
Plaster Substrates Ornamental Plaster
Casting, Fabrication, & Carving
Traditional Three-Coat Plaster
Traditional Lime Plaster
Historic Plaster Conservation & Consolidation
Stabilization & Reattachment
Scagliola
Design, Discovery,
Research, & Restoration
Restoration Planning & Fundraising Consultation
Historic Structures Reports
Plaster Assessment & Surveys
Historic Paint Studies
Materials Testing & Analysis
Period Interior Design
Commissioned Artwork
In Situ Mockups
Watercolor Renderings
Traditional Decoration
Methods & Materials
Murals & Fine Art
Decorative Painting
Stenciling & Tromp L’oeil
Faux Marbres & Faux Bois
Stone & Metal Restoration
Wood Restoration
Gilding & Glazing
Fine Art Conservation

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Beliefs in Action
Knowledge, Integrity, & Detail
Infinitely curious, driven by perfection. The dignity of landmark concert halls, the elegance of historic theatres, and the full-blown fantasies of 1920s-40s movie theaters are the architectural embodiment of our entertainment history – both classical and popular cultures.
Preserving those environments for today’s performers and audiences provides them the opportunity to participate in the unfolding cultural heritage enveloped by historic places.
Our reputation for professionalism, craftsmanship and high standards has allowed us to work in iconic buildings such as Radio City Music Hall (New York City), War Memorial Opera House (San Francisco), and the Academy of Music (Philadelphia).
With a respect for historic integrity, we have collaborated with architects, fellow conservators, and contractors to preserve the architectural fabric of each building interior.
We have always prided ourselves on setting a solid strategy to work within budgets and schedules and the planning and research we put into each project is unparalleled in the industry.
We believe in and are guided by the principles of “do no harm”, and believe in the ability to solve problems and create new possibilities. Everyday we recommit to these principles and look forward to the future with optimism and energy.