Jewelry: Made Modern—June 10, 2020 | John Moran Auctioneers

Jewelry: Made Modern Wednesday, June 10, 2020—12pm Sale 179 145 East Walnut Avenue, Monrovia CA 91016 Private Previews Available By Appointment

Meet the Team Maranda Moran Head of Sale, Specialist maranda@johnmoran.com Jardine Gates GIA G.G. Junior Decorative Art Specialist jardine@johnmoran.com

Client Services Mario Esquivel Office Manager mario@johnmoran.com Ella Fountain Client Services ella@johnmoran.com

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Pg. 51 Lot 51 Two Hubert Harmon bomb-motif mixed-metal jewelry items

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Jewelry: Made Modern An aesthetic shift happened around 1940. Across the globe, from Scandinavia, to Mexico, to the United States, artists, designers, and forward-thinkers diverged from the mainstream jewelry movement to make something uniquely their own. The political and social turmoil of the mid-twentieth century instilled in artists of all disciplines an urgency to create works perhaps best described as reactionary. Concurrently, designers aligned with the midcentury craft revival movement focused on creating handwrought pieces with an emphasis on technique and form. Over the next several decades, artists interpreted broader fine art trends into wearable pieces of art. The stylistic results of this worldwide creative outpouring can be found in Moran’s upcoming sale, Jewelry: Made Modern. Culled from the esteemed collection of Cindy Tietze-Hodosh and Stuart Hodosh. This special auction features pieces from West Coast designers James Parker and Peter Macchiarini, Taxco masters William Spratling and Antonio Pineda, and many more important voices of the twentieth-century modernism movement, all in tender dialog with one another finding freedom and expression through craft.

Peter Macchiarini (1909-2001 San Francisco, CA)

San Francisco-based designer Peter Macchiarini came to design jewelry through an unlikely path from a WPA Marionette theater. Already trained in sculpting and fine art, in 1935, at the height of the depression, the only job Macchiarini could secure was with Ralph Chasse and the Marionette theater in San Francisco. He passed the time whittling comedy/tragedy masks in the dressing room where passing actresses adored his work. He started attaching pinbacks so the masks could be worn. Following a later job where he was handling sheet metal during World War II, he began incorporating metal into his designs and taught himself jewelry making.

Macchiarini later gained enough following to set up shop and ultimately became one of the leading designers of the West Coast Studio jewelry movement and a founding member of the San Francisco Metal Arts guild.

James Parker (1914-1987 San Diego, CA)

James Parker is known for his silver jewelry with a masculine slant, a result of his early work designing for himself. Inspired by a Georg Jensen ring he bought in 1939, Parker wanted to create jewelry that captured the spirit of the Modernist tradition. He was an early member of the Allied Craftsmen of San Diego and exhibited his work throughout the country, gaining a reputation for his unique designs and covetable enamel.

William Spratling (1900-1967 Taxco, Mexico)

William Spratling came to Taxco in the late 1920s. While looking for more gainful employment in the early 1930s, Spratling’s friend suggested the once lucrative silver industry that historically Taxco was known for. Once he recruited talented silversmiths, Spratling’s workshop was well on its way to being one of the most important in the region. His early designs were heavily influence by Mixtec and pre-Columbian design, but his later work was more in line with a Modernist aesthetic. When Spratling died in 1967 he left Taxco with a unique artform that reaches beyond the borders of the mountain town, his mantle taken up by a new generation of artists and craftsmen who would push the form to its limits.

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Antonio Pineda (1919-2009 Taxco, Mexico)

The Taxco silver community in the early 1950s was an exciting place to be. A design dialog was taking place and in the ether was a friendly competition to find who would create the most innovative objects in silver. Antonio Pineda struggled with finding his own point of view, not just as craftsman but as an artist. Inspiration would come in abstraction, with the repeating and mirroring of simplified lines that, much like Minimalism in music, finds interest and beauty in repetition. Pineda would later note in a video interview for the landmark exhibition of his work Silver Seduction “if there is no challenge, there is no inspiration.” His artistic expression and careful craftsmanship resulted in some of the most beautiful jewelry from the modernist heyday of Mexican silver, crafted for comfort and ease of wear.

Los Castillo

The brothers who formed Los Castillo took a different aesthetic path than fellow apprentice Antonio Pineda. Perhaps taking inspiration from the Mixtec use of turquoise inlay, Los Castillo would become known in their early years for their traditional forms adorned with stone inlaid fauna native to Mexico, like their iconic pitcher with a stylized parrot peeking into the opening.

Their unique mix and layers of metals makes for a playful use of signature color and tone. Later, the new generations working at the shop would push the aesthetic of the company toward more natural forms inspired by organic materials.

Henry Steig (1906-1973 New York, NY)

A twentieth-century Renaissance man, Henry Steig was a photographer, novelist, jazz musician, sculptor, cartoonist, and commercial artist before he took up jewelry making. After three years at the City College of New York, Steig studied sculpture and painting at the National Academy of Design. He founded Steig Products, a still extant artist’s supply company. It’s not entirely known how Steig got into jewelry making, but by the early 1950s, he had opened a shop selling his sculptural jewelry. Until he sold his business and designs in 1972, Steig was known for creating artistic and unique pieces in silver, and later in 14k yellow gold, whose designs were as aesthetically exciting as they were comfortable to wear.

Paul Lobel (1899-1983 New York, NY)

Like many Modernist designers of the mid-century, Paul Lobel began his career in jewelry with an established background in sculpture and industrial design. Wartime shortages in metal affected his industrial design business so he pivoted to sterling silver in 1943, using it to forge jewelry and small objects. His designs were featured in “Modern Handmade Jewelry” in 1946 at the Museum for Modern Art as well as “From the Neck Up” at the American Museum in 1951. By his death in 1983, Lobel’s influence, not only on jewelry but also on metalsmithing and industrial design, had influenced hundreds of artists and designers with his Modernist approach and innovative compositions.

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A pair of William Spratling silver and amethyst brooches

1940-1944; First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver Each designed as six-pointed stars set with four amethyst cabochons with double-clip backings, 2 pieces Each approximately: 2” H x 1.75” W 24.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C Morrill and Carole A. Berk. Mexican Silver: 20th Century Handwrought Jewelry & Metalwork.

Schiffer, 1994. pg. 62, fig. IV-2.

Jewelry: Made Modern—June 10, 2020

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A William Spratling silver brooch

1933-1939; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco / 980 The Pre-Columbian design of a double bird brooch with two sets of three hanging bells 1.75� H x 3.875� W 25.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 39, fig. 2-49

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A William Spratling sterling silver pin

1933-1939; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 925 Designed as a stylized arrow .75” H x 3” 13.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A William Spratling for Conquistador sterling silver hardstone necklace 1949-1952; Second Design Period; Taxco, Mexico Signed for William Spratling/Conquistador; Further stamped: Sterling / Mexico / indistinct eagle The multi-stone hardstone mosaic set into a clipped pendant with arrow-motif chain 19.25” L; Pendant: 3.125” H x 1.325” W 116.0 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Penny C. Morrill, William Spratling and the Mexican Silver Renaissance: Maestros De Plata, Harry N. Abrams, in Association with the San Antonio Museum of Art, 2002, pg. 242. fig. 376

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A William Spratling sterling silver and amethyst brooch/ pendant 1944-1946; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Made in Mexico / Sterling Designed as a stylized six-pointed star with ten inset amethyst cabochons, fitted with a pin back and two loops to be worn as a brooch or a pendant 3.25” H x 3.25” W 68.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 45, fig. 2-78

Jewelry: Made Modern—June 10, 2020

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A William Spratling silver bracelet

1933-1939; First Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: 980 Designed with hinged links of three half spheres 7.125� L x 1.875� H 55.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A William Spratling “DNA” link silver necklace 1949-1956; Third Design Period; Taxco, Mexico Stamped “WS” for William Spratling The interwoven oval link necklace enhanced with silver spheres 16.5” L x .5” H 78.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of William Spratling silver and amethyst jewelry

1933-1939 and 1954-1967; First and Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco Mexico / 925 / Silver / Eagle 30 The triple-row link bracelet set with six cylindrical cut amethysts set in round silver frames with crossover ring and amethyst-set screw-back earrings, 4 pieces Bracelet: 6.5” L x 1.25” H; Ring size: 6; Each earring: 1” H x .75” W 112.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 103, fig. 2-332.

This design illustrated: Penny C. Morrill, William Spratling and the Mexican Silver Renaissance: Maestros De Plata, Harry N. Abrams, in Association with the San Antonio Museum of Art, 2002, pg. 252. fig. 391

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An assembled set of William Spratling silver jewelry

1956-1962; Third Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Taxco Mexico / indistinct eagle Comprising a necklace designed with a molded double-row link with seven silver discs and bracelet composed of a triple molded link with six silver discs, 2 pieces Necklace: 16.25” C x .625” H; Bracelet: 6.75” L x 1” H 177.5 grams $1,500-2,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of William Spratling “Choluteca Conch” jewelry

1940-1944; First Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Made in Mexico / Spratling Silver Comprising three brooches/pins of three different sizes and a pair of screw-back earrings, each designed as stylized conch shells, 5 pieces Brooches: 1.5-2.25” H x 1.25-2.75” W; Each earring: 1.5” H x 1.25” W 62.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: This design illustrated: Phyllis M. Goddard, Spratling Silver: a Field Guide: Recognizing a William Spratling Treasure, Keenan Tyler Paine, 2003, pg. 40, fig. 2-56.

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A set of William Spratling sterling silver hinged jewelry

1956-1962 and 1964-1967; Third Design Period; Taxco, Mexico Each stamped for William Spratling; Further stamped: Taxco Mexico / 925 / Eagle 6 and 63; Bracelet engraved: 37/250; Necklace engraved: 44/250 The hinged choker necklace and hinged bangle with a geometric crossover design, 2 pieces Necklace: 14.5” C; Bracelet: 6.75” C 140.0 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A William Spratling silver guitar brooch

1964-1965; Third Design Period; Taxco, Mexico Stamped for William Spratling; Further stamped: Taxco Mexico / 925 / Eagle 30 Designed as a stylized guitar finished with a lapis lazuli cabochon 3.325� H x 1.5� W 13.5 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Peter Macchiarini mixed-metal brooch

Third quarter 20th century; San Francisco, CA Stamped: Macchiarini Designed with silver, copper, and brass set with wood and a cat’s eye gem 2” H x 3” W 23.5 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Two Carmen Beckmann sterling silver brooches Third quarter 20th century; San Miguel de Allende, Mexico The larger stamped: Beckmann / Sterling / Mexico; The smaller stamped: Bekmann [sic] Comprising two face brooches, each designed with gem-set eyes, 2 pieces Larger: 2.75” H x 2” W; 2.325” H x 1.5” W 37.5 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Peter Macchiarini mixed-metal pendant

Third quarter 20th century; San Francisco, CA Stamped: Macchiarini The mixed-metal brooch with wood tablets suspended on an adjustable cord 3.625” H x 1.875” W 45.5 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A Peter Macchiarini mixed-metal brooch Third quarter 20th century; San Francisco, CA Stamped: Macchiarini Designed in multi-tone silver, brass, and copper 2.325� H x 1.125� W 33.5 grams gross $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Peter Macchiarini mixed-metal brooch Third quarter 20th century; San Francisco, CA Stamped to forehead: Macchiarini The mixed-metal face with elongated design 5.75” H x 1.75” W 54.5 grams gross $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A Peter Macchiarini brooch

Circa 1960s, San Francisco, CA Stamped: Macchiarini The Modernist face designed in mixed metal 5� H x 2� W $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Pablo Picasso

(1881-1973, Spanish) “Visage” sun-motif pendant, designed 1949 18k yellow gold pendant on a 14k yellow gold chain Stamped: Madoura / Empreinte / Originale / Picasso Pendant: 1.325” H; Chain: 28.5”; 72.5 grams gross $7,000-9,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh Literature: The ceramic version of this motif illustrated: Georges Ramié, “Ceramics of Picasso”, La PolÌgrafa, Spain, 1985, plate 92.

Jewelry: Made Modern—June 10, 2020

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An Antonio Pineda mixed-metal belt buckle

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / 970 Silver belt buckle designed with diamond-shaped copper inlay 2.25� H x 4.875� W 70.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Antonio Pineda mixed-metal fish belt buckle

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: 970 / Hecho en Mexico / Silver The fish belt buckle designed with silver, brass, and copper inlay with an onyx eye 1.75” H x 4.75” W 78.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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An assembled set of Antonio Pineda mixed-metal jewelry

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Indistinct eagle; Further stamped: Hecho en Mexico / Silver / 970 / PZ181 Comprising a mixed-metal belt buckle with silver, copper, and brass inlay together with a silver and brass money clip, 2 pieces Larger: .875� H x 3.5� W 59.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Four Antonio Pineda silver belt buckles

Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Indistinct Eagle; Each variously stamped: Sterling / Silver / 970 / Mexico / Hecho en Mexico / PZ126 / Made in Mexico / PZ117 / PZ121 Comprising four belt buckles of varying designs, 4 pieces Largest: 1.325” H x 3.325” W; Smallest: 1.5” H x 2” W 203.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Margot de Taxco silver and enamel jewelry

Third quarter 20th century; Taxco, Mexico Each stamped: Margot de Taxco / Hecho en Mexico / Eagle 16; Each further numbered Designed by Margot Van Voohies, comprising a “Jeweled” bracelet No. 5415 (7” C x 1” H); An “Egyptian” bracelet (6.5” L x 1” H), No. 5468 with matching pin (.625” H x 1.125” W); And a “Dragon” bracelet (6.5” L x 1.5” H), No. 5905, 4 pieces 231.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Margot de Taxco silver and enamel “Spiraling Circle” pendant/brooch

Third quarter 20th century; Taxco, Mexico Stamped: Margot de Taxco / Hecho en Mexico / Eagle 16; Each further numbered: 5702 Designed by Margot Van Voorhies, comprising a yellow/brown circle pendant/brooch suspended from a detachable chain, 2 pieces Pendant/brooch: 2.5” Dia.; Neck chain: 22.5” L 87.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A pair of Antonio Pineda earrings

Post-1953; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17 Each screw-back earring designed with graduating rings on a rectangular bar, 2 pieces Each: 2.5� H 45.5 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Antonio Pineda silver and amethyst jewelry

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Eagle 208; Further stamped: Hecho en Mexico / Silver / 970 Comprising a ring set with a faceted amethyst (5.25); A ring channel-set with amethysts (6.75); And a pair of amethyst-set ear clips (.625” H x .625” W), 4 pieces 42.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A suite of Antonio Pineda silver and amethyst jewelry

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Others variously stamped: Hecho en Mexico / 970 Silver Comprising a necklace (15.5” L x .75” H); A bracelet (7” L x .75” H); And a ring (9.5) designed with “L”-shaped links set with faceted amethyst, 3 pieces 312.5 grams $2,000-3,000 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Antonio Pineda silver necklace

1953-1979; Taxco, Mexico Crown mark For Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / Silver / 970 Designed with concave panel segments on a black velvet cord with silver tips 31” L x 2” H 260.0 $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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An Antonio Pineda silver, amethyst and pearl necklace

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / 970 Designed as an abstract pendant centering a pear-shaped amethyst cabochon accented with a cultured pearl suspended on an attached chain Pendant: 3” H x .875” W; Neck chain: 19.25” W 59.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Antonio Pineda silver and onyx necklace

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / 970 Designed with graduating rays of silver and onyx 15.5� L 84.0 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Antonio Pineda silver, obsidian and pearl necklace

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / 970 The V-shaped necklace inset with faceted pyramid-shaped obsidian and one offset pearl Chain: 5.25� each; Each side of the V-panel: 3.5�

86.5 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Antonio Pineda/Los Castillo silver, smokey quartz and pearl necklace

1962-1963; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 58; Further stamped: 970 / Hecho en Mexico / los Castillo Soc Coop Scl / Sec 2 Designed as an abstract pendant featuring a rectangular step-cut smokey quartz and six cultured pearls suspended on an attached chain Pendant: 1.875” H x 1.5” W; Neck chain: 21” L 60.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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An Antonio Pineda silver and tiger’s eye necklace

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 1; Further stamped: Sterling / JVL Taxco / 970 Designed with cylindrical links of tiger’s eye quartz alternating with ribbed silver segments 17.25” L x .325” H 113.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Antonio Pineda silver bracelet

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Hecho en Mexico / Silver / 970 / ZZ749 The wide-hinged bangle designed with convex fluting 7” C x 2” H 188.5 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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An Antonio Pineda sterling silver and cultured pearl cuff bracelet 1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Further stamped: Mexico / Sterling / Silver / 925 The four-row silver cuff bracelet offset by four silver discs centered with cultured pearls 6.25” C x 1” H, wrist opening: 1.125” 75.0 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An Antonio Pineda/Los Castillo silver cuff bracelet

1962-1963; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 58; Further stamped: Hecho en Mexico / Los Castillo Soc Coop Scl Sec 2 / ZZ864 Designed as an undulating cuff with applied silver wave and a single gray cultured pearl 7” C, wrist opening: 1” 79.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Antonio Pineda silver bracelets

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 17; Each variously stamped: Hecho en Mexico / Silver / 970 / Sterling / Sterling Taxco 925 ILD Comprising four thin bangle bracelets and four bangle bracelets detailed with half round cutout pattern surround, 8 pieces Each approximately: 8� C 177.5 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Three Antonio Pineda silver and pearl brooches

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 3; Eagle 17; Eagle 22; Others variously stamped: JVL Taxco / 970 / 925 / MGTA Taxco Comprising a leaf, starfish and infinite quatrefoil, 3 pieces Largest: 2.5” H x 2.5” W 53.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Antonio Pineda silver and pearl brooches

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle marks; Others variously stamped: 970 / Partial Taxco / Hecho en Mexico A group of abstract brooches, 3 pieces Largest: 2.5” H x 1.5” W 52.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Antonio Pineda silver and cultured pearl brooches

1953-1979; Taxco, Mexico Crown mark for Antonio Pineda; Eagle 58 and 17; Others variously stamped: Sterling / Mexico / Silver / 970 / Partial Taxco Comprising an X-form brooch with cultured pearl (.625” H x 3.325” W); A scroll brooch with cultured pearl (.875” H x 3.5” W); A stylized treble clef brooch with silver “pearl” (2.125” H x 1.125” W); And a crossed oval brooch with cultured pearl (1.5” H x 2.325” W), 4 pieces 68.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A set of Los Castillo modernist jewelry

Third quarter 20th century; Taxco, Mexico Stamped: Los Castillo / Sterling / Made in Mexico Comprising a pair of screw-back earrings and a pendant, each set with tiger’s eye, 3 pieces Largest: 4” H x 1.75” W 47.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Los Castillo gem-set jewelry

Third quarter 20th century; Taxco, Mexico Each stamped for Los Castillo; Further stamped: Mexico / Eagle 15 Comprising an aventurine and amethyst brooch (3.125” H x 1.625” W); An amethyst pendant/brooch (2.325” H x 1.5” W); A gem-set pendant (4.25” H x 2” W); A pair of fish-motif amethyst screw-back earrings (1.5” H x .625” W); And a ring centering a carved purple stone (6.25), 6 pieces 120.5 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Los Castillo mixed-metal jewelry

Third quarter 20th century; Taxco, Mexico Each stamped for Los Castillo Comprising a necklace (15” L x .325” H); Two bracelets (larger: 6.5” C x 1” H, smaller: 7.5” C x .325” H); A hinged bangle (7.25” C x .5”); A cuff bracelet (6” C x 1.25” H, wrist opening: 1” H); And a pair of screw-back earrings (1.125” H x .325” W), 6 pieces $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Los Castillo mixed-metal cuff

Third quarter 20th century; Taxco, Mexico Stamped: Los Castillo / Taxco / Metales Castillo / 196 Designed with bands of copper, brass, and silver 7” C x 2.5” H, wrist opening: 1.125” $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Two Hubert Harmon mixed-metal cuff bracelets

1942-1948; Taxco, Mexico Each stamped for Hubert Harmon; One stamped: Mexico Each designed with copper spheres on a brass cuff, 2 pieces Larger: 7.25” C x 2.75” W, wrist opening: 1.75”; Smaller: 6.75” C x 2.75” H, wrist opening: 1.325” $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Graziella Laffi silver and shell bracelet

Third quarter 20th century; Peru Stamped for Graziella Laffi; Further stamped: 925 / Peru The hammered cuff with avian motif set with orange and green stone disks 7.5-9” C x 2.625” H 155.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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An Abraham Paz cuff bracelet

Circa 1940s; Mexico City, Mexico Stamped: AP / Sterling / Mexico Set with amethyst cabochons enclosing an Aztec animal motif 6.75� C x 2.25� H 105.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Tulla Booth Modernist sterling silver cuff Third quarter 20th century Stamped: Tulla Booth / Sterling Designed with a flared rim 6.75” C x 2.75” H, wrist opening: 1.625” 71.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Graziella Laffi silver jewelry

Third quarter 20th century; Peru Each stamped for Graziella Laffi; Further stamped: Peru / 925 Comprising eight brooches and a pair of ear clips, 10 pieces Largest brooch: 2” H x 4” W, smallest brooch: 1.125” H x 1.625” W; Ear clips: 1” H x 1.125” W 144.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Hubert Harmon bomb-motif mixed-metal jewelry items

1944-1948; Taxco, Mexico Bracelet indistinctly stamped; Further stamped: Mexico / Sterling Comprising a rigid collar necklace with mixed metal “bombs” and a matching cuff bracelet, 2 pieces Necklace: 16.5” C x 1.25” H, neck opening: 2.125”; Cuff: 5.5” C x 1.25”H, wrist opening: 1.125” 205.0 grams gross $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Two Hubert Harmon sterling silver “Cyclops” or “Sea Serpent” items

1942-1948; Taxco, Mexico Each stamped: Hubert Harmon / Made in Mexico / Sterling Comprising a belt buckle (2.875” H x 6.25” L) and a cuff (7.25” C x 2.75”, wrist opening: 1.125”) both with abstract fish motif and each set with amethyst eyes, 2 pieces 199.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Hubert Harmon silver poodle brooches

Circa 1940s; Taxco, Mexico Each stamped for Hubert Harmon Comprising a mixed-metal double-poodle head pendant/brooch with amethyst eyes (1.75” H x 3” W); And a single poodle head brooch (1.625” H x 1.325” W), 2 pieces 50.0 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Two Erika Hult de Corral pendants

Third quarter 20th century; Taxco, Mexico Each stamped: Ric / Taxco / Hecho en Mexico / 925; The larger stamped: Eagle 3 Comprising a large silver pendant (5.125” H x 3.875” W); And a silver and green stone pendant (3.25” H x 3.875” W), 2 pieces 84.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Los Castillo silver pendant/brooch

Third quarter 20th century; Taxco, Mexico Stamped: Los Castillo / Taxco / Hecho en Mexico / M16 Set with two onyx beads and silver drops 3” H x 2” W 46.5 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Five Modernist silver brooches

Third quarter 20th century Each stamped for maker, all but the Cooke brooch further marked for sterling silver Comprising a Georg Jensen circular brooch (2.5” H x 2.625” W); A S. Zamir pendant/brooch (3.125” H x 1.5” W); A Mexican silver and tiger’s eye-set brooch (1.875” H x 1.625” W); A Betty Cooke bird brooch (3.5” H x 3.125” W); And a Frank Miraglia “Happy Fish” brooch (2.25” H x 2.125” W), 5 pieces 129.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Modernist jewelry items

Third quarter 20th century Brooch stamped: MPT 123 / 925 Each designed with an abstract face, comprising two pendants (18.5” L x 2.5” W x 1.875” D, 2.5” H x 1.625” W); A bracelet: 6.5” L x 1.25” H x 1” W); And a brooch (2.5” H x 1.5” W), 4 pieces Brooch: 49.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Two Hubert Harmon mixed-metal jewelry items

1944-1948; Taxco, Mexico Stamped for Hubert Harmon; Further stamped: Mexico Each with copper appendages on brass, comprising a belt designed with stylized bombs on an adjustable green leather belt (51.6” : x 1.5” H); And a brooch with a wire bow and dangling bombs (4.5” H x 2.625” W), 2 pieces $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Hubert Harmon accessories

1942-1948; Taxco Mexico Each stamped for Hubert Harmon; Further stamped: Mexico Comprising a leather belt with serpent head and tail clasp (27” L x 1.25” H); A double stone set serpent head and fish belt buckle (5” W x 3.5”H); And a brass fish hook and stone-set fish buckle (8” W x 2.125” H), 3 pieces $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A suite of Margot de Taxco “AM-PM” silver jewelry

Third quarter 20th century; Taxco, Mexico Each stamped for Margot de Taxco; Each further numbered 5201 or 5126 Designed by Margot Van Voorhies, comprising a Roman numeral link necklace (14.75” L x .75” H); Matching AM-PM bracelet (6.5” L x .625” H, charm: 1.325” H); A pair of screw-back earrings No. 5201 (.5” H x .875” W); And an hourglass pin No. 5126 (1.5” H x .875” W), 5 pieces 137.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Seven Los Castillo Modernist sterling silver brooches

Third quarter 20th century; Taxco, Mexico Each stamped for Los Castillo; Further stamped: Mexico / Sterling / Eagle 15 Comprising a two-tone fish skeleton brooch ( 1.5” H x 2.125” W); A bull skull brooch (2.5” H x 1.75” W); A two-tone dog and bone brooch (1.875” H x 1.75” W); An articulated mask brooch (2” H x 2” W); An abstract pierced and stamped brooch (2.325” H x 2” W); A stylized skier brooch (2.325” H x 2” W); And a brooch with two abstract fish (2.5” H x 2.25” W), 7 pieces 182.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Los Castillo jewelry

Third quarter 20th century; Taxco, Mexico Each stamped: Los Castillo / Mexico Comprising a fish-motif hinged cuff (6.25” C x 1.75” H); Two musician-motif brooches (larger: 2.125” H x 2.75” W, smaller: 1.125” H x 2.125” W); An articulated bird pendant on lateradded chain (18.5” L x 2.625” H x 1” W); And an archer pendant (2.75” H x 2.75” W), 5 pieces 145.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Three Los Castillo silver bracelets

1942-1948 and 1948-1955; Taxco, Mexico Each stamped for Los Castillo and sterling silver Comprising a two-tone geometric link bracelet (6.75” L x 1” H); A dome and rivet-style link bracelet (6.25” L x 1” H); And a wood and silver hinged bangle (6.5” H x 1.5” W) 232.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Los Castillo “Onix Negro” inlaid jewelry

Third quarter 20th century; Taxco, Mexico Each stamped for Los Castillo; Further stamped: Onix Negro / Hecho en Mexico / Eagle 15 Comprising a necklace (13.5” L x .5” H); A pendant/brooch (1.625” Dia.); And a bracelet (6.5” L x .325” H), 3 pieces 115.5 grams $250-350 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Los Castillo collar necklace

Third quarter 20th century; Taxco, Mexico Stamped: Los Castillo / Taxco / Made in Mexico / Sterling / 925 Possibly designed by Salvador Teran, the abstract motif bib-style necklace with bespoke chain 15.5” L; Pendant: 2” H x 3.625” W 67.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A James Parker Modernist sterling silver pendant Third quarter 20th century; San Diego, CA Stamped for James Parker; Further stamped: Hand Made / Silver Designed in two-toned silver with pierced design 2.25� H x 1.75� W 30.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A James Parker Modernist brooch

Third quarter 20th century; San Diego, CA Stamped for James Parker; Further stamped: Hand Made / Silver The acid-etched surface with applied elements 1.5” H x 3.625” W 24.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A James Parker silver and enamel brooch Third quarter 20th century; San Diego, CA Stamped for James Parker The acid-etched brooch with enamel panel 1.75� H x 1.25� W 15.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A James Parker silver and gem-set ring

Third quarter 20th century; San Diego, CA Stamped for James Parker; Further stamped: Hand Made / Silver Centering a simulated turquoise cabochon set into a Modernist knot ring Ring size: 8.25 16.5 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Third quarter 20th century; San Diego, CA Stamped for James Parker Centering an inset enamel panel in a free-form silver ring Ring size: 8.75 19.5 grams

Third quarter 20th century; San Diego, CA Stamped for James Parker; Further stamped: Hand Made / Sterling Centering a stepped carnelian tablet set into a ridged ring Ring size: 9 23.0 grams

A James Parker silver and enamel ring

$600-800

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Third quarter 20th century Stamped for James Parker; Further stamped: Sterling Centering a faceted orange stone set into a curved sterling silver ring Ring size: 10 17.5 grams

Third quarter 20th century; San Diego, CA Stamped for James Parker Centering a faceted synthetic color-change sapphire enclosed in a twisted silver ring Ring size: 9.5 23.0 grams

A James Parker sterling silver ring

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A James Parker silver and carnelian ring

A James Parker silver and synthetic color-change sapphire ring

$600-800

$600-800

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A James Parker silver and gem-set ring

Third quarter 20th century; San Diego, CA Stamped for James Parker; Further stamped: Hand Made / Silver Centering a faceted gemstone enclosed in a Modernist silver ring Ring size: 9.5 18.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Five Modernist rings

Third quarter 20th century Most stamped for maker Comprising a synthetic color-change sapphire and 14k yellow gold ring (size: 8, 9.0 grams); A sterling silver and 14k yellow gold freshwater pearl ring (7); A Mexican sterling silver and tiger’s eye ring (10); An Erika Hult de Corral brown stone and sterling silver ring (8.5); And an agate and sterling silver ring (7.5), 5 pieces Silver rings: 70.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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An Olavi L. Wehmersuo pendant

Circa 1970s Stamped for Olavi L. Wehmersuo and Kaunis Koru, Finland; Further stamped: 925H R2 Comprising a silver pendant enclosing a faceted rutilated quartz 2.325� H x 1.25� W 28.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A stylized arrow and amber brooch

Third quarter 20th century Apparently unsigned Designed as a stylized arrow strung with tumbled amber and silver spacers 5” L x 1.25” W 42.0 grams $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A Modernist Adan Alvarado gem-set bolo tie

Third quarter 20th century; Taxco, Mexico Stamped for Adan Alvarado; Further stamped: Sterling Taxco 925 The stylized Aztec-motive bolo suspending a twisted-motif pendant set with a synthetic color change sapphire one a cord with pointed silver endcaps Bolo/pendant: 3.625� H x 2.75� W 67.5 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Sergio Gomez Modernist necklace

Third quarter 20th century Stamped: Sergio Gomez / 950 The chain set with circles issuing a three-dimensional pendant 17” L x 4” H x 3.875” W x 1.625” D 175.6 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A Sergio Gomez 18k yellow gold and silver necklace

Third quarter 20th century Stamped: Sergio Gomez / 18k / 980 Centering a shaped wood protrusion set into a Modernist gold and silver link necklace 17� L x 1.625� W 241.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Modernist glass, sterling silver, and 14k yellow gold pendant Second half 20th century Signed: 14k yg / Sterling / by Charles Centering a molded iridescent glass tablet set into a rectangular sterling silver and 14k yellow gold pendant 1.75” H x 1.5” W 38.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A Carmen Beckmann silver and amethyst bangle bracelet

Third quarter 20th century; San Miguel de Allende, Mexico Stamped: Beckmann / Sterling / Mexico The hinged bangle set with variously shaped faceted amethysts with later-added detachable safety chain 6.75� C x 1.125� H 93.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Carmen Beckmann jewelry items

Third quarter 20th century; San Miguel de Allende, Mexico Each stamped: Beckmann / Sterling / Mexico Comprising a wide mixed-metal bracelet centering a green hardstone tablet (2.625” H x 6” W); And a pendant on later-added Italian sterling silver chain set with malachite cabochons (17” L x 5.25” H x 1.25” W), 2 pieces 167.0 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Three Modernist jewelry items

Third quarter 20th century Each stamped for maker; Further stamped: Sterling Each with applied squared wire design, comprising a Henry Steig cuff bracelet (6.5” C x 1.5” H, wrist opening: 1.125”), a Modernist cuff stamped “S” [circle] (6.75” C x 3” H, wrist opening: 1.125”), and a wrap ring stamped JN possible for Jack Nutting (size: 9.5), 3 pieces 142.grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Three Modernist sterling silver cuff bracelets

Third quarter 20th century Each stamped for maker, further stamped: Sterling Comprising a meandering cuff, stamped: Steig (6.5” C x 2.25” H, wrist opening: 1”); A cultured pearl-set cuff, stamped: Lewittes (6.5” C x 1.5” H, wrist opening: 1”); And a hammered cuff, stamped: Lasnier / Handmade (6.5” C x 1.25” H, wrist opening: 1.325”), 3 pieces 172.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Two Modernist hammered silver items

Third quarter 20th century Cuff stamped: 925; Further indistinctly stamped for maker; Brooch apparently unmarked Comprising a domed cuff with hammered finish and a brooch, 2 pieces Cuff: 7.75” C x 2.5” H, wrist opening: .75”; Brooch: 2.75” H x .75” 78.5 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Modernist mixed-metal jewelry items

Third quarter 20th century Cuff signed: Nancy Lik #490 sterling 18k; Ring apparently unsigned Comprising a cuff bracelet with vermeil accent and a silver and gold-wash ring, 2 pieces Cuff: 6.25” C, wrist opening: .875”; Ring size: 8.25 34.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Four Modernist cuff bracelets

Third quarter 20th century Each stamped for maker; All but the last cuff stamped for sterling silver Comprising an Ed Levin cuff ( 6.75” C x 1” H, wrist opening: 1.125”); A Paul Lobel cuff (6.25” C x 1.325” H, wrist opening: 1”); An indistinctly signed cuff (6.25” C x 1.625” H, wrist opening: .875”); And a Laurel Burch silver-tone birdmotif cuff (6.5” C x .325” H, wrist opening: 1.5”), 4 pieces Silver cuffs: 101.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Five cuff bracelets

Third quarter 20th century; Taxco, Mexico All but the last stamped for maker; Three further stamped: Mexico Comprising a Reveri sterling silver cuff (6.73” C x 1.875” H, wrist opening: 1.125”); A Los Castillo stone-inlay cuff (6” C x 1” H, wrist opening: 1.25”); A Mexican sterling silver bubble cuff (6.625” C x 1.75” H, wrist opening: .75”); A sterling silver and agate cuff (6.625” C x 1” H, wrist opening: 1.5”); And a plain, unmarked cuff (6.75” C x 1.5” H, wrist opening: 1.125”), 5 pieces 330.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A suite of Los Castillo jewelry

Third quarter 20th century; Taxco, Mexico Each stamped: Los Castillo; Further stamped: Sterling / Mexico Each designed with a ball and chain motif, comprising a fringe necklace (16.5” L x .75” H); A matching bracelet (7” L x .75” H); And a double-chain bracelet (7.25” L x 1.125” H), 3 pieces 263.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Los Castillo mixed-metal necklace

1948-1979; Taxco, Mexico Stamped: Los Castillo / Made by Chato / Indistinct eagle Designed by Jorge “Chato” Castillo with mixed-metal diamond-shaped links strung from a metal chain 15.75” H x 1.5” H 149.5 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Three Los Castillo silver jewelry items

Third quarter 20th century; Taxco, Mexico Each stamped: Los Castillo / Sterling / Mexico Comprising a bib necklace (16.75” L x 1.5” H); A scrolled cuff (6” C x 2.75” H, wrist opening: 2”); And a cuff bracelet (7” C x 1” H, wrist opening: 1.5”), 3 pieces 221.0 grams $600-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A set of Los Castillo gem-set and silver jewelry items

1948-1955; Taxco, Mexico The bracelet stamped for Los Castillo; Further stamped: Made in Mexico / Sterling / Eagle 15 Each set with a faceted blue stone, likely iolite, with radiating incised design, comprising a cuff (6” C x 1.125” H, wrist opening: 1.25”); And a pair of screw-back earrings with later-added enhancers (1.125” H x .5” W) 110.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A pair of Margot de Taxco Mexican silver ear cuffs

Third quarter 20th century; Taxco, Mexico Stamped: Margot de Taxco / Hecho en Mexico / Eagle 16; Each further numbered: 5189 Designed by Margot Van Voorhies, each designed with a wing and stars, 2 pieces Each approximately: 3.875� H x 1.625� W 36.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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An assembled suite of Margot de Taxco silver jewelry

Third quarter 20th century; Taxco, Mexico Each stamped: Margot de Taxco / Hecho en Mexico / Eagle 16; Each further numbered Designed by Margot Van Voorhies, comprising a hinged swirl collar necklace with matching hinged bangle and pair of ear clips, No. 5580, together with a pair of screw-back earrings No. 375, 6 pieces Necklace: 12” C; Bangle: 6” C; Larger earrings: 1.25” H 160.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A bangle bracelet

1987 Signed and dated: Margaret Enis / SS / 1987 Designed with a hammered and crushed texture 7.5� C x 1.125� H 64.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Two Mexican sterling silver bracelets

Third quarter 20th century Each stamped with a guitar-form mark for unknown maker; Further stamped: Taxco / Mexico / 925 Comprising a silver and onyx bracelet (6” L x .875” H) and a silver bracelet (6.75” L x .875” H), 2 pieces 301.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Two Piedra y Plata silver and obsidian bracelets

Third quarter 20th century; Taxco, Mexico Each stamped for Piedra y Plata; Further stamped: Martinez / Sterling / Taxco / Eagle 3 Comprising a bracelet with cushion-shaped obsidian cabochons (6.75” L x 1” H); And a bracelet set with rectangular obsidian cabochons (6.5” L x .75” H), 2 pieces 144.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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Six Modernist silver bracelets

Third quarter 20th century Each stamped for maker, all but the Elma cuff stamped for sterling silver An Elma wide cuff (7” C x 2” H, wrist opening: 1.325”); A Maida Heatter wrapped and studded bangle (7.75” C x .25” H); A Georg Jensen bangle (7.75” C x .75” H); And three Alan Adler bangles (Each: 8” C x .125” H), one with a monogrammed charm (.75” Dia.), 6 pieces 280.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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Six silver bracelets

Third quarter 20th century Comprising a silver wide textured link bracelet (6.75” L x 2.125” H); A sterling silver and wood cuff (6.25” C x 1.5” H, wrist opening: 1.125”); A sterling silver ball-motif hinged bangle (7.25” C x .875”); And three silver bangles (each approximately: 8-8.25” C x .125” H), 6 pieces 307.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Modernist silver jewelry

Third quarter 20th century Most stamped for maker Comprising an unmarked silver pendant (3” H x 2.125” W); A Steig collar and pendant with scrolled motif (16” C x 2” H x 1.625” W); A Steig silver and glass pendant/brooch (2.25” H x 1.875” W); A Tendler sterling silver concentric circle pendant (2.75” H x 2.325” W); And a pair of Tendler sterling silver screw-back earrings (1.5” H x .75” W), 7 pieces 107.5 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Margot de Taxco hammered silver jewelry

Third quarter 20th century; Taxco, Mexico Each stamped: Margot de Taxco / Hecho en Mexico / Eagle 16; Each further numbered: 5417 or 5634 Designed by Margot Van Voorhies, comprising a pendant/brooch with two detachable chains (14” L x 2” H x 2.75” W) with matching link bracelet (6.75” L x .875” H) and a pair of screw-back earrings No. 5417 (.625” H x .75” W); Together with a hinged bangle bracelet No. 5634 (7.25” C x 2.125” H), 7 pieces 234.5 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Margot de Taxco silver “Zodiac” jewelry

Third quarter 20th century; Taxco, Mexico Each stamped: Margot de Taxco / Hecho en Mexico / Eagle 16; Each further numbered Designed by Margo Van Voorhies, comprising ten circle charms with one suspended on a bracelet and one circle brooch, No. 5221, 5223, 5224, 5225, 5226, 5227, 5228, 5229, 5230, 5231, 5232, 11 pieces Each: 1.5” Dia.; Bracelet: 6.5” L 337.5 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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An assembled suite of Margot de Taxco silver and enamel jewelry

Third quarter 20th century; Taxco, Mexico Each stamped: Margot de Taxco / Made in Mexico / Eagle 16 / Sterling; Each further numbered: 5702, 5414, 5761 Designed by Margot Van Voorhies, comprising of three styles designed in green melange enamel including a hinged bracelet (7” C x 1” H) in “Pointed Face,” No. 5414; A pendant necklace (17” L x 2” H x 2.5” W) No. 5702; And a pair of ear clips (1.325” H x 1” W) in “Gathered Curves,” No. 5761, 4 pieces 149.5 grams $600-800 Provenance: The Collection of Cindy Tietz-Hodosh and Stuart Hodosh

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A Margot de Taxco “Spiraling Spiral” silver and enamel pendant/brooch

Third quarter 20th century; Taxco, Mexico Each stamped: Margot de Taxco / Made in Mexico / Eagle 16 / Sterling; Each further numbered: 5907 Designed by Margot Van Voorhies, comprising a pin-wheel motif pendant/brooch suspended from a detachable chain, No. 5907, 2 pieces 24.75” L x 2.75” Dia. 83.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A group of Margot de Taxco silver and enamel jewelry

Third quarter 20th century; Taxco, Mexico Stamped for Margot de Taxco; Further stamped: Made in Mexico / Sterling and numbered; One brooch in the manner of Margot de Taxco Designed by Margot Van Voorhies, comprising a white and black enamel necklace (15” L x 2.25” H x 1.75” W) with matching ear clips (1.625” H x 1” W) in “Ribbons from Swirl,” No. 5556; A white and black link necklace (14.75” L x .25” H), a beige and black link bracelet (7” L) with a pair of ear clips (1” Dia.) and two brooches (each 1.625” H x 1.5” W) in “Squared Circle,” No. 5510 (one brooch is stamped for Alba and was made post-1979), 9 pieces 188.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A Finnish Matti J. Hyvarinen sterling silver link bracelet 1972; Turku, Finland Stamped: MJH / 925H / T7 Designed with links of textured and polished sliver 1.125” H x 7” W 79.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A Finnish Nestor Westerback sterling silver pendant necklace 1974 Stamped for Nestor Westerback; Further stamped: 925 Comprising a pendant set with rippling disks set into a rigid collar necklace Pendant: 3.5” H x 2.5” W; Collar: 16” C 23.5 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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A group of Henry Steig silver jewelry

Third quarter 20th century Each stamped: Steig / Sterling Comprising a pair of screw-back earrings (1.75” J x .75” W); An asymmetrical swirled pendant (2.5” H x 2” W); And a spiral pendant on later-added chain (26.5” L x 1.75” H x 1.625” W) 43.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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A Raphael Melendez sterling silver and amethyst necklace

Circa 1940s; Taxco, Mexico Stamped for Raphael Melendez; Further stamped: Taxco / 980 The three amethyst cabochons set into looped panels suspended from a bespoke chain 22.25� L x 2.5� H 127.5 grams $500-800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

106

111

A Los Ballesteros gem-set sterling silver pendant

Third quarter 20th century; Taxco, Mexico Stamped: Los Ballesteros / Sterling / Hecho en Mexico Centering a pear-shaped light yellow stone in a Aztec-inspired pendant 3.325” H x 2.5” W 66.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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112

A group of Mexican mixed-metal jewelry

Second quarter 20th century; Taxco, Mexico Each stamped for maker; Further stamped for Sterling; Each stamped: Mexico Comprising a Miguel sterling silver pendant brooch (3” H x 1.5” W); Two Chatto Castillo brooches (larger: 2.625” H x 1.5” W, smaller: 1.75” H x 1.75” W); And a sterling silver and enamel fish pendant on chain (25.25” L x 3.75” H x 1” W), 5 pieces 90.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

108

113

A group of Los Castillo mixed-metal and hardstone jewelry

1948-1960; Taxco, Mexico Stamped: Los Castillo; Eagle 15; Eagle 1; Each variously stamped: Taxco / Hecho en Mexico / 020A / 2 / 9 / 63 / 06P Comprising of a copper belt buckle with inlay turquoise and black hardstone, a copper, brass, silver and malachite pendant/brooch, a silver, copper, black stone and turquoise brooch and two pendants comprising of silver, brass, copper, black stone and malachite, 5 pieces Largest: 1.125” H x 2.25” W 118.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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114

A group of Mexican inlay jewelry

Third quarter 20th century; Taxco, Mexico Each stamped for maker; Further stamped: Mexico / Sterling Comprising two Stella Popowski pendants (larger: 3” H x 2.25” W, smaller: 3” H x 1.625” W); A pair of Stella Popowski screw-back earrings (.75” H x 1.125” W); A Stella Popowski brooch (2.75” H x 1.875” W); And a Miguel Garcia brooch (1.5” H x 1.875” W), 6 pieces 101.0 grams $150-250 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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115

A group of Thomas Mann mixed-metal jewelry items

Fourth quarter 20th century Each stamped for Thomas Mann Comprising two bracelets (larger: 7.5” C x 1.125” H, smaller: 6.5” C, wrist opening: .875”); Three necklaces (largest: 23” L x 3.5” H, smallest: 22.5” L x 1” H); A brooch (2.625” H x 1.75” W); And a pair of earrings (3” H x 1.325” W), 8 pieces $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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116

A group of Thomas Mann jewelry items

Fourth quarter 20th century Each signed for Thomas Mann; Scattered elements stamped: Sterling Comprising a necklace, a pair of earrings, a single earring, a stick pin, and three brooches, 7 pieces Largest: 18.5� L $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

112

117

A group of Thomas Mann jewelry items

Fourth quarter 20th century Each stamped for Thomas Mann Comprising six brooches, a money clip, and a picture frame, 8 pieces Largest: 5.5” H x 4.25” W $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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118

A group of Thomas Mann jewelry items

Fourth quarter 20th century Most stamped for Thomas Mann Comprising five brooches, two pairs of earrings, and two necklaces, 9 pieces Largest: 22.25� L $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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119

A Modernist necklace Third quarter 20th century Apparently unsigned A gem-set chest plate 18.5” L x 9.25” H x 4.875” W $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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120

A Modernist mixed-metal bib necklace

Second half 20th century Signed: Dan Huzara / 925 Designed with a textured and smooth bib with gilt detail suspended from a flexible collar necklace 14.5� C x 1.5� H 58.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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121

Three Modernist sterling silver jewelry items

Third quarter 20th century Each stamped for maker; Further stamped for sterling silver Comprising an Anton Michelsen fringe necklace (17.75” L x 1.125” H); A Henry Steig carnelian pendant on later-added chain (11.5” L x 2” H x 1” D); And a skeletal heart pendant, stamped: S possibly for Christian Schmidt (2.325” H x 1.5” W), 3 pieces 124.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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122

A group of Modernist silver jewelry

Third quarter 20th century Each stamped for maker, further stamped for sterling silver Comprising a collar and pendant by David Anderson (15” C x 3” H x 2” W); A Betty Cooke bird brooch (3” H x 3.125” W); And a Frank Miraglia silver and glass necklace (19” L x 1.5” H x 2.325” W), 3 pieces 99.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

118

123

Two pairs of Modernist earrings

Third quarter 20th century One pair stamped: Made in Mexico / Sterling / [Eagle]; The other pair apparently unsigned Comprising a pair of Mexican silver fish-motif screw-back earrings and a pair of cage screw-back earrings suspending green tumbled hardstones, 2 pieces First: 2.325� H; Second: 2.25 32.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

119

124

A Taller sterling silver and velvet necklace

Pre-1948; Taxco, Mexico Stamped: Sterling / Mexico / Taller / Taxco / 137 Designed with openwork silver drops suspended from a velvet cord with silver spacers 15� L x 5� H 75.0 grams gross $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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125

Three Fred Davis silver and hardstone brooches

Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Further stamped: Silver / Mexico / 925 Comprising a stylized fish brooch with turquoise eye (1.25” H x 3.25” W); A bird brooch with turquoise eye (2.125” H x 2/5” W); And an architectural clip brooch centering a cabochon lapis lazuli (1.25” H x 1” W), 3 pieces 64.0 grams $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh The fish brooch: Sale, Sotheby’s, New York, The Andy Warhol Collection, 27 April 1988.

Jewelry: Made Modern—June 10, 2020

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126

A Mexican Modernist sterling silver pendant necklace

Circa 1940s; Taxco, Mexico Stamped: V [in circle] / Silver / Made in Mexico / Sterling 925 The diamond-form pendant with shadowbox design suspended from a link neck chain 16” L; Pendant: 2.5” H x 2.25” W 59.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

122

127

A Modernist pendant necklace

Third quarter 20th century Stamped to collar: ND; Further stamped: 925S The rigid collar suspending a sun-form pendant Collar: 15” C; Pendant: 2.5” Dia. 29.5 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

123

128

A Salvador Teran silver pendant necklace

Third quarter 20th century; Mexico City, Mexico Pendant stamped: Salvador Teran / Mexico / 925; Chain unmarked The abstract pendant suspended from a link neck chain 23.5” L x 2.75” H x 1.325” W 31.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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129

Three silver chain necklaces

Third quarter 20th century The smallest stamped: Sterling JD Each made of oversized links with hook clasps, 3 pieces Largest: 39.5” L x .875” H; Medium: 35” L x .75” H; Smallest: 37” L x .5” H 986.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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130

Three Brutalist silver jewelry items

Circa 1960s The bracelets stamped for unknown maker, the ring unmarked Comprising a bracelet (7.75” L x .75” H); A hinged bangle (6.75” C x .625” H); And a ring (8.75), 3 pieces 146.0 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

126

131

A set of H. Fred Skaggs gem-set jewelry

Third quarter 20th century Each stamped: H. Fred Skaggs / Sterling / Handmade Comprising a cuff with side opening (7” C x 2” H, wrist opening: 1.25”); And a pair of ear clips (1.5” H x 1.5” W), each set with tumbled gems, 3 pieces 149.5 grams $400-600 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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132

A group of Los Castillo gem-set jewelry items

Third quarter 20th century; Taxco; Mexico Each stamped for Los Castillo; Further stamped: Eagle 15 Comprising a sterling silver bracelet (7.5” L x 1.25” H); A silver pendant centering a tumbled obsidian (2.5” H x 1.75” W); And a sterling silver fire opal ring (7), 3 pieces 144.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

128

133

A set of Los Castillo sterling silver jewelry

Third quarter 20th century Each stamped: Los Castillo / Taxco / Sterling / Made in Mexico Comprising a necklace with a bracelet en suite set with a pear-shaped stone cabochon, 2 pieces Necklace: 14.5” L; Pendant: 2” H x 1.5” W 192.5 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

129

134

A set of Salvador Teran starburst jewelry

Third quarter 20th century; Mexico City, Mexico Stamped: Salvador / Sterling / Mexico / Eagle 36 The rigid collar issuing a starburst pendant with obsidian cabochon (17” L x 2.325” H) together with a pair of matching screw-back earrings (1.25” H x 1.25” W), 3 pieces 123.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

130

135

Four Mexican silver animal brooches

Third quarter 20th century; Taxco, Mexico Each stamped for maker; Further stamped: Mexico; Two stamped: Silver; Two stamped: Sterling Comprising a sterling silver hummingbird brooch (2.625” H x 1.875” W); A sterling silver duck and duckling brooch (larger: 1.75” H x 1.5: W, chain: 2.5” L); And two silver dragonfly brooches, one set with amethyst and one with green stones (larger: 2.25” H x 3.125” W), 4 pieces 72.5 grams gross $250-350 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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136

A group of Modernist jewelry

Third quarter 20th century The first two pieces stamped for maker Comprising Los Castillo silver and copper “Onix Negro” pendant on chain (18.5” L x 2.5” H x 1.325” W); A sterling silver link necklace stamped: AS (14.75” L x 1.125” H); A Mexican silver fringe necklace (17.5” L x 1.875” H); A brass and silver bib necklace indistinctly signed verso (14.75” x 3.125” H); And a mixed-metal and stone pendant on chain (27” L x 3.125” H x 2” W), 5 pieces Silver items: 99.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

132

137

Four Enrique Ledesma sterling silver jewelry items Third quarter 20th century; Taxco, Mexico Each stamped: Taxco / Hecho en Mexico / 925 / Ledesma Comprising two belt buckles, a hinged bangle, and a brooch, 4 pieces Largest: 1” H x 6.25” W 156.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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138

Four mixed-metal cuffs

Third quarter 20th century One stamped: Victoria / Taxco / Mexico / Cono; Two stamped: Renoir Comprising a silver and brass cuff (6.75” C x 1.24” H, wrist opening: 1”); A ridged brass and copper cuff (6.75” C x 1.5” H , wrist opening: 1.125”); A Renoir copper cuff with meandering design (6.5” C x 1.75” H, wrist opening: 1.25”); And a Renoir cuff with applied spirals (6.5” C x 1.125” H, wrist opening: 1.25”) 4 pieces $150-200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

134

139

A group of Casa Maya mixed-metal jewelry

Third quarter 20th century Each stamped for Casa Maya Comprising an Art Deco-style necklace (14.75” L x 2.75” H x 1.875” W); A collar necklace (16” L x 1.625” H); And a bracelet (7.75” C x 2.75” H), 3 pieces $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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140

A suite of Margot de Taxco “Serpent” silver and enamel jewelry

Third quarter 20th century; Taxco, Mexico Each stamped: Margot de Taxco / Made in Mexico / Eagle 16 / Sterling; Each further numbered: 5554 Designed by Margot Van Voorhies, comprising a polychrome green enamel snake-motif necklace (14” L x 1.75” H), matching bracelet 6.5” C x 1.25” H), and ear clips (1.325” H x .75” W), 4 pieces 175.0 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

136

141

A Salvador Teran Modernist bracelet Pre-1952; Taxco, Mexico Stamped: Salvador / Taxco / Mexico Designed with abstract two-tone links 7” L x 1.125” H 73.0 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

137

142

A set of Salvador Teran jewelry

Third quarter 20th century; Mexico City, Mexico Each stamped: Salvador / Sterling / Mexico / 165; Two stamped: Eagle 36 Each designed with a shadowbox Aztec-style motif, comprising a necklace (16” L x .875”); A cuff (5.75” C x .75” H); A ring (7.5); And a pair of screw-back hoop earrings (1” H x .625” W), 5 pieces 150.0 grams $600-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

138

143

A group of Mexican silver earrings

Second and third quarter 20th century; Taxco and Mexico City, Mexico Each stamped for maker; Further stamped: Mexico; Most stamped for sterling silver Comprising a pair of sterling silver Tedeska round earrings (.875” Dia.); A pair of textured Salvador Teran earrings (1.5” H x .75” W); A pair of marquise-shaped sterling silver Taller Taxco earrings (1.325” H x .625” W); A pair of sterling silver Salvador Teran two-tone earrings (1” H x .75” W); And a pair of Salvador Teran sterling silver moon-motif earrings (1.325” H x 1.125” W); Each designed with screw-back settings, 10 pieces 70.5 grams gross $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

139

144

A group of Modernist jewelry items

Third quarter 20th century Each stamped for maker; Further stamped for silver content Comprising a Piedra y Plata obsidian and sterling silver brooch (1.5” H x 1.625” W); A Piedra y Plata obsidian and sterling silver pin (1.25” H x .875” W); A Sergio Gomez 980 silver pendant on chain (16” L x 1.325” H x 1.25” W); A Francisco Rebajes agate and sterling silver pendant (3.25” H x 2” W); And a sterling silver and red stone fob chain (16” L x 2.5” H), 6 pieces 248.5 grams gross $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

140

145

An Annette Borke amethyst pendant 1960-1970; Denmark Stamped: Annette Borke / Denmark The metal cage enclosing a raw amethyst crystal 2.5” H x 2” D 137.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

141

146

A group of Fred Davis Mexican silver jewelry

Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Further stamped: Made in Mexico Comprising a square panel link bracelet (7.125” L x 1.5” H); A matching collar necklace (15.25” C x .875” H); And a geometric panel link bracelet (8.125” L x 1.75” H), 3 pieces 226.0 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

142

147

A suite of Fred Davis silver jewelry

Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Further stamped: Mexico / Silver / Made in Mexico Comprising a necklace designed with stylized chevron shaped links (16.75” L x 1” H) together with two matching chevron link bracelets (each approximately 7” L x 1” H), 3 pieces 192.0 grams $1,200-1,800 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

143

148

Two Fred Davis silver bracelets

Pre-1948; Mexico City, Mexico Stamped FD for Fred Davis; Further stamped: Silver / Mexico Comprising a curved barbell link bracelet centering an oval cabochon amethyst (7.625” L x 1.5” H); And a swirled bracelet with green hardstone cabochons (7.125” L x 1.75” H), 2 pieces 129.0 grams $500-700 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

144

149

A group of Fred Davis silver figural jewelry

Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; Further stamped: Silver / Made in Mexico Comprising a group of figural jewelry including five brooches and a pair of guitar playing figure screw back earrings, 7 pieces Largest brooch: 3.325” H x 1.75” W, smallest: 2.25” H x 1.75” W; Earrings: 1.125” H x .75” W 105.5 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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150

A group of Fred Davis silver and amethyst jewelry

Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis: Each variously stamped: Made in Mexico / Sterling / Silver Comprising a rectangular link bracelet (7.5” L x 1.25” W); A round link bracelet (7.75” L x 1.125” H); A pair of drop screw-back amethyst earrings (1.75” H x .875” W); And an amethyst ring (6.5), 5 pieces 222.0 grams $1,000-1,500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

146

151

A set of Fred Davis silver and green hardstone bracelets

Pre-1948; Mexico City, Mexico Stamped: FD for Fred Davis; One bracelet further stamped: Silver / Mexico Each designed with round and cushion-shaped cabochon green hardstone segments, 2 pieces Each approximately: 7” L x .75-.875” H 211.0 grams $800-1,200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

147

152

Two Remy bracelets

Third quarter 20th century; Taxco, Mexico Each stamped: Remy / Taxco / Mexico and for sterling silver; One further stamped: Eagle 3 Comprising a tiger’s eye bracelet (6.5” C x 1.75” H) and a green stone bracelet (6.25” C x 1.25” H), 2 pieces 122.0 grams $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

148

153

A Remy sterling silver and turquoise bracelet

Third quarter 20th century; Taxco, Mexico Stamped: Remy / Taxco / Mexico / 925 The hinged bracelet designed with raised panels set with turquoise tablets 6.25” C x 1.75” H 144.5 grams $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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154

Two mixed-metal belt buckles

1974 Each signed indistinctly verso; Each dated: 11-26-74 Each mixed-metal buckle in a Brutalist design, 2 pieces Larger: 2.875” H x 4” W; Smaller: 2.325” H x 3.5” W $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

150

155

A Mexican brass and leather circus animal belt

Fourth quarter 20th century Stamped: Mexico Set with four circus car conchos enclosing cut-back polychrome animals 2.625” H x 31” W $200-400 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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156

A group of Mexican mixed-metal jewelry

Third quarter 20th century All but the necklace and hinged bangle stamped for Casa Maya Comprising a Betencourt necklace (17.25” L x 2.5” H); Two pendant/brooches (larger: 4” H x 2.125” W, smaller: 3.5” H x 2” W); A hinged Betencourt bangle (6.75” C x 1.5” H); A money clip (1,875” H x 2.125” W); A pair of screw-back earrings (1.5” H x .875” W); And two cuff bracelets (each approximately: 7.25” C x 2.125-2.325” H, wrist opening: 1.25”), 9 pieces $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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157

A group of mixed-metal jewelry

Second half 20th century The larger buckle indistinctly signed verso Comprising a fish-motif belt (45.5” L x 2.75” H); A copper and brass cuff bracelet (6.5” C x 2.325” H, wrist opening: 1”); A shell-motif belt buckle (3” H x 3/125” W); A bib necklace (5.125” H x 5.75” W); And an abstract buckle (4” H x 6” W), 5 pieces $200-300 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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158

A group of Modernist jewelry

Third quarter 20th century Each stamped for maker, all but one further stamped for sterling silver Comprising a pair of Lewittes screw-back pearl earrings (.625” H x .625” W); A pair of Ed Weiner cuff links (.875” H x .325” W x .875” D); A Bill Tendler brooch (1.25” H x 1.625” W); An N. E. From brooch and matching screw-back earrings (1.5” C and .625” C); A Levin brooch with figures (1.625” Dia.); A Gusterman bracelet with figurative charm (8” L x 1.875” H x .75” W); A 980 silver link bracelet (8.25” L x .5” H); And a KH abstract link bracelet (7” H x .625” W), 12 pieces 176.5 grams $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

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159

A group of Modernist silver and mixed-metal jewelry

Third quarter 20th century All but one stamped for maker Comprising a Jim Morphesis pin, a Betty Cooke pin, a TV Markin pin, A Tollea Taxco pendant/ brooch, and a Rafael Canada copper necklace, 6 pieces Necklace: 31.5 “ L; Largest pin: 2” H x 4.75” W $700-900 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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160

Two Allan Adler jewelry items

Third quarter 20th century; Burbank, CA Each stamped: Allan Adler / Sterling Comprising a FIDM key fob on chain (4.325” L x 1.5” H x 1.5” W); And a large monogramed silver pendant and chain 25” L x 2.75” Dia.), 2 pieces 160.0 grams gross $300-500 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

156

161

A group of silver jewelry items

Third quarter 20th century All but the barrette stamped for maker and silver content Comprising a barrette (.875” H x 3.25” W); A Los Bellesteros bangle bracelet (7.25” C x .75” H); A sterling silver hinged bangle (7.25” C x 1.125” H, wrist opening: .75”); A sterling silver and enamel bangle (7.5” C x .25” H); And two La Paglia for International Silver bangles (7.75” C x .125” H), 6 pieces 259.5 grams $150-200 Provenance: The Collection of Cindy Tietze-Hodosh and Stuart Hodosh

Jewelry: Made Modern—June 10, 2020

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158

Condition Reports

1 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered amethyst-set tips slightly bent.

Scattered cabochons with minor abrasions. Amethysts with typical, natural eye-visible inclusions and surface-reaching fractures.

2 Overall good condition with tarnishing and light scratches commensurate with age. Approximately two bells with dents.

3 Overall good condition with tarnishing and light scratches commensurate with age. A dent to the ridge. Visible solder marks possibly dating to time of manufacture. Red oxidation to the pin back.

4 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor losses to the central mosaic and to approximately one link. One mosaic loose but attached.

5 Overall good condition with tarnishing and light scratches commensurate with age. Scattered amethysts with chips and abrasions. Amethysts with typical, natural eye-visible inclusions and surface-reaching fractures. Pin slightly bent.

6 Overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks throughout likely dating to time of manufacture. Scattered half-spheres with minor dents. Pin closure slightly bent.

7 Overall good condition with tarnishing and light scratches commensurate with age. Scattered spheres with minor dents. Push clasp opens but with some difficulty.

Condition Reports

8 Overall good condition with tarnishing, scuffs and scratches commensurate with age. Scattered stones with abrasions. Stones with typical, natural eye-visible inclusions and surface-reaching fractures. Scattered chips to some amethysts. Scattered stones loose in settings.

160

9 Each in overall good condition with tarnishing, minor nicks, and light scratches commensurate with age. The necklace’s clasp does not close securely.

10 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered pieces with minor dents.

One pin back with visible solder marks possibly dating to time of manufacture.

11 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered minor nicks to the edges of the bracelet. The hinges are slightly loose.

12 Overall good condition with tarnishing and light scratches commensurate with age. Pin back slightly bent. Abrasions to the lapis lazuli cabochon.

13 Overall good condition with tarnishing and light scratches commensurate with age. Flaking to the green finish.

14 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks to the back of each piece likely dating to time of manufacture.

15 Overall good condition with tarnishing and light scratches commensurate with age.

16 Overall good condition with tarnishing and light scratches commensurate with age.

17 Overall good condition with tarnishing and light scratches commensurate with age. An area to the support on the mouth slightly pushed in. Pin slightly bent at the tip.

18 Overall good condition with oxidation and light scratches commensurate with age. Visible solder marks throughout likely dating to time of manufacture.

19 Overall good condition with light scratches commensurate with age.

20 Overall good condition with tarnishing and light scratches commensurate with age. Oxidation to the brass. Scattered minor divots throughout.

21 Overall good condition with tarnishing and light scratches commensurate with age. Oxidation to the brass and copper.

Abrasions to the onyx eye.

22 Each in overall good condition with tarnishing, oxidation and light scratches commensurate with age.

23 Overall good condition with tarnishing and light scratches commensurate with age.

24 Overall good condition with tarnishing, minor abrasions, and light scratches commensurate with age. “Jeweled” with scattered cracked and chipped panels primarily to the black enamel.

“Dragon” with a detached safety chain.

26 Overall good condition with tarnishing and light scratches commensurate with age.

27 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible glue to the setting of the channelset ring. Minor abrasions to some amethysts throughout.

28 Overall good condition with tarnishing and light scratches commensurate with age. Amethysts with eye-visible inclusions and surface-reaching fractures and minor abrasions (primarily to the ring). The necklace and bracelet with a crack to one amethyst.

29 Overall good condition with tarnishing and light scratches commensurate with age.

30 Overall good condition with tarnishing and light scratches commensurate with age. The amethyst with a small chip and minor abrasions.

31 Overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions.

32 Overall good condition with tarnishing and light scratches commensurate with age. Scattered minor abrasions to some stones.

33 Overall good condition with tarnishing and light scratches commensurate with age. Scattered abrasions and chips to the smokey quartz.

34 Overall good condition with tarnishing and light scratches commensurate with age.

38 Each in overall good condition with tarnishing and light scratches commensurate with age. Some slightly out of round.

39 Each in overall good condition with tarnishing and light scratches commensurate with age. The infinite quatrefoil with minor bends to the wire.

40 Overall good condition with tarnishing and light scratches commensurate with age.

41 Each in overall good condition with tarnishing and light scratches commensurate with age.

42 Each in overall good condition with tarnishing and light scratches commensurate with age.

43 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions.

44 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered rubbed wear and minor chips to the metal.

45 Overall good condition with oxidation and light scratches commensurate with age. A series of dents to the underside of the bracelet.

46 Each in overall good condition with oxidation and light scratches commensurate with age. Minor dents to the largest sphere on the larger cuff. The smaller with scattered dents to some sphere and the cuff.

47 Overall good condition with tarnishing and light scratches commensurate with age. Scattered chips to the tablets. One orange stone with a crack,

35 Overall good condition with tarnishing, scuffs, and light scratches commensurate with age. Scattered shallow dents.

48 Overall good condition with tarnishing and light scratches commensurate with age. One marquise-shaped amethyst with a crack. Scattered edges with dents.

36 Overall good condition with tarnishing and light scratches commensurate with age.

49 Overall good condition with tarnishing, dents, and light scratches commensurate with age.

37 Overall good condition with tarnishing and light scratches commensurate with age. The cultured pearl with chips and losses to some layers of nacre.

50 Each in overall good condition with tarnishing and light scratches commensurate with age. One enamel eye with a chip. Scattered pin backs slightly bent.

Condition Reports

25 Overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions to the enamel, one panel on the neck chain with chips.

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51 Each in overall good condition with tarnishing, dents, and light scratches commensurate with age. Each wire support slightly bent.

52 Overall good condition with tarnishing and light scratches commensurate with age. Amethysts with eye-visible inclusions and surface-reaching fractures.

53 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks to the back of each piece likely dating to time of manufacture. The ring on the larger brooch is likely later-added.

65 Overall good condition with tarnishing and light scratches commensurate with age.

66 Overall good condition with tarnishing and light scratches commensurate with age.

55 Overall good condition with tarnishing and light scratches commensurate with age. Chips to the onyx beads. Silver content unknown.

67 Overall good condition with tarnishing and light scratches commensurate with age.

57 Each in overall good condition with oxidation and light scratches commensurate with age. The bracelet clasp is slightly loose.

58 Each in overall good condition with oxidation, minor surface wear, and light scratches commensurate with age. The pin back is slightly bent.

59 Each on overall good condition with oxidation and light scratches commensurate with age. The belt with minor cracking to the leather. One of the snakes in the snake and fish buckle with a bent ring with corresponding dent verso, does not sit level as a result.

Condition Reports

64 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered minor chips, cracks, and nicks to the inlay.

54 Each in overall good condition with tarnishing and light scratches commensurate with age. The green stone with a chip.

56 Each in overall good condition with tarnishing and light scratches commensurate with age. Weight includes the Betty Cooke brooch.

The eye of the fish with a minor chip.

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63 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks to the back of each piece likely dating to time of manufacture. The smaller bracelet with a later-added safety chain.

60 Each in overall good condition with tarnishing and light scratches commensurate with age. Rubbed wear to the oxidized background. Visible solder marks to the back of each piece likely dating to time of manufacture. The “IV� link on the necklace with a bent corner.

61 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks to the back of each piece likely dating to time of manufacture. A possible repair to the pin of the first brooch. The third brooch with a bend to the clasp.

The fifth with scattered minor pushed in areas.

62 Each in overall good condition with tarnishing and light scratches commensurate with age.

68 Overall good condition with tarnishing and light scratches commensurate with age.

69 Overall good condition with tarnishing and light scratches commensurate with age. The stone with eye-visible inclusions 70 Overall good condition with tarnishing and light scratches commensurate with age. Scattered cracks to the enamel panel primarily to the edges.

71 Overall good condition with tarnishing and light scratches commensurate with age. Minor abrasions to the carnelian tablet.

72 Overall good condition with tarnishing and light scratches commensurate with age.

73 Overall good condition with tarnishing and light scratches commensurate with age.

74 Overall good condition with tarnishing and light scratches commensurate with age.

75 Each in overall good condition with oxidation and light scratches commensurate with age. Scattered stones with minor abrasions.

76 Overall good condition with tarnishing and light scratches commensurate with age. A small chip the one corner of the quartz.

78 Overall good condition with tarnishing and light scratches commensurate with age. Very minor abrasions to the color change sapphire.

79 Overall good condition with tarnishing and light scratches commensurate with age.

80 Overall good condition with tarnishing and light scratches commensurate with age.

81 Overall good condition with tarnishing and light scratches commensurate with age. A chip to the glass.

82 Overall good condition with tarnishing and light scratches commensurate with age. The amethysts with minor abrasions.

83 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks to the back of each piece likely dating to time of manufacture. The bracelet missing the fabric strap.

90 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered spheres with dents.

91 Each in overall good condition with tarnishing and light scratches commensurate with age. Stretching to the metal chain, there are gaps in the design towards the end as a result.

92 Each in overall good condition with tarnishing and light scratches commensurate with age. An area of possible soldered repair to the top of the smaller cuff.

93 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks to the screw backs of each earring covering the original stamp. Scattered abrasions and minor nicks to the blue stones.

94 Overall good condition with tarnishing and light scratches commensurate with age. Minor bends to the wire support.

95 Each in overall good condition with tarnishing and light scratches commensurate with age.

96 Overall good condition with tarnishing and light scratches commensurate with age.

84 Each in overall good condition with tarnishing and light scratches commensurate with age. Each cuff with minor nicks to the rim. The ring shank out of round.

97 Each in overall good condition with tarnishing and light scratches commensurate with age. One later-added safety chain partially detached (the ring is bent open).

85 Each in overall good condition with tarnishing, nicks, and scratches commensurate with age.

98 Each in overall good condition with tarnishing and light scratches commensurate with age. The second bracelet missing the safety chain and with a weak clasp (can easily be pulled loose).

86 Each in overall good condition with tarnishing and light scratches commensurate with age.

87 Each in overall good condition with tarnishing, rubbed wear, and light scratches commensurate with age. The ring with dents to the central panel, shows evidence of resizing.

88 Each in overall good condition with tarnishing and light scratches commensurate with age. Weight does not include the Laurel Burch cuff. The Burch cuff with a gouge to one edge.

89 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered chips and cracks to the stone inlay of the Los Castillo bracelet. Scattered dents to the bubble cuff. Shallow chip to the agate. Scattered nicks to the edge of the plain cuff.

99 Each in overall good condition with tarnishing and light scratches commensurate with age. Personalized to the Allan Adler bracelet: AC. Weight includes the Elma cuff.

100 Each in overall good condition with tarnishing and light scratches commensurate with age. Two of the bangles bent slightly out of round. The safety chain on the wide bracelet partially detached.

101 Each in overall good condition with tarnishing and light scratches commensurate with age.

102 Each in overall good condition with tarnishing and light scratches commensurate with age. The clasp edge of the bangle slightly bent in.

Condition Reports

77 Overall good condition with tarnishing and light scratches commensurate with age. Pin back is slightly bent. Amber with natural, eye-visible inclusions and surface-reaching fractures.

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103 Each in overall good condition with tarnishing and light scratches commensurate with age. Some bails not completely closed.

104 Each in overall good condition with tarnishing and light scratches commensurate with age. The bracelet with a broken clasp and scattered chips, scratches, and wear to the enamel.

105 Overall good condition with tarnishing and light scratches commensurate with age. The brooch back is detached. Two panels to the necklace with a series of cracks to the enamel. Scattered chips to some enamel panels.

106 Each in overall good condition with tarnishing and light scratches commensurate with age. Yellow discoloration to one enamel square on the necklace. A black panel on the bracelet with losses to the enamel. Scattered enamel panels with crazing, minor chips, and minor cracks.

117 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions.

118 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with minor abrasions.

119 Each in overall good condition with tarnishing and light scratches commensurate with age. One stone with a loss to one corner.

120 Overall good condition with tarnishing and light scratches commensurate with age. Rubbed wear to the gilt highlight.

108 Overall good condition with tarnishing and light scratches commensurate with age.

121 Each in overall good condition with tarnishing and light scratches commensurate with age.

109 Each in overall good condition with tarnishing and light scratches commensurate with age. Wear to the surface of the earrings.

122 Each in overall good condition with tarnishing and light scratches commensurate with age. The glass cabochon slightly loose in the setting and with a chip.

111 Overall good condition with tarnishing and light scratches commensurate with age. The stone with minor nicks and abrasions to facet junctions.

112 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered losses and areas of fill to the enamel of the fish pendant.

Condition Reports

116 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions.

107 Overall good condition with tarnishing and light scratches commensurate with age.

110 Overall good condition with tarnishing and light scratches commensurate with age. Amethysts with typical, natural eye-visible inclusions and surface-reaching fractures.

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115 Each in overall good condition with oxidation and light scratches commensurate with age. The earrings are hook-back for pierced ears only.

113 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered stones with abrasions and hairline cracks. Stones with typical, natural eye-visible inclusions and surface-reaching fractures.

114 Each in overall good condition with tarnishing and light scratches commensurate with age. The bail attachment to one pendant bent.

The edge of the larger pendant with areas of loss and spots of fill.

Cord: 22.5� L

123 Each in overall good condition with tarnishing and light scratches commensurate with age. Each screw-back slightly bent.

124 Overall good condition with tarnishing and light scratches commensurate with age.

125 Each in overall good condition with tarnishing and light scratches commensurate with age.

126 Overall good condition with tarnishing and light scratches commensurate with age. Minor dents to some links and a small pushed-in area to the pendant.

127 Overall good condition with tarnishing and light scratches commensurate with age. The collar is slightly out of shape.

128 Overall good condition with tarnishing and light scratches commensurate with age. Scattered elements with minor bends.

129 Each in overall good condition with tarnishing and light scratches commensurate with age. Each of the larger chains with visible solder marks to the links, likely dating to time of manufacture. The two larger chains test for silver, exact silver content unknown.

140 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered enamel with abrasions, chips, and minor crazing. Some panels with losses.

130 Each in overall good condition with tarnishing and light scratches commensurate with age.

141 Overall good condition with tarnishing and light scratches commensurate with age. Not marked for silver content. The lateradded safety chain detached.

131 Each in overall good condition with tarnishing and light scratches commensurate with age. One ear clip with a chip to the light blue stone. The stones show eye-visible inclusions and surface-reaching fractures.

142 Each in overall good condition with tarnishing and light scratches commensurate with age. A two dents to the top of the bracelet, the pattern is squished as a result.

133 Each in overall good condition with tarnishing and light scratches commensurate with age.

134 Each in overall good condition with tarnishing and light scratches commensurate with age. A scratch to the obsidian cabochon on the necklace.

135 Each in overall good condition with tarnishing and light scratches commensurate with age. The hummingbird’s beak is slightly bent and the pin closure is broken.

136 Each in overall good condition with oxidation and light scratches commensurate with age. The Onix Negro necklace with scattered chips to the edges. Scattered pins slightly bent on the brass and silver bib necklace.

137 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered minor abrasions to stones commensurate with age. One buckle with a chip and a crack to the stone 138 Each in overall good condition with tarnishing and light scratches commensurate with age. Each with bends to the design. The ridged cuff is not evenly made, is wider and tilts to one side as a result.

139 Each in overall good condition with tarnishing and light scratches commensurate with age. The bracelet with dents to some edges.

The back two hammered panels of the collar necklace and the frontmost panel missing design elements.

143 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered backings slightly bent. One screw back appears to be a replacement.

144 Each in overall good condition with oxidation and light scratches commensurate with age.

145 Overall good condition with tarnishing and light scratches commensurate with age. Metal content unknown.

146 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks to scattered joints on each piece likely dating to time of manufacture.

147 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible solder marks to the back of each piece likely dating to time of manufacture.

148 Each in overall good condition with tarnishing and light scratches commensurate with age. One green cabochon with a series of cracks and losses to the stone. A crack and corresponding loss to the amethyst.

149 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered applied elements slightly bent.

150 Each in overall good condition with tarnishing and light scratches commensurate with age. Amethysts with eye-visible inclusions and surface-reaching fractures. A chip to the cabochon on the ring.

The clasps on the bracelets slightly bent.

151 Each in overall good condition with tarnishing and light scratches commensurate with age. The rectangular bracelet with two stones slightly loose in the setting

Condition Reports

132 Each in overall good condition with tarnishing and light scratches commensurate with age. Visible glue residue to the stones on the bracelet. One rose quartz with a crack. The ring with a chip to the side of the fire opal.

165

152 Each in overall good condition with tarnishing and light scratches commensurate with age.

153 Overall good condition with tarnishing and light scratches commensurate with age. Approximately one tablet with a crack.

154 Each in overall good condition with oxidation and scratches commensurate with age. Visible solder marks to the back of each piece likely dating to time of manufacture.

155 Overall good condition with tarnishing, drying to leather, wear to finish, and light scratches commensurate with age. Scattered areas with cracks to the leather and rubbed wear to the decoration.

156 Each in overall good condition with oxidation and light scratches commensurate with age. The larger pendant/brooch with a broken clasp. Scattered pieces with minor wear and losses to the enamel.

157 Each in overall good condition with oxidation and light scratches commensurate with age. The fish belt with minor losses to the enamel.

Cord: 28�

158 Each in overall good condition with tarnishing and light scratches commensurate with age. Scattered pin backs slightly bent. One pin back with verdigris.

159 Each in overall good condition with tarnishing and light scratches commensurate with age. Abrasions and scratches to the glass on the necklace 160 Each in overall good condition with tarnishing and light scratches commensurate with age. The fob with a metal component included in the weight.

Condition Reports

161 Each in overall good condition with tarnishing and light scratches commensurate with age. The hinged bangle with dents to both halves, largest: .325�.

166

Consign Today Made In Mexico August 2020

Felipe Castañeda (b.1933, Mexican) Seated woman, Carved black marble $2,000-3,000

Consignment and Auction Inquiries: marandam@johnmoran.com

bid in person - absentee - telephone - live online 145 East Walnut Ave, Monrovia, CA 91016 | www.johnmoran.com · info@johnmoran.com · (626) 793-1833

John Moran Auctioneers, Inc President, Auctioneer Jeffrey J. Moran

SPECIALISTS

Head of Sale, Specialist Maranda Moran Vice President, Furniture & Decorative Arts Director Roland Rynkiewicz 20th Century Furniture and Decorative Arts Specialist John Simon Taylor Senior Vice President, Fine Art Director Morgana Blackwelder Furniture & Decorative Arts Cataloguer Alexis Sutcliffe Jewelry Director Junior Specialist / Senior Cataloguer: Luxury, Furniture, Decorative Arts

Mollie Burns Keith, G.J.G. Jardine Gates, GIA G.G.

Post War & Contemporary Fine Art Junior Specialist / Senior Fine Art Cataloguer Fine Art Cataloguer

Bree Hughes Bobby Cullen Mike Hook

CLIENT SERVICES

Office Manager

Mario Esquivel Client Services Ella Fountain

OPERATIONS

Vice President, Business Director, Auctioneer Stephen Swan Finance & Human Resources Director

Maha Darwish Consignment Coordinator

Jean Rapagna Property Manager

Emmett Clements Art Handler Joe Miranda Art Handler Richard Corral Art Handler Mars Ford

ADVERTISING, MARKETING, DIGITAL DESIGN

Advertising & Marketing Director, Art Design Photographer

TRUSTS & ESTATES

Department Manager

FOUNDERS

Nathan Martinez Jaqi Brown

Noelle Valentino

Founder John H. Moran (1942-2017) Co-Founder Madeleine Moran

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This catalogue is meant merely as a guide.

The Auctioneers do not warrant the accuracy, genuineness, authenticity, description, weight, count or measure of any of the lots specified herein.

BUYER’S PREMIUMS: BUYER’S PREMIUM is calculated at 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee.

This fee is not more than the cost of accepting these cards.

Buyers outside of the United States must submit payment via wire transfer.

Credit cards are not an accepted form of payment for buyers outside of the United States.

BIDDING INCREMENTS:

$100 - $475 @ $25 increments $500 - $950 @ $50 increments $1,000 - $1,900 @ $100 increments $2,000 - $4,750 @ $250 increments $5,000 - $9,500 @ $500 increments $10,000 - $19,000 @ $1,000 increments $20,000 - $47,500 @ $2,500 increments $50,000 - $95,000 @ $5,000 increments $100,000 - $190,000 @ $10,000 increments $200,000 - $480,000 @ $20,000 increments $500,000 & above @ $50,000 increments, or at Auctioneer's discretion.

View Illustrated Catalogue Online @ www.johnmoran.com

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Jewelry: Made Modern—June 10, 2020

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Conditions of Sale AUCTION HOUSE AS AGENT Except as otherwise stated, John Moran Auctioneers Moran's) acts as agent for the seller. The contract for the sale of the property is therefore made between the seller and the buyer.

BEFORE THE AUCTION (a) Public Preview: All property is available for inspection by public preview during the day of auction. In many cases, particular lots can be examined in advance by private appointment. Prospective buyers are strongly encouraged to personally examine any property in which they are interested. (b) Buyer's Responsibility: Buyers are responsible for determining to their own satisfaction the true nature and condition of any lot prior to bidding. Though buyers are not legally required to inspect lots prior to purchase, failure to do so may constitute a waiver of complaint that an item was not delivered in a condition equal to the existent condition at the auction. (c) Property Sold 'As Is': Neither Moran's nor the seller provides any guarantee in relation to the nature of the property, or to any errors or omissions in the catalogue or supplemental material apart from the Limited Warranty stated below. Condition reports are offered as a courtesy and are typically published in Moran's catalogue or can be made available upon request. The absence of a condition report does not imply than an item is free from defects or restoration, nor does a reference to particular defects imply the absence of others.

AT THE AUCTION (a) Admission: The auction is open to the public, though Moran's reserves the right to refuse admission or participation to anyone at any time. The auctioneer may be recorded (visually, aurally or otherwise) and all participants consent to such recording. (b) Buyer Registration: Prospective buyers must register with Moran's before bidding. Moran's may require identification and financial references in advance of buyer eligibility. Registered bidders accept personal liability to pay the purchase price, including the buyer's premium plus all applicable charges, unless Moran's agrees in advance that the bidder is acting as agent on behalf of an identified third party acceptable to Moran's. In such case, Moran's will look to the third party for payment. (c) Bidding Guidelines: Bidding, whether in person, by agent, absentee bid, telephone, or internet, constitutes a bidder's acceptance of these conditions. The highest bidder acknowledged by the auctioneer shall be the buyer. The auctioneer retains the absolute right to reject any bid, to withdraw, pass or divide any lots, to combine multiple lots, to advance the bidding at his or her absolute discretion and (in the case of error or dispute, whether during or after the sale) to determine the successful bidder, to continue the bidding, cancel the sale or to re-offer and sell the lot in question. Under no circumstances are the consignors' or agents acting on their behalf, permitted to bid on their consignment. In the event of any dispute after the auction Moran's sale record shall be conclusive. (d) Absentee, Telephone and Internet Bidding: Moran's offers absentee, telephone and internet bidding as a convenience to clients and does not accept liability for errors or failures to execute such bids. Absentee and telephone bids must be recognized by Moran's prior to auction day. When identical absentee bids are submitted that become the highest bids at the auction, the bid first received

by Moran's shall be accepted as the winning bid. Telephone bidders are encouraged to leave minimum bids in case of technical failure. (e) Reserves: Unless indicated otherwise, lots may be offered subject to a reserve, which is the confidential minimum price below which the lot will not be sold. The reserve for any lot shall not exceed its published estimate. Moran's shall act to protect the reserve by bidding through the auctioneer, who may open bidding on any lot below the reserve by placing a bid on the seller's behalf. The auctioneer may continue to bid on behalf of the seller up to the reserve amount, either by placing consecutive bids or by placing bids in response to other bidders. Lots without reserves are typically opened for bidding at 50% of their low estimate. In the absence of a bid at that level, the auctioneer may proceed backwards at his discretion or deem the lot unsold if a bid is not recognized.

AFTER THE AUCTION (a) Payment and Title Transfer: The buyer agrees to pay the sum of the hammer price plus Buyer's Premium, plus any applicable sales tax. Buyer's Premium is calculated as follows: 25% on the first $500,000 of the hammer price, plus 18% on any amount between $500,001 - $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Successful bidders using Live Auctioneers platform will be charged a Buyer’s Premium of: 30% on the first $500,000 of the hammer price, plus 23% on any amount between $500,001 - $1,000,000, and 20% on any amount above $1,000,000 when paying by cash, check or wire transfer.

Credit card payments will be subject to an additional 3.5% acceptance fee. This fee is not more than the cost of accepting these cards. Buyers outside the United States must submit payment via wire transfer. Credit cards are not an accepted form of payment for buyers outside the United States. Buyers are strongly encouraged to provide full payment at the auction. Payment must be received by Moran's within five business days immediately following the auction. The buyer shall not acquire title or take possession of the lot until all amounts (including the hammer price, premium and applicable taxes) due to Moran's have been paid in full. (b) Collection: Buyers are strongly encouraged to collect purchased items from the sale site at the time of the auction. Packing material and labor are provided free of charge at the sale site during the auction. Packing and handling of purchased lot is undertaken by Moran's solely as a convenience to customers. Moran's is not liable for damage to property, regardless of cause, in connection with this courtesy service (c) Storage: Following the auction, uncollected lots shall be relocated to and stored in Moran's warehouse. Moran's shall retain possession of all purchases until full payment has been received from the buyer. Lots remaining uncollected after the fifth business day following the sale, regardless of payment status, are subject to a per-lot daily storage charge of $10.00. In addition to other remedies available by law, Moran's reserves the right to impose upon delinquent buyers a separate 1% monthly charge (of the

170

purchase price, or the maximum permitted by law) commencing on the sixth business day after the sale date. (d) Shipping: Buyers are responsible for arranging their own shipping estimates and deliveries. Moran's in our discretion and as a courtesy to buyers, can arrange to have purchased lots packed, insured and forwarded by a third-party shipper at the request, expense and risk of the buyer. Moran's assumes no responsibility for acts or omissions in such packing or shipping by other packers or carriers, even if recommended by Moran's. Nor does Moran's assume any responsibility for any damage to picture frames or to the glass therein. In circumstances where Moran's arranges for such third-party services, Moran's may apply an administration charge of 15% of that service fee. (e) All Sales Final: Notwithstanding other terms mentioned herein, refunds shall be given at Moran's sole discretion. Refunds requested on the grounds of authenticity must be made within 10 days of the auction and accompanied by a supporting written statement from a recognized authority (defined as a person who has authored, edited, or substantially contributed to a monograph on the artist, a person who has curated, organized or substantially contributed to a solo exhibition on the artist, a person who has represented the artist's estate or someone who represented or worked closely with the artist while they were alive and, in any of the above instances physically handled works of the period, medium and subject matter in question during the course of their duties) stating that the object sold is incorrect or not the work of the artist. Dealers, appraisers and representatives of other auction firms do not qualify as authenticators of individual artists unless they have had such specific involvement with that artist's work, as specified above, in addition to their daily duties. Refunded lots must be returned to Moran's in the same condition as when sold. Moran's does not grant extensions to refund considerations based upon authenticity due to shipping delays. There are no exceptions to this refund policy.

LIABILITY AND LIMITED WARRANTY (a) Liability: The buyer expressly agrees that (i) neither Moran's nor the seller shall be liable, in whole or in part, for any special, indirect or consequential damages, including, without limitation, loss of profits and (ii) the buyer's damages, if any, are limited exclusively to the original purchase price paid for the lot. (b) Limited Warranty: All property is sold as is. Neither Moran's nor the consignor or our associates make any representation, express or implied warranty (including merchantability and fitness) or guarantee in condition, age, size, provenance, medium, signature, inscription, exhibition history, importance, rarity, country of origin, genuineness, historical relevance, monetary or other value, framing or lack thereof, mounting, conservation, coloring, palette, inscription, edition, style, label or other descriptor. No statement in the catalogue, brochures, website, bill of sale or invoice, any supplementary material, or statements by any Moran's employee shall be deemed such a warranty or representation or an assumption of liability. (c) Descriptions: No warranty, whether express or implied, is made with respect to any description contained in this auction or any second opinion. Any description of the items or second opinion is for the courtesy of identifying the items for those Bidders who do not have the opportunity to view the lots in person, and no description of items has been made part of the basis of the transaction or has created any express warranty that the goods would conform to any description made by the Auctioneer. Color variations can be expected in any electronic or printed imaging and are not grounds for the return of any lot. (d) Estimates: All estimates provided are carefully considered opinions of Moran's specialists, and are merely suggested guidelines for interested buyers. Buyers must be aware that all property sold is subject to fluctuating values depending on the subjective interests of collectors and a wide variety of other uncontrollable factors. The lots auctioned may sell at prices above, within, or below estimate. (e) Regulated Species: Lots with a "◊" symbol in the printed or digital catalog, or noted within the condition report of a lot, may contain regulated plant or animal materials and could be subject to certain import or export restrictions. It is the buyer’s responsibility to investigate any such restrictions and obtain any required import or export permits / licenses. The inability to obtain any such document(s) is not grounds for requesting a refund nor does it negate the buyer from making full payment for their purchase. (f) Notices, Demands and Refunds: Any demands for refunds, problems with the lot(s) sold or notices of any kind concerning the auction shall be in writing and addressed to John Moran Auctioneers, Inc, 145 East Walnut Avenue, Monrovia, CA 91016.

ADDITIONAL MATTERS (a) Copyright: The copyright on all images, illustrations and written material produced by or for Moran's for this auction is and shall remain at all times the property of Moran's. Moran's and the seller make no representation or warranty that the buyer will acquire any copyright or reproduction rights to a purchased lot. (b) Buyer's Breach of Conditions: If a buyer fails to comply with any of these conditions, Moran's may, in addition to asserting all remedies available by law, including the right to hold that buyer liable for the purchase price, (i) cancel the sale, retaining as liquidated damages any payment made by the buyer, (ii) resell the property without reserve at public auction or privately upon notice to the buyer, or (iii) take such other action as we deem necessary or appropriate. If Moran's resells the property, the original defaulting buyer shall be liable for the payment of any deficiency between the original sale price and any subsequent mitigation sale, including warehousing, the expenses of both sales, reasonable attorney's fees, commissions, incidental damages and all other charges due hereunder. In the event that such buyer pays a portion of the purchase price for any property, Moran's shall apply the payment received to such property that Moran's in our sole discretion, deems appropriate. Moran's shall have the benefit of all rights of a secured party under the Uniform Commercial Code adopted in the State of California. (c) Severability: Should any of these conditions be deemed unenforceable, invalid or illegal in any court having jurisdiction, that part shall be discounted and shall have no effect on the enforceability of the remaining provisions contained herein, which shall remain valid to the fullest extent permitted by law. (d) Jurisdiction: The rights and obligations of the parties with respect to these conditions and the conduct of the auction shall be governed and interpreted by the laws of the State of California. By bidding, whether in person or by agent, by absentee bid, telephone, internet or other means, the buyer shall be deemed to have consented to the exclusive jurisdiction of the courts of the state of California or, if applicable, the federal courts sitting in this state. Further, the buyer agrees that the venue for any action arising out of the failure to abide by these conditions, or any conduct related to or arising out of the auction, shall be the Los Angeles Superior Court, North East Branch located at 600 Olive Street, Burbank, California.

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Registration Form (Attendee / Absentee / Telephone Bidding) [For office use only]

General Notice: This Auction will be conducted in accordance with John Moran Auctioneers’ Conditions of Sale (COS). Bidding and buying at the sale will be governed by such terms and conditions. Please read the COS in conjuction with our policies relating to this sale and other published notices and terms relating to bidding. Winning bidders are responsible for the sum of the nal bid, plus uyer s Premium on the nal bid price and California State Tax for all items purchased, unless exempt in California or shipping documents showing an out-of-state destination are provided.

Notice to First-Time Bidders: New clients are required to present a current form of I.D. in order to register and bid.

New bidders will be asked to provide financ al accoun nforma on as a reference All bidders: Please submit a completed bid form with lot details at least 24 hours prior to the auction to ensure acceptance.

UYER S PRE IU : P s calcula ed a on e firs $500,000 of the hammer price, plus 18% on any amount between $500,000 $1,000,000, and 15% on any amount above $1,000,000 when paying by cash, check or wire transfer. Credit card payments will be subject to an additional 2% buyer’s premium.

uyers outside of the United States must submit payment via wire transfer Credit cards are not an accepted form of payment for buyers outside of the United States

Title:

First Name:

Paddle number

Sale number

Please email or fax the completed Registration Form and re uested information to: Fax: 1.626.798.2079 email: info@johnmoran.com Tel: 1.626.793.1833 Payment by personal or business check will delay release of purchase(s) until funds clear our bank. Checks must be drawn on a U.S. bank.

Notice to Absentee Bidders: Bids will be rounded down to the nearest increment if your bid increment is incorrect. Moran’s will endeavor to execute these bids on your behalf but will not be liable for any errors or non-executed bids. In e e en of a e b d e e s ra on Form rece ed firs ll be reco n ed as the winning bid.

Please list lots for absentee bidding on reverse

In order to better serve you, please mark the checkbox’s below for your auction interests.

Last Name: Driver’s License number:

18th & 19th Century Furniture & Decorative Art

Company Name:

20th Century / Modern Design

Address 1:

American Art

Address 2:

Asian Art & Objects

City:

Couture / Luxury Goods

State:

Postal Code:

European Art

Country:

Jewelry & Timepieces

Email: *By providing your email address, you authorize Moran’s to send you sale announcements. Moran’s does not sell, share or trade any client information.

Telephone (primary):

Native American Objects Prints & Multiples

Telephone (secondary):

Rugs & Carpets Silver

Fax: Have you registered with Moran’s before? Yes

No

How did you hear about our services?

Sellers permit info: Contact of ce for veri cation Permit #

Modern & Contemporary Art

State: I agree that I have read

Turn of the Century Design / Arts + Crafts Western Art a e a s ec fic y e of em you are n eres ed n let us know:

Exp: oran s Conditions of Sale and shall be bound by them This affects my legal rights

Signature:

Date:

rev. 7/2018

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Registration Form (Attendee / Absentee / Telephone Bidding)

Paddle number [For office use only] FOR OFFICE USE ONLY

General Bid Increments $200-475.................................$25 increments $500-950.................................$50 increments $1,000-1,900.........................$100 increments $2,000-4,750.........................$250 increments $5,000-9,500.........................$500 increments $10,000-19,000...................$1000 increments $20,000-47,500..................$2,500 increments $50,000-95,000..................$5,000 increments $100,000-190,000............$10,000 increments $200,000-480,000............$20,000 increments $500,000 & Above...........$50,000 increments or at the Auctioneer’s discretion

Telephone Agent Name: Bidder Name: Primary Phone Number: Secondary Phone Number: Email Address:

Absentee & Telephone Bidding Lot Number

Lot Description

***Absentee bids must be at least half of the low estimate*** Maximum Bid

(Excludes Buyer’s Premium) Absentee only

FOR OFFICE USE ONLY

Y/N

Last Bid $

PLEASE NOTE: In the event of any discrepancy, lot number and not lot description will govern proxy bid

Received By:

Date:

rev. 7/2018

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