Woolley & Wallis - Jewellery, 25th July 2013

Woo l le y & Wa l li s SA L I S B U R Y SA L E R O O M S

Jewellery Thursday 25th July 2013

Jewellery Thursday 25th July 2013 at 11.00am Viewing Times Saturday 20th July Monday 22nd July Tuesday 23rd July Wednesday 24th July Thursday 25th July

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Catalogue £10.00 (£12.00 by post) Front cover: Lot 1458 Inside front cover: Lots 1449 & 1451 Above: Lot 1348 Back cover: Lot 1455

Jonathan Edwards FGAA 01722 424504 jonathanedwards@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mariellewhiting@woolleyandwallis.co.uk

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Alex Doméracki Freya Yuan

424505

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

424506 424591

MARKETING Tamzin Corbett

CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Will Hobbs — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Will Hobbs Mark Richards Jim Gale

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339752 411854 339161

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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424504 424595

PAINTINGS Victor Fauvelle Jo Butler

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424503 424592

ACCOUNTS Janice Clift Ruth Pike GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

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424501 424594

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424500

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424500

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424500

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

FRICS

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

Members of The Society

424590

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

Willi Verdon-Smith SILVER Rupert Slingsby Lucy Chalmers

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of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot.

These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life-sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments.

Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description.

Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. âœŁ Lots marked with this symbol contain rubies or jade of Burmese origin and are not permitted for import by The United States of America.

Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 24 July.

CITES REGULATIONS Please note that lots marked Îť may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1000. A Travel Gem microscope, with fitted metal travel case and instructions. £80-120

1001. Literature. Seventeen books referring to Gemmology including Koivula, Photoatlas of inclusions in Gemstones. Hofer, Coloured Diamonds. Webster, Gems. And two soft bound books. £50-100

1002. Literature. Seventeen books referring to Jewellery: Gere and Rudoe, Jewellery in the Age of Queen Victoria. Gregorietti, Jewellery Through the Ages. Poynder, Price Guide to Jewellery.

Becker, Antique and Twentieth Century Jewellery. And five soft backs including Smith and James Tassie. £50-100

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1003. Literature. Five books refering to Jewellers including Barracca, Negrette and Necini, Le Temps de Cartier. Gautier, Cartier the Legend. And soft cover Snowman, The Master Jewellers. £50-100

1004. A Victorian gold locket pendant applied with cipher, a carved red agate seal, a large emerald cut smoky quartz, two white opal stick pins and various other items of jewellery and costume jewellery. £400-600

1005. A green leather jewellery casket, containing a ruby set heart shaped gold pendant on a fine link gold neck chain. A fine link gold neck chain, a gold propelling pencil, a pair of black onyx mounted gold cuff links, a silver propelling pencil designed as Tutankharmen and various other items of jewellery etc. £200-300

1006. A jewellery box containing three diamond rings, six cultured pearl necklaces, nine pairs of assorted earrings, three pendants, two brooches and an emerald ring. £600-800

1007. A jewellery box containing wristwatches and various items of jewellery, including a graduated coral bead necklace and a graduated cultured pearl necklace (clasp missing). £100-150

1008. A diamond three stone ring, an amethyst and seed pearl Edwardian pendant and various other items of jewellery and costume jewellery. £200-300

1009. A gold Etruscan style hinged bangle, 42g. A carved lava portrait cameo mounted gold bracelet (named panels). A pair of carved shell mounted gold drop earrings, a pair of Victorian gold drop earrings (missing pendant wires and damaged). Five cameo brooches, a pair of cameo drop earrings, two cameo mounted rings, a silver open faced fob watch and a citrine and pearl mounted gold cluster ring. £300-400

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1010. A Victorian gem set gold scroll brooch, an amethyst mounted gold quarterfoil brooch, a pair of amethyst mounted gold drop earrings, a pair of circular amethyst set gold ear studs, an oval gold snuff box engraved with crest, a gold charm bracelet, a banded agate mounted bracelet with matching studs, an oval amethyst mounted gold ring, a pair of amethyst and seed pearl set gold earrings, a silver charm bracelet, a chain necklace, wristwatch and bangle. £300-400

1011. A Victorian chalcedony and garnet mounted Maltese cross pendant on a fine link gold chain, fitted case. A gold half hunting cased fob watch (damaged and missing hands). A gold fob watch suspended from a gold curb link brooch. A Victorian gold pendant set with turquoise cabochons and carved white flower on a fine link gold neck chain, and with matching earrings. A gold scroll bracelet set with oval shaped citrines. An emerald cut citrine mounted gold pendant on fine link gold neck chain, with matching earrings. A circular gold locket pendant on a fine link chain. A gold mounted green stone sword brooch in fitted case. A pair of filigree gilt metal earrings. A citrine centred silver and agate Scottish brooch. A pair of garnet mounted girandole earrings. Two garnet set rings, a garnet set brooch. A silver chain with a silver bodkin case. A silver ingot pendant and a silver vesta. Two pairs of lorgnette. A long silver neck chain. A silver cheroot holder and two pairs of silver earrings. £300-400

1012. A gold charm bracelet, the gold bracelet mounted with assorted gold and gold plated heart shaped charms. 31g in total.

A 15ct gold curb link bracelet. A ruby and four diamond set gold ring, a diamond full circle eternity ring, a rose cut diamond and gem stone set ring and various other items of jewellery. £200-300

1013. A Victorian aquamarine mounted gold brooch, the foliate scroll mount suspends gold chain festoons and another aquamarine scroll pendant, fitted case, 10cm long. And a pair of triple cluster paste drop earrings, cased. 7cm high. £400-600

1014. A diamond set D mounted gold brooch, a foliate brooch mounted with three amethysts and seed pearls, seven further brooches, a cased gold stick pin, a bracelet formed with square shakudo panels, a cultured pearl necklace and a ring. £200-300

1015. A gold hinged bangle, alternately set with small graduated turquoise cabochons and seed pearls. An Edwardian circular brooch, set with a trefoil of oval garnets and with circular cut diamonds in silver on gold. With five further gold brooches, a marcasite brooch and a propelling pencil. £300-400

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1016. A ruby and diamond 18ct yellow gold seven stone ring, size M. A yellow gold triple celandine brooch, each flower head centred with a circular cut ruby. A 22ct gold wedding ring, a pair of gold earrings, five studs, a watch key and two pendants. £500-700

1017. A 9ct gold curb link watch chain, 44cm. 53g. A gold and steel cigar cutter. A gold fine link necklace. 15g. £600-800

1018. A ruby and diamond set gold sailing boat stick pin, three compass mounted pendants and a Regency mourning pendant. £200-300

1019. A gold bracelet, 40g. A gold necklace, 19g. A gold ring set with four graduated diamonds (one missing). A gold bangle, section of chain and pair of cultured pearl earrings. £750-1,000

1020. A gem set gold floral brooch and a five section gold ring mounted with sapphires and white stones. £200-300

1021. A gold wristwatch by Longines, on leather band, a small 19th century watch key, a diamond set brooch formed with initals, and an oval locket pendant with a gold neck chain. £100-150

1022. A gold bracelet, mounted with assorted and graduated oval shaped coloured stones. A three stone black enamel and diamond ring, size K, a heart shaped red stone and diamond cluster ring, size J 1/2, a sapphire and diamond half hoop ring, size J and an oval shaped moss agate mounted gold brooch (damaged). £200-300

1023. A pair of yellow and white gold criss cross design half hoop earrings, and a blue topaz set yellow gold pendant. 22g in total. £500-700

1024. An opal and diamond set gold cruciform pendant, and an opal and diamond set open crescent form gold brooch. £400-600

1026. A full circle white gold eternity ring, alternately set with three circular cut diamonds and three black onyx sections.

Size M 1/2. A diamond set platinum and yellow gold target bar brooch, and an Edwardian gold circle brooch alternately set with circular cut amethysts and seed pearl shamrocks. £200-300

1027. A pair of sapphire and diamond set gold earrings, each earring is alternately set with four circular cut sapphires and three circular cut diamonds in yellow gold. And a yellow gold heart pendant pavé set with sapphires and diamonds. £50-60

1025. A pair of 18ct yellow gold circular bombé woven earrings, a pair of yellow gold square earrings, centred with a cluster of round brilliant cut diamonds and swirl pattern to the body, and a pair of cultured pearl set gold earrings. £500-600

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1028. A diamond pendant, the circular cut diamond is set in white gold and weighs approximately 1.05cts. And a gold and platinum ring mounted with a synthetic ruby. £400-600

1029. A diamond set full circle eternity ring, the round brilliant cut diamonds are set in platinum. Size L. A George III gold mourning ring with black enamel decoration and inscription for G. Wilkinson 1965, size N 1/2.

And a lady’s yellow gold wristwatch by Unitas, with a yellow gold integrated band. £400-600

1030. A ruby and diamond foliate gold brooch, the stylised ruby spray tied with a circular cut diamond set bow. 4.0cm wide. £300-400

1031. A sapphire and diamond foliate spray brooch, set with eight oval shaped sapphires and circular cut diamonds in white gold. 5.5cm wide. £400-600

1032. A late Victorian garnet and seed pearl bangle, mounted with seven graduated oval shaped garnets, foliate engraved shoulders. £400-600

1033. A boulder opal and diamond pendant, of abstract form and set in yellow gold within a surround of round brilliant cut diamonds, on a yellow gold flexible collar. £500-700

1034. An aquamarine brooch, the emerald cut aquamarine is mounted in pierced and scrolling rectangular white gold frame set with small diamonds. 4.5cm wide. £1,000-1,500

1035. A pair of garnet and diamond drop earrings, the pear shaped cabochon garnets are set within a surround of diamonds in gold and suspend from circular cabochon garnet and diamond upper sections. £400-600

1036. A pair of pearl and diamond cluster earrings, the untested pearls set within a surround of circular cut diamonds in white gold. Screw fittings. £300-400

1037. A 19th century diamond set foliate brooch, the central cushion cut diamond set with further rose cut diamonds to the petals and leaves, in silver. 5.6cm wide. £400-600

1038. A Victorian diamond set circular floral brooch, centred with three old circular cut diamonds within a foliate border of rose cut diamonds in silver and gold. 2.5cm wide. £500-700

1039. A yellow gold hinged bangle, completely millegrain set with square shaped sapphires. 6.7cm wide. 11g in total. £350-450

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1040. A suite of 19th century coral jewellery, comprising a brooch, pendant and drop earrings with gold mounts. And a pair of cluster earrings with metal mounts. £400-500

1041. A large coral pendant with yellow gold mount, two oval shaped carved pink coral plaques, and another carved coral brooch and pendant drop. £200-300

1042. A carved coral pendant, the gold mounts suspended from a fine link gold neck chain. £200-300

1043. A pair of sapphire and diamond cluster earrings, the circular cut sapphires are set within a surround of small round brilliant cut diamonds in yellow and white gold. Screw fittings. £300-400

1044. A gold hinged bangle mounted with graduated oval shaped rubies. £300-400

1045. A 1940’s pink gold double clip brooch, scrolling design and set with graduated diamonds and rubies. 6.5cm wide. 17g. £800-1,200

1046. An Edwardian opal, demantoid garnet and diamond set gold scroll bar brooch. 4.5cm wide. £200-300

1047. A gem-set parrot pendant, set overall with diamonds, rubies, emeralds and sapphires. Perched on a gold circle. On a fine link gold neck chain. £400-600

1048. A 19th century gold fancy link bracelet, the clasp hand and heart shaped locket pendant each set with a cabochon garnet. Fitted case. £300-400

1049. An Art Nouveau shaped silver brooch, designed as Shamrocks on a blue and green enamel ground. Maker R.J.W. Chester marks for 1909. 2.5cm wide. And a silver pendant in the form of a Tudor rose with blue and green enamel decoration. Fine link silver neck chain. £80-120

1050. A pair of plique à jour enamel and diamond earrings, of symmetrical form, the green and red enamel panels set with circular cut diamonds, suspended from a further diamond set panel in yellow gold.

5.4cm long. £1,000-1,500

1051. A silver and enamel brooch in the form of a Tudor rose, with blue enamel decoration. Marked for James Fenton, Birmingham 1924. 2cm diameter. £100-200

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1052. A pair of diamond stud earrings, the old cushion cut diamonds weigh approximately 1.50cts in total and are set in white gold. £1,400-1,600

1053. An opal and diamond brooch, the solid white opal is set within a surround of twelve circular cut diamonds in yellow gold.

5cm wide. £200-300

1054. A ruby and diamond pendant, the oval shaped ruby is set within a surround of round brilliant cut diamonds in yellow gold. £600-800

1055. A pair of enamel and diamond drop earrings, of rectangular form with geometric red enamel pattern and set with two circular cut diamonds to the centre in yellow gold. 4.5cm long (total). £500-700

1056. A pair of diamond stud earrings, the old circular cut diamonds are set in white gold. £700-900

1057. A fine link white gold neck chain, mounted with seed pearls. 50cm. £100-150

1058. A gold quarterfoil pendant, mounted with an oval shaped amethyst, blue topaz, peridot and citrine, suspended from a black fabric cord. £300-400

1059. A late 19th century diamond set foliate scroll brooch, with two suspension loops. 2.5cm wide. £200-300

1060. A tourmaline and diamond three stone ring, the tourmaline is set with two oval shaped shoulder diamonds in 18ct yellow gold. Size R. And a pair of tourmaline mounted yellow gold earrings. 24g in total. £800-1,200

1061. A circular diamond scroll pendant, millegrain set with circular cut diamonds in 18ct white gold. 4.0cm wide. On black silk cord. £400-600

1062. An early 19th century suite of seed pearl jewellery, comprising two brooches and two pendants. Fitted case. £100-200

1063. A pair of blue topaz and diamond drop earrings, the heart shaped blue topaz suspend from further topaz and small circular cut diamonds in white gold. 5cm. £500-700 Provenance: From the personal collection of Lisa Spiro, New York.

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1064. A white gold gate-link choker length necklace, 42.5cm. 77g. Cased by Charles Fox. £1,000-1,500

1065. A Victorian gold bracelet mounted with six pear shaped almondine garnets and centred with a small circular cut chrysoberyl.

Alternately formed with polished and textured stylised figure of eight links. 17.5cm long. Fitted box. And a similar Victorian bracelet set with three almondine garnets, hollow links. 17.5cm. Fitted case. £500-700

1066. A gold bangle mounted with three lines of untested drilled pearls, screw action clasp. 6.2cm internal diameter 26g.

Fitted case. £400-600

Provenance: Ernest Yarrow-Jones, (18721951) artist, thence by descent.

1067. A long graduated opal bead necklace, each bead separated with graduated faceted crystal rondels. 112cm. £1,000-1,500

1068. A pair of heart shaped ruby earrings, the circular cut rubies pavé set in black and white gold, 1.1cm wide. With a two row cultured pearl necklace. 43.5cm long. £200-300

1069. An untested cultured single row graduated pearl necklace, with an untested pearl and rose cut diamond set clasp. The pearls graduate from 3.3 - 7.0mm. 52cm.

And a pair of artificial pearl earrings. £300-400

1070. An opal bead and faceted crystal rondel necklace, 66cm. £200-300

1071. A Chinese scent bottle, five hardstone carvings and a further carving depicting a small hippopotamus and a rabbit. Scent bottle 6.5cm high. £200-300

1072. A Chinese jade pendant, the pale celadon rounded pendant suspends an amethyst bead and silk tassels, one decorated with kingfisher feather. The pendant 4.4cm wide. On a silk cord. £100-150

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1073. A set of dress cuff links and studs, the cuff links each set with four cabochon sapphires and centred with a circular cut diamond in white gold. With three matching slightly larger studs and two studs with larger cabochon sapphires. The cuff links white gold, the studs platinum and white gold. And a cased set of dress studs with hexagonal black onyx sections, each centred with a small diamond within tied reeded borders.

And two similar small studs. And an additional black onyx set gold stud. £800-1,200

1074. A set of four yellow gold button form dress studs, the circular shell discs with gold thread to the ‘eyes’. Blue enamel borders. Fitted case. And a set of four white gold octagonal dress studs with engine turned pattern, cased. And a pair of oval gold cuff links with black enamel decoration. £100-150

1075. A pair of diamond set shell dress cuff links, reeded borders. Set in platinum and yellow gold. With a similar dress stud. £200-300

1076. A set of dress cuff links and studs, comprising a pair of cuff links, four larger studs and two smaller studs, all of square button form in white gold. Cased. £200-300

1077. A pair of D-form textured gold cuff links, hinged opening section and square shaped safety catch. £400-600

1078. Cartier. A pair of rectangular 14ct gold cufflinks, with textured and engine turned decoration. Signed Cartier. £600-800

1079. A pair of chalcedony cuff links, the concave cabochons set with a circular cut diamond and oval shaped ruby, in yellow gold. £200-300

1080. Three gold Regimental badges, each set with diamonds with enamel decoration. For the XVI Lancers, The Royal Artillary and The Third Cavalry (probably an Indian Army Regiment) £400-600

1081. An early metal fob seal, of circular form, chased with a bird within a motto.

3.5cm wide. A smaller metal fob seal chased with a rabbit, within a motto. 1.7cm wide.

And a metal shield shaped object, possibly a buckle, and chased with arms, with a metal ring. The shield 2.5cm wide. £80-120

1082. A carved hardstone cameo mounted gold stick pin. Cased. The cameo 1.5cm high.

A miniature fob seal mounted with two turquoise cabochons and an amethyst matrix, a chalcedony Maltese cross pendant, the gold centre with pearl and glazed locket compartment to reverse. A 19th century oval garnet cabochon mounted gold brooch within a surround of seed pearls. And a cameo mounted gold brooch depicting an emperor. £100-200 12

1083. An unset brilliant cut diamond in sealed container and copy of a certificate.

Accompanied by gemmological report number F6C80824 dated 16th May 2012 from The International Gemological Institute (Antwerp) stating that diamond measures 6.22 x 6.26 x 4.07, weighs 1.00ct. Colour: natural fancy intense yellowish brown (gold). £1,200-1,500

1084. Eleven unmounted solid opals, approximately 160cts in total. £300-500

1085. A late 19th century parasol handle, the tapered elliptical tortoishell shaft with foliate etched rock crystal handle and dancing putti to the top. The silver gilt collar applied with sphinx-like beasts with enamel decoration and set with rubies and opals. 30cm. Fitted case. £100-150

1086. A fluted gold propelling pecil cum dip pen, 9cm (closed). Another gold propelling pencil cum dip pen with engine turned pattern to the gold body and folding knife blade to the terminal, marked Rodgers, Cutler to Her Majesty. 9cm (closed). Three gold propelling pencils with hardstone mounted terminals and a small silver coloured metal propelling pencil. £80-120

1087. A gold propelling pencil. Signed S. Mordan & Co, 6.5cm (closed). With suspension loop. £150-250

1088. A French 19th century Rococo style gilt metal waisted rectangular box.

The hinged cover mounted with a blue glass section. 7.5cm wide. And a 19th century circular ivory and tortoishell box, probably French. With polychrome enamel decoration to the cover. 6.5cm wide. £100-150

Provenance: Ernest Yarrow-Jones, (18721951) artist, thence by descent

1089. A gilt metal travel clock by Cartier, the plain signed white dial with gilt metal bezel and black enamel Roman numerals. The strut base folds forward as a cover. Quartz movement. 5cm wide.

With Cartier leather pouch and Cartier box. £80-120

1090. A shell form stick pin, set with rose cut diamonds and centred with a coral section. Three gold wristwatches, six brooches, a pair of shell earrings, and a jade mounted gold ring. £600-800

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1091. A continental silver slide action travel clock, square dial with rubbed Arabic numerals. Numbered to reverse 1190879.

Black enamel covers. 7.2cm wide (extended).

And a small travel clock with black dial and luminous numerals and hands. £200-300

1092. A silver square travel clock, the folding hinged case with light blue enamel guilloche decoration to both sides. The square dial with subsidiary seconds dial. Gilt lined. And a continental silver travel clock with engine turned decoration to both sides.

Circular dial with subsidiary seconds dial. £80-120

1093. A Swiss slide action travel clock by Movado, square dial with alternate Arabic luminous numerals. Hinged strut support to reverse. Numbered 1252 178M. 7.8cm wide. Expanded. Fitted Movado box. £150-200

1094. A gold wristwatch, the plain signed dial with baton numerals and sweep seconds hand and date aperture, automatic movement. Engraved to reverse. £150-200

1095. A gold wristwatch by Omega, the chronograph with push button activation, subsidiary dial timing and subsidiary seconds dial. 3.1cm wide. Metal band. £400-600

1096. A lady’s 18ct gold Ladymatic wristwatch by Omega, the signed dial with batton numerals and sweep seconds hand.

With an 18ct integrated yellow gold band with deployant clasp. £400-600

1097. A gold wristwatch by Bucherer, the signed square dial with baton numerals and with an integrated yellow gold band. £500-700

1098. A gold wristwatch with chronograph, push button action, the dial with sweep seconds and 30 minute recording subsidiary dial and subsidiary seconds dial.

4cm wide. Leather band. £500-700

1099. A ladies gold Art Deco double aperture wristwatch, the rectangular case with an aperture for hours and further crescent shaped aperture below for minutes.

The case with Glasgow import marks for 1931. The case marked SD and numbered 499765 2022. 2.8cm long. £300-400

1100. A lady's gold wristwatch on expanding gold band, a gold open faced fob watch, and a small travel clock by Turler. £150-200

1101. A ladies small circular gold wristwatch, with gold expanding band. And a ladies Omega de Ville wristwatch. £60-80

1102. A yellow gold open faced fob watch, black Roman numerals and vermicelli decoration to the centre section.

With gold plated chain and suspension ring, with a small 9ct gold ring. £200-300

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1103. A George III diamond five stone ring, the graduated rose cut diamonds are rub-over set in silver with yellow gold shank.

Size M 1/2. £200-300

1104. A diamond solitaire ring, the circular transtional cut diamond is set in 18ct gold, size M 1/2. With two other diamond solitaire rings. £200-300

1105. A diamond solitaire ring, the circular cut diamond is set in 18ct gold. Size L. With a small sapphire and diamond set ring (one diamond missing) and a yellow and white gold ring set with small diamonds. £100-200

1106. A sapphire set gold bombé cluster ring, set overall with circular cut sapphires.

Size N. £100-150

1107. A ruby and diamond bombé ring, the oval shaped centre section pavé set with circular cut rubies, with smaller circular cut diamond set shoulders. Size O. And a cabochon ruby ring, with yellow gold mesh shank. Size P 1/2. £400-600

1108. An oval shaped diamond cluster ring, the modern brilliant cut diamonds pavé set in white gold, with eight brown diamonds set to each shoulder, size P 1/2. With a bombé shaped sapphire ring, the circular cut sapphires pavé set in white gold, size Q (with inner re-sizing sleeve) £400-600

1109. An orange zircon single stone ring, with foliate engraved gold shoulders, size L, a diamond five stone ring, size R. A sapphire and diamond five stone ring, size O. A sapphire and diamond seven stone ring, size K 1/2. A diamond flowerhead ring size K, and a ruby and diamond ring, size N. £400-600

1111. A 9ct gold square form cigarette case, with engine turned pattern to both sides and shamrock border. 8.4cm wide.

94g. Case. £600-800

1110. An Edwardian gold insect brooch, set with seed pearls and diamond eyes in gold. Cased by Harrods. A 9ct gold gem set ‘REGARD’ ring, five other assorted rings and a shakudo ring, approximately size U. £250-300

1112. A French yellow gold and garnet strap bracelet, mounted with a large garnet cabochon to the central panel, the other panels mounted with further garnets.

Suspending an oval link textured gold chain.

17.5cm, expanding to 19.5cm. £600-800 Provenance: From the collection of Lisa Spiro, New York.

1113. A yellow gold integrated bracelet, the gold floral centrepiece mounted with four red stones. 19.5cm. 44g in total. £500-700 Provenance: From the collection of Lisa Spiro, New York.

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1114. A gold charm bracelet, the 9ct gold curb link bracelet is mounted with assorted gold charms (the £1 Isle of Man coin is not gold). 109g in total. £800-1,200

1115. A gold charm bracelet. The 9ct gold curb-link bracelet is mounted with assorted gold charms etc. 128g. And a fine link gold neck chain. £1,000-1,200

1116. A Victorian yellow gold hinged bangle, in the form of a strap and buckle.

24g in total. £600-800

1117. A gold charm bracelet, the 9ct gold curb link bracelet is mounted with assorted gold charms and a gold mounted sovereign and half sovereign. 56g in total. £600-800

1118. A large gold fancy gate-link bracelet, with 9ct gold padlock clasp. 59g in total. £500-700

1119. An 18ct gold mesh bracelet, with criss cross pattern. 17.4cm. 70g. £500-700

1120. A suite of coloured stone and white stone jewellery, comprising a necklace, drop earrings and a ring. Set overall with blue topaz, amethysts, garnets and peridots. £300-400

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1121. A suite of coloured stone jewellery, comprising a necklace and earrings, set overall with multicoloured tourmalines. £300-400

1122. A gold locket pendant, containing a miniature painting of a lady wearing a red turban. 4.5cm high. £400-600

1123. A pair of gold circular earrings with disc fringes, mounted with assorted emblems within filigree borders. 5.3cm high. 11g. £150-250

1124. An 18ct gold graduated curb link watch chain, with detached T-bar section, 40cm long, 60g (total). £1,200-1,500

1125. A small gold figure pendant in the Aztec style, in a squatting stance and playing a musical instrument. 4.5cm high.

17g. £400-500

1126. A gold stylised gate-link bracelet, alternately mounted with polished bar sections and smaller engraved links. Gold padlock clasp. 27g in total. £500-700

1127. A gold curb link bracelet, 23cm.

33g. £250-300

1128. A gold watch chain of anchor link form, 41grams. £400-600

1129. A gold flexible bracelet, in the form of a snake, the engraved head with ruby eyes. 20g in total. £200-300

1130. A circular link gold chain, 46cm, a curb link gold bracelet and two other gold chains (damaged) 38g in total. £300-400

1131. A fancy link gold bracelet, 19cm.

20g. £500-700

1132. A gold curb link bracelet, 17cm.

17g. £100-150

17

1133. A pair of diamond set white gold drop earrings, by Piranesi.

Signed. 6.5cm high.

A coloured stone and diamond set white gold cluster ring, centred with a circular cut blue topaz within a swirl surround of marquise shaped coloured stones, alternately set with small diamonds. Size M 1/2.

A modern silver bangle, makers mark NJS and London import marks for 1990. Mounted with an oval lapis lazuli cabochon. Raised rim border and further unidentified marks. 109g. 6.5cm wide.

A white metal bombé ring by Calvin Klein, mounted with a central black panel, signed with initials. Size P 1/2.

A silver pendant by Tiffany, the square form pendant suspends from a ring, on a snake link Tiffany neck chain. The fluted bale signed T & Co (twice) and obscured import mark.

A pair of textured silver and gold drop earrings, the lower teardrop section mounted with a faceted blue stone, Signed Poppy Dandiya.

4cm.

A five row coral bead necklace mounted with five silver rondels. A wooden open bangle with circular silver pique decoration.

A black fabric necklace with silver pendants by Georg Jensen.

A silver open work necklet, makers mark WSG and London import marks for 1995.

Two silver bangles. A wristwatch with chronograph recording, a blue leather band by Locman. The bezel pavé set with white stones.

A single row cultured pearl necklace with gold clasp.

A silver ring centred with a green cabochon stone. Makers mark GA. Sheffield marks for 1971.

Part illustrated. All items can be viewed online.

Five assorted cross pendants, three other pendants, sixteen necklaces, two bangles, five rings, six pairs of earrings, a wristwatch, a golden jubilee medallion and a Royal Navy stickpin. £800-1,200 Provenance: From the collection of Lisa Spiro, New York.

1134. A large stone set Buddah brooch by Iradj Moini, the carved coral Buddah is elevated on a lattice of graduated green stones with three pear shaped faceted citrine pendants. Gilt metal mounts. Signed.

13cm high.

A pair of baroque cultured pearl drop earrings, each earring mounted with a white and grey baroque cultured pearl joined with amethyst beads with diamond set rondel and diamond set scrolls to the pear shaped cultured pearls. 7.5cm high.

A pair of cultured pearl and diamond set girandole white gold earrings. Each earring mounted with three graduated cultured pearls. 6.5cm high.

A pair of diamond set white gold and pear shaped faceted green stone pendeloque drop earrings. 6.5cm high.

A pair of amber coloured heart shaped glass drop earrings by Lalique, silver gilt mounts, signed.

A graduated dyed coral section necklace, 45cm.

A pair of faceted amethyst mounted gilt metal earrings

by Iradj Moini.

A pair of stone set floral gilt metal drop earrings by Iradj Moini.

Two pairs of earrings by Askew and Barrera.

Five pairs of rectangular stone set gilt metal earrings

by Sphinx, in assorted colour combinations.

Two pairs of frosted gilt metal earrings, and thirteen other pairs of earrings. £800-1,200 Provenance: From the collection of Lisa Spiro, New York.

Part illustrated. All items can be viewed online.

18

1135. A large oval shaped amethyst cabochon mounted insect brooch by Iradj Moini, set with circular cut white stones and turquoise beads. And with cabochon green stone eyes. Signed, 6cm long.

An amethyst and peridot bead necklace by Iradj Moini. The two large faceted amethysts are mounted in gilt metal with graduated turquoise cabochons and graduated peridot and amethyst faceted beads. Signed. 52cm.

An amethyst and peridot necklace by Iradj Moini, comprising a detachable single row graduated large oval shaped amethyst mounted gilt metal necklace and a ten row faceted peridot and amethyst bead necklace. Signed. 40cm.

A faceted smoky quartz necklace. The three row necklace with a centre piece of two large smoky quartz, mounted in gilt metal and decorated with sections of branch coral. Signed.

Two rings by Iradj Moini, one mounted with a faceted pink stone bead. The other with a light green stone bead and both set with white stones in gilt metal and signed.

A faceted moss agate cross pendant. 9cm high.

A gold ring pavé set with three rectangular cut red stones, size P. Two 9ct gold rings mounted with citrines.

A silver ring pavé set with blue and white stones forming a shooting star. Size P. A bangle formed from a fish knife.

A silver stylised flower head ring, makers mark PM. London marks for 1970. Size O.

Part illustrated. All items can be viewed online.

Three stone set metal hair clips, a pair of stone set metal hair combs, four assorted stone set rings, two pairs of white stone set metal flower head earrings, five pairs of earrings, two brooches, a black bead purse, a compact, a travel watch and a pair of ornate gilt metal open bangles. £800-1,200 Provenance: From the collection of Lisa Spiro, New York.

1136. A gold cruciform pendant mounted with eleven rectangular amethysts. 8.5cm high.

A massive faceted green and pink stone necklace by Iradj Moini, the centre stone mounted within a surround of cabochon stones in gilt metal. 445g.

49cm. Signed.

A pair of crescent shaped gilt metal earrings by Iradj Moini, with oval citrines to one side and green stones to the other. Signed.

A necklace alternately mounted with graduated lapis lazuli spherical beads and faceted rock crystal beads. 70cm.

Three pairs of graduated spiraling knife edge earrings, two gilded, one plain.

A choker length graduated faceted red bead necklace with gilt metal mounts by Claire Deve, Paris. 40cm (adjustable). Signed.

An impressive four row fluorite bead necklace, mounted with green stone set silver rondels. 50cm.

An example of tribal chic jewellery by Kirsten Goss (South Africa), mounted with uncut green stones with gilt metal links. Signed.

A pair of white stone mounted feather cuffs.

Five assorted necklaces, six assorted bangles, one with a matching ring, thirteen assorted bracelets and a set of eight sprial bracelets mounted with green stones. £800-1,200 Provenance: From the collection of Lisa Spiro, New York.

Part illustrated. All items can be viewed online.

19

Jewellery is now being accepted for the October 24th 2013 sale

A four row natural pearl necklace.

Estimate: ÂŁ40,000 - 60,000

Both items to be included in

A Belle Epoque diamond necklace.

Estimate: ÂŁ50,000 - 70,000

ENQUIRIES

the October 24th sale

Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

1137. A pair of diamond set gold drop earrings, the elongated gold lozenges are each set with a brilliant cut diamond and suspend from another gold section. 6.1cm long. £200-300 Provenance: From the collection of Lisa Spiro, New York.

1138. A pair of abstract yellow gold and diamond wishbone earrings, the circular cut diamond mounted between the two gold sections. Suspended from a smaller circular cut diamond in 18ct yellow gold. Marked PRS. 3cm long. £200-300 Provenance: From the collection of Lisa Spiro, New York.

1139. An 18ct yellow gold necklace set with diamonds, the front frosted sections set with twelve graduated round brilliant cut diamonds and polished to the reverse. On bar link neck chain. Maker's mark RRM, London import marks for 1988. 33cm, 20g. £400-600 1140. A diamond set large yellow gold ring, the circular cut diamond with gold rope-form decoration and borders in 18ct yellow gold. Size J 1/2. £200-300 Provenance: From the collection of Lisa Spiro, New York.

1141. A citrine mounted gold ring, the circular cut citrine is mounted in a circular rub-over mount and a plain yellow gold shank. Signed. Size N. £250-350 Provenance: From the collection of Lisa Spiro, New York.

1142. A pair of modernist platinum and yellow gold circular earrings and matching brooch, each piece set with a line of graduated circular brilliant cut diamonds with an optical illusion of another mirrored line of diamonds. The earrings 2.5cm diameter. £2,500-3,500 1143. A pair of textured yellow gold swirl earrings by Lalaounis, 5.5cm high. 29g.

£500-700

Provenance: From the collection of Lisa Spiro, New York.

1144. An abstract gold and diamond ring, the fluted swirl design set with a line of graduated circular cut diamonds in 18ct yellow gold, size N. £300-400 Provenance: From the collection of Lisa Spiro, New York.

1145. A pair of yellow and white gold ‘bird-cage’ earrings. Each set with small round brilliant cut diamonds between the bars. 2.7 cm high. £250-350 Provenance: From the collection of Lisa Spiro, New York.

1146. A lapis lazuli mounted yellow gold ring, the sugar loaf shaped lapis lazuli is mounted in a textured swirling fluted mounted. Maker GJ & W. Size N. £500-700 Provenance: From the collection of Lisa Spiro, New York.

1147. An abstract diamond ring, the D-shaped ring mounting a brilliant cut diamond within the two sections, set with a further row of circular cut diamonds in 18ct yellow gold. Size M 1/2. £250-350 Provenance: From the collection of Lisa Spiro, New York.

1148. A diamond solitaire ring, mounted in yellow and white gold. Size N. And a gold ring mounted with a faïence scarab, with hieroglyphics carved to the reverse. £400-600 1149. An abstract gold and lapis lazuli ring, of waisted square design and set with a rectangular plaque of lapis lazuli in 18ct yellow gold, size M 1/2. £250-350 Provenance: From the collection of Lisa Spiro, New York.

22

1137

1138 1139

1140

1142 1141

1143

1144

1148 part

1147 1145

1146

1149

23

1150. A shakudo fan pendant, applied with assorted birds and foliage. 5.7cm wide. On a twisted fabric necklace. £400-600 1151. A diamond heart shaped pendant, pavé set overall with circular cut diamonds in white gold.

2.5cm wide. £2,000-3,000 1152. A flexible diamond ring, the circular cut diamonds set to the articulated 18ct white gold mesh band, size O 1/2. Signed PIRANESI. £300-400 1153. An oval shaped shakudo brooch, depicting quails amongst foliage. Within yellow gold rope border and suspending a circular link gold festoon. 4.6cm wide. £1,000-1,500 1154. A diamond single row white gold necklace, the brilliant cut diamonds weigh approximately 24.00cts in total. 44cm. Case. £3,000-4,000 1155. A circular gold brooch formed as an owl’s head, with diamond eyes. 2cm wide. With spiral pin to the reverse. £1,200-1,500 1156. A pair of diamond drop earrings, the round brilliant cut diamonds suspend a baguette shaped diamond and a further marquise shaped diamond in white gold, 2.2cm long. £1,500-2,000 1157. A pair of sapphire and diamond heart shaped earrings, the ‘invisibly set’ cabochon sapphires within circular cut diamond surround. Pierced to the reverse in 18ct white gold. Post and clip fittings. £600-800 1158. A diamond line bracelet, the round brilliant cut diamonds are millegrain set in platinum square mounts. Approximately 4.45cts in total. Engraved 4.45. 18.7cm. £4,000-6,000 1159. A sapphire and diamond set gold bracelet, of scroll design and set with twelve circular cut diamonds to the line of circular cut sapphires. 18cm. 19g. £400-500 1160. A diamond solitaire ring, the pear shaped diamond is set in 18ct white gold. Size K. £1,100-1,300 1161. Tiffany & Co. A diamond solitaire ring, the circular brilliant cut diamond weighs 1.72cts, set in 18ct white gold and platinum. Size J. £6,000-8,000 Accompanied by report from Anchorcert dated 16th April 2013 stating that the diamond weighs 1.72cts and has G colour with SI1 clarity 1162. A diamond cluster ring. The centre cluster of graduated circular cut diamonds are set within a surround of smaller diamonds and two baguette shaped diamonds to each shoulder. Platinum. Size H 1/2. £600-800

24

1152

1150 1151

1154

1158 1153 1155

1157

1159

1156

1162

1161

1160

25

1163. A marquise shaped diamond ring, the central diamond weighing approximately 0.70cts, with a tapered baguette diamond to each shoulder, in white gold, size O. £700-900 1164. A diamond set cluster ring, the graduated circular cut diamonds weigh approximately 0.70cts in total and are set in gold. Size N. £450-550 1165. A diamond cluster ring, the nine diamonds weigh approximately 1.50cts in total and are set in white gold. Size N. £1,200-1,500 1166. A diamond cluster ring, the nineteen circular cut diamonds are set in 18ct white gold. London marks for 1975. Size J. £800-1,200 1167. An aquamarine and diamond cluster ring, the cushion shaped aquamarine is set with three single cut diamonds to each shoulder, in 18ct white gold. Size N. £300-400 1168. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of ten circular cut diamonds in 18ct gold. Size P 1/2. £400-600 1169. A diamond three stone ring, the three circular brilliant cut diamonds weigh approximately 1.50cts in total and are set in white gold. Size P. £1,700-2,000 1170. A gold lion ring, realistically formed and decorated with black, red and white enamel. Size N. £200-300 1171. A ruby and diamond cluster ring, the oval shaped ruby is set within a surround of circular brilliant cut and marquise shaped diamonds in white gold. Size M 1/2. £800-1,200 1172. A five stone diamond ring, the five graduated circular cut diamonds weigh approximately 1.35cts in total and are set in gold. Size Q. £1,500-2,000 1173. A sapphire and diamond triple cluster ring, the three circular cut sapphires each within a surround of smaller circular cut diamonds in yellow gold. Size P. £350-450 1174. A yellow sapphire and diamond set cluster ring, the sapphire is set within a surround of twelve circular cut diamonds in gold. Size O. £1,200-1,500 1175. An aquamarine and diamond cluster ring, the oval shaped aquamarine is set within a surround of circular cut diamonds and two baguette shaped diamonds in 18ct white gold. Size P 1/2. £850-950 1176. A spinel five stone ring, the graduated oval shaped red spinels set in 18ct yellow gold. Size L 1/2. £200-300 1177. A diamond full circle eternity ring, the circular cut diamonds set in white gold. Size M 1/2. £200-300 1178. A Victorian diamond set mourning ring, with enamel decoration, and marked for London 1897.

Size Q 1/2. £200-300 1179. A diamond solitaire ring, the princess cut diamond weighs approximately 0.50cts, set in platinum.

Size O. And a diamond half hoop ring set with fourteen circular cut diamonds in platinum. Size N. £400-600 1180. A diamond full circle eternity ring, the single cut diamonds set in white gold. Size N. £200-300 1181. A zircon and diamond cluster ring, the circular cut blue zircon set with diamond set shoulders in white gold and platinum. Size M. £100-200 1182. A diamond solitaire ring, The circular transitional cut diamond is set in 18ct white gold. Size Q 1/2. £100-150

26

1163

1165

1169

1173

1166

1170

1164

1167

1171

1174

1168

1172

1176 1175

1177

1180

1178 1179

1181

1182

27

1183. A three row graduated cultured pearl necklace, the pearls graduate from 4.3 to 8.6mm. The diamond set clasp with French control marks. 47cm. £1,000-1,500 1184. A single row cultured pearl necklace, the forty one cultured pearls graduated from 7.06 to 10.03mm. With spherical diamond set white gold clasp. 42.5cm. £400-600 1185. A single row matched cultured pearl necklace, the pearls graduate to 8.9mm. With gold spherical clasp. 47cm. £150-200 1186. A three row cultured pearl necklace, with an oval shaped citrine and seed pearl mounted gold cluster clasp. £200-300 1187. A cultured black pearl and diamond pendant, the pearl measures approximately 14.10cts and is mounted with a diamond cluster in white gold, with white gold fine link neck chain. £300-400 1188. A textured yellow gold hinged bangle, designed as stylised fabric with raised terminal. Mounted with a cultured pearl which measures approximately 14.0mm. £1,500-2,000 Provenance: From the collection of Lisa Spiro, New York.

1189. A large black cultured pearl mounted silver and gold ring, the shoulders pavé set with graduated round brilliant cut diamonds and green stones. The pearl measures 17.0 - 18.0mm Size O. £800-1,200 1190. A pair of cultured pearl and diamond set gold earrings, the pearls measure 12.0mm diameter and are set with small circular cut diamonds in yellow and white gold. £500-600 1191. A pair of cultured pearl and diamond drop earrings, the bronze coloured pearls measure 14.0 and 13.9mm and suspend from a spiral half set with small circular cut diamonds in white gold. 5cm. £400-600 1192. A cultured pearl and diamond pendant, the cultured pearl measures 14.2mm wide, suspending from a diamond set ring beneath a yellow gold hinged pendant loop. £300-400

28

1183

1184

1185

1187

1188 1186

1189

1190

1191

1192

29

1193. An early 20th century diamond pearl and enamel gold pendant, the hexafoil pendant with blue guilloche enamel, surmounted with a smaller millegrain set diamond flowerhead. Suspended from a fine link neck chain set with a pearl and with a further pearl below. Glazed locket compartment to reverse. £350-450 1194. An Art Nouveau silver pendant, with blue and green enamel decoration, square pierced centre section and tulips below. Maker S.B. and Birmingham marks for 1912. 2.2cm wide. Fine link silver chain. £100-150 1195. An Arts and Crafts gold necklace, the pierced pendant plaque is chased with a mermaid and set with pearls, moonstones, opals and a blue stone. 5.5cm high. And suspends from four smaller stone set gold sections and a back section in the form of two fish with an opal in between. The chain possibly later. 43cm (total length). 45g. £1,500-2,000 Provenance: Formerly owned by the artist Ernest Yarrow-Jones, (1872-1951) artist, thence by family descent.

1196. A silver and enamel Arts and Crafts pendant by Charles Horner, the winged scarab with enamel graduating from yellow to blue. Rubbed marks for C.H. On silver fine link neck chain. 4.4cm wide. The necklace 45cm long. £150-250 1197. A gold modernist swirl ring, with blue and green enamel decoration and centred with a circular cut diamond.

Size N. £300-400 1198. A gold circular pendant with light blue guilloche enamel decoration to the centre circular section and set with seed pearls. Gold fine link chain. 2.7cm diameter. £100-200 1199. A pretty diamond set floral pendant, the fancy coloured pear shaped diamond suspends from two stylised yellow and white gold iris and small section of rose cut diamonds between. On a fine link yellow and white gold neck chain. The pendant 4.5cm wide. £1,500-2,000 1200. An Art Nouveau silver and enamel pendant, fan shaped and decorated with light blue enamel. Marks S&E attributed to Schaverien and Eastmead. Marked for Birmingham 1909. 3cm wide. With silver chain. £150-200 1201. An Arts and Crafts silver pendant with enamel decoration, marked attributed to Schaverien and Eastmead, Birmingham 1909. 2.4cm wide. With silver chain. £100-200 1202. A silver and enamel brooch by Archibald Knox for Liberty, of Celtic knot design with blue and green enamel decoration. 3cm wide. Silver chain. Stamped L&Co. Liberty Sketch number 1186E. £300-400 For similar example, see ‘Archibald Knox’, S. Martin, pp. 264 and 265.

1203. An Art Nouveau silver pendant, centred with a triangular section of blue and green enamel within a circle.

Rubbed makers mark but probably James Fenton. Birmingham marks for 1908. 2.3cm wide. Fine link silver chain. £150-250 1204. An Art Nouveau gold pendant by Henry Matthews, mounted with an oval shaped amethyst and suspending another pear shaped amethyst. On a gold oval link neck chain. Stamped H M and with Birmingham marks for 1905.

2.1cm wide. £250-300 1205. An Art Nouveau plique à jour silver pendant, the symmetrical abstract design centred with an emerald cut amethyst within green yellow and pink plique à jour cells and mounted with thirteen single cut diamonds. Stamped DEPOSE to reverse. 2.6cm wide. On fine link silver neck chain, 38cm long. £300-400 1206. An Art Nouveau silver and blue enamel pendant by Murrle Bennett & Co, marked MB&Co to reverse. With blue counter enamel and silver fine link chain. 2.7cm wide. £80-120 1207. A gold brooch by Child & Child, the upper section millegrain set with demantoid garnets and blue and white enamel decoration to the lower sections. Suspending three pearls. Signed to the reverse with the Child & Child floral signature. Fitted case by Child & Child. 4.2cm wide. £2,000-3,000 1208. Five silver Arts and Crafts buttons, of circular swirl form and centred with a cabochon turquoise. Marked for Murrle Bennett and Theodor Fahrner, stamped to the reverse 950 and London marks to the front for 1903. 1.2cm wide. £80-120 1209. A gold brooch mounted with an oval amber cabochon, within a surround of alternately set moonstone cabochons and small pearls. 4cm. Fitted case. £400-600 1210. A set of six silver floral buttons, of circular form and polychrome enamel decoration. Approximately 2.8cm wide. Stamped 950 next to a Japanese character. Fitted case with four back clips and marked for Arthur & Bond, Silversmiths, Yokohama. £1,200-1,500

30

1197

1196

1193

1195

1194

1199 1200

1198

1201

1202

1203 1204

1205 1206

1207 1210 (6)

1208

1209

31

1211. A spinel and diamond cluter ring, the circular cut spinel weighs approximately 2.15cts and is set within a surround of twelve brilliant cut diamonds in white gold. Size L. £700-900 1212. A diamond solitaire ring, the brilliant cut diamond is set in 18ct yellow and white gold, with stylised heart shaped gold shoulders. Size N 1/2. £600-800 1213. A diamond solitaire ring, the old circular cut diamond is set in platinum. Size K.

£600-800

1214. A diamond three stone ring, the three cushion shaped diamonds are set in platinum with three smaller diamonds set to each shoulder. Size S. £250-300 1215. An aquamarine and diamond cluster ring, the oval shaped aquamarine is set within a surround of circular cut diamonds in gold. Size N. £700-900 1216. A blue zircon solitaire ring, the circular cut zircon set with three circular cut diamonds in white gold and platinum. size M 1/2 £400-600 1217. A sapphire and diamond seven stone ring, the three oval shaped sapphires are separated with four circular cut diamonds in gold, with carved shanks. Size M 1/2. £600-800 1218. A sapphire and diamond five stone ring, set with two round brilliant cut diamonds and three sapphires in 18ct gold. Carved shoulders. Size N 1/2. £200-300 1219. A diamond and seed pearl set gold cluster ring. Size M 1/2.

£100-200

1220. An emerald, sapphire and diamond ring by Theo Fennell, the central old circular cut diamond alternately set with pear shaped sapphires and emeralds, within a further surround of eight circular cut diamonds, in yellow and white gold. Size J. £500-700 1221. A diamond five stone ring, the five slightly graduated circular cut diamonds are set in gold. Size M. £300-400 1222. A diamond full circle eternity ring, set with circular brilliant cut diamonds in platinum. Size N 1/2. £450-550 1223. An Art Deco style diamond set cluster ring, set with five lines of graduated circular cut diamonds and four further smaller diamonds set to the shoulders in white gold. Size N. £500-700 1224. A diamond half hoop ring, set with five circular cut diamonds, each within two smaller circular cut diamonds in yellow gold mount. Size J. £200-300 1225. A ruby full circle eternity ring, set with square cut rubies in platinum. Size M.

£200-300

1226. An opal and diamond five stone ring, the solid white opals alternately set with old circular cut diamonds in yellow gold. Size L. £250-350 1227. A ruby set 18ct gold ‘gypsy’ ring, the oval shaped ruby weighs 0.63cts. Size M 1/2.

£200-300

With original invoice for the ruby from Sri Lanka, 1996 and subsequent insurance valuation for the ring.

1228. A diamond solitaire ring, the circular cut diamond weighs approximately 0.50cts and is set with twelve smaller circular cut diamonds to each shoulder, in platinum. Size F 1/2. £400-500 1229. A sapphire and diamond ring, the square cushion cut sapphire is set within princess cut diamond shoulders in platinum, size N. £400-600 1230. A ruby and diamond cluster ring, the baguette shaped ruby is millegrain set within a surround of circular cut diamonds and smaller tapered baguette shaped rubies to each corner, in white gold. Size I. £550-650 1231. A diamond set square cluster ring, the centre circular cut diamond is set within a surround of smaller diamonds in platinum and yellow gold. Size J 1/2. £200-300

32

1211

1212

1214

1218

1215

1213

1216

1219 1220

1222

1226

1223

1227

1230

1224

1228

1217

1221

1225

1229

1231

33

1232. A white gold criss cross form necklace, set overall with round brilliant cut diamonds. 42cm. 33g. £800-1,200 1233. A synthetic sapphire and diamond cluster ring, the oval shaped sapphire is millegrain set within a surround of circular cut diamonds in platinum. Size O. £300-400 1234. A diamond solitaire ring, the round brilliant cut diamond weighs approximately 2.10cts and is set in 18ct white gold. Size M 1/2. £4,000-6,000 1235. A diamond half hoop ring, the trillion cut diamonds weigh approximately 2.40cts, ‘invisibly’ set in platinum, size M. £2,500-3,500 1236. A cabochon sapphire and diamond set cluster ring, the sugarloaf shaped sapphire is set within a surround of eight circular cut diamonds and two cushion shaped shoulder diamonds in gold. With two further tapered baguette shaped shoulder sapphires. Size O 1/2. £8,000-12,000 1237. A pair of sapphire and diamond drop earrings, each articulated yellow and white gold earring is set with two graduated oval shaped sapphires and eight circular cut diamonds. £2,000-3,000 1238. A pair of emerald and diamond cluster drop earrings, the oval shaped emeralds are set in a surround of eight circular cut diamonds and suspend from a smaller circular cut diamond in white gold. £1,500-2,000 1239. A diamond bracelet, the circular cut diamonds within diamond borders, between smaller diamond set quarterfoil panels in white gold. 18cm long. £4,500-5,500 1240. A diamond line bracelet, the thirty five round brilliant cut diamonds weigh approximately 4.50cts in total. Alternately set with S-shaped gold links, in yellow gold. 17.5cm long. £500-700 1241. A pair of aquamarine drop earrings, the larger circular cut aquamarines suspend from a smaller similar stone in white gold coronet mounts, on a fine link white gold chain. £1,100-1,300 1242. A three colour 18ct gold bracelet by Garrard, comprising discs of three different colours and the circular clasp releases with push button action. Signed. 9cm. 80g. £1,500-2,000 1243. A Russian gold miniature egg pendant, the yellow gold egg decorated with green enamel leaves, centred with a cabochon sapphire at the base. Various obscure Russian marks, including 56. 2.2cm high. £850-950

34

1232

1233

1235

1234

1236

1237 1238

1239

1240

1242

1243

1241

35

1244. A gem set ‘tutti-frutti’ bombé cluster ring, pavé set with a marquise shaped diamond, smaller circular cut diamonds and carved rubies, sapphires and emeralds in platinum. Size L. £1,500-2,000 1245. A cabochon dyed chalcedony mounted gold and silver ring, the circular stone is set within a double surround of diamonds and green garnets and further garnets set to the bifurcated shank. Size K 1/2. £800-1,200 1246. A diamond set sailing boat brooch, the platinum brooch pavé set overall with graduated circular cut diamonds. French control mark.

3.7cm high. £1,500-2,000 1247. A pair of jade and diamond drop earrings, the mottled green jadeite discs suspend from black enamel panels and lines of circular cut diamonds in white gold. 5.8cm long. £1,200-1,500 1248. An emerald and diamond cluster ring, the large oval shaped emerald is set within a surround of eighteen marquise shaped diamonds in white gold. Two French control marks to the shank exterior. Size P. £7,000-8,000 1249. A diamond set bombé cluster ring, centred with a round brilliant cut diamond within a surround of smaller graduated diamonds in gold. Size L 1/2. £1,500-2,000 1250. To match lot 1251. A diamond pendant, the pear shaped diamond is millegrain set within a surround of circular cut diamonds and suspends from a border of slightly graduated circular cut diamonds in white gold. With diamond set upper navette shaped section. On a fine link white gold neck chain. £3,000-4,000 Accompanied by gemmological report number 20010056 dated 15th May 2013 from Anchorcert stating that the pear shaped diamond weighs 1.03cts, and has F colour and SI2 clarity.

1251. To match lot 1250. A pair of diamond drop earrings, each earring centred with a pear shaped diamond millegrain set within a surround of circular cut diamonds, within a larger pear shaped frame of circular cut diamonds. Suspending from a larger round brilliant cut diamond. Within smaller diamond border, in white gold. And one earring engraved 1.036 and 1.17 the other 1.017 and 1.16. 4cm high. £8,000-12,000 Accompanied by gemmological report number 20010055 dated 15th May 2013 from Anchorcert stating that the pear shaped diamond weighs 1.01cts, and has D colour and SI1 clarity.

And accompanied by gemmological report number 20010054 dated 15th May 2013 from Anchorcert stating that the pear shaped diamond weighs 1.00cts, and has D colour and SI2 clarity.

1252. A diamond set yellow and white gold floral ring, the leaves set with graduated circular brilliant cut diamonds. Size L 1/2. £800-1,200 1253. A citrine mounted gold flowerhead brooch by Tiffany, realistically formed and signed to the reverse. 4cm wide.

£250-350

1254. A tanzanite and diamond ring, the oval shaped tanzanite weighs approximately 8.15cts and is set within tapered baguette shaped diamond shoulders. Size M. £2,000-2,500 1255. A sapphire and diamond cluster ring, the rectangular sapphire weighs approximately 4.30cts and is set within a surround of baguette and circular cut diamonds, with further circular cut diamonds set to the shoulders in 18ct white gold. Size M 1/2. £4,500-5,500 1256. An emerald and diamond cocktail ring, of scrolling form and centred with a line of calibré cut emeralds, circa 1940. Set in white gold.

Size R. £1,100-1,300 1257. A ruby and diamond set gold foliate cluster ring, set overall with circular cut rubies and diamonds in flower head designs. With gold leaves. Size N. £800-1,200 1258. A ruby and diamond foliate brooch by Tiffany, the bombé central section pavé set with circular cut rubies, within diamond set white gold petals and three further surrounds of realistically formed yellow gold petals. Signed Tiffany & Co to reverse, 5.4cm wide. £1,500-2,000 Provenance: From the collection of Lisa Spiro, New York.

1259. A gentleman’s yellow gold wristwatch by Patek Philippe, the plain gold signed dial with Roman numerals. Manual winding. 18ct gold. The rectangular case with camphored corners. The 18ct yellow gold band formed with graduated articulated cylinders. 19cm minimum.

112g. Patek Philippe leather case. £3,000-4,000 1260. A floating diamond circular pendant, formed with three concentric circular gold frames set with circular cut diamonds and centred with a further diamond. The centre diamond and two inner circles are free moving. 3.5cm wide. £600-800 1261. A gem set bird brooch, the body formed from a carved emerald and set overall with diamonds, turquoise cabochons and emeralds in gold. Black enamel beak. 12cm long. £800-1,200

36

1246 1244

1247 1245

1251 1248

1249

1256

1250

1252 1255

1253 1254 1257 1259

1258

1260

1261

37

1262. A pear shaped sapphire pendant, the purple coloured sapphire is mounted in white gold and suspends from a white gold neck chain. £200-300 1263. A large gold snake ring, the realistically formed intertwining snake with diamond set eyes and a circular cut sapphire to its head. Size I. £600-800 1264. A gold snake ring, the stylised snake with a brilliant cut diamond set head. The diamond weighs approximately 0.25cts. Size M 1/2. £400-600 1265. An 18ct yellow gold locket pendant, the cover mounted with a cabochon sapphire on yellow guilloche enamel ground. 2cm wide. 15g. £400-600

1266 open 1266. An 18ct gold opening flower brooch, the articulated mesh petals reveal nine stamens, each set with a round brilliant cut diamond. Part textured leaf. Rubbed UK import marks and French control marks.

6cm high. 16g. £500-700 1267. A suite of diamond set gold “Night and Day” jewellery by Fasano, including a choker length necklace, 39.5cm bracelet, 17.5cm and a pair of earrings, 3cm. 209g in total. With red leather necklace pouch, bracelet box and earrings box, all marked for Fasano of Torino. £3,000-4,000 1268. An emerald and diamond brooch pendant, the fan shaped upper section is set with circular cut diamonds and baguette shaped emeralds suspending a pear shaped emerald bead. The hinged lower section set with further diamonds and emeralds in white gold. 6cm. £2,000-3,000 1269. A round brilliant cut diamond set 18ct yellow and white gold circular pendant. 7g in total. £300-400 1270. An 18ct yellow gold ‘REGARD’ bracelet, the seven stones are set in gold hearts joined with a curb link bracelet. 19cm. 21g in total. £600-800 1271. A diamond line bracelet, the fifty six round brilliant cut diamonds are set in yellow gold flexible collets. 18cm. 22g. £800-1,200 1272. A pink and white gold flexible bracelet, the three sections are set with circular cut diamonds in rubover mounts. 27g. £500-700

38

1264

1263

1267 1267

1262

1266

1265

1267

1268

1272 1270 1269 1271

39

1273. A gold panther pendant by Cartier, the realistically formed animal suspended from its waist on a plain pendant loop. Numbered 132930 and various French control marks. On a plaited black silk necklace on gold clasp, also signed. The panther 5cm high. 41g. £1,200-1,500 1274. A gem set gold bombé ring, pavé set with graduated tourmalines, and citrines and garnets. Size L. £800-1,200 1275. A ruby and diamond set starfish pendant, the realistically formed yellow gold starfish pavé set with a central line of circular cut rubies within further lines of graduated circular old cut diamonds.

Detachable brooch fitting. 3.5cm wide. £3,000-4,000 1276. A pair of kunzite diamond and black enamel drop earrings, the long oval kunzites are set in gold and suspended from a line of diamonds and black enamel sections. 6cm long. £4,000-5,000 1277. An opal and diamond set white gold ring, set with graduated circular cut diamonds and pear shaped opal terminals. Size M. £1,500-2,000 1278. A gem set wasp brooch by Piaget, with tiger’s eye body, diamond wings and cabochon garnet eyes, gold mount. French control marks. 2.5cm long. Signed. £200-300 1279. A sapphire and diamond cluster ring, the oval shaped sapphire is set within a ‘ballerina’ surround of undulating tapered baguette shaped diamonds in white gold. Size P 1/2. £1,500-2,000 1280. A pair of diamond drop earrings, the pear shaped diamonds suspend from a small circular cut diamond, a tapered baguette cut diamond and a larger circular cut diamond in white gold. 2.7cm. Fitted case. £2,500-3,500 1281. An 18ct yellow gold and diamond set fancy link bracelet by Cartier. Signed Cartier Paris and numbered 229407. French control marks and London import marks. Maker JC. 17.5cm long. 30g. £1,500-2,000 1282. A lapis lazuli and gold necklace, and matching bracelet, both formed with flexible cylindrical gold links and lapis lazuli bead terminals. The necklace 44cm. The bracelet 8.5cm. £6,500-7,500 1283. A diamond three row ring, mounted with a centre line of five graduated round brilliant cut diamonds within two rows of six matched round brilliant cut diamonds in white gold. Hinged expanding shank. Size N (minimum). £1,200-1,600 1284. A gold hinged bangle by Cartier, with screw action clasp release with graduated flat sides.

Signed and numbered CN7676. 5.7cm internal diameter. 51g. £1,500-2,000 1285. A pair of lavender jade, diamond and black onyx cluster earrings. The circular lilac jade cabochons are set in a stylised flower head mount and pavé set with circular cut diamonds and sections of black onyx in white gold. £4,000-5,000 1286. A pair of lapis lazuli cufflinks, the cabochon lapis lazuli set in fluted gold mount with bar links.

London marks for 1977. £350-450 1287. A pair of sapphire and gold cuff links by Cartier, the circular links with concentric circles and centred with cabochon sapphires. Signed Cartier. £1,700-2,000 1288. A pair of French gold cufflinks, of stylised ropetwist design with hinged cylindrical gold bars.

French control marks. 12g. £300-400 1289. A pair of 18ct yellow gold ‘love’ cufflinks by Cartier, with central opening hinge and screw head decoration. Signed Carter and numbered 960386. Case by Cartier, Paris. £600-800 1290. A pair of gem set gold cuff links by Van Cleef & Arpels, mounted with a line of five circular cut rubies or five circular cut sapphires to the chevron form rectangular links. Signed. Numbered 5490 CS and with French control marks. £2,500-3,500 1291. A pair of diamond set yellow gold feather earrings by Van Cleef & Arpels, the stylised feathers are each set with a centre line of six round brilliant cut diamonds. Signed to the reverse and inscribed modell. 2.5cm long. £2,000-3,000

40

1277

1274

1276 1273

1275

1278 1283 1280 1282

1279

1285 1284

1281

1287 1288

1290

1286 1289 1291

41

1292. A necklace alternately mounted with faceted and cabochon hematites. Within a border of turquoise cabochons and joined with two pearls. In silver coloured metal. With matching cabochon hematite ring and earrings. £400-600

1293. A long white gold necklace mounted with graduated quatrefoil sections of shell. 120cm. £4,000-6,000

1294. A citrine mounted gold bracelet, with criss cross yellow gold design and mounted with five oval shaped citrines. Fitted case. 19.5cm. £1,200-1,500

1295. A gold bird brooch, the realistically formed perched bird with turquoise set crest and diamond eye. Marked for London 1969. 3.5cm wide. 14g. £300-400

1296. A gold fish brooch, the stylised fish set with a ruby eye and further turquoise cabochons and diamonds to the body. Marked for London 1965. 3.5cm wide. 12g. £300-400

1297. A novelty gold and enamel duck brooch, with articulated head and sapphire set eyes. Marked for London 1968. 4.0cm high. 14g. £300-400

1298. A diamond set bird brooch, realistically formed in yellow and white gold and with ruby eye. 16g in total. 5cm. £300-500

1299. A gold dog brooch, realistically formed as a poodle with diamond set coat and collar and ruby eyes. Marked for London 1974. 3.2cm high. 13g. £400-600

1300. A gold bird brooch, the realistically formed yellow gold bird set with ruby eyes, the branch set with a sapphire, diamond and a turquoise cabochon. Marked for London 1975. 2.6cm wide. 10g. £200-300

42

1292 1293

1294

1295

1296 1297

1298

1299

1300

43

1301. A pair of diamond drop earrings, the triangular shaped diamonds each suspend from two circular cut diamonds in yellow and white gold. The diamonds weigh approximately 1.05cts in total. £3,000-4,000

1302. A pair of Indian foil backed diamond drop earrings, each earring centred with a pear shaped diamond within a surround of nine further rose cut diamonds in yellow gold. Suspended from a line of six smaller diamonds. Pierced closed back yellow gold mounts. £1,500-2,000

1303. An opal and diamond cluster brooch, the oval shaped solid opal is set within a surround of circular cut diamonds in platinum and white gold. 2.7cm wide. £300-400

1304. A carved jade plaque necklace, the graduated carved and pierced oval jade plaques set in yellow gold with further chevron link necklace in 14ct yellow gold. 41.5cm long. £1,000-1,500

1305. A pair of diamond stud earrings, the brilliant cut diamonds weigh approximately 1.40cts in total, set in 18ct white gold. £1,000-1,500

1306. A long guard chain, formed with yellow and white gold twisted links, untested pearls and nephrite cylinders. 92cm. £2,200-2,600

1307. A diamond set 18ct gold bracelet, the twelve rectangular panels set with a brilliant cut diamond in yellow gold, with pierced heart design to the reverse. 18.5cm long. £300-400 Provenance: From the collection of Lisa Spiro, New York.

1308. A diamond set white gold bracelet, mounted with pavé set circular cut diamonds alternating with plain white gold flexible links. 19cm. 13g. £350-450

1309. A diamond cross pendant, the central circular cut diamond set within baguette shaped and marquise shaped diamonds in white gold, with a further marquise shaped diamond to the bale. On fine link white gold neck chain (45cm long) £600-800

1310. A diamond pendant, the round brilliant cut diamond is set in a white gold rub over mount, fine link white gold neck chain. £300-500

1311. No lot

1312. A zircon and diamond cluster ring, the old circular cut zircon set with three circular cut diamonds to the shoulders. Size M 1/2. £400-600

44

1302

1301

1303

1304

1305

1306

1310 1312

1307 1309 1308

45

1313. A pair of aquamarine and diamond drop earrings, each earring is mounted with a pear shaped aquamarine within a surround of millegrain set circular cut diamonds suspending from three further diamonds. £2,000-3,000

1314. An Edwardian aquamarine pendant, the oval shaped aquamarine is millegrain set within a surround of seed pearls and pierced granulated yellow and white gold mount. 3.5cm high. £500-700

1315. An aquamarine and diamond pendant, the pear shaped aquamarine is set with graduated circular cut diamonds and suspends from an oval shaped aquamarine within a conforming diamond set white gold frame. Fine link white gold neck chain. £4,000-5,000

1316. An Edwardian diamond set pendant, the flexible foliate diamond set tassels centred with a line of circular cut diamonds and suspend from a pierced circular cut upper section set with further diamonds.

On a fine link platinum neck chain. £1,500-2,000

1317. A ruby and diamond set scroll brooch, set with two larger circular cut diamonds. Within surrounds of further graduated circular cut and two baguette shaped diamonds and calibré cut ruby borders. White gold. 4.5cm wide. £600-800

1318. A pair of zircon and diamond cluster earrings, the circular cut blue zircons set within a surround of circular cut diamonds in white gold. £500-700

1319. A diamond three stone ring, the graduated old circular cut diamonds set in platinum and white gold. Size M 1/2. £500-700

1320. An emerald and diamond cross over ring, the circular cut diamond and emerald cut emerald set with interweaving shoulders set with further emeralds and diamonds, in platinum and yellow gold. Size O 1/2. £1,000-1,500

1321. A diamond solitaire ring, the old circular cut diamond weighs approximately 1.60cts and is set with trillion shaped onyx to the shoulders, in white gold. Size O. £3,000-4,000

1322. A diamond solitaire ring, the old circular cut diamond weighs approximately 1.50cts. With stylised fleur de lys shoulders and set in white gold, size M. £3,000-4,000

1323. A sapphire line bracelet, the French cut sapphires are mounted in flexible platinum links with foliate engraved sides signed Kirk, possibly the Miami jewellers. 18.5cm. £4,000-6,000

1324. An Edwardian pearl and diamond set foliate brooch, the central circular cut diamonds within concentric surrounds of seed pearls in yellow and white gold. 3.9cm wide. £400-600

46

1313

1315

1314 1316

1319

1318 1320

1321 1317

1323 1322

1324

47

1325. A gold mesh bag, with gold mesh chain, 123g in total. And a pair of gold earrings, 15g. £1,000-1,500

1326. A gold mesh bag, the pierced frame set with graduated circular cut diamonds and with cabochon sapphires set to the clasp. With gold chain. 13cm wide. 150g. £2,000-3,000

1327. An 18ct gold double sovereign case, engraved with initials. 6cm long. 44g (in total). £600-800

1328. A gold mesh bag, the gold frame set with borders of black onyx square sections, diamonds and emeralds. With emerald and black onyx mounted thumbpiece. The gold chain spaced with cylinders with black and white enamel decoration. Silk lined. 12.5cm wide. 157g in total. £1,200-1,500

1329. A 9ct gold mesh evening bag, the clasp set with two cabochon sapphires. Import marks for London 1916. 16cm wide. 262g in total. £2,500-3,500 Provenance: From the collection of Lisa Spiro, New York.

1330. A 9ct gold cigarette case by Mappin & Webb, with engine turned decoration and inscription to interior. 10.7cm long. 158g. In leather Mappin & Webb pouch. £1,200-1,500

48

1326

1325

1327

1328

1329

1330 Please note these items are shown smaller than actual size.

49

1331. An early 19th century decorative watch key, the scroll gold body mounted with a turquoise cabochon and two rubies. 3cm. £300-400 1332. A sapphire and diamond set gold stick pin, the sugarloaf sapphire mounted in yellow gold pierced basket setting surmounted with rose cut diamonds. 8.1cm tall. £400-600 1333. A gold heart shaped padlock clasp, 2.5cm wide, 10g.

£100-150

1334. A George III gold and enamel 'Recovery' medallion, 3.5cm wide, to celebrate King George III's return to health in 1789, which transpired to be only a brief period before returning to his mental illness. £300-400 Similar medallions are found in the Royal Collection and also the Fitzwilliam museum, Cambridge.

1331

Having suffered from repeated bouts of porphyria for most of his life, so confident was Parliament of his full recovery that a proclamation was declared on March 10th 1789. Suspicion developed shortly afterwards when the King started the habit of ending sentences with the word Peacock and at times believed he was Alfred the Great.

Provenance: Sold on behalf of the executors of The Hon. Mary Anna Marten (deceased) of Crichel House, Dorset.

1335. A carved hardstone cameo mounted gold pedant, depicting the profile of a man. The frame formed with two entwined snakes. Vacant locket compartment to the reverse. The cameo 2.2cm high. £1,200-1,500 1336. A novelty pendant, the circular gold pendant encorporates a compass, a thermometer, and a continual calendar to the reverse with adjustable bezel for the days. £300-400

1336 reverse

1337. A gem set gold brooch in the form of a sword, mounted with diamonds, rubies and two sapphires. 9cm. 19g in total. £1,500-2,000 1338. A Regency faceted citrine and shell-carved gold mounted desk seal, 7.5 cm high. The bloodstone matrix carved with the Arms of Henry Gerard Sturt, 1876-1917, 1st Baron Alington of Critchel, Wimborne, impaled with Bingham for the marriage of Lord Alington with Lady Augusta Bingham, daughter of the Earl of Lucan. £400-600 Provenance: Sold on behalf of the executors of The Hon. Mary Anna Marten (deceased) of Crichel House, Dorset.

1338 matrix

1339. A gold mounted faceted rock crystal desk seal, the oval carnelian matrix engraved with intertwined H’s beneath a Baron’s coronet.

8.2cm high. £100-150 Provenance: Sold on behalf of the executors of The Hon. Mary Anna Marten (deceased) of Crichel House, Dorset.

1340. An early 19th century musical fob seal in the form of a crown. Set overall with rubies, pearls and diamonds on a textured gold mount.

Surmounted with a diamond set cross to each side with green guilloche enamel ‘velvet’ interior. The musical movement with horizontal pinned disc rotating against two blued steel combs to produce eleven notes. 2.1cm wide at base. £1,000-1,500 Provenance: Sold on behalf of the executors of The Hon. Mary Anna Marten (deceased) of Crichel House, Dorset.

1341. A gem set gold bodkin case with grey guillioche enamel decoration, the body applied with two colour gold swags, each set with a cabochon ruby and with two colour gold laurel border to the base. The cover applied with Cyrillic N, set with rose cut diamonds above a II and all within a two colour gold tied swag beneath a bow. The top applied with a ruby and diamond set crown within pellet border. The base with spurious marks, with further marks to the inside of the cover, possibly modern Russian marks. 14.5cm high. £2,000-3,000 1342. A Continental early 19th century gold musical fob seal. Of scrolled stirrup form, winding from central pierced pillar. Damaged and incomplete musical movement. Not working. 3.8cm high. £200-300 Provenance: Sold on behalf of the executors of The Hon. Mary Anna Marten (deceased) of Crichel House, Dorset.

1343. A late 19th century zoomorphic desk seal, the carved labradorite grinning monkey’s head set with ruby eyes and white enamel teeth, his polychrome enamel tunic with a collar of rose cut diamonds. Uncarved circular lapis lazuli matrix, with circular hole carved to top of the head, possibly missing a further stone. £600-800 Provenance: Sold on behalf of the executors of The Hon. Mary Anna Marten (deceased) of Crichel House, Dorset.

1344. A cloak clasp by Fabergé, the two hooked gold sections decorated with pink guilloche enamel within seed pearl borders, the shaped section set with a small circular cut diamond. With gold chain and swivel clip, on black silk. The larger section stamped AH for August Holmström, and a separate stamp with Kokoshnik and 56. The smaller section stamped separately with Kokoshnik and AH (slightly obscure).

The swivel clip with obscure marks of different initials and probably 56. 3.5cm wide. £3,500-5,000

50

1334

1332

1335

1333

1336

1337

1338

1339

1340

1344

1343 1341 1342

51

1345. A French gold 19th century etui, French control marks, 9 cm, 19g. And two other 19th French gold etuis, the larger with detachable base, both with French control marks, 24g. £1,100-1,500

1346. A French two-gold eighteenth century oval box, the hinged cover with wave and pellet decoration, within foliate border, repeated to base. The sides with similar decoration to rectangular panels and swags between. Marked for Jean Nocolas Defer, 1783. And additional control marks. 8cm wide. 109g. £2,200-2,500

1347. A French gold 19th century rectangular vesta case. Engraved with arms beneath a Ducal coronet. The hinged cover with engine-turned border. French control marks 5.7cm wide. 67g. £700-900

1348. A Swiss gold early 19th century circular box, the detachable cover with guilloche sun-burst decoration within a foliate scroll border, repeated to base. Makers mark AM between two fleur de lys, centred with a pelet and within a lozenge. 5.9cm wide. 58g. £1,600-1,800

1349. A French gold late 18th century oval box, the hinged cover engraved with a laurel border, repeated to the upper sides and base. Assorted French control marks. 6.3cm wide. 46g. £1,200-1,500

1350. A French two colour gold late 18th century rectangular octagonal box, the hinged cover centred with a musical trophy with doves. With further guilloche decoration and within a foliate scroll border. Marks rubbed but possibly ‘17’, 9.2cm wide. 97g. £2,500-3,500

1351. A French gold early 19th century rectangular box. The hinged cover with guilloche sun-burst decoration within foliate scroll border, repeated to base. French control marks 1809 - 1819. Stamped 73 and unidentified goldsmith. 8.2cm wide. 90g. £1,300-2,000

1352. A pair of French gold 19th century etui. French control marks, 6.5 cm, 13 g. And a larger French 19th century gold etui. French control marks, 10.2 cm, 22g. £1,000-1,500

52

1346

1345

1349

1347 1348

1350

1352 1351

53

1353. A Belle Epoque brooch, set with white and fancy coloured diamonds, the fan shaped upper section suspends garlands and two flower heads, set in platinum and gold. Each centred with a small emerald. 4.2cm high. £1,800-2,500

1354. An Edwardian topaz, diamond and demantoid garnet mounted brooch, the octagonal cut gold topaz is set with four demantoid garnets to the central scrolling gold design. And within a border of millegrain set rose cut diamonds. 4.5cm wide. £300-400

1355. A Victorian peridot and diamond set quatrefoil brooch, the central circular cut peridot with undulating millegrain set diamond border, in silver and gold. 2.2cm wide. £600-800

1356. An early 20th century diamond set wristwatch, the circular dial with Arabic numerals. The bezel millegrain set with circular cut diamonds and with further graduated diamonds to the band, in yellow and white gold. 14.7cm long. The case 2.8cm wide (including winder). £300-400

1357. An Art Deco lady’s diamond set cocktail watch, the rectangular dial with black Arabic numerals.

Millegrain set diamond surround and further diamonds set to the articulated lugs. White gold mesh band.

The case 1.9cm wide. £600-800

1358. An Edwardian peridot, diamond and seed pearl pendant. The rectangular shaped peridot is millegrain set in yellow gold with a cluster of three small diamonds to each side. Suspending a fan shaped peridot from a line of diamonds and a further seed pearl. The yellow and white gold fine link clasp set with four seed pearls. The pendant 3.9cm high. £1,000-1,500

1359. A lady’s diamond set dress watch, pavé set with graduated diamonds. The case numbered 45737. On a black cord band. £200-300

1360. A lady’s diamond set dress watch, the rectangular dial with black Arabic numerals. Platinum case. Mesh band. 15.5cm maximum length. £300-400

1361. A lady’s diamond set dress wristwatch, set overall with graduated circular cut diamonds in platinum. Black cord band. £650-750

1362. A lady’s Art Deco diamond set dress wristwatch, the plain white dial with black Arabic numerals.

Millegrain set overall with graduated circular cut diamonds in platinum. On a mesh band. £800-1,200

1363. A diamond cluster ring, the central rose cut diamond is millegrain set within a further surround of rose cut diamonds in platinum and yellow gold, size Q. £500-700

1364. A sapphire and diamond cross-over ring, the old circular cut diamond weighs approximately 1.50cts, the sapphire approximately 2.30cts, set in 18ct white gold, size O 1/2. £4,000-6,000

1365. A diamond solitaire ring, the old circular cut diamond set within baguette cut diamond shoulders in platinum. Size M 1/2. £1,000-1,500

54

1355

1354

1353

1358

1356 1362

1357

1359

1365

1364 1360 1363

1361

55

1366 1366. A gold diamond and gemset love bird brooch, the two birds with diamond set heads and cabochon pink and green tourmaline breasts. With further circular cut stones to the feathers and branch.

4.3cm wide. £1,800-2,800 1367. An Art Deco diamond brooch, of geometric form set with single cut diamonds in platinum. 4.2cm wide. Case by Harvey & Gore. £300-400 1368. An Edwardian diamond and seed pearl set brooch, the centre cluster of six pearls around a circular cut diamond is mounted to the foliate open work frame with eight further pearls in yellow and white gold. 3.7cm wide. Fitted case by Liberty. £400-500 1369. An Edwardian pearl and diamond target brooch/pendant, the old circular cut diamonds set within two pearl borders in yellow gold. 2.1cm wide. £200-300 1370. A graduated moonstone necklace, the oval shaped moonstones are millegrain set in yellow gold mounts. 42cm. And a moonstone set gold bar brooch. £400-600 1371. A late 19th century demantoid garnet and diamond mounted bangle, the three circular cut garnets are set within surrounds of rose cut diamonds and mounted on a yellow gold bangle. 11g in total.

The three garnets weigh approximately 2.00cts in total. £1,200-1,500 1372. A spinel and diamond circular plaque ring, the circular cut red spinel is millegrain set within a circle of brilliant cut, baguette and triangular cut diamonds, in yellow and white gold. Size K 1/2. £1,000-1,500 1373. A diamond solitaire ring, the circular cut diamond is set in white gold. Size V.

£800-1,200

1374. A diamond solitaire ring, the circular cut diamond is set in platinum with six graduated shoulder diamonds. Size N. £800-1,200 1375. A sapphire and diamond cluster ring, the trapeze cut sapphire is millegrain set within a surround of circular cut diamonds in yellow and white gold. Size M. £400-600 1376. An Edwardian peridot set gold pendant, mounted with two emerald cut peridots and suspending from a fine link yellow gold neck chain. The pendant 4.2cm high. £450-550 1377. An Edwardian amethyst and pearl pendant, the oval shaped amethyst is mounted in a gold cut down collet with two pearls and suspend from a fine link gold neck chain. Fitted case by Franklin and Hare of Taunton. £200-300 1378. An Edwardian diamond bracelet, centred with a line of seven graduated circular old cut diamonds and millegrain set within surrounds of further graduated diamonds. In platinum and with engraved shoulders. On a plain link bracelet which detaches so that the main body can be worn as a brooch. With brooch fitting and screwdriver. £800-1,200

56

1367

1368

1369

1370 part

1370 part

1371

1378 1372 1377 1373

1374 1376 1375

57

1379. A pair of early 20th century aquamarine and diamond drop earrings, the lozenge shaped aquamarines suspend from five graduated circular cut diamonds and two further circular cut diamonds in platinum. 3.9cm. Fitted case. £1,000-2,000

1380. An early 19th century tied bow design brooch, decorated with a key pattern of calibré cut sapphires and rose cut diamonds in platinum and gold. 5.8cm wide. £1,500-2,000

1381. A pair of conch pearl and diamond set drop earrings, each pearl suspends from a line of graduated circular cut diamonds in platinum. 6cm. £6,500-7,500

1382. An early 20th century sapphire diamond and moonstone bow brooch, the carved moonstone panels set with a line of calibré cut sapphires and millegrain set within rose cut diamond borders in yellow and white gold. 4.6cm wide. Cased. £1,000-1,500

1383. An Edwardian citrine and diamond brooch, the cushion shaped rich golden citrine is millegrain set within two rows of rose cut diamonds and the terminals each mounted with a trefoil of millegrain set larger diamonds, in silver and gold. 4.5cm wide. £600-800

1384. An early 20th century French bracelet, the pairs of pear shaped links are millegrain set with graduated rose cut diamonds, and alternately joined with single circular cut rubies and cushion shaped diamonds within a pair of seed pearls. Gold clasp. French control mark. 18cm. £1,500-2,000

1385. An Art Deco diamond bracelet, each panel set with a baguette shaped diamond within two old circular cut diamonds alternately set with three further circular cut diamonds. The central panel set with eleven single cut diamonds, in platinum. 19cm long. £1,000-2,000

1386. An Art Deco diamond set platinum bracelet, the square links are millegrain set with circular and baguette shaped diamonds. 17cm. £3,000-4,000

1387. A sapphire and diamond line bracelet, alternately mounted with three circular cut diamonds and three rectangular cut sapphires, millegrain set in engraved box mounts. 18.3cm. £2,500-3,500

1388. An Edwardian ruby, diamond and sapphire bracelet, the centre circular cut ruby and diamond cluster is mounted in platinum with further sapphires and diamonds to the shoulders. Flexible bracelet. £2,000-3,000

58

1379

1381 1380

1382

1383

1384

1385

1388 1386

1387

59

1389. A Victorian gold scroll brooch, mounted with cabochon garnets and suspending a conforming garnet set gold pendant within swags. 10.5cm. Fitted case. £300-400 1390. A Victorian double heart brooch, the entwined hearts each set with cushion shaped diamonds and surmounted with a diamond set bow, in silver and gold. 3cm wide. £800-1200 1391. A 19th century pink stone, probably topaz and gem set gold brooch.

£500-700

1392. A diamond five stone ring, the cushion shaped diamonds set in yellow gold with remnants of enamel. Size K. £400-600 1393. An emerald and diamond five stone ring, the two emerald cut emeralds set within old circular cut diamonds in carved scroll yellow gold shank. Size N 1/2. £400-600 1394. A diamond solitaire ring, the old circular cut diamond weighs approximately 0.60cts and is set in 18ct yellow gold. Size T. £500-700 1395. A Regency style gold ring, the oval shaped tourmaline is set within a surround of seed pearls with foliate bifurcated shoulders. Size S. £300-400 1396. A Victorian three colour gold hinged bangle, the four hinged panels are mounted with gold rosettes centred with a seed pearl. French control marks and numbered 3132. With two gold ruby set tassels. Internal diameter 6cm. 40g. Fitted case. £600-800 1397. A diamond five stone ring, the graduated circular cut diamonds in carved yellow gold mount, with rose cut diamond pointers. Size L. £800-1,200 1398. A diamond five stone ring, the circular old cut diamonds are set in yellow gold. Each separated with a pair of rose cut diamonds. Size P. £300-400 1399. A diamond cluster ring, the six old circular cut diamonds set to the scroll carved shank, with rose cut diamond pointers. Size P. £1,000-1,500 1400. A ruby and diamond bracelet, the yellow gold bracelet. is set with seven graduated oval shaped rubies alternately set with old circular cut diamonds. On a stylised gate link yellow gold bracelet. 19.5cm. £1,200-1,600 1401. An untested graduated single row necklace, the pearls graduate from 2.6 to 4.8mm. The barrel clasp set with rose cut diamonds. 49cm. £200-300 1402. A natural pearl necklace, the single row graduated pearl necklace has a single circular cut diamond set silver and gold clasp. 46cm. £5,000-7,000 Accompanied by gemmological report number 07774 dated 17th May 2013 from The Gem and Pearl Laboratory stating that 81 pearls graduate from 2.7 - 6.7mm, weigh 15.17g (including clasp) and are natural saltwater pearls.

60

1390 1389 1391 1397 1399

1398 1392

1396

1393

1395

1394 1401

1402

1400

61

1403. A 19th century circular emerald and diamond brooch, the centre rectangular emerald (damaged) is set within a surround of rose cut diamonds on a scrolling openwork frame further set with rose cut diamonds and emeralds in silver and gold. £600-800 1404. An early 20th century seed pearl sautoir, strung in a geometric pattern and suspending a pendant set with assorted diamonds and a larger oval shaped diamond in silver and gold. 41cm top to bottom. £4,000-6,000 1405. A shaped circular yellow gold French brooch, centred with a circular cut sapphire within swirls of graduated rose cut diamonds. French control marks. 2.5cm wide. £150-200 1406. A carved hardstone cameo brooch, depicting the profile of Demeter (Ceres) mounted in a gold frame with wirework decoration. The cameo 3.5cm high, £400-600 1407. A carved hardstone cameo brooch, depicting the profile of a woman. Plain gold mount.

Numbered 945 to reverse. The cameo 4cm high. £300-500 1408. A carved hardstone cameo ring, depicting a portrait of a man. With foliate engraved closed back shoulders. Size J. £300-400 1409. A gold long guard chain, the finely plaited chain has four twisted gold links. 120cm. 32g. £300-400 1410. A gold necklace mounted with graduated oval shaped amethysts, with five pear shaped amethyst drops. 42cm. £400-600 1411. A diamond five stone ring, set with five graduated cushion shaped diamonds in yellow gold. Size P 1/2. Cased. £200-300 1412. A sapphire and diamond bar brooch, alternately set with graduated circular cut diamonds and oval shaped sapphires in yellow gold. 4.7cm wide. £600-800 1413. A sapphire and diamond cluster ring, the oval shaped sapphire is set with three cushion shaped diamonds to each shoulder, in carved yellow gold mount. Size M. £600-800 1414. A carved carnelian intaglio ring, depicting Hercules as a young man. Mounted in gold with stylised fleur de lys shoulders. Size N. £1,200-1,500 1415. A sapphire and diamond seven stone ring, the graduated oval shaped sapphires set with four smaller circular cut diamonds, in scroll carved yellow and white gold mount. Size K. £200-300 1416. A diamond and enamel gold quatrefoil brooch, centred with a rose cut diamond within diamond surround and a further surrounds of rose cut diamonds within blue enamel borders in yellow gold. 2.7cm wide. £300-400

62

1404

1405

1403

1406 1408

1407

1410

1409 1411 1412

1413

1414 1415 1416

63

1417. A Victorian diamond set open crescent brooch, set with graduated circular cut diamonds in silver and gold. 6cm wide. £300-400 1418. A Victorian closed crescent brooch, set with graduated circular cut and rose cut diamonds and with an outer border of graduated turquoise cabochons in silver and gold. Detachable brooch fitting. 4cm wide. £700-900 1419. A Victorian diamond set closed crescent brooch, with graduated lines of circular cut diamond within further scallop shaped diamond border, in silver and gold. 4cm wide. £600-800 1420. An emerald and diamond cluster ring, the square emerald cut emerald is set within a surround of circular cut diamonds with birfurcated scroll shoulders in yellow gold. Size Q. £1,000-1,500 1421. A late 19th century diamond and pearl set yellow gold star brooch, centred with a circular diamond within a surround of graduated half pearls and diamonds. Detachable pendant loop and brooch fitting. 4.2cm wide. £1,500-2,000 1422. A 19th century gold long guard chain, the fancy link chain with a circular gold slide mounted each side with a flower head cameo centred with an emerald to one side and ruby to the other. 168cm.

43g. £1,000-1,500 1423. A gold ring, possibly 18th Century, engraved N on Eget Integer. Stamped DH. Size N.

£200-300

1424. A Victorian diamond set star brooch, centred with a circular old cut diamond within a surround of eight circular cut diamonds and further smaller diamonds. Set in silver and gold. 3.3cm wide. Cased by The Goldsmiths and Silversmiths company. £1,000-1,500 1425. A late 19th century scroll brooch, set with pink sapphires, peridots and seed pearls. 3cm wide. £200-300 1426. A pearl and diamond half hoop ring, the five graduated half pearls set with small rose cut diamonds in carved yellow gold shank. Size M. £200-300 1427. A late Victorian amethyst rivière necklace, the graduated oval shaped amethysts are set in yellow gold coronet mounts and each separated with small circular cut red stones. 40cm. £800-1,200 1428. A late 19th century gem set butterfly brooch, the wings pavé set with diamonds with sapphire and ruby borders, the body set with a diamond and drop shaped pearl. Gold mount with detachable brooch fitting. 4cm wide. £600-800 1429. A carved coral brooch, in the form of a bacchanalian mask. The bearded figure with fruiting vines to his horns. 3.6cm high. £450-550

64

1418

1417

1419

1420

1421

1422

1423

1425 1429 1424

1426

1427 1428

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1430. A gold long guard chain, the double square links coinjoined with a gold loop to form a double or triple lower section. 62cm long, 45g. £400-600 1431. A Victorian oval garnet and enamel pendant, the garnet cabochon set within foliate white enamel borders and further twisted gold rope design borders. With matching pendant loop and gold graduated tassels to base. Glazed compartment to reverse. 2.5cm wide. £200-300 1432. A pair of Victorian gold drop earrings, each earring mounted with an oval cabochon garnet, centred with a seed pearl and star. Tassels. Registry mark to reverse. 5.5cm. £300-400 1433. A pair of 19th century filigree gold drop earrings, the main ovoid section suspends from four chains. 6.5cm. £200-300 1434. A carved emerald mounted gold ring, the oval shaped intaglio depicts the head of a man, scroll engraved shoulders. £3,200-3,500 1435. A late Victorian diamond five stone ring, the five old circular cut diamonds are set in yellow gold with carved shoulders and eight small rose cut diamonds. The centre diamond weighs approximately 1.30cts and the five diamonds weigh approximately 3.20cts in total. Size O. £3,500-4,500 1436. A sapphire and diamond five stone ring, the three cushion cut diamonds alternately set with sapphires, in pierced scrolling yellow gold setting, size O 1/2. £1,000-1,500 1437.

A gold clasped hand ring, with blue enamel cuffs. Assorted marks to the exterior of the ring. Size U. £200-300

1438. A five stone garnet ring, the oval shaped green garnets set with diamond pointers in carved yellow gold mount. Size N. £2,000-3,000 1439. An emerald and diamond five stone ring, set with two old circular cut diamonds and three emerald cut emeralds, in carved 18ct yellow gold mount, size Q. £800-1,200 1440. A pair of gold drop earrings, the centre oval section mounted with a raised lozenge decorated with black enamel and the quarters each set with a turquoise cabochon, Surmounted with a similar design to the suspension section and with tassels. Fitted case by Eglese. £500-700 Provenance: Ernest Yarrow-Jones, (1872-1951) artist, thence by descent.

1441. A single row graduated natural and cultured pearl necklace, the clasp set with small diamonds.

The pearls are on temporary thread. £300-400 Accompanied by gemmological report number 5151170061 dated 23rd January 2013 from GIA stating that 62 of the 133 pearls are natural saltwater pearls, the remainder are bead cultured pearls.

1442. A diamond set gold brooch to commemorate Tsar Alexander II. The oval blue enamel centre piece is mounted with a diamond set A beneath a diamond set crown and over a diamond set II. Mounted within a border of alternately set cushion shaped and smaller rose cut diamonds. Glazed locket compartment to reverse. Set in silver and gold. 5.6cm high. £5,000-10,000 Probably removed from the cover of a presentation box.

1443. A diamond three stone ring, the graduated old circular cut diamonds are set in gold with four rose cut diamonds. Scroll shoulders. Size O. £600-800 1444. An untested pearl and diamond clasp, the pearl is millegrain set with two circular diamonds within a diamond set frame. Scroll pierced to the reverse. 1.5cm long. £500-700 1445. A pair of pearl and diamond set drop earrings, the drop shaped pearls are set within a surround of graduated circular cut diamonds in gold. Suspending from five further diamonds. £1,500-2,000 1446. A late 19th century untested pearl and diamond cluster gold bangle.

1447. A graduated single row pearl necklace, with a diamond cluster clasp. 41cm.

£1,500-2,000 £300-400

Accompanied by gemmological report number 07240 dated 22nd February 2013 from The Gem and Pearl Laboratory stating that 190 pearls graduate from 1.5 - 4.5mm, weigh 4.50g (including clasp) and are natural saltwater pearls.

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1432 1430

1433

1431

1435

1434

1436

1438

1437

1439

1443

1440

1441

1442

1447

1445 1446 1444

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1448. An Art Deco diamond and sapphire bracelet, formed with three panels alternately set with seven diamonds and sapphires within borders of diamonds millegrain set in platinum. And joined by diamond set square links. 17cm. Cased by Garrard. ÂŁ4,000-5,000

1449. A sapphire and diamond bracelet, set with clusters of three oval shaped sapphires within round brilliant cut and marquise shaped diamonds in white gold. 17.5cm. ÂŁ8,000-12,000

1450. An Art Deco sapphire and diamond necklace, circa 1935.

The centre slightly oval shaped sapphire weighs approximately 5.45cts and is set within a shield shaped plaque which is set with graduated circular and baguette shaped diamonds. The graduated sides are set with further sapphires and diamonds with a single row box set circular cut diamond back section. French control mark to tongue. 37cm. ÂŁ20,000-30,000

68

1450

1449

1448

69

1451. A diamond bracelet incorporating a ladies wristwatch by Jaeger-LeCoultre, the small round signed white dial with gold numerals and hands. Manual winding, the movement signed Asprey London. The hinged cover and bracelet are set with clusters of round brilliant and marquise shaped diamonds between swirls of graduated baguette shaped diamonds in white gold. 17.5cm. £5,000-7,000

1452. A diamond set rose brooch by Boucheron, the petals decorated with yellow guilloche enamel and pear shaped diamond ‘raindrop’. The stem set with graduated baguette shaped diamonds and round brilliant cut diamonds to the leaves, in platinum. Signed.

6.5cm high. With Boucheron box. £1,000-1,500

1453. A pair of diamond set chandelier drop earrings, the upper sections are each set with graduated circular cut and a square shaped diamond, and suspend five articulated lines alternately set with circular and square shaped diamonds in platinum. 7cm high. £10,000-15,000

1454. An emerald and diamond ring, the octagonal step cut emerald weighs 7.29cts and is set with two baguette shaped shoulder diamonds in 18ct yellow gold. Size T. £20,000-25,000 Accompanied by gemmological report number 67989 dated 8th May 2013 from SSEF (Switzerland) stating that the emerald measures 11.32 x 10.43 x 8.37mm and weighs 7.29cts, and is a natural emerald with green of medium saturation colour. The emerald shows indications of clarity modification - minor amount of oil in fissures.

Origin: Colombia.

1455. Cartier. An emerald and diamond set yellow gold brooch, centred with a cluster of emerald beads with graduated circular cut diamonds set to the petals. Signed to the reverse. 4.7cm wide. £5,000-7,000

70

1451

1452

1455

1454 1453

71

1456 actual size 1456. An emerald and diamond cluster ring, the emerald cut emerald weighs approximately 3.50cts, set with a surround of undulating circular cut diamonds in white gold. Size L. £2,000-3,000

1457 actual size 1457. A diamond three stone ring, the oval shaped diamond weighs 3.00cts and is set with two heart shaped shoulder diamonds in platinum. Size J 1/2. £18,000-22,000 Signed Boodles and maker’s mark B&D and 3.00.

Accompanied by gemmological report number AH9052 dated 4th September 1991 from The European Gemological Laboratory stating that diamond measures 10.51 x 8.11 x 5.40mm, weighs 3.00cts and has E colour and VS2 clarity.

1458. A diamond spray brooch by Asprey, circa 1970. The three principle brilliant cut diamonds weigh 3.20cts, the remaining sixteen round brilliant cut diamonds weigh 7.75cts, the twenty-three marquise shaped diamonds weigh 4.65cts. The twenty-seven baguette shaped diamonds weigh 3.10cts (approximate weights).

Platinum, signed. 4.5cm wide. £15,000-20,000

END OF SALE

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1457 1458

1456

73

Silver Tuesday 16th & Wednesday 17th July 2013

A modern 9ct gold chess set, by Robert May, London 1969.

Estimate: £6,000 - £8,000

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk

Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

Clocks, Watches & Scientific Instruments Wednesday 24th July 2013

ENQUIRIES Richard Price Tel: +44 (0)7741 242421 richardprice@woolleyandwallis.co.uk

A selection of pocket watches including Hardy Bros.

Estimates from ÂŁ4,000 - ÂŁ10,000

English and European Ceramics and Glass Tuesday 8th October 2013 We are currently accepting entries for this sale

ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

A fine Barr, Flight and Barr cabaret set.

Estimate: ÂŁ1,500 - ÂŁ2,000 From the collection at Crichel House, Dorset.

Asian Art Wednesday 13th and Thursday 14th November 2013 We are currently accepting entries for this sale A rare and fine pair of Chinese cloisonnĂŠ caparisoned elephants Provenance: Sir James Haldane Stewart-Lockhart KCMG (1858-1937), and thence by descent.

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

wOO l le y & wa l li s Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery

Brief Decription

Thursday 25th July 2013 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email Debit/Credit Card details: VISA OTHER

MASTERCARD

SWITCH

(please specify)

We do not accept American Express cards

Cardholder Card No. Valid from Expiry date Issue No.

(Switch only)

If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

aucTion calendar FURNITURE, WORKS OF ART & TRIBAL ART 2nd July 24th September Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 16th & 17th July 22nd & 23rd October Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 24th July 30th October Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk JEWELLERY 25th July 24th October Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk PAINTINGS 11th September 4th December Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMCIS & GLASS 8th October Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 9th October – 20th Century Design 11th December – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk ASIAN ART 13th & 14th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk MODERN BRITISH ART 26th November Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk • Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

www.woolleyandwallis.co.uk