Architectural Internship Report Part02

RESIDENCE AT IMADOL

06

RESIDENCE AT IMADOL

TYPE OF WORK:

1. ELECTRICAL DRAWING

2. SANITARY DRAWING

THE CLIENT’S REQUIREMENTS

RESIDENCE WITHIN A TOTAL PLINTH AREA OF 1091.87 SQ F.T. THE SPACE REQUIREMENTS WERE AS FOLOW:

1.GROUND FLOOR MAINLY FOR RENT: REQUIRED:LIVING ROOM,2-BEDROOM, KITCHEN,WC

2.1ST AND 2ND FLOOR FOR CLIENT PERSONAL USE -

1ST FLOOR: BEDROOM,WC,KITCHEN, DINING,LIVING ROOM, STORE ROOM. - 2ND FLOOR: 2 BEDROOM, WC, MASTER BEDROOM, BALCONY

- 3RD FLOOR: PUJA, LAUNDRY, STORE.

CONSIDERATION:

1.APPROPRIATE AMOUNT OF OPEN SPACE WAS LEFT ON THE PLOT FOR CIRCULATION.

2.VENTILATION AND APPROPRIATE NATURAL LIGHTING ARE ENSURED IN THE DESIGN.

3.TO PROVIDE APPROPRIATE SPACE FOR EACH OF THE ROOM, AND CIRCULATION INSIDE THE ROOM.

AREA - 1126.77 Sq.Ft. SECOND FLOOR PLAN

LEARNINGS/OUTCOMES FROM PROJECT 6

RESIDENCE AT IMADOL

• In this project my learnings are mainly on the planning with proper layout of spaces like entrance, circulation space, living room, bedroom, kitchen, dining, water closet etc.

• Learnt the basic idea about planning house in which ground floor mainly for rent purposes.

• To develop well 2D drawings and photoshop works for postproduction.

• Learnt basic idea about different room dimensions like bedroom, living room, kithcen etc.

• Learnt basic idea about anthropometry.

RESIDENCE AT JHAUKHEL

07

RESIDENCE AT JHAUKHEL

TYPE OF WORK:

1. SANITARY DRAWING

1. ELECTRICAL DRAWING

1. SLAB DETAILS

Date:- Jun-2022

Drawn by:-Janardan Das

Working drawing for Residence at Jhaukhel, Changu Narayan

Designed by:- Pratiksha Shrestha Scale: 3 16"=1'-0"

Designed by:- Pratiksha Shrestha Scale: 3 16"=1'-0"

RESIDENCE AT SANEPA

TYPE OF WORK:

08

RESIDENCE AT SANEPA

1. DESIGN DEVELOPMENT

2. INTERIOR DESIGN

3. INTERIOR WORKING DRAWING

WORKING DRAWING

LEARNINGS

1. INTERIOR DESIGN

- SKETCHES FOR ELABORATIONS

- CLASSICAL DESIGN ELEMENTS TO PLAY AND BLEND

- TO KNOW ABOUT WALLPAPER AND PARQUETING

2. INTERIOR WORKING DRAWING

- DETAILED LAYOUT PLAN

- FLOORING LAYOUT PLAN

- ELECTRICAL LAYOUT PLAN

- FALSE CEILING PLAN AND SECTION

Scale: Green Design Associates Pvt. Ltd. Sankhamul Tower, Sankhamul, Kathmandu

Jun-2022

Working drawing for Residence at Boudha, Kathmandu

Designed by:- Pratiksha Shrestha

Drawn by:-Janardan

1'6" depth drawers laminated with wood textured Mica

1'6" depth shelf laminated with wood textured Mica

Details of Bedside Table

LANDSCAPE DESIGN

GREEN HILL

LANDSCAPE DESIGN

TYPE OF WORK:

1. LANDSCAPE DESIGN

2. 3D VISUALIATION

LEARNINGS

1. TO CREATE A USER FRIENDLY ENVIRONMENT WITH SITTING SPACE.

2. TO CREATE BUFFER ZONE FOR BETTER PRIVACY AND AVOID POLUTION FROM OUTSIDE ROAD.

3. TO PLAY WITH HARD AND SOFT ELEMENTS OF DESIGN

4. SYMMETICAL AND ASYMMETRICAL DESIGN PATTERN

5. SPACE MANAGEMENT

SAMAGRATA

TYPE OF WORK:

ARCASIA DESIGN COMPETITION

1.DESIGN DEVELOPMENT

2. PROGRAM FORMULATION

3.SITE ANALYSIS

4. CONCEPT GENERATION

5.FORM DEVELOPMENT

6. GRAPHIC WORKS,SKETCHES,ILLUSTRATIONS

COMPETITION THEME : SAMAGRATA (ENTIRETY)

THE FUTURE OF ARCHITECTURAL TOURISM IN ASIA.

As Nepal is a well-known country in Asia as well as the world for its uniqueness in each and every discipline mainly in the diversity as the well-known slogan “unity in diversity”. By representing the same concept and vision of the project displaying the diversified culture, art, and architecture on the same platform, and recognizing the details of the main landmark with the building materials, arts, paintings, and varieties of architectural styles which represent the whole nation as unified with a diversified way of living.

PROJECT VISION

However, the need for a platform for the representation of varieties of culture, art, and architecture of the whole nation at a single place or platform was lacking, so by taking the vision of accumulation of the varieties of art, architecture, and cultural aspects at a single place by creating the platform as an information center and museum for the representation of real landmark for information and tourist destination.

THE SITE

The site is situated 4 km from the city center and is only 10 minutes from the international airport. As for the specified design solving act, the site selected must have the features for incorporating and supporting the design. Kathmandu is a city particularly famous for its ancient architecture, religious monuments, various temples, monasteries, and stupa that adorn the city’s landscape. The site we selected is Boudha as it has its own eco-system of tourism and architecture which supports the theme and vision of this project. As the site surrounding has many features and services including related landmarks like Boudhanath stupa, Taragaon museum, Hyatt regency, etc. that support tourism.

THE CONCEPT

The conceptualization of the project starts from thinking and creating a common platform and solving for information about art, architecture, and cultural aspects that represent the whole nation for its diversified way of living. By taking reference from the geographical aspect, the Terai, Hilly, and the Himalayan Region for their way of living, art, architecture, sculpture, paintings, building materials, and building science they use in their building against the climatic condition. The form generates from the settlement patterns of the different ethnic groups and architecture in building design.

DESIGN FEATURES

To fulfill the need for an architectural tourist-centric zone and socializing space along with information and artifacts spaces. Similarly, by accepting the sustainable concept we support our design idea by adding the green park zone, and minimum use of non-renewable building materials.

CONCLUSION

To sum up, Our proposal suggests redefining the space for the tourism industry along with the art architecture from different corners of the nation in one place for better information about the main landmarks and can be able to know the routes and the tourist destination places all over Nepal.

ENTIRETY

THE SAMAGRATA MUSEUM IS PROBLEM SOLVING PROJECT FOR THE SPLIT BETWEEN ARCHITECTURE AND CULTURAL ROOTS WHICH CONNECTS PEOPLE, COMMUNITY AND NATURE THROUGH ARCHITECTURE.

•SITE AREA : 32371.5457 SQ. M

STRENGTH

EASY

•EASY ACCESS BY THE MAIN ROAD

• ADEQUATE SPACE FOR FUTURE EXPANSION.

•PROVISION FOR DRAINAGE

PROVISION

WITH

•WITH IN THE PROXIMITY OF THE CORE CITY AREA.

WEAKNESS

• COMPACT SETTLEMENT ZONE

• TRAFFICE JAM

• POPULATION CROWD

OPPORTUINITIES

•GOOD NATURAL VEGETATION.

•WITHIN THE URBAN SETTLEMENT

•TOURIST ATTRACTING ZONE BY MANY FAMOUS LANDMARKS

•CAN BE ABLE TO CREATE CULTURAL REPRESENTATION OF WHOLE NATION AT ONE PLACE.

SITE GOOD WITHIN TOURIST CAN

THREATS CLIMATE ANALYSIS

•HIGH TRAFFIC CONJECTION MAY LEADS TO ACCIDENT

LANDMARKS NEARBY

•WIND DIRECTION - 170 DEGREE TOWARDS SOUTH

•TEMPERATURE - MAXIMUM 28 DEGREE - MINIMUM 18 DEGREE

•PRECIPITATION- 5.6 MM/3H

•RAINFALL - MAXIMUM 1000 MM

SUN POSITION

• SUMMER SOLSTICE : 80 DEGREE

•BOUDHANATH STUPA

•THE TARAGAON MUSEUM

•HYATT REGENCY

• BHAT-BHATENI SUPER MARKET

•WINTER SOLSTICE : 29 DEGREE

CONCEPT GENERATION

1.COUTRYARD SETTLEMENT PATTERN

•IT REPRESENT THE TRADITIONAL ARCHITECTURE OF NEPAL LIKE IN PATAN DURBAR SQUARE PLANNING.

•LIKE TEMPLE CHAR NARAYAN, TEMPLE KRISHNA, ETC ARE BUILT IN COURTYARD FORM.

FORM DEVELOPMENT PHASE

2. BUILDING FORM REPRESENTS THE GEOGRAPHICAL REGION OF NEPAL. •HIMALAYAN, HILLY AND TERAI.

4. JUSTIFICATION FOR SITE •SITE IS LOCATED NEAR THE WORLD HERITAGE AND HAS THE GREAT OPPORTUINITY.

3. THE GEOGRAPHICAL REGION ARE SHOWN BY THE HIEARCHY OF THE BUILDING FORM.

PAINTING AND DISPLAY ZONE

MITHILA EXHIBITION GALLERY

MULTIPURPOSE

HALL

THARU EXHIBITION GALLERY

RECEPTION KITCHEN

ADMIN

RECEPTION

Auditorium

Meditation Hall