Woolley & Wallis

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art & Clocks Wednesday 12th April 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Suzy Becsy

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young

424500

SALEROOM MANAGER David Jordan

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 12th April 2017 at 10.00am VIEWING TIMES Saturday 8th April Monday 10th April Tuesday 11th April Wednesday 12th April

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Richards 01722 411854 mr@woolleyandwallis.co.uk

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

Suzy Becsy 01722 411854 Administrator sb@woolleyandwallis.co.uk COLLECTION OF LOTS All items will be in transit from the Salerooms to the Warehouse at Old Sarum on Thursday 13th and Tuesday 18th April. Collections will not be available on those dates. From Wednesday 19th April collections will be from the Old Sarum Warehouse, 2 Danebury Court, Old Sarum Park, Salisbury, SP4 6EB, please call 01722 411854 prior to collection to ensure the items are ready.

All accounts to be settled prior to collection.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 11th April.

LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 299 Back cover: From a private collection of mortars Catalogue £10.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 11th April.

Please note there is a 3% +VAT surcharge for using this service.

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OAK & COUNTRY FURNITURE

INCLUDING A PRIVATE COLLECTION OF MORTARS

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1

1.

An Elizabeth I oak boarded chest, the later hinged recessed top with a moulded edge, revealing a lidded till, with a cartouche shaped iron escutcheon, with thumbnail carved corners and ogee cut-out ends, 53.2cm high, 130.1cm wide, 39cm deep. £300-500

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2.

A late 17th century oak armchair, carved with scrolling foliage and with a panelled back, decorated with a foliate lozenge above a later leather seat, on turned and block legs united by stretchers. £300-500 3.

A late 17th century oak armchair, the panelled back with guilloche and foliate lozenge carvings above a solid seat, the friezes with later carved lunettes, on fluted and lozenge carved front legs united by stretchers. £300-500 4.

A 17th century oak centre table, the boarded top above a moulded frieze and turned column legs united by peripheral stretchers, 65.2cm high, 92cm wide, 59.5cm deep. £300-500

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5.

A George III Welsh oak press cupboard, with a pair of Gothic panelled doors enclosing a shelf, above three short and two long drawers, probably Carmarthenshire, 150.3cm high, 134.3cm wide, 50.5cm deep. £300-400

6.

An 18th century oak hanging spice cupboard, with a panelled door enclosing shelves and two drawers, 55.9cm high, 61.2cm wide, 24.8cm deep. £100-200 5

7.

A pair of early 18th century backstools, each with a panelled back and seat with turned and block stretchered supports. (2) £150-250 8.

An oak press cupboard, the carved frieze incised with the date “1625”, with turned pendants, above a pair of panelled doors with carved leaves and flowers, the conforming base with further cupboards, 164.6cm high, 180.9cm wide, 63.1cm deep. £500-700

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

9.

A George III oak dresser, the raised plate rack with three shelves, the base fitted with an arrangement of seven drawers and a pair of panelled cupboard doors enclosing a shelf, all with bone escutcheons and brass handles, on ogee bracket feet, 210.9cm high,176cm wide, 52.5cm deep. £500-800

10. An early 18th century oak mule chest, the loose boarded top with a moulded edge, above a frieze carved with initials and date ‘A W 1704’, above quadruple panels and a pair of drawers, 83.8cm high, 141cm wide, 66.8cm deep. £150-250

11. A Charles II oak coffer, the hinged top with a moulded edge, the interior with a lockable lidded till, the triple panelled front with incised lozenge decoration, 62.5cm high, 100.3cm wide, 43cm deep. £300-500

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12. An oak farmhouse kitchen table, the rectangular top above an end frieze drawer with divisions and two side frieze drawers, on square tapering legs, late 18th / early 19th century, 75.5cm high, 182cm long, 94.6cm deep. £500-700

13. A harlequin set of eight ash dining chairs, each with a spindle back above a rush seat, on turned front legs united by stretchers, early 19th century and later, comprising: an armchair and seven side chairs. (8) £300-500

14. A 17th century boarded oak six plank chest, the hinged lid carved with panels of stylised flowers, the interior with a lidded till and a drawer, with a conforming front and sides, on bracket feet, 42.4cm high, 132.4cm wide, 34.2cm deep. £300-500

15. An 18th century oak settle, with a quadruple fielded panel back, above a rope seat and a later squab cushion, on turned and block legs, 103.8cm high, 184cm wide, 67.5cm deep. £400-600

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

16 detail 16

16. A Victorian yew highback Windsor armchair, with a burr pierced splat and cut-out arms, above an elm seat and turned legs united by a crinoline stretcher, probably Nottinghamshire. £500-700 Provenance: A private collection.

17. A Victorian yew highback Windsor armchair, with a pierced splat and cut-out arms, above an elm seat and on turned legs united by a crinoline stretcher, probably Nottinghamshire. £400-600 Provenance: A private collection.

18. A Victorian elm and beech smoker’s bow armchair, with a spindle back on stretcherd turned supports. £100-150

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19. A primitive elm pig bench, the seat branded with initials “G M”, possibly Welsh, late 18th / early 19th century and later, 41.7cm high, 156.5cm long, 37cm deep. £200-300

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20. A small George III leather trunk, with gilt tooled decoration and a brass handle, the paper lined interior with a paper trade label, inscribed ‘JOHN PHILLIPPS, Importer of Foreign Toys, 22, South Street, WORTHING’, 30.7cm wide. £100-150

21. A pair of George III brass candlesticks, each with a lobed socket, a knopped stem and a petal base, 19.5cm high. (2) £200-300

22. An 18th century leather costrel, 23.5cm high, together with two coopered barrel costrels. (3) £100-200

23. An 18th century brass milk churn money box, with a swing handle and with a heart shaped iron padlock with a key, 25.7cm high. £100-200

Provenance: A private collection.

24. A Victorian turned lignum vitae pestle, 33.5cm long. £40-60

25. A turned sycamore dairy bowl, 18th / 19th century, 23.1cm diameter. £80-120 Provenance: A private collection.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

26. A cast iron figural weather vane, decorated with a farmer with his dog shooting a rabbit, with traces of red paint, 55.5cm high, 80.4cm wide. £150-200

26

27. A mid 19th century Folk art holly and penwork walking cane, decorated with figures, birds and animals, with love hearts, farmyard scenes and a fox hunt, 85cm long. £100-200 28. Three late 19th century Norwegian bentwood and polychrome decorated boxes, all painted with flowers, two similar, with handles and side catches, one dated ‘1888’ and with inscriptions, 19.7cm high, 28.6cm wide (max). (3) £300-500 28 27

29.

A Folk art marine ivory corkscrew, the handle carved in the form of a bird, 14.5cm long. £100-150

30. A sailor’s scrimshaw whale’s tooth corkscrew, the handle carved with a sperm whale, the other side decorated with a flower and leaves and inscribed ‘GREASEY LUCK’, 11.6cm long. £100-150 To wish a whaleman greasey luck is to wish him a good voyage.

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31. A French provincial oak and elm vaisselier, with a fruitwood cornice and shelf fronts with arch designs and pierced with love hearts, with three drawers and an open base, 18th / 19th century, 203cm high, 151cm wide, 30.6cm deep. £400-600

32. A plaster cast of a 14th century missal cover, decorated with faux leather and brass to the centre with Saint Blaise, flanked by Duke Otto of Brunswick and his wife, with the heads of Saint John and Thomas Becket, inscribed ‘S. BLASEUS’ and ‘OTTO AGNES’, 33.5 x 25.5cm in a plush lined, glazed mahogany frame, with accompanying note. £100-200 33. A continental polychrome decorated terracotta figure of the Virgin Mary, with gilt highlights, she stands on a scrolling orb with a pair of angels, probably Spanish or Italian, 18th century, 22.7cm high. £100-150

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31 34. A continental carved pine figure of a winged cherub, probably 18th century, 39.4cm high. £150-200 Provenance: A private collection.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

35

35. An Italian Tuscan walnut refectory table in Renaissance style, the boarded rectangular top on carved cartouche trestle ends, decorated with scrolling leaves and rondels and on paw feet, united by a shaped stretcher, the table is collapsible, possibly used for travelling, 17th century elements and later, 80.5cm high, 230.2cm long, 93.6cm wide. £4,000-6,000 Provenance: Purchased by the current vendor’s grandfather in Italy in the 1930s.

36. A harlequin set of eight Italian walnut Renaissance style dining chairs, with fret carved panel backs and fore-rails, with differing incised decoration, on stretchered supports, with later squab cushions, probably 17th century Tuscany. (8) £1,500-2,500 Provenance: Purchased by the current vendor’s grandfather in Italy in the 1930s.

35 detail

36

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38

37. An early 19th century brass alloy cruciform shape pastry jigger, with a turned treen handle, possibly laburnum, with a cutting wheel and two prints, with a suspension ring, 23cm long. £40-60 Provenance: A private collection.

38. Two George III copper brandy warmers, each with a turned treen handle, 29cm long (max). (2) £40-60 Provenance: A private collection.

39. Five steel and iron keys, one with a Gothic pierced handle and one with a trefoil handle, 17th century and later, 15.9cm long (max). (5) £100-150

39

40. A George III steel trivet, with a pierced handgrip and a frieze decorated with rondels and a beaded border, on pad feet, 35.8cm high, 45.9cm wide. £100-150 Provenance: A private collection.

41. An 18th century wrought iron triple tined lark braising fork, 78cm long. £80-120 Provenance: A private collection.

41

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

42. A German stained glass and leaded panel, depicting a coat of arms inscribed ‘Herhette von Rihard’, 27.3 x 16.5cm. £200-300

43. A pair of German stained and leaded glass panels in Medieval style, depicting an arch decorated with flowers, in metal frames, late 19th / early 20th century, 144.3 x 43.5cm (each panel). (2) £400-600

44. A Swiss stained glass and leaded panel, depicting a pair of knights, one holding a banner, with a battle scene and the date ‘1543’, inscribed ‘DIE STATBAD’, in an iron frame, 45.7 x 34.7cm. £300-400

45. A French stained glass and leaded panel, depicting a portrait of a man / donor, 28 x 20.8cm. £200-300

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46

46. Six 17th century pewter plates, comprising: a good Charles II broadrim plate, with ownership initials ‘E W’, with touchmark ‘T C flanking a hand’, 30cm diameter, together with five plates with reeded rims, one by John Payne, the four others with owner’s initials, with various stamps, together with two books relating to pewter: Howard Herschel Cotterell, Old Pewter It’s Makers and Marks and Peter Hornsby, Pewter of the Western World 1600-1850. (8) £400-600 Provenance: A private collection.

47. An early 18th century German pewter octagonal beaker, inscribed and dated ‘Dis ist der Dresler Gefeller ihr Stope Anno 1729’, 13.5cm high. £300-400 48. A pewter candlestick, with a turned trumpet stem, 17cm high. £50-100

47

49. An 18th century wrought iron game crown, with eight hooks and stylised flower and leaf decoration, 33.3cm high, 40cm wide. £100-150 Provenance: Christopher Sykes Antiques, Woburn.

The collection of Michael Finlay.

A private collection.

48

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49

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

50. A pair of Victorian Irish gilt brass armorial carriage appliques, with the arms of Burke and Canning accollee, each decorated with chained mountain cats, with the motto 'UN ROY UN FOY UN LOY', 13.5 x 20.7cm. (2) £200-300 The arms are marshalled in this way to show that UIick John Burke (1802-1874), 14th Earl of Clanricarde, who was created 1st Marquess of Clanricarde in 1825, could display the collar of the Order of St. Patrick he was granted on the 19th October 1831 and that this honour did not apply to the Canning shield of his wife's family.

Provenance: A private collection.

51. Three Victorian copper and brass graduated haystack measures, the largest stamped ‘DE GRAVE SHORT & CO LTD LONDON 4291’ with a duty mark to the rim, the others ‘GALLON’ and ‘HALF-GALLON’, 38.4cm high (max). (3) £100-150

52. An Elizabeth I bronze skillet by Thomas Hatch of Broomfield, the handle with a ‘T H’ monogram, on reeded tripod legs and stylised paw feet, 12.4cm high, 24.3cm long. £100-150 See Michael Finlay, English Decorated Bronze Mortars and their Makers, p.50 for a discussion of Thomas Hatch and with illustrations of the above skillet.

Provenance: The collection of Michael Finlay .

A private collection.

53. A graduated set of six Victorian imperial bronze measures, each inscribed ‘THE BOROUGH OF BEWDLEY WORCESTERSHIRE’, four dated ‘1849’, two dated ‘1875’, comprising: Imperial Quart, Imperial Pint, Imperial Half-Pint, Imperial Gill, Imperial Half-Gill and Imperial Quart-Gill, also stamped ‘1021’, the rims with various duty marks, 13.5cm high, 12.5cm diameter (max). (6) £2,500-3,500

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54. An 18th century crotal bell by Robert Wells of Aldbourne, stamped with initials ‘R W’ and ‘28’, 12cm diameter, together with a smaller example by the same maker and two others one stamped ‘H S’. (4) £100-150

55

Provenance: A private collection.

55. A bronze bell, decorated with reeded bands and inscribed ‘LAUS DEO 1696’, with clapper, 21.9cm high. £100-150 56. A George II bronze hand bell, inscribed ‘TRINITY WARD 1755’, with a wrought iron clapper and a turned beechwood handle, 33.4cm high. £80-120 Provenance: A private collection.

57. A pair of bronze bells, decorated with reeded bands and a crowned cartouche, the centre with six balls, the reverse with the initials ‘V G’ flanking a fleur-de-lis motif, with clappers and suspension holes, possibly Italian, 18th century, 15cm high. (2) £200-300 58. A bronze baluster gill measure, stamped ‘GILL’ with ‘VR crowned’ stamp, a brass kitchen shaker and a servant’s bell with fixings, 23cm high (max). (A lot) £50-100 Provenance: A private collection.

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57 58

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

A PRIVATE COLLECTION OF MORTARS

two sides 59. A Commonwealth dated bronze mortar attributed to Henry Bagley I of Chacomb, the reeded body cast with the owner’s name ‘EDWARD GILLES’, with a foliate motif and the date ‘1656’, 12.2cm high, 15.5cm diameter. £500-800 See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp.91-92 for a discussion of Henry Bagley I and with illustrations of similar mortars.

Provenance: The collection of Robin Wigington (1932-2002).

A private collection.

60. A James I dated bronze mortar, the body decorated with reeded bands and dated ‘1617’, the proportions point possibly to the Oldfield family of Nottingham, 10.9cm high, 12.6cm diameter. £300-500

61. A Charles I dated bronze mortar attributed to Robert Oldfield of Hertford, the moulded body with the date ‘1639’, the ‘1’ a distinctive shape, 11.5cm high, 14.5cm diameter. £400-600

Provenance: A private collection.

See Michael Finlay, English Decorated Bronze Mortars and their Makers, p.45, pl. 55 for a discussion of the above mortar.

Provenance: Sotheby’s, The Clive Sherwood collection, 22nd May 2002, lot 86.

The David Pearsall collection.

A private collection.

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62. A large 17th century bronze mortar attributed to George Oldfield I of Nottingham, with three lug handles with wrought iron rings, the body cast with panels of foliage and with ownership triad initials, ‘H B E’, with a band of scrolling foliage, 17.5cm high, 21.5cm diameter. £500-800 62

See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp. 93-98 for a discussion of George Oldfield with illustrations of similar examples.

62

Provenance: Halls of Shrewsbury, 13th April 2016, Lot 232.

A private collection.

63. A Charles II dated bronze mortar attributed to Foundry X of Suffolk, the reeded body cast with a pair of rosettes flanking a crest, with a stag’s head issuant from a coronet above a torse, dated ‘1667’ 10.8cm high, 13.1cm diameter. £500-700

63

See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp.132-140 for a discussion of a group of mortars attributed to an unknown founder in Suffolk identified as Foundry X and with illustrations of similar mortars.

63

Provenance: Bonham’s, 24th February 2016, lot 347.

A private collection.

64. A Charles II bronze mortar attributed to Foundry X of Suffolk, the body cast with an ownership triad ‘P over W T’, a panel of three crowns over a thistle, leek and rose and a pair of teardrop panels of St. George and the dragon, c. 1665, 11cm high, 14.5cm diameter. £300-400

64

See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp.132-140 for a discussion of a group of mortars attributed to an unknown founder in Suffolk identified as Foundry X and with illustrations of similar mortars.

Provenance: A private collection.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

65 three sides 65. A Charles II dated bronze mortar by Edward Neale of Burford, the body cast with a crisp portrait bust of the ‘merry monarch’ Charles II, with a date ‘1666’ and the initials ‘E N’ flanking a bell, 11.3cm high, 14.8cm diameter. £800-1,200 See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp.100-107 for discussion of Edward Neale and with illustrations.

Provenance: The collection of Robin Wigington (1932-2002).

A private collection.

66 two sides

66. A Queen Anne dated bronze mortar attributed to Ralph Ashton of Wigan, the reeded body with owner’s initials ‘I H’ and a heart stop, dated ‘1708’, with a saltire scratch-mark and a pair of ropetwist handles, 14.4cm high, 18.3cm diameter. £500-800 See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp.54-57 for discussion of Ralph Ashton and with illustrations of similar examples.

Provenance: Sotheby’s, 22nd April 1986, lot 317.

Woolley & Wallis, 3rd April 2012, lot 238.

A private collection.

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67. A William and Mary dated bronze mortar, the body decorated with a ‘Cut-Card’ panel and dated ‘1690’, possibly by the Francis Sturton / ‘Cut-Card’ Foundry of South Petherton, 11cm high, 13.5cm diameter. £200-300

67

See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp. 121123 for a discussion of the ‘Cut-Card’ Founder, this mortar illustrated pl. 239-240 and with illustrations of similar mortars.

67

Provenance: The Hurst collection.

A private collection.

68. A Charles II dated bronze mortar, the body cast with the owner’s triad ‘E R A’, with a heart stop and dated ‘1684’, possibly by the Francis Sturton / ‘Cut-Card’ Foundry of South Petherton, 14cm high, 17.2cm diameter. £400-600 See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp. 121-123 for a discussion of the ‘Cut-Card’ Founder, this mortar illustrated pl. 236 and with illustrations of similar mortars.

68

Provenance: Christie’s, The Roger Warner collection, 20th21st January 2009, lot 126.

A private collection.

68

69. A Charles II dated bronze mortar attributed to Francis Foster of Salisbury, the body cast with a fleur-de-lis motif, a band of grape vine and the date ‘1665’, the base with five concentric rings, 9.5cm high, 11.5cm diameter. £200-300 See Michael Finlay, English Decorated Bronze Mortars and their Makers, p. 146 for a discussion of Francis Foster.

Provenance: Christopher Sykes Antiques, 15th August 2007.

A private collection.

69

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

70 two sides

70. A 16th century Spanish bronze mortar, with four lugs, one perforated with a rope-twist handle, with eight panels of letters ‘P O V O N R S O’, c.1530-40, 8cm high, 12cm wide. £300-400 A very similar mortar was discovered on the Punta Cana, Hispaniola shipwreck in 2011, sold at Wilkinson’s.

Provenance: A private collection.

71. A 15th century Iberian bronze mortar, with eight shaped projecting lugs, with incised bands, together with an associated turned pestle, 14cm wide. (2) £200-300 Provenance: A private collection.

71

72 72. A 17th century Iberian bronze mortar, the body decorated with split balusters, 8.1cm high, 13.3cm diameter. £100-150 Provenance: A private collection.

73. A 15th century Iberian bronze mortar, with five projecting ‘V’ shaped lugs and incised bands, together with a possibly original turned pestle, 13cm wide. (2) £200-300 73

Provenance: Woolley & Wallis, 8th January 2013, lot 90.

A private collection.

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74. A 16th century Dutch dated bronze mortar, the rim inscribed ‘MAURITIV’ and with ‘M’ flanked by rosettes, the body with a winged cherub mask flanked by foliage and with a horseshoe over an anvil, with a rope-twist handle, 9cm high, 13cm wide. £200-300 Provenance: A private collection.

74 two sides

75 75. An 18th century bronze mortar, the body with incised lines, the base with a maker’s stamp initials ‘C A’, 9.3cm high, 12cm diameter. £100-150 See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp. 161 and 163 for an illustration of this mortar and a discussion of the maker ‘C A’.

Provenance: Baggott Church Street Ltd, Stow-on-the-Wold, 9th May 2012.

The collection of Michael Finlay.

A private collection.

76

76. A bronze turned double-ended pestle, probably 17th century Iberian, together with a polished bronze double-ended pestle, probably early 18th century, 19cm long (max). (2) £80-120 Provenance: A private collection.

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THE LATE IAN JENKINS COLLECTION OF APOTHECARY BOXES & RELATED ITEMS

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77. A large collection of mortars and pestles, in bronze, bell metal, brass, iron, stone and wood, 18th century and later, 21.2cm diameter (max). (48) ÂŁ300-500 Provenance: From the collection of the late Ian Jenkins.

78. A French bronze mortar, the body decorated with cherub heads interspersed with foliage and scroll ribs, 16th / 17th century, together with an associated pestle, 10.3cm high, 14.5cm diameter. ÂŁ100-150

79. A 17th century Iberian bell metal mortar, decorated with grotesque masks and split balusters, with an associated pestle, 8cm high, 13cm diameter. (2) ÂŁ80-120

Provenance: From the collection of the late Ian Jenkins.

Provenance: From the collection of the late Ian Jenkins.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

80. A 17th century bronze mortar attributed to the Whitechapel Foundry in London, decorated with two bands of scrolling foliage and shells, together with an associated pestle, 14.4cm high, 18.1cm diameter. £200-300 See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp. 66-70, for similar mortars from the Whitechapel Foundry.

Provenance: From the collection of the late Ian Jenkins.

80 81. A 17th century bronze mortar, the body cast with a crown over a rosette, with an associated pestle, 10.6cm high, 12.3cm diameter.

(2) £100-150 Provenance: From the collection of the late Ian Jenkins.

81 82. A Charles II bronze mortar, the body cast with two portraits of King Charles, with an associated pestle, 8.8cm high, 12cm diameter. £100-150 Provenance: From the collection of the late Ian Jenkins.

82 83. A bronze mortar attributed to Abraham Rudhall I of Gloucester, the body cast with fleur-de-lis and a knurled band, late 17th / 18th century, with an associated mortar, 10.4cm high, 13.2cm diameter. (2) £80-120 The fleur-de-lis is a sign of purity.

See Michael Finlay, English Decorated Bronze Mortars and their Makers, pp.38-41 for a discussion of the Rudhall foundry and pl. 49 for a very similar mortar.

Provenance: From the collection of the late Ian Jenkins.

83

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84. A collection of glass and pottery apothecary jars and bottles, including a pair of Victorian pottery pink ground jars and covers, inscribed 'MEL: BORACIS' and 'UMG: HYD:OX:R', each with a paper label for 'F. W. WRENCH, CHEMIST, BOURNEMOUTH', and also three ribbed green glass examples, the base of one marked 'ES & CO., L, REGISTERED NO. 263897', 19th century and later, 27.7cm high (max). (38) £150-250

84

85. A collection of apothecary related items, including mahogany and brass pill makers, one by 'S. MOORE SON & THOMPSON, LONDON', a Blake and Mackenzie Ltd, Liverpool iron dispenser, a brass microscope in a mahogany case, glass ear syringes and other items, 48.6cm long (max). (A lot) £80-120 Provenance: From the collection of the late Ian Jenkins.

86. A selection of glass measuring jars and bottles, comprising: three bottles and stoppers in boxwood turned cases, one in an ebony case, one in a metal case, a leather cased medicine glass and measure (glass missing) and a powder puff in a boxwood case inscribed 'HOOPER & CO. LONDON', together with nine stem glass measures, 19th century and later, 16cm high (max). (16) £80-120 Provenance: From the collection of the late Ian Jenkins.

87. An Edwardian cachet maker set by S. Maw, Son & Sons, London, the lid with a printed label inscribed ‘The POPULAR CACHETS’, in a pine box, together with a cachet maker set by Konseals and another cachet machine and moulds in a wooden box, 44.3cm wide (max). (3) £80-120

88. A collection of balance scales, comprising: a brass set with a mahogany box base by D.E. Grave Short & Co. Ltd., a set by W & T Avery Ltd with seven weights, an unusual scales with a bull’s head terminal and five weights and two other cased sets, 66.7cm high (max). (5) £80-120

Provenance: From the collection of the late Ian Jenkins.

Provenance: From the collection of the late Ian Jenkins.

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89. An early 19th century mahogany apothecary’s box, the top with a sunken brass handle, above a twin hinged front revealing a fitted interior with fourteen glass bottles and stoppers, with various labels and with a drawer containing a glass pestle and mortar and a set of scales, 23.8cm high, 20.5cm wide, 16.4cm deep. £200-300 Provenance: From the collection of the late Ian Jenkins.

90. An early 19th century mahogany and brass bound apothecary’s box, the hinged lid with a vacant plaque, the interior with an applied brass plaque inscribed ‘From Apothecaries Hall, London’, the interior fitted with sixteen glass bottles and stoppers, the majority with paper labels for ‘Henry Sykes & Son, Chemist, Huddersfield’, with a base drawer with a pair of lidded compartments revealing a pestle and mortar, a measure and glass tumblers, with a lift-out tray fitted with a set of scales, flanked by a pair of metal canisters and with further glass bottles, with sunken brass handles, 25.7cm high, 31cm wide, 22.3cm deep. £300-500 Provenance: From the collection of the late Ian Jenkins.

91. A Victorian mahogany apothecary’s box, the top with a sunken brass handle above a twin hinged front, the hinges stamped ‘Patent lock joint’, the interior fitted with fifteen glass bottles and stoppers, with two drawers, one with a pestle and mortar and further bottles, the other with a set of scales and other utensils, the base stamped ‘E. BENTLEY LONDON’, the back with a sliding cover revealing four further bottles and stoppers, 27cm high, 23.1cm wide, 19.5cm deep. £200-300 Provenance: From the collection of the late Ian Jenkins.

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92. A mid 20th century mahogany dentist’s cabinet, the hinged lid with a swing handle and with a metal plaque inscribed ‘R. PARK’, revealing a fitted interior with glass bottles and stoppers and various dental instruments, above six graduated drawers fitted with assorted stainless steel instruments, 38.9cm high, 33.1cm wide, 23cm deep. £150-250 Provenance: From the collection of the late Ian Jenkins.

93. A Victorian mahogany apothecary’s box, the hinged top revealing a divided interior, fitted with various glass bottles and stoppers, some with boxwood lids inscribed ‘T. A. HAY CHEMIST, WAVERTREE’, fitted with scalpels, bandages and other items, the underside of the lid with a handwritten ‘Contents’ label, 14.5cm high, 36cm wide, 28cm deep. £100-150 Provenance: From the collection of the late Ian Jenkins.

92 94. An Edwardian mahogany travelling chemist’s box by S. Maw, Son & Sons Ltd., with a retractable sloping lid and a hinged front revealing glass measures, bottles and stoppers and test tubes, with two ivorine plaques inscribed ‘S. MAW, SON & SONS LTD. 7 TO 12.

ALDERSGATE ST.’, 20.3cm high, 33cm wide, 22.7cm deep. £80-120 Provenance: From the collection of the late Ian Jenkins.

95. Three leather travelling apothecary cases, each fitted with glass bottles and stoppers, one stamped ‘Kum stock im Eisen, WIEN I. KARNTHNERSTRASSE 1.’, one stamped with a double R monogram in a cross, together with a Burroughs Wellcome & Co. ‘Tabloid’ hypodermic case, 17cm wide (max). (4) £80-120 Provenance: From the collection of the late Ian Jenkins.

93

95

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96 96 open

97 open

96. A rare late Victorian leather ‘Tabloid’ apothecary’s travelling case, with a strap handle, the interior fitted with utensil holders, a pouch and with various glass bottles with cork stoppers and with original contents, stamped ‘TRADE MARK “TABLOID” BRAND BURROUGHS WELLCOME & CO. LONDON, SYDNEY & CAPETOWN.’, with registered number ‘419543’, with a tooled view of factories inscribed ‘WORKS AND LABORATORIES OF BURROUGHS WELLCOME & CO.’, 17.3cm high, 26cm wide, 12.5cm deep. £200-300 Provenance: From the collection of the late Ian Jenkins.

97. A Victorian leather ‘miniature dispensary’ apothecary’s box by Kirby & Co., the hinged lid revealing a divided interior with various glass bottles and stoppers, some with labels for ‘Thomas Hollis 30 Union St. Boston’, the underside of the lid stamped in gilt ‘MINIATURE DISPENSARY TASTELESS MEDICINES KIRBY & CO. 14 NEWMAN STREET LONDON W.’, the leather cover revealing further glass phials and a lidded compartment, 28.5cm wide, 20.5cm deep. £150-200

98

98 open

Provenance: From the collection of the late Ian Jenkins.

98. A George III mahogany apothecary’s box, the hinged lid with a gilt brass handle, revealing a divided interior fitted with eleven bottles and stoppers (one missing) and a measure and a pestle, with a base drawer, with a lift-out tray fitted with a pestle and mortar, a set of scales and further bottles, a syringe and other items, 22cm high, 21.6cm wide, 16.5cm deep. £200-300 Provenance: From the collection of the late Ian Jenkins.

99

99. A George III mahogany apothecary’s box, the hinged lid with a brass handle revealing a divided interior containing various glass bottles and stoppers, with a divided base drawer, 23.5cm high, 25.6cm wide, 20.5cm deep. £100-200 Provenance: From the collection of the late Ian Jenkins.

99 open

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FURNITURE & WORKS OF ART

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100. A late 17th century Anglo-Dutch walnut and marquetry chest on stand, inlaid with stringing and with panels of foliage and birds, with a frieze cushion drawer, above two short and three long graduated drawers, the base with a drawer and on bun feet, 129cm high, 104.7cm wide, 60.8cm deep. £1,000-1,500 Provenance: Cypress House, Chilton Cantelo, Somerset.

100

101. An early 18th century oak bureau bookcase, the double domed top above a pair of fielded panel doors enclosing shelves, the interior fitted with pigeon holes and drawers, four with paper lined fronts with ink inscriptions ‘ London Letters, Money and Bills ‘, with a central cupboard door flanked by secret pilaster compartments, above a sliding well cover, with two short and two long drawers on bun feet, 215.5cm high, 99.9cm wide, 59.2cm deep. £500-800

101

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102. A William and Mary style walnut settee, covered in needlework fabric and with a squab cushion, on scroll carved front legs united by conforming stretchers, late 19th century, 97.7cm high, 232cm wide, 78cm deep. £500-800 Provenance: Cypress House, Chilton Cantelo, Somerset.

103. A Queen Anne style wing armchair, upholstered with floral tapestry, on ebonised beechwood scroll front legs, united by a forerail and block and turn stretchers, early 18th century elements. £400-600 Provenance: Cypress House, Chilton Cantelo, Somerset.

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104. A Queen Anne and later japanned beechwood wing armchair, upholstered with burgundy plush fabric, on leaf and scroll carved tapering front legs with Braganza feet, united by a scroll arched forerail and block and turned stretchers. £400-600 Provenance: Cypress House, Chilton Cantelo, Somerset.

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105. An early 18th century silkwork embroidered picture, depicting the ‘Judgement of Paris’, with a pair of angels crowning the victor with a laurel leaf, 20.5 x 29cm, in a later glazed ebonised and gilt moulded frame. £800-1,200

106. A Charles II embroidered stumpwork panel, depicting the five senses, touch: a man with a bird, sight: a woman with a mirror, hearing: a woman playing the lute, smell: a woman with a flower, taste: a man eating an apple, with further decoration of a castle, birds, a squirrel, a stag and a recumbent camel, all on a silk ground, 21 x 35cm, in a later glazed gilt and ebonised frame. £1,000-1,500

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107. A George II walnut lowboy, the quarter veneered and crossbanded top with a moulded edge, above three frieze drawers and on oak cabriole legs and pad feet, 71.7cm high, 81.3cm wide, 53.5cm deep. £1,200-1,500 Provenance: Purchased from Christie's, 25th October 1990.

107

108. An early 18th century walnut chest, the quarter veneered top with cross and feather banding, above two short and two long drawers, on later bracket feet, 87.6cm high, 97.6cm wide, 57.3cm deep. £300-400

108

109. An early 18th century walnut chest, with cross and feather banding and fitted with two short and two long graduated drawers on bun feet, 95cm high, 97.1cm wide, 57.6cm deep. £400-600 Provenance: Cypress House, Chilton Cantelo, Somerset.

109

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110. A walnut cabinet on secrétaire chest, with cross and feather banding, a pair of doors enclosing an arrangement of twelve drawers, the base with a secrétaire fitted with pigeon holes and drawers, above two short and two long drawers and on bun feet, early 18th century and later, 185cm high, 113cm wide, 51.7cm deep. £800-1,200 Provenance: Cypress House, Chilton Cantelo, Somerset.

110

111. A George II walnut fret-frame wall mirror, with a shaped bevelled edge plate, within a moulded frame and with a detachable fret carved surmount, the reverse with a paper label for ‘Paul Smith Antiques, Ludlow’, 125.9 x 64.7cm. £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

112. A walnut wall mirror, the bevelled rectangular plate within a gilt slip and a moulded frame, with a giltwood surmount carved with shells and leaf scrolls, 66.3 x 45.2cm. £300-500

113. A George I walnut pier mirror, with arched bevelled plates, etched with a coronet and a fleur-de-lis motif, within a moulded frame, 113.4 x 49.5cm. £400-600 Provenance: Cypress House, Chilton Cantelo, Somerset.

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114. An early George II walnut demi-lune tea table, the twin hinged top revealing a vacant compartment, on a single gate support, on turned club legs and pad feet, 71.8cm high, 68.5cm wide, 38.7cm deep. £150-200

114 115. A George II mahogany drop-leaf dining table, the oval top on turned club legs and pad feet, 71.5cm high, 116 x 138cm (open). £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

115

116. A George II mahogany drop-leaf dining table, the oval top with a moulded edge, above a frieze drawer, on cabriole legs and hoof feet, 73.4cm high, 106 x 130cm (open). £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

116

117. A George II oak stool, the later floral upholstered seat with a tasseled fringe on cabriole legs united by an “X” stretcher, 55.5cm high, 56cm wide, 48cm deep. £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

117

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118. A George II mahogany card table, the rectangular hinged fold-over top with protruding corners, revealing a baize lined playing surface with candlestands, above a frieze drawer and on acanthus carved cabriole legs, the scroll feet carved with a rosette within a cartouche, 71.7cm high, 90cm wide, 48.5cm deep. £600-800 Provenance: Cypress House, Chilton Cantelo, Somerset.

118

119. An early George III mahogany tea table by Philip Bell, the hinged foldover top on a single gate support with a frieze drawer, with a paper trade label inscribed ‘Philip Bell CABINETMAKER Upholders & Undertakers at No. 23 St. Paul’s Church Yard LONDON’, with egg and dart mouldings on chamfered legs and later brass castors, 75cm high, 91.5cm wide, 45.5cm deep. £500-700 Philip Bell was a cabinet maker and upholder working between 1758-74.

He was based at St. Paul's Churchyard and was successor to Elizabeth Bell.

The trade label on this tea table was used c.1770-74. See Christopher Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840, p.103 pl.109 for an identical label found on a medicine chest now at Colonial Williamsburg Foundation.

119

119 detail

119A. Five assorted 18th century side chairs, in mahogany, walnut and fruitwood, all with pierced splat backs and drop-in seats. (5) £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

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120. A mid 18th century mahogany chest, inlaid with stringing and fitted with an arrangement of ten drawers, 77.3cm high, 78.8cm wide, 49.3cm deep. £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

120

121. A large George II mahogany tripod table, the oval tilt-top on a gun barrel stem, on cabriole legs and pad feet, 70.2cm high, 116.3 x 102cm. £300-400 Provenance: Cypress House, Chilton Cantelo, Somerset.

121

122. A mahogany mule chest on stand, the hinged top with a reeded edge above a drawer, the stand with chamfered legs, 18th century and later, 76.8cm high, 90.3cm wide, 41.2cm deep. £150-250

122

123. A George II mahogany drop leaf dining table, the rectangular top with rounded corners and on a pair of twin gate supports, with club legs and pad feet, 73.9cm high, 120.6 x 133cm (open). £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

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123

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124. A George III mahogany dining table, comprising: a pair of ‘D’ ends and a drop-leaf central section with one additional leaf on chamfered square tapering legs, 72.1cm high, 273cm long, 137.5cm wide. £800-1,200

125. A harlequin set of ten George III mahogany dining chairs, each with a serpentine padded back and seat, upholstered in floral velvet fabric, on chamfered legs united by ‘H’ stretchers, some with paper labels for ‘Paul Smith Antiques, Ludlow’. (10) £800-1,200 Provenance: Cypress House, Chilton Cantelo, Somerset.

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126. A George III mahogany tray-top commode, the shaped gallery pierced with two handgrips above a pair of cupboard doors and a pull-out base with a lidded pot, 73.8cm high, 53.4cm wide, 50.5cm deep. £100-150 127. A George III mahogany tray-top bedside commode, the sides pierced with handgrips, the front with outline mouldings and with a cupboard door above a pull-out base fitted with a ceramic pot and cover, 76cm high, 57.8cm wide, 48.5cm deep. £200-300 Provenance: From the collection of Sir Jeremy Lever.

128. A George III mahogany tripod table, the circular tilt-top on a baluster turned stem, 68.8cm high, 66.6cm diameter. £100-150

126

127

Provenance: Cypress House, Chilton Cantelo, Somerset.

129. A George II mahogany tripod table, the circular dished tilt-top on a gun barrel stem, top and base possibly associated, 69.2 high, 57.3cm diameter. £100-150 130. A George III mahogany Pembroke table, the drop-leaf top with a moulded edge, above a frieze drawer, on square tapering legs and brass caps and castors, 71.7cm high, 96 x 122cm (open). £150-200 Provenance: Cypress House, Chilton Cantelo, Somerset.

128

131. A George III mahogany Pembroke table, with a frieze drawer to either end, on panelled tapering legs and spade feet, 70.3cm high, 82.5 x 84.6cm deep (open). £80-120

129

Provenance: Cypress House, Chilton Cantelo, Somerset.

130

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131

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132. A George III and later Irish mahogany wake table, the oval drop-leaf top on double twin gate supports and square legs,74cm high, 218 x 168.5cm (open). £1,500-2,000 Provenance: Purchased from Cavendish Fine Arts, Twyford, 6th April 1991.

133. A set of twelve mahogany armchairs after a design by John Linnell, each with a stylised lyre splat back, a carved patera above a dropin seat, on square tapering fluted legs. (12) £3,000-5,000 This set of chairs is based on the original set of ten and one settee made for Robert Child at Osterley Park, c.1768.

Provenance: Formerly at Crichel House, Dorset.

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134. A mahogany tripod table, the oval dished tilt-top carved with leaves and ribbon tied flowers, on a fluted baluster stem, with leaf capped cabriole legs and stylised claw and ball feet, probably late 18th century, 71.8cm high, 56.5cm wide. £150-250

136. A George III mahogany stool, with a damask covered seat above moulded and petal carved square tapering legs and spade feet, 47.5cm high, 48cm wide, 40.5cm deep. £200-300

137. An early George III mahogany tripod table, the dished tilt-top above a turned baluster stem, 66.8cm high, 61cm diameter. £100-150

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135. A George III mahogany secrétaire bookcase, with a pair of astragal glazed doors enclosing three adjustable shelves, above a baize lined secrétaire fitted with drawers, pigeon holes and central cupboard with two further drawers, with a brass Bramah lock, above a pair of cupboard doors enclosing four pull-out slides, 231.2cm high, 125.5cm wide, 62.5cm deep. £300-500 Provenance: The Old Rectory, Little Langford, Wiltshire. Sold in these rooms, 8th July 2014, lot 26.

138. A pair of George III mahogany side chairs, each with a leaf and scroll carved top rail, above a pierced Gothic splat and a drop-in seat. (2) £200-300

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139. A George III mahogany serpentine chest, the top with a moulded edge, above four long crossbanded graduated drawers, the canted angles with parquetry banding and on panelled bracket feet, 97cm high, 119cm wide, 58.3cm deep. £600-1,000 Provenance: Cypress House, Chilton Cantelo, Somerset.

139 140. A George III giltwood armchair, the moulded frame carved with ribbon tied husks and leaves, the oval padded back, armrests and seat covered in yellow silk damask, on cabriole front legs. £300-500

141. A George III Sheraton style satinwood collector’s cabinet on stand, inlaid with stringing and tulipwood banding, with a pair of oval panelled doors enclosing an arrangement of eight drawers, the top two with divisions, five others with trays, with turned bone handles, the stand with square tapering legs and spade feet, 102.5cm high, 51.2cm wide, 38.9cm deep. £400-600 140

141 open

Provenance: The collection of Lady Ottoline Morrell and thence by descent.

141

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142

142. A 19th century mahogany three seater settee, covered in scarlet silk damask with six cushions and two bolsters, on stretchered square tapering legs and brass caps and castors, 92.5cm high, 200cm wide, 69cm deep. £800-1,200

143. A George III satinwood square washstand, the banded twin hinged top revealing a bowl aperture within an en arc d’arbelète moulding, above a drawer inlaid with barber’s pole stringing, with a shaped undertier, 82.3cm high, 36cm square. £200-300

143

144. A George III mahogany bowfront hanging corner cupboard, interior with three shelves, 108cm high, 72cm wide, 50cm deep. £100-150 Provenance: Cypress House, Chilton Cantelo, Somerset.

144

145. A George III mahogany tea table, the hinged top with a ribbon and floret carved edge supported by a single gate, the base with cabled mouldings and with fretwork brackets, 74cm high, 81cm wide, 40.5cm deep. £300-400

146. A set of five mahogany dining chairs in George III style, each with an upholstered padded back and seat, on chamfered legs united by stretchers. (5) £800-1,200 145

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146

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147 detail 147. A set of mahogany and satinwood hanging wall shelves, with three stepped tiers and pierced fretwork ends and divisions, fitted with three drawers inlaid with marquetry decoration of scrolling leaves and flowers, centred with a pair of griffins flanking an urn, 19th century, 77.8cm high, 86.7cm wide, 17cm deep. £1,000-1,500 The design for the marquetry is taken from the Temple of Antonius and Faustina, Rome, and was engraved for a ‘Frieze or Tablet’ in Thomas Sheraton’s ‘The Cabinet-Maker and Upholsterer’s Drawing Book’, 1793, pl. 56.

Provenance: Christie’s, Important English Furniture, 17th April 1997, lot 17.

147

148. A George III giltwood wall mirror, the later plate within a naturalistically carved frame with branches, leaves and fruit, with scrolls, rockwork and finials, 116.1 x 70.5cm. £300-500

149. A mahogany serpentine chest, of four long graduated drawers, the front and canted angles with satinwood and parquetry banding, the drawers with later slides, George III and later, 85.2cm high, 91.6cm wide, 51.7cm deep. £500-800 Provenance: By repute Sir Hugh Fraser, 2nd Baronet, chairman of the House of Fraser and Harrods.

150. A George III style mahogany three seater settee, upholstered with red check fabric, with four cushions and two bolsters, with a fluted frieze and floret headed fluted tapering legs, 19th century, 90cm high, 199.5cm wide, 97cm deep. £800-1,200

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151. A George III mahogany cheese coaster, of panelled scroll form and with an adjustable division on sunken brass roller castors, 16.8cm high, 48cm wide, 23cm deep. £200-300

152. A mahogany tripod table, the circular dished tilt-top on a vase turned stem, 66.9cm high, 48cm diameter. £100-150 153. A George III mahogany dished tray, 51cm diameter, together with a similar but later mahogany tray. (2) £100-150 Provenance: A private collection.

154. A George III mahogany pedestal urn cupboard, the top with a circular raised plinth, above a door enclosing a shelf, with a pull-out drawer with two divisions on brass roller castors, 68.6cm high, 42.2cm wide, 42.5cm deep. £400-600

154

155. Two mahogany lazy susans, one with a pie-crust edge, 52cm diameter (max). (2) £100-150 Provenance: Cypress House, Chilton Cantelo, Somerset.

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156.

A George III ivory decagonal tea caddy, inlaid with tortoiseshell stringing, the tent hinged top with a silver loop handle revealing a part foil lined interior with a tortoiseshell lid, the front with a miniature painting of a lady beside a tomb within a silver mount and a silver dot border, 12.3cm high, 11.5cm wide. £600-800

156

157.

An early Victorian mother of pearl tea caddy, of sarcophagus shape, the hinged lid revealing a pair of lidded compartments, with ivory edging, on vegetable ivory feet (one replaced), 15.5cm high, 22cm wide, 14.5cm deep. £150-250

158. A late George III mahogany tea caddy, with ebonised stringing and edging, the hinged top with an oval inlaid panel and a brass swing handle, the interior with a lead lid and with a bone escutcheon, 11.3cm high, 11.9cm wide. £100-150

158

159. A George III satinwood and kingwood tea caddy, the hinged lid inlaid with a central fan patera and with fan spandrels, the interior with twin lidded divisions, each with a bone handle, 24.2cm wide, together with a George III harewood and marquetry tea caddy, 11.5cm. (2) £200-300

160. A George III satinwood tea chest, inlaid with stringing and with a marquetry conch shell, the interior with a pair of pull-out lidded canisters with bone handles flanking a glass sugar bowl, 15.4cm high, 30.1cm wide. £150-250

160

Provenance: Cypress House, Chilton Cantelo, Somerset.

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161. A 19th century mahogany artist’s paint box by Rowney & Co., the hinged lid with a printed trade label inscribed ‘G. ROWNEY & Co. Superfine Oil & Water Colour Preparers, GENUINE BLACK LEAD & HAIR PENCIL MANUFACTURERS, TO THEIR MAJESTIES AND THE PRINCIPAL ARTISTS, 51, Rathbone Place, LONDON.’, above a fitted interior with watercolour blocks, with divisions and a base drawer with a sunken brass handle, 24cm wide, together with another mahogany artist’s paint box, the interior fitted with a ceramic palette, paint blocks and a glass mixing bowl, 26.6cm wide. (2) £100-200

162.

A George III mahogany tea caddy, with blind fret carved decoration, the hinged lid with a gilt brass handle revealing three lidded compartments and a lift-out spoon rest compartment, with ivory corner columns on ogee bracket feet, 17cm high, 24.8cm wide, 15.4cm deep. £150-200

163.

A George III mahogany octagonal tea caddy, inlaid with boxwood and ebonised stringing and with rosewood banding, with a later foil interior and key escutcheon, 11.3cm high, 11.6cm wide. £200-300

164. A 19th century mahogany workbox, inlaid with stringing, the hinged lid with a marquetry urn, the interior with a lift-out tray with divisions, above a pair of base drawers, on brass ball feet, with a pair of brass side carrying handles, 32cm high, 41cm wide, 26.2cm deep. £100-150

165. Literature. Percy Macquoid & Ralph Edwards, The Dictionary of English Furniture, in three volumes, original gilt cloth, folio, Country Life, 1924-27. (3) £200-300

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166. Literature. Percy Macquoid, A History of English Furniture, in four volumes, leather and cloth, folio, Lawrence & Bullen, 19041908. (4) £200-300

167. Literature. Esther Singleton, The Furniture of our Forefathers, in two volumes, B. T. Batsford 1901, together with seven other books relating to furniture, including Furniture in England by Francis Lenygon and English Furniture from Charles II to George II by R. W. Simmons. (9) £50-100

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168 168. A late Regency brass bowfront fender, with pierced and engraved decoration of a central urn of fruit, flanked by a pair of ostriches and scrolling leaves and ribbon tied rosettes and a pair of unicorns, on stylised paw feet, 29.6cm high, 112cm wide, 34cm deep. £200-300 169. A set of three Victorian steel fire tools, each with a foliate gilt brass handle, with a pierced pan, 76.5cm long (max). (3) £200-300 170. A set of three 19th century fire tools, each with a gilt brass handle decorated with leaves and beads, with a pierced pan, together with an associated stand with a Rococo style handle and a turned stem, the underside of the base stamped ‘B. F.’, 77.2cm high. (4) £150-200 169 171. A set of three Victorian steel fire tools, each with a cartouche and mask gilt brass handle, with a pierced pan, 78.7cm long (max). (3) £250-350 172. A late Victorian brass and cast iron fire-grate in Regency style, the classical temple back above a railed front and lions monopodia supports, stamped with registration number '4843', 78.9cm high, 69cm wide, 35.5cm deep, together with a brass fender and four fire tools. (6) £800-1,200 170

171

172

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173. A 19th century Dutch mahogany and brass bound peat bucket, of navette shape, with a swing handle and a brass liner, 34.1cm high, 32.5cm wide. £500-700

174. A copper logbin, with a riveted body and on brass stylised paw feet, 40.9cm high, 50.5cm diameter, together with a copper coal bucket, with a wrought iron swing handle and scroll legs, 41.5cm high. (2) £100-150

175. A copper logbin, with a wrought iron swing handle, 45.5cm high, 53.7cm wide. £150-200

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176. A 19th century red leather fire bucket, the body emblazoned with the Royal Coat of Arms, (handle present but needs attaching), 33.3cm high, 29.5cm wide. £100-150 Provenance: Cypress House, Chilton Cantelo, Somerset.

177. A 19th century steel and ormolu fender, with a railed top, 168cm wide, 45.5cm deep. £100-150

176

177

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178. Maritime interest. An early 20th century walnut revolving three tier coat rack, with thirty-five gilt nickel hooks, with a baluster turned stem on tripod legs, with a base with three bolts, this coat stand was probably made for an ocean liner as the bolts would have attached it to the deck, 215cm high, 83cm diameter. £800-1,200

179. An Arts and Crafts style oak and loom hat stand, with eight hooks and a painted metal lift-out tray, early 20th century,186.2cm high, 50cm wide and deep. £200-300

178

179

180. A velvet covered logbin, decorated with a tapestry panel, with a hinged top and brass studded edges, 68.5cm high, 71.1cm wide, 34cm deep. £150-200

181. A Victorian walnut fender stool, with a needlework seat on carved feet, 17cm high, 109.6cm long, 26cm deep. £150-200

182. Two wicker laundry baskets, each with rope handles, one with leather straps, 55.5cm high, 85.3cm wide, 56.5cm deep (max). (2) £200-300

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183. A pair of Victorian brass doorstops, each modelled with cupid and a snake, stamped with registration number ‘53035’ and with a weighted base, 40.5cm high, 26cm wide. (2) £200-300 Provenance: By repute Lord and Lady Winnington, Worcestershire.

184. A Victorian cast iron stickstand, in the form of a seated dog before an oak tree, with two divisions and a lift-out tray, 69.2cm high, 44.9cm wide. £200-300 185. A Victorian brass dolphin doorstop, 35.3cm high. £100-150 186. A Victorian brass and cast iron twelve division stickstand, with twin lift-out trays, 62.5cm high, 51cm wide, 23.5cm deep. £200-300

184

186

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185

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187 part 187. After a design by Sir Edwin Lutyens. A pair of teak 'Sissinghurst' garden benches by Barlow Tyrie, each with a brass makers plaque, modern, 105cm high, 195cm wide, 54cm deep. (2) £1,500-2,000

188. A carved white marble campana shape urn, late 19th / early 20th century, 69.3cm high, 60cm diameter. £400-600

189. A white painted cast iron bench in Coalbrookdale style, decorated with a grape vine and leaf scrolls, 86cm high, 106cm wide, 59.5cm deep, together with a cast aluminium garden bench naturalistically decorated and with a wooden slatted seat, 86cm high, 129.2cm wide, 58.3cm deep. (2) £200-300

187 part

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CONTINENTAL FURNITURE & LIGHTING

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190.

A Flemish ebony and kingwood cabinet, inlaid with ivory stringing, with geometric panelled decoration, the hinged top revealing a vacant compartment above a pair of doors with a ripple moulding, enclosing an arrangement of nine drawers, three with veneered linings, all fitted with later brass ring handles, originally with side carrying handles, late 17th / early 18th century, on an associated and later ebonised stand with winged paw feet, 94.8cm high, 103cm wide, 47.7cm deep. £2,000-3,000 Provenance: The Old Rectory, Little Langford, Wiltshire. Sold by order of Trustees of the Estate of the late Miss S.F. Rooke. Sold in these rooms 8th July 2014, lot 11.

191. An oyster veneered and marquetry occasional table, the top inlaid with fruitwood and green stained bone with flowers and leaves, on a beechwood base with four scroll legs, the top late 17th century, the base modern, 75cm high, 52.5cm wide, 40.5cm deep. £200-300

192. An 18th century Dutch burr satin birch and ebonised bureau bookcase, in three sections, with a pair of later bevelled mirror doors enclosing adjustable shelves, the base inlaid with ebonised and pewter banding, the hinged fall enclosing a stepped interior, with drawers and pigeon holes above a sliding well cover, above three long drawers and later ebonised bun feet, 208.6cm high, 103.5cm wide, 63cm deep. £2,000-3,000 Provenance: The Property of Harriet Wynter, removed from Résidence St. Michel, Cannes, France. Sold in these rooms 7th October 2014, lot 1.

191

192

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193. A 19th century Dutch mahogany and marquetry demi-lune commode, inlaid with urns of flowers, leaves and birds, with a central frieze drawer above a cupboard door (locked), flanked by two further doors, 79.5cm high, 79cm wide, 38.1cm deep. £300-500

193

194. An 18th century Dutch walnut side chair, carved with scrolls and rocaille, the pierced splat above a drop-in seat, on cabriole legs ad claw and ball feet. £100-150

194

195. A Dutch mahogany and marquetry demi-lune side table, inlaid with an urn, leaves and flowers, with a pair of segmented frieze drawers, on square tapering legs, late 18th / early 19th century, 77cm high, 82.5cm wide, 41cm deep. £150-250

195 196. A Dutch mahogany and marquetry serpentine commode, inlaid with ribbon tied swags with an urn of flowers and musical trophies, the top with a moulded edge above a pair of doors enclosing a shelf, late 18th / early 19th century, 87.7cm high, 99.1cm wide, 54.5cm deep. £400-600 Provenance: Cypress House, Chilton Cantelo, Somerset.

196

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197.

A Dutch rosewood and ebony Baroque cabinet on stand or luiermanskastje, with ripple mouldings, the detachable cornice with a central panel carved with swags of flowers, above a pair of panelled doors, flanked by three Corinthian capital pilasters, the central one sliding to reveal a key escutcheon, enclosing a shelf, above a frieze drawer with carved lion’s head masks with brass ring handles, the stand fitted with a drawer and with blind fret strapwork decoration, on cup and cover turned supports united by a stretcher and on ebonised ball feet, 18th century, 201.7cm high, 142cm wide, 59.8cm deep. £1,500-2,000

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198. A Biedermeier satin birch secrétaire à abattant, the raised top with a drawer above a further drawer and a panelled fall front revealing an arrangement of eight drawers around a mirrored recess, the base with a cupboard door with false drawer fronts, with ebonised shield-shaped escutcheons, 19th century, 171.8cm high, 111.5cm wide, 52.3cm deep. £800-1,200

199. A 19th century continental mahogany semainier, the pagoda top above seven long graduated drawers with book matched veneers, with bone escutcheons and scroll front feet, in two parts, 162.5cm high, 98.8cm wide, 50cm deep. £400-600

201

200.

A Swedish kingwood bombe serpentine commode, with gilt brass mounts, parquetry lattice panels and rosewood banding, the rouge marble top with a moulded edge, above three long drawers, late 19th century, 77.8cm high, 108.4cm wide, 48.7cm deep. £400-600 201. A Swiss walnut side table, the top with an en arc d’arbalète edge above a frieze drawer and square tapering legs, late 18th / early 19th century, 73.2cm high, 66cm wide, 50cm deep. £150-200 202. An early 19th century demi-lune Biedermeier cherrywood tea table, the segmented hinged fold-over top supported by a single pullout leg, with a compartment, 78.3cm high, 86.7cm wide, 43.7cm deep. £300-500

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202

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203. An 18th century style Italian Venetian green lacquered bureau bookcase, decorated with gilt highlights and painted with chinoiserie figures, signed ‘BULEGATO’, the top with a central etched mirrored panel and a pair of doors also with mirrors etched with a gentleman and lady, enclosing a mirrored interior with six drawers, the bombe base with a hinged fall, above three drawers, mid 20th century, 238.5cm high, 118.5cm wide, 52cm deep. £600-800

204. An Italian Venetian glass wall mirror, with a rectangular plate within a moulded lattice outer border, with applied florets and etched with flowers and leaves, late 20th century, 122 x 102cm. £300-500 205. An Italian Venetian lacquered and painted gondolier’s chair, with parcel gilt decoration, the back painted with flowers, with a faux leopard skin covered seat, above a sleigh type base painted with the lion of St Mark and with stylised fish head feet, probably late 18th / early 19th century, 95.7cm high, 93.5cm wide, 43cm deep. £800-1,200

203

205

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206. A continental painted console table, with gilt highlights and floral sprays, 89.3cm high, 104cm wide, 36.2cm deep. £100-200 207. A late 19th century Italian Florentine giltwood wall mirror, the rectangular plate within a scroll carved frame, the reverse with a metal inventory plaque numbered ‘LK5172’, 51 x 35cm. £100-150

206

208. A Louis XV style kingwood and marquetry serpentine commode, with a breche d’alep marble top above two drawers, inlaid with flowers and leaves, first half 20th century, 87.5cm high,110.6cm wide, 46.5cm deep. £400-600

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209. A near pair of French walnut bedside cupboards, each with a grey marble top, above a frieze drawer and a door enclosing a shelf, early 20th century, 76.8cm high, 40.2cm wide, 36.5cm deep. (2) £100-150 210. A set of six Louis XV style beechwood fauteuil, each with green damask upholstery and moulded and flower carved frames, late 19th century. (6) £500-800 209

208

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211

211. Gabriel Viardot (French 1830-1906). A near pair of French stained beechwood ‘Japonais’ jardinière stands, each with a pink marble inset top above a pierced frieze with oriental symbols, on scroll legs and claw and ball feet, both stamped ‘G. Viardot’, 101cm high, 32.5cm square. (2) £1,500-2,000

212

212. A Louis XV style giltwood and gesso pier mirror, with an arched plate within a moulded frame and a cartouche, flower and leaf surmount, 19th century, 160.8 x 77.4cm. £200-300 213. A 19th century French painted wood and leather faux book occasional table, the hinged top revealing a marbled paper part lined interior, with a lidded compartment on turned legs, 45.5cm high, 44.5cm wide, 35.7cm deep. £300-500 214. A Louis XV style giltwood console table, the serpentine white marble top above a frieze carved with scrolls and centred with a cartouche, on cabriole legs, 83cm high, 79.3cm wide, 32.6cm deep. £300-500

214

213

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215. A late 19th century French ormolu and serpentine table lamp, decorated in the Louis XV style with laurel swags and florets, the base stamped ‘F. BARBEDIENNE PARIS’, 54.3cm high. £200-300

216. A Louis XVI style giltwood and gesso wall mirror, the rectangular bevelled plate within a beaded, ribbon and florets moulded frame, with a ribbon tied flower and leaf surmount, early 20th century, 214 x 121cm. £400-600 217. A continental giltwood and gesso wall mirror, with a bevelled plate within a leaf and flower decorated frame, with a cable moulding, the surmount with a laurel leaves, ribbons and a central cartouche of a bird, the base with a tasselled swag, 19th century and later, 110.3 x 109.4cm. £200-300

218. A French gilt and patinated brass fifteen light chandelier, the pierced corona above a stem decorated with cherubs holding torches, the body applied with urns of flowers and with six scroll arms, each decorated with a cherub, above a floral pendant, late 19th / early 20th century, 93cm high, 76cm wide. £800-1,200

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219. A German table lamp, the body painted with flowers and with silvered metal mounts in the Renaissance revival style, together with a brass and silvered metal table lamp, 57.8cm high (max). (2) £50-100 Provenance: From the collection of Sir Jeremy Lever.

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220. A giltwood centre table in Régence style, the serpentine sarrancolin marble top with a moulded edge, above a pierced frieze decorated with a diaper ground and carved with leaves, on cabriole legs carved with a bearded man mask, with leaves and flowers and scroll feet, 19th century, 77.5cm high, 131cm wide, 80.8cm deep. £3,000-4,000 Provenance: The collection of the banker F. A. Konig (1867-1940) of Tyringham House, Buckinghamshire and thence by descent to the present owner.

See below a photograph of the table in-situ in the Drawing Room of Tyringham House c. 1917.

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221. A pair of gilt brass four light candelabra in Louis XVI style, each in the form of an urn with ram’s head masks, on a fluted pedestal, issuing flowers and leaves, late 19th century, 46.2cm high. (2) £200-300

222. A mid 19th century opaline and gilt brass table lamp, painted with panels of flowers on a Rococo triform base, the shade with printed 16th century costume designs, the lamp: 53.5cm high (excluding fitting). (2) £300-500

223. A Louis XVI style ormolu bouillote lamp, with twin lights, on an adjustable stem, with an adjustable screen, decorated with leaves, the base with some porcelain flowerheads, 53.4cm high. £150-200

224. A late 19th century French ceramic and gilt bronze mounted table lamp, the celadon ground applied with a pâte-sur-pâte classical female figure and flowers and foliage, 43cm high. £300-500

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225. A pair of late 19th century French bronze twin light candelabra, each with a baluster stem decorated with cupid figures, on a turned black and red marble plinth base, 33.4cm high. (2) £150-250

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226. A pair of Louis XV giltwood fauteuil a la reine, each with a cartouche shaped back, with moulded and carved frames decorated with panels of flowers, leaf scrolls and rocaille, with a serpentine front seat and on cabriole legs, covered in pale blue silk decorated with birds and ribbon tied flowers. (2) £800-1,200

227. A pair of Louis XV giltwood fauteuil a la reine, each with a cartouche shaped back, with moulded and carved frames decorated with panels of flowers, leaf scrolls and rocaille, with a serpentine front seat and on cabriole legs, covered in pale blue silk decorated with birds and ribbon tied flowers. (2) £800-1,200

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228. A pair of gilt bronze elephant candlesticks, each modelled with a recumbent beast, their trunks supporting a palm leaf decorated nozzle, with a detachable drip-pan, 12.7cm high. (2) £200-300

229. An 18th century Italian silvered brass altar candlestick, the urn-shaped top above a fluted and turned baluster stem, the triform base decorated with religious panels including: Christ carrying the cross and the Virgin and child, on paw feet, 88.7cm high. £300-500 Provenance: Purchased from the Blumka collection sale, New York.

230. A gilt brass standard lamp, with an adjustable stem above an onyx shelf on griffin monopodia supports, with shade, 191.7cm high, 52cm diameter. £150-250 Provenance: From the collection of Sir Jeremy Lever.

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231. An early 18th century style Dutch gilt brass ten light chandelier, the baluster turned stem with a ball pendant issuing ten scroll branches with bird’s head terminals, the turned nozzles fitted with faux candles, drilled and fitted for electricity, 80cm high, 70cm wide. £300-500

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232. Two pairs of almost identical gilt brass wall lights in Louis XVI style, each with a ribbon tied backplate, decorated with husks, with a pair of scroll branches and bead and turned sconces, 36.5cm high, 23.6cm wide. (4) £100-150

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233. A Louis XVI giltwood bergère, the moulded frame carved with flowers, upholstered with yellow silk damask, on stop fluted legs. £400-600

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234. A pair of late 19th century French gilt and patinated bronze candelabra, each with four lights, with leaf cast nozzles and cherub scroll arms, with black marble faceted stems and a triform base decorated with chimerae, 60cm high. (2) £400-600

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235. A Louis XV carved walnut side table, the serpentine verde antico marble top above a frieze carved with rocaille scrolls and leaves, on cartouche headed leaf carved cabriole legs and scroll feet, 72.7cm high, 76cm wide, 56cm deep. £500-800

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236. A Victorian gilt brass hexagonal hall lantern, with a three light fitting, with a scroll and palmette cresting above bevelled glass panels, one hinged and with a clenched fist handle, stamped with numbers ‘ 1515 1547 ‘, fitted for electricity, 72cm high, 42.5cm wide. £500-700 Provenance: By repute Humewood Castle, Co. Wicklow, Ireland.

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238 237. A continental gilt metal and glass eighteen light chandelier, of open scroll form, hung with drops, lustres and pendants, first half 20th century, fitted for electricity, 82.5cm high, 78cm wide. £300-400 238. A continental glass and gilt metal six light chandelier, of open scroll form, hung with green and clear glass beads and drops, first half 20th century, fitted for electricity, 79cm high, 60cm wide. £200-300 239. A continental glass and gilt metal six light chandelier, of open scroll form, hung with green and clear glass beads, with pearl and star pendants, first half 20th century, fitted for electricity, 57.5cm high, 54.5cm wide. £200-300 240. A continental glass and gilt metal six light chandelier, with a ribbed central stem and hung with green and clear glass pendants, drops and lustres, first half 20th century, fitted for electricity, 56.7cm high, 51cm wide. £200-300 241. A continental glass and metal six light chandelier, of open scroll form, hung with turquoise and opaline glass beads and pearls, first half 20th century, fitted for electricity, 89.3cm high, 66cm wide. £200-300

239

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242. A pair of Italian Venetian bronze torchères after a design by Giuseppe Michieli, each with a pricket candle top, above a graduated stem decorated with cherubs, chimerae and moors, the triform base with chained slaves and hippocampi, above a frieze of scrolling foliage and satyr masks, on paw feet, late 19th century, 111.6cm high, 46.5cm wide, 40cm deep. (2) £3,000-4,000 A very similar candelabrum was exhibited at the 1867 Paris Exposition Universelle and the design was reproduced in the Art Journal catalogue of the exhibition, p.263.

Provenance: Robert Robertson, Chairman of Robertson Jam. A private collection.

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CLOCKS, BAROMETERS & INSTRUMENTS

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243. An early 18th century and later walnut marquetry longcase clock, the eight day five ringed pillar movement with a latched centre pillar, with an inside locking plate and striking on a bell, the 11 inch brass dial signed 'Peter Wise, London' on the silvered chapter ring, the matted centre with subsidiary seconds and date aperture, ringed winding holes, winged mask and scrolled spandrels, in a case with panelled sides, the hood with a caddy top and ball finials, the whole inlaid with scrolled marquetry, the trunk door with two panels of hunting scenes, the lower panel beneath the glass lenticle decorated with shepherds, now with a later ebonised plinth, 239cm high.

Peter Wise, Cheapside, London, free of the Clockmaker's Company 1693, made master in 1725-41.

Provenance: The Old Rectory, Little Langford, Wiltshire. Sold by order of Trustees of the Estate of the late Miss S.F. Rooke. Sold in these rooms 30th July 2014, lot 180. £4,000-6,000

243 detail

244 243

244. An early 18th century brass musical longcase movement, the thirty hour birdcage movement with turned urn finials and columns, with a verge escapement and striking on eight bells, with a cylindrical musical barrel, the arched dial engraved with a portrait of Peter ‘The Great’ of Russia with emblems of war, including: cannon, swords, cannon balls and banners, inscribed ‘PETRO ALEXII FIL RUSSORUM MAGNO CESARI’, with female mask cast gilt brass spandrels, the chapter ring with Roman and Arabic numerals and inscribed ‘Samuel Smith, LONDON’. dial: 33.7 x 25.9cm. £2,000-3,000

245. A George III ebonised bracket clock, the eight day movement with an anchor escapement and striking the hours on a bell, the brass backplate engraved with a Harlequin figure, a pair of urns and scrolls and flowers, the silvered dial also engraved and with Roman and Arabic numerals and a Strike / Silent dial, inscribed ‘Nichols & Son, Newport’, the case with a later brass carrying handle, with brass urn finials and fishscale panelled sides, 50cm high, 28cm wide, 19.2cm deep. £600-800

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247. A French gilt brass sedan timepiece, later fitted with a verge watch movement, the white enamel dial with Arabic numerals and inscribed ‘Courvoisier Freres’, in a guilloche engraved case, with suspension loop, 12.5cm diameter. £200-300

246. Golfing interest. An early 20th century Scottish silver plated mantel timepiece, the drum movement with a circular dial, with Arabic numerals, the base surmounted with a golfer mid swing and decorated with thistles, clubs and balls, the back door with registration number ‘214577’, the base stamped ‘GW N188 0AJ’, 31.8cm high, 19.1cm wide. £200-300

249. A late Victorian mahogany wall bracket in 18th century style, of faceted tapering form carved with leaf scrolls and a ribbon and floret band, 42.3cm high, 73.2cm wide, 38.9cm deep. £150-250

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248. A brass cased ship’s bulkhead type timepiece, the white enamel dial with Roman numerals and a subsidiary seconds dial, with Slow / Fast lever, the inner edge of the bezel stamped ‘A M’, 20.2cm diameter. £100-150

250. A bi-metallic nickel pocket watch with a keyless lever movement, the white enamel dial with Roman numerals and four subsidiary dials for the day, date and moon, the moonphase within the seconds dial, 7.5cm diameter, in a leather case with an easel back. £200-300

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251. A Napoleon III ormolu and patinated bronze figural clock garniture by Brulfer of Paris, the eight day movement striking on a bell, the backplate with a medaille d’honneur pastille and stamped ‘A. C. 2545’, the white enamel dial with Roman and Arabic numerals, inscribed ‘Brulfer A Paris’, the Louis XVI style case decorated with a flaming torch and quiver of arrows, the dial supported by a kneeling cherub, the rouge griotte marble plinth with a laurel wreath, 55.7cm high, together with a pair of conforming cherub twin light candlesticks. (3) £2,000-3,000

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252. A late 19th century French black marble and malachite mantel clock, the eight day movement striking on a bell, the backplate stamped 'G V 30096' possibly for Gay Vicarino and a pastille inscribed 'L. Marti & Cie, MEDAILLE BRONZE', the white enamel dial with Roman numerals and a visible Brocot escapement to the recessed centre, above a calendar dial, with subsidiary day, month and date dials and moonphase, in an architectural scroll case, with an applied brass presentation plaque, for Richard Harding on his retirement from the Officers of the Bedminster Union, July 1889, 43.5cm high, 34cm wide, 18cm deep. £400-600

253. A gilt brass and lapis lazuli style mantel clock retailed by Garrard, with an eight day Swiss movement, the arched dial with scrolling foliage, the chapter ring with Roman numerals, inscribed ‘GARRARD LONDON’, 30cm high, 22.9cm wide, fitted in a leather case and with a certificate of guarantee. £400-600

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254.

A late 19th century French ebonised and marquetry oval vineyard wall clock, the twin barrel movement striking on a gong, the alabaster dial with gilt brass and enamel Roman numerals, inscribed ‘RAINGO FRERES A PARIS’ within a cut brass and tortoiseshell boulle style border, 58 x 49cm. £200-300

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255.

A Louis XV and later gilt brass and tortoiseshell boulle marquetry mantel clock, with ebony veneers, the eight day movement with an outside countwheel and striking on a bell, the backplate stamped ‘Jeróme Martinot A Paris’, the enamel dial with Roman and Arabic numerals, the case with a figural surmount of Diana, with cherubs and scrolling foliage, 81.3cm high, 42.5cm wide, together with a matching bracket: 116cm high. (2) £600-1,000

255 256. A late 19th century Samson porcelain and ormolu mantel clock in Louis XV style, modelled with an elephant painted in the kakiemon style of the Chantilly factory, the brass movement inset into a fluted cup, with an enamel dial with Arabic numerals within a leaf and flower case, 19cm high, 13.3cm wide. £300-400 256

257. A late 19th century French ormolu and porcelain mounted clock garniture, the eight day movement striking on a bell, the backplate with a medaille d’honneur pastille and also stamped ‘62682’ with a monogram ‘MR’, the porcelain dial with Roman numerals and painted with birds and flowers, inscribed ‘MIROY-REQUIER & Cie, PARIS’, the case in Louis XVI style with jewelled bleu celeste plaques painted with an amorous couple, a portrait of a lady and flowers, with laurel swags and cornucopiae, 48.5cm high, 40cm wide together with a pair of associated gilt spelter ewers, stamped ‘P.H. MOUREY’. (3) £500-700 Provenance: Woolley & Wallis, 15th April 1982, lot 471.

257

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258. A Victorian mahogany graphoscope

by Newton & Co., with fretwork decoration, with an ivory plaque inscribed 'NEWTON & CO. OPTICIANS TO THE QUEEN 3 FLEET ST. LONDON', 38.6cm wide, together with a stereoscope viewer. (2) £100-150 259. A late Victorian oak wall barometer

by Negretti & Zambra, with a carved architectural case with a silvered thermometer above a circular dial inscribed ‘NEGRETTI & ZAMBRA, LONDON 28351’, 90cm high. £80-120

260.

A Victorian ivory travelling thermometer by J. Hicks, in a leather case, the dial inscribed ‘J. HICKS MAKER LONDON’, together with a French pocket compass and clinometer in a hinged folding case, 16cm long (max). (2) £100-150

258 & 261

261. A collection of early 20th century French stereoscope glass slides, depicting topographical scenes, with some World War I views, in a wooden box, together with a stereoscopic viewer stamped 'THE LONDON STEREOCOPIC CO. BUSCH 3 HANOVER SQUARE W.'. (A lot) £100-150 262. An early 19th century Dutch mahogany wall barometer, with ebonised banding and printed paper dials with a thermometer titled ‘TERMOMETRE SELON DE REAUMUR.’, the base with a calendar inscribed ‘DUURZAAM ALMANACH.’, 94.5cm high. £100-150

259

263.

A Victorian ivory double sided proof rule by Loftus, with white metal fittings, inscribed ‘LOFTUS MAKER 321 OXFORD ST LONDON’ in its original leather case, together with a similar slide rule by Buss, inscribed ‘BUSS MAKER 48 HATTON GARDEN LONDON’, 32.3cm long. (2) £300-500

260

263

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264. A George III mahogany stick barometer, with an architectural pediment centred with a turned brass urn finial, above a silvered dial with thermometer and an adjustable vernier scale inscribed ‘W. CRUSWELL, LONDON’. with a moulded case and a turned cistern cover, 96.5cm high. £600-800

265. A George III mahogany stick barometer by Henry Gregory & Son, the arched silvered dial with adjustable vernier scale and inscribed ‘H. Gregory & Son No. 148 near the India House, London’, with a moulded case and a turned cistern cover, 99cm high. £800-1,200

266. An early 18th century walnut stick barometer in the manner of John Patrick, the architectural top with three turned brass finials, above an engraved silvered dial with an adjustable recording arm, flanked by columns, with a moulded case and a turned cistern cover, 103.5cm high. £2,000-3,000

Henry Gregory and his son were in partnership between 1770 and 1792.

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A PRIVATE COLLECTION OF INKWELLS & INKSTANDS

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George Betjemann (1798-1886) was the great grandfather of Sir John Betjemann, the Poet Laureate and was apprenticed to Gilbert Slater in 1812. He established himself as a dressing case manufacturer, initially in Clerkenwell, and later in 1859, in the Pentonville Road, where his substantial business employed 119 people. He expanded into making and selling writing cases, inkwells, tantalus sets and tobacco cabinets.

267. A Victorian gilt brass inkstand by Betjemann & Sons, with a Wedgwood jasperware well, decorated with classical figures, the hinged lid stamped ‘G. BETJEMANN & SONS REGISTERED 431’ and with a registration lozenge for 1861, with a blue glass liner, the edge inscribed ‘F. ALDIS 11 Belgrave Mansions’, with rope-twist borders, the ceramic with impressed marks ‘WEDGWOOD WHS D’, 8cm high, 19cm diameter. £250-300

268. A Victorian cut glass partner’s inkwell by Betjemann & Sons, with a brass and copper repoussé decorated bulbous top, above a patent double hinged opening lid, stamped ‘PATENT 11049 BETJEMANN’S 4876’, 13.3cm high, 11.5cm diameter. £200-300

269. A Victorian gilt brass partner’s inkstand by Betjemann & Sons, with enamelled floral decoration, the cut glass well with a patent double hinged opening lid, stamped ‘PATENT 11049 BETJEMANN’S 2433’, 11.8cm high, 13cm wide. £250-300

270. A Victorian oak and gilt brass inkstand by Betjemann & Sons, with enamelled jewelled decoration, the cut glass well with a hinged lid, the top engraved with initials , the hinge stamped ‘BETJEMANN’S’, the handle ‘PATENT 11049’, with two pen rests and on ball feet, 14.7cm high, 17.7cm wide, together with a pen. (2) £250-350

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271.

A Victorian Tunbridge ware and rosewood inkstand, of disc shape, the lid parquetry inlaid with geometric designs, the interior with four divisions and a glass well with a white metal lid, 8.3cm diameter. £100-150

272. A late 19th century Swiss bone inkstand, in the form of two chalets, the roofs hinge to reveal a white metal inkwell and a sander, 11.2cm wide. £100-150

273. A George III red morocco leather travelling inkwell, in the form of a trunk with copper handles, the hinged domed lid revealing two glass and white metal inkwells and two divisions, the underside inscribed ‘W. A. SPIERS, 14. ST. GILES, OXFORD’, 9.2cm wide. £50-80

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274. A 19th century French gilt and patinated bronze inkstand, in the form of a wicker bottle basket, the lift-off bottle top for quills revealing a porcelain inkwell, a sander and a lift-out tray, 8cm high, 7cm wide. £400-600

275. An early 19th century polished bronze inkstand, the lift-off cover modelled with a Medici lion, decorated with flowers and grass tufts, revealing a glass inkwell, a sander and two pen holders, 9.5cm wide. £200-300

276. A French brass architectural inkstand, in the form of a Gothic style building with arched and quatrefoil decoration, with a scroll handle on a pagoda shaped lid revealing apertures for an inkwell and pens and with a sander, first half 19th century, 10.5cm high, 13cm wide. £200-300

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278 277 277. A Victorian brass and glass Perry & Co. gravitating inkstand, with a rotating drum, stamped ‘PATENT PERRYIAN GRAVITATING INKSTAND PERRY & CO.LONDON’, with Prince of Wales plumes, above a scalloped shell tray, 11.4cm wide. £200-300 278. A Victorian gilt brass and pottery Perry & Co. gravitating inkstand, with a rotating drum, stamped ‘PATENT PERRYIAN GRAVITATING INKSTAND PERRY & CO.LONDON’, above a scalloped shell tray, 15.6cm wide. £200-300 279. A Victorian pottery drum inkwell by Perry & Co., inscribed ‘PERRY & CO. LONDON PATENT’, 8cm diameter. £60-80 280. A Victorian octagonal brass and glass anti-blotting inkwell, the rim is decorated with leaves and flowers and stamped ‘ANTI BLOTTING INK STAND REGISTERED MARCH 21ST 1853’, the interior with a pair of shutters designed to remove excess ink from the nib when dipping, 17.5cm high, 9cm wide. £100-150 279

280

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281. A late 19th century cast iron inkstand, with a rotating glass inkwell in the form of a snail, the top with a pen rest, 8.2cm high, 13cm wide. £80-120

281

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282. A Louis-Philippe bronze figural inkstand, modelled with three winged cherubs standing on buds and supporting a perfume burner, with a lift-off top, the palmette and flower decorated base lifts-off to reveal an inkwell aperture, two pen holders and a lift-out sandholder, 19.5cm high. £500-800

283. An early 19th century French bronze inkstand, in two pieces, the lift-off sander top decorated with guilloche bands, above a glass inkwell, the base with four pen holders, 8cm high. £200-300

282

284. An early 19th century bronze inkstand in the form of a shell, the hinged lid revealing a glass inkwell, a pen-wipe and a sander, 7.5cm wide. £150-200

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286 285

285. An early 20th century brass inkstand, with a domed inkwell, with a sliding cover and three pen rests, 15cm wide. £80-120 286. An early 18th century style Dutch pewter inkstand, with a lift-out inkwell and sander flanking a hinged compartment above a tray, with a crowned rosette mark, late 19th century, 16.8cm wide. £100-150 287. Two Victorian Welsh slate inkwells, one carved as a shoe, the other as a book, both with three apertures, 10.6cm long (max). (2) £100-150

287

288. A patinated bronze grotesque inkstand in Renaissance style, the hinged lid revealing a glass well, the ears as pen holders, late 19th century, 6.9cm high. £80-120 289. A large polished cast iron inkstand in the form of a cash register, with all over scroll and foliate decoration with three inkwells, the hinged lids operated by a push button, the base stamped ‘SALTER PATENT’, early 20th century, 29.8cm wide. £100-150

288

289

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290. A Victorian papier-mâché inkstand by Jennens & Bettridge, decorated in gilt with vermiculation, with a pair of pen trays and inkwell recesses, flanking a lidded compartment with a mother of pearl handle, the base stamped with ‘Crown JENNENS & BETTRIDGE’, 37cm wide. £200-300

290

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291. A Regency gilt and patinated bronze inkstand retailed by the Thomas Weeks Museum, modelled with a seated greyhound, its collar inscribed ‘FIDELE’, chained to a tree stump supporting an urn, with an engraved shield inscribed ‘WEEKS’S R. MUSEUM TICHBORNE ST.T’, the inkwell decorated with a guilloche band and a rosette hinged lid, on a white marble bases with a beaded moulding, 14.6cm high, 14.7cm wide. £1,000-1,500 Thomas Weeks (1743-1834), established his celebrated Museum of Mechanical Curiosities at nos. 3 & 4 Tichborne Street, London, in 1797. The Museum became a place of amusement for sophisticated Londoners, not only was it a private house but also a shop where Weeks displayed a variety of mechanical toys, elaborate temples and contrivances ranging from self playing organs to mechanical spiders.

291

292. An early Victorian Gothic bronze inkstand, with a pair of associated glass wells flanking a central compartment for wafers, with pen rests, the cast female mask handles above a body decorated with ogee arches, 36.7cm wide, 19.3cm deep. £300-500 Provenance: Sotheby’s Chanter’s House Sale, Coleridge Family, 2006.

292

293.

A Victorian coromandel and ivory mounted inkstand, with a staghorn candle holder flanked by two non-spill glass wells and a lidded compartment, the body carved with a stag hunt, above a stationery drawer, on bun feet, 17.4cm high, 23.3cm wide. £400-600

293

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295 294

294. A late Victorian copper and brass Isobath constant-level inkwell

by Thomas De La Rue, the patent for W. T. Shaw, 1891, with a turned finial that unscrews for filling and with glass ends, 11.7cm high, 11.3cm wide. £150-200 295. A rectangular cut glass ‘Davis Automatic Patent’ double inkstand, with chamfered edges and copper mounts, each inscribed ‘THE DAVIS AUTOMATIC INKSTAND PAT. MARCH 19TH OCT. 22 D 1889. FEB. 14TH 1893. NEW YORK’, late 19th / early 20th century, 6.4cm high, 16.3cm wide. £100-150 The ‘Davis Automatic Inkstand’ patent covered the exposure of the ink to air to reduce ink loss.

296. An Art Nouveau glass inkstand, with a hinged brass lid repoussé decorated with a satyr mask, above a glass liner front with a pen rest, 12.7cm wide. £150-200 296

297. A German Art Nouveau bronze inkstand, the hinged lid revealing a glass well, with a pen rest on a polished black base, 7.9cm high, 17.4cm wide. £80-120 298. A French Art Nouveau enamelled cast iron inkstand, with a pair of hinged swivel lids revealing glass liners above a pen rest, the underside with initials ‘B H 20’, 26.5cm wide, 17.7cm deep. £80-120

297

298

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299.

A William IV ebony and brass mounted inkstand by Leuchars, decorated with cut brass boulle-style marquetry, the top with a pair of dished pen trays, a pair of cut glass inkwells and a central lidded compartment with an ivory handle and a scroll and stylised dolphin decorated carrying handle, the base with a stationery drawer, with a printed trade label inscribed ‘LEUCHARS, Manufacturer 38, PICCADILLY’, on machine turned bun feet, 19.2cm high, 34.6cm wide, 26.7cm deep. £1,000-1,500 James Leuchars established the business in 1794. Initially based at 47 Piccadilly the firm moved to 38 Piccadilly in 1820 just before James' death.

The firm specialised in high quality dressing cases and desk items. They exhibited at the Great Exhibition in 1851 and the International Exhibition of 1862. The firm was eventually sold to Asprey in 1888.

300.

A late Victorian rosewood and boulle marquetry inkstand by Asprey, inlaid with cut brass flowers and foliage on a tortoiseshell ground, with a lift-out cut glass inkwell, flanked by a pair of compartments and pen trays, stamped ‘Asprey, London’, 11cm high, 23.7cm wide, 18.5cm deep. £400-600

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302

301

301. A late 19th century French carved wood inkwell in the form of a bulldog head, with inset glass eyes and leather collar, the top of the head hinges to reveal a brass capped inkwell with spring release, 17.4cm high. £200-300 302. A late 19th century French carved inkwell in the form of a seated bulldog, his head hinges to reveal a well, 11.5cm high. £100-150 303. A late Victorian Cornish serpentine inkwell, with brass mounts and a glass liner, 10.2cm diameter. £100-150

304.

Treen. An early Victorian turned rosewood travelling barrel inkwell and sander, each with reeded bands, the upper barrel inkwell with a spring loaded ink bottle to prevent spillage, stamped ‘A. B.’, the sander with a screwoff top, 13cm high. (2) £100-150 303

305. A George III shagreen travelling inkwell, the hinged spring release lid revealing a glass bottle and stopper, 6.2cm high. £100-150 Provenance: Christie’s The Althorp Attic Sale, 7th - 8th July 2010.

304

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306. An early 19th century porcelain circular inkstand painted in orange and gold, with panels of flowers and foliage, with a central inkwell, with quill and taper holders, probably Spode, circa 1820, 15.9cm wide. £200-300

306

307. An early 19th century porcelain circular inkstand painted in blue and gold on a fishscale ground, the front with a panel of flowers, with a central inkwell, with quill and taper holders, probably Spode, circa 1820, 15.2cm wide. £200-300

307

308

308. A large early 19th century porcelain inkstand, painted in apple green and gilt, finely decorated with floral sprays and entwined serpent handles, with four lift-out inkwells and pen holders and two pen wash recesses, probably Spode, circa 1830, 25.7cm wide. £300-400

309. A 19th century French ormolu and porcelain inkstand, with a displacement pump ink cistern, the handle with pen rests, above a shell and scroll base, 15.3cm high, 15.5cm wide, 17.7cm deep. £300-400

309

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310 311

310. A patinated pottery inkstand, in the form of a recumbent dragon, the beast’s open mouth as a penholder and with a lift-out inkwell and sander, the base with impressed marks ‘15 S & G’, probably for Shore & Goulding, late 18th / early 19th century, 10.5cm high, 15.7cm wide. £150-200 The Shore & Goulding Pottery was established in Isleworth in 1760, the works moved to Hounslow in 1825 and then to Wales in 1827.

312

311. A continental porcelain navette shape inkstand, with scroll handles, painted with enamel flowers and leaves on a gilt ground, with a pair of lift-out inkwells, a matching seal, a striker plate for vestas and three other apertures, 21.3cm wide. £100-150 312. A 19th century black basalt pottery inkwell, with five apertures for pens and quills, with a fluted body, 6cm diameter. £100-150 313. An early 19th century stoneware smear-glazed inkwell, with applied floral sprays, together with a matching sander, possibly by Ridgway, 4cm high. (2) £50-80 314. A cut glass inkwell, with a ribbed body and a mushroom stopper, first half 19th century, 8cm high. £50-80 315. A late 19th century cut crystal glass pyramid inkwell, with a brass hinge and rim, 6.6cm high. £50-80

313

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316. A Japanese bronze and copper inkwell in the form of a fish basket, with gilt highlights and decorated with crabs, clams, a snail and other shells, with a hinged lid revealing a glass lined well, Meiji 1868-1912, 6.7cm wide. £150-200

316 317. A novelty pottery inkwell in the form of a rugby ball, with a hinged gilt metal lid in the form of a cap, the base with the registration number ‘167875’, first registered in 1891, late 19th / early 20th century, 7.5cm wide. £100-150

317

318. A late Victorian novelty brass inkwell in the form of a teapot, the hinged lid revealing a glass liner, the brass rim inscribed ‘STOCKLEY 44 NEW BOND ST LONDON’, 9.1cm wide. £100-150

318

319. A French opaline glass inkwell, decorated with bronze rope work, with a lift-off lid on a mahogany base and flower head feet, late 19th century, 11.7cm diameter. £100-150

319 320. A novelty pottery inkwell in the form of a curling stone, decorated to imitate granite, with a hinged brass lid and handle, 6.5cm wide. £80-120 320

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321. A late Victorian brass nautical inkstand, modelled with two sailors winding rope on a capstan, with a hinged lid, 15.2cm high, 14.6cm diameter. £150-200

321

322

322. A cold painted metal inkwell modelled as the famous music hall comedian Dan Leno, as a pantomime dame, the hinged lid revealing a ceramic well, supporting a book inscribed ‘DAN LENO’, late 19th / early 20th century, 11.6cm high. £100-150 George Wild Galvin (1860-1904) better known as Dan Leno was the greatest Victorian Music Hall comedian and is best known for his dame roles in pantomimes.

323. A Victorian pottery phrenological inkwell, modelled as a human head with sections of the brain outlined in gilt, after L. N. Fowler, on a scroll base with an ink and two pen apertures, 11.1cm high. £200-300

323

324. A French novelty porcelain inkstand, in the form of a thousand Francs note, the Banque de France officials ironically signed with Arabic names, Mustapha, Saladin and Aroun-Al-Raschid, mounted with a brass inkwell, the lid in the form of French coins, with a glass liner, the base with maker’s mark ‘G.D. Paris’, late 19th century, 24.5cm wide. £150-200 324

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325

325. A Victorian bronze and copper circular inkwell by Elkington Mason & Co., the hinged lid decorated with an electrotype depicting the ‘Judgement of Solomon’, the interior with a glass well and liner, the base stamped ‘PUBD BY ELKINGTON MASON & Co 11’, 17.3cm diameter. £200-300 326

Jessiah Mason joined Elkington in 1842 and the name was changed to Elkington Mason & Co. until 1861 when the partnership was terminated.

326. A Victorian electroplate inkstand by Elkington & Co., decorated in the theme of raw materials, manufacturers and commerce, depicting figures in the pursuit of these activities, with an outer band of inscribed ribbons with the names of the men responsible for advances in these sectors, with a globe inkwell hinged to reveal a cut glass liner, the base stamped ‘ELKINGTON & CO. 921’, 22.7cm diameter. £100-150 The original inkstand was designed by John Leighton (1822-1912) and was originally made for the 1851 Great Exhibition at Crystal Palace, London. See the Victoria and Albert Museum for a similar example.

327. A Victorian electroplate inkstand by Elkington & Co., the outer border decorated with classical figures within rondels with griffins, the centre with a hinged lid with Apollo with a chariot of fire, revealing a cut glass well, the base of the foot stamped ‘ELKINGTON & CO., 941 L’ with further stamps for 1882, 19.8cm diameter. £100-150

327

328. After François Briot. A Victorian electroplate ‘Temperantia’ basin by Elkington, cast in relief with figures, caryatids, masks, strapwork birds and various scenes, the centre with Temperance holding a wine cup and ewer, inscribed ‘TEMPE RANTIA’, the reverse with a plaque inscribed ‘VR Department of Science & Art, Elkington’, 44.2cm diameter. £200-300 The original pewter basin can be found in the collection of the Victoria & Albert Museum, London.

329. A late 19th century carved wood Moor’s head inkwell, with a hinged top and painted lips and bone teeth, previously mounted, 11.2cm high. £80-120

328

329

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ORIENTAL FURNITURE, WORKS OF ART & CARPETS

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330. A Chinese hardwood cupboard, with brass mounts and a pair of panelled doors enclosing shelves and a pair of drawers, above a scroll carved apron, late 19th / early 20th century, 194.8cm high, 125cm wide, 55.7cm deep. £200-300

331 331. A Chinese coromandel lacquer side chair, decorated with panels of figures, urns of flowers, fruit and scrolling leaves and prunus blossom, late 19th century. £100-200 330

332 332. A Chinese hardwood and mother of pearl stool, with a marble inset top and inlaid with leaves and flowers, on reeded scroll legs, late 19th century, 25.8cm high, 48.6cm wide, 35cm deep. £200-300 333. A pair of Chinese hardwood faux bamboo chairs, each carved with bamboo leaves, the pierced splat decorated with a Chinese shou symbol and a panel of prunus blossom, with a yellow silk squab cushion, late 19th century. (2) £500-800

333

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335

334. A Chinese black lacquer yoke back armchair, polychrome and gilt decorated with dragons, landscape scenes and scrolling flowers and foliage, with a panelled seat and stretchered supports, late 19th / early 20th century. £300-500

334

335. A Chinese hardwood kang table, with scroll carved pierced friezes, early 20th century, 35.5cm high, 120.3cm wide, 50.3cm deep. £200-300 336. A pair of Chinese silkwork embroidered pictures, each depicting monkeys and exotic birds amidst trees and flowers, and with a pair of deer, late 19th / early 20th century, 42.3 x 24.5cm, each in a later glazed moulded frame. (2) £100-200

337.

A Chinese hardwood tobacco table cabinet, carved with dragons and prunus blossom, with a pair of doors inset with ivory panels, decorated in gilt with a pair of cranes and a peacock, enclosing three drawers and a compartment for pipes, above a base drawer (locked), late 19th century, 37.8cm high, 33.7cm wide, 14.2cm deep. £100-150 338.

A Chinese amboyna and brass mahjong set, with an ivory handle and inlaid with characters, the hinged lid to a fall front containing five drawers of ivorine tiles and counters, c.1920-30, 19.1cm high, 22.6cm wide, 16.6cm deep. £40-60 336

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339

339.

An early 19th century Chinese export black lacquer games table, all over decorated in gilt with panels of figures with pagodas, trees and mountains within dragon borders, the top inset with an English Regency chequerboard, penwork decorated with scrolling leaves, flowers and birds, the squares with knights and Turks, revealing a further lift-out reversible games board for blackgammon and chess with ebonised and mother of pearl squares above another blackgammon board, with a pair of full length frieze drawers with turned ivory handles, on turned supports and carved kylin feet and castors, 74.7cm high, 79.7cm wide, 60.4cm deep, together with an early 19th century Chinese Canton ‘George III’ carved ivory chess set, natural and stained black, the natural king and queen in the form of King George III and Queen Charlotte, the opposing figures in the form of the Chinese Emperor and Empress, 7.9cm high. (33) £2,000-3,000 Provenance: From the collection of John Reeves FRS (1774-1856) and thence by descent.

340 340. Two Japanese vellum trunks, each painted with oriental ladies in garden landscapes, with brass side carrying handles, late 19th / early 20th century, 32cm high, 70.5cm wide, 45.5cm deep (max). (2) £150-250 341. Two Chinese lacquer and penwork tea chests, one decorated with flowers and butterflies, the other with figures, flowers and foliage, both with brass side carrying handles, the smaller chest with a base drawer, late 19th / early 20th century, 44.1cm high, 49.5cm wide, 36.5cm deep (max). (2) £150-250

341

342

342. Two Chinese famille verte models of parrots, each on an openwork rocky base, raised on scroll decorated ormolu bases, 19th century, 22.3cm high. (2) £200-300

97

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343. A Chinese cloisonné vase, the neck decorated with characters, the body with birds and trees, 27.7cm high, a Japanese kutani porcelain bowl and cover, decorated with panels of figures, birds and flowers the interior with cranes, a pair of Samson baluster vases and covers and a Chinese square section vase lamp, on a wooden base, fitted for electricity. (5) £250-350

343

344. A Chinese blue and white jardinière, decorated with figures in a watery mountainous landscape, with buildings and trees, late 19th century, 25.7cm high, 31.3cm diameter. £300-500

344

345. A Chinese blue and white cylindrical brushpot, painted with a pair of scaly dragons, with scrolling leaves and flowers, late 19th / early 20th century, 21.4cm high, 22.2cm diameter. £150-250

345

346. A Chinese blue and white ginger jar, painted with panels of scholar’s objects, with a hardwood lid and base, late 19th century, 28.3cm high, 18cm wide. £80-120

346

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347

348

λ 347.

A late 19th century Chinese export carved ivory chess set, natural and stained red, with foliate decoration, the king: 9.9cm high, the pawn: 4.3cm high. (32) £200-300 λ 348.

Six Japanese carved ivory okimono, depicting various figures in differing pursuits, two with monkeys, one of a sage holding a scroll, some with signatures to the underside of their bases, Meiji 1868-1912, 21.4cm high (max). (6) £400-600 λ 349.

A Japanese carved ivory okimono, depicting a man bearing a flag, standing on a rocky outcrop, with two children below, carrying weapons, the base signed, Meiji 1868-1912, 22cm high. £150-200 λ 350.

Two Japanese kagamibuta netsuke, each with an ivory bowl, inset with a cast metal plaque, one decorated with a man and a grotesque figure, the other with a bird and flowers, Meiji 1868-1912, 4.3cm diameter. (2) £300-500 λ 351.

A Japanese ivory and shibayama brush pot, onlaid with mother of pearl birds and butterflies amidst prunus blossom and other flowers, with a signature tablet, Meiji 1868-1912, 8.2cm high. £300-500 349

350 351

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353

352

352. A Japanese bronze koro and cover, naturalistically modelled with a bird amidst flowering prunus branches, on a geometric cell ground, with a flower finial, the base signed, Meiji 1868-1912, 31.3cm high. £200-300 353. Two Japanese bronze tsuba, one decorated with a man riding a horse amidst bamboo, with a three character signature, the other with wolves and pine trees, also with a three character signature, 19th century, 7cm wide (max). (2) £200-300 354. An Indian carved stone figure of a lady, wearing a sari and jewellery, 11.3cm high. £100-150

355.

Three ivory carvings, depicting a coiled snake on a rectangular plinth base, an erect peacock, and three wise monkeys, ‘see no evil, hear no evil, speak no evil’, on an ebonised plinth, late 19th century, 8.1cm high. (3) £100-200 356.

Four Indian carved ivory figures, one depicting Buddha, Ganesh, Saraswati, and one of a standing god, possibly Krishna, late 19th century, 9.5cm high (max). (4) £100-200 354

356 355

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357. An Indo-Portuguese mother of pearl bowl, of navette shape, with bird’s head finials, on a fluted spreading foot, possibly 18th century Gujarat, 11.5cm high, 18.5cm wide, 8.7cm deep. £400-600

358.

An Indo-Portuguese tortoiseshell and hardwood table cabinet, inlaid with bone and ivory stringing and with engraved ivory panels with leaves and flowers, the hinged lid revealing a mirror and a lift-out tray with four divisions, above a pair of doors revealing an arrangement of six drawers, each with a green stained bone and gilt fret front, with a pair of sliding panels to the back edge of the cabinet, revealing six secret drawers, with brass side carrying handles and hinges, early 18th century and later, 26.5cm high, 33cm wide, 24.2cm deep. £800-1,200 Provenance: The collection of Lady Ottoline Morrell and thence by descent, illustrated in the Garsington sale catalogue, 11th July 1928, lot 100.

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359.

An Anglo-Indian hardwood octagonal occasional table, the lift-off top inlaid with ivory, bone, ebony and mother of pearl with a view of the Taj Mahal, the folding base with pierced decoration, with printed paper labels inscribed “MADE IN BRITISH INDIA”, late 19th / early 20th century, 47.8cm high, 45cm wide and deep. £400-600

360. An Anglo-Indian hardwood and brass inlaid octagonal occasional table, with ebonised banding and decorated with scrolling leaves and flowers, the fixed top with a star motif, the base with mihrab arches, late 19th / early 20th century, probably Lahore, 59.4cm high, 60cm wide and deep. £200-300

359

361.

An Anglo-Indian rosewood octagonal occasional table, inlaid with ebony, ivory and bone, with scrolling leaves and flowers, the lift-off top on a folding base decorated, with mihrab arches, with two printed paper labels inscribed ‘KANHAYA LAL BRIJ LAL, Ivry, Brass, Inlaid and carved Wood Work Manufacturers, PO HOSHIARPUR (India).’, late 19th / early 20th century, 64.4cm high, 61cm wide and deep. £200-300

360

361 362. An Anglo-Indian carved hardwood and brass occasional table, the oval lift-off top inlaid with leaves and flowers and decorated with a grape vine and scrolling leaves, on a conforming folding base, early 20th century, 55cm high, 67cm wide, 46.3cm deep. £100-150

363. An Anglo-Indian hardwood and brass octagonal occasional table, the lift-off top with ebonised banding and inlaid with scrolling leaves and flowers, on a folding base, early 20th century, 51.4cm high, 51cm wide and deep. £300-500 362

102

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364.

A Spanish colonial tortoiseshell casket, with silver and bronze mounts with rosettes and studs, the hinged domed lid engraved with three arches with urns of flowers, the front with a band of scrolling foliage, the sides with panels of a bird and a dog, the back with a pair of trees and birds flanking an inscription ‘ Se Hizo En La Mui Noble Y Leal Ciudad de Guadalaxara Nuevo Reyno dela Galicia’, with a paper lined interior, late 17th century, Mexico, Guadalajara, 9.4cm high, 16.7cm wide, 7.2cm deep. £800-1,200 Provenance: The collection of Lady Ottoline Morrell and thence by descent.

The inscription translates to “Made in the very noble and loyal city of Guadalajara, (capital of) the New Kingdom of Galicia.” Nueva Galicia was named by Queen Joanna and it was an autonomous kingdom of the colonial territory of the Spanish Empire. The Spanish exploration of the area started in 1531 with Nuno Beltran de Guzman, who chose the name Guadalajara for the capital after his place of birth in Spain.

365. Three 17th century Hispano-Philippine carved wood saints, with traces of polychrome decoration and gilding, 29.7cm high (max).

(3) £400-600

366. Two 17th century Hispano-Philippine carved wood saints, each with polychrome decoration and traces of gilding, standing on a later hardwood stand, 29.7cm high (max). (2) £400-600

103

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367

367. Six Indian paintings on mica, of figures in various pursuits, mounted in a pair of glazed oak moulded frames, late 19th century, 35.2 x 57.5cm. (2) £100-150 368. An Indian red lacquered chest, all over decorated with dancing figures within scrolling foliage, the domed lid enclosing three lidded compartments, the base with a drawer, first half 20th century, 40.5cm high, 63cm wide, 42.3cm deep. £200-300

369.

An Anglo-Indian rosewood tray on stand, inlaid with bone and ivory with bands of scrolling leaves and foliate designs, the tray pierced with two handgrips, on a folding base, decorated with mihrab arches, early 20th century, 68.5cm high, 76cm wide, 51.7cm deep. £100-150 368

Provenance: Cypress House, Chilton Cantelo, Somerset.

370.

A small Anglo-Indian ebony and ivory box, decorated with chevron bands and inlaid with sadeli rondels, probably Bombay, late 19th / early 20th century, 12.7cm wide. £50-80

369 370

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371. A pair of copper and silver ‘Cairo ware’ plates, each with a scalloped edge and an all over design of scrolling foliage on a chased ground, one decorated with deer and fish, the other with Islamic script, probably Egypt or Syria, late 19th / early 20th century, together with a similar copper charger and a brass, copper and silver charger with panels of script, 34.5cm diameter. (4) £150-250

371

372. A Moorish carved walnut easel, inlaid with mother of pearl with a crescent moon and stars, with turned spindles and a panel of script, late 19th / early 20th century, 134.4cm high, 58cm wide, 67cm deep. £300-400

372

373. A brass and copper ‘Cairo ware’ vase, with pierced decoration and onlaid with silver, with scrolling leaves and panels of Islamic script, together with a similar incense burner on stand, probably Egypt or Syria, late 19th / early 20th century, 25.8cm high (max). (2) £150-250

373

374. Two Benin style bronze relief plaques, depicting a pair of acrobats in a tree and the other with three warriors, 42.2 x 33.8cm (max), (2) £150-250

374

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375

375. A Meshed carpet, north east Persia, mid 20th century, 516 x 327cm. £500-800 376

376. A Baluchi rug, north east Persia, early 20th century, 209 x 110cm. £50-100

377

377. A pair of Heriz rugs, north west Persia, c. 1930, 118 x 94cm, together with a Turkish rug and a Hamadan mat. (4) £100-200 378. A Karabakh rug, south west Caucasus, early 20th century, 211 x 115cm. £150-250

106

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379

380

379. A Joshagan carpet, central Persia, mid 20th century, 471 x 333cm. £300-500 380. A Qashqai rug, Fars, south west Persia, early 20th century, 191 x 142cm. £150-250 381. An Afshar rug, Kerman area, early 20th century, 178 x 129cm. £150-250 382. A Kazak rug, south west Caucasus, early 20th century, 104 x 102cm, together with a Fars rug, 97 x 76cm. (2) £80-120

381

382

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383

384

383. A Tekke Turkmen main carpet, Turkmenistan, late 19th / early 20th century, 304 x 218cm. £100-200 384. An Erivan rug, of Perepidil design, Armenia, central Caucasus, 189 x 134cm. £80-120 385. An Indian prayer rug, possibly Agra, early 20th century, 210 x 122cm. £100-200 386. A Turkish Ghiordes prayer rug, west Anatolia, mid 20th century, 175 x 123cm. £100-200 387. A Turkish Ghiordes rug, west Anatolia, mid 20th century, 182 x 138cm. £100-200

385

108

386

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388. A fine Qum silk rug, signed top left corner, central Persia, first half 20th century, 188 x 123cm. £500-800 Provenance: Purchsed by the current vendor from the Vigo Carpet Gallery, Vigo Street, London, 1993.

388

389. A Qum silk carpet, central Persia, first half 20th century, 304.5 x 246cm. £800-1,200

389

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390

391 390. An Afghan carpet, Afghanistan, first half 20th century, 502 x 297cm. £200-400 391. A Chinese carpet, c.1930, 445 x 363cm. £300-500 392. A north east Persia prayer rug, possibly Doroksh, early 20th century, 145 x 107cm. £200-300 393. A Chichi rug, Kuba region, north east Caucasus, late 19th / early 20th century, 139 x 115cm. £150-250 394. A Kurdish kelleh, north west Persia, c.1930, 495 x 230cm. £150-250

392

110

393

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395

395. A large Indian cotton Dhurrie, modern, 653 x 491cm. £300-500 396. A Kurdish runner, north west Persia, early 20th century, 395 x 103cm. £100-150 397. A large Aubusson style woven carpet, decorated with a central medallion of flowers, with foliate borders and corner trophies in Louis XVI style, 421 x 610cm. £400-600 Provenance: Purchased by the current vendor from Stark, New York, c.1996.

396

397

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398. A Ziegler style chobi carpet, Peshawar, Pakistan, 310 x 246cm. £200-400

398

399

399. A Bessarabian rug, eastern Europe, early 20th cetury, 158 x 159cm. £300-500 400. A pair of Ikat fabric curtains, 285 x 200cm (each curtain). £1,000-1,500

400

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401. A George IV and later mahogany twin pedestal extending dining table, the top with a moulded edge above ribbed stems and moulded downswept legs and brass caps and castors, comprising: a pair of ends with tilt-tops and an additional leaf, possibly Irish, 72cm high, 308cm long, 136.9cm wide. £2,000-3,000

402. A Regency mahogany armchair, the panelled tablet back inlaid with brass stringing, above a ribbed splat, with moulded and turned arms above a leather seat and ring turned tapering legs. £200-300

403. A George IV mahogany sarcophagus shape wine cooler, with applied carvings of grapes and vine leaves, the lead lined interior with twenty divisions, on scroll feet and brass castors, 55cm high, 74.5cm wide, 60.3cm deep. £500-800

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404.

A Regency rosewood sofa table, inlaid with stringing, the drop-leaf top with satinwood and ebonised banding, above a pair of frieze drawers, with false fronts to the reverse, on shaped trestle ends and brass caps and castors, 71.8cm high, 93cm wide (closed), 64.2cm deep. £300-500

404

405. A late George III mahogany butler’s tray, the gallery pierced with three handgrips, on a folding stand, 87cm high, 74.6cm wide, 54.7cm deep. £150-250 Provenance: Cypress House, Chilton Cantelo, Somerset.

405

406. A George IV mahogany tea table, inlaid with boxwood and ebonised stringing, on reeded tapering legs, 74.5cm high, 981.4cm wide, 45.5cm deep. £200-300

406

407. A late George III mahogany sofa table, inlaid with stringing, the drop-leaf top with satinwood and palmwood crossbanding, above a pair of frieze drawers, with solid trestle ends united by a later stretcher, on stepped splay legs and brass caps and castors, 68.8cm high, 94.2cm wide (closed), 70.5cm deep. £300-500 Provenance: By repute Sir Hugh Fraser, 2nd Baronet, chairman of the House of Fraser and Harrods.

114

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408.

A William IV rosewood Davenport in the manner of Gillows, the sliding top with a spindle gallery and a tooled leather writing surface revealing an interior with two satinbirch drawers, the right side with a hinged pen and ink drawer, above four long graduated drawers, the left side with a pull-out slide, on lobed feet and sunken brass castors, 89.3cm high, 54.8cm wide, 59.8cm deep. £600-800

408

409

409. A pair of George IV mahogany armchairs in the manner of Gillows, each with a caned back and seat, the moulded frames decorated with rondels, the arms with a Greek key design, each with a non-matching squab cushion. (2) £1,000-1,500

410.

A Regency mahogany and burr yew centre table, the circular tilt-top with rosewood crossbanding, on an octagonal stem and reeded splay legs terminating in cast brass lion’s paw sabot and castors, 73cm high, 112.3cm diameter. £600-1,000

410

411

411. A George IV mahogany hall table, with a raised back above a reeded edged top on turned legs, 104.3cm high, 120.2cm wide, 41cm deep. £200-300

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412

413 412. A George IV mahogany work table, the drop-leaf top above a pull-out pleated fabric sewing bag with a ‘U’ shape support, on leaf carved legs and brass foliate cast caps and castors, 73cm high, 54cm wide (closed), 41.1cm deep. £300-400 Provenance: Cypress House, Chilton Cantelo, Somerset.

413. A mahogany breakfast table, the crossbanded tilt-top with a moulded edge, on a ring turned stem and hipped downswept legs and brass caps and castors, early 19th century but top and base probably associated, 73cm high, 158.3 x 118.4cm. £400-600 414. A 19th century satinwood hanging corner cupboard, inlaid with stringing and marquetry conch shells, with an astragal glazed door enclosing three en arc d’arbelète shelves, 114.2cm high, 80cm wide, 47.5cm deep. £150-200 415. A mahogany side cabinet, with a brass gallery above a frieze drawer and a gilt brass trellis grille door enclosing a shelf, flanked by pilasters, early 19th century elements, 85.8cm high, 64cm wide, 28.7cm deep. £150-200

414

415

116

416. A set of four Regency mahogany side chairs in the manner of Gillows, each with a leaf scroll carved top rail, above a cane back and an upholstered seat, on sabre legs, the seat rail stamped ‘H. H.’. (4) £200-300

416

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418

417. A pair of giltwood and gesso wall mirrors, each with a shaped plate within a beaded and palmette decorated frame, 107.4 x 69.5cm. (2) £400-600 Provenance: Cypress House, Chilton Cantelo, Somerset.

417 418. A large 19th century giltwood wall mirror, the oval plate within a moulded frame, 165 x 134.5cm. £800-1,200 419. A giltwood wall mirror, with an arched bevelled plate within a leaf moulded frame and a shell and leaf scroll decorated surmount, possibly George II, 76 x 40.8cm. £200-300 420. A pair of carved giltwood wall appliques, in the form of scrolling leaves, each with a brass suspension ring, 151cm high. (2) £100-150 421. An early 19th century ebonised and parcel gilt pelmet, of rope-twist design, 173.4cm wide. £100-150

420 419

421

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423 422 422. A pair of Regency style beechwood armchairs, with later green painted and parcel gilt decoration, each with ball applied horizontal splats, with scroll arms above a cane seat and ring turned tapering front legs, each with a squab cushion, the seat rail of one chair stamped ‘G. S.’.(2) £400-600 423. A George IV mahogany extending breakfast table in the manner of Gillows, the top with a moulded edge which pulls-out to accommodate an extra leaf (not present), with nulled mouldings, on a leaf carved stem and palmette hipped downswept legs and brass lion’s paw sabot castors, 72.8cm high, 130.2 x 113.5cm. £400-600 424. An early Victorian plum pudding mahogany card table, the hinged and swivel top lacking its baize lining, above a nulled and applied rondel frieze, on an octagonal and lappet carved stem, scroll feet and metal castors, 72.9cm high, 91.7cm wide, 45cm deep. £300-400

425.

A William IV rosewood breakfast table, the circular tilt-top with a moulded edge, on a lobed stem and leaf, cartouche and scroll carved tripod supports and sunken brass castors, 72.5cm high, 131cm diameter. £600-800 424

425

118

426. A Regency mahogany bowfront chest, the top with a moulded edge above a brushing slide and three long graduated drawers all fitted with Bramah locks, 80.8cm high, 91cm wide, 55.7cm deep. £300-500

426

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427.

A Regency rosewood library table, inlaid with stringing, the rectangular crossbanded top inlaid with fleur-delis motifs, above a pair of frieze drawers with false fronts to the reverse, on trestle ends with applied volutes on carved and ebonised lion’s paw feet and brass castors, 70cm high, 106.5cm wide, 65cm deep. £2,000-3,000

427

428 detail

428. An unusual Regency mahogany writing table, the crossbanded octagonal hinged top above two hinged swivel drawers, one fitted with a later leather lined ratcheted writing surface and with a pen tray and further divisions, with false drawer fronts above a secret compartment, on a stepped base with stylised leaf moulded hipped downswept legs and brass lion’s paw sabot and castors, possibly Scottish, 75cm high, 56cm wide and deep. £800-1,200

429.

A William IV rosewood library table in the manner of Gillows, the rectangular top with re-entrant corners above a pair of frieze drawers, the reverse with false fronts, with nulled mouldings on turned legs and sunken brass castors, 74cm high, 114.6cm wide, 65.6cm deep. £500-800

428

429

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430 431

430.

A large early 19th century rosewood gallery glass, with a moulded frame and a turned handle, 52.7cm long, 26.3cm diameter. £400-600 431. An early 19th century mahogany gallery glass, with a reeded frame and a turned baluster handle, with its original leather and plush lined case, 29.5cm long, 16.7cm diameter. £300-500 432. A graduated set of three Regency papier-mâché trays, each with canted corners and decorated in gilt with panels of flowers, birds and beasts, with Greek key borders, the largest: 59 x 81.8cm, the smallest: 24.2 x 35.5cm. (3) £300-500 Provenance: Cypress House, Chilton Cantelo, Somerset.

433. An early Victorian needlework stool, the seat decorated with flowers, on brass ball feet, 31.2cm wide, 26.8cm deep. £100-150 432

434. A pair of 19th century cut glass oval ice buckets, with diamond cut tapering bodies, 24.8cm high, 30.5cm wide, 24cm deep. (2) £200-300

433

434

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435. A pair of Victorian cut glass and ormolu pineapple finials, the undersides of each with double registration lozenges for the 13th October 1868, the glass design was registered by H. W. & L. Dee, London, 25.7cm high, 14.9cm wide. (2) ÂŁ500-800

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437

436 436. An early 19th century woolwork and silk picture in the manner of Morland, depicting a man and a woman with their dog and with three sheep, with painted features, in a glazed moulded frame, 42 x 48.3cm, in a glazed moulded frame, the verso with a printed trade label for 'GEORGE HUGHES FINE ART DEALER, NEWCASTLE-ON-TYNE'. £200-300 437. An early 19th century needlework map sampler, of 'ENGLAND & WALES', with a floral border, 46.9 x 40cm, in a glazed giltwood moulded frame. £150-200 438. A George III silkwork oval picture, of a boy playing a recorder with his dog, in a later Florentine carved giltwood frame, 46 x 39cm. £150-200 439. A large pair of early 19th century needlework pictures by Jane and Emily Cooper, depicting ‘The Woodman’ and ‘The Furzecutter’, both worked in wool and with silk features, each in a glazed carved giltwood and gesso frame, one with a typed paper label outlining the provenance of the pictures, 72.5 x 51.6cm. (2) £200-300

438

122

439

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440

440.

A Napoleon III gilt brass jewellery casket in the manner of Alphonse Giroux, with engraved decoration of scrolling leaves and flowers and with seven oval miniature topographical views of Paris painted on ivory, the hinged lid with a view of the Luxor obelisk and the Champs-Élysées, the body with views including: the Arc de Triomphe, the Vendôme column and the Palais Bourbon, with a silk lined interior, 10.1cm high, 14cm wide. £800-1,200 441

441.

A late 18th century French tortoiseshell and gold piqué snuffbox, the lid inset with a rectangular plaque engraved with initials, 7.1cm diameter. £300-500 442. An early 19th century French Napoleonic lacquered snuff box, the lid painted with soldiers at camp, indistinctly inscribed, with a faux tortoiseshell interior, the base with a paper label inscribed in pencil 'This box belonged to my paternal grandmother… (1850)… from France by her 2nd husband…', 8.1cm diameter. £300-500 443. A mid 19th century French gilt bronze and mother of pearl mounted jewellery casket, the rectangular hinged top centred with a Limoges enamel portrait of a lady in Renaissance costume, signed ‘L.C.’, within an oval mother of pearl panel and a red enamelled ground, the interior with a floral silk embroidered lining, on cast paw feet, stamped ‘LC.’, 9.3cm high, 23.1cm wide, 19cm deep. £400-600 Provenance: Albert Zananiri and thence by descent to the present vendor.

442

443

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444. A pair of 19th century French mirrored reverse glass pictures of ladies, seated in interior scenes, one with her cat on her lap, the other holding a fan, 41.7 x 29.7cm, in later gilt frames. (2) £200-300

444

444

445.

A French portrait miniature on ivory of a gentleman, signed indistinctly ‘Pispre’, in a gilt brass and moulded frame, late 19th century, together with a George III portrait miniature of a gentleman, the verso inscribed ‘Wm Woodhouse, 1800 aged 42’, in a gilt brass and ebonised frame, 18 x 13.8cm (max). (2) £100-150

446. Giovanni Antonio Santarelli (Italian 1758-1826). A wax portrait relief bust of a young lady, in an ebonised frame, the verso with a printed paper label inscribed ‘Gio. Ant. Santarelli a Firenze, 1809’, 12.3 x 12.1cm. £200-300

447.

A continental portrait miniature of Raphael, in a gilt brass frame, together with a portrait miniature on ivory of a lady, late 19th century and a French portrait miniature of an Austrian aristocratic lady, in a bone frame, late 19th century, 12 x 8.7cm (max). (3) £100-150

448.

A late 19th century porcelain oval portrait miniature of a girl, together with a portrait miniature on ivory of a girl, signed ‘Bowen’ and another portrait miniature of a young girl wearing a coral necklace, in a mother of pearl and gold frame, mounted in a leather case, 6.1cm diameter (max). (3) £100-150

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449

450

449. A 19th century New Zealand parquetry specimen wood jewellery box attributed to William Norrie, the hinged lid inlaid with a parquetry star with exotic woods puriri, rewarewa, mottled kauri, maire and other timbers, on a burr totara ground, the interior with a plush lined lift-out tray with divisions, on ring turned feet, the underside inscribed in pencil with the names of the woods used, 12cm high, 27.5cm wide, 17.5cm deep. £200-300 450. A 19th century New Zealand parquetry specimen wood oval box in the manner of William Norrie, the lid with radiating veneers, on a rewarewa ground, the base with the remains of a paper trade label, 17cm wide. £100-150 451. An early 19th century colonial padouk and brass inlaid writing slope, decorated with scrolling rope-twist designs, the interior with a pen tray and compartments, with two secret drawers, with a side base drawer and sunken brass handles, 16.3cm high, 42cm wide, 25.5cm deep. £80-120

451

452. A Victorian oak and brass mounted folding bookstand, the hinged sliding ends pierced with handgrips, 18.6cm high, 38.2cm wide, 17.5cm deep. £150-250

453. A late Victorian oak and brass mounted tantalus, fitted with three cut glass decanters and stoppers, 29.9cm high, 37cm wide, 14.1cm deep. £100-150

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455 454

456

454.

An Art Deco style rosewood and brass mounted tobacco jar and cover, inlaid with figures playing tug of war, the interior with a metal lid, 11.7cm high, 11cm diameter. £80-120 455.

A 19th century gilt brass picture frame in the form of a temple, decorated with Russian symbols, with a winged torch surmount with a crown above griffins and crowned eagles, containing an ivory portrait miniature depicting Napoleon meeting a young boy and his family and accepting a letter, with troops in the background, with an easel back, 20.5cm high. £150-200 456. A Victorian gilt brass photograph frame by Betjemann & Sons, in the form of a rustic gate, titled, the hinged front revealing an arched aperture, with an easel back inscribed with the retailer’s name ‘ HALLETT, 5, Robertsons St., Hastings’, also stamped ‘ G. BETJEMANN & SONS’ with a Victorian registration lozenge for the date 19th February 1867 and ‘ REGISTERED No. 104’, 12.5cm high. £100-150

457

457.

A pair of late 19th century French turned ivory and gilt brass mounted opera glasses, with a detachable handle, with a red fabric pouch, together with a pair of mother of pearl and gilt brass mounted opera glasses, inscribed ‘W. GREGORY & CO 51. STRAND, LONDON’, in a leather case, 10.4cm wide. (2) £100-200 458. France, Louis XIV (1638-1643-1715). A pair of mid-19th century gilt bronze strikings of medal reverses, both dated 1674; the Battle of Seneffe, Victory holding wreath and flag, flies over military trophies, CAESIS AVT CAPTIS HOSTIVM X MILL …, 62mm, edge stamped CUIVRE; Victory at the Rhine, Victory offers a wreath to the armoured figure of Louis, FRANCOR EXERCITVS AD RHENV’TER VICTOR, 56mm. Handsome display items, very fine, second with ‘ghosted’ obverse. (2) £40-60

458

459. A collection of seventeen various corkscrews, including: a bone and brass pull example fitted with a brush, a Weir’s patent corkscrew by James Heeley & Son, three folding bow corkscrews, a ‘Hercules’ corkscrew and a Williamson patent bullet corkscrew,18.2cm long (max). (17) £100-150 460. A collection of surgeon’s tools, the majority by Aitken of York, together with two knives

by Moore & Co. and one saw by Weiss, London, with ebonised handles, in an associated mahogany case. £150-200

459

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λ 461.

A late 19th century German silver mounted ivory historismus tankard, in 17th century style, the hinged lid with a putto finial and repoussé decoration, with a winged female caryatad handle, the body carved with figures returning from harvest and dancing merrily, above a conforming base, 13cm high. £600-1,000

461

λ 462.

A Victorian turned ivory cotton tower, with a carved and pierced lift-off top, together with an ivory needle threader, in the form of a recorder, the nickel back inscribed ‘JOSEPH MAPPIN’ and a pierced ivory folding paper knife, 14cm high (max). (3) £100-150

463

463. A 19th century prisoner of war bone model gun and limber, 21cm long. £300-400 464. A Shelley ceramic jelly mould, in the form of a rabbit, sporting a bow tied ribbon, with a printed mark, 25.2cm long. £40-60

464

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465

466

465. A Jaques & Son Staunton pattern boxwood and ebony chess set, the kings stamped ‘JAQUES LONDON’ one of each colour of the rooks and knights also stamped with a crown mark, the king: 8.9cm high, the pawn: 4.7cm high, in a mahogany box with a sliding lid, with a printed paper label inscribed ‘THE STAUNTON CHESSMEN TWO PRIZE MEDALS AWARDED, 1862. H. S. Staunton, JAQUES & SON, LONDON.’, late 19th / early 20th century. (33) £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

466.

A mahogany travelling chess set, the folding case with carved bone pieces, natural and stained red, with a rosewood and sycamore board, late 19th / early 20th century, 20.6cm wide. £80-120 467. A set of early 19th century carved agate dominoes, in a leather case, probably Italian, each domino: 4.6cm wide. (27) £200-300

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467

468. After John Norden. ‘SUSSEXIA’, a 17th century hand-coloured engraved map of Sussex by William Kip, 23 x 39.5cm, ‘DEVONIAE’ also

by Kip, ‘DORSET SHIRE’ by Robert Morden, ‘CORNWALL from the BEST SUREVYS 1748’, ‘ENGLAND & WALES with the Islands of Garnsey, Jersey & C.’ by Herman Moll, a road map of Salisbury and Southampton, all framed and glazed, together with three unframed maps ‘THE INVASIONS OF ENGLAND AND IRELAND’ by John Speed, ‘BRITANNIA Saxonica’ and ‘NORTHUMBIAE Comitatus olim sedes OTADINORUM’. (9) £100-150

467 detail

468

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SCULPTURE

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469

471 469. After the antique. A large Italian carved serpentine model of the ‘Porcellino’ or the Uffizi wild boar, on a plinth base, late 19th century, 41cm high, 42.9cm wide, 23.2cm deep. £300-500 Provenance: Cypress House, Chilton Cantelo, Somerset.

470. After the antique. A relief carved marble plaque depicting a chained slave in a cell, probably Rome, late 18th / early 19th century, 21.2 x 19.3cm. £300-400 471. After the antique. A bronze model of a standing bull, possibly Italian, 33.2cm high, 40cm long. £500-800 After a marble bull excavated at Ostia c.1780 and displayed in the Sala Degli Animali at the Vatican.

470

472. A pair of bronzed copper relief rondels in Renaissance revival style, one depicting Venus emerging from the sea, surrounded by Triton and cupids, the other a classical view with figures, temples and other buildings, 14.7cm diameter, each mounted in a plush lined frame. (2) £100-150 473. After Giambologna (Flemish 1529-1608). A 19th century bronze figure of Fortuna, on a turned marble plinth, 37cm high. £150-200

473

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474. After Germain Pilon (French 1525-1590). A late 19th century bronze figural group of the Three Graces, 53cm high. £800-1,200 The original marble sculpture was conceived as a funerary monument to King Henry II of France and the heart of the king was placed in the bronze urn held by the Three Graces.

474

475. After Sébastien Slodtz (French 1655-1726). A bronze figure of Hannibal, standing on war trophies, counting the rings of the Roman knights killed at the Battle of Cannae, late 19th / early 20th century, 34.7cm high. £400-600 The original marble figure of 1704 was sculpted by Slodtz for the gardens of Versailles.

475

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476. A pair of 19th century French bronze cherub musicians in the manner of Clodion, one holding a tambourine the other originally with a triangle (now missing), each on an ormolu base, 25.8cm high. (2) £200-300

476

477. A Renaissance revival bronze ewer, with a satyr handle, the body decorated with panels of birds and lions and with a ram’s head, French or Italian, late 19th century, 28.5cm high. £100-150

478.

A 19th century continental carved ivory Corpus Christi, mounted on an ebonised cross, also with a banner inscribed ‘INRI’ and a skull and crossbones, 47.4cm high, 22.8cm wide. £100-150 479. A bronze dish in Renaissance revival style, with mythical beast and grotesque mask handles, the centre with a crowned dragon, with panels of fleur-de-lis and ‘F’ crowned, French or Italian, late 19th century, 37cm wide. £100-150

477

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479

478

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480.

A Victorian carved ivory bust of Thomas Dyer-Edwardes (Senior 1807-1885), signed ‘RICHARDS SCULPT Sept 1858’ on a turned ebony plinth inset, with a bronze oval plaque engraved with the Dyer-Edwardes crest / monogram and ‘SPES MANET’, 14.2cm high. £500-800 Thomas Dyer-Edwardes was the grandfather of the famous Titanic heroine Noel, Countess of Rothes, known in the press as 'the plucky little Countess'.

480

481 481. Maximilien Herni Hiolle (French 1843-1930). A patinated terracotta portrait bust of a man, signed and dated ‘M. HIOLLE 1896’, on a verde antico marble socle, 59cm high. £300-500

482

482. A pair of 19th century continental boxwood models of a boy and a girl, each eating fruit and standing on a plinth base, 9.5cm high.

(2) £250-350

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483. Théodore Rivière (French 1857-1912). ‘Seduction’, a bronze group of a semi-naked amorous couple, the base signed ‘THEODORE RIVIERE’ on a green marble plinth, 29.9cm high. £600-800

483

484

484. Eugène Marioton (French 1857-1933). A bronze figure of a night watchman, the base titled ‘LE COUVRE-FEU’ and signed ‘Eu. Marioton.’, 35.9cm high. £300-500 485. After Emmanuel Frémiet (French 1824-1910). A bronze model of a seated dachshund, the naturalistic base signed ‘E. FREMIET’ and stamped ‘145’, 15.1cm high, 14.8cm wide. £150-250 485

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486. Giuseppe Beneduce (Italian). A bronze figure of a naked maiden holding a shell, standing on a rocky outcrop, the base with frolicking winged cherubs, signed ‘G. Beneduce Firenze’, on a serpentine plinth base, late 19th / early 20th century, later converted into a lamp, 66.4cm high. £500-800

486

487. Charles Romain Capellaro (Italian 1826-1899). A late 19th century bronze figure of Amphitrite, holding a cornucopia and standing on a dolphin, the base signed ‘Capellaro Hors Concours’, later converted into a lamp, 77.5cm high (excluding fitting). £300-400

487

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488

488. An Austrian cold painted bronze model of a recumbent Siamese cat, the underside stamped with a ‘B in a vase’ for Franz Bergman and ‘AUSTRIA 15088’, 6.7cm wide, together with two other Austrian cold painted bronze cats. (3) £80-120

489

489. Three Japanese patinated iron models of dogs, of a standing and seated akita and a yorkie, modern, 12cm long (max). (3) £80-120

490. A late 19th century bronze model of a lizard, 14cm long, together with a marble trinket box, with a lizard finial, 6.7cm high. (2) £200-300 490

491. A French silvered metal model of a spaniel, the underside of one paw with a star mark, 19.7cm long, together with a 19th century bronze model of a barking poodle, stamped ‘B D’. (2) £100-150

492. A 19th century French patinated bronze model of a spaniel, 15.8cm long, a gilt bronze spaniel and a bronzed copper example. (3) £150-200

491

492

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493, 494, 495 493. An Austrian cold painted orientalist bronze figure of a whirling dervish, standing with his arms crossed, the base of his cloak stamped with a ‘B in a vase’ for Franz Bergman, early 20th century, 16.5cm high. £500-700 See Joseph Zobel, Antique Vienna Bronzes, p. 147 for an identical bronze.

494. An Austrian cold painted orientalist bronze figure of an Arab, sitting on a stool, painting, stamped twice with ‘B in a vase’ for Franz Bergman and ‘GESCHÜTZT 2746’, early 20th century, 10.3cm high. £500-700 495. An Austrian cold painted orientalist bronze figure of a whirling dervish, standing with his arms aloft, the back of his cloak stamped with a ‘B in a vase’ for Franz Bergman, the base edge with indistinct numbers and stamped ‘GESCHÜTZT’, early 20th century, 20cm high. £500-700 See Joseph Zobel, Antique Vienna Bronzes, p. 147 for an identical bronze.

496. A cold painted bronze orientalist group in the manner of Bergman, depicting two Arabs with various weapons standing on a carpet, 11cm high. £300-400

497. An Austrian cold painted bronze moveable erotic group, of a cavorting satyr and a naked maiden, each stamped with a ‘B in a vase’ for Franz Bergman, early to mid 20th century, 10.5cm high. (2) £400-600

See Joseph Zobel, Antique Vienna Bronzes, p.169, for a similar bronze, titled ‘The Arab Gun Dealer’.

See Joseph Zobel, Antique Vienna Bronzes, p. 213 for an identical bronze group.

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NATURAL HISTORY, HUNTING & MISCELLANEOUS

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498

498. Four pairs of leather riding boots, three pairs with wooden trees, one inscribed ‘J.F.A. Stern Esqre’

by Peal & Co., London. (8) £400-600 499. Hunting interest. A brass fox’s head doorstop, with a ring handle and a turned stem, above a lead weighted base, 46.5cm high. £200-300 500. An early 20th century bamboo horse measuring stick, with a crook handle above a silver button revealing a boxwood measure, with an inset hinged brass arm, originally with a spirit level, 93.8cm long. £150-200 501. Equestrian interest. A late Victorian horse’s hoof and fetlock doorstop by Rowland Ward, the mounts inscribed ‘“BARRISTER” DIED JAN 1888’ and stamped ‘ROWLAND WARD F. Z. S., THE JUNGLE 166 PICCADILLY’, 46.7cm high. £200-300

500

499

501

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502

502. A pair of late 19th century Campaign silvered brass spring loaded candlesticks, each with a glass shade, the bases with ‘anchor and compass’ marks, in a leather fitted travelling case, with initials ‘T.B.H.’ 52cm wide. £800-1,200 503. A ‘Sirram’ car picnic set for lunch and tea, fitted with plates, cutlery, whicker and glass bottles, a kettle and containers, with an ivorine plaque inscribed ‘SIRRAM REGISTERED TRADE MARK M, LTD, B.’, in a leatherette covered case with leather strap handles, 1950s, 26.9cm high, 63cm wide. £400-600

503

504

504.

A late Victorian Campaign tea set, comprising: a kettle with an ivory handle on burner, a jug, an oval bowl and two lidded canisters, in a leather case, 14.7cm high, 16.6cm wide. £200-300 505. A croquet set on a hardwood stand, with brass mounts and with an applied metal plaque, inscribed ‘J. SALTER & SONS, ALDERSHOT, ENGLAND, MADE IN ENGLAND’, comprising: six hoops, four balls, a marker post, four ash handled mallets, three stamped ‘THE ALL ENGLAND, JAQUES, LONDON’ and four coloured clips, 99.8cm high, 45.8cm wide. £400-600 506. An ash sleigh, with a slatted seat and a bentwood frame, 43.7cm high, 180cm long (handle extended). £200-300 505

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507

508

507. A late Victorian rhinoceros horn hunting whip by Swaine & Co., with an antler horn handle applied with a button inscribed ‘SWAINE & CO. LONDON’, with a silver coloured metal ferrule inscribed ‘Violet 1883’, 61.5cm long. £200-300 508. A rhinoceros horn sidesaddle whip, with a gilt brass handle engraved with scrolling foliage, late 19th / early 20th century, 64.5cm long. £200-300

511

512

509

510

509. A rhinoceros horn sidesaddle whip, with a gilt brass handle repoussé decorated with scrolling foliage, late 19th / early 20th century, 65.7cm long. £500-700 510. A rhinoceros horn hunting whip by Swaine, the antler horn handle above a silver ferrule, inscribed ‘SWAINE’ with indistinct hallmarks, with a leather thong, late 19th / early 20th century, 201cm long (including the thong). £200-300

513

514

511. A late Victorian rhinoceros horn sidesaddle whip, with silver handle and mounts, hallmarked for London 1899, 69.3cm long. £200-300

513. A buffalo horn whip, the ebony handle carved in the form of a beast, with a turned shaft, late 19th / early 20th century, 68.7cm long. £100-150

512. A rhinoceros horn sidesaddle whip by Swaine & Adeney, the rose gold coloured handle engraved with scrolling leaves and flowers, inscribed ‘SWAINE & ADENEY LONDON’, late 19th / early 20th century, 70.3cm long. £200-300

514. A rhinoceros horn sidesaddle whip, with gilt metal mounts engraved with scrolling foliage and with turquoise enamel jewelled decoration, late 19th / early 20th century, 56.1cm long. £150-200

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515. A pair of Edwardian warthog tusk and silver mounted walking canes, the mounts hallmarked for Army & Navy C. S. L., London 1908, with hazel shafts and brass terminals, 86.8cm long. (2) £500-700

516.

An Edwardian palmwood swagger stick, with an ivory handle carved as a bulldog’s head, with glass eyes, the embossed silver ferrule hallmarked London 1908, together with another swagger stick with an ebonised shaft and an ivory handle, the silver ferrule hallmarked London 1905, 75.7cm long. (2) £100-150 Provenance: From the collection of Thomas James Reeves (1849-1909) and thence by descent.

517

519

517. A petrified wood specimen, 24 x 20.5cm. £80-120 518

518. Taxidermy. A zebra skin rug, on a felt backing, 282 x 192cm. £300-400 519. Taxidermy. A Victorian preserved yellow hammer by James Gardner, mounted in a naturalistic setting, with a printed trade label, inscribed ‘J.GARDNER, Naturalist to the Royal Family, 426, Oxford St., London.’, in a domed glazed case with a gilt line, together with a bullfinch by the same maker, 23.3cm diameter. (2) £100-200

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520. An Edwardian carved wood and painted half-block model of a pike by Charles Farlow & Co., mounted on a mahogany plaque, inscribed ‘19 lbs.’, the verso with a handwritten label inscribed ‘Caught by J. M. Morgan, in the Oare? near the Maddocks?, Aldworth spinning with a afriat on crocodile tackle weight 19lbs, 1907, Yorkshire September’, with Farlow stencil stamp ‘C. FARLOW & CO LD, FISHING ROD MANUFACTURERS, 10 CHARLES ST. ST. JAMES SQ, S.W. LONDON’, ‘ 35.5 x 125.4cm. £2,000-3,000

521. A George V carved wood and painted half-block model of a salmon attributed to the Fochabers Studio, mounted on a stained pine plaque and inscribed '36 LBS, BRIDGE POOL, DELFUR, 1ST OCT.1924.', 44.4 x 132cm, together with facsimile photographs of the fisherman who caught the salmon, in two frames. (3) £3,500-4,000

520

521

522. A George V carved wood and painted half-block model of a trout by Hardy Brothers, mounted on an oak board, inscribed ‘MOTE POOL, BLACKWATER, Co. MEATH. WEIGHT 61/2 lbs, LENGTH 221/2INS, GIRTH 151/2”, 4.6.’25, with an applied plaque inscribed ‘HARDY BROTHERS LTD ANGLING SPECIALISTS ALNWICK, RETAILS BRANCHES.’ 31 x 73.5cm. £2,500-3,000

522

523. Taxidermy. An Edwardian preserved trout by J. Cooper & Sons, mounted in a naturalistic setting with a printed trade label inscribed 'PRESERVED BY J. COOPER & SONS, 28 Radnor Street, ST. LUKE'S, LONDON E. C.', in a glazed ebonised bowfront case with gilt lettering inscribed 'TROUT Caught below Fisherton Mills.Sep. 26th 1907. Weight 10lb's 9oz's. length 28 1/2in's. girth 18in's'., 44.3cm high, 89.4cm wide, 19.4cm deep, together with a framed facsimile photograph of the fisherman who caught the fish. (2) £1,000-1,500

523

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524. An early Victorian mahogany gentleman’s compactum wardrobe, with a central scroll and rosette carved surmount, above a pair of flame veneered panelled doors, enclosing a later hanging rail and two pull-out slides, above two short and one long deep drawer, flanked by a pair of conforming cupboards, each fitted with a later hanging rail, brass hooks and formerly with shelves, 199.5cm high, 256.7cm wide, 66.4cm deep. £800-1,200

525. A nest of three mahogany occasional tables, each with a rectangular beaded top on turned supports united by a stretcher, late 19th century, 71.5cm high, 55cm wide, 34cm deep. (3) £80-120 Provenance: From the collection of Sir Jeremy Lever.

144

526. An early Victorian oak Gothic desk chair, button upholstered with red leatherette, on octagonal tapering legs with brass caps and ceramic castors. £200-300

527. A Victorian walnut stool, with a tapestry seat on leaf carved cabriole legs, 41.7cm high, 49cm wide, 47.7cm deep. £200-300

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528. An early Victorian mahogany breakfront bookcase, the detachable cornice above a pair of glazed doors flanked by further doors enclosing adjustable shelves, the base with arched panelled cupboard doors enclosing adjustable shelves, with applied leaf and scroll carved corbels, 246cm high, 238.8cm wide, 61.7cm deep. £800-1,200

529. A nest of three mahogany occasional tables, each with a rectangular top with a beaded edge, on ring turned legs united by stretchers, 67.3cm high, 51.5cm wide, 36cm deep. (3) £200-300

530. A Victorian mahogany desk chair, with ribbed supports on brass caps and ceramic castors. £100-150

531. A Victorian papier-mâché stool, with a floral needlework seat, the base painted with flowers and with gilt highlights, 47.5cm high, 57cm wide, 46.4cm deep. £150-250

Provenance: From the collection of Sir Jeremy Lever.

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532. A George III style mahogany twin pedestal partner’s desk, with a gilt tooled leather top above an arrangement of nine drawers to the front and a drawer and a pair of arched panelled doors to the reverse, one fitted with slides, the other with shelves, on castors, 82.5cm high, 183cm wide, 119.3cm deep. £500-800

533.

An early Victorian rosewood whatnot, with three serpentine edge tiers and baluster turned supports, the base with a drawer, on brass castors, 97.2cm high, 51.7cm wide, 41cm deep. £100-150

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534. A pair of early Victorian Gothic oak stools, each with a needlework top above carved ogee ends, 21.7cm high, 50cm wide, 28.5cm deep. (2) £150-200

535. A Victorian walnut centre table in 17th century style, the top with feather and crossbanding, above an arcaded frieze and on spiral twist stretchered supports, 75.8cm high, 92.4cm wide, 45.8cm deep. £200-300

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536. A mahogany twin pedestal partner’s desk, the top inset with a gilt tooled green leather writing surface, fitted with an arrangement of nine drawers and with a pair of arched cupboard doors, each enclosing a shelf, on metal castors, late 19th / early 20th century, 78.8cm high, 182.1cm wide, 119.7cm deep. £500-800

537. A set of Victorian mahogany hanging wall shelves, with an architectural pediment above three adjustable shelves, 86.5cm high, 71.5cm wide, 22.3cm deep. £100-150

538. A pair of Regency style giltwood and painted child’s armchairs, each with a lyre back and a drop-in needlework seat, one dated ‘1937’, late 19th / early 20th century.

(2) £100-150

539. A mahogany drinks trolley, with a pierced brass gallery, with an ebonised oval top above two kidney shaped tiers, with brass column supports and castors, 20th century, 77cm high, 96.5cm wide, 56cm deep. £100-150

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540 540. A Victorian giltwood and gesso overmantel mirror, with three rectangular bevelled plates, flanked by fluted spiral columns, the frieze decorated with palmettes and with a ball decorated cornice, 90.5 x 146.6cm. £100-150 541

541. A Victorian walnut Davenport, the top with a hinged stationery compartment with divisions for letters, pens and ink, above a leather lined writing slope enclosing two drawers, the right side with four drawers on bun feet and ceramic castors, 71.5cm high, 53.7cm wide, 51cm deep. £300-400 542. A mahogany stool, with a tapestry style seat on bracket feet, 31.7cm wide, 29cm deep. £80-120 Provenance: Cypress House, Chilton Cantelo, Somerset.

543. A Victorian mahogany twin pedestal desk, with an arrangement of nine drawers, fitted with turned wood knob handles, on ceramic castors, 84cm high, 120.3cm wide, 56cm deep. £200-300 544. A pair of Regency style mahogany waterfall open bookcases, 104cm high, 126cm wide, 31.5cm deep. (2) £500-700

542

148

543

544

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

545. A set of eight mahogany dining chairs in ‘Chippendale’ style, the pierced splat back carved with florets, swags and tassels, above a serpentine front seat and on moulded stretchered legs, late 19th century, comprising: a pair of armchairs and six side chairs. (8) £800-1,200 546. A ‘Chippendale’ revival mahogany and parcel gilt chest on stand, with two short and three long graduated drawers, with side carrying handles, the stand with cluster column supports and with fish scale and fret panels, late 19th /early 20th century, 105.3cm high, 63.1cm wide, 31.5cm deep. £300-500

547.

A George III style mahogany and satinwood demi-lune commode, with rosewood banding and inlaid with marquetry urns, and a fan patera, with a central door enclosing a shelf, 20th century, 93.8cm high, 124.4cm wide, 50.8cm deep. £400-600

546

149

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548. A leather three-fold screen, each panel painted with flowers and butterflies on a gilt ground, late 19th century, 175cm high, 46cm wide (each panel). £300-500

548

549 549. An 18th century style wing armchair, covered in brass studded burgundy leather, on cabriole front legs, pad feet and brass castors, late 19th century. £400-600 550. A Victorian oak cheval mirror, the rectangular plate within a scalloped moulded frame and with spiral twist supports, scroll feet and ceramic castors, 178.3cm high, 84.3cm wide, 57.3cm deep. £400-600 551. A 19th century mahogany and marquetry cabinet, inlaid with stringing and satinwood banding, with a pair of doors inlaid with scrolling foliage enclosing six short and three long graduated drawers, 114.8cm high, 115.2cm wide, 46.3cm deep. £400-600

551

150

550

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

552. An Edwardian satinwood Carlton House desk by Maple & Co., the inlaid gallery above a bank of six drawers, flanked by a pair of curved cupboard doors and a leather lined pull-out slide, with two further curved compartments with drawers, above an arrangement of four frieze drawers, one with a trade label for Maple & Co., on square tapering legs and brass castors, 99.8cm high, 121.9cm wide, 63.5cm deep. £800-1,200

553. A late Victorian satinwood bowfront corner cabinet, inlaid with stringing and with goncalo alves banding, with a pierced brass gallery, above a pair of glazed doors and a drawer, 94.7cm high, 60.1cm wide, 42.6cm deep. £150-250

554. An Edwardian mahogany and marquetry bijouterie table, the hinged top with a bevelled glass panel and inlaid with scrolling leaves, on cabriole legs united by a stretcher, 75.8cm high, 60.8cm wide, 60.5cm deep. £300-500

Provenance: Cypress House, Chilton Cantelo, Somerset.

Provenance: Orchard Leigh Park, Christie’s 21st-22nd September 1987.

151

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555. A pair of oak artist’s easels by John F. Brooks, with nickel mounts, each with a weighted adjustable rest, on ceramic castors, 210cm high, 90.7cm wide, 56.3cm deep. (2) £400-600 John F. Brooks (1915-2015) was an architectural consultant, master craftsman, artist and draughtsman who was apprentice to Waring & Gillows and reproduced some of their classic designs.

555

556

556.

A Victorian mahogany pole firescreen in 18th century style, with an ivory flaming urn finial, above an embroidered panel with a vase of flowers, worked by Lady Ottoline Morrell, with a carved tripod base and claw and ball feet, 163.3cm high, 63.3cm wide, 66cm deep. £100-150 Provenance: The collection of Lady Ottoline Morrell and thence by descent.

557

152

557. An Edwardian oak revolving bookcase, the hinged top with a ratchet and with a rest, with a metal trade label inscribed ‘MATTHEWS & Co., ART FURNISHERS, Gloucester’ on brass castors, 114.7cm high, 60.2cm square. £700-900 Provenance: Purchased from Nicholas Mitchell, Shepperton upon Thames, 2003.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

558. A pair of two seater banquettes, each upholstered in green fabric with a tassled fringe and on brass castors, 20th century, 90.4cm high,154.3cm wide, 79cm deep. (2) £1,000-1,500

559. A Victorian burr walnut stool, the later upholstered seat above a scroll carved frieze, on leaf and flower carved cabriole legs, 48.5cm high, 128cm wide, 68cm deep. £400-600

END OF SALE

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 5th July 2017

Entries are now being accepted for this sale

A rare 18th century American map powder horn.

Estimate: £800 - £1,200

ENQUIRIES Mark Richards | Tel: +44 (0)1722 411854 | mr@woolleyandwallis.co.uk

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FINE SILVER & VERTU INCLUDING A PRIVATE COLLECTION OF SNUFF BOXES & BONBONNIÈRES

Tuesday 25th & Wednesday 26th April 2017

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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FINE JEWELLERY

Thursday 27th April 2017

A diamond tiara, naturalistically designed as a branch of the gingko tree.

Estimate: £10,000 - £15,000

ENQUIRIES Jonathan Edwards | Tel: +44 (0)1722 424504 | je@woolleyandwallis.co.uk Marielle Whiting | Tel: +44 (0)1722 424595 | mw@woolleyandwallis.co.uk

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ASIAN ART

Tuesday 16th May 2017

A massive Chinese Imperial pale celadon jade ‘birthday’ boulder, Qianlong 1736-95, 21cm.

Provenance: the collection of Lady Robertson (d.1977), purchased from John Sparks 17th January 1958 for £150 and thence by descent.

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | jea@woolleyandwallis.co.uk

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THE JOHN PINNICK COLLECTION

to be sold in the English & European Ceramics & Glass sale on Tuesday 23rd May 2017

A small selection of lots including Worcester, Bow and Lowestoft.

Various estimates

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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MODERN BRITISH & 20TH CENTURY ART Wednesday 7th June 2017

Entries are now being accepted for this sale

Geoffrey Dashwood (b.1947) Puffins, 1993 Signed and numbered 3/12 Bronze, 28cm high Estimate: £2,000 - £3,000 One of 10 lots by this artist ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 424592 | jb@woolleyandwallis.co.uk

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ARTS AND CRAFTS

Wednesday 21st June 2017 Entries are now being accepted for this sale

A repousse copper charger by John Pearson, dated 1898.

Estimate: £800 - £1,200 ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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TRIBAL ART & ANTIQUITIES

Wednesday 20th September 2017 Entries are now being accepted for this sale

An Egyptian faience shabti, Late Period, circa 664 – 332BC, 18.6cm high.

Sold for £10,750 ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof.

For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Salisbury Salerooms

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Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture, Works of Art & Clocks

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 12th April 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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Auction Calendar PAINTINGS 7th June 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 28th March 2017 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk 20TH CENTURY DESIGN 29th March 2017 – Clarice Cliff, Art Deco & Design 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 12th April 2017 5th July 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk SILVER 25th & 26th April 2017 – Fine Silver & Vertu Including A Private Collection of Snuff Boxes and Bonbonnières Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 27th April 2017 – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ASIAN ART 16th May 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 23rd May 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

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