JONATHAN KAYE SELECTED WORKS
(+1) 847.714.6405 jkaye@iastate.edu issuu.com/jkaye65
Jonathan Kaye EDUCATION Iowa State University College of Design GPA | 3.94
ENGAGEMENT Bachelor of Architecture Secondary Major in Environmental Studies Expected Graduation Spring 2023
EXPERIENCE Intern Architect Larson & Darby Group
Rockford, IL May - August 2021 January - February 2022
Winnebago County Family Law Courthouse produced schematic plans
Discovery Center Museum
iterated design development schemes
Rockford Bank & Trust
led monument sign design development
Project Manager Tanglewood Properties
Huntley, IL August 2019 - Present
Farm Hill Place 12555 Entry Lobby
iterated custom flooring renovation
Tenant Suite 500 Buildout
Chicago, IL May - August 2018
HONORS + AWARDS Exhibiting Architecture Exhibition: Who Curates? | January 2022 contributed installation critiquing 2021 Venice Biennale practitioner representation
AIA Iowa Emerging Professionals Competition | September 2021 selected to showcase student work (awarded 5th place)
ISU College of Design Dean’s Design Charrette | April 2021
produced plans + interior design led business branding and web design
Iowa State University Top 2% Academic Ranking | 2020
Evans Scholar Foundation Headquarters redlined construction documents
LinkedIn Chicago Office
iterated conference room schemes
Insurance Company HQ Repositioning Bid designed + constructed 1:100 site model
SKILLS + SOFTWARE Revit Autocad SketchUp
participant in Iowa State University’s The Future of Exhibiting
Iowa State Innovation Fellows Corps | May 2021 - Present Datum Journal of Architecture | April 2021 - Present American Institute of Architecture Students | August 2020 - Present Salt Company Ministry | August 2017 - Present
produced plans + interior design acted as construction administrator
Coop Coworking Buildout
Professional Intern Gensler
Venice Biennale Sessions | September 2021
Adobe Creative Suite Bluebeam Revu Rhinoceros
selected to pursue Innovation Project (awarded 1st place)
identified via GPA as high-performing student within senior class
National Concrete Masonry Association Unit Design Competition | 2020 team selected to develop and present a novel CMU (awarded 3rd place)
College of Design Dean’s List | August 2017 - Present Iowa State University Honors Program | August 2017 - Present President’s Leadership Class | August 2017 - May 2019
TwinMotion Lumion V-Ray
member + sophomore advisor (mentoring, leadership development for 30 freshmen)
CIRT National Design and Construction Competition | May 2017
selected to represent ACE Chicago team in Washington, D.C. (awarded 1st place)
works
1
Headspace Professor Pete Goché | Fall 2021 | Ames, IA
2
Prenestino Social Hub Professors Simone Capra + Consuelo Nuñez Ciuffa | Spring 2021 | Rome, Italy
3
Vol(u)me Professor Rob Whitehead | Spring 2020 | New York, NY
Exhibiting Architecture: Who Curates? Professor Vladimir Kulic | Spring 2022 | Ames, Iowa
4
1
HEADSPACE
AMES,IOWA
with sam barger + lexy call + mackenzie deiuliis
0’
12’
24’
Installed on a working farm, the beauty and clarity of this drawing assembly’s grain-bin setting compelled an exploration of form and aesthetics. Further provoked by philosopher Gaston Bachelard’s idea of cellar and attic as polar locations bound within a single structure, as well as Sylvia Lavin’s contemporary examination of psychologization within Modernist architecture, this composition became simultaneously a static installation and an ambulatory experience.
“
As for the cellar, we shall no doubt find uses for it… It will be rationalized and its conveniences enumerated. But it is first and foremost the dark entity of the house, the one that partakes of subterranean forces. When we dream there, we are in harmony with the irrationality of the depths. Yet a roof tells its raison d’être right away. It gives shelter from the rain and sun we fear. We “understand” the slant of a roof. Up near the roof all our thoughts are clear and even a dreamer dreams rationally. —Gaston Bachelard, 1958
0’
6’
12’
24’
As much psychological as physical, thermostatic colors intensified feelings unsubstantiated by actual temperature change, yet undeniably present. Lighting originated from outside the bin, entering through existing hopper doors set within the walls and augmenting a series of ceiling baffles which divided the grain-bin volume and imposed discovery, compression, and clarity.
2
PRENESTINO SOCIAL HUB
ROMA,ITALY
with finn cleveland
34.0 m
38.0 m
37.0 m 42.0 m
43.0 m
This project is sited in the Roman quartiere of Pigneto on a parkland site defined by disparate morphologies: railways to the North, varying scales of housing to the East, West, and South, and the distinct identity of the ancient cylindrical tomb, Torrione Prenestino.
42.0 m
42.0 m
40.0 m
43.0 m
Prenestino Social Hub is embedded in its place as a series of disfigured pure forms arranged to optimize access from all directions and thoughout each floor. This manifests a public, connected Compagna for contemporary and future living.
41.0 m
42.0M GROUND 5m
25m
This proposal mediates between morphologies with a strong horizontal form and references the disfigured monument by intersecting this shape with a lower wider tube at its West. As a community center and apartment building, this hub aggregates disparate demographics of community members. On the East of the site the building is raised, framing industry, the torrione, and a public piazza below with a single gesture. This radical decision determines the role of the building as a social agitator, one which defines historical monument and industrial progress as equal contributors to the central human experience.
38.0 m
37.0 m
38.0 m
37.0 m
38.0 m
“
37.0M LOWER LEVEL
Prenestino Social Hub is a project of monumental scale dividing the visible city, while simultaneously its internal organization is a delicate response elevating the continuity of public space.
57.0 M 54.0 M 51.0 M 48.0 M 45.0 M 42.0 M
43.0 m
42.0 m
41.0 m 38.0 m
37.0 m
5m
25m
37.0 m
ATRIUM
PIAZZA
WORKSHOP
CAFE
COWORKING
SHELTER
OFFICES
38.0 m
COWORKING
5m
FLEX SPACES
25m
3
VOL(U)ME with shivang patel
Roeltvso Island, New York is a in the round .
theatre
Its tialesdnr estruc ear angedr in picturesque tingse and the s ’ esit ansitr and trianpeds altrenc ot user .exprinc
connectivity is
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institutionalized steidnr ot the modern edsir rof community , the oughsbr ehav emaindr spectators ot the esliv fo its ts.eidnr Today esquir a dignifed stage ewhr visblty is PRODUCED edarticul oughtr esdgr fo veiledBY AN AUTODESK STUDENT VERSION senses.
FLOOR 5
1/32” = 1’
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCE
Cosedmpo fo mass-timber prefabricated units with edatgrin PRODUCED BY AN AUTODESK STUDENT VERSION es,rvic the ormf and trucions fo this wellness center and apartment building uports its mison as a eplac orf engad, mindful livng.
FLOOR 4
1/32” = 1’
GREENSCAPE Nature >Accessible Outdoor Spaces
STRATEGY TO AVOID Double Loaded Corridor >Enclosed Courtyards >Lack of Exposure to Sunlight >Binary Relationship with View
COMMUNITIES
Coler Specialty Hospital >Long-Term Care
Community Garden >Garden Plots for Rent
WIRE Housing >Dense High-Rises
Cornell Tech Campus >University Research
Smallpox Hospital >Institutional Patients
0’ 6’
30’
PRODUCED BY AN AUTODESK STUDENT VERSION BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
West Building | Floor 4 1
FLOOR 4
West Building | Floor 5 FLOOR 5
PRODUCED BY AN AUTODESK STUDENT VERSION
East Building | Floor 4 East Building | Floor 5
Coliving Upper Suite Plans
1
50’6” | Roof
40’ | Floor 5
29’6” | Floor 4
21’ | Floor 3
10’6” | Floor 2
19’ | Floor 3
8’6” | Floor 2
-2’ | Ground Floor
Section A-A 0’
16’
32’
WHO CURATES?
4
The 2021 Venice Architecture Biennale theme asked How will we live together? Held during the COVID-19 pandemic and amongst a global reckoning of power and institutional inclusivity, the Biennale, curated by Hashim Sarkis, sought to Since 1980, the Venice Architecture Biennale has presented a curated view of the discipline through a demonstrate a modern thesis for living through curator-selected exhibition bi-annual thematic exhibition. Split geographically in Venice, Italy amongst two venues — l’Arsenale and Giardini the exhibition is a sprawling event. pavilions. Each edition features a new curator selected by La Biennale halls and— nation-state sponsored de Venezia’s rotating three member board and based on recommendations from its standing President. The 2021 edition installed Hashim Sarkis, a practicing architect and Professor and Dean of the School of and in Planning at the Massachusetts Institute of Technology, asto curator. With his team, Sarkis ToArchitecture be included the Biennale, practitioners responded this thematic question and the Venice Architecture Biennale proposed the thematic question How will we live together?
with work demonstrating intellectual merit and contemporary relevancy. With How will we live together? isinclusion comprised ofiscurator-selected hallsand and national pavilions. To bethe few projects selected, consideredexhibition an honor privilege within included in this edition, practitioners responded to the thematic question with work demonstrating discipline architecture. intellectualof merit and contemporary relevancy. With few projects selected, inclusion is considered an honor and privilege within the discipline of architecture.
research installation critiques this inclusionthis by evaluating the geographic and institutional origins ofthe A This research installation critiquing inclusion, Who Curates evaluates practitioners which were represented at the 2021 Biennale. geographic and institutional origins of represented practitioners. As a curatorial project, the selected, included, and presented exhibits reckoned with contemporary issues which have propelled us into crises related to climate, politics, race, and ethnic identity. The Biennale’s ambition is clear — it seeks to speculate the concepts of “living together” and “we” — yet by shifting the individualist paradigm of the field to a collective one, the geographical composition of the exhibits provides a different narrative. Three globes and a large-scale map reveal the inherent gaps in representation of non-Western countries at the Biennale. The use of these geographically undistorted spheres and Buckminster Fuller’s minimally distorted 1954 Dymaxion Map produces a heightened sense of our imbalanced planetary habitation and its official Biennale representation. Globes I and II reveal the origins of national pavilions. While the content of these exhibitions responds to the thematic question, national pavilions often serve the political and social interests of their countries. Inclusion at the Biennale requires institutitional connections and financial solvency, so it can be challenging to be present. Globe III explores institutional origins of practitioners selected for inclusion in l’Arsenale’s Corderie by Hashim Sarkis and his team. At the core of our critique is asking those engaged in the practice of architecture and the representation of the discipline at the Biennale if “togetherness” has been considered in its full geographical scope. These data can be cross-referenced against the wall-mounted map which combines proportional representation of national pavilions with the origins of Curator-selected practioners at Corderie. Practitioners’ profile pictures are situated on the city in which they practice and operate in tandem with a list of their names and nations to offer a complex global portrait of WHO CURATES. —Paavan Joshi + Jonathan Kaye + Berit Nuetzmann + Samarth Vachhrajani
with paavan joshi + berit nuetzmann + samarth vachhrajani
III
I
Globe I — Unrepresented Countries
Globe II — Represented Countries
Globe III — Institutional Origins
By “erasing” countries which were included at the Biennale and representing the unrepresented, attention is refocused toward geographies often under-spoken and unspoken for in architecture.
By rendering the globe as an empty field populated by represented nations (which host pop-up or permanent exhibitions), inherent geographic and perspectival limitations are elevated.
By identifying the educational institutions of practitioners, nodes of thinking and professional origins become identifiable by frequency of represented graduate beyond nationality and modern practice.
Asia Asia Countries Countries Represented Represented — 18 — 18
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III III are Practitioners’ profile images situated on the city in which they practice and operate in tandem with a list of their names and nations to offer a complex global portrait.
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2021 Venice Architecture Biennale Curated by Hashim Sarkis
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RD ER ON CO IE GD R IV ER DE SE AM ON RIBEIN GD E GS I
Globe III — Institutional Origins This globe identifies the educating institutions of practitioners by mapping nodes of thinking and professional origins. It seeks to expand the discourse on representation in the Biennale beyond its national asymmetries. Through the compilation of the educational backgrounds of practitioners included in l’Arsenale’s Corderie, a comprehensive understanding of institutional origins becomes evident. Each institution is represented by a single dot whose scale is commensurate with the number of practitioners who have attended there in pursuit of a graduate degree.
Three globes and a large-scale map reveal the inherent gaps in representation of non-Western countries at the Biennale. The use of these geographically undistorted spheres and Buckminster Fuller’s minimally distorted 1954 Dymaxion Map produces a heightened II of II sense our imbalanced planetary habitation and its official Biennale representation.
Africa Africa
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Globe II — Represented Countries This globe identifies countries which were represented at the 2021 Venice Architecture Biennale. By rendering the unrepresented globe as an empty field populated by marks of recognizable, represented nations, we recognize the inherent geographic and perspectival limitations of representing only some countries. Represented nations host self-funded, long-term structures at Giardini or one-time pop-up exhibitions at l’Arsenale. These settings lend institutional cachet and voice to critique that global citizens require a better dialogue about who is included and what “together” means.
A curatorial project, the Biennale seeks to speculate the concepts of “living together” and “we.” Yet by shifting the individualist paradigm of the field to a collective one, the geographical and positional composition of the I I exhibits begins to provide a new narrative.
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Globe I — Unrepresented Countries This globe identifies countries which were unrepresented at the 2021 Venice Architecture Biennale. By “erasing” countries which were represented, a stark contrast between our conceptions of a Global North/South and/or Western/Eastern Countries can be recognized. Representing the unrepresented provides attention to geographies often under-spoken or unspoken for in both the field and the Biennale. The choice to “erase” represented nations is purposeful — it brings focus to what was unseen rather than re-emphasizing that which already has been.
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South South America America Countries Countries Represented Represented —7 —7
Europe Europe
Countries Countries Represented Represented — 34 — 34
Argentina Armenia Austria Brazil
Canada
Cape Verde
Colombia
China
Chile
Denmark Ethiopia
Germany
France
Greece
Lebanon
India Italy
London
Norway
Nigeria
Mexico
Antarctica Antarctica Republic of Kosovo Republic of Kosovo
Portugal
Peru
Switzerland Taiwan
Spain
United States of America United States of America
The Netherlands The Netherlands
United Kingdom United Kingdom
NumberNumber of of Countries Countries Represented Represented
(Total of 64(Total Countries) of 64 Countries)
Venice, Venice, Italy Italy
Countries Countries Represented Represented —1 —1
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