Woolley & Wallis

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

English & European Ceramics & Glass Tuesday 8th October 2013

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV — Sophie Lister — Alex Doméracki Freya Yuan

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CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 ENGLISH & EUROPEAN CERAMICS & GLASS John Axford MRICS ASFAV — 424506 FURNITURE Will Hobbs Gemma Bush Mark Richards Jim Gale

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JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

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PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers Tribal Art Will Hobbs

Members of The Society

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VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598 ACCOUNTS & OFFICE MANAGER Janice Clift — Ruth Pike MARKETING Tamzin Corbett GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young SALEROOM MANAGER David Jordan

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 8th October 2013 at 10.00am Viewing Times Saturday 5th October Monday 7th October Tuesday 8th October

10.00am – 1.00pm 10.00am – 6.00pm 8.30am – 10.00am

ENQUIRIES Clare Durham 01722 424507 claredurham@woolleyandwallis.co.uk

LIVE BIDDING

Please register by 4pm on Monday 7th October.

There is no surcharge for using this service.

Front cover: Lot 556 Back cover: Lot 646 Catalogue £12.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 8th October 2013 at 10.00am

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A large blue glass jug, decorated with trailed neck rings and a raspberry prunt to the base of the handle, and a spiral-moulded clear glass jug of pinched quatrefoil form, 22cm max. (2) £100-200

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Two Dutch green-tinted roemers, c.1680-1700, the round bowls raised on tapering stems, each applied with three raspberry prunts above a tall engrailed foot, 12.5cm. (2) £200-300

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A pair of French cut glass goblets, c.1900, the thistle-shaped bowls cut with circular motifs and gilded with stylized flowers, raised on low faceted stems and square feet, gilt Dreyfous marks to the bases, one rim ground, 14.2cm. (2) £100-200 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

4.

A pair of Mary Gregory decanters and stoppers, 19th century, each enamelled with a child blowing a bugle beneath leafy boughs, 25cm. (4) £100-200

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An Italian glass drug jar, engraved with the winged lion of Venice, the reverse with the staff of Asclepius, and a small glass oil jar with a curved, narrow spout, 21.5cm max. (2) £350-450

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A pair of cut glass decanters and stoppers, 19th century, with cylindrical faceted bodies and three rings to the necks, the bases starcut, with flat hexagonal stoppers, 24cm. (4) £100-150

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A wine glass of Jacobite type, c.1760, the drawn trumpet bowl rising from a thick airtwist stem and engraved with an oakleaf, star, rose with two buds, and ‘Fiat’, 17cm. £600-800

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A large goblet, c.1760, the generous bell-shaped bowl raised on an opaque twist stem, 18.5cm. £150-250

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A baluster glass, c.1720, with flared bowl rising from a stem with acorn knop and teardrop, above a folded foot, 17cm. £1,400-2,000

10. A ratafia glass, mid 18th century, with a drawn bowl having a hammered effect above a dense airtwist stem, 20.5cm. £300-400

11. An ale glass, c.1760, the slender funnel bowl engraved with crossed stems of barley, raised on a mercury airtwist stem, 17cm. £250-350

12. A rare Beilby enamelled wine glass, c.1765, decorated in white with four floral garlands, probably by Mary Beilby, raised on a plain stem above a folded foot, 14cm. £1,800-2,200

13. A ratafia glass, c.1760, with elongated bell-shaped bowl raised on a delicate double-knopped airtwist stem, 20.5cm. £300-400

14. A wine glass of Jacobite type, c.1760, the funnel bowl engraved with a rose and bud spray, the reverse with a butterfly, raised on a double series airtwist stem, 15.5cm. £600-800

Cf. J. Rush, A Beilby Odyssey, p.60, pl.18 for a glass with the same design raised on an opaque twist stem. It is extremely unusual to find a Beilby glass raised on a plain stem.

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15. A Continental imitation of a trick glass, 19th century, formed as a woman with a hollow glass skirt, her upper torso in gilt metal, supporting a rotating glass piggin, and a glass flask with pinched trailed decoration and raised gilt designs, 28cm max. (2) £150-250

16. A massive coloured glass bowl, 19th/20th century, with a wide, flared and folded rim, with colourful swirls of pink, blue, green and yellow, 38.5cm. £300-400

18. Three Bohemian glass vessels, 19th/20th century, one a small vase flashed in red and cut with a bear hunting scene, one an octagonal pot similarly decorated with topographical views, the last a tall armorial beaker with craquelure effect, applied with raspberry prunts, 17.5cm max.

(3) £120-180

19. A small group of glass including some apothecary items, most 1st half 19th century, including two cupping bowls, an unmarked silver-mounted cut glass bowl and cover, three pestles, and three coloured glass vases, 13.5cm max. (10) £100-200

20. A large Bohemian amber glass goblet and cover, 19th century, engraved with a huntsman and hounds chasing a stag, raised on a hexagonal stem and starcut foot, and a cranberry glass vase modelled as a boot, the cover’s finial repaired, 30.5cm max. (3) £300-400

21. Eight coloured glass finger bowls, 1st half 19th century, six blue and two green, of varying form, and a blue glass carafe with cut faceted neck, 24.3cm max.

(9) £200-300

22. A cut glass sweetmeat jar and cover, raised on a low faceted stem and circular foot, and a sulphide paperweight, the cranberry glass set with a profile portrait, 23cm max. (3) £50-100

23. A small collection of cranberry coloured glass, most 19th century.

Comprising: a pair of globular jugs and stoppers, a decanter and stopper, a pair of goblets, two jugs, a vase, a low tazza, and two small round vases. (14) £100-200

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Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

17. An attractive glass jug of Wrockwardine/Nailsea type, early 19th century, the green glass flecked with white and red inclusions, and a large Continental green glass jug of waisted form, 22cm max.

(2) £300-400

24. A large Clichy barber’s pole paperweight, mid 19th century, a green and pink ‘Clichy rose’ cane to the centre, with two other rows of canes, separated by blue and white pole lengths with latticino wrapping, a small chip to the foot, 7cm dia. x 5cm high. £400-600

25. A rare Beykoz (Turkish) opaque glass cup, c.1860-70, the large rounded body gilded with panels of flower and leaf sprigs around a simple triqueta of fish, and a spiral-moulded Beykoz cup and cover with alternating panels of amber glass and gilded floral designs, raised on a starcut foot, some damages to the latter, 14cm max.

(3) £400-600

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26. A Bohemian type glass vase, late 19th century, the flared blue body enamelled with four oval garlands of pink roses within elaborate gilt scroll designs, 13.5cm. £100-200

27. A Clichy barber’s pole paperweight, mid 19th century, set with three rows of canes including a green and pink ‘Clichy rose’, separated by turquoise and white pole lengths with latticino tubes and wrapping, a small surface dint, 6.5cm dia. x 4.7cm high. £100-150

28. An English blue glass oil jug, late 18th/19th century, with traces of silvered floral decoration, raised on a pinched foot, another Continental glass, and a Turkish glass hookah base with wide lip, 21.7cm max. (3) £500-700

29. A pair of opaque white glass vases, 19th century, painted with monochrome panels of Christ and of the Virgin Mary, reserved on a ground of dense blue foliage, some wear, 23cm. (2) £250-350

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A colour-twist wine glass, c.1770, with a small ogee bowl raised on an opaque twist stem edged in blue, 15.7cm.

£2,200-2,800

31. A Jacobite type wine glass, c.1760, the bell-shaped bowl engraved with a rose and bud and a large moth, raised on a knopped airtwist stem, 16.8cm. £400-600 32. A trick wine glass, mid 18th century, the bell-shaped bowl raised on a knopped baluster stem above a folded foot, the bottom of the bowl with a small hole through to the hollow knop, 15.6cm. £600-800 33.

A fine toasting glass, mid 18th century, the flared bowl rising from a delicate plain stem above a wide foot, 19.5cm.

£450-650

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A wine glass, mid 18th century, the bell-shaped bowl raised on a dense airtwist stem above a folded foot, 16cm.

£200-300

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A rare wine glass, c.1760, the narrow funnel bowl with an unusual flattened knop, raised on a slender opaque twist stem, 16.5cm. £600-800 36. A Newcastle light baluster wine glass, mid 18th century, the funnel bowl raised on a multiple knopped stem, one knop with two rows of tears, the lower with a single teardrop, 16cm. £500-800 Provenance: from the Walter F. Smith collection, no. 1347.

37. A baluster wine glass, c.1730-40, the funnel bowl engraved with a banner proclaiming ‘Les Inclinations’ above suspended grapes, the rim with a simple border, raised above a teardrop baluster stem above a domed foot, 16.5cm. £450-650

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38. Two engraved glass tankards, probably 19th century, one engraved with initials, hops and barley, the other inscribed with a two line stanza and the initials ‘AB’, and a small wine glass engraved ‘England has done her Duty’, 17.5cm max. (3) £100-200

39. A pair of Lauenstein firing glasses, c.1760-70, the flared bowls drawn from stems with a row of small tears enclosing a large teardrop, above a stepped foot, the bowls engraved with a figure standing behind a wall within a fabric cartouche, each below a band of polished circles, 11.5cm. (2) £500-700

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40. A good pair of glass goblets by Jo Birrell, modern, one engraved with a fruiting branch of plums, the other with cherries, raised on short plain stems, 17cm. (2) £40-60

41. Two wine glasses, mid 18th century, one with a drawn trumpet bowl rising from a teardrop stem, the other with a wrythen bowl above a plain stem, both on folded feet, 15.2cm max. (2) £150-250

42. A glass scent bottle and stopper, c.1820, to commemorate the Coronation of George IV, modelled as the three feathers of the Prince of Wales, with a Maltese cross stopper, 13.5cm. (2) £200-300

43. An unusual moulded glass salt, 18th century, the hollow globular body with moulded flutes, raised on a low conical foot, 6.8cm across. £200-300

44. A large glass tumbler, late 18th/early 19th century, engraved with a figure on horseback, perhaps representing the King of Prussia, a ship at full sail and a panel of victorious motifs, within bands of polished ovals, 12.5cm. £300-400

45. A rare commemorative firing glass, late 18th/early 19th century, the bowl engraved ‘Duncan For Ever’ and raised on a short plain stem above a stepped foot, 9.2cm. £1,500-2,000 This glass commemorates Lord Viscount Duncan, whose victory against the Dutch at Camperdown in October 1797 was the most significant battle between the Dutch and the English during the French Revolutionary Wars.

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46. Two E. Varnish & Co mercury or silvered glass goblets, 19th century, cased in green and cut, one with baskets of flowers, the other with a garland design, inset marks, and a third similarly cased in silvery green, inset ‘P’ mark for Petit Jean, 23.5cm max. (3) £500-800

47. A pair of E. Varnish & Co mercury or silvered glass vases, 19th century, cased in blue and cut with a garland design, the thistleshaped bowls raised on short knopped stems, inset marks, 19.5cm.

(2) £500-800 Purchased from John Casey, King’s Road on 30th July 1968.

Provenance: the right hand glass previously in the Walter F. Smith Collection.

48. Four W. Lund mercury or silvered glass inkwells, 19th century, and a fifth similar, all of squat bell-shaped form with hinged metalmounted lids, in silver, blue, green and amethyst, four with inset marks to the base, 13.5cm max. (5) £400-600 All purchased from Richard Dennis and Maureen Thompson between 1968 and 1976.

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49. A small collection of mercury or silvered glass, 19th century, including E. Varnish & Co. and Hale Thomson, variously coloured and faceted, most with inset marks. Comprising: four salts, three paperweights, a small pot and a ring stand, 13cm max., together with two catalogues of the Parkington Collection. (11) £400-600 Provenance: the ring stand previously in the Parkington Collection, Christie’s, 8th April 1998, lot 244.

50. A pair of Varnish & Co mercury or silvered glass goblets, 19th century, the bell-shaped bowls rising from faceted stems, and another similar with a faceted bowl, inset marks to the feet, 22cm max. (3) £500-800 Purchased from Richard Dennis between 1967 and 1968.

52. A large Hugo Wolf mercury or silvered glass goblet, 19th century, the golden yellow body etched with a continuous design of fruiting grapevine, HW monogram inset to the base, 27cm. £600-800

51. A pair of mercury or silvered glass cornucopia vases, 19th century, in the manner of Edward Varnish, the flared blue glass vases issuing from the mouths of gilt metal dolphins raised on rectangular alabaster bases, 21cm high. (2) £400-600 Provenance: by repute from Newnham Lodge.

53. A good amethyst glass bottle or carafe, probably Dutch c.1680-1700, the compressed body applied with vertical ribs, rising to a tall tapering neck, 22cm. £1,000-1,500

54. A Bohemian glass vase, 19th century, the ruby-flashed body overlaid in white and cut with a Moresque design of trefoils and quatrefoils, cracked, 29.3cm. £50-150

Purchased from Howard Phillips on 24th December 1969.

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55. Various cut and coloured glass items, 19th and 20th centuries, including two cut glass dishes, six small cut glass bowls, a mottled blue opaque glass obelisk, a painted glass vase, two coloured glass bowls, one with Mary Gregory type decoration, and a ruby-flashed vase with white enamelling, 25cm max. (13) £100-200

56. A glass sweetmeat stand or tazza, with ogee cut rim, raised on a faceted knop and a hexagonal foot, a pair of goblets with lappet moulding, and a small spiral-moulded glass vase with everted rim, 16cm max. (4) £120-180

57. Seven dwarf ale glasses, 19th century, with spiral-moulded bowls, raised on short knopped stems with wrythen moulding, 13cm. (7) £150-250

58. A large and unusual shallow glass dish, late 18th/early 19th century, with scallop-edged rim, the underside cut with bands of tapering diamonds, 26cm dia. £200-300

59. A Bohemian glass goblet, 19th century, flashed in amethyst and cut with a stag and shell panels, a hexagonal cut goblet with gilt garlands, and a Continental green glass pouring bottle moulded with an armorial, 23cm max. (3) £100-200

60. An Austro-Hungarian silvermounted glass casket, c.1820, of rectangular form, the smaller sides cut with leaves, the longer sides with fluting, with a chased escutcheon, together with the key, 13cm across. £300-500

61. A set of six unusual glass finger bowls, 19th century, the square rims with a powdered gilt effect, billowing out into fluted round bodies, raised gilt ‘Crook’s’ marks to the bases, 11cm dia. (6) £200-300

62. Four wine glasses, 2nd half 18th century, one with a flared bowl raised on a double series opaque twist stem, one with an ogee-shaped bowl, the other with a bellshaped bowl, both raised on folded feet, 16cm max. (4) £200-300

63. A mixed collection of glass, 18th century and later, including a small epergne, an engraved goblet and cover, a cut glass footed bowl with everted rim, a green oil jug, and three small glasses, some faults, 23cm, max. (8) £150-200

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64. A large glass, 2nd half 18th century, the tall flared bowl raised above a knopped teardrop stem, a narrow wine glass above a thick plain stem, and a smaller glass cut with facets, 20.5cm max. (3) £180-220

65. A large glass goblet and an 18th century style glass, modern, both by Peter David, the goblet faintly etched with tigers, the other glass with a titled portrait of George III, raised on a multi-twist stem, 20.5cm max. (2) £50-150

66. Two firing glasses, 2nd half 18th century, one bell-shaped, the other with a flared bowl, both raised on a thick firing foot, and a small glass with wrythen moulded bowl, 10cm max. (3) £100-200

67. Three wine glasses, mid 18th century, two with drawn trumpet bowls raised on teardrop stems, the last with simple flared bowl on a plain stem, all above folded feet, a small chip to one rim, 16cm max. (3) £200-300

68. Two large wine glasses, c.1770, one with a bell-shaped bowl raised on an opaque twist stem, the other with a drawn trumpet bowl raised on an airtwist stem, 17.5cm. (2) £100-200

69. Three wine glasses, c.1760-70, one bowl engraved with grapevine and a bird, all raised on double series opaque twist stems, 15cm max. (3) £150-250

70. Two wine glasses, c.1760, one with a drawn trumpet bowl, the other with a waisted bucket bowl, both raised above mercury airtwist stems, 17.5cm max. (2) £500-800

71. Five wine glasses with engraved bowls, 2nd half 18th century, variously decorated with birds in flight, grapevine and flowers, two raised on folded feet, all above plain stems, some footrim chips, 15cm max.

(5) £150-250

72. Three wine glasses, mid 18th century, all raised on folded feet, two with plain stems, one with a knopped stem, one bowl engraved with a hound chasing a stag, another with continuous grapevine, 14.7cm max. (3) £150-250

The large glass with an old paper collection label.

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73. A pair of cut glass bowls and covers, decorated with bands of leaves and star roundels, raised on square bases, the domed covers topped with pineapple finials, minor faults, 28cm. (4) £150-250

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74. Two glass épergnes, 19th century, one flashed in pale pink and trailed with pinched glass, a central trumpet and two smaller issuing from a deep scalloped dish, the other similar with an opaque lustre tinge, two trumpets and two curled glass canes around a central larger trumpet, 55cm max. (2) £150-250

75. Two coloured glass decanters and stoppers, 19th century, one of chamfered square green glass, titled ‘Brandy’ in gilt, the other blue with a flattened stopper, together with two Continental porcelain wine labels titled ‘Madere’ and ‘Malaga’, a few small chips, 30cm max. (6) £100-200

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76. A pair of cut glass sweetmeat jars and covers, the flared, faceted bowls with elaborate shaped rims, rising from knopped stems above hexafoil feet, the domed covers with tall pointed finials, a few small chips, 37cm. (4) £200-300

77. Seven wine glasses, 2nd half 18th century, three engraved with star garlands, the other variously cut and engraved, all raised on faceted stems, 14.8cm max. (7) £300-500

78. A large cut glass pedestal bowl, probably 19th century, overlaid in blue and cut with tapering bands of squares and octagons, raised on a stepped square foot, 30.5cm dia. £80-120

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79. An emerald green wine glass, c.1755-60, with rounded bowl raised on a short knopped stem above a folded foot, 10.5cm. £250-350

80. A good Bohemian glass goblet, 19th century, the wide bowl overlaid with chamfered rectangular panels of blue glass reserved on a foliate and vermicelli ground, raised on a faceted stem and a lobed starcut foot, 19cm. £300-400

83. A set of three blue glass decanters and stoppers, c.1800, the barrel-shaped bodies decorated with gilt horizontal bands and titled ‘Rum’, ‘Brandy’ and ‘Hollands’, the faceted stoppers with star motifs and initialled, 20cm. (6) £150-200

81. A rare green tinted wine glass, c.1760-70, the pale green bowl above a hollow knop applied with three raspberry prunts, raised on an opaque twist stem above a green domed foot, 15.2cm. £300-350

82. A good emerald green wine glass, c.1755-60, with a rib-moulded bowl raised on a plain stem above a moulded conical foot, 13.5cm. £250-350

84. A pair of blue glass decanters and stoppers, c.1800, titled in gilt with ‘Rum’ and ‘Hollands’ in elaborate script with grapevine motif, the flattened stoppers with a leaf sprig, some regilding, one stopper reduced, 23cm. (4) £150-200

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85. A good and large glass goblet, mid 18th century, the drawn trumpet bowl Dutch-engraved with a three-masted ship flying the Dutch flag, beside a Customs House with a cornucopia draped across one gable, inscribed ‘de goede Negosie aan de Caap’ (Good trade to the Cape), raised on a teardrop stem, 20.5cm. £2,200-2,800

86. A cut glass taperstick, c.1770, the narrow stem with a faceted knop, the sconce lightly waisted, all raised above a domed and lobed foot, 16cm. £400-600

87. A rare ratafia glass, c.1760, with unusually small flared bowl raised on an airtwist stem, the bowl engraved ‘Ratafia’ within a leaf garland, 14cm. £1,200-1,500

88. A good wine glass, c.1770, with generous hammered funnel bowl raised on a slender stem with a dense airtwist above a domed foot, 16.5cm. £450-600

89. A good and large baluster wine glass, c.1720, the flared bucket-shaped bowl raised on a teardrop knopped stem above a folded foot, 18.8cm. £1,500-2,000

90. A Newcastle light baluster glass, c.1750, the narrow bell-shaped bowl engraved with a wide rim of of flowers, leaves and scrolls set with polished circles, the stem with a knop containing two rows of tears, 17.2cm. £500-800

91. A rare Newcastle light baluster glass, mid 18th century, the large bowl engraved with the arms of Delft supported by two lions, raised on a multiple knopped stem with central teardrop above a folded foot, 20.5cm. £1,500-2,000 Provenance: from the Walter F. Smith collection, no. 1154.

92. A good and rare cider glass, c.1740, the generous bowl with hammered effect, the rim engraved with sprays of apples, pears and other fruit, raised on an incised twist stem above a folded foot, 17.5cm. £1,500-2,000

93. A large wine glass, c.1760, the bell-shaped bowl Dutch-engraved with a ship beside a small Customs House with fruiting cornucopia, inscribed ‘T. Welvaren Van Deezen Huysen’, raised on a knopped and faceted stem, 17cm. £800-1,200

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94. Two wine glasses, c.1760, one with a drawn trumpet bowl raised on an airtwist stem, the other raised on a mixed twist stem, 16cm max. (2) £100-200

95. Two ale glasses, 2nd half 18th century, one engraved with hops and barley, the other raised on a low knopped stem above a folded foot, and a drawn trumpet wine glass with teardrop stem above a folded foot, 14.5cm max. (3) £150-250 94

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96. A Lynn wine glass, c.1760, the funnel bowl with horizontal ribs, raised on a double series opaque twist stem, 15cm. £400-600

97. A rare ‘No Excise’ firing glass, mid 18th century, engraved to the bowl and raised above a short double series opaque twist stem and a thick foot, 10cm. £1,800-2,200

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97 98. Two small drawn-trumpet glasses, 2nd half 18th century, raised on folded feet, and a pair of wine glasses with generous bowls raised on short faceted stems, a fault to one foot, 11cm max. (4) £150-250

99. A glass tazza or syllabub stand, c.1720, the wide circular top with a folded lip, raised on a beehive stem with flame gadrooning above a domed and folded foot, 24.5cm. £600-800 98

99 100. A Masonic firing glass, 19th century, one side engraved with a set square and compasses around the letter G, the reverse titled ‘Unanimity’ above the Prince of Wales feathers and the lodge number ‘543’, 6.5cm. £250-350

101. A Masonic firing glass of Jacobite significance, 2nd half 18th century, the flared bowl engraved with a set square and compasses, the reverse with a spray of thistle, 8.7cm. £600-800

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102. A tall cylindrical glass vase, modern, cut as lengths of bamboo, etched ZV mark in a rectangle, 35cm. £50-100

103. A glass ewer, probably Stourbridge c.1880, finely engraved with tall flowering branches extending towards the spout, a square Shrub decanter and stopper, titled within a polished circle border, and a tall decanter and stopper engraved with grapevine, a few small chips, 34.5cm max. (5) £200-300

105. A good set of twelve glass flutes, c.1760, each long drawn bowl raised on a short double series airtwist stem, 20cm. (12) £3,500-4,500

107. A rare ‘trick’ wine glass, mid 18th century, the drawn trumpet bowl rising from a plain stem with teardrop above a folded foot, the bottom of the bowl with a hole into the teardrop, 19.5cm. £500-800

104. A Stourbridge glass ewer and stopper, c.1880-90, in imitation of rock crystal, the flattened faceted body engraved with continuous floral sprays, extending over the handle and the blown stopper, the stopper perhaps associated, 31.5cm. (2) £200-300

106. Four ale glasses, 2nd half 18th century, two raised on differing double series opaque twist stems, two on airtwist stems, one of those above a folded foot, some small footrim chips, 18.5cm max. (4) £200-300

108. Two wine glasses, one with a bellshaped bowl above a knopped opaque twist stem, the other with a trumpet bowl rising from a swollen teardrop stem, 17cm max.

(2) £150-250

109. A baluster wine glass, c.1740, with bell-shaped bowl rising from a doubleknopped stem, a further small knop just above the foot, 18cm. £350-450

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110. Two West Country sealed wine bottles, c.1770-90, one of squat form, the other narrower and taller, both applied with the same crest of an arm embowed holding a scimitar, one with the initials ‘GB’, the other with the motto ‘Non Dubio’, 29cm max. (2) £400-600

111. A sealed wine bottle, dated 1724, of squat mallet form, with kick-in base, the body applied with a seal for ‘I Wells 1724’, cracked, 20.5cm. £200-300

The seals relate to George Bickford of Dunsland House, near Holsworthy in Devon. Dunsland burned down in 1967, prior to a planned opening by the National Trust.

112. A large green glass bottle, late 18th/early 19th century, of flattened globular form, with tall tapered neck , 36cm. £100-200

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113. A good pair of sealed wine bottles, dated 1773, the dark green bodies of squat cylindrical shape, each applied with seal titled ‘T Chard 1773’, 25cm. (2) £600-800

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114 114. Two wine bottles, late 18th century, one applied with a circular seal titled ‘Lupton’, both with kick-in bases, 29cm max. (2) £100-200 Provenance: from Lupton House near Brixham, Devon.

115. Three wine bottles, 2nd half 18th century, one of mallet shape with dark green body, one of squat cylindrical form, the last a Dutch onion example, 23.5cm max. (3) £150-250

116. A pair of stipple-engraved glass carafes, 19th century, the flattened brown bodies decorated with a continuous scene of equestrian figures, a pair of square sealed bottles, and a pale green mallet-shaped bottle, the latter cracked, 18.5cm max. (5) £400-600 116

117. A good pair of glass tables lustres, 19th century, with knopped and faceted pillar stems beneath scalloped drip pans hung with five long lustres, raised on domed feet, 32cm. (2) £250-350

118. A massive pair of Baccarat glass ewers and basins, late 19th century, of generous fluted form, with gilt bands, further highlighted to the scalloped rims of the basins, 42cm across. (4) £800-1,200 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

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BRIXIE JARVIS AND WEDGWOOD The bulk of the Wedgwood collection amassed by Mrs Brixie Jarvis was acquired by the Salisbury and South Wiltshire Museum in 1986, where almost 800 pieces of Wedgwood are now on display, representing some forty years of collecting.

The following seven lots are from the remainder of her collection, with some items having additional associations to Mr A T Morley Hewitt, the bulk of whose collection was sold by Sotheby’s in 1959.

119. Seven dry-bodied stoneware teapots and covers, most 19th century, two Chinese Yixing examples, one Wedgwood in the Yixing style, three black basalt examples, one Wedgwood Rosso Antico, and a Wedgwood ‘Egyptian’ black basalt jug, some damages, 19cm max. (15) £200-300 Provenance: from the collection of Brixie Jarvis.

120. A photographic portrait plaque on ceramic, late 19th century,

by Elliott and Fry of Baker Street, London, a note to the back stating ‘hair and eyes to be altered’, and two Jasperware type horse-shoe shaped plaques of horses, 21.5cm max. (3) £100-200

121. Various English ceramics, 19th century, including a Wedgwood custard cup printed with birds in flight, a Copeland’s Spode transferware cup and saucer with Italianate views, a copper lustre jug, a small black-glazed moulded jug, and a white-glazed pottery model of a boot, 13.5cm max. (6) £50-100

122. A number of Wedgwood commemorative items, modern, including two Jasperware portrait plaques of George Stubbs and HRH the Princess Anne, a Jasperware plaque for the Wedgwood Museum at Barleston, three thimbles, two brooches and a basalt pendant in their original boxes, a Wedgwood creamware plate commemorating the 25th anniversary of the Wedgwood society, a 1985 commemorative Willow ware plate designed by Peter Brears, and a 19th century Wedgwood muffin dish printed with Chinese figures, 22.7cm max. (12) £60-100 Provenance: from the collection of Brixie Jarvis.

Provenance: from the collection of Brixie Jarvis.

123. A set of eight Alfred Meakin blue and white plates for the American market, 1st half 20th century, printed with landmarks including the Jefferson Davis Shrine, the Natural Bridge of Virginia, General Lee’s Headquarters in Gettysburg, and the home of Roosevelt, and a Johnson Bros transferware plate decorated with a view of Wall Street, 22.5cm max. (9) £80-120 Provenance: from the collection of Brixie Jarvis.

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Provenance: from the collection of Brixie Jarvis.

124. Literature: Meteyard, The Life and Works of Wedgwood, Vols.

I and II, and two albums of Arms, Crests and Monograms compiled

by A T Morley Hewitt. (4) £40-80 Provenance: from the collections of A T Morley Hewitt and Mrs Brixie Jarvis.

125. A large black pottery amphora, perhaps Etruscan 6th-5th century BC, two handles issuing from mask heads applied to the shoulder, two further handles between panels of fluting, extensively damaged and repaired, 39cm. £50-100 Provenance: from the collection of Brixie Jarvis.

126. A Cypriot bichrome ware amphora, Iron Age, c.1050-700BC, the body encircled with black and red bands, two loop handles to the shoulder, further black bands to the inside of the neckrim, 32cm. £600-800 An old metal collector’s label to one handle.

Together with a paper export licence from the Government of Cyprus, dated 27th September 1961.

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126

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128

129

130

127. A large pottery amphora, of rounded two-handled form, decorated in bichrome enamels with bands of red and black and with further diagonal black lines, 45cm. £100-200

128. A Cypriot red polished ware jug, Bronze Age, c.2000-1500BC, the globular body incised with circles and lines, a single handle issuing from the neck to the top of the shoulder, the rounded base sitting on a later metal stand, broken through the neck and handle and repaired, the jug 14.5cm. (2) £300-500 Together with a paper export licence from the Government of Cyprus, dated 13th October 1961.

129. A Davenport terracotta wine cooler, late 18th/early 19th century, applied with two handles formed as Bacchanalian masks, impressed mark, 22.5cm. £100-200

130. A Davenport terracotta wine cooler, c.1805-10, finely decorated with a wide band of Egyptian figures, sarcophagi and motifs beneath a brown key fret band, the handles formed as open-mouthed dolphins, 24.5cm. £150-250

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131. A pair of English porcelain copies of the Portland Vase, 19th century, the moulded decoration left in the white with gilt detailing, the rest glazed black, pattern number 3 over 1294, a dry bodied stoneware mug applied with figures, and two black basalt cream jugs, 18.5cm max.

(5) £150-250

132. A pair of Turner & Co Jasperware vases, c.1800, finely applied with scenes of putti and Classical figures between acanthus leaf and key fret borders, impressed Turner marks, and a Jasperware teapot and cover with similar decoration on a black ground, the spout and handle with black applications on white, damages, 14cm. (4) £120-180

133. English dry-bodied stonewares, 19th century, including a two-handled Wedgwood vase applied with a blue band of grapevine, a Spode jug applied with green flower trumpets, and a brown vase retailed by James Mist of London, applied in white with Venus and Cupid, 20cm max. (3) £200-300

134. A Keeling Toft & Co. black basalt teapot and cover with matching jug, c.1805-15, the sides applied with Classical figures above a band of vertical flutes, the teapot’s cover with a sibyl finial, impressed marks, 20cm max. (3) £80-120

135. A graduated set of three Minton ‘Silenus’ jugs, c.1830-40, the rich green bodies moulded in high relief with the young Silenus on a donkey to one side, the reverse with him as an old man supported by two fauns, beneath fruiting grapevine, applied No. 19 pads to the bases, some damages, 25cm max. (3) £100-200

136. An unusual dry-bodied stoneware part tea service, early 19th century, the fluted body a drab blue colour, highlighted with white enamel designs on reddish brown stripes. Comprising: a teapot and cover, a milk jug and bowl. (4) £150-250

137. A dry-bodied stoneware teapot and cover, probably Leeds, moulded with bands of flowerheads, stiff leaves and fluting between blue enamel lines, 25cm. (2) £80-120

138. An unusual Wedgwood black basalt chamberstick, c.1875, the flared sconce raised on four bare-breasted female terms, the wide base with a band of scrolling leaves, all picked out with gilt detailing, impressed marks, 10cm high. £300-400

139. A large Spode black basalt coffee pot and cover, late 18th/early 19th century, with bands of engine-turned decoration, raised on a circular foot, impressed mark, a small chip to the spout and cover, 19.5cm high. (2) £80-120

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140. A good pair of Wedgwood Jasperware câchepots and stands, 1st half 19th century, the bucket-shaped bodies applied with ribs of white clay and a continuous grapevine band on a sage green ground, impressed marks, filled with modern arrangements of white roses, the pots 13cm high. (4) £300-500 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

141. A large pair of Wedgwood Jasperware vases and covers, 19th century, the bodies applied with a frieze of Classical dancing maidens between stiff leaf borders, the shoulders with two scrolled handles, raised on square bases applied with swags, impressed marks, 38cm. (4) £1,500-2,000

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141

142. A pair of Wedgwood Jasperware vases and covers, 19th century, and a similar pot and cover, the sage green bodies applied with Classical figures at various pursuits between acanthus and stiff leaf borders, impressed marks, one handle restored, 21cm max. (6) £200-300

143. A large Wedgwood Jasperware candlestick and a sucrier and cover, 19th century, applied in white with Classical figures within husk and geometric borders, on a dark blue ground, impressed marks, 25.5cm max. (3) £100-200

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144. A pair of Elijah Mayer black basalt rectangular plaques, c.1800, moulded with Bacchanalian scenes of carousing putti and fauns, impressed E. Mayer to the reverse, 14.5cm. (2) £100-200

145. A black basalt circular plaque, late 18th/early 19th century, with the profile portrait of a man turned slightly away, titled ‘Canova’ to the reverse, 8.2cm. £150-200 144

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146. A pair of large Wedgwood creamware dishes, early 19th century, finely painted with Swallowtail and other butterflies amidst peony, chrysanthemum, prunus and other Oriental flowers on a dense swirling orange ground, impressed marks, and a smaller creamware plate with a continuous border of orange and green leaves, painted ‘No. 1’ to the reverse, 29cm max. (3) £150-250

147. Two pairs of creamware plates, 19th century, one pair Spode soup plates decorated in pattern 1783, the other pair painted with simplistic floral sprays, and an armorial plate painted with a central crest of a lion holding a cross, 24.5cm max. (5) £150-250

148. A Leeds creamware barber’s bowl and a creamware basket, 1st half 19th century, the barber’s bowl oval and with a feathered rim, the basket with pierced sides and ropetwist handles, 32cm max. (2) £220-280

149. Four Wedgwood creamware coffee cans and saucers, 1st half 19th century, with tall fluted panels and plain rims, with double strap handles, impressed marks, some damages, 12.4cm. (8) £80-120

150. A Wedgwood dry-bodied stoneware pot pourri basket and cover, 19th century, applied in white with a band of stiff leaves, the cover pierced with an arrangement of holes, and a large Wedgwood creamware serving spoon, impressed marks, minor damages, 38cm max. (3) £80-120

151. A large creamware basket, early 19th century, the sides pierced with elaborate shaped panels, the rim with shell and floral motifs, 35.5cm. £100-200

152. A creamware basket and stand, 1st half 19th century, of oval form with pierced sides, painted with a continuous band of stylized foliage in a brown and ochre palette, some good restoration, 26.8cm.

(2) £100-200

153. A graduated pair of pearlware bowls, c.1800, printed and coloured after a Chinese design with a bird perched on flowering and fruiting branches, and two creamware trembleuse or chocolate stands with reticulated bowls on leaf-shaped bases, some faults, 21cm max. (4) £120-150 Provenance: the creamware stands from the Tom Walford collection.

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154. Four Maling ‘Cobble Stone’ storage jars and covers, 20th century, printed in brown and titled ‘Raisins’, ‘Baking Powder’, ‘Currants’ and ‘Rice’, printed marks, 10.2cm.

(8) £50-100

155. A creamware ladle, late 18th / early 19th century, the bowl formed as a shell, issuing from a curved handle with incised decoration to the terminal, 17.5cm. £50-100

156. A creamware inkstand or desk set, early 19th century, decorated in a mottled brown glaze, and a small pearlware teapot and cover decorated with a leaf sprig design, damages to the teapot, 30.5cm max.

(3) £80-120

157. A silver lustre part tea service, early 20th century, a deep pink glaze peeping through a reverse silver lustre patterrn of flowers and husk garlands, retailer’s mark for Thomas Goode. Comprising: a teapot and cover, a hot water jug, a milk jug and a sugar bowl. (5) £50-100

158. Seven pearlware lustre jugs, 19th century, one moulded with bands of leaves and flowerheads, one painted with a purple lustre landscape, a pair printed with Snipe Shooting and Coursing scenes, one printed with Hope, the others moulded or painted with flowers, together with three lustre cans and one saucer, some faults, 14cm max. (11) £200-300

159. A small collection of English pottery, 19th century, including a pearlware stirrup cup in the form of a dog’s head, a small Bacchus jug, a creamware vase with everted rim, a C H Brannam beaker with incised verse, a toy mug, a child’s oval plate, a pearlware saucer, a creamware cup and a transferware can and milk jug. (10) £150-200

160. Four creamware plates decorated with a Whieldon type glaze, c.1770 and later, two with feather-moulded rims, the other two with more elaborately moulded rims, all with splashes of green, blue and yellow glaze on a mottled manganese ground, one with a restored chip, 24cm max. (4) £250-350

161. Three two-handled vases, 19th century, one stone china, probably Spode, with a cover and decorated in a Japan pattern, another decorated with a pink peony on a blue ground with green foliage, one porcelain with floral sprigs on a mustard yellow ground, and a pair of Mason’s Ironstone soup plates decorated with an Imari pattern, one neck reduced, 30.5cm max. (6) £150-250

162. A small collection of pearlware, late 18th century, variously decorated in blue with Oriental flowers and pagoda scenes, including a tea canister, a teapot with associated cover, and a mug with a replacement glass bottom, and a Delft vase painted with a seated European within a floral cartouche, some damages, 18cm max.

(5) £100-200

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163. A pearlware jug, c.1810, painted with itinerant figures in landscape scenes before ruined buildings and countryside dwellings, the rim with a bright band of berried leaves, 16.5cm. £50-80

164. A good Whieldon creamware plate, c.1790, with a lobed rim, decorated with striped splashes of green, blue and yellow on a mottled manganese ground, 24.2cm. £150-200

165. A pearlware harvest jug, c.1810, decorated in Pratt type colours with a sheaf of corn, a scythe, sickle and other farming implements, inscribed ‘God Speed the plough’, 17.5cm. £150-200

166. An unusual creamware two-handled pot à jus and cover, c.1790, decorated in blue, red and gilt with a continuous stylized foliate design, 9cm high. (2) £150-250

167. A pearlware ‘marriage’ sauceboat, dated 1773, with a blue feathered edge, one side inscribed ‘Tom * Mary’ the other with the letter H over T*M and the date 1773, cracked, 15cm. £150-200

168. A yellow pearlware bowl, c.1820, perhaps Welsh, boldly painted with a continuous band of red flowerheads against a rich, canary yellow ground, painted 4 mark to the base, a short rim crack, 16cm dia. £180-220

169. A good child’s pearlware plate, early 19th century, the rim moulded and coloured with vignettes of fruit and flowers, the well inscribed ‘Remember thy Creator in the Days of thy Youth’, 13.7cm. £100-200

170. A creamware teapot and cover and similar jug, late 18th century, decorated in a mottled Whieldon type glaze and applied with fruiting vine, the jug raised on three paw feet, and an agateware jug with moulded ribbed body, 19cm max. (4) £450-600

171. A Pratt ware sugar bowl and cover, early 19th century, the circular body applied with two strap handles, the whole encircled with a stylized border in the typical palette, 13cm dia. (2) £100-150

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172. A good pair of creamware botanical dishes, c.1800, perhaps Davenport, of lobed oval shape, finely painted with botanical specimens, titled ‘Cape-Aitonia’ and ‘Convolvulus-Major’ in red to the reverse, blue line rims, 22cm. (2) £600-800

173. Three creamware plates, c.1770-90, Dutch-decorated in polychrome enamels, two with a central figure of Liberty, the rims with panels of writing, the last with an inscription and dated 1785, within a feather-moulded rim, some damages, 24.7cm. (3) £200-250

174. A massive creamware circular charger, late 18th/early 19th century, printed in black with a courting couple seated in a watery landscape with ruins behind, the feather-moulded rim printed with flower sprays, 44.2cm. £200-300

175. A good Cambrian pottery footed bowl, c.1830-40, printed in purple with the Swiss Villa pattern, moulded to the exterior, 22.5cm dia. £250-350

176. Two creamware plates and a jug, c.1770-80, one plate painted in black with a central figure of Liberty, titled ‘Voor Vryheid En Broederschap’, the other perhaps of Benedict and Maurus with a scholar writing at a desk, dictated to by a standing figure beset by demons, a pair of scales discarded on the ground, and a creamware jug painted in black and red with Abraham’s sacrifice of Isaac, small damages, 24.5cm. (3) £200-300

177. A creamware botanical plate, early 19th century, painted with a large floral specimen, titled in brown script to the reverse ‘Anual Lautania’, brown line rim, 21.5cm. £250-350

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178. A Wedgwood creamware plate of Channel Island interest, dated 1786, the well printed in black with a farmhand driving cattle and sheep by a stream, a thatched cottage beyond, the rim with floral sprays and inscribed ‘John Peter and Ann Du Port, Guernsey, 1786’, 25cm. £150-250 Cf. Bristol City Council Museum, No.N4090, for an identical plate from the Hugo V. Smith bequest. A mug with the same print and inscription was sold at these salerooms on 7th April 2009, lot 113.

180. Two commemorative creamware mugs, early 19th century, one mourning the death of Nelson, printed and coloured with a profile portrait above a four line stanza with ships and flags beyond, the other with sailors in small boats before a large ship in dry dock, inscribed ‘May Carpenters Flourish & our Trade Increase and Victory Bring a Lasting Peace’, some damages, 12.5cm. (2) £250-350 Exhibited: the first at St Barbe Museum, Lymington, Autumn 2005.

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179. An early Liverpool creamware mug, c.1790-93, printed and coloured with ‘An East View of Liverpool Light House and Signals on Bidston Hill’, the tower beside 56 coloured and numbered flags, all detailed beneath, 13cm. £300-500 Examples of this print post-1793 usually have Flag 40 listed as ‘Enemies’ and have at least 58 flags, while a jug dated 1790 had only 52 flags listed.

Provenance: purchased at Phillips, Oxford, 22nd May 1997, lot 110.

181. A large commemorative ‘Election’ jug, c.1841, decorated in a rich blue glaze with long gilt inscriptions celebrating the election of ‘Twelve Conservative Members to the County of Salop’ in the General Election of 1841, with the coat of arms for Shrewsbury, 24cm. £200-300

182. Two large Sunderland lustre jugs, 1st half 19th century, one titled and dated ‘J. Davidson. Pilot 1841’, the reverse printed with the Mariners Compass, the other with Jack’s Safe Return and two stanzas in panels within bands of orange lustre, some restoration, 22.5cm max. (2) £200-300

183. A dated pearlware teapot and cover, c.1792, painted with a ship at sail and inscribed ‘Willm & Hannah Wisbich 1792’, the reverse decorated with a spray of flowers, some damages, 22cm. (2) £100-200

185. Two large Sunderland lustre bowls of shipping and military interest, 1st half 19th century, one Moore & Co, decorated with several ships including the Great Eastern Steam-Ship, La Bretagne and the Victoria and Albert Yacht, the other commemorating the Treaty of Amiens in 1802, printed with various verses and the English and French flags, and a lustre mug decorated with a steam ship, some damages and repairs, 33cm max. (3) £120-150

186. A large dated pearlware tray, c.1794, of shallow circular form painted in blue with the initials MH and date 1794 within a husk border, the underside ground, small rim chips, 33.5cm. £80-120

187. A Sunderland lustre mug and a bowl, early 19th century, the mug printed with a sailor and his companion either side of a ship at sail, the bowl with the Mariner’s Compass and a six line stanza, with purple lustre bands, cracks, 15.5cm max. (2) £80-120

188. A moulded pearlware jug and a creamware plate, early 19th century, the jug moulded with an allover daisy design and striped in Portobello colours, the plate decorated with a central tulip in the Prattware palette, 24.5cm max. (2) £100-200

189. A pair of Sunderland lustre wall plaques, early 19th century, printed in black with portraits of John Wesley and Adam Clarke within religious quotes, the borders decorated in purple lustre, 17.5cm. (2) £100-200

190. A large creamware coffee pot and cover, c.1770-80, brightly painted with a Chinese mother and child in a garden scene, a creamware teapot and cover, moulded with horizontal bands, and a large creamware shell-shaped sauceboat, all with double strap handles issuing from floral motifs, some damages and restoration, 22.5cm max. (5) £300-400

Provenance: purchased at Woolley and Wallis, 31st March 1994, lot 496.

184. A large creamware bowl and a creamware jug of nautical interest, late 18th/early 19th century, the bowl printed in black with two ships at battle to the interior, the exterior with further scenes including Jemmy’s Farewell and Jemmy’s Return, the jug with a compass and four line stanza, an American ship to the reverse, some damages, 30.3cm max. (2) £100-200

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191. A Sunderland lustre frog mug, 19th century, printed with the Sailor’s Farewell, the reverse with a six line verse, the interior with a black frog clambering up the inside, and a pearlware octagonal dish painted in blue and red with a Japan pattern, 27cm max. (2) £150-250

192. Three pieces of Wedgwood creamware, late 18th/early 19th century, including a tea canister printed in black with a tea party scene, the reverse with two sets of initials within a foliate cartouche, a teapot printed with peacocks, and a slatted basket, impressed marks, the teapot’s cover lacking, a chip to the canister’s rim, 22.5cm max. (3) £200-300

193. Three pearlware plates of shipping interest, mid 19th century, two for the Boston Mail Line, variously printed and titled ‘Ladies Cabin’ and ‘Gentlemen’s Cabin’, the third a Mess plate, No. 19, printed in blue with sailor vignettes, various printed and impressed marks, 27.5cm max. (3) £200-300

194. A large transferware meat dish, 19th century, printed in brown with a topographical scene of Castle Street and St George’s Crescent in Liverpool, titled to the reverse, within a floral border, impressed bird crest mark, a chip to the underside of the rim, 52.5cm. £180-220

195. A printed and hand-coloured pearlware bowl, 1st half 19th century, the exterior with two designs of a panel of Classical figures within an eye-shaped panel, the interior with a wide and colourful band of butterflies and flowerhead roundels, 15.7cm dia. £80-120

196. A good blue and white transferprinted meat dish, 19th century, decorated with the Fisherman’s Hut pattern, with four figures and baskets of fish before sailing boats, the border with a wide floral band, impressed N mark, 38.5cm. £100-200

197. Two Spode transferware dishes from the Aesop’s Fables series, 19th century, one printed in black with the Lion in Love, the other Copeland & Garrett and printed in green with the Lion, the Bear and the Fox, and a Wood & Brownfield meat plate printed in blue with a rhinoceros from the Zoological series, 34cm max. (3) £200-300

198. Eight Spode blue and white transferware dishes, 19th century, variously decorated with figures before ruins, in riverside landscapes, and with Chinese scrolls and other objects, some with impressed marks. Comprising: an oblong charger, three soup plates, three different plates in two sizes, and a sauce tureen stand. (8) £200-300

199. A pair of Spode plates from the Aesop’s Fables series, 19th century, printed with the Fox and the Lion, another pair of Spode plates printed in green with a rose design, and a smaller pair of Wedgwood plates printed with a sliced pumpkin and other motifs, 25cm max. (6) £50-150

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Cf. A W Coysh & R K Henrywood, The Dictionary of Blue and White Printed Pottery 1780-1880, p.138. While the maker is unknown, most examples of this pattern can be traced back to the United States.

200. A salt-glazed stoneware teapot and cover, c.1760, each side brightly painted with a tall Chinese figure in a garden setting, the handle and spout formed as gnarled wood, the cover with an acorn finial, 18.5cm. (2) £100-200

201. A small Pratt ware plate, c.1800-10, decorated in a typical palette with a peacock within sponged green foliage, the shaped rim with blue feathering, 16.2cm. £200-300

203. Three brown stoneware items, late 19th century, perhaps Fulham, including an oval box and cover surmounted with a sleeping putto, the sides applied with an acanthus leaf border, a small moneybox in the shape of a house, applied with fruiting grapevine and incised ‘Forget - Me Not’ to the roof, incised ‘EL 1892’ to the base, and a small model of a ladies boot, impressed ‘EL’, 11.8cm max. (4) £250-350

204. An unusual creamware moulded plaque, 18th/19th century, with the profile portrait of a soldier, decorated with patches of manganese and brown, and a creamware holy water stoup, with the head of the Virgin Mary between two Corinthian columns, 22.5cm max. (2) £300-400

202. A Swansea Cambrian Pottery puzzle jug, early 19th century, printed in blue with Oriental foliage in the Carnation or Peony Rose pattern, the rim pierced and with three rounded spouts, 18.5cm. £300-500 Paper label for the B A Williams collection.

206. A creamware sucrièr and cover, c.1770-80, a similar cup, and a salt-glaze stoneware jug, painted with flowers in polychrome enamels, small damages, 11.5cm. (4) £80-120

205. Three brown stoneware jugs, 19th century, two decorated with hunting scenes, the larger with a hinged pewter lid, the smallest moulded with the head of Bacchus, 19cm max. (3) £150-250

207. Four creamware plates, c.1770-80, Dutch-decorated in polychrome enamels with various scenes of Abraham sacrificing Isaac, one titled ‘Abraham Oferhande’, two with the biblical reference, the borders with floral or stylized leaf designs, some damages, 25cm. (4) £200-300

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208. Three wall plaques, late 19th/early 20th century, one moulded with a jug with a bamboo handle, two of chamfered square shape painted to each side with a jug decorated in the Aesthetic manner, and four wall-mounted jugs variously decorated with birds and flowers following a theme of Japonism, 30cm max. (7) £180-220

209. Six English pottery wall-mounted jugs, late 19th/early 20th century, two Mogridge and Underhay, printed with a landscape scene reserved on a floral ground, one Minton decorated in the Aesthetic manner with blue flowers on a yellow ground, another Minton with a printed floral pattern, two Doulton Burslem with printed Aesthetic designs, 31cm max. (6) £250-350

one jug withdrawn 210. Eight wall-mounted jugs, late 19th/early 20th century, with elaborate moulded rims and handles, printed with floral designs with foliate and ribbon scrolls, one with a fan and tied box, 33cm max. (8) £200-300

211. Seven small wall-mounted jugs, 19th/20th century, one Doulton Burlsem printed with a landscape scene, one modern and painted with a cockerel by Pat Kaye, the others decorated with floral and leaf designs, together with a wall plaque of a câchepot painted with flowers, 23cm max. (8) £150-250

212. Seven pottery wall-mounted jugs, late 19th/early 20th century, two Minton of tall, slender form and printed with various designs, one Crown Ducal and printed with purple flower sprays, one painted with a bird in flight above convolvulus, one printed with a Chinese dragon, 36.5cm max. (7) £200-300

213. Seven English and Continental pottery wall-mounted jugs, 19th and early 20th century, variously moulded and decorated with flowers and foliate scrolls, 34cm max. (7) £150-250

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214. A Majolica garden seat, 19th century, the barrel shape applied with cranes standing amidst aquatic plants, the reverse with swallows, all brightly enamelled on a turquoise ground, 48cm high. £300-500

215. A rare Majolica stick stand, 19th century, modelled as a pug dog, seated on its haunches on a green studded cushion and wearing a red collar, the fur finely incised, the interior glazed in pink, 53cm. £1,500-2,000

216. A Minton earthenware garden seat, date code for 1876, the reticulated barrel shape moulded and enamelled with bands of Morning Glory and passion flower on a pale yellow ground, impressed marks, 45cm. £300-500

217. Two French faïence water cisterns and covers with basins, 2nd half 18th century, painted with floral swags, scrolls and shell motifs, each fitted with a metal tap to the front, the basins with mask handles, damages and repairs, the cisterns each 50cm high. (6) £250-350

218. A Minton earthenware garden seat, date code for 1907, of barrel form, decorated in the Chinese Ming manner with a continuous design of blue flowers and scrolling leaves, printed and impressed marks, 47cm. £300-500

219. A large Chinese earthenware stick stand, modelled as a carp with mouth agape, emerging from crashing waves, a smaller fish spouting water to one side, decorated in brinjal glazes, 86cm. £200-400

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220. Three small pearlware figures, early 19th century, two of putti holding baskets of flowers and wearing leafy crowns, the last of a maiden seated with a basket of flowers on her lap before flowering bocage, some restoration to the bocage, 10.5cm max. (3) £100-200

221. Two Staffordshire porcelain animals, 19th century, a poodle and a sheep, both standing four square on green bases, a pearlware model of a recumbent cow, decorated in Portobello type enamels, and a tin-glazed model of a seated dog with a manganese coat, 7.5cm max. (4) £200-300

222. Two pearlware figure groups, early 19th century, one of a Village Group of two musicians perched on a rocky stump, poorly titled to the front, the other of a bagpiper seated in a flowering arbour, some restoration, 18cm max. (2) £200-300

223. Four Staffordshire models of spaniels, 19th century, all seated with heads turned and wearing chained collars, one pair left in the white, one with red ‘wheels of fire’, the last with splashes of copper lustre, moulded 2 mark to one, 24.5cm max. (4) £120-180

224. A pearlware stirrup cup, c.1820, modelled as a fox’s head, the rim decorated with bands of silver lustre, and a miniature Parian stirrup cup modelled as the head of a hound, 11cm max. (2) £300-400

225. Two Staffordshire spaniels with baskets, 19th century, each seated with head turned to dexter, a basket of flowers in their muzzles, one with blue eyes, 19.5cm max. (2) £50-100

226. Three Staffordshire pearlware models of sheep, 1st half 19th century, two standing with heads turned to dexter, a lamb recumbent beneath, the third recumbent, all raised on mossy bases, the bocage lacking, 10.5cm max. (3) £200-300

227. Two Staffordshire figure groups, 19th century, one of Tam O’Shanter and Souter Johnny, either side of a barrel of ale, one of William Collier and Thomas Smith at blows, a Staffordshire porcelain figure of a harvester, possibly emblematic of Summer, and a pottery figure of a Japanese monk, some damages, 32cm max. (4) £30-50

228. A pair of stoneware lions, 19th century, each recumbent with forepaws crossed and heads turned, their tails flicked over their backs, decorated in a buff glaze, 22.8cm. (2) £100-200

Paper labels for Oliver Sutton Antiques.

The two putti with paper labels for Oliver Sutton Antiques.

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229. A good creamware stirrup cup, c.1800, modelled as a wolf’s or dog’s head with long ears and teeth slightly bared, glazed in a pale coffee colour, 12cm. £300-400

230. Two pairs of Staffordshire porcelain animals, 19th century, of deer and sheep recumbent with heads turned, and a pair of Staffordshire pottery poodles, some damages and restoration, 10.5cm max. (6) £100-150

231. A good Prattware Bacchus jug, early 19th century, moulded with a grinning, bearded face encircled by grapevine, 9cm. £150-250

232. An unusual Sunderland lustre cow creamer and cover, early 19th century, standing four square on a rectangular base, decorated all over in purple lustre, some good restoration to the face and cover, 16cm. (2) £200-300

233. A good creamware stirrup cup, c.1800, crisply modelled as a dog’s head with mouth slightly open to reveal a tongue and teeth, the exterior decorated in a rich brown glaze, 12.5cm. £300-400

234. A pair of Minton Majolica sweetmeat figures, date codes for 1863, modelled as children seated atop rocky stumps, each with an oval basket resting on one knee, impressed marks, some repairs to the male figure, 19cm. (2) £80-120

235. A brown stoneware stirrup flask, 1st half 19th century, formed as a fox’s head with ears pricked, a chip to one ear, 16cm. £150-250

236. A rare Wedgwood pearlware moulded portrait plaque of Shakespeare, late 18th/early 19th century, modelled in high relief with a head and shoulders bust of the poet against a terracotta coloured ground, the border applied with a stiff flower design, impressed mark, 13.5cm. £300-500

237. A pearlware stirrup cup, c.1800, modelled as the head of a fox, decorated in a rich mottled glaze of orange and brown, the fur incised, 12cm. £400-600

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238. A rare Goss bisque-porcelain advertising model, c.1882, of a cow and two sheep raised on a low rocky base, the cow’s back printed with the slogan ‘Murdock’s Liquid Food is condensed Beef, Mutton & Fruits’, printed mark to the base, 21cm across. £250-350

239. A good pair of Staffordshire lion group spill vases, 19th century, modelled with a lion and a lioness with their cubs, each with a green snake entwined over branches above them, 30cm. (2) £600-800

The company producing Murdock’s Liquid Food was based in Boston, USA. The preparation, intended for female and infant consumption, claimed to “cleanse the system of disease”. Its efficacy was allegedly confirmed by reduced mortality rates at the Free Surgical Hospital for Women in Boston.

240. A good pair of Staffordshire spill vases, 19th century, each modelled with a red standing horse, a black foal recumbent beneath their withers, beside a stream, 29.5cm. (2) £450-650

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241. A Ralph Wood figure of Cupid and a lion, late 18th century, the putto sitting astride the beast and holding onto one ear, the lion with head turned, raised on a rectangular base, some restoration, 21cm high. £200-300

242. A small collection of Staffordshire pottery and porcelain, 19th century, including a pearlware figure of Summer, two porcelain pastille burners formed as houses, a small model of a house, and a flatback pottery house, a pottery castle vase, a pearlware spill vase with swans, two bocage groups, a Highlanders clock group, a model of Tom King, and two porcelain figure groups, some faults, 35cm max. (13) £120-180

243. Seven Staffordshire models of dogs, 19th century, comprising a pair of spaniels and a third similar, two models of seated poodles, and a pair of standing greyhounds with dead game in their mouths, 23cm max.

(7) £120-180

244. Six Staffordshire pearlware figures, 1st half 19th century, two of rams standing before flowering bocage, one a spill vase, two of putti with baskets of flowers, one a girl playing with a cat, the last a seated spaniel with her puppy, a Staffordshire porcelain group of a dog with a dead rabbit, and a Derby flower vase with tall floral arrangement, damages, 15.5cm max. (8) £150-250

245. A Staffordshire pearlware shell vase, 1st half 19th century, modelled with two musicians seated either side of a tall flared shell, two sheep recumbent at the front, the shell highlighted with pink and blue bands, the interior with a lustrous peach glaze, 22cm. £300-500

246. Four cow creamers and three covers, early 19th century, two decorated with splashes of purple and copper lustre, one with enamel patches in blue and red, the last of Portobello type, sponged in green, black and red with a milkmaid seated to one side, some damages, 18cm. (7) £400-600

247. A Staffordshire pearlware tulipiere or vase, 19th century, modelled as a castle with seven hollow turrets, glazed yellow and raised on a red brick base, red ‘57’ mark beneath, a few chips, 21.2cm across. £60-100

248. A pearlware toby jug, c.1820, seated on a wooden box and resting a large foaming jug of ale on his knee, his clay pipe in his right hand, some damages and restorations, 24.5cm. £80-120

249. A Sarreguemines Majolica character jug, early 20th century, depicting an English Suffragette, rosy cheeked and wearing a pink bonnet tied beneath her chin, the interior glazed in turquoise, 16.5cm. £80-120

250. A ‘Sinner’ toby jug and stopper, c.1810-20, seated and with eyes cast askance to his right, holding a small painted jug and a cup, his face of a ruddy and warty complexion, the handle lacking, 20.8cm. (2) £100-200

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251. A pearlware Toby jug of Portobello type, c.1830, modelled as a gentleman sitting on a barrel and holding a bottle and goblet of wine, decorated in a typical sponged palette, some good restoration to the handle, 26.5cm. £250-350 252. An unusual Wayte & Ridge Majolica plaque, 2nd century, modelled in high relief with a man in Tudor standing on a marble plinth, one hand on his left hip, furrowed, moulded W&R L mark to the reverse, 39cm.

half 19th costume his brow £150-250

253. A brown stoneware jug of Napoleon, 1st half 19th century, standing beside a pile of cannonballs, his left hand tucked inside his waistcoat, his right holding a short telescope, some damages, 34.5cm. £80-120 254. A pearlware figure of St Sebastian, 1st half 19th century, wearing a purple loin cloth and standing before a tree stump, raised on a square titled base, his raised arm broken and restuck, 25cm. £80-120 255

256 255. A rare Brameld creamware model of a deer or stag, c.1820, recumbent on a grassy base, the head pierced with two square holes to receive metal antlers, unmarked, some good restoration, 18.1cm. £200-300 Cf. Alwyn and Angela Cox, Rockingham, p.115.

256. A Continental faïence candlestick, 19th century, modelled as a seated male figure with knees tucked tightly behind his bearded chin, the sconce issuing from his hat, 14.3cm. £80-120 Provenance: paper label for the Worcester Royal Porcelain Works Museum. Binns purchased many items at exhibitions in Europe during the 1870s as inspiration for his designers back home.

257. A pearlware figure of Charity, c.1800, cradling a baby with two further small children by her side, raised on a square blue marbled base, 22.5cm. £100-200 Paper label for Oliver Sutton Antiques.

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258. A Staffordshire pearlware figure of a scholar, 1st half 19th century, dressed in a ruffled shirt and blue coat, seated before flowering bocage with his top hat to one side, a large book to the other, a sheep and a dog recumbent at his feet, some restoration, 22.5cm. £300-400 257

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259. A pair of Italian (Fabbrica Fratelli Minardi) faïence busts of children, late 19th/early 20th century, one of a boy, with head turned and smiling, the other of a girl wearing a bonnet, looking shyly down, both white-glazed and raised on tall tapering square bases, MF monogram marks, some damages to the bases, 36.5cm. (2) £150-250

260. A good Villeroy & Boch Mettlach stoneware Year jug, applied with a frieze of figures on a blue ground between a band of verses about each month of the year and panels of seasonal attributes, with an elaborate hinged metal lid, printed mark, 38cm. £350-450

261. A Staffordshire pottery phrenology head by L N Fowler, 2nd half 19th century, the scalp divided and inscribed with the brain’s various areas of activity, titled to the front, the reverse with a recommendation from the producer, 29cm. £350-400

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Virginio and Venturino Minardi opened a studio in Faenza in 1899. Prior to this, both had worked at the Cantagalli factory and were influenced by what they learnt during this time.

262. Two Continental Majolica tureens and covers, 19th century, one modelled as a large rabbit resting on a grassy base, the other as a boat, the cover formed of two fish laid end to end and tied with pink ribbon, unmarked, one ear of the rabbit broken and restuck, 40cm max. (4) £200-300

263. A Continental tin-glazed rabbit tureen and cover, 19th century, of large size, the rabbit recumbent with ears back, glazed in white and highlighted in grey and pink, 42cm across. (2) £100-200

264. A pearlware pastille burner and cover, c.1820, modelled as a thatched cottage with lattice windows, raised on a base applied with flowers, 8.5cm. (2) £100-200

265. A Worcester Majolica centrepiece, 2nd half 19th century, modelled as a large nautilus shell raised on the back of a swan between two hollow lilypad dishes, the base moulded with water marigold and other aquatic plants, impressed mark, 22cm. £100-200

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266. A George Jones Majolica jardinière, 2nd half 19th century, applied with sparrows and damselflies perched and in flight among bulrushes above a band of water lilies, reserved on a turquoise ground, 30cm. £400-600

267. A large pair of Continental agateware vases, 19th century, the urn-shaped bodies marbled in cream, brown and black, the handles formed as peacocks, 36.5cm. (2) £150-250

Cf. Robert Cluett, George Jones Ceramics 1861-1951, p.57 for a garden seat of the same design.

268. A Minton Majolica oyster dish, date code for 1870, moulded with nine shallow shells enamelled in turquoise around a central well, impressed marks, 25.3cm. £120-180

269. A Minton Majolica chestnut dish and spoon, date code for 1881, the circular form raised on a low foot and partially covered by overlapping leaves, the spoon formed of leaves tied with pink ribbon, and a Continental Majolica plate with a lotus leaf design, impressed marks to the dish, damages, 28cm max. (3) £100-250

270. A Wedgwood Majolica jug, 2nd half 19th century, applied with a band of berried ivy between bands of brown, blue, green and yellow enamels, impressed mark, 20cm. £150-200

271. A tin-glazed pottery bowl, probably Spanish 18th/19th century, with sponged bands of green and manganese on a cream ground, raised on a low foot, some glaze chips, 25.8cm. £100-200

272. A small slipware cooking pot, dated 1664, raised on three short feet, glazed in yellow and green, dated 1664 to the interior, the rim inscribed ‘Samuel Hutcheson’ in dark green, 14cm across. £400-600

273. A Majolica stand, 19th century, of waisted form, modelled as a low stump of an oak tree with leaves and acorns around, 15cm high. £50-100

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274. A Frechen stoneware silver-mounted jug, 16th century, the globular body with a pale glaze of tigerware type, the wide silver rim with a chased foliate design, impressed D mark, broken and repaired, 18.5cm. £500-700 Provenance: from the collection of Wynn Hamilton-Foyn.

275. A dated English slipware puzzle jug, c.1754, possibly Sussex, the squat body decorated in a treacle glaze, the neck pierced with holes and a large heart beneath the handle, the rim applied with birds, incised ‘1754’, damages to the birds, 16cm. £800-1,200

276. A silver-mounted brown stoneware hunting jug, c.1827, sprigged with topers, trees and running hounds, the hinged silver lid with hallmarks for Spooner, Clowes & Co., Birmingham, 1827, 21cm high. £150-250 274

277. A Sussex pottery leadglaze tobacco jar, dated 23rd February 1811, the cylindrical body decorated in a treacle glaze with yellow star garlands, inscribed ‘J. Smith Catsfield Feb*23*1811’, the cover lacking, 16.7cm. £300-400 Catsfield is a village in the Rother district of East Sussex, close to Battle. There were several branches of the Smith family living in the village in the early 19th century.

278. A rare and small brown stoneware jug of American interest, c.1830-40, perhaps Brampton, the rounded sides moulded in relief with portraits representing George Washington, Benjamin Franklin and probably John Adams, the spout modelled as a mask, the handle as a greyhound, the rim pierced with four small holes, 11cm high .£100-200 Washington, Adams and Franklin were three of the Founding Fathers and key figures in the signing of the American Declaration of Independence in 1776.

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279. A large brown stoneware jar, mid 18th century, probably Fulham, the ovoid shape with an incised band to the shoulder and a graduated brown glaze, and a similar large stoneware jug with strap handle, 31cm. (2) £100-200

280. A large slipware dish, mid 18th century, the rounded rectangular shape with pie-crust rim, the dark brown glaze trailed diagonally in yellow slip, some wear, 41.5cm. £350-450

281. A large earthenware two-handled jar and cover, 18th/19th century, covered to the interior with a treacle-coloured lead glaze, a small country pottery jug, 17th/18th century, decorated in a warm brown glaze, and a 19th century single-handled jar glazed to the interior and the upper exterior in blackbrown, 28cm max. (4) £150-250

282. A Hispano-Moresque tazza, 17th century, decorated in a rich copper lustre with a central bird within dense foliage, raised on a low foot, some glaze losses, 23.5cm dia. £100-200

283. A Continental tin-glazed plaffonier, 19th century, the sides applied with three ring handles issuing from mythical maskheads, between three pierced holes, the rim pierced with suspension holes, 36cm dia. £100-200

284. A pair of faïence commemorative plates, 19th century, painted with titled portraits of Louis XVI and Marie Antoinette within stylized floral borders, and a pearlware plate with moulded border, printed in black with a portrait of Queen Caroline, 13.7cm max. (3) £100-200

285. A Brameld blue and white bidet and stand, 19th century, the bowl printed with rural scenes within borders of fruit in baskets, set into a shaped wooden stand, 43.5cm high x 51cm across. (2) £100-200

286. A large and unusual Palissy-style vase, late 19th/20th century, two crocodiles forming the handles, the sides applied with flowers, leaves, shells and insects, a stalactite effect to the rim, some restoration, 37cm. £80-120

287. A massive Spanish pottery basin 19th century, painted in the Talavera manner with a central figure wearing a featherplumed hat, walking between stylized foliage in shades of ochre, blue, green and manganese, the flared sides with a wide border, 57.5cm dia. £200-300

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288. A rare Porquier-Beau Quimper reliefmoulded plaque, late 19th century, moulded in high relief with St Brieuc and an infant, PB monogram to the reverse, and an unusual Porquier-Beau plate painted with a flying lizard clambering over bare branches, 40.5cm max. (2) £250-350

289. A Continental faïence water urn, 19th century, decorated in the Strasbourg manner with a triple fleur de lys shield beneath crowned dolphins, within simple flowers, the upper part of the double-walled body pierced with a geometric design, with a hinged lid, the whole raised on three feet, some damages, 38cm. £250-350

290. A Continental faïence figure of the Madonna and child, 18th/19th century, standing, wearing a floral robe beneath a blue cloak, raised on a square base titled ‘A.V.M.’, 23cm. £100-200

291. A Moustiers faïence plate, mid 18th century, painted in shades of green, ochre, blue and manganese with grotesque figures and floral sprays, within a shaped rim, FC mark to the reverse, 26cm. £150-250

292. A Nove (Antonibon factory) circular stand, mid 18th century, decorated in a palette of green, blue, black and yellow with small chinoiserie landscapes and an ‘a ponticello’ panel beneath flowers, 23.5cm. £300-500

293. A Moustiers-style faïence footed dish, probably 19th century, painted in a palette of blue, yellow, green and muddy brown with grotesque birds within large simple floral sprays, raised on a wide square foot, blue F and X mark, some glaze chipping, 27cm across. £120-150

294. A Delft lobed vase, c.1730-40, of double gourd shape, painted in red, green and blue with birds in flight above vases of flowers, a spiral-moulded jug painted in blue with Chinese figures in a landscape, and a plate decorated with vases of flowers, some glaze chipping, 22.2cm max. (3) £100-150

295. Two Moustiers type faïence plates, 19th century, decorated in the Olerys manner with grotesque creatures and mythical animals amidst foliage, in shades of green and ochre, interlaced OL and F marks, 27cm. (2) £150-250

296. A Delft vase and cover, 19th century, painted with figures in a garden scene within a moulded cartouche, the cover with a parrot finial, numeral marks to the base, a Continental faïence syrup jar titled ‘Acova Minerale’, and a two-handled jar decorated with dense foliage in blue, the tall neck with vertical stripes, damages, 43cm max. (4) £250-350

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297. A collection of forty six various tiles and fragments, including Dutch and English delftware, Spanish maiolica and Chinese and Japanese porcelain, variously decorated with figures, landscapes, flowers and geometric designs, most damaged. (46) £300-500 Provenance: from the collection of the late Anthony Ray (1926-2009), ceramics historian.

298. A large number of Spanish maiolica architectural or floor tiles, perhaps 16th century, most decorated with a strapwork design in yellow, ochre and blue, with fruiting cornucopia and foliate motifs, damages and fragments. (A lot) £100-200 Provenance: from the collection of the late Anthony Ray (1926-2009), ceramics historian.

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299. Ten encaustic and slipware tiles, medieval and later, variously decorated with birds, animals and scrolling designs in yellow and treacle coloured glazes, some damages, 21cm max. (10) £250-350 Provenance: from the collection of the late Anthony Ray (1926-2009), ceramics historian.

300. Three Islamic tiles, two probably Damascus 16th / 17th century, decorated in the Iznik fashion with stylized flowers, some damages, 27cm max. (3) £400-800 Provenance: from the collection of the late Anthony Ray (1926-2009), ceramics historian.

298 part

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301. A pair of Spanish (Catalonia) pottery tin-glazed tiles, late 18th / early 19th century, one of a man wearing an apron and at work on a low wooden bench, the other of a man wearing a long coat and carrying an object over one shoulder, edged in yellow, some glaze wear and chipping, 14cm. (2) £100-200 Cf. Anthony Ray, Spanish Pottery 1248-1898, nos. 974-991 for similar examples.

302. A Liverpool delftware woodblock-printed tile, c.1756-7, decorated in blue by John Sadler with two Chinese figures among rococo scrolls and plants, the border with foliate scrolls and flowerhead mon, some glaze chips, 12.7cm. £50-100

303. Three London delftware blue and white tiles, 2nd half 18th century, one painted with a woman and child beneath a tree, one with a figure before boats, one with Jesus carrying the cross, and a Bristol manganese tile painted with buildings, in modern frames, 16.2cm overall. (4) £200-300 304. Three English delftware tiles, 2nd half 18th century, two painted in blue with a water mill, the third in manganese with a windmill, and a Delft tile decorated with a blue windmill, all in modern frames, 14.5cm overall. (4) £250-350 303

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305. Four Delft tiles, 17th century and later, one painted with a mythical sea creature, one with a central figure, two with arrangements of stylized tulips, all in modern frames, 15.5cm overall. (4) £150-250 306. A large Continental pottery tile, probably 19th century Spanish, painted with a cornucopia of fruit and flowers including a large pomegranate, in a carved wood frame, the tile 21cm. £100-200 Pencil markings to the reverse state that the tile comes from the estate of Dorothy Friend.

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307. A Mexican Talavera albarello, c.1740, the small, waisted body decorated in thick blue enamel with two bands of C scrolls and foliate trefoils, 13.5cm. £200-300 The simple design on this jar is derived from the lambrequin motifs on earlier European faience.

308. A small Sicilian maiolica albarello, 19th century, decorated in the Caltagirone manner with the trinacria (triskelion) symbol behind the head of Medusa, reserved on a blue ground with a wide floral and leaf scroll band, 9.5cm. £80-120

309. An Italian maiolica bottle, Siciliy c.1700, painted with a continuous design of large flowerheads in shades of yellow, ochre and green on a blue ground, drilled, a section of the rim broken and restuck, 22cm. £350-500

310. A small Castelli maiolica plate, mid 18th century, painted with distant figures before a turreted bridge, with overgrown Classical ruins and tall trees to the foreground, 18.2cm. £300-500

311. A massive Italian maiolica charger, 19th century, the well painted with a crowned figure playing the harp with further revellers behind, the wide rim with four monochrome portraits reserved on a ground of maskheads, mythical beasts and foliate scrolls, one portrait unusually of a man in early 19th century dress, the reverse with the letters FE, GB and N in blue, 63cm. £300-500

312. A large Cantagalli maiolica charger, late 19th century, brightly decorated with a bold foliate design around the profile portrait of a young boy wearing a ruff collar, in shades of blue, green, ochre and yellow, blue cockerel and 4 mark to the reverse, 52cm. £250-350

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313. Two delftware polychrome plates, mid 18th century, one Lambeth, brightly decorated with a parrot perched on a branch beside rockwork and flowering peony, pinecone motifs to the rim, the other with flowers issuing from rockwork, restoration to the latter, 22.5cm max. (2) £150-250

314. Two Delft vases, probably 18th century, one with a knopped neck and painted in blue and manganese, the other baluster shaped and painted in blue, both with Chinese figures in landscapes, some restoration, 24cm max. (2) £150-250

315. Two delftware blue and white plates, mid 18th century, one well painted with two Chinese figures in an interior beside a hanging lantern, the rim with a pattern of tied scrolls, the other with a stylized flowerhead design containing further flowers, 22.7cm max. (2) £150-250 Provenance: old lot labels for Christie’s, 26th October 1989, lot 471.

316. A delftware dish and a ginger jar, 1st half 18th century and later, the dish painted in blue with the Squirrel and Vine pattern, the jar decorated in iron red with a figure seated beneath a sponged tree, the cover lacking, 22.3cm max. (2) £100-200

317. Two small Delft lobed dishes, late 17th/18th century, each painted with a seated Chinese figure to the well, a small jug painted with two figures seated beside rockwork, and a larger tin-glazed jug painted with flying insects, flowers and foliage, some chipping, 22.5cm max. (4) £500-700

318. A delftware flowerbrick, c.1750-60, painted in blue with peony issuing from a fence, a flared Delft vase with similar decoration and a two-handled small vase with stylized flowers and rockwork, damages, 16.5cm max. (3) £150-250

319. Three delftware plates, 2nd half 18th century, one probably Bristol and painted in polychrome enamels with four simple flower sprays, one decorated in a bright blue with a flying insect below weeping willow, the last of small size and decorated with a stylized floral design, some good restoration, 23cm max. (3) £200-300

320. A large delftware bowl, London c.1760, the sides painted with three roundels containing a parrot, between colourful flowers and foliage, the rim with a yellow hatched border, blue M.P. mark to the base, 27cm dia. £400-600

321. Three delftware plates, 2nd half 18th century, one naively painted in manganese with a pagoda, one in blue with two figures on a bridge, the last of small size and painted with a fence garden scene, some good restoration, 23cm max. (3) £250-350

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322. A good Lambeth delftware scallop-edged plate, c.1740-50, the well painted with a Chinese man carrying a large leaf, looking back over his shoulder with a fence and rockwork before, within a powdered blue rim with four floral sprays left in the white, 23cm. £200-300 323. A large delftware polychrome plate, 2nd half 18th century, brightly decorated with a peacock perched on a slab before a flowering tree, the rim with flowerhead motifs between diaper panels, broken and repaired, 33.5cm. £100-200 324. A rare Glasgow delftware plate, c.1760, painted in blue with a boat at sail before a small building, the rim with leaves and grapes, 24cm. £150-250 Cf. Michael Archer, Delftware, p.223, no. B258 for a similar example.

325. A Bristol delftware plate, c.1760-70, the well decorated in the Fazackerly palette with a tied arrangement of flowers, the rim with stylized flowers and leaf fronds in bianco-sopra-bianco, 23cm. £400-600 326. A large Delft dish, mid 18th century, painted in blue with peony and bamboo beside a fence, the rim with a border of stylized fruit and foliate scrolls, 35cm. £50-100 327. An unusual delftware plate, early 18th century, perhaps Brislington, heavily potted and decorated with two yellow birds perched on a blue double line band, some good restoration to the rim, 22.7cm. £150-250 328. A large delftware plate, mid 18th century, probably Liverpool, painted in the Fazackerley palette with chrysanthemum and bamboo issuing from behind rockwork, the rim finely painted with sprays of lotus, 36.7cm. £300-500 329. A Bristol delftware polychrome plate, c.1720-30, the well painted with a geometric flower bulb with stylized foliage around the rim, some good restoration to the rim, 22.7cm. £150-250 330. A Bristol delftware plate, c.1740, decorated with a small flock of birds in flight above a manganese sponged tree and a large blue flower, some good restoration to the rim, 22cm. £150-250

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331. A Bristol or London delftware charger, c.1705, decorated in polychrome enamels with a putto and two birds amidst dense flowering branches, the rim painted with wing-like motifs and half flowerheads, a border of crosses and circles to the reverse, restored, 33.5cm. £300-400 Cf. Jonathan Horne A Collection of Early English Pottery Part XIII, 1993, no.359.

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332. A good delftware charger, c.1748, Bristol or Wincanton, painted in blue with a central stylized flowerhead within a wide powdered manganese border, the rim with blue scale panels and carnation heads, 32.7cm. £200-300

333. A Bristol delftware plate, c.1760-70, the well decorated in the Fazackerly palette with a tied arrangement of flowers, the rim with stylized flowers and leaf fronds in bianco-sopra-bianco, 23cm. £400-600

334. A small Delft commemorative lobed dish, c.1690, painted to the well with a half portrait of King William III, within a stylized tulip border, a rim crack, 22cm. £250-350 333

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335. A delftware deep charger, c.1720-30, Bristol or London, painted in blue, green and red enamels with a stylized floral panelled design, restored, 30.4cm. £200-300

336. A large Liverpool delftware charger, c.1760-70, finely decorated in the Fazackerly palette with a large floral arrangement and further single sprays in different colours around the rim, a few small glaze chips to the rim, 34.5cm. £800-1,200

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336

337. A large Delft plate, 18th century, painted in red and blue with two swans to the well, within a wide border of flowers and leaves, red 5 to the reverse, 34.3cm. £250-350

338. A large Delft lobed dish, late 17th/early 18th century, decorated in manganese, yellow and blue with a central seated Chinese figure, the rim with further figures in garden settings, blue mark to the reverse, 34.5cm. £500-700

337

338

339

340

341

342

339. A delftware dish, late 17th / early 18th century, perhaps London, painted and sponge-decorated in blue with a flock of birds in flight above buildings and trees, 23.5cm. £100-200

340. A small Delft lobed dish, c.1700, painted in blue with an Oriental figure seated in a garden scene, the same design repeated twice to the rim, some rim faults, 21.5cm. £50-150

341. A Liverpool delftware plate, c.176070, decorated in the Fazackerly palette with a central floral motif, three sprays of flowers to the rim, some filled rim chips, 23.7cm. £150-250

342. A large Liverpool delftware charger, c.1760-70, painted in the Fazackerly palette with a central floral spray with further single blooms around the rim, a large rim chip, 34.2cm. £400-600

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343. A small delftware dish, early 18th century, perhaps Brislington, decorated with a large insect in flight above a small building beneath a willow tree, within a blue line rim, a section broken out and restuck, 23cm. £150-250 Old paper labels to the reverse.

344. A Delft polychrome plate, 1st half 18th century, brightly decorated with a peacock and a flying insect, the rim with a continuous band of red swirls and large green dots, 22cm. £100-200 345. A Lambeth delftware plate, c.1780, decorated in an unusual polychrome palette with a flying insect above a central peony spray, the rim with diaper panels, some good restoration to the rim, 23cm. £100-200 343

344

346. A rare Dublin delftware plate, mid 18th century, painted in blue with the Bamboo Fence pattern, a large peony before bamboo issuing from behind a fence, painted 7 mark to the reverse, 24cm. £150-250 Cf. Peter Francis, Irish Delftware, pp.84-85 for other examples of this pattern.

347. Eight Delft teabowls and eight Delft saucers, most 18th century, variously decorated in blue and polychrome with flowers, birds and the Boy with Buffalo pattern, damages, 12.7cm max. (16) £100-200 348. Three blue and white delftware plates, mid 18th century, one Liverpool and painted with a wading bird standing on rockwork beside peony, another with a vase of peacock feathers amidst large Oriental blooms, the last with a central peony motif, some good restoration, 23cm. (3) £150-250

345

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346

347

348

349. Two creamware bin labels, early 19th century, of rounded coat-hanger form, titled in black with ‘Sherry’ and ‘Claret’, 13.5cm.

(2) £100-200

350. A good miniature pearlware plate, early 19th century, possibly Brameld, printed in blue with a Chinaman holding a fringed parasol over a lady and some birds, a figure in a pagoda behind, 6.4cm. £50-100 Paper label for the Newmane Collection.

351. A good delftware bin label, c.1780, probably London, of coat-hanger shape, titled ‘Madeira’ in manganese, pierced with a hole for suspension, 13.6cm. £250-350 Cf. John Austin, British Delft at Williamsburg, p.113.

THE RICHARD DAUNCEY COLLECTION OF MINIATURE CUPS & SAUCERS

352. Thirteen miniature cups and saucers and one plate, most 20th century, including Spode, Coalport and German porcelain, variously decorated in the Oriental manner with Imari patterns, famille rose flowers, printed blue Chinese landscapes and famille verte landscapes, 7.2cm max. (27) £100-200 Provenance: from the collection of the late Wing Commander Richard Dauncey.

352

353. Twenty two miniature cups and saucers, 19th and 20th centuries, including Wedgwood, Susie Cooper, Paragon and Foley, variously printed and painted with flowers, insects, landscape scenes and leaf borders, one Wedgwood example in lustre, a boxed Limoges cup adhered to its saucer, 6.5cm max. (43) £100-200 Provenance: from the collection of the late Wing Commander Richard Dauncey.

354. Sixteen miniature cups and saucers, 19th and 20th centuries, including Minton, Spode, Royal Worcester, Coalport, Foley and Hammersley, variously decorated with flowers, and a similarly decorated saucer, 6cm max. (33) £150-250 Provenance: from the collection of the late Wing Commander Richard Dauncey.

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355. One Meissen and five Meissen-style miniature cups and saucers, late 19th/20th century, decorated with scenes of courting couples, harbour scenes and birds, within strapwork cartouches, some with pink or yellow borders, blue crossed swords or AR monogram marks, 8cm max. (12) £150-250

356. Seven Staffordshire porcelain miniature cups and saucers, most 2nd half 19th century, one Minton, painted with flowers, 6.7cm max. (14) £100-200 Provenance: from the collection of the late Wing Commander Richard Dauncey.

357. Eight Staffordshire porcelain miniature cups and saucers, most 19th century, decorated in the Imari palette with floral and foliate motifs, 7.2cm max. (16) £80-120 Provenance: from the collection of the late Wing Commander Richard Dauncey.

Provenance: from the collection of the late Wing Commander Richard Dauncey.

358. Six Coalport miniature cups and saucers, 20th century, two decorated with blue birds on a gilt ground, one with landscape vignettes, two printed with flowers, the last with gilt motifs on a yellow ground, 6cm max. (12) £100-200

359. Twelve miniature cups and saucers, 20th century, including Wedgwood, Royal Doulton, Shelley, and Staffordshire, printed and painted with various flowers and leaf designs, the Wedgwood example together with a small plate, 7.8cm max. £120-150

360. Seven Dresden porcelain miniature cups and saucers, 19th and 20th centuries, five spiral-moulded, all decorated in the Meissen style with deutsche Blumen, one also applied with flowers, various marks, 9.5cm max. (14) £100-200

Provenance: from the collection of the late Wing Commander Richard Dauncey.

Provenance: from the collection of the late Wing Commander Richard Dauncey.

Provenance: from the collection of the late Wing Commander Richard Dauncey.

361. Two Royal Worcester and four Royal Crown Derby miniature cups and saucers, 20th century, the Worcester in the 18th century manner with Chinese figures, two of the Derby in Japan patterns, one in the Delft manner, the last decorated with flowers, printed marks, 8.6cm max. (12) £100-200

362. Nine commemorative miniature cups and saucers, 20th century, two Spode, commemorating Josiah Spode’s 250th anniversary, the other the visit of Pope John Paul II to Britain in 1982, three Caverswall, one for the wedding of the Prince of Wales, one of Big Ben, a Royal Doulton example of Brambly Hedge, and one for Dickens Old Curiosity Shop, 8.5cm max. (18) £100-200

363. Nine English porcelain miniature cups and saucers, 19th and 20th centuries, four Spode, two Coalport, one applied with flowers and together with a small plate, a Derby can and saucer with pink roses, one Royal Worcester, one Staffordshire, 10cm max. (19) £150-250

Provenance: from the collection of the late Wing Commander Richard Dauncey.

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Provenance: from the collection of the late Wing Commander Richard Dauncey.

Provenance: from the collection of the late Wing Commander Richard Dauncey.

364. A pair of Worcester blue and white miniature teabowls and saucers, c.1775, printed with the Fence pattern, hatched crescent marks to one, and a Caughley miniature coffee cup printed with the Fisherman and Cormorant pattern, the cup broken and reglued, 9.3cm max. (5) £150-250

365. A Royal Worcester miniature cup and saucer, modern, painted with fruit and signed ‘P Platt’, two Royal Worcester style miniature cups and saucers with similar fruit decoration,, signed Leighton, and a third in the manner of Stinton, painted with a pheasant, 6.8cm. (8) £120-180

Provenance: from the collection of the late Wing Commander Richard Dauncey.

Provenance: from the collection of the late Wing Commander Richard Dauncey.

366. Five pottery miniature cups and saucers, 19th and 20th centuries, two Wedgwood Jasperware, one with a matching small plate, one Wedgwood pearlware printed with a Chinese pagoda scene, two of German red stoneware, and a small pearlware teabowl and saucer with a brown printed design, 10cm max. (13) £100-200 Provenance: from the collection of the late Wing Commander Richard Dauncey.

369. Ten miniature cups and saucers, 19th and 20th centuries, including Royal Doulton, Coalport, Cauldon, and Vienna-style, variously decorated with flowers and gilt motifs on coloured grounds including blue, claret, green and orange, one with a small plate, 7.5cm max. (21) £150-250 Provenance: from the collection of the late Wing Commander Richard Dauncey.

367. A Barr Worcester miniature or toy teabowl and saucer, c.1800, decorated with a continuous gilt foliate band, incised B marks, and a Derby miniature teabowl painted with flower sprays in the Cotton Stem manner, brown line rim, the latter broken and restuck, 8.7cm max. (3) £80-120

368. Fifteen miniature cups and saucers, 19th and 20th centuries, including Davenport, Royal Worcester, Shelley,, English, Continental and Japanese examples, variously decorated with flowers, landscapes and birds, 8.2cm max. (30) £50-150

Provenance: from the collection of the late Wing Commander Richard Dauncey.

Provenance: from the collection of the late Wing Commander Richard Dauncey.

370. Eight Japanese and Chinese miniature cups or teabowls and saucers, 18th century and later, one painted in the famille rose palette with a bird perched on peony, one of Satsuma earthenware, the others porcelain and decorated with flowers, dragons and Imari patterns, and a single famille verte teabowl, some damages, 8.5cm max., (17) £100-200

371. A toy Wedgwood creamware part tea and coffee set, early 19th century, comprising of a teacup and saucer, a teapot and cover and a coffee pot, painted with simple polychrome flowers, a toy transferware teapot and cover, printed in blue with Eastern figures before buildings, and a toy pearlware coffee can and saucer, some damages, 11cm max. (9) £100-200

Provenance: from the collection of the late Wing Commander Richard Dauncey.

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372. A Mason’s Ironstone soup tureen and cover, 19th century, and a meat platter, all decorated in the Japan style in pattern number 3050 with stylized floral and foliate scrolls, printed marks, 56.5cm max. (3) £200-300

373. A good and large Copeland Late Spode soup tureen with cover and stand, c.1852, the globular body decorated with borders of stylized flowers and leaves between narrow green bands, with gilt detailing to the moulded handles and finial, printed and impressed marks, 35.5cm across. (3) £100-200

374. An English porcelain supper set, early 19th century, decorated in the Pinxton manner with a border of cornflowers in pink and blue, faint puce arrow marks. Comprising: a circular tureen and cover and four shaped dishes and covers. (10) £200-400

375. Eight Davenport botanical dessert plates, c.1840, the wells finely painted with titled specimens including Rose bud, Luculia, Convolvulus, Lily, Drummondi, Echium and Hollyhock, within rich reticulated borders of gilt and café au lait, printed marks, gilt pattern number 500, 23.2cm. (8) £200-300

part

376. A large Wedgwood pottery part dinner service, 20th century, of ‘Rustic’ design, printed in blue with farmyard vignettes of ducks, geese, hens, cows, rabbits and other animals, printed and impressed marks. Comprising: two large meat plates, two octagonal dishes, two sauce tureens with one cover, three vegetable tureens, a large bowl, two strainer dishes, two tazza, a small dish, 29 dinner plates, 12 soup plates and 26 smaller plates. (83) £1,800-2,500

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377. An English porcelain part dessert service, c.1830, decorated in pattern 5/215 with scrolling leaf designs in gilt and white on a cobalt blue ground, gilt pattern numbers. Comprising: three rectangular dishes, one oval dish, and eleven plates in two sizes. (15) £300-500

378. A combined Spode and Copeland Garrett tea service, 19th century, richly decorated with a pattern of raised gilt scrolls and leafy fronds with green enamel detailing. Comprising: a teapot with cover and stand, a slop bowl, two square plates, a milk jug, six teacups, six coffee cups and 12 saucers. (31) £300-500

379. An English porcelain part tea service, 1st half 19th century, printed in black with figures and animals before stately homes, some small damages. Comprising: a teapot with cover and stand, a milk jug, a sugar bowl, two plates, six cups, three saucers, and seven similar saucers from an associated service. (22) £100-200

Provenance: previously in the collection of Edward James, a British poet and supporter of the Surrealist movement. James owned West Dean House in Sussex, which he gifted to a charitable trust in 1964.

380. Ten Belleek cups and saucers, late 19th/early 20th century, moulded with the Cone pattern, second period black marks, and an early Belleek footed bowl, c.1870, modelled as half a sea urchin and raised on a coral support, impressed mark and registration diamond, 13.2cm. (21) £100-200

381. A cased Royal Worcester coffee set, date codes for 1927, the exteriors decorated with jewelled enamel panels in green and orange on a mottled bluish green ground, the interiors richly gilded, printed marks, the silver-gilt spoons with hallmarks for H. J Hulbert & Co. Ltd, London 1927. £200-300 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

382. An English porcelain combined dessert and tea service, 19th century, decorated with rural landscape vignettes on a white ground, the large dishes with flowerhead moulding. Comprising: five square plates, two shaped dishes, nine moulded plates, six smaller plates, seven teacups, six coffee cups and six saucers. (41) £150-250

383. A Bloor Derby part dessert service, c.1830, painted with a pattern of pink roses and small blue flowers with gilt leaves, iron red circular marks. Comprising: an oval bowl and stand, two oval dishes, two shell-shaped dishes, two kidney dishes, and 10 plates. (18) £100-300

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384. A rare Royal Worcester figure of a monk, c.1882, standing with hands on hips, his robe tied with a gilt cord, his face ruddy, printed and impressed marks, 16.5cm. £200-300

385. A pair of Minton vases and covers, early 20th century, the flattened quatrefoil forms painted with panels of pink roses reserved on a dark blue ground, printed marks, some damage to the covers, 19.5cm.

(4) £100-150

386. Three Royal Worcester candle snuffers, late 19th/early 20th century, one of Mrs Caudle, one of an owl wearing a tasselled cloak, and one of Granny Snow in blush porcelain, printed marks, 7.5cm max.

(3) £200-300

387. A pair of Coalport two-handled vases, late 19th/early 20th century, painted with landscape panels within elaborate gilt and cream borders on a deep blue ground, printed marks, 36cm. (4) £100-200

388. A Grainger’s Worcester reticulated vase, late 19th century, of Islamic shape, probably by Alfred Barry, pierced to two sides with a panel of elaborate leaf scrolls within a blue jewelled border, some good restoration to the neck, 30cm. £250-350

389. A pair of Belleek vases, late 19th/early 20th century, of Diana shape, applied with large daisy sprays between pierced scrolling handles, the rims moulded and fronded as petals, printed black marks for the Second Period, 25cm. (2) £200-300

390. A Belleek jardinière, late 19th century, of ‘Belleek’ shape, the spiral moulded body richly applied with a variety of flowers and raised on three scroll feet, second period black mark, 26cm. £300-500

391. A Royal Worceseter cabinet cup and saucer for the Australian market, date code for 1926, painted with antipodean flowers including Wattle, within a brown border of fern, printed marks, retailed by Flavelle, Roberts & Sankey Ltd., Brisbane, 15.5cm. (3) £600-800

392. A Belleek vase, late 19th century, modelled as a large flared shell resting on the back of a flying fish, raised on a base of choppy waves, second period black mark, 11cm high. £100-150

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393. Three good Royal Worcester circular plaques, c.1914-18, painted by Richard Sebright with baskets of fruit and flowers spilling over onto tabletops, signed, date codes for 1914 and 1918, framed and glazed, the plaques 10cm dia. (3) £1,000-2,000

394

395 394. A large Brown-Westhead Moore & Co. Cauldon vase, c.1890-1900, finely painted with a continuous scene titled ‘Oxen Ploughing after Rosa Bonheur’, signed ‘J Norman Bradley’, two small scroll handles issuing from the shoulder, gilded marks, 38cm. £200-300 395. A rare pair of Copeland royal commemorative vases, c.1910, made in memory of Edward VII, each decorated with a portrait of the late King and inscribed ‘Reigned in the Hearts of the People, Justice and Charity Adorned his Kingship’, the interiors with garlands bearing the names of his siblings, offspring and grandchildren, printed marks to the base registering these as numbers 83 and 84 of 100, one cracked, 17.5cm. (2) £400-600 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

396

396. A large group of ceramic trompe l’oeil models of fruit and vegetables, 20th century, in pottery and porcelain, several pieces with monograms for Lady Anne Gordon, Dowager Marchioness of Aberdeen, including cauliflower boxes, strawberries, pineapples, an onion and an artichoke, some damages, 30cm max. (22) £250-400 Provenance: from the collection at Newby Hall, Yorkshire.

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398

397. A Nantgarw ‘chocolate’-edged plate, c.1820, moulded with a delicate ‘piecrust’ rim and naively painted, probably by Thomas Pardoe, with six simple floral sprays, impressed mark, 23.5cm. £250-350 Provenance: paper label for the Sir Leslie Joseph collection, no. 376.

398. A good Nantgarw cabinet plate, c.1818-20, London-decorated with a fine arrangement of flowers, the rim with three floral panels reserved within elaborate gilt borders on a green ground, impressed mark, 23.6cm. £500-800

399. A Swansea plate, c.1815-1818, painted with six flower stems including rose and convolvulus, impressed mark, 20.5cm. £100-150 399

400. A Nantgarw sucrièr and cover and a slop bowl, c.1818-20, the sucrièr of compressed circular shape with twin handles and a pineapple finial, probably Welsh-decorated with simple floral sprays within gilt dentil rims, the slop bowl with identical decoration, 18.5cm max. (3) £1,000-1,500

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401. A rare Nantgarw specimen or cabinet cup, c.1818-20, the bell-shaped bowl finely painted to the exterior and interior with loose flower sprays in the manner of William Billingsley, with griffon handle, raised on a stepped foot, 9.5cm. £800-1,200 Illustrated: W D John, Nantgarw Porcelain, col. pl. 55B for this vase, listed in the B A Williams collection.

401

402. A rare Nantgarw small tazza, c.1818-20, the shallow circular body with a turned rim and raised on a heavy turned foot, London-decorated with a butterfly and ladybird between two floral arrangements and further single scattered blooms, the exterior with gilt husk and garland borders, 11cm dia. £500-1,000 This shape is unrecorded at Swansea and associated very much with the Nantgarw factory.

Cf. W D John, Nantgarw Porcelain, pl.30C for an identical example.

402

403. An unusual Nantgarw taperstick, c.1818-20, painted probably by Thomas Pardoe with pink roses within a gilt husk border, with double C scroll handle, some retouching to the gilding, 7.5cm. £1,000-1,500 Old paper collection label.

Cf. W D John, Nantgarw, Porcelain, pl.47C for an identical example.

403

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404. A group of English porcelains, 19th century, including a Coalport dessert plate painted with fruit and flowers within a moulded café au lait rim, a plate with reticulated and moulded rim, the well painted with birds, a Copeland & Garrett cup and saucer in pattern 4795, and a cup and saucer in pattern 3/707, 23.5cm max. (6) £250-350

405. Four Derby shaped dishes, 19th century, three with a border of pink roses and cornflowers, the other shell-shaped and painted with bold floral sprays in the Coalport manner, iron red marks, 31cm max.

(4) £100-200

406. Four Spode Felspar porcelain plates, 1st half 19th century, painted in pattern 4033 with floral arrangements within gilt and red borders, three other English porcelain plates or dishes, a Barr, Flight & Barr teapot stand with a gilt foliate border, and a pink and gilt cream jug, 27.7cm max. (9) £150-250

407. Two Spode coffee cans and saucers, c.1815-20, one in pattern 1382 with a rich floral design in red, gilt and green, the other with an Oriental design in pattern 498, together with a matching stand, a Worcester tray from a tête à tête set, c.1790, decorated in blue and gilt with a vignette of gillyflower and narcissus, and a small mug, probably Coalport, painted with floral panels on a blue scale ground, the tray broken and previously riveted, 33.5cm max. (7) £300-400

408. A pair of Ridgway two-handled dishes, c.1825-30, painted in pattern 673 with sprays of pink roses to the wells, the borders with panels of flowers on a cobalt blue ground gilded with grapes, and a similar English porcelain shaped dish decorated with floral panels, 30.5cm max.

(3) £150-250

409. Two Davenport shaped dishes, c.1840-60, painted with floral vignettes reserved on a blue ground, each raised on a low foot, a pair of English porcelain tazzae painted with botanical specimens in pattern 6838, and a Paris porcelain tazza with a monogram to the foot, 27.5cm max. (5) £200-300

410. A small collection of English Regency porcelains, variously decorated with flowers, some faults. Comprising: a pair of Davenport botanical plates within pierced rims, a pair of Spode shallow bowls in pattern 2004 with moulded rims, a pair of cups and saucers in pattern 1206, and a small plate with retail mark for Mortlocks. (9) £80-120

411. A Minton trio, c.1830, decorated in pattern 876 with flowers issuing from gilt shell motifs reserved on a cobalt blue ground with gilt leaves, a matching coffee can, a two-handled Minton cabinet cup decorated in the similar pattern 780, and a cabinet plate painted with rose and peony within a gilt and blue border, a crack to the cabinet cup, 21.7cm. (6) £100-200

412. Five English porcelain cabinet plates, 19th century, one pair Davenport, painted with figures in rural landscapes within moulded and gilded rims, one painted with a panel of fruit within a café au lait rim in pattern number 783, one Coalport with a bold foliate design, the other Copeland & Garrett with panels of flowers and fruit on a blue ground, 26.7cm max. (5) £100-200

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413. Two pairs of Davenport porcelain plates, c.1840-50, one pair decorated with birds within shaped and reticulated pink borders, titled ‘Common Buzzard’ and ‘Jer Falcon’ to the reverse, the other pair with landscape scenes of Lake Albano and a view of Wales, 24cm.

(4) £100-150

414. Three Coalport plates, 1st half 19th century, painted with panels of flowers including divergent tulips, reserved on a ground of tiny green flowerhead motifs, a moulded jug in pattern 5344, a Rockingham small mug inscribed for ‘William Marris’, a small twohandled campana vase, and a moulded chamberstick painted with pink roses, 25cm max. (7) £120-150

415. An English porcelain comport, early 19th century, after Pinxton, painted with an oval panel of water amidst rocky hills, a large two-handled loving cup with a gilt monogram amid foliate sprays, probably Coalport, and a smaller loving cup with gilt inscription for ‘H. Dyer Creech’, 33.5cm max. (3) £150-250

416. Two English porcelain plates and two teapot stands, 1st half 19th century, variously decorated with moths and butterflies, one stand Spode in pattern 2158, a large moth reserved on a lilac ground, one probably Derby in pattern 742 on a gilt scroll ground, one plate Derby in pattern 352 with a border of pink roses, the other with various moths and butterflies to the rim, a gilt foliate motif to the well, 23.8cm max. (4) £400-600

The comport with an old paper label which claims the rest of the service was marked with a puce crescent and star.

417. Five English porcelain spill vases, 1st half 19th century, one Davenport, painted with a panel of fruit and flowers on a white ground with gilt foliate scrolls, one Derby with red monochrome flowers on a gilt ground, another Derby decorated in Imari pattern 29, one Spode in pattern 4053 with raised gilding, the last in pattern 656 with a continuous band of flowers on a gilt ground, 11cm max. (5) £150-250

418. Five English porcelain two-handled vases, 19th century, including Derby, one with a cover, all variously decorated with panels of flowers reserved within gilt borders on a cobalt blue ground, two with swan handles, some damages, 25.2cm max. (6) £180-220

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419. A rare Davenport coffee can, c.1805-10, decorated with the Church Gresley pattern, a Derby coffee can and a fluted cup decorated with pattern 187, the fluted cup from the Ducie service, with an additional crowned D in a panel reserved on a yellow ground, a Derby can in pattern 597, and a coffee can with a chequered gilt border on a lime green ground, 7cm max. (5) £150-250

420. A pair of Barr Worcester trios, c.1800, comprising two teacups, two coffee cups and two saucers, richly decorated in a Japan pattern with panels of flowers and birds above fences and rockwork, incised B marks to most, 14cm. (6) £380-450

421. A Barr, Flight & Barr Worcester breakfast cup and saucer, c.1810, brightly decorated with an Imari type pattern of birds in an Oriental garden, impressed and printed marks, and a Derby trio decorated with a rich design of purple flowerheads on a gilt leaf ground, 16cm max. (5) £150-250

422. A covered cabinet cup and stand, 1st half 19th century, richly decorated with a continuous band of flowers reserved on a gold ground, and a slop bowl and coffee can with similar decoration between chainlink bands, 16cm max. (5) £100-200

Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

423. Eight English porcelain coffee cans, 1st half 19th century, including Chamberlain’s, Spode and Barr Worcester, richly decorated in Imari patterns, 6.5cm. (8) £150-250

424. Four Barr, Flight & Barr Worcester coffee cans and two saucers, c.1810-20, decorated in a bright Japan design with a pink pagoda and blue rockwork in a lavish garden setting, a small bird perched above a bridge, impressed marks, one saucer broken and restuck, 14cm. (6) £200-300 Paper labels to some for Stockspring Antiques and the Sattin Collection.

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425. Eight English porcelain coffee cans, 1st half 19th century, including Barr Worcester, Spode and Derby, variously decorated with floral, foliate and geometric designs in a palette of orange and gold, a teacup and saucer matching one can, a saucer matching a Barr, Flight & Barr can with an oakleaf design. (11) £150-250

426. Four Derby coffee cans and a saucer, c.1800-10, two cans decorated in pattern 529 with a band of pink roses reserved on a salmon ground, one in pattern 576, the can and saucer in pattern 626, and two further coffee cans with floral arrangements against a gilt scale ground, puce factory marks to most, 13cm. (7), £150-250

427. An English porcelain part tea service, 1st half 19th century, probably Ridgway, richly decorated with panels of flowers issuing from gilt baskets, reserved on a cobalt blue ground with a repeat shell motif, iron red pattern number 2/1070. Comprising: a teapot and cover, a sugar bowl and cover, a plate, a milk jug and a cup and saucer. (8) £150-200

428. A combined Barr, Flight & Barr and Spode part tea service, 1st half 19th century, decorated in the Worcester manner with fancy birds and flying insects reserved within gilt cartouches on a blue and gilt scale ground. Comprising: a BFB milk jug, sugar bowl and coffee can, and three Spode cans. (6) £400-600

429. Five English porcelain coffee cans and two cups, 1st half 19th century, including Spode and Coalport, decorated in various Imari and Japan patterns, and two Spode plates painted in pattern 1250, 19cm max. (9) £200-300

430. Four Coalport coffee cans and a small Spode vase, c.1820, decorated in the Dollar pattern, two cans in an unusual pale green version, 12cm max. (5), £150-250

431. A Chamberlain’s Worcester breakfast cup and saucer, c.1825-30, painted with narrow bands of flowers on a cobalt blue ground with gilt scrolls, an 18th century Worcester teabowl and saucer with green sprig decoration, a teabowl with blue and gilt sprigs, a fluted jug and cover, and a small mug with crisply moulded handle, painted with scattered flowers, one saucer damaged, 17cm max. (8) £100-200

432. A pair of New Hall teabowls and saucers, late 18th century, brightly painted in pattern 20 with Chinese figures in a garden, another teabowl and saucer with the Boy Chasing Butterfly pattern, and a Worcester teapot and associated cover similarly decorated with figures in a Chinese garden, 19.5cm max. (8) £250-350

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433. A good Barr Worcester coffee can and saucer, c.1805, brightly decorated with a Japan pattern of flowers and foliage, incised B marks, 14cm. (2) £250-350

434. Ten English porcelain coffee cans, 19th century, including Spode and Flight, Barr and Barr, variously decorated in blue and gilt with Greek key and other stylized foliate and geometric designs, two in Spode’s pattern 742 with a matching saucer, 13.7cm. (11) £150-250

436. Six Spode coffee cans and three saucers, 1st half 19th century, decorated in the Imari palette with various floral and foliate designs in patterns 1956, 1494 and 1495, 14cm. (9) £150-250 Some with paper labels for the Sattin Collection.

438. Thirteen English porcelain coffee cans, 19th century, including Spode and Minton, variously decorated with gilt foliate designs, some highlighted in orange, green or brown enamels, 7cm max. (13) £100-200

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435. A Barr, Flight & Barr Worcester cup and saucer, c.1810, richly decorated with a continuous band of red and gilt flowers and leaves reserved on a green ground, impressed marks, 14cm. (2) £300-400

437. A Barr, Flight & Barr teacup and saucer, c.1815, decorated with monochrome river scenes reserved on a grey faux marble ground, impressed marks, a Derby topographical can and saucer painted with titled views, and four other coffee cans with landscape decoration, one with a saucer, one can restored, 14cm. (9) £250-350

439. Spode Imari teawares, 1st half 19th century, richly decorated in floral Japan patterns. Comprising: a coffee can and saucer in pattern 1409, a trio, a can in pattern 1823, a can in 944, and another can.

(8) £200-300

440. Ten English porcelain coffee cans, 1st half 19th century, including Derby, variously decorated with foliate scrolls, floral bands, palm trees, chrysanthemum and Chinese dragons, and a Flight Worcester fluted coffee cup, 7cm max. (11) £100-200

441. Three Barr, Flight & Barr coffee cans and one saucer, c.1800-10, the can and saucer decorated with Neptune and Juno on a faux marble ground, one can with a band of moths and leaves, the other with a band of brown leaves and red flowers, a pair of flared coffee cups with a band of grapevine, and a fluted can and three saucers with brown floral bands, 13.7cm max. (10), £150-250

442. A Chamberlain’s Worcester trio and two plates, 1st half 19th century, richly decorated in pattern 924 with a band of pink rose and heartsease reserved on a gold ground, the cup handles with scrolling eagle heads, a teacup and saucer, a coffee can and saucer, and two cabinet cup stands, all similarly decorated with flowers on a gilt ground, 22cm max. (11) £250-350

444. A Barr, Flight & Barr trio, c.1810, decorated with a wide gilt geometric band and vermicelli design on a pale peach ground, impressed marks, two other English porcelain moulded trios, a Barr, Flight & Barr coffee can, a Flight, Barr & Barr can, and a Derby teacup, the latter cracked, 15cm max.

(12) £150-250

445. Four English porcelain cups and saucers, 19th century, one Minton with botanical decoration in pattern 588, one Copeland and Garrett in pattern 5122, one Coalport with panels of pink roses, another in Imari pattern 809, a pearlware cup and saucer with bands of marble effect in lustre, a moulded London-shape coffee cup and a Coalport Empire-shape teacup, some faults, 16.5cm max. (12) £100-200

446. Fourteen English porcelain cups and saucers, 19th century, including Spode, Minton, Coalport and Davenport, variously decorated with leafy borders, flowers, Oriental patterns, and gilt garlands, one inscribed for Mary Harrison, 16.5cm max.

(28) £150-250

447. Various English and Continental porcelains, late 18th/early 19th century, including a large Paris porcelain teapot and cover decorated with a sprig design, a Factory X saucer dish painted with a fence and rockwork, a New Hall teabowl and saucer with a stylized floral design, and a small Coalport vase and cover encrusted and painted with flowers, some faults, 23cm max.

(7) £100-200

448. Two Caughley mask jugs and three trios, late 18th century, the mask jugs with gilt initials within stylized cornflower panels, all decorated with further cornflower sprigs, 17.2cm max. (11), £200-300

449. Four Chamberlain’s Worcester cups and saucers, c.1840, moulded with wide floral bands and boldly painted with botanical specimens, gilt dentil rims, painted factory marks, 14cm. (8) £100-200

443. English porcelain teawares, 19th century, richly decorated in cobalt blue and gilt with continuous floral and foliate bands, some damages. Comprising: a teapot and cover unusually impressed 558 with painted numbers 892 and 851, three Spode coffee cans in pattern 893, two matching flared coffee cups, and a small plate. (8), £100-200

The coffee can with a paper label for the Sattin Collection.

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450. A Derby ewer of rare shape, c.1790-1800, of high-handled French form, painted with a basket of flowers including pink rose and tulip resting on a stone plinth, reserved on a cobalt blue ground highlighted with a continuous gilt and white enamel floral diaper design, the neck with a continuous gilt foliate band, puce mark, some restoration to the handle, 33.6cm. £200-300

451. A rare Spode two-handled vase, c.1815-20, of unusual form, finely decorated in pattern 1166 with bold arrangements of flowers against a blue and gilt scale ground, the foot and shoulder with a band of white beading, the tall handles issuing from satyr mask heads, iron red factory mark and pattern number, 21cm. £600-1,000

452. A Spode pot pourri vase, c.1815-20, the rounded bowl raised on three gilt dolphin supports, richly decorated in pattern 1166 with flowers set on a blue scale ground, iron red mark and pattern number, the cover lacking, 13.5cm high. £250-350

453. Two Spode vases, c.1815-20, both decorated in pattern 1166 with colourful floral arrangements reserved on a blue and gilt scale ground, one flared with bands of white beading, the other raised on a tall foot, iron red factory marks and pattern numbers, some damages, one cover lacking, 16.2cm max. (2) £800-1,200

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Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

454. A good Spode three vase garniture, c.1815-20, of New Shape Jar form, finely decorated in pattern 1166 with bold floral displays and single blooms against a blue and gilt scale ground, the feet and neck rims with white beading, iron red factory marks and pattern numbers, 18.6cm and 15.8cm.

(3) £2,000-3,000 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

Cf. Bonhams, Trelissick House and Gardens, Lot 583 for a near identical example from the Copeland Collection.

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455. A pair of Spode vases, c.1815-20, of New Shape form, with loop handles issuing from masks, lavishly decorated in pattern 711 with sprawling floral designs on a gold ground, together with an associated twohandled vase with the same decoration, iron red pattern numbers, some damages, 17cm max. (3) £600-800 455

456. A pair of Coalport sauce tureens with covers and stands, c.1805, and two shaped dishes, decorated at the Baxter workshop with the Church Gresley pattern, dense panels of flowers within borders of pink roses, hexagonal red panels and cornflower sprigs. (8) £500-800 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

456

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457. A good Barr, Flight & Barr cabaret set, c.1810, finely painted with large pink roses and sprawling gilt sprays of seaweed tendrils, impressed and printed marks, 39.7cm. Comprising: a tray, a teapot and cover, a sugar bowl, a milk jug, a slop bowl, two teacups and two saucers. £1,500-2,500 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

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458. A fine and large Chamberlain’s Worcester charger, c.1840, the well finely painted with an arrangement of flowers including iris, auricula, rose and tulip, the shaped border with panels of flowers within raised gilt designs reserved on a blue ground, iron red and impressed marks, a short riveted crack to the footrim, 41cm. £300-600 Cf. Geoffrey Godden, Chamberlain-Worcester Porcelain 1788-1852, pl.195 for a near identical dish. That dish, and this, reputedly from a service presented to the Grand Duchess of Hesse by Queen Victoria.

459. A rare Spode teapot, c.1815-20, finely painted in pattern 1166 with colourful sprays of flowers against a blue and gilt scale ground, iron red factory mark and pattern number, some restoration, 27cm. (2) £300-500 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

460. A good miniature English porcelain cabaret set, c.1817-20, well painted with sprays of English flowers including rose and tulip, reserved on a gilt dot ground, 18.3cm. Comprising: a tray, a teapot and cover, a sucrier and cover, a creamer, a slop bowl and a cup and saucer. (9) £850-1,000

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461. A good pair of Flight, Barr & Barr square cabinet dishes, c.1825-30, the wells painted with a circular panel containing an exotic bird standing on the riverbank, the white ground finely gilded with seaweed tendrils within shaped rims, impressed marks, 23.5cm. (2) £500-800 Paper labels for the Harvey Collection.

462. A good pair of Chamberlain’s Worcester moulded cabinet plates, c.1820, the wells boldly painted with large floral sprays, the moulded borders with three single blooms between gilt designs of birds atop scrolling leaves, printed marks to the reverse, 21.5cm. (2) £250-350

463. Two Derby dessert dishes, c.1790-1800, one shell-shaped and painted with two figures in a landscape, titled ‘View near Breadsall, Derbyshire’, with a blue and gilt border, the other painted with a small bouquet of roses and other flowers within berried garlands and a shaped turquoise rim, blue factory marks, 31.5cm max. (2) £150-250

464. A pair of Chamberlain’s Worcester armorial soup plates, c.1827, the wells decorated with the arms of Clifford-Constable and Chichester, the rims with three small floral panels reserved on a claret ground, script marks to the reverse, 26.5cm. (2) £80-120

465. A rare pair of Derby plates, c.1790-95, decorated outside of the factory probably by William Billingsley with floral arrangements within spiral moulded rims, puce potters stool marks to the reverse, 23.5cm. (2) £400-600

466. A pair of Chamberlain’s Worcester cabinet plates, c.1800, decorated in the Imari palette with pattern 240, a central vase of peony and leaves within a panelled border of birds and further flowers and foliage, purple marks to the reverse, 20.7cm. (2) £200-300

Cf. W D John, William Billingsley, pl.32F for an identical plate from the collection of Mr B M Oliver.

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Cf. Geoffrey A. Godden, Chamberlain-Worcester Porcelain 1788-1852, p.128.

The arms relates to the marriage in 1827 of Sir Thomas Aston CliffordConstable, 2nd Baronet of Tixall in Staffordshire, to Marianne Chichester of Calverleigh Court in Devon.

Cf. Geoffrey A. Godden, Chamberlain-Worcester Porcelain 17881852, p.109 illustrates items from Admiral Lord Nelson’s service, which uses pattern 240 as the basic design.

467. Two Derby plates, c.1795, each delicately painted with three sprays of spring and summer flowers, within shaped gilt rims, puce factory marks and pattern number 80, the smaller damaged, 24.5cm max. (2) £160-200

468. Two good Derby plates, c.1820, one painted probably by Leonard Lead with three bright floral arrangements, the other unusually decorated with a central bird, the rim with further brightly coloured birds and flower sprays, iron red marks, one with pattern number 42, 25cm max. (2) £150-250

469. A Coalport câchepot and stand, early 19th century, painted with a continuous sepia landscape with gilt key fret borders on a yellow ground, a Derby heart-shaped dish painted with a pink rose in pattern 191 on a rich yellow ground, and another plate painted with a landscape around the rim, the stand previously broken and riveted, 25.5cm max. (4) £200-400

470. Three Derby plates, late 18th century, each decorated with a central pink rose and a spray of forget-me-not, within gilt and salmon pink borders, puce factory marks, two with number 152, the smaller shaped dish with number 65, 23.5cm. (3) £100-150

The Derby dish with a paper label for the Lucas Derby Collection, no. 109.

471. A pair of Flight, Barr & Barr Worcester cabinet plates, c.182530, each well painted with a circular panel of a fancy bird within shaped claret borders and colourful moths and butterflies, printed and impressed marks, and a similar dish with shaped rim containing landscape vignettes on a claret ground, 22.5cm. (3) £300-500

472. A good H & R Daniel cabinet plate, c.1830, painted with a scene from ‘Kenilworth’ by Sir Walter Scott, presumably of Robert Dudley and Amy Robsart seated before attendants, within an elaborate gilt rim, an armorial plate with a coat of arms beneath a seated griffin crest, perhaps for Hobhouse, and a Samson armorial plate with a grapevine border, 26.3cm max. (3) £350-500

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473. A Coalport inkstand and two Coalport inkwells, 1st half 19th century, the stand of canted rectangular form with gilt swan handles, painted with landscape scenes and set with a taperstick, a pounce pot and two inkwells, the two inkwells of drum shape with various openings, some faults, 28cm max. (9) £200-300

474. A Chamberlain’s Worcester dessert plate, late 18th/early 19th century, richly decorated in the Dragons in Compartments pattern, with fierce beasts between panels of Oriental still life arrangements, gilded pattern number 75, 18.7cm. £100-200

475. Two English porcelain mugs, 19th century, the first a rare Minton example, painted in pattern 58 with a landscape scene between gilt sprigs, the second painted with three panels, one of a bird, one of a dog lapping at water, the last of cattle before a farmhouse, within rich gilt borders, 8.2cm max. (2) £100-200 Illustrated: Geoffrey A. Godden, Minton Pottery and Porcelain of the First Period, pl.13.

476. A Chamberlain’s Worcester ‘Grace’ mug, c.1810, of large size and exceptional quality, finely painted with a dead game bird reserved on a gilt and blue marbled ground beneath a band of grapevine, a Derby porter mug painted with a titled view ‘On the Lake Albans, Italy’, and an unusual English porter mug decorated in the Imari palette with vignettes of pagodas on a red swirl ground, damages, 17cm max. £200-300

477. A Bloor Derby sauce tureen and cover, c.1830-40, decorated with a wide lime green band and a gilt stylized floral design, iron red mark, and an earlier Derby teapot stand painted with a view of Scottish ruins reserved on a gilt and blue ground, titled ‘Near Glasgow’ to the reverse, 19cm.

(3) £80-120

478. A Grainger Lee & Co. desk stand, c.1830, painted with a titled view of Worcester on an octagonal card holder between two flared square holders, an English porcelain moulded pen tray, painted with flower sprays, and a tall mug painted with a peasant couple, titled ‘Canton d’Ury’ to the base, some damages, 22.3cm max.

(3) £150-250

480. A pair of miniature Spode candlesticks, c.1815-20, finely decorated in pattern 2478 with polychrome flowers over a spiral gilt and cobalt blue ground, and two miniature flared vases painted with wide bands of pink rose in pattern 120, 7cm max. (4) £300-500

481. A Chamberlain’s Worcester ladle, c.1805, the generous bowl richly decorated with four small panels of stylized red flowers within gilt and blue bands, the handle with foliate gilding, 16.8cm. £80-120

Cf. Geoffrey Godden, Chamberlain Worcester Porcelain 1788-1852, pp.262-263 for near identical mugs.

479. A Derby salt and stand, c.1815, of flattened campana form, richly decorated with brown and gilt foliate scrolls on a pale peach ground, gilt crowned crossed batons mark to the salt, together with a pierced cover, a small restuck section to the stand, 10.5cm. (3) £50-100

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Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

482. Five Charles Ford porcelain plates, c.1900, the wells painted with lake and river scenes within turquoise and gilt band borders, impressed CF marks, 22.3cm. (5) £80-120

484. A pair of Derby putti and a Derby vase, c.1770-75, the putti left in white with gilt detailing, the vase with applied flowers and painted with further blooms, some damages and restoration, 15.2cm max. (3) £100-200 Provenance: the vase from the reference collection of Geoffrey Godden.

487. A Spode chamberstick, c.1815-20, painted in pattern 967, a two-handled vase with white beading to the shoulder and foot, also in pattern 967, and a Spode spill vase in pattern 868, a cover lacking, 7.7cm max. (3) £250-350

483. Five Minton plates, date codes for 1914, the rims richly decorated in raised enamel with garlands of pink roses and white beading, impressed and printed marks, 26cm. (5) £150-250

485. Two pairs of English porcelain plates, 1st half 19th century, one pair with a central floral design within gilded cobalt blue borders, the other with continuous borders of small pink flowers, two saucers with stylized floral designs, a spiral fluted teabowl, and a sucrièr with an associated cover, some damages, 23.5cm max. (9) £80-120

486. A small collection of Derby desk furniture, c.1820, including a pair of inkwells raised on swan supports above shell feet, three campana shaped inkwells or pounce pots, one with a cover and one with an inner liner, a pair of small bottle vases, and a pair of salts, all decorated with foliate scrolls, iron red marks, some damages, 13cm max. (11) £300-400

488. Two Spode pot pourri vases or pastille burners and covers, c.1820-30, the flared cylindrical bodies raised on four paw feet, the covers pierced with shaped holes, one painted in pattern 2418, the other with flowers similar to 711, and a Chamberlain’s Worcester small pastille burner, applied with white flowers and raised on dolphin supports, some damages, 13.5cm max. (6) £400-600

489. Three English porcelain inkwells, 1st half 19th century, one painted with a traveller and child, another with a panel of flowers, both with lion mask handles and raised on four paw feet, the last of simple cylindrical shape gilded with a continuous scrolling design, 10cm dia. max. (3) £250-350

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490. A Bloor Derby two-handled vase, c.1830-40, finely painted with a wide and continuous band of flowers including sunflower, narcissus, nasturtium, heartsease and peony, on a white ground decorated with gilt scrolls and stylized designs, red printed mark, 29cm. £200-300

491. A small Coalport câchepot and stand, c.1810, of bucket shape with moulded ring handles, painted with a rectangular panel of flowers reserved on a burnt orange ground, 10.5cm overall. (2) £150-250

492. A pair of Minton vases, mid 19th century, painted with fruit and flowers tumbling over marble plinths, one with a goldfinch perched on a stem, above faceted jewelled bands applied with loop handles issuing from masks, one raised on a cylindrical base with doric column arches, one base lacking, 25cm max. (2) £250-350

493. A Grainger Lee & Co campana vase, mid 19th century, painted with a chamfered panel of a basket of flowers resting on a marble ledge, reserved on a green ground, the handles elaborately scrolling, iron red mark, and an English porcelain campana vase similarly decorated with fruits and flowers, 31.5cm max. (2) £350-550

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494. A fine pair of Rockingham porcelain plaques, c.1826-29, painted by John Creswell, each with an exuberant arrangement of flowers and fruit spilling from a vase resting atop a marble plinth, one signed in the paint ‘J. Creswell’, 22.8cm. (2) £1,500-2,500 Although Creswell’s time at Rockingham was short-lived he quickly became known as one of the factory’s finest floral painters, and produced a similar plaque to these for the Earl of Fitzwilliam at Wentworth House.

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495. An English porcelain oval tazza, 1st half 19th century, the well painted with a central panel of fruit including grapes, apples and redcurrants, within a border of further fruits, the exterior with two panels of flowers, 29.7cm. £100-200

496. A pair of English porcelain pot pourri vases and covers, c.1820-30, of campana form, painted with colourful exotic birds within rococo trelliswork, the covers pierced with small circular holes, and a larger pot pourri vase with inner cover, similarly decorated with peacocks, some faults, the outer cover lacking, 24.5cm max. (6) £150-250

497. A Coalport inkwell or desk stand, c.1820, of Cupid seated on the back of a lion, resting a vase on one knee, the base with a continuous landscape, a Meissen style inkstand, heavily gilded with Cupid seated on a circular base, set with a pounce pot and inkwell with cover, and a Vienna style tea canister and cover painted with Classical figures on a dark blue ground, some damages, 13cm max.

(7) £200-300

498. A Staffordshire porcelain loving cup, 19th century, one side painted with a panel of flowers, the reverse inscribed in gilt for ‘William Bird, Lion Inn, Lawley Street, Birmingham’, reserved on a green ground, 10.8cm high. £50-100

499. Three Spode items, c.1815-20, a small vase and cover decorated in pattern 1166 and moulded with a family crest to the neck, a two-handled vase and an inkwell and cover decorated in pattern 2478, all with colourful flowers on blue and gilt grounds, iron red marks to two, the neck of the vase reduced, 15cm max. (5) £400-600

501. Two English porcelain baskets, 1st half 19th century, perhaps Coalport, painted and encrusted with flowers, the smaller with a pierced cover, a similarly decorated ewer, a rococo-moulded vase with flowers applied to a blue ground, and Spode ring stand painted with pink roses in pattern 3336, 16cm max. (6) £150-250

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500. Two English porcelain mugs and a beaker, 19th century, all decorated with gilt monograms, the largest mug Coalport with a moulded handle and spiral border, the smaller with panels of flowers on an orange ground, the beaker left in the white with gilt bands, cracked, 10cm max. (3) £120-180 The largest mug with a paper label for the Godden Reference Collection. Illustrated in Godden’s book, Coalport and Coalbrookdale Porcelains, pl.110.

502. Various English porcelains, most 19th century, including a Spode porter mug in pattern 3420, a Rockingham spill vase modelled as an elephant, a Derby tulip cup, a butterfly box and cover, a dolphin taperstick, a scent bottle and stopper, a cane handle painted with a dog, and a vase cover, together with a pair of Mason’s Ironstone candlesticks, some damages, 11cm max. (12) £150-250

503. A Spode ornithological cabinet cup and cover, c.1815, painted in pattern 2114 with titled scenes of a Razor Bill and a Rednecked Grebe, reserved on a bright green ground, the handles formed as a winged horses, the cover’s finial a moth, some repaired rim sections, 12cm high. (2) £50-150

504. A good Spode chamberstick, early 19th century, painted in pattern 382 with a rural sepia landscape, the base with a border of gilt husks, iron red SPODE mark and pattern number, some gilt wear, 6.5cm. £100-200

505. A Chamberlain’s Worcester twohandled cup with cover and stand, c.1840, applied with flowers and painted with further floral arrangements and flying insects, the handles formed as entwined twigs, printed mark to the inside of the cover, the cover broken and restored, 14cm.

(3) £100-200

506. A good Derby teacup and saucer, c.1790, the well of the saucer painted by Zachariah Boreman with figures in a riverside setting, on a salmon and gilt ground of pattern 119, puce mark and pattern number to the cup, 13.8cm. (2) £120-180

507. A good English porcelain small vase, c.1810-15, with everted rim, one side finely painted with a panel of feathers, the reverse with a panel of seashells, reserved on a white ground with various gilt designs, 12.5cm. £400-600

508. A large English porcelain basket, 19th century, the moulded exterior painted with flowers above a blue and gilt band, further flowers to the interior, 35.5cm across. £100-200

509. A Davenport porcelain vase, early 19th century, finely painted in the Chinese Temple pattern, two birds in flight above two figures walking before a pagoda with tall rockwork and trees around, 15.8cm. £50-150

510. A Derby guglet or bottle vase, c.1790, painted in the manner of William Billingsley with a large tulip, pink roses and primrose, further scattered single blooms to the reverse, 24cm. £100-200

511. A Spode porcelain two-handled beaker vase, c.1830, painted in pattern 3900 with a panel of flowers including rose and peony, reserved on a black ground, the handles formed as mythical sea creatures, iron red mark and pattern number, 18cm. £150-250

Cf.Terence Lockett & Geoffrey Godden, Davenport China, Earthenware & Glass 17941887, pl.187 for a cup and saucer in the same pattern. This pattern was used for the extensive Royal Service, ordered by the Prince of Wales in 1806.

Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

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512. Two Derby two-handled vases, c.1820-25, the larger painted with two seated figures drinking and smoking outside a tavern, titled ‘Near Hounslow’ to the base, the smaller with an itinerant figure beside a river, both reserved on richly gilded cobalt blue ground, iron red crowned crossed batons, some damages and losses to handles, gilt wear, 29.5cm max. (2) £150-250

513. A near pair of English porcelain twohandled vases, c.1825-30, each painted with a panel of figures before buildings and water, reserved on rich blue and gilt grounds, the handles formed as mythical beaked dolphins, damage to one foot, 34.5cm. (2) £200-300

514. A Spode two-handled vase, c.182030, the ovoid body richly decorated in pattern 967 with an Imari design of a stylized garden scene, the handles elaborately scrolled, iron red factory mark and pattern number, and a quatrefoil vase applied with rococo scrolling handles and painted with a rich Japan pattern, gilt pattern number N1226 to the base, some damage to the rim of the Spode vase, 27.5cm max. (2) £200-300 The shape is listed in the Spode pattern book as ‘New Shape French Jar’.

515. Three English porcelain two-handled vases, 19th century, one Spode, painted with a basket of flowers on a sepia ground, the rim and interior with faux marbling, one with a cover, the body painted with a panel of flowers on a stone ledge, reserved on a salmon ground, with rams’ head handles, the last with rococo scrolled handles, painted with flowers and fruit, some faults, 26cm max. (4) £250-350

515

516

516. Three English porcelain two-handled vases, 1st half 19th century, two painted with panels of flowers reserved on a pink or green ground, with elaborate scrolling handles issuing from rams’ heads, the third with an exotic bird within a floral border, a pierced balustrade to the shoulder and neck, some damages, 20.5cm max. (3) £150-250 517. Two pairs of English porcelain vases, 1st half 19th century, both finely painted with flowers including rose, tulip, auricula and chrysanthemum, one pair reserved on a white ground, the other on gilt, with term or swan handles, damages, 21.5cm max. (4) £150-250

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518. Three English porcelain vases, 19th century, probably Minton, applied with an effusion of flowers around panels painted with figures in rural landscapes, flower arrangements to the other side, with rococo scrolling handles in green and gilt, one vase with a reticulated cover surmounted by a seated gentleman, some restoration, 31cm max. (4) £250-350 517

518

519. Two Grainger Lee & Co Worcester pot pourri vases and covers, 1st half 19th century, one of ovoid form, painted with a large panel flowers including honeysuckle and auricula, reserved on a blue ground, the other urn-shaped and raised on a tall square base, variously decorated with flowers, and another vase, probably Davenport, effusively decorated with flowers between panels in the Church Gresley pattern, some damages and repairs, 32cm max. (5) £200-300

520. A large Derby two-handled vase, c.1820, well painted with a continuous band of flowers on a black ground, between bands of foliate gilding, a smaller vase with sprays of honeysuckle, foxglove and iris and a gatekeeper butterfly, and a high-handled ewer painted with an effusion of flowers in a basket, some faults, 31.5cm max. (3) £300-500

521. Two English porcelain bough pots, 19th century, one of traditional D-shape with Classical figures in white on a puce ground, the other Derby, with geometric handles and raised on a wide foot, decorated with stylized foliate scrolls, with an associated cover, perhaps Pinxton, and a small two-handled vase painted with flowers, some damages, 26.5cm max. (4) £150-250

522. A Derby bough pot, c.1810, of D-form, painted with a panel of an Italianate landscape reserved on a salmon ground, with rams’ head handles, and a large Coalport bombe-shaped bulb pot, painted with a piping shepherd and his companion between other landscape panels, some damages, both covers lacking, 29cm max. (2) £250-350

523. A pair of small Spode beaded vases, c.1820, delicately painted in pattern 2812 with pink rose motifs against fine gilt tendrils, iron red Spode marks and pattern numbers, and a similar flared vase with ring handles issuing from bird masks, a line of white beading to the rim and foot, minor damages, 12.5cm max. (3) £250-350

524. Three English porcelain two-handled vases, 19th century, painted with panels of fruit and flowers, one with a basket of blooms with butterflies about, with winged term handles, one extensively cracked, 28.5cm max. (3) £150-250

525. A good pair of Spode câchepots and stands, c.1820, of New Shape, painted in pattern 1926 with solitary figures in landscape scenes, the handles formed as dolphin masks, painted factory marks and pattern numbers, 14cm overall. (4) £500-700

526. Two English porcelain câchepots and stands, 1st half 19th century, one Spode of New Shape, painted with a continuous landscape scene between open-mouthed dolphin masks and above a chequered border, the other Derby with a panel of figures before a Classical doorway, reserved on a blue and gilt ground, iron red crowned crossed batons to the latter, some faults, 13cm. (4) £250-350

Cf. Geoffrey A. Godden, Coalport and Coalbrookdale Porcelains, pl.112 for a bulb pot of the same shape.

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527. A large and unusual Grove & Stark pearlware charger, late 19th century, decorated in the manner of porcelain, the well with a Dutch scene of card players in a tavern, the rim with a gilt berried laurel garland on a matt blue ground, impressed and printed marks, 53cm. £150-250

528. A Minton pâte-sur-pâte plaque by Louis Solon, dated 1880, decorated in white slip on a black ground with a young maiden freeing Cupid from a cage while further putti and doves fly about, signed and dated, impressed Mintons to the reverse, the plaque 18 x 15.5cm. Framed. £3,800-4,500 Partial retailer’s label for Thomas Goode.

529. A rectangular porcelain plaque, 19th century, unusually painted with a cockatoo and a pair of love birds perched on branches, with pale leafy fronds behind, framed, the plaque 13cm x 8cm. £100-200

530. An English porcelain circular plaque, 1st half 19th century, finely painted with a floral arrangement including convolvulus and rose, in a gilt wood frame, the plaque 11.5cm dia. £100-200 Provenance: previously in the collection of Lady Gretton of Market Harborough.

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531. Two Grainger Lee & Co jugs, c.182030, the larger painted with a vignette of dead game, the smaller with two greyhounds beside a dead rabbit, and a third jug decorated with bands of grapevine and stiff leaves around a gilt monogram, some faults, 20cm max. (3) £200-300

532. Two Chamberlain’s Worcester jugs, late 18th/early 19th century, one spiral moulded and gilded with the monogram ‘JEW’ beneath the crest for the Walker families of London and Leighton Buzzard, the other painted with a posy of flowers reserved on a deep blue ground, monogrammed with ‘RHS’ to either side, gilded and painted marks, a star crack to one base, 17.5cm max. (2) £100-200

533. Three English porcelain vases, 1st half 19th century, one Minton, of low tazza form raised on a tall cylindrical pedestal, painted with fruit and flowers in a continuous garden scene, one Coalport with sepia landscapes of sunrays and a rainbow above riverside scenes, the last raised on a three paw feet and painted with a bridge and waterfall, two covers lacking, some damages, 21cm max. (3) £200-300

534. A Coalport armorial teapot with cover and stand, c.1805, painted with the crest and motto for the Loch family within a pale blue diaper and spearhead border, 26cm. (3) £200-300

535. A good and unusual pair of English porcelain plates, 1st half 19th century, printed in red with a seated Chinese dignitary with two attendants before an open window, within an octagonal border of foliate scrolls and diaper design, 20.2cm. (2) £100-200

536. An English porter mug and a pearlware jug, 19th century, the mug painted with a panel of a dog and her four puppies, the jug with sepia landscape scenes, some restoration, 15.5cm max. (2) £100-200

538. A pair of Chamberlain’s Worcester double-walled bottle vases, c.1840s, each pierced with two openwork panels between painted vignettes of birds in branches and fruit, puce factory marks, 13.5cm. (2) £400-600 Cf. Geoffrey Godden, Chamberlain-Worcester Porcelain 1788-1852, pl.209 for the illustration of similar bottle vases from the Chamberlain design book.

539. Three English porcelain baskets, 19th century, one Spode and painted with a hobby perched on a low stump with a lilac border moulded with flowers and painted with feathers, impressed mark, titled, one painted with flowers reserved on a claret ground, the last Minton with reticulated sides, raised on four gilt paw feet and applied with flowers, blue crossed swords mark, small damages, 27cm max. (3) £250-350

The teapot perhaps made for Mary Loch, mother of James Loch, the Scottish MP and economist.

Provenance: from the collection of Geoffrey Godden.

537. A good Chamberlain’s Worcester cabinet plate, mid 19th century, painted with a central floral arrangement within a wide raised gilt band, the rim with three panels on a deep blue ground, impressed mark, and an English porcelain plate with panels of fruit and flowers within elaborate gilt scrolls, painted pattern number 642, 25.5cm max. (2) £300-500

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540. Two Barr, Flight & Barr small vases, c.1810, one a spill vase painted with a titled view of Valle Crusis Abbey near Llangollen reserved on a salmon ground, the other of cylindrical form, decorated with pale foliate scrolls on a blue ground, ring handles issuing from bird masks, impressed and painted marks, and a Flight, Barr & Barr rosewater sprinkler, painted with an exotic bird on a dark claret ground, the spout formed as an eagle, painted mark, the stopper lacking, some damages, 9cm max. (3) £400-600

541. Three Flight, Barr & Barr Worcester small vases, c.1810-15, all of beaded cylindrical shape raised on three paw feet, two painted with colourful birds in panels on a blue and gilt ground, the last with a titled view of Kirkstall Abbey, Yorkshire, the reverse with a mother and her children, painted marks to the bases, damages and repairs, 9.5cm max. (3) £200-300

542. Three Spode pot pourri pedestal vases, c.1815-25, one with a cover, all of rounded form supported on three gilt dolphins, one decorated in pattern 967, the others in pattern 1216, all in the Japanese Imari palette, some faults, two covers lacking, 16.5cm. (4) £300-500

543. A Bloor Derby three vase garniture, c.1840, painted with titled views including Abergivilly Place, Margum Abbey, Derby, Wales and Cumberland, within applied borders of fruit and flowers, raised on fluted feet above square bases, iron red circular marks, some damages and repairs, 29.5cm max. (3) £200-300

544. A pair of Derby bough pots, c.1815, finely painted with topographical views of Wales and Italy, a sailing boat before a village in one, ruins atop a rugged hillside in the other, iron red marks and titles, minor damages, 19cm across. (2) £300-400 Paper labels for Stockspring Antiques.

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545. A Flight & Barr Worcester porter mug, c.1790-1800, finely painted with monochrome vignettes of Peace and Justice, perhaps

by John Pennington, either side of the gilt monogram, ASG, crowned Flight & Barr Worcester mark, and a small Chamberlain’s Worcester mug painted with a titled view of Worcester, damages, 11cm max. (2) £100-200

546. Three English porcelain tall mugs, late 18th century, one Caughley, decorated with vertical panels of stylized foliage in blue and gilt, blue S mark, one Worcester, similarly decorated with a large blue and gilt floral spray, the last decorated with an empty cartouche beneath a continuous fruiting border, 11.5cm max. (3) £150-250

547. Three English porcelain spiral moulded jugs, late 18th/early 19th century, one finely decorated in dark blue and gilt with alternating bands of a husk design, one with stylized floral sprays issuing from a blue band, the smallest with a gilt garland design, some damages and restoration, 15.8cm max. (3), £100-200

548. Three English porcelain cabinet cups, 1st half 19th century, one Davenport, painted with a panel of flowers reserved on a blue and gilt ground, one Derby painted with riverside landscapes, raised on four paw feet, the last painted with flowers and cherries and raised on a low foot, some damages, 12cm max. (3) £200-300

549. A pair of English porcelain twohandled vases, c.1810, each painted with a wide band of pink roses between gilt foliate designs against a pale peach ground, the handles formed as gilt swan heads, minor damages, 21cm. (2) £300-500 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

550. A rare Chamberlain’s Worcester commemorative ‘Warwick’ vase, c.1822, the claret body applied with oakleaf garlands, raised on a foot of four gilt intertwined dolphins, the square base inscribed ‘Facsimile of the vase presented to Captain Parry by the inhabitants of Bath in commemoration of his Voyage of Discovery, to the Polar Sea, made in the years 1819 & 1820’, 16.5cm high. £400-600 Paper label for Stockspring Antiques.

551. An English porcelain ice pail with liner and cover, 1st half 19th century, the flared bucket-shape body raised on three scroll feet, painted with a still life panel of shells, coral and seaweed, the cover with two further similar panels, some restoration, 28cm. (3) £200-300

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552. A pair of Chamberlain’s Worcester ice pails and covers, c.1820-25, of Warwick vase shape, painted with panels of peacocks and other exotic birds within gilt foliate designs, the painting attributed to George Davis, the rim hung with a garland of grapes, the intertwined handles formed as branches, the interiors decorated with a marbled effect, some good restoration to the handles, 35cm. (4) £1,500-2,000 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

Together with an invoice from Brian & Angela Downes Antiques, dated 23rd April 1990.

552

553. A large pair of English porcelain ice pails with covers and liners, c.1825-30, of Warwick vase shape, painted with panels of flowers reserved within gilt panels on a rich blue ground, the rim applied with fruiting grapevine, the covers topped with pinecone finials, some damages, 32cm max. (6) £600-1,000 553

554. A Chamberlain’s Worcester sauce tureen and cover, c.1820, of Warwick vase shape, finely painted with floral vignettes between moulded decorative motifs reserved on a pale sage green ground, raised on a square faux marble base, painted mark to the inside cover, one handle restored, 20cm high. (2) £200-300

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555. An English porcelain ‘Warwick’ vase and cover, c.1820, painted with panels of flowers within gilt cartouches, reserved on a green ground, the cover with a pinecone finial, the finial broken and reattached, 21.5cm. (2) £150-250

556. A good and large Flight, Barr and Barr Worcester pot pourri vase, c.1815-20, finely painted with a panel of pink roses, passion flower, nasturtiums and other blooms reserved on a rich claret ground, the neck pierced with circular and rhomboid apertures, the neck supported by two elaborate gilt dolphin handles issuing from applied scallop shells, painted and impressed marks, 30.5cm. ÂŁ600-1,000 Cf. Henry Sandon, Flight & Barr Worcester Porcelain, pl.115 for a similar vase.

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557. A Continental porcelain food warmer, 18th century, the tapered cylindrical form applied with two mask heads, pierced with a central opening, the sides painted with flower garlands and a puce crowned cartouche containing an animal, further purple flowers to the interior, the base incised with the letters B D and P, some damages, 12cm. £200-300

557

558

558. A rare Meissen pastille burner in the form of a house, late 18th/early 19th century, modelled as a large timberframed and thatched farmhouse, a figure peering over a half door beside a dog kennel, a pigeon loft to one side, blue crossed swords mark, 14.5cm high. £500-800 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

559. An ormolu-mounted Sèvres-style bowl and cover, 19th century, painted with colourful wading birds within elaborate gilt panels reserved on a deep blue ground, with scrolling gilt metal mounts, interlaced LL mark, 15.2cm. (2) £250-350

559

560

560. A Meissen two-handled basket, c.1735-40, the exterior moulded with basket weave, the handles issuing from maskheads emblematic of the four seasons, the interior painted in the Kakiemon palette with floral sprigs and a single bird in flight, a 12cm rim crack, 25.5cm across. £300-400

561. A Brussels porcelain cylindrical teapot and cover, c.1800, decorated by Louis Cretté with a hatched design of green and gilt leaves, a gilt leaf sprig to the hexagonal spout, red ‘LC’ mark, some restoration to the flange, 13cm. (2) £200-300

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561

562

562. A Kloster-Veilsdorf coffee cup and saucer, c.1770, decorated in purpurmalerei with a divergent tulip and further flowers, blue CV monogram marks and purple R, 13.5cm. (2) £130-160

563. A Continental porcelain coffee cup, 19th century, after Real Fabbrica Ferdinandea (Naples), well painted with two figures from the Commedia Dell’Arte, both wearing plumed hats, perhaps signed beneath one foot, blue crowned FRF monogram, 6cm. £200-300

564. A Sèvres saucer, c.1780-90, painted with pink roses and cornflowers within pinkish purple and green bands, mounted as a chamberstick with later metal fittings and porcelain flowers, 14.5cm. £50-150

565. A Meissen tea canister, mid 18th century, the flattened, fluted form painted with sprays of deutsche Blumen, the neck with osier moulding, faint blue crossed swords mark, the cover lacking, 10.5cm. £150-250

566. A Meissen meat hammer or tenderizer and a ladle, early 20th century, each decorated in blue and white with the Onion or Zwiebelmuster pattern, the tenderizer with a wooden handle, 27.5cm max. (2) £100-200

567. A Sèvres-style small tea canister and cover, late 18th/early 19th century, the chamfered rectangular form painted with sprays of flowers and single sprigs, blue interlaced LL mark, 7.5cm high. (2) £80-120

568. A large Meissen spoon, 2nd half 18th century, the bowl and handle moulded with rococo scrolls, painted with flowers and strawberries, some good restoration to the handle, 20.5cm. £300-400

569. A Meissen-style cup and saucer, 19th century, decorated with a panel of traders in a harbour scene within scrolling borders, the cup raised on three paw feet, the saucer with an AR monogram, 14.2cm. (2) £30-50

570. A Meissen sugar caster or sifter, c.1770, the baluster body painted with floral sprays and titled ‘Sugar’ to the foot, the shaped domed cover pierced with rows of holes, blue crossed swords and dot mark, 18cm. £300-500

571. A Continental porcelain tea canister, 19th century, after Frankenthal, painted with sprays of flowers beneath raised gilt borders, with metal cover and set into a reticulated metal base, gilt crowned CT monogram mark, 11cm. (2) £80-120

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572. A pair of Sèvres-style pottery oval bowls, 19th century, the exteriors decorated in a running turquoise glaze with combed effect, with gilt metal mounts to the rim, base and shoulder, each raised on four feet, interlaced LL marks, 24cm diameter. (2) £200-300

573. A Paris (La Courtille) porcelain sauce tureen with built-in stand, 2nd half 19th century, decorated with a border of poppies and cornflowers, blue crossed arrows mark, the cover lacking, 25.5cm. £50-100

574. A set of six Paris porcelain custard cups and covers, 19th century, decorated with a gilt monogram and bands of gilding to the cover, fruit finials and the handles moulded as red coral, 9.5cm. (12) £250-350

575. Three Vienna custard cups, 2nd half 18th century, one decorated in sepia and gilt with a berried leafy band and a flowerhead border, one with polychrome flowers and an orange ribbon band, the last with cornflower sprigs, blue shield marks to two, the covers lacking, 5.5cm high. (3) £400-600 Cf. Ulla Stfford, Custard Cups, p.34 for the cornflower sprigged example.

576. Two pairs of Sèvres-style câche-pots, 19th century, one pair painted in purple monochrome with oval panels of children and animals in rural settings, the other with courting couples, reserved on deep and turquoise blue grounds, interlaced LL marks, 12cm max. (4) £400-600 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

578. A small group of floral-decorated porcelains, 19th century, including a moulded Davenport cup and saucer painted with a single bloom in each panel, a large Paris porcelain teapot and cover with a floral band on a brown ground, a similarly decorated English teacup and saucer, and a stand painted with a band of flowers reserved on a green and gilt ground, 23cm max. (7) £150-250 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

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577. A Paris porcelain part tea service, late 19th century, painted with sepia scenes of French landmarks within foliate scroll and floral bands, titled to the base, pseudo iron red marks, 23cm. Comprising: a teapot and cover, a milk jug, and a teacup and saucer. (5) £300-500

579. Four Copenhagen baskets, 19th century, the interiors painted with flowers, the reticulated sides highlighted with pink and gilt, blue wave marks, and two Meissen leaf-shaped dishes with similar floral decoration, 20.5cm max. (6) £400-600 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

581

580

582

580. A good French bisque porcelain vase, 19th century, applied with a frieze of putti holding hands and dancing with garlands of flowers, between bands of stiff leaves and foliate scrolls picked out in blue and gilt, the shoulders applied with goat head masks, 37cm.

(2) £600-800

581. A Russian porcelain sauceboat by the Popoff Factory (Moscow), 19th century, painted with small sprigs of blue flowers beneath a blue and gilt star border, the handle issuing from moulded leaf scrolls, painted blue mark, 21cm. £50-100

582. A Meissen bourdaloue, mid 18th century, the rounded exterior painted with deutsche Blumen beneath a pinched rim, the handle issuing from applied leaves, blue crossed swords mark, minor faults to the handle, 20cm. £600-800

583. Three Sèvres plates, c.1765-70, all painted with delicate floral sprigs to the wells, two with osier-moulded rims, the last with floral moulding, two with interlaced LL marks and date codes for 1767 and 1768, a few filled chips to one plate, 25cm max. (3) £250-300

584. A pair of Berlin armorial cups and saucers, c.1770, brightly painted with red armorial medallions suspended from pink and white ribbons within laurel garlands, the rims with flower, swags and gilt diaper panels, blue sceptre marks, 13.3cm. (4) £400-600

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585. A Paris porcelain tête à tête service, 19th century, finely painted with panels of rural and waterside scenes in black monochrome, reserved within gilt borders on a white ground.

Comprising: a teapot and cover, a hot water jug and cover, a milk jug and cover, a sucrièr and cover, two cans, two saucers and an oval tray. (13) £400-600 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

587. A Meissen cup and saucer, mid 18th century, finely painted with large botanical flowers reserved on a gold ground, the cup with a moulded scrolling handle, blue crossed swords marks, a small chip to the saucer, 13.3cm. (2) £300-500

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586. A pair of Paris porcelain small tureens and covers, 19th century, and two square dishes, the dishes with panels of birds, all on a mottled brown ground with elaborate gilt borders, the tureens with built-in stands, incised initials to the tureens, 28cm. (6) £200-300 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

588. A Meissen blue and white twohandled cup, c.1730, each side painted with a flying insect above plants and rockwork in the Chinese manner, the interior with a band of ruyi heads, blue crossed swords mark, 7.6cm. £300-500

589. A toy or miniature Meissen coffee pot with associated cover, mid 18th century, finely painted with sprays of deutsche Blumen and single blooms, around a crisply moulded handle, blue crossed swords mark, the cover later, 10cm.

(2) £350-450

590. A large pair of Sèvres-style oval portrait plaques, 19th century, painted with Marie Antoinette and the Countessa d’Artois, each within titled gilt panels on a turquoise blue ground, within ribboned gilt wood frames, the panels 29cm. (2) £700-1,000

591. A pair of Meissen pot pourri vases and covers, 19th century, each painted to one side with courting couples, the other with floral arrangements, between applied swags of flowers and fruit supported by two putti, the pierced covers surmounted with tall floral finials, blue crossed swords marks, 42cm. (4) £1,500-2,000

592. A large Meissen deep dish, c.1730-40, decorated with the Bamberg pattern of a large insect in flight above flowering branches, the rim with an iron red band of scrolling leaves and four chrysanthemum motifs, blue crossed swords and K mark perhaps for Johann David Kretschmar, incised Z to footrim, a 5mm filled rim chip and a 3mm chip, 29.3cm. £400-600

593. A Tournai plate, c.1770, outside decorated in puce monochrome with two birds perched beside fruits and pecking at a gooseberry bush, the spiral-moulded rim with four floral panels, blue factory mark, 24.5cm. £300-500

part 594. A Meissen tureen and cover, 1st half 19th century, with panels of flower moulding alternated with painted floral sprays, the cover surmounted with a peeled lemon and applied with almonds, cinnamon sticks and cloves, together with a similarly moulded and decorated stand, blue crossed swords marks, 28cm. (3) £500-800

595. Thirty two Halcyon Days enamel boxes, modern, twenty nine boxed, and three porcelain boxes, variously decorated with commemorative mottos, floral or animal designs, some after 18th century originals, a Halcyon Days enamel Millennium clock, and an oval enamel plaque of a sleeping cat. (37) £500-700 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

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596. A Chinese export porcelain plate, mid 18th century, painted in the Meissen manner with a cartouche of figures standing on a quayside with boats beyond, the rim with further panels between strapwork in puce, red and gilt, broken and repaired, 32.3cm. £150-250

597. A Berlin warming cover (wärmeglocke), 19th century, well decorated with flower sprays and single scattered sprigs, the rim with a continuous leafy band, the round finial rising from a radiating band of stiff leaves, blue sceptre mark, 35.5cm. £100-200

598. A large Dresden vase, 19th / early 20th century, the U-shaped ribbed form painted with flowers, the rim with a simple gilt design, crowned blue D mark, with a lead liner, 19cm high. (2) £100-200

599. A Sèvres-style small footed bowl, late 18th/early 19th century, painted with two large panels of flowers reserved in raised gilt cartouches on a turquoise ground, and a cabinet saucer painted with a basket and a jug in a landscape scene within a dark blue border, interlaced LL marks, painter marks to the saucer, 12.5cm max. (2) £50-150

600. Five Continental porcelain vases, 19th and 20th centuries, comprising a pair of Paris vases raised on paw feet and square bases, a pair of German flared vases, both pairs decorated with flowers, and a twohandled vase painted with boats, the reverse with figures before a church, some damages and restoration, 19.5cm max. (5) £150-250

601. A silver-mounted Samson tea canister and a Vienna-style teapot and cover, 19th century, the teapot painted with polychrome flowers and surmounted with a fruit knop, the hexagonal canister decorated in the famille verte palette with prunus sprays, with silver cover, 19cm max. (4) £250-350

602. A Berlin hot water jug and cover, 19th century, moulded with an osier border and painted with flowers, a Berlin plate with a reticulated rim, and a botanically decorated plate with a gilt diaper border, blue sceptre marks to the jug and one plate, 24cm max. (4) £100-200

603. A Meissen vase and three Meissen dishes, late 19th/early 20th century, all painted with flowers, the deepest dish moulded with floral panels, cancelled marks to the dishes, 27cm max. (4) £100-200

604. A Sèvres coffee can and saucer, date code for 1766, painted by Tandart with garlands of flowers on a blue and gilt oeil de perdix ground, and a Sèvres teapot and cover, c.1840, painted with a band of flowers, printed and painted marks, 21cm max. (4) £500-800

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Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

605. A Meissen ecuelle with cover and stand, c.1750-60, finely painted with panels of flowers reserved on a blue scale ground, the rim of the stand with enamelled floral reticulation, the knop formed as a rosebud, blue crossed swords marks, a small section of the stand restored, 24.5cm. (3) ÂŁ800-1,200

606. A Meissen teabowl and saucer, c.1730, painted in Schwartzlot with scenes of merchants and traders loading and unloading ships in a harbour scene, within elaborate cartouches in in gilt and purple, surmounted by small Chinese figures, the inside of the teabowl with a spray of indianische Blumen, blue crossed swords mark, gilt J., 12.7cm. (2) ÂŁ800-1,200

607. A rare Meissen 'mining scene' sucrier base or bowl c.1745, painted to each side with Saxon miners or Bergleute, one side with a foreman instructing his worker, the former with a gilt AR mark to his hat, the reverse with two miners working above ground, blue crossed swords mark, a faint crack, the cover lacking, 10cm dia. ÂŁ250-350 Cf. Ingelore Menzhosen, Early Meissen Porcelain in Dresden, pl.141 for a covered bowl and dish with similar decoration.

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608. A Meissen two-handled sauceboat, c.1740, raised on four elaborate scrolling feet, the rim moulded with a band of osier, painted with scattered deutsche Blumen, each end with colourful female masks wearing feathered headdresses, blue crossed swords mark, a section of the rim broken and cleanly restuck, 24.8cm. £800-1,200

609. A pair of Meissen bowls and covers for the Turkish market, c.1780-1800, each painted with panels of flowers within oeil de perdrix borders, one reserved on a café au lait ground, the other on an apple green ground, the interiors painted with further flowers, each cover surmounted with a lemon finial, blue crossed swords and star mark for the Marcolini period, 21cm dia. (4) £300-500

610. A Meissen bowl and cover for the Turkish market, c.17801800, painted with a dense pattern of pink roses, with further flowers to the interior and a lemon finial, blue crossed swords and star mark for the Marcolini period, and a 19th century Meissen cup and cover, of globular form, painted with garlands of flowers and a pale green ground, the cup’s cover restored, 14.3cm max. (4) £200-300

611. A Meissen tea canister and cover, c.1765-70, the rectangular form finely painted with a continuous landscape containing courting couples and solo musicians, with trees and a village beyond, blue crossed swords and dot mark, some faults, 11.5cm. (2) £700-1,000

612. A Meissen Bienenmuster plate, c.1740, decorated with the typical pattern of three flying insects around a tied bouquet of flowers, the osier-moulded rim with small flowerheads and leaves, blue crossed swords mark, impressed 16, some wear and flaking, 23.8cm. £200-300

613. A pair of Chantilly vases, c.1760, the lobed forms with a slight flare to the neck, the handles scrolling with details picked out in puce, painted with garlands of flowers and single stems, a small amount of good restoration, 20cm. (2) £1,200-1,500

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614. A Vienna triangular custard cup and cover, c.1770, painted with small floral sprays above a purple stylized leaf border, blue shield mark, puce 42, 8cm. (2) £400-600

615. Two Mennecy custard cups and covers, c.1760-70, with spiral-fluted moulding, each painted with sprays of polychrome flowers, the covers with fruit finials, one with an incised DV mark, 9.5cm max. (4) £100-200

616. A Sèvres-style small oval plaque, 19th century, painted with a portrait of Madame Du Barry within a scrolling gilt cartouche on a turquoise ground, pseudo interlaced Ls mark and titled ‘M Dubary’, 10.2cm. £150-250

617. A Ludwigsburg cup and a Fulda saucer, c.1775-85, the cup painted with two garden birds perched on a low branch within flying insects, the saucer with a bird with outstretched wings beneath a further bird perched on a branch, blue factory marks, the cup with a B to the inside footrim, 13cm max. (2) £150-200

618. A rare Meissen armorial coffee cup, mid 18th century, painted with the arms of the Koch de Gooreynd family including the motto ‘Sapienter et Audacter’, the crown supported by two greyhounds, blue crossed swords mark, 6.5cm. £150-250

619. A pair of Mennecy small campana vases, c.1750-55, the lobed shapes painted with polychrome flower sprays, each raised on a low circular foot, the rims with a blue line border, some good restoration to one rim, 7cm. (2) £350-450

620. A Continental porcelain chicken box and cover, late 19th/early 20th century, perhaps Russian, the exotic breed with a mob cap of black feathers, her plumage picked out in pink and green enamels, green ‘16’ to the base, the cover broken and restuck, 15cm. (2) £100-200

621. A Russian porcelain plate by the Popoff Factory (Moscow), 19th century, painted with sprays of polychrome flowers and smaller sprays in monochrome within rococo cartouches, reserved on a pale peach ground, painted blue mark, 22cm. £50-100

622. A Kuznetsov (Russian) porcelain box and cover, late 19th/early 20th century, formed as a recumbent ram, with gilt horns curled around his ears, his moulded fleece sponged in a greenish blue, printed mark, 17cm across. (2) £50-150

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623

624 623. A pair of Furstenberg teacups and saucers, c.1760, the exteriors with dense basketweave moulding, painted with flower sprays and single scattered blooms, blue F marks, small damages, 14.5cm. (4) £300-400

624. Three Meissen cups, 18th/early 19th century, one painted with shadowed botanical specimens and flying insects, two with equestrian figures in landscapes, various blue crossed swords marks, one with a small amount of restoration to the handle’s terminal, 7cm max. (3) £200-300 625

625. A set of six Vienna plates, date codes for 1803, the rims painted with a continuous grapevine border reserved on a pale peach ground within gilt husk bands, blue shield marks, 25cm. (6) £150-250

626 626. A set of six Meissen teacups and saucers, early 19th century,, finely painted with floral posies and further single flower stems within gilt ovolu borders, blue crossed swords and dot marks for the Marcolini period, some gilt wear, 13.5cm. (12) £200-300

627. A Russian porcelain part tea service by the Gardner factory (Moscow), early 20th century, delicately painted with a narrow band of pink flowers reserved against a blue ground with gilt design, red printed marks. Comprising: a teapot and cover, a sugar bowl and cover, a slop bowl, five cups and five saucers. (15) £150-250

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627

628. A pair of Meissen ornithological soup plates, mid 18th century, each painted to the well with two birds perched in branches, the moulded rims with scattered insects and moths, blue crossed swords marks, 23.5cm. (2) £250-350

629. A pair of Ansbach plates, c.1770-75, the well of each finely painted with arrangements of produce including apple, redcurrants, walnut, carrots and grapes, a few single scattered flowers within the rims of puce rococo C scrolls, blue A marks, 23.5cm. (2) £400-600

630. A Berlin porcelain basket, 20th century, of elongated octagonal form, the sides reticulated with vertical slats, the interior painted with a floral sprays, the sides with small sprigs and insects, blue sceptre mark, 22cm. £100-200

631. A set of six Continental porcelain handled silver fruit knives and forks, 19th century, the handles painted with courting couples and floral sprays beneath a band of interlocking circles, the silver hallmarked for Henry Holland, London 1871, contained in a fitted tray, some restorations, the handles 8cm. (13) £300-400

632. A pair of Furstenberg candlesticks, c.1800, each modelled as a fluted column issuing from a three-tiered base, painted with scattered single flowers, blue F marks, 21cm. (2) £350-450

633. A Continental porcelain plaque, 19th century, a young maiden standing windswept on a cliff with the sea behind, a gentleman breaching a narrow chasm to reach her, his sandal broken and stocking torn, in a gilt wood frame, in pen to the reverse ‘Adelalde le Chassaigne’, the plaque 22.5cm x 19cm. £150-250

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634. A Meissen-style snuff box and two other snuff boxes, 19th century, the porcelain box painted with viognettes of Commedia dell’Arte figures, an oval enamel box decorated with two figures, one carrying a spear, the rectangular box with a battle scene and other vignettes perhaps of Biblical figures, some damages and restoration, 8.5cm max. (3) £150-250

635. Three enamel snuff boxes, 19th century, one rectangular and painted with a battle scene, the sides and base with highwaymen and pirates, the interior with a portrait of the King of Prussia, another decorated with tents in a landscape, the interior with a wanton woman, inscribed ‘Je Suis l’Amour, J’aime le Badinage’, the last with a shaped rim, decorated with figures at repose, some damages and restorations, 9.2cm max. (3) £250-350

636. A Staffordshire enamel etui, late 18th/early 19th century, of cylindrical form, painted with landscape vignettes on a raised white enamel ground, and a porcelain model of a stem of asparagus, perhaps 18th century, some damages to the etui, 12cm max. (2) £80-120

637. An enamel bonbonniere, probably South Staffordshire late 18th century, modelled as a black and white spaniel recumbent on a pink cushion, the underside painted with a flower spray, some restoration, 4.5cm. £100-150

638. Two French enamel snuff boxes, mid 18th century, one decorated in raised gilt with a latticed floral and foliate design, silver mounts with indistinct maker’s marks and discharge mark, the other decorated with panels of flowers in coloured enamels and raised gilt, the latter with loose joints, 6.3cm max. (2) £600-1,000

639. A rectangular enamel box, c.1780, of low rectangular form, painted to the interior with a portrait of a lady, two Continental porcelain boxes decorated with flowers and figures, and a pair of Dresden fluted bowls or ramekins, 9cm max. (5) £100-150

640. An oval enamel snuff box, probably 19th century, well painted with a scene of courting couples and other figures about a columned temple with a fire, a large basket of flowers to the foreground, the sides, base and interior with further pastoral scenes, 9cm across. £150-250

641. A large enamel ewer, probably 19th century, decorated with a panel containing a shepherd and three of his charges, with further floral panels on a blue ground, traces of an old paper label, contained in a fitted case, some damages, 23cm. (2) £100-200

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642. A French enamel box, c.1750, modelled as a bombe chest of drawers, decorated in raised gilt with handles and escutcheons, the cover with a flowering shrub, the sides with triumphant motifs, with later gilt metal mounts, 7.5cm across. £400-600

643. A German porcelain silver-mounted box, late 18th/early 19th century, perhaps Furstenberg, the semi-circular form lightly fluted and painted with flowers and scattered insects, the cover with peacocks and chickens, the interior with a fox stalking two geese, silver hallmarks for Hamburg, 6.5cm. £400-600

644. A German porcelain scent bottle, 18th century, perhaps Meissen, modelled as a small plum with a large leaf down one side, with a gilt metal mount and hinged cover, a small internal stopper, 6cm. £400-600

645. A French enamel and silver-mounted snuff box, c.1747, with shaped rim, probably by Antoine Leschaudel, decorated in raised gilt with a couple dancing beneath a tree with birds in flight above and a seated musician to one side, coloured in pink and green enamel, the sides and base with vases of flowers, huntsmen and dogs, 7cm across. £800-1,200

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A CLASS OF THEIR OWN During the 19th century, while the rest of Europe was still producing Rococo figures of gallants and shepherdesses, Russian porcelain manufactories were going their own way with figures very much peculiar to their own country.

Starting with the Gardner factory in Moscow, manufacturers began to take their inspiration from a new monthly journal titled The Magic Lantern, which appeared in St Petersburg between 1817 and 1818. This periodical described in detail the appearance, habits, work and even moral behaviours of the Russian trade and working classes. Immediately popular with the wealthy patrons and artisan workers of Russia, the characters featured in The Magic Lantern were soon further immortalised in both glazed and biscuit porcelain. The illustrations, attributed to both K A Zelentsov and A G Venetsianov, prompted a series of porcelain figures at the Gardner factory which continued to be made throughout the 19th century. A revival of the subject in the 1860s led to a number of new series along the same theme, among them the characters from Nikolai Gogol’s novel, Dead Souls.

The following small selection of figures were produced by the Gardner factory in the 1880s and 1890s. Although very similar to the Magic Lantern series produced earlier in the century, the biscuit figures made at this time offer a somewhat grittier portrayal of life among the peasant classes, but also include figures of the growing middle and merchant classes. The lots offered here represent the larger part of a private collection put together by the vendor’s mother in Riga, Latvia between 1936 and 1939.

646. A Russian biscuit porcelain figure group, Gardner Factory late 19th century, of two bearded peasants talking on a street corner, wearing thick coats and hats, printed red mark, impressed 34, 21.5cm. £800-1,200

647. A Russian biscuit porcelain figure of a peasant, Gardner Factory late 19th century, seated on a low bench, sprinkling pepper on a piece of bread, his hat and boots by his side, printed red and impressed marks, some restoration, 12.5cm. £200-300 Cf. Martin C. Ross, Russian Porcelains, pl.55 for a version with different colouring. Another example is illustrated in the Imperial Russian Porcelain Figures Catalogue, no. 60.

648. A near pair of Russian biscuit porcelain candlestick figures, Gardner Factory late 19th century, of a fruit grower and his companion, each seated on a tree stump with boxes of fruit by their sides, each supporting a tall basket on their heads, printed red and impressed marks, some restoration, 26cm. (2) £350-450

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649. Two Russian biscuit porcelain figures of beggars, Gardner Factory late 19th century, one bent over a wooden staff and holding out his hat, the other standing with a bag on his back, holding his cap in his left hand, iron red mark, impressed mark to the larger figure, some restoration, 15cm. (2) £600-1,000

650. A Russian biscuit porcelain figure of a kolosh, Gardner factory late 19th century, from the Provinces series, dressed in traditional garb and holding a dagger in his left hand, raised on a low oval base, impressed mark, some restoration to his feet, 28cm. £300-500 651. A Russian biscuit porcelain figure of a Jewish man, Gardner factory late 19th century, wearing a double-breasted coat and a brown kippah, using a furled umbrella as a walking stick, raised on a square grassy base, red printed mark, impressed 147, 22cm. £800-1,200 Cf. Martin C. Ross, Russian Porcelains, pl. 58.

This figure is one of a pair of Jewish men from different classes, this being the more prosperous.

650

651 652. A Russian biscuit porcelain figure of Sobakevich, Gardner factory late 19th century, from Nikolai Gogol’s Dead Souls, standing with hands outstretched, impressed and red printed marks, broken off the base and restuck, 20.5cm. £400-800 Gogol’s novel of 1842 was written to expose the flaws in the Russian middle class financial system, and to seek reform of the old-fashioned serfdom.

653. A Russian biscuit porcelain sweetmeat figure, Gardner Factory late 19th century, of a nursing mother, the peasant maid taking a break from her work to feed her baby, an empty basket by her side, printed red mark, impressed 223, restoration to the basket, 18.5cm. £300-400

652

653

654. Two Russian biscuit porcelain figures of workmen, Gardner Factory late 19th century, each bent over a tree stump and sharpening a scythe with a hammer, a scarf tied around their heads, one with an impressed mark, the other with a printed red mark, small damages and restorations, 10.5cm. (2) £500-700 Cf. Marvin C. Ross, Russian Porcelains, pl.39.

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655. Eight Meissen musicians from the Gallant Orchestra, 20th century, after models by Kändler and Meyer, including two violinists, a cellist, a lute player, a hurdy-gurdy player, a harpist, a female singer and a conductor, blue crossed swords marks, 16cm max. Each in its original box. (8) £600-1,000

656. A large and impressive model of a Meissen gull, modern, designed by Max Esser, the large seabird with wings stretched, his head bent down as he prepares to alight from his rocky perch, cancelled blue crossed swords mark, mounted on a wooden base, 42.5cm overall. £300-500

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657. A Vienna figure of Winter, 2nd half 18th century, draped in a furlined cloak, a small fire burning on a plinth to his left, on which rests a goblet and flagon of red wine, raised on a tall scrolling base, blue shield mark, a small amount of restoration, 22.2cm. £300-500

658. A Meissen figure of a piping shepherd, mid 18th century, modelled by Kändler and Reinicke, playing a pipe and with a bag slung over his shoulder, a dog recumbent at his feet, blue crossed swords mark, a small amount of good restoration, 16cm. £600-800

659. A large Nymphenburg white-glazed figure of John the Baptist, modern, after the model by Franz Anton Bustelli, his head turned, heavily draped in robes and with his left arm outstretched behind, impressed shield marks, 30.5cm. £100-200

660. A large Italian pottery figural group, c.1800, probably Veneto or Este, after Agostino Fasolato’s Hylonome Restrained, the female centaur under attack by two lapiths, a third accosting her from beneath, decorated in a white glaze with bluish hue, some good restoration, 37cm. £800-1,200 Fasolato’s marble group is similar to that by Francesco Bertos, but his rather more detailed rendering is believed to be the source for this, and other, ceramic interpretations of the subject.

662. A Meissen group of The Lover Discovered, 19th century, after Kändler, the wanton wife enjoying a pastry and cup of chocolate while reclining on a pillow beneath which Cupid cowers, the wronged husband clutching a love note and peering beneath the bed where his dog unearths the philanderer, blue crossed swords mark, 19cm. £400-600 This model would have come with a separate figure of the lover hiding beneath the bed, which is lacking.

661. A Meissen allegorical figure group of the Broken Bridge, 19th century, after the model by Acier, the lady tentatively stepping onto wooden planks that Cupid strews with roses, her companion urging her forward while a further putto pushes her on to womanhood from behind, blue crossed swords mark, incised F63, a small amount of restoration, 24.5cm. £500-800

663. A Royal Copenhagen figural group of Europa and the Bull, c.1924, the Phoenician woman reclining on Zeus the bull who knowingly licks his lips, both garlanded in flowers, the oval base inscribed ‘To Sir Eric Drummond from the Danish Government, June 3 1924’, blue wave mark, 26cm high. £200-300 Sir (James) Eric Drummond (1876-1951), the 16th Earl of Perth, was the first Secretary-General of the League of Nations when it formed in 1920 and held the post until 1933.

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664. Five Continental porcelain monkey band figures, 19th century, after Meissen, four playing various wind instruments, the fifth a female lute player, pseudo blue crossed swords marks, damages and restoration, 15cm. (5) £150-250

666. A Meissen model of a canary, 19th century, naturalistically modelled perched on a rocky stump with head turned, its yellow plumage detailed in brown and grey, blue crossed swords mark, a little good restoration, 9cm. £100-200

669. A Continental porcelain figure from a monkey band, 20th century, wearing a green hat with a red feather and playing the bassoon, blue crowned N mark, and a pair of Continental white-glazed figures of pierrots, a few chips to fingers, 14cm max.

(3) £80-120

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665. Eight members of a Sitzendorf frog orchestra, early 20th century, each bewigged amphibian playing an instrument, including kettle drums, violin, tuba and trumpet, each raised on a low rocky base, blue factory marks, minor faults, 12cm. (8) £150-250

667. A pair of Meissen monkey band figures, 20th century, one wearing a feathered cap with tasselled drums slung over his back, the other playing a wind instrument, the handle of his sword peeping from beneath his yellow coat, blue crossed swords marks, some damages to one, 13.5cm. (2) £250-350

668. A Volkstedt biscuit porcelain figure of an old woman, 19th century, perhaps emblematic of Winter, huddled before a brazier with a cat upon her lap, a further cat recumbent at her side, mounted in an ormolu base, blue crossed hayforks mark, 13cm. £100-200

670. A Berlin figure of Autumn, c.1765-70, after the model by Friedrich Elias Meyer, a small boy supporting a goat on his right shoulder, left in the white, some damages, 12cm. £150-250

671. A Meissen figure of a Levantine musician, 20th century, wearing a long coat over harem pants and playing the flute, and a pair of Volkstedt figures of musicians, he with a tabor, she dancing, small damages, 16.5cm max. (3) £150-250

Together with an Italian certificate of authenticity dated 30th March 1980.

672. A pair of Höchst figures of children, late 18th century, he holding a cage and with a bundle slung over a stick resting on his shoulder, she holding a yellow bird in her left hand, raised on low grassy bases, blue crowned wheel marks, the end of his stick lacking, 17cm. (2) £400-600

673. A Meissen ‘Cris de Paris’ figure, 20th century, after the Rabbit Seller, of a woman with a box slung over her shoulders, open to reveal a standing rodent, and a modern Meissen figure of a female fish seller, wearing long flowing robes and carrying a fish trap, blue crossed swords marks, 14cm max. (2) £250-350 672

673

674. A rare Continental porcelain of Cupid, 2nd half 18th century, perhaps Wegely or Marieberg, standing with his right hand resting on a knotted stick, his left arm extended, his wings finely painted, some good restoration, 9cm. £380-500

675. A Meissen figural group of a shepherd and shepherdess, 19th century, a lamb recumbent at the feet of the lovers, he holding a crook in his right hand, blue crossed swords mark and incised 2127, a chip to the top of the crook, 15cm. £350-450 674

675

676. A large Italian porcelain bust, 19th century, of the Genie de la Danse by Jean-Baptiste Carpeaux, her hair blowing and robe slipping, blue crowned N mark to the reverse, incised Carpeaux to the reverse, restoration, 42.5cm. £50-80

677. A pair of Meissen figures of Night and Day, 2nd half 19th century, personified as children, Night draped in a black robe, clutching poppy seed heads and with an owl perched beside, Day wearing a pink cloak with sunflowers and corn ears to his right side, blue crossed swords marks, incised M105 and M106, minor damages, 18cm. (2) £300-500

Together with a photocopy of an invoice from Mallett at Bourdon House Limited, dated 23rd April 1964.

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678. A pair of Meissen sweetmeat figures, 19th century, he stirring a saucepan resting in his lap, she holding a goose, each between two shell-shaped dishes painted with flowers, blue crossed swords marks, some restored chips, 24.5cm. (2) £250-350

680. Two Royal Copenhagen bisque porcelain figures, 19th century, one of Mercury seated on a tree stump, the other of a winged figure pouring wine into a cornucopia cup, both impressed ‘Eneret’, blue wave marks, minor faults, 31.7cm max.

(2) £150-250

683. A pair of Continental porcelain figures of Count Bruhl’s tailor and his wife, 19th century, typically modelled astride goats, the tailor with a basket of kids, his wife with babies, the billy goat holding a flat iron in his mouth, small damages, 19.5cm. (2) £150-250

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679. A near pair of Meissen busts of the Royal Children, 19th century, after Kändler, each modelled with head slightly turned and wearing a bonnet with applied flowers or feathers, raised on a low quatrefoil socle base, impressed 2764, blue crossed swords marks (one cancelled), together with two gilt wood stands, small chips and a little restoration, 16.5cm. (4) £500-800

681. A Meissen model of a quail, c.1745, naturalistically modelled by J. J. Kändler, the plumage finely incised, white-glazed, 14cm across.. £400-600 Cf. Bonhams, 8th December 2010, lot 79 for similar models used as boxes.

684. A Meissen figure of a piping shepherd, late 18th/early 19th century, his bagpipes tucked under one arm, a sheep and a dog by his feet, blue crossed swords mark, incised E863, and a pair of Samson figures of a gardener and his companion, minor damages, 14cm. (3) £200-300

682. Three Meissen figures of children, 19th/20th century, a vintner boy with a basket of grapes on his back, a girl holding a bunch of grapes, and a flower girl with her hat stuffed full of blooms, blue crossed swords marks, small damages, 12cm. (3) £200-300

685. Three German porcelain figures, late 18th/19th century, one Höchst of a small boy carrying a sack of potatoes, one probably Gotha of a shepherd and one of his flock, impressed R mark, the last perhaps Vienna, of a white-glazed putto seated on a rococo scroll, impressed shield mark, some damages, 15.5cm max. (3) £150-250

686. A large pair of Meissen busts of the Royal children, mid 19th century, after models by Kändler of Prince Louis Charles de Bourbon and Princess Marie Zepherine de Bourbon, wearing bonnets and small floral corsages, blue crossed swords marks, incised 2744, together with a pair of Berlin porcelain cylindrical stands, gilded as short columns, blue sceptre marks, 32.5cm overall. (4) £1,500-2,500 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

687. A Mennecy biscuit porcelain figure group, c.1760-70, of three musicians atop a rocky stump, a girl playing the lyre, a boy the flageolet, incised ‘DV f’, some damages and restorations, 19.8cm. £400-600

688. A decorative Continental porcelain clock, 20th century, modelled as an Oriental man with plaited hair, seated on a red cushion upon a black base painted with flowers and fruit, the clock dial set into his stomach, crowned Z mark, 37cm. The winding key present. (2) £200-300

689. A Meissen figure of a shepherdess, c.1750, modelled by J. J. Kändler and P. Reinicke, a sheep recumbent at her feet, her apron full of colourful flowers, holding a single bloom to her nose with her right hand, raised on a low pad base, faint blue crossed swords mark to the underside, some good restoration to her fingers, 16.5cm. £1,200-1,500

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690. A Chelsea figure of a shepherdess, c.1765, holding the corner of her apron which overflows with flowers, a single bloom proffered in her left hand, a lamb recumbent at her feet, gold anchor mark, some damages and restorations, 23.3cm. £200-300

691. A large Derby figure of a dancing shepherdess, c.175860, holding her skirt in her right hand with the left raised towards her face, delicately enamelled in pink, yellow and green, raised on a low scrolling base, some restoration, 25.5cm. £280-320

692. A Bow figure of Flora, c.1755-60, standing beside an urn of flowers raised on a scrolled pedestal, she draped in a pink robe with floral lining, a little good restoration, 24cm. £300-500

694. A Bow figure of Winter, c.1765-70, from the Seated Rustic Seasons series, personified as a man wearing an ermine-lined cloak, huddled over a flaming brazier, raised on a tall footed base, red anchor and dagger mark, 17.5cm. £400-600

695. A large Derby figure of James Quinn as Falstaff, c.1780-90, the corpulent actor wearing gaudy costume and holding his staff and sword, raised on a circular scroll base, crowned D mark, some restoration, 35cm. £80-120

696. A rare Derby figure of Vulcan, early 19th century, personifying Winter from the Antique Seasons, standing before a flaming brazier and clutching his robe about him, a small green snake entwined around one wrist, crowned Derby mark in iron red to the base, 13.8cm. £100-200

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693. A large Derby figure of Britannia, c.1770, her shield resting on the head of a recumbent lion, a dagger and bugle at her feet, raised on a low scrolled base, some restorations, 32cm. £150-250

Paper label for the E & J Handley Collection.

697. An English biscuit porcelain figure of the Duke of Wellington, 19th century, standing with his left hand resting on a square plinth, his right pulling a cloak about his shoulders, 27.5cm. £50-100 Paper label for Cecil WoodhamSmith CBE.

698. A pair of Derby figures of the Welsh Tailor and his wife, c.1780-90, each astride a goat, the billy with a flat iron in his mouth, the nanny with panniers of fruit and supplies, incised No. 62, some restorations, 13cm. (2) £150-250

699. A large Derby candlestick group, c.1770, of a Dresden shepherdess standing on a tall scrolled base, holding an apron full of flowers, two candle sconces issuing from the base of flowering bocage, some damages, 26cm. £200-300

700. Two Derby figures, c.1765, one of the Italian Farmer’s wife, standing barefoot before flowering bocage and holding a cockerel, the other a candlestick figure emblematic of Spring, modelled as a seated putto wearing a floral crown, some damages and losses, 19.5cm max. (2) £100-200

701. A pair of small Derby figures of musicians, c.1770, she playing the mandolin, he the bagpipes, seated before flowering bocage, and a Derby figure of a gallant attired as a shepherd, some damages and restorations, 21cm max. (3) £150-250

702. Two pairs of Derby pastoral figures, c.1770-85, one pair of a gallant and his companion dressed as peasants, she carrying a basket of eggs, he a lamb and a basket of fruit, the other pair of gardeners, she leaning on a watering can, he a spade, some restoration, 21cm max. (4) £150-250

703. Three Derby figure groups, c.1770-80, one of two Bacchantes adorning a bust of Pan with garlands of flowers, incised No.196, one of Ariadne holding a corner of her robe above her head, the last of Diana the huntress, holding back her dog as it leaps up by her side, some damages and restorations, 30cm max. (3) £150-250

704. Two pairs of Continental porcelain figures, 19th century, after Chelsea and Bow, one pair seated with dogs, the other standing on tall bases, all before flowering bocage, some damages, 17cm max.

(4) £120-150

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705. Two pairs of Derby Mansion House dwarves, late 18th/early 19th century, the corpulent figures in typical gaudy attire with large hats, one pair with advertising bills on their headgear for an ‘Auction of Prime Groceries by M. Hyzok, Figgsberry’, the other with a theatre bill for Duck Lane, each incised ‘N227’, some restorations, 17cm max. (4), £400-600

706. A matched pair of Derby figures of Seasons, c.1758-60, of Spring and Summer, scantily clad and holding a garland of flowers and a sheaf of corn respectively, small damages, 10cm max. (2) £150-250

707. A Bow figure of a putto, c.1760-65, standing on a low pad base with a basket of fruit over one arm, wearing a flower garland and crown, a few small chips, 13cm. £100-200

709. A rare pair of Minton Parian figures of politicians, 19th century, one of the Rt Hon Charles James Fox, the other of Edmund Burke, both seated in armchairs and holding scrolls, together with a biscuit porcelain bust of Lord Canning and a bust of Mendelssohn, some damages, 21.5cm max. (4) £400-600 While both renowned Whigs, Burke and Fox found themselves in opposition over their stance regarding the French Revolution, with Fox declaring the storming of the Bastille as “the greatest event that ever happened in the world”, and Burke supporting the later royalist uprising.

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708. A matched pair of Derby candlestick figures of musicians, c.1765-75, he playing the bagpipes with his dog seated by his side, she with a lamb standing to her right, seated before flowering bocage and raised on scrolling bases, her mandolin and candle sconce lacking, 20cm. (2) £100-200

710. Five small Derby figures, 2nd half 18th century, one a rare figure of Summer from the Chelsea Seasons, two of musicians, one a gardener, the last a shepherdess, and a Chelsea figure of Summer holding a sheaf of corn and a small milking churn, some damages and repairs, 16.5cm max. (6) £200-300

711. A Derby blackamoor sweetmeat figure, c.1765-70, modelled as a young African, knelt on one knee and supporting a large shellshaped dish painted with butterflies and insects, some good restoration, 20.5cm. £400-600

712. A near pair of Bow figures of a fruit seller and his companion, c.1765-70, he with a basket of fruit, holding a pear in his right hand, she with her apron full of a variety of fruits and flowers, raised on tall scrolled bases, red anchor and dagger marks, a few small chips, 22.5cm. (2) £300-400

713. A pair of Continental porcelain figures, 19th century, after Chelsea, he playing the flageolet, she with an apron of flowers, both standing before colourful flowering bocage, and a third figure of a gallant and his dog, all raised on tall scrolling bases, gold anchor marks, 26cm. (3) £200-300

714. A pair of Bow figures of New Dancers, c.1775, each typically modelled with arms and feet poised, raised on tall scrolled bases before flowering bocage, some damages and restorations, 23cm. (2) £150-250

715. A near pair of Derby figures of Continents, late 18th century, one of Europe holding an orb, standing beside a cornucopia of fruit and other attributes, one of America, wearing a feathered headdress with his foot on a crocodile, both raised on titled bases, and a pair of Minton figures of the Grand Turk and his companion, brightly attired and raised on low scrolling bases, some damages and repairs, 24cm max. (4) £150-250

716. An Aynsley porcelain model of The Great Snowy Owl, c.1976, modelled by Fred Wright, the large bird perched on a tree stump, its beak agape, raised on a wood stand, 38cm overall. (3) £100-200 Together with a certificate confirming this piece is number 11 of a limited edition of 250.

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717. A good near pair of Bow figures of New Dancers, c.1770, in typical pose and wearing brightly enamelled clothing, each standing on a tall scrolled base before richly flowering bocage, red anchor and dagger marks, 23.5cm. (2) ÂŁ1,500-2,000

718. Five Albany Fine China bronze and porcelain models of birds, modern, a large group of a jay preening his wing while perched on blossoming branches, modelled by David BurnhamSmith, four others of a chaffinch, a hawfinch, a greenfinch and a bullfinch, all modelled by David Lovegrove, some small damages, 40cm max. (5) ÂŁ250-350

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719. A Derby figure of a musician, c.1765, playing the flageolet while his dog waits patiently at his side, standing before flowering bocage and raised on a tall scrolling base, his hands restored, 21.5cm. ÂŁ150-250

Fine Porcelain & Pottery Tuesday 25th February 2014 Entries are now being accepted for this sale

A rare and large pair of Meissen ‘Continent’ figures of Africa and Europe, c.1745.

Estimate: £3,000 - £5,000

ENQUIRIES Clare Durham Tel: +44 (0)1722 424507 claredurham@woolleyandwallis.co.uk

CATALOGUE CONTINUES OVERLEAF

720. A good miniature Caughley teabowl, c.1785, printed in blue with the Fence pattern, S mark to the base, 5.5cm. £200-300 While the Fence pattern was regularly employed on tea wares of a standard sized, it is far less common to find it on toy wares of the same period.

721. A rare miniature Worcester blue and white teapot and cover, c.1760-65, painted with the Prunus Root pattern, one side with the main pattern of prunus issuing from holey rockwork, the reverse with a single flowering spray, open crescent mark to the base, 10cm. (2) £2,000-3,000

722. A Caughley miniature blue and white sucrier and cover, c.1785, painted with the Island pattern, the cover with two small sailing boats, 6cm. (2) £400-600

Miniature Worcester wares painted with the Prunus Root pattern are believed to have been produced for the Dutch market.

723. An English porcelain blue and white strainer spoon, late 18th century, of naturalistically moulded form, the deep bowl pierced with small circular holes, the handle with a scrolling terminal, 18.2cm. £200-300

724. Two Worcester blue and white condiment spoons, c.1770, the shallow bowls decorated with a single flower stem, the scroll-moulded handles picked out with blue detailing, 10cm. (2) £200-300

725. An English porcelain blue and white spoon, c.1770, the bowl painted with a leafy floral spray, the handle terminal with a stylized sprig and blue dash line, a little nibbling to the bowl, 10.7cm. £50-150

726. A rare Worcester blue and white mustard spoon, c.1765, the well painted with a simple peony spray within a strapwork border, the handle with further C scroll designs, 10.2cm. £500-800

727. A pair of Worcester condiment spoons, c.1770, the shallow bowls decorated with a central flowerhead within a cell diaper border, the handles moulded with scrolling leaves, 10cm. (2) £200-300

728. A Worcester blue and white spoon, c.1768, the bowl decorated with a sevenpetalled flower, a trailing flower spray extending the length of the curved handle, 12.7cm. £300-400

Cf. The Billie Pain Collection of British Porcelain, Bonhams, 26th November 2003, lot 203 for a similar spoon.

Cf. Phillips, The Watney Collection, Part II, lot 598 for a similar spoon.

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729. A Worcester blue and white stand, c.1770-75, painted in the K’ang Hsi Lotus pattern, with floral motifs within lotus petals, the rim with cracked ice panels, tied kite mark to the reverse, 25cm. £80-120

730. An unusual English porcelain blue and white octagonal charger, 2nd half 18th century, the well painted with a figure seated on a riverbank, two further figures in a boat, with buildings lining each side of the river, the rim printed with a continuous floral design, unmarked, 39.5cm. £500-800 Cf. Woolley and Wallis, 13th September 2011, lot 408 for a near identical charger.

731. A large Worcester blue and white bowl or basin, c.1775-80, the interior printed with the Pinecone pattern with rose and pomegranate sprays amidst butterflies and moths, the exterior with further sprays, hatched crescent mark, 28cm. £180-250

732. A large Worcester blue and white junket dish, c.1770, printed with the Pinecone pattern, with further fruit and flower sprays around, the exterior with vegetables and butterflies, workman’s mark, 25.4cm. £200-300

733. A Pennington’s Liverpool blue and white plate, c.1765-70, painted with bamboo and a large spray of peony issuing from jagged rockwork, the rim with three further peony sprays, star crack, 22.5cm. £160-200

734. A Lowestoft blue and white basket, c.1775-80, after Worcester, printed with the Pinecone pattern beneath a scrolling border, the ropetwist handles issuing from applied flowers and leaves, the reticulated sides applied with further flowerheads, a small restored rim section, 21.2cm across. £250-350 Paper label for the Rous Lench Collection.

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735. English porcelain blue and white teawares, late 18th century, including a Caughley trio printed with a pagoda landscape, a New Hall coffee cup and saucer printed with the Trench Mortar pattern, a Liverpool small mug or coffee can and a similar saucer, both printed with peony, 13cm max. (7) £100-200

736. Two miniature Worcester blue and white saucers and a miniature Caughley teabowl and saucer, c.1780, the saucer painted with the Prunus Root pattern, the Caughley with the Island pattern, and two pickle leaf dishes, damages to the latter, 14.5cm max. (6) £200-300

737. A pair of Bow blue and white sauceboats, c.1765, moulded with rococo panels and floral sprays, painted with rose and convolvulus, the interiors with further flowers and a large beetle beneath a diaper cell border, 20cm. (2) £150-250

738. A Worcester blue and white slop bowl and a coffee cup, c.1775-85, the bowl printed with The Argument pattern, disguised numeral mark to the base, the cup painted with the Narcissus pattern, and a sparrowbeak jug printed with two figures on a bridge in a Chinese landscape, minor damages, 12cm max. (3) £150-250

739. Three Lowestoft teabowls and two saucers, c.1770, painted with peony and prunus issuing from rockwork beside a fence, one teabowl cracked, 12.3cm. (5) £150-250

740. Two Worcester blue and white teabowls and saucers, c.1770, one painted with the Mansfield pattern, the other printed with Fruit Sprays, open and hatched crescent marks, 12cm. (4) £180-200

741. A pair of Worcester blue and white feather-moulded teabowls, c.1760, painted to the interiors with a spray of flowers, the inside rim with a continuous floral band, the exterior with simple scrolls, workman’s marks, and a Liverpool teabowl and saucer printed in the Scallop Shell and Flower pattern, 13.2cm. (4) £200-300

742. Two Worcester blue and white mustard pots and covers, c.1770-80, printed with the Three Flowers pattern, with moulded handles and floral finials, hatched crescent marks, 10.5cm. (4) £100-150

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743. A Caughley blue and white sauceboat, c.1780-85, with strap fluted moulding, printed with the Fisherman and Cormorant pattern, a small chip to the spout, 18cm. £100-200

744. A Derby blue and white pickle dish, c.1760-70, the leaf shape painted with a peony spray within stylized sprays of chrysanthemum, all within a feathered blue edge, the underside moulded with veining, the stalk lacking before firing, 9.5cm. £120-180

745. A good Worcester blue and white mustard pot and cover, c.1760, painted with the Mansfield pattern, the handle elaborately moulded, open crescent mark, 10.5cm. (2) £250-350

746. A Lowestoft blue and white tea canister, c.1775, decorated in the Worcester manner with a version of the Fence pattern, blue crescent mark, a chip to one corner, 9.5cm. £160-200

747. A Lowestoft blue and white teabowl and saucer, c.1765-70, painted with knotted willow trees and a figure in a boat in an Oriental landscape, workman’s mark to the saucer, a 2.5cm crack to the teabowl, 11.5cm. (2) £300-400

748. A Pennington’s Liverpool blue and white shell dish, c.1780, formed as a deep shell with scrolling terminal, the well painted with a simple stylized flower spray, the moulded rim with blue wash, the foot lacking, 13cm. £160-200

749. A Derby blue and white dolphin ewer creamer, c.1770, of shell-moulded form picked out in blue, two entwined dolphins beneath the spout, 8cm high. £150-200

750. A Bow blue and white patty pan, c.1755, the well painted with a central peony spray, the deep sides with flower sprays to the interior and three leaf fronds to the outside, 13cm. £100-200

751. A Worcester blue and white sauceboat, c.1760, printed with panels of flowers, the interior with a single floral stem, open crescent mark, a short hairline crack, 15.5cm. £100-200

Paper label for the Nicholas Panes Collection.

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752. A large Worcester blue and white mug, c.1770, printed with the Plantation pattern, one side with pine issuing from behind a pagoda, the reverse with bamboo within a fence, hatched crescent mark, a small rim chip, 15cm. £150-250

753. A large Worcester blue and white mug, c.1765-70, painted with the Gardener pattern, a figure seated at a low table with a fan, while another kneels with a plant in one hand, grooved loop handle, open crescent mark, cracked, 15cm. £100-200

755. A Worcester blue and white sauceboat, c.1755, painted with the Triangular Platform pattern, the interior with a large floral spray and further flowers to the inside rim, workman’s mark, 19cm. £200-300

754. A Worcester blue and white tall mug, c.1775, printed with the second version of the Parrot Pecking Fruit pattern, the bird leaning down towards an abundant array, script mark, 11.5cm. £200-300

756. A James Pennington’s Liverpool blue and white sauceboat, c.1768-73, with gadroon moulding, painted with the Cannonball pattern, the interior with a hatched border and stylized peony, 16.2cm. £200-300 Paper label for the Nicholas Panes collection.

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757. Two large Worcester blue and white junket dishes, c.177580, printed with the Pine Cone Group, the sides with sprays of flowers and fruit, hatched crescent marks, some faults, 26cm. (2) £100-200

758. A pair of Bow elongated octagonal dishes, c.1755-60, painted with figures in boats in island lake scenes reserved in fan-shaped panels on a powder blue ground, each with a six character pseudo Chinese script mark, one with a rim chip, 31.3cm. (2) £300-500

759. A pair of Worcester blue and white sauceboats, c.1765, painted with the Strap Flute Sauceboat Floral pattern, and another painted with the Little Fisherman pattern, all within moulded panels, open crescent marks, 16cm. (3) £200-300

760. Two small Worcester blue and white teapots and covers, c.1770-80, one with the Three Flowers pattern, the other with the Fence pattern, hatched crescent marks to both, small damages, 15cm. (4) £200-300

761. Two Worcester blue and white dishes, c.1770, one leafmoulded and decorated with a Naturalistic Floral pattern, the other a saucer dish painted with the Rock Strata pattern, crescent marks, a little restoration to the edge of the leaf dish, 25.5cm max. (2) £200-300

762. A pair of Worcester blue and white kidney-shaped dishes, c.1775, printed with the Gillyflower pattern, hatched crescent marks, one with a short crack, 27cm. (2) £150-250

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763. Two Worcester blue and white dishes, c.1775, one a lobed plate printed in the Pinecone pattern, a deep dish in the Fruit Sprigs pattern, a Worcester slop bowl printed with the Three Flowers pattern, and a saucer painted with the Rock Strata Island pattern, hatched or open crescent marks to most, 23.3cm max. (4) £200-300

764. A Bow blue and white small bowl, c.1752-55, painted in a bright blue with a large plantain issuing from rockwork, the long leaves creeping over the rim to extend to the interior, workman’s mark to the inside footrim, some damages, 11.1cm. £150-250

765. Two Worcester blue and white milk jugs, c.1765-70, one painted with the Mansfield pattern, the other with the Cannonball pattern, open crescent mark to the latter, some faults, 8.2cm max. (2) £100-200

766. A Lowestoft blue and white coffee cup and a Lowestoft saucer, c.1765-70, the coffee cup painted in blue with a house on an island beside a long bridge, the saucer with a figure in a Chinese pagoda landscape, and a Worcester polychrome coffee cup painted with flowers and pink scale borders, 12cm max. (3) £150-250

767. A small Worcester teabowl and two saucers, c.1770, decorated with dry blue flowers, a miniature Caughley teabowl painted with the Island pattern, an unusual porcelain cream basket or piggin with a moulded shell handle, a German porcelain moulded egg cup, and two small covers with gilt foliate sprigs, some faults, 9.5cm max. (8) £100-150

768. Three Worcester blue and white jugs, c.1770-80, the largest a cabbage leaf jug printed with the Bouquets pattern, one smaller and printed with the Fence pattern, the last a sparrowbeak jug painted with the Peony pattern, some damages, 18.5cm max.

(3) £150-250

769. A large Worcester blue and white bowl and two Worcester cups and saucers, c.1760-80, the bowl painted with the Prunus Fence pattern, workman’s mark, one cup painted with the Immortelle pattern, the other with panels of exotic birds on a blue scale ground, 21cm max. (5) £120-200

770. Three English porcelain teabowls, 2nd half 18th century, one Chaffers with incised decoration after the Chinese anhua, painted with blue peony sprays, one William Reid painted with Chinese figures, the last Lowestoft painted in the Imari palette with the Doll’s House pattern, a Worcester moulded blue and white butterboat, and a Lowestoft milk jug painted with a house on an island, some damages, 9cm max. (5) £150-250

771. Three English porcelain teapots, 2nd half 18th century, one Worcester and painted in blue with the Waiting Chinaman pattern, one Caughley printed with birds perched in branches, the last Derby, of quatrefoil shape, decorated in polychrome enamels with two Chinese figures and floral arrangements, all covers lacking, some damages, 20cm max. (3) £120-180

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772. A rare blue and white ‘John Hill’ election jug, c.1796, Caughley or early John Rose Coalport, each side inscribed ‘Honour and Honesty. John Hill for Ever. Prosperity to the House of Hawkstone’, beneath the spout with the legend ‘Majority of 44 in the Year 1796’, extensively damaged, 22cm. £200-300

773. A very rare Derby blue and white sweetmeat stand or centrepiece, c.1770, the lobed dish raised on a low foot and divided into six sections around a central removable bowl, decorated with husk swags and a stylized scroll border, 16cm high. (2) £300-500

The controversial Shrewsbury election of 1796 did not in fact result in a victory for John Hill, as the inscription on this jug suggests. John Hill's claimed "Majority of 44" was reached by adding spoilt ballot papers to his valid votes, and amounted only to a majority over his younger kinsman, William Hill, rather than to the overall victor, William Pulteney. The confusion regarding attribution of the jug itself lies in the closeness of the two factories and the fact that several moulds exist. It is possible that both factories produced these Election jugs, although it has sometimes been quoted as the earliest known dated Coalport porcelain.

774. A Worcester blue and white bell-shaped mug, c.1765-70, painted with the Gardener pattern, a figure kneeling and weeding whilst conversing with another figure seated at a low table with a fan, crescent mark, 8.5cm. £250-350

775. A Lowestoft blue and white mug, c.1760-65, the cylindrical body painted with a Chinese pagoda landscape, the three-storeyed building beneath tall trees with birds in flight above, a sailing vessel and pavilion to the other side, raised on a flared foot, the interior rim with a scrolling border, painter’s numeral to the inside footrim, cracked, 9cm. £200-300

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776. A Bow blue and white teapot, c.1758-60, painted with a small pagoda amidst willow and pylon trees, the cover lacking, the spout chipped, 18cm. £80-120

777. An unusual English porcelain blue and white pickle leaf dish, 18th century, probably Bow, modelled as a large vine leaf and painted with fruiting vine, the stalk issuing from an applied flowerhead and three leaves, broken and riveted, 10.7cm. £50-150

778. A Worcester blue and white teapot, c.1770, decorated with the Feather Mould Floral pattern, the cover surmounted with an open bud finial, script W mark, some restoration to the finial, 20.5cm. (2) £200-300

779. A Worcester teacup and saucer, c.1770, decorated in the Giles atelier with dry blue flower sprays and single scattered blooms, crossed swords and 9 marks, a flaw to the handle, 13cm. (2) £150-250

780. Two English porcelain blue and white plates, late 18th century, one octagonal, painted with chrysanthemum, bamboo and other Oriental foliage, the other painted with a pagoda landscape within a Fitzhugh border, 24.3cm max. (2) £300-500

781. A Worcester blue and white scallop-edged plate, c.1775, printed with the Pinecone pattern, and a Caughley jug printed with a Fence pattern, open crescent and C marks, some damage to the jug’s spout, 18.5cm max. (2) £150-250

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783

782. An English porcelain blue and white guglet, 2nd half 18th century, painted with a bird perched on a peony stem with further Oriental flowers and flying insects around, 26.5cm. £160-200

783. A rare William Reid blue and white teapot, c.1756-61, painted with a Chinese pagoda landscape, the handle and spout with simple foliate designs, the globular body raised on an unusual flared and lipped foot, the cover lacking, 19cm across. £200-300 Although the foot is unusual for a teapot, it is often seen on barrelshaped mugs and jugs produced by the Reid factory at this time.

784. A rare Samuel Gilbody blue and white teabowl, c.1758-60, painted in dark blue with flowers issuing from holey rockwork, the interior rim with a hatched border, broken and restuck, 8cm. £100-200 Cf. Maurice Hillis, Liverpool Porcelain, p.290 for a coffee can with the same design.

784

785. A Lowestoft blue and white teabowl, c.1764-66, with Hughes-type moulding, painted with three small panels of landscapes within trellis and floral moulding, minor faults, 7.6cm dia. £120-180

786. A Worcester blue and white hexagonal creamboat, c.1760, painted with the Bare Tree Pagoda pattern, open crescent mark, and a Worcester moulded cream jug, with strap flute moulding and decorated with the Fisherman and Willow pattern, haircrack to each, 9cm max. (2), £400-600

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787. A Worcester fluted teabowl and saucer, c.1760, printed in purple with L’Amour and Garden Statuary, a courting couple seated on a bench with a small dog before and a chaperone behind, the interior of the teabowl with a swan, square seal marks, 12cm. (2) £300-400

788. A Vauxhall creamer, c.1758-60, painted with an Imari pattern of two ducks beside a fence, with Oriental flowers and holey rockwork, the interior with a hatched border, the moulded handle scrolling, with a small thumbrest, two footrim chips, 12cm across. £150-250

789. A Worcester fluted teabowl and saucer, c.1775, painted with polychrome flowers sprigs and single scattered leaves, gilt crescent marks, 13.5cm. (2) £100-200

Cf. The English Ceramics Circle, Ceramics of Vauxhall, pl.93 for a creamer of the same shape.

790. A Flight Worcester spiral fluted teabowl and saucer, c.1785, painted with sprays of flowers in purple monochrome and gilt, ‘Flight’ mark in purple and rare impressed ‘FLIGHT’ mark to the teabowl, 13.3cm. (2) £150-250

791. A Worcester small bowl and a sparrowbeak jug, c.1770-80, the bowl painted with Chinese mothers and children at various pursuits, the jug with a stylized flower arrangement in a pink palette, 12cm max. (2) £200-300

792. A rare Derby coffee cup, c.1758-60, the bell-shaped body decorated in the famille vert palette with panels of flowers, a hatched iron red border to the interior of the shaped rim, the unusual flattened handle pierced with irregular holes, some faults, 6.7cm high. £300-500 Cf. The Watney Collection, lot 370 for a similar cup. The Chinese original of this cup was included in the same lot in the Watney sale. The form and decoration of this cup were also replicated at Doccia.

793. An English porcelain vase, perhaps late 18th century, decorated in the Worcester style with panels of fancy birds reserved on a blue scale ground, square seal mark and incised 63, 19cm. £150-250

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794. A Chamberlain’s Worcester spiral fluted sucrièr and cover, 19th century, decorated in pattern 48 with sepia and gilt floral sprigs, and a similar coffee cup in pattern 37 with a single gilt flower, 14cm max. (3) £100-200

795. A Chelsea-Derby saucer dish, c.1770, with moulded well highlighted in blue and gilt within a leaf garland, gold anchor mark, and a Worcester tea canister and cover, later enamelled with polychrome flowers on a green ground, 19cm max. (3) £80-120

796. Four items of Worcester porcelain, c.1770, decorated with the Marchioness of Huntley pattern, with sprawling flower sprays within a shaped green border, and a Chelsea-Derby lobed dish painted with a garland urn and scattered insects within a leafy swag border, various marks, the saucers damaged, 22cm max. (5) £250-350 Sold on behalf of the executors of The Hon. Mary Anna Marten dec’d, of Crichel House, Dorset.

797. Two Christian’s Liverpool teapots, c.1765-75, one moulded with leafy columns and bands, painted with alternate panels of Kakiemon flowers and Chinese ladies, the other painted with the Beckoning Chinaman, and a Christian’s coffee pot in the same pattern, the covers and the coffee pot’s spout lacking, 19cm max. (3) £200-300

798. An English porcelain fluted teabowl and saucer and a slop bowl, early 19th century, the bowl decorated in pattern 4710 with a band of blue and red flowers amidst gilt foliage, the teabowl and saucer with a continuous gilt design, 15.3cm max. (3) £60-100

799. A Worcester sucrièr and cover, c.1765-70, printed in black with three vignettes including a version of the L’Amour pattern by Robert Hancock, the cover with an opening bud finial and further prints of rococo buildings, a Worcester slop bowl painted with puce sprays of flowers, and a Worcester saucer dish painted with a Japan pattern, 18.5cm max. (3) £200-300

800. A pair of Caughley blue and white dishes from a supper set, c.1780-90, printed with figures in a Chinese pagoda landscape, within a Fitzhugh type border, impressed ‘Salopian’ marks, 35cm. (2) £150-250

801. A pair of Chinese armorial saucers, c.1750, painted with a central crowned shield for a member of the Guinanson de Boisgaillard family of Siantes, France, within a gilt spearhead border, and a Chinese porcelain milk jug and cover with flowers in the famille rose palette, some repairs, 14cm max. (4) £220-280

802. A pair of Worcester lozenge-shaped dishes, c.1775, well painted with polychrome sprays of flowers and single stems, 26.8cm. (2) £450-650

803. A pair of Worcester scallop-edged plates, c.1775-80, decorated with single flower stems within jagged borders of French green enamel, 21.5cm. (2) £100-200

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804. A pair of Chelsea sunflower dishes, c.1756, each moulded as a large open flower with two leaves issuing from a stalk handle, the raised centres detailed in shades of brown, pink and yellow, red anchor marks, damages, 22.5cm. (2) £200-300

805. Two Worcester plates, c.1770 and later, one decorated in the Dalhousie manner with a central vignette of a church beside a river, the other with a pair of peacocks perched by water, both within fruit garlands and blue and gilt borders, open crescent mark to the first, some restoration, 21.5cm. (2), £180-220

806. A pair of Worcester scallop-edged plates, c.1770, the wells painted with a polychrome flower arrangement within elaborate gilt borders and wide blue rims, crescent marks, 19.4cm. (2) £250-350

807. A large pair of Chelsea dessert baskets, c.1763, the shallow oval forms with reticulated sides applied to the exterior with puce flowerheads, the interiors finely painted with floral arrangements and single scattered blooms, the handles issuing from further applied flowers, gold anchor marks, 27cm. (2) £200-300

808. Three Worcester scallop-edged plates, c.1770, two painted with panels of colourful birds and flying insects, the third smaller and painted with floral panels, all reserved on a blue scale ground, square seal marks, 21cm max. (3) £300-500

809. A rare pair of Worcester câchepots and stands, c.1780, of unusual U-shaped form, finely decorated with blue and gilt flower swags beneath a wide key fret band, open crescent marks, 13.3cm overall. (4) £2,200-2,500

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810. A Worcester dessert dish, c.1765, moulded with two branches of vine within pierced borders of flower panels within blue arches, the well painted with two large colourful butterflies, a well restored crack, 30.5cm. £400-600

811. A Chelsea silver-shaped dish, c.1756, painted with floral posies and other smaller sprays and single leaves, within a black line border, red anchor mark, a few small rim nibbles, 25.2cm. £600-800

Cf. H. Rissik Marshall, Coloured Worcester Porcelain, pl.51, no.1052 for a near identical dish.

812. A large Chelsea moulded dish, c.1756, the oval shape moulded and painted with two sprays of fruiting grapevine, the well painted with sprays of rose, heartsease and other flowers, red anchor mark, the reverse with two large leaves concealing a firing fault, 32cm. £350-500

813. A Chelsea fruit plate, c.1763, the lobed form painted with various fruits including blackcurrants, plum and raspberries, brown anchor mark to the reverse, 21cm. £350-550

Cf. Margaret Legge, Flowers and Fables, pl.123 for a similar dish.

814. A Worcester slop bowl, c.1770-75, the exterior decorated in a bright turquoise glaze, probably by the Giles workshop, within narrow gilt bands, crossed swords and 9 mark, 16cm dia. £150-250

815. A Chelsea peony dish c.1755, the centre of the white-petalled flower finely detailed in purple, the overlapping leaf veined in brown with yellow detailing to the edges, red anchor mark, 23cm. £400-600

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816. A fine Worcester trio, c.1758, the finely potted bodies brightly painted with floral sprays and single colourful butterflies, and with purple monochrome borders of rococo scrolls and sunburst motifs, 11.5cm. (3) £1,000-1,500

817. A Worcester cup and saucer, c.1758-60, finely potted and painted with the Valentine pattern, a pair of doves perched on a quiver of arrows beneath a breadfruit tree, the bell-shaped cup with a wishbone handle, 11.5cm. (2) £700-900

Paper collection label for R. David Butti (no. 207) and for Albert Amor Ltd. The Willis Collection of Worcester Porcelain, 1984.

The pattern is a copy of a Chinese export porcelain pattern, drawn by Lieutenant Piercy Brett and used on a service for Commodore George Anson in 1743.

818. A Worcester teabowl and saucer, c.1765-68, moulded with a continuous chrysanthemum band and painted with the Old Worcester Parrot pattern, the rim with a dense colourful floral border, 13.8cm. (2) £500-800

819. A Worcester fluted trio, c.1770, brightly enamelled with sprays of flowers and single scattered blooms, square seal marks, 11.7cm. (3) £300-500

Paper label for D M & P Manheim, New York.

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820

822

820. A rare Derby wall pocket, c.1770, the cornucopia shape heavily moulded with rococo scrolls and painted with a panel of dishevelled birds, some of the scrolls highlighted with puce enamel, the top pierced with six small holes around a central opening, 24.5cm. £300-500

821. A good Worcester coffee cup, c.1758, finely painted with a spray of flowers and a single large, colourful butterfly, the interior with a purple monochrome border of rococo scrolls and sunburst motifs, 6cm. £400-600

Cf. Franklin A. Barrett & Arthur L. Thorpe, Derby Porcelain, pl. 78 for a similar pair.

823. A near pair of Chelsea candlesticks, c.1760, the scrolling triangular stems rising from trefoil lobed bases, finely applied and painted with flowers, gold anchor marks, 18.5cm. (2) £400-600 Cf. William King, Chelsea Porcelain, pl.23 for a similar pair.

822. A Longton Hall octagonal teabowl, c.1755-6, painted with colourful exotic birds perched on the ground, the interior with a single bird in flight, a filled rim chip, 7.7cm dia., £250-350

824. A Derby two-handled basket, c.1758, painted to the interior with a standing bird beside a smaller bird perched on a branch, within a border of flowers in the ‘cotton stem’ manner, the exterior with hatched moulding and applied with flowerheads, cracked, the handles restored, 20.5cm. £250-350

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825. A Chinese armorial mug, c.1765, painted in the famille rose palette with the arms for Purdon, amidst scattered flowers and beneath a gilt chain border, a few small chips, 12cm. £400-600 This service perhaps made for Simon Purdon, High Sheriff of Co. Limerick and grandson of Sir Nicholas Purdon, MP for Baltimore in Co. Cork.

826. A Chelsea hexagonal vase, c.1765, the slightly flattened body painted with two wide panels of exotic birds perched in tall leafy branches, the narrower sides applied with rococo scrolling handles and painted with a pair of birds in flight, gold anchor mark, a faint rim crack, 21cm. £500-800

827. A large Derby barrelshaped mug, c.1758, painted with a floral posy to one side, a single spray of heartsease to the reverse, the long body with ribbed moulding, the handle with puce scrolls, 14.2cm. £350-450

828. A Worcester moulded tea canister, c.1770, the rounded sides moulded with flowerheads and dense continuous foliage, the shoulder painted with a berried and floral garland, 12.5cm. £200-300

829. Three Lowestoft teabowls and saucers, c.1780, painted in the Curtis style with stylized baskets of flowers within floral garlands and panels of pink scale, 12.3cm. (6) £200-300

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830

831

830. A Worcester two-handled chocolate cup with cover and stand, c.1770, painted with panels of flowers within gilt panels on a blue ground, the stand associated, 14.7cm. (3) £380-450 831. A Worcester fluted cup and saucer, c.1780, painted with a central urn within a border of fruit sprays and colourful flying insects, open crescent marks, 13.5cm. (2) £280-350 832. A good small Worcester fluted jug, c.1760-65, the Warmstry Fluted moulding finely painted with a bold floral bouquet including rose, sunflower and campanula, a fine scrolling motif to the handle, traces of gilding to the rim, the cover lacking, 11cm. £350-450 Cf. Bonhams, 10th May 2006, lot 57 for a coffee pot of the same shape and decoration.

833. A Worcester hexagonal creamboat, c.1760, painted with simple flower sprays within moulded panels, the spout formed as a shell, with a puce C scroll border to the interior, 10.5cm across. £230-300 Red collector’s or accession number to the base, G197?-462.

834. A Worcester bell-shaped coffee cup, c.1760, with a wishbone handle, decorated with Chinese figures, a mother and child with a large butterfly, the reverse with a figure seated with a fan while another plays a pipe, a small rim chip, 6cm. £160-200

832

835. A Chelsea ‘Fable’ octagonal teabowl, c.1750-52, painted by Jefferyes Hammett O’Neale with the Lion and the Mouse in a continuous landscape, the unfortunate rodent flattened before the roaring beast, the interior painted with scattered flower sprays, brown line rim, broken and riveted, 9cm. £1,000-2,000 Cf. Stephen Hanscombe, Jefferyes Hamett O’Neale, p.43, no.20 for a teacup with the same decoration.

836. A Worcester printed coffee cup, c.1760, decorated with Les Garçons Chinois pattern, one side with two Chinese figures clambering on rococo scrollwork, the reverse with a figure similarly seated with a hoop on a line, carefully hand-coloured, 5.8cm. £200-300 833

834

835

836

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837

838 837. A Bow large bowl and a plate, c.1765, printed with chinoiserie figures in garden and interior scenes with tables and vases, hand-enamelled in bright colours, a few small chips, 23.2cm. (2) £200-300 The bowl with a paper label for the Ceramics Department at Stoke-on-Trent, no.6229.5.

838. A Worcester quail tureen and associated cover, c.1755-56, naturalistically modelled with finely detailed plumage, its head turned slightly to the right, its nest applied with coiled clay and colourful leaves and feathers, 18.5cm.

(2) £300-500

839. A Liverpool coffee can and another, 2nd half 18th century, variously painted with flowers and scattered leaves, each with a grooved loop handle, 6.5cm. (2) £250-350 839

840. An English porcelain spiral fluted cup and saucer, c.1800, probably Chamberlain’s Worcester, painted with a version of the Jabberwocky pattern, the usual turquoise enamel substituted with the royal blue favoured by the Giles atelier, 14cm. (2) £150-250

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841. An English porcelain basket, 2nd half 18th century, the reticulated sides applied with small flowerheads, painted to the interior with flowers on a pale turquoise ground, later decorated, one handle a replacement, 18.3cm. £200-300

842. A Worcester ‘Chelsea ewer’ cream jug, c.1770, the base moulded with spiralling acanthus leaves, painted with polychrome flower sprays of rose, heartsease and fuchsia, 10.5cm across. £230-300

843. A pair of Chaffers Liverpool small mugs or coffee cans, c.1760, each painted with a flower spray centring around a large pink rose, simple loop handles, 6.5cm. (2) £300-500

844. A small Worcester mug, c.1756, painted in polychrome enamels with the Beckoning Chinaman pattern, the reverse with a colourful flowering branch, the foot slightly flared, with grooved handle, some restoration, 8.3cm high. £200-300

845. A Bow circular basket, c.1755-58, with tall pierced sides, the interior painted with flowers and geometric floral motifs, the exterior with a puce band, a small restored rim section, 15.7cm dia. £550-750

846. Two Worcester mugs, c.1780, painted in the Dalhousie manner with central landscape scenes between garlands and vignettes of fruit, one with butterflies and scattered insects, blue open crescent marks, damages, 12.5cm. (2) £400-600

847. A rare pair of Lowestoft teabowls and saucers, c.1795, the fluted bodies painted in the Curtis manner with a naive spray of flowers within unusual purple ribbon garlands suspended from green and red paterae, 12cm. (4) £300-500

848. A Longton Hall mug, c.1755, the bell-shaped body painted with three colourful birds in a landscape scene with others in flight around, the moulded handle with puce detailing, 9.5cm. £800-1,200

The pattern is similar to New Hall pattern 195, but is based on an original design from Chinese export porcelain, variations of which are also found on wares at other English factories in the period 1795-1805.

Paper label for the Barbara Leake collection. Cf. Bonhams, 12th March 2008, lot 54.

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20th Century Design Wednesday 9th October 2013

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

Naiades, a Lalique opalescent glass clock designed by Rene Lalique.

Estimate: £1,000 - £2,000

Silver Tuesday 22nd & Wednesday 23rd October 2013

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

A rare George II Channel Islands silver coffee pot,

by Jean Gavey, Jersey circa 1735.

Estimate: £10,000 - £15,000

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 8901 7522

WOO L LE Y & WA L LI S Absentee Bid Form English & European Ceramics & Glass

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Tuesday 8th October 2013 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

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We do not accept American Express cards

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If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

Signature Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

Price Excluding buyer’s premium & VAT

AUCTION CALENDAR 20TH CENTURY DESIGN 9th October – 20th Century Design 11th December – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk SILVER 22nd & 23rd October Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 24th October Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 30th October Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk ASIAN ART 13th & 14th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk MODERN BRITISH ART 26th November Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk PAINTINGS 4th December Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE, WORKS OF ART 7th January 2014 Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMCIS & GLASS 25th February 2014 Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk

• Entries can usually be accepted up to six weeks prior to auction • Illustrated catalogues are available about ten days before the sale • Viewing is normally two days prior to the auction and on Saturday mornings • Catalogue subscriptions are available for all sales • Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.ukz

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