ROTUNDA RECREATION HALL

from Jayita Shetty | M.arch Portfolio | Georgia Institute of Technology | College of Design

by jayitashetty-gmail

General Notes

BLOCKING IN WALL

1. PROVIDE AND INSTALL NEW INTERIOR STUD WALLS AS SCHEDULED

2. PROVIDE AND INSTALL NEW KITCHEN COUNTER WITH CONTINUOUS COUNTERTOP SURFACE AT 36" HIGH.

3. PROVIDE BANQUETTE SEATING

4. NEW MILLWORK TO BE PROVIDED & INSTALLED BY MILLWORK VENDOR. PROVIDE BLOCKING IN WALL IF/AS NEEDED, TYP.

5. PROVIDE AND INSTALL BLOCKING IN WALL IF/AS NEEDED TO SUPPORT NEW WALL MOUNTED SHELVING, EQUIP, LED TV'S, TYP.

6. PROVIDE AND INSTALL WALL TRIM ON WALLS. COORDINATE LOCATIONS W/ FINISH PLANS & ELEVATIONS.

7. RELOCATE EXISTING RETURN DUCTWORK TO NEW R/A GRILLE LOCATION IN TOE KICK OF BANQUETTE. SEE MEP PLANS AND INTERIOR ELEVATIONS FOR MORE INFO.

8. SEE SHEET A3.1 FOR MORE INFO. ON EQUIPMENT SHOWN ON PLAN.

9. PROVIDE RECESSED ELEC.RECEPTACLE AND DATA RECEPTACLE. HIGH ON WALL FOR OWNER PROVIDED TV. SEE ELECT. POWER PLAN & INT. ELEVATIONS FOR MOUNTING HEIGHT A.F.F

WALL TYPE LEGEND

IN EXISTING WALL, TYP.

WALL TYPE 1: EXISTING EXTERIOR MASONRY WALL. PATCH AND REPAIR EXISTING BBRICK MASONRY/ GROUT IF/ AS NEEDED. VERIFY AND MAINTAIN ANY EXISTING FIRE RATING, TYP.

WALL TYPE 2: EXISTING INTERIOR STUD WALL. 2 X WOOD STUDS @ 16" O.C. W/ 1X LAYER 5 8" GYP. BOARD AT EACH FINISH SIDE.VERIFY AND MAINTAIN EXISTING STUD SIZE AND MIN.FIRE RATING, TYP.

WALL TYPE 3: NEW 2X 4 INTERIOR PARTITION WALL(HEIGHT VARIES - SEE PLAN). PROVIDE 2X4 STUDS @16" O.C W/ 1 X LAYER 5 8" GYP. BOARD AT EACH FINISH SIDE

GENERAL NOTES 1 INTERIOR ELEVATION 1/4" = 1'-0" 4 INTERIOR ELEVATION 1/4" = 1'-0" EXISTING WINDOW FINISH FRAME WITH BLACK PAINT SURFACE MOUNTED BUILT-IN FLOATING BOOKSHELVES. STAINED WOOD TO MATCH FLOOR FINISH COUNTERTOP 2'-10" 5' 2' 7' 3'-112" ( SHELVES TO BE CENTERED) 8'-4" (VERIFY EXTG.) 14'-10" CS-1 WT-1 PT-4 3'-2" ( SHELVES TO BE CENTERED) PROVIDE BLOCKING IN WALL FOR ARTWORK, TYP. CAB-1 PT-2 WD-1 ST-1 EXISTING CONCRETE BAND FINISHED WITH PAINT - B.O BAND @ 14'-10" ( VERIFY IN FIELD) PT-1 7' 3' CLEAR INSIDE FOR ADA HW-1 B-1 PT-4 11 10 22 21 1 4 A6.1 2 A6.1 3 A6.1 5 A6.1 PT-3 TRANSITION STRIP TS-1 PT-1 PT-1 PT-1 4 A6.1 23 WV-1 EXISTING DOORS PAINT DOOR TRIM MATCH BUILT-IN PT-4 PT-4 FURNITURE BY FF&E EQ EQ WV-1 4'-6" 6'-6" PROVIDE WALL SCONCES ABOVE BANQUETTES. COORDINATE INSTALLATION LOCATION W/ HVAC DUCTWORK

WALL TYPE 4: NEW IN-FILL AT EXISTING WALL( MATCH EXISTING CONSTRUCTION) MAINTAIN EXISTING FIRE- RATING IF/AS NEEDED, TYP)

WALL TYPE 5: NEW HALF WALL FOR NEW MILLWORK

1. G.C SHALL PRESERVE EXISTING/ ORIGINAL ARCHITECTURAL FEATURES ( WINDOWS, DOORS, BRICK, WOOD FLOORS) TO THE GREATEST EXTENT POSSIBLE, TYP. 0 5 10

7' EXPOSED BRICK [PT-1] UP TO EXISTING NOTES FINISH TYPE MATERIAL KEY LEGEND INTERIOR ELEVATION 1/4" = 1'-0" INTERIOR ELEVATION 1/4" = 1'-0" EXISTING WINDOW FINISH FRAME WITH BLACK PAINT SURFACE MOUNTED BUILT-IN FLOATING BOOKSHELVES. STAINED WOOD TO MATCH FLOOR FINISH COUNTERTOP PAINT ACCENT COLOR PT-4 UP TO B.O. SOFFIT AT WALLS BEHIND BANQUETTES AND GAME MILLWORK BANQUETTE SEATING BY MILLWORK. NOTE: CUSHIONS PROVIDED BY I.D. 2'-10" 5' 2' 2' 4'-6" 7' 11'-2 3 4 " 3'-112" ( SHELVES TO BE CENTERED) 8'-4" (VERIFY EXTG.) 5'-5 1 2 " B.O SOFFIT AT 11'- 2 3/4" A.F.F 14'-10" 14'-10" 11'-2 3 4 " 2 INTERIOR ELEVATION 1/4" = 1'-0" (1)

12" X 30" DECORATIVE R/A FILTER GRILLE AT B.O BANQUETTE SEATING, TYP. CENTER HORIZONTALLY TO THE GREATEST EXTENT POSSIBLE.

DOORS AND SIDELIGHTS TO REMAIN.

BANQUETTE SEATING. PROVIDE NEW R/A GRILLE AND DUCT AT BASE.SEE MILLWORK DETAILS ON SHEET A6.1 FOR MORE

REWORK EXISTING SOFFITS AT ENTRIES TO ALIGN WITH NEW SOFFIT. FRONT FACE OF HEADER WALL AT SOFFIT TO BE OFFSET 6" FROM NEW PARTITION WALLS

NEW WALL TO 14' -10" FROM A.F.F ( B.O OF CONCRETE BAND-VERIFY IN FIELD)

REWORK EXISTING SOFFITS AT ENTRIES TO ALIGN WITH NEW SOFFIT. FRONT FACE OF HEADER WALL AT SOFFIT TO BE OFFSET 6" FROM NEW PARTITION WALLS

EXISTING DOORS AND SIDELIGHTS TO REMAIN. PAINT AS SCHEDULED, TYP.

Learn how to handle tools, paint, babies, machinery, or just listen to your favourite tune... Try starting a riot or beginning a painting – or just lie back and stare at the sky... We are building a short-term play thing in which all of us can realise the possibilities and delights that a twentieth century city environment owes us. It must last no longer than we need it.

This thesis is about a different approach to the set notion of architecture’s spatial dialogue as an objective knowledge. The theory of temporal attributes in architecture represents the overlapping unforeseeable factors which fragments the notion of space.

LIVING PLATFORM Kinesthetic Spaces

Exploring the temporality in Architecture

The theory of temporal attributes in architecture represents the overlapping unforeseeable factors which fragments

ISOVITS

AXIAL PLANS

COMMERCIAL PLANS HIGHEST INTERACTIVE LEAST INTERACTIVE

Interior Views

Section Through Different Levels Of Interacton

Essentially seeking to achieve social connections humans have to space through various interactions with it. The design would adopt the technologies and principles developed from kinesthetic interfacing, situated as more social ,customizable, real-time encounter between participant and the built environment.

Essentially seeking to achieve social connections humans have to space through various interactions with it. The design would adopt the technologies and principles developed from kinesthetic interfacing, situated as a more social ,customizable, real-time encounter between participant and the built environment.

INSTITUTION FOR ALL INSTITUTION FOR ALL Ahmedabad, Gujrat, India

AHMEDABAD, INDIA

Academic -Semester V

Institution representing modern Ahmedabad.

The main intention of architectural intervention was to design an interface between the talent of design schools and industries who will realize that talent and help it to reach common man.

Institution representing modern Ahmedabad.

Any new architecture within the old city has to necessarily negotiate with the older typologies, Understand the context within which those buildings evolved and take it further.

The focus was to find the methodology of design which understood and absorbed the context and the existing typologies to arrive at a design solution

The main intention of architectural intervention was to design an interface between the talent of design schools and industries who will realize that talent and help it to reach common man.

Introduction

Any new architecture within the old city has to necessarily negotiate with the older typologies, Understand the context within which those buildings evolved and take it further.

The focus was to find the methodology of design which understood and absorbed the context and the existing typologies to arrive at a design solution

Views From Promenade

Connecting the auditorium to the public promenade to enchance connection and promote audiencethe exhibits

ELEVATION FROM SABARMATI RIVERFRONT spaces recreating the chowks of pols and had change in the dynamics of the forms representing the shift from pols to modern architecture. The auditorium enclosed would be allowed only for students and for their programs but the other condition was the outer facade opening to become an arena that connects the riverfront directly to the stage. Making it the centric point for both people associated to the institute and common spaces

SECTION

The auditorium enclosed would be allowed only for students and for their programs but the other condition where the outer facade opens up

PLAN and the common public. PLAN

The main idea was the amalgamation of the nature of both pols and the modern buildings of Ahmedabad. To bring together the grid of modernism and the sense of collective spaces from the pols.