WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S
Fine Jewellery & Watches Thursday 26th April 2018
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Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith
424505 329477
ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska
424506 424506 424591
CHINESE PAINTINGS Freya Yuan-Richards
VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA
424509 424598
MARKETING Ilona Pichler Tamzin Corbett
424590 424590
ACCOUNTS Janice Clift (Office Manager)
424500
424589 GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Fleur Field
ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham
424507
FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy
411854 339161 411854
SALEROOM MANAGER David Jordan
424500
JAPANESE ART Alex Aguilar Doméracki
424583
CASTLEGATE MANAGER Matt Hill
446970
JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde
424595 424504 424586
MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey
341469
PAINTINGS Victor Fauvelle Jo Butler Hollie Grubb
424503 424592 424592
SILVER Rupert Slingsby Lucy Chalmers
424501 424594
TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey
339752
424500
BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director
FRICS FRSA
COMPANY SECRETARY Natalie Milsted FCCA
424599
ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk
SOCIETY OF FINE ART AUCTIONEERS AND VALUERS
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FINE JEWELLERY & WATCHES Thursday 26th April at 10.00am VIEWING TIMES Saturday 21st April Monday 23rd April Tuesday 24th April Wednesday 25th April Thursday 26th April
10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am
ENQUIRIES
Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk
Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk
Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk
BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 25th April. LIVE BIDDING ILLUSTRATIONS Front cover: Lot 1409 Inside cover: Lot 1383 and Lot 1398 Back cover: Lot 1418 Catalogue £12.00 (£15.00 by post)
www.the-saleroom.com Please register by 5pm on Wednesday 25th April. Please note there is a 3% +VAT surcharge for using this service.
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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Saturday collections by appointment. 10.00am to 1.00pm
CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1001
1000
1000. An Indian gem-set necklace, mounted with three cushion-shaped garnets and diamonds in gold mounts, joined with garnet beads and suspending clusters of further garnet beads, with a conforming pendant centred with a pear-shaped garnet within a surround of diamonds and garnet bead clusters, the back section formed with garnet beads, the reverse with blue, white and green Jaipur enamel decoration, 43cm, fitted case, with a pair of matching garnet and diamond-set gold drop earrings with similar Jaipur enamel decoration, 6cm £800-1,200 1001. An Indian bracelet, mounted with seven rectangular gold plaques foliate-set with turquoise cabochons and with Jaipur enamel decoration to the reverse on a five-row seed pearl bracelet, 32cm £200-300
1003
1002
1002. An abstract gold necklace, of chequerboard design, the textured tapered rectangular sections are alternately-set with green hardstone and Aztec imagery, on oval link necklace, 113g £1,200-1,500 1003. A French gold panel bracelet in the Egyptian taste, the rectangular panels (two spare) are each chased with Ancient Egyptian scenes, three panels mounted with chrysophrase sections, French control marks, 85g total £1,000-1,500 Provenance: believed to have been presented to the wife of Ferdinand de Lesseps who was involved in developing the Suez Canal.
1004
1005
1004. A pair of antique pendeloque earrings, set with graduated rose-cut diamonds in closed-back silver settings, later post fittings, 5.5cm high £400-600
1006 1005. A collection of early 20th century gem-set jewellery, including an early 20th century tourmaline and seed pearl double-border gold brooch, 2cm wide, a circular-shaped amethyst and seed pearl pendant with pear-shaped amethyst drop, 4cm high and an early 20th century gold brooch set with two citrines and three amethysts, 3.5cm wide £200-300 1006. A collection of jade-mounted jewellery, including a jade and diamond brooch, the pierced and carved jade section with diamond-set terminals in white gold, 5.5cm wide, with a pair of circular cabochon jade-mounted gold £1,500-2,000 earrings in S.J.Phillips box 1007. A two-row jade bead necklace, the beads graduate from 5.64 to 10.23mm with a foliate carved jade clasp set in yellow gold, 51cm longest, with a pair of jademounted gold earrings, 4cm long £400-600
1007
5
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1008. An open-face fob watch, unsigned keyless-wind movement with cylinder escapement, peach enamel guilloche dial with gold Arabic numeral hour markers, 14ct gold case with seed pearl border, the reverse painted with enamel rural scene with a shepherd and shepherdess, suspended from a seed pearl-set gold bow brooch. 23mm,18g £400-600 1009. An open-face fob watch by Moulinie, Bautte & Moynier Geneve, signed key-wind full-plate fusée and chain movement, numbered 23458. Gilt dial with Roman numeral hour markers. Yellow metal case numbered 23458 116, seed pearl decoration to case edges, guilloche and pink enamel decoration to case back. 37mm, 38gms £300-400 1010. A half-hunter fob watch by Donne & Son London, hallmarked London 1898. Signed three-quarter plate movement with English lever escapement, numbered 2115. White enamel dial with Roman numeral hour markers. 18ct gold case numbered 1389 with personal inscription inside front cover and initials B.S. engraved to rear. 37mm 45gms £250-350 1011. An open-face ‘Chronometro Gondolo’ fob watch by Patek Philippe, signed keyless-wind movement with snail-cam regulator and club-tooth lever escapement, numbered 143159. White enamel dial with Roman numeral hour markers, outer Arabic minute track and subsidiary seconds dial to six. Case stamped 18k with poinçon, numbered 249327. 31mm 30gms £600-800 1012. An open-face fob watch by Longines for Tiffany & Co, signed keyless-wind movement with clubtooth lever escapement. White enamel dial with Arabic numeral hour markers, red Arabic minute track and subsidiary seconds dial to six. Case stamped 18k with poinçon, numbered 2835521, with personal engraving £200-300 to inside case-back and initials K.J engraved to the rear. 29mm 20gms
6
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1008
1009
1011
1012 1010
7
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1013. A quarter-repeater hunter pocket watch and chain, unsigned keyless-wind movement with clubtooth lever escapement, patent no. 34984. White enamel dial with Arabic numeral hour markers and subsidiary seconds dial to six. Case stamped 14K with poinçon, numbered 108019. fitted to an 18ct gold Albert chain with a 9ct propelling pencil by Asprey. 53mm 94gms, chain 45gms £600-800 1014. A hunter pocket watch by IWC, signed keyless-wind movement with screwed regulator and club tooth lever escapement, numbered 805138. White enamel dial with Arabic numeral hour markers, subsidiary seconds dial to six. Case stamped 14K with poinçon, numbered 857068. 49mm, 64gms £500-700 1015. An open-face split-second chronograph pocket watch by C. L. Guinand Locle, signed keyless-wind movement with swan-neck regulator and club-tooth lever escapement. White enamel dial with Arabic numeral hour markers, outer minute track and subsidiary recorder dials to six and twelve. Case stamped 14k with poinçon, numbered 39519, personal inscription to inner dust cover, initials B.S.J. engraved to rear. 49mm, 95gms £800-1,200 1016. CHANEL - a lady’s 18ct gold Mademoiselle bracelet watch, white dial with Roman numeral hour markers. Unsigned quartz ETA calibré 976.001. Case back stamped 18k with poinçon, serial QK47839. Fitted to a five-strand pearl bracelet with 18ct gold sliding clasp. 22mm £2,500-3,500 1017. HUBLOT - a lady’s rose gold and titanium Classic Fusion wrist watch reference 581.NO.1181.RX, black dial with rose gold baton hour markers, date aperture to three. Quartz movement. Serial 1056556. Fitted £1,400-2,000 to a signed rubber strap with rose gold and titanium deployant buckle. 35mm 1018. CARTIER - a gentleman’s stainless steel Ballon Bleu bracelet watch reference W69012Z4, Silver dial with Roman numeral hour markers, date aperture to three. Signed automatic calibré 2892A2. Serial 3001466692PX. Fitted to a signed stainless steel bracelet with double deployant clasp. 42mm £2,000-3,000 1019. ZENITH - a gentleman’s 18K gold Elite power reserve wrist watch reference 35.0125.685/P. Silver dial with gold Arabic numeral hour markers alternating with darts, power reserve indication to two, subsidiary seconds dial to nine, date aperture to 4.30. Signed automatic calibré 680, numbered 24823. Fitted to a signed black crocodile strap with signed gold-plated double deployant buckle. 37mm £1,400-2,000 1020. ROLEX - a gentleman’s bi-metal Oyster Perpetual Date bracelet watch reference 15223, champagne dial with gold baton hour markers, date aperture to three. signed calibré 3135 numbered 5423360. Serial L865733. Fitted to a signed bi-metal bracelet with stainless steel Oysterclasp. 34mm £1,600-2,000 1021. IWC - a gentleman’s stainless steel GST chronograph bracelet watch reference IW3707, silver dial with rose gold baton hour markers, subsidiary recording dials to six, nine and twelve, dual aperture day and date to three. Signed automatic calibré 7922 numbered 2558371. Fitted to a signed stainless steel bracelet with deployant clasp. 39mm £1,800-2,600 1022. BREITLING - a gentleman’s stainless steel Navitimer chronograph wrist watch reference A23322, blue dial with silver baton hour markers, subsidiary recording dials to three, six and nine, date aperture to 4.30. Signed automatic calibré 7753. Serial 2111862, Fitted to a signed blue leather strap with signed stainless steel pin buckle. 41mm £1,800-2,600
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1014 1013
1015
1016
1017
1018
1022
1020
1021 1019
9
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1023. AUDEMARS PIGUET - a rare and unusual Royal Oak perpetual mechanical desk calendar, white dial with subsidiary calendar dials to three, nine and twelve, moon phase indication to six. Day advance by pressing on the crown at twelve, rapid adjustment screws to the rear, brass case and stand. Numbered 1580. Height 16cm £2,500-3,500 1024. AUDEMARS PIGUET - a mid-size tantalum and rose gold Royal Oak bracelet watch reference 56175, grey dial with luminous gold baton markers. Date aperture to three. Signed quartz calibré 2612. Serial number 628, case number D5006. Fitted to a signed tantalum and gold bracelet with folding clasp. 33mm £1,500-2,000 1025. AUDEMARS PIGUET - A gentleman’s stainless steel Royal Oak Offshore chronograph wrist watch, reference 25940SK, black mega tapisserie dial with luminous Arabic numeral hour markers, subsidiary recording dials to six, nine and twelve. Signed automatic calibré 2226/2840 numbered 539341. Case numbered 2121, serial E83733. Rubber covered crown and pushers. Fitted to a signed black rubber strap with signed stainless steel deployant clasp. 42mm £7,500-9,500 1026. AUDEMARS PIGUET - A lady’s 18ct gold wrist watch, white dial with Roman numeral hour markers. Signed manual-wind calibré 2080 numbered 398166. Case stamped 750 with poinçon, numbered £500-700 D24572. Fitted to an unsigned brown leather strap with signed 18ct gold pin buckle. 24mm
10
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1025
1024
1026
1023
not life size
11
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1027. A gold sewing kit, comprising a pair of scissors, bob pin holder with cover, thimble, sewing needle and bobbin, all with Dutch control marks, fitted case £400-600 1028. A gold cigarette case, the rectangular polished yellow gold case, set with a cabochon sapphire thumbpiece, with inscription to interior for 1962, Austrian marks, 8.5cm long, 107g £1,000-2,000 Provenance: The Lady Jean and Mr Robin Mackenzie
1029. A 19th century six brass drawer monocular by Dollond London, the largest section with piqué decoration on tortoiseshell, 10cm high (extended) £500-700 1030. A Queen Anne gilt lined silver box with enamel portrait of Queen Anne to the hinged cover, of oval form and depicting the queen wearing a blue sash over her yellow dress and ermine trimmed gown, £600-800 initials N.W. to the cover and base, 7.5cm wide, 65g 1031. A gold thimble with alternate turquoise cabochon and seed pearl border, 2.3cm, a gold key container with turquoise decoration, 5.5cm, a small gold cased-based desk seal with bloodstone matrix engraved Old Warder Park and with agate handle, 4cm high, and a small fob seal with banded agate handle in the form of a blackamoor and mounted with an agate intaglio depicting a female profile, 2cm high £200-300 1032. A late 18th century gold swivel fob seal, mounted with a chalcedony intaglio depicting the profile of Hercules, 3cm wide (frame) £400-600 1033. A hardstone cameo brooch, depicting cupid with a maiden within gold frame with ropetwist decoration, 4.2cm high £300-400 1034. A carnelian intaglio ring, bearing the crest for Yeats with motto Bonis Omnia Bona of the Orr family, £200-300 set in yellow gold, size P½ Previously sold as part of the Yeats Family Collection 1035. A 19th century agate intaglio-mounted gold ring, depicting two standing female figures, one holding a winged cupid style figure, 2.8cm high, size L £1,000-1,500 1036. A loose agate intaglio depicting Neptune in profile, 2.5cm high
12
£300-400
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1028
1027
1030 1029
1032 1033
1031
1034
1035 1036
not life size
13
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1037. A French 18ct gold rectangular box, Paris, early 20th century, maker’s mark and French control marks, the plain side panels and hinged cover within a moulded border on bracket feet, the cover engraved 4 juillet 1863-1913 and with the monogram HMD, 362.2g £7,000-9,000 1038. A cylindrical silver and red laquer lighter by Cartier, decorated with a cabochon moonstone terminal, in a black laquer silver stand on a quatrefoil shaped carved jade base, the lighter signed Cartier Paris, 3.8cm high, the jade base 12.7cm long £500-700 1039. A French early 19th century rectangular gold box, chased with foliate scroll decoration overall and scroll engraved thumbpiece, French control marks and makers lozenge with initials L.P, 8.5cm wide, 106.8g £3,500-4,000
14
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1037
1038
1039
not life size
15
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1040. A pair of circular yellow gold cufflinks by Cartier, each disc centred with a circular-cut ruby and carved with spiral decoration, signed Cartier Paris, French control marks, numbered 12456, 1.5cm wide, Cartier box £1,000-1,500 1041. A carved emerald owl, with bead eyes and carved feathers, 3.5cm long
£400-600
1042. A novelty stick pin in the form of a pig, the body formed from a mabé pearl, set with diamonds and a ruby eye, in platinum and gold, 5cm high, case £100-200 1043. An early 20th century carved yellow chalcedony stickpin, depicting the head of a putto within a surround of rose-cut diamonds and mounted in silver and gold, on gold pin £600-800 1044. A pair of hematite gold cufflinks by Schlumberger, the terminals each set with a spherical hematite within yellow gold mount designed as overlapping lozenges, signed Shlumberger with French marks and £1,000-1,500 maker’s lozenge 1045. A late Victorian stag stickpin, pavé-set with rose-cut diamonds and a ruby eye, in silver and gold, 1.5cm wide £200-300 1046. An amethyst and diamond stick pin by Cartier, set with a circular amethyst cabochon within millegrain-set diamond border in platinum and gold, signed Cartier to reverse with rubbed inventory number, signed Paris and Made in France, probably originally part of a pair of cufflinks and later converted to a stickpin £500-700 1047. A late Victorian salmon stickpin, pavé-set with rose-cut diamonds and polychrome enamel decoration in silver and gold, 2.6cm wide £150-250 1048. A pair of oval-shaped gold cufflinks, with engine-turned decoration in platinum and gold, 16.5g £250-350 1049. A pair of oval-shaped gold cufflinks, each disc decorated with an enamel dog’s head in yellow gold, 11g £800-1,200 1050. A late Victorian pearl and diamond horseshoe stickpin, set with graduated old cushion-shaped diamonds and pearls in silver and gold, 2.4cm wide £200-300 1051. A white enamel and ruby brooch for the Royal Yacht Squadron, set with graduated cushion-shaped rubies, surmounted with a coronet in yellow gold, stamped Benzie Cowes to reverse and 18ct, 2.6cm wide £200-300 1052. A yellow gold money clip by Tiffany & Co, in the form of a paperclip, signed, 6.1cm long £250-350 1053. A pair of diamond and Jasperware cufflinks by Cartier, the oval links are set with a blue and white Jasperware section, of foliate design, within a border of rose-cut diamonds in silver and gold, signed Cartier Paris, with three matching studs £800-1,200 1054. A pair of Art Deco two colour gold circular cufflinks, each centred with a cabochon sapphire and with two rose cut diamonds, formed as open-work waisted curved sections, 1.3m wide £800-1,200 1055. A pair of gold cufflinks by Tiffany & Co, each spherical terminal with fluted decoration in yellow gold, signed Tiffany & Co, 3cm long £800-1,200 1056. A pair of 19th century agate cameo cufflinks, each depicting a blackamoor within ropetwist yellow gold border, joined with figure of eight links £300-400 1057. A cased set of dress links and buttons, the five larger circular blue and white Jasperware discs with diamond-centred white foliate design, white pellet border on blue ground and within a surround of rose-cut diamonds on gold, French control marks, 1.6cm wide, with three blue and white Jasperware circular links centred with a cluster of six rose-cut diamonds on blue and white Jasperware ground with gold mounts, 1.4cm wide, fitted case £600-800 1058. A pair of onyx and diamond cufflinks and studs, of circular form set with a black onyx disc, with an old circular-cut diamond millegrain-set to the centre and a border of rose-cut diamonds, millegrain-set in £600-800 white gold and platinum, each disc 1.4cm
16
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1043 1042
1044
1040
1041
1046 1047
1049 1050
1045
1048
1053
1052
1051
1055 1054
1056 1057 part
1057 part
1058
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1059. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of circular-cut diamonds in white gold, size O £600-800 1060. An emerald solitaire ring, the emerald-cut emerald is claw-set within plain polished white gold mount, size Q £600-800 1061. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circular£600-800 cut diamonds and further diamond shoulders in white gold, size P½ 1062. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of graduated circular-cut diamonds in white gold, size N½ £400-600 1063. A ruby and diamond five-stone ring, the central oval-shaped ruby is set within cushion-shaped diamonds and pear-shaped rubies, with diamond pointers and rose-cut diamond shoulders in yellow gold, £150-250 size M½ 1064. A tanzanite and diamond ring, the emerald-cut tanzanite is set with three circular-cut diamonds to each shoulder in white gold, size S £400-600 1065. A morganite and diamond cluster ring, the square cushion-shaped morganite set within a surround of round brilliant-cut diamonds in white gold and further diamonds to the under bezel, size N £1,000-1,500 1066. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within cross-over surround of circular-cut and baguette-shaped diamonds in platinum, size M £700-900 1067. A George III diamond three-stone ring, set with a rose-cut diamond within smaller rose-cut diamond shoulders in closed-back setting, size N £200-300 1068. A diamond solitaire ring, the circular diamond weighs approximately 1.10cts, set in white gold, size M½ £800-1,200 1069. A diamond four-stone ring, the four graduated cushion-shaped diamonds are set in gold, size P £200-300 1070. A ruby, sapphire and diamond double heart ring, set beneath a diamond-set bow in platinum and gold, size N £800-1,200 1071. An early 20th century navette-shaped diamond cluster ring, set with an old cushion-shaped £300-400 diamond within pierced millegrain-set diamond surround in platinum and gold, size Q 1072. A garnet and diamond cluster ring, the cabochon garnet is set within a surround of circular-cut diamonds and baguette-shaped shoulder diamonds in white gold, size N £800-1,200 1073. A diamond three-stone ring, set with graduated rose-cut diamonds in closed back silver and gold mount, size K½ £200-300 1074. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.60cts and is set in platinum with four small shoulder diamonds, size N £400-600 1075. A diamond cross-over ring, the two old circular-cut diamonds are set within diamond scroll shoulders in platinum and yellow gold, size Q £600-800 1076. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circularcut diamonds in white gold, size S £800-1,200 1077. An amethyst foliate cluster ring, the oval-shaped amethyst is set within a surround of foliate carved decoration, in gold, Austrian marks, size R £200-300 1078. A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of circularcut diamonds in platinum and yellow gold, French marks, size Q½ £800-1,200 1079. A diamond-set full circle eternity ring, the round brilliant-cut diamonds set in platinum, size R £800-1,200 1080. An emerald and diamond three-stone ring, the oval-shaped emerald is flanked by two circular-cut diamonds in polished plain white gold shank, size O £400-600 1081. A sapphire bombé ring, the oval-shaped sapphire cabochon set in white gold collet, in fluted yellow gold mount, maker’s plaque for JE, size M½ £200-300 1082. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of ten round brilliant-cut and two baguette-shaped shoulder diamonds in white gold, size N £1,500-2,000
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1059
1060
1063
1068
1069
1061
1062
1065
1066
1064
1067
1073 1070 1071
1074
1072
1075
1079 1076
1080
1077
1078
1081
1082
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1083. A sapphire and diamond pendant, the cushion-shaped blue sapphire is rubover-set in yellow gold and suspends from two circular-cut and two baguette-shaped diamonds on knife-edge links in yellow gold, on flat curb-link yellow gold neck chain, pendant 4.7cm long, chain 46cm long £800-1,200 1084. A pair of sapphire and diamond drop earrings, the circular-cut diamonds and marquise-shaped £400-600 sapphires set in articulated white gold mounts, 3.5cm high 1085. A garnet and diamond pendant, the large garnet cabochon weighs approximately 98cts, set within a surround of circular-cut diamonds suspended from a diamond-set bale, in platinum and yellow gold, 5.2cm high £800-1,200 1086. An abstract sapphire and diamond brooch, invisibly-set overall with buff-top sapphires, the borders channel-set with graduated circular-cut diamonds in white gold, French control marks, 6cm long £500-700 1087. A pair of cultured pearl and diamond drop earrings, the modern cultured pearl studs suspend detachable late 19th century scrolling diamond drops set in silver and gold and a further modern cultured pearl drop, 7cm long, post fittings £400-500 1088. A pair of cultured mabé pearls and diamond cluster earrings, the cultured pearls set within a £300-400 diamond surround, 1.8cm diameter, post and clip fittings 1089. An aquamarine and sapphire necklace, set with a line of graduated pear-shaped pink sapphires and circular-cut blue sapphires, terminating in pear-shaped aquamarines, pink sapphires and diamonds in white gold, 42cm long £800-1,200 1090. An aquamarine and diamond ring, the oval-shaped aquamarine weighs approximately 23cts, with six circular-cut diamonds set to each shoulder in 18ct white gold, Birmingham hallmarks for 1998, size O½ £800-1,200 1091. A ruby and diamond foliate pendant, set within scrolling borders of rose-cut diamonds and squareshaped rubies, with a turquoise cabochon on fancy-link gold chain, pendant 4.8cm long, chain 44cm long £450-500 1092. A kunzite and diamond-set gold pendant, the oval-shaped kunzite set in yellow gold and with £800-1,200 circular-cut diamonds set to the pendant mount, fine-link yellow gold chain 1093. A pair of gem-set flowerhead earrings attributed to Valerie Pickford, set with a central circular-cut amethyst within a border of cultured pearls, tourmalines, aquamarines and a further amethyst in yellow gold wirework setting. 3.2cm diameter, post fittings £400-600 1094. A ruby and diamond cluster ring, set with a central oval-shaped ruby cabochon within a border of circular-cut diamonds in raised yellow-gold oval setting, London marks for 18ct, 1991, size Q £1,000-1,500 1095. A diamond cluster ring, set with graduated circular-cut diamonds in white gold, size N £800-1,200 1096. A gold dog brooch, the stylised poodle formed from textured gold with emerald eyes and a diamond collar, 3cm high £300-400 1097. A sapphire and diamond pendant, the oval-shaped blue sapphire is set within a surround of circularcut diamonds in yellow gold, suspended from a diamond-set bale on fine snake-link neck chain, pendant 2.8cm long, chain 41cm long £400-600 1098. A pair of natural pearl and diamond scroll earrings, each pearl set within a surround of diamondset scrolls in white gold £800-1,200 Accompanied by report number 78132-22 dated 7 December 2017 from GCS London stating that the 2 cream pearls measure 7.3-7.5 x 5.1mm and 7.5-7.6 x 6.0mm and are natural saltwater with no indications of treatment. 1099. A cultured pearl and diamond cluster ring, the brown round cultured pearl measures 13.4mm and set in a surround of small round brilliant-cut diamonds, in white gold, size O £300-500 1100. A pair of ruby and cultured pearl foliate cluster ear clips, set with a central half-pearl within borders of ruby and pearl clusters in yellow gold, clip fittings, French control marks, 2cm diameter, case by Garrard £400-600 1101. A cultured pearl and diamond ring, the grey cultured pearl measures 13.8mm and set in a carved and pierced white gold mount, with two circular-cut shoulder diamonds measuring approximately 0.38cts each, size O½ £400-600 1102. A diamond solitaire ring, the circular-cut diamond weighs approximately 0.50cts and is set in polished plain white gold shank, size M½ £500-700
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1087 1086
1084
1085 1083
1088
1089
1090
1093
1091 1092
1094
1098 1095
1097
1099
1100
1102 1101
1096
21
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1103. An Arts & Crafts gem-set silver brooch attributed to Dorrie Nossiter, set with fruiting vines in silver, set with three specimen green stones consisting of a demantoid garnet, a green zircon and a green tourmaline in silver wreath with gold decoration, 2.5cm diameter, case £600-800 1104. A late 19th century pansy brooch, the petals decorated with polychrome enamel and centred with a circular-cut diamond in yellow gold, folding pendant loop, stamped 14k, marker’s mark for Riker Bros, Newark USA, 2.2cm high £800-1,200 1105. An orchid brooch pendant, the petals decorated with polychrome enamel and centred with a circularcut diamond in yellow gold, 3cm high £800-1,200 1106. A gold foliate necklace, set with five graduated lozenges decorated with ivy and a diamond border, on fine-link yellow gold neck chain, 40cm long £800-1,200 1107. A silver Art Nouveau pendant in the style of Edward Colonna, of abstract design and set with a cultured mabé-pearl, on fancy-link silver neck chain, pendant 9.2cm long, chain 65cm long £600-800 For a similar pendant see V.Becker, Art Nouveau Jewelry (London, Thames & Hudson, 1985) p. 51, pl. 49 1108. An early 20th century opal and diamond pendant, the five graduated white opals are set with pierced scroll surround set with old circular-cut diamonds in yellow gold, 6.6cm high, chain 40cm long £1,000-1,500 1109. An oval portrait pendant, depicting a gentleman serenading a lady on enamel, within millegrain-set rosecut diamond border with scallop-edge, set in platinum on fine-link platinum neck chain, pendant 4.7cm long £800-1,200 1110. An Art Nouveau garnet and diamond pendant, the cushion-shaped pink garnet is set within millegrain-set diamond swags in platinum and gold suspended from fine-link chain conjoined with a diamond, the pendant 4cm long, the chain 40cm long £1,200-1,500 1111. A pair of sapphire and diamond drop earrings, the pear-shaped sapphires are suspended from articulated graduated old cushion-shaped diamonds in white gold, with a conforming Edwardian sapphire and diamond brooch pendant set with a central old cushion-shaped sapphire within scrolling border of old cushion-shaped and circular-cut diamonds in silver and gold, 5cm long £800-1,200 1112. An Art Nouveau diamond scroll brooch, millegrain-set with graduated old circular-cut diamonds and articulated diamond drop, in silver on gold, 4.3cm wide £1,000-1,500 1113. An early 20th century blue enamel fob watch, with millgrain-set diamond decoration to reverse, the plain silver dial with Arabic numerals and signed Golay Fils Et Stahl, Geneve, suspended from a diamond and blue enamel fleur-de-lys brooch in platinum and gold, fitted case £400-600 1114. An Edwardian opal and diamond pendant, set with three opals and small millegrain-set diamonds in platinum and gold, detachable pendant bale and brooch fitting, on a fine-link platinum neck chain, fitted case by Carrington £800-1,200 1115. A pair of articulated diamond drop earrings, of amphora design, pierced and millegrain-set within diamonds in white gold, 4cm long, post fittings £3,000-4,000 1116. An Arts & Crafts gem-set silver brooch attributed to Dorrie Nossiter, of asymmetrical wreath form, and set with moonstone cabochons, lapis lazuli cabochons, chalcedony cabochons and circular-cut garnets, within silver and gold foliate decoration, 3.4cm long £400-600 Accompanied by original receipt dated 23 November 1997 and two photographs from Tadema Gallery, London 1117. A Victorian gem-set gold foliate brooch, the flowerhead set with rubies and diamonds suspends from a gold foliate brooch with polychrome enamel decoration to the leaves, 3.5cm high £300-400 1118. An Art Nouveau ruby and diamond brooch, set with three rubies and graduated old cushion-shaped and rose-cut diamonds in silver and gold, 5.2cm long, case (dilapidated) £400-600
22
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1103 1104
1105
1106
1107
1108
1109
1110
1115
1111 1112
1114 1113
1118 1116
1117
23
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1119. A George V diamond snake ring, the stylised snake is set with a line of graduated old cushion-shaped diamonds in yellow gold, London marks for 18ct gold, 1917, size T £600-800 1120. An 18ct yellow gold snake ring, the head set with four graduated old-cut diamonds, size W £400-600 1121. A diamond solitaire necklace, the old circular-cut diamond weighs approximately 1.20cts and is set £1,500-2,000 within yellow gold rubover mount on fancy-link gold chain, 49cm long 1122. An aquamarine pendant, set with three graduated fancy-cut aquamarines millegrain-set in platinum within yellow gold foliate scroll border, on oval-link yellow gold neck chain, pendant 5.8cm long, chain 44cm long, stamped 585 to reverse and maker’s mark BR, case £600-800 1123. A late 19th century pearl and diamond brooch in the form of a mermaid, the stylised mermaid looking through a rose-cut diamond magnifying glass, made from a pearl body with a diamond-set tail in £1,000-2,000 silver and gold, 3.5cm long 1124. A Victorian pale blue enamel gold brooch, the stylised bow decorated with enamel (some damaged) and seed pearls suspends a heart-shaped locket decorated with blue enamel and a pearl and diamond cluster, £400-600 with glazed locket compartment to reverse, 4.7cm long, fitted case 1125. A mid-Victorian gold locket pendant, of oval form with hinged cover and concealing a glazed locket compartment, the frame with bead decoration and larger glazed locket compartment to the reverse, 5.5cm high, with graduated gaspipe style flexible necklace with buckle centre section, fitted case £1,500-2,000 1126. A Victorian gold chrysolite pendant, set overall with graduated oval-shaped chrysolites in gold £600-800 repoussé mount, suspending three cultured pearls, 6cm long 1127. A Victorian quatrefoil reverse carved crystal brooch, pierced and decorated with blue enamel, glazed locket compartment to reverse, 4.2cm wide £200-300 1128. A gold strap bracelet, the bar links in the form of a belt with turquoise set buckle, 17.5cm, 26g £400-600 1129. A Victorian pietra dura brooch, the oval plaque depicting flowers within a seed pearl frame quartered with diamonds in yellow gold, 5.7cm high £300-400 1130. A mid 19th century citrine-set gold bangle, the large oval-shaped citrine set within yellow gold ropetwist surround, rectangular and rhombus border with scrolling decoration and seed pearls on a wide yellow gold hinged bangle with ropetwist and scroll decoration, 6cm inner diameter, French marks, 73g £1,200-1,500 1131. A diamond and emerald-set butterfly brooch, the wings pavé-set with circular-cut diamonds and each with two circular-cut emeralds, the body and antennae also set with emeralds and diamonds on closedback gold mount, set en tremblant to the brooch fitting, 5.5cm wide £3,000-5,000 1132. A 19th century shell cameo pendant, depicting a lady in profile with pearl and rose-cut diamond £600-800 border and a seed pearl bale in gold, brooch fitting to reverse, 4.8cm wide 1133. A 19th century hardstone cameo locket pendant, depicting Dionysus within gold ropetwist and pellet border, hinged with vacant locket compartment and foliate gold bale, 7.3cm long £2,000-3,000
24
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1119
1120
1124 1123 1122 1121
1126
1125
1127 1128
1129
1130
1131 1132
1133
25
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1134. An 19th-century green paste cruciform pendant, the cross mounted with eleven graduated ovalshaped green paste stones and small cushion-shaped diamonds in closed-back gold mount, the gold pendant loop with conforming paste and diamonds set in gold, 11cm £800-1,200 1135. A George III navette-shaped gold brooch, containing the silhouette of a woman, within gold frame, £200-300 glazed locket compartment to reverse, pendant loop, 5.1cm high 1136. A cased pair of George III gold slides, depicting a gentleman and a woman’s silhouettes, in scrolling gold frame, both 4cm high £300-400 1137. A late 18th century diamond and enamel ring, the two hexagonal centre sections each set with rose-cut diamonds on blue guilloche enamel ground, joined by a stylised bow centre section set with cushionshaped diamonds and within a border of further cushion-shaped diamonds in silver and gold stylised £4,000-5,000 fleur-de-lys shoulders, 4.5cm long, size G (approx.) 1138. An early 20th century romantic brooch, applied with joined hearts and a lover’s knot above set with rose-cut diamonds on blue guilloche enamel ground, white enamel border within a surround of seed pearls, gold mounts, 2.3cm wide £400-600 1139. Of Royal Interest: An Edwardian small circular brooch with the Royal cipher of Queen Alexandra, the cipher applied to the red guilloche enamel ground within white enamel border, further surround of seed pearls and three small diamonds and surmounted by a diamond-set crown, 2.2cm wide, fitted case by Collingwood £400-600 1140. An early 19th century lozenge brooch, set with three rose-cut diamonds in silver collets, on blue guilloche enamel ground and a diamond-set border, in closed back silver and gold mount, 5.2cm long £1,500-2,000 1141. A pair of 18th century amethyst and topaz bracelets, set with foliate clusters of amethysts and white topaz and amethyst quatrefoils in silver closed-back collets, 15cm long, the bracelets can be worn together as a collar necklace, 30cm long, with a matching pair of girondolle earrings, matching slides and a brooch, case £2,000-3,000 1142. An 18th century lozenge-shaped gold mourning brooch, with plaited hair to the centre within a border of diamonds, blue enamel and seed pearls, closed back gold setting and pendant loop, 3.5cm long £400-600 1143. An 18th century paste brooch, the foliate decorated convex lozenge is pierced and set overall with white pastes, suspending a pear-shaped articulated drop set with white pastes, set in closed-back silver £200-300 mount, 7.5cm wide, fitted case by Harvey & Gore
26
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1137 1136 (2)
1134
1138 1135
1140
1139
1141 (7)
1143 1142
27
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1144. A pair of George III black silk bracelets with gold clasps, one clasp depicting a caged bird beneath a tree and foliage, the other clasp of similar design with a peacock standing on a shell pedestal beneath a tree on blue guilloche enamel ground, decorated overall with seed pearls (slightly damaged) and within a white and blue enamel surround and further border of seed pearls, each 3.1cm high, fitted case £1,000-1,500 1145. A seed pearl and enamel mourning ring, set with a central circular locket containing plaited hair within hexagonal seed pearl border and foliate enamel shoulders, with inscription to reverse for 1832 and London hallmarks for 18ct, 1833, size P £200-300 1146. An eye miniature ring, of lozenge-shape, within seed pearl and white and red enamel border in closed-back gold mount, size M £600-800 1147. An early 19th century gold and enamel mourning ring, containing locket compartment with plaited hair, London marks and inscription to interior for 1828, size M £200-300 1148. A George III two-row diamond ring, each row set with two lines of rose-cut diamond in silver and gold with stylised fleur-de-lys pierced £400-600 shanks, size M 1149. A mid 19th century black enamel mourning ring, the central shield with inscription for John Bull 1831, the band with the words In Memory Of in yellow gold, glazed locket compartment to reverse, size P, case £200-300 1150. A late Victorian foliate brooch, depicting a rose with white enamel decoration, centred with a seed pearl and a shamrock with green £200-300 enamel decoration and centred with a diamond, 4.5cm high 1151. A Victorian gold and enamel mourning ring, decorated with black enamel and In Memory Of in gold, within further black enamel borders, London hallmarks for 18ct, 1845, size N, case £300-400 1152. An early 19th century rock crystal and diamond mourning ring, the cushion-shaped rock crystal set on plaited hair within diamond £300-400 shoulders in closed back setting, the band with inscription for Mary Wilson, 1830, size M½ 1153. An early 19th century diamond-set flower brooch, the cluster of oval shaped diamonds set in silver and gold, 2.5cm high, with a George III double cluster brooch set with rose-cut diamonds in silver and gold, 2.3cm high £800-1,200 1154. An antique gold scarab intaglio ring, the carved glass bead depicting Apollo, on plain gold band, size N½
£100-200
1155. A Stuart crystal memento mori slide, depicting a skull on plaited hair with the letters BVC (not in original position) in yellow gold closedback mount and later brooch fitting, 2.1cm wide £800-1,200 1156. A Victorian ruby and seed pearl cluster ring, set with tourmalines to each shoulder on scroll carved yellow gold shank, glazed locket compartment to reverse, size L, case £200-300 1157. An early 19th century oval portrait brooch, the monochrome painted lady, set within white and blue enamel border set with gold quatrefoil decoration and rose-cut diamonds, in closed-back gold mount, 3.7cm high £150-250 1158. A diamond cluster ring, set with a central rose-cut diamond within a rose-cut diamond border, in closed-back silver and gold setting, size K £200-300 1159. A 19th century pearl mourning ring, the rectangular plaque containing a locket of plaited hair within seed pearl border in gold, London marks for 18ct, 1831, size O½, with inscription to reverse for Hester Grazebrook 1831, with an 18th century mourning ring, with oval glazed locket compartment containing hair within black and white enamel border, inscription to reverse for 1797, size O, case, with a navette-shaped mourning ring with inscription for 1785, size R and a mourning ring with heart-shaped locket compartment, Chester marks for 18ct, 1903, size M £200-300 1160. Two gold fedé rings, one decorated with remnants of polychrome enamel, size S½, the other with diamond decoration and inscription to interior, size R £200-300 1161. A gold gimmel and fedé ring, hinged and opening in two sections, size Q
£400-600
1162. A gold gimmel and fedé ring, the clasped hands opening to reveal a heart, size F
£400-600
1163. A gold gimmel and fedé ring, hinged and opening in two sections, the clasped hands decorated with diamonds in yellow gold, size P½ £400-600 1164. A gold gimmel and fedé ring, the clasped hands opening to reveal double hearts, inscribed H and J, the middle band with foliate decoration, size M £400-600 1165. An early 19th century gold urn locket ring, with glazed locket compartment to centre, hinged opening, set within a surround of seed pearls and diamonds in yellow gold, approximately size J £200-300 1166. An historic Regency gold brooch, the centre section set with a pearl, emerald, amethyst, chrysolite and emerald (PEACE), with foliate decoration surmounted with a fleur-de-lys and suspending a stylised order, the reverse engraved ‘Watier’s 1 July 1814’, 3.2cm wide £400-600 In 1814, the Duke of Wellington’s victories over Napoleon forced his abdication and exile to Elba. The Peace of Paris was prematurely and somewhat ironically declared. (The Battle of Waterloo was fought the following year). John Watier was a favourite chef of the Prince Regent and ran a famous restaurant and gaming club. Watier was chosen to organise the famous masked ball held at Burlington House (now the Royal Academy building) on July 1st, 1814. Lady Caroline Lamb was one of the many famous guests to have attended and the evening did not proceed without incident. This brooch would have probably been presented to one of the lady guests to celebrate the occasion. For a similar brooch, see lot 1553 sold at Woolley and Wallis on 25th April 2007.
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1144
1147
1145 1146 1148
1152
1149
1151
1150
1154 1155 1153 (2)
1159 (4)
1158
1156
1157
1161 1163 1160 (2) 1162
1165
1166
1164
29
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1167. A four-row cultured pearl necklace attributed to Valerie Pickford, with a detachable gem-set clasp incorporating a large oval-shaped kunzite within a border of pink tourmalines and cultured pearls in yellow gold, the clasp 4cm long, the necklace 40cm longest, the clasp detaches to be worn separately as a brooch, the pearl necklace also comes with a cultured pearl and gold clasp £1,000-1,500 1168. A kunzite and tourmaline cluster ring by Valerie Pickford, set with a circular kunzite within a border of circular pink tourmalines in yellow gold with pellet decoration and polished gold shank, Birmingham hallmarks for 18ct, 1976 and maker’s mark V.E.P for Valerie Pickford, size N £400-600 1169. A diamond-set heart-shaped gold pendant, centred with a heart-shaped diamond within a surround of round brilliant-cut diamonds and further border of tapered baguette-shaped diamonds in yellow gold, the suspension hoop set with graduated baguette-shaped diamonds, 2cm wide £1,500-2,000 1170. An aquamarine and diamond cluster ring, the oval-shaped aquamarine set within a surround of twelve round brilliant-cut diamonds in white gold, size N½ £1,000-1,500 1171. An emerald and diamond cluster ring, the pear-shaped emerald is set within a surround of marquiseshaped diamonds in white gold, with inner re-sizing shank, approximately size J - O £1,200-1,500 1172. A pink sapphire and diamond cluster ring, the oval-shaped sapphire set within a border of ten circular-cut and four baguette-shaped corner diamonds in white gold, size N £1,200-1,500 Accompanied by report number 78146-79 dated 14th March 2018 from GCS, London stating that the sapphire is natural padparadscha with no indications of heating. Origin: Madagascar 1173. A yellow sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of round brilliant-cut diamonds in white gold, size N £1,200-1,500 1174. An emerald and diamond three-stone ring, the octagonal-cut emerald set with two square-shaped diamonds in yellow gold, size M½ £2,000-3,000 Accompanied by report number 13881 dated 7 March 2017 from The Gem and Pearl Laboratory stating that the emerald-cut emerald weighs 3.21 carats and is a natural emerald with evidence of moderate clarity enhancement. Origin: Colombia 1175. A large opal ruby and diamond pendant, the solid white opal is set within a border of circular-cut diamonds and a further border of circular-cut and marquise-shaped rubies set on knife-edge links in white gold, brooch fitting to reverse, on snake link white gold neck chain, the pendant 5cm long, the chain 40cm long £1,500-2,000 1176. An opal, emerald and ruby dress ring, the pear-shaped solid white opal cabochon is set within a border of circular-cut diamonds and marquise-shaped emeralds in yellow gold, size O½ £1,000-2,000 1177. A black opal and diamond ring, the oval-shaped solid black opal is set within graduated lines of circular-cut and Asscher-cut shoulder diamonds in platinum and yellow gold, size N½ £6,000-8,000 1178. An amethyst-set dragonfly ring, the fancy-cut amethyst is set within stylised dragonfly shoulders, pavé-set with rubies and green garnets, within diamond borders in white gold, size O £2,000-3,000 1179. A large sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 12.00cts and is set within concentric surround of circular-cut diamonds, quartered with pairs of pear-shaped diamonds on three-row platinum shank, size K £8,000-12,000 1180. A French ruby and diamond crossover ring, each section set with two lines of graduated circular-cut diamonds or circular-cut rubies in platinum, French control marks and rubbed maker’s lozenge, size P, case £1,000-1,500 1181. A fancy yellow diamond pendant, the cushion-shaped diamond weighs 0.64cts, claw set in white gold mount and a silver neck chain £600-800 Accompanied by report number 5131533153 dated 21 June 2011 from GIA stating that the cushion modified brilliant-cut diamond weighs 0.64 carats and is a natural diamond of fancy light yellow colour with even distribution and VVS1 clarity 1182. A loose pear-shaped diamond weighing 1.62ct, accompanied by a ring mount
30
£1,000-2,000
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1167
1168 1170
1171
1169
1178
1175
1172 1181 1176
1179
1173
1174
1177
1180
1182
31
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1183. A sapphire and diamond cluster ring, the cushion-shaped sapphire millegrain-set within a surround of twelve old circular-cut diamonds in platinum, size L £1,000-1,500 1184. A sapphire and diamond ring, the oval-shaped sapphire weighs approximately 6.80cts and is set within carved and pierced diamond-set coronet mount, plain white gold shank, size N½, Garrard case £1,500-2,000 Accompanied by report number 78139-96 dated 25 January 2018 from GCS London stating that the oval-cut sapphire weighs approximately 6.80cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1185. An emerald and diamond quatrefoil ring, the central emerald-cut emerald is set within four old circular-cut diamonds, claw-set in white gold, size R £800-1,200 1186. A diamond solitaire ring, the old cushion-shaped diamond weighs approximately 1.50cts, set within diamond shoulders in white gold, size J½ £2,000-3,000 1187. A diamond cluster ring, the centre old circular-cut diamond weighs approximately 1.60cts and is set with six smaller circular-cut diamonds in gold, size M £1,500-2,000 1188. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within a surround of circularcut diamonds in platinum, scroll pierced under-bezel, obscure mark (probably French control mark), size M, case £1,500-2,000 1189. An Edwardian pink topaz and peridot fringe necklace, on a yellow gold circular-link chain with yellow gold fine-link back chain, 39cm £800-1,200 1190. An opal and diamond cluster ring, the solid white opal is set within a border of circular-cut diamonds in yellow gold, size P £1,500-2,000 1191. A pair of opal and diamond cluster earrings, the oval solid white opal cabochons are claw-set within a border of circular-cut diamonds in platinum and yellow gold, 15mm long, post fittings £600-800 1192. A purple sapphire and diamond cluster brooch, set with an oval-shaped purple sapphire within a border of old circular-cut diamonds millegrain-set in platinum and yellow gold on a bar brooch, 5.4cm wide, case £800-1,200 1193. A diamond bar brooch, set with seven graduated old cushion-shaped diamonds on yellow gold knifeedge mount, 5.4cm wide £2,000-3,000 1194. A Victorian pearl necklace, the two-row necklace is separated with a ruby and diamond cluster, a pearl and diamond cluster and a sapphire and diamond cluster in silver and gold, with a diamond cluster £600-800 clasp, the necklace 38cm long, case Provenance: Lady Arabella Stagg 1195. A small Edwardian rectangular brooch, millegrain-set overall with cushion-shaped and rose-cut diamonds in platinum, 2.7cm wide £400-600 1196. An Edwardian aquamarine and diamond pendant, the oval-shaped aquamarine is millegrain-set in platinum and yellow gold, suspended from a knife-edge link and an old circular-cut diamond. On fine-link £500-700 platinum neck chain, pendant 3.8cm long, chain 40cm long, case 1197. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.00cts and is set in platinum and yellow gold, size K £800-1,200 1198. A pair of cultured pearl and diamond drop earrings, the circular drops set with old cushion-cut diamonds and a cultured pearl, suspended from diamond tops in silver and gold, 3.4cm high £2,500-3,000 1199. A pair of sapphire and diamond cluster earrings, the oval-shaped sapphires are millegrain-set within concentric borders of circular-cut diamonds in white gold, 18mm long, post and clip fittings £2,000-3,000 1200. A diamond five-stone ring, set with graduated old cushion-shaped diamonds in platinum, size U £200-300 1201. A diamond half-hoop ring, set with graduated circular-cut diamonds and diamond pointers in platinum, size N½ £300-400 1202. A Belle Époque pearl and diamond pendant, of circular form with scallop-edged diamond-border, pierced with giardinetto and diamond swag decoration, stitched onto wide black velvet collar decorated with untested pearls, the pendant 4cm wide, the collar 40cm long £1,500-2,000
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1186 1185
1183
1187
1184
1188
1190
1189
1191
1192
1195
1193
1197 1194
1196
1202
1198 1201 1199 1200
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1203. A pair of natural pearl and diamond cluster earrings, one set with a black button pearl, the other with a white button pearl, within circular and marquise-shaped concentric surround, set in white gold, clip fittings, 2cm diameter £3,000-4,000 Accompanied by report number 78132-33 dated 5 December 2017 from GCS, London stating that the black and white pearls weigh 5.06 and 5.90cts, as stated by the client, and are natural saltwater pearls with no indications of treatment 1204. A scallop pearl and diamond ring, the purple scallop pearl is set with a diamond within circular-cut diamond shoulders in platinum, size O½ £850-950 1205. A three-row natural pearl necklace, slightly graduated pearls with an emerald and diamond-set platinum clasp, 37cm £800-1,200 Accompanied by report number 78144-91 dated 28 February 2018 from GCS, London stating that the cream pearls measure 3.5 - 5.7mm approx. and are natural saltwater pearls with no indications of treatment. 1206. A single-row natural pearl necklace, the pearls graduate from 2.22 to 7.06mm with millegrain-set diamond cluster clasp, 42cm long £800-1,200 Accompanied by report number 12104 dated 11 December 2015 from The Gem and Pearl Laboratory, London stating that the 97 pearls measure 1.9 - 7.0mm and are natural saltwater with no indications of treatment. 1207. A single-row graduated natural pearl necklace, with a pearl-set diamond cluster clasp in yellow gold, 43cm long £600-800 Accompanied by report number 08772 dated 22 October 2013 from The Gem and Pearl Laboratory, London stating that the 100 pearls measure 2.2 - 6.3-6.8mm and are natural saltwater, with the exception of two beadnucleated cultured pearls 1208. A two-row natural pearl necklace, the pearls graduate from 3.1 to 7.5mm, set with a ruby and diamond cluster clasp in platinum and gold, 40cm long £2,000-3,000 Accompanied by report number 78144-90 dated 28 February 2018 from GCS, London stating that the cream pearls measure 3.1-7.5mm and are natural saltwater with the exception of 2 beaded cultured pearls 1209. A single-row pearl necklace, the pearls graduate from 4.08 to 8.86mm, with a seed pearl and peridot cluster clasp set in yellow gold, the necklace 58cm long £1,000-2,000 Accompanied by report number 12106 dated 11 December 2015 from The Gem and Pearl Laboratory, London stating that the 85 pearls measure 4.0 - 8.5-8.8mm and are natural saltwater, with the exception of two beadnucleated pearls 1210. A single row natural pearl necklace, the pearls graduate from 3.9 to 5mm with a cushion-shaped diamond clasp set in a silver cut down collet, 44cm long £300-400 Accompanied by report number 78143-75 dated 20 February 2018 from GCS, London stating that the cream pearls measure 3.9 - 5.0mm and are natural saltwater pearls with no indications of treatment 1211. A single-row natural pearl necklace, the pearls graduate from 3.1 to 6.3mm, with a diamond cluster clasp set in platinum and gold, 44cm long £600-800 Accompanied by report number 10835 dated 11 February 2015 from The Gem and Pearl Laboratory, London stating that the 78 pearls measure 3.1-3.5 x 5.4-6.3mm and are natural saltwater 1212. A single-row pearl necklace, the pearls graduate from 2.36 to 6.21mm, no clasp, 49cm long £800-1,200 Accompanied by report number 12042 dated 24 November 2015 from The Gem and Pearl Laboratory stating that the pearls measure 2.3 - 6.1mm and are natural saltwater 1213. A long natural pearl necklace, the single row of pearls measure 1.8 to 3.0mm, with a rose-cut diamond-set clasp in silver, the necklace 200cm long £1,000-2,000 Accompanied by report number 12103 dated 11 December 2015 from The Gem and Pearl Laboratory, London stating that the 655 pearls measure 1.8- 3.0mm and are natural saltwater 1214. A loose button-shaped non-nacreous pearl, weighing 33.03cts
£5,000-7,000
Accompanied by report number 78142-67 dated 14 February 2018 from GCS, London stating that the cream pearl weighs 33.03cts and is a natural non-nacreous saltwater pearl with no indications of treatment 1215. A loose brown drop-shaped non-nacreous pearl, weighing 13.94cts
£1,000-2,000
Accompanied by report number 78142-69 dated 14 February 2018 from GCS, London stating that the brown pearl weighs 13.94cts and is a natural non-nacreous saltwater pearl with no indications of treatment
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1203
1204 1205
1206
1207
1208
1209
1210
1211
1212 1215
1214
1213
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1216. A tank track gold bracelet, formed from oval polished yellow gold links, 19cm long, 45g, Asprey case £500-700 1217. A fancy-link gold necklace by Garrard, designed as interlocking oval-shaped links with pellet decoration, 43cm long, with a matching bracelet £4,000-5,000 1218. A ruby and diamond rosebud brooch, the stylised rose with a channel-set ruby stem, the leaves set £400-600 with diamonds and a diamond stamen in bi-colour gold, 6.5cm long 1219. A stylised gold bird brooch, the body formed from a solid white opal cabochon, in yellow gold and platinum, set with circular-cut diamond decoration and an oval-shaped ruby eye, the bird perched on a diamond-set branch, 4.2cm high £600-800 1220. A pair of ruby-set gold earrings by Cartier, each scroll-form yellow gold earring set with five circular£1,500-2,000 cut rubies, signed Cartier Italy, 2.5cm high 1221. A sapphire and diamond-set ring, the four oval-shaped sapphires set with ten small shoulder diamonds in yellow gold, size N½ £800-1,200 1222. A French Odeonesque ruby and diamond ring, 1940s, set with a line of graduated old circular-cut diamonds in platinum, the principal diamond within a border of calibré-cut rubies, in yellow gold fluted mount, £600-800 French control marks, size O½ 1223. An yellow gold textured bombé ring, size Q½, with a pair of matching earrings, maker’s mark MG, post and clip fittings, 2.5m high £500-700 Believed to have been purchased from Chaumet, c.1960. 1224. A pair of diamond-set black onyx-mounted gold earrings by Chaumet, the two curved onyx sections each divided by lines of round brilliant-cut diamonds in yellow gold, signed Chaumet London, 3cm high £1,500-2,000 1225. A pair of ladybird earrings, realistically formed and set with gold pellets to the red enamel, diamond eyes, mounted in yellow gold £600-800
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1217
1223
1222 1216
1218
1221
1224 1220 1219 1225
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1226. A group of Italian 19th century carved coral ornaments with Royal provenance, comprising a winged putto with brooch mount, 6cm wide, a bulbous-form scent bottle with acanthus decoration and bead stopper, 4cm high, a carved basket earring with gold hinged hoop, 2cm wide and a carved jug pendant, 2.5cm high £800-1,200 Ex Lot 817 - Silver, Furniture and Works of Art from the Collection of H.R.H. The Princess Margaret, Countess of Snowdon. Christie’s, London, 14 June 2006. Accompanied by a leather-bound certificate of provenance from Kensington Palace 1227. A 19th century micromosaic suite of jewellery, comprising a brooch/pendant set with a circular micromosaic plaque depicting doves amongst foliage within red and blue quatrefoil tesserae with ropetwist decoration and further micromosaic bale in yellow gold, glazed locket compartment to reverse, 3.8cm high, with a matching pair of earrings, 6.4cm high, case £4,000-6,000 1228. A Victorian opal-set gold snake ring, the stylised serpent set with a cabochon opal to its head and diamond eyes, size K £200-300 1229. A French gold and enamel long guard chain, the fancy links set with ten red enamel lozenges, French control mark, 146cm long, 30g £400-600 1230. A French Art Nouveau dragon brooch with pendant hook, formed as a writhing winged dragon and set with small diamonds, French control marks, maker’s mark EP?, 3cm high £1,000-1,500 1231. An early 19th century gold cruciform pendant, set with five oval-shaped green pastes, seed pearls and centred with a circular cabochon garnet, wth scrolled borders on matt ground, detachable gold pendant £400-600 loop set with a cabochon garnet, 11.5cm high (including bale) 1232. A gold mounted carnelian brooch by Castellani, the oval carnelian with lobed decoration and set in a plain gold mount, 2cm wide, inverted C signature to the reverse, case by S. J. Phillips £500-700 1233. An early 19th century garnet ring, the large oval cabochon garnet mounted in three-coloured gold with foliate decoration, size M £200-300 1234. A 19th century Etruscan revival amethyst and diamond pendant, the oval plaque set with a central oval-shaped amethyst set with diamonds within pellet and ropetwist border and white enamel decoration, suspended from an amethyst and white enamel bale in yellow gold, 6cm long, fitted case £600-800 Provenance: The Lady Jean and Mr Robin Mackenzie 1235. A sapphire and pearl-set gold bar brooch by Wièse, with pierced Celtic-style decoration and centred £4,000-6,000 with cabochon sapphire and two shoulder pearls, signed, 5.5cm wide, fitted case 1236. A 19th century foliate link necklace, each articulated gold quatrefoil link with white enamel pellet decoration to the red enamel petals, 36.5cm, fitted case £1,500-2,000
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1226
1230
1231
1228 1227 1229
1233
1234
1232 1235
1236
39
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1237. A turquoise and diamond cluster brooch, set with graduated turquoise and diamond clusters in white gold, 6.2cm long £4,000-5,000 1238. An aquamarine and diamond ring, the emerald-cut aquamarine is set within stepped shoulders set with circular-cut diamonds in platinum, size M½ £800-1,200 1239. An emerald and diamond cluster ring, the emerald-cut emerald is set within a surround of graduated circular-cut diamonds, with marquise-shaped diamonds to the shoulders in trifurcated platinum mount, size N £4,000-6,000 1240. A tank track yellow gold band ring by Cartier, numbered CM5204, signed Cartier and marked 750, size T £400-600 1241. A gold ‘Love’ bangle, by Cartier, the polished oval band set with screwhead motifs, signed Cartier and numbered BB7459 (the screw which holds the bangle closed is missing) 6.2cm inner diameter £1,500-2,000 1242. A pair of aquamarine and diamond drop earrings, the pear-shaped aquamarines set within a surround of round brilliant-cut diamonds and suspend from an articulated line of ten round brilliant-cut and baguette-shaped diamonds in white gold, 4.5cm long £1,200-1,500 1243. A diamond line bracelet, set with forty six round brilliant-cut diamonds weighing approximately £600-800 6.40cts in total in yellow gold setting, 18.5cm long 1244. A pair of amethyst and diamond drop earrings, the pear-shaped amethysts suspend from a line of six round brilliant and two baguette-shaped diamonds with seven further diamonds to the suspension mount in white gold, 5.3cm long £1,000-1,500 1245. A fancy-link gold bracelet by Theo Fennell, comprising 18ct yellow gold alternating oval and crosslink sections, 22.5cm long, case by Theo Fennell £500-700 With original insurance valuation from Theo Fennell dated 1994. 1246. A pair of pear-shaped tourmaline-set gold earrings by Angela Cummings, c.1984, within black onyx inlaid chequerboard design, post and clip fittings, 2.7cm high £2,000-3,000 1247. An abstract gold brooch by Margaret Turner, set with a citrine, an aquamarine, two smokey quartz, a garnet and three green tourmalines, claw-set within liquified gold surround, maker’s mark to reverse and the millenium hallmark for London, 18ct gold, 6.7cm wide £1,500-2,000 1248. An opal and diamond cluster ring, the solid white oval-shaped opal is set within concentric surround of graduated circular-cut diamonds in white gold knife-edge mount, size N £1,200-1,500 1249. A diamond solitaire ring, the round brilliant-cut diamond is claw-set in platinum and and plain yellow gold shank, size O £3,000-4,000 1250. A sapphire and diamond three-stone ring, the cushion-shaped sapphire is set within triangularshaped shoulder diamonds in platinum, London marks for platinum, 2010, size O £1,500-2,000 1251. An emerald and diamond ring, the emerald-cut emerald is set with seven small circular-cut diamonds £2,000-3,000 to each shoulder in white gold, size J (with re-sizing balls) 1252. A sapphire and diamond cluster ring, the cushion-shaped sapphire is set within semi-circular shoulder diamonds, millegrain-set in diamond surround, in carved and pierced platinum mount, London marks for 1965, size L £4,000-6,000 1253. A pair of pearl and diamond drop earrings, of abstract design, the upper sections set with diamonds and suspending a large cultured pearl decorated with a diamond-set cap and articulated diamond drops, suspending a further diamond drop in white gold, the pearls approximately 16.80mm wide, the earrings 4.5cm long £1,600-2,000
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1238
1240 1239
1237 1241
1242
1243
1244
1245 1246
1247
1250
1248
1249
1252 1251 1253
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1254. A cultured pearl and diamond ring, the white cultured pearl is set within undulating border of tapered baguette-shaped diamonds and graduated circular-cut diamonds in white gold, inner re-sizing shank, approximately size K £1,500-2,000 1255. A French star sapphire ring, c.1940, the high-domed blue star sapphire cabochon is set within fluted yellow gold shoulders and concentric circular surround, French maker’s lozenge (possibly KT) and French £2,000-3,000 control marks, size M½ 1256. An emerald and ruby-set yellow gold ring, Monture Cartier, the cushion shaped emerald is set with small circular-cut rubies to the pierced mount, signed Monture Cartier, French marks and maker’s mark, size J½ £10,000-20,000 Accompanied by report number 78143-20 dated 19 February 2018 from GCS, London stating that the cushioncut emerald weighs approximately 6.30cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia Previously lot 477, Sotheby’s, 01.12.15 1257. A gold gaspipe collar necklace, the fluted and expanding links set in yellow gold, 40.5cm long, 58.7g £2,000-3,000 1258. A gold hinged bangle, of heavy twisted-rope form divided with fine twisted-rope decoration, obscure £1,500-2,000 marks (probably French control mark), internal diameter 5.5cm, 52g 1259. A French tank track gold bracelet, c.1940, the fancy tank track style links in yellow gold, French control mark, 19cm long, 84g £3,000-4,000 1260. A pair of diamond drop earrings by Kutchinsky, the diamond upper section suspending a figure of eight set with clusters of diamonds in 18ct white gold, signed Kutchinsky with London marks for 1981, 2.7cm long £800-1,200
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1254
1255
1256
1257
1260
1259 1258
43
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1261. A three-section silver ring by Wendy Ramshaw, the centre ring mounted with an intaglio carved with a forget-me-not within a border of six pellets on plain band, with two shoulder rings each with three matched channels, signed with initials W.R. and London marks for 1975, size N, perspex separating stand £100-200 1262. An amethyst and diamond-set gold pendant, c.1970, the oval-shaped amethyst mounted in a yellow gold abstract design mount with cross sections and set with eighteen round brilliant-cut diamonds with a yellow gold detachable necklace of conforming design, pendant 5.5cm long, necklace 64cm long, 127g total £2,000-3,000 1263. A pair of aquamarine and gold earrings, c.1970, the circular-cut aquamarines are set within concentric textured gold borders, 1.9cm diameter, clip fittings £800-1,200 1264. An 18ct yellow gold ring by Charles de Temple, set with three round brilliant-cut diamonds to the pierced textured foliate mount, London marks for 1979, signed C de T, size O £300-400 1265. An abstract 18ct gold ring by Charles de Temple, formed from layers of white and yellow gold tubular sections, London marks for 18ct, 1967, signed C de T, size S½ £600-800 1266. A diamond-set long guard chain, mounted with marquise-shaped, pear-shaped, square-cut, baguette-shaped and tapered baguette-shaped diamonds in platinum spectacle links, 112cm long £8,000-10,000 1267. A large circular pendant by Kutchinsky, the lapis lazuli disc mounted with textured and pierced yellow and white gold sections in lattice form, gold border, signed Kutchinsky to pendant loop, 6.5cm wide £1,500-2,000 1268. A square amethyst and gold pendant, c.1970, the textured gold is pierced and set with two pearshaped amethysts and circular and baguette-shaped diamonds in yellow gold, 6.7cm high £600-800 1269. A diamond-set abstract 18ct polished and textured yellow gold brooch by Kutchinsky, signed to the reverse with initial and marked for London, 1967, 5.5cm wide, 34g £3,000-4,000
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1265 1261
1264
1263
1262
1266
1267
1269 1268
45
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1270. A textured gold bracelet, c.1970, formed from undulated rectangular sections set with sapphires and diamonds (one stone missing) in yellow gold, 21cm long, 111g £1,000-2,000 1271. A textured 18ct gold bangle by Valerie Pickford, with tricolour gold applied decoration, Birmingham marks for 1974 and maker’s mark V.E.P, inner diameter 6cm, 88g £1,500-2,000 1272. A sapphire and diamond bracelet, designed as textured scallop-shaped links, each set with a circular£800-1,200 cut sapphire in yellow gold, signed Cartier Italy to the clasp and 18k, 18cm long 1273. A tourmaline-set 18ct gold ring by Valerie Pickford, the oval-shaped green tourmaline is set within pierced and textured yellow gold shank, with pellet decoration, Birmingham marks for 1975 and maker’s mark V.E.P, size P £500-700 1274. A lozenge-shaped tourmaline pendant, c.1970, the pink tourmaline segment set within textured £600-800 yellow gold border set with diamonds, 8.8cm high (including bale) 1275. An abstract diamond brooch, c.1970, set with graduated circular-cut diamonds in yellow gold, 8.2cm long, 24g £600-800 1276. A yellow gold stylised sunburst brooch, the cylindrical rays with striated decoration, 52g, 5.3cm wide £1,500-2,000 1277. A pair of 18ct gold amethyst cabochon earrings by Valerie Pickford, set within yellow gold pellet and scroll decorated surround, London marks for 1995 and maker’s mark V.E.P, 2.5cm wide, with a similar brooch set with a triangular-shaped amethyst and seed pearls, London marks for 1989 and maker’s mark V.E.P, 2.9cm wide £500-700 1278. An amethyst and diamond-set 18ct gold cluster ring by Valerie Pickford, the large oval-shaped amethyst is set within a border of eight circular-cut diamonds, yellow gold pellet decoration to shoulders on polished gold band, Birmingham marks to inner shank for 1975, maker’s mark V.E.P , size P £500-700
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1272
1270
1273
1271
1276
1274
1275
1277 1278
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1279. A sapphire and diamond three-stone ring, the cushion-shaped sapphire set with two old brilliantcut shoulder diamonds and four rose-cut diamonds in yellow gold with scroll pierced shoulders, size O £1,200-1,500 1280. A diamond five-stone ring, the graduated old circular-cut diamonds set with diamond pointers in carved and pierced yellow gold shank, size M½ £800-1,200 1281. A chrysoberyl cat’s eye and diamond cluster ring, the oval-shaped cat’s eye with strong chatoyancy £600-800 set within a surround of twelve old circular-cut diamonds in yellow gold, size Q 1282. A 19th century sapphire five-stone ring, set with graduated oval-shaped sapphires with diamond pointers in carved yellow gold mount, size N½ £1,500-2,000 1283. A spinel and diamond ring, the cushion-shaped red spinel set with three small cushion-shaped £1,000-1,500 diamonds to each shoulder, yellow gold mount, stamped 2.37ct, size J 1284. A sapphire and diamond bracelet, of openwork design and set with a line of old circular-cut diamonds and oval-shaped sapphires in gold, 18cm long £2,500-3,500 1285. An early 20th century gem-set long guard chain, set with seventeen circular and oval-shaped gemstones including zircons, garnets, sapphires and a chrysoberyl, in yellow gold collets on fine-link neck chain, 120cm long £2,000-3,000 Accompanied by report number 78141-62 dated 8 February 2018 from GCS London stating that the stones include: 20.00cts of yellow zircons, 3.70cts of brown zircons, a 2.20ct green zircon, 5.00cts of sapphires, an 8.00ct yellow sapphire, 3.70cts of rhodolite garnets, a 3.70cts chrysoberyl and a 1.00ct hessonite garnet. 1286. An opal and diamond cluster brooch, the oval-shaped opal set within a surround of fifteen old circular-cut diamonds in yellow gold, 2.5cm wide £2,500-3,000 1287. A Victorian suite of amethyst-mounted gold jewellery, the necklace mounted with graduated ovalshaped amethysts in silver and gold cut-down collets, the centre link with hinged pendant loop, 42cm, with conforming bracelet formed with graduated amethysts in similar mounts, 17.5cm, the cruciform pendant brooch with four principal oval-shaped amethysts each separated by smaller amethysts in gold, 5cm high £1,500-2,000 Provenance: Sold by Woolley and Wallis 30th April 2009. From the estate of the late Olga Davenport.
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1284
1279
1280
1285
1281
1282
1286 1283
1287 (3)
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1288. An abstract bi-colour gold bracelet, c.1940, with alternating yellow and white gold links, the yellow gold links channel-set with a central line of baguette-shaped citrines, stamped 585, 18cm long £1,500-2,000 1289. A French gold scroll bracelet, c.1940, the pierced gold scrolls set in yellow gold, French control marks and rubbed maker’s lozenge, 18cm long £2,200-3,000 1290. A pair of French sapphire and diamond scroll earrings, c.1940, set with circular-cut diamonds and calibré-cut sapphires in platinum and yellow gold, French control mark and rubbed marker’s lozenge, 2.5cm long, post and clip fittings £2,200-3,000 1291. A pair of 1940s citrine-set gold ear clips, each set with five square-shaped citrines graduating from dark to light in stepped yellow gold mount, 1.8cm high £800-1,200 1292. A sapphire and diamond cluster ring, c.1950, the six curved branches set with tapered baguette and rhomboid-shaped sapphires each separated with a circular-cut diamond in yellow gold, size K½ £1,500-2,000 1293. A French invisibly-set sapphire and diamond dress ring, c.1940, of architectural design, set with a central line of circular-cut diamonds in platinum flanked with gold scrolls and invisibly-set calibré-cut sapphires to the shoulders, in polished yellow gold, French control marks, with inner re-sizers, size H½ (approx.) £1,500-2,000 1294. A French amethyst and citrine ring, c.1960, set with an oval-shaped amethyst and an oval-shaped citrine within fluted yellow gold mount and bifurcated gold shank, French control marks and rubbed maker’s lozenge, size J £500-700 1295. A pair of amethyst and turquoise ear clips, c.1950, set with graduated emerald-cut and circular-cut amethysts and turquoise cabochons in yellow gold, clip fittings, 3cm wide £2,000-3,000
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1288
1289 1290
1291
1292
1293
1294
1295
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1296. An aquamarine clip brooch, set overall with oval-shaped aquamarines and an octagonal-shaped aquamarine within white stones, in platinum, 3.4cm high £500-700 1297. A diamond-set dog’s head brooch, pavé-set with circular-cut diamonds, yellow cabochon eye and enamel decoration to its teeth and tongue, 2.5cm high £400-600 1298. An Art Deco diamond cocktail wristwatch, the rectangular dial with Arabic numerals within baguette-shaped and circular-cut diamond case and further diamonds set to the bracelet in platinum, 17.2cm long £1,500-2,000 1299. A diamond line bracelet, set with thirty-five round brilliant-cut diamonds in rectangular scroll-carved platinum mount, 18.3cm long £2,500-3,500 1300. An Art Deco rock crystal and diamond brooch, the rock crystal circle set with geometric terminals, millegrain-set with diamonds in platinum and white gold, 5.5cm long £3,500-4,500 1301. A French early 20th century turquoise and diamond bar brooch, channel-set with buff-top turquoise cabochons and cushion-shaped diamonds in platinum, French control marks and illegible maker’s lozenge, with inventory number 54357, 6cm long £100-200 1302. A geometric design diamond brooch, pierced and millegrain-set with graduated old circular-cut and baguette-shaped diamonds in platinum and white gold, 5.2cm long £1,500-2,000 1303. An Art Deco diamond-set double clip brooch, set overall with graduated circular and baguette-shaped diamonds in platinum, 5.5cm wide £2,000-3,000 1304. An Art Deco diamond-set double clip brooch, 1930s, each scroll section pavé-set with graduated circular-cut and baguette-shaped diamonds in platinum, 6cm wide £3,000-4,000 1305. An Art Deco diamond-set double-clip brooch incorporating a figure of Lupino Lane, dressed as cockney barrowboy Bill Snibson from the musical Me and My Girl, the figure millegrain-set with circular diamonds with enamel face and hand in the thumbs-up position, both top corners designed with ‘Oi!’, set overall with circular-cut and baguette-shaped diamonds with symmetrical scroll design in platinum, the two side sections detach as separate clips, 5.7cm wide £2,000-3,000 Provenance: Lupino Lane commissioned this jewellery for his wife, the actress Violet Blythe. It was subsequently inherited by his granddaughter, who offers it for sale. 1306. A circular cabochon ruby and diamond ring, the ruby set with two baguette-shaped shoulder diamonds in white gold, size L £2,000-3,000 1307. A natural pearl and diamond ring, the pearl set with a cluster of graduated circular-cut diamonds to each shoulder in platinum, size N½ £2,000-3,000 Accompanied by report number 78146-78 dated 14th March 2018 from GCS, London stating that the pearl is natural saltwater 1308. A sapphire and diamond ring, the oval shaped sapphire weighs approximately 3.37cts, set with two cushion-shaped diamonds to each shoulder in platinum and yellow gold, size J £2,500-3,500 Accompanied by report number 78141-83 dated 7 February 2018 from GCS, London stating that the oval-cut sapphire weighs 3.37cts and is a natural sapphire with no indications of heat treatment. Origin: Burma 1309. An Art Deco synthetic sapphire and diamond ring, with a centre raised section millegrain-set with circular-cut diamonds giving the illusion of a synthetic sapphire cylinder beneath, rose-cut diamond border and set in platinum, size R £2,000-3,000 1310. An Art Deco diamond and black onyx rectangular plaque ring, set with a central old circular-cut diamond weighing approximately 0.85cts on black onyx ground, within a millegrain-set border of circular-cut diamonds in platinum, size M £1,500-2,000 1311. A pair of diamond drop earrings, the graduated old circular-cut diamonds are millegrain-set suspending two graduated circular cartwheels in platinum and yellow gold, the principal stones weigh approximately 2.00cts in total, the earrings 3.9cm high £4,000-6,000 1312. A pair of sapphire and diamond drop earrings, the articulated line of graduated old circular-cut diamonds suspends a pear-shaped section millegrain-set with circular-cut diamonds and calibré-cut sapphires, pierced and set with a central circular-cut diamond in white gold, 5cm long £3,000-4,000 1313. A diamond-set full circle eternity ring, millegrain-set with small cushion-shaped diamonds in platinum, size M½ £300-400 1314. An emerald and diamond three-stone ring, the emerald-cut emerald is set within long baguette-shaped shoulder diamonds in platinum and gold, size L £3,000-4,000 Accompanied by report number 78146-81 dated 14th March 2018 from GCS, London stating that the emerald is natural with indications of minor clarity enhancement. Origin: Colombia 1315. An aquamarine and diamond ring, the rectangular-shaped aquamarine set in platinum with six small shoulder diamonds, size R £500-700 1316. A natural pearl and diamond-set ring, the natural pearl set with six baguette shaped diamonds to each shoulder in platinum, size R £600-800
52
Accompanied by report number 78132-24 dated 6 December 2017 from GCS London stating that the cream pearl measures approximately 7.2 -7.4 x 5.6mm and is a natural saltwater pearl with no indications of treatment.
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1296 1306
1305 1307
1297 1308
1304
1309
1310
1303
1311
1302 1298 1316 1301 1312
1315
1299 1314
1300
1313
53
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1317. A Victorian gem-set bird brooch, the two stylised birds are set with turquoise bodies and pavé-set with diamonds in silver and gold, on a gem-set gold branch, 4.7cm long £300-400 1318. A Victorian foliate diamond brooch, pavé-set with graduated old cushion-shaped diamonds in silver and gold, the flowerhead section mounted en tremblant, 6.1cm long £1,000-2,000 Accompanied by original invoice from Tessiers, London, dated 26 April 1955 1319. A late Victorian ruby and diamond dragonfly brooch, the abdomen and thorax set with graduated cushion-shaped rubies, with emerald eyes, the wings pierced and pavé-set with rose-cut diamonds and further rubies in silver and gold, 7cm wide £3,000-4,000 1320. A late 19th century lizard brooch, of realistic gecko form and pavé-set with graduated circular-cut diamonds and a centre line of graduated circular-cut peridots, emerald eyes, mounted in silver and gold, 8cm £3,500-4,500 long, fitted case 1321. A late Victorian diamond star brooch, set with a central old cushion-shaped diamond within a border of graduated old cushion-shaped diamonds in silver and gold, 5cm diameter £5,000-7,000 1322. A late Victorian turquoise flowerhead brooch, set with heart-shaped turquoise cabochons, within a border millegrain-set with graduated old circular-cut diamonds and a central old circular-cut diamond in silver and gold, 3cm diameter, detachable brooch fitting and folding pendant loop £1,200-1,500 1323. A novelty gold brooch in the form of a donkey, pavé-set with rose-cut diamonds in silver and gold and decorated with green garnets, rubies and sapphires, on yellow gold bar brooch, 4.4cm wide £600-800 1324. An early 20th century ruby and diamond shamrock brooch, the two interlocking trefoils set with a central pear-shaped ruby within a border of circular-cut diamonds in platinum and gold, 4cm wide £2,000-3,000 Accompanied by report number 78144-87 dated 28 February 2018 from GCS, London stating that the pearcut rubies weigh approximately 2.70cts total and are natural rubies with no indications of heat treatment. Origin: Burma 1325. An opal and diamond-set open crescent brooch, set with graduated oval-shaped opals, each separated with a pair of circular-cut diamonds in yellow gold, 8cm £800-1,200 1326. A late Victorian diamond-set flower brooch, the petals set overall with diamonds, the stamen formed as articulated lines of graduated cushion-shaped diamonds in silver and gold cut-down collets, 7.5cm long £1,000-1,500 1327. A late Victorian ruby and diamond hinged bangle, centred with a cushion-shaped ruby cluster within a surround of cushion-shaped diamonds and further cushion-shaped diamonds to the shoulders £3,000-4,000 Accompanied by report number 78146-80 dated 14th March 2018 from GCS, London stating that the ruby is natural with no indications of heating. Origin: Burma 1328. A Victorian turquoise and diamond cluster ring, the oval turquoise cabochon is set within a surround of old cushion-shaped diamonds and diamond shoulders in yellow gold, size L £800-1,200 1329. An opal and diamond cluster ring, the oval-shaped cabochon opal (crazed) set within a surround of £600-800 eighteen circular-cut diamonds in platinum, size L, case for Purser (Pickett) of Southampton 1330. A Victorian navette-shaped diamond ring, set overall with graduated cushion-shaped diamonds in silver and gold, size L½ £400-600 1331. A sapphire and diamond three-stone ring, the circular-cut sapphire is set within two cushion-shaped diamonds in white gold, size N½ £600-800 1332. A pair of untested pearl and diamond drop earrings, the pearls set within a surround of circular-cut diamonds, suspended from a line of millegrain-set diamonds and a further diamond cluster in platinum and gold, screw fittings, 3.2cm long £300-400
54
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1321
1317
1322
1320
1323
1318
1319 1324
1325
1326 1327
1328
1332 1329
1330
1331
55
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1333. A yellow sapphire pendant, the large oval-shaped sapphire is rubover-set in yellow gold and suspends on knife-edge gold links from a smaller oval-shaped sapphire, on fine-link yellow gold neck chain, pendant 4.5cm long, chain 41cm long £3,000-4,000 Accompanied by report number 78131-30 dated 28 November 2017 from GCS London stating that the ovalcut yellow sapphires weigh approximately 4.10 and 18.20cts and are natural sapphires with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1334. A Belle Époque aquamarine and diamond brooch, the large oval-shaped aquamarine is set within pierced foliate surround set with old cushion-shaped and rose-cut diamonds in platinum, 6cm long £6,000-8,000 1335. A French Belle Époque pearl and diamond bow brooch, the centre pierced and millegrain-set with graduated old circular-cut diamonds, the stylised outer ribbons formed from graduated plaited pearls in platinum, French maker’s mark LM, 6cm wide case by Mallet £1,500-2,000 1336. A pair of early 20th century aquamarine and diamond drop earrings, the pear-shaped aquamarines set in pierced yellow gold mounts and suspend form an articulated foliate line of diamonds, 3.2cm long, case by Asprey £600-800 1337. A French diamond three-stone ring, the three old circular-cut diamonds weigh approximately 4.00cts in total, set within cross-over platinum mount, French control marks and rubbed maker’s lozenge, approximately size G½ - I½ (inner re-sizing band) £6,000-8,000 1338. A pair of diamond stud earrings, the round brilliant-cut diamonds weigh approximately 1.50cts total £5,000-6,000 and are set in platinum coronet mounts millegrain-set with small diamonds 1339. A natural pearl and diamond ring by Bulgari, the white pearl is set within stylised fleur-de-lys diamond-set shoulders, in platinum, signed Bulgari to inside shank, size O £5,000-10,000 Accompanied by report number 299268 dated 4 October 2013 from Laboratoire Francais de Gemmologie, Paris stating that the half-drilled white pearl measures 9.8 - 10.2 x 9.6mm and is natural saltwater 1340. An opal and diamond cluster ring, the solid white opal cabochon is set within a graduated border of old cushion-shaped diamonds in platinum and gold, size O £4,000-6,000 1341. A ruby and diamond flowerhead cluster ring, the oval-shaped ruby is set within diamond-set petals in white gold, signed Jabel to interior, size M £3,000-4,000 Accompanied by report number 78145-02 dated 26 February 2018 stating that the cushion-cut ruby weighs approximately 1.30cts and is a natural ruby with no indications of heat treatment. Origin: Burma 1342. An opal and diamond pendant, the oval-shaped opal is set in a white gold mount and suspends from a mount set with eight diamonds, on a fine-link white gold neck chain, pendant 4cm high £2,000-3,000 1343. A diamond cluster ring, the graduated old circular-cut diamonds weigh approximately 2.60cts in total, claw set in platinum and yellow gold, the shank hallmarked for 18ct gold, Birmingham 1977, size M £2,000-3,000 1344. A Belle Époque diamond-set foliate pendant, alternately-set with a line of diamond flowerhead clusters and single diamonds, the three flowerheads each suspend articulated laurels millegrain-set with £8,000-12,000 graduated old circular-cut diamonds in white gold, 5.8cm high
56
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1344
1343
1342
1341
1340 1339
1333 1338
1337
1336
1334
1335
57
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1345. A George III garnet-set gold suite of jewellery, comprising a rivière necklace, set with cushionshaped garnets in closed-back gold cut-down collets, the garnets graduate from 8mm to 15mm wide, the necklace 42cm long, with a detachable crucifix pendant, 6.7cm long, and a pair of matching garnet drop earrings, in yellow gold, 4.2cm long, screw fittings, fitted case by Payne & Son £3,000-4,000 1346. A diamond rivière necklace, the graduated old circular-cut diamonds are set in closed-back silver and gold cut-down collets, the principal stone weighs approximately 0.95cts, 40cm long £10,000-20,000 1347. A large George III citrine fob pendant, the cushion-shaped citrine is set in a yellow gold collet and suspends from a gold split ring, 6.7cm long, case £400-600 1348. A quatrefoil early 19th century diamond brooch pendant, set with a central old pear-shaped diamond which weighs approximately 1.22cts, within a surround of old cushion-shaped and rose-cut £3,000-4,000 diamonds in silver and gold cut-down collets, detachable brooch fitting, 4cm long 1349. A 19th century pink topaz cross pendant, the fancy-cut topaz set in gold collets, with gold pendant loop, 4cm high £500-700
58
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1345 (4)
1346
1349 1348 1347
59
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1350. A French Art Deco circular brooch, set with carved sections of black onyx within borders of small circular-cut diamonds in white gold, French control marks, 4cm wide, fitted box by Bolin £3,000-4,000 1351. An opal and diamond brooch, the solid black opal cabochon is claw-set within a border of single-cut diamonds and four calibré-sut sapphires millegrain-set in platinum, 2.5cm wide, case £1,200-1,500 1352. An impressive pair of Art Deco ruby and diamond clip brooches, each scroll brooch pavé-set with graduated round brilliant-cut diamonds within borders of larger graduated brilliant-cut and baguette-shaped diamonds, the counterpart set with graduated ruby cabochons, both join to form a single brooch, platinum mount, 7cm long £15,000-20,000 Accompanied by report number 78146-75 dated 14th March 2018 from GCS, London stating that the rubies are natural with no indications of heating, moderate amounts of oil in fissure. Origin: Burma
1353. An Art Deco coral, onyx and diamond-set ring, the sugarloaf-shaped coral is set within a surround of black onyx and small diamonds to the bifurcated shoulders in platinum, size M £1,000-1,500 1354. A ruby and diamond bracelet, set with a line of graduated circular-cut rubies within a border of scrolling diamond sections, baguette-shaped and single circular cut diamonds in platinum, 16.2cm long £6,000-8,000 1355. An Art Deco sapphire and diamond bracelet, set with a central line of baguette-shaped sapphires and two lines of old circular-cut diamonds, millegrain-set in platinum, 17.5cm long, 7mm wide £2,000-3,000 1356. An Art Deco lapis lazuli diamond and enamel ring, of geometric design, set with a central old circularcut diamond within a carved lapis lazuli semi-spherical section and a border of black enamel and diamonds, set in platinum and white gold, size N½ £800-1,200 1357. A carnelian and diamond bow brooch, c.1950, the ribbon ends formed from carved carnelian sections, tied to the centre with circular and tapered baguette-shaped diamonds millegrain set in platinum and white gold, maker A.F.B, 5.4cm wide £2,000-3,000 1358. An Art Deco amethyst ring, the hexagonal-shaped amethyst set with a scroll of graduated baguetteshaped diamonds to each shoulder with cabochon emerald terminals, platinum mount, size M £1,500-2,000 1359. An diamond half hoop ring, set with five graduated baguette-shaped diamonds and fleur-de-lys shoulders in platinum and white gold, size N £1,000-1,500 1360. A pair of Art Deco sapphire and diamond double clip brooches, the rectangular clips channel-set with calibré-cut sapphires and decorated with diamond swags and baguette-shaped diamonds in platinum and gold, each clip 2.8cm long £2,000-3,000 1361. An Art Deco sapphire and diamond ring, the emerald-cut sapphire is set with graduated baguetteshaped and circular-cut diamond shoulders in platinum, size R½ £3,000-4,000 Accompanied by report number 78132-25 dated 6 December 2017 from GCS London stating that the octagonalcut sapphire weighs 8.50cts and is a natural sapphire with no indications of heat treatment. Origin: Burma 1362. An early 20th century diamond bow brooch, pavé-set with graduated old cushion-shaped diamonds in platinum, 4cm wide, case £200-300
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1350
1354
1351
1352
1355
1353
1356
1357
1359
1358 1360
1362
1361
61
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1363. A sapphire and diamond half-hoop ring, set with three graduated oval-shaped sapphires and two circular-cut diamonds in carved and pierced yellow gold mount, size M½, case £800-1,200 1364. An early 19th century moonstone and diamond-set shamrock brooch, each leaf mounted with a heart-shaped shamrock with rose-cut diamond border in silver and gold, 2.8cm high £1,000-1,500 1365. A late 19th century pink topaz and diamond bee brooch, the body formed from a circular-cut and pear-shaped pinktopaz, with diamond-set wings and demantoid garnet eyes, in silver and gold, 3.8cm wide, the hinged wings can be squeezed to open the brooch clips £2,000-3,000 1366. A Victorian zircon and diamond bee brooch, the body formed from a cushion-shaped yellow zircon and a cushion-shaped ruby, with graduated cushion-shaped diamonds to the wings in silver and gold, 4.4cm high £1,500-2,000 1367. A late Victorian diamond riviere necklace, set with graduated old circular-cut diamonds, the principal stone weighs approximately 0.71cts, set in silver and gold cut down collets, with a folding pendant loop and diamond clasp, 37cm long £15,000-20,000 1368. A pair of Victorian diamond-set pendant earrings, the upper foliate cluster sections suspend a detachable articulated diamond drop section set overall with old circular-cut diamonds in silver cut-down collets, the lower drops divide into two so the earrings can be worn in three different ways, screw fittings, 5.7cm longest £1,500-2,000 Accompanied by original invoice from Tessiers, London, dated 30 June 1960 1369. A pair of late 19th century ruby and diamond cluster earrings, the upper quatrefoil of ruby and diamonds suspending an articulating section terminating with a ruby and diamond cluster, in silver and gold, 3cm long £800-1,200 1370. A late 19th century diamond pansy brooch pendant, the stylised flower is pavé-set with diamonds and a central yellow diamond in silver and gold, with detachable brooch fitting and folding pendant loop, 4.2cm £3,000-4,000 1371. A late 19th century diamond heart locket, pavé-set with graduated old cushion-shaped diamonds in silver and gold, glazed locket compartment to reverse and interior, 2.2cm high £1,000-1,500 1372. A Victorian diamond-set target brooch, set with a central cluster of old circular-cut diamonds within an outer border of diamond trefoils and single circular-cut diamonds in silver collets on gold, 2.7cm diameter £1,000-2,000
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1363
1364
1365
1366
1367
1370
1368
1371
1372
1369
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1373. A diamond bombé ring, c.1940, set with a central circular-cut diamond which weighs approximately 1.25cts, rubover-set in platinum and decorated with diamond shoulders and borders of graduated old circularcut diamonds in yellow gold, size M £4,000-6,000 1374. A diamond-set bombé ring, c.1935, pavé-set with round brilliant-cut diamonds and heavy-fluted shank in platinum, size O½ £1,500-2,000 1375. A citrine and diamond scroll brooch, c.1940, the emerald-cut citrine is set within scrolling spray border decorated with graduated circular-cut diamonds in platinum and yellow gold, 5.7cm high £1,200-1,500 1376. A lady’s Cartier wristwatch, on bifurcated snake-link bracelet, the outer case decorated with pavéset diamond terminals, opening to reveal the rectangular cream dial, signed, Roman numerals, manual movement, French marks to outer case, numbered 106921, rubbed maker’s lozenge, 18cm long, 1.2cm wide £4,000-6,000 1377. A pair of French citrine and diamond flowerhead ear clips, set with a central cluster of circular-cut diamonds within a border of matched oval-shaped citrines and fluted gold decoration, French control marks, clip fittings, 3cm diameter £2,000-3,000 1378. A French Art Deco diamond ring, centred with a circular-cut diamond and two graduated baguetteshaped diamonds within a surround of further smaller circular-cut diamonds and French-cut diamond semi-circular terminal, French control mark, size L½ £1,500-2,000 1379. A citrine mounted French gold ring c.1940, the emerald-cut citrine set within stepped yellow gold £1,500-2,000 shoulders, French control marks and maker’s lozenge WN, size O 1380. A diamond full circle eternity ring, set with a central line of baguette-shaped diamonds claw-set in platinum within yellow gold border, hallmarked for 18ct gold,11mm wide, size O½ £600-800 1381. A diamond cluster ring, c.1935, centred with a triangular-shaped diamond and set overall with baguette, tapered baguette and circular-cut diamonds in platinum, scroll shoulders, size J £2,000-3,000
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1373
1374
1375
1376
1377
1380
1379
1378
1381
65
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1382. A late Victorian diamond fringe necklace, the graduated line of old-cushion-shaped diamonds suspend larger and smaller old circular-cut diamonds on knife edge and scrolling stylised fleur-de-lys settings, in silver on gold, the necklace 39cm long, fitted case £10,000-15,000 1383. A Belle Époque pink topaz and diamond brooch pendant, centred with an oval-shaped topaz within two borders of millegrain-set circular-cut diamonds, within a surround of four larger old circular-cut diamonds and diamond-set foliage, with outer border of smaller circular-cut diamonds in platinum and gold, detachable £15,000-20,000 brooch and pendant fittings, 4.5cm wide 1384. A Victorian emerald and diamond cluster ring, the cushion-shaped emerald is set within a border £3,000-4,000 of old cushion-shaped diamonds in yellow gold, size N, case by Clerc, Paris Accompanied by report number 78146-88 dated 14th March 2018 from GCS, London stating that emerald is natural with moderate clarity enhancement. Origin: Colombia 1385. A sapphire and diamond three-stone ring, the cushion-shaped sapphire is set with two old circularcut shoulder diamonds in platinum with scroll pierced collets, size K £6,000-8,000 Accompanied by report number 78133-57 dated 5 December 2017 from GCS, London stating that the cushioncut sapphire weighs approximately 3.00cts and is a natural sapphire with no indications of heat treatment. Origin: Burma
66
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1382
1385
1384
1383
67
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1386. An Art Nouveau diamond and pearl brooch pendant, centred with a natural pearl within a surround of millegrain-set graduated circular-cut diamonds and with further diamonds to the foliate scroll design, suspending a line of diamonds graduating to approximately 1.30cts within a foliate border of graduated cushion-shaped and rose-cut diamonds, platinum, 8.5cm high, on a fine-link platinum neck chain alternatelyset with diamonds and seed pearls £12,000-15,000 Accompanied by report number 5777-9612 dated 6 April 2017 from GCS, London stating that the half-drilled cream pearl weighs 6.02cts and is natural saltwater with no indications of treatment 1387. An Art Nouveau diamond pendant, the platinum trefoil design centred with a transitional circularcut diamond weighing approximately 1.65cts, the three open-work sections with graduated circular-cut diamonds millegrain-set to the borders and each mounted with further circular-cut diamonds in foliate form, on a fine-link platinum neck chain, chain 48cm, pendant 5cm wide £8,000-12,000 1388. An Art Nouveau double clip brooch, set with a central marquise-shaped diamond within millegrain-set foliate motif diamond surround, in platinum, 5cm wide, the foliate sections separate to be worn as double clips £4,000-6,000 1389. A Victorian ruby and diamond dragonfly brooch, set with a central diamond weighing approximately 1.90cts, the thorax set with alternating rubies and diamonds, with pavé-set diamond wings decorated with pearls in silver and gold, 7cm wide £7,000-8,000 1390. A diamond three-stone ring, set with graduated old cushion-shaped diamonds weighing approximately 2.50cts in total, in platinum, size O½, case £1,200-1,500
68
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1390
1389
1387
1388
1386
69
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1391. A pair of diamond drop earrings, formed from an articulated line of graduated marquise-shaped diamonds in white gold, French control marks, 4cm long £4,000-6,000 1392. A French Art Deco sapphire and diamond strap bracelet, pavé-set with old circular-cut diamonds and graduated oval-shaped sapphires in white gold, French control marks and maker’s lozenge LA, 17.9cm long £25,000-30,000 Accompanied by report number 78146-76 dated 14th March 2018 from GCS, London stating that the sapphires are natural, with no indications of heating. Origin: Burma 1393. A ruby and diamond cluster ring, the octagonal-cut ruby weighs 4.404cts and set in a tapered baguette-shaped diamond ballerina mount in white gold, size L½ £12,000-15,000 Accompanied by report number 96118 dated 16 October 2017 from SSEF, Switzerland stating that the octagonal step-cut ruby weighs 4.404cts and is a natural ruby with no indications of heating. Origin: Burma 1394. An early 20th century ruby and diamond cluster ring, the oval-shaped ruby weighs approximately 1.20cts and is set within a graduated border of old cushion-shaped diamonds in platinum and gold, size N½ £15,000-20,000 Accompanied by report number 77108-91 dated 27 June 2017 from GCS London stating that the cushion-cut ruby weighs approximately 1.20cts and is a natural ruby with no indications of heat treatment. Origin: Burma
70
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1393
1392
1394
1391
71
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1396 reverse
1395. An Art Deco gold, coral and silver ‘Kodak’ table clock by Cartier, c.1930, designed as a fluted ‘Kodak’ camera with brown leather borders, and four cabochon coral lateral pieces, the signed rectangular white dial with Arabic numerals and yellow-steel hands, inventory number to strut back 3390, 15 jewel movement signed Lemania, with French control mark and maker’s lozenge L F, 6.7cm long £2,000-3,000 The clock is designed after the Kodak folding pocket camera. 1396. A diamond-set platinum and rock crystal pendant fob watch by Cartier, c.1915, the circular dial with guilloche decoration, black Roman numerals and signed Cartier Paris, within a border of rock crystal and suspending from a diamond-set bar brooch with pendant loop, the reverse centred with a foliate quatrefoil design millegrain-set with diamonds and centred with a larger diamond within a border of millegrain-set circular-cut diamonds, further border of larger circular-cut diamonds, the bezel with initials F.J. within lozenge, French control mark and numbered 9020 to back of case, unsigned keyless-wind movement with club-tooth lever escapement, reverse of dial not inspected, 4cm wide, fitted case by Cartier £10,000-20,000 1397. A gem-set Fruit Bowl brooch attributed to Cartier, the bowl formed with black onyx, calibré-cut emeralds and black onyx terminals in platinum, the stylised fruit represented by two cabochon black onyx, two sapphires, a ruby and an emerald, inventory number to reverse 3577, fitted case by Cartier £5,000-10,000 Purchased from Cartier in May 1921 by Mrs James Younger. Confirmed by Cartier in 2002 (May). For a similar brooch see Cartier: Style and History (Paris: Reunion des Musees Nationaux-Grand Palais: 2013), p.123 (Illus).
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1396
1395
1397
not life size
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1398. An Art Deco emerald and diamond bracelet by Charles Holl, of articulated honeycomb pattern, each old circular-cut diamond is millegrain-set in octagonal platinum collet, within borders of graduated old circularcut diamonds and set with six emerald-cut emeralds, stamped 5922 and maker’s lozenge CH for Charles Holl, 1.3cm wide, 18cm long £25,000-35,000 Charles Holl was a prestigious French jeweller whose workshop was known for creating jewels for Cartier and Van Cleef & Arpels during the early to mid-twentieth century. Accompanied by report number 78146-89 dated 14th March 2018 from GCS, London stating that emeralds are natural with moderate clarity enhancement. Origin: Colombia
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1398
not life size
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1400 not life size
1399
1399. A gold clutch bag, of patterned lattice form with hinged cover containing a mirror, 298g total weight (including mirror), 16cm wide ÂŁ3,000-4,000 1400. A rectangular yellow gold cigarette case by Van Cleef & Arpels, of stylised lattice form and with four square-shaped sapphires to the thumbpiece, signed in full and with VCA lozenge, inventory numbers 8019 and additional French control mark, 139g, 12.5cm wide, with brown suede pouch by Van Cleef & Arpels ÂŁ3,000-4,000
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
LOTS 1400-1404: A PRIVATE COLLECTION OF JEWELLERY BY VAN CLEEF & ARPELS
1401
1402
1401. An emerald and diamond-set gold flowerhead brooch by Van Cleef & Arpels, c.1955, centred with a cabochon emerald, the six petals pavé-set with round brilliant-cut diamonds and with fringe border, further diamonds to the stem, one diamond missing, signed Van Cleef & Arpels, inventory number 16297, French control marks, 6.5cm high, with blue suede Van Cleef & Arpels pouch £10,000-15,000
1402. A pair of emerald and diamond-set gold flowerhead earrings by Van Cleef & Arpels, c.1955, each centred with a cabochon emerald, the petals pavé-set with round brilliant-cut diamonds and with fringe border, signed Van Cleef & Arpels, inventory number 17743, additional French control marks, each 3cm wide, with suede Van Cleef & Arpels pouch £10,000-15,000
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1403. A diamond foliate spray brooch by Van Cleef & Arpels, c.1950, centred with seven round brilliantcut diamonds within a surround of eleven marquise-shaped diamonds and further spray border of baguette-shaped and circular-cut diamonds in platinum, signed with initials VCA, inventory number 68979, further French control marks, 3.7cm high, with brown suede Van Cleef & Arpels pouch £10,000-15,000
1404. A pair of diamond cluster earrings by Van Cleef & Arpel, c.1950, each earring set with nine marquiseshaped, three round brilliant and five tapered baguette-shaped diamonds in platinum and white gold, the hinged clips signed Van Cleef & Arpels, numbered 84430, with French control mark and maker’s initials D.C. within a lozenge, with pendant loops, 2.8cm high, with Van Cleef & Arpels grey leather pouch £20,000-30,000
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1403 1404
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1405
1406
1407
1405. A fancy yellow diamond cluster ring, the octagonal-cut diamond weighs approximately 1.60cts and is set within a surround of single-cut diamonds with baguette-shaped diamonds to the shoulders in platinum, size J½ £7,000-9,000 Accompanied by report number 78142-23 dated 8 February 2018 from GCS, London stating that the octagonalcut diamond weighs approximately 1.60cts and is a natural diamond of fancy intense yellow colour with even colour distribution and I1 clarity 1406. An Art Deco emerald and diamond scroll brooch, the cushion-shaped emerald weighs approximately 10.50cts and is claw-set within scrolling borders of graduated old-circular-cut and baguette-shaped diamonds in platinum, the principal two diamonds weigh approximately 1.00ct in total, the brooch 5.5cm long, case by Rood £8,000-12,000 Accompanied by report number 78137-63 dated 16 January 2018 from GCS, London stating that the cushioncut emerald weighs approximately 10.50cts and is a natural emerald with minor amounts of oil in fissures. Origin: Colombia 1407. A fancy coloured diamond cluster ring, the cushion-shaped diamond weighs 7.80cts, within millegrainset concentric diamond border decorated with diamond bows to each shoulder in platinum, size M £35,000-45,000 Accompanied by report number 1162583494 dated 11 September 2014 from GIA stating that the cushion modified brilliant-cut diamond weighs 7.80cts and is a natural diamond of fancy brownish-yellow colour with even colour distribution and VS2 clarity
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1406
1407
not life size
1405
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1408. An early 20th century fancy-coloured diamond cluster brooch, the three old circular-cut diamonds weigh 2.29, 1.45 and 1.39cts, each set within a border of smaller white old circular-cut diamonds in yellow gold, 3.7cm wide ÂŁ30,000-35,000 Accompanied by report number 2183955922 dated 28 December 2017 from GIA stating that the round brilliant-cut diamond weighs 2.29cts and is a natural diamond of fancy pinkish-brown colour with even colour distribution and VS2 clarity Accompanied by report number 2181947700 dated 28 December 2017 from GIA stating that the old European brilliant-cut diamond weighs 1.45cts and is a natural diamond of Y-Z colour and VS1 clarity Accompanied by report number 6183956657 dated 28 December 2017 from GIA stating that the old European brilliant-cut diamond weighs 1.39cts and is a natural diamond of fancy yellow colour with even colour distribution and VS2 clarity
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1408
not life size
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1409. A pair of diamond and sapphire scroll earrings by Rubel Frères, c.1935, each with nine curved branches, set with baguette-shaped diamonds and terminating with an invisibly-set oval-shaped sapphire, the hinged clips with baguette-shaped diamond semi circles with circular-cut diamond borders, French £15,000-20,000 platinum control marks, partially obscured maker's mark in lozenge RFrs.. 29.9g, 4.2cm For a similar pair of earrings by Van Cleef and Arpels see Van Cleef Arpels: The Art of High Jewellery (Paris: Les Arts Décoratifs, 2012), p. 106. Rubel Frères John and his brother Robert opened a workshop on Rue Vivienne in Paris, 1915. The Rubel Frères were producing jewellery that soon caught the eye of the great jewellery houses, such as Van Cleef & Arpels. The quality of their workmanship for the great houses was recognised to the extent that they were allowed to sign some of their pieces with their own maker’s mark RFrs. With the outbreak of the war, the brothers followed Van Cleef & Arpels to New York in 1939. They instantly took to the lavish night life. Tradition holds that whilst at the El Chico club, John sketched a flamenco dancer that developed into the first iconic Van Cleef & Arpels ballerina brooches. However, when the rights to produce these pieces could not be agreed, the rift that ensued between the brothers and Van Cleef & Arpels was irreparable. ‘Mystery Set’ refers to the unique technique associated with Van Cleef & Arpels, which they patented in 1933. The mystery is how rows of gemstones could be so perfectly set whilst no metal to hold them in place could be seen; no claws, collets or mounts were visible. The free-standing illusion is formed by a delicate lattice of rails slotting into grooves cut into the pavilion of each calibré-cut gemstone. The process takes hundreds of hours and could only be undertaken by a very small number of jewellers. Similarly set jewellery by anyone but Van Cleef & Arpels is referred to as ‘invisibly-set’. The oval-shaped sapphires in lot 1409 are invisibly-set. Mystery-set pieces are extremely rare. Rarer still are invisibly-set oval stones. The sapphires in lot 1409 slot into the collet rather than a neighbouring stone, as with typical invisible settings, and use screws to their reverse enabling no fittings to be visible when worn.
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1409
not life size
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1410. A two-row natural pearl necklace, the pearls graduate from 5.8 to 11mm with a cabochon sapphire and diamond cluster clasp, set in yellow gold, 40cm longest ÂŁ20,000-30,000 Accompanied by report number 77101-49 dated 16 May 2017 from GCS, London stating that the 86 cream pearls measure approximately 5.8-11mm and are natural saltwater, with the exception of 9 cultured pearls.
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1411. A pair of natural pearl and diamond drop earrings, the flowerheads pavé-set with diamonds, each suspending a diamond cap and a large natural pearl in platinum and white gold, 5.8cm long, clip fittings Accompanied by report number 15264 dated 30 January 2018 from The Gem & Pearl Laboratory, London stating that the two part-drilled flattened drop-shaped pearls weigh 23.66 and 23.97cts and are natural saltwater pearls £30,000-40,000
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1412. An Deco diamond brooch by Rubel Frères, designed as three stylised fabric corners all pavé-set with graduated circular-cut diamonds and falling from two circles of baguette-shaped diamonds and further circular-cut diamonds in platinum, with a highlight line of graduated baguette-shape diamonds, platinum mount, signed with makers initials in a lozenge and a control mark, 4.2cm high £3,000-4,000 1413. An Art Deco diamond clip by Boucheron, of symmetrical stepped design, pavé-set with single-cut and baguette-shaped diamonds in platinum and white gold, signed Boucheron Paris to reverse, with French control mark and maker’s lozenge, 3.3cm high £5,000-7,000 1414. A diamond and sapphire scroll brooch by William Ruser, of folded fabric form and pavé-set with graduated circular-cut diamonds, with lines of French-cut sapphires and further circular-cut diamonds in £5,000-7,000 platinum and white gold, signed Ruser, 6cm long William Ruser was a renowned Hollywood jeweler, whose clients included Ava Gardener and Joan Crawford. He worked with Trabert, Hoeffer-Mauboussin and Van Cleef & Arpels. 1415. An Art Deco chinoiserie brooch by Georges Fouquet, designed as a Chinese lady with parasol observing a Chinese plant, on a pavé-set rose-cut diamond ground with geometric frame, green and red enamel decoration, the reverse engraved with mirrored scene, all in yellow gold, signed G.Fouquet, Paris and two French control marks, 4.5cm wide £10,000-20,000 1416. A sapphire and diamond cluster ring, the cushion shaped sapphire weighs approximately 4.00cts, £2,000-3,000 set within a surround of old circular-cut diamonds in platinum, size P Accompanied by report number 78137-64 dated 16 January 2018 from GCS, London stating that the cushioncut sapphire weighs approximately 4.0cts and is a natural sapphire with no indications of heat treatment. Origin: Burma 1417. A sapphire and diamond ring, the oval-shaped sapphire weighing approximately 12.94cts is clawset within channel-set graduated square-shaped diamonds in platinum, size M £40,000-50,000 Accompanied by report number CS84701 dated 14 March 2016 from American Gemological Laboratories, New York stating that the oval-cut sapphire weighs approximately 12.94cts as stated by the client and is a natural sapphire with no indications of treatment. Origin: Sri Lanka (Ceylon)
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1412 1413
1414
1415
1416
1417
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Each lot is subject to a Buyer’s Premium of 25% plus VAT
1418. An Art Deco brooch by Georges Fouquet, set with three turquoise matrix cabochons, calibré-cut onyx squares and gold studs on triangular ivory plaque, suspending a turquoise matrix drop surmounted by a diamond, French, 1922-1923, Engraved on reverse G. Fouquet 18143, 8.5 cm wide £20,000-30,000 Illustrated Les Fouquet Musee des Arts Decoratifs - Bijoutiers & Joailliers a Paris, (Paris: FLAMMARION: 1993), p.98
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FINE SILVER & OBJECTS OF VERTU
Tuesday 24th & Wednesday 25th April 2018
By Fabergé, a silver model of a snail, with work master’s mark of Henrik Wigstrom, St. Petersburg, circa 1911. Estimate: £3,000 - £5,000
ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk
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ENGLISH & EUROPEAN CERAMICS & GLASS Wednesday 2nd May 2018
A pair of Enoch Wood pearlware figures of John Liston, as Sam Swipes from Exchange No Robbery, and as Van Dunder from Twould Puzzle a Conjuror, circa1830. Estimate: £400 - £600
ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk
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MEDALS & COINS, ARMS & ARMOUR Thursday 3rd May 2018
A fine 18th Century Scottish basket hilted sword, with provenance to Charles Stewart, 5th Chief of the Clan Stewart of Ardsheal, who fought on the side of the Jacobites at Prestonpans and Culloden. Estimate: £3,000 - £5,000
ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk
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ASIAN ART
Tuesday 22nd and Wednesday 23rd May 2018
A fine Chinese white jade carving of a horse, 9.5cm. Provenance: from the collection of Professor J Norman Collie, FRS (1859-1942). Estimate: £6,000 - £8,000
ENQUIRIES John Axford | Tel:+44 (0)1722 424506 | jea@woolleyandwallis.co.uk
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MODERN BRITISH & 20TH CENTURY ART Wednesday 6th June 2018 Closing date for entries 17th April
Frederick Gore R.A. (1913-2009) Battersea Bridge Signed and dated 1964 Oil on canvas, 65 x 128cm Estimate: £8,000 - £12,000
ENQUIRIES Victor Fauvelle | +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | +44 (0)1722 424592 | jb@woolleyandwallis.co.uk
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ARTS & CRAFTS
Wednesday 20th June 2018 Closing date for entries 27th April
Three Liberty Cymric silver spoons designed by Archibald Knox Estimates from £300 - £1,000 A silver mounted Mazer bowl by Omar Ramsden Estimate: £2,000 - £3,000
ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk
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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address
LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.
You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.
CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.
PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.
The colours printed in the catalogue are not necessarily true.
COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.
SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping
01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk
Mailboxes
01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover
Pack & Send
0845 465 0564 sales@packsend.co.uk www.packsend.co.uk
TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.
Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.
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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.
LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.
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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).
12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.
TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is
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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.
CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.
2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.
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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.
PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.
BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.
GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.
ARTIST’S RESALE RIGHT / DROIT DE SUITE
21. English law applies to the interpretation of these Conditions.
Lots marked with a ‡ symbol are potentially subject to the levy.
Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000
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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.
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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.
DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU
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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX
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FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.
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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.
Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk
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WOO L LE Y & WA L LI S
Absentee Bid Form Fine Jewellery & Watches
PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order
Brief Decription
Price Excluding buyer’s premium & VAT
Thursday 26th April 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)
Address
Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.
Signature
Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508
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Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 11th April 2018 4th July 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk SILVER 24th & 25th April 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 2nd May 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 3rd May 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 22nd & 23rd May 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0)1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk PAINTINGS 6th June – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20TH CENTURY DESIGN 20th June 2018 – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk JEWELLERY 19th July 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 19th September 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk
www.woolleyandwallis.co.uk