process documentation facade development_1001645328

ornamental facade design and assembly : case study see thoo jun hoe 1001645328

theories + design

contents 1. design process steps 2. core pattern concept fractility ornamentation collection of initial building case studies 3. what is facade ? comparison between building envelop, fenestration and facade 4. intergration of facade relation to the site, pattern and craft based on design studio project 5. facade case study 01 : craft the center for asian art at the ringling musuem of art 6. facade case study 02 : pattern fuzhou strait culture art center 7. facade case study 03 : site building name 8. extraction of case studies case study one to three case study sketches 9. proposed facade design development 01 developement 02

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core concept

> intergrate concept

> typology of facade

> case study

> extract

> redevelop ; reconstruct

> understand

> propose

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01 a map of a urban road design, that link each location with centralize radial form. as shown black box represent the central city where density of the people is high.

02 spiral form with complex pattern of a flower. a infinity loop which recreates itself repeatedly, no matter what scale.

03 a grid form with abstract shades of colors to differentiate on each other to create a harmony form.

04 - 05 conceptial radial form of a space, which creates unity and security by forming a centralize space.

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06 - 10 as mention earlier, fractals are everywhere. it is creator of life and existence as we know. for instance, a galaxy, a pistill in the flower, curve branches on a vine, a typhoon which destroys the land and a structure of a vegetable which give its rigidity of the elements.

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fractility of ornamental facade case study of the form itself to better understand the pattern which applies on the building facade elements.

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01 office winhov city_stefen muller

02 vessel_thomas heatherwick

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03 judicila centre_koller studio

04 turbinehuset_daneilsen

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05 sheung wan hotel_thomas heatherwick

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06 - 07 lideta_mercato / void house

08 - 09 fractal facade_maycon sedrez

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what is facade ?

facade

fenestration

building skin

it is a external element that either carries it own dead load or live load of the building. in general facade has lots of types and way of concstructing but three main types is in-situ, pre-fabricated and intergrated

any opening with holes or void that may penetrate through the building. for instance a glazing on the facade that lets the daylight to enter the space

a building can generally have two types one it is intergrated into the building structure, the other can be just a external cladding which is a secondary component

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intergration of facade : concept

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bang kachao figure ground fractal pattern : site

pattern

craft

A mathematical fractal pattern, purpose is to based the proposed programs at measure theon coastline of a continent.

As we cannot determine the true length of the coastthe issnowflake permaculture, line.site The koch is a measuring tool. the facade will Based on the site located near chao phraya follow needs, ethics objective of river, the the river line element is used to createand a fractal pattern, as to relate back to the ornathe program mental development. will reflect onto the facade

not only program, the initial pattern development based on theory of fractality is present and intergrated to the facade, both arrangement and scale of each detail of the facade

as craft is the core design principle, traditional craftsmen is retain in its shape and form of the facade. for instance, the material used, the source material and labour of the facade

pattern + facade = dynamic pattern facade

pattern + craft = materialize facade

koch snowflake

and out, the pattern will remain as the same

Something that cannot be measured, the more the pattern zooms in, the more form and cracks appear. Therefore, infinite of form that cannot be measured. It is known as coastline paradox.

site + facade = vertical farming scale section 2

coastline paradox coastline paradox coastline paradox

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case study 01 : craft building : the center for asian art at the ringling musuem of art architect : Machado Silvetti year : 2016 the façade is composed of deep-green, glazed terra cotta tiles that address the client’s requirement of a new monumental entrance. the façade relates to the natural environment of the Museum’s extensive landscape, and its color and chiseled profile are reminiscent of the Cà d’Zan mansion’s ceramic detailing. the sharp terra cotta forms are intended to evoke the art objects but are also inspired by colors found in nature and the whimsical architectural terra cotta tiling found in the original Ca’ D’Zan. moreover, the exterior is clad in custom green glazed terra cotta rain screen allows for a continuous thermal/moisture barrier to ensure the integrity of the gallery conditions inside. iniscent of the symbolic forms of terra cotta tiles in ancient chinese roof architecture. green glazed skin were crafted to look like handmade quality when light hits the facade.

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01 detail plan showing the facaded museum 02 detail section of the ceramic facade, wall and glazing relationship and construction 03 detail section of the ceramic facade window piece 04

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section showing the museum location 05 terra-cotta facade panel

plan showing the museum location

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mineral wool insulation cold formed metal frame line of adjacent window behind

standart terraclad track, bubble gasket and support clip

structure design 05

analyzing the facade structure to understand the construction design form : slip casting treatment : glazing material : glazed terracotta position : wall facade type : wall cladding

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01 construction phase of the facade showing the facade cladding system ; terraclad system and the internal structure 02 a peice of the facade, it was made in a factory before delivering it to the site. a minimum of 12 sets of hands touched each piece between the start of the process in pressing/finishing all the way to boxing them in Shipping 03 the fabrication process uses slip casting to form the 3d shape facade 04 inspection of the facade 05

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showing two types of sizes, the heaviest and largest tile weight approximately 30kg

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05 showing a solid and void piece, each piece used 28 days to get through all steps of the production process

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firing : 2043 (twice fired) type of glaze : custom high gloss glaze name of color : bvtc green 143g ie “Jade Green�

fabrication and construction analyzing the facade structure fabrication and design method

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case study 02 : pattern building : fuzhou strait culture art center architect : PES Architects year : 2018 the building is inspired by the petal of a jasmine blossom hence the city of fuzhou. as the facade follows the curvature of the building that intergrates the public interior space with the landscape of the jasmine gardens. ceramic is used as the main material of the facade due to its significance in the historicalk context of the maritime silk road trade connecttion between china and the rest of the world. the main faรงade ceramic louvre section is lens-shaped, relating to the form used in the massing of the buildings. This also maximizes the shading capacity of the vast glass faรงade

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01 ceramic louvers frame connection 02 detail connection of the ceramic louvers and main frame 03 section detail 01 of the louvers showing the relationship between the glazing and the external frame 04 blow up detail of the section detail 01 05 / 06 plan and elevation of the case studied building which only focusing on the external facade design

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structure design analyzing the facade structure to understand the construction design form : custom develop ceramic fabrication treatment : glazing material : white glazed terracotta position : external glazing facade type : metal frame with louver panel

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01 details of constructing the structure and assembly The Fuzhou Strait Culture and Art Centre the culture centre is clad in gleaming terracotta ceramic louvered facade structure with detail assembly and components the secondary structure holding the terra-cotta baguettes is fastened to a course of primary steel columns. (Courtesy PES-Architects)

02 entire clay louvered assembly on the building The Fuzhou Strait Culture and Art Centre mounting of clay louvered elements on the building itself

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the end of each baguette is outfitted with an aluminum plate adhered with a neoprene layer and shaped to match its profile. Each clip consists of an aluminum “hand” bolted to the ceramic louvers, and an “arm” tying them back to the secondary structural system of double-curved pipes. bar the custom-designed clips, a similar fastening system is repeated between the primary and secondary structural systems; rows of arms, which are adjustable to compensate for installation tolerances, protrude from the main steel columns towards the curved pipes. (Courtesy PES-Architects)

03 thermal analysis radiation and louver arrangement diagram, the facade is arrange to follow the solar radiation analysis

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case study 03a : site product : wall plantation, air cooler architect : manoj patel design studio year : 2020 reduce, reuse, recycle are the principle when this designer thought of this, by using or repurpose clay roof tile has upcycled locally produced tiles into a green wall with natural cooling benefits, purpopse is to promote the use of locally produced clay product as suppose of importing products from other countries. in addition, it also serve as a reaction against the proliferation of plastic and metal planters that have increasingly replaced clay pots.

planting solution

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case study 03b : site product : breath box architect : nas architecture year : nd reflection as the main idea, it does not recreate the image of the sea, it transform by its own attributes. the wind comes lift the many reflective modules, providing a duality between visual experience and reflection ripple. the purpose is to distinguish the wind passage not only feel but apprehend physically it interacts with the natural elements and senses offers reflection and transform it with diffrent enviroment situation

shading and reflect solution

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case study 03c : site 05

1. name : intervention party walls in barcelona

architect : opus

year : 2017

an ornamental vertical garden be the support structure for the development of vertical gardens and vertical orchards the purpose is to cultivate people to a more eco-pedagogical values and ​​ strengthens the neighborhood fabric

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2 / 3. name : ashton morph sukhumvit 38 architect : shma architecture

year : 2013

analyzing the watering and planting system intergrated into the facade clading and building it self 4 / 5. name : bosco verticale apartment

architect : boeri studio

year : 2014

vertical forest that loacated at the facade of the building, the unique part of the design it creates whose colours change depending on the season and the different natures of the plants used watering and soil solution

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case study

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extract fabrication

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structure 02

arrangement 03a

reflection 03b

green wall as pattern

03c

self sustain

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case study 01 ideation sketches

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case study 02 ideation sketches

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case study 03a ideation sketches

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case study 03b ideation sketches

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case study 03c ideation sketches

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translation of pattern

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diagonal 1 way

planters

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grid 1 way

structure

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diagonal 1 way

structure and grid mix

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diagonal 2 way

external grid

grid 2 way

= building structure

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from pattern original pattern

deconstruct

simplified

layered

to facade variation 01

flat

pattern

extrude

box

depth

flat

diagonal

one way

one way

two way

to structure variation 01

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to structure variation 02

flat development 01 overall

pattern

extrude

standalone

complex

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to structure variation 02

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