard adorned with baby Cupid and Psyche figures raised on breakfront bases adorned with garlands and swags and raised overall on toupie feet, 3 pieces Clock: 26” H x 15.25” W x 11.5” D Each candelabrum: 28.25” H x 14.75” W x 11.25” D $6,000-9,000

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A Baccarat gilt-bronze and cut-crystal centerpiece Late 19th/early 20th century Apparently unsigned The scalloped-edge oval bowl with fluted body set into a gilt-bronze base with scrolled handles over a rocaille scrolled base 14.5” H x 26” W x 12.24” D

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A French Louis XV-style commode

First quarter 20th century The marble top over a gilt bronze-mounted body with marquetry veneers issuing two long drawers raised on slightly outswept feet 33.25” H x 46.25” W x 21.5” D $1,200-1,800

$5,000-7,000

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A 1961 Mercedes-Benz 190SL Convertible

1961, Stutgart, West Germany Body No. 121040-10-01173; Engine No. 1210181101; Chassis No. 121040-10-017745; Mileage shows: 38,777 Black exterior with black leather interior, 1.9L/4 inline four-cylinder gasoline engine, together with original Mercedes-Benz service book, radio instruction manual, and catalog $70,000-90,000 Provenance: Estate of John Scott, Manhattan Beach, CA.

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A pair of silvered bronze candelabra

Late 19th/early 20th century Each five-light candelabrum with scrolled arms issuing from a knopped standard on a scrolled base, 2 pieces 21” H x 14.5” W x 14.5” D $2,000-3,000

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A French Sèvres style gilt bronze-mounted porcelain centerpiece

Late 19th/early 20th century The celeste blue border enclosing a transfer-printed scene of figures flanked by sphinx-form handles raised on a fluted pedestal adorned with grotesque masks terminating on claw feet 9.5” H x 18” W x 15” D

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A partial set of Venetian stemware

Mid-20th century Each designed with pink and white ribboned stripes on a knopped gold stem, comprising 10 red wine stems (6.5” H x 3.75” Dia.), 9 white wine stems (5.75” H x 3.25” Dia.), 4 toothpick holders, and 4 nut dishes, 27 pieces $1,000-1,500

$1,500-2,500

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A pair of French gilt-bronze and rouge marble candelabra

Third quarter 19th century Each seven-light candelabrum over a fluted rouge marble and gilt-bronze standard with Greek key design over a tripodal scrolled base, 2 pieces 27.5” H x 11” W x 11.5” D $5,000-7,000

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A French gilt-bronze rouge marble vase

Late 19th/early 20th century The scrolled neck issuing two scrolled handles over a gadrooned shoulder on a red marble vase centering a panel of muses of the visual arts, raised on a gilt-bronze support mounted to a red marble base raised overall on paw feet 33” H x 16.5” W x 9.5” D $8,000-10,000

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A mahogany half-circle hinged fold-out desk

First half 20th century The hinged half-circle top over ribbed tapering legs raised on casters Folded: 31” H x 50.5” W x 23.5” D; With sides extended: 35.75” W $600-900

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Ralph and Gloria Schack Mechanical Music Box Collection Lots 59–88

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his extraordinary collection of music boxes was the labor of love and life’s work of Ralph and Gloria Schack. The Schack’s were longtime members of the Music Box Society International and Ralph served as president of their local chapter from 2003-2004. Known and respected for his deep knowledge, world-class collection, and dependability, Ralph was a beloved member of the Southern California chapter. Each of the music boxes in the collection were lovingly restored and well cared for by the Schack’s and were housed in a special listening room of their home, where the smallest tabletop box and the largest orchestrion would fill the room with music.

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A Nicole Freres Swiss mandoline express cylinder music box

Fourth quarter 20th century Signed: Nicole Freres; Serial No. 44410; Gme. No. 2752 Inlaid wood veneer case, six airs, 33cm cylinder, lever movement, music selections include: Bellini, Strauss, Bela, Donizetti, and Strasny 6.75” H x 24” W x 10” D $2,000-3,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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Third quarter 19th century Serial No. 14325 Six airs, triple comb and zither, polytype, 47cm cylinder, lever wind 10” H x 36” W x 14.5” D

Second half 19th century Serial No. 2152; Signed: Ducommun Girod Inlaid wood top over a faux-finished case, 18 airs (three turns), 37 x 10cm cylinder, ratchet wind, music selection includes: Strauss, Donizetti, Bellini, and more 7.5” H x 25.25” W x 10.5” D

A Baker-Troll cylinder music box

$3,000-5,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

A Ducommun Girod Swiss cylinder music box

$2,000-3,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

Sunday, December 15, 2019 - Ralph and Gloria Schack Mechanical Music Box Collection

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A Nicole Freres Swiss cylinder tabletop music box

Late 19th/early 20th century Signed: Nicole Freres; Serial No. 24384 Rectangular faux-finished wood case with inlaid wood lid, four overtures, 30cm cylinder, key wind, music selections include: Bellini, Donizetti, Bellini, and Auber 6.5” H x 20.5” W x 8.5” D $2,000-3,000

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Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Nicole Freres cylinder music box and cabinet

Circa 1870s Serial No. 45248; Plaque: Rita Ford Inc. New York, NY. Walnut veneer over mahogany and pine with ebony trim, four airs, interchangeable, 41cm x 8 cm cylinder, five additional cylinders, lever wind, the lower cabinet with a pull-out writing surface over a two-door cabinet enclosing a fitted cylinder compartment, cylinders include traditional songs, hymns, and music by Mozart, Rossini, Meyerbeer, Weber, and Auber, 2 pieces Overall: 45” H x 36” W x 23.5” D $20,000-30,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Palais Royale oval necessaire

Circa 1830 Serial No. 587 Mother-of-pearl lid over a repoussé and openwork vermeil case, fitted velvet-lined interior with ten sewing notions, two airs, key wind, with key 2.5” H x 6.25” W x 5” D $3,000-4,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Charles Bruguier vermeil and enamel fuseé bird music box

First half 19th century The silver box with enamel coastal scene to the lid enclosing a singing bird automaton enclosed in a chased silver case 1.5” H x 3.75” W x 2.325” D

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$10,000-15,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Paillard “Gloria” piccolo-zither cylinder music box Late 19th/early 20th century Serial No. 87322 Hardwood, six airs interchangeable, five 23.5cm cylinders 11.5” H x 25.5” W x 15.5” D $2,000-3,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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An Empress Concert Grand console disc music box Late 19th/early 20th century Serial No. 8491 Mahogany case, 18” discs, lever wind 45” H x 30” W x 24.5” D $5,000-7,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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An M. Welte & Sohne Style 3 “Cottage” orchestrion

1886 The rectangular case with pierced spindle gallery surmounted by spherules above a molded cornice over five gilt scroll-work glazed-panel doors enclosing a mechanism fitted with patented pneumatic system with 75-key paper rolls playing a 44-note range with 134 pipes (29 zinn, 15 trompette, and 6 posaune) and an 84 octave “Walde Flote,” “Gedeckte,” and bass wood pipes, kettle drums, with timpani, bass, and snare drums, cymbal and triangle, converted from a pinned cylinder and with reconfigured pump arrangement to base (modified circa 1910), together with 80 rolls 9’6” H x 5’8” W x 37” D $200,000-300,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

Literature: D.R. Center, “Welte Orchestrions: The Age of Opulence,” Mechanical Music, Volumne 52, No. 5, September/October 2006. pg. 11 and 16.

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A polyphon two-bell disc music box

Late 19th/early 20th century Stamped to bedplate: 365 / Polyphon Mahogany case with marquetry lid, two-bell disc mechanism 10.75” H x 21” W x 19.75” D $2,000-3,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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Fourth quarter 20th century Serial No. 32433; Gme No. 3669 Wood inlaid case, six airs, 44 cm cylinder, music selections include: Mozart, Meyerbeer, Bellini, and Donizetti 5.875” H x 25.625” W x 8.125” D

Circa 1850 Serial No. 20568; Signed to movement: BB & Cie. / Geneve; Badge to case signed: Henry Capt / 3258 Mahogany and rosewood-veneered wood case, six air, 33cm cylinder, key wind movement, plays the overture from Gioachino Rossini’s Barber of Seville, with key 5.125” H x 20.125” W x 6.875” D

A Le Coultre mandoline music box

$2,000-3,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

A Henry Capt Swiss cylinder tabletop music box

$1,500-2,500 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Regina Style 34 orchestral “Corona” disc changer

1899 Serial No. 46337; Walnut case, double glass doors with gilt-metal detailing, 27” discs, coin-operated (accepts nickles), twelve additional disks 74” H x 35.75” H x 22.75” D $8,000-12,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Langdorf forte piano mandoline

Late 19th/early 20th century Serial No. 11768 Rectangular faux-finished wood case with contrasting wood inlay, four airs, double comb, 39cm cylinder, key wind, reproduction card, plays selections from Rossini, Handel, and one other composer 5.5” H x 23.25” W x 7.5” D $2,000-3,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Mermod Freres Swiss cylinder music box

Third quarter 19th century Serial No. 128977 Walnut veneer with ebony and satinwood trim, six airs, interchangeable, 51cm x 9cm, lever wind, eighteen additional cylinders secured in a five-drawer cabinet, 2 pieces 49” H x 46” W x 23.5” D $20,000-30,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Gebruder Weber “Otero” orchestrion

1923, Waldkirch, Germany Serial No. 2366 The rectangular breakfront case with narrow cornice above a central rectangular beveled mirror plate flanked by swan-form brass hanging lanterns over mirrored slips centering mirrored double-glazed doors enclosing a mechanism with a Feurich piano (serial No. 40892), mandolin rail, 28 violin pipes, 28 flute pipes (each with tremolo), bass drum (one kettle drum beater and one bass drum and simultaneous cymbal beater), with cymbal, snare drum (each with expression), xylophone, triangle and castanets, with swell shutters to top, includes 125 rolls 10’2” H x 8’8” W x 36” D $150,000-200,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

76

A Polyphon folding top disc music box

Fourth quarter 19th century Serial No. 86 Rosewood veneer with faux-painted body, double comb, lever wind, 24.5” disc, includes twelve discs 10.75” H x 30” W x 17” D $6,000-9,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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An Olympia disc music box on stand

Circa 1900 Serial No. 8314 Mahogany with carved designs on a conformingly decorated double-door cabinet raised on stacked feet, 15.5” disc, lever wind, additional thirty-three discs 45.5” H x 23.75” W x 21.75” D $4,000-6,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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An Olympia upright disc player

First quarter 20th century Serial No. 11849 Mahogany case, double-comb, 20.75” disc, thirty-four additional discs 76.5” H x 30.5” W x 18” D $3,000-5,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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Fourth quarter 20th century Serial No. 20448; Apparently unsigned Inlaid wood top over a faux-finished wood case, six airs, 33cm cylinder, personalized to metal plaque: Roxannah Mitchell from Father; music selections include: Rossini, Offenbach, Auber, Strauss Jr., and Verdi 5.625” H x 22.25” W x 9.125” D

Fourth quarter 19th century Serial No. 5197 Rectangular marquetry top over a wood case, four overtures, 26cm cylinder, key wind movement 5.75” H x 18.25” W x 7.875” D

A Bremond Swiss cylinder music box

$1,500-2,500 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Swiss cylinder music box

$1,000-2,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

2019

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Fourth quarter 19th century Serial No. 18554 Bombe-form bird’s eye maple-veneered case with gilt-bronze mounts, six air, 33cm cylinder, music selections include: Gounod, Verdi, Sinclair, Labitzki, and Lecocq 8.25” H x 24” W x 10.5” D

Circa 1830 Serial No. 9212; Signed: D. Le Coultre Rectangular wood case, four airs, 18cm cylinder, ninety-two teeth, key wind movement, music selections include: John Anderson my Jo (words by Robert Burns), Julien, Marini, and Strauss Jr. 4.25” H x 12.625” W x 5.125” D

A Langdorff forte piano Swiss cylinder music box

A Le Coultre Swiss cylinder music box

$1,500-2,500

$1,000-1,500

Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Jäger & Brommer 20-note organ

Second half 20th century 200th anniversary edition, the walnut veneer case with mechanical dancers that dance when the lever is engaged 16.5” H x 19.25” W x 13.25” D $1,200-1,800 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

84

A Bruns 42er violinopan organ with cart, “The Ralph” 1994 Custom built, marquetry veneers, fitted with 114 pipes, 42 flutes, and 72 violins on a cart with thirteen extra rolls Overall: 47.75” H x 35.5” W x 25” D $5,000-7,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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A Bruns 24-key pan flute organ

Fourth quarter 20th century Bird’s eye maple veneers, on a cart with nine additional rolls on a cart 42.5” H x 30.5” W x 23” D $1,500-2,500 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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Fourth quarter 19th century Apparently unsigned The oval mahogany-veneer case with oak carcass, four airs, twenty-four section combs, each section has five tines, fusee movement, 27cm cylinder, key wind movement 4.25” H x 17.325” W x 8.75” D

Fourth quarter 19th century Serial No. 6333 Oval mahogany veneer case with later-added acrylic top, four airs, twenty sections of combs in one eight and the rest five sections, 20cm cylinder, key wind movement 3.325” H x 16.75” W x 8.325” D

A musical clock base

64

A musical clock base

$1,000-2,000

$600-900

Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

1969

2019

88

A Kalliope Style 200 disc music box

Serial No. 39747 Walnut, coin-operated (takes a 5 pfennig German coin), 25 3/8” discs, double comb, twelve bells, nine additional discs, on a lateradded lower cabinet Overall: 95.75” H x 32.75” W x 19.25” D $6,000-9,000 Provenance: Property from the Ralph and Gloria Schack mechanical music box collection.

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Portrait of an English architect Late 18th Century English School Oil on canvas laid to canvas Unsigned 32” H x 26” W $3,000-4,000

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Five Sheraton-style chairs

Second quarter 20th century Each with a carved and openwork shield-form backrest, 5 pieces 37.25” H x 21” W x 22” D $800-1,200

91

A mahogany Sheraton sideboard

First quarter 19th century Mahogany with satinwood trim, the concave front fitted with single drawer to the center over a double-door cabinet flanked on either side with a single drawer over a curved cabinet door 39” H x 69” W x 26” D $1,000-1,500

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A Chippendale-style dining table

Second quarter 20th century The rectangular top with rounded corners over a doublepedestal base each with four carved legs terminating in claw feet on casters with four leaves Without leaves: 29.5” H x 80.25” W x 42” D $2,000-3,000

93

Four Sheraton-style chairs

Second quarter 20th century Each designed with a shield back with carved feather design to the backrest, 4 pieces 38” H x 22” W x 23” D $800-1,200

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A tilt-top pedestal tea table

Late 19th/early 20th century The round wood top over a pedestal base raised on curved tripodal legs 29” H x 29.5” W x 28.75” D $500-700

95

A Kittinger dropleaf tea table

Third quarter 20th century Paper label: Kittinger / Buffalo / T169 The triangular top issuing three rounded drop leaves over a knopped support raised on a tripodal base With leaves extended: 26.25” H x 28” Dia. $500-700

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A Royal Vienna-style cabinet plate

20th century Blue Royal Vienna-style underglaze mark; Signed and numbered: Germany / 06603; Titled verso: Cleopatra Centering a portrait of a woman in renaissance dress enclosed in a gilt-floral border on burgundy ground 1.125” H x 9.5” Dia. $1,000-1,500

97

A French Provincial cabinet

18th century The carved crest over a double-door cabinet over a base issuing two single drawers and a double-door cabinet raised on cabriole feet 85.5” H x 57.75” W x 24.75” D $1,500-2,500

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A Daum Nancy cameo glass cabinet vase First quarter 20th century Signed: Daum Nancy The cut-back glass depicting trees in a snowy landscape 7.75� H x 3.25� Dia. $1,000-2,000

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A Pairpoint lamp base with a reproduction glass shade 20th century Base signed: Pairpoint; No. 3050 The later-added grapevine-motif shade on a patinated metal Pairpoint lamp base fitted with a Bryant single light, 2 pieces 21.5” H x 14” Dia. $700-900

100

A Pairpoint lamp base with a reproduction shade 20th century Base signed: Pairpoint Manufacturing Co.; No. 3064 The later-added poppy-motif shade on a patinated metal Pairpoint lamp base fitted with a Hubbell two-light cluster, 2 pieces 20.5” H x 12” Dia. $700-900

72

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101

Hans Zatzka

(1859-1945 Austrian) Women posing in gardens (two works) Each: Oil on cradled panel Each: Signed with one of the artist’s pseudonyms: C. Bernard Each: 20.25” H x 10.25” W $8,000-12,000

102

Mathurin Moreau

(1822-1912 French) “Psyche” Gilt bronze on marble plinth Signed: Moreau Math Scpt; Titled to marble base 21” H x 8” W x 6.75” D $4,000-6,000

103

A French walnut and mahogany bombe cabinet

Late 19th/early 20th century The demi-lune bombe-body cabinet with carved giltwood adornments fitted with a single drawer over a Vernis Martin painted door raised on scrolled feet enclosing a velvet-lined interior, with key 47.25” H x 42” W x 18” D $2,000-3,000

103

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A framed painted porcelain plaque

Late 19th/early 20th century The giltwood shadowbox frame enclosing a plaque depicting two Orientalist women at a well Plaque approximately: 6.75” H x 4.75” W; Frame: 11” H x 9” W x 1.75” D $1,000-1,500

105

A Sèvres-style gilt-bronze oval centerpiece

Late 19th/early 20th century Illustration signed E. Collot The Sèvres-style oval centerpiece with friezes of courting couples in a landscape in a cobalt blue ground set into a gilt-bronze mount raised by a squared breakfront base 22” H x 21” W x 11.5” D $5,000-7,000

106

A François Linke gilt bronze-mounted gueridon table

Late 19th/early 20th century Signed: F. Linke The marble top over a marquetry apron set with gilt-bronze mount at the top of all four cabriole legs terminating in hoof-form caps 29.5” H x 24.25” Dia.

106

$3,000-5,000

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A gilt-bronze and champlevé clock and garniture set

1860-1889 Movement Stamped: Medaille De Bronze S. Marti & Cie; further stamped: SF & JD 12459; Each piece signed: F. Barbedienne Surmounted by a gilt-bronze and champlevé enamel urn with scrolled openwork shoulder flanked by squared handles and draped with leaf swags over a conformingly decorated base adorned with a crossed trumpet and thyrsus with pan flute over a champlevé dial with inset porcelain hour markers with applied Roman numerals on a base made to look like a drape of fabric with gold fringe adorned with floral swags and raised on a acanthus leaf and fluted feet, together with two five-light conformingly decorated candelabra, 3 pieces Clock: 21” H x 14.25” W x 10.5” D; Candelabrum: 25” H x 10.5” W x 6.5” D $40,000-60,000

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Alfred Desire Lanson

(1851-1898 French) Jason and the golden fleece Patinated bronze Signed: Lanson Scpt; Pastille: Susse Freres Editeurs Paris 29.5” H x 14.5” W x 10.25” D $2,500-3,500

109

A terracotta sculpture

Late 19th/early 20th century Signed: Coroni Depicting two satyrs admiring a bust of Pan 18.75” H x 11.75” W x 9.5” D $1,000-1,500

110

After Germain Pilon

(1525-1590 French) The Three Graces Gilt bronze and marble, converted to a plant stand Stamped: Reduction Mechanique / A. Collas; Further signed: F. Barbedienne Fondeur 23” H x 12” Dia. $3,000-4,000

110

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A pair of French Sèvres-style lidded urns Late 19th, early 20th century Each with sevres style mark to lid Each pinecone finial surmounting a cobalt blue lid with gilt highlights over a gilt bronze Sèvres-style base, with friezes of buildings in a overgrown landscape to one side and courting couples on the other, flanked by winged sphinx handles and raised on a pedestal base 29” H x 14” W x 8.25” D

112

A pair of French marble and gilt-bronze lidded urns Late 19th/early 20th century Each lidded urn surmounted by a gilt-bronze finial over a green marble lid and body set with gilt-bronze scrolls and centering a giltbronze plaque flanked by Pan’s head handles raised on a chamfered corner base 19” H x 8.25” W x 7.5” D $4,000-6,000

$6,000-8,000

113

An Italian Chinoiserie-motif chest

First quarter 20th century The painted faux-marble top over a two-drawer chest decorated with Chinoiserie scenes raised on cabriole legs 35” H x 44.5” W x 17.75” D $1,000-1,500

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Late 19th/early 20th century Each of white glass cut back to clear adorned with gilt highlights Each approximately: 11.325” H x 5” Dia.

Late 19th/early 20th century Each of white glass cut to green centering a portrait panel further adorned with gilt highlights, 2 pieces Each approximately: 17.5” H x 6” Dia.

A pair Bohemian cut-glass vases

A pair of Bohemian cut-glass portrait vases

$1,200-1,800

$3,000-4,000

116

A Bohemian glass table fountain with illuminated base

First quarter 20th century The floriform fountain set into an etched burgundy glass illuminated base 17” H x 20” Dia $2,000-3,000

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A carved alabaster bust on pedestal

Late 19th/ early 20th century Bust signed: E. Fiashci Depicting a mother and child raised on a columnar pedestal, 2 pieces Pedestal: 41” H x1.75” W x 11.75” D; Bust: 21” H x 11.25” Dia.

118

$1,500-2,000

118

A French gilt-bronze table

Fourth quarter 20th century The pietra dura top monogrammed: HHD, over a gilt-bronze base with friezes of putti and flowers to the apron over columnar legs topped with bust capitals joined by a stretcher 28.875” H x 20.5” Dia. $3,000-5,000

119

An Italian marquetry inlaid commode

Late 18th/early 19th century The marquetry top over a three-drawer commode inlaid with marquetry panels raised on tapering post feet 35” H x 48” W x 22.25” D $1,500-2,500

119

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A Royal Vienna-style table clock

Late 19th/early 20th century Blue overglaze Royal Vienna-style mark to the base; Movement signed: Lenzkirch The domed porcelain top with friezes of scenes from the life of Venus and courting couples raised on bracket feet 18” H x 7.5” W x 7.625” D $6,000-9,000

121

A Sèvres-style dessert set

Late 19th/early 20th century Each signed: Le Brun The celeste blue set with hand-painted friezes of flowers and courting couples, comprising 10 plates and 1 oval platter, 11 pieces Each plate: .5” H x 8.5” Dia.; Platter: 1.75” H x 14.25” W x 9.75” D $2,500-3,500

122

A pair of Bohemian cut back vases

Late 19th/early 20th century Each white cut to clear glass vase with gilt highlights, 2 pieces Each: 14.25” H x 4.625” Dia.

122

$1,000-1,500

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A pair of Dasson gueridon tables

1892 Each signed and dated: Henri Dasson 1892 Each set with a gilt-bronze guardrail over a gilt bronze-mounted apron raised on squared tapering column supports over a veneered undershelf raised on tapering gilt-bronze feet, 2 pieces 30.125� H x 22� W x 14.125� D $10,000-15,000

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Albert Joseph Penot (1862-1930 French) Portrait of a young lady Oil on canvas Signed lower left: A. Penot 18” H x 13” W $2,000-3,000

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A French Sèvres-style gilt metal-mounted porcelain centerpiece

Late 19th/early 20th century Indistinct Sèvres-style mark to the bowl The oval bowl with cobalt blue body adorned with transferprinted friezes with hand-painted highlights, one signed: Fournier, enclosed in a gilt metal frame with scrolled handles over a porcelain support raised on a breakfront base raised overall on scrolled feet 13” H x 19” W x 9.5” D $1,500-2,000

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125

A Dutch marquetry flip-top card table

First quarter 19th century The marquetry top over a conformingly decorated apron raised on fluted tapering post legs opening to a felt-topped game table 28” H x 31.25” W x 15.75” D $1,000-1,500

126

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127

After Sir Joshua Reynolds (1723-1792 British) Cherub playing with dog Oil on canvas Unsigned 35.25” H x 28” W $2,000-3,000

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128

A Paul Sormani cabinet

First quarter 20th century Signed: P. Sormani / 10 Charlot Paris; Paper label verso for retailer J. Beziers & Co. The Chinoiserie coromandier with marble top over glass-sided vitrine over a pull-out writing surface over a two-door cabinet fitted with three drawers set with gilt-bronze mounts raised on toupie feet 63” H x 36.25” W x 16.75” D $5,000-7,000

129

Rembrandt Van Rijn

(1606-1669 Dutch) “Joseph’s Coat Brought to Jacob,” circa 1633 Etching Signed in the plate lower right: Rembrandt Van Rijn 4” H x 3” W $2,000-3,000 Literature: Bartsch 38, Hollstein 38.

130

Two stone and metal sculptures

20th century Each with plaque affixed to the base Comprising a metal sculpture on stone of David slaying Goliath and a metal on stone sculpture of Elijah ascending into heaven, 2 pieces Larger: 14.25” H x 9” W x 9.875” D

129

$1,000-1,500

130

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A sterling silver menorah

Late 19th/early 20th century Stamped: 925 Hadad Issuing eight lights from a knopped standard raised on a chased base on scroll feet 30.25” W x 18.25” H x 7.25” D 81.305 oz. troy approximately $2,500-3,500

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132

133

After George Romney

A Frederick Rotig gilt-bronze and rouge marble mantle clock

(1734-1802 British) Oil on canvas laid to canvas Unsigned 48.5” H x 32.5” W Portrait of Lady Hamilton Oil on canvas laid to canvas Unsigned 48.5” H x 32.5” W $8,000-10,000

Provenance: Sold: John Moran Auctioneers, November 21, 2006, lot 1146

Third quarter 19th century Figure signed A. Carrier; Dial Signed: F. Rotig Havre; Stamped to the movement: F. Rotig Havre; Further stamped: Medaille D’Argent Vincenti Cie Surmounted by a gilt-bronze figural group of two muses with a putto raised on a fluted widening rouge marble base set with floral friezes and fabric swags raised on architectural feet enclosing a white porcelain dial with polychrome and gilt highlights with Arabic numeral hour markers and secondary tract 25.125” H x 13.25” W x 9.5” D $5,000-7,000

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134

A Wallace “Grande Baroque” sterling silver flatware service

Third quarter 20th century Each stamped: Wallace Sterling Designed 1941 by William S. Warren, comprising 12 hollow-handled knives (9”), 12 flat-handled butter spreaders (6.25”), 12 forks (7.5”), 12 individual salad forks (6.5”), 3 cocktail/seafood forks (5.5”), 12 teaspoons (6.25”), 12 round bowl soup spoons (6.125”), 1 sugar spoon (6.25”), 1 table/serving spoon (8.75”), 1 pierced table/serving spoon (8.75”), 1 carving fork (9.5”), 1 hollow-handled pie server (10.5”), 1 baby fork (4”), 1 baby spoon (4”), 1 lemon fork (5.625”), 1 demitasse spoon (4.125”), and 1 jelly server (6.875”), 85 pieces 101.180 oz. troy approximately $2,000-3,000

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135

A Reed & Barton “Francis I” sterling silver flatware service

Third quarter 20th century Each stamped: Reed & Barton / Sterling Designed 1907 by Ernest Meyers, comprising 11 hollowhandled knives (9.125”), 1 master butter spreader (7.125”), 10 butter spreaders ( 6.325”), 12 forks (7.125”), 14 individual salad forks (6.125”), 16 teaspoons (6”), 10 round bowl soup spoons (5.875”), 1 cold meat serving fork (7.75”), 1 table/serving spoon (8.25”), 1 pierced table/serving spoon (8.25”), and 1 hollowhandled cake server (10.325”), 78 pieces 83.695 oz. troy approximately $2,000-3,000

136

A pair of carved marble garden stools

20th century Each in the form of a crouching satyr holding aloft a cushion on a marble base, 2 pieces Each: 17.75” H x 16” W x 14.75” D $1,000-2,000

135

136

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137

138

A carved and gem-set rock crystal skull

A Lalique “Zelia” frosted art glass sculpture Second half 20th century Apparently unsigned Designed by Marie-Claude Lalique, depicting a creeping panther 4.5” H x 14.5” W x 2.75” D

20th century Set with gold-toned metal cannetille work with natural and synthetic gems on a carved rock crystal skull 6.5” H x 7.25” W x 4.25” D

$600-900

$1,000-2,000

140

139

A clear glass Baccarat shark with box

A Lalique “Coq Nain” art glass car mascot

Fourth quarter 20th century Acid-etched signature: Baccarat France 4.25” H x 12.25” W x 5.5” D

Fourth quarter 20th century Signed: Lalique France Depicted with tail feathers in the air 8.125” H x 5.25” W x 2.5” D

$600-900

$400-600

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141

A pair of malachite lamps

20th century Each two-light lamp over a cylindrical standard adorned with gilt bronze mounts and raised a squared foot, 2 pieces Each: 32” H x 5” W x 5” D $2,000-3,000

142

A Russian malachite guitar

Second half 20th century The guitar-form sculpture with malachite veneers 29.25” H x 10” W x 3” D $1,000-1,500

141

142

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143

A pair of Russian malachite obelisks

20th century Each malachite obelisks adorned with scenes of Grecian women raised on a gilt bronze foot, 2 pieces 29.5” H x 7.25” W x 7.25” D $2,500-3,500

144

A pair of malachite pedestals

20th century Each squared standard over a stepped base, 2 pieces 35.75” H x 14” W x 14” D $4,000-6,000

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145

146

20th century The gold rim over a patinated spelter body with chased floral design adorned with two winged putti and flanked by curved gold handles raised on a widening gold foot 11.75” H x 15.5” W x 11.5” D

(1847-1919 Greek/French) Standing gentleman Patinated bronze on a marble plinth Signed: E. Lormier 26” H x 8.25” W x 8.25” D

A gilt and patinated spelter jardinière

$1,200-1,800

Edouard Lormier

$1,200-1,800

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147

A French Sèvres plaque-mounted cabinet

Fourth quarter 19th century The galleried top over an architectural cabinet fitted with porcelain plaques and marquetry veneers in satinwood, walnut, mahogany, and ebony over a pull-out writing surface flanked by two short drawers over two undershelves supported by columnar supports 58.5” H x 49” W x 22” D $2,500-3,500

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148

A gilt bronze-mounted Chinese Export bowl

Late 19th/early 20th century The Chinese Imari-style bowl set into a gilt-bronze mount with flanked by scrolled handles and raised on a pedestal base 11” H x 15.5” W x 10.75” D $1,500-2,000

149

A French Louis XV-style tiered pastry table

First quarter 20th century The upper shelf suspended by gilt-bronze putti over a conformingly shaped undershelf flanked by scrolled handles raised on gilt bronzemounted cabriole legs 36.625” H x 34.5” W x 22.25” D $1,000-1,500

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151

1844, London Fully hallmarked, further stamped: W.A Each squared gadrooned drip pan over a knopped and gadrooned standard raised on a conformingly decorated squared and weighted base, 2 pieces Each: 11.25” H x 4.75” W x 4.75” D

First quarter 20th century Dial signed: Tiffany & Co.; Movement apparently unsigned The carved wood top with Green Man face and floral swags over a gilt-bronze and silvered dial with three apertures for chimes and movement over a silvered dial with Roman numeral hour markers, Arabic numeral subtract, and fleur-de-lys hands flanked by two carved neoclassical female busts raised on a stepped base 17.25” H x 11.25” W x 8.75” D

A pair of English sterling silver candlesticks

A Tiffany & Co. triple fusee bracket clock

$800-1,200

$2,000-3,000

98

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152

An English George III-style painted console

Late 19th/early 20th century The demilune console with painted top over a fluted and carved giltwood apron raised on scrolled legs adorned with ram’s head masks raised on hoof feet 33” H x 46.75” W x 21.5” D $2,000-3,000

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153

A Royal Vienna portrait vase

Late 19th/early 20th century Signed to bottom: La Rose 7671; With blue overglaze mark for Royal Vienna The pine cone finial over a cobalt blue and gilt-highlighted body flanked by grotesque masks enclosing a portrait of a scantily clad woman raised on a stepped pedestal base 23.75” H x 10.25” W x 8.25” D $5,000-7,000

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154

A Portuguese silver vanity box

1887-1938, Reis Porto Hallmarked with boar cartouche The painted panel of a courting couple in a landscape set into a scrolled repousse top over a conformingly decorated base on a scrolled foot 3.625” H x 6.5” Dia. 31.305 oz. troy approximately $1,500-2,000

155

Two marble-topped semainier cabinets

Late 19th/early 20th century Each with marble tops over a gilt bronze-mounted six-drawer semainier with marquetry veneers, 2 pieces Each: 45” H x 20.875” W x

154

$2,000-3,000

155

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156

156

Theodore Coquelin

(19th Century French) Still life - Pyrus Communis (European Pears) Oil on wood panel Signed lower right: Th. Coquelin 10.5” H x 13.25” W $2,000-3,000

157

A pair of Christopher Dresser for Linthorpe vases

Circa 1880 Each mark to bottom obscured by heavy fired glaze Each bulbous-form vase with geometric incised motifs under brown glaze, 2 pieces Each approximately 11.75” H x 5.75” Dia. $800-1,200

157

102

1969

2019

158

A Bailey, Kettell & Chapman coin silver presentation set

Circa 1857, Boston Signed: Bailey, Kettell & Chapman / Boston / Coin Comprising a pitcher (10” H x 9.5” W x 6.5” D), two goblets (each: 6.625” H x 3.5” Dia.), a waste bowl (4” H x 5.25” Dia.), and a tray (1.5” H x 20.5” W x 15.75” D) adorned with chased illustrations of a steam engine model 440 and the Russell House, inscribed: Presented to James E. Russell by a few of his friends 1857, the goblets and waste bowl further monogramed: JER 146.635 oz. troy approximately $5,000-7,000 Provenance: Gifted to James E. Russell, thence by descent through the family to the present owner.

Notes: The train motif and Russell House depicted on the tray in honor of James E. Russell, elected as director of the Boston & Albany Railway in 1846 and later listed as a conductor on the Western Railroad in 1856 (this railroad leased the rail from the Boston & Albany Railway).

Sunday, December 15, 2019 - The Traditional Collector

103

159

160

159

An Italian Renaissance Revival metal floor lamp

Late 19th/early 20th century The later-added linen shade over a two-light lamp set into a converted pricket stick set with repousse metal and red velvet on a wood base, electrified Lamp: 63.5” H x 15” W x 15” D; With shade: 66.5” H $800-1,200

160

An Italian Renaissance Revival table lamp

19th century or earlier The single-light lamp over a metal standard converted from a pricket stick raised on a velvet base, electrified 33.25” H x 9.75” W x 9.75” D $600-900

161

An E.F Caldwell green marble clock

161

First quarter 20th century Dial signed: Edw. F. Caldwell & Co. Inc. New York Round green marble clock enclosing a white porcelain dial with Arabic numerals raised on claw feet on a rectangular green marble base 11.5” H x 11” W x 3.125” D $1,000-1,500

104

1969

2019

162

Jean Antoine Theodore Gudin (1802-1880 French) Coastal scene with boats and figures, 1830 Oil on canvas Signed and dated lower right: T. Gudin 15� H x 22.25� W $1,800-2,200

Sunday, December 15, 2019 - The Traditional Collector

105

163

An Italian walnut secretary cabinet

First quarter 20th century The mirrored cabinet over a secretary desk with fitted interior over two lined drawers raised on cabriole legs, with key 85.75” H x 46” W x 20.75” D $2,000-3,000

106

1969

2019

164

An International Silver Co. “Prelude” sterling silver flatware service

Third quarter 20th century Each stamped: International Sterling Prelude Designed 1939 by Alfred G. Kintz, comprising 12 hollow-handled knives (9.25”), 1 master butter spreader (7.25”), 12 forks (7.25”), 12 individual salad forks (6.5”), 12 teaspoons (6”), 8 round bowl soup spoons (6.5”), 4 table/serving spoons (8.5”), 1 pierced table/serving spoon (8.5”), 1 gravy ladle (6.325”), 1 cream ladle (5.5”), 1 hollowhandled pie server (10.25”), 1 cheese server (6.25”), 1 sugar spoon (5.75”), 1 short-handled pickle/olive fork (5.875”), 1 bonbon spoon (4.75”), 1 large jelly server, 1 large cold meat serving fork (9”), 1 tomato server (8.125”), and 1 salad serving spoon (9.125”), 73 pieces 85.345 oz. troy approximately $1,200-1,800

165

A Dominick & Haff “Queen Anne” sterling silver flatware service

Circa 1920 Each stamped: Sterling [Dominck & Haff] Bigelow Kennard & Co. Designed 1910 by Gilbert L Crowell, Jr., comprising 12 hollowhandled knives (9.75”), 12 hollow-handled luncheon knives (8.325”), 11 flat-handled butter spreaders (8.875”), 12 forks (7.75”), 12 luncheon forks (6.75”), 9 oval soup spoons (7”), 9 teaspoons (5.875”), 12 round bowl bouillon spoons (5.125”), and 4 table/ serving spoons (8.125”), each monogrammed: RCY and in a personalized red leather casket, 93 pieces 91.965 oz. troy approximately $800-1,200

Sunday, December 15, 2019 - The Traditional Collector

107

166

167

166

Two English sterling silver table items

1797, London Each fully hallmarked, first stamped for Peter & Ann Bateman; Second stamped: AB Comprising a handled basket and a cream jug each with chased decorations on a fluted ground, 2 pieces Basket: 4.825” H x 6.75” W x 4.5” D 10.880 oz. troy approximately $800-1,200

167

A pair of brass candelabra

Late 19th/early 20th century Each nineteen-light candelabrum with scrolled arms issued from a twisted standard raised on a tripodal base, 2 pieces 65” H x 24.5” W x 26.5” D $800-1,200

168

An English circular adjustable etagere

19th century The brass vasiform finial over five adjustable shelves over a round base supported by Corinthian columns on casters Closed: 48” H x 27.25” Dia. $2,000-3,000

168

108

1969

2019

169

170

Late 19th/early 20th century Signed: Societe Des Bronzes Depicting a standing Grecian woman 26.25” H x 7.875” W x 6.75” D

(1845-1902 French) “Seneur” Bronze Signed: A. Gaudez 16.5” H x 6.5” W x 7” D

A patinated bronze statue

After Adrien Gaudez

$2,000-3,000

$500-700

171

A French Provincial walnut two-door buffet

18th century The rectangular top with rounded corners over two short drawers and a two-door cabinet raised on squat cabriole feet 41” H x 53” W x 25” D $2,000-3,000

Sunday, December 15, 2019 - The Traditional Collector

109

172

173

(1822-1882 French) Birds in reeds, with removable lid Gilt bronze Signed: Arson 16.25” H x 6.25” W x 4.75” D

Late 19th/early 20th century Each signed: F. Barbedienne Each three-light sconce centering a torch-form central light issuing two scrolled arms on a wall plate adorned with swags terminating in a pine cone, electrified, 2 pieces Each: 16” H x 9” W x 9.25” D

After Alphonse Alexander Arson

A pair of gilt-bronze wall sconces

$700-900

$2,500-3,500

174

An English desk

Late 19th/early 20th century The inset leather top over three short drawers to one side and false drawers to the other raised on trestle-style supports 30.25” H x 63.25” W x 36.75” D $2,000-3,000

110

1969

2019

175

176

First quarter 20th century The gilt and patinated metal chandelier issuing six lights from swanform arms set into a round base 34” H x 25.5” Dia.

Late 19th/ early 20th century Sevres style mark to lid The pinecone finial surmounting a cobalt blue lid with gilt highlights over a cobalt blue vase, centering friezes of an overgrown landscape to one side and a courting couple on the other flanked by female masks and raised on a pedestal base 29.5” H x 11” W x 7.75” D

A French Empire-style chandelier

$1,000-2,000

A Sèvres-style lidded vase

$2,500-3,500

Sunday, December 15, 2019 - The Traditional Collector

111

177

A Royal Vienna-set giltwood side table

Late 19th/early 20th century Centering a portrait of Louise Bénédicte de Bourbon, Duchesse de Maine with a border of ten portrait plaques of various queens and Duchesses of Europe set into a carved giltwood table with cabriole legs joined by a carved stretcher 30.5” H x 20.5” Dia. $8,000-12,000

112

1969

2019

178

A pair of Louis XVI-style armchairs

Late 19th/early 20th century The rounded backrest surmounted by carved roses on a wood frame issuing two armrests raised on carved legs, 2 pieces Each approximately: 43.25” H x 27.75” W x 28” D $1,200-1,800

179

A gilt bronze-mounted Sèvres porcelain side table

Late 19th/early 20th century Sèvres mark to base; Illustration signed: LeBrun Centering a platter enclosed in gilt-bronze mounts raised on a white porcelain pedestal on a scrolled gilt-bronze base 31.25” H x 20” Dia. $5,000-7,000

Top View

Sunday, December 15, 2019 - The Traditional Collector

113

180

A two-piece Italian mirror and demilune console table

Late 19th/early 20th century The carved open-work giltwood frame enclosing a rectangular mirror over an agate-topped table raised on carved giltwood cabriole legs, 2 pieces Overall: 88� H x 42.5� W x 16.5� D $1,200-1,800

114

1969

2019

181

181

A French Sèvres-style porcelain three-piece garniture set

Late 19th/early 20th century Each with a Sèvres-style mark to the lid Each celeste-blue piece adorned with friezes of courting couples adorned with gilt highlights, comprising two urns and a centerpiece bowl, 3 pieces Each urn: 18” H x 10” W x 7.5” D.; Centerpiece: 10.5” H x 13.75” W x 8” D $3,000-4,000

182

A French Sèvres-style porcelain hand-painted vase Late 19th/early 20th century Sevres style mark to bottom The celeste blue vase with gilt highlights centering a frieze of Venus crowning Cupid to one side and a bouquet of flowers on the other 22.5” H x 11.5” Dia $1,000-2,000

182

Sunday, December 15, 2019 - The Traditional Collector

115

183

A French porcelain and gilt bronze-mounted vase

Late 19th/early 20th century The flame-form finial over an enameled body adorned with scenes of putti in a lush landscape with gilt highlights flanked by scrolled handles raised on a square base with claw feet 22” H x 9.5” W x 7.75” D $3,000-5,000

184

A French bureau-plat

First quarter 20th century The leather-inlaid top over a parquetry cabinet with gilt-bronze mounts issuing three short drawers raised on curved legs 30.25” H x 58” W x 32.5” D $1,500-2,000

183

184

116

1969

2019

185

A large Chinese carved wood water buffalo First quarter 20th century Depicting a carved water buffalo carrying figures on his back 21” H x 38” W x 22” D $600-900

186

A Chinese carved hardwood altar table

20th century Rectangular top supported on rectangular paneled supports decorated with openwork depicting beasts and clouds 34.5” H x 82.5” W x 18.125” D $800-1,200

185

186

Sunday, December 15, 2019 - The Traditional Collector

117

188

187

Chinese scroll panel with royal figures 19th Century Chinese School Ink and colors on paper laid to paper under glass Unsigned Sheet: 50” H x 13” W $600-900

188

A pair of Chinese celadon vases

20th century Each stoneware vase adorned with a dragon, 2 pieces 16”H x 10”W x 8.25”D $800-1,200

187

118

1969

2019

Lots 189–260 Richard Kelton at the helm of "Enchantress"

The Kelton Collection

T

he Kelton Foundation’s longstanding focus on maritime history through the art and artifacts of the islands and nations that spanned the vast Pacific Ocean offers an intimate yet wide-ranging history of the Pacific trade and maritime societies of the 18th through 19th century. The wide breadth of this collection explores the changing powers, cultural exchanges, and maritime innovations of the European and American navies during the 18th and 19th centuries. From important artworks to Chinese Export objects to the instruments that made the long sea voyages possible, this collection presents a unique look at a critical age, one that would shape the histories of people and nations for generations to come.

189

190

189

190

(19th Century British) “Wave of Brixham Vm. Penny Commander,” 1855 Oil pastel on paper under Plexiglas Signed lower left: Nicola Fondo, titled and dated lower center Sight: 20” H x 29.5” W

(1861-1933 British) President Taft, Dollar Line Steamship, 1927 Oil on canvas under Plexiglas Signed lower left: T.G. Purvis 16” H x 27.25” W

Nicola Fondo

120

Thomas G. Purvis

$2,000-3,000

$2,000-3,000

Provenance: Property from the Kelton collection.

Provenance: Property from the Kelton collection.

1969

2019

191

Thomas Whitcombe

(c. 1760-c. 1824 British) “The Capture of the French Frigate Le Serene by the English Frigate Boreas (Aigle)” Oil on canvas laid to canvas under Plexiglass Unsigned, a partial letter from the National Maritime Museum in Greenwich, London is affixed verso 23.75” H x 35” W $20,000-30,000 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

121

192

193

192

193

Third quarter 19th century Signed: Newton / Fleet Street / London Brass, steel, and glass construction 6” H x 1” W x .75” D

20th century Signed: Harriet Wynter London, No. 13 (by repute 13/100) Replica of an 18th-century cross-staff of hand-carved wood Overall: 2.5” H x 23” W x 6.5” D

A Newton brass-mounted trough compass

122

A Harriet Wynter Ltd. replica cross-staff

$200-300

$500-700

Provenance: Purchased: Tesseract, Hastings-on-Hudson, NY. Property from the Kelton collection.

Provenance: Purchased: Harriet Wynter Ltd. Arts & Sciences, London.

Property from the Kelton collection.

1969

2019

194

A Thomas Jones brass theodolite Late 18th/early 19th century Signed: Thomas Jones 62 Charing Cross Enclosed in a wooden case, with key Overall: 7.125” H x 5” W x 5” D $1,500-2,500 Provenance: Sale: Sotheby’s, Lot 68, October 7, 1994.

Property from the Kelton collection.

195

A William & Samuel Jones marking protractor First quarter 19th century Signed: W & S Jones / 30 Holburn London The brass marking protractor enclosed in a mahogany case Protractor: 8” H x 6.25” Dia.; Case: .75” H x 7.75” W x 7.125” D $500-700 Provenance: Purchased: Historical Technology, Marblehead, MA. Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

123

196

197

196

197

(1832-1901 British) “Follow The Leader,” 1897 Oil on canvas under Plexiglas Signed and dated lower left: J. Witham, titled on the frame plaque 16.25” H x 24” W

(c.1819-1891 British) “Yacht of the Royal Thames Yacht Club,” circa 1870 Watercolor on paper under Plexiglas Signed lower right: T. G. Dutton, titled and dated on a label affixed lower center, inscribed in another hand verso Sight: 14” H x 23.75” W

Isaac Joseph Witham

124

Thomas Goldsworth Dutton

$1,500-2,500

$1,000-2,000

Provenance: Purchased: Vallejo Gallery, Newport Beach, CA. Property from the Kelton collection.

Provenance: Sale: Christie’s, Lot 438, October 30, 1985.

Property from the Kelton collection.

1969

2019

198

Robert Cleveley

(1747-1809 British) “Admiral Rodney’s Fleet Deploying on the West Indies in 1782” Oil on canvas laid to canvas Unsigned, titled on the frame plaque 35.5” H x 64” W $7,000-9,000 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

125

199

200

199

200

20th Century Chinese School Oil on canvas laid to waxed canvas under Plexiglas Unsigned 18” H x 23.5” W $2,500-3,500

(1845-c. 1910 Italian) “Brig ‘Alice’ of Liverpool, F. Delaperrelle, Commander Leghorn 1864” Watercolor on paper under Plexiglas Unsigned, titled lower center, inscribed lower left Sight: 18.5” H x 23.5” W

Provenance: Property from the Kelton collection.

$2,000-3,000

Notes: Accompanying this lot is a logbook recording the voyages of the Gerald C. Tobey from 1892 to 1899, including trips from New York to China and several other locations in the Far East. Approximately 240 pages of notes written in two or three different hands.

Provenance: Property from the Kelton collection.

The Gerard C. Tobey, Barque

126

1969

Luigi P. Renault

2019

201

The Bark Navesink off Hong Kong

19th Century Chinese School Oil on canvas laid to canvas under Plexiglas Unsigned, inscribed in another hand verso: Chaplain Stubbs / Tacoma 17.5” H x 23.25” W $3,000-5,000 Provenance: Property from the Kelton collection.

Notes: Chaplain Robert S. Stubbs was born in England in 1823 and lived to the age of 102. He was a resident of Tacoma, Washington for 30 years. He was referred to as “Chaplain Stubbs” rather than “Reverend” due to his “lifelong work in the cause of sailors as head of the seamen’s institutes and missions on both the Atlantic and Pacific seaboards.” This painting was presented to Chaplain Stubbs in 1899.

Sunday, December 15, 2019 - Property from the Kelton Collection

127

202

A Lao Yan Qing He silver and gold teapot

Late 19th/early 20th century Signed: Lao Yan Qing He; The handle tests for at least 18k yellow gold The gourd-form teapot with yellow gold handle and chain 14.75” H x 5” W x 3.325” D 15.130 oz troy approximately $3,000-5,000 Provenance: Property from the Kelton collection.

203

A Chinese Imari plate in the “Governor Duff” pattern

18th century The Chinese porcelain plate with Imari decoration representing Governor Duff and his wife, Cornelis Pronk 1.25” H x 9.125” Dia. $600-900 Provenance: Property from the Kelton collection.

128

1969

2019

204

A Chinese blue and white porcelain teapot

17th century The rounded body with high-arched squared handle decorated in blue floral motifs 9.75” H x 8” W x 6.5” D $800-1,200 Provenance: Property from the Kelton collection.

205

A Chinese porcelain dessert and tea set

Late 19th/early 20th century Each cup and saucer signed; Plates apparently unsigned Each designed with a blue border over a rice and grain-motif body with faint gilt highlights centering bats enclosing a character, comprising a set of teacups and saucers with a similar but non-matching set of plates, 18 pieces Plates: .875” H x 8.75” Dia.; Cup and saucer overall: 2.875” H x 5.125” Dia. $600-800 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

129

206

A Chinese Yu Chang silver tea and coffee service

Late 19th/early 20th century Each stamped: Yu Chang sterling Each floriform finial over a repousse body adorned with flowers and leaves, comprising a tipping kettle with burner (16” H x 9” W x 6.5” D), a coffee pot (10.75” H x 10.5” W x 5.75” D), a teapot (10” H x 10” W x 5” D), a sugar bowl (6” H x 7” W x 4.125” D), a cream jug (6” H x 5.5” W x 3.5” D), a waste bowl (5” H x 4.125” Dia.), 6 pieces 126.890 oz. troy approximately $2,000-3,000 Provenance: Property from the Kelton collection.

130

1969

2019

207

208

207

208

(1850-1904 British) “The Crocodile of Liverpool,” 1892 Oil on canvas laid to canvas under Plexiglas Signed and dated lower right: P. Greenwood 23.75” H x 36” W

(1818-1886 French) Burning of the Golden Gate Steamship Oil on canvas laid to canvas under Plexiglas Signed lower right: Hugard 24” H x 39.5” W

George Parker Greenwood

Claude Sebastien Hugard

$2,500-3,500

$10,000-15,000

Provenance: Property from the Kelton collection.

Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

131

209

Robert Dodd

(1748-1815 British) “Battle of Malacca Straits, Feb. 15th, 1804” Oil on canvas laid to waxed canvas under Plexiglas Unsigned 33” H x 57” W $20,000-30,000 Provenance: Property from the Kelton collection.

132

1969

2019

210

210

An American John Dupee quadrant backstaff 1764 Signed: John Dupee 1764 Of carved and shaped hardwood with hand-carved measurements 25.25” H x 13.25” W x 4.75” D $2,000-3,000 Provenance: Purchased: The Oar House, Jacksonville Beach, Florida.

Property from the Kelton collection.

211

A Hamilton Watch Co. U.S. Navy chronometer 1941 Signed: Hamilton Lancaster, PA; No. 294 Brass enclosed in a wood case Overall: 9.5” H x 12.75” W x 10.5” D $1,000-1,500 Provenance: Purchased: A West Sea Company, San Diego, CA. Property from the Kelton collection.

211

Sunday, December 15, 2019 - Property from the Kelton Collection

133

212

213

212

A Ludwig Theodore Muller pocket Augsberg sundial 18th century Initialed: LTM Engraved brass with a list of calculations and European cities verso Closed: .625” H x 2” W x 2.125” D $1,000-2,000 Provenance: Property from the Kelton collection.

213

A German reproduction Astrolabe 20th century From a 16th century design, made of brass 10.5” H x 8” Dia. $300-500 Provenance: Property from the Kelton collection.

214

A replica of a 19th-century traverse board 20th century Carved and polychrome-painted wood with peg pieces 15” H x 7.875” W x 1.5” D $300-500 Provenance: Property from the Kelton collection.

214

134

1969

2019

215

216

215

216

(1817-1892 New York, NY) “Clipper Fired Upon by Confederate Raider Alabama” Oil on canvas laid to waxed canvas Signed lower left: W.G. Yorke 24” H x 30” W

(1817-1892 New York, NY) “Pocahontas off a Lee Shore,” circa 1880s Oil on canvas laid to canvas under Plexiglas Signed and indistinctly dated lower left: W.G. Yorke / 188?

24” H x 34” W

William G. (and Mary) Yorke

$7,000-9,000 Provenance: Purchased: Vallejo Gallery, Newport Beach, CA. Property from the Kelton collection.

William G. (and Mary) Yorke

$4,000-6,000 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

135

217

Thomas Luny

(1759-1837 British) “The General Goddard East Indiaman with the Dutch Fleet,” 1800 Oil on canvas laid to canvas under Plexiglas Signed and dated lower right: T. Luny 46.75” H x 72.5” W $80,000-120,000 Provenance: Property from the Kelton collection.

Notes: Inscribed on the upper frame plaque: View of the H.C. Ship General Goddard / Capt. W. Money / Passing Along The Enemy’s [sic] Line To Bring The Dutch Commodore To At Sun Rise, On June The 14th, 1795.

Inscribed on the lower frame plaque: Presented To The Honorable Governor Brooke Whose Active Genius Planned And Peculiar Resources Equipped The Squadron Of Indiamen Which Sailed On This Service.

136

1969

2019

Sunday, December 15, 2019 - Property from the Kelton Collection

137

218

219

Late 19th/early 20th century Signed: Hoaching The floriform finial surmounting a repousse lid over a smooth and repousse body, adorned with chrysanthemums, plum blossoms, and other flowering plants, raised on a scalloped and scrolled foot 7.125” H x 7.25” W x 3.5” D 13.080 oz troy approximately

Late 19th/early 20th century Unknown maker The carved bone handle over a repousse body adorned with scenes of warriors in combat 6.75” H x 6.625” W x 5.325” D 26.240 oz troy approximately

A Hoaching silver coffee pot

A Chinese silver teapot

$1,000-1,500

$800-1,200

Provenance: Property from the Kelton collection.

Provenance: Property from the Kelton collection.

220

A Tu Ching Yun silver teapot

Late 19th/early 20th century Lid stamped: Tu Ching Yun The jade finial over a repousse lid with dragons and clouds over a pumpkin-form pot with repousse panels of leaves and scenes of heroes issuing a dragon-form handle 4.75” H x 8.625” W x 5” D 14.705 oz troy approximately $1,500-2,000 Provenance: Property from the Kelton collection.

138

1969

2019

221

A Tuck Chang & Co. Chinese silver handled urn

Late 19th/early 20th century Stamped: Tuck Chang The diamond-form lid over a diamond-form repousse body adorned with scenes of country life and bats flanked by dragon form handles and raised on a pedestal base 11.25” H x 6.325” W x 3.5” D 26.620 oz troy approximately $4,000-6,000 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

139

222

Two relief-carved mother-of-pearl shells on stands Late 19th /early 20th century Each carved with scenes of family life raised on a carved openwork hardwood stand, 2 pieces Each approximately 10.75” H x 6.75” W x 2.5” D $500-700 Provenance: Property from the Kelton collection.

223

224

19th century Sancai-glazed standing male figure (14.5” H) together with a glazed ceramic standing figure holding a bowl of fruit (14” H), 2 pieces

19th century The ceramic guard with painted embellishment decorated with horse hair and set with a green stone 18” H x 6.5” W x 5.75” D

Two Chinese figures

A standing figure of an Imperial household guard

$300-500

$500-700

Provenance: Property from the Kelton collection.

140

Provenance: Property from the Kelton collection.

1969

2019

225

226

225

226

Late 19th/early 20th century Stamped: WA / [Xin Ji] The shell bowl set into a chrysanthemum-motif silver repousse handle 10.875” H x 3.25” W x 1.325” D 3.880 oz. troy $500-700

Late 19th/early 20th century Stamped: Zee Wo The floriform bowl with scalloped edge with overlaid panels of flowers including plum blossom, chrysanthemum, bamboo, iris, and other flowering plants centering a scene of a Daoist ceremony raised on a pedestal foot 4.25” H x 7.65” Dia. 18.225 oz troy approximately

Provenance: Property from the Kelton collection.

$600-800

A Chinese Export silver and shell spoon

A Zee Wo Chinese Export silver footed bowl

Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

141

227

A Chinese boxed silver tea set

Circa 1850-1870, Canton The teapot stamped: Hoaching; The cream jug and sugar bowl stamped for Zhoa Chang Each set with a dragon-form handle with repousse scenes of country life, farming, and a battle, comprising a teapot (8.25” H x 8.75” W x 4.75” D), a cream jug (5” H x 4.75” W x 3.625” D), a sugar bowl (4.25” H x 5.75” W x 3” D), and a pair of sugar tongs (5.5” H) enclosed in a fitted wooden box and personalised: LCL, 4 pieces 38.880 oz. troy approximately $3,000-5,000 Provenance: Property from the Kelton collection.

142

1969

2019

228

“American Ship Captain”

19th Century American School Oil on canvas laid to canvas under Plexiglas Unsigned, titled on the frame plaque 38.25” H x 28.75” W $3,000-5,000 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

143

229

230

229

230

The Thomas W. Lawson, Seven-masted schooner

Solon Francis Montecello Badger

(1873-1919 Charleston, MA) “Schooner Gracie D. Buchanan Caught in a Squall” Oil on canvas laid to waxed canvas Signed lower left: S.F.M. Badger 22” H x 36” W

Early 20th Century American School Oil on board under Plexiglas Unsigned 17.5” H x 21.5” W

$3,000-5,000

$1,000-2,000

Provenance: Property from the Kelton collection.

Provenance: Property from the Kelton collection.

144

Notes: Solon Francis Montecello Badger was known for many years by the misnomer “Samuel Finley Morse Badger.”

1969

2019

231

William Howard Yorke

(1847-1921 British) “American Ship Grandee off Holyhead,” 1874 Oil on canvas under Plexiglas Signed, dated and inscribed lower left: W.H. Yorke / L.pool 24” H x 36” W $10,000-15,000 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

145

232

Stanley Dollar steamship

Early 20th Century Continental School Oil on canvas under Plexiglas Signed and dated lower right: Santowyokow / 1908 24” H x 38.25” W $1,000-2,000 Provenance: Property from the Kelton collection.

233

Thomas G. Purvis

(1861-1933 British) President Hoover, Dollar Line Flagship, 1931 Oil on canvas under Plexiglas Signature, date and inscription incised lower right: T.G. Purvis/ Hong Kong 18.5” H x 28.25” W $2,000-3,000 Provenance: Property from the Kelton collection.

234

H. Shimidzu

(20th Century Japanese) “S.S. President Hoover” Watercolor on silk taped to board under glass Signed and titled lower left: H. Shimidzu Sight: 11” H x 17.5” W $700-900 Provenance: Property from the Kelton collection.

146

1969

2019

235

Antonio Jacobsen

(1850-1921 West Hoboken, NJ) Kroonland steamship, 1905 Oil on canvas laid to canvas under Plexiglas Signed, dated and inscribed with the artist’s address lower right: Antonio Jacobsen 18” H x 30” W $7,000-9,000 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

147

236

237

236

A French brass heliochronometer First quarter 20th century Stamped: Franque Beaujeu Rhone 13” H x 8.5” W x 10.25” D $600-900 Provenance: Purchased: Tesseract, Hastings-on-Hudson NY. Property from the Kelton collection.

237

A Cruver Manufacturing Co. WWII-era plastic lifeboat sextant

Circa 1940s Signed: Cruver Part No. 1940 The cased sextant with pencils, instructions, eraser, compass and instrument Overall: 9.25” H x 10.25” W x 3.625” D $50-100 Provenance: Property from the Kelton collection.

238

An H. Hughes & Son Ltd. London double sextant First half 20th century Stamped: H. Hughes & Son Ltd. London Serial No. 53681 Enclosed in a wood box 7.325” H x 13.125” W x 10.25” D

238

$300-500 Provenance: Sale: Christie’s, Maritime Instruments and Models Auctions.

Property from the Kelton collection.

148

1969

2019

239

240

239

A pocket sundial

Late 19th/early 20th century Paper, wood, and glass with written instructions for use verso 1” H x 2.125” Dia. $200-300 Provenance: Sale: Sotheby’s, Scientific and Medical Instrument Auction, Lot 7, February 25th, 1986, (originally sold with pillar dial).

Property from the Kelton collection.

240

A Nugent Wells brass sextant

Fourth quarter 19th century Signed: Nugent Wells Newport & Cardiff; Box signed: A.P. Blackburn / Blyth The brass sextant cased in a wooden box Overall: 5” H x 11.25” W x 11” D $500-700 Provenance: Sale: Sotheby’s, Scientific Instruments, February 28, 1984.

Property from the Kelton collection.

241

A David White Co. U.S. Navy Mark II sextant (quintant) 1943 Signed: David White Co. Milwaukee, Wis.; No. 17049 Enameled brass in a fitted wood case 5.5” H x 11.25” W x 11.25” D

241

$300-500 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

149

242

242

“The Cossack,” circa 1873

20th Century Continental School Oil on board under Plexiglas Unsigned, inscribed and titled in another hand on the original backing paper affixed verso 16.5” H x 23.75” W $1,000-2,000 Provenance: Property from the Kelton collection.

Notes: A letter from the National Maritime Museum and a Bill of Sale from Charles B. Tyler accompany the lot.

243

Alex Breede

(20th Century New York) Three Spanish Galleons Oil on canvas under Plexiglas Signed lower right: A. Breede 20” H x 16” W $1,000-2,000 Provenance: Sale: Christie’s, New York, NY, Sale 8539, Lot 181, July 31, 2001.

Property from the Kelton collection.

243

150

1969

2019

Sunday, December 15, 2019 - Property from the Kelton Collection

151

244

J.T. Pickett

(1848-1918 New Hope, PA) &

H.M. Powell

(b. 1824 American) “The Alaskan,” Iron Side-Wheel Steamship Oil on canvas laid to Plexiglas Signed lower right: Pickett & Powell, titled on the frame plaque 20” H x 34” W $6,000-8,000 Provenance: Property from the Kelton collection.

152

1969

2019

Sunday, December 15, 2019 - Property from the Kelton Collection

153

245

Spanish Frigate La Ventura in the ice at Cape Horn 18th Century Hand-colored map with astrological chart under Plexiglas Unsigned Sight of largest: 8.5” H x 14.75” W $2,000-3,000 Provenance: Property from the Kelton collection.

Notes: A print of the astrological chart with English translations of the symbols is also framed in the matting.

246

After Benjamin Russell

(1804-1885 American) “Sperm Whaling With It’s Varieties” & “Right Whaling in Behering Straits & Arctic Ocean With It’s Varieties,” 1870 and 1871 (two works) Each: Colored lithograph on paper under Plexiglas Each: Unsigned, titled and inscribed in the lower margin Image of each: 15.75” H x 32.25” W $500-700 Provenance: Property from the Kelton collection.

154

1969

2019

247

248

247

248

(1818-1866 French) “Ville De Sacramento (Californie),” Dec. 20, 1849 Lithograph on paper under Plexiglas Unsigned, with printed inscriptions along the lower margin: Dess. et Lith par L. Le Breton / 46 / Paris, Imp. par Auguste Bry, 142, r. du Bac. / Paris, E. SAVARY et Cie editeurs, 10, Place du Louvre / London, GAMBART et Co. 25, Berners St. Oxford St. Image: 12.75” H x 19” W

(b. 1814-* German/American) “Auxilliary Steam Frigate U.S.S. Franklin” Oil on canvas under Plexiglas Signed lower right: F. Muller 20” H x 30” W

Louis Le Breton

Fritz Muller

$3,000-5,000 Provenance: Property from the Kelton collection.

$700-900 Provenance: Property from the Kelton collection.

Sunday, December 15, 2019 - Property from the Kelton Collection

155

249

250

19th century All-over decorated with scrolls and floral ground centering a phoenix 12.5” H x 9” Dia.

17th century Apparently unmarked Decorated with two reserves of dragon scenes in a floral foreground 11.25” H x 9” Dia.

A Chinese porcelain phoenix-motif ginger jar

$800-1,200

A Chinese blue and white porcelain lidded jar

$1,000-2,000

Provenance: Property from the Kelton collection.

Provenance: Sale: Amsterdam, Lot 1161, June 1984; A. H. Wilkinson, June 8th, 2010.

Property from the Kelton collection.

251

Two pairs of Chinese porcelain covered vessels

17th century Each lidded vessel adorned with friezes of flowering plants and trees, 4 pieces Each approximately: 7.625” H x 4.5” Dia. $600-900 Provenance: Property from the Kelton collection.

156

1969

2019

252

A Chinese clock on stand

19th century Rosewood rectangular case on stand, outer brass dial with floral decoration enclosing a circular white porcelain dial with Roman numeral hour markers, black outer minute track, and pierced steel hands, twotrain brass movement with two bells, strikes every quarter-hour 18” H x 12” W x 9.75” D $1,000-1,500 Provenance: Property from the Kelton collection.

253

A Chinese smoking set

19th century Comprising trays, a pipe, a burner, and a lamp among other smoking accouterments, 19 pieces Largest: .875” H x 20.75” W x 15” D $500-700 Provenance: Property from the Kelton collection.

252

253

Sunday, December 15, 2019 - Property from the Kelton Collection

157

254

255

A Chinese porcelain punchbowl for the Persian market

Six Chinese export armorial plates

Late 18th/early 19th century Each with circular porcelain body adorned with blue and gold to rim centering a crest with motto: Maintien Le Droit .875”H x 9.5” Dia. approximately

Late 19th/early 20th century The round bowl with floral border over a body of curved conformingly decorated stripes raised on a ring foot 5.5” H x 14” Dia.

$400-600

$600-800

Provenance: Property from the Kelton collection.

Provenance: Property from the Kelton collection.

256

Three pairs of Chinese Imari plates

1736-1795, Ch’ien Lung period Comprising three pairs of porcelain plates in the Imari style, 6 pieces Each approximately: 1.125” H x 9.25” Dia. $600-900 Provenance: Sale: Christie’s, The Benjamin F. Edwards III Collection of Chinese Porcelain, lot 82, January 22, 2002.

Property from the Kelton collection.

158

1969

2019

257

257

A black and gold lacquer lap desk

Second half 19th century The rectangular box all-over decorated with chinoiserie friezes opening to reveal a fold-out writing surface and compartments for pens and ink 7.25” H x 16.5” W x 9.25” D $600-900 Provenance: Property from the Kelton collection.

258

A bonheur de jour lacquered cabinet

19th century The black lacquer cabinet painted with Chinoiserie scenes on a two-door cabinet over a handled removable chest raised on cabriole legs on claw feet 61” H x 25.75” W x 25.5” D $2,000-3,000 Provenance: Property from the Kelton collection.

258

Sunday, December 15, 2019 - Property from the Kelton Collection

159

259

A pair of Chinese Export porcelain bowls and saucers

Late 19th/early 20th century Each bowl signed to base Each with cobalt blue borders adorned with gilt highlights with iron-red rice and grain-motif decoration, comprising two bowls with saucers, 4 pieces Bowl: 2.5” H x 4.25” Dia.; Saucer: 1” H x 4.375” Dia. $200-300 Provenance: Property from the Kelton collection.

260

Three Chinese enameled table items for the Western market 19th century and older Comprising a Famille Rose enameled metal bowl, a small tray, and a lidded box, 3 pieces Largest: 2” H x 3.875” Dia. $800-1,200 Provenance: Property from the Kelton collection.

160

1969

2019

Condition Reports

1 Overall good condition with minor scratches and scuffs. Scattered hairline cracks to the malachite, longest: 3”.

2 Overall good condition with tarnishing and light scratches commensurate with age. The handles of the coffee pot and teapot are slightly loose. A nick to the spout of the cream jug. Monogrammed, as stated.

3 Overall good condition with minor scuffs, light scratches, and darkening to bronze commensurate with age.

4 Overall good condition with scattered scuffs and darkening to bronze commensurate with age.

5 Overall good condition with scattered rubbed wear commensurate with age.

20 Each in overall good condition with oxidation, minor dents, and scratches commensurate with age. Each candle holder slightly bent to one side.

6 Overall good condition with scattered scuffs and rubbed wear commensurate with age. One plate with a chip to the scalloped edge.

21 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

Scattered losses to inlay and parquetry. Old woodworm throughout.

Scattered re-glued elements. Condensation ring to one seat.

8 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repairs to the stretcher.

9 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Re-gilt.

10 Overall good condition with tarnishing and light scratches.

11 Overall good condition with tarnishing, light scratches and minor scuffs.

12 Each in overall good condition with tarnishing and light scratches commensurate with age.

Condition Reports

18 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The glass shelf with a chip to one edge.

19 Visual: Generally good condition. Craquelure throughout. A small spot of paint loss and instability upper right.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 20.25” H x 15.5” W x 1.75” D

7 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Later conversion; Electrified and fitted with glass shelves. Scattered losses and glued repairs to the carvings. Modern reinforcements and new backing. Refinished.

162

17 Overall good condition with scattered scuffs and light scratches, commensurate with age. One arrow slightly bent. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

13 Overall good condition with oxidation, light scratches, scuffs, and wear to finish commensurate with age. Wiring should be checked by a qualified electrician prior to use.

14 Overall good condition with rubbed wear and light scratches commensurate with age. One candelabrum leans forward slightly. Scattered arms slightly bent.

15 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor wear and losses to veneers.

16 Overall good condition with scattered scuffs, light scratches, and wear to finish commensurate with age. Scattered crystals with scratches, abrasions, and minor chips.

1969

22 Overall good condition with even pile wear.

23 Overall good condition with even pile wear and light surface soiling.

24 Overall good condition with minor rubbed wear, scuffs, and scratches commensurate with age. Drilled holes to the bronze surround. Scattered minor hairline cracks to the bronze.

Frame: 34.75” H x 18” W 25 Overall good condition with even pile wear and minor soiling commensurate with age.

26 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Artifical aging.

Oxidation to the mirror back.

27 Generally good condition. Minor toning to the paper. Small spots of light staining to the paper scattered throughout. The paper is laid down, as stated. Mounted to the recto mat with artist’s tape along the four edges.

Sheet: 31” H x 20.75” W; Frame: 42” H x 30” W x 2.25” D 28 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered wear and losses to the finish. Scattered losses to the openwork carving. Scattered repairs.

29 Visual: Generally good condition. Lines of craquelure scattered throughout the sky. Areas of paint shrinkage scattered throughout the buildings and foliage. Minor frame abrasion along the four edges. Minor surface dirt and grime.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 35.25” H x 46.75” W x 2.75” D

2019

30 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repairs to joints.

Refinished.

42 Overall good condition with minor darkening and rubbed wear to the arms.

Overpaint to each hand likely covering a repair, difficult to determine the extent of the repair.

31 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Evidence of old woodworm throughout.

43 Overall good condition with darkening to bronze commensurate with age.

Left hand with overpaint and a crack to the pinky, extensive restoration difficult to determine under paint. Right wrist with a crack.

32 Visual: Craquelure throughout. Flaking and paint loss scattered throughout.

Horizontal creases across the upper, lower and center of the canvas. Frame abrasion along the four edges. Stretcher bar creases along the four edges and across the center.

Blacklight: Touch-up throughout.

Frame: 80” H x 66.5” W x 2.25” D

44 Overall good condition with scattered scuffs, minor scratches, and scattered losses to raised enamel “jewels”. A portion of the hinge broken, still functioning. Scattered breaks and chips to the top panel, the largest break: .75”.

34 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, losses to paint, and separation at joints commensurate with age.

Repairs and evidence of reconstruction throughout. Evidence of old woodworm throughout.

35 Overall good condition with minor scuffs, scratches, and rubbed wear.

Repairs to the figure’s hands. Repaired cracks and spots of fill to the marble plinth.

36 Visual: Generally good condition. Craquelure scattered throughout.

Stretcher bar creases along the four edges.

Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish.

Frame: 22.25” H x 27.5” W x 2.25” D 37 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered wear and repairs to the veneers. Repairs to the marble top and approximately two corners have been replaced.

38 Overall good condition with tarnishing and light scratches. Scattered very minor dents. The spout of the coffee pot with a .25”-long gouge. Dents to the spout of the teapot.

39 Each in overall good condition with scattered scuffs, nicks, and oxidation commensurate with age. Scattered minor chips to the marble. A hairline crack to one marble base. Scattered bronze pieces loose. Moran’s does not guarantee the working condition of clocks and watches.

40 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

41 Overall very presentable driver condition. Starts, runs, idles, and stops.

Exterior: Older re-paint in presentable condition with scattered scuffs, touch-ups, flaking, stress cracks, and other wear commensurate with age.

Engine compartment: Original and un-restored. Interior: Reddish-brown leather, refinished and with wear and cracking to the leather. Wood-lined dashboard shows alligatoring to finish and scattered areas of scuffs, scratches, dents, and minor breaks to the openwork. Carpet likely reupholstered.

46 Overall good condition with minor rubbed wear. Not examined out of frame. The frame with losses to the paint, chips, and glued repairs throughout.

47 Overall good condition with minor scuffs and rubbed wear commensurate with age. Scattered nicks, separation at joints, and glued repairs to the frame.

48 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Touch-up to finish throughout. Re-upholstered.

49 Each in overall good condition with wear to finish, scuffs, and nicks. The clock lacking key and pendulum, working condition unknown. Filled drill holes to the back of the clock. Rubbed wear to the dial. Scatter drilled holes throughout to the bobeches and the figures likely from a conversion to electric which has since been removed. Scattered portions have been repainted and some elements are loose. Each missing a porcelain plaque to the front and each swag to the base with a break. Moran’s does not guarantee the working condition of clocks and watches.

50 Overall good condition with scratches to the glass and scattered minor nicks and ground chips to the edges.

51 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear and minor losses to the veneers.

52 Overall driver presentable condition. Nicks, scratches, scuffs, and minor wear to the exterior. Interior has been re-upholstered. Odometer has been rolled over.

53 Overall good condition with oxidation, scuffs, and nicks commensurate with age. Scattered bends to the arms. Two drip pans missing.

54 Overall good condition with minor rubbed wear, light scratches, and oxidation commensurate with age. The transfer print with an area of rubbed wear likely dating to time of manufacture.

Sunday, December 15, 2019 - The Traditional Collector

Condition Reports

33 Overall good condition with rubbed wear and minor scuffs, chips, and scratches commensurate with age. A 1.25”-long chip to the center panel.

Scattered minor chips and repairs to the base.

45 Each in overall good condition with minor scuffs commensurate with age.

Scattered chips and later-added notches to the edges of the plaques. Each giltwood frame with scattered scuffs, light scratches, and separation at joints commensurate with age. Re-painted.

Each frame: 25.25” H x 21.25” W x 2” D

163

55 Each in overall good condition. Scattered very minor nicks to some raised glass work on the stems.

56 Each in overall good condition with scuffs, nicks, and rubbed wear commensurate with age. The rouge marble with scattered filled cracks and glued repairs. One standard with two repaired cracks running through the whole diameter of the piece.

57 Overall good condition with oxidation, scuffs, light scratches, and nicks commensurate with age.

58 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered blemishes to top.

59 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

60 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

61 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

62 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. The lid doesn’t close snugly.

63 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered restorations to the veneers. Refinished and refurbished. Good working condition.

Condition Reports

64 Overall good condition with scattered scuffs, light scratches, minor dents, and ear to fabric lining commensurate with age. Good working condition.

164

69 Overall good condition with scattered scuffs, scratches, nicks, dents to case, shrinkage cracks, and separation at joints commensurate with age.

Refinished and refurbished. Good working order.

70 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Air card replaced. Good working order. Lid does not close snugly.

71 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Missing glass interior lid.

72 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Coin mechanism does not function properly. A tear to the decal of the disc changer indicator.

73 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working condition. Top does not close snugly.

74 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Runs but the stopping mechanism does not function properly, will not stop as a result without outside help. Stopping mechanism requires a minor adjustment.

Refinished and refurbished.

75 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

76 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

77 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order

65 Overall good condition with tarnishing and light scratches commensurate with age. Good working order.

78 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

66 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

79 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working condition. Lid does not close snugly.

67 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

80 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Chips and losses to the edges of the case. Refinished and refurbished. Good working order.

68 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinised and refurbished. Good working order.

81 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

1969

2019

83 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Good working order.

84 Overall good condition with scattered scuffs, scratches, nicks, and minor separation at joints commensurate with age. Very good working order. The cart lacking the steel handle.

85 Overall good condition with scattered scuffs, scratches, nicks, and separation at joints commensurate with age. Very good working condition.

86 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Case has been refinished. One edge with losses to the veneer. Good working condition.

Lacking key. Moran’s does not guarantee the working condition of clocks and watches.

87 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The top has been replaced with clear acrylic. Good working condition. Lacking key. Moran’s does not guarantee the working condition of clocks and watches.

88 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

89 Visual: Craquelure throughout. Stretcher bar creases along the four edges.

Minor surface dirt and grime.

Blacklight: Touch-up scattered throughout the background. A few spots of touch-up in the gentleman’s left arm. Touch-up throughout the gentleman’s hair. Difficult to read under varnish.

Frame: 40” H x 33.5” W x 3” D 90 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor soiling and wear to the upholstery.

91 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Alligatoring to finish.

92 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

96 Overall good condition with minor rubbed wear commensurate with age.

97 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished.

98 Overall good condition with scattered scuffs commensurate with age.

Scattered drops and smudges of fugitive paint throughout.

99 Overall good condition with oxidation, scuffs, and light scratches commensurate with age. Scattered light chips to the fitter rim of the shade.

Wiring should be checked by a qualified electrician prior to use.

100 Overall good condition with oxidation, scuffs, and scratches commensurate with age. Scattered light chips to the fitter rim of the shade. Wiring should be checked by an electrician prior to use.

101 Visual of each: Generally good condition. Some fine craquelure due to woodgrain. Minor surface dirt and grime. The first with a repair to a crack in the panel along the entire left edge.

Blacklight of each: Touch-up throughout.

Frame of each: 26” H x 15.75” W x 2.5” D 102 Overall good condition with minor oxidation and rub wear.

Base: 4.25” H x 10” W x 7.75” D 103 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Alligatoring and chipping to the painted door. A glued repair to the molding.

104 Overall good condition with scattered scuffs and rubbed wear commensurate with age. The frame with glued repairs. Not examined out of frame.

105 Overall good condition with oxidation, light scratches, and rubbed wear commensurate with age. Bronze mounts are slightly loose.

106 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Professional repairs and restorations to marquetry. Bronze has been refinished.

107 Each in overall good condition with minor scuffs and light scratches commensurate with age. Enamel is Apparently intact with scattered minor scuffs and shallow chips throughout. The dial missing the glass cover. The lid of the clock with three areas of damage with corresponding loss the largest: 0.5” x 0.5”. Lacking key and pendulum. Moran’s does not guarantee the working condition of clocks and watches.

93 Overall good condition with scattered minor scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor soiling and wear to the upholstery.

108 Overall good condition with darkening to bronze and minor rubbed wear.

94 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repairs and reinforcements throughout.

109 Overall good condition with scattered losses to the applied decoration and rubbed wear to the finish commensurate with age. One satyr’s arm has been reglued to the body, the other with a hairline crack at the arm. The bust with a decoration missing from the hair that was previously glued.

95 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Surface scratches and blemishes concentrated to the legs.

110 Overall good condition with oxidation, scuffs, and nicks, commensurate with age. Possible repair to figures neck. One corner of the marble base with a chip.

Condition Reports

82 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished and refurbished. Good working order.

111 Overall good condition with scattered light scratches and rubbed wear commensurate with age. One vase with two chips to the upper rim. Bronze mount slightly loose, base leans to one side as a result.

125 Overall good condition with rubbed wear, scuffs, light scratches, and oxidation commensurate with age. Wax residue to interior of the bowl. A shallow .5”-long crack to the upper lip of the bowl.

112 Each in overall good condition with scattered minor nicks, scuffs, scratches, and rubbed wear commensurate with age. One vase leans to one side and shows an area of dents to the gilt bronze mount where it connects to the base.

126 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Spots of wear and fill to the veneers. Each leg with repairs. Refinished. The underside with a taped repair running the width of the piece.

113 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear and losses to paint.

127 Visual: Generally good condition. Craquelure and varnish discoloration throughout.

Blacklight: Touch-up throughout. Difficult to read under varnish.

Frame: 44” H x 36.75” W x 3.25” D

114 Each in overall good condition with minor rubbed wear.

115 Each in overall good condition with scattered rubbed wear commensurate with age.

116 Overall good condition with scattered scuffs and light scratches. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

117 Overall good condition with scattered scuffs, nicks, scratches, commensurate with age. Spots of fill throughout. A large chip to the headscarf of the figure. The bust has been glued to its pedestal mount.

118 Overall good condition with oxidation and light scratches commensurate with age. Minor abrasions to the marble top. A crack to the stretcher.

119 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Bowing and losses to the veneers.

120 Overall good condition with rubbed wear, scuffs, and light scratches commensurate with age. Scattered minor chips to the porcelain dial; Otherwise the porcelain panels and columns are apparently intact with no visible or obvious breaks or repairs. Lacking key and pendulum, working condition unknown. Moran’s does not guarantee working condition of clocks and watches.

Condition Reports

121 Overall good condition with scattered scuffs, light scratches, and rubbed wear commensurate with age. Six plates with restorations.

166

122 Each in overall good condition with minor scuffs, rubbed wear, and minor shelf wear commensurate with age.

123 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

Scattered wear and losses to the veneers. One with fading to the veneers.

One totters slightly.

124 Visual: Generally good condition. Craquelure throughout. An area of paint loss and instability lower left below the signature.

Blacklight: Touch-up throughout the woman’s chest and the left side of her face. A 4.5” line of touch-up in the white pigments of the woman’s dress. A small spot of touch-up lower right. Touch-up along the entire left edge of the painting.

Frame: 30” H x 25” W x 3.5” D

1969

128 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor wear to the finish.

129 Generally good condition. Plate trimmed to image. Mounted to mat with linen tape in upper right corner, upper left corner, and lower center.

Frame: 19.75” H x 18.75” W x 1.5” W 130 Each in overall good condition with scattered scuffs, scratches, nicks and rubbed wear commensurate with age.

131 Overall good condition with tarnishing and light scratches throughout.

Missing an element that connected to the back of the standard. Totters slightly.

132 Visual: Craquelure throughout. Flaking and paint loss scattered throughout.

Minor surface dirt and grime.

Blacklight: Touch-up scattered throughout. Difficult to read under varnish.

Frame: 61.5” H x 45.5” W x 6” D 133 Overall good condition with rubbed wear and light scratches commensurate with age. Rouge marble base with nicks and minor losses to the marble.

One gilt bronze medallion missing. Dial with a break to the top edge and abrasion around key holes. Moran’s does not guarantee the working condition of clocks and watches.

134 Overall good condition with tarnishing and light scratches commensurate with age. Scattered tines bent. Wear to the baby fork and spoon. Not monogrammed. Weight does not include hollow-handled items.

135 Overall good condition with tarnishing and light scratches commensurate with age. Weight does not include hollow-handled items. Not monogrammed.

136 Each in overall good condition scattered scuffs, nicks, and minor chips commensurate with age.

137 Overall good condition with scattered scuffs and minor nicks commensurate with age.

138 Overall good condition with very minor shelf wear.

2019

140 Overall good condition with scattered very minor shelf wear commensurate with age.

141 Overall good condition with scattered scuffs and nicks commensurate with age. A 1” x .25” malachite panel missing. The bronze mounts appeared to be later-added or re-glued. Scattered minor losses to the gilt bronze panels.

Wiring should be checked by a qualified electrician prior to use.

142 Overall good condition with scattered nicks, chips, and wear to the veneers.

Two spots of glued repairs to the neck and one to the bridge.

143 Each in overall good condition with scattered nicks, scuffs, and chips to the veneers.

144 Each in overall good condition with scattered scuffs, nicks, and wear to veneers commensurate with age. Scattered chips to the edges.

145 Overall good condition with darkening to the spelter, scuffs, and light scratches commensurate with age. The handles slightly loose.

146 Overall good condition with scattered scuffs and rubbed wear. Back corner of his hat with a series of abrasions, possible repair to the figures walking stick. Plinth: 1.25” H x 19.5 “ Dia 147 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repairs throughout.

148 Overall good condition with scattered scuffs and light scratches commensurate with age. The bowl with scattered crazing. Rubbed wear and darkening to the bronze mounts.

149 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the veneers.

150 Each in overall good condition with tarnishing and light scratches commensurate with age. Each with scattered minor dents.

151 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. The wood case with separation at joints, minor shrinkage cracks, and nicks commensurate with age; Refinished. Each side panel with replaced fabric. Lacking key and pendulum, not tested for working condition. Moran’s does not guarantee the working condition of clocks and watches.

152 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear and losses to the paint throughout.

153 Overall good condition. Each handle has been regilt, likely covering restoration, difficult to determine under paint. Rubbed wear and losses to the applied decoration. The figure with a 1.5” scuff to the body. Lateradded museum putty to the lid. The vase is slightly loose from the base.

154 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor dents. Warping to the painted panel. The fabric lining lifting from the box and with fraying, soiling, and rubbed wear.

Lacking key.

155 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

156 Visual: Generally good condition. Small spots of paint loss scattered throughout. A small area of paint shrinkage and instability upper right.

Frame abrasion along the four edges.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 15.5” H x 18.25” W x 1.5” D 157 Overall good condition with scattered scuffs, light scratches, and inherent firing flaws commensurate with age.

158 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor dents throughout.

159 Overall good condition with oxidation, wear to velvet, dents, and scratches commensurate with age. Electrified. Wiring should be checked by a qualified electrician prior to use.

160 Overall good condition with oxidation, scuffs, scratches, separations, and minor dents commensurate with age. Wiring should be checked by a qualified electrician prior to use.

161 Overall good condition, winds and runs, possible repair to the upper portion, scattered chips to the marble base. Moran’s does not guarantee the working condition of clocks and watches.

162 Visual: Craquelure throughout. Uneven varnish discoloration throughout.

Frame abrasion with paint loss along the four edges. A 7” x 2” section of cream-colored pigments along the right edge.

Blacklight: An 8” x 4” area and a 1.5” x 4” area right center fluoresce under blacklight likely due to over-cleaning.

Unframed 163 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished.

164 Overall good condition with tarnishing and light scratches commensurate with age. Not monogrammed. Weight does not include hollow-handled items.

165 Overall good condition with tarnishing and light scratches commensurate with age. Scattered tines bents. Scattered red oxidation, nicks, and chips to the blades. Weight does not include hollow-handled items.

Sunday, December 15, 2019 - The Traditional Collector

Condition Reports

139 Overall good condition with minor shelf wear, otherwise no obvious nicks, chips, or signs of repair detected.

167

166 Each in overall good condition with tarnishing and light scratches commensurate with age.

167 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each leans slightly to one side. Scattered arms slightly bent. Electrified. Wiring should be checked by a qualified electrician prior to use.

182 Overall good condition with minor scuffs, light scratches, and rubed wear commensurate with age.

168 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished.

183 Overall good condition with oxidation and scattered minor nicks commensurate with age. The lid with overpaint to the top and interior shows chipping, difficult to determine the extent of possible restoration as a result. Scattered drops of gold paint throughout.

169 Overall good condition with scattered scuffs and light scratches, commensurate with age. Scattered drops of house paint throughout.

170 Overall good condition with darkening and light scratches commensurate with age. Two deep gouges to the left knee each measuring approximately .125”.

171 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. An area of loss to one foot. Evidence of old woodworm throughout. Areas of fill and evidence of repairs throughout.

172 Overall good condition with rubbed wear and light scratches commensurate with age. Gold has been touched up.

173 Each in overall good condition with rubbed wear, scuffs, and light scratches commensurate with age. Each central light missing their faux-candle wrap.

Wiring should be checked by a qualified electrician prior to use.

174 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

175 Overall good condition with scattered scuffs, oxidation, and light scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use.

Condition Reports

176 Overall good condition with scattered scuffs, light scratches, and rubbed wear commensurate with age.

168

181 Each in overall good condition with light scuffs, scratches, and rubbed wear commensurate with age. One urn leans to one side. Scattered minor losses to the applied enamel.

177 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Ninon de Lenellos and Mad de Sevigne with crazing and restoration. Scattered porcelain plaques with missing jewels, rubbed wear, and light scratches.

178 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each with repairs.

One with a crack to the backrest.

179 Overall good condition with scattered scuffs, scratches, oxidation and rubbed wear commensurate with age. Mounts are slightly loose.

180 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Chips and losses to the openwork carving and to one corner of the console.

1969

184 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered fading to finish. Scattered losses to the veneers.

185 Overall good condition with scattered scuffs, light scratches, shrinkage cracks, chips, and losses to carving commensurate with age. Some broken pieces retained.

186 Overall good condition with scattered scratches, scuffs, nicks and separation at joints commensurate with age. Condensation rings and scattered wear to the finish of the top.

187 Generally good condition. Minor toning to the paper. Creases with paper loss scattered throughout. Paper loss scattered along the edges. Mounted to the back mat. Not examined out of the frame.

Frame: 58” H x 19” W x 1.5” D 188 Overall good condition with scattered light scratches and rubbed wear.

Minor chips and nicks to the applied figures.

189 Generally good condition. A .5” tear in the paper along the upper left edge. Mounted to the back mat with archival tape in the upper corners and double-sided tape lower center.

Sheet: 20.25” H x 30” W; Frame: 25.5” H x 35.25” W x 1.25” D 190 Visual: Generally good condition. Varnish discoloration throughout.

Blacklight: Touch-up scattered throughout, concentrated mainly in the sky.

Frame: 22.5” H x 33.5” W x 2.5” D 191 Visual: Generally good condition. Craquelure throughout. Uneven varnish discoloration throughout. The tacking edges were removed when re-lined.

Blacklight: Touch-up and crack-fill scattered throughout, including a 2.25” x 2.5” area right center and a 1” x 1.5” area upper left.

Frame: 30” H x 41.75” W x 3.5” D 192 Overall good condition with oxidation and light scratches commensurate with age. Abrasions, nicks, and minor chips to the edges of the brass cover.

193 Overall good condition with scattered scuffs, scratches, nicks, and separation at joints commensurate with age.

194 Overall good condition with oxidation and light scratches commensurate with age. One glass panel with a crack. The case with scuffs, shrinkage cracks, separation at joints, and rubbed wear commensurate with age.

2019

196 Visual: Generally good condition. Stretcher bar creases along the four edges. Uneven varnish discoloration throughout. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 21.25” H x 29.25” W x 2.25” D 197 Generally good condition. Minor toning to the paper. Mat burn along the four edges. Spots of light staining to the paper scattered throughout.

Mounted to the recto mat with archival tape along the four edges.

Sheet: 14.25” H x 24” W; Frame: 21.25” H x 30.75” W x 1” D 198 Visual: Craquelure throughout. Uneven varnish discoloration throughout.

Minor surface dirt and grime.

Blacklight: Touch-up and crack-fill throughout.

Frame: 46.5” H x 75” W x 4.5” D 199 Visual: Craquelure throughout. Minor surface dirt and grime. The logbook is generally good condition. The leather spine strip is lacking but the binding is holding firm. Other wear, scuffs and losses commensurate with age.

Blacklight: Touch-up and crack-fill throughout, the largest a 21” jagged line across the lower portion of the painting.

Frame: 23.25” H x 28.75” W x 2” D 200 Generally good condition. Minor toning to the paper. Repairs to the paper scattered along the four edges, concentrated mainly along the lower edge.

A few spots of light staining scattered throughout. Hinged to the back mat with archival tape in the upper corners.

Sheet: 18.75” H x 23.75” W; Frame: 28” H x 32.5” W x 1.25” D 201 Visual: Generally good condition. Craquelure throughout. Minor surface dirt and grime. The tacking were removed when re-lined.

Blacklight: Touch-up throughout.

Frame: 24” H x 28.5” W x 2” D 202 Overall good condition with scattered scuffs, light scratches, tarnishing, and rubbed wear commensurate with age. A .75” dent to the body. The chain is partially detached.

203 Overall good condition with wear to gold highlights, rubbed wear, and surface abrasions commensurate with age. A .25” chip to rim.

204 Overall good condition with some surface blemishing due to firing, reduced spout, and a hairline crack to spout. Some staining throughout body.

205 Overall good condition with scattered scuffs, rubbed wear, and light scratches commensurate with age. Gilt highlights are worn down.

206 Overall good condition with tarnishing and light scratches commensurate with age. The tipping kettle lacking pins to the hinges of the tipping mechanism and with a break to the hinge of the lid. The hinge of the lid of the burner has broken off and the burner has a 1.25” dent to the body. The handle of the coffee pot is slightly loose. The handle of the teapot is loose.

The lid of the sugar bowl is missing.

207 Visual: Generally good condition. Fine craquelure scattered throughout.

Paint shrinkage in the sail of the boat left center. Uneven varnish discoloration throughout, with drips of varnish scattered throughout the sky.

The tacking edges were removed when re-lined.

Blacklight: Touch-up throughout the sky. A few spots of touch-up scattered throughout the water.

Frame: 32” H x 44” W x 3.75” D 208 Visual: Generally good condition. Craquelure throughout. The canvas is bowed out in the center. The frame lining is nailed to the front of the canvas along the four edges.

Blacklight: Touch-up and crack-fill scattered throughout, the largest a 3.25” x 1.5” area right center.

Frame: 37.5” H x 53” W x 3.5” D 209 Visual: Generally good condition. Craquelure throughout. Varnish discoloration throughout. Minor frame abrasion along the four edges. The tacking edges were removed when re-lined.

Blacklight: Touch-up throughout, the largest a 5” x 5.5” area upper center and a 3.5” x 5.5” area right center. Crack-fill throughout, concentrated mainly in the sky and sails.

Frame: 38” H x 62” W x 3.5” D 210 Overall good condition with scattered scuffs, light scratches, nicks, shrinkage cracks, and chips commensurate with age.

211 Overall good condition with minor oxidation to the brass. The case with scattered minor scuffs, scratches, nicks commensurate with age. Refinished.

212 Overall good condition with oxidation and light scratches commensurate with age. Hinges slightly loose.

213 Overall good condition with oxidation, wear to finish, and pitting to metal commensurate with age. Mechanics work smoothly.

214 Overall good condition with scattered scuffs and light scratches commensurate with age.

215 Visual: Generally good condition. Craquelure throughout. Stretcher bar creases along the four edges. Minor surface dirt and grime.

Blacklight: Touch-up scattered throughout, including along the right and upper stretcher bar creases.

Frame: 30.25” H x 36.25” W x 3.25” D 216 Visual: Craquelure throughout. A small puncture in the canvas with paint loss upper right. Uneven varnish discoloration throughout.

Blacklight: Touch-up scattered throughout the sky. A 14” line of touch-up along the lower left edge. Dime-sized spots of touch-up along the lower right and right center edges.

Frame: 30” H x 40” W x 3” D 217 Visual: Generally good condition. Craquelure throughout. The tacking edges were removed when re-lined.

Blacklight: Touch-up throughout, concentrated mainly in the sky, the largest a 7” x 7.5” area in the center.

Frame: 52.75” H x 79” W x 4” D 218 Overall good condition with tarnishing, light scratches, and minor dents commensurate with age. The handle is slightly dented to one side, the spout with a .5” dent to the repousse work.

Sunday, December 15, 2019 - The Traditional Collector

Condition Reports

195 Overall good condition with scattered scuffs, light scratches, shrinkage cracks, and chips to the case commensurate with age. Light scratches, oxidation, and minor spots of pitting. Glass is intact.

169

219 Overall good condition with tarnishing and light scratches. The handle is loose. The spout leans slightly to one side. Scattered dents to the body, the largest: 1”.

220 Overall good condition with tarnishing, light scratches, and minor dents commensurate with age. The bottom of the pot slightly pushed in. The lid may be a replacement and the finial is slightly loose, with minor dents along the rim of the lid. There is a hinge to the rim that is not attached to lid.

221 Overall good condition with tarnishing, light scratches, and minor scattered dents commensurate with age. One corner of the base pushed down. The finial pushed to one side slightly.

222 Overall good condition with scattered scuffs, light scratches, and minor shrinkage cracks to the wood.

223 Overall good condition with crazing throughout. The Sancai-glazed male figure with minor firing cracks. The second figure with crazing throughout, minor chips to glaze, chip to bowl, and losses to fruit.

224 Overall good condition with scattered scuffs, nicks, chips, and rubbed wear commensurate with age. Scattered losses to some of the carved elements and glued repairs including but not limited to: A 3” section to the lower robe, a 4” section to the robe, a 1.5” section of the arm drape, and glue residue to the head. Paint touch-ups throughout.

225 Overall good condition with scattered scuffs, tarnishing, minor dents, and light scratches commensurate with age.

226 Overall good condition with tarnishing, light scratches, commensurate with age.

227 Overall good condition with tarnishing and light scratches commensurate with age. The handle of the teapot slightly loose. Wear to the lining of the box and shrinkage cracks, scuffs, nicks, chips and losses to the trim commensurate with age.

Condition Reports

228 Visual: Generally good condition. Craquelure throughout. Stretcher bar creases along the four edges and across the center.

Blacklight: Touch-up scattered throughout, concentrated mainly in the ship.

Frame: 43” H x 33.5” W x 3” D

170

229 Visual: Generally good condition. Minor frame abrasion along the four edges. Minor surface dirt and grime.

Blacklight: Small spots of touch-up of touch-up upper left, left center and along the right center edge.

Frame: 23.25” H x 27.5” W x 2” D 230 Visual: Generally good condition. Craquelure throughout. Uneven varnish discoloration throughout.

Blacklight: Touch-up throughout, concentrated mainly in the sky.

Frame: 31” H x 45” W x 2.25” D 231 Visual: Generally good condition. Craquelure throughout. Minor frame abrasion and stretcher bar creases along the four edges.

Blacklight: Small spots and lines of touch-up throughout, including a 1.75” line upper right and a 1” x .25” area lower center each with a corresponding patch verso.

Frame: 33” H x 45” W x 3” D

1969

232 Visual: Generally good condition. Craquelure scattered throughout. Minor surface dirt and grime.

Blacklight: Small spots of touch-up and lines of crack-fill scattered throughout the sky and water.

Frame: 28” H x 42.25” W x 2.25” D 233 Visual: Generally good condition. Varnish discoloration throughout.

Blacklight: A 1” line of touch-up right center. Two small spots of touch-up left center.

Frame: 21.5” H x 31.5” W x 2.25” D 234 Generally good condition. A few spots of staining to the silk scattered throughout. The silk is slightly rippled.

Board: 13.25” H x 20” W; Frame: 18.5” H x 25” W x 1.25” D 235 Visual: Generally good condition. Craquelure throughout. Minor surface dirt and grime.

Blacklight: Small spots of touch-up scattered throughout the sky. A 3” line of touch-up in the water left center.

Frame: 22.75” H x 34.75” W x 2.25” D 236 Overall good condition with oxidation with scuffs, scratches, and oxidation commensurate with age. Minor rubbed wear.

237 Overall good condition with scattered scuffs, light scratches, and oxidation to the case commensurate with age. Further wear to the case.

238 Overall good condition with scattered rubbed wear, scuffs, and light scratches commensurate with age. The wood case with scratches, gouges, shrinkage cracks, oxidation, and abrasions commensurate with age.

239 Overall good condition with scuffs, scratches and rubbed wear to the wood case commensurate with age. Scuffs and dust accumulation to the glass case.

240 Overall good condition with oxidation to the brass and possibly missing one glass panel. The case with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

241 Overall good condition with minor oxidation to the brass and light scratches commensurate with age. The case with scattered scuffs, light scratches, and oxidation commensurate with age.

242 Visual: Generally good condition. Minor frame abrasion along the four edges. Uneven varnish discoloration throughout. Minor surface dirt and grime.

Blacklight: Small spots and lines of touch-up throughout Frame: 21.75” H x 29” W x 2” D 243 Visual: Generally good condition. Fine craquelure throughout. Stretcher bar creases along the four edges. Varnish discoloration throughout. Minor surface dirt and grime.

Blacklight: Small spots of touch-up scattered throughout the sky. A 1.75” line of touch-up lower center. A scattered quarter-sized spot and a scattered pea-sized spot of touch-up lower left.

Frame: 27” H x 23” W x 3” D 244 Visual: Generally good condition. Craquelure throughout the sky.

Blacklight: Touch-up scattered throughout the sky.

Frame: 28.25” H x 42” W x 3” D

2019

245 Each: Generally good condition. Toning to the paper. Spots of staining scattered throughout. Mounted to the back mat with artist’s tape.

Sheet of largest: 9” H x 15” W; Frame: 22” H x 21” W x 1.25” D 246 The first: Uneven toning to the paper. Spots of staining scattered throughout. A repair to an approximate 10” tear in the paper upper right.

Not examined out of the frame.

The second: Toning to the paper. Spots of staining throughout. Repairs to two approximate 10” tears in the paper upper center. Not examined out of the frame.

Frame of each: 28.5” H x 42.75” W x 1.25” D

259 Overall good condition, some glaze pits to saucers. Minor wear and surface abrasion to commensurate with age.

260 Overall fair to good condition. Some pieces with losses and repairs to enamel, chips, scuffs, cracks, and rubbed wear commensurate with age. The box is missing the hinge.

247 Generally good condition. Minor toning to the paper. Handling creases scattered along the margins. Three small spots of repairs to the paper in the lower center margin. Not examined out of the frame.

Frame: 27” H x 31” W x 1” D 248 Visual: Generally good condition. Craquelure throughout. Stretcher bar creases along the four edges.

Blacklight: Touch-up scattered throughout, concentrated mainly in the sky.

Frame: 31.5” H x 40” W x 5” D 249 Overall good condition with minor scuffs and light scratches commensurate with age. A chip to the rim of the jar.

250 Overall good condition with minor firing flaws to glaze. Lid with two minor chips to edge.

251 Overall good condition with minor scuffs and scratches commensurate with age. Scattered old residue to the surface that may need professional cleaning.

252 Overall good condition with shrinkage cracks, repairs, sun fading, and surface abrasions commensurate with age. Moran’s does not guarantee the working condition of clocks and watches.

253 Overall good condition with oxidation, light scuffs, and scratches commensurate with age.

255 Overall good condition with rubbed wear and surface abrasion commensurate with age. Some plates with chips to rim and fill. Two plates showing signs of extensive restoration.

256 Overall good condition with rubbed wear and light scratches commensurate with age. Scattered minor chips to the rims.

257 Overall good condition with shrinkage cracks, separation at joints, rubbed wear, and light scratches commensurate with age. The hinge does not work smoothly.

258 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered wear, crazing, chips, and losses to the painted lacquer finish.

Sunday, December 15, 2019 - The Traditional Collector

Condition Reports

254 Overall good condition with scattered scuffs, rubbed wear, and light scratches commensurate with age. Minor inherent firing flaws and wax residue to the foot.

171

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Vice President, Furniture & Decorative Arts Director Furniture & Decorative Arts Specialist

Roland Rynkiewicz John Simon Taylor

Vice President, Fine Art Director Morgana Blackwelder Post War & Contemporary Fine Art Bree Hughes Fine Art Cataloguer Bobby Cullen Jewelry Director Mollie Burns Keith, G.G. Furniture, Decorative Arts & Jewelry Cataloguer Jardine Gates, GIA G.G

CLIENT SERVICES

Finance & Human Resources Director

Maha Darwish Client Services, Consignment Administration

Jean Rapagna Client Services Rose Ford

OPERATIONS

Business Director, Auctioneer Stephen Swan Special Projects Maranda Moran Property Manager Mike Hook Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

DIGITAL DESIGN

Advertising & Marketing Director, Art Design Nathan Martinez Photographer Mido Lee

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

172

1969

2019

This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,000 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% buyer’s premium.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Sunday, December 15, 2019 - The Traditional Collector

173

Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf.

The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain

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possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the nal bid, plus uyer s Premium on the nal bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid.

New bidders will be asked to provide financ al accoun nforma on as a reference All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance.

UYER S PRE IU : P s calcula ed a on e firs $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

uyers outside of the United States must submit payment via wire transfer Credit cards are not an accepted form of payment for buyers outside of the United States

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and re uested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In e e en of a e b d e e s ra on Form rece ed firs ll be reco n ed as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

No

How did you hear about our services?

Sellers permit info: Contact of ce for veri cation State: I agree that I have read Signature:

Native American Objects Prints & Multiples

Telephone (secondary):

Permit #

Modern & Contemporary Art

Turn of the Century Design / Arts + Crafts Western Art a e a s ec fic y e of em you are n eres ed n let us know:

Exp: oran s Conditions of Sale and shall be bound by them This affects my legal rights Date:

rev. 7/2018

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Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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Back Cover pg. 9

19 Rubens Santoro

(1859-1942 Italian) Middle Eastern street scene pg. 84

125 A French Sèvres-style gilt metal-mounted porcelain centerpiece

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