Architecture Portfolio_Jinlong Li

Li, Jinlong Architecture, UNSW, NSW, Australia Portfolio I Selected Works 2016-2021

建筑的思考

我对建筑的感悟始于一个夜晚对水岸山居的探索，特别 是沿着坡道走出屋顶，看着周围变小的房子，一种一览 众山小的感动出现在心里。于是我相信，好的建筑中有 一种存在（presence），它能和我们对话，所以我们被 感动产生共鸣。这种存在营造了氛围或者它本身就是氛 围。如祖母托所言，这种存在不只在有人的时候才会出 现，而是一直在这里，和万物交流，只是我们的精神或 者情感恰好能与之对话罢了。就如总有一些老物件我不 觉得陈旧也不想丢掉，可能就是因为里面有我们看不到 但能和我们对话的存在。 于是我思考这种存在从何处来。可能来自于场地特有的 东西，某些特质，或者而一段独特的历史，或者在这里 的某种材料。这种存在留存于这些地方，只是非常微 弱，而建筑就像一个放大器，材料建成墙，墙变成空 间，于是这些存在被聚集在一起，有了和我们对话的力 量。就像一份乐谱，这些存在是散落的音符，建筑就是 把这些音符放在一起后组成的交响曲，让人们能和场所 对话，和历史对话。就像水岸山居，如果光有瓦片石头 或者光有坡道，我想可能很难有置身于山林的感受，更 不可能在登顶的时候体会到那种情感。 我设计的时候喜欢从探究历史开始，历史是智慧的源 泉，它可以帮助我发掘这些存在于传统和文化间的品 质。最后，我一直相信在艺术的表达之前，建筑要做对 做坚固，而传统的材料和建筑手法无疑被历史证明是合 理的，所以我向场地、历史、传统的建造工艺和材料学 习，不只是寻找这种存在和氛围也是为了做出坚固的建 筑。

Thought of Architecture

My inspiration for architecture started with a night trip at Shui An Shan Ju in Xiang Shan Campus. When I walked out of the roof along the ramp and stairs, the surrounding buildings become smaller, a feeling of “All the mountains are small at a glance” was revealed. Then I believe that there is a presence in architecture, it can have a dialogue with us, then we are resonated. As Zumthor said that it not only appears when a human is actually in space. It always exists, has conversations with all the things here. Just our spiritual/emotions can coincidently have a dialogue with it.

Then I start to think about where the presence comes from. It may come from something special in site, a piece of memory, or a special material. It’s already here, just too weak to tell. Architecture is like an amplifier. Material to be a wall, walls form a space, the presence gathers which have the power to talk with us. It is like a music score, the presence is like the musical note. Architecture put all these notes together to become a symphony. Then it can be understood and have a dialogue with it.

I’d love to start a design from history, it is the source of wisdom. It helps me discover the presence that exists between tradition and culture. Finally, I believe that architecture is not only an expression of art but also a structure for living. It needs to be strong, and stay on-site a long time, the traditional construction strategy and materials are proved by time. So I learn from the site, history, traditional construction techniques and materials. It not just looking for the presence and atmosphere but also to make a solid building.

JINLONG Phone: 15086900702 Wechat: Jeremy423774064 Email: robot.color@gmail.com Born: 13 Jan 1997

LI 142 Qinglong Road, Hechuan, Chongqing, China.

401520

About me: I loved reading and discovering the philosophy of architecture and was fascinated by the atmosphere. I travelled to a different place to experience their culture and to see their architecture when I have time, I believe only that a real experience can fully evoke or inspire people’s thoughts about architecture.

EDUCATION

教育经历

2019 -

+ University of New South Wales l New South Wales, Australia Master of Architectural Studies 建筑学硕士

新南威尔士大学

2015 - 2019

+ University of New South Wales l New South Wales, Australia Bachelor of Architectural Studies 建筑学学士

新南威尔士大学

2009 - 2015

+ Nankai Secondary School l Chongqing, China Graduated

EXPERIENCE 2021

+ “Unboxed” Online Virtual Exhibition UNSW - Architecture Graduation Exhibition

2021

+ Teaching Assistant UNSW

2021

+ House Renovation

75 Trafalgar St, Sydney, Australia

2020

+ Annual Portfolio Design UNSW, Construction & Management’s Portfolio

2017 - 18

+ Huan Yu Tian Chengl Hunan, China Entrance design, Interior design

2016 - 17

+ Sichuan Fine Arts Institute l Chongqing, China Interdisciplinary Project

ACHIEVEMENTS 2021

+ Winner of Songyang Architecture Competition 首届松阳乡村振兴全国建筑设计大赛

2020

+ Winner of Bee Breeder Microhome 2020 Bee Breeder微型住宅2020国际设计竞赛

2016 - 17

+ Super Studio Students Competition 澳洲Super Studio学生建筑设计竞赛

SKILLS Design

Rhinoceros, Revit, Adobe Suite, Lumion, Vray, Sketch Up

Fabrication

Kirigami, Hand drawing/modeling

南开中学

实践经历 建筑系毕业展策划

新南威尔士大学助教

住房改造

营建管理系作品集设计

寰宇天成 l 实习

四川美术学院跨学科交流项目

成就 First Place 第一名 Third Place 第三名+学生奖 Second place 第二名

技能

Content Architecture Community Centre The Door and Window Anonymous Watchman Yoga House on Cliff Origin Atmos Restaurant on Cliff

1 7 15 21 29 35

Interior Huan Yu Tian Cheng Apartment 75 Trafalgar St House

41 47

Exhibition “Unboxed”

53

Appendix

57

Community Center

2020

Chippendale, a historic site related art, is a good culture site.

After 70s, Chippendale attract young and well-educated people living here. At the same time, there is a growing sense of art.

Then, the council recognized that here is not only about art but the heritage buildings should be retained and restored. The nearby CBD of Sydney lies behand the site and in front of it, look about the park and low level residential. It is quiet, hard to hear the traffic noise.

Our project is a small community centre. After a review of the history and main group of people lived in this area, I think the community centre should combined by three function – a working place for sculpture artist, a small gallery space for exhibition these works, and a library. These three functions are benefits to each other to increasing the numbers that come to the community centre.

I love the idea of place separation function in separation building in the same site, the connection between them can be made after. In this way, you can achieve an open garden between these buildings to connect the surrounding; and described the genius loci – create connection between city and suburb, between old and new.

The community centre is conceived in the terms of its material production. The decision is using the material that we get from the demolished building waste to create the new brick. I believe their will be a sense of transform from old to new when visitors touching the material. The new material is still considered in it – the glass brick, it is placed at the inner façade, “new” leaking from “old” with “brick” form.

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For me, lighting is another important feature. I would love to see the sculpture dancing under the nature lighting. A “light box” is created on the wall to achieve the idea, it changed all day. I believe a same project in the exhibition box will provide different understanding to visitors at different time. Moroever It can more delight me when human studying under the nature lighting because I believe the nature lighting will bring wisdom to reader to understand the world.

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The Door and Window

Group Competition Winner; 1st place 2021

After the baptism of the industrial age, the city is full of reinforced concrete, the residents' living units are getting smaller and smaller in the pace of the city dominated by speed so that the emotional needs based on group life become more and more indifferent. In Huangnan village of Songyang, the loss of young people led to age polarization and fault lines among villagers, but it retained the close state of life in the form of traditional Chinese clans. We want to design Huangnan Village Resident Center as a starting point, through the building will be Huangnan Village's culture in an exploratory way to fully and subtly show to urban residents, while the vitality of urban modernization and into the countryside, so that villagers and tourists in the interaction to find each other's innermost lost beauty.

The design concept begins with a chance encounter with the owner or the property - Uncle Ye, at the village entrance grocery store. Meeting Uncle Ye for me is like opening a false door, let us step into Huangnan village. The day with him was like seeing the village through several windows, through which we learned more about the story of Huangnan village.

The concept of our architectural design transformation comes from the views of these doors and windows. The door of the ancient village is half-hidden, conveying the mutual trust between the villagers, but also conveys the welcome to the travellers outside the village. When doors and windows appear, the building is no longer a fortress, and the space in our house, surrounded by four walls, changes accordingly, and a connection with nature and humanity emerges. The inner façade of the ancient village became the façade of the outward display, and the house became a landscape, creating the doors and windows between Huangnan village and the city travellers.

07 l 08

“When doors and windows appear, the building is no longer a fortress, and the space in our house, surrounded by four walls, changes accordingly, and a connection with nature and humanity emerges.”

For the reconstruction of villages and ancient buildings, architects should respect their regionality. We use a slightly restrained approach to emphasize the introvertedness of the building, and at the same time reshape the relationship between the base and the building itself in a lightweight construction method on the outside of the building. First, the public and the transitional space from the street to the building are constructed with a semi-enclosed volume. This space is also a place for residents to enjoy the coolness in summer, daily chats, festive banquets, and other public activities. We provide Visitors and villagers with different perspectives to experience the entire external place. Through the design of the outdoor connecting part of the space, we intend to reshape and strengthen the connection between the main building

part and the riverbank. By redefining the activities of the villagers and tourists along the river, the traditional water-centric activity is embedded in the design. Become a generator of outdoor activities in the village. Washing laundry, chatting, stopping, and enjoying the scenery, these interactions that take place along the river establish a bond between the villagers and tourists, and show the activities of the villagers to the people passing by.

The experience space for detecting bacteria is located in the firewood room on the upper right of the original building.

The original material atmosphere of the firewood room is reused, and this place is designed as a display rack for bacteria-cultivating wood. While not affecting the villagers to continue to grow bacteria here, the display racks can allow visitors to shuttle and explore between them. A part of the display rack connects the attic reading side of the second-floor space as a display space, amplifying the sense of traveling through the door and the space exploration experience between building floors.

To increase the openness of the interior of the building, a double-layer virtual box in the centre. The skylight penetrated through the roof to enhance the order of the original space and construct a loop-shaped internal circulation. Light pass though the north skylight at roof which is soft, and the double-height space breaks the vertical enclosure of the original building.

This is an old house built more than 100 years ago. We respected the original characteristics

of the old house and made it more prominent.

We do not plan to remove original columns from here. The roof of the entire space maintains the original beam and column structure are preserved, making it an indoor form of expression. The open space and publicity are preserved, enclosing two pieces of sky. The choice of materials continues the form of transmission, with earth walls and logs as the main body, breaking the heaviness of the building through the intervention of contemporary light steel and glass materials.

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H S c d e c H

Honey and mushrooms are the main agricultural products and economic sources of the village.

Smell bee and explore, as the building behind the two experience space, with the second floor connected up and down the space processing method, combined with the main concept of doors and windows, and the middle reading space to form the main node of the building internal enclosure. Both make use of the existing environmental conditions of the original building to carry out the transformation, the village unconscious experience into the building, thus forming Huangnan village's unique agricultural farming culture display experience.

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Anouymous Watchman

Group Competition 3rd Place of All Winner of Students Award 2020

A flare dancing over the land, a radiance hanging in the air: a feeling of warmth arouses. Our dream is to capture the precious scent of warmth and intimacy. As the sun sets, longlines may be filled with occupants in the off-grid landscape. When the building merges with the darkness of the night, the “lantern” illuminates from the distance and guilds the way home.

We loved the idea that a prototypical architecture that can be placed anywhere, acting as a medium between occupants and the natural environment, staying "anonymous", as well as a container for the soul to rest.

As Heidegger said, human perception is integrated with the external environment.

On the one hand, microhouse embraces the rational ideology – being sustainable and responsive. The entire cabin's core consists of aquaponics, passive heating/ cooling, and a PV system to achieve self-sufficiency and sustainability.

15 l 16

"A flare dancing over the land, a radiance hanging in the air: a feeling of warmth arouses."

7

Level One Plan 1:100

8

A

2

3

1 9 5 4 6

A

Ground Level Plan 1:100

Section A-A 1:100

4.Dining 5.Kitchen 6.Study

7.Bedroom 8.Deck 9.Acroponics

The aquaponics system contains three main parts: a plant growing bed, nitrification filter, and fish tank.

Fish waste can be converted to fertilizers for the plant to grow; plants function as the filter; the bacteria in the nitrification bed provides the basis for the organic cycle.

The water tank on the roof can not only capture rainwater to provide water for the kitchen, toilet, and aquaponics.

However, it can also be used as a passive heating/cooling device to ensure the thermal comfort of the upper space.

Construction materials can be sourced locally as it is mainly timber-framed.

Ro o f Wa t e r 07 l 08 Tank

Heat Stored Plant Growing Bed Water Tank

Aquaponics System Heat Released

Folding PV Panel System

Sustainable System Overview

Roof Water Tank

Nitrification Bed

Aquaponics System

Folding PV Panel System

Yoga House on Cliff

Group Competition 2020

Spirit and function, for us, share the integral quality of architecture, upon which the yoga house is designed Solid wall separates the site and create different stage along the wall to have an analogy between spatial sequence and the mind stage of yoga. In the end, through yoga, the seer abides in his own self. The entire architecture is a journey, an abidance of one's mind and self, creating the cosmic relationships.

Light and shade, water and land, material and transcendence, the mountain back and valley front. And then, suddenly, the yoga space becomes mysterious. When water feature growing out from the wall, the rammed earth revealed chronological difference, as water erodes one side.

We loved the idea that occupants can enjoy the space with different spatial qualities. Sunlight trickles in through narrow slits or through the gaps we left open between the roof panel. Daylight and landscape flood into the practice space through the giant window. The changing light of days and seasons gives texture and shape to the surfaces of rammed earth, water, and landscape.

The Yoga House is conceived in terms of material makeup. The material presence is essential to us: the layers on the wall, the colors of rammed earth, the exposed concrete, the steel frame, and glazing We believe the quality of the material should be somehow revealing the devotional qualities of yoga.

Filtered light gently illuminated above from the ceiling, through translucent PC panel, and lights up the entire practice space. PV panel setting on the top of roof in-between each tiny light hole to produce the electricity required daily.

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1

4

5

8

7 3

1 2 3 4

5 6 7 8 9 10

11

400 mm rammed earth with 80 mm insulation.

3 mm steel sheet metal coping, peroxidised.

Double Insulation glazing: 10 mm toughened glazing 15 mm cavity 2x6 mm laminated safety glass Roof construction: 40 mm Concrete slab 50 mm Gravel 80 mm Insulation layer 5 mm Va per barrie 455 mm Grid concrete slab drainage gap Double glazing Argon gas PC panel for diffusing light Steel panel Flooring construction 20 mm Timber flooring 80 mm Insulation 80+ 100 mm Steel framing Flooring construction: 15 mm Self leveling compound 30 mm Cement Separation layer 80 mm Insulation 170 mm Concrete slab

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1

4

5

8

7

10

11 9

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“Land pours into walls, a feeling of bath in the nature appears”

25 l 26

The main building material is rammed earth. The soil can be excavated in the local region, tinted by different pigments. Rammed earth behaves as heavyweight masonry with a high thermal mass, which absorbs the heat during the day and releases it during the night. Moreover, A large amount of PV panel is placed on the roof, in between each tiny skylight, to provide daily electricity.

There are several ponds and water features located at the site to not only produce architectural and esthetically quality, but to store additional water during the rainy day. Grey and black water system are also used in the building to maintain low water usage. As the water pound is located at the backside of the site, with its high thermal mass, it will stay cool and lower the indoor temperature of the adjacent space The small skylight on the roof of the practice space is designed to block direct sunlight while producing soft and balanced lighting conditions of the interior space.

Vertical louvers are designed to prevent harsh afternoon sun penetration

1

2

3

4

5

1 2 3 27 l 28

Entrance Kitchen Corridor

6

4 5 6

Locker Space Toilet Storage

Origin Atmos

2019

A horizon line appears in visitors’ eyes, sky and water attached, the land hags water. My willingness is catching the line on the site. In the construction of Sydney CBD, skyscrapers ruin the beautiful landscape, we cannot overlook the landscape due to the blocking of the concrete box. I’m imagining a new way to impact the site, building underground rather than upper level.

Barangaroo is our site which is a peninsula area in the north-south corner of Sydney centre. A site surrounded by sea on three sides, a relative higher landscape provides views to the sea horizon. The skyscraper sits behind, I’d love to have a park and buildings underground the resistant the processing of constructing high buildings. At least here, it does not block the view to harbour from the inner city.

Therefore, rather than building a new structure upon, I’d love to renovate the underground car parking area.

The structured columns are the metaphors of a tree, the material uses the Sydney sandstone, which is laying around the site, the atmosphere of the site reminds. In this area, visitors can escape from the skyscraper and enjoy a traditional Australian lifestyle – outdoor living.

Surrounding by tress and sandstone – an recall of tradition life.

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Sandstone made gallery record the history of the place. It is an permanent gallery shows the historical exhibits to the visitors.

"A horizon line appears in visitors’ eyes, sky and water attached, the land hags water."

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Heater

Cooler

Temperature

The underground park have the soft reflective light with thermal control. Visitors can come to the space even in hot summer and cold winter.

Water tank could absorb heat and release cool air to help maintain the temperature in project.

33 l 34

Restaurant on Cliff

Group Work 2021

We’d love to explore the unique shadows carved out by the sun in the site: the ravine canyons have deep shadows that naturally grow; the shadows on the door openings and arch windows outline the texture of the village; The contrasting dark colors in cave dwellings are unique and heavy which is the shadow belongs to the north; the shadows stored in the cracks in the stone walls highlight the thickness of the site; the shadows sprinkled along the eaves on the main street translate the scale of the street. These shadows interpret everything in Xiadongzhai Village, giving the site its unique sense of heaviness. This precipitation from this is also deeply carved into the memories of local villagers. When we use space to trace the shadows of these places, the new design re-injects light into the originally gloomy space, creating a dialogue between the building, people and places.

And we have designed a part of the building we hope that villagers can join in, that is, each household can provide some tiles, use these tiles to form part of the building roof, together with the sunlight of the site, build tiles indoors piece of openwork pattern with shadow. Turn this element into a part of the soul of this village site, and bring it into the interior to convey the architectural characteristics of this village to the people who come and go to the restaurant, and at the same time to express our design concept.

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Light and shadow on site

Light and shadow in building

"We’d love to explore the unique shadows carved out by the sun in the site, and described it into our building."

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Interior Apartment

Huan Yu Tian Cheng Private Home 2018

It is a private commission by a property developer to design an sample room.

The location is Huayuan District, Hunan province. The site is located between Huaguo mountain and a river in front. The client wants to have an apartment design that can suit their lifestyle and test in the small town.

This project is the initial attempt at interior design. I’ve gained a certain understanding of all the drawing techniques and specifications in the process of completing this work and have also understood the differences in-between architectural designs. Although this project hasn’t been built, I’m still grateful for the opportunity provided to us by the owner.

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地砖 素水泥膏一道

25MM 1：3干硬性水泥浆粘结层 水泥砂浆保护层

钢化磨砂玻璃

防水层 水泥砂浆找平层 素水泥浆一道（内掺建筑胶） 垫层（厚度以施工现场为准） 原始混凝土板 密封胶 石基 结构胶 防水板

地砖 素水泥膏一道

25MM 1：3干硬性水泥浆粘结层 水泥砂浆保护层 防水层 强化地板 3MM防潮垫 20MM水泥砂浆层找平 原始结构层

5

A D-02

水泥砂浆找平层 素水泥浆一道（内掺建筑胶） 垫层（厚度以施工现场为准） 原始混凝土板

玻璃隔断地面大样图 比例

1：2.5

地砖 素水泥膏一道

25MM 1：3干硬性水泥浆粘结层 水泥砂浆保护层 防水层 水泥砂浆找平层 素水泥浆一道（内掺建筑胶） 垫层（厚度以施工现场为准） 活动石材板

原始混凝土板

地漏

6

比例

1：2.5

厕所排水沟大样图 比例

1：2.5

PRODUCED BY AN AUTODESK STUDENT VERSION

7

卫生间与走廊连接大样图

There are no permissions to modify the walls. Therefore, we decided to start from the material selection. To accommodate the requirement from the owner, we try to use dark timber as the primary material to give a sense of Chinese style.

The drawings are also the main learning from this project, the details drawing, the lighting plan, material plan and so on.

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2700

3800

2500

LIFE I INTERIOR I DECOR

PRODUCED BY AN AUTODESK STUDENT VERSION

4200

INSENS ADD: 湖南省湘西自治区花垣县边城大道寰宇天成

TEL:15086900702\13102356060

2600

WECHAT: wxid_qgxqins991yn12

生活阳台 LIFT BALCONY 4.9平米

A

玄关 ENTRANCE 7.2平米

S -01

A

C

S-13

寰宇天成

A D

S-12

ELDER'S ROOM 12.7平米

B

2000

S-11

厨房 KITCHEN 8.3平米

老人房

B

A D

D

DINING ROOM 15.3平米

L-06

BATHROOM 5.9平米

A

2300

衣帽间 WALKING CLOSET 6.6平米

多功能室

KITCHEN 12平米

B 日期： DATE

C

3800

A

C

B

C

厕所

S-04

S-10

用途： USE FOR

A D

S-02/03

B

C

A

卫生间 D

S-08/09

B

2500

C1 A S-14 C

12/28

2

1/4

全部设计图则及版权属于本公司所有，未经 本公司书面同意，不得使用、抄袭及复制。

D

主卧室 KITCHEN 15.1平米

S-07

B

所有尺寸均须作实地核对，不能以量度图则 作准，如有出入或图则有未详尽之处，请与 设计师共同协调解决。

C

B

900

D

日期 DATE

1

备注： NOTE

客厅 LIVING ROOM 24.7平米

儿童房 CHILD'S ROOM 16.2平米

施工用途 CONSTRUCTION

修正版 REVISION

3

BATHROOM 5.7平米

C S-08

项目名称：

13号楼样板房

A

餐厅

C

D

业主：

CLIENT

PROJECT

景观阳台 BALCONY 10.6平米

A D

S-06 C

TITLE

图纸名称：

平面布置及立面索引图 SCALE

比例：

1:50 DRAWING NO.

图纸编号：

P-03 3800

3000

1900

4500

3400 设计： DRAWN BY

P-03 PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

C

厕所 BATHROOM 3平米

平面布置及立面索引图 比例

1：50

李金龙 雁森

PRODUCED BY AN AUTODESK STUDENT VERSION

1700

D

2700

3800

2500

LIFE I INTERIOR I DECOR

PRODUCED BY AN AUTODESK STUDENT VERSION

4200

INSENS ADD: 湖南省湘西自治区花垣县边城大道寰宇天成

TEL:15086900702\13102356060

2600

WECHAT: wxid_qgxqins991yn12

HT2

砖

HT2

砖

业主：

CLIENT

1700

HT-1

T 型收条口

寰宇天成 PROJECT

项目名称：

13号楼样板房 WD-1

水泥砖

HT-1

2000

复合地板

1450

940

3800

日期： DATE

2300

用途： USE FOR

1740

复合地板

PT3

WD-1

WD-1

定制榻榻米柜

复合地板

施工用途 CONSTRUCTION

修正版 REVISION

日期 DATE

1

12/28

2

1/4

3 备注： NOTE

WD-1

全部设计图则及版权属于本公司所有，未经 本公司书面同意，不得使用、抄袭及复制。

900

1440

2500

所有尺寸均须作实地核对，不能以量度图则 作准，如有出入或图则有未详尽之处，请与 设计师共同协调解决。

HT3

砖 TITLE

图纸名称：

地面铺设尺寸图 SCALE

比例：

1:50 DRAWING NO.

图纸编号：

P-04 3800

3000

1900

4500

3400 设计： DRAWN BY

P-04

李金龙 雁森

地面铺设尺寸图 比例

1：50

PRODUCED BY AN AUTODESK STUDENT VERSION

复合地板

PRODUCED BY AN AUTODESK STUDENT VERSION

PRODUCED BY AN AUTODESK STUDENT VERSION

水泥砖

MT-1

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75 Trafalgar St House

Private House In construction

75 Trafalgar St is a private commission in Sydney Australia.

The façade with two bedrooms in front of the street will be kept and half of the building will be demolished and rebuilt as a two-floor building. The DA is already approved by the council, we focus on the design of interior space.

We image the kitchen space function as transaction space between the old building and the new construction part. Passing by the corridor of the original building, the kitchen gives a view toward the back yard which extend the visual distance of the living space. Residents will feel that the backyard belongs to the living space. We’d love to bring a sense of outdoor living into the interior because outdoor life is one of the Australian dreams.

The owner is a builder who can control the detail of construction. He asked to have a luxury sense of building with the idea of “less is more.” The local builder team have a relatively high skill which can construct beautiful detail. Therefore, we focused on the detail and joinery to renovate the original house.

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10 370

10MM SHADOW GAP TO ABOVE JOINERY

ALL THE FACING PANEL REQUIRE FINISH DOUBLE SIDE

2500

1280

EQ

20MM EXPOSED EDGE BETWEEN PANELS

EQ

1115

EQ

EQ

EQ

20

20MM HORIZONTAL SHADOW GAP BETWEEN DOOR PANNEL

770

EQ/DRW. EQ/DRW. 320

900

50

50MM KICKER TO MATCH THEFRONT DOOR

3078 2200 550

1100

550

600

FFL. 29.230 FIRST FLOOR LEVEL

205

450

DOMETIC DM 50NTE DRAWER MINIBAR (INTEGRATED)

935

280

RECESSED JOINERY FINGER PULL

2050

1900/RAIL

200

EQ

EQ

40 ASTROLIGHTIONG SERIFOS 220 PAINT WITH WALL FINISH

Rev. Description

LEGEND: INT DRW. ADJ.

- INTERNAL DRAWER - ADJUSTABLE

Date

<Project Name> 75 TRAFALGAR STREET ANNANDALE MASTER BEDROOM CABINET

5000 610

610

610

GROUND LEVEL >>>

EQ

EQ

EQ

EQ

FR

FG

FR

BF

BF

BF

BF

FG

2400 450

W13

W14

W03

W05

DOUBLE HUNG WINDOW

DOUBLE HUNG WINDOW

DOUBLE HUNG WINDOW

DOUBLE HUNG WINDOW

SLIDING WINDOW

FIXED WINDOW

TIMBER FRAME

TIMBER FRAME

TIMBER FRAME

TIMBER FRAME

ALUMINIUM FRAME

ALUMINIUM FRAME

PAINTED TO MATCH EX.

PAINTED TO MATCH EX.

PAINTED TO MATCH EX.

PAINTED TO MATCH EX.

FRAMELES-LOOK

FRAMELES-LOOK

900

1000

1000

700

1400 LEAF

1100

FR

FG

LV

FG

FR

FG

AW

500

FG

FG

500

1200

1800

1200

1500

3500

1500

2150

1200

LV

1400 LEAF

SL

FRAMELES-LOOK

1400

FG

900

SL

1100

900

FG

2200 EQ

BI-FOLD DOOR ALUMINIUM FRAME

1200

EQ

GD01

600

1850 EQ

RECESSED SILL

COLOURBACK GLASS

W02

EQ

FG

1000 FIXED

EQ

DECAL

W01

2750

LEVEL 01 >>>

EQ

1300

600

2400

EQ

FG

FFL. 26.680 EX. GROUND FLOOR LEVEL

FFL. 26.680 PROPOSED GROUND FLOOR LEVEL

EQ

DH

FG

EQ

FG

EQ

4000 BI-FOLD

1100

1800

FG

EQ

2400

DH

EQ

DH

EQ

DH

1000 OPENING

EQ

FFL. 29.230 FIRST FLOOR LEVEL

1800 OPENING

2400

610

250

FFL. 29.230 FIRST FLOOR LEVEL

W04

W06

W07

W08

W09

W10

W12

SLIDING WINDOW

SLIDING WINDOW

SLIDING WINDOW

SLIDING WINDOW

SLIDING WINDOW

AWNING WINDOW

ALUMINIUM FRAME

ALUMINIUM FRAME

ALUMINIUM FRAME

ALUMINIUM FRAME

ALUMINIUM FRAME

ALUMINIUM FRAME

FRAMELESS-LOOK

FRAMELESS-LOOK

FRAMELESS-LOOK

FRAMELESS-LOOK

FRAMELESS-LOOK

FRAMELESS-LOOK

FIXED WINDOW

DRAFT

ALUMINIUM FRAME FRAMELESS-LOOK NOTE:

LEGEND:

•

ALL WINDOW ELEVATION ARE VIEWED FROM THE OUTSIDE

•

ALL ALUMINIUM WINDOW FRAME TO BE POWDERCOATED IN DULUX ELECTRO BLACK

AW. - AWNING WINDOW BF. - BI-FOLD DOOR DH. - DOUBLE HUNG WINDOW EX. - EXISTING FG. - FIXED GLASS FR. - FROSTED GLASS LV. - OPERABLE GLASS LOUVRE SL. - SLIDING WINDOW

Rev. Description

Date

<Project Name> 75 TRAFALGAR STREET, ANNANDALE

Scale

Date

Drawn

Architect

WINDOW SCHEDULE

Drawing No.

SK.001

1 : 50 @ A3

<Project Date> Author Checker Rev. No

A3

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"Unboxed"

Graduation Exhibition 2021 Planning

The graduating students in 2021 are unique. Unlike those graduating before, they have earned their degree mostly, if not entirely, from within the walls of their homes. This annual exhibition is our longawaited opportunity to share final studio projects.

The exhibition celebrates each of us as individuals as we enter the profession.

ARCHEX 2021, Unboxed, is inspired by the popular practice of ‘unboxing’ where a box is unpacked, and its contents displayed and reviewed. So, for us, boxes are not simply containers. Closed, they incite anticipation. Open they shape experience. They are galleries for presentation. Visitors experience the online exhibition in a space with cardboard. People iew Student’s work as individuals. Learn about projects and the ideas we explored by reading the catalogue, find out about the simple things, the kind people and the new habits, like latte art and crocheting that got us through 2021!

A virtual exhibition, an opening box, join from all over the world.

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Appendix

Super Studio NSW Second place: https://wp.architecture.com.au/news-media/act-nsw-superstudio-2017/

WCA: RUBIK’S CUBE AWARDS https://www.worldcubeassociation.org/persons/2013LIJI06?event=333&tab=results-by-event

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THANKS FOR YOUR TIME l JINLONG