SPRING 2024 EDITION
PORT FOL IO
JAYSON MORON
JM ARCHITECTURE
Jayson Moron Contact Information: location: Hallandale Beach, Broward County FL
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Rhino Lumion
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Sketchup
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ArcGIS Grasshopper Photoshop
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Illustrator
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InDesign
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AutoCAD (Autodesk & Certiport Certification 2018)
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BIM Collaborate Pro Essential Training
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Quantity Takeoffs for BIM Navisworks Essential Training 2023
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Revit 2023: Essential Training for MEP Revit: Site and Context Modeling
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Microsoft Office Adobe Creative Suite Customer Services Communication Problem Solving Organization & Planning Teamwork & Cultural Competence Leadership Skills & Social Responsibility Adaptability
AutoCAD
Revit
Rhino
Sketchup
Illustrator
Drafting
ACHIEVEMENTS •
Hispanic Scholarship Fund Recipient 2023
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Hallandale Scholarship Fund Recipient 2021-23 Deans List, Fall 2021-22 Recognized as Exemplary Student Model, Broward County Florida
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Student of the Year, Broward County
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Inducted into the National Honors Society
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Inducted into the National Thespian Honors Society
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Recognized at the state level for Academics, Atheltetics, and Arts
PERSONAL “Tu vida no es defi nida por lo que tu has hecho, es defi nida por la gente que tu inspiras en el camino.”
Bachelor of Architecture, 3rd Year (Graduting class of May 2026) Minor in Civil Engineering and Business Law Cumulative GPA: 3.7
Broward College, Pembroke Pines, FL (August 2018 - May 2021) • •
Associates Degree (Dual Enrollment) Cumulative GPA: 3.8
Hallandale High School, Hallandale Beach, FL (2017 - May 2021)
SOFTWARE/SKILLS • • • • • • •
email: jmm7127@miami.edu jaysonmoron1016@gmail.com
University of Miami School of Architecture, Coral Gables, FL
Designing for change and improving the lives of others is the sole reason for my passion in architecture. I plan to continue to push the limitation of design for not only myself but those around me becoming an inspiration to my peers.
Hand Drafting Revit
phone: 954-245-9742
EDUCATION
ABOUT ME
Someone who continues to defy the impossible and strive for absolute greatness. My ambition to succeed is fueled greatly by the triumphs and tragedies of my past, molding me into the powerful man I am today. Motivated by not only my loved ones, but the aspiration to one day make a difference in this world through my architectural designs.
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Architecture Student
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Graduated with Highest Honor (Top 3% of graduated class) Cumulative GPA: 3.8
WORK EXPERIENCE School of Architecture- Academic Services Ambassdor University of Miami Jan 2023 - Present • •
Serve as a central resource point for all student related matters, providing guidance to all prospective and currently enrolled undergraduate and graduate students interested in programs offered at the School of Architecture. Assist students, parents, faculty and other University departments with all affairs related to advising, scheduling, registration, graduation and post-graduation career opportunities
School of Architecture- Teaching Assistant (TA) ARC 111 / ARC 112 First Year Visual Representation University of Miami Aug 2023 - Present • Oversee and support the U-SoA first year architecture students with completing their first year of visual representation. • Lead tutorials and workshops on software tools such as on AutoCAD, Illustrator, and InDesign. • Work one-on-one with both professors and coordinators to ensure success for the first year students. School of Architecture- Fabrication Lab Specialist University of Miami Jan 2023 - Present • Oversee and maintain both digital and analog fabrication equipment. • Provide guidance on technology usage such as traditional wood-working tools and machinery, 3D printers, powder printers, laser cutters, vinyl cutters and CNC milling. Barista Trainer/Shift Supervisor Starbucks Coffee Company Oct 2020 - Present • Quickly moving up the ranks of the Starbucks organization, I have demonstrated exceptional work ethic and customer service connection skills • Achieved rapid career progression within Starbucks, becoming one of the youngest and fastest baristas considered for a Shift Supervisor position. • Smoothly and effeciently lead a crew of baristas daily AMC Crew Member AMC Movie Theater Entertainment Company Jan 2017 - Jan-2019 • Worked as a crew member for the AMC Theater organization becoming a well-respected worker among my peers and hardened my work capabilities for years to come.
INVOLVEMENT
Your life isn’t defined by what you have done, it is defined by the people who you inspire along the way.
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Peruvian & Honduran
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American Institute of Architecture Students Fall 2022 - Present University of Miami National Organization of Minority Architecture Students Fall 2022 - Present University of Miami
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US Green Building Council Students Fall 2022 - Present University of Miami
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Alpha Lambda Delta Fall 2021 - Present University of Miami
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Alpha Rho Chi Fall 2022 - Present University of Miami
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Orientation Leader Fall 2022 - Present University of Miami
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Volunteer Personal Coach at PAL August 2017 — Present Hallandale Beach
JM ARCHITECTURE
CONTENTS 2024
01
Residential Villas
02
Campo Analysis
03
Venezia Minore
04
Venezia Minore’ Center for the Arts
05
1111 Lincoln Road Garage w/ KOMA
06
Model Building
A Conceptual Design | 2024 Professional Work
A Digital Reconstruction | 2023 Studio Work
An Urban Master Plan | 2023 Studio Work
An Adaptive Reuse Design | 2023 Studio Work
A Digital Reconstruction | 2022 Studio Work
Physical Construction | 2024 Additional Work
Spreads 2-5
Spreads 6-9
Spreads 10-12
Spreads 13-16
Spreads 17-20
Spreads 21-22
2024
A Conceptual Design | 2022
80 FT.
0 FT.
LEGEND 1.VILLA 2. LAKE 3. ROAD 4. ENTRY COURT 5. LAKE COURT 6. GARAGE ENTRANCE
5.
3. 3.
1. 6. 3.
4.
2.
01 ResidentialVillas A Conceptual Design Coordinator: Thomas Lopez-Gottardi Year: Fall 2022 - Present Collaborator: Thomas Lopez-Gottardi Working under Professor Gottardi’s team, I was tasked with reconstructing and assisting in designing a set of conceptual villas for a future architecture design workbook. This is an ongoing series with about 30 marvelous future villas. A set of drawings and renders that will continue to be developed and designed moving forward. The essential concept behind the set of villas we are designing is how we can use environmental factors such as nature and water to not only create a sustainable environment but also become a luxurious living space. Forming the villas around a large body of water created a grand central area, allowing for the rooms to be circulated along the pool, creating a courtyard-like space, only with water. These large-scale villas also allow for a large garden rooftop which serves as a significant part of the drawings as it is not only cooled by the water and nature but allows for a unique villa design.
S-2
A Conceptual Design | 2022
GARDEN FACADE
BASEMENT FLOOR PLAN
FIRST FLOOR PLAN
CENTRAL TRANSVERSE SECTION
SECOND FLOOR PLAN
THIRD FLOOR PLAN
FORECOURT FACADE
TRANSVERSE SECTION - ENTRANCE SIDE
2024
A Conceptual Design | 2022
EAST SIDE FACADE
WEST SIDE FACADE
LONGITUDINAL SECTION - THE GREAT POOL
LONGITUDINAL SECTION - GREAT POOL STAIR
CENTRAL LONGITUDINAL SECTION
S-3
S-4
2024
A Conceptual Design | 2022
1.
1. Canal 2. Bridge 3. Road 4. Forecourt 5. Sea Court 6. Villa 7. Gardens 8. Waterside Walkway 9. Lawn 10. Gazebo 11. Garage
8.
6.
7.
9.
8.
6.
11.
3.
4.
SITE PLAN
FORECOURT FACADE
3.
2.
S-5
A Conceptual Design | 2022
LAWN SIDE FACADE
FIRST FLOOR PLAN
SECOND FLOOR PLAN
GARDEN SIDE FACADE
THIRD FLOOR PLAN
ROOF PLAN
CENTRAL TRANSVERSE SECTION
CENTRAL LONGITUDINAL SECTION
A Digital Reconstruction | 2022
2024
02 Campo Analysis Digital Reconstruction Coordinator: Adib Cure Year: Fall 2023 Collaborator: Matthew Jarmon Campo Analysis: Campo dei Gesuiti
We were given the task of studying, comprehending, and visually representing one from a list of pre-selected campi in order to begin analyzing the urban fabric of Venice. The reason we selected Campo dei Gesuiti was because of its unique and narrow shape, its relationship to the neighboring streets and environmental features, and its diverse range of building styles. By examining this campo, we gained a better understanding of Venetian typology, scale, and the many ways a space can shape the pedestrian experience as one moves through it. Furthermore, we analyzed a variety of Venetian buildings ranging from a typical apartment home to important civic buildings such as the grand Chiesa di Santa Maria Assunta detta I Gesuiti. Overall this project provided, through drawing, a better grasp of the language of venetian architecture and its urban and environmental principles.
S-6
CHIESA DI SANTA MARIA ASSUNTA DETTA I GESUITI (Church of the Jesuits)
2024
A Digital Reconstruction | 2022
CANNAREGIO CAMPO DEI GESUITI
VENEZIA
La
0
gun
ad
iV
10 20
ene
zia
40
Rio
de S
Rio d
el G
esuit
i
Cam p
o de
i Ge
suit
i
80 ft
anta
Cat
erin
a
NOLLI PLAN
S-7
A Digital Reconstruction | 2022
WINDOW & DOOR DETAILS
Architect: --Year Built: Post-1800s Material: Red Brick, Broad Stone
Architect: Carlo Scarpa Year Built: 1963 Material: Wood, Iron, Stone
Architect: --Year Built: Pre-1800s Material: Red Brick, Stone
Ponte dei Gesuiti CANNAREGIO, VENEZIA
Fondazione Querini-Stampalia CASTELLO, VENEZIA
BRIDGES OF VENEZIA 0
5
10
20
Scale: 3/16” = 1’-0”
40 ft
Ponte Chiodo CANNAREGIO, VENEZIA
ezi a ad iV en gu n La A-A B-B
a.
CAMPO DEI GESUITI CANNAREGIO, VENEZIA
del G
esui
ti
Rio
de S
anta
Cate
rina
Rio
b. CA I GEMPO SU ITI
DE
DE PONT I GE E SU ITI
c.
LEGEND a. Chiesa di Santa Maria Assunta detta I Gesuiti (Church of the Jesuits) b. Oratory of Crociferi b. Cannaregio Police Station
A-A B-B
0
10
20
40
80 ft
A Digital Reconstruction | 2022
SECTIO 0
10
20
40
SECTIO 0
10
20
40
S-9
ON B-B
0
80 ft
CAMPO PONTE DEI GESUITI DEI GESUITI
ON A-A 80 ft
An Urban Master Plan | 2022
2024
03 Venezia Minore An Urban Master Plan Coordinator: Adib Cure Year: Fall 2023 Collaborator: Mathew Jarmon, Bianca Bernstein, Deigo Zubillaga This proposal is a proposition for a new residential neighborhood and a contemporary exhibition center on the Island of Sant’Elena. As architects, we were encouraged to maintain, adapt, and reuse all building structures older than fifty years existing within the area. We closely considered the compositional manifestations of public spaces and their interrelation with street patterns and the surrounding residential typologies, as well as specific responses to the presence of water, their scale and dimensions. ‘Venezia Minore’ was named for its English translation: ‘Venice Minor’ or rather, ‘Little Venice.’ This title captures the essence of the design as it incorporates several vernacular elements native to Venice and stitches them together in a charming and enchanting way. Such is the character of Venice.
S-10
SITE SECTION
2024
An Urban Master Plan | 2022 FIRST PHASE OF DESIGN
SECOND PHASE OF DESIGN
SITE ELEVATION
S-11
VENEZIA MINORE’ 0 20
Parco delle Archipelago
ca
ian
di B
C
de
lle
Fo r
on
lle
i Le
Ca
ale d
le ana
Can
Gardini Principale Sant’Elena
ne
r
lle
Ca ice
ad
iR
de
za
eran
di Sp
Calle dei Archi
Cortile della Baia
ale Can
Campo della Fortuna
Cana
Campo delle Entrata
le di
Cure
60
140
240
2024
An Urban Master Plan | 2022 PERSPECTIVE RENDERS
CAMPO DELLE ENTRATA
CANALE DI CURE
CAMPO DELLA FORTUNA
PARCO DELLE ARCHIPELAGO
CALLE DELLE FORNER
GARDINI PRINCIPALE SANT’ELENA
2022 S-12
25
An Adaptive Reuse Design | 2022
2024
04 Center for the Arts An Adaptive Reuse Coordinator: Adib Cure Year: Fall 2023 Collaborator: Mathew Jarmon The task of this project is to develop a Venetian Contemporary Exhibition Center, adapting for reuse of the largest historical structures and adjacent open-air public areas on the north end of the Urban Vision Plan at the Island of Sant‘ Elena. The brick warehouses are a significant testimony of light industrial structures in Venice at the turn of the XIX century. The structures were part of the complex of facilities where public vaporetos (water buses) were repaired and maintained. Venezia Minore: Center for the Arts‘ does not just refer to the exhibition center, but the whole of the proposed neighborhood that the adaptive reuse project resides within. The urban vision plan was designed with two things in mind: creating a feeling of a miniature Venice within itself, and establishing the neighborhood as a cultural and intellectual hub. It is host to several levels of academia with three schools and has its own concert hall (the civic building in the center). The focus on creating spaces for cultural exchange was inspired by the stadium and several other shops catering towards the arts in the already existing neighborhood of Sant‘ Elena.
An Adaptive Reuse Design | 2022
S-13
SITE PLAN
GROUND FLOOR PLAN
MEZZANINE FLOOR PLAN
SECOND FLOOR PLAN
ROOF PLAN
An Adaptive Reuse Design | 2022
2024
TERRACOTTA ROOF TILES
RED BRICK
CAST STONE BALUSTRADES
STEEL-FRAME WINDOWS
PAINTED WOODEN PANELS
CONCRETE
MATERIAL PALETTE
MATERIAL DETAIL
SOLID & VOID SOUTH ELEVATION
SOLID & VOID NORTH ELEVATION SOUTH ELEVATION
EXISTING
PROPOSED
NORTH ELEVATION
EXISTING
PROPOSED
S-14
An Adaptive Reuse Design | 2022
2024
NORTH ELEVATION
0
10
20
40
80 feet
0
10
20
40
80 feet
SOUTH ELEVATION
2022 S-15
31
An Adaptive Reuse Design | 2022
2024
SECTION A
0
10
20
40
80 feet
0
10
20
40
80 feet
SECTION B
2022 S-16
33
A Digital Reconstruction | 2022
2024
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Lincoln Road Garage 05 1111 w/ KOMA Digital Reconstruction Coordinator: ZegharYasmine Year: Fall 2022 Collaborator: Luisa Maria Hernandez Arboleda
Designed by Swiss architects Herzog & de Meuron, 1111 Lincoln Road is a modern and luxury property that brings together office, retail, and parking all under one amazing structure. Jacques Herzog was inspired the Tropical Modernism and modern movement in Brazil. It is an open structure providing shade and each floor stands over a set of irregular columns, giving a sense of equilibrium and balance and character to the facade. The New York Times has labeled parking garages “the grim afterthought of American design”. But Wennett was determined to do something different and interviewed ten well-known architects around the globe before choosing Herzog & de Meuron. Construction began in 2008 and entailed closing the western end of Lincoln Road Mall.
8613789ÿ 1
9853 ÿ235003ÿ2063789
S-17
A Digital Reconstruction | 2022
ÿ ÿ ÿ 1111 LINCOLN ROAD GARAGE RENDER
CENTRAL TRANSVERSE SECTION
SITE SECTION
151 0ÿ2063789
2024
A Wassily Kadinsky Inspired Design | 2022
KOMA
SEVERAL CIRCLES
PHASE ONE
KOMA is a design inspired by the painting “Several Circles” by Wassily Kadinsky who adopted certain aspects of the utopian artistic experiments of the Russian vangarde and placed an emphasis on geometric shapes. The importance of the circles in this screen is based on that cosmic and harmonious image. “The circle,” stated Kandinsky, “is the synthesis of the greatest oppositions. It combines the concentric and the eccentric in a single form and in balance. Of the three primary forms, it most clearly points to the fourth dimension.” That is why an abstract work like this looks like a group of planets in harmonious orbit through the cosmos. Planets of various colors and sizes dialogue and overlap to get an image of the universe.
PHASE TWO
PHASE THREE
PHASE FOUR
EL AN
MA IN P
PROPOSED SCREEN LOCATION
SCREEN RETRACTED
S-18
2024
A Wassily Kadinsky Inspired Design | 2022
NORTH SECTION
EAST SECTION
SCREEN DEVELOPMENT
EXPLODED AXONOMETRIC
GOLDEN RATIO SCREEN
GROUP SCREEN
S-19
9
Selected Works
40
S-20
Additional Work | 2022
2024
06 Model Building Additional Work Coordinator: Studio Professor Year: Fall 2022 - Present Collaborator: Studio Class Building physical models in architecture is incredibly beneficial and successful to the design process. When designing I tend to instantly use model building to lead my design as it provides a tangible representation of ideas, allowing myself to have a better understanding of spatial relationships, proportions, and scale. Using different materials such as foam, wood, and even 3D printing, I can experiment with textures, colors, and structural elements, gaining insights into how these factors interact within the design. Allowing myself to present a clear visualization of concepts compared to just digital renderings alone. This also leads to innovative solutions and problem-solving when trying to determine a direction in the design process, being a significant tool in the design world.
Additional Work | 2022
S-21
St. Augustine Urban Design
Working under professor Astigarraga, in an urban design studio, I was tasked with leading a group of students in designing and modeling an urban master plan, located in St. Augustine Florida. Using a mixture of wood and 3D printing filament I was able to handcraft a master plan to have a better representation of the site we have successfully designed. This beautiful model allowed myself and my team to continue to carve spaces within the site and have a better understanding of how to design a large-scale master plan for future projects to come. This became one of my first successful physically built models.
ROW HOUSE ZOOM-IN
ST. AUGUSTINE CONTEXT MAP
COURTYARD HOUSE ZOOM-IN
CENTRAL PARK ZOOM-IN
SOUTH VIEW
MASTER SITE PLAN
WEST VIEW
2024
Additional Work | 2022
Venezia Minore
Working under Professor Adib Cure, in a Venice-styled studio, we were tasked with designing our own Venetian urban master plan, located in Sant’ Elena Venice, Italy. My team and I went through many variations of this plan, using 3D printing and hand-crafted wood to assist us in solving design problems and coming up with creative solutions to solve any planning issue we may have faced. Designing and modeling this precise master plan allowed us to take a closer look at the spatial relationships we were creating and allowed for the physical model to assist us in shaping “Venezia Minore.”
NW SITE PLAN
SITE PLAN
SE SITE PLAN
VENICE MASTER PLAN
CHURCH ZOOM-IN
SITE ELEVATION ZOOM-IN
Additional Work | 2022
S-22
Center for the Arts
The second phase of the Venetian-styled studio, was an adaptive reuse design of an existing warehouse turned into a grand museum “Center for the Arts.” This fully 3D-printed design allowed myself to take the next step in physical model-making by diving into a large, detailed structure and finding innovative ways to represent my design. Many variations were made of this adaptive reuse building, allowing not only for the structure itself to form but also to continue developing the intricate details that would soon be the staple of this design. Finally coming to a marvelous model that was able to represent every detail of the “Center for the Arts.”
INITIAL MODEL TEST
SW VIEW
ROOF PLAN
NORTH ELEVATION
SOUTH ELEVATION
NW VIEW
“Any project can change a community, and if you change enough communities, you can change the world” -JP