Woolley & Wallis

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Tribal Art & Antiquities

Wednesday 20th February 2019

Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424505 446955

424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

411854 339161 446974

JAPANESE ART Alex Aguilar Sarah Lopez-Ferreiro

424583 424591

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

424509 424598

MARKETING Sally Trench

446959

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424595 424504 424586

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Madeleine White

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

CASTLE GATE MANAGER Matt Hill CASTLE GATE RECEPTION Megan Corbett BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

Natalie Milsted FCCA Finance Director

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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TRIBAL ART & ANTIQUITIES

Wednesday 20th February 2019 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 16th February Monday 18th February Tuesday 19th February Wednesday 20th February

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 9.00am – 10.00am

ENQUIRIES

Will Hobbs 01722 339752 wh@woolleyandwallis.co.uk

Please note all lots in this catalogue are made of wood unless otherwise stated.

Zoe Cordey 01722 446980 zc@woolleyandwallis.co.uk

COLLECTION OF LOTS All items will be in transit from the Salerooms to the Warehouse at Old Sarum on Monday 25th February.

From Tuesday 26th February collection will be from our Old Sarum Warehouse, Unit 1B Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 01722 446980 prior to collection to ensure the items are ready.

All accounts to be settled prior to collection.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 19th February.

LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 1189 detail Back cover: Lot 1346 detail Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 19th February.

Please note there is a 4.95% +VAT surcharge for using this service.

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ANTIQUITIES

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1001. An Egyptian wood shabti New Kingdom, circa 1570 - 1070 BC with a tripartite wig and remains of a gilt collar, with crossed hands and ten rows of hieroglyphs to the front in sunk relief, with painted black wig and facial features with a reddish skin colouring, 26.5cm high. £800-1,200 Provenance The Gunn family, Stirling, Scotland.

1001 1002. An Egyptian turquoise faience shabti Third Intermediate Period, circa 1080 - 945 BC with tripartite wig and crossed arms, with black detailing of two hoes, a heart amulet and two vertical rows of hieroglyphs and a double strap seed bag to the back, 15cm high. £300-400

1002

Provenance The Gunn family, Stirling, Scotland.

1003. An Egyptian green faience shabti Late Period, circa 525 - 332 BC with carved detailing of a tripartite wig, beard, hoe and pick, with a column of hieroglyphs, a seed bag over the left shoulder and with a pillar back, 13cm high. £200-300 Provenance The Gunn family, Stirling, Scotland.

1003 1004. An Egyptian green faience shabti New Kingdom, circa 1570 - 1070 BC with tripartite wig and crossed arms, with black detailing of two hoes and a column of hieroglyphs and a double strap seed bag to the back, 12.5cm high. £200-300 Provenance The Gunn family, Stirling, Scotland.

1004

3

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1005. Two Egyptian green faience shabtis Late Period - Ptolemaic Period, circa 525 - 30 BC with carved detailing, with shoulder seed bags and back columns, the smaller with hieroglyphs to the front, 6.7cm and 10cm high. (2) £150-250 Provenance The Gunn family, Stirling, Scotland.

1005

1006. An Egyptian bronze Apis bull fragment Late Period - Ptolemaic Period, circa 664 - 30 BC with incised designs to the back including a winged scarab and winged vulture, 7cm long, an Egyptian wood figure, 15.5cm high and an Egyptian recumbent animal, 10cm long. (3) £150-200 Provenance The Gunn family, Stirling, Scotland.

1007. An Egyptian bronze seated figure of Harpocrates Late Period, circa 664 - 30 BC seated naked wearing a hemhemet crown and with the sidelock of youth, 14.5cm high, mounted, and an Egyptian bronze group of Isis and Horus, Late Period, 8.5cm high, mounted. (2) £300-400 Provenance Paul Wengraf (1894-1978) acquired in the 1950’s.

1007

4

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1008. Four Egyptian faience necklaces four scarabs, a tablet and two amulets. (16)

£150-200

1009. Two Egyptian blue faience rings probably New Kingdom, circa 1570 - 1070 BC one with the Udjat Eye and the other with a Lotus Flower, and five faience bead necklaces, one with a label inscribed Found at Malager 1909. (7)

£200-250

1010. A collection of Egyptian faience bead necklaces re-strung and four similar bracelets. (22)

£100-200

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1012

1011

1013

6

1014

1015

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1011. Fourteen Egyptian steatite scarabs 2nd Intermediate Period - New Kingdom, circa 1782 - 1070 BC pierced and with carved bases, including a striding figure and a crocodile, a crouching Jackal, a scarab and a Sphinx, a horse and symbols, a figure holding a Lotus flower, the prenomen of Tutmosis III, hieroglyphs titled Lord of the Two Lands, a scarab above a Neb and two Nefer signs, a scarab and two Uraei, Taurt, three with hieroglyphs, another with scrolls and a plaque with a scarab and Maat feathers, 1.3cm - 2.2cm long. (15) £300-400 Provenance Bonhams & Brooks, 26th April 2001, lots 375 and 384, part.

1012. Twelve Egyptian steatite scarabs Middle Kingdom - Late Period, circa 2133 - 332 BC pierced and with carved bases, including a falcon headed deity holding two Uraei, an Ankh above a Djed pillar, a vessel with two Ankh symbols, a kneeling figure holding two Lotus plants, three fish with Lotus plants, a Pharaoh smiting an enemy, the prenomen for Tutmosis III, a falcon head wearing two plumes, lucky signs and three with geometric patterns, 1.3cm - 1.7cm long. (12) £300-400 Provenance Bonhams & Brooks, 26th April 2001, lot 357, part.

1013. Twelve Egyptian steatite scarabs 2nd Intermediate Period - Late Period, circa 1782 - 332 BC pierced and with carved bases, including a lion facing an Ureaus, two with a lion on a crocodile, a seated Pharaoh, a striding Sphinx, a crouching antelope, a scarab beneath a horned solar disc, a Ichneumon, three with hieroglyphs and a coiled pattern, 0.7cm - 2.1cm long. (12) £300-400 Provenance Bonhams & Brooks, 26th April 2001, lots 360, 376 and 382, part.

1014. Fifteen Egyptian steatite and faience scarabs Middle Kingdom - Late Period, circa 2133 - 332 BC pierced and with carved bases including Amun-Ra king of the Gods, Lord Come, Behold, Go Round About upon the Winds, Seth, Abraxas, a falcon behind a Maat feather and Uraeus, Bes, lucky symbols and scrolls, and nine with differing scrolls and geometric patterns, 0.9cm - 2cm long. (15) £400-600 Provenance Bonhams & Brooks, 26th April 2001, lots 366 and 372, part.

1016

1015. Twelve Egyptian steatite and faience scarabs 2nd Intermediate Period - Late Period, circa 1782 - 332 BC pierced and with carved bases, including Ptah between two Djed pillars, Seth, a scroll with Neb signs and Maat feathers, crouching antelope, walking antelope, antelope above a fallen figure, a Uraeus beneath a winged solar disc, recumbent antelope, a scarab above a Neb sign, a seated Ibis, hieroglyphs and scrolls, 0.8cm - 2cm long. (12) £300-400 Provenance Bonhams and Brooks, 26th April 2001, lot 364, part.

1016. An Egyptian faience Harpocrates amulet New Kingdom, circa 1550 - 1069 BC with side lock and hand raised to the mouth 5.6cm high, an Egyptian double sided disc pendant, with the head of Bes, a green glazed figure of Bes, a faience Pataikos amulet, a shell bead and mother of pearl slither necklace and a Roman glass double unguentarium fragment. (6) £250-350 Provenance Phillips, sale no. 31011, lot 14, part.

1017. An Egyptian bead necklace with an Udjet Eye amulet and two strung glass bead necklaces, Roman and Saxon. (3) £100-120

1017

7

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1018. A provincial Byzantine silver ring circa 14th century AD with a circular bezel engraved with the busts of two figures wearing drapery, with a dot border, 2.1cm diameter. £300-400 Provenance Bonhams, London, Antiquities, 26 Oct 2007, lot 121.

Acquired in Germany in 2001.

1018 not to scale

1019. A Roman gold ring circa 2nd century AD inscribed with the Greek word OMONOIA, concord/harmony, over two lines, 2.2cm wide, 13.2 grams. £1,200-1,500 Provenance Christie’s, Antiquities, 12 April 2000, lot 102.

1019 not to scale

not to scale

1020. A Sasanian gold belt fitting circa 7th - 9th century AD of arched form with embossed and chased decoration, with two split-pins to the back, 2.2cm high, and a gold square tube fitting with differing chased decoration to the sides, of fish, scrolls and triangles, with beaded rims, circa 7th - 9th century, 5.4cm long. (2) £500-800 Provenance Bonhams & Brooks, 26th April 2001, lot 318 part.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1021. A Parthian gold and garnet intaglio pendant circa 2nd century BC/AD with a carved figure of Apollo standing next to a pillar with his lyre on top, within a gold box setting with granulated sides, pierced and with a later openwork gold disc, circa 3rd century AD, 4.8cm long, and a Parthian gold lunate pendant, with glass inlay, circa 2nd - 1st century BC, 3.8cm long. (2) £300-500 Provenance Christie’s, London, Antiquities, 12 April 2000, lot 103 part.

1021 not to scale

1022 not to scale 1022. A Byzantine gold ring with an oval bezel inscribed NIKH, over two lines, 1.7cm diameter, a Byzantine child’s ring, indistinctly inscribed on the bezel, 1.2cm diameter, a Byzantine silver ring, engraved the bust of a Saint, 1.8cm diameter, a pair of Byzantine gold crosses, with an inset garnet, a Byzantine bronze cross pendant and a pair of Roman gold earrings with domed frontal plates. (8) £400-500 Provenance Bonhams & Brooks, 26th April 2001, lot 319, part.

1023. A glass bead necklace two with faces and with a glass pendant engraved a figure, a Middle Eastern lapis lazuli bead necklace with an enamelled and brass pendant, the centre inscribed Arabic script, a Sasanian agate domed seal, engraved a man's head, 2.5cm high, a lapis lazuli domed seal, engraved a figure and a silver coloured metal ring inset an intaglio of a man's head. (5) £150-250

1023

9

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1024. An Islamic glass seal with four rows of impressed calligraphy, 2.3cm high, an Egyptian glass ear stud, 1.9cm long, a Roman mosaic glass fragment, a Roman mosaic glass faceted bead, a glass ‘eye’ bead and a Roman blue glass pendant. (6) £300-400 Provenance Bonhams & Brooks, 26th April 2001, lot 280, part.

1024

1025. Three stone implements including a North America hand axe, inscribed 04-19 HF NORTH AMERICA and R.S. Coll, 18.2cm long, one with a quadripartite head, inscribed 04-20 R.S. coll, 13cm long, and one with an ovoid head, inscribed HF 1004 and 04-2.., 10cm long. (3) £200-250

1025

1026. A French lead Pilgrim badge probably from the shrine of St Jos at Saint-Josse-sur-Mer, of a bearded man wearing a hooded cloak, with rosary beads and a staff, 15th century, 6.2cm high, and a French lead Pilgrim badge of a bird, with the remains of a chain, 5cm wide. (2) £100-150

1027. A Taino style stone hand axe carved as an ancestor and with a green/blue patina, 25.5cm long.

10

£150-250

1027

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1028. Two Greek votive female figures pottery, both holding objects, the smaller with inventory number in black ink 28702, 11.7cm and 19cm high, on stands. (4) £100-200

1029. Two Roman pottery oil lamps circa 1st - 2nd century AD one with a ring handle, 9cm long, the other double nozzled, 16cm long. (2) £60-100

Provenance Paul Wengraf (1894-1978) acquired in the 1950’s.

Provenance The Gunn family, Stirling, Scotland.

1030. An Attic black figure oinochoe circa 5th century BC with a trefoil spout and decorated a satyr and vines, with scratch detailing, 12cm high, an Apulian squat lekythos, decorated a dove and scrolls, 8cm high, and a Greek miniature oinochoe decorated a crawling baby, 6cm high. (3) £200-300

1031. A Greek pottery aryballos circa 6th century BC with a wide rim and short handle to a globular body, inscised and painted four Hoplites and line decoration, 6cm high. £300-400

Provenance Paul Wengraf (1894-1978) acquired in the 1950’s.

Provenance Collected between the 1940’s - 1960’s and thence by descent.

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PRE-COLUMBIAN

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1032. A Chancay textile Peru, circa 1300 - 1700 AD worked with five rows of birds on a red ground and within a geometric and linear border, 62.5cm x 53cm, mounted, framed and glazed. £300-500

1032

1033. A Chancay textile fragment Peru, circa 1100 - 1300 AD of a stylised head with an elaborate headdress, 17cm x 18cm.

£50-100

1034. A Chancay textile fragment Peru, circa 1100 - 1400 AD with painted rows of birds, fish and geometric abstract zoomorphs, 42cm x 51cm, mounted, framed and glazed. £150-250

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1035. A Chancay figural vessel Peru, circa 1100 - 1400 AD ceramic with brown slip, modelled with a headdress and spool earring and holding a cup, 38.5cm high. £300-400

1035

1036. A Chimu whistle stirrup vessel Peru earthenware with an owl whistle, 15.5cm high. £100-150

14

1037. A Chimu whistle vessel Peru, circa 1100 - 1400 AD earthenware of stirrup type with a seated figure, 19.5cm high, and a Chimu stirrup vessel, with a llama head, 19.5cm high. (2)

£200-300

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1038. A Maya incised shell Jaina, Mexico, circa 550 - 950 AD snail shell with incised decoration with cinnabar, depicting a seated male figure wearing a headdress and neck ornament, on a plinth with a frog and a bird with a snake in it's beak, with hieroglyphs above and below, the back with an incised and filled head wearing an elaborate headdress, 14cm high. ÂŁ15,000-25,000 Provenance Palmer collection, New York and Munich.

Below is an extract of correspondence written by Prof. Dr Nikolai Grube, Bonn.

The hieroglyphic text is very readable and is probably read in individual columns from top to bottom. The first hieroglyph at the top left is the expression u-ja-chi (u jaach) "it is the ornamented shell". What follows are the name and title of the owner (likely to read Mo 'Batan Taax). The second and third hieroglyphs in the right column give us the information that the owner was an Ajaw "ruler" in the second twenty-year period of his life. The last hieroglyph in the left column means y-al, "he is the son of". The name of the father is the first of the three hieroglyphs at the bottom of the shell. The father's name is Sak Jol "white head". The following hieroglyph reads K'UHUL CHAN AJAW-wa, "divine ruler of Chan". Chan was the old name of the island Jaina. The last hieroglyph is the title ba-ka-ba, (baah kab) "the first of the world". The name of the father, Sak Jol, is very common in inscriptions from the place Jaina.

reverse

15

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1039. A Shipibo bowl Peru clay with painted linear geometric decoration, 17.5cm diameter, and a Shipibo jar with a mask to the neck and with similar decoration, 16cm high. (2) £100-150

1039

1040. A Mayan tripod bowl Mexico the interior painted with geometric designs, the exterior with a band of stylised decoration including a head, 31cm diameter. £100-150

1040

1041. A Nazca owl whistle Peru, 20th century terracotta painted with heads and a frog from its beak, 11.5cm high, and Nazca vessel with a painted spider, a monkey and two lizards with relief heads, 12cm diameter. (2) £50-100

1041

16

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1042. A Nazca bowl Peru, probably circa 100 - 300 AD terracotta with a painted border of six ‘devils’ with scroll tails, 12cm diameter. £150-250

1042

1043. Two Mezcala pendant figures Mexico stone, with piercing to the back top of the head, 9cm and 9.2cm high, on stands. (4)

£300-400

1043

1044. A Peruvian kero Central America with a girdled base and painted warriors, foliage and geometric bands, 15.5cm high. £200-300

1044

17

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NORTH AMERICAN & INUIT

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1045. An Athabascan knife Alaska steel with a double volute handle terminal, 30cm long. £200-300

1046. A Navajo apron Southern North America canvas painted yellow and red with a an applied leather cut-out stag with a red glass bead, hung with tin cones, early 20th century.

26cm high, on a stand. (2) £200-300 Provenance Denis Ghiglia, Paris, France.

1046

1045

1047. An Iroquois beaded pouch North East America cloth, velvet and coloured glass beads, with a waxed lining, 20cm high, and a Micmac card case, bark and quill.

(3) £100-150 Provenance Pouch - Ex Colin F Taylor collection.

1048. A Blackfoot sheath with knife Northern Plains leather, brass studs, cloth and hide, the sheath, 29cm long, with a bone handled knife. (2) £300-400

1047

1049. A Native American used rifle European percussion with later applied brass studs to the walnut stock, 121.5cm long.

1048

£350-400

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1050. A Haida totem figure Northwest Coast of America with tucked in arms and legs, large eyes and mouth, with remains of polychrome decoration, the curved back with original patina and evidence of metal straps, 89cm high. £800-1,200

1051. A pair of Inuit snow shoes Alaska wood and babiche rawhide, 117.5cm long. (2)

20

£250-300

1052. An Inuit carved group Alaska soapstone, of a polar bear attacking a man, the base with symbols and E 5199, 10.5cm high. £300-500

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1053. A pair of Inuit snow goggles Alaska bone, 14.1cm wide, on a stand. (2)

1054. A pair of Inuit snow goggles Alaska wood with two inset glass beads and with hide straps, 16cm wide, on a stand. (2)

£1,500-1,800

£650-750

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1055. An Inuit needle case Bering Strait, Alaska walrus ivory, with four carved seated figures, three looking forward and one with his head turned to his left and with a seated polar bear at the back, with inset baleen eyes, hollowed through the centre, early 20th century, 11.7cm long. £400-600 cf. Smithsonian Institution, Accession Number 80A00050, for a needle case with four seated figures collected by Edward W. Nelson, from King Island, Bering Strait, Alaska, November 1880.

1056. A Raven Flood Totem Alaska carved walrus ivory with red and black staining, mounted, 13.5cm high, another walrus ivory totem, 13.3cm and an Inuit marine ivory needle, 16.5cm long. (3) £150-250 Similar totems were sold through the Nugget Shop, Juneau, Alaska, 1913 - 1938. This one depicts the flood myth of the raven flying to heaven with children in his arms, saving them from the flood.

22

1057. An Inuit carved bird Alaska black soapstone, with its head slightly tilted, signed with symbols and E. G. 876, 10cm high. £100-200 Provenance Marvin Chasin Collection, London, UK.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

part 1058. Henry Napartuk (1932 - 1985) Kuujjuarapik, Quebec, Canada Eskimo and walrus; Eskimo and beluga; Eskimo at seal hole, three prints, signed and titled, 15.7cm x 24cm. (3)

1059. A Sami knife and scabbard Lapland antler, leather and steel, the scabbard pierced and engraved with reindeer, 26.6cm long, and a Sami spoon, with an engraved reindeer, 14cm long. (3) £120-150

£100-200

1060. A Sami knife sheath Lapland antler with incised decoration, the open body with pierced triangle borders and inlaid dots, with a leather mount and ring attachment, 31cm long. £300-400

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1061

1062

1063

1064

1066

1065

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1067

1068

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1061. Antiquities Auction catalogues Bonhams and Christie's and BAAF catalogues and Royal-Athena Galleries catalogues. (41)

£200-300

1062. Literature Kevin Conru (edited by). Bismark Archipelago Art, 2013; J. Halley Cox. Hawaiian Sculpture, 1974; The Art of Eastern Australia, Fine Aboriginal weapons & artefacts, the David Petty collection, 2009; Hirini Moko Mead. Te Toi Whakairo, The Art of Maori Carving, 2002; The George Ortiz Collection of Primitive Works of Art, 29th June 1978, Sotheby Parke Bernet; The Collection of Frieda and Milton Rosenthal, 14 Nov. 2008, Sotheby’s; Fergus Clunie. Yalo i Viti, Shades of Viti: A Fiji Museum Catalogue; W. O. Oldman. Illustrated Catalogue of Ethnographical Specimens, 1976, numbered 470; Protection Power and Display, Shields of Island Southeast Asia and Melanesia, Boston College Museum of Art, 1995; Mabel Cook Cole. The Island of Nias, at the edge of the world; The Travels of Mungo Park, 1910; Lord Moyne. Walkabout, A Journey in Lands Between The Pacific & Indian Oceans,1936. (12) £100-200 1063. Literature Eliot Elisofon. The Sculpture of Africa, 1958; Ladislas Segy. African Sculpture Speaks, 1975; Dennis Duerden. African Art, 1968; Frank Willet. African Art, 2006; Margaret Webster Plass. African Miniatures, The Goldweights of the Ashanti, 1967; Leon Underwood. Masks of West Africa; Andreas Lommel. Prehistoric and Primitive Man, 1966; Dandrieu et Giovagnoni. Passion d'Afrique, l'art african dans les collections italiennes, 2009; William Fagg. Masques d'Afrique, 1980, and various auction catalogues, Sotheby's and Koller. (20)

£100-150

1064. Literature Eliot Elisofon. La Sculpture Africaine, 1958; Carl A. Schmitz. Oceanic Sculpture, 1962; Susan M. Vogel. Baule, African Art Western Eyes, 1997; Laure Meyer. African Forms, Art and Rituals, 2001; Ladislas Segy. African Sculpture, 1958; Douglas Newton. The Nelson A. Rockefeller Collection, Masterpieces of Primitive Art, 1978; Paul Oliver. African Shelter, 1975. (7)

£100-200

1065. Literature Exhibition Catalogues Au Royaume du Signe, Appliques sur toile des Kuba, Zaire, Musee Dapper, Paris, 1988; R. Farris Thompson & S. Bahuchet. Pygmees?, Peintures Sur Ecore Battue Dess Mbuti (Haut-Zaire), Musee Dapper, 1991. (2) £40-60 1066. Literature Joseph Cornet.

Art de l’Afrique noire au pays du fleuve Zaire, 1972, in a slip case.

1067. Literature Anthony JP Meyer.

Oceanic Art, 1995; Admiralty Islands, Art from the South Seas, Museum Rietberg, Zurich, 2002. (2) 1068. Literature The Art of Southeast Africa from the Conru Collection, 2002; Frederick Lamp. Art of the Baga, A Drama of Cultural Reinvention, 1996; Jean-Baptiste Bacquart. The Tribal Arts of Africa, 2004. (3)

£100-150

£40-60

£80-120

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1069

1070

1071

1072

1073

26

1074

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1069. Literature Treasures from the Africa-Museum, Tervuren; Anne-Marie Bouttiaux. Persona, Masks of Africa: Identities Hidden and Revealed, 2009; Contantine Petrides. Frans M. Olbrechts 1899 - 1958, In Search of Art in Africa; Gustaaf Verswijver and Hans Silvester. Omo People & Design. (4)

£100-150

1070. Literature Michel Huet. Danses D’Afrique, 1994; Frank Herreman. In the Presence of Spirits, African Art from the National Museum of Ethnology, Lisbon, 2000; Laure Meyer. Black Africa, Masks, Sculpture, Jewelry, 1992; Soul of Africa, Magical Rites and Traditions, 2000; Pende, Collection J M. Desaive et Ch. Laeremans, 2009; Two Bruneaf catalogues, 2010 and 2015; Primitive Art Kunst, Brussels, 1995. (8) £60-80

1071. Literature Marc L. Felix.

Kipinga, Throwing-Blades of Central Africa, 1991, in a slip case; Marc L. Felix and Manuel Jordan.

Makishi Lya Zambia, Mask Characters of the Upper Zambezi Peoples, 1998. (2)

1072. Literature Henri Kamer.

Haute - Volta, 1973.

£100-150

£60-80

1073. Literature Bernatzik, Southeast Asia, 2003; Zagourski, Lost Africa from the collection of Pierre Loos, 2001; Camera Exotica, A Western European View of the World in Photography, 1850 - 1960, 2000. (3) £100-150 1074. Literature Karl Fardinand Schaedler. Ceramics from Black Africa and Ancient America from the collection Hans Wolf, Zurich, 1985; Ivan Baur & Jan Elsen. Guba, Wicker Shields of the Congo basin, 2002; A. M. Schmidt & P. Westerdijk. The Cutting Edge, West Central African 19th century throwing knives in the National Museum of Ethnology Leiden; D. Van Wassenhove. Sieges de L’Afrique Centrale, 1996; Sandro Bocola. African Seats, 1995. (5) £100-150

1075. A quantity of 16mm film reels used by The White Fathers of Africa, with titles including Barkcloth People, Two Africa's, The Builders, African Kaleidoscope, Ordination Film, Men in White and Scrapbook of Nyasaland, (46) £100-200 The Missionaries Of Africa (also known as "The White Fathers"), are a Catholic, international, Missionary Society of priests and brothers committed to serve the church and people of Africa.

1075

27

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AFRICAN

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1076. An Akan helicopter with figures Ghana brass, with applied lettering UNITY STAR JET, the body lifting to reveal a seated pilot and co-pilot, reading a map, a further seat and an engine, 11cm high, 22cm long. £100-150 Provenance Made for Timothy Garrard (1943 -2007) State attorney in Ghana, scholar and leading expert on Akan goldweights.

1076

1077. An Ashanti gold weight Ghana brass, of a family group, the father smoking a pipe and the mother with a child on her back, 4.2cm high, and a Indian bronze equestrian group, 8.5cm high. (2) £50-80

1078. A Yoruba Ogboni edan staff finial Nigeria brass, with a head wearing a diced cap, with a loop and long chain, 9cm high, the finial, and a Yoruba Ogboni brass edan staff finial, of a seated male, 10.5cm high, two mounted Yoruba edan staffs, and two aluminium figures. (8) £150-250

1079. An Ashanti gold dust box kuduo Ghana cast brass with a bulbous body decorated circles and lines and with two loops under the rim, the cover with a crocodile with a fish in its jaw, 15.5cm high. (2) £300-400

1080. An Akan single handled bowl Ghana brass, with fine incised linear decoration and an everted rim, the handle modeled as a stylised figure with swastika symbols as the hands, 11.5cm high, 17cm long. £100-150 Provenance Ex James Willis, San Francisco.

29

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1081. An Ashanti kuduo Ghana brass with embossed decoration, 11cm high, twenty two Ashanti brass gold weight figures, a mud fish pendant, a standing male figure and a kuduo lid.

(27) £150-200 Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

1081

1082 1082. Thirty eight Ashanti gold weights Ghana brass and iron of geometric form, the longest 2.9cm, and an Ashanti brass bird gold weight. (39)

1083 part

£100-200

Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

1083. A collection of Ethiopian jewellery silver coloured metal, including snuff spoon pendants, two coptic crosses, two necklaces, rings, together with six Maasai brass wire and leather necklaces, and brass and copper bracelets, necklaces and elements. (a lot) £100-200 Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

1084. A large quantity of loose Export beads including glass, clay and imitation and real amber. (a lot) £200-300 Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

30

1084 part

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part 1085. Twelve African vertebrae necklaces two with brass, wood or resin beads, four stone bead bracelets and necklace, other ornaments and seven Madagascar polished ammonites. £100-200 Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

1087 part

1088 part

part 1086. A collection of African contemporary jewellery glass, brass, copper, glass trade beads, shell. (a lot) £100-200 Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

1089 part

1087. Fourteen African trade bead necklaces coloured glass, a Turkana aluminium and glass bead waistband, a similar waistband with bones and a choker. (17)

£100-200

Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

1088. Six imitation amber bead necklaces and five shell disc necklaces. (11)

£150-250

Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

1089. A collection of African jewellery including glass chevrons, glass, shell, brass, silver coloured metal and seeds, and a a selection of Kenya bead work. (a lot)

£150-250

Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

31

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1090

1090. A pair of Zulu armbands South Africa coloured glass beads, fibre and brass buttons, 25cm long. (2)

1091. A Xhosa beaded hair ornament South Africa coloured glass beads and fibre, 55.5cm long.

£40-60

£200-300

1092. A Zulu beaded waistband South Africa with three cylindrical rows hung with a rectangular panel with a zig-zag pattern and a fringe along the rest, with a brass conical button to one end, 81cm long. £200-300

1091

1092

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part 1094

1093 1093. Five pieces of South African beadwork including a quadruple strand necklace with brass studs, 75cm long, two panel neck pieces, a waistband and a another waistband with strips of leather with brass rings. (5) £100-150 1094. A small collection of Zulu beadwork South Africa including two cylindrical waistbands, four neckpieces, an armband, a cache-sexe, a waistband on a cloth backing and a pipe. (10) £150-200 1095. A Pondo beaded pipe Cape Province, South Africa wood with coloured glass beads and a tin liner, with a label from Gainsborough Galleries Ltd, 28 Joubert St., Johannesburg, South Africa, inscribed Pondo Tribe, Womans Pipe, Transbee, Cape Province, 34cm long. £50-80

1096. Three Zulu beer container lids South Africa woven fibre and coloured glass beads, 15.5cm and 18.5cm diameter. (3)

£120-150

1095

1097. A Zulu beer pot and beaded cover South Africa terracotta with a band of incised geometric decoration, with a woven fibre and coloured glass bead cover, 20.5cm high. (2) £50-100

33

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1098. Eight African trade bead necklaces coloured glass beads and a beaded belt with hide dividers, 65cm long.

(9) £100-150 1099. Thirty seven glass millefiori beads the longest 5.3cm. (37)

1098

£100-150

1099

1101 1100. Two coral glass bead necklaces four shell necklaces, other bead necklaces and a quantity coloured glass beads and shell discs. (a lot) £200-300

1101. A North African necklace simulated amber and silver coloured metal beads, 47cm long.

34

1100

£600-700

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1102. A Tuareg counterweight ornament Niger brass, copper and iron with incised decoration, the back with incised symbols, 38.1cm long. £300-400 Tuareg women fasten an assrou n’swoul (‘key that is slung over the shoulder’) to the corner of their headcloths and let it hang down the back as a counterweight. It symbolizes wealth and prestige.

1103. Three Egyptian silver bangles with a differing rope twist design, 7cm and 7.5cm wide. (3)

£160-200

1104. A Turkoman bracelet Central Asia silver coloured metal, parcel gilt and mounted with three oval carnelians, 7cm wide, and a similar dorsal pendant, with a chain. (3) £100-150 1105. Ten West African currency bangles bronze and brass, the largest 14.5cm wide. (10)

£100-200

1106. Three West African currencies brass and copper, including a King manilla, 30cm wide, one twisted and the other plain. (3) £100-200

1102

1103

1104

1105

1106

35

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1107. A Kamba male figure Kenya standing, with an applied hide coiffure, inset eyes and large pierced ear lobes, wearing an aluminium neck piece and headband, the hands pierced and with a large loin cloth covering his penis, 38.5cm high, on a stand. (2) £150-250

1108. Three Kamba standing figures Kenya including two warriors with metal mounts, the taller with a ribbed coiffure and pony tail, 28.5cm and 25cm high, and a female with applied animal hair, a disc earring, a carved neck piece and a layered skirt, 27.5cm high. (3) £200-300

1109 1109. A Songye headrest Democratic Republic of Congo with carved mask end lifts, having square mouths with fangs, 37cm long. £150-200

1110. Three Kamba stools Kenya with coloured beaded dished seats and on four curved legs, 30cm, 32cm and 34cm high. (3) £150-250

36

1110

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1111. A Kamba maternity figure Kenya standing, her head pierced with hair and with inlaid eyes and pierced ears, carrying a baby on her back and wearing a layered skirt, with burnished decoration, 30cm high, and a seated Kamba maternity figure, with inlaid pewter eyes, with a child on her back and holding a vessel, 32cm high. (2) £150-250 1112. A Kamba maternity figure Kenya seated with a suckling infant, and with aluminium and animal hair, 30.5cm high, and a Kamba standing warrior, 41cm high. (2) £80-120

1111

1112

1113. A Baule mancala board Ivory Coast with twenty recesses and four block feet, with a fibre handle to one side, 64cm long.

£50-100

1114. A Bamileke stool Cameroon circular with three bands of carved bat heads, with black paint, 36cm high, 26cm diameter. £300-400

1115. A Bamileke stool Cameroon circular with five carved figures having raised arms, with scorched decoration, 28cm high, 31cm diameter. £200-300

1114

1115

37

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1116. A Bambara large antelope mask Mali with an encrusted black patina, 123cm high, on a stand. (2)

£500-800

1117. A Senufo heddle pulley Ivory Coast carved a stylised hornbill head, pierced for attachment, with carved linear and zig-zag decoration to the back, 17cm high, on a stand. (2) £100-200 Provenance Ex collection Alan Davie (1920 - 2014) artist.

1118. A Guro heddle pulley Ivory Coast with a long mask and pony tail coiffure with a block finial, pierced for attachment, with a reel, 17cm high, on a stand. (2) £400-600 Provenance Ex. collection Josef Herman (1911 - 2000) artist.

1116

38

1117

1118

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1119. An Ashanti stool Ghana with a carved elephant support, 58cm high, 60cm wide.

£300-400

1120. A Duala stool Cameroon with a black finish, 23.5cm high, 41cm long.

£100-200

1121. A Duala stool Cameroon with a later fabric top, the carved supports with leopards and birds, painted black, 34.5cm high, 47.5cm long. £200-300 1122. A pair of Adan Aklava figures Togo male and female with a white pigment finish, 20.5cm and 19.5cm high, on bases. (2)

£150-200

1123. A pair of Adan figures Togo male and female, each with an eye and arms missing, with red and white pigment, 17cm and 17.5cm high, on bases, and two Adan figures, male and female, 20cm and 25cm high, on bases. (8) £200-250

1119

1120

1121

1122

1123

39

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1124

1125 1124. A Tsonga headrest Mozambique with carved details and a tied X support, with part blackened finish, 15cm high. £200-300 1125. A Tsonga headrest Mozambique with carved details and on twin columns and arched support and flared circular feet, with part blackened finish, 16cm high. £200-300 1126. A Kuba cup Democratic Republic of Congo of squat waisted cylindrical form with carved zig-zag bands and a C shape handle, 7cm high, 14cm diameter. £100-150

1126

1127. A Kuba clyster Democratic Republic of Congo with a carved geometric border, 22cm long, on a stand. (2)

40

£250-300

1128. A Kuba cup Democratic Republic of Congo the ovoid body with geometric carved decoration on an open stem base, 18.5cm high. £300-500 Provenance Charles Ratton, Paris.

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1129. A Lobi seated female figure by Bifathe Hien Burkina Faso with a linear coiffure, navette shape eyes and a square mouth, pointed breasts and a swollen belly with her arms to her side, with block feet, with black highlights and remains on an encrusted patina, 33.5cm high. £400-600 cf. Katsouros / Herkenhoff. Anonyme Schnitzer der Lobi, 2006. pp.202-217.

1129

1130. A West African back stool of open triangular form, 43.5cm high.

£150-200

1131. A Lobi Bateba figure Burkina Faso with thick eye brows and incised crosses to the face, 62cm high, fixed on a stand. (2)

£300-400

41

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1132. A Guere We mask Liberia with a black patina and remains of polychrome, fabric and hide, with nails and wood pegs, 27cm high. £250-350 Provenance Ex German Collection.

1134. An Idoma mask Nigeria with a large top knot coiffure, raised scarifications and an open mouth with a back protrusion, a tongue and teeth, with polychrome finish, with a fibre mouth grip, 31cm high, on a stand. (2) £350-450

42

1133. A Guere mask Ivory Coast with an open mouth with inset metal teeth, painted red, above socket eyes and a further pair of rectangular apertures with medial ridge to the forehead and stylised horns to the sides, 13cm high. £400-600 Provenance Beepe Berna, Italy, purchased in 1979.

1135. An Idoma mask Nigeria with outline coiffure, raised temple and nose scarifications, the mouth with bared teeth, with traces of pigment, 26cm high, on a stand. (2) £400-600 Provenance Beepe Berna, Italy, purchased 1979.

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1136. A Yoruba male Ibeji Nigeria with a crested coiffure and an apron, with glass beads, 24cm high. £60-80

1137. A pair of Yoruba male Ibeji Nigeria with remains of Reckitt’s Blue to the crested coiffure and with inset nail eyes, 20.5cm and 21cm high. (2) £550-600

1138. A pair of Yoruba Ibeji Nigeria male and female with remains of Reckitt’s Blue to the pointed coiffure, 26cm high. (2) £200-300

1139. A pair of Yoruba female Ibeji Nigeria with grooved crested coiffure and temple scarifications, 24.4cm and 24.8cm high. (2) £500-550

43

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1140. A Kuba female figure Democratic Republic of Congo with a characteristic diced coiffure and with facial and body scarifications, pierced ears and hands placed on her abdomen, 33.5cm high, on a stand. (2) £4,000-6,000 Provenance Alain Lecomte, Paris, August 1999.

Ex collection Dr Richard Gilbert, Paris.

1141. A Songye miniature power figure Democratic Republic of Congo with a recess to the top of the head, with a waxed cloth, hide and copper wire, 9cm high, on a stand. (2) £200-300 Provenance Ex Jean Charles Merle, French artist.

1142. A Songye miniature figure Democratic Republic of Congo with the head turned to the right and with an inset brass tack and with the hands on the abdomen, 9cm high, on stand. (2) £200-300 Provenance Old Belgium Collection.

1140

44

1141

1142

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1143. An Anyi female figure Ivory Coast with an elaborate coiffure, facial scarifications, pierced ears and a ringed neck, wearing a bead necklace, and with a lower back scarification, 27cm high, on a stand. (2) £200-300 Provenance Ex collection Alan Davie (1920 - 2014) artist.

1144. A Yoruba equestrian helmet mask Nigeria the rider with a now fixed hat and the horse with a large bridle on a ribbed domed cap with a pierced edge, 33cm high. £350-400 Provenance Pierre Loos, Brussels.

1145. A Punu figure Gabon with a crested coiffure and with hands on the abdomen, with a twisted fibre around the neck, 16.5cm high, on a stand. (2) £400-600 Provenance The Joseph Herman Collection of African Art, Christie’s, 12 Dec 2000, lot 274, part.

1146. A Dan passport mask Ivory Coast with remains of an encrusted patina, 6.7cm high.

1145

£150-250

1146

45

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1148 1147. A large Topoke currency liganda Democratic Republic of Congo iron with linear decoration to opposing sides, 179.5cm high, on a stand. (2) £400-450

1148. A Yoruba currency gong Nigeria iron, of tapering form with a loop handle, 92.5cm high, another smaller and a Gabon gong. (3) £150-250 Provenance Seward Kennedy, London.

Woolley and Wallis, Salisbury, Tribal Arts, 1st March 2017, lot 167.

1149. A Ngandu/Saka knife Democratic Republic of Congo with a ribbed tapering blade, with a copper bound knopped wood handle, 58cm long, on a stand. (2) £150-200

1147

46

1149

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1150. Four Nigerian vessels and covers pottery, two modelled as fruit, one incised fish and the other with geometric shapes, the largest 21.5cm diameter, two similar pottery bowls and an elephant shape vessel.

(11) £200-300 Provenance Timothy F. Garrard (1943 - 2007) State attorney in Ghana, scholar and leading expert on Akan goldweights.

1151. Three Yoruba cult objects Nigeria iron, 21.5cm, 22cm and 24cm long, on stands.

(6) £120-150

1152. A Mambila currency Cameroon iron, the large ring with six bell type attachments, 32.5cm high, on a stand. (2) £170-200

1152

1154. A Dogon cult object Mali iron, with a crescent finial and cone body with various implements, 48cm high, on a stand. (2) £100-120

1153. A Djenne female bust Mali terracotta, with her arms crossed between her breasts and wearing bangles, with eye lashes and temple scarifications, 19.5cm high, on a stand, and a South East Nigerian seated female figure, on a fragmentary vessel, 35.5cm high. (3) £100-200

1154

47

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1156. A Sapo axe Democratic Republic of Congo with a carved and burnished shaft, 40cm long, and a similar adze. (2) £50-100

1156 1157. A Chokwe axe Angola with a heavy iron blade with incised decoration, with a shaped wooden shaft, 44cm high. £50-100 Provenance Collected in Africa prior to 1940.

1157 1158. Two Shona knives with sheaths Zimbabwe with ridged blades, part blackened and the smaller with two spurs to the tip, with wood and wire bound mounts, the smaller sheath inscribed JIMU, 49cm and 62cm long. (4) £100-150

1155. A Gurage division panel Ethiopia rectangular with the morning star symbol, 104.5cm high, fixed to a stand. (2)

48

£550-600

1158

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1159. A Turkana shield Kenya iron of waisted rectangular form with folded edges and a hide bound wood rib and handle, 98.5cm long. £100-200 Provenance Marvin Chasin Collection, London, UK.

1160. A Yaka knife and scabbard Democratic Republic of Congo with a punch bead decorated blade and a hide and metal handle, with a hide covered scabbard, 63cm long. (2) £120-160

1161. Two Zulu shields South Africa cow hide with wood ribs, the larger stamped E.A.BURRILL, 52.5cm and 86cm long. (2) £100-150

1159

1160

1161

1162. A Dogon ladder Mali of Y form with carved steps, 112cm high.

£200-300

49

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1164 1163. A Maasai shield Kenya hide with red and black decoration, with wood supports and a central rib handle, 100cm long. £150-200 1164. A Somali gashan shield Somalia hide with a central boss and a patterned surface, with a cloth covered hide handle, 34.5cm diameter. £120-160

1163

1165

1166

1165. A Makonde staff Mozambique with a carved head finial with crested headdress and with facial scarifications, on a reel and knopped shaft, with a brass tip, 92cm long. £300-400

1167

1168

1166. A Nyamwezi staff Tanzania with a carved head finial with inset glass bead eyes, above carved panels and cylindrical shaft, with tarnished highlights, 154.5cm high, on a stand. (2) £300-400 1167. A Zulu staff South Africa with a carved head with a pyramidal headdress and a necklace and a spiral ribbed collar, the shaft previously with wire, 75.5cm long, and a Zulu knobkerrie, 75.5cm long. (2) £100-150 1168. A Chokwe staff Angola with a carved standing female finial, 96cm long, and a Makonde staff with a carved head finial with inset glass bead eyes, 85.5cm long. (2) £100-150

50

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1169 1171

1169. A Sudan circular shield hide with raised rings to the centre and with four brass bosses connecting the leather pad and handles to the reverse, 34.5cm diameter. £150-250 Provenance Sherri Hunt Collection.

Sherri Hunt was the owner of Studio Arts 68, Nairobi.

1170. A Maasai shield Kenya hide with painted decoration, with a wood rib and handle, 82.5cm long, and a smaller Maasai shield, the back inscribed Presented to Mr & Mrs. Dransfield by M.M.S Meru Kaaga Form 2 Boys.

1951., 59.5cm long. (2) £150-200 1171. Boer War Interest A spear with a relief carved shaft, including a fleur de lis with a banner for Manchester Regiment, the Queen, banners for Egypt, Ladysmith and Belfast, a crown dated 1902, a figure, Union symbols, Harp, Shamrocks, thistle, a rose with a banner Lydenburg, S. Africa, a horseshoe, whip and cap and a field cannon, 121cm long. £50-100

1170 1172. Four Zulu knobkerries South Africa including one with an offset spherical finial with an recess to the top and base, repaired, 61cm long, one with wirework, 93cm long, one previously with wirework, 84cm and one plain, 79cm long. (4) £150-250 1173. A Shona club Zimbabwe the end with an indistinct white ink inscription mentioning the club was given by a Matabele chief in Rhodesia 192?, this chief aged 92...., 75cm long, and a Zulu knobkerrie, the spherical head engraved a name, 73.5cm, long. (2) £100-200

1173 1172

51

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1174

1176

1175

1177 1174. A Kuba cup Democratic Republic of Congo with carved decoration, a C shape handle and an open base, 17cm high, two Kuba cylindrical vessels with covers and a Kuba oracle, carved as a pig. (6) £200-300 1175. A Shona snuff bottle South Africa ivory of bulbous form with a pierced neck, 3.8cm high, a Maasai ivory cow charm, with coloured beads, a Turkana snuff horn, an ivory bangle and a brass fire starting tinder box. (5) £80-120

1176. Three Yoruba divination heads Nigeria bone, the largest inscribed Rev E T Packenham...Yoruba, 8.5cm high, a bone figure amulet, two ivory bracelets with inlaid pewter dots, a snake vertebrae, a coconut slice strand and a quantity of coconut shell beads, with a handwritten note Beads made from coconut shell. Worn around waist by girls & women. Sometimes nothing else! £100-200 Provenance Reverend Edward Thomas Packenham, Church Missionary Society superintendent. Stationed in Owo, Oshogbo and Lagos 1909 - 1921.

1177. An East African model tortoise 31cm long, an Angolan figural pipe, an ostrich egg painted a village scene, inscribed Native ...

Basutoland, and a Somali headrest. (5) £40-60

52

1178

1178. A Mangbetu spoon Democratic Republic of Congo with a figural handle, 40cm long, a Zulu double ended spoon, inscribed Albertina, and two Boni spoons, with carved and pierced handles, the larger inscribed R L, W. W, Somali Land Native Spoon. (4) £120-160

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1179. A Mursi lip plug Ethiopia clay, circular with a waisted egde and incised decoration to each side, 7.2cm diameter. £100-150 1180. A Zulu ear plug South Africa wood, perspex and metal studs, 4.5cm diameter.

£60-80

1179

1180

1181. A Shona headrest Zimbabwe the top with carved zig-zag ends on a geometric support with differing linear decoration and on a shaped base, 14.5cm high, 20.5cm long. £200-300

1182. A Boni headrest Somalia with fine carved decoration including a cross to the underside, 17.5cm high, £50-100

1183. A Yoruba beadwork standing female figure Nigeria beads, leather, cowrie shells, coconut discs, holding a sword and a staff and wearing earrings, a skirt, necklace, waistbands and anklets, on a cloth covered base, 55cm high, and an East African bone pipe, 80.5cm high, on a stand. (3) £100-150

53

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1184. A Makonde helmet mask Mozambique with a small raised mound of hair with incised scarifications and with filed teeth, 29cm high, on a stand. (2) £2,000-3,000 Provenance Sotheby’s, London, 22 March 1983, Lot 215.

1186. A Yoruba male Ibeji Nigeria with a conical coiffure and scarifications, 25.5cm high. £500-550

54

1185. A Mende helmet mask Sierra Leone with an elaborate finned coiffure, with relief combs and cowrie shell bands and rectangular panels, the face with pierced eyes and with a ringed neck, 37.5cm high. £500-800

1187. A Yoruba male Ibeji Nigeria with facial and lower abdominal scarifications, on a linear carved oval base, 27cm high. £300-350

1188. A Yoruba male Ibeji Nigeria with a high lattice coiffure having traces of Reckitt’s Blue and with visible ribs, with a coconut disc band, 28cm high. £500-600

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1189. A Luba Hemba standing female figure Democratic Republic of Congo with a disc and conical coiffure with carved chevrons, the serene face with coffee bean eyes and pursed lips, with her hands placed on her breasts and with raised scarifications around her naval and lower back, the base with a paper label inscribed Fetiche du Chef M’Kalembure - Temburi (tribu des Baloubas) dans l’Urua _ Aout 1805, 46cm high, on a base. (2) £8,000-12,000 Provenance Christie’s, London, Tribal Art from the Collection of the late Joseph Mueller of Solothurn, Switzerland, Part II, March 20, 1979, lot 172.

Arte Primitivo, New York, #53, Fine Tribal and Pre-Columbian Art, 12 July 2009, lot 120.

Yale - van Rijn Archive, no. 0042731.

The date on the handwritten label appears to be an error of 1905.

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1190. Four Kuba cloths Democratic Republic of Congo cut embroidered, mounted, 52cm x 48.5cm, 65cm x 69cm, 71cm x 55cm and 62cm x 53cm. (4) £250-350

1191. Four Kuba cloths Democratic Republic of Congo cut embroidered, mounted, 64.5cm x 43cm, 53cm x 53cm, 60cm x 51.5cm and 67cm x 62cm.

(4) £250-350

1192. Two Teke raffia cloths Democratic Republic of Congo with stripes in natural or dyed, 66cm x 60cm and 71cm x 46cm, both mounted and perspex framed. (2) £300-400

1193. Two Mongo hats Democratic Republic of Congo plant fibre, one with a raised circular finial, the other with applied animal fur and with a cloth band, 15cm and 16cm high, on stands. (4) £200-250

Provenance Christie’s, London, 26 March 1996, lot 109, part.

Ex. Francis G. Excell, missionary teacher in the Belgium Congo, circa 1908 - 1933.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1194. Three Dida cloths Ivory Coast dyed and textured fibre, mounted, 68cm x 48cm, 61cm x 53cm and 51cm x 48cm. (3)

1196. Eight Kuba laket caps Democratic Republic of Congo fibre with differing finishes, the largest 19.5cm wide. (8)

£150-250

£200-250

1195. Three Dida cloths Ivory Coast dyed and textured fibre, mounted, 51cm x 43cm, 53cm x 45.5cm and 71cm x 45.5cm. (3)

1197. A Mangbetu cache-sexe Democratic Republic of Congo palm leaf with natural and dyed black twisted fibre, 33.5cm wide, on a stand. (2)

£150-250

£300-400

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details

1198. A Dogon large cloth Mali of dyed strips with geometric designs, 246cm x 222cm, and three West Afrcian indigo dyed cloths. (4)

£50-60

1199. A Zulu wedding hat Isicholo South Africa fibre and cloth with red ochre and white dye, 29.5cm diameter. £150-250 Provenance The Bob Wise Collection.

1199

1200. A Mangbetu cache-sexe Democratic Republic of Congo vegetal fibre, the back with a label inscribed 603 and 1942, 7.5cm wide, 5.6cm high. £100-150

58

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1201 detail

detail 1201. Two Kente cloths Ghana 198cm x 132cm and 180cm x 94cm, and a Baule boys shirt. (3)

£100-200

1201

1202. A Mbuti pygmy bark cloth Democratic Republic of Congo with all-over triangle and linear designs, 71cm x 53cm.

£100-150

1203. A Maasai cape Kenya hide with coloured glass beads and buttons, 101.5cm long.

£100-150

1203

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1204. A Moba ancestor figure Togo 69.5cm high, on a stand. (2)

£350-400

1205. A Fante female figure Ghana standing with a triple point and looped back coiffure, with facial and body scarifications and with clenched fists, pierced at the top, with painted black highlights and with beads, 49.5cm high, mounted. £300-400

1205

1204

1206. A Chokwe standing figure Angola with carved bands and scarifications, and with a notched spine, 33cm high, on a stand. (2) £300-350

1207. A Madagascar female figure with an implement to her right leg and a square aperture to the lower abdomen, 79cm high, on a stand. (2) £800-1,200

1206

Provenance Ex collection Jonathan Mankowitz (1949 - 1992)

1208. A Kusu Janus power figure Democratic Republic of Congo the male and female half figures with tied fibre and a domed horn charge, 22cm high, on a stand. (2) £300-350

60

1207

1208

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1209. A Teke male power figure biteke Democratic Republic of Congo standing with a cap and a beard and with a charge filled abdomen, 26cm high, on a base. £550-600

1210. An Attie standing female figure Ivory Coast with a top knot and braided back coiffure, slanting eyes and pursed lips, neck and body scarifications and with hands on the abdomen, with the remains of an encrusted patina, 50cm high, on a stand. (2) £800-1,200

1209

1211. A Hemba figure Democratic Republic of Congo with a bulbous coiffure, beard and ringed neck, with hands on the abdomen, 26.5cm high, on a stand. (2) £200-300

1211

1210

1212. A Yoruba Eshu figure Nigeria standing and holding a gourd and a curved staff, with traces of pigment and with an encrusted patina, on a tapering cylinder base, with a white painted inventory number 170L, £550-650 42cm high, on a fixed base.

1213. A Baule standing female figure Ivory Coast with a lobed coiffure and with her hands to the abdomen, with white pigment to the eyes, neck, arms and chest, 96cm high. £400-500 Provenance Given to the vendor in 1951 by the Paramount Chief (the Osu Manste) of Christiansborg, Ghana.

1212

1213

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1216

1215

1214. A Guro Zamble mask Ivory Coast with ribbed horns, panelled eyes and handle like nose with an open mouth, with a pigment finish, on a stand. (2) 66cm high. £400-600 Provenance Beepe Berna, Italy, purchased in 1979.

1215. A Songye kifwebe mask Democratic Republic of Congo with concentric incised linear decoration and with pierced holes to the shallow medial crest, coffee bean eyes, flat nose and a square x shape mouth, with remains of kaolin and with fibre, 26.5cm high, the mask excluding the fibre, on a stand. (2) £300-500 1216. A Congolese leopard mask wood with painted spots and an encrusted patina, 20cm high.

£100-150

1214 1217. A Bamileke batcham headdress Cameroon brass with an open back and cast cowrie shell around the base, on a wicker domed mount, with applied cowrie shells to both, 39cm high. £400-600 Provenance John Hare, Assistant District Officer in Tagale/Waja, Northern Nigeria. Acquired late 1950’s.

1218. A Ngombe backrest Democratic Republic of Congo with carved linear and pierced decoration, the forked stem with an aluminium collar, 66.5cm long. £200-300

1217

62

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1219. A Kuba cup Democratic Republic of Congo of waisted cylindrical form with carved linear decoration, raised on four scroll feet, 11cm high. £150-250

1220. A Senufo standing female figure Ivory Coast with a crested coiffure, pointed breasts and with the hands pointing forward from the abdomen, probably cut from a staff finial, 15.5cm high, on a stand. (2) £50-150

1219 1221. A Rotse oval bowl Zambia with a pierced zig-zag rim, 47cm wide.

1220

£300-500

Provenance Frank V. Worthington C.B.E (b. 1874) Author and Secretary of Native Affairs, Northern Rhodesia, from 1904.

Mary Ireland, artist and thence by descent.

By repute Worthington was given this bowl by King Lewanika (1842 -1916), complete with a whole goose. On protesting that he could not eat the whole goose the King replied “There is no law in my country to make a man eat more that he wants, is there in yours?”

1221 1222. A Moba figure Togo of stylised form with a forward lean, 32cm high, on a stand. (2) £120-150

1223. Five West African figures including Akan, carved missing it’s right eye, arm and leg, 27cm high, Losso, with notched decoration, 14cm high, Togo, with termite damage, 29.7cm high, Bambara, with a zig-zag decoration, 16cm high and a Janus figure with cloth and residue, 37cm high, all on stands. (10) £200-250

1222

1223

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1224

1225

1226

1227

1228

1229

1230

1231

1232

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1224. Two African mbiras one with a carved geometric panel, the back inscribed and dated 14/4/26, the other with faceted blue glass beads, 22cm and 19.5cm long. £20-40

1225. A Chokwe whistle Democratic Republic of Congo ovoid with carved eye design each side and with an attachment loop, 6.5cm high, and a Mossi whistle, 20cm long. (2) £100-150

1226. Two Zulu fly whisks South Africa with animal tail hair and wirework handles, one part bound and with scorched decoration, 87cm and 103cm long. (2) £80-120

1227. A Pokot headrest Kenya with red and white glass beads and hide bound with a handle, 21.5cm high, and a Somali headrest. (2) £80-120

1228. A Kulango pounder spoon Ivory Coast wood, 29.5cm long, and an Akan long handled ladle, 62.5cm long. (2) £80-120

1229. A Bambara antelope Mali iron, 13cm long.

1230. Four Ashanti combs Ghana all with carved heads, the highest, 22.6cm. (4)

1231. Six Ethiopian headrests including a Gurage block with linear decoration and a raised nodule to one side, 18cm high, a Sidamo block, 17cm high, two Jimma, 14.5cm and 15cm high, a Kambata, with a triple support, 13cm and a Kaara with a hide and copper wire handle, 18cm high.

(6) £150-250

Provenance Blue beads - Ex. P Lamaison Van Heenvliet Collection.

£40-60

£100-200

Provenance Pierre Veritie, Paris, circa 1950.

Paul Wengraf, Arcade Galleries, London.

1232. A Lobi stool Burkina Faso with a crested Janus head terminal, 35.5cm high, and a Luo stool, Kenya, 18cm high. (2) £100-150

1233. Two Ethiopian coptic bibles vellum with black red text with wood covers, the larger with seven illustrations, including Jesus on the Cross being pierced in the side, Mary feeding the infant Jesus, St George and the dragon, St Thekla, two winged angels with swords and St Francis with a bird and lion, the smaller with an illustration of a coptic cross, possibly 18th century, 14.5cm and 12.3cm long. (2) £600-800

1233

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1234. A colon figure Southern Africa with military uniform and a cap with a carved plume front and cross finial, with scorched detailing, 95cm, on a perspex base. (2) £200-300

1235. A Yoruba equestrian figure Nigeria with a long ribbed coiffure falling to the top of the saddle and holding a staff, polychrome decorated, 69cm high, a Yoruba carved seated monkey and a bird swallowing a snake, both polychrome decorated, 28.5cm and 36cm high. £100-200 Provenance Collected in the 1930’s/40’s and thence by descent.

1236. A West African chair with brass mounts, 70cm high.

£40-60

1237. An Ibibio Colon figure Nigeria of a standing policeman with articulated arms and polychrome decoration, 50cm high. £80-120

1234

66

1235

1236

1237

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1238. An East African Colon figure of an askari the hat incised a 3 to the side, 34.5cm high, on a base, a Nigerian carved figure playing a flute by J. A. Fakeye, 42.5cm and an Angolan colonial figure, wearing a hat and coat, 25cm high. (3) £100-150 1239. A Nigerian figure in a the manner of Thomas Ona of a Policeman, with black paint, the back inscribed POLICEMAN., 20.5cm high. £60-100 1240. In the manner of Thomas Ona Nigeria a carved standing figure of a soldier, wearing his hat at an angle, 25cm high. £100-150

1238

1239

1240

1241. A pair of North East Nigeria figures terracotta, male and female, both standing with neck, waist and ankle rings, their heads squashed in circular bowls, 18cm high. (2) £100-150

1242. Two Ibibio dolls Nigeria with a white finish and black and red highlights, 26.5cm and 27cm high. (2)

£150-250

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1243. A Baule standing male figure Ivory Coast with a fine linear and chevron coiffure with a short pony tail, the face with raised scarifications and a triple strand beard, the neck, torso, arms and back with further scarifications, with hands placed on the abdomen, 47cm high. ÂŁ8,000-12,000 Provenance Ex French collection.

Ex Maria Wyss, Basel. cf. Yale - van Rijn Archive, Fig. 0001019, Merton Simpson.

Sotheby's, New York, The Miron Kunin collection of African Art, 11 November 2014, lot 37.

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1244. Three Xhosa pipes South Africa the largest with metal banding, 32.5cm, 20cm and 14cm long. (3)

£60-100

1245. Four Yoruba divination heads Nigeria ivory, bone and horn, early 20th century, the highest 8.4cm. (4)

£100-200

Provenance Seward Kennedy, London.

1246. A Shona neckrest/stool Zimbabwe with carved edge platforms and four united scroll supports, 13cm high. £250-300

1247. Four Mursi lip plugs Ethiopia clay with incised arched, circle and linear decoration, one with a pierced centre, the largest 10.5cm diameter. (4) £100-200

1248. A Yoruba crescent shape divination board Nigeria carved with the mask of Eshu, animals, a bird, figures and a continuous knot, the flat edge with an animal surmount and with a pierced zig-zag border, 51cm wide. £250-350

1249. A Zulu circular pot and cover South Africa with a tapering finial, the spherical body with two bands of incised chevrons, on an integral open base, 26.5cm high, and an Ethiopian basket, with applied leather, 36.5cm high. (3) £100-150

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1250. An Ovimbundu staff Angola with a carved female head having a high coiffure with a triple panel tied back, the shaft with a pair of breasts, 59.5cm long. £200-300 Provenance Ex. P Lamaison Van Heenvliet Collection.

1251. A South East African staff the block end divided into panels with incised motifs, including a lion, a horse, an antelope, a fish, a bird, two neck ties, two mugs, one with a spoon in it, a rifle, the head of a European King, and two hens, the handle with a integral loop, 48.5cm long. £150-250

1251

1252. A Hehe knobkerrie Tanzania with a carved head having a short beard, the end of the shaft pierced for attachment, 50cm long. £50-100

1250 1252

1253. A Nyamwezi tall figure Tanzania walking with an elongated body, 167.5cm high, on a stand. (2)

£300-400

1254. A Zulu knobkerrie South Africa with an ovoid head having applied metal studs and wirework bands to the shaft, 62.5cm long. £200-300

1255. A Baule prestige staff Ivory Coast with a carved head finial and a leather covered terminal, 29.5cm long. £50-100

70

1253

1254

1255

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1256. A Bambara marionette Mali with articulated arms and with remains of a resin beard and blue and red pigment, 24.5cm , on a base. (2) £300-500

1257. Three Dinka clubs Sudan two with tapering ends, with one having a cord and hide terminal, 75cm and 81cm long and the third with a swollen head with a pointed tip, 90cm long. (3) £250-350

1256

1258. Three Mangbetu combs Democratic Republic of Congo reed bound with fibre, one double ended and with copper wire, 16cm, 29cm and 31.5cm long. (3) £100-150

1257

1259. A Yoruba divination tray Nigeria rectangular with concave sides and with carved borders and a central Eshu mask, 32.5cm long. £50-100 Provenance The Bob Wise Collection.

1258

1260. A Dinka club Sudan with incised lines to the grip and with a hide covered end, 74cm long, a Sudan club with a stepped collar and pointed head with applied brass tacks and an iron terminal spike, 93cm long and a club with applied tacks and metal bound, 75cm long. (3) £250-350

1259

1260

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1261. A Mossi mask Burkina Faso with a open beak crest and with red, white and black pigment, 107cm high. £150-200

1262. A Congo monkey helmet mask 17cm high. £100-200

1262

1263. An Ashanti Akuaba doll Ghana with geometric and linear carving to the back of the head, the head and arms pierced, 32.7cm high, on a stand. (2) £300-400 Provenance Ex collection Alan Davie (1920 - 2014) artist.

1261

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1264. A Fang reliquary Gabon with four carved heads and pierced through the shaft, 26.5cm high, mounted. £500-800

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1265. A Baule gold mask pendant Ivory Coast with spiral coiffure, oval eyes and raised temple scarifications, an open mouth and a tied plaited beard, the top with a suspension loop, 6.2cm high, 37.9 grams. £2,000-3,000

1266. An Akan gold mask pendant Ivory Coast with raised coffee bean eyes and groups of punched circle scarifications, an open mouth, semi-circular ears and triple ring beard and a suspension loop to the top, 6.2cm high, 37 grams. £2,000-3,000 cf. Yale - van Rijn Archives No. 0051315.

1267. A Yoruba kola nut box and cover Nigeria modelled as a pigeon, with carved decoration, 20cm high. (2)

£200-300

1268. A Yoruba rectangular divination board Nigeria with an unusual carved border of masks with plain and horned headdresses, recumbent human figures and geometric designs, with mud and white pigment, 47.5cm long, 32cm wide. £200-300

1268

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1269. A Baule seated female figure of a spirit wife Ivory Coast with a finely carved linear coiffure and raised scarifications to the face, neck and back, with pouting lips and wearing a necklace between her pointed breasts and with her hands on her swollen abdomen, with bent knees and sitting on a stool, 44cm high, on a base. (2) ÂŁ4,000-6,000 Provenance Swiss Collection.

Rene David, Galerie Walu, Zurich, 1997.

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1270. A Vili female figure Democratic Republic of Congo standing with triple braided and burnished coiffure and with glass overlaid eyes, her hands clenching cylindrical objects, on a chamfered square base, 26.5cm high. ÂŁ3,000-3,500

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1271. A Yoruba female Ibeji Nigeria with a pierced crested coiffure having traces of Reckitt’s Blue, 23cm high. £200-250

1272. A Yoruba matched pair of female Ibeji Nigeria with crested linear coiffure having Reckitt’s Blue to one, one eye with a remaining pin and the other with beads and fibre, 25.2cm and 25.6cm high. (2) £450-550

1272 1271 1273. A Yoruba male Ibeji Nigeria with a crested coiffure having traces of Reckitt’s Blue, 23.6cm high. £200-250

1274. A Yoruba female Ibeji Nigeria with a later base, 24cm high, and a pair of miniature Yoruba Ibeji’s, with blue glass beads. (3) £20-30

1274 1273

1275. A Kongo maternity figure Democratic Republic of Congo seated, with a diced coiffure, scarifications and a wearing a dentil necklace, supporting an infant in her lap, 24.5cm high. £200-300

1276. A Yoruba seated male figure Nigeria with a crested coiffure and beard, with a shawl around his shoulders and wearing a large pendant, 33cm high. £80-120

76

1275

1276

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1277

1278 1277. A Yoruba divination tapper Nigeria ivory, with a carved serpents head, one side of the open end with a small peg, possibly for a clapper, 19th century, 36.5cm long. £500-600

1278. An Ovambo omakipa Namibia ivory with carved check and rope decoration, the back pierced for attachment, early 20th century, 6cm long £150-200

1279. A Yoruba divination tapper Nigeria ivory, with a carved kneeling female figure with her hands on her breasts, and with incised lines and circles, late 19th / early 20th century, 29.6cm long. £200-300

1280. A Lega pendant Democratic Republic of Congo ivory, of wedge shape decorated with circular depressions and pierced for attachment, 19th century, 12cm high. £400-600

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1281. A Bembe maternity figure Democratic Republic of Congo with bone eyes and abdominal scarifications, carrying an infant on her up-turned hands, with a part black patina, 16cm high. £300-500 1282. An Ashanti stool Ghana with a pierced dished seat and column supports with carved decoration, 30.5cm high, 42.5cm wide. £80-120 1283. An Ethiopian stool the oval top inlaid metal tacks on a rectangular support with a plaited hide handle and a domed base, 16cm high, 20cm wide. £100-200

1281

1283

1282

1284. A Maasai snuff container Kenya ivory of baluster form with a cross hatched girdle, with a leather and beaded cover, and with a long link chain, early 20th century, 8.5cm long. £300-400 Provenance John Hare, Assistant District Officer in Tagale/Waja, Northern Nigeria, 1957 - 1958.

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1284A. An Ethiopian Coptic cross with pierced and carved decoration, 43.5cm high.

£150-250

1284A

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1285. A Hungaan pendant Democratic Republic of Congo ivory, the kneeling female with her hands above the swollen abdomen, the neck pierced for attachment, with elliptical eyes and pursed lips, with a crested coiffure and dimpled sides, early 20th century, 6.6cm high. ÂŁ15,000-20,000

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1286. An Indian votive maternity figure standing and supporting a child on each side, 15cm high, on a stand. (2) £80-120

1287. An Indian votive female figure standing and holding a leaf and supporting her necklace, with remains of paint, 20.5cm, in a fixed wood base. £100-120

1288. An Indian female figure bronze, standing wearing a long robe and holding a base mount in her raised right hand, 11.6cm high, on a stand. (2) £40-60

1290

1289. A Naga bead necklace Northern India coloured glass beads, fibre and a square coin button dated 1965. £50-150 1290. A Naga spear Northern India with dyed hair and an iron tip, 182.5cm long, and a Yakoma spear, with a weighted end and copper wire, 164.5cm long. (2) £150-200

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1293

1291

1294 1291. A Luzon marker / finial Philippines with carved scroll and foliate decoration, one side of the base with a circle and rectangles, 95.5cm high. £300-350 1292. Five pieces of bamboo two with part of the roots and three with carved out sections, one mounted, the longest 145cm, and a wavy section of vine. (7)

£200-300

Provenance Marvin Chasin Collection, London, UK

1293. Three Japanese snuff spoons two tortoiseshell with a lacquer bead and a carved bone fruit bead, the third lacquered brass with a cluster of coral beads and a split end, the longest 18.6cm. (3) £80-120 1294. A Chinese pigeon whistle bamboo and gourd, painted black, signed to the base, 9cm long, and a triple cylinder Chinese pigeon whistle. (2)

82

1292

£80-120

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1295. A Paiwan shield Taiwan constructed of two parts with rattan binding, with carved heads, lozenges and triangles, with a red paint finish, the back previously with a handle, 56cm high, 37.5cm wide. £400-600

1295

1296. A Taiwan bamboo cup relief carved warriors with swords, snakes and a mask, with metal beads and a red and black staining, 17cm high. £100-150

1297. A Taiwan jewellery box and cover rectangular with carved decoration including figures hunting, four seated figures, three seated figures with two animals and a coiled snake, three seated figures sharing millet wine, the sliding cover with sloping sides and carved seated male and female figures and two double bodied snakes, £200-300 21cm wide, 11.5cm high. (2)

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1298. An Atayal currency panel Taiwan woven plant fibre with rows of shell beads and with remains of red cloth to the borders, 55cm long, 22.5cm wide.

£500-700

1299

1299. A pair of Atayal leg ornaments Taiwan shell beads, coloured glass beads, strung with shell spacers, 28cm wide. (2) £400-600

1300. An Atayal hair ornament Taiwan rectangular shell panels, each twice pierced for stringing, 47cm long. £150-250

84

1300

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1301

1301. An Atayal hair ornament Taiwan shell, wood spacers painted red on one side and coloured glass beads, 47cm long. £300-500

1302. An Atayal hair ornament Taiwan shell beads, black glass beads, strung and with brass bells to the ends, 185cm long. £200-300

1303. An Atayal leg ornament Taiwan shell beads, strung in rows of ten panels on a thick cloth and with remains of red fibre, 32cm long. £200-300

1304. A Taiwan ceremonial sash with thirty-one shell discs on a red cloth and bordered with geometric coloured glass beads, one end with chain loops, 122cm long. £500-700

1302

1303 1304

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1305. A Yami magamaog Taiwan carved wood and buffalo horn, the head with an attachment loop to the top and with pierced ears, the chest with linear decoration, a pair of breasts and an applied copper crescent ornament, the faceted horns with pierced tips, 88.5cm wide, 53cm high. ÂŁ1,500-2,000 This rare magamaog represents the primordial deity of the Yami people of Taiwan, who taught them agriculture and how to make boats.

86

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1306. A Taiwan carved panel wood and red lacquer, depicting three figures holding birds, one with it’s wing pointing at the moon, two seated figures and animals and a phoenix on a sphere, 43.5cm x 60.5cm. £200-300

1306

1307. An Igorot figure Luzon, Philippines standing and supporting a vessel on the back, 20cm high.

£600-800

1308. A Taiwan large mortar of hour glass form with a central carved zig-zag band and a faceted lower half, a hole through the middle to the base, 60.5cm high. £400-600

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detail

detail

detail

detail

1309. An Indian embroidered cloth worked flowers, figures, deities with script above, peacocks, elephants, bicycles and deer, 168cm x 172cm, two Malay songkets, silk with gold thread, and two Indonesian ikat cloths. (5) ÂŁ200-300

88

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1310. A Toraja door Sulawesi, Indonesia channeled and with two sets of buffalo horns, 190cm x 86cm.

£800-1,200

1310

1311. A pair of Toraja figures Sulawesi, Indonesia male and female with shell inlaid eyes and pegged articulated arms with opposing hands upturned, 47cm high. (2) £200-300

1312. A Toraja figure tau tau Sulawesi, Indonesia with a detachable head having shell and horn inset eyes and with detachable pegged arms, the upturned right hand with a brass ring, the back with a pierced inverted T shape, 115.5cm high, on a stand. (6) £700-800

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detail detail

detail

detail

detail

1313. A Malay songket Indonesia red silk with silver thread 194cm x 102cm, another cloth with metal thread and three Indonesian ikat cloths. (5) ÂŁ200-300

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1314. A Batak bullet holder Borneo, Indonesia horn, with a carved head with piercing below the chin and with a wood pegged stopper, 14cm long. £300-400

1315. An Ifugao spoon Luzon, Philippines with a standing female figure with her hands on her crotch and behind, with linear decoration to the stem of the bowl, 20cm long. £400-600

1314

1315 1316. A Batak palm wine container Indonesia bamboo with a carved wood spouted cover with metal studs to the edge and with incised decoration, 44.1cm high. (2) £750-800 These vessels were used to carry water or tuak, an alcoholic drink made from the fermented juice of the flowers of certain palm trees. The drink would be poured into the mouth from the spout of the cover. The lips of the drinker would never touch the vessel, allowing people of different status to drink from the same container.

1317. A Moluccas shield Indonesia the faceted front with black stain and mother of pearl inlay, the back rib with an integral handle, 77.5cm long. £300-400

1316

1317

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1318

1319 1318. A Dayak baby carrier Borneo, Indonesia with a relief carved ancestor mask, 31.5cm high.

£150-250

1319. A Dayak baby carrier Borneo, Indonesia the basketry back hung with strings of glass beads, teeth, shells, brass bells and carved wood ancestor figures, with a wood base and woven fibre straps, 33cm high. £200-300 1320. Three Burmese spoons shell and horn, one with silver coloured metal mounts to the handle, £150-250 18.2cm, 20.6cm and 22.8cm long. (3) 1321. Four Dayak rice spoons Borneo, Indonesia cast brass with differing ancestral figure handles, the longest 19.7cm. (4)

£150-200

1320

1322. Two Indonesian lime containers one with a gourd with a carved wood mythical beast head stopper, the other wood with a seated male figure, 11cm and 10cm high. (2) £50-100

92

1321

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1323. Ten Indonesian charm figures Timor, Sumba and Flores six standing and one with a glass bead, the highest 11cm. (10)

£100-200

1324. A pair of Indonesian standing figures male and female with their palms facing forwards, with an encrusted patina, 16cm high, and four Indonesian seated figures, one holding a mask in front of his face. (6) £100-200

1325. A Bali lontar Indonesia palm leaves with inscribed script, in a wood box and cover, 62.5cm long. £200-250

1325

1326. Four pairs of Dayak earrings Borneo, Indonesia brass, including two with Aso dragons and two with tear drops, the longest 8.2cm. (8) £120-150

1327. Eight Sarawak hats Borneo rattan, bamboo and coloured glass beads of conical form, with wirework finials, with differing decoration including the Sarawak flag, the Union Jack, flowers and brass discs, silk lined, the largest 33.5cm diameter. (8) £300-400

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1328. A Sumba comb Indonesia tortoiseshell, carved and pierced with a female figure, birds and scrolls, 13.5cm wide. £60-80

1329. Four Dayak pendants Borneo antler, with carved ancestor figures and a female figure, three with beaded fibre loops, the largest 6.5cm high. (4) £150-200

1328

1329

1331. A Sumba mamuli, ear ornament Indonesia gilt metal, with applied scrolls and with two birds to the base, 7cm high, four bronze mamulis, and Aso dragon bronze ear ornament and a Sumba box and cover, with carved mamuli, a bird, a turtle and a stag. (6) £80-120

94

1330. A Batak bangle Indonesia silver plated, filigree and with an applied stylised figure and a beaded ridge, hinged, 10cm wide. £100-150

1332. A Batak medicine horn Sumatra, Indonesia horn and wood, with carved decoration, the horn with a snake rib and seated figure on a beast, the stopper with a figure astride a beast with a scroll tongue, 44cm long, on a stand. (4) £120-150

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1333. A Lampung ceremonial embroidered ship cloth Indonesia the tiered ship with two elephants and figures, flanked by trees/houses and further figures and birds in the sky, 60cm x 287cm.

1334. A Sumba ikat Indonesia decorated masks, ancestor figure and beasts, with a battle scene with mounted tribesmen, animals and other figures, 312cm x 122cm. £150-200

£1,200-1,500

1335. A pair of Sumba ikats Indonesia decorated a central ancestor figure with another to the abdomen, flanked by crocodiles and other animals, the borders with further ancestor figures, 257cm x 112cm. (2) £300-400

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1337

1336

1336. A Dayak hampatong Borneo, Indonesia standing, with long ear lobes and with hands on the abdomen and thigh, 85.5cm high. £400-500

1338 1337. A Batak medicine horn Indonesia horn with a carved seated figure terminal with a cloth and animal hair terminal, the carved wood stopper with a figure riding a mythical beast, 46cm long. (3) £100-150

1338. An Indonesian blowpipe bamboo with a carved wood mouthpiece and fibre binding, 179cm long, with a bamboo quiver, with etched decoration and a fibre cover, with a quantity of darts. £120-150

1339. An Iban hanging chain Borneo, Indonesia brass with three birds having pierced wings, 70cm long.

96

£60-80

1339

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1340. A Dayak pig trap stick Borneo, Indonesia with a carved seated ancestor figure, 35.5cm high, and an Indonesian finial with a carved standing figure, 28cm high. (2) £80-120

1341. A Dayak pig trap stick Borneo, Indonesia with a seated figure finial on an arch decorated plinth with a tapering shaft, 51cm high. £80-120

1343. Four Indonesian spoons including one with a coconut bowl with scroll carving and with a double ancestor carved wood handle, two with seated figure handles and one with a figure with their hands under the chin, the longest 24cm. (4) £80-120

1342. A Timor hairpin Indonesia the carved finial with a couple in an erotic pose, 16.3cm long. £20-40

1344. A Leti Islands ancestor figure Indonesia seated with arms crossed, with a top-knot coiffure and large earrings, 21cm high, on a stand. (2) £50-100

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THE BOB WISE COLLECTION

Central to The Wise Collection of Oceanian art are pieces that Robert Wise acquired first-hand from the legendary tribal art collector and adventurer Senta Taft. A remarkable explorer and self-promoter, Senta pioneered the collection of all kinds of artefacts from this vast geographic region, most notably from Papua New Guinea. In the mid-20th century this was little known territory, and in seeking out tribal art in its remotest inhabited areas she became as much curator as collector – there was no cultural precedent to follow since such pieces were largely unknown to the outside world. Choosing her acquisitions to reflect what she considered the key characteristics of the tribes who produced them, she brought back pieces that were at the same time both very personal to her and ethnologically significant. Her many forays into obscure territories were the product of her endless curiosity about the world, as well as her ingenuity in persuading others to help a small, feisty woman overcome the daunting hurdles posed by contemporary travel, cultural etiquette, gender expectation and, sometimes, even the normal human instinct for self-preservation.

Senta Taft had emigrated to Australia from Germany in 1938 as a fourteen-year-old with her family. Five years later she would leave home to work as what was in those days called an air hostess, for TAA Airlines. This whetted her appetite for more heroic travel and adventure, so she set about arranging travel documents and letters of introduction, including one from Australia’s Prime Minister. She struck a deal with an airline to carry her free to Papua New Guinea. (She later claimed that on occasions she flew disguised as a piece of freight to qualify for free passage). Subsequently her finds would be exhibited in many galleries throughout Australia, the US, Canada and other countries.

Senta Taft would go on to over-achieve in many fields, not least as a pilot who continued to hold a license well into her late 80s. As a young woman she was amenities officer for foreign participants to the 1956 Melbourne Olympic Games, a pin-up in the tabloids and a face frequently seen in a range of Australian newspapers and magazines. She even became a trade envoy for promoting Australian goods in Singapore, Malaya, the Philippines, Thailand and Hong Kong. She opened her own gallery, Galleries Primitif in Woollahra, in 1959, at a time when little was known about the cultures and places that were the sources of her acquisitions. After marrying Peter Hendry, she became known as Senta Taft-Hendry and, despite a life-long happy marriage and a move to Africa, she would still pursue her hazardous solo expeditions for many years to come.

It had, though, been her first encounter with indigenous artefacts in Papua New Guinea that had fired up the young Senta Taft’s lifelong fascination with the interplay between nature, art and indigenous spirituality.

Exploring and collecting became obsessive passions that never deserted her. The objects she brought back from those early trips were shaped not only by their original creators, but also by the impulsive spirit of the remarkable woman who had acquired them. Happily, The Wise Collection, much of it assembled half a century ago, is not only a valuable collation of potent tribal art as originally acquired by Senta Taft, but also stands as an enduring testimony to a remarkable woman’s bold spirit and tireless energy.

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1345. A Kwoma standing male figure Washkuk Hills, Papua New Guinea with a pony tail, pierced ears and body scarifications, with black and red pigment, 142cm, on a stand. (2) £2,000-3,000 Provenance The Bob Wise Collection.

1346. A Western Highlands war shield Papua New Guinea with notched outline and bright pigment decoration, with a fibre handle, 140.5cm high. £600-800 Provenance The Bob Wise Collection.

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1347

1348 1347. Two Abelam bride currencies talipun Papua New Guinea, Melanesia turbo marmoratus shell, woven fibre, cassowary feathers and pigment, one with an ancestral mask and the other with a bird head, numbered 3049, the masks, 24.5cm and 33cm high, on stands. (4) £300-400 Provenance The Bob Wise Collection.

1348. Two Papua New Guinea lime containers Melanesia bamboo with carved ancestor figures, with male and female terminal spatulas, 35cm high, three Abelam yam masks, balsa wood with pigment, the highest 16cm, and an Abelam mask carving. (8) £100-200 Provenance The Bob Wise Collection.

1349. An Abelam head Papau New Guinea with a double hornbill headdress and with pigment decoration, numbered 298, 125cm high. £300-500

1350. A Sepik headrest Papua New Guinea with carved ancestor head ends with tiered headdresses and a carved underside with eyes and a medial jagged ridge, on fibre bound bamboo legs, one with incised decoration, 44cm long, 14.5cm high. £300-400

Provenance The Bob Wise Collection.

Provenance The Bob Wise Collection.

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1351. A Papua New Guinea bark painting of two fibre joined panels and decorated in black, grey and white a squatting ancestor figure, 80cm x 62cm. £300-500

1352. A Papua New Guinea bark painting of two fibre joined panels decorated in black, yellow, red and white pigments of a bird and circles, inventory number 1090, £300-500 73cm x 87cm.

Provenance The Bob Wise Collection.

Provenance The Bob Wise Collection.

1353. A Boiken platter Papua New Guinea, Melanesia of shallow circular form, the back with carved fish and a rondal, with a serrated edge and pierced attachment lug, number 135, 52cm diameter. £400-600 Provenance The Bob Wise Collection.

1354. A Massim large spatula Trobriand Islands, Papua New Guinea with a carved handle having a central rib with a serpent head with a pierced terminal, inventory number 68, 119.5cm long. £100-150 Provenance The Bob Wise Collection.

1353

1354

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1355. A Mengen shield Jacquinot Bay, New Britain, Papua New Guinea with a central boss and panels of stylised decoration with polychrome decoration and fibre bindings and woven back panels with an integral handle and with the remains of a white ground with two black dots, inventory number 125, 154.5cm long. ÂŁ800-1,200

1356. A Maring shield West Province, Papua New Guinea rectangular with an arched top and a woven fibre covering, the body with punched dot outlines and with polychrome decoration, with a fibre handle, the back with numerous scratches including hand outlines, inventory number 475, 141.5cm high. ÂŁ600-800

Provenance The Bob Wise Collection.

Provenance The Bob Wise Collection.

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1357. A Simbai River shield Papua New Guinea with carved stylised figures in diced relief and a central recessed lozenge, with a fibre handle, with inventory number 744, 110cm high. £400-600 Provenance The Bob Wise Collection.

1358. An Arawe shield New Britian, Papua New Guinea the three panels bound with fibre and with carved concentric circles and chevrons, with remains of white pigment fill, the back with a central integral handle and with geometric polychrome decoration, inventory number 3558, 134.5cm high. £600-800 Provenance The Bob Wise Collection.

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1359. Seven Abelam yam masks Papua New Guinea, Melanesia woven fibre, six with pigment decoration, the highest 44.5cm. (7)

£400-600

Provenance The Bob Wise Collection.

1360. A Papua New Guinea axe Melanesia with a greenstone blade and with woven fibre bindings, 85cm long. (2)

£100-200

Provenance The Bob Wise Collection.

1361. A Papua New Guinea bark female figure Melanesia with painted decoration, 110cm high. £200-300 Provenance The Bob Wise Collection.

1362. A Papua New Guinea mask Melanesia with protruding eyes and pierced nose, with a red paste border inset cowrie shells, 24cm high £50-100 Provenance The Bob Wise Collection.

1361

1363. A basketry dish with natural and dyed fibre with geometric designs, 39cm diameter, and a Papua New Guinea fibre bound bark currency. (2) Provenance The Bob Wise Collection.

104

£100-150

1364. A Papua New Guinea platter Melanesia with one part of the rim worn, 31cm wide.

Provenance The Bob Wise Collection.

1362

£50-80

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1365. A Papua New Guinea mask Melanesia with inlaid shell eyes and tied fibre, 57cm high, a carved bamboo stylised bird, an earthenware bowl, inscribed No.5, TAFT, and an Aboriginal snake. (4) £100-150 Provenance The Bob Wise Collection.

1366. A Sepik River mask Papua New Guinea with tusks, shells, fibre, hair and feathers, 63cm high.

£100-200

Provenance The Bob Wise Collection.

1366

1365 part

1367. A Boiken platter Papua New Guinea shallow with a relief carved stylised back, with double pierced suspension loop, 45cm diameter, an oblong dish with carved back and loop, a shallow dish with a carved linear rim, with inventory number 1310, a lozenge shape platter with a pierced handle, a circular bowl and a large oblong platter with a handle. (6) £40-60 Provenance The Bob Wise Collection.

1368. An Iatmul canoe prow shield Papua New Guinea bark, reed and fibre with red, grey and black decoration and applied a mask with inlaid shell eyes, 84cm high. £600-800 Provenance The Bob Wise Collection.

1368

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1369. A Simbai River shield Papua New Guinea with relief carved circles and rings with diced and linear decoration, with the remains of a white pigment to the edges, the central rings pierced for handle attachment, 103cm high. £400-600

1370. A Mendi shield Southern Highlands, Papua New Guinea oblong with a vertical medial ridge and with incised and painted decoration, with a fibre handle and two attachment holes to the top, inventory number 2077, 108.5cm high. £800-1,200

Provenance The Bob Wise Collection.

Provenance The Bob Wise Collection.

1371. A Highlands shield Papua New Guinea with red and white pigment decoration to the top half and with a cut notch to the top, with a fibre handle, inventory number 1393, 90.5cm long. £300-400 Provenance The Bob Wise Collection.

1372. A Wogeo mask Papua New Guinea with a carved nose ornament and a woven fibre bundle to the edge, 38cm high. £300-500 Provenance The Bob Wise Collection.

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1371

1372

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1373. A Wogeo mask Papua New Guinea with carved ridge and nose ornament, with white and brown pigment decoration, with a woven fibre bundle to the edge, 41cm high. £400-600 Provenance The Bob Wise Collection.

1373

1374. A Sepik suspension hook Papua New Guinea, Melanesia with a carved mask finial having an integral hook to the back, with a crescent shape hook, 65cm high. £500-800 Provenance The Bob Wise Collection.

1374

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OTHER PROPERTIES 1375. A Massim stool Trobriand Islands, Papua New Guinea with a circular top supported by two seated figures and an arch on a domed base, with incised scroll and linear decoration, 46.5cm high. £300-400

1376. Two Massim lime spatulas Trobriand Islands, Papua New Guinea with carved stylised bird head decoration, one with a clapper handle, 27cm and 30.5cm long. (2) £300-400

1377. An Asmat ancestor figure Irian Jaya, Indonesia carved and with black and white pigment, 35cm high, on a stand. (2)

1375

£800-900

1376

1378. A Sepik sceptre Papua New Guinea curved and with a carved ancestor mask terminal, scrolls and a groove to the top, with a white painted inventory number 71.7.82, 25cm high, on a stand. (2) £400-500

1379. A Massim lime container Trobriand Islands, Papua New Guinea coconut with carved decoration and a stopper, 9cm high, a Lake Sentani carved figure, 19.5cm high, mounted and a Massim mortar and pestle. (6) £120-160

1380. A Samoa kava bowl Polynesia circular on eighteen block and cylinder legs, 45.5cm diameter, 17.5cm high. £200-300

1377

108

1378

1379

1380

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1381. A Sepik ancestor mask Papua New Guinea with a hooked nose and a beard, with a red and black patina, 55.5cm high, on a stand. (2) £500-600

1381 1382. A Solomon Islands fish hook Melanesia mother of pearl, turtleshell, fishing wire, red and yellow glass beads and fibre, 8.5cm long. £150-250

1383.

A Pacific Islands seated figure possibly Fiji or Tonga sperm whale tooth, carved wearing a jacket with hands in the pockets and with symbols around the base, 9cm high. £150-200 Provenance Purchased in Hobart, Tasmania, Australia, 2005.

1382

1383

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1384. A Papua New Guinea nephrite disc Melanesia with a central hole with tapering sides, with the remains of a paper label inscribed Brought by John...New Zealand. O..., 19th century, 10.2cm diameter. £1,000-1,500 Provenance John Baird, Viscount Stonehaven, Keith Hall, Inverurie, Scotland.

Viscount Stonehaven was the Governor General of Australia from 1925 - 1931, and during his time in office, he made an official visit to New Zealand, from where he went by ship and seaplane to Papua New Guinea, New Britain and New Ireland in July and August 1929, where he met with ‘groups of natives’ and is possible that was when this disc was acquired.

1384

1385. Four Solomon Islands armbands Melanesia orchid fibre, including a pair with red dye, a Solomon Islands comb with remains of feathers and a Abelam coconut bowl with a carved border, 14cm wide. (6) £100-150

1386. Ten Solomon Islands armbands Melanesia woven fibre with yellow and red patterns, including two pairs, the widest 11.5cm. (10) £100-200 Provenance Marist Society Collection.

1387. A Pitcairn Island flying fish

by Pervis Young the wings stamped MADE BY PERVIS YOUNG / SOUVENIR FROM PITCAIRN ISLAND, on a turned column and

base, 39cm long.

110

1387

£150-200

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1388. An Admiralty Islands dagger Papua New Guinea, Melanesia obsidian, fibre, nut paste and pigment, with incised chevron decoration to the handle, 27cm long. £100-200

1389. A Fiji kava bowl Melanesia on four tapering cylindrical legs and with the remains of a lug handle, 51.5cm diameter. £150-250

1390. An Andaman Islands carved shell Bay of Bengal nautilus with pierced scrolls and Andaman Islands 1915, 17cm long.

£50-100

1391. An Asmat shield Papua New Guinea with carved arched designs and pigment, the back with a central rib and integral handle, 155.5cm long. £500-600

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1392. Ten Hawaiian shell necklaces and a cowrie shell and fibre circular basket, 28cm diameter. (11)

1392

1394

1393. An Easter Island staff Polynesia with a carved bird-man finial having inset shell eyes, 102.5cm long. £300-400

1393

1394. A Samoa kava bowl Polynesia octagonal with a carved border and on twenty three legs, 35cm wide. £80-120

1395. A pair of Iatmul war trumpets kuls Papua New Guinea one with a carved perched bird terminal with a tapering conical body with a medial scaled ridge with a mouth piece, the end with two masks, 93cm long, the other with remains of a mask terminal, a raised mouth piece and a scroll carved border, 51cm long. (2) £200-300 Provenance Collected in Germany in the 1960’s and thence by descent.

112

1395

£200-300

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1396. Five Oceanic fishing spears with barbed tips and bamboo shafts with stylised decoration, the longest 183.5cm, two similar barbed spears and another with a curved tip, another with a four prong tip and another ceremonial with an ornate carved and pierced wood tip. (10) £200-250

1396

1397. A Vanuatu spear Melanesia with carved barbs and an incised linear band, 207cm long. £100-200 1398. A Solomon Islands bow Melanesia one end with bound fibre and the flat side stained black, 193cm long, with a long arrow and another bow. (3) £50-100

1399. Four Solomon Islands spears Melanesia carved palmwood with barbed tips and stylised knops, one with two seated figures, with incised decoration to the faces, the longest 272cm. (4) £300-400 1400. Two Espirit Santo spears Vanuatu, Melanesia palmwood and bone barbs with fibre bindings, 234cm and 241cm long. (2) £200-300

1397

1399

1398

1400

113

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1401. A Papau New Guinea skull hook agiba Melanesia carved as an ancestor figure with white ochre, 94.5cm high. ÂŁ3,000-5,000 Provenance Constantin Simeonides.

Todd Barlin, Australia.

Wouter Kleiman, Netherlands.

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1403 1402. An Irian Jaya paddle blade Indonesia one side with carved spurred linear, circle and oval decoration, 68.5cm long.

£100-200

1403. A Tonga kava bowl Polynesia on four tapering legs and with a pierced lug handle, with sennit repairs, 19th century, 69cm diameter. £800-1,200 Provenance Jeffrey Dhyne, California. Field collected in Tonga circa 1960’s.

1402

1404. A Fiji tapa cloth Melanesia with abstract linear design, 145cm x 129.5cm, mounted and framed.

£300-400

1405. A Samoa tapa cloth Polynesia with painted foliage and geometric decoration with three panels of text, 142cm x 195.5cm. £400-600

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1406. Fiji and Solomon Islands A collection of photographs and postcards including natives, landscapes and buildings, the Solomon Islands inscribed on the back with details, signed by Harry Martin, along with a two page and a four page letter by the same, from Renard Island, to Mr A E Davey, Adelaide, Australia; a view of Napier, New Zealand; The Brisbane German Gymnasium / Athletic Club; four prints relating to Pacific Islands; Stewart's Hand Book of the Pacific Islands, 1908; Polynesians Explorers of the Pacific by J E Wecjler, Jr.; Te Pito Te Henua, Known as Rapa Nui by George H Cooke; and a plate photograph of figures outside a colonial building in Australia, mounted in a leather case. ÂŁ600-800

116

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1407. An Austral Islands paddle Polynesia carved all-over with x’s and chevrons, the top of the blade with two suns and the rectangular block handle with a frieze of crescents and dancing girls, 19th century, 129cm long. £800-1,200 1408. A Fiji sali club Melanesia with a saw-tooth blade and pierced holes, with a spur and knopped butt, 104cm long. £400-600

1408

1409. A Fiji pole club Melanesia with a carved zig-zag handle and later sailor carved shaft and end with a figure, 83cm long. £80-120 1410. A Fiji spurred club gata Melanesia with a ridged terminal and a textured curve, inscribed SILIVARIO, with sennit binding to the shaft, 84cm long. £350-400 1411. A Vanuatu club Melanesia with a tapering and flared blade with a curved protrusion either side and with incised linear decoration, on a cylindrical shaft and with a double knopped terminal, £300-500 100cm long.

1411 1409

1410

1407

117

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1412. A Fiji throwing club i ula tavatava Melanesia with a lobed head and a carved zig-zag grip, the butt with a circular depression, 42cm long. £300-400

1412

1413. A Fiji throwing club i ula tavatava Melanesia with a ribbed head and a carved zig-zag grip with a depressed butt, with a white sticker inscribed JYC 35, 40.5cm long. £300-400

1413

1414. A Kanak club New Caledonia with a carved star head on a tapered shaft with a moulded edge grip, £400-500 75.5cm long.

1414

118

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1416

1415. A Fiji vanikau club Melanesia with a domed head and flat end roots, with a plain shaft and handle, 108.5cm long. £400-600

1415

1416. A Fiji throwing club i ula drisia Melanesia with an ovoid head and a carved zig-zag grip with a circular depression to the butt, 41cm long. £200-300

1417

1417. A Fiji throwing club i ula tavatava Melanesia with a ribbed head and a carved zig-zag grip with a depressed butt, with white sticker inscribed JYC 29, 42.5cm long. £300-400

1418

1418. A Fiji totokia club Melanesia with a noduled head with six inlaid shell/marine ivory to the edge, the spike replaced by a later ivory rondal, 86cm long. £1,200-1,500

1419. A Fiji throwing club i ula drisia Melanesia with an ovoid head and a carved zig-zag grip, the handle later inscribed ZULU 1877, 41cm long, and a smaller Fiji ula, the butt pierced for attachment, 33.5cm long. (2) £150-250

1419

119

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1420

1421

1420. A Fiji throwing club i ula tavatava Melanesia with a lobed and domed head and a carved zig-zag grip, the end with a depression and with incised lines to the edges and pierced for attachment, the shaft inscribed TANIELA and KAKFUDA, late 19th century, 39.5cm long. £300-500

1421. A Fiji throwing club i ula tavatava Melanesia with a ribbed head and a carved zig-zag grip with a depressed butt, red painted inventory number F387, £300-400 43.5cm long.

1422. A Fiji pole club bowai Melanesia of slight tapering form with a rounded end, a carved zig-zag grip and the concave butt with an inlaid marine ivory star, 121.5cm long. £800-1,200

1422

120

1423. A Fiji pole club bowai Melanesia of tapering cylindrical tapering form with a rounded pointed end and a carved zig-zag grip with a pierced attachment hole and a concave butt, the shaft inscribed AVISALOMI, 112cm long. £800-1,200

1423

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1424. An Aboriginal spear thrower woomera Australia with a carved linear design, the back with incised emu tracks and lines, the tip with remains of binding and resin to the handle, 61cm long, and a woomera with a carved zig-zag, linear and square decoration, the long terminal with a bound spike, 89.5cm long. (2) £300-400

1425. Three Aboriginal churingas Australia with carved linear and stippled decoration, one with continuous grooves with seven arch forms to one sides, the other two with circles and wavy lines to both sides, 41.1cm, 44.1cm and 50.6cm long. (3) £300-400

1426. Three Aboriginal boomerangs Australia one with carved linear decoration and a central landscape, 66cm wide, another with red ochre, 75.5cm wide and the third with an incised cross to the handle, 75.5cm wide. (3) £150-250

1427. An Aboriginal boomerang Darling River, South East Australia with engraved symbols, including emu tracks and parallel linear decoration to one side, the other with a double loop symbol, 77.8cm wide. £150-250

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1428. An Aboriginal shield Australia with grooved linear decoration to both sides, with blue and red pigment, the back with an integral handle, 71cm long. £300-500 Provenance Collected in Australia in the 1940’s.

1429. An Aboriginal shield Australia with grooved linear decoration to the front, the back with a small area of lines and an integral handle, 62.5cm long. £300-500 Provenance Collected in Australia in the 1940’s.

1430. An Aboriginal club Queensland, Australia with three rows of nails to the head and with a textured grip, pierced for attachment, 73cm long. £200-300 1431. Three Aboriginal throwing clubs Queensland, Australia with pointed ends and fine grooved decoration and textured grips, 66.5cm, 68.5cm and 69cm long. (3) £500-600 1432. An Aboriginal ‘pineapple’ head club Australia with pointed ends and a faceted shaft, 66.5cm long.

£200-300

1429

1428

122

1430

1431

1432

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1433. Four Aboriginal boomerangs Australia one with carved lines, dots and hatching, 61.6cm wide, one textured and with dot decoration, 59.2cm wide, one with white and red paint to one end, 63cm wide and the fourth with a swollen centre, 72cm wide. (4) £150-250

1434. Five Aboriginal boomerangs Australia two with a carved textured finish, 57cm and 64.5cm wide, one with scorched decoration, 41.3cm wide and two plain, 40.5cm and 43.5cm wide. (5) £100-150

1435. Three Aboriginal boomerangs Australia one with a textured finish to both sides, 62cm wide, the angled example with a label inscribed Boomerang Given to Mr Herranberg at his Mission c. 1950, 62.5cm wide, the third, 58cm wide. (3) £100-150

1436. Four Aboriginal boomerangs Australia one Darling River area with carved linear decoration, 73.5cm and three with a carved texture to both sides, 49.5cm, 56cm and 69.3cm wide. (4) £150-200

1437. An Aboriginal club Australia with fine incised linear decoration and a scored handle with a bulbous terminal, 74cm long, and an Aboriginal boomerang, 48cm wide. (2) Provenance Collected in Australia in the 1940’s.

£100-200

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1438. An Aboriginal shield Central Desert/Northern Territory, Australia oblong with scroll round sides, carved grooves and red ochre to both sides, the front decorated with three dots within circles and the back with an integral handle, 64.5cm long. £250-350

1439. An Aboriginal shield Australia of curved eliptical form with finely carved angled grooves to the front, the back with an integral handle and horizontal bands of red ochre, 75.2cm long. £250-350

1438 1439 1440. An Aboriginal wunda shield Western Australia of eliptical form and with carved channeled zigzag decoration to the front and linear to the back, with an integral handle, 82cm long. £150-200

1441. An Aboriginal shield Kimberley, Australia the front with horizontal red ochre lines, the back with finely carved linear geometric designs with remains of red ochre and with an integral handle, £400-500 78.8cm long.

124

1440

1441

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1442. An Aboriginal churinga Australia of navette form with fine carved concentric circles and lines to both sides and with a red ochre patina, 71.6cm long. £300-400

1443. An Aboriginal churinga Australia of slender navette form with finely carved grooved geometric panels, the reverse with a parallel linear zigzag with plants and animal tracks, 49.5cm long. £200-300 Provenance Collected in Australia in the 1940’s.

1443

1444. An Aboriginal churinga Australia of navette form with a fine carved grooved geometric front and zig-zag ends, one pierced, the back with incised emu tracks, 72.6cm long. £300-400

1442

1444

1445. Three Aboriginal shields Australia all with integral handles, including a wunda with carved zig zag decoration and with red ochre, linear back, 75.5cm long, a plain shield, 66cm and a heavy narrow shield with red paint, 90cm long. (3) £300-400

1446. An Aboriginal shield Australia of wunda type with carved grooved decoration and an integral handle, 69.6cm long, and another shield with carved linear bands to both sides and with an integral handle, 71.5cm long. (2) £250-350

1445

1446

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1447. An Aboriginal churinga Australia of slender navette form with a fine carved grooved geometric decoration to both sides, 59cm long. £200-300

1448. An Aboriginal churinga Australia of swollen navette form with finely grooved concentric circles and lines to one side, the other with smaller circles and crescents, 32.5cm long, on a stand. (2) £800-1,200

1447

1449. Four Aboriginal boomerangs Australia one with carved scroll spiked decoration, 53cm wide and three plain 45.5cm, 48.7cm and 59.2cm wide. (4) £150-250

126

1448

1450. Two Aboriginal fighting clubs Australia the longer with seven white pigment stripes and a fibre and resin grip, 101cm long, the other with a red ochre patina and white painted inventory number 53., 80.5cm long. (2) £300-400

1451. Three Aboriginal spear throwers woomeras Australia one with grooved linear geometric carving and red ochre, the others plain, all with bound spikes, 72.5cm, 80cm and 84cm long. (3) £200-300

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1452. An Aboriginal narrow shield Roper River, Northern Territory, Australia with an integral handle and painted with a red ground and polychrome symbols to both sides, 82.5cm long. £400-600

1453. Two Aboriginal wunda shields Western Australia with carved grooved zig-zag decoration to the front and linear to the back, with integral handles, one with red ochre and a sinew and resin repair, 68cm long, the other with a black patinated front and red £300-400 ochre back, 64.5cm long. (2)

1454. Three Aboriginal ‘pineapple’ headed clubs Queensland, Australia two with fine grooved linear decoration and with textured grips, the other pierced for attachment and with white inventory number 169 JYC, 69cm, 70.5cm and 75.8cm long. (3) £300-400

1455. An Aboriginal club South East Australia with a swollen snake like head, with a flattened underside, on a tapering shaft with a ribbed and textured handle with a pointed terminal, indistinctly inscribed Coll Mr de Cafres, .... au Cap de ..... and 5/-, 80.5cm long. £500-700

1453

1456. Three Aboriginal ‘pineapple’ headed clubs Queensland, Australia with grooved linear decoration and textured grips, 67cm, 69cm and 74.5cm long. (3) £400-600

1452

1454

1455

1456

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1457. Four Aboriginal shields Australia one with carved decoration and red and white pigment, 61.5cm long, one carved and with red, yellow and black pigment, 61.5cm long, one with red and white pigment zig-zags, 57cm long and a parrying shield with incised zigzags to the front, 79.5cm long. (4) £200-300

1458. Three Aboriginal spear throwers woomeras Australia one with a grooved linear geometric design and with a textured back, with remains of resin to the handle, 83cm long, another narrow with bound spike and resin handle, 80.5cm long and a plain type with a bound spike, 70.5cm long, on a stand. (4) £200-300

1457

1459

1459. An Aboriginal parrying shield Australia the front carved kangaroos within a part wooded landscape, the back with further kangaroos and with an integral handle, 83.5cm long, an Aboriginal boomerang club, with a swan neck painted white with earth red bands, 63cm long, a boomerang club with part carved channeled top surface, 75cm long and a boomerang, with a textured finish, 58.5cm long. (4) £150-250

1458

1460. An Aboriginal shield Australia with carved emus and a kangaroo, with an integral handle, 62.5cm long, two woomeras, with gum to the handles, the larger with incised decoration, a Tiwi painted ritual object and two clapper sticks with burnt £100-200 decoration. (6)

1461. An Aboriginal boomerang Australia with pointed ends and traces of red ochre, 19th century, 60cm wide. £100-200

128

1460

1461

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1462. Four Aboriginal clubs Australia including a throwing club with grooved linear decoration, 66.5cm long, another with grooved linear decoration and a dotted grip with remains of gum to the terminal, 70cm long, a short club with bulbous ends, with white inventory number JYC 958, 58.3cm long and an ovoid head club with carved scroll, linear and diamond decoration and with two colonial houses with outside chimneys, with a textured grip, pierced for attachment, 63.5cm long. (4) £600-800

1463. An Aboriginal club Australia with three carved zig-zags and a resin end, 65cm long, an Aboriginal spear thrower with carved linear diamonds, 88.6cm long, a Aboriginal dance wand, 48cm long and an Aboriginal scorched stick, 38.5cm long. (4) £100-200

1464

1462

1463

1464. A Tiwi dance staff Northern Territory, Australia of paddle form with pierced and polychrome pigment decoration, 105.5cm long, an Aboriginal sword club, with white painted inventory number JYC 163, 96.2cm long, a slender club with a bulbous end and with white painted inventory number JYC 131, 86.6cm long, and a barbed spear tip, 82.5cm long. (4) £200-300

1465. Four Aboriginal clubs Australia including one with a swollen cylindrical and pointed head, with a textured grip, pierced for attachment, 75cm long, the others with grooved linear decoration, one with a textured grip, 69.8cm long, one with scored decoration to the grip, 71.5cm long and the fourth of tapering form, 79.5cm long. (4) £250-350

1465

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1466. An Aboriginal large churinga Australia oblong with carved linear symbols to both sides, with red ochre and a darkened patina, 151.5cm long. £5,000-6,000

1467. An Aboriginal parrying shield Australia with a fine carved textured patina and with an integral handle, 19th century, 73.5cm long. £400-600 Provenance Allan MacPherson, Blairgowrie, Scotland, and thence by descent.

Allan MacPherson was the son of William MacPherson, the clerk to the House of Representatives, Melbourne, Australia. He wrote a pamphlet of his experiences around Mount Abundance in the mid 19th century, returning to Scotland in 1860.

1468. An Aboriginal shield Australia of curved oblong form with traces of red ochre and with an integral handle, 19th century, 61.5cm long. £400-600 Provenance Allan MacPherson, Blairgowrie, Scotland, and thence by descent.

1467

Allan MacPherson was the son of William MacPherson, the clerk to the House of Representatives, Melbourne, Australia. He wrote a pamphlet of his experiences around Mount Abundance in the mid 19th century, returning to Scotland in 1860.

1469. An Aboriginal large churinga Australia oblong with carved linear symbols to both sides, with a red ochre patina, 150.5cm long. £5,000-6,000

1466

130

1468

1469

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1470 1470. Turkey Tolson Tjupurrula (1942 - 2001) Tingari Dreaming.

Acrylic on Belgium linen.

100cm x 123.5cm unframed. £2,000-3,000 Turkey Tolsen was among the first group of Pintupi to be brought in to the newly established settlement of Papunya in the 1960’s. He was part of the original group of painters at Papunya in 1971. He featured in the television documentary ‘Market of Dreams’ and is a leading figure in the art movement.

1471. Minnie Pwerle (c.1910 - 2006) Awelye Atnwengerrp.

Acrylic on canvas.

Inscribed on the verso.

60cm x 121.5cm unframed. £1,500-2,000

1471

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1474

1473

1472

1475

1472. Two Aboriginal figures Arnhem Land, Northern Territory, Australia one carved standing with poychrome and linear decoration, the back with a fish, 86cm high, the other with a bird crest and a standing figure to the front, 92cm high, fixed to a wood base. (2) £300-400 1473. An Aboriginal bark painting Arnhem Land, Australia pigments depicting four figures with weapons, a label to the back from Church Missionary Society, Angurugu, Aboriginal Mission, Arnhem Land, N.T. Australia, inscribed

By Abajira of mission, 60.2cm x 43.5cm. £100-150 1474. An Australian Prisoner carving bone, relief decorated a kangaroo and an oak bough, with a scalloped top with leaves, 16.5cm high. £100-150 1475. A Tiwi ceremonial spear Melville and Bathurst Islands, Australia the barbed tip with painted polychrome banded and dot decoration, £300-400 160.5cm long.

1476. Charlie Gunbuna, circa 1959 Two Sword Fish natural pigment on bark, with type label to the back with artist name and tribe, Djinang, N. E. Arnhem, 85.5cm x 30cm. £200-300 The sword fish are the painter’s dreaming - he calls them ‘my father’ and feels an intimate sense of relationship with them.

132

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1477. Attributed to Sadler Milidji Sacred Mortory (sic) Ceremony Lizard Dance natural pigments on bark, the back inscribed Sacred - Mortory Ceremony Tribe - Mialli, Beswick Creek Lorrgon - Lizard Dance Artist - Sadla 60 yrs 1958 - Lorrgon Series - 8, 96cm x 21cm. £1,200-1,500

1478. David Yirawala (c.1897 - 1976) Kundaagi - (The Sacred Kangeroo) natural pigments on bark, the reverse faintly inscribed, including title, artist aged 76yrs, Tribe - Gunwingu, 91.5cm x 40cm. £1,500-2,000

1479. Attributed to Sadler Milidji The Ubar Ceremony natural pigments on bark, 44.5cm x 76cm. £1,000-1,500

1478

1477

1479

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1482

1480

1480. A Maori cloak korowai New Zealand flax with dyed and rolled fibre tags, the sides and base edged with feathers, 125cm x 113cm. £300-400 Provenance Private Scottish Collection.

1481. A Maori hei-tiki pendant New Zealand greenstone with black and red wax to the eyes, with a pierced attachment hole, 11cm high. £300-500

1482. A Maori short staff New Zealand with a carved standing tiki and heads, with shell inlay and notch decoration, inscribed HAMILTON, STIRLING and AROHA NUI, 61cm long. £100-200

1481

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1483. A Maori hand club patu paraoa New Zealand whalebone with a pierced attachment hole and a ribbed butt, 19th century, 42cm long. £600-800 Provenance The Bob Wise Collection.

1484

1483 1484. A Maori taiaha New Zealand with carved Janus head with inlaid haliotis shell eyes and a tongue with scroll and notch decoration, with a tapering shaft to a spatulate end, 145.5cm long. £1,000-1,500

1485. A Maori hand club patu paraoa New Zealand whalebone, of spatulate form, the handle pierced for attachment and with a ribbed butt, 19th century, 36cm long. £3,000-5,000

1485

END OF SALE

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FINE PORCELAIN & POTTERY Tuesday 19th February 2019

An important and previously unrecorded American porcelain teabowl and saucer attributed to John Bartlam (Cain Hoy, South Carolina), c.1765-69.

Estimate on request

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Wednesday 6th March 2019

Joseph Van Aken (Flemish 1709-1749) A lady and her maid at a vegetable seller’s cottage, a thief attempting to steal her watch Oil on canvas, in a carved wood frame 63 x 76cm; 24 ¾ x 30in Provenance: Woolley & Wallis, Salisbury, 28th September 2011, Lot 283 Estimate: £7,000 - £10,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 446961 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 446962 | jb@woolleyandwallis.co.uk

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CLARICE CLIFF, ART DECO & DESIGN Wednesday 20th March 2019

‘Red Trees & House’ a Clarice Cliff wall charger.

Estimate: £3,000 - £5,000

ENQUIRIES Michael Jeffery| Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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MEDALS & COINS, ARMS & ARMOUR Wednesday 1st May 2019

A scarce 16th Century gun shield. 51cm diameter.

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 4.95% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof.

For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory.

Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications.

However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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Woolley & Wallis valuations are accepted by all leading insurance companies.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Amanda Lawrence 01722 424509

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FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Follow A345 for 1.7 miles. At Beehive Park & Ride F follow the signs for A338 Swindon and Marlborough.

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

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WOO L LE Y & WA L LI S

Absentee Bid Form Tribal Art & Antiquities

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 20th February 2019 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days.

ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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Auction Calendar ENGLISH & EUROPEAN CERAMICS & GLASS 19th February 2019 – Fine Porcelain & Pottery 30th April 2019 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th February 2019 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk PAINTINGS 6th March 2019 – Old Masters, British & European Paintings 5th June 2019 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 446961 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 446962 • jb@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th March 2019 – Clarice Cliff, Art Deco & Design 19th June 2019 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 3rd April 2019 3rd July 2019 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk Jim Gale +44 (0) 1722 339161 • jg@woolleyandwallis.co.uk SILVER 16th & 17th April 2019 – Fine Silver & Objects of Vertu 16th & 17th July 2019 – Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 18th April 2019 – Fine Jewellery 18th July 2019 – Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 1st May 2019 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 21st & 22nd May 2019 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0) 1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar +44 (0) 1722 424583 • aa@woolleyandwallis.co.uk

www.woolleyandwallis.co.uk