The Traditional Collector | John Moran Auctioneers

The Traditional Collector Sunday, May 3, 2020—12pm Sale 157 Bids will be accepted by absentee, Moran Mobile, or online at www.johnmoran.com.

Limited Phone bidding will also be available

Meet the Team Roland Rynkiewicz Head of Sale, Vice President roland@johnmoran.com Morgana Blackwelder Senior Vice President morgana@johnmoran.com Jardine Gates Junior Specialist, Senior Cataloguer jardine@johnmoran.com Alexis Sutcliffe Furniture and Decorative Arts Cataloguer alexis@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com Ella Fountain Client Services ella@johnmoran.com

Sunday, May 3, 2020­ | The Traditional Collector

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A Royal Crown Derby “Kings” porcelain service

1890-1990 Each marked: Royal Crown Derby / English Bone China / 383, some with newer backstamps Comprising 25 dinner plates (1.125” H x 10.5” Dia.), 27 salad plates (.875” x 8.5” Dia.), 25 bread plates (.625” H x 6.375” Dia.), 12 soup bowls (1.5” H x 8.625” Dia.), 1 coffee pot with lid (9” H x 10” W x 3.25” D), 22 teacups (2.625” H x 4.25” W x 3.375” D), and 21 saucers (.875” H x 5.75” Dia.), 133 pieces $2,000-3,000

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A Royal Crown Derby “Imari” demitasse set

Late 18th/early 19th century Each marked to the underside: Royal Crown Derby / England; Further marked with pattern number: 3788 Designed 1891, comprising a coffee pot (5.625” H x 4.5” W x 4.125” D), a creamer (3” H x 4.5” W x 2.5” D), a waste bowl (2” H x 3.375” Dia.), 6 flat demitasse cups (2” H x 2.75” W x 2” D), and 6 demitasse saucers (.625” H x 4.125” Dia.), 15 pieces $500-700

Sunday, May 3, 2020­ | The Traditional Collector

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A silver turtle-form singing bird music box

Fourth quarter 20th century; German Stamped for Germany [crescent moon and crown]; Further stamped: 925 In the form of a turtle with elaborately chased shell and feet, a singing bird emerges from the top of the turtle’s shell, the turtle’s head moves when the bird sings, includes key 2.25” H x 7.25” W x 3.125” D (closed) $3,000-5,000 Provenance: Sale, Bonhams & Butterfields, Los Angeles, CA, 28 February 2017, lot 363

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A silver turtle-form singing bird music box

Fourth quarter 20th century; German Stamped for Germany [crescent moon and crown]; Further stamped: 925 In the form of a turtle with elaborately chased shell and feet, a singing bird emerges from the top of the turtle’s shell, the turtle’s head moves when the bird sings, includes key 2.25” H x 7.25” W x 3.125” D (closed) $3,000-5,000 Provenance: Sale, Bonhams & Butterfields, Los Angeles, CA, 28 February 2017, lot 363

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A Continental Pre-Raphaelite style silk tapestry Third quarter 19th century The ornate foliate border enclosing a scene of Adam, Eve, and God in a fruiting landscape Sight: 34” H x 84.75” W $3,000-5,000

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A Royal Doulton Victorian washbasin with pitcher on stand

Late 19th/early 20th century Marked for Royal Daulton, Burslem; Further marked: Royles Patent Toilet Aquarius The earthenware pitcher with transfer-printed decoration and hand-painted highlights featuring pomegranates and floral motif set on a cast iron stand for pouring, together with a circular washbasin, 2 pieces Pitcher: 14” H x 14.625” W x 9” D; Washbasin: 5.5” H x 15.375” Dia. $500-700

Sunday, May 3, 2020­ | The Traditional Collector

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Louis Majorelle

(1859-1926 French) Fern stand Hardwood and marquetry veneer Signed: L Majorelle 30” H x 20.25” W x 19.25” D $2,000-3,000

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Jean Beauduin

(1851-1916 Belgian) “L’Heure Rose,” 1899 Oil on canvas Signed lower right: Jean Beauduin, titled on the stretcher 29” H x 24” W $1,500-2,500

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A Rene Lalique “Six Figurines et Masques” art glass vase

First quarter 20th century Signed: R. Lalique France; Molded signature: R. Lalique The frosted and molded art glass vase with alternating smooth panels in between undecorated nude molded figures 9.5” H x 7” Dia. $1,000-2,000 Literature: This design illustrated: Rene Lalique, Lalique Glass: the Complete Illustrated Catalogue for 1932, Corning Museum of Glass, 1981, model 886

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Sunday, May 3, 2020­ | The Traditional Collector

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Romain (Erté) de Tirtoff

(1892-1990 Russian) “Angel,” inclined female figure with arms outstretched in prayer Cold-painted bronze Edition: 341/350; Signed, dated, and numbered to base: Erté / Fine Art Acquisitions / (c) 1984 14” H x 21” L x 6.25” D $3,000-5,000 Literature: This sculpture illustrated: ErtÈ, “ErtÈ Sculpture,” New York, NY, 1986, pages 55, 60, and 61.

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Romain (Erté) de Tirtoff

(1892-1990 Russian) “La Directoire,” standing female figure dressed in the Directoire style Cold-painted bronze Edition: 6/9; Signed, dated, and numbered to base: Erté / H/C / Fine Art Acquisitions / (c) 1986 23” H x 14” W x 7” D $3,000-5,000 Literature: This sculpture illustrated: ErtÈ, “ErtÈ Sculpture,” New York, NY, 1986, pages 75, 76, and 77.

Sunday, May 3, 2020­ | The Traditional Collector

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Constantine Kluge

(1912-2003 French) Parisian street scene Oil on canvas Signed lower right: C. Kluge 45� H x 77� W $6,000-9,000 Provenance: The Estate of Peter H. Dailey, former U.S. ambassador to Ireland under President Ronald Reagan Wally Findley Galleries, New York, NY

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Jacques Bouyssou

(1926-1997 French) “Paris Dans Le XVIII” Oil on canvas Signed lower left: Jacques Bouyssou, titled and with the artist’s device verso 21” H x 25.5” W $800-1,200

Sunday, May 3, 2020­ | The Traditional Collector

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A 1935 Ford V8 Deluxe Phaeton

VIN: 181309458 Model 48, 85hp, 221ci L-head V-8 engine, three-speed manual transmission, faithfully restored example with engine and transmission rebuilt in the 1980s, includes new convertible top and paint in correct Ford Vineyard Green and medium brown interior, clear CA DMV title $35,000-45,000

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Paul Jacoulet

(1902-1960 French/Japanese) Geisha with koi fish Woodblock on paper under glass Signed right center: Paul Jacoulet, and with the artist’s chop mark Sight: 15.25” H x 11.5” W $500-700

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Paul Jacoulet

(1902-1960 French/Japanese) Geisha with rat Woodblock on paper under glass Signed left center: Paul Jacoulet, and with the artist’s chop mark Sight: 15” H x 11.5” W $500-700

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Paul Jacoulet

(1902-1960 French/Japanese) Asian woman Woodblock on paper under glass Edition 15/150 verso, signed lower right: Paul Jacoulet and with the artist’s chop mark Sight: 15” H x 11” W $500-700

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A Japanese Satsuma vase with chrysanthemums

20th century Marked with Shimazu crest The gilt and polychrome-decorated vase with foliate motif including stylized fourteen and eighteen-petal chrysanthemums 6” H x 5.5” Dia. $700-900

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Katsushika Hokusai

(1760 - 1849 Japan) Anchor and Kappa With authentication slip in box Image size: 30.125” H x 12.125” W $1,200-1,800

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A Japanese Satsuma bowl

Late 19th/early 20th century; Late Meiji era Shimazu crest to bottom The gilt and polychrome-decorated bowl with lobed rim, external wisteria and internal butterfly motif signed in gilt on the bottom with the Shimazu and Kozan markings 4.25” H x 10” Dia. $700-900

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A Japanese Satsuma bowl

Late 19th/early 20th century; Late Meiji era Marked in Kanji script to base; Signed: Choshuzan The gilt and polychrome-decorated bowl with all-over foliate motif including chrysanthemums 3.75” H x 8.50” Dia. $700-900

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A Japanese wedding kimono

Third quarter 20th century White ombre silk outer, machine embroidered with gold and silver threads, with cranes, cherry blossoms, chrysanthemums, and peonies Neck to hem: 67”; Cuff to cuff: 52”; Waist: 23” $400-600

Sunday, May 3, 2020­ | The Traditional Collector

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A set of Ovington Bros & Sons cabinet plates

First quarter 20th century; English Each plate signed to front: W. Birbeck; Further marked and titled verso Each porcelain plate painted with a castle landscape and identified verso, all with gilt rims, 18 pieces Each: .75” H x 10.375” Dia. $1,200-1,800

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A pair of porcelain and brass wall sconces

Late 19th/early 20th century Each numbered verso; One signed in pencil: Lenhart Each brass frame issuing a single candleholder enclosing opposing portraits of a woman in Renaissance dress, 2 pieces Each: 13.75” H x 13” Dia. x 6.875” D $800-1,200

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A Swiss cylinder music box

19th century Serial No. 9949 Eight airs, 2.5” cylinder with two additional cylinders enclosed in a wood-veneered case on stand Closed: 19” H x 52” W x 26” D $3,000-5,000 22

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A French tantalus

19th century The brass-banded and inlaid case with double-hinged lid and hinged sides revealing a fitted interior with gilded metal serving frame encasing four glass decanters and sixteen cordial glasses, all with etched floral motif, 20 pieces Overall: 10.375” H x 12.25” W x 9.75” D; Decanters: 7.625” H x 3” Dia.; Cordials: 3.125” H x 1.5” Dia. $1,200-1,800

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A Victorian oak carved wood cabinet

Fourth quarter 19th century The carved crest initialed: F; Over an elaborately carved carcass with a glazed cabinet door enclosing a single shelf to the top flanked by two side shelves set onto a double-doored cabinet issuing two drawers enclosing a single shelf to the lower cabinet 100” H x 41.5” W x 21.75” D $1,000-1,500

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Sunday, May 3, 2020­ | The Traditional Collector

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Max Weyl

(1837-1914 Washington, D.C.) Two women gathering wood in a forest interior Oil on canvas under glass Signed lower right: Max Weyl 19” H x 14” W $1,500-2,000

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An antique Northern European tapestry panel

18th century Wool on wool foundation depicting travelers in a landscape surrounded by a foliate border 18.5” H x 19.125” $300-500

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A French silver cruet set

Fourth quarter 19th century Stamped: Sterling [Minerva] The oval serving tray and two small ewers decorated with repousse grape and cattail motifs, each ewer handle featuring and angel head and wings, 3 pieces Overall: 6.25” H x 10.875” W x 6.75” D 19.150 oz. troy approximately $1,800-2,200

Sunday, May 3, 2020­ | The Traditional Collector

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A Renaissance Revival dining suite

First quarter 20th century Comprising a sideboard, a buffet, and a dining table and chairs; Each elaborately carved, the sideboard and buffet with three drawers featuring floral and acanthus leaf design with grotesque mask handles, one drawer of each lined with silk, the sideboard with three short cabinets, the buffet with two cabinets flanking a pigeon hole, 15 pieces Sideboard: 50.125” H x 81.5” W x 27.25” D; Buffet: 42.625” H x 60.25” W x 24.875”D; Dining table with leaves extended: 32.5” H x 152” L x 39.5” D; Each armchair: 52.5” H x 28” W x 24” D; Each sidechair: 52.25” H x 20” W x 18.75” D $6,000-8,000

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Francesco Bergamini

(1851-1900 Italian) Religious teacher with students Oil on canvas Signed and inscribed upper right: F. Bergamini / Roma 18� H x 24.5� W $6,000-8,000

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A French vermeil communion wine set

Fourth quarter 19th century Stamped with the French Minerva mark Comprising a water and wine cruet set into an underplate with repousse and chased decorations set with four silver niello plaques representing the four apostles and four “jewels” in a fitted case, 4 pieces Overall: 6” H x 10.25” W x 6.325” D $1,800-2,200

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A Mexican silver thurible on chain 19th century Stamped with spurious marks for chief assayer: Diego Gonzalez De La Cueva The two-part footed incense burner with repousse geometric motifs 8.125” H x 4.75” Dia. 27.495 oz. troy approximately $800-1,200

Sunday, May 3, 2020­ | The Traditional Collector

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Giuseppe Mazzolini

(1806-1876 Italian) “Transfiguration,” 1866, after Raphael (Italian 1483-1520) Oil on canvas laid to canvas Signed and dated lower right: G Mazzolini 51” H x 34.25” W $3,000-5,000

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A carved and giltwood Santos figure

19th century Carved and polychrome-painted in the figure of Saint Joseph holding a later-added staff 56.5” H x 23” W x 14” D $2,000-3,000

Sunday, May 3, 2020­ | The Traditional Collector

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Late 19th/early 20th century Wool on cotton foundation centering a scene with Hoshang Shah, first king of Malwa (1406-1435) and figures including anthropomorphic leopards in an interior 93” H x 56.5” W

First quarter 20th century Silk on cotton foundation, featuring a hunting scene, surrounded by a border stitched with couplets 81.5” H x 54.325” W

A Persian figural area carpet

$3,000-5,000

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A Persian silk area rug

$800-1,200

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A pair of Persian Qum hanging rugs

Third quarter 20th century Signed: Small carpet with a fine pattern by the skilled craftsman Banin Each silk on cotton foundation centering a hunting scene surrounded by couplets about hunting Each: 61.75” H x 43” W $4,000-6,000

Sunday, May 3, 2020­ | The Traditional Collector

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Two silver Bolivian handled cups

18th-19th century Larger marked: M. Acuna, De La Prefectura D Potosi; smaller inscribed: P.M. Each with round rims and flattened geometric lower half, 2 pieces Larger: 4” H x 5” W x 3.75” D 20.415 oz. troy approximately $600-800

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A Peruvian Cusco wine horn with braided silver strap

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19th Century Inscribed: Agua o vino Cusco para Tomar With floral and geometric designs, a standing eagle at one end and a merman playing a guitar on the stopper 7.5” H x 12.5” W x 3.5” D 36.28 oz troy approximately $800-1,200

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A Bolivian silver chamber pot

18th/19th century With stylized engraved signature on base: L.A.D. Rounded with a lip, foot and handle 5.25” H x 11.5” W x 9.5” D 41.490 oz. troy approximately $1,000-1,500

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A Spanish-style vargueno cabinet

19th century or earlier The elaborately carved and decorated vargueno fitted with six short drawers with six-pointed star design, flanking a central cabinet enclosing three short drawers, over a single short drawer 20.25” H x 39.5” W x 10.25” D $2,000-3,000

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A Spanish table with barley-twist legs

19th century The rectangular top over a tressle-style support with barley-twist legs joined by scrolled iron bars 29.5” H x 40” W x 22” D $800-1,200

Sunday, May 3, 2020­ | The Traditional Collector

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(1879-1963 Spanish) Still life with apples and roses in a volcanic landscape Oil on canvas Signed lower left: Valentin de Zubiaurre 13” H x 18” W

(1879-1963 Spanish) Spanish country landscape Oil on canvas Signed lower left: Valentin de Zubiaurre Jr 10” H x 13” W

Valentin de Zubiaurre Jr

$3,000-5,000

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Valentin de Zubiaurre Jr

$1,000-2,000

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An Italian carved white marble statue 19th century Signed: U. Passani Galleria P. Bazzanti Florence Depicting a female standing 50.25” H x 21.5” W x 12.25” D $3,000-5,000

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A white marble figure of Diana after the bath 20th century Apparently unsigned Overall: 46.25” H x 16” W x 16.75” D $3,000-5,000

Sunday, May 3, 2020­ | The Traditional Collector

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“Hero and Leander”

17th-18th Century Dutch Old Master School Oil on canvas laid to canvas Apparently unsigned 38” H x 29” W $6,000-8,000

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Jean Leon Gerome

(1824-1904 French) “La Femme Au Voile,” standing woman with veil Gilt and polychrome-patinated bronze Signed to base: J. L. Gerome, stamped verso: 0195, with circular foundry mark: Siot Decauville / Fondeur / Paris 33.75” H x 16” W x 8.25” D $30,000-50,000 Provenance: Private Estate, Southern California

Sunday, May 3, 2020­ | The Traditional Collector

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20th century Modeled after the Antique 49” H x 14” W x 14” D

20th century 48” x 15.5” W x 11” H

A marble sculpture of the Venus de Milo

$1,000-1,500

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A marble sculpture after Michaelangelo’s “David” $1,000-1,500

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Jean-Jacques Henner (1829-1905 French) Reclining nude Oil on canvas Signed lower left: Henner 17.75” H x 22” W $15,000-20,000

Sunday, May 3, 2020­ | The Traditional Collector

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USS Restless under full sail 19th Century American School Oil on canvas laid to canvas Unsigned 26” H x 36” W $1,000-2,000

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American sailing ship in rough seas 19th Century American School Oil on canvas laid to canvas Unsigned 26” H x 36” W $1,000-2,000

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Fisherman trawling coastal waters

Late 19th Century British School Oil on canvasboard Unsigned, possible “R” monogram in the main sail 7” H x 10” W $600-900

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A large Persian area rug

Third quarter 20th century Silk on silk foundation with a central medallion and foliate urns throughout 163” H x 127” W $1,000-1,500

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A Persian Heriz carpet Late 19th/early 20th century Wool on cotton foundation 13’8” H x 9’3” W $3,000-5,000

Sunday, May 3, 2020­ | The Traditional Collector

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A French gilt-bronze cartel clock

Fourth quarter 19th century Dial signed: Martinoz / Paris The Belle Epoch-style ornate gilt-bronze clock featuring a sunburst with a chariot and cornucopia surmounting the central white dial with Roman numeral hour marks and Arabic second track set in an acanthus leaf setting atop the figures of Psyche and Eros 43” H x 24” W x 8” D $18,000-22,000

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A Royal Vienna-set giltwood side table

Late 19th/early 20th century Centering a portrait of Louise BÈnÈdicte de Bourbon, Duchesse de Maine with a border of ten portrait plaques of various queens and Duchesses of Europe set into a carved giltwood table with cabriole legs joined by a carved stretcher 30.5” H x 20.5” Dia. $5,000-7,000

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A French marquetry and gilt bronze-mounted cabinet Fourth quarter 19th century Stamped to one gilt-bronze mount: BP The black marble top over a gilt-bronze mounted double-door cabinet raised on tapering legs 39.5” H x 46.5” W x 18.5” D $7,000-9,000

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A pair of green Bohemian glass portrait vases

Late 19th/early 20th century Each forest green glass vase centering a hand-painted portrait panel further adorned with gilt highlights, 2 pieces 11” H x 4.75” Dia. $1,000-1,500

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A pair of French gilt-bronze and rouge marble candelabra

Third quarter 19th century Each seven-light candelabrum over a fluted rouge marble and gilt-bronze standard with Greek key design over a tripodal scrolled base, 2 pieces 27.5” H x 11” W x 11.5” D $4,000-6,000

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A French Empire-style gilt-bronze mounted cylinder desk

Third quarter 19th century The blackstone top over three short gilt-bronze mounted drawers, issuing a barrel top desk over three pigeon holes, over three short drawers, over three faux-drawers, over a black faux-leather writing surface, over an arrangement of five short drawers, raised on tapering post legs, flanked by two pull out leather writing surfaces 50.5” H x 63.5” W x 30” D $5,000-7,000

Sunday, May 3, 2020­ | The Traditional Collector

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A patinated bronze statue

Late 19th/early 20th century Signed: Societe Des Bronzes Depicting a standing Grecian woman 26.25” H x 7.875” W x 6.75” D $1,500-2,500

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A French Charles X gilt-bronze figural clock

19th century Apparently unsigned Surmounted by instruments of science and astronomy with a standing Urania to one side of the gilt bronze clock with inset porcelain Roman numeral hour markers raised on a rectangular base with applied bronze ephemera of knowledge raised overall on bun feet, with key and later-added acrylic cover 16.25” H x 12.5” W x 5.125” D $2,000-3,000

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Late 19th/early 20th century Each of white glass cut back to clear adorned with gilt highlights Each approximately: 11.325” H x 5” Dia.

Fourth quarter 19th century Movement stamped: Japy Freres / Medaille D’Honneur; Bears signature: Tiffany & Co. to the porcelain dial Topped with a lidded urn with an oval portrait of a courting musical couple and a bouquet of wildflowers over a porcelain dial with Roman and Arabic numeral markers in a gilt-bronze body set with Sevres-style plaques on two sides, one depicting Francoise d’Aubigne 20” H x 9” W x 7.75” D

A pair Bohemian cut-glass vases

$1,000-1,500

A gilt-bronze and porcelain table clock

$3,000-4,000

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A Continental neo-classical gilt-bronze table

20th century The marble specimen top over a three-legged base with gilt bronze sphinxes, joined by floral swags and scrolls, raised overall on paw feet 32.325” H x 28.75” Dia. $3,000-5,000

Sunday, May 3, 2020­ | The Traditional Collector

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(1862-1935 New York/Pennsylvania) Courting couple Oil on canvas Signed lower right: Percy Moran, and with the artist’s mark 20.25” H x 14.25” W

Late 19th/early 20th century Apparently unsigned After “Countess Sophie Potocka” by Elizabeth Louise Vigee-LeBrun (1755-1842 French) enclosed in a giltwood frame Plaque approximately: 4.75” H x 6.75” W; Frame: 14” H x 10.25” W x 2.5” D

Edward Percy Moran

$1,500-2,000

A framed painted porcelain portrait plaque

$1,000-1,500

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A French gilt-bronze and painted porcelain clock and garniture

Late 19th/early 20th century Movement stamped: D.C. & Cie, 221, Paris, 8289; Pastille: Japy Frere & Cie. Med. D’Honneur; Pendulum further stamped: Theible The clock with lavender porcelain dial and three inset panels, with brass mounts, together with two lavender urn-shaped garnitures depicting rural figures set atop brass bases each topped with grape-shaped finials, 3 pieces Clock: 11.25” H x 11” W x 4.5” D $800-1,200

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Four French Louis XVI-style upholstered chairs

Late 19th/early 20th century Each giltwood carcass with carved roses and leaves issuing an oval upholstered backrest with two upholstered arms over a spring upholstered seat raised on carved pole legs, 2 pieces 47.5” H x 24” W x 25.75” D $2,000-3,000

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A Silk Qum Rug

Third quarter 20th century Wool on cotton foundation, central medallion with foliate design 138.75” H x 96” W $2,000-3,000

Sunday, May 3, 2020­ | The Traditional Collector

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20th century Blue Royal Vienna-style underglaze mark; Signed and numbered: Germany / 06603; Titled verso: Cleopatra Centering a portrait of a woman in renaissance dress enclosed in a gilt-floral border on burgundy ground 1.125” H x 9.5” Dia.

First quarter 20th century Dial spuriously signed: Causard The sun king mount over a cobalt blue porcelain lyre-shaped body set with brass ropes and garlands enclosing a porcelain dial with Arabic hour marks and seconds sub-track over an oval base raised on toupie feet enclosed in a glass and velvet-lined wood case, lacking key Clock: 22.25” H x 8.5” W x 5.75” D

A Royal Vienna-style cabinet plate

$1,000-1,500

A French Charles X-style lyre clock

$6,000-8,000

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A French kingwood small bureau plat

Late 19th/early 20th century The inset leather top trimmed with gilt-bronze mounts over a carcass fitted with an arrangement of four short drawers, raised on cabriole legs, with gilt-bronze end caps 29.5” H x 48” W x 27” D $2,500-3,500

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A Chinese mechanical/automaton table clock

First quarter 20th century Signed in Chinese and Western writing: Cheong S’Nag-Comton; Further stamped: Odon / Shen / Sheng / Hao White porcelain dial with black Roman numeral hour markers and sub-seconds outer ring, within a gilt-metal floral repousse case, in tiered galleries with red and green stone detail, all set atop dolphin feet and a later-added rotating base; Two-train mechanical key-wind and set movement, double bell strike on the hour and every quarter, mechanically attached to a key-wind and set automaton movement below, activates on the hour; Lower portion of the case upon activation resembles a waterfall within three reticulated panels, has a rotating finial and eight rotating jeweled spinning trees Without base: 36” H x 15” W x 11.25” D $25,000-35,000

Sunday, May 3, 2020­ | The Traditional Collector

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A gilt bronze-mounted Sèvres porcelain side table

Late 19th/early 20th century SËvres mark to base; Illustration signed: LeBrun Centering a platter enclosed in gilt-bronze mounts raised on a white porcelain pedestal on a scrolled gilt-bronze base 31.25” H x 20” Dia. $4,000-6,000

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A carved white marble garden sculpture of a woman Late 19th/early 20th century Apparently unsigned Depicting a young woman holding a vase 58.5” H x 19” W x 13” D $2,000-3,000

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Piet Gilles

(1908-1995 Dutch) “Interieur” Oil on board Signed lower left: Piet Gilles, titled on an exhibition label affixed verso 24” H x 19.5” W $4,000-6,000 Exhibitions: Brussels, Belgium, Galeries Apollo, “Jeune Peinture Belge,” n.d., No 14 Molenvest, Belgium, De Kunstkamer “La Jeune Peinture Belge,” September 23-October 22, 2000, cat. # 48.

Antwerp, Belgium, Sint-Aldegondiskring “La Jeune Peinture Belge,” April 15-May 8, 2000

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A gilt-bronze and champlevé clock and garniture set

1860-1889 Movement Stamped: Medaille De Bronze S. Marti & Cie; further stamped: SF & JD 12459; Each piece signed: F. Barbedienne Surmounted by a gilt-bronze and champlevÈ enamel urn with scrolled openwork shoulder flanked by squared handles and draped with leaf swags over a conformingly decorated base adorned with a crossed trumpet and thyrsus with pan flute over a champlevÈ dial with inset porcelain hour markers with applied Roman numerals on a base made to look like a drape of fabric with gold fringe adorned with floral swags and raised on an acanthus leaf and fluted feet, together with two five-light conformingly decorated candelabra, 3 pieces Clock: 21” H x 14.25” W x 10.5” D; Candelabrum: 25” H x 10.5” W x 6.5” D $30,000-50,000

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A French Millet à Paris marquetry bookcase

Fourth quarter 19th century Signed to one bronze mount: Millet a Paris The molded top over a gilt-bronze mounted body with parquetry panels issuing three glazed doors, set with wood shelves, and raised on bracket feet 74.25” H x 78.25” W x 20” D $10,000-15,000

Sunday, May 3, 2020­ | The Traditional Collector

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(1855-1924 English) “Showery Day” Oil on panel Signed lower left: Yeend King, titled and initialed verso 18” H x 13.75” W

1873, London Stamped: AM for Alexander MacRae Each four-light candelabra with repousse neo-classical bobeches issuing from ram’s head supports over an openwork standard decorated with beetles, frogs, and other natural and mythological creatures raised on a repousse base, supported on grotesque mask feet, 2 pieces Each approximately: 22” H x 11” W x 10.5” D 150.00 oz. troy approximately

Henry John Yeend-King

$1,000-2,000

A pair of English sterling silver gilt-washed candelabra

$5,000-7,500

85

An English Regency drum table with leather top

First quarter 19th century The circular green leather top over an arrangement of four short drawers and four false drawers raised on an ornate base with tripodal support on paw feet 28.5” H x 44.5” Dia. $2,000-3,000

52

86

87

86

87

(1802-1873 British) “Skye,” portrait of a terrier Oil on panel Monogrammed in pencil upper right: E.L., signed and inscribed verso: The Late Lord Gordons favorite Terrier. E. Landseer. Given to his friends return!

12” H x 15” W

(1854-1916 American) Highland cattle in an atmospheric landscape Oil on canvas Signed lower left: Hugo Fisher 20” H x 30” W

Sir Edwin Henry Landseer

Hugo Anton Fisher

$800-1,200

$8,000-12,000 Notes: Shipping notices and invoices from Gerald Massey, London accompany the lot.

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88

89

88

A Japanese embroidered wall hanging

Meiji period (1868-1912) The embroidered panel with a temple complex beside a lake in a wooded landscape Overall: 68.5” H x 45.5” W $800-1,200

89

Two Japanese Tetsubin iron teakettles

Late 19th/early 20th century; Meiji period Smaller signed: Kinshudo, in incised characters below handle on back; Larger stamped twice below spout for Shokodo Larger with: Geometric pattern and lid with gourd-shaped finial; Smaller: Inlaid with silver floral design to body and handle and lid with acorn-shaped finial, 2 pieces Larger: 7.5” H x 7.5” Dia.; Smaller: 6.25” H x 5.625” Dia. $600-800

90

A Chinese stamp portfolio of works by Ning FuCheng compiled by Liu Jing Chun

90

Summer 1935 Titled: Stamp Portfolio of Ning, 1935, Summer Comprising six books depicting stamps by Ning FuCheng (1897-1966) in red and black ink on xuan paper, bound with blue xuan paper and string, encased in an open-ended silk brocade box; seven pieces Overall: 11.875” H x 6.875” W x 3.125” D; Each book: 11.75” H x 6.5” W x .375” D $1,000-1,500

54

91

91

A Qing Dynasty painting of birds

Qing dynasty; 18th-19th century Depicting birds and apple blossoms framed within silk matting Frame: 65” H x 24.5” W; Paper: 53.5” H x 18.25” W

92

An eight-panel Coromandel-style folding screen

Third quarter 20th century The ebonized screen carved and polychrome painted to one side and carved and gilt-highlighted to the other with scenes of courtly life 96” H x 144” W x .875” D $1,000-2,000

$1,200-1,800

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93

A Chinese carved jade with wooden stand

The carved foliate blossom scroll with bats Jade: 2.625” H x 7” W x 1.25” D; With stand 5.125” H x 6.375” W x 1.625” D $3,000-5,000

94

A Chinese carved and pierced jade brush pot Lotus leaf motif with two men on opposing sides 2.625” H x 6” W x 2” D $3,000-5,000

95

A Chinese carved green hardstone altar table

Second half 20th century The rectangular top over carved and pierced aprons flanked by opposing dragons over carved foliage raised by post supports and joined by post stretchers 51” H x 71.25” W x 23.75” D $3,000-5,000

56

96

97

96

A Thai gilt-bronze and lacquer buddha head on stand

16th/17th century Depicted in meditation with ushnisha, half-closed eyes, serene smile, stylized ringlet hair and elongated earlobes Overall: 12.5” H x 6” W x 6.5” D $800-1,200

97

A Chinese bronze mirror

Ming dynasty, Wanli period (1572-1620) Marked with the Wanli four-character mark The flat, circular mirror with four character marks on back .25” H x 5.75” Dia. $700-900

98

A Chinese polychrome stucco figure of an official on stand

19th Century The Ming dynasty official depicted seated with gilt design to clothing and hat Overall: 15” H x 13” W x 12.25” D $1,200-1,800

98

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99

A Chinese celadon vase on stand

First half 20th century Spurious marks The vase with shaped wooden lid and stand designed with several darker bands of glaze around center Overall: 9.25” H x 4.5” Dia $500-700

100

Merl LaVoy

(1885-1953 American) Rare Chinese photograph of Chiang Kai-shek, circa 1927 Gelatin silver print under Plexiglas Apparently unsigned Sight: 9.25” H x 7” W $1,200-1,500 Provenance: Culver Pictures, Inc 150 West 22nd Street, Suite 300 New York, NY 10011 (stamped verso)

58

101

A pair of Chinese lidded jars

Third quarter 20th century; Republic period Spurious Ming marks to undersides; Stamped: China Two painted and lidded jars depicting women and children dancing with additional floral motifs Each: 11” H x 9” Dia. (with lid) $600-800

102

Two Chinese mandarin side chairs

First quarter 20th century The carved hardwood backs with pierced and scrolling backrest inlaid with mother-of-pearl over a hardstone seat enclosed in a wood frame, raised on post legs, joined by pierced and carved mother-of-pearl inlaid apron, and rectangular stretchers, 2 pieces 35.625” H x 21.5” W x 17.325” D

101

$1,000-1,500

102

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103

Portrait of mother and son 19th Century German School Oil on canvas Appears unsigned 32.75” H x 27.75” W $1,500-2,500

104

105

Circa 1857, Boston Signed: Bailey, Kettell & Chapman / Boston / Coin Comprising a pitcher (10” H x 9.5” W x 6.5” D), two goblets (each: 6.625” H x 3.5” Dia.), a waste bowl (4” H x 5.25” Dia.), and a tray (1.5” H x 20.5” W x 15.75” D) adorned with chased illustrations of a steam engine model 440 and the Russell House, inscribed: Presented to James E. Russell by a few of his friends 1857, the goblets and waste bowl further monogrammed: JER 146.635 oz. troy approximately

Circa 1830 Bottom stamped: Blanchard The coin silver cup with reeded top and rim to base; Monogrammed: D.H. 3.25” H x 3” Dia. 4.85 oz. troy approximately

A Bailey, Kettell & Chapman coin silver presentation set

$5,000-7,000 Provenance: Gifted to James E. Russell, thence by descent through the family to the present owner.

Notes: The train motif and Russell House depicted on the tray in honor of James E. Russell, elected as director of the Boston & Albany Railway in 1846 and later listed as a conductor on the Western Railroad in 1856 (this railroad leased the rail from the Boston & Albany Railway).

60

An Asa Blanchard Kentucky coin silver julep cup

$1,500-2,000

106

A Steinway and Sons model “M” grand piano

1940 Serial #301588 Walnut case with square tapering legs ending in spade feet on casters, with later-added embroidered bench 39” H x 57.5” W x 67” D $5,000-7,000

Sunday, May 3, 2020­ | The Traditional Collector

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107

A Howard & Co. New York sterling silver tea set

Circa 1899 Stamped to bottom: Howard & Co. New York / Sterling / 1899 Comprising a coffee pot (11” H x 8.75” W x 5” D), a teapot (7.5” H x 10.75” W x 6.25” D), a jug (10” H x 6.75” W x 4.75” D), a covered sugar bowl (5” H x 9” W x 5.625” D), a waste bowl (3.875” H x 5.75” Dia.), and handled wood-backed tray (2.5” H x 33.75” W x 20.325’ D), each monogrammed to body and personalized to bottom: April 5, 1899, plaque to the tray: Emily Vanderbilt Sloane on the occasion of her marriage with John Henry Hammond from her aunt Margaret L.V. Shepard April 5, 1899, 6 pieces 139.615 oz. troy approximately $8,000-12,000 Notes: Emily Vanderbilt Sloane was a granddaughter of William Henry Vanderbilt married lawyer John Henry Hammond on April 5, 1899, at St. Bartholomew’s Episcopal Church in Manhattan. Their home, the John Henry Hammond house in Manhattan was the site of many classical and jazz concerts and is now the Consulate General of the Russian Federation.

108

A Gorham “Buttercup” sterling silver flatware service

Second half 20th Century Each stamped for Gorham; Further stamped: Sterling Designed 1950, comprising 12 hollow-handled knives (9.5”), 12 butter spreaders (6.125”), 1 hollow-handled pie and cake server (10.5”), 1 hollow-handled cheese knife (7”), 1 hollow-handled master butter spreader (6.75”), 12 forks (7.5”), 12 salad forks (6.75”), 12 cocktail/seafood forks (5.5”), 1 cold meat serving fork (8”), 1 strawberry fork (4.75”), 1 two-tine butter pick (6”), 6 oval spoons (7”), 10 oval dessert/soup spoons (6.5”), 12 teaspoons (5.75”), 2 table/serving spoons (8.5”), 1 pierced table/serving spoon (8.5”), 1 pierced tomato server (7.5”), 1 small pierced serving spoon (4.5”), 1 gravy ladle (5.5”), and 1 cream ladle (5”), not monogrammed, 101 pieces Weighable sterling: 95.875 oz. troy approximately $1,500-2,000

62

109

110

109

110

(1879-1946 German) Family in an interior Oil on canvas Signed and inscribed lower left: MullerBaumgarten / Munchen 31.75” H x 39.5” W

(1883-1962 Monterey, CA) “Narrow Street, Finistere” Oil on board Signed lower right: AG Warshawsky, titled on a gallery label affixed verso 18” H x 21.5” W

Carl Muller-Baumgarten

$1,000-2,000

Abel George (Buck) Warshawsky

$5,000-7,000 Provenance: Gump Galleries, San Francisco, CA

Sunday, May 3, 2020­ | The Traditional Collector

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111

Pietro Pavesi

(1844-1907 Italian) Cardinals at tea Watercolor on paper under Plexiglas Signed lower right: P. Pavesi Sight: 20.5� H x 29.25� W $700-900

64

112

A KPM portrait plaque

Late 19th/early 20th century Stamped with a scepter for KPM; Further stamped: H 237 158 Depicting the royal children of Charles I after the painting by Anthony van Dyke 6.25” H x 7.25” W $1,500-2,500

Sunday, May 3, 2020­ | The Traditional Collector

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113

A Reed & Barton “Francis I” sterling silver flatware service

20th century Each stamped for Reed & Barton, further stamped: Sterling Designed 1907 by Ernest Meyers, comprising 6 large knives (9.75”), 18 knives (9”), 2 New French hollow-handled knives (8.875”), 16 flat handled butter spreaders (5.75”), 4 hollowhandled butter spreaders (6.5”), 27 salad forks (6.125”), 24 forks (7”), 6 forks (7.75”), 8 cocktail forks (5.5”), 30 teaspoons (8.875”), 8 iced tea spoons (7.5”), 11 round bowl soup spoons (5.875”), 4 table/serving spoons (8.25”), 1 hollow-handled three-piece carving set (longest: 12.25”), 1 hollow-handled cake/pie server (10.125”), 1 cream ladle (5.5”), 2 gravy ladles (6.5”), 2 bon bon spoons (4.625”), 1 oval soup spoon (7”), 1 round soup/gumbo spoon (7.125”), 1 small round bowl spoon (5.25”), 2 ribbed spoons (5.75”), 1 tomato server (8.25”), 1 sugar shell spoon (6.25”), and 1 pickle/olive fork (5”), each variously monogrammed, 181 pieces Weighable sterling: 208.300 oz. troy approximately $3,000-5,000

66

114

Louis Carrier-Belleuse

(1848-1913 French) Woman in an armory Oil on canvas Signed lower right: Louis Carrier Belleuse 23” H x 31” W $4,000-6,000

Sunday, May 3, 2020­ | The Traditional Collector

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116

115

Albert Joseph Penot (1862-1930 French) Portrait of a young lady Oil on canvas Signed lower left: A. Penot 18” H x 13” W $1,500-2,500

116

A French figural bronze inkwell

Late 19th/early 20th century Featuring two putti holding a rabbit set between two crystal inkwells with decorative artichoke, flower, and fruit brass lids together with a decorative bronze letter opener, 2 pieces Overall: 9” H x 14.5” W x 8.25” D 115

$600-900

117

A Napoleon III inlaid brass game table

Second half 19th century The brass-inlaid hinged top with over a conformingly decorated base raised on tapering post legs Unfolded: 30.5” H x 36” W x 17.75” D; Top unfolded: 35.5” W x 35.75” D $2,000-3,000

117

68

118

118

A Baccarat gilt-bronze and cut-crystal centerpiece

Late 19th/early 20th century Apparently unsigned The scalloped-edge oval bowl with fluted body set into a gilt-bronze base with scrolled handles over a rocaille scrolled base 14.5” H x 26” W x 12.24” D $3,000-5,000

119

A pair of Italian Baroque-style iron and giltwood torchières

Each bronze ten-light torchiere with floral and scroll decoration set atop a giltwood urn decorated with acanthus leaves and flanked by two peacocks, electrified, 2 pieces Largest: 82.5” H x 27.5” W x 10” D $2,500-3,500 119

120

A leather high wing-backed sofa Second quarter 20th century 56.5” H x 91” W x 34” D $2,000-3,000

120

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121

A Pair of French Louis XV-style wall sconces

Second quarter 20th century The wood backing issuing a gilt-bronze five-light candle holder topped with a pinecone finial over a body issuing scrolled arms and a putto holding a floral swag, 2 pieces 30.5” H x 37” W x 20” D $3,000-5,000

122

A French Louis XVI-style trumeau mirror and jardinière

19th century Painted panel signed lower right: Eros Each with carved gilt-wood swags and latticework with caned decoration enclosing an oval portrait of a lute player in a lush landscape over a rectangular mirror together with a conformingly decorated jardiniere with formed metal container over a caned undershelf, 2 pieces Mirror: 84” H x 35.25” W x 2.25” D; Jardiniere: 33.5” H x 37.25” W x 12.5” D $2,500-3,500

70

123

124

Second quarter 20th century The acanthus leaf crown over a gadrooned body with glass globes and panels issuing twenty lights adorned with putti and crystal drops terminating in a glass globe 77” H x 47.875” Dia.

Late 19th/early 20th century Signed to bottom: La Rose 7671; With blue overglaze mark for Royal Vienna The pine cone finial over a cobalt blue and gilt-highlighted body flanked by grotesque masks enclosing a portrait of a scantily clad woman raised on a stepped pedestal base 23.75” H x 10.25” W x 8.25” D

A French Louis XV-style chandelier

$5,000-7,000

A Royal Vienna portrait vase

$3,500-5,000

125

Italian carved wood and marble table

Third quarter 20th century The breakfront marble top over carved wood fleur-de-lis trim with carved wood griffins and a double-Y form marble veneered base 35.5” H x 89” W x 39” D $4,000-6,000

Sunday, May 3, 2020­ | The Traditional Collector

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126

John “Jack” Dare Howland

(1843-1914 Denver, CO) Portrait of a Bulldog, 1889 Oil on canvas Signed with conjoined initials and dated lower left: JD Howland / 89 14” H x 12” W $1,500-2,000v

127

Giulio Del Torre

(1856-1932 Italian) “Krieg” and “Frieden,” Venetian youth playing cards and fighting in the street, 1899 Oil on panel under glass A pair of works, framed as vignettes within later added mirrors, each signed and dated upper right and upper left: G. Del Torre / 1899 / Venezia, each titled verso Image of each: 6.75” H x 8” W; Mirror of each: 35.5” H x 8” W $1,000-2,000

72

128

A bronze and glass chandelier

First quarter 20th century The gilt-bronze scroll and shell-form carcass with glazed panels enclosing four lights Approximately: 34” H x 14.5” W x 14.5” D $1,500-2,500

129

A French Provincial armoire

18th century The carved crown with chamfered corners over a double-door cabinet carved with vining flowers and grape leaves enclosing three shelves and a later-added long drawer, lacking key 92” H x 57.5” W x 27” D $2,000-3,000

Sunday, May 3, 2020­ | The Traditional Collector

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130

A pair of Baccarat cut-crystal and bronze vases

Late 19th/early 20th century Apparently unsigned The urn-shaped hand diamond-cut crystal and gilt-bronze garniture with swan handles, 2 pieces 9.75” H x 7.375” W x 4” D $2,000-3,000

131

A French Baccarat clear cut-crystal mantle clock

Third quarter 19th century Apparently unsigned; Stamped to the back plate: 69 The circular white enamel dial with black Roman numerals, gilt center and rim, set in an urn-formed cut crystal case with diamond and floral motifs 14” H x 5.5” W x 5.125” D $4,000-6,000

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132

A French oval table with inset marble top Late 19th/early 20th century The oval white marble top over a pierced and carved apron raised on fluted legs joined by X-form stretchers topped with a floral urn 23” H x 47.125” W x 31.325” D $600-800

Sunday, May 3, 2020­ | The Traditional Collector

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133

134

133

134

(1895-1980 Russian) Moscow winter scene, 1967 Oil on canvas laid to board Signed and dated lower left: K. Kusnezov 35” H x 47.5” W

(1895-1980 Russian) Country village scene, 1968 Oil on canvas Signed and dated lower left: K. Kusnezov 24” H x 36” W

Konstantin Konstantinovich Kuznetsov

$4,000-6,000

76

Konstantin Konstantinovich Kuznetsov

$2,000-4,000

135

A French Provincial sideboard

18th century The rectangular top with rounded corners over a carved wood carcass issuing two short drawers and a double door cabinet enclosing a single shelf raised on bracket feet 36.5” H x 42.125” W x 22.5” D $1,000-1,500

Sunday, May 3, 2020­ | The Traditional Collector

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136

137

136

A Sèvres-style lidded vase

Late 19th/ early 20th century Sevres-style mark to lid The pinecone finial surmounting a cobalt blue lid with gilt highlights over a cobalt blue vase, centering friezes of an overgrown landscape to one side and a courting couple on the other flanked by female masks and raised on a pedestal base 29.5” H x 11” W x 7.75” D $2,000-3,000

137

A François Linke gilt bronze-mounted gueridon table

Late 19th/early 20th century Signed: F. Linke The marble top over a marquetry apron set with gilt-bronze mount at the top of all four cabriole legs terminating in hoof-form caps 29.5” H x 24.25” Dia. $2,500-3,500

138

A Paul Sormani cabinet

First quarter 20th century Signed: P. Sormani / 10 Charlot Paris; Paper label verso for retailer J. Beziers & Co. The Chinoiserie coromandel with marble top over glass-sided vitrine over a pull-out writing surface over a two-door cabinet fitted with three drawers set with gilt-bronze mounts raised on toupie feet 63” H x 36.25” W x 16.75” D $4,000-6,000 138

78

139

140

Late 19th/early 20th century The giltwood frame with flowers and scrolls enclosing a bespokeshaped mirror 83” H x 62” W

Late 18th/early 19th century Each wall bracket with black-painted mountings with giltwood scroll and floral motif, 2 pieces 21.5” H x 16.75” W x 10.25” D

An elaborately-carved giltwood mirror

$2,000-3,000

Carved and giltwood wall corbels

$1,500-2,500

141

A Continental console table

First quarter 20th century The carved marble top over a carved apron issuing two fold-out drawers and one divided drawer each with green velvet lining raised on carved scrolled legs with hoofed feet joined by an elaborately carved stretcher 37.5” H x 83.5” W x 23.75” D $2,000-3,000

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142

143

19th century With Capodimonte mark: [crown] N Possibly depicting a battle of the Ottoman-Venetian war, with raised soldiers in front of a castle with figural border 21.5” H x 21.5” W x 3.25” D

Fourth quarter 19th century Each with a stylized brass sunflower over a scrolled wrought iron base with wrought iron rings Each: 31.5” H x 14.5” W x 25.25” D

A large Capo Di Monte circular plaque

$1,500-2,000

A pair of wrought iron and brass andirons

$600-800

144

An Italian Baroque inlaid walnut slant desk

Late 18th/early 19th century The drop-front top personalized “JR” with marquetry decoration and putti enclosing a desk with seven pigeon holes, an arrangement of eight short drawers and two hidden panels over an arrangement of two short drawers and three long drawers with gilt-bronze handles, with key 44.75” H x 45.25” W x 23” D $2,500-3,500

80

145

Mathurin Moreau

(1822-1912 French) “Psyche” Gilt-bronze on marble plinth Signed: Moreau Math Scpt; Titled to marble base 21” H x 8” W x 6.75” D $3,000-5,000

146

A French onyx and enamel pedestal

Late 19th Century Illustrations signed: Max The green onyx pedestal with gilt bronze and cloisonne mounts enclosing scenes of a courting couple, the top portion on a swivel mechanism 44.325” H x 13.25” W x 13.25” D $5,000-7,000

147

A carved marble pedestal

Fourth quarter 19th century The swiveling capital over a fluted column and carved base raised on an octagonal foot 44.25” H x 17.25” W x 17.25” D $700-900

145

146

147

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148

149

(1872-1956 Austrian) Woman with basket under an arch, 1918 Oil on canvas Signed, dated and inscribed lower right: Eichhorn / Serravalle 24.5” H x 9.5” W

(1836-1902 French) “Au Bord de la Mer” Etching and drypoint on paper under Plexiglas Unsigned Plate: 14.5” H x 5.5” W; Sheet: 21.25” H x 9.75” W

Leo Bernhard Eichhorn

$800-1,200

James Jacques Joseph Tissot

$1,000-2,000 Provenance: Gallery Hawaii, Honolulu, HI Literature: Wentworth 47.

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150

151

(1895-1925 Italian/French) Walking lady Gilt-bronze and alabaster Signed to base: A. Gory 27.5” H x 14” W x 11” D

(1895-1925 Italian/French) Walking woman Gilt-bronze and alabaster Signed to base: Gory 26” H x 11.75” W x 9.5” D

Affortunato (Fortunato) Gory

$4,000-6,000

Affortunato (Fortunato) Gory

$4,000-5,000

Sunday, May 3, 2020­ | The Traditional Collector

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152

Two boys taking an apple from a sleeping woman 19th Century Continental School Oil on canvas Appears unsigned 27” H x 22” W $500-700

153

An oak and crystal tantalus set

19th century The tantalus set with three cut-crystal decanters set in an oak holder with retractable lid Overall: 13.75” H 16.5” W 6.75” D $500-700

154

A French figural gilt-bronze clock

Second quarter 19th century Apparently unsigned The white porcelain dial with Roman numeral hour markers, enclosed in a chalet-formed case with a figure of a boy riding a dog over a scene of a weary traveler raised on bun feet 17” H x 12.75” W x 5.75” D $2,500-3,500

152

153

84

154

155

Eastman Johnson

(1824-1906 Nantucket Island, MA) Faust and Mephistopheles, 1855 Oil on canvas laid to canvas Initialed and dated upper left: E.J. 30” H x 25” W $10,000-15,000

156

A Charles X burlwood-veneered chest of drawers

Second quarter 19th century The black and white rectangular marble top over one long drawer raised on columnar supports over three long drawers each with gilt-bronze mounts raised on scrolled feet 36” H x 47.5” W x 24” D $2,000-3,000

Sunday, May 3, 2020­ | The Traditional Collector

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157

Attributed to Eugene Isabey

(1803-1886 French) Cottage and boat in a seaside landscape Oil on paper laid to canvas Unsigned 15” H x 18.25” W $3,000-5,000

158

The Ann L. Lockwood under full sail 19th Century American School Oil on canvas Indistinctly signed lower left 24” H x 34” W $1,000-2,000

159

Eugène Galien-Laloue (1854-1941 French) Boats in harbor Oil on panel Signed lower right: L. Dupuy 6.5” H x 9.25” W $1,500-2,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA

86

160

160

Charles Edward Dixon

(1872-1934 British) “Thermopylae & Cutty Sark,” 1916 Watercolor on paper under Plexiglas Signed, dated and titled lower left: Charles Dixon Sight: 20” H x 29.25” W $2,000-3,000

161

Eugène Galien-Laloue

(1854-1941 French) Ships in a Harbor Oil on panel Bears signature lower right: A. Morliel 13” H x 9.25” W $2,000-3,000 Provenance: Estate of Dewitt McCall III, Los Alamitos, CA Notes: In a Richard Tobey frame.

161

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162

A Sévres-style dessert set

Late 19th/early 20th century Each signed: Le Brun The celeste blue set with hand-painted friezes of flowers and courting couples, comprising 10 plates and 1 oval platter, 11 pieces Each plate: .5” H x 8.5” Dia.; Platter: 1.75” H x 14.25” W x 9.75” D $2,000-3,000

163

Six French Sèvres-style cabinet plates

Late 19th/early 20th century Sevres-style mark to bottom; One with a covered signature: Limoges, France; Each further signed to lower edge: H. Desprez Each cobalt blue border with gold enamel highlights designed with hand-painted European town scenes Each: 1” H x 9.75” Dia. $2,000-3,000

88

164

A French figural gilt-bronze table clock

First quarter 20th century Movement signed: Samuel Marti, Medaille D’or Paris 1900 Surmounted by a Maenad holding grapes flanked by putti over a clockface set with a white porcelain dial with Roman numeral hour markers and Arabic numeral sub-seconds over a white marble base raised on toupie feet 15.5” H x 11.25” W x 7.75” D $2,000-3,000

165

A French gueridon table with marble top

First quarter 20th century The inset black marble top enclosed in a marquetry wood frame over a marquetry apron raised on slightly outswept legs adorned with gilt bronze ram’s head masks raised on hoof feet 30.75” H x 21.5” Dia. $1,200-1,800

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166

A Farahan Sarouk rug

Circa 1905 Inscribed: By order/command of the prince; Dated 1905 Wool on wool foundation, the central medallion with foliate design 78.5” H x 50.5” W $800-1,200

90

167

A Bakhtiari rug

First quarter 20th century Wool on wool foundation, the central medallion with foliate design 83” H x 56” W $800-1,200

168

169

Fourth quarter 20th Century Wool on cotton foundation with an all-over foliate field 182” H x 143” W

Late 19th/early 20th century Wool on wool foundation with foliate design 66” H x 55.75” W

A Persian room-sized area carpet

$2,000-3,000

A Persian Tabriz prayer rug

$800-1,200

Sunday, May 3, 2020­ | The Traditional Collector

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170

171

First quarter 20th century The carved grey-veined and black marble bust depicting a bearded man in a turban 28” H x 22” W x 13” D

19th century 64.5” H x 13” W x 11.5” D

An Italian marble bust of a man

A pair of carved Venetian blackamore figures $2,000-3,000

$2,500-3,500

172

A French carved walnut library table

Late 19th century The green marble top over a carved and pierced wood apron raised on carved columnar legs and joined by turned I-formed supports 33.25” H x 43” W x 27.5” D $1,500-2,000

92

173

Two silver and stone sculptures

20th century Each with plaque affixed to the base Comprising a silver sculpture on stone of David slaying Goliath and a silver on stone sculpture of Elijah ascending into heaven, 2 pieces Larger: 14.25” H x 9” W x 9.875” D $1,000-1,500

174

175

20th century On a concrete base Overall: 51” H x 19” W x 14.5” D

Fourth quarter 19th century The later added white onyx top over a bronze body with Green man mask raised on tapering legs with fluted and knopped design joined by an X-form stretcher 31” H x 14” W x 14” D

An Italian concrete torso of a woman

$3,000-4,000

A Continental bronze and onyx table

$800-1,200

Sunday, May 3, 2020­ | The Traditional Collector

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176

A Royal Vienna-style table clock

Late 19th/early 20th century Blue overglaze Royal Vienna-style mark to the base; Movement signed: Lenzkirch The domed porcelain top with friezes of scenes from the life of Venus and courting couples raised on bracket feet 18” H x 7.5” W x 7.625” D $5,000-7,000

176

178

94

177

A French Sèvres-style gilt-bronze mounted porcelain centerpiece Late 19th/early 20th century The celeste blue border enclosing a transfer-printed scene of figures flanked by sphinxform handles raised on a fluted pedestal adorned with grotesque masks terminating on claw feet 9.5” H x 18” W x 15” D $1,200-1,800

178

A Continental carved giltwood parlor suite

Late 19th/early 20th century Each with ornate carved and pierced giltwood frames atop over-stuffed silk damask upholstery set on scroll feet, 3 pieces Each chair: 41.5” H x 37” W x 32” D; Sofa: 43.5” H x 86.75” W x 34” D $2,000-3,000

177

Sunday, May 3, 2020­ | The Traditional Collector

95

179

A Continental figural gilt-bronze and rouge marble clock

Second half 19th century Stamped to movement: VR. Paillard a Paris; Further stamped: Rodier a Paris; Pastille: Medaille d’Honneur; 1827; Porcelain dial signed: Vtor Paillard / Ft de Bronzes Paris; Figure also stamped: VT [crown] An orientalist woman seated on a column issuing a white porcelain dial with Roman numeral hour markers over a rouge marble base with gilt-bronze cartouche on a later added wooden plinth 26.25” H x 14.5” W x 11.5” D $1,500-2,000

96

180

A pair of gilt-bronze three-light sconces

Second quarter 20th century Each butterfly-winged putto over an ornate frame with a griffin holding drapes for three lights 34” H x 16” W x 10.25” D $2,500-3,500

181

A pair of French Louis XV-style gilt-bronze and champlevé five-light candelabra

Each five-light candelabrum over a knopped champleve standard raised on a rocaille base on champleve paneled base, 2 pieces Each approximately: 18.5” H x 11” W x 10” D $1,800-2,500

Sunday, May 3, 2020­ | The Traditional Collector

97

182

A gilt and patinated bronze figure, after La Rue 19th century Signed: La Rue The patinated and gilt-bronze depicting two putti feeding a goat raised on a marble plinth 10.75” H x 11.5” W x 6.75” D $1,200-1,800

183

A pair of French Louis XV-style gilt-bronze figural lamps

20th century Comprising two lamps depicting putti with wine and grapes backed by acanthus leaf seats with shades, 2 pieces Each approximately: 24.75” H x 17” W x 8” D (without shade) $1,200-1,800

184

A French Louis XV-style gilt-bronze and white marble orbital clock and garniture set

Fourth quarter 19th century Stamped: Medaille d’Argent / S Marti / 1889 The clock surmounted by two winged putti over a steel globe clock with Arabic numerals raised on a scrolled base fitted with a snake on a carved marble plinth raised on scrolled feet, together with two three-light candelabras each with a putti holding lights atop scrolled arms on a marble base, 3 pieces Clock: 17.75” H x 9.5” W x 8.5” D; Each candelabrum: 18.25” H x 10.125” W x 4.75” D $4,000-6,000

98

185

A pair of Bohemian cut-glass portrait vases

Late 19th/early 20th century Each of white glass cut to green centering a portrait panel further adorned with gilt highlights, 2 pieces Each approximately: 17.5” H x 6” Dia. $2,000-3,000

186

After Albert Desenfans

(1845 - 1938 Belgium) Young Bather Resting on a Tree Stump Patinated Bronze Signed: Albert Desenfants [sic] 29.375” H x 13” W x 15” D $1,000-1,500

187

After Germain Pilon

(1525-1590 French) The Three Graces Gilt-bronze and marble, converted to a plant stand Stamped: Reduction Mechanique / A. Collas; Further signed: F. Barbedienne Fondeur 23” H x 12” Dia. 185

186

$2,000-3,000

187

Sunday, May 3, 2020­ | The Traditional Collector

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188

189

First half 20th century Depicted with urn and polychrome glazed grapes and lemons 36.5” H x 30” W x 11”

(1716-1791 French) Putti fighting for a heart Terracotta Signed: Falconet; Further stamped and numbered to underside 16.75” H x 11.25” W x 9” D

A partially-glazed Italian terra cotta putto

$1,500-2,000

After Etienne Maurice Falconet

$1,200-1,800

190

A Continental Rococo-style console table

Late 19th/early 20th century The later-added black marble top over an ornately carved carcass on cabriole legs joined by a carved X-form stretcher 36.25” H x 65.5” W x 26.25” D $1,000-2,000

100

191

192

191

Edouard Drouot

(1859-1945 France) “The Mind Lights Up” Bronze sculpture on marble base Signed to bronze: E. Drouot; Shield reads: “L’Instruction Est Le Germe Du Progres Et La Force Des Peuples CH.D” Overall: 23.5” H x 12” W x 9.5” D $2,000-3,000

192

After Etienne Maurice Falconet

(1716-1791 French) Milo of Crotona and the Lion Bronze on marble plinth Signed: Falconet; After a model by Falconet circa 1790 19.25” H x 16” W x 13.5” D $3,000-5,000

193

Alfred Desire Lanson

(1851-1898 French) Jason and the golden fleece Patinated bronze Signed: Lanson Scpt; Pastille: Susse Freres Editeurs Paris 29.5” H x 14.5” W x 10.25” D $2,000-3,000 193

Sunday, May 3, 2020­ | The Traditional Collector

101

194

A KPM “Ruth” plaque

Late 19th/early 20th century Impressed with scepter: KPM; Further impressed: S / 4; Period paper labels verso; Further stamped: Ruth a Landelle Portrait of Ruth after Landelle enclosed in a giltwood frame Plaque: 8.875” H x 6.5” W; Frame: 18.75” H x 13.5” W x 3.75” D $800-1,200

195

A French Provincial cabinet

18th century The carved crest over a double-door cabinet over a base issuing two single drawers and a double-door cabinet raised on cabriole feet 85.5” H x 57.75” W x 24.75” D $1,000-2,000

102

196

Charles Francois Daubigny (1817-1878 French) Sun setting over a marsh landscape Oil on board Signed lower left: C. Daubigny 10.5” H x 18.75” W $3,000-5,000

*197 no lot

Sunday, May 3, 2020­ | The Traditional Collector

103

199

198

198

A pair of rock crystal, brass and giltwood table lamps Fourth quarter 20th century Each rock crystal finial over a two-light lamp with a carved and fluted rock crystal standard on a giltwood base Each approximately: 26.75” H x 5” Dia. $3,000-5,000

199

A hand-carved and polished rock crystal footed bowl 20th century Large carved pedestal bowl with scalloped top rim and foot 9.5” H x 12.75” Dia. $1,200-1,800

200

A pair of hand-carved and polished rock crystal obelisks 20th century 13.875” H x 3.625” W x 3.625” D $1,500-2,000 200

104

201

A pair of Francois Barbedienne table lamps

Fourth quarter 19th century Stamped: F. Barbedienne Each two-light grey marble urn-shaped lamp with bronze satyr mount, foliate and geometric motif, and double hooved feet, each topped with a flame-shaped bronze finial, 2 pieces Each: 30.375” H x 6.25” Dia. $5,000-7,000

Sunday, May 3, 2020­ | The Traditional Collector

105

202

An International Silver Co. “Primrose” sterling silver flatware set

Stamped: Sterling 20th century Designed 1936, comprising 8 hollow handled knives (9”), 8 butter spreaders (5.75”), 8 forks (7.25”), 8 individual salad forks (6”), 8 teaspoons (5.75”), 40 pieces Weighable sterling: 36.705 oz. troy approximately $1,000-1,500

203

A Gorham “Buttercup” sterling silver flatware service

Second half 20th century Stamped for Gorham, further stamped: Sterling Designed 1950, comprising 12 hollow-handled knives (8.5”), 10 flat handle butter spreaders (6”), 1 solid serving cheese knife (7.875”), 1 hollow-handled master butter knife (6.75”), 1 fork (7.5”), 11 forks (7”), 3 salad forks (6.75”), 9 salad forks (5.875”), 12 round bowl soup spoons (6.75”), 12 small round bowl soup spoons (5.25”), 12 teaspoons (5.75”), 12 fruit/orange spoons (5.75”), 1 sugar spoon (6”), 1 soup ladle (12.5”), 1 candle snuffer (9.625”), and 1 pair sugar tongs (4.125”), some pieces monogrammed: S, 100 pieces Weighable sterling: 95.585 oz. troy approximately $1,200-1,800

202

203

106

204

A German Eureka-type electric domed desk clock First quarter 20th century Marked on dial: Made in Germany Circular white dial with black Arabic hour markers, skeletonized movement with open vertical balance, electric/battery operated, on cylindrical polished brass base, clock covered with glass dome Clock: 13” H x 8.5” Dia.; With dome: 15” H x 8.5” Dia. $800-1,200

205

Jonathan Scott (J.S.) Hartley

(1845 - 1912 New York City, NY) The Baseball Player Bronze The Henry-Bonnard Bronze. Co. N.Y. 1886. J.S. Hartley Sculptor.

Copyrighted, 1886.

Overall: 14.5”H x 7” W x 4” D $4,000-6,000

Sunday, May 3, 2020­ | The Traditional Collector

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206

A malachite and bronze-mounted dome-top box 20th century 6” H x 7.475” W x 5.625” D $700-900

207

A round malachite chessboard

20th century The malachite and marble chess board with brass rim .5” H x 18.75” Dia. $1,200-1,800

208

A pair of malachite lamps with shades

Fourth quarter 20th century Each on a modern round brass base with round wood finial, each comprised of an onion-shaped element over a bulbous base made up of malachite veneers, 2 pieces Overall: 26” H x 9” Dia. $2,000-3,000

108

209

Attributed to Salomon van Ruysdael (1602/03-1670 Dutch) Figures walking along a country road Oil on panel Signed lower left: S Ruysdael 15.75” H x 19.25” W $3,000-5,000

Sunday, May 3, 2020­ | The Traditional Collector

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210

A German grandfather tall case clock

First quarter 20th century Stamped: B & D Ltd., Germany; Case stamped: Germany; Serial No. 171538; Chimes stamped: Dec. 4, 1900, No. 990 The architectural carved mahogany case with a bevel-glazed trunk raised on paw feet, dial with a silver outer ring with applied gilt Arabic numerals with an inner sub-second dial and a moon-phase three-train movement with six tubes 93” H x 26” W x 18.5” D $3,000-4,000

110

211

A set of six Continental carved wood side chairs Fourth quarter 19th century Each backsplat carved with scrolls and ribbons over a wide upholstered seat raised on carved cabriole legs Each approximately: 40.75” x 26” W x 25.5” D $800-1,000

Sunday, May 3, 2020­ | The Traditional Collector

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212

213

20th century 31.5” H x 7.25” W x 7.25” D

Third quarter 20th century Each with a knopped standard over a tripodal base, 2 pieces Each: 71.5” H x 14” W x 12.5” D

$2,500-3,500

$1,500-2,000

A pair of Russian-style malachite veneered obelisks

214

A pair of French marquetry side tables

First quarter 20th century Apparently unsigned; Possibly Linke Each galleried top over a still life marquetry panel over a body with rounded door, one issuing three drawers, one enclosing a cabinet, each over a conformingly decorated undershelf raised on cabriole legs with acanthus leaf end caps, 2 pieces Each: 28.5” H x 14.75” Dia. $4,000-6,000

112

A pair of carved silvered wood torchières

215

Emilie Preyer

(1849-1930 German) Still life with fruit Oil on panel Signed lower right: Emilie Preyer 9.75” H x 13.75” W $15,000-20,000

Sunday, May 3, 2020­ | The Traditional Collector

113

216

217

First quarter 20th century Wool on wool foundation 63” H x 41.5” W

First quarter 20th century Wool on wool foundation 95” H x 49” W

An Anatolian Yurok prayer rug

$500-700

114

A Caucasian-style runner

$1,000-2,000

218

219

First quarter 20th century Wool on wool foundation, flat-woven with all-over geometric pattern 76.75” H x 60.75”

Second quarter 20th century Wool on wool foundation with geometric design 105” H x 61.25” W

A Caucasian Vernah Rug

$500-700

A Caucasian rug

$800-1,200

Sunday, May 3, 2020­ | The Traditional Collector

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220

A pair of French silvered-bronze three-light sconces

Second half 20th century Each sconce featuring a cherub head and foliate design issuing three arms and a bottom acorn finial Each approximately: 17.5” H x 20” W x 11.5” D $1,800-2,200

221

222

Second quarter 20th century The egg and dart crest over a sun king frieze over a glazed cabinet, issuing three glass shelves raised on squat gilt-bronze mounted feet 75.25” H x 68.25” W x 18.5” D

18th century The double-door cabinet over two short drawers and a lower double-door cabinet with a carcass carved with sprigs of garlands and flowers raised on later added feet Overall: 75.5” H x 59.625” W x 17.25” D

A French gilt-bronze vitrine cabinet

$5,000-7,000

116

A French Louis XIV-style cupboard on cabinet

$3,000-5,000

223

224

Second quarter 20th century Wool on cotton foundation, designed with friezes of animals and birds 6’9” H x 4’3” W

Fourth quarter 19th century Stamped: H. Picard The figural candelabra featuring a child holding up a plinth issuing seven arms at various heights decorated with floral motifs seated on an elaborate base with scroll feet, converted to electric light 29.75” H x 15” W x 12” D

A Persian Kashan area rug

$2,000-3,000

A French seven-light gilt-bronze candelabra

$1,000-1,500

225

An Italian gilt-bronze mounted secretary cabinet

18th century The rectangular parquetry top over a roll-top desk, fitted with an arrangement of eight short drawers and a pull-out writing surface flanked by two side cabinets covering three short drawers over three short drawers raised on tapering post legs 42” H x 45.5” W x 23.75” D $3,000-5,000

Sunday, May 3, 2020­ | The Traditional Collector

117

226

Jacques Martin-Ferrières (1893-1972 French) Tugs pulling barges on the Seine Oil on canvas Signed lower left: Martin-Ferrieres 25.5” H x 21.25” W $5,000-7,000

118

227

Paul Hannaux

(1899-1954 French) French cityscape with tug pulling barge under bridge Oil on canvas Signed lower left: hannaux 23.5” H x 32” W $1,500-2,500

Sunday, May 3, 2020­ | The Traditional Collector

119

228

A pair of French marble and gilt-bronze lidded urns

Late 19th/early 20th century Each lidded urn surmounted by a gilt-bronze finial over a green marble lid and body set with gilt-bronze scrolls and centering a gilt-bronze plaque flanked by Pan’s head handles raised on a chamfered corner base 19” H x 8.25” W x 7.5” D $3,000-5,000

229

A Denière France white marble and gilt-bronze clock set

Late 19th/early 20th century Dial signed: Deniere Paris; Ft-De Bronzes Comprising a white marble and gilt-bronze clock surmounted by patinated bronze putti with grape clusters and scythes over a white marble base set with a white porcelain dial with Roman numeral hour markers together with a pair of six-light candelabra with putti, 3 pieces Clock: 20.5” H x 25” W x 9.75” D; Each candelabrum: 25.5” H x 11” W x 11” D $5,000-7,000

120

230

A Silk Qum Rug

Third quarter 20th century Signed in cartouche: Qum Bagerzadeh Silk on silk foundation, central medallion and foliate design 115.25” H x 78” W $2,000-3,000

Sunday, May 3, 2020­ | The Traditional Collector

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231

232

231

A pair of gilt-bronze wall sconces

Late 19th/early 20th century Each signed: F. Barbedienne Each three-light sconce centering a torch-form central light issuing two scrolled arms on a wall plate adorned with swags terminating in a pine cone, electrified, 2 pieces Each: 16” H x 9” W x 9.25” D $1,800-2,200

232

A French gilt-bronze rouge marble vase

Late 19th/early 20th century The scrolled neck issuing two scrolled handles over a gadrooned shoulder on a red marble vase, centering a panel of muses of the visual arts, raised on a gilt-bronze support mounted to a red marble base raised overall on paw feet 33” H x 16.5” W x 9.5” D $6,000-9,000

233

A French walnut and mahogany bombe cabinet

Late 19th/early 20th century The demi-lune bombe-body cabinet with carved giltwood adornments fitted with a single drawer over a Vernis Martin painted door raised on scrolled feet enclosing a velvet-lined interior, with key 47.25” H x 42” W x 18” D $1,800-2,200

122

233

234

235

234

Alexandre Louis Jacob

(1976-1972 French) “Neige en Decembre” Oil on panel Signed lower left: A. Jacob, signed again, titled and numbered verso: No 5 8.25” H x 8.75” W $1,000-2,000

235

A French gilt and patinated bronze clock and garniture set

Late 19th/early 20th century Dial signed: Japy Freres Cie / Med. D’Honneur; Further stamped: E.P Lepsse 5424 Surmounted by a patinated bronze figure of Psyche and Cupid over white porcelain dial partially signed for maker over a cloud-form base with rose highlights over a breakfront base with floral swags raised on toupie feet, each five-light candelabrum with gilt-bronze bobeches over a patinated bronze standard adorned with baby Cupid and Psyche figures raised on breakfront bases adorned with garlands and swags and raised overall on toupie feet, 3 pieces Clock: 26” H x 15.25” W x 11.5” D Each candelabrum: 28.25” H x 14.75” W x 11.25” D $4,000-6,000

Sunday, May 3, 2020­ | The Traditional Collector

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236

A French brass and stone fern stand

Late 19th/early 20th century The later-added marble top set onto an ornate brass base with an agate undershelf raised on ball feet 34.25” H x 18” W x 17” D $600-900

237

A pair of French kingwood game tables

Circa 1920s Each stamped: Hoefer, 205 Rue S. Antoine, Paris; Further stamped: Made in France Each veneered kingwood top over a gilt-bronze mounted body with cabriole legs, and a folding velvet-lined top, 2 pieces With the top unfolded: 29.5” H x 34” W x 32.5” D; With top folded: 30.75” H x 33.25” W x 17” D $2,500-3,500

236

237

124

Condition Reports

Sunday, May 3, 2020­ | The Traditional Collector

125

1 Each in overall good condition with rubbed wear and light scratches commensurate with age. Scattered losses to applied floral elements. Issues and repairs include but are not limited to: one nick to bottom of one dinner plate: .33”-long. Two teacups with hairline fractures from the interior base to the rim, one marked with marker. Scattered inherent firing flaws in teacups, discolored due to use.

2 Each in overall good condition with rubbed wear commensurate with age.

One saucer with a small nick to the rim.

3 Overall good condition with tarnishing and light scratches commensurate with age. The bird has trouble returning to his nest.

4 Overall fair condition with fading. Losses to stitches and restorations commensurate with age. A later added netting applied to top. Not examined out of frame.

Frame: 38.5” H x 89.5” W 5 Each in overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. The basin with one repaired chip to rim and one possibly repaired chip to rim. Some loss to gilt decoration on interior of bowl. Crazing throughout the pitcher.

6 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor losses to the veneers. Minor sun fading.

7 Visual: Generally good condition. A scattered area of small holes in the canvas in the woman’s dress lower right, one with paint loss. The canvas is loose along the left edge. Very fine craquelure scattered throughout the sky and the woman’s dress.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 40.5” H x 35.5” W x 4” D 8 Overall good condition with shelf wear and scattered chips to the foot. The largest chip: .125” x .125”.

9 Overall good condition with minor scuffs, minor rubbed wear, and darkening to bronze commensurate with age. Scattered losses to the coldpainted finish to the bottom ring of the foot.

Condition Reports

10 Overall good condition with minor scuffs, minor rubbed wear, and darkening to bronze commensurate with age.

126

11 Visual: Generally good condition. Small areas of craquelure in the upper corners. Paint shrinkage scattered throughout the trees on the right.

Blacklight: No evidence of restoration under blacklight.

Frame: 48” H x 80” W x 2” D 12 Visual: Generally good condition. Paint shrinkage scattered throughout the lower portion of the painting. A .75” line of fine craquelure upper left.

Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 30.25” H x 34” W x 3” D 13 Numbers matching body and engine. Engine restored but original. Running excellent and ready to drive. Maintained and garaged for the last 50 years in California.

14 Generally good condition. Very minor toning to the paper. Not examined out of the frame Frame: 22.5” H x 17.5” W x .75” D 15 Generally good condition. Minor toning to the paper. Not examined out of the frame.

Frame: 22.25” H x 17” W x .75” D 16 Generally good condition. Spots of staining scattered throughout.

Frame: 24.25” H x 20.25” W x 2.5” D 17 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age.

18 Overall good condition. Minor fading and scattered water damage throughout. Scattered foxing to image. Possible area of restoration to the left side. Overall size: 65” H x 17” W. 19 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age; one 1” loss to rim.

20 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Minor rubbed wear to the decoration.

21 Overall good condition with minor losses to threads and scattered spots of minor soiling throughout. An area of soiling to the back of the neck.

22 Each in overall good condition, with general minor scuffs, light surface scratches, and rubbed wear and losses to gilt decoration commensurate with age. One with a circular crack to the underside, partially visible from the top.

23 Each in overall good condition with oxidation, minor dents, and scratches commensurate with age. Each candleholder slightly bent to one side.

24 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Three broken teeth to comb. Wear and losses to veneers. Break to the lock plate. In good working order. Winds and runs. Dust accumulation.

25 Each glass and decanter in overall good condition with minor shelf wear commensurate with age. The case with scattered scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. A 6” crack to the front of the case. Some separation of bronze inlay from the wood. Scattered chips and fleabites to the stoppers. Missing key.

26 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the finish.

Condensation rings to the top and shelves, and a 1.825” x 2.25” chunk sawed from one of the shelves. One design element loose. Missing one of two keys.

27 Visual: Generally good condition. Two artist’s pinholes in the upper right corner and one in the lower right corner.

Blacklight: No evidence of restoration under blacklight.

Frame: 26.75” H x 21.5” W x 3.5” D

29 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered dents along the bases and lips of both ewers.

30 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Glued repair to one element of the sideboard. Heat damage to the finish of the dining table. Scattered minor losses to the tops of the leaves. Keys intact.

Scattered wear, soiling, and tears to the upholstery.

31 Visual: Generally good condition. A small area of paint shrinkage in the black pigments lower right. An area of fine craquelure in the center.

Blacklight: Small areas of touch-up scattered throughout.

Frame: 26.5” H x 32.5” W x 2.5” D 32 Overall good condition with tarnishing, light scratches, and minor rubbed wear commensurate with age. Most stones slightly loose. Each handle slightly loose.

33 Overall good condition with tarnishing and light scratches commensurate with age.

34 Visual: Generally good condition. Frame abrasion along the four edges.

Spots of paint loss scattered throughout. Spots and lines of varnish loss in the center. Oxidation scattered throughout the darker pigments. Varnish discoloration throughout.

Blacklight: Touch-up throughout.

Frame: 61.5” H x 45” W x 3” D 35 Overall fair condition with scattered scuffs, scratches, nicks, and shrinkage cracks commensurate with age. Losses to the lacquer throughout, particularly to both arms. Losses and glued repairs throughout including but not limited to: reattached head, missing part of one finger, one toe, and hair elements. Woodworm damage throughout. With a later-added walking stick.

36 Overall good condition with even pile-wear, abrash, minor soiling, and wear to the selvage edges. Scattered localized low-pile wear and minor pulled threads.

37 Overall fair condition with pile wear down to the foundation, primarily to the center panel and along the edges. Pulled threads and a .75” x .5” loss to one selvage edge.

38 Each in overall good condition with even pile wear. One rug with an area of loss to the fringe.

39 Each in overall good condition with tarnishing and light scratches commensurate with age.

40 Overall good condition with tarnishing and light scratches commensurate with age. Scattered dents to the body of the horn, largest: .75” x .75”.

41 Overall good condition with tarnishing and light scratches commensurate with age. Scattered small dents throughout. Possible repaired hole opposite the handle.

42 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear and losses to paint. Scattered applied carvings slightly loose and extensive woodworm throughout. Scattered pieces of hardware missing. Losses to some carved elements. One lock missing. Lacking key.

43 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

44 Visual: Generally good condition. Fine craquelure scattered throughout.

Tiny flecks of paint loss scattered throughout. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 16.75” H x 22” W x 2.75” D 45 Visual: Generally good condition. Stretcher bar creases along the four edges. Fine craquelure scattered throughout.

Blacklight: A 1” x 2” spot of touch-up lower right with a corresponding patch verso. Small spots of touch up right center and left center.

Frame: 12.75” H x 15.75” W x 2” D 46 Overall good condition with minor dust accumulation, scuffs, and minor chips commensurate with age. Possible glued repair to the base.

47 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age.

48 Visual: Craquelure throughout. A 2” scratch with paint loss lower left. A 1” x 1.5” scattered area of light scratches upper right. Small areas of separation of the varnish layer in the center, right center and upper left. Frame abrasion along the four edges. The tacking edges were removed when relined.

Blacklight: Apparent restoration scattered throughout. Difficult to read under heavy varnish.

Unframed 49 Overall good condition with scattered scuffs, scratches, wear, and abrasions to patination commensurate with age.

50 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age. Chips to the base. Two small brown stains.

51 Overall good condition with scattered scuffs, scratches, nicks, and chips to the marble commensurate with age. One loss to left index finger: approximately 1.5”. Repaired breaks to the bottom half throughout, including to the base and both legs.

52 Visual: Generally good condition. Craquelure scattered throughout. Tiny hole in the canvas along the right center edge. Tiny fleck of paint loss right center. The canvas is slightly loose in the upper left corner.

Blacklight: A 1” x 2” area of touch-up near the woman’s neck and left shoulder.

Frame: 27.5” H x 33.5” W x 4” D 53 Visual: The canvas is lifting and bubbling in the upper left corner. Flecks of paint loss scattered along the left center, lower left and upper right. Stable craquelure scattered throughout. Rubbing to the canvas with paint loss scattered throughout. Surface dirt and grime.

Blacklight: Touch-up and crack-fill scattered along the lower edge. Touch-up along the upper edge in the right corner.

Frame: 28.5” H x 38.5” W x 1.75” D

Condition Reports

28 Overall good condition with minor fading, abrash, some reweaving to the border.

127

54 Visual: Generally good condition. Stable fine craquelure scattered throughout, concentrated mainly in the ocean and ship. Frame abrasion along the four edges.

Blacklight: Touch-up scattered throughout, the largest a 1.5” diameter spot upper left.

Frame: 38.5” H x 48.5” W x 5.5” D 55 Visual: Generally good condition. Discoloration to the four edges from the framing. Frame abrasion to the four edges.

Blacklight: No evidence of restoration under blacklight.

Frame: 14” H x 17” W x 1.75” D 56 Overall good condition with minor pulled threads, even pile wear, and minor soiling.

57 Overall good condition. Even pile wear with localized wear down to foundation. Wear and losses to fringe edges.

58 Overall good condition with general scratches, scuffs, wear, and darkening to bronze commensurate with age. Working condition unknown; Moran’s does not guarantee working condition of clocks and watches.

59 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Ninon de Lenellos and Mad de Sevigne with crazing and restoration. Scattered porcelain plaques with missing jewels, rubbed wear, and light scratches.

60 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age.

61 Overall good condition with scattered rubbed wear commensurate with age.

62 Each in overall good condition with scuffs, nicks, and rubbed wear commensurate with age. The rouge marble with scattered filled cracks and glued repairs. One standard with two repaired cracks running through the diameter of the piece.

Condition Reports

63 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One broken mount to one hidden drawer. Scattered cracks and losses to the blackstone top.

Scattered losses and repairs to the veneers. Scattered losses to an 11.75” section of the trim.

128

64 Overall good condition with scattered scuffs and light scratches, commensurate with age. Scattered drops of house paint throughout.

65 Overall good condition with oxidation, light scuffs, and scratches commensurate with age. The figure with four fingers broken off, not retained. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

66 Each in overall good condition with minor rubbed wear.

67 Overall good condition with oxidation and pitting to the bronze, rubbed wear, verdigris, scuffs, and light scratches. Later added wax or museum putty to the rim of the lid. Moran’s does not guarantee the working condition of clocks and watches.

68 Overall good condition with scattered scuffs, light scratches, and minor wear to finish commensurate with age. The marble top with minor nicks, chips, and abrasions.

69 Visual: Generally good condition. Fine craquelure scattered throughout.

Small area of paint shrinkage concentrated in the man’s coat. A small fleck of paint loss in the center.

Blacklight: A 2” diameter area of restoration upper left. A 3” x 4” area of scattered touch-up lower left.

Frame: 27.25” H x 21.5” W x 3” D 70 Overall good condition with minor scuffs and rubbed wear commensurate with age. Scattered nicks, separation at joints, and glued repairs to the frame.

71 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age. Some bronze mounts slightly loose. Small chips around the keyholes. Scattered minor losses to applied jewels. Includes pendulum and key. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

72 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor losses to the gilding. Each seat and arm with shredding and scattered soiling to the upholstery.

73 Overall good condition with minor localized soiling and even pile wear.

74 Overall good condition with minor rubbed wear commensurate with age.

75 Overall good condition with scattered scuffs, oxidation, and scratches commensurate with age. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

76 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Significant wear and staining to the leather top. One drawer once had a locking mechanism that is now removed. With key.

77 Overall good condition with general scratches, scuffs and wear commensurate with age. Two cracks to the glass cover on the back of the clock. Moran’s does not guarantee working condition of clocks and watches.

78 Overall good condition with scattered scuffs, scratches, oxidation and rubbed wear commensurate with age. Mounts are slightly loose.

79 Overall good condition, with scratches, scuffs, nicks, and fleabites to edges commensurate with age. Repaired crack to rear of base and lower back of dress, approximately: 17”.

80 Visual: Generally good condition. Minor surface dirt and grime.

Blacklight: Touch-up scattered throughout concentrated mainly in the lower half. Difficult to read under varnish.

Frame: 29.25” H x 25” W x 1.75” D

81 Each in overall good condition with minor scuffs and light scratches commensurate with age. Enamel is Apparently intact with scattered minor scuffs and shallow chips throughout. The dial missing the glass cover. The lid of the clock with three areas of damage with corresponding loss the largest: 0.5” x 0.5”. Lacking key and pendulum. Moran’s does not guarantee the working condition of clocks and watches.

93 Overall good condition commensurate with age. Scattered small nicks to the edges. A series of chips to one edge.

82 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. One cabinet hangs to one side. Minor lifting and notches to the veneers. One shelf with a 13” x 6” area of staining. Scattered shelves with wear and losses to the finish. Keys intact, one key bent.

95 Overall good condition with scattered abrasions, chips, and minor losses to the veneers. Visible glue to the back and underside. A glued repair to one design element. One veneered panel with a crack. Some cracks dating to time of manufacture.

84 Each in overall good condition with tarnishing and light scratches commensurate with age. Each off-kilter on one side. Each with scattered minor dents.

85 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered wear and losses to the veneers. Repair to the base. Scattered minor losses to the carving, primarily to the feet. Lacking key 86 Visual: Generally good condition.

Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish.

Frame: 21.25” H x 23.75” W x 3.5” D 87 Visual: Generally good condition. Craquelure throughout. Stretcher bar creases along the four edges.

Blacklight: Apparently no restoration under blacklight. Difficult to read under uneven varnish.

Frame: 27” H x 37” W x 2.25” D 88 Overall good condition with minor fading and scattered minor losses to threads. Separations to the silk backing throughout.

89 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age; wear and loss to both finials.

90 Each in overall good condition with some foxing commensurate with age.

Missing closures on outside box.

91 Overall fine condition with wear and cracking to paper commensurate with age. Paper laid to board with cracks and separations across entire register possibly from previous storage. Not examined out of frame.

92 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered chips and losses to the ebonized finish.

96 Bronze in overall good condition with significant wear to lacquer and gilt on face, neck and ears. Missing part of ushnisha at the top.

97 Overall good condition with minor scuffs, oxidation, and darkening to bronze commensurate with age.

98 Overall fair condition with losses to lower edges of robe, legs, and feet commensurate with age, largest: 2”, some loss to paint detail and missing left hand. Possible paint touch-up throughout.

99 Overall good condition commensurate with age. Overpaint to the rim possibly covering a repair. Scattered chips to the base.

100 Generally good condition. Two creases to the paper in the lower left corner.

A very light handling crease from top center to lower left. Not examined out of the frame.

Frame: 16.5” H x 14.25” W x 1” D 101 Each in overall good condition with rubbed wear and light scratches commensurate with age.

102 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered losses to the mother-of-pearl. Glued repairs to seats. One carved hardstone panel with a crack all the way through the width of the stone. Chips and abrasions to the stones.

103 Visual: Stretcher bar creases along the four edges and down the center with associated paint loss down the center. Craquelure throughout. A 1.5” x 13” area of scattered paint loss along the center of the lower edge. A small area of scattered flecks of paint loss lower left. A small area of scattered flecks of paint loss lower right. A small fleck of paint loss left center.

Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish.

Frame: 40.25” H x 35.75” W x 2.5” D 104 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor dents throughout.

105 Overall good condition with tarnishing and light scratches commensurate with age. Visible dents to base rim and sides of cup. Faint remnants of conjoined initials read: DHC. 106 Overall good condition with soundboard and felt pads intact. Some base keys stick. Depression to one leg: approximately .5” Dia.; small gouges and depressions to one side: largest .5”. Minor losses to veneer and small drops of house paint and condensation ring to top. Embroidered seat glued to bench.

Condition Reports

83 Visual: Generally good condition. A 2.25” horizontal scratch with very minor paint loss lower right. A 1.5” vertical scratch with paint loss right center.

Minor varnish discoloration throughout. Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 24.5” H x 20.5” W x 2” D

94 Overall good condition commensurate with age. Eye-visible inclusions.

129

107 Overall good condition with tarnishing, minor dents, and light scratches commensurate with age. Insulated handles slightly loose. Weight does not include the weighted tray.

108 Overall good condition with tarnishing and light scratches commensurate with age.

109 Visual: Stretcher bar creases along the four edges with scattered paint loss.

Stable craquelure scattered throughout. The canvas is rippling along the left and right edges. Small spots of paint loss along the lower right and center edge. Minor surface dirt and grime.

Blacklight: Touch-up in and around the baby’s head.

Frame: 38.75” H x 46.75” W x 2.75” D 110 Visual: Generally good condition. A tiny fleck of paint loss upper left. Fine craquelure scattered throughout the impasto in the lower left quadrant.

Minor surface dirt and grime.

Blacklight: No evidence of restoration under blacklight.

Frame: 24” H x 27.75” W x 1.5” D 111 Generally good condition. Crease with a small tear to the paper in the lower left corner. Handling creases to the paper in the lower right corner. Small crease to the paper upper right. A light .75” surface scratch with minor paint loss in the center. Not examined out of the frame.

Frame: 27” H x 36” W x 1.75” D 112 Overall good condition with minor rubbed wear and surface abrasions commensurate with age. A 1.125”-long scratch with corresponding loss to one figure’s face.

113 Each in overall good condition with tarnishing, light scratches, and scuffs commensurate with age. Scattered forks with bent tines. Scattered pieces with further oxidation. Weight does not include hollow-handled items.

Monogrammed, as stated.

Condition Reports

114 Visual: Generally good condition. Fine craquelure scattered throughout.

Stretcher bar creases along the four edges. Frame abrasion to the four edges. Very light scratches to the varnish layer in the upper right quadrant. A tiny drop of house paint upper right.

Blacklight: Small spots and lines of touch-up scattered along the lower left and lower center.

Frame: 30.75” H x 39.25” W x 3” D

130

115 Visual: Generally good condition. Craquelure throughout. An area of paint loss and instability lower left below the signature.

Blacklight: Touch-up throughout the woman’s chest and the left side of her face. A 4.5” line of touch-up in the white pigments of the woman’s dress. A small spot of touch-up lower right. Touch-up along the entire left edge of the painting.

Frame: 30” H x 25” W x 3.5” D 116 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Scattered chips and nicks to crystal: longest 1”.

Scattered oxidation to bronze elements.

117 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. New felt. Totters slightly.

118 Overall good condition with scratches to the glass and scattered minor nicks and ground chips to the edges.

119 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age. Scattered losses, rubbing and repairs to bronze decoration and giltwood urns. Wiring should be checked by a qualified electrician prior to use.

120 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. A glued repair to one leg.

121 Overall good condition with scattered nicks, abrasions, chips, and losses to the glass drops. Losses to the finish of the gilt bronze. Scuffs to the wood backing. One bobeche missing, one bobeche with a crack. Scattered drops of house paint throughout. Wiring should be checked by a qualified electrician prior to use.

122 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Losses and touch-up to giltwood throughout. The plaster moldings with chips and losses, scattered glued repairs throughout. Visible glue residue. Oxidation to the mirror back. The oil on canvas backed to panel with minor surface dirt and grime, small spots of gold touch up to paint in upper right, small surface scratches scattered to the right side.

123 Overall good condition. Scattered abrasions, nicks, and some losses to glass commensurate with age. Oxidation and dust accumulation to the gilt-bronze mounts. One small bobeche detached, retained. One sheath missing from one light and approximately two sheaths broken. Wiring should be checked by a qualified electrician prior to use.

124 Overall good condition. Each handle has been regilt, likely covering restoration, difficult to determine under paint. Rubbed wear and losses to the applied decoration. The figure with a 1.5” scuff to the body. Lateradded museum putty to the lid. The vase is slightly loose from the base.

125 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. The marble top with repaired cracks and reinforcements to the bottom. One wing with a large scrape. One wing with a nailed repair.

126 Visual: Generally good condition. Stretcher bar creases along the four edges. A small spot of paint loss along the upper left edge. A 2” light scuff mark lower center.

Blacklight: Apparently no restoration under blacklight. Difficult to read under varnish.

Frame: 19.5” H x 17.5” W x 2.5” D 127 Visual: Generally good condition. Frame abrasion along the four edges.

With losses to the gilt edges commensurate with age. Scuffs and light scratches throughout.

Blacklight: No evidence of restoration under blacklight.

Frame of each: 46” H x 11” W x 2.25” D 128 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Light dust accumulation and small scratches to the glass panels. One glass panel missing. Wiring should be checked by a qualified electrician prior to use.

129 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Bowing to the wood shelves. Evidence of old woodworm throughout including scattered losses to panels, primarily to the rear and back of crown.

131 Overall good condition with light fleabites, scattered minor chips, and some wear to the gold highlights commensurate with age. Slight fleabite to gold rim. Chip to the body of the clock case near the bezel: .375”-long. Severed silk suspension thread. In working condition with twin train chimes on the hour and half-hour, does not run. Has a pendulum, lacking key. Moran’s does not guarantee the working condition of clocks and watches.

132 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Losses to the carving and veneers. Scattered glued repairs.

133 Visual: Generally good condition. Areas of paint loss along the upper and upper right edges. The board is bowed out across the center.

Blacklight: No evidence of restoration under blacklight.

Frame: 40” H x 52.5” W x 2.25” D 134 Visual: Generally good condition. Fine craquelure scattered throughout.

Uneven varnish discoloration scattered throughout the sky.

Blacklight: No evidence of restoration under blacklight.

Frame: 32.5” H x 44.5” W x 2.5” D 135 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Evidence of old woodworm throughout, particularly to the back, with corresponding losses as a result.

136 Overall good condition with scattered scuffs, light scratches, and rubbed wear commensurate with age.

137 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Professional repairs and restorations to marquetry. Bronze has been refinished.

138 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor wear to the finish.

139 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation commensurate with age. Some glued repairs. Lateradded mirror.

140 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each with restorations throughout and evidence of old woodworm.

141 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Glued repairs to the carved wood elements and scattered losses to carved wood elements.

Glued repairs and scattered losses to marble top throughout.

142 Overall good condition with minor nicks, scuffs, and rubbed wear commensurate with age.

143 Overall good condition with oxidation, scuffs, scratches, and wear to the finish commensurate with age. Heavy red oxidation primarily to the back support.

144 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear, losses, and repairs to the veneer. Evidence of old woodworm throughout. Replaced lock mechanisms. Slight warping to the top. Scattered minor gouges to the veneers.

145 Overall good condition with minor oxidation and rubbed wear.

Base: 4.25” H x 10” W x 7.75” D 146 Overall good condition with scattered scuffs, scratches, nicks and chips to the marble commensurate with age. Minor chips and wear to the enamel.

Glued repairs to the marble throughout, including to the base, the top, and the column.

147 Overall good condition with scattered nicks, scuffs, and chips commensurate with age. The top of the capital is rough.

148 Visual: Generally good condition. Minor stretcher bar creases along the four edges. Fine craquelure scattered throughout. Small flecks of paint loss scattered throughout.

Blacklight: No evidence of restoration under blacklight.

Frame: 28” H x 13” W x 1.5” D 149 Generally good condition. Slight rippling to the paper. Minor toning to the paper. Light mat burn to the four edges. Hinged to the recto mat with artist’s tape at the upper corners.

Frame: 27.75” H x 18.25” W x 2” D 150 Overall good condition with darkening to bronze commensurate with age.

Left hand with overpaint and a crack to the pinky, extensive restoration difficult to determine under paint. Right wrist with a crack.

151 Overall good condition with minor darkening and rubbed wear to the arms.

Overpaint to each hand likely covering a repair, difficult to determine the extent of the repair.

152 Visual: Areas of paint loss and further instability scattered throughout, the largest a 2.25” x .5” scattered area right center. Four areas of restoration with corresponding patches verso. Stretcher bar creases along the four edges and across the center. Fine craquelure scattered throughout.

Blacklight: Touch-up scattered throughout.

Frame: 32” H x 27” W x 1.75” D 153 Each piece in overall good condition with minor shelf wear commensurate with age. Chips to the bases of each decanter and stopper. Nicks, chips, and abrasions scattered throughout. Includes key.

154 Overall good condition. Some gilt-bronze mounts slightly loose. Scattered chips to the porcelain around the keyholes. Lacking key. Moran’s does not guarantee the working condition of clocks and watches.

Condition Reports

130 Each in overall good condition with minor shelf wear commensurate with age. One lower bronze mount apparently reattached with visible adhesive residue. Scattered abrasions and fleabites. Some chips to the bottom of the foot.

131

155 Visual: Generally good condition. Craquelure throughout. Varnish discoloration throughout. A few small spots of paint loss lower left. Minor surface dirt and grime. The tacking edges were removed when re-lined.

Blacklight: Possible older restoration scattered throughout. Difficult to read under heavy, uneven varnish.

Frame: 38” H x 33” W x 3” D 156 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Scattered losses and repairs to the veneer. Probably refinished. Marble top with chips and losses to the rim. Lacking key.

157 Visual: Generally good condition. Craquelure scattered throughout.

Blacklight: Touch-up in the four corners and along the four edges due to the painting previously being in an oval frame.

Frame: 20.75” H x 24” W x 2.5” D 158 Visual: Generally good condition. Stable craquelure throughout. Stretcher bar creases along the four edges. Varnish discoloration throughout. Two minor scuff marks lower left. Minor surface dirt and grime.

Blacklight: Older touch-up scattered throughout. A quarter-sized spot of newer touch-up upper center and a 1.75” line of newer touch-up in the center.

Frame: 32.25” H x 42.25” W x 4” D 159 Visual: Generally good condition. Five small scratches along the left center edge, the largest .75” long.

Blacklight: Small spots of touch up scattered throughout.

Frame: 12” H x 14.75” W x 2.75” D 160 Generally good condition. Areas of restoration to the paper scattered throughout the sky and sails. Small spots of paint loss lower left and lower right partially affecting the signature and date. The recto and back mats are glued together.

Frame: 28” H x 37.25” W x 1” D 161 Visual: Generally good condition.

Blacklight: Small spots of touch-up and crack-fill scattered throughout the sky.

Frame: 20.5” H x 17” W x 2” D 162 Overall good condition with scattered scuffs, light scratches, and rubbed wear commensurate with age. Six plates with restorations.

Condition Reports

163 Each in overall good condition with rubbed wear and light scratches commensurate with age.

132

164 Overall good condition with scattered scuffs and light scratches, commensurate with age. One arrow slightly bent. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

165 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. A repair to the rim of the wood top. Minor wear, lifting, and losses to the veneers. Later added white paint to the back of the apron and to the underside of the undershelf.

166 Overall good condition with minor soiling. Minor localized fading and abrash. Localized pile wear. Scattered loose stitches.

167 Overall good condition with abrash, even pile wear, and minor soiling throughout. Scattered pulled threads and minor losses to the stitching.

Possible restoration to the selvage edges.

168 Overall good condition with scattered spots of soiling, localized pile wear, and creasing. Evidence of old moth damage. Scattered stains primarily to the border.

169 Overall good condition with soiling, even pile wear, localized low spots, and minor stitch losses. Wear and losses to the stitchwork along the edges. Each fringe edge with later added reinforcements.

170 Overall good condition with scattered scuffs, scratches, nicks and chips to the marble commensurate with age.

171 Overall good condition with paint loss, shrinkage cracks, scuffs, and scratches to applied elements throughout. With a repaired break to one arm and one finger. One figure with likely restoration to the hand and a glued repair to one foot. Additional restoration possible but difficult to determine under finish.

172 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repaired cracks throughout the marble top and chips and losses to the marble corners.

Some scattered losses to the carved wood elements, primarily to the lower half of the columns.

173 Each in overall good condition with scattered scuffs, scratches, nicks and rubbed wear commensurate with age.

174 Overall good condition commensurate with age.

175 Overall good condition with minor scuffs and darkening to bronze commensurate with age. With minor dents to scattered elements. Scattered chips and losses to onyx top.

176 Overall good condition with rubbed wear, scuffs, and light scratches commensurate with age. Scattered minor chips to the porcelain dial; otherwise the porcelain panels and columns are apparently intact with no visible or obvious breaks or repairs. Lacking key and pendulum, working condition unknown. Moran’s does not guarantee working condition of clocks and watches.

177 Overall good condition with minor rubbed wear, light scratches, and oxidation commensurate with age. The transfer print with an area of rubbed wear likely dating to time of manufacture.

178 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear, pulled threads, and minor loss stitches to upholstery. Some tears to the arms. Section of trim missing from one chair. Sections of the trim have been replaced.

179 Overall good condition with darkening to bronze, cleaning residue and scattered minor scuffs and scratches. The marble base with scuffs, scratches, and minor glued repairs. Lacking pendulum and key, working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

180 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age. A break to one of the draped supports.

195 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Refinished.

181 Each in overall good condition with darkening to bronze. Scratches and scuffs to the enamels. One champleve panel with a dent to the side.

196 Visual: Generally good condition. Frame abrasion to the four edges. Varnish discoloration throughout. Very fine crazing scattered throughout with associated tiny flecks of paint loss.

Blacklight: Small spots of touch-up scattered throughout. Difficult to read under heavy varnish.

Frame: 17.25” H x 25” W x 2” D

183 Each in overall good condition with minor scuffs and darkening to bronze commensurate with age. Some elements slightly loose. Some small holes to back of bronzes from a previous mounting. Scattered repairs to decorative elements. Wiring should be checked by a qualified electrician prior to use.

184 Each in overall good condition with scattered scuffs, scratches, and abrasions to the stone. Wear to the finish of the globe. With pendulum, lacking key.

185 Each in overall good condition with scattered rubbed wear commensurate with age.

186 Overall good condition with minor scuffs, rubbing, and darkening to bronze commensurate with age. Three scratches to upper back of figure, the longest approximately 1.125”.

187 Overall good condition with oxidation, scuffs, and nicks, commensurate with age. Possible repair to figure’s neck. A chip to one corner of the marble base.

188 Overall good condition with scattered minor scuffs and inherent firing flaws commensurate with age. Cup has a drilled hole for water. Scattered scuffs, scratches, and losses to applied elements. A repaired break to the drape.

189 Overall good condition with scattered minor scuffs, inherent firing flaws, and rubbed wear commensurate with age.

190 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. With losses to some of the carvings. Potential repairs to the stretcher.

191 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Cast as multiple pieces. Several elements loosely attached and some joinings visible. Scattered filled holes probably dating to time of manufacture; particularly to female’s shoulder. A drilled hole to back of female figure and top of the child’s head.

198 Overall good condition with scuffs, abrasions, and chips to the rock crystal commensurate with age. One light fixture with a crack. One section slightly bent to the side.

199 Overall good condition with minor shelf wear commensurate with age.

Scattered eye-visible inclusions and surface-reaching fractures. One minor chip to rim.

200 Overall good condition with minor shelf wear commensurate with age.

Scattered surface-reaching fractures and eye-visible inclusions.

201 Each in overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. One lamp with beading re-glued to base. Chips and abrasions to the corners of the marble. Wiring should be checked by a qualified electrician prior to use.

202 Each in overall good condition with tarnishing and light scratches commensurate with age.

203 Overall good condition with tarnishing and light scratches commensurate with age.

204 Overall good condition with general scratches, scuffs and wear commensurate with age. Working condition unknown. Moran’s does not guarantee working condition of clocks and watches.

205 Overall good condition with minor scuffs and darkening to bronze commensurate with age.

206 Overall good condition with scattered scuffs, scratches, nicks and chips to the veneers commensurate with age. Visible glue scattered throughout.

One pin loose.

207 Overall good condition with scattered scuffs, scratches, nicks and chips to the veneers commensurate with age. Scattered surface-reaching fractures to top surface.

192 Overall good condition with minor scuffs and darkening to bronze commensurate with age. One visible plug to the leg. Scattered chips and nicks to marble plinth: longest .75”.

208 Overall good condition with minor shelf wear commensurate with age.

Scattered surface-reaching fractures. Wiring should be checked by a qualified electrician prior to use.

193 Overall good condition with darkening to bronze and minor rubbed wear.

209 Visual: Generally good condition. A stable crack to the board in the center running the width of the piece with corresponding bracing verso. Fine crazing scattered throughout. Tiny flecks of paint loss scattered throughout.

Blacklight: Minor touch-up scattered throughout. Difficult to read under heavy varnish.

Frame: 22” H x 25.75” W x 2.5” D

194 Overall good condition with scattered repaired breaks and losses to frame.

Slight rubbing to the plaque underneath the frame. With dust accumulation and slight scuffs.

Condition Reports

182 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Minor chips and abrasions to the marble base.

133

210 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Minor nicks and some losses to the carved wood elements, particularly around the base.

Several tears to the back linen panel. Moran’s does not guarantee the working condition of clocks and watches.

224 Overall good condition with minor scuffs and darkening to bronze commensurate with age. Several arms are bent. Scattered drill holes, varying in size, and glue residue, associated with later electric wiring. Wiring should be checked by a qualified electrician prior to use.

211 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Repaired and unrepaired breaks throughout. Each reupholstered.

225 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Old woodworm throughout. Each leg has been raised by .5”. Scattered losses and repairs to the veneers. Leather writing surface has been repaired or replaced.

212 Overall good condition with minor shelf wear commensurate with age.

Scattered chips and minor abrasions.

213 Each in overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wiring should be checked by a qualified electrician prior use.

214 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Wear to the finish and scattered minor losses to the veneers. One gallery with a 3”-long dent.

215 Visual: Generally good condition. Craquelure throughout. Frame abrasion along the left edge. Loss of the varnish layer in the upper left and right corners.

Blacklight: Crack-fill scattered throughout. Touch-up in the upper right corner.

Frame: 14.5” H x 18” W x 1.75” D 216 Overall good condition with minor soiling, abrash, even pile-wear, and localized low spots. Repairs to the selvage edge.

217 Overall good condition with even pile wear. Localized wear down to the foundation.

218 Overall good condition with abrash, soiling, and even wear. Repairs and losses to selvage edges and losses to the fringe.

219 Overall good condition with minor soiling, abrash, and even pile wear.

Condition Reports

220 Each in overall good condition with scattered scratches, scuffs, rubbed wear, and tarnishing commensurate with age. Wiring should be checked by a qualified electrician prior to use.

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221 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Electrified. A separation to the wood top from a shrinkage crack.

222 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Later added linen lining to the interior of the upper cabinet and drawers. Minor losses to the carvings. Evidence of old woodworm verso. Later added reinforcements to the back. Lacking key.

223 Overall good condition with even pile wear and minor soiling commensurate with age. Some fading. Scattered repairs to the selvage edge.

226 Visual: Generally good condition. Fine craquelure scattered throughout.

Small fleck of paint loss left center. Canvas has slight rippling along the upper edge. Indentions to the canvas verso in the upper center, upper left corner and along the upper left edge show through on the recto with associated craquelure.

Blacklight: No evidence of restoration under blacklight.

Frame: 35.25” H x 30.75” W x 2.75” D 227 Visual: Generally good condition. Craquelure scattered throughout.

Stretcher bar creases along the upper and lower edge. Small puncture to canvas with paint loss upper edge center. Two tiny pinholes in the upper left corner. A small tear to the canvas with paint loss and instability lower left.

Blacklight: No evidence of restoration under blacklight.

Frame: 30.5” H x 38.75” W x 2” D 228 Each in overall good condition with scattered minor nicks, scuffs, scratches, and rubbed wear commensurate with age. One vase leans to one side and shows an area of dents to the gilt-bronze mount where it connects to the base.

229 Each in overall good condition with scattered scuffs, nicks, and oxidation commensurate with age. Scattered minor chips to the marble. A hairline crack to one marble base. Scattered bronze pieces are loose. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

230 Overall good condition with minor localized soiling and very minor pulled stitches.

231 Each in overall good condition with rubbed wear, scuffs, and light scratches commensurate with age. Each central light missing their faux-candle wrap.

Wiring should be checked by a qualified electrician prior to use.

232 Overall good condition with oxidation, scuffs, light scratches, and nicks commensurate with age.

233 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Alligatoring and chipping to the painted door. A glued repair to the molding.

234 Visual: Generally good condition. Two .5” scratches and a tiny fleck with paint loss right center. Frame abrasion to the upper edge in the right corner.

Minor surface dirt and grime.

Blacklight: A .5” line of touch-up right center.

Frame: 14” H x 14.5” W x 3” D 235 Each in overall good condition with wear to finish, scuffs, and nicks. Filled drill holes to the back of the clock. Rubbed wear to the dial. Scatter drilled holes throughout to the bobeches and the figures, likely from a conversion to electric which has since been removed. Scattered portions have been repainted and some elements are loose. Each missing a porcelain plaque

to the front and each swag to the base with a break. The clock lacking key and pendulum, working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

236 Overall good condition with tarnishing and light scratches. The marble top is a later replacement with scattered chips to edges.

Condition Reports

237 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and separation at joints commensurate with age. Each with depressions and soiling to the velvet pads. Scattered wear, losses, and scratches to the veneers.

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Bid Now

California & American Fine Art

Sunday, May 17, 2020—2pm Albert E. Backus Everglades with birds, 1989 $15,000-25,000

Consignment and Auction Inquiries: morgana@johnmoran.com

bid in person - absentee - telephone - liv e online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

Consign Today

20th Century Art + Design June 2020 Robert Motherwell Three Figures, 1989 $15,000-20,000

Consignment and Auction Inquiries: bree@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833

Consign Today

Fine Jewelry, Timepieces & Luxury September 2020 An Art Deco Tiffany & Co. diamond and emerald bracelet $30,000-50,000 Consignment and Auction Inquiries: mollie@johnmoran.com

bid in person - absentee - telephone - liv e online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833

Consign Today

The Traditional Collector September 2020 Two Buccellati sterling silver and agate tazzas Price Realized: $3,750.00

Consignment and Auction Inquiries: roland@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com ¡ info@johnmoran.com ¡ (626) 793-1833

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Vice President Roland Rynkiewicz Senior Vice President, Fine Art Director Morgana Blackwelder Special Projects Maranda Moran Post War & Contemporary Fine Art Bree Hughes Junior Specialist / Senior Fine Art Cataloguer Bobby Cullen Fine Art Cataloguer Mike Hook 20th Century Furniture and Decorative Arts Specialist John Simon Taylor Furniture and Decorative Arts Cataloguer Alexis Sutcliffe Jewelry Director Mollie Burns Keith, G.J.G. Junior Specialist / Senior Cataloguer: Luxury, Furniture, Decorative Arts Jardine Gates, GIA G.G.

CLIENT SERVICES

Office Manager

Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director

Maha Darwish Consignment Coordinator

Jean Rapagna Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

ADVERTISING, MARKETING, DIGITAL DESIGN

Advertising & Marketing Director, Art Design

Nathan Martinez

TRUSTS & ESTATES

Department Manager Noelle Valentino

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

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This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee.

This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

Download Moran Mobile today at the App Store and Google Play!

Sunday, May 3, 2020­ | The Traditional Collector

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received

by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

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purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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144

Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the final bid, plus Buyer’s Premium on the final bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid.

New bidders will be asked to provide financial account information as a reference.

All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance.

BUYER’S PREMIUM: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and requested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In the event of a tie bid, the Registration Form received first will be recognized as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

No

How did you hear about our services?

Sellers permit info: Contact office for verification Permit #

Modern & Contemporary Art

State:

Turn of the Century Design / Arts + Crafts Western Art Have a specific type of item you are interested in, let us know:

Exp:

I agree that I have read Moran’s Conditions of Sale and shall be bound by them. This affects my legal rights.

Signature:

Date:

rev

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Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 3/2020

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