Old Friends, New Style.

Two years ago, In-Residence was a little art zine, screen printed, monotone, and often missing pages. We had a loyal following of readers who found us through neighborhood art fairs but were otherwise unknown. This magazine, in many ways, is like a developing artist; we had a starting point, a place where passion intersected with education (or lack thereof), and then where education led to the odd outburst of passionate rage (Volume 3, Issue 2, if you are curious). Where we came from, that love for sharing stories within the art community - sharing your work with other artists, is where we are always heading. As we grow, we share more, bridging gaps between this community and the patrons who support it. Most importantly, we have a bigger budget (and page spread) to celebrate more art! To commemorate this big leap, in this first issue, we’re talking all thing colour since we finally have the budget for such a luxury. Thank you for being here. The magazine might look more professional, but you will still find our team cramming into those basement art fairs in Kensington Market, where you bumped into us just a few years back.

Volume 03, Issue 01, July 2023

Publisher: Jennifer Sutherland

Editor: Jennifer Sutherland

Creative Director: Jennifer Sutherland

Contributors

Katie Kujala: Digital Imaging, Harvard Art Museum

Caitlin Cunningham: Photographer Harvard Art Museum

National Gallery of Art

The Metropolitan Museum of Art

Antoni Shkraba: Photographer

Karolina Grabowska: Photographer

Rian Ardiansyah: Photographer Marketing

The ARX London, Lunenburg School of the Arts, Faber-Castell, AAronBrothers Art & Framing, Seneca College, Calderari Art Gallery

In-Residence is published 4 times a year by JenVan Press In-Residence is delivered through subscription and art events in the community. Inquiries can be directed to Jennifer Sutherland 905-955-5555 JenVanArt@In-Residence.ca. In-Residence is published with the support of Centennial College, Story Arts Centre, Graphic Design Media program.

Legal Information

The magazine is the property of Jennifer Sutherland. It may not be reproduced in whole or in part without the written permission of the publisher. The views and opinions expressed herein are not those of the publication or its publishers. The publication dismisses any liability whatsoever arising from the advice, information or offers present in the articles of advertisements contained in the magazine.

10

The Forbes pigment collection and the art it embodies.

By Dorothy Vance

18

Nanotechnology is changing the way you combine pigments.

By Danilo Cherry

19

Bold Move

Artist Shaun Temple pushes back against colour hoarding.

By Cliff Daugherty

38

New Mediums

Curator Juliane Oriane’s new approach to the classics.

By Freida Powers

Marielle Hitomi at Varley Gallery. By Stefanie Ballard 15

These galleries don’t care for white walls, or walls at all.

By Stuart Greer

38

Curator Juliane Oriane’s new approach to the classics.

By Susan Arellano

This month's upcoming art shows.

By Daisy Michael

Our monthly art challenge and last month’s winner.

By Ty Ingram

By Emile Garrett

Our monthly resident spotlight. Featuring modern sumi-e artist Marielle Hitomi's recent residency at The Strauss Gallery.

Photos by Antoni Shkraba, pexels.com

Written by Ian Lark

Copy in this article is generated for display purposes only. The copy was generate through artificial intelligence to act as placeholder content. All headlines, decks, subheadings and captions are the work of the magazines author. Sumi-e is an ink painting technique that emphasizes simplicity, harmony, and a deep appreciation of nature.

Do you feel your process has changed in the resident studio?

Yes, in all the best ways. My creative process begins with observing the natural world around me. I take in the sights, sounds, and smells of my surroundings and then distill those sensations into strokes of the brush.

In Sumi-e, we typically use only black ink on white paper, which helps to emphasize the beauty of negative space. However, I incorporate colour in my paintings, usually to represent a specific element of nature.