Woolley & Wallis Auctioneers

FINE JEWELLERY THURSDAY 7TH APRIL 2022 9.30AM

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Samuel Hug FGA DGA Emily O’Donnell

424595 424504 424586 424586

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

424506 424583 424589 +44 (0)7812 601098 424591 424571

Freya Yuan­Richards Michelle Yu

424589 424571

Clare Durham Hollie Morrison

ACCOUNTS Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS

ENGLISH & EUROPEAN CERAMICS & GLASS 424507 446964

FURNITURE, WORKS OF ART & CLOCKS 411854 339161 446974 446974

JAPANESE ART

Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

424583 424591

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424500

MARKETING Chloe Davie

CHINESE PAINTINGS & CALLIGRAPHY

Alexandra Aguilar Alana Ker Mercer

GENERAL OFFICE

Sally Litherland 339752 446980

ASIAN ART

Mark Yuan­Richards Jim Gale Suzy Becsy Sarah Stone

424502 424509

CASTLE GATE RECEPTION

Will Hobbs Molly O’Reilly

John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Alana Ker Mercer Michelle Yu

Jeremy Lamond MRICS ASFAV FRSA Amanda Lawrence

424501 424594

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

446951

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FINE JEWELLERY THURSDAY 7TH APRIL 2021 9.30AM

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

VIEWING Saturday 2nd April Monday 4th April Tuesday 5th April Wednesday 6th April

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm

No viewing on the day of the sale

Charlotte Glyde FGA 01722 424586 cg@woolleyandwallis.co.uk

Samuel Hug FGA DGA 01722 424586 sh@woolleyandwallis.co.uk

Emily O’Donnell eo@woolleyandwallis.co.uk

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Wednesday 6th April

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Wednesday 6th April

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

Facebook: @woolleyandwallis

ILLUSTRATIONS Front cover: Lot 528 part Back cover: Lot 501 Endpapers: Lot 528

Twitter: @woolleywallis Pinterest: Woolley and Wallis

Catalogue £10.00 (£15.00 by post)

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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained

by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life­sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Items described as ‘seed pearls’ have not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT Please note that lots marked † are subject to VAT on the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

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1 An early 20th century hardbound book of gouache jewellery designs by Carrington, the fourteen designs depicting bandeaux, sautoirs and clip brooches, the cover with gilt letters reading ‘Bandeaux, Carrington & Co. Ltd, 130 Regent Street, W., 38 x 27.5cm £600­800

2 A hardstone, sapphire and diamond centrepiece ornament, Chaumet, circa 1980, designed as a pair of asymmetrical ionic columns topped by a stylised lotus motif and stepped lapis lazuli plinth, to a conjoined round foot, composed of carved sections of solid malachite, jasper, lapis lazuli, onyx and rock crystal, mounted in gilt silver, set with brilliant­cut diamonds and suspending pendants collet­set with cabochon sapphires, signed Chaumet, Swiss and European convention assay marks for silver, measuring approximately 356 x 265 x 163mm, gross weight approximately 13.5kg. £2,000­3,000

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3 A gem­set model of a sprig of mistletoe in a vase, with white jade berries, nephrite leaves (2 damaged), gold stem and rock crystal vase, carved to give the appearance of being filled with water, 23cm high £200­300

λ 4 A gem­set model of a sprig of Mountain Ash (Rowan) in a vase, with coral berries, nephrite leaves, gold stem and rock crystal vase, carved to give the appearance of being filled with water, 20cm high £400­600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

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5 A quantity of jewellery, including a yellow gold fine­link chain necklace mounted with graduated oval­ shaped amethysts; an 18ct gold horse and jockey brooch with enamel decoration; a yellow and white gold bird brooch; an 18ct gold cluster ring set with an oval­shaped amethyst within a surround of small diamonds; a five­stone diamond half­hoop ring set in gold; a diamond­set platinum full circle eternity ring (some diamonds chipped); a diamond­set solitaire ring set in gold with four small diamonds to each shoulder, and a sapphire and diamond cluster ring £600­800

6 A quantity of jewellery, including a Victorian gold brooch, centred with a diamond with locket compartment to the reverse; a smaller 15ct gold Victorian brooch centred with a seed pearl; a pair of gold drop earrings centred with a diamond; a pearl­ centred filigree gold circular brooch; an opal (cracked) and diamond­set navette­shaped gold cluster ring; a gold miner’s brooch; a garnet­set gold bar brooch; three cameo brooches; a pocket watch and a pair of gilt metal filigree drop earrings £200­300

7 Various items of jewellery, including a George III diamond set forget­me­not brooch, a gold brooch mounted with seven cameos; a pair of George lll seed pearl brooches; a gold plated pair cased pocket watch on a chain and two long cultured pearl necklaces £200­300

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8 A quantity of jewellery, including a pair of cultured pearl and round brilliant­cut diamond­set gold earrings; a gem­set necklace, set with various oval­shaped gems in gold spectacle mounts; a graduated jade bead necklace; a pair of black cultured pearl earrings with pendant; a pair of diamond­centred carved amethyst flowerhead earrings with gold leaves; an untested blister pearl pendant with coiled gold snake set with rubies in closed­back mount; a circular­cut amethyst and diamond cluster pendant, three pairs of cufflinks, two hardstone pendants and four assorted necklaces £800­1,200

9 Various items of antique jewellery, including a silver Fedé gimmel ring, a metal snake ring with cabochon red stone eye, five enamelled base metal mourning rings, a metal Archer’s ring, a pair of silver buckles, a pair of metal buckles and various other items £100­150 Provenance: From the Collection of the late Tony Dove

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10 A quantity of jewellery, including a gold necklace set with cabouchon moonstones, two shell cameo brooches; a Victorian gem­set butterfly brooch; a gold Masonic charm; a gold­mounted amber cheroot holder; a 19th century fabric bracelet with seed pearl gold monogram slide; an opal, ruby and diamond cluster pendant; an amethyst bead necklace and various gem­set earrings £800­1,200

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11 A collection of jewellery, including fifteen assorted brooches, nine pendants, a stick pin, two cultured pearl necklaces, and four pairs of earrings £400­600 12 A gold powder compact, Tiffany & Co., early 20th century, the hinged case of circular outline with engine­turned designs, opening to reveal a mirror and powder puff, suspended from a detachable chain ending in a hoop, compact signed Tiffany & Co., marked 14K, compact 2.6cm diameter, 18.3 grams £400­600 13 Various items of jewellery, including a pair of diamond­set 18ct white gold earrings with matching diamond set 18ct gold pendant on a fine­link 18ct white gold chain; an 18ct gold horse and jockey pendant on a twisting gold chain; an 18ct white gold ring set with two diamonds and a sapphire; a sapphire and diamond­set gold foliate brooch; a 22ct gold wedding ring; an 18ct gold twist design ring; two fine­link gold chains; two gold hinged bangles; a gold pendant set with citrines on a fancy­link gold chain; two came brooches; two pairs of cufflink, a pair of amethyst and diamond­set drop earrings, a gold open bangle with ram’s head terminals, a lady’s gold Omega wristwatch with gold mesh band; a lady’s gold wristwatch by Tudor with 9ct gold Rolex band; a gold horseshoe bar brooch and a stone­set necklace with matching bracelet and a gilt metal bracelet £800­1,200 12

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λ 14 A collection of jewellery, including three 19th century cameo brooches, one shell cameo possibly depicting a young Queen Victoria in gold; one shell cameo set within a gold ropetwist surround, one red coral cameo possibly depicting the goddess Juno in a gold wirework and pellet surround, 4 ­ 5.5cm high; two 19th century pendants, one with rock crystal centre section containing the Medici coat of arms within a gilt metal foliate surround; the other mourning pendant with double­sided glazed sections; one side containing a miniature of an urn, the reverse containing hair and seed pearls letters within a border of seed pearls, on a fine­link silver gilt chain; a tourmaline and marcasite pendant; a gold stock pin; an Indian diamond­set pendant; an antique diamond and emerald pendant and other assorted items £600­800

15 A small quantity of jewellery, including a sapphire and diamond­set gold bangle; a cased set of white gold cufflinks designed as tide shell buttons; a sapphire and diamond­set three­stone ring; a garnet­set horseshoe brooch; an amethyst­set gold ring; four pairs of ear studs; a garnet brooch; a garnet ring; a sapphire and diamond cluster ring, and a lady’s quartz wristwatch £300­400

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16 A quantity of jewellery, including a fancy­link gold longuard chain; a diamond five­stone ring; a bar brooch with navette­shaped diamond cluster; a citrine­set gold cased fob seal with vacant matrix; two shell cameo brooches; a Victorian garnet­set gold locket brooch and a pair of carnelian silver stud earrings £800­1,200

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17 A quantity of jewellery, including an opal bead necklace, a pair of cultured pearl and diamond stud earrings; an Edwardian seed pearl pearl and opal pendant on a belcher link chain; a Chinese gold and jadeite cabochon brooch with characters fu and shou; a pair of 9ct gold blue topaz and diamond stud earrings, a pendant set with a hardstone cameo depicting a young girl within a border of single­cut diamonds, a 9ct gold opal and diamond cluster pendant; a 9ct gold chrysoprase intaglio pendant depicting a warrior; a late 19th century striped onyx cabochon and half pearl bar brooch and a late 19th century striped onyx cabochon brooch with a rope twist border £200­300

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18 Seven pairs of earrings, including a pair of gold a diamond stylised leaf earrings by Pomellato, 3cm long; a pair of 18ct gold interlocking square earrings by David Morris, 2.8cm long; a pair of sapphire cluster flowerhead earrings, 2.2cm long; a pair of gold and cultured pearl shell earrings, 2.3cm long; and four other pairs of gold earrings £600­800

19 A small quantity of jewellery items, including a 19th century seed­pearl gold cruciform pendant, a 19th century rose­cut diamond and ruby­set fox mask stick pin, two 19th century novelty gold bar brooches mounted with a fox or a dog, a gold lover’s knot stock pin and a gem­set base metal bar brooch £200­300 19

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20 An 18ct gold open­faced pocket watch, two 18ct gold rings; two 22ct gold rings; a guinea pendant suspended from a short cable­link chain and a 1912 sovereign £600­800 21 A turquoise matrix pendant, a cultured pearl gold tassel pendant and a 4 Ducat­mounted gold pendant £400­600 22 A gold abstract design brooch, set with diamonds, marquise and pear­shaped sapphires and turquoise cabochons, 5cm wide; an amethyst and five diamond­set gold ring, size M, and a gold foliate brooch with groups of diamonds set to two leaves, 6.5cm £600­800 23 Two white gold brooches, one set with a cultured pearl and both set with circular­cut diamonds, 5-5.5cm wide £400­600 24 Three gem­set bar brooches, a sapphire and diamond three­stone bar brooch set in platinum and gold, an onyx and marcasite­set silver bar brooch, and a pink stone and seed pearl­ set gold bar brooch in fitted case £200­300

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25 A group of jewels, including a collection of mid­century hallmarked 9ct gold charms: a man in a top hat in a row boat piled with suitcases, marked BON VOYAGE, a car set with paste stones with a streetlight in a square frame, also marked BON VOYAGE, a pair of skis, a tractor with rotating wheels, a bowl of fruit set with paste stones, a bag of golf clubs set with paste stones, a slot machine with working lever and wheels, and scale weighing a newborn baby, together with a pair of seed pearl pendant earrings, a clock key set with onyx, bloodstone and carnelian, and a ring set with a cluster of brilliant­cut diamonds and applied with blue enamel, size K £600­800

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26 Five pairs of gold earrings, including a pair of opal and diamond cluster earrings, two pairs of twisted gold earrings, a pair of iolite and diamond cluster earrings, a pair of emerald and diamond earrings and a pair of paste earrings £600­800 27 A fancy­coloured diamond ring and pendant by H.Stern, the multi­hoop ring set with circular­cut fancy­coloured diamonds in gold, with a matching pendant on fine­link gold neck chain, both stamped 750, ring size O½ £1,200­1,500 30

28 A silver Arts & Crafts foliate bracelet by Bernard Instone, signed BI and Birmingham hallmarks for 1964, 17.5cm, and a fine gold gate­ link bracelet, £300­400 λ 29 Four gem­set necklaces, set with faceted beads including ruby, citrine, garnet, aquamarine and coral beads £600­800 30 A small quantity of jewellery, including a jade drop pendant, a sapphire and diamond­set gold ring, an Edwardian sapphire and diamond bar brooch and an Edwardian seed pearl and aquamarine brooch £400­600

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31 A citrine and diamond bracelet, mounted with twenty­three deep orange emerald­cut citrines in articulated mounts, with small diamonds pavé­set to the hinged clasp, 19cm, and an early 20th century fluted gold brooch with diamond­set ties supporting a cabochon star sapphire above a diamond­set laurel, 7.3cm £800­1,200 13

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32 13 gem­set gold rings, including an opal and ruby half hoop ring, a diamond cluster ring, an opal and ruby cluster ring and ten other gem­set gold rings £200­300 33 13 gem­set gold rings, including a sapphire and diamond cluster ring, an opal and diamond cluster ring, a George III seed pearl cluster ring, an amethyst solitaire ring, and nine other gold rings £200­300 34 Twelve gem­set gold rings, including an opal cabochon­mounted gold ring, a ruby and diamond cluster ring, and various other gem­set gold rings £600­800 35 Twelve gem­set rings, including a ring set with with a pink sapphire between circular­cut diamond shoulders, a 9ct gold hallmarked ring channel­set with calibré­cut rubies and ten other gem­set rings, various sizes £600­800 36 Four gem­set rings, including a diamond five­ stone gold ring, a ruby and diamond­set seven­stone gold ring, a diamond seven­stone gold ring, and an emerald and two diamond­set gold ring £200­300

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37 Three gem­set rings, a boulder opal and diamond cluster ring, set in gold, size L; a multi­ coloured gem­set half hoop ring set in gold, size M, and a tapered gold ring with fluted decoration, set with tiger’s eye and single­cut diamonds, size I £200­300

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38 A quantity of jewellery items, including four gold wedding bands, a ruby and diamond­ set gold half­hoop ring, a pear­shaped ruby and diamond­set gold cluster ring, a pair of cultured pearl­set gold flower earrings, and a pair of sapphire and diamond cluster earrings £400­600 39 Four gem­set gold rings, one early 20th century half­hoop ring set with opal, turquoise and rose­cut diamonds in 18ct gold, Birmingham marks for 1919, maker’s mark HWLtd, together with a smoky quartz­set gold ring, a jade and diamond­set gold ring, and a ring set with circular­ cut emeralds and diamonds in textured gold £200­300 40 Four diamond rings, including an early 20th century five­stone ring set with circular­cut diamonds, stamped 18ct, size M, two hallmarked 18ct gold half eternity rings each set with nine brilliant­cut diamonds, sizes R and V, and a hallmarked 18 carat gold heart­shaped cluster ring set with brilliant­cut diamonds, size Q½ £600­800

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41 Three diamond rings; an early 20th century navette­shaped ring, pavé­set with graduated diamonds in gold; a diamond­set full circle platinum eternity ring and a diamond­set two­stone crossover ring £400­600

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42 A diamond solitaire ring, the princess­cut diamond weighing approximately 0.70cts, set with a tapered baguette­shaped diamond shoulders in 9ct white gold, size K, together with a diamond­set half hoop wedding ring, size M £700­900 43 A George III diamond cluster ring, centred with a rose­cut diamond within a surround of smaller rose­cut diamonds in gold, closed­back mount and openwork scroll shank, size M £1,500­2,000 44 Two diamond rings, one diamond five­ stone gold ring, size P, and a diamond flowerhead gold cluster ring, size P½ £200­300

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45 A 18th century diamond cluster ring, centred with a circular­cut (chipped) rose­cut diamonds within two rows of smaller rose­cut diamonds in silver and gold £400­600 46 A gem­set five­row half­hoop ring, alternately­set with alternating rows of calibré­cut emeralds and sapphires and single­cut diamonds, to a scalloped border in platinum, size O £800­1,200 To be sold without reserve

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47 A charm bracelet, the gold bracelet mounted with sixteen small fobseals and a Cupid, including a seal depicting a Cupid riding a dolphin, and another engraved with Islamic script £400­600 48 A gold twisted curb­link bracelet, mounted with assorted charms and two half­ sovereign pendants, 62g total £500­700 49 A small quantity of jewellery, the gold oak brooch realistically formed with acorns and textured leaves, 7.5cm; 44g, a gold Aztec­ inspired brooch, 23g; a stone­set gold flower basket brooch, 18g, together with a pair of foliate stone­set earrings £1,500­2,000

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50 A fancy­link gold longuard chain, with a George III gem­set gold clasp in the form of a hand, 146cm long £1,500­2,000 51 Three 9ct gold fancy gate­link bracelets, each with a 9ct gold padlock clasp, 89g £800­1,200 52 A gold ‘brick’ link bracelet, the six­row bracelet with tapered terminals and gold tassels (one missing), 19.5cm long, 117g £2,500­3,000

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53 A fancy link gold necklace with conforming bracelet, and a choker­length gold necklace with lover’s knot motif, all stamped 14k, 38.5cm long, 68g total £800­1,200 54 A fancy link 18ct gold bracelet, formed with large ropetwist oval links, London import marks for 1971, 20cm long, 78g £1,500­2,000 55 A fancy link gold longuard chain, 168cm long, 56g £1,000­1,500 56 A three­colour gold Russian trinity bangle, formed with three gold hoops, 28g £800­1,200 56 57

A gold longuard chain, 152cm long, 47g £400­600

58 A 9ct gold Albert chain, with curb links, double dog­clip clasp and t­bar, 47cm long, 30g £300­400 55

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59 A yellow gold flexible wheatsheaf link bracelet, 19.2cm, 20g, and a yellow and white gold hinged bangle, 12g £600­800 60 A gold necklace and bracelet, both of mesh ropetwist links with gold 'X' motifs, set in 18ct gold, maker's mark AG, necklace 42cm, bracelet 18cm, 62g total £1,200­1,500 61 An 18ct gold necklace, the fancy links in two­colour gold, Italian marks and Birmingham import marks for 1988, 42cm long, 37g, and a fancy­link gold bracelet, Italian marks and stamped 750, 18.5cm long, 43g £1,500­2,000

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62 An 18ct white gold gate­link bracelet, 18.5cm, 37g, with a pair of 18ct white gold earrings, 9g £900­1,200

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63 A gold chain necklace by Cartier, formed with oblique rectangular links, signed Cartier, 37cm long, 42g £800­1,200 64

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A gold fancy­link necklace, 46cm long, 36g £800­1,200

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65 A 9ct gold mesh­link bracelet, set with two circular­ cut diamonds, 18.5cm long, and a 9ct gold plain and pierced circular link necklace, 67cm long, 63g total £500­700 66 A three­colour gold Russian trinity bangle, formed with three gold hoops, 31g £800­1,200 67 A three­colour 18ct gold necklace, the textured three­colour gold brick links within a textured polished gold border, London import marks for 1979, 40cm long, 45g £900­1,200 68 A gold collar necklace, of braided ropetwist design with beaded detail, 18ct London import marks for 1986, 43cm long, 40g £800­1,200 69

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A gold belcher chain necklace, 146cm long, 23g £300­400

70 A ropetwist gold longuard chain, stamped 15ct, 168cm long, 51g £500­700

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73 71 An 18ct gold bracelet, the designed as jockeys riding horses, London hallmarks for 1997, maker’s mark HG, 18cm long, 27g £500­700 72 A 9ct gold wrist watch with quartz movement, dial signed Garrard with Garrard box; a gold ingot, 5g; a perculum­mounted gold ring. £200­300 To be sold without reserve for SPANA charity 73 A lady's ruby and diamond wristwatch, Movado, set with brilliant­cut diamonds and circular­cut rubies, to a double fancy rope twist link bracelet, dial signed Movado, reverse numbered D40 7925273 20715, stamped 14K Gold, bracelet marked 14K, quartz movement, bracelet 17cm long, dial 1.1cm diameter, 16.5g £600­800

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74 A steel TAG Heuer 200 meter professional chronograph, automatic winding, three subsidiary dials, steel bracelet; an Omega Constellation wrist watch, quartz mpvement; a Raymond Weil steel ‘Parsifal’ wrist watch. £400­600 75 A gold open­faced fob watch, the inner cover signed ‘Bovet 2813’, back case engraved with initials, the gold two­ row Albertina chain with two sliding gold balls, T­Bar and Masonic folding ball pendant, chain 38cm £600­800 76 A lady’s gold open­faced pocket watch, with Arabic numerals and subsidiary seconds dial £250­350

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λ 77 Two pairs of cufflinks, one set with coral buttons in gold, the other pair with circular links with openwork scroll motif in platinum on gold £100­150 To be sold without reserve 78 Two pairs of gold cufflinks, including a pair of oval gold cufflinks engraved RLJ to one link and with the bust of a jockey in polychrome enamel to the other, stamped 9ct, 2cm high, 14g, and a pair of 18ct oval gold cufflinks, one link engraved RLJ, the other with engine­turned decoration, maker’s mark D&F, Birmingham marks for 1993, 1.8cm high, 26g £500­700 79 A pair of George III and a pair of George IV gold mourning cufflinks, one pair with circular links with foliate engraved borders and glazed compartments containing plaited hair, hallmarks (possibly London 1819); one pair with oval links with foliate engraved borders and black enamel mourning inscription dated 1821; together with a single early 19th century mourning cufflink, the oval gold links engraved with urns £200­300 81

Provenance: From the Collection of the late Tony Dove.

80 A pair of hardstone cameo­mounted gold cufflinks, the cameos depicting the busts of a warrior and goddess in the classical manner, in rubover gold mounts, 1.7cm high £400­600 To be sold without reserve 81 Two pairs of cufflinks, early 20th century, one pair with oval ends enamelled with a design of forget­me­nots within a border of half seed pearls, stamped 14k, the other pair set with calibré­cut rubies and circular­cut diamonds on a woodgrain­patterned ground, French assay marks for 18 carat gold and French maker's marks £400­600 To be sold without reserve 82 A set of early 20th century square­form dress cufflinks and studs, centred with a circular­cut diamond in a black onyx surround, with engine­turned decoration in platinum and gold, fitted case by Asprey £200­300 To be sold without reserve 83 A set of dress cufflinks and studs, each centred with a seed pearl and circular section of black onyx, on a faceted and engraved circular rock crystal, gold mounts, fitted case by Skinner (damaged) £200­300 To be sold without reserve

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86 84 85 84 A two­row amber bead necklace, the oval beads graduate from 0.7 ­ 3cm, 53cm long, 92g £200­300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

85 A graduated amber bead necklace, 72cm, 91g; and a gradauted transparent amber bead necklace, 72cm, 109g £200­300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

86 An amber bead necklace, composed of graduated cylindrical beads, 60cm, 152g £200­300

87

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration.

87 A graduated carved citrine bead necklace, the ornate square gold clasp centred with a citrine, signed Buccellati, 42cm £150­250 88 A gem­set gold mesh scarf, set with iolite briolettes and a crescent get­set gold clasp, 53cm long £400­600 89 A 19th century banded agate bead necklace, the circular beads graduate to 18mm, 66cm long £500­700

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90 A three­row cultured pearl choker­length necklace, with an Art Deco platinum and white gold diamond­set clasp, set with graduated circular­cut and baguette­shaped diamonds with French control mark, each strand detaching separately; and a single­row cultured pearl necklace, the gold barrel­shaped clasp with black enamel stripes and set with two further pearls, 8.5mm approx., 89cm long £600­800

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91 A two­row cultured pearl necklace, with a 19th century cushion­ shaped diamond­set cluster clasp, 64cm shortest, together with a freshwater cultured pearl choker­length necklace, 39cm long £600­800 92 A single row cultured pearl necklace, with a spherical brushed gold clasp, pearls 13mm largest, 43cm long £200­300 93 A single row cultured pearl necklace, the gold clasp set with a cushion­shaped aquamarine, 88cm long, the aquamarine weighing approximately 14cts £400­600 94 Two cultured pearl necklaces, one with cream pearls, the other with vari­coloured pearls, each with gold clasps, 44cm and 45cm long £300­400 93

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95 An antique silver and paste necklace, the foliate links set with faceted white pastes in silver, with scrolling connecting links with gilt decoration, 33cm long £150­250 96 A sapphire and diamond spray brooch, the foliate spray brooch set with circular­ cut sapphires and diamonds in silver on gold, 7cm long £400­600 97 A turquoise and freshwater pearl longuard chain, alternately­set with turquoise beads and freshwater pearls in gold, 160cm long, 26g £400­600 98 An Art Deco jadeite brooch, the carved jadeite plaque depicting a ship at full mast amongst sunset rays and waves and a bird in flight, set with an old circular­cut diamond and red and black enamel decoration, 4cm wide £900­1,200 99 An Edwardian gold and seed pearl bangle, set in yellow gold, 5.5cm inner diameter £400­600 100 An Edwardian gold, turquoise and seed pearl bangle of hinged design, set with turquoise cabochons and seed pearls, xxcm inner diameter £200­300 101 A garnet, emerald and diamond brooch, 18th century and later, of open work construction in silver, designed as a ribbon bow suspending a drop, set with table­cut emeralds, rose­cut diamonds and cabochon garnets, brooch fitting later added, adapted from a slide, 45 x 56mm £400­600 To be sold without reserve

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103 λ 102 A 19th century coral brooch, set with coral beads, seed pearls and rose­cut diamonds in silver, 2.5cm wide £400­600

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103 A Victorian hardstone cameo­mounted gold brooch, the cameo depicting a maiden in profile with pearls in her curling hair, in a gold mount with a black enamelGreek­key border, set with seed pearls, 6cm high, fitted case £300­400 To be sold without reserve 104 A 19th century enamelled gold cruciform pendant, the crossed composed of the initials A.E. with black enamel decoration (damaged), enamel inscription to the reverse ‘Ascension Day 1873 No More Pain’ and a Bishop’s Mitre, glazed locket compartment, 7.5cm high, 29g £900­1,200 105 A Victorian Scottish hardstone silver brooch, mounted with vari­ coloured hardstone plaques in silver, 7cm high £300­400 λ 106 A pair of coral­mounted gold drop earrings, the circular cabochon tops suspending coral drops, post fittings, 5cm high £200­300 107 A sapphire brooch, set with a cushion­shaped sapphire in gold, 2.3cm wide £200­300 108 An enamel, pearl and diamond pendant, of oval outline, depicting a woman in Indian dress in translucent enamels, within a knife wire border set with pearls and rose­cut diamonds, pearls untested, 4.1mm long £400­600 To be sold without reserve

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106

λ 109 A Victorian gold and coral brooch, the scroll design applied with cannetille decoration, with three fuschia flower drops suspending coral beads, 6cm wide £600­800

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112 110 Eight gold rings, late 18th ­ mid 19th century, including six gold wedding rings, one gold wedding ring with engraved decoration, and a gold mourning ring with mourning inscription dated 1787 (enamel deficient), various sizes £200­300 Provenance: From the Collection of the late Tony Dove.

111 A collection of eleven gold mourning rings, early ­ late 19th century, including ten mourning rings with black enamel decoration (some damaged), some with mourning inscriptions dates range from 1800 ­ 1878, and a 19th century gold mourning ring set with a pearl within a surround of rose­cut diamonds, with black enamel decoration to the shoulders, 41g total £1,000­1,500 Provenance: From the Collection of the late Tony Dove.

112 Six antique gold band rings, including an early 18th century posy ring, internal obscured posy reading ‘nite, for a million’, maker’s mark W, (damaged); an 18ct gold band ring, of knife­edge design, maker’s mark RS, Glasgow hallmarks possibly for 1866, size I½; a gold ring, with 18ct Dublin import marks for 1927, size Q½; a gold band ring, Chester import marks and maker’s mark JMK, size L½; a 22ct gold band ring, Birmingham marks for 1911, size M½; and a gold band ring, with 18ct hallmarks (possibly Dublin 1927), size Q, 12.5g total £150­200

113 Five gold mourning rings, late 18th ­ early 19th century, three with black or white enamel decoration and mourning inscriptions dated 1788 ­ 1831, and similar with a glazed compartment containing plaited hair, and one with engraved decoration reading ‘In memory of a Brother’ and internal mourning inscription dated 1811, various sizes £800­1,200 Provenance: From the Collection of the late Tony Dove.

114 Five enamelled gold mourning rings, late 18th ­ 19th century, each with black enamel decoration, three with internal mourning inscriptions, London and Birmingham hallmarks ranging from 1793 - 1842, sizes J - T½ £800­1,200 Provenance: From the Collection of the late Tony Dove.

115 Nine gold rings, late 18th ­ early 19th century, including seven gold wedding rings, one gold mourning ring with external inscription (enamel deficient), and a gold wedding ring circa 1790s in a glazed leather frame £200­300 Provenance: From the Collection of the late Tony Dove.

Provenance: From the Collection of the late Tony Dove.

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118 116 Ten gold antique rings, mostly 19th century, including four gold wedding bands, two with 22ct with hallmarks including Glasgow and Birmingham; two gold rings with foliate engraved decoration; one tapered gold ring with monogram JA; a gold mourning ring with internal inscription dated 1808; a gold mourning ring with obscured mourning inscription with deficient enamel, together with another gold ring £200­300

119 Five enamelled gold mourning rings, late 18th ­ mid 19th century, four with enamel decoration and mourning inscriptions dated 1800 ­ 1840, and a gold mourning ring with mourning inscription dated 1789 (enamel deficient), various sizes £800­1,200

Provenance: From the Collection of the late Tony Dove.

117 Ten gold mourning rings, late 18th ­ late 19th century, including nine band rings with enamel decoration and mourning inscriptions dated 1798 ­ 1870 (one with seed pearls deficient), together with a gold mourning ring with plaited hair decoration to the shank and a monogrammed shield, various sizes £1,000­1,500

120 Two late 18th century gold mourning rings, one tapered band with black and white enamel decoration (damaged) reading ‘To the memory of’, with mourning inscription to the interior dated 1797, maker’s initial’s ‘WA’ possibly for William Astley and rubbed hallmarks, size T, the other hinged ring with black and white enamel mourning inscription inscription dated 1796, with applied oval plaque with initials, London hallmarks for 1796 and maker’s initials J.P possibly for John Pittar, size V £400­600

Provenance: From the Collection of the late Tony Dove.

Provenance: From the Collection of the late Tony Dove.

118 Ten gold mourning rings, late 18th ­ mid 19th century, each with enamel decoration (black and/or white, some damaged) and mourning inscriptions ranging from 1792 ­ 1842, one with a glazed locket compartment containing plaited hair, 58g total £1,000­1,500

121 Six gold mourning rings, late 18th ­ early 19th century, each with enamel decoration and mourning inscriptions dated 1760 ­ 1821, various sizes £800­1,200 Provenance: From the Collection of the late Tony Dove.

Provenance: From the Collection of the late Tony Dove.

Provenance: From the Collection of the late Tony Dove.

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122 A diamond pendant with matching ear studs, the pendant designed as a clover with four pear­shaped diamond leaves, smaller diamonds to the stem, set in gold 13mm high, to a fine­link gold neck chain, 36cm long (metal bolt ring), with ear studs of shamrock design, each set with three pear­shaped diamonds in gold £500­700 123 An amethyst and gold bracelet and ring, the 9ct gold bracelet mounted with six oval­shaped amethysts with matching amethyst­set 9ct gold ring, size L½ £400­600 123

124 A pair of aquamarine stud earrings, the circular­cut aquamarines weighing approximately 2.00cts total, claw­set in white gold, post fittings, 0.7cm wide £400­600 125 Two pairs of diamond­set hoop earrings, one pair by Mappin & Webb, each hinged earring collet­set to the front with brilliant­cut diamonds in platinum, maker's mark M&W, London hallmarks (date letter obscured), 1.3cm high, together with another pair of hoop earrings, each hinged earring set with three rows of round brilliant­cut diamonds to the front in 18ct white gold, London hallmarks, 1.5cm high £600­800

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126 An emerald and diamond­set white gold bracelet, set with pear­ shaped emeralds and brilliant­cut diamonds in a scrolling white gold mount, 17cm £600­800 127 A diamond­set gold bangle, of crossover design, set with a brilliant­cut diamond weighing approximately 0.40cts, stamped 750, 6cm wide, 19.5g £600­800 128 A gold and silver circular pendant by Bulgari, on a brown cord necklace, together with two jadeite carvings £200­300

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129 A gem­set pendant, 18ct white gold, set with a synthetic rubies, mother­of­pearl, onyx and diamonds, on a fine­link 18ct white gold neck chain, and five gem­set stud earrings including a pair of diamond studs, 0.50cts total £400­600

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130 A pair of cultured pearl earrings by Jan Logan of Australia, the cultured pearl suspended from a gold wirework knot, signed JL, stamped 750, post fittings, 4.5cm high; together with a similar necklace formed with graduated gold oval links and suspending a cultured pearl, stamped 750, 46cm long £1,500­2,000 131 A gold and diamond necklace, collet­set with brilliant­cut diamonds with bar connecting links in two­ colour 18ct gold, Birmingham marks for 1999, 43cm long, 24.5g £800­1,200 132 A pair of gold, wood and citrine earrings by Seaman Schepps, set with circular­cut citrines and carved wood in gold ropetwist mounts, clip fittings, 2.5cm high; together with a pair of mabé pearl­set gold earrings by David Morris, clip fittings, 2.7cm high £800­1,200

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133 A gold brooch and earrings by Michael Gosschalk, the double scroll brooch set with six small circular­cut diamonds, together with a pair of gold scroll earrings, both with 18ct gold import marks, initials MG, Michael Gosschalk case £600­800

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λ 134 A rectangular cigar case by Dunhill, 9ct gold mounts and leather bound, marked with maker’s initials AD, 14.8cm wide £200­300 135 An early 20th century silver gilt vanity case by Louis Kuppenheim, the rectangular box realistically chased with a seated long­haired dog to the hinged cover, with ruby eyes, the reverse chased with the reverse of the dog, with a hinged mirror and two vacant compartments, cabochon ruby­set thumbpiece and with oval link chain handle, marked ‘LK’, 900 silver mark, ‘789’, ‘16’, control mark for 1912 - 1924, 9.3cm high £1,200­1,500 136 A cultured pearl and diamond brooch by Arthur King, c.1970s, of abstract design, set with seven baroque­ shaped cultured pearls and four brilliant­cut diamonds in textured gold, signed KING, 4cm wide £600­800

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137 A Victorian gold novelty brooch, designed as a ski with black enamel decoration, stamped 15ct, 9cm long £250­350 138 An Edwardian two­colour gold novelty spade brooch, 7cm high, 9g £400­600 139 A gold novely brooch designed as a pair of oars, 2cm long £500­700 137

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140 A diamond solitaire ring, set with a baguette­shaped diamond weighing approximately 0.30cts, set in 18ct white gold, London hallmarks for 1990, size E½ £200­300 141 An early 20th century sapphire and diamond ring, set with a square­shaped sapphire, with five single­cut diamonds to each stepped shoulder in platinum, size O½ £400­600 142 A ruby and diamond three­stone ring, the old cushion­shaped diamond is set with a cushion­shaped ruby to each shoulder in gold, French import mark, size K £400­600 143 A diamond five­stone ring, rubover­set with five graduated round brilliant­cut diamonds in platinum, diamonds approximately 1.40cts total, size N £1,500­2,000 144 A French emerald and diamond cluster ring, the emerald­cut emerald is set within a surround of round brilliant­cut diamonds in platinum and gold, French control marks, maker’s mark FL (possibly for Font Lapalisse), size N £600­800 145 A diamond three­stone ring, the graduated round brilliant­cut diamonds weigh approximately 0.95cts total, set in 18ct gold, London hallmarks for 1992, size I½ £400­600 146 A ruby and sapphire crossover ring, rubover­set with an oval­shaped ruby and sapphire, with tapered baguette­shaped diamonds and pavé­set with diamonds in gold, size N½ £400­600 147 A sapphire and diamond five­stone ring, claw­set with three cushion­shaped sapphires and two old cushion­ shaped diamonds in platinum and gold, size R £500­700 148 A diamond cluster ring, the navette­shaped ring is set with rose­cut diamonds and rubies in closed­back settings, with rose­cut diamonds to the shoulders in gold, two rubies and one diamond missing, gallery damaged, size M approximately £150­250 149

A diamond cluster ring, of quatrefoil design, set with old circular­cut diamonds in platinum, size P £600­800

150 A sapphire and diamond ring, the cushion­shaped sapphire weighs approximately 2.50cts, set within a surround of round brilliant­cut and tapered baguette­shaped diamonds in white gold, size N½ £800­1,200 151 An amethyst and diamond cluster ring, set with an emerald­cut amethyst within a surround of round brilliant­ cut diamonds in two­colour gold, size N £600­800 152 A sapphire and diamond cluster ring, the oval­shaped sapphire set within a surround of round brilliant­cut diamonds, with a baguette­shaped diamond to each shoulder in two­colour gold, size P £800­1,200 153 A 19th century diamond cluster ring, set with old circular­cut diamonds in silver on gold, scroll engraved bifurcated gold shank, size L½ £500­700 154 A diamond three­stone ring, set with three round brilliant­cut diamonds in platinum, diamonds approximately 0.50, 0.70 and 0.50cts, size P £1,500­2,000 155 An aquamarine and diamond cluster ring, the rectangular mixed­cut aquamarine weighs approximately 7.50cts, set within a surround of round brilliant­cut diamonds, with a triangular­shaped diamond to each shoulder, with millegrain border in white gold, size M½ £1,500­2,000 156 A synthetic sapphire and diamond ring, early 20th century, set with an oval synthetic sapphire between a pair of cushion­shaped diamonds, size Q1/2, stamped 18ct £150­250 157 A sapphire and diamond ‘toi­et­moi’ ring, early 20th century, of crossover design, the ends set with a pear­ shaped sapphire and a pear­shaped diamond, the shoulders set with single­cut and cushion­shaped diamonds, size I½ £400­600 158 A diamond three­stone ring, millegrain­set with a trefoil of transitional round brilliant­cut diamonds each weighing approximately 0.30cts, with further circular­cut diamonds to the undulating shoulders in palladium, size O £600­800

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159 An Arts and Crafts enamel brooch and pendant, circa 1917, the circular brooch in the Japanese style, depicting a crane in translucent cloisonné enamel within a rope twist border, the reverse with the initials CSE and dated 1917, together with a pendant depicting a mythical bird, the reverse in blue and green enamel, initialled CSE, brooch 4.6cm diameter, pendant 5cm long £200­300 160 An Arts and Crafts silver and amazonite pendant, early 20th century, of circular outline, decorated with a floral wreath in repoussé with rope twist borders, the centre and cardinal points collet­set with cabochons of amazonite, to a bail hoop and later curb link chain, the pendant 5.4 x 4.5mm including bail, the necklace 50.5cm long £150­250 161 An Arts and Crafts silver and mother of pearl necklace, early 20th century, composed of a large pear­shaped section of mother of pearl between openwork grapevine motifs, suspending a smaller mother of pearl pendant, to a belcher link chain necklace with barrel clasp, pendant 5.9cm long, necklace 40cm long. £200­300 162 An Arts and Crafts silver, chalcedony and moonstone pendant necklace, attributed to Amy Sandheim, 1920s, the open work pendant designed as a Maltese cross collet­set with cabochons of chalcedony and moonstone, embellished with floral scrolls, suspending an elongated cabochon of carnelian, to a belcher link chain necklace with T­bar clasp, 62cm long, unsigned £200­300 163 A gem­set silver folaite brooch attributed to Mary Thew, set with cabochons including chalcedony and opal in silver, 8cm long £150­250 164 A Scottish provincial Arts & Crafts enamel silver necklace by Alexander Ritchie, the central pendant modelled as a dove in flight on blue enamel ground, the chain composed of Celtic motif links with blue enamel decoration, signed ‘AR’ and ‘Iona’, 49cm long £600­800 Literature: for a similar examples see MacArhtur, E, M., ‘Iona Celtic Art, the work of Alexander and Euphemia Ritchie’ p.41, pl 9b.

165 An Arts and Crafts silver and chalcedony pendant necklace, early 20th century, of Celtic inspiration, the pendant with floral and rope twist details, set with cabochons of blue chalcedony, suspending an elongated chalcedony cabochon, to a fancy link chain with bolt ring clasp, pendant 7.8cm, necklace 48cm long £200­300 166 An Arts & Crafts gem­set silver locket pendant, set with vari­coloured chrysoprase cabochons within foliate motif, 5cm high £150­250 167 A gem­set silver pendant, set with a lapis lazuli cabochon in an oval silver pendant with hammered finish, inscription to reverse dated 1937, inscribed ‘Handarbeit’, 6.5cm high £200­300

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168 An Arts and Crafts garnet, peridot and freshwater pearl necklace, early 20th century, set with cabochon garnets, oval peridots and baroque and mabé freshwater pearls, within beaded borders, to a belcher link chain with hook and eye clasp, pendant length 8.5cm, necklace length 39.5cm, pearls untested £400­600 169 An Arts & Crafts gem­set enamelled silver necklace, set with two circular silver pendants, each with shaded enamel and pellet decoration, set with a circular­cut amethyst and a mabé pearl, on a fine­link silver neck chain, necklace 37cm long, pendants 7cm high total £400­600 170 An Arts and Crafts silver and peridot pendant, early 20th century, collet­set with an octagonal step­cut peridot within a border of openwork dandelion motifs set with cabochon peridots, the bail and further pendant ­ set with an oval and a pear­shaped peridot respectively, to fancy link chain with a hook clasp, pendant 8cm long, necklace 71cm long £400­600 171 An Arts and Crafts enamel pendant, early 20th century, the elongated shield­shaped pendant with a design of stylised roses in basse taille enamel on a blue ground, within rope twist and foliate open work border, suspending a smaller oval pendant enamelled with the initials EG, 8.3cm long, 16.8 grams. £400­600 172 An Arts & Crafts gem­set silver pendant attributed to Arthur & Georgie Gaskin, set with an oval moonstone cabochon within folaite surround set with chrysoprase cabochons, unsigned but attributed, 4cm high £200­300 173 An Arts & Crafts gem­set gold necklace by Murrle Bennett & Co., of openwork foliate design and set with garnets and chrysolites, on a fine­link gem­set gold neck chain, pendant 3cm high, chain 43cm long £600­800 174 An Arts & Crafts emerald­set gold ring, the oval ring centred with a cabochon emerald, within a surround of foliate polychrome enamel decoration, with green counter enamel and ropetwist borders in gold, size L £200­300 175 An enamelled gold stud by H.G. Murphy, the circular stud depicting the emblem of the Pahlavi dynasty, the polychrome enamel decoration depicting the Persian (Iranian) lion holding a sword below a sun and surrounded by a wreath, surmounted with a Pahlavi crown, signed HGM, with Falcon mark, stamped 18ct, 26mm high £200­300 In the 19th century, during the Qajar dynasty, the Persian lion and sun became an Iranian national emblem. Fat’h Ali Shah changed the design by adding the Qajar crown, which represented the monarchy. The crown was later changed to that of the Pahlavi dynasty when they took over from the Qajars. The motif was used on the Iranian national flag until 1979.

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176 An amethyst and diamond cluster ring, the oval­shaped amethyst set within a surround of round brilliant­ cut diamonds in gold, size S £150­250 177

A diamond five­stone ring, set with five emerald­cut diamonds in two­colour gold, size N

£600­800

178 A diamond cluster ring, the flowerhead cluster rubover­set with round brilliant­cut diamonds in platinum, size N½ £1,200­1,500 179 A diamond five stone ring, set with five graduated round brilliant­cut diamonds in platinum and yellow gold, size K½ £400­600 180 A diamond five­stone ring, set with five round brilliant­cut diamonds in two­colour gold, diamonds approximately 1.00cts total, size P £400­600 181 A diamond seven­stone ring, set with seven round brilliant­cut diamonds in gold, diamonds approximately 1.60cts total, size S £400­600 182 A sapphire and diamond cluster ring, the pear­shaped sapphire weighs approximately 2.50cts, set within a surround of round brilliant­cut diamonds in white gold, size N £1,000­1,500 183

A diamond three­stone ring, set with three old cushion­shaped diamonds in white gold, size Q½

£600­800

184 A sapphire and diamond half­hoop ring, alternately­set with square­shaped sapphires and round brilliant­ cut diamonds in white gold, size O½ £200­300 185 A diamond solitaire ring, the oval­shaped diamond weighs 0.51cts, claw­set in platinum, London hallmarks for 2004, size K½ £600­800 186 A yellow sapphire and diamond three­stone ring, the cushion­shaped sapphire is set with two tapered baguette­shaped shoulder diamonds in white gold, size O £1,000­1,500 187 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 0.50cts, with circular­cut diamonds to each shoulder in platinum, size R £400­600 188 An early 20th century two­stone diamond crossover ring, set with two old circular­cut diamonds weighing approximately 0.50cts each, set in platinum, size J½ £1,000­1,500 189 A synthetic sapphire and diamond cluster ring, the emerald­cut synthetic pink sapphire is set within a surround of old circular­cut diamonds in silver in gold, size K £200­250 190 A two­stone diamond crossover ring, set with two round brilliant­cut diamonds each weighing approximately 0.47cts, with rubbed inscription to the interior, set in gold, size Q½ £400­600 191 A diamond solitaire ring, the old circular­cut diamond weighs approximately 0.70cts, with three single­cut diamonds to each stepped shoulder in white gold, size S £600­800 192 An emerald and diamond cluster ring, the emerald­cut emerald set within a surround of round brilliant­cut diamonds and quartered with baguette­shaped diamonds, further diamonds to the shoulders in platinum, size O½ £800­1,200 193 A diamond solitaire ring, the transitional round brilliant­cut diamond weighs approximately 0.50cts, claw­ set in platinum, size J½ £200­300

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194 An emerald and diamond cluster pendant, the oval­shaped emerald set within a surround of round brilliant­ cut diamonds in white gold, on a fine­link silver neck chain, pendant 1.8cm high including bail, chain 44cm longest £600­800 195 An emerald and diamond cluster ring, the large cabochon emerald is set within a surround of round brilliant­ cut diamonds, with a pear­shape rose­cut diamond to each shoulder and further circular­cut diamonds to the gallery and shoulders, bifurcated shank and set in white gold, size L½ £5,000­6,000 196 A pink sapphire pendant, the pear­shaped sapphire is claw­set in white gold, on a fine­link white gold neck chain, pendant 1.5cm high, chain 20cm long £600­800 197 A diamond cruciform pendant, claw­set with round brilliant­cut diamonds in white gold, on a fine­link white gold neck chain, diamonds approximately 1.30cts total, pendant 2.5cm high, chain 45cm long £600­800 198 A diamond and ruby white gold star brooch, set overall with graduated cushion­shaped diamonds, the centre cluster with a border of eight pear­shaped rubies. 4.5cm wide £600­800 199 A pair of diamond cluster stud earrings, the round brilliant­cut diamonds weigh approximately 0.50cts each, set within a halo surround of round brilliant­cut diamonds in white gold, post fittings, 0.9cm wide £1,200­1,500 200 A diamond­set white gold bracelet, the openwork cylindrical links set with a row of princess­cut diamonds, the terminals set with round brilliant­cut diamonds, diamonds approximately 2.20cts total, 21cm long, 36g £1,000­1,500 201 A diamond­set white gold necklace and matching earrings by Escada, the articulated plaque pendant with heart motif and set with three round brilliant­cut diamonds, with further diamonds to the sides in white gold, on a adjustable sliding clasp, the chain terminals rubover­set with round brilliant­cut diamonds, signed Escada, pendant 2cm, chain 60cm longest, with a matching pair of articulated earrings, each signed Escada, post fittings, 2.2cm high £1,200­1,500 202 A diamond line bracelet, the round brilliant­cut diamonds are claw set in white gold, diamonds approximately 4.50cts total, 18cm long £2,500­3,500 203 A pair of sapphire and diamond hoop earrings, set with square­shaped sapphires and diamonds in white gold, each stamped 750, D 0.21 BS 0.88, post fittings, 1.2cm high £300­400 204

A double amethyst pendant, set with two briolette­cut amethysts, 8.5cm high

£200­300

To be sold without reserve 205 A spinel and rock crystal pendant, set with a pink pear­shaped spinel, within a carved rock crystal heart­ shaped surround carved in the style of Gerd Dreher, set in white gold, 3.5cm high £800­1,200 206 An onyx and diamond longuard necklace, rubover­set with four onyx plaques, two within a surround of round brilliant­cut diamonds, the chain set with round brilliant­cut diamonds in spectacle mounts in white gold, Italian marks, maker’s mark NF, 40cm long, 11g total £600­800 207 A pair of onyx and diamond earrings, the onyx plaques are set within a surround of round brilliant­cut diamonds in white gold, Italian marks, maker’s mark NF, post fittings, 3.5cm high £500­700 208 A pair of cultured pearl earrings by Spink, the button­shaped silver pearls set in gold clip fittings, 1.7cm high, case £700­900 209 A diamond­set white gold bracelet, the rectangular panel links are pavé­set with round brilliant­cut diamonds in 18ct white gold, London marks for 2004, diamonds approximately 1.20cts total, 19cm long, 22g, with a pair of fluted white gold earrings, post and clip fittings, 1.5cm high £800­1,200

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210 A gem­set gold parrot brooch, the two parrots perched on a branch, pavé­set with round brilliant­cut diamonds, the wings and tails set with French­cut rubies, emeralds, sapphires and citrines and ruby collars and eyes, 4,3cm wide £2,000­2,500 211 Three diamond­set gold bangles, each undulating bangle with hammered finish, with pellet decoration and set with graduated rose­cut diamonds, 6cm widest, 48g total £1,000­1,500 212 A gem­set gold owl brooch, realistically formed as an owl perching on a branch, set with white and fancy­ coloured diamonds, with circular­cut synthetic ruby eyes and engraved decoration in gold, 3.5cm high £600­800 213 A ruby and diamond bracelet, the articulated links of curving design, set with brilliant­cut diamonds and oval and cushion­shaped rubies, numbered R11.58 and B5.46, referring to stated weights of rubies and diamonds, French assay marks for 18ct gold, stamped OR750, 18cm long £5,000­7,000 214 A gem­set gold grasshopper brooch, realistically formed and pavé­set with round brilliant­cut diamonds, cabochon green stone eyes, with textured decoration in gold, stamped 750, 5cm long, 26g £2,000­3,000 215 A gem­set gold owl brooch, realistically formed as three owls perching on a branch, pavé­set with circular­cut diamonds and cabochon ruby eyes, with textured decoration in 18ct gold, London hallmarks for 1981, 4cm wide, 20g £600­800 216

An 18ct gold bird brooch, rubies eyes and a trefoil of a diamond, turquoise and sapphire, 2.5cm wide £400­600

217 An opal and diamond ring, of abstract design, set with an opal cabochon and round brilliant­cut diamonds in textured gold, signed IG, London hallmarks for 1971, size Q £400­600 218 A gem­set giardinetto pendant, the woven gold basket is filled with stylised flowers set with rubies, demantoid garnets, sapphires, diamonds and seed pearls in yellow gold, 3.7cm high including pendant loop £900­1,200 219 A gem­set gold bird brooch by E. Wolfe & Co., realistically formed as a bird perching on a branch and feeding a worm to her chicks, pavé­set with round brilliant­cut diamonds and emerald eyes in three­colour 18ct gold, London hallmarks for 1982, 6cm long £600­800 220

A gem­set butterfly brooch, set with sapphires, diamonds, rubies and pearls in silver and gold, 4.5cm wide £600­800

221 A gold and enamel novelty brooch, designed as birds perching on a telephone wire with a creeping vine, with polychrome enamel decoration and set with trefoils of seed pearls in gold, maker’s mark C&F, 18ct London import marks (date letter obscured), 5.5cm high £300­400 222 An emerald and diamond­set gold flower brooch, the stylised rose set with graduated emerald­cut emeralds and round brilliant­cut diamonds in platinum and yellow gold, 5cm high £1,500­2,000 223 A pair of ruby and diamond ear clips, each of spiral design, set with brilliant­cut diamonds and triangular cushion­shaped rubies, numbered R359 and B277 referring to stated ruby and diamond carat weights, French assay marks for 18ct gold, stamped OR750, each 2.4 x 1.7cm £2,500­3500

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224 An Edwardian gem­set fringe necklace, set with pairs of cushion­shaped zircons and circular­cut goshenite, each suspending seed pearl tassels in gold, on a fine­link gold neck chain, 40cm long £800­1,200 225 An Art Nouveau style gold ring, centred with a green paste, palmettes decorated with striped black and white enamel and two small diamonds. Spurious Lalique makers mark. Lalique ring box. Size M £200­300 226 An Edwardian peridot and seed pearl brooch pendant, the octagonal peridot within foliate seed pearl scrolls and suspending a further peridot drop in yellow gold, brooch fitting, on circular link gold chain, pendant 4.5cm high, chain 41cm long £800­1,000 227 An Edwardian diamond crescent brooch, set with graduated old cushion­shaped diamonds on a scrolling knife­edge brooch, principal diamond approximately 0.50cts, 5.5cm wide £600­800 228 An Edwardian aquamarine and diamond cluster ring, the oval­shaped aquamarine is set within a surround of rose­cut diamonds in 18ct yellow gold, rubbed Birmingham hallmarks, size P £200­300 229 An Art Nouveau opal and diamond brooch pendant, of foliate scroll design, set with graduated old circular­ cut diamonds and opal cabochons in platinum and gold, eagle control mark, inscribed ‘MG 26.9.03’, 5cm high £2,000­2,500 230 A Victorian aquamarine and seed pearl pendant, set with circular­cut aquamarines and half pearls in open and closed­back yellow gold mount with ropetwist decoration, 6.5cm high £400­600 231 A late Victorian emerald five stone ring, set with graduated emerald­cut emeralds in scrolling yellow gold mount, size N £400­600 232 A late 19th century pearl and enamel brooch pendant, set with a seed pearl lattice within gold scrolls decorated with blue enamel and a further ruched gold surround, folding pendant loop and suspension loop, 3.2cm wide £400­600 233 A French plique­à­jour gold cross pendant, the pierced gold cross surmounted on an elaborate polychrome plique­à­jour disc, French control marks and maker’s lozenge HL, London import marks for 1966, 2.7cm wide £200­300 234 An Edwardian gem­set gold pendant, set with an oval­shaped pink tourmaline suspending articulated pearl­ mounted gold chains and a diamond and peridot drop, adjoining further circular and pear­shaped diamonds, peridots and pink tourmalines in lattice design with a pear­shaped pink tourmaline terminal, in yellow gold, 6.1cm long, fitted case £800­1,200 235 A French plique­à­jour enamel gold pendant, designed as the stained glass rose window of Notre Dame in polychrome enamel, French control mark, maker’s mark, 3cm high £250­350 236 A Victorian gold plaque locket brooch, in the Japanese style, with engraved decoration depicting a swallow perching on a cherry blossom branch in two­colour gold, glazed locket compartment to reverse, 3.5cm wide £300­400 237 A sapphire­set bar brooch, the knife­edge bar link suspends five graduated cushion­shaped sapphires in rubover mounts, sapphires approximately 8.00cts total, 4cm wide £600­800 238 A cultured pearl and diamond bar brooch, set with an old cushion­shaped diamond and two cultured pearls on a knife­edge gold bar brooch, 4.5cm wide £400­600 239 A spinel and diamond­set dragonfly brooch, set overall with old cushion­shaped diamonds and spinels, with demantoid garnet eyes in silver on gold, 6cm high £1,500­2,000

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240 A diamond­set gold bracelet, the fancy links set with round brilliant­cut diamonds, with oval­shaped connecting links in gold, London hallmark date marks for 1990, not hallmarked but tests as 18ct, 31.8g, 17cm long £1,000­1,500 241 An 18ct gold bracelet by Garrard & Co., the oval links with fluted and bead decoration, signed ‘Garrard One One Two’ and ‘G & Co’, London hallmarks for 1994, 18cm long, 62g £1,200­1,500 242

An 18ct gold intertwined and tapered necklace, London import marks for 1990, 45cm, 96g £2,000­2,500

243 A pair of lapis lazuli­set gold earrings by Boucheron, of abstracted fluted design and set with a lapis lazuli cabochon in gold, signed Boucheron, maker’s mark, French control mark, stamped OR 750, inventory number P36162, post and clip fittings, 3.5cm high £1,000­1,500 244

A ruby solitaire ring, claw­set with an oval ruby weighing 1.14 carats, size N½, stamped 750, indistinct maker's mark £3,500­4,000

Accompanied by report no GRS2017­097078, from GRS, stating that the ruby is of Burmese (Myanmar) origin, with no indications of treatment, of 'pigeon's blood' red, and report no. 1086414 from AGL, also stating that the ruby is of Burmese (Myanmar) origin, with no indications of treatment.

245 An emerald and diamond three stone gypsy ring, set with a cabochon emerald within round brilliant­cut diamond shoulders in triangular settings in yellow gold, size N £600­800 246 A sapphire and diamond three stone gypsy ring, set with an oval­shaped sapphire within round brilliant­cut diamonds in triangular settings in yellow gold, size M £600­800 247 A ruby and diamond three stone gypsy ring, set with a cushion­shaped ruby with round brilliant cut diamonds in triangular settings, in plain yellow gold band, size M½ £600­800 248 An amethyst and diamond ring by Sabbadini, the fluted gold ring set with round brilliant­cut diamonds to the shoulders and a briolette­cut amethyst, signed Sabbadini, Italian hallmarks, French import mark, size O£200­300 249 A gold bangle and ring, each formed with sprung and coiled bar links, rounded terminals pavé­set with round brilliant­cut diamonds, adjustable size, 87g total £2,000­3,000 250 A large amethyst and diamond dress ring, the fancy­cut amethyst set within diamond­set yellow gold fronds, size N½ £1,500­2,000 251 A ruby and diamond bombé ring, the cabochon ruby is rubover set, with princess­cut and round brilliant­ cut diamonds to each shoulder in gold, size O £2,500­3,000 252 A ruby and diamond three stone gypsy ring, set with a cabochon ruby within old cushion­cut diamond shoulders in plain yellow gold mount, size S½ £600­800 253 A pink sapphire ring by Boucheron, the oval pink sapphire set in fluted 18ct yellow gold mount, French control marks, signed and with maker’s lozenge, numbered B352 23536, size L½ £600­800

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λ 254 A Victorian oval gold brooch, the star motif centred with a coral cabochon and rose­cut diamonds within a surround of blue enamel decoration, within a ropetwist and pellet border in gold, glazed locket compartment to the reverse, 3.8cm wide, 16g £400­800 255 A 19th century gem­set gold pendant, set with emeralds, of hexafoil form, set with diamonds and rubies and emeralds, with wirework and pellet decoration in gold, 5.5cm high £5,000­7,000 256 A 19th century hardstone cameo­mounted gold brooch, the cameo depicting the bust of a woman in the classical manner (possibly a nymphy), within a surround of seed pearls in gold, 4.7cm high £200­300 To be sold without reserve 257 A late Victorian carved hardstone cameo mounted brooch, the well details cameo depicted the profile of a lady wearing a necklace and earrings, signed MIXEAINI, the gold mount set with seed pearls, cameo with hairline cracks, 6cm high £300­400 To be sold without reserve 258 A 19th century enamel and diamond­set gold brooch, possibly converted, of openwork foliate design, the six petals formed as ogee arches with pellet decoration overall, centred with a red guilloche enamel rose and applied with a cluster of old cushion­shaped diamonds in silver cut­down collets, with further border of diamond trefoils, centre diamond approximately 0.70cts, 5.5cm high, 35g £800­1,200 259 A gold panel bracelet, each oval panel depicting Indian scenes with mother of pearl backing, separated with decorative gold links, 18cm long, case £400­600 260 An antique pietra dura brooch, late 19th century, of circular outline, set with a lapis lazuli and hardstone inlaid plaque depicting a spray of roses, within a rope twist and open work scroll border of archaeological inspiration, marked r814, 3.1cm diameter £500­700 261 A Victorian turquoise­set gold bracelet, the three bombé sections pavé­set with turquoise cabochons, with snake­link knot surround and bracelet, 18cm long, fitted case £800­1,200 For a similar example see Victoria and Albert Museum exhibit number M.100­1951.

262 A 19th century Archeological Revival gold brooch, mounted with a circular malachite cabochon and with cannetille and pellet decoration, locket compartment to the reverse, 5.8cm £500­700 263 A pair of Victorian gold pietra dura earrings, the oval mosaic panels depicting a forget­me­not with a carnation, within twisted rope border suspended from a gold orb, 5cm high, including post fittings £750­1,000 264 A Victorian hardstone and seed pearl heart brooch, the yellow chalcedony heart is set within a surround of seed pearls, surmounted by a seed pearl coronet in gold, stamped 15, 2.5cm high, fitted case £600­800 λ 265 A 19th century Etruscan Revival coral­set gold brooch by Pierret, the circular gold brooch with pellet and ropetwist decoration and suspending five graduated coral beads, signed Pierret, 5.5cm high £400­600 To be sold without reserve It has been suggested that Ernesto Pierret (1824 ­ 1898) may have been an apprentice or at least spent some time in the workshop of Castellani due to the similarity in style and mastery of technique both firms display. By the early 1880s the business had been taken over by Luigi Pierret, Ernesto’s son.

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266 An early 19th century gold­cased desk seal, profusely chased foliate scroll base, mounted with an octagonal bloodstone matrix engraved ‘Edensor Lees’, tapered handle with gold, blue and white enamel barely twist decoration, 6cm £600­800 The village Edensor is situated in the grounds of Chatsworth House. The original village was demolished by 4th Duke of Devonshire when the River Derment was straightened. The village was then re­built by the 6th Duke on a different site.

267 A 19th century hardstone desk seal, with faceted tapered handle with round fungus cap in banded agate, gold and gold­cased mount with foliate engraved collar above reeded and gadrooned cushion, citrine matrix carved with coat of arms for Ravenshaw quartering Withers, motto ‘Deus Piscit Corvos’ (God feeds the ravens)’ and surmounted with a crest, 6.8cm high, matrix 1.9cm £300­400 Provenance: Anonymous vendor with Ravenshaw connections, Bonhams, 19.7.02 ex lot 441.

Collection of David Morris.

Literature: Morris, D., Matrix: A Collection of British Seals, (2012), p.126.

268 An 18th century silver desk seal, the ball handle over a double spool stem, spreading circular foot carved with the arms of Trelawney, 6.5cm £200­300 The Cornish family descends from Edward the Confessor, the arms are quartered with further ancient West Country families through marriage, such as Courtenay (4), Pollexfen (7), St Low (10) Lamelin (11) and Reskymer (12).

269 A 19th century conical glass optic, applied with a gold twist ring handle, with a gold opening scrolled case, 3cm high £400­600 270 A late 19th century gold thimble, with textured and foliate decoration, French control mark, maker’s mark for Renι Lorillon, 2.3cm high, fitted case £200­300 271 A Mughal gold pendant, set with rubies and green enamel, of waisted cylindrical form and foliate base, later pendant mount, 3.5cm high £1,000­1,500 272 A Victorian gold­mounted malachite locket pendant, the hinged locket with rectangular malachite panels set in gold, 3.5cm high including bail £500­700 λ 273 An early 19th century desk seal, the coral handle carved as a winged serpent with gold fish tale, supported on a four­sided tapered red jasper support, matrix carved with a seated talbot crest, 7.3cm high, fitted case with trade paper for Catchpole and Williams £2,500­3500 274 A William IV 18ct gold open­faced pocket watch, with 24 hour dial, silvered guilloche dial with Arabic numerals within pellet border, key wind, movement by ‘J, Bright, Leamington’, case 44mm wide, with key £1,000­1,500 275 A late 18th century gold­cased amphora style fob seal, the smoky quartz matrix carved with a profile bust of Shakespeare, 3.5cm high £400­600 276 A George III hardstone gold vinaigrette, cushion­shaped with hinged gold foliate pierced grille, with sponge, 2.7cm wide £600­800 λ 277 An antique gold snuff box, the oval box with book­end hinge, agate base and the cover mounted with a glazed miniature portrait of King Charles II (1630­1685), probably 19th century and after Samuel Cooper, on tortoiseshell ground with a vacant glazed locket compartment to reverse, portrait 3.8cm high, box 5.4cm wide £4,000­5,000

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278 A pair of 19th century reverse­carved crystal­mounted gold cufflinks, each oval link depicting a game bird on mother­of­pearl backing, in gold rubover mounts, 1.7cm high, case £400­600 To be sold without reserve 279 A pair of Art Nouveau white gold cufflinks, each circular link depicting maiden’s heads in profile, each link set with a single­cut diamond, 14mm high, 10g £400­600 280 Two diamond­set gold service award studs by Cartier, for 25 and 35 years service, each designed as a scallop shell and set with circular­cut diamonds, each signed Cartier Paris, French control marks and maker’s mark (one for Societe Cardel), 5g total, Cartier case £200­300 To be sold without reserve 281 A gem­set Regimental brooch for the Gordon Highlanders, set with rose­cut diamonds and cabochon red stone eyes, with motto ‘Bydand’ in blue enamel, 3.5cm high, fitted case by Carrington £150­200 λ 282 A pair of French ruby and white coral­mounted gold cufflinks, the carved white coral discs with crosshatch decoration, within a surround of old cushion­shaped rubies in gold, French control marks, maker’s mark (possibly for Giusti), 1.4cm wide £600­800 To be sold without reserve 283 A pair of gold cufflinks by Grima, designed as tree rings, each circular link with gold swirl pattern, signed GRIMA and AGLtd, 18ct hallmarks for 1973, 2cm widest, 14.5g total £1,000­1,500 284 A pair of French Art Deco sapphire cufflinks, each circular link with pierced chevron design and centred with a cabochon sapphire, French control mark, obscured maker’s mark (possibly for Georges Drouet), 1.4cm wide £750­1,000 285 A pair of gold cufflinks by Wiese, each circular link depicting a Siren or Centaur within a foliate scroll circular border, with a gold scroll baton link, chain connecting links, each signed Wiese, 1.3cm high, 12g total £600­800 To be sold without reserve 286 A sapphire and diamond­set enamelled gold compact by Cartier, with stripes of white enamel, the borders set with calibré­cut sapphires, rose­cut diamond­set thumbpiece, the lid applied with a rose­cut diamond­set ‘K’ monogram within a square border of calibré­cut sapphires, signed ‘Cartier New York’, stamped 14K, inventory number 3024, 8 x 6.5cm, 147g £1,500­2,000 To be sold without reserve 287 A pair of sapphire and diamond­set gold cufflinks, the cylindrical batons each pavé­set with round brilliant­cut diamonds, the terminals set with sapphire cabochons in gold, stamped 750, obscured signature, 1.8cm high, 14.5g total £400­600 To be sold without reserve 288 A samorodock 9ct gold money clip by Dunhill, signed Dunhill London, maker’s mark AD, London hallmarks for 1989, 5.7cm high, 39g £600­800 289 A pair of diamond­set white gold dress cufflinks and studs by Boucheron, 1960, comprising a pair of cufflinks, four large studs and two smaller studs, each circular link applied with a brushed square motif and centred with a round brilliant­cut diamond, each signed ‘Boucheron London’, stamped AP, 18ct hallmarks for 1960, larger links 1.6cm wide, smaller studs 1cm wide, fitted case by Boucheron £800­1,000

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290 A yellow gold Reflet wristwatch by Boucheron, the fluted watch with signed dial, quartz movement, the reverse signed and numbered 908247 and 98883, French control marks, case 20mm, black leather band with slide action attachment and two spare red or blue leather Boucheron straps, Boucheron case £1,000­1,500 291 A gold ‘Tank Basculante’ wristwatch by Cartier, signed dial with secret signature at X, the plain gold reverse face with diamond border, inside back case engraved with conjoined C’s, numbered to reverse 3395588MG, 2480 and small aperture exposing three diamonds, brown leather band with Cartier gold deployant clasp, mechanical movement, case 22mm, pouch and papers £2,000­3,000 The design of the Basculante watch allows it to act as a desk clock.

292 A lady’s gold wristwatch by Rolex, the signed dial with baton and Arabic numerals, on 9ct gold square­link bracelet, manual movement, case 18mm wide £400­600 293 A lady’s ‘Panthere’ gold wristwatch by Cartier, the signed white dial with black Roman numerals, secret signature at 10, quartz movement, case 21mm, case back numbered 1070 MG 345 884, deployant clasp, Cartier case £2,000­3,000 294 A lady's 18ct gold wristwatch by Patek Philippe, the signed tonneau­shaped face with white enamel dial, gold hands and Roman numeral indicators, to an integrated link bracelet, quartz movement, Swiss and European convention assay marks for 18 carat gold, dial and bracelet signed Patek Philippe, dial 1.9x1.9cmm, bracelet 16.2cm long £3,000­5,000 295 A Gentleman's 'Oyster Perpetual Datejust' steel wristwatch by Rolex, with 'Buckley' dial, the circular signed white dial with Roman numeral indicators, date aperture and sweep seconds hand, integrated steel link bracelet with deployant clasp, winding movement, numbered 16014 and 6547435, dial and bracelet signed Rolex £1,500­2,000 296 A lady’s gold ‘Concord’ wristwatch by Saratoga, signed dial with black Roman and diamond numerals, date aperture, sweep seconds hand, quartz movement, articulated gold strap set with further diamonds, gold deployant clasp, case numbered 5173287G 963996, two spare links £1,500­2,000 297 A steel ‘Seamaster Professional’ wristwatch by Omega, signed black dial, date aperture and sweep seconds, automatic winding, steel bracelet £500­700 298 A steel ‘No. 7’ wristwatch by Bedat, signed rectangular dial, sweep seconds dial, diamond set bezel, manual winding movement, case 25mm, numbered 2044 reference 728, maroon silk band, box and papers £600­800 299 A 9ct gold wrist watch by Jaeger­Le Coultre, sweep seconds, automatic winding movement, case 34mm, numbered to reverse 33051 £400­600 300 A lady's steel, mother of pearl and diamond 'Reverso' wristwatch by Jaeger Le­Coultre, the case reversible, one side with a circular plain mother of pearl dial with gold hands, to a white enamel frame between rows of brilliant­ cut diamonds, the other side of white enamel with Arabic numeral indicators and blued steel hands, between plain fluted borders, to an integrated link bracelet, winding movement, numbered 2036698, dials, bracelet and case back signed Jaeger LeCoultre, case 2cm long, double deployant clasp, box and papers £800­1,200 301 A Gentleman's steel and gold Rolex Submariner Date, the signed blue dial with luminous hands and hour markers, blue ceramic bezel and steel and gold band, reference 126613LB, automatic movement, 4.4cm wide including winder £9,000­12,000

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302 An emerald and diamond­set gold spray brooch by Michael Gosschalk, set with graduated round brilliant­ cut emeralds and diamonds in 18ct yellow gold, maker's mark and London import marks for 1957, 6.2cm high, with matching gold twisted knot earrings set with emeralds and diamonds in yellow gold, unsigned, clip fittings, 3.4cm high £800­1,200 303 A yellow gold ruched fabric necklace, mounted with three white gold panels set with diamonds, 39.5cm long, 56g £800­1,200 304 A pair of gold drop earrings by Tanya Ashken, c.1957, the bird­cage design drops set in textured gold, suspended from a leaf­form upper section, post fittings, 3.5cm high, 8.5g total £200­300 Together with a copy of the maker’s autobiography ‘Tanya Ashken: Jeweller, Silversmith, Sculptor’.

The earrings are illustrated on page 36.

305 A diamond­set gold ‘Man in the Moon’ brooch pendant, depicting a crescent moon and a shooting star set with round brilliant­cut diamonds in gold, stamped 14k, 6.5cm wide, 30g £600­800 306 A sapphire and diamond dress ring, set with an oval­shaped sapphire, the high­domed gold ring set with round brilliant­cut and baguette­shaped diamonds, size Q½ £2,000­2,500 Accompanied by report number 79181­70 from GCS dated November 2018 stating that the sapphire is natural, weighing approximately 6.85ct (as stated by client), with no indications of heating. Origin: Sri Lanka (Ceylon).

307

A gold ring by Zolotas, designed as a knot in two­colour gold, signed Zolotas, stamped 750, size L, 9g £750­1,000

308 A diamond­set gold snake ring, set with graduated round brilliant­cut diamonds to the body and a fancy yellow diamond to the head, in a carved yellow gold mount, size L £800­1,200 309 A jadeite and diamond ring, the green jadeite cabochon between shoulders each set with three brilliant­cut diamonds mounted in gold, diamonds approximately 1.20cts total, size T £3,500­4,000 Accompanied by report number 80236­62 dated 30th October 2019 from GCS stating that the cabochon green jade is natural jadeite jade with no indications of impregnation.

310

A gold and jadeite ring, the green jadeite cabochon claw­set in a tapered gold ring, size T

£3,500­4,000

Accompanied by report number 80236­61 dated 30 October 2019 from GCS stating that the cabochon green jade is natural green jadeite jade with no indications of impregnation.

311 A gem­set gold ring, the tapered band set with round brilliant­cut diamonds and fancy­cut natural and synthetic sapphires, rubies and emeralds, stamped 750, size L £600­800 312 An emerald and diamond half hoop ring, set with an oval­shaped emerald within a pavé­set diamond surround in yellow gold, size M £2,000­3,000

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313 An antique circular gold brooch, centred with a drilled oval emerald bead within a surround of cabochon and faceted pink stones, within a border of six cabochons (some emeralds), on a foliate ground with blue and green enamel decoration, foliate engraved decoration to the reverse, later detachable brooch fitting, 4.5cm wide £2,000­3,000 314 A 19th century garnet and diamond trefoil brooch attributed to Mellerio dits Meller, set with three cabochon garnets, the stamen set with rose­cut diamonds in gold, French control marks, obscured maker’s mark, 3cm wide, fitted case by Mellerio dits Meller Paris £600­800 315 A late Victorian Man in the Moon brooch, the closed crescent moon set with seed pearls, with a carved sardonyx face in gold, 2cm wide £800­1,200 316 A 19th century amethyst and seed pearl­set gold necklace, set with three amethyst cabochons with seed­ pearl set caps and drops, on a gold snake­link necklace with snake­link festoons, 39cm long £2,000­2,500 317 A 19th century Archaeological Revival necklace, attributed to Carlo Giuliano, 1880s, alternately mounted with graduated faceted and fluted bloodstone beads and shaped gilt metal beads, 'S'­shaped clasp, with a box­link chain, 40cm long, unsigned, fitted octagonal box for C. Giuliano, London, stamped 'K' for C.J. Kits £1,500­2,000 For a related pair of necklaces in silver gilt and hardstone made by Giuliano to designs by Sir Edward Poynter(1836­ 1919), immortalised in his 1887 painting depicting Helen of Troy, now in the Royal Collection, see Gere, C. and Munn, G., Artists' Jewellery: Pre Raphaelite to Arts and Crafts, Antique Collectors' Club, 1989, p.82.

318 An agate gold brooch by Mellerio, designed as an oil lamp and set with a spherical yellow chalcedony, signed ‘Mellerio Paris, Deposé’, 3.5cm high £800­1,200 λ 319 A Victorian tortoiseshell piqué bracelet, the circular tortoiseshell links inalid with silver and gold decoration, with a heart­shaped pendant, 20cm long £500­700 320 A Victorian garnet­set snake necklace, the serpent’s head set with a cabochon and flat­cut garnets on a snake­link body, suspends a gold scrolling heart locket set with a garnet in yellow gold, 36cm long £1,200­1,500 321 A gold Bishop’s memorial locket pendant, the reverse carved crystal faced depicting a Latin cross, a Bishop’s Miter and reading ‘Ascension Day 1873, the gold mounts with black enamel decoration, 5.5cm high £800­1,200 322 A late 19th century jockey cap stick pin, mounted with a cabochon garnet centred with a diamond and twisted gold tassel, with red enamel peak, set in gold, cap 1.7cm wide £200­300 To be sold without reserve

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323 A diamond bombé ring, pavé­set with round brilliant­cut diamonds, with three raised diamonds in rubover settings, set in white gold, size N £800­1,200 324 A diamond solitaire ring, the heart­shaped diamond weighing 1.19cts, set with round brilliant­cut diamonds to the shoulders in platinum, London hallmarks for 2007, size J £1,500­2,000 325 A diamond wedding band by Tiffany & Co., set with ten round brilliant­cut diamonds in an undulating pattern in platinum, signed T&Co., size M, case and outer box £600­800 326 A platinum and diamond ‘Kit & Kaboodle’ bangle by Boodles, of crossover design and set with three princess­cut diamonds in brushed platinum, engraved ‘BOODLES’ to the gallery, maker’s mark B&D, London hallmarks for 2001, 6cm internal diameter, case £1,500­2,000 327 A pair of B.Zero 1 diamond­set earrings by Bulgari, set with two rows of round brilliant­cut diamonds, the galleries engraved ‘BVLGARI’, signed, post and clip fittings, 1.7cm high £1,200­1,500 328 A golden topaz and diamond pendant, the pear­shaped topaz weighing approximately 21.00cts, set within a surround of round brilliant­cut diamonds, suspended from a diamond­set bail in yellow and white gold, 2.8cm high (without bail), on a fine­link white gold neck chain £5,000­6,000 329 A diamond­set ‘Agrafe’ necklace and bracelet suite by Cartier, with brick links, the clasp set with round brilliant­cut diamonds in white gold, each signed Cartier and with maker’s mark, necklace numbered 929508, 42cm long, bracelet numbered 19432A, 20cm long £8,000­10,000 330 A pair of ruby flowerhead earrings, the petals invisibly­set with calibré­cut rubies and centred with a round brilliant­cut diamond in white gold, 1.4cm wide £2,000­3,000 331 A stylised diamond­set flower brooch by Tiffany & Co, set with round brilliant­cut diamonds in platinum, London hallmarks for 2002, 4cm wide, £2,500­3,000 332 A sapphire and diamond bar brooch, the oval­shaped sapphire is set with five circular­cut diamonds to each shoulder and tapered baguette­shaped diamond terminals in gold, 4.2cm wide £800­1,200 333 A pair of emerald and diamond cluster earrings, the cushion­shaped emeralds weighing approximately 3.90cts total, set within a surround of round brilliant­cut diamonds in white gold, post fittings, 1.2cm high £1,500­2,000 334 A pair of cultured pearl and diamond drop earrings by Cartier, set with vari­coloured cultured pearls the articulated drops set with graduated round brilliant­cut diamonds in platinum and white gold, diamonds approximately 0.75cts total, each signed Cartier, JC, French control mark, London marks for platinum, inventory number 943067, clip fittings, 4.5cm high £6,000­8,000 335 A pair of jadeite and diamond earrings, the carved jadeite drops depicting a small creature suspended from articulated tops set with old circular­cut diamonds and jadeite cabochons, hook fittings, 5cm high, fitted case £600­800

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336 A Victorian diamond­set gold snake ring, the double­headed snake set in gold, with old circular­cut diamond­ set eyes, stamped 18, maker’s mark CG for Charles Green, size N½, 11g £400­600 337 A George I gold memento mori ring, the exterior engraved with a skeleton and cross bones, and a crossed pick and shovel below the feet, engraved to the interior ‘Sir G. G. Obt 10th March 1724’, maker’s mark I.W, size P £400­600 Provenance: From the Collection of the late Tony Dove.

338 A mid 19th century gold mourning ring, set with a banded agate cameo depicting an urn within diamond border and gold scrolling shoulders, glazed locket compartment to reverse, rubbed inscription to interior, size M £200­300 339 An early 19th century gold mourning ring, with foliate repoussé decoration and a secret (vacant) locket compartment to interior, size M½ £300­400 340 A Regency two­colour gold locket pendant, in the form of a purse, applied with foliate decoration and set with rubies, emeralds and diamonds, opening to reveal a glazed locket compartment containing a dead flower (possibly white heather), fine link neck chain, pendant 2.4cm high £800­1,200 341 An early 19th century garnet gold bracelet, the scrolling repoussé clasp set with three oval­shaped garnets, the circular links with textured decoration and star motifs, 18cm long, 26g £1,500­2,000 342 A late 18th century French diamond­set and enamelled bracelet, composed of amphora links set with rose­ cut diamonds applied with enamel, arranged in alternation, the clasp designed as a bow set with rose­cut diamonds, obscured mark, 18cm long £1,000­2,000 To be sold without reserve 343

A Regency gold flower brooch, the flowerhead set with chrysolites and rubies in two­colour gold, 4.6cm high £900­1,200

344 A late 18th century gold and enamel mourning ring, the gold band with black enamel decoration, interior mourning inscription dated 1793 and inscribed ‘Weep not for me but prepare to follow’, duty mark, lion passant and maker’s mark L&R (possibly for John Langlands I and John Robertson I), size R £300­400 Provenance: From the Collection of the late Tony Dove.

345 A George III diamond and enamel mourning ring, the navette­shaped ring with blue and white enamel decoration, applied with three rose­cut diamonds, with pellet decoration to the border, and engraved decoration to the shoulders in gold, size N £400­600 346 A Victorian gold mourning ring, with a central band of black enamel between gold borders, internal mourning inscription dated 1871, rubbed 18ct hallmarks and maker’s mark D&B, size O £200­300 Provenance: From the Collection of the late Tony Dove.

347 A 19th century gold mourning ring, the gold band with black enamel decoration with mourning inscription dated 1815, with ropetwist gold borders, rubbed London hallmarks and maker’s initials JT, size S , case £200­300 Provenance: From the Collection of the late Tony Dove.

348 Two 18th century gold mourning rings, one with white enamel decoration and inscription for Edw’d Dovey dated 1767, maker’s mark TH, size P½, one of scroll design with white enamel decoration and inscription for Walter Dovey dated 1761, maker’s mark WI, size T, case £400­600 Provenance: From the Collection of the late Tony Dove.

349 A George III gold mourning ring, the gold band with blue enamel decoration, with interior mourning inscription dated 1805, rubbed maker’s initials and 18ct hallmark, M½ £300­400 Provenance: From the Collection of the late Tony Dove.

350 A 19th century gold mourning ring, with black enamel decoration reading ‘In Memoriam’, with interior mourning inscription dated 1897, Birmingham 22ct hallmarks for 1896 and maker’s mark WM, size P £100­150 Provenance: From the Collection of the late Tony Dove.

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351 A 19th century enamel and diamond locket brooch pendant, the circular locket with Royal blue guilloché enamel decoration and white enamel border and set with rose­cut diamonds, surmounted by a rose­cut diamond­ set bow in silver and gold, glazed locket compartment to reverse, 3.8cm high £600­800 To be sold without reserve 352 A diamond cluster ring, the lozenge­shaped ring head pavé­set with single­cut diamonds, with further diamonds to the shoulders in platinum on gold, size M £200­300 353 A diamond three­stone ring, set with a trefoil of graduated round brilliant­cut diamonds, set with single­cut diamonds to the shoulders in two­colour gold, size P £600­800 354

A ruby half­hoop ring, set with graduated cushion­shaped rubies in platinum, size M½

£600­800

355 A late Victorian sapphire and diamond half­hoop ring, set with three graduated cushion­shaped sapphires between rows of old circular­cut diamonds in gold, rubbed Chester hallmarks, size O £600­800 356 An emerald and diamond gold half­hoop ring, set with three old cushion­shaped diamonds and two emerald­ cut emeralds in a pierced and engraved scroll mount, one emerald damaged, 18ct London hallmarks for 1994, size P½ £600­800 357 An early 19th century diamond and enamel circular locket brooch, applied with a rose­cut diamond­set foliate motif in silver on a blue guilloché enamel ground, glazed locket compartment to reverse, set in silver and gold, 3.7cm high £400­600 358 An early Victorian circular mourning brooch, the diamond set forget­me­not on a blue enamel ground with a seed pearl border, engraved with inscription dated 1843, hinged and glazed locket compartment, 3.4cm £200­300 359 A Victorian amethyst rivère fringe necklace, set with graduated circular­cut amethysts in yellow gold collets, 42cm long £1,500­2,000 360 An early 20th century aquamarine fringe necklace, the choker­length necklace set with graduated pear­ shaped aquamarines in gold, 37cm long £2,000­2,500 361 A chrysoberyl catseye and diamond cluster ring, the cabochon chrysoberyl catseye set within a surround of old circular­cut diamonds in gold, size L½ approximately £800­1,200 362 A sapphire and diamond snake ring, the double headed snakes set with rose­cut diamonds, each head rubover­set with an oval­shaped sapphire or cushion­shaped diamond in silver and gold, size S £600­800 363 A chrysoberyl catseye and diamond cluster ring, the chyrsoberyl cabochon set within a surround of old circular­cut diamonds in gold, size J £200­300 364 An early 20th century diamond­set snake ring, the two intertwined serpents each with a diamond to their heads, their coiled bodies forming the 18ct gold band, London hallmarks for 1913, size V½ £400­600 365 A sapphire and diamond bangle, alternately­set with calibré­cut sapphires and old circular­cut diamonds in gold and platinum, with engraved decoration to the gallery, 6.2cm internal diameter £800­1,200

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366

A tiger’s eye gold ring by Larry, c.1970s, set with a circular tiger’s eye disc in a cylindrical gold ring, size I £500­700

λ 367 A coral and diamond cluster ring, the oval pink coral set within a surround of single­cut diamonds in gold, size K £300­400 368 A diamond two row gold ring, the graduated round brilliant­cut diamonds set within twisted gold borders on a plain gold shank, the shank with a hinged opening to allow it across a knuckle, size O½ (when closed) £600­800 369 A tourmaline ring, mounted in gold, the pink oval cabochon rubover­set, with pierced decoration to the gallery in gold, size N £400­600 λ 370 A gem­set gold plaque brooch pendant by Van Cleef & Arpels, the rectangluar outline, composed of a jadeite plaque carved with floral motifs, the centre inset with a collet­set cabochon amethyst, to a bamboo border in yellow gold accented with brilliant­cut diamonds and a pear­shaped coral cabochon to each corner, hinged bail to reverse with double pin brooch fitting, engraved to the reverse ‘VCA NY 43565, 750’, 6.6cm high, case by VCA Paris £12,000­15,000 371 A gold necklace by Mappin & Webb, the open smooth rectangular links separated with plain gold links in 18ct yellow gold, maker’s mark and London hallmarks for 2000, 37cm long, 84g £2,000­2,500 372 A gold trinity ring by Andrew Grima, the three entwined ropetwist hoops in 18ct three­colour gold, signed AGLtd, London hallmarks for 1978, size F £500­700 λ 373 A pair of coral and diamond earrings, of flowerhead design set with marquise­shaped coral cabochons and round brilliant­cut diamonds in textured gold, post fittings, 2.3cm wide, 16.5g £600­800 374 A diamond gold leaf brooch by Boucheron, of open bar design set with eight graduated circular­cut diamonds, French control marks for gold and platinum, signed ‘Boucheron Paris, maker’s lozenge RN, inventory number 15162, 6.5cm long £800­1,200 375 A pair of sapphire­set gold earrings by Buccellati, c.1970s, each centred with a carved sapphire amongst a trefoil of textured gold leaves, each signed M. Buccellati, French import marks, 3cm high, fitted case £1,000­1,500 376 A diamond­set bombé ring, the centre set with graduated round brilliant­cut diamonds within surrounds of twisted intertwined ropes in yellow gold, size L½ £600­800 377 A French diamond­set rose brooch by Jean Ferriere, c.1960s, with articulated diamond­set mesh petals opening to reveal diamond­set stamens, with textured gold leaves to the stem, platinum on gold, French control marks, maker’s mark, 6cm high £3,000­4,000 λ 378 A coral­mounted gold ring and earrings by Sterlé, set with coral batons with textured gold terminals, each signed Sterlé Paris, the earrings numbered N9088, French control marks, earrings 5.5cm high, clip fittings, ring size J approximately £800­1,200 To be sold without reserve 379 A French gem­set brooch, designed as a palmette, set with carved sapphires and graduated circular­cut emeralds, the stem set with circular­cut diamonds in gold, French control mark, stamped JW and 750, 3.5cm high £2,000­3,000 380 A gold necklace by Andrew Grima, 1970s, set with rectangular textured gold links, signed AGLtd, 18ct London hallmarks for 1973, 62cm long, 21g £1,000­1,500 λ 381 A coral and diamomd­set gold brooch and ring by David Morris, set with oval coral discs and round brilliant­ cut diamonds in textured 18ct gold, the ring with French export marks and London import marks for 1972, size V, the brooch with London import marks and signed DM, 5.5cm wide £800­1,200

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382 A George III topaz demi­parure, comprising a necklace and brooch (possibly converted from an aigrette), set with oval and pear­shaped topaz in closed­back gold mounts, on a fine­link gold back chain, necklace 44cm long, brooch 7.5cm long, fitted case by Harvey & Gore £4,000­6,000 383 An 18th century Iberian diamond­set brooch, of foliate design and set with rose­cut and table­cut diamonds in closed­back silver settings, 5cm high £600­800 384

A natural pearl stick pin, set with a natural pearl in gold, 7cm high, fitted case by S. J. Phillips

£200­300

385 A two­row natural pearl necklace, the pearls graduate from 2.1 ­ 5.0 mm, with a navette­shaped diamond­ set white gold clasp, 41cm shortest Accompanied by report number 20359, dated 24th August 2021 from The Gem & Pearl Lab stating that the 142 pearls graduate from 2.0 ­ 5.1mm and are natural saltwater. £800­1,200 386 A single­row natural pearl necklace, the pearls graduate from 2.10 ­ 5.73mm, the cluster clasp set with an emerald and rose­cut diamonds in silver on gold, 40cm long, 7.2g £800­1,200 387 A Regency gem­set gold necklace, the cruciform pendant set with amethysts and seed pearls with pellet decoration in closed­back gold settings, on a fine­link gold neck chain set with four oval­shaped amethysts, pendant 4.8cm high, chain 36cm long £200­300 388 A pair of 18th century diamond earrings, the flowerhead upper sections suspend openwork foliate drop sections, set with graduated rose­cut diamonds in silver on gold closed­back settings, 4.5cm high, fitted case £8,000­10,000 389 An early 19th century diamond­set foliate brooch, the centre diamond flowerhead cluster mounted ‘en tremblant’ and centred with a large asymmetrical circular­cut diamond in a cut­down collet, within a diamond­set pendant, further diamonds set to the leaves and flowerheads in silver and gold, detachable brooch fitting, 7cm wide, fitted case by S.J.Phillips, additional brooch fitting £8,000­12,000 390 An 18th century diamond brooch, converted, of foliate design and set with rose­cut diamonds in closed­ back silver settings, later brooch fitting, 3cm wide £600­800 To be sold without reserve

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391 A pair of jade and diamond drop earrings, the articulated earrings set with an old circular­cut and marquise­ shaped diamond, suspending a jade drop with a rose­cut diamond­set cap in platinum, hook fittings, 4.4cm high including fittings £800­1,200 Provenance: Family tradition holds that the earrings were formerly the property of Princess Grace of Monaco.

392 A pair of diamond drop earrings, millegrain­set with white and fancy­coloured diamonds in articulated platinum and gold mounts, 2.5cm high, case £2,000­2,500 393 An aquamarine and diamond­set brooch pendant, the octagonal­cut aquamarine millegrain­set within a surround of circular­cut diamonds, suspending a swag further set with eleven circular­cut diamonds and two diamond drops, fine­link platinum neck chain mounted with a circular­cut diamond £3,000­5,000 394 A 19th century gem­set butterfly pendant, centred with an old circular­cut diamond weighing approximately 0.55cts, set with further old circular­cut diamonds, four pear­shaped emeralds and suspending a natural pearl, set in silver on gold, folding pendant loop, detachable fine­link silver neck chain set with old circular­cut diamonds and a natural pearl, pendant 3.5cm high, chain 46cm long £4,000­6,000 Accompanied by report number 5782­400 from GCS dated January 2022 stating that the two pearls measure 4.6 ­ 4.7 x 6.0mm, 4.2 ­ 4.2 x 5.3 mm approximately and are natural saltwater.

395 An Edwardian pearl and diamond necklace, the pendant of Art Nouveau scroll design and set with old circular­cut diamonds, suspending two knife­edge links each suspending a circular­cut diamond or an untested pearl in platinum on gold, on an integrated platinum neck chain set with two circular­cut diamonds, principal diamond approximately 0.30cts, pendant 4.5cm high, chain 38cm, fitted case £2,000­3,000 396 An Edwardian ruby and diamond cluster ring, set with graduated cushion­shaped rubies, within a border of single­cut diamonds in gold, size R £600­800 397 A pink sapphire and diamond cluster ring, the oval­shaped sapphire is set within a surround of cushion­ shaped diamonds in silver and 18ct gold, Birmingham marks for 1910, size N £2,500­3,000 398 A pair of mandarin garnet, diamond and seed pearl drop earrings, suspending from a double scroll design with white enamel decoration in gold, hook fittings, 6cm high £600­800 To be sold without reserve 399 An Edwardian seed pearl platinum bracelet, the square links designed as oak leaves and acorns set with seed pearls, with seed pearl mesh connecting links, 16.5cm long £900­1,200 400 An Edwardian zircon and diamond bracelet, the centre section set with three cushion­shaped zircons, the foliate connecting links millegrain­set with old circular­cut diamonds in platinum on gold, on a platinum and gold fancy­link bracelet, 17cm long, fitted case £1,200­1,500 401 A Belle Époque diamond, ruby and pearl brooch, designed as a ruby­set crescent supporting a diamond­ set ribbon, suspending two untested pearls, 3cm wide £400­600 402

A ruby and diamond bar brooch, set in white gold, 7.5cm wide, Harrods case

£600­800

403 A pearl and diamond bar brooch, set with a row of untested pearls and set overall with old circular­cut diamonds, with pierced decoration in platinum, 5cm wide, fitted case by Asprey £600­800 404 A 19th century French ruby, diamond and opal brooch pendant, centred with a heart­shaped opal within a surround of old cushion­shaped rubies and diamonds, further foliate surround set with pear­shaped rubies and rose­cut diamonds and suspending a drop pendant, French control mark, rubbed maker’s mark, 4.2cm high £3,500­4,000 405 A pair of diamond drop earrings, each earring set with a principal old cushion­shaped diamond weighing approximately 0.75cts each, suspending from an articulated section set with old circular and single­cut diamonds in platinum, post fittings, 2.5cm high £3,000­4,000 406 A diamond, emerald and enamel brooch by Fabergé, the circular brooch applied with a flower, set with a centre emerald and five rose­cut diamond petals on gold stem, red guilloche enamel ground, marked to the catch with workmaster’s initial, probably AH, 56 zolotnik and kokoshnik, St Petersburg mark and maker’s mark AH to the pin, 2.2cm wide £2,500­3,000 407 An early 20th century diamond bow brooch, the trio of bows set with rose­cut diamonds and each centred with an old circular­cut diamond, suspending a foliate drop set with an old circular­cut diamond weighing approximately 0.75cts, set in platinum, 5cm wide £1,500­2,000 408 A pair of Edwardian fruiting vine earrings, each set with an old circular­cut diamond, the grapes formed with seed pearls in platinum on gold, 3.5cm high, fitted case £700­900 409 A Russian sapphire and diamond circular brooch, set with rose­cut diamonds and three oval­shaped sapphires in silver on gold, 56 zolotnik and St Petersburg mark, rubbed workmaster’s initials, 2.5cm wide £600­800 70

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410 A pair of diamond scroll earrings by René Boivin, set with graduated round brilliant­cut diamonds weighing approximately 2.40cts, with scalloped borders in platinum, each signed René Boivin, French control marks, maker’s mark, clip fittings £2,000­3,000 To be sold without reserve Accompanied by a letter of authenticity dated 2010 from Françoise Cailles, Author of ‘Rene Boivin: Jeweller’ (London: Quartet Books: 1995).

411 A diamond half hoop ring by Boucheron, set with an oval shaped diamond within shoulders set with graduated round brilliant­cut diamonds in 18ct white gold, French control marks, signed and with maker’s lozenge, numbered B353 22634, size J £1,800­2,000 412 An emerald and diamond cluster ring by Boucheron, the emerald­cut emerald is set within a surround of baguette­shaped diamonds, round brilliant­cut diamonds and a marquise­shaped diamond to each shoulder in platinum, signed Boucheron, size L½, Boucheron case £2,000­3,000 413 An emerald and diamond cluster ring, the emerald­cut emerald weighs approximately 3.40cts, set within a surround of round brilliant­cut diamonds in white gold, size M½ £1,500­2,000 414 An aquamarine ring, the cushion­shaped aquamarine weighs approximately 11.50cts, claw­set in white gold with bifurcated shoulders, size N, case by Cartier £400­600 415 A blue spinel and sapphire brooch pendant, set with a cushion­shaped blue spinel, the foliate spray mount set with cushion­shaped sapphires in white gold, 6cm high £3,000­5,000 The spinel is a natural spinel with no indications of heat treatment as per verbal report from GCS. 416 An emerald and diamond scroll brooch by Boucheron, c.1950s, centred with a cluster of circular­cut emeralds within a border of pear­shaped marquise and circular­cut diamonds, and a tapering scrolling line of graduated baguette­shaped diamonds in gold and platinum, signed to the clip ‘Boucheron Paris’, inventory number 18085, indistinct maker’s lozenge, 4.9cm high £7,000­9,000 Accompanied by a copy of an insurance valuation from Boucheron dated 2013.

417 A diamond­set openwork platinum hinged bangle, the stylised interwoven and twisted fabric sections are pavé­set overall with graduated circular­cut diamonds, approximately 35.00cts total, sprung double hinged and double tongue clasp, 5.3cm internal diameter £20,000­25,000 418 A diamond white gold leaf brooch by Sterlé, of open bar design and set with nine graduated circular­cut diamonds, French control marks, signed ‘Sterlé Paris’, inventory number 5012, 7.8cm long £800­1,200 419 A pair of diamond scroll earrings, c.1940, each set with an old circular­cut diamond weighing approximately 1.50cts each, with further circular­cut diamonds to the scroll mounts in platinum, post fittings, 1.5cm high £6,000­8,000 420 A pair of emerald and diamond hoop earrings, set with graduated calibré­cut rubies within borders of graduated circular cut diamonds, 12mm high, in a Boucheron case £1,000­1,500 421 A diamond and sapphire bombé ring, set with round brilliant­cut diamonds and calibré­cut sapphires in platinum, size J½ £800­1,200 To be sold without reserve 422 A mid 20th century sapphire and diamond cocktail ring, set with a sugarloaf sapphire within cushion­shaped diamond surround and baguette­shaped diamond shoulders, set in platinum, size O £2,000­3,000 423 A diamond­set heart pendant, pavé­set with graduated circular­cut diamonds in silver and gold, with diamond­set pendant loop, 3.5cm high £3,000­4,000

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424 A late 19th century diamond necklace, the foliate scroll upper section centred with an old circular­cut diamond weighing approximately 0.99cts, suspending a detahcable foliate drop section centred with an old circular­ cut diamond weighing approximately 0.60cts, set overall with old cushion­shaped diamonds in silver on gold, on a later fine­link silver neck chain, necklace 38cm long £10,000­15,000 425 A pair of late 19th century diamond drop earrings, of scrolling foliate design, each centred with an old circular­cut diamond weighing approximately 0.60cts and suspending a foliate drop section in silver on gold, one diamond missing, hook fittings, 3.5cm high £4,000­6,000 426 A diamond and pearl­set long guard necklace, set with graduated old cushion­shaped diamonds in silver spectacle mounts on a gold chain, suspending a pearl to one end and joined around the neck by a triple diamond clasp, 65cm long £12,000­15,000 427 A late Victorian diamond five­stone ring, set with five graduated old circular­cut diamonds, with rose­cut diamonds pointers in a gold scroll mount, diamonds approximately 0.40, 0.60, 0.98, 0.58, and 0.40cts, stamped 18ct, size Q £7,000­9,000 428 A late Victorian diamond pendant brooch, set with a central old cushion shaped within concentric borders of smaller diamonds pierced with a starburst design and a further surround of diamonds quartered with larger diamonds, suspended from detachable diamond­set pendant loop, and suspending an oval diamond drop, in silver and gold, 6cm high total £1,500­2,000 429 A 19th century fancy diamond and white diamond target pendant, centred with an old cushion­shaped fancy­coloured diamond, within a double surround of graduated old cushion­shaped diamonds, quartered with four large old circular­cut diamonds, with a detachable diamond­set bail, set in silver on gold, on a later ropetwist gold chain necklace, pendant 4cm high, necklace 72cm long £8,000­12,000 The centred diamond is natural light brown as per verbal report from GCS. 430 A 19th century diamond foliate brooch, set overall with graduated cushion­shaped diamonds in silver and gold, 3.5cm wide £3,000­4,000 431 A natural pearl and diamond circular brooch by Tiffany & Co., alternately­set with natural pearls and transitional round brilliant­cut diamonds in gold, signed Tiffany & Co, 2.3cm wide £3,000­4,000 Accompanied by report number 80236­59 dated 14th November 2019 from GCS stating that the pearls are natural saltwater.

432 A late Victorian diamond snowflake brooch, set overall with old cushion­shaped, circular and rose­cut diamonds in silver on gold, 4.2cm wide, fitted case by Jays 142-144 Oxford Street £400­600 433 A late 19th century diamond brooch, of floral design, set with circular­cut and cushion­shaped diamonds, the exterior with a border of pinched collet­set diamonds on knife wire mounts, 2.7cm diameter, fitted case stamped Asprey £1,000­1,500 434 A diamond three­stone ring, set with an old cushion­shaped diamond and two old circular­cut diamonds, with single­cut diamond pointers to the platinum scroll mount, diamonds approximately 0.60, 1.60 and 0.50cts, size L½ £6,000­8,000 435 A pair of Russian diamond drop earrings, of stylised foliate design millegrain­set with graduated old circular­ cut diamonds in silver and gold, marked 56 zolotnik and St Petersburg marks, 6cm long, £3,000­4,000 436 An early 20th century pearl and diamond brooch, of circular outline with open work designs of trefoils in the gothic style, set with pearls and single­cut diamonds, pearls untested, 2.5cm diameter £300­400

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437 A star sapphire and diamond ring, set with a circular star sapphire cabochon, the openwork surround alternately­set with single­cut diamonds in silver and gold, gold shank stamped 18K, size M £400­600 438 A fancy coloured diamond ring by Chaumet, the old circular­cut fancy yellow diamond is set within marquise­ shaped and circular­cut diamonds, with further diamond shoulders in yellow gold, French control marks and makers lozenge, signed Chaumet Paris, 750, size N½ £3,000­4,000 439

A gold abstract ring by Lalaounis, of abstract foliate form with three drop terminals, signed Lalaounis, size H £500­700

440 A pair of 18ct gold and diamond earrings, each designed as a six­petalled flower, set with brilliant­cut diamonds, clip and post fittings, British hallmarks, sponsor's mark AWJLd, each 2cm diameter £800­1,200 441 A pair of hammered oval gold earrings by Elizabeth Gage, signed GAGE and maker’s mark EG, London marks for 2000, sprung clip fittings, 34g £800­1,200 442 A gold zodiac pendant by Cartier, depicting Aries, signed Cartier, numbered R614, 18ct London hallmarks for 1980, 5.5cm high £1,000­1,500 443 A gem­set gold bangle by Mauboussin, rubover­set with three cabochon citrines and ten cabochon tourmalines in gold, signed Mauboussin Paris, maker’s mark, numbered F2186, 16cm internal diameter approximately £2,000­3,000 444 A gold multi­hoop bangle, formed with seven interconnected gold hoops in three­colour gold, 6.5cm wide approximately, 68g £2,000­3,000 445 A diamond­set ring and earring suite by Mappin & Webb, set with undulated white and gold strips set with round brilliant­cut diamonds in 18ct gold, maker’s mark and London hallmarks for 2000 (earrings) and 2002 (ring), ring size J½, earrings 2.1cm high, post and clip fittings £600­800 446

A gold stylised starfish brooch by Elsa Peretti for Tiffany & Co., signed, 5.5cm

£400­600

447 A gold ‘Bean’ necklace by Elsa Peretti for Tiffany & Co., signed Elsa Peretti and Tiffany & Co 750, 42cm long, 33g £800­1,200 448 A pair of cultured pearl and diamond earrings by Cartier, each set with two cultured pearls and a central row of round brilliant­cut diamonds in gold, signed Cartier, maker’s mark, French control mark, stamped 750 and E7808, post and clip fittings, 2cm high £1,200­1,500 449 A pair of gold earrings by Georg Jensen, design by Nanna Ditzel, of curved lozenge design, maker’s mark and design number 1131 in 18ct yellow gold, screw fittings, 3cm high £900­1,200

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450 A ruby and diamond cluster ring, the ruby cabochon is set within a surround of old circular­cut diamonds in silver on gold, size N £400­600 451 A 19th century spinel and diamond brooch, set with an oval­shaped pink spinel within a surround of rose­cut diamonds, with further outer row of old circular­cut diamonds millegrain­set, all in silver on gold, 3.7cm wide, case £10,000­15,000 452 A late 19th century sapphire and diamond crescent brooch, the closed crescent set with graduated cushion­ shaped sapphires, graduated cushion­shaped sapphires and rose­cut diamonds to the scalloped edge in silver on gold, 4cm wide £2,000­3,000 453 An early 20th century gem­set gold frog brooch, set with demantoid garnets and diamonds with cabochon ruby eyes, 3.8cm long £2,000­2,500 454 A late Victorian gem­set dragonfly brooch, the body set with a cabochon sapphire and graduated cushion­ shaped sapphires, with ruby eyes and pavé­set sapphire and rose­cut diamond wings, in silver and gold, 5cm wide £1,500­2,000 455 A Victorian sapphire three­stone ring, set with three old circular­cut sapphires, with rose­cut diamond pointers in a scroll engraved 18ct gold mount, sapphires approximately 0.80, 1.70 and 0.75cts, rubbed Birmingham hallmarks, size S £3,000­5,000 Accompanied by report number 5782­927 from GCS stating that the sapphires are natural with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

456 A spinel and diamond bar brooch, the emerald­cut red spinel weighs approximately 3.20cts, claw set on a gold bar brooch set with graduated old circular­cut diamonds, 6cm wide, fitted case £1,200­1,500 The spinel is a natural spinel with no indications of heat treatment, origin opinion: Sri Lanka as per verbal report from GCS. 457 An emerald and diamond three­stone ring, of bombé form, set with an emerald­cut emerald weighing approximately 1.45cts, with an old cushion­shaped diamond to each shoulder in brushed gold, size J½ £600­800 458 A purple sapphire and diamond cluster ring, the cushion­shaped purple sapphire weighs approximately 3.30cts, set within a surround of round brilliant­cut diamonds in platinum and gold, 18ct Sheffield hallmarks for 1990, size N £3,000­4,000 Accompanied by report number 5782­653 dated 2nd Febraury 2022 from GCS stating that the oval­shaped sapphire weighs approximately 3.20cts and is a natural purple sapphire. Origin: Sri Lanka (Ceylon).

459 A late Victorian ruby and diamond crescent brooch, set with graduated cushion­shaped rubies and old single­cut diamonds in gold, 5cm wide, fitted case £800­1,200 460 A sapphire and diamond three­stone ring, the cushion­shaped sapphire set with two old circular­cut shoulder diamonds, in a pierced scroll carved gold mount, size J £6,000­8,000 461 A pair of late 19th century gold drop earrings, possibly Indian, the conical­shaped bodies with pellet decoration and suspending ball pendants, with scrolling gold upper sections, 26cm high, centre opening case from Calcutta £1,500­2,000

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462 A marquise­shaped diamond cluster ring, the marquise­shaped diamond weighs approximately 0.85cts, set within a surround of round brilliant­cut diamonds in white gold, size M £1,000­1,500 463 An early 20th century sapphire and diamond brooch, centred with an oval­shaped sapphire weighing approximately 5.50cts, within a surround of old circular­cut diamonds in platinum on gold, with further openwork surround set with single­cut diamonds and French­cut sapphires with scalloped edge in platinum, 3.5cm wide £4,000­6,000 Accompanied by report number 5782­924 from GCS stating that the sapphire is natural with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

464 An Art Deco diamond and sapphire brooch pendant, the brooch of bar and scroll design, set overall with graduated circular­cut diamonds, suspending a flexible diamond­set pendant with two circular­cut sapphires in platinum, 6.3cm high £800­1,200 465 A sapphire and diamond cluster ring, the square cushion­shaped sapphire is set within a surround of round brilliant­cut diamonds, with baguette­shaped sapphires to the shoulders in platinum and white gold, size J½ £4,000­5,000 Accompanied by report number 5782­923 from GCS stating that the sapphire is natural with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

466 An Art Deco onyx, diamond and emerald ring, the hexagonal onyx plaque is centred with an old circular­ cut diamond weighing approximately 0.30cts, the shoulders set with single­cut diamonds and calibré­cut emeralds in platinum, size J £1,000­1,500 467 An early 20th century sapphire and diamond cluster ring, the oval face set with marquise and a square­ shaped sapphires and pavé­set with old circular­cut diamonds in platinum, gold shank with bifurcated shoulders, size Q½ £400­600 468 An onyx and diamond oval plaque ring, formed from an Art Deco onyx and diamond panel later mounted in a pierced diamond set surround in platinum and gold, size L½ £200­300 469 A jade and diamond three­stone ring, the jade cabochon is set with a baguette­shaped diamond to each shoulder in platinum, size N £1,000­2,000 Accompanied by report number 2211701682 dated 20 May 2021 from GIA stating that the green jade cabochon is natural jadeite jade with no indications of treatment.

470 A sapphire and diamond three­stone ring, the emerald­cut sapphire weighs approximately 5.55cts, set with an old cushion­shaped diamond to each shoulder in platinum, size J½ £4,000­6,000 Accompanied by report number 5782­930 from GCS stating that the sapphire is natural with no indications of heat treatment. Origin: Burma (Myanmar).

Accompanied by report number 981691 dated 2006 from The Precious Stone Laboratory stating that the rectangular cut­cornered sapphire weighs approximately 5.55cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

471 A sapphire and diamond brooch, centred with an old circular­cut diamond, millegrain set overall with further circular­cut diamonds and calibré­cut sapphires in white gold, 7cm long £3,500­4,500 472 An early 20th century diamond and onyx jabot pin, set with old circular­cut diamonds and carved onyx in platinum on gold, 7.5cm long £400­600 473 An early 20th century gem­set jabot pin by Cartier, the head and tail set with calibré­cut sapphires, the fletching set with rose­cut diamonds in platinum and gold, signed Cartier, numbered 47 62, French control marks, maker’s mark for Georges Andrey, 4cm long, fitted case by Carrington £200­300 474 An early 20th century diamond brooch, the triangular body surmounted with a stylised coronet, pavé and millegrain­set overall with old circular­cut diamonds in white gold, 3.5cm high, principal diamonds approximately 0.40, 0.20 and 0.35cts, fitted case by Mrs Newman, 68 Duke Street £1,800­2,000 475 A diamond three­stone ring, set with three emerald­cut diamonds weighing approximately 1.60cts total, in platinum, size M £2,200­2,500

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476 An Art Deco diamond and seed pearl tassel pendant by Cartier, the cap of foliate openwork design, millegrain­set with circular­cut diamonds, suspending ten seed pearl tassels (possibly later replaced), on a detachable platinum and seed pearl neck chain, pendant signed Cartier London, inventory number 7648, pendant 6cm long, chain unsigned, 68cm long, centre-opening Cartier case, 20cm high £8,000­12,000 477 An Art Deco diamond bracelet, the three plaques are each centred with a marquise­shaped diamond within rows of circular­cut diamonds, joined with diamond­set circular links and conforming circular clasp in platinum, 18cm £4,000­6,000 478 An early 20th century natural pearl, ruby and diamond brooch by Chaumet, the oval brooch centred with three natural pearls within a surround of calibré­cut rubies and seed pearls with white enamel border, with rose­ cut diamond­set foliate terminals in platinum and gold, French control marks and maker’s mark for Joseph Chaumet, fitted Chaumet case, 5.6cm long £1,500­2,000 The three principal pearls are natural saltwater as per verbal report from GCS. Seed pearls may be natural or cultured.

479 An Art Deco diamond plaque ring, centred with an old circular­cut diamond within an openwork octagonal surround set with further circular­cut diamonds, with a baguette­shaped diamond to each shoulder in platinum, size Q½, case £300­400 480 A diamond cluster ring, set with a transitional round brilliant­cut diamond weighing approximately 0.50cts, within a surround of circular­cut diamonds, a further diamond to each shoulder in platinum, size Q £400­600 481 A gem­set bar brooch, centred with an oval­shaped sapphire between four calibré­cut emeralds in platinum, 3.3cm wide £1,500­2,000 λ 482 An early 20th century coral and diamond­set jabot pin, the foliate form terminals set with red coral and old circular­cut diamonds in platinum, numbered 1230, 4.7cm long £600­800 483 An early 20th century jade and diamond brooch, the pierced oval jadeite jade carved with various gourds, each terminal set with a triangular­shaped diamond, onyx and old circular­cut diamonds in platinum, 4cm wide, fitted case £1,000­1,500 484 A lady’s diamond­set Art Deco wristwatch, the dial marked MOVADO, set with gadauted circular cut diamonds and black onyx in platinum, black silk band, white gold clasp, face 4.3cm long £600­800 485 An early 20th century sapphire and diamond ring, the cabochon sapphire is claw set with rose­cut diamond­ set bows to the shoulder in platinum, size O £1,500­2,000 Accompanied by report number 5782­396 from GCS dated January 2022 stating that the cabochon­cut sapphire is a natural sapphire with no indications of heat treatment. Origin: Myanmar (Burma).

486 An early 20th century brooch by Cartier, designed as three panther kittens peering out of a basket, pavé­ set with circular­cut diamonds, emerald eyes and ruby tongue to the centre kitten, the basket and handle set with further diamonds and stylised wicker­wear body in platinum, on a base line of calibré­cut synthetic sapphires, signed to the base ‘Cartier Paris’, inventory number 5290, xx cm wide ? £8,000­12,000 487 An opal and diamond brooch, the opal is claw­set and quartered with old circular­cut diamonds in square­ shaped mounts, in platinum on gold, 3.3cm wide, fitted case £200­300 488 An early 20th century zircon and diamond ring, the circular­cut blue zircon is set with three single­cut diamonds to each shoulder in platinum, size M½ £200­300 489

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490 A diamond solitaire ring, the old circular­cut diamond weighs approximately 1.98cts, set with a tapered baguette­shaped diamond to each shoulder in platinum, size N £9,000­12,000 491 An emerald and diamond ring, the sugarloaf cabochon emerald is set with round brilliant­cut diamonds to bifurcated scroll shoulders in white gold, size N £900­1,200 492 A sapphire and diamond cluster ring, the emerald­cut sapphire weighs approximately 2.90cts, set between two round brilliant­cut diamonds each weighing approximately 0.65 and 0.70cts, within a surround of round brilliant­ cut and two baguette­shaped diamonds in platinum, size M approximately (with inner resizing beads) £3,000­4,000 493

A diamond solitaire ring, the round brilliant­cut diamond weighing 4.72cts, set in platinum and gold, size K½ £10,000­15,000

494 A Paraiba­type tourmaline and diamond three­stone ring, the oval­shaped tourmaline is set with a triangular­shaped diamond to each shoulder in platinum, London hallmarks, size R £6,000­8,000 Accompanied by report number 290043/20055689 dated 13th December 2021 from AnchorCert stating that the oval­shaped tourmaline weighs approximately 8.53cts and is a copper­bearing Paraiba­type tourmaline. Comment: colour of these tourmalines can be due to non­detectable heat treatment.

495 A diamond solitaire ring, the transitional round brilliant­cut diamond weighs 4.48cts, set with three single­ cut diamonds to each shoulder in platinum, size I½ £10,000­15,000 496 A diamond cluster ring, the marquise­shaped diamond weighs approximately 1.75cts, rubover­set in gold, with three marquise­shaped to each shoulder in white gold, size K½ £3,000­4,000 497 An emerald and diamond cluster ring, the emerald­cut emerald weighs approximately 6.50cts, the ballerina mount set with tapered baguette­shaped, round brilliant­cut and marquise­shaped diamonds in platinum, obscured marks, size M £8,000­10,000 498 A diamond cluster ring, the centre round brilliant­cut diamond weighs approximately 1.00cts, millegrain set within a surround of eight smaller diamonds in white gold, size M £3,000­5,000 499 An emerald and diamond cluster ring, the emerald­cut emerald set within a surround of round brilliant­cut and marquise­shaped diamonds in a platinum wirework ring, size N £6,000­8,000 500 A diamond­set longuard chain, set with ninety­four diamonds of various cuts, including marquise­shaped, tapered baguette­shaped, triangular and square­shaped, in platinum spectacle mounts, diamonds weigh approximately 48.00cts total, 104cm long £32,000­40,000

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501 A magnificent diamond 'Cluster' necklace by Harry Winston, circa 1993, designed as a tapering articulated collar composed of pear­shaped, marquise­shaped and brilliant­cut diamonds, suspending a detachable pear­shaped diamond pendant weighing 17.91 carats, length approximately 38cm, necklace signed Winston, numbered 1807, maker’s mark for Jacques Timey, stamped PT950 and OR, pendant stamped PT950, maker’s mark HW, estimated total diamond weight including pendant 98.52 carats £850,000­1,000,000 Created in the 1940s, the original cluster motif was inspired by the lush greenery of a holly wreath at Harry Winston's Scarsdale estate. With its quintessentially sculptural form designed to capture light from all directions, the 'Winston Cluster' has evolved as the House's iconic signature style.

Accompanied by GIA report number 16439026 dated 5.12.2007, stating that the pear­shaped diamond weighs 17.91cts and is a natural diamond with F colour and VS2 clarity. Fluorescence: medium.

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502 An early 19th century Russian Royal presentation brooch pendant, the circular brooch pendant with diamond­set ‘A’ beneath a coronet on blue enamel ground, with gold foliate border and set within a surround of old cushion­shaped diamonds in silver on gold, with a hinged enamelled gold pendant bail, inscription to reverse ‘This Locket and a pair of Earrings were made from a box presented by The Emperor Alexander of Russia in 1812 to R. Adm’l Thomas Byam Martin for the defence of Riga, and other services in the Baltic’, 6.5cm high (including bail), fitted case by Sheppard, Goldsmith & Jeweller to the Queen, 63 Brook Street, Hanover Square, London £25,000­35,000 The ‘A’ monogram refers to Alexander I, Tsar of Russia (1801 ­ 1825).

Literature: illustrated Scarisbrick, D., Jewellery in Britain 1066 - 1837: A documentary, social, literary and artistic survey, pl. XLIX.

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503 An Art Deco emerald and diamond cluster ring, the square emerald­cut emerald set with two baguette­ shaped shoulder diamonds, with further old circular­cut diamonds in platinum, size M½ £30,000­40,000 Accompanied by report number 114551 dated 16th September 2020 from SSEF stating that the octagonal step­ cut emerald measures 10.95 x 10.65 x 6.30mm and is a natural emerald with indications of minor clarity enhancement (minor oil in fissures). Origin: Colombia

lifesize

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504 A diamond solitaire ring, set with a round brilliant­cut diamond weighing 6.88cts, with foliate pierced and engraved decoration to the gallery, the shoulders set with single­cut diamonds (one missing) in platinum, size O½, case £40,000­60,000 Accompanied by report number 5782­488 from GCS dated January 2022 stating that the round brilliant natural diamond weighs 6.88ct, with G colour and S12 clarity. Fluorescence: Strong.

504 lifesize

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505 A diamond two­stone crossover ring, the two transitional round brilliant­cut diamonds weigh 3.85 and 4.09cts, in coronet platinum settings, size P½ £30,000­40,000 Accompanied by report number 5782­392B from GCS dated January 2022 stating that the round brilliant natural diamond weighs 3.85ct, with K colour, VVS1 clarity. Fluorescence: Medium blue.

Accompanied by report number 5782­392A from GCS dated January 2022 stating that the round brilliant natural diamond weighs 4.09cts with K colour, VVS2 clarity. Fluorescence: Medium blue.

505

506 A diamond solitaire ring, the Asscher­cut diamond weighs 3.06cts, claw­set with graduated French­cut diamonds to the shoulders in platinum, size M½ £30,000­40,000 Accompanied by report number 10079859 dated 6th February 1997 from GIA stating that the emerald­cut diamond weighs 3.06cts and is a natural diamond with F colour and VVS1 clarity. Fluorescence: faint.

506

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507 An early 19th century hardstone intaglio ring, the cut­cornered rectangular carnelian carved in Arabic with the name ‫( رطم فطل ن س رمع‬Omar Hussain Lutfi Matar), set in gold, size F approximately £600­800 508 A late 17th century sardonyx cameo depicting the head of an athlete, the head in profile in the classical manner, in a later gold ring set with rose­ cut diamonds, size N approximately £800­1,200 509

A 17th century oval hardstone cameo depicting Hermaphroditus, the figure reclining on a bed of fabric, 4cm wide

£600­800

510 A Roman carnelian intaglio depicting Asclepius and Hygeia, c.2nd century AD, Asclepius, God of Medicine depicted with his snake­entwined staff, his daughter Hygeia, Goddess of health depicted with her bowl and snake, in a later gold ring mount, intaglio 1cm high (damaged), ring size R £1,000­1,500 511

A Roman quartz intaglio ring, c.2nd century AD, depicting the goddess Ceres, in a later gold ring, intaglio 9mm high, ring size I½

512

A Hellenistic/Ptolemaic gold snake ring, c.2nd century BC, the coiled snake with knotted neck and red stone eyes

513

A Roman banded agate intaglio, c.1st century BC, depicting a figure making an offering within an orlo etrusco border, in a later gold ring, size N £2,000­3,000

£1,000­1,500 £400­600

514 A Roman double hardstone intaglio ring, c.1st­2nd century BC, set with two green jasper intaglios, depicting a rural scene of a shepherd milking a goat and Mercury with his caduceus, set in a later gold ring, intaglios 1.0 and 0.7mm high, ring size M½ £1,500­2,000 515

An 18th century carved hardstone bust, possibly depicting Achilles or Minerva in amethyst, 3cm high

£600­800

516 A early 19th century carnelian intaglio­mounted gold stick pin, the intaglio by Solomon Jacobson (1754 ­ 1830), depicting the profile of a woman on the guise of a Sibyl or a vestal Virgin, signed ‘Jacobson’ in Greek, intaglio 2.2cm high, the gold stick pin with Swedish marks and maker’s mark CGH, 7cm high £3,000­5,000 Salomon Jacobsen was the son of the gem engraver Aaron Jacobsen (d. 1770). He was engraver to the Danish Royal Court and member of the Academy in Copenhagen. λ 517 A mid 17th century silver Reliquary locket pendant, possibly French, glazed with faceted glass and containing scrolls (probably bone), inscribed with the names of martyrs or saints, twisted rope design to the border and with coral pendant, suspending from three silver chains, pendant 5cm high £600­800 518 A Roman banded agate intaglio depicting an athlete, c.1st­2nd century BC, the athlete standing amongst washing instruments inlcuding a strygil and aryballos and holding weights, in a later gold ring mount, intaglio 1.7cm high, ring size P½ £2,000­3,000 519

A sapphire intaglio­mounted gold ring, the oval­shaped sapphire carved with the head of Medusa, bezel­set in a platinum ring, size Q £400­600

To be sold without reserve Accompanied by the report number CS 58225 from AGL dated December 2013 stating that the sapphire is a natural sapphire has no gemmological evidence of heat.

520

An 18th century carnelian intaglio depicting Hephasteus at his forge, in a later gold swivel pendant mount, intaglio 22mm high, pendant 4cm high £1,000­1,500

521 An early 19th century sardonyx cameo by Filippo Rega (1761 ­ 1833), possibly depicting Emma, Lady Hamilton as a Sibyl or in the guise of a Classical goddess, the female head in profile wearing a diadem and veil, signed ‘Rega’ in Greek, in a gold rubover setting with later pendant bail, cameo 2.7cm high £600­800 Filippo Rega (1761 ­ 1833) was an Italian engraver, medalist and student of Giovanni Pichler. He studied in Rome under the Pichlers before moving to Naples in 1787. Emma, Lady Hamilton also lived in Naples at this time, having been sent there to marry Sir William Hamilton in 1786.

522 An 18th century sardonyx intaglio depicting the bust of an Emperor (probably Julius Ceasar), in profile and wearing laurels, accompanied by a palm leaf, set in a gold collector’s swivel mount, intaglio 1.6cm high, size M approximately £800­1,200 The palm became so closely associated with victory in ancient Roman culture that the Latin word ‘palma’ could be used as a metonym for “victory”. When Julius Caesar secured his rise to sole power with a victory at Pharsalus, a palm tree was supposed to have sprung up miraculously at the Temple of Nike (the Greek counterpart of the goddess Victory).

523 A Roman carnelian intaglio depicting the goddess Diana, c.2nd century AD, the standing figure of Diana holding a lighted torch, set in a later gold ring with latin inscription to the bezel reading ‘Diana Lucifera’, intaglio 12mm high, size L½, 13g total £500­700 524

A 19th century sardonyx cameo­mounted gold brooch, depicting Omphale in profile, wearing the Nemean lion skin, 4cm high

525

An early 17th century carved hardstone bust, possibly depicting a poet wearing a lace collar, engraved ‘p’ to the base, 2.7cm high

£600­800

526

A late 16th century shell cameo of an anatomical study, depicting a male bust in profile, 1.7cm high

£400­600

£1,000­1,500

527 A 17th century metal signet ring, the gold decoration highlights the initials R.H. with remnants of white enamel decoration to the scroll shoulders, size S, and a classical Roman­style metal ring, missing the central stone £300­400

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509

511

508

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512

513 514

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515

517

516

518

523 521

522

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526 525

527 524

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528 AN IMPORTANT COLLECTION OF ONE­HUNDRED HARDSTONE NEOCLASSICAL INTAGLIOS, NINETY­EIGHT OF WHICH WERE FORMERLY IN THE COLLECTION OF PRINCE STANISLAS PONIATOWSKI (1754­1833) Each intaglio carved in carnelian, sardonyx, amethyst or chalcedony to depict a classical scene, the majority with Greek pseudo signature, each with an electrotype cast, in two wooden and Perspex frames each containing fifty intaglios and together with a hardbound reference catalogue with slipcase £40,000­60,000 Provenance: Prince Stanislas Poniatowski Christie's, London, 1839 John Tyrell Esq. Christie's, London, 1854 Various private collections Property of a private lady. Inherited from her father in 1999. He purchased the gems from Collingwood, Conduit Street in 1973, who commissioned the electrotype casts, compiled the reference catalogue and mounted them on display boards.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

Reference literature: Catalogue des pierres graves antiques de S.A. le Prince Stanislas Poniatowski ([1830?]­1833).

Prendeville, J.: Explanatory catalogue of the proof­impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq. (1841).

Platz­Horster, G.: L'antica maniera. Zeichnungen und Gemmen des Giovanni Calandrelli in der Antikensammlung Berlin (2005).

Please note that we have used the subject descriptions as per the Beazley Archive, which differ from the hardbound reference catalogue that accompanies this lot.

With thanks to Dr Claudia Wagner of the Ashmolean Museum, Oxford for her assistance with research for our comparative references to the Beazley Archive.

PRINCE STANISLAS PONIATOWSKI (1754 ­ 1833) Prince Poniatowski was the nephew of the last King of Poland. He was well educated and developed a keen interest in the arts including Classical mythology.

He emigrated to Italy at the end of the 18th century and after the Partition of Poland where he lived in Rome and Florence.

It was here in the early 19th century that he commissioned over 2500 hardstone intaglios to be carved in the Classical manner, in the spirit of the Grand Tour.

The skilled gem engravers who included Luigi Pichler (1773 ­ 1854) and Giovanni Calandrelli (1784­1853), were exclusively influenced by Classical literature, especially the works of Homer, Virgil and Ovid rather than the many ancient Classical representations which had inspired so much Neoclassical art. Together with their stylistic interpretation of the subjects, this gave them a distinct originality and a unique visual language.

Poniatowski did little to discourage the misconception that his gems were Classical and used contemporary Greek pseudo signatures. He published two catalogues of his gems and his collection was sold after his death at a Christie's auction in 1839. The deception was exposed and the gems were recognised and spurned as 'modern'; with the majority being acquired by John Tyrrell. The collection was subsequently split and all have been widely dispersed ever since. The intaglios being offered now are probably the largest collection of Poniatowski intaglios to be offered at auction since the mid 19th century.

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LOT 528

No.1 THE DEATH OF ALMON AND GALESUS, ALEC ASCENDING TO HEAVEN Carnelian, 25 x 32mm Beazley Archive reference no. T1130 Greek Pseudo signature: ΠΟΛΥΚΛΕΙΤΟΥ (Polyklet) Poniatowski no. VII.53 Christie’s, 1839, no. 1149 Prendeville no. 1130 Monson, (Lord) Christie’s, 1854, no. 149

No.2 DROMEUS VICTOR IN THE FOOT­RACE Carnelian, 24 x 33mm Greek pseudo signature: N/A Beazley Archive reference no. T1200 Christie’s, 1839 Prendeville, no. 1200 Note: This intaglio does not bear a signature, however the Beazley Archive record indicates a Greek pseudo signature for ΠΥΡΓΟΤΕΛΕΣ (Pyrgoteles).

No.3 APOLLO AND HERCULES [MARS] DESTROYING THE TITAN [GIANT PALLAS] Carnelian, 24 x 34mm Greek pseudo signature: ΑΛΛΙΟΝΟΣ (Allion) Beazley Archive reference no. T163 Poniatowski, no. I.251 Daktyliothek Poniatowski, 1832, no. 43 Christie’s, 1839, no. 2486 Prendeville, no. 163

No.4 ACHELOUS VANQUISHED BY HERCULES Sardonyx, 33 x 37mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T408 Poniatowski, no. II.296 Christie’s, 1839, no. 1547 Prendeville, no. 408

No.5 MINERVA AND THE COURT OF AREOPAGUS TRYING THE CAUSE OF ORESTES Carnelian, 33 x 46mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T969 Calandrelli, no. A.III.53 Poniatowski, no. V.392 Prendeville, no. 969 Platz­Horster, P.66 Monson, (Lord) Christie’s, 1851, 18

No.6 THE COMBAT OF ACHILLES AND HECTOR INTERRUPTED BY A CLOUD Carnelian, 27 x 36mm Greek pseudo signature: ΑΔΜΟΝ (Admon) Beazley Archive reference no. T860 Poniatowski, no. V.169 Christie’s, 1839, no. 1561

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LOT 528

No.7 ORESTES KILLING HIS MOTHER Sardonyx, 34 x 47mm Greek pseudo signature: ΠΟΛΥΚΛΕΙΤΟΥ (Polyklet) Beazley Archive reference no. T965 Poniatowski, no. V.387 Prendeville, no. 965 Christie’s, 1839, no. 752

No.8 VENUS STRUCK DOWN BY MINERVA Sardonyx, 29 x 37mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T871 Poniatowski, no. V.182 Christie’s, 1839, no. 987 Prendeville, no. 871

No.9 HERCULES GIVING THE BODY OF DIOMEDES TO BE DEVOURED BY HIS OWN HORSES Carnelian, 30 x 44mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T367 Calandrelli, no. A.VI.7 Poniatowski, no. II.245 Christie’s, 1839, no. 1540 Prendeville, no. 367 Tiffany, 1902, no. 984 Platz­Horster, P.89

No.10 PATROCLUS ROUTING THE TROJANS Carnelian, 32 x 42mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T878 Poniatowski, no. V.227 Christie’s, 1839, no. 657 Prendeville, no. 878 Monson, (Lord) Christie’s, 1851, no. 134

No.11 THESEUS AND HIS FATHER, SEIZED WITH HORROR, QUIT THE TABLE Carnelian, 30 x 42mm Greek pseudo signature: ΠΥΡΓΟΤΕΛΕΣ (Pyrgoteles) Beazley Archive reference no. T604 Poniatowski, no. IV.191 Christie’s, 1839, no. 1887 Prendeville, no. 604

No.12 THE SACRIFICE TO VENUS BY THESEUS Carnelian, 32 x 49mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T605 Poniatowski, no. IV.192 Christie’s, 1839, no. 2392 Prendeville, no. 605

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LOT 528

No.13 ULYSSES KILLING CTESIPPE Carnelian, 37 x 46mm ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. 1839­1685 Poniatowski, no. VI.96 Christie’s, 1839, no. 1685

No.14 MEDON SUPPLICATING TELEMACHUS TO INTERCEDE FOR HIM Amethyst, 36 x 40mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T1068 Poniatowski, no. VI.100 Christie’s, 1839, no. 385 Prendeville, no. 1068

No.15 ANTIGONE, DAUGHTER OF LAOMEDON, METAMORPHOSED INTO A STORK BY JUNO Amethyst, 30 x 38mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T745 Poniatowski, no. IV.351 Christie’s, 1839, no. 2397 Prendeville, no. 745 Tiffany, 1902, no. 957

No.16 DAPHNIS FOUND BY SHEPHERDS Amethyst, 30 x 36mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΕΣ (Apollonides) Beazley Archive reference no. T740 Poniatowski, no. IV.346 Christie’s 1839 Prendeville, no. 740 Monson (Lord) Tiffany, 1902, no. 1017

No.17 MEDEA PRESENTING THE CHARM TO JASON Amethyst, 28 x 31mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T584 Poniatowski, no. IV.164 Christie’s, 1839, no. 1886 Prendeville, no. 584

No.18 APOLLO CHANGING YOUNG CYPARISSUS TO A TREE. CORRIGENDA: METAMORPHOSIS OF CYPARISSUS Carnelian, 30 x 37mm Greek pseudo signature ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T514 Poniatowski, no. IV.63 Christie’s, 1839, no. 1694 Prendeville, no. 514 Monson, (Lord) Christie’s, 1854, no. 47

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LOT 528

No.19 PARIS WOUNDING EURYPYLUS [WHO IS DESPOILING APISAON, KING OF PHASOS] Carnelian, 32 x 40mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T897 Poniatowski, no. V.242 Christie’s, 1839, no. 1565 Prendeville, no. 897 Monson, (Lord) Christie’s, 1854, no. 42

No.20 AMYMONE AND NEPTUNE Carnelian, 32 x 49mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T709 Poniatowski, no. IV.314 Christie’s, 1839, no. 2320 Prendeville, no. 709 Monson, (Lord) Christie’s, 1854, no. 76

No.21 THE SACRIFICE TO THE GOD MYIAGRUS Sardonyx, 29 x 32mm Greek pseudo signature: ΔΑΜΑΣ (Damas) Beazley Archive reference no. T309 Poniatowski, no. II.153 Christie’s, 1839, no. 2171 Prendeville, no. 309

No.22 THE RECONCILIATION OF ACHILLES AND AGAMEMNON [WITNESSED BY ULYSSES AND TALTHIBIUS] Carnelian, 30 x 44mm Greek pseudo signature: ΑΕΤΙΟΝΟΣ (Aetionos) Beazley Archive reference no. T854 Poniatowski, no. V.158 Christie’s, 1839, no. 1897 Prendeville, no. 854 Monson, (Lord) Christie’s, 1851, no. 274 Sotheby’s, 1852, no 158

No.23 CIRCE POINTING OUT TO ULYSSES ONE OF HIS COMPANIONS WHO CHOSE TO REMAIN IN HIS BRUTALISED STATE Carnelian, 30 x 38mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. T1031 Poniatowski, no. VI.49 Christie’s, 1839, no. 1288 Prendeville, no. 1031 Christie’s, 1851, no. 93 Christie’s, 1854, no. 130

No.24 ULYSSES IN THE ISLAND OF CIRCE KILLING A STAG Carnelian, 35 x 46mm Greek pseudo signature: ΠΟΛΥΚΛΕΙΤΟΥ (Polyklet) Beazley Archive reference no. T1022 Calandrelli, no. A.IV.8 Poniatowski, no. VI.39 Christie’s, 1839, no. 529 Prendeville, no. 1022 Tiffany, 1902, no. 966 Platz­Horster, P.81 99

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LOT 528

No.25 JUPITER CAPTIVATED BY THE BEAUTY OF IO Carnelian, 35 x 44mm Greek pseudo signature: ΑΕΤΙΟΝΟΣ (Aetionos) Beazley Archive reference no. T52 Poniatowski, no. I.72 Christie’s, 1839, no. 1533 Prendeville, no. 52

No.26 HERCULES STRANGELING ANTAEUS Carnelian, 34 x 38mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T398 Poniatowski, no. II.282 Christie’s, 1839, no. 350 Prendeville, no. 398

No.27 ARTEMIS KILLING AN ‘UNJUST MAN’ WITH HER SILVER ARROWS MADE BY THE CYCLOPES Carnelian, 40 x 31mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Not found in the Beazley Archive.

No.28 SATURN RECEIVING FROM RHEA THE STONE GIVEN HIM AS HIS CHILD Carnelian, 37 x 50mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T4 Poniatowski, no. I.6 Christie’s, 1839, no. 2404 Prendeville, no. 4 Tiffany, 1902, no. 935

No.29 VULCAN ATTACKING SCAMANDER Carnelian, 26 x 42mm Greek pseudo signature: ΑΝΤΕΡΟΤΟΣ (Anterotos) Beazley Archive reference no. T867 Poniatowski, no. V.177 Christie’s, 1839, no. 984 Prendeville, no. 867 Tiffany, 1902, no. 1020

No.30 VENUS SOLICITING VULCAN TO FORGE ARMOUR FOR AENEAS Amethyst, 27 x 31mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. T1133 Poniatowski, no. VII.56 Christie’s, 1839, no. 2202 Prendeville, no. 1133

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LOT 528

No.31 ALECTO ROUSING TURNUS FROM HIS SLEEP TO ATTACK THE TROJANS Sardonyx, 30 x 26mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T1126 Poniatowski, no. VII.49 Christie’s, 1839, no. 113 Prendeville, no. 1126 Monson, (Lord) Christie’s, 1854, no. 137

No.32 HERCULES CATCHING THE WOUNDED STAG [OF AENOE] Sardonyx, 22 x 28mm Greek pseudo signature: ΔΕΜΟΦΙΛΟΣ ΕΠΟΙΕΙ (Demophilos) Beazley Archive reference no. T363 Poniatowski, no. II.237 Christie’s, 1839, no. 490 Prendeville, no. 363

No.33 ACHILLES IN THE RIVER SCAMANDER Sardonyx, 25 x 33mm Greek pseudo signature: ΑΕΤΙΟΝ (Aetionos) Beazley Archive reference no. T864 Poniatowski, no. V.173 Christie’s, 1839, no. 511 Prendeville, no. 864 Monson, (Lord) Christie’s, 1851, no. 122

No.34 ULYSSES DISCOVERING HIMSELF TO HIS FATHER LAERTES Sardonyx, 27 x 31mm Greek pseudo signature: ΑΛΛΙΟΝ (Allion) Beazley Archive reference no. T1073 Poniatowski, no. VI.106 Christie’s, 1839, no. 676 Prendeville, no. 1073

No.35 THE DEATH OF ECHIDNA, KILLED WHILE SLEEPING BY THE SHEPHERD ARGUS Sardonyx, 27 x 33mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. T384 Poniatowski, no. II.267 Daktyliothek Poniatowski, no. 105 Christie’s, 1839, no. 1390 Prendeville, no. 384 Tiffany, 1902, no. 1004

No.36 APOLLO REPULSING PATROCLUS FROM THE TROJAN WALL Sardonyx, 29 x 32mm Greek pseudo signature: ΠΟΛΥΚΛΕΙΤΟΥ (Polyklet) Beazley Archive reference no. T882 Poniatowski, no. V.231 Christie’s, 1839, no. 524 Prendeville, no. 882 Monson, (Lord) Christie’s1851, no. 128

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LOT 528

No.37 THE COMPANIONS OF ULYSSES SLAUGHTERING THE OXEN OF APOLLO Carnelian, 22 x 30mm Greek pseudo signature: ΠΟΛΥΚΛΕΙΤΟΥ (Polyklet) Beazley Archive reference no. 1839­610 Calandrelli, A.IV.11 Poniatowski, no. VI.55 Christie’s, 1839, no. 610 Phillips, 1859, no. 1330 Platz­Horster, P.81­82

No.38 PERSEUS CUTTING OFF THE HEAD OF MEDUSA Sardonyx, 35 x 41mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. T483 Calandrelli, Z.II.23 Poniatowski, no. IV.19 Christie’s, 1839, no. 1324 Prendeville, no. 483 Monson, (Lord) Christie’s, 1851, no. 158, 231 & 239 Platz­Horster, P.33 Comments: A drawing by Bartolomeo Pinelli (ROME 1781 ­ 1835) seems to have been inspired by the gem impression.

No.39 HERCULES STRANGLING THE SERPENTS WHICH JUNO HAD SENT TO DESTROY HIM IN HIS CRADLE Chalcedony, 24 x 29mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T345 Poniatowski, no. II.215 Christie’s, 1839, no. 91 Prendeville, no. 345 Christie’s, 1861, no. 9 Scarisbrick, (Charles), Esq

No.40 BACCHUS, IN A CAR DRAWN BY PANTHERS, LOOKING AT HERCULES DRUNK UNDER A TREE Chalcedony, 22 x 42mm Greek pseudo signature: ΠΥΡΓΟΤΕΛΕΣ (Pyrgoteles) Beazley Archive reference no. T267 Poniatowski, no. II.37 Christie’s, 1839, no. 2033 Prendeville, no. 267 Tiffany, 1902, no. 931

No.41 MEZENTIUS KILLING ORODES [WHO PREDICTS HIS DEATH] Chalcedony, 26 x 38mm Greek pseudo signature: ΠΥΡΓΟΤΕΛΕΣ (Pyrgoteles) Beazley Archive reference no. T1137 Poniatowski, no. VII.62 Christie’s, 1839, no.

Prendeville, no. 1137 Monson, (Lord) Christie’s, London: 27.06.1854; lot 146

No.42 ACHILLES OFFERING HIS HAIR TO THE BODY OF PATROCLUS Carnelian, 31 x 48mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T875 Poniatowski, no. V.189 Christie’s, 1839, no. 1595 Prendeville, no. 875

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LOT 528

No.43 VENUS CHANGING CUPID INTO THE APPEARANCE OF ASCANIUS Chalcedony, 32 x 39mm Greek pseudo signature: ΠΟΛΥΚΛΕΙΤΟΥ (Polyklet) Beazley Archive reference no. T1085 Poniatowski, no. VII.8 Christie’s, 1839, no. 397 Prendeville, no. 1086 Monson, (Lord)

No.44 SATURN AND HIS WIFE RHEA, WITH THEIR ATTRIBUTES Chalcedony, 38 x 47mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T3 Poniatowski, no. I.4 Daktyliothek Poniatowski, no. 3 Christie’s, 1839, no. 1701 Prendeville, no. 3

No.45 ULYSSES SLAYING ANTINOUS Carnelian, 24 x 38mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΕΣ (Apollonides) Beazley Archive reference no. T1059 Poniatowski, no. VI.91 Christie’s, 1839, no. 842 Prendeville, no. 1059 Monson, (Lord) Christie’s, 1851, no. 109

No.46 THE HUNTER EPYTUS, SON OF ELATUS KING OF ARCADIA, KILLED

BY A SERPENT Carnelian, 21 x 32mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. T644 Poniatowski, no. IV.240 Christie’s, 1839, no. 1860 Prendeville, no. 644 Monson, (Lord) Christie’s, 1851, no. 197 & 241 Sharp, (Samuel) Sotheby’s, 1883, no. 54

No.47 AENEAS LEADING ASCANIUS, FOLLOWED BY CREUSA Carnelian, 31 x 37mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. 1839­1151 Christie’s, 1839, no. 1151

No.48 APOLLO KILLING PHLEGYAS, WHO HAS SET FIRE TO HIS TEMPLE Carnelian, 27 x 40mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T166 Poniatowski, no. I.255 Christie’s, 1839 Prendeville, no. 166

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LOT 528

No.49 ACHILLES AND AGAMEMNON Carnelian, 27 x 40mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T837 Poniatowski, no. V.132 Christie’s, 1839, no. 1590 Prendeville, no. 837 Tiffany, 1902, no. 976

No.50 TIME RAISING THE VEIL OF TRUTH Carnelian, 28 x 38mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T318 Poniatowski, no. II.164 Christie’s, 1839, no. 1220 Prendeville, no. 318

No.51 THE PHANTOM OF IPHTHIME [MINERVA UNDER THE FORM OF IPHTIMUS] CONSOLING PENELOPE IN HER SLEEP Carnelian, 22 x 42mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T1001 Poniatowski, no. VI.14 Christie’s, 1839, no. 1744 Prendeville, no. 1001

No.52 ERYX SLAIN AT THE FEET OF HERCULES Carnelian, 22 x 46mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T417 Poniatowski, no. II.307 Christie’s, 1839, no. 1578 Prendeville, no. 417 Tiffany, 1902, 992

No.53 BACCHUS DISCOVERING ARIADNE ASLEEP ON A ROCK Carnelian, 24 x 33mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T263 Poniatowski, no. II.31 Christie’s, 1839, no. 2334 Prendeville, no. 263

No.54 MIDAS BATHING IN THE RIVER PACTOLUS Carnelian, 22 x 49mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T164 Poniatowski, no. I.252 Christie’s, 1839, no. 1721 Prendeville, no. 164

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LOT 528

No.55 PARIS REPLYING TO THE REPROACHES OF HELEN Carnelian, 29 x 38mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T770 Poniatowski, no. V.26 Christie’s, 1839, no. 1740 Prendeville, no. 770 Monson, (Lord) Christie’s, 1854, no. 116 Tiffany, 1902, no. 946

No.56 JUPITER COMMANDING VULCAN Carnelian, 29 x 40mm Greek pseudo signature: ΔΑΜΑΣ (Damas) Beazley Archive reference no. T62 Poniatowski, no. I.85 Christie’s, 1839, no. 1534 Prendeville, no. 62

No.57 ARACHNE CHALLENGING MINERVA, METAMORPHOSED BY MINERVA INTO A SPIDER Carnelian, 35 x 40mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. T142 Poniatowski, no. I.215 Christie’s, 1839, no. 2180 Prendeville, no. 142

No.58 A YOUNG WARRIOR KILLING A MAN IN FRONT OF AN ALTAR (POSSIBLY AEGISTHEUS KILLING ATREUS) AND EOS EMBRACING A HERM Sardonyx, 26 x 45mm (19th century, not a Poniatowski gem)

No.59 VENUS IN HER BATH Carnelian, 34 x 30mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T117 Poniatowski, no. I.176 Christie’s, 1839, no. 1702 Prendeville, no. 117

No.60 AMYMONE WOUNDING A SATYR Carnelian, 22 x 48mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T707 Poniatowski, no. IV.312 Christie’s, 1839, no. 1728 Prendeville, no. 707

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LOT 528

No.61 JULIUS CEASAR (100 – 44BC) AND CORNELIA (97 ­ 69 BC) Sardonyx, 25 x 35mm (19th century, not a Poniatowski gem)

No.62 DERCETIS METAMORPHOSED INTO A FISH Carnelian, 29 x 43mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T733 Poniatowski, no. IV.339 Christie’s, 1839, no. 1229 Prendeville, no. 733 Monson, (Lord) Christie’s, 1851, no. 156 & 237

No.63 JASON TAMING THE WILD BULLS [OF THE KING OETES] Carnelian, 30 x 38mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T585 Poniatowski, no. IV.165 Christie’s, 1839, no. 1328 Prendeville, no. 585 Monson, (Lord) Christie’s, 1854; no. 32

No.64 PLUTO CARRYING OFF PROSERPINE Carnelian, 28 x 33mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T90 Poniatowski, no. I.140 Christie’s, 1839, no. 355 Prendeville, no. 90 Tiffany, 1902, 954

No.65 POLYPHEMUS CLOSING THE DOOR OF HIS CAVERN ON ULYSSES AND HIS COMPANIONS Carnelian, 28 x 36mm Greek pseudo signature: (ΚΡΟΜΟΥ) Kromos Beazley Archive reference no. T1011 Poniatowski, no. VI.26 Christie's, 1839, no. 1287 Prendeville, no. 1011 Monson (Lord) Christie’s, 1854, no. 129

No.66 ADONIS MORTALLY WOUNDED IN THE THIGH BY THE WILD BOAR Carnelian, 26 x 35mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T503 Poniatowski, no. IV.50 Christie’s, 1839, no. 1552 Prendeville, no. 503 Monson (Lord)

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LOT 528

No.67 ATHAMAS EXCITED BY THE FURY TO SLAY HIS WIFE AND CHILDREN Carnelian, 26 x 39mm Beazley Archive reference no. T701 Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Poniatowski, no. 701 Christie’s, 1839 Prendeville, no. 701 Monson, (Lord) Christie’s, 1854, no. 17

No.68 HELLE FALLING FROM THE RAM INTO THE WAVES OF THE HELLESPONT Sardonyx, 25 x 40mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T569 Poniatowski, no. IV.149 Christie’s, 1839, no. 2400 Prendeville, no. 569 Tiffany, 1902, no. 950

No.69 THE DEATH OF PATROCLUS BY HECTOR Sardonyx, 30 x 34mm Greek pseudo signature: ΣΚΥΜΜΟΥ (Skymmos) Beazley Archive reference no. T884 Poniatowski, no. V.234 Christie’s, 1839, no. 1164 Prendeville, no. 884 Tiffany, 1902. No.993

No.70 IOLAS ASSISTING HERCULES TO KILL THE HYDRA Sardonyx, 27 x 41mm Greek pseudo signature: ΑΔΜΟΝ (Admon) Beazley Archive reference no. T358 Poniatowski, no. II.230 Christie’s, 1839, no. 2172 Prendeville, no. 358

No.71 MACHAON, WOUNDED BY PARIS, BORNE OFF IN THE CAR OF NESTOR TO THE FLEET Sardonyx, 26 x 43mm Greek pseudo signature: ΠΟΛΥΚΛΕΙΤΟΥ (Polyklet) Beazley Archive reference no. T796 Poniatowski, no. V.72 Christie’s, 1839, no. 2492 Prendeville, no. 796

No.72 POLYGONUS AND TELEGONUS KILLED BY HERCULES Sardonyx, 34 x 37mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T392 Poniatowski, no. II.275 Christie’s, 1839, no. 1543 Prendeville, no. 392 Tiffany, 1902, no.959

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LOT 528

No.73 THESEUS KILLING SCIRON THE BRIGAND Sardonyx, 31 x 35mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T619 Poniatowski, no. IV.208 Christie’s, 1839, no. 236 Prendeville, no. 619 Monson, (Lord) Christie’s, 1854, no. 3

No.74 MENELAUS AND MERION CARRYING THE BODY OF PATROCLUS Carnelian, 31 x 43mm Greek pseudo signature: ΠΥΡΓΟΤΕΛΕΣ (Pyrgoteles) Beazley Archive reference no. T885 Poniatowski, no. V235 Christie’s, 1839, no. 1284 Prendeville, no. 885 Monson, (Lord) Christie’s, 1854, no. 107

No.75 JUNO AND JUTURNA Sardonyx, 30 x 32mm Greek pseudo signature: ΔΕΜΟΦΙΛΟΣ (Demophilos) Beazley Archive reference no. T1161 Poniatowski, no. VII.89 Christie’s, 1839, no. 251 Prendeville, no. 1161

No.76 CERES CHANGES LYNCUS INTO A LYNX Sardonyx, 22 x 43mm Greek pseudo signature: ΠΥΡΓΟΤΕΛΕΣ (Pyrgoteles) Beazley Archive reference no. T206 Poniatowski, no. I.319 Christie’s, 1839, no. 1101 Prendeville, no. 206 Tiffany, 1902, no. 970

No.77 METAMORPHOSIS OF AJAX Carnelian, 27 x 37mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T901 Poniatowski, no. V.253 Christie’s, 1839, no. 830 Prendeville, no. 901

No.78 A SERPENT INSPIRING MELAMPUS WHILE ASLEEP Carnelian, 28 x 33mm Greek pseudo signature: ΠΥΡΓΟΤΕΛΕΣ (Pyrgoteles) Beazley Archive reference no. T672 Poniatowski, no. IV.270 Christie’s, 1839, no. 1369 Prendeville, no. 672

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LOT 528

No.79 PARIS CARRYING OF HELEN, EMBARKING WITH THE TREASURES OF MENELAUS Carnelian, 26 x 43mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T757 Poniatowski, no. V.13 Christie’s, 1839, no. 1275 Prendeville, no. 757

No.80 LATONA AND HER TWO CHILDREN IN PRESENCE OF NEPTUNE DESCENDING FROM HIS CAR Carnelian, 28 x 33mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΕΣ (Apollonides) Beazley Archive reference no. T147 Poniatowski, no. I.232 Christie’s, 1839, no. 1202 Prendeville, no. 147

No.81 ANDROMACHE AT HER LOOM Carnelian, 30 x 42mm Greek pseudo signature: ΠΟΛΥΚΛΕΙΤΟΥ (Polyklet) Beazley Archive reference no. T937 Poniatowski, no. V.342 Christie’s, 1839, no. 988 Prendeville, no. 937 Strutt Hallum, (Edward) Christie’s, 1865, no. 155

No.82 PRIAM WARNED BY MERCURY TO RETURN Carnelian, 26 x 39mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T946 Poniatowski, no. V.354 Christie’s, 1839, no. 271 Prendeville, no. 946

No.83 APOLLO KILLING THE CYCLOPS (THREE CYCLOPSES) Carnelian, 23 x 38mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T300 Poniatowski, no. II.134 Christie’s, 1839 Prendeville, no. 300 Tiffany, 1902, no. 1003

No.84 JUPITER DESTROYING THE HOUSE OF LYCAON, AND CHANGING HIM TO A WOLF Carnelian, 30 x 44mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T35 Poniatowski, no. T35 Christie’s, 1839, no. 789 Prendeville, no. 35 Tiffany, 1902, no. 978

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LOT 528

No.85 PENELOPE BEARING THE BOW AND ARROWS [QUIVER] TO THE SUITORS Carnelian, 36 x 26mm Greek pseudo signature: ΓΝΑΙΟΣ (Gnaios) Beazley Archive reference no. T1056 Poniatowski, no. VI.87 Christie’s 1839, 1137 Prendeville, no. 1056

No.86 THESEUS CHAINED [TO THE GATE OF TARTARUS], WHILE CERBERUS IS TEARING PIRITHOUS Carnelian, 27 x 39mm Greek pseudo signature: ΠΑΜΦΙΛΟΣ (Pamphilos) Beazley Archive reference no. T633 Poniatowski, no. IV.224 Christie’s, 1839, no. 2371 Prendeville, no. 633 Tiffany, 1902, no. 973

No.87 OENOPION INTOXICATING ORION Carnelian, 30 x 50mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T489 Poniatowski, no. IV.30 Christie’s, 1839, no. 1103

No.88 MINERVA, VULCAN, AND ERICTHONIUS Carnelian, 30 x 37mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. T684 Poniatowski, no. IV.287 Christie’s, 1839, no. 781 Prendeville, no. 684 Monson, (Lord) Christie’s, 1854, no. 32

No.89 HERCULES STRANGLING CACUS Carnelian, 29 x 41mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T424 Poniatowski, no. II.317 Christie’s, 1839, no. 1254 Prendeville, no. 424

No.90 JUNO PERSUADING THE GENIUS OF SLEEP TO SHED HIS INFLUENCE OVER JUPITER Sardonyx, 33 x 43mm Greek pseudo signature: ΑΔΜΟΝ (Admon) Beazley Archive reference no. T806 Poniatowski, no. V.87 Christie’s, 1839, no. 2367 Prendeville, no. 806

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LOT 528

No.91 HERCULES EXTENDED ON THE FUNERAL PILE, PHILOCTETES HOLDING A LIGHTED TORCH Carnelian, 40 x 44mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T466 Poniatowski, no. II.376 Christie’s, 1839, no. 961 Prendeville, no. 466

No.92 JUNO CONFIDING THE GARDENS OF THE HESPERIDES TO THE CARE OF AN ENORMOUS DRAGON Amethyst, 27 x 36mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T74 Poniatowski, no. I.109 Christie’s, 1839, no. 2177 Prendeville, no. 74

No.93 ULYSSES KILLING SOCUS Carnelian, 25 x 33mm Greek pseudo signature: ΤΕΥΚΡΟΥ (Teuker) Beazley Archive reference no. T801 Poniatowski, no. V.80 Christie’s, 1839, no. 1895 Prendeville, no. 801 Sharp, (Samuel)

No.94 HERCULES IN HELL DELIVERING THESEUS Carnelian, 26 x 43mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T438 Poniatowski, no. II.335 Christie’s, 1839, no. 2326 Prendeville, no. 438

No.95 LYCURHUS KILLING HIS SON Sardonyx, 27 x 38mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T646 / T647 Poniatowski, no. IV.242 Christie’s, 1839, no. 947 / 1203 Prendeville, no. 646 / 647

No.96 THE TRANSFORMATION OF SCYLLA Carnelian, 25 x 42mm Greek pseudo signature: ΠΥΡΓΟΤΕΛΕΣ (Pyrgoteles) Beazley Archive reference no. T303 Poniatowski, no. II.143 Christie’s, 1839, no. 954 Prendeville, no. 303 Tiffany, 1902, no. 1025

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LOT 528 No.97 AENEAS AND ANCHISES IN THE ELYSIAN PLAINS Sardonyx, 32 x 48mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no: T1124 Poniatowski, no. VII.46 Christie’s, 1839, 1143 Prendeville, no. 1124 Monson, (Lord) Christie’s, 1851, no. 82

No.98 HERCULES, EURYPLUS, AND CHACIOPE Carnelian, 31 x 47mm Greek pseudo signature: ΑΠΟΛΛΟΝΙΔΟΥ (Apollonides) Beazley Archive reference no. T400 Poniatowski, no. II.285 Christie’s, 1839, no. 1104 Prendeville, no. 400 Sharp, (Samuel) Sotheby’s, 1883, no. 33 Tiffany, 1902, no. 974

No.99 BACCHUS LAUGHING AT HERCULES Sardonyx, 36 x 48 mm Greek pseudo signature: ΚΡΟΜΟΥ (Kromos) Beazley Archive reference no. T266 Poniatowski, no. II.36 Christie’s, 1839, no. 788 Prendeville, no. 266

No.100 ULYSSES KILLING EURYMACHUS [WHO IS FALLING WITH THE ARROW PIERCING HIS SIDE] Carnelian, 39 x 47mm Greek pseudo signature: ΔΙΟΣΚΟΥΡΙΔΟΥ (Dioskourides) Beazley Archive reference no. 1839­387 Poniatowski, no. T1060 Christie’s, 1839, no. VI.92 Prendeville, no. 1060 Christie’s, 1851, no. 92 Christie’s, 1854, no. 125

END OF SALE 112

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SILVER & OBJECTS OF VERTU TUESDAY 12TH & WEDNESDAY 13TH APRIL 2022

By Omar Ramsden, an Arts and Crafts silver tazza, London 1930 Provenance: From a Private Collection of Omar Ramsden Estimate £4,000 ­ 6,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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FINE CHINESE WORKS OF ART TUESDAY 17TH AND WEDNESDAY 18TH MAY 2022

A Large Collection of Kingfisher Jewellery Qing Dynasty Estimates from £500 – 3,000* ENQUIRIES Michelle Yu | +44 (0)1722 424571 | my@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FINE JEWELLERY

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

THURSDAY 7TH APRIL 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

w w w.woolleyandwallis.co.u k

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

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Old Sarum Park

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Westover Garage

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Sarum Business Park

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MARLBOROUGH & SWINDON

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Green Park

Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0) 1722 424500.

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FREE AUCTION VALUATIONS

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PROBATE VALUATIONS

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A345 Castle Rd

ALLIS WA LEY & W WOOLL SALISBURY

d Street, Mayfair Clifford AMESBURY

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WOOLLEY & WALLIS SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0) 20 7459 4749 jammdesign.co.uk

www.woolleyandwallis.co.uk