Woolley & Wallis

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Tribal Art & Antiquities Tuesday 9th February 2016

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

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ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE, WORKS OF ART & CLOCKS Mark Richards — Jim Gale — Anna Brown —

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PAINTINGS Victor Fauvelle Jo Butler

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TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Ellie Osmond

Members of The Society

ACCOUNTS Janice Clift (Office Manager) —

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MARKETING Tamzin Corbett

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GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

SILVER Rupert Slingsby Lucy Chalmers

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

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COMPANY SECRETARY Jim Macarthur CA — —

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ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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TRIBAL ART & ANTIQUITIES

Tuesday 9th February 2016 at 10.30am Viewing Times Friday 5th February Saturday 6th February Monday 8th February Tuesday 9th February

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.30pm 9.00am – 10.30am

ENQUIRIES Will Hobbs 01722 339752 willhobbs@woolleyandwallis.co.uk

Please note that requests for telephone bids cannot be accepted after 5pm on Monday 8th February.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

LIVE BIDDING

Please register by 5pm Monday 8th February.

Please note there is a 3% plus VAT surcharge for using this service.

Front cover: Lot 234 Back cover: Lot 275 detail Left: Lot 462 Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

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A collection of Roman glass vessels, 2nd / 3rd century BC, including five with ovoid bodies and long necks, highest 17cm, a beaker with a flared rim, 9cm high, a shallow bowl with foot, 17cm diameter, two ewers, both damaged, and a miniature vessel with lattice body and strap handle, 2.3cm high. (25) £1,500-2,000

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A carved bone figural fragment, of a folded tunic, a forearm and feet, 9.5cm high, on a stand, a marble clenched hand, a pottery shabti mould, a pottery bowl, a stand and an eastern pierced metal and stone set cap. (6) £100-200 Provenance George and Dora Mathues, Philadelphia, USA, acquired on Egypt in 1950's/60's and thence by descent.

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Four Egyptian faience shabtis; one turquoise with hieroglyphs to the reverse, 6.7cm, on wood stands. (8) £100-200 Provenance George and Dora Mathues, Philadelphia, USA, acquired on Egypt in 1950's/60's and thence by descent.

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An Etruscan terracotta head of Demeter, with plaited hair and tall diadem with five discs, almond eyes and wearing a necklace, 4th century B.C., 39.5cm high, on a moulded stand. (2) £2,500-3,500 Provenance Stewart Giles Galleries, Adelaide, Australia, purchased May 1989, thence by descent.

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A Daunian terracotta kyathos, the compressed bowl with a flared rim and a high loop handle, with banded polychrome decoration, 3rd century BC, 13cm high. £150-250 6.

A Tanega pottery figure, of a classical lady wearing a robe, her hair tied in a bun and with ringlets, 27.5cm high. £400-600 Provenance From the collection of John Loughborough Pearson, architect of Truro Catherdral who died in 1897 and thence by descent.

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A Chancay wood standing figure, Peru, carved with hands on abdomen and with genitalia, the face with black and red staining with a cloth garment fastened with metal pins, 38cm high, on a stand. (2) £400-600

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A Chancay woven doll, Peru, with a fibre body and embroided facial features, 32cm high. £400-600

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A Costa Rican carved stone figure, holding a staff, 26.5cm high. £150-250 7

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10. Two Mayan eccentric flints; one with a blade and bird head finial and with inscribed inventory number 264 B.S.I, 18cm long, the other of stylized form, 13cm long.

(2) £200-300

11. Two Danish Neolithic flint blades; one of tear drop shape with a serrated edge, 23.5cm long, the other of fish shape with a serrated edge, 23.5cm long, 4000 - 2500BC. (2) £200-300

12. A Neolithic adze blade, of rectangular form with pointed ends, 28.5cm long. £200-300 9

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13 13. A Veracruz seated figure of a warrior, wearing a headdress with large pierced ear lobes, his chest and forearms with applied rondels and wearing arm bands and sandals, with a bitumen finish, 43cm high. £300-500

14. A Chancay pottery double vessel, modelled a stylized figure with chevron bands to the front and reverse with a handle and spout, 17cm high. £300-400

15. A Peruvian carved wood staff, the tapering finial with vessels and fish above a pierced panel and a Janus mask, 112.5cm high. £100-150 14

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16. An Acoma pottery jar by Rosemary Chino, New Mexico, of globular form with a white ground and black linear decoration, signed the underside, 12cm high. £200-300 Provenance Peter Snow, artist, 1927 - 2008.

17. Two Acoma pottery bowls, New Mexico; one painted geometric panels in red and black, signed to the base Mrs Santana Antonio, the other painted three heart line deer, signed Rose Chino, £100-200 11cm high. (2) Provenance Peter Snow, artist, 1927 - 2008.

18. A Santa Clara Pueblo polished blackware pot, with a band carved the Avanyu pattern, the underside indistinctly signed, 20cm high. £150-250

19. An Acoma pottery bowl, New Mexico, with a white ground decorated a wide band of geometric shapes in black and red, 15.5cm high. £150-250

Provenance Peter Snow, artist, 1927 - 2008.

Provenance Peter Snow, artist, 1927 - 2008.

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20. Six Pre Columbian pottery objects; including a Mayan whistle, 12cm high, a seated maternal figure, 29cm high, a cup with black line decoration, a two handled pot and two figures. (6) £300-400

21. A Costa Rica pottery fragment bust, with handwritten label to the reverse Mexican Idol, dug up at Soledad during the construction of the Interoceanic Railway, 1889, 18.5cm high, a Nayarit pottery animal vessel, 10.5cm long, a smaller male animal, a seated female figure and a flat back figure. (5) £100-200 Provenance Douglas Liddell, C.E.O. Spinks in the 1970’s, joined in 1946.

22. Two Peru pottery vessels, modelled as a llama and a deer with brown and white slip decoration, 21cm high. (2) £100-200 Provenance Peter Snow, artist, 1927 - 2008.

23. A Mexican blackware pottery vase, indistinctly signed to the base, 16cm high, two pottery blackware models of fish and a blackware tripod incense pot. (4) £100-200 Provenance Peter Snow, artist, 1927 - 2008.

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24. An Inuit model kayak, seal skin on a wooden frame, with a carved wood seated figure holding a bone edged wood paddle, and with a bone knife in leather scabbard with bone harpoon, with typed label Esquimaux seal skin kayak collected

by Captain John Parker Snr. West of Baffin Bay 1847, 120cm long. £2,000-3,000 Provenance Bonhams, London, 20 July 2005, lot 24.

25. An Inuit figure, carved wood with an articulated body, wearing fur trousers and parka with button boots and with a metal knife with bone handle, late 19th century, 44cm high, on a stand. (2) £400-600 Provenance Collected by Scottish whaler Charles Donaldson between 1870 - 1880.

Donaldson served on the whaling ships, Active and Esquimaux.

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26. A pair of Haida figures, with carved wood bodies and polychrome decorated faces wearing fur and leather clothes, the female with a metal bracelet and the male with a copper knife, 30.5cm and 28.5cm high. (2) £500-600

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27. A Haida carved argillite and bone ‘pipe’ panel, modelled as a boat with the captain holding a megaphone at the prow with tobacco leaves, with railings and pitched roof buildings, one with remains of glass and with two seated figures, 37.5cm long. £800-1,200 cf. The Canadian Museum of History, Quebec, V11-B-743 for a carving by the same hand.

28. A Northwest Coast argillite totem, carved with the heads of a human, a bear and a bird, 18cm high. £100-200

29. A Northwest Coast cedarwood club, faceted and tapering form, the crescent head with a gum and inset pointed quills, with waxed string, 111.5cm long. £300-400 28

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33 30. An Inuit harpoon head attachment, fossilized bone or sea mammal tooth, St. Lawrence Island, early Punuk circa 500 AD, 13cm long. £250-350 Provenance Jaap Hillenius (1934 - 1999) Dutch artist.

31. An Inuit doll, St. Lawrence Island, with a marine ivory head and fur and leather clothes with beads, 25cm high. £150-250 32. An Inuit figure, with a carved wooden head with inset bone eyes, painted red and black with a cloth body and wearing leather and fur clothes, 48cm high. £100-200

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33. A Northwest Coast carved wood group, of a bird on a bears back with polychrome decoration, 20cm high, a maple and pine oval lidded box with sliding bone fastener, 13.5cm long and a rolled paper and bead necklace. (3) £150-250

34. An Inuit model kayak, skin and bone with a seated figure with carved wood head and hands, holding a paddle with a harpoon and sheath, 75.5cm long. £400-600

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35. A West Indies shoe horn, carved with a standing female terminal with hands on her breasts with beak like coiffure, early 19th century, 25.5cm high, on a stand. (2) £400-600 Provenance Monika Wengraf, London.

36. An Lapland knife, by Johanners Lauri, Rovaniemi, with a large blade decorated a landscape with wigwam, hut, and a reindeer pulling a sleigh, signed Johanners Lauri Rovaniem, with an antler handle decorated a reindeer head, 36.5cm long. £100-150 37. A Sami carved bone spoon, Scandinavia (Laplander), with pierced handle and with rings, decorated with geometric borders and leaves, 11.7cm long. £80-120

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38. A Senufo bed, Ivory Coast, with a raised semi-oval head support, on faceted tapering legs, 208cm long. £200-300 Provenance Vendor purchased in Johannesburg.

39. A Ndebele leather and beadwork skirt, South Africa, with geometric design and with tassels, 52cm wide. £150-200

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40 40. A Ndebele leather and beadwork skirt, South Africa, with a central image of a building, 45cm wide. £150-200

41. A Yoruba beadwork priest’s bag front, Nigeria, with three masks with raised eyes and noses, 33cm wide. £50-100

42. A Yoruba beadwork priest’s bag, Nigeria, the front panel decorated a mask, with cloth lined interior, 21cm wide. £50-100 41

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43. An Ibo male shrine figure, Nigeria, seated and holding a sword and an oliphant, with a long neck, and sharp featured face, with elongated horns, with yellow, white and black pigment, 79cm high. £300-400

44. A Bambara antelope head dress, Chi Wara, Mali, with pierced and notched decoration, 104.5cm high, on a stand. £400-600

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45. A Bambara standing female figure, Mali, with crested coiffure and pierced ears, nail eyes, a long neck, the body with scarifications, 80cm high, on a stand. £500-600

46. A Lobi copulating couple, Betise, Burkina Faso, both figures looking to the left, 54.5cm high, on a stand. £150-200 Provenance New York, 1979.

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47. A Dan Wobe mask, Ivory Coast, with applied skin and fur with metal studs and pigment decoration, 47cm high. £500-600 Provenance Monika Wengraf, London.

48. An Ibibo mask, Nigeria, with articulated mouth with blue, black and white pigment, 24cm high. £300-400 Provenance Ian Auld, London.

49. A Makonde mask, Mozambique/Tanzania, with a top lip plate, pierced eyes and inset hair, with black patina and white pigment, 23cm high. £150-250

50. A Cameroon mask, with black staining, white pigment to eyelids and ears with red to the lips and under the right eye, 26.5cm high. £300-400 Provenance Freddy Joy, London.

51. A Swazi headrest, South Africa, raised on ribbed tapering end supports with moulded crescents to the top, the underside with a circular lug, 45.5cm long. £300-400

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52. A Ekiti helmet mask, Nigeria, the crown carved a cross symbol with large eyes and bared teeth and with diced and linear coiffure, 30.5cm high. £300-400

53. An East African mask, with linear scarifications and a rectangular mouth with incised teeth, 26cm high, on a stand. (2) £200-300

54. A Bambara monkey mask, Mali, with pierced C shaped ears and elongated mouth with traces of applied decoration, 37cm high, on a stand. £300-400

55. A Dan mask, Ivory Coast, with applied brass studs and with pierced eyes, 27.5cm high. £300-400 Provenance Ian Auld, London.

Provenance Morris Joy, London.

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A Zulu head rest, with a slightly dished top on three supports with carved geometric decoration, 37.5cm long.

£300-400

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57 58 59 A Yoruba Oshe Shango staff, Nigeria, the Janus masks with an axe head, with a carved stem and base loop, 44cm high, on a stand. (2) £600-800 Provenance 57.

Ian Auld, London.

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A pair of Yoruba bronze Edan staffs, Nigeria, of a seated make and female, with chain link, 22.5cm high, on a stand.

£300-400

Provenance Monika Wengraf, London.

59. A Yoruba brass Osugbo staff, the conical base hung with bells and with scrolls and frogs, to a cylindrical shaft and flattened oval pierced face, with further applied bells and tapering finial, 19th century, 33.5cm high, on a stand. (2) £500-800 Provenance Monika Wengraf, London.

60. A Yoruba iron staff, Nigeria, with a chameleon finial and circular platform with four conical supports, 101cm high, on a stand, a Dogon iron staff, Mali, with a seated figure with bells, 90.5cm high, on a stand, and a East African iron staff with a bronze head finial, 117.5cm high, on a stand. (6) £200-300 61. A Yoruba metal staff, Nigeria, with a bird finial and a circular platform on conical and spherical support, the shaft with three sets of four bells, 117.5cm high. £200-300 Provenance Monika Wengraf, London.

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62. A Bambara iron dance staff, Mali, of three tiers hung with bell ornaments, 69cm high. £150-200 Provenance Monika Wengraf, London.

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63. Two Ibo title staffs, Nigeria, iron, one with spear head finial and the shaft centred a open twisted sphere with copper binding and with a spike and loop terminal, 151cm long, the other of similar design, 158cm long. (2) £400-500 Provenance Monika Wengraf, London.

64. A Yoruba Janus shango staff, Nigeria, with axe head finial above male and female masks, with different coiffure’s, both with scarifications, on a tapering and pierced shaft, 38cm high, on a stand. (2) £500-600 Provenance Christie’s, 4 December 1984, lot 99.

65. A Yoruba ceremonial axe, Nigeria, carved a kneeling female figure wearing a neck band, with a metal blade, the handle with a pierced loop, 45cm high. £600-800 Provenance Monika Wengraf, London.

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66. Three South African knobkerries; one plain, 73cm long, one large with wirework bands, 65cm long, and the third with an off centre finial with carved nodules, 85.5cm long.

(3) £150-200

67. A Zulu knobkerrie, Zimbabwe, with an off centre spherical head with depression to top and underside with a tapering shaft, 68cm long, on a stand. (2) £200-300

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68. Two South African hardwood knobkerries, with spherical heads and tapering handles, both inscribed U/T, £50-100 68cm long. (2)

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69. A Zulu knobkerrie, Zimbabwe, with a faceted spherical head and with a tapering shaft with a faceted grip, 66.5cm long, on a stand.

(2) £200-300

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An Abron doll, Ghana, with beads, 29.5cm high.

75 £100-200

71. A Zande Yanda figure, D.R.Congo, with copper wire earrings and band and with bead eyes, 21cm high. £1,000-1,500 Provenance Monika Wengraf, London.

72. A Nigerian mask, with a central crest and scarifications to the forehead and with pigment decoration, 27.5cm high. £50-100 73. An Eket circular mask, Nigeria, with a carved chevron edge, 18.5cm diameter, together with another Eket circular mask with pigment decoration, 15.5cm diameter. £200-300 Provenance Freddy Joy, London.

74. A West African mask, with central crest and horns with chevron decorated forehead, traces of pigment, 33cm high, and a Fang standing figure with white and black pigment finish, 35.5cm high. (2) £100-150 75. A Fang style reliquary head, with brass eyes, 27cm high, a heddle pulley carved a head, 21.5cm high, and a mask. (3) £150-200

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76. A Luba spoon, with a carved head finial, 42cm long and an Indonesian food bowl with a handle and spouted end, 32.5cm long. (2) £80-120

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77. An Igbo elephant spirit mask, Nigeria, of stylized form with three masks, white, red and black pigment, 56cm high, on a stand. £600-800

78. A Senufo Janus buffalo helmet mask, Ivory Coast, painted with red spots and alternate staining to inside of the mouth and eyes, 33.5cm high on a stand. (2) £400-600

Provenance Finch & Co, London.

These masks are known as fire spitter masks, and used to destroy malevolent spirits and sometimes their mouths would issue sparks.

Collected by Swedish missionary Josef La Gergren, later purchased from Gallery Leger, Gothenburg in 1969 by the Architect Kalle Jonsson.

79. A Dan mask, Ivory Coast, with remains of white pigment around the eye sockets, and with plaited fibre coiffure, 27.5cm high. £400-500 Provenance Monika Wengraf, London.

80. A Cameroon Grasslands blacksmith’s helmet mask, Babungo/Babanki, with expressive facial features and a circular platform crest with thirteen inset arrowheads, black patina with red and white pigment, 50cm high, on a stand. £800-1,200 Provenance Maurice Joy, London.

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81. A Bambara door lock, Mali, with a head surmount and with incised decoration, 37cm, on a stand. £400-600

82. A Dogon door lock, Mali, with twin figural finials and incised decoration, 37cm high. (3) £150-250

Provenance Ben Hunter, London.

Provenance Ian Auld, London.

83. A Senufo door lock, Ivory Coast, carved as a reptile, with incised finish and with horizontal bolt, 43cm long. (2) £50-100

84. A Senufo door lock, Ivory Coast, carved as a reptile with a diced texture and metal ring eyes, 42cm long. £50-80 84

85. A Cameroon Grasslands stool, of oval form with a dished seat and pierced ‘spider’ motifs, 39cm high, and another Grasslands stool with vertical supports, 40cm high. (2) £250-350 85

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A Yoruba bronze currency torque, Nigeria, 18th century, 27cm diameter.

£1,000-1,500

Provenance Monika Wengraf, London.

87. An Ekonda bronze arm currency, D.R.Congo, of tubular form with ridged bands, ribbed borders and with incised decoration, 19th century, 28cm long. £500-600 Provenance Monika Wengraf, London.

88. A Mbole copper currency, D.R.Congo, of spherical form, 19cm diameter. £150-200 Provenance Monika Wengraf, London.

89. An Ekonda bronze anklet, D.R.Congo, of tubular form with ridged bands, one end with ribbing, the other with incised symbols, 19cm long. £300-500

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90. A Nigerian priest’s pendant, with a group of miniature blacksmiths tools, suspended on a bar with a link chain, 11.5cm the longest tool. £200-300 Provenance Monika Wengraf, London.

91. Three Maasai goat charms, Kenya, with a bone girdled tear drop shaped pendant, with a metal ring and plated leather collar, the largest pendant 8cm long.

(3) £100-150 90

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Provenance Ian Auld, London.

92. A Yoruba bronze zoomorphic rattle, Nigeria, the four linked animals with pierced and incised decoration, 16.5cm wide. £150-250 Provenance Monika Wengraf, London.

93. A Nigerian priest’s necklace, of bells and bangles, on a chain, £50-100 Provenance Monika Wengraf, London.

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94. A Mfunte iron currency blade, Nigeria, of waisted form, 64cm high, on a stand. (2) £120-150

95. A Igbo brass coil currency, Nigeria, 26.5cm long. £150-250

Provenance Ian Auld, London.

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Provenance Monika Wengraf, London.

96. A Congo iron currency, of spear tip shape with knop finial and flange terminals and central shaft, 52.5cm long. £50-80

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97. A Bambara antelope headdress, Chi Wara, Mali, wood with carved decoration, the main figure with brass stud eyes, twisted wire earrings and a native repair at base of neck, 59.5cm high, on a stand. (2) £400-600

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98. A Tellem headrest, for a male, with incised linear and chevron decoration, 18.5cm high, and a Tellem rectangular headrest for a female, with incised decoration, end handles on a tapering foot, 18.5cm long. (2) £250-300 Provenance Monika Wengraf, London.

99. A Somali head rest, Ethiopia, with carved decoration to the outside of the U shaped rest and one of the twin supports, on a conical base, 23cm high. £150-250 100. A Silluk/Dinka head rest, Sudan, with inset brass rivets having a dished navette shaped top, tapering lifts and three legs, 44.5cm long. £250-350

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101. A Yoruba brass figure of a seated chief, Nigeria, with crested headdress and flared beard, holding a staff, 8cm high. £250-300 Provenance Ex collection Josef Herman.

Monika Wengraf, London.

102. A Senufo brass standing figure, Ivory Coast, with crested coiffure, 12.7cm high, on a stand. (2) £400-500 Provenance Ex collection Josef Herman.

Monika Wengraf, London.

103. Four Ashanti brass gold weight figures, in differing poses, 6.5cm the highest. (4) £80-120

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104. A Dahomey brass group, Ghana, of two figures, one carrying a boar in a basket whilst the other holding a large knife, 16.cm high, on a rectangular base. £100-150 Provenance Monika Wengraf, London.

105. Eight Ashanti brass gold weights, Ghana, of figures in differing poses, an Ashanti brass mounted soldier, 11cm high, and an Ashanti brass gold weight, cast a geometric design, mounted in a perspex case. (10) £100-200 106. An Ashanti brass box and cover, embossed bands of animals and geometric patterns, with a domed cover and pierced base, 19th century, 18cm high. (2) £120-150 Provenance Monika Wengraf, London.

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107. A Ghana bronze bell, cast snakes with a loop handle and knopped finial, 18th century, 12cm high. £150-200 Provenance Monika Wengraf, London.

108. Five Igbo bronze/brass bells, Nigeria, with differing linear and bead decoration, three with clappers, 19.5cm the tallest. (5) £200-300 Provenance Ian Auld, London.

109. A West African cast bronze vessel, rectangular with salamanders and figures to either side, the front with a pair of horses heads, the reverse with tails, raised on cylindrical feet, 8cm high, 31.5cm long. £150-250 110. A Toussian bronze bull, with a flat head and curled horns, with two birds perched on its back, 14.5cm long. £200-300 Provenance Maurice Joy, London.

111. An Ila / Rotse axe, Zambia, wood with brass studs and fine wirework binding, with a metal blade, 42.5cm long. £200-300 Provenance Monika Wengraf, London.

112. A Kuba adze, D.R.Congo, with a cylindrical handle carved a geometric band and a ringed neck with head terminal, shaped iron blade, dark patination with wear to handle, 34.5cm long. £200-300 107

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113. A Lobi standing female figure, Burkino Faso, 75cm high on a stand. £500-600

114. A Bambara Janus figure, Mali, raised on four legs with cowrie shell necklace, the main heads with detachable heads to the crown, the coiffure with further graduated Janus heads, 118cm high. £300-500

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114 115. A Bobo Nyanga mask, Burkina Faso, of antelope form with curled horns and medial crest, pointed ears, scarifications and long muzzle, with black and red pigment, 67cm high, on a stand. (2) £400-500

116. A Mossi mask, Burkino Faso, with a large blade like surmount and four horizontal protrusions to the front, with pigment and encrusted patina, 94cm high, on a stand. (2) £400-600 115

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117. A Pende sickness mask, D.R.Congo, with a distorted face and with white and black pigment, with fibre applied cloth beard and coiffure, 31cm high, on a stand. (2) £2,000-3,000 Provenance Galerie Olivier Klejman, Paris.

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118. A Yoruba brass standing figure, Nigeria, holding a staff and raised on a rectangular bead edge base, 16.5cm high. £150-250

119. A Yoruba brass standing figure, Nigeria, wearing a fez and with a ceremonial spear, 15.5cm high, on a turned wood base. £150-250 118

119

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121

122

123

124

125

126

127

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129 120. A Mangbetu knife, D.R.Congo, with a curved metal blade with incised medial ridge and two pierced circles, with a carved wood handle, 43cm long. £150-200 Provenance Monika Wengraf, London.

121. A Kuba knife, D.R.Congo, with a leaf shape iron blade with medial ridges and incised lines, with a wooden knop handle, 40.5cm long. £150-250

125. A Nkutshu knife, D.R.Congo, the blade with medial ridge and serrated lower edges, with a wood handle, 37cm long. £100-150 Provenance Monika Wengraf, London.

126. A Benin Jekri paddle, with a carved and pierced leaf shape blade, handle and terminal, 156.5cm long. £50-150

Provenance Monika Wengraf, London.

127. A Benin Jekri paddle, with pierced and carved decoration, the blade inscribed T.J.C., R.M.S. Tarquah, W.C.Africa, June 1904, 153.5cm long. £100-150

122. A Konda currency knife, D.R.Congo, with a shaped iron and incised blade, the wooden handle with metal strip binding, 45cm long. £100-150

The R.M.S (Royal Mail Steam) Tarquah was a 3859 tonne steamship that was part of the Africa Steamship Company.

Provenance Monika Wengraf, London.

123. A Ngbaka throwing knife, D.R.Congo, with a shaped metal blade, with a cloth and plaited fibre bound handle, 41cm high. £100-150 Provenance Monika Wengraf, London.

124. A Hadendoa knife, Sudan, with a shaped metal blade and carved hardwood double ‘C’ scroll handle, 33.5cm long. £200-300 Provenance Monika Wengraf, London.

128. A Benin Jekri paddle, with pierced and incised decoration, 19th century, 163.5cm long. £200-300 Purchased at the sale of Benin artefacts, Wembley, early 20th century.

Provenance Monika Wengraf, London.

129. Five iron Kissi pennies, Sierra Leone, 42.5cm - 47cm long. (5) £50-80 130. A Topoke iron currency blade, D R Congo, with linear decoration to opposing sides, 170cm high, on a stand. (2) £400-500 130

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131

133

134

131. A Senufo standing female figure, Ivory Coast, with crested coiffure and body scarifications, 39cm high. £100-150

132. A Guro standing female figure, Ivory Coast, with facial and body scarifications and with beads, 32.5cm high. £150-250

133. A Songye kifwebe mask, D.R.Congo, with ribbed decoration and polychrome finish, 37cm high, on a stand. (2) £200-300

135 134. A Bambara antelope headdress, Chi Wara, Mali, with a tapering base, one side with skin patch, 72cm high, on a stand. £200-300

135. An Ashanti stool, Ghana, with a dished top and shaped support with incised decoration, 41cm high. £250-350

136. A Lega stool, D.R.Congo, with incised decoration and with four angled supports, 23cm high, and a smaller stool of dumbbell form, 18cm high. (2) £250-300 136

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137. A Senufo Sejen bird, with red and white pigment decoration, 46.5cm wide, on a stand. (2)

138. A Yaka slit gong, D.R.Congo, with a cylindrical body with rectangular aperture and with a carved head terminal, with a ribbed cap, 44.5cm long, on a stand. (2) £300-400

141. A Lega stool, D.R. Congo, carved wood of oval form with a dished top on two angled supports, the top with a native wire repair, 18.5cm high. £120-150 Provenance Ernest Ohly, Berkeley Galleries, London.

139. A Yoruba doll, omolangidi, Nigeria, female and of flat rectangular form with stylized figural panels and two nails to the top of the head, 21.5cm high. £80-120 Provenance Monika Wengraf, London.

142. A Lobi standing female figure, Burkino Faso, with a vessel on her head, foot loss through degradation, 54.5cm high, on a stand, a Lobi standing figure with outstretched arms and a pointed head, 41.5 cm high, on a stand and a third Lobi standing figure with a cap like coiffure, 35cm high, on a stand. (3) £400-500

£300-400

140. A Songye power figure, D R Congo, raised on a circular base to a torso with cloth, the head with a beard and coffee bean eyes with a diced coiffure, the top with an aperture and remains of charge, 21cm high. £150-250

143. An Ashanti stool, Ghana, on pillar supports, the central one pierced, 28.5cm high. £100-150

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144. A Togo mask, with a scallop edge coiffure and raised forehead band, with a diced and linear carved face and with painted teeth, 23.5cm high, on a stand. (2) £300-400

145. A Dan beaked mask, Ivory Coast, with a lobed forehead and medial ridge with metal studs, 23cm high. £300-500 Provenance Josef Herman.

Monika Wengraf, London.

144

145

146. A Guro mask, Ivory Coast, with a pair of horns and incised coiffure, pierced eyes and pursed lips, 32cm long. £200-300 Provenance Ex Swedish Collection.

147. A Pende helmet mask, D.R. Congo, with knop coiffure, coffee bean eyes and protruding nose and ears, with a crescent base and red, white, black and blue pigment, 28cm high. £300-500 146

147

148. An Idoma triple head crest, Nigeria, with horn like coiffure and bared teeth, on a conical stem with flared base, 28cm high. £300-400 Provenance Maurice Joy, London.

148

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149

149. A Makonde helmet mask, Mozambique, with hair in an abstract pattern with painted eyes, wide lips with teeth, 23.5cm high. £500-800 Provenance Monika Wengraf, London.

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150. A Benin bronze leopard, with fine dot and ring decoration, the head with bared teeth and raised whiskers, the eyes with eliptical voids and with fine linear decorated ears, 48cm high. ÂŁ7,500-8,500 Provenance The British Empire and Commonwealth Museum, Bristol.

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151 151. A Yoruba divination box, Nigeria, circular with a board cover with carved masks, mud fish, birds and figures, to a partitioned interior and relief carving to the exterior with figures, mud fish, and flared protrusions with carved decoration, 45cm wide. £2,000-3,000

152. A Yoruba vessel and cover, possibly by Olowe, Nigeria, raised on an open stand with three masks, with an ovoid body, carved panels of kneeling female figures, a standing figure with a staff and another of Esu, with a bird handle and a hinged cover with a further bird and geometric borders, 19th century, 18cm high. £1,500-2,000 Provenance Monika Wengraf, London.

153. A Bakongo divination implement, D.R.Congo, with a human head and animal body with incised bands, remains of encrusted patination, 28cm long. £250-350 Provenance Monika Wengraf, London.

154. A Kuba tukula box and cover, D.R.Congo, of rectangular form with rounded ends, with geometric carving and a raised conical boss to the centre of the cover, 25.5cm wide. £100-200 152

153

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156

157

155. A Fulani metal cache sex, Nigeria, of fan shape and fibre bound, the top with a swing loop and fabric waistband, 18.5cm long. £150-200 Provenance Monika Wengraf, London.

156. A Tiv aluminium equestrian figure, Nigeria, on a bar base with stamped decoration, 13cm high, on a wooden stand. £150-250 Provenance Ex collection Josef Herman.

Monika Wengraf, London.

158

157. Four Lobi and Bambara iron figures, Burkina Faso/Mali, 7cm, 12cm, 14cm and 18.5cm high, three on stands. (7) £100-200 Provenance Collected in the 1970’s.

158. Two silver coloured metal miniature Ashanti stools, Kumasi, Ghana, of traditional form, the smaller one stamped A R P Kumasi 1942/43, 3cm high, in a hardwood box with inlaid bone stools. (3) £150-200

159. A Nigerian brass currency hoe, cast twin coils over the handle and blade with linear bands and an attachment loop with a disc terminal, 30cm long, a similarly decorated currency sceptre, 32cm long, three brass pouches with covers, two hung with bells, two Hausa knives with brass hilts, one with a leather sheath, a brass bell, a two part brass pipe, a two part brass hoe and four brass bangles.

(16) £200-300 159

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160. A Luba offering bowl, D.R.Congo, with a seated male figure supporting a footed bowl with his feet and arms, the stem with a geometric incised band with a pair of handles and a line and bead decorated rim, 28cm long. £800-1,200 Provenance Ex collection Josef Herman.

Monika Wengraf, London.

161. A Yoruba standing female offering figures, Nigeria, with a ribbed coiffure, pierced ears and face scarifications, holding a bowl and on a circular base with cloth, 33cm high. £300-400 Provenance Freddy Joy, London.

160

162. A Bambara ointment pot and cover, Mali, carved wood with applied sheet metal, raised on an open base and a globular jar with a flared rim, the cover with a female torso with beads, 45.5cm high, on a metal stand. (3) £400-600

161

163. A Mambila mask, Cameroon, with a pair of horns and with a front crest, with an open circular mouth, with red and white pigment, 50cm high. £200-300

162

164. A Yoruba Egungun mask, Nigeria, with a pointed coiffure and with scarifications and traces of white pigment, 43.5cm long. £300-400 Provenance Morris Joy, London.

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165. A Tutsi shield, Rwanda, of oblong shape with a central raised boss with incised and pigment decoration, the reverse with integral handle and a hide strap, 66cm high, on a stand. (2) £500-700

167. A Ugandan shield, of eliptical form with woven cane work and a double central boss with a hide border, the reverse with a handle, 57cm high, on a stand. (2) £200-300

166. An Ethiopian hippopotamus hide shield, with embossed rondel and linear decoration and fine incised beading, with a hide grip, 68cm long. £300-400

168. A Maasai hide shield, Kenya, of eliptical form, pigment decoration, wooden rib and handle, 97cm high. £80-120

169. A Zulu hide shield, the reverse with a hide handle, 86cm long and with a metal tipped wooden spear, 151.5cm long. (2) £150-200 Provenance Warner Dayley

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170. A Yoruba kola nut box, agere ifa, Nigeria, modelled as a rabbit with panel decoration and raised on four legs, 42cm long. £200-300

171. A Dogon ointment box and cover, Mali, carved wood modelled as a recumbent camel, with incised decoration, 36cm long. £100-200

172. A Yoruba circular divination board, the raised border carved with masks, 51cm diameter and a smaller divination board carved with masks, birds and snakes, 35cm diameter. (2) £250-350

173. An Oromo mortar, Ethiopia, of tapering form with incised geometric decoration to the sides and top, with handle and circular base, 18.5cm high. £150-250

Provenance Ian Auld, London.

Provenance Ian Auld, London.

174. A Kuba cup, D.R.Congo, of bellied cylindrical form with geometric carved bands, with linear and notched borders with a C shaped handle, 14.5cm high. £300-400

175. A Kuba cup, D.R.Congo, with carved geometric decoration and a C shaped handle, 15cm high. £100-200

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178

176. A Yoruba divination bowl, Nigeria, with an incised edge and supported by an acrobatic figure, 14.5cm high.

£150-250

177. A Kuba clyster, D.R.Congo, carved wood of funnel shape with geometric banded decoration, 23.5cm high.

£150-200

Provenance Monika Wengraf, London.

178. A Benin carved wood cockerel, 44cm high.

179. A Senufo heddle pulley, Ivory Coast, with a crested bird head finial and with a reel, 22cm high, on a stand. (2) £100-150

£200-300

180. A Guro heddle pulley, Ivory Coast, carved a mask and antelope horn headdress with strap leather to the handle and stitched leather to the sides, 19cm high. £50-100

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181. A Makonde helmet mask, Mozambique, with a small raised mound of hair with incised scarifications and with filed teeth, 29cm high, on a stand. (2) £4,000-6,000 Provenance Sotheby’s, London, 22 March 1983, lot 215.

182. A Lobi seat, Burkina Faso, raised on three supports the front one with the remains of a metal band, the curved seat with a spear shaped handle, 89cm long. £150-250 Provenance Ex Josef Herman Collection.

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183. Two Ethiopian headrests, of curved blocked form, 17cm the highest. (2) £100-150 Provenance Monika Wengraf, London.

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184. An Igbo spirit mask, Nigeria, with a white painted face and tight curled coiffure with a large superstructure, with inset mirrors, with woven and stitched fabric, 66cm high. £400-600

185. A Dogon Kanaga mask, Mali, with pigment decoration in white, black, blue and pink, the main vertical strut painted ‘1’ to the front and reverse, the helmet with cowrie beads and the reverse with webbing, and with mouth strut, 103cm high, on a stand. £500-600 Provenance Robichez, Paris.

Collected in the village of Yendouma Ato.

186. An Igala helmet mask, Nigeria, carved with seated male and female figures with coiffure link, he holding a knife and a head, black and white pigment finish, 49.5cm high. £300-400

187. A Songye kifwebe mask, D.R.Congo, with central crest and typical linear decoration with red, white and black pigment, 52.5cm high £400-500

Provenance Maurice Joy, London

Provenance Monika Wengraf, London.

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188. An Idoma mask, Nigeria, with outline coiffure, raised temple and nose scarifications, the mouth with bared teeth, with traces of pigment, 26cm high, on a stand. (2) £800-1,200 Provenance Beppe Berna, Italy, purchased in 1979.

190. A Lobi Dagari figure, Burkina Faso, of inverted Y form with encrusted patina and feathers, 88cm high. £400-600 Provenance Ian Auld, London.

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189. A Lobi head, Burkina Faso, with a medial ridge, almond shape eyes and pursed lips, 32cm high, on a stand. (2) £300-400 Provenance Freddy Joy, London.

191. A Dogon mask, Mali, with comb coiffure and chevron incisions, 90cm high. £200-300

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192. A Mende helmet mask, Sierra Leone, the crested coiffure surmounted a bird, the inside inscribed MISC 11, 40.5cm high. £250-350

193. A Yoruba Osanmasinmi head, Nigeria, carved wood with kaolin, with a ringed neck and human face with large eyes and a pair of rams horns, with an open back support, 45cm high, on plinth. £500-800 Provenance Edie Soeiro, San Francisco, USA & Santa Fe, New Mexico.

194. An Ibibio dance crest, Nigeria, with a standing male figure wearing a conical cap, pierced for feathers, missing, and inserted with a metal blade, on a flared base with pierced attachment holes, 62cm high. £300-400

195. A Makonde body mask, Mozambique, naturalistically modelled with scarifications to the abdomen, with red pigment finish and encrusted patina, 40cm high. £300-400 Provenance Monika Wengraf, London.

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196. A Luba ancestor pendant, D.R. Congo, hippopotamus tooth, of female form with a banded coiffure and large eyes, with breasts and arms, with two suspension holes, 8cm high. £3,000-5,000

196

197. A Pende amulet, Ikhoko, D.R. Congo, ivory with a triple spike coiffure, pierced for attachment, almond shape eyes and straight lips, 6cm high. £500-800

198. A Yoruba bone whistle, Nigeria, with circle decoration, 12cm long. £150-200 Provenance Monika Wengraf, London.

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199. A Congo ivory oliphant, decorated with engraved and circle punch designs of figures, animals and other symbols, with a carved attachment piercing, 19th century or earlier, 67cm long. £1,000-1,500

200

200.

201

202

A Yoruba ivory divination implement, Nigeria, carved a head with conical headdress, 19th century, 24cm long, on a stand. (2) £400-500

201. Three Loango carved ivory tusks, Angola, with spiral processions of figures and animals, two with a kneeling female finial, late 19th / early 20th century, 36cm, 30cm and 21cm high. (3) £200-300

202. A Nigerian ivory oliphant, with a faceted point and rectangular aperture with incised linear and geometric decoration, 19th century, 69cm long. £500-800

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203 203. An Angolan double headrest, with incised tapering rectangular supports with crescent shape rests united by bar supports, 17.5cm high, 56cm long. £4,000-5,000 Provenance Terence Pethica, UK Jonathan Lowen, London.

Literature The Art of Southern Africa, The Terence Pethica Collection, pages 74 - 75, no.24.

204. A Nigerian carved staff, with a male officer figure with aluminum mounts, with a bullet casing tip, 73cm long.

£150-200

205. An East African ebony staff, carved with a standing figure on a tapering shaft, 126.5cm long.

£150-250

206. An East African staff, with a torso finial with burnt highlights, 116cm long.

£150-250

207. A Makonde staff, Mozambique, carved hardwood with a relief spiral snake and frog, with stone and metal pin eyes, with a male head finial, 79.5cm high on a stand. £300-400 208. A Zulu staff, South Africa, with a ribbed ovoid finial, the tapering shaft previously with a wire band, 119.5cm long.

204

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206

207

£200-300

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209. Three Topoke currency blades, D.R.Congo, with incised linear decoration on opposing sides, 144cm high, on stands. (6) £400-500

210. A Ngbandi knife, D R Congo, with slender leaf shape iron blade, pierced with incised decoration, with a wooden handle with metal coil mount, 53cm long, on a stand. (2) £100-150

211. Three Congolese knives; including a Zande throwing knife with four projections, a pierced section with incised decoration and with a woven fibre handle, 45cm long, a Konda currency knife with wood handle having incised decoration, 50.5cm long, and a throwing knife with fabric handle, all with stands.

(6) £400-500

212. A Kirdi iron currency scythe, Cameroon, with incised line decoration and with a bound handle, and with a bell attachment, 45cm high, on a stand. (2) £120-150 Provenance Robichez, Paris.

209

210

211

212

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213. A Dan mask, Ivory Coast, with fibre coiffure, 25.5cm high. £350-450

214. An Ieibo mask, Nigeria, with chevron coiffure, facial scarifications with a red/brown and black patina, 17cm high. £300-400 Provenance Monika Wengraf, London.

213

214

215. A Kuba helmet mask, D.R.Congo, with relief carving and a fibre beard, 36cm high. £150-250 Provenance Monika Wengraf, London.

216. A Yoruba Egungun mask, Nigeria, carved wood with a red/brown finish, with pierced eyes and scarifications below, pierced nostrils and pursed lips, 19cm high, on a stand. (2) £400-500 Provenance Ian Auld, London.

215

216

217. A Chokwe mask, D.R.Congo, with a scroll coiffure and almond shape eyes, facial scarifications and filed teeth, with a cloth oval headdress and collar mount, 25m high. £300-400

218. A Vili power object, D.R.Congo, with a spherical basket-work bowl with an encased monkey skull with an applied shell to the forehead, 24cm high. £500-800 217

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219. A Nigerian staff, carved a head with horn headdress and with polychrome decoration, 38.5cm high. £250-350

220. A Nigerian Janus crest mask, with incised decoration, the top of the head with applied spheres with a tied wicker base, 34cm high. £200-300

221. An Ekoi headdress, Nigeria, with a wood core and hide covered, with applied hair and pigment decorated eyes and mouth, with a £700-900 woven fibre base, 24cm high.

219

220

221

222

223

224

Provenance Pierre Dartevelle, Brussels.

222. An Ekoi Janus headdress, Nigeria, with a wooden core and hide covered, each mask with bared teeth and with hair, with a woven fibre base, 25cm high. £700-900 Provenance Pierre Dartevelle, Brussels.

223. An Ibibio standing female figure, Nigeria, with carved decoration, black patina and remains of yellow and white pigment, previously with articulated arms, now with sockets only, 55.5cm high. £200-300

224. An Igbo Ikenga figure, Nigeria, seated and holding a head in his left hand, his face with scarifications and horned headdress, traces of pigment decoration, 63.5cm high, on a stand. £300-400 Provenance Freddy Joy, London.

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225. A pair of Yoruba Ibeji twin figures, Ibarapa / Igbo Ora, Abeokuta, Area, Nigeria, with ribbed crescent shaped coiffure, facial scarifications and wearing striped shorts, one with metal pin eyes, 24cm high. (2) £600-800 cf. Finch & Co., Ibeji, no.6 for Ibeji by same carver.

226. A pair of Yoruba Ibeji twin figures, by Ayo, Abeakuta, Nigeria, male and female, with differing crested coiffure, the male wearing a loin cloth, both with beads, 26cm high. (2) £450-550 Provenance Monika Wengraf, London.

Provenance Monika Wengraf, London.

227. A pair of Yoruba Ibeji twin figures, Igbomina, Nigeria, male and female, with conical ribbed coiffure and worn faces, both with bead bands, 27.5cm high. (2) £800-1,200

228. Two Yoruba Ibeji twin figures, Nigeria, male and female both with traces of Reckitt’s blue to the differing coiffure’s and both with beads, male 28cm high, female 30cm high. (2) £300-400

Provenance Monika Wengraf, London.

Provenance John S Tanner, 1921-2005.

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230

229. A pair of Yoruba Ibeji twin figures, Nigeria, male and female, with open pointed coiffure, the female with a lip plug, 30cm high. (2) £500-600 230. A pair of Yoruba Ibeji twin figures, Nigeria, male and female with pointed coiffure with face and abdomen scarifications, 28.5cm high. (2) £300-400 231. A Yoruba beadwork Ibeji coat, Nigeria, of rectangular form with aperture’s for head and arms, 25.5cm wide. £50-100 232. A Congo antelope horn oliphant, with pierced apertures and remains of gum mouthpiece, 45cm long. £80-100 Provenance Monika Wengraf, London.

233. A Cameroon drinking horn, carved in relief with reptiles, geometric bands, figures and other symbols, 37.5cm long. £100-150

232

231

233

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234. A Dan mask, Ivory Coast, with a concave face with pursed lips and aluminum teeth, pierced eyes with moulded eyelids, the face framed by three moulded lines with a plaited fibre coiffure, the ears pierced and with aluminum rings, 25cm high. £4,000-6,000 Provenance Sotheby’s, London, June 1981, Lot 144.

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235. A Nigerian standing female figure, with stain decoration, 38cm high, and a Bakongo standing colon figure with stained hair and eyebrows, 25.5cm high. (2) £150-250 Provenance Congo figure - Kenneth L. Brown, August 1967.

236. A Fante standing female figure, Ivory Coast, with stain decoration and with beads, 38.5cm high, on a stand. (2) £200-300 cf. a similar figure of a priestess named Betuah in the Pitt Rivers Museum, Oxford.

235

236

237. A Bamileke figural bowl and cover, Cameroon, with a bird finial and carved stylized motifs to the circular bowl, supported by a figure on a leopard, 56.5cm high. (2) £300-400

238. A Kamba standing figure, Kenya, with aluminium band decoration with applied vellum and hair, wearing arm bands and previously holding objects, with loin cloth, 43.5cm high, on a stand. £200-300 Provenance Monika Wengraf, London.

237

238

239. A Bambara antelope headdress, Chi Wara, Mali, carved wood with applied metal and incised decoration with fabric earrings, the head banded with string, gum and hair, 56cm high. £300-400

240. A Fang reliquary circular box and cover, Gabon, with a detachable seated figure with metal pin eyes and beads, the bark box with wood base and top, 71.5cm high. (3) £250-350

239

240

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241. A Chokwe mask, D.R.Congo, with incised cross motif to the forehead, pierced eyes and mouth and with scarifications, with cloth and woven fibre coiffure, 39cm high, on a stand. (2) £2,000-3,000 Provenance Jaap Bongers, California.

241 242. A Guere mask, Ivory Coast, with an open mouth with inset metal teeth, painted red, above socket eyes and a further pair of rectangular apertures with medial ridge to the forehead and stylized horns to the sides, 13cm high. £800-1,200 Provenance Beppe Berna, Italy, purchased in 1979.

242

243. A Kota reliquary figure, Gabon, wood with sheet brass with punch decoration, the oval face with brass and nail eyes, the reverse with inventory number 4954 and remains of a handwritten paper label, 69cm high, on a stand. (2) £3,500-4,500 Provenance Ex Arman collection.

243

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244. A Lega miniature mask, D.R.Congo, with white pigment around the eyes and with remains of fibre beard, 15cm high, on a stand. (2) £1,500-2,000 Provenance Belgium colonial family.

245. A Mende helmet mask, Sierra Leone, with a plaited coiffure and ribbed central crest with finials and a ringed neck, the face with scarifications and crescent eye apertures with woven fibre neck mount, with a later applied star and crescent badge above the forehead, 40cm high, the mask. £1,500-2,000 Provenance Sotheby’s, London, March 1983, Lot 172.

246. A Songye kifwebe mask, D.R.Congo, with carved linear decoration, diced eyes and flattened medial cresting and mouth, with black and white pigment, 37.5cm high, with a stand. (2) £3,500-4,000

247. An Ekoi Janus helmet mask, Nigeria, carved wood with skin and inset rectangular mirror panels to the sides, the top previously with horns, polychrome decorated, 36cm high, on a stand. (2) £500-600

Provenance Kevin Conru, Brussels Private collection New York, acquired in the 1960’s.

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248. A Mumuye figure, Nigeria, with white pigment to the eyes and ears, 84.5cm high, on a stand. £400-600 Provenance Ian Auld, London.

251. An Igbo standing female figure, Nigeria, with a high crested coiffure, facial and body scarifications, 37.5cm high, on a stand. (2) £200-300 Provenance Ian Auld, London.

56

249. A Mumuye figure, Nigeria, with a shallow crested coiffure with incised decoration, 53.5cm high, on a stand. (2) £200-300

250. A Mumuye pole figure, Nigeria, with a crested coiffure applied gum and hair, and with pigment decoration to the abdomen, £200-300 43.5cm high, on a stand.

252. A Songye standing male figure, D.R.Congo, with an aperture to the crown of the head and with metal studs, 53cm high. £150-200

253. A Yoruba shrine figure, Abeakuta, Nigeria, with a ribbed and crested coiffure, face scarifications and wearing an apron with shell and bead anklet, 59cm high. £300-400 Provenance Monika Wengraf, London.

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254. A Songye kifwebe mask, D.R.Congo, with octagonal mouth and typical linear decoration, with polychrome decoration, 41cm high. £150-250

255. A Luba bow stand, D.R.Congo, carved a kneeling female figure with body scarifications and supporting her breasts and with a triple panel headdress, with beads, 83cm long. £400-600

256. A Yaure mask, Ivory Coast, with crescent and horn like coiffure, facial scarifications and oval mouth, 47cm high. £300-400

257. A Bambara mask, Mali, with comb coiffure, inset hair, incised decoration to the face with a cloth back, 53cm high, with a stand. £300-400

258. A Mambila standing figure, Cameroon, with remains of white pigment, 30cm high, on a stand. (2) £150-250

259. A Bambara seated female figure, with crested and diced coiffure, 71.5cm high. £150-200

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260

261

260. A Zulu wood pipe, the ovoid bowl with metal liner with an angled shaft, 21cm long, and a Zulu pipe with a cylindrical bowl and metal liner and pewter inlay, with a pierced angled shaft, 13cm long. (2) £200-300 261. Four Zulu pipes, South Africa, wood with ovoid bowls and angled stems, two plain and one with a metal mount to the stem, another £300-400 with a textured finish and with pewter and brass inlay, the forth inlaid pewter initials I S T, 19cm the longest. (4) 262. A Shilluk anthropomorphic pipe, Sudan, with a clay bowl modelled as a hyena with scratched decoration with a bamboo shaft and leather binding with a gourd filter, with a collection label inscribed Shilluk Tribe Anglo-Egyptian Sudan, Ex don Hugh Gordon, April 1928, 56cm high. £400-600 263. A Cameroon pottery and bone pipe, the bowl modelled as a head with beard and double head serpents, 25cm long.

£150-250

264. A Congo pipe, wood with pewter bands, with a flared conical bowl with a knopped stem and metal mouthpiece with handwritten label inscribed 3 Rale, Pipe Belgium Congo Central Africa, 35cm long. £100-150

263

262

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265. A Shona carved wood pipe, Zimbabwe, of abstract form with zig-zag carving applied brass wire links and plaited porcupine quill band, with a fine bone mouthpiece, 39cm high. £600-800

266. A Teke pipe, D.R.Congo, carved wood with tin, with a seated figure having blackened coiffure and beard, and a similar head, with mouthpiece, 24.5cm long. £150-200 Provenance Old French Colonial collection.

265

267. A North Africa pipe, with a metal bowl with incised line and dot decoration and a wood shaft with incised and stained banded decoration, with handwritten identification label, 36cm long. £100-150

266

267

268. A Congo pipe, with a cast brass and iron conical bowl with a wooden shaft with coiled brass and stamp decorated sheet iron mounts, 30cm long. £100-150 268

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269. A Gold Coast brass pipe, the bowl cast a head wearing a peaked cap, the shaft with a suspension loop, 19cm long. £100-150

270. A Zulu soapstone pipe bowl, with incised bands to the rim, 6cm high. £50-100

271. A Sotho clay pipe bowl, South Africa, modelled as an antelope with diced panelled bowl, with traces of red pigment, 10cm long. £80-120 Provenance Monika Wengraf, London.

272. A rare Zulu snuff container, South Africa, skin and blood, modelled as a buffalo with circular aperture to the head, 11.5cm long. £400-600 This talismanic snuff container has a protective function and a high social and spiritual value, fashioned from the testicle skin of sacrificial bulls slaughtered in honor of the ancestors.

273. A Zulu snuff container, South Africa, carved wood of ovoid shape with linear decoration and a loop handle, the short neck with mounted copper and brass wirework, 13.5cm high, and another Zulu snuff container, carved wood of vase shape with wirework decoration and a leather strap with stopper, 11cm high. (2) £400-600

274. A Congo iron currency, of stretched lozenge form, the tapering ends with hammer decoration, 38cm long.

Provenance Monika Wengraf, London.

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£80-120

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276 275. An Ibibio large fan, Nigeria, carved wood with incised gourd decoration with diaper design handle, with a later brass ring fastener, 57.5cm high. £300-400 276. An Ashanti large comb, Ghana, with carved and pierced decoration including a central knot flanked by two stools and above three akuaba heads with incised symbols and animals to both sides, 28.5cm high. £200-300 275

277 277. Two Pende Ikoko pendants, D.R.Congo; one with a triple spiked coiffure and filed teeth, pierced for attachment, 5.2cm high, the other with diaper carving to neck and coiffure, 7.3cm high. (2) £50-100 Provenance Alex Van Opstal collection (before 1930) 278. A Bush Negro shallow bowl, Maroon people, Guinea, the central incised geometric pattern with applied brass studs, pierced for attachment and with a native repair, 30cm diameter. £100-150

278

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279. A collection of carved wood spoons, mainly African; Boni, Somali; Zulu; Kenya, and one with a bone handle and coconut bowl. (7) £80-120

280. An Ethiopian Koran board, with inscribed script on both sides with a short handle, pierced for attachment, 56cm high. £100-150 Provenance Monika Wengraf, London.

279

280 281. A Chokwe comb, Angola, with incised decoration, 15cm high. £80-120

282. A Nigerian drum, with a wooden hour glass shape body with vellum skins and strung sides with an embroidered band hung with brass bells and with an embroidered carrying strap, 47.5cm high, with a cloth bound wooden beater. (2) £100-200 Provenance John S Tanner, 1921-2005.

281

282 283. A Bambara marionette mule head, Mali, with incised bands to the muzzle and pierced ears with remains of an encrusted patina, 31cm long, on a stand. £100-200 Provenance Maine Durieu Gallery, Paris.

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284. Four Mossi dolls, Burkina Faso, the largest with crested coiffure and carved facial features, 36cm high, the other three of stylized form and on stands. (4) £300-400 283

284

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285. A West African Mancala board, with a carved head terminal and a central block support, 68cm long. £100-200 Provenance Ian Auld, London.

286. A Fang tobacco box and cover, Gabon, woven bark and wood, the cover with a seated figure with brass eyes and beads, 35cm high. £300-500

287. A Cameroon pottery doll, with incised decoration and with beads and cloth with a 1952 British West Africa coin, 17cm high, on a stand.

(2) £150-250

285

286

Provenance Monika Wengraf, London.

288. An Ashanti Akuba doll, Ghana, the disc head with carved facial features with a point terminal, the reverse with incised decoration, with a ringed neck and a column body with beads, 24.5cm high, on a stand. £400-500 Provenance Ian Auld, London.

Monika Wengraf, London.

287

288

289. A Fante seated mother with suckling twins, Ghana, wood covered with silver coloured metal, on a separate stool, 44.5cm high. (2) £200-300

290. A Yoruba Ibeji male figure, Nigeria, with ribbed coiffure, 23cm high. £50-100 289

290

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291. A Congo knife, the iron blade with a medial ridge and flared tip, with a brass wirework covered handle, brass studded and with sheet metal, with a flattened circular pommel, 19th century, 41.5cm long. £150-250 By repute collected on the Congo river c.1850.

Provenance Monika Wengraf, London.

292. A Yoruba adze, Nigeria, with a carved wooden handle and shaft, modelled as a standing figure, playing a flute, with a further head above and with metal blade, encrusted patination, 53.5cm high, on a stand. (2) £500-600

291

292

293

293. A Kundu knife with scabbard, D.R.Congo, with a leaf shape blade with incised decoration, with a copper and coiled metal handle with brass studded pommel, with a wooden scabbard, leather covered with brass studs to the front, 43.5cm high, £250-300 on a stand. (3)

295. A Nigerian iron dagger, with a knuckle grip handle with incised decoration, 20.5cm long. £50-100 Provenance Monika Wengraf, London.

294. Three Idoma iron currency hoes, Nigeria, of flattened tapering form with flared terminals, 76 - 82cm high, on stands. (6) £150-200

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296. A Bandia knife, D.R.Congo, with a long curved metal blade, pierced a hole at the top and with incised decorated bands, with a wooden grip, 66cm long, on a stand. (2) £75-100

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297 297. A Yoruba workman’s adze, Nigeria, with a curved metal blade, column handle with tapered butt, 33cm long. £80-120 Provenance Monika Wengraf, London.

298. A Songye axe, D.R. Congo, with a copper covered wood handle and an open crescent iron blade with masks, 42.5cm high. £500-600

299

300

298

301

302

299. A Tutsi ceremonial short staff, Rwanda, as a spear with a wooden shaft covered beadwork with metal spear head and terminal, 57.5cm long. £100-150

301. A Tutsi ceremonial staff, Rwanda, as a sickle, with a metal crescent shaped blade and a wooden handle with beadwork, 27cm long. £80-120

Provenance Monika Wengraf, London.

Provenance Monika Wengraf, London.

300. A Tutsi ceremonial staff, Rwanda, as a sickle, the twisted metal shaft with twin crescent blades and a beadwork covered wood handle, 42cm long. £150-250

302. A Tutsi ceremonial staff, Rwanda, as a sickle, with a metal crescent shaped blade, a beadwork covered shaft and a wood handle with fibre binding, 82.58cm long. £150-250

Provenance Monika Wengraf, London.

Provenance Monika Wengraf, London.

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303. A Guro Zamble mask, with horn headdress, oval eyes and long snout with teeth and tongue, carved chevron decoration with pigment finish, 43cm high, on a stand. (2) £5,000-7,000 Provenance Sold by the executors of Elizabeth Banks (Nee Nicholson) daughter of artist William Nicholson, 1872 - 1949.

305 304. A West African Mancala board, rectangular top with thirty two depressions on a circular foot, 58cm long. £100-200 Provenance Monika Wengraf, London.

305. A Guro large spoon, Ivory Coast, with a standing female figure on a scroll stem, with a hand supporting the bowl, 70.5cm high, with an unfinished stand. (3) £150-200 304

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Provenance Monika Wengraf, London.

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308

306

307

306. A Nigerian ceremonial staff, with a curved blade with deep carved geometric decoration to either side, the top with a cross symbol, 94.5cm long. £200-300

309

307. A Congo wood staff, with a serpent like shaft, one side flat with linear decoration the other rounded with a diaper finish, above a carved head with lobed coiffure and with an open handle, possibly Luba, 78cm long. £300-400 308. A Baule fly whisk, Ivory Coast, with a wooden handle relief carved two masks and two animals, with a pierced central section and leather tasseled whisk, 53cm long. £200-300 Provenance Ian Auld, London.

Collected in Africa in the 1940’s.

309. A Dogon large wooden pestle, Mali, of hour glass shape with incised bands, 141cm long, on a stand. (2) £100-200 Provenance Ian Auld, London.

310. Various Makonde carved elements for chairs, in two hardwoods with carved heads, lizards and snakes, 59cm the highest. (12) £150-250

310

311. An African staff, with a bamboo shaft with interlaced brass ribbons, the end with iron rings, 104cm long. £150-250 Provenance Monika Wengraf, London.

311

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312. A Chokwe boar mask, D.R.Congo, with an open mouth and rounded snout, with carved curved lines above, the sides with circular geometric carvings, pierced shallow semi circular eyes and pointed ears, the fibre and hair coiffure with beads, 40cm high, on a stand. (2) ÂŁ10,000-15,000 Provenance Galerie Ratton Hourde, Paris.

Dr Gaud, St Tropez.

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313. A Guro Zamble mask, Ivory Coast, with ribbed horns, panelled eyes and handle like nose with an open mouth, with a pigment finish, 66cm high, on a stand. (2) £1,200-1,500 Provenance Beppe Berna, Italy, purchased in 1979.

314. An Ashanti chair, Ghana, wood with brass tacks, the arched top rail with two turned finials above three pierced splats with a leather covered seat, 80.5cm high. £1,200-1,500 Provenance Ernest Ohly, Berkeley Galleries, London.

313

314

315 315. Six Kuba cloths, D.R.Congo, each with a differing cut pile embroidery of geometric designs, 62 x 52cm. (6) £150-200 316. A Kuba embroided skirt, D.R.Congo, the stitched panels with abstract designs, one end with rounded corners, 215 x 87cm. £120-150 Provenance Joss Graham, London.

316

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317. A Krinjago terracotta head, Ivory Coast, modelled an oval head with fine features with slit eyes and mouth, with a ribbed coiffure to the back, 34.5cm high, on a stand, and a Bura carved stone head, 42cm high, on a stand. (4) £200-300

317

318

318. Two Ivory Coast terracotta heads; one of flat profile with impressed dots to the reverse of the head, 17.5cm, on a stand, the other of cylindrical form, 26.5cm £200-300 high. (3)

319. A West African pottery fragment, of a stylized birds beak and ringed neck, 14cm high, on a stand. (2) £100-200

319

320 320. A Mwona earthenware vessel, Nigeria, of ovoid form with head like finial with open mouth and applied arms, 27cm high, and a Mwona earthenware fragment modelled a mask, 15.5cm high, both on stands. (4) £150-250 Provenance John S Tanner, 1921 - 2005.

321. A Dogon terracotta divination bowl, Mali, the exterior models six figures with a link chain through the faces, 14cm high. £150-200 Provenance Ex Edgar Collection.

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321

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322. A Shona headrest, Zimbabwe, with a dished rest with end lifts carved differing lozenge design, on a twin support with central oblong shape carved lozenges and linear decoration, on a twin flared base, 14cm high, 12.5cm wide. £1,500-2,000

323. A fine Kamba stool, Kenya, carved wood with brass mounts, the top inlaid copper and brass wirework, on three shaped legs with incised lines to all but one side and all pierced and with a link chain, 15.5cm high. £400-500

324. A Senufo fragmentary maternal figure, Ivory Coast, the mother with a child on her back, 75.5cm high, on a stand. £800-1,000 Provenance Old Irish Collection.

Monika Wengraf, London.

322

323

325. A Baule standing figure, Ivory Coast, with crested and fine linear coiffure, face and neck raised scarifications, 40.5cm high, on a stand. (2) £2,500-3,000

324

325

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326. A Tussian plank mask, Burkino Faso, with an carved hornbill head surmount on a shaped rectangular panel with applied seeds and two inset mirrors, with white and blue pigment and tied fibre fringe, 83cm high. £2,000-2,500 Provenance Harold Rome.

Piers Morris.

327. A Dogon door, Mali, constructed from two boards, one carved with two breasts, 133cm high, 52.5cm wide. £300-400 Provenance Ian Auld, London.

328. A Dogon grain door, Mali, constructed of two panels, one carved with a pair of breasts, 42cm wide. £200-300 Provenance Ian Auld, London.

329. A Shona knife, Zimbabwe, with an iron blade and bone handle and scabbard with incised and gum filled, with wood and brass wire bound, 30cm long, a wirework covered fly whisk and a wooden and brass adze. (3) £150-250

326

328

327

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330. A South African anthropomorphic snuffkerrie, carved two animals standing on each others feet, both with stoppers, on a tapering shaft, 64.5cm long. £150-250

331

332

333

331. A Kuba anthropomorphic cup, D.R.Congo, with diced coiffure, ringed neck and C scroll handle, 16cm high, on a stand. (2)

£1,200-1,500

Provenance Claes Gallery, Brussels.

Belgium colonial collection circa 1940.

332. A Teke Manoic grater, D.R.Congo, rectangular of curved form with raised sides and crescent ridges raised, on four lug feet, 78cm long. £100-200 Provenance Ian Auld, London.

333. A Wodaabe dance tunic, Niger, embroided cotton with colourful geometric patterns and leather tassels to the base, 118cm high. £450-550

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334. An Urhobo shrine figure, Iphri, Nigeria, standing with a triple crested coiffure and scarifications to the forehead, the left hand holding a gourd above a vicious mouth with fangs and a bound seated slave surmount on block legs with carved toes, 64.5cm high. ÂŁ2,000-3,000 Urhobo iphri figures are associated with human aggression. The gaping mouth is seen as the focal point and the main figure is a representation of the owner. The possession of an iphri was an assertion of status. Success was measured by the loss and gain of individuals through the operations of the slave trade, as is represented by the kneeling and bound figure.

335. Carl Kjersmeier. Centres de Style de la Sculpture Negre Africaine, Hacker Art Books, New York, 1967. ÂŁ20-30 Provenance John S Tanner, 1921-2005.

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334

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337

336. A pair of Naga men’s ivory armlets, India, each with two incised lines and with metal staples, 12.5cm wide. (2) £150-250 337. A Nepalese fungus mask, with pierced eyes, nostrils and mouth, 25cm wide. £300-400 336 338. A Dogon large ladder, Mali, carved from a trunk with eight treads, 258cm high, in a stand. (2) £350-450

339. Two Naga brass figures, India, the male headhunter wearing headdress, earrings, neck ornament and loin cloth and holding a mandau, 24.5cm high, on a wood base, the female with braided coiffure, earrings, a necklace and loin cloth, 25cm high, on a wood base. (2) £500-600

339 340. A Naga bead necklace, India, fibre strung with a bone button. £150-200 Provenance Monika Wengraf, London.

338

341. A Naga spear, India, with a metal tip and wooden shaft with died hair mounts, 231cm long. £100-150 340

341

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342. A Nepalese seated ancestor figure, carved wood, 51.5cm high, on a stand. £300-400 343. A Nias anthropomorphic hook, Indonesia, carved wood, the bowl shape base with vertical spikes above a seated ancestor figure, with cloth binding and wearing a tiered headdress, 50cm high, on a stand. £1,000-1,500 cf. Achin Sibeth & Bruce W. Carpenter, Nias Sculpture, page 37 for a similar figure.

342

343

344. A Sumba roof finial, Indonesia, wood, carved torso of a female with a pointed headdress, 48cm high, on a stand. (2) £200-300

345. A Balinese seated wood figure, carved wood, wearing an elaborate headdress and a necklace and holding a bowl, 36.5cm high. £200-300

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346. A Timor carved wood cotton crusher, Indonesia, the supports with seated figures, with a handle operating a pair of rollers, 73cm high. £300-400

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347

348

349

347. A Batak sword, Indonesia, with a steel blade and carved wood handle, with two adult figures and an infant and with a lizard, in a metal bound scabbard carved a mythical creature with figures, 72.5cm long. £300-400

348. A Bali kris, Indonesia, with a straight blade with silver and black finish with a carved wood handle representing a lotus bud with black and gilt highlights, in a carved ebony sheath, 68.5cm long. £400-600

349. A Bali kris, Indonesia, with an 18th Century naga blade, and with a carved wood handle in a carved wood scabbard, 63.5cm long. £300-400

350. A Sakalava erotic funerary group, Madagascar, carved wood with a kneeling bearded man with amulet horn on his back and supporting a woman, 44cm high. £700-1,000 350

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352. Two Lombok carved and polychrome kris hilts, of kneeling figures, 9.5cm and 9cm high. (2) £100-200

351. Sixteen Indonesian fire starters, mostly of conical form in horn, bone and wood. (16) £100-150

354. An Indonesian carved wood erotic palm wine stopper, with a male and female, and with a gouged spout, 8.5cm high. £80-120

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353. A Dayak carved torso, wearing a long headdress and with hands on the shoulders, the base with a pierced nodule, 12cm high, and a Balinese carved dragon ornament, 13cm high. (2) £100-150

355. A Pattani carved wood kris handle, Malay, pierced and carved as a stylized bird with long beak, 10cm high, on a stand. (2) £300-400

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358

356

357

359

356. A Timor horn container, Indonesia, with all over carved geometric decoration with a wooden stopper carved as a seated figure, 23.5cm long. £50-100

357. A Batak ancestor figure, Indonesia, with a square apreture to the chest, 32cm high. £60-100

358. An Indonesian bowl, with a mythical beast handle and shallow spout, 31.5cm long. £100-150

359. Five Indonesian brass seals, with pierced geometric designs and with conical pierced handles, 4.5cm the highest, and a carved phallic stone, 9cm long. (6) £80-120

360

361

360. A carved wood bird mask, with tear drop shaped eyes with a reddish brown patina, possibly Himalayan, 37cm long, on a stand. (2) £450-550

361. A turtle shell mask, with pierced eyes and mouth and low relief carved features, possibly Himalayan, 29.5cm high. £150-250 362. An Indonesian knife and scraper, with a metal blade and carved horn mask handle with curved scraper, 31cm long, an Indonesian implement, the blade with a head terminal, 20.5cm long, a carved horn figure with a hinged section with a head and with a hinged hook, 18.5cm high, and a metal implement with inlaid gilt symbols and calligraphy, 26cm long. (4) £120-150 362

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363. A Dayak mask, Borneo, wood with remains of pigment decoration, 32cm high. £200-300

364. A Bamboo and woven rattan covered container, with metal mounts and leather strap handle, possibly Venezuela or Bhutan, 46cm long. £200-300

365. A Dayak baby carrier, Indonesia, carved three figures with inset bone, the inside base carved a mask with plaited rattan straps, 35.5cm high. £150-250

366. A Paiwan oval box and cover, Taiwan, carved standing figures with interlocked hands above animals, snakes, masks and figures, the cover with pig and piglet finial, the underside with goat symbol and initials, 33.5cm high. £150-250

363

364

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367. A Borneo skull, with incised foliate and scroll decoration, one side with a large fracture, 15cm high. £6,000-7,000 368. A Borneo skull, with incised scroll decoration, 14cm high. £1,000-1,200 369. A Batak staff, Indonesia, the carved finial with mythical creatures, lizards, entwined snakes and a figure, with an ancestor figural terminal with metal eyes, earrings and scroll back coiffure, the base with a relief carved £400-600 entwined snake and metal tip, 152cm high.

367

368

369

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371 370. A Dayak hardwood and bone paddle, Indonesia, the blade with a medial ridge and carved edge, 126cm long, and a Dayak paddle, with a waisted blade and with carved decoration, 112cm long. (2) £800-1,200 371. A Bhutan quiver, Asia, woven rattan fibre with a hinged cover and with leather bound strap, 79.5cm long, containing two metal tipped arrows. (3) £200-300 372. A Sumba instrument, Indonesia, carved a standing male figure on a curved shaft with a single string and a coconut shell base, 85.5cm long. £120-150

370

374

373. An Indonesian lute, of boat shape with a seated figure finial, 54cm long. £80-120 Provenance Paul Wengraf, London.

Monika Wengraf, London.

374. A Bontoc shield, Philippines, of rectangular slightly tapering form with a central raised boss with rattan binding and integral handle, 89cm high. £500-600 375. A Sarawak root carving, depicting a mask with large open mouth and eyes and with a kneeling ancestor figure to the side, 40cm high. £200-300

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372

373

375

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376. An Irian Jaya korvar, carved as a seated male ancestor figure, the hollowed head containing a skull, 43cm high. (2) £1,000-1,500

376

377. A Fiji sperm whale tooth necklace, Sisi, with eleven teeth pierced for attachment with later cord. £300-500

378. Four Solomon Islands shell currency bands, the widest 6.5cm diameter. (4) £100-150 Provenance Monika Wengraf, London.

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379. An Abelam bark panel, Papua New Guinea, decorated a stylized ancestor figure in yellow, red, white and black pigment, the corners with fibre binding links, 100cm high, in a glazed case. £500-600

381. A Marquesas Islands ceremonial dish, carved wood of eliptical form with kneeling figural ends, 52cm long. £100-200

84

380. An Abelam bark panel, Papua New Guinea, decorated a stylized ancestor figure and with two lizards above, in yellow, red, white and black pigment, the corners with fibre binding links, 95.5cm high, in a glazed case. £500-600

382. A Fiji kava bowl, with a lug handle and on four angled supports, 17.5cm high. £150-250

383. A Sepik shallow bowl, Papua New Guinea, with a dog tooth carved edge, the underside carved an ancestral mask, 62cm long. £100-200

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384

385

386

384. A Sepik River drum, Papua New Guinea, wood of hour glass form with carved panels of geometric decoration, with a ‘C’ shaped handle, pigment decoration and a reptile skin with a cloth bound ring, 46.5cm high. £300-400 385. An Asmat standing male ancestor figure, Irian Jaya, carved hardwood, 65cm high. £200-300 386. A Tami Island Sago scoop, with carved head terminal above carved bands, 84cm long. £500-700 Provenance Ex Dr Warnock Collection, Sydney.

Purchased at the Stephen Kellner dispersal sale.

387. A Papua New Guinea wood pottery paddle, Ramu River, with leaf shape blade and carved decoration with a pointed butt, old label inscribed Old pottery making paddle Daiden village, Ramu River, 39.5cm long and an Asmat carved implement with a scoop, with carved symbols to the reverse and a seated ancestor figure, 38cm long. (2) £150-200 388. A Papua New Guinea headrest, with beaded borders, 28.5cm long and a hand club with oblong paddle with bead edge, 28cm long. (2) £120-150

387

388

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389. A Ramu River ancestor mask, Papua New Guinea, carved wood with gum and hair and with painted decoration, the reverse with a hand written identification label, 49.5cm high. £400-600

390. An Abelam Yam mask, Papua New Guinea, with pigment decoration, 25cm high, on a stand. £300-400

391. A Papua New Guinea bowl, the carved exterior with a central rondel and stylized motifs with two relief masks and two lugs, one pierced for suspension, 23cm diameter. £800-1,200

392. A Fiji headrest, carved wood with a curved top bar above a circle support and rectangular base, 17cm high. £400-600

86

Provenance Ben Hunter, London.

Provenance Ian Auld, London.

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393 393. A Sepik River oval wood bowl, Papua New Guinea, with carved crocodile head handles, 90cm long. £400-600 394. A Vanuatu mask, Melanesia, with dark patination, 22cm high. £100-200

395. Two Asmat seated ancestor figures, Papua New Guinea, with white, orange and black pigment finish, 44.5cm and 45.5cm high. (2) £100-200

396. A Geelvink Bay carved ornament, Irian Jaya, raised on a knopped base with U shape support carved with seated ancestor figures, previously with feather headdress, 49cm high. £200-300

394

395

396

397. An Abelam Yam mask, Papua New Guinea, woven fibre with pigment decoration, 21cm high. £150-250 Provenance Ex Joan Bowers collection.

398. A museum resin replica of a large Marquesas Island dish, with masks within arches and other symbols, 79cm long. £50-80

397

399

399. Two Polynesian model outrigger canoes, wood bound with fibre and with sails, 37.7cm long.

(2) £50-80

400. A Huon Gulf carved wood oval bowl, Papua New Guinea, with relief carved figures, bird heads and fish, 65cm long. £300-400 398

400

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401. A Sepik River lime container, Papua New Guinea, the bamboo body with a wooden handle with carved decoration, the top with rattan collar with applied feathers, with a carved wooden stopper representing a fish and a bird, 73cm long. £500-700

402. A Papua New Guinea marupai, charm, dwarf coconut with carved circles, lines and chevrons and lime filled, 13cm long. £400-600

401

403. A Vanuatu shallow eliptical dish, on sledge runners and with pierced suspension loop, 69cm long. £300-400 402

404. An Admiralty Islands comb, with a carved wood handle, with red and white pigment, 28cm high, on a stand. (2) £500-600 Provenance Purchased from Todd Barlin.

88

403

405. A Massim wave splitter ornament, carved wood, with lime and red pigment decoration, the reverse with red pigment and collection number H868, 39cm high. £200-300 Provenance Ex Peter Hamilton collection, Queensland.

406. An Asmat cassowary bone dagger, with fibre, beads and feathers, 37cm long. £150-250 Provenance Collected by Todd Barlin.

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407. A Papua New Guinea carved ancestor figure, with a horned headdress and shell inlaid eyes, red, black and white pigment finish with tied fibre, 85cm high, a Papua New Guinea carved ancestor figure, with shell inlaid eyes and body scarifications, 82cm high. (2) £250-300

408. Three Papua New Guinea ancestor house posts, with pigment finish, 86cm the highest. (3) £250-350

407

408

409. A Papua New Guinea food hook, carved a mask with shell eyes with carved and painted decoration, 79cm high, and a large figural food hook, 105cm high. (2) £150-200

410. Four Papua New Guinea house post ancestor figures, with pigment finish, 95cm the highest. (4) £300-400

409

410

411

412

411. A Sepik River standing male ancestor figure, Papua New Guinea, 49cm high. £100-150

412. A Papua New Guinea carved ancestor mask, with inlaid shell eyes with reptiles, and further mask to the reverse, white and red pigment finish, 55.5cm high. £150-200

413. A Papua New Guinea mask, with a handle and a fibre beard, the face with red, yellow and white pigment finish, 65cm high. £150-200

414. A Sepik River carved standing ancestor figure, with a shell inlaid coiffure and with tied fibre, 68cm high. £150-200 413

414

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415 415. A Tonga headrest, Kali Laloni, the waisted curved rest with medial ridges to the underside on hoop supports with sennit fibre binding, 41cm long and 14cm wide. £2,000-3,000 Provenance Ex collection Keith St Cartmail, UK and New Zealand.

416. A Fiji ula, throwing club, with an onion shaped head and tapering shaft and carved zig-zag pattern grip with concave butt, 43cm high. £300-400 417. A Fiji ula, throwing club, with a onion shape head and tapering handle with zig-zag carving to the grip, 42cm long.

£500-600

418. A Fiji ula, throwing club, with a lobed head and a carved zig-zag banded grip and concave terminal, below the head are eight short straight incisions, 46cm long. £200-300 419. A Fiji ula, throwing club, with an ovoid head and knop finial, with a carved zig-zag grip, 43cm high.

90

416

417

418

£300-400

419

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420. A Fiji totokia, beaked battle club, with a circular head with rows of nodules, one section with the nodules inset, with a spike terminal and a zig zag carved grip, 59.5cm long. £300-400

421. A Vanuatu dance club, Melanesia, with a fishtail terminal with medial ridge with a tapering shaft and triangular butt, 73.5cm long. £200-300

422. A hardwood throwing club, with all over zigzag carving, probably Fiji, 32.5cm long. £150-250 420

421

422

423. A Tonga palm leaf fan, in two colours with a sennit bound handle, 36cm high. £600-800

424. A Tonga palm leaf fan, with sennit bound handle, 38cm high. £600-800

Provenance The Melanesian Mission.

Provenance The Melanesian Mission.

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425. A Solomon Islands fish hook, with a shell shank carved as a stylized fish with hatching to the reverse with a turtle shell hook and fibre binding, 7cm long. £300-500 cf. Daniel Blau & Klaus Maaz. Fish Hooks of the Pacific Islands, p.90, pl 22/23 for a similar example.

426. A Solomon Islands fish hook, with a carved shell shank with turtle shell hook and fibre binding with beads, 7.8cm long. £200-300

427. Two Solomon Island mother of pearl ornaments, of gorget form with serrated edges, 7cm and 7.7cm wide. (2) £50-100

92

428. A Solomon Islands fish hook, shell, turtle shell and woven fibre, 7.3cm high. £200-300

429. A Torres Strait Islands turtle shell pendant, of fish hook form with incised chevrons and pierced for attachment, 7.7cm high. £600-800 cf. Blau & Maaz. Fish Hooks of the Pacific Islands, p.30 for similar examples.

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430 430. A San Cristobal barava fragment, Solomon Islands, carved from a tridacna shell of a row of figures above pierced symbols, 24cm long, on a stand. (2) £3,000-4,000 431. A Banks Islands Janus head spear, with remains of pigment decoration with woven fibre on a bamboo shaft, 214.5cm long. £1,200-2,000 Provenance French 19th century collection.

432. A Solomon Islands club, of spatulate form, with a medial ridge, 121.5cm long.

£100-200

Provenance Purchased from Hemmeter Gallery in the 1980’s.

433. A Solomon Islands club, with a leaf shape blade with medial ridge, tapering shaft with a relief carved strap to the base, 113cm long. £150-250 434. A Oceanic hardwood spear shaft, the baluster shape tip with an adze finish and a circular aperture to the tip, with a part cylindrical and elongated baluster shaft, 175cm long. £150-250 435. A Lake Sentani paddle, Papua New Guinea, with a relief carved leaf shape blade and a pole handle with similar carving, 160cm long. £300-400

431

432

433

434

435

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436. Two Sepik River lime gourds, Papua New Guinea, one carved four sawfish and with traces of lime to the rim, 26.5cm high and a Papuan carved coconut whistle, 11.5cm long. (3) £80-120 Provenance Old UK collection.

437. A Papua New Guinea bamboo comb, with carved finial and fibre binding, 26cm high and a New Caledonian bamboo comb, with incised decoration, 15.5cm high. (2) £80-120

438. A Papuan Gulf ancestor board, carved a stylised figure with red, white and black pigment, 78.5cm high. £300-400 Provenance Dutch collection.

436

437 439. A Fiji priest’s bowl, carved as a figure, 41cm long. £200-300

440. A Fiji kava bowl, of large proportions with pierced lug handle and eight legs, 29cm high, 79cm diameter. £600-800

441. A Papua New Guinea dance club, with a leaf shape blade with a stylized mask on either side, with a tapering shaft and remains of lime, 99cm long, a Papua New Guinea spear, the reed blade with painted decoration, a barbed spear and a barbed spear tip. (4) £200-250

442. Three Oceanic paddles, with grooved and panelled leaf shape blades with faceted tapering shafts, 139cm long. (3) £150-250 438

94

439

440

441

442

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443

444 detail

443. A Fiji tapa, of geometric designs in black and red, 193 x 115cm, laid on paper. £400-500 Provenance UK collection.

444. A Wallis Island ceremonial tapa cloth, rectangular with cut ends and decorated geometric patterns, 19th century, 230 x 64cm. £450-550

445

445. A rare Tonga / Somoa fibre matrix mould for a tapa, with banded designs, 52 x 13cm, framed and glazed. £100-200

446. A Tonga oblong feast bowl, kumete, on four shallow feet, 194.5cm long. £1,200-1,800 Provenance Ex collection Keith St Cartmail, UK and New Zealand.

446

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447. A Papua New Guinea orator’s stool, raised on a domed base with four angled supports to a seat with a raised back, the front carved a mask with large eyes and mouth, with red and white pigments, 88cm high. £5,000-7,000 Provenance Mr and Mrs Herbert Baker collection.

Exhibited Ethnic Art from the collection of Mr and Mrs Herbert Baker, Nelson Gallery, Atkins Museum, Kansas City, Missouri, Dec 1966 - Jan 1967.

Arts of Oceania, Shells of Oceania, The Bowers Museum, California, June - July 1975.

447

448. A Tonga kava bowl, raised on four legs with pierced lug handle, 47cm diameter. £500-600 Provenance Ex collection Keith St Cartmail, UK and New Zealand.

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449. A Tonga food bowl, sene, raised on four short legs, the outside edge with four cylindrical handles, 56cm diameter. £800-1,200 Provenance Ex collection Keith St Cartmail, UK and New Zealand.

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450

451

450. A Solomon Islands barava funeral post, carved shell on a wood post with fibre binding, 77.5cm high, on a stand. £800-1,000

451. An Easter Island moai kavakava, with inlaid eyes and of typical hunched position with visible ribs and back bone, with arms to the side, 49cm high, on a stand. (2) £2,000-2,500

452. A Fiji small vunikau club, with a root head and shaped shaft with a large pierced attachment hole to the butt, 82.5cm long. £300-400

453. Two Solomon Islands paddles, with pointed leaf shape blades with medial ridges and with canoe shape handles, 106.5cm and 111.5cm long. (2) £400-500

454. A Marquesas Islands paddle, Polynesia, with a flat ovoid blade and rectangular shaft, carved low relief geometric designs and Janus tiki figures, 95cm long. £200-400 452

453

454

97

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456 455. A Fiji wake vividrassa club, with a root nodule head on a cylindrical shaft with remains of fibre binding, with a zig zag carved grip, 109.5cm long. £300-400

456. A Sepik River adze, Papua New Guinea, carved wood with Janus ancestor head finial, rattan bound with a stone blade, 57cm long, on a stand. (2) £1,200-1,500

457. A Tami Island elliptical food bowl, Papua New Guinea, carved with relief figures to the sides and masks to the ends, with fish and central rondel, remains of lime finish, 63cm long. £1,500-2,000 455

457

457

98

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458

459

458. A Fiji waka, war club, with a large finned root head inscribed Tevani, and with a carved zig zag grip with sennit binding, 110cm long. £300-400 459. A Vanuatu club, Melanesia, carved wood with a mushroom cap finial above five lozenges and star, the shaft terminating with a fin and tapering point, with remains of encrusted patina, 99cm long, on a stand. (2) £600-800 Provenance Purchased from Anthony Hepworth, Bath, UK. 460. A Vanuatu ceremonial figure, of a standing male with white and black pigment decoration, 193cm high. £1,500-2,000 Provenance Old French colonial collection.

461. A Huon Gulf carved wood oval bowl, Papua New Guinea, with relief frigate birds, one end as a tail, the other end carved a mask, 55cm long. £150-250

461

460

99

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462. A New Britain / New Ireland mask, with a pierced and carved crest and moulded face with inset operculum shell eyes, with red, blue and white pigment finish and the back with remains of fibre attachment bindings, 30cm high, on a stand. (2) £4,000-6,000 Provenance Sotheby’s, London, 23rd June 1981, Lot 68.

463. A Tonga dance paddle, with a flattened waisted blade with arched top and conforming ridge to the base with a cylindrical handle and knop terminal, 66cm long, on a stand. (2) £2,500-3,500 Provenance Blacks Museum, Mount Gambier, South Australia.

464. A Fiji totokia, with a tapering spike to an oval head with six rows of barbs and incised line decoration, on an angled shaft with an unusual carved grip of zig zags and crescents, 80cm long. £800-1,200 Provenance Stanley J Weyman, 7 August 1855 10 April 1928, Novelist, and thence by family decent.

462

100

463

464

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465. A New Britain shield, of oblong form with a central raised boss with carved geometric designs and with red and black pigment decoration, the edge with remains of woven wicker, the reverse similarly decorated and with an integral handle, 121cm, on a stand. (2) ÂŁ2,000-3,000 Provenance New Zealand collection.

466. A Fiji totokia, with a tapering spike and an oval head with five rows of barbs and incised lines with an angled shaft and a carved zig zag grip, 80cm long. ÂŁ600-800 Provenance Stanley J Weyman, 7 August 1855 - 10 April 1928, Novelist, and thence by family decent.

465

466

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467

467 detail

467. A Solomon Islands ceremonial baton, wari hau, with a wooden shaft applied mother of pearl panels with a gum ground with a woven rattan spherical head, 36cm long. £4,500-5,000 Provenance Ex Beasley collection.

Ex Allan Frumkin collection, New York.

468. A Banks Island pudding knife, carved a standing figure with edged blade, 50.5cm high, on a stand. (2) £700-1,000 Provenance Collected by Captain Guenet in the early 1950's on the French administrive vessel ‘le Rocinante’.

Nicolai Michoutouchkine, Port Vila, Vanuatu.

Countess Ingeborg de Beausacq, Marseilles and New York.

469. A Torres Islands knife, with a slender blade and serrated handle with encrusted patina, 56cm long, on a stand. (2) £400-500

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468

469

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470. A Caroline Island stool, with a dished seat with carved edges and faceted tapering handles above an open frieze on fibre bound legs, 50cm high, 75cm wide. £2,000-3,000 Provenance Christie’s, New York, 4 November, 1994 - Lot 76.

471. A Fiji pole club, of cylindrical tapering form with seven bands of zig zag carving, 77.5cm long, on a stand. (2) £300-500

472. An Admiraly Islands spear tip, Melanesia, carved wood with polychrome decoration, 53.5cm long. £100-150 Provenance Monika Wengraf, London.

473. A Niue club, Polynesia, with a tapering shouldered blade, faint medial ridge with a fabric and sennit bound handle with a faceted tapering terminal, 173cm high, on a stand. (2) £2,000-2,500 Provenance New Zealand collection.

471

472

473

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475

474 detail 474. An Asmat ancestor figure, Irian Jaya, carved wood of abstract form with pigment finish and cassowary feathers, 158cm high, on a stand. (2) £2,000-2,500 Provenance Franco Ignazio Castelli (1920-2002) Acquired form Philip Goldman, Gallery 43, London, in 1970.

Exhibited Le Centro d’Arte Contemporanea e Primitive - l’Uomo e l’Arte 1970, Milan.

475. A Papua New Guinea gope board, the front carved an ancestor figure with pigment finish, 124.5cm high, on a stand. (2) £2,500-3,500 Provenance Franco Ignazio Castelli (1920-2002) Acquired form Philip Goldman, Gallery 43, London, in September 1972.

476. A New Ireland malagan, carved wood with inset shell eyes and with pigment finish, 105cm high. £800-1,200

104

474

476

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477. Two Aibom pottery vessels, Papua New Guinea, with stylized masks and white pigment finish, 28cm the highest, and an Aibom pottery finial, modelled a stylized figure on a domed base, 31cm high. (3) £70-100

478. Three Aibom pottery vessels, Papua New Guinea, each with a stylized mask and white pigment finish, 30.5cm the highest.

(3) £70-100

477

478

479. A Papua New Guinea ancestor board, of boat form with four beaks, pigment finish, 72cm high, and a Papua New Guinea mask with a handle, fibre beard, shell and bone decoration with pigment finish, 56cm high. (2) £250-300

480. Two Papua New Guinea masks, with handles and fibre beards with applied shell and bone decoration and with pigment finish, 68cm high. (2) £300-400 479

481

482

480

483

481. Two Papua New Guinea carved wood lime containers, with a bird and crocodile stopper and bamboo and cassowary feather body, 118cm long. (2) £250-350 482. Two Papua New Guinea carved wood lime containers, with a bird and crocodile stopper and bamboo and cassowary feather body, 104cm long. (2) £250-350 483. A Papua New Guinea ancestor mask, with white, red and black pigment finish and with tied fibre, 59cm high, and another mask with applied shell inlay, 64cm high. (2) £250-300

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485

484

484. A Maori nephrite hei-tiki pendant, with abalone shell inset eyes, the base with attachment piercings, 10cm long, and a greenstone hei-tiki ornament, 9cm long. (2) £300-400 485. A Maori greenstone hei-tiki pendant, the reverse pierced for attachment and with etched monogram, 12.7cm long and greenstone hei-tiki ornament with abalone shell eyes, 11.6cm long. (2) £300-400

486 486. Seven Maori greenstone pendants; one pierced in the centre and with groves to the sides, 4.1cm high, three of blade form, two curved and another oval. (7) £150-250

488 487 487. Three Maori greenstone hei-tiki pendants, with metal loops, 5cm the highest. (3)

£150-250

488. A Maori nephrite hei-tiki ornament, 10.2cm high, and a nephrite hei-tiki pendant, 8.4cm high. (2)

£300-400

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490

489

489. A Maori nephrite hei-tiki pendant, the reverse pierced for attachment, 10cm high, and a greenstone hei-tiki ornament, 11.1cm high. (2) £300-400 490. A Maori greenstone hei-tiki pendant, with abalone inset eyes and the reverse pierced for attachment, 12.8cm long, and a pale greenstone hei-tiki ornament, 10.2cm long. (2) £300-400

491 491. Twelve Maori greenstone ear pendants, of elongated form, three with curved tips and one short, 9.5cm the longest. (12)

£300-400

492

493 492. A Maori greenstone manaia pendant, depicting two entwined serpents, 7cm long, another similar pendant, 6.8cm long, and a stylized tiki pendant, 7cm long. (3) £150-200 493. Three Maori greenstone blades; the largest of rectangular spatulate form, pierced for attachment, one side with notches to the edges, the other with an etched monogram, 27cm long, the smaller blade with the same monogram. (3) £200-300

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494. A Maori nephrite hei-tiki pendant, 19th century, 6.2cm high. £400-500 495. A Maori greenstone hei-tiki pendant, with wax eyes and pierced attachment hole in the head, 5.2cm high. £200-300 496. A Maori greenstone fish hook pendant, 6.5cm long, another pendant with two figures, 8cm long, a greenstone manaia pendant, 6.5cm wide and a carved shell manaia pendant with inset shell eyes, 8.6cm long. £200-300 495 494

496

497. A Maori nephrite hei-tiki pendant, 5cm high, together with a photographic print of an actress wearing Maori costume and the same pendant. (2) £200-300 The reverse of the photograph inscribed Margaret Strong Harris - Professional name Daleie Millar, the front inscribed New Zealand 1917, Maori Pu Pu. 498. A Maori ceremonial nephrite mere, of spatulate form with a concentric tiered terminal and pierced attachment hole to the handle, with etched makers monogram, 40.2cm long, and a smaller nephrite mere, 31.5cm long. (2) £300-400

497 498

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499. A Maori greenstone patu, of spatulate form with a concentric circle butt and pierced for attachment, 34.5cm long, on a stand. (2) £500-600

500. An Aborigine club, with a bulbous pointed head with deep linear and zig zag decoration, the terminal with a pierced loop, with remains of a handwritten label Nulla Nu..., N.S Wales, 61cm long. £250-350

499

501. An Aborigine club, with an ovoid head and ring carved grip with tapering butt, 59.5cm long. £150-200

502. Three Aborigine clubs, Queensland, of tapering form with pointed ends, each with fine linear carved decoration, 61cm, 68.5cm and 70cm long, all with stands. (6) £800-1,200 500

501

502

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503. An Aboringine boomerang, one end with scratched linear decoration, 60.5cm high.

£150-250

504

505

507

504. Three Aborigine boomerangs one with incised linear decoration, 61.5cm long, another relief carved a lizard and a snake, 57cm long, and a plain example, 54cm long. (3) £200-300 505. Four Aborigine boomerangs, one with engraved linear decoration, 58cm long. (4) £200-300 506. An Aborigine large club, with tooth engraved linear decoration to both sides, 103.5cm long. £300-400 507. An Aborigine shield, of narrow oblong form with incised horizontal linear decoration with an integral handle, 72cm long. £200-300 506

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508

509

510

511

512

513

508. Two Aborigine boomerangs, the darker wood example with a later pierced hole, 62cm wide, the lighter wood example with linear finish decoration, 54.5cm wide. (2) £150-250

509. Two Aborigine boomerangs; one with incised and poker work decoration, outline of Australia, a hunter, an emu, a kangaroo and a kookaburra, the reverse inscribed A Perrett, maker Sapervase 8-1-36, 68.5cm wide, the other with faint linear decoration to both sides, 61.5cm wide. (2) £150-250

510. An Aborigine wunda shield, with wide carved angular linear decoration, the reverse with an integral handle and straight linear decoration, 86cm long. £300-400

511. An Aborigine boomerang, one side part linear decorated, 68cm long, on a stand. (2) £300-400

512. An Aborigine shield, with carved abstract linear decoration to both sides, with an integral handle, 72cm long. £300-400

513. An Aborigine boomerang, one side with carved linear decoration, 75cm long. £100-150 Provenance Collected in the Yuendumu area in the 1960's by Jan Splitt, a Danish geologist.

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514. An Aborigine Bathi basket, by Rrowapa, of conical form with loop handle of coloured reeds, 33cm high, two woven baskets with handles, a pandanus woven bag with string handle and two dilly bags. (6) £100-150

515. A Maori kete, bag, of woven natural and died blue flax with an applied shell disc and strap handles, 43cm high, and a kete, in green and natural flax with a lined interior and two handles, 35cm wide. (2) £100-150

518

516 part

516. An Aborigine bark painting, by Mick Magani, 1920 - 1984, men and women dancing with vegetation and animals, 65 x 28cm, the reverse with faint typed label, a bark painting of two fish with worn chalk inscription, 53 x 18.5cm, and a painting on thick paper by Larry Nalorlman of Barramundi, Saratoga, Prawn and Nailfish, 77 x 57cm. (3) £200-300

517. Two Aborigine woomeras, both with bound spikes, one curved, the other flat, 82.5cm and 63cm long, and an Aborigine fighting club of baton form, 60.5cm long. (3) £120-150

518. Two Aborigine Coolamons, feast bowls, 45.5cm and 31cm long, and two Aborigine carved wood snakes, 85.5cm and 79cm long. (4) £200-300 516 part

112

517

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519. A Maori hoe, paddle, the narrow blade relief carved stylized decoration including a squid, with an angled handle and knop terminal, 123cm long. £350-450

520. An Aborigine leangle club, with incised lines to the grip and with conical terminal, 63.5cm long, on a stand. (2) £1,000-1,500

521. An Aborigine spear thrower, woomera, with incised bands of linear grooves, with a bone point and gum handle, the reverse with scored lines along one edge, 68cm high, on a stand. (2) £350-450

520

521

519

522. An Aborigine woomera, spear thrower, slightly curved with angled linear carving with bound bone point and gum covered handle, 20cm long, on a stand. (2) £400-500 Provenance Blacks Museum, Mount Gambier, South Australia.

523. An Aborigine parrying shield, of slim elongated form with incised linear panel decoration to both sides, the reverse with an intregal handle, red ochre finish, 77cm high, on a stand. (2) £300-400 519 detail

522

523

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524. A Maori fish hook, wood, shell and bone with fibre binding, the back with hand written identification label, 12.5cm long.

£500-600

526 525. An Aborigine boomerang, with fine linear carving to one side, 78cm long, on a stand. (2) £300-400

525

114

526. A Maori hand club, wahaika, carved a tiki with inlaid shell eyes, with a shaped blade, the handle with a square aperture and tiki mask terminal, 30cm long. £100-150

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527

527. A Maori wahaika, hand club, carved wood with a mask to the inside edge and with faint carving to the terminal, with suspension hole, 19th century, 38cm long. ÂŁ400-600

528. A Maori taiaha, of long spatulate form with a carved Janus head terminal with mother of pearl eyes and with carved tongue, 198cm long, on a stand. (2) ÂŁ2,500-3,500

END OF SALE 528 detail

528

115

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Fine Porcelain & Pottery Tuesday 23rd February 2016

ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

A rare and early Portuguese faïence ewer, dated 1635.

Estimate: £3,000 - £5,000

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Paintings Wednesday 16th March 2016 Entries close 29th January

ENQUIRIES Victor Fauvelle Tel: +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk

John Nost Sartorius (1759 - c.1830) Hunting Scenes A set of four All signed and dated 1804 All oil on canvas Each 37 x 47cm Estimate: £5,000 - £7,000

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Arms & Armour Wednesday 6th April 2016 Entries close 5th February

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

A pair of 19th century Indian ceremonial maces, Soontas, 70cm long.

Estimate: £2,000 - £3,000

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Furniture, Works of Art, Clocks, Arms & Armour Wednesday 6th April 2016 Entries close 5th February

ENQUIRIES Mark Richards Tel: +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

One of a pair of rare William and Mary needlework hangings.

Estimate: £8,000 - £12,000

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Clarice Cliff, Art Deco & 20th Century Design Wednesday 20th April 2016 Entries close 17th February

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Dodo Burgner, fashion study, detail.

Estimate: £600 - £1,000

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Tribal Art September 2016

An Aborigine broad shield, South East Australia, 98.5cm high.

Estimate: £3,000 - £5,000

ENQUIRIES Will Hobbs Tel: +44 (0)1722 339752 willhobbs@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Registered in England No. 2998482

Salisbury Salerooms

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Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Tribal Art & Antiquities

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 9th February 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

AUCTION CALENDAR TRIBAL ART & ANTIQUITIES 9th February 6th September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 23rd February – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk PAINTINGS 16th March – Oils, Watercolours, Prints & Miniatures Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ARMS & ARMOUR 6th April Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 6th April Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th April – Clarice Cliff, Art Deco & 20th Century Design Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk SILVER 27th April – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 28th April Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th & 18th May John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk

www.woolleyandwallis.co.uk