Woolley & Wallis Auctioneers

FINE JEWELLERY WEDNESDAY 15TH JULY 2020

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

Michael Jeffery Zoe Smith

424505 446955

ASIAN ART

Sally Trench Megan Corbett

Freya Yuan­Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

Janice Clift (Office Manager)

Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

Sally Litherland

BOARD OF DIRECTORS 411854 339161 446974

JAPANESE ART 424583 424591

Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non­Executive Director

ASSOCIATE DIRECTORS

MEDALS & COINS, ARMS & ARMOUR

339752 446980

424500

GENERAL OFFICE

CASTLE GATE RECEPTION 424507 446964

FURNITURE, WORKS OF ART & CLOCKS

Alexandra Aguilar Sarah Lopez­Ferreiro

446959 446960

ACCOUNTS 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY

Mark Yuan­Richards Jim Gale Suzy Becsy

424598 424509 424509

MARKETING

20TH CENTURY DESIGN

John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez­Ferreiro

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence (PA)

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan­Richards

424500

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FINE JEWELLERY TH

WEDNESDAY 15 9.30AM

JULY 2020

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk VIEWING Saturday 11th July Sunday 12th July Monday 13th July Tuesday 14th July

10.00am – 1.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm

Viewing will be by appointment only. Please contact the department to make an appointment.

Charlotte Glyde FGA 01722 424586 cg@woolleyandwallis.co.uk

There will be no viewing on the morning of the sale.

IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Please note that, owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identification.

This applies to both new and existing clients.

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 14th July

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 14th July

Facebook: @woolleyandwallis

ILLUSTRATIONS

Twitter: @woolleywallis

Front cover: Lot 2262 Back cover: Lot 2070 Inside cover: Lot 2258

Pinterest: Woolley and Wallis

Catalogue £12.00 (£15.00 by post) 3

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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained

by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life­sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Items described as ‘seed pearls’ have not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

4

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1500

1501

λ 1500 A jewellery box containing various items of jewellery, including an 18ct gold wedding band (1.1g), a diamond solitaire ring, a sapphire and diamond half­hoop gold ring, a silver fob watch with blue guilloche enamel decoration, a pair of jade­set earrings, various cultured pearl­set gold earrings, a gold bangle (9.5g), two gold chains (9.9g total), a locket pendant on gold chain, (17.4g total), a blue stone and seed pearl­set gold brooch, a shell cameo­set silver brooch, various items of paste­set jewellery, a synthetic sapphire­set crescent brooch, three cultured pearl necklaces, a gold neck chain (24g), a coral bead necklace and various other jewellery items £400­600 λ 1501 Assorted jewellery, including an abstract­shaped diamond­set pierced pendant; an Edwardian and pearl­set pendant on a fine­link chain; two diamond solitaire rings; a 19th century diamond­set closed­back brooch; an Edwardian seed pearl double closed­crescent gold brooch; three stick pins set with diamonds; an Indian style enamel necklace; a late George III coral­set gold clasp for twelve rows and a 19th century stirrup­ form fob seal £400­600 λ 1502 A quantity of jewellery, including a white stone­set pendant, a silver necklace with heart pendant by Tiffany & Co, two gold knot­form earrings; an 18ct gold wedding band, size I1⁄2; a tri­ colour gold Russian wedding band; a diamond­set bi­colour gold ring, size E, two gold pendants designed as the silhouettes of harlequins; a seed­pearl set gold stick pin; an expanding gold ring, a coral and cultured pearl bracelet; a circular gold brooch set with a ruby, suspending two tassels with matching clip earrings and various other jewellery items £600­800

1502

1503 Three travel clocks by Cartier, including a Must de Cartier brass and red enamel travel alarm clock, with signed square white dial, cabochon red stone winder and red enamel baton finials, 6.3cm high, Cartier box and papers; a Must de Cartier oval travel alarm clock, with red enamel decoration (damaged), black Roman numerals, manual wind, blue cabochon winders to reverse, 9cm high; a black onyx Marques et Modele travel clock by Cartier, of square form, the white signed dial with black Roman numerals, quartz movement, cabochon blue winders to reverse (damaged), 10.5cm high, with papers £200­300 1503 5

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1504

1505

1504 Various items of jewellery, including a Regimental brooch for The Queen’s Royal Regiment, set with diamonds and enamel; a diamond and pearl heart slide; one diamond drop earring; a ruby and diamond eternity ring; a rose­cut diamond cluster; a gold pendant and various other items of jewellery £400­600

1505 A pair of yellow gold and platinum dress cufflinks, centred with a pearl and engine turned decoration, fitted case.

A cased set of dress cufflinks and dress studs, in the form of octagonal buttons in yellow and white gold, mounted with mother­of­pearl centres, fitted case, together with a set of three dress studs, cased £400­600 1506 Various items of jewellery, including a steel and gold wristwatch by Longines; a gold wristwatch by Realm; a pair of gem­set gold repoussé earrings; a shell cameo­set 9ct gold brooch; a Scottish silver brooch set with a smoky quartz; a gem­ set gold heart pendant; a pair of flowerhead gold stud earrings; a malachite disc pendant; an unmounted cushion­shaped sapphire, 19.85cts; a pair of trefoil­shaped gold earrings, suspending tassels and set with emeralds, rubies, sapphires and diamonds; two pairs of blue topaz and white stone­set earrings and various other jewellery items £600­800 1507 Two pietra dura gold brooches, an Indian navratan bracelet panel, set with nine gemstones within polychrome enamel surround, a gold wristwatch and a gold pendant suspending an Egyptian faïence Pharoah, on fine­link gold chain £200­300 1508 A George III diamond­set gold ring, with a foliate pattern under the glazed compartment, two diamonds missing, size O1⁄2; a George III garnet­set gold ring; a George III garnet brooch; an amethyst pendant; a diamond half hoop ring and a mourning brooch £400­600

1506

1507 6

1508

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1509

1510

1509 A pair of 9ct gold cufflinks, engraved with initials, case; a pair of gold cufflinks modelled as Spitfires and RAF wings and seven assorted studs £150­250 1510 A collection of brooches, including a 19th century sapphire and diamond open crescent brooch; a 19th century seed pearl and diamond set gold bar brooch with inscription dated 1896; a pearl­set gold bar brooch, cased; a white and yellow gold bar brooch with diamond­set coronet; a diamond and enamel gold Regimental brooch for The Royal Welsh; a gold and enamel brooch for The Royal Navy reserves with inscription to reverse dated 1918, case and various other brooches £200­300 1511 A lady’s Art Deco sapphire and diamond wristwatch by Garrard, manual movement, on silk band, with an Edwardian gold bracelet set with diamond laurels £400­600

1511

1512 A pair of Victorian pearl, diamond and enamel brooches (converted), the circular brooches set with diamonds within blue enamel lozenge decoration and a border of seed pearls in yellow gold (one brooch pin missing) with a Giuliano leather box and outer cardboard Giuliano box £200­300 1513 A George III gold mourning pendant, containing plaited hair, with a garnet five­stone ring; two gold mourning rings; a mourning brooch and a foliate gold band ring £400­600 1514 A small quantity of jewellery, including a silver butterfly brooch with enamel decoration; a ruby and cultured pearl­set gold crescent brooch, an 18ct gold bar brooch set with an amethyst and a trefoil of circular­cut diamonds to each shoulder and a foliate jade and seed­pearl set bar brooch £200­300 1512

1513

1514 7

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1515

1517

1515 An aquamarine and diamond cluster ring, set with an emerald­cut aquamarine within a surround of rose­cut diamonds, size J, together with a pair of blue topaz­set silver stud earrings, case £300­400 1516 Three gem­set spectacle­link chains, including a moonstone­ mounted long guard chain, 78cm long, and two similar chains set with zircons and garnets, 80cm and 82cm long £600­800 1517 A sapphire and diamond­set gold pendant, on a ropetwist white gold neckchain, 42cm long, with two sapphire and diamond­set white gold bracelets and a sapphire and diamond ring, size L1⁄2 £1,000­1,500

1516

1518 Four gold bracelets, one with gate links, one fancy­link gold bracelet, and two curb­link bracelets with heart­shaped padlock, one with 9ct gold St Christopher charm by Georg Jensen, London hallmarks for 1967, 103g total £600­800 1519 A 9ct gold fancy­link necklace, with a matching ring, with a gold locket on a fancy­link gold chain, a pair of 9ct gold cufflinks, 57g total, with a 22ct gold plain wedding band, 7g £300­400

1518 8

1519

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1521

1520

1520 A collection of jewellery, including a 9ct gold thimble, an 18ct gold mechanical pencil, a gold watch chain with T­bar and a 9ct gold key chain, 108g total £500­700 1521 A diamond cluster ring, set in platinum and yellow gold, size P 1⁄2, with a diamond three­stone ring, set in platinum and yellow gold, size M 1⁄2 £200­300

1522

1522 A reverse­carved crystal stick pin, c1900, depicting a greyhound, of circular form and mounted in gold pin, 1.5cm wide, a sulphide crystal intaglio­ mounted gold brooch, depicting a Staffordshire bull terrier, 2cm wide, and a micromosaic­mounted circular gold brooch, depicting the symbols for Chi Rho, with Alpha and Omega, bead border to the circular frame, 2.3cm wide £200­300 1523 Four gem­set white gold rings, including a diamond solitaire, a diamond five­stone ring, a ruby and diamond five­stone ring and a cultured pearl­mounted gold ring £300­400 1524 An abstract gold brooch by Ernest Blythe for Ivan Tarratt, Birmingham hallmarks for 9ct gold, 1989, 5.5cm wide, with a pair of 18ct gold cufflinks by Georg Jensen, numbered 1084, import marks for 1967 £200­300 1523

1525 A 19th century Renaissance Revival cruciform pendant, set with foil­ backed pink pastes and seed pearls in a silver­gilt mount, with black and white enamel decoration, foliate engraving to the reverse, 10cm high, case £150­250

1524

1525 9

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1526

1528 1526 A set of six early 19th century white paste­set metal buttons, of circular flower­head form, 3cm diameter, £200­300 1527 A 19th century white paste­set suite of jewellery, including a foliate brooch set overall with graduated circular­cut pastes in silver and silver­gilt cut­ down collets and mounts, suspending three articulated pendants of graduated circular­cut white pastes, the foliate earrings with three articulated drops and set overall with graduated white pastes £400­600 1528 A suite of paste­set jewellery, including a necklace with Saint Esprit dove pendant and drop earrings, set with graduated circular­cut white pastes in silver closed­back settings, case £200­300 1529 A synthetic sapphire half­hoop ring, set with graduated rectangular­cut synthetic sapphires in carved and pierced yellow gold mount, size N1⁄2 £500­700 1530 1527

A white gold mesh link strap bracelet, 19cm, 47g

1531 A yellow gold bead necklace, the spherical gold beads graduate from 3.9­9.7mm, 46cm long, 23g £600­800

1529

1530 10

£500­700

1531

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1533

1532 1532 A gold bead necklace, the spherical links set on flexible neck chain, 42cm long, 30g £800­1,200 1533 A diamond­set gold necklace, the gold bar links alternately­set with round brilliant­cut diamonds, diamonds approximately 0.30cts total, 42cm long, 34g £1,100­1,500 1534

Assorted small loose diamonds, 27.57cts total

£300­400

1535 An emerald bead pendant, mounted in gold, 3.6g total, and sixteen loose emeralds weighing 3.43cts £400­600 1536 Eighteen loose fancy coloured diamonds, 1.92cts total, in sealed container, with reference to reverse to GIA certificate number 1910312 £3,000­5,000 1534

1535

1536 11

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1537

1537 A lady's gold Etrier wristwatch by Jaeger LeCoultre, the signed rectangular dial with monogram at 12, with gilt baton numerals, manual movement, case back numbered 1034221, on brown leather strap, case 20mm, 20cm long £300­400

1538 A lady’s Art Deco diamond wristwatch, the rectangular black dial with Roman numerals and diamond­set case, manual movement, on a later 9ct white gold mesh bracelet, case 12mm wide, bracelet 15cm long, Birmingham hallmarks for 1962 to the bracelet £150­250

1539 A lady’s silver gilt tank wristwatch by Must de Cartier, the signed burgundy dial with inverted C’s, blue cabochon winder, case 20mm, signed Cartier Paris to case back, manual movement, on a red leather band, 20cm long, red Cartier pouch £200­300 1538

1539

12

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1540

1541 1540 A lady’s half hunter 18ct gold fob watch, stem wind, with blue Roman numerals to case and black Roman numerals to the plain white dial, 2.8cm wide £400­500 1541 A gold open­faced fob watch, the white enamel dial with black Roman numerals, dial signed Henry Capt Geneva, the inner case numbered 27246 and signed for 151 Regent Street, London, back case with black enamel foliate decoration, 3.5cm wide, with a yellow gold oval­link longuard chain, 168cm, 54g £800­1,200 1542 A gold hunting­cased key­wind fob watch, both cases decorated with blue enamel and foliate­ chased strapwork, the white enamel dial with black Roman numerals, the inner case engraved ‘Examined

by Hunt & Roscall, 156 New Bond Street, London’, 3.8cm wide, 57g total £800­1,200 1543 An 18ct gold pocket watch by Thos. Russell & Son, the signed white dial with subsidiary seconds dial, Roman numerals, numbered 30597, the gold case hallmarked for Chester 1878, case maker T.R, stem wind, movement signed Russell’s, case 5cm wide, 101g total £1,200­1,500

1543 1542

1544 An 18ct gold open­faced chronograph pocket watch, the white dial with Roman numerals, stem wind, Chester hallmarks for 1893, casemaker F.W, the three quarter plate movement numbered 10090, 5cm wide, 122.9g £1,800­2,000 1545 A yellow gold quarter repeating chronograph hunting­cased pocket watch, the hinged cover chased with an Art Nouveau scene of a maiden kissing a bird amongst foliage, the white enamel dial with black Arabic numerals, subsidiary seconds dial swing chronograph hand activated by push button, with push­button quarter repetition on gongs, 110.41g total £400­600

1544

1545 13

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1546

1547

1546 A four­row cultured pearl necklace, (one row detached) with a Victorian pearl and diamond clasp, set in silver and gold, the clasp 3.6cm wide, the necklace 36.5cm longest £350­400 1547 A three­row cultured pearl necklace, alternately formed with black and white cultured pearls, with an oval clasp pavé­set with diamonds and three oval­shaped rubies in gold, 86cm long £300­400 1548 A three­row cultured pearl necklace, with an emerald and diamond quatrefoil clasp, set in white gold, 39cm longest £600­800 1549 A diamond and cultured pearl bracelet, formed as four rows of cultured pearls measuring approximately 8.5 ­ 9.5mm, with eight white gold spacers each set with three round brilliant­cut diamonds, the white gold clasp set with a scroll of graduated baguette­shaped diamonds and graduated round brilliant­cut diamonds, 17cm, case £1,200­1,500 1548

1550 A two­row cultured pearl necklace, set with a sapphire and diamond scroll clasp in white gold, 86cm long, fitted case by Garrard £800­1,200 1551 A faceted multi­gem bead necklace, set with rubies and multi­ coloured sapphires, with a gold barrel clasp and matching earrings, necklace 54cm long, earrings 2.7cm long £200­300

1549

1550 14

1551

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1553

1552

1552 A single­row amber bead necklace, the beads graduate from 17mm ­ 30mm, 112cm, 243.9g total £600­800 1553 A single­row amber bead necklace, the oval beads graduate from 8 ­ 30mm long, 95cm long, 82.4g £200­300 1554 A single­row amber bead necklace, the beads graduate from 12­28mm, 62cm long, 90g total £400­600 1555 A citrine bead necklace, the briolette­cut citrines alternately­set with seed pearls and suspending a citrine drop, 47cm long £200­300 λ 1556 A single­row coral bead neckace, the beads graduate from 9­19mm, 90cm long £600­800 Accompanied by purchase receipt from Richard Ogden 1992

1554

1555

1556 15

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1557

1558

1557

1559

A carved nephrite cigarette holder, with gold band, 11.5cm

£300­400

1558 An agate cigarette holder, with gold mount and centre undulating circular section set with rose­cut diamonds and black onyx, 11.5cm £500­700 1559 A simulated amber and black onyx cigarette holder, with platinum circle of small circular­cut diamonds, 14.5cm £400­600 1560 A Victorian gem­set gold sword letter opener, set with cabochon opals and an old circular­cut diamond to the hilt, with textured and foliate engraved decoration in yellow gold, 15.3cm long £800­1,200 1560

1561

A pair of gold cufflinks, the plain oval discs set in 15ct gold, 17mm high £100­150

1562 A pair of fluted gold cufflinks by Cartier, in three­colour gold, signed and dated 1999, 18mm high £600­800 1563 A sapphire and enamel dress set, including cufflinks and three buttons, the cabochon sapphires are millegrain­set on mother­of­pearl ground within black enamel border in yellow gold and platinum £600­800 1564 A set of six late 19th century French enamel gold buttons, each circular gold button with a foliate motif to the centre and with oyster guilloche enamel decoration, all with French control mark and maker’s mark G*D for Germain Desbazeille, each 1.4cm high, fitted case by Boucheron £800­1,000

1561

1562

1563 1564 16

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1565 Illustrated from the side and below

1567

1566

1565 A late 18th century gold and gold­cased fob seal, mounted with a smoky quartz matrix carved with the crest of a blackamoor wearing a coronet, the seal with acanthus­form centre, matrix 2cm high £150­250 1566 An early 20th century spinning fob seal, the seal mounted with a carnelian to one side, engraved with a coat of arms, crest and motto, the other with a bloodstone carved with initials and further Islamic writing, gold upper section, 2.7cm wide £300­400

1568

1567 Three foliate engraved gold and gold cased fob seals, set with bloodstone, carnelian and chalcedony £200­300 1568 Five gold and gold­cased fob seals, set with various plain and engraved hardstones £400­600 1569 A 19th century banded agate intaglio brooch, depicting Cassandra in profile within yellow gold surround, 3.5cm wide £600­800 1570 A 19th century cameo brooch pendant, the carved hardstone cameo depicts the goddess Diana with scalloped yellow gold mount, set within a surround of half pearls, glazed locket compartment to reverse, 4cm high £400­600

1569

1570

1571

1571 An early 19th century intaglio­mounted gold brooch, depicting Venus Marina, set within a surround of seed pearls, glazed compartment to the reverse containing hair, the intaglio 2.8cm high £400­600 1572 An agate cameo pendant, depicting the profile of Apollo Belvedere, with a circular­cut diamond mounted to the reverse, pendant loop, 4cm high £400­600 1573 A 19th century shell cameo brooch pendant, depicting Flora in profile within gold Etruscan Revival frame, 4.8cm wide £200­300

1572

1573 17

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1574

1575

1576

1574 A 19th century gem­set insect brooch, set with rubies, diamonds and a turquoise in silver and gold, 2cm wide. With a gold frog, pavé­set with diamonds and emerald eyes, 3cm wide £200­300

1575 A gold cat brooch, the seated cat with engraved fur, wearing a diamond collar, with turquoise eyes and protruding whiskers, 3.3cm high, case £400­600

1576 A gold and enamel elephant brooch, decorated with polychrome enamel and cabochon sapphires in yellow gold, with an articulated tail, signed Bioielmoda with Italian marks, 4cm wide £600­800

1577

1577 A French gem­set phoenix brooch, set with carved emeralds, rubies a sapphire and diamonds in yellow gold, French control marks, 4.2cm high £800­1,200

1578 A gem­set gold butterfly brooch, the wings formed from carved white opal with sapphire and diamond tips, the body set with diamonds in white gold, 3cm high £800­1,200

1578

1579

1579 A stylised gold bird brooch, wearing shoes and centred with a circular dyed chalcedony cabochon and red stone eye, mounted in 9ct gold, London marks for 1955, 3.5cm high £200­300

1580 A diamond­set gold mouse brooch by Leo de Vroomen, rubover­set with a round brilliant­cut diamond within textured yellow gold, with maker’s mark LDV and 18ct London hallmarks for 1982, 3.2cm wide £400­600

1580

18

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1582

1581 1581 A rock crystal and diamond brooch pendant, the carved rock crystal petals set within a surround of diamonds in yellow gold, 4.8cm wide, with a matching ring, size M, and earrings, 2.4cm wide £800­1,200

1583

1582 A pair of sapphire and diamond earrings, the round brilliant­cut diamonds suspend oval­shaped sapphires in white gold, post and clip fittings, 1.4cm high £1,000­2,000

1584

1583 A gem­set gold brooch, with a central heliodor within a rectangular surround set with circular­cut peridots and diamonds in yellow gold, 4.5cm wide £800­1,200 1584 A pair of diamond hoop earrings, set with graduated round brilliant­cut diamonds weighing approximately 1.90cts total, with foliate spray motif with vacant posts, in white gold, post and clip fittings, 3.2cm widest £500­700 1585 A ruby and diamond sunflower pendant, with a diamond­set heart­shaped centre and cabochon ruby petals in yellow gold, 3.2cm high £600­800 1586 A two­colour gold elephant bracelet, set with smaller textured white gold elephants and larger polished yellow gold elephants, 18cm long, 17g £500­700 1587 A sapphire and diamond chequerboard ring, set with calibré­cut sapphires and circular­cut diamonds within a border of smaller diamonds in white gold, size Q1⁄2 £1,000­1,500

1586

1585

1588 A gem­set giardinetto brooch, set with emeralds, rubies, sapphires and marquise­shaped diamonds in gold, 4.8cm high £400­600 1589 A sapphire bead tassel pendant, the gold engraved dome­form pendant suspends graduated sapphire beads (some damaged), 6cm high £400­600

1587

1588

1589

19

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1590 1592

1591

1590 A ruby and diamond necklace, set with round brilliant­cut diamonds, suspending a cabochon ruby in gold, on a wheat­link 18ct gold neck chain, London hallmarks for 1981, maker’s mark, pendant 2cm high, chain 40cm long £700­900 1591 A ruby and diamond­set gold necklace, alternately­set with rubies and diamonds, suspending a leaf­shaped articulated pendant set overall with pear­shaped rubies and a zig­zag of graduated circular­cut diamonds in platinum and gold, with a fancy­link yellow gold back chain, 44cm long £1,500­2,000 1592 A diamond­set quiver pendant by Theo Fennell, in white gold, maker’s mark and London hallmarks for 2007, on snake­link silver neck chain, pendant 3.8cm high, chain 44cm long £600­800 1593 A pair of ruby and diamond drop earrings, set with ruby and diamond clusters suspended on lines of round brilliant­cut diamonds in yellow gold, post fittings, 5.2cm high £400­600

1593

1594 A pair of quartz and diamond drop earrings, each briolette­ shaped quartz suspends from an articulated line of round brilliant­cut diamonds in gold, post fittings, 3.5cm high £500­700 1595 A pair of ruby and diamond­set gold drop earrings, with bow­form upper sections, each suspending three articulated pendants, set with oval­shaped rubies, round brilliant­cut diamonds and a pear­shaped diamond in yellow gold, post and clip fittings, 4.8cm high £1,500­2,000

1594

1596 A pair of gem­set gold earrings, the bloodstones set with a ruby and diamond star in silver, within twisted yellow gold border, post fittings, 3cm wide £400­600 1597 A ruby and diamond flower head pendant, pavé­set with circular­cut rubies and a diamond to each petal in platinum, London hallmarks for 2012, 3cm wide £600­800 1595

1596 20

1598 A pair of cultured pearl cluster earrings, the pearls measure approximately 12.1­12.3mm, set within a half cluster of baguette­ shaped and circular­cut diamonds in platinum and white gold, French import marks, 16mm high £500­700

1597

1598

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1599

1600

1601

1599 A carved jade pea pod pendant, with a tsavorite garnet­set platinum bale, 6.2cm high £500­700 1600 A carved jade pendant, the green jadeite in the form of a gourde, with yellow gold bale, 4.3cm high, 8.46g total £400­600 λ 1601 A pair of gem­set jade and gold earrings, the scroll carved jade plaques (damaged) are set within a surround of circular­cut diamonds and coral, with black enamel decoration (one coral missing), in white gold, each 3.5cm wide £300­400 1602 A chrysoprase and diamond circular brooch, set with cabochon chrysoprase in the form of a three­leaf clover, set with old circular and rose­cut diamonds in gold, 3.1cm wide £300­400

1602

1603

1604

1605

1603 A pair of diamond scroll earrings, pavé­set with round brilliant­cut diamonds in white gold, post and clip fittings, 2cm high £600­800 1604 An articulated diamond ring by Maccarini Piero & C, set with graduated circular­cut diamonds in articulated white gold links, signed and with Italian marks, approximately size O1⁄2 £200­300 1605 A diamond cluster ring, the three graduated round brilliant­ cut diamonds are set within a diamond crossover surround in white gold, size R £300­400 1606 A pair of diamond flowerhead earrings, set in white gold, 2cm long, post fittings £400­600 1607 A diamond scroll brooch, set with round brilliant­cut diamonds in textured white gold, 4cm high £200­300 1608 A diamond line bracelet, set with round brilliant­cut diamonds in an openwork diagonal­link border in white gold, approximately 2.50cts diamonds total, 18.5cm long £800­1,200 1609 An emerald and diamond cluster ring, the circular­cut emerald is set within a surround of circular and tapered baguette­ shaped diamonds in white gold, size Q £600­800

1606

1607

1608

1609 21

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1610 A pair of cultured pearl and diamond drop earrings, the cultured pearls measure 11.6mm approximately and suspend from diamond­set drops, fitted box £600­800 1610

1611 A stylised gold basket brooch, the woven gold fabric containing a stylised floral sprig decorated with diamonds in yellow gold, 6.7m high, Harvey & Gore case £600­800 1612 A black enamel and diamond half­hoop ring, set with circular­cut diamonds and black enamel borders in gold, size N £600­800

1612

λ 1613 A coral­mounted gold bombé ring, set with two coral cabochons in yellow gold, size P, with a fire opal and seed pearl ring, maker’s mark DWT and Birmingham hallmarks for 1994, size N £400­600 1611 1614 A gem­set gold long chain, set with oval­shaped spinels and sapphires in yellow gold spectacle mounts, 48cm long, 55g total £400­600 λ 1615 A coral and diamond­set gold bracelet, set with pink coral beads and circular­ cut diamonds in yellow gold, 18.5cm long £800­1,500

1613

1616 A diamond set gold pendant, the hammered gold swirl centred with an old circular­cut diamond weighing approximately 0.30cts, 18ct London hallmarks for 2011, 2.2cm high including bale, on a fine­link gold neck chain, 46cm long £200­300 λ 1617 A pair of coral and diamond drop earrings, the coral drops suspend from articulated round brilliant­cut diamonds in white gold, shepherd’s hook fittings, 6.4cm high £500­700

1614

1616

1615 1617

22

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1618 A pair of mid 20th century sapphire and diamond­set gold clips, of geometric design, set with calibré­cut sapphires and old circular­cut diamonds in three­colour gold, 1.7cm high £200­300 1619 A pair of blue chalcedony cabochon earrings, set within yellow gold pellet borders, 1.9cm wide, folding post and clip fittings £600­800

1618

1619

λ 1620 A gold charm bracelet, the plaited oval­link gold bracelet suspending gold fobs set with amethysts, corals, citrines and chrysoprase within gold wirework decorated surround, 19cm long, 140g £2,000­3,000 1621 A turquoise mounted fancy­link gold bracelet, 18.5cm long, 19.9g £400­600 1622 An Edwardian turquoise­set gold long chain, set with cabochon turquoises in gold spectacle mounts on a gold chain, 152cm long, 23g total £800­1,200

1620

1623 A gold charm bracelet, the gold curb link bracelet mounted with thirty­two assorted gold charms, including a St Christopher charm mounted in 9ct gold, a 9ct gold drawstring purse charm, a 9ct gold stirrup charm and various other gold and gold­cased charms, approximately 55g £300­400 1624 A gem­set gold bracelet, set with seed pearls and turquoise within openwork quatrefoil gold links, 19cm long, 27g total £800­1,200

1621

1622

1623

1624 23

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1625 1629

1625 An Edwardian seed pearl and diamond bangle, of laurel design in yellow gold, 5.7cm inner diameter £200­300 1626 1626 An Italian gold brooch, centred with an oval­shaped ruby, foliate decoration highlighted in blue and green enamel, 4.5cm wide £600­800 1627 A French jade and gold tassel pendant, decorated with black enamel in yellow gold, French control marks, 7cm high £300­400

1628 1627

1628 A Jugendstil plique­à­jour enamel silver pendant by Ernst Gideon Bek, set with an opal, with green plique­à­jour enamel decoration on a silver neck chain stamped ‘Depose’, Sterling and with maker’s mark, 4.7cm high, together with a Jugendstil brooch pendant set with amethysts and shaded plique­à­jour enamel in silver, 3cm high £150­200 1629 An early 20th century chrome and iridescent glass bead necklace, the five beads separated with rondels, on snake link chain, 42cm long £200­300 Accompanied by original purchase receipt from Shapiro and Co, 1991 stating that the necklace is by W.M.F c1900 1630 An Edwardian aquamarine and seed pearl gold pendant, 5.3cm high, with another Edwardian gem­set and seed pearl pendant in yellow gold, 5cm high £400­600 1631 A pair of sapphire and diamond drop earrings, the sapphire and diamond cluster upper sections suspend asymmetrical knife­edge drops set with round brilliant­cut diamonds and oval­shaped sapphires in white gold, shepherd’s hook fittings, 6cm high £600­800

1630 24

1631

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1632

1633

1634

1632 A pair of diamond drop earrings, each set with old cushion­shaped diamonds in white gold, (one detatched), screw fittings, 2.6cm high, case £600­800 1635 1633 A pair of George III diamond drop earrings, set with graduated rose­cut diamonds in silver and gold closed­ back collets, 2.5cm high £200­300 1634 A diamond wreath brooch, set with rose­cut diamonds in yellow gold, 3cm high £200­300 1635 An Edwardian gem­set gold bar brooch, set with oval­shaped rubies and half pearls in gold, 8.5cm long, case £600­800 1636 A ruby and diamond­set circular pendant, set with square­shaped rubies and circular­cut diamonds in silver and gold £200­300 1637 A diamond cruciform pendant, set with graduated old cushion­shaped diamonds millegrain­set in pierced platinum mount, 4cm high £300­400

1636

1637

1638 A 19th century micromosaic necklace and ring, the necklace formed with graduated oval­shaped micromosaic plaques, with a matching micromosaic gold ring, 46cm, ring £600­800 size N1⁄2 1639 A pair of 19th century enamel and gem­set gold drop earrings, the oval enamels decorated with putti and with mother­of­pearl backing, within foliate surround set with circular­cut emeralds, garnets and seed pearls in gold, shepherd’s hook fittings, 5.8cm high, case £400­600

1638

1639

25

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1642

1641

1640 An Edwardian amethyst and diamond heart pendant, the amethyst heart suspended from a diamond­set scroll and bow in silver and gold, on fine­link gold neck chain set with seed pearls, pendant 5.2cm high, chain 42cm long £300­400

1640

1641 A Victorian citrine and seed pearl brooch, the oval­shaped citrine set within a surround of seed pearls in yellow gold, 4cm wide £500­700 1642 A 19th century gold pendant, suspending a section of gold bearing quartz from foliate yellow gold mount, 3.8cm long £80­120 1643 1643 A 19th century carved amethyst cameo brooch, portraying the bust of a woman with flowing hair, ornately scroll pierced gold frame with black enamel border, 4.5cm high, fitted case £400­600 1644 An eye miniature ring, of lozenge­shape, within seed pearl and white and red enamel border in closed­back gold mount, size M £600­800 1645 Two early 19th century stick pins, one with glazed centre section containing plaited hair within a surround of old cushion­shaped diamonds, 5.2cm high, case, with a seed pearl­set stick pin, the glazed centre section with plaited hair and initials AJL, 4.5cm high £600­800

1644

1646 An Edwardian enamel and seed pearl gold heart pendant, brooch fitting to reverse, suspended on a gold oval­link chain set with seed pearls in yellow gold, pendant 2cm wide, chain 40cm long £200­300 1645 λ 1647 A Victorian coral and diamond open crescent brooch, set with graduated coral cabochons within stylised ivy leaves and a border of old cushion­shaped diamonds in silver and gold, 8cm wide, fitted case £800­1,200

1646 26

1647

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1648

1649

1648 A citrine and garnet gold stylised comet brooch, set within gold pellet border, 2.2cm high £100­200 1649 A pair of diamond drop earrings, the old circular­cut diamonds each suspend a diamond cluster, post fittings, 2cm high, case £400­600

1650

λ 1650 A 19th century diamond and seed pearl hair comb, the horn comb set with scrolling diamond decoration and seed pearls in silver and gold, 9.6cm wide, fitted case £400­600 λ 1651 A pair of coral and lapis lazuli­set gold drop earrings, each set with a coral and lapis lazuli bead and suspending gold sphere lower sections with dragon motif, shepherd’s hook fittings, 6.2cm high £400­600 1652 A late 19th century double heart gold locket pendant, centered with a pair of garnet hearts and surmounted with a seated putti, with bow and twisted ropes, 3cm high £200­300 1653 A Victorian lapis lazuli and gold bracelet, with gold sliding clasp and a larger lapis lazuli bead to each terminal in gold, 14 ­ 21cm long £400­600

1652

1651

1653 27

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1654 1655

1654 A Victorian gold snake necklace, the head set with cabochon garnets and with foliate engraved decoration, on an articulated gold snake­link necklace, suspending a further garnet­set gold drop, 36.5 cm long £400­600 1655 A Victorian seed pearl fringe necklace, the gold necklace suspending graduated floral seed pearl clusters in silver and gold, 39cm long, case £200­300 1656 A 19th century amethyst­mounted cruciform pendant, the four pear­shaped amethysts centred with a lozenge­shaped amethyst with seed pearl mounts in yellow gold, 6.5cm high £400­600 1657 A late 19th century gold brooch, centred with a line of blister pearls within a border of twelve rectangular­cut emeralds and further surround of rose­cut diamonds and seed pearls, 5.5cm wide £300­400 1656

1657

1658 A stylised cultured pearl and diamond oak branch brooch, the textured yellow gold oak leaves decorated with diamonds and cultured pearl acorns, maker’s mark CB to reverse, 6.5cm high, Harvey & Gore case £600­800 1659 A Victorian diamond­set gold horseshoe bangle, decorated with stylised buckles in bi­colour gold, inner inscription for June 1st 1886, 6cm inner diameter, case £400­600

1658

28

1659

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1660

1660 A Regency gold fob chain, the five rows of alternating fancy­links, separated with sliding foliate gold spacer and terminating with a gold tassel, 42cm long, 51g £1,200­1,500 1661 An early 19th century enamel locket pendant, c1800, with openwork scalloped border with red guilloche enamel decoration, applied to the reverse with a gold 'G', containing a portrait miniature, 5.3cm high £600­800 1662 A portrait miniature brooch depicting George Washington (1732 ­ 1799), within engraved gold border, 2.9cm high £800­1,200 1663 A George III enamel mourning brooch, the octagonal plaque decorated with a black and white enamel urn set with a glazed locket compartment, set in yellow gold, 2.5cm high £600­800 1664 A George III portrait ring, depicting a young girl in profile, in closed­back yellow gold £600­800 setting, size Q1⁄2

1661

1665 A George III portrait swivel ring, the double sided oval plaque with a glazed compartment to each side containing a portrait, in yellow gold, size J (approx) £200­300

1662

1663

1664

1665

29

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1666 An emerald­set gold dress ring, the oval­shaped emerald cabochon is rubover set in plain yellow gold ring, £400­600 18ct London hallmarks for 2018, size N1⁄2 1667 A gem­set gold harem ring, the five gold bands alternately­set with diamond and emeralds, rubies and sapphires in rubover surrounds, London hallmarks for 18ct, 1993, maker PAF, size R £400­600 1668 An opal and diamond cluster ring, the oval­shaped opal is set within a surround of round brilliant­cut diamonds in white gold, size N £800­1,200 1669 A diamond three­stone ring, the graduated rose­cut diamonds are set within twisted surround of smaller circular­cut diamonds in silver and gold scroll engraved mount, size O £2,000­3,000 1670 An aquamarine­set white gold dress ring, set with an oval­shaped aquamarine with five pear­shaped and marquise­shaped aquamarines in striated gold surround, size N £800­1,200 1671 A yellow sapphire and diamond ring, set with an oval­shaped yellow sapphire, with rectangular­shaped £2,000­3,000 sapphires and circular­cut diamonds to the shoulders in yellow and white gold, size Q1⁄2 1672 A gem­set and enamel gold butterfly brooch, the wings set with diamonds and cabochon sapphires on blue and green plique­à­jour enamel ground, the body set with a cabochon sapphire, four graduated circular­cut diamonds and two green garnet eyes, 6cm wide £1,500­2,000 1673 A two­stone diamond ring, set with an old circular­cut diamond and an old circular­cut fancy­coloured diamond, within scallop­edged surround of circular and rose­cut diamonds in platinum, with carved hematite and white gold shank, size J £3,000­4,000 1674 An emerald and diamond­set pendant, set with a pear­shaped emerald within a surround of round brilliant­ cut diamonds, with a further circular­cut diamond to the bale in white gold, on a fine­link white gold neck chain, pendant 1.9cm high, chain 40cm long £500­700 1675 A diamond­set gold curb link bracelet, set in yellow gold with round brilliant­cut diamonds, London import marks for 1992, 20.5cm long, 39g total £1,500­2,000 1676 An unusual tourmaline and citrine­mounted gold necklace, the stylised oval links alternate with green enamel decoration centred with tourmalines and yellow enamel decoration centred with citrines, each separated with a green or yellow enamel link, 45cm long £4,000­6,000 1677 An emerald and diamond half­hoop ring, the emerald­cut emerald flanked with graduated square­shaped £1,500­2,000 shoulder diamonds in yellow gold, size O1⁄2 1678 A pink topaz and diamond cluster ring, the oval­shaped pink topaz is set within a surround of round £600­800 brilliant­cut diamonds in platinum and yellow gold, size Q1⁄2 1679 A diamond cluster ring, of foliate design, centred with a round brilliant­cut diamond weighing approximately £600­800 0.50cts, with further round brilliant­cut diamonds to the leaves in gold, size N1⁄2 1680 A peridot and diamond cluster ring, the oval­shaped peridot weighs approximately 1.30cts and set within a surround of round brilliant­cut diamonds, with a baguette­shaped diamond to each shoulder in yellow and white gold, approximate total diamond weigh 0.50cts, size O £600­800 1681 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 0.55cts, set in platinum, size K½ £500­700

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1666

1674 1667

1673

1668

1669

1670 1672

1675 1671

1676

1678 1679

1681 1680

1677

31

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1682 A sapphire and diamond three­stone ring, set with an oval­shaped sapphire between old cushion­shaped £300­400 diamonds in white gold, size Q1⁄2 1683 A tanzanite and diamond three­stone ring, set with a cushion­shaped tanzanite weighing approximately £1,000­1,500 8.00cts, with tapered baguette­shaped shoulder diamonds in platinum and gold, size O1⁄2 1684 An emerald and diamond ring, of quatrefoil openwork design, set with a cushion­shaped emerald, and further old circular­cut and cushion­shaped diamonds in platinum, French control mark and maker’s lozenge MS, size O1⁄2 £800­1,200 1685 An emerald and diamond cluster ring, centred with three graduated old circular­cut diamonds within a £1,000­1,500 surround of fancy­cut emeralds and further circular­cut diamonds in platinum, size O1⁄2 1686 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 0.95cts, set with baguette­ shaped and circular­cut shoulder diamonds in platinum, size Q £600­800 1687 A diamond five­stone ring, set with baguette­shaped diamonds in platinum, maker’s mark SB, Birmingham hallmarks for 2002, size J £600­800 1688 A ruby and diamond cluster ring, the circular­cut ruby set within a surround of circular­cut diamonds and further border of undulating tapered baguette­shaped diamonds in platinum, size O £800­1,200 1689 A topaz and diamond three­stone ring, set with a duchess­cut and two kite­shaped topaz, with graduated £600­800 round brilliant­cut diamonds set to the gallery in platinum, size N1⁄2 1690 A sapphire and diamond­set gold ring, centred with a rectangular­shaped sapphire, with circular­cut £800­1,200 diamonds to the shoulders in gold, size J1⁄2 1691

A rose­cut diamond solitaire ring, the diamond weighs 1.04cts, set in white gold, size O

£1,500­2,000

1692 An emerald and diamond cluster ring, the emerald­cut emerald is set within a surround of round brilliant­ cut diamonds in white gold, size L £600­800 1693 A diamond cluster ring, the round brilliant­cut diamond weighs approximately 0.60cts, set within a surround £600­800 of circular­cut diamonds in white gold, size M1⁄2 1694 A ruby and diamond cluster ring, the pear­shaped ruby set within a surround of round brilliant­cut diamonds in yellow gold, size N £2,000­3,000 Accompanied by report number CSR 200110001 from IGL stating that the pear­shaped ruby weighs 1.54cts and is a natural ruby with no indications of heat treatment. Origin: Madagascar 1695 A sapphire and diamond cluster ring, lozenge­shaped and set with round brilliant­cut diamonds and French­ cut sapphires in gold, size P £300­400 1696 A sapphire and diamond dress ring, the oval­shaped sapphire set within a surround of marquise, baguette and circular­cut diamonds in white gold, size N½ £600­800 1697

A diamond five­stone ring, set with graduated old circular­cut diamonds in platinum, size R½

£300­400

1698 A tanzanite and diamond three­stone ring, the oval­shaped tanzanite set with two round brilliant­cut shoulder diamonds in white gold, size O £400­600 1699 A diamond solitaire ring, set with an old circular­cut diamond in a square­shaped claw mount, with bifurcated shoulders in palladium, size K½ £1,000­1,500 1700 A peridot and diamond cluster ring, set with an oval­shaped peridot within a surround of circular­cut diamonds, with further diamonds to the bifurcated shoulders and scroll pierced decoration to the gallery in white gold, size N½ £500­700 1701 A diamond four­stone ring, the four round brilliant­cut diamonds weigh approximately 2.20cts total, claw set with textured decoration to the shoulders in gold, size O £1,000­2,000 1702 A topaz and diamond cluster ring, the oval­shaped orange topaz set within a surround of round brilliant­ cut diamonds in gold, size J £600­800

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1682

1686

1683

1685

1684

1687

1689 1688

1690

1691

1692

1695

1693

1694

1697 1696

1698

1701 1700

1699 1702

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1703 An enamel wings pendant by Child & Child, the stylised wings decorated with green and blue enamel on fine­link gold chain suspending a pearl, maker’s mark to reverse (covered with enamel), and counter enamel in blue (damaged) 5.5cm wide £800­1,200 1704 An Arts & Crafts silver and chalcedony pendant possibly by Edith Stewart, the fine­link silver neck chain set with two chalcedony cabochons suspending a further chalcedony pendant within silver laurel surround, 38cm long £300­400 Accompanied by original purchase receipt from Didier, 1990 Literature: For a similar pendant see The Studio Magazine, c1900, p272 1705

An Art Nouveau gold necklace, of scrolling gold form suspended from fine­link gold chains with pearls, 36cm long £500­700 Accompanied by original purchase receipt from Shapiro and Co 1991 1706 An Arts and Crafts silver and enamel pendant by William H Haseler, the heart­shaped pendant decorated with polychrome enamel, maker’s mark to reverse, 2.4cm wide, on oval­link neck chain 40cm long £150­250 1707 An enamel and glass gold pendant attributed to Mary Hill, the stylised polychrome enamel wings set with a seed pearl and suspending blue glass, on fine link gold neck chain, 5cm wide, in fitted Mary Hill case £300­400 Accompanied by handwritten receipt dated 31 October 1993 from Patricia Shapiro 1708 An Arts & Crafts turquoise and gold pendant, in the Liberty style, the turquoise matrix set within gold scroll surround, suspending a smaller turquoise in gold, 4cm high £150­250 1709 An Arts & Crafts silver and red enamel pendant by Ramsden & Carr, the silver trefoil decorated with red enamel to the centre, on fancy­link silver neck chain, maker’s mark to reverse and London hallmarks for 1903, 38cm long £1,000­1,500 Accompanied by original purchase receipt from Shapiro and Co, 1990 1710 A silver and enamel belt buckle by Child & Child, formed with interlocking scrolls with blue and green enamel decoration (damaged), signed to reverse with maker’s mark and WC HC for Walter & Harold Child, London hallmarks for 1898, 7.5cm wide £200­300 1711 An Arts & Crafts citrine and silver brooch by Sibyl Dunlop, the rectangular­shaped citrine mounted in a foliate scroll pierced mount, with applied plaque signed S Dunlop, 4cm wide £300­400 1712 An Arts & Crafts silver and enamel pendant by Murrle Bennett & Co, of openwork scroll design, with polychrome enamel decoration and suspending a silver and enamel drop, with maker’s mark, 5.4cm high £300­400 1713 An Arts & Crafts silver moonstone necklace possibly by Edward Spencer, set with clusters of moonstones in silver wirework decoration and fruiting vines, on twisted oval link silver chain, 40cm long £1,000­1,500 For a similar example see KARLIN, E.Z., Jewellery & Metalwork in the Arts and Crafts Tradition, p28 1714 A pair of Arts & Crafts drop earrings attributed to Dorrie Nossiter, one earring suspends a green stone bead and the other a pink tourmaline bead, both suspend from foliate mounts set with seed pearls, emeralds and pink tourmalines, 6cm high £600­800 1715 A pair of Arts & Crafts gem­set silver earrings attributed to Dorrie Nossiter, the discs set with amethysts, citrines and pink and green stones within gilded silver leaves and flowers, clip fittings, 2cm wide £400­600 1716 An Arts & Crafts turquoise and gold bracelet in the manner of Murrle Bennet & Co, set with graduated turquoise matrix within gold collets and fine wirework decoration on curb­link gold chain, 19cm long £400­600 1717 An Arts & Crafts gem­set silver brooch attributed to Dorrie Nossiter, set with a cabochon garnet and chalcedonies in fruiting vine circular mount in silver and gold, 3.2cm wide £400­600 With original purchase receipt from The Old Cornerstore (stating that the brooch is by Sybil Dunlop) 1718 An Arts & Crafts silver and polychrome enamel brooch, of rectangular form with an oval enamel floral plaque and wirework and pellet decoration, 6.2cm wide £200­300 Accompanied by original purchase receipt from Shapiro and Co, 1991 stating the brooch is by Jessie King, C1900 1719 An Arts and Crafts silver and gem­set brooch, of stylised wreath form set with amethyst, moonstone and turquoise in silver, 4.5cm wide £300­400 Accompanied by original purchase receipt from Shapiro, 1998 1720 An Arts & Crafts moonstone and enamel pendant attributed to Archibald Knox, the moonstone cabochon within abstract surround decorated with green enamel and suspending a further moonstone cabochon, 6.9cm high, on fine­link gold neck chain, 64cm long, box £600­800 For similar examples by Archibald Knox see MARTIN, S.A., Archibald Knox, p256, model 8931 1721 An Arts & Crafts silver and enamel brooch by Murrle Bennett & Co, set with an enamel plaque depicting sail boats, possibly by Charles Fleetwood Varley, within twisted and hammered silver surround, maker’s mark to reverse, 4.3cm wide £400­600 34

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1706

1704

1709

1705 1707 1708

1712

1711

1713

1710 1718

1720

1715 1714

1719 1717 1721

1716

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ITEMS OF JEWELLERY BY GEOFFREY ROWLANDSON Geoffrey Rowlandson was born in 1931 into a family of fashion and jewellery designers. The Rowlandson Company began as a means to create bespoke classic jewellery and twenty years ago the Rowlandson Unique Collection was established to create original and innovative pieces of jewellery. Geoffrey’s talents were recognised by the Worshipful Company of Goldsmith, earning him ‘Jewellery Designer of the Year’ twice, 1998­9 and 2002­3, as well as numerous commended awards including ‘Me and My Shadow’ in 2002 and ‘The Royal Christening’ in 2014.

The Victoria & Albert Museum exhibited his ‘Fire and Ice’ Tiara in 2002. Three of his pieces including ‘Grand Jeté’ were again selected for their 2013 Pearl exhibition.

More recently, in 2014, The Royal Christening brooch was awarded a commendation by The Worshipful Company of Goldsmiths.

1722 A moss agate­mounted gold pendant brooch by Geoffrey Rowlandson, the oval moss agate displays a particularly interesting pattern of inclusions, set in 18ct yellow gold with small diamonds set to each end, marks for London 2003 and maker’s mark, 5.5cm high £200­300 1723 A gem­set ring with matching pendant by Geoffrey Rowlandson, the ring mounted with a crystal­form section of rock crystal in 18ct yellow and white gold, set with four straps of round brilliant­cut diamonds, the half­ moon­form yellow gold shoulders each set with three black onyx, London marks for 2002, signed, inventory number GR083, size M; with matching rock crystal, diamond and black onyx pendant, with London marks for 2003, signed, inventory number GP015, on a fine bead­link yellow gold neck chain, pendant 4cm £600­800 1724 A jade and diamond ring by Geoffrey Rowlandson, the carved and pierced jade set in a foliate textured 18ct yellow gold mount, with overlapping leaves set with white and coloured diamonds, the shoulders pavé­set with matched yellow diamonds, London marks for 2000, with maker’s mark, signed, inventory number GR036, size L £1,000­1,500 1725 A pair of spiral­form black onyx drop earrings by Geoffrey Rowlandson, the black onyx sections mounted with a white gold spiral, set with diamonds to the upper and lower section, with diamond­set white gold cap suspending from a diamond­set teardrop upper section, unsigned, 12.5cm long £800­1,200 1726 A chrysoprase and diamond­set ring by Geoffrey Rowlandson, the abstract­shaped chrysoprase mounted with two gold straps set with round brilliant­cut diamonds in 18ct gold, London marks for 2001, signed, inventory number GR070, size O £600­800 1727 A moonstone and diamond present ring by Geoffrey Rowlandson, the rectangular box formed with moonstone, with gold straps tied in the centre with a bow, the tapered shoulders pavé­set with round brilliant­cut diamonds in 18ct yellow and white gold, London marks for 2001, maker’s mark, size M £600­800 1728 A diamond­set saddle­form ring by Geoffrey Rowlandson, pavé­set with round brilliant­cut diamonds, with further diamonds to the stirrup strap shoulders in 18ct gold, London marks for 1999, maker’s mark and signed, inventory number GR055, size O £800­1,200 1729 A heliodor and diamond­set stylised hourglass ring with matching earrings by Geoffrey Rowlandson, the ring centred with a baguette­shaped yellow beryl and set with circular­cut diamonds to the corners in 18ct white gold, London marks for 2005, makers mark, size K; with matching heliodor and diamond­set 18ct white gold earrings £800­1,200 1730 A heliodor­mounted gold ring by Geoffrey Rowlandson, the circular­cut yellow beryl set in 18ct yellow gold with eight yellow round brilliant­cut diamonds to each shoulder, London marks for 2003, size N £800­1,200 1731 A moonstone ring by Geoffrey Rowlandson, the oval­shaped cabochon moonstone set in a mount with four stylised ‘Man in the Moon’ figures, each with a small round brilliant­cut diamond eye, with further diamonds between, pierced strap mount in 18ct white gold, London marks for 2000, maker’s mark, size O½ £600­800 1732 A diamond­set bombé ring by Geoffrey Rowlandson, pavé­set with round brilliant­cut diamonds in 18ct white gold, London marks with rubbed date later and maker’s mark, size N £1,500­2,000

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1724

1723 (2)

1722

1729 (3)

1725 1728

1727

1731

1726 1732 1730

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1733 A pair of amethyst, emerald and diamond cluster earrings, the oval­shaped amethysts with polished cabochon tops and pavilion facets, rubover­set in yellow gold within a surround of round brilliant­cut diamonds and quartered with square­shaped emeralds, one with obscured maker's mark, post and clip fittings, 2.5cm high £600­800 1734 A pair of opal and diamond drop earrings, the round brilliant­cut diamonds suspend pear­shaped opal cabochons in yellow gold, 2cm high £500­700 1735 A pair of onyx and diamond cluster earrings, the oval onyx cabochons are set within a surround of round brilliant­cut diamonds in platinum, clip fittings, 2.8cm high £800­1,200 1736 A gaspipe gold collar necklace, set with an emerald and graduated circular­cut diamonds in expanding yellow gold, 40cm long, 60g £2,500­3,000 1737 An Etruscan style gold ring, set with a cabochon sapphire and gold pellet decoration on gold wirework band, size P £400­600 1738 An opal and diamond cluster ring, the white opal is rubover set within a surround of single­cut diamonds, with a single­cut diamond to each shoulder in yellow and white gold, 18ct London hallmarks for 1968, size N½ £800­1,200 1739 A multigem­set gold ring, set with graduated diamonds, a pear­shaped ruby and oval­shaped sapphire in rubover yellow gold setting, size N½ £400­600 1740 A princess­cut diamond solitaire ring, weighing approximately 0.75cts, in 18ct white gold, London hallmarks for 2006, size P £600­800 1741 A pair of sapphire and diamond cluster earrings, set with cabochon sapphires within a surround of round brilliant­cut diamonds in gold, post and clip fittings, 2cm high £1,500­2,000 1742 A pair of black ceramic flowerhead earrings by Chanel, 18ct white gold mounts, signed Chanel and inventory number 601120, 2.5cm wide £500­700 1743 A citrine and diamond­set gold brooch, of oval form, set with graduated oval­shaped citrines and single­ cut diamond pavé­set sections in platinum and gold, rubbed maker’s lozenge, 3.8cm high £600­800 1744 A pair of diamond stud earrings, the round brilliant­cut diamonds weigh approximately 0.70cts total, set in yellow gold, post fittings £400­600 1745 A pair of diamond­set briolette drop earrings, the white stone briolettes suspend from an articulated line of circular­cut diamonds, with marquise­shaped diamond trefoils in white gold, post fittings, 5.8cm high £600­800 1746 A morganite, aquamarine and diamond necklace, the pear­shaped aquamarine suspends a round brilliant­ cut diamond and pear­shaped morganite in platinum and gold, on a fine­link platinum neck chain, pendant 4.5cm high, chain 45cm long £1,800­2,500 1747 A citrine and diamond pendant, centred with a pear­shaped citrine within a border of circular­cut diamonds, with hinged centre section, with further circular­cut diamonds to the bale in white gold, 4.2cm high £400­600 1748 A pair of diamond plaque earrings, pavé­set with round brilliant­cut diamonds in yellow gold, clip fittings, 2.4cm wide £1,000­1,500 1749 A pair of citrine and diamond drop earrings, each pear­shaped citrine suspends from two old circular­cut diamonds in platinum, shepherd’s hook fittings, 4.8cm high £2,500­3,500 1750 A diamond cluster ring, centred with a round brilliant­cut diamond within a quatrefoil surround set with circular­cut and baguette­shaped diamonds in platinum and gold, 1.00cts diamonds total approximately, size N½ £1,000­1,500 1751 A sapphire and diamond three­stone ring, set with an oval­shaped sapphire between brilliant­cut shoulder diamonds in white gold, size M½ £800­1,200 1752

38

A sapphire solitaire ring, the cushion­shaped yellow sapphire claw­set in yellow gold, size L

£600­800

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1734

1733 1740

1739

1738

1737

1735 1736

1742

1741

1747

1743

1746

1748

1745

1751 1744 1750

1752 1749

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1753 An aquamarine and diamond pendant, the diamond­set bow suspends a pear­shaped aquamarine weighing approximately 15.00cts, in platinum, London hallmarks for 2011, 4cm high, on a fine­link platinum neck chain, 42cm long £1,800­2,500 1754 An orange topaz and diamond pendant, the oval­shaped topaz set within a lozenge­shaped surround of circular­cut diamonds, on fine­link white gold neck chain, pendant 3.7cm wide, chain 37cm long £6,000­8,000 Accompanied by report number 78158­11 dated 21 May 2018 from GCS stating that the oval­cut topaz weighs 13.20cts approximately and is a natural orange topaz.

1755 A French lavender jade and diamond ring, the jadeite jade cabochon set within double surround of circular­ cut diamonds in yellow gold, French control mark, with inner re­sizing shank, size O £2,500­3,500 Accompanied by report number 12349 dated 23 February 2016 from The Gem & Pearl Lab stating that the cabochon­ cut jade measures 26.0 x 17.4 x 9.3mm and is natural lavender jadeite jade with no indications of treatment.

1756 A pair of gold foliate drop earrings, designed as a sprig of wild roses, the flower heads centred with a seed pearl within a surround of demantoid garnet stamens, with pink and green enamel decoration, frosted yellow gold foliage, articulated lower section, 8cm high £1,000­1,500 1757 A diamond solitaire ring, the Asscher­cut diamond weighs 0.57cts and is claw­set in platinum, London hallmarks for 2007, size J £600­800 Accompanied by report number 15978388 dated 18 June 2007 from GIA stating that the square emerald­cut diamond weighs 0.57cts, has E colour, SI1 clarity and no fluorescence.

1758

A loose oval­shaped sapphire, 8.41cts

£2,000­3,000

Accompanied by report number 80260­50 dated 18 March 2020 from GCS, stating that the cushion­shaped sapphire weighs 8.41cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1759

A loose oval­shaped sapphire, 3.57cts

£800­1,200

Accompanied by report number 18139 dated 6 December 2019 from The Gem & Pearl Lab stating that the oval­ shaped sapphire weighs 3.57cts and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1760 A diamond­set white gold long chain, set with round brilliant­cut diamonds in spectacle mounts, on a fine­ link white gold chain, 66cm long, 4g total £400­600 1761 A diamond­set platinum neck chain, the navette and circular­shaped links are set with circular­cut diamonds, with diamond­set foliate scroll spacers, 40cm long £800­1,000 1762

A diamond wreath brooch, set with graduated circular­cut diamonds in white gold, 3cm wide £800­1,200

1763 An aquamarine and diamond shamrock brooch, the heart­shaped aquamarines set with diamond accents and a pavé­set diamond centre and stem in platinum and white gold, 5cm high £5,000­7,000 1764 A diamond rivière necklace, the 118 round brilliant­cut diamonds weigh approximately 16cts in total, rubover­set in white gold, 41cm long £8,000­12,000 1765 A pair of turquoise and diamond drop earrings, set with turquoise cabochons in surrounds of graduated circular­cut diamonds with articulated diamond laurels within, set in yellow gold, 5.7cm high, post fittings £3,000­4,000 1766 A turquoise and diamond cluster ring, the oval turquoise cabochon set within a surround of circular­cut and baguette­shaped diamonds in yellow gold, size R £2,000­3,000 1767 A pair of turquoise and diamond earrings by Cartier, the circular turquoise cabochons centred with a circular­cut diamond and set in a gold twisted rope frame, set with further small diamonds, signed Cartier, inventory number N6718, French control marks, 2.5cm wide, green Cartier box £800­1,200 1768 A sapphire and diamond suite of jewellery, including a sapphire and diamond cluster ring, the cushion­ shaped sapphire weighs 3.42cts, set within a surround of round brilliant­cut diamonds, with further diamonds to the shoulders in platinum, size N; a diamond­set platinum half eternity ring, size N; and a pair of pear­shaped sapphire and diamond cluster earrings in white gold, post fittings, 1cm high £1,500­2,000

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1757

1754 1758

1759

1756 1753

1755

1760

1762 1761

1768 (4)

1764

1766

1763

1767

1765

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1769 A gold Tank Francais calendar chronograph wristwatch by Cartier, the signed rectangular dial with Roman numerals, subsidiary dials for date indication, 30 minute and 12 hour registers, chronograph push action start, stop and return, secret signature at 10, blue steeled hands, blue stone cabochon winder, case back signed Cartier and numbered MG275604, quartz movement, on a gold fitted bracelet, signed Cartier, with maker's mark, with deployant clasp, case 28mm £4,000­6,000 1770 A gentleman’s gold Constellation wristwatch by Omega, the signed gold dial with baton numerals, sweep seconds hand, date aperture at 3, automatic movement, case number 168009, movement number 24470089, model number 561, on brown leather strap, 22cm long, case 34mm £1,000­1,500 1771 A gentleman’s steel Oyster Precision wristwatch by Rolex, the signed dial with baton numerals, date aperture at 3, manual movement, on steel band with deployant clasp, case 35mm £600­800 1772 A gentleman’s gold Calatrava wristwatch by Patek Philippe, the signed white dial with black Roman numerals, quartz movement, inscription to outer case back dated 1980, case number 548714, movement number 1503281, model number 3744, on a leather strap, 21cm long, case 33mm £1,500­2,000 1773 A gentleman’s gold wristwatch by Rolex, the signed dial with baton numerals, model number 9577, manual movement, on integrated gold band, French control marks, 19cm long, case 32mm £3,000­4,000 1774 A gentleman’s gold wristwatch by Jaeger LeCoultre, the signed dial with Roman numerals, signed ‘Swiss’ at six, tear drop lugs, case number 12872, movement number 199604, 9ct gold, signed ‘Dennison’ to inside case back, case 33mm, manual movement, on black leather strap, 24cm long £1,000­1,500 1775 A gentleman’s gold wristwatch by Vacheron Constantin, the signed dial with baton numerals and subsidiary seconds dial, manual movement, on flexible gold bracelet, case 3.2cm wide, bracelet 18.5cm long £1,500­2,000 1776 A gentleman’s bi­colour gold wristwatch by Patek Philippe, the signed rectangular dial with Arabic numerals, subsidiary seconds dial at 6, polished spade hands, set in bi­colour gold case, manual movement, case 26mm, black leather band, 21cm long £5,000­6,000 1777 A gold Constellation wristwatch by Omega, the signed textured champagne dial with gilt baton numerals, black outer 1/5th second divisions, date aperture at 3, automatic movement, Roman numerals to bezel in brushed gold, on signed deployant gold strap, case 33mm, 114.7g total £5,000­6,000 1778 A Tank Solo steel wristwatch by Cartier, the signed rectangular white dial with Roman numerals, blue steeled hands, secret signature at 7, quartz movement, blue cabochon crown, case back numbered 715707WX 3169, case 27mm, on Cartier deployant leather and steel strap, with Cartier case and papers £800­1,200 1779 A yellow gold open faced pocket watch by Patek Philippe, the signed dial with Arabic numerals, subsidiary seconds dial, engine­turned decoration to the centre section, case numbered 281648, and 176816, with Russian Cyrillic writing ‘Mockba’, stem­wind, the signed movement numbered 176816; with a yellow gold curb­link watch chain, with gold swivel clips and t­bar, 44cm, 100g, with a late 18th century fob seal mounted with a carnelian, carved with a bird emerging from a cage with the motto ‘La liberte me rend fidelé (Freedom keeps me faithful)’, and a rectangular early 19th century quizzing glass with handle, with shell decoration border, fitted case marked for Hunt and Roskell, with hardwood pocket watch stand £3,000­4,000 1780 An early 19th century gold open faced pocket watch by Hilaire Bassereau of Paris, applied with gold Arabic numerals on a textured gold chapter ring, engine turned decoration to centre section, the back case marked to the interior, with maker’s lozenge IE, numbered 1366, the inner case signed HIL re Bafsereau HGR de L’Empereur & Roi a Paris, key wind movement, with small chain and two watch keys, 5cm diameter, with hardwood pocket watch stand £400­600

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1769

1770

1773

1772

1771

1776

1775

1774

1779

1780

1777

1778

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1781 A gold Cellini wristwatch by Rolex, of tonneau form, the signed dial with gilt baton numerals, manual movement, model no 3801, case 26mm, on Rolex leather band and signed Rolex gold buckle, 19cm long £800­1,200 1782 An 18ct yellow gold chronograph wristwatch by Franck Muller, model 3870, case number 00, the bezel set with two surrounds of round brilliant­cut diamonds, the signed dial set with further diamonds, tapered baguette­ shaped emerald hour markers, start­stop button for chronograph and further button for return, mother­of­pearl subsidiary seconds dial and two further mother­of­pearl dials for 30 minute and 12 hour recording, with further diamonds set to the sides and reverse, case 35mm, manual winding, exhibition case back with signed movement, leather band with diamond­set yellow gold buckle £1,000­2,000 Case numbers 01 and 02 were reserved for models with sapphires or rubies.

1783 A diamond­set 18ct yellow gold alarm watch by Mauboussin, model R21369, case number 103, the bezel set with two rows of round brilliant­cut diamonds, the signed dial with border of diamonds and rubies, with mother­ of­pearl inner section and skeleton centre, swing seconds hand, tapered baguette­shaped diamonds at 3, 9 and 12, case 35mm, automatic self winding, plunge action alarm control button, skeleton back, signed Mauboussin, on leather band with Mauboussin buckle £2,000­3,000 1784 A gold Cellini wristwatch by Rolex, the signed rectangular dial with Roman numerals, Model no. 4103, case 27mm, on leather strap (buckle missing), 23.5cm long £900­1,200 1785 A lady’s gold wristwatch by Vacheron Constantin, the signed silver dial with Roman numerals in white gold case, manual movement, on leather band, 19mm wide, Vacheron Constantin case £400­600 1786 A lady’s gold wristwatch by Bucherer, the signed and textured rectangular dial with baton numerals, manual movement, on textured gold bracelet, case 25mm, bracelet 15.5cm long, 59g total £600­800 1787 A lady’s gold wristwatch by Jaeger LeCoultre, the signed dial with baton numerals, manual movement, movement no. 1758547, case 23mm, on an integrated gold strap, 18cm long, 50.8g total £2,200­2,500 1788 A lady’s gold wristwatch by Bulgari, the signed black square dial with circular­cut diamond numerals, quartz movement, case 22mm, on leather strap with gold buckle, 21cm long £1,000­1,500 1789 A lady’s gold Ellipse wristwatch by Cartier, the signed white dial with black Roman numerals, signed ‘Swiss’ at 6, blue steeled hands, manual movement, case 27mm, signed Cartier Paris to reverse with French control mark, on leather strap with gold deployant clasp signed Cartier £1,500­2,000 1790 A lady’s steel reverso wristwatch, the rectangular dial with Arabic numerals, manual movement, case 16mm, on leather strap, 21cm long £800­1,200 1791 A gentleman’s gold Tank Normale wristwatch by Cartier, the signed square dial with Roman numerals, signed Paris at 6, blue steeled hands, manual movement, case 23mm, case back numbered 780921953, deployant leather strap signed Cartier £2,000­3,000 1792 A lady’s diamond­set yellow gold ‘Sapphire’ dress wristwatch by H Stern, the signed dial pavé­set with brilliant­cut diamonds within a faceted dark blue bezel, signed reverse and numbered 091, quartz movement, the yellow gold brick­link articulated bracelet set with three squares, each pavé­set with diamonds to each shoulder, deployant clasp, 102g total, with box, two spare gold links and papers £1,500­2,000 1793 A platinum Santos wristwatch by Cartier, the square signed white dial with baton numerals, with the National emblem of Oman at 12, sword hands, sweep seconds hand, automatic movement, with faceted synthetic ruby winder, case 24mm, case back signed Cartier and numbered 090103695, on a brushed platinum strap with screw decoration, signed Cartier, with maker’s mark and with deployant clasp £3,000­4,000 Provenance: given as a gift by the current owner's brother, who worked for the Prime Minister of the Royal Court of the Sultan of Oman in the 1980s.

1794 A Tank Americaine gold wristwatch by Cartier, the signed rectangular dial with Roman numerals, manual movement, cabochon winder, case 28mm, case back numbered 20527 17259, French control mark, on black leather strap with gold deployant clasp with French control mark, case by Leon Levi £3,000­4,000 1795 A lady’s diamond cocktail wristwatch by Jaeger LeCoultre, the signed dial within diamond­set case on diamond bracelet in white gold, manual movement, 1.4cm wide, 16cm long £300­400

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1781

1784

1783 1785

1787

1786

1782

1788

1795

1789

1792

1790

1793 1791

1794

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1796 A 19th century gold architectural fob seal, the body formed with four stylised Corinthian columns, supporting a circular pendant section, the triangular bale rising from conjoined stars, the carnelian shaped matrix carved with a shield with five martinets, surmounted with a further martinet crest, the gold base with four flowerhead and leaf decorations, 4.5cm high, fitted case £200­300 1797 An early 20th century necklace suspending fourteen miniature egg pendants, including a chick emerging from a partly­broken egg, a pink guilloche enamel decorated egg suspended from a bow, an egg with spiralling alternate blue and white enamel, a pink guilloche enamel egg with lattice decoration, a green guilloche enamel egg with Maltese cross in white enamel, an opening egg pendant with dark red enamel, and various other egg pendants, the chain with French control marks, 157cm long £1,500­2,000 1798 A mid 18th century carved labradorite scarab­form snuff box, the hinged blue glass cover decorated with polychrome enamel water lilies with textured gold stems, scroll chased gold mounted border, 6.7cm widest £4,000­5,000 1799 A French 18th century gold­mounted pumpkin­form rhodonite box, gold mounts and a hinged section which opens when the stem is pushed to one side, French control marks and maker’s lozenge (probably GM), 6cm wide £1,000­1,500 1800 A carved glass amphora­form scent bottle, possibly Dutch 18th century, with gold mounts, the upper section with hinged cover and removable cork stopper, the spherical and pierced terminal unscrews and probably to form a vinaigrette, the two shaped circular midsection gold mounts each with hinged pendant loop, the base engraved S*W, damaged, 9.3cm high £200­300 1801 A George III gold­mounted agate snuff box, the base rim engraved with foliate decoration, scratched inventory number 7007A, the hinged cover with raised thumbpiece, 4.8cm wide £2,000­3,000 1802 A George III gold­mounted egg­form Blue John box, the hinged gold mounts with undulating decoration, 3.5cm high £300­400

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1796

1797

1801

1802

1798

1800

1799

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1803 A pair of yellow gold cufflinks by Van Cleef & Arpels, signed VCA and inventory number B9077R286, with diamond terminals and interchangeable baton links, including four gold batons with engraved pattern, four hematite, eight crystal, four black onyx, and four tiger’s eye batons £1,500­2,000 1804 A pair of diamond­set gold cufflinks, each circular link set with a trefoil of cushion­shaped fancy­coloured diamonds and pavé­set with circular­cut diamonds, the torpedo­shaped links set with French­cut and circular­cut diamonds, all in white gold, 1.6cm highest £1,500­2,000 1805 A pair of diamond and untested pearl cufflinks, formed with a pearl and old cushion­shaped diamond cluster, the other half set with diamonds and pearl finials in silver and gold, 2cm highest £800­1,200 1806 A pair of early 20th century French diamond­set hardstone cufflinks, each agate disc set with a line of rose­cut diamonds in platinum and gold, French control mark, maker’s lozenge VR, each link 1.5cm wide, case by Boodle & Dunthorne £400­600 1807 A silver and gold frame by Mario Buccellati, with openwork scroll decoration and set with rose­cut diamond accents, with engraved decoration to the oval frame in silver and gold, signed to the locket compartment M Buccellati, 7.8cm high including bale £800­1,200 1808 A pair of early 20th century two­colour gold cufflinks, of circular form with a bird perched amongst foliage, millegrain set with a circular­cut diamond and with conforming terminals £800­1,200 1809 A silver frame by Mario Buccellati, depicting the Madonna and Child engraved on copper, in silver foliate frame with strut back, inscribed to copper reverse ‘Inciso Nella Bottega di Mario Buccellati’, the silver frame with hinged strut support and folding pendant loop, 4.5cm high £800­1,200 1810 A pair of amethyst, diamond and enamel gold cufflinks, each circular link set with a square­shaped amethyst within a surround of white enamel and border of circular­cut diamonds in white gold, each link 1.2cm wide £600­800 1811 A ruby and diamond dress set, comprising four studs and a pair of cufflinks, each link with swirl design centred with a round brilliant­cut diamond and set with circular­cut diamonds and invisibly­set with calibré­cut rubies in platinum and gold, each circular link 1.3cm wide £3,500­4,500 1812 An impressive gem­set Regimental brooch for the 9th Lancers, set overall with circular­cut diamonds and square­cut rubies, further diamonds set to the ‘lancers’, motto to the blue enamel ribbon, 4.5cm wide, case by Hancocks £4,000­6,000 1813 A diamond­set teddy bear gold dress set, comprising a pair of cufflinks and four studs, the teddy bears pavé­set with circular­cut diamonds and with cabochon ruby eyes in yellow and white gold, each 13.6mm high £3,000­4,000

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1803

1804 1807

1805

1808 1806

1810

1809

1812 1811

1813 49

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1814 A diamond solitaire ring, set with a round brilliant­cut diamond weighing approximately 1.00cts, claw set in yellow gold, with inner inscription dated 1981, 18ct London hallmarks for 1981 and maker’s mark EJC, size I £1,500­2,000 1815 A spinel and diamond cluster ring, centred with an oval­shaped spinel weighing 4.83cts, within a surround of round brilliant­cut diamonds in yellow gold, size N £1,000­1,500 Accompanied by report number 1096349­D dated 22 October 2018 from AGL stating that the oval­shaped brownish­red spinel weighs 4.83cts and is a natural spinel with indications of heat treatment. Origin: Burma (Myanmar) 1816 A diamond full circle eternity ring, set with round brilliant­cut diamonds in yellow gold, 18ct London hallmarks for 1983, maker’s mark PJW, size I½ £600­800 1817 A ruby and diamond cluster ring, centred with an oval­shaped ruby weighing approximately 1.90cts, within ballerina mount set with tapered baguette­shaped diamonds in white gold, size R £1,000­1,500 1818 A ruby half­hoop ring, channel­set with French­cut rubies, with engraved decoration to the shoulders and gallery in white gold, size N £800­1,200 1819 A ruby and diamond three­stone ring, set with a cushion­shaped ruby between old circular­cut diamonds in platinum, with inner resizing balls, size M approximately £600­800 1820 A ruby and diamond cluster ring, the oval­shaped ruby set within a surround of circular­cut and baguette­ shaped diamonds in 18ct gold, London hallmarks for 1999, size N½ £1,000­1,500 1821 A ruby and diamond cluster ring, set with a circular­cut ruby within a surround of single­cut diamonds, with further diamonds to the shoulders in platinum and gold, size M £600­800 1822 A ruby and diamond dress ring, the pierced cylindrical yellow gold mount set with varying raised circular­ cut rubies and diamonds within, London hallmarks for 18ct gold, dated 1992, maker’s mark GH, size R £600­800 1823 A tanzanite and diamond cluster ring, centred with a cushion­shaped tanzanite weighing approximately 2.00cts, set within a surround of graduated round brilliant­cut diamonds, with further circular­cut diamonds to the bifurcated shoulders in gold, size O½ £1,200­1,500 1824 A ruby and diamond bombé ring, the cushion­shaped ruby set within domed surround pavé­set with diamonds in white gold, size N½ £4,000­5,000 1825

A ruby full­circle eternity ring, channel­set with calibré­cut rubies in platinum, size O

£400­600

1826 A pair of diamond­set earrings, in the form of stylised wings, set with graduated circular­cut diamonds in yellow gold, 2.6cm wide, post fittings £400­600 1827 A pair of diamond­set disc earrings, set with a quatrefoil of old cushion­shaped diamonds, pavé­set with further circular­cut diamonds in white gold, clip fittings, 2cm wide £1,000­1,500 1828 A pair of South Sea cultured pearl and diamond drop earrings, the slightly drop­shaped white cultured pearl measures 15.49 x 16.96mm and suspends from an oval­shaped fancy yellow diamond within a surround of round brilliant­cut diamonds, the golden­coloured pearl measures 15.69 x 16.76mm and suspends from an oval­ shaped white diamond within a surround of round brilliant­cut yellow diamonds in white gold, 3.2cm high £3,000­4,000 1829 A pair of synthetic ruby and diamond­set cluster ear studs, the oval­shaped rubies set within a surround of small round brilliant­cut diamonds in white gold £300­400 1830 A pair of diamond flowerhead cluster earrings, set with old circular­cut diamonds in white gold, post fittings, 11.5mm wide £600­800 1831 A gem­set gold bracelet, the yellow gold textured and polished flat curb links alternately set with circular­ cut rubies and round brilliant­cut diamonds, 19cm, 47g £1,500­2,000 1832 A pink sapphire and diamond bracelet by Scavia, the two rows of pink sapphire clusters set with diamonds and divided by diamond quatrefoils and cultured pearls in white gold, marked, 18cm long £5,000­7,000 1833 A diamond heart pendant. pavé­set overall with graduated circular­cut diamonds and a diamond­set bale in platinum, 2.1cm high £800­1,200 1834 A diamond­set gold koala brooch, the stylised koala pavé­set with diamonds, climbing a eucalyptus branch in yellow gold, 4.2cm high £600­800 1835 A ruby and diamond­set gold mouse brooch, the stylised mouse pavé­set with diamonds and a ruby eye, the body formed from ruby beads set with diamond terminals, in yellow gold, 3.9cm wide £800­1,200 50

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1814

1815

1818

1825

1817 1816

1824

1823 1822 1821

1830

1820

1829

1819 1828

1827

1831

1826

1832

1835

1833

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1836 A ruby and diamond­set compact by Buccellati, the square case of brushed gold finish with central circular motif set with a cabochon ruby within a single­cut diamond surround, opening to reveal a powder compartment and mirror each within a floral engraved frame, signed Buccellati and numbered, 6.3cm wide, 122.7g £4,000­6,000 1837

A gold torque necklace, with twisted knot motif and hinged opening, 11.6cm inner diameter, 37.4g £1,200­1,500

1838

A gold fringe necklace, the fancy links with pellet and fluted decoration in yellow gold, 41cm long, 54g £1,500­2,000

1839 A sapphire, emerald and diamond dress ring, the cuboid mount set with an oval emerald and sapphire within a border of circular­cut diamonds and baguette­shaped shoulder diamonds in gold, size L½ £1,500­2,000 1840 A diamond­set gold bracelet, the stylised cylindrical links set with diamond trefoils with pierced and ropetwist borders in yellow gold, separated with pierced gold spheres, 24cm long, 95g £2,000­3,000 1841 A ruby and diamond­set gold scroll brooch, designed as a piece of stylised fabric falling through a hoop, set with calibré­cut rubies and single­cut diamonds in white and textured yellow gold, 5.5cm widest £2,000­3,000 1842 A diamond­set gold flower brooch, c1960, with a centre cluster of round brilliant­cut diamonds, pavé­set to the petals, stem and leaves with round brilliant­cut diamonds, within ropetwist border in platinum and gold, the flower head upper section is detachable, signed MP, 5.5cm high (9cm with stem) £1,500­2,000

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1836

1837

1838

1840

1839

1841

1842 53

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1843 A sapphire and diamond cluster ring, the cushion­shaped sapphire is set within a surround of single­cut diamonds in platinum and white gold, size Q £4,000­6,000 Accompanied by report number 79181­32 dated 22 October 2018 from GCS, London stating that the cushion­ shaped sapphire measures 12.8 x 8.5 x 6.0mm approx. and weighs 6.00cts approximately and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon).

1844 An Edwardian seed pearl­set gold necklace, with seed pearl­set flowers on knife­edge links, suspending three­leaf clover drop sections in gold, 43cm long £600­800 1845 An Edwardian gold fringe necklace, set with sapphires, garnets, amethysts and zircons in yellow gold collets on fancy­link yellow gold necklace, 38cm long £2,000­3,000 1846 An Edwardian tourmaline and diamond­set necklace, the centre section mounted with a cushion­shaped tourmaline within diamond­set foliate surround, suspending two pear­shaped tourmalines from fine­link chains set with small diamonds, extending with diamond­set shaded enamel scroll links, seed pearls and four further diamond­ set tourmaline mounts, fine­link gold back chain, 39.5cm, fitted case by Skinner £1,000­1,500 1847 A 19th century silver and gold bow­form brooch, set overall with graduated cushion­shaped and rose­cut diamonds, 4.2cm wide, fitted case by Collingwood £800­1,200 1848 A 19th century silver and gold bow­form brooch, set overall with graduated cushion­shaped and rose­cut diamonds, 3.4cm wide, fitted case by Collingwood £600­800 1849 A pair of diamond drop earrings, the pear­shaped drop sections pavé­set with old circular and single­cut diamonds in silver on gold, one with missing hook, each diamond section 3cm high £800­1,200 1850 A pair of diamond­set drop earrings, the oval­shaped drops of openwork design, with foliate motif set with old circular and rose­cut diamonds, suspended from diamond­set tops in silver on gold, one stone missing, post fittings, 4cm high, fitted case by Hancocks £800­1,200 1851 A pair of diamond cluster earrings, each old circular­cut diamond set within a surround of further diamonds in silver on gold, with suspension loop for lower fittings, 2cm high £1,000­1,500 1852 A diamond solitaire ring, the circular­cut diamond weighs approximately 0.75cts, claw­set in platinum and white gold, size M½, case £400­600 1853 An Edwardian emerald and diamond ring, set with an emerald­cut emerald within two borders of rose­cut diamonds in platinum and gold, size L £2,000­3,000 1854 A diamond crossover ring, the two circular­cut diamonds are claw set, with further circular­cut diamonds to the shoulders in platinum, size P½, case £600­800 1855 A diamond crossover ring, set with two round brilliant­cut diamonds weighing approximately 0.60cts each, with further circular­cut diamonds to the shoulders in platinum and gold, size O½ £1,000­1,500 1856 An opal and diamond pendant, the solid black opal cabochon set within scalloped diamond surround in white gold, 2.7cm high £1,000­1,500 1857 A pair of sapphire and diamond cluster earrings, the oval sapphires are each set within a surround of cushion­shaped diamonds in silver and gold, 1.9cm high £5,000­7,000

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1843

1844

1845

1847

1849

1848

1850

1846

1857 1853

1851

1856 1852

1854

55 1855

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1858 A French aventurine quartz gold ring, c1940, rubover­set in yellow gold with fluted shoulders, rubbed maker’s mark and French control mark, size N £800­1,200 1859 A gold suite of jewellery by FOPE, including a bi­colour gold mesh link necklace by FOPE, signed and with London hallmarks for 1995 and David Morris sponsor’s mark, 43.5cm long, with two mesh­link crossover bangles by FOPE, with cabochon sapphire­set gold finials, signed, together with a pair of gold earrings, of openwork design, 18ct hallmark for 1993 and David Morris sponsor’s mark, clip fittings, 2.8cm high, 251g total £4,000­6,000 Accompanied by original purchase receipt for the earrings dated 30 November 1993 from David Morris, Harrods, London Accompanied by original purchase receipt for one crossover bangle dated 23 March 1998 from David Morris, London Accompanied by insurance valuation for the necklace and one bangle dated 3 July from 1995 from David Morris, London.

1860 A citrine and diamond spray brooch, c1940, mounted with two foliate clusters set with deep orange and yellow citrines, with six circular­cut diamond highlights, on yellow gold sectioned spray design, 10cm high £1,500­2,000 1861 A pair of diamond­set gold ‘Pois Moi’ earrings by Roberto Coin, each earring with square centre section pavé­set with round brilliant­cut diamonds in gold, set with a cicular­cut ruby to the reverse, with Italian hallmark and signed RC, post fittings, 1.4cm high, 8.6g total £400­600 1862 A two­colour gold bombé ring, set with alternating bands of yellow and white gold and a central heart­ shaped diamond within green enamel heart border, size O £1,500­2,000 1863 A diamond bombé ring, the principal old circular­cut diamond weighs approximately 1.75cts, set within a raised surround of smaller diamonds in 18ct yellow gold, London hallmarks for 1998, size O £2,000­3,000 1864 A diamond­set B.Zero 1 gold eternity ring by Bulgari, set with round brilliant­cut diamonds in yellow gold, inscribed Bulgari to the gallery, with Italian hallmark, signed, size V½ £500­700 1865 A sapphire and diamond half eternity ring, set with calibré­cut sapphires and a diamond­set cross centre section in yellow gold, size M½ £400­600 1866

A gold strap bracelet, the textured links with engraved abstract decoration in yellow gold, 18cm long, 81g £1,800­2,000

1867 A pair of cultured pearl­set gold earrings by Chaumet, of circular design and set in polished gold, signed Chaumet Paris, post and clip fittings, 2.1cm high, 13.4g total £600­800 1868 A pair of gold ropetwist earrings by Lalaounis, with textured and plain interlocking loops of yellow gold, with maker’s mark, 2,5cm high £800­1,200 1869 A cultured pearl­set gold ring by Van Cleef & Arpels, set with graduated cultured pearls in gold, signed VCA, inventory number 83947 P16, French control mark and maker’s mark, size L £800­1,200

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1861

1858

1860

1859 (4)

1869

1868

1862

1863

1864

1865

1866

1867

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1870 A pair of ruby and diamond drop earrings, the pear­shaped drop sections set with oval­shaped rubies and round brilliant­cut diamonds, with further circular­cut diamonds to the upper sections in white gold, post and clip fittings, 3.7cm high £1,500­2,000 1871 A pair of tapered ruby bead drop earrings, suspending from ruby and diamond clusters in white gold, diamonds approximately 1.60cts total, 5.5cm high £8,000­10,000 1872 A pair of emerald and diamond drop earrings, the emerald cabochons suspend a rose­cut diamond­set chevron and a further pear­shaped emerald cabochon in white gold, screw fittings, 2.8cm high £1,500­2,000 1873 A diamond solitaire ring, set with an old circular­cut diamond weighing approximately 0.55cts in a square­ shaped mount, in palladium, approximately size I½ £800­1,200 1874 An emerald and diamond cluster ring, the emerald­cut emerald is set within a surround of circular­cut diamonds in platinum and gold, size O, case £1,000­1,500 1875 A pair of emerald and diamond scroll clip earrings, set with emeralds and graduated circular­cut diamonds in platinum with white gold clip fittings, 3cm high £1,000­1,500 1876 An emerald and diamond convertible pendant ring, the emerald­cut emerald weighs approximately 9.75cts, set within a double surround of round brilliant­cut and marquise shaped diamonds in platinum, the cluster section detaches to be worn as a pendant, French import marks to the retractable pendant bale, pendant 3.2cm high (including bale), ring size N½ £6,000­8,000 1877 A diamond rivère necklace, the graduated round brilliant­cut diamonds are claw­set in white gold, approximately 11.00cts total, 41.5cm long £8,000­12,000 1878 A diamond solitaire ring by Tiffany & Co, the round brilliant­cut diamond weighs 2.10cts, set in platinum with four round brilliant­cut diamonds to each shoulder, signed Tiffany & Co, with rubbed London platinum marks for 1960, engraved to interior 2.10ct, numbered 1799343, size J, Tiffany box £12,000­15,000 1879 A pair of diamond cluster earrings, each stud set with seven round brilliant­cut diamonds in white gold, diamonds approximately 2.32cts total £1,500­2,000 1880 A diamond spray brooch, set with graduated marquise, circular and baguette­shaped diamonds in platinum, 4.8cm long, 61g £1,000­1,500 1881 An emerald and diamond scroll bracelet, each link set with emeralds and diamonds within brushed white gold border, 19cm long £1,500­2,000 1882 A pair of diamond stud earrings, the old circular­cut diamonds weigh approximately 1.09 and 1.20cts, set in white gold £2,500­3,500

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1870

1872

1871

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1879

1874

1875

1880

1877

1878

1876

1881 1882

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1883 A late Victorian emerald and diamond cluster ring, set with five square­shaped emeralds within cushion­ shaped diamond borders, mounted in yellow gold, size N £200­300 1884 A cultured pearl and diamond crossover ring, set with a cultured pearl and old circular­cut diamond on a £300­400 plain yellow gold crossover ring, maker's mark H. W. Ld, size P1⁄2 1885 A circular diamond plaque ring, pavé­set set with a cluster of round brilliant­cut diamonds in yellow and white gold, with pierced scroll decoration to the gallery, approximately 1.15cts diamond approximately, size N½ £800­1,200 1886 A fire opal and diamond­set cluster ring, the cushion­shaped opal is set within a surround of circular­cut £1,200­1,500 diamonds, with further diamonds to the scroll shoulders in white gold, size K1⁄2 1887 An emerald and diamond cluster ring, set with an emerald­cut emerald within a surround of round brilliant­ cut diamonds in gold, size R½ £600­800 1888 A French early 20th century synthetic sapphire and diamond ring, the cushion­shaped synthetic sapphire is set in geometric design sapphire and diamond surround in platinum and yellow gold, French control mark to shank, size O £400­600 1889 A 19th century Austro­Hungarian Egyptian Revival gold brooch pendant by Carl Bacher, the eagle centred with a carved cabochon sapphire set with diamonds in the form of a scarab, decorated with blue and white enamel with fine wine work mounts, signed CB to reverse and control mark, suspended from a fine­link gold chain and enamel lotus bale and a seed pearl­set fine­link gold necklace, pendant 3.5cm high, necklace 40cm £1,500­2,000 1890 An early 20th century Egyptian Revival gold brooch, depicting a vulture centred with a faïence scarab, clutching lotus pods and surmounted with a cabochon ruby, polychrome enamel decoration overall and engraved to reverse, 3.5cm wide £800­1,200 1891 A 19th century French Egyptian Revival brooch and matching earrings attributed to Emile Philippe, depicting the bust of the goddess Hathor, the brooch centred with a scarab set with a cabochon turquoise in silver, supported by sphinxes to the base and with lotus pods below, set with further cabochon red stones and turquoise, with polychrome enamel decoration, conforming silver earrings, with a fringe of turquoise coloured enamel drops, unsigned, pendant 5.5cm high, fitted case marked ‘MED:D’OR 1867 EMILÉ PHILIPPE FP.D’ OBJET ART 36 RUE GRENÉTA’ £1,500­2,000 An identical set exhibited in Centennial International Exhibition Philadelphia, 1876.

1892 An early 20th century Egyptian Revival brooch, centred with an oval opal between two sphinxes and lotus flowers, decorated in polychrome enamel and engraved to the reverse £500­700 1893 An Art Deco Egyptian revival polychrome enamel pocket watch by Plojoux Geneve, the signed champagne dial with Arabic numerals, ornate inner rail track and subsidiary seconds dial, the case decorated with stylised lotus flowers and scarabs in enamel, caseback signed and numbered 381202, manual winding Plojoux Geneve 17 jewel movement £2,000­3,000 1894 An Edwardian gem­set and enamel gold brooch pendant, with white enamel decoration on gold, set with seed pearls, suspending an amethyst on knife­edge link below a rose­cut diamond­set foliate section in silver on gold (one diamond missing), 3.2cm high, fitted case by Carrington & Co £600­800 1895 An Edwardian sapphire and enamel gold brooch, of foliate scroll design, centred with a heart­shaped sapphire, with polychrome enamel decoration on gold, 3.8cm wide, fitted case £600­800 1896 An Edwardian pearl and diamond brooch, set with a centre line of pearls, with circular and rose­cut diamonds millegrain set to the pierced platinum mount, 6.1cm wide £800­1,200 1897 A 19th century Egyptian Revival gold pendant, designed as lotus flowers with scroll work centre and decorated overall with polychrome enamel, suspending five lapis lazuli beads, centred with two smaller lapis lazuli beads, 7.5cm high, case by Fred Leighton £800­1,200 1898 A 19th century Egyptian Revival Pharaoh’s head gold stick pin, realistically formed with red and green enamel decoration to his headdress and centred with a circular­cut diamond, 1.5cm wide £300­400 1899 An early 20th century Egyptian Revival ankh stick pin, millegrain­set with graduated old circular­cut diamonds in platinum, gold shaft, the ankh 1.7cm high, fitted case £200­300 1900 A pair of ruby and diamond cluster earrings, the oval­shaped rubies set within a surround of graduated round brilliant­cut diamonds in white gold £3,500­4,000 Accompanied by report number 17210 dated 30 April 2019 from The Gemmological & Pearl Laboratory stating that the oval­shaped rubies measure 7.4 x 5.9 x 2.3mm and 7.3 x 6.2 x 2.0mm and are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar) 1901 A diamond solitaire bar brooch, the old circular­cut diamond weighs approximately 1.20cts, set in white gold, 5.8cm wide, case £1,000­1,500 60

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1883

1884

1891 (3)

1885

1886

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1888

1889

1890 1892

1893

1898

1899

1897

1896 1894

1900 1895 61 1901

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1902 A Victorian ruby and diamond brooch, set with cushion­shaped rubies and diamonds in silver and gold, detachable brooch fitting to reverse, 3.8cm high £1,000­1,500 1903 A Victorian sapphire half­hoop ring, the graduated cushion­shaped sapphires set with diamond pointers in carved and pierced yellow gold shank, size R £800­1,200 1904 A Victorian heart­shaped diamond cluster ring, set with a central pear­shaped rose­cut diamond within surround of graduated rose­cut diamonds in yellow gold, size L, case £2,000­3,000 1905 A 19th century French natural pearl and diamond bangle, set with a white pearl and a grey natural pearl, old cushion­shaped diamonds and further old circular­cut diamonds to the shoulders in gold, French control mark, 5.2cm wide £1,500­2,000 Accompanied by report number 80260­52 dated 18 March 2020 from GCS stating that the grey pearl measures 7.5 x 7.3 x 7.1mm approx. and is natural saltwater with no indications of treatment. It was not possible to test the white pearl due to the setting.

1906 An early 20th century ruby and diamond half­hoop ring, set with three oval­shaped rubies and four old circular­cut diamonds in yellow gold, with scroll engraved shoulders, size N £500­700 1907 A Victorian navette­shaped diamond cluster ring, set with graduated old cushion­shaped diamonds in gold, size R½ £200­300 1908 A diamond and seed pearl choker necklace, the early 20th century square­form centre piece with lattice form centre section set overall with rose­cut diamonds within a similar border, suspending an articulated festoon with two cultured pearls and further rose­cut diamond drop, in silver on gold, 6cm wide, with sixteen strands of seed pearls, two gold spacing bars and a similar shaped gold clasp, 35cm long £2,000­3,000 1909 A Victorian cultured pearl and diamond­set bow brooch, the stylised bow set with old circular­cut diamonds and a cultured pearl, suspending two knife­edge links with old­cut diamond finials, 4.5cm high, case by Tessier £600­800 1910 A Victorian gem­set lizard brooch, set with oval­shaped sapphires, seed pearls and ruby eyes in silver on gold, 7cm long, case £1,000­1,500 1911 A late 19th century diamond­set open crescent brooch, set with two rows of graduated old circular­cut diamonds in platinum and yellow gold, 5.5cm wide £400­600 1912 A late Victorian diamond pendant brooch, centred with an old cushion­shaped diamond weighing approximately 1.20cts, in a quatrefoil surround with laurel motif and set with old cushion­shaped diamonds, suspending a hinged lower section with diamond drop, with further diamonds to the fleur­de­lys bale, in silver on gold, detachable brooch fitting, detachable pendant loop, 6.8cm high £6,500­8,000 1913 A late 19th century diamond­set lizard brooch, pavé­set overall with rose­cut diamonds in silver and gold, 6.5cm long £1,000­1,500 1914 A Victorian gem­set dragonfly brooch, the body formed from a cabochon emerald and kite­shaped rubies with diamond and ruby wings and ruby cabochon eyes in silver and gold, wingspan 7cm £3,000­4,000 1915 A Victorian sapphire and diamond quatrefoil brooch, the oval­shaped sapphire is set within foliate surround of graduated old cushion­shaped diamonds in silver and gold, 2.5cm wide £700­900 1916 An early 19th century diamond­set foliate brooch, the floral spray set overall with graduated rose­cut diamonds in silver on gold, 5.3cm high £600­800 1917 A late Victorian diamond­set foliate brooch, the principal diamond flower head set with an old cushion­ shaped diamond and mounted ‘en tremblant’, the leaves pavé­set with old cushion­shaped diamonds in silver and gold, 5.5cm long £400­600

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1904 1902

1906

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1908

1909

1910 1914

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1912

1911

1913 1915

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1918 A diamond solitaire ring by Cartier, the round brilliant­cut diamond weighs approximately 0.70cts, claw set in yellow gold, signed Cartier, inventory number RO8665, 18ct London hallmarks for 1997, size J½, case by Cartier £1,500­2,000 1919 A ruby and diamond cluster ring, of flowerhead design, centred with an oval­shaped ruby within a surround of round brilliant­cut diamonds in gold, size K½ £2,500­3,500 Accompanied by report number 79226­61 dated 21 August 2019 from GCS stating that the cushion­shaped ruby weighs 0.80cts approximately and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 1920 A sapphire and diamond cluster ring, set with an oval­shaped sapphire within a surround of old circular­ cut diamonds in platinum and white gold, size Q½ £4,000­6,000 Accompanied by report number 267438/20047395 dated 6 January 2020 from AnchorCert stating that the oval­ shaped sapphire weighs approximately 3.97cts and is a natural sapphire with no indications of heat treatment.

Origin: Sri Lanka (Ceylon) 1921 A pair of diamond drop earrings, set with marquise­shaped diamonds and suspending pear­shaped diamond drops in platinum, approximately 2.30cts total, post fittings, 2cm high £4,000­6,000 1922 A diamond­set gold pendant by Cartier, designed as a hexagonal bolt finial, pavé­set to the centre with single­cut diamonds in yellow gold, signed Cartier, inventory number 102242, 1cm high, on a fine­link gold neck chain, French control mark, 40cm long £400­600 1923 A diamond necklace by Cartier, set with a round brilliant­cut diamond weighing approximately 0.27cts, claw­set in white gold, the clasp signed Cartier, with maker's lozenge, French control mark and London hallmarks for 2002, numbered C113117, 42cm long, Cartier suede pouch and papers £500­700 1924 A pair of diamond cluster earrings, set with graduated round brilliant­cut diamonds in white gold, the diamonds weigh approximately 3.20cts in total, 12mm wide £1,000­1,500 1925 A pair of ruby and diamond flower head cluster earrings, each centred with an oval shaped ruby within a surround of five marquise shaped diamonds, 21mm high £6,000­8,000 Accompanied by report number 78138­48 dated 18 January 2018 from GCS stating that the two cushion­shaped rubies weigh approximately 1.70cts total and are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar) 1926 A ruby and diamond flower head brooch, 1950s, the centre set with circular­cut rubies, the petals pavé­ set with circular­cut diamonds in platinum, 3.5cm wide £1,500­2,000 1927 A diamond heart pendant by Cartier, set with round brilliant­cut diamonds in gold, signed Cartier, maker’s mark JC, 18ct London marks for 1975, 2.8cm high including bale £400­600 1928 A diamond dress ring, the three undulating scrolls set with graduated baguette­shaped diamonds within borders of circular­cut diamonds in white gold, size N £4,000­6,000 1929 A gold ‘Narciso’ ring by Pomellato, set with an oval­shaped citrine in brushed pink gold, signed Pomellato to the shoulder, approximately size K £1,500­2,000 1930 An aquamarine and diamond ring, set with an emerald­cut aquamarine weighing approximately 15.80cts, with baguette­shaped shoulder diamonds in white gold, size M½ £1,000­1,500 1931 A gem­set gold bracelet, set with round brilliant­cut diamonds, square­shaped emeralds, and various pear, oval and marquise­shaped rubies, sapphires, pink and yellow sapphires and aquamarines, French import mark, 19cm long £6,000­8,000 1932

A wide gold bracelet by Superoro, designed as polished gold brick links in 18ct yellow gold, 19cm long, 130g £4,000­6,000

1933 A pair of gem­set drop earrings, of openwork foliate design, set with round brilliant­cut diamonds, pear­ shaped rubies and demantoid garnets in white gold, post fittings, 5.2cm high £1,500­2,000 1934 A gold panther brooch by Cartier, of stylised form, set with an onyx nose and emerald eyes in yellow gold, signed Cartier London, maker’s mark JC to reverse, inventory number R5721, 5.7cm wide £1,500­2,000

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1918

1920 1923 1922 1921

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1925 1926

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1929 1930

1931

1932

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1935 A pair of George III gold mourning rings, each with mourning inscription in black enamel, one dated 1809, 18ct London marks for 1809 and maker’s mark SG, size P½, the other dated 1806, London marks for 1806, maker’s mark MG, size Q £400­600 1936 An early 19th century shell cameo gold suite of jewellery, including a necklace and brooch, the shell cameos set in gold cannetille mounts with pellet decoration, necklace 39cm long, largest cameo 3cm wide, brooch 3.5cm wide, fitted case £1,500­2,000 The cameos depicting: Necklace (from male clasp end): Venus seated next to a ritual pyre of love, Psyche and infant Cupid, Cupid riding a chariot pulled by lions (an allegory of the conquest of strength by love), Victory riding a biga, the infant Bacchus entrusted to the Nymphs, Aurora riding a biga, Cupid riding a chariot pulled by two stags, Venus and infant Cupid, Fidelity with a dog, Cupid playing the double pipes. Brooch: a Bacchic revel 1937 A George III gold mourning ring, the fluted gold shank set with plaited hair and the initials GA, with inner inscription for 1797, size R½ £150­250 1938 A Victorian black enamel and gold mourning ring, decorated with gold lettering for ‘IN MEMORY OF’ on plain black enamel band, Birmingham marks for 18ct, 1872, size P £200­300 1939

A George II black and white enamel gold mourning ring, with inscription for Plaister 1756, size L½ £100­200

1940 A Victorian garnet and seed pearl cross pendant, set with graduated garnet cabochons in repoussé yellow gold mount, 11.5cm high £1,200­1,500 1941 A Masonic gold locket ring, set with a hardstone intaglio with Masonic engraving, on foliate engraved band with hinged compartment opening to reveal plaited hair, size P½ £400­600 1942 A carnelian gold signet ring, the oval­shaped carnelian engraved with arms, crest and motto, in cut­down collet mount with bifurcated shank, size L½ £150­250 1943

A circular diamond ring, set with table­cut diamonds, with openwork shoulders in white gold, size I £600­800

1944 An Edwardian plaited hair and gold mourning ring, with engraved decoration to the five yellow gold panels, Chester marks for 15ct, 1914, size V½ £150­250 1945 A George III diamond, seed pearl and enamel gold mourning ring, set with a circular­cut diamond within a surround of seed pearls, with black enamel and scroll engraved decoration to the trifurcated shoulders in gold, maker’s mark IG, London hallmarks for 1792, size P £200­300 1946 A Regency long guard chain, the twisted circular links with granular decoration in yellow gold, the barrel­shaped clasp set with seed pearls, 79cm long, 32g £1,500­2,000 1947 A Regency gold chain, the circular links engraved with foliate decoration, with a rectangular clasp with inscription for 1835, 34cm long, 64g £2,000­2,500 1948 A George III garnet rivière necklace, the graduated oval­shaped garnets are set in closed back yellow gold mounts and suspend a garnet cross, necklace 40cm long, cross 3.8cm long £800­1,200

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1936 part

1935

1938

1939

1937

1945

1944 1940

1943

1942

1941

1946

1947

1948 67

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1949

An Art Deco diamond plaque ring, set with graduated old cushion­shaped diamonds in white gold, size N £300­400

λ 1950 A French Art Deco coral­mounted silver ring, the oval­shaped coral cabochon is set in a raised tapered slat­form silver ring, French control mark, maker’s lozenge with a skull between initials AA, size J £200­300 1951 A jade and diamond plaque brooch, set with a carved oval jadeite panel depicting flowers quartered with stylised diamond trefoils in white gold, 3.8cm wide £600­800 1952 A diamond cluster ring, centred with an old circular­cut diamond weighing approximately 1.75cts, within an openwork surround set with single­cut and baguette­shaped diamonds in platinum, size P £3,000­4,000 1953 An Art Deco emerald and diamond ring, the four emerald­cut emeralds set within a surround of single­cut diamonds in platinum, with diamonds set to the shank, size M½ £1,500­2,000 1954 An emerald and diamond pyramidal cluster ring, set with graduated circular­cut diamonds and emeralds in platinum, size K½ £1,000­1,500 1955 A French silver Modernist ring, set with a white stone and synthetic rubies in geometric silver mount, maker’s mark possibly GS and French control mark, size K £200­300 1956 An Art Deco diamond ring, of geometric design, set with baguette­shaped and circular­cut diamonds in platinum, size J £2,500­3,500 1957 A diamond­set white gold necklace, the triangular­shaped pendant of geometric openwork design, with hinged lower section set with four graduated circular­cut diamonds, pavé­set overall with circular­cut diamonds, with further circular­cut diamonds to the necklace, pendant 4.5cm high, necklace 44cm long £2,000­3,000 1958 An Edwardian ruby and diamond plaque ring, of rectangular form, centred with three graduated circular­ cut rubies within a surround millegrain­set with old circular­cut diamonds, two baguette­shaped rubies to each shoulder, in platinum, size E (with resize pellets) £300­400 1959 A pair of diamond stud earrings, the French­cut diamonds weigh approximately 1.40cts in total, claw­set in white gold, post fittings £1,200­1,500 1960 A diamond and sapphire bracelet, centred with a marquise­shaped diamond weighing approximately 2.00cts, within calibré­cut sapphire border, the bracelet with diamond­set floral decoration and further lines of calibré cut sapphires in platinum and white gold, French import marks, 18.3cm long £8,000­12,000 1961 An Art Deco diamond bracelet, mounted with graduated circular­cut and baguette­shaped diamonds weighing approximately 10.00cts total, in platinum, partially obscured French control marks to the clasp, 18.3cm £10,000­15,000 1962

A diamond line bracelet, set with graduated old circular­cut diamonds in square platinum settings, 18cm long £3,000­4,000

1963

A diamond charm pendant, the high­heeled shoe set with assorted diamonds in platinum, 1.8cm high £1,000­1,500

1964 A diamond charm pendant, the duck pavé­set overall with circular­cut diamonds, with ruby eye and baguette­shaped diamond beak in platinum, 2.5cm high £1,000­1,500

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1949

1950

1951

1959

1952

1958 1960 1953

1954 1957 1961 1956

1955 1962

1964 1963

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1965

A natural pearl and diamond ring, the stylised bow shoulders set with rose­cut diamonds in platinum, size P½

£12,000­15,000

Accompanied by report number 80260­53 dated 18 March 2020 from GCS, stating that the light brown pearl measures 14.3 ­ 14.6 x 11.0mm and is natural saltwater with no indications of treatment.

1966 A graduated natural pearl necklace, the centre three rows of graduated pearls suspend from two white gold oval discs each centred with an oval­ shaped ruby on white enamel ground, within a border of millegrain­set rose­cut diamonds, the back section with two rows of pearls and with a ruby and diamond­set white gold clasp, 39cm £3,000­4,000 Accompanied by report number 80262­54 dated 3 June 2020 from GCS, stating that the cream pearls measure 1.8 ­ 5.6mm approximately and are natural saltwater with no indications of treatment. Comment: The necklace contains pearls under 3mm in size. These 'seed pearls' may be either natural or cultured.

Accompanied by report number 80263­19 dated 3 June 2020 from GCS, stating that the cushion­cut rubies are natural rubies with no indications of heat treatment. Origin: Burma (Myanmar) 1967 A natural pearl and diamond necklace, alternately­set with ninety­one natural pearls and ninety briolette­cut diamonds, with a diamond­ set clasp in platinum, pearls 56.68cts total, briolette­cut diamonds 14.77cts total, French platinum hallmark and obscured maker’s lozenge, 116cm long £20,000­30,000 Accompanied by report number 80238­06 dated 31 October 2019 from GCS stating that the 91 cream pearls measure 3.0 ­ 6.7mm and are natural saltwater with no indications of treatment.

1968 An early 20th century natural pearl and diamond pendant, the natural pearl with rose­cut diamond­set cap, suspending from articulated graduated old circular­cut diamonds in silver and gold, on a fine­link neck chain, pendant 3.5cm high, chain 38cm long, case by Tessier £1,500­2,000 Accompanied by report number 80257­33 dated 5 March 2020 from GCS stating that the cream pearl measures 8.1 ­ 8.3 x 10.3mm approximately and is natural saltwater with no indications of treatment.

Provenance: Lady Grace Hunter Weston, nee Strang­Steel, (1884­1954), bequeathed to her goddaughter Helen M. Clark in 1954 and thence by descent to the current owner.

1969 A natural pearl and diamond cluster ring, the natural pearl measures 9.7­9.8mm approximately, set within a surround of old circular­cut diamonds, with foliate and ropetwist decoration to the gallery in platinum, size I £1,000­1,500 Accompanied by report number 80260­54 dated 18 March 2020 from GCS, stating that the cream pearl weighs 5.66cts and is natural saltwater with no indications of treatment.

1970 An early 20th century natural pearl and diamond cluster ring, the natural half pearl set within a surround of circular­cut diamonds in platinum and gold, size L £1,000­1,500 Accompanied by report number 80258­59 dated 6 March 2020 from GCS stating that the cream half pearl measures 7.7 ­ 7.8 x 6.0mm and is natural saltwater with no indications of treatment.

1971

A pearl and diamond crossover ring, set with two pearls with round brilliant­cut diamonds to the shoulders in platinum, size I £800­1,200

Accompanied by report number 01229 dated 9 October 2008 from The Gem & Pearl Laboratory, stating that the two button­shaped pearls weigh 2.48 and 2.33cts and are natural pearls.

1972

A single­row natural pearl bracelet, the graduated natural pearls set with a diamond cluster clasp, 17cm long

£2,000­3,000

Accompanied by report number 80260­56 dated 23 March 2020 from GCS stating that the cream pearls pearls measure 3.6 ­ 7.9mm and are natural saltwater, with the exception of 1 pearl, which is freshwater (natural or cultured).

1973

A single­row natural pearl necklace, the pearls graduate from 3.2­7.5mm, set with a gold clasp, 55cm long

£1,000­2,000

Accompanied by report number 80257­28 dated 5 March 2020 from GCS stating that the cream pearls measure 3.2­7.5mm and are natural saltwater with no indications of treatment.

1974 A single­row graduated natural pearl necklace, the pearls graduate from 2.9­7.9mm, the clasp set with a circular­cut sapphire and small diamonds, 60cm long £4,000­6,000 Accompanied by report number 80262­55 dated 1 June 2020 from GCS, stating that the 107 cream pearls measure 3.0 ­ 7.8mm and are natural saltwater, with the exception of one cultured pearl (beaded saltwater) at position 103.

1975 A three­row pearl and emerald necklace, set with two rows of graduated pearls and a single row of emerald beads alternately­set with seed pearls, with a rose­cut diamond, emerald and seed pearl flower head clasp, 49cm longest £2,000­3,000 Accompanied by report number 80260­55 dated 23 March 2020 from GCS stating that the 141 cream pearls measure 3.9 ­ 6.7mm approximately, of which 69 are natural saltwater pearls and 72 are beaded saltwater cultured.

1976

A single­row natural pearl necklace, the pearls graduate from 3.2­6.3mm, with a rose­cut diamond clasp, 53cm long

£1,000­2,000

Accompanied by report number 80257­32 dated 5 March 2020 from GCS stating that the cream pearls measure 3.2 ­ 6.3mm approximately and are natural saltwater with no indications of treatment.

1977 A Victorian natural pearl and diamond stick pin, the natural half pearl set within a surround of old cushion­shaped diamonds in gold, the cluster unscrews from the stick pin, 7cm high £600­800 Accompanied by report number 79206­12 dated 1 April 2019 from GCS stating that the cream half pearl measures 6.9­7.0 x 4.8mm and is a natural saltwater half pearl with no indications of treatment.

1978

A pair of natural pearl stud earrings, on white gold post fittings

£800­1,200

Accompanied by report number 78171­31 dated 22 August 2018 from GCS, London stating that the grey to black pearls measure 13.3 x 11.7 x 10.5 and 12.9 x 12.5 x 10.3mm and are natural saltwater. Comment: the surface of the pearls has been worked.

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1965

1966

1967 1969

1970

1968

1973 1971

1972

1974

1977

1975

1976 1978

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1979 A Victorian diamond and moonstone cherub brooch, the carved moonstone head set above rose­cut diamond wings in silver on gold, 3.5cm wide £200­300 1980 A 19th century diamond­set brooch, with blue enamel decoration within a surround of graduated old cushion­shaped diamonds, the blue enamel dome surmounted with a diamond­set star in silver on gold, locket compartment to reverse (missing glazed cover), 3cm high £800­1,200 1981 A late Victorian bloodstone and seed pearl locket pendant, the bloodstone applied with a diamond and pearl star within a border of graduated seed pearls, suspended from a bloodstone and seed pearl bale in yellow gold, 5.8cm high £800­1,200 1982 A Victorian green enamel heart­shaped locket pendant, opening to reveal a glazed compartment containing hair, on fine­link gold neck chain set with seed pearls, chain 38cm long, pendant 2.1cm high, in a green leather heart shaped Child & Child box £400­600 1983 An early 19th century sardonyx cameo depicting a female blackamoor, c1800, in an Austro­Hungarian silver gilt pendant set with garnets and red stones including paste, cameo 3.9cm high, pendant 5.8cm high, fitted case £800­1,200 1984 A gem­set and enamel Holbeinesque pendant, set with a central oval garnet cabochon within polychrome enamel border set with chrysolites and suspending a chrysolite drop in yellow gold, engraved decoration to reverse, 7cm high, on fine­link gold chain set with seed pearls, 120cm long £1,000­1,500 1985 A Victorian gem­set gold locket pendant, of oval quatrefoil form, surmounted with a cross set with diamonds, seed pearls and a ruby, with pellet decoration and suspended from a bow, glazed locket compartment to reverse, 5.5cm high £1,200­1,500 1986 A Victorian diamond and enamel cruciform pendant, the cross with diamond foliate decoration, blue enamel in silver on gold, on a gold snake­link chain set with a sliding blue enamel heart locket decorated with a diamond forget­me­not, chain 48cm long, pendant 4.2cm long £1,000­1,500 1987

A 19th century sardonyx cameo stickpin, depicting Nyx, in yellow gold rubover setting, case

£400­600

1988 A pair of Victorian garnet­set gold drop earrings, of foliate design, set with pear­shaped garnets in repoussé gold mounts, shepherd’s hook fittings, 5.2cm high £300­400 1989 A diamond half­hoop ring, set with five graduated old circular­cut diamonds in carved and pierced yellow gold mount, size Q £4,000­6,000 1990 An untested pearl and diamond ring, centred with a half pearl within a surround of old cushion­shaped diamonds in gold, size N £200­300 1991 A Victorian navette­shaped diamond ring, set overall with graduated old circular­cut diamonds in yellow gold, with inner inscription for 1900, size M½, box £1,000­1,500 1992 A pair of 19th century blackamoor cameo rings, each mounted with a hardstone cameo of a blackamoor, female and male, in closed­back yellow gold mounts, size N½ and size N £1,500­2,000 1993 size K

A 19th century diamond solitaire ring, the old cushion­shaped diamond is set within gold scroll surround, £300­400

Family tradition dictates that the ring belonged to Empress Zinat Mahal (1823 – 1886) of Dehli, and was acquired

by Capt. George Fraser during Indian Rebellion, 1857. Thence by descent to its current owner.

Accompanied by an affidavit and transcribed letter from Capt. George Fraser. λ 1994. A Victorian coral and pearl half­hoop ring, set with diamond pointers in yellow gold, size N½

£400­600

1995 A Victorian garnet and diamond snake necklace, the stylised serpent with a cabochon garnet head suspends a garnet heart on gold snake­link body, 37.5cm long, original fitted case £2,000­3,000 1996 A late 19th century sapphire and diamond­set turtle brooch, the body centred with a rose­cut diamond within a surround of pear­shaped sapphires, with further diamonds set to the feet in silver and gold, 3cm high £1,000­1,200 1997 A pair of ruby and diamond cluster earclips, the circular rubies set within alternating smaller and larger circular­cut diamonds in white gold, 1cm wide £1,200­1,500 Accompanied by report number 80251­70 dated 27 January 2020 from GCS, London stating that the cushion­ shaped rubies measure 5.8 x 5.4 x 3.0 and 5.8 x 5.1 x 2.4mm approx. and weigh 1.50cts total approx, and are natural rubies with no indications of heat treatment. Origin: Thailand (Siam).

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1982

1981

1980

1984

1979 1983

1985

1986

1987

1988

1997 1994 1991 1993

1990 1996 1989

1992 (2)

1995

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1998 A Victorian gem­set gold ring, set with emeralds, rubies and seed pearls in 18ct yellow gold, Birmingham marks for 1866, size M £150­250 1999 A Victorian garnet five­stone ring, set with cushion­shaped garnets in a gold scrolling mount, engraved decoration to the shank, obscured 15ct hallmarks and maker’s mark P&S, size O £200­300 2000 A George IV diamond and turquoise cluster ring, of flowerhead design, centred with a rose­cut diamond within a surround of turquoise, with foliate engraved decoration to the shank in gold, 18ct hallmarks for London 1828, size P £600­800 2001 A pink sapphire and diamond half­hoop ring, set with round brilliant­cut diamonds and French­cut pink sapphires, with foliate engraved decoration to the shoulders in gold, size K £200­300 2002 A Regency gem­set gold ring, of flowerhead design, set with an emerald, seed pearls and red stones, with further foliate engraved decoration and fluted shank in gold, size O £200­300 2003 A 19th century ruby and emerald collar necklace, formed as a series of openwork and scrolling links decorated with applied foliate decoration and set throughout with oval and cushion­shaped rubies and emeralds in gold, 35cm long, 105g £2,000­3,000 Previously sold Bonhams Edinburgh, 9th June 2010, lot 103 2004 A pair of Regency gem­set gold drop earrings, the foliate scroll repoussé gold mounts with pellet decoration and set with peridots and rubies, shepherd’s hook fittings, 8.5cm high £3,000­4,000 2005 A diamond cluster ring, of flowerhead design and set with rose­cut diamonds in silver on gold closed­back setting, with further diamonds to the foliate shoulders, size M approximately £1,500­2,000 2006 A Regency gold ring, the plaited gold band suspending five articulated pierced gold plaques, two set with seed pearls, size N½ £200­300 2007 A Regency gold bracelet, the clasp set with pink topazes and a green stone within gold filigree surround on fancy circular­link bracelet in yellow gold, 16.5cm long, 32g £1,000­1,500 2008 A late George III diamond pendant, centred with a rose­cut diamond in closed­back silver mount, set within two rows of small cushion­shaped diamonds, suspending a pear­shaped and smaller cushion­shaped diamond in open­backed silver and gold mount, diamond­set gold bale, 4cm total height £600­800 2009 A Regency amethyst gold brooch, the oval amethyst set within cannetille surround in closed­back yellow gold setting, 3.5cm wide £400­600 2010 A George III amethyst cruciform brooch pendant, set with circular and pear­shaped amethysts in gold closed­back settings, with textured decoration to the bale, 4.5cm high £400­600 2011 An 18th century amethyst and paste­set silver pendant, the amethyst and white paste clusters suspend a bow and a further pear­shaped drop, set with amethysts within a surround of white cushion­shaped pastes, in silver closed­back settings, 6cm high £200­300 2012 A pair of diamond drop earrings, probably Iberian 18th century, of three section and set overall with graduated rose­cut diamonds in silver and gold, case £400­600

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1998

1999

2000

2001

2002

2003

2006 2004

2005

2011

2007

2012

2008

2009

75 2010

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

2013 A George III flat garnet­set gold necklace and earrings, the necklace formed with graduated oval­shaped garnets in closed­back gold mounts, suspending an articulated garnet­set cross pendant, the earrings set with an oval­shaped garnet suspending a larger pear­shaped garnet and three smaller garnets in gold, necklace 36.5cm long, earrings 6.4cm high £1,500­2,000 2014 A George III diamond cluster ring, centred with a foil­backed pear­shaped diamond in cut­down silver collet, set in a heart­shaped mount with small cushion­shaped diamonds with lobed gold back, striated gold shank, size K £3,000­4,000 2015 A Victorian onyx and diamond mourning ring, the oval onyx cameo set within a surround of old cushion­ shaped diamonds and diamond shoulders in yellow gold, size T £150­250 2016 A late Renaissance ruby and pearl gold necklace, c1680, the pendant set with table­cut rubies and with black and white enamel decoration, suspending a portrait miniature of a saint and pearl drops, the seed pearl necklace set with table­cut rubies and blue enamel decoration, pendant 10cm high, necklace 48cm long £1,500­2,000 2017 A George III ruby and diamond brooch, set with old cushion­shaped rubies and diamonds, mounted in silver on gold, 2.5cm wide, fitted case by S J Phillips £400­600 2018 A Regency acrostic gold brooch pendant, designed as a quiver of arrows and set with a ruby, emerald, garnet, amethyst, ruby and diamond spelling ‘REGARD’, with engraved decoration, 3.8cm long £600­800 2019 A 19th century rose­cut diamond brooch, designed as a snowflake and set overall with graduated rose­ cut diamonds in closed­back settings in silver on gold, 4cm wide £600­800 2020 An early Victorian pearl and diamond­set ring, of trefoil design, set with three half pearls and four rose­ cut diamonds, with foliate pierced shoulders and reeded shank, inscription dated 1846, size M £200­300 2021 A George III gold mourning ring, set with an oval­shaped garnet, the shank with white enamel decoration and memorial inscription for Ann Pittman dated 1770, size E½ £100­200 2022 A George III diamond cluster ring, the oval­shaped centre section set with table­cut diamonds in closed­ back setting, in silver on gold, with further foliate decoration to the bifurcated shoulders in gold, size N approximately £200­300 2023 A late 19th century gold shield­form signet ring for the Douglas clan, the hessonite garnet intaglio carved with a striated heart beneath a coronet with motto ‘Doe or Die’ for the Douglas of Cavers, the shoulders and shank are realistically carved in the form of articulated plate armour, size M £1,500­2,000 2024 A George III diamond quatrefoil brooch, of bombé form, set with old cushion­shaped diamonds in silver on gold closed­back settings, 3.2cm wide £1,000­1,500 λ 2025 A George III black enamel mourning ring, the oval plaque painted with an urn and willows (possibly on ivory), the black enamel band with inscription for John Brown, 1781, in yellow gold, size R½ £200­300 2026 A George IV black enamel and gold mourning ring, decorated with the words ‘IN MEMORY OF’ in black enamel within gold foliate border, inner inscription for 1830 and London hallmarks for 1829, size Q½, case £400­600 2027 A Victorian gold and enamel mourning ring, decorated with the black enamel text ‘In Memory of’ in stylised enamel panels on striated gold within scroll engraved gold border, London hallmarks for 18ct, 1833 and inner inscription for 1845, size L £300­400 2028 A pair of rose­cut diamond earrings, set with pear­shaped rose­cut diamonds within a surround of old circular­cut diamonds, surmounted with a further rose­cut diamond in silver on gold closed­back settings, lever­ back fittings, 1.8cm high (not including fitting) £4,000­6,000

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2015

2014

2013 (3)

2016 2017

2018

2028

2019

2023

2024

2020 2027

2022 2026 2021

2025

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

2029 An 18th century natural pearl and diamond­set silver necklace front section and conforming pendant, the necklace formed with five natural pearl clusters, set within flat­top and rose­cut diamond surrounds, alternating with foliate links set with cushion­shaped and rose­cut diamonds, the detachable pendant of conforming design and set with three drop­shaped and a circular natural pearl, with flat­top diamonds in silver, necklace section 25cm, pendant 5cm high £20,000­30,000 Accompanied by report number 80248­21 dated 18 December 2019 from GCS, London stating that the cream pearls measure 6.1 x 5.9 x 5.8 smallest to 15.2 x 11.2 x 9.0mm biggest approximately, and are natural saltwater pearls with no indications of treatment.

2030 A pair of 18th century sardonyx cameo habillés depicting blackamoors, of 16th century type, depicting the profiles of a male and female blackamoor wearing gold ropetwist necklaces, each inlaid with a circular­cut diamond, in 19th century gold ring mounts, size N & N½ £2,000­3,000 2031 A 19th century diamond solitaire ring, the table­cut diamond is set in gold with a smaller diamond set to each shoulder, decorated with black enamel bands, size M, case £1,000­1,500 2032 A 17th century Stuart crystal gold and enamel ring, set above an enamel skull and crossbones, within gold engraved mount decorated with black enamel to the underbezel, size M½, case £800­1,200 2033 A 17th century Stuart crystal and gold ring, the faceted crystal covers two doves on finely plaited hair, within fine gold wirework borders, the upper section with black enamel decoration beneath, with foliate scroll engraved decoration to the shoulders, size U, box £800­1,200 2034 A late 17th century ruby, gold and enamel ring, the rectangular raised mount set with a flat­cut ruby, white enamel decoration overall, size N £1,000­1,500 2035 A set of six George III buttons, converted, each circular blue glass plaque set with nine graduated rose­cut diamonds in silver collets and gold surround, the set comprises a pair of earrings, three brooches and a ring, ring size O, brooches 21mm wide £4,500­5,500

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2030 (2)

2029

2031

2032

2035 (5) 2033

2034

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

2036 A 19th century sardonyx cameo, depicting Pope Leo XII, wearing his zucchetto carved in three­colour sardonyx, in a later gold mount with foliate engraved decoration to the shoulders, cameo 2.2cm high, ring size L approximately £2,000­3,000 2037 A 19th century carnelian intaglio depicting Mars and Venus, Venus embracing Mars and imploring him not to go to war, in a 19th century gold ring, intaglio 1.9cm high, ring size S £400­600 2038

No lot

2039 An early 17th century hardstone cameo fragment depicting Mars and Venus, c1600, Mars bearded and wearing an Italo­Corinthian helmet, 3cm high, fitted case £800­1,200 2040 A sardonyx cameo depicting Emperor Constantine, c1800, in an early 19th century pendant frame, set with turquoise in silver and gold, cameo 2.7cm high, pendant 4.5cm high including bale £1,000­1,500 2041 A late 18th century sardonyx cameo depicting Zeus Ammon, in an early 19th century turquoise­set gold brooch with cannetille and pellet decoration, cameo 3cm high, brooch 4.2cm high £1,500­2,000 2042 An 18th century grey onyx intaglio depicting Emperor Antoninus Pius, in profile and with pinned cloak, in an early 19th century gold ring, intaglio 2.1cm high, ring size M½ approximately £1,500­2,000 2043 A 19th century erotic glass intaglio, depicting a winged adult Cupid in a passionate embrace, within yellow gold mount, size M £1,000­1,500 2044 An 18th century sardonyx cameo depicting a portrait of a youth, in 19th century Archaeological Revival gold ring with pellet decoration and scroll shoulders, cameo 1.7cm high, ring size N approximately £1,000­1,500 2045 A late Renaissance Western European gold and enamel wedding or betrothal ring, c.late 16th century, the high quatrefoil bezel is rubover­set with a single oval foiled ruby or pink sapphire, rising from a square stepped base decorated with white and black enamel, the double scroll shoulders with red enamel and centred with a quatrefoil of blue enamel dots, size J £2,000­3,000 For a similar example see Chadour­Sampson, B., Hindman, S., Rings Around the World, (Les Eluminures: 2006), p. 108

2045

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2036

2037

2039

2042

2040

2041

2044 2043

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

2046 A 19th century hardstone cameo depicting the head of Zeus, in a 19th century ring set with a surround of rose­cut dimonds in silver on gold, size K½ £1,500­2,000 2047 An 18th century erotic jasper intaglio ring, depicting a couple in the midst of a passionate embrace, in yellow gold mount, size P £2,000­3,000 2048 An 18th century domed sardonyx intaglio of a bearded theatre mask, in a later gold ring, intaglio 1cm high, ring with maker’s mark SP, size M½ £2,000­3,000 2049 An 18th century sardonyx cameo depicting Emperor Vespasian, the laureate head in profile, in an early 19th century gold ring, cameo 2cm high, ring size O £1,500­2,000 2050 A 16th century sardonyx cameo depicting an Emperor, possibly Augustus, depicted in profile and with laurels, in a later gold ring mount, cameo 3cm high, ring size O½ £1,500­2,000 2051 An early 19th century sardonyx cameo depicting Emma, Lady Hamilton by Filippo Rega (1761 ­ 1833), depicted in profile with her hair in the Grecian style, signed ‘Rega’ in Greek, 2.8cm high, in a ropetwist silver­gilt brooch, 3.6cm high £1,000­2,000 Filippo Rega (1761 ­ 1833) was an Italian engraver, medalist and student of Giovanni Pichler. He studied in Rome under the Pichlers before moving to Naples in 1787. Emma, Lady Hamilton also lived in Naples at this time, having been sent there to marry Sir William Hamilton in 1786.

For a glass portrait cameo of Emma, Lady Hamilton by Filippo Rega, see National Maritime Museum, London exhibit JEW0066.

2052 An early 19th century carnelian intaglio depicting Cupid disguised as Ascanius, presenting the gifts to Dido, with a Greek pseudo signature for Nikolas, 3.5cm wide, in a gold pendant frame by Luigi Mascaelli (1804­1825), with polished and textured pattern border, French control mark and maker's mark, 5.5cm wide £3,000­5,000 Provenance: Believed to have been from the collection of Prince Stanislas Poniatowski References: Beazley Archive reference number: T1089 Christie's, London: 1839­2437 Catalogue des pierres graves antiques de S.A. le Prince Stanislas Poniatowski (1830­1833): VII.12 Prendeville, J.: Explanatory catalogue of the proof­impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq. (1841): 1089 Forrer, L.: Biographical dictionary of medallists (1909): 263 Relevant information and images are available in The Beazley Archive database, The Ashmolean, Oxford.

2053 An early 19th century sardonyx intaglio depicting the family of Aeneas quitting Troy, Aeneas carrying Anchises and followed by Creusa and Ascanthus fleeing from the flames of Troy, with a Greek pseudo signature for Euodos, 3.9cm wide, in a gold brooch frame with pellet decoration, 5.5cm wide £3,000­5,000 Provenance: Believed to have been from the collection of Prince Stanislas Poniatowski References: Beazley Archive reference number: T1099 Previously sold Christie's, London: 1839 ­ 1148 Previously sold Christie's, London: 1854; lot 148 Previously sold Market: Kunsthaus Lempertz, May 14th 2018 Catalogue des pierres graves antiques de S.A. le Prince Stanislas Poniatowski ([1830?]­1833): VII.18 Prendeville, J.: Explanatory catalogue of the proof­impressions of the antique gems possessed by the late Prince Poniatowski and now in the possession of John Tyrrell, Esq. (1841): 1099 Believed to have been in the collection of Lord Monson.

Relevant information and images are available in The Beazley Archive database, The Ashmolean, Oxford.

2054 A 19th century erotic carnelian intaglio seal, depicting Cupid spinning a wheel of phalluses, two naked maidens are making use of the wheel of pleasure as Cupid looks on, set in fluted spinning gold mount, the intaglio 20mm wide £3,000­5,000 2055 An early 19th century sardonyx cameo, possibly depicting Elisa Bonaparte (1777­1820), c1800, (cracked), depicted in profile with her hair in the Grecian style, in a 19th century gold ring with trifurcated shoulders, cameo 2.3cm high, ring size M £600­800 2056 An 18th century sardonyx cameo depicting a gryllus, the conjoined heads of a bearded Zeus Ammon, a young Alexander the Great and a ram’s head, in an early 19th century gold ring with bifurcated shoulders, cameo 1.7cm high, ring size L £1,500­2,000 2057 An early 19th century agate cameo depicting the head of Zeus, c1800, carved in the Greek style and in high relief, in an early 19th century gold ring, cameo 2.2cm high, ring size K½ £1,500­2,000 2058 A 17th century banded agate cameo depicting the portrait bust of a lady, in a 19th century gold ring, cameo 1.8cm high, ring size N £1,500­2,000 82

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2059 A Roman garnet intaglio depicting a horse, c1st century BC ­ 1st century AD, the horse grazing and stamping its hoof, in a gold ring mount probably c3rd ­ 4th century AD Mesopotamian, intaglio 1.4cm wide, ring size N approximately £2,000­3,000 2060 An ancient Egyptian faïence carved scarab, 2nd ­ 1st millenium BC, carved to the reverse with two snakes with curled tails, in a modern gold ring with gold ropetwist decoration to the shoulders, the scarab 1.2cm high, ring size N approximately £150­250 2061 A Roman onyx intaglio depicting Dionysus, c1st ­ 2nd century AD, Dionysus depicted leaning on a column and holding a kantharos, in a 19th century gold ring mount, intaglio 1.1cm high, ring size L £850­950 2062 A Roman nicolo intaglio depicting Minerva, c1st century AD, the Archaising representation of Minerva in the posture of the Palladium holding a statuette of Victory, in a 19th century gold ring, intaglio 1.3cm high, ring size M½ £600­800 2063 A Roman carnelian cameo depicting the head of Hercules, c1st century AD, carved in high relief, 1.2cm high, in a later gold ring, size L £1,500­2,000

2064 reverse

2064 A Greek banded agate scaraboid intaglio depicting a roaring lion, Archaic period, c6th century BC, the lion roaring over its shoulder and sticking out its tongue, repaired to the edge with gold, in a 19th century gold swivel ring, intaglio 1.7cm wide, ring size Q approximately £2,000­3,000 2065 A Roman hardstone intaglio depicting Mercury, c1st century AD, Mercury depicted holding a caduceus, leaning on a column and with a ram’s head on a patera in his hand, in a 19th century gold ring, intaglio 1cm high, ring size P £300­400 2066 A Hellenistic domed garnet intaglio of Eros riding a lion, c2nd­1st century BC, in a late Roman gold ring, c4th­5th century AD, intaglio 1.1cm high, ring size L £2,000­3,000 2067 A Roman emerald intaglio depicting Victory, c1st century AD, Victory depicted seated with her wreath and spear, in a 19th century gold ring, intaglio 1.1cm high, ring size P £8,000­12,000 2068 A Roman sardonyx intaglio depicting Salus, c1st century BC ­ 1st century AD, the bust depicted in profile with a snake below, in a later gold ring mount, with maker’s mark SP, intaglio 1.3cm high, ring size R½ £1,000­1,500 Salus was the ancient Roman goddess of health and prosperity (Greek equivalent: Hygieia). She is often pictured holding a snake that is shedding its skin, which is representative of re­birth or eternal youth and thus a freedom from illness.

2069 A Roman carnelian intaglio depicting a kneeling warrior, c1st century BC ­ 1st century AD, the warrior wearing a helmet with plume, holding a spear and deeply carved shield, in a modern gold ring, intaglio 1.8cm high, ring size Q £1,000­1,500

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lifesize

2070

A mid 19th century cornelian intaglio­mounted early 20th century gold Neoclassical pendant by André Bucher

The unsigned intaglio probably by Luigi Pichler (1773­1854), c1805, depicting a standing and youthful Cupid [Eros], with a quiver of arrows by his feet, drinking wine from a bowl held by a reclining Bacchus [Dionysus] who lies on an animal skin­draped couch, holding an amphora and thyrsus, 3.5cm wide £12,000­15,000 The gold Empire style pendant with oval laurel frame, supported by two stylised ancient Babylonian griffins, their outstretched wings joined, with pierced foliate lower section over a rectangular laurel­chased base, laurel swags hanging from three grotesque masks with three citrine pendants, signed with maker’s lozenge to reverse, a fleur­de­lys between initials AB, 7.4cm wide, later fitted case The subject of the intaglio is an allegory of the effect of wine on love. It is a faithful copy of one of four marble reliefs, with subjects taken from Greek mythology by the celebrated Danish sculptor Bertel Thorvaldsen (1770 ­ 1844). One marble of this subject is in the Thorvaldsen Museum, Copenhagen. A similar marble is also believed to have been in the collection of Lord Norton at Hams Hall, Warwickshire. It is described in the 1909 biography of Lord Norton as one of four commission works by Thorvaldsen, all of which have been lost to history.

Luigi Pichler (1773­1854), was a descendent of the celebrated family of German­Italian gem engravers and studied under his elder half brother, the esteemed Giovanni Pichler (1734­1791). In the latter part of the 18th century Luigi travelled to Austria where he attracted wide foreign patronage and was presented to Emperor Francis I in Vienna in 1808. In 1818 he was appointed Professor of Gem Engraving at Akademie der Bildenden Künste in Vienna, a post he held until 1850 before retiring to Rome. He also copied various other subjects from the work of Bertel Thorvaldsen, of which plaster casts can be seen in the Harvard Art Museum collection. See object numbers 1910.12.1.27, 1910.12.1.71 and 1910.12.1.100.

A plaster cast of a similar gem was taken by the Italian painter and engraver Pietro Paoletti. See ‘Catalogo di num.

120 Impronte instucco... etc’, ref no. 117 ‘amore disetato da Bacco’ (Love quenched by Bacchus). Relevant information and images are available in The Beazley Archive database, The Ashmolean, Oxford.

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5.

6.

2071 A 19th century bracelet mounted with nine oval hardstone intaglios in gold rub­over mounts and gold links, 19cm long £30,000­40,000 The intaglios, from left to right: 1. A 19th century carved sardonyx intaglio in the 1st century BC style, depicting a standing man before a tree and holding a wreath, engraved dot border, 1.4cm high 2. A 19th century carved sardonyx intaglio in the 1st century BC style, depicting a philosopher seated on slat­ backed chair, leaning forward and intently reading, 1.5cm high 3. A 19th century finely carved carnelian intaglio, in the 1st century AD style, depicting Athena Lemnia, 1.8cm high 4. A 19th century finely carved light and dark sardonyx intaglio in the Hellenistic style, depicting Herakles Farnese, traditionally carved and leaning on his club draped with the Nemean Lion, engraved to the left with the pseudo­ signature ‘AYLOY’ in Greek letters for the 1st century BC engraver Aulos, 2.3cm high 5. An 18th century very finely carved sardonyx intaglio by Carlo Costanzi, depicting a portrait bust of a young man with tied flowing curling hair, signed to the left ‘Cavalier Carlo Costanzi’ and the initials F R to the base, possibly those of the sitter, 2.8cm high Carlo Costanzi (1705 ­ 1781) was a gem engraver working out of Naples and later Rome.

6. A late 18th or early 19th century finely caved sardonyx intaglio by Giovanni or Luigi Pichler, depicting the bust of a youthful man, his flowing curling hair tied with a fillet, signed lower left in Greek ‘Pichler’, 2.6cm high Giovanni Pichler (1734 ­ 1791) moved to Rome from Naples and received notable commissions from an early age. His engraved gems were often mistaken as from Classical antiquity.

Luigi Pichler (1773­1854) received his apprenticeship and education from his relation Giovanni as Luigi’s own father died when he was young. They both, in addition to other members of their family, signed their works in various Greek and Roman ways.

7. A late 18th or early 19th century finely carved sardonyx intaglio by Pichler, probably Luigi, depicting a maenad walking to the right, wearing flowing and transparent robes, holding a thyrsus in her left hand and a cup in the other which has a butterfly drinking from it and representing psyche as the soul, signed lower right in Greek ‘PIX’, 2.5cm high 8. A 19th century carved carnelian intaglio depicting a traditional Dionysiac procession, after the so­called ‘Seal of Michelangelo’, the original of which was thought to have been carved by Pier Maria da Pescia after Michelangelo, 1.7cm wide 9. A 19th century dark sardonyx intaglio in the 1st century BC style, depicting a bearded man kneeling before a Krater, 1.4cm highest

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8.

7.

6.

5.

4.

3.

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2072 An early 20th century set of six carved nephrite scarab buttons by Fabergé, realistically formed oval scarabs set in gold with a surround of rose­cut diamonds, scratched inventory number 23824, the gold loops stamped 56 and most with initials КФ (some obscure), fitted case stamped К. ФАБЕРЖЕ to the silk liner, with a pair of gold chains with bolt rings to form a pair of cuff links, with six metal split rings to form dress studs £6,000­8,000 Previously sold Christie’s, Russian Art, London, 8 June 2010, ex lot 171 2073 An early 20th century carved rock crystal flat fish caviar dish, in the style of Fabergé, realistically formed with scales and two cabochon red stone eyes in rubover mounts, 15.5cm long, the birchwood rectangular fitted case with original fittings but replaced silk lining, 25cm wide £2,000­3,000 2074 An early 20th century carved rock crystal seated rabbit, in the style of Fabergé, cabochon red stone eyes in rubover mounts, simply carved, broken front right foot, 3cm high £2,500­3,000

2075

2075 An early 20th century finely carved turquoise miniature pig in the style of Fabergé, carved with hair and a curly tail, looking slightly right, cabochon red stone eyes, marked with inventory number 99, 1.9cm wide £1,000­1,500 2076 An early 20th century scent bottle, the rock crystal bottle of oval form with gold mounts, the hinged cover centred with an oval­shaped chrysoberyl within a surround of cushion­shaped diamonds and engraved to the interior ‘Vogt St Petersburg’, cabochon ruby thumbpiece, two obscure marks to the cover (probably Russian), scratched inventory number 2591, 6.7cm high, fitted case by Wartski £3,500­4,500

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2077 A two­row yellow gold fine­link necklace, c1900, suspending twenty­three assorted egg pendants and two rabbit pendants, including a reverse­carved crystal intaglio egg depicting the lamb of God wearing a pink bow with bell; a pierced gold pomander­style egg with pink enamel; a rose quartz egg centred with a faceted crystal rondel; a carved hardstone rabbit pendant; a small plain gold egg set with three pear­shaped turquoise and a diamond; an egg with green guilloche enamel and painted with small pink roses in the style of the famous Rose Trellis egg by Fabergé; a gold egg set with a cabochon blue stone with hinged locket compartment; a gold egg set with a blue stone and with a rabbit emerging from the upper section; an egg with lilac guilloche enamel and painted with a four­leaf clover; a small gold Cupid pendant holding a sign; a French bloodstone egg with hinged locket compartment; an egg with gold strap centre section chased with pigs and trefoils of rose­cut diamonds with Austrian marks; a hammered yellow gold egg marked PÂQUES, four pear­shaped sapphires and a diamond quatrefoil design to the other side, opening to reveal two glazed locket compartments; a yellow gold egg with push button spring loaded cover, opening to reveal a figure of a harlequin with enamel decoration, French control marks, and various other egg pendants, approximately 120cm long £10,000­15,000

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2078 A sapphire and diamond cluster ring, the oval­shaped sapphire weighs 9.71cts, set within an undulating surround of round brilliant­cut diamonds in white gold, size M½ £15,000­20,000 Accompanied by report number 83928 dated 1 February 2016 from SSEF stating that the oval­shaped sapphire weighs 9.717cts and is a natural sapphire with no indications of heat treatment. Origin: Burma (Myanmar) 2079 A gold collar necklace and matching ring by Lalaounis, the collar of stylised fluted design, 12.2cm wide, with matching ring, size I, 63g total £4,000­6,000 2080 A star sapphire and diamond ring, the sapphire weighs approximately 9.80cts, flanked with old circular­ cut diamonds in yellow gold gypsy setting, size X £3,000­4,000 Accompanied by report number 5777­8724 dated 3 February 2017 from GCS stating that the cabochon­cut sapphire weighs 9.50cts approximately and is a natural purple star sapphire with no indications of heat treatment.

Origin: Sri Lanka (Ceylon) 2081 A sapphire and diamond­set bombé ring, set with rows of calibré­cut sapphires, the shoulders pavé­set with round brilliant­cut diamonds in yellow and white gold, size Q½ £1,300­1,500 2082 A pair of French pearl­set gold earrings, the graduated pearls set within gold scrolling mounts, suspending three articulated drops, each set with a diamond and a pearl, French control marks, post fittings, 5.5cm high £2,000­3,000 Accompanied by report number 366560 from LFG Paris, stating that the white cream half­drilled pearls are natural saltwater 2083 A gold anchor­link bracelet mounted with sixteen gold charms, including a Cartier charm depicting Pinocchio with enamel decoration, signed ‘Cartier WDP’ to the reverse, 1.8cm high; a telescope by Cartier, faintly signed Cartier and numbered 04339, 1.6cm high; a yellow and white gold cuckoo clock by Cartier, with red enamel heart­shaped pendulum, signed to reverse ‘Cartier’, 0.9cm wide; a Romance thermometer by Cartier, with red enamel heart­shaped marker and depicting three emotions starting with Amite, Amour and Passion, signed ‘Cartier’ to reverse and numbered 5564; a bear with articulated limbs; a wish bone set with a small cultured pearl; a gold­framed rectangular locket charm; a yellow and white gold magnet attracting a cabochon red­stone heart, numbered 03884; an accordion with enamel keys; a Good Luck enamel and gold disc; a gold sledge; a gold­mounted heart­shaped red­stone charm with French control mark; a small lady bird charm with red and black enamel and French control mark; a plain heart charm; a Christmas tree set with three stones and French control mark; and a chick emerging from a broken egg, 26.3g total £3,000­5,000 2084 A gold and enamel ladybird pendant, the triangular centre section suspends six ladybird pendants, each decorated with red and black enamel, 5.5cm high £800­1,200 2085 A gold and diamond ring by Lalaounis, of Greek keypattern design, centred with a line of diamonds in yellow gold, maker’s mark to inside shank, size N £200­300 Accompanied by original purchase invoice from Lalaounis 1985 2086 A ruby and diamond cluster ring, the cushion­shaped ruby weighs 4.92cts, with tapered baguette­shaped diamonds to each shoulder in gold, size K £8,000­12,000 Accompanied by report number 77108­06 dated 21 June 2017 from GCS, London stating that the cushion­shaped ruby weighs 4.92cts and is a natural ruby, with no indications of heat treatment. Origin: Thailand (Siam) 2087 A sapphire and ruby­set gold dress ring, centred with an emerald­cut sapphire weighing approximately 12.40cts, within a surround of calibré­cut rubies in yellow gold, maker’s mark M, size N½ £3,000­4,000 2088 A diamond and blue enamel ladybird brooch by Van Cleef & Arpels, in textured yellow gold and platinum, signed VCA and numbered 86837, French control mark, 2.5cm high, Van Cleef & Arpels box £4,500­5,500 2089 A gold and enamel ladybird clip brooch by Cartier, the ladybird with red and black enamel decoration, resting on a repoussé gold flower head, signed Cartier Paris, with maker's mark, French control marks, 2.5cm high £1,000­1,500

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LOTS 2090-2121

PROPERTY OF A GENTLEMAN A PRIVATE COLLECTION OF JEWELLERY 2090 A Victorian Holbeinesque gem­set and enamel brooch, the cushion­shaped ruby set within quatrefoil gold and diamond surround and further concentric borders of green and white enamel, rubies and diamonds, engraving to reverse, 4cm high, case £1,500­2,000 2091

A diamond gypsy ring, set with an old cushion­shaped diamond in yellow gold, size X½

£300­400

2092 A Regency giardinetto brooch, set with seed pearls, turquoise, garnets and an emerald in closed­back silver and gold mount, 2cm wide, Harvey & Gore case £300­400 2093 A mid 19th century gem­set gold lozenge brooch, set with a central pink topaz in half­pearl surround within scrolling gold border set with sapphires, rubies, garnets and chrysolites, 4.6cm wide, Harvey & Gore case £1,000­1,500 2094 A Victorian sapphire and diamond half­hoop ring, alternately­set with old cushion and circular­cut sapphires and diamonds within diamond pointers in carved and pierced yellow gold mount, size P £1,500­2,000 2095 A late Victorian aquamarine and seed pearl brooch, the large cushion­shaped aquamarine set within a border of seed pearls in yellow gold, 5.3cm wide, Harvey & Gore case £1,500­2,000 2096 A late Victorian amethyst and diamond brooch, set with an oval amethyst cabochon and a border of old circular­cut diamonds in silver and gold, 2.5cm wide, Harvey & Gore case £500­700 2097 A Regency gold foliate brooch, the flowerheads, thistles and leaves in three­colour gold, 5.6cm wide, Harvey & Gore case £300­400 2098 A mid 19th century gem­set lozenge brooch, set with a grey button pearl within a border of diamond fleur­ de­lys, emeralds and a further border of diamonds quartered with rubies in yellow gold, suspending graduated pearl and diamond drops, 4.7cm high, Harvey & Gore case £2,000­3,000 2099 A 19th century diamond five­stone ring, the graduated old circular­cut diamonds set with diamond pointers in carved and pierced gold mount, size L½ £800­1,200 2100 A Victorian ruby and diamond three­stone ring, set with an old oval­shaped ruby and two old pear­shaped diamonds, with pierced scroll decoration to the gallery in gold, size M £1,000­2,000

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2093 2092

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2101 An amethyst and diamond­set shamrock brooch, set with heart­shaped amethysts and circular­cut diamonds in white gold, 3.2cm high, Harvey & Gore case £800­1,200 2102 An Art Deco sapphire and diamond bracelet, set with pairs of old circular­cut diamonds millegrain set in square collets, separated with five French­cut sapphires, in platinum, 18cm long, case £2,000­3,000 2103

A sapphire line bracelet, the calibré­cut sapphires channel­set in platinum, 4mm wide, 18cm long £1,200­1,500

2104

A ruby line bracelet, the calibré­cut rubies channel­set in platinum, 4mm wide, 18.2cm long £1,500­2,000

2105

A diamond line bracelet, the square­shaped diamonds channel­set in platinum, 4mm wide, 18cm long, case £2,000­3,000

2106 An early 20th century sapphire and diamond bar brooch, set with pairs of French­cut sapphires and pairs of diamonds in platinum and gold, 7.5cm wide, Harvey & Gore case £800­1,200 2107 A Belle Époque pearl and diamond brooch, the stylised fan is pierced and set with diamond and pearl laurels in platinum and gold, 4cm wide, detachable brooch fitting to reverse, fitted case £1,000­1,500 2108 An Edwardian amethyst and diamond brooch, the circular­cut amethyst set within a surround of old circular­cut diamonds in platinum and gold, 3cm wide, Harvey & Gore case £1,200­1,500 2109

A diamond solitaire ring, the circular­cut diamond weighs approximately 2.60cts, claw­set in platinum, size N £3,000­4,000

2110 An Art Deco tourmaline and diamond ring, the emerald­cut pink tourmaline set within single­cut diamond border and shoulders in platinum, size P £600­800

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2110

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2111 A Victorian freshwater natural pearl and diamond target brooch pendant, of quatrefoil design, the button­ shaped freshwater pearl set within a double surround of graduated old circular­cut diamonds, quartered with larger old circular­cut diamonds in silver on gold, detachable brooch fitting, retractable pendant loop, 2.9cm high, case by Harvey & Gore £1,000­2,000 2112 A late Victorian ruby, sapphire and diamond jubilee brooch, c1887, formed from alternate stylised ribbons set with rubies, sapphires and diamonds in silver and gold, 4cm wide, Harvey & Gore case £1,200­1,500 2113 A late Victorian diamond target brooch, set with old circular­cut diamonds in concentric circles in silver and gold, 2.5cm wide, detachable brooch fitting to reverse, Harvey & Gore case £400­600 2114 A George III diamond and enamel monogram brooch, the diamond­set ‘E’ on blue enamel ground within glazed compartment in octagonal border set with diamonds in closed­back silver and gold mount, pendant loop and detachable brooch fitting to reverse, 2.2cm wide, Harvey & Gore case £600­800 2115 A late Victorian large amethyst and diamond brooch pendant, the cushion­shaped amethyst set within a surround of rose­cut diamonds in silver and gold, 4cm wide, Harvey & Gore case £800­1,200 2116 A George III sapphire and diamond brooch, the lozenge set with graduated old cushion­shaped diamonds, centred with a cushion­shaped sapphire in closed­back silver and gold setting, 3.6cm wide, case £5,000­7,000 2117 A Victorian blister pearl and diamond foliate brooch, the stylised blister pearl fruit suspends from diamond­ set vines in silver and gold, 3.8cm high £300­400 2118 A Victorian ruby, pearl and diamond brooch, of scrolling form, suspending three articulated pearl drops in silver and gold, 3cm wide, case £600­800 2119 A George III diamond and enamel pendant, the central purple enamel lozenge applied with diamond­set bows within diamond border in closed­back silver and gold mount, 3.8cm high, Harvey & Gore case £600­800 2120 A pair of 19th century diamond drop earrings, set with graduated old cushion­shaped diamonds in silver and gold cut­down collets, 6cm high, Harvey & Gore case £4,000­6,000 2121 A George III diamond lozenge ring, the blue enamel lozenge decorated with old cushion­shaped diamonds within a diamond border in silver and gold, size L½ £400­600

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2122 A late Victorian natural pearl and diamond brooch, set with pearl and diamond clusters in scrolling diamond surround in silver and gold, 3.6cm wide £5,000­7,000 Accompanied by report number 5777­9214 dated 15 March 2017 from GCS stating that the five cream pearls are natural saltwater with no indications of treatment.

2123 A late Victorian diamond­set foliate circular brooch pendant, set overall with old circular­cut diamonds in silver and gold, 3cm wide, case £1,200­1,500 2124 A Victorian emerald and diamond brooch, the rectangular­shaped emerald set within a surround of old circular and cushion­shaped diamonds in silver on gold, 3cm wide £2,000­3,000 2125 A Victorian seed pearl and diamond ring, the scroll centre section set with graduated old circular­cut diamonds, with a trefoil of seed pearls to each shoulder in gold, size T £150­250 2126 A Victorian emerald and diamond half­hoop ring, set with an emerald­cut emerald, two old circular­cut diamonds and rose­cut diamond pointers, with pierced and carved scroll decoration to the gallery in gold, maker’s mark BH, size O £4,000­6,000 Accompanied by report number 80257­34 dated 5 March 2020 from GCS stating that the cushion­shaped emerald weighs approximately 1.00cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 2127 An Etruscan Revival gold brooch, set with a hardstone cameo depicting a portrait of a woman in profile within ropetwist and pellet surround, 5cm wide £200­300 2128 A diamond five­stone ring, the graduated old circular­cut diamonds set in 18ct yellow gold, each separated with a rose­cut diamond, pierced scroll decoration to the shoulders, Birmingham marks for 1991, size O £1,000­1,500 2129 An enamel, moonstone and diamond brooch by Carlo Giuliano, c1885, of stylised peacock tail design, with red, blue and black enamel decoration, with circular cabochon moonstone ‘eyes’ and rose­cut diamonds in gold, maker’s mark CG, 6.2cm wide, fitted case by Wartski £2,500­3,000 2130 A carved moonstone, seed pearl and diamond­set heart pendant, the heart­shaped moonstone set within a surround of seed pearls, surmounted with a diamond­centred seed pearl­set yellow gold bow, folding pendant bale, 3cm high £400­600 2131 A Renaissance Revival diamond, multi­gem and enamel choker by A.E Köchert, the central cushion­shaped blue topaz mounted within a twisted enamel surround, accented by old­cut diamond and circular­cut multi­gem collets to the similarly­set entwined link neckchain with enamelled multi­gem set clasp, 36cm long, maker’s mark AEK for A.E Köchert, with leather Köchert fitted case £10,000­15,000 Previously sold Christie’s London, December 1st 2010, lot 255 2132 A 19th century Etruscan­style fine yellow gold mesh link bracelet, suspending five lapis lazuli beads, 17cm, and a pair of lapis lazuli bead earrings, suspending from diamond­set tied bows in silver and gold, with a Giuliano box £500­700 2133 An early 20th century aquamarine and topaz pendant, set with graduated oval­shaped pink topazes and aquamarines in scrolling and pellet yellow gold surround, 9cm high, fitted case £3,000­4,000 2134 A two­row natural pearl necklace, the pearls graduate from 3.6 ­ 4.6mm, with a geometric diamond­set clasp in platinum and gold, 65cm longest £1,500­2,000 Accompanied by report number 79235­46 dated 26 September 2019 from GCS, London stating that the cream pearls measure 3.6 ­ 4.6mm and are natural saltwater with no indications of treatment.

2135 A natural pearl and diamond necklace, the oval gold links set with diamond quatrefoils and natural pearls with diamond terminals, in yellow gold, 40cm long £3,000­4,000 Accompanied by report number 80257­55 dated 3 March 2020 stating that the cream pearls measure 10.4 x 8.1 x 4.9mm largest ­ 7.3 x 6.5 x 4.8mm smallest, and are natural saltwater with no indications of treatment.

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2136 An American early 20th century pansy brooch pendant, centred with an old circular­cut diamond, the petals pavé­set with circular­cut Montana sapphires, the borders highlighted with small rose­cut diamonds, in white gold, the pin detaches and with folding pendant bale, the pin and bale with French import marks, 5.1cm high £8,000­12,000

2137 A diamond­set gold bracelet by Cartier, the five principal links of lobed foliate form, set with five round brilliant­cut diamonds in yellow gold, each joined with a conforming diamond­set lobed­link, signed Cartier and P1479 to the clasp, 16.5cm, fitted case by Cartier £6,000­8,000 2136

2137

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2138 A pair of natural pearl and diamond cluster earrings, the button­shaped pearls are set within a surround of round circular­cut diamonds and graduated marquise­shaped diamonds, in platinum and white gold, 2.5cm high £20,000­30,000 Accompanied by report number 80251­68 dated 22 January 2020 from GCS, London stating that the half­drilled cream pearls weigh 10.38 and 10.40cts, measuring 13.47 ­ 13.56 x 9.62 and 13.43 ­ 13.82 x 8.20mm and are natural saltwater.

Comment: one with no indications of treatment, the other has been worked to the base.

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2139 A sapphire and diamond Odeonesque ring, c1940, centred with an old cushion­shaped diamond, with a further surround of old cushion­shaped diamonds and calibré­cut sapphires in platinum and white gold, French import marks, approximately size K½ £1,000­1,500 2140 A diamond­set gold bombé ring, the honeycomb design set with graduated rose­cut diamonds and a central cushion­shaped diamond in yellow gold, French import marks, size N £1,000­1,500 2141 A circular diamond pendant by Van Cleef & Arpels, the flexible woven panel design is pavé­set with diamonds in yellow gold, signed VCA with maker’s lozenge and numbered B1133 £4,000­5,000 2142 A diamond­set gold collar necklace by Van Cleef & Arpels, of openwork design and formed with figure­of­ eight polished gold links, the centre section set with trefoils of round brilliant­cut diamonds, signed VCA, inventory number B4640 C93 A4, French control mark, approximate total diamond weight 3.20cts, 37cm long, 11cm inner diameter, 101g £10,000­15,000 2143 A sapphire and gold bracelet by Van Cleef & Arpels, the pairs of sapphires separated with twisted yellow gold links, signed Van Cleef & Arpels and numbered 90226, 19cm long £4,000­6,000 2144 A diamond cocktail wristwatch by Sterlé, the square dial with Arabic and baton numerals, in platinum case, the bracelet set with pairs of diamonds in lozenge settings, signed Sterlé Paris, with French control mark, case 9mm wide, 17cm long £5,000­7,000 2145 A yellow gold square frame by Boucheron, mounted with four lapis lazuli beads, with hinged gold strut support, signed Boucheron Paris, stamped 9875, maker’s lozenge (possibly SB), French control mark, 5.5cm high £800­1,200 2146 A ruby and diamond ring by Cartier, the oval ruby cabochon set within a surround of diamonds on honeycomb yellow gold band, signed Cartier London and with rubbed inventory number, size K £1,200­1,500 2147 A pair of diamond set gold earrings by Van Cleef & Arpels, the textured yellow gold leaves set with circular­ cut diamonds, signed VCA and numbered 91261, French control mark, maker’s mark PS, clip fittings, 2.8cm high £4,000­6,000 2148

A pair of trinity three­colour gold hoop earrings by Cartier, signed, clip fittings, 2.5cm high

£600­800

Accompanied by a copy of insurance valuation dated 28 January 1995 from Cartier, London 2149 A pair of pink tourmaline and gold earrings by Verdura, set with graduated buff­top pink tourmalines within fluted polished gold border, signed to reverse, clip fittings, 2.5cm high £2,500­3,500 2150 A pair of gold hoop earrings by Cartier, the hollow gold hoop clips with invisible spring­loaded hinges, signed Cartier, stamped 14K, 2.3cm high £400­600 2151 A gold trinity bangle by Cartier, the polished gold connecting bangles are in rose, yellow and white gold, signed and numbered C20509, 5.8cm inner diameter, 80g £3,000­4,000 Accompanied by insurance valuation dated 28 January 1995 from Cartier, London

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2152 A diamond flower brooch and earring suite by Hammerman Brothers, c1960, with ropetwist petals, centred with a cluster of round brilliant­cut diamonds in platinum and yellow gold, the brooch with textured decoration to the leaves, each with maker’s mark HB, numbered, diamonds approximately 1.20cts total, brooch 6cm high, earrings 2cm high, clip fittings £2,000­3,000 2153 A yellow gold fringe necklace by Lalaounis, of foliate form, with heavily chased lozenge and bullet­shaped links with hammered decoration to the reverse, signed to reverse with maker’s mark, 42.5cm, 111g £7,000­9,000 2154 A diamond­set gold ring set and pendant by John Donald, of geometric design, formed with openwork gold polygons, one ring and the pendant set with circular­cut diamonds in silver on gold, one ring and pendant signed JAD, 18ct London hallmarks for 1978 (ring date mark obsucred), one ring unsigned, rings size M, 3.5cm high £400­600 2155 A pair of spherical diamond drop earrings, the pierced ovoids set with diamonds, suspended from gold cluster tops, 4.5cm high £200­300 2156 A diamond and lapis lazuli brooch pendant by Gerald Benney, the triangular brooch set with a central section of triangular diamonds, within lapis lazuli border in yellow gold, maker’s mark to reverse and 18ct London marks for 1990, 5cm wide £500­700 2157 A sapphire and diamond­set gold brooch by Kutchinsky, of abstract design, set with round brilliant­cut diamonds, circular­cut and oval­shape sapphires in plain, textured and pierced yellow gold, signed, 18ct London hallmarks for 1968, 5.5cm wide £1,000­1,500 2158 A gold ‘stepping stones’ brooch by Andrew Grima, set with dioptase to the centre within a border of textured gold abstract panels, signed A Grima and with 18ct London import marks for 1972, 5cm high, Grima pouch £2,000­3,000 2159 An opal­set gold ring by Andrew Grima, of undulating design, set in textured gold with a black opal, 18ct London hallmarks for 1976, signed Grima and with maker’s mark, approximately size O £3,000­4,000 2160 A sapphire­set gold ring, rubover set with an asymmetrical oval­shaped sapphire, with pellet decoration to the openwork mount in gold, size O½ £600­800 2161 A pair of textured gold earrings by Chaumet, the overlapping textured and smooth gold circles in yellow gold, London hallmarks for 18ct, 1971, clip fittings, 3cm high £800­1,200 2162 A citrine and diamond bird’s nest ring, c1970, the octagonal­cut citrine is set within textured gold abstract surround set with diamonds on a conforming gold band, size U £1,500­2,000 2162A An Art Deco gem­set rectangular plaque ring, centred with an acorn set with a triangular­shaped diamond, with further circular­cut diamonds and calibre­cut rubies in a surround of blue enamel, with engraved decoration £1,200­1,500 to the gallery, in platinum and white gold, size K1⁄2

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2154 (3)

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2160

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2163 A pair of late 19th century natural pearl and diamond drop earrings, the pearls suspend from articulated circular­cut diamonds, with old circular­cut diamond cluster upper sections in platinum and gold, 2.6cm high, fitted case by Tessier £1,000­1,500 Accompanied by report number 80257­29 dated 5 March 2020 from GCS stating that the cream pearls 6.3 ­ 6.4 x 7.1mm and 6.4 ­ 6.5 x 7.6mm and are natural saltwater with no indications of treatment.

Provenance: Lady Grace Hunter Weston, nee Strang­Steel (1884­1954), bequeathed to her goddaughter Helen M. Clark in 1954 and thence by descent to the current owner.

2164 A diamond cluster ring, set with two old cushion­shaped diamonds with old circular­cut diamond pointers in platinum, size R £4,000­6,000 2165 A French early 20th century emerald and diamond­set ring by Gabriel Falguières, the octagonal­cut emerald millegrain set in platinum with small diamonds, pierced under bezel and foliate decoration to the shoulders, French control marks, maker’s mark, size J £10,000­15,000 Accompanied by report number 80258­96 dated 2 March 2020 from GCS stating that the octagonal­cut emerald is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 2166 An Edwardian emerald and diamond ring, the marquise­shaped diamond is set within surrounds of emeralds and diamonds in platinum and gold, size S £4,000­5,000 2167 An early 20th century circular diamond seed pearl and black onyx­set pendant, the pierced lattice millegrain­set with diamonds and seed pearls, mounted in a circle of seed pearls, quartered with black onyx in platinum, suspending from a conforming platinum fine­link neck chain set with diamonds and seed pearls, 3.5cm wide, chain 72cm long £2,500­3,500 2168 A pair of diamond stud earrings, set with old cushion­shaped diamonds weighing approximately 0.95cts each, in platinum and gold, post fittings £1,500­2,000 Provenance: Lady Grace Hunter Weston, nee Strang­Steel (1884­1954), bequeathed to her goddaughter Helen M. Clark in 1954 and thence by descent to the current owner.

2169 A diamond three­stone ring, set with three old cushion­shaped diamonds weighing approximately 3.00cts total, set in platinum and gold, size M½ £3,000­4,000 Provenance: Lady Grace Hunter Weston, nee Strang­Steel (1884­1954), bequeathed to her goddaughter Helen M. Clark in 1954 and thence by descent to the current owner.

2170 An Edwardian diamond bracelet, set with a central old circular­cut diamond within articulated chevron links in platinum and gold, oval­link back section, 16cm long £1,800­2,500 2171 A Belle Époque diamond and pearl hair clip, the centre section formed with rose­cut diamond­set swags, within a surround of diamond­set laurels, set with six graduated pearls, in platinum with white gold pin, 9.5cm wide £3,000­4,000 2172 A diamond and conch pearl rose brooch, pavé­set overall with graduated circular­cut diamonds, and further marquise and baguette­shaped diamonds, centred with a large pink conch pearl, in platinum, 5.5cm high £8,000­12,000 Accompanied by report number 80243­99 dated 19 November 2019 from GCS stating that the pink pearl weighs 15.06cts and is a natural saltwater non­nacreous queen conch pearl, with flame structure and with no indications of treatment.

2173 An early 20th century emerald and diamond brooch pendant, set overall with graduated old circular­cut diamonds and calibré­cut emeralds, suspending an articulated pear­shaped diamond in platinum and gold, detachable brooch fitting to reverse, 5.5cm high £4,000­6,000 2174 A Belle Époque emerald and diamond bow brooch, the square emerald set within stylised pierced and scrolling ribbons set with diamonds in platinum, 5.2cm high £3,000­4,000

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2169 2164

2165 2166

2167 2170

2171

2172

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

2175 A diamond solitaire ring, the marquise­shaped diamond weighs approximately 1.60cts, set with two tapered baguette shoulder diamonds in platinum, shank stamped 8813, size K £1,500­2,000 2176

A diamond full­circle eternity ring, set with circular­cut diamonds weighing approximately 2.50cts total, in platinum, size P

£800­1,200

2177 An aquamarine and diamond ring, set with an emerald­cut aquamarine weighing approximately 4.75cts, with single­cut diamonds to the shoulders in white gold, size J £500­700 2178

A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.75cts, set in platinum, size Q½

£1,200­1,500

2179 An Art Deco emerald and diamond ring, set with an old circular­cut diamond flanked with baguette­shaped diamonds within emerald and diamond rectangular surround, set in platinum, size O £1,500­2,000 2180 A heart­shaped diamond pendant by J E Caldwell & Co, the heart set with circular­cut diamonds and suspending a larger circular­cut diamond weighing 3.01cts, set in platinum, on fine­link platinum neck chain, signed and numbered W9724, 2.5cm wide, chain 35cm long £15,000­20,000 Accompanied by report number 2205787083 dated 10 December 2019 from GIA stating that the round brilliant­cut diamond weighs 3.01cts and is a natural diamond with K colour and VS2 clarity. Fluorescence: nil 2181 An Art Deco ruby and diamond elephant stickpin by Raymond Yard, the circus elephant pavé­set with diamonds, balancing on a cabochon ruby ball, set in platinum, sign YARD, 8.2cm high, 17mm wide, Raymond Yard case £800­1,200 Accompanied by report number 80255­16 dated 12 February 2020 from GCS stating that the cabochon­cut ruby weighs 3.10cts approximately and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 2182 A pair of diamond­set circular ear clips, c1940, the concentric circles set with graduated circular­cut and baguette­shaped diamonds in platinum with white gold clips, French import marks, post and clip fittings, 2.3cm wide £3,000­4,000 2183 An early 20th century Indian­inspired diamond­set elephant brooch by Cartier, the elephant pavé­set with rose­cut diamonds and a ruby eye, on diamond ground with seed pearl terminals in platinum, signed Cartier, numbered 1218, with French control marks and rubbed maker’s mark. with Hindi inscription to reverse for the Delhi Durbar, 1911, 3.6cm wide, Cartier box £1,500­2,000 The Delhi Durbar meaning "Court of Delhi" was an Indian imperial style mass assembly organised by the British at Coronation Park, Delhi, India, to mark the succession of an Emperor or Empress of India. Also known as the Imperial Durbar, it was held three times, in 1877, 1903, and 1911, at the height of the British Empire. The 1911 Durbar was the only one that a sovereign, George V, attended.

2184 An Art Deco emerald and diamond brooch pendant, centred with a circular­cut diamond within a surround of emeralds, in two further borders of smaller diamonds terminating in a stylised Greek key pattern, set with six graduated small circular­cut emeralds in platinum and yellow gold, 4cm wide £2,000­3,000 2185 An Art Deco diamond bracelet by S.J.Rood, set with graduated square and baguette­shaped diamonds in pierced abstract motif millegrain­set with circular­cut diamonds in platinum, signed ROOD, 2.7cm wide, 17.5cm long £6,000­8,000 2186 A diamond line bracelet, set with graduated round brilliant­cut diamonds in square white gold surrounds and plain rectangular­link back section, the fifteen diamonds weigh approximately 3.70cts in total, 17.5cm long £2,500­3,000 2187

A French sapphire ring, of geometric design, set in white gold with six baguette­shaped sapphires, French control marks, size P

£800­1,200

2188 An Art Deco emerald and diamond ring, centred with a baguette­shaped emerald between six baguette­shaped diamonds, seven small circular­cut diamonds with a long baguette­shaped diamond to each shoulder and further circular­cut diamonds to each side in platinum, expanding shank £2,000­3,000 2189 An Art Deco opal and diamond cluster ring, the oval­shaped opal set within a surround of small circular­cut diamonds and two tapered baguette­ shaped diamonds to each shoulder in adjustable platinum and white gold mount £2,000­3,000 2190 An Art Deco jade, enamel and diamond plaque brooch by J E Caldwell, the jade carved as a fabulous animal on black enamel ground quartered with diamond panels, in octagonal platinum and gold mount, signed JEC & Co, 3cm high £800­1,200 2191 A diamond­set crossed rifles brooch by Cartier, the barrels set with baguette­shaped diamonds, further circular­cut diamonds pavé­set overall, signed Cartier, 5cm wide, fitted Cartier box £3,000­4,000 2192 An Art Deco small silver gilt rectangular box, decorated overall with black enamel, mounted with a circular lapis lazuli section centred with a small ruby, French control marks to the gold collet mount, further French control marks to the interior, stamped twice with inventory number S2923, the interior hinged cover depicting a musical score with treble clef and acrostic musical notes BDCA, 3.2cm wide £200­300 2193 An Art Deco jade, diamond and black enamel clip brooch by Cartier, of geometric design, set with a rectangular jade plaque and graduated old circular­cut diamonds, with black enamel and baguette­shaped diamond accents in platinum, signed Cartier London and signature repeated, 3.5cm wide £5,000­6,000 2194 A star sapphire and diamond bombé ring, set with an oval star sapphire, pavé­set with circular­cut diamomds and with baguette­shaped diamonds to each shoulder in platinum, partially obscured signature ‘BVLG’ to inner shank, size P £6,000­8,000 2195 A enamel, turquoise and diamond native american “sioux” clip brooch by Cartier, c1935, with brownish red enamel face to the cream and black enamel feathered headdress (enamel damaged), with rose­cut diamond and cabochon turquoise detail, mounted in gold and silver, signed Cartier, Paris, no.

06536, Depose, French control mark, 3.2cm high £2,000­3,000 112

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2181 2178

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2196 A Victorian diamond­set wild rose corsage, set overall with graduated old circular­cut diamonds in silver and gold, the upper section mounted with a diamond­set flower head mounted ‘en tremblant’, with further foliage and buds, 15cm, the main gold brooch section unscrews allowing the corsage to split into three smaller brooches, the three brooch mounts contained inside the fitted case £5,000­7,000 2197 A Victorian diamond laurel necklace, the central flowerhead cluster is set on graduated pairs of diamond­ set leaves separated with old cushion­shaped diamonds in silver and gold, 34cm long, fitted case £5,000­7,000 2198 An early 20th century sapphire and diamond three­stone ring, the emerald­cut sapphire flanked with two cushion­shaped diamonds in scroll engraved yellow gold mount, size R £1,000­1,500 2199 A Victorian sapphire and diamond cluster ring, the cushion­shaped sapphire set within a surround of old circular­cut diamonds, with scroll engraved shoulders and set in silver on gold, size K £1,500­2,000 2200 A late 19th century two­row diamond half­hoop ring, set with ten old circular­cut diamonds in yellow gold, with foliate carved shoulders, size M £800­1,200 2201

A Victorian diamond cluster ring, set with graduated old circular­cut diamonds in gold, size L £1,500­2,000

2202 A Victorian star sapphire and diamond cluster ring, the star sapphire cabochon set within a surround of cushion­shaped diamonds in yellow gold, size N, case £400­600 2203 A sapphire and diamond cluster ring, the cushion­shaped sapphire is set within a surround of round brilliant­cut diamonds in platinum and gold, size K½ £2,000­3,000 2204 A late Victorian diamond and ruby­set bee brooch, realistically formed and pavé­set overall with old circular­cut diamonds, with seven graduated oval­shaped rubies to the body, in silver and gold, 3.8cm wide £3,000­4,000 2205

A Victorian gold collar necklace, with fancy polished yellow gold links, 62g, 41cm long

£600­800

2206 A Victorian fancy­coloured diamond­set bee brooch, the stamen and abdomen set with fancy­coloured diamonds, with old cushion­shaped and rose­cut white diamonds to the wings and with ruby eyes in silver on gold, 4.5 x 3.2cm £10,000­15,000 Accompanied by report number 2145908678 dated 4 September 2012 from GIA stating that the oval brilliant­cut diamond weighs 0.75cts and is a natural diamond with fancy pinkish­brown colour.

Accompanied by report number 2145909850 dated 4 September 2012 from GIA stating that the cushion brilliant­ cut diamond weighs 0.20cts and is a natural diamond with fancy intense orange­yellow colour.

Accompanied by report number 5141908236 dated 4 September 2012 from GIA stating that the round brilliant­ cut diamond weighs 0.30cts and is a natural diamond with fancy purple­pink colour.

Accompanied by report number 2145908412 dated 4 September 2012 from GIA stating that the cushion brilliant­ cut diamond weighs 0.18cts and is a natural diamond with grayish yellowish green colour.

2207 A Victorian diamond­set quatrefoil brooch, set with graduated old cushion­shaped and circular­cut diamonds in silver on gold, 3cm high £2,000­3,000 2208 A Victorian diamond­set brooch, the stylised Scottish kilt pin set with graduated old circular­cut diamonds in silver and gold, 2.2cm wide £800­1,200 2209 A Victorian natural pearl and diamond convertible bangle, the natural pearl set within a double surround of old circular­cut diamonds on a trifurcated gold bangle, the cluster section detaches to be worn as a pendant or brooch, with detachable diamond set pendant bale, cluster 2.2cm high, bangle 5.5cm diameter, pendant 3.5cm high including bale £1,500­2,000 Accompanied by report number 80258­03 dated 5 March 2020 from GCS stating that the cream pearl measures 7.5 ­ 7.6 x 6.1mm approximately and is a natural saltwater pearl with no indications of treatment.

2210 A late 19th century ruby and diamond square brooch, applied with a pair of loops set with calibré­cut rubies in silver and gold, 3.3cm wide £1,500­2,000

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2211 A diamond­set yellow gold articulated collar necklace by Lalaounis, formed with lozenge and triangular­ shaped raised links with hammered finish to the reverse, the central links each set with a round brilliant­cut diamond, signed Ilias Lalaounis, maker’s mark, 45cm, with a conforming pair of diamond­set yellow gold earrings, signed, maker’s mark, 154g total £10,000­15,000 2212 A French sapphire and diamond scroll ring, c1940, set with a central line of graduated baguette­shaped sapphires, flanked with diamonds forming a scroll set with sugarloaf sapphire terminals adjacent to further circular and baguette­shaped diamonds in platinum and gold, maker’s mark TT and French control marks, size M½ £6,000­8,000 2213 A colour­change sapphire and diamond ring by Boucheron, c1940, the carved colour­change sapphire cabochon set within a surround of diamonds in fluted yellow gold mount, signed Boucheron Paris, with rubbed maker’s lozenge and French control mark, size O £2,500­3,500 Accompanied by report number 80259­64 dated 5 March 2020 from GCS stating that the carved cabochon­cut sapphire weighs approximately 2.10cts and is a natural colour­change sapphire, appearing blue in daylight and purple in incandescent light. with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 2214 A gold and peridot rattle bracelet attributed to John Reinhold and Marc Jacobs, the polished gold bangle can be twisted independently from the inner section to reveal a square opening containing removable circular­cut peridots in different compartment, the peridots rattle as the bangle is worn, inscribed ‘Love’ to interior, 6.4cm inner diameter, with a matching gold rattle ring also containing peridots, size S £3,000­4,000 2215 A French gold tank track bracelet, c1940, the stylised semi­spherical links in bi­colour gold, with French control marks, 19cm long, 96g £2,500­3,500 2216 A diamond line bracelet, the eight old circular­cut diamonds set in platinum collets with yellow gold geometric links, the diamonds weigh approximately 7.00cts total, 18cm £4,000­5,000 Provenance: Lady Grace Hunter Weston, nee Strang­Steel (1884­1954), bequeathed to her goddaughter Helen M. Clark in 1954 and thence by descent to the current owner.

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2217

2217 A zircon and diamond ring, the cushion­shaped green zircon weighs 13.86cts, set with graduated circular­ cut diamonds to each shoulder in platinum, size O £3,000­5,000 Accompanied by report number 18440 dated 3 March 2020 from The Gem & Pearl Lab stating that the cushion­ shaped zircon weighs 13.86cts and is a natural green zircon.

λ 2218 A coral, enamel and diamond 'Bastille' bangle by David Webb from the Manhattan Minimalism collection, the yellow gold cuff bangle hinged at both terminals, mounted with five square sections of coral in yellow gold collets and set with a round brilliant­cut diamond to each corner, black enamel ground, applied with a gold plaque signed 'WEBB', 5.5cm diameter, 155g £5,000­8,000

2218

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2219 A fluted yellow gold bracelet by Cartier, c1940, the eight links of lobed scallop form, signed Cartier, 18k and numbered 16511, 17.5cm, 138g £6,000­8,000

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lifesize

2220 A pink spinel and diamond ring, the cushion­shaped spinel weighs 11.24cts, set with a tapered baguette­ £10,000­15,000 shaped diamond to each shoulder in platinum, size N1⁄2 Accompanied by report number 112607 dated 20 February 2020 from SSEF stating that the cushion­shaped spinel weighs 11.246cts and is a natural pink spinel, with no indications of treatment. Origin: Burma (Myanmar)

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2221 An Art Deco gold, jade, lapis lazuli and enamel bracelet by Sandoz, c1925, the bracelet composed of four jadeite jade discs, pierced and carved with a floral motif, alternating with waisted highly polished square gold plaques each set to the centre with a prism of lapis lazuli, decorated with geometric black enamel scalloped edges, signed Gérard Sandoz, with French control marks and maker's lozenge for Georges Lenfant, 18cm long, 65g, in case signed Gustave Sandoz, 10 Rue Royale, Paris £20,000­30,000 Accompanied by the original gouache drawing.

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2222 A pair of late George III diamond drop earrings, the old cushion­shaped diamond clusters suspend articulated demi­hoops set with graduated cushion­shaped diamonds in silver and gold, 4cm high, case £6,000­8,000 2223 An early 19th century diamond monogram brooch, the diamond­set ‘A’ beneath a coronet on blue enamel ground, set within two surrounds of smaller and larger graduated old cushion­shaped diamonds suspended from a diamond scroll, in open and closed­back silver and gold mount, 5.7cm high, case £6,000­8,000 Provenance: Family tradition holds that the brooch was given as a gift by Maria Feodorovna, Duchess Sophie Dorothea of Württemberg; Empress consort of Russia (1758­1828), second wife of Tsar Paul I to John Delaware Lewis (1774­1841). Delaware Lewis was an American merchant who operated in St. Petersburg for approximately thirty years. His son John Delaware Lewis (1828 ­ 1884) was a member of Parliament from 1868­1874. Thence by descent to its current owner.

The ‘A’ monogram probably refers to Alexander I, Tsar of Russia (1801 ­ 1825).

Reference: For a similar example, see exhibit no. Э­294 at the Hermitage Museum, St Petersburg. The ring was aquired from the collection of Grand Duke Alexei Alexandrovich (1850­1908).

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2222

2223

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2224 A George III diamond­set memorial ring, the stylised urn set with rose­cut diamonds on blue glass ground, within a border of old cushion­shaped diamonds in silver and gold, size T½ £4,000­5,000 2225 A late 18th century circular diamond brooch, set overall with graduated rose­cut diamonds in closed­back silver and gold setting, 3.5cm wide £5,000­7,000 2226 A 19th century diamond necklace, formed from alternating diamond­set oval links with scalloped edges and singular cushion, oval and pear­shaped diamonds set in silver and gold cut­down collets, the necklace divides to be worn as three bracelets, or a bracelet and a choker necklace, bracelets 17.6, 16.7 and 16.4cm long, necklace 50.7cm long £8,000­12,000 2227 A mid 19th century eye miniature brooch, the rectangular eye miniature set within borders of seed pearls in closed­back yellow gold setting, inscription to reverse for 1841, 2.7cm wide £800­1,200 2228 A pair of George III rose­cut diamond pendeloque earrings, the circular studs set with rose­cut diamonds and a concentric outer laurel set with diamonds, suspending detachable rose­cut diamond drops within a diamond­ set laurel border in silver, 4.3cm high total (night), the studs 1.6cm high (day) £4,500­5,000 2229 A synthetic sapphire and diamond ring, the pear­shaped synthetic sapphire set within a surround of diamonds in silver and gold closed­back setting, size O½ £500­700 2230 A Regency moss agate swivel ring, the oval panel set with moss agate to one side and a portrait to the other, in yellow gold engraved setting, size N £400­600 2231 A Renaissance gold poison ring, mounted with a cabochon sapphire concealing a hidden compartment, engraved decoration to the shoulders, size O £1,500­2,000

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2232 An impressive spinel bead pendant, the spinel weighs approximately 108cts, measuring 31.28 x 20.80 x 16.75mm, suspended from a gold coloured fabric necklace £30,000­50,000 Accompanied by report number GRS2020­027183 dated 13 February 2020 from GRS, Switzerland stating that the polished and drilled spinel is a natural pink spinel with no indications of heat treatment. Origin: Tajikistan Provenance: Family tradition holds that the spinel originated from the Indian Nawab family, who claim to have acquired this Mughal stone when the Poet King Wajid Ali Shah (the last king of Awadh) was exiled by the British to Garden Reach, Matiabruz in 1856.

The spinel is possibly from the Badakhshan mine, in the ‘Pamir’ region on the frontier between Afgahnistan and Tajikistan.

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2233 An emerald and diamond cluster ring, the emerald­cut emerald weighs 13.90cts approximately, set within a surround of circular­cut diamonds weighing approximately 4.00cts total, in white gold, size P £8,000­12,000 Accompanied by report number 80259­90 dated 5 March 2020 from GCS, stating that the octagonal­cut emerald weighs 13.90cts approximately and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 2234 A pair of emerald and diamond drop earrings, each pear­shaped emerald set within a surround alternately­set with baguette shaped and circular­ cut diamonds, suspending from a square octagonal­cut emerald within similar diamond surround in platinum mount, emeralds approximately 17.00cts total, diamonds approximately 1.50cts total, 3.2cm high £27,000­30,000 Accompanied by report number 5777­8877 dated 8 March 2017 from GCS stating that the emeralds weigh approximately 17.10cts in total and are natural emeralds with evidence of minor to moderate clarity enhancement. Origin: Colombia.

2235 A diamond three­stone ring, the central old cushion­shaped diamond weighs approximately 3.95cts, flanked with pear­shaped diamonds which weigh approximately 0.85 and 0.55, size P½ £12,000­15,000 2236 A fancy­coloured diamond cluster ring, the circular­cut fancy­coloured diamond weighs 1.61cts and is set within a surround of round brilliant­cut diamonds in silver on gold, with scroll bifurcated shoulders, size M½ £7,000­9,000 Accompanied by report number 5201849659 dated 30 January 2020 from GIA stating that the round brilliant­cut diamond weighs 1.61cts and is a natural diamond with fancy deep brownish green yellow colour.

Accompanied by report number 010000223807 dated 30 August 2019 from De Beers Group stating that the round diamond weighs 1.61cts and is a natural diamond with fancy vivid greenish yellow colour, I1 clarity and negligible fluorescence.

2237 An emerald and diamond cluster ring, the emerald­cut emerald weighs approximately 2.95cts, set within a surround of round brilliant­cut diamonds with scroll pierced decoration to the gallery in white gold, size I½ £6,000­8,000 Accompanied by report number 5776­4967 dated 15 March 2016 from GCS, stating that the octagonal­cut emerald weighs approximately 3.19cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 2238 A pair of fancy­coloured diamond drop earrings, the two pear­shaped drops centred with pear­shaped fancy­coloured diamonds, each with GIA inscription 1288561009 and 2308279851, within two surrounds of matched circular­cut white diamonds, both suspend from a cluster of marquise­shaped, baguette­shaped and round brilliant­cut diamonds, set in white gold £15,000­20,000 Accompanied by a copy of GIA report number 1288561009 dated 10 April 2018 from GIA, stating that the pear­shaped diamond weighs 1.01cts and is a natural diamond with fancy faint pinkish­brown colour and SI2 clarity.

Accompanied by a copy of GIA report number 2308279851 dated 12 September 2018 from GIA, stating that the pear­shaped diamond weighs 1.07cts and is a natural diamond with fancy light orangy yellow colour and VS1 clarity.

2237

2233

2236

2235

2234

2238

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2239 A French Art Deco diamond­set platinum pendant clip, of rectangular form, centred with a baguette­ shaped diamond, with pavé­set round brilliant­cut and baguette­shaped diamond borders, six further baguette­shaped diamonds to the upper and lower border, with hinged two­prong clip to the reverse, obscured maker’s lozenge (possibly initials OP or OD), French import marks, 4.5cm high, on a finely woven black silk band, with a platinum clasp set with six baguette­shaped diamonds £12,000­15,000

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2240 A ruby and diamond bracelet, c1960, designed as a garland of leaves, set with brilliant­cut diamonds and accented by pear­shaped ruby buds, diamonds approximately 7.70 carats total, 18.7cm long £25,000­30,000 Accompanied by report number 94182, dated 26 July 2017 from SSEF stating that the ruby weighs 1.075cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) Accompanied by report number 94183, dated 26 July 2017 from SSEF stating that the ruby weighs 1.241cts and is a natural ruby with no indications of heating. Origin: Burma (Myanmar)

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2241 lifesize

2242 lifesize

2241 A sapphire and diamond­set yellow gold bird’s nest ring by Andrew Grima, set with an oval­shaped sapphire and graduated circular­cut diamonds with conforming decoration to the shank, signed GRIMA, obscured maker’s mark ‘HJ Co’, London marks for 1966, size J½ £20,000­30,000 Accompanied by report number 16577 dated 27 November 2018 from The Gem & Pearl Lab stating that the oval­ shaped sapphire measures 13­14mm x 10.2mm x 7.9mm approximately and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 2242 A ruby and diamond three­stone ring, the cushion­shaped ruby weighs 3.14cts, set with two cushion­ shaped shoulder diamonds in yellow gold and platinum, size N½ £25,000­30,000 Accompanied by report number 79234­10 dated 18 September 2019 from GCS stating that the cushion­shaped ruby weighs 3.14cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar) 2243 A diamond solitaire ring, the round brilliant­cut diamond weighs 5.23cts, set with two tapered baguette­ shaped shoulder diamonds in platinum, size P½ £40,000­60,000 Accompanied by report number 180000159743 dated 24 October 2018 from HRD stating that the brilliant­cut diamond weighs 5.23cts and is a natural diamond with E colour and SI2 clarity. Fluorescence: strong 2244 A ruby and diamond cluster ring, the oval­shaped ruby weighs 3.20cts and is set with eight old circular­ cut diamonds, with smaller diamonds set to the scroll engraved bifurcated shoulders in platinum, size L £35,000­45,000 Accompanied by report number 77882 dated 12 January 2015 from SSEF stating that the oval­shaped ruby weighs approximately 3.20cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar).

2243 lifesize

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2245 A diamond bracelet, of geometric design, set overall with graduated circular­cut and baguette­shaped diamonds which total approximately 15.00cts, in platinum and white gold, 18.5cm long, fitted case £15,000­20,000 2246 An octagonal­cut sapphire ring by Cartier, the sapphire weighs 9.50cts and set in platinum, signed Cartier £20,000­30,000 and inventory number HL1770, London platinum marks for 1998, size K1⁄2, case by Cartier Accompanied by report number 80240­72 dated 7 November 2019 from GCS stating that the octagonal­cut sapphire weighs 10.00cts approximately and is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 2247

A diamond solitaire ring, the circular­cut diamond weighs approximately 4.50cts, claw set in platinum, size R1⁄2 £15,000­20,000

2248 A diamond solitaire ring, the old circular­cut diamond weighs approximately 4.00cts, flanked with bagette­ shaped diamonds in platinum, size S £3,000­4,000 2249 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 2.00cts, claw set in white gold, size O £6,000­8,000 Accompanied by report number 80258­58 dated 6 March 2020 from GCS stating that the round brilliant­cut diamond weighs 2.00cts approximately and has F/G colour and VVS2­VS1 clarity.

2250 A diamond solitaire ring, the old cushion­shaped diamond weighs 3.82cts, claw­set in platinum and white gold, size K½ £6,000­8,000 2251 A diamond solitaire ring, the old circular­cut diamond weighs approximately 2.50cts, with single­cut £2,000­3,000 diamonds to the shoulders in white gold, expanding shank, size Q1⁄2 smallest 2252 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 3.95cts, claw­set in platinum (one claw missing) size S½ £2,500­3,500

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2253 lifesize

2253 An early 20th century sapphire and diamond cluster ring, the cushion­shaped sapphire weighs 4.705cts, set within a surround of old circular­cut diamonds, with an old circular­cut diamond to each shoulder in platinum and gold, size O £25,000­30,000 Accompanied by report number 112583 dated 18 February 2020 from SSEF stating that the antique cushion­ shaped sapphire weighs 4.705cts and is a natural sapphire with no indications of heat treatment. Origin: Kashmir 2254 A diamond solitaire ring, the round brilliant­cut diamond weighs 5.36cts and is claw set in platinum, London marks for 2011, size N £20,000­30,000 Accompanied by report number 2193871806 dated 27 November 2018 from GIA stating that the round brilliant­ cut diamond weighs 5.36cts and is a natural diamond with N colour and VS1 clarity. Fluorescence: nil 2255 A diamond solitaire ring, the round brilliant­cut diamond weighs 6.92cts, set with two baguette­shaped shoulder diamonds in platinum, size J £10,000­15,000

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2256 lifesize

2256 A diamond­set Art Deco brooch by Cartier, centred with a lozenge­shaped diamond and set overall with circular­cut and baguette­shaped diamonds in platinum, signed Cartier London, inventory number 21536 355, 3.3cm wide £6,000­8,000 2257 A ruby and diamond ring by Cartier, the oval­shaped ruby weighs 3.30cts, set with circular­cut diamonds to each shoulder in platinum, signed Cartier and numbered 3574, size J £30,000­40,000 Accompanied by report number 112584 dated 18 February 2020 from SSEF stating that the oval­shaped ruby weighs 3.308cts and is a natural ruby with no indications of heat treatment. Origin: Burma (Myanmar)

2257 lifesize

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2258 An attractive Art Nouveau enamel butterfly bracelet by Carreras, c1905, designed as a series of four slightly curved open yellow gold panels, each with a different butterfly motif amongst foliage on a frosted glass ground, the four butterflies and two further insects each decorated with plique­à­jour and cloisonné polychrome enamel, one butterfly resting with wings folded and the others outstretched, the foliage decorated with shaded light green enamel, signed with applied gold plaque to reverse ‘E de A Carreras Barcelona’, each plaque 4.3cm x 4cm, 19cm long, in fitted case marked ‘Antigua Joyeria Carreras Paseo Gracia 30 calle Fernando 44 Bakcalona’ £50,000­70,000 The Carreras were the oldest family of Spanish jewellers founded by Francesco d’Assis Carreras Duran (1797­1862) in Barcelona. The firm created magnificant jewels in a very traditional style for clients from across the Iberian Peninsula. At the start of the 20th century, influenced by the House of Masriera, the workshop began to follow a more modernistic current in a style called ‘Modernisme’, Barcelona’s own version of Art Nouveau.

For more information on Carreras please refer to ‘Dictionnaire International Bijou’, p.108

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2259

A diamond solitaire ring, the round brilliant­cut diamond weighs 12.51cts, claw set in platinum, size U £40,000­60,000

Accompanied by report number 80262­51 dated 2 June 2020 from GCS stating that the round brilliant­cut diamond weighs 12.51cts and is a natural diamond with L colour and VS1 clarity. Fluorescence: faint.

2260

A diamond solitaire ring, the round brilliant­cut diamond weighs 7.08cts, claw­set in white gold, size V £15,000­20,000

Accompanied by report number 80262­52 dated 2 June 2020 from GCS, stating that the round brilliant­cut diamond weighs 7.08cts and is a natural diamond with N­R range colour and SI1 clarity. Fluorescence: faint.

2260

2259

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2261 A fancy­coloured diamond ring, the round brilliant­cut diamond weighs 5.59cts, the shank set with round brilliant­cut fancy yellow diamonds in yellow gold, size L1⁄2 £35,000­50,000 Accompanied by report number 6177425798 dated 22 December 2015 from GIA stating that the round brilliant­ cut diamond weighs 5.59cts and is a natural diamond with fancy dark orange­brown colour and SI1 clarity.

Fluorescence: faint.

Previously sold Christies New York, 26 April 2017, ex lot 231

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lifesize

2262 An early 20th century fancy­coloured and white diamond pendant, set with a central fancy­coloured old cushion­shaped diamond weighing 11.65cts and twelve graduated old circular­cut diamonds in platinum and gold, detachable brooch fitting to reverse, 5.5cm high, case by Hamiltons of Calcutta £50,000­80,000 Accompanied by report number 2205953131 dated 2 March 2020 from GIA stating that the cushion­shaped diamond weighs 11.65cts and is a natural diamond with fancy yellow colour and VVS2 clarity. Fluorescence: nil.

Provenance: Property of a Gentleman; a godson of Prince Walashan Sahebzada Mir Karamath Ali Khan Siddiqi Bayafendi Bahadur Muffakham Jah of Hyderabad.

Previously owned by Her Highness The Nawab Sultan Jahan Begum (1858­1930). Her Highness kept an eclectic circle of friends, twice travelling to England for the coronations of Edward VII and George V while also counting Mahatma Gandhi and Jawaharlal Nehru as friends in later life.

Given as a gift to Agnes Elizabeth Anna Mathew (nee Woodroffe), daughter of the Advocate General and whose husband helped establish the modern judicial system in India. Alongside the Begum, Agnes devoted much effort to the cause of furthering the position of women in Bhopal society in terms of education, health and emancipation.

The intent of the movement was for women to be treated as individuals and equals. The Begums of Bhopal defied patriarchal norms and introduced progressive reforms.

Passed directly by gift and thence by descent to the current owner.

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lifesize

2263 A fancy vivid yellow and white diamond three­stone ring, the cushion­shaped diamond weighs 5.26cts, set with two fancy­shaped white shoulder diamonds in platinum and white gold, size L £80,000­120,000 Accompanied by report number 1152531123 dated 6 February 2020 from GIA stating that the cushion brilliant­ shaped diamond is a natural diamond with fancy vivid yellow colour and I1 clarity. Fluorescence: nil

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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WOOLLEY & WALLIS SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7424 7830 jammdesign.co.uk

WW102-642 Listing.qxp_Layout 1 04/06/2020 09:35 Page 156

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FINE JEWELLERY

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WEDNESDAY 15TH JULY 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

All accounts must be settled within 21 days.

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR JUNE 17th

English & European Ceramics & Glass

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR AUTUMN 2020 AUCTION

JULY 1st 2nd 15th 22nd & 23rd

Fine Chinese Paintings & Works of Art, Ja­ panese Works of Art Asian Art II Jewellery Silver & Objects of Vertu

AUGUST 11th 26th

Furniture, Works of Art & Clocks Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink and Lin Jammet

SEPTEMBER 8th 22nd

Old Masters, British & European Paintings Tribal Art & Antiquities

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A George III gem­set gold demi­parure SOLD FOR £20,000*

www.woolleyandwallis.co.uk