Woolley & Wallis

ENGLISH & EUROPEAN CERAMICS & GLASS TUESDAY 15TH DECEMBER 2020

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

VALUATIONS FOR INSURANCE & PROBATE 424507 446964

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence

424505 446955

GENERAL OFFICE

424598 424509 424509

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez­Ferreiro

424506 +44 (0)7812 601098 424571 424591

Janice Clift (Office Manager) Sarah Bennie Megan Corbett Pauline Jones Nicola Young

424500

CASTLE GATE RECEPTION Sally Litherland

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Amber Lees

424589 424571

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

MARKETING Sally Trench

ACCOUNTS 411854 339161 446974

Ruth Pike Sharon Ringwood

BOARD OF DIRECTORS JAPANESE ART Alexandra Aguilar Sarah Lopez­Ferreiro

424583 424591

Natalie Milsted FCCA Managing Director

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Paul Viney ASFAV Non­Executive Director

ASSOCIATE DIRECTORS

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

John Axford MRICS ASFAV Chairman

339752 446980

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan­Richards

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ENGLISH & EUROPEAN CERAMICS & GLASS TUESDAY 15TH DECEMBER 2020 10.00AM at our Castle Street Salerooms, SP1 3SU Clare Durham 01722 424507 cd@woolleyandwallis.co.uk VIEWING BY APPOINTMENT ONLY Saturday 12th December Monday 14th December

10.00am – 1.00pm 10.00am – 4.00pm

There is no viewing on the morning of the sale.

Hollie Morrison 01722 446964 hm@woolleyandwallis.co.uk

Please contact the department to make an appointment.

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE

IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identification. This applies to both new and existing clients.

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TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Monday 14th December.

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

Instagram: @woolleyandwallisceramics @woolleyandwallissalerooms Facebook: @woolleyandwallis

COLLECTION OF LOTS BY APPOINTMENT ONLY Please note that our offices will be closed for Christmas on 18th December. All collections are by appointment

Twitter: @woolleywallis

Please contact 01722 424507 to arrange collection.

All accounts to be settled prior to collection.

Payment is still made at Castle Street.

Our Castle Gate address details and map are at the back of this catalogue.

Pinterest: Woolley and Wallis

ILLUSTRATIONS Front cover: Lot 354 Back cover: Lot 82 Catalogue £12.00 (£15.00 by post) 1

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1 A large pair of Irish glass vases or centrepieces, 19th century, of campana shape, cut with a hobnail band, an everted rim and raised on thick, circular starcut feet, 24cm. (2) £250-350

2 A pair of cut glass sweetmeat jars and covers, 19th century, cut with diamond hobnail bands and raised on square feet, and a globular sweetmeat jar with cover and removable base, cut all over with sharp hobnail banding, 26.5cm max. (7) £150-250 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

3 A pair of glass carafes, early 19th century, cut with bands of polished lappets and shallow neck rings, a claret jug and stopper with a stepped neck, and two cut glass jugs with hobnail bands, 27cm max. (6) £250-350

4 A pair of cut glass sweetmeat jars and covers, 19th century, raised on octagonal bases, a pair of baluster vases cut with an allover diamond design, and a small cut glass jug, 27.5cm max. (7) £150-250

5 Two cut glass pineapple stands, early 19th century, with wide feet, cut with diamond bands and stepped decoration, 13cm high max. (2) £150-250

6 Seven decanters and stoppers, late 18th/19th century, most of mallet form, variously engraved with flowers, grapevine and leaf swags, one inscribed ‘W Collier’, another ‘S Lowden’, then with ‘Port’, ‘Brandy’, ‘Hock’ and ‘Rum’, 30cm max. (14) £300-500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

7 Two small decanters and stoppers and a carafe, 19th century, all of globular form rising to a long slender neck, variously cut with facets and polished ovals, the stoppers blown, 24.7cm max. (5) £100-200

8 An Irish (Cork) decanter and stopper, late 18th century, the moulded base cut above with a star and diamond motifs, the neck applied with three rings, bullseye stopper, moulded mark beneath the foot, and a pair of plain mallet decanters and flat faceted stoppers, 29.3cm max. (6) £200-300

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9 A good pair of cut glass decanters and stoppers, early 19th century, the ovoid bodies cut with a wide band of ovals beneath stepped necks, with cut mushroom stoppers, 26.5cm. (4) £100-200

10 Two small decanters and stoppers, mid 19th century, one of unusual bell shape and engraved with a continuous band of grapevine, the other with a slender mallet shaped body and decorated with bands of polished circles and deep engraved ridges, 31cm max. (4) £150-250

11 A large pair of Dutch or Bohemian glass spirit flasks, c.1740, of flattened rectangular form with rounded shoulders, engraved with stylized tulips to the wider sides and lily of the valley to the narrow sides, 23.5cm. (2) £100-200

12 A pair of cut glass table lustres, 19th century, hung with strings of lustre drops and raised on flat circular bases, 18.5cm. (2) £100-200

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13 Nine jelly or sorbet glasses, 18th/19th century, seven with rounded bowls moulded with honeycomb or spiral designs and raised on circular or lobed feet, one pan­topped and engraved with a floral design, another with spiral moulding to a drawn trumpet bowl, 13.8cm. (9) £100-200

14 Fifteen jelly or dwarf ale glasses, 18th/19th century, with slender bell or drawn trumpet bowls, most with spiral moulding or vertical flutes, one with a pan top, three with a single handle and one two­handled, 12cm max. (15) £100-200

15 Six glass rummers, 19th century, with generous rounded bowls raised on short stems and square lemon squeezer bases, 11.4cm max. (6) £100-200

16 A pair of glass rummers and a pair of tumblers, 19th century, the rummers with rounded bowls engraved with the initials ‘JE’, the tumblers with ‘JJ’ linked by a continuous floral band, and a third tumbler engraved ‘FH’ within leaf swags, 14.3cm max. (5) £100-200

17 Nine small glasses, 18th/19th century, with drawn trumpet, bucket and bell bowls raised on plain, knopped and baluster stems, 12.6cm max.

(9) £100-200

18 Two sets of six glass rummers, early 19th century, with rounded funnel bowls, engraved with delicate stars and polished ovals, one set raised on square lemon squeezer bases, the others on short faceted stems, 13cm.

(12) £250-350

19 A group of eight various glasses, 19th/20th century, including a baluster goblet engraved with Jacobite motifs, two rummers, a cut glass champagne flute with a large facet knop, a champagne saucer with a fern motif, a two­handled glass engraved ‘G J’ above ‘Feb 18th 1926’, a tall ale glass or wine flute, and a small wine with a hollow stem, 20cm max. (8) £150-250

20 Eleven dwarf ale or jelly glasses, 18th/early 19th century, one with wrythen moulding and a flammiform edge above a folded foot, three with vertical moulding, two similarly moulded and applied with a handle, one hexagonal, two of flared form with everted rim, another with vertical fluting, the last raised on a lemon squeezer foot, 12.8cm max. (11) £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

21 Four pairs of good cut glass decanters and stoppers, c.1800 and later, one pair of Penrose Waterford type with swags of diamond banding, another pair cut with polished lappets, the others with diamond banding and neck rings, with bullseye, mushroom and ball stoppers, 27cm max.

(16) £400-600

22 Six decanters and stoppers, late 18th/19th century, of Prussian and mallet form, variously engraved with leaf swags, stiff leaf borders, star motifs and other formal designs, 28.8cm max. (12) £300-500

21 23 A set of four small cut glass spirit decanters and stoppers, 19th century, of slightly flattened cylindrical form, cut with a diamond band above vertical flutes, with spiral moulded ball stoppers, set in a leather­covered metal stand, 24.5cm overall. (9) £150-250

24 Three glass tazzae, mid 18th century, in three sizes, with flat circular tops with galleried rims, raised on moulded pedestal stems with annulated rings above domed folded feet, and a glass patch stand raised on a faceted stem enclosing a long tear, 31.7cm max dia. (4) £200-300

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25 A heavy baluster glass, c.1710, with a generous bell bowl raised on a baluster stem with cushion knop enclosing a large tear above a folded conical foot, 16.5cm. £300-500

26 A rare baluster wine glass, c.1725, with rounded funnel bowl raised on a baluster stem with half knop over a cushion and angular knop, the whole raised on an unusual terraced foot, a small footrim chip, 15cm. £300-500

27 A balustroid wine glass of ‘Kit Kat’ type, c.1740, the drawn trumpet bowl rising from a plain stem enclosing a long tear above an inverted baluster knop above a folded foot, 15.7cm. £150-250

Provenance: collection of the late John Bull, London.

Purchased from Delomosne & Son Ltd, 8th March 1986. G F Berney Collection.

Provenance: collection of the late John Bull, London.

Illustrated: W A Thorpe, A History of English and Irish Glass, Pl.LVII.

28 Three sweetmeat glasses, c.1770 and later, the smallest with an ogee bowl with pinched rim above a short opaque twist stem, another with a generous ogee bowl raised on a Silesian pedestal stem, the last raised on a knopped faceted stem above a shaped domed foot, some chipping to the latter, 15.8cm max. (3) £300-500 6

29 Four English glasses, late 18th/19th century, including a Masonic firing glass engraved with a set square and other symbols, an ale glass engraved with hops and barley, a green glass flute and a small wine glass raised on a faceted stem, 15.5cm max. (4) £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

30 A rare Beilby firing glass, c.1765, the rounded bowl enamelled in white with a continuous band of convolvulus and other flowers around the rim, raised on a squat double series opaque twist stem above a thick stepped foot, the foot broken and restuck, 10.2cm. £300-500

31 A dwarf ale glass, c.1740, the drawn trumpet bowl with spiral moulding rising to a flammiform edge, raised on a short spiral stem above a folded conical foot, 13.8cm. £100-200 Provenance: collection of the late John Bull, London.

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32 A small baluster wine glass, c.1740, the rounded funnel bowl raised on a slender baluster stem with central knop, 14.2cm. £200-300 Provenance: collection of the late John Bull, London.

33 A glass tankard, c.1780, the slightly waisted form with a band of gadrooning above the circular foot, the rim with narrow trailing, 14cm. £100-200

34 Two firing glasses, late 18th century, one with a rounded funnel bowl engraved with flowers above a faceted stem and thick foot, the other with a drawn trumpet bowl over a short plain stem, 11.5cm max. (2) £100-200

35 Two wine glasses, c.1750­60, one with a bell bowl raised on a thick plain above a folded foot, the other with a rounded funnel bowl with light honeycomb moulding above a double series opaque twist stem, 15.5cm max. (2) £100-200

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36 Two large glass rummers, 19th century, one left plain and raised on a short knopped stem, the other engraved with panels of flowers and the initials ‘ESJB’, 19cm max. (2) £60-100

37 Two dwarf ale glasses, c.1730 and c.1770, the smaller glass with spiral moulding and a flammiform fringe above a folded foot, the larger with wrythen moulding to the drawn trumpet bowl, 12.5cm. (2) £300-400

38 Three wine glasses, c.1730­40, one with a drawn trumpet bowl above a plain stem enclosing a long tear above a folded foot, one Dutch and raised on a moulded baluster stem, the last with a drawn trumpet bowl engraved with a stylized flower band, 17cm max. (3) £200-300 The largest glass previously in the Henry J Mein Collection.

39 Four glass tumblers or beakers, 19th century, of flared cylindrical form, one engraved for William Hunt above the date 1835, another with the initials T G H, one with diamond point engraving with the initials G A S, the last heavily engraved with hops and barley to one side, the reverse with a vase of flowers, 12.8cm max. (4) £100-200

40 Four wine and ale glasses, c.1740­50, the ale with a slender bowl engraved with hops and barley, one wine with a bell bowl over a knopped plain stem, the others with rounded bowls on plain stems and folded feet, one engraved with a bird and grapevine, 15.8cm max. (4) £300-500

41 Six wine glasses, c.1760­70, a pair with light moulding beneath a polished garland border, another with a band of polished circles and raised on a faceted stem, a flute, a drawn trumpet and a rounded funnel bowl all on faceted stems, 17cm max. (6) £200-300

42 Seven wine glasses, c.1770, each rounded funnel bowl engraved with a flower stem including narcissus, rose and sunflower, raised on faceted stems, some faults, 15.5cm. (7) £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

43 Three small wine glasses, mid 18th century, one of possible Jacobite relevance, with a round funnel bowl engraved with a sunflower and bee, raised on a double series opaque twist stem, another engraved with a continuous band of grapevine above a knopped airtwist stem, the last with a formal border over a balustroid stem, 15.3cm max. (3) £300-500

44 A small wine or cordial glass, c.1760, the drawn trumpet bowl engraved with a rose spray above a thick double series airtwist stem, a wine glass with moulded bowl above a knopped opaque twist stem, and a flute or ale glass raised on a double­knopped airtwist stem, 20.3cm. (3) £200-300

45 A pair of large wine fluted or ale glasses, c.1760, the tall slender bowls raising from double series opaque twist stems, and a large drawn trumpet glass raised on a plain stem enclosing a long tear, 19cm. (3) £150-250

46 Three small wine glasses, c.1760, one with a rounded funnel bowl engraved with a flower raised on a plain stem above a folded foot, the others with ogee and waisted bowls raised on opaque twist stems, 14.4cm max. (3) £100-200

47 Three wine glasses, c.1760, one with a rounded funnel bowl raised on a corkscrew airtwist stem, another with a generous bowl on a double series opaque twist stem, the last with a rounded bowl above a faceted stem, 15.8cm max. (3) £100-200

48 A cordial glass, c.1750, with narrow bell bowl over an airtwist stem, a gin glass on a plain stem, and a wine glass with bell bowl on a plain stem, all above folded feet, and a firing glass with drawn trumpet bowl above a thick foot, 16.2cm max. (4) £200-300 The gin glass and cordial glass from the Stephen Pohlman Collection.

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49 A balustroid wine glass, c.1740, the slender bell bowl raised on a stem with inverted baluster knop at the base, enclosing a long tear and with annulated knop at the base of the bowl, raised on a folded conical foot, 17cm. £200-300

50 A large pan­topped wine glass, c.1760, the generous bowl engraved below the rim with a continuous band of honeysuckle and other flowers, raised on a double series airtwist stem, a small chip to the foot, 20.6cm. £100-200

51 A wine glass, c.1740, the base of the bell bowl enclosing a large tear, raised on a thick plain stem above a folded foot, 16cm. £150-250

52 A Newcastle light baluster glass, mid 18th century, with a bell bowl raised on a slender baluster stem with a teared ball knop above, 17.2cm. £300-500

Provenance: collection of the late John Bull, London.

Provenance: collection of the late John Bull, London.

53 Two wine glasses, c.1760­70, with small rounded funnel bowls raised on double series opaque twist stems above conical feet, 14.6cm. (2) £200-300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

54 A rare magnum Beer decanter and stopper, c.1765, the round­ shouldered form engraved to one side with a bottle ticket suspended from a chain and labelled ‘Beer’ encircled with hops, the reverse with two large birds, the faceted stopper engraved with foliate sprigs and diaper bands, 34.2cm. (2) £800-1,200

55 A large glass hurricane lantern, probably mid 18th century, the tall thistle­shaped bowl raised on a conical folded foot, 35.5cm. £100-200

56 A Dutch­engraved light baluster goblet, c.1765, the generous rounded funnel bowl engraved with two ships at sail, flying long pennants, inscribed ‘De Nobele Zeevaart’ (The Noble Shipping), raised on a ‘Newcastle’ type baluster stem with a beaded knop above a conical foot, a 1.5cm section of the rim broken and restuck, 22.2cm. £300-500

57 A commemorative glass beaker of naval interest, dated 1805, the flared form engraved with a ship at sail and inscribed ‘Every Man did his Duty’ and ‘HMS Royal Sovereign’, the reverse with ‘Cape Trafalgar 1805’, 11.3cm. £300-500 HMS Royal Sovereign was launched in 1786 and was part of Admiral Howe’s fleet on the Glorious First of June. Under the command of Admiral Collingwood she led the second column of ships at the Battle of Trafalgar while Nelson’s column led the other. When news reached Collingwood of Nelson’s death he took charge of the fleet but had to transfer to HMS Euryalus owing to the damage suffered by the Royal Sovereign.

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58 A balustroid wine glass, c.1740, with a generous bell bowl raised on a plain stem with a beaded swelling knop above a folded foot, 16.4cm. £300-500

59 A wine glass, c.1750, with a small rounded funnel bowl raised on a double­knopped stem above a folded foot, 14.5cm. £150-200

60 A cruciform decanter or serving bottle, c.1740, the heavy base rising to a tall neck with slightly flared rim above an applied neck ring, and a small glass jug with folded rim, a chip to the neck ring, 21cm max. (2) £100-200

61 A Bohemian glass goblet, dated 1845, the thick bowl deeply engraved with a continuous scene of a fox hunt, raised on a faceted baluster stem, the octagonal foot engraved with ‘den 20: ten October 1845’, 21.5cm. £300-500 Exhibited: The Jones Museum of Glass and Ceramics, Sebago,, Maine, May ­ November 2000.

Provenance: Klaus Bieman Collection, Bonhams, 26th November 2014, lot 66.

62 A small glass tazza, mid 18th century, the shallow bowl raised on a plain stem with a slight baluster knop above a folded foot, and a blue glass egg cup with folded rim, 9.5cm max. (2) £80-120

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63 A small blue glass bowl, c.1800, spiral moulded with a folded everted rim, raised on a low circular foot, 13.3cm dia. £100-200 Provenance: collection of the late John Bull, London.

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64 Two Bristol blue glass cream jugs, c.1780­ 1800, one moulded with a lattice design, the other of baluster form and raised on a circular foot, the latter with a stress crack, 10.1cm. (2) £60-100

65 A Wrockwardine or Nailsea cream jug, late 18th century, the green body flecked with white and raised on a circular foot, and a similar top hat ornament, 11.5cm max. (2) £100-150

67 An amethyst glass jug, late 18th/early 19th century, with folded rim and raised on a heavy circular foot, and four salts or sorbet dishes of everted form, raised on circular feet, 16cm max. (5) £100-200

69 Two coloured glass decanters and stoppers, c.1800, one amethyst, the other green, gilded with the word ‘Rum’ within narrow borders, and a set of six green wine glasses, with drawn trumpet bowls raising from multi­ knopped stems, 29.5cm max. (10) £200-300

66 Three coloured glass cream jugs, c.1780­ 1800, one amethyst and spiral­moulded with a folded rim and delicate handle, another blue with honeycomb moulding and raised on a circular foot, the last lightly moulded with a folded rim and handle applied off centre, one blue jug cracked, a short stress crack to the amethyst jug, 9.5cm max. (3) £100-150

68 A green glass fingerbowl of Lynn type, c.1780, the flared form lightly moulded with horizontal ribs, the glass of a rich emerald tone, 13.4cm dia. £150-250

70 A large amethyst glass vase, c.1800, the tall rounded funnel form of a rich purple tone, raised on a low circular foot, 26.8cm. £100-150

71 Seven coloured glass ship’s decanters and stoppers, 19th century, three Bristol blue with one engraved with a key fret design, two amethyst with one gilded with a Whisky bottle ticket, one green and moulded with a honeycomb design, the last turquoise and of exceptional size, some stopper associated, 38.5cm max. (14) £300-500

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72 Eight coloured glass finger bowls, 1st half 19th century, four of plain U­shaped form in blue, amethyst and turquoise, three with vertical moulded flutes in blue and green, the last amethyst with everted rim and applied circular band, 13cm max dia. (8) £100-200

73 Eleven large glass hyacinth vases, 19th/early 20th century, of traditional churn shape, some with a bulbous base, varying in colour including green, amber, amethyst and cobalt blue, some with an applied neck ring, 22.5cm max. (11) £100-200

74 Seven small glass hyacinth or other bulb vases, 19th/early 20th century, of churn and baluster form, including green, cobalt blue and amethyst, some with an applied neck ring, 12.5cm max. (7) £80-120

75 A collection of Bohemian ruby and cranberry glass, 19th century, including three various goblets, two scent bottles and stoppers, a pair of shallow dishes with gilded decoration, and a pair of bottles or burners with small metal covers and mounted on metal bases, some faults, 26cm max.

(13) £200-300 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

76 A large green glass ceremonial goblet, dated 1882, the shallow rounded bowl engraved with the initials CF, the reverse with ‘5/1 1882’, raised on a spiral moulded inverted baluster stem above a tall conical foot, and a Continental glass celery vase, decorated in blue and gilt with a continuous band of grapevine, raised on a short baluster stem, 33.3cm max. (2) £150-250

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77 A German milchglas tankard, c.1760­80, the straight­sided form painted in polychrome enamels with the figure of a lady with hands on hips, reserved within a foliate scrolled panel, the foot slightly flared, 17.7cm. £100-150

78 A Continental glass dressing table garniture, 19th century, comprising two bottles and a central vase, enamelled with scenes of courting couples within foliate scroll and floral swag borders, 18.1cm max. (3) £100-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

79 A façon de Venise tazza, late 16th/17th century, the fine glass of a pale yellow hue, the wide undulating bowl with moulded ribs and everted rim, set on a hollow inverted baluster stem over a small flat foot, 16.1cm high. £1,200-1,500 Cf. Museum fur Kunsthandwerk, Frankfurt, catalogue Glas, p. 71, fig. 131 and p. 81 for a similar tazza. Another tazza also related in shape in the Museo Vetrario, Murano, was shown in the 1000 Years of Venetian Glass exhibition, Correr Museum 1982, p. 116, no. 145.

80 A tall pair of Bohemian glass vases, late 19th century, each painted with the portrait of a young girl within an applied oval panel, reserved on a dense ground of gilt foliage on pale cranberry glass, each mounted with a circular gilt metal foot, 44.5cm. (2) £200-300

81 A large Bohemian glass goblet and cover, 19th century, of a rich ruby colour, the faceted bowl raised on a tall knopped stem above a circular foot, 36.5cm. (2) £300-500

81A A large pair of Continental opaque glass vases, 19th century, of baluster form, each painted with a child playing a game, reserved within raised gilt dot borders on a frosted white ground, the reverse with sprays of flowers, 35cm. (2) £100-200

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82 A fine Thomas Webb (Stourbridge) cameo glass vase, c.1880­90, finely decorated in white with butterflies around flowering rose sprays, the reverse with two large butterflies and a spray of heather, reserved on a yellow ground, moulded mark to the underside, 19.5cm. £1,000-1,500

83 A large Thomas Webb (Stourbridge) three­layer cameo glass bowl, c.1880­90, the squat form with undulating rim, overlaid in red and white and cut with sprays of apple or cherry blossom on a yellow ground, moulded mark, 20cm dia. £600-800

84 A Baccarat spaced millefiori paperweight, dated 1848, set with thirteen individual canes including Gridel silhouette canes of a stag, dog, horse, monkey and cockerel, signed B 1848, on a tumbled ground of latticino canes, 5.5cm dia. £800-1,200 Purchased from L H Selman Ltd in February 2003.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

85 A white opaque glass scent bottle, c.1780­90, probably Beilby, Newcastle­upon­ Tyne, of flattened pear shape, painted in black enamel with the name ‘B * Walton’, with a blue and puce foliate surround, the reverse with a colourful flower sprays, broken and restuck, 7.2cm. £80-120

86 A blue glass scent bottle, late 18th century, of flatted ovoid form, gilded in the James Giles atelier with fancy birds perched in trees, the reverse with foliate and floral scrolls, metal mount to the neck, the stopper lacking, 10.8cm. £250-350

87 An English porcelain scent bottle, c.1815­ 20, probably Derby or Chamberlain’s Worcester, of flattened form, painted to one side with figures in a European landscape, the reverse with similar decoration in puce camaieu, within a dark blue border, 12.3cm. £100-200

Cf: a similar scent bottle dated 1780 and with the initials A*B was sold by Christie’s, The Parkington Collection Part I, 16th October 1997, lot 113.

Another, dated 1785, is in the Corning Museum of Glass, accession no. 86.2.23.

88 Two English enamel patch boxes, late 18th century, of oval form, one painted with an elderly beggar holding out his hat, inscribed ‘Pity the sorrows of a poor old Man’, on a blue base, the other painted with a church within the inscription ‘Let Hymen prove how true I Love’, on a moulded green base, 5.6cm max. (2) £150-200

89 An English enamel snuff box and a patch box, c.1780, the snuff box of oval form and painted with figures fishing beside Classical statuary, the rectangular patch box printed and coloured with a figure leading cattle and sheep, and a Continental faïence hexagonal snuff box, 6.5cm max. (3) £100-150

90 An English porcelain scent bottle, late 18th/19th century, modelled as a pear with two large leaves across the shoulder, the silver mount with engraved decoration, the stopper lacking, 6.7cm. £500-800

91 An English porcelain scent bottle, late 18th/19th century, moulded as a bottle in a basket mount, painted with a small panel of flowers within the basketwork, with a gilt metal mount and stopper, 9.5cm. £250-350

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92 A medieval encaustic tile, c.14th/15th century, decorated in cream slip with a geometric lattice design of turned squares, some restoration, 11.5cm. £150-200

93 A medieval encaustic tile, c.15th century, decorated in cream slip with a figure seated with legs extended, playing the flageolet between two trees, some chipping, 13cm. £300-500

94 A medieval encaustic tile, c.14th/15th century, decorated in cream slip with a fleur de lys to each of the four corners, 12.3cm. £150-200

95 A medieval encaustic tile, c.14th/15th century, decorated in cream slip with a formal scrolling fleur de lys design, 12.2cm. £150-200

96 A German or Low Countries stoneware jug, 14th/15th century, decorated with narrow ridged bands and raised on a pinched foot, and a 14th century earthenware jug with a tall narrow neck, damages, 19.5cm max. (2) £300-400

97 A large slipware dish, 18th or 19th century, the oblong form decorated with trails and dots of cream slip on a dark treacle ground, 47cm across. £250-350

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98 A massive West Country slipware charger, 19th century, decorated in cream slip with Charles II standing in the Boscobel Oak with armed soldiers standing at its foot, inscribed ‘Charles Rex’ and ‘Ye Royal Oake’, on a rich treacle ground, broken and repaired, 48cm. £300-400

99 A large Staffordshire slipware octagonal charger, probably late 19th century, the buff body decorated in manganese on a cream slip ground with a mermaid with a long curled tail, above a small rectangular panel bearing an indistinct name, around the rim inscribed ‘With a comb and a glass in her hand’ within a decorative border, cracked, some glaze loss, 41cm. £1,500-1,800

100 A slipware sgraffito charger, 19th century or earlier, with incised decoration of a statue of Diana the huntress raised on a rectangular socle flanked by trees, splashed in green, blue and yellow on a cream slip ground, 34.8cm. £150-250 Paper label verso inscribed ‘Dr Glaisher Coll, Cambridge. 17th Century Platter, Sgrafiato’.

Cf. Fitzwilliam Museum, Accession No. 2474785, for a similar dish from the Glaisher Collection.

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101 A pottery costrel or pilgrim flask, probably medieval 14th­16th century, of rounded form with light concentric circle decoration, the shoulders applied with two small pinched handles, the flared neck with an applied rim, some chipping, 22cm. £300-500 102 A large slipware puzzle jug, 2nd half 18th century, the tall neck pierced with an openwork design of triangles and rectangles beneath a rounded rim with three spouts, the whole decorated with a warm honey glaze, some restoration, 24.5cm. £150-250 103 A large earthenware jug, c.15th/16th century, the body incised with two horizontal lines, the neck with a moulded rim, the interior decorated with a treacle glaze, grooved strap handle, 31cm. £200-300

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105

104 A maiolica jug, 18th/19th century, decorated in underglaze blue with a dense foliate pattern, applied with a wide strap handle, and a slipware ewer of Islamic shape, glazed brown and finely decorated in cream slip with birds in panels reserved on a floral ground, 31cm max. (2) £150-200 105 A Hispano­Moresque winged vase, 19th/early 20th century, decorated with Arabic script panels in blue on a copper lustre formal foliate ground, a few rim chips, 25.5cm. £200-300 106 A Qajar hexagonal tile, mid 19th century, painted with a head and shoulders portrait of a girl with curly black hair, her head slightly bowed, reserved on a blue ground, 22.5cm. £100-150

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107 A large faïence model of Amitabha Buddha, 19th century, seated with hands in dhyana mudra, decorated in a flambé glaze of blue with reddish tones, with pencilled scroll decoration beneath, 33.2cm. £100-150

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108 A Dutch earthenware money box, 18th century, modelled as a stylized pig of elongated form raised on three peg feet, some chipping around the coin aperture, 24.5cm. £200-300

109 A French faïence puzzle jug, late 18th century, probably Le Croisic, decorated all over in a rich turquoise glaze with black splashes, the tall neck pierced with a stylized floral design, 19cm. £100-200

110 A Brussel faïence cabbage tureen and cover, mid 18th century, probably by Philippe Mombaer, moulded as a large brassica with detailed leaf veining, the sides applied with small yellow slugs, raised on scrolled stalk feet, some repairs, 28cm dia. (2) £200-300

111 A French (Nevers) faïence tazza, late 17th century, the circular top painted in blue with a maiden seated beneath a tree and pointing towards a traveller on the road, raised on a circular pedestal foot, a 12cm rim crack, 28cm dia. £200-300

Cf. Sotheby’s, New York, 23rd January 2020, lot 495 for a similar pair.

112 A French faïence bough pot, late 18th/early 19th century, modelled as a chest of drawers with detailing in blue, manganese and ochre, the top pierced with an arrangement of small and large holes and sponged in ochre, green and manganese, some chipping, 22.5cm across. £100-200 Provenance: a private collection in London.

113 A French faïence bough pot, 19th century, probably Strasbourg, of flared, fluted form, painted with a formal design of flower and leaf sprigs on a white ground, the top pierced with two rows of small holes around a central opening, blue 3 over M mark, some chipping, 18.5cm across. £100-200 21

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114 An Italian (Faenza) maiolica crespina by Virgiliotto Calamelli, 2nd half 16th century, painted with a central episcopal armorial of a bishop, depicting confronting lions, within a wide border of flue scrolling foliage, raised on a wide circular foot, VR and AF monograms in ochre to the underside, some damages, 26.2cm dia. £1,000-1,500

115 A Talavera or Puente del Arzobispo faïence dish, c.1660­80, from the Three Colour Family, boldly painted in blue, ochre and manganese with a profile portrait of a man wearing a large hat, the rim with large foliate sprays, a section of the rim broken and repaired, 32cm. £200-300

116 A Montelupo maiolica equestrian charger, late 17th century, painted with a soldier brandishing a sword as his horse gallops between trees, decorated in a bold palette of yellow, blue, green and manganese, cracked, 32cm. £600-800

117 A small Caltagirone maiolica albarello, late 17th century, the squat cylindrical sides painted with buildings within a shaped panel reserved within a foliate scroll border, the blue ground decorated with further foliate and floral designs, 12.8cm. £200-300

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Cf. Anthony Ray, Spanish Pottery, no.327 for a similar dish.

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118 A large Italian (probably Caltagirone) maiolica bombola, late 16th century, the generous rounded body painted predominantly in blue with the portrait of a young girl, reserved on a ground of large leaf scrolls, with pale yellow highlights, 28cm high. £2,000-3,000 Provenance: from the collection of Jasper Allison Rose (1930­2019).

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119 A pair of Spanish faïence albarelli, c.1770, Castille or Aragon, painted in blue, green and ochre with panels containing an elephant with a castle resting on its back with the letters ‘FA’ either side, the letter I beneath, some faults, 25.5cm. (2) £200-300

120 An Italian maiolica apothecary bottle, 18th century, the generous rounded body inscribed ‘Aqua Mellisse’ on a banner between bands of scrolling foliage, and a small Sicilian maiolica bombola, probably 19th century, painted with bright scrolled leaves, some chipping, 24cm max. (2) £250-350 Aqua Mellisse may relate to Aqua Melissa (a medicinal balm water) or more likely to Aqua Mellis ­ a non­medicinal perfumed water containing honey, which was sometimes referred to as the King’s Honey Water.

121 An Italian maiolica albarello, 18th century, probably Savona, of dumbbell form, titled in manganese with ‘Cons. di Antos’ between leaf swags in blue and manganese, raised on a circular foot, some glaze chipping, 18.8cm. £150-250

122 A Naples maiolica albarello, c.1740, the slender waisted form painted with St Francis receiving the stigmata, inscribed above the foot with ‘Matteo Lofreda’, rim cracks, 22.7cm. £250-350

124 An Italian Faenza faïence plate c.1780, Ferniani workshop, painted in famille verte enamels with flowering branches, a 19th century maiolica charger painted with figures leading donkeys, and a maiolica commedia dell’arte figure of Il Capitano, wearing a half mask and brandishing a sword, raised on a square base, ochre L P mark, some faults, 33.3cm max. (3) £150-250

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123 A small Castelli maiolica plate, mid 18th century, painted in a typical muted palette with distant figures conversing on islands with trees in the foreground, 16.5cm. £150-200

125 A Talavera or Puente del Arzobispo triangular salt, 18th century, with three central wells and moulded with lion masks, a Delft bottle holder painted with doré enamels, and a small faïence condiment or holy water bottle dated 1788 beneath a blue cross, some damages, 18.3cm max. (3) £100-200

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126 A large and rare Cantagalli pottery plaque, late 19th/early 20th century, finely decorated with a detail of Benozzo Gozzoli’s Angels Worshipping, the heavenly host gathered before a scene of mountains, buildings, a distant lake and tall trees, a parrot in the foreground, with gold lustre detailing, signed to the reverse with a large cockerel, 52.3cm x 35.5cm. £800-1,200

127 A German faïence tankard, dated 1789, the cylindrical form brightly enamelled with a figure in Middle Eastern dress carrying a basket of fruit, flanked by trees, the hinged pewter lid inscribed ‘J C M 1789’, the handle broken and restuck, 25cm. £100-200

128 A panel of four Continental faïence tiles, 18th/19th century, painted in blue, green, yellow and manganese, each with an eight­pointed star within foliate scroll corners, mounted in a later wooden frame, 32cm overall. £100-150

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129 A Delft or German faïence jug or ewer, c.1660­80, painted in Chinese transitional style with two Chinese figures in a garden landscape, with a hinged pewter lid, some scratching and glaze loss, 28cm. £200-300

131 A Delft bottle vase, 18th century, the octagonal form richly decorated in blue, red and gilt with a peacock and other fancy birds beside flowering branches issuing from holey rockwork, the base and neck with a formal foliate design, APK mark for Pieter Kocx, 30.5cm. £200-300

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130 A Delft ring puzzle jug, 18th century, the body formed of a flattened hollow ring painted in blue with fruiting grapevine, the tall neck pierced with a scrolling floral design, the neck with three knopped spouts, the handle formed as a serpent painted with fish, raised on a domed foot, small damages, 25.5cm. £1,000-2,000

132 A Delft jug or ewer, c.1680­1700, the ovoid body painted in a rich blue with peacocks and other birds amid flowering branches, the flared neck painted with formal foliate scrolls, mounted with a hinged pewter lid, blue 4 mark to the base, 28cm. £200-300

133 A Delft vase, c.1660­80, of baluster form raised on an octagonal foot, painted with Chinese figures at various pursuits in a garden setting, between dense flower scroll borders and bands of stiff leaves in the Chinese Transitional style, the cover lacking, some rim chipping, 22cm. £200-300

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134 A delftware spirit flask, mid 18th century, London or Bristol, of barrel shape with concentric moulded rings to each end, the middle with a single bung hole, decorated all over in a powdered blue glaze, 12.5cm. £150-250

135 A Delft tile, early 17th century, painted in shades of blue, green and ochre with a rabbit seated on its haunches beside flowering plants within a circular panel, the corners with white petal motifs, 13.5cm. £300-400

Cf. Frank Britton, English Delftware in the Bristol Collection, p.253 for three similar examples decorated in powdered manganese.

136 Two delftware tiles, c.1720­40, one Bristol and painted in blue with a figure between sponged trees, the other London and painted with a running dog, each with scroll motifs to each corner, minor faults, 13cm. (2) £200-300

137 A Liverpool delftware tile c.1750­70, decorated in polychrome enamels with a Chinese figure holding a cooking pot, reserved within a diaper cell border with chrysanthemum corner mons in blue, 12.5cm. £400-600 Cf. Anthony Ray, English Delftware Tiles, p.231, no.571 for a similar tile. A fireplace lined with these tiles can be seen at Aston Hall in Birmingham.

138 Six Delft tiles, 1st half 18th century, each painted in blue with a circular panel containing a figure holding a staff, within geometric square borders on a powdered blue ground, some damages, 13.2cm. (6) £100-150

139 Nine delftware tiles, 18th century, two painted in blue with boats at sea, a pair painted with vases of flowers with sunflower corner motifs, another with a duck on a powdered manganese ground, another with a bird perched on a branch, a pair with vases of flowers in the Fazackerly palette, the last with a polychrome flower spray, some damages, 13cm. (9) £300-500 27

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140 A German faïence lobed dish or buckelplatte c.1680, painted in underglaze blue with a simple floral design, the rim with flowerheads and tassels, and a Delft plate painted in polychrome enamels with flowering plants, some damages and restoration, 25.5cm max. (2) £100-200

141 Two Delft polychrome chargers, c.1730­40, the larger decorated with a central vase of flowers and foliage within a red scroll border and panelled rim, the other with a smaller censer of flowers within a rim decorated with five floral panels reserved on a trellis ground, damages and repairs, 35cm max. (2) £100-200

142 A pair of Delft plates, c.1700­20, of pancake form, decorated in red, green and blue with a dense floral design, 23cm. (2) £200-300

143 A pair of Delft plates, 18th/19th century, painted in blue with low huts beneath fringed trees, the rims with mountain motifs, 22.5cm. (2) £150-250

144 A pair of delftware plates, c.1760, painted in polychrome enamels with flowering plants and holey rockwork, the rims with three further flower sprays, some damages, 22.2cm. (2) £150-250

145 A rare pair of Vauxhall delftware plates, c.1720, the wells painted with stylized vases of flowers over an underglaze blue roundel within sponged manganese borders, a few small rim chips, 22.2cm. (2) £300-500

146 Two delftware plates, 18th century, Dutch or English, one painted with flowering peony beside an ornamental fence, the other with bamboo and chrysanthemum beside holey rockwork, 22.5cm max. (2) £100-200

147 Two delftware plates, mid 18th century, one octagonal and painted in blue with a putto holding a flower stem amid flowering branches, the other with a tower between sponged trees, minor damages, 22.6cm. (2) £200-300

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148 A London delftware two­handled vase, possibly dated 1716, the baluster form painted in underglaze blue with flower sprays, applied with two scroll handles and raised on a circular foot with a stylized stiff leaf design, inscribed to the underside with ‘17 / 16’ in blue enamel, 17cm. £200-300

149 A small Delft mug or tankard, c.1680, the baluster form painted in a dark blue with ducks swimming amidst reeds and other aquatic plants, a small rim chip, 12.7cm. £100-200

Cf. Woolley and Wallis, The Warner Collection of English Delftware, 17th September 2019, lot 90 for a vase of the same shape.

150 A Delft jug or tankard, c.1700­20, painted in red, green and blue with a bird perched on large flowering plants on a dense sprig ground, the rim with a stylized stiff leaf design, the pewter mount lacking, 20.8cm. £300-500

151 Two delftware bottles or guglets, c.1760, probably Liverpool, decorated in blue with bold flowering branches to the globular bodies, the tall necks with scrolled and stylized leaf bands beneath a trellis border to the upper knop, blue 17 mark to one, one neck reduced, the other chipped, 23.5cm max. (2) £500-700 Cf. John C. Austin, British Delft at Williamsburg, p.242 pl.584 for a similar example.

152 A pair of delftware bowls, c.1730­40, the deep sides painted to the exterior with large flowerheads and rhomboid panels, a single flowerhead to the interior well, some rim chipping, 16cm dia. (2) £300-500

153 A small London delftware vase, c.1700­20, the bottle­shaped body painted in underglaze blue with stylized flower sprays within small scattered sprigs, a small footrim chip, 12.2cm. £150-250

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154 An unusual delftware charger, c.1750­60, probably London, decorated to the well and rim with a cracked ice design in blue and manganese, some restoration to the rim, 30.4cm. £150-250 Provenance: the John Black Collection.

155 A large delftware charger, c.1740, Dutch or English, painted in polychrome enamels with a central basket of flowers and feathery foliage, the rim with flowering plants, 34.3cm. £200-300

156 A delftware charger, c.1700, probably Bristol, painted in blue with a two­storey building within a circular panel, within a border of arcs and crescents and a blue dash rim, raised on a low circular foot, a section broken out and restored, 33.5cm. £200-300

157 A Delft charger, c.1640, painted with blue with an arrangement of fruit featuring a large pear, the rim with a band of semi­circular mons, the underside with a buff lead glaze, an 11cm rim crack, 31cm. £150-250

158 A large delftware charger, c.1720, London or Bristol, painted with Ceres holding a tall cornucopia in one hand and a single flower in the other, flanked by flowering branches, within a wide floral panel border, some restoration to the rim, 35cm. £200-300

159 A large Delft charger, c.1740, painted in red, yellow, blue and green with two birds flanking a large vase of flowers and feathery foliage, the rim with six panels of tied scrolls on a trellis ground, a filled hole to the well, 34.3cm. £200-300

160 A Bristol delftware plate, c.1720, decorated in red, blue and green with a central panel of a figure in a boat between islands, flanked by two rows of five stylized floral panels reserved on a blue ground, blue tally mark to the underside, 22.7cm. £150-250

161 A Delft plate, c.1720, brightly painted in polychrome enamels with a bird perched upon flowering branches amidst scattered flowerheads, blue mark for the Claw (De Klauw) factory, a little rim chipping, 22.4cm. £150-250

162 A Delft charger, late 17th century, painted in blue with a windmill to the well, the wide rim with a stylized swag design, the underside with a buff lead glaze, some restoration, 30.2cm. £300-400

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163 A Bristol delftware ‘Farmhouse’ plate, c.1720­30, painted with a bold peacock in yellow, blue and red, standing between sponged manganese trees, restored, 20cm. £400-600

164 A delftware charger, c.1700, probably London, decorated in underglaze blue with a geometric leaf design around a central swirl, the rim with a band of interlocking crescents, broken and riveted, 35.5cm. £150-250 Cf. Frank Britton, English Delftware in the Bristol Collection, p.52, no.3.2.

165 A Bristol delftware ‘Farmhouse’ plate, c.1720­30, painted with a bold cockerel in yellow, blue and red, standing between sponged manganese trees, with a flock of birds in flight above, a 12cm rim crack, 22.5cm. £600-800

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166 A delftware plate, c.1720, probably London, painted with a dog or fox raised on its back legs beneath a yellow bird perched on flowering branches, the rim with a band of stylized flowerheads on a red dash ground, some rim chipping, 23cm. £200-300

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167 A delftware plate, dated 1748, possibly Bristol, painted in blue with a Long Eliza figure holding a parasol before buildings and a figure fishing from a promontory, inscribed ‘A V 1748’, 22.5cm. £400-600 Paper label for the John Black Collection.

Illustrated: Lipski and Archer, Dated English Delftware, p.120, pl.522.

168 A delftware plate, dated 1723, painted in blue with the initials RG beneath ‘IHS’ and a cross, above the date 1723, all contained in a small circle edged in ochre, a large chip to the footrim, 21.7cm. £500-800 Cf. Lipski and Archer, Dated English Delftware, p.80, no.315 for a dish with similar decoration.

169 A Bristol delftware marriage plate, dated 1770, painted in blue with figures in boats and fishing from an island before buildings and a tall tree, inscribed beneath with ‘P R M’ above the date 1770, a 9cm rim crack, 22.8cm. £400-600

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170 Two delftware plates, c.1740­50, probably Bristol, one painted in red, green and blue with a bird perched on a flowering branch, the other with trees and bushes sponged in manganese flanked by blue and red flowering plants, 22.8cm max. (2) £250-350

171 Four Lambeth delftware dishes, c.1740­50, probably William Griffith, two plates in different sizes, and two soup bowls, one with a scallop­edged rim, all painted in blue with a Chinese boy carrying a long stick with flower sprays in imitation of bianco­sopra­bianco, some damages, 30.3cm max. (4) £150-200 Cf. Michael Archer, Delftware, p.146 for a discussion of this type of decoration, sherds of which have been excavated in Lambeth.

Provenance: the smaller plate and scallop­edged bowl formerly in the collection of F H Garner.

172 Three Delft plates or chargers, 18th century, one painted with a central vase of flowers and feathers, another with flowering plants and holey rockwork, the last a small pancake­shape dish painted in blue and black with flowering plants beside a fence, some damages, 34.3cm max. (3) £150-250

173 A German faïence jug or tankard, 18th century, painted in the Chinese Transitional style with figures seated in a mountain landscape, a Delft baluster vase painted with birds flanking a basket, and a Delft polychrome cylindrical tankard painted with a bold floral design, some damages, 21cm max. (3) £200-300

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175 174 Three delftware plates, 18th century, Dutch and English, the smallest painted with an apple branch, another painted with stylized flower sprays in blue, green and yellow, the last with bamboo and flowering peony in green and manganese, some damages, 23cm max. (3) £200-300 175 A delftware plate, mid 18th century, simply decorated in red, green and blue with a stylized flower spray within a continuous lappet border, a Delft plate with a central insect between flowering branches, and a creamware plate painted with a yellow bird in a sponged tree, some wear, 24cm max. (3) £150-250

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176 Six delftware plates or dishes, c.1710­60, one Bristol and inscribed ‘S W A’ to the other side, a small Lambeth dish painted with a small hut and trees, a plate of primitive shape and painted with figures in an island landscape within a panelled border, another with a similar Chinese landscape in blue, one with a polychrome basket of flowers and feathered foliage, the last painted in red, green and blue with feathery foliage and floral motifs, some faults, 23.3cm max. (6) £100-200

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177 A delftware plate, mid 18th century, Liverpool or Bristol, decorated in the manner of Rouen faïence with a delicate basket of flowers, the shaped rim with trellis panels, foliate scrolls and leafy swags in polychrome enamels, blue + M mark to the underside, 25cm. £250-350

178 A Delft or German faïence lobed dish or buckelplatte c.1650­80, the octagonal well painted in blue with a village scene of buildings and trees, the lobed rim with alternating floral panels, cracked and riveted, 31.5cm. £300-500

Cf. Michael Archer, Delftware, p.183, pl.140 for a similar example.

179 A rare Vauxhall delftware plate, c.1720, painted to the well with a circular trellis panel surrounded by stylized flower sprigs and flying insects in blue, green, red and yellow, a little glaze chipping, 22.5cm. £250-350

180 A delftware plate, mid 18th century, Liverpool or Bristol, decorated in the manner of Rouen faïence with a delicate basket of flowers, the shaped rim with trellis panels, foliate scrolls and leafy swags in blue, red and green, 24.5cm. £200-300 Cf. Michael Archer, Delftware, p.183, pl.140 for a similar example.

181 A rare Glasgow delftware plate, c.1760, painted in blue with a boat at sail before a small building, the rim with leaves and grapes, 23.5cm. £100-200 Cf. Michael Archer, Delftware, p.223, no. B258 for a similar example.

182 A Delft plate, c.1720, of pancake form, brightly painted in polychrome enamels with two birds flanking a large vase of flowers, the rim with panels of stylized tied scrolls on a trellis ground, blue painter’s mark to the base, 22.8cm. £200-300

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183 A Liverpool delftware charger, c.1760, painted with two European travellers seated beneath flowering branches and gesticulating towards a long­necked bird perched on a bare branch, the rim with pencilled flower sprigs, broken and restored, 30.1cm dia. £100-200 Provenance: the John Black Collection. Paper label verso inscribed ‘Sold at Cheffins 15/11/08 £1240­00’.

184 A delftware plate, c.1730­50, painted in blue with a strutting bird reaching up to a tall millet spray, a zigzag fence behind it with flowering plants, 34.2cm. £200-300

185 A delftware deep dish, c.1760, probably Bristol, the circular form with deep rounded sides, painted in blue with a European figure carrying a basket in a garden setting beneath a tall tree, some rim chipping, 26.8cm. £300-400

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186 A rare English delftware King of Prussia plate, c.1757­60, painted in blue with a head and shoulders portrait of Frederick II of Prussia between the letters KP, 22cm. £1,000-1,500 Cf. Leslie B Grigsby, The Longridge Collection, Vol. II, D56 for a similar King of Prussia plate. Also this saleroom, 17th June 2020, lot 124 for a near identical example.

187 A rare Liverpool delftware ship bowl, c.1750­60, finely painted to the interior with a three­masted British frigate showing sixteen cannon in two rows, the exterior with a Chinese pagoda landscape, 23.3cm dia. £800-1,200 The majority of ships depicted on delftware relate to trading and a warship of this type is unusual.

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188 A small London delftware plate, c.1730­40, painted in blue with a central spray of peony, the rim with three further sprays, 16.3cm. £100-150

189 A delftware plate, mid 18th century, decorated in a deep blue with an exotic bird perched atop of rocks before flowering plants and an ornamental fence, blue numeral mark to the underside, 33cm. £200-300

190 An Irish (Dublin) delftware saucer dish, c.1750, the well painted in a deep blue with flowering chrysanthemum branches issuing from a censer, the curved rim with tied scrolls and other auspicious objects, numeral 12 mark to the base, 19.8cm. £120-180

191 A delftware plate, c.1740, probably London, painted in iron red with a hexagonal panel containing flowering branches and an ornamental fence, the rim with small floral panels reserved on a powdered manganese ground, 22.2cm. £200-300

192 A delftware plate, c.1740­50, simply decorated in green, blue, yellow, red and manganese with a stylized flower spray to the well, the rim with four small flowerbud sprigs, 22.8cm. £150-250

193 A delftware plate or charger, c.1750, probably Bristol, boldly decorated with a central six­lobed flowerhead with alternating panels of flower stems and trellis, issuing large flowering branches, some rim chipping, 34cm. £300-500

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194 A delftware plate or charger, c.1750­60, decorated in polychrome enamels with a figure crossing a bridge to a hut on an island, a further figure in a boat to the foreground, further islands and mountains beyond, blue leaf mark, broken and riveted, 33.3cm. £300-500

195 A good delftware plate, c.1760, painted in underglaze blue with a Chinese lady seated in an interior beside a latticed window and flowering plants, within a hatched border, 21.8cm. £150-250

196 A delftware sweetmeat or hors d’oeuvres dish, c.1740­60, probably Liverpool, formed of three shallow compartments, each painted with a floral arrangement within a diaper border linked by flowerhead mons, 17.2cm. £200-300

197 An English delftware clock dial, c.1780, painted in manganese with Roman numeral hours, pierced or drilled with several circular holes to the centre, 22cm. £200-300

Paper label for the Gautier Collection, and a further label inscribed ‘Dear Mr & Mrs Griffiths, Just a bit to add to your collection, from Young Fred, Dec. 1954’.

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198 A small delftware flower brick, c.1750, the rectangular form painted to one side with a figure walking a dog before a half­timbered house and other buildings, the reverse with a tree before houses, the short sides with a figure in a small boat, the recessed top set with three rows of three holes flanking a cross­shaped opening, a little restoration, 11.7cm. £200-300

199 A delftware flower brick, c.1740, the rectangular form painted to the longer sides with a figure in a boat before a windmill and a low hut, the shorter sides with flower sprays, the top pierced with three rows of small holes around a central aperture, some restoration, 16.2cm across. £300-500

200 A large delftware flower brick, c.1750­60, probably Bristol, simply painted in blue with sprays of peony and other flowers, with a shaped foot, the top set with 22 holes around a central aperture, 16cm. £200-300

201 A delftware flower brick, c.1730­40, the large rectangular form painted in blue and manganese with Chinese figures in a garden landscape, the top with 26 small holes in rows around a central opening, some damages, 16cm. £300-500

202 A large delftware flower brick, c.1750­60, one long side painted with a pagoda landscape, the reverse with flowering peony, bamboo and rockwork, one short side with a Chinese figure before a fence, the other with a figure crossing a bridge, the recessed top painted with flowering plants around the arrangement of holes, some faults, 18.3cm. £300-500

203 A delftware flower brick, c.1750­60, each long side painted in blue with large low huts beneath trees, the short sides with two figures in a small boat, the recessed top set with 22 small holes around a cross­shaped opening, some chipping, 13.3cm. £150-250

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204 A delftware flower brick, c.1750­60, painted with towers and other buildings to the long sides, the short sides with a figure punting two others in a small boat, the recessed top painted blue and set with 24 small holes around a central square opening, a little chipping, 13.4cm. £200-300 Paper label for the W L Little Collection, no. 94.

205 Two small delftware flower bricks, c.1740­50, both decorated in blue with loose flowering plants, the larger seeming to include a daffodil or narcissus, each recessed top set with rows of small holes around a central circular or rectangular opening, some damages, 12.3cm max. (2) £250-350

206 A pair of delftware flower bricks, c.1740, of small rectangular form, each painted in blue with flowering branches issuing from vases, the recessed tops set with three lines of three holes flanking a central opening, some restoration, 13.6cm. (2) £300-500

207 Two large delftware flower bricks, c.1740­60, one painted in a bright blue with a formal design of flowering branches echoed to the top set with 12 small holes around a square opening, the other decorated in a deeper blue with an allover floral design, the top set with 21 small holes arranged in rows of three, minor chipping, 15.5cm max. (2) £400-600

208 Two large delftware flower bricks, c.1730­50, Dutch or English, one painted with a Chinese lady beside a large sun or star, the reverse with a bowl of feathery foliage, each short side with a large bird, the other painted with flowering plants issuing from behind a banded hedge, each recessed top set with a series of small holes, one heavily damaged and repaired, 16cm max. (2) £200-300

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209 A pair of Delft models of cows, 18th/19th century, each standing on a rectangular base with head slightly turned, their coats richly decorated in polychrome enamels with bold floral and cornucopia designs, red APK monogram marks after Pieter Kocx, minor restoration to three horns, 23cm across. (2) £200-300

210 A pair of Delft cows, 18th/19th century, each standing four square on a rectangular base with head slightly turned, being milked by a seated milkmaid and boy, decorated in cold enamels with floral patterns to their backs, some restoration and enamel loss, 22.5cm across. (2) £200-300

211 A pair of Delft cows, probably 19th century, each standing four square on a shaped base with head slightly turned, their bodies richly decorated with formal floral designs in red, yellow, green, blue and manganese, red APK marks after Pieter Kocx, restoration to horns and ears, 24cm across. (2) £300-500

212 Two pairs of Delft horses, mid 18th century, the small pair modelled jumping over fences, saddled and applied with rosettes, the second pair recumbent with one foreleg extended, a large Delft horse with right foreleg raised and ears pricked, all cold­painted in polychrome enamels, and a faïence model of a horse standing beside a spill vase, damages and restoration, the cold enamels flaked, 19.5cm max. (6) £600-800

213 Three pearlware cow creamers and covers, 19th century, one Pratt ware and sponged ion blue and ochre, a calf recumbent beneath her, another decorated in pink lustre, the last with orange­red splashes and standing on a grassy base, some damages and repairs, 18.5cm max. (6) £200-300

214 A pair of Yorkshire pearlware sheep, c.1800, recumbent and modelled with heads slightly turned, raised on grassy bases, with ochre detailing, a little restoration to one, 14.5cm. (2) £200-300

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215 A small Staffordshire pearlware figure of a leopard, c.1800, modelled in an active pose with right forepaw raised, head turned and teeth bared, his coat decorated with black markings, raised on a low scrolled base, repairs to his tail, right paw and ears, 6.3cm across. £200-300 This model is based on one produced at the Derby porcelain factory.

Paper label for Frances L. Dickson.

216 A large French faïence figure of a lion, late 19th/early 20th century, perhaps Rouen, seated with head turned slightly to the right, decorated in blue and ochre, raised on a rectangular pad base, 72.4cm. £300-500 Provenance: Christie’s, 5th November 2015, lot 216. Property from a distinguished German collector.

217 A John Walton (Staffordshire) figure of the English lion, c.1820, crowned and with his head turned to the right, his left paw resting atop a yellow ball, seated before flowering bocage and raised on a grassy base, applied WALTON banner to the reverse, a chip to the base, losses to the bocage, 15cm high. £300-500 Cf. Myrna Schkolne, People, Pastimes and Pleasures, p.163 for an identical figure with its pair, the Unicorn.

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218 A pearlware ‘capuchine pigeon’ tureen and cover, late 18th/early 19th century, after Derby, seated on a straw­like nest, its plumage picked out in a purplish grey, a little restoration, 17cm across. (2) £100-200

219 A pearlware spill vase, 1st half 19th century, modelled as a family of sheep with a ewe, ram and four lambs recumbent beneath a large hollow tree trunk, minor damages, 15.5cm. £100-200

Derby produced similar tureens of this old fancy breed from the 1760s.

220 Two Staffordshire porcelain figures of a Jewish Pedlar and Mother Goose, 2nd half 19th century, the pedlar with right hand outstretched, wearing a long brown coat, Mother Goose wearing a conical hat and pink cape and standing beside a large goose, raised on low scrolled bases, minor damages and restorations, 17cm. (2) £100-200

221 A pair of Staffordshire porcelain figures of children, 19th century, possibly Rockingham, each carrying a basket of flowers on top of their head and holding a further basket in one hand, raised on a circular base with gilt lines, 14.2cm. (2) £80-120

222 A large group of Staffordshire figures, 19th century, including two treacle­glazed busts of a wigged gentleman on a shaped socle, two Season figures, a large figure of Faith, and three Pratt ware figures, damages and restoration, 25cm max. (15) £150-250

223 Five Staffordshire figures, early 19th century, depicting Neptune, Venus, Faith and Hope, the last draped in a long robe and standing beside a bowl of fire, possibly emblematic of Winter, each raised on a square base with brown line detail, some damages and repairs, 23.6cm max. (5) £200-300

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224 A Ralph Wood figure of Old Age, late 18th/early 19th century, modelled as an old man resting on a crutch with shoulders hunched, decorated in a muted palette of manganese, yellow, green and pale brown, raised on a square base, 22.3cm. £200-300

225 A Pratt ware figure of a young boy, c.1800­10, standing with arms folded and leaning against a branch on which perches an owl, raised on a square base with stiff leaf design, picked out in green, ochre, umber and manganese, a break at the top of the stump behind his head, 25.2cm. £200-300

227 A Ralph Wood pearlware model of George and the Dragon, c.1780­ 90, St George on horseback and pushing his metal spear into the mouth of the dragon, coloured in a muted palette of green, pale yellow, blue and brown, minor faults, 29.5cm high. £600-800

226 An American Sailor Toby jug, c.1820, wearing a blue uniform with yellow buttons and seated on a sea chest inscribed with the word ‘Dollars’, holding a foaming jug of ale titled ‘Success to our Wooden Walls’, some restoration to his hat and pipe, 25.5cm. £150-250

228 A ‘Village Idiot’ toby jug, c.1800, modelled in typical fashion with a foaming jug of ale on one knee, wearing a blue coat over brown breeches and a patterned waistcoat, his face with a gormless expression, restoration to his hat, 20.7cm. £250-350

Cf. Pat Halfpenny, English Earthenware Figures, p.75 for a similar model.

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229 A large pair of Continental Majolica sweetmeat figures, 19th century, each modelled as a standing blackamoor wearing Eastern dress and supporting a basket on their head, the baskets detachable, 40.2cm. (4) £200-300

230 A Copeland Parian figure of The Bride, c.1861, modelled by Raphaelle Monti for the Crystal Palace Art Union, a diaphanous veil clinging to the contours of her face and held in place by a floral diadem, raised on a circular socle, incised and impressed marks, a small chip to one corner, 36.5cm. Together with a scrapbook of other veiled sculptures and figures, assembled in the 1960s. (2) £800-1,200 Cf. Richard Dennis, The Parian Phenomenon, fig.

586.

229

230

231 A pair of large glazed stoneware ewers, 19th century, probably French, after a design by Clodion, moulded with Bacchanalian scenes beneath a large horned mythical mask, the handles formed of two entwining snakes biting the rim, all raised on low socles above square bases, 44cm. (2) £300-400

232 An unusual Niderviller faïence supper set, 18th or 19th century, finely painted in puce monochrome with panels of figures in rural landscapes and harbour scenes reserved within bright yellow borders, crowned interlaced C marks in blue, some restoration, 19.9cm (single dish). (7) £300-400 Provenance: a private collection in Sussex.

233 A George Jones Majolica mackerel tureen and cover, 19th century, the top decorated with a long fish resting on a ground of reeds and ferns, the base formed as woven basketwork, faint impressed mark, 40cm. (2) £200-300

232 231

234 A rare Wedgwood cane ware miniature tea service, late 18th/early 19th century, modelled after the Chinese as vertically banded bamboo, impressed marks. Comprising: a cylindrical teapot and cover, a teapot and cover with overhead handle, two teabowls, two coffee cups and two saucers. (10) £800-1,200

233

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235 A Wedgwood Jasperware jardinière or wine cooler and stand, early 19th century, applied with swags of fruiting grapevine issuing from lion masks, the stand with a band of formal palmettes, impressed mark and commas, minor faults, 36.5cm overall. (2) £150-250

236 A Turner dry­bodied stoneware jug, c.1800, moulded in high relief with The Archery Lesson, a young girl taking aim at a target while a couple stand behind her, impressed mark, a rim chip, 19.5cm. £100-200

238 A Westerwald stoneware tankard, 18th century, the cylindrical form applied and incised with a formal floral design in grey on a washed blue ground, with a hinged pewter cover, a chip to the footrim, 18.8cm. £100-150

239 A Westerwald stoneware tankard, dated 1786, the tall hexagonal form incised with flowering tendrils alternating with trellis panels in blue, beneath the handle incised ‘1786 TG’, the hinged pewter lid with the initials ‘PG’, 23cm. £150-250

Provenance: a private collection in Sussex.

237 A large brown stoneware commemorative jug, c.1837­50, applied with portraits of Queen Victoria and her mother, the Duchess of Kent, within scrolled panels, beneath the spout with a swan among bulrushes, the rim with sprigs of rose and thistle, with a removable metal cover with hinged spout, 31cm. £100-200

240 A Westerwald stoneware tankard, 18th century, the cylindrical form incised and decorated in blue with a wide foliate band between vertical incised bands, the hinged pewter lid dated ‘1785’ beneath the initials ‘CS’, 20.5cm. £100-200

241 A Wedgwood Jasperware coffee can, late 18th/early 19th century, the cylindrical form applied with scenes of children and putti on a blue ground, and a saucer applied with a continuous band of formal acanthus leaves, impressed marks, 12.1cm max. (2) £100-150

242 A brown stoneware preserve jar, 19th century, the cylindrical form with a mottled salt glaze, impressed ‘I C Hoffmann’ above ‘Red Currant Jelly’, 14cm. £50-80

241

242

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243 Three Whieldon creamware plates, c.1760, one octagonal, two moulded with panels of diaper and basketweave to the rims, variously decorated with splashes of green and ochre on washed manganese and grey grounds, 24cm max. (3) £150-250

244 Three Pratt ware plates, late 18th/early 19th century, two decorated with stylized flower sprays, the other with a peahen amid sponged green branches, all within blue feathered rims, 20.7cm. (3) £100-200

Provenance: a private collection in Sussex.

245 Three Dutch­decorated creamware plates, 2nd half 18th century, one painted with Jacob sacrificing Isaac, one from a series of plates and numbered 3, dated 1785 beneath a Dutch inscription, the last with a lion holding a scimitar and arrows beside a Classical maiden, the rim with Dutch inscriptions, some damages, 24.7cm max. (3) £100-200

246 Three Pratt ware jugs, c.1800­10, two moulded in relief with panels of children squabbling and playing quietly, another titled ‘Peace and Plenty’ and modelled with Classical maidens holding olive branches and a cornucopia, and a pearlware jug moulded with Lord Wellington and General Hill in military costume, damages, 19.2cm max. (4) £80-120

247 Six creamware and pearlware mugs, 1st half 19th century, the largest printed with a farming scene and a God Speed the Plough stanza, another with courting haymakers and titled ‘Summer’, another with the Landlord’s Caution, a pearlware mug with suspended floral garlands, another inscribed for ‘Bright Waltham Sunday School 1858’, the last moulded with birds and puppies, some damages, 14.8cm max. (6) £100-200

248 Four pearlware lustre jugs, 1st half 19th century, the rounded bodies variously decorated in relief with birds, flower sprays, grapevine and scattered sprigs on a silver lustre ground, some faults, 14cm max. (4) £150-250

249 A Jackfield teapot and cover, mid 18th century, raised on three feet and decorated in a rich black glaze, a pearlware figure of a stag, standing with head turned over its back, and a pearlware mug with chequered decoration in blue, umber and manganese, some damages, 19.5cm max. (4) £100-200

250 Five pearlware jugs, 19th century, the largest painted with loose sprays of polychrome flowers, another with a spray of fruit including strawberries and a pear, another printed and coloured in Pratt colours with Britannia, another with a four line love stanza reserved on a splashed purple lustre ground, the last printed in purple with watery landscapes, some damages and restoration, 21cm max. (5) £100-200

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Provenance: from a private collection in Dorset.

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251 A brown stoneware spirit flask, dated 1808, incised to one end with the initials ‘EM’ above the date 1808, and a pearlware Bacchus jug, formed as a bearded mask with a further mask of a toper forming the spout, brightly enamelled, 24.3cm max. (2) £150-250

252 A rare pearlware Napoleonic jug, c.1813, printed and hand­coloured with the ‘Cossack Mode of Attack’, the mounted Russian charging at two Frenchmen, the neck with a stylized foliate band in red and black, some wear, 15cm. £80-120

253 A miniature creamware teapot and cover of Whieldon type, c.1760, the small globular body decorated in a mottled manganese glaze, the cover chipped and possibly matched, 10.5cm across. (2) £100-150

254 A Pratt ware ‘Parson, Clerk and Sexton’ jug, early 19th century, moulded in relief with the three titled characters drinking and smoking in a garden setting, between corn ear borders, decorated in a typical palette of blue, green, ochre and umber, some restoration, 20cm. £100-150

255 A creamware condiment stand or cruet, c.1800, formed as a circular comport with pierced galleried rim, set with a pepper shaker, sugar sifter, oil and vinegar bottles and a mustard jar, titled in black within red scroll borders, three covers replacements, 25.5cm overall. (9) £100-200

256 A Dutch­decorated creamware plate, c.1767­75, painted with profile portraits of William V of Orange and Wilhelmina of Prussia facing each other beneath a small orange tree, inscribed in Dutch, small rim faults, 24.5cm. £100-200

257 A pair of Pratt ware quintals, early 19th century, each formed of five splayed narrow vases issuing from waisted rectangular bases, painted with stylized flower sprays to each side, 17.5cm high. (2) £150-250

258 A pottery char dish, 19th century, of shallow cylindrical form, printed and hand­ coloured to the exterior with four fish, some wear, 16.5cm dia. £100-200

259 A pearlware farming or harvest jug, dated 1798, painted to one side with a shield containing various farming implements, the reverse with a tree in the foreground of an English landscape with a windmill and other buildings beyond, inscribed beneath the spout with ‘R Arnold 1798’, the rim with a colourful geometric band, some chipping to the spout, 20.3cm. £500-700

Provenance: a private collection from Dorset.

Char fish (a member of the trout family) are found in deep cold water, and in the UK are found primarily in Lake Windermere. Potted char was spiced and covered with clarified butter, and was a favoured delicacy of the royal court during the 18th century.

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260 A large creamware jug, c.1800, painted in sepia, to one side with an anchor within a floral garland above the Isle of Man triskelion encircled by ‘Quocunque ieceris stabit’, the other side with a lion attitude within a shield beneath a stag crest and the motto ‘Will God and I Shall’, beneath the spout inscribed ‘EEK’ within a circular flower border, hairline cracks, a little restoration, 36.2cm. £800-1,200

261 A large creamware jug of shipping interest, c.1800, printed in black, possibly by John Sadler of Liverpool, and hand­coloured with a British sailing ship, inscribed ‘Success to the William & Jane, John Roberts’, the reverse with the figure of Hope resting on a large anchor and looking out to sea, 24cm. £200-300

262 A large creamware jug of Masonic interest, c.1800, printed in black with the Masons’ Arms to one side, beneath the spout with a set square and compasses, the reverse with further Masonic symbols amid bold foliate scrollwork, a restored crack, 18.3cm. £100-200 Provenance: a private collection in London.

The motto may relate to the Ashburnham family of West Sussex, who were linked by marriage to the Stanley family on the Isle of Man.

263 A rare pair of Staffordshire creamware plates, mid 18th century, the scalloped rims moulded with swags of fruit and flowers including pear and plum, all reserved on an oeil de perdix ground and glazed a rich green, some rim faults, 22cm. (2) £500-700

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264 Two creamware plates of Whieldon type, c.1760, of silver­shape, one moulded to the rim with differing diaper designs, splashed with green on a manganese ground, the other with a sponged manganese glaze, a repair to one rim, 23.2cm max. (2) £150-200

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265 A large Staffordshire pearlware jug, 19th century, painted with a Georgian country house within a black rail fence, a folly and church building within parkland and figures on a red dirt track, inscribed for ‘Edward Richardson’, the handle broken and riveted, 24.2cm. £150-250

266 A large salt­glazed stoneware coffee pot and cover, c.1750, the tapering conical form brightly enamelled with a colourful bird perched on turquoise rockwork, the reverse with flowering plants, the long spout formed as a serpent, a little restoration to the spout, 22cm. (2) £1,500-2,000

267 A salt­glazed stoneware coffee pot and cover, c.1750, the tapering conical form painted in bright polychrome enamels, one side with a Chinese lady seated on a chair and entertaining a small child, the reverse with a Chinese man carrying small panniers on a yoke, beside flowering plants, the spout moulded with C scrolls, some restoration, 16.5cm. (2) £800-1,000

268 An unusual Staffordshire salt­glazed stoneware teapot and cover, c.1740­45, the heart or shield shape moulded with a fruiting grapevine design, the spout moulded as a serpent with moulded shell motifs, minor damage to the end of the spout, 17cm across. (2) £1,200-1,500

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269 A Staffordshire salt­glazed stoneware ‘house’ teapot and cover, c.1740, the rectangular body moulded to each side with a three storey town house, one side with a coat of arms above a closed door, the reverse with a lion rampant above a fleur de lys and a figure standing in an open doorway, the handle formed as a serpent, some restoration, 17.7cm across.

(2) £400-600 Paper label for the David Cochrane Collection.

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270 A Staffordshire salt­glazed stoneware teapot and cover, c.1760, the globular body painted with a rosebud and further polychrome flower sprays reserved on an unusual black caillouté ground, with crabstock spout, handle and finial, minor damages and restoration, 18.5cm across. (2) £600-800

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271 A Staffordshire salt­glazed small dish or tray, c.1750, moulded with a Chinese figure standing before a pagoda, the shaped rim with a variety of flowering plants and a further figure trapping a large bird, decorated with polychrome enamels, a section broken out and restuck, 11.7cm. £200-300 Cf. Arnold R. Mountford, The Illustrated Guide to Staffordshire Salt­Glazed Stoneware, no.132 for a similar example left in the white.

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272 A miniature salt­glazed stoneware coffee pot and cover, c.1750­60, the baluster form painted with polychrome flower sprays, 8.5cm. (2) £600-800

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273 A documentary creamware jug and accompanying mug, dated 1790, the jug printed in black with scenes of Faith and Charity within oval panels above four line stanzas, inscribed beneath the spout for ‘John Lerway 1790’, the tall cylindrical mug printed with Hope resting on an anchor, inscribed ‘Ann Lerway 1790’, together with a framed watercolour of the arms of Lerway, some damages, the jug 19.5cm. (3) £150-250

274 A good Naples (Giustiniani) creamware rhyton or stirrup cup, 19th century, formed as a goat or ram’s head, the flared rim painted in the Egyptian Revival manner with figures in black and red on a white ground, 19.5cm. £300-500

Provenance: a private collection in Sussex.

The surname of Lerway appears to have a tradition in the Somerset area.

275 Sixteen creamware plates, late 18th/early 19th century, including Wedgwood and Davenport, variously decorated with borders of oak leaves, ribbon, husks, corn ears and formal leaf designs, and a Wedgwood sauce tureen and cover with a gilt husk border, 25.2cm max. (18) £100-200

276 Fourteen pearlware nursery or toy plates, 19th century, variously printed with figures, animals, birds and mottoes within moulded and painted borders, 20.6cm max. (14) £100-200

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277 Six pearlware jugs, 19th century, two printed in yellow on a brown ground, one with a hunting scene, the other with the initials ‘EE’ within a pagoda landscape, another printed in black with figures in parkland on a canary yellow ground, another with floral sprays in blue reserve on a silver lustre ground, another with panels of sheep on a yellow ground flanked by copper lustre bands, the last in all­over silver lustre, some damages and restoration, 17cm max. (6) £150-250

278 Five spongeware plates and a bowl, 19th century, including a small pair of plates with flower baskets, two larger plates with sponged borders and painted geometric designs, the bowl with three continuous floral bands, some damages, 23.8cm max. (6) £120-180

Provenance: from a private collection in Dorset.

279 Three large Scottish or Welsh spongeware dishes and two small plates, 19th century, variously decorated in Portobello type colours with formal flower arrangements within sponged and painted pattern borders, 28.5cm max. (5) £150-250

280 Six spongeware plates and dishes, 19th/20th century, including a small oval pie dish with a stylized floral design in blue, a pair of plates with a formal floral pattern, and three shallow bowls with geometric bands in shades of blue, green, puce and ochre, some faults, 26.5cm max. (6) £150-250

281 Seven spongeware bowls, 19th/20th century, variously decorated in shades of red, blue and green with stylized flower sprays and borders within sponged bands and formal designs, some damages, 18cm max dia. (7) £200-300

282 Six pearlware plates, 19th century, printed in underglaze blue then hand­coloured in the Imari palette with bamboo and peony before a zig­ zag fence, within elaborate foliate borders, some damages, 20.6cm. (6) £100-200

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283 A pair of C J Mason’s Ironstone vases and covers, c.1820­30, finely decorated with colourful peacocks perched among the branches of flowering peony trees in gilt on a dark blue ground, the handles formed as interlocking kylins and snakes, 51.5cm. (4) £400-600

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284 A Spode blue and white transferware soup tureen with cover and stand, 19th century, printed with the Lucano Bridge pattern, figures and cattle crossing an arched bridge before a tower, within a wide leaf border, printed marks, 42cm. (3) £100-200 Cf. The Bridge of Lucano by James Merigot, published in 1798 in A Select Collection of Views and Ruins in Rome and Its Vicinity ­ Executed from Drawings Made Upon the Spot in the Year 1791 for the source print.

286 Six blue and white transferware plates, 19th century, including Don Pottery with a view of the Obelisk at Catania, J & W Ridgway with a view of Christ Church, Oxford, a view of Lambton Hall, Durham, and a plate with a bird feeding her chicks, together with a Rogers charger with a Middle Eastern scene, and a strainer dish with a European landscape, 32cm max. (8) £80-120

285 Five blue and white transferware meat plates or chargers, 19th century, one Rogers and printed with an English river landscape, one Elkin, Knight & Co and printed with a view of Fonthill from the Irish Scenery series, the others with varying figures in bucolic English landscapes, 51cm max. (5) £150-250

287 Eleven blue and white transferware plates, 1st half 19th century, one John Rogers & Son with a view of Monopteros from the Indian Views series, the others including Wedgwood and Clews, variously decorated with Eastern and European scenes of figures and landscapes, three soup plates with British village scenes including a windmill and water wheel, 26cm max. (11) £100-200

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THE COLLECTION OF ROBERT COPELAND (1925-2010)

288 A Spode blue and white transferware meat dish from the Indian Sporting Series, 1st half 19th century, printed with ‘Driving a bear out of the sugar canes’, a bear being chased by dogs and figures on foot, horseback and on an elephant, beneath tall palm trees and amid rocks, moulded with draining channels and a well, 41.5cm. £150-250 Provenance: Robert Copeland (1925­2010) and thence by descent.

290 Three Spode stone china plates, 19th century, decorated in underglaze blue after the Chinese with flowers and landscapes, two Chinese plates painted with a pagoda landscape and the Jumping Boy pattern, a Spode cup and a Chinese coffee cup decorated with a hut beneath trees, a Copeland porcelain can printed with the Persian bird pattern and a Chinese porcelain salt, some faults, 24.3cm. (9) £100-200 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

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289 A Spode blue and white transferware cheese cradle, c.1820, printed in the Rome or Tiber pattern with the Castle and Bridge of St Angelo, printed mark, 30.5cm. £200-300 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010).

This pattern was inspired by two views taken from engravings found in Views of Rome and its Vicinity published by J. Merigot and R. Edwards, London, 1796­98.

291 A Copeland and Garrett part dinner service, c.1840, printed in green with various scenes from Aesop’s Fables, within a wide floral border.

Comprising: a sauce tureen with cover, ladle and stand, a large bowl and ladle, two platters, three shaped dishes, a soup plate and two plates. (13) £200-300 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

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292 A Spode Stone China coffee pot and cover and an egg cruet, 19th century, decorated in the Imari palette with pattern 2061, with bamboo and flowering branches, the egg cruet set with six egg cups, printed and impressed marks, some faults, 28cm max. (9) £150-200 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

Exhibited: The Spode Bicentenary Exhibition, Royal Academy, 1970 ­ the coffee pot.

294 Five Spode stone china plates and a soup plate, c.1815, decorated after the Chinese with two ladies in a garden setting, the shaped rims with an elaborate blue border of diaper, cloud scrolls and auspicious objects, with a Chinese porcelain salt in the same design, 22.7cm max. (7) £200-300 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

293 A Spode pearlware pot pourri vase and cover, c.1820, with a coffee can and two saucers, all richly decorated in the ‘Peony 2’ pattern with flowering peony branches detailed in pink, green and yellow enamel on a blue ground, the pot pourri vase raised on three dolphin supports above a shaped base, some faults, 17.2cm max. (5) £100-200 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

295 Two Spode stone china plates, 2nd half 19th century, one armorial within a printed Fitzhugh border, another printed in blue with a basket of flowers, together with a Chinese soup bowl painted in the same pattern, a small Copeland and Garrett transferware plate printed with Aesop’s Fable of the Fox and the Tiger, and a Spode pearlware plate decorated in pattern 2383 with Oriental flowers, the Chinese plate broken and riveted, 23.5cm max.

(5) £100-150 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

296 Three Spode plates of Oriental design, 19th century, one stone china and decorated with the Ship pattern of a mother and child in an island landscape, a Felspar porcelain plate printed and hand­coloured with Chinese figures, and another decorated with confronting dragons chasing flaming pearls among cloud scrolls, 24.5cm max. (3) £80-120

297 Four various cups and saucers and two plates, most 19th century, two cups Spode, one Copeland, the last Royal Crown Derby, all decorated in the Oriental manner with Imari designs of flowers and foliage, two similarly decorated Spode plates, and an Imari teabowl and saucer, 24.8cm max. (12) £100-150

Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

Provenance: Robert Copeland (1925­2010). Some pieces formerly in the collection of Alfred Gresham Copeland.

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298 A rare pair of Spode stone china vases, c.1820, the globular bodies painted in the Kakiemon manner with exotic birds standing beside ornamental fences and flowering branches, the tall necks with further long­ tailed birds in flight, each vase applied with two tall serpent handles, some damages and repairs, 30.2cm. (2) £300-500 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

Exhibited: Spode Bicentenary Exhibition, Royal Academy, 1970 and Northern Ceramic Society, Hanley Museum, 1989.

Cf. Victoria and Albert Museum, Accession No. 379­1899 for a similar vase gifted in memory of Josiah Spode.

299 An extensive Copeland Spode Fine Stone china armorial dinner and tea service, 1st half 20th century, simply decorated with the Copeland family crest in green and gilt within narrow borders. Comprising: six oblong dishes in four sizes, two tureens and covers, two square dishes, 15 dinner plates, 13 soup plates, eight two­handled cups with 11 circular stands, two sauceboats, 38 plates in three sizes, a coffee pot and cover, a sucrier and cover, a cream jug, a milk jug, 11 cups, 11 saucers, 11 large saucers, and two shaped dishes, two oblong dishes and eight plates from an earlier Copeland bone china armorial service. (150) £300-500 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­ 2010), and thence by descent. (part)

300 A Copeland and Garrett part dessert service, c.1835, painted to the wells in pattern 6506 with topographical views of British landscapes, titled beneath including Chepstow Castle, Pye Mill and Pont­Y­Pair, within cream borders moulded with flower sprays. Comprising: an oval comport and six plates. (7) £100-200 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

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301 A Copeland plate from the wedding service of Albert Edward Prince of Wales, c.1863, of ‘Festoon Embossed’ shape, the rim painted by Charles Ferdinand Hürten with four panels of fruit and flowers, the well with monogrammed initials for Edward and Alexandra, and a Copeland commemorative plate painted with the arms of the Prince of Wales and the City of London within a pierced and elaborately gilded rim, printed marks, the wedding plate broken and riveted, 22.7cm max. (2) £150-250 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

The first service was ordered by the Prince of Wales to celebrate his marriage to Princess Alexandra of Denmark in 1863. The second service was produced shortly afterward to commemorate his being given the Freedom of the City of London.

302 A pair of Spode Copeland’s China vases, 1st half 20th century, of rococo­scrolled form, decorated with a profusion of flowers reserved on a gold ground, printed green marks, 25.5cm. (2) £100-200 Provenance: Robert Copeland (1925­2010), and thence by descent.

303 A Spode ‘Lizard’ bottle and stopper and a violeteer and cover, c.1820, each richly decorated in pattern 1709 with panels of flowers reserved on a blue ground with a dense gilt foliate design, the bottle moulded to the neck with the crest of a bird and flaming brazier, 11cm max. (4) £250-350

304 A Spode commemorative two­handled mug, dated 1857, painted with a head and shoulders portrait of William Taylor Copeland within a gilt foliate border, the reverse inscribed ‘Success to the Staffordshire Potteries 1857’, reserved on a gilt caillouté ground, 24cm across. £100-200

Provenance: both formerly in the T G Cannon collection, High Chase, Colwich.

Ronald Copeland, Trelissick House, Cornwall. Sold at Bonhams on 24th July 2013, lot 599.

Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

305 A small Spode câchepot and stand, c.1820, painted in the Imari palette with pattern 1227, the flared form applied with dolphin mask handles, iron red factory marks, 11cm high. (2) £100-200

306 A pair of Spode Copeland’s China pot pourri vases and covers, early 20th century, decorated in raised gilt with long­tailed exotic birds perched on leafy branches reserved on a mazarine blue ground, the handles formed as female masks, the necks pierced, printed green marks, 17.8cm. (4) £100-200

Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

William Taylor Copeland (1797­1868) ran the Copeland porcelain factory from 1833. He was MP for Stoke on Trent between 1837 and 1852, then again between 1857 and 1865. This mug appears to have been made to celebrate his electoral success.

Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

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307 A Copeland Spode jewelled vase, c.1880, decorated with vertical stripes of stylized flowers applied with beads of white, coral and turquoise enamel, and a jewelled coffee cup and saucer similarly decorated in the Persian manner, printed marks, some damages, 15.7cm max. (3) £100-200 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

308 A pair of Spode plates, c.1830, each painted with a landscape within a gilt scroll border, titled ‘Doune Castle, Perthshire’ and ‘St John’s College’, a Copeland painted with cattle by a lake within a turquoise border with gilt floral swags, another with a view of Ponte Rotto in Rome after Finden’s Illustrations to the Works of Lord Byron, 24cm max. (4) £150-250 Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

Exhibited: Spode Bicentenary Exhibition, Royal Academy, 1970 ­ the Ponte Rotto plate.

309 A near pair of Spode Copeland’s China baluster vases and covers, early 20th century, after the Chinese, decorated with panels of birds reserved on a powder blue ground, the reverses with fan or pomegranate panels, printed green marks, 25cm. (4) £100-200

310 An Eric Olsen studio pottery bowl for Spode, 20th century, the shallow form decorated in the manner of Chinese pottery with a running celadon glaze and craquelure, impressed mark, 21.7cm dia. £40-60 Provenance: Robert Copeland (1925­2010), and thence by descent.

Provenance: Alfred Gresham Copeland, Robert Copeland (1925­2010), and thence by descent.

311 A Copeland miniature commemorative tête à tête service, c.1953, in celebration of the Coronation of Elizabeth II, decorated with the Royal coat of arms within a border of thistle, shamrock and rose. Comprising: a teapot and cover, a sucrier and cover, a milk jug, two cups and saucers and a tray. (10) £100-200 Provenance: Robert Copeland (1925­2010), and thence by descent.

312 Nine large Royal Crown Derby paperweights, late 20th/early 21st century, including a large caparisoned elephant, a pair of smaller elephants, a recumbent lion with a mouse painted between its paws, a limited edition White Hart (1457 of 2000), another of a Unicorn (1748 of 2000), both designed by Louise Adams, a smaller model of Starlight Hare, one of Snowy Rabbit, the last of a small duck, 21cm max. (9) £300-400 Provenance: Robert Copeland (1925­2010), and thence by descent.

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313 A pair of Spode two­handled vases, c.1820­30, the baluster forms decorated in the Imari palette with pattern 1215, with stylized flower panels reserved on a blue ground, the rims and feet with a row of white beading, the handles issuing from lion masks, iron red Spode marks and pattern numbers, 13.5cm. (2) £250-350

314 A pair of Coalport two­handled vases, c.1820­30, of crater form, each painted with a continuous band of flowers including rose, convolvulus, passionflower and tulip, reserved on a gilt ground, the interior rims with a formal foliate border, the small handles issuing from lion head masks, 18cm.

(2) £150-250

315 A Spode tulip cup, c.1820, modelled as a purple­edged bloom raised on a chamfered square foot, a Spode trio of a coffee can, teacup and saucer, richly decorated in pattern 498, and a Chamberlain’s Worcester miniature chamberstick with gilt flower sprigs on a dark blue ground, 13.7cm max. (5) £100-200

316 Three pairs of English porcelain spill vases, 1st half 19th century, one pair Derby and of campana form, with gilt decoration on a blue ground, another pair Flight, Barr and Barr and decorated with a wide green band and raised on square bases, the last Chamberlain’s Worcester, cylindrical and painted with children in landscapes reserved on a blue ground, and a single small Derby vase left in the white and raised on three dog supports, various marks, some damages,13.3cm max. (7) £150-250

317 A Chamberlain Worcester plate in the Princess Charlotte pattern, c.1816­17, the wide border probably painted by George Davis with six diamond­shaped panels of exotic birds reserved on a pale blue ground, a Flight, Barr and Barr armorial plate painted with the crest of a lion within a pink rim with sprays of rose, thistle and shamrock, and a pearlware plate with a leopard crest above the letter B within a wide convolvulus border, some faults, 25.4cm max. (3) £200-300

318 Four English porcelain spill vases, 1st half 19th century, printed in black with scenes of Salisbury Cathedral, Stonehenge and New Church, Bury St Edmunds, on a white ground between gilt borders, the Stonehenge vase marked for R Payne, Sarum, 10.5cm max. (4) £50-70

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319 A pair of Derby plates from the Camden service, c.1795, painted probably by William Billingsley with a central roundel of a pink rose spray, reserved on a green ground within a continuous rose garland border, puce crowned crossed batons and D marks, 24.2cm. (2) £300-500

320 A Coalport three vase garniture c.1820, comprising a câchepot and stand and a pair of flared spill vases, all painted probably in the workshop of Thomas Baxter with continuous bands of flowers including roses, convolvulus, and chrysanthemum, between formal gilt foliate borders and bands of white beading, the câchepot with dolphin mask handles, the stand raised on three paw feet, 15.5cm max.

(4) £300-500

321 A Nantgarw oval dessert dish, c.1818­20, London­ decorated with a large central flower spray within a wide border of further small posies linked by gilt foliage, gilt dentil rim, cracked, 29.5cm. £250-350

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322 A rare Coalport commemorative mug, c.1804, painted perhaps by Charles Muss with military motifs, including flags and a pike above drums and other military instruments, above a gilt monogram and below the inscription ‘Success to the Bury Volunteers’, the sides inscribed ‘In defence of our King and Country’ and ‘To protect our Families & Property’, a faint rim crack, 10cm. £300-400

323 A Chamberlain’s Worcester beaker, c.1810, painted with a view of Birnam Wood after Hugh ‘Grecian’ Williams, a wind­blasted figure in the centre reaching after his lost hat, forked lightning visible above the trees, within a narrow gilt border, titled to the base, a rim crack, 11cm.£100-200 Birnam Wood, of which little now survives, became notable after being referenced in Shakespeare’s Macbeth.

The Loyal Bury Volunteers were founded in 1798.

324 A rare English porcelain jug, 19th century, decorated with the Arms of the Worshipful Company of Plaisterers, the sides with large sprays of rose and thistle, the flared neck with a wide gilt design, restoration to the spout, the handle riveted, 21.5cm. £100-150

325 A Chamberlain Worcester two­handled vase and cover, c.1810, painted with panels of flowers reserved on a salmon pink ground with gilt cracked ice effect, and a Flight, Barr and Barr ice pail with liner and cover, the campana shape simply decorated with a band of stylized flower trails in blue, puce and gilt, painted and impressed marks, the vase cover broken and repaired, 26.5cm max. (5) £300-400 Provenance: a private collection in Sussex.

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326 A Chamberlain’s Worcester armorial tureen cover, c.1830, painted with the dual crest of Wykeham­Martin of Leeds Castle, Kent, and Chacombe Priory, Northamptonshire beneath a puce banner inscribed ‘Manners Makyth Man’, the rim with a wide apple green border reserved with flower sprays, gilt acorn finial, iron red Chamberlain Worcester mark, a 12mm rim chip, 22cm dia. £80-120

327 A Herculaneum porcelain miniature ewer and bowl, c.1815, painted with bright sprays of European flowers on a pink ground, gilded to the interior, puce printed mark, 10.5cm. (2) £100-150 Exhibited: Northern Ceramics Society, Liverpool 1993, no. 265.

328 A Pinxton coffee can, c.1800, painted with a wide border of red poppy and blue cornflower, and a Derby coffee can painted with a panel of a bridge over a river reserved on a yellow ground, titled to the underside ‘Near Madely, Shropshire’, iron red crowned crossed batons and D mark, 7cm max. (2) £150-200

The service was probably produced for Fiennes Wykeham­Martin (1769­1840). Born Fiennes Wykeham, he inherited Leeds Castle from General Martin in 1821 and became High Sheriff of Kent in 1824.

329 A Barr Worcester trio, c.1800, comprising a coffee can, teacup and saucer, printed in red with vignettes of Neptune and Juno reserved on a peach faux marble ground with gilt cracked ice design, gilded with monogrammed initials ‘TJ’, faint incised B marks, 14cm. (3) £150-250

330 A Coalport armorial teacup and saucer, c.1805, decorated with lions flanking a shield, and a Derby teabowl and saucer painted with a view of an Etruscan gateway in Volterra, Italy, titled in blue to the base, both reserved on yellow grounds, 14cm max. (4) £150-250

331 Three English porcelain teacups and two saucers, c.1805­20, one Minton and painted with a view of Pinner, another probably Derby and painted with a panel containing an arched bridge over a river, the single cup with a Georgian building within a wide orange and gilt band, and a coffee can and saucer painted with figures beside water within a gilt leaf border, 14.2cm max. (7) £100-200

332 Two English porcelain plates or dishes, late 18th/19th century, one Miles Mason and decorated in pattern 419 with panels including the Prince of Wales’ feathers, another Derby and painted in the manner of Richard Askew with a putto within a wide border, a Sèvres dish and a radish dish, each decorated possibly in London with panels of birds, and a Paris porcelain shallow bowl with an ormolu mount, some faults, 29.2cm max. (5) £100-200

Provenance: a private collection in London.

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333 A Minton porcelain tea service, date code for 1880, of Aesthetic style, the teapot formed as a gourd with stalk handle and mushroom finial, the cups and saucers moulded and painted with lotus leaves, impressed marks. Comprising: a teapot and cover, a milk jug, a sugar bowl, a slop bowl, four cups and four saucers. (13) £1,500-2,000

334 A large Stefan Nowacki (Derby) cabinet plate, 2nd half 20th century, of oval form, painted with a sea battle with a sinking battleship to the foreground, the rim with a wide blue band with bold gilt foliate design, signed ‘S P Nowacki’, gilt monogram mark, 37.8cm. £200-300

335 A Stefan Nowacki (Derby) oval cabinet plate, 2nd half 20th century, painted with a scene of sailing boats at sea, within a wide blue border with gilt foliate scroll decoration, gilt monogram mark, 32.8cm. £150-250

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336 A pair of Flight, Barr and Barr Worcester armorial soup plates, c.1820­30, probably for Thomas Walmsley, the wells painted with a quartered shield above the motto ‘Semper Fidelis’, within shaped dark burgundy rims, printed and impressed factory marks, 27cm. (2) £100-200

337 Three Derby botanical plates, c.1795­1800, two soup plates and decorated in pattern 197 with specimens of Large Flower’d St John’s Wort and Nettle Leav’d Bell Flower, the last with a spiral­moulded rim and painted with a spray of Adonis Vernalis, all titled to the underside, blue crowned D and crossed batons marks, the soup plates cracked, 25.2cm max. (3) £150-250

338 Four English porcelain small vases and an inkwell, 1st half 19th century, all decorated with topographical scenes, two vases of campana shape, one titled beneath ‘James Skinner, Aged 79, 1841’, a small ovoid vase with a titled view of Fairlight Place near Hastings, the last of câchepot form, the inkwell Grainger’s Worcester and painted with a view of the city, an English plate painted in the Sèvres manner with roses and a flower garland border, and a Creil creamware plate printed with a view of a house near Richmond, some damages, 24.7cm max. (10) £150-250

339 A New Hall part tea service, c.1800, painted in pattern 1152 with a formal leaf and swag design in green, red and gilt. Comprising: a sugar basin and cover, a slop bowl, seven tea cups and eleven saucers. (21) £150-200

Provenance: a private collection in London.

340 A Derby part dessert service, c.1775, decorated in the Kylin pattern with panels containing mythical Chinese dogs and peony sprays on cloud scroll and cash diaper grounds, blue square seal marks to the underside.

Comprising: a rectangular dish, an oval dish, two shallow oval dishes, two circular dishes and ten plates. (16) £150-200 66

341 A large pair of Royal Worcester figures of the Innkeeper and his Wife, date code for 1890, modelled by James Hadley, of blush porcelain with gilt and polychrome detailing, and a similar figure of an Eastern water carrier, pouring his vessel into a large bowl at his feet with a removable insert, printed marks, some damage to the latter, 31.5cm max. (4) £200-300

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PROPERTY OF THE TRUSTEES OF EXBURY HOUSE, HAMPSHIRE

342 Eleven Royal Worcester plates, date codes for 1903, each painted to the well with a colourful fishing fly, a narrow gilt border to the cavetto, printed marks, some wear, 23.5cm. (11) £300-500 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

(part) 343 Fifty eight Meissen plates 19th century, painted with sprays of deutscheBlumen within osier­moulded rims, together with twenty one 18th century Meissen plates with similar decoration, blue crossed swords marks. (79) £2,500-3,500 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

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344 Fourteen Continental porcelain plates, c.1830, decorated by Giovine of Naples with scenes of figures in regional costumes, the rims with raised gilt panels and foliate designs on a blue ground, each titled to the underside in black, inscribed ‘Giovine in Napoli’, some damages, 23.5cm. (14) £5,000-8,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

345 A Vienna­style part dessert service, 19th century, decorated with gilt flowerhead roundels to the wells, the borders with bands of birds and animals in raised gilt on a brown ground, within formal foliate borders on a pale blue ground, blue shield marks. Comprising: four large and four small tazzae and 18 plates. (26) £1,000-2,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

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(part) 346 An extensive composite Paris porcelain dinner service, 19th and early 20th century, decorated with gilt monograms on a white ground. Comprising: two circular serving dishes, five tazzae in three sizes, two large bowls, eight small oval dishes, four oblong dishes of varying size, three sauceboats, ten side plates, 16 soup plates and 59 dinner plates. (109) £1,000-2,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

(part) 347 An extensive combined Sèvres part dinner service 2nd half 18th century, soft and hard paste, variously painted with polychrome flower sprays on a white ground. Comprising: four large lobed dishes, a large decagonal bowl, four oval dishes, five shell dishes, three large circular dishes, two side tureens and covers, four shaped dishes from a supper set, six square dishes in two sizes, 27 dinner plates, 21 side plates, nine fruit plates, a small shallow dish, three bowls in 2 sizes, 34 saucers, 13 cups and 10 coffee cans. Together with 12 English porcelain soup plates to match. (159) £8,000-12,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

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348 Fifteen Sèvres plates (assiettes plattes), date codes for 1792­3, painted with scattered pink roses within a continuous rose garland border flanked by blue lines and husk bands, blue interlaced Ls marks enclosing date letters pp, artists marks including those for Dlle Sophie Chanoux, 24cm. (15) £4,000-6,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

349 A Meissen figure of a ballad singer, mid 18th century, singing from sheet music held in his left hand, wearing a long red coat, faint blue crossed swords mark, restoration, 13cm. £150-250 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

350 A pair of Continental porcelain figures of peacocks, modern, modelled in the Chinese blanc de Chine manner with heads turned and tails curved across their feet, raised on cloud scroll rockwork, 31.5cm. (2) £100-200 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

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351 A Vincennes or Sèvres footed jug (pot à lait à trois pieds) c.1755­60, painted with flower sprays on a white ground, blue interlaced Ls marks and painter’s mark for Tardy, a tiny chip to the rim, 9cm high. £100-200 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

352 A pair of Sèvres preserve stands (plateaux à deux pots à confiture) c.1774, decorated with gilt trellis borders on a white ground, blue interlaced Ls marks and one with a date letter V, 24.7cm across. (6) £400-600 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

353 A pair of Sèvres wine glass coolers (seaux à verre échancré), date codes for 1764, of six­lobed form with small scroll handles, painted with small flower sprays, blue interlaced Ls mark and painter’s marks ‘ca’, raised on ormolu footed bases, 14cm overall. (2) £1,000-2,000 Provenance: Edmund de Rothschild, the Trustees of Exbury House, Hampshire.

This rounded lobed shape is recorded at Sèvres in the 1750s and is found in the service produced for Madame du Barry in 1771.

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354 A Vincennes circular dish (plat d’entremets) from the first Louis XV service, c.1754­55, painted with a loose central spray of flowers, the moulded rim with three panels of further flowers reserved within gilt foliate and scroll borders on a bleu celeste ground, 31.5cm. £40,000-60,000 Provenance: a private UK collection. Purchased in London during the 1950s and thence by familial descent.

The bleu celeste (heavenly blue) ground was created by the chemist, Jean Hellot, specifically for this service and it was the first time such a colour had been used on porcelain in this way. This service, the first full service that Vincennes had delivered, was first used on 4th February 1754 and remained in use until the end of the Ancien regime. 120 components were delivered to Louis XV at the end of 1753, with a further 133 pieces being delivered a year later. Factory records detail 28 plat d’entrées et d’entremets delivered among the third part of the service, on 31st December 1755, each at a cost of 240 livres, and it is likely that this is one of those. Only three survivals of this shape are recorded; one in the Musée des Arts Decoratifs in Paris, the other was sold in these salerooms on 4th February 2020 as part of the Judith Howard Collection.

Other items from the service remain in the collection at the Palace of Versailles, with a large part of the service in the collection of the Duke of Buccleuch at Boughton House (this part of the service apparently gifted to the duc de Choiseul and then sold to the Duke of Buccleuch by Beau Brummell).

The Palace of Versailles

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355 A Sèvres cup and saucer (gobelet bouillard et soucoupe), date code for 1770, painted with panels of figures fishing and walking before buildings and trees in rural landscapes, reserved on a brickwork ground in red and gilt within blue pointille borders with gilt leaf bands, blue interlaced Ls marks, 13.5cm. (2) £300-500

356 A Vincennes/early Sèvres plate, date code for 1756, painted with flower sprays within a feuille de choux border, the well possibly later decorated with birds on leafy branches, and a Sèvres shallow bowl, date code for 1784, the well painted with scattered roses, the rim with four panels of flowers reserved on a green ground which may be a later addition, blue interlaced Ls marks, 25.7cm max. (2) £300-500

357 A Sèvres coffee can (gobelet litron), c.1780, decorated by Louis Antoine Le Grand or Etienne­Henri Le Guay in polychrome enamels with Chinese figures seated in a garden setting, reserved within a polychrome scroll border on a claret ground, 6.8cm. £400-600

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358 A pair of small Sèvres plates, date codes for 1787, painted with vases of flowers issuing from a turquoise border, alternating with cornflower sprigs and suspended posies of tied pink flowers, blue interlaced Ls mark, letter code KK and painter’s mark f, gilder’s mark fin, 21cm. (2) £250-350 These plates probably relate to a service produced in 1787­89 and held in stock until 1794.

359 A pair of Sèvres­style câchepots or coolers, late 18th/19th century, each painted with a scene of a courting couple in the manner of Boucher, the reverses with a panel of flowers and fruit, reserved within foliate gilt borders on an orange­red ground, blue interlaced Ls mark enclosing letter O, 10.8cm high. (2) £200-300

360 A Sèvres­style bowl or basin, late 18th/early 19th century, painted possibly in London, the interior well with a panel of two winged putti seated on clouds with a scroll, the exterior with panels of flowers and fruit, reserved within gilt panelled and foliate borders on a pink ground, blue interlaced Ls mark enclosing the letter Q, wear to the gilding, 29cm across. £150-250

361 A study collection of ceramics, 18th century and later, including a pair of miniature Meissen vases and a pair of Italian porcelain miniature vases, applied or moulded with gilt leaf swags, a French porcelain sauce tureen cover, probably Mennecy, a Sèvres­style two­handled vase, a Sèvres pottery vase and cover in the Art Nouveau manner, a Continental egg cup, a Derby saucer painted with panels of roses, an English flared vase in the Sèvres manner and a Samson porcelain vase after the Chinese, some damages, 23.2cm max. (12) £100-200

362 A Mennecy custard cup and cover, c.1760, of spiral moulded form, painted with bright polychrome flower sprays, and a Chantilly quatrefoil tureen base, finely painted with flower sprays, red hunting horn mark to the latter, some faults, the tureen cover lacking, 16cm max. (3) £120-180

363 Two French porcelain spiral­moulded custard cups, c.1750­60, one Mennecy and left in the white, the other Chantilly with a cover and decorated with blue sprigs, a small Sèvres coffee can, date code 1769, painted with a large yellow bird reserved on a blue and gilt caillouté ground, and an Italian porcelain jug with mask spout, painted with vertical bands of flowers, incised mark, damages and losses, 9.2cm max. (5) £100-200

Provenance: a private collection in Sussex.

Provenance: the Watney Collection.

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364 A Sèvres coffee pot and cover, dated 1815, of Neoclassical shape, the ovoid body decorated with bunches of grapes suspended between husk swags, the neck with a formal leaf border, on a rich mazarine blue ground, printed mark, inscribed ‘17 M 15’ to the footrim, 18.8cm. (2) £400-600

365 A Sèvres coffee can and saucer, dated 1814, decorated with a formal gilt border of palmettes and tassels reserved on a black­blue ground, printed marks, inscribed ‘9 D 14’ to the footrims, 13.2cm. (2) £200-300

366 A Sèvres coffee can and saucer, dated 1814, painted with overlapping garlands of red and blue flowers entwined around a gilt line and enclosing a green band with a border of formal palmette motifs in gilt, printed marks, inscribed ‘5 Mai 14’ inside the footrims, 13.3cm. (2) £200-300

367 A Sèvres coffee can and saucer, dated 1817, painted with a border of bunches of grapes suspended between swags of blue flowers, enclosing a deep blue band with formal gilt borders, printed marks, inscribed ‘15 Jt 17’ to the footrims, 13.3cm. (2) £200-300

368 A Sèvres coffee can and saucer, c.1814­18, painted in brown camaieu with a goat and a bacchanalian figure with cymbals, reserved on an orange ground with grey and green palmette designs, printed marks, 13.3cm. (2) £200-300

369 A Sèvres coffee can and saucer, c.1816, painted with the garden (le jardin) pattern of flowering plants including tulip, rose and poppy issuing from a narrow border enclosing a pale blue band with formal gilt leaf design, printed marks, 13.1cm. (2) £200-300

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370 A Sèvres coffee can and saucer, dated 1818, decorated with a formal gilt chequered design suspending small tassels, reserved on a brown tortoiseshell ground, printed marks, inscribed ‘18 Avril BT 18’ to the footrims, 13.3cm (2) £200-300

371 A Sèvres coffee can and saucer, c.1814­18, painted with a formal band of bluebells and daisies with leaf husks reserved on a puce band, printed marks, 13.3cm. (2) £200-300

372 A Sèvres coffee can and saucer, dated 1818, decorated with formal gilt borders and a narrow husk band reserved on a mottled or washed blue ground, printed mark, the saucer inscribed ‘23 Mai 18’ inside the saucer’s footrim, 13.3cm. (2) £200-300

373 A Sèvres coffee can and saucer, c.1814­18, the can painted with a formal design of stylized flowerheads and motifs beneath a brown monochrome border of similar motifs, reserved on a cream ground, printed marks, 13.5cm. (2) £200-300

374 A Sèvres coffee can and saucer, c.1814­18, decorated with green camaieu flowerheads and a stiff leaf band on a dark pink ground, printed marks, 13.4cm. (2) £200-300

375 A Sèvres coffee can and saucer, dated 1814, painted with a continuous band of flowering convolvulus enclosing a green band with formal gilt stiff leaf and trellis designs, printed marks, inscribed ‘ 5 Mai 14’, 13.3cm. (2) £200-300

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376 A Paris porcelain cabinet cup and saucer, dated 1815, the cup painted en grisaille with a panel of a lion, within a gilt border with a formal gilt foliate design, raised on three paw feet, gilt CM monogram and ‘1815’ mark, 15.2cm. (2) £100-200

377 A pair of Paris porcelain vases, 19th century, of flared form, painted with circular panels of flowers and garden statuary, reserved on a rich yellow ground with pale blue bands and formal gilt foliate designs, possibly lacking covers, 21.9cm. (2) £150-250

Provenance: a private collection in Sussex.

Paper labels for D M & P Manheim, New York.

378 Eight St Cloud cutlery handles, c.1730­40, five in three sizes, all moulded with a formal scroll design and left in the white, one painted in underglaze blue with a scroll and lambrequin design, two faceted and painted with stylized flower motifs between panels of cell diaper, some damages, 27cm max. (8) £150-250

379 Four Tournai plates, c.1775­90, three decorated in blue with a bird in flight above flowering branches, the rim with four flower sprays, the last a soup plate in a brighter blue with similar decoration, 23.8cm. (4) £100-200

Provenance: a private collection in London.

380 A small Sèvres coffee can and saucer, c.1770, painted with gilt flower garlands entwined with foliate sprays and red oeil de perdix, a Paris porcelain cabinet plate painted with Napoleon crossing the Alps on horseback, a quatrefoil Meissen cup, 19th century, painted with Kakiemon panels on a yellow ground, and a pair of Meissen cups and saucers painted with alternating panels of courting couples and flowers on a yellow ground, some faults, 23.7cm max. (8) £200-400

381 A group of Continental porcelain tea and coffee wares, 2nd half 18th century, including a Volkstedt teacup and saucer painted with putti amid clouds, a La Courtille saucer painted with a harbour scene, a Limbach saucer with an obelisk dated 1794, a Naples saucer, an Orleans monogrammed saucer, a Fulda saucer and a Pfazeiwbruken saucer painted with flowers, a coffee can painted with a continuous harbour scene and another with a courting couple, some faults, 13.8cm max. (10) £150-250

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Provenance: a private collection in London.

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382 A good Berlin vase and cover, 19th century, painted to one side with the god Arcas with arms outstretched and head turned to look behind him, the reverse with Clytemenstra draped in a long robe in an interior setting, each with a titled gilt panel reserved on a blue ground with gilt detailing, raised on a circular socle foot, blue sceptre mark, 33cm. (2) £500-800 Provenance: a private collection in Wiltshire.

383 A Du Paquier teabowl and saucer, c.1725­30, painted in sepia monochrome, the saucer with a gibbet beside buildings in a harbour, the underside with three flower sprays, the teabowl with two figures conversing in a continuous landscape, within a gilt line rim, damages, 12.6cm. (2) £100-200 Provenance: a private collection in Sussex.

384 A Meissen cup and saucer, c.1740, finely painted with panels of figures standing and on horseback beside stately buildings in European landscapes, reserved within elaborate gilt borders of scallop shells and scrollwork on a gold ground, with scattered flowers and insects to the cup’s exterior and saucer’s underside, blue crossed swords marks, some faults, 13.3cm max. (2) £400-600

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383

384

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385 A pair of KPM (Berlin) cassolettes, 19th century, the urn forms painted with scenes of courting couples in landscapes, the sides applied with female mask handles, raised on column bases above stepped square feet, the covers reversing to form candlesticks, some restoration, 27.5cm.

(4) £200-300

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386 A Vienna hot water jug and cover, c.1775, painted with polychrome flower sprays and small scattered sprigs, the cover with a strawberry finial, blue shield mark, indistinct impressed date code, 17.5cm. (2) £150-200

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387 A pair of Meissen mirrors, 19th century, of oval form, each surmounted with two winged putti holding a garland of flowers and draped in pink and blue robes, the bases with leaf swags tied with ribbon, blue crossed swords mark to one, 24cm. (2) £300-500

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388 A pair of large Meissen cabinet plates, 20th century, each painted with a large wood grouse or capercaillie perched on the branch of a pine tree or on a rocky stump, blue crossed swords marks, one broken and riveted, 34.5cm. (2) £300-500

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389 A Meissen­handled knife and fork, mid 18th century, the handles finely painted with flower stems and scattered insects, and a pair of Thuringian knife handles painted with figures in European landscape scenes, some damages, 21.5cm max. (4) £100-200

390 A Meissen tea canister, mid 18th century, the rectangular form finely painted with moths and other flying insects, the shoulder with a formal gilt scroll border, blue crossed swords mark, the cover lacking, 10.1cm. £300-500

391 A Naples porcelain cream jug, late 18th century, the squat body painted to two sides with a Classical maiden wearing long diaphanous robes, the spout moulded with a bearded mask, crowned blue N mark, damages, 8cm high. £100-150

Provenance: a private collection in London.

392 A Meissen chocolate pot and cover, 2nd half 18th century, later decorated with sprays of flowers, fruit and insects, the rim with panels of blue scale, indistinct blue crossed swords mark, the spout ground and handle restored, 18.5cm high. (2) £100-200

393 A Doccia cup and saucer, c.1760­70, painted with three panels of pink roses reserved within narrow gilt foliate borders on a deep blue ground, 13.9cm. (2) £150-200

394 Two Meissen saucers with an associated cup and jug, c.1760 and later, one saucer painted with two men fighting beside goats, another with a figure in a landscape, the jug with peasant figures on the road, the cup with animals and a single figure, various blue crossed swords marks, some faults, some decoration perhaps later, 13.5cm max. (4) £150-250

395 A pair of Continental porcelain baskets, 19th century, after Meissen, the rococo forms pierced to the sides, painted with panels of flowers and applied with flowering tendrils, raised on stalk feet, pseudo blue crossed swords marks, 32.5cm across. (2) £80-120

Provenance: a private collection in Sussex.

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396 Six Doccia coffee cups and saucers, c.1770­80, decorated in iron red and gilt with cockerels or galli rossi fighting beneath tall fringed trees, some damages, 12.8cm. (12) £200-300

397 An unusual English porcelain plate, late 18th/early 19th century, painted in red and gilt with a Doccia pattern of a cockerel beneath a fringed tree, 23.7cm. £100-150

Provenance: a private collection in Sussex.

Provenance: a private collection in Sussex.

The first record of the use of this Chinese­inspired decoration is in 1747 and refers to cockerels painted in black. However, the same design was also executed in green, red and blue usually with gilt highlights.

It is likely that this plate was made a replacement for a Doccia service.

398 A collection of German porcelain tea wares, 2nd half 18th century, all decorated in underglaze blue with variations on the Immortelle pattern, including Meissen, Wallendorf, Ludwigsburg, Rauenstein and other Thuringian factories. Comprising: four teabowls, two teacups, a coffee cup and seven saucers. (14) £100-200

399 A Herend part dinner service, modern, decorated in the Rothschild Birds pattern with Meissen­style birds perched on low branches draped with jewels. Comprising: a wine cooler, an oval dish, 12 plates in three sizes, an egg­shaped salt shaker and a mustard pot and cover. (17) £200-300

Provenance: a private collection in London.

400 A KPM (Berlin) rectangular plaque late 19th/early 20th century, of Das Wiener Schokoladenmädchen or La Belle Chocolatière, after Jean­Etienne Liotard, a young girl carrying a tray of drinking chocolate, impressed KPM and sceptre mark, a little wear, 23.5cm x 16cm. £400-600

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401 A Continental porcelain circular plaque, 19th century, painted with Raphael’s Lady Madonna and Child, mounted in a square frame, 15cm overall. £100-150

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402 A pair of Meissen figures of sweethearts, 19th century, he standing and fastening a love letter around the neck of a carrier pigeon, his sweetheart holding the received missive in her hand and with the pigeon in a cage on her shoulder, raised on circular bases, blue crossed swords marks, small damages, 19cm. (2) £200-300

403 A pair of Meissen figures of children gardeners, late 18th century, modelled as a boy wearing a hat adorned with grapes, and a girl holding a rake, her apron full of flowers, raised on low scroll bases with gilt detailing, blue crossed swords and star marks for the Marcolini period, small damages, 13.8cm. (2) £150-200

404 A Meissen figure group of lovers, 19th century, modelled as a courting couple, the man seated and gazing up to his sweetheart who holds flowers aloft, and a Meissen figure of a putto making chocolate, stirring a cup beside a small flaming brazier, blue crossed swords marks, some damages and losses, 24cm max. (2) £250-350

405 Two Meissen figures of Cupid in Disguise, mid 18th century, one as a pastry seller, wearing a white apron and carrying a tray of wares, the other as a lady’s maid wearing a ruffled cap and sleeves and carrying a powder puff, each raised on a low scrolled base, blue crossed swords marks, 10.3cm max. (2) £200-300

406 A Herend figure of a cobra, modern, the hooded snake coiled on itself with head raised, decorated in a green scale design with gilt detailing, printed and impressed marks, 11cm. £100-200

407 Three miniature Meissen models of birds, 20th century, including a pheasant, a parrot and a swan with wings outstretched, and a larger Meissen figure of a canary with head turned over one shoulder, blue crossed swords marks, 10cm max. (4) £150-250

408 Two Herend bird groups, modern, one of a pair of ducks nestled together, with one resting its beak on its companion’s head, the other of an exotic long­tailed pheasant (possibly Lady Amherst’s pheasant), printed and impressed marks, 22.5cm max. (2) £80-120 83

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409 A large Meissen figure of an officer on horseback, 19th century, his mount reared up on its hind legs, the rider wearing a white coat with elaborate gilt edging, raised on a scrolled base, blue crossed swords mark, some losses, 25.5cm high. £300-500

410 A Meissen figure group, c.1765­70, of three putti beside a table, one blindfolded and drawing lots from a bowl, one seated at the table and supervising, a third recumbent on the floor and holding a long scroll, blue crossed swords and dot mark, minor damages, 18cm high. £1,000-1,500

411 A Meissen­style figure of a Sultan on the back of an elephant, 19th century, after the model by J J Kändler, the turbanned figure seated on tasselled cushions and a howdah, a young black attendant perched on top of the elephant’s head, unmarked, damages and repairs, 25cm high. £200-300

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412 A Meissen figure of a Bolognese terrier, c.1770, scratching itself under the chin with its rear paw, wearing as cream collar edged in black, its coat decorated with patches of grey, blue crossed swords and dot mark, 19cm. £400-600

413 A Meissen figure of a Bolognese terrier, 19th century, the small dog seated on its haunches with head turned slightly to the right, its long coat decorated with brown patches, blue crossed swords mark, incised C77, 15.3cm high. £200-300

414 A Meissen figure of a billy goat, modern, after the model by J J Kändler, standing on a low oval base with head slightly turned, left in the white, blue crossed swords mark, impressed Weiss, 22.5cm across. £100-200

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416

417

418

415 A Meissen figure of a huntsman, c.1745, modelled by J J Kändler, standing and holding the butt of his gun, wearing a turquoise coat and black tricorn hat, his dog waiting patiently at his side, raised on a low base applied with flowers, a few small chips, 17.3cm. £250-350

416 A Meissen Cris de Paris figure of a grape seller, 19th century, after the model by Peter Reinicke, a basket of grapes hanging from his right arm, a set of scales balanced on his left, raised on a scrolled base with gilt detailing, blue crossed swords mark, some restoration, 14.3cm. £100-150

417 A Limbach figure of a putto, c.1780, standing beside a basket of flowers resting on a stump, the low base with puce detailing, puce LB monogram mark, 13cm. £100-200

418 A Meissen figure of a young musician, mid 18th century, modelled as a boy standing barefoot on top of a half barrel and playing the flageolet, wearing a lilac hat and a green jacket, a ewer of grapevine behind him, raised on a low scrolled base applied with flowers and leaves, blue crossed swords mark to the reverse, the handle of the ewer lacking, 15cm. £200-300

419 An Italian porcelain white­glazed figure group, 19th century, probably Naples, depicting the abduction of Helen of Troy, the unfortunate maiden struggling against her soldier captor while a sailor pushes the boat away from the shore, blue crowned N mark, 26.5cm. £100-200

419

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420 A large Meissen garden figure group, late 18th/ early 19th century, modelled by Acier with six figures around a rocaille base, the upper couple spooling string or yarn from a drop spindle, a boy teasing his sleeping companion, a further couple with a bird and an open cage, blue crossed swords mark, some damages, 27.5cm. £300-500

421 A Meissen white­glazed figure of Bacchus, c.1760, perhaps personifying Autumn, modelled by Kändler as a young man wearing a belt of grapevine, leaning against a tree trunk and raising a bunch of grapes to his mouth, a young satyr or faun sitting on a barrel behind him, traces of a blue mark to the base, some faults, 27cm. £300-500

Provenance: a private collection in Sussex.

This model, listed in the catalogue as D93, was later modelled with a circular Neoclassical base.

422 A Meissen­style figure of Harlequin and Columbine dancing, 19th century, after the model by J J Kändler, he wearing a traditional chequered costume, raised on a low base, some restoration, 15cm. £100-150

423 An unusual Continental porcelain figure of a man, 18th/early 19th century, of large form with long curled hair and a moustache, holding a small bowl in his outstretched hands, raised on a square base, 21cm. £100-150

424 A white­glazed French porcelain figure of Bacchus, late 18th century, seated and wearing a grapevine diadem, a ewer resting in his left hand and a glass held in his outstretched right hand, raised on a scrolled base, a few small chips, 20cm. £200-300

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EUROPEAN DECORATION ON CHINESE PORCELAIN

425 A rare Derby bowl in the Meissen style, late 18th century, probably made as a replacement for a tea service, painted with harbour scenes within scrollwork borders, blue crossed swords marks, and a London­decorated Chinese porcelain teabowl and saucer, finely decorated in the James Giles atelier with panels of butterflies in flight above European flower sprays, within puce panels on a pale yellow ground, damages, 16.2cm max. (3) £100-200 Provenance: a private collection in Sussex.

426 A London­decorated Chinese porcelain spoon tray, 18th century, decorated in the Giles atelier, the elongated hexagonal form painted in green and black camaieu with figures beneath a tall tree in a European landscape, within a narrow red and black border, traces of gilt scrollwork to the rim, 12.8cm. £250-350

427 An English­decorated Chinese porcelain tea canister and cover, 18th century, painted probably in London with green camaieu sprays of flowers, and a small Chinese teabowl painted in the Meissen style with panels of figures in landscapes within baroque borders, pseudo blue crossed swords mark, some faults, 13cm max. (3) £100-200

428 A London­decorated Chinese porcelain jug and cover, mid 18th century, painted in the atelier of James Giles with sprays of polychrome flowers reserved in shaped puce panels on a pale yellow ground, some restoration to the cover, 13.5cm. (2) £300-500

Provenance: the teabowl with a paper label for the Watney Collection.

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Provenance: a private collection in Sussex.

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429 A pair of London­decorated Chinese soft­paste porcelain vases, 18th century, the slender quatrefoil forms painted with butterflies in flight above sprays of tulip, heartsease and other flowers, the shoulders applied with trailing flowering branches, some restoration, 17cm. (2) £600-800

430 An unusual European­decorated Chinese porcelain plate, mid 18th century, finely pencilled and painted with a vase issuing a profusion of European flowers, raised on scrollwork with grapes and other fruit beneath, the rim with single flower sprays and scattered flying insects, 20.8cm. £300-500 Provenance: the Watney Collection.

431 A Chinese porcelain London­decorated teapot and cover, mid 18th century, with original bianco­sopra­bianco decoration of peonies on a dense scrolled ground, decorated possibly in the Giles atelier with panels of figures and pagodas in bright polychrome enamels, some restoration, 16.5cm. (2) £250-350

431A A London­decorated Chinese porcelain part tea service, 18th century, the porcelain bodies lightly incised with overlapping lotus petals, painted probably in the atelier of James Giles with birds and insects in flight above and perched on fruiting branches, with other large fruits, some split to reveal internal seeds, gilt dentil rims. Comprising: a teapot and cover, a sugar bowl and cover, and a milk jug and cover. (6) £600-800

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432 A London­decorated Chinese porcelain teapot and cover, mid 18th century, with original bianco­sopra­bianco decoration of flowering peony sprays, over­painted probably at the Giles atelier with colourful moths and butterflies and small polychrome flower sprays, with a moulded Chinese porcelain coffee cup decorated in London with flower sprays, ladybirds and other insects, 17cm max. (3) £300-500

433 A London­decorated Chinese porcelain water jug and cover, 18th century, well painted, possibly in the Giles atelier, with moths, a ladybird and other insects around a flower spray including a large pink rose, and a similar coffee cup with European flowers and a hairy caterpillar, 13.5cm max. (3) £300-500

The teapot with paper labels for the Jill McNeile collection.

434 An English­decorated Chinese porcelain plate, mid 18th century, painted in the Giles atelier with a spray of flowers, a moth, carrots and small sprigs below an eagle armorial crest, and a London­decorated Chinese porcelain bowl, moulded with peony and bamboo issuing from a fence, painted with flowers, a grasshopper and other insects, the bowl cracked, 23cm max. (2) £200-300

435 A London­decorated Chinese porcelain double­walled teabowl and saucer, 18th century, the exterior wall of the teabowl pierced with four shaped panels echoed to the saucer, painted in polychrome enamels with moths and other flying insects around flower sprays and single scattered sprigs, 14cm. (2) £250-350

Provenance: the plate from the Stephen Hanscombe Collection.

Exhibited: Stockspring Antiques, Early James Giles, no.111 (the plate).

436 A London­decorated Chinese porcelain teapot stand and a lobed saucer, 18th century, the hexagonal teapot stand painted with a caterpillar and moth around flower sprays, the hexafoil saucer moulded with incised lotus petals and painted with a moth beside a bold flower spray and other flowers, 15.5cm max. (2) £300-500 90

437 A London­decorated Chinese porcelain part tea service, 18th century, finely painted probably in the atelier of James Giles with fancy birds perched on and in flight above leafy branches. Comprising a teapot and cover, a jug, a teabowl and two saucers. (6) £500-800

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438 A London­decorated Chinese soft­paste porcelain vase, 18th century, the quatrefoil form painted with flower sprays including rose, heartsease, forget­me­not and tulip, the shoulders and neck applied with red squirrels scampering around fruiting grapevine, some restoration, 18cm. £250-450

439 A London­decorated Chinese porcelain teapot and cover, 18th century, originally decorated in bianco­sopra­bianco with flowering branches, later enamelled with colourful moths and butterflies in flight around floral arrangements including yellow and pink roses, the floral finial restored, 19.5cm. (2) £300-400

440 Four English­decorated Chinese porcelain coffee cups, 18th century, one moulded with overlapping lotus petals, another originally decorated with bianco­sopra­bianco decoration of flowering branches, all variously later enamelled with moths and other insects around sprays of European flowers, 6.8cm max. (4) £250-350

441 A London­decorated Chinese porcelain spoon tray, mid 18th century, the flattened hexafoil form with original incised anhua decoration, later decorated probably in the atelier of James Giles with ‘Type B’ flower sprays, small sprigs and a colourful moth or butterfly, brown line rim, a small rim chip, 12.9cm. £150-250

The lotus­moulded cup exhibited at Stockspring, Early James Giles, no. 70.

Provenance: the Geoffrey Godden Collection.

Exhibited: The Early James Giles and his Contemporary London Decorators, Stockspring Antiques 5­17 June 2008, cat. no.48 with other items.

442 A London­decorated Chinese porcelain coffee cup and saucer, mid 18th century, probably decorated in the atelier of James Giles with green camaieu flower sprays with black detailing, and a London­decorated Chinese coffee cup painted with the Stag Hunt pattern within gilt and bianco­sopra­bianco borders, minor faults, 11.7cm. (3) £100-200

443 A London­decorated Chinese porcelain teapot and cover, 18th century, originally decorated with bianco­sopra­bianco decoration of flowering branches then later enamelled with butterflies and flower sprigs, and two Chinese porcelain coffee cups of lotus­moulded form, painted in a London atelier with single flower blooms and colourful moths or butterflies, some good restoration, 19.5cm max. (4) £300-400

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444 A Worcester sparrowbeak jug, c.1760, painted in famille rose enamels with an exotic bird perched on rockwork beneath flowering peony branches, with a Chinese porcelain milk jug bearing very similar decoration, damages, 10cm max. (2) £100-200

445 A Worcester teacup and saucer, c.1770, decorated in the London atelier of James Giles with loose sprays of polychrome flowers within double blue lines with gilt dashes, gilt dentil rims, blue crossed swords and 9 marks, 13.7cm. (2) £400-600

Provenance: a private collection in London.

Cf. S.Spero and J.Sandon, Worcester Porcelain, The Zorensky Collection, no.416.

446 A group of Worcester teawares, c.1760­80, including a trio of a teabowl, coffee cup and saucer decorated with dry blue flower sprays, a fluted coffee cup and saucer with gilt scrolls and turquoise bands, a coffee cup with puce flower sprays and a slop bowl with green leaf sprigs, 15.8cm max. (7) £100-200

447 A Derby fluted teabowl and saucer, c.1765, painted outside the factory by the ‘Dot Rose’ painter, a bell­shaped mug with similar decoration by the same hand, and a lozenge­shaped dish with ‘Dot Rose’ decoration in Green camaieu, the rim moulded with flowerheads, minor faults, 28.6cm max. (4) £120-180

448 Five English porcelain cream jugs, c.1760­80, two Worcester and of low Chelsea ewer form, another later low Chelsea ewer with a simple polychrome design, and two sparrowbeak jugs painted with Chinese figures in garden settings, some faults, 11cm max. (5) £200-300

449 A Worcester teacup and saucer and a milk jug, c.1760, the cup and saucer with Warmstry fluting, the jug of high Chelsea ewer form with spiral moulded leaves, all decorated in a turquoise glaze, and a Worcester barrel­ shaped teapot and cover decorated with gilt flower garlands, minor faults, 19.5cm max. (5) £400-500

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450 A Worcester hexagonal teapot stand c.1760­65, painted with the Chinese Musicians pattern, a lady seated and playing a pipe, flanked by other figures with a fan and a flywhisk, the rim with a green hatched border, 14.4cm. £200-300

451 A Worcester teacup and saucer, c.1775, the fluted forms decorated in a version of the Hop Trellis pattern with berried swags entwined around four panels of dark blue and gilt trellis within shaped pink borders with hatched diaper decoration, 13.5cm. (2) £300-500

Provenance: the Raymond Dennis Collection, Woolley and Wallis, 25th February 2014, lot 83.

452 A Worcester dessert dish, c.1770­80, painted to the well with an exotic bird standing beneath a leafy tree with a further bird perched in its branches, the rim with gilt flower garlands suspended from a wide blue rim, 24.3cm. £300-400

453 A Worcester dessert dish, c.1775, the shallow fluted form painted with a Hop Trellis pattern, with berried garlands looping from puce and gilt trellis panels reserved between narrow bands of turquoise and black scale ground, 20.6cm. £250-350

454 A Worcester coffee cup and saucer, c.1775, the fluted forms painted with berried garlands in the Hop Trellis manner, the leafy swags suspended with gilt hoops edging a narrow band of blue and black caillouté decoration, 13.5cm. (2) £300-500

455 A Worcester shaped dessert dish, c.1760­70, of lobed oval form, painted with large panels of fancy birds amid leafy branches, and smaller panels containing colourful moths and other flying insects, within gilt scroll cartouches on a blue scale ground, square seal mark, 25.7cm. £350-450

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456 A good Worcester ovoid vase, c.1770, richly decorated with a wide panel of two phoenix or other fancy birds perched on flowering chrysanthemum stems and holey rockwork, two further panels of chrysanthemum and banded hedges in the Kakiemon palette, alternating with narrow bands of gilt and white flowerheads on a deep blue ground, square seal mark, 15.2cm. £450-600

457 A large Worcester vase, c.1768­70, of rococo form, painted with large heart­shaped panels of fancy colourful birds amidst leafy branches, reserved within a gilt scroll border on a wet blue ground, with scroll handles, blue square seal mark, the cover lacking, some restoration, 24cm. £300-500

459 A Worcester coffee cup and saucer, c.1765­70, decorated in a Japan pattern with Imari prunus to the well and bands of Kakiemon flowers radiating between blue panels and stylized chrysanthemum mons, pseudo Chinese marks, 13.2cm. (2) £100-200

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458 A Derby wall pocket, c.1760­65, of cornucopia shape, painted with exotic birds perched on and beneath leafy branches, within heavy moulded scrollwork picked out in puce, turquoise and gilt, some chipping, 23.7cm. £100-200

460 A Worcester teacup, c.1770, painted in the London atelier of James Giles with sprays of dry blue flowers, a fluted Worcester coffee cup painted in the Kakiemon palette with the Two Quail pattern, and a sparrowbeak jug painted with a tied formal flower spray in shades of pink, puce and green with gilt detailing, 9.2cm max. (3) £200-300

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461 A Worcester dessert plate from the Bishop Sumner service, c.1775, richly decorated in the manner of Chinese famille verte with a kylin and a phoenix to the well, the rim with six panels of birds, flowers and mythical beasts, the underside with three floral sprays, 22cm. £200-300 The pattern is a direct copy of a Chinese original from the Kangxi period (1662­ 1722) although the palette is not true to the Chinese porcelain. There are several Bishop Sumners after whom the service could be named ­ perhaps the most likely are the brothers John Sumner, Archbishop of Canterbury (1780­ 1862) and Charles Sumner, Bishop of Winchester (1790­1874) ­ but as both lived in the 19th century the service cannot have been originally made for them.

It is possible that a link was made when the service was sold as part of one of the bishop’s estates.

462 A rare Worcester leaf­moulded butterboat c.1755­56, formed from overlapping geranium leaves with a short stalk handle, the interior painted in polychrome enamels with Oriental flower sprays, a restored rim section, 8.6cm. £200-300 Provenance: a private collection in London.

463 A small Worcester teapot and cover c.1758­60, printed in black with a cockerel, hen and chicks to one side, the reverse with fancy birds perched on the ground and low branches, the cover with a duck and other birds in flight, 14cm. (2) £300-500 Provenance: a private collection in London.

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464 A good Worcester printed and hand­ coloured coffee cup and saucer, c.1760, decorated with Les Garçons Chinois pattern, one side with two Chinese figures clambering on rococo scrollwork, the reverse of the cup with a figure similarly seated with a hoop on a line, 11.7cm. (2) £400-600

465 A Worcester hot water jug and cover, c.1760­65, painted with panels of flower garlands within rococo scroll gilt panels on a blue scale ground, open crescent mark, 14.3cm. (2) £350-450

466 A Worcester trio, c.1765, comprising a coffee cup, teabowl and saucer, painted with colourful fancy birds perched in and beneath leafy branches, reserved on a wet blue ground with gilt caillouté decoration, 12.5cm. (3) £400-600

468 A Worcester mug, c.1758, the bell­shaped form finely painted with a loose spray of tulip and other flowers tied with blue ribbon, a colourful moth and small sprigs to the reverse, grooved strap handle, a section broken and restuck, 8.7cm. £100-200

469 A Caughley trio, c.1790, comprising a teabowl, coffee cup and saucer, the fluted forms painted with back to back pink roses between formal scrolls in blue, red and gilt, 14cm. (3) £100-150

Paper labels for the Rous Lench Collection, no. 612, and for the Zorensky Collection.

467 A Worcester slop bowl, c.1770, printed and coloured with scenes of Classical ruins and painted with small scattered flower sprays, later blue crossed swords and 9 mark, 15cm dia. £100-200 Provenance: a private collection in Sussex.

Provenance: a private collection in London.

470 A Worcester circular basket, c.1760, painted to the well with a polychrome flower spray, the sides formed of interlocking circles, and a Chelsea­Derby fluted teabowl and saucer painted with panels of flowers reserved on a claret ground, a small repair to the basket, 17cm across max.

(3) £100-200

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471 A Caughley part tea service, c.1790, the fluted forms simply decorated with narrow gilt bands on a white ground. Comprising: a teapot and cover with stand, a sucrier and cover, a slop bowl, a coffee cup, two teabowls and two saucers. (11) £100-150

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472 A large Bristol salt or sweetmeat stand, c.1770­75, formed of three deep scallop shells around a spray of coral, raised on a rocky base applied with small shells, coral and seaweed, some faults, 21.5cm. £800-1,200

473 A Worcester salt or sweetmeat stand, c.1756­60, formed of three scallop shells, each painted with a wealth of flowers in polychrome enamels, around a central stump of coral applied with shells and seaweed, all echoed to the rocky base, minor faults, 16cm across. £450-650

474 A Plymouth white­glazed salt or sweetmeat stand, c.1768­70, formed of three large scallop shells centring around a whelk shell applied with coral and seaweed, all raised on a rocky base encrusted with further shells, coral and seaweed, minor restorations to the rim, 18.5cm across. £1,000-1,500

475 A Plymouth shell salt, c.1768­70, left in the white, the large shell supported on a base of further smaller shells and coral, two small restored sections, 13.2cm across. £550-650 Cf. F Severne Mackenna, Cookworthy’s Plymouth and Bristol Porcelain, pl. 35, fig. 57 for an enamelled pair of the same form.

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476 A Bristol teapot and cover, c.1775­80, the squat barrel­shaped body painted in polychrome enamels with sprays of fuchsia and rose amid small scattered sprigs, the shoulder with a band of moulded basketwork, with short moulded spout and angular handle, yellow X 18 mark to the underside, a little chipping to the spout, 21.5cm across. (2) £500-700

477 A Bristol teapot and cover, c.1772­75, the inverted pear shape painted with a stylized flower border in blue, puce and green with similar small scattered sprigs, blue X mark and puce 8, a little restoration, 17.5cm across. (2) £500-600

478 A Bristol teapot and cover, c.1772­75, the globular body painted with posies of European flowers in polychrome enamels, with single scattered blooms around, blue X8 mark, a restored rim chip to the cover, 21cm across. (2) £400-600

479 A Bristol teapot and cover, c.1775, the globular body painted in green camaieu with loose flower garlands suspended from rings and a brown line border, with small scattered sprigs around, the short spout with rococo moulding, 18cm across. (2) £450-650

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480 A Bristol mask jug, c.1770­72, finely painted with sprays of flowers in a muted polychrome palette, the rim with a berried garland encircling a gilt line, the spout formed as a bearded mask, blue X mark, the handle restored, 19.8cm. £300-500

481 A Bristol plate, c.1772­75, the well painted with a flower spray including a large tulip, the rim with flower garlands suspended from a border of interlaced grey and purple ribbons around gilt roundels, blue X mark, 23cm. £250-350

482 A Bristol coffee pot and cover, c.1775, the slight ogee form painted with flower sprays including rose and convolvulus beside small leaf sprigs and further flower stems, the rim with a continuous leaf garland entwining a puce band, gilt 2 mark, some restoration, 24cm. (2) £800-1,200 Paper label for the Simpson Collection.

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483 A Bristol vase, c.1770, of flared trumpet form, painted with delicate flower garlands and small scattered sprigs in polychrome enamels, the interior rim with a narrow puce border, a restored rim crack, 12.5cm. £300-400

484 Two Bristol milk jugs, c.1770, one painted in green camaieu with floral swags suspended from roundels, blue cross and 4 mark, the other with sprays of polychrome flowers, red cross and 7 mark, some damages, 8.8cm. (2) £100-200

485 Two Bristol teabowls and a saucer, c.1775­80, with shaped rims, painted with flower stems in a muted polychrome palette, and another Bristol saucer painted with flower sprays, blue crossed swords mark and gilt 4 to the latter, some faults, 12.8cm max. (4) £100-200

486 A rare Bristol sauceboat, c.1775, moulded with swags of flowers and leaves above a stiff leaf border, painted in puce monochrome with further flower sprays, beneath the spout with a single narcissus, 16.5cm. £350-450

Provenance: a private collection in Sussex.

487 A large Bristol mug, c.1772­75, the generous baluster shape painted with a spray of rose and other flowers with small scattered leaves and posies, the rim with a continuous C scroll border entwined with leaves, blue crossed swords and dot mark, a restored rim crack, 16.3cm. £300-400

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488 A large and rare Liverpool (Philip Christian) vase, c.1768­72, of baluster form, painted with shaped panels containing a peacock and other colourful birds perched on and around leafy foliage, flanked by smaller panels of polychrome flowers within gilt scroll borders on a washed blue or gros bleu ground, the cover lacking, 24.5cm. £300-500

489 A Longton Hall vase and cover, c.1758­60, of asymmetrical rococo form, painted with colourful butterflies within moulded panels applied with flowers, the cover made up of a variety of different blooms, dark red C marks, a little restoration, 20cm. (2) £120-180

Cf. Maurice Hillis, Liverpool Porcelain, p. 227, fig. 6.9 for a similar but smaller example with floral decoration.

490 A Chelsea­Derby coffee pot and cover, c.1770, the fluted baluster form painted with a spray of European flowers with further single stems, around the base of the spout with a band of leaves, 26cm. (2) £400-500

491 A rare Derby harvest jug, c.1758­60, painted with summer flowers and ripe ears of corn, the reverse with a single narcissus and a spray of blue flowers, 18.4cm. £200-300

Paper label for the Varnam Collection, No. 31.

Exhibited: Klaber & Klaber, 75 Jugs Exhibition, 1993. Paper exhibition label.

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492 A Samuel Gilbody (Liverpool) teabowl, c.1758­60, the finely potted form painted in polychrome enamels with a Chinese figure standing beside a table bearing vases of flowers, beside a gnarled pine tree, the interior with a small flower sprig, 7.5cm. £150-250

493 A rare and early Lowestoft teapot and cover, c.1768­70, painted in polychrome enamels with a Chinese boy and his mother playing in a garden beneath flowering branches and before a low fence, the slightly domed cover with an open flower knop, cracked, 18.2cm across. (2) £500-800 Provenance: a private collection in London.

Cf. Geoffrey Godden, Lowestoft Porcelains, p.27, pl.18 for a teapot with similar early overglaze enamel decoration.

494 A rare Longton Hall armorial mug, c.1758­60, printed in black by John Sadler of Liverpool with the arms of the Stevenson of Balladoole family above a banner inscribed with the motto ‘Omnia Vincit Assiduitas’, 13cm. £300-500

495 A Longton Hall mug, c.1755, the slender waisted body painted with a spray of flowers including rose and tulip, with further scattered sprigs and flower stems, the handle with a leaf thumbrest with puce detailing, some peppering, 9.5cm. £150-250

This mug was probably made for Richard Ambrose Stevenson (1742­1773). The family were originally Irish (Fitzstephens) but can be traced back to the Isle of Man from the 14th century.

Provenance: a private collection in Sussex.

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496 Four Chelsea­Derby plates, c.1775­85, one painted en grisaille with a smoking burner within a pink swagged rim, another with a putto emblematic of Neptune within a grey husk border, another with a festooned urn amidst scattered insects and a berried garland border, a Chelsea­Derby fluted coffee cup and saucer in the same pattern, and a similar plate possibly later and marked with a red crown over anchor, some wear, 23.2cm max. (6) £200-300

497 A Derby wash basin and ewer, c.1780­85, finely painted with polychrome flower sprays within a border of puce and turquoise leaf garlands, crowned blue D marks, and a Chelsea­Derby chamberstick painted with similar flower sprays, some damages, 25.3cm max. (3) £100-200

498 Two Derby mugs, c.1780, one of thistle shape, the other cylindrical with moulded bands, each painted with delicate flower sprays within gilt and cobalt blue bands, a fluted teabowl and saucer painted possibly by Edward Withers, and a Chelsea­Derby plate painted with scattered moths around sprays of fruit and flowers, various marks, 21.7cm max. (5) £200-300

499 Three Derby dessert dishes, c.1785­95, one of lozenge shape and painted by Zachariah Boreman with a view of Grasmere (titled beneath) within a wide border of panelled roses and gilt designs on a blue ground, a circular dish painted with a putto playing the violin within a similar border, and a plate painted with a central urn within flower swags, puce and blue factory marks, painter’s numbers for Thomas Soare and John Yates, 32cm max. (3) £250-350 Provenance: the plate formerly in the collection at Kedleston Hall. Sold 13th March 2002, lot 133.

500 A Bow milk jug, c.1750­54, applied with three sprigs of flowering prunus and enamelled in the Kakiemon palette with small Oriental flower sprays, and a Derby fluted creamer, painted with sprays of European flowers, 11.5cm max. (2) £100-200

501 A Derby caddy spoon, c.1770­80, the large egg­shaped well painted with polychrome flower sprays within a puce line rim, with flat shell handle, 10cm. £80-120

502 A Chelsea octagonal teabowl, c.1755, painted with sprays of polychrome flowers and small scattered sprigs, the interior well with a large moth or butterfly, red anchor mark, 7.8cm dia. £200-300

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503 A Bow octagonal meat dish and a plate, c.1755, painted in the Kakiemon palette with the Two Quail pattern, the birds beneath tall flowering branches, the rims with a continuous floral border in iron red and gilt, some restoration to the meat dish, 27.5cm max. (2) £400-500

504 A rare Bow silver­shaped dish or stand, c.1755, the circular fluted form painted in the Kakiemon palette with the Two Quail pattern, raised on a low circular foot, red 2 mark, some wear and damages, 22cm. £200-300

505 Five English porcelain cutlery handles, c.1752­60, one Chelsea and moulded with tea plant sprays in the white, a Bow white­glazed haft with a prunus design, two Bow and painted in underglaze blue with flower sprays and a formal border, the last painted in polychrome enamels with a Chinese landscape and flower sprays, some faults, 21.7cm max. (5) £250-350

506 A large Chelsea oval dish, c.1755, painted with polychrome flower sprays and small scattered sprigs within in a brown line rim, red anchor mark, some rim faults, 36.5cm. £100-150

Provenance: a private collection in Sussex. Cf. Christie’s, 25th November 1991, lot 121.

Provenance: a private collection in London.

507 A large Chelsea bowl, c.1760, the spiral lobed form moulded and coloured to the base with a band of leaves, painted in polychrome enamels with small sprays of European flowers and single scattered sprigs, red anchor mark, 18.5cm dia. £150-250

508 A Chelsea sucrier and cover and a teapot, c.1756, of flared angular form, painted with sprays of European flowers and small scattered sprigs, brown line rims, red anchor and 2 marks, damages, the teapot’s cover lacking, 20cm max. (3) £100-200 Provenance: the Watney Collection.

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509 A large pair of Longton Hall sauceboats, c.1755, the generous scroll­ moulded forms painted with sprays of flowers including rose and convolvulus, the interiors with further sprays and scattered leaves, with puce detailing, some damages, 21cm. (2) £400-600 Provenance: the Watney Collection.

Exhibited: English Ceramic Circle, 2006, no.125.

510 A rare Chelsea sunflower bowl or tureen and cover, c.1755, naturalistically modelled, the small pot with a wide rim of yellow petals above sides moulded with green sepals, the cover formed as the seedhead, the cover heavily restored, 13cm dia. (2) £800-1,200 Cf. Flowers and Fables: A Survey of Chelsea Porcelain 1745­69, nos. 98 and 99.

511 A small Bow teapot and cover, c.1752­54, painted in famille rose enamels with birds in flight above flowering peony and a large lotus leaf, damages and restoration, 16.5cm across. (2) £150-250 Provenance: a private collection in London.

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512 A Chelsea botanical cabinet beaker, c.1765, of generous U­shape, finely painted with a profusion of flowers including sweetpea, tulip, rose and convolvulus, all reserved on a gold ground, broken and restuck, 9cm high. £100-200 Provenance: the Watney Collection.

513 A Chelsea scent bottle, c.1755, modelled as a bottle contained in a yellow wicker basket, the neck painted with sprays of flowers, moulded with a bottle ticket inscribed ‘Eau de Senteur’, with a gilt metal mount and a stopper formed as a colourful butterfly with folded wings, 9.2cm. £2,000-3,000

Cf. Elizabeth Adams, Chelsea Porcelain, p.174, fig. 12.2 & 3.

514 A Chelsea scent bottle, c.1755, modelled as a bottle contained in a yellow wicker basket, the neck painted with sprays of flowers, moulded with a bottle ticket inscribed ‘Eau de Senteur’, the stopper lacking, 6.6cm. £1,500-2,000

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515 A St James’s (Charles Gouyn) etui or bodkin case, c.1753­55, the cylindrical form finely painted in the atelier of James Giles with sprays of flowers on a white ground, with gilt metal mounts, 9.7cm. £3,000-5,000

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516 Two pairs of Derby figure stands, c.1760­ 65, the shaped square forms painted with panels of fancy birds standing among foliage, the scrolled bases picked out in green, puce and gilt, minor faults, 10cm high max. (4) £600-1,000

517 Two Derby figure stands, c.1760­65, painted with panels of exotic birds alternating with moths and other flying insects, the scrollwork picked out in green and gilt, and a large white­glazed stand, probably Chelsea, modelled with wide foliate scrolls, some faults, 25cm across max. (3) £400-600

518 Four Chelsea tripod stands, c.1760, a bunch of grapes hung between each scrolling foot, the top of which terminates in a shell above the flat surface, the moulding detailed in green, puce and gilt, gold anchor marks to two, puce anchor to another, some faults, 8.5cm high. (4) £500-800 Two with a paper label for the F Hurlbutt Collection.

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519 A Plymouth white­glazed figure of a putto, c.1770, probably emblematic of Autumn, holding a bunch of grapes up to his mouth with his left hand, standing beside further fruiting grapevine and raised on a tall scrolled base, a section of the bocage lacking, 14.5cm. £600-800

520 A Vauxhall figure of a putto, c.1760, possibly emblematic of the Arts, modelled as a painter or artist with a palette and paintbrush, sketching a portrait on a plaque beside him, raised on a scrolled base with puce detailing, restoration to his painting, 13.5cm. £600-800

521 A Plymouth white­glazed figure of a putto, c.1770, standing on top of a tall rocky base beside a flowering branch, holding a large conch shell in his right hand and a small flower posy in his left, 15cm. £600-800

Cf. Victoria and Albert Museum, Accession No. 414:695­1885 for a similar figure of Spring.

522 A Plymouth figure group, c.1770, modelled with two putti and a goat before flowering bocage, entwined with further flowers, raised on a tall scrolled base with gilt detailing, restoration to the bocage, candle sconce lacking, 19cm. £800-1,000 The original source for the model is a bronze group by Jacques Sarazzin of c.1640 in the Louvre. The same group was produced at both Longton Hall and Vauxhall and it is possible that the Plymouth example copied these rather than the original bronze.

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523 A Plymouth figure of a female musician, c.1770, seated between flowering branches and playing the mandolin, raised on a tall scrolled base picked out in gilt and turquoise, restoration, 15cm. £300-400

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524 A rare set of Plymouth figures of the four Seasons, c.1770, each modelled as a putto with varying attributes, Spring with a bird’s nest, Summer with a sheaf of corn, Autumn holding a glass and grapes, Winter wrapping a fur­lined robe around his shoulders, with gilt detailing and enamelled faces, raised on low scrolled bases, some restoration to Autumn, 12cm max. (4) £1,800-2,200

525 A set of four Derby figures of the Rustic Seasons, c.1770­75, modelled as children with varying attributes, Spring holding a basket of flowers, Summer a sheaf of corn, Autumn a basket of grapes, Winter wearing ice skates, incised numbers to the bases, some restorations, 15cm. (4) £500-800

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526 A pair of Derby candlestick figures of the Ranelagh Dancers, c.1760­ 65, each standing with one hand resting on a flower­encrusted branch supporting a pierced sconce, their other hand resting on their hip, raised on tall scrolled bases, 26.6cm. (2) £350-450

527 A rare pair of Derby figures of a boy and girl with a Macaroni dog and cat, c.1775, the boy half kneeling on rockwork and wearing a short blue cloak, his spaniel wearing a black tricorn hat, the girl resting one foot on a tree stump and clutching a cat trying to escape from a frilled bonnet, restoration to the girl’s neck, 15cm. (2) £150-250

528 A pair of Derby biscuit porcelain figures of putti, c.1780, each seated on rockwork beneath an oak tree, one with a hooded falcon resting on his right hand, the other with a dog licking his face, incised N213 to the bases, minor chips, 12.7cm. (2) £200-300

529 A pair of Derby figures of musical shepherds, c.1760, each modelled seated before flowering bocage, he playing the bagpipes with a dog by his side, his companion playing the mandolin with a lamb beside her, each with a pierced sconce to one side, 20cm. (2) £300-400

530 A matched pair of Derby candlestick figures, c.1765, of a young shepherd playing the flageolet while his companion dances, each raised on a scrolled base and with a pierced sconce and drip pan supported on their heads, minor damages, 23.3cm. (2) £350-450

531 Two Derby figures, 18th/19th century, one of Earth, c.1780, modelled by Pierre Stephan as a young gardener standing beside a potted plant resting on a plinth, the other a Bloor Derby figure of a milkmaid, c.1825, carrying two churms, 18.3cm max. (2) £250-350

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532 A large Derby sweetmeat figure, c.1756, modelled as a gentleman seated with crossed ankles, a shallow basket resting between his hands on his lap and painted to the interior with flowers, two lambs and a dog recumbent at his feet, his head turned to the right, raised on a scrolled base picked out in green, puce and gilt, minor restorations, 22.5cm. £600-800

533 A Derby dry­edge figure of a girl, c.1755, seated with her right foot raised and leaning over a large pink hat resting in her lap, a small posy of flowers held in her left hand, some restoration, 12.2cm. £800-1,000

534 A Bow white­glazed figure of birds in branches c.1755, modelled with two finches perched on gnarled branches applied with flowers, leaves and fruiting grapevine, a dog barking at the base of the tree, some restoration, 15.5cm. £200-300

535 A Bow figure of a female musician, c.1760, seated and playing the zither, her head slightly turned to the left, wearing a pale yellow bodice over a flowered skirt, raised on a footed base with puce and blue detailing, 17.6cm. £450-550

Provenance: a private collection in Sussex.

Cf. Peter Bradshaw, Bow Porcelain Figures, pl.67.

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536

537

538

539

536 A Derby figure of a shepherdess, c.1757, standing on a tall scrolled base, a lamb recumbent at her feet and a small posy of flowers held in her left hand, some restoration, 23cm. £120-180 537 A rare Bow miniature figure of a boy, c.1765, standing with his left hand outstretched, holding a flower in his right, raised on a scroll footed base picked out in green and gilt, small losses, 12.8cm. £250-350 538 A Bow figure of Venus, c.1760­65, standing with her right leg crossed before her left, her right arm outstretched, a pair of doves billing at her feet, raised on a low scrolled base with puce detailing, some restoration, 24cm. £300-400 539 A Derby figure of a dancing shepherdess c.1760­65, a small posy in her extended left hand, holding the edge of her skirt with her right, raised on a low circular base applied with flowers, some restoration, 16.7cm. £120-180 540 An early near pair of Derby sweetmeat figures, c.1753­55, attributed to Andrew Planché, modelled as a gallant and his companion, each seated on a rocky base applied with flowers, resting a large scallop shell in their laps, the shells’ interiors painted with further flowers, the bases with dry­edge characteristics, some restoration to the female figure, 16.5cm. (2) £1,000-1,500 540

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Cf. John Twitchett, Derby Porcelain, p.41, pl.2 for the male figure. One figure with a paper label for the C R Stephens Collection.

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541 A matched pair of Derby sweetmeat figures, c.1760­65, modelled as a young man and his companion standing before flowering bocage and supporting the lid of a large rectangular casket to one side, raised on scrolled bases applied with flowers, some restoration and small chips, 20.5cm. (2) £450-600

541

542 An early Derby figure of a Scottish dancer, c.1755­56, with some dry­edge characteristics, standing on a low pad base and holding the edge of her skirt in her right hand, wearing a ruffled skirt and yellow hat, the base applied and painted with flowers, some restoration to her hat, 15.5cm. £600-800 543 A rare Bow figure of the Squire of Alsatia, c.1760, standing with one foot turned out, his right hand in his pocket and left extended, his tricorn hat tucked under his left arm, wearing a pale yellow coat over a flowered waistcoat, the low scroll base picked out in pencilled enamels, restored, 15.2cm. £500-700 Cf. Peter Bradshaw, Bow Porcelain Figures, p.154, pl.163.

544 A Bow figure of a Levantine lady, c.1760, after a Meissen original, standing and wearing a flowered coat over a striped outfit, her right hand raised to lift her pink headdress, raised on a footed base picked out in puce, blue and gilt, minor faults, 18.5cm. £400-600 This figure, which was widely copied at both Bow and Chelsea, derived from plates in the Comte de Ferriol and Le Hay’s ‘Receuil de cent estampes représentant différentes nations du Levant’, published in Paris in 1714 with a smaller German edition published by Christoph Weigel at Nüremberg in 1719 and 1721.

545 A Bow figure of Pedrolino or Pierrot, c.1755, from the Commedia dell’Arte, wearing a yellow costume edged in purple pencilled scrolls, his arms outstretched, the low pad base applied with flowers and leaves, some damages and losses, 15cm. £200-300 The figure was first modelled by Reinicke at Meissen, using an engraving by Francois Joullain in Louis Riccobini’s ‘Histoire du Theatre Italien’, published in 1731, and was faithfully copied by Bow.

542

543

544

545

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546 A large and previously unrecorded Bow figure, c.1760­65, probably depicting Nike or Victory, the winged goddess with both arms extended and holding a flower garland before her, standing before fruiting and flowering bocage, the circular base with a gilt husk border, red anchor and dagger mark, some restoration, 35.5cm. £300-500

547 A rare Bow figure of the Poultry Chef, c.1755, wearing a floral­ patterned coat over pink breeches, holding a large plate with the edges of his apron, with two cooked birds surrounded by slices of orange, raised on a low pad base, some chipping, a repair to the plate, 17.3cm. £800-1,200

Mythological figures of this type are unusual in Bow porcelain and this may be an attempt to imitate the Muses being produced at Chelsea.

548 A rare Bow figure of a lady, c.1758­60, copying a Meissen model by Peter Reinicke, wearing a layered crinoline dress with a gilt locket or pocket watch suspended from her waist, holding a partially folded fan in her right hand, raised on a low scroll base applied with flowers, some restoration, 15.8cm. £800-1,200 Cf. Len and Yvonne Adams, Meissen Portrait Figures, P.115 for the original Meissen figure and her companion, the Marquis.

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549 A Derby figure of the Garland Shepherd, c.1760­65, leaning on a tree stump applied with flowers and holding a scrolled letter in his left hand, a dog seated by his right foot, a few small chips, 18.3cm. £200-300

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550 A rare set of four Derby figures of the Elements, c.1770, emblematic of Earth, Water, Fire and Air, each modelled with varying attributes, Fire with a flaming brazier and cannon, Air holding a bird with its cage in her other hand, Earth with a spade and watering can, Water holding a fish, with a creel at her feet, each raised on a pierced scrolled base with turquoise and gilt detailing, a little good restoration, 24.5cm. (4) £1,000-2,000 The figure of Fire is adapted from the similar Derby figure of War, while Water derives from a Bow figure of Venus with Doves.

551 A set of Bow figures of the Rustic Seasons, c.1765, each modelled seated on a tall footed base, Spring with an abundance of flowers, Summer with sheaves of corn, Autumn with grapevine and a wine glass and Winter huddled over a brazier, some damages, 16.5cm. (4) £1,000-1,500

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552 A Longton Hall figure of Ceres, c.1755, emblematic of Summer, standing with a putto, holding a sheaf of corn and a sickle, wearing a corn ear diadem and scantily clad in a purple­edged robe, raised on a scrolled base with puce and green highlights, some good restoration, 16.3cm. £500-700

553 A Bow figure of a dancer, c.1760, after a Meissen model of Columbine, standing on a footed base with her feet turned out, holding a corner of her skirt in each hand, her bodice laced with yellow ribbons, some restoration, 19cm. £500-700

554 A Bow figure of a Flower Girl, c.1755­60, modelled with a basket of flowers suspended from the crook of her right elbow, her left hand holding the hem of her overskirt, wearing a patterned jacket and a hat tied with ribbon, some good restoration, 15cm. £400-500

555 A white­glazed Bow Commedia dell’Arte figure of Isabella, c.1752­ 55, standing in a theatrical pose with her right hip extended and back arched, her right hand holding the edge of her cloak, raised on a low pad base, her left hand lacking, 15.7cm. £800-1,200

Cf. Peter Bradshaw, Bow Porcelain Figures, pl.128. Bradshaw suggests that this figure is perhaps a copy of a Chelsea figure of Spring.

While a number of Italian Comedy figures produced at Bow were copied from Meissen’s Weissenfels series modelled by Kändler and Reinicke, this figure of Isabella appears to be unique to the Bow factory.

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The original Meissen figure was copied at Chelsea and it is possible that this Bow model copies its English counterpart rather than the German original.

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556

557

556 A Worcester blue and white butterboat, c.1758, formed of overlapping geranium leaves and painted to the interior with flowering sprays, and a miniature Minton vase, painted with pattern 780, with a panel of flowers reserved on a blue ground with gilt foliate design, the reverse with a shell motif, 10cm max. (2) £100-200 557 A Lowestoft blue and white teabowl and saucer, c.1780, painted with a Chinese pagoda landscape, a second teabowl with a bridge in a landscape, a dolphin creamer with a version of the Cannonball pattern, and a low Chelsea ewer with Imari flower sprays, some damages, 12cm max.

(5) £100-200

558

Provenance: a private collection in Sussex.

558 A group of Worcester blue and white teawares, c.1755­60, including three saucers painted with the Prunus Root, Waiting Chinaman and Fisherman and Willow patterns, the latter with a matching coffee cup, a small mug painted with the Walk in the Garden pattern, another mug and a coffee cup in the Prunus Root pattern, some damages, 12.3cm max. (7) £150-250 Provenance: a private collection in London.

559 A small group of English porcelains decorated in the Dragon pattern, c.1760­75, including a Bow spittoon, two Lowestoft teabowls and a saucer, a large Bow teacup and a Worcester coffee cup, all painted in underglaze blue with large scaly dragons chasing flaming pearls of wisdom, open crescent marks and painter’s numerals, damages, 10cm max. (6) £200-300

559

Provenance: a private collection in London.

560 A small group of English blue and white porcelains, c.1760­80, including a Vauxhall coffee cup painted with a figure fishing beneath a fringed tree, a Worcester butterboat painted with the Butterboat Formal Rose pattern, another of leaf shape with flower sprays and formal panels, a Worcester teabowl in the Arcade pattern, a Derby pickle leaf dish, a dolphin ewer, a Bow coffee cup in the Immortelle pattern, another in the Prunus Root pattern, and a button with a blue edge, possibly West Pans or Longton, some damages, 9.5cm max. (9) £150-250 Provenance: a private collection in London.

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561 A Worcester blue and white teabowl and saucer, c.1755­58, painted with the Gazebo pattern, a small hut protruding from crossed rocks, a figure in a boat to the foreground, workman’s marks, a short rim crack to the saucer, 11.7cm. (2) £100-200

562 A rare Worcester blue and white sauceboat, c.1765, of plain shape, painted with the One Porter Landscape pattern, the lip and foot with moulded gadrooning, crescent mark, 13.5cm. £150-250

Provenance: a private collection in London.

563 Two Worcester blue and white milk jugs, c.1754­58, one of Scratch Cross type and painted with the Cormorant pattern, the eponymous bird perched on a tall rock beside a figure fishing, incised cross, the other with the Warbler pattern, a bird perched among reeds beside rockwork, a fence and flowering branches, workman’s mark, rim cracks, 8cm max. (2) £250-350

564 A Worcester blue and white octagonal teabowl and saucer, c.1756, painted with the Romantic Rocks pattern, a figure walking to the edge of a jutting precipice on an island with further rocks, a low hut and pylon trees, a further figure in a boat to the foreground, the rim with a trellis border, workman’s marks, a short rim crack to the saucer, 12cm. (2) £300-500

Provenance: a private collection in London.

Provenance: a private collection in London.

565 A Worcester blue and white teabowl and saucer, c.1765, painted with the Waiting Chinaman pattern, the figure standing before a fence, with his hands tucked into the ends of his sleeves, open crescent marks, 13cm.

(2) £100-200

566 A Worcester blue and white sauceboat c.1770, painted with the Two Porter Landscape pattern, the strap­moulded form painted to one side with two figures carrying objects through an Oriental landscape, the reverse with flowers issuing from rockwork, open crescent mark, 16cm. £300-400

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567 A rare and early Worcester blue and white tart or patty pan, c.1753­ 54, the deep saucer form painted with the Patty Pan Angler pattern with a figure fishing from a boat beneath a willow tree, the interior sides with flowering branches, the exterior with stylized sprigs, workman’s mark, broken and restuck, 13.6cm. £500-800 Provenance: a private collection in London.

Cf. Bonhams, The Billie Pain Collection, 26th November 2003, lot 187.

569 A rare Worcester blue and white tureen stand, c.1772, painted with the Garden Table pattern after a Chinese original, with objects on a low table beside flowering branches and rockwork, within a wide Fitzhugh type border, 23.2cm. £800-1,200

568 A very rare Worcester blue and white meat dish, c.1772, painted with the Garden Table pattern after a Chinese design, a censer and other objects on a tabular slab beside flowering peony branches within a Fitzhugh border, 29.5cm. £800-1,200 Provenance: The Godden Reference Collection.

Illustrated: Branyan, French and Sandon, Worcester Blue and White Porcelain 1751­90, I.D.29.

570 A Worcester blue and white saucer dish, c.1775, printed with the Ribbon Root pattern, within a cell diaper border, hatched crescent mark, 18cm. £200-300

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571 A good pair of Worcester blue and white wall pockets, c.1755­58, of spiral­moulded cornucopia form, painted with the Cornucopia Floral pattern of flowering prunus branches, the rims moulded with a continuous flower garland, workmen’s marks, 22.5cm. (2) £600-800

572 A large Worcester blue and white bell­ shaped mug c.1760, well painted with the Walk in the Garden pattern, a lady holding a ruyi sceptre and being followed by a child holding a bird on a stick, the reverse with long­tailed birds perched in gnarled branches, workman’s mark, 14.5cm. £400-600

574 A rare Worcester blue and white fluted sauceboat, c.1765, painted with the Mission Church pattern, one side with an arched bridge beside a pagoda, the reverse with a figure in a boat beside an island, open crescent mark, 18cm. £250-350 Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain 1751­ 1790, I.B.6.

573 A Lowestoft blue and white coffee pot and cover, c.1780­90, printed with two figures walking before a tall and elaborate pagoda in an island landscape, the reverse with a fisherman and cormorant in a boat, beneath a cell diaper border, 23cm. (2) £400-600

575 A Worcester blue and white sauceboat, c.1765, painted with the Man with a Bomb pattern, a solitary Chinese figure holding his charge and looking back over one shoulder, the reverse with a fisherman beneath bamboo, on an osier moulded ground, open crescent mark, 18cm. £400-600

576 Two Worcester blue and white sauceboats, c.1755­60, one moulded and painted in the rare Boatman pattern, with flower sprays to the interior, the other double­ended and painted with the Two­Handled Sauceboat Landscape pattern, workman’s marks, some damages and restoration, 16.8cm max. (2) £250-350

577 An Isleworth blue and white sauceboat, c.1768­75, moulded with a dense floral design and painted with panels of tied European flower posies, a band of daisies on a trellis ground to the rim, a footrim crack, 16.2cm. £400-600 Provenance: a private collection in London.

Provenance: a private collection in London.

Exhibited: Roderick Jellicoe, 1998.

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578 A rare Worcester blue and white circular dish, c.1760­65, moulded with overlapping leaves within an eight­lobed rim, the well painted with a floral design in the Sweetmeat Stand Rose pattern, open crescent mark, 27.5cm. £1,000-1,200

579 A large Worcester blue and white two­handled sauceboat, c.1755, painted in the Two­Handled Sauceboat Landscape pattern with panels of birds, flowers and figures in landscapes, the handle terminals modelled as the heads of dogs or monkeys, workman’s mark, 21.5cm. £250-350

Provenance: The Godden Reference Collection. Sold Bonhams, The Geoffrey Godden Collection of Blue and White Porcelain, 30th June 2010, lot 60.

Illustrated: Geoffrey Godden, English Blue and White Porcelain, colour plate 31.

580 A rare Worcester blue and white junket dish, c.1765, painted with the Junket Dish Florals, Second Edition, with three panels of Oriental flowers to the moulded well within an elaborate diaper border, open crescent mark, 22.3cm. £600-800

581 A rare Worcester blue and white basket, c.1760, painted to the interior well with the Anemone and Bellflower Spray, the sides formed of interlocking circles, applied to the exterior with flowerheads, open crescent mark, 16.8cm. £400-600

Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain, no.I.E.35a.

582 A small James Pennington (Liverpool) blue and white scallop­edged plate, c.1765­70, unusually painted with a central vase of flowers resting on a shelf with suspended foliate swags, a Pennington’s teabowl and saucer with serrated edge, painted with a figure fishing in an island landscape, and a coffee cup and saucer, probably Chaffers, painted with a formal floral design, some damages, 16.1cm max. (5) £250-350 Provenance: a private collection in London.

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583 A Lowestoft blue and white coffee pot and cover, c.1765, of small size, painted to both sides with irregular panels containing chinoiserie pagoda landscapes reserved on a dark powder blue ground, a well restored chip to the cover, 17.8cm. (2) £800-1,200

584 A Bow blue and white salad bowl, c.1765, the deep square form with indented corners, painted to the interior with a fan­panelled design of figures in boats reserved on a powder blue ground, the exterior with tied scrolls and other auspicious objects, six character script mark, a section broken out and restuck, 22.5cm across. £200-300 Provenance: the Watney Collection.

585 A Bow blue and white octagonal plate, c.1765, painted with a central Chinese landscape, the rim with four fan­shaped landscape panels and four small circular floral panels all reserved on a powder blue ground, four character script mark, 22.5cm. £100-200

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586 A rare Richard Chaffers (Liverpool) blue and white octagonal beaker and saucer, c.1758­60, painted directly from the Chinese with the Jumping Boy pattern of an exuberant Chinese youngster beside his seated mother, four character script mark, a restuck section to the beaker, 11.8cm. (2) £250-350 Provenance: a private collection in London.

587 A Bow blue and white dish, c.1755­60, painted with the Golfer and Caddy pattern of a young boy carrying clubs behind a taller figure, and a Bow scallop shell pickle dish painted with the Koto Player pattern of a musician seated beneath a tree, some damages, 12cm max. (2) £250-350 Provenance: a private collection in London.

588 A rare Vauxhall blue and white sweetmeat stand, c.1756, formed of three scallop shells, each painted with tree above low huts in a Chinese landscape, the joined edges applied with small shells and a central whelk shell, small rim chips, 19.5cm across. £900-1,200 Only a small number of Vauxhall pickle shells of this form are recorded, including an example from the Watney Collection of the same pattern sold by Phillips, 10 May 2000, Lot 738. See also Woolley and Wallis, 17th June 2020, lot 319 for a similar example painted with chrysanthemum sprays.

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589 A rare Caughley mustard pot and cover, c.1790, the slender baluster form printed with the Travellers pattern after a print by Paul Sandby, a family standing beside a laden donkey, the reverse with a mother and child standing in a rural landscape, S mark to the underside, restoration to the cover, 9cm. (2) £300-500

590 A rare Worcester blue and white cream jug c.1755­56, of strap­ moulded form, the scrollwork panels painted with the Indian Fisherman pattern, a single figure fishing beneath willow trees, the rim with floral sprays, workman’s mark, restoration to the rim, 10cm. £250-350 Provenance: a private collection in London.

Provenance: a private collection in London.

Cf. Dr Chris Holloway and Felicity Marno, Paul Sandby and Related Influences on Caughley Porcelain, pp. 33­42.

591 A Worcester blue and white mug, c.1768­70, printed with the Thorny Rose pattern, a naturalistic rose spray loosely arranged with other flowers, crescent mark, cracked, 8.5cm. £50-100

592 A Lowestoft blue and white cream jug, c.1765­70, painted with a pagoda and tree behind a low trellis fence, the reverse with a figure in a boat, 7.3cm. £200-300

Provenance: a private collection in Sussex. Paper label for the Thistle Collection.

593 A Plymouth blue and white sauceboat, c.1768­70, of rococo moulded form, painted with panels of low huts in a landscape, and a Bristol creamer painted in underglaze blue with fringed trees issuing from rockwork, blue X mark, the Bristol creamer damaged, 14cm max. (2) £500-800 Provenance: a private collection in London.

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594 A Lowestoft blue and white punch bowl, c.1775, printed to the exterior with figures in a Chinese island landscape, with further similar landscape vignettes, the interior with the Pinecone spray and a painted trellis and husk border, 23.5cm dia. £300-400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

595 A large and early Bow blue and white tureen and cover, c.1753­55, the elaborate silver shape painted with alternating panels of Chinese pagoda landscapes, flowering plants and cash diaper between moulded gadrooning, with foliate scroll handles and raised on four wide scroll feet, some firing faults and damages, the finial lacking, 40cm across. (2) £1,000-1,500 Provenance: the Watney Collection. Formerly the Ainslie Collection.

Illustrated: Bernard Watney, English Blue and White Porcelain of the 18th Century, pl.7A.

596 A rare Bow blue and white two­handled sauceboat, c.1750­52, painted in a bright blue with a bird perched on branches of flowering magnolia within a hatched diaper border, the twin handles with mask head terminals, 18cm. £400-600

597 A large Bow blue and white coffee pot and cover, c.1758­60, the pear­shaped body with pineapple moulding beneath a cell diaper border, with crabstock handle and foliate scrolls decorating the spout, 24cm. (2) £500-800

Cf. Phillips, The Watney Collection, Part III, lot 838 for a similar example.

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598 A rare Worcester blue and white pickle leaf dish, c.1757­60, printed with part of the Heron and Bamboo pattern with bamboo and peony issuing from a low fence, within a solid blue border, 8.8cm. £250-350

599 An English porcelain blue and white pickle dish, c.1745, possibly Limehouse or Pomona, the leaf shape painted with a simple flowering branch issuing from two pencilled leaves, 12cm. £800-1,200

Cf. Branyan, French and Sandon, Blue and White Worcester Porcelain, pl.II.B.6A for a sucrier with this pattern on the cover.

Cf. Bonhams, 20th May 2015, lot 86 for a pair of similar dishes with the same stilt marks and a discussion of their possible origin.

600 A Lowestoft miniature or toy blue and white teabowl and saucer, c.1765­70, painted with boats in an Oriental landscape, the rim with a typical husk or berry border, painter’s numeral to the footrim of the saucer, 8cm. (2) £200-300

601 A Longton Hall miniature blue and white vase, c.1754­56, of bottle shape, painted with a spray of flowering peony encircling the body, the tall narrow neck rising to a slightly flared rim, 7.5cm. £500-800

Provenance: a private collection in London.

Cf. Victoria and Albert Museum, Accession No. C..746­1924 for a similar example.

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WE ARE CURRENTLY ACCEPTING ENTRIES FOR OUR SPRING AUCTIONS WEDNESDAY 17TH FEBRUARY 2021 WEDNESDAY 28TH APRIL 2021

A rare slipware owl jar and cover, late 17th century Estimate £6,000 - 8,000* ENQUIRIES Clare Durham | +44 (0)1722 424507 | cd@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

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PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 In excess of €500,000 0.25% Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 7 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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WOOLLEY & WALLIS SALEROOMS

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

ENGLISH & EUROPEAN CERAMICS & GLASS

Lot Number

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

TUESDAY 15TH DECEMBER 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

All accounts must be settled within 21 days.

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR

19th November to 2nd December – Christmas Gifts

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR FEBRUARY 2021 AUCTION

Around 150 lots of silver, jewellery, vertu, ceramics and small collectable items just in time for Christmas

Closing date: 6th January 2021

TIMED ONLINE AUCTION

DECEMBER 7th & 8th 9th & 10th 24th

Fine Chinese Paintings & Works of Art, Ja­ panese Works of Art Fine Jewellery English & European Ceramics & Glass

JANUARY 13th 27th 28th

Furniture, Works of Art & Clocks Silver & Objects of Vertu Jewellery

FEBRUARY 2nd 16th

Modern British & 20th Century Art Tribal Art & Antiquities

MARCH 3rd 16th & 17th 31st

Old Masters, British & European Paintings British Art Pottery, Clarice Cliff, Art Deco & Design Furniture, Works of Art & Clocks

APRIL 21st 22nd 28th

Silver & Objects of Vertu Jewellery English & European Ceramics & Glass

MAY 6th

Medals & Coins, Arms & Militaria

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

www.woolleyandwallis.co.uk