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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery

Thursday 29th October 2015


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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Aguilar Doméracki Freya Yuan

— — — —

424506 424591 424583 424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE, WORKS OF ART & CLOCKS Mark Richards — Jim Gale — Anna Brown —

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

PAINTINGS Victor Fauvelle Jo Butler

— —

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

— —

424501 424594

TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs Ellie Osmond

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

424500 424599

MARKETING Tamzin Corbett

424590

424500

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director COMPANY SECRETARY Jim Macarthur CA

— —

339752 339752

ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

2

FRICS FRSA

424599


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JEWELLERY

Thursday 29th October 2015 at 11.00am Viewing Times Saturday 24th October Monday 26th October Tuesday 27th October Wednesday 28th October Thursday 29th October

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

Front cover: Lot 1407 Back cover: Lot 1406 This page: Lot 1193 Inside front: Lot 1312 Page 4: Lots 1236, 1232, 1231, 1226 Page 5: Lot 1260 Page 17: Assorted bracelets in this sale Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm Wednesday 28th October. Please note there is a 3% + VAT surcharge for this service.


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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Saturday collections by appointment. 10.00am to 1.00pm

 Lots marked with this symbol contain gemstones including rubies, sapphires and jade of Burmese origin and are not permitted for import by The United States of America.

CITES REGULATIONS Please note that lots marked  may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1000

1001

1000. A pair of 18ct white gold cufflinks by William and Son, set with garnets and diamonds. Two keys with gold mounts by Tiffany & Co. A pair of gold lorgnette. A 9ct gold cover with sliding key. A 9ct gold wristwatch (damaged). A 9ct gold scroll pierced card case. A cabochon and diamond set gold bar brooch. Three cigarette lighters. Three cigarette cases. A small minaudière and a gem-set enamel and £600-800 white gold brooch.

1001. A blue leather jewellery box containing assorted jewellery etc, including three gold rings, a silver necklace and a silver brooch by Georg Jensen, and a lady’s wristwatch alternately set with sapphires and diamonds. A silver bicycle handlebar and seat brooch, a Victorian gold floral circular brooch, a carved shell cameo brooch and two bar brooches etc. £200-300 1002. A travel alarm clock by Cartier, the signed cream dial with black Roman numerals and additional alarm hand. Gilt metal with gold speckled blue enamel octagonal bezel emulating lapiz lazuli. Double C hinged strut back.7.5cm wide. Fitted Cartier box and booklet. £200-300 1003. A circular steel calendar box by Cartier, the detachable cover with twist action ‘Calendier Perpétual’. Signed to cover and £100-150 base. 8cm diameter. Fitted Cartier box.

1002

1003

1004. A cased set of circular shell disc cufflinks, with guilloche engraved decoration and each centred with a seed pearl within white pellet border and gold backs, cased by Dickinson of New Bond Street, Bath. Damaged box. A cased set of six circular shell cufflinks of button-form with gold wire centres and white enamel border and gold backs. A cased set of three gold dress studs, a cased set of two dress studs formed as diamond-set circular black onyx discs mounted in white gold. A sapphire and diamond-set gold cluster bar brooch. An aquamarine and two pearl-set gold bar brooch (damaged). An octagonal peridot and two pearl set gold bar brooch. A pearl and diamond-set Royal Navy gold brooch. A gold star-form brooch set with graduated moonstone cabochons. And a small gold fob watch. £600-800

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1004


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1006

1005

1008 1007

1005. A lady’s diamond-set dress wristwatch, cream dial with black Arabic numerals and set with graduated circular-cut diamonds to the bezel and shoulders. Platinum case. White gold mesh band. £400-600 1006. A lady’s diamond set platinum cocktail watch, white enamel dial with black Arabic numerals. The bezel set with graduated circular and baguette-shaped diamonds. Cord band. Case. £300-400 1007. A lady’s Art Deco wristwatch, the rectangular dial with black Arabic numerals is set overal with single cut and circular cut diamonds in platinum. With a lady’s gold wristwatch by Omega, with circular dial and Roman numerals. The scrolling strap set with circular cut rubies and diamonds in platinum and yellow gold. Manual movement. £200-300 1008. A lady’s diamond-set wristwatch, the green enamel dial with gold Arabic numerals and rose-cut diamond bezel. On a 9ct gold gatelink bracelet. £200-300 1009. A lady’s diamond-set dress wristwatch, the blue enamel dial with silver Arabic numerals, the bezel set with circular-cut diamonds and further diamonds to the stylised fleur-de-lys shoulders. Black cord band. Engraved with initials to reverse and dated 1895. The inner case £1,000-1,500 engraved Le Roy, 57 New Bond Street, with Royal Appointment. 1010. A gentleman’s gold wristwatch by Longines, the circular dial with Roman numerals and subsidiary seconds dial. Manuel movement. On 9ct gold band. With spare links. £300-400

1010 1009

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1011. A graduated jade circular bead necklace, the beads graduate from 4.2 to 8.5mm. 68cm. £400-600

1011

1012. A jade and onyx bead necklace, the spherical beads graduate to 7.80mm. With a gold clasp set with a jade cabochon. 52cm long. £200-300

1012

1013. A single row cultured pearl necklace, the fifty black/blue pearls graduate to 12.12mm with a silver clasp. 68cm long. £400-600 1014. A single row cultured pearl necklace, the pink pearls graduate to 14.2mm with a diamond set spherical clasp. £400-600 1015. A single row cultured pearl necklace, the thirty nine silver pearls graduate to 13.72mm. With a matching cultured pearl bracelet. £400-600 1016. A two row graduated natural pearl necklace, with a seed pearl set gold cluster clasp. 40cm. £600-800 1014 1013

1016

Accompanied by report number 09290 dated 21st January 2014 from The Gem and Pearl Laboratory, London stating that the 213 pearls graduate from 2.8 - 5.8mm weigh 13.63g (in total including clasp) and are natural saltwater pearls. 1017. A four row cultured pearl bracelet, the pearls measure 6.0 - 6.5mm, the stylised flowerhead detachable clasp is centred with a circular-cut sapphire within a border of graduated round brilliant-cut diamonds in silver and gold. With detachable brooch fitting. £400-600 1018. A three row cultured pearl bracelet, the pearls measure approximately 6.15mm, with a ruby and diamond set gold cluster clasp. 17.5cm long. Case by Collingwood. £200-300

1015

1017

1018

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1019

1020

1022 1021

 1019. A single row slightly graduated coral bead necklace, the beads measure 7.0 to 8.0mm. 120cm. A three row graduated coral bead necklace, the beads measure 4.5 to 9.2cm with a cabochon coral mounted gilt metal clasp, 126cm. A single row graduated coral bead necklace. The beads graduate from 4.4 to 8.7mm. Cabochon coral mounted silver clasp. 120cm long. With additional coral beads. £300-400 1020. A graduated amber bead necklace, 96g, 76cm.

£500-700

1021. A graduated amber bead necklace. 66g, 66cm.

£400-600

1022. A graduated round amber bead necklace, 68g, 85cm.

£400-600

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1024

1023

1026 1025

1023. Eighty one assorted modern carved hardstone intaglios, 7.4 - 24.0mm high. Carved with assorted figures in the Roman style. £100-150 1024. A 9ct gold striated compact with mirror (loose) and ruby thumbpiece, 98g total. With two engine turned 9ct gold cigarette cases 198g (2). £1,000-1,500 1025. A 9ct gold cigarette case, with engine turned decoration and invisible slide opening. 178g. 1026. A French gold cigarette case, cabochon sapphire thumbpiece, French control marks. 8cm wide. 88g.

£800-1,200 £400-500

1027. A French early 20th century moss agate box, with white gold mounts, and the hinges and thumbpiece set with cabochon rubies, amethysts and diamonds. French control marks. 8cm wide. £200-300

1027

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1029

1028

1030

1032 1031

1028. A Regency gold seal, applied with turquoise cabochons and mounted with a carved agate dog. The amethyst seal depicting a dog and inscribed ‘Violet’. With a realistically formed gold snail, mounted on hardstone and set with turquoise cabochons. And with a Victorian gold locket pendant, set with rose-cut diamonds within blue enamel (damaged) and a rock crystal opening locket section engraved with the letters EB. £300-400 1029. A diamond set fox mask brooch, with ruby eyes, on gold pin.

£100-200

1030. An Edwardian seed pearl and garnet pendant, the oval-shaped garnet is set within a surround of seed pearls and further circular-cut diamonds in gold. 3.2cm high. £200-300 1031. A diamond set bow pendant, the stylised bow set overall with diamonds and pearls. Suspending a larger rose-cut diamond in £400-600 platinum and gold. 4.3cm wide. 1032. A gold swallow brooch, realistically formed and holding a seed pearl sprig in its beak. 5cm wide. A diamond set five stone ring in 18ct gold. Size L. A diamond three stone ring in gold. Size P. £300-400 1033. A pair of French earrings mounted with half pearls, yellow gold foliate mounts with French control marks including unidentified maker’s lozenge. £100-150 1034. A sapphire and diamond-set gold and platinum scroll brooch, C1940, numbered 7166. 3cm high.

£600-800

1035. A diamond and aquamarine-set Edwardian gold circular brooch of foliate form with diamond-set scrolls. 2.2cm wide.

£150-250

1033

1034

1035

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1036. A diamond solitaire ring, the old cushion-shaped diamond is set in gold, with a diamond five stone ring, rubover-set in platinum and gold. £200-300 1037. A diamond-set oval plaque ring, the flower head design set with single-cut diamonds within an oval border, in 18ct white gold. Size N ½. £800-1,200 1038. A pair of aquamarine and diamond earrings, the emerald-cut aquamarines are millegrain-set in white gold within a surround of circular-cut diamonds, suspending from a larger diamond and set in white gold. £850-1,200 1039. An 18ct gold and diamond bracelet, the rectangular links are within diamond-set quarterfoils in yellow gold. 18.5cm long £200-300 1040. A pair of cultured pearl and diamond cluster earrings, the pearls are set within a surround of circular-cut diamonds in yellow and white gold. £500-700 1041. An amethyst and seed pearl gold brooch, the large emerald-cut amethyst is set within a surround of seed pearls in gold. 3.2cm wide. £200-300 1042. An Art Deco diamond and pearl pendant, the diamond and pearl-set geometric design pendant is suspended from a circular cut diamond in platinum and gold. £600-800 1043. A gold mesh strap bracelet, adjustable clasp. 19cm. 39g.

£300-400

1044. A 19th century ruby and diamond brooch, centred with a cushion-shaped ruby within alternating ruby and diamond scrolls in closed back silver mounts. 2.8cm wide. £400-600 1045. An early 19th century gold cannetille brooch, set with assorted white and pink stones in a foliate openwork cannetille mount. 5.5cm wide. £100-200 1046. An early 18th century gold ring, size Q.

£200-300

Accompanied by a letter from The British Museum dated 22nd September 2014 stating that the ring is C1717. 1047. An Ecclesiastical amethyst mounted gold Bishop's ring, the cabochon amethyst is rub-over set within a high-domed square-shaped gold mount. The shoulders applied with the Christian symbol for Chi-Rho, and an M to the other shoulder. Size O £300-400 1048. An early 19th century diamond-set witches heart brooch, set with graduated circular-cut diamonds in silver and gold. 2.5cm high. A 19th century diamond set star brooch, set with graudated circular-cut diamonds in silver and gold. Detachable brooch fitting. 3.7cm wide. And a 19th century diamond-set brooch, set with graduated cushion-shaped diamonds to the four closed-back quarterfoil mounts in silver and gold. 3.2cm wide. £800-1,200 1049. A cased Victorian brooch and earring set, the brooch centred with a cushion-shaped diamond within twisted rope design surround and glazed locket compartment to the reverse, with similar diamondset gold earrings. Case. 3.2cm wide. £300-400 1050. A diamond bar brooch, set with graduated circular-cut diamonds in gold. 5.5cm wide. £300-400 1051. An 18th century gold cannetille brooch mounted with turquoise cabochons and a central red stone, with an 18th century gold cannetille pendant, set with a central square-shaped chalcedony and four rubies. £300-400

 1052. A pair of coral drop earrings, the circular button-shaped coral cabochons are set within a surround of yellow gold and suspend from an oval-shaped coral cabochon. £300-400 1053. A gold cruciform locket pendant, the crowned locket cover with blue initials RN and insciption to reverse dated 1901. 3.5cm high. £150-250 1054. A pair of diamond drop earrings, the rose-cut diamonds are set within blue enamel crosshatching and suspended from a larger rose-cut diamond in gold. 5cm long (excluding posts). £400-600 1055. A George III gold garnet pendant, in closed back settings and suspending a small pearl. 5cm long. £200-300

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1038 1036 1037

1042

1041

1039

1040

1046

1044 1043 1045

1047 1050 1051 1049

1048

1053 1052 1054 1055

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1056. A graduated silver round bead necklace by Tiffany, 41cm, with Tiffany suede pouch and box. A silver Peretti bean pendant by Tiffany, on a fine link chain, with Tiffany suede pouch and box. A Paloma Picasso silver brooch by Tiffany, with Tiffany suede pouch and box. £200-300 1057. A pierced silver circular foliate brooch by Georg Jensen, design number 20, signed Georg Jensen and with initials. Import marks for 1991. 4.5cm wide. And a square silver deer and squirrel brooch by Georg Jensen, design 318. Signed Georg Jensen. Import marks for London 1984. 4cm wide. £100-150 1058. A silver floral necklace with matching silver floral bracelet by Georg Jensen, both with double foliate sections joined with long oval links. Design numbers 1 and 3. Signed Georg Jensen. The necklace 41cm, the bracelet 18.5cm. £800-1,200 1059. A silver ring by Georg Jensen, design 46B. Signed Georg Jensen. Size M. A silver ring by Georg Jensen. Design 46C. Size N. A silver ring by Georg Jensen, signed with initials. A silver ring by Georg Jensen, design 57, signed. Size H. A pair of foliate silver earrings by Georg Jensen. Design 508. Signed. And another pair of silver earrings by Georg Jensen. Design number 9. Signed. £100-150 1060. Two silver bird brooches by Georg Jensen, design 316C and 316B. Each 3cm wide.

£80-120

1061. A silver double butterfly and flower brooch by Georg Jensen, design 283, signed Georg Jensen, import marks for 1981. 5.5cm wide. And a silver bird brooch by Georg Jensen, design 209. Signed Georg Jensen, import marks for 1990. 4.5cm wide. £100-150 1062. A silver acorn-form pendant by Georg Jensen, style number 188. Signed GJ Ltd. London import marks for 1988. With three silver acorn form pendant earrings, design number 4. Signed Georg Jensen. The earrings 3.5cm high. £80-120 1063. A silver pansy-form brooch by Georg Jensen, set with a cabochon moonstone, design number 113. Signed. Import marks for 1982. 4cm wide. With a matching pair of foliate earrings by Georg Jensen, each set with a cabochon moonstone. Signed Georg Jensen. Model number 36. And a smaller pair of earrings by Georg Jensen, each set with a cabochon moonstone. £100-150 1064. A silver oval pendant with pellet and scroll decoration by Georg Jensen, design number 1989, signed Georg Jensen with initials. London import marks for 1990. A pair of silver disc earrings by Georg Jensen, design 410 and a silver pendant by Georg Jensen, design 2001. £80-120 1065. A 9ct gold floral brooch and matching earrings by George Tarratt Ltd, Birmingham marks for 1984. 2.8cm wide. And a matching pair of daisy-form silver gilt earrings and pendant with white enamel decoration by Georg Jensen, with fine link chain. £150-200

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1056 1057

1059 1060

1058

1062

1063 1061 1065

1065

1064

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1068

1066 1067

1070 1071 1069

1066. A pair of late 17th century silver ‘Stuart’ crystal cufflinks, the square, faceted crystals with fine wirework decoration beneath. A pair of silver oval cufflinks chased with putti, and a plain pair of silver circular cufflinks, maker GB. £100-150 1067. A pair of silver circular cufflinks, with black and red enamel concentric decoration. And a pair of parcel gilt silver frog cufflinks with diamond eyes. £150-200 1072

1068. A pair of yellow and white gold knot cufflinks, a pair of yellow gold cufflinks, each formed with a lion’s mask holding a cabochon ruby in its teeth. A pair of yellow gold cufflinks, each mounted with a small gold coin. And a pair of yellow gold cufflinks, each mounted with a cushion-shaped cabochon black stone, bound in stylised yellow gold rope mounts. £400-600 1069. A pair of gold-mounted shell dress cufflinks, the circular concave shell links, each centred with a line of calibré-cut sapphires. Case by Rood. And a pair of sapphire, shell and gold dress cufflinks. The circular shell links each centred with a circular-cut sapphire within a white gold tied reeded border and yellow gold backs. £200-300 1070. A pair of amethyst set gold cufflinks, the sugarloaf amethysts are set within gold spectacle mounts. Case. £350-500

1073

1071. A pair of carved opal and gold mounted cufflinks cufflinks, the white opals designed as goldfish with gold torpedo links. £150-200 1072. A pair of gold dress cufflinks, each link centred with a circular shell disc centred with a seed pearl, within a white enamel border with black enamel dots. £200-300 1073. A cased set of dress shell and diamond cufflinks with six similar studs, all formed with slightly concave circular shell discs, centred with a circular-cut diamond and yellow gold mount. Case by Shreve of San Francisco. And a pair of circular shell disc dress cufflinks, each centred with a cabochon sapphire with white gold border and pink gold backs. £400-600

1074

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1074. A cased set of four dress studs, each centred with a circular-cut diamonds on guilloche white metal ground and octagonal black onyx mounts. Cased by The Goldsmiths and Silversmiths company. And a set of four cased dress studs, of button form, the circular shell links with tied reeded borders in yellow and white gold. Cased by Hennell. £400-600


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1075. A ruby and diamond cluster ring, the round brilliant-cut diamond is set within a scalloped border of calibré-cut rubies and further surround of circular-cut diamonds in white gold. Diamond-set V-form shoulders and scroll pierced underbezel. Size N ½. £2,000-2,500 1076. An aquamarine and diamond cluster ring, the emerald-cut aquamarine is set within a surround £800-1,200 of circular-cut diamonds in platinum and gold. Size O. 1077. An early 20th century sapphire and diamond cluster ring, the central old cushion-cut diamond is set within a surround of calibré-cut sapphires and further circular-cut diamonds in platinum and gold. Size P ½. £600-800 1078. A diamond cluster ring, the old circular-cut diamond is set within a surround of smaller diamonds in platinum. Size S. £600-800 1079. A ruby and diamond cluster ring, the emerald-cut ruby is set within a surround of calibré-cut rubies and diamonds in gold. Size N ½. £3,000-4,000 1080. A cabochon sapphire ring, the oval-shaped cabochon sapphire is set with three marquise-shaped diamonds to each shoulder. Platinum. Size R. £600-800 1081. A ruby and diamond cluster ring, the oval-shaped ruby weighs approximately 1.25 carats and is £1,300-1,500 set within a surround of ten round brilliant-cut diamonds in white gold. Size N. 1082. A sapphire and diamond seven stone ring, the three graduated oval-shaped sapphires are set with four smaller circular-cut diamonds in scroll carved yellow gold mount. Size K ½. Case. £600-800 1083. A sapphire and diamond three stone ring, the old circular-cut diamond is set with two ovalshaped sapphires in gold. Size T. £200-300 1084. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of round brilliant-cut diamonds in yellow and white gold. Size N. £400-600 1085. A ruby, pearl and diamond cluster ring, the cabochon ruby is set within a surround of alternatelyset cushion-shaped diamonds and pearls in gold. Size O. £400-600 1086. An emerald and diamond cluster ring, the oval-shaped emerald is set within a surround of circular-cut diamonds in yellow and white gold. Size H. £300-400 1087. A diamond full circle eternity ring, set with circular-cut diamonds in platinum. Size Q. £1,000-1,500 1088. A diamond cluster ring, the old cushion-shaped diamond is set within a surround of smaller diamonds in platinum. Size N. £400-600 1089. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.15 carats and is set in white gold with eight small shoulder diamonds. Size K. £2,000-2,500 1090. A diamond-set half hoop ring, the seven round brilliant-cut diamonds are set in white gold. Size M. £200-300 1091. A French full circle diamond eternity ring, the baguette-shaped diamonds are set in platinum. French control mark and unidentified maker’s lozenge. Size L. £200-300 1092. An aquamarine and diamond three stone ring, the oval-shaped aquamarine is set with two round brilliant-cut diamonds in yellow and white gold. Size N. £600-800 1093. A diamond solitaire ring, the emerald cut diamond weighs 1.04cts, with F colour VVS2 clarity. Set in a platinum mount. Size M. £2,000-3,000 Accompanied by report dated 8th August 2011 from Anchorcert, stating that the emerald-cut diamond weighs 1.04cts, with F colour VVS 2 clarity 1094. A diamond-set full circle eternity ring, the single-cut diamonds are set in platinum with engraved shoulders. Size M. £200-300 1095. A diamond three stone ring, the three circular-cut diamonds are set in platinum. Size S. £600-800

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1076

1075

1078

1077

1080

1079

1081

1082

1083

1084 1086

1085

1087 1088

1090

1089

1091 1092

1094

1093

1095

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1096. A yellow gold Tank Américaine wristwatch by Cartier, signed white enamel dial with Roman numerals and secret signature at VII. Sweep seconds hand and date aperture. Automatic winding and with faceted sapphire winder. The back case signed and numbered 569868CE 2505. Brown leather band with gold Cartier buckle. Fitted case. £3,500-4,500 1097. A yellow gold Ellipse wristwatch by Patek Philippe, signed gold textured dial with black Roman numerals and oval-shaped case. 32mm high (excluding lugs). Brown leather band. £1,500-2,000 1098. A rectangular 18ct yellow gold Rolex Chronometer wristwatch, the silver dial signed Rolex chronometer, applied with Arabic numerals at the quarters and subsidiary seconds dial. The movement signed Rolex chronometer and repeated with ultra prima. Inside the gold case marked RWC and numbered 39059 2771 to the outside 3.5cm high. Excluding lugs. £2,000-3,000 1099. A gentleman’s gold dress watch by Vacheron Constantine, the circular dial with Roman numerals and textured gold case. In Vacheron Constantine case. £500-700 1100. An 18ct gold hunting cased minute repeating pocket watch. White enamel dial, black Arabic numerals, subsidiary seconds dial. Case by Verhagen. Loose Glass. £600-800 1101. A decorative gold pendant watch by Toliro, the yellow gold drop shaped lady’s watch with diamond-set bezel and blue enamel overlaid with a gold floral spray set with emeralds and rose-cut diamonds. The reverse with gold open work section mounted with sapphires and diamonds. On a pendant loop with a gold chain. £1,000-1,500 1102. A gentleman’s 18ct white gold Rolex Cellini Prince chronometer wristwatch. Rayon Flammé de la Gloire Model. Duo dial signed Rolex and Prince, one for hours and minutes, the other for seconds at six o clock. Movement visible from transparent case back. Leather band with 18ct white gold Rolex deployant clasp. With case and papers. Manuel winding movement. With 72 hour power reserve. £2,000-3,000 1103. A lady’s 18ct white gold wristwatch by Piaget, and retailed by Asprey, the signed circular turquoise enamel dial marked Asprey with plain hands. The bezel set with round brilliant-cut diamonds and turquoise cabochons at the quarters. Integrated and textured white gold band. The case numbered 9706A6 and 147202. 17.5cm. £1,500-2,000 1104. A lady’s gold and gem-set wristwatch by Beuche-Girod, the dial pavé-set with diamonds within £800-1,200 a further emerald and diamond border and lugs, on a ropetwist 18ct gold band. Case.

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1096

1100

1098 1099 1097

1101

1102

1103

1104

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1105. An emerald and diamond pendant, the pear-shaped emerald is set within a surround of round brilliant-cut diamonds and suspends from a large diamond in white gold. Fine link white gold neck chain. £650-750 1106. A diamond-set necklace, set with graduated round brilliant-cut diamonds on knife-edge links and fine-link back chain, the diamonds weigh approximately 6.00 carats in total and are set in white gold. £2,800-3,500 1107. A three row cultured pearl necklace, suspending a yellow and white diamond set butterfly, with a cultured pearl body, in yellow gold. The necklace 43cm longest. £800-1,200 1108. A pair of tanzanite and diamond drop earrings, each oval-shaped tanzanite suspends from a diamond-set figure of eight white gold mount and suspended from a larger round brilliant-cut diamond. 2.5cm wide. £1,000-1,500 1109. The property of an Aristocratic Lady. A diamond and gem-set butterfly brooch, set overall with circular-cut diamonds and further circular-cut rubies and sapphires in gold. Detachable brooch mount. 4.5cm wide. £800-1,200 1110. A pair of emerald and diamond drop earrings, the scroll design top section suspending a diamond-set wreath with a drop-shaped emerald in platinum and gold. 5cm long. £6,000-7,000 1111. A pair of diamond stud earrings, the round brilliant-cut diamonds weigh approximately 0.85 carats in total and are set in white gold. £800-1,200 1112. A pair of diamond stud earrings, the oval-shaped diamonds weigh approximately 1.80cts in total and are set in yellow gold. £400-600 1113. A gem-set bee brooch, realistically formed and set overall with graduated circular-cut diamonds £1,500-2,000 and circular-cut sapphires in gold and silver. Cabochon emerald eyes. 4.8cm. 1114. An emerald and diamond cluster ring, the oval-shaped emerald is set within a surround of circular-cut diamonds in platinum and gold. £1,000-1,500 1115. A pair of emerald and diamond cluster earrings, the circular-cut emerald is set within a surround of circular cut diamonds in gold. £600-800 1116. A diamond-set full circle eternity ring, centred with baguette-shaped diamonds within borders of marquise-shaped diamonds in platinum. Size M. £2,000-3,000 1117. A diamond-set flexible single row gold bracelet, 18.5cm.

22

£2,000-3,000


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1105

1106

1107

1108

1109

1110

1113

1114

1111

1112

1115 1116

1117

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1118. A diamond-set bow brooch, the realistically formed bow is pavé-set with old circular-cut diamonds in platinum. 5.8cm wide. £600-800 1119. An early 20th century opal and diamond cluster brooch, the oval-shaped opal is set within a surround of old circular-cut diamonds in silver and gold. £2,000-3,000 1120. A Victorian ruby and seed pearl mounted gold necklace, the line of flexible seedpearl mounted gold links suspends a foliate design festoon section mounted with larger seed pearls and rubies. 42cm long. £600-800 1121. An Edwardian romantic brooch set with opals and diamonds. The stylised intertwined hearts each centred with a pear-shaped opal within a surround of old circular-cut diamonds and surmounted with a diamond-set lover’s knot in gold. £800-1,200 1122. A late Victorian diamond set star brooch pendant, set with graduated cushion-shaped diamonds in silver and gold. Detachable brooch fitting. 4cm wide. £800-1,200 1123. A pair of cultured pearl and diamond cluster earrings, the pearls measure 7.4 - 7.7mm and are each set in a surround of single-cut diamonds in white gold. £400-600 1124. A late Victorian diamond set star brooch pendant, set overall with graduated cushion-shaped £400-600 and rose-cut diamonds in silver and gold. Detachable brooch mount. 4cm wide. 1125. A single-row natural pearl and diamond necklace, the pearls graduated from 2.0 to 6.1mm with an oval-shaped diamond cluster clasp. £600-800 Acompanied by report number 11684 dated 21st August 2015 stating that the 133 pearls weigh 8.22g (including clasp) and are natural saltwater pearls. 1126. An Edwardian diamond and pearl-set gold flower-head brooch, detachable brooch fitting and folding pendant loop. 3.9cm wide. £400-600 1127. A late Victorian diamond-set butterfly brooch, set overall with graduated circular-cut diamonds in silver and gold. Ruby eyes. 5cm wide. £2,000-3,000 1128. An unusual 19th century brooch, centred with an emerald-cut emerald which is set with diamonds in a foliate pattern, within three graduated borders of diamonds and set in gold. 3.7cm high. £6,500-7,500 1129. A single row natural pearl necklace, with a pearl-set black onyx clasp set within a surround of small cushion-shaped diamonds 44cm. Suspending a circular black onyx pendant centred with a seed pearl and rose-cut diamond star within a surround of graduated half pearls in gold. £600-800 Accompanied by report number 20024600 dated 14th July from Anchorcert stating that the pearls measure 4.08 to 4.13mm, weigh 19.52g (in total including pendant and clasp) and are natural saltwater pearls. 1130. A diamond-set gold hinged bangle, mounted with clusters of old cushion-shaped diamonds and diamond set leaves in silver and gold. £600-800 1131. A gem-set triple ring, each section centred with a ruby, diamond and sapphire set with two £200-300 smaller shoulder diamonds in gold. Size O. 1132. An Edwardian ruby and diamond set gold hinged bangle, designed as a horseshoe which detaches and could be worn as a brooch (no fitting included). Set either side with alternating rubies and diamonds. £600-800 1133. A diamond cluster ring, the central old cushion-cut diamond is set within a surround of smaller old cushion-cut diamonds in silver and yellow gold. Size N. £1,500-2,000

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1118

1120 1119

1123

1121

1122

1126 1124

1125

1127

1130 1131

1128 1132 1129

Items shown are not life size

1133

25


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1134. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within baguette-shaped and French-cut diamond shoulders in platinum. Size K ½. £3,000-4,000 1135. An emerald and diamond ring, the cabochon emerald is set with smaller shoulder diamonds in platinum. Size O ½. £2,500-3,000 1136. A sapphire and diamond ring, the emerald-cut sapphire weighs approximately 5.90cts and is set £4,000-5,000 with six graduated baguette-shaped shoulder diamonds in platinum. Size L. Accompanied by report number 5775-2173 dated 4th June 2015 from GCS London stating that the sapphire measures approximately 11.3 x 9.1 x 5.3mm, totalling approximately 5.00cts and is a natural sapphire with no evidence of heat treatment. Origin: Basaltic.

1137. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of old circularcut diamonds in yellow gold. Size M ½. £3,000-4,000 Accompanied by report number 00C076351 dated 30th June 2015 from GCI, stating that the cushionshaped ruby measures 7.18 x 6.16 x 3.22mm, weighs 1.37 carats and is a natural Burmese ruby with minor indications of thermal enhancement. 1138. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a border of cushionshaped diamonds in 18ct gold. London marks for 1967. Cased by Richard Ogden. Size L. £800-1,200 1139. A sapphire and diamond cluster ring, the oval-shaped sapphire is millegrain-set within a surround of cushion-shaped diamonds in platinum. Size O ½. £1,500-2,000 1140. An emerald and diamond three stone ring, the square-shaped emerald is set with two old £3,000-4,000 circular-cut diamonds in yellow gold with scroll carved shoulders. Size N. 1141. A three stone diamond ring, the centre six sided diamond is set with two kite-shaped shoulder diamonds in platinum. Size N. Box by Gallichan of Jersey. £4,000-5,000 1142. An early 20th century diamond cluster ring, set with a central line of three larger old circular-cut diamonds in octagonal collets and with a border of smaller old circular-cut diamonds in platinum. The shoulders engraved with foliate decoration. Size O. £4,500-5,500 1143. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.50 carats and is set in platinum and white gold. Size O. £2,000-3,000 1144. A diamond and ruby cluster ring, the old circular-cut diamond is set within a surround of smaller £600-800 stones and millegrain-set with a border of calibré-cut rubies in yellow gold. Size M. 1145. An emerald and diamond three stone ring, the emerald-cut emerald is set within two circular-cut diamonds which weigh approximately 2.10 carats in total. In yellow gold. Size N. £5,000-7,000 1146. An opal and diamond three stone ring, the oval-shaped opal cabochon is set in yellow gold with two old circular cut diamonds with scroll pierced shoulders. Size O. £2,000-3,000 1147. A ruby and diamond half hoop ring, the circular-cut ruby is set with six shoulder diamonds in 18ct yellow gold. London marks for 1888. Pierced scroll shoulders. Size O ½. £800-1,200 1148. A Victorian topaz ring, the cushion-shaped golden topaz is set in 18ct yellow gold, marked for London 1896. Size T. £800-1,200

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1136

1135

1134

1137 1140

1139

1138

1142

1143 1141

1144

1145

1146

1148

1147

27


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1149. An early 20th century octagonal shaped gold locket pendant, set to one side with a circular-cut diamond within a ring of rose-cut diamonds. Hinged opening front and back to reveal a vacant double sided locket section. 3.5cm high. £300-400 1150. A yellow and white gold double snake ring, realistically formed and mounted with a cushionshaped sapphire. Size R. £3,500-4,500 1151. An aquamarine and diamond ring, the oval-shaped aquamarine weighs approximately 30.00 carats, millegrain-set within a surround of circular-cut diamonds and sapphires. In carved and pierced platinum mount. Size L. £5,000-7,000 1152. A spinel and zircon cluster ring, the cushions-shaped spinel is mounted in 18ct yellow gold within a surround of seven circular-cut blue zircons. Size U. £600-800 1153. An emerald-cut aquamarine set white gold ring, heart pierced underbezel. Size N.

£200-300

1154. A cabochon sapphire and diamond ring, the slightly oval-shaped sapphire is set within borders of ten circular-cut diamonds in gold. Size N. £400-600 1155. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of twelve circular-cut diamonds in platinum and gold. Size Q. £800-1,200 1156. An Irish tourmaline and 18ct yellow gold stylised sunburst pendant, set with a cluster of naturally formed tourmaline sections and suspending from an 18ct yellow gold long bar link chain. Both sections marked for Rudolph Heltzel and for Dublin 1970. The pendant 7cm wide. The necklace 60cm. £3,000-5,000 1157. A gold ring stack by Wendy Ramshaw, the seven rings set with agate cabochons. Marked for £400-600 London 1971 and WR. Size J. On perspex ring stand. 1158. A silver stack of six rings by Wendy Ramshaw, with London marks for 1994 and maker’s mark WR. Size M ½. On perspex ring stand. £200-300

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1149

1150

1151

1153

1152 1156

1154

1155

1158

1157

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1159. An early 20th century pearl and diamond pendant, designed as a stylised butterfly suspending two articulated diamond drops in platinum and gold. on fine link platinum neck chain. £600-800 1160. An Arts and Crafts gem-set silver pendant, of foliate design and set with an oval-shaped fire opal within a surround of further gemstones and suspending a pear-shaped fire opal. 7.5cm high. On silver £500-700 neck chain 63cm long. 1161. A late Victorian diamond-set star brooch, set overall with graduated old circular-cut diamonds in silver and gold. Detachable brooch fitting. 3.5cm wide. £400-600 1162. A French Art Nouveau diamond-set gold oval locket pendant, designed as a girl with small diamonds set to her flowing hair and wearing a rose-cut diamond necklace, with a millegrain-set diamond border. Slide opening to reveal a mirror. Diamond set bale. Signed with initials for Comte d’Epinay de Briort. French control marks to the bale including a maker’s lozenge with unidentified initials HM. 5.5cm. £1,500-2,000 1163. An Arts and Crafts silver pendant by Liberty & Co, of pierced stylised fleur-de-lys form with purple enamel decoration. Signed to the reverse in three lozenges L&C. Silver. 3.6cm high. On a fine link silver chain. £200-300 For a similar example see Arts and Crafts by Judith Miller, page 139. 1164. An Art Nouveau pendant, set with sapphires and diamonds. The foliate scroll design pendant is set with graduated circular-cut diamonds and sapphires in platinum and white gold. On a fine-link white gold neck chain. £700-900 1165. An Art Nouveau silver pendant made by William Hair Haseler, for Liberty & Co and Designed by Archibald Knox. With two sections of green and rust colour enamel decoration. Marked WHH and Birmingham marks for 1905. Sketch number 8149. 4.2cm high. On a fine link silver chain. £350-500 For similar examples see Archibald Knox by Stephen Martin page 255. And Liberty Style by Victor Arwas page 71. 1166. An Art Nouveau floral brooch, mounted with a large blister pearl. Set with rose-cut diamonds in silver and gold mounted plique-à-jour enamel scrolls. 4.5cm high. Fitted case by Hessenberg, Frankfurt and Homburg. £2,000-3,000 1167. A turquoise-mounted gold pendant, the hammered gold of scroll design with a central ovalshaped turquoise cabochon and suspending a pearl. 5.8cm long. £400-600 1168. An oval silver and enamel box by Masriera y Carreras. The cover mounted with an enamel plaque depicting fighting cocks. Acanthus and scroll border. Signed and numbered 916. 13.2cm wide. £750-1,000 1169. An Edwardian opal and diamond brooch pendant, centred with an oval-shaped opal and set with graduated old circular and rose-cut diamonds in silver and gold to the open foliate scroll mount. Detachable pendant bale. 3.8cm wide. £600-800 1170. An Edwardian moonstone heart brooch, the moonstone is set within a border of seed pearls in yellow gold and surmounted by a diamond and graduated seed pearl set stylised bow. 3.5cm high. £400-600 1171. A pair of diamond drop earrings, of swirling geometric design, the old circular-cut diamonds are millegrain-set in platinum. Gold screw fittings. 5.5cm long. Case. £5,500-7,000 1172. A French late 19th century gold bracelet, formed with seven lozenge-shaped gold links centred with trophies and with pierced foliate decoration. French control marks. 31g. 19cm. Fitted case. £800-1,200

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1159

1163

1160

1161

1165

1162

1164

1166

1167

1168

1169

1171

1170

1172

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1173. A Regimental brooch for the The Kings Royal Rifle Corps, set with enamel and diamonds in platinum and gold and applied with the motto ‘Celer At Audax’ in enamel. In fitted case by Collingwood. With another larger metal badge for the same regiment. £300-400 1174. A military brooch for the Royal Army Medical Corps, set overall with circular-cut diamonds and with a demantoid garnet to the serpent’s eye. 3.4cm high. Fitted case by The Goldsmiths and Silversmiths Company. £400-600 1175. A pair of gem-set gold cufflinks, the oval links with beaten effect decoration and each set with a ruby, sapphire or diamond. Gold swivel clip links. £200-300 1176. A pair of enamel and diamond set gold cufflinks, with blue guilloche enamel within a platinum £400-600 ropetwist border and a central old cushion-cut diamond. With four matching studs. 1177. A rare Regimental brooch for the 2nd Battalion (Sikhs, 12th Frontier Force Regiment). Pavéset overall with diamonds with red enamel decoration. Set in gold. 3.5cm wide. £300-400 1178. A pair of gold dress cufflinks, each mounted with a circular engine turned shell disc centred with a seed pearl and with blue enamel borders. And a pair of 9ct yellow gold oval cufflinks, each centred with a cabochon garnet. £400-600 1179. A pair of yellow gold cufflinks by Tiffany, each link with two fluted cylindrical bars and set with calibré-cut sapphires (some missing). Signed. Marked 14k. And a pair of yellow gold cufflinks with swivel bar and fluted cylindrical bar links and set with baguette-shaped sapphires. £400-600 1180. A pair of yellow gold cufflinks, with cabochon ruby and cabochon sapphire terminals, each with two swivel circular ring links. £400-600 1181. A pair of diamond set gold circular disc cufflinks, designed as stylised gold shells within five circular-cut diamonds in yellow gold. £300-400 1182. A pair of turquoise-set gold cufflinks, the square-shaped links are each set with a turquoise cabochon. £100-150 1183. A pair of gold cufflinks by Hermès, mounted with square-form rectangular bars with fluted decoration. Signed Hermès Paris and with French control marks. £1,400-2,000 1184. A pair of carved jade mounted gold cufflinks, each link mounted with a domed circular jade cabochon with engraved carved decoration in yellow gold. 1.5cm wide. £600-800 1185. A pair of garnet and diamond-set cufflinks, the square garnet cabochons are each centred with £300-400 a rose-cut diamond, white gold mounts and yellow gold links. Case by Wellby. 1186. A pair of gold and enamel cufflinks by Giuliano, of oval design and applied with white and blue enamel scrolls (damaged). Marked C&A.G in oval plaque to reverse. Case by Giuliano. £1,500-2,000

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1173 part

1175

1174

1176

1177

1180

1179 part 1178 part

1183 1181 1182

1186 1184

1185

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1187. A yellow gold square-shaped compact, with internal powder compartment and mirror. Diamondset floral clasp and profuse foliate scroll engraved decoration to both sides. 140g in total. 6.5cm wide. £1,500-2,000 1188. An early 20th century gold compact, with engine turned decoration, the opening section applied with sapphires and rubies in a geometric design. Marked 14k. With mirror and powder compartment. 127g. £800-1,200 1189. An early 20th century agate cigarette case, with gold fittings, 8cm long.

£200-300

1190. An 18th century gold mounted agate etui, the agate body decorated with gold fruiting vines, a squirrel and bird. Tapering rectangular form. The hinged cover with a ring terminal, the interior with scissors and five vacant spaces. 10.2cm long. £600-800

 1191. A French early 19th century gold and gold plated enamel etui, of tapered oval form with fine gold decoration on black enamel ground overall. Depicting squirrels within scrolling foliage. The detachable cover with foliate engraving within pellet border to the cover interior. With fitted compartment containing a pair of gold and steel scissors, a pencil with ivory terminal, a gold earwax spoon cum toothpick, a pocket knife with conforming gold and black enamel decoration and with silver folding blade. And a fan-form ivory aide-memoire. 9cm high. £400-600

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1188

1187

1189

1190

1191

1191

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1192. A Tiffany fob watch on diamond-set bow brooch, the dial signed Tiffany & Co, with black Arabic numerals, the bezel engraved with foliate decoration and set with small diamonds. The reverse centred with a blue enamel plaque depicting a putti with lyre amongst clouds. The gold ground chased with foliate scroll decoration and with rose-cut diamond border. Suspended from a detachable diamond-set taffeta £400-600 style platinum bow. The watch 2.5cm wide. 1193. A late 19th century French peacock brooch, of Indian inspiration, the stylised peacock is pavéset with old cushion-shaped diamonds and a larger central rose-cut diamond to the body, in silver and gold. The tail feathers millegrain set with graduated emeralds, sapphires and rubies and diamond in gold. The peacock, with diamond-set crest, is perched on an emerald-set gold branch. With French control marks to pin. 5cm wide. £7,000-9,000 1194. A diamond-set double clip brooch, the square clips are each centred with an old circular-cut diamond within surrounds of smaller circular-cut and baguette-shaped diamonds in platinum. With detachable brooch frame. 5.8cm wide. £1,500-2,000 1195. An Art Deco diamond-set platinum bracelet, formed as two flexible panels, each centred as three larger old circular-cut diamonds to the pierced design set with smaller graduated diamonds. With six oval links set with small diamonds. 18cm. £2,500-3,000 1196. A circular jade disc centred with a blue chalcedony cabochon, the gold mount set with small diamonds. 2.8cm wide. £400-600 Accompanied by report number 57762-3063 dated 18th September 2015 from GCS, London stating that the centre cabochon stone and the outer disc are jadeite jade, showing no evidence of treatment.

 1197. A 19th century French double portrait mounted tortoiseshell circular box, the cover with a portrait of a seated lady, glazed and with gold bezel. The base with another portrait of a seated lady, flat glazed and gold bezel. The box 7.4cm wide. £1,000-1,500 1198. A gold fob watch of hunting interest, the fob watch dial signed Henry Cape, and with black Roman numerals, the reverse with reverse-carved intaglio crystal (chipped) depicting a lady on horseback jumping a five-bar gate. Suspended from a horse-shoe fob from two buckled straps and mounted with a reverse-carved crystal depicting a mounted hunter clearing a stone wall in gold. 8cm high. £200-300 1199. A carved and pierced jade pendant, suspended from two pearls and an amethyst bead, with an unmounted carved and pierced jade pendant. £200-300

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1192

1193

1194

1196

1195

1197

1198

1199

37


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1200. A late Victorian sapphire and diamond cluster brooch, centred with an oval-shaped sapphire within a surround of cushion-shaped diamonds which are each separated with a pair of smaller diamonds in silver and gold. Detachable brooch fitting. Fitted case. £1,000-1,500 1201. An early 19th century gold locket clasp, containing a glazed miniature portrait of Lord Byron. The hinged cover deeply chased with foliate scroll decoration. Engraved to the interior June 1825. The portrait 2.7cm wide. £2,000-3,000

1202. A Burmese sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of old cushion-shaped diamonds in platinum and gold. Size Q. £2,000-3,000 Accompanied by report number 5775-2615 dated 27th July 2015 from GCS, London stating that the cushion-shaped sapphire weighs 2.08ct, with no indications of heat treatment. Origin: Burma. 1203. A sapphire and diamond five stone ring, the three graduated oval-shaped sapphires are set with two old circular-cut diamonds in yellow gold. Size L ½. £1,000-1,500 1204. A sapphire and diamond cluster ring, the oval-shaped sapphire is millegrain-set within two cushion-shaped diamonds and a further surround of smaller cushion-shaped diamonds in carved platinum mount. Size M. £2,000-3,000 1205. A rectangular silver gilt cigarette case by Carl Fabergé, with dark blue guilloche enamel and silver decorated borders. Diamond set thumb piece. The top section mounted with a Russian coin, the gold 2 rouble coin depicting Catherine II and dated 1779 to reverse. The case marked for Fabergé in cyrillic with workmaster’s initials AH for August Hollming and 88 zolotnik and kokoschnik mark. With faint scrached inventory number 24809. Gilt interior. Small corner chip. 9.2cm long. £6,000-8,000 1206. A Russian, early 20th century lozenge-form diamond brooch, centred with an old circular-cut diamond, millegrain-set in platinum and gold with further graduated circular-cut diamonds to the openwork mount. Assorted Russian marks including a kokoshnik to the pin clasp, which partially obliterates the maker’s mark A.? 5cm wide. £3,000-4,000 1207. A Russian diamond set gold and enamel brooch, C1900 centred with a diamond set Great Imperial crown on oyster coloured guilloche enamel oval ground within a tied laurel two colour gold wreath. The shoulders millegrain set with graduated diamonds. Kokoshnik to rim. The pin with obscure mark, probably a kokoshnik. £2,000-3,000 The Great Imperial crown indicates that the brooch was probably a presentation piece. 1208. An Edwardian circular locket brooch, centred with a rose-cut diamond-set heart and lover’s knot on blue enamel ground. White enamel border with further surround of seed pearls. Glazed locket compartment to reverse. £500-700

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1203 1202

1200

1204

1201

1205

1207

1206

1208

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1209. A 19th century French silver gilt and bloodstone desk seal, with baluster-form carved bloodstone handle, the matrix engraved with the initials IG and joined to the handle with silver-gilt fleur-de-lys. French control mark and maker’s lozenge TB. 7.7cm high. £400-600 1210. A 19th century carved agate and gilt metal desk seal. The faceted and waisted carved agate handle with an elaborate gilt metal matrix mounted with four putti, each involved with a form of the Arts. Scroll decoration on matted ground and engraved with the initials CF. 10.4cm high. £200-300 1211. A late 19th century carved bloodstone and gold desk seal, the baluster-form bloodstone handle of cut cornered rectangular section. Engraved gold base. The cartouche-form matrix engraved with an Austrian/German/Swiss artisan achievement of arms charged with a Helmzier Osterlamm as used by Faber, Osterbindt and others. 8.2cm high. £400-600 1212. A 19th century jasper and gold desk seal, the faceted baluster-form jasper handle connected to the base with a double-row gold joint decorated with two foliated engraved rings, the gold matrix engraved with initials JK. 8.5cm high. £200-300 1213. A bloodstone desk seal with gold and gold-cased mounts, the baluster form bloodstone handle is joined to the base with a stylised gold coronet and lattice decoration to the mount. The seal engraved with a martlet above the coronet of the pattern for a European marquess. 9cm high. £400-600 1214. An early 20th century tiger’s eye and gold desk seal, the plain tapered cylindrical carved tiger’s eye handle is joined to the matrix with a border of gold pansies. The matrix engraved with a lion passant on a mount. The naturalistic depiction of the lion suggests the heraldic artistic style of the Indian sub-continent. 5.2cm high. £400-600 1215. A Victorian 18ct gold mounted double ended capston-shaped desk seal, the cage work seal mounted with a circular-cut citrine engraved with the initials IC and with a smaller circular-cut citrine engraved with the same initials. Maker Betts & Fairfax. Birmingham 1888. 7.7cm high. £700-1,000

 1216. An ivory and gold cased desk seal, the fluted cylindrical ivory handle with gold case base and octagonal bloodstone engraved with the crest of a demi-lion rampant holding in the dexter paw a wreath/chaplet accompanied by the initials JBG. The crest bears similarity to that of Bridgman of Warwickshire. £150-200 1217. A late 19th century bloodstone and gold desk seal, the baluster-form bloodstone handle with twisted rope and pellet and scroll decoration to the gold base. The oval bloodstone matrix engraved with a coronet supporting a jaguar in the artistic style of the Indian sub-continent. £300-400

 1218. A mid 19th century ivory desk seal, the turned ivory handle with carnelian matrix engraved with the insignia of a Knight Grand Cross (Military division) of the Hanoverian Order enclosing a Buck’s head erased crest for Fraser. Probably for General Sir John Fraser (1760 - 1843), 71st Highlanders Regiment,who lost his right leg during the 1780-2 siege of Gibralter and later commanded the Royal African Corps gallantly defending Goree. The seal dates between 1832 (when Fraser was made a GCH) and 1843 (when he died). 7.2cm high. £200-300 1219. A late 19th century silver and gold plated grotesque dolphin fob pendant. Incorporating a faceted and glazed compartment containing three small dice with slide-action tumbler. 2.7cm high. £500-700 1220. A 19th century agate, gold and gold cased small desk seal, the faceted baluster-form agate handle with damaged top, acanthus and foliate decoration to the base with octagonal gold matrix engraved with the two shields accollee, and unusually duplicated, of Wurttemburg impaling Swabia within a robe of estate ensigned by a Royal crown and supported by a lion and a stag for the Kingdom of Wurttemberg. Above £80-120 the heraldic design are engraved the letters C.P.vW. 4cm high. 1221. A Regency gold propelling pencil, with engine turned decoration and turquoise cabochons. The lapis lazuli seal engraved Mizpah. 9cm long. Fitted case by Asprey. £100-150 1222. A small late 19th century double-ended jasper and gold desk seal. Of pedestal form, the red jasper square form body with engraved strap work overlay and stepped terminals. One square bloodstone matrix engraved ‘Go where I wish to’ and ‘Both sides the Tweed’ to the other chalcedony matrix. 2.7cm high. Fitted case. £350-850 1223. A small 19th century chalcedony and gold desk seal, probably French, the faceted and tapered rectangular form chalcedony handle with a foliate engraved base. The matrix carved with a shield of a continental family whose hereditary nobility of the Holy Roman Empire is indicated by the spreadeagle of the upper half of the gold shield. 6cm high. £100-150 1224. A 19th century rock crystal and gold desk seal, the fluted and faceted tapered rock crystal handle, the gold base with cannetille decoration to the matted ground. The matrix engraved with initials MB beneath a Baron’s coronet. 5cm high. £200-300 1225. A Middle Eastern silver octagonal tapered octagonal form desk seal, C1820. Mounted with a dark hardstone matrix (possibly obsidian) and carved with Arabic and Sanskrit words. Translating to 1819 Bahudur Walim Bur Tahyaab. 6.0cm high. The matrix 3.5cm high. £400-600

40

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1210

1211

1216

1217

1218

1212

1220

1213

1214

1215

1223

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1216

1213

1212

1211

1209

1217

1215

1218

1214 1222

1220

1223 1225

1219 1221

1224

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1226. A French 19th century gem-set gold desk seal in the form of a standing Satyr, well-detailed and playing a pipe. Wearing a fig-leaf, with emerald highlights to his horns and eyes. With diamond set hoofs. The matrix engraved with the letter G. French control marks and unidentified maker’s lozenge. 6cm high. 65g. £2,000-3,000 1227. A 20th century gold and carved citrine desk seal. The faceted carved citrine tapered handle mounted with a circular gold matrix set with cabochon rubies to the laurel border. Carved with initials and stamped 750. 9.6cm high. £600-800 1228. An early 20th century gilt metal desk seal by Dominique Alonzo, formed as a tied sheaf of barley and wheat, the circular seal bearing the arms of a widow within a lozenge. Signed to base. 11cm high. £400-600 1229. A 19th century horn and gold desk seal, the curved slender horn with damaged tip, the waisted two colour gold base tied with laurels. With upper and lower carved shell borders, with alternate polished and matted sections. The chalcedony seal engraved with initals JG. 10cm high. £200-300 1230. A late 19th century French gold mounted chalcedony desk seal, the faceted and tapered chalcedony handle decorated with folaite engraved cagework with folaite engraved decoration to the base and mounted with a small chalcedony armorial shield of arms for the marriage (1843) of the Hon. Thomas Liddell (1800-56), 2nd son of the 1st Baron Ravensworth, to Caroline, eldest daughter of the 5th Viscount Barrington. 6.5cm high. £800-1,200 1231. A 19th century rose quartz and gold desk seal, the plain oval tapered cylindrical rose quartz handle with two-colour gold base. With waisted lower section pierced with foliate motifs and tied with foliate engraved bands. The oval chalcedony matrix engraved with the rock of the raven crest and the motto Craggan An Fhithich for MacDonell. 7.2cm high. £600-800 1232. A gem-set gold clasped hand, double ended desk seal. Possibly late 19th century, Italian. One hand mounted with a snake design with ruby head to the wrist, the engraved oval matrix mounted with a carnelian engraved with the letters HE. The other hand with an elaborate cuff, set with an emerald. The matrix mounted with an octagonal carved bloodstone engraved with the same initials HE. 7.3cm high. Fitted case. £1,000-1,500 1233. A gold mounted sunstone desk seal, the sunstone handle of mitre form, with gold mount and engraved with an eagle supporting a crescent while gazing at the sun with motto Praemium Virtutis Gloria. Evidently a Sassenach format of the crest of the Scottish ‘Corsane’ family. 9cm high. £200-300 1234. A late 19th century silver desk seal, modelled as a standing archangel holding a curved sword in the right hand, one foot protruding from the flowing gown and with wings folded down the back. On a capston-form gilt metal matrix carved with the initials. AC. 11.2cm high. £600-800 1235. An unusual gem-mounted gold desk seal, the handle formed from a faceted abstract shaped amethyst and the body mounted with foliate carved cabochon emeralds. The circular gold matrix engraved with the initials HM abover the six-part shield for Mecklenburg, Rostock, Schwerin (Principality), Ratzeburg, Schwerin (County), and Werle with the red and gold escutcheon of Stargard overall, ensigned by a Ducal coronet. The base stamped 750 MM and an unclear name. 5cm high. £600-800 Evidently the seal of Prince Henry (1876-1934), Duke of Mecklenburg-Schwerin, who became Prince of the Netherlands on his marriage (1901) to Queen Wilhelmina (d.1962) of the Netherlands. 1236. A 19th century turquoise mounted chalcedony desk seal, the faceted balluster-form chalcedony is attached to the base with a circle of circular turquoise cabochons. The gold and gold cased waisted base is mounted with a shield-shaped chalcedony engraved with a crest. 6.3cm high. £200-300 1237. An early 19th century citrine and gold desk seal, the faceted tapered carved citrine handle-reeded shaft with foliate engraved gold matrix. Engraved with initials FMN. 5.5cm high. £400-600 1238. A 19th century chalcedony desk seal, of waisted rectangular-form with fluted and waisted gold and gold plated base mounted with a bloodstone matrix engraved Ash Hill Rectory, with a glazed gold framed circular locket compartment to the top containing plaited hair. 6.3cm high. £250-350

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1227

1228

1229

1232

1233

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1235

1230

1236

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1227 1233 1228

1234 1229

1231

1232

1230 1226

1235

1236 1238 1237

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1239. A diamond-set cluster ring, the centre round brilliant-cut diamond is set within a surround of smaller stones to the pierced white gold mount. Size N. £600-800 1240. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.75 carats and is set in platinum and yellow gold. Size O. £800-1,200

 1241. A coral and diamond ring by Van Cleef & Arpels, the stylised bow centred with a marquiseshaped diamond and mounted with pink coral within a border of small circular-cut diamonds in yellow gold. Inventory number NY5K621-76E. Signed VCA, made in France. Exterior French control marks. Size K. Van Cleef & Arpels box. £2,000-2,500 1242. A diamond solitaire ring by Tiffany & Co, the emerald cut diamond weighs 1.07ct and is set in platinum and gold. Engraved D12703. Signed. Size M ½. With Tiffany Box. £3,000-4,000 1243. A pair of diamond cluster studs, the circular cut diamonds weigh approximately 1.05cts each and are set within a surround of smaller circular-cut diamonds in white gold. Jan Logan case. £2,000-3,000 1244. A pair of diamond stud earrings by Tiffany & Co, the triangular-cut diamonds weigh 1.71 carats £3,000-4,000 in total and are rubover-set in platinum. Accompanied by a valuation from Tiffany & Co, New York stating that the diamonds weigh 1.71 carats in total, with E colour, VS2 clarity. 1245. A diamond pendant, the round brilliant-cut diamond is set in white gold, on a fine-link white gold neck chain. £1,500-2,000 1246. A gold snake necklace by Tiffany & Co, the graduated links forming the serpent’s body, the stylised head as the clasp. Marked Tiffany & Co. With Tiffany pouch and box. 75g. £1,500-2,000 1247. A diamond set 18ct white gold bracelet by Tiffany. Lattice form links. Signed T&Co Italy. 17.6cm. 49g. £2,000-3,000 1248. A gold chain by Theo Fennell, the fine link gold chain is alternately set with circular-cut diamonds and realistically designed gold bees. 90cm long. 22g. £400-600 1249. The property of an Aristocratic Lady. A diamond-set gold hinged bangle, the centre section pavé-set with round brilliant-cut diamonds with swirl lobe body. French control mark and makers mark for Ben Rosenfeld. Interior diameter 5.7cm. 39g in total. £1,500-2,000

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1243

1244

1240

1241

1242 1245

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1247

1248

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1250. A sapphire and diamond cluster ring, the pink pear-shaped sapphires designed as a quarterfoil within circular-cut diamond border in yellow gold and platinum. Size H. £300-400 1251. A sapphire and diamond three stone ring, the square shaped sapphire set with two pear shaped shoulder diamonds, in 18ct white gold. Size M. £300-400 1252. An amethyst rivière necklace, the graduated oval-shaped amethysts are set in yellow gold cutdown collets. 40cm long. £600-800 1253. A pair of circular earrings set with diamonds, the small circular-cut diamonds terminate with triangular-shaped diamonds, set in gold. Metal backs. £200-300 1254. A diamond set pagoda brooch, the realistically formed pagoda is millegrain-set with circular and baguette-shaped diamonds. With diamond-set palm trees and a black enamel trunk, in gold. 3.4cm long. £1,500-2,000 1255. A pair of ruby and diamond cluster stud earrings, set in gold. Fitted case.

£400-600

 1256. A pair of coral and diamond drop earrings, the foliate carved coral drops suspend from diamond set white gold mounts. 5.5cm long. £800-1,200  1257. A pair of coral and diamond earrings, the oval-shaped pink coral cabochons are set within diamond mounted scroll borders in white gold. Post and clip fittings. 3.5cm long. £1,500-2,000 1258. An emerald and diamond strap bracelet, alternately-set with a central line of circular and squareshaped diamonds and millegrain set ground, with round brilliant cut diamonds within borders of calibré£6,000-8,000 cut emeralds in platinum. 18cm. 1259. A diamond-set line bracelet, box set with matched round brilliant-cut diamonds in 18ct white gold. 18cm. £700-900 1260. A sapphire and diamond-set white gold arrow brooch, realistically formed with fancy-shaped diamond arrow head within a surround of square-shaped sapphires and repeated to the shaft. Diamondset feathers. 5.7cm long. £2,500-3,000 1261. A pendant mounted with a large cultured pearl, with diamond set gold foliate design. The pearl 18cm wide. Suspended from a silver cap set with rose-cut diamonds. On a fine link white gold neck chain. £2,000-3,000 1262. A pair of diamond stud earrings, the round brilliant-cut diamonds weigh approximately 1.25cts in total and are set in white gold. £1,200-1,500 1263. A diamond-set heart-shaped pendant, centred with a pear-shaped diamond which weighs approximately 1.05 carats and pavé set with smaller circular-cut diamonds in white gold. 2.3cm high excluding the diamond-set bale. £3,500-4,000

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1250 1253

1251

1254

1255 1256

1252

1257

1258

1263 1259 1261 1260

1262

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1264. A jade and diamond set ring, the oval jade cabochon is set with twelve square-shaped shoulder diamonds in platinum. Size N. £5,000-6,000 Accompanied by report number 2155634434 dated 5th September 2013 from GIA stating that the jadeite jade cabochon measures 16.90 x 11.50 x 6.35mm and weighs 11.59cts and is natural jadeite jade with no evidence of heat treatment. 1265. A French Art Deco gold minaudière. The cover decorated with black enamel prunus tree with diamond blossom. On red enamel ground within black enamel border. With similar enamel decoration to the base. Pearl thumb piece, the interior with lipstick and assorted compartments. The mirror section opens to reveal and aide memoir and the spring hinged clip with pieced blossom decoration. The lozenge shaped makers mark EC and fish between. And various French controll marks. 8cm wide. 120g (total) £10,000-15,000

 1266. An Art Deco coral and black onyx ring, centred with a circular button-shaped coral on a circular black onyx ground. The shoulders mounted with a hemisphere of rose-cut diamonds and with foliate and fluted engraved decoration. With further foliate engraved decoration to the reverse of the main section. Unidentified control mark to the shoulder. Size M. £1,800-2,500  1267. A pair of French coral earrings, the circular coral beads are set in white gold. 1.8cm diameter. French control marks including unidentified maker’s lozenge. £150-200  1268. An Art Deco diamond, coral and onyx bracelet, with panels of millegrain-set diamonds with a central coral cabochon and joined with circular onyx links in platinum. 18.5cm long. £3,000-4,000 1269. The property of an Aristocratic Lady. An Art Deco diamond and black onyx bracelet. Set with lines of old circular-cut diamonds and faceted square sections of black onyx in white gold. Engraved decoration to the sides. 16cm. With two spare links. £3,000-4,000 1270. A pair of green stone hoop drop earrings, the oval hoops suspend from a black enamel section and set with rose-cut diamonds in gold. 6cm high. Fitted case. £1,500-2,000 1271. A small French Art Deco gold square-form compact. The hinged cover applied with a circular jade disc pierced and carved with foliate decoration and centred with a red enamel disc and with red enamel overall. Internal mirror. Indistinct marks including a maker’s lozenge. 3.4cm wide. 46g in total. £1,000-1,500 1272. A silver cigarette lighter by Cartier, of cylindrical form with black enamel decoration overall. The detachable cover applied with a diamond-set M. and with a lower border of millegrain-set rose-cut diamonds and cabochon emeralds. Maker’s mark JC. London marks for 1936. 3.4cm high. Fitted case by Cartier. £1,500-2,000 1273. An Art Deco emerald and diamond brooch, the circular-cut diamonds are millegrain-set within emerald and diamond fan-shaped terminals, in platinum and gold. 7cm wide. £600-800 1274. A pair of diamond, jade and black onyx cufflinks, the circular jade sections are millegrain set with a central line of rose-cut diamonds (some missing) within octagonal black onyx mounts. Platinum links with French control marks. Each cufflink 1.2cm wide. £1,500-2,000 1275. An Art Deco jade and diamond jabot pin, the jade bead terminals set within diamond and black enamel mounts and within a pearl and onyx bead, on platinum and gold pin. French control marks. 8cm wide. £1,800-2,500

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1267

1265

1264

1268

1272

1269

1274 1271

1273

1275

1270

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1276. A 19th century carved shell cameo brooch, depicting the profile of a woman in gold. 5.6cm high. Fitted case. £200-300 1277. A 19th century carnelean intaglio depicting the profile of John Milton, in a gold rubover mount. Size O. £800-1,200 1278. A 19th century carved carnelean intaglio depicting the profile of a woman, mounted in gold. Size M. £800-1,200 1279. A Victorian Holbeinesque pendant, centred with a large oval-shaped garnet cabochon within a border of green enamel pellets (some damaged) and eight pearls within white and black enamel pierced mount. Glazed locket compartment to the reverse. Suspending a further pearl and pear shaped cabochon garnet and conforming black and white enamel pellet suspension loop. 7.5cm high (max). £800-1,200 1280. A 19th century gold ring mounted with an orange topaz within a seed pearl border in yellow gold. Size Q. Case. £1,100-1,500 1281. A George III diamond cluster ring, the old cushion-shaped diamond is set within a surround of eight smaller old cushion-shaped diamonds in silver and gold. Size Q. £800-1,200 1282. An early 19th century diamond cluster ring, set with three graduated old circular-cut diamonds spaced with four smaller diamonds and set within an oval-shaped border of diamonds in silver and gold. Heart-shaped pierced decoration to the shoulders. Size L ½. £600-800 1283. An emerald and diamond cluster ring, centred with an old circular-cut diamond within a surround of half-moon shaped emeralds with further border of smaller diamonds in platinum and gold. Size N. £600-800 1284. A late George III full circle eternity ring, set with half pearls in gold. Size K.

£200-300

1285. A George III gold long guard chain, the fancy-link necklace is spaced with larger textured circular links. 139cm. £1,200-1,500 1286. An early 19th century gold long guard chain, formed with fancy openwork box links and the conforming gold clasp set with turquoise cabochons. 118cm. 85g. £1,500-2,000 1287. A gem-set dragonfly brooch, the wings set with emeralds and diamonds with sapphires and rubies to the body and head in gold. 5cm wide. Case by Armour-Winston. £600-800 1288. A realistically formed vulture brooch, the pearl body with gold head and legs and with ruby eye. 3.5cm wide. £400-600 1289. A 19th century micromosaic brooch, depicting a Roman scene, probably the temple of the Sybyl at Tivoli, in carved gold mount with closed back. 4.3cm wide. £600-800 1290. A 19th century garnet and chrysoberyl-set cruciform pendant, the four octagonal-shaped garnets are set with clusters of circular-cut light green chrysoberyls and suspended from a larger chrysoberyl in a gold closed back mount. Fine link gold neck chain. 4.2cm wide. £400-600 1291. A fancy diamond and white diamond half hoop ring, set with a central line of five circular cinnamon coloured diamonds within a border of smaller old circular-cut diamonds in silver and gold. Foliate carved shoulders. Size O ½. £1,000-1,500 1292. An early 19th century ruby and diamond cluster ring, the cushion-shaped ruby is set within a surround of cushion-shaped diamonds. The stylised fleur-de-lys shoulders each set with small diamonds and a baguette-shaped ruby. Fluted gold shank. Size N ½. £800-1,200 1293. A 19th century ruby and diamond plaque ring, the oval lozenge set with a row of graduated circular-cut rubies within old circular-cut diamond border in silver and gold. Size K ½. £800-1,200 1294. An early 19th century diamond five stone ring, the five graduated cushion-shaped diamonds are set in silver and gold. Scroll decorated shoulders. Size L ½. £600-800 1295. An early 19th century diamond-set seven stone ring, the seven graduated cushion-shaped £2,000-3,000 diamonds are set in silver and gold cut-down collets in gold shank. Size M. 1296. An early 18th century diamond ring, the rose-cut diamond within square border and diamond set shoulders in silver and gold. Carved closed back. Size K (approximately) £300-400 1297. A 19th century labradorite cameo ring, the carved mask set within a surround of rose-cut diamonds in gold. Size M. £1,100-1,200

50


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1284 1278 1283

1277 1282 1276

1281

1280 1285

1286

1279

1290 1296

1295

1294

1289

1293 1288

1292 1297 1287

1291

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1298. A pair of cabochon emerald, ruby and diamond-set gold cluster earrings, the cabochon emeralds are set within a surround of calibré-cut rubies and further borders of graduated round brilliantcut diamonds. Signed Bulgari and BD 5633. £2,000-3,000 1299. A ruby and diamond clip brooch C1940, of stylised fabric and tulip design, set with circular cut rubies and diamonds. Case. £400-600 1300. A ruby and diamond cluster ring, the oval-shaped ruby is set within two surrounds of round brilliant-cut diamonds in yellow gold. Size L. £2,000-3,000 1301. A diamond set Odeonesque ring, centred with a round brilliant-cut diamond and smaller graduated diamonds to the shoulders within borders of baguette-shaped diamonds in platinum. Signed V.C.A. N.Y.6103. £4,000-6,000 1302. The property of an Aristocratic Lady. An emerald, diamond and ruby ring, the pear-shaped emerald is set with a line of square-shaped rubies and pavé-set with round brilliant-cut diamonds in gold. Size M ½. £3,500-4,500 1303. A pair of sapphire and diamond drop earrings, the pear-shaped sapphires weigh approximately 3.50 and 3.20 carats and suspend from a line of alternately set circular-cut and baguette-shaped diamonds in platinum. 4.1cm long. £5,500-7,000 1304. An emerald and diamond brooch by Boucheron, the emerald-cut emerald weighs 1.81ct, set within foliate design pavé-set diamond sections and further circular cut diamonds in yellow gold. Signed Boucheron Monture to the clip and with French control mark. 4.5cm long. £3,000-4,000

1305. A slightly cushion-shaped Burmese sapphire weighing 2.98 carats.

£2,000-3,000

Accompanied by report number 08896 dated 8th November 2013 from The Gem and Pearl Laboratory, London stating that the rectangular cushion-shaped sapphire measures 8.83 x 8.10 x 4.97mm, weighs 2.98ct and is a natural sapphire, with no evidence of heat treatment. Origin opinion: Burma 1306. A pair of diamond set scroll ear clips, set overall with circular-cut and baguette-shaped diamonds in platinum. C1950. £1,000-1,500 1307. A pair of diamond-set clip brooches, set overall with graduated circular-cut and baguette-shaped diamonds in the platinum scrolling and ribbon mount. C1950. £2,000-3,000 1308. A pair of diamond drop earrings, each earring set with a circular-cut diamond above an articulated line of eight smaller diamonds and suspending a larger pear-shaped diamond in platinum and white gold. Case. £4,000-5,000

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1298

1299

1300 1301 1302

1303

1304

1305

1306

1308 1307

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1309. A diamond circular brooch, C1950, designed as circles of graduated round brilliant-cut, baguetteshaped and marquise-shaped diamonds in platinum. 3.3cm wide. £2,000-3,000 1310. A French gold lipstick container by Cartier, of fluted cylindrical form. French control marks and signed Cartier Paris. 6cm high. Fitted case by Cartier. £800-1,200 1311. An 18ct gold bracelet, the geometric design of alternating circular and square links. 20cm long. 52g. £1,500-2,000 1312. The property of an Aristocratic Lady. A gold brooch and matching earrings designed as frogs by David Webb. Realistically formed and decorated with black enamel with gold stripes and cabochon ruby eyes. The earrings with raised pellets. All marked 18k and signed. The brooch 4cm long. £5,000-10,000 1313. An odeonesque sapphire and diamond ring, C1940, of geometric design and set with baguetteshaped sapphires and circular-cut diamonds in platinum. Size S. £1,200-1,500 1314. A French diamond-set gold bombé ring, scroll-set with four sections of graduated round brilliantcut diamonds in yellow gold. Unidentified French control marks and inventory number 65574 and France. Size M. £3,000-4,000 1315. A diamond-set platinum bombé ring, millegrain-set with slightly graduated round brilliant-cut diamonds. Size L ½. £2,000-3,000 1316. A pair of gem-set gold earrings by Van Cleef & Arpels, designed as lines of yellow gold pellets and with three flowerheads set with sapphires, rubies and diamonds. Signed Van Cleef and Arpels 75841. Additional French control marks and one stamped D one stamped G. £1,500-2,000

1312

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1309

1310

1315

1311 1314

1313

1316

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1317. A diamond seven stone ring, the seven graduated old cushion cut diamonds are set in platinum. Size O. £3,000-4,000 1318. A late Victorian emerald and diamond half-hoop ring, the square-shaped emerald is set with four cushion-shaped diamonds and two smaller emeralds in yellow gold with scroll carved shoulders. Size L. £1,000-1,500 1319. A Victorian ruby and diamond five stone ring, set with three graduated old circular-cut diamonds and two circular-cut rubies in yellow gold. London marks for 1884. Size N. £2,000-3,000 1320. A three row cultured pearl necklace, the silver/grey pearls measure 7.5 - 8.5m with a diamond clasp centred with an oval-shaped diamond within two rows of cushion-shaped diamonds and further scalloped border of graduated diamonds in a silver and gold closed back mount. 42cm. £1,500-2,000 1321. A Victorian amethyst rivière necklace, the graduated oval-shaped stones are set in gold cutdown collets. 40cm. £1,200-1,800 1322. A late 19th century lyre pendant, realistically formed and set with graduated old circular-cut diamonds, demantoid garnets and seed pearls. On a gold box-link neck chain. The pendant 4.5cm high. £1,500-2,000 1323. An early 19th century diamond-set flower head brooch, the old circular-cut diamond is set within a surround of smaller diamonds and further graduated cushion-shaped diamonds pavé set to the petals, in silver and gold. 3.5cm wide. £3,000-4,000 1324. An Edwardian diamond and pearl swirling circular pendant, centred with a button-shaped pearl and alternately-set with larger and smaller diamond-set swirls within a border of smaller diamonds. Set in platinum. Suspended from a further pearl and diamond-set bale. 3cm wide. With a gold fine-link long guard chain. 140cm. £400-600 1325. A 19th century lizard brooch, set with a central line of emeralds within borders of graduated circular-cut diamonds, ruby eyes and set in silver and gold. £600-800 1326. A circular diamond-set cluster brooch, centred with a modern cushion-shaped diamonds within £4,500-5,500 a surround of graduated cushion-shaped diamonds in silver and gold. 2.4cm wide. 1327. A late Victorian diamond set target pendant, centred with an old brilliant-cut diamond set within a surround of eight smaller diamonds and a further border of eight old brilliant-cut diamonds in silver and gold. Smaller diamonds set to the starburst divisions. Detachable diamond-set bale and with brooch fitting. Fitted case. £4,000-6,000

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1319

1318

1317

1321

1320

1322

1327

1326

1324

1325 1323

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1328. An early 20th century sapphire and diamond brooch pendant, millegrain-set with circular cut diamonds and two oval-shaped sapphires and suspending a central old circular-cut diamond which weighs approximately 1.60cts. With a further oval-shaped sapphire suspended below. Detachable brooch fitting. 6cm long. £3,000-4,000 1329. A necklace mounted with five slightly graduated diamond-set palmettes, each heart with a diamond set foliate centrepiece within a surround of graduated circular-cut diamonds in gold and silver. Mounted on a fine link chain. 40cm. £2,000-3,000 1330. A 19th century emerald and diamond floral brooch, centred with an oval-shaped emerald and set overall with graduated cushion-shaped diamonds in silver and gold. 3.4cm high. £600-800 1331. An early 20th century diamond cluster ring, the centre circular-cut diamond is millegrain set within a surround of eight smaller circular-cut diamonds in carved and pierced platinum mount. Size H. £2,000-3,000 1332. A ruby and diamond cluster ring, the circular-cut ruby is set within a surround of old circular-cut diamonds in platinum and white gold. Size Q. £1,000-1,500 1333. A 19th century Saint-Esprit ruby, diamond and pearl dove brooch, realistically designed with a pearl body and ruby mounted wings. The dove carrying a diamond-set pendant in its mount. 3.8cm wide. Case. £1,500-2,000 1334. A diamond-set bow brooch, the double ribbon bow is set overall with graduted round brilliant cut diamonds and tied with baguette-shaped diamonds in platinum and white gold. £800-1,200 1335. A late Victorian peridot and diamond brooch, the emerald-cut peridot is set within a surround of old circular-cut diamonds and a further border of larger graduated diamonds in silver and gold. 3.3cm wide. £5,000-7,000 1336. A Victorian diamond and spinel bee brooch, the wings pavé-set with diamonds, the body set with a circular-cut spinel and two lines of emerald-cut spinels, and cabochon peridot eyes, in platinum and gold. 4cm wide. £2,000-3,000 1337. A late Victorian diamond-set heart locket pendant, pavé-set overall with graduated circular-cut diamonds in silver and gold. Hinged and glazed locket compartment and three diamonds set to the bale. 1.8cm wide. Fitted box by Goldsmiths and Silversmiths. £1,000-1,500 1338. A Belle Époque diamond set heart-shaped brooch, centred with a pear-shaped diamond and millegrain-set within a surround of circular-cut diamonds, within a diamond-set foliate border and outer surround of circular-cut diamonds in platinum. 2.1cm high. £4,000-6,000 1339. A diamond set heart locket pendant, pavé-set with circular-cut diamonds in silver and gold. Detachable heart-shaped section to reverse. 1.6cm wide. £600-800 1340. An early 20th century diamond-set bow brooch, the open work ribbons set with graduated old £1,000-1,500 circular-cut diamonds and centred with a larger diamond. 4cm wide. 1341. A late Victorian heart-shaped moonstone and diamond pendant, the moonstone set within a surround of rose-cut diamonds in silver and gold and surmounted with a diamond-set bow. 2.5cm high. (Excluding diamond-set bale). £1,200-1,500 1342. An early 20th century ruby and diamond bracelet, the rhombuses are set with calibré-cut rubies, with alternating oval platinum links and a ruby within two diamonds, in silver, platinum and gold. 20cm long. £1,500-2,000 1343. An Edwardian sapphire and diamond hinged bangle, set with six graduated circular-cut sapphires divided with scrolls of graduated cushion-shaped diamonds in gold. Fitted case. £400-600

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1332

1331

1328 1330

1329 1336

1335

1341

1334

1333 1340

1339

1338

1342 1337 1343

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1344. An early 20th century foliate pendant, centred with an oval-shaped pink topaz and set with graduated circular-cut diamonds to the gold and silver mount. On a fine link white gold chain. £4,000-5,000 1345. An Edwardian amethyst and diamond pendant, the cushion-shaped amethyst is set within a white enamel scalloped border and further surround of rose-cut diamonds set in gold and silver. With £800-1,200 diamond-set D-shaped bale. 1.8cm wide. 1346. An Edwardian amethyst and diamond pendant, the marquise shaped amethyst suspends from a mount set with small rose-cut diamonds with fine link chain, case. £1,500-2,000 1347. An Edwardian natural saltwater and freshwater pearl and diamond brooch, the centre buttonshaped pearl is set within a surround of circular-cut diamonds with further three pearls and mounted in platinum and gold. 4.5cm wide. £2,300-2,800 Accompanied by report number 10104 dated 27th June from The Gem and Pearl Laboratory, London stating that the cream/white pearl weighs 1.97cts and is a natural saltwater pearl, the three purplish grey pearls are natural freshwater pearls. 1348. A late 19th century opal and diamond cluster brooch, the oval-shaped opal is set within a surround of old circular-cut diamonds in silver and gold. £3,000-4,000 1349. A late Victorian turquoise and diamond necklace, the graduated S-form links pavé-set with diamonds and two turquoise cabochons in silver and gold. Suspending a turquoise and diamond-mounted foliate design pendant. The necklace separating to be worn as two bracelets. With fittings for a tiara conversion. 40cm long excluding pendant. Fitted case. £8,000-12,000 1350. An early 20th century opal and diamond flower-head brooch, centred with an old circular-cut diamond within scrolling sections of opal petals, each bordered with graduated smaller diamonds in silver and gold. Folding pendant loop. 2.7cm wide. £2,000-3,000 1351. A late Victorian turquoise and diamond cluster brooch, centred with an oval-shaped turquoise cabochon set within a surround of cushion-shaped diamonds and further border of graduated cushionshaped diamonds in silver and gold. 3cm wide. £600-800 1352. An early 20th century pink sapphire and diamond ring, the oval-shaped sapphire is set with seven small circular-cut diamonds to each shoulder in platinum. Foliate engraved shank. Size I. Case. £800-1,200 1353. A double head snake ring, each head set with a turquoise cabochon and set with small diamonds in gold. Size P. £200-300 1354. A pair of early 20th century diamond drop earrings, the line of five old circular-cut diamonds suspend a detachable diamond cluster in gold. 3.8cm long. Screw fittings. With a further pair of screw fittings so that the diamond clusters can be worn as stud earrings. £1,500-2,000

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1345

1346

1344

1347

1348

1354 1349

1351 1353

1350 1352

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1355. A two row natural pearl and diamond necklace, the 105 pearls graduated from 5.8 to 8.1mm with a clasp set with eight old circular-cut diamonds and a further pearl to the centre. 42cm longest. £20,000-30,000 Accompanied by report number 5775-2855 dated 1st September 2015 from GCS, London stating that the 105 pearls are natural saltwater pearls. 1356. A late Victorian diamond and pearl set brooch, centred with a pearl and diamond cluster within a foliate border of further pearls and graduated diamonds in silver and gold. 4cm wide. £1,500-2,000 1357. An early 20th century diamond brooch, of rectangular form and millegrain set with circular and baguette-shaped diamonds in platinum. 2.8cm wide. £200-300 1358. A two row graduated natural pearl necklace, the clasp set with an oval-shaped diamond mounted £1,000-1,500 in a silver and gold cut down collet. The diamond weighs approximately 2.75 carats. Accompanied by report number 11346 dated 22nd May from The Gem and Pearl Laboratory, London stating that the 119 (including 19 larger) and 117 (including 21 larger) pearls weigh 31.02 (including clasp) and are natural saltwater pearls. 1359. A natural pearl stick pin, the drop-shaped pearl is mounted on a gold shaft. Fitted case. £800-1,200 Accompanied by report number 11257 dated 12th May 2015 from The Gem and Pearl Laboratory, London stating that the part-drilled, drop-shaped pearl measures 9.4 x 11.8mm and is a natural saltwater pearl. 1360. A natural pearl and diamond ring, the oval button-shaped pearl is set within a surround of old cushion-cut diamonds in platinum and white gold. Size N ½. £1,000-2,000 Accompanied by report number 5775-2616 from GCS, London dated 27th July 2015 stating that the cream pearl measures 10.3 x 8.9 x 8.5mm and is natural saltwater.

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1355

1360

1359 1358

1356

1358 1357

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1361. A diamond solitaire ring, the circular cut diamond weighs approximately 2.60 carats and is set within lines of baguette-shaped diamonds in platinum. Size J ½. £8,000-12,000 1362. A sapphire and diamond three stone ring, the oval-shaped sapphire is set between two cushionshaped diamonds in yellow gold. Size M ½. £5,000-7,000 1363. An unusual six sided diamond and sapphire ring, the diamond displaying the Star of David, from the culet facets. Millegrain set within a surround of fancy cut sapphires in platinum with four small diamonds set to the shoulders. Size P ½. £8,000-10,000 1364. A pair of diamond drop earrings, each gold earring is set with two graduated old circular-cut diamonds, the two principal diamonds weigh approximately 5.20 carats. £12,000-15,000

1365

1365. An Alexandrite and diamond ring, the oval-shaped Alexandrite weighs 6.30cts and is set within a surround of pear-shaped, marquise-shaped and circular-cut diamonds in white gold. size M ½. £30,000-40,000 Accompanied by report number 5775-2496 dated 8th July 2015 from GCS, London stating that the ovalshaped alexandrite measures 12.71 x 9.17 x 6.83mm, weighs 6.30cts and is a natural chrysoberyl alexandrite with no evidence of treatment. 1366. A diamond three row cross-over ring, with a central old circular-cut diamond within four smaller diamonds and enveloped within opposing crescents millegrain set with graduated circular-cut diamonds in platinum. Size K. £1,500-2,000 1367. An emerald and diamond cluster ring, the Colombian emerald weighs approximately 2.90 carats £6,000-8,000 and is set within a surround of old cushion-cut diamonds in silver and gold. Size O ½. 1368. An emerald and diamond cluster ring, the Colombian emerald within lines of square-shaped diamonds in platinum. Size M ½. £2,000-3,000 1369. A diamond three stone ring, the three old brilliant-cut diamonds weigh approximately 3.20 carats in total and are set in platinum. Size M ½. £4,000-6,000

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1361

1363

1362

1368

1367

1366

1365 1369

1364

65


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1370. An Art Deco diamond-set flexible brooch, set with a circular-cut diamond with further graduated circular-cut and baguette-shaped diamonds supporting the flexible diamond set pendant. With a lower fringe of six baguette-shaped diamonds. Platinum mount. 4.7cm wide. £5,000-7,000 1371. An early 20th century diamond bow brooch, the bow pavé-set with circular-cut diamonds in platinum. 5.2cm wide. £3,000-4,000 1372. An Art Deco diamond-set double clip brooch, of scroll form and set overall with graduated circular-cut and baguette-shaped diamonds in platinum. Separating to form two separate clips. 8cm wide. Fitted case by Mellerio Dits Meller. £5,000-7,000 1373. A cased pair of early 20th century diamond-set bracelets, each bracelet mounted with circular links joined with oval and square-shaped links and millegrain-set with graduated circular-cut diamonds in platinum. The bracelets join to form a necklace. Each bracelet 18cm long. Fitted case. £6,000-8,000 1374. A four row cultured pearl bracelet, the pearls measure 5.9 to 6.0mm and are set with four gold spacing bars each set with four circular-cut diamonds. The rectangular gold clasp is set with four rows of £2,000-3,000 cushion-shaped diamonds and centred with a larger cushion-shaped diamond. 1375. A diamond solitaire ring, the old round brilliant-cut diamond is set in white gold with scroll engraved decoration to the shoulders. Size M. £1,500-2,000 Accompanied by original receipt from Prague. 1376. An early 20th century navette-shaped diamond cluster ring, millegrain-set with circular-cut diamonds in platinum. Size P. £300-400 1377. An early 20th century diamond plaque ring, of rectangular form and set with six old circular cut diamonds, within diamond-set triangular shoulders in platinum. Size Q ½. £800-1,200 1378. A demantoid garnet and ruby cluster stick pin by Tiffany, the pear-shaped garnet is set within a surround of calibré-cut rubies in yellow gold. Indistinctly signed to the shaft. £2,000-2,500

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1370

1371

1372

1373

1374

1377

1378 1376 1375

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1379. A ruby and diamond-set brooch, the early 20th century brooch is set with five oval shaped rubies within a surround of baguette-shaped and circular-cut diamonds in platinum. £2,000-3,000 1380. A diamond line bracelet, the forty-five graduated emerald cut diamonds are set in platinum. French control marks. 18cm. £25,000-30,000 1381. A French diamond three row bracelet, centred with a line of graduated baguette-shaped diamonds within borders of graduated round brilliant-cut diamonds in platinum. French control marks and an unidentified maker’s lozenge mark. 17.5cm. £15,000-20,000 1382. A platinum line bracelet alternately mounted with square-shaped diamonds and black onyx. 18cm. £15,000-20,000 1383. A ruby and diamond cross-over ring by Chaumet, set with two circular-cut rubies and six graduated round brilliant-cut shoulder diamonds in platinum. French control marks. Signed Chaumet Paris. Size M. Case. £2,500-3,000 1384. A ruby and diamond three stone ring, the oval-shaped ruby is set with two old circular-cut diamonds in 18ct yellow gold and platinum. The diamonds weigh approximately 3.35 carats in total. Size S ½. £4,000-,6000

1385. A Burmese ruby and diamond ring by Marcus, the oval-shaped ruby set either side with a tapered baguette-shaped diamond to each shoulder with foliate carved platinum shank. Signed Marcus to the inner shank. Size P ½. Case by Carrington & Co. £10,000-15,000 Accompanied by report number 11188 dated 24th April 2015 from The Gem and Pearl Laboratory, London stating that the rectangular cushion-shaped ruby measures 8.1 x 7.0 x 3.8mm, weighs 2.30ct and is a natural ruby, with no evidence of treatment. Origin: Burma. 1386. A ruby and diamond three stone ring, the oval-shaped ruby is set with two round brilliant-cut shoulder diamonds in platinum. Size L. Mappin and Webb box. £1,000-1,500

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1379

1380

1386

1381 1382 1385

1384

1383

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1387. The property of an Aristocratic Lady. An aquamarine and diamond brooch. The aquamarine weighs approximately 100.00cts. The terminals set with circular, baguette and marquise-shaped diamonds in white gold and platinum. 7cm wide. £10,000-15,000 1388. An Art Deco diamond bracelet, of geometric design and set overall with circular-cut and baguette-shaped diamonds in platinum. 17cm long. £2,000-3,000

1389. A diamond line bracelet, the square-shaped diamonds are set in platinum box mounts. The clasp set with a smaller baguette-shaped diamond. 17.5cm. £5,000-7,000

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1389

1388

1387

71


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1390. A fancy coloured diamond cluster ring, the rectangular-cut yellow/brown diamond weighs approximately 2.50 carats, and is set between two old circular-cut diamonds in platinum. Size K. £8,000-12,000 1391. A white and fancy yellow diamond cross-over ring, set with an old circular-cut white diamond which weighs approximately 0.80 carats and an old circular-cut yellow diamond which weighs approximately 0.85 carats, within a line of three graduated yellow and three graduated white diamonds in yellow gold. Size L. £4,000-6,000 1392. A pink and white diamond cluster ring, the round brilliant-cut pink diamond weighs approximately 0.97cts and is set in a surround of smaller circular-cut diamonds in 18ct white gold. With smaller diamonds to the shoulders. Size K. £2,000-3,000 Accompanied by report number 20024079 dated 16th June 2015 from Anchorcert stating that round brilliant-cut diamond measures 6.34mm - 6.44mm x 3.75mm, is fancy orangy pink and is a natural diamond with natural colour. 1393. The property of an Aristocratic Lady. A diamond bracelet. Formed with six oval-shaped links and set overall with matched round brilliant-cut diamonds in platinum and white gold. The diamonds weigh approximately 18.50cts in total. 17.5cm. £10,000-15,000 1394. An emerald and diamond-set odeonesque platinum and white gold ring, set with scrolling lines of graduated round brilliant-cut diamonds and tapered baguette-shaped emeralds. Size Q. £3,000-4,000 1395. The property of a Titled Lady. An emerald and diamond three stone ring, the emerald-cut emerald is set with two triangular-cut £8,000-12,000 shoulder diamonds in platinum. With two inner re-sizing balls. Size G. Accompanied by report number 5775-2495 dated 8th July 2015 from GCS, London stating that the rectangular step-cut emerald measures 11.1 x 9.6 x 3.9mm, weighs approximately 3.00cts and is of Colombian origin with indications of moderate clarity enhancement. 1396. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of round brilliant-cut and pear-shaped diamonds with further baguette and pear-shaped diamonds to the shoulders. Platinum mount and stamped E281 and 194. Size L. £2,000-3,000

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1390

1391

1392

1393

1395 1394

1396

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1397. A pair of Burmese ruby and diamond cluster earrings, the cushion-shaped rubies are set within a surround of old circular-cut diamonds in platinum and gold.

ÂŁ10,000-15,000

Accompanied by report number 11711 dated 4th September 2015 from The Gem and Pearl Laboratory, London stating that the rectangular cushion-shaped rubies are natural rubies with no evidence of heat treatment. Origin: Burma.

1398. An early 20th century Kashmir sapphire and diamond cluster ring, the cushion-shaped sapphire weighs approximately 1.90cts and is millegrain-set within two surrounds of circular-cut diamonds in platinum. Size M. ÂŁ20,000-30,000 Accompanied by report number CS66358 dated 13th March 2015 from AGL, New York stating that the natural sapphire measures 7.0 x 6.5 x 4.28mm and is a Kashmir sapphire with no evidence of heat treatment. Accompanied by report number 5775-2884 dated 3rd September 2015 from GCS, London stating that sapphire weighs approximately 1.9ct, and is a natural Kashmir sapphire with no evidence of heat treatment.

1399. A 19th century emerald mounted gold cruciform pendant, the six emerald cut emeralds are set within smaller old cushion-shaped diamonds in gold cut down collet setting. 5.2cm long (excluding bale). ÂŁ10,000-15,000 Accompanied by report number 11683 dated 21st August 2015 from The Gem and Pearl Laboratory, London stating that uppermost emerald shows signs of minor clarity enhancement, the other five stones show signs of moderate clarity enhancement. All are natural emeralds. Origin opinion: Colombia. Provenance: The emeralds were formerly the propertly of Charles Pratt, the 1st Earl Camden, given to his daughter and thence by direct decent to the current owner.

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1399

1398

1397

75


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1400. A diamond cross-over ring, the two old circular-cut diamonds weigh approximately 3.35 and 3.60cts, and are set in gold. Size Q. £12,000-15,000

1401. A pair of diamond drop earrings, the old circular-cut diamonds weigh approximately 3.70 and 3.40 carats and each suspend from a smaller diamonds in platinum. French control marks. £35,000-40,000

1402. A French diamond-set platinum tank track bracelet by Boucheron, each rectangular ‘track’ is set with a circular-cut diamond. C1935. Signed Boucheron Paris and numbered 27. 19cm. £12,000-15,000

1403. A French Art Deco diamond and platinum bracelet, mounted with thirteen square panels, each pavé set with a circular cut diamond and separated with pairs of baguette-shaped diamonds. The tongue with two French control marks. 17.3cm long. £25,000-30,000

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1400

1401

1402

1403

77


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1404. A pair of diamond cluster earrings by Boucheron, the centre round brilliant-cut diamond is set within a surround of seven smaller diamonds and a further border of baguette-shaped diamonds interspersed with smaller round diamonds. Platinum mount and signed Boucheron, London. ÂŁ15,000-20,000

1405. An Art Deco diamond brooch by Cartier, in the oriental style, and set with a circular-cut diamond and further baguette-shaped and circular-cut diamonds in platinum, Signed Cartier London. 4cm high. ÂŁ10,000-12,000 Provenance Formerly the property of the late Countess of Haddington.

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1405

life size

1404

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life size

1406. An Edwardian diamond tiara converting to a necklace. Mounted with a line of slightly graduated old circular-cut diamonds, alternately suspending a further line of old circular-cut diamonds and foliate drops set with further graduated old circular-cut diamonds. With knife-edge back chain set with small circular-cut diamonds. Set in white gold and platinum. With tiara frame concealed in fitted box by Collingwood. ÂŁ5,000-7,000

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life size

1407. A French early 20th century diamond tiara converting to a necklace. Centred with two larger circular transitional-cut diamonds. The foliate scrolling openwork gold and silver mount set overall with graduated circular-cut diamonds. With gold knife edge back section set with circular-cut diamonds to each joint. French control mark to the clasp tongue and unidentified maker’s lozenge stamped GR. With two tiara frames, an additional diamond-set silver and gold scroll section to be mounted on one of the two horn combs and a gold brooch mount. With two screw drivers. The main section 12cm wide. The necklace 38cm long. Fitted dark blue leather case and applied with foliate scroll decorated silver initials. £30,000-40,000 The Art Nouveau influence is clearly evident in the design of this tiara and there is a similarity in form to the more substantial tiara made for Princess Abamelek by Boucheron in 1907.

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life size

1408. An important natural pearl and diamond pendant, the large pearl weighs 44.30cts and is set in an articulated chandelier-style mount millegrain-set overall with cushion-shaped and rose-cut diamonds. 5cm long. £500,000-700,000 Accompanied by report number 11632 dated 5th August 2015 from The Gem and Pearl Laboratoy, London stating that part-drilled pearl measures 17.4 - 18.3mm x 18 - 20mm, weighs 44.30cts and is a natural saltwater pearl. Accompanied by report number 77562 dated 27th November 2014 from SSEF, Switzerland stating that the pearl weighs 44.30ct (including metal lining) and is slightly baroque, button-shaped and twice half-drilled. It is slightly cream in colour with rosé and green overtones and is a natural saltwater pearl. Also accompanied by an appendix letter from SSEF stating that the pearl exhibits a very impressive size and weight of 177.20 grains (including metal lining) combined with a very fine pearl lustre and a smooth pearl surface. The pearl shows an attractive slightly cream colour with rosé and greenish overtones, referred to as the ‘orient of pearls’. Such overtones are due to an irridescence effect caused on the surface of pearls and contribute greatly to their beauty. A natural pearl of such an important size and fine quality is very rare and exceptional.

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life size

1409. A late Victorian diamond necklace, formed with graduated circular links, each centred with a cushion-shaped diamond within a surround of smaller cushion-shaped diamonds in cut-down gold and silver collets and each joined with two smaller diamonds. Suspending five detachable and graduated diamond-set pendants. Fitted case by Garrard, 112 Regent Street. The fitted red leather case with presentation inscription dated 1959. 44cm. ÂŁ40,000-60,000

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life size

1410. A natural pearl and diamond pendant, of geometric design; the pendant set overall with graduated old circular-cut diamonds in platinum. Suspending an articulated line of diamonds and a large drop-shaped natural pearl which weighs 32.808cts. On a fine link platinum neck chain. ÂŁ100,000-200,000 Accompanied by report number 5775-2716 dated 3rd August 2015 from GCS, London stating that the cream pearl is a natural saltwater pearl. Accompanied by report number 81497 dated 14th August 2015 from SSEF, Switzerland, stating that the drop-shaped pearl weighs 32.808cts, measures 14.63 - 14.74 x 24.35mm, is slightly cream and is a natural saltwater pearl.

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life size

1411. A 19th century diamond-set floral brooch, set overall with graduated cushion-shaped diamonds (one missing) in silver and gold. The flower head set with an oval-shaped fancy yellow diamond which weighs 3.83 carats. 5.8cm high. ÂŁ50,000-70,000 Accompanied by report number 1172124142 dated 22nd April 2015 from GIA stating that the oval-shaped diamond measures 13.02 x 9.76 x 4.28mm, weighs 3.83 carats, with fancy vivid yellow colour and SI1 clarity.

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1412. The property of a Titled Lady. An impressive Victorian natural pearl and diamond brooch, the brooch is centred with an old cushion-shaped diamond which weighs approximately 2.50cts, set within a surround of ten smaller cushion-shaped diamonds and further scroll borders of graduated diamonds, suspending three natural pearl drops. With pendant fitting and detachable brooch fitting. Fitted case. 10cm long. ÂŁ50,000-70,000 Accompanied by report number 11693 dated 21st August from The Gem and Pearl Laboratory, London stating that the three loose partdrilled pearls are natural saltwater: 1) A flattened drop pearl, polished around the drill hole weighing 14.97ct, measuring 10.2 - 11.0 x 20.4mm. 2) A drop pearl weighing 10.20ct, measuring 9.6 x 17.1. 3) A drop pearl polished around the drill-hole, weighing 10.00ct, measuring 9.5 - 10.4 x 15.8mm.

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Fine Silver & Objects of Vertu Wednesday 28th October 2015

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

A Victorian novelty silver dog’s head box, by E.H. Stockwell, London 1877, length 16cm. Estimate: £1,500 - £2,000


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Asian Art Tuesday 17th & Wednesday 18th November 2015

An elaborate Chinese gilt metal and kingfisher feather headdress, Qing Dynasty, 33.5cm wide. Estimate: £8,000 - £12,000

ENQUIRIES John Axford Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk


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Paintings Part I – Fine Old Masters & 19th Century Part II – 20th Century & Contemporary Art Wednesday 9th December 2015 Entries are currently being accepted

James Hayllar (1829-1920) Going to the Palace Signed and dated 1863 Oil on canvas 63.5 x 76cm Estimate: £5,000 - £7,000


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ENQUIRIES Victor Fauvelle Tel: +44 (0)1722 424503 victorfauvelle@woolleyandwallis.co.uk Jo Butler Tel: +44 (0)1722 424592 jobutler@woolleyandwallis.co.uk


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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies. PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us. COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale. CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate. The colours printed in the catalogue are not necessarily true. SALE RESULTS These will be posted on our website shortly after the sale. BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.


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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid. VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega () have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked  may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.


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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.


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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.


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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale. GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect. 21. English law applies to the interpretation of these Conditions.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return. ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.


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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors. Accuracy, speed and above all confidentiality are paramount. INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

H

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

N SCOTS L SALISBURY ST WE

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F IS

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WOOLLEY & WALLIS

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Salisbury Salerooms ark eP hiv

&R

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A3

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A36 Ch

WILTON & WARMINSTER

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Sarum Business Park

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A36(T) CH URC HIL L

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Westover Garage

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Old Sarum Park

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Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

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Old Sarum Kia Motors

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WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

AMESBURY & MARLBOROUGH

EA

E LS

H AS

YR LE

CASTLE RD A345

HU

LONDON, ANDOVER & WINCHESTER

ay

tw

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A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

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CH

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OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE TO SALT LANE TOSTREET CASTLE STREET & WALLIS WOOLLEY FROM DIRECTIONS PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D A30

94 NEW H

D PAY AN Y DISPLA RK CAR PA

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ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

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O

OM

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R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

SALT LANE

LANE

CH

A

SALT

RO A

( T)

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UT SO

Y A36

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A36(T) SO UTHA MPT ON R

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W OOLLEY & W ALLIS S ALEROOMS

WIN

SOUTHAMPTON CATHEDRAL

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Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury please follow the red route when driving from Salt Lane to Castle Street.

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.


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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 29th October 2015 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

104

www.woolleyandwallis.co.uk


AUCTION CALENDAR FURNITURE, WORKS OF ART & CLOCKS 7th October 7th January 2016 Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk 20TH CENTURY DESIGN 21st October – 20th Century Design 25th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk SILVER 28th October – Fine Silver & Objects of Vertu 19th & 20th January 2016 – Silver, Vertu, Coins & Medals Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 29th October 21st January 2016 Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 17th & 18th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 24th November Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk PAINTINGS 9th December –

Part I - Fine Old Masters & 19th Century Paintings Part II – 20th Century & Contemporary Art Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 9th February 2016 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk


www.woolleyandwallis.co.uk

Woolley & Wallis  

Jewellery | Thursday 29th October 2015

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