X J O H N B R O O K S
material material as MUSE as MUSE
In Natasha Baradaran’s work, material carries the narrative.
HER PERSPECTIVE ROOTED IN A DIALOGUE BETWEEN EUROPEAN TRADITION, MIDDLE EASTERN CRAFT, AND SOUTHERN CALIFORNIA LIVING DEFINES A HANDCRAFTED, NAMESAKE LINE
FURNITURE DRAWS ON A SCULPTURAL LANGUAGE GUIDED BY PROPORTION, INFLUENCED BY HER EARLY WORK IN JEWELRY, WHERE FACETING AND BALANCE
LEND EACH PIECE A QUIET PRESENCE. NOTHING IS OVERSTATED. EVERYTHING IS CONSIDERED
THAT SAME SENSIBILITY EXTENDS INTO TEXTILES, WHERE HER COLLECTION TAKES SHAPE IN WOVEN FORM ACROSS LINENS, WOVENS, AND PERFORMANCE FABRICS, THESE DESIGNS EMPHASIZE MATERIAL INTEGRITY
SUBTLE SHIFTS IN TONE AND TEXTURE THAT CREATE DEPTH WITHOUT EXCESS
ACROSS BOTH FURNITURE AND TEXTILES, HER WORK RESOLVES IN A COMMITMENT TO PROCESS, MATERIAL, AND CRAFT.
HOLD HOLD WALLS WALLS
HISTORY HISTORY WHERE WHERE
FOR PHILLIP
JEFFRIES,
THE WALL IS NOT BACKGROUND IT IS WHERE THE
ROOM BEGINS
FOUNDED AS A FAMILY BUSINESS ROOTED IN GRASSCLOTH TEN STYLES IN THEIR NEW JERSEY GARAGE PHILLIP JEFFRIES HAS GROWN WITHOUT LOSING ITS POINT OF ORIGIN: A BELIEF IN MATERIAL AS THE FOUNDATION OFA SPACE.
HERE, SURFACE IS NOT TREATED AS BACKDROP, BUT AS STRUCTURE SHAPING LIGHT, DEPTH AND THE OVERALL ATMOSPHERE OF A ROOM. THERE IS A QUIET PERMANENCE TO IT, SOMETHING THAT SETTLES IN BEFORE ANYTHING ELSE ARRIVES
NATURAL FIBERS, SPECIALTY PAPERS, AND CONTROLLED TEXTURES FORM THE FOUNDATION MATERIAL LEADS PATTERN FOLLOWS THE EFFECT IS ARCHITECTURAL SURFACES THAT ANCHOR A ROOM RATHER THAN SIMPLY ADORN IT.
ACROSS THE COLLECTION, THESE SURFACES SHIFT WITH LIGHT OVER TIME, REVEALING NUANCE IN TONE AND TEXTURE. THE ROOM TAKES ITS CUES FROM THIS FOUNDATION, FINDING ITS BALANCE AND SENSE OF PLACE
DESIGNER:
ILLUMINATED
LIGHTING AS OBJECT WHERE
ILLUMINATED FORMS FORMS
SHAPES A ROOM AS MUCH AS IT ILLUMINATES IT
[1] PETAL CHANDELIER X PAUL FERRANTE [2] ANTLER X STUDIO BEL VETRO [3] MIDAS GRAND TIER CHANDELIER X FISHER WEISMAN [4] BODIE CHANDELIER X MARK ALBRECHT STUDIO [5] PILULE X JMW STUDIO FOR HOLLY HUNT [6] CORNICHE CHANDELIER X JONATHAN BROWNING STUDIOS [7] CYPHER HANGING LIGHT X REFRACTORY [8] AQUITAINE CHANDELIER X COUP STUDIOS [9] COLOMBIER CHANDELIER X VAUGHAN [10] FOLLY CEILING LIGHT X ALEXANDER LAMONT
W H E R E T O B E
APR
PRINT FAIR
PETER DUNHAM JOINS US IN SCOTTSDALE FOR PRINTEMPS IN THE DESERT, WITH AN EXCLUSIVE BOOK SIGNING IN THE SHOWROOM
APR 30 | 10:00AM - 2:00PM
MAY
BOZEMAN DESIGN DAY
ATELIER AGAHZADEH, C&C, MUNDER SKILES, AND PORTA ROMANA JOIN US FOR A SPRING PREVIEW OF WHAT’S NEW IN THE SHOWROOM
MAY 5 | 10:00AM - 6:00PM
DENVER SPRING MARKET
JOIN US DURING SPRING LAUNCH MARKET FOR AN OPEN HOUSE WITH ATELIER AGAHZADEH, C&C, ERINN V., MOKUM, MUNDER SKILES, AND PORTA ROMANA
MAY 7 | DENVER SHOWROOM
O N O N
EVERY ICONIC BRAND REACHES A MOMENT WHEN IT MUST REINTERPRET ITS LEGACY TO CONTINUE BUILDING IT
W A R D W A R D
OLEFT BEHIND, BUT REIMAGINED
UNDER THE DIRECTION OF CHRIS EITEL AND JO ANNAH KORNAK, HOLLY HUNT ENTERS A NEW CHAPTER ONE DEFINED NOT BY DEPARTURE, BUT BY REFINEMENT A CONTINUATION OF WHAT HAS COME BEFORE, REIMAGINED WITH CLARITY AND INTENT.
FFORM LOOSENS AS COLOR TAKES STRUCTURE, AND A NEW RHYTHM BEGINS TO EMERGE.
ACROSS THE COLLECTION, OBJECTS MOVE WITH INTENTION SOFTENED EDGES MEET ARCHITECTURAL CLARITY, AND LUMINOUS FINISHES ARE GROUNDED BY WEIGHT AND PROPORTION
THE PAST ISN’T ABANDONED IT EVOLVES FORWARD
1 | The Penelope Mirror by Erinn V. shifts reflection into something more atmospheric tonal layers that catch and diffuse light. Sculptural in form, it holds the wall with a presence that feels intentional and quietly commanding.
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