Woolley & Wallis

Project1_Layout 1 15/08/2016 14:58 Page 1

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

English & European Ceramics & Glass

Tuesday 13th September 2016

Project1_Layout 1 15/08/2016 14:58 Page 2

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan

424506 424583 424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

424503 424592

424500

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:44 Page 1

ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 13th September 2016 at 10.30am VIEWING TIMES Saturday 10th September Monday 12th September Tuesday 13th September

10.00am – 1.00pm 10.00am – 5.00pm 9.00am – 10.30am

ENQUIRIES

Clare Durham 01722 424507 cd@woolleyandwallis.co.uk

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

COLLECTION OF LOTS Please note that all lots will be cleared from our Castle Street Saleroom to our Salt Lane office on Monday 19th September.

If you are collecting items on or after this date please contact the department to arrange in advance.

All accounts to be settled prior to collection.

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 12th September.

LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 419 Back cover: Lot 84 Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Monday 12th September.

Please note there is a 3% +VAT surcharge for using this service.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:44 Page 2

GLASS FROM TWO PRIVATE COLLECTIONS

1.

Five wine glasses, late 18th century, with ogee and round funnel bowls, one engraved with the initials ‘SIF’ and dated 1773, another engraved with hounds chasing a stag, one engraved with the Bucrania pattern of swags around bulls’ heads, another with grapevine and a botanical flower spray, the last with a continuous band of grapes and flowers, all raised on varying facet cut stems, 16cm max. (5) £400-600

2.

Five wine glasses, c.1780, with rounded funnel bowls variously engraved with botanical floral specimens, raised on facet cut stems, 15.5cm max. (5) £300-500 Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

3.

Five firing glasses, late 18th/early 19th century, with rounded funnel bowls, one engraved with a mermaid holding a key, another with a gillyflower spray, the other three with cutting around the base of the bowls, all raised on varying facet cut stems above heavy feet, one repaired, 12cm max. (5) £200-300

4.

Five small wine glasses, late 18th century, with round funnel or drawn trumpet bowls, variously cut and engraved with flowers, cornucopia and flying insects, the smallest glass with a band of polished ovals, all raised on facet cut stems, 13.4cm max. (5) £250-350

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

5.

Six wine glasses, late 18th/early 19th century, with rounded funnel or ogee bowls, one octagonal and two faceted, the bases of the bowls and the stems variously facet cut and knopped, 19.3cm max. (6) £300-500

6.

Six engraved rummers, 19th century, with rounded funnel or bucket bowls, one inscribed for ‘Loyal Leicester Volunteer Cavalry’, another ‘God Speed the Butcher and Pretty Women’, one dated 1804 with the initials MF, one inscribed for ‘I H Winterbon’, another ‘Sons of Harmony’, the last engraved with a coaching scene and inscribed ‘Lincoln Coach’, 13.5cm. (6) £300-500

Provenance: from a private collection in Sussex.

2

Provenance: from a private collection in Sussex.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:44 Page 3

7.

Three sweetmeat glasses, 2nd half 18th century, two with cut bowls and serrated rims, raised on faceted stems and conical feet, the last with a spiral moulded bowl on a pedestal stem between beaded knops, on a domed foot, 17.8cm max. (3) £300-500 Provenance: from a private collection in Sussex.

8.

Three engraved glass beakers or tumblers, 19th century, one decorated with a gardener cutting bunches of grapes from a fruiting vine, one with an equestrian figure jumping a gate, the last with the figure of a King holding a scroll inscribed ‘Bill of Rights’, around the edge titled ‘May Our Happy Constitution in Church & State Ever Continue Unimpared’, 12cm max. (3) £150-250 Provenance: from a private collection in Sussex.

9.

Two glass beakers or tumblers, 19th century, one engraved with a man standing at the head of six horses pulling a large coach or covered wagon, inscribed ‘W Ridsdale’ to the side, the reverse of the glass inscribed ‘WMR’, the other beaker with a scene of a figure dining outside a coaching inn, the reverse with a further figure walking with a pack, inscribed ‘May We Live Well On The Road’ and ‘In Our Journey Through Life’, 11cm max. (2) £300-500

10. Three firing glasses, late 18th century, two with drawn trumpet bowls on short plain stems, one engraved ‘No 8’, the other with Masonic emblems and the initials ‘PEJ’, the other glass with a rounded funnel bowl engraved with a band of fruiting grapevine, 11cm £100-200 max. (3) Provenance: from a private collection in Sussex.

It is possible that the W Ridsdale referred to on the first glass is William Maughamby Ridsdale of Glassonby in Cumberland, listed on the 1851 census as a farmer of 70 acres.

Provenance: from a private collection in Sussex.

11. Three sweetmeat glasses, c.1760, with rounded ogee bowls, one with moulded ribs, two raised on inverted baluster stems above domed feet, the last on a pedestal stem with domed and folded foot, 16.5cm max. (3) £300-500 Provenance: from a private collection in Sussex.

12. Three Bohemian glass beakers, 18th/19th century, the largest engraved with three panels containing a bird feeding her young, a heron in a lake, and other birds around water, the hand, eye and heart of God visible in the clouds above, the smallest engraved with winged cupids, the base set with a gilded roundel of a European figure holding a staff, the last with a formal design around large polished ovals, 13.3cm max. (3) £300-400 Provenance: from a private collection in Sussex.

3

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 4

13. A cordial glass, c.1765, with hammered round funnel bowl rising from a doubleknopped opaque twist stem, and a small wine glass with wrythen-moulded bowl on a plain stem above a folded foot, 17.5cm max. (2) £250-350

14. A sulphide cut glass plate, 1st half 19th century, perhaps by Apsley Pellatt, the centre set with the sulphide profile portrait of a female warrior, the rim cut with a £100-150 radiating band, 18.3cm.

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

The larger glass with a green collector’s number for the Walter Smith Collection.

Provenance: from a private collection in Sussex.

16. Three items of coloured glass, 19th century, including a ruby goblet with diamond-cut bowl above a moulded stepped foot, a heavily cut yellow glass vase, and a tall narrow six-sided vase flashed in green to the neck, edges and foot, 19.4cm max. (3) £100-200

17. Two Edinburgh & Leith Jacobite revival inkwells or jars, 20th century, the rounded bases cut with rose and thistle sprays and portraits of Bonnie Prince Charlie and King James, around the shoulders inscribed ‘Audentior Ibo’, 8.2cm dia. (2) £150-200

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

19. A Norwegian glass flask, early 19th century, of flattened oval form, applied with four vertical lines of circular prunts, and a German small enamelled flask, the flattened circular form with a stag to one side, an inscription to the reverse, 17.3cm max. (2) £150-250

20. Four cut glass scent bottles and stoppers, late 19th/early 20th century, one of uranium glass and a bright greenish-yellow hue, one a deep amber colour, the other two clear glass, variously cut with elaborate designs, 14.6cm max. (8) £100-150

Provenance: from a private collection in Sussex.

4

15. Two wine glasses, c.1760, with drawn trumpet bowls, one rising from a beaded shoulder knop, enclosing two rows of tears above a plain stem, the other with tapering solid base above a knopped airtwist stem, 16.5cm max. (2) £250-350

Provenance: from a private collection in Sussex.

18. A Bohemian glass jar and cover, 19th century, two sides with an amber-flashed oval panel engraved with figures of Turks with horses, and a small goblet with a rubyflashed panel cut with a galloping horse, 20.5cm max. (3) £200-300 Provenance: from a private collection in Sussex.

21. Three pieces of English vitrified opaque glass, mid 19th century, one a slender vase by George Bacchus and Sons, decorated in black with a chinoiserie scene, another vase with three scenes of Classical figures, and a Richardson’s beaker printed and coloured with a scene of Castle Howard, £150-200 20.3cm max. (3) Provenance: from a private collection in Sussex.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 5

22. A Temperance subject wine bottle, 19th century, the slender form engraved to one side with a figure holding a banner titled ‘Father Matthew For Ever’, seated astride a large barrel being pulled along by further figures while others dance behind, the reverse with a large spray of fruiting grapevine, 33,4cm. £100-200

23. An octagonal serving bottle or stopperless decanter, 18th century, the squat eight-sided form rising to a long tapering neck with a single string, 23.3cm. £250-350 Provenance: from a private collection in Sussex.

Theobold Mathew (1790-1856) was an Irish Catholic temperance reformer credited with the establishment of the Cork Total Abstinence Society, from whence The Pledge originated.

In 1849 he was welcomed in New York and spent two years spreading his message of teetotalism.

24. An armorial decanter and stopper, c.1800, of mallet shape, engraved with the coat of arms for the Delaval family of Northumberland, beneath a band of cut lappets and two faceted neck rings, 30cm.

(2) £400-600 The Delaval family originated in France and settled in Northumberland following the Norman Conquest. This decanter was probably made for Edward Hussey Delaval, who shared the Copley Medal in 1766 for his research on metals and glass. He was known for his performances on musical glasses.

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

25. Two large glass rummers with shipping scenes, 1st half 19th century, one of straight-sided form and engraved with a large ship at full sail, the reverse with the initials ‘WS’ beneath a basket of fruit, the other of rounded form and engraved with a ship beneath the Sunderland Bridge, the reverse with a Masonic coat of arms and the motto ‘In God is All Our Trust’, both raised on square lemon squeezer bases, a few small chips to the feet, 22cm max. (2) £200-300

26. A pair of large rummers, 19th century, engraved perhaps by Thomas Hudson of Newcastle, each with Neptune in a chariot drawn by three hippocampi, the other sides with the initials ‘ML’ between two large cornucopia of fruit and flowers, the straight-sided bowls cut with facets to the base, raised on short stems with blown knops above heavy circular feet, 22.9cm. (2) £300-400 Provenance: from a private collection in Sussex.

Cf. Arthur Churchill, A History in Glass, pl.30, no. 132 for the larger.

Provenance: from a private collection in Sussex.

5

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 6

27. A composite stem wine glass, c.1740, the bell bowl with solid base above an airtwist stem leading to a basal beaded knop with two rows of tears, above a domed foot, 18.2cm. £300-500

28. A composite stem wine glass, c.1750, with bell bowl raised on an opaque twist stem rising to a beaded shoulder knop enclosing two rows of beads, on a domed foot, 18.4cm. £300-500

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

31. Five gilt-decorated glasses, early 19th century and later, including a rummer decorated with fancy birds to one side, the reverse with the monogram ‘WGJ’, a facet-cut wine glass and a similar small goblet decorated with European figures in garden settings, and two glasses with bucket bowls gilded with a design of Tudor roses and fleur de lys, 19.6cm max. (5) £150-250 Provenance: from a private collection in Sussex.

6

29. A large wine flute of possible Jacobite significance, c.1780, the rounded funnel bowl cut to the exterior revealing a sixpetalled rose to the interior of the glass, raised on a facet cut stem and foot, 20.4cm. £200-300 Provenance: from a private collection in Sussex.

30. An unusual wine glass, c.1770, with drawn trumpet bowl rising from a plain stem, the bowl perhaps later engraved with a continuous chinoiserie scene of a Chinese man holding a bird on a leash, beside a further seated figure and a low bridge, 15cm. £100-200 Provenance: from a private collection in Sussex.

32. A mixed lot of glass items, 18th century and later, including two wine funnels, three stirrup cups in the form of boots, a blue glass soy sauce bottle and stopper, an Isle of Man shot glass in a fitted box, a pipe, a small green glass jar, and an opaque glass model of a shoe with schwarzlot decoration, 20cm max. (11) £200-300 Provenance: from a private collection in Sussex.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 7

33. A large Beijing glass bowl, late 19th/early 20th century, the wide shallow form with everted rim, and of a rich amber colour, 34.8cm dia. £200-300 Provenance: from a private collection in Sussex.

34. A Bohemian glass beaker, late 19th century, enamelled perhaps in the workshop of Fürchtegott Leberecht Fischer in Vienna with eight figures of musicians, the neck and wide foot flashed in amber, and a tall Bohemian glass enamelled and gilded with the Prussian eagle, the base of the funnel bowl applied with raspberry prunts above a £150-250 stepped foot, 25.5cm max. (2) Provenance: from a private collection in Sussex.

35. A baluster wine glass, c.1745, with bell bowl raised on a plain stem with a beaded knop enclosing two rows of tears, above a domed foot, 17.5cm. £300-500 Provenance: from a private collection in Sussex.

36. A small baluster glass, c.1730-40, the drawn trumpet bowl with thick solid base enclosing a small tear, above a triple ring flattened knop on a plain stem with long tear and basal knop, above a folded foot, 13.5cm. £400-600 Provenance: from a private collection in Sussex.

37. An engraved wine glass, c.1760, the bell-shaped bowl engraved to the rim with a continuous band of fruiting grapevine, raised on an airtwist stem with vermiform collar above a conical foot, 16.6cm. £150-250 Provenance: from a private collection in Sussex.

38. A small wine glass of political interest, c.1780, the rounded funnel bowl engraved with Britannia seated and holding the cap of Liberty, a banner beside her inscribed ‘Magna Charta’, raised on a facet £200-300 cut stem, 13.4cm.

Provenance: from a private collection in Sussex.

7

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 8

41. Six English and Continental beakers or tumblers, 19th century, one large straight-sided form simply engraved for ‘Rob’t Boardingham’, another ‘Sutherland’ with monogrammed initials, one with a beehive and sprays of oak, barley and grapevine around a monogram, another inscribed ‘T S 1779’, a German beaker with a scene of the Last Supper, and a small glass decorated with a scene titled ‘Aix les £150-250 Bains’, 12.4cm max. (6) Provenance: from a private collection in Sussex.

39. A pair of engraved rummers, 1st half 19th century, the bucket bowls engraved with a ship at sail, titled ‘Juno’ with monogrammed initials to the reverse above ‘Token of Respect’, another rummer engraved with cock fighting scenes and inscribed ‘The Camells are Coming’, and a small glass engraved with a ship titled ‘Gosforth’ and inscribed to the reverse ‘Presented by W L Mures - S M A Potts Newcastle Jan’y 2 1858’, £200-300 13.5cm max. (4)

40. A Masonic glass jug and beaker, 19th century, engraved with Masonic emblems and fruiting grapevine around the inscription ‘Mother Kilwinning’, 13cm max. (2) £100-150 Lodge Mother Kilwinning is reputed to be the oldest lodge in the world, with roots dating back to the 12th century. During the reign of James II, the lodge was granting warrants for the formation of other lodges elsewhere in Scotland.

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

42. Four engraved glasses, 19th century, one engraved with eight small panels containing various motifs and inscribed ‘Bowers, Westdean Gardens 1831’ above further inscriptions in German, one with a gentleman looking out to sea and dated 26th November 1841, and a pair of German goblets engraved with figures at work beside machinery, 14.8cm max. (4) £200-300 Frederick Bower or Bowyer was a wealthy china merchant who acquired West Dean estate in West Sussex in 1871 and opened the gardens there to the public. It would appear the first glass would relate to him, although the date of 1831 seems to bear no relevance.

Provenance: from a private collection in Sussex.

43. Fourteen jelly or syllabub glasses, 18th/19th century, six lobed and cut with a chevron design, three hexagonal, four pantopped and one pan-topped with honeycomb moulding and applied with a single handle, £150-250 13.5cm max. (14) Provenance: from a private collection in Sussex.

41

42

44. A glass ewer and stopper and four glasses, 20th century, the ewer engraved with a scene from A Midsummer Night’s Dream, depicting Bottom with the head of an ass, and Puck in flight above, the four glasses with varying scenes of fairies with large bugs and other creatures, contained in a fitted wooden box, two glasses lacking, 36cm overall. (7) £100-200 Provenance: from a private collection in Sussex.

43

44

45. Eight cut glass beakers or tumblers, 19th century, of varying form and decoration, one containing a German coin dated 1833, two enamelled with polychrome flower sprays, one with a handle and engraved with small panels, 12.5cm max. (8) £200-300 Provenance: from a private collection in Sussex.

46. Seven pieces of Venetian glass, most 20th century, including three small bowls, one with white and blue glass striations with aventurine inclusions, a latticino saucer, a moulded wide beaker, a tall goblet with blown knop stem applied with pinched trailing, and an engraved glass with a gilded ruby-flashed roundel, raised on a colour-twist stem, 19cm max. (7) £300-500

45

8

46

Provenance: from a private collection in Sussex.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 9

47. A Continental glass bottle and three tall beakers, the beakers of tall slender form with bands of trailed decoration, the bottle of a pale green tone, the squat globular body applied with vertical bands, a single ring to the tall neck, 29.2cm max. (4) £250-350 Provenance: from a private collection in Sussex.

48. Four decanters and stoppers, 19th century, one of mallet shape and cut with a diamond banded entwining snake, one with a starcut base and cut with a heavy design of swirls and banding, one raised on four feet issuing from lion masks, the last of pinched quatrefoil shape and engraved with floral decoration, together with a mallet form carafe cut with joining snakes, 31cm max. (9) £200-300 Provenance: from a private collection in Sussex.

49. A large German loving cup or marriage goblet, dated 1828, the rounded bowl applied with two handles, engraved with a couple dancing between two musicians and two figures drinking by a table, the reverse with a hunting scene, with a long inscription including the date 1828, 24cm. Contained in a fitted leather box. (2) £200-300

50. A Bohemian opaque white glass vase, 18th century, decorated in polychrome enamels with a bold floral design in red, yellow, green and blue, with narrow neck and raised on a wide flared foot, and an opaline glass beaker gilded with a single chinoiserie figure reaching out to an insect in flight above, 11.7cm max. (2) £200-300

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex. The beaker purchased from Christie’s, 3rd June 1986, lot 186.

51. Two large engraved rummers, early 19th century, with bucket bowls, one engraved with an eight-pointed star containing the word ‘Peace’ and the date 1814, raised on a short stem with blown knop containing a coin, the other engraved with hops and barley around the initials RB, 17cm max. (2) £100-200

52. Two large wine glasses or goblets, mid 18th century, with drawn trumpet bowls rising from plain stems, the larger with diamond point engraving of two leafy trees, 23cm max. (2) £150-200

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

9

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 10

53. A rare wine glass or champagne flute of coal-mining interest, c.1780, the tapering bowl finely cut with an ovolu border beneath tiny foliate sprigs, engraved below with ‘Success to the Thwaite Colliery’, the reverse with an armorial crest of a rearing bull above a ducal coronet, the monogram JS below, the stem cut with six vertical facets, 16.6cm. £800-1,200 Provenance: from a private collection in Sussex.

Exhibited: English Glass Circle exhibitions, ‘Strange and Rare’, 1987, no. 146, and Diamond Jubilee, 1997, no. 127.

This glass is thought to be the only 18th century one known to commemorate the opening of a colliery. Thwaite Colliery, about 4 miles outside Leeds between Hunslet and Rothwell, was owned by John Smyth, and the heraldic bull is his family crest. The mine was opened in 1780 and closed in 1796. The engineer who designed the main shafts was John Smeaton, better known for constructing the lighthouse now on Plymouth Ho. Smyth held various offices during his life being, MP for Pontefract, a Privy Councillor, a Lord of the Admiralty and the principal proprietor of the Aire and Calder Navigation Company which owned the mine. There is a portrait of him by Pompeo Battoni in York Art Gallery.

54. An amethyst glass decanter, 18th century, of bottle form with a long tapering neck issuing from a squat globular body, applied with six bands, with diamond point engraving of fruiting vine, peacocks and flowers, 18.2cm. £200-300 Provenance: from a private collection in Sussex.

55. A Williamite wine glass, mid 18th century, the drawn trumpet bowl engraved with a band of fruiting grapevine beneath the inscription ‘The Glorious Memory of King Will III’, raised on a plain stem with long teardrop above a folded foot, 17.8cm. £500-800

10

Provenance: from a private collection in Sussex.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 11

56. A massive rummer, 1st half 19th century, engraved with sprays of rose and thistle, one side with the monogrammed initials ‘MC’, the reverse with the monogram ‘MB’ within a belt inscribed ‘Honi Soit Qui Mal Y Pense’, the base of the flared bowl with three narrow bands of diamond cutting, raised on a low knopped stem above a circular foot cut with radiating bands, 24cm. £200-300

57. A large and rare rummer of navigational interest, early 19th century, engraved with a horse towing a long barge with a single figure at the tiller, the barge faintly engraved ‘Canal Boat’ to one side, the base of the bowl with bands of cutting and facets, raised on a short knopped stem, 17.8cm. £150-250 Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

58. A large glass nautical rummer, 1st half 19th century, the bucket-shape bowl engraved to one side with a ship at full sail, the reverse with an oval medallion containing the initials ‘JEC’ between two stems of barley, the base of the bowl cut with vertical lappets, raised on a heavy circular foot, 22cm. £150-250

59. A large political rummer, c.1810-20, engraved to one side with ‘Sir Francis Burdett Liberated 21 June 1810’, the reverse with two banners engraved ‘Hold the Law’ and ‘Magna Charter’ respectively, the straight-sided bowl raised on a short plain stem above a circular foot, 19cm. £250-350

Provenance: from a private collection in Sussex.

Sir Francis Burdett (1770-1844) was a keen reformer and outspoken MP, who was sent to the Tower on 9th April 1810 for abusing his Parliamentary privilege, and ordered to remain until the end of the Parliamentary session on 21st June. On his release he cancelled a mass demonstration in London for fear of rioting and loss of life. In later years he was the MP for North Wiltshire and resided at Ramsbury Manor.

Provenance: from a private collection in Sussex.

11

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 12

60. Two small wine glasses, c.1750, one with a bell bowl raised on an inverted baluster stem beneath a flattened shoulder knop, raised on a domed and folded foot, the other with a funnel bowl with solid base above a four-sided pedestal stem with a long tear on a folded foot, 14.6cm max. (2) £200-300

61. Two wine glasses, c.1760, one with a saucer-topped bowl the other with a waisted bucket bowl, both raised on differing doubleseries opaque twist stems on conical feet, 16.3cm max. (2) £250-350 Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

63. Two ale glasses, c.1780, with rounded funnel bowls engraved with hops and barley, raised on knopped facet cut stems, and a ratafia glass with slender bowl raised on a faceted stem, 22.3cm max. (3) £250-350 Provenance: from a private collection in Sussex.

66. Two wine glasses, c.1760, one with a slender round funnel bowl rising from a narrow incised twist stem, the other with a bell bowl on a mixed twist stem with airtwist cable and single opaque spiral, 17.5cm max.

(2) £300-400 Provenance: from a private collection in Sussex.

64. A fine toasting glass, c.1750, with long drawn trumpet bowl raised on a slender double series opaque twist stem on a conical foot, and a wine glass with drawn trumpet bowl above a plain stem with triple ring £200-300 shoulder knop, 19cm max. (2)

65. Three large ale glasses or wine flutes, c.1750-60, with variously wrythen moulded round funnel and ogee bowls, raised on plain, opaque and airtwist stems, the plain stem with a folded foot, 22.2cm max. (3) £250-350

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex. The plain stem glass with a paper label for the Wiggins-Davies Collection.

67. Three ale glasses, c.1760-70, one with a funnel bowl engraved with hops and barley, raised on an airtwist stem, one with an ogee bowl, the other a drawn trumpet bowl, both engraved with crossed stems of barley, raised on plain stems, 19.8cm max. (3) £200-300

68. Two wine glasses, c.1750, one with a pan-topped bowl raised on a double series opaque twist stem and domed foot, the other with a rounded funnel bowl on an opaque twist stem, one foot reduced, 16.4cm max. (2) £200-300

Provenance: from a private collection in Sussex.

12

62. A light baluster glass, c.1740, with a bell bowl raised on a plain stem with single tear to a central knop and small shoulder and basal knops above a folded foot, and a drawn trumpet glass with inverted baluster stem with a long tear above a domed foot, 16.7cm £200-300 max. (2)

The pan-topped glass with a paper label for Arthur Churchill Glass.

Provenance: from a private collection in Sussex.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 13

69. Three wine glasses, 2nd half 18th century, one a slender flute engraved with ‘Andrew Burbage, Bulkington Mill 1793’, one with a rounded funnel bowl engraved with a wide foliate border on a double airtwist stem, the last with an ogee bowl on a plain stem, a green collector’s number to the foot, 15.8cm max. (3) £200-300

70. Two gilt-decorated wine glasses, c.1770-80, with ogee bowls decorated probably in the Giles atelier with sprays of fruiting grapevine, one raised on a plain stem, the other on a knopped facet cut stem, 14.8cm max. (2) £300-500 Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

72. A sweetmeat glass, c.1760, with wide ogee bowl with pinched rim, raised on an opaque twist stem on a triple ring basal knop above a domed and folded foot, 13.8cm. £200-300 Provenance: from a private collection in Sussex.

71. Three large wine glasses or goblets, late 18th/early 19th century, one with a generous round funnel bowl engraved with a continuous border of grapes and flowers, the other two with more slender bowls cut around the base and raised on doubleknopped faceted stems, 21.6cm max. (3) £150-250

73. A glass jug relating to the shipping industry, c.1810, the sloping sides engraved with a figure loading three ships at the dockside, flanked by two sprays of barley, above the monogrammed initials ‘JP’, the wide neck applied with six narrow bands of turquoise, 17cm high. £150-250 Provenance: from a private collection in Sussex.

74. A sweetmeat glass, c.1760, the ogee bowl with a pinched rim, rising from a pedestal stem and triple ring basal knop above a domed folded foot, 14.5cm. £150-250 Provenance: from a private collection in Sussex. Green collector’s number for the Walter Smith Collection.

75. A pair of German marriage beakers, 19th century, the flared bowls on heavy cut bases, gilded with rural scenes and inscribed to ‘Elizabeth Schinko’ and ‘Johann Schinko’ respectively, the first with a scene of women beneath a tree and before a large house, the latter with horses pulling a large haycart, 14cm. (2) £300-400

76. Two Venice or façon de Venise custard or syllabub cups and covers, late 17th/early 18th century, the thistle-shaped bodies applied with twisted handles, the domed covers with turquoise finials, and four façon de Venise glasses with varying applied turquoise decoration, 11.5cm max. (8) £300-500

77. Three wine glasses, late 18th/early 19th century, with variously cut round funnel bowls with formal and floral designs, two raised on heavy firing bases, the last on a square lemon squeezer base, 15.8cm max.

(3) £100-200

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex. Purchased from Christie’s, 7th October 1996, lot 89 for the syllabub pots.

13

Provenance: from a private collection in Sussex. One glass with a label for the Parkington Collection.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 14

78. A façon de Venise small circular glass dish, 17th century, the folded everted rim edged in a thin line of turquoise, beneath the foot applied with a continuous chain design also in turquoise, 16.2cm dia. £200-300

79. A façon de Venise tazza, late 16th/17th century, applied to the underside with a radiating design in white and blue glass within two latticino bands, raised on a tall conical folded foot rising to a gilded and moulded knop, 20.4cm dia. £500-800

Provenance: from a private collection in Sussex. Purchased from Christie’s, 7th July 1997, lot 465.

Provenance: from a private collection in Sussex.

80. A façon de Venise low tazza, late 16th/17th century, formed as a shallow bowl with ribbed band to the underside rim and shoulder, resting on a spreading folded foot, 23cm dia. £300-500

81. A large latticino glass footed bowl, probably 18th century, the twelve-lobed form with folded rim, formed of varying white latticino stripes converging on the domed well, 27.3cm dia. £500-1,000

Provenance: from a private collection in Sussex. Purchased from Christie’s, 7th October 1996, lot 94.

Provenance: from a private collection in Sussex.

14

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 15

82

83

82. A Venetian glass plate, possibly 17th century, the wide rim with diamond-point engraving of a continuous band of wide European flowerheads and small leaves, with narrow folded rim, 13.4cm. £250-350 Cf. Victoria and Albert Museum, Accession No. C.179-1936 for a similar plate.

Provenance: from a private collection in Sussex.

83. Two gilt-decorated wine glasses, c.1760-70, one with a rounded funnel bowl decorated possibly in the Giles atelier with fruiting grapevine, the other with an ogee bowl gilded with flying insects and flower sprigs beneath a formal scroll and diaper border, both raised on double series opaque twist stems, 15cm max. (2) £400-600 Provenance: from a private collection in Sussex.

84. A German Milchglas beaker, 17th/18th century, the tall flared body marbled with long blue splashes on an opaque white ground, raised on a tall footrim, 8cm. £400-600

84

85

86

87

Provenance: from a private collection in Sussex.

85. A Russian glass silver-mounted beaker, late 19th century, the ruby glass body marbled to the exterior in white, blue and brown, the silver collar with Russian assay marks for 1886, 11.6cm. £300-400 Provenance: from a private collection in Sussex.

86. A Thomas Webb & Son Ivory Cameo glass vase, c.1880, the dimpled four-sided body rising to a hexagonal flared neck, engraved with anthemion designs and formal borders, 13cm. £150-250 Provenance: from a private collection in Sussex.

87. A good Bohemian Lithyalin beaker, c.1830, the flared and faceted form of a deep purple tone, with gilt collar and narrow band to the waist, 11cm. £300-400 Provenance: from a private collection in Sussex.

15

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 16

88. A pan-topped wine glass, c.1755, the bowl moulded with vertical flutes, raised on a double series opaque twist stem above a conical foot, 14.3cm. £150-250 Provenance: from a private collection in Sussex.

89. A green-tinted wine glass, c.1760, with rounded bowl rising from a thick plain stem with burst tear inclusion, 13.2cm. £100-200 Provenance: from a private collection in Sussex.

92. A Venetian goblet, late 17th/early 18th century, with wide trumpet bowl rising from a plain hollow stem above a low conical foot, 16.3cm. £300-500 Provenance: from a private collection in Sussex. Purchased from Christie’s, 7th October 1996, lot 84.

90. A cut glass taperstick, c.1770, the narrow faceted stem with a swollen knop, rising to a hexagonal sconce, all raised above a domed and lobed foot, 15.5cm. £300-500

91. A mixed twist wine glass, c.1750-60, with small rounded funnel bowl raised on a stem with dense airtwist surrounding a thick opaque spiral, above a conical foot, 15.8cm. £100-200

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

93. A French cut and gilded glass vase, late 19th century, of square form and deep blue colour, cut in deep relief with a swan swimming amidst reeds to two sides, two birds perched in flowering prunus branches to the other two, the neck and foot cut with a stylized gilded design, raised on a low circular foot, 22cm. £250-350 Provenance: from a private collection in Sussex.

94. A massive armorial glass goblet, 19th century, the generous rounded bowl engraved with an armorial shield above the motto ‘Sibi Et Liberis’, a crest above the monogram ‘MMJC’ and entwined sprays of rose and thistle, all beneath a narrow ovolu border with tiny floral sprigs, the short plain stem issuing from a faceted knop on the circular foot, 31cm. £400-600 Cf. Arthur Churchill, History in Glass, pl.15, no.64.

16

Provenance: from a private collection in Sussex.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 17

95. A Bohemian Lithyalin beaker, c.1830-40, each side of the purple marbled body with an oval panel gilded with flowers and butterflies, probably in the workshop of Friedrich Egermann, a striated ruby glass beaker, and a hexagonal blue glass taperstick gilded with elaborate foliate scrolls, 15.7cm max. (3) £200-300

96. Three items of Lithyalin glass, c.1840, including a small tazza of an emerald green hue with striations in deep blue and brown, raised on a faceted baluster stem, a faceted baluster vase and a goblet, each of a brownish colour with striations in shades of green and purple, 19.7cm max. (3) £400-600

Provenance: from a private collection in Sussex.

Provenance: from a private collection in Sussex.

97. Four engraved wine glasses, mid 18th century, one with a small rounded bowl engraved with a botanical spray of honeysuckle above a plain stem and folded foot, one with a bird and flower spray on a plain knopped stem, another with sprays of tulip and lily of the valley beside a large moth, on a knopped airtwist stem, the last with drawn trumpet bowl engraved with a rose and flying insect on a knopped plain stem above a conical foot, 17cm max. (4) £300-500 Provenance: from a private collection in Sussex.

98. A pair of miniature oval reverse glass or verre églomisé paintings, 18th century, painted in gilt and brown with Christ on the cross, the other with Christ in the Garden at Gethsemane, each signed with the initials CR, each mounted in an ebonised wood frame, 13cm overall. (2) £150-250 Provenance: from a private collection in Sussex.

99. James Tassie (Scottish, 1735-1799) Two portrait plaques of Jane Gray and Dr James Gregory, modelled in profile facing left, cast in white glass relief on a blue grey ground, titled ‘Jane Gray Died 13 Feb 1792’ and ‘James Gregory MD Acad Edin 1791’ respectively, both signed ‘Tassie F’, mounted in glazed wooden oval frames, 15cm. (2) £600-800

97

Dr Gregory was a Professor of Medicine at Edinburgh and the inventor of Gregory’s Powder, a foul-tasting but effective stomach sedative.

Provenance: from a private collection in Sussex.

98

99

17

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 18

100

100. German School (19th century) A pair of miniature portraits of a German couple, finely painted reading a book and a newspaper, within verre églomisé frames, gilded with putti, fruit and flowers on a purple ground, dated 1817, within later wooden frames, 29cm x 26cm overall. (2) £200-300 Provenance: from a private collection in Sussex.

101. Three small reverse glass or verre églomisé pictures, 19th century and earlier, one depicting the Ascension, one a portrait of a gentleman in Tudor dress, one a small black silhouette portrait within a green panel on a gold ground, and a souvenir thermometer picture of Freundschafts in Carlsbad, decorated in glass frit and mosaic with figures beneath tall trees, 21cm max. (4) £100-200 Provenance: from a private collection in Sussex.

18

101

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 19

102. A verre églomisé silhouette portrait of William I of Württemberg, 1st half 19th century, his uniform picked out in gilt and silver, within a red, gold and black leaf border, reserved on a green ground with gilt oak branches, titled above the portrait ‘Wilhelm Koenig von Württemberg’, in a gilt wood frame, the plaque 30.5cm x 30.5cm. £100-200 Provenance: from a private collection in Sussex.

102

103. August Forberger (1762-1865) A verre églomisé silhouette memorial picture of a tall pyramid tomb beside weeping willow and other trees, a silhouette roundel to the lower centre above a gilt and black band of fruit, the tombs inscribed with the names Hoogenbergh and Ameshoff, in a gilt wood frame, the picture 51.5cm x 39cm. £300-500 Provenance: from a private collection in Sussex.

103

19

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 20

104. Two wine glasses, c.1765, with pantopped bowls raised on cable and multi-spiral opaque twist stems, 15.5cm max. (2) £250-350

105. Two wine glasses, c.1745, one with a bucket bowl, the other a slight ogee bowl, raised on plain double knopped stems above folded feet, 15.5cm. (2) £200-300

106. Two small wine glasses, c.1760, one with wrythen moulded flutes to the rounded funnel bowl, raised on a double series opaque twist stem, the other with light moulding to the ogee bowl above an opaque twist stem and conical foot, small footrim £100-200 nicks, 15cm max. (2)

107. Two ale glasses, c.1780, both with narrow funnel bowls, one engraved with Masonic emblems and the sun and moon above two columns, the other with a band of polished ovals and star motifs, both raised on faceted stems, 18cm max. (2) £200-300

108. An ale glass and a wine flute, c.1765, the ale with narrow funnel bowl, the flute with a long and slender drawn trumpet bowl, both raised on multiple series opaque twist stems above conical feet, 19.6cm max. (2) £300-500

109. Two wine glasses, c.1765, one with a pan-topped bowl engraved with a continuous band of fruiting vine with polished bunches of grapes, the other with a slender bowl engraved with a cornucopia, and with a bird in flight, both on airtwist stems, 16cm max.

(2) £200-300

110. A moulded wine glass, c.1745, with honeycomb moulding to the bowl, raised on a plain wrythen baluster stem on a folded foot, and a wine glass with moulded funnel bowl raised on an incised twist stem, a little nibbling to one foot, 16cm max. (2) £100-200

111. Two wine glasses, c.1760, with waisted bucket bowls, one raised on a cable airtwist stem, the other on a double series airtwist with three line spiral around a spiralling tear, 17cm max. (2) £250-350

112. Two wine glasses, c.1760, with rounded funnel bowls, one engraved with a butterfly and a large flower spray, raised on an airtwist stem with shoulder knop, the other with a continuous band of fruiting grapevine on a double knopped airtwist stem, 15.7cm max. (2) £300-500

The former with a paper label for the Laura Seddon Collection.

20

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 21

113. Five wine glasses, late 18th century, with various bowls rising from facet cut stems, two with polished oval borders, one engraved with a floral border to the rim, another with a bee and fruiting grapevine, 15cm max. (5) £300-500

114. Nine ale glasses, 19th century, four cut with six vertical bands to each bowl, raised on plain knopped stems, four dwarf and cut with radiating bands on narrow plain stems, one on a faceted baluster £80-120 stem, 17.4cm max. (9)

115. Six wine glasses, mid 18th century, with bell, bucket, ogee and funnel bowls raised on plain stems, two with tear inclusions, the funnel with a moulded collar to the top of the stem, one bell bowl raised on a domed and folded foot, 16cm max. (6) £300-500

116. Six wine glasses, late 18th century, with varying rounded funnel bowls, rising from facet cut stems, two knopped, a few small footrim £250-350 chips, 16.3cm max. (6)

117. Eight jelly glasses, mid 18th century, one hexagonal, two with pan-topped bowls, two with moulded bowls, some raised on bladed or teared basal knops, 11.6cm max. (8) £100-150

118. A mixed lot of glass, 18th century and later, including six various custard or syllabub glasses, six small wine glasses, and a moulded patch stand, 12.8cm max. (13) £100-200

One with a paper label for Honeybourne Museum, No.135.

21

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 22

119. A baluster wine glass, c.1730, the bell bowl with solid base and flattened knop above an inverted baluster stem with basal knop, on a folded foot, 16.8cm. £200-300

120. A toasting glass, c.1750, with a slender drawn trumpet bowl above a fine plain stem and conical foot, 19.5cm. £100-200

123. Five small wine glasses, c.1765, with rounded funnel or ogee bowls, two engraved with flowers and birds, all raised on varying multiple series opaque twist stems, one stem broken and restuck, 14.7cm max. (5) £150-250

22

121. A cordial glass, c.1755, with a small rounded funnel bowl raised on a thick airtwist stem above a helmet foot, £400-600 17.5cm.

122. A wine glass of Jacobite significance, c.1760, the round funnel bowl engraved with a single six-petalled rose spray with bud, raised on an airtwist stem with large shoulder knop, a little chipping to the foot, 15.6cm. £150-250

124. Five wine glasses, c.1755-60, with rounded funnel and ogee bowls, raised on double-series, cable and multi-spiral airtwist stems on conical feet, 16.5cm max. (5) £500-800

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 23

125. Four ale glasses, 18th and 19th century, two dwarf with drawn trumpet bowls engraved with hops and barley, one with a wrythen moulded bowl, the last raised on a plain stem with collar, and three champagne flutes raised on plain knopped stems, one flute with a chipped foot, 18.3cm max. (7) £80-120

126. Three rummers and three beakers, 18th/19th century, one rummer engraved with the monogram ‘GCR’ and ‘Semper Fidelis 13th August 1789’, another with a simple foliate spray and star design, one tumbler dated 1777 and engraved with a rose and butterfly, and a coin glass with wide lipped bowl, the hollow-knopped stem containing a small coin, 15.5cm max. (7) £200-300

127. A small wine glass, c.1765, the wide bell bowl with honeycomb moulding, raised on a double series opaque twist stem with double spiral encircling a latticino column, 14.5cm. £100-200

129. A wine glass, c.1745, with a drawn trumpet bowl rising from a plain stem with a five ring annulated knop to the shoulder, 16.2cm. £200-300

128. A small ratafia glass, c.1760, with a slender drawn trumpet bowl moulded with vertical flutes, rising from a double series opaque twist stem above a conical foot, 17.6cm. £300-500

130. A tall cordial glass, c.1755, with a small rounded funnel bowl raised on a thick cable airtwist stem on a conical foot, 17.8cm. £400-600

23

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 24

131. Three wine glasses, mid 18th century, two with waisted bucket bowls raised on dense double series airtwist stems, the last a bell bowl on a multi-spiral airtwist above a folded foot, 17.3cm max. (3) £300-500

132. Three sweetmeat glasses, mid 18th century, one with honeycomb moulding to the bowl and domed foot, the others with ogee bowls above pedestal stems, one cut with a serrated rim, rim £200-300 chip to one, 16.3cm max. (3)

133. Three wine glasses, c.1760-65, with varying bowls, raised on differing single and double series opaque twist stems, one with a central column twist, 15.3cm max. (3) £200-300

134. Three wine glasses, c.1760-70, one with a bell bowl over an inverted baluster airtwist stem, one with pan-topped bowl over a knopped airtwst stem, the last with rounded funnel bowl over an airtwist stem with shoulder and basal knops, one foot reduced, £200-300 15.7cm max. (3)

135. Four wine glasses, mid 18th century, all with plain stems. one with a bell bowl engraved with a grapevine border, an ogee bowl and a bucket bowl engraved with grapevine, birds and insects above folded feet, and a rounded funnel bowl with a moth and polished grapes, the stem with a long tear inclusion, 16.5cm max. (4) £200-300

136. Three wine glasses, c.1760-70, with ogee bowls, raised on varying opaque twist stems over conical feet, one with a central knop, a little footrim chipping, 17.5cm max. (3) £250-350

24

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 25

137. Two wine glasses, c.1745, with bell bowls with solid bases containing an air bead, one raised on a baluster stem with teared knop, the other on a plain stem with low knop above a folded foot, one foot reduced, 17cm max. (2) £300-500

138. Two wine glasses, c.1755, one with a deep ogee bowl moulded around the base, raised on a single series airtwist stem above a folded foot, the other with small rounded funnel bowl moulded with vertical flutes, raised on a cable airtwist stem, 16.3cm max.

(2) £250-350

139. Two wine glasses, c.1755-60, one with a bell bowl, the other a waisted bucket bowl, both raised on airtwist stems with vermicular collars, 16.5cm max. (2) £300-500

140. Two wine glasses, c.1760, one with a waisted bucket bowl on an airtwist stem with shoulder and basal knops, the other with a bell bowl on a double knopped airtwist stem, 16.5cm max. (2) £200-300

141. Two ale glasses, c.1745, one with a slender moulded funnel bowl with a simple engraved design around the rim, the other with a narrow bell bowl, both raised on plain stems with small basal knops, the latter with a baluster knop beneath the bowl, folded feet, 17.8cm max. (2) £200-300

142. A cordial glass, c.1740, with a small ogee bowl raised on a plain stem with central knop, and a small wine glass with bell bowl, raised on an inverted baluster stem, both with folded feet, 15.5cm max. (2) £150-250

143. Two ale glasses, c.1755, the larger with a funnel bowl engraved with hops and barley, above a double-knopped airtwist stem, the other with a narrow drawn trumpet bowl above a dense spiral airtwist, the latter’s foot cracked and riveted, 20.5cm max. (2) £200-300

144. Two wine glasses, mid 18th century, one with a bell bowl rising from a swollen plain stem with small single tear, the other with a rounded funnel bowl with solid teared base on a plain stem, both with folded feet, 16.8cm max. (2) £150-250

145. Two wine glasses, c.1755, with bucket bowls raised on double-knopped airtwist stems above conical feet, 16.7cm max. (2) £300-500

25

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 26

146. A large baluster goblet, c.1740, with generous bell bowl raised on a plain baluster stem with large beaded knop enclosing two rows of tears, above a domed foot, 19cm. £500-800

147. A wrythen moulded wine glass, c.1755, the rounded funnel bowl with close spiral design, raised on a double series airtwist stem above a conical foot, 14.7cm. £150-250

150. Three wine glasses, c.1760, all engraved with fruiting grapevine and a small bird in flight, one with a bell-shaped bowl raised on a composite stem with two rows of tears above a multiple series opaque twist foot, the others raised on differing double series opaque twist stems, some footrim chips, 19.7cm max. (3) £200-300

26

148. A light baluster wine glass, c.1745, of Kit Kat Club type, with drawn trumpet bowl issuing from a baluster stem with long tear above a folded conical foot, 16cm. £150-250

149. A mixed twist wine glass, c.1765, with bell bowl raised on an opaque twist encircling a dense airtwist, 15.2cm. £200-300

151. Three wine glasses, mid 18th century, one with rounded bowl and applied handle above an opaque twist stem, one with a bell bowl raised on an airtwist stem, the last with a drawn trumpet bowl on a plain stem with tear inclusion above a conical folded foot, some damages, 16.5cm max. (3) £100-150

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 27

152. A composite stem wine glass, c.1755, with a bell bowl rising on an airtwist stem above a low knop with two rows of air beads or tears, 18.4cm. £400-600

153. An armorial wine glass, c.1765, the drawn trumpet bowl probably engraved in the 19th century with the crest of a lion rampant, emerging from brick battlements and holding an axe, raised on a double series opaque twist stem, 16.3cm. £200-300 The crest on this glass appears to be for Sir Richard Quain, 1st Baronet, of 67 Harley Street, London. He was a specialist in disorders of the heart, a member of both the Garrick Club and the Athenaeum, and was appointed physician extraordinary to Queen Victoria in 1891.

154. A cider glass, early 19th century, the tall funnel bowl well engraved with fruiting sprays of pears and apples, raised on a short plain stem with central ball knop, 14.8cm. £100-200

155. A small Lynn glass, c.1760-65, with a round funnel bowl moulded with horizontal bands, raised on a short double series opaque twist stem, small footrim chips, 10.5cm. £250-350

27

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 28

156

157

156. Three ale glasses, c.1750-60, with rounded funnel bowls, two engraved with hops and barley, all raised on plain stems, two above folded feet, 20.8cm max. (3) £300-500 157. Three wine glasses, c.1765, one with a rounded funnel bowl raised on a double series opaque twist stem with central knop, another with a similar bowl on a double-knopped opaque twist stem, the last with a bell bowl over a double series opaque twist stem with shoulder, central and basal knops, 16.5cm max. (3) £400-600 158. Three wine glasses, c.1755-65, with rounded funnel, drawn trumpet and waisted bucket bowls, all raised on mercury twist stems, 16.5cm max. (3) £300-500 159. A mixed twist wine glass, c.1765, with a narrow bell bowl raised on a stem of entwining opaque and air twists, 15.2cm. £200-300 160. A light baluster wine glass, c.1735, with a bell bowl raised on a baluster stem with flattened knop, tear inclusions and a low basal knop, above a folded foot, 15cm. £150-250

158

161. A Dutch onion bottle, 18th century, the flattened body with kick-in base, rising to a tall tapering neck with string rim, 19.5cm. £80-120

28

159

160

161

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 29

OTHER PROPERTIES

162. Three green-tinted wine glasses, 18th/19th century, two with moulded bowls, one of them raised on a wrythen moulded stem, the other two raised on short knopped stems, all above moulded conical feet, 12.8cm max. (3) £200-300

163. A small glass vase of Wrockwardine/Nailsea type, early 19th century, the tapering form of a deep green colour with swirls and splashes of white, and a pair of Liege openwork glass basket stands or dishes, 22cm max. (3) £80-120

164. A pair of moulded decanters and stoppers, c.1800, the square forms moulded with a wide diamond panel above vertical bands, and an unusual moulded flask of flattened circular shape, with panels of diamond moulding beneath a band of leaves, 24.7cm max. (5) £150-250

165. A small collection of glass items, 18th century and later, including three small bowls with folded rims, a moulded patch stand, a syllabub cup, a clear glass rummer, two green wine glasses, an enamelled and faceted beaker, and a facet-cut blue glass on a square base, 12.6cm max. (10) £100-200

166. Twelve moulded glasses, most 18th century, for ale, jelly and wine, most with drawn trumpet bowls with spiral moulding, ribs or honeycomb designs, on conical and folded feet, 12.4cm max. (12) £150-250

167. Four wine glasses, mid 18th century, with drawn trumpet and round funnel bowls rising from plain stems with teardrop inclusions, above conical folded feet, 16.8cm max. (4) £200-400

29

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 30

168. A small wine glass, c.1750, the funnel bowl with honeycomb moulding, raised on a dense double series airtwist stem and conical foot, 14.3cm. £150-250

169. A firing glass, c.1760, the generous funnel bowl raised on a short double series opaque twist stem above a heavy firing foot, 13.5cm. £100-200

170. A light baluster wine glass or goblet, c.1750, the generous bell bowl raised on a plain knopped stem with large tear to the upper knop and a small tear to the basal knop, raised on a conical folded foot, £150-250 16.2cm.

171. A large wine glass, c.1770, the rounded funnel bowl moulded with vertical ribs, raised on a double series opaque twist stem above a conical foot, 17cm. £150-250

172. A small cut glass taperstick, c.1770, the facet cut stem with a swollen hexagonal knop, rising to a narrow sconce, all raised above a domed and lobed foot, 13.2cm. £300-500

173. A small baluster wine or gin glass, c.1730, the bell bowl rising from a short baluster stem with basal knop above a folded foot, 12cm. £200-300

174. A mixed twist wine glass, c.1760, with wide bell bowl raised on a tall stem of mercury and opaque twist above a conical foot, 15.5cm. £100-200

175. A light baluster glass, c.1730, the wide drawn trumpet bowl rising from a short stem with wide flattened knop and long tear, raised on a folded conical foot, 14cm. £250-350

30

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 31

176. A Bohemian schwarzlot sweetmeat glass, c.1720-30, the shaped bowl decorated in the manner of Ignaz Preissler with a continuous gilt and schwarzlot design of a lady with a bowl of fruit, an Oriental gentleman, and monkeys with apples, all within foliate scrolls, the faceted pedestal stem and octagonal foot with further foliate motifs, 10.8cm. £800-1,200

177. A large heavy baluster goblet, c.1700, with generous drawn trumpet bowl issuing from an inverted baluster stem with central tear above a folded foot, 22.2cm. £1,000-1,500

Cf. The Victoria and Albert Museum, Accession No. C.342-1936 for a very similar example from the Wilfred Buckley Collection, previously attributed to Preissler.

178. A baluster wine glass, c.1730, the bell bowl raised on a tall baluster stem with teared knop containing two rows of air beads, with small basal knop above a conical foot, 16.8cm. £200-300

179. An unusual baluster wine glass, c.1750, with rounded bowl raised on a teared baluster stem with triple-ring knop and a small basal knop above a folded foot, 13cm. £250-350

31

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 32

180. Three glasses with drawn trumpet bowls, c.1750-60, raised on plain stems, two with long tears, the other with a moulded bowl, all on folded feet, 16.5cm max. (3) £200-300

181. A good cruciform carafe or stopperless decanter, c.1740, the long tapering neck applied with a triple neck ring, 24cm. £200-300

182. A Beilby wine glass, c.1765-70, the bell bowl enamelled with fruiting grapevine to the rim, raised on a double series opaque twist stem, a bell bowl wine raised on a plain stem with teardrop inclusion, and a round funnel wine on a plain stem with flattened teared knop, the stem of the Beilby repaired, 16.8cm max. (3) £200-300

183. Three wine glasses, mid 18th century, one with a moulded funnel bowl, all raised on plain stems, two with folded feet, 14.5cm max. (3) £200-300

184. Two wine glasses, c.1760, one with a rounded funnel bowl raised on a mercury twist stem, the other with a bucket bowl engraved with a lily of the valley spray and a smaller sprig, raised on a double series airtwist stem, 15.8cm max. (2) £150-250

185. A pair of glass altar cruets or condiment ewers, 19th century, the bodies with traces of gilding, each inscribed ‘IHS’, the reverses with monogrammed initials, the spouts with silver-coloured serpent heads, mounted to the handles and feet, the hinged covers with tall floral finials, 16.2cm. (2) £200-300

32

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 33

186. A good pair of Baccarat ormolu-mounted ruby glass vases, 19th century, of tall square baluster form, the glass a rich red tone, the square bases set in gilt fretwork mounts, with similar scrolled mounts to the necks, 33.7cm. (2) £1,500-2,000

187. A Clichy spaced millefiori paperweight, c.1850, set with varying scattered floral canes including the Clichy rose, the surface ground, 6cm dia. £100-200

188. A Thomas Webb & Sons (Stourbridge) cameo glass bowl, c.1887, finely cut in white with a large spray of flowering blossom against a yellow ground, silver mount to the rim, hallmarks for London 1887, maker’s mark for Cornelius Saunders and Francis Shepherd, 7cm high. £400-600 186

187

188

33

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 34

189 189. A South Staffordshire enamel writing box, c.1760-70, of rectangular form, the lid painted with a courting couple beneath Classical ruins with cattle and sheep, the sides with landscape panels reserved on a blue ground, fitted with four compartments to the interior, containing two small glass jars with enamel lids, and modern Halcyon Days sewing accoutrements, together with a French porcelain snuff box painted with a scene of the battle of Rivoli, £800-1,200 15.7cm max. (8)

190. A small Birmingham enamel theatrical portrait plaque, c.178090, printed in manganese with a portrait of Samuel Reddish in the role of Young Bevil, set in a brass mount, 6cm overall. £500-800 Provenance: The Norman Stretton Collection, Phillips, 21st February 2001, lot 321.

The print is taken from a 1777 engraving in Bell’s British Theatre, signed I Roberts, of Mr Reddish in his role in The Conscious Lovers.

Samuel Reddish (1735-85) was an actor and director from Frome, who played Macduff opposite Garrick’s Macbeth in 1767. In 1779 he began to show signs of forgetfulness, and in 1785 is recorded as dying in the York asylum as a lunatic.

190

191. A large Bilston enamel snuff box, c.1765, possibly emblematic of travel, the cover depicting a figure seated at a table before a stone column titled ‘Janus’, a winged figure holding the staff of Asclepius, a ship visible in the background and a globe to the bottom right corner, the sides with floral panels reserved on a dark blue ground with raised white enamelling, some good restoration, 8.3cm. £400-600

34

191

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 35

192. A rare English enamel etui with thimble, c.1770, the narrow white cylindrical form painted with small panels of figures in autumnal rural landscapes, reserved in shaped gilded panels on a white ground with raised detailing, a small amount of cracking, 13.2cm. (3) £1,000-1,500

193. A Bilston enamel snuff box, c.1770, the rectangular form painted to the lid with a couple standing before a stone fence in a formal garden setting, the sides and base with small polychrome £450-600 flower sprays, some restored cracking, 8cm.

194. An English enamel bonbonnière, c.1780, modelled as a recumbent black and white spaniel on a pink base, the hinged lid inscribed ‘Thou has no fault or I no fault can spy, Thou art all beauty or all blindness I’, some good restoration, 4.2cm. £600-800

195. An English enamel bonbonnière, c.1780, modelled in the form of a leopard’s head, naturalistically coloured, the lid painted with flowers within puce C scrolls with gilt metal mounts, some good £700-1,000 restoration, 4.2cm.

196. A South Staffordshire enamel snuff box, c.1770, the rectangular lid painted with a figure flying a kite beside a seated lady wearing a blue dress, the sides with panels of flowers reserved on a pale green ground with white raised enamels, a little good restoration, 7.4cm. £400-600

197. An English enamel etui or bodkin case, c.1775, the wide cylindrical form painted with small shaped panels of figures in rural landscapes, reserved on a pale yellow ground with a diamond pattern of raised white enamel and turquoise dots, some good restoration, 13cm. (2) £350-500

35

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 36

198. A Bilston enamel circular patch box, c.1780-90, simply decorated with a spray of raised enamel flowers on an apple green ground, the interior of the lid fitted with a mirror, 5cm. £250-350

199. A Bilston enamel snuff box, c.177080, of oval tub form, the cover painted with a figure driving a horse and cart before a cluster of buildings and tall trees, the sides with two panels containing a figure fishing and a couple before Classical ruins, reserved on a pink ground within raised gilt scroll borders, some restoration, 6.2cm across. £400-600

200. An English enamel patch box, c.178090, the oval form inscribed in black to the lid with ‘Have Communion with few, Be familiar with one, Deal justly with all, And speak evil of none’, within delicate flower sprays on a pink ground, the inside of the lid with a mirror, some good restoration to the base, 4.3cm. £250-350

201. An English enamel snuff box, c.1775, the small rectangular form moulded around the base, the lid painted with a seated figure playing the hurdy-gurdy while a couple stand beside, within a dark green border decorated with raised enamel dots and scrolls, some good restoration to the base, 7cm. £300-500

201

202

202. A pair of small Jasperware portrait roundels, late 18th/19th century, each applied with a profile portrait of a young Classical maiden, against a rich blue ground, one broken and restuck, 3.5cm. (2) £50-80

203. Two English porcelain scent bottles, 19th century, after Meissen, each formed as a begging dog raised on its haunches, one decorated with black patches, the other with russet, their heads forming the metalmounted stoppers, 9cm. (2) £100-150

204. A Meissen scent bottle, 19th century, modelled as couple embracing beside a tree trunk, a lamb and dog seated beside, the metal mounted stopper forming the top of the tree stump, blue crossed swords mark, some damages, 7cm. £100-200

36

203

204

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 37

205. A Chelsea double scent bottle, c.1755-60, modelled as a monkey perched on a dome base and holding a flower in its right paw, a baby monkey strapped to its back, emerging from a basket of flowers, the base naturalistically painted on both sides with flower sprays, the heads of both monkeys forming the stoppers, some faults, one stopper a replacement, 5.5cm. £700-1,000

206. Three French biscuit porcelain portrait plaques, c.1815, possibly Sèvres, depicting members of the French Royal family including Louis XVI and Marie Antoinette, 6.5cm max. (3) £300-400

207. A set of four Doccia circular plaques or roundels, mid 18th century, each depicting a Classical scene, including Jupiter hurling a thunderbolt, Venus punishing Cupid, and Asclepius holding his staff, all applied in white on a blue ground, within raised beaded borders, one broken and restuck, 6.3cm. (4) £500-600 Cf. Woolley and Wallis, 24th February 2015, lot 234 for a similar pair of plaques bearing double portraits.

37

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 38

208. An unusual Wedgwood Jasperware plaque, late 18th century, probably made for export, depicting Jesus Christ with a cruciform halo, in white on a blue ground, impressed mark, in a later glazed giltwood frame, the plaque 9.5cm. £100-200 209. A German porcelain oval plaque, 19th century, after Raphael’s Virgin and Child, the infant Jesus recumbent on his mother’s lap, in a gilt wood frame, the plaque 14.2cm. £300-400

208

210. A large Meissen rectangular porcelain plaque, 19th century, painted with The Penitent Magdalen after Pomeo Gerolamo Batoni, lain before rockwork and reading from a book, blue crossed swords mark, incised 714, framed, the plaque 19.5cm x 26.5cm. £300-500

209

211. A Jasperware cheese bell and stand, 19th century, the domed cover applied with Classical figures between tall trees, above bands of oak leaves, the flat top with acanthus leaf and bell flower motifs around an acorn finial, the base restored, 27cm high. (2) £50-80 212. A large Wedgwood and Bentley black basalt vase, c.1775, the Classical form highlighted in red enamel with a continuous leaf border to the shoulder, the square base with a Greek key design, the shoulders applied with two handles, applied roundel mark for Etruria, Wedgwood & Bentley, the cover lacking, some damage to the base, 41.5cm. £400-600 213. A Jasperware vase, 1st half 19th century, applied in white with four head and shoulders portraits of Classical figures, three wearing winged helmets, the flat shoulders with a band of leaves, a grapevine border around the neck, impressed W mark, incised 682, 26cm. £100-200 210

38

211

212

213

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 39

214. A pair of Wedgwood tricolour Jasperware vases, 19th century, the slender ovoid bodies decorated with applied Classical equestrian figures in white on a sage green ground, between formal acanthus leaf bands on pale blue, with later silver mounts to the rims, hallmarked for Chester 1911, impressed WEDGWOOD marks, 19.5cm. (2) £200-300 215. A Wedgwood bronzed black basalt vase, late 19th century, the Classical form applied in bronze with a continuing grapevine border above leafy swags issuing from centaur masks, impressed mark, gilded pattern number Z3920, the cover lacking, £100-200 16.3cm.

Basalt vases decorated with bronze and gilt were produced in small quantities at Wedgwood from 1875, probably to feed the contemporary hunger for Japanese bronze vases.

214

215

216

217

216. A Wedgwood black basalt pot pouurri vase and two covers, c.1820, of Krater form, with wide two-handled body painted with Oriental flowers in polychrome enamels, edged in terracotta bands and raised on a square base, impressed WEDGWOOD mark, some chipping, 24.5cm high. £200-300 217. A Wedgwood tricolour Jasperware preserve pot and metal cover, 19th century, the squat waisted form applied with a continuous scene of Classical figures flanked by trees and vases of flowers, in white on a green ground between lilac bands, with silver plated mount and cover, impressed Wedgwood mark, 15cm high. (2) £120-180

218. A large Staffordshire redware teapot and cover, c.1760, the cylindrical form applied to two sides with a tribal-like figure in feathered skirt and headdress, above a formal scrolled and floral design, the cover with three small floral sprigs around a spherical knop, a few small chips to the cover, 24cm. (2) £150-200

219. Four small encaustic decorated black basalt vases, 1st half 19th century, the ovoid forms decorated with a continuous frieze of figures in Classical dress beneath formal palette borders, one foot broken and restuck, 12cm. (4) £80-120

39

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 40

220. A small Westerwald stoneware jug and a Westerwald tankard, 18th century, the jug applied with a shield containing the Prussian eagle, and applied with floral sprigs and roundels decorated in manganese, and with blue sgraffito leaf scrolls on a grey ground, the tankard with three bands of flowerheads on a blue ground, the tankard cracked, mount lacking, 14.5cm max. (2) £150-250

221. Two German stoneware Bellarmines, 18th century and later, modelled with a bearded face beneath the neck and above a medallion bearing a crowned shield, one flanked by a lion and a griffin, 22.5cm max.

(2) £150-250

222. A Derbyshire (Brampton) brown stoneware puzzle jug, c.1840, and a similar coffee pot and cover, the jug sprigged with topers beneath an elaborately pierced tall neck, the coffee pot with a hare to one side and pheasant to the other, beneath typical floral sprays, minor faults, 25cm max. (3) £100-200

223. A Brampton brown stoneware Bacchus mug, 19th century, moulded to two sides with the grinning face of the god of wine, applied with two strap handles, 18.5cm. £150-250

224. Three creamware jelly moulds, c.1820-40, one Wedgwood and moulded with the head of a ram, the other two with fish, minor faults, 15.5cm max. (3) £100-200

225. A German stoneware Bellarmine jug, 17th century, bearing three armorial medallions beneath a smiling bearded face to the neck, a Westerwald jug decorated with stripes of flowerhead medallions and foliate scrolls on a deep blue ground, together with two French medieval pottery jugs of a dark brown tone, one glazed to the interior, the neck of the Bellarmine restored, 22.5cm max. (4) £200-300

226. A massive salt-glazed charger, c.1760, the shaped rim moulded with differing panels of basketweave and hatched diaper designs, 42.5cm. £100-200

227. Two stoneware bear tobacco jars, c.1770, applied with clay frit, each holding a cub between its paws, and a massive earthenware jug moulded in high relief with the victory of Ralph Abercromby in Egypt, c.1800, the bear jars lacking covers, the jug restored, 38cm max. (3) £150-250

228. Two Staffordshire salt-glazed stoneware dishes, c.1755, one modelled as a large leaf with three smaller leaves and two sprays of currants moulded to the well, the other with eight reticulated lobes to the rim, richly moulded with varying basketweave and diaper panels, and a Leeds Pottery creamware candlestick, with pierced decoration to the tray, some faults, 24cm max. (3) £200-300

40

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 41

229. A documentary creamware jug, dated 1815, printed and coloured to one side with a scene of two racehorses being ridden by jockeys in bright colours, the reverse with a sad looking old nag, each above an eight line poem, inscribed ‘Peter Unsworth SadlerNewton, 1815’, some restoration, 25cm. £100-200 The surname of Unsworth is common in the Newton area of Lancashire, although it has not been possible to find definite record of the gentleman in question.

230. A massive Rörstrand pearlware punch bowl, early 19th century, printed in blue to the exterior and interior rim with a continuous scene of livestock before thatched cottages, the interior well with a large bunch of grapes, impressed mark, 34.6cm dia. £80-120

229

230

231

232

233

234

231. A massive Fulham brown stoneware bottle or flagon, c.1780, the ovoid form impressed to the neck with ‘Castle’, incised 6 above, the shoulders applied with a short wide strap handle, 54cm. £100-200 Cf. Jonathan Horne, Catalogue of English Brown Stoneware from the 17th and 18th Century, p.19 for bottles of a similar form, and p.28 for notes on the use of lettering.

232. A large creamware jug of American interest, c.1804, printed and hand-coloured to one side with a French soldier standing beneath the American flag with ships in the background, titled ‘Success to America whose Militia is better than Standing Armies, May Its Citizens Emulate Soldiers and its Soldier Heroes’, a further two line stanza beneath, to the reverse a three-masted ship, beneath the spout the American Eagle surrounded by a quote from Thomas Jefferson’s inaugural speech of 1801, some restoration, 22.7cm high. £400-600 Cf. David Drakard, Printed English Pottery, p.182, figs 491 and 493 for two of the prints depicted on this jug.

233. A slipware model of a cradle, dated 1800, incised and decorated in cream slip with continuous scrolls and dashes, the cradle’s head inscribed with the initials SB and the date 1800, all on a treacle ground, a chip to one rocker, 19cm across. £200-300

234. A slipware puzzle jug, dated 1714, the slightly waisted form decorated in a rich treacle glaze and cut with the inscription ‘Anno 1714’, the wide rim with five rounded spouts, one spout broken and restuck, 20cm. £100-200

41

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 42

235. A creamware teapot and cover, c.1780, the small rounded form brightly enamelled with a spray of flowers including rose and heartsease, the end of the spout lacking, 16.5cm. (2) £80-120

236. A small pearlware Fair Hebe jug, early 19th century, modelled with two figures and a bird’s nest, and a Davenport pearlware bough pot, painted in polychrome enamels with two Chinese figures beneath bare trees, the cover lacking, cracked, 13cm max. (2) £100-200

237. A Septfontaines creamware inkstand, late 18th century, of rectangular form, moulded with floral swags to the stepped sides, set with two covered inkwells, wear commensurate with use, 16.1cm. (5) £100-150

238. A Pratt ware commemorative jug, c.1795, moulded to two sides with an equestrian portrait, one titled ‘Duke of York’ the other ‘Prince Cobourg’, and a pair of pearlware circular wall plaques, decorated in raised relief and Portobello colours with a smoking miser and a female snuff-taker within beaded borders, 21.5cm max. (3) £150-200

239. A pearlware punchbowl, 1st half 19th century, printed and hand-coloured with the Boy in a Window pattern, of Chinese figures in garden settings, the interior with a wide decorative border beneath a copper lustre rim, small faults, 24.2cm dia. £100-120

240. Two creamware baskets and three stands, 19th century, the openwork sides formed from multiple straps, the stands moulded with basketweave within reticulated rims, 24.5cm max. (5) £100-200

241. A Wedgwood & Bentley variegated creamware vase, c.1775, the fluted form speckled in a deep blue, the shoulder applied with swags beneath the foliate scroll handles, raised on a square basalt base, applied mark, and a pearlware stirrup cup in the form of a fox’s head, richly decorated in allover gilt, the vase’s cover lacking, one ear of the stirrup cup repaired, 26.5cm max. (2) £100-150

242. A pearlware commemorative punchbowl, c.1790, the interior inscribed ‘Rodney for ever’, the exterior painted in blue with pagodas in an Oriental landscape, minor damages, 22.3cm. £200-300

243. A creamware coffee pot and cover, c.1760, the pear-shaped body boldly painted in polychrome enamels with a rose-centred flower spray to two sides, the base of the spout moulded with a female mask, a section of the cover broken and restuck, 23cm. (2) £100-200

42

The inscription relates to Admiral Lord Rodney, whose naval victories during the 18th century, and especially in the 1780s, provided a much needed boost to British morale.

George Brydges Rodney died in 1792 and is buried in Old Alresford, Hampshire.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 43

244. A Continental creamware inkstand, 19th century, the large square form set with two circular apertures, a tall back plate behind, modelled with two rearing horses above two birds beside a large flowerhead, the front moulded with a crowned shield flanked by lions, picked out in red and green enamels, some damages, 26.8cm high. £100-200

245. A creamware teapot and cover, c.1760, modelled as cauliflower with creamy florets issuing from rich green leaves, with a similar creamware slop bowl, some restoration, the cover a replacement, 21cm max. (3) £150-250

246. A small creamware cauliflower teapot and cover, late 18th century, modelled with creamy florets to the cover and shoulders, issuing from large green leaves, 17cm. (2) £300-400

247. A pair of pearlware ‘Peafowl’ toy teabowls and saucers, 1st half 19th century, and a child’s octagonal plate, all decorated in Pratt colours with a Spartacus bird perched amidst sponged green foliage, £80-120 a few small chips, 15cm max. (5)

248. A Whieldon creamware plate, c.1770, with a lobed rim, decorated with striped splashes of green and yellow on a mottled manganese ground, small rim chips, 23.3cm. £150-200

249. Two large pearlware mugs, late 18th/early 19th century, one printed with men seated around a wassail bowl on a table, titled ‘The General Toast’ and bearing lines from the Drinking Song in Sheridan’s ‘School for Scandal’, signed in the print for John Aynsley at Lane End, the smaller mug painted in polychrome enamels with Chinese ladies around a low table and tall plant stand, some damages, 15.7cm max. (2) £100-200

43

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:45 Page 44

250. Two cow creamers, early 19th century, one decorated in Portobello type colours with a seated milkmaid to one side, raised on a flat shaped green base, the other decorated in Pratt colours with a recumbent calf, and a Staffordshire model of a standing Dalmatian dog, minor damages, one cover lacking, 16.5cm max. (4) £100-200

251. A creamware cow creamer and cover, c.1790, standing four square on a shaped flat green base, her coat sponged with manganese patches, together with a pearlware figure of a woman smoking a large pipe, a cat resting on her lap, two scrolled fish forming a handle to her back, minor £100-200 faults, 17.5cm max. (3)

252. Three creamware models of animals, late 18th/early 19th century, one of a pug recumbent on a blue tasselled cushion, its head turned to dexter, one of a monkey seated on its haunches and decorated with green and manganese splashes, the last of a bird perched on a flowering stump, decorated in green and ochre, small £200-300 damages, 12.2cm max. (3) The pug with paper labels for the Doris Keane Collection, and for Stoner & Evans, King Street.

253. A rare pearlware rectangular box and cover, early 19th century, the rectangular sides moulded in relief with vignettes of figures alternating with the figure of a maiden on a hippocampus, the cover surmounted with a recumbent dog beside a dead bird, the base raised on four birds’ head feet, the whole decorated in manganese, some chipping, 18.3cm across. (2) £300-400

254. An Italian maiolica letter rack, 2nd half 19th century, Angelo Minghetti & Son (Bologna), modelled as a frog playing the piano and singing, the back of the piano painted in the Renaissance manner with ruined columns in a rural landscape, AM monogram and star marks, small losses, 9.5cm high. £200-300

255. An Astbury / Whieldon type creamware figure of a musician, perhaps mid 18th century, seated and singing from a book, decorated with streaked underglaze colours and on a brown base, some good £150-250 restoration, 12.5cm.

256. A maiolica ewer, probably c.1700 Nevers, modelled as a putto seated on the back of a dolphin, its mouth forming the spout, picked out in blue, yellow, ochre and manganese, the tail broken and restuck, 18.5cm high. £200-300

257. Two Minton Parian figures, 19th century, one depicting Naomi and her daughters-in-law, grieving her husband and sons, the other of Dorothea, modelled by John Bell, the young maiden seated on a rock with bare feet, her coat gathered around her, impressed marks, 33.5cm max. (2) £150-200

258. A Continental faïence model of a lion, 18th century, recumbent with his front paws crossed and head lowered, on a low oval base glazed in green, his mane picked out in yellow, 16cm across. £200-300

44

Cf. P. Halfpenny, English Earthenware Figures, p.29 for a similar example.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 45

259. A Staffordshire group of a Savoyard and dancing bear, c.1820-30, the travelling showman brightly attired in blue turban and yellow cloak over striped trousers, holding a stick in his right hand, the end of a rope in his left attached to the muzzle of a bear stood on its hind legs the other side of bocage, with a small monkey between them, wearing a red jacket, some restoration, 19.3cm. £500-800 Cf. Myrna Schkolne, People, Passions, Pastimes and Pleasures, p.117.

260. A pearlware bust of Neptune, c.1800, modelled with a long black beard, wearing a fish scale robe, raised on a black socle base, 24cm. £150-250

261. A large pearlware bust of John Milton, early 19th century, wearing a turquoise robe draped across his shoulders, raised on a shaped square socle, 29.8cm. £100-150

262. A Joseph Holdcroft Majolica model of a pug dog, 2nd half 19th century, seated on a blue studded cushion, with head turned to sinister, wearing a brown leather collar, a little good restoration to the ears, 28.8cm. £500-800

45

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 46

263

264

265 263. A Drunken Parson Toby jug, c.1815-20,

by Enoch Wood, seated with a jug of ale and a cup, his bewigged head turned to the right, typically dressed in black coat and breeches over a striped waistcoat, raised on a low coloured marbled base, some restoration, 20cm. £120-180 264. Two brown stoneware Toby jugs with stoppers, 19th century, perhaps Derby, each seated with a scale-decorated jug of ale, their large noses moulded with warts, minor faults £200-300 and restoration, 26.5cm max. (4) 265. An Enoch Wood Ordinary Toby jug, c.1800, seated with a large round jug of ale and holding his long-stemmed pipe in his right hand, wearing a pale lilac coat over a yellow and green striped waistcoat, some good restoration to his hat, 24.8cm. £200-300

266

267

266. A creamware Toby jug, c.1790, seated with a large clay pipe between his knees, a foaming jug of ale on his left knee, decorated in running splashes of green, blue and manganese, some good restoration to his hat, 25cm. £400-600 267. A Pratt ware Toby jug with stopper, c.1800, of Ordinary type, seated and resting a foaming jug of ale on his knee, wearing a blue coat over ochre waistcoat and yellow breeches, raised on a green base, a chip to his hat brim, £200-300 some enamel flaking, 24cm. (2) 268. A good Pratt ware Toby jug, c.17901800, of Ordinary type, seated with a foaming jug of ale resting on his left knee, wearing a striped waistcoat over ochre breeches and beneath a blue coat, 25cm. £200-300

46

268

269

269. A Sinner Toby jug and stopper, c.1800, wearing a pale green jacket over a bold chequered waistcoat, his warty face turned slightly to one side as his eyes look askance, his hat with a hollow stopper or £600-800 measure, 20cm. (2)

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 47

270. A rare Yorkshire creamware Toby jug, c.1780, seated with a massive clay pipe, holding an empty jug moulded with Cupid to two sides and with a face beneath the spout, with caryatid handle, all picked out in a deep manganese and raised on a rare flat base, the top of his pipe stem restored, 24.5cm. ÂŁ2,000-3,000 Provenance: the Coil collection, Boston, 2006. Paper labels for Ginsburg & Levy, and for Bernard & S Dean Levy Inc.

271. A Pratt Ware Sailor Toby jug, c.1790, of Rodney type, seated on a rectangular sea chest, a jug of ale in his left hand, a cup of the same clutched in his right, wearing a blue coat with yellow trim over trousers striped in blue and ochre, some good restoration, 28cm. ÂŁ1,500-2,000

47

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 48

272. A pair of medieval encaustic tiles, 15th century, probably Malvern, each decorated with the head of a stag above leafy branches, a five pointed star between its antlers, in cream slip on a buff ground, some surface wear and chipping, 15.5cm. (2) £250-350

273. A pair of Delft biblical tiles, 18th century, painted in blue, one with Cain slaying Abel, the other with a rare depiction of the Spies returning from Canaan, and a pair of Liverpool delftware tiles painted in blue with a family ice-skating on a frozen river, the other with figures before a thatched building, within octagonal panels, 13cm. (4) £100-200

274. A Delft tile, 1st half 17th century, painted in polychrome enamels with a figure playing a drum, within a circular panel on a blue ground with petal corners, mounted in a later wooden frame, 14.7cm overall. £100-200

275. Four Delft tiles, 18th century, painted in manganese with a church, windmill and other buildings beside small sailing boats at sea, the corners with a stylized flowerhead motif, framed as a long plaque, £100-150 59cm overall.

276. Eight Delft tiles, 18th century, painted in blue with various scenes of figures depicted in boats, driving cattle, fishing and seated in landscapes, one decorated with a sailing boat, and another a large fish, all mounted in plain wooden frames, some damages, 15cm overall. (8) £80-120

277. Ten English delftware tiles, c.1750-60, painted in blue with European figures in landscapes, one with a church and another a castle, within circular panels, foliate motifs to each corner, a little chipping, 12.8cm. (10) £150-250

48

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 49

278. A large Delft vase and cover, 19th century, brightly painted with a bird perched among flowering branches, the cover surmounted with a lion finial, and two Delft vases from a garniture, one flared, the other baluster, each painted with a female figure holding a mop and bucket, some damages, 46cm max. (4) £100-200

279. An English delftware plate, c.1750, painted in blue with a tall Chinaman standing beside weeping willow, floral panels to the cavetto and further willow vignettes to the rim, and a Delft charger painted with a figure crossing a bridge in a pagoda landscape, the rim with a band of palmettes, some restoration to the latter, 34.5cm max. (2) £200-300

280. A pair of English delftware chargers, mid 18th century, each decorated in green monochrome with weeping willow issuing from stylized rockwork, the rims with four foliate motifs within a blue line border, minor damages, 34.8cm. (2) £100-200

281. A Liverpool delftware plate, c.176080, painted in blue with a seated figure playing the flageolet while a shepherd and two of his charges stand nearby, the upper rim with leafy branches issuing from the rocky precipice above the musician’s head, 12cm rim crack, 22.2cm. £100-150

282. A Bristol delftware plate, mid 18th century, boldly painted with two figures standing between conical yellow trees, the rim with four stylized floral panels alternating with bands of green and red diaper, a rim £150-250 chip, 23cm.

283. A good delftware plate, mid 18th century, finely potted and painted in blue with a standing Chinese figure holding a parasol before a low ornamental fence, the rim with three panels of peony on a hatched diaper ground, X and II decoration beneath the rim, 25.2cm. £150-250

284. A Delft plate, 18th century, the well painted in blue with a rabbit and a dog between bare trees, the rim with five floral panels reserved on a hatched diaper ground, some glaze chipping to the rim, 26.2cm. £100-150

285. A Bristol delftware plate, c.1750, painted in manganese with highlights in green, yellow and blue, with a standing Chinese lady holding a fan beneath bending bamboo branches, the rim with further panels of bamboo on a diaper ground, some chipping, 22.6cm. £100-200

286. An English delftware plate, mid 18th century, painted in blue after the Chinese with a squirrel running along vine, with stylized grapes to the well and border, some rim chipping, 22.3cm. £100-200

49

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 50

287. A Frankfurt faïence charger, late 17th/early 18th century, painted in blue and manganese with three figures in an extensive Chinese landscape, cracked, 41cm. £150-250

288. A large Delft charger, late 18th century, brightly painted with war motifs including cannon, flags, a large drum and a hat on the end of a stick, restored, 34.5cm. £150-250

289. A large delftware charger, c.1740, probably Bristol, painted in the Chinese manner with a long-tailed yellow bird perched on rockwork beside flowering peony, the rim with further sprays of Oriental flowers, some chipping, 34.5cm. £200-300

290. A Delft plate, c.1720, painted in blue with a courting couple, arm in arm beneath a tall tree while birds fly around the spire of a church in the distance, some rim chips, 22.8cm. £100-150

291. An English delftware charger, c.1730, probably Lambeth, decorated in blue, green and red with a hexagonal motif around a central flower spray to the well, within a panelled border of further flowers and foliate stems, numeral 10 mark to the underside, £100-200 some glaze chipping, 33cm.

292. A London delftware plate, c.1770-80, painted in blue with a couple promenading between buildings beneath tall sponged trees, a restored crack, 22.8cm. £100-150

Cf. F H Garner & M Archer, English Delftware, pl.56B for a similar example.

293. A London delftware bowl, c.1770, the exterior painted with five fish in blue and green enamels between sprays of red and green flowering branches, rim cracks, 22.7cm dia. £100-200

50

294. A large delftware charger, c.1740, simply decorated in blue, green, red and yellow enamels with naive flowers issuing from feathery foliage, the rim with floral panels alternating with smaller panels of hatched diaper, some glaze chipping, 33.8cm. £150-250

295. A large delftware bowl, c.1725, probably Bristol, the tall sides enamelled in red, green and blue with stylized flower sprays and small roundels beneath a formal border, the interior with a large blue leaf, some rim cracks, 26.5cm dia. £350-500

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 51

296. Four Irish delftware plates, c.1750, painted in blue after a Chinese design, each with two fallow deer beside flowering bushes and tall pine trees, the rims with a wide Fitzhugh border, numeral 12 marks to the undersides, some chipping, 23.6cm. (4) £400-600

297. Four delftware plates, 18th century, each decorated with a central floral spray within a panelled border of further sprays alternating with single manganese flowerheads reserved on a hatched iron red diaper ground, two cracked, 19.3cm. (4) £100-200

Cf. Peter Francis, Irish Delftware, pp.92-3, for a discussion of this pattern and its derivation from the Chinese.

298. An Irish delftware octagonal dish, c.1760, painted in blue with simple sprays of flowering peony within a hatched diaper border, numeral 2 mark to the reverse, a little glaze chipping, 29.8cm. £200-300

299. A pair of Lambeth delftware plates, late 18th century, of Ann Gomm type, decorated in polychrome enamels with a central octagonal £150-250 motif within stylized foliate and floral motifs, 22.9cm. (2)

Cf. An Exhibition of 18th Century Irish Delftware at Castletown House Celbridge, 1971, no.71 for a similar example.

Cf. F H Garner & M Archer, English Delftware, pl.108A for a similar example.

300. A pair of Delft plates, mid 18th century, decorated in polychrome enamels outlined in manganese with tied posies of flowers, the rims with manganese pineapple motifs and foliate scrolls, some rim chipping, 23cm. (2) £150-250

301. Five English delftware plates, mid 18th century, three painted in blue with sprays of Oriental flowers including peony and chrysanthemum, one with a hexagonal flowerhead to the well, one with a basket of flowers in polychrome enamels, and a small late 17th century dish painted in bright blue with a seated Chinese figure within a wide rim of further figures, some faults, 23cm max. (6) £200-300 Two plates with paper labels for the Gautier Collection

51

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 52

302. A Frankfurt faïence pewter-mounted jug or ewer, early 18th century, moulded with horizontal bands, painted in blue with Chinese figures in a landscape setting, the shoulder and foot with a stiff leaf border, with pewter cover mounted to the handle, minor faults, 20.5cm. £200-300

303. Two tin-glazed baluster vases, 19th century, one Moroccan pottery and painted in the Islamic style with foliate roundels, the other Mexican Talavera and painted in blue with a bold foliate design, minor damages, 26cm max. (2) £200-300

304. A French faïence ewer, probably 18th century Rouen, of helmet shape, decorated in blue with a lambrequin design above a flared foot, the spout moulded with a mythical mask, the tall scrolling handle with a dense pattern of dots, a little glaze chipping, 30cm. £300-500 Cf. Victoria and Albert Museum, Accession No. 430-1870 for a similar Rouen example with differing handle.

305. A Delft or faïence water cistern, dated 1680, the flattened cylindrical form painted in blue with a Christogram and sacred heart above a later metal tap, the domed top inscribed ‘1680’, damages, 24cm. £200-300

306. A Montelupo maiolica dish, 17th century, painted in a bold palette of blue, green, ochre and manganese with a figure on the back of a large horse, a chip to the £300-400 underside of the rim, 29.7cm.

305

306

307. A Delft lobed dish, 18th century, painted in blue with two European figures standing beneath tall sponged trees, with buildings visible behind, and a Wrothamstyle slipware tyg, decorated in a dark treacle glaze with dots of cream slip and applied floral medallions, damages, 29.8cm max. (2) £150-250

308. A large English delftware plate, mid 18th century, decorated in the Fazackerly palette with simple scattered flower sprays, and a large shaped delftware dish with moulded rim, painted in blue with a vase of flowers beside bold peony sprays, some glaze chipping, 41.5cm max. (2) £150-250 307

52

308

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 53

309

310

309. An English delftware clock dial, late 18th century, the slightly convex form glazed white and painted in manganese with arabic numerals depicting the hours and the quarters, fitted with a central hole, two later drilled holes, 25cm. £600-800

310. Three Porquier-Beau Quimper botanical plates, late 19th century, designed by Alfred Beau, one painted with a spray of sweet chestnut, the other two with blackberries on bramble sprays, and a small shaped dish or stand in the same design, the shaped rims picked out in yellow, blue PB monogram marks, 23.2cm max. (4) £500-800 311

311. A pair of Porquier-Beau Quimper botanical plates, late 19th century, designed by Alfred Beau, painted with large naturalistic flower specimens in a pastel palette, the shaped rims with a yellow £300-400 line border, blue PB monogram marks, 23.2cm. (2)

312. Two Porquier-Beau Quimper botanical plates, late 19th century, designed by Alfred Beau, and a small dish or stand, brightly enamelled with large floral specimens within narrow yellow line borders to the shaped rims, blue PB monogram marks, 23.2cm. (3) £400-600

312

53

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 54

313. An Islamic square cuerda seca tile, possibly 17th century, decorated with a large stylized flower in cream and brown on a rich blue ground with narrow yellow foliate bands and smaller florets, damages, 22.5cm. £300-400

314. A large Kutahya (Turkey) pottery hanging ornament, 19th century, the ovoid form painted with four winged masks beneath flaming mandala, in shades of blue, turquoise and red, pierced to the top and bottom, 20cm. £300-500

315. A Chanakkale (Western Turkey) ewer, 19th century, the tall body applied with a large flower, a single rosette to the tall neck, decorated in an allover green glaze, 32cm. £100-150

316. A large Kutahya (Turkey) Iznik-style dish, 20th century, boldly decorated in typical palette with saz leaves and bold flower sprays within a continuous scrolling border of red carnations, small rim chips, 43cm. £200-300

54

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 55

317. A large Palissy style dish, late 19th century, applied with a long snake being bitten by a lizard emerging from a mossy hole, surrounded by a slug, caterpillar, stag beetles and flying insects, impressed mark, 32cm. £150-250

318. An Italian maiolica portrait dish, early 20th century, Vincenzo Molaroni of Pesaro, the deep well painted with the head and shoulders portrait of a young girl wearing a green serpent as a necklace, the wide rim with a continuous foliate design against a £150-250 buff ground, 26.5cm.

319. A massive Italian maiolica istoriato charger, 19th century, painted in the 16th century manner with a large scene of the Rape of Persephone, Hades carrying the goddess off in a horse-drawn chariot while three putti fly in trees above, some faults, 62.5cm. £250-350

320. A Nove fruit-decorated dish, c.1780, the well painted with a pomegranate and a cut pear above rococo scrolls, the shaped and moulded rim with flower sprays, blue star mark, some glaze chipping, 23.5cm. £100-150

321. A Moustiers plate, probably 18th century, painted in polychrome enamels with a grotesque scene of dancing dogs, orange PF mark to the reverse, and a pair of Seville maiolica pilgrim flasks, painted with scenes of dogs and other animals, one side with a figure in a top hat, titled Gomez Triana to each foot, 24.5cm max. (3) £100-150

322. A Delft miniature model of a commode, 19th century, the bombé form modelled with two workable drawers, painted in blue with panels of figures, to the top a lady painting a landscape, within C scroll borders, blue IDM mark to the underside, some chipping, 24cm across. (3) £200-300

323. A Deruta maiolica tazza, c.1660-80, the circular form painted in blue, green and yellow with manganese detailing, with a bird amidst foliage to the well, the rim with four panels of stylized fruits, raised on a low flared foot, a section broken out and cleanly restuck, 26.5cm. £100-200

324. A small Italian maiolica plate, Castelli c.1740, painted with a winged putto seated on a stump beneath a tree, with blue mountains in the distance, edged in ochre, a chip to the underside of the rim, 19.3cm. £100-200

325. A large and unusual Alcora faïence vase or jar, c.1745-55, the spherical body moulded with eight vertical ribs, decorated with bands of small floral sprigs in blue, green, ochre and manganese, black A mark, 19.5cm high. £200-300

55

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 56

326. An Italian maiolica syrup or vinegar jar, probably 19th century, the large rounded body painted with two winged putti supporting a large scrolled banner inscribed ‘ACETO’, with small birds in flight among leafy branches, the spout and double-strap handle washed in blue, 20.3cm high. £100-200

327. An English delftware apothecary jar, 18th century, probably London, the cylindrical body painted in blue with horizontal bands and a band of chain, some chipping to the £100-200 rim, 14.2cm.

329. An Italian maiolica albarello, mid 18th century, the dumbell form titled in manganese script with ‘U. Alabastrium’, between bands of stylized blue foliage, 17.8cm. £150-250

330. A pair of small Italian maiolica drug jars and covers, c.1760, the baluster forms raised on circular feet, inscribed ‘Pulv Coral’ and ‘Scamon’ respectively, and a North Italian maiolica jar and cover, inscribed ‘ Alum Usti’ and painted in blue with simple buildings and trees, 16.5cm max. (6) £250-350

This ointment made from powdered alabaster, chamomile flowers and rose petals was used as an emollient.

332. Two Sicilian (Caltagirone) maiolica albarelli, late 17th/18th century, one of squat form and painted with a cartouche of buildings within typical green and yellow flowers on a blue ground, the other tall and waisted, decorated with oval panels of stylized leaves, some damages and restoration, 25cm max. (2) £250-350

56

Cf. Victoria and Albert Museum, Accession No. C.288-1912, for a near identical example.

The inscriptions relate to Powder of Coral (historically used in the treatment of the Black Death), Scammonia or Bindweed (used as a purgative), and Calcined Alum, which has medical uses in the treatment of sores but has a number of other alchemical, culinary, cosmetic and industrial uses.

333. A Continental tin-glazed flagon, dated 1823, of straight-sided bottle form with a small strap handle, inscribed in manganese with the initials VA and the date 1823 above a simple foliate motif, a long crack, 24.3cm. £100-150

328. An Italian maiolica syrup or wet drug jar, c.1700, from The Marches region, decorated in blue with wide foliate sprays beneath an egg and dart border, on a pale blue ground, with wide strap handle, and raised on a low circular foot, a little rim £300-400 chipping, 18.8cm.

331. A Delft drug jar, c.1720, of bottle shape with rounded body and a tall flared neck, painted in blue with two peacocks beside a basket of fruit atop a banner inscribed ‘A Scabiosæ’, a crack and chip to the neck, 25.5cm. £200-300 Aqua Scabiosa (a watery infusion made from scabious leaves) was used both as an antiinflammatory and an anti-parasitic. However, it was potentially toxic and could cause kidney damage as well as inducing headaches and chills.

334. Two small Sicilian maiolica albarelli, 18th century, both of waisted form, one Caltagirone and painted with a continuous bold floral design in blue, green, ochre and manganese, the other bearing a striped scrolled banner in ochre, manganese and green, reserved on a simple foliate scroll ground in blue, minor faults, 18.2cm max. (2) £120-180

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 57

335. A Sicilian (Caltagirone) maiolica albarello, dated 1784, painted to one side with the profile portrait of a soldier, within a scrolled border in blue, ochre and manganese, the reverse inscribed ‘1784’, the base drilled and repaired, 23.2cm. £250-300

336. An unusual Sicilian (Caltagirone) maiolica albarello, late 17th century, painted with the portrait of a lady wearing a pair of leatherrimmed nose spectacles, within a scrolled border, reserved on a stylized floral ground in blue, green, manganese and yellow, some glaze chipping, 18.2cm. £500-800

337. A Sicilian maiolica albarello, c.1790, the waisted form painted with a double portrait panel of two people facing each other within a shaped panel, reserved on a ground of manganese, blue and yellow chevrons, a few small rim chips, 22.5cm. £150-250

338. An Italian maiolica drug jar or albarello, c.1720-40, probably Naples, painted in blue with a winged figure holding a sword and scales, standing on the back of the recumbent devil, inscribed ‘Ung. Di Piombo’, 19.2cm. £150-250 Ointment of lead also included antimony, rose oil, turpentine and yellow wax, and was used in the treatment of ulcers.

57

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 58

339. A Samuel Alcock pharmaceutical or culinary jar and cover, c.1840, the large form with a wide banner inscribed ‘Fine French Capers’ in gilt on a claret ground, the neck and foot with further wide claret bands, the cover restored, 29.5cm. (2) £100-200

340. A Grainger’s Worcester reticulated vase with cover and stand, date code for 1901, elaborately pierced with a continuous foliate design decorated in green and peach gilt lustre, the stand with a trefoil design and perhaps associated, and another Grainger’s vase and cover, date code for 1897, decorated with a gilt prunus spray, raised on a reticulated base, the cover similarly pierced, some £250-350 restoration, 34.7cm max. (5)

341. A Derby campana vase, c.1820, painted possibly by Zachariah Boreman with an oval panel containing figures in a horsedrawn cart beneath tall trees, the reverse with bold foliate scrolls, and a porcelain étui modelled as a stem of asparagus and fitted with gilt metal mounts, 17cm max. (2) £100-150

342. A pair of Derby campana vases, c.1815-20, each painted with an octagonal panel of figures in a rural landscape, one titled ‘In Cumberland’, the other ‘In Italy’, reserved within gilt ivy borders on a pale turquoise ground, the handles formed as serpents, iron red marks, some damages and repairs, 17cm. (2) £100-200

343. A Rockingham porcelain basket, c.1830-37, the moulded and flared form decorated in a rich green glaze, the overhead handle issuing from moulded leaf motifs, £80-120 printed mark, 20cm high.

344. A Chamberlain’s Worcester jug, c.1815, painted with an octagonal panel containing a view of the bridge at Worcester, reserved on a salmon pink vermicelli ground, a Grainger’s Worcester taperstick painted with flowers on a pale yellow ground, and a Spode taperstick similarly decorated on a dark green ground, some restoration to the jug, 16.2cm max. (3) £100-200 The tapersticks with paper labels for D M & P Manheim.

345. A pair of Coalport soup plates, c.1820, richly decorated in the Church Gresley pattern, with small cornflower florets reserved in hexagonal red panels amidst smaller panels of pink rosebuds and stylized leaves, the wells with bold floral arrangements, 24.7cm. (2) £100-200

58

346. A Copeland and Garrett Late Spode porcelain bourdaloue, c.1840, finely painted in pattern 1934 with three arrangements of English flowers including rose, foxglove, convolvulus and forget-me-not, between moulded floral sprays, printed mark, 21cm. £80-120

347. A Flight Barr & Barr miniature vase, c.1820, the flared shape painted with a panel of a thatched cottage with a smoking chimney, reserved on a pink ground and raised on a square base, titled to the underside ‘Cottage in Glamorganshire’, and a Chamberlain’s Worcester small spill vase painted with a view of the city on a puce £150-250 ground, 7.5cm max. (2)

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 59

348. A Wedgwood Wreathed Shell part dessert service, 19th century, the varied shell forms decorated in pattern 7035 with shaded pink around the edges, impressed marks, some pieces titled in green.

Comprising: a nautilus shell comport and stand, an arca antiquata dish and six scallop shell plates. (9) £300-500

349. A Minton part tea service, c.1820, richly decorated in pattern 178 with bold orange-red flowerheads amid formal foliate scrolls in red and gilt, reserved on a green dot ground, some damage and restoration.

Comprising: a teapot and cover, a milk jug, a sucrier and cover, a slop bowl, a cake plate, three teacups, three coffee cans and five saucers. (18) £100-150

350. A pair of Derby bough pots, c.1795, the D shapes painted with en grisaille panels of Virgins awakening Cupid, and of nymphs mocking Cupid tied to a tree, after Angelica Kauffmann, between gilt cornucopia issuing cornflowers and other blooms, with red rams head handles, and a smaller English porcelain bough pot painted with a figure beneath Classical ruins, the covers lacking, 24.8cm max. (3) £200-300

351. Two Chelsea-Derby dessert dishes, c.1780, one painted with polychrome flower sprays within a gilt grapevine border on blue, the other with a blue monochrome swag and roundel border, and a shallow bowl with an urn draped in flowers, 31.5cm max. (3) £120-180

59

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 60

352. A Chamberlain’s Worcester part armorial dessert service, c.1800, decorated with the crest of an eagle holding an arrow in its beak, within gilt foliate scroll borders, iron red script marks. Comprising: two ice pails with a choice of two covers for each, two sauce tureens and covers, four square dishes, four shell-shaped dishes, two kidney-shaped dishes, a quatrefoil dish, a tazza and twenty plates. (42) £5,000-8,000

353. A fine Coalport dessert service, c.1820-30, of ‘Union’ shape, the wells finely painted with vignettes of birds and bird nests amidst bold flower arrangements, reserved on a pink ground. Comprising: two sauce tureens with covers, two square dishes, one oval dish, and fourteen plates with two handles. (21) £600-1,000 Cf. Geoffrey Godden, Coalport and Coalbrookdale Porcelains, p.70 for an explanation of the Union shape of dessert service, which relates to the emblems on the handles of the shell dishes.

60

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 61

354. An English porcelain comport or centrepiece, early 19th century, the oval form painted to the interior with three brightly coloured birds perched on and beside a low fence, within a wide stylized foliate gilt border echoed to the underside, some regilding to the handles. 31.3cm. £100-200

355. A Nantgarw sauce tureen with cover and stand, c.1818-20, the circular shape painted probably locally with arrangements of pink roses within gilt dentil rims, impressed NANTGARW-CW marks, and a saucer decorated in the manner of William Billingsley’s Duncombe pattern with flower sprays and gilt palmettes, some gilt wear, the tureen’s cover associated, 19cm max. (4) £500-800 Provenance: the tureen from the Rowland Williams Collection.

Illustrated: Rowland Williams, Nantgarw and Swansea Pottery and Porcelain, no.65.

356. A pair of Swansea plates, c.1815-17, painted probably by Henry Morris with colourful floral posies and single scattered sprigs, the rims with continuous berried tendrils in green and gilt, a little gilt wear, 22.5cm. (2) £200-300 357. A Nantgarw oval dish, c.1818-20, painted probably at the factory with polychrome flower sprays including tulip, passion flower, chrysanthemum, rose and convolvulus, the rim moulded with C scroll and foliate motifs, faint impressed mark with incised D beneath, some £300-500 wear to the gilt rim, 30cm.

358. An English porcelain comport or centrepiece, early 19th century, the oval form well-painted with four panels containing botanical floral specimens of convolvulus, rose, tulip and poppy, reserved on a pale green ground with leaf sprays, with similar decoration to the exterior, raised on a low flared foot, some good £100-200 restoration, 30.8cm.

356

357

358

61

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 62

359. A Meissen-style part dessert service, late 19th/20th century, decorated in underglaze blue with the Onion or Zweibelmuster pattern within reticulated rims. Comprising: two large and three small two-handled basket dishes, and twelve plates. (17) £100-200

360. A pair of Naples porcelain portrait plaques, 19th century, in the Doccia manner, decorated in high relief with profile portraits of Louis XVI and Marie-Antoinette, within embossed borders of floral panels, and a Doccia style plate with a moulded scene of Classical figures in a landscape, crowned N marks in blue, 25.7cm max. (3) £150-250

361. A Meissen part ornithological service, 19th/20th century, painted with different birds perched on leafy sprigs, the osiermoulded rims with scattered moths, beetles and flying insects, blue crossed swords marks. Comprising: a bowl with built-in stand, two plates and two soup bowls. (5) £150-250

362. A Meissen two-handled tureen and cover, 19th/20th century, painted with songbirds on flowering branches, and a matching square bowl with similar decoration, the osier-moulded rims painted with colourful moths and flying insects, blue crossed swords marks, a section of the bowl broken and restuck, 34.5cm across. (3) £100-150

363. A Meissen surtout de table or stand, 19th century, of rococo scrolling form, raised on three scroll feet and picked out in green, pink and gilt, blue crossed swords mark, 32cm across. £300-400

364. Two Sèvres plates, 2nd half 18th century, both painted with sprays of European flowers, the rims with differing overglaze blue scrolls, and a Sèvres saucer painted by Taillandier with a central floral spray within small pink rose medallions reserved on a bleu celeste ground, interlaced LL marks, some damages and restoration, £150-200 24.5cm max. (3)

365. Two Tournai plates, c.1770-80, one brightly enamelled with fancy birds perched on a low rock, within a close spiral moulded rim, the other with wide spiral flutes and painted in blue with the Ronda pattern of peony and prunus, gilt and blue swords and stars marks respectively, the latter with an N mark, 23.8cm max. (2) £300-500

366. A Chantilly-style quatrefoil bowl, 19th century, decorated in the Kakiemon palette with prunus and other sprays of Oriental flowers around scattered insects, red hunting horn mark, 17.5cm across. £100-150

62

Cf. Bonhams, The E A Titgemeyer Collection, 7th December 2011, lot 201 for a similar example.

367. A large pair of Berlin vases and covers, 19th century, each fluted ovoid form painted to two sides with panels of courting couples and children at play, within raised gilt laurel leaf borders, painted with colourful flower sprays, the covers surmounted with an eagle, blue sceptre marks, one cover £150-250 restored, 36.5cm. (4)

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 63

368. A Sèvres-style saucepan or warming pot and cover, late 18th/early 19th century, the flattened circular body painted with sprays of flowers within a blue and gilt rim, fitted with a turned wooden handle, interlaced LL mark, painter’s and initial marks in blue, 18.3cm. (2) £100-150

369. A Doccia mug, c.1780-90, decorated in iron red and gilt with two cockerels or galli rossi fighting on holey rockwork in a Chinese landscape, with narrow angular handle, 8.7cm. £100-200 The first record of the use of this Chineseinspired decoration is in 1747 and refers to cockerels painted in black. However, the same design was also executed in green, red and blue usually with gilt highlights.

370. A Septfontaines (Boch) creamware coffee pot and cover, late 18th century, and a sauceboat, the spiral-moulded forms simply decorated with naive sprays of Oriental flowers in blue, the sauceboat with an impressed Boch Luxembourg mark, some damages and repairs, 21.5cm max. (3) £150-250 Paper labels for the Diana Edwards collection.

371. A small group of French porcelains, 2nd half 18th century, including a Sèvres small jug and cover decorated with polychrome flower sprays, a toy sized Sèvres cup and saucer with dry blue sprays of flowers, and a miniature vase of campana form, raised on a gilt metal base, interlaced LL marks to some pieces, small damages, 11cm max. (5) £200-300

372. A Nymphenburg covered cup and saucer, c.1780, painted with delicate floral garlands spelling out the letter R to the cup, and the number 2 to the saucer, each with a floral diadem above, the cover surmounted with a large blue flower, impressed shield mark to the saucer, 14.2cm. (3) £200-300

373. Two Vienna small boxes and covers, c.1760-70, the rococo scrolled forms highlighted with feathered puce decoration and painted with scattered European flowers, impressed shield and P marks, some damages, 9.2cm across. (4) £100-150

374. Two Sèvres cups and saucers, 18th and 19th centuries, the earlier of gobelet a la Reine shape with a deep trembleuse saucer, decorated with gilt flower sprays and a formal border, the other of reeded form with a gilt anthemion border, and a small Sèvres teapot of ovoid form, richly decorated with puce ribbon suspended from roundels and leaf swags, covers lacking, 15.8cm max. (5) £150-250

375. Two English-decorated Chinese porcelain bowls, 18th century, the larger originally painted in underglaze blue and later enamelled with flowering peony branches, the smaller with later highlighted decoration in red and gilt, 11.3cm max. (2) £100-200

376. A Chantilly hors d’oeuvres dish or ravier, mid 18th century, the shaped and lobed form with a single handle, painted to the interior with two large flower sprays, the handle with iron red scrolls, a chip to the handle, some grinding to the rim, 19.8cm. £100-200

Provenance: paper labels for the Helen Espir collection, nos. 495 and 642.

63

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 64

377. A matched Vincennes or Sèvres cup and saucer, c.1755-60, painted with panels of colourful birds in flight and holding leaf sprigs, reserved on a bleu lapis ground within gilt foliate and floral borders, interlaced LL marks, date code F and painter’s mark to the saucer, 13.4cm. (2) £300-500

378. A Sèvres coffee cup and saucer, date code for 1758-59, painted with panels of roses and other European flowers reserved in quatrefoil cartouches on a blue caillouté ground with green borders, interlaced LL and F marks, four dot painter’s mark, 13.6cm. (2) £400-600

379. A Sèvres cup with cover and stand, date code for 1771, of gobelet a la Reine shape, the flared cup and deep trembleuse saucer painted with baskets of pink roses suspended from blue ribbon bows within berried leaf swags, blue interlaced LL mark and painter’s mark, some damages and repairs, 15.2cm. (3) £100-200

380. A Berlin cup and saucer, early 19th century, the flared forms painted with a formal band of blue flowers and small arched leaf fronds above grasses, between apple green and pale pink bands, blue sceptre marks, 12.7cm. (2) £150-200

381. A Saint Cloud seau à bouteille or wine cooler, c.1722-40, the rounded body moulded to two sides with flowering branches issuing from formal rockwork, the sides with grotesque mask handles with protruding tongues, the whole later decorated in turquoise enamels on a blue caillouté ground, incised SC over T mark, 15.8cm. £100-200

382. A pair of Meissen miniature coffee pots and covers, mid 18th century, moulded with rococo panels on a hatched ground, painted with flowers and fruit on a ground of small stylized blue flowerheads, the domed covers with floral finials, blue crossed swords marks, some small chips, 11cm. (4) £200-300

Cf. The Metropolitan Museum, Accession No. 54-147-14 for a seau à demi-bouteille with identical moulding.

64

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 65

383. A Paris porcelain oval tray, 19th century, painted with an Ottoman soldier in colourful uniform, resting the butt of his musket on the ground and standing beneath palm trees, the rim with a border of palmettes and stylized floral designs on a dark green ground, incised X to the underside, 34.4cm. £150-250

384. A good Meissen quatrefoil dish, c.1740, moulded with a dense basketweave design, the well with a quatrefoil panel of figures beside a river with buildings and mountains in the background, the rim with four further landscape panels, blue crossed swords mark, 29.5cm. £800-1,200 Cf. Christie’s, Centuries of Style, 2nd June 2009, lot 83 for a circular dish in the same pattern.

385. A Meissen fabeltiere plate, c.1740, painted in purpurmalerei and gilt with a mythical creature beside Oriental plants, in the manner of A F von Löwenfinck, the shaped rim with a continuous foliate scroll, blue crossed swords mark, a small filled rim chip, 23.5cm. £400-600

386. A pair of Doccia saucers, c.1760, after Du Paquier, decorated in the famille rose palette with large peony sprays issuing from tripod censers, the rims with a gilt scroll border over a red band, 13.5cm. (2) £200-300

387. A Cozzi small oval dish, c.1770, the well painted with a spray of fruit including pears and apples, the cavetto with tiny scattered flower sprigs, the rim with a shaped pink diaper border within gilt foliate scrolls, red anchor mark, 22.5cm. £100-200

388. A Meissen plate, mid 18th century, moulded with the Gotzkowsky relief of four floral panels to the rim and a continuous garland to the well, painted in the botanical manner with floral specimens, the rim with a gilt line, blue crossed swords mark, 24.2cm. £80-120

65

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 66

389. A Meissen hausmaler tankard, c.1750-60, the cylindrical form painted in the workshop of Franz Ferdinand Meyer, Pressnitz, one side with a figure seated with three dogs, another with a further figure playing a horn with further animals around, and with a lion rampant holding a gilt crown above the initials JH, with a gilt metal hinged lid, 18.5cm. £800-1,200

390. A rare Meissen jar and cover, c.1723-24, the flared form moulded with a frieze of acanthus leaves above the foot, the rim with a small bellflower border, painted with sprays of indianische Blumen and birds in flight, blue crossed swords mark, restoration to the cover, 16cm. (2) £1,000-1,500

391. A rare Meissen beaker, c.1725, finely painted to two sides with a quatrefoil panel in eisenrot, perhaps by C F Herold, one with a Kaufarhtei scene of merchants in a harbour, the other of figures beneath a large statue of a putto and dolphin, within Böttger lustre panel borders, the interior rim with an elaborate gilt Laub-und-Bandelwerk design, gilder’s Z4 mark, a little gilt wear, 7.5cm. £800-1,200

392. A Meissen chinoiserie teabowl, c.1725, painted to one side with a Chinese figure holding a floral stem over a steaming tea kettle, the reverse with a further figure trying to catch insects, each within Böttger lustre panels edged with gilt scrolls, the interior well with a pagoda on rocks, the rim with a formal gilt border, gilt 70 mark to the base, 7.3cm dia. £800-1,200

Cf. A similar beaker and saucer was sold at Christie’s on 12th October 1995, lot 78, as part of the Jörg Nelte Collection, formerly in the Helen Dietrich Collection.

66

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 67

393. A Wegely teapot and associated cover, c.1755-57, the body moulded with bands of reeding and painted in underglaze blue with a version of the Strawflower pattern, blue W mark, the cover fitted with a gilt metal finial and overhead handle, 22.5cm. (2) £200-300 Cf. The Victoria and Albert Museum, Accession No. 137 to A.1872 for an identical example.

394. A pair of Chinese porcelain armorial plates, 18th century, the wells painted with three interlaced rings surmounted by three feathers issuing from a similar motif, the cavetto with a gilt spearhead border, the rim with a continuous band of famille rose flowers entwining gilt bamboo, 22.8cm. (2) £100-200

395. A Meissen teabowl, c.1735, painted to two sides with panels of European merchants in harbour scenes, within gilt, red and purple strapwork borders, the interior with a spray of indianische Blumen and a wide gilt strapwork border, blue crossed swords and gilt A marks, some gilt wear, 8cm dia. £150-250

396. A good Meissen serving spoon, c.1750-60, well painted to both sides with sprays of deutsche Blumen, and small scattered sprigs, £400-600 the shaped handle edged in gilt, 31.3cm.

397. A Russian plate in the Soviet propaganda style, 20th century, after a design by Mikhail M. Adamovich, painted with a portrait of Lenin, ration cards and the slogan ‘He Who Does Not Work Does Not Eat’, blue hammer and sickle mark, and a Continental porcelain plate decorated with panels of flowers in the manner of Meissen for the Turkish market, interlaced LL mark, 24.8cm max. (2) £150-250

398. An unusual Russian porcelain bowl for the Islamic market, late 19th century, decorated to the exterior with a bright continuous band of flowering pink peony after the Chinese, the interior rim with four Arabic inscriptions in blue enamel, red printed mark for the £100-120 Gardner factory, printed No.930 in black, 16.3cm dia.

Cf. Nina Lobanov-Rostovsky, Revolutionary Ceramics, pl.2 for the original design of the Russian plate.

67

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 68

399. A Russian Soviet porcelain tête à tête service, c.1931, Lomonosov Factory, richly decorated with an abstract pattern in blue, black and gilt on a white ground, signed for Alexandra Vladimirovna Riznich, blue EKS and wavy line marks. Comprising: a circular tray, a teapot and cover, a jug and cover, a sucrier and cover, two teacups and two saucers. (11) £800-1,200 400. Two Russian porcelain plates with Soviet Propaganda designs, Imperial Porcelain Manufactory dated 1892, 1898 and 1917, one painted in black and white on a pink ground with equestrian figures beneath wintry trees, hammer and sickle mark for 1922, the other with cyrillic text between large leaves after a design by Rudolf Vilde, a Russian porcelain plate showing the construction of a large bridge, and a mid 20th century soup bowl printed with a banner above a horse pulling a plough, various marks, 24.7cm max. (6) £500-800

399

401. Four Russian porcelain plates with Soviet Propaganda designs, 20th century, one originally designed by Rudolf Vilde with work instruments and flowers to the rim, the well with cyrillic script above books, translating to ‘Knowledge Lightens Work’, one designed by Sergei Chekhonin with a red inscription to the rim, one attributed to Pierre Ino with two children reading stop large patterned letters, the last

by Chekhonin with five shaped panels of script to the rim, further colourful letters to the well, various marks, 25.5cm max. (4) £400-600 The last plate exhibited at M Ekstein Ltd, 90 Jermyn Street, December 14th to 24th 1987, with paper label for the same.

400

402. Five Russian porcelain plates with Soviet Propaganda designs, 20th century, four after designs by Sergei Chekhonin, one copying a famous design of a hammer and sickle on a black roundel within a wide border of fruit and flowers, one with two red sickles around floral garlands, another with a central hammer and sickle surrounded by cyrillic letter, the last with a blue hammer and sickle on a floral ground, another plate originally designed by Mikhail Adamovich with a gilt monogram above a five-pointed star, the blue rim with gilded £800-1,200 instruments of labour, various marks, 26.7cm max. (5) One exhibited at M Ekstein Ltd, 90 Jermyn Street, December 14th 24th 1987, with paper label for same.

403. Five Russian porcelain plates with Soviet Propaganda designs, 20th century, one originally designed by Pototskaya with books to the well and script around the rim, another painted with a javelin thrower beside a sport programme and with brightly coloured cyrillic script around, one by Rudolf Vilde with a Russian worker taking a hammer to Death, another with a figure riding a winged horse over the burning ruins of a city, the last with a portrait of Lenin, various marks, 24.5cm max. (5) £500-800 The last exhibited at M Ekstein Ltd, 90 Jermyn Street, 14th - 24th December 1987, with paper label for the same.

401

68

402

403

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 69

404. A Soviet Russian porcelain figure, 20th century, of a Red Army soldier in full uniform, saluting with his right hand and holding a sword in his left, incised hammer and sickle mark, inscribed 1927 but probably later, 25cm. £150-250

405. A large Meissen white-glazed vase figure of Flora, c.1975, modelled as a girl standing with arms by her side, wearing a long shift dress, around the base pierced with teardrop holes, applied with small spikes and balls of clay, a round aperture at the top of her head, blue crossed swords and impressed Weiss marks, 51.5cm. £300-500

406. A Meissen figure of Mars, mid 18th century, modelled by J F Eberlein, standing atop of a square pedestal base moulded with musical instruments and victory motifs, his left hand resting on the top of his shield, his right on his hip, wearing a chainmail tunic with lion mask sleeves, some restoration, 29.3cm. £750-1,000 This is one of a series of Greek gods modelled by Eberlein between 1741 and 1747, ten of which were illustrated in L. Schnorr von Carolsfeld’s catalogue of the von Klemperer collection, nos. 688-697.

407. A lifesize Continental porcelain model of a cat, late 19th century, after Meissen, recumbent with head turned to dexter and its tail curled around its hind quarters, with enamelling to the eyes and whiskers, blue crossed swords and dot mark, a repair to the tail, 36cm across. £150-200

408. A Continental porcelain group of two billing doves, 19th century, after Meissen, perched on a low grassy base with heads turned in together, naturalistically modelled, some damages, 10.3cm high. £80-120

69

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 70

409. A Samson crinoline figure of a lady of the ‘Mopsorden’, late 19th century, after Kändler’s model at Meissen, wearing a wide and boldly patterned crinoline skirt, holding a pug dog under her left arm, the oval base applied with flowers, pseudo blue crossed swords mark, a few small chips, 22cm high. £100-150 The Mopsorden (Order of the Pug) was an alternative Masonic order founded in 1740, after the Pope banned Catholics from becoming Freemasons in 1738. Women were also allowed to become members, and the order’s symbol of a pug dog stood for fidelity, loyalty and steadfastness.

410. A Sèvres-style biscuit porcelain figure group, late 18th/early 19th century, of L’maître d’ecole et deux enfants, the strict schoolmaster taking the birch to a tearful girl, while another buries her head in a book behind his back, incised K mark, some damages, 21cm. £100-200

411. A Vienna porcelain figure group of lovers, late 18th/early 19th century, seated on a rocky outcrop, he playing with her hair while a sheep munches on flowers strewn in her lap, a basket of flowers resting on the rocks beside him, faint impressed shield mark, some damages, 19.5cm. £150-200

This model was first made at Sèvres in 1762 and modelled by Falconet.

412. A Ludwigsburg white-glazed figure of a woodcutter, 2nd half 18th century, modelled by Johann Jacob Louis, standing with a heavy wooden club in his left hand, an axe slung over his right shoulder, crowned interlaced Cs mark, and a pair of Continental porcelain busts of Classical women, perhaps Italian, modelled with elaborate hairstyles, each raised on a low socle, some damages, 12.2cm max. (3) £50-100

413. A Meissen sweetmeat figure, 19th century, modelled as a blackamoor wearing a colourful feathered skirt and headdress, standing beside a large basket on a low base applied with flowers, blue crossed swords mark, incised 336, restoration to his right arm, 16.8cm high. £80-120

414. A Samson figure group of the Fortune Teller, late 19th century, in the Meissen manner, a young maiden with a basket of flowers, having her palm read by an old crone while Cupid whispers to her between their skirts, pseudo blue crossed swords mark, small damages, 20.5cm high. £100-200

415. Two Meissen figures of a shepherdess and a lady gardener, 19th century, the former with a lamb sitting on her apron atop a tree stump, the gardener with a basket of flowers and holding a sickle, raised on circular key fret bases, blue crossed swords marks, incised F68 and C68, some damages, 18.5cm. (2) £200-300

416. A French biscuit porcelain figure group, late 18th/early 19th century, of a courting couple, he with one arm around her neck and holding a single flower, she with a basket of fruit on her lap which a standing putto embraces, raised on a rocky base, incised ‘Constant’ to the underside, small damages, 22cm high. £150-250

417. Two Berlin (KPM) sweetmeat figures, 19th/20th century, each modelled as a maiden with flowers in her apron, standing before an oval basket painted with further flowers, raised on domed triangular bases, and a Berlin ‘month’ or ‘zodiac’ figure, of a boy holding a goblet of wine and a bunch of grapes, representing November or Scorpio, blue sceptre marks, red KPM and orb marks, some damages, 21.5cm max. (3) £150-200

70

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 71

418. A Samson figure group of Blind Man’s Bluff, late 19th century, in the Meissen manner, a blindfolded gentleman with arms outstretched while another offers his hand to a lady on the floor, raised on a rococo scrolled base painted with a crowned armorial shield, pseudo blue crossed swords mark, small damages, 32cm across. £150-250

419. A Ludwigsburg figure group of a fortune teller, c.1770, an unwary traveller having his palm read by a young maiden who surreptitiously picks his pocket while she distracts him, a brazier of flaming coals alight on a table behind them, raised on a rectangular marbled base, blue crowned CC monogram, some restoration, 21cm. £400-600

420. A Meissen figure of a female warrior, 19th century, seated and holding a sceptre in her right hand, leaves in her left, wearing a tall plumed helmet, blue crossed swords mark, incised No. 1224, some restoration, 18.5cm. £100-150

421. A Meissen figure of a Bolognese Terrier, 19th century, after the model by J J Kändler, seated on its haunches with head slightly turned, its curly coat picked out with patches of brown, blue crossed swords mark, incised 2880, some restoration, 23cm. £500-800

71

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 72

422. A Frankenthal figure of a pedlar, c.1760, modelled by J W Lanz, a large tied sack strapped to his back, wearing an open pink coat over ragged yellow breeches, standing barefoot on a low scrolled base with puce highlights, some damages to his hands, the mark erased, 19.5cm. £100-200

423. A Höchst figure of a boy, c.1770, holding a green cage in his left hand, his right holding a travelling sack on a stick over his right shoulder, raised on a low grassy base, some losses to the stick, the mark erased, 16.3cm. £100-200

424. A Meissen figure of a female fish seller, mid 18th century, modelled by J J Kändler, holding her apron containing several fish, wearing a green skirt, blue crossed swords mark to the back of the base, good restoration to her left wrist, 14cm. £400-600

Old paper collector’s label titled ‘Modele 4426’.

425. A Nymphenburg figure of Leda from the commedia dell’arte, 20th century, after the model by Franz Anton Bustelli, standing with her right arm outstretched and gathering her skirt in her left, raised on a flat scrolled base, impressed shield mark, minor faults, 17cm. £300-400

72

426. A Meissen white-glazed figure of a Chinaman, mid 18th century, modelled by Peter Reinicke, standing and holding a tall beaker resting on a shallow dish, wearing a fluted hat and a coat with wide sleeves over straight trousers, blue crossed swords mark, a small amount of restoration to the hands, 15.8cm. £800-1,200

427. A Meissen figure of a Tyrolean trinket seller, mid 18th century, modelled by J J Kändler, holding a cased pocket watch in her right hand, an open casket of further jewels and trinkets suspended from her neck, wearing an apron patterned with indianische Blumen over a striped skirt, blue crossed swords mark, some good restoration, 16.5cm. £400-600

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 73

428. A matched pair of Italian porcelain (Nove di Bassano) white-glazed figures, late 18th century, modelled as a gardener and his companion each seated and resting one elbow on a tree branch, she with a pumpkin in her lap and holding another vegetable, he wearing a wide-brimmed hat, each raised on a chamfered rectangular base, a little restoration, 13.5cm. (2) £1,000-1,500

429. A Meissen Cris de Paris figure of a lemon seller, c.1755, modelled by F E Meyer, holding the edges of his white apron, filled with lemons, a single fruit held in his left hand, and another escaped beside his right foot, wearing a lilac tunic patterned with flowers, faint traces of a blue crossed swords mark, a little good restoration, 13.5cm. £800-1,200

430. A Meissen figure of a fisherwoman, mid 18th century, probably modelled by J J Kändler, holding a fish in her right hand, with further fish in a basket by her feet and in the long-handled net resting against her left side, the low scrolled base applied with flowers, blue crossed swords mark, some restoration to her right hand, 15.5cm. £800-1,200

73

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 74

431. A Meissen allegorical figure group, 18th century, emblematic of Music, a Classical maiden seated beneath a tree and playing the flageolet, a putto beside her playing the flute while another holds an open book of sheet music, the low base applied with flowers and leaves, minor restorations, 23cm. £800-1,200

432. A Frankenthal figure of a young shepherdess, dated 1773, the young girl wearing a dress patterned with blue flowers, a sheep grazing beside her and held by her at the end of a blue ribbon leash, blue crowned CT monogram and 73 date code, minor faults and restorations, 14.2cm. £200-300

433. A Frankenthal figure of a lady, c.1765, holding the edges of her wide skirt in both hands, wearing a white cloak draped over one shoulder, her right foot clad in a yellow shoe and stepping off the low scrolled base, blue crowned CT monogram and AB monogram for Adam Bergdoll, gilt worker’s marks, some good restoration, 15.2cm. £250-350

434. A Meissen equestrian figure, mid 18th century, a gentleman seated on the back of a dappled horse, the rider dressed in a blue frock coat and tricorn hat, the low base applied with flowers and leaves, blue crossed swords mark, some restoration to the horse’s forelegs, 14.3cm high. £800-1,200

435. A Copeland and Garrett porcelain model of a donkey, c.1845, recumbent on a low base and fitted with yellow panniers to form match-holders, and a model of a recumbent black and white dog on a shaped base painted with pink roses and highlighted in green and gilt, 12.5cm max. (2) £150-250

436. A Derby figure of a pug dog, c.1760, seated on its haunches on a low base picked out in puce and turquoise, wearing a red studded collar, 7.5cm high. £200-300

437. Five Derby figures of animals, c.1770, including a recumbent stag, a pair of sheep, and a matched pair of cows with calves, all before flowering bocage, some damages and restoration, 17.5cm max. (5) £250-350

74

438. Six English porcelain figures, c.1760-80, including a pair of Derby figures of a musical shepherd and shepherdess, a Derby figure of a huntress with a dog, a small Derby figure of a boy blowing a hunting horn, a young girl with a lamb seated before bocage, and a Bow figure of a flowergirl with a recumbent sheep, damages and losses, 19.5cm max. (6) £200-300

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 75

439. A pair of Bow white-glazed figures from the Seated Rustic Seasons, c.1754-58, emblematic of Autumn and Winter, one of a vendangeur seated on an upturned basket of grapes, the other of an old man warming his hands over a flaming brazier, some losses, 13cm max. (2) £150-250

440. A pair of Derby figures of Mars and Minerva, c.1755, each modelled in traditional pose with a shield, Mars holding the hilt of his sword, Minerva’s hand outstretched to receive her spear, both raised on low oval bases painted with flowers, some damages and restoration, 17cm. (2) £200-300

439

440

441

442

443

444

441. A near pair of Derby figures of the Dresden Shepherd and his companion, c.1756-60, he holding a basket of fruit and with a dog at his feet, she picking blooms from her apron full of flowers, a lamb recumbent beside her, both decorated in puce, green and yellow enamels, raised on scrolled bases, small damages and £400-600 restorations, 25.5cm. (2)

442. A Plymouth figure of a musician, c.1770, seated before flowering bocage and playing the flageolet, wearing a feathered cap, raised on a tall scrolled base with puce highlights, some damages and restoration, 15.6cm. £250-350 Paper label for the Fulford Collection.

Cf. Victoria and Albert Museum, Accession No. 414:692-1885, for a near identical example from the collection of Lady Charlotte Schreiber.

443. A rare Derby dry-edge figure of Sight, c.1752-55, probably modelled by Agostino Carlini and left in the white, modelled as a man seated cross-legged, informally dressed in a night cap, slippers and loosely fitting coat, damages and loses, 17.3cm. £300-500 Cf. Peter Bradshaw, A Beggar, a Snuff-Taker and a Lady, ECC Transactions, Vol. 12, Pt. I, where he discusses the possible influence of Meissen on this set of the Senses.

444. A Longton Hall figure of an abbess, c.1754-58, seated and reading from a religious text, titled to the interior page ‘Of Absolution’, wearing a long pink-lined habit, a rosary draped over her right knee, small damages, restoration to her hands, 13cm. £250-350

75

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 76

445. A rare set of Derby figures from the Four Quarters of the Globe series, c.1760, emblematic of Africa, Europe, Asia and America, each with varying attributes of their Continent, raised on low bases applied with flowers and leaves, small damages and restorations, 20.3cm. (4) £1,500-2,000 A series of adult models of the Four Quarters of the Globe was first created by Kändler at Meissen around 1745, and adapted a few years later

by Meyer using children instead. Meyer’s series was copied at Chelsea, and it is likely that this Derby series derives from Chelsea rather than the German originals.

446. A large Bow figure of Minerva, c.1760-65, standing on a tall scrolled base, resting one hand on her shield bearing the face of the Gorgon, wearing a plumed helmet and brightly coloured costume, an owl perched by her right foot, red anchor and dagger mark, some good restoration, 34.3cm. £300-500

76

447. A large Bow figure of Autumn, c.1760-65, modelled as a young Bacchus leaning on a tall ewer brimming with grapes and painted with flowers, a dead rabbit suspended from his waist, raised on a tall scrolled base, some good restoration, 26.5cm. £250-350

448. A Chelsea figures of Mars, c.1765, dressed in the manner of a Roman centurion, standing with his right hand on one hip, his left holding the hilt of his sword, a shield resting on the scrolled base to one side, the flag of St George behind, gold anchor mark, £200-300 some restoration, 20cm.

This figure is copied from a Kändler model at Meissen, and was produced in much larger quantity at the Derby factory.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 77

449. A large and rare Bow figure of the Farnese Flora, c.1760, holding a wreath of flowers in her left hand, the edge of her delicately flowered robe in her right, standing on a square base painted and applied with leaves, some damages and restoration, 44cm. £400-600

450. A large Bow white-glazed figure of Flora, c.1756-60, emblematic of Smell from a set of the Five Senses, holding a small posy up to her nose, standing beside a pierced urn resting atop a square pillar garlanded with flowers, a small amount of good restoration, 28cm. £500-800 This figure derives from a similar one modelled for the Meissen factory

by J F Eberlein.

451. A Bow figure of a young Turk, c.1755-58, standing on a low pad base, wearing a flowered tunic beneath a fur-lined robe, a feathered plume to his turban, some restoration, 12.8cm. £250-350

452. A Derby figure of a lady vintner, c.1760-65, perhaps personifying Autumn, seated with a basket of grapes on her lap, raised on a short scrolling base, 12cm. £250-350

77

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 78

453. Two Caughley blue and white pickle leaf dishes, c.1770, one printed in the Fisherman and Cormorant pattern, the other with a large gillyflower, and a Caughley egg strainer also printed with the Fisherman pattern, printed S mark to the latter, 9cm max. (3) £100-200

454. A Worcester blue and white spittoon, c.1770, printed with the Three Flowers pattern, the reverse with a large moth, the wide sloped rim with a formal border, £100-150 hatched crescent mark, 10cm.

455. A pair of Caughley blue and white asparagus servers, c.1770-80, printed with the Fisherman and Cormorant pattern, and a Worcester teabowl and saucer printed with fruit sprays, hatched crescent marks to the latter, 12.5cm max. (4) £150-250

456. A Worcester blue and white butter tub with associated cover and stand, c.1770, the tub printed with the Three Flowers pattern, the stand with the RoseCentred Spray group, the cover with floral sprays and scattered insects within a cell diaper border, hatched crescent marks, some damages and repairs, 19.7cm. (3) £100-150

457. A Worcester blue and white junket dish, c.1762, crisply moulded with panels of basketweave around shaped cartouches, printed with sprays of chrysanthemum and rose within an undulating cell diaper border, hatched crescent mark, two short rim cracks, 23.5cm. £60-80

458. A Caughley blue and white sucrier and cover, c.1775, printed with the Fence pattern, the domed cover surmounted with a floral finial, printed C mark, and a Coalport cabbage leaf jug printed with the Pinecone £120-180 pattern, 16.5cm. (3)

459. A Worcester blue and white pickle leaf dish, c.1758-60, painted in the Pickle Leaf Vine pattern, workman’s mark, a Caughley teabowl printed with the Mother and Child pattern, and a saucer printed with the Bell Toy pattern, S marks, 12.2cm max.

(3) £150-250

460. A Caughley blue and white milk jug, c.1775-78, of smooth barrel form, printed with the first version of the Three Flowers pattern, the reverse with a large butterfly and smaller flower spray, 7.6cm. £250-350

461. A Worcester blue and white small bowl, c.1755-60, painted with the Landslip pattern, a small building at the bottom of a steep hill with gnarled trees, a spray of chrysanthemum issuing from holey rockwork, workman’s mark, some damages, 10.1cm dimater. £80-120

One pickle with a paper label for the Mullins collection.

78

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 79

462. A group of Worcester and Caughley blue and white porcelains, c.1755-75, including a teapot and cover and a jug and cover painted with the Mansfield pattern, and two tea canisters and covers, a large jug, a slop bowl, a small bowl, and a sucrier and cover printed with the Three Flowers pattern, some damages, 16cm max.

(13) £200-300

463. A group of Worcester blue and white porcelains, c.1760-80, printed with the Fence pattern, comprising four jugs of varying form, two with covers, three small saucers, and thirteen teabowls in two sizes, some damages, one cover associated, 13.5cm max. (22) £150-250

464. Two Worcester blue and white baskets, c.1765, printed with the Pinecone pattern, the pierced sides applied with small flowerheads, and a Worcester strawberry dish decorated in the same pattern over a pierced well, hatched crescent marks, some faults, 23.5cm max. (3) £150-250

464A. A pair of Worcester blue and white dishes, c.1775, printed with the Pinecone pattern, the lobed rims with five flower sprays, £80-120 hatched crescent marks, 23cm. (2)

465. A small collection of Worcester blue and white porcelains, c.1758-70, including a potted meat pot painted in the Leaning Rock Fisherman within moulded panels, a teapot and cover in the Waiting Chinaman pattern, a creamboat in the Two-Porter Landscape pattern, and a sparrowbeak milk jug in the Rock Strata Island pattern, some damages, 19.5cm max. (5) £150-250

465A. A Worcester blue and white teabowl and saucer, c.1770, printed with the Fruit and Wreath pattern, hatched crescent marks, and a Worcester pickle dish, painted with the Pickle Leaf Vine pattern, open crescent mark, a section of the saucer broken and restuck, 12.5cm. (3) £80-120

79

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 80

466. A documentary blue and white Barr Flight and Barr coffee can, dated 1st August 1811, the sides painted with simple sprays of Oriental flowers beneath a wide blue band, the underside inscribed ‘This Cup was painted from the pound of Regular which appears to have been spoiled in the preparation by the Company’s Agent - but it may be improved by a more judicious process - August 1st 1811’, £40-60 broken and cleanly restuck, 6cm.

467. A rare Richard Chaffers (Liverpool) blue and white octagonal tea cup and saucer, c.1758-60, painted with the Jumping Boy pattern of an exuberant Chinese youngster beside his seated mother, four character script mark, 11.5cm. (2) £300-400 Paper labels for the Billie Pain collection. The cup with a Klaber & Klaber label to the interior.

Cf. Bernard Watney, English Blue and White Porcelain, pl.56a for an identical cup and saucer.

469. An early Vauxhall blue and white saucer, c.1755-58, painted with an Oriental landscape scene of low buildings beneath weeping willow, within a simple crowsfoot type border, blue circular mark to the underside, some rim faults, 12cm. £150-250

80

468. A rare Worcester blue and white bowl, c.1757-58, painted with the Listening Birds pattern, possibly by Rogers, with three birds perched in the branches of a tree with further birds in flight around and mountains visible in the distance, the reverse with a single bird on a leafy branch, a small restored chip and crack, 15.7cm dia. £600-1,000 This rare painted pattern is the predecessor to the more common printed Birds in Branches pattern. Very few examples are known.

470. A rare Derby blue and white chamberstick, c.1760, the shaped circular base lightly moulded with foliate scrolls and applied with flowers and leaves, the sconce rising from a twig handle, all painted with Oriental flower sprays, some good restoration to the sconce, 7.5cm high. £400-600

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 81

472. Two large Worcester blue and white mugs, c.1770, the larger printed with the Plantation pattern, the smaller with La Pêche and La Promenade Chinoise, hatched crescent mark to the latter, both cracked, 15cm max. (2) £100-200

473. A Worcester blue and white twohandled sauceboat, c.1755-60, painted to the interior with the Two-Handled Sauceboat Landscape, with two boats beside small pagodas on rock strata, the exterior with further landscape vignettes within crisply moulded leafy borders, workman’s mark, a tiny rim chip, 19.4cm across. £200-300

474. A rare Caughley blue and white pickle dish, c.1770, the large leaf-shape dish printed in a bright blue with the Birds in Branches pattern, 11cm. £200-300

475. A Bow blue and white sauceboat, c.1752-55, the flat-bottomed form painted in a bright blue with the Desirable Residence pattern of small pagodas amidst tall trees and flowering shrubs, the interior with a tied scroll motif, a few small rim chips, 14cm. £250-350

476. An English porcelain blue and white milk jug, c.1770-80, of fluted form, probably Caughley, painted with an unusual and possibly unrecorded version of the Gillyflower pattern, 8cm. £100-200

477. A good miniature or toy blue and white Caughley teabowl, c.1785, printed with the Three Flowers pattern, blue C mark to the base, 5.4cm dia. £250-350

478. A Lowestoft blue and white milk jug, c.1765-70, painted with a pagoda landscape, with a long bridge between buildings and trees, a hatched diaper band to the interior £150-250 rim, 7.6cm.

479. A good miniature or toy Caughley teabowl, c.1785, printed in blue with the Fence pattern, S mark to the base, 5.5cm. £100-200

471. A rare Worcester blue and white basket, c.1762, the circular form painted to the interior with the Anemone and Bellflower Spray pattern, the interior walls with bands of flowerheads and leaves, the exterior applied with flowerheads, open crescent mark, a short rim crack, 16.7cm dia. £350-500 Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain 1751-1790, I.E.24A.

Cf. Dr Chris Holloway and Felicity Marno, Caughley Toy Wares, p.26 and p.68.

While the Fence pattern was regularly employed on tea wares of a standard sized, it is far less common to find it on toy wares of the same period.

81

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 82

480. A Worcester blue and white wall pocket, c.1755, the spiral-moulded body of cornucopia form and painted with flowering prunus sprays in the Cornucopia Floral pattern, workman’s mark, 22.5cm. £200-300 Paper label for the Alixe W. McCart Collection, no. 70.

483. A Worcester blue and white moulded sauceboat, c.1755, painted with the Triangular Platform pattern, each side with a moulded panel containing a small figure in a Chinese landscape, the interior with bold floral designs, workman’s mark, some restoration to the rim, 19.5cm. £150-250

486. A Caughley miniature blue and white coffee cup and saucer, c.1770-80, and a miniature serving dish, decorated in the Island pattern, with small pagodas flanking a rocky island, printed S mark to the cup, a few small chips, 9.5cm max. (3) £120-180

82

481. A Worcester blue and white basin, c.1770, the round body with everted rim, painted to the interior with the Willow Bridge Fisherman pattern, the rim with four vignettes of birds amidst flowers, joined by diaper bands, the exterior decorated with loose flower sprays, open crescent mark, 27.2cm dia. £400-600

482. A large Worcester blue and white mug, c.1760, the tall cylindrical body applied with a grooved strap handle, painted with the Walk in the Garden pattern of a Long Eliza figure beside a small boy holding a bird perched on a stick, open crescent mark, £150-250 14.8cm.

484. A Derby blue and white plate or stand, c.1762, the rim moulded with basketweave and applied with small flowerheads reserving four panels of moths and flying insects, the cavetto with an elaborate shaped border, the well painted with a butterfly in flight above an Oriental landscape, a tiny chip to the rim, 21.7cm. £300-500

485. A Worcester blue and white strapmoulded sauceboat, c.1754, painted with the Moored Boat pattern, one side with a panel containing a figure fishing from a boat, the reverse with a fisherman on a bank beside his boat, the interior with Oriental flower sprays, workman’s mark, a small rim chip, 18cm. £150-250

Cf. H G Bradley, Ceramics of Derbyshire 1750-1975, p.128, no.208.

Paper label for the Alixe W. McCart Collection, no. 9.

487. A rare Worcester blue and white slop bowl, c.1758, painted with the Heron on a Floral Spray pattern, the single bird perched above a large lotus leaf and beside large Oriental blooms, the interior rim with a scroll and floral motif border, workman’s mark, a rim crack and small chips, 12.3cm dia. £200-300

488. An early Worcester blue and white pickle dish, c.1755-60, the simple leaf shape painted with the Two-Peony Rock Bird pattern, the eponymous flowers flanking holey rockwork on which the bird perches, with moulded veins to the underside, workman’s mark, a small chip and crack to £150-250 the rim, 10.5cm.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 83

489. A Worcester lobed teabowl and saucer, c.1760, printed in black with L’Amour, a courting couple seated on a bench amidst garden statuary while the lady’s maid looks on, the saucer signed RH Worcester and with an anchor rebus for Richard Holdship, a short crack to the saucer, 11.6cm. (2) £150-250

490. A good Worcester King of Prussia mug, dated 1757, the cylindrical form printed in black with a half-length portrait of Frederick the Great and with victory motifs issuing three flags, signed RH Worcester for Robert Hancock and with an anchor rebus, 11.7cm. £250-350

491. A Liverpool bowl, c.1770, printed in black with La Cascade, Serenade and other scenes of courting couples, the interior with a loose floral spray, 15.7cm dia. £100-150 Paper label for the Guy-Jones Collection, no.

1039.

The saucer with a paper label for the Norman Stretton collection, P58.

492. A good and rare Worcester saucer, c.1762-65, printed in purple with The Windmill pattern, a traveller and his dog standing before a gatehouse and looking towards the mill with further buildings and mountains beyond, 12.2cm. £200-300 Cf. G W Capell, Some Unrecorded or Rare Transfer-Printed Pieces, Connoisseur, December 1953 for a teabowl and saucer in the same pattern.

495. Three English milk jugs or creamers, 2nd half 18th century, one Pennington’s Liverpool and printed in blue with figures and cattle, a creamer of Low Chelsea Ewer form, painted with simple pink flower sprays, and a Dolphin Ewer creamer picked out in blue, and a Chelsea lobed plate decorated in the Imari palette with chrysanthemum sprays, some faults, 20.7cm max. (4) £150-200

493. Two Worcester printed mugs, c.175765, one bell-shaped and printed with The Whitton Anglers, the reverse with La Diseuse d’Aventure after a Watteau painting of the same name, the smaller cylindrical mug printed with the King of Prussia and motifs of victory, signed RH in the print and with an anchor rebus, cracks to both, 12cm max. (2) £300-500

494. A rare Caughley saucer dish, c.1790, with scallop-edged rim, with fine gilt decoration of husks and chains suspended from a fringed and enamelled crescent border, 17.8cm. £120-180

The print for the Whitton Anglers was taken from an engraving of A View of the Canal and of the Gothic Tower in the Garden of His Grace the Duke of Argyll at Whitton by William Wollett.

496. Two Worcester shell pickle dishes, c.1755, one painted in blue with a rosecentred flower spray and then clobbered in red, green and gilt with sympathetic additional floral decoration, the other originally decorated in the Two Peony Rock Bird pattern and later enamelled with polychrome flowers and a turquoise dotted ground, workman’s mark to the former, the latter with an iron red spurious script mark, some damages, 11cm. (2) £250-350 While the first of these pickles has had additional decoration added later at the factory to make old stock appeal to modern tastes, the latter has been spuriously decorated in the 19th century to imitate Chinese wares.

497. A Worcester tea canister and cover, c.1770, of ovoid form, decorated with sprays of spotted fruit, and with small scattered insects, the shoulders with shaped panels of apple green ground, and another Worcester tea canister painted with dry blue flower sprays, one cover lacking, the other restored, 15.5cm max. (3) £200-300

83

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 84

498. A group of English porcelains, 2nd half 18th century, including a Worcester fluted coffee cup and saucer with gilt C scroll and husk borders beneath turquoise bands, a coffee cup painted with puce flower sprays, another fluted cup with green swags, a Worcester slop bowl with green monochrome sprigs, and a Derby teabowl with gilt garlands, 15.8cm max. (6) £100-200

499. A Bow bell-shaped mug, c.1755, a Bow coffee cup and a Bow bowl with shaped rim, all painted in the famille rose palette with large peony sprays and holey rockwork, the bowl with a small figure in a boat to the reverse, some damages and repairs, 14.6cm max. (3) £150-200

500. Two Worcester sparrowbeak jugs and two mugs, c.1760-70, variously decorated with Chinese figures chasing butterflies, holding flowers, and at various pursuits in garden settings, and a Worcester slop bowl similarly painted with four Chinese figures, damages to some, 16cm max. (5) £200-300

501. A Worcester trio, c.1770, the teabowl, coffee cup and saucer of fluted form and painted in polychrome enamels with flower sprays including back to back roses, and a Worcester dolphin ewer creamer, similarly painted with flowers including auricula, 13.6cm max. (4) £200-300

Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part I, 16th March 2004, lot 60 for an identical cylindrical mug.

502. A Worcester teabowl and three saucers, c.1768-75, painted in the famille rose palette with the Harvest Bug pattern, a teabowl and saucer painted with pink and yellow rose sprays and other scattered blooms, and a coffee cup painted with flowers in a simple palette £200-300 including a rich turquoise, 12.4cm max. (7)

503. Three Worcester milk or cream jugs, c.1760-75, one of Low Chelsea Ewer shape and painted with European flower sprays, one of squat barrel form and decorated with the Harvest Bug pattern, the last sparrowbeak with polychrome floral decoration, a Worcester coffee cup with flower sprays, and a Chelsea-Derby coffee cup with green and gilt flower sprays, together with a Worcester dessert plate with a deep blue border, various marks, the ewer broken and restuck, one cup cracked, 18.9cm max. (6) £200-300

504. Three Bow coffee cups, c.1752-54, painted in famille rose enamels with large sprays of flowering peony issuing from holey rockwork, 5.5cm. (3) £200-300

505. A pair of Derby baskets, c.1760, of ‘Spectacle’ type, the interiors painted with botanical specimens of fruit beside large moths and other flying insects, the pierced sides with green and yellow twist handles issuing from applied flowers, the baskets’ exteriors applied with yellow flowerheads, some restoration, 21cm. (2) £300-400

84

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 85

506. A small group of Worcester blue-scale porcelains, c.1770, including a hexagonal teapot stand decorated in the Rich Kakiemon pattern with panels of chrysanthemum, a tall cylindrical mug, a milk jug and a coffee cup and saucer, all similarly decorated in Japan patterns with a simpler version of shaped panels with flowering Kakiemon sprays on a blue-scale ground, square seal and open crescent marks, £150-200 some damages and repairs, 15cm max. (5)

507. A group of Worcester porcelains, c.1765-70, including a slop bowl painted with polychrome flower sprays beneath a shaped green border edged in gilt, a jug and cover decorated in an allover apple green glaze, and a coffee cup and saucer decorated in a turquoise glaze, blue crossed swords and 9 marks to the bowl and saucer, some wear, 16.3cm max. (5) £200-300

508. A Worcester teapot and cover with matching teacup and saucer, c.1775, decorated probably in the atelier of James Giles with the Gold Queen’s pattern, and an armorial Worcester coffee cup and saucer, also probably Giles decorated with the arms of the Hacker family, crossed swords and 9 marks, some damages and repairs, 19.6cm max. (6) £150-250

509. Three Worcester plates, c.1765-75, one decorated probably in the Giles atelier with Dry Blue blown flower sprays, a saucer dish painted in the Compagnie des Indes style with Oriental flower sprays within a Kakiemon and turquoise panel border, and a fluted saucer dish painted with polychrome flowers, some damages, 21cm max. (3) £100-200

The saucer with a paper label for D M & P Manheim.

The coffee cup and saucer with paper labels for the Stephen Hanscombe Collection.

510. A Worcester dessert dish, c.1780, of kidney shape, painted in polychrome enamels with a peacock and other fancy birds within an osier-moulded and gilt dentil rim, and a Worcester cup and saucer painted with floral vignettes within a blue and gilt shaped rim, open crescent marks, some faults, 26cm max. (3) £100-200

511. Two Bow white-glazed coffee cups and an octagonal plate, c.1755-60, all applied with sprigs of flowering prunus, a Derby creamer of fluted form, painted in puce and gilt with chrysanthemum sprays, and a Derby plate decorated in the Kylin pattern, some damages, 22.7cm max. (5) £100-200

85

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 86

512. A Worcester coffee cup, c.1765, painted with the Staghunt pattern, the decoration attributed to the Giles atelier, the interior with a gilt spearhead border and single puce flower sprig, 6.6cm. £200-300

513. A Chelsea-Derby sucrier and cover, c.1775, painted with small flower sprays of rose, heartsease and peony, beneath a pink ribbon border entwined in narrow turquoise with gilt dots, the cover with a delicately modelled floral finial, gold anchor mark, £150-250 11cm. (2)

514. A Chelsea octagonal cup, c.1755, finely painted with sprays of naturalistic flowers and scattered flying insects, with a flattened scroll handle, brown line rim, 6.3cm high. £150-200

515. A Worcester small bowl, c.1770, printed and coloured with Chinese figures at various pursuits beside low tables and tall vases, the interior with a vase of peacock feathers to the well, an iron red and gilt crowsfoot border, 12.2cm dia. £120-180

516. A Worcester reeded coffee cup, c.1753-55, the narrow ribbed form with a flared, lobed rim, painted in the famille verte palette with small sprigs beneath a floral rim, and a fluted Derby coffee cup painted with butterflies in flight around a spray of orange prunus, some damages and repairs, 6.2cm max. (2) £150-200

517. A large Worcester cos leaf moulded sauceboat, c.1757-60, the furled leaves picked out in green and puce, finely painted with colourful moths and butterflies, black workman’s marks, restoration to the handle, 22cm. £200-300

518. A Worcester teacup and saucer, c.1780-85, the fluted forms painted with the Royal Wedding pattern of three differing floral swags around a turquoise caillouté band, open crescent marks, 13.6cm. (2) £300-500

519. A rare Caughley ice cup, c.1790, of campana shape, raised on a circular foot and with a moulded scroll handle, decorated with flower sprays in cobalt blue and gilt, beneath a gilt dot border, the interior rim with a band of oeil de perdix in gilt on blue, painted S mark, 6.5cm. £200-300

520. A Worcester sucrier and cover, c.1775, of Warmstry fluted form, painted with a Japan pattern of wide panels of Kakiemon foliage and narrow mons on a blue ground, square seal mark, and a fluted slop bowl painted with the Two Quail pattern, a little chipping, a crack to the bowl, 15.2cm max. (3) £100-200

The pattern was so named when a service of this type was presented by the Borough of Cheltenham to HRH Queen Elizabeth and the Duke of Edinburgh on their wedding in 1948.

86

Cf. A Bicentenary Exhibition of Caughley Porcelain, Ironbridge Museum, 1999, no. 562 for an identical example described as a sorbet cup.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 87

521. A Worcester teapot and cover, c.1765, decorated with Chinese figures seated at a low table with three further figures standing, and a slop bowl painted with a single standing figure in a Chinese garden landscape, 19cm max. (3) £200-300

522. Two Worcester teapots and covers, c.1765-75, one brightly painted with varying small floral sprays and single scattered sprigs beneath a gilt and red crowsfoot border, the other with a ladybird beside a simple spray of flowers, the covers with floral finials, one £200-300 cover associated, 19cm. (4)

523. A Worcester teapot and cover, c.1765, decorated in polychrome enamels with the Chinese Family pattern of figures around a low table and tall plant stand, beneath gilt and red crowsfoot borders, and a tall mug decorated with the same design, the teapot’s finial restored, 20.5cm max. (3) £250-300

524. A small Worcester teapot and cover, c.1770, the neat globular shape brightly painted with the Lady at the Loom pattern, an Oriental lady in elaborate headdress seated and weaving, the reverse with tall blue rockwork, and a sparrowbeak jug in the same pattern, damages to the jug, 15.8cm. (3) £250-350

525. A Worcester teapot and cover, c.1765-68, and a coffee cup, painted with the Stag Hunt pattern, one side with a black dog in pursuit of a red stag, the reverse with Chinese figures in conversation, beneath a gilt spearhead border, some damages, 19.5cm. (3) £150-200

526. A small Worcester teapot and cover, c.1760-65, the compact globular form painted in polychrome enamels with Chinese figures and an oxen standing beneath a tree, and a Worcester sparrowbeak milk jug painted in the same hand with three Chinese figures in a garden setting, 15.7cm max. (3) £300-500 The jug with a paper label for the Alixe W. McCart Collection, no.72.

87

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 88

527. A Worcester chestnut basket with cover and stand, c.1770, of quatrelobed form, the exterior moulded with a stylized flowerhead design picked out in puce and yellow, the centre of the stand painted with a spray of polychrome flowers, with scallop shell handles, the cover unusually surmounted with a double bud finial, some damage to the stand, 27.7cm. (3) £400-600

528. A good and large Worcester double leaf dish, c.1758-60, moulded as two overlapping leaves with puce stalks, finely painted with floral arrangements and single scattered flowers, 34.8cm. £300-500

Cf. Victoria and Albert Museum, Accession No. C.444 to B-1935 for an identical basket formerly in the Trapnell Collection.

529. A pair of Worcester dessert plates, c.1775, from the Bishop Sumner service, richly decorated in the manner of Chinese famille verte with a kylin and a phoenix to the well, the rim with six panels of birds, flowers and mythical beasts, the undersides with three floral sprays, 22.5cm. (2) £1,000-1,500 The pattern is a direct copy of a Chinese original from the Kangxi period (1662-1722) although the palette is not true to the Chinese porcelain.

There are several Bishop Sumners after whom the service could be named - perhaps the most likely are the brothers John Sumner, Archbishop of Canterbury (1780-1862) and Charles Sumner, Bishop of Winchester (1790-1874) - but as both lived in the 19th century the service cannot have been originally made for them. It is possible that a link was made when the service was sold as part of one of the bishop’s estates.

531. A Derby plate and a saucer dish, c.1775, decorated in the Kylin pattern with panels containing mythical Chinese dogs and peony sprays on swirl and diaper grounds, blue square seal marks to the underside, 22.3cm max. (2) £100-200

88

530. A pair of Chelsea dessert plates, c.1752-58, richly decorated in the Imari palette with the Brocade pattern, with sprays of flowering chrysanthemum to the well, the cavetto and rim with a wide panelled border of prunus sprays and hatched designs beneath floating chrysanthemum mon, the underside of the rims with further flower sprays, some faults, 24.2cm. (2) £250-350 This pattern is copied directly from a Japanese original.

532. Two Worcester milk jugs, c.1760 and c.1770, the earlier and larger painted in polychrome enamels with a bare-chested Chinese figure seated on a low rock, the reverse with a small boy and two ladies, the other jug with a shaped rim, pencilled with two quail between famille rose flowers, a star crack to the latter, 10.5cm max. (2) £200-300

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 89

533. A very rare Worcester early yellow ground potting pot and stand, c.1754, the oval forms with basket moulding washed with a pale yellow ground and painted with flower sprays and scattered insects, the stand and basket’s interior painted in the Kakiemon palette with peony, bamboo and chrysanthemum branches issuing from banded hedges, 17.3cm. (2) £2,500-3,000 Provenance: The Zorensky Collection of Worcester Porcelain Part III, Bonhams, 22nd February 2006, lot 7. The stand with a paper label for the Collection of Nina Weil, the pot with a label for the B and V Lake Collection.

Illustrated: Simon Spero and John Sandon, Worcester Porcelain 1751-1790, The Zorensky Collection, no. 49 (the stand only).

This is the earliest use of a coloured ground by the Worcester factory, and the evident problems they had in controlling the firing is doubtless the reason why examples are so rare today. The combination of the yellow ground with the Kakiemon decoration is likely to have been copied direct from Meissen rather than from Japanese originals. The shape is described in the price list of Worcester’s London warehouse, circa 1754-56, as ‘Potting pots & Covers, White Oval basket work’ priced at 2 shillings and sixpence each.

534. A Worcester bell-shaped mug, c.1756-58, finely decorated in the Kakiemon palette with the Two Quail pattern, the portly pair with a large flowering prunus tree behind and further flowers before, a small restored rim chip, 11.8cm. £300-500 Cf. Woolley and Wallis, The Raymond Dennis Collection, 25th February 2014, lot 75 for a slightly smaller example.

535. A Worcester bell-shaped mug, c.1758, painted in polychrome enamels with the Beckoning Chinaman pattern, the standing figure crooking his finger towards a bird in flight, the reverse with a bold floral spray, some restoration to the rim, 11.5cm. £200-300

89

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 90

536. A Worcester teabowl and saucer, c.1770-75, with a fine band of reeding, painted with shaped panels of turquoise shagreen linked by puce floral swags, 13cm.

(2) £450-600

537. A good Worcester beaker, c.1790, the flared form decorated with three oval panels containing a gilt stylized sunburst, reserved on a yellow band between narrower bands £150-200 of gilt sprigs, 10.3cm.

538. A large Derby mug, c.1760, of bellshaped form with spreading foot, painted with dishevelled birds standing beneath further birds in flight, the reverse with a loose flower spray in the Cotton Stem manner, including honeysuckle and auricula, the handle restored, 14.7cm. £100-200

540. A large lobed Chelsea dish, c.1758-60, brightly enamelled with bold flower sprays including rose, tulip, narcissus and forgetme-not, brown line rim, brown anchor mark, minor faults, 28.3cm. £100-200

541. A Worcester leaf-moulded sauceboat, c.1756, modelled as folded lettuce leaves, finely painted with flower arrangements and scattered sprigs, the curled stalk handle issuing from leaves and flowers, some £200-300 restoration to the rim, 18.2cm.

543. A Derby small vase, c.1758, the ovoid form painted with a panel of birds to one side, the reverse with a figure before a small building, within gilt foliate borders on a blue ground, a short rim crack, 15cm. £200-300

544. A Worcester scallop-edged plate, c.1765, possibly outside-decorated in the Giles atelier, painted with flower sprays and single scattered blooms, 19.5cm. £150-250

Provenance: Albert Amor Ltd., The Sidders Collection of Worcester Porcelain, 1985, no. 76.

539. A Worcester slop bowl, c.1765-70, decorated outside of the factory, possibly in the atelier of James Giles, with a Japan pattern of single figures with birds and panels of famille rose flowers alternating with bands of chrysanthemum mon on an orange red ground, 14.8cm dia. £200-300 Cf. Stephen Hanscombe, James Giles China and Glass Painter, no.95 for a near identical bowl in the Ashmolean Museum.

542. A Baddeley-Littler saucer, c.1777-85, brightly enamelled in typical palette with two Chinese figures before an ornamental fence in a garden setting, the scalloped rim with a pink diaper border, 12.8cm. £100-150 Cf. Geoffrey Godden, Staffordshire Porcelains, p.38, pl.44 for a teabowl and saucer in the same pattern.

90

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 91

545. A Worcester teapot and cover, c.1765-70, decorated outside of the factory with a version of the Scarlet Japan pattern, with bands of Oriental flowers alternating with narrow panels of chrysanthemum mons on a gilt and orange ground, a short crack to the cover, 19.5cm. (2) £300-500 Cf. Simon Spero, Worcester Porcelain: The Klepser Collection, p.143, no. 165 for a similar teapot with tentative attribution to the Giles atelier.

546. An unusual Chelsea dish, c.1756, applied with six green vine leaves over basketweave moulding and a reticulated rim, the well painted with a dragonfly, moth and ladybird, red anchor mark, some restoration to the leaves, 24.4cm. £500-800

545

546

547

548

549

550

547. A rare Worcester plate c.1765, after Meissen, painted in Kakiemon type colours with two birds perched on a purple-stemmed branch of flowering chrysanthemum, small scattered sprigs, a restored rim crack, 22.5cm. £450-600 Cf. Rainer Rückert, Meissener Porzellan, p.85, fig 332 for the Meissen original of this design. Also, H Rissik Marshall, Coloured Worcester Porcelain, pl.22, fig.449 for the Worcester example.

548. A Worcester scallop edged plate, c.1765, decorated in the Kakiemon palette with an unusual design of three panels of Oriental flowers between three radiating bands of coral red with differing gilt designs, 20cm. £200-300 Cf. H. Rissik Marshall, Coloured Worcester Porcelain of the First Period, p.244, no.842 for a cup and saucer in the same pattern. Also, The Albrecht Collection, Albert Amor Ltd., 1988, Item 62.

Paper label for the J Clayton Spears Collection.

549. A Worcester slop bowl, c.1760, the exterior pencilled in black with a large spray of flowering peony, the interior with a border of diaper panels edged in yellow bamboo and small green flowerheads, a chip to the rim, 16.3cm dia. £150-250 550. A Worcester cider jug, c.1753-54, of Scratch Cross type, painted in polychrome enamels with a Chinese figure seated at a long table beneath a bird perched on a scrolled hoop, the other side with two tall attendants holding fans, incised line inside the footrim, a long restored crack, 18.5cm. £150-250 Cf. Zorka Hodgson, The Origins of some Chinese Designs used on Early Worcester, ECC Trans. Vol 12, Part 3, pl 114 c and d, where a print by Chen Hongshou (15981652), titled ‘Parrot on a Perch’ is also illustrated and which may have been an inspiration for Chinese porcelain decorators.

91

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 92

551. A large and unusual Worcester moulded sauceboat, c.175355, of silver shape, two differently moulded panels to the exterior painted in polychrome enamels with a Long Eliza figure standing beside pine trees with pagodas beyond, the interior decorated with flowering branches and auspicious objects, minor rim faults, 19.4cm. £200-300 Cf. Woolley and Wallis, The Raymond Dennis Collection, 25th February 2014, lot 57 for a similar sauceboat.

553. An early Worcester moulded cream jug, c.1752-53, of fluted baluster form, painted in polychrome enamels with the Snake in a Basket pattern of a Long Eliza figure to one side, the reverse with a tall pine tree, a replacement handle, other small damages, 7.8cm. £150-250 Cf. Bonhams, The Billie Pain Collection of British Porcelain, 26th November 2003, lot 108.

92

552. A rare Worcester moulded teapot and cover, c.1760, the barrel shape embossed with a Chinese landscape including a man fishing beneath a flowering prunus tree, with willow on the opposite bank, the reverse with large prunus sprays, all picked out in colours with gilt highlights, the puce running scroll borders also embossed, the cover painted with flower sprays and a matching scroll border, a horizontal body crack, 17.7cm. (2) £400-600 Cf. Bonhams, The Zorensky Collection of Worcester Porcelain Part II, 23rd February 2005, lot 51 for a similar example with the prunus and willow tree reversed. Also H Rissik Marshall, Coloured Worcester Porcelain, pl. 6, fig. 95.

554. A rare and early Worcester cream jug, c.1752-53, of fluted baluster form with delicate and elaborately scrolled handle, painted in a simple polychrome palette with tall stems of flowers and wispy grasses, rim cracks, 8.5cm. £300-500 Cf. John Sandon and Simon Spero, The Zorensky Collection, p.67 for a coffee pot in the same pattern.

END OF SALE

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 93

TRIBAL ART & ANTIQUITIES Tuesday 20th September 2016

A Roman glass jug, circa 2nd - 5th century AD, 23.5cm high.

Provenance: A private collection, Sussex.

Estimate: £600 - £800 ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 94

FURNITURE, WORKS OF ART & CLOCKS Wednesday 5th October 2016

An early George III mahogany serpentine dressing-commode attributed to William Gomm, 120cm wide.

Estimate: £15,000 - £20,000

ENQUIRIES Mark Richards | Tel: +44 (0)1722 411854 | mr@woolleyandwallis.co.uk

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 95

DESIGN

Tuesday 18th October 2016

A rare Vistosi glass bird designed by Alessandro Pianon.

Estimate: £500 - £1,000

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 mj@woolleyandwallis.co.uk

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 96

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Wednesday 19th October 2016 Entries close 2nd September

The scarce D.F.C., A.F.C. and Bar combination to Squadron Leader (later Group Captain) H.A.Purvis R.A.F. Estimate: £5,000 - £6,000

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 97

FINE SILVER & OBJECTS OF VERTU Wednesday 26th October 2016 Entries close 9th September

An Edwardian silver and enamel cigarette box, by the Guild of Handicraft Ltd, London 1904.

Estimate: £1,500 - £2,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lucychalmers@woolleyandwallis.co.uk

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 98

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 99

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 100

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 101

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 102

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 103

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

H

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

N SCOTS L SALISBURY ST WE

MI

RD

F IS

HER TO N

CHIPPER

ST

T WIN S BED

WOOLLEY & WALLIS

L SALT

LN

N

WINCH ESTER ST

NEW

LL R O AD

Salisbury Salerooms e

ark eP hiv

id &R

e

A3

45

Be

A36 Ch

WILTON & WARMINSTER

S

N

Sarum Business Park

A

A36(T) CH URC HIL L

36

S OUT H

Westover Garage

AY

T) C

Old Sarum Park

W

A 3 6(

ND WY

O MR HA

E

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

urchill W ay

LW AY W ES T IL

D SR SE VI DE WILTO NR DA

UR

CH

EET STR TLE CAS

A3 60

Old Sarum Kia Motors

ST

RD

D OA

AMESBURY & MARLBOROUGH

EA

E LS

H AS

YR LE

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

HU

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

ay

tw

r Po

A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

UR

CH

I

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D

D PAY AN Y DISPLA RK CAR PA

A30

94 NEW H

D

OW

NT O

N

RO

AD

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

C

O

OM

BE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

LANE

CH

A

IN S

RO A

( T)

W

SALT

UT SO

Y A36

LL

A36(T) SO UTHA MPT ON R

W BED

HAR NH AM

H

W OOLLEY & W ALLIS S ALEROOMS

ET

SOUTHAMPTON CATHEDRAL

TRE

ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

WW102-390 Listing.qxp_Layout 1 15/08/2016 14:46 Page 104

WOO L LE Y & WA L LI S Absentee Bid Form English & European Ceramics & Glass

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 13th September 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

104

www.woolleyandwallis.co.uk

Project1_Layout 1 15/08/2016 15:00 Page 3

Auction Calendar PAINTINGS 7th September – Old Masters & 19th Century Paintings 13th December – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 5th October Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk DESIGN 18th October – 20th Century Design 30th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 19th October Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk SILVER 25th October – The Arthur Holder Collection (Part I) 26th October – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 27th October – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ASIAN ART 15th & 16th November John Axford +44 (0) 1722 424506 • ja@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 28th February 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk

Project1_Layout 1 15/08/2016 15:00 Page 4

www.woolleyandwallis.co.uk