The Traditional Collector — October 24, 2023 | John Moran Auctioneers

The Traditional Collector 10.24.23—12pm PDT

SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m

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The Traditional Collector 10.24.23—12pm PDT

Sale 264 145 East Walnut Avenue, Monrovia CA 91016

This is an interactive catalogue.

Click on any item description or hyperlink for more information.

Previews:

Friday, October 20th: 12-4pm Saturday, October 21st: 12-4pm Monday, October 23rd: 12-4pm Tuesday, October 24th: Doors open 10am

Meet the Team

Angela Past Head of Sale, Senior Specialist, Furniture & Decorative Art angela@johnmoran.com Grant Stevens Decorative Arts Cataloguer grant@johnmoran.com

Anne Spink Fine Art Cataloguer anne@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com

Ella Fountain Client Services ella@johnmoran.com

Jamie Holthauser Client Services jamie@johnmoran.com

Bryan Ortega Client Services bryan@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS

1001

A Chinese silver pendant

Qing Dynasty (1644-1911) A circular two-sided silver disc pendant featuring a dragon with a knife in his mouth, with articulated ears and an immortal riding a qilin figure verso 22” L x 2.75” Dia. 62.0 grams $300-500

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1002

A Chinese silver locket pendant

Late Qing Dynasty (1644-1911) The silver toned-metal ornate figural filigree two-sided locket featuring a mounted figure recto, and various symbolic items verso, including a Chinese inscription, all with bead and carved orange stone drops and a two-color woven cord tassel 12.5” H x 2.375” Dia. 57.1 grams gross $300-500

1003

A Chinese silver qilin pendant

Qing Dynasty (1644-1911) Signed/stamped to top edge A large square repoussé plaque pendant depicting an immortal figure astride a qilin, with five chain drops with cone tips 7.25” H x 4” W (with chains) 135.3 grams $300-500

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1004

A Chinese silver qilin neckring collar pendant

Qing Dynasty (1644-1911) Marked to plaque verso; marked to collar A large silver neckring suspending a repoussé silver immortal and qilin pendant with carnelian, coral, and turquoise beaded accent dangles 6” H x 3.75” W; collar: 9.5” Dia. 162.0 grams gross $300-500

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1005

Two Chinese silver and enamel accessories

Qing Dynasty (1644-1911) Each appears unmarked Comprising two works including an enameled openwork silver hair clip/barrette with fish and foliate motifs (2.75” H x 4.5” W) and an enameled openwork silver fragrance carrier charm with cone-tipped chain tassels (12” H x 2.25” W approximately), 2 pieces 88.1 grams gross $200-300 Other Notes: Wearing various silver attachments on clothing such as fragrance carriers and grooming kits reflected ìthe desire to present oneself as pleasing as possible - well-groomed and exuding an attractive scent - [a desire] Önot confined to any particular region, class, ethnic group, or gender in Qing dynasty China.î It was common in the Ming and Qing dynasties for people to use fabric sachets to improve their own scent, as well as disguise other unpleasant odors in the urban environment. As the art of silversmithing spread through China, wealthy patrons commissioned silver fragrance carriers to replace their fabric sachet bags. The perforated silver filigree carriers were fashioned in various shapes and designs, initially to imitate the original kidney-shaped drawstring purse, and gradually other styles became popular including cylindrical, circular, rectangular and vase-shaped. Fragrance was added to rolled paper or to cotton, and inserted into the carrier, the fragrance wafting out to provide the wearer with relief from disagreeable aromas.

Reference: Margaret Duda, ìFour Centuries of Silver: Personal Adornment in the Qing Dynasty and After,î (Chicago: Art Media Resources, Ltd, 2002), 44-55

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1006

A group of Chinese silver and enamel hair accessories

Late Qing Dynasty (1644-1911) Each appears unmarked Three works comprising a double-pronged hairpin with a carved white stone fish clad in a blue enameled silver openwork casing, and with enamel and bell chain drops (3.75” H x 2.5” W; pin: 4.75” H), a double-pronged hairpin decorated with an enameled cricket, butterfly, and floral spray, with three spring-wired carved jade and floral enamel vertical tips (7” H x 2” W x 0.675” D), and a single flat pronged hairpin with enameled “en tremblant” floral embellishment (5” H x 3.5” W), 3 pieces 58.8 grams gross $400-600

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1007

A group of Chinese silver hair adornments

Late Qing Dynasty (1644-1911) Each appears unmarked Comprising six repoussé silver single-prong hair pins in various styles and sizes, a single-prong hairpin topped with carved carnelian, and a large openwork silver overlay butterfly motif hairpin with chain dangles, 8 pieces Largest: 5” H x 2.5” W; smallest: 2.375” H x 1.25” W 109.0 grams gross $400-600

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1008

A group of East Asian silver items

Qing Dynasty (1644-1911) Small triangular pendant marked to plaque verso Five silver repoussé works comprising a Burmese silver buckle with two figures, together with two triangular fan-form apron holders, one likely Bai with birds and butterflies, as well as two round Yi apron holders, one depicting a temple gate with dragons, birds and fish, and another depicting characters in a scene from a classic novel about Xuanzhang from the 600s, 5 pieces Largest: 5.5” H x 4.75” W; smallest: 2.25” H x 2.75” W 230.6 grams gross $400-600

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1009

Five Chinese silver flat lock medallions

Qing Dynasty (1644-1911) Each appears unmarked Comprising five flat symbolic lock pendants in graduated sizes and with various scenes and figures including immortals and qilin, and one edged with inset coral and blue jade-like stone, 5 pieces Largest: 4.75” H x 5.75” W; smallest: 2.625” H x 3.5” W 144.9 grams gross $400-600 This lot may require a CITES permit if being shipped outside California.

Please contact your preferred shipping company for information.

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1010

A group of Chinese silver lock pendants

Qing Dynasty (1644-1911) Each appears unmarked Comprising four pendants in the form of symbolic locks (to ward off evil and lock the wearer to earth) in graduated sizes and in various shapes, depicting various characters including immortal figures on qilin, birds, and various inscriptions, three double-sided and one with a silk cord, 4 pieces Largest: 3” H x 4” W; cord: 20” L; smallest: 2.25” H x 2.875” W 156.8 grams gross $300-500

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1011

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Each appears unmarked Comprising three silver chain pendants with stone bead and enamel accents, with various figural motifs including a qilin with immortal figure, and a repoussé double-sided silver “peach” box pendant with a qilin face and inner chamber, 4 pieces Largest: 24.5” L x 3” H; smallest: 21” L x 1.375” H 203.7 grams gross $400-600

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1012

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Two marked verso Comprising five repoussé silver pendant plaques in various sizes featuring qilin with mounted immortal figures, three double-sided, two with chains and with chain dangles, 5 pieces Largest: 4.5” H x 5.25” W; smallest: 2.5” H x 2.75” W 188.0 grams gross $400-600

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1013

A group of Chinese silver accessory hangings

Qing Dynasty (1644-1911) Each appears unmarked Four works comprising utilitarian sash hangings including an openwork silver fragrance holder box (1.75” H x 1.125” W x 0.625” D; chain: 6” L). together with a repoussé silver apron-holder chain terminating in two silver baskets, one with butterfly and fruit and one with foliate motifs (30” L x 1.75” W), a six-lobed silver barrel pendant hanging with silver cicada hook and carnelian stone bead drop and fine dangles (6.5” H x 1.375” Dia.), and a double-sided silver repoussé qilin pendant plaque with mounted immortal and four bell dangles (6” H x 3” W including dangles), 4 pieces 222.5 grams gross $400-600 Other Notes: Wearing various silver attachments on clothing such as fragrance carriers and grooming kits reflected ìthe desire to present oneself as pleasing as possible - well-groomed and exuding an attractive scent - [a desire] Önot confined to any particular region, class, ethnic group, or gender in Qing dynasty China.î It was common in the Ming and Qing dynasties for people to use fabric sachets to improve their own scent, as well as disguise other unpleasant odors in the urban environment. As the art of silversmithing spread through China, wealthy patrons commissioned silver fragrance carriers to replace their fabric sachet bags. The perforated silver filigree carriers were fashioned in various shapes and designs, initially to imitate the original kidney-shaped drawstring purse, and gradually other styles became popular including cylindrical, circular, rectangular and vase-shaped. Fragrance was added to rolled paper or to cotton, and inserted into the carrier, the fragrance wafting out to provide the wearer with relief from disagreeable aromas.

Reference: Margaret Duda, ìFour Centuries of Silver: Personal Adornment in the Qing Dynasty and After,î (Chicago: Art Media Resources, Ltd, 2002), 44-55

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1014

A group of Chinese silver pendants

Qing Dynasty (1644-1911) One marked to front plaque Comprising four repoussé silver pendant plaques in various sizes including three with plaques featuring qilin with mounted immortal figures and one with foliate motifs, three of these with chain dangles, as well as an ornate Tibetan-style repoussé pendant with herringbone chain, and a small silver symbolic bat amulet with carnelian stone drops, 6 pieces Largest: 3.5” H x 4” W; smallest: 7.5” H x 1.5” W; chain: 25” L; amulet: 4.25” H x 2.5” W 175.4 grams gross $400-600

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1015

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Pendant marked verso Comprising five repoussé silver pendant plaques in various sizes featuring qilin with mounted immortal figures, one double-sided with charm and bell dangles, together with a chased silver qilin pendant with bell dangles suspended from a chain, 6 pieces Largest: 4” H x 4” W; smallest pendant: 2” H x 2.5” W; plus dangles: 3” H; chain: 25” L 208 .7 grams gross $400-600

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1016

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Two marked verso Comprising six repoussé silver pendant plaques in various sizes featuring qilin with mounted immortal figures, one double sided, and one with a chain and five strands of charms, 6 pieces Largest: 3.75” H x 4” W; smallest: 2.75” H x 2.5” W; chain: 22: L 197.1 grams gross $400-600

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1017

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Each appears unmarked Comprising six repoussé silver pendant plaques in various sizes featuring qilin with mounted immortal figures, and a symbolic lock pendant with chain and bell dangles, 7 pieces Largest: 3.5” H x 4” W; smallest: 2.5” H x 2.75”; lock pendant: 20” L x 4” H 153.9 grams gross $400-600

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1018

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Each appears unmarked Comprising six repoussé silver pendant plaques in various sizes featuring qilin with mounted immortal figures, 6 pieces Largest: 4” H x 4” W; smallest: 2.25” H x 2.5” W 154.2 grams gross $400-600

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1019

A group of Chinese silver pendants

Qing Dynasty (1644-1911) Each appears unmarked Five works comprising three repoussé silver qilin pendant plaques with mounted figures, each with chain and dangles, two double-sided, one with bell talismans to chain, and one with stone beads and dangles, as well as two silver kidney-shaped symbolic lock pendants with foliate motifs and auspicious inscriptions, with stone and enamel beaded chains, 5 pieces Largest: 2.375” H x 3” W; chain: 18” L; smallest: 1.125” H x 1.675” W; chain: 22” L 223.8 grams gross $400-600

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1020

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Each appears unmarked Comprising five repoussé silver pendant plaques in various sizes featuring qilin with immortal figures, including two double-sided pendants with stone-accented chains, one with an articulated flower and one with charm dangles, 5 pieces Largest: 3.75” H x 4” W; smallest: 2” H x 2.5” W; chains: 21” L and 22” L 154.8 grams gross $400-600

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1021

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Each appears unmarked Comprising six repoussé silver pendant plaques in various sizes featuring qilin with mounted immortal figures, including four double-sided plaques, two with chains, and one with stone beads, as well as two single-sided plaques, one with a chain and each with cone and bell dangles, 6 pieces Largest: 4” H x 3” W (including dangles); smallest: 2.375” H x 2.5” W; chains: 27” L; 21” L; 16” L 189.8 grams gross $400-600

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1022

A group of Chinese silver qilin pendants

Qing Dynasty (1644-1911) Smallest marked to plaque verso Comprising six repoussé silver pendant plaques in various sizes featuring qilin with mounted immortal figures, one plaque with a retrofitted brooch pin and coral beads, and a double-sided plaque suspended from a chain, with dangles, 6 pieces Largest: 3.75” H x 4” W; smallest: 2.125” H x 2.25” W; chain: 18” L 302.3 grams gross $500-700

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1023

A Chinese embroidered yellow-ground silk dragon robe

The side-fastening robe with multicolored and metallic thread embroidery overall, featuring a five-clawed dragon to center, surrounded by multiple dragons, bats, medallions, and other auspicious symbols, clouds, waves and sea creatures, with embroidered geometric and brocade trim and banding to dark blue collar and sleeves, with hoof-shaped cuffs, brass-toned spherical buttons, and pale yellow lining 57.5” H x 86.75” W at shoulders; 43” W at hem $5,000-7,000

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1024

A group of framed Chinese embroidery fragments

20th century Comprising three embroidery fragments on red fabric, the largest with a central four-clawed dragon motif surrounded by flower and cloud motifs and two further fragments, each with bird, flower and insect motifs, all variously worked with floss silk and metallic thread in satin stitch, laid couching and other embroidery stitches, each professionally mounted with fabriccovered mats and framed under glass, 3 pieces Largest: 19.75” H x 19.125” W; smallest: 17.25” H x 17.25” W $300-500

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1025

A group of framed Chinese embroidery fragments

20th century Comprising three embroidery fragments, the largest with a central fiveclawed dragon motif surrounded by auspicious characters including phoenix, birds, bats, flowers, waves and clouds, and the two narrow fragments with overall floral and character motifs including carp, bats, butterflies, and other auspicious items, all variously worked with floss silk and metallic thread in satin stitch, laid couching and other embroidery stitches, each professionally mounted with fabric-covered mats and framed under glass, 3 pieces Largest: 21.5” H x 3.5” W; smallest: 11” H x 8.5” W $300-500

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1026

A pair of Chinese-style embroidered hanging decorations

Comprising two tall rectangular hanging panels, the centers embroidered in black on cream ground, each depicting phoenix cavorting amid blossoming branches and bamboo, suspended from embroidered shaped plaques with metal bat-shaped hooks, and each panel suspending navy blue silk tassels embroidered with flowers and bats, 2 pieces Each: 102.5” H x 13.25” W; tassels: 50” H approximately $600-800

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1027

An assembled group of jadeite and hardstone carvings

20th century or later One pendant bail marked: H [within a circle] / Silver A large group including a large carved green stone circular ornament, several round ornaments and pendants, a carved green stone pendant with silver bail, and multiple diminutive decorations all carved from stone of varied hues and subject matter, 21 pieces Largest: 5” H x 3.75” W; smallest: 1” H x 0.75” W $200-300

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1028

A group of carved stone decorations

Early 20th century or later Two marked to bail: H [within a circle] / Silver Comprising six works in varied hues of white gray and green stone including an archer’s ring, a square pendant with floral motifs, a small carved mushroom, and three pendants of zoomorphic subjects including fish and a dragon, two with bails, 6 pieces Largest: 2” H x 2.25” W; smallest: 0.875” H x 1.125” Dia. $200-400

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1029

Six jade and hardstone pendants

Qing dynasty and/or later One bail stamped: H [within a circle] / K14 Six works comprising pendants of various shapes, of thin irregularly rectangular sections, and carved from stone in varied hues of gray and gray-green, the largest with a 14K gold bail, 6 pieces Largest: 2.75” H x 1.25” W; smallest: 1.5” H x 1” W $600-800

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1030

Three reticulated jade pendants

Qing dynasty or later Each bail stamped: H [within a circle] / Silver Three pendants, all of similar appearance, and composed as concentric rings encircling a separately carved internal node, each stone of varied hues of gray-green and white, and each with silver metal bail, 3 pieces Largest: 2.625” H x 1.875” W; smallest: 2.25” Dia. $700-900

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1031

A large group of reticulated jade and hardstone ornaments

Qing dynasty and/or later Fourteen works comprising intricately reticulated pendants and carvings in various shapes and sizes, with bats, shou characters, and other auspicious motifs, the hues of the stone ranging in varied shades of green and graytinged white, 14 pieces Largest: 1.75” H x 3.125” W; smallest: 1” Dia. $800-1,200

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1032

A group of four carved jade and stone decorations Four works:

A carved stone pebble Han dynasty or Han dynasty-style The pebble carved as a mythical beast from calcified stone mottled in colors of cream and earth tones, with holes for cording 1.375” H x 2.25” W x 0.625” D A reticulated jade decoration Qing dynasty or later A tear-shape decoration or clothing adornment intricately reticulated in very thinly sectioned stone of pale gray color 2.5” H x 1.125” W x 0.25” D

A reticulated jade pendant 18th/19th century or later Bail stamped: H [within a circle] / K14 The reticulated pendant of archaistic stylized scroll motifs, the matrix of the stone of grayish white hue streaked by a notable vein of umber, with a 14K gold bail 3” H x 2.1.25” W x 0.25” D A carved jade ornament Ming dynasty or Ming dynasty-style Likely originally a belt section, of gray green color depicting a front-facing dragon upon several layers of lotus scroll, the reverse unpolished 1.875” H x 2.125” W x 0.625” D 4 pieces $1,200-1,800

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1033

A Chinese carved hardstone urn pendant

20th century The carved speckled stone lidded urn featuring taotie masks and banded meandering motifs, surmounted by a bell and suspended from a carved wood stand, housed in a blue fabric-lined custom padded box 16.25” H x 7” W x 3” D $300-500

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1034

A Chinese carved nephrite urn

20th century Appears unmarked The carved stone vase featuring opposed pixiu handles, taotie masks, and banded meandering motifs, set on a lacquered wood stand, 2 pieces Urn: 7.75” H x 8.5” W x 6.5” D; stand: 2.625” H x 7.325” W x 5.75” D $600-800

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1035

Two Lievre-style Renaissance Revival candelabra

19th century The bronze seven-light candelabra, each with urn-form candle holders above acanthus leaf bobèche, radiating from a stem with male bust, set atop a base with four high-relief griffin feet, 2 pieces Each: 22” H x 13.5” W x 8.5” D $1,200-1,800

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1036

An Italian alabaster sculpture of Dante and Beatrice

Early 20th century Incised to base: E Fiaschi The white marble sculpture of a man courting a woman holding a book with incised title possibly reading “Vita Milova,” each in flowing robed attire 29” H x 16.5” W x 11” D $700-900

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1037

1038

19th century Each with indecipherable hallmarks to rim The bronze openwork decanters, each with stopper and featuring two panels to each side depicting a Greek conquest and a maiden in a garden and with opposed Bacchanalian goat masks to shoulders, 2 pieces Each: 14.5” H x 7.5” W x 4.325” D

Mid-20th century Appears unmarked The carved wood ta foliate motifs 29.5” H x 72” W x 3

A pair of Continental bronze decanters

$600-800

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A Renaissance-sty

$800-1,200

yle trestle table

able with four columnar fluted legs set on an H-stretcher with carved

30” D

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103

A Spa

Late 2 The ga claw a bronze 75” H

$3,000

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anish Baroque-style vargueño on stand

20th/early 21st century allery top with eagle finials, over a cabinet with multiple drawers, on and ball feet, raised on a stand with barley twist legs, with all-over gilte mounts and foliate inlay x 58” L x 23” D

0-5,000

1040

A pair of South German Baroque carved wood angels

18th century Each appears unmarked The polychromed and gilt limewood wall-mounted half-length figures, each raising one arm and backed by clouds, 2 pieces Each: 18.25” H x 15.5” W x 9” D $1,000-1,500 Provenance: Dorotheum Auction House, Wien, Austria, April 9, 2014, lot 454 Private collection, acquired from the above

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1041

A Baroque stripped carved wood mirror

18th/19th century Appears unmarked The later mirror set in a carved wood frame with all-over acanthus and scroll motifs 46” H x 37” W x 8.5” D $800-1,200 Provenance: Estate of Dr. Sanford Kaufman and Dr. P. Waverly Davidson

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1042

A pair of Venetian Rococo-style giltwood mirrors

Late 19th/early 20th century Each appears unmarked Each mirror with carved and openwork giltwood frame featuring rocaille and acanthus scroll motifs, 2 pieces Each: 59.25” H x 25.75” W x 2.25” D $700-900

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1043

A Florentine-style carved and giltwood wall mirror

Late 19th/early 20th century Appears unmarked The carved and giltwood rectangular frame with an acanthus leaf motif, rendered three-dimensionally, inset with a beveled mirror 35.25” H x 60” W x 8.25” D $1,000-1,500

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1044

A pair of French Baroque giltwood bras de lumière

Mid-18th century Each appears unmarked Each gilt and polychromed carved wood wall-mounted sconce in the form of an arm holding a torch, with associated crimped tole bobèche, 2 pieces Each: 20” H x 19” W $700-900 Provenance: Castle in the Grenoble region Piasa Auction House, Paris, France, June 25, 2015, lot 97 Private collection, acquired from the above Other Notes: This lot is accompanied by a redacted purchase receipt from Piasa Auction House in Paris, France.

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1045

Attributed to Thomas Hudson

(1701-1779) “The Earl of Arlington” Oil on canvas laid to canvas Unsigned; attributed and titled on the frame plaque 30” H x 25” W $600-800 Other Notes: Two partial labels are affixed to the stretcher. The white label affixed to the center portion of the stretcher with a partially indistinct inscription, presumably in another hand.

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1046

Attributed to George Romney (1734-1802) Portrait of a woman Oil on canvas laid to canvas Appears unsigned 24” H x 18” W $2,000-3,000

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1047

18th Century Continental School

“Vita Bulla” Oil on canvas laid to canvas Unsigned; titled near the edge of the lower left quadrant; inscribed indistinctly in red ink on a label affixed, verso 16.75” H x 19.75” W $500-700 Provenance: Sold: Jackson’s Auction, Cedar Falls, IA, “World Treasures: Important Russian, Asian, European & American Works,” November 13, 2012, Lot 15 Sold: Jackson’s Auction, Cedar Falls, IA, “World Treasures: Important Russian, Asian, European & American Works,” June 11, 2013, Lot 481

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1048

Ary Scheffer

(1795-1858) Church interior with figures praying Oil on canvas laid to canvas Unsigned; artist attribution from a partial old paper label affixed to the backboard of the frame 9.5” H x 12.75” W $1,000-2,000 Provenance: Cleveland Museum of Art, TR 14000/106, according to a small museum sticker affixed to the verso of the frame Other Notes: The above-mentioned label on the frame’s backboard includes part of the artist’s name along with biographical information, all hand-written in French.

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1049

A Russian icon of scenes from the Life of Christ

19th century With paint and gold leaf on wood panel depicting scenes from the Life of Christ; with four rectangular painted inscriptions in Cyrillic with two each on the upper and lower edges 12.25” H x 10” W $700-900

54

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1050

A Russian icon of Christ with Angels and Archangels flanked by saints

19th century With paint and gold leaf on wood panel depicting Christ with Angels and Archangels flanked by saints; with a painted inscription in Cyrillic along the upper curved edge and above the Christ figure 15.25” H x 11.25” W $700-1,000

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55

1051

A Russian icon of Saint Catherine

19th century With paint and gold leaf on wood panel depicting Saint Catherine flanked with saints, with Cyrillic script in ink to verso 14” H x 11.75” W $700-1,000

56

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1052

A Russian icon of Christ Pantocrator

1856; Moscow Marked: 1856/ 84/ the Moscow, Russia city mark of St. George slaying the dragon With underpainting on wood depicting Christ Pantocrator under a repoussé and embossed silver oklad with an applied high-relief halo, and four white oval enamel details in Cyrillic 12.5” H x 10.75” W $900-1,200

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57

1053

A Russian icon of the Theotokos

19th century Oklad stamped with possible maker’s mark: AC With underpainting on wood depicting Mother of God under a repoussé and embossed metal oklad and an applied high-relief halo 13.25” H x 11.75” W $1,000-1,500

58

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1054

A Russian icon of Saint Jerome and Procopius of Scythopolis 19th century With paint and gold leaf on wood panel depicting Saint Jerome and Procopius of Scythopolis 12.25” H x 10.5” W $700-900

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59

1055

A Russian icon of Mother of God

19th century With underpainting on wood panel depicting the Virgin Mary and Child under a repoussé and embossed brass oklad, with applied high-relief halo 10.5” H x 8.75” W $500-700

60

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1056

A Russian icon of Saint Jerome

19th century With paint and gold leaf on a wood panel depicting Saint Jerome; with a painted inscription in Cyrillic in the upper edge, at center 14” H x 12” W $700-900

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61

1057

Two Russian icons of Christ

19th century Smallest plaque marked: 84 / the Moscow Russia city mark of St. George slaying the dragon; Largest plaque marked: 84; inscribed in Cyrillic Comprising two Russian icons with underpainting on wood panel depicting Christ with repoussé and embossed silver, and with applied high-relief halo Smallest: 8.75” H x 7” W; Largest: 9.25” H x 7.125” W $800-1,200

62

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w w w. j o h n m o r a n . c o m

63

64

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1058

A Japanese shibayama and silver vase

Meiji period (1868-1912) or later Applied vermeil plaque to the underside with Kanji characters for maker’s mark reading: Akihide The silver vase with flared and attenuated neck featuring incised floral motifs above a drip-form shoulder, the body with one panel bearing an imperial chrysanthemum seal and five panels of inset carved mother of pearl and stone, each depicting floral and avian motifs on a vermeil ground, set on three shaped feet 11.75” H x 5.5” Dia. $3,000-5,000

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65

1059

1060

Mid/late 20th century The lacquered wood game table with removeable top inlaid with four bookmatched corners centering a floral motif above conformingly designed sides and cabriole legs, revealing a removeable checkerboard with green felted underside, further revealing a roulette table in two panels that separate to reveal a roulette wheel and various compartments housing checkers and dominoes 30” H x 32.5” W x 32.5” D

Early 20th century Bears the seal and signature o marking; handwritten Kanji sti The six-panel folding screen d on paper laid to gold leaf and 69.375” H x 147” W x 0.75” D

A Louis XV-style marquetry games table

$600-800

66

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A Japanese byobu folding

$600-800

g screen

of the unidentified artist; further inscribed with a colophon icker label to left edge of frame depicting flowering branches and birds in ink and pigment d trimmed in silk D

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67

1061

A Cambodian silver lidded betel box

Late 19th/20th century Appears unmarked The pumpkin-form round box with repoussé floral motifs and ornamental leaf and stem handle 7” H x 9” Dia. $500-700

68

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1062

A Kwan Wo (Kun He) sterling silver moth centerpiece

Circa 1875-1920; Hong Kong Stamped to the base: KW The finely cast sterling moth with set semiprecious stone eyes and carved mother of pearl floating above cast sterling silver bamboo stalks with chased leaves, mounted on a carved wood stand 10.25” H x 9” Dia. $500-700 Provenance: Estate of Dr. Sanford Kaufman and Dr. P. Waverly Davidson

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69

1063

A pair of massive Japanese Kutani vases

Late 19th/early 20th century Each appears unmarked Each globular porcelain polychromed vase with tall, flared neck depicting phoenixes and imperial chrysanthemum seals on gilt ground with low-relief cloud motifs surrounding painted landscapes depicting waterfowl, 2 pieces Each: 38.5” H x 20” Dia. $2,000-3,000

70

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1064

A Japanese Ikebana maki-e lacquered vase

Showa Period (1926-1989) With Zohiko mark to underside The lacquered urn-shaped vase decorated with a cockerel bird in a tree on an orange ground with interior metal container 10.75” H x 6” Dia. $800-1,200

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71

1065

A Japanese cloisonné vase

20th century Appears unmarked The enamel and brass vase in globular form with chrysanthemums on a blue ground 9.5” H x 7” Dia. $700-1,000

72

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1066

A Japanese chokin enameled metal vase

20th century Marked with kanji characters to side The vase with chased gold and silver-toned floral and avian motifs on a mustard brown ground 9.5” H x 6.5” Dia. $800-1,200

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73

1067

Two Japanese bronze vases

Meiji Period (1868-1912) or later Each appears unmarked Each flared neck vase with high relief scenes of samurai on horseback, 2 pieces Each: 13.325” H x 6.75” Dia. $800-1,200

74

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75

1068

1069

20th century With unidentified atelier mark to underside and Kanji characters to the side The pear-shaped metal vessel with chased decoration depicting two cranes and cherry blossom branches 9.5” H x 3.25” Dia.

Meiji period (1868-1912) or later The bronze hibachi with opposed e designed with two panels depicting wood base, 2 pieces Each: 8.5” H x 13” W x 11.25” D

A Japanese chokin metal vase

$800-1,200

76

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A pair of Japanese bronze hib

$1,200-1,800

bachi

elephant handles, each conformingly g costal landscapes and set on an applied

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77

1070

A large Japanese bronze vase

Meiji period (1868-1912) or later Stamped with kanji characters to underside The patinated bronze baluster vase with opposed dragon handles and featuring medium relief panels of birds in a tree above banded dragon mask and imperial chrysanthemum emblems 19.875” H x 11.75” Dia. $1,500-2,500

78

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1071

A pair of Japanese carved wood Ni-o figures

19th/20th century Each appears unmarked The lacquered and giltwood carved Buddhist figures, one depicting overt power, and the other latent power, 2 pieces Each: 35.5” H x 17” W x 8” D approximately $1,500-2,500

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79

1072

An Asian Shodana-style step cabinet

20th century The likely Japanese carved wood display cabinet of multi-tiered shelves with carved and pierced panels and accents depicting chrysanthemum, dragon, and cloud motifs, set on four curved and scrolled legs 82.25” H x 65” W x 17.25” D $1,500-2,000

80

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81

1073

William Matthew Prior

(1806-1873) Portrait of Marion L. Wardwell (1851-1943) at age 2, 1853 Oil on canvas laid to canvas Unsigned; titled from information included with this lot 24” H x 29” W $10,000-15,000 Exhibited: Brockton Art Center, Brockton, MA, “Collectors Collected,” June 7 - August 15, 1979 Other Notes: Stamped to the frame’s backing foam board: This Painting / was treated by / Gustav D. Killman / December 1977 / Thermo Numatic / Lining Process Included in this lot is an envelope housing three photographs of the work before restoration in 1977. One of the photographs shows an inscription that appears to be on the verso of the original canvas before being relined. This lot is titled from the description of the sitter from the photograph. The inscription reads: W.M.W Prior / Sept 3. 1853 / Marion L. Wardwell / age 2 years as / of June 1853

82

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83

1076

A pair of Chinese carved wood lante

Late 20th century Each carved and pierced wood lantern wi medallions over a red fabric screen, set on stands with openwork gallery and corbels Each overall: 72.75” H x 17” Dia. approxim $500-700

1074

A French enameled jewelry casket

19th century Appears unsigned In the style of Alphonse Tahan (1830-1880), the box with enamel on copper panels decorated with polychrome foliate scrolls and medallions on a pink ground, set in a gilt-bronze frame with beaded borders 5.5” H x 10.25” W x 7” D $2,000-3,000

1075

A Chinese red enameled porcelain dragon vase

Late 20th/early 21st century Underside with Qianlong mark The baluster body displaying a gilt and iron-red enameled dragon, with opposing dragon handles 13.5” H x 8” Dia. $400-600

84

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erns on stands

ith scrolled foliate motifs and n three-legged carved wood s, electrified, 2 pieces mately

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85

86

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1077

A monumental Chinese Export cloisonné ram

Late Qing dynasty (1644-1911) or later Marked in Arabic to base “God Almighty” Made in China for the Middle Eastern market, the life-size brass and enamel ram in white and black with brass horns and hooves, set atop a two-tiered polychrome cloisonné rectangular base decorated with Persian inspired scrolled floral motifs With base: 38.25” H x 35” W x 19” D $4,000-6,000

w w w. j o h n m o r a n . c o m

87

1080

Three Indian decorative figural toys

19th/20th century Comprising a patinated brass horned bovine with openwork body (10.5” H x 6.5” W x 18.75” D), an openwork metal horse suspended by string to a cantilevered metal display base (21.5” H x 4.75” W x 14.25” D), and a cast and incised metal horse pull toy on wheels (12.25” H x 6.25” W x 12” D), 3 pieces $700-900

88

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1078

A Chinese red flambé glazed ceramic lidded jar Qianlong Dynasty (1736-1795) or later Marked to underside with six calligraphy characters With an all-over speckled red glaze 13” H x 7” Dia. $1,000-2,000

1079

Three studio art glass vases Three works:

Jean Claude Novaro (1943-2014) An art glass vase, 1993 Signed and dated to underside: JC Novaro / 1993 The bullet-shaped vessel in pink and light green mottled glass with cobalt rim and applied leaf-style elements 8.25” H x 7” W x 6.25” D A gold and green glass vase, 1998 Incised to underside: 1998 / Lundberg Studios / 032528 The vase with iridescent yellow glass and raised green accents 9.75” H x 4.875” Dia. A blue glass vase, 1979 Incised to underside: [indecipherable signature] / Artist Proof / [sic] VUUI / 4.79.11 / November 1979; sticker to underside of possible artist’s cipher The vase with thin bands of applied sliver 6.875” H x 4.75” Dia. 3 pieces $700-900

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89

1081

A pair of East Asian metal candlesticks

20th century The cold-painted metal candlesticks featuring lotus bobèche above coiled dragons with flaming pearls, supported by two figures on a base of footed ruyi shapes, 2 pieces Each: 23.5” H x 8” Dia. $1,000-2,000

90

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1082

A pair of Chinese cinnabar-style lacquered vases

Circa 1970s Each with modern graphic sticker bearing Kanji characters to underside The red lacquered and incised wood vases with blue lacquered interior and brass top rim and foot rim, each set on carved and lacquered wood bases, 2 pieces Each overall: 14” H x 6.325” Dia. $600-800

w w w. j o h n m o r a n . c o m

91

92

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1083

A Chinese cinnabar lacquered curio cabinet

20th century The carved lacquered wood cabinet with brass hardware and incised with phoenixes and dragons over a foliate and lotus ground, featuring fourteen thin drawers beneath an enclosed glass display top with two hinged drop-down cabinet doors 36” H x 44” W x 18” D $5,000-7,000

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93

1084

A Chinese cinnabar lacquered low chest of drawers

20th century The lacquered wood chest with brass hardware and carved dragon and cloud motifs, featuring three drawers above two small-front doors and surmounted by a later added smoky glass top 19.5” H x 43” W x 15.5” D $4,000-6,000

94

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1085

A Persian Kerman room rug Early/mid-20th century Wool on cotton foundation 16’ 2” L x 9’ 7” W $1,000-1,500

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95

1086

A Chinese cinnabar lacquered altar table 20th century or earlier The lacquered wood table with all-over incised dragons and clouds with openwork corbels 31.875” H x 49.5” W x 17.5” D $2,000-3,000

1087

A Chinese cinnabar lacquered plant stand

Late 20th/early 21st century The red and black lacquered carved wood stand with incised foliate motifs featuring a central chrysanthemum and surmounted by a glass top 18.25” H x 17.5” Dia. $600-800

96

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1088

A Chinese cinnabar lacquered stand

20th century The red lacquered carved wood stand with all-over incised scroll and foliate motifs 39.5” H x 13.5” W x 13.5” D $500-700

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97

1089

19th Century American School

Portrait of a young woman and dog Oil on canvas Appears unsigned 22” H x 18” W $800-1,200

98

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1090

Alvah Bradish

(1806-1901) Young boy with dog Oil on canvas laid to waxed canvas Signed lower right: A. Bradish 28” H x 22” W $1,000-2,000 Other Notes: Affixed to the stretcher is an illegible label and a piece of tape inscribed: Geo Giumaria

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99

1091

19th Century American School Two young girls in a garden Oil on canvas laid to canvas Unsigned 47” H x 37” W $1,000-1,500 Provenance: Sold: Skinner, Bolton, MA, “Fine Americana,” June 10, 2001, Lot 2076

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1092

James Renwick Brevoort

(1832-1918) European town scene Oil on canvas Signed lower left: J.R. Brevoort 16.5” H x 24.25” W $800-1,200

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1093

19th Century American School Portrait of young girl with flowers Oil on canvas laid to canvas Appears unsigned 30” H x 25” W $2,000-3,000

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1094

19th Century American Folk Art Style The riverboat Cayuga Oil on canvas Unsigned 11” H x 17” W $2,000-3,000 Other Notes: This lot is accompanied by a handwritten note comparing the work to a similar one in the Bryan Museum and an information sheet on the Cayuga riverboat.

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1095

A Tiffany & Co. Walter Durfee grandfather clock

Late 19th century Marked to dial: Tiffany & Co. / [indecipherable Roman numeral date]; marked on tubes: Tubular Bells Pat. November 8, 1887 / Walter H. Durfee Prov. R.I. The nine-tube, three-movement tall case clock with Arabic numerals on gilt and silvered metal dial and moon phase dial, surmounted by a broken swan neck pediment and three gilt metal finials, housed in a bonnet with two barley twist columns to the front, set on a conformingly designed case with beveled glass window, raised on four paw feet 96” H x 27.5” W x 17” D approximately $3,000-5,000 Provenance: Casa Dorinda, Santa Barbara

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1096

Two Baroque-style carved wood throne chairs

20th century One with sticker to underside: Made in China Each lacquered wood armchair with back splat and apron of pierced and carved acanthus leaves, bundled arrows, and foliate motifs, featuring lion mask arm fronts and paw front feet, back and seat cushions upholstered in a gold-toned jacquard-style fabric, 2 pieces Each: 71” H x 30” D approximately $600-800

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1097

Paul Frenzeny

(circa 1840-1902) “The Vintage in California - At Work at the Wine-Presses,” from “Harper’s Weekly,” 1878 Wood engraving with hand-coloring on paper Signed in the block lower left: P. Frenzeny; with the printed title in the blank below the image Image: 13.375” H x 20.5” W; Sight: 14.125” H x 21” W $700-900 Other Notes: The full title and publication information for this lot is as follows: “The Vintage in California At Work at the Wine-Presses,” from “Harper’s Weekly Journal of Civilization,” vol. 22, no. 1136, October 5, 1878. Published in black and white, these wood engravings were often hand-colored at a later date.

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1098

Georg Friedrich Schmidt

(1712-1775) “Rembrandt’s Mother,” after Rembrandt van Rijn Etching on laid paper From the edition of unknown size and date Inscribed in the plate: Rembrandt Pinx, du Cabinet de Monsieur Glume, G.F. Schmidt fec aqua forti. 1774.

Plate: 8.5” H x 7.25” W; Sheet: 9.625” H x 8.25” W $200-300 Provenance: Estate of Dr. Sanford Kaufman and Dr. P. Waverly Literature: Jacoby 153 Wessely 93 Other Notes: This lot is an etching based on the Rembrandt van Rijin work “Rembrandt’s Mother.”

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1099

A large Persian area rug

Mid-20th century Wool pile with silk highlights on cotton foundation 12’ L x 8’ 10” W $800-1,200 w w w. j o h n m o r a n . c o m 1 0 9

1100

A Kashan rug

Mid-20th century; Pakistan Washed wool on cotton foundation 14’ L x 9’ 8” W $2,000-3,000

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1101

A Persian Kashan palace size rug Early 20th century Wool on cotton foundation 22’ 1” L x 10’ 9” W $2,000-3,000

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1102

A Persian pictorial rug

20th century; Iran Wool on cotton foundation, with polychrome figural scenes centering a medallion of two figures surrounded by the zodiac signs 9’ 3” L x 6’ W $2,000-3,000

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1103

A Lunt “Madrigal” sterling silver flatware service

Late 20th century Most marked: © Lunt / Sterling Designed 1962, comprising 12 dinner knives (9”), 12 butter spreaders (6.125”), 1 master butter spreader (6.625”), 12 dinner forks (7.5”), 12 salad forks (6.75”), 10 dessert/cream soup spoon (6.75”), 14 teaspoons (6”), 1 sugar spoon (6”), 1 cream ladle (5”), 1 gravy ladle (6.325”), 1 table spoon (8.25”), 1 cold meat serving fork (8”), 1 pierced serving spoon (8.25”), 1 pie/cake server (10.5”), sold together with 12 Carlton silver-plate cocktail forks (6”), 1 Wallace sterling “Grande Baroque” (designed 1941) pie/cake server (11.125”), and 2 Godinger silver-plate serving utensils (11.5”), 95 pieces $1,000-2,000

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1104

A Wallace “Grande Baroque” sterling silver flatware service

Mid/late 20th century Each marked: Wallace sterling Comprising 12 place forks (7.75”), 12 dinner forks (7.5”), 12 salad forks (6.5”), 24 teaspoons (6.125”), 12 cream soup spoons (6.125”), 1 gravy ladle (6.5”), 12 butter spreaders (6.25”), 12 dinner knives (8.875”), 12 place knives (9.75”), and 1 carving fork (9.5”) and knife (10.75”), 111 pieces 134.87 oz. troy approximately $2,000-3,000

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1105

A Wallace “French Regency” sterling silver flatware service

Late 20th/early 21st century Each marked: © Wallace Sterling Designed 1986, comprising 16 dinner forks (7.325”), 16 dinner knives (9”), 16 salad forks (6.325”), 16 teaspoons, 2 serving forks (8.125”), and 1 butter spreader (6.25”), housed in a wood box with a drawer and felt-lined interior, 67 pieces Weighable sterling: 70.03 oz. troy approximately $3,000-4,000

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1106

Three Tiffany & Co. sterling silver dishes

Circa 1947-1956, directorship of Louis deBebian Moore Each stamped to underside: Tiffany & Co. / Makers / Sterling; one marked: 23885; one marked: 23378; one marked: 23346 Comprising three leaf-form sterling silver dishes, one with stem handle and one with openwork scrolled handle, 3 pieces Largest: 2.5” H x 11.325” W x 6.125” D; smallest: 1” H x 5.875” W x 4.25” D 23.87 oz. troy approximately $500-800

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1108

Charles Joseph Natoire

(1700-1777) Small child Oil on canvas Inscribed verso: Peint par Natoire [Painted by Natoire] 4” H x 4” W $1,500-2,500

1107

Three Japanese Satsuma porcelain vessels

20th century Largest vase signed: Ogurisu soku; beaker with Kutani mark Each glazed ceramic vessel decorated with gilt enamel highlights, comprising a miniature stick neck vase with reserves of mountain landscapes, an urn-shaped vase with blooming tree design, and a Kutani beaker, 3 pieces Largest: 9.75” H x 4.25” Dia.; smallest: 3.625” H x 2.875” Dia. $1,200-1,800

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1109

Jan Sluijters

(1881-1957) “Gesprek in Café,” 1907 Mixed media on paper laid to paper Signed upper right: Jan Sluijters Sight: 9.25” H x 7.75” W; Support sheet: 12.375” H x 9.875” W $6,000-8,000 Provenance: E. J. van Wisselingh & Co., Amsterdam, Holland Ansley Graham, Los Angeles, CA Notes: A variant spelling of this artist’s name, Jan Sluyters, appears on the two gallery labels affixed to the frame’s backboard.

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1110

A Louis XV-style marquetry occasional table

20th century The wood table with gilt-bronze mounts of acanthus leaf, rocaille, and foliate motifs, featuring a marquetry inlaid top with floral motif above a pull-out tray with inset leather, a single drawer, and an apron inlaid in a floral pattern with conformingly inlaid undershelf, raised of four cabriole legs with gilt-bronze mounted paw feet 28.25” H x 21” W x 17.25” D $1,200-1,800

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1111

19th Century Early Impressionist School French soldiers overlooking the landscape Oil on canvas Unsigned 14” H x 18” W $700-900

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1112

Samuel Bough

(1822-1887) “Dingley Dell, Melrose,” 1871 Oil on panel Signed and dated near the lower edge, at center: Sam Bough; titled at the center of the frame’s lower edge 9.5” H x 14.5” W $500-700 Provenance: George Davidson, Glasgow, Scotland Exhibited: Glasgow, Scotland, Kelvingrove Park, “Scottish Exhibition of National History, Art and Industry,” May 2-November 4, 1911

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1113

Alfred Green

(circa 1822-1878) “Seashore Gossip” Oil on canvas Unsigned; attributed and titled on the frame plaque 12.25” H x 18.25” W $600-800 Other Notes: A card with biographical information on the artist is taped to the backing of the frame.

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1114

Benjamin Williams Leader

(1831-1923) “Surrey Pine Trees,” 1905 Oil on canvas laid to canvas Signed and dated lower left: B. W. Leader; titled on the frame plaque and again on a label affixed to the stretcher 41” H x 30” W $1,500-2,500 Provenance: Kurt E. Schon, Ltd., New Orleans, LA

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1115

In the Manner of Ilya Efimovich Repin (1844-1930) Portrait of a bearded man Oil on canvas Unsigned 19” H x 13.25” W $800-1,200

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1116

“Almanach Royal anne [1762]”

Hardcover book, 48vo Paris, Rue S. Jacques, “De l’Imprimerie de Jean-Jacques-Et. Collombat, Imprimeur du Roy, des Cabinet & Maifon de S. M / M. DCC. LXII avec privilege du roy” Bound in tooled and gilt red leather and with gilt edges, covering 48 months, adorned with the Royal arms of France to each title page, comprising “Calendrier de la Cour,” “Almanach Royale,” and “Entrennes Mignones, Curieuses et Utiles,” outlining the dates of astrological events, the members of the royal family, the princes of blood, the great crown officers, ambassadors, bankers and other officials of France, as well as maps and other information 4.375’’ H x 2.125’’ W x 0.75’’ D $500-700 Other Notes: This lot is accompanied by an inscribed auction catalogue from “The Fine Inventory of Royal-D’s Library” at Marvin H. Newman Auctioneers, July 24 and 25, 1972.

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1117

A Theodore Millet Empire-style chandelier

Mid/late 19th century Stamped to one bobËche: Millet a Paris The twelve-light sand casted gilt-bronze chandelier with twelve arms in scrolled acanthus and spiral form, each mounted with faux candles and radiating from an enameled vase-form centerpiece with grape finial and drop finial featuring three full relief goat heads, suspended by three chains to the mount, electrified 35.5” H x 31” Dia. $8,000-12,000

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1118

A pair of French Empire-style candelabra

Early 20th century One bears mark: Thomire a Paris After Pierre-Philippe Thomire (1751-1843), the four-light candelabra with a patinated bronze figure of Athena and Apollo aside a gilt-bonze column issuing scrolled arms raised on a rectangular brass base, 2 pieces Each: 20.75” H x 5.25” W x 3.75” D $4,000-6,000

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1119

A French Empire-style portico clock

Early 20th century With black Roman numeral hour markers on a brushed brass dial with guilloché center disk, two train movement, and foliate bezel set in a yellow metal architectural case with four columns and applied brass decorations 21” H x 10.5” W x 5.75” D $600-900

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1120

A pair of Empire-style guéridons

Early 20th century The circular wood tables featuring gilt-bronze mounts of high-relief masks, laurels, and paw feet, 2 pieces Each: 31.75” H x 24.25” Dia. $1,200-1,800

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1121

A Charles X gilt-bronze mantel clock

Early 19th century Appears unsigned The gilt-bronze clock surmounted by instruments of science and astronomy with a standing Urania to one side with enameled hour markers with black Roman numerals raised on a rectangular base with bun feet 16.25” H x 12.5” W x 5.125” D $700-900

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11

A pa

Early Each The bead Each

$700

1122

An Empire-style console table

Early/mid-20th century The wood veneered console table with single drawer and gilt-metal column supports and mounts depicting Poseidon and Pegasus, surmounted by a green marble top 39.5” H x 42.25” W x 19” D $700-900

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124

air of French Empire-style brass urns

y 20th century h appears unmarked urns depicting opposed Greek sphinxes and swagged ds suspending portrait medallions, 2 pieces h: 14.25” H x 8” Dia.

0-1,000

1123

A pair of monumental tiger’s eye obelisks

20th century Each with tiger’s eye veneer and gilt-bronze mounts of laurel garlands centering a floral basket, 2 pieces Each: 60” H x 5” L x 7.5” D $5,000-7,000

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1125

A Sarouk rug

Mid-20th century Wool on wool foundation 18’ 1” L x 12’ 6” W $2,000-3,000

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1126

A Sarouk rug

Mid-20th century Wool on wool foundation 15’ L x 12’ 4” W $2,000-3,000

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1127

Four Chinese Export painted wallpaper panels

19th century Each appears unmarked The painted stretched fabric panels depicting various birds and flowering trees, each in a giltwood frame, 4 pieces Each framed: 99” H x 38.5” W x 1.125” D $2,000-4,000

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1128

A large French Sèvres-style urn

Late 19th century One painted panel signed: C [Charles] Labarre; lid marked spuriously: Chateau des Tuileries / LP [Louis Philippe] SV47 / LP Sevres 1847 The cobalt glazed porcelain urn with gilt-bronze mounts and opposed handles featuring painted figural and landscape scenes and gilt highlights and surmounted by a lid with gilt-bronze pinecone finial 52.5” H x 18” W x 14” D $6,000-8,000

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1129

A pair of Sèvres-style porcelain and champlevé urns

19th century Each porcelain signed: Luigi Each brass mounted baluster-form urn with later-added lid and polychrome champlevé enamel neck atop a tapered painted porcelain body decorated with pastoral courting scenes and gilt highlights mounted with two scrolled foliate handles over a flared polychrome champlevé enamel column with laurel leaf border raised on an octagonal foot, 2 pieces Each: 11.5” H x 4” W x 3.5” D $800-1,200

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1130

A French gilt-bronze chandelier

19th century Appears unmarked The gilt-bronze ten-light gasolier converted to electricity, featuring foliate scrolls and three columnar supports above three dragons, electrified 55” H x 35” W approximately $4,000-6,000

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1131

An Imari-style porcelain jardiniËre

Early 21st century With mark to underglaze for United Wilson: UW 1897 The porcelain bowl with gilt-bronze mounts and opposed handles set on paw feet, featuring interior decorated with fish and exterior with alternating panels of dragons and floral motifs 15” H x 18” W x 15” Dia. $500-800

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1132

A Continental carved marble bust of woman

19th century Appears unmarked The marble bust depicted with a floral wreath in her hair 25” H x 15” W x 10” D approximately $800-1,200

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1133

A marble sculpture of nude woman

Early 20th century Incised signature and date to sculpture verso: 1917 / [cipher]; pedestal incised: D. Venturi & F / Bologna The nude sculpture of a woman sitting on a rock formation putting up her hair, set on a white and red marble pedestal, 2 pieces Sculpture: 44” H x 17.25” W x 18.5” D; pedestal: 46.5” H x 21.25” W x 21.25” D $1,500-2,000

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1134

An Italian marble sculpture of a maiden holding a rose

Late 19th century/early 20th century Appears unmarked The sculpture depicting a floral-wreathed woman in a loose gown, leaning on a rock formation and holding a rose to her ear 31” H x 15” W x 15” D $3,000-5,000

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1135

A pair of Chinese marble guardian lions

20th century Each appears unmarked The carved marble lions comprising a right-facing male leaning on an incised ball and a left-facing female leaning on a cub, 2 pieces 23” H x 10.25” W x 13.75” D $500-700

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1136

A Chinese enamel and gilt metal ruyi scepter

Early/mid-20th century Unmarked The yellow enameled and gilt metal ruyi scepter featuring Eight Auspicious Emblems motif on a yellow ground 11.5” H x 3” W x 3.25” D $700-900

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1137

A Chinese cloisonné crane censer

Late Qing Dynasty (1644-1911) Appears unmarked The polychrome enameled and gilt metal censer with articulating wings set on a conformingly designed stand 21.5” H x 12” W x 6” D $1,500-2,500

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1138

A large Persian Kerman area rug Early/mid-20th century Wool on cotton foundation 12’ 1” L x 8’ 10” W $600-800

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1139

A large Persian Kerman area rug Early 20th century; Iran Wool on cotton foundation 22’ 7” L x 14’ 7” W $2,000-3,000

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1140

A large Persian Tabriz area rug Early/mid-20th century Wool on wool foundation 12’ 8” L x 11’ 6” W $1,000-2,000

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1141

A Persian Isfahan rug

Mid/late 20th century; Iran Signed: Mr. Sanaie Wool and silk on silk foundation, with a polychrome Tree of Life motif on a scarlet ground 5’ 5” L x 3’ 6” W $2,000-4,000 Provenance: Cyrus Carpet, Tehran, Iran Private collection, acquired from the above, 1975 Other Notes: This lot is accompanied by a sales receipt from Cyrus Carpet dated December 13, 1975

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1142

1143

19th century Marked to the movement: Roblin & Fils Freres / A Paris.

The two-train clock with Roman and Arabic numerals on a white enameled metal dial with circular beveled glazing, housed in a gilt-bronze Baroquestyle figural case depicting a cherub handing an arrow to a maiden over acanthus leaf scrolls and floral garlands 16.25” H x 17.25” W x 5.125” D

Early 20th century Branded mark “MP” to unde The veneered wood desk wi writing surface 30.5” H x 54.5” W x 31” D

A French Roblin & Fils Freres figural mantel clock

$700-900

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A French Louis XV-style b

$800-1,200

bureau plat

erside ith gilt-bronze mounts and inset gilt-stamped leather

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1144

A pair of Louis XV-style celadon porcelain lamps

Early 21st century Each appears unmarked The single-light pale green porcelain lamps with gilt-bronze mounts in acanthus leaf and scrolled forms, set on a carved giltwood base and surmounted by pale gold pleated shades with passementerie trim, electrified, 2 pieces Each overall: 35.5” H x 18.75” Dia. $2,500-3,500 Other Notes: This lot comes from a Beverly Park, CA house, curated by Hendrix and Allardyce, that was featured in Architectural Digest, 2003.

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1145

A Linke Louis XV-style table á écrire

Late 19th/early 20th century Signed on the lock plate, visible when removed.

The gilt-bronze-mounted kingwood writing table with gilt-tooled leather top, with two drawers with locking mechanisms 30” H x 36” W x 20” D $3,000-5,000

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1146

A French Louis XV-style bonheur du jour

Early 20th century Marked: Diehl / Paris / 19 R. Michel Le Comte The gilt-bronze-mounted kingwood veneered lady’s writing desk mounted with Sèvres-style porcelain plaques depicting figures in landscapes and floral motifs, cabinet doors with locking mechanisms flanked by porcelain columns, revealing a shelved interior and two drawers, above a flip-top writing surface lined with green felt and larger drawer with lock Stored: 58” H x 31.5” W x 18.25” D $3,000-5,000

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1147

A Louis XVI-style marquetry pedestal

Early 20th century The wood veneered pedestal surmounted by a red marble top, featuring marquetry inlay depicting bundles of arrows, stringed instruments, and foliate motifs, with gilt-bronze accents, egg and dart mounts, and paw feet 46.75” H x 18.5” W x 18.5” D $2,500-3,500

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1148

After Léon Pilet

(1840-1916) Classical maidens Patinated bronze Each signed: L. Pilet Each: 12” H x 4” W x 3.5” D $500-700

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1149

A French Second Empire slate mantel clock

Late 19th century Movement marked for Vincenti et Cie With applied polished brass Roman numeral hour markers on a slate dial and two-train movement behind a glazed door and inset brass bezel set in a black slate case with gilt intaglio foliate designs, surmounted by a patinated bronze recumbent figure of Clio, the Greek muse of history, and finished with gilt-bronze mounts and paw feet 21” H x 22.25” W x 9” D $1,200-1,800

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1150

A French Louis XVI-style occasional table

Late 19th century Signed and dated: Henry Dasson 1899 The table featuring gilt bronze mounts of laurels and top gallery, featuring a single drawer on attenuated supports above an undershelf and four turned wood legs 30” H x 22” W x 14.25” D $4,000-6,000

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1151

A Sèvres-style porcelain and gilt-bronze mantel clock

Early 20th century With blue Roman numeral hour markers and black Arabic numeral outer minute track on an enameled metal dial and two-train movement behind a glazed door and set in a gilt-bronze Louis XVI-style case surmounted by a cobalt blue, glazed porcelain baluster urn 26.5” H x 12.5” W x 9.25” D $1,000-1,500

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1152

Professor G. Besgi

(19th century) “Ruth” Carved marble Signed verso: Prof. G. Besgi 18.125” H x 13.5” W x 7.5” D $700-900

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1153

A pair of biscuit porcelain musician figures

Late 19th/early 20th century Each impressed: MF [in a shield]; further marked indecipherably to verso near base, possibly reading: 140 The polychrome porcelain figures dressed in traditional Middle Eastern-style costume, one holding a tambourine and one playing a stringed instrument, 2 pieces Each: 14.325” H x 5.5” W x 4.5” D approximately $300-500

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1155

Jules Cheret

(1836-1932) “Quinquina Dubonnet - Apéritif dans tous les Cafés,” Supplement le Courrier Fr 1896 Lithograph in colors on cream wove paper Signed and dated in the stone near the lower right edge: J. Cheret; with the prin information in the stone along the lower left edge: Imprimerie Chaix (Ateliers Ch Rue Bergére, 20, Paris Sight: 22” H x 15” W $500-700 Literature: Broido 871

1154

A pietra dura plaque of a coastal scene

20th century Appears unmarked The plaque inlaid with various stones, depicting sailors and ships ashore, set in a giltwood frame 7.75” H x 10.5” W $1,500-2,000

1 6 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, O c tob e r l 2 4 , 2 0 2 3

rancais,

nter’s héret)

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1156

Jules Cheret

(1836-1932) “Musee Grevin, Theatre les Fantoches de John Hewelt,” 1900 Lithograph in colors on cream wove paper laid to linen From the edition without text Signed and dated in the stone near the right edge, at center: J. Cheret; Imprimerie Chaix (Ateliers Cheret), Paris, France, prntr.

Image: 46.5” H x 32.5” W; Sheet: 49” H x 35” W $1,000-2,000 Provenance: Pasquale Iannetti, Inc., San Francisco, CA Literature: Broido 471; Cheret 608; DFP-II 267 (var.)

Other Notes: Jules Cheretís Belle-Epoque confections enjoyed wild popularity and brightened the streets of Parisógaiety previously associated only with parades and festivals. He is sometimes called the father of the modern poster and is credited with teaching Henri de Toulouse-Lautrec the intricacies of color lithography. The Musee Grevin, a wax museum opened in 1882, used this very popular design to advertise puppet shows and other spectacles. This example is without text, but bold lettering would be added for each event. https://collections.artsmia.org/art/124672/musee-grevin-jules-cheret

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1157

Jules Cheret

(1836-1932) “Saxdeine Petrole de Surete,” circa 1901 Lithograph in colors on paper laid to linen Signed and dated in the stone in the lower left quadrant: J. Cheret; with the Republique Francaise 20 centime black ink stamp near the lower edge, at center; Imprimerie Chaix (Ateliers Cheret), Paris, France, pub.

Image/Sheet: 48.25” H x 33.75” W $1,000-2,000

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1159

Theophile Alexandre Steinlen

(1859-1923) “Le Locataire,” 1913 Lithograph in colors on cream paper laid to linen Signed and dated in the stone lower right: Steinlen; G. Cochon, Paris, France, pub.

Image/Sheet: 62.75” H x 46.75” W $700-900 Literature: Bargiel 52

1158

Attributed to Louis Icart

(1888-1950) Woman holding her hat from the wind Charcoal on beige paper Signed lower left: Louis Icart Sight: 16.5” H x 12.5” W $500-700

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1160

Theoph

(1859-19 “L’Aisne Lithogra Signed i printed t Edition L Sight: 45

$500-70

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0

hile Alexandre Steinlen

923) e Devastee,” circa 1918 aph in colors on beige paper in the stone near the lower edge, left of center: Steinlen; with the title along the upper edge; Henri Chachoin, Paris, France, prntr.; La Guerre, Paris, France, pub.

5” H x 31.5” W

00

1161

After Jules André Méliodon

(1867-1938) “La Tentation du Faune,” 1896 Patinated, cold painted, and gilt bronze with tin liner Louchet foundry Signed and dated in the cast: Jules Méliodon / 1896; foot impressed: Louchet 7” H x 4.25” Dia. $300-500

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1162

A pair of Tiffany Studios candlesticks

1900-1910 Marked to undersides: Tiffany Studios / New York / 1213 The Art Nouveau gilt-bronze candlesticks with small urn-form bobèche atop three prongs, 2 pieces Each: 16.75” H x 5.75” Dia. $2,000-3,000

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1163

An Austrian trophy for the St. Polten cycling race

Circa 1892 Marked: Ghrenpreis Der Stadtgemeinde / St. Polten / 1 Preis des Hauptfahrens / I. Internat. Radwettfahren in St. Polten I Mai 1892 The patinated metal mustached and medaled figure depicted in period cycling outfit and holding a laurel wreath aloft 24.25” H x 10” W x 9.5” D $800-1,200

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1164

A WMF Metallporzellan tea service

Circa 1930-1945 Each marked for WMF; four pieces further marked for container volume The set with silver-plated porcelain, comprising a coffee pot (10.625” H x 9.325” W x 5.5” D), a teapot (7.325” H x 9.25” W x 5.75” D), a creamer (5” H x 4.75” W x 3.5” D), a sugar bowl (5.625” H x 6.325” W x 4.5” D), and a silver-toned metal serving tray (1” H x 19.5” W x 13.325” D), 5 pieces $400-600

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1165

Two Sino-Tibetan-style cloisonné ewers

19th/20th century Each appears unmarked The polychrome enameled and gilt metal vessels comprising one lidded “bumpa” ewer with elephant spout and dragon handle and decorated with dragon and taotie mask motifs, and one “monk’s cap”-style ewer decorated with floral motifs, 2 pieces Taller: 21” H x 7.5” W x 5” Dia.; shorter: 13.25” H x 17” W x 8.75” D $800-1,200

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1166

A thangka likely depicting a Bardo deity assembly

19th/20th century The Tibetan or greater Vajrayana region thangka with silk border stitched over a polychromed cellulosic fabric Sight: 28” H x 22.25” W $1,200-1,800

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1167

A large metal alloy Guanyin

19th/20th century The Guanyin statue depicted seated and holding a vase, the robes and vase decorated with allover gold-toned scrolled foliate motifs and a landscape, 3 pieces Overall: 56” H x 28” W x 19” D approximately $2,000-3,000

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1168

A Sukhothai-style walking Buddha figure

Unmarked The polychrome cast metal Buddha with his left hand raised in the abhya mudra and surmounted by a flame-form siraspata (flame of enlightenment), set on a wood stand 32” H x 9.75” W x 9.5” D $800-1,200

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1169

A mixed metal inlaid figure of Avalokitesvara

19th century or later Possibly Vietnamese, the bronze figure depicted standing and holding a vase, with all-over inlay of mixed metal depicting floral motifs 36.25” H x 12” W x 12” D $1,500-2,500

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1170

Jacques Deveau

(b.1937) Woman in red dress reading at the beach Oil on canvas Signed lower right: J. Deveau 36” H x 24” W $2,000-3,000

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1171

Ellen Gunn

(b. 1951) Elegant women on a terrace Oil and graphite on canvas Signed lower right: Gunn 37” H x 43” W $600-800

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1172

Ellen Gunn

(b. 1951) Still life of flowers in a window Oil on canvas Signed lower right: Gunn Sight: 33.5” H x 43.5” W $600-800

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1173

A P.E. Guerin steel and bronze “Doré” coffee table

Late 20th century/early 21st century; New York City, United States Appears unmarked The brushed steel frame table with gilt bronze Neoclassical architectural decoration and glass top and undershelf 21.75” H x 30” W x 30” D $500-700 Provenance: This lot is accompanied by a receipt of purchase from P.E. Guerin, Inc. dated November 3, 1982.

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1174

20th Century Continental School

Boats leaving Venice at twilight Oil on paper laid to canvas Signed and with the artist’s copyright, both partially illegible, in the lower left corner: Copyright / Alfred [...]/ Elizabeth[...]

Sight: 8” H x 10.5” W $200-400

1175

20th Century Impressionist Style

Snowy dusk in the Forbidden City, 1996 Oil on canvas Signed in Chinese characters and dated lower right 31.5” H x 38.5” W $700-900

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1176

John Christen Johansen

(1876-1964) Portrait of Aubrey Smith, 1941 Oil on canvas Signed, dated, and inscribed lower left: John C. Johansen / To Mr. Aubrey Smith / Souvenir of Stockbridge, Mass.

30” H x 25” W $700-900

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1177

A Christofle “Talisman” silver-plated flatware service

Late 20th/early 21st century Each marked: Christofle / France The silver-plate and sienna brown enamel set comprising 8 dinner forks (8.125”), 8 fish forks (6.75”), 8 place spoons (7.325”), 8 teaspoons (5.875”), 8 dinner knives (9.75”), 8 dessert knives (7.75”), 8 butter spreaders (6.5”), 1 slotted ice serving spoon (8.75”), 1 carving knife (12.75”), 1 carving fork (10.75”), 1 bottle opener (5”), 1 corkscrew (3.25”), 1 candelabra (7.325” H x 10.125” W x 4” D) with 2 snuffers (2.625” H x 2.25” W x 1.75” D), 1 lidded coffee pot (6.325” H x 7.5” W x 3.5” D), 1 small ice bucket (6.75” H x 9.325” W x 6.5” D), 1 large ice bucket (8.25” H x 10.75” W x 7.625” D), and 1 serving dish (2.125” H x 16.25” W x 9.875” D) with Pyrex liner, 69 pieces $4,000-6,000

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1178

A Puiforcat silver-plated tea and coffee service

Mid-20th century Each marked: Puiforcat / France; further stamped with square maker’s mark with penknife cipher The Art Deco-style service featuring wood bases, ball finials, and Japanese-style dowel handles, comprising 1 coffee pot with hinged lid (9” H x 8.75” W x 5.5” D), 1 teapot with hinged lid (9” H x 8.75” W x 5.5” D), one creamer with hinged lid (6” H x 6.5” W x 3.75” D), 1 lidded sugar (5.75” H x 5” W x 3.5” D), set on a tray (13.625” W x 13.625” D), 5 pieces $500-700

1180

An Art Deco-style vanity mirror

Late 20th century Appears unmarked The circular double-sided articulating mirror with a chromed metal frame and base 15” H x 21” W x 5” D $500-700

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1179

A Persian Tabriz rug

Mid-20th century; Iran Signed in cartouches at both ends Silk on silk foundation 5’ 10” L x 3’ 11” W $800-1,200

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1181

Romain (Erté) de Tirtoff

(1892-1990) “Le Danseur,” 1980 Patinated, gilt, and cold-painted bronze Edition: 225/250 Signed, dated, and numbered: JMI / RKP INT. CORP. © 18.325” H x 6.5” W x 11.5” D $1,000-1,500

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1182

Romain (Erté) De Tirtoff

(1892-1990) “La Coquette,” 1985 Polished, gilt, silvered, and cold-painted bronze Edition: 253/375 Signed, dated, and numbered: Erté; further marked: Fine Art Acquisitions © 18.25” H x 7” W x 7.75” D $1,500-2,000

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1183

Romain (Erté) De Tirtoff

(1892-1990) “French Rooster,” 1987 Polished, patinated, and cold-painted bronze Edition: 81/375 Signed, dated, and numbered: © Chalk & Vermilion and Sevenarts 15.25” H x 11.75” W x 5.5” D $2,000-3,000

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1184

A carved stone toucan figure and amethyst base

Mid/late 20th century Appears unmarked The toucan figure of carved rose quartz and other hardstones with gilt metal feet, set upon an amethyst geode specimen, 2 pieces 7.75” H x 9.5” W x 4.25” D $400-600

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1185

1186

Late 20th century Etched to each underside: Steuben The stemware service in pattern 7924 comprising 14 tall water goblets (8.325”), 14 fluted champagne glasses (7.75”), and 14 claret wine glasses (6.325”), 42 pieces

Late 20th century Each marked to underside Comprising 23 flat tumble highball glasses (5.5” H), old fashioned glass (4” H)

A Steuben glass stemware service

$800-1,200

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A Baccarat “Harmonie

$1,800-2,500

e” glass barware service

e: Baccarat / France ers (4.75” H), 19 double old-fashioned glasses (4.125” H), 25 6 double shot glasses (4.75” H), 2 open sugars (2.625” H), 1 ), and 1 ice bucket (5” H), 77 pieces

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1187

A Baccarat “Neptune” stemware service

(1988-1993) Each etched to the underside: Baccarat / France Comprising 12 tall water goblets (9” H), 11 fluted champagne glasses (9.125” H), 16 water goblets (8.25” H), 12 claret wine glasses (7.625” H), 12 port wine glasses (6.875” H), and 11 champagne coupes (6.25” H), 74 pieces $1,200-1,800

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1188

A Roux Marquiand silver-plated flatware service

Mid/late 20th century Each marked: R [lion] M The flatware service with pierced philodendron leaf pattern comprising 12 dinner knives (10”), 9 butter spreaders (5.325”), 12 tablespoons (8.325”), 12 teaspoons (5.875”), 11 demitasse spoons (4.325”), 12 dinner forks (8.325”), 11 salad forks (7.25”), 12 seafood forks (5.325”), and a serving fork (10.75”) and spoon (10.5”), 93 pieces $500-800

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1189

A pair of “Officials Hat” armchairs

20th century The carved and lacquered wood chairs, each with yoke back crest rail, S-curved back splat, and seat cushions upholstered with a blue meandering motif and adorned with tassels, 2 pieces Each: 44.25” H x 25.75” W x 20” D $600-900

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1190

A set of Lalique “Algues” black glass plates

Late 20th century Each etched to underside: Lalique ® France [post-1978]; a few with sticker: Made in France The molded black glass set comprising 11 dinner plates (11.25” Dia.) and 21 side plates (7.875” Dia.), 32 pieces $1,000-1,500

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1191

A René Lalique “Beauvais” vase no. 1069

Circa 1930s Etched stencil to underside: R. Lalique / France Designed 1931, the molded and frosted glass vase with opposed scrolled handles 7.75” H x 9.5” W x 4.325” D $800-1,200

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1192

Three Lalique glass items

Late 20th century Each etched to underside: Lalique ® France [post-1978]; dove further marked with sticker to underside: Made in France Comprising one “Sylvie” frosted glass double dove vase (8.25” H x 7.325” W x 4.25” D), one “Bagatelle” vase featuring avian and foliate motifs (6.75” H x 5” Dia.), and one “Gregoire” frog figure (2.875” H x 4.625” W x 4.25” D), 3 pieces $600-800

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1193

A Tiffany & Co. sterling silver covered bowl

Circa 1956-1965, directorship of William T. Lusk Marked: Tiffany & Co. / Makers / Sterling Silver / 23923 / L / 1 The lidded, footed bowl with strawberry finial to lid 4” H x 4.875” Dia. 13.3 oz. troy approximately $500-700

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1194

A pair of Lalique “Auriac” glass door handles

Late 20th century Each etched to underside: Lalique ® France [post-1978] The molded and frosted glass door pulls in intertwining circular form mounted to chromed metal bracket and hardware, 2 pieces Each: 16” H x 4.5” W x 5.5” D $400-600

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1195

A Lalique “Madison” humidor box

1999 From the edition of unknown size Marked to hinge on gilt metal plaque: Paris / Lalique / Made in France The black lacquered wood box with maple-lined interior and gilt metal hinges and locking mechanism, the top featuring inset “Coutard” molded glass panels centering a “Masque de Femme,” designed 1935 by René Lalique 4.25” H x 11.875” W x 9.125” D $500-700 Other Notes: This humidor was a limited edition piece, created for the opening of the new Lalique boutique in New York in 1999.

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1196

A Lalique “Madison” humidor box

1999 From the edition of unknown size Marked to hinge on gilt metal plaque: Paris / Lalique / Made in France The black lacquered wood box with maple-lined interior and gilt metal hinges and locking mechanism, the top featuring inset “Coutard” molded glass panels centering a “Masque de Femme,” designed 1935 by René Lalique 4.25” H x 11.875” W x 9.125” D $500-700 Other Notes: This humidor was a limited edition piece, created for the opening of the new Lalique boutique in New York in 1999.

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1197

Two Rene Lalique “Helene” glass perfume bottles

Circa 1940s Each with stenciled mark: R.LALIQUE FRANCE Designed 1942, the molded and frosted glass bottle featuring tinted lowrelief panels of Greek women, 2 pieces Larger: 9” H x 3.875” Dia.; smaller: 5.625” H x 3.875” Dia. $500-800

2 1 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, O c tob e r l 2 4 , 2 0 2 3

1198

A Lalique “Festons” glass centerpiece

Mid-20th century Each etched to underside, one with stencil mark: Lalique France The scallop-edged molded glass table centerpiece comprising four straight and four curved segments in customizable arrangements, 8 pieces Each straight: 2” H x 7.875” W x 3.75” D; each curved: 2” H x 7.875” W x 4.25” D $500-700

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1199

A Lalique “Igor” glass caviar bowl

Late 20th/early 21st century Etched to underside: Lalique ® France [post-1978] The molded and frosted glass bowl with a lidded inner bowl suspended by a polished metal structure, featuring high-relief dolphin lid finial and feet Overall: 10” H x 7.75” Dia. $500-800

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1200

A group of Lalique glass table items

Early and mid-20th century Some with stencil mark to undersides: R.LALIQUE/ FRANCE; some etched to underside: Lalique ® France [post-1978] Comprising 1 “Tokyo” oval jardiniËre (2.25” H x 16.5” W x 12.25” D), 7 “Saint-Gall” candle holders (2.25” H x 5.625” Dia.), 5 small “Andlau” plates (6.325” Dia.), 1 “Nippon” plate (9.325” Dia.), and 2 “Nippon” covered bowls (3.25” H x 7.5” Dia.), sold together with an extra candle holder missing its base, 16 pieces $600-800

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1201

A pair of Lalique “Anemone” glass champagne buckets

Late 20th century Each etched to underside: Lalique ® France [post-1978] Each molded glass bucket with opposed handles in the form of pairs of anemone flowers and with frosted glass base, 2 pieces Each: 7.25” H x 10.5” W x 6” Dia. $700-900

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1202

A Lalique “Luxembourg” glass bowl

Late 20th/early 21st century Etched to underside: Lalique ® France [post-1978] The molded and frosted glass bowl with high relief cherubs holding garlands of laurels 8.25” H x 12.5” Dia. $1,500-2,500

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1203

A Lalique “Seville” glass hanging light fixture

Late 20th century Etched to each panel: Lalique ® France [post-1978] Designed 1947 by Marc Lalique (1900-1977), the single-light fixture comprising 8 molded and frosted glass elements mounted to a chromed metal frame, above a tiered drop finial and surmounted by a stepped glass mount, electrified Overall: 22” H x 13” Dia. $1,000-2,000

2 1 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, O c tob e r l 2 4 , 2 0 2 3

1204

A Lalique “Bacchantes” glass vase

Late 20th century Etched to underside: Lalique ® France [post-1978] Designed 1927, the molded and frosted glass vase with high relief of the young priestesses of Bacchus 9.625” H x 8.25” Dia. $1,500-2,500

1205

A Lalique “Bacchantes” black glass vase

Early 21st century Edition: 120/999 Etched near bottom: Lalique ® France [post-1978] / 120/999 Designed 1927, the molded and frosted glass vase with high relief of the young priestesses of Bacchus 9.625” H x 8.75” Dia. $1,500-2,500

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1206

A pair of Lalique glass swans on mirrored plateau

Late 20th century Each with acid etched signature: Lalique ® France The pair of frosted and clear glass swans one with head raised, one with head lowered set on a mirrored oval plateau with etched waves, 3 pieces Overall: 9.75” H x 33” W x 22” D $4,000-6,000

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1207

A Japanese cloisonné and pottery stick neck vase

Meiji Period (1868-1912) or later Marked to the underside with six Kanji characters (possibly reading): Nihon Kyoto kinkozan Zo With enameled ceramic registers depicting flora and butterflies surrounded by a cloisonné ground with conforming motifs 9.5” H x 5” Dia. $500-700

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1208

Two Chinese multi-tiered hat boxes

Early 20th century Each ink-stamped to interior of uppermost tier in Kanji characters, presumably for maker The polychromed and lacquered leather hat boxes comprising one three-tiered hinged box featuring painted avian, peony, and floral motifs on a red ground with brass taijitu clasps, and one four-tiered hinged box with avian and arboreal motifs on a black ground with brass hardware, each revealing leather-lined interiors, 2 pieces Larger: 16.25” H x 8.125” Dia.; smaller: 12” H x 8.125” Dia. $400-600

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1209

Two East Asian polychrome carved wood masks

19th/20th century Each appears unmarked The masks from the greater Himalayan region, one with detached leather strap, 2 pieces Larger: 13.75” H x 9” W x 6.625” D; smaller: 11.75” H x 11.25” W x 5.75” D $400-600

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2 2 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, O c tob e r l 2 4 , 2 0 2 3

1210

A group of Edo period (1603-1868) Ukiyo-e woodcut prints Two works:

Katsukawa Shuncho (1726-1792) “Pleasure Boat on a Summer Evening,” circa 1780 Nishiki-e woodcut in colors on paper With printed Japanese characters near the lower edge of each sheet Overall sight: 14.25” H x 20.25” W Toyohara Kunichika (1835-1900) “Yomogiu, No. 15,” from the series, “ The Fifty-four Chapters [of the Tale of Genji] in Modern Times,” 1884 Woodcut in colors on paper Signed and with the red Toshidama seal beath the signature, near the center of the image: Toyohara Kunichika hitsu; Takegawa Seikichi, pub.; Hori Gin, carver Sight: 13.25” H x 9” W 2 pieces $500-700 Other Notes: The diptych, “Pleasure Boat on a Summer Evening,” is accompanied by a sheet that discusses the subjects, details of the landscape, etc., of the print, housed in a pocket attached to the frame’s backing paper.

Nishiki-e also known as “brocade pictures” is a type of multi-colored woodcut printing during the influential period of Japanese genre art called, Ukiyo-e. Earlier prints were either black and white, hand colored, or only used around two to three color ink blocks, however, these processes were time-consuming and not as realistic looking because of the small use of color or none at all.

Therefore, the Nishiki-e technique became popular because it made the complexities of printing during this time, easier and more efficient.

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1211

A small Chinese rug Mid-20th century Silk on silk foundation 5’ 1” L x 3’ W $400-600

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1212

A large Chinese rug

Mid-20th century Wool on cotton foundation 15’ 7” L x 12’ W $500-700

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1213

A Chinese lacquered table and four stools

20th century The black lacquered carved wood table adorned in gilt and polychromed dragons vying for flaming pearls above a sea landscape, banded meandering motifs, and floral accents, including four conformingly designed and decorated stools, 5 pieces Table: 33.25” H x 36” W x 36” D; each stool: 21” H x 17” W x 17” D approx. $800-1,200

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1214

A Chinese-style coffee table

Late 20th century The ebonized wood table featuring two cloisonné enamel inset panels depicting two fish and floral motifs and incised and polychromed foliate motifs above a banded meandering motif 17.125” H x 36” W x 21.25” D $600-800

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1215

A pair of Chinese red lacquered trunks

20th century Each of square form and decorated with dragons and flaming scrollwork, raised on conforming stands, 2 pieces Each: 15.25” H x 10.5” W x 10.5” D $200-300

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1216

An East Asian altar table

Late 20th century The black lacquered and polychromed wood altar table featuring all-over floral, dragon, and bat motifs 31.5” H x 61” W x 13.5” D $300-500

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1217

A Chinese tall cabinet

Mid/late 20th century The wood cabinet with brass hardware and two hinged doors of red lacquer and featuring polychrome and incised panels depicting dragons, clouds, and waves, revealing and upper and lower cavity centering two drawers with conformingly designed lacquered panels 67” H x 34” W x 17.75” D $800-1,200

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1218

An Asian lacquered side table

20th century The carved wood table with incised and polychromed geometric and floral scroll motifs on a red lacquer ground surmounted by a glass top 20.25” H x 18” W x 17.75” D $400-600

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1219

A pair of Chinese lacquered storage boxes

20th century Each storage box with opposed handles and hinged top with front latch revealing a removeable tray, decorated with painted shou medallion, lotuses, snails, and dragons on a black ground and surmounted by glass tops, 2 pieces Each: 23” H x 28” W x 20.5” D $400-600

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1220

Two Asian carved bone plant stands

20th century Each stand covered in carved and incised bone overlay with dragon and cloud motifs to the top above pierced aprons, 2 pieces Each: 36.325” H x 14.25” W x 12.25” D $400-600

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1221

Two East Asian console tables and a stool

Late 19th/early 20th century Each appears unmarked Each with mortis and tenon joints, comprising one table (34” H x 41.5” W x 19.25” D) with three drawers and brass pull hardware in the form of a Japanese imperial chrysanthemum seal and set on four legs, one single-drawer table (33.5” H x 39.25” W x 11.75” D) with brass and wrought iron pull and shaped apron, and a wood stool (11” H x 18.75” W x 15” D) with lacquered caning inset top, 3 pieces $600-800

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1222

A group of Chinese furniture

Qing dynasty (1644-1911) or later Each with mortis and tenon construction, the group comprising a small table with an inset woven rattan top (26.5” H x 22.5” W x 22.5” D), a three-drawer blue lacquered credenza with drop ring handles (32.5” H x 38.5” W x 17.75” D), and a small double-door cabinet revealing a single shelf (32.5” H x 28.875” W x 15.875” D), 3 pieces $600-800

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1223

A Chinese green glazed hu-form jar

Eastern Han Dynasty (25-220 CE) or later The glazed jar with banded raised images of hunters and beasts to shoulder 14” H x 10.5” Dia. $500-800

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1224

Four Chinese pottery burial figures

Ming Dynasty (1368-1644) The polychromed ceramic figures with detachable heads, comprising a couple on horseback and another couple with green glazed robes, 4 pieces Each horseback: 14.5” H x 5.5” W x 10.75” D; each standing: 18.5” H x 5” W x 4.75” D approx. $600-800

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1225

A group of Chinese pottery burial figures

Tang Dynasty (618-907) The ceramic polychromed figures including a camel, a bovine, an equestrian man, and three female attendants, 6 pieces Largest: 13.75” H x 4.75” W x 11.5” D; smallest: 11.25” H x 4.125” W x 3.25” D $1,200-1,800

2 4 2 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, O c tob e r l 2 4 , 2 0 2 3

1226

Two Chinese polychrome enameled porcelain plaques 20th century Each marked with Kanji characters Each plaque depicting a warrior on horseback, 2 pieces Each sight: 9.75” H x 6.625” W $300-500

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1227

A large Chinese blue and white porcelain bowl

20th century Unmarked The Yuan/Ming-style bowl with five-clawed dragon and foliate motifs set on a lacquered wood stand Bowl: 7.75” H x 24.5” Dia.; stand: 3.125” H x 17.5” Dia. $500-700

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1228

Four Chinese blue and white porcelain containers

19th/20th century Urinal marked in wax seal bearing Kanji characters Comprising three rectangular flasks featuring medallion and cloud motifs with carved and lacquered wood lids and a handled urinal, 4 pieces Urinal: 5.875” H x 8” W x 4.75” D; smallest flask: 5.25” H x 3.75” W x 2” D $700-900

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2 4 6 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, O c tob e r l 2 4 , 2 0 2 3

1229

A Chinese famille rose porcelain floor vase

20th century Unmarked The globular porcelain polychromed vase with tall neck depicting figural scenes and accented with peonies on a pale green ground 32.25” H x 21” Dia. $700-900

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Consign Today

The Traditional Collector 3.26.2024 A Wooten Desk Co. walnut and burl maple cabinet secretary

Price Realized: $13,970

Consignment and Auction Inquiries: info@johnmoran.com

SINCE 1969

AUCTIONEERS & APPRAISERS 2 4 8 The Tr ad i t i o n a l C o lle c t o r l Tu e sd ay, O c tob e r l 2 4 , 2 0 2 3

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art - jewelry - decorative objects - furnishings and more Sold at John Moran Auctioneers:

Francois Boucher “The Vegetable Vendor: A Sheet of Studies,” c.1738

Price Realized:$81,250 SINCE 1969

AUCTIONEERS & APPRAISERS w w w. j o h n m o r a n . c o m 2 4 9

2 5 0 The T he Tr ad iitt iio o n a l C o lle l l e c t o r l Tu e sd ay, O c tob e r l 2 4 , 2 0 2 3

Condition Reports

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1001 Overall good condition with light tarnishing and scratches commensurate with age and use.

1002 Overall good condition with light tarnishing and scratches commensurate with age and use. Scattered stones with light abrasions. Cords with light wear from use.

1003 Overall good condition with tarnishing and scratches commensurate with age and use.

1004 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Scattered stones with abrasions and surface-reaching fractures. Scattered minor dents to collar.

1005 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Each with scattered scratches and rubbed wear to the enamel, primarily the hair clip. A few cones with minor distortions to shape.

1006 Each in overall good condition with tarnishing and scratches commensurate with age and use. Scattered light wear to enamel, with a few areas of loss and minor spots of oxidation to fish. Cricket hairpin with loss to one antenna, a break and loss to one jade tip, and a detached floral element, retained.

1007 Each in overall good condition with tarnishing and scratches commensurate with age and use. Scattered stones with abrasions. Minor distortion to a couple of pins. Butterfly pin with minor break to one chain element.

Condition Reports

1008 Each in overall good condition with tarnishing and scratches commensurate with age and use.

252

1009 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Scattered stones with light abrasions and surfacereaching fractures.

1010 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Large lock lacking backing piece. A smaller lock lacking dangles.

1011 Each in overall good condition with tarnishing and scratches commensurate with age and use. Scattered stones with abrasions and surface-reaching fractures.

Box pendant with faint pale mark to one side.

1012 Each in overall good condition with light tarnishing and scratches commensurate with age and use. One qilin chain pendant with detached chain and lacking two dangles.

1013 Each in overall good condition with tarnishing and scratches commensurate with age and use.

Fragrance holder lacking chain dangle.

1014 Each in overall good condition with tarnishing and scratches commensurate with age and use. Stones with scattered light abrasions and surface reaching fractures. One stone bead with fleabite to tip.

Scattered chain drops with minor distortions and a few are flattened.

1015 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

1016 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Largest with minor loss to hand of figure.

1017 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Scattered minor dents to lock pendant and to bells.

1018 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

1019 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Large qilin pendant with loss to one side of a dangle, and with break to top of one chain bell talisman, retained.

1020 Each in overall good condition with light tarnishing and scratches commensurate with age and use.

Scattered stones with abrasions and surface-reaching fractures.

1021 Each in overall good condition with tarnishing and scratches commensurate with age and use. Scattered stones with light abrasions.

1023 Overall good condition with light wear and scattered minor pulled threads commensurate with age and use. Scattered minor marks/light soiling. Minor creasing from storage.

1024 Each overall good condition with wear commensurate with age and use. The larger with scattered small holes and worn areas to red ground, as well as a few loose stitches. The smaller pieces each with scattered dark marks to red ground, and one with a small hole near one edge. Textiles not examined out of frame.

Frames: Largest: 27.5” H x 27” W x 1.5” D; smallest: 25.75” H x 25.75” W x 1.5” D 1025 Each overall good condition with wear commensurate with age and use. The two narrow pieces with scattered loose stitches. One narrow piece with a small hole in the lower third section.

Textiles not examined out of frame.

Frames: Largest: 29.875” H x 9.875” W x 1.25” D; smallest: 19” H x 16.5” W x 1.25” D

1029 Overall good condition with dust accumulation, light wear and scratches commensurate with age and use.

Stones with minor scattered abrasions and inherent surface-reaching fractures and inclusions. A few scattered fleabites to edges and a minor chip to tip of one small pendant.

1030 Each overall good condition with dust accumulation, light wear and scratches commensurate with age and use. Stones with minor scattered abrasions and inherent surface-reaching fractures and inclusions.

Each with a few scattered fleabites to innermost circular edge. Light corrosion to each bail.

1031 Each overall good condition with dust accumulation, light wear and scratches commensurate with age and use. Stones with minor scattered abrasions and inherent surface-reaching fractures and inclusions. Fleabite to tip of dragon’s ear of one rectangular pendant.

1032 Each overall good condition with dust accumulation, light wear and scratches commensurate with age and use. Stones with minor scattered abrasions and inherent surface-reaching fractures and inclusions.

Pebble with minor chip to leg of creature. Belt section with a few scattered fleabites to tips of carved elements.

1026 Each overall good condition with dust accumulation and wear commensurate with age and use. Scattered areas of minor soiling to cream centers. Scattered areas of loose embroidery stitching overall, primarily to top plaques. Tassels with scattered areas of wear to weave, loose and failed overcast stitches to tassel edges, and scattered minor tears at each attachment point. Hooks with light oxidation.

1033 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The box with some warping, shelf wear, and soiling.

1027 Overall good condition with dust accumulation, light wear and scratches commensurate with age and use.

Stones with minor scattered abrasions and inherent surface-reaching fractures and inclusions. Scattered minor chips to a few pieces. Large carving with small chip to center front. Two smaller pendants each with a minor fracture.

1035 Each overall good condition with scuffs and darkening/oxidation to bronze commensurate with age. One stem loose from the base. A few lights are bent, loose from their junctures, or leaning. Some wax residue to candleholders and base. Heavy rubbed wear to gilt.

1028 Each overall good condition with dust accumulation, light wear and scratches commensurate with age and use. Stones with minor scattered abrasions and inherent surface-reaching fractures and inclusions.

Light tarnish/oxidation to bails.

1034 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The stand with some moisture damage to the lacquer verso.

1036 Overall good condition with wear, dust accumulation, and scuffs commensurate with age. Repairs and losses to hand of male figure and hands and book of female figure. Scattered chipped losses to verso, the largest measuring 1” diameter.

1037 Each overall good condition with scuffs, scratches, dust accumulation, and darkening/oxidation to bronze commensurate with age.

Condition Reports

1022 Each in overall good condition with tarnishing and scratches commensurate with age and use.

253

1038 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with 20” long crack to the wood.

1039 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints.

1040 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Scattered small chips to edges, one with 0.75” chip to bottom and loss to one finger. Each with evidence of wood worm to verso.

1041 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Scattered cracks in the wood, some with subsequent separation. Intentional wear to the gold leaf and gesso.. The replaced glass in good condition with scattered minor scratches.

1042 Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. The mirror with scattered minor scratches. The frame with scattered repairs, cracks, small chips, and rubbed wear to the gilt. One with pieces of the top broken off, retained with the lot.

Condition Reports

1043 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Multiple breaks and losses to the frame with the two largest to the right corner, one with piece retained.

254

1044 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with scattered chipped losses to the arms and base and rubbed wear to the polychrome and gilt. Metal bobèche are rusted. One with evidence of wood worm. One torch loose from the mounting.

1045 Visual: Overall good condition. Dust accumulation, specks of grime, slight darkening, varnish discoloration, and craquelure throughout, all commensurate with age. A 2” scuff or repair to the right of the figure, at center. A 4.5” area of frame abrasion along the upper curved extreme edge.

Blacklight: An approximately 5” H x 3.25” W area of touch-up to the right of the figure, at center.

Touch-up in the nostrils of the figure, as well. Heavy application of varnish.

Frame: 35” H x 29” W x 2.25” D 1046 Visual: Dust accumulation, grime, and discoloration commensurate with age. Craquelure throughout. The canvas has been relined.

Blacklight: A few scattered areas of touch-ups and heavy varnish, the largest measuring 1” H x 1” W in the upper right corner.

Frame: 25.25” H x 31” W x 4” D 1047 Visual: Dust accumulation, dirt, specks of grime, craquelure, and varnish discoloration, all commensurate with age. A soft stretcher bar crease along the right side. Areas of wear to the pigment and pinhead-sized or smaller areas of unobtrusive pigment loss primarily in the upper right quadrant. A 0.75” area of canvas loss in the extreme upper right corner. The canvas is relined, with the relining of the canvas showing along each of the extreme edges. .

Blacklight: Areas of touch-up throughout, primarily in the lower right quadrant and throughout the figure.

Frame: 25” H x 28” W x 2.5” D 1048 Visual: Overall good condition. Dust accumulation, occasional specks of grime, surface soiling, craquelure, and varnish discoloration, all commensurate with age.

Blacklight: Scattered mostly small touch-ups throughout, the largest approximately 3.5” H x 1” W in the column or curtain left of center. An approximately 0.5” H x 0.5” W touch-up with an attendant repair below the chair legs of the foreground kneeling woman.

Frame: 15.5” H x 18.5” W x 3” D

1050 Overall generally good condition with specks of grime, minor scuffs, surface scratches, areas of wear and darkening to the figures’ clothing and faces, and abrasion with attendant pieces of loss to the wood panel along the extreme edges. Areas of primarily pinhead-sized or smaller scattered pigment losses, the largest area measuring approximately 1.5” H x 1.5” W on Christ’s body near the upper edge, at center. An approximately 1” H x 1.5” W area of stray white pigment on the top of the upper edge, at right.

1051 Overall good condition with specks of grime, minor scuffs, scratches, craquelure, slight wear, and occasional pinhead-sized or smaller areas of pigment loss, and abrasion along the extreme edges with attendant pigment loss to the wood panel, all commensurate with age. A 0.625” H x 0.75” W area of pigment loss in the upper right corner.

1052 Overall good condition with minor scuffs, scratches, tarnishing, and lifting to the edges of the oklad. The applied halo with scattered areas of bending. The underpainting with specks of grime, minor darkening, pinhead-sized or smaller areas of pigment loss, and craquelure, all commensurate with age.

1053 Overall good condition with minor scuffs, scratches, tarnishing, darkening, and occasional rice-sized punctures to the oklad. The applied halo with scattered areas of bending and occasional losses to the extreme tips of the halo. The underpainting with dust accumulation, slight darkening, discoloration, fine craquelure, and a pea-sized area of pigment loss in the left edge, at center.

1054 Overall good condition with occasional specks of grime, minor surface scratches, scattered areas of minor wear to the pigments, slight darkening, minor craquelure, and abrasion along the extreme edges with attendant loss to the wood panel, all commensurate with age.

1055 Overall good condition with scuffs, scratches, tarnishing, and slight denting to the extreme edges of the brass oklad. The underpainting with craquelure and darkening. With red velvet applied to the backing of the wood panel.

1056 Overall good condition with dust accumulation, specks of grime, surface scuffs, craquelure, pinheadsized or smaller areas of scattered pigment loss, and slight darkening, all commensurate with age. Two 1.5” vertical indentations into the wood with slight pigment loss near the lower edge, at center. Abrasion along the extreme edges with attendant loss to the pigment and wood panel. Areas of touch-up along the edges of the inner image.

1057 Each overall good condition scattered scuffs, scratches, darkening, and tarnishing primarily throughout the larger oklad, indentations to the extreme edges, and small dents, all commensurate with age and to the silver oklad. The underpainting with specks of grime, darkening, wear primarily to the largest plaque, and craquelure.

1058 Overall good condition with tarnishing and light scratches commensurate with age. With a few scattered losses to the inlaid details.

1059 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The legs are loose, causing some shakiness to the structure.

The checkerboard with localized area of mild deterioration to the lacquer finished.

1060 Overall good condition with scattered scuffs, scratches, and wear commensurate with age. The paper with scattered small holes, likely from insect damage. Some tearing to the gold leaf along the border. The outer wood frame with scattered areas of surface wear, loss to finish, and touch-ups.

1061 Overall good condition with dust accumulation, tarnishing and scratches commensurate with age and use. Silver content unknown. Does not test for sterling.

1062 Overall good condition with tarnishing and light scratches commensurate with age. Slight bending to the finer tips of the bamboo leaves. Metal tested positive for sterling silver.

Condition Reports

1049 Overall good condition with specks of grime, minor scuffs, areas of wear mostly to the painted Cyrillic text, slight darkening, flecks of scattered pigment loss, and abrasion along the extreme edges. Two small pieces of old tape remnants at the lower left and right corners, verso, and the right corner with attendant pigment and panel loss.

255

1063 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with allover crazing to the glaze. Minor rubbed wear and possible scattered small imperfections in the gilt and painted details.

1064 Overall good condition with scattered scuffs, light scratches, and oxidation to interior metal commensurate with age.

1065 Overall good condition with scattered scuffs, light scratches, and oxidation to the brass commensurate with age.

1066 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. A few scattered scuffs. More concentrated oxidation to rim.

1067 Each overall good condition with scuffs and darkening/oxidation to bronze commensurate with age.

1068 Overall good condition with minor scuffs and slight oxidation commensurate with age.

1069 Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. one with three A 1.5” diameter areas of verdigris, one at the juncture of a handle with attendant degradation to bottom corner of handle. Each with all-over uneven patination and soiling/oxidation to interiors.

Condition Reports

1070 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Allover dust accumulation and soiling to the interior.

256

1071 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, and indentations commensurate with age. Some cracking and flaking to the lacquer and attendant heavy rubbed wear to gilt.

1072 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Cornices and entire base removeable. The shelves with scattered splits in the wood. Upper left decorative panel is loose from its mounting. More concentrated rubbed wear and scuffs to legs. With a 2” long scuff to right side.

1073 Visual: Overall good condition. Small flecks of pigment loss throughout the neck, shoulders, and chest of figure. Craquelure throughout.

Blacklight: Two large areas of touch-ups in the lower left and right quadrants in the background, and a few small touch-ups in the face, neck, and chest of figure.

Frame: 28.75” H x 34” W x 2.25” D 1074 Overall good condition with minor scuffs, scratches, and darkening/oxidation to bronze commensurate with age. A possible repair to the front left corner of the top enamel plaque and general scattered wear to the enamel. The top and front panels loose. The interior has been relined. Lacking key.

1075 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1076 Each overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each lantern with scattered cracks in the wood, concentrated to the openwork and umbrella, with subsequent loose panels. One finial with crack through one side. The stands slightly shaken at their junctures, with scattered repairs and cracks. Wiring should be checked by a qualified electrician prior to use. Moranís does not guarantee the working condition of electronic equipment.

1077 Overall good condition with scuffs, scratches, and minor soiling commensurate with age. The brass with oxidation/darkening. Scattered small scuffs and chipped losses to enamel, concentrated at the base near the bottom. The horns are loose from their mounting revealing a gap.

1078 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Kiln flaws to the foot. No evidence of repairs or restorations under blacklight.

1079 Each overall good condition with minor shelf wear, minor scuffs, and light scratches commensurate with age.

1081 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. With candle wax residue to bobèche.

1082 Overall good condition with scattered minor scuffs, minor scratches, and nicks commensurate with age.

Mild oxidation to brass components.

1083 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. One back glass panel is loose. The glass top with scattered minor scratches. Scattered rubbed wear to the lacquer. Soiling to drawer interiors.

1084 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with 13” area of radial cracks. The glass top with chipped losses at two corners. As well, some chipped losses to the lacquer at the feet. Lacking locking mechanism.

1085 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. A localized area of one quadrant with heavy red staining from spattered/spilled liquid. Other areas of soiling.

1086 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With a 0.75” chipped loss to top edge. Scattered areas of rubbed wear to the lacquer. The top with localized areas of soiling. One corbel with crack through.

1087 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Scattered minor scratches to glass top. All-over dust accumulation and minor soiling to incised areas.

1088 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Evidence of rubbed wear and bumping to corners with possible repair to one corner of apron. The base with crack in the lacquer through the middle. Some chipped losses to the lacquer at the base, concentrated at the corners.

1089 Visual: Overall good condition. Minor dust accumulation, grime, varnish discoloration, and fine craquelure throughout, all commensurate with age.

Occasional frame abrasion and gold leaf transfer, attendant with the frame used, and primarily showing in the upper right quadrant.

Blacklight: Scattered areas of touch-up, the largest area measuring 3” H x 4” W with an attendant repair, along the neck of the figure.

Frame: 29” H x 26” W x 3.25” D 1090 Visual: Overall good condition. Fine to medium craquelure throughout. Slight dust accumulation and grime commensurate with age.

Blacklight: Areas of touch-ups throughout, with the largest measuring 1.25” H x 1.75” W in the upper left corner.

Frame: 33” H x 27” W x 2” D 1091 Visual: Overall good condition. Dust accumulation, grime, and varnish discoloration commensurate with age. Unobtrusive frame abrasions along the upper and right edges. Fine craquelure throughout.

Blacklight: Touch-ups throughout.

Frame: 50” H x 41” W x 2” D 1092 Visual: Overall good condition. Dust accumulation, dirt, occasional specks of grime, and delicate craquelure scattered throughout, all commensurate with age.

Blacklight: Areas of touch-up throughout, the largest measuring 5” along the upper edge, at left.

Frame: 27” H x 34.75” W x 3.75” D

Condition Reports

1080 Each overall good condition with scattered scuffs, scratches, and oxidation commensurate with age. The wheels of horse are loose but functional, with some degradation to outsides including one 1.5” long area. The suspended horse with more oxidation. The bovine with soiling and rubbed wear to the patina.

257

1093 Visual: Overall good condition. Fine craquelure throughout. The canvas is relined. A curved 2” surface abrasion with commensurate pigment loss in the lower right corner. A dime-sized surface abrasion with some pigment loss towards the middle of the upper edge. Shallow surface scratches in the right half and in the figure’s eye, the largest measuring 9” wide at the lower left edge.

1099 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Blacklight: Areas of touch-ups throughout, the largest measuring 10” H x 2.5” W along the lower left edge.

1101 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Frame: 32” H x 27” W x 2” D 1094 Visual: Dust accumulation and grime commensurate with age. Craquelure throughout.

Blacklight: No evidence of restoration.

Condition Reports

Frame: 12” H x 18” W x 1.75” D

258

1100 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1102 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Possibly evidence of moth grazing to fringe edge connections. Loose threads and fraying to selvedge edge, which has been reinforced by a faux leather backing.

1095 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Rubbed wear and scratches to the dial. Possibly updated glass front. Includes movement crank, weight, pendulum, and front key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

1103 Overall good condition with tarnishing and light scratches commensurate with age.

1096 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Upholstery in good condition with minor rubbed wear and soiling from age and use. Scattered cracks and possible repairs including two 6” long cracks to lion masks.

1105 Each overall good condition with tarnishing and light scratches commensurate with age. The box in good condition with shelf wear and scattered scratches and scuffs. Weight does not include hollow-handled items.

1097 Overall good condition. With the usual central vertical crease and printed text verso. Not examined out of the frame.

Framed under glass: 28.75” H x 34.5” W x 3” D 1098 Overall fair to good condition. The sheet still with wide margins even though somewhat trimmed.

Scattered foxing and minor surface soiling and staining showing in the margins and on the verso.

Hinged to the back mat with two pieces of brown paper tape at the verso of the upper margin edge.

Framed under glass: 15” H x 13.25” W x 1.25” D

1104 Overall good condition with tarnishing and light scratches commensurate with age. Two teaspoons and two table forks with more tarnishing. Weight does not include hollow-handled items.

1106 Each overall good condition with tarnishing and light scratches commensurate with age.

1107 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. The large vase and stick neck vase with inherent crazing to the glaze. The stick neck vase with a previous, unobtrusive repair to the neck visible under blacklight.

1108 Visual: Fine craquelure throughout. A few rice-sized spots of surface loss in the right half, and a 0.25” H x 0.75” W spot of pigment loss in the upper half towards the center.

Blacklight: Small pinhead-sized spots of touch-up along the right edge.

Frame: 6.75” H x 6.75” W x 1.25” D

1109 Overall generally good condition. Slight toning to the sheet. A 1” irregular tear extending down both vertically and diagonally from the tip of the upper left corner, only affecting the background. Scattered pale spots of organic material showing slightly on the paper surface in the black areas, the largest approximately pea-sized. The edges of the support sheet glued and taped to the overmat. The artwork not examined out from under the overmat or without the support sheet.

1114 Visual: Overall good condition. Delicate paint shrinkage throughout. Slight dust accumulation. As stated, the canvas is laid to canvas.

Framed under glass: 16” H x 14.25” W x 1.5” D

Frame: 48.5” H x 38” W x 3.5” D

1111 Visual: Overall generally good condition. Dust accumulation, dirt, occasional specks of grime, slight darkening, and varnish discoloration, all commensurate with age. Frame abrasion along the lower and right edges, with attendant areas of pigment loss, the largest measuring 0.5” along the upper right edge.

Blacklight: A 3” H x 7.5” W area of touch-up along the lower edge, at right.

Frame: 25.25” H x 29.25” W x 3.5” D 1112 Visual: Overall good condition. Dust accumulation and minor varnish discoloration commensurate with age. Two pea-sized nicks in the panel with attendant pigment loss in the lower right quadrant.

Blacklight: Two thin horizontal touch-ups, each approximately 1.5” long, one in the upper left corner and the other in the lower right corner of the panel.

Frame: 17” H x 22” W x 3” D 1113 Visual: Overall good condition. Minor dust accumulation, grime, varnish discoloration, and fine craquelure throughout, all commensurate with age. A rice-sized area of pigment loss in the shrubbery of the upper right quadrant, and a few pinhead-sized spots of pigment loss in the lower right corner.

Blacklight: Areas of touch-ups throughout, the largest being a crescent-shaped 3” H x 3” W area in the lower left corner.

Frame: 17.5” H x 23.5” W x 3” D

1115 Visual: Overall good condition. Slight dust accumulation and grime commensurate with age.

A rice-sized spot of pigment loss in the upper left quadrant in the figure’s hair. Two pea-sized spots of pigment loss in the lower right quadrant in the figure’s beard. Scattered areas of very fine craquelure and hairline, shallow surface scratches throughout.

A 0.75” surface scratch with attendant pigment loss in the center of the upper half, in the figure’s hair. A 0.25” H x 0.5” W area of pigment loss in the lower left quadrant in the background.

Blacklight: Few areas of touch-ups throughout under heavy varnish, the largest a crescent-shaped 9” H x 4” W area in the background of the upper left quadrant.

Frame: 24.25” H x 19.24” W x 2.5” D 1116 Overall good condition, with general wear and minor rippling to edges of pages commensurate with considerable age. Scuffing and wear to binding.

Cracking to spine with rubbed wear to edges, corners, and spine ends. With applied bookplate to interior of flyleaf.

1117 Overall good condition with scuffs and scratches commensurate with age. The bronze has been re-gilt.

One arm loose, as well, some arms and bobèche are slightly angled or vertically bent out of straight at the mounting. With a few small localized areas of oxidation to the bronze at chain mounts. Wiring should be checked by a qualified electrician prior to use. Moranís does not guarantee the working condition of electronic equipment.

1118 Each overall good condition with minor scuffs and darkening/oxidation to metal commensurate with age. The arms and columns slightly wobbly.

Condition Reports

1110 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Bronze components with oxidation and rubbed wear to the gilt.

Blacklight: Occasional scattered small touch-ups, primarily in the sky at left, the largest approximately 2” H x 1” W to the left of center. A 5.5” long, roughly horizontal hairline of touch-up in the lower left quadrant. A dime-sized touch-up in the trunk of the tree at the far right.

259

1119 Overall good condition with scuffs and scratches commensurate with age. Areas of localized wear and scuffing to the surface finish, heaviest on the base below the pendulum. Includes key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

1120 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each top with evidence of moisture damage, drink rings, and cracking to the finish. Some mounts loose at their junctures.

1121 Overall good condition with oxidation, light scuffs, and scratches commensurate with age. The figure with four fingers broken off, not retained. Includes key, pendulum, later-added acrylic cover. Working condition unknown. Moran’s does not guarantee the working condition of clocks and watches.

1122 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Soiling to bottom shelf area.

1123 Each overall good condition with shelf wear, scuffs, and scattered commensurate with age. More concentrated scratches and scuffs to edges with rubbed wear to veneer.

Condition Reports

1124 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. One with 0.75” diameter scuff to finish. With previous retailer stickers to undersides and one to top of tray.

260

1125 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: remnants of rug pad stuck to underside; 8 repairs and/or holes 2-6” long.

1126 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1127 Each overall good condition with scattered minor scuffs, scratches, and nicks to the frames. One frame with 7” long shallow chipped loss to frame from rubbing. Each with some rubbed wear to the gilt frame. The painted fabric is clean, one panel with localized area of possible faint moisture stain. A few scattered pin-sized imperfections or specks of staining.

1128 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. All-over crazing to the glaze. With evidence of restoration to the base, body, and possible other restorations. The bronze has been re-gilt with some rubbed wear.

1129 Each overall good condition with shelf wear, scuffs, light scratches, and oxidation to brass commensurate with age. Issues include, but are not limited to: one with heavier grime and discoloration to champlevé enamel. Lids possibly later-added, not original.

1130 Overall good condition with scuffs, scratches, and darkening/oxidation to bronze commensurate with age. One light slightly bent. Rubbed wear to the guilt with dust accumulation. Lacking one shade and one shade cracked. Wiring should be checked by a qualified electrician prior to use. Moranís does not guarantee the working condition of electronic equipment.

1131 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. All-over crazing to the glaze. Oxidation to the gilt-bronze mounts. Evidence under blacklight of restoration to opposed handle masks.

1132 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

Approximately 8-in dark crack on chest.

1133 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. The pedestal with scattered minor chips and fleabites to edges.

1134 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

Restoration/overpainting to right hand. and rose, overpainting to surrounding areas. Scattered fleabite chips,

1136 Overall good condition with scattered scuffs, scratches, and oxidation to metal components commensurate with age.

1137 Overall good condition with scattered scuffs, scratches, and oxidation commensurate with age.

Scattered rubbed wear to enamel and gilt.

1138 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Even pile throughout, no apparent stains.

Fringe later added.

1139 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Yellowing to ivory field in one corner. original fringe intact under later added fringe 1140 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

1141 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Issues include, but not limited to: scattered areas of moth grazing throughout, localized areas of heavier wear to the pile, and wear to the selvedge and fringe edges.

1142 Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

Scattered rubbed wear and pitting to the gilt.

Scuffing to the glass dial cover. The movement cover with dent and attendant 1” diameter scuff. Loss to the cherub’s arrow. Working condition unknown.

Moranís does not guarantee the working condition of clocks and watches.

1143 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. With losses and chips to veneer. The leather surface with stains and soiling. Includes keys.

1144 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Scattered cracks in the glaze. Some oxidation and rubbed wear to the gilt of the bronze components. Shades in overall good condition, one with 3” linear mark near the top edge and one with two 2” long marks near top edge. Wiring should be checked by a qualified electrician prior to use.

Moranís does not guarantee the working condition of electronic equipment.

1145 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

One drawer pull loose and raised from its mounting and two other loose mounts. Localized scuffs and scratches to the leather top. A 6” long scratch to left side wood. Includes two keys.

1146 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Issues including but not limited to: a repair to pediment and scattered evidence of other repairs to gallery and other junctures. A 10” section of bronze mounted trim missing from left side and other areas of loose or slightly bent mounts. Includes key.

1147 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Two small stickers to side of marble top. Scattered cracks in the veins of the marquetry wood.

1148 Each overall good condition with dust accumulation, scuffs and darkening/oxidation to bronze commensurate with age.

1149 Overall good condition with scuffs and scratches commensurate with age. With scattered chips to the slate case. Lacking the numeral “I.” Lacking key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

1150 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The drawer with two interior marble-sized indentations.

One corner of the top with 0.75” degradation to veneer. The underside of drawer with crack down the middle of the wood.

Condition Reports

1135 Each overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Each with scattered small chips to the base, one with 1.5” possible repair to the front.

261

1151 Overall good condition scattered scuffs, darkening/ oxidation to bronze, and inherent firing flaws to porcelain commensurate with age. A 0.25” chip to foot of urn. The joined components loose and the clock is slightly wobbly overall. Lacking key. Working condition unknown. Moranís does not guarantee the working condition of clocks and watches.

1152 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age. Scattered small chips and fleabites to shoulder verso and base with scattered scratches to shoulders.

1158 Overall good condition. Small and soft handling creases scattered throughout, commensurate with age, the largest measuring 1.5” diagonally in the lower left corner, near the signature. Not examined out of the frame.

1154 Overall good condition with dust accumulation, minor scuffs, and wear commensurate with age.

Inherent surface-reaching fractures, inclusions, and abrasions in various stones throughout.

Framed under glass: 26” H x 22” W x 1.25” D

Framed under glass: 34.25” H x 27.5” W x 1.25” D

Condition Reports

Framed under Plexiglas: 51.75” H x 37” W x 2” D

1153 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with one pea-sized chip, scattered fleabites, and one with two cracks to base.

1155 Overall good condition. The sheet with pale light staining. A 0.75” horizontal tear along the printed letter “L” near the lower edge. A 1” diagonal stray pencil mark in the upper edge, at left. Not examined out of the frame.

262

1157 The paper is laid to linen as mentioned. Pale light staining throughout. Vertical and horizontal folding creases. Mostly small and occasional scattered handling creases, the largest measuring 10” horizontally along the lower left edge, not affecting the image. Repairs to the paper in the lower left and right corners, and at the center of the left edge. A shallow 16” horizontal cut into the sheet at the upper right edge, not affecting the image. Framed floating and hinged to the back mat. Not examined out of the frame.

1156 Overall good condition. With margins and the colors good. The printer’s information line lacking along the lower portion of the left margin edge. Pale light staining. Two small foxmarks as well as two horizontal flattened creases in the upper half of the image, the longest measuring 4,” visible primarily in raking light and most likely inherent in the printing. Slight time staining along the vertical margin edges. Taped to the back mat with white hinging tape in the four corners of the linen support Framed under Plexiglas: 60” H x 45” W x 1.5” D

1159 Overall good condition. The paper is laid to linen.

Pale light staining. Occasional and scattered foxing and handling creases throughout. A few pea-sized areas of repair in the upper left quadrant. Framed floating and hinged to the back mat.

Framed under Plexiglas: 67” H x 50.5” W x 1” D 1160 Overall good condition. The paper slightly toned throughout. A vertical crease through the center of the sheet. Minor handling creases scattered primarily throughout the outer edges, the most prominent area in the upper left corner. Scattered specks of pale white residue adhered to the surface along the left sheet edge. Very pale and unobtrusive areas of reverse staining in the outer edges.

Framed under Plexiglas: 45.5” H x 32” W x 1.5” D 1161 Overall good condition with scuffs, minor surface wear, and darkening/oxidation to bronze commensurate with age. The tin liner and interior of vase with verdigris oxidation and alkaline residue from water.

1162 Overall good condition with minor scuffs and darkening/oxidation to bronze commensurate with age. One loose from its base juncture, one leaning slightly.

1164 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

The tray with scattered scratches and tarnishing.

1165 Each overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age. Each with scattered pitting to the enamel and rubbed wear to the gilt.

1166 Overall good condition with cracking to the paint.

Some creases with subsequent cracking. Four peasized tears to the fabric near the top. Bunching to material near the bottom. This item has not been inspected out of frame.

Frame: 37.5” H x 32.5” W 1167 Overall good condition with scattered scuffs, scratches, indentations, and oxidation commensurate with age. The vase is unmounted and the back hangs on three metal pieces. Scattered localized areas of verdigris and more concentrated oxidation.

1171 Visual: Overall good condition. Occasional small areas of craquelure and/or paint shrinkage in the terrace wall and in the dark vase at lower center.

Scattered unobtrusive and primarily pinheadsized paint losses, some touched w/ a transparent brown wash, apparently in the hand of the artist, in the upper right quadrant. Dust accumulation commensurate with age Blacklight: No evidence of restoration.

Frame: 45” H x 53” W x 3” D 1172 Visual: Overall good condition. A 17” surface scratch runs down the piece from the upper left edge into the flowers.

Blacklight: A few pea-sized and smaller spots of touchups in the lower right quadrant to the left of the smaller group of flowers.

Frame: 39.75” H x 49.75” W x 2” D 1173 Overall good condition with minor scuffs and light scratches commensurate with age.

1174 Visual: Dust accumulation and grime commensurate with age. Scattered craquelure mostly throughout the central area. A pea-sized puncture with attendant paint loss near the lower edge, to the left of center.

1168 Overall good condition with scattered scuffs, scratches, and heavy oxidation commensurate with age. Heavy rubbed wear to the polychrome finish.

Blacklight: No evidence of restoration.

1169 Overall good condition with scattered scuffs, scratches, and darkening/oxidation commensurate with age. Some rubbed wear to the inlaid details, with a small raised area on the crown of the head.

1175 Visual: Overall good condition.

1170 Visual: Overall good condition. A few flecks of grime in the upper left quadrant in the chair and to the left of the figure’s neck.

Blacklight: No evidence of restoration.

Frame: 44.75” H x 33.25” W x 3.5” D

Frame: 13.5” H x 16.5” W x 3” D

Blacklight: No evidence of restoration.

Frame: 39.5” H x 46.25” W x 2” D

Condition Reports

1163 Overall good condition with scattered scuffs, light scratches, and oxidation commensurate with age.

With a 3” scratch to the verso of figure’s leg and a few scattered scratches throughout. Some rubbed wear to the plaque at the base, allover minor soiling and dust accumulation.

263

1176 Visual: Overall good condition. Specks of grime, areas of dirt accumulation, slight and scattered wear to the pigment in some areas, and stretcher bar creases along each side, commensurate with age.

The canvas slightly loose from the stretcher, with attendant puckering to the corners and outer edges.

Frame abrasion along the extreme lower edge. A slight rice-sized indentation in the canvas near the lower right corner, mostly visible in a raking light. A 0.75” diagonal stray blue pigment in the lower left quadrant, possibly in the hand of the artist.

Blacklight: No evidence of restoration. An uneven application of varnish, primarily at center.

Frame: 33.5” H x 29” W x 3” D

1177 Each overall good condition with tarnishing and light scratches commensurate with age. Some pieces with more tarnishing.

1178 Overall good condition with tarnishing and light scratches commensurate with age. Each with all-over soiling, concentrated to interior from use. Minor soiling to wood bases. More concentrated scratches to tray. Two ball finials loose.

1179 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Condition Reports

1180 Overall good condition with scattered scuffs, light scratches to chrome, and minor scratches to mirror commensurate with age.

264

1181 Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age. Felt applied to underside.

1182 Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

Scattered small areas of rubbed wear to the gilt and silvering. With previous owner-added ciphers to underside.

1183 Overall good condition with scuffs and darkening/ oxidation to bronze commensurate with age.

Scattered very minor areas of rubbed wear to the cold-painted details. Felt applied to underside.

1184 Overall good condition with wear, dust accumulation, and minor scuffs commensurate with age.

1185 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

Each with minor surface grime, two with minor soiling to interiors.

1186 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

About five double old fashioned glasses with some soiling. As well, one double old fashioned and one tumbler with pea-sized chip to rims.

1187 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

About six pieces fleabite or small chip to the stem, four with some soiling, and one with 0.5” conchoidal chip to the stem.

1188 Each overall good condition with tarnishing and scratches commensurate with age. A few pieces with more tarnishing.

1189 Each overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. Cushions in good condition with mild soiling.

1190 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

The side plates with more concentrated scratches to undersides. The dinner plates with felt feet applied to undersides.

1191 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. The handles with a few mold seam artifacts and an air bubble inherent in the molding.

1192 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

The dove with felt feet to underside.

1193 Overall good condition with tarnishing and light scratches commensurate with age. The bowl with a few scattered pronounced scratches and a minor dimple.

1195 The box in overall good condition with scattered minor scuffs, scratches, and shelf wear commensurate with age. The top with cracks in the lacquer radiating from each corner of the inset glass to the edge. A few other 2” long cracks to the lacquer and more concentrated scratches towards the bottom. Includes key in a Lalique pouch.

1196 The box in overall good condition with scattered minor scuffs, scratches, and shelf wear commensurate with age. The box with all-over cracks in the lacquer. Some soiling/minor staining to interior. Includes key in a Lalique pouch.

1197 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

The stoppers do not glow green under UV light. The smaller with sticker to underside. Some residue to interiors of each.

1198 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Two curved segments with pea-sized chips to scalloped edges. Each with minor soiling.

1199 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

1200 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

The Andau plates with more scratches and one 2” long deep scratch. Each candle holder with mounting putty and wax residue.

1201 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. One bucket with 1” L chip to one handle and pea-sized chip to the other handle, with scattered fleabites. The other with two 1” diameter areas of chipped losses to the handles.

1202 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. With felt feet applied to underside.

1203 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. Lacking original chromed metal rod, ergo, the fixture is unable to be hung properly in its current state.

Wiring should be checked by a qualified electrician prior to use. Moranís does not guarantee the working condition of electronic equipment.

1204 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. More concentrated shelf wear scratches to underside.

1205 Overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age. More concentrated shelf wear scratches to underside.

1206 Each in overall good condition with shelf wear commensurate with age. Scattered surface scratches to mirror. One swan with chip to back leg along rim and scuff to tail. One swan with chip to front rim under neck.

1207 Overall good condition with shelf wear, scattered minor scuffs, scratches, and inherent firing flaws commensurate with age. Scattered chips to the rim with losses to the enameling.

1208 Each overall good condition with scattered scuffs, scratches, indentations, and shelf wear commensurate with age. Each with some rubbed wear to the polychrome decorations, one with two pea-sized bumps/chips to leather at top edge. Each with shaken hinges and loose clasps.

1209 Each overall good condition with scattered scuffs, scratches, nicks, and indentations, commensurate with age. Rubbed wear to polychrome and gilt.

Leather strap detached and retained with the lot.

1210 Each overall good condition. Specks of scattered foxing, primarily visible throughout the diptych. The “Yomogiu, No. 15,” print with the colors slightly attenuated and minor handling creases scattered throughout. Not examined out of the frame.

Frame of largest under glass: 25” H x 30.5” W x 1.5” D 1211 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use.

Condition Reports

1194 Each overall good condition with minor shelf wear, scuffs, and light scratches commensurate with age.

The chromed metal with some oxidation and pitting.

One handle with a rusted screw and subsequent degradation to the juncture.

265

1212 Overall good condition with even pile-wear, soiling, and typical signs of wear commensurate with age and use. Localized areas of staining to surface. evident impressions from furniture to pile 1213 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with rubbed wear to the painted details, scattered scuffs and chips to the lacquer, and a few possible repairs to junctures.

1214 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Staining and soiling to the top surface. Scattered scuffs and rubbed wear to polychromed and incised decorations.

1215 Each overall good condition with scattered scuffs, scratches, surface wear, and indentations commensurate with age.

Condition Reports

1216 Overall fair to good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The top with moisture damage, staining, and scattered scuffs with subsequent crazing and scattered cracking to the lacquer. Scattered touch-ups and repairs to the lacquer and designs, concentrated at corners and edges.

266

1217 Overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

Left door is unmounted and loose with a 10” long chipped loss to bottom left corner, retained with the lot. One drawer with lifting and chipped losses to the lacquer decoration. Interior with minor soiling.

Lacking locking mechanism.

1220 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

1221 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. Each with significant aging to the wood and the finish with chips to the edges, tops, and legs commensurate with age. The stool with applied sticker to underside.

1222 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age. The credenza with splitting to the wood drawer interiors and aging to the lacquer. The small table with a few scattered deeper scratches. Cabinet lacking lock or key.

1223 Overall good condition with scattered scuffs, scratches, degradation to the glaze, crazing, and scattered small chips commensurate with age. A 2” long crack near bottom and 2” repair to chipped break at bottom.

1224 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with soiling and dirt, degradation, rubbed wear and losses to the polychrome, and scattered chipped losses commensurate with excavation and the nature of their storage and use.

1225 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Each with soiling and dirt, degradation, rubbed wear and losses to the polychrome, and scattered chipped losses commensurate with excavation and the nature of their storage and use.

1218 Overall good condition with scattered scuffs, scratches, nicks, and indentations commensurate with age. With rubbed wear to the polychrome decorations. The glass top with scattered scratches and scuffs.

1226 Each overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age.

1219 Each overall good condition with scattered scuffs, scratches, nicks, shrinkage cracks, indentations, and separation at joints commensurate with age.

One hinge damaged and loose. Soiling to interiors.

Scattered chips and rubbed wear to lacquer.

1227 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Some scratches in the glaze near the bottom of bowl with subsequent oxidation. One 0.5” crack to rim.

Each framed: 11.75” H x 8.5” W

1228 Each overall good condition with shelf wear, scattered scuffs, and inherent firing flaws commensurate with age. Soiling to urinal with chipped loss to wax seal and scattered pinholing to the glaze.

Condition Reports

1229 Overall good condition with shelf wear, scattered minor scuffs, and inherent firing flaws commensurate with age. Two areas of tape residue. No evidence of repairs or restorations under blacklight.

267

John Moran Auctioneers, Inc SPECIALISTS

President, Auctioneer Jeffrey J. Moran Head of Sale, Senior Specialist, Furniture & Decorative Arts Angela Past Senior Vice President, Director Trusts & Estates

Morgana Blackwelder, ISA AM

Associate Specialist, Fine Art

Eire Hoke

Department Administrator, Fine Art

Department Administrator, Furniture & Decorative Arts Silver, Western and American Indian Cataloguer

Lori Kassabian Alek Ellis Sally Andrew

Vice President, Silver, Western, and American Indian Specialist Maranda Moran Associate Specialist, Fine Art Bobby Cullen Director, Fine Art Jenny Wilson Associate Specialist, Fine Art

Ian Anderson Post-War & Contemporary Design Specialist

Matthew Grayson

Cataloguer, Fine Art Cataloguer, Fine Art Cataloguer, Fine Art Cataloguer, Furniture & Decorative Arts

Anne Spink Madison Ari Clark Silva Grant Stevens

Director, Jewelry & Watches Senior Specialist, Jewelry & Watches Department Administrator, Jewelry & Watches

Tom Burstein Peggy Gottlieb Nikita Mehta

Regional Representative, Arizona

Deborah Davis

CLIENT SERVICES

Office Manager

Mario Esquivel Client Services Ella Fountain

Jamie Holthauser Finance Administrator Client Services Bryan Ortega

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director

Maha Darwish Consignment Coordinator

Jean Rapagna Warehouse Supervisor, Senior Art Handler Richard Corral Transport Supervisor, Senior Art Handler Joe Miranda Art Handler Joseph Corcoran Art Handler Romero Corral

MARKETING

Director, Advertising & Marketing PR Manager/Social Media Graphic Designer

PHOTOGRAPHY

Photographer Photographer Photographer Photography Assistant

Nathan Martinez Brenda Smith Brian Olivas

Keith Berson Madison Torres Matthew Mizerowski Jacob Baer

TRUSTS & ESTATES

Director, Appraisals Mariam Whitten, ISA AM Administrator, Appraisals Shannon Dailey Administrator, Trusts & Estates Melissa Brownell

FOUNDERS

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 - $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee.

This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) The buyer agrees to pay the sum of the hammer price plus Buyer’s Premium, plus any applicable sales tax. The Buyer’s Premium will be calculated as follows: 27% on the first $1,000,000 of the hammer price, plus 21% on any amount between $1,000,001 and $5,000,000, and 15% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Successful bidders using Live Auctioneers or Bidsquare platforms will be charged a Buyer’s Premium calculated as follows: 32% on the first $1,000,000 of the hammer price, plus 26% on any amount between $1,00,001 and $5,000,000, and 20% on any amount above $5,000,000 when paying by cash, check, or wire transfer.

Credit card payments made directly to Moran will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit card payments made directly to Moran are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran within five business days immediately following the auction.

The buyer does not acquire title to and may not take possession of the lot until all amounts (including the hammer price, premium, and applicable taxes) due to Moran have been paid in full. Unless alternate payment arrangements are made immediately following the auction, successful Live Auctioneers bidders will be automatically charged via Live Auctioneers’ LivePayments 24 hours after the auction. Payments made through Live Auctioneers LivePayments are subject to an additional processing fee and any applicable state sales tax. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken

by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies

available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

SINCE 1969

AUCTIONEERS & APPRAISERS

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