ReDesigned — March 22, 2022 | John Moran Auctioneers

Tuesday, March 22, 2022

SINCE 1969

AUCTIONEERS & APPRAISERS

Tuesday, March 22, 2022—12pm Sale 209 145 East Walnut Avenue, Monrovia CA 91016 Sale Previews: Friday, March 18th, Saturday, March 19th, Monday, March 21st 12pm-4pm pst or by Private Appointment

Meet the Team Roland Rynkiewicz Co-Head of Sale, Vice President Furniture & Decorative Arts Director roland@johnmoran.com

John Simon Taylor Co-Head of Sale 20th Century Design Specialist jsimon@johnmoran.com

Shannon Dailey Furniture & Decorative Arts Cataloguer shannon@johnmoran.com

Anne Spink Fine Art Cataloguer anne@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

1001

An Eames for Herman Miller lounge chair and ottoman, no. 670 and 671

Circa 1979 Each with Herman Miller early black strip label Designed in 1956 by Charles and Ray Eames, the newly-issued swivel lounge chair and ottoman with brown leather upholstery in molded palisander veneered shells with diecast aluminum back brace and bases, 2 pieces Chair: 32” H x 33.25” W x 33” D; Ottoman: 17.5” H x 26” W x 21” D $2,500-3,500 Notes: This lot is accompanied by an Eames for Herman Miller brochure catalogue.

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1002

Rita McBride

(b. 1960, American) “JAP.EM.Template,” 2006 Bronze and steel Unsigned 47.75” H x 13” W x 12”D $1,000-1,500 Provenance: Verna & Mai 36 Project, Z¸rich, Switzerland The Blake Byrne Collection, acquired from above

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1003

Henrietta Berk

(1919-1990, Oakland, CA) Figures overlooking the ocean Oil on canvas Signed lower left: H Berk Sight: 23.5” H x 23.5” W $3,000-5,000

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1004

David Schnell

(b. 1971, German) “12:02,” 2005 Color screenprint on wove paper under glass Edition 19/35; signed and dated lower right: David Schnell Image: 14.125” H x 22” W; Sight: 21.5” H x 29.5” W $600-800 Provenance: Galerie Eigen & Art, Berlin, Germany The Blake Byrne Collection

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1005

Roger Campbell

(20th Century, American) “’Untitled,’ (hot plate),” 1988 Oil on linen Signed and dated lower right: R. Campbell 30” H x 30 “ W $600-800 Provenance: Koplin Gallery, Los Angeles, CA

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1006

Jim Shaw

(b. 1952, American) “’Til Death Do Us Part !!,” 2005 Screenprint on wove paper under Plexiglas Edition: 27/75; signed, dated and numbered in pencil in the lower margin: Jim Shaw Image: 19.5” H x 13” W; Sheet: 22” H x 15” W $1,500-2,000 Provenance: The Blake Byrne Collection

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1007

A Nixie Chron digital tube clock

Late 20th/Early 21st Century The digital clock with six tubes displaying time, on a brushed metal base, electrified 4” H x 11” W x 3.25” D $500-700

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1008

After Salvador Dalí “Alice in Wonderland” rug

Fourth-Quarter 20th Century; Denmark With Ege Axminster A/S manufacturer’s label verso Produced by Ege Axminster A/S, Denmark, the wool rug with a polychrome depicting of Dali’s 1969 illustration of “Alice in Wonderland” 78” L x 55” W $1,500-2,500

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1009

An Isamu Noguchi Akari floor lamp

Mid-20th Century; Japan Signed: I. Noguchi / Japan The three-light Akari floor lamp with a white washi paper and bamboo shade in the form of stacked, alternating rectangles on a silvered metal base, electrified 78” H x 18” W x 18” D $600-800

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1010

Frederique Loutz

(b. 1974, French) “Famille,” 2006 Ink and watercolor on wove paper, watermark indistinct, under Plexiglas Signed and dated lower right; titled by repute Sheet: 39” H x 27.75” W $1,000-2,000 Provenance: Claudine Papillon Galerie, Paris, France The Blake Byrne Collection, acquired from the above

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1011

A Drexel “Declaration” modern walnut credenza

Circa 1950s With burned Drexel mark Designed by Kipp Stewart and Stewart MacDougall for Drexel, the mid-century modern walnut sideboard or credenza with three drawers and a two-door cabinet with shelved interior and finished with brass hardware 31” H x 48.5” W x 20” D $800-1,200

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1012

A modern teak reclining lounge chair

Mid-20th Century With partial, illegible paper label to underside The mid-century modern reclining lounge chair with brown upholstery and high backrest on a teak frame, with pull out foot rest 41.5” H x 24” W x 27” D $500-700 Provenance: The James M. Cole Collection, Visalia, CA

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1013

A Robert Maxwell ceramic apèritif set

Mid-20th Century Unmarked The mid-century modern ceramic liqueur set with glazed abstract circular motif in brown, beige, and blue, comprising a stoppered decanter (9” H x 5” Dia.) and four asymmetrical cups (each: 2.5” H x 2.75” Dia.), 5 pieces $300-500

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1014

A mid-century modern studio pottery figural sculpture

Mid-20th Century Signed illegibly, possibly: WM The painted studio pottery vessel in the form of a face with open eyes and mouth 19.5” H x 9” W x 12” D $300-500

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1015

Jacob Burck

(1904-1982, American) “I Shot Him Because I Loved Him!” 1946 Pastel with gouache highlights on paper under glass Signed and dated lower right: Burck; titled on the frame plaque and again on the frame’s backing panel.

Sight: 27.75” H x 18.50” W; Sheet: 29” H x 20” W $1,000-1,500 Provenance: Private Collection, Hot Springs, AR Private Collection, Southern CA Exhibitions: “Chicago Newspaper Guild’s $1,000 Art Competition” Show, 1946, Chicago, IL Notes: Burck was awarded First Place and the $1,000 prize for this entry in the abovementioned event.

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1016

A Tarm Stole-OG Møbelfabrik modern armchair and ottoman

Mid-20th Century; Denmark Each with Tarm Stole-OG Mobelfabrik manufacturer’s sticker label The Danish mid-century modern armchair chair with light brown, herringbone twill upholstery on a teak frame, together with a matching ottoman, 2 pieces Armchair: 39.5” H x 31.5” W x 32” D; Ottoman: 15” H x 26” W x 19.5” D $500-700 Provenance: The James M. Cole Collection, Visalia, CA

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1017

A pair of Karl Springer-style lacquered raffia covered side tables

Circa 1980 Each rectangular side table covered in a raw sienna-colored lacquered raffia, 2 pieces Each: 23” H x 30” W x 19.75” D $800-1,000

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1018

A Folke Ohlsson-style modern lounge chair, for Dux

Mid-20th Century; Sweden With burned mark: Imported original / DUX / Made in Sweden The Swedish mid-century modern lounge chair with orange upholstery on a teak frame 35.5” H x 31.25” W x 34” D $500-700 Provenance: The James M. Cole Collection, Visalia, CA

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1019

A near-pair of rusticated glass table lamps

Fourth-Quarter 20th Century Each with a rusticated clear glass body finished with an acrylic top and base plate and a verdigris bronze collar sporting figural masks, accompanied by original linen shades, electrified, 2 pieces Each overall: 28” H x 24” Dia. $600-900

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1020

Polia Pillin

(1909-1992, American) Plate with woman stylized cow and guitar Glazed ceramic Signed in the glaze: Pillin 8” H x 8” W x 0.5” D $400-600

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1021

Two mid-century modern animal sculptures

Two works: An Italian art pottery cat bank Mid-20th Century Signed illegibly in black under the glaze: GAL [illegible] / 806 The glazed ceramic cat bank with green and blue stripes 5” H x 11” W x 3.75” D A Hungarian abstract metal goat sculpture Mid-20th Century Marked: Bolbah / Made in Hungary With bell 6.25” H x 8” W x 3.75” D 2 pieces $300-500

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1022

Jacob Hermann

(1910-1995, Danish) Carved bird figure Wood and metal Signed with the artistís cipher and marked “Denmark” 3.75” H x 1.125” W x 2.5” D $300-500

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1023

John Civitello

(b. 1939, American) “Duet,” 1972 Oil on canvas Signed, titled and dated on the stretcher bar, verso: John Civitello 48” H x 36” W $400-600 Provenance: Sachs Gallery, according to a 7 Santini Brothers Company label affixed to the stretcher, verso

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1024

Masoud Yasami

(b. 1949, American) Untitled, 1980 Acrylic on paper under glass Signed and dated upper left: Yasami 19.25” H x 19.75” W $400-600

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1025

Attributed to Dale Morrow

(20th Century) Untitled, 1987 Acrylic resin on clear acrylic pedestal Signed and dated: Morrow / ‘87 29” H x 9” W x 5” D $500-700

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1026

After Gino Cenedese

(1907-1973, Italian) Untitled, multi-color glass on a clear background, 1985 Clear and colored glass Signed, inscribed, and dated lower right: Gino Cenedese / Murano / 1985 19.5” H x 19.25” W x 1.25” D $600-800

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1027

A Brueton-style polished chrome and glass dining table

Circa 1980s The contemporary table with a polished, cylindrical chrome base and a circular glass top 28.5” H x 42” Dia. $800-1,200

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1028

A Brueton-style polished chrome and glass cocktail table

Circa 1980s The contemporary table with a polished, cylindrical chrome base and a circular glass top 20.5” H x 48” Dia. $800-1,200

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1029

Attributed to Lisa Steinbach

(20th Century) “Cobalt Extravaganza,” circa 1980 Mixed-media collage in Plexiglas Unsigned, titled and attributed on a label affixed verso 28.5” H x 48.5” W x 4.25” D $400-600

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1030

Laura Donefer

(b. 1955, Canadian/American) Purple and orange amulet basket Blown and flameworked glass 20.5” H x 11” Dia. $500-700

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1031

Monique Prieto

(b. 1962, American) Untitled, from “Four Stages,” 2001 Color aquatint on Chine collé to wove paper under Plexiglas Edition 8/25; signed indistinctly and dated in pencil in the lower margin, at right: Monique; numbered and inscribed “B” in pencil in the lower margin, at left Plate: 9.875” H x 9.875” W; Sheet: 13.625” H x 13.375” W $300-500 Provenance: The Blake Bryne Collection

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1032

Russ Vogt

(20th Century, American) Giraffe Ceramic tile, rebar, and concrete 70” H x 27.5” W x 6” D $1,000-2,000

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1033

Susan Clover

(b. 1944, American) Young woman beneath a waterfall, 1987 Oil on linen Signed and dated lower left: Susan Clover 20.75” H x 31.875” W $1,500-2,500 Provenance: Orlando Gallery, Sherman Oaks, CA, stamped verso Literature: https://www.latimes.com/archives/la-xpm1989-06-09-ca-1520-story.html

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1034

Susan Clover

(b. 1944, American) Nude youth seated beside a pond with ducks Oil on canvas Signed lower right: Susan Clover 36” H x 27 “ W $1,500-2,500 Provenance: Orlando Gallery, Encino, CA, stamped verso Literature: https://www.latimes.com/archives/la-xpm-1989-06-09-ca-1520-story.html

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1035

A Florence Knoll rosewood partner’s desk

Circa 1965 With manufacturer’s label to underside The partner’s desk with rectangular rosewood veneered top fitted with four drawers over an X-form chromed steel base 28.375” H x 78” W x 38” D $1,500-2,500

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1036

A set of Philippe Starck “Hudson” chairs, for Emeco

Circa 2000 Each impressed: Emeco / By Starck; Each with Emeco label to underside and numbered: 0407 Designed 2000 by Philippe Starck for Emeco, each brushed aluminum chair with a contoured seat and high back, comprising two armchairs and four side chairs, 6 pieces Each armchair: 32.75” H x 20.5” W x 18.5” D; Each side chair: 33.25” H x 16.5” W x 18.5” D $1,000-2,000

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1037

A Tommi Anton Parzinger mahogany vanit

Circa 1950 The mahogany vanity flip-top center compartmen flanked by two short drawers with brass knobs, to bench upholstered in pink velvet, 2 pieces Vanity: 28.5” H x 48” W x 17.5” D; Bench: 20” H $1,500-2,500

1039

A Christian Krass lounge chair and ottoman

First-Quarter 20th Century; Paris, France The French Art Deco lounge chair with a cream leather upholstered back and seat on a wood frame flanked by upward curving arms with a box seat rail raised on low-sitting legs, with conformingly designed ottoman, 2 pieces Chair: 33.75” H x 26.5” W x 27” D; Ottoman: 17” H x 21” W x 16” D $1,800-2,200 Provenance: Karl Kemp and Associates Antiques, New York, NY, December 21, 2000 Acquired from the above by present owner

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ty with bench

nt with mirror and fitted tray, ogether with a matching x 27” W x 16” D

1038

A gilt-bronze cocktail table

First-Quarter 20th Century The cocktail table with a faux bois-style gilt-bronze frame supporting an inset glass top 18” H x 42” W x 20” D $800-1,200

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1040

1041

(1900-1973, German) “Three Women,” circa 1946 Oil on canvas laid to board Signed lower left: Carl Holty; titled and dated on a label affixed verso 9.75” H x 8.125” W

(1923-2003, Ame Young family in a Oil on canvas Signed lower righ 24” H x 30” W

Carl Holty

$3,000-4,000

Italo George B

$400-600

Notes: Italo Geo

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Botti

erican) a row boat

ht: Barrel

orge Botti sometimes called himself George Barrel. He was known to have signed his artworks both ways.

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1042

Attributed to Gary Slater

(b. 1947, American) Untitled Patinated bronze and chrome Unsigned 12” H x 26” W x 8” D $600-800

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1043

Jack Youngerman

(1926-2020, American) “Mama Bronze Wave,” 1990 Patinated bronze Signed and dated: JY / 1990 12.25” H x 13” W x 3” D $3,000-5,000 Provenance: Washburn Gallery, New York, NY The Blake Byrne Collection

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1044

A Rhulmann-style sofa, by Larry Laslo

Fourth-Quarter 20th Century Designed by Larry Laslo, the sofa with cushions covered in beige Nancy Corzine linen velvet on a dark mahogany frame with two pull-out beverage shelves 28.5” H x 92.5” W x 37.5” D $2,000-3,000 Provenance: Property from an important La Cañada Flintridge estate

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1045

A Rhulmann-style sofa, by Larry Laslo

Fourth-Quarter 20th Century Designed by Larry Laslo, the sofa with cushions covered in beige Nancy Corzine linen velvet on a dark mahogany frame with two pull-out beverage shelves 28.5” H x 92.5” W x 37.5” D $2,000-3,000 Provenance: Property from an important La Cañada Flintridge estate *This image is a representation of the item, please see condition report.

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1046

An Art Deco-style chaise lounge

20th Century The chaise lounge with Art Deco-style mother-of-pearl inlay and upholstered in sage green cut velvet with a swirl pattern 34” H x 72” W x 28.5” D $3,000-4,000 Provenance: Property from an important La Cañada Flintridge estate

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1047

A custom Mirak mahogany cocktail table

Fourth-Quarter 20th Century The large mahognay cocktail table with inset glass top and slatted metal accents 18” H x 60” W x 60” D $1,500-2,500 Provenance: Property from an important La Cañada Flintridge estate

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1048

South American Cubist School

(20th Century) “The Ancestors” Oil on canvas Signed indistinctly lower left; titled by repute 46.5” H x 37” W $1,000-2,000 Provenance: Property from an important La Cañada Flintridge estate Notes: Ink stamp verso of canvas reads: Instituto Nacional de Cultura - Peru and has been marked by hand with a “p” or “g” type letter or symbol.

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1049

South American Cubist School (20th Century) “The Ancestors” Oil on canvas Appears unsigned; titled by repute 47” H x 36.75” W $1,000-2,000 Provenance: Property from an important La Cañada Flintridge estate Notes: Ink stamp verso of canvas reads: Instituto Nacional de Cultura - Peru and has been marked by hand with a “p” or “g” type letter or symbol.

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1050

A pair of Biedermeier-style loveseats

20th Century Each settee with a mahogany frame with outscrolled arms and scrolled feet, upholstered in beige and red checkered sateen with bolsters, 2 pieces Each: 38” H x 73” W x 28” D $2,000-3,000 Provenance: Property from an important La Cañada Flintridge estate

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1051

A contemporary gilt-metal cocktail table

20th Century The rectangular, gilt-metal cocktail table with cabriole legs, X-stretcher, shagreen-style panels under an inset glass top 21” H x 49” W x 32” D $1,500-2,000 Provenance: Property from an important La Cañada Flintridge estate

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1052

An Art Deco-style torchiËre

20th Century The Art Deco-style floor lamp with white milk glass shade on a bronze columnar base with hoof feet and an onyx top plate, electrified 69” H x 13” Dia. $600-900 Provenance: Property from an important La Cañada Flintridge estate

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1053

A pair of French Empire-style brass andirons

First-Quarter 20th Century Each polished brass andiron in the form of a Corinthian architectural column with lion rampant heraldic device and raised on two paw feet, 2 pieces Each: 35.25” H x 12” W x 26” D $500-700 Provenance: Property from an important La Cañada Flintridge estate

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1054

A French Art Deco dining room suite

Circa 1930s Comprising an extendable rectangular dining table with a macassar top, bird’s eye maple skirt, and reeded legs, accompanied with two leaves and a fitted glass top, matched with two armchairs and four side chairs with red cut-velvet upholstery, together with a conformingly designed macassar and bird’s eye maple credenza, 11 pieces Dining table: 30.25” H x 66” W x 44” D; Leaves: 15” W and 15.25” W $2,000-3,000 Provenance: Property from an important La Cañada Flintridge estate

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1055

A group of Venetia and Daphne “Aztec” glazed ceramic dinnerware

Circa 1940s Some marked: Venetia & Daphne / Calif

By Venetia Elper and Daphne Huntington, each with Aztec-style motifs in a yellow ochre glaze, comprising 3 large dinner plates, 11 bread plates, 1 bowl, 1 teapot, 1 creamer, 1 sugar bowl, 1 demitasse cup, 5 cups, and 9 saucers, 33 pieces Larger: 5.5” H x 9.5” W x 5.75” D; Smaller:1.5” H x 3.5” W x 2.5” D $400-600 Provenance: Property from an important La Cañada Flintridge estate

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1056

A group of Venetia and Daphne “Aztec” glazed ceramic dinnerware

Circa 1940s Some marked: Venetia & Daphne / Calif

By Venetia Elper and Daphne Huntington, each with Aztec-style motifs in a yellow ochre glaze, comprising 2 tumblers, 1 teapot, 1 creamer, 1 sugar, 5 large plates, 8 salad plates, 6 bread plates, 5 small bowls, and 8 small dishes, 37 pieces Larger: 5.75” H x 10” W x 5.75” D; Smaller: 0.5” H x 3.5” W x 3.5” D $400-600 Provenance: Property from an important La Cañada Flintridge estate

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1057

A pair of Art Deco-style andirons

20th Century Each silvered-metal andiron with an Art Deco-style structural form centering a gilt-bronze roundel of a Classical figure with a torch, 2 pieces Each: 28.25” H x 11.25” W x 12” D $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1058

A set of four contemporary Clément Rousseau-style chairs

20th Century Each reproduction Clément Rousseau-style chair with silk and shagreen upholstery, 4 pieces Each: 36” H x 19” W x 20.5” D $2,000-3,000 Provenance: Property from an important La Cañada Flintridge estate

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1059

A group of Weller pottery items

Circa 1930s-40s Each variously marked for Weller Comprising eight light blue and green “Cameo” vases, one light blue “Cameo” planter, one “Panella” vase, and one “Blossom” vase, 11 pieces Larger: 13” H x 7” W x 6.5” D; Smaller: 5.25” H x 4.25” W x 3.25” D $400-600 Provenance: Property from an important La Cañada Flintridge estate

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1060

A group of Weller “Cameo” pottery items

Circa 1930s-40s Most variously marked for Weller; Three faintly marked Comprising nine light blue vases and one planter, 10 pieces Larger: 14.5” H x 9” W x 7” D; Smaller: 3.75” H x 7” Dia. $400-600 Provenance: Property from an important La Cañada Flintridge estate

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95

96

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1061

A Georg Jensen-style silver plate tea and coffee service

20th Century Each marked: [mountain-style cipher] / F. S / Silver 950 / EP With flower bud finials, comprising a coffee pot, a teapot, a creamer, and covered sugar bowl, 4 pieces Larger: 12.75” H x 12.5” W x 6” D; Smaller: 4.75” x 5.25” W x 3.5” D $600-900 Provenance: Property from an important La Cañada Flintridge estate

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97

1062

A Johan Hagen stainless steel flatware service, for Sival

Circa 1960; Denmark Each marked: Sival / Stainless Steel / Denmark The Danish mid-century modern flatware service comprising 8 place knives (8.5”), 8 butter spreaders (6.875”), 8 place forks (8.125”), 8 salad forks (7.625”), 1 serving fork (8.75”), 2 serving/tablespoons (8.25”), 8 soup/dessert spoons (7.625”), and 8 teaspoons (5.75”), 51 pieces $800-1,200

98

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1063

A set of Bent Severin “Princess” glass stemware

Circa 1958-1984; Denmark Designed 1957 by Bent Severin (1925ñ2012, Danish) for Kastrup-Holmegaard, the Danish mid-century modern stemware with cone-shaped stems and encased tear-drop bubble, comprising 9 port glasses (5.5” H), 3 aperitif glasses (4.25” H), 6 coupes (3.75” H), and 5 cordial glasses (3.625” H), 23 pieces $800-1,200

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99

1064

A Heinz & Co. Noritake “Imperial Hotel” porcelain dinner service

Fourth-Quarter 20th Century Each marked for Noritake; Further marked: Heinz and Co. / 1984 / Japan Designed 1984 with a Frank Llody Wright-inspired circular pattern, comprising 11 dinner plates (10.75”), 14 salad/dessert plates (8.375”), 14 bread plates (6.375”), 14 soup bowls (7.5”), and 14 cereal bowls (5.625”), 67 pieces $1,800-2,000

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1065

A set of Streamline Art Deco-style seating

20th Century Each with a Streamline Moderne-style wood frame and contemporary avian motif upholstery, comprising two armchairs and a sofa, 3 pieces Sofa: 33.25” H x 64.5” W x 32” D; Each armchair: 33.25” H x 31.75” W x 31” D $1,500-2,500 Provenance: Property from an important La Cañada Flintridge estate

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1066

A modern Aubusson-style figural tapestry

20th Century The tapestry woven in polychrome wool depicting modern-style women dancing in a landscape accompanied by grey hounds 62” H x 73.5” W $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1067

A large DK Living shell vase

20th Century Marked to underside: DK Living The large trumpet vase with black and white crackled shell finish raised on a pedestal-form base with checkered pattern 37” H x 21.75” Dia. $800-1,000 Provenance: Property from an important La Cañada Flintridge estate

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1068

A French Art Deco armoire

Circa 1930s The macassar veneered armoire with two side cabinets centering an upper compartment and a two-door cupboard, finished with gilt-bronze figural plaques and hardware 69.5” H x 86.75” W x 20.5” D $2,000-3,000 Provenance: Property from an important La Cañada Flintridge estate

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1069

A contemporary Gustav Klimt-style rug

21st Century The runner/rug with all-over polychrome geometric motifs in the style of Viennese Secessionism 139.5” L x 58.5” W $1,000-2,000 Provenance: Property from an important La Cañada Flintridge estate

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1070

After Anton Nelson

(1880-1910, American) Art Nouveau standing figure of Flora Spelter Signed in the cast: A. Nelson 24” H x 8.25” W x 8.25” D $400-600 Provenance: Property from an important La Cañada Flintridge estate

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1071

A pair of French Art Deco mohair chairs with ottoman

Second-Quarter 20th Century Each with contemporary green mohair upholstery and macassar veneered streamline legs, comprising an armchair, a side chair, and an ottoman, 3 pieces Armchair: 33” H x 24” W x 26” D $1,000-1,500 Provenance: Property from an important La Cañada Flintridge estate

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1072

A pair of Frankart “Spirit of Modernism” bronze table lamps

Fourth-Quarter 20th Century Each marked in the cast: Frankart © [illegible number] Each reproduction Art Deco-style table lamp with a figural gilt-bronze column raised on a custom black marble pedestal base, together with ivory silk shades, electrified, 2 pieces Each overall: 26” H x 12” Dia. $600-800 Provenance: Property from an important La Cañada Flintridge estate

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1073

An Art Deco parquetry and carved wood credenza

Circa 1930s The credenza with inset marble top over a carved ebonized wood frame with floral and geometric motifs, finished with three bookmatched veneered doors and single drawer with silver metal hardware 39” H x 71” W x 20.5” D $1,000-1,500 Provenance: Property from an important La Cañada Flintridge estate

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1074

A Machine Age chromed metal hat stand

Circa 1930s The chromed metal hat rack with a fluted X-form foot and eight pegs 69.25” H x 21.5” W x 21.5” D $1,000-2,000 Provenance: Property from an important La Cañada Flintridge estate

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1075

An Art Deco carved wood entry table

Circa 1920s The entry table in carved and ebonized wood decorated with geometric and floral motifs with an inset, veined black marble top raise on ball cluster feet 31” H x 27.25” Dia. $1,000-2,000 Provenance: Property from an important La Cañada Flintridge estate

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1076

A South American modernist-style tapestry

20th Century Marked: Cap / de / vi / la.

The woven wool wall tapestry centering a polychrome roundel of an abstract landscape $1,500-2,500 Provenance: Property from an important La Cañada Flintridge estate

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1077

A Postwar-style sofa and lounge chair

20th Century The 1940s-style sofa and lounge chair with streamline carved wood arms and upholstered in polychrome modern abstract fabric, 2 pieces Sofa: 31” H x 70” W x 34” D; Chair: 31” H x 28” W x 34” D $1,000-2,000 Provenance: Property from an important La Cañada Flintridge estate

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1078

A contemporary custom painted dining table with chairs

Late 20th/Early 21st Century The extendable dining table with custom painted top depicting a modernist book cover for Cecil Freeman Gregg’s crime novel “Mystery At Moor Street,” with fitted glass top and four conformingly designed chairs with leather upholstered seats and nail head trim, 6 pieces Table: 30.75” H x 59.875” W x 39.875” D; Each chair: 36” H x 18” W x 20” D $1,000-1,500 Provenance: Property from an important La Cañada Flintridge estate

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1079

A J.W Beattie Hollywood Hi-Lite studio arc lamp

Circa 1910s-20s Marked: J.W. Beattie / Hollywood / HI-LITE Manufactured by J.W. Beattie, the metal light with original paint and pinstriping, electrified 70.5” H x 22” Dia. $400-600 Notes: J.W. Beattie was a division of the Otto K. Olesen Company, the Danish illumination engineer who was the first to provide lighting used during the shooting of motion pictures inside a studio.

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1080

A wooden mechanical cog cocktail table

Circa 1920s-30s The repurposed wood cog with later-added smoked glass top 19” H x 19.5” Dia. $600-900 Notes: The wooden mechanical cog dates from the 1920s-30s and was likely a working model for later cast metal gear parts.

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1081

Three contemporary adjustable drafting stools

Late 20th/Early 21st Century Each drafting stool with molded wood back and seat on an adjustable painted metal frame, 3 pieces Each: 40” H x 16.25” W x 18” D approximately $300-500 Provenance: Property from an important La Cañada Flintridge estate

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1082

A monumental rotating hourglass, by David Hood

Fourth-Quarter 20th Century Marked, signed, and numbered: Handcrafted by David W. Hood / David H / [10 86] The large 24-hour hourglass supported on a turn-style pine frame 71” H x 33.5” W x 46” D $1,000-2,000 Provenance: Property from an important La Cañada Flintridge estate

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1083

A Sligh longcase clock

Fourth-Quarter 20th Century Dial marked: Sligh / Made in Germany The clock with an enameled metal dial with silver Arabic numeral hour markers, black outer minute track, and three train movement enclosed in a silvered metal bezel with silvered metal weights and pendulum, set in a glazed ebonized wood case 80.75” H x 26” W x 12.75” D $1,000-1,500 Provenance: Property from an important La Cañada Flintridge estate

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1084

Hermann Graf

(1873-1940, Germany) Figure in a library, 1918 Oil on panel Signed and dated upper right: Graf. W. Sight: 23.25” H x 17.5” W $600-900 Provenance: Property from an important La Cañada Flintridge estate

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1085

A pair of leather banker’s chairs

20th Century With Texas Commerce Bank metal tags; Numbered 0103421 and 0103427 Each leather upholstered armchair with stuffed seat, padded back rest, and scrolled arms finished with nail head trim and raised on wood legs, 2 pieces Each: 36” H x 28” W x 27” D $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1086

A Salterini-stlye wrought iron patio breakfast table with chairs

Mid-20th Century Each white painted wrought iron with basketweave accents, comprising a round table with inset tempered glass top and four chairs with upholstered cushions, 5 pieces Table: 29” H x 36” Dia.; Each chair: 35” H x 17” W x 18” D $1,000-1,500 Provenance: Property from an important La Cañada Flintridge estate

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1087

A pair of Woodard “Valencia” adjustable patio chaise lounges

20th Century Each white painted wrought iron frame patio lounge chair with upholstered cushions, adjustable back, and rear wheels, 2 pieces Each (at highest seat point): 43” H x 26” W x 66” D $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1088

A pair of Art Deco wrought iron garden glider chairs

Circa 1930s Each verdigris patinated wrought iron chair with a pivoting gilder seat with inset green California tiles, 2 pieces Each: 34.75” H x 33.75” W x 23” D $2,000-3,000 Provenance: Property from an important La Cañada Flintridge estate

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1089

A French Art Deco wrought iron plant stand

Circa 1920s The trumpet-form wrought iron plant stand with geometric motifs raised on a ball and pedestal base 39.5” H x 9.75” W x 9.75” D $600-900 Provenance: Property from an important La Cañada Flintridge estate

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1090

A tile-top wrought iron garden table

20th Century The small garden table with a square, polychrome tiled top raised on free-form twisted wrought iron legs 24” H x 17.75” W x 17.5” D $500-700 Provenance: Property from an important La Cañada Flintridge estate

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1091

A near-pair of Art Deco wrought iron garden chairs

Circa 1920s Each wrought iron Roman-style curule armchair with lattice back and contemporary upholstered seat cushion, 2 pieces Each: 35” H x 25.5” W x 21” D $600-900 Provenance: Property from an important La Cañada Flintridge estate

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1092

An Art Deco bronze architectural window grill

Second-Quarter 20th Century The bronze window grill with geometric and floral motifs 30” H x 30.25” W x 0.5” D $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1093

Continental School

(Early 20th Century) Courtly dancers and lute player Oil on linen Appears unsigned 24” H x 33.5” W $400-600 Provenance: Property from an important La Cañada Flintridge estate

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1094

An Italian carved giltwood mirror

20th Century The rectangular carved giltwood frame with putti masks surrounding a circular mirror 32” H x 38” W x 4.5” D $600-900 Provenance: Property from an important La Cañada Flintridge estate

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1095

A pair of contemporary Neoclassical-style armchairs

Fourth-Quarter 20th Century Each chair with a carved giltwood frame with scroll motifs and floral pateras, finished with grey abstract square patterned upholstered seat, back, and elbow pads, 2 pieces Each: 35” H x 22.5” W x 24” D $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1096

A set of Aztec-style nesting tables

20th Century Comprising three wood nesting tables with tooled leather tops decorated with Aztec-style motifs, 3 pieces Larger: 23.5” H x 17.75” W x 19.75” D; Smaller: 21.75” H x 12.5” W x 11.5” D $800-1,200 Provenance: Property from an important La Cañada Flintridge estate

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1097

A Biedermeier-style Sligh longcase clock

Fourth-Quarter 20th Century Dial marked: Sligh / Made in Germany The clock with an enameled metal dial with black Roman numeral hour markers, outer minute track, and two train movement enclosed in a polished brass bezel with brass weights and pendulum, set in a glazed wood case with ebonized pilasters 81.5” H x 26.5” W x 13.25” D $1,000-1,500 Provenance: Property from an important La Cañada Flintridge estate

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1098

A contemporary Biedermeier-style armchair

20th Century The armchair with striped, cream silk upholstered back and seat with nail head trim 36.5” H x 27” W x 30” D $300-500

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1099

A contemporary Biedermeier-style armoire

20th Century The cabinet with two pocket doors concealing an open compartment and three drawers atop two exterior drawers 73.25” H x 47” W x 23” D $600-800

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1100

A Karges demi-lune console table

Fourth-Quarter 20th Century With Karges metal factory tag The carved wood console table with pecan-tone finish and one long frieze drawer 32.5” H x 72” W x 19” D $600-800

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1101

A pair of Egyptian Revival giltwood side chairs

First-Quarter 20th Century Each giltwood chair with carved Egyptian lotus motifs and hieroglyphic patterned upholstered seats, 2 pieces Each: 39.25” H x 18” W x 17” D $600-900

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1102

Robert Henri

(1865-1929, New York, NY) “Woman Leaning Forward” Graphite on paper Inscribed and initialed in ink at the lower right by John C. LeClair, executor of the artist’s estate: Robert Henri / JCL; titled on a museum label affixed to the frame’s backing paper Sight: 10.5” H x 8” W $700-900 Provenance: Mrs. Edward Canter Museum of Fine Arts, Boston, MA

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1104

A large Thai carved wood spirit house

1999 The carved and polychromed wood shrine with gilt highlights and a tiled front 36” H x 20” W x 31” D $700-900

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1104

A large Thai carved wood spirit house

1999 The carved and polychromed wood shrine with gilt highlights and a tiled front 36” H x 20” W x 31” D $700-900

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1105

A Chinese elm sideboard

Circa 1940s; China The carved elm sideboard with adjacent two-door compartments and metal hardware 32.5” H x 52.375” W x 18.25” D $300-500

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1106

A Chinese elm altar table

20th Century The long altar table with a rectangular top over a corbeled apron 32.25” H x 80” W x 18.375” D $500-700

1107

A Chinoiserie chest of drawers

Fourth-Quarter 20th Century The four-drawer dresser with bambooo-style trim enclosing black lacquered panels with Chinoiserie decoration and gold highlights 34” H x 48” W x 18” D $600-800

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1108

A Chinese-style painted wood cabinet

Circa 1920s The wood cabinet with two, two-door cupboards painted with floral decorations and faux-bamboo trim 38.25” H x 35.5” W x 17.625” D $600-900 Provenance: Property from an important La Cañada Flintridge estate

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1109

A set of Japanese-style nesting tables

20th Century Comprising three lacquered wood nesting tables with painted and enameled Japanese-style landscape scenes, 3 pieces Larger: 25” H x 21” W x 15” D; Smaller: 23” H x 14” W x 11” D $600-900 Provenance: Property from an important La Cañada Flintridge estate

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1110

A suite of Trioh Møbler modern teak tables

Mid-20th Century Each with burned mark: Trioh Mobler / Made in Denmark The suite of Danish mid-century modern teak tables comprising a cocktail table and two matching end tables, 3 pieces Cocktail table: 16.5” H x 68.5” W x 24.25” D; Each end table: 20.5” H x 29.25” W x 20.25” D $600-900

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1112

A pair of Fornasetti verre églomisé table lamps

Mid-20th Century Each two-light lamp with a cylindrical glass column decorated with reverse-gilding and applied Neoclassical figural prints against a dark green ground, finished with a carved and painted wood top and base, accompanied by a beige silk shade, electrified, 2 pieces Each overall: 33” H x 15” Dia. $1,200-1,800

1111

An Ekornes Stressless reclining ar

Fourth-Quarter 20th Century Chair marked for Ekornes and Stressles The modern-style reclining armchair wi attached swing table, together with a m Chair: 37” H x 31” W x 24” D; Ottoma: $600-900

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1113

A Hans Jørgensen Wegner “Wishbone” armchair, no. CH 24

Mid-20th Century; Denmark With burned mark: Made in Denmark / Y Carl Hansen & Son / Odense Denmark Designed 1949 for Carl Hansen & Son, the Danish mid-century modern chair with Y-form back and woven natural cord seat 28.375” H x 21” W x 18” D $300-500 Literature: Jens Bernsen. “Hans J Wegner” (Copenhagen: Danish Design Center, 2001) 28-29.

Notes: The Wishbone chair--also know as the “Y” chair, Y-stolen, and CH 24--was originally designed in 1949 exclusively for Carl Hansen & Son and retailed in 1950.

rmchair and ottoman

ss ith blue leather upholstery and an matching ottoman, 2 pieces : 16” H x 19.25” W x 15.5” D

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1114

Jose Lapayese Del Rio

(1926-2000, Spanish) Abstract still life and architecture, 1971 Mixed media on canvas on board Signed lower right: Lapayese Del Rio; dated on a certificate of authenticity written and signed again by the artist on his personal stationery, affixed to the frame’s backing paper Sight: 14” H x 20” W $800-1,200

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1115

1116

Mid-20th Century The free-form metal table lamp raised on a square wood base and a white linen drum shade, electrified Overall: 56” H x 18.25” Dia.

Mid-20th Centu Appears unmar The mid-centur 19.75” H x 44.5

A Curtis Jeré-stlye Brutalist metal table lamp

$1,000-1,500

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A modern ro

$600-800

osewood coffee table, attributed to Ed Stiles

ury rked ry modern coffee table with oval top raised on two-tone X-form legs 5” Dia.

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1117

A large modern table lamp with Maria Kipp shade

Mid-20th Century Appears unmarked The mid-century modern base with an all-over geometric motif on dark wood base, together with a custom large Maria Kipp woven wood and chenille lamp shade, electrified Overall: 46” H x 18.5” Dia. $200-300 Provenance: The James M. Cole Collection, Visalia, CA.

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1118

A custom teak adjustable table

Second Half 20th Century The teak table with a round, adjustable height top on a threaded telescoping column over a hexagonal latticework base 24.5” H to 31.5” H x 52.25” Dia. $400-600

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1119

Sharon Lockhart

(b. 1964, American) “Maria da Conceição Pereira de Souza with the Fruits of the Island of Apeú-Salvador, Pará, Brazil,” 1999 Chromogenic print on paper laid to card under glass Edition: PP; signed, dated and editioned on the backing board Image: 12” H x 9.5” W; Sheet: 14” H x 11” W $1,000-2,000 Notes: This image was used as the cover for the book, “Teatro Amazonas.” A signed copy of the book, published by The Museum Boijmans Van Beuningen, Rotterdam, as well as a copy of the book, “Sharon Lockhart,” published by the Museum of Contemporary Art, Chicago, accompanies this lot.

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1120

D.E. May

(b. 1952, American) “Untitled,” 2000 Mixed media on board under glass Initialed lower left: D. M.; titled and dated on a gallery label affixed to the frame’s backing paper 7.75” H x 5.5” W $500-700 Provenance: PDX Contemporary Art, Portland, OR The Blake Byrne Collection

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1121

Tom Otterness

(b. 1952, American) “Suspended Figure,” 1995 Pencil and ink on clay, Masonite, and wood Unsigned; titled, dated and with an artist/gallery inventory number TO-95-SR-187 on a gallery label affixed verso 10” H x 8” W $800-1,200 Provenance: Brooke Alexander Gallery, New York, NY The Blake Byrne Collection

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1122

Henri Matisse

(1869-1954, French) Lithograph on paper Affiches d’expositions réalisées depuis 25 ans par L’Imprimerie Mourlot et présentées a l’occasion de son centenaire a la Galerie Kléber, Paris, 1952 Color lithograph on wove paper, watermarks Arches and Mourlot Unnumbered, from the edition of 800; a printed signature and date in the image only, lower left: Matisse; Mourlot, Paris, prntr.

Image/Sheet: 25.5” H x 19.5” W $300-500 Literature: Sauret 45

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1123

William T. Wiley

(1937-2021, American) “Checking It All Out,” 1972 Color lithograph on paper under Plexiglas Edition: 5/35; signed, dated and numbered in the lower margin: Wm T. Wiley 72; David Keister and Larry Seibold, prntrs; Landfall Press, Inc., Santa Fe, NM, pub., with their blindstamp in the lower left margin corner Image: 19.25” H x 27” W; Sight: 21.75” H x 29.75” W $400-600 Provenance: Margo Leavin Gallery, Los Angeles, CA Literature: Richardson p. 27; Landfall Press WTW72-260

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1124

Thomas Kiesewetter

(b. 1963, German) “Untitled (11-2-06) #1,” 2006 Graphite and ink on paper under Plexiglas Signature showing through faintly from the verso along the lower edge, at left: Th. Kiesewetter; partially titled (1) and dated 11/2/06, both near the lower right corner; titled in full on the gallery label affixed to the frame’s back board 14” H x 10.75” W $500-700 Provenance: Roberts & Tilton, Los Angeles, CA The Blake Byrne Collection

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1125

Thomas Kiesewetter

(b. 1963, German) “Untitled (11-2-06) #2,” 2006 Graphite on paper under Plexiglas Signature showing through faintly from the verso along the lower edge, at left: Th. Kiesewetter; partially titled (2) and dated 11/2/06, both near the lower right corner; titled in full on the gallery label affixed to the frame’s back board 14” H x 10.75” W $500-700 Provenance: Roberts & Tilton, Los Angeles, CA The Blake Byrne Collection

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1126

Duane Paul

(20th/21st Century, American) “Quick Tongue and Punching Bag,” 2018 Wood, denim, resin, raw pigment, and enamel Unsigned 42” H x 24” W x 10.5” D approximately $500-700 Provenance: The Blake Byrne Collection

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1127

Masao Yamamoto

(b. 1957, Japanese) “R-53,” 2006 Gelatin silver print under acrylic resin in metal tin Unsigned, impressed in the metal: Nakazora 1” H x 6.25” W x 3.75” D $500-700 Provenance: PDX Contemporary Art, Portland, OR The Blake Byrne Collection

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1128

Sui Jianguo

(b. 1956, Chinese) “Planting Trace - Meteor Garden 3,” 2018 Galvanized photosensitive resin on brushed aluminum base Unsigned 7” H x 9.875” W x 4” D $4,000-6,000 Provenance: Sale: LA Louver, Los Angeles, CA, October 15, 2018 The Blake Byrne Collection, acquired from the above

Lot 1129 has been withdrawn.

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1130

Nathan Hylden

(b. 1978, American) Untitled, 2007 Enamel on polished aluminum Unsigned 36” H x 36” W x 36” D

$4,000-6,000

Provenance: Sale: Richard Telles Fine Art, Los Angeles, CA, March 2, 2007 The Blake Byrne Collection, acquired from the above

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1131

Saint Clair Cemin

(b. 1951, Brazilian) “Legend of St. Cruz Alta,” 1987 Bronze Edition 2/5; with the incised signature, date, and number: Cemin 4.5” H x 13” W x 7.25” D $1,500-2,000 Provenance: Sale: Christies, New York, NY, “Contemporary Art,” 27 February, 1988, Lot 77 Corporate Collection, Los Angeles, CA Notes: This lot is accompanied by a Christie’s sales receipt dated 27 February, 1992.

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1132

Saint Clair Cemin

(b. 1951, Brazilian) Figure on horse, 1991 Bronze Edition 1/5; with the incised signature, date, and number: Cemin; foundry mark: Empire Bronze Art Foundry Inc. 6.5” H x 6.75” W x 7 “ D $1,200-1,800 Provenance: Corporate Collection, Los Angeles, CA

1133

Saint Clair Cemin

(b.1951, Brazilian) Female figural ashtray Bronze With the incised signature and partially legible number: Cemin / [2/5]; foundry mark: Empire Bronze Art Foundry Inc. 5.75” H x 4” W x 5” D $400-600 Provenance: Corporate Collection, Los Angeles, CA

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1134

Saint Clair Cemin

(b. 1951, Brazilian) “Aigle avec un coeur,” 1988 Cold painted bronze Edition 4/7; with the incised signature and edition number: Cemin; titled and dated in the cast; foundry mark: Empire Bronze Art Foundry Inc. 7” H x 4.25” W x 3.75” D $400-600 Provenance: Corporate Collection, Los Angeles, CA

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1135

An early modernist-style figural bronze female torso

20th Century Signed with unidentified cipher [possibly NP] The polished gilt-bronze figural sculpture on a black stone base 9.5” H x 4.25” W x 4” D $500-700 Notes: This early modernist-style abstract bronze plays with the mutability of form, taking the shape of a female torso while also alluding to a male phallus. It is evocative of Constantin Brancusi’s “Princess X,” 1915-1916, which depicted the Freudian psychoanalyst Princess Marie Bonaparte.

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1137

A triangular chrome and marble cocktail table

Second Half 20th Century The cocktail table with two black and white marble triangular tops joined on a triangular chrome frame 19.5” H x 68” W x 36” D $300-500

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1138

A pair of modern American studio pottery table lamps

Mid-20th Century The mid-century modern table lamps with speckled ivory glazed pottery bases and original light beige linen drum shades, electrified, 2 pieces Each overall: 41” H x 17” Dia. $400-600

1136

David Wynne

(1926-2014, English) “Sleeping Girl,” 1963 Patinated bronze Edition 8/12; singed in cast; numbered by repute 7” H x 30.5” W x 13” D $5,000-7,000 Provenance: Arthur Tooth & Sons Ltd, London, by descent through family

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1139

A Heywood Wakefield

Mid-20th Century The table and most chairs The American mid-century comprising a Dog Bone dr on convex legs, together w geometric upholstery, 9 pi Table: 29” H x27.75” W x $500-700

1140

A Domino Møbler modern lounge chair and ottoman

Mid-20th Century; Denmark Each with Domino Mobler manufacturer’s label The Danish mid-century modern lounge chair with original cream chenille upholstery on a teak frame, together with a matching ottoman, 2 pieces Chair: 39.5” H x 28” W x 24” D; Ottoman: 14.5” H x 24.75” W x 19.5” D $400-600 Provenance: The James M. Cole Collection, Visalia, CA

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d modern dining set

stamped for Heywood Wakefield y modern dining set in light-toned wood, rop-leaf extendable table with two leaves raised with two armchairs and six side chairs with purple ieces 40” D

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1141

Pavel Tchelitchew

(1898-1957, Russian/American) Jesus visiting souls in Purgatory Oil on sturdy wove paper under Plexiglas Signed lower right: P. Tchelitchew 27.5” H x 37” W $10,000-15,000 Notes: Pavel Tchelitchew (1898-1957) was a Russian born American artist whose most notable work, “Hide-and-Seek” is part of the permanent collection in the Museum of Modern Art in New York City. He was well-traveled and spent time in the Odessa, Berlin, and Paris before moving to New York City with his then new, but ultimately long-time partner, poet Charles Henri Ford.

Tchelitchew was associated with several movements including Neo-Romanticism, Surrealism, Futurism, and Constructivism but his artistic career also encompassed ballet, set design and costume design. Regardless of the movement, Tchelitchew’s work tends to find its roots in Surrealism and hover in a ghostly dream state. Those attributes are seen clearly in this example, “Jesus visiting souls in Purgatory.”

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1142

Sara Berman Beach

(1890-1978, Polish/American) “Free the Scottsboro Youth,” 1931 Oil on canvas Signed and dated lower right: Sara Berman; titled on a label attached to the stretcher 26” H x 22” W $1,200-1,800 Provenance: Collection of the artist Thence by descent to the artist’s grandson

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1143

Gaston Bogaert

(1918-2008, Belgian) ‘’Le Memorial des Navigateurs” Oil on Masonite Signed lower left: Bogaert; signed again, titled and numbered or possibly dated, verso: 42 23.5’’ H x 32’’ W $800-1,200 Provenance: Private Collection, Claremont, CA, by descent

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1144

Ed Benavente

(b. 1960, American) “Fire Dance,” 1995 Metal Signed, titled, and dated: EB / Fire dance / 1995 11.75” H x 16.5” Dia. $800-1,200

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1145

Attributed to Jud Fine

(b. 1944, American) Rock suspended in chicken wire Mixed media Appears unsigned 6” H x 6.5” W x 6.5” D $1,000-2,000

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1146

Ai Weiwei

(b. 1957, Chinese) “Swatter,” 2007 14k gold plated brass Edition 21/25; signed and numbered: AI / Edition for Parkett 81 / No. XXI-XXV 0.25” H x 21.25” W x 4.375” D $6,000-8,000 Provenance: Sale: Parkett Art Editions, New York, NY, June 11, 2014 The Blake Byrne Collection Notes: Contemporary artist and activist Ai Weiwei (b. 1957, Chinese) has been referred to as China’s most dangerous man because of his openly controversial opinions of the Chinese government. In 2011 the police arrested Ai Weiwei on questionable charges of tax evasion. His wife and several staff members were also placed in temporary custody and the computers and hard drives in his studio were confiscated by no less than 50 officers. After 3 months of being detained and international protests made on his behalf, the artist was finally released.

Ai Weiwei learned at a very early age the power of art and how it can shape new ways of thinking from his father, Ai Qing, who was a famous Chinese poet. Despite his arrest, he continues to use his practice to challenge the Chinese government and to call attention to human rights issues in his country.

Ai Weiwei’s work falls into the category of Excessivism, a relatively new art movement that refers to pieces made with a deep consideration of every facet of life, often focused on a personís desire for more than what is necessary. It is also represented in the excessive use of resources in an embellished way as seen in Swatter, a fly swatter made of 14k gold.

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1147

Guillaume Bijl

(b. 1946, Belgian) Untitled element from the mixed-media installation “Composition trouvée,” 1989 Lacquered wood, glass, and pigment Unsigned 11.25” H x 17.625” W x 7” D $1,000-2,000 Provenance: The Museum of Contemporary Art, Los Angeles, CA The Blake Byrne Collection Notes: The hanging sconce element is pictured in an installation photograph MOCA’s website: https://www.moca.org/collection/work/composition-trouvee

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1148

Mona Hatoum

(b. 1952, Palestinian) “Medal of Dishonour,” 2008 Bronze Edition 8/12; signed and dated: MH / 2008 2.5” Dia. $3,000-5,000 Provenance: Sale: Galerie Max Hetzler, June 16, 2010 The Blake Byrne Collection, acquired from the above

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1149

Tony Smith

(1912-1980, American) “New Piece #10,” 1975-1979 Painted Bristol board Unsigned, titled to underside 5” H x 10” W x 10” D $4,000-6,000 Provenance: Jack Tilton Gallery, New York, NY The Blake Byrne Collection, purchased from the above on May 8, 1990 Notes: Maquette for work of the same title, “New Piece #10.” Considered the father of American Minimalist sculpture, Smith spent his early adolescence sequestered in a one-room structure behind his parent’s house recovering from tuberculosis. His illness and the associated solitude were formative influences on his eventual artistic career. In particular, the cardboard boxes that contained his medications became some of his earliest building materials, shaping the development of his sculptural practice. After completing his schooling, Smith joined the Frank Lloyd Wright team of architects, eventually rising to Chief-of-the-Works. Interestingly, in the 1940s, Tennessee Williams was a witness to his marriage. Other luminaries like Mark Rothko, Barnett Newman, and Jackson Pollock were also among Smith’s closest friends. Working in their orbit influenced both Smithís minimalist compositions and three-dimensional works. In 1998 when the Museum of Modern Art held a retrospective of Smith’s career in New York, the show was entitled “Tony Smith: Architect, Painter, Sculptor,” as a testament to his facility and artistic authority across media.

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1150

John Sonsini

(b. 1950, American) “David,” 2012 Graphite and ink on wove paper under glass Signed lower sheet edge, at right: J Sonsini; titled and dated near the lower corner of the left sheet edge 14” H x 11” W $1,000-2,000 Provenance: The Blake Byrne Collection

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1151

John Sonsini

(b. 1950, American) “Jose,” 2012 Graphite and ink on wove paper under glass Signed lower sheet edge, at right: J Sonsini; titled and dated near the lower corner of the left sheet edge 14” H x11” W $1,000-2,000 Provenance: The Blake Bryne Collection

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1152

Rick Wolfryd

(b. 1953, American) “Passing Through,” 2021 [After KAWS] Vinyl and beads Edition 10/1000; signed, dated, and titled: Rick Wolfryd / Chroma / 2021 / “Passing Through” / Elisa; further marked: KAWS / ..07 / Medicom Toy / 2007 / Made in China 10.875” H x 6.25” W x 7” D $800-1,200

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1153

Rick Wolfryd

(b. 1953, American) “Baby Doll,” 2021 [After KAWS] Vinyl and beads Signed, dated, and titled: Rick Wolfryd / “Baby Doll” / T.P. 2021 / Elisa; further marked: KAWS ..20 / Share / Medicom Toy / China 11.875” H x 5.75” W $500-700

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1154

A modern round game table with chairs

20th Century The table with a circular, painted wood top raised on tubular chrome legs, together with four chairs with lavender corduroy upholstery on X-form chrome legs, 5 pieces Table: 27.75” H x 42.5” Dia.; Each chair: 32” H x 19” W x 24.5” D $600-800

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1155

A Sigurd Ressell “Falcon” lounge chair and ottoman, for Vatne Møbler

Circa 1970s; Norway With Vatne Mobler label Designed 1970, the mid-century modern lounge chair with stretched canvas and tufted leather upholstered cushions on a wood frame, together with a matching ottoman, 2 pieces Chair: 31.5” H x 30.75” W x 27” D; Ottoman: 15.5” H x 24” W x 23” D $600-800

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1156

An Arne Hovmand-Olsen modern wall-mounted desk

Mid-20th Century; Denmark With Hovmand-Olsen paper label inside drawer The Danish mid-century modern wall-mount desk with rosewood veneer, flip top, and three drawers 8” H x 58.375” W x 12” D $600-900

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1157

Peter Max

(b. 1937, American) “Patriotic Series: Five Liberti” Mixed media on paper under Plexiglas Signed lower center: Max; stamped with the artist’s name, copyright and production statement verso; titled on a label affixed to the frame’s backboard; Image/Sheet: 18.875” H x 14.875” W $1,200-1,800 Notes: The stamped statement, verso, reads: This Peter Max art work entitled “ [sic]” is a variation color combination and brushstrokes from his original artworks of the same title on paper.”

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1158

Daniel Spoerri

(b. 1930, Swiss) “Tableau Pièege,” 1973 Offset print pop-up collage on cardboard in cloth-wrapped portfolio Edition 373/600; signed and dated: Daniel Spoerri / 1973 5.75” H x 27” W x 27” D $400-600 Provenance: Stampa Galerie, Basel, Switzerland The Blake Byrne Collection, acquired from the above

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1159

Joshua Nathanson

(b. 1976, American) “Interlude (No Known Home),” 2015 Acrylic on canvas Signed and dated along the lower edge verso: J Nathanson 69” H x 47” W $10,000-15,000 Provenance: Champions of Culture, Los Angeles The Blake Byrne Collection, acquired from above

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1160

Jan De Maesschalck

(b. 1958, Belgian) “Untitled,” 2007 Oil on linen Signed and dated verso: Jan De Maesschalck / 25 VIII 2007; titled by repute 19.5” H x 14” W $1,000-2,000 Provenance: The Blake Byrne Collection

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1161

Ed Moses

(1926-2018, American) “Proprietor,” 1968 Graphite and yellow pencil on wove paper, Strathmore blindstamp upper left, under glass Appears unsigned; titled and dated on a gallery tag affixed verso 13” H x 8” W $2,000-4,000 Provenance: Nyehaus, New York, NY The Blake Byrne Collection

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1162

Marius Bercea

(b. 1979, Romanian) “Light and Perfume,” 2014 Lithograph on wove paper Edition: 79/200; signed, titled, dated and numbered, verso: M. Bercea Image/Sheet: 5.75” H x 7.75” W $300-500 Provenance: Collection of the artist The Blake Byrne Collection, gift from the artist, 2014

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1163

Gerry Newcomb

(20th Century, American) Untitled Kiln-cast frosted glass Signed: Newcomb 24” H x 15.5” W x $1,000-1,500

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1164

Patrick Hogan

(1945-1988, American) “Untitled,” 1981 Acrylic, rope, resin, glue and staples on wood Signed on a label affixed verso: Patrick Hogan; titled on a gallery label affixed verso; dated and with orientation guide verso 36” H x 78” W $800-1,200 Provenance: Tortue Gallery, Santa Monica, CA

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1165

Patrick Hogan

(1945-1988, American) Untitled, 1982 Acrylic, rope, resin, glue and staples on wood Appears unsigned; appears to be dated 1982, verso, now partially obscured by a narrow wooden board 72.5” H x 62.5” W $800-1,200

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1166

Four Marcel Breuer “Cesca” armchairs, for Knoll

Fourth-Quarter 20th Century; Italy Designed 1928, each cantilevered armchair with a woven cane seat and back in a beech frame on tubular steel supports, 4 pieces Each: 31” H x 23.375” W x 20” D $800-1,200

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1167

A large chromed steel cocktail table, attributed to Milo Baughman 20th Century Attributed to Milo Baughman for Thayer Coggin, with square chromed steel base and clear glass top 16.75” H x 48” L x 48” D $400-600

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1168

A modern chrome and leather armchair and ottoman

20th Century With partial sticker label to underside: [“M” and “No”] The arm chair with tufted red leather upholstery and tubular chrome frame, together with a matching ottoman, 2 pieces Armchair: 37” H x 32.25” W x 26” D; Ottoman: 15.5” H x 21.5” W x 18” D $400-600

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1169

A Laurel Fyfe modernist glass bench

Fourth-Quarter 20th Century Formed of bent glass with shallow, impressed basket-weave motif 16” H x 22.625” W x 13.25” D $500-700

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1170

A pair of Odd Knutsen “LUNA” lounge chairs, for Hjellegjerde Co. Fourth-Quarter 20th Century Each with factory labels Each lounge chair with a four-post laminated wood frame supporting a sling seat with “Sahara” beige leather upholstery, 2 pieces Each: 37.25” H x 28” W x 28” D $500-700

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1171

Giampaolo Amoruso

(b. 1961, Belgian) Lucia, 2003 Sand-blasted blown colored glass Signed in the glass: Amoruso; titled and dated by repute 17” H x 9.5” W x 4.5” D $1,000-2,000

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1172

A contemporary hammered copper vase

Fourth-Quarter 20th Century Attached metal tag: Ryan Carey / 788-89 The spherical hammered copper vase with two knob handles 6.5” H x 11” W x 7.5” D $300-500

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1173

A contemporary wire motorcycle sculpture Second Half 20th Century Depicting a motorcycle with rider 13” H x 19.25” W x 6.25” D $300-500

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1175

A metal armor-style horse “chanfron” sculpture

Late 20th/Early 21st Century The metal sculpture in the form of a medieval horse’s facial armor, or a “chanfron” 24” H x 10.5” W x 13” D $600-900

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1174

Lars Gynning

(1920-2003, Swedish) Circus, circa 1960 Polychrome wool tapestry Signed in the weave lower right: Gynning; further marked in the weave lower left: P.F. Aubusson [obscured by frame] Sight: 40.5” H x 27.75” W $800-1,200 Notes: In the 1940s, Gynning (having had prior training in both Sweden and France) began working in cooperation with the famous tapestry makers Pinton Frères in Aubusson, France.

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1176

Karl Priebe

(1914-1976, American) Two birds, 1953 Gouache, watercolor and pastel on board under glass Signed and dated lower left: Karl Priebe 8.875” H x 11.875” W $700-900 Notes: In addition to pencil notations regarding the matting and framing of this or some other artwork, there is a graphite sketch of a bird on the verso of the board.

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1177

Thomas Hart Benton

(1889-1975, American) “Ploughing,” 1934 Lithograph on paper Edition of 250; signed in pencil lower left; Associated American Artists, New York, pub.

Image: 8” H x 13.375” W; Sheet: 11.375” H x 16” W $800-1,200 Literature: Fath 8 Notes: This lot is accompanied by its original Associated American Artists, Inc, New York, publication/information sheet.

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1178

Donald Benson Blanding

(1894-1957, American) Fish Mixed media on two boards under glass Signed lower right: Don Blanding 23.5” H x 17” W $800-1,200

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1179

An Italian Absolut “Regulateur Squelette” glass wall clock

Late 20th/Early 21st Century Marked: Diamant Clock / Torino Italy / Absolut The all-glass, skeleton wall clock with clear, sand-blasted wheels and mounted on a bird’s eye maple back Overall: 61.5” H x 31.5” W x 7” D $500-700

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1180

Two Chinese Han-style terracotta boar figures

20th Century or earlier Each terracotta boar figure in the style of the Han Period (202 BCE–9 CE and 25–220 CE), 2 pieces Larger: 8.25” H x 13.25” W x 4.5” D; Smaller: 7.5” H x 12.5” W x 4.5” D $500-700

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1181

A maple and pine bentwood Shaker box

Second-Quarter 19th Century The maple and pine bentwood box with pink silk lining 2.5” H x 6.125” W x 4.125” D $800-1,200

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1182

Braulio Salazar

(1917-2007, Venezuelan/Spanish) Woman with flowers, 1982 Oil and pencil on canvas Signed and dated lower right: B Salazar 24” H x 20” W $2,000-3,000

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1183

Jacques-Enguerrand Gourgue (1930-1996, Haitian) Haitian women in a rural village Oil on canvas Signed lower left: J E Gourgue 38” H x 24” W $800-1,200

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1184

Jean Nehemy

(b. 1931, Haitian) Young couple conversing Oil on canvas board Signed lower right: Nehemy 36” H x 17.75” W $800-1,200

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1185

John Botz

(1925-2003, Laguna Beach, CA) “Blue Chair and Geranium” Acrylic and gouache on illustration board under glass Signed lower right: j botz; titled on the original gallery wall label as well as on the frame’s backing paper Sight: 37.5” H x 29.5” W $800-1,200 Provenance: Collection of the artist John Botz Gallery, Laguna Beach, CA Acquired from the above by the present owner, 1981 Notes: This lot is accompanied by the original gallery wall label and a copy of the bill of sale, dated March 1, 1981.

An obituary published by the “Los Angeles Times” on November 13, 2003, provides additional facts about this self-taught artist: https://www.legacy.com/us/obituaries/latimes/name/john-botzobituary?id=27590778

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1186

John Botz

(1925-2003, Laguna Beach, CA) “Geranium and Acacia” Gouache on artist board under glass Appears unsigned; titled on the original gallery wall label Sight: 19” H x 15” W $700-900 Provenance: “Gallery Laguna” according to notations on the frame’s backing paper Notes: This lot is accompanied by the original gallery wall label and a copy of the bill of sale, dated March 1, 1981.

An obituary published by the “Los Angeles Times” on November 13, 2003, provides additional facts about this self-taught artist: https://www.legacy.com/us/obituaries/ latimes/name/john-botz-obituary?id=27590778

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1187

An Austin Production Brutalist-style sculpture

Mid-20th Century Signed in the cast: K. Green / © Austin / Prod. 1967 The reproduction of a Brutalist-style sculpture rendered in cast plaster with a simulated patinated bronze finish and mounted to a wood base Overall: 29.5” H x 20.5” W x 8.75” D $300-500

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1188

A contemporary figural wall sculpture

Third-Quarter 20th Century Wood marked: MB2 The mixed media assemblage constructed of found materials, consisting of a reclaimed lumber structure enclosing eighteen plaster bandage faces or “masks” concealed under a woven super-structure of cotton twine and rope 48” H x 44” W x 6” D approximately $500-700

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1189

Brent Steen

(b. 1974, American) “Cloud,” 2000 Sandpaper and graphite on wove paper under Plexiglas Appears unsigned; titled and dated on a gallery label affixed to the frame’s back board 22” H x 30” W $400-600 Provenance: Inman Gallery, Houston, TX The Blake Byrne Collection

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2 4 2 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1190

Richard Haas

(b. 1936, American) “Donald Judd’s Building II,” 1970 Drypoint on wove paper under glass Inscribed AP (1 of 5 artist’s proofs; the edition was 20 in this second state plus 20 in the first state); signed, titled, dated and inscribed in pencil in the lower margin; the artist and Catherine Mousley, New York, prntr; the artist, New York, pub.

Plate: 15.75” H x 18.75” W; Sheet: 20.625” H x 23.25” W $1,200-1,800

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1191

Daniel Lefcourt

(b. 1975, American) “Untitled (Dust Drawing),” 2005 Graphite dust on paper under glass Signed and dated verso: Daniel Lefcourt; titled by repute Image/Sheet: 29.75” H x 22” W $1,500-2,500 Provenance: Sutton Lane, London, England The Blake Bryne Collection

2 4 4 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1192

Bruce Helander

(b. 1947, American) “Dog Dilemma,” 2004 Paper collage with touches of gouache on board under glass Signed and dated lower right: Bruce Helander; titled and dated on labels affixed to the frame’s backing paper Sight: 15” H x 14.25” W $500-700 Provenance: Helander Gallery The Blake Byrne Collection, acquired from the above

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1193

A Stephen L. Casey modern walnut secretary

(20th Century, American) Appears unsigned The modern secretary with a three-shelf hutch over a drop-front writing desk atop three drawers 83.5” H x 38.5” W x 19” D $1,000-2,000

2 4 6 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1194

Stephen L. Casey

(20th Century, American) I-beam, 1980 Wood Signed and dated: Stephen L. Casey / 1980 55.75” H x 29” W x 14.25” D $1,000-1,500

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1195

Stephen L. Casey

(20th Century, American) Geometric wall sculpture, 1984 Mylar over wood framework Signed, dated, and inscribed: Stephen L. Casey / Sept. 21 1984 / For Bill / Thanks $600-800

2 4 8 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1196

Stephen L. Casey

(20th Century, American) “Motor Head,” 1981 Walnut and metal Signed, dated, and titled: Stephen L. Casey / 1981 9” H x 10” W x 11” D $400-600

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1197

An Infinity IRS V tower speaker system

Post-1988 Each wrapped in Brazilian Rosewood veneer, comprising two bass towers, two mid/high towers, and a crossover, electrified, 5 pieces Each bass tower: 91” H x 20.5” W x 28” D; Each mid/high tower: 91” H x 47” W x 14” D $10,000-15,000

2 5 0 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1198

Larry Albright

(b. 1932, American) Neon plasma tube wall sculpture Wood, glass, neon, and electric wiring Signed and numbered to attached plaque: Deus ex Machina / Larry Albright / Sculptor / No. 13 / Watt 50 30” H x 4.75” W x 3.75” D $300-500

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1199

A Louis Vuitton Monogram Keepall 45 Weekender Bag

December 1990 Marked: Louis Vuitton / PARIS / Made in France / Malletier The duffel wrapped in monogram canvas with brass hardware, vachetta leather trim and rolled handles, natural canvas lining, and zip closure, complete with luggage loop, luggage tag, and lock 10.5” H x 8.25” W x 18” D $500-700 Provenance: The Collection of Dr. Denis Bettencourt

2 5 2 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

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1200

A Louis Vuitton attaché briefcase

Fourth-Quarter 20th Century Marked: Louis Vuitton / PARIS / made in france The briefcase wrapped in monogram canvas with polished brass hardware, rolled vachetta leather handle, and brown leather lining, complete with luggage tag 16.5” H x 17” W x 4.5” D $600-800 Provenance: The Collection of Dr. Denis Bettencourt

2 5 4 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1201

A Louis Vuitton Monogram two-pack playing cards with case

June 1989 Marked: Louis Vuitton / PARIS / made in france; Designer ID #8906 AN Louis Vuitton monogram on toile canvas. The case opens to a terra-cotta cross grain leather interior with two compartments each for a special deck of Louis Vuitton playing cards.

The playing card case wrapped in monogram canvas and opening to reveal a terracotta-colored Taiga leather interior with to two compartments, each with a special deck of Louis Vuitton playing cards with gilt edges 3.5” H x 5.5” W x 1” D $600-700 Provenance: The Collection of Dr. Denis Bettencourt

1202

A Louis Vuitton green Taiga leather six key holder

Circa 1994 Marked: LV / Louis Vuitton / PARIS / made in France The forest green Taiga leather key holder with brass hardware, six key slots, and snap closure 3” L x 4” W $100-200 Provenance: Sale: Neiman Marcus, Houston Galleria, Houston, TX, December 31, 1994 The Collection of Dr. Denis Bettencourt, acquired from above Notes: This lot is accompanied by a sales receipt for Neiman Marcus dated December 31, 1994.

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2 5 6 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1203

An Afghan carved wood dowry chest

Mid-19th Century The chest with a single-door, center cabinet over five drawer and decorated with all-over carved geometric motifs 41” H x 43” W x 19” D $600-800

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1204

An Indian iron-strapped dowery chest

Circa 1900 The wood chest clad with all-over iron straps, side handles, and latches, raised on wheels 27.5” H x 45.5” W x 23.5” D $500-700

2 5 8 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1205

A large Indian copper “poni ka ghada” storage jar

20th Century; India The hammered, silvered-copper storage jar with haute relief designs encircling the neck 26” H x 24” Dia. $600-800

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1206

A large Indian copper “poni ka ghada” storage jar

Circa 1940s; India The hammered copper jar with high relief designs encircling the neck 21” H x 20” Dia. $500-700

2 6 0 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

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1207

A Papua New Guinean carved wood figure, by Zacharias Waybenang Fourth-Quarter 20th Century; Kambot, Keram River, Papua New Guinea Inscribed in black ink: PS Depicting a mother and child 15.5” H x 5.25” W x 3.75” D $300-500 Provenance: Acquired from Ron Perry in 1994

2 6 2 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1208

Two Papua New Guinean carved wood items

Two works: A carved wood crocodile spoon Fourth-Quarter 20th Century; Sepik River, Papua New Guinea The stylized crocodile carving with inlaid mother-of-pearl 0.5” H x 1.5” W x 10.75” D A carved wood bioma figure Fourth-Quarter 20th Century; Meagoma, Era River, Papua New Guinea The bioma, or spirit board, with carved designs in low relief and duotone pigments, mounted on a metal stand 25.25” H x 7.75” W x 0.625” D 2 pieces $300-500 Provenance: Acquired from Ron Perry in 1994

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1209

A Papua New Guinean carved wood oar

20th Century; Sepik River, Papua New Guinea The carved wood oar with various geometric and abstract designs 49” L x 7.125” W x 1.25” D $200-400 Provenance: Acquired from Ron Perry in 1995

2 6 4 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1210

Two African earthenware currency masks

20th Century Each miniature mask possibly Bamileke people, Cameroon, one with polychrome decoration, 2 pieces Larger: 4.5” H x 3.125” W x 1.75” D; Smaller: 4.5” H x 2.25” W x 2.375” D $100-200

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1211

A Kenyan milk pail

Fourth-Quarter 20th Century; Turkana people, Kenya The carved wood pail has a dashed border to the rim and a woven fiber handle 9.5” H x 8.25” Dia. $200-300 Provenance: Acquired by present owner in Africa in 1984

2 6 6 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1212

A Cameroonian carved wood bird mask 20th Century; Bamileke people, Cameroon With natural fiber tie 4” H x 675” W x 18” D $200-300

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1213

Three Cameroonian loom beaded panels

20th Century; Cameroon One depicting elephants and two depicting rows of people, 3 pieces Larger: 10.75” H x 11.25” W; Smaller: 8.5” H x 11.375” W $100-200

2 6 8 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1214

A Cameroonian carved wood helmet mask

20th Century; Bamum people, Cameroon The large carved wood figural mask with traces of pigment 19.5” H x 17” W x 8.25” D $400-600 Provenance: Acquired in 1985

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2 7 0 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1215

A Kuba “ngady mwaash” face mask

Fourth-Quarter 20th Century; Kuba people, Democratic Republic of Congo The carved wood mask with duotone geometric designs, applied beadwork, woven natural fiber head covering, and cowrie shells 15” H x 6.5” W x 2.75” D $300-500 Provenance: Acquired by present owner in 1985 Notes: “The ngady mwaash mask honors the role of women in Kuba life. It portrays a woman but, like other masks in Africa, is performed by a man.”

-Art Institute of Chicago https://www.artic.edu/artworks/106184/face-mask-ngady-mwaash

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1216

A Gabonese carved wood ancestor mask

Fourth-Quarter 20th Century; Punu people, Gabon The carved wood mask with woven natural fiber fringe and traces of pigment 13.5” H x 11” W x 4.75” D $200-400 Provenance: Acquired by present owner in 1987

2 7 2 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1217

A Malian carved wood stool

20th Century; Dogon people, Mali The carved wood stool with chip carving and bent “knee” legs 10.25” H x 10” Dia. $200-400

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1218

A Nigerian carved wood Nupe stool

Circa 1940s; Nupe people, Nigeria The carved wood stool incised diamond border and raised on tapered legs 7.25” H x 14” Dia. $300-500

2 7 4 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1219

A Nigerian carved wood Nupe stool

Circa 1940s; Nupe people, Nigeria The carved wood stool with incised and polychromed geometric motifs to the seat, sawtooth edge, and raised on tapered legs 11” H x 14.25” Dia. $500-700

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1220

A Nigerian beaded bandolier

Circa I990s or earlier; Yoruba people, Nigeria Depicting a polychrome beaded tiger face surrounded by floral motifs, with older attached strap 40.5” H x 11.125” W $200-300

2 7 6 ReD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

1221

A Nigerian sword with beaded scabbard

Second Half 20th Century; Yoruba, Nigeria The sword with a polychrome beaded handle and hide scabbard with fringe Overall: 32” L x 7” W $200-300

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Consign Today

Post-War & Contemporary Art + Design June 21, 2022

A Hans Jørgensen Wegner Papa Bear chair and ottoman, for A.P. Stolen

Price Realized: $12,500 Consignment and Auction Inquiries: jsimon@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833 2 7 8 ReD R eD es i gn e d l Tu e s d a y, Marc h 2 2 , 2 0 2 2

Condition Reports

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1001 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Leather with light drying and isolated areas of minor cracking from use.

1007 Overall good condition with shelf wear and dust accumulation commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1002 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age.

1008 Overall good condition with commensurate with age and use. Very minimal signs of wear, likely hung as a wall tapestry.

1003 Visual: Generally good condition. Minor dust accumulation and grime commensurate with age. A few scattered specks or areas of irregular paint loss, the largest two measuring approximately 1” x 2,” to the right of the figures, and 0.25” x 0.75”, still further to the right.

1009 Overall fair to good condition with wear commensurate with age. Scattered beige stains, possibly paint splatter, dust accumulation, and soiling/discoloration to paper. Scattered tears to paper, the largest 4” approximately. The metal column is slightly wobbly on base. Wiring should be checked by a qualified electrician prior to use.

Blacklight: Scattered small touch-ups, primarily in the upper portion of the left edge, and in or near the jacket of the figure at left.

Frame: 28.75” H x 28.75” W x 1.75” D 1004 Generally good condition. An approximately 1” diagonal crease across the upper left sheet corner.

Not examined out of the frame.

Frame: 23” H x 30.75” W x 1.25” D

Condition Reports

1005 Visual: Generally good condition. Three soft, nicklesized, pressure marks with attendant minor craquelure at the center of the upper edge, and another, smaller but similar pressure mark near the center of the lower edge. A few other scattered areas of minor craquelure, visible only in a raking light.

One very small but distinct pressure mark measuring 0.125” near the center of the left edge.

280

Blacklight: No evidence of restoration under blacklight.

Frame: 30.5” H x 30.5” W x 1.5” D 1006 Generally good condition. Framed floating and hinged to the back mat. Not examined out of the frame.

Frame: 28” H x 21” W x 1.5” D

1010 Generally good condition. The full sheet with deckled edges. Minor creasing at the very tip of the lower right sheet corner. Framed floating and hinged to the back mat. Not examined out of the frame.

Frame: 42” H x 30.5” W x 1.25” D

1011 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. localized areas of surface chipping/abrasions to finish.

1012 Overall good condition with minor scuffs, scratches, shrinkage cracks, separation at joints, wear, and dust accumulation commensurate with age. Upholstery with spots of heavier wear and indentations to seat.

Seat and back are removable.

Depth with foot rest out: 1013 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Glaze with inherent minor pinholing. No evidence of repairs or restorations under blacklight.

1014 Overall good condition with shelf wear, scattered minor scuffs, surface imperfections, and inherent firing flaws commensurate with age. The surface with uneven layer of varnish or sealant with yellowing and flaking.

1015 Generally good condition. Taped to the backing panel with linen and/or brown paper tape along all of the sheet edges.

1022 Overall good condition with minor scuff and indentations commensurate with age.

1023 Visual: Generally good condition. Scattered, fairly unobtrusive dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 48.75” H x 37” W x 1.5” D

Frame: 41” H x 31” W x 1.75” D 1016 Overall good condition with dust accumulation and wear commensurate with age and use.

1024 Generally good condition. Framed floating and mounted to the back mat. Not examined out of the frame.

Frame: 27” H x 27” W x 1.5” D

1018 Overall good condition with minor scuffs, scratches, shrinkage cracks, separation at joints, wear, and dust accumulation commensurate with age. Upholstery with spots of heavier wear and slight discoloration/ soiling to sides of seat.

1019 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Bronze with oxidation. Shades with light soiling, scuffs, and wear/fraying along edges. One lamp needs to be rewired. Wiring should be checked by a qualified electrician prior to use.

Larger base: 28” H x 13” Dia. Smaller base: 28” H x 11” Dia. Each shade: 11.25” H x 24” Dia. 1020 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

Glaze with inherent pinholing. Three minor surface chips to glaze on rim.

1021 Each overall good condition commensurate with age. Ceramic with minor surface scuffs, inherent firing flaws, and pinholing. Metal with oxidation and slight indentations to the base.

1025 Overall good condition with light scuffs and scratches commensurate with age. Scattered minor chipped abrasions to edges near bottom. Pedestal base slight wobbly.

With base: 65” H x 11.25” W x 11.25” D 1026 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Verso with scattered areas of cracking and hairlines to partially encased segments exposed on verso, possibly inherent to time of manufacture. Dust accumulation.

1027 Overall good condition with minor wear, scuffs, and light scratches commensurate with age and use.

1028 Overall good condition with minor wear, scuffs, and light scratches commensurate with age. A minor outward indentation near bottom, possibly inherent to time of manufacture. Glass top with mounting putty for securing it to base.

Condition Reports

1017 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. One with a repaired chip to one corner.

281

1029 Visual: generally good condition commensurate with age. Small flecks of blue material dropped inside the frame, possibly flaked off from drying. Plexiglas frame with minor scuffs and scratches. Not examined out of Plexiglas.

Blacklight: No evidence of restoration under blacklight.

1030 Overall good condition with minor scuffs and light scratches commensurate with age. Inherent imperfections and ruptured air bubbles.

1031 Generally good condition. Framed floating and hinged to the back mat. Not examined out of the frame.

Frame: 15.75” H x 15.5” W x 1.5” D 1032 Overall good condition commensurate with age. With weathering and dust accumulation. Scattered tiles with cracks and losses, primarily on the legs and feet.

1033 Visual: Generally good condition. One pea-sized pressure mark near the lower edge, at left, visible primarily verso.

Blacklight: No evidence of restoration under blacklight. Certain pigments fluoresce under blacklight but these appear to be in the hand of the artist.

1035 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With scattered areas of raised grain and buckling/lifting to veneer, surface abrasions, indentations, and possible moisture spots to top. Possibly has been refinished. One corner with a 1.25” chip to the top and bottom corners.

1036 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

1037 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, indentations, and separation at joints commensurate with age. Vanity with scattered minor surface chips/abrasions, more to legs. The bench with heavier wear and chips to legs, the largest chip 1”. The upholstery with scattered spots of staining and soiling.

1038 Overall good condition with minor scuffs, light scratches, and oxidation to bronze commensurate with age. Traces of orange coating under gilt.

Replacement glass.

1039 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Has been previously professionally restored, both refinished and reupholstered, though with scattered scuffs and scratches acquired post-restoration.

Heavier scuffs and scratches to feet.

Condition Reports

Frame: 21.75” H x 32.5” W x 1.25” D

282

1034 Visual: Generally good condition. Minor dust accumulation commensurate with age.

Blacklight: No evidence of restoration under blacklight.

Frame: 36.5” H x 27.5” W x 1.25” D

1040 Visual: Generally good condition. Dust accumulation commensurate with age.

Blacklight: No evidence of restoration under blacklight.

Frame: 16.25” H x 14.375” W x 1.75” D

Blacklight: No evidence of restoration under blacklight.

Frame: 25” H x 31” W x 2” D 1042 Overall good condition with minor scuffs, light scratches, and oxidation commensurate with age.

1043 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1044 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age.

1045 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. White residue/scuffing to base on left side.

1046 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age.

1047 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. A 0.5” chipped nick to edge of top.

1048 Visual: Generally good condition. Occasional specks of grime Blacklight: No evidence of restoration under blacklight.

Frame: 56” H x 46” W x 3” D

1049 Visual: Generally good condition. Occasional specks of grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 56” H x 46” W x 3” D 1050 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Each with shallow nicks and surface abrasions to wood frame, more prominently to arms. One with a 0.5” tear to seat upholstery.

1051 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age.

1052 Overall good condition with minor scuffs and scratches commensurate with age. Wiring should be checked by a qualified electrician prior to use.

1053 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

1054 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Includes credenza key.

Armchairs: 42” H x 23” W x 23” D Side chairs: 41.5” H x 19” W x 23” D Credenza: 40.5” H x 72” W x 23” D 1055 Each overall fair to good condition with wear, scattered minor scuffs, and inherent firing flaws and glaze imperfections commensurate with age and use. Most pieces with scattered chips, hairlines, and repaired breaks, including to teapot spout, lid, and one large plate with prominent repaired break.

1056 Each overall fair to good condition with wear, scattered minor scuffs, and inherent firing flaws and glaze imperfections commensurate with age and use. Most pieces with scattered chips, hairlines, and repaired breaks.

Condition Reports

1041 Visual: Generally good condition. Dust accumulation commensurate with age. An old 0.75” H x 0.75” W pigment-covered patch, apparently by the artist’s own hand, near the lower edge at left.

283

1057 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

1058 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. One with a small spot of soiling/staining to upper edge of the backrest.

1059 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The “Panella” vase with a 1” hairline to the scalloped rim.

1060 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Possible repair to handle of largest vase with surrounding residue that fluoresces under blacklight.

1061 Each overall good condition with minor scuffs, scratches, surface abrasions, and tarnishing commensurate with age. Detached lid to teapot.

Coffee pot with 1” indentation to rim. With original fitted case.

Condition Reports

1062 Overall good condition with scattered scuffs and light scratches commensurate with age.

284

1066 Overall good condition with dust accumulation commensurate with age.

1067 Overall good condition with minor scuffs and scratches commensurate with age.

1068 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Scattered areas of chips, abrasions, and repairs to veneer. Includes keys.

1069 Overall good condition with pile wear and light soiling commensurate with age and use. Center seam visible where two panels were joined, accompanied by pile wear around seam.

1070 Overall good condition with scuffs, scratches, and oxidation commensurate with age. Localized area of scratching at base. Possibly missing two floral elements meant to be held in the figure’s hands.

1071 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. The ottoman with small spots of staining/soiling.

Side chair: 32” H x 20” W x 24” D Ottoman: 16” H x 20” W x 20” D

1063 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

One port glass with fleabite.

1072 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Wiring should be checked by a qualified electrician prior to use.

1064 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

Each shade: 9.5” H x 12” Dia.

1065 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Upholstery with areas of matting from use. One armchair with heavier horizontal scratches to one arm.

1073 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Minor areas of chipping to veneer. Includes key.

1074 Overall good condition with scattered scuffs, light scratches, and oxidation with light pitting to chrome finish commensurate with age.

1076 Overall good condition commensurate with age.

1077 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Heavier wear and chipping to feet.

1078 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Leather seats with drying and cracking.

1079 Overall good condition with scattered scuffs, light scratches, and oxidation/rust commensurate with age. Moderate wear and chipping to painted surface. A silver- dollar-sized spot of rust to one side.

Lamp has been rewired. Wiring should be checked by a qualified electrician prior to use.

1080 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The wood cog with rubbed wear, chipped losses, and various inscriptions in black ink inherent to its original function. Glass top with moderate surface scratches and very minor fleabites.

1081 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Seats with wear and fading to wood. Feet the chips/flaked losses to paint.

1082 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. A repair to one of the side keyed spindles.

1083 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1084 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight. Difficult to read under varnish.

Frame: 33” H x 26.75” W x 2” D 1085 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Each arm with localized area of nicking and rubbed wear to leather. Leather with slight drying and cracking. Heavier wear to legs.

1086 Each overall good condition with scattered scuffs, light scratches, weathering, and oxidation commensurate with age. Scattered areas of paint chips with rusting.

1087 Each overall good condition with scattered scuffs, light scratches, weathering, and oxidation commensurate with age. Scattered areas of paint chips with rusting.

1088 Each overall good condition with scuffs, scratches, weathering, and oxidation commensurate with age.

1089 Overall good condition with scattered scuffs, light scratches, and oxidation/rusting commensurate with age. Lacking insert.

1090 Overall good condition with scuffs, scratches, and weathering commensurate with age. Table wobbles slightly.

1091 Each overall good condition with scuffs, scratches, weathering, and oxidation/rust commensurate with age. One painted ivory with flaked losses to paint.

Condition Reports

1075 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age.

285

1092 Overall good condition with scattered scuffs, scratches, weathering, and oxidation with verdigris commensurate with age.

1093 Visual: Craquelure, varnish discoloration and surface dirt and grime. A pea-sized pressure mark and several similarly sized surface abrasions upper center, with an attendant 2” x 6” area of rippling in the linen.

Blacklight: Apparently no restoration under blacklight. Difficult to read under heavy varnish.

Frame: 25.25” H x 35” W x 1.25” D 1094 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Scattered spots of desilvering to mirror.

1095 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age.

1096 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

Condition Reports

1097 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

286

1098 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Silk upholstery with spots of rubbed wear.

1099 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Right door hangs slightly crooked. Side panels with bowing. Back panel with 1” drilled hole. Includes key.

1100 Overall good condition with scattered scuffs, scratches, shrinkage cracks, indentations, and separation at joints commensurate with age.

Top with high gloss varnish and minor chips to varnish at corners. Scattered minor chips to carved decorations. A quarter-sized spot of white paint to right corner verso.

1101 Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with chips to gilt surface throughout.

Upholstery with fading, soiling, rubbed wear/thin spots, and fraying; the corners with holes, the largest 2”.

1102 Generally good condition. A small foxmark near the upper edge and another even smaller one at lower center. Not examined out of the frame. The artwork matted and framed but without any glazing.

Frame: 17” H x 13.75” W x 0.5” D 1103 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Paint with inherent crackling effect.

1104 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Three cornice elements broken but accompany the lot.

1105 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Doors loose on hinges. Has been refinished; uneven wear to finish. Heavier wear and chipping to feet.

1106 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1108 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Heavier scratches to the top.

1109 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Heavier scratches to the tops with chipped losses to painted designs. Tables are slightly wobbly.

1110 Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with spots of fading and moisture damage to top.

Cocktail table with more prominent scratches to top and edges. Each end table with cracking to supports joining the top and legs, the tops slightly loose. One end table with crack to one corner.

1111 Each overall good condition with scattered scuffs and scratches commensurate with age. Chair measurements only represent the chair and not the swing table.

1112 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Each wood top and base with chipping and fading to painted surface. Each column with scattered spots of oxidation and foxing to reverse designs. Wiring should be checked by a qualified electrician prior to use.

Each base: 34.5” H x 5.25” Dia. Each shade: 13” H x 15” Dia. 1113 Overall good condition with scattered minor scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Seat with some loose cords.

The top rail and back splat slightly loose.

1114 Visual: Generally good condition. Surface dirt and grime commensurate with age.

Blacklight: No evidence of restoration under blacklight.

Frame: 16” H x 22.25” W x 1.5” D 1115 Overall good condition with dust accumulation and oxidation commensurate with age and use. Shade with minor areas of indentations to the side and flaking of lining along the rims. Wiring should be checked by a qualified electrician prior to use.

Base: 57” H x 8.5” W x 14” D Shade: 21” H x 18.25” Dia. 1116 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Top with uneven finish, evidence of sun fading, moisture damage, and spots of dark staining.

1117 Overall good condition with wear and inherent firing flaws commensurate with age and use. Wiring should be checked by a qualified electrician prior to use.

Base: 36” H x 14” Dia. Shade: 22.75” H x 18.5” Dia. 1118 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with more prominent shrinkage cracks and light moisture damage.

1119 Generally good condition. A 1” dark mark in the margin lower left, not visible behind the matting. The paper is laid down as stated.

Frame: 17.5” H x 15” W x 1.5” D 1120 Generally good condition. Small surface losses to the paper layer in the lower half of the work appear to be part of the artist’s process. Framed floating and mounted to the back mat. Not examined out of the frame.

Condition Reports

1107 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Inherent crackling to lacquer.

Frame: 14.5” H x 12.25” W x 1.75” D 287

1121 Generally good condition. Occasional grime, dust accumulation and delicate surface scuffs commensurate with age and the nature of the media.

A pinhead-sized abrasion in the background, center right

1127 Overall good condition with surface scratches, oxidation, and dust accumulation commensurate with age. Tin with scattered indentations likely dating to the time of manufacture from pouring resin.

Unframed

1128 Overall good condition with dust accumulation commensurate with age. Base with minor scuffs and indentations.

1122 Dust accumulation, minor surface scuffs and scattered creases commensurate with age.

Occasional pale and unobtrusive stains in the blank areas. The lowest 3.875” of the sheet, with the printed text, previously folded under for display purposes. Old glue staining in places on the verso.

The sheet is loose, not mounted.

Unframed 1123 Four circular stains and related paler staining along the right edge, the largest measuring 0.75” diameter. Faint staining along the left extreme edge.

Not examined out of the frame.

Frame: 22.25” H x 30.25” W x 1” D 1124 Generally good condition. Scattered, minor handling marks to the paper. An unobtrusive, stray drip of white paint, apparently by the hand of the artist, lower left. Framed floating and hinged to the back mat. Not examined out of the frame.

Condition Reports

Frame: 16.75” H x 13.75” W x 1.75” D

288

1125 Generally good condition. Scattered, minor handling marks to the paper. A very pale and unobtrusive 1” x 1” yellow stain in the lower section of the right sheet edge. The upper right sheet corner torn and reattached, with attendant very pale and unobtrusive discoloration. Framed floating and hinged to the back mat. Not examined out of the frame.

Frame: 16.75” H x 13.75” W x 1.75” D 1126 Overall good condition commensurate with age.

Inherent imperfections to the resin mount likely dating to the time of manufacture.

With base: 8” H x 20” W x 16” D 1129 Overall fair condition, as is with scuffs, scratches, and dust accumulation commensurate with age. One glass panel with extensive cracks in need of repair.

1130 Overall good condition with light scuffs, scratches, and dust accumulation commensurate with age.

1131 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

Possibly missing an attached element; there is a silver screw sticking through the base.

1132 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1133 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1134 Overall good condition with minor scuffs and oxidation to bronze commensurate with age.

1135 Overall good condition with minor scuffs and light scratches to bronze commensurate with age. Base with a 0.5” chip to the front right corner.

With base: 11” H x 5.375” W x 4.75” D 1136 Overall good condition with minor scuffs and oxidation to bronze with verdigris commensurate with age.

1137 Overall good condition with scattered scuffs and scratches commensurate with age. Marble with inherent surface-reaching fractures, inclusions, and abrasions with minor chips to the corners. Chrome with very light tarnishing, minor spots of pitting, and localized areas of heavy scratching.

1138 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Shades with areas of minor discoloration and spots of fraying. Wiring should be checked by a qualified electrician prior to use.

Each base: 35” H x 8” Dia. Each shade: 18” H x 17” Dia.

1142 Visual: The canvas is slightly loose and shows dust accumulation and grime commensurate with age. Scattered craquelure and occasional small surface abrasions, primarily near the edges. An approximately 1.5” long, partial-split to the canvas, with attendant repair and touch-up, in the chest of the right central, figure, but with no indication of a patch verso. A 0.375” x 0.625” area of stable pigment loss near the lower right corner. A pinheadsized pressure mark w/ attendant touch-up near the lower left edge. Stretcher bar creases along all four edges Blacklight: Scattered very small touch-ups, primarily near the center of the left edge. A 3” x 3” area of touch-up in the head and shoulders of the left central, figure. Difficult to read under varnish.

Frame: 31” H x 27.25” W x 2” D

Table extended: 29” H x 94” W x 40” D Side chairs: 33” H x 18.25” W x 17.5” D Armchairs: 33” H x 21” W x 17.5” D 1140 Overall good condition with minor scuffs, scratches, shrinkage cracks, separation at joints, wear, and dust accumulation commensurate with age. Upholstery with minor spots of discoloration/soiling from use.

1141 Generally good condition. Some scattered short and unobtrusive handling creases or soft rippling near the sheet edges. A short diagonal crease across the lower left sheet corner. Four punctures near the top left sheet corner, the largest approximately peasized. The sheet slightly unevenly trimmed along the upper portion of the right edge. Scattered dirt and grime recto and verso. The large sheet tipped down to the back mat in two places near the upper corners.

Frame: 31.25” H x 40.5” W x 1” D

1143 Visual: Generally good condition. Slight dust accumulation and grime commensurate with age.

What appears to be grime in certain areas is actually a delicate, scattered, sponge-type application of gold pigment by the hand of the artist. An unobtrusive, pea-sized pressure mark just above the horizon line, lower left. Scattered frame abrasion along the upper edge.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 33.5” H x 41.5” W x 2” D 1144 Overall good condition with scattered minor scuffs, light scratches, and oxidation commensurate with age. Two figures slightly loose.

1145 Overall good condition commensurate with age.

Wire with inherent bending.

1146 Overall good condition with light tarnishing commensurate with age. Includes storage box.

Condition Reports

1139 Overall good condition with scattered scuffs, scratches, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with scattered areas of moisture damage. The upholstery with minimal signs of wear, minor spots of staining.

289

1147 Overall fair condition commensurate with age. With intrinsic scratches, shrinkage cracks, repairs, and separation at joints inherent to the found object.

Element’s panels are disassembled and hardware is loose. Traces of yellowing glue residue from prior packaging tape scattered throughout. Left front carved decoration with losses, the detached piece accompanies the object. With remnants of Wewerka Galerie packaging tape.

1148 Overall good condition with minor scuffs, scratches, and oxidation to bronze commensurate with age.

With acrylic stand.

1149 Overall fair to good condition with scuffs, dust accumulation, and chipping to painted surface commensurate with age.

1150 Generally good condition. Framed floating and hinged to the back mat. Not examined out of the frame.

Frame: 18.25” H x 15” W x 1.75” D 1151 Generally good condition. Framed floating and hinged to the back mat. Not examined out of the frame.

Frame: 18.25” H x 15” W x 1.75” D

Condition Reports

1152 Overall good condition with light scuffs commensurate with age. Minor scattered areas of loss to beadwork.

290

1155 Each overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Leather with signs of wear, drying, and scattered areas of cracking and rubbed wear. Ottoman leather a slightly lighter shade of brown than the chair cushions.

1156 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The corners of the drawers with heavier wear.

1157 Generally good condition. Taped to the overmat with white artist’s tape along the verso of the sheet edges.

Frame: 32.25” H x 28.5” W x 1.5” D

1158 Overall fair to good condition commensurate with age. One pop-up spoon element detached from board.

1159 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight. A speck of residue adhering to the surface lower right fluoresces under blacklight.

Unframed 1160 Visual: Generally good condition. Very slight stretcher bar creasing along the vertical edges, visible only in a raking light.

1153 Overall good condition with light scuffs commensurate with age. Minor scattered areas of loss to beadwork.

Blacklight: No evidence of restoration under blacklight.

1154 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Table top with light scratches and indentations from use. Chair upholstery with minor spots of fading and soiling from use. Table slightly wobbly.

1161 Generally good condition. Minor toning to the paper.

Artist’s pinholes in the upper left corner. Areas of light discoloration scattered along the perimeter from a previous mounting bleeding through the paper. Framed floating and hinged to the back mat.

Unframed

Frame: 19.25” H x 13.25” W x 1” D

1162 Generally good condition. The sheet is loose and unmounted.

Unframed 1163 Overall good condition with scuffs and light scratches commensurate with age. With inherent imperfections in the glass.

1164 Generally good condition. Dust acccumulation commensurate with age. Slight fraying to the ends of the ropes appear to be part of the artist’s process and use of materials.

Unframed 1165 Generally good condition. Dust acccumulation commensurate with age. Slight fraying to the ends of the ropes appear to be part of the artist’s process and use of materials.

Unframed

1170 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Leather with light scuffs/scratches and signs of wear.

One chair is slightly wobbly and lacking one tufted button.

1171 Overall good condition with scuffs and light scratches commensurate with age. No evidence of restoration or hairlines under illumination.

1172 Overall good condition with minor scuffs, scratches, and oxidation commensurate with age.

1173 Overall good condition with weathering and oxidation commensurate with age. Scattered minor spots of white residue.

1174 Overall good condition with dust accumulation commensurate with age. Possible minor sun fading.

Frame: 42” H x 29.25” W

1167 Overall good condition with scuffs and light scratches commensurate with age.

1168 Each overall good condition with wear commensurate with age. Armchair leather with more prominent areas of discoloration from rubbed wear, drying, and cracking at headrest and arms. Chrome with minor scuffs, scratches, and scattered spots of oxidation with light pitting.

1169 Overall good condition with minor scuffs and light scratches commensurate with age.

1175 Overall good condition with minor scuffs, light scratches, and rust/oxidation commensurate with age. Scattered minor indentations, possibly inherent to the time of manufacture.

1176 Generally good condition. The outermost edges very slightly mat stained. Hinged to the overmat with masking tape from the verso of the upper edge.

Frame: 11.25” H x 14.25” W x 1.5” D 1177 The full sheet with deckled edges. Significant light, mat and time staining recto and verso. A small piece of brown paper tape at the tip of the upper left margin corner, from prior mounting.

Unframed

Condition Reports

1166 Each overall good condition with minor scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age. Two with perforations to seat.

291

1178 Generally good condition. Uneven discoloration. Two unobtrusive scuffs in the lower half of the image, the longest 0.5”. Not examined out of the frame.

Frame: 25” H x 18” W x 0.75” D

1184 Visual: Generally good condition. Surface dirt and grime. Small areas of paint loss scattered throughout the lowest portion of the image, mostly below the feet, the largest measuring approximately .25” x 1.” The upper right and lower corners of the board creased, but showing only on the verso.

Blacklight: No evidence of restoration under blacklight.

1179 Overall good condition with scattered light scuffs and scratches commensurate with age. Includes weight and chain. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1180 Each overall good condition with wear, scuffs, and inherent firing flaws commensurate with age. Issues and repairs include, but are not limited to: the smaller figure with a 3” radiating hairline visible to one side and a repair to back leg; the larger figure with chips to two feet and scattered hairlines visible to one side, largest approximately 8” running along spine and down. Larger figure with adhesive felt pads to feet.

1181 Overall good condition with scattered scuffs, scratches, and indentations commensurate with age. Lid with light darkening to finish around edge.

Two tack holes to silk lining on side. Adhesive label residue.

1182 Visual: Generally good condition.

Blacklight: No evidence of restoration under blacklight.

Condition Reports

Frame: 29.5” H x 25.5” W x 2.5” D

292

1183 Visual: Generally good condition. Dust accumulation commensurate with age. A fleck of stray gold pigment near the center of the left edge. Scattered, very unobtrusive, pinhead-sized specks of exposed canvas, however, these appear to be part of the artist’s original process. Scattered foxing verso.

Blacklight: No evidence of restoration under blacklight.

Frame: 42” H x 28” W x 1.75” D

Frame: 43” H x 24.5” W x 1.5” D 1185 Generally good condition. Two 1” diameter circles of white gouache added at the lower edge, apparently by the hand of the artist. Not examined out of the frame.

Frame: 39.5” H x 31.5” W x 0.5” D

1186 Generally good condition. Not examined out of the frame.

Frame: 26.5” H x 22.5” W x 0.5” D 1187 Overall fair to good condition with shelf wear, scuffs, scratches, and casting flaws commensurate with age.

With scattered chips to surface finish, revealing the white plaster, and black pen markings, possibly done as previous attempts to cover chips. The wood base with evidence of moisture damage and discoloration.

A 0.5” ruptured air bubble to the interior front rim, inherent to the time of manufacture.

1188 Overall good condition with dust accumulation commensurate with age. Flaking to plaster bandages scattered throughout. Wood with inherent imperfections, weathering, splits, chips, and wear to surface dating to the time of manufacture. Some joined wood elements loose with possible previous breaks. Mounted for wall hanging.

1189 Generally good condition. Artist pinholes in the sheet corners. Framed floating and hinged to the back mat. Not examined out of the frame.

Frame: 24” H x 32.25” W x 2” D

Frame: 23” H x 25.75” W x 1” D 1191 Generally good condition. The full sheet with deckled edges. Framed floating and hinged to the back mat.

Frame: 33.25” H x 25.25” W x 1.25” D 1192 Generally good condition. Not examined out of the frame.

Frame: 23.5” H x 22.5” W x 0.75” D 1193 Overall good condition with scattered scuffs, scratches, shrinkage cracks, and separation at joints commensurate with age.

1194 Overall good condition with minor scuffs and scratches commensurate with age. With scattered white paint transfer. Minor chip to one corner.

1195

1196 Overall good condition with shelf wear, scuffs, and light scratches commensurate with age.

1197 Overall good condition with dust accumulation, scuffs, scratches, and wear commensurate with age and use. Working condition unknown. Wiring should be checked by a qualified electrician prior to use.

1198 Overall good condition with scattered scuffs and scratches commensurate with age. Fraying and wear to the cord. Wiring should be checked by a qualified electrician prior to use.

1199 Overall good condition commensurate with age and use. Minor surface scuffing along bottom edges with localized areas of light surface abrasion, mainly to corners. Leather strapping with spots of darkening from rubbed wear and use. Light tarnishing and scratches to zipper tab and lock. Lacking lock key.

1200 Overall good condition with minor surface scuffing commensurate with age and use. Interior lining may have been repaired.

1201 Overall good condition commensurate with age and use. Leather interior with a localized area of minor vertical scuffs on upper flap and a faint horizontal scuff at flap’s fold line. One deck still in plastic but with tears, the other still in plastic but top half has been removed.

1202 Overall good condition commensurate with age and use.

1203 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Scattered minor chipped losses to carved decoration.

Heavier wear to feet.

1204 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age and use.

Lid with prominent shrinkage crack. Metal with heavy oxidation.

1205 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age.

With scattered minor dents likely inherent to the manufacture.

1206 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age.

With scattered minor dents likely inherent to the manufacture.

Condition Reports

1190 Generally good condition. Two very unobtrusive surface nicks in the image. Pale light staining.

Two small areas of surface skinning from previous mounting in the upper and lower margins, verso.

Hinged to the overmat with brown paper tape from the verso of the upper margin edge.

293

1207 Overall good condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age.

1216 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and surface wear/ loss of pigment commensurate with age.

1208 Overall good condition with scattered scuffs and light scratches commensurate with age.

1217 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and chips commensurate with age.

1209 Overall good condition with scattered scuffs, scratches, nicks, and chips commensurate with age.

1210 Each overall good condition with rubbed wear, scattered scuffs, scratches, and inherent firing flaws commensurate with age. Each with scattered minor chips. Rubbed losses to polychrome decoration.

Each with two holes drilled to the side, likely for mounting.

1211 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. A 2” crack and scattered chips to rim, and previously filled cracks to to underside.

1212 Overall good condition with scattered scuffs, scratches, nicks, and surface wear commensurate with age.

Condition Reports

1213 Overall good condition commensurate with age. The black panel with a 0.25” loss to one edge.

294

1214 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and minor chips commensurate with age. Wear/losses to pigment. Evidence of woodworm.

1215 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, surface wear/loss to pigment commensurate with age. Fabric with wear, lost stitches, and fraying.

1218 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Scattered chipping and wear throughout. Prominent chipping to feet.

1219 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Scattered chips along edge and to feet, with losses legs. Wobbles slightly.

1220 Overall good condition with signs of wear commensurate with age. Strap appears older with staining/soiling, darkening, fraying, and losses.

1221 Overall good condition with scattered scuffs and scratches commensurate with age. Metal blade with heavy wear and oxidation/rust. Beadwork with weathering, dust, and some loose strands; top loop detached.

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers: Antonio Nicolo Gasparo Jacobsen (1850-1921 West Hoboken, NJ) The tugboat "E Heipershausen" on open waters, 1891 Price Realized: $46,875

145 East Walnut Avenue, Monrovia, CA 91016 | www.johnmoran.com · trustsandestates@johnmoran.com · (626) 793-1833

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Co-Head of Sale, Vice President, Furniture & Decorative Arts Director Co-Head of Sale, 20th Century Design Specialist Senior Vice President, Fine Art Director Junior Specialist / Senior Fine Art Cataloguer Furniture & Decorative Arts Department Manager / Junior Specialist Furniture & Decorative Arts Cataloguer Fine Art Cataloguer

Roland Rynkiewicz John Simon Taylor Morgana Blackwelder AAA Bobby Cullen Danielle Kim Shannon Dailey Anne Spink

Western, American Indian Specialist Maranda Moran Silver, Western, American Indian Cataloguer Sally Andrew Post-War & Contemporary Fine Art Specialist Hayden Hunt Jewelry Director Mollie Burns Keith, G.J.G

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Office Manager

Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director

Maha Darwish Consignment Coordinator

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Advertising & Marketing Director, Art Design Graphic Designer

PHOTOGRAPHY

Photographer Photographer

Nathan Martinez Brian Olivas

Keith Berson Madison Torres

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Associate Director Noelle Valentino AAA Department Administrator Allison Allyn

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee.

This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received

by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

SINCE 1969

AUCTIONEERS & APPRAISERS

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