Woolley & Wallis

FURNITURE, WORKS OF ART & CLOCKS Wednesday 8th January 2020

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

VALUATIONS FOR INSURANCE & PROBATE 411854 339161 446974

Michael Jeffery Zoe Smith

424505 446955

ASIAN ART

Sally Trench Megan Corbett

Freya Yuan-Richards Amber Lees

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS

Janice Clift (Office Manager)

Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie

Matt Hill

CASTLE GATE MANAGER David Jordan 424583 424591

CASTLE GATE RECEPTION Sally Litherland

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Vernon

446961 446962 446970

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Clive Stewart-Lockhart FRICS FRSA Deputy Chairman Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director

ASSOCIATE DIRECTORS SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

339752 446980

424500

GENERAL OFFICE

SALEROOM MANAGER 424507 446964

JAPANESE ART Alexandra Aguilar Sarah Lopez-Ferreiro

446959 446960

ACCOUNTS 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY

Clare Durham Hollie Morrison

424509 424598 424509

MARKETING

20TH CENTURY DESIGN

John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA Amanda Lawrence (PA)

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

424500

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 8th January 2020 at 10.00am at our Castle Street Salerooms, SP1 3SU VIEWING TIMES Saturday 4th January Monday 6th January Tuesday 7th January Wednesday 8th January

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Yuan-Richards 01722 411854 myr@woolleyandwallis.co.uk LIVE BIDDING PLEASE NOTE, WE NOW OFFER OUR OWN LIVE ONLINE BIDDING SERVICE, FREE OF CHARGE.

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 7th January.

BUYER’S PREMIUM

Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 7th January.

CONDITION OF LOTS Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.

COLLECTION OF LOTS Collection is available during and after the sale at the Castle Street Salerooms until Saturday 11th January 1pm.

No collection available on Monday the 13th and Tuesday 14th January due to the sale items being in transit.

ILLUSTRATIONS Front cover: Lot 308 detail Back cover: Lot 405 detail

From Wednesday 15th January collection is from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready.

All accounts to be settled prior to collection.

Catalogue £10.00 (£15.00 by post)

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OAK & COUNTRY

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1.

A Charles I oak standing livery cupboard, with a twin panelled flower scroll carved frieze, above a pair of panelled cupboard doors, each decorated with an urn of flowers and leaves, with an arched central panel, on column supports and an open potboard base, probably Gloucestershire, 122.6cm high, 129.2cm wide, 45.6cm deep. £800-1,200

1

2.

A rare small Charles II oak stool, the circular top on a cruciform base, with block and ring turned column supports, 38.3cm high, 31.5cm diameter. £400-600

2

3.

A 17th century oak coffer, the hinged lid with moulded and crimped edges, the front with a central leaf carved lunette flanked by Romayne style portrait panels, on cut-out ends, 55cm high, 103cm wide, 40cm deep. £400-600

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4.

A George III oak dresser, the raised plate rack with two turned poles and fluted pilasters, flanking three shelves with iron hooks and seven drawers, the inverted breakfront base with an arrangement of six drawers and a pair of fielded panel cupboard doors, with fluted angles, with a later back, probably North Country, 217.1cm high, 203.5cm wide, 50.8cm deep. £500-800

4

5.

An early 18th century oak bureau, the hinged fall revealing an arrangement of drawers, pigeonholes and a sliding well cover, above two short and two long drawers, on later bun feet, 88.5cm high, 78cm wide, 47cm deep. £400-600

6.

An oak panelled back armchair, the arched top carved with an urn issuing flowers and leaves, above a band of ‘S’ motifs, the back carved with oak leaves and acorns, with turned supports united by peripheral stretchers, 17th century and later. £500-700

6

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7.

A George III Welsh oak dresser, the raised plate rack with a dentil cornice, with iron hooks and three shelves, the base with a reeded edge above an arrangement of seven drawers, above a fret carved shaped apron, on turned front legs and a potboard base, 212.5cm high, 169.3cm wide, 43.6cm deep. £3,000-5,000

7

8.

A small George II oak bureau, the hinged fall revealing pigeonholes and drawers, with a sliding well cover, above three graduated drawers and on bracket feet, 96.7cm high, 63.2cm wide, 46.3cm deep. £200-300

9.

A 17th century oak panelled back armchair, with a fan surmount above a lozenge and scrolling flowerhead carved back, on turned legs united by peripheral stretchers. £400-600

9

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10. A 17th century and later oak three-tier buffet, the boarded top with a moulded edge, above a lunette carved frieze and incised with the date ‘1634’ and initials ‘O.W.’ and ‘G. W.’, on turned supports, with a further carved frieze of scrolls and leaves, 112cm high, 120.3cm wide, 42.3cm deep. £500-800

10

11. An oak joint stool, the seat with a carved edge, the frieze and legs with punched star and demi-lune decoration, with column legs united by peripheral stretchers, 53.3cm high, 46.6cm wide, 29.5cm deep. £200-300

11

12. Two similar early 18th century oak backstools, each with an open back with arc d’arbelète rails, above a solid seat, on block and turned legs united by stretchers. (2) £150-200

12

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13. A 17th century and later oak three tier buffet, with flowerhead, guilloche and lunette carved friezes, with turned column supports, 102.7cm high, 101.8cm wide, 42.5cm deep. £800-1,200

13

14. A mid-17th century oak joint stool, the top with thumbnail carved edges, above a moulded frieze with an undulating apron, on turned legs united by peripheral stretchers, 54.3cm high, 50.5cm wide, 34.6cm deep. £300-500

14

15. A pair of George II country oak side chairs, each with a vase shaped splat, above a solid seat, on chamfered front legs united by stretchers. (2) £100-150

15

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16. A carved oak coffer, the hinged lid revealing a vacant interior, above a frieze carved with lunettes and scroll and leaf lozenges, on bracket feet, 17th century and later, 46cm high, 82cm wide, 37cm deep. £150-200

16

17. A small oak coffer, the later hinged top revealing a vacant interior and with a twin panelled front, 48.8cm high, 68.3cm wide, 38cm deep. £80-120

17

18. An elm coffer, the hinged top with a moulded edge, revealing a lidded till, the front with crimped edges and incised zigzag decoration and with the initials ‘E heart R’, possibly Welsh, late 17th / early 18th century, 59.5cm high, 125cm wide, 40cm deep. £150-250

18

19. An early 18th century oak triple panelled coffer, the hinged lid revealing a vacant interior, with incised zigzag decoration, 70.8cm high, 118.5cm wide, 56.3cm deep. £200-300

19

20. A late 17th century oak triple panelled coffer, the hinged lid revealing a vacant interior, the frieze with initials ‘E. C.’ and the date ‘1696’, above scroll, flower and leaf carved panels, 65.8cm high, 126cm wide, 53.2cm deep. £300-500

20

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21. An oak boarded chest, the hinged lid with a raised central panel revealing an interior with a lidded till, the front carved with Gothic arches with tracery, the spandrels carved with oak leaves, roses, shamrocks, grapes and vine leaves, with stepped cut-out ends, late 16th / early 17th century and later, 64.9cm high, 139cm wide, 47.8cm deep. £500-700 22. An early 17th century boarded oak box, with chip carved decoration of leaves, flowerheads and elliptical motifs, the hinged lid revealing an interior with punched decoration and two lidded tills, above a base drawer, 24.8cm high, 48.2cm wide, 26.3cm deep. £150-250 23. A boarded elm box, the hinged lid revealing a vacant interior, the front with three false drawers, on bun feet, possibly a close stool, late 17th / early 18th century, 40.5cm high, 48.8cm wide, 34.5cm deep. £150-250

22

23

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24. A George III oak inverted breakfront dresser, with burr crossbanding, the boarded top above an arrangement of nine drawers surrounding a fielded panel door enclosing a shelf, flanked by fluted quarter pilasters, on bracket feet, 90.6cm high, 165.2cm wide, 56cm deep. £800-1,200 25. Two 17th century oak joint stools, one with stylised butterfly wing decoration to the frieze, on turned legs united by peripheral stretchers, 53cm high, 49.4cm wide, 36.6cm deep (max). (2) £200-300

25

26. An early 18th century oak side table, the boarded top with a moulded edge above a frieze drawer, on slender baluster turned legs united by peripheral stretchers, 72.4cm high, 82.6cm wide, 49cm deep. £200-300

10

27. A late 17th century oak chest, of two short and two long relief carved panelled drawers, 87.5cm high, 95.3cm wide, 52.5cm deep. £200-300

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28. A rare late 17th century upholstered walnut wing armchair, later covered in possibly Jacquard weave tapestry, with scroll arms and turned baluster supports united by peripheral stretchers. £1,000-1,500

29. A 17th century and later oak joint stool, the associated top above a moulded frieze, on turned legs united by peripheral stretchers, 57cm high, 44.3cm wide, 27.5cm deep. £200-300

28

30. A mid-17th century oak joint stool, the rectangular top with a triple moulded edge, above sausage turned legs united by peripheral stretchers, 53.8cm high, 45.3cm wide, 27cm deep. £300-500

31. A William and Mary oak side table, the boarded top with a moulded edge, above a frieze drawer, on bobbin and ring turned legs united by peripheral stretchers, 72.8cm high, 86cm wide, 55.2cm deep. £200-300

31

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32. A 17th century Italian Tuscan walnut rent table, the detachable oval top above a double ended frieze drawer, on square section legs united by peripheral stretchers, 75cm high, 78 x 118.5cm. £500-800

33. An 18th century style Dutch brass six-light chandelier, the ring top above a turned and ball stem, with dot numbered detachable scroll branches and urn shaped nozzles, drilled for electricity, 47cm high, 52cm wide. £200-300

34. An oak cupboard, with two hinged doors with carved panels, one with a tulip and a whorl, enclosing shelves, flanked by relief carved panels of scrolling leaves and flowers, the base with a central cupboard door, flanked by arches and fluted thumbnail pilasters, on sleigh feet, 17th century elements, possibly Dutch, 158.3cm high, 134cm wide, 54cm deep. £300-400

34

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35. A 17th century Flemish verdure tapestry, woven with various birds, including a pair of herons and a parrot, in a wooded river landscape with a bridge, in the distance an abbey and various buildings, with a ribbon tied fruit and foliage border, 280 x 409.5cm. £6,000-8,000 Provenance: Christie’s South Kensington, European Furniture, Works of Art, Tapestries & Carpets, 5th April 2005, lot 118.

Property of a Lady.

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36. A pair of South German carved limewood and polychrome painted figures of friars, with gilt and silvered decoration, late 17th / early 18th century, 48.8cm high. (2) £800-1,200 Provenance: Purchased from Lansborough Ltd. in 1961 for £120.00.

Property from the collection of Monty and Barbie Passes.

36

37. A pair of Italian gilt and painted terracotta angel candlesticks in Renaissance revival style, each with a halo and holding a chalice, probably Venetian, 18th / 19th century, 54cm high. (2) £1,000-1,500

37

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38. A 17th century carved wood and polychrome decorated figure of Saint Francis of Assisi, his flowing robes gilt decorated with flowers and leaves, the saint holds a book in his left hand and stands on a naturalistic base, Italian or Spanish, 43.2cm high. £400-600 Provenance: Purchased from Lansborough Ltd. in 1961 for £95.00.

Property from the collection of Monty and Barbie Passes.

38

39. An 18th century Spanish carved wood and polychrome painted figure of Saint Teresa, with gilt decoration, with an applied metal halo, she holds a book in her left hand, 43.3cm high. £400-600 Provenance: Purchased from Lansborough Ltd. in 1961 for £60.00.

Property from the collection of Monty and Barbie Passes.

39

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40. An 18th century sandstone heraldic crest fragment, carved with the body of a centaur standing on a torse, 45.5 x 51.7cm, mounted on a later stone plinth. £300-500

41. A 17th century German carved boxwood group of the Virgin and child, 13cm high, mounted on a later Perspex plinth. £200-300

42. A carved wood and polychrome decorated figure of a female saint, with gilt highlights, she wears a hat with her hair in plaited tresses, holding a lidded urn, late 16th / early 17th century, 49.8cm high. £400-600 Provenance: Property from the collection of Monty and Barbie Passes.

41

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Îť 43. An Italian Kunstkammer coral branch specimen, issuing from an ebony lobed urn, probably 18th century, 26.7cm high. ÂŁ600-800

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44. A folk art walnut figural fur shop sign, carved in the form of a scantily clad North American Indian woman, the top of her head sporting a stylised basket, on an associated stand, 141.8cm high. £1,000-1,500

45. A pair of Norwegian folk art painted wood bowls, decorated with bands of flowers, 17.5cm diameter. (2) £80-120

46. A Norwegian folk art painted pine wall hanging coat rack, decorated with leaves and flowers, with a central stag’s head with real antlers, with a shelf with a serpentine front and applied with three hooks, late 19th century, 60.2cm high, 77.3cm wide, 35cm deep. £200-300

44

46

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47. An iron ‘Armada’ chest in 17th century style, with strap and rivet decoration and painted green and black, the hinged lid with a central lock, revealing a vacant interior and a complex locking mechanism, with side carrying handles and a key, 43.9cm high, 67.2cm wide, 45.9cm deep, with a modern wooden stand. (2) £1,000-1,500

47

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48. A studded iron safe, all over strap and rivet decorated, with a hinged upper door, with brass rondels and two hinged locks revealing a complex mechanism and an interior with a wooden shelf, probably French or German, late 18th / early 19th century, with two keys, 89.3cm high, 63cm wide, 41cm deep. £4,000-6,000 For a very similar safe see Sotheby’s, Noblesse Oblige, 14th April 2011, Lot 386.

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49 50

49. An Anglo-Dutch tôle peinte chestnut basket, of navette shape, with pierced decoration, the dished base with a leaf border and landscape scenes with figures, possibly early 19th century, 12.6cm high, 21cm wide. £100-150 50. A Victorian tôle peinte hanging post / stationery rack, with two grille divisions, above a base drawer, inscribed ‘POST DELIVERY WAFERS STAMPS’, 28.5cm high, 25cm wide, 12.8cm deep. £100-150 51.

A large Victorian copper kettle, with a swing handle, a brass finial and a hinged lidded spout, 27.5cm high.

£80-120

52. A pair of 19th century green glass wine bottles, each gilt decorated with grapes and leaves and titled ‘Shrub’ and ‘Mint’, 31.9cm high. (2) £100-150

51

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52

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53

53. A late Victorian folk art carved and painted wood half block model of a salmon, mounted on a stained beech board, 28.5 x 67.5cm. £200-300

54. A rare late 19th century Canadian folk art cast iron bull’s head perfume dispenser, probably made for the English market, with a brass slot, inscribed ‘ONE PENNY PAT. AP...04’, with articulated horns and an open mouth, inscribed ‘THE IMPERIAL PERFUME CO. BYRON HOUSE FLEET ST. LONDON E.C. MADE IN CANADA’, 23.5cm high, 19.3cm wide. £800-1,200 For a similar example see Sotheby’s, New York, Sculptural Fantasy: The Important American Folk Art Collection of Stephen and Petra Levin, 10th October 2019, lot 140.

55. A French pine artist’s lay figure, with articulated arms and legs, late 19th / early 20th century, 48.8cm high. £200-300 55

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56. A Victorian folk art naive mahogany money box, with two painted pine nodding figures of soldiers and two slots, 23.7cm high, 24.6cm wide. £100-150

56

57. A treen trivet, with a shaped handle, late 18th / early 19th century, 27.5cm wide. £100-150

57

58 58. A Victorian folk art carved wood folk art walking cane, the handle in the form of a horse’s head with glass eyes, above a band inscribed ‘TALLY HO’, the stem decorated with running hound dogs, 87.7cm high. £100-150

59. A Victorian painted pine trade sign, inscribed ‘W. H. OTTLEY LTD. CORN MERCHANTS DONCASTER’, 22 x 66.3cm. £80-120

59

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60. A matched set of eight Victorian yew lowback Windsor armchairs, each with a stick back with a pierced splat, above an elm seat, on bobbin turned legs united by a crinoline stretcher. (8) ÂŁ1,500-2,500

61. Four Victorian yew lowback Windsor armchairs, each with a pierced splat back, above an elm seat and turned tapering legs united by a crinoline stretcher. (4) ÂŁ300-500

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62. An Arts & Crafts Welsh oak spinning chair, the back pierced with a love heart above a dished seat, on chamfered legs. £100-150

62

63. An early 20th century beechwood child’s highchair, with hinged legs folding into a child’s walker, on iron castors, 65.7cm high, £100-200

64. An early 19th century mahogany church warden’s pipe stand, with three apertures above a baluster turned stem, the circular dished base with a brass liner, together with a pipe, 58.7cm high. (2) £100-200

64

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65. A mid-19th century Irish sycamore and ash primitive armchair in the manner of Gibson, with a comb top rail and a stick back, with traces of original paint. £800-1,200 This type of Irish country chair is known as a ‘Gibson chair’ and the design was most common in Northeastern Leinster.

They are characterised by the ‘W’ shape back spindles and the interlocking arms. See Claudia Kinmonth, Irish Country Furniture 1700-1950, p. 39, pl.37 for a similar example.

65

66. A late George III elm cricket table, the circular top on a triform base, 69.3cm high, 75.8cm diameter. £300-500

66

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67. Three similar 19th century treen mahogany snuff shoes, each with brass tack inlay and with a sliding cover, 11cm long (max). (3) £150-200 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

67

68. Five snuff boxes, comprising: a George III mahogany and satinwood oval example, a black lacquer papier-mâché box with gilt decoration of scrolling foliage and birds, two snuff shoes, one lacquered, the other a treen example and a mahogany circular box and cover, 11cm (max). (5) £200-300

68

69

69. Three 19th century snuff shoes, one in leather with a hinged lid, a treen mahogany example with a sliding cover and a black lacquer shoe with a hinged lid and white metal inlay, 11cm long (max). (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

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λ 70. A large mid-19th century treen rosewood table snuff shoe, inlaid with ivory buttons and a vacant plaque, with brass tack decoration and a hinged lid, 8.8cm high, 22.6cm long. £500-800

70

71. A 19th century treen mahogany snuff shoe, with brass tack inlay of swags and flowers, with a sliding cover, 6.4cm high, 17.4cm long. £300-500

71

72. A 19th century treen snuff shoe, possibly burr-maple, with a hinged lid, 11cm long. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman

72

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73. A 19th century treen spice tower, the screw-off lid inset with a burr yew panel above four compartments applied with printed labels for ‘NUTMEG’, ‘ALLSPICE’, ‘GINGER’ and ‘CINNAMON’, 21.5cm high. £150-200

73

74. Two treen acorn screw-action nutcrackers, one possibly in sycamore, the other boxwood, late 18th / early 19th century, 8.5cm (max). (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

75. An early 19th century treen boxwood screw-action nutcracker, 6.7cm high. £150-200 See Jonathan Levi, Treen for the Table, p.158 pl.12/7 for similar examples.

75

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76. A primitive treen lever-action figural nutcracker, probably walnut, in the form of a man wearing a helmet or with stylised hair and a flat face, with punched flowers and foliate decoration, late 17th / early 18th century, 15cm long. ÂŁ2,000-3,000 See Woolley & Wallis, Furniture and Works of Art, 6th July 2016, lots 51, 54 and 55 and 4th July 2018 lot 66 for similar examples. Also, Jonathan Levi, Treen for the Table, p.168 pl.12/23 for a similar nutcracker.

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77. A 19th century oil on board coaching panel, painted with the coat of arms for Major General Sir Robert John Harvey of Mousehold, Norfolk (d.1860), 48 x 54cm, in a moulded giltwood frame. £400-600 Major General Sir Robert John Harvey (1785-1860) of Mousehold, Norwich, Norfolk, was an accomplished General of the Peninsular War. He had a distinguished military career and was made a knight of the Order of the Tower and Sword by the King of Portugal. The Prince Regent awarded him a knighthood in 1817 and he was made a Companion of the Order of the Bath in 1831.

77

78. Three child’s gardening tools, comprising: a rake with an ash handle, a fork and a shovel, 85cm long (max). (3) £100-150

79.

79

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A 19th century iron folding chair, possibly a coaching chair. £200-300

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80. A treen fruitwood tea caddy in the form of a pear, with a stalk finial, the hinged lid revealing an interior with traces of foil lining, with an oval shape steel escutcheon, late 18th / early 19th century, 13.7cm high. £1,000-1,500

80

λ 81. A 19th century treen horse’s head snuff box, with brass tack inlay and ebonised eyes, his forehead with an ivory dot, the hinged lid with initials ‘J. B.’, 9cm long. £150-200 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

81

82. A 19th century Scottish treen burr wood table snuff box or mull, the hinged lid applied with a white metal shield shape plaque, inscribed ‘YE OLD ROYAL GEORGE HOTEL J. A. KENNEDY’, on three leather roller castors, 8.5cm high, 18cm long. £500-700

82

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83. A George III folk art woolwork and watercolour picture, depicting a farmyard scene, with a watermill and attendant figures, 31.2 x 38.5cm, in a glazed giltwood frame. £150-250

83

84. Two needlework samplers, comprising: a George III example

by Mary Strettell Edridge, worked with letters, numbers and the alphabet, crowns and flowers, signed and dated ‘1788’ and a Regency sampler by M. English, aged 12, worked with verses, a lion, trees, birds, baskets of fruit, butterflies and urns of flowers, signed and dated ‘1812’, both unframed, 43 x 33cm (max). (2) £200-300

85. An early Victorian needlework sampler by Grace Rhodes, worked with verses, urns of flowers, a house, sheep and a dog, inscribed ‘Grace Rhodes work done age 15 1838’, 30 x 30cm, in a later glazed oak frame. £200-300

86. A George III needlework sampler by Sarah Lord, worked with scrolling branches of leaves and flowers, with a religious hymn ‘Far from my thoughts vain World begone’, with urns of flowers and birds, signed and dated ‘Sarah Lord Dec 7th 1797’, 39.4 x 32.5cm, in a later glazed bird’s eye maple frame. £150-200

87. A George III folk art silk and woolwork needlework picture, depicting a farmyard scene, with figures, horses, a cow, sheep, a well and a windmill in the distance, 31 x 43.5cm, in a later glazed gilt and elm veneered frame. £200-300 87

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89 88

88. A large stained pine and metal compass divider, with a handwritten label, inscribed in pen ‘48” dividers ...’, possibly French or Dutch, late 18th / early 19th century. £100-150 89. A carved coconut bugbear flask, with pewter fittings and glass eyes, allover relief carved with scrolling leaves, baskets of flowers and with two rondels, one with a portrait bust of Napoleon Bonaparte, flanked by flags and with cannon, the other with a soldier seated feeding his dog, probably French, early 19th century, 16.7cm long. £300-400 90. Nelson Interest. A carved and painted wood cross-section model of H.M.S. Victory, showing the decks and with cannon, barrels and ballast, 76cm high. £100-150 91. A 19th century sailor’s whalebone walking cane, the monkey fist knot handle above a band of baleen and with a part ribbed, carved and spiral fluted stem, 91.7cm long. £300-500 91 90

91

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92. A 19th century treen wooden ladle, together with a pair of prisoner of war bone forks, 42cm (max). (3) £80-120

λ 93. A Victorian carved ivory dog’s head walking cane handle, with glass eyes, 8cm wide. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

93

94

λ 94. A mid-19th century ivory handled seal, the matrix stamped ‘HAMPSHIRE BANKING COMPANY ANDOVER’, together with three smaller examples with bone and ivory handles and engraved matrices, together with a specimen hardstone seal, the matrix with a flower, 8.9cm high.

(5) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

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λ 95. Public execution interest. A rare and unusual early Victorian bone or ivory toggle / fob seal, inscribed ‘Execn of S. D., Aug V., 1843, C.P. Makr’ and the base with ‘T. I. B’, with a brass suspension ring, 3.2cm high. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

The initials ‘S. D.’ on this toggle relate to Sarah Dazley (1819-1843) the first and only woman to be publicly hanged at Bedford Gaol. She was known as the Potton Poisoner after she was convicted of murdering, by arsenic poisoning, her second husband William Dazley. She was also suspected but not tried of murdering her first husband and son, Simeon and Jonah Mead, in 1840. She was executed on the 5th August 1843 on the New Drop in front of thousands of onlookers and was the last person to be publicly hanged at Bedford Gaol.

λ 96. An early Victorian ivory ‘Royal Academy Antique School 1768’ student’s admission token, for Silvester Charles Capes, admitted on the 24th April 1843, 5.1cm diameter. £150-200

λ 97. An early Victorian ivory ‘Royal Italian Opera Covent Garden‘ pass or token, for the Honourable A. Willoughby, for stage box number 1, dated 1847, 3.7cm diameter. £200-300

Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

Silvester Charles Capes (1825-1901) was a Victorian architect, he won the Royal Academy’s silver medal in 1845 and became a fellow of RIBA in 1867.

The Theatre Royal, Covent Garden re-opened in 1847 as the Royal Italian Opera Covent Garden, after the auditorium was completely remodelled following a fire in 1846.

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λ 98. A mid-Victorian carved presentation conductor’s baton, the handle carved with a semi-naked figure of Euterpe, the muse of music, holding a lyre, above the Royal garter and with musical trophies, 60.3cm long, in a leather case applied with a white metal plaque, inscribed ‘PRESENTED TO JAMES ROBERT BURN ESQ ACCOMPANIED BY A MUSIC STAND AND MEMORIAL BY THE MEMBERS OF HIS SINGING CLASS October 1866’. (2) £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

James Robert Burn was a bookbinder and ran the firm of James Burn and Company in the mid-19th century.

λ 99. A Victorian ivory ovoid handle, marked ‘VALET’, two ivory knob handles marked ‘UP’ and two further bone handles also marked ‘UP’, together with an ivory and a bone handled crumb brush, 23.5cm long (max). (7). £80-120 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

λ 100. A small collection of ivory items, including: three paper knives, two engraved ‘A Present from Scarborough’ and ‘A Present from a Friend’, a sewing barrel reel holder, a shaker, three boxes and covers, one polychrome and piqué decorated, a folding memorandum tablet engraved with the owner’s name ‘Polly Farr’, together with a pierced bone egg shape box, early 19th century and later, 20.7cm (max). (11) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

99

100

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ENGLISH, IRISH & AMERICAN FURNITURE

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101. A William and Mary walnut and oyster veneered lace box, the crossbanded hinged lid decorated with rondels, revealing a later baize lined interior with a lift-out tray and divisions fitted with cotton reels, the front inlaid with initials ‘A B’, 11.8cm high, 45.1cm wide, 33.5cm deep. £200-300

102. A William and Mary walnut lace box, inlaid with panels of seaweed marquetry, the quarter veneered hinged lid with foliate spandrels, the interior later lined in green velvet, 12.2cm high, 44.7cm wide, 36.2cm deep. £200-300

103. An Anglo-Dutch walnut and fruitwood marquetry chest, inlaid with panels of scrolling leaves and flowers, with two short and three long graduated drawers, on later bracket feet, late 17th / early 18th century, 95.2cm high, 95.8cm wide, 59.8cm deep. £200-300

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104. A William and Mary Anglo-Dutch oak and marquetry chest, in two halves, with ebonised banding and inlaid with fruitwoods with urns of flowers, with a deep top drawer with a paper label inscribed in pen ‘This chest of drawers was given to C. G. Orde in 1860. I leave it to Evelyn Alice Orde.’, above two further long drawers, on later bun feet, 98.1cm high, 95.4cm wide, 53.7cm deep. £800-1,200 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

105. A small Anglo-Dutch walnut and fruitwood marquetry chest, inlaid with ribbon tied flowers and the sides with urns of flowers, with two short and one long drawer, on bracket feet, late 17th / early 18th century, 39cm high, 60.2cm wide, 28.7cm deep. £300-500

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106. A George II walnut secrétaire chest on chest, with three short and six long cross and feather banded drawers, with fluted angles and oak sides, the secrétaire fitted with pigeonholes and drawers flanking a cupboard, 184.6cm high, 106.5cm wide, 54cm deep. £300-400 Provenance: Purchased by the current vendor from Cavendish Fine Arts, 6th September 1990 for £8,500.

107

106

107. A George I walnut dressing table mirror, with feather banding, the later arched plate within a moulded frame, the uprights with turned acorn finials, the stepped box base fitted with four drawers, on later bun feet, 73.6cm high, 38.2cm wide, 21cm deep. £300-500

108. A George II walnut bureau, cross and feather banded, the hinged fall revealing an interior fitted with pigeonholes, drawers and a central cupboard, above a sliding well cover, with two short and two long drawers on bracket feet, 99.8cm high, 85.8cm wide, 49.3cm deep. £300-500

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109. A George II walnut chest, the quarter veneered top with cross and feather banding, above two short and three long conforming drawers, on bracket feet, 92cm high, 92.8cm wide, 52.2cm deep. £500-800

109

110

110. A Queen Anne walnut dressing table mirror, the later bevelled arched plate within a moulded frame and a fret surmount carved with a heart, above a stepped box base fitted with seven feather banded drawers around an arched cupboard, on bracket feet, 83cm high, 38.3cm wide, 20cm deep. £150-200

111. A small George II walnut bureau, the feather banded hinged fall revealing an interior fitted with six drawers above a mirrored cupboard door, enclosing a further drawer, above four long graduated drawers, on bracket feet, with brass side carrying handles, 94cm high, 62.8cm wide, 45.2cm deep. £400-600

111

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112. An early 18th century oak lowboy, fitted with three drawers, on cabriole front legs and pad feet, 67.5cm high, 70.3cm wide, 48.6cm deep. £400-600

112

113. A small George II oak lowboy, the top with a moulded edge, above three frieze drawers and a shaped apron, on faceted cabriole legs, 70.9cm high, 51cm wide, 38.6cm deep. £300-500

113

114. A George II oak lowboy, with ash feather banding, with three frieze drawers above a shaped apron, on moulded chamfered legs, 72.7cm high, 76cm wide, 49cm deep. £100-200

114

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115. A set of four George II and later walnut side chairs in the manner of William Hallett, each with an arched padded back and seat, on four shell, husk and ribbon carved cabriole legs and claw and ball feet. (4) ÂŁ4,000-6,000 Provenance: Purchased from Willy Clegg.

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116. A pair of George II walnut side chairs, each with an arched padded back and seat, on hocked cabriole front legs and pad feet, with differing stretchers. (2) £300-500

116

117

117. A George II walnut dressing table mirror, the later plate with a carved giltwood slip and a moulded frame, the box base with a caddy moulded edge, inlaid with stringing and fitted with three drawers, 57.7cm high, 42.7cm wide, 19.5cm deep. £200-300 118. A pair of George II red walnut side chairs, each with a vase shaped splat, above a later tapestry drop-in seat, on cabriole front legs united by baluster and block stretchers. (2) £200-300

118

119. A George II walnut dressing table mirror, with a later shaped bevelled plate within a moulded frame, above a serpentine box base fitted with three drawers, on brass ball feet, 68cm high, 45cm wide, 21.3cm deep. £200-300 119

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120. A George II walnut and burr walnut secrétaire kneehole desk, the quarter veneered top with cross and feather banding and with a caddy moulded edge, above a secrétaire drawer with a hinged front and fitted with pigeonholes and three drawers, above a long slim drawer and six further drawers flanking a kneehole with a cupboard enclosing a shelf, on shaped bracket feet, 79.8cm high, 69cm wide, 43cm deep. £1,500-2,000

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121. A George II walnut kneehole desk, the quarter veneered top with cross and feather banding and re-entrant front corners, above an arrangement of eight drawers around a cupboard, on bracket feet, 77.8cm high, 72.4cm wide, 47.1cm deep. £800-1,200

122. A George II red walnut side chair, the padded back and seat upholstered in damask fabric, on cabriole front legs and pad feet. £300-400 Provenance: Purchased by the current vendor from Cavendish Fine Arts, 15th August 2002 for £3600.

123. A George I walnut side chair, with an arched padded back and seat, on cabriole legs and pad feet, together with a George III mahogany open armchair, with a pierced vase shape splat back, on leaf capped cabriole legs and worn claw and ball feet. (2) £300-500

123

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124. A George II walnut chest, the quarter veneered cross and feather banded top with a moulded edge, above four long graduated drawers, on bracket feet, with oak sides, 81.5cm high, 74.5cm wide, 40.1cm deep. £2,000-3,000

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125. A small George II walnut demi-lune card table, the hinged fold-over top with a moulded edge and cross and feather banding, revealing a velvet lined playing surface, above a single gate support, with three frieze drawers, on cabriole legs and square section pad feet, 73.8cm high, 69.2cm wide, 33.5cm deep. £600-800

126. A George II walnut open armchair, the padded back and seat later upholstered with damask fabric, on cabriole legs and pad feet. £300-500 Provenance: Purchased by the current vendor from Cavendish Fine Arts, 25th April 2001 for £4800.

126

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127. A George II Irish red walnut lowboy, the top with a moulded edge and re-entrant front corners, above an arrangement of six drawers, on leaf scroll carved cabriole legs and trefid feet, 74.8cm high, 81.3cm wide, 51cm deep. £400-600

127 128 128. Two George II walnut dressing table mirrors, both with carved giltwood slips and box bases fitted with three curved front drawers, one with turned bone finials, 53.8cm high, 42cm wide, 18.5cm deep (max). (2) £100-200

129. An early 18th century walnut dressing table mirror, with a later bevelled arched plate, within a moulded frame, the stepped box base fitted with four drawers with turned bone handles, 75.4cm high, 41.3cm wide, 21cm deep. £100-200

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130. A 19th century Irish mahogany armchair in George II style, with a padded back and seat, on flower cartouche capped and frill carved front cabriole legs and hairy lion’s paw feet. £400-600

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131. A mid-18th century American black walnut lowboy, the rectangular top with a moulded edge and unusual stylised leaf protruding front drawers, above three pine lined frieze drawers, above a bat’s wing and arc d’arbelète apron, on cabriole legs and pad feet, 70.7cm high, 83.5cm wide, 50.3cm deep. £1,000-1,500 See Edgar G. Millar JR., American Antique Furniture, volume one, pp.388-389 for examples of American lowboys with very similar apron designs and pl.689 for a table with similar protruding front corners.

132. A George II Irish red walnut demi-lune combined games and tea table, the hinged triple top revealing a baize lined surface with sunken counter wells and with a vacant interior flanked by compartments for pen and ink, on a single gate support and shell capped cabriole legs and faceted pad feet, 75.5cm high, 80.5cm wide, 40cm deep. £600-800

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133. A George III mahogany tripod table, the circular tilt-top on a baluster turned stem, cabriole legs and pad feet, 71cm high, 72.8cm diameter. £150-250

134. An early 18th century japanned bowfront hanging corner cupboard, painted to simulate tortoiseshell and decorated with chinoiserie, the interior with two shelves, 92.5cm high, 57cm wide, 38.5cm deep. £150-200

135. A George II mahogany tripod table, the circular tilttop on a gun-barrel shaft, on cabriole legs and pad feet with brass roller castors, 72cm high, 84.2cm diameter. £200-300

136. A set of six George III oak side chairs, each later carved with birds, leaves, flowers and zigzag bands, with a pierced splat above a solid seat and leaf capped cabriole front legs. (6) £300-500 136

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137. A George III mahogany side chair in Chinese Chippendale style, with a later leather upholstered padded back and seat, on chamfered legs united by pierced ‘H’ stretchers. £400-600 138. A pair of mahogany cockpen open armchairs in George III style, each with a Chinese style lattice back above a floral needlework seat, one signed to the underside ‘Mrs Evershed 8, South Molton Street, London, W1’, on swept cluster front legs united by an ‘H’ stretcher, late 19th /early 20th century. (2) £500-800

137

138

139. A George III mahogany serpentine chest, the moulded edge top above four long graduated drawers, on shaped bracket feet, 95.8cm high, 109cm wide, 57.8cm deep. £500-800 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

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140. A George III mahogany bureau cabinet, with a dentil cornice above a pair of cupboard doors with outline mouldings, enclosing three adjustable shelves, with a hinged fall, the interior with twentyone drawers, two pigeonholes and a central cupboard, above two short and three long graduated drawers, on bracket feet, 260.3cm high, 123.6cm wide, 57.7cm deep. £500-700

141. A George III mahogany tray-top bedside commode, the serpentine gallery pierced with three handgrips, above a pair of cupboard doors and a converted leather lined pull-out base, 79.8cm high, 56cm wide, 45.3cm deep. £300-400

140

142. A George III mahogany tripod table, the circular fixed top with a pie-crust moulded edge above a turned part baluster and column stem with a fluted bowl, on moulded legs and pointed pad feet, top and base possibly associated, 72.4cm high, 50.4cm wide. £200-300

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143. A George III mahogany ‘D’ shape side table, with a crossbanded top, on square tapering legs, 70.8cm high, 121.2cm wide, 47.7cm deep. £80-120

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144. A George III giltwood wall mirror in the manner of John Linnell, with two shaped plates divided by a band of rockwork, the lower flanked by columns, within a rocaille, leaf, and scroll carved frame, with a basket of flowers surmount, re-gilt, 188.4 x 89cm. ÂŁ4,000-6,000

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145. A George III mahogany demi-lune card table, inlaid with stringing, the hinged fold-over top with a satinwood and flower decorated fan, the frieze and legs inlaid with bell flowers, 74.3cm high, 86.7cm wide, 43cm deep. £300-400

145

146. A George III mahogany tray-top bedside commode, the gallery top with pierced handgrips, above a tambour shutter and a pull-out base, 74.6cm high, 50.3cm wide, 42.7cm deep. £500-700

146

147. A George III mahogany bureau, the hinged fall revealing six satinwood fronted drawers, pigeonholes and a central cupboard, above four long graduated drawers and bracket feet inlaid with stringing, 108cm high, 115.8cm wide, 55.3cm deep. £300-400 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

147

148. A George III mahogany tray-top bedside commode, inlaid with stringing, the gallery top above a pair of cupboard doors and a pullout base fitted with a ceramic bowl, the sides pierced with handgrips, 74.9cm high, 48.8cm wide, 42.2cm deep. £150-250 148

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149. A mahogany wing armchair in George III style, upholstered with brass studded brown leather, on square tapering front legs united by ‘H’ stretchers. £400-600 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

149

150. A George III mahogany and brass bound oval wine cooler on stand, the lead lined interior with a plug, with brass side carrying handles, on square tapering legs and brass roller castors, 54.8cm high, 71.5cm wide, 45.3cm deep. £400-600

151. A George III mahogany tray-top bedside commode, with a pair of fielded panel doors, above a converted leather lined pull-out base, pierced with side handgrips, 80cm high, 59.8cm wide, 45cm deep. £500-800

151

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152. A George III mahogany bureau, the hinged fall revealing an arrangement of pigeonholes, drawers and a central cupboard, above four long graduated drawers and bracket feet, 105.3cm high, 96cm wide, 53.3cm deep. £200-300

152

153. A George III elm open armchair, with a pierced vase shape splat, above a stuffed-over seat, on chamfered front legs united by an ‘H’ stretcher. £100-150

154. A George III mahogany tea table, inlaid with boxwood stringing, the ‘D’ shaped hinged top on twin gate supports, 73.3cm high, 92.5cm wide, 45.2cm deep. £200-300 Provenance: The estate of the late Sir John Alexander CampbellOrde, 6th Baronet (1943-2016).

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155. A George III and later mahogany tray-top bedside commode, the serpentine gallery pierced with two handgrips, above a pair of cupboard doors and a converted base, now with a drawer, the open back with a later shelf, on brass castors, 71.4cm high, 55.5cm wide, 43.5cm deep. £300-400

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156. A set of six late 18th century painted open armchairs, each with an oval back and a guilloche carved frame, with differing needlework upholstery, with scroll arms, above a fluted frieze and flowerhead carved and fluted tapering front legs. (6) ÂŁ1,000-1,500

157. A George III and later giltwood marginal mirror, the central rectangular plate within a leaf moulded slip and marginal plates, with later leaf dividers and a bead and leaf moulded frame, 169.6 x 110.2cm. ÂŁ800-1,200

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158. A George III mahogany tray-top bedside commode, the shaped gallery pierced with three handgrips, above a hinged retractable cover, above a pull-out base with a lidded compartment with a ceramic bowl, 80.5cm high, 60.2cm wide, 45.5cm deep. £400-600

159. A George III mahogany tray-top bedside commode, inlaid with stringing, the gallery top pierced with two handgrips, above cupboard doors and a converted pull-out base, 79cm high, 53.3cm wide, 45.5cm deep. £300-400 158

159

160. A George III mahogany hanging corner cupboard, with a hinged door with reeded outline mouldings, revealing a painted interior with three shaped shelves, flanked by fluted angles, 120.3cm high, 85cm wide, 46cm. £80-120

161. A set of six George III fruitwood ‘Country Chippendale’ dining chairs, each with a scroll carved top rail above a pierced vase shape splat and a drop-in seat. (6) £200-300

160

161

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162. A set of eight George III mahogany ‘Hepplewhite’ dining chairs, each with an oval back with a pierced splat carved with leaves, drapes and a guilloche band, above a stuffed-over seat covered in damask fabric, on square tapering front legs with spade feet united by an ‘H’ stretcher, the back rail stamped with workman’s initials ‘I R’. (8) £2,000-3,000 Provenance: Purchased by the current vendor from Lennox Cato at the BADA Antiques Fair in 2013.

λ 163. A George III mahogany square piano by John Broadwood & Son, the case inlaid with stringing and purpleheart and satinwood banding, with applied gilt brass paterae, signed ‘JNO Broadwood & Son, London, Great Pulteney Street, Golden Square’ and dated ‘1794 Patent’, with ivory naturals and ebony accidentals, on square tapering legs and brass castors, 86.8cm high, 159cm wide, 54.1cm deep. £1,000-1,500

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164. A pair of George III mahogany card tables, inlaid with stringing, each with a ‘D’ shaped hinged fold-over top and on twin gate supports, with kingwood banding, on square tapering legs and spade feet, 74.1cm high, 91.2cm wide, 45cm deep. (2) £1,500-2,500

165. A George III mahogany tripod table, the octagonal tilttop revolving on a birdcage, the gallery inlaid with stringing, on a fluted stem and bowl and on faceted cabriole legs and pointed pad feet, 73cm high, 71.5cm wide. £400-600

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λ 166. A George III satinwood card table, inlaid with stringing, the ‘D’ shaped hinged top crossbanded with rosewood and possibly cocobolo, on twin gate supports and square tapering legs and spade feet, 73.5cm high, 91.3cm wide, 44.8cm deep. £200-300

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167. A George III satinwood library bookcase, inlaid with stringing and banding, the moulded cornice above a pair of glazed and brass mesh doors enclosing ten adjustable shelves, the base with a pair of oval panelled doors enclosing shelves, 248.4cm high, 152.3cm wide, 31.3cm deep. £300-400

167

168 top

λ 168. A late George III satinwood breakfast table, inlaid with ebonised stringing, the circular tilt-top banded with purpleheart, kingwood and rosewood edging, on a turned stem and four splay legs terminating in brass caps and castors, 71.7cm high, 141.7cm diameter. £500-800 168

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169. A near pair of 18th century Anglo-Chinese huanghuali and padouk bureau cabinets, each with a moulded cornice above a pair of panelled doors with leaf carved mouldings, enclosing two adjustable shelves and two drawers, above a hinged fall revealing an arrangement of drawers and pigeonholes with a central cupboard door, above four long graduated drawers, on bracket feet, with paktong escutcheons, hinges and handles, 188.2cm high, 109cm wide, 55.7cm deep and 188.2cm high, 109cm wide, 57.2cm deep. (2) £15,000-20,000 Provenance: Purchased by the current vendor’s husband from Sotheby’s, December 1980. Catalogued as: ‘Property of a Gentleman, A rare pair of Padouk bureau bookcases, probably Macau, early 19th century.’

These fine bureau cabinets were constructed in China, probably Canton or Macau for an English client, possibly ordered for an East India Company official. They are made of huanghuali and padouk, both timbers native to Asia. Huanghuali (Dalbergia odorifera) literally translates as ‘yellow flowering pear’ wood which is a member of the rosewood family. It was predominantely found on the island of Hainan and was the wood of choice for the Emperor and the elite during the Ming and Qing dynasties. These cabinets are based on an English prototype but constructed in an entirely Chinese way, in-particularly with the use of solid timbers.

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170. A small 18th century Anglo-Chinese teak child’s bureau, the hinged fall revealing two drawers and pigeonholes, above two short and one long drawer and bracket feet, 58cm high, 65.6cm wide, 31cm deep. £400-600

171. An Anglo-Chinese teak and elm campaign washstand, the hinged top revealing a divided interior, above three drawers and a false front, the right side with a long deep drawer, with side carrying handles, late 18th / early 19th century, 86.3cm high, 72cm wide, 48cm deep. £200-300

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172. A pair of 19th century Anglo-Chinese camphorwood and brass bound trunks, 39.5cm high, 87.5cm wide, 44.6cm deep, together with an early 19th century mahogany trunk (af), 50.5cm high, 98.5cm wide, 47.6cm deep. (3) £300-500 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

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173. A pair of 19th century Chinese hardwood throne chairs, the frames extensively carved with a scholar with his pupils, pine trees, squirrels, dragon’s heads, happy Buddhas and scrolling leaves and flowers, with a later fabric padded oval back, seat and armrests. (2) £400-600

174. A pair of Chinese porcelain models of cockerels, each with a celadon glaze, 20th century, 44.5cm high, on a hardwood stand. (4) £200-300

175. A quartetto nest of Anglo-Chinese hardwood occasional tables, each inset with a faux marble panel, on ring turned legs united by a curved stretcher, 61cm high, 39cm wide, 38cm deep (max). (4) £300-500

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176. A Chinese black lacquer cabinet, polychrome decorated with scaly dragons chasing pearls, with two pairs of cupboard doors, the lower enclosing a shelf, each with a bronze locking bar padlock the ends decorated with figures, early 20th century, 113.7cm high, 66.1cm wide, 35.2cm deep. £100-200

176 177. Eight bronze opium weights in the form of elephants, probably Burmese, 9.3cm high (max). (8) £100-150

178. A Chinese painted vellum trunk, all over decorated with landscape scenes and courtly ladies dancing, with side carrying handles, early 20th century, 32cm high, 70.5cm wide, 46.6cm deep. £200-300

178

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179. A Burmese giltwood harp or saung gauk, in the form of a peacock, with coloured inlays and sixteen strings, late 19th / early 20th century, 104.8cm high, 156cm long, together with a Burmese violin, with a carved peacock, leaf and bird finial, 89cm long. (2) £300-500 Provenance: The saung gauk was purchased from Mark J West Cobb Antiques on the 6th June 2013.

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180

180. A pair of black japanned papier-mâché pond dioramas, in the form of shells and with gilt decoration, depicting a pair of articulated terrapins swimming under water amongst fish and plants, 17.5cm wide. (2) £100-150

λ 181. A pair of Japanese Shibayama lacquer whist markers, with gilt flowers and leaves, with ivory hinged pegs decorated with insects, together with a Japanese ivory netsuke of two playful rats, Meiji 18681912, 9.2cm (max). (3) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

181

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182. A Moorish walnut occasional table, inlaid with bone stringing and mother of pearl, the hexagonal top with a central stylised star design, above panels of Islamic script and mihrab arches, with turned spindle decoration, late 19th / early 20th century, 60cm high, 53.5cm wide. £150-250

182

183. A Moorish walnut low occasional table, inlaid with bone and mother of pearl, the top carved with Islamic script, above a fret carved frieze with a drawer, on conforming legs, late 19th / early 20th century, 39.5cm high, 44.4 x 44.2cm. £100-150

184. A pair of Anglo-Ceylonese ebony armchairs in 19th century style, each with a triple splat-back above a cane seat, with a squab cushion with a printed vermiculated design, on square tapering legs, modern. (2) £300-500

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λ 185. An Anglo-Indian hardwood occasional table, inlaid with ivory, bone and ebony with scrolling leaves and flowers, the octagonal top with a chevron edge, on a folding base with mihrab arches, Hoshiarpur, late 19th / early 20th century, 50.4cm high, 55.2cm wide. £200-300

185

186. A mid-19th century Anglo-Indian ebony side chair, the reeded and moulded frame carved with palmettes, above a drop-in seat, on sabre front legs with brass feet, probably Ceylonese. £150-200

186

187. An Anglo-Indian hardwood occasional table, all over carved with scrolling leaves and flowers, the octagonal liftoff top above a folding base with conforming pierced panels, 64cm high, 63.8cm wide, together with a smaller similar Anglo-Indian hardwood octagonal occasional table, 48.3cm high, 48.2cm wide. (2) £300-500

187

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188. A Chinese silk and metal thread Imperial five dragon carpet, the top border with inscriptions, probably 19th century or earlier, 267 x 189cm. £800-1,200

188

189. A North West Persian runner, possibly Kurdish, early 20th century, 385 x 105cm. £200-300

190. A Chinese Ningxia rug, North West China, first half 19th century, 208 x 132cm. £300-500

190

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191. A Ziegler carpet, with an ivory ground, Arak Sultanabad, West Persia, late 19th century, 550 x 445cm.

ÂŁ1,000-1,500

Provenance: The property of a Nobleman.

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192. An Isfahan rug, Central Persia, early 20th century, 206 x 141.5cm. £150-250

193. A Bijar runner, with a Mina Khani design field, North West Persia, late 19th / early 20th century, 432 x 111cm. £200-300

194. A Kurdish long rug, North West Persia, early 20th century, 309 x 125.5cm. £80-120 Provenance: The property of a Noblewoman.

194

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195. A rare Saruk Dervish pictorial tiger or leopard rug, with an inscription and partial date, Central Persia, late 19th / early 20th century, 193 x 123.5cm. ÂŁ2,000-3,000 See Parviz Tanavoli, Kings, Heroes & Lovers: Pictorial Rugs from the Tribes and Villages of Iran, pl.57 for a similar Dervish Leopard rug.

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196

196. A Turkish Ushak carpet, with a tree of life design, West Anatolia, first half 20th century, 433 x 383cm. £800-1,200

197. An early 20th century machine made carpet in 18th century style, possibly Scottish, 273 x 202cm. £80-120

198. An Erivan rug, Armenia, Central Caucasus, 185 x 102.5cm, together with a North West Persian rug (maybe also Erivan),183 x 119.5cm, both early 20th century. (2) £40-60

198

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199. A Tehran vase carpet, worked with an array of urns with flowers, birds, trees and scrolling foliage, North Persia, c.1910, 306.5 x 202.5cm. ÂŁ800-1,200 Provenance: The property of a Noblewoman.

199

200. An Heriz carpet, North West Persia, first half 20th century, 307 x 234cm. ÂŁ300-400

200

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CLOCKS, GLOBES & BAROMETERS

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202

203

204

205

λ 201. An 19th century mahogany wheel barometer by Clegg, the twelve inch silvered dial engraved with an urn of flowers, above a circular dial inscribed ‘CLEGG 168 NEW CROSS ROAD SE’, the case inlaid with boxwood stringing and rosewood banding, with a thermometer and a dry / moist dial, the swan neck pediment with an ivory urn finial, 117.5cm high. £300-400 λ 202. A Victorian carved oak stick barometer by Carpenter & Westley, the ivory dials for yesterday and today with twin adjustable vernier scales, signed ‘Carpenter & Westley 24 Regent Strt. London’, in a Jacobean revival case carved with a winged angel mask surmount, above scrolls and fruit, the stem with a caryatid figure wearing a crown of laurel, holding a branch and a lyre, 102cm high. £800-1,200 λ 203. An early Victorian mahogany bowfront stick barometer, the ivory dials for yesterday and today with twin adjustable vernier scales, signed ‘DENNIS 122 BISHOP’S GATE STREET’, the stem inset with a thermometer above an ebonised urn cistern cover, 97cm high. £500-800 λ 204. An early Victorian rosewood stick barometer by Casartelli of Liverpool, the ivory dials for yesterday and today with twin adjustable vernier scales, signed ‘A. & J. CASARTELLI LIVERPOOL’, the case with a crenelated surmount above Gothic fluting and an arched bevelled glass, the conforming trunk inset with a thermometer, 102.5cm high. £300-500 λ 205. A Victorian mahogany marine stick barometer by Lilley & Son, the ivory dials for yesterday and today with twin adjustable vernier scales, signed ‘LILLEY & SON LONDON’, the trunk with a sympiesometer and a thermometer, with a silvered dial and a leaf carving above a brass cylindrical cistern cover, 92.7cm high. £800-1,200

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207

206. A walnut longcase clock case, late 17th / early 18th century, 211.9cm high,

208 £200-300

207. A George III green japanned longcase clock by Thomas Watts of Hadleigh, the eight day brass movement with an anchor escapement striking on a bell, with an arched twelve inch dial with a silvered chapter ring, with Roman and Arabic numerals, with a subsidiary seconds dial and a date aperture, signed ‘Thos: Watts, HADLEIGH’, with bird and urn spandrels, the arch painted with buildings and a cross, possibly originally with an automaton, the case decorated in gilt with chinoiserie with figures, buildings and birds, the sides with leaves and flowers, 207.2cm high. £300-500 208. A George III oak and mahogany longcase clock by Thomas Lister of Halifax, the eight day brass movement with four turned pillars and an anchor escapement striking on a bell, the arched thirteen inch dial with a silvered chapter ring, with Roman and Arabic numerals, with a subsidiary calendar dial with engraved flowers and foliage and signed ‘THOS. LISTER HALIFAX’, with engraved gilt hands, the moon-phase painted with a sailing ship and a hunting scene with engraved globe details, with gilt Rococo spandrels, the case with a broken swan neck arched hood centred with an eagle finial, the trunk with lozenge bands and fluted quarter pilasters and inlaid with oval paterae, 240cm high. £500-800 Provenance: By family repute, Colonel Schletter of The Priory, Orpington, gifted it to the current vendor’s family.

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209. A George III mahogany bracket clock by James Muckarsie of Holborn, the eight day brass repeating movement with a verge escapement, striking on a bell, the backplate engraved with a basket of flowers and scrolling leaves, the arched brass dial with a silvered chapter ring, with Roman and Arabic numerals, with a matted centre with a date aperture and a signature plaque, inscribed ‘JAMES MUCKARSIE HOLBORN’, the arch with a strike / silent dial and with gilt Rococo spandrels, the bell top case with foliate urn finials and with flower and female mask mounts and fish-scale panel sides, with brass carrying handles, 59cm high. £1,500-2,500 Provenance: Kilmory Castle, Argyle and Bute, Scotland.

The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

James Muckarsie (Mackarsie) is listed as working in London (47 High Holborn), a member of the Clockmakers’ Company in 1784. He died in 1801. His son, George James Muckarsie, was a clock and chronometer maker working in Great Queen Street, London.

209

210. A George III ebonised bracket clock by Stephen Rimbault of London, the eight day brass repeating movement with a verge escapement striking on a bell, with a bob pendulum, the backplate engraved with a basket of flowers and scrolling leaves, the arched brass dial with a silvered chapter ring, with Roman and Arabic numerals, the matted centre with a date aperture and a false pendulum, with a signature plaque, inscribed ‘Stepn Rimbault LONDON’, with blued steel hands, the arch with a strike / silent dial, with gilt Rococo spandrels, the brass mounted case with a bell shape top with turned urn finials and with arched glazed panel sides, 47.9cm high. £1,000-1,500

210

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211. A 19th century Swiss mandoline-expressive zither walnut musical box by Paillard Vaucher et Fils, the thirteen inch cylinder playing eight airs, with a full length PVF zither attachment, serial number ‘14071’, with a printed and hand-written tune-sheet, the part ebonised case with kingwood banding and decorated with parquetry diamond lozenges, with brass side carrying handles, 19cm high, 61.3cm wide, 26.7cm deep. £400-600 Provenance: The property of a Noblewoman.

211

λ 212. Four 19th century ivory folding rules, by Samuel Mordan & Co., Watkins, Rennoldson and Troughton & Simms, all of London, 30.3cm (max). (4) £40-60 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

212

λ 213. An early 19th century Irish gilt brass and ivory spy glass or monocular, with a five-draw tube, the eyepiece signed ‘Richard Honly Dublin’, 9.4cm (open). £80-120 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

214. An early 20th century twelve inch terrestrial globe by Geographia, with a signature panel and address ‘55 Fleet Str. London E.C.4’, mounted on a brass meridian and an ebonised wood base, 52.5cm high. £200-300

214

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215. A George IV fifteen inch terrestrial library globe by J. & W. Newton, of twelve hand-coloured and engraved gores, inscribed ‘NEWTON’S New and Improved TERRESTRIAL GLOBE, Acurately delineated from the observations of the most esteemed Navigators and Travellers To the Present Time, MANUFACTURED BY J. & W. Newton, No. 66. Chancery Lane, London Published 1818 with additions to 1823’, with two brass engraved hour dials and a meridian ring, with an engraved horizon, the mahogany stand inlaid with ebonised stringing, with a spiral reeded stem on swept tripod legs and scroll feet united by turned stretchers, centred with a glazed compass with a steel needle, on brass castors, 102cm high. £1,500-2,500

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216. A William IV ebonised chiming bracket clock by Thomas Hunt of London, the three train brass movement striking on nine bells, the backplate stamped ‘THOS HUNT Tottenham Court Road LONDON’, the painted arched dial with Roman numerals and a subsidiary date and strike / silent dials, signed ‘TH. HUNT LONDON’, the case inlaid with brass, with cone finials and Gothic lancet shape side panels, 64cm high. £500-800

216

217. A Victorian oak mantel clock, the eight day brass repeating movement striking on a bell, the circular painted dial with Roman numerals and indistinctly signed, the arched case with carved swags of flowers, 45.7cm high. £400-600

217

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218. A mahogany dial wall clock, the eight day brass single fusee movement with an anchor escapement, the twelve inch dial with Roman and Arabic numerals, signed ‘Sam Aldworth at Childerey’, with a brass bezel and a moulded case. £200-300

219. An early 19th century mahogany dial wall clock by John Wakeford of Eastbourne, the eight day brass single fusee movement with an anchor escapement, with four turned and knopped pillars, with tapering plates, the twelve inch brass dial with Roman and Arabic numerals, with steel moon hands and signed ‘John Wakeford EAST BOURN’, with a brass bezel and a moulded case. £200-300

220. A Victorian pine dial wall clock by J. W. Benson of London, the eight day brass single fusee movement with an outside silvered regulator wheel, both stamped ‘J. W. BENSON LUDGATE HILL LONDON’ and ‘7098’, the painted fourteen inch dial similarly marked and with Roman numerals, with a brass bezel and a moulded case. £300-500

221. A Victorian mahogany dial wall clock, the eight day brass single fusee movement with a repainted twelve inch dial, with Roman numerals, inscribed ‘MEADERS LTD BOSCOMBE’, with a brass bezel and a moulded frame. £200-300

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view from above

222. A rare and fine early Victorian gilt brass chronometer carriage timepiece by James McCabe, the eight day brass single chain fusee movement with maintaining power, with four turned pillars, the escapement with a gilt platform with a diamond endstone and a bi-metallic cut compensated balance with ten timing screws, with an Earnshaw spring detent escapement and blued steel helical spring, the backplate signed ‘James McCabe London 2903’, the back door with twin shuttered winding and set hand apertures, the silvered dial with Roman numerals and blued steel fleur-de-lis hands, with subsidiary seconds and Wind-Up dials, signed ‘James McCabe 2903’, the moulded Dent style case with four bevelled glass panels, the dished top with a faceted handle, c.1856, 16.8cm high (handle down), with an original numbered winding key and a probably original leather travelling case. £8,000-12,000 English chronometer carriage timepieces are relatively rare, especially by James McCabe. An example in a floral decorated case no. 2268 was sold by Christie’s London, Important Clocks, Barometers and Marine Chronometers, 2nd July 2004 lot 128 and subsequently was sold by Bellman’s Sussex Saleroom, 19th November 2019, lot 696 for a hammer price of £14,000. A very similar example by Dent was sold in these rooms, Furniture, Works of Art & Clocks, 11th January 2017, lot 360 for a hammer price of £15,000.

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223. A late 19th century French gilt brass carriage timepiece, the eight day brass movement with a platform lever escapement, the annular enamel dial with Arabic numerals, the doucine case with filigree decoration of scrolling leaves and flowers, 12.8cm high (handle down). £150-250

223

224. A small gilt brass carriage timepiece, the eight day brass movement with a platform lever escapement, stamped ‘MADE IN ENGLAND’, the dial with a silvered chapter ring with Arabic numerals, in a fluted case, late 19th / early 20th century, 11.5cm high (handle down). £80-120

224

225. A late 19th century French gilt brass miniature carriage timepiece with alarm, the eight day brass movement with a platform lever escapement, the backplate stamped ‘FRANCE’, the alarm striking on a bell, the enamel dial with Roman numerals and a subsidiary alarm dial, signed indistinctly, in a corniche case with fluted columns and a dentil frieze, 9.1cm high (handle down). £150-200

225

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226. A rare early Victorian miniature gilt brass carriage timepiece attributed to James McCabe, the brass movement with a horizontal mounted rack lever escapement mounted on the backplate, with a finely floral engraved back cock, a diamond endstone, with a three arm balance wheel and with slow / fast regulation, blued screws, inscribed ‘No. 107’, the circular silvered dial with Roman numerals and engraved with scrolling foliage, with blued steel moon hands and with a subsidiary seconds dial, the Gothic style case decorated with pinnacles and arches and with engraved niches with saints and coats of arms, with a fan top and hinged foliate handle, 9.7cm high (handle down). £800-1,200 See Charles Terwilliger and Joseph Fanelli, A Century of Fine Carriage Clocks, pp.178-179 for a similar example.

226

226 movement

227. A small late 19th century gilt brass petite sonnerie carriage clock, the eight day movement with a platform lever escapement, with a repeat and striking on two bells, the backplate stamped ‘J. KLAFTENBERGER 157 REGENT STREET’, the enamel dial with Roman numerals and with the same inscription, above an alarm dial and a foliate engraved surround, the gorge case with conforming decoration, 11.4cm high (handle down). £800-1,200

227

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228. A French gilt metal sedan clock in Empire style, the circular enamel dial with Roman numerals, within a lappet border and an octagonal case, with a faceted suspension ring, 15cm high. £100-150

228

229. A French Vernis Martin style mantel timepiece, the eight day brass drum movement with a platform lever escapement, the backplate numbered ‘499’, the circular enamel dial with Roman and Arabic numerals, the Louis XV style case with gilt metal mounts and painted with flowers and with a man playing the bagpipes, late 19th / early 20th century, 23.8cm high. £200-300 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

230. Seven French lithograph prints of clock designs, after Guillet, Ricard, and St. Ange, each titled, including: ‘Beau Nicolas’, ‘Le Retour au Village’ and ‘Raphael’, with pencil annotations, the majority printed

by Becquet, Paris, 47x 39cm, each in later glazed pine frames. (7) £150-200 230

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231. A late 19th century French ormolu miniature carriage timepiece, the eight day brass movement with a platform lever escapement, the backplate inscribed ‘Paris’ and numbered ‘648’, the circular dial with blue Roman and red Arabic numerals, the mignonette no.1 size case decorated with stiff leaves, with winged semi-naked female terms and with scrolling leaves and urns of flowers, 8.7cm high (handle down). £300-500

231

232. A 19th century French gilt brass and porcelain miniature carriage timepiece by Drocourt, the eight day movement with a platform lever escapement, the backplate with an oval ‘D C’ trademark and numbered ‘54’, the base also stamped ‘DROCOURT PARIS 8353’, the porcelain circular dial with gilt Roman numerals, above an 18th century harbour scene, the mignonette no.1 size cannelée case with four further porcelain panels painted with nautical scenes, 8cm high (handle down), in a fitted leather case with key. £300-400

232

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λ 233. A French Louis XV boulle marquetry mantel clock, the eight day brass movement with an outside countwheel and striking on a bell, the backplate signed ‘Charles Voilin Paris’, the circular enamel and gilt dial with Roman and Arabic numerals, signed ‘CHLES BEAUVILLAIN A PARIS’, the case veneered with tortoiseshell and inlaid with brass with scrolling leaves and flowers, with Old Father Time on the surmount, 77.3cm high, together with a similar bracket, 26.5cm high. (2) £1,000-1,500

233

234. A French Louis XVI ormolu cartel clock, with a later eight day brass drum movement striking on a bell, the backplate stamped ‘G S 432’ and with a pastille inscribed ‘MEDAILLE DE BRONZE P Marti et Cie’, the circular enamel dial with Roman and Arabic numerals, signed ‘RENARD ET REIMS’, the classical case with an urn surmount applied with ram’s heads supporting swags of laurel leaves, with lattice and Vitruvian scroll decoration, 72.5cm high. £200-300 235. A French Empire gilt and patinated bronze mantel clock, the eight day brass drum movement with an outside countwheel and striking on a bell, with an enamel annular dial with Roman and Arabic numerals, the centre with a visible movement, the open case with an urn surmount above scrolling leaves and a pierced gallery supported

by Egyptian style sphinx caryatids, 40.9cm high. £300-400 235

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236. A French Napoleon III gilt and patinated bronze clock garniture by Raingo Frères, the eight day brass drum movement with an outside countwheel numbered ‘209’, striking on a bell, with a pastille inscribed ‘RAINGO FRERES A PARIS’, the sphere dial with Roman numerals and with serpent hands, the case surmounted with Cupid with two lovebirds, above another cherub representing the arts, reclining and holding a miniature portrait painting on porcelain, with a bust of a lady, a scroll and an artist’s palette, together with a pair of five-light figural candelabra, each with a flaming torch snuffer, the urn sconces decorated with swags and leaves, above a cherub and swags of flowers, stamped ‘721’, the clock 35cm high, the candelabra 50.5cm high. (3) £800-1,200

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237. A late 19th century French marble and ormolu mantel clock, the eight day brass drum movement striking on a bell, numbered ‘2741 311’ and stamped with a pastille ‘MEDAILLE ‘DARGENT VINCENTI’, the circular enamel dial with Arabic numerals and decorated with floral swags, inscribed ‘ELKINGTON & CO LTD’, the Louis XVI style case surmounted by a pair of lovebirds and with Cupid and a warrior cherub, on lion’s paw feet, 26.4cm high. £400-600

237

238. A late 19th century French ormolu and porcelain mantel clock, the eight day brass drum movement with an outside countwheel and striking on a bell, the backplate stamped ‘ROLLIN A PARIS 556’ with a pastille inscribed ‘MEDAILLE D’OR JAPY FRERES’, the enamel dial with Roman and Arabic numerals, signed ‘ROLLIN A PARIS’, the Louis XVI style case decorated with flaming torches, leaves and scrolls, the porcelain panels painted with a bird and flowers, 26.5cm high. £200-300

239. A French Charles X gilt and patinated bronze mantel clock, the eight day brass drum movement with an outside countwheel and striking on a bell, with silk suspension, stamped ‘GG 2131’, with a pastille ‘Lons Medaille D’Or 1827’, with a silvered circular dial with Roman numerals, the case modelled with a figure of Christopher Columbus seated on rocks, with a globe, a map and an anchor, above a lappet and scroll decorated base, 42.8cm high. £400-600 239

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240. A late 19th century French porcelain and ormolu mounted mantel clock, the eight day brass drum movement striking on a gong, the backplate stamped ‘20024’, the circular dial with Roman numerals around a reserve of flowers, the urn shaped case in Louis XVI style with a bud finial and female mask handles, the porcelain decorated with classical maidens, musical trophies and ribbon tied flowers, 54.2cm high. £400-600

240

241. An ormolu and porcelain mounted clock garniture in Louis XVI style, the eight day brass movement with an outside countwheel and striking on a bell, stamped ‘BLY 835’, with a pastille, the circular enamel dial with Roman and Arabic numerals and inscribed ‘STAMMER & BREUL IN WIEN’, the case decorated with ribbon tied flowers, with a dark surmount and cherub caryatids, the porcelain panels painted with a pair of frolicking putti and floral sprays, 26cm high, together with a pair of figural candelabra modelled with a Cupid figure holding flowers, 42cm high. (3) £600-800

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EUROPEAN FURNITURE, WORKS OF ART & LIGHTING

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242

242. A 19th century French giltwood and composition console table, the shaped marble top with a moulded edge, the leaf and arcaded frieze centred with a rosette with leaf scrolls and flanked by flying dragons, the tails entwined with the legs which are decorated with a flowerhead diaper ground, on leaf and hoof feet, 83.2cm high, 153.5cm wide, 52.7cm deep. £800-1,200

243

243. A pair of French giltwood jardinière stands, each with an inset circular marble top and on a beaded and guilloche decorated base, late 19th / early 20th century, 82.4cm high, 46.3cm diameter. (2) £150-250 Provenance: The property of a Noblewoman.

244. A near pair of French giltwood and caned jardinières in Louis XVI style, each with a lift-out metal liner and on a tripod stand, 54.5cm high, 36.8cm wide (max). (2) £300-500

244

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245. A late 19th century French walnut love seat in Louis XV style, the frame carved with a basket of flowers, leaves, shells and scrolls and upholstered with damask fabric, on cabriole legs, 97.2cm high, 121.8cm wide, 87cm deep. £400-600

245

λ 246. A pair of 19th century French rosewood fauteuils in Louis XV style, the moulded frame carved with leaves and flowers, with a padded back, seat and armrests, on cabriole legs and horn front castors. (2) £500-800

246

247

247. A 19th century French giltwood centre table in Louis XVI style, with an oval verde antico marble top, above a guilloche frieze, on flower wrapped fluted legs united by an ‘X’ stretcher with an urn finial, 75.9cm high, 93.2cm wide, 70.8cm deep. £400-600 248. A set of gilt brass faux bamboo shelves, with a flower finial, above three glass tiers, 86.7cm high, 44.3cm wide, 12.5cm deep. £200-300

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249. A French Louis XV walnut commode, with three long drawers, on scroll feet, 96.2cm high, 137.8cm wide, 64cm deep.

£800-1,200

250. A set of five 19th century French giltwood fauteuils, each with a moulded frame carved with leaves and flowers, with an arched padded back and seat covered in silk fabric, on fluted front supports, one back rail stamped ‘C D 415’. (5) £500-700

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λ 251. A French Napoleon III boulle card table, marquetry inlaid with cut brass and tortoiseshell, with scrolling leaves, flowers and strapwork, with a serpentine hinged and swivel top revealing a compartment, with ebonised decoration and applied with Apollo masks and cherub mounts, 76.7cm high, 87.2cm wide, 44cm deep. £300-500

251

252. A pair of late 19th century French ebonised and gilt metal mounted columns, each with a revolving top and with fluted stems, 121.8cm high, 46cm diameter. (2) £200-300 Provenance: The property of a Noblewoman.

252

253. A kingwood bombe commode in Louis XV style, with gilt brass mounts, the serpentine marble top above two long drawers, 20th century, 86.5cm high, 124cm wide, 59cm deep. £400-600

253

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254. An unusual French Louis XV ebonised high back fauteuil, later upholstered with buttoned brown leather, the moulded frame carved with flowers, on front cabriole legs, ÂŁ800-1,200 Provenance: Geoffrey Bennison.

255. Two French painted low chairs in Louis XVI style, each with a padded back and seat upholstered with damask fabric, on fluted legs, c.1900. (2) ÂŁ150-250 Provenance: The property of a Noblewoman.

254

255

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256. A late 19th century Black Forest carved wood oval box, the hinged lid carved with game birds, including pheasants and grouse, standing on branches and leaves, revealing a vacant silk lined interior, the body relief decorated with leaves and flowers on scroll feet, 34cm high, 34.5cm wide. £200-300

256

257. A Black Forest centrepiece, with a detachable fluted vase, with a trunk stem carved with oak leaves and two game birds, late 19th / early 20th century, 63.9cm high. £300-500

258. A 19th century Black Forest stag antler bodkin case, carved with panels of birds and deer, with a gilt metal band and rosettes to either end, 9.7cm high. £100-150 258

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259. A pair of Black Forest carved wood dog door porters, each in the form of a begging spaniel, with glass eyes, standing on a cushion, late 19th / early 20th century, 74.9cm high, 33.5cm wide, 21cm deep.

(2) £2,000-3,000

259

260

260. A Black Forest carved wood bear tobacco jar, with glass eyes, with a hinged lid and a brass bowl, late 19th / early 20th century, 23.3cm high. £200-300

261. A Black Forest carved wood smoker’s table, the naturalistic shaped and pierced top with three seated bears, with two hinged compartments, one when open activates a Swiss musical box fitted to the underside, flanking a brass bowl, with a bear clambering up the tree trunk stem, with a hinged lid and glass eyes, late 19th / early 20th century, 87.8cm high, 46cm wide. £1,200-1,500

261

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262

262. A pair of 19th century continental ebonised side chairs, each with a curved back painted with a rural scene with cottages and a peasant, above tassels and a caned seat, on swept legs. (2) £150-250

263

λ 263. A 19th century continental rosewood and marquetry work table, the serpentine edge top inlaid with a swan, flowers, a butterfly and scrolling leaves, revealing a divided interior with ebonised lidded compartments, the faceted stem with applied columns on a triform base, 75.5cm high, 48.8cm wide, 41cm deep. £300-500 264. A German polychrome painted terracotta figure of an Afro-Caribbean American gentleman, wearing a top hat, seated on a basket holding a barrel and a bowl, impressed marks ‘BB 5504’, late 19th / early 20th century, 25.9cm high. £100-150 265. Three German polychrome painted terracotta animals, comprising: a recumbent greyhound and a pug, both with glass eyes, late 19th century, together with a later model of a cat, 13.3cm high (max). (3) £100-150

264

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266. A German polychrome painted terracotta group of two jack russell terriers, with glass eyes, late 19th / early 20th century, 21cm high. £300-400

266

267. A German polychrome painted terracotta model of a seated pug dog, with glass eyes, late 19th century / early 20th century, 27.7cm high. £300-400

267

268. A German polychrome painted terracotta model of a seated jack russell terrier, with glass eyes, late 19th / early 20th century, 16cm high. £150-200

268

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269. A 19th century Italian Sorrento ware macassar ebony and marquetry cube tea caddy, with parquetry bands and inlaid with figures in various pursuits, with an interior with foil lining and originally with a lid, 14cm high, wide and deep. £150-250

270. A 19th century Italian Sorrento ware macassar ebony and marquetry tea caddy, with parquetry bands and inlaid with figures in various pursuits, the interior with a later marbled paper lining, 11.8cm high, 11.8cm wide, 11cm deep. £100-150

271. A late 19th century Italian Sorrento olivewood and marquetry hand mirror, the oval plate within a pierced fret border, with leaves and ‘SOUVENIR DE SORRENTO’, the back inlaid with a man and a woman, 34.6cm long. £100-200

272. An Italian walnut and fruitwood games table, the top parquetry inlaid with a chequerboard, on square tapering legs, 50.7cm high, 59.7cm wide, 59.2cm deep. £200-300

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273. A pair of mid-18th century Italian Venetian walnut Rococo centre tables, each with a serpentine top crossbanded and inlaid with marquetry leaves, flowers and strap-work, above a scroll carved frieze centred with a pierced and fluted shell-shape cartouche, finely carved with leaves, with conforming cabriole legs, on leaf carved scroll feet and pad toes, slight differences to carving, 77cm high, 108cm wide, 65.4cm deep. (2) ÂŁ4,000-6,000 Provenance: By family repute, Belem Palace, Lisbon, Portugal.

Kilmory Castle, Argyle and Bute, Scotland.

The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

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274. A Tyrolean painted pine occasional table, the dodecagonal hinged top decorated with the parable of the wedding banquet, taken from Matthew 22, surrounded by twelve strapwork cartouches with inscribed oval panels, on a folding easel-type base, late 18th / early 19th century, 63.4cm high, 89cm wide. £300-400

275. A late 19th century Italian Venetian carved and ebonised pine table waiter, in the form of a blackamoor holding a circular tray, 42.2cm high. £400-600 274

276. A 19th century Italian Florentine giltwood wall mirror, the later rectangular plate with a pierced scrolling leaf frame, 110 x 78cm. £200-300 Provenance: The property of a Noblewoman.

277

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277. A late 19th century Italian Venetian giltwood and polychrome decorated blackamoor torchère, the figural stem supporting a faux tablecloth top, on carved leaf and paw feet, 97.9cm high. £400-600

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278. An Italian mahogany and marquetry writing table, inlaid with stringing and ebonised banding, the rectangular top with canted corners and inlaid with fruitwood heightened with penwork, with a central scene of Venus and Cupid, with scrolling leaves, masks and bands of satyrs and classical maidens, with a divided frieze drawer, on square tapering legs, probably Lombardi, early 19th century, 77.5cm high, 95cm wide, 71.5cm deep. £400-600

279

278

279. An Italian painted and découpage wall mirror in 18th century style, the later rectangular plate in a moulded fret-frame decorated with applied hand-coloured engraved figures and butterflies, late 19th / early 20th century, 135.9 x 81.2cm. £150-250

280. A set of five Italian painted dining chairs, decorated with flowers and leaves, each with a cartouche back with a pierced splat, above a later stuffed-over seat, originally with a rush seat, on cabriole front legs united by a shaped ‘H’ stretcher, together with a similar chair, probably North Italian, late 18th / early 19th century. (6) £1,500-2,000

280

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281. A near pair of Dutch walnut and marquetry side chairs, inlaid with cherubs, an urn of flowers and scrolling foliage, with a shaped splat above a needlework drop-in seat, on cabriole front legs and stylised claw and ball feet, 19th century. (2) £400-600

281

282. A Dutch mahogany and marquetry serpentine side table, inlaid with various fruitwoods with flowers, scrolling leaves, birds and cherubs, with a frieze drawer, the underside with a printed paper label, inscribed ‘FROM W. GREENWOOD, CABINETMAKER, UPHOLSTERER AND DEALER IN ANCIENT FURNITURE, STONEGATE, YORK’, on cabriole legs, late 18th / early 19th century, 72.5cm high, 74cm wide, 38.3cm deep. £150-200

282

283. A Dutch mahogany and marquetry demi-lune games table, inlaid with an urn of flowers, birds and scrolling leaves, the hinged top revealing a playing surface inlaid with a chequerboard, playing cards, dominoes and dice, on a single gate support, with a compartment for cards, late 18th / early 19th century, 73.3cm high, 81cm wide, 40cm deep. £150-250

283

284. A Dutch burr yew and walnut chest, the shaped top above three crossbanded long drawers, on bun feet, 18th century and later, 81.8cm high, 81.5cm wide, 52.5cm deep. £800-1,200

108

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λ 285. An 18th century rosewood fauteuil in Louis XV style, the serpentine top rail carved with flowers and scrolling foliage, above a scroll and arcaded pierced splat back and a stuffed-over seat on flower and leaf carved cabriole legs, possibly Portuguese. £400-600 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

286. A 19th century Dutch fruitwood and ebonised tea bucket, the ribbed body of staved construction, with a brass swing handle and a lift-out liner, 34.7cm high, 31cm diameter. £250-300

287. A leather and marbled card faux book wastepaper basket, in the form of five volumes of ‘The Studio’, 30.5cm high, 18.1cm wide, 22cm deep. £80-120

285

288. A vellum faux book wastepaper basket, with a marbled paper interior, together with a similar leather example with gilt tooled decoration and brass lion’s mask ring handles, 29.4cm high (max). (2) £100-150

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289. Naval interest. A 19th century painted tôle oval tray, the gallery with a pair of pierced handgrips and painted with a central scene of sailors coming ashore from a sailing ship, 59cm wide, together with a watercolour portrait of a 19th century soldier. (2) £100-150

289

290. A 19th century French gilt metal and blue enamel inkstand, with jewelled decoration, the inkwell with a hinged lid, above an oval tray with a pen-rest, 11.2cm high, 17.7cm wide. £200-300 290

291. An early 20th century cold painted spelter table lighter, modelled as a racehorse and jockey, on a black glass base, 17.4cm high. £100-150 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

291

292. A French bronze greyhound desk card holder / paperclip, with glass eyes, a hinged and sprung body and with an articulated mouth, the naturalistic base indistinctly signed ‘... GIROUX’, stamped to the underside ‘17-659’, 12.4cm high, 13cm long. £200-300 292

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293. An Italian painted carved wood model of a hound dog, wearing a collar, late 19th / early 20th century, 66.5cm high, 70.5cm long. £400-600 Provenance: Purchased in Florence in the 1970s.

293

294. A painted wood shop sign in the form of a Chinaman, first half 20th century, 93cm high, 29cm wide. £80-120

294

295. A Victorian tôle peinte plate bucket, with parcel-gilt and simulated wood decoration, 50cm high, 33.2cm diameter. £100-150

295

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296. Three japanned black lacquer lamp tables, with brass fittings and decorated with gilt highlights with chinoiserie scenes and figures, pagodas, trees and flowers, two with adjustable stems, 160.8cm high (max). (3) £300-500

296 297. A brass lamp table, with an adjustable arm and stem, above a dished mahogany tier, 167.8cm high (max). £80-120 298. A French brass bouillotte table lamp, with three lights and a black tôle shade, stamped ‘3020’, 63.7cm high, together with a pair of American black glazed pottery table lamps by Bloomingdale in Chinese style. (3) £100-150

297

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299. A pair of painted plaster vases and covers in Chinese style

by Colefax and Fowler, each with a lion dog finial, the ovoid bodies painted with cartouche shape panels, c.1970, 65.4cm high. (2) £200-300

299

300

300. A pair of tôle peinte table lamps, decorated with chinoiserie scenes, with a column stem and a stepped plinth base, fitted for electricity, with shades, 49cm high (excluding fittings). (4) £300-400

301. A pair of glass table lamps by Colefax and Fowler, each with a ribbed stem and a domed foot, c.1960s, 31.3cm high (excluding fittings). (2) £100-150

301

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302. A pair of French porcelain and ormolu mounted table lamps in Sèvres style, each of vase form and painted with panels of cherubs, with ram’s mask ring handles, together with another pair of porcelain table lamps, 32.5cm max (excluding fittings). (4) £150-250

302

303. A pair of 19th century French bronze candelabra, each modelled with two cherubs, with scrolling branches and three lights, 27.5cm high. (2) £150-200

303

304. A pair of late 19th century French gilt brass and porcelain four-light candelabra, the pear shape bodies painted with amorous cupids, the plinth bases with birds and fruit, 38cm high. (2) £400-600

304

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305. A pair of French ormolu three-light wall appliques in Louis XV style, each with a leaf, scroll and rocaille frame with a lattice back above a shelf for a porcelain figure, above three scroll branches with naturalistic nozzles, (one arm broken), stamped ‘18697’, 67cm high, 37cm wide. (2) £300-500

305

306. A pair of French bronze and blue porcelain cassolettes, each with a reversible top with a fluted and stiff leaf sconce, above an ovoid body hung with laurel swags and with leaf handles with ram’s mask terminals, 19th century, 22cm high. (2) £300-400

306

307. Six French hand-coloured engraved equestrian prints of military commanders, some titled ‘DUPONT’, ‘LECLERC’, ‘FAUCONNET’, ‘SOULT’, all inscribed ‘A Paris chez Jean, rue Jean de Beauvais’, together with a pair of prints of ‘LE DUC D’ORLEANS’ and ‘LE DUC DE NEMOURS’, 37.6 x 23.6cm (max), all in later glazed ebonised frames. (8) £100-200

307

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A PAIR OF CANDELABRA MADE FOR THE DUC D’ORLÉANS

Prince Ferdinand-Philippe, Duke of Orléans, by Ingres (Wadsworth Atheneum)

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308. A pair of important French Louis Philippe Royal ormolu and hardstone mounted candelabra made for Ferdinand-Philippe duc d'Orléans by Guillaume Denière, designed by Aimé Chenavard, the figures by Jean-Jacques Feuchère and the semi-precious and hardstone ornaments by M. Combettes, Paris, each with a female musician finial above a globe issuing eight leaf and lappet scroll branches, above a stem with gargoyle masks, eagles and an entwined serpent, the circular base applied with hardstones and modelled with a smaller globe with music-making putti, 111cm high. (2) £20,000-30,000 Provenance: Commissioned by Ferdinand-Philippe duc d'Orléans (1810-1842) in 1834 and delivered to the Palais des Tuileries, Paris, on the 20th April 1839.

Sold by the duchesse d'Orléans (1814-1858): Hotel Drouot, Paris, 18th-20th January 1853, either lots 3, 4 or most probably lot 6.

By family repute, the candelabra were acquired by Sir James Watts of Abney Hall, Manchester, in the mid-19th century.

Thence by descent to Lady Eleanor Campbell-Orde.

The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

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THE DUC D’ORLÉANS’ CANDELABRA – A LOST SURTOUT DE TABLE Ferdinand-Philippe duc d’Orléans was born in Palermo in 1810. He was the eldest son of King Louis Philippe and was a noted soldier serving in campaigns in Algeria and was one of the most dynamic and popular figures of the July monarchy. Along with his brother, the duc de Nemours, he had apartments in the Pavillon de Marsan in the Tuileries and as a patron of the arts he employed famous architects, artists and ébénistes to furnish them. He commissioned paintings from Delacroix and furniture from Bellangé.

After receiving the title of duc d’Orléans in 1830, the young Duke was to order a magnificent surtout de table to grace the dining room which overlooked the rue de Rivoli. The surtout de table was designed by Aimé Chenavard and followed the Duke’s passion for the Renaissance and Medieval revival styles. The Duke was keen to encourage young emerging artists and many different sculptors and bronziers were responsible for the production of the suite, including: Klagmann, Pradier, Barre, Denière, Feuchère and a young Antoine-Louis Barye. The surtout consisted of a number of centrepieces, coupes, socles and fourteen candelabra and once laid out must have been an incredible sight.

The Duke sadly died young in a tragic carriage accident in 1842. After his death his wife, the duchesse Hélène, remained living in his private apartments along with the surtout until the 1848 revolution, when a mob broke into the apartment and many pictures and works of art, including the surtout, were removed to the Louvre for safekeeping. After a protracted legal battle, a decree was passed that they should be handed over to the state. To avoid this, the family decided to sell the collection, including the surtout, which was sold by public auction on the 18th, 19th and 20th January 1853. The present lot is most probably from lot six: ‘Six candélabres en bronze doré, à huit lumières, ornés de nielles et de pierre de couleuer, et la base de figures , de J. Feuchères’.

They were subsequently acquired by Sir James Watts of Abney Hall, Manchester, and would have appealed to his taste for everything Gothic and Medieval at his Pugin designed country house. They then passed by descent to Lady Eleanor Campbell-Orde and thence to her son, the late Sir John Campbell-Orde.

Other pieces of the surtout de table have recently been sold at auction. In 2011 Sotheby’s sold two magnificent centrepieces, see Sotheby’s, Treasures-Princely Taste, 6th July 2011, lot 30 for £409,250. Also in 2011, Christie’s New York sold a three-piece table garniture, see Christie’s, 500 Years: Decorative Arts Europe, 19th -20th October 2011, lot 160 which realised $104,500. In 2015 again at Christie’s New York, a splendid centrepiece was sold for $269,000, The Opulent Eye, 21st October 2015, lot 198 and most recently in 2017 Christie’s sold an identical pair of candelabra to the present lot for $93,750, Opulence, 13th April 2017, lot 69. (All prices include buyer’s premium).

For a detailed examination of the surtout de table, see Isabelle Leroy-Jay Lemaistre’s article entitled ‘Des Sculpteurs et des bronziers’ which features in the book ‘Le Mécénat du duc d’Orléans 1830-1842’, edited by Robert Hervé.

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309. A pair of 18th century continental brass twin-light wall appliques, each with an urn surmount with a cone finial above a fluted backplate and a pair of ribbon tied leaf scroll arms with naturalistic sconces and drip-pans, 35.2cm high, 23cm wide. (2) £400-600

309

310

310. A set of four French ormolu twin-light wall appliques in Règence style, each with a winged male mask backplate issuing a pair of leaf scroll arms, supporting leaf and bead drippans, 19.3cm high, 30cm wide. (4) £200-300

311. A pair of gilt brass twin-light wall appliques in Louis XVI style, each with a tasselled drape backplate, with spiral ribbed arms and urn sconces, 62.9cm high, 25.6cm wide. (2) £80-120 311

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312. A French Restauration gilt and patinated bronze eight-light chandelier, the corona decorated with palmettes above a laurel leaf band, the underside with a cone pendant, the bowl suspended by chains, issuing leaf and lappet scroll arms, with conforming decoration and a further cone pendant, 130cm high, 65cm wide. ÂŁ1,000-1,500 Provenance: Warrens House, Bramshaw, New Forest.

312

313. A pair of 19th century French gilt and patinated bronze table lamps in Louis XVI style, in the form of a fluted vase and cover, with dolphin handles and laurel leaf decoration, with three lights and shades, 48.1cm high (excluding fittings). (2) ÂŁ1,000-1,500 Provenance: Property from the collection of Monty and Barbie Passes.

313

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314. A set of four early Victorian gilt brass and opaline glass curtain tie-backs by R. W. Winfield, each in the form of a lily, marked ‘PATENT R. W. WINFIELD’ and with a registration lozenge for 25th July 1845, 32cm high. (4) £200-300

314

315. A cut-glass and gilt brass twin-light wall sconce in George III style attributed to Wilkinson’s, the oval fan patera backplate with a central obelisk and crescent finial and a pair of faceted scroll arms and Van Dyke style holders, hung with swags of drops, 49cm high, 45cm wide. £80-120

316. A pair of carved giltwood candlesticks in 18th century style, modelled with a seated shepherd and shepherdess, each with a sheep, with a brass stem and sconce and a glass drip-pan hung with drops, 35.7cm high.

(2) £200-300 317. A pair of Victorian giltwood and composition wall sconces in Rococo style, with three lights, with scrolling branches supported by a cherub, 62.5cm high. (2) £200-300 Provenance: The property of a Noblewoman.

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318 318. A pair of Regency gilt and patinated bronze figural twinlight candelabra, each modelled with a winged putto, standing on a white marble plinth, supporting a pair of scroll branches, with cutglass urn shape sconces and drip-pans hung with faceted drops and lustres, with an anthemion finial, 46.1cm high, 32cm wide. (2) ÂŁ400-600

319. A pair of French early 19th century gilt and patinated bronze figural twin-light candelabra, each with a cherub holding an urn, issuing scrolling leaves hung with beads, on a marble socle applied with an oval vacant cartouche, on a rosso antico base, 45.5cm high.

(2) ÂŁ800-1,200 319

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320. A gilt brass hexagonal hall lantern in Regency style, with a three-light fitting, with six glass panels, one with a hinged door and a clenched fist handle, 63cm high, 40cm wide. £200-300 Provenance: Warrens House, Bramshaw, New Forest.

320

321 321. A late Victorian gilt brass standard lamp, with an adjustable spiral fluted stem, on twin-leaf scroll legs, 155cm high (max), 50cm wide. £150-200 Provenance: The property of a Noblewoman.

322. A silver plated column table lamp, the fluted stem supported by four eagles and a band of laurel leaves, on a stepped base, late 19th / early 20th century, 55.2cm high. £200-300

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323. A Regency bronze argand lamp in the manner of Thomas Messenger, in the form of a classical lidded urn with a wild boar terminal, 21.7cm high, 30cm wide. £500-700

323

324. A Regency bronzed plaster figural torchère in the manner of Humphrey Hopper, in the form of a classical maiden holding a bronze torch with a flaming finial, with a twin-light colza type oil burner, 113.3cm high. £800-1,200

324

325. A late Victorian bronze hall lantern, with a verdigris finish, with reeded supports applied with leaves and scrolls, with pierced fret decoration and bearded satyr masks, with bevelled etched glass panels, with a hinged door, light fitting lacking, 94cm high, 38.3cm wide. £800-1,200 Provenance: The property of a Noblewoman.

325

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326. A pair of silvered brass eight-light ‘Knole’ chandeliers, the turned stem decorated with cherub masks and strap-work, with scroll branches and a cone pendant, possibly by Lenygon & Co, early 20th century, 57.8cm high, 77.5cm wide. (2) £800-1,200

327. A pair of early Victorian patinated and gilt bronze lustre patent candle lamps, possibly by Palmer & Co. of London, each with a frosted glass shade (one damaged) and a brass holder with sprung ejector, hung with cut-glass drops and lustres, the apron engraved with a registration lozenge, above a faceted stem and a lappet and octagonal base, 44.5cm high. (2) £250-350

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328. A pair of George IV bronze table lamps, each with a leaf and lappet capital, above a faceted stem decorated with acanthus leaves and flaming torches, above further bands of lappets and a triform base with three eagles, lion’s paw feet and scrolling leaves and palmettes, with a concave stepped base, c.1825, possibly originally candelabra bases, later fitted with three lights and with shades, 67.3cm high (excluding fittings).

(2) £2,000-3,000 Provenance: Property from the collection of Monty and Barbie Passes.

For a similar pair of table lamps see Christie’s, A Townhouse off Grosvenor Square: The Collection of Dr. Peter D. Sommer, 4th December 2014, lot 261.

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FURNITURE & WORKS OF ART

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329

λ 329. A Regency rosewood inverted breakfront bookcase side cabinet, with a central open bookcase fitted with two shelves, flanked by a pair of gilt metal and pleated silk grille doors, the right side enclosing two shelves, the left with six drawers, with turned columns and anthemion decorated gilt brass collars and capitals, 91.3cm high, 189.3cm wide, 52.3cm deep. £800-1,200 λ 330. A Regency kingwood and rosewood music stand, inlaid with brass stringing, the hinged top on a ratchet support, above an adjustable stem, on scroll legs terminating in brass lion’s paw sabot and castors, 129.5cm high (max), 57.5cm wide. £500-700

330

331. A George IV mahogany card table, the hinged swivel top revealing a baize lined surface and a gaming compartment, above a reeded frieze, on swept legs terminating in foliate brass sabot and castors, 72.1cm high, 92cm wide, 45.8cm deep. £500-800 Provenance: Purchased by the current vendor from J. Collins & Son, Bideford, Devon, at the Olympia Fine Art Fair, November 2005.

331

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332

332. A George IV mahogany extending dining table, the top with a moulded edge, on ribbed tapering legs and brass castors, comprising: a pair of ‘D’ ends and a telescopic frame which extends to accommodate at least three or four leaves but only two present, 73.7cm high, 155.5cm wide, 272cm long (max). £800-1,200 333. A Regency mahogany and brass bound cellaret, with canted corners, the hinged lid revealing a lead lined interior with nine divisions and with a brass tap, with lion’s mask ring side carrying handles, on square tapering legs, 55cm high, 51cm wide, 40.2cm deep. £400-600 334. A set of ten late Regency beechwood and brass inlaid dining chairs, each with a curved tablet back, above a leaf and rondel horizontal splat, a caned seat and stylised sabre front legs, together with a similar side chair. (11) £400-600 333

Provenance: The property of a Noblewoman.

334

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335

λ 335. A George III and later mahogany triple pillar dining table, the reeded edge top with later rosewood and parquetry crossbanding, above turned stems, reeded scroll legs and brass paw sabot and castors, comprising: a pair of ‘D’ ends and four leaves, supported by a concertina action, 69.5cm high, 351.5cm long, 136.7cm deep. £1,500-2,500 336. A William IV mahogany sarcophagus shape cellaret, with fluted decoration and applied with oval paterae, the hinged lid revealing five divisions, with side carrying handles and castors, 54.5cm high, 75.3cm wide, 52.8cm deep. £300-500 Provenance: The property of a Noblewoman.

336

337. A set of eight late Regency mahogany dining chairs, each with a curved tablet top rail, above a turned and unusual carved horizontal splat, above a stuffedover seat, on reeded front sabre legs. (8) £500-800 Provenance: The property of a Noblewoman.

337

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338. A George III mahogany bergère armchair, upholstered with green plush fabric, the moulded frame with fluted baluster arm supports, on reeded square tapering front legs and brass castors. £200-300 Provenance: The property of a Noblewoman.

338 339. A Regency mahogany Canterbury, inlaid with ebonised stringing, with three dipped divisions and a cedar lined base drawer, 53.1cm high, 52.2cm wide, 34.3cm deep. £300-400 339

340. An unusual Regency mahogany Pembroke table, inlaid with ebonised stringing, the drop-leaf top with a hinged reading or music stand on a ratchet, revealing a vacant compartment, with three false front drawers and one real drawer, on turned legs and brass castors, 72.7cm high, 50 x 72.6cm. £150-200

340

λ 341. A late Regency rosewood Canterbury, with acorn finials and four dipped divisions, with a base drawer and on brass castors, 49.4cm high, 49.3cm wide, 37cm deep. £200-300 341

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342. A George IV Irish mahogany console table, the rectangular top with an egg and dart moulded edge, with a compartment to the right side, above a pair of well carved lion’s monopodia supports in the manner of Thomas Hope, each decorated with a palmette, on a concave platform base with a nulled edge, reduced in width and probably originally with a marble top, 95.7cm high, 170.2cm wide, 63.3cm deep. £800-1,200 Provenance: The property of a Noblewoman.

343. A Regency fiddleback mahogany and brass mounted breakfront side cabinet in the French manner, with parcel-gilt decoration, the grey marble top with a moulded edge, above three frieze drawers, and four brass grille cupboard doors enclosing an adjustable shelf, flanked by fluted columns and terminating on reduced feet, 80.3cm high, 198cm wide, 45.3cm deep. £2,000-3,000

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λ 344. A Regency rosewood sofa table, inlaid with ebonised and boxwood stringing, the drop-leaf top above a pair of frieze drawers, with false fronts to the reverse, on tapering trestle ends, with swept legs terminating in brass lion’s paw sabot and castors, 70.2cm high, 71.3 x 143cm (open). £400-600 Provenance: The property of a Noblewoman.

344

345. A pair of Regency mahogany hall chairs, each with a rondel gorget back, on turned tapering front legs. (2) £200-300

345

λ 346. A rosewood and brass mounted writing table, the top with a three quarter pierced brass gallery and inset with gilt tooled red leather, above a pair of frieze drawers inlaid with brass marquetry, on lyre shape ends united by a turned stretcher, on brass lion’s paw sabot and castors, early 19th century and later adapted, 75.4cm high, 127cm wide, 70.8cm deep. £800-1,200

346

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λ 347. A Regency mahogany sofa table, inlaid with ebonised stringing, the drop-leaf top with rosewood and kingwood banding, above a real and a false drawer to either side and with central tablet drawers, on panelled trestle ends and ribbed swept legs terminating in brass caps and castors, 73.7cm high, 60.4 x 152.5cm (open). £700-900 Provenance: Purchased by the current vendor from Cavendish Fine Arts, 15th May 2002 for £21,000.

347

348. A pair of Regency mahogany hall chairs, each with a ribbed waisted back centred with an oval panel painted with an elk’s head crest for the Campbell-Orde family, on sabre legs. (2) £300-500 Provenance: The estate of the late Sir John Alexander CampbellOrde, 6th Baronet (1943-2016).

348

λ 349. A William IV rosewood library table, with nulled decoration, the rectangular top with rounded corners, above two frieze drawers, on a quatreform base and carved lion’s paw feet, on sunken brass castors, 76.4cm high, 149.3cm wide, 71cm deep. £300-500

349

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350. A Regency mahogany bureau, inlaid with stringing, the hinged fall with a reeded surround, inset with a marquetry panel of Britannia, revealing an interior with drawers, pigeonholes and a central cupboard flanked by a secret pilaster compartment, above four long graduated drawers and swept bracket feet, 111.8cm high, 110.7cm wide, 51.8cm deep. £200-300

350

351. A Regency mahogany tripod occasional table, the circular dished fixed top on a turned stem and scroll legs, 73.4cm high, 44.5cm wide. £100-150

352

352. A Regency mahogany side table, with an arrangement of four drawers around a kneehole with turned acorn finials, on ring turned legs and tapering feet, 75.2cm high, 84.7cm wide, 43.7cm deep. £100-200 353. A Regency mahogany corner washstand, inlaid with ebonised stringing and with reeded mouldings, the twin hinged top and front revealing a mahogany cover above three bowl apertures, above a drawer flanked by false fronts and with a cupboard below, 91.7cm high, 50.7cm wide, 72cm wide. £100-150 353

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354

354. A George IV mahogany twin pedestal partner’s desk, the moulded edge top inset with green tooled leather, above an arrangement of nine drawers, the reverse with three frieze drawers and a pair of cupboards, each enclosing a shelf, on castors, 76.4cm high, 122.4cm wide, 92.2cm deep. £500-700 Provenance: Purchased by the current vendor from Cavendish Fine Arts, 16th November 2000 for £14,000.

355. A George IV mahogany stool, the stuffed-over seat button upholstered with maroon leather, on turned and spiral ribbed legs, 49.7cm high, 40.8cm wide, 30.5cm deep. £200-300 356. An early Victorian mahogany open armchair, with a button upholstered leather drop-in seat, together with a set of four Regency mahogany dining chairs, each with an ‘X’ shape splat back, on moulded sabre front legs. (5) £200-300

355

Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

356

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357. A 19th century mahogany cutlery tray, with three divisions and a brass handle, 40cm wide, 27.2cm deep. £100-150

357

358. A George III mahogany cutlery tray or wine bottle holder, of arc d’arbelète outline with two divisions, with a brass handle and strapwork corner mounts, 19cm high, 38.2cm wide, 24.2cm deep. £150-200

358

359. A mahogany lazy susan, the revolving top with a pie-crust edge, on a turned stem, late 19th / early 20th century, 18.3cm high, 38cm diameter. £100-150

359

360. A Regency mahogany cheese coaster, of dipped form, with baluster turned lifts and a divided interior, on brass roller castors, 16.3cm high, 39.6cm wide. £200-300

360

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361. A George IV Scottish mahogany wine decanter coaster attributed to James Mein of Kelso, the dished top with a gadrooned edge, on three leather and brass roller castors, 24cm diameter. £500-700

361

362. A late 19th century mahogany oval tray in Chippendale style, with leaf scroll handles and a Rococo carved rim, 61 x 38cm. £100-150

362

λ 363. A large early Victorian rosewood gallery glass, with a turned baluster handle, 28cm diameter, 47.5cm long. £200-300

363

364. A George III mahogany rectangular tray, the fretwork gallery pierced with four handgrips, with a moulded edge, 44 x 62cm. £100-150

364

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BLUE JOHN

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λ 365. A 19th century blue john and hardstone centre table, the Derbyshire Ashford black and white marble rectangular top with etched leafscroll corners, inset with seventy-seven blue john, fluorspar, hardstone and fossil specimens, above a rosewood and simulated base in the manner of Gillows, with nulled mouldings and a turned acanthus carved stem, on carved lion’s paw and scroll feet and brass castors, 77.4cm high, 65.8cm wide, 44cm deep, the top 43.2 x 65.3cm. £4,000-6,000

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366. A 19th century Derbyshire blue john bottle vase, 13.8cm high. £300-400

366

367. Two Derbyshire carved blue john specimen eggs, together with a smaller egg, probably also blue john, 5.3cm (max). (3) £100-150

367

368. A 19th century Derbyshire blue john tazza, the ‘U’ shaped bowl on a turned stem and domed foot, the underside with the remains of a printed trade label ‘...ROYAL MUSEUM MATLOCK-BATH’, 15.5cm high. £300-400

368

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369. A pair of early 19th century Derbyshire blue john urns, each with a turned finial, above an alabaster gadrooned body inlaid with blue john fluting, on a bronze foot and an Ashford black marble plinth base, 23.6cm high. (2) ÂŁ4,000-6,000

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370. An early Victorian giltwood and painted overmantel mirror, the rectangular plate within a flowerhead guilloche and fish-scale moulded frame, 208 x 116cm. £500-800 Provenance: Warrens House, Bramshaw, New Forest.

370

371 label

371

371. A Regency giltwood convex wall mirror by Thomas Fentham, the circular plate within a reeded ebonised slip and a ball decorated moulded frame, with an eagle and rock-work surmount and a leaf scroll pendant base, the back with a printed paper trade label, inscribed ‘THO. FENTHAM & CO., NO. 136. STRAND, NEAR SOMERSET-HOUSE, Manufacturers of Looking-Glasses, Convex and Concave Mirrors, AND ALL SORTS OF PICTURE and GLASS FRAMES, GLASS for EXPORTATION’, 79.5cm high, 46.5cm diameter. £200-300

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372. A large Regency and later ebonised and parcel-gilt convex wall mirror, the circular plate within a reeded slip and a moulded frame decorated with stars, applied with stylised naval lugs hung with chains issuing from a lion’s mask boss, the plate 75cm diameter, overall 123cm wide. £2,000-3,000 Provenance: Warrens House, Bramshaw, New Forest.

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373. A William IV mahogany sofa table, with nulled decoration, the flame veneered drop-leaf top above a frieze drawer, with a false front to reverse, above a stepped stem and on carved winged lion’s paw feet, 76cm high, 66.3 x 146.2cm (open). £300-500 Provenance: The property of a Noblewoman.

373

374

374. A pair of Regency mahogany hall chairs, each with a rondel back above a bell shaped seat, on ribbed tapering legs, together with a Victorian mahogany hall chair. (3) £200-300

375

375. A George IV bird’s eye maple work table, inlaid with ebonised stringing, fitted with a frieze drawer above a pullout bag, on ring turned supports, 74.4cm high, 51cm wide, 34.3cm deep. £200-300 376. A Regency stained beechwood stool, the stuffed-over seat above a reeded frieze, on fine ring turned and spiral twist legs, 52.7cm high, 55.5cm wide, 41.2cm deep. £200-300

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377. A Regency satinwood secrétaire cabinet in the manner of Gillows, with reeded decoration, the three quarter gallery above a pair of astragal glazed mirrored doors enclosing two shelves, above a secrétaire with a hinged front with an arrangement of seven cedar lined drawers with turned bone handles and pigeonholes, above a pair of panelled doors enclosing a vacant interior, flanked by reeded columns, 147.4cm high, 76cm wide, 49.4cm deep. £2,000-3,000

377

378

378. A Regency mahogany card table, inlaid with ebonised stringing and a dogtooth band, the crossbanded ‘D’ shaped hinged top on twin gate supports and ring turned tapering legs, 73cm high, 90.2cm wide, 44cm deep. £300-400

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λ 379. A Regency rosewood and brass mounted centre table, the tilt-top inlaid with a band of marquetry decorated with scrolling leaves and palmettes, on a concave stem applied with bands of laurel leaves, with a platform base and gilt bronze scrolled and winged lion’s paw feet and castors, 77.8cm high, 116 x 148cm. £800-1,200

380. A pair of Regency mahogany hall chairs, each with a waisted panelled back above a bell shaped seat, on turned front legs united by ‘X’ stretchers. (2) £200-300 Provenance: The property of a Noblewoman.

150

381. A George IV mahogany card table, inlaid with stringing, the ‘D’ shape hinged top crossbanded with satinwood, on twin gate supports and ring turned legs, 74cm high, 91.7cm wide, 44.8cm deep. £200-300

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382. A Regency penwork sewing table, the hinged lid decorated with fruit, butterflies and a band of leaves, the underside with a landscape scene of figures in a lakeland setting, above a paper lined divided interior, with further decoration of birds, urns, leaves and flowers, 76.4cm high, 51cm wide, 39cm deep. £400-600

382

383

383. A pair of Regency ebonised and parcel-gilt side chairs, each with a painted top rail decorated with an urn of flowers flanked by cornucopiae, with a caned seat and faceted front sabre legs, one stamped with workman’s initials ‘A H’, together with a similar chair, all with squab cushions. (3) £200-300

384. A Victorian ebonised pine and scrap-work decorated chest, allover applied with dècoupage engraved depictions of various household objects, dogs, an elephant, umbrellas, chalices, model boats and a kangaroo, with two short and three long drawers, 49.5cm high, 42.5cm wide, 26cm deep. £300-400 384

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385. A Regency penwork sarcophagus shape box, decorated with chinoiserie and bands of leaves and flowers, with a paper lined vacant interior, on brass lion’s paw feet, 14cm high, 27.2cm wide, 21.2cm deep, £150-200

385

386. A pair of Regency penwork hand screens, decorated with chinoiserie scenes with figures and pagodas within leaf and flower borders, with turned ebonised handles, 40cm high. (2) £100-150

386

387. A Regency penwork box, the domed hinged lid decorated with a chinoiserie scene, with a lady and a gentleman, with buildings, the body decorated with flowers and leaves, with a vacant paper lined interior, 21cm wide. £100-150

387

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388. A Regency calamander sewing box, with a swing handle, the domed hinged lid inset with a print of a mother and daughter, revealing a vacant paper lined interior, with a printed label ‘COME FATHER’S HOPE, COME MOTHER’S GLORY, NOW LISTEN TO A PRETTY STORY’, above a divided base drawer on claw and ball feet, 22.2cm high, 22.3cm wide, 22cm deep. £200-300

388

389

389. Brighton interest. A Regency simulated rosewood workbox, the hinged lid with a printed view of Brighton Pavilion, titled ‘VIEW of the WEST FRONT of the PAVILION’, the front with two views of Brighton, the now vacant paper lined interior with a coloured print, titled ‘THE CHAIN PIER & MARINE PARADE BRIGHTON’, with brass side carrying handles and lion’s paw feet, 10cm high, 27cm wide, 18cm deep. £100-150

390. A Regency painted wood sewing basket, probably Tunbridge ware, with a bentwood handle and twin lidded compartments painted with panels of flowers, revealing paper lined interiors, one with divisions, together with a needle case in the form of a bell, decorated with birds and flowers, 18.7cm (max). (2) £100-150

390

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392

391

391. A George III rolled paper tea caddy, of canted form, with gilt highlights and decorated with panels of leaves and flowers, the hinged lid revealing a lidded compartment, the front with initials ‘M B’ and with a miniature watercolour rondel, 12.4cm high, 15.7cm wide. £400-500 392. A Regency treen fruitwood cribbage board, inlaid with barber’s pole stringing, the centre decorated with coloured paper scrolls with flowers and rondels, the underside with a peg holder with a screw-off lid, on turned feet, 19.5cm wide. £200-300 393. An early 19th century black japanned tôle cake basket, with gilt highlights, with a swing handle, the centre painted with fruit, flowers and a butterfly, 32cm wide. £100-150 394. A set of four early Victorian papier-mâché wine coasters, black and green lacquer with gilt scroll decoration, 18.9cm (max). (4) £200-300

393

394

154

395. After George Morland (1763-1804). ‘CHILDREN BIRDNESTING’, a mezzotint print engraved by W. Ward and published by J. R. Smith London February the 27th 1789, 44.8 x 54.4cm, together with three other prints after Morland, including: CHILDREN NUTTING and ‘EVENING ON THE POST BOY’S RETURN’, all in glazed Hogarth type frames, together with a pair of hand-coloured mezzotint prints after W. R. Bigg, ‘THE PLUNDERING VAGRENTS’ and ‘THE PEASANT’S INTEGRITY’ engraved by W. Barnard, in glazed giltwood frames. (6) £200-300

395

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396. A card and wax seal casket, all over decorated with various seals with coats of arms, classical intaglio style portraits and scenes, with a lift-off top revealing a marbled paper interior with three lidded compartments containing further seals and seal cases, above a drawer, on brass claw and ball feet, together with a similar sarcophagus shape box, 8.8cm high, 25.6cm wide (max). (2) £150-250 Provenance: Geoffrey Bennison.

396

397. An early Victorian papier-mâché tray, decorated with gilt flowers, leaves and butterflies on a red ground, 57.5 x 78.7cm. £200-300

λ 398. A late 18th century ivory snuff box, the lid inset with a gilt verre églomisé panel depicting a scene of a sorrowful lady accompanied by Cupid, seated beside and leaning on a memorial urn and plinth, on a blue guilloche enamel ground, with a horn and tortoiseshell lined interior, 8.3cm diameter. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

399. A rare late Regency panorama, with a continuous hand-coloured engraved view after Henry Alken ‘To Epsom, a Ludicrous Amusement consisting of Modern Costume, Characters, Equipages and Horsemanship’, depicting a procession to the horse races, with various figures, horses, coaches and carriages, rolled within a white ware cylindrical drum case, with a turned lignum vitae lid and an ebonised handle, the printed sheet extends to 400cm long, 10.8cm high £300-400

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λ 400. An early Victorian rosewood reading armchair, the scroll ‘X’ frame carved with leaves and applied with rondels, with a later upholstered back, seat and armrests, on brass castors, with a later brass and oak reading lectern / stand, with an applied brass plaque by ‘J. CARTER PATENT 64 NEW CAVENDISH ST, GT. PORTLAND ST, LONDON W.’, the arm stamped ‘NORTH PATENT BIRMINGHAM’. £200-300

400

401. A William IV mahogany architectural pedestal cupboard, the top with a moulded edge above a leaf carved and baton frieze drawer fitted with a substantial brass handle, above a panelled door enclosing a shelf, flanked by leaf and scroll carved corbels on a conforming plinth base, 96.8cm high, 78.7cm wide, 41.9cm deep. £200-300

401

402. An early Victorian mahogany trolley in the manner of Gillows, with three tiers, each with a moulded edge and a three quarter gallery, on panelled ends with carved scrolls and leaves, on conforming feet and brass castors, 108cm high, 114cm wide, 52.5cm deep. £200-300 402

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403. A William IV mahogany scroll end sofa, the reeded frame carved with leaf scrolls, with striped upholstery, on leaf carved scroll legs terminating in cast foliate and ribbed sabot and castors, 94cm high, 212.5cm wide, 68cm deep. £500-800 Provenance: The property of a Noblewoman.

λ 404. A pair of early Victorian Irish rosewood tea tables, each with a hinged swivel top revealing a vacant compartment, above a lappet carved stem and four twin-scroll legs and brass castors, 76.7cm high, 91.6cm wide, 45cm deep. (2) £800-1,200 Provenance: The property of a Noblewoman.

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A RARE ‘JUPE’S PATENT’ EXPANDING DINING TABLE 405. A rare early Victorian mahogany ‘Jupe’s patent’ expanding dining table by Johnstone & Jeanes, the circular top with a moulded edge expanding to accommodate either eight small or eight large additional leaves with brass tips, housed in a fitted case, the central brass capstan boss inscribed ‘JOHNSTONE & JEANES PATENTEES’, the central block stamped ‘JOHNSTONE, JUPE & CO. NEW BOND ST. LONDON 10288’, the bearers with stencilled numbers and with corresponding numbers stamped to the leaves, the iron mechanism stamped ‘JUPE’S PATENT’ in various places, above a substantial turned baluster and fluted stem, a platform base and on scroll carved lion’s paw feet, the leaf cabinet also stamped ‘JOHNSTONE & JEANES NEW BOND ST. LONDON’, 71.7cm high, 152cm diameter (closed), 184.5cm diameter (with smaller leaves), 214cm diameter (with larger leaves). £30,000-50,000

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By all accounts less than fifty of these technical marvels were produced and the present lot was made by the firm of Johnstone & Jeanes in the early 1840s. This type of radially expanding dining table was invented by Robert Jupe of 47 Welbeck Street, Cavendish Square and he patented his mechanism for his ‘Improved Expanding Table’ in September 1835. What was ingenious was that the table expanded from a common centre extending both the width and breadth. It differed from the telescoping table patented by Robert Gillow which extended laterally and was an improvement on existing expanding dining tables which clipped extensions on to the edge of the tables. The new design became very successful with the nobility and wealthy clients visiting Johnstone, Jupe & Co.’s showrooms to marvel at the new invention and how the round table could be expanded ‘immediately, and without the slightest difficulty’ to various sizes’. Robert Jupe and John Johnstone’s partnership ended in 1842, when Johnstone formed a new firm called ‘Johnstone and Jeanes’. The present lot was obviously produced in this transitional period as the brass boss is stamped ‘Johnstone & Jeanes’ but the block includes Jupe’s name and the iron arms are stamped ‘JUPE’S PATENT’.

Literature Christopher Gilbert, Pictorial Dictionary of Marked London Furniture, 1700-1840, pp. 35-36 and pp. 283-285.

Moss Harris Ltd., A Catalogue and Index of Old Furniture and Works of Decorative Art, volume III, p.431.

Frances Collard, Regency Furniture, p.24.

For similar examples with comparable bases see Sotheby’s London, 6th June 2006, lot 368 which sold for £88,000. Christie’s New York, Living with Art, 13th-14th October 2016, lot 122 which fetched $106,250, Doyle’s New York, English & Continental Furniture & Decorations, 24th May 2017, lot 358 which realised $187,500 and most recently Sotheby’s London, Style: Private Collections, 12th November 2019 which sold for £125,000. (all prices include buyer’s premium).

Robert Jupe (1791-1841), Designs for patented table, submitted as evidence in Jupe v. Pratt, 1835, ink and watercolour on parchment,66x 87cm, National Archives, Kew.

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406

406. An early Victorian mahogany tea table, the hinged and swivel top above a scroll carved frieze, on a faceted baluster stem and castors, 76cm high, 92cm wide, 46cm deep. £150-250 407. A small 19th century mahogany chest, of four long drawers, 61cm high, 59.8cm wide, 36cm deep. £100-200 408. A William IV mahogany tall stool, the needlework stuffed-over seat worked with flowers and leaves, on ring turned tapering legs, 60cm high, 36.2cm wide, 35.5cm deep. £100-150

407

409. A set of six early Victorian mahogany buckle back dining chairs, each with a lappet carved horizontal splat, above a stuffed-over seat, on turned lappet tapering front legs. (6) £200-300

408

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λ 410. A 19th century rosewood double sided library bookcase, the top inset with gilt tooled red leather, with two adjustable shelves to either side, with panelled ends and fluted corners, on brass castors, the iron mount stamped ‘COPE’S PATENT’, 108cm high, 106cm wide, 79.4cm deep. £2,000-3,000

410

411. A 19th century mahogany drum table, with ebonised decoration, the circular top inset with a leatherette writing surface above four frieze drawers flanked by four false fronts, on splay legs and brass caps and castors, 74.5cm high, 99.3cm diameter. £500-800 412. A George IV mahogany dining table in the manner of Gillows, the drop-leaf top with a moulded edge, on single gate supports and ribbed tapering legs, with brass caps and castors, 73.7cm high, 133 x 165.6cm (open). £500-800

411

412

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A COLLECTION OF DOG COLLARS

413. Four brass dog collars, one indistinctly inscribed and with a padlock, one with a vacant plaque, one inscribed ‘J. CANDY’ and one with a leather interior and stamped ‘SCAMP P. E. STEPHENS PENZANCE’, 19th century and later, 18.3cm (max). (4) £200-300

413

414. A Victorian nickel dog collar, of chain form, with a lock and key, inscribed ‘W. ANDREWS WESTON UNDERWOOD’, 12cm diameter. £150-200

414

415. A Victorian nickel dog collar, of chain form, with dog tooth edging, inscribed ‘REV. PERCY HATTERSLEY SMITH Hazlewell, CHELTENHAM’, and ‘CIRENCESTER AUG 80 very highly com.’, 21cm diameter. £150-200

415

416. Two nickel dog collars, each of chain form, one with a lock and inscribed ‘A. Arnold Yacht Druid’, 13cm diameter (max). (2) £100-150

416

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417. A Welsh nickel dog collar, with studded decoration, marked ‘METALO NICKEL’ and inscribed ‘JONES BRYNGLAS CAERPHILLY’, late 19th / early 20th century, 15cm diameter. £200-300

417

418. A George IV silver dog collar, with reeded bands, with a padlock and hallmarked for Charles Reily and George Storer, 7.5cm diameter. £150-200

418

419. A steel dog collar, with a patent padlock with key and with an applied brass plaque inscribed ‘W. H. TOMSON 12 BOLINBROKE RD WEST KENSINGTON’, 15cm diameter. £150-200

419

420. A 19th century nickel dog collar, with studded decoration and dog tooth edging, with a brass padlock, stamped ‘METALO NICKEL’, 18cm diameter. £200-300

420

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421

422

421. Two Victorian leather dog collars, with studded decoration, one with hands, 24cm (max). (2) £150-200

422. Two Victorian leather dog collars, each with brass studded decoration, one with a plaque inscribed ‘DR KEAY BANGOUR’, 21cm (max). (2) £150-200 423

423. A large brown leather and brass studded dog collar, with a vacant plaque, 24cm diameter. £100-150

424. A Victorian brown leather dog collar, decorated with brass and nickel studs, applied with a plaque inscribed ‘STRATTON THE HAVEN LONG CRENDON THAME OXON’, 21cm diameter. £150-200

424

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425. A Victorian brass and nickel dog collar, with an engraved floral band, with a leather lined interior, inscribed ‘C. B. E. WRIGHT Esq.’, 13cm diameter. £200-300

425

426. A Victorian brown leather and brass studded dog collar, with a brass plaque indistinctly inscribed with the owner’s name, 17cm diameter. £150-200

426

427. A leather and brass mounted dog collar, decorated with rosettes, studs and lozenges, 21cm diameter (max). £100-150

427

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LUGGAGE & LEATHER ITEMS

429

428

428. Two brown leather suitcases by Finnigans, both stamped with maker’s marks ‘FINNIGANS LTD MAKERS 18 NEW BOND ST LONDON, MANCHESTER & LIVERPOOL’, one with a brass lock, the other with initials ‘W. T. W.’, early 20th century, 62cm wide (max). (2) £250-350 429. A brown leather briefcase, the cover stamped with initials ‘F. G.C’, with a nickel lock, the interior with a pouch, pen holders and divisions for documents, late 19th / early 20th century, 30.5cm high. £150-200 430. Three brown leather suitcases, one stamped ‘ELGIN LEATHERWORKS FORT BOMBAY’ and with a Canadian Pacific label inscribed ‘Guggenheim’, another stamped ‘AUSTIN REED OF REGENT STREET LONDON’, also with initials ‘T. S. B.’ and one stamped with initials ‘L.S.’, the interior with a linen pouch, early 20th century, 75cm wide (max). (3) £250-350 431. A brown leather briefcase, with brass fittings and studded decoration, stamped ‘WESTCRCHARDS’, 45.3cm high. £100-150

430

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432. A matched pair of Scottish brown leather suitcases by R. W Forsyth, each with a green leather interior, with crocodile edging and with an oval stamp, inscribed ‘R. W. FORSYTH LTD. MAKERS EDINBURGH GLASGOW’, with nickel locks and fittings and further maker’s stamps, one stamped with initials ‘G. Mc. K.’ and with travel labels, early 20th century, 21.3cm high, 77.2cm wide, 47cm deep.

(2) £500-700

432

433. A large brown leather Gladstone bag, stamped with initials ‘W. M. H.’, with brass fittings and with an owner’s plaque, inscribed ‘W. MARSDEN, HONLEY, HUDDERSFIELD’, early 20th century, 39cm high, 64cm wide, 37cm deep. £500-800

433

434. A Scottish brown leather cabin trunk by R. W. Forsyth, the canvas lined interior banded with crocodile edging, the lift-out tray and oval label inscribed ‘R. W. FORSYTH LTD. MAKERS EDINBURGH AND GLASGOW’, stamped with initials either side ‘F. A. G.’, with a brass lock, 35cm high, 91.5cm wide, 54cm deep. £500-800

434

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435 436

435. A tan leather hat box, the interior with a padded hat holder and straps, the front with a brass lock and stamped initials ‘S. A. W.’, numbered ‘87’, early 20th century, 29cm high, 50cm wide, 35.8cm deep. £200-300 436. An Irish brown leather bucket shaped hat box by George Perry, for two hats, the hinged lid stamped ‘GEO. PERRY & CO. LTD. MAKER GRAFTON DUBLIN’, with a satin lined interior with a pull-out holder, the side stamped with initials ‘F. M. H.’, late 19th / early 20th century, 38cm high. £300-400 437. A brown leather bucket shaped hat box, together with a top hat from Moss Bros, size 7 and 3/8, in an associated card box, a polo helmet by Herbert Johnson and another polo helmet, 24cm high (max). (4) £150-250 438. Two pairs of tan leather riding boots, both with wooden trees. (4) £350-450 437

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439. Hunting interest. A brown leather cased spirit flask

by Finnigans, the case containing a white metal flask stamped ‘FINNIGANS LTD MANCHESTER & LIVERPOOL’, together with five beakers, with gilt interiors, early 20th century, 20cm high. £200-300

439

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440. An early 20th century brown crocodile leather vanity suitcase, the hinged lid with gilt tooled initials ‘C. H. W. G.’, revealing a watered silk lined interior, with brass locks and fittings, 18cm high, 50.7cm wide, 38.2cm deep. £200-300

440

441. A large crocodile leather suitcase, the hinged lid inscribed ‘MORGAN LONDON’, revealing a vacant canvas lined interior, the brass lock stamped ‘British’, late 19th / early 20th century, 28.8cm high, 90cm wide, 56cm deep. £400-600

441

λ 442.

An early 20th century crocodile vanity case, the hinged lid with gilt tooled initials ‘D F G’, revealing a watered silk lined interior, fitted with an assortment of tortoiseshell boxes, trays, brushes and mirrors, together with silver topped glass bottles and a Birmingham silver button hook in a leather case retailed by Mansfield of Dublin, with an outer canvas storm cover, 19cm high, 51cm wide, 34cm deep. £100-200 Provenance: The property of a Noblewoman.

442

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443. A leather artillery shell cordite stickstand, with a pair of handles, stamped ‘J. A. H.’, early 20th century, 72.5cm high. £400-600

444. A brown leather cylindrical waste paper basket by Finnigans, with gilt and silvered tooled decoration of dragonflies and mushrooms, with brass studded bands, the base marked ‘FINNIGAN MANCHESTER’, 39.7cm high. £200-300

445. A late Victorian cast iron umbrella stand designed by Dr Christopher Dresser, of bowfront form, decorated with stylized sunflowers and foliage, stamped ‘No 261’, lacking drip trays, 74cm high, 39cm wide, 19.5cm deep. £200-300

446. A late Victorian black painted cast iron stickstand, decorated with scrolling leaves, with three divisions and a lift-out tray, with two registration lozenges, 78.3cm high, 54.2cm wide, 24.8cm deep. £150-250

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447. An oak and brass bound coopered barrel stickstand, 61.3cm high, containing three walking canes, the handle of one inscribed ‘A. J. C. Orde’. (4) £200-300 Provenance: The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

λ 448. A late Victorian horn handled walking cane, the crook handle possibly rhinoceros horn, with a silver ferrule decorated with scrolling foliage and inscribed ‘F. Shaw Manchester, hallmarked for Chester 1900, with an ebonised shaft, 88.5cm long. £100-200 449. An umbrella by Fox Ltd, the silver handle decorated with bands of leaves and with country folk in landscape scenes, probably Burmese or Indian, 89.5cm long. £80-120

λ 450. A tortoiseshell walking cane, with a gilt metal terminal, late 19th / early 20th century, 90.3cm long, together with a tortoiseshell handled umbrella by Johnston of Belfast, marked ‘MADE BY JOHNSTON UMBRELLAS LTD BELFAST’. (2) £150-200 λ 451. A Victorian walking cane, the silver coloured metal handle engraved and repoussé decorated with flowers and leaves, the top inset with a gilt rondel inscribed ‘Hon. H. S. Scott TO Wm Scott Esq. 1853’ around a portrait bust of Queen Victoria, the rosewood shaft inlaid with a heart, inscribed ‘Regard’ and a diamond lozenge, 88.4cm long. £100-150

448

447

449

450

451

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452

453

454

452. A large Victorian bell shape doorstop, with a ball handle and a knopped stem, 56.5cm high. £150-200 453. A Victorian brass doorstop, in the form of a wheatsheaf, the wreath handle above a rope twist stem and a weighted base, 40.3cm high. £150-200 454. Nelson Interest. A Victorian brass ship doorstop, in the form of ‘H.M.S. Victory’, with a serpent handle and a rope twist stem, 39.7cm high. £100-150 455. Two Victorian brass bell shape doorstops, one by William Tonks and Sons, with a scroll handle and a knopped stem, the iron weight stamped ‘W T & S with a sun’, the other with a rope twist handle and stem, 44.5cm high. (2) £150-200 456. A Victorian painted cast iron elephant and castle doorstop, 31cm high. £100-150 457. A pair of Victorian brass dolphin doorstops, 36.4cm high. (2)

455

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457

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459

458

460

458. A Victorian cast iron heraldic doorstop, in the form of a chained greyhound with its paw resting on a shield, painted black with parcel-gilt decoration,45.4cm high, 32cm wide. £400-600 459. Two Victorian painted cast iron doorstops, one in the form of a satirical version of Punch, the other of Judy holding Punch and accompanied by her cat, 30.5cm high (max). (2) £200-300 460. A Victorian painted cast iron heraldic doorstop, in the form of a rampant lion, on a scroll decorated base, 38.3cm high. £100-150 461. A Victorian painted cast iron and boot scraper by Kenrick and Sons, with parcel-gilt decoration, modelled with a pair of Egyptian sphinxes, with a lappet moulded edge, the underside with impressed marks ‘A Kenrick & Sons No. 614’, 22.9cm high, 40cm wide, 34cm deep. £200-300 462. A pair of Victorian painted cast iron models of a recumbent lion and unicorn, probably fireside implement-rests, 42cm high, 69.3cm wide (max). (2) £200-300

461

462

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463

464 463. A large wicker log basket, 62.8cm high, 96cm wide, 66.5cm deep. £200-300 464. Seven 19th century steel fire irons, with similar ball handles and knopped stems, comprising: three pans, two pierced, together with two pokers and tongs, 68.5cm long (max). (7) £80-120 465. A George III mahogany and brass bound peat bucket, of staved construction, with a later metal liner, with side carrying handles, 42.3cm high, 37cm diameter. £800-1,200 466. Two similar 19th century Dutch copper logbins, each with a riveted body and a brass swing handle, 33.2cm high, 39cm wide (max). (2) £200-300

465

467. A large copper logbin, with a pair of wrought iron handles, 42.5cm high, 87.3cm diameter. £400-600 468. A Victorian cast iron and brass fender, the ends modelled with recumbent greyhounds, with flower, scroll and fleur-de-lis decoration, 14.8cm high, 119.8cm wide. £200-300

466

467

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469. A large brass and cast iron fire-grate in George III style, the back decorated with ribbon tied husks, above a serpentine railed and pierced front, with urn finials and fluted tapering legs engraved with oval paterae, 77.5cm high, 92.7cm wide, 46cm deep. £600-800

469

470. A pair of Dutch brass andirons, each with a turned ball finial, above a shaped base repoussé decorated with a portrait bust of a monarch, above a cartouche with three fleur-de-lis, flanked by fruit and scrolls on ball feet, probably 18th century, 41.3cm high, 29.3cm wide, 28.2cm deep. (2) £200-300

471. A pair of 19th century bronze andirons, in the form of recumbent lions lying on a balustrade, with ball finials and iron rests, 22cm high, 27.5cm wide, 40.7cm deep. (2) £200-300

472. A set of three William IV steel fire irons, each with a ball and faceted stem handle, with a pierced pan, 74.5cm long. (3) £200-300

473. A set of early Victorian steel fire irons, each with a ball handle and with a pierced pan, 59.5cm long. (3) £150-250

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474. A pair of Victorian painted cast iron pub tables, each with a marble top, the pierced frieze with lion’s masks and with Britannia monopodia legs and paw feet, 76.4cm high, 63cm diameter. (2) £100-150 Provenance: The property of a Noblewoman.

475. A pair of Victorian painted cast iron pub tables, each with a wooden top, the pierced frieze with lion’s masks and with Britannia monopodia legs and paw feet, 74.5cm high, 61.3cm diameter. (2) £100-150 Provenance: The property of a Noblewoman.

476. A pair of Victorian painted cast iron garden urns, of campana shape, decorated with scrolling flowers and leaves, 59.7cm high. (2) £300-500 Provenance: The property of a Noblewoman.

477. A pair of Victorian painted cast iron garden urns, of campana shape, decorated with swags of fruit, 60.4cm high. (2) £300-500

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478. A Victorian painted cast iron nasturtium pattern garden seat by Coalbrookdale, the back with a registration lozenge and stamped ‘C. B. Dale & Co’, with a wooden slatted seat, 91cm high, 137.5cm wide, 59cm deep. £800-1,200 Provenance: The property of a Noblewoman.

479. A Victorian painted cast iron fern and blackberry pattern garden seat by Coalbrookdale, indistictly stamped, with a wooden slatted seat, 90cm high, 153cm wide, 56.5cm deep. £500-800 Provenance: The property of a Noblewoman.

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480. A Victorian painted cast iron garden urn on plinth, of campana shape, the body decorated with scrolling leaves and flowers, the plinth with palmettes and lappets, 135.5cm high. £300-400 Provenance: The property of a Noblewoman.

481. A pair of painted cast iron lidded garden urns, each with a cone finial and decorated with a grapevine, with leaf handles, on a lappet socle and square plinth, 93.9cm high. (2) £800-1,200

480

482. Two George I lead commemorative church wall panels, each decorated with a winged angel mask, one with a rondel, inscribed ‘MR THO:IVES. CHAMBERLAIN ANO DOM 1718.’, the other with a plaque inscribed ‘MR GEO RGE TOMPSON CHAMBER:LING 1725.’, 80.5 x 63.5cm (max). (2) £400-600

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483. A terracotta fountainhead garden ornament in the form of a dolphin, with a bronzed patination, 45cm high, 41cm wide. £100-150

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484. After the antique. A pair of large Victorian terracotta models of the Warwick vase, in the manner of Mark Henry Blanchard, each with a pair of entwined handles, with a grapevine frieze, the body decorated with busts, torches and a lion’s pelt, with stiff leaves and a beaded socle, each standing on a rectangular plinth, decorated with ram’s masks supporting swags of fruit and flowers, on a moulded stepped base, 153cm high, 111cm wide. (2) £3,000-5,000 Provenance: The property of a Noblewoman.

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SCULPTURE & THE GRAND TOUR

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485. After the antique. Two late 19th century Italian Neapolitan patinated bronze Grand Tour figures, one of the Farnese Antinous, the other of Narcissus, in the manner of Chiurazzi, each standing on a circular plinth, 61.5cm high, 63cm high (max). (2) ÂŁ1,000-1,500 Provenance: Property from the collection of Monty and Barbie Passes.

486. After the antique. A pair of 19th century Italian bronze Grand Tour figures, of the Dancing Faun of Pompeii and the Dancing Faun with cymbals, each on a stepped base and giallo antico plinths, 36.6cm high (max). (2) ÂŁ800-1,200 Provenance: Property from the collection of Monty and Barbie Passes.

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487. After the antique. A late 19th century Italian bronze Grand Tour figure of the Venus of Capua, cast by Sommer, the underside with an applied plaque, inscribed ‘FONDERIA SOMMER NAPOLI’, 38.2cm high. £300-400 The Venus of Capua is a Roman sculpture made in the reign of Hadrian after a Greek original by Lysippus. It was discovered in the Amphitheatre at Capua in 1750 and is now permanently displayed in the Napoli Archeological Museum, Italy.

487

488

488. After the antique. A late 19th century bronze Grand Tour figure of the Borghese Gladiator, standing on a marble plinth, 27cm high. £200-300 Although known as the Borghese Gladiator, the original marble is in fact based on a fighting warrior and it dates from 100BC. Since its discovery in the early 17th century at Antium, the Borghese Gladiator has been praised as an aesthetic male nude in motion.

489. After the antique. A late 19th century Italian Neapolitan bronze Grand Tour figure of Narcissus, 27.7cm high. £200-300

489

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490. A set of twelve Italian silver Grand Tour portrait relief busts of Roman Emperors, each in a cast bronze frame decorated with leaves and scrolls, titled ‘The Caesars’ and with name plates (one missing) ‘VITELLUS, OCTAVIUS, NERO VESPASIAN, CALIGULA, TIBERIUS, OTHO, CALBA, DOMITIAN, CLAUDIUS, TITUS’, early 19th century, each frame 10 x 8cm, mounted on plush fabric and framed as one in an ebonised box frame. £2,000-3,000 For similar silver Roman Emperor medallions see Christie’s, Sculpture, 14th December 1999, lot 68 and more recently Christie’s, European Sculpture, 6th December 2017, lot 82.

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491. After the antique. An Italian marble portrait relief bust of Faustina the Elder, probably 19th century, 35cm diameter. £300-500

491

492. After the antique. A 19th century Italian marble Grand Tour bust of a Roman lady, 18cm high. £150-200

492

493. After the antique. A 19th century Italian marble Grand Tour bust of a Roman lady, mounted on a later ebonised plinth, 17.3cm high. £200-300

493

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494

494. A 19th century Italian Roman micromosaic oval Grand Tour paperweight, inlaid with the Doves of Pliny, 10 x 13.2cm, with a later Perspex stand. (2) £300-500

495

495. An Italian Grand Tour maroon leather photograph album, with gilt tooled decoration, the cover with the initial ‘S’, containing a quantity of topographical black and white photographs of Rome and Florence, with also pictures of famous paintings and monuments from the Vatican and Uffizi museums, all titled, 28.3 x 40cm. £100-150

496. An Italian Grand Tour portrait of Socrates, the bearded philosopher seated in profile, wearing a green tunic, oil on canvas, early 19th century, 71.7 x 59cm, in an associated laurel leaf decorated giltwood frame. £500-800 496

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498

499

497. A bronze figure of Hercules in 18th century style, supporting a marble globe on his shoulders, draped with the Nemean lion’s pelt and standing on a naturalistic base and a black and white marble plinth, 49cm high. £200-300

497

498. An Italian bronze Grand Tour figure of Hercules, draped with his Nemean lion’s pelt, mounted on a Siena marble plinth, 15.4cm high. £150-250 499. After the antique. A 19th century bronze Grand Tour bust of Pericles, 25.3cm high. £200-300

500. A pair of American bronzed Grand Tour style bookends by Bradley & Hubbard, each in the form of a temple facade centred with a portrait relief bust, one of Dante, the other of Homer, each back stamped ‘B&H’, with remains of printed paper labels to underside, late 19th / early 20th century, 14cm high, 11cm wide. (2) £100-150

501

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501. After the antique. A Victorian Parian bust of Apollo Belvedere, by C. Delpech, for the Art Union, signed and impressed marks ‘PUBLISHED FEBRUARY 1, 1861, ART UNION F LONDON 1861’, mounted on an octagonal wooden plinth, 42.9cm high. £200-300

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502

502. After Giambologna (Flemish 1529-1608). A 19th century French bronze Grand Tour figure of Mercury, signed ‘J de Bologne’, on a Siena marble and bronze plinth base, relief decorated with cherubs, together with a companion figure of Fortuna after Louis Guillaume Fulconis (French 1817-1873), she holds a cornucopia and stands on a wheel, signed indistinctly, 87cm high (max). (2) £800-1,200 Provenance: The property of a Noblewoman.

503. After Giambologna (Flemish 1529-1608). An early 19th century French bronze Grand Tour figure of Mercury, mounted on a Siena marble base, 29.3cm high. £300-400

503

504. After Giambologna (Flemish 1529-1608). A late 19th century bronze Grand Tour figure of Mercury, holding his caduceus in one hand and a torch in the other, which has been later fitted for electricity, with a frosted glass shade, signed ‘J Bologne’, on a black marble and bronze relief decorated plinth, 105cm high. £500-700

504

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505

505. A rectangular hardstone table top, inlaid with one hundred and thirty-five various marble and hardstone specimens in three differing designs, 94.7 x 59cm. £300-400

506. A pair of 19th century ebony architectural models of columns, of octagonal fluted form, 85.3cm high. (2) £500-800

507. A pair of Siena marble columns, each with a later painted wood top, on a red marble plinth base, 142cm high. (2) £400-600

506

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508. A pair of late 17th century Italian Sicilian carved alabaster figures of Jupiter and Saturn, the bearded Jupiter probably holding the remainder of a thunderbolt, Saturn with his staff, swallowing one of his children, previously part of an altar piece and now later mounted on naturalistic plaster bases, 60.2cm high (max). (2) ÂŁ2,000-3,000

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509. A 19th century French bronze equestrian group of Francis I, the base stamped ‘1520’, 28.2cm high. £300-500 Provenance: Property from the collection of Monty and Barbie Passes.

509

510

510. After Guillaume Coustou (French 1677-1746). A pair of bronze Marly horse groups, the naturalistic bases signed ‘Coustou’, mounted on stepped black marble plinths, with a bronze relief decorated panel of classical figures, on brass feet, late 19th / early 20th century, 29.3cm high. (2) £200-300

511. An Italian bronze relief plaquette in Renaissance style, depicting Apollo seated, playing his lyre beside a tree, with a city-scape in the distance, with an initial ‘C’ and the date ‘1550’, 10.2cm diameter. £150-200

511

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512

512. After François Rude (French 1784-1855). A 19th century French bronze group of the Education of Achilles by Chiron, the centaur holding arrows, Achilles learning how to fire his bow, 49.4cm high, 44.6cm wide. £800-1,200 This group was inspired by Jean-Baptiste Regnault’s monumental canvas entitled ‘L’Education d’Achille par le centaure Chiron’ which was exhibited at the Salon of 1783, and was also his morceau de réception at the Academy in the same year.

513. An Italian carved marble bust of the Vestal Virgin, with a weathered patination, on a turned socle, late 18th / early 19th century, 62.8cm high. £600-800

513

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514. A 19th century bronze Grand Tour inkwell, the fluted lid with a Cupid finial revealing a glass liner, the scroll decorated body with male masks and on tripod lion’s paw feet, 17.3cm high. £150-250

514

515. After Claude Michel called Clodion (French 1738-1814). A matched pair of 19th century Bacchanalian bronze groups, of frolicking cherubs and a ram, the naturalistic bases both signed ‘Clodion’, 20cm high. (2) £300-400

515

516. A 19th century French bronze figure of a cherub, lying on a naturalistic mound with sheaves of wheat, holding a scyth and with a lizard and a gourd, on a stepped slate base, together with a bronze figure of Cupid, seated, leaning on a skull, marked ‘VM 164’, 19.2cm wide (max). (2) £150-250

516

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517

517. A 19th century French bronze equestrian group of Napoleon Bonaparte on horseback, the naturalistic base signed ‘RENAULT’, on a Siena marble plinth, 30.5cm high, 28.2cm wide. £300-400

518. A late 19th century Italian alabaster bust of Napoleon Bonaparte, sporting his Legion d’Honneur medal, indistinctly signed ‘JJ Linedo’, on a verde antico marble plinth applied with a gilt bronze ‘crowned N’, 33.2cm high, together with a continental porcelain bust of Napoleon. (2) £400-600 Provenance: Property from the collection of Monty and Barbie Passes.

518

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519. A pair of 19th century French bronze equestrian groups, of warriors with spears, each rearing on a naturalistic base and mounted on a rosso antico marble plinth, 35.7cm high. (2) £400-600

520. A pair of French Charles X bronze models of recumbent horses, each mounted on an antico rosso marble base, 12.9cm high, 23cm wide. (2) £400-600

λ 521.

An Art Deco carved ivory relief plaque of Mercury, in an ebonised frame, 13 x 14.4cm. £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

521

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522. John Henry Foley R. A. (Irish 1818-1874).

A 19th century bronzed electrotype figure of Oliver Goldsmith, the writer standing holding a book in his left hand and a pen in his right, the square base with impressed marks ‘J H FOLEY RA SCUL LONDON’ and ‘ELKINGTON CO FOUNDERS’, 50.5cm high. £1,000-1,500 This present lot is a reduced version of a larger sculpture erected in 1864 outside Trinity College in Dublin.

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523

λ 523. An early Victorian rosewood breakfast table, the circular tilt-top on a leaf scroll carved tripod base, on brass castors, 72.5cm high, 127.5cm diameter. £300-500 524. An unusual Victorian walnut whip and boot hall table, with a leaf and flower carved top rail above a shelf and with divisions for six boots, 100.8cm high, 80.8cm wide, 39.5cm deep. £150-200 525. A Victorian oak twin pedestal desk, the top with a brass three quarter gallery and inset with a green gilt tooled leather writing surface, above an arrangement of eight drawers, on castors, 78cm high, 136.5cm wide, 75cm deep. £400-600 524

525

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526

526. An early Victorian Gothic revival sofa the design attributed to A. W. N. Pugin, and probably made by J. G. Crace, for Sir James Watts of Abney Hall, Cheadle, button upholstered with scarlet damask fabric, on Gothic chamfered giltwood legs, carved with Tudor style rosettes and bands of laurel leaves, on sunken brass castors, 84.5cm high, 181cm wide, 70.5cm deep. £500-800 Provenance: Sir James Watts (1804-1878) of Abney Hall, Cheadle, Cheshire and by descent.

The estate of the late Sir John Alexander Campbell-Orde, 6th Baronet (1943-2016).

Sir James Watts was a Manchester based textile merchant who owned S & J Watts Ltd. He was Mayor of Manchester between 1855-57 and became High Sheriff of Lancashire. He had a passion for the arts and after Prince Albert stayed with him at Abney Hall to open the Art Treasures Exhibition in 1857, Queen Victoria awarded him a knighthood.

Abney Hall was originally built in 1847 for Alfred Orrell but after his death in 1849 it was acquired by Sir James Watts and in the early 1850s he employed A.W.N. Pugin and J. G. Crace to remodel the interiors.

527

527. Two Victorian giltwood nursing chairs, each with a floral needlework and velvet upholstered back and seat, on castors. (2) £200-300 Provenance: The property of a Noblewoman.

528

528. A Victorian ebonised Canterbury, with pierced scrolling fretwork decoration, the raised top with a three quarter gallery, above three divisions and a base drawer, on ceramic castors, 94cm high, 60.8cm wide, 42.1cm deep. £100-150 Provenance: The property of a Nobleman.

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529. A Victorian walnut tripod table, the shaped burr veneered top marquetry inlaid with flowers and leaves, on a fluted stem and carved scroll legs, 69.3cm high, 59.5cm wide. £150-250

529

530

530. A Victorian walnut stool, the seat upholstered with green plush fabric, on leaf and flower carved cabriole legs, 40cm high, 100cm wide, 60.3cm deep. £200-300 Provenance: The property of a Noblewoman.

531

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531. A Victorian walnut open armchair, later upholstered with striped fabric, with a buttoned back, on turned front legs and ceramic castors. £150-250

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532. A Victorian amboyna and ebony tripod table in the manner of Holland and Sons, the circular fixed top marquetry inlaid with an outer Greek key band and with a central leaf motif, on a fluted stem on scroll legs, with brass block feet, 70cm high, 42cm wide. ÂŁ1,000-1,500

533. A Victorian burr walnut and ebonised display cabinet in the manner of Holland and Sons, with gilt brass mounts and inlaid with stringing, crossbanded in harewood and purpleheart, with a pair of glazed doors enclosing a velvet lined interior with two shelves, 103.7cm high, 125.5cm wide, 43.7cm deep. ÂŁ800-1,200

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534. A late Victorian satinwood secrétaire bookcase in Regency style, the three quarter gallery above a pair of astragal glazed doors enclosing two adjustable shelves, the secrétaire drawer fitted with pigeonholes and drawers, above a further pair of glazed gilt brass lattice doors, flanked by ring tuned and ribbed columns, on brass castors, 180.5cm high, 74.6cm wide, 47cm deep. £500-700 Provenance: The property of a Noblewoman.

534

535

535. A late Victorian satinwood and marquetry oval two-tier occasional table in Sheraton revival style, inlaid with scrolling leaves, flowers and husks, with panels of musical instruments, 79.5cm high, 89.5cm wide, 53cm deep. £200-300

536. An Edwardian painted satinwood oval occasional table in Sheraton revival style, decorated with flowers, husks and bands of laurel leaves, 73.4cm high, 55.3cm wide, 38cm deep. £100-150 Provenance: The property of a Noblewoman.

536

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λ 537.

A Victorian kingwood and rosewood bureau plat in Louis XV style, with ormolu mounts, the serpentine top inset with a tooled suede writing surface, above three frieze drawers with false fronts to the reverse, on cabriole legs, 75.7cm high, 175cm wide, 76.5cm deep. £800-1,200

538. A Victorian walnut and marquetry card table in Louis XV style, with gilt bronze mounts, the hinged and swivel top with kingwood banding and inlaid with flowers, leaves and a bird, 78cm high, 92.8cm wide, 46cm deep £200-300

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TEA CADDIES

539. A George III mahogany and marquetry oval tea caddy, inlaid with panels of urns and flowers, the hinged lid revealing a lidded interior, 11.9cm high, 14.2cm wide. £300-400

539

540. A George III mahogany and marquetry tea chest, with ebony banding, barber’s pole stringing and satinwood panels, inlaid with foliage and fan paterae, spandrels and parquetry stars, the hinged lid with a turned bone handle revealing an interior fitted with three lift-out lidded canisters with tulipwood banding, 13.3cm high, 23.2cm wide, 13.2cm deep. £300-400

540

λ 541. A George III satinwood tea chest, with kingwood banding, the hinged lid revealing a pair of lift-out lidded canisters with turned ivory handles, flanking an associated faceted glass mixing bowl, 14.8cm high, 30.4cm wide, 15cm deep. £100-150 Provenance: The property of a Noblewoman.

541

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542. A Regency penwork sarcophagus shape tea caddy, decorated with chinoiserie scenes, with pagodas, figures, ships and an elephant, the hinged lid revealing a twin-lidded interior, with turned bone handles and a bone escutcheon, with brass side carrying handles and ball feet, 15.3cm high, 22.2cm wide, 13.7cm deep. £300-500

542

543. A folk art painted tea caddy, of rectangular form, with canted corners, decorated with birds, trees and scrolling leaves and flowers, on a red ground, the interior with a walnut lid, 11.3cm high, 11.5cm wide. £100-150

543

544. An early 19th century black japanned tôle tea caddy, of navette shape, gilt decorated with chinoiserie scenes, the hinged pagoda shape lid revealing a vacant interior, 12.7cm high, 12.7cm wide. £100-150

544

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545

λ 545. An early Victorian mother of pearl pagoda shape tea caddy, the hinged lid with a vacant plaque, revealing ivory edging and twin-divisions with tent top lids, with flowerhead handles and on disc feet, 14.3cm high, 17.8cm wide, 12.5cm deep. £300-400 λ 546. A small Victorian mother of pearl tea caddy, of canted form, the hinged lid revealing a lidded interior, with ivory edging, on flattened bun feet, 8.8cm high, 11.5cm wide, 8cm deep. £100-150 λ 547. An early Victorian tortoiseshell and mother of pearl tea caddy, the hinged lid with a vacant plaque, revealing a twin-lidded interior with ivory edging, with a fluted front, on vegetable ivory feet, 11.5cm high, 17.7cm wide, 11.6m deep. £300-400

546

λ 548. An early Victorian mother of pearl tea caddy, of pagoda shape and with abalone banding, the hinged lid revealing twin lidded divisions and ivory edging, on vegetable ivory disc feet, 14cm high, 19.2cm wide, 12cm deep. £150-200

547 548

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549. A Victorian Welsh painted slate tea caddy, or tobacco box, with marbled decoration, the body painted with lakeland scenes, the lid with a scroll handle revealing an interior with twin divisions, on brass ball feet, 30cm high, 25.5cm wide, 13.6cm deep. £400-600

549

550. A rare early 19th century Belgian Spa oval painted tea caddy, the hinged lid front and back decorated with landscape scenes titled ‘La Sauveniere’, ‘Cascade de Coq’ and ‘Justerville’, with a vacant interior, 10.5cm high, 16.3cm wide. £400-600

550

551. A 19th century Belgium Spa ebonised and painted tea caddy by Henri Jehin, decorated with flowers and with a conforming twin lidded interior, with bone handles, the base with a printed trade label ‘a la Reine Victoria Hri. JEHIN, Peintre Fabricant A SPA’, 13cm high, 24.6cm wide, 14.8cm deep. £200-300

551

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λ 552. A Moorish walnut and parquetry hexagonal tea caddy, inlaid with bone, ivory and silvered metal with panels of geometric designs, the hinged lid with a star motif centred with a script, with a later plush lined interior, Damascus, late 19th / early 20th century, 15.8cm high, 18cm wide. £100-150

553. A Moorish tea chest, applied with pierced and flower carved bone panels, the hinged lid with a pair of bronze relief plaques decorated with classical figures and with a swing handle, revealing three lidded lift-out canisters, 11cm high, 22.7cm wide, 11.5cm deep. £150-200

554. A continental black japanned tea caddy, gilt decorated with chinoiserie scenes of figures in various pursuits, with pagodas and trees, with a single lidded interior, on brass flattened bun feet, late 19h century, 12.8cm high, 13.5cm wide, 12cm deep. £100-150

555. A Moorish walnut cube tea caddy, inlaid with brass, mother of pearl, copper and bone with parquetry designs and scrolling leaves and flowers, with a vacant interior, Damascus, late 19th / early 12.4cm high, 11.3cm square. £100-150

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556. An early 19th century mahogany and specimen wood tea caddy, inlaid with barber’s pole stringing and panels of various woods, the hinged lid with a rope-twist handle and navette shape backplate, with a twin lidded interior and a bone escutcheon, 11.7cm high, 16cm wide, 10.5cm deep. £200-300

556

557. An early 19th century satinwood and ebonised single tea caddy, the lift-off lid with a turned finial and painted with bands of leaves and flowers, 12cm high, 10.4cm diameter. £200-300 Provenance: June & Tony Stone, Fine Antique Boxes.

557

λ 558. An early Victoria Tunbridge ware and rosewood tea caddy, of sarcophagus shape, decorated with specimen wood parquetry panels and bands of lozenges, the hinged lid revealing a twin lidded interior, 14cm high, 20.6cm wide, 13cm deep. £200-300

558

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560

559

λ 559. An early 19th century ivory and gold piqué card case, decorated either side with baskets of flowers, the hinged lid with a vacant plaque, 10cm high. £80-120 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

λ 560. A Victorian mother of pearl stationery box, with abalone banding, the sloping hinged lid revealing three letter divisions and with ivory edging, 13.4cm high, 17.8cm wide, 13cm deep. £100-150 λ 561. Four 19th century card cases, comprising: a basket-weave decorated ivory example inlaid with piqué flowerheads, the hinged lid with an engraved silver plaque, inscribed ‘ML TO MW’, a tortoiseshell example

by Lund of Cornhill, London, with pewter stringing, together with two engraved mother of pearl cases, 10.5cm high (max). (4) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

561

λ 562. A collection of 19th century card cases, comprising: six mother of pearl examples, three with abalone banding, one carved with love birds, two with tortoiseshell inlay, one in tortoiseshell with mother of pearl marquetry, a papier-mâché card case painted with a parakeet and a peacock, two Indian examples, one sadeli, the other sandalwood, a Chinese ivory card case and a burr wood snuff box, the majority with ivory edging, 11cm (max). (12) £200-300 λ 563. Two Victorian mother of pearl card cases banded with abalone, the interior with ivory edging, together with a Victorian tortoiseshell card case, with a silk lined interior and ivory edging, 10.5cm (max). (3) £80-120

562

563

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564

λ 564. A Victorian macassar ebony games compendium by John Bagshaw & Sons, decorated with brass strapwork and agate cabochons, the leather and silk lined interior with divisions containing playing cards, counters and ebony and ivory markers, the underside of the lid inset with ivory cribbage boards, with a brass plaque stamped ‘JOHN BAGSHAW & SONS LIVERPOOL’, 10.8cm high, 29.6cm wide, 19.5cm deep. £200-300 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

λ 565. A Victorian boulle inkstand in the manner of Asprey, with foliate designs of cut-brass on a tortoiseshell ground, with a pair of cut-glass inkwells (one lid missing), flanking a lidded box, above a dipped pen tray and a mahogany lined base drawer, on flattened bun feet, 37.3cm high, together with a similar pen holder and a matchbox holder. (3) £400-600 λ 566. An early 19th century tortoiseshell étui, the hinged lid with a vacant plaque revealing a silk lined divided interior with ivory edging, fitted with a thimble and lacking the majority of its content, together with a tortoiseshell patch box, of sarcophagus shape, the hinged lid inset with a mirror to the underside, 10.7cm (max). (2) £100-150 Provenance: ‘A Lifetime of Collecting’ - The property of a Gentleman.

567. A 19th century French marquetry sarcophagus shape letterbox, inlaid with panels of palmettes, leaves and flowers, the hinged lid inset with a pair of slots and inscribed ‘Lettres’, 23.6cm high. £80-120

567

565

566

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568

569

λ 568. A late 19th century French rosewood and brass mounted gaming counter box, inlaid with ivory and pewter and decorated with Rococo scrolls, the cartouche shape handle with bird’s head finials, above four lift-out lidded boxes containing green, red, purple and yellow stained bone or ivory counters, 10.8cm high, 21cm wide, 16.2cm deep. £150-250 λ 569. A 19th century amboyna box, the rectangular shape with canted corners, inlaid with ivory and ebony edging, the hinged lid revealing a vacant interior, with sunken brass military style handles, 25.5cm high, 32.7cm wide, 23cm deep. £100-200 570. A 19th century mahogany and brass bound writing slope, the lid and front with vacant plaques, the interior with a velvet lined writing slope and pen and ink compartments, with a base drawer, 16.8cm high, 45.6cm wide, 25.1cm deep. £100-150 570

λ 571. A 19th century rosewood and gilt brass mounted inkstand, the raised back with a watch and pen holder, above three cylindrical holders, flanked by a cut-glass inkwell and sander, with a base drawer, on lion’s paw and ball feet, 18.4cm high, 25.7cm wide, 17.2cm deep. £100-150 572. An early 19th century fiddleback mahogany and brass bound jewellery box, the hinged lid with a sunken brass handle, inscribed ‘Lady Piggot’, revealing a later interior, the underside of the lid with a letter pouch with a cut paper trade label, inscribed ‘R. Richard Manufacturer of Writing Desks, Dressing and Work Boxes, Portfolios, Pocket Books, Inkstands & c. Regent Circus, Oxford Street LONDON’, above a divided lift-out tray, with a brass Bramah lock, 12.4cm high, 28.3cm wide, 20.4cm deep. £200-300

571 572

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573

574 573. A 19th century wrought iron velocipede or boneshaker, with a leather saddle and with wood spokes, 102.3cm high, 144cm long. £400-600

574. A Victorian ebonised wood and wrought iron child’s carriage, with gilt decoration, the wheels with wooden spokes, 49.4cm high, 77cm long. £300-400

575. Two leather models of elephants in the manner of Liberty, with a mother and her calf, each with glass eyes and faux ivory tusks, 78cm high, 92.5cm long (max). (2) £400-600

575

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576. John Ogilvy (1600-1676). A hand-coloured engraved map of Barbados, with a cartouche to the lower right, inscribed ‘Novissima et Acuratissima BARBADOS DESCRIPTIO per JOHANNEM OGILUIUM Cosmographum Regium’, the island depicted with trees and plants, including: sugar cane, a ‘cabage tree’, ‘a pine Aple’ and a ‘pappaw tree’, 29.2 x 35.7cm, in later glazed bird’s eye maple frame. £100-150

λ 577. A Victorian rosewood miniature cheval mirror, the arched plate within an inlaid frame, with turned supports, possibly for a doll’s house, 17.3cm high. £100-150

576

578. Three Jurassic coast petrified cypress wood specimens, Protocupressinoxylon purbeckensis, Upper Jurassic, 145 million years old, Jurassic Coast, Dorset, 36.7cm high (max). (3) £200-300

579. An Edwardian horse’s hoof and white metal mounted table snuff box, the hinged lid engraved with a dedication ‘FROM R. Bonnick TO THE RIGHT HON.BLE LORD SUFFIELD, As a small token in memory of the favourite Grey Horse St. Lawrence’, 15cm wide. £100-150

577

578

216

579

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

580. A black japanned pier mirror in Queen Anne style, with two bevelled plates, within a moulded frame decorated in gilt with chinoiserie birds, buildings, flowers and foliage, the back with a printed paper label inscribed ‘SIR E.S.W.’, late 19th / early 20th century, 192 x 77.5cm. £800-1,200 Provenance: Sir Ernest Salter Wills, Third Baronet of Hazelwood and Clapton in Gordano, Littlecote House, Hungerford, Berkshire.

Sotheby’s, Littlecote House, Hungerford, 20th-22nd November 1985, when purchased by the present vendor.

580

581

581. A black and red japanned wall mirror in early 18th century style, the rectangular bevelled plate within a cushion frame, gilt decorated with chinoiserie and flowers and foliage, late 19th / early 20th century, 62 x 51cm. £200-300

582. A pair of ebonised and painted side chairs in Queen Anne style, each with gilt leaf decoration, the vase shaped splat decorated with an urn of flowers, above a drop-in seat, on shell capped cabriole feet. (2) £100-200 582

217

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584

583

583. A walnut bureau on stand in Queen Anne style, the crossbanded fall revealing pigeonholes, drawers and a central cupboard, above a long drawer, the stand fitted with two frieze drawers, on scroll carved cabriole legs and pad feet, early 20th century, 93.7cm high, 70cm wide, 46.5cm deep. £200-300 584. A pair of walnut elbow chairs in George II style, each with an arched padded back and seat with shepherd’s crook arms, on cabriole front legs and pad feet, late 19th / early 20th century. (2) £400-600 585. A walnut centre table in William and Mary style, the quarter veneered crossbanded top above faceted legs united by a shaped stretcher, early 20th century, 69.4cm high, 77.5cm wide, 52.8cm deep. £80-120 586. A set of twelve mahogany dining chairs in George I style, each with an arched padded back and seat, on cabriole front legs and pad feet, 20th century, comprising: a pair of open armchairs and ten side chairs. (12) £800-1,200 585

218

586

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

587. A set of eight painted side chairs in George II style after a design by William Kent, each with a padded back and seat, above a fluted frieze and guilloche carved square section cabriole legs and block feet, with loose covers, two early 20th century and six later copies. (8) ÂŁ3,000-4,000 See John Fowler and John Cornforth, English Decoration in the 18th century, p.157.

219

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588. A mahogany and brass bound oval wine cooler on stand in George II style, of staved construction, with a metal lift-out liner, brass carrying handles, on leaf carved cabriole legs and claw and ball feet, the underside stamped ‘3876’, late 19th / early 20th century, 67.3cm high, 70cm wide, 47cm deep. £400-600

588

589

589. A mahogany window seat in Regency style, the scroll and ‘X’ shape frame with an upholstered seat and spiral twist lifts, 56cm high, 92.5cm wide, 46cm deep. £200-300 Provenance: The property of a Noblewoman.

590

590. A hardwood silver table in 18th century Chinese Chippendale style, with a pierced gallery above a blind fret frieze on cluster column legs and block feet, 74.8cm high, 74.5cm wide, 52.5cm deep. £300-500

591. A mahogany two seater settee in George II style, the undulating padded back above scroll arms, on shell capped cabriole legs and claw and ball front feet, late 19th / early 20th century, 122.9cm high, 149.5cm wide, 73cm deep. £500-800

220

591

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

592

592. A pair of Edwardian Irish mahogany side tables in George III style, each with a raised back with three tiers, supported by brass baluster turned columns with urn finials, above a fluted frieze with a single drawer, on conforming tapering legs and block feet, 162.3cm high, 102cm wide, 50cm deep. (2) ÂŁ800-1,200 Provenance: The property of a Noblewoman.

593. A Victorian Irish mahogany and marquetry cheval mirror, inlaid with scrolling leaves, flowers, husks and paterae, with a rectangular bevelled plate, urn finials and bronze anthemion handles, on brass castors, 174.8cm high, 81cm wide. 57cm deep. ÂŁ400-600 Provenance: The property of a Noblewoman.

593

221

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594. A late Victorian mahogany hall stand, with a bevelled mirror and inset pottery tiles, fitted with six gilt brass hooks above a hinged compartment, the base with two lift-out metal trays, 201.7 cm high, 91.5cm wide, 32cm deep. £300-500

595 594

595. A painted wood and gesso stool in George III style, the loose seat above a moulded frieze and guilloche decorated legs, 48.3cm high, 62.3cm wide, 48.7cm deep. £80-120

596. A late Victorian walnut hanging cabinet by Liberty, the top with a stepped gallery with a fret pierced back, above a pair of pine doors decorated with Japanese gilt Shibayama with a pair of birds, bamboo and flowers, enclosing a shelf, the back stamped 'LIBERTY & CO. REGENT ST. 652 488', 69.4cm high, 55.5cm wide, 19cm deep. £400-600

596

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

597. A late Victorian walnut easy armchair by Howard & Sons Ltd, later upholstered with brown plush fabric, on turned front legs and brass castors, stamped ‘HOWARD & SONS LTD LONDON’, the back left leg stamped ‘17742 9990 HOWARD & SONS LTD BERNERS ST.’. £800-1,200 Provenance: The property of a Noblewoman.

597

598

598. A late Victorian oak occasional table in the manner of Howard & Sons, the rectangular top with a moulded edge and canted corners, on ring tuned legs united by an undertier with a pierced gallery, 69.3cm high, 78.6cm wide, 46.6cm deep. £100-150

599. A late Victorian walnut wing armchair in George II style by Howard & Sons, with scroll arms, on cabriole front legs and pad feet, the back left leg stamped ‘HOWARD & SONS LTD BERNERS STREET’ and the numbers ‘12874 9599’. £200-300 Provenance: The property of a Noblewoman.

599

223

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600. A large late 19th century walnut wing armchair, covered with buttoned striped watered silk, on turned front legs and brass castors. £400-600 Provenance: From the collection of Sir Jeremy Lever.

600

601 601. A late Victorian easy armchair in Howard style, with scroll arms, on turned front beechwood legs and brass castors. £80-120 Provenance: The property of a Noblewoman.

602. A large stool, the button upholstered Paisley style seat on mahogany ring turned tapering legs, modern, 40cm high, 107cm wide, 108.8cm deep. £150-250 602

603. An easy armchair, with green plush fabric covers, together with another easy armchair, 20th century. (2) £200-300 Provenance: By repute, the vendor purchased these armchairs from George Smith.

603

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 1st April 2020

A rare Charles II engraved working perpetual calendar by John Seller Estimate £1,000 - 1,500*

ENQUIRIES Mark Yuan-Richards | Tel: +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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SILVER & OBJECTS OF VERTU Tuesday 21st January 2020

After Paul De Lamerie, a pair of William IV silver Chinoiserie tea caddies, by Michael Starkey, London 1831, height 15.4cm Estimate £2,000 - 3,000*

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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JEWELLERY Thursday 23rd January 2020

A collection of glyptics, ancient – 19th century To be sold 23rd January 2020

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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THE JUDITH HOWARD COLLECTION OF SÈVRES PORCELAIN Tuesday 4th February 2020

A Sèvres plate from the service of the Archduke Ferdinand of Austria, date code for 1785 Estimate £2,000 - 3,000*

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Wednesday 4th March 2020 Closing date for entries: 15th January

John Russell RA (1745-1806) Portrait of a girl, bust length, in a red cape and black bonnet Pastel 54.7 x 39.6cm Estimate £1,500 - 2,500* ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 446961 | vf@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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CLARICE CLIFF, ART DECO & DESIGN Wednesday 18th March 2020 Closing date for entries: 24th January

Dark Celadon White Birds a stoneware vase by William Staite-Murray, exhibited in 1931, 39.5cm high (left) Estimate £2,000 - 3,000* Geese by The Reeds a stoneware vase by William Staite-Murray, exhibited in 1928, 30cm high (right) Estimate £1,000 - 2,000* ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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JAPANESE WORKS OF ART Tuesday 19th May 2020 Closing date for entries: 28th February

A Japanese paper screen, 18th century, 172cm x 180cm Provenance: purchased from Milne Henderson Oriental Art, London Estimate ÂŁ400 - 600* ENQUIRIES Alexandra Aguilar Tel: +44 (0)1722 424583 aa@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

01635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally entitled to acquire the lot(s) that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but may not take physical possession of it. The auctioneers will reoffer the lot on behalf of the buyer in a future auction, or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory.

Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

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12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

(c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. (c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988.

Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and, once in force, the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications.

However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7424 7830 jammdesign.co.uk

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ABSENTEE BID FORM FURNITURE, WORKS OF ART & CLOCKS

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 8th January 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed Billing Name (please print) Address

Postcode Daytime telephone Email All accounts must be settled within 21 days ID is required for all first time bidders

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.wo o lleyan d wallis.co .u k

AUCtion CAlendAr FREE VALUATION MORNINGS JAnUArY 8th 21st 23rd

Furniture, Works of Art & Clocks Silver & objects of Vertu Jewellery

FeBrUArY 4th 19th

the Judith Howard Collection of Sèvres Porcelain tribal Art & Antiquities

First Friday of the month 10am-1pm No appointment necessary

NEXT VALUATION DATES 7th February, 6th March & 3rd April (No valuation day in January)

MArCH 4th 18th

old Masters, British & european Paintings Clarice Cliff, Art deco & design

APril 1st 21st 28th & 29th 30th

Furniture, Works of Art & Clocks english & european Ceramics & Glass Fine Silver & objects of Vertu Fine Jewellery

MAY 6th 19th & 20th

Medals & Coins, Arms & Armour Asian Art, Chinese Paintings & Japanese Works of Art

JUne 3rd

17th

Modern British & 20th Century Art including the estate of dame elisabeth Frink & Jin Jammet Arts & Crafts

JUlY 1st 14th & 15th 16th

Furniture, Works of Art & Clocks Silver & objects of Vertu Jewellery

dates may be subject to change +44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A Flemish ebony cabinet on chest SOLD FOR £17,500*

www.woolleyandwallis.co.uk