Jeffrey See Thoo Architecture Portfolio

jeffrey see thoo 2020 2021 undergraduate portfolio studio unit assemble copyrighted 2021

all works and documentation of the project produce by this author is original and certain research are from several sources that has been cited. no plagiarism is involved in making this portfolio, only pinteresty reference is used, as this only inspired me. the portfolio is separated by each projects entirety by theme and direction.

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pg_56

contents

intermediate ambiguous ephemeral experimental void chaotic transient

market

facade + craft center

healing center

2020

2020

2021

pg_89 pg_182_technical drawings

pg_190

pg_192

contents

intermediate ambiguous ephemeral experimental void chaotic transient

archaeological embodied museum

site shelter

postcards

2021

2021

2021

awarded as best part 1 design

competition

cv resume

EDUCATION Diploma

B.A. Degree

UCSI University 2016 - 2020

UCSI University 2020 - present

Architecture

Architecture

WORKING EXPERIENCE Jelly & Frenz Eventz Asia

SKILLS Computer

Hands on

adobe photoshop

sketching

ARKILAB 2018 - GIBERT&TAN 2021

adobe indesign

hand drafting

autodesk autocad

presentation design

Assistant Architect Internship Sep 2018 - April 2019

sketch up

project managing

enscape

jeffrey see thoo jun hoe 17. 08. 1998 malaysian contact / jeffree37@yahoo.com

Crew Member March 2017 - October 2017

EXTRA CURICULUM Community Architecture 2018 Programme Team April 2018 - May 2018

AWARDS Best Part 1 Graduate Design Award Certificate of Appreciation UCSI University School of Architecture and Built Environment

Arkxsite Design Competition Site Shelter with Ting Kai Lin and Carlos Chu 2021

PG_01

undergraduate

academic projects

market for old + young communities architectural project tutor: mr. wan muhammad / asasku

this project aims to create a community that appreciate the dying wet market culture, that has been cultivating for century. giving us essential force for living. as a perfect harmony, younger generation must be aware of what builds our foundation.

PG_02

project 01_living memory

site - old klang road wet market

wet markets is the core foundation of humanity, it builds a society with the supply of food for people. therefore, this project is to explore and analyse the time-line of a vendor chosen and study the relationship between the vendor and the space in the market.

stall no. 19 - 20

documenting the daily life of the vendor from every aspects of the shop.

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sem three

project 01_living memory

story of the owner, she quits selling food at the market after a few years of working on and off. afterthat, she inherit her brother’s fruit stall

loading

stall

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the on-going business, from day to day the store will earn from rm1000 - rm2000 a day, which will depend on the customers frequency.

display

koh soon peng

younger daughter

older daughter

stall owner

stall helper

stall helper

the stall owner has two daughter, that will help out during the weekends. from the helpers themselves, noted that in the future the stall will most likely run by other vendors as they do not plan to inherit the fruit stall themselves.

sem three

project 01_living memory

6 am

7 am

8 am

9 am

10 am

11 am

12 pm

recorded time-line of the stall, working from 6:30 am to 12:00 pm, the owner wake up super early to make sure every fruit she ordered will be delivered to her stall on time.

PG_05

sem three

peak hours

displaying the stocks

stock arivival shop closure

preparation

off peak hours PG_06

project 01_living memory

details of each every movement, space and time as recorded throughout the day, to capture the essence of stall usage

sem three

project 01_living memory

clean up

future.......

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sem three

redesigned modular stall that changes according to users. expand, contract, deconstruct to suit each scenarios.

project 02_market stall design

fruit vendor variation

fruit juice bar

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sem three

project 02_site taiping, perak

site

t we t

ke

ar

m

PG_09

sem three

project 02_site

market

typology

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sem three

project 02

site : taiping wet market, perak in the heart of taiping existed a heritage architecture that been there for centuries. the selected propose site is near this heritage wet market. taiping wet market

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sem three

project 02_site evolution

1880s

2000s

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sem three

crafting the taiping wet market model

project 03_market

to understand the structure of the market and the site, a construction model that showcase both the facade and its unique ornamental element.

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sem three

project 03_market

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sem three

project 03_market massing development

01 soa model a simple model that reflect schedule of accommodation and arrange according to the site importance.

02 dev 01 dimension of each space has been sized appropriately due to the spatial parameters

03 dev 02 close to final developement. additional space has been added to accomodate human needs and comfort.

PG_15

sem three

project 03_space time activity

market 6am - 12pm

multi-purpose market 12pm - 3pm

food stands 3pm - 10pm

office 8am - 6pm gym 10am - 10pm

cafe 8am - 8pm PG_16

sem three

project 03_space time activity

corridor and viewing deck public

hall and co working private 9am - 9pm

hall 10am - 10pm

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sem three

project 03

site section

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site plan

sem three

project 03

section a-a

section b-b ground floor plan

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sem three

project 03

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sem three

project 03

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sem three

project 03

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sem three

permanent fractality architectural project tutor: ms. nisa

bringing human closer to the nature by harmonizing the two entity. in this, by crafting a new meaning into spatial harmony with a conceptual grammar of ornamentation by designing the skin of the transdisciplinary craft center. “architect should successfully learn to work in partnership with the craftsmen, in order to harvest one whole work of art. ornamentation shouldn’t be reflected in segregation as a mere aesthetic display, but rather a snowballing evolution of culturally defined meaning”.

PG_22

project 01_craft research

introduction to thai ceramics thai ceramics refers to ceramic art and pottery designed or produced as a form of Thai art. Much of Thai pottery and ceramics in the later centuries was influenced by Chinese ceramics but has always remained distinct by mixing indigenous styles with preferences for unique shapes, colours and decorative motifs. Thai pottery and ceramics were an essential part of the trade between Thai and its neighbors during feudalistic times, throughout many dynasties.

PG_23

sem four

project 01_craft research, ceramic colors

monotone

singular tone color glazing

celadon glaze found in

incised brown and white found in

Kalong Phan Sankampaeng Sawankhalok

Sawankhalok

green glaze with brown or black under glaze found in

White glaze found in Sawankhalok Sukhotai

brown or black glaze Found in most kiln sites around central thailand.

Which is Kalong, Sankampaeng, Sawankhalok

white glaze with black or brown under glaze Found in

Sawankhalok

Kalong, Sankampaeng, Sawankhalok, Sukhotai

two different color of glazing

PG_24

duotones

sem four

project 01_craft research, types of ceramic wares

architectural antefix

basins

tukhata dolls

kendis

covered box

bottle

bowl

sawankhalok (si satchnalai)

chaing mai province

province

pedestal basin

bowl

sukhothai

famed for its stoneware of plates, dishes and bowls, having an underglaze iron black decoration of fish in the center.

PG_25

mortar

the majority of the kiln shards were especially jars, bottles, mortars, and basins in small and medium sizes.” dishes, plates and bowls are also among the most common finds.

sukhothai

bottle with long neck

jar with lid

sankampaeng

produced mainly architectural fixtures. the unique types of wares produced, which is Tukhatha (dolls), boxes with lid and kendis

jars

small oil lamp

plates

cup

jar with plain mouth

vessel in an elephant form

kendis in bird form

phan

common shapes of phan wares include bowls, plates and dishes, but also some rarer forms such as jarlets, kendis in bird form and elephants.

sukhothai

chaing mai

province

province

sem four

project 02_new grammar of ornamentation artwork

infinity where individual panel are duplicate and reflect infinite amount of times to create a complicated language which we as a being derived from.

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sem four

project 02_concept of fractality

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sem four

project 02_concept of fractality

fRActaL = subdivide fractal is a mathematical geometric pattern that produce in infinite amount of times, that creates a dimension in a dimension. complex patterns that are self-similar across different scales. what makes me interested ? it is an entity that repeats itself indefinite it is a unpredictable form and arrangement it is complex it is chaotic . . it creates unity it creates a new form it relates to the site it relates to the craft it relates to the program . . it is the pattern of mother nature it is everything

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sem four

project 02_site bang kachao, thailand

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sem four

project 02_intergration of site and concept

+

+

bang kachao figure ground fractal pattern : koch snowflake

site A mathematical fractal pattern, purpose is to

pattern

craft

based on the proposed programs at the site is permaculture, the facade will follow the needs, ethics and objective of the program will reflect onto the facade Something that cannot be measured, the

not only program, the initial pattern development based on theory of fractality is present and intergrated to the facade, both arrangement and scale of each detail of the facade

as craft is the core design principle, traditional craftsmen is retain in its shape and form of the facade. for instance, the material used, the source material and labor of the facade

measure the coastline of a continent. As we cannot determine the true length of the coastline. The koch snowflake is a measuring tool.

Based on the site located near chao phraya river, the river line element is used to create a fractal pattern, as to relate back to the ornamental development.

es in and out, the pattern will remain as the same

more the pattern zooms in, the more form and cracks appear. Therefore, infinite of form that cannot be measured. It is known as coastline paradox.

site + facade = vertical farming scale section 2

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coastline paradox coastline paradox coastline paradox

pattern + facade = dynamic pattern facade

pattern + craft = materialize facade

sem four

project 02_intergration of site and concept

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sem four

project 02_translation of site to facade

exploration

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component

outcome

sem four

project 02_exploration of facade

facade variaton and deconstruction phase

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sem four

project 02_facade final form

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01

02

03

04

05

01

02

03

04

05

sem four

top to bottom, entrance building skin and perforated view shader, main vertical farming and partial view shade.

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project 02_facade variation

sem four

project 02_facade function

01

01

01 circulation

02 02 03

03 02 vertical farming

01 intergrated balcony

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02 circulation for building

03 planter box following the facade

03 planter box for facade

sem four

project 02_facade

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sem four

project 02_facade assembly guide

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sem four

project 02_facade

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sem four

project 03_proposed site

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sem four

project 03_design synthesis

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sem four

people

project 03_permaculture concept

farm

to

to wean people often industrialize in consumption centric world.

PG_42

collective word of permanent and agriculture about rebuilding much needed relationship with people, land and the system.

sustain the environment into the future by regenerating biodiversity and lost of soil fertility.

sem four

project 03_permaculture concept

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sem four

project 03_permaculture concept

a rudimentary programmatic cycle of proposed permaculture programs

earth care

fair share

people care

PG_44

the ethics of permaculture

sem four

project 03_program and activity

01

rejuvenate lounging activities

05 02

07

03

multi purpse activities

03

01

multiply

farming micro and flower farming

02

04 07

05 06

greenhouses floating and land greenhouse is use for plant propagation

05

super adobe domes for additional food cultivation for the community and for users

03 06

compost making natural fertilizer to use in farms

07

aquaponic and aquaculture system usage of floating farming system that uses fish waste as fertilizer

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sem four

project 03_site development

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sem four

project 03_site development

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sem four

project 03_building massing development

pattern

directing views

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site

radial circulation

diagonal

fin act as wind director

rotate pattern

zoom pattern

plan resembles the pattern

sem four

project 03_building massing development

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sem four

project 03

n

5 12

3 10 11

13

8 9 10 11 12 13 14

1

training studio multipurpose area ceramic studio greenhouse micro farming space compost making agroforest farm

14

1 2 3 4 5 6 7

toilet refuse gardening studio services garden open area aquaponic farm kitchen 2

8 9 4

6

5 7

PG_50

sem four

project 03_material exploration

in relation to the site, local clay and ingenuous rock found at the site is to make, create and embeded into the walls to create a material deriving from the cultural landscape and built environment. the application of form, texture and pattern of the material will also enhances the ethics of the program, which is the growing connection between the people, spaces and nature. site hill

waves

layers

夯土

color

color

texture

hāngtǔ (rammed earth) proposed material

texture

‘ materials and texture have a deeply complex language of thier own that evolves and changes over time ’ hapacity and time - juhani pallasmaa

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sem four

project 03

east elevation

section through corridor

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sem four

project 03

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sem four

top to bottom, central courtyard, entrance to permaculture facilities

project 03

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sem four

top to bottom, greenhouse, view from bang kachao river

project 03

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sem four

above and so below masterplaning + architectural project tutor: unit A_ms. sharon

a combination of methods of looking inwards and outwards of the site produce a set of information to elaborate the propose building. the project above means living world while below is the dead to help us realize that we are mortal beings and our existence is finite. in this, the translation of emotion is to set fourth by designing a space with qualities alike.

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project 01_kwong tong cemetery, kuala lumpur

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sem five

project 01_site and theory

as the site is located at the heart of kuala lumpur, which is a urbanize district with noise pollution with motorise vehicle and pedestrian. in comparison, the site is a peaceful, serene and quiet land that it a contrasting difference. below are mind maps for further interpretation the ideas.

proximity

the million dollar view of kuala lumpur

urban

old

new

portal

buffers

site monument

tower view of cemetery plot

urban

transition

tombs

light proposed site

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sem five

project 01_translation from theory to sculpture

progressive shadow

PG_59

>

sem five

project 01_translation from theory to sculpture

plan_interconnect of above and below

relationship with the dead which is below and the living which is above with curve line represent flow of life which imprison by the linear aranged grids

elevation_evolution

the rapid change of humanity with it architecture change

sculpture

PG_60

perspective_uncertainty shawdow cast by the model creates a foresty unnerving mood and uncertainty represents the afterlife

sem five

project 01_translation from theory to sculpture

the intertwine forest beacon model each lines represent the memories of the deceased. when light hits the model it creates a flare effect represent hopes and dream. each lines arrange from high to low that signifies a gradient hill.

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sem five

project 02_site kwong tong cemetery, kuala lumpur

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sem five

project 02_site

+

‘harmony’ between the dead and the living as suppose to isolation that is the true objective of this proposal. as the saying goes ‘from the cradle to the grave’ meaning life is just a journey everyone will eventually suffice to another being, taking this the connection between the surrounding communities and the cemetery is crucial to from a intimate relationship to let them know the spine of kuala lumpur and the people that build it, which is the main aim.

living and dead ; is the core intention

PG_63

sem five

planning and identification of immediate site context

PG_64

project 02_indentification of site

PG_65

sem five

01

02

03

04

05

06

01 02 03 04 05 06

project 02_masterplan intervention

bridge beacon platform benches shading open play space underground

PG_66

sem five

project 02_masterplan disection

a series of underground spaces roam with the main journey of the masterplan to create an emotion journey through intervention both above and below

PG_67

sem five

each journey is parcel into three different theme based on emotion and its intervention function

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project 02_masterplan journey

sem five

project 02_masterplan journey

journey section and detail sketch ideation of intervention

PG_69

sem five

project 02_on site intervention

connecting bridges connecting school in between tombs platform

the chosen three part intervention is to represent the main intention of this project, to preserve the awareness of cemetery tombs.

PG_70

sem five

project 02_intervention model

4 parts parcel model of the proposed site. to show the intervention in a abstract format. greyboard as existing ground with balsa wood sticks as proposed main intervention.

parcel intervention model, to denote the main concept of above as happiness and below as sadness. the alphabet is to refer from the urban model.

PG_71

sem five

project 03_healing center

objective to evoke people in grieve that there is always hope and happiness

outcome =

a harmonious relationship between the dead and the living as suppose to isolation of the two. that has an overlapping program to create an unique mixture of activities that benefit the people and communites

aim decrease the negative image of cemetery

PG_72

sem five

project 03_healing center

journey

01

02

approach

core

03

+ +

program + activities

casual

shops

accomodation lounge

urban and local communities

PG_73

acceptance

+

support

recreational burial community

treatment

reflection +

green community

pool spa

healing center cemetery community

sem five

project 03_healing center

///excavation to mimic the natural builder of ants, they are the master of excavating the underground dwelling spaces. from a architectural viewpoint, the ant colony has a series of courtyard that link with a circulation tube to connect each spaces together with isolated and coverging spaces.

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sem five

project 03_healing center massing

space

PG_75

circulation

hybrid

sem five

project 03_healing center massing

approach

core

isolation

PG_76

purification

the cube model is used to define the site, program and function and represent the initial stage of the building form development

sem five

project 03_healing center massing

the process of the entire project, document in card form. sequence from beginning to the end with key sketches and main intentions of the proposal. cube exploration, quad cubes read in sequence ; approach, core. isolation, acceptance, in these sequence forming a building concept of above and below which relates back to the initial idea. 02 the perfection of ideas into more tangible entity.

01

02

PG_76

sem five

project 03_healing center massing

approach

pedestrian

portico

lobby and

treatment

accomodation

rif

ica

tio

n

purification

pu isolation

PG_77

vehicular

garden

two parts that make up the user journey, public has the access to the main purification temple to have cleansing journey with the burial garden as the open contemplation space. as for, private journey through treatment of grief and loss, with accommodation for the users to have a stay-cation with bath house to end their journey.

baths

sem five

project 03

PG_78

sem five

project 03

approach

PG_79

middle ground

acceptance

sem five

project 03

PG_80

sem five

PG_81

project 03

PG_82

sem five

top to bottom, garden burial represent the main program journey, temple outer sanctum.

project 03

PG_83

sem five

bathhouse pool area

project 03

PG_84

sem five

section_temple inner sanctum through circulation/ bath house through thermal caves and pool

PG_85

sem five

section_healing center through pre, post and underground corridor / casual center through underground museum and cafe

PG_86

sem five

project 03

physical model of proposed healing center a1 size 12 stacked greyboards 3.5cm thick 6 stacked above / 6 stacked below

PG_87

sem five

project 03

PG_88

sem five

archaeological embodied museum masterplaning + architectural project tutor: unit A_ms. sharon

preserving the origins of mankind, in appreciating this objects or artefact creates an emotion connection through one senses of vision, sound, scent. site that contain these found artefact are then brought into spotlight.

PG_89

sea

project 01_inhabited ruins site

visual continuity of the sea

history impenetrable fortress to create vertical plane

landscape and pathways blending pathways to site

culture openness of the remains

the site is located at Peniche, Portugal, purpose of this proposal is to expose the methods of designing and implementing that meandering the fortress ruins.

PG_90

sem six

project 01_theory

the three senses tools _ vision sound - memory / imagination scent

elemental senses around us tell us about ones connection to a memory, these entity are tools that connects us from one memory to another. bringing continuity in our memories or even without strong meaning, imagination can run free on our minds that interact between space and time. keyword _ connectivity continuity imaginative

vision is tangible

sound is intangible

continuity

PG_90

scent is intangible

silent is imaginative

connectivity

sem six

project 01_site and theory

open and close space over-viewing

piecing

protecting significant remains

protective and exposed a new language is to create an embodied experience of air, light, sound and temperature through movement and places of rest. an open-air permeable museum for visitor to engage with the history, the land and the ocean. offering a unique experience within the site.

PG_91

sem six

project 01_site shelter concept

+

= as the site remain has a distinctive scattered arrangement, by using this force it creates a strong connection between the remains and proposed intentions. interpretation of each individual towards the site will have a set of unique thoughts. by enforcing historical purposed of the site as a puzzle piece.

PG_92

sem six

project 01_site shelter concept

extending bridge down to sea, the glimpse of nature, ruins as vision director, piecing openings of ruins creating a new space, creating an open space for gathering and viewing of site scenery.

PG_93

sem six

project 01_site shelter concept

+

+

-

-

avoiding the ruins

PG_94

parallel wall act as guidance

centralize ruins

zoning sequence

sem six

project 01_site shelter

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sem six

number arranged in sequential through the passing of space and time of each intervention provide essential experience with the ruins

project 01_site shelter

10

4 1

9

7

3

8

2

5

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6

sem six

project 01_site shelter

the bridge represent the ending point of the journey it views the entirety of vast ocean. it gives a sense of mysterious in the sea.

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sem six

project 01_site shelter

ending point and the starting point of the journey in between is an emotion garner to create one harmonious connectivity to the site, history and culture

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sem six

project 01_site shelter

entrance to site

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pathway

sem six

project 01_site shelter

in between ruines

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views folly

sem six

archaeological Heritage of the lenggong valley is one of the longest culture sequences in a single locality in the world. this long culture sequence stretches from the palaeolithic to the neolithic and metal periods, chronometrically dated from 1.83 million to 1,000 years ago. the richness of the archaeological heritage of the lenggong valley has been proven by discoveries of one of the largest numbers of in-situ open-air palaeolithic sites in southeast asia and numerous cave sites over a 20-year period of multidisciplinary and scientific research.

PG_101

project 02_site research lenggong valley, perak

sem six

project 02_site lenggong valley, perak

lenggong valley PG_102

chosen site - cluster one sem six

a_connection to cluster 2 project 02_site lenggong valley, perak

a

b_center township

d

c_bridge connection

c b

d

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d_adjecent of core site

sem six

project 02_site lenggong valley, perak

archaeology core zone

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sem six

project 02_site lenggong valley, perak

due to the unpopularity of the lenggong township, common necessity like toilets and food stop are generally lacking at the site. narrow dual carriageway are seen throughout the connection to the site with the archaeology site being one of the hardest to reach area. the renown UNESCO world heritage site is in isolation with the local and visiting tourist due to poor marketing and on site intervention to garner people into the heritage background of lenggong valley.

accessibility

PG_105

amenities

isolation

sem six

// piecing the past

project 02_site intervention concept

re-enactment time-line of the site, creating a chronological sequence of people evolving as the site changes and people from the past to the future.

hunting

nomadic x

river

x

money

x

mythical

x

place

x

historical

x

to

place return PG_106

sem six

project 02_urban strategy journey

existing journey

a

b

c

historical

peeking in-between

river and land

parcelling of urban journey to strategies the individual users to the site itself.

PG_107

sem six

on-site tangible mapping to identify the immediate context, environmental regulation that may effect the proposed intervention.

mapping of linking to site

PG_108

initial parcel intervention

project 02_urban strategy mapping

shading

in between space

sem six

tangible mapping I mapping the eniviroment I interventions for the people and nature

convergence points

PG_109

core archaeology site

potential lots

map matrix connection

sem six

project 02_urban strategy artwork

lenggong cluster one site emotional mapping 420 x 594mm water color painted on butter paper

intangible mapping tell over in color with each spectrum of color represent an abstract information

PG_110

sem six

project 02_urban strategy artwork

view through intervention operation diagram 420 x 594mm charcoal pencil and marker on butter paper

the map derived from the activities and emotion of each potential site selection, by linking them to a central point axis, to create a complex from of movement operation, similar to a camera panning.

PG_111

sem six

project 02_urban strategy artwork

piceing and seduction 420 x 594mm greyboard and charcoal pencil on butter paper

a diagrammatic model showcasing the propose intervention journey pathways that link to each possible intervention scenarios.

PG_112

sem six

existing project 02_urban strategy concept

view

traces

peeking

extension

amplify river overview

PG_113

sem six

project 02_urban strategy program and user

views

mock up scattered

gallery cafe gallery + water

orchard

extension education

hiking

the provocation of historical journey of implementing gallery, to further draw in users from the site is by giving view into the archaeology site.

PG_114

boating

extension to the existing site village thus, giving people a sense of local culture by implementing program to provoke the relationship.

scattered arrangement is inspired by the throwing of stone to the water, as it creates scattered rippling effect.

sem six

the dissection of element in each particular scenarios

axis walkway spine

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project 02_masterplan scenarios

sub spine act as finger joining the main spine

off grid program + potential land

sem six

project 02_masterplan scenarios

emphasize with viewing tower

PG_116

village extension

sem six

project 02_masterplan

“hiking” contemplative

site

community

“port” “off grid program” // abstract formation

gathering

“hub” model showing the contrast of organic and manmade elements, white clay that look like palaeolithic stone tools are intervention parcels with copper wires which is the existing roads, in contrast with grey and brown board which is the propose intervention to connect the existing roads.

PG_117

“spine as mediator”

sem six

left to right, lenggong valley masterplan, parcel annotation of masterplan

project 02_masterplan

1 2 3 4 5 6 7 8 9 10 11 12

13 14 15 16 17 18 19 20 21 22 23 24 25

artefact research center biofact research center bukit bunuh archaeology site gallery research contemplation hall landscape garden gathering hub artefact exhibition mock interactive site viewing tower orchard village extension hidden cafe

kota tampan archaeology site + viewing tower archaeology usm research center open green landscape accommodation for site users aquaponic farm research center impermanent mock up tent additional expansion of archaeology site water prayer pavilion fisherman community hall fisherman port river extension archaeology hall artefact pavilions

node 05

node 06

1

2 4

8

1

node 01

3

24 23

9

25

5

node 04

7 6

10

22 21

11 12

3

e0

d no

20

13

node 02

15

16

17

18

19 14 04_masterplan + building strategies

PG_118

04_masterplan

sem six

project 02_masterplan_node 01

river water diversion system

extension artefact research center

fisherman port

water artefact gallery

viewing tower

water prayer pavillion +

water canal to hub

connection of the fisherman ports, by following the contour of the river, by letting water flowing into the cage intervention creating a threshold, by informing the users the relationship between water and land.

PG_119

sem six

project 02_masterplan_node 03

viewing bridge

main hub

connection to village gathering hub

hotspot is diverted into respected zoning with planes extended outwards to guide users into each designated activities that enforced the river water into the intervention creating a valley. it is then layered a viewing intervention to inform the archaeological site.

re

ve

al

PG_120

sem six

project 02_masterplan_node 03

extending the existing village, to increase the interaction between design users to local users, to further increase both culture and socio-economy of the site.

interactive village ochard farm + accomodation hidden cafe underground artefact gallery

PG_121

sem six

project 02_masterplan_node 04

viewing tower + underground folly

connection to hub

revealing stack wall

connection to main road bus stops folly the propose partition is to create a guidance, yet letting people to peek through it to inform the site context.

PG_122

sem six

project 02_masterplan_node 05

research + gallery for immediate site

view towards cluster two

existing core site

research

existing village

camp

by focusing the intervention into the view of the existing forestry creating a seamless connection making it a low profile intervention that abide the vegetation land plots.

PG_123

sem six

project 02_masterplan_visitor + local viewing and through site

parallel viewing tower bus stop folly extending towards site

PG_124

sem six

project 02_masterplan_visitor + local viewing and through site

water flow detection

fisherman port

extended research

pump station

to hub

gathering hall port

bridge to village

axonometric overview of river port

PG_125

sem six

project 02_masterplan_visitor + local viewing and through site

forest entrance amplifier to lure potential users into the oil palm plantation and its beauty of harvesting oil as to get people to mingle with the locals and their delicacy of the plantation itself.

PG_126

sem six

site connection points that dictate the program massing placement and development of activities for the new central point.

project 03_surrounding satelites

4 archaeology sites 1 open air sites research 30% gallery 20% hub 40% viewing 10%

core archaeology site

intervention points

PG_127

sem six

project 03_transition of places

stops

river

pick up

bus stops

archaeological site site

spaces bus stops

village village

bus stops

urban to building connection

PG_128

transition of places orange - picked up points black - stops - intervention site - spaces - building

sem six

project 03_building concept

stops pick up point

research cluster 02

stops

gallery + viewing

recycle

stops

new centrality port

// new centrality by tapping in propose intervention sites program, creates a central connector that brings multiple urban program act as tool to garner the new site.

stops pick up point

research hub

PG_129

perak man

sem six

newly propose local context journey through site

project 03_site function

view

hub

public

local research

bus stops

arch gallery

orchard aquaponic farm

pedestrian route

contemplation river

water filtration

site

PG_130

sem six

with the newly proposed intervention and its own journey, each section is to conformed with the new site to house the purpose of the site, that is to embodied the culture of the site, heritage and people.

project 03_site transformation

sub spine site

e

pin

ys

ar

im

sub spine

site

pr

site

existing spines

PG_131

new spines

merge

sem six

project 03_site transformation

stops

pick up

pick up

site

point journey

PG_132

informing the site

connection to main spine

sem six

urban intervention

project 03_site transformation

building extension

gallery + lab artefact exhibition

ark chapel

contemplation

interactive lab

cleanse

thematic trail

ritual hall

open camp

retreat

accommodation

hub

market

fisherman port

farm

viewing decks

pavilion

theater square

view landscape water gallery

research research and documentation PG_133

education institute sem six

project 03_objective aim outcome

the intention is to create a seamless site that denotes

and demarcates, the presence of site archaeology, due to improper usage of this found artefacts scattered around in open sites.

!

!

!

the objectives is to identify open air sites and shelter or frame as a piece art from the ancient civilization which they use as a tool for their means of survival.

?

?

?

?

PG_134

?

?

?

the outcome will have a harmonious site that ties to

the propose urban context to garner complex activities to create awareness and respecting the heritage value or more specifically the outstanding universal value.

sem six

project 03_program and building

urban intervention stops building linkage river extension intervention linkage

pick up points

PG_135

sem six

project 03_selected site

selected site characteristics include large palm tree plantation with small gradient hill. mostly flat with a few scattered on site artefact.

x0

x10

x100

PG_136

sem six

project 03_selected site

site journey parcel

river research

building open air gallery

contemplation parking

orchard

entrance point

urban masterplan intervention

PG_137

sem six

project 03_selected site

01

04

03 02

01 02

03

03

04

04

01

02

PG_138

sem six

project 03_building massing

surrounding site massing

ing

t xis

connection to river intervention

e

il

tra

ch

ar

se

re

ng

wi

vie

entrance site artefact showcase chapel

e lag

retreat

ar

rch

o

d

rm fa

accommodation

il

ne

n co

n

o cti

v to

large scale site building massing

PG_139

sem six

project 03_building layout study

PG_140

sem six

bukit bunuh

project 03_building layout study

entrance

farm pan

kota tam acc

workshop om

PG_141

od

ati

on

sem six

building approach

project 03_building layout study

open land

r

ido

orr dc

use

foc

PG_142

visual pass through

focused entrance

sem six

translucency facade creates soft light that to give shimmer to solid surface

PG_143

project 03_building layout study

sem six

project 03_building massing transformation

bukit bunuh

re a se rch

river

ark site

m

te

n co k.t research and gallery

surau

n

tio

a pl

archaeology

community

town

routes connection

extrude mass path program

creating mass in between path

pathway and mass

PG_144

sem six

project 03_building massing transformation

public and private

ark site 01

01 02 ark site 02

03

nodes; pick up points

PG_145

nodes informal formal programs

main space

sem six

project 03_horizontal building massing

PG_146

sem six

project 03_vertical building massing

verticle lift splice out programs

open air archaeology sites

PG_147

entrance

sem six

project 03_vertical building massing

open corridor light and dark display restaurant main contemplation entrance

exhibition entrance

conservation

exhibition

exhibition

workshop

evolution exhibition

PG_148

sem six

project 03_key plan

8 10 12 7

existing mosque 1 parking 2 forest chapel 3 viewing tower 4 main entrance 5 forest open air artefact gallery 6 extension artefact gallery 7 research gallery 8 river pavilion 9 research pavilion 10 center hub 11 river tower 12 pump station 13 viewing tower 14

9 6 5

1

2 13

4

11 PG_149

14

sem six

project 03

PG_150

overall axonometric

sem six

museum main circulation and artefact display sequence

project 03

SC

FF

GRD

UND

PG_151

museum space + circulation

sem six

project 03_site plan

3

7

8 9

4 2a

200 section 2

1

5 6

220 plan PG_152

entrance 1 parking 2 forest chapel 2a researcher trail to bukit bunuh 3 farm 4 farm extension 5 river canal 6 researcher entrance 7 open air artefact site 8 trail to urban river intervention 9

sem six

entrance 1 a stone garden 1a shop and ticket counter 2 /3 chapel ritual area 4 archaeology embodied 5 introduction arch gallery 6 temporary exhibition 7 to underground...

project 03_ground floor plan

25 24

26

management 8 b lift lobby 9 cafe lab10 cafe 11 artefact sites garden 12

27 30 23

32

31

29

33

34

workshop exhibition13 workshop space 14 interactive workshop 15 water embodied pavilion 15a accommodation manage16 accommodation shed 17 lounge 17a aquaponic pond 18 farm 19 shed 20

21 21a

22

12

10a 11 4 5 8 6

9

10

14

7

13

3 2

20

15

1a 18

1

PG_153

17

central courtyard 21 d dining 21a kitchen 22 artefact garden 23 to first floor... loading bay 24 e conservation hall 25 artefact archive 26 archival exhibit 27 storage lab 29 arch lab 30 orang asli intro museum 31 orang asli artefacts 32 orang asli exhibition 33 conference 34

17a 19

c

16

15a

sem six

hiking trail entrance

PG_154

project 03

sem six

main entrance

PG_155

project 03

sem six

top to bottom, entrance chapel, entrance corridor

PG_156

project 03

sem six

hiking trail entrance

PG_157

project 03

sem six

artefact introduction entrance

PG_158

project 03

sem six

biofact introduction museum

PG_159

project 03

sem six

central courtyard

PG_160

project 03

sem six

temporary exhibition

PG_161

project 03

sem six

stone garden

PG_162

project 03

sem six

project 03_underground plan

...from ground floor perak man burial display 1 evolution musuem 2 lift lobby 3 nature musuem 4 tool making sequence 5 stone tool making display 6 to first floor...

6

3 5 2

1

4

PG_163

sem six

underground museum

PG_164

project 03

sem six

nature museum

PG_165

project 03

sem six

underground museum circulation scene

PG_166

project 03

sem six

project 03_first floor plan

...from underground a geology display 1 tools making display 2 to second floor... light corridor 3 video room 4 workshop exhibition 5

6

bukit bunuh lookout point 6 b archival sequence museum 7 lobby 8 gathering hall 9

9

8

...from ground floor restaurant lounge 10 reception lounge 11 amenities 12

7

10

11

12

c

2 3 4 1

5

13

PG_167

sem six

stone making museum

PG_168

project 03

sem six

connection corridor

PG_169

project 03

sem six

lookout point

PG_170

project 03

sem six

project 03_second floor plan

...from first floor light museum 1 texture museum 2 lift lobby 3 amenities 4 to ground floor...

PG_171

sem six

light museum

PG_172

project 03

sem six

dark museum

PG_173

project 03

sem six

project 03_musuem section

2

PG_174

entrance - contemplation - museum - video room - workshop

4

8

sem six

project 03_longitude section

2

PG_175

accommodation - lounge - temporary exhibition - museum - cafe - open site artefact - orang asli museum

4

8

sem six

project 03_longitude section

1

PG_176

2

3

4

1 embodied garden - 2 courtyard - conservation entrance - lookout point - 3 laboratory - 4 orang asli museum - conference hall

sem six

hiking trail view

PG_177

project 03

sem six

orang asli musuem

PG_178

project 03

sem six

central courtyard

PG_179

project 03

sem six

model axonometric view

PG_180

project 03

sem six

model north elevation view

PG_181

project 03

sem six

north elevation

project 03

2

PG_181

4

8

16

sem six

NOTES

project 03_technical drawing

PG_182 AGRICULTURE Kampung Banggol Batu

PROPOSED SITE LOT 5385 Jln Kampung Pulau Cheri, Kampung Luat, 33400 Lenggong, Perak

LOT 5385

LINE MARK

Kampung Banggol Batu

DATE

BY

REVISION

PROJECT TITLE

AR724_WORKING_DRAWING GENERAL_ARRANGEMENT

82°

Bukit Bunuh B4 B3

B2

B1

2825

82°

2881

PROJECT DRAWING LAYOUT FORMAT AND FONT ARE TO BE CONSISTENT.

2044

D1

143°

6675

A2

7413

7350

D3

B7

A8

B6 B5

5° ROOF

R.C FLAT ROOF

4759

A12 C9

TEMPERED GLASS SKYLIGHT

5° ROOF

D5

5001

A11

12875

ALUMINUM LOUVER SKYLIGHT

R.C FLAT ROOF

C8

R.C FLAT ROOF

A10

4225

B9

5525

4853

D4

C3

Kampung Sena Halu

A9

7207

0

B1

5650

R.C FLAT ROOF

POLYCARBONATE ROOF

5° ROOF

C2

C10

5° ROOF

R.C FLAT ROOF 5° ROOF

OF

R.C FLAT ROOF

6801

3350

2525

R.C FLAT ROOF

8134

C1

Kampung Laut Kampung Baru Kota Tampan

5000

A1

SETBACK LINE

B8

D2

Sungai Perak

Kota Tampan

5°

RO

R.C FLAT ROOF

C4 3824

C11

OWNER

POLYCARBONATE ROOF R.C FLAT ROOF

5° ROOF

UCSI_UNIVERSITY

3550

D6

C5 A3

A4

D7

3374

5900

OF

5°

C6

5° ROOF

RO

R.C FLAT ROOF

5° ROOF

4551

R.C FLAT ROOF

A14

A15

2

13400

5°

A7

B1

RO

D8

OF

A6

RC FLAT ROOF

C8

RC FLAT ROOF

D9

2800

AGRICULTURE

4800

3825

A5

F1

143°

11050

A7

C7

RO

143°

A7

OF

5°

VOID

R.C FLAT ROOF

A13 OF

A17

5850

A18

4725

A19

9825

4350

A20 C12

RC FLAT ROOF

260

23

RO

OF

RO

RC FLAT ROOF 5° ROOF

5° ROOF

01 A400 TEMPERED GLASS SKYLIGHT

VOID

A12a

RC FLAT ROOF

C13

5° ROOF

5° ROOF

a

1

B1

RC FLAT ROOF

TEMPERED GLASS SKYLIGHT

A12b 3300

D9

TEMPERED GLASS SKYLIGHT

D9

5376

ARCHITECT

C14

b

4

1

A9

13

B

c

D9

B1

RC FLAT ROOF

B1

SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.

5

B1

2450

VOID

RC FLAT ROOF

RC FLAT ROOF

6008

1:25000

5°

OF

5°

01 A301

5497

Jalan Lenggong

01

KEY PLAN

3950

0

1095

5°

A16

7510

VOID

RO

RC FLAT ROOF

5° ROOF

5° ROOF

B

RC FLAT ROOF

4392

0

D1

11a

5715

VOID

A9

RC FLAT ROOF OF

5°

A7b A7c

A7d

1900

5056

A7e

4169

RO

OF

A7f

5300

5°

4356

A7g

3100

C15

A7h

RO

6849

B8 A7a

RC FLAT ROOF 5° ROOF

RC FLAT ROOF

2044

5000

C16 C17

AGRICULTURE

RC FLAT ROOF 5° ROOF

RC FLAT ROOF

D1

FOREST CHAPEL

2

RC FLAT ROOF

D1

3400

RC FLAT ROOF 5° ROOF 5° ROOF

3

2241

5° ROOF

7

C18

PROPOSED SITE LOT 5385 Jln Kampung Pulau Cheri, Kampung Luat, 33400 Lenggong, Perak

B1

B5

6

127°

01 A300

8350

B5

B1

5650

RC FLAT ROOF

D1

OF

5°

RO

4

R.C FLAT ROOF

7375

C1 5°

5800

OF

RO

143°

ARCHITECT

01 A401

C1

5

D1

JEFF'S_ARCHITECT

Bukit Bunuh ENGINEER CONSULTANT

JEFF'S_CONSULTANT

ADMIN PARKING PROPOSE FARM

D

Y AR

UN

LIN

Sungai Perak

E

MAIN PARKING

BO

AGRICULTURE

PROPOSE RIVER CANAL STATUS

CONCEPT_TENDER

CHECKED BY

BAKHTIAR_AMIR

02

LOCATION PLAN NTS

03

SITE PLAN 1:500

DRAWN BY

DATE

SEE_THOO_JUN_HOE 1001645328

NOV_2021

DRAWING TITLE

PRJ NO

SETTING_OUT

A0004 A100

DRAWING NO

NOTES

project 03_technical drawing

PG_183 AGRICULTURE Kampung Banggol Batu

PROPOSED SITE LOT 5385 Jln Kampung Pulau Cheri, Kampung Luat, 33400 Lenggong, Perak

LOT 5385

LINE MARK

Kampung Banggol Batu

DATE

BY

REVISION

PROJECT TITLE

AR724_WORKING_DRAWING GENERAL_ARRANGEMENT

82°

Bukit Bunuh B4 B3

B2

B1

2825

82°

2881

PROJECT DRAWING LAYOUT FORMAT AND FONT ARE TO BE CONSISTENT.

2044

D1

143°

6675

A2

7413

7350

D3

B7

A8

B6 B5

5° ROOF

R.C FLAT ROOF

4759

A12 C9

TEMPERED GLASS SKYLIGHT

5° ROOF

D5

5001

A11

12875

ALUMINUM LOUVER SKYLIGHT

R.C FLAT ROOF

C8

R.C FLAT ROOF

A10

4225

B9

5525

4853

D4

C3

Kampung Sena Halu

A9

7207

0

B1

5650

R.C FLAT ROOF

POLYCARBONATE ROOF

5° ROOF

C2

C10

5° ROOF

R.C FLAT ROOF 5° ROOF

OF

R.C FLAT ROOF

6801

3350

2525

R.C FLAT ROOF

8134

C1

Kampung Laut Kampung Baru Kota Tampan

5000

A1

SETBACK LINE

B8

D2

Sungai Perak

Kota Tampan

5°

RO

R.C FLAT ROOF

C4 3824

C11

OWNER

POLYCARBONATE ROOF R.C FLAT ROOF

5° ROOF

UCSI_UNIVERSITY

3550

D6

C5 A3

A4

D7

3374

5900

OF

5°

C6

5° ROOF

RO

R.C FLAT ROOF

5° ROOF

4551

R.C FLAT ROOF

A14

A15

2

13400

5°

A7

B1

RO

D8

OF

A6

RC FLAT ROOF

C8

RC FLAT ROOF

D9

2800

AGRICULTURE

4800

3825

A5

F1

143°

11050

A7

C7

RO

143°

A7

OF

5°

VOID

R.C FLAT ROOF

A13 OF

A17

5850

A18

4725

A19

9825

4350

A20 C12

RC FLAT ROOF

260

23

RO

OF

RO

RC FLAT ROOF 5° ROOF

5° ROOF

01 A400 TEMPERED GLASS SKYLIGHT

VOID

A12a

RC FLAT ROOF

C13

5° ROOF

5° ROOF

a

1

B1

RC FLAT ROOF

TEMPERED GLASS SKYLIGHT

A12b 3300

D9

TEMPERED GLASS SKYLIGHT

D9

5376

ARCHITECT

C14

b

4

1

A9

13

B

c

D9

B1

RC FLAT ROOF

B1

SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.

5

B1

2450

VOID

RC FLAT ROOF

RC FLAT ROOF

6008

1:25000

5°

OF

5°

01 A301

5497

Jalan Lenggong

01

KEY PLAN

3950

0

1095

5°

A16

7510

VOID

RO

RC FLAT ROOF

5° ROOF

5° ROOF

B

RC FLAT ROOF

4392

0

D1

11a

5715

VOID

A9

RC FLAT ROOF OF

5°

A7b A7c

A7d

1900

5056

A7e

4169

RO

OF

A7f

5300

5°

4356

A7g

3100

C15

A7h

RO

6849

B8 A7a

RC FLAT ROOF 5° ROOF

RC FLAT ROOF

2044

5000

C16 C17

AGRICULTURE

RC FLAT ROOF 5° ROOF

RC FLAT ROOF

D1

FOREST CHAPEL

2

RC FLAT ROOF

D1

3400

RC FLAT ROOF 5° ROOF 5° ROOF

3

2241

5° ROOF

7

C18

PROPOSED SITE LOT 5385 Jln Kampung Pulau Cheri, Kampung Luat, 33400 Lenggong, Perak

B1

B5

6

127°

01 A300

8350

B5

B1

5650

RC FLAT ROOF

D1

OF

5°

RO

4

R.C FLAT ROOF

7375

C1 5°

5800

OF

RO

143°

ARCHITECT

01 A401

C1

5

D1

JEFF'S_ARCHITECT

Bukit Bunuh ENGINEER CONSULTANT

JEFF'S_CONSULTANT

ADMIN PARKING PROPOSE FARM

D

Y AR

UN

LIN

Sungai Perak

E

MAIN PARKING

BO

AGRICULTURE

PROPOSE RIVER CANAL STATUS

CONCEPT_TENDER

CHECKED BY

BAKHTIAR_AMIR

02

LOCATION PLAN NTS

03

SITE PLAN 1:500

DRAWN BY

DATE

SEE_THOO_JUN_HOE 1001645328

NOV_2021

DRAWING TITLE

PRJ NO

SETTING_OUT

A0004 A100

DRAWING NO

NOTES

project 03_technical drawing

01 A707A

F1

D8

PG_184

01 A702

01 A704

D9

D9a

A12a

A12b

A13

A16

A17

A18

A19

A20

72264 8448

3581

5299

13235

3300

6141

7510

5850

4725

9825

4350

ROOF LEVEL FFL +12.000 V

DARK ARTEFACT MUSEUM

LIGHT ARTEFACT MUSEUM LIFT LOBBY 04

SERVICE AREA

SECOND FLOOR LEVEL FFL +8.000 V

MARK

STONE GEOLOGY MUSEUM

STONE GEOLOGY MUSEUM

CORRIDOR

VIDEO ROOM ENTRANCE

LIFT LOBBY 03

FIRST FLOOR LEVEL FFL +4.000 V

01 A700 INTRODUCTION MUSEUM

BIOFACT INTRODUCTION CORRIDOR ATRIUM

LIFT LOBBY 02

BY

REVISION

AR724_WORKING_DRAWING GENERAL_ARRANGEMENT PROJECT DRAWING LAYOUT FORMAT AND FONT ARE TO BE CONSISTENT.

WORKSHOP MUSEUM

TEMPORARY EXHIBITION

GROUND LEVEL FFL +0.000 V

DATE

PROJECT TITLE

ORANG ASLI MUSEUM

16 STEPS 300 TREAD 200 RISER

STONE TOOL MAKING CORRIDOR

STONE TOOL MAKING MUSEUM

LIFT LOBBY 01

EVOLUTION MUSEUM

UNDERGROUND LEVEL FFL -3.500 V

01 A701

01

OWNER

UCSI_UNIVERSITY

SECTION THROUGH MAIN MUSEUM 1:200

ARCHITECT

SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.

C14

C13

C12

C11b

C11a

C11

C10

C9

39447 5497

3950

5075

4750

11175

3350

5650

ROOF LEVEL FFL +12.000 V

ARCHITECT

JEFF'S_ARCHITECT 01 A706

DARK ARTEFACT MUSEUM

SECOND FLOOR LEVEL FFL +8.000 V

VIDEO ROOM

GATHERING HALL

ENGINEER CONSULTANT

JEFF'S_CONSULTANT

FIRST FLOOR LEVEL FFL +4.000 V

TEMPORARY EXHIBITION

CAFE KITCHEN

CAFE

ORANG ASLI EXHIBITION

OUTDOOR COURTYARD GROUND LEVEL FFL +0.000 V

OPEN AIR ARTEFACT COURTYARD

EVOLUTION MUSEUM UNDERGROUND LEVEL FFL -3.500 V

01 A707 STATUS

02

SECTION THROUGH MAIN ATRIUM

CONCEPT_TENDER

1:200

CHECKED BY

BAKHTIAR_AMIR DRAWN BY

DATE

SEE_THOO_JUN_HOE 1001645328

NOV_2021

DRAWING TITLE

PRJ NO

SECTION

A0004 A400

DRAWING NO

NOTES

project 03_technical drawing

1

PG_185

02 A702

2 3 4 S.F LEVEL FFL 9.100 V

MARK

DATE

BY

REVISION

PROJECT TITLE

PROJECT_02 DETAIL

5 6

OWNER

UCSI_UNIVERSITY

7

F.F LEVEL FFL 4.550 V

ARCHITECT

01 A703

SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.

8

ARCHITECT

JEFF'S_ARCHITECT G.F LEVEL FFL 0.000 V

9

ENGINEER CONSULTANT

JEFF'S_CONSULTANT

03 UNDERGROUND LEVEL FFL -3.350 V

01

OVERALL SECTION 1:75

02

FACADE SECTION DETAIL 1:20

FACADE SECTION DETAIL 1:5

1 parapet pre-finished metal flashing with dripo edge that extends 300mm away from parapet 2 200mm x 350mm concrete beam 3 facade component steel vertical bracket cover and closure plate for spandrels panel to be fixed on beam 4 100mm thk polycarbonate 5 steel bracket for aluminium spandrels panel 6 internal anchor, rectangular cut out for mounting bracket and anchor 7 support bracket for external facade polycarbonate panel 8 powdered coated aluminium profile mullions 9 5mm thk tempered glass

STATUS

CONCEPT_TENDER

CHECKED BY

BAKHTIAR_AMIR DRAWN BY

DATE

SEE_THOO_JUN_HOE 1001645328

AUG_2021

DRAWING TITLE

PRJ NO

FACADE DETAIL

A0001 A702

DRAWING NO

NOTES

project 03_technical drawing

02 A703

PG_186

4 MARK

DATE

BY

REVISION

PROJECT TITLE

PROJECT_02 DETAIL

5

1

OWNER

UCSI_UNIVERSITY

2 6 ARCHITECT

SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.

7

3

8 ARCHITECT

JEFF'S_ARCHITECT

ENGINEER CONSULTANT

9

03 A703

02

SLIDING DOOR MECHANISM 1:5

JEFF'S_CONSULTANT

03

SLIDING DOOR MOUNTING 1:5

STATUS

CONCEPT_TENDER

CHECKED BY

1 facade component steel vertical bracket cover and closure plate for spandrels panel to be fixed on beam

01

SLIDING DOOR DETAIL 1:20

2 internal anchor, rectangular cut out for mounting bracket and anchor 3/7sliding door mechanism, steel roller mounted on top of sliding tracks 4 100mm thk white translucent polycarbonate 5 internal 5mm thk tempered glass 6 aluminium mullion profile

8 powdered coated steel bracket for sliding track mounting, fixed to concrete floor slab 9 200mm thk concrete floor slab with steel bar reinforcement to engineers detail

BAKHTIAR_AMIR DRAWN BY

DATE

SEE_THOO_JUN_HOE 1001645328

AUG_2021

DRAWING TITLE

PRJ NO

SLIDING_DOOR DETAIL

A0001 A703

DRAWING NO

NOTES

02 A703

project 03_technical drawing

02 A703

1 parapet pre-finished metal flashing with dripo edge that extends 300mm away from parapet

PG_187

2 200mm thk concrete beam with steel bar reinforcement to engineers detail 3 20mm thk timber fascia board with painted finished externally 4 waterproofing layer (exposed system), exposed pvc fully adhered system - sika sarnafill G410-15L FELT 1.5mm thk 5 200mm thk rc flat roof at gentle fall of 4 degrees for water drainage

MARK

DATE

BY

REVISION

PROJECT TITLE

PROJECT_02 DETAIL

6 parapet pre-finished metal flashing with dripo edge that extends 300mm away from parapet 7 mullion frame for skylight, to be mounted on to extruded concrete beam 8 5mm thk tempered glass

01

OWNER

UCSI_UNIVERSITY

SKYLIGHT DETAIL SECTION 1:20

ARCHITECT

3

1

SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.

4

5

7

6

8

ARCHITECT

JEFF'S_ARCHITECT

2

ENGINEER CONSULTANT

JEFF'S_CONSULTANT

STATUS

CONCEPT_TENDER

CHECKED BY

BAKHTIAR_AMIR

02

FLAT ROOF DETAIL 1:5

03

SKYLIGHT TO FLAT ROOF DETAIL 1:5

DRAWN BY

DATE

SEE_THOO_JUN_HOE 1001645328

AUG_2021

DRAWING TITLE

PRJ NO

SKYLIGHT_TO FLAT_ROOF_DETAIL

A0001 A704

DRAWING NO

NOTES

NOTES

project 03_technical drawing

1

PG_188

2

MARK

DATE

PROJECT TITLE

BY MARK

DATE

BY

REVISION

REVISION

PROJECT TITLE

PROJECT_02PROJECT_02 DETAIL DETAIL

3

OWNER

02 A705

OWNER

UCSI_UNIVERSITY UCSI_UNIVERSITY

02 A705

1 150mm thk concrete wall with raw concrete finished externally 2 10mm slit cut out out to fit tempered glass with waterproofing seal ARCHITECT

3 5mm thk tempered glass

ARCHITECT

SAYA MEMPERAKUISAYA BAHAWA MEMPERAKUI DETAIL-DETAIL BAHAWA DALAM DETAIL-DETAIL PELAN-PELAN DALAM ADALAH PELAN-PELAN MENURUT ADALAH MENURUT KEHENDAK-KEHENDAK, KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL UNDANG-UNDANG BANGUNAN SERAGAM KECIL BANGUNAN 1984 DANSERAGAM SAYA 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB SETUJU TERIMA PENUH TANGGUNGJAWAB DENGAN SEWARJANYA. PENUH DENGAN SEWARJANYA.

4 powdered coated million frame for tempered glass 5 metal flashing to be extended 10mm away from glass window 6 flashing edge for water proofing

4

ARCHITECT

ARCHITECT

JEFF'S_ARCHITECT JEFF'S_ARCHITECT

ENGINEER CONSULTANT

ENGINEER CONSULTANT

JEFF'S_CONSULTANT JEFF'S_CONSULTANT

5

01

WALL TO WALL WINDOW TO WINDOW SECTION SECTION 01 1:15 1:15

STATUS

STATUS

CONCEPT_TENDER CONCEPT_TENDER

6

CHECKED BY

CHECKED BY

BAKHTIAR_AMIR BAKHTIAR_AMIR DRAWN BY

02

WINDOW WINDOW DETAILDETAIL 02 1:5 1:5

DRAWN BY

DATE

DATE

AUG_2021 AUG_2021 SEE_THOO_JUN_HOE SEE_THOO_JUN_HOE 1001645328 1001645328 DRAWING TITLE

DRAWING TITLE

PRJ NO

PRJ NO DRAWING NO

DRAWING NO

WINDOW_DETAIL WINDOW_DETAILA0001 A705A0001 A705 01 01

D9

project 03_technical drawing

DARK ARTEFACT MUSEUM

PG_189

01 A707A

6

MARK

STONE GEOLOGY MUSEUM

DATE

BY

REVISION

PROJECT TITLE

CONSTRUCTION DETAIL

01 A705

OWNER

02

KEY SECTION DETAIL NTS

5

ARCHITECT

1 200mm thk reinforced concrete slab with rebar steel, 4

UCSI_UNIVERSITY

SAYA MEMPERAKUI BAHAWA DETAIL-DETAIL DALAM PELAN-PELAN ADALAH MENURUT KEHENDAK-KEHENDAK, UNDANG-UNDANG KECIL BANGUNAN SERAGAM 1984 DAN SAYA SETUJU TERIMA TANGGUNGJAWAB PENUH DENGAN SEWARJANYA.

to engineers detail 2

700mm deep concrete display top with smooth

concrete finished externally and stainless steel stone artefact prop holder, to architects detail 3

ARCHITECT

JEFF'S_ARCHITECT

3 stone artefact 4 150mm thk stone slab wall cladding with butt join in random pattern with smooth finished texture externally

2

5 void opening for natural daylight 6 polycarbonate facade (refer to drawing A702)

ENGINEER CONSULTANT

JEFF'S_CONSULTANT

1 STATUS

CONCEPT_TENDER

CHECKED BY

BAKHTIAR_AMIR

01

STONE TOOL ARTEFACT DISPLAY MUSUEM 1:30

DRAWN BY

DATE

SEE_THOO_JUN_HOE 1001645328

AUG_2021

DRAWING TITLE

PRJ NO

MUSEUM DISPLAY

A0001 A707A

DRAWING NO

+ additional works competition + experiencing architecture

site shelter arkxsite central kuala lumpur trip

PG_190

arkxsite site shelter competition submission / teammates - ting kai lin & carlos chu - https://www.arkxsite.com/site-shelter-winners

PG_191

competition

the program is designed to deepen the understanding of looking at different perspective of a city in term of its architecture, social economics and cultural diversity. as an architect, we ought to be critical in whatever we do or see. exposing oneself to different culture around the world could deepens one thinking and understanding of the beauty of diversity.

PG_192

experiencing architecture

postcards

experiencing architecture

from left to right, sultan abdul samad building, national textile museum, chan she shu yuen clan association kuala lumpur, dayabumi complex, bamboo playhouse, all of which is taken during the trip around central kuala lumpur.

PG_193

postcards

end

2021