Woolley & Wallis Auctioneers

SILVER & OBJECTS OF VERTU TUESDAY 12TH & WEDNESDAY 13TH APRIL 2022

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below SILVER

VALUATIONS FOR INSURANCE & PROBATE

Rupert Slingsby Lucy Chalmers

424501 424594

20TH CENTURY DESIGN

Jeremy Lamond MRICS ASFAV FRSA Amanda Lawrence

424502 424509

GENERAL OFFICE

Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly

339752 446980

Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

424500

CASTLE GATE RECEPTION Sally Litherland

ASIAN ART John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Alana Ker Mercer Michelle Yu

424506 424583 424589 +44 (0)7812 601098 424591 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Michelle Yu

424507 446964

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy Sarah Stone

411854 339161 446974 446974

JAPANESE ART Alexandra Aguilar Alana Ker Mercer

Chloe Davie

ACCOUNTS Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS 424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

MARKETING

424583 424591

John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Samuel Hug FGA DGA Emily O’Donnell

424595 424504 424586 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

446951

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SILVER & OBJECTS OF VERTU TUESDAY 12TH & WEDNESDAY 13TH APRIL 2022 10.00AM at our Castle Street Salerooms, SP1 3SU VIEWING WILL TAKE PLACE AT OUR CASTLE STREET SALEROOMS Friday 8th April Saturday 9th April Monday 11th April Tuesday 12th April Wednesday 13th April

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 9.00am – 9.45am (Day 2 until 4.00pm) 9.00am – 9.45am

PLEASE NOTE THIS IS A TWO DAY SALE

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

DAY ONE : LOTS 1 - 360 DAY TWO : LOTS 365 - 715

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Monday 11th April

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Monday 11th April

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults COLLECTION OF LOTS BY APPOINTMENT

Instagram: @woolleyandwallissilver @woolleyandwallissalerooms

All lots will be cleared to our Castle Gate office on Wednesday 20th April.

Collection on this date should be made after 12 noon

Facebook: @woolleyandwallis

All accounts to be settled prior to collection EXPORT AND CITES LICENSES

Twitter: @woolleywallis

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance

Pinterest: Woolley and Wallis

Silver weights in the catalogue are in Troy ounces

ILLUSTRATIONS Front cover: Lot 715 Back cover: Lot 616 Catalogue £10.00 (£15.00 by post)

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TUESDAY 12TH APRIL 2022 AT 10.00AM

1 Grimwade, A. G., London Goldsmiths 1697-1837, Their Marks & Lives, 1990, hard bound with dust cover.

£80-120

2 A collection of silver auction catalogues, Christie’s, Bonhams, Woolley and Wallis, Phillip’s and other auction houses. (qty) (Two Boxes) £30-40

3 A collection of silver reference books, comprising: Jackson’s Ian Pickford edition, Antique Servers for the Dining Table, Silver Flatware, The Great Manufactory - Matthew Boulton, and five other volumes. (qty) £100-150

4 Braithwaite, Rev P., The Church Plate of Hampshire, Simpkin and Co, 1909, hard back. £40-60

5 The Worshipful Company of Goldsmiths’, a ceramic plate,

by W.T. Copeland and Sons, the centre with the arms of The Worshipful Company of Goldsmiths’, with a trailing foliate border, diameter 21.7cm. £60-80

6 A George III old Sheffield plated warming dish stand,

by Matthew Boulton, circa 1800, circular form, reeded drop ring handles, the removable cover engraved with a crowned crest, diameter 21.8cm. £30-40

2

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

7 An early 19th century old Sheffield plated wine cooler, unmarked, circa 1815-20, campana form, part-fluted decoration, leaf capped fluted side handles, with a raised foliate scroll cartouche, with a collar and liner, on a raised circular foot, height 30cm. £70-100

8 A pair of George III old Sheffield plated two-light candelabra,

by J. Love and Co., circa 1790, tapering fluted columns, on raised square bases with beaded borders, fluted scroll arms, fluted capitals with beaded borders, and with a central urn finial, height 42cm. (2) £300-400

9

By WMF, a modern electroplated heavy glass lemonade/ claret jug, tapering circular faceted glass body, plain handle and mounts, the underside of the hinged cover inscribed with signatures, height 25cm. £150-200

10 A set of four graduated electroplated wall sconces, makers mark L. B. S. Co, Sheffield, with two hexagonal scroll branches each with a capital, with detachable drip pans, issuing from a lion mask on a rectangular back plate with canted corners, converted for electricity, lengths 17.7cm, and 14.3cm. (4) £200-300

11 Salisbury interest, a late-Victorian electroplated ‘Old Sarum’ kettle,

by Joseph Deakin and Sons, circa 1890, oval form central handle with black insulators, with a spout and open filler, the front with the coat of arms for Salisbury, on a circular foot, height 21.8cm. £100-150 More than 140,000 ‘kettles’ were made and sold locally as souvenirs in Salisbury between 1889 and 1921. These were mainly ceramic.

The original earthenware pitcher was chosen as the result of a misunderstanding because labels had been mixed up. It was believed to have been excavated at Old Sarum but it was really an oil or wine pitcher brought back from Africa in the 1800’s. Ref The Salisbury Museum.

12 A pair of George III old Sheffield plated candelabra, unmarked, tapering oval form, plain scroll branches, urn shaped capitals, plus a pair of candlesticks of oval form, on raised oval bases, height of candelabra 42.8cm. (4) £100-150 3

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13 A mixed lot of silver items, various dates and makers, comprising: a three-piece cased condiment set, by Mappin and Webb, Birmingham 1984, circular form, with two spoons, another three-piece condiment set, Sheffield 1973, two silver-mounted glass inkwells, on a wooden inkstand, two further silver-mounted glass inkwells, and a Maltese paper knife, approx. weighable 7.5oz. (qty) £150-250

14 A pair of Victorian silver salt cellars,

by Henry Holland, London 1871, circular form, beaded borders, on three scroll feet, plus a silver tea strainer and stand, maker’s mark of N over A.S, Sheffield 1956, and eight condiment spoons, approx. weight 9oz. (12) £130-180

15 A mixed lot of silver items, various dates and makers, comprising: a hip flask, a mug, a cream jug and sugar bowl, another sugar bowl, a toast rack, two mustard pots, two pepper pots, a pair of dishes, an American tea strainer, three regimental ashtrays and a jam pot mount and spoon, approx. weight 40oz. (qty) £300-400

16 A mixed lot of silver items, comprising: a George III cream jug, London 1762, baluster form, embossed foliate decoration, leaf capped scroll handle, plus a set of six Victorian Apostle teaspoons, London 1876, a set of five French teaspoons plus seven teaspoons and a pair of sugar tongs, approx. weight 12oz. (qty) £150-200

17 A collection of foreign silver and metalware items, comprising: a mate bowl and straw, of baluster form, embossed foliate decoration, on three scroll feet, plus a Scandinavian caster of vase form, a pair of boxes modelled as seated birds, pull-off covers and a silver-mounted shell dish. (6) £250-300

18 A mixed lot of silver items, various dates and makers, comprising: a set of four mustard pots, London 1931, a five-piece cruet set of circular form, a pair of pepper pots, a pair of salt cellars, two mustard pots, three pepper pots and two salt cellars, approx. weighable 32oz. (qty) £300-400

4

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

19 A mixed lot of silver items, various dates and makers, comprising: a two-handled sugar bowl, London 1901, another sugar bowl, a cream jug, two sauce boats, and a circular sugar bowl, approx. weight 31.8oz. (6) £300-400

20 A mixed lot of silver items, various dates and makers, comprising: a Victorian cigar case, modelled to fit three cigars, Chester 1899, a hip flask, Sheffield 1926, two cigarette boxes and two cigarette cases, with various initials and inscriptions, approx. weighable 17.5oz. (6) £200-300

21 A collection of silver, metalware and electroplated shells, including two sea urchins, a shell box modelled as a cockle, a partially covered natural shell, three Christofle shells and a shell box.

(8) £300-400

22 A small collection of three silver Armada dishes, comprising a larger one of circular form, with a presentation inscription, by Mappin and Webb, Sheffield 2001, diameter 22.3cm, plus two smaller Armada dishes, (one cased), approx. total weight 21oz. (3) £150-200

23 A mixed lot of silver items, various dates and makers, comprising: a George III cream jug, of oval form, engraved decoration, a sugar basket, a dressing table box, a vesta case, three napkin rings, a sugar sifting spoon, a pair of sugar tongs, three spoons, an electroplated cigarette box and a horn jug inscribed ‘St. Helena POW 1802’, approx. weighable 16.5oz. (qty) £300-400

24 A mixed lot of silver items, various dates and makers, comprising: a silver-mounted glass inkwell, by William Comyns, London 1905, a George III skewer, London 1791, a pair of modern wine coasters, a small coaster, two ashtrays, a silver-mounted horn beaker, three metalware ashtrays, set with coins and an electroplated mounted glass mug, the glass body with engraved decoration, approx. weighable 7oz. (qty) £300-400 5

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25 A mixed lot of Old Sheffield and electroplated items, including: a pair of candlesticks, two single candlesticks, a chamber stick, a gallery tray, a waiter, a mug, a sugar bowl, five pairs of coasters, six single coasters, a pair of knife rests, and a small quantity of flatware. (qty) £200-300

λ 26 A mixed lot, comprising silver items: a silver-mounted glass bowl, seven napkin rings, a small trophy, a salt cellar, three cigarette boxes, thee mirrors (one a.f), a parasol handle, and a trophy cover, plus electroplated items, a teapot, a pair of coasters, a hip flask, a wine funnel, plus other items including flatware, approx. weighable 10oz. (qty) £250-300

part 27 A mixed lot, comprising silver items: a cased pair of sauce boats, Sheffield 1939, a pair of vases, London 1908, a smaller pair of vases, and a pair of American candlesticks, plus electroplated items: a pair of candelabra, a chamber stick, a teapot, toast racks and other items including a quantity of flatware, approx. weighable 6.5oz. (qty) £200-300

28 A mixed lot, comprising silver items: a 19th century Austro-Hungarian tray, Vienna 1863, circular form, foliate and scroll border, diameter 27.5cm, a George III fish slice, by N. Hart, London 1797, the handle by another maker, London 1796, a silver-handled stilton scoop, London 1801, with a plated bowl and stem, plus old Sheffield and electroplated items: a pair of wine coasters, a single wine coaster, a pair of graduated two-handled trays with chased foliate scroll decoration and vine borders, and a fish knife. (8) £200-300

29 A mixed lot of silver items, various dates and makers comprising: a pair of silver dishes, of fluted circular form, engraved with the royal cipher of Queen Elizabeth II, by Padgett and Braham, London 1961, in a fitted case, a pair of salt cellars, a single salt cellar with a swing-handle, a mustard pot, pierced decoration, two pepper pots, a sugar caster, a silver-mounted churn pepper mill, a miniature Dutch goblet, three salt spoons, a pair of American pepper pots, an electroplated salt cellar and two electroplated pepper mills, approx. weight 26oz. (qty) £200-300

λ 30 A mixed lot, comprising silver items: an inkstand base, Birmingham 1934, a silver-mounted tortoiseshell dressing table box, Birmingham 1913, a tortoiseshell box, a faux-tortoiseshell box with ivorine stringing, and electroplated items: an egg cruet frame with five spoons, a mug and a lighter, approx. weighable 6.9oz. (qty) £150-200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 31 A mixed lot of silver items, various dates and makers, comprising: an Edwardian silver and tortoiseshell trinket box, by H. Matthews, Birmingham 1909, rectangular form, inlaid decoration, a mug, a pair of bonbon dishes, a toast rack, a salt cellar, six Fiddle pattern dessert spoons, a Hilliard and Thomason caddy spoon, six teaspoons and two brushes, plus an electroplated mustard pot and salt cellar and three spoons, approx. weighable 18.5oz. (qty) £100-150

32 A mixed lot of silver items, various dates and makers, comprising: a cased Victorian bowl and spoon, London 1892 and 1894, engraved decoration, in a fitted case, plus a small hot water pot, Sheffield 1908, tapering oval form, a pair of candlesticks, a pair of toast racks, a single toast rack, a trumpet vase, a bowl, a baby pusher and a fruit knife, approx. weighable 16oz. (11) £250-300

33 A mixed lot of silver items, various dates and makers, comprising: an Edwardian pierced basket, Birmingham 1909, a George III cream jug, by Solomon Hougham, London 1815, two sauce boats and a bonbon dish, approx. weight 22.2oz. (5) £200-300

34 A mixed lot of silver items, various dates and makers, comprising: a pair of Victorian dwarf candlesticks, by Mappin and Webb, London 1899, fluted columns, beaded borders, a George III salt cellar, London 1760, a trumpet vase, a cream jug, three dishes modelled as playing card suits, a salt cellar, a napkin ring, a mustard pot, two salt spoons and an electroplated salt spoon, approx. weighable 10.8oz. (qty) £250-300

35 A mixed lot of silver items, various dates and makers, comprising: a Victorian silver-mounted glass inkwell, by J. Grinsell and Sons, London 1895, plain glass body, the hinged cover with a crest, plus a pair of George III salt cellars, London 1782, oval form, pierced with vertical slats, with later blue glass liners, plus a pair of French silver-mounted glass toothpick holders, a pair of pepper pots, Chester 1900, and a pair of mustard pots, Sheffield 1895, plus a single salt spoon and an electroplated salt spoon, approx. weighable 10.5oz. (qty) £200-300

36 A mixed lot of old Sheffield and electroplated items, comprising: a pair of candlesticks, a pair of wine coasters, a single coaster, a wine taster, a butter dish with a revolving cover, a pair of sauce boats on stands, a cigar case, a circular dish, a set of four leaf shaped holders with later blue glass liners, twelve mother-of-pearl butter knives, a pickle fork, and five other knives. (qty) £200-300

7

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37 A mixed lot, comprising silver items: a small duck, modelled in a swimming position, a box modelled as a round classical building, a circular box, the cover with a champagne bottle and cooler and two glasses, a book shaped box, a photograph frame, plus electroplated items, four cased Christofle fish, and a fortune cookie holder. (qty) £150-200

38 A mixed lot of silver items, various dates and makers, comprising: a late-Victorian sugar bowl, in the Irish manner, by Wakeley and Wheeler, London 1892, a George II sugar caster, by John Delmester, London 1758, plus a George III cream jug by The Hennells, London 1765, and a Victorian mug, approx. weight 20oz. (4) £300-400

39 A small collection of four silver-mounted glass items, comprising: a 19th century Dutch mustard pot, 1824, by H. Wolk, Utrecht 1824, urn form, plus a condiment jar, London 1829, a silvermounted oil bottle, and a mounted glass bowl, with maker’s mark only IP. (4) £200-300

40 A small mixed lot of silver items, comprising: a matched pair of George III salt cellars, London 1802 and 1807, two makers, shaped rectangular form, incurved corners, reeded borders, on raised bases, plus four napkin rings, London 1913, circular form, engraved with a crest and numbered 1-4, approx. weight 13.7oz. (6) £150-200

41 A mixed lot of silver items, comprising: a George III cream jug, London 1800, oval form, engraved band of foliate decoration, a George III helmet cream jug, marks worn, the front with an armorial, plus another cream jug, London 1913, and a George III mug, London 1781, later embossed foliate decoration, leaf caped scroll handle, approx. total weight 17oz. (4) £150-200

42 A mixed lot of silver items, various dates and makers, comprising: a George III cream jug, by John Robins, London 1797, lobed tapering oval form, a.f, plus a Victorian bowl, London 1851, a sugar bowl, London 1905, and a pair of Egyptian silver sauce boats, oval form, the scroll handles with bird terminals, beaded borders, approx. total weight 21.9oz. (5) £200-300

8

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

43 A mixed lot of silver items, various dates and makers, comprising: a hot water pot / coffee jug, of panelled baluster form, Birmingham 1920, a pair of cafe au lait pots, by James Dixon and Sons, Sheffield 1928/29, tapering circular form, wooden baluster side handles, plus a cream jug and sugar bowl, Chester 1919, approx. weight 34oz. (5) £300-500

44 A small collection of silver-mounted glass items, comprising: a Victorian clear glass jug, London 1895, scroll handle, plain mount, height 18.5cm, an hourglass decanter, lacking stopper, Sheffield 1906, and a silver-mounted whisky tot, by Heath and Middleton, Birmingham 1902. (3) £200-300

45 A swing-handled sugar basket, unmarked, circular form, with pierced and embossed foliate decoration, on a pedestal base with beaded border, blue glass liner, plus a pair of silver sugar tongs, makers mark partially worn, with pierced arms and shell bowls, and a Continental silver pair of sugar tongs, plain form, approx. weighable 2.3oz. (3) £120-180

46 A George III silver sugar basket and cover, apparently unmarked, vase form, pierced with vertical slats and embossed with drapes, pull-off pierced cover, engraved with a crest and initials, plus a George III silver cruet frame base, London 1773, circular form, pierced gallery, wooden base, on three claw and ball feet, approx. weighable 7.5oz. (2) £100-150

λ 47 An Edwardian silver capstan inkwell,

by Saunders and Shepherd, Chester 1907, circular form, the hinged cover with a screw-off cover to fit a large pocket watch, initialled, diameter of base 13.8cm, plus a silver and tortoiseshell toilet box, cylindrical form, the cover London 1910, the later base by Gillian Elizabeth Mallett, London 1979. (2) £70-100

48 A George II silver bun pepper pot,

by George Greenhill Jones, London 1734, baluster form, on a circular foot, height 10.5cm, plus a George IV silver mug, by Thomas Johnson, tapering circular form, reeded bands, scroll handle, approx. total weight 7oz. (2) £150-200

9

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SILVER FROM THE COLLECTION OF THE LATE TONY DOVE, PART II – LOTS 49-122

49 A collection of ceramic and agate handled knives and forks, various designs, dates and makers, including an agate cannon handled knife, a bloodstone knife, and other examples, and a wooden handled serving fork. (qty) £200-300

50 A collection of base metal flatware including a steel handled knife with gilded highlights, various spoons, early knives and other items including wooden handled knives and forks, plus a brass spoon mould. (qty) £100-150

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

λ 51 A mixed lot of objects of vertu, comprising silver items: a Victorian Ancient Order of Foresters jewel of Office, by Ezekiel Loewenstark, London 1845, various buckles, a silver mounted small dressing table pot, a pair of swing handles, a miniature figural group with import marks for London 1889, an unmarked mesh purse, and other items, plus metalware items including a pair of buckles and a folding fruit knife with tortoiseshell handle, approx. weighable 11.8oz. (qty) £300-400

52 A large collection of silver-handled table knives, various dates, makers and patterns, plus a silver-handed steel serving fork, Sheffield 1790, a carving fork, five table forks and a serving fork, lacking handle. (qty) £200-300 Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

53 A mixed lot, comprising silver items: a Bank of England Tercentenary dish,

by Christopher Nigel Lawrence, London 1994, a pull-off base for a hip flask, two hairbrush backs, various bottle mounts and a watch case, two napkin rings, two punch ladle bowls, a small toast rack, wine funnel spout, a mustard pot, capital from a candlestick, a salt cellar, two twisted metalware neck bands, plus a blue and white ceramic bowl (damaged), a glass scent bottle (a.f) and other item, approx. weight 27.7oz. (qty) £200-300 Provenance From the Collection of the late Tony Dove.

54 A mixed lot of silver items, comprising: a pair of George III silver mounted cut-glass mustard pots,

by Richard Cook, London 1802, oval vase form, pull-off raised covers with ball finial’s, crested, a George III salt cellar, by Cornelius Bland, London 1792, also with a double duty mark, oval navette form, reeded decoration, on raised bases, scroll handles, four pepper pots (one with cancelled hallmarks), two trencher salt cellars, three cauldron salt cellars, one with blue glass liner, another salt cellar of domed circular form, plus a George III mustard pot, circular form, pierced and engraved decoration, lacking liner, approx. weight 25.8oz. (14) £300-400 Provenance From the Collection of the late Tony Dove.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

55 A collection of antique silver flatware with inscriptions, various patterns, dates and makers, inscriptions include ‘The Cork Club’, ‘Given by the Poor of Cassington’, ‘Ram Hotel’, and others with presentation inscription and initials, many relating to baptisms, approx. weight 31.5oz. (qty) £300-400

56 A collection of Scottish silver flatware, comprising: a set of eight George III Celtic-point pattern teaspoons, by J. McKay, Edinburgh 1789, the terminal with an initial ‘B’, plus a set of six Glasgow Fiddle, Thread and Shell pattern teaspoons, ten further dessert spoons, and ten teaspoons, approx. weight 30oz. (qty) £250-300

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

57 A mixed lot of antique silver flatware, various patterns, dates and makers, comprising: seven tablespoons, one of which inscribed ‘The Company of Taylors 1792’, and three table forks, approx. weight 20oz. (10) £200-300

58 An unusual collection of antique upper side marked silver flatware, various dates and makers, comprising: a set of three tablespoons, London 1778/79, the reverse of the terminals crested, three further tablespoons, three table forks, two dessert forks, two dessert spoons, two teaspoons and a salt spoon, approx. weight 26oz. (16) £300-400

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

59 A collection of antique silver table and dessert forks, various patterns, dates and makers, including thirteen table forks, and twelve dessert forks, one with a private die terminal of a hand below a crescent, approx. weight 48oz. (25) £400-600

60 A large collection of silver teaspoons, various patterns, dates and makers, approx. weight 24oz. (qty)

£250-300

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

11

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61 A collection of continental silver flatware, various countries including an 18th century French table fork and spoon, a Russian spoon, two Dutch figural spoons, a Dutch fork and spoon, four French carving bone holders, plus various other items and a South-East Asian large serving spoon, approx. weighable 23oz. (qty) £200-300

λ 62 A collection of dessert knives and forks, mainly 18th and 19th century, various patterns, with silver mother-of-pearl, tortoiseshell and silver brass handles, including a silver-gilt pistol grip dessert knife and fork, various French examples, and a cased Victorian fork and spoon set. (qty) £200-300

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

63 A collection of 18th and 19th century silver-handled dessert knives and forks, various patterns, dates and makers, with steel blades and tines. (qty) £100-150

λ 64 A large collection of ivory-handled silver, old Sheffield plate and electroplate flatware, various dates and makers, including: a George III butter spade, London 1788, a provincial serving fork, by Hampston, Prince and Cattles, York 1802, with eight tines and various other items, including some green stained ivory handles. (qty) £200-300 Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

65 A large collection of old Sheffield and electroplated items and flatware, including a taper stick, a butter shell, a beaker, a bandy pan, a pair of salt cellars, a snuffers tray, an inkwell, various casters and egg cups, fish slices, serving tongs, meat skewers and other items. (qty) £100-150 Provenance From the Collection of the late Tony Dove.

12

66 A mixed lot of silver flatware, various makers and dates, comprising: an Apostle spoon, a Trefid spoon, six various tablespoons, three tableforks, two butter knives, four dessert forks, a marrow spoon, a pair of sugar nips (a.f), a pair of sugar tongs, one bowl with three tines, ten various teaspoons, and other items, approx. weight 46oz. (qty) £200-30 Provenance From the Collection of the late Tony Dove.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

67 A collection of fifteen antique silver Hanoverian pattern tablespoons, various dates and makers, the terminals with initials, one inscribed ‘Wiveliscombe Club 1781’, approx. weight 22oz. (15) £250-300 Provenance From the Collection of the late Tony Dove.

69 A collection of fifteen antique silver tablespoons, various patterns, dates and makers, including two pairs, the terminals with crest and initials, approx. weight 32oz. (15) £250-300 Provenance From the Collection of the late Tony Dove.

71 A collection of fifteen antique silver tablespoons, various dates and makers, Feather-edge and Bright-cut patterns, approx. weight 28.5oz. (15) £250-300 Provenance From the Collection of the late Tony Dove.

68 A collection of twenty-one antique silver tablespoons, various patterns, dates and makers, the terminals with initials and crests, approx. weight 37oz. (20) £300-400 Provenance From the Collection of the late Tony Dove.

70 A collection of silver Hanoverian pattern flatware, various dates and makers, comprising: eight dessert spoons, two small dessert/ large teaspoons, twelve teaspoons and a condiment spoon, approx. weight 13.7oz. (qty) £200-300 Provenance From the Collection of the late Tony Dove.

72 A collection of thirteen antique silver Old English pattern tablespoons, various dates and makers, some terminals with initials, and one with a crest, approx. weight 25oz. (13) £250-300 Provenance From the Collection of the late Tony Dove.

13

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73 A collection of twelve 18th century Hanoverian pattern tablespoons, various dates and makers, the terminals with crests, initials and inscriptions, approx. weight 24oz. (12) £250-300 Provenance From the Collection of the late Tony Dove.

75 A collection of Colonial and other silver flatware, comprising: a dessert fork by Latty Brothers Calcutta, a dessert spoon by Hamilton and Co, two with the Gibraltar key mark, plus a tablespoon, three dessert spoons, four teaspoons and two salt spoons, approx. weight 13oz. (qty) £200-300 Provenance From the Collection of the late Tony Dove.

77 A mixed lot of American silver flatware, including a set of four tablespoons, by J. Jones, 37 Market Street, inscribed in Memory of Joseph and Content Gray, a tablespoon by Jacob Sargeant, a dessert spoon by Johnson and Reat, circa 1810, three further dessert spoons, a set of four dessert forks, another dessert forks, three teaspoons and a salt spoon, and a Gorham butter knife, approx. weight 19oz. (qty). £150-200 Provenance From the Collection of the late Tony Dove.

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λ 74 A collection of nine silver punch ladles, comprising: a George II one, by William Justis, London 1739, plain circular bowl, with a turned wooden handle, five with twisted whalebone handles (one a/f), one of which inset with a coin to the bowl, one with a porcupine quill handle, one lacking a handle and one with a twisted handle. (9) £100-150 Provenance From the Collection of the late Tony Dove.

76 A large collection of silver teaspoons, various patterns, dates and makers, plus a set of five egg spoons and one other, approx. weight 23oz. (qty) £200-300 Provenance From the Collection of the late Tony Dove.

78 A collection of antique Exeter silver flatware, various dates and makers, comprising: a Bright-cut soup ladle, fluted bowl, with a crest, plus seventeen tablespoons and a sauce ladle, approx. weight 36oz. (qty) £300-400 Provenance From the Collection of the late Tony Dove.

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79 A small collection of 19th century Chinese Export silver flatware, comprising: a tablespoon and two dessert forks, by Kechcheong, a tablespoon and dessert spoon with the pseudo Eley, Fearn and Chawner mark, a dessert spoon by Lynchong, a teaspoon by Yatshing, and one by P, approx. weight 13oz. (8) £250-300 Provenance From the Collection of the late Tony Dove.

81 A collection of antique silver sauce ladles, various dates and makers, including a two Fiddle and Thread pattern, plus various others, approx. weight 13oz. (8) £150-200 Provenance From the Collection of the late Tony Dove.

83 A collection of sixteen Scottish silver tablespoons, various patterns, dates and makers, all Edinburgh, the terminals with initials and crests, approx. weight 32oz. (16) £250-350 Provenance From the Collection of the late Tony Dove.

80 A collection of early 18th century Dog-nose spoons, various dates and makers, comprising: three tablespoons, three smaller spoons, one of which with a 1704 inscription, and two teaspoons, approx. weight 6.5oz.

(8) £200-300 Provenance From the Collection of the late Tony Dove.

82 A collection of York silver flatware, various dates and makers, comprising: three dessert forks, a fruit knife, four teaspoon, and seven salt spoons, plus a sixpence silver token by Cattle and Barber, the reverse with a crest, approx. weighable 8oz. (qty) £200-300 Provenance From the Collection of the late Tony Dove.

84 A collection of ten antique silver sugar sifting spoons, various patterns, dates and makers, pierced bowls, the terminals with crests and initials, approx. weight 12oz. (10) £200-300 Provenance From the Collection of the late Tony Dove.

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85 A collection of fourteen pairs of silver sugar tongs, various patterns, dates and makers, including continental examples, approx. weight 12oz. (14) £100-150 Provenance From the Collection of the late Tony Dove.

86 A collection of fourteen pairs of silver sugar tongs, various patterns, dates and makers, including a Scottish pair with a presentation inscription, a continental example, and a silver-gilt cast pair, London 1896, approx. weight 13oz. (14) £150-200 Provenance From the Collection of the late Tony Dove.

87 A collection of four antique silver marrow scoops, various dates and makers, conventional form, one Fiddle pattern, the reverse of the bowls with crests and initials, approx. weight 5.5oz. (4) £200-300

88 A collection of four antique silver marrow scoops, various dates and makers, conventional form, including one London 1748, the reverse of the bowls with crests and initials, approx. weight 5.9oz. (4) £200-300

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

89 A small collection of Newcastle silver flatware, comprising: a Fiddle pattern soup ladle, by John Robertson II & John Walton, Newcastle 1839, a Fiddle pattern basting spoon by Dorothy Langlands, 1804, and a tablespoon, approx. weight 10oz. (3) £150-200 Provenance From the Collection of the late Tony Dove.

90 A George III silver Old English pattern tablespoon,

by John Keith, Banff circa 1800, plus an Old English pattern tablespoon, by Adam Graham, Glasgow, and an Edinburgh made toddy ladle stamped Urquhart and Perth, approx. total weight 3.9oz. (3) £100-150

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Provenance From the Collection of the late Tony Dove.

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91 A George III silver serving slice,

by William Plummer, London 1770, triangular blade, pierced decoration, heavily repaired, the reverse with initials, plus two silver Fiddle pattern fish slices, approx. weight 11.5oz. (3) £200-300 Provenance From the Collection of the late Tony Dove.

92 A George IV provincial silver Fiddle pattern fish slice,

by Barber, Cattle and North, York 1828, also with the town mark, the blade with pierced decoration, the terminal with an initial ‘S’, length 30.5cm, approx. weight 4.8oz. £150-200 Provenance From the Collection of the late Tony Dove.

93 A collection of three George III silver meat skewers, one by George Smith, London 1781, the others also London 1781, two with shell and ring terminals, the other with a Bright-cut ring terminal, approx. weight 9.7oz. (3) £250-300

94 A collection of six antique silver poultry skewers, various dates and makers, one unmarked, ring terminals, one with a crest, and one with initials, approx. weight 3oz. (6) £150-200

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

95 A George III silver Onslow pattern small soup / punch ladle,

by Thomas Northcote, London 1780, shell bow, the terminal with an initial, plus a George III silver Old English pattern soup ladle, London 1809, later plated or lacquered (this has started to bubble), approx. total weight 11oz. (2) £150-200

96 A pair of George III Rococo sauce ladles,

by Eley, Fearn and Chawner, London 1810, circular bowls, the Rococo terminals with a scroll hook, the reverse of the terminal with a crest, plus a similar George III cream ladle, by John Swift circa 1770, approx. total weight 5oz. (3) £100-150

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

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97 A set of twelve George III silver Feather-edge pattern teaspoons, probably by John Sidaway, London 1781, fluted bowls, the terminals with a crest, plus a set of six George III Bright-cut teaspoons, London 1785, a similar set of eight, London 1783, approx. weight 11.5oz. (26) £150-200 Provenance From the Collection of the late Tony Dove.

99 A mixed lot of antique silver condiment spoons, various patterns, dates and makers, plus two small sifting ladles, approx. weight 11oz. (qty)

£150-200

Provenance From the Collection of the late Tony Dove.

98 A set of six 18th century silver mote spoons and a pair of cast sugar tongs, marks worn, circa 1760-70, the oval bowls pierced with scrolls and mullets, the sugar tongs with shell bowls, in a later fitted case, approx. weight 3oz. (7) £300-400 Provenance From the Collection of the late Tony Dove.

100 A collection of ten pairs of 18th century sugar nips, various dates and makers, conventional form, ring handles, scroll arms, shell bowls, plus a pair of scissor shape tongs, with ring handles, plain arms and shell bowls, London 1781, approx. weight 11.5oz. (10) £200-300 Provenance From the Collection of the late Tony Dove.

101 A collection of Channel Islands silver flatware, various dates and makers including John Le Gallais, Charles William Quesnel, and George Hamon, comprising: three tablespoons, five dessert spoons, and three teaspoons, plus a modern Sark caddy spoon and pair of salt spoons, approx. weight 12.5oz. (qty) £200-300 Provenance From the Collection of the late Tony Dove.

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102 A collection of Irish silver flatware, various dates and makers, including a pair of George II tablespoons, by Christopher Skinner, Dublin 1754, the reverse of the terminals with a crest, plus a cork teaspoon by Daniel McCarthy, a dessert spoon engraved ‘Stewards Room’, two tablespoons, two dessert spoons, a fork, a knife, a pair of tongs, and three condiment spoons, approx. weighable 16oz. (qty) £150-250 Provenance From the Collection of the late Tony Dove.

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103 A collection of four George III silver meat skewers, three London 1797, 1809 and 1821, the other Edinburgh 1812, plain tapering form, plain ring handles, one with a crest and one initialled, approx. weight 9.7oz. (4) £200-300

104 A pair of George IV silver butter spades,

by William Knight, London 1821, triangular blades, twisted stems, with replacement earlier beaded pattern handles, length 18.8cm. (2) £100-150

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

105 A small collection of silver marrow scoops, comprising one of conventional form, by BE, marked with two crowned leopard’s heads, a marrow spoon, a unmarked marrow spoon from a campaign set, two small poultry scoops, and a plated marrow scoop, approx. weighable 4.2oz. (6) £200-300

106 A collection of five antique silver Trefid spoons, including one by John King, London date letter worn, plus an unmarked spoon and three teaspoons, approx. weight 2.9oz. (5) £150-200 Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

107 A collection of fourteen antique silver dessert spoons, various patterns, dates and makers, including three silver-gilt examples, the terminals with initials, approx. weight 16oz. (14) £150-250 Provenance From the Collection of the late Tony Dove.

108 A collection of twenty-four antique silver dessert spoons, various patterns, dates and makers, the terminals with initials and crest, approx. weight 27oz. (24) £200-300 Provenance From the Collection of the late Tony Dove.

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109 A collection of four antique silver basting spoons, comprising; a George III Old English example, by John Lampfert, circa 1780, with two lion passants and no date letter, plus two Fiddle pattern spoons, and one with a Bright-cut border, with crests and initials, approx. weight 8.3oz. (4) £200-300

110 A collection of six George III silver fish slices, various dates and makers, comprising: an Irish one, the blade pierced and engraved with a mythical dolphin and scroll decoration, and four London made examples, some heavily repaired. (6) £200-300

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

111 A collection of nine 18th century Hanoverian Rat-tail pattern tablespoons, various dates and makers, the reverse of the bowls with a plain rat-tail, the reverse of the terminals with initials, approx. weight 14.5oz. (9) £150-250

112 A mixed lot of Scottish silver flatware,, various dates and makers, including: a pair of Bright-cut Celtic Point pattern toddy ladles, Edinburgh 1808, two further pairs of toddy ladles, two single toddy ladles, a pair of sugar tongs, plus a remarked Trefid spoon, by the Edinburgh Assay Office, 1983, and a reproduction Canongate spoon of 1589, Edinburgh 1924, approx. weight 12.5oz. (15) £200-300

Provenance From the Collection of the late Tony Dove.

Provenance From the Collection of the late Tony Dove.

113 A small collection of Scottish silver flatware, various dates and makers, comprising: a fish slice, by William Jamieson, Edinburgh 1837, plus a Fiddle and Shell sauce ladle, and five table forks, approx. weight 16oz. (7) £150-200 Provenance From the Collection of the late Tony Dove.

114 A mixed lot of silver flatware, comprising: a George III fruit knife, by Moses Brent, London 1784/85, marked with the Duty drawback mark, plus a George III tablespoon,

by Peter and Ann Bateman, London 1795, the reverse of the bowl inscribed ‘Swimbridge 1796’, in a later Garrard case, plus a caddy spoon, three toy teaspoons, an unusual teaspoon and a sweetmeat fork, London 1930, approx. weight 3.8oz. (8) £200-300

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Provenance From the Collection of the late Tony Dove.

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115 A pair of George III 18 carat gold buckles,

by J. Horne and S. Ash, London 1811, plain rectangular form, length 2.2cm, plus a pair of George III gold and enamel cufflinks, London 1796, oval form, central initials with a dark blue ground and white and pale blue border, approx. total weight 20g. (4) £200-300 Provenance From the Collection of the late Tony Dove.

117 A collection of silver wine labels, comprising: a Victorian regimental wine collar, by Messrs. Lias, London 1846, gadroon border, incised ‘SHERRY’, the inner side inscribed ‘R. Marine Mess’, diameter 9cm, plus two Scottish wine labels ‘SHERRY’, and ‘WHISKY’, and two plated labels, approx. weighable 5oz. (5) £200-300 Provenance From the Collection of the late Tony Dove.

119 A mixed lot of silver items comprising: a George III mug, by George Smith, London 1791, tapering circular form, reeded bands, initialled, a pair of Victorian salt cellars, by Henry Holland, shaped circular form, engraved with a crest, foliate borders, on three foliate-capped rose bud feet, blue glass liners, a travelling chalice and paten, by Charles Reily & George Storer, London 1833, a George II cream jug of baluster form, plus a Victorian cream jug engraved with ferns and presentation inscription ‘Awarded by the Applby & Ky.Stephen Agrl. Society to T & E Whitwell for the Best Basket of Butter 1882’, approx. weight 13.7oz. (7) £300-400 Provenance From the Collection of the late Tony Dove.

116 A George I silver two-handled lemon strainer, maker’s mark mainly lost in piercing, London probably 1718, circular form, pierced scroll decoration, the side handles also pierced with scroll work, length 15.8cm, approx. weight 2oz. £150-200 Provenance From the Collection of the late Tony Dove.

118 A mixed lot of silver items, comprising: a George II snuff box, London 1728, rectangular form, incurved corners, the cover chased with a tree, a fox and a bird, the underside of the base initialled, length 6.8cm, plus a silver-gilt toilet box, London 1807, and two small vinaigrettes, approx. weight 4.2oz. (4) £200-300 Provenance From the Collection of the late Tony Dove.

120 A small collection of five silver boxes, various dates and makers, including a William IV snuff box, by Thomas Shaw, Birmingham 1834, rectangular form, engine-turned decoration, plus a compact, an oval box with import marks for London 1891, and two other boxes, plus a base metal box of circular form, engraved ‘Gold’ and ‘Silver’, approx. weighable 10oz. (6) £200-300 Provenance From the Collection of the late Tony Dove.

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121 A Victorian silver invalid cup, originally a pap boat, the pap boat London 1793, the Victorian additions by Messrs. Lias, London 1844, ovoid form, with a feeding spout, length 14cm, approx. weight 2.7oz. £100-150 Provenance From the Collection of the late Tony Dove.

122 A mixed lot of silver items, various dates and makers, comprising a Victorian travelling shaving brush, of cylindrical form,

by George Reid, London 1840, an apple corer, marks worn, a slideaction travelling fruit fork, repaired and a penknife, approx. weight 3.2oz. (4) £100-150 Provenance From the Collection of the late Tony Dove.

OTHER PROPERTIES

123 An Italian silver bowl, with Venice marks, 18th/19th century, oblong form, gadroon border, on four hoof feet, length 13cm, approx. weight 5.6oz. £200-300

124 A 19th century Austro-Hungarian silver wine taster/ sweetmeat dish, 1806, lobed oval form, scroll handles, embossed with a central flower, length 11.5cm, plus a Dutch silver caster, 1819, of tapering circular form, pierced with vertical slats, blue glass liner, beaded borders, approx. total weight 7oz. (2) £200-300

125 An Italian silver trophy vase, tapering octagonal form, inscribed ‘Premio Fiorano 15 Marzo 1930, Adele Perrone’, on a circular foot, height 14.2cm, plus a continental silver table bell, engine-turned decoration with an owl finial, approx. total weight 15oz. (2) £100-150

126 A late 19th century Dutch silver swing-handled basket, maker’s mark of D and a star in a lozenge, possibly for G Van der Dussenm Schoonhoven, with import marks for London 1891, importer’s mark of David Bridge, oval form, pierced with slats and scroll motifs, engraved decoration, beaded borders, on a pierced oval foot, length 15.7cm, approx. weight 4.9oz. £100-150

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127 A modern French silver wine taster,

by Cardeilhac, circular form, fluted and punch bead decoration, ring handle with a plain thumb-piece, diameter 7.8cm, approx. weight 2.3oz. £60-80

128 A pair of late 18th / early 19th century French Egyptian Revival silver salt cellars, maker’s mark probably that of Charles-Louis Bourgeois, Paris 1797-1809, circular form, pierced gallery, on three sphinx head mounted legs on paw feet, with blue glass liners, diameter 7.8cm, approx. weight 5oz. (2) £300-400

129 A late 18th century / early 19th century French silver wine taster, possibly by Sebastian Guillaumont, Paris, 1798-1809, circular form, fluted decoration, fluted ring handle, diameter 8.5cm, plus a French provincial silver wine taster, Beaune, 1798-1809, approx. weight 5.4oz. (2) £200-300

130 A pair of 18th century Danish silver salt cellars, lobed oval form, gilded bowls, on three scroll legs, initialled, length 7cm, plus a 19th century Danish caster, of ovoid form, pierced cover, chased decoration, on a shaped base, height 8.5cm, approx. weight 3.9oz. (3) £200-300

131 An 18th century French silver wine taster, maker’s mark I.B, plain circular form, stylised snake ring handle, inscribed ‘AD BARBIER’, length 11.5cm, approx. weight 4.3oz. £200-300

132 By Ilias Lalaounis, a graduated set of three silver copies of Greek vases, with import marks for London 1996, tapering form, spot-hammered decoration, figure side handles, height of larger 9.2cm, height of smaller 6.6cm, approx. weight 11.6oz. (3) £200-300

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133 An early 19th century Dutch silver cream jug, probably by Hendrik Vrijman, Rotterdam 1801, tapering circular form, beaded borders and scroll handle, on a raised circular foot, height 15cm, approx. weight 4.8oz. £400-600

134 A 19th century continental silver goblet, makers mark only MA struck twice to the base and body, tapering circular form, gilt interior, part fluted decoration below a foliate band, on a raised circular base with foliate border, height 15.4cm, approx. weight 13.2oz. £250-300

135 A modern continental silver tankard, maker’s mark of PVT in a shield, also marked 835, cylindrical form, the body set with Hungarian coins, scroll handle, the hinged cover set with a coin and with a presentation inscription and with a rampant lion thumb-piece, on three recumbent lion feet, height 17.2cm, approx. weight 31.3oz. £400-600

136 A 19th century Indian colonial silver mug,

by Hamilton and Co. Calcutta circa 1850, lobed baluster form, scroll handle, embossed foliate decoration, inscribed ‘Henry John Harman a birth day present by his uncle J. M Harman May 13 1851’, height 12.5cm, approx. weight 9.4oz. £150-200

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137 A late 18th / early 19th century miniature silver Italian table lamp, maker’s mark FY, also marked ‘CAPS’, baluster form, swirl stem, with four lamp burners, central handle sliding cover with a pair of tweezers on a chain and a snuffer, on a circular foot, height 21.5cm, approx. weight 5.2oz. £100-150

138 A 19th century continental silver beaker, with import marks for London 1892, importer’s mark of Louis Landsberg, tapering circular form, chased with a figural scene, embossed and stamped borders, on a circular foot, height 20.8cm, approx. weight 13.9oz. £250-300

139 A pair of late 18th century Danish silver cast candlesticks,

by Andreas Royman, Copenhagen 1785, tapering circular form, with garlands and acanthus decoration, beaded borders, one drip pan missing, height 23.8cm, approx. 24oz. (2) £400-600

140 An 18th century silver travelling communion cup and cover, maker’s mark to cover PN crowned, circular form, gilded interior, bayonet fitting cover with a baluster finial, on a screw-off baluster stem with a compartment, on a circular foot, height 11.5cm, approx. weight 4.25oz. £200-300 Provenance: Purchased from Bonhams, Knightsbridge, 30 October 2001, lot 224.

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141 A Belgian parcel-gilt silver two handled dish,

by Robert Altenloh, Brussels, oval navette form, foliate and mythical beast scroll handled, on a shaped oblong base with paw feet, length handle to handle 44.5cm, approx. weight 34.9oz. £500-700

141

142 An early 19th century French silver-gilt two-handled sugar vase and cover,

by Marc Jacuart, Paris 1809-19, circular vase form, foliate decoration, pierced borders, the pull-off cover with a cone finial, clear glass liner, on four hoof feet, on a raised circular foot, height approx. 25.2cm, weight 16.5oz. £300-400

142

143 A German silver tray,

by Posen, circa 1920, oval form, spot-hammered decoration, with a bead and scroll border, the centre with a monogram, length 53cm, approx. weight 48.5oz. £500-700

143

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144 A late 17th century German parcel-gilt silver goblet, probably by Johan Jacob Clauss, Nurnburg circa 1680, lobed circular bowl with embossed foliate decoration, the centre of the bowl with a fixing for an attachment, the stem with a winged figure holding a wreath and a dove, on a raised lobed circular foot, height 18cm, approx. weight 4.4oz. £600-800

144

145 An 18th century Swiss silver coffee jug,

by Jean Redard, Neuchatel circa 1760, baluster form, wooden scroll handle, the hinged cover with a shell thumb-piece and urn finial, the spout with a hinged cover, on three scroll legs on pad feet, engraved with initials, height 21.5cm, approx. weight 17.5oz. £600-800

145

146 A late 19th century Dutch silver-gilt windmill beaker, the inverted bowl with engraved decoration, lion mask ring handles and applied with an armorial, the windmill of conventional form with figures, height 21cm, approx. weight 6.5oz. £200-300

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147 A pair of Persian silver vases, tapering circular form, chased foliate decoration on a matted background, scroll borders, height 15.5cm, approx. weight 23oz. (3) £300-400

148 An Indian silver covered jug, unmarked, tapering hexagonal form, scroll handle, chased foliate scroll decoration on a matted background, fluted finial, height 9.5cm, plus a 19th century Dutch beaker, possibly by R. Scheltens, or R. Spaanstra, in the 17th century manner, with figural scenes and dated ‘Anno 1682’, height 4.8cm, approx. weight 10.5oz. (2) £200-300

149 A Burmese metalware rice bowl, circular form, heavily embossed with figures, villages, animals and farming scenes, foliate scroll border, on three bun feet, diameter 24cm. £300-400

150 An Indian silver bowl, circular form, chased foliate scroll decoration on a matted background, on a raised circular foot, diameter 11cm, plus a South East Asian metalware box and cover, circular form, the cover with a star motif and foliate scroll decoration, on three bun feet, diameter 15cm. (2) £120-150

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151 A collection of Chinese silver items: comprising: a presentation two handled bowl, circular form, scroll handles, with a presentation inscription to Ralph Pike, Head of Customs, Chefoo, 1930’s, on a wooden stand, a teapot of circular form, pull-off cover, scroll handle, engraved foliate decoration, plus six tea bowls of tapering circular form, engraved foliate decoration, height of bowl on plinth approx. weight 37oz. (8) £400-600

152 A pair of Chinese silver candlesticks, retailed by Wang Hing, tapering circular columns, mounted with a spiral snake, detachable drip pans, on raised square bases with chased blossom decoration, height 20cm, approx. weight 13oz. (2) £300-400

153 An Indian metalware spice box, unmarked, North Indian, Rajasthan, probably Malwar, probably 19th century, hexafoil form, with six compartments with hinged heart-shaped covers, each with a peacock bird head finial, and with a central bird locking device, on six hoof feet, diameter 10.2cm. £500-700

154 An Indian metalware spice box, unmarked, North Indian, Rajasthan, probably Malwar, probably 19th century, hexafoil form, with six compartments with hinged heart-shaped covers, each with a stylised plaited motif finial, and with a central peacock locking device, on six hoof feet, diameter 8.8cm. £500-700

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155 A small mixed lot of Chinese silver items, comprising: a dressing table box, of oblong form, the hinged cover inscribed ‘Chefoo 1930, From the Bachelors’, length 10.2cm, plus a vase of tapering circular form, chased bamboo decoration, on a foot modelled as a dragon, height 15.8cm, a miniature figure of two men and a sedan chair, and an unmarked metalware model of a pagoda, height 22.8cm. (4) £200-300

156 A set of four Chinese silver bowls, marked with Chinese characters and I.W, circular form, two pierced and embossed with dragons and two pierced and embossed with blossom decoration, clear glass liners, on circular bases, diameter 7.8cm, approx. weight 8.9oz. (4) £400-600

157 A 19th century Austro-Hungarian silver sugar box, maker’s mark of F.T.K, 1858, bombé rectangular form, foliate decoration, on four scroll bracket feet, finial a.f, with a lock, initialled, length 14.5cm, plus an Austro-Hungarian silver dish, 1868, circular form, embossed and pierced with trailing grapevines, on a circular foot, diameter 20.7cm, approx. weight 19oz. (2) £300-400

158 A 19th century silver filigree casket, unmarked, rectangular form, canted corners, the hinged cover and sides with foliate scroll filigree decoration, and applied with filigree rosettes, (one missing), the cover with an oval glass covered cartouche with an oval panel inscribed ‘Made by N.J. Alexander, 4 High St. Eton Windsor 1876’ and ‘Heather, from the Makers Grand-Daughter’, the front inscribed ‘Adele’, the front with three clasps, on four ball feet, length 23cm, approx. weight 17.8oz. £200-300

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Provenance: Purchased from Woolley and Wallis, Salisbury, Silver Sale, 19 October 2005, lot 769.

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159 A large Indian presentation metalware casket / cigar box, unmarked, circa 1930, rectangular form, the hinged cover chased with elephants and mythical animals and birds, with chased foliate scroll decoration on a matted background, and with a peacock finial, inscribed ‘Presented by The Committee of The Radio Club of Ceylon and South India and a Few Friends to Mr. E. Harper, Chief Engineer Telegraph Dept. Ceylon on his retirement in appreciation of his exceptional services to Broadcasting in Ceylon. 15-9-31’, the sides with similar decoration, on four mythical animal feet, the interior wood lined, length 33.9cm. £2,000-3,000

160 A modern Italian presentation silver dressing table box, circa 1967, shaped rectangular bombé form, the hinged cover engraved with two armorials and engraved ‘M/S Winston Churchill 1967’, on four bracket feet, length 21cm, approx. weight 16oz. £200-300

161 A 19th century Dutch silver tea pot, with possibly pseudo marks for Rotterdam 1807-1812, maker’s mark of C.K, tapering oval form, bright-cut decoration, tapering spout, scroll handle, the flush hinged cover with a wooden finial, length 24cm, approx. weight 12.5oz. £150-200 The crest is that of Farquhar.

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162 By Buccellati, a modern Italian silver dish, modelled as a flower head, diameter 12cm, approx. weight 3oz. £100-150

163 A 19th century Russian provincial silver vodka cup, 1847, unidentified town mark, baluster form, on a raised circular foot, engraved with Chinese characters, height 7cm, approx. weight 3.2oz. £100-150 Provenance: purchased from Christie’s South Kensington, 6 February 1990.

164 A mixed lot of silver Apostle spoons, comprising: a set of four by Henry John Lias, London 1878, plus one 1872 and a silver-gilt one by Aldewinckle and Slater, London 1889, approx. total weight 9.2oz. (6) £120-180

165 A collection of nine continental silver figural spoons, probably Dutch, comprising five with pierced stems and figural terminal, plus two others with Apostle finials, approx. weight 10oz. (7) £120-180

166 A pair of Italian silver scissor snuffers, marked BV, and with marks for Venice, plain ring handles, on three bun feet, length 12.8cm, approx. weight 2.6oz. £100-150

167 A pair of George III silver scissor candle snuffers / trimmers, unmarked, circa 1810, the handles with pierced gadroon and scroll decoration, the steel cutter with a guillotine mechanism, the cutter stamped ‘THE SPRINGS WARRANTED’, length 17.9cm. £80-120

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168 A set of twelve Britannia standard silver Trefid teaspoons, by the Goldsmiths and Silversmiths Company, London 1922, in a fitted case, approx. weight 4.8oz. (12) £80-120

169 A mixed lot of silver flatware, various dates and makers, comprising: a George I Hanoverian pattern tablespoon, London 1725, five tablespoons, a set of five Old English pattern dessert spoons, by Richard Crossley, London 1796, and a matched set of six dessert forks, five London 1846, by Elizabeth Eaton, three table forks, and six ivorine handled knives, approx. weight 32.7oz. (qty) £400-600

170 A mixed lot of cased silver flatware, various dates and makers, comprising: a pair of berry spoons, London 1809, a set of twelve Trefid teaspoons, London 1915, a set of twelve coffee spoons and tongs, two sets of six teaspoons, a set of six silver-handled tea knives, a fork and spoon, plus a pair of electroplated fish servers, approx. weight 16oz. (qty) £250-300

171 A mixed lot of silver flatware, various dates and makers, comprising: an Old English pattern soup ladle, London 1909, a set of six Fiddle and Thread pattern dessert forks, by Eley and Fearn, London 1814, six fish knives, by George Adams, London 1877, six fruit knives, and five fruit forks, (losses and damage), plus a set of six silver-gilt coffee spoons, the reverse of the bowls with enamel decoration, approx. weighable 16oz. (qty) £200-300

172 A mixed lot of silver flatware, various dates and makers, comprising: a Fiddle and Thread pattern basting spoon, by George Adams, London 1856, a cased set of twelve grapefruit spoons, by Roberts and Belk, Sheffield 1926, two cased sets of six silverhandled tea knives, a sauce ladle, an anointing spoon and a pair of unmarked metalware salad servers, approx. weighable 18oz. (qty) £200-300

173 A mixed lot of silver flatware, various dates and makers, comprising: a meat skewer/ paper knife, by Mappin and Webb, Birmingham 1997, a pair of tablespoons with later berry decoration, a pair of grape scissors with fox and grapes decoration, a Dutch figural spoon, a cased pair of spoons, two pairs of sugar tongs, a set of seven seal-top teaspoons, a set of five seal-top coffee spoons, and a butter knife, plus various items of electroplated flatware including a carving knife and fork, approx. weighable 17oz. (qty) £150-250

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174 A collection of six George III / Victorian silver Thread and Reeded pattern table knives, various dates and makers including Moses Brent, the handles with various crests, steel blades. (6) £60-80

175 A set of twelve American silver-handled Thread pattern dessert knives,

by Gorham and Co., plated steel blades, plus a matched set of twelve electroplated handled table knives, ten by The International Silver Company, two

by The Rogers Brothers. (24) £100-150

176 A set of six early 19th century Portuguese silver-handled table knives, maker’s mark A.M, Porto circa 1810, tapering form, fluted decoration, vacant oval cartouches, steel blades. (6) £80-120

177 A collection of fifteen George III/IV silver handled Reeded table knives, various dates and makers including a set of seven by Robert Peppin, London 1821, some with crests, six with blades stamped ‘Mallet and Son, Bath’, plus a carving knife and fork, London 1795. (17) £300-400

178 A set of six George III silver Thread pattern table knives,

by Moses Brent, London 1810, steel blades. (6) £60-80

179 A set of twelve George III silver Thread handled dessert knives, probably by John Troby, London 1805, plain blades, the handles with a crest and initial, length 21.8cm. (12) £100-150

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180 A mixed lot of silver flatware, various dates and makers, comprising: a set of twelve fruit knives and forks, by Walker and Hall, Sheffield 1930, a knife, fork and spoon set, fifteen various spoons and a pair of sugar tongs, plus a pair of Malaysian metalware salad servers, and electroplated items, eight fruit knives and forks, and various spoons, approx. weighable 7.5oz. (qty) £150-200

181 A set of six George III silver Old English pattern table forks,

by Thomas Dicks, London 1799, plain terminals, approx. weight 12oz. (6) £150-200

182 A mixed lot of silver flatware, various dates and makers, comprising: five tablespoons, a table fork, a bread knife, a sugar spoon, eight teaspoons, two condiment spoons, two pickle forks, and an electroplated spoon, approx. weighable 17oz. (qty) £120-180

183 A matched set of seven George IV / Victorian silver Fiddle and Thread pattern egg spoons, four by George Adams, London 1872, and three by William Traies, London 1829, the terminals of three with a crest, approx. weight 5.5oz. (7) £60-80

λ 184 A mixed lot of silver flatware, various dates and makers, comprising a cased pair of Old English pattern fish servers, Sheffield 1934, four table forks, five dessert forks, four dessert spoons, a pair of soup spoons, a pair of table spoons, a pair of salad servers, a.f, eleven silver-handled fruit knives and eleven fruit forks, four egg spoons, a fork, a pusher and a teaspoon, plus various silver-handled knives with plated blades, and ivory handled knives, approx. weighable 48oz. (qty) £400-600

185 A set of six George IV silver Kings pattern table forks,

by Eley and Fean, London 1820/21, the reverse of the terminals with a crest, approx. weight 18.9oz. (6) £150-200

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186 A mixed lot of silver flatware, various dates and makers, comprising: an Art Nouveau sifting spoon with an enamelled terminal, over-stamped with maker’s mark of William J Holmes, Birmingham 1906, plus a George III basting spoon, London 1808, an Irish tablespoon by James Douglas, Dublin 1751, the reverse of the terminal with a crest, a pair of Scottish sauce ladles and an Irish teaspoon, approx. weight 10oz. (qty) £200-300

187 A collection of antique Exeter silver flatware,

by W. B. Sobey, various dates, comprising: a Fiddle pattern basting spoon, three pairs of sugar tongs, a caddy spoon, two sugar spoons, a sifting ladle, a butter knife, a table spoon, a dessert spoon, a dessert fork and a mustard spoon, plus a bright-cut teaspoon by Edwin Sweet, approx. total weight 18.5oz. (qty) £250-300

188 A collection of antique silver Fiddle pattern flatware, various dates and makers, the terminals with a crest, comprising: a set of six table forks, by Simon Harris, Exeter 1814, seven further table forks, eight tablespoons, eight teaspoons, three salt spoons, a fish slice, two basting spoons, a pair of sauce ladles, a butter knife, approx. weighable 75oz. (qty) £700-900

189 A collection of Victorian silver Fiddle and Thread pattern flatware, various dates and makers including George Adams, London 1838-55, and The Goldsmiths and Silversmiths Company, London 1906, the terminals with two crests, comprising: twelve tablespoons, eleven table forks, seven dessert spoons, four dessert forks, a basting spoon, and two egg spoons, approx. weight 88oz. (qty) £800-1,200

190 A collection of antique silver King’s pattern flatware, comprising: a set of six table forks, by William Eaton, London 1831, two table forks and two dessert forks, by George Adams, a set of six dessert spoons by the same maker, London 1844, and two dessert spoons, Sheffield 1905, some pieces crested, approx. weight 46oz. (18) £400-600 36

191 A collection of antique silver Old English pattern flatware, various dates and makers, the terminals with two different crests, comprising six Exeter tablespoons, (four by R Ferris, two by William Pearce of Plymouth), a set of twelve further tablespoons, by William Eley, London 1794, a straining spoon, six dessert spoons and a pair of sauce ladles, approx. weight 53oz. (qty) £400-600

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192 A matched set of eight George II silver Hanoverian pattern teaspoons, five by Shaw and Priest and three by G.H, London circa 1750-60, the reverse of the bowls with a shell motif, approx. weight 1.9oz. (8) £60-80

193 A set of six George III silver Old English pattern tablespoons,

by Smith and Fearn, London 1795, the terminals with crests and initials, approx. weight 14oz. (6) £150-200

194 A matched set of twenty-three George III/IV silver Fiddle pattern table forks,

by Eley and Fearn, London 1804, 1805 and 1823, the reverse of the terminals with a crest, approx. weight 55oz. (23) £400-600

195 A mixed lot of antique silver flatware, comprising: a set of four Victorian pattern tablespoons, by Hayne and Cater, London 1840, plus three single-struck Fiddle and Thread dessert forks, Exeter, and six Fiddle, Thread and Shell pattern teaspoons, approx. weight 24oz. (13) £200-300

196 A pair of George III silver scissor snuffers and wick trimmers,

by Emes and Barnard, London 1818, with foliate scroll and shell decoration, scroll ring handles, on three bun supports, length 18.5cm, approx. weight 4.5oz. £150-200

197 A mixed lot of silver flatware, comprising: a George II marrow spoon, by John Gorham, London 1739, conventional form, length 21cm, plus a George III Bright-cut sauce ladle, by Hester Bateman, London 1786, and a pair of George II silver-handled steel scissor snuffers, by Cope and Cutler, approx. weighable 3oz. (3) £200-300 37

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λ 198 A mixed lot of silver flatware, comprising: a silver-gilt anointing spoon, by Elkington and Co., Birmingham 1910, plus three punch ladles and a toddy ladle, three of which have twisted whale-bone handles, approx. weighable 3oz. (5) £120-180

199 A George II silver punch ladle,

by James Seabrooke, London 1733, the oval bowl with a plain lip, turned wooden baluster handle, the reverse of the bowl with a monogram within foliate scroll mantling, length 34.5cm, plus a mid-18th century silver punch ladle, unmarked, the circular bowl with foliate decoration and set with a coin, turned wooden baluster handle, length 30.7cm. approx. weight total weight 3.5oz. (2) £100-140

200 A pair of George III serving tongs / fish slice,

by Eley and Fearn, London 1797, the blade and sprung-hinged cover with pierced decoration, tapering reeded handle London 1798, by another maker, length 32.5cm. £100-150

201 A George III silver fish slice,

by Solomon Hougham, London 1793/4, the blade with pierced and engraved decoration, applied with a crested cartouche, tapering reeded handle, length 28.9cm. £60-80

202 A mid 18th century silver mote spoon, maker’s mark possibly IB Script, London circa 1760, the reverse of the bowl with engraved decoration and scratch initialled ‘IB’, the bowl pierced with mullets and scrolls, length 14.4cm, approx. weight 0.3oz. £100-150

203 A mid 18th century silver mote spoon, possibly by John Lamfery, London circa 1760, the reverse of the bowl with scroll decoration, the bowl pierced with mullets and scroll, length 13.5cm, approx. weight 0.2oz. £100-150

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The crest is that of Craufurd of Thornwood, Lanarkshire.

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204 A small collection of four antique silver fish slices, comprising: a Kings pattern one by George Adams, London 1846, a Fiddle pattern one by Hayne and Cater, London 1846, the blade pierced and engraved with fish, a Fiddle pattern one, with a blade pierced with lettering, possibly spelling ‘fish’, and another Fiddle pattern example, approx. weight 18.4oz. (4) £200-300

205 A George III silver serving slice,

by Thomas Daniell, London 1775, trowel form, the blade pierced with foliate decoration and featheredge border, the handle with engraved foliate and feather-edge decoration, length 31cm, approx. weight 4.7oz. £300-400

206 A pair of Victorian silver Fiddle and Thread pattern fish servers,

by Francis Higgins, London 1862, the blades and tines with pierced and engraved foliate scroll decoration, terminals with a crest, approx. weight 11.2oz. (2) £120-180

207 A George III silver Old English pattern soup ladle, probably by T and C Chawner, London 1767, circular shell bowl, the terminal with initials, length 36cm, approx. weight 6.8oz. £100-150

Provenance: purchased from Bonhams, London 15 December 1987.

208 A George III provincial silver Old English pattern sauce ladle,

by Richard Richardson, Chester 1767, circular bowl, double from heel, the terminal with an initial, length 16cm, approx. weight 1.4oz. £100-150

209 A collection of four antique silver soup ladles, comprising: a George III Old English pattern one, by Hester Bateman, London 1783, another Old English pattern one, London 1791, a Feather-edge pattern one, London 1773 and a Fiddle pattern one, London 1827, approx. weight 18oz. (4) £400-600 39

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210 A mid 18th century silver mote spoon, maker’s mark partially worn, possibly ?T with a dog between, the reverse of the bowl with a foliate motif, the stem with textured decoration, the bowl pierced with mullets and scrolls, length 13.2cm, approx. weight 0.2oz. £100-150

211 A George III silver mote spoon, marks worn, maker’s mark probably that of George Smith, London circa 1775, the reverse of the bowl with engraved decoration, the bowl pierced with mullets and dots and scrolls, length 15.2cm, approx. weight 0.4oz. £100-150

212 A George IV silver Fiddle, Thread and Shell pattern meat skewer,

by William Chawner, London 1826, tapering form, Thread ring handle, engraved with a crest, plus a Victorian silver Fiddle, Thread and Shell pattern meat skewer, by Benjamin Smith, London 1847, engraved with a crest, length 33.7cm and 32.8cm, approx. weight 9.6oz. (2) £200-300

213 A Victorian silver marrow scoop,

by James George, Birmingham 1866, conventional form, length 20.7cm, approx. weight 1.5oz.

214 A mid 18th century silver mote spoon, marks worn, circa 1740, the oval bowl with a plain rat-tail and plain piercing, the reverse of the bowl scratch initialled ‘A.W’, length 12.4cm, plus another 18th century silver mote spoon, unmarked, the oval bowl with plain piercing, approx. total weight 0.5oz. (2) £100-150

215 A mid 18th century silver mote spoon, marks worn, London circa 1760, the oval bowl pierced with mullets and foliate decoration, the stem scratch initialled ‘S’, length 13.3cm, approx. weight 0.3oz. £100-150

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216 Two 18th century silver mote spoons, unmarked, the oval bowls with plain rat-tails and gilded bowls, length 14.5cm, approx. weight 0.4oz. (2) £150-200 Provenance: A Private Collection.

Woolley and Wallis, Salisbury, Silver and Vertu sale, 21 January 2014, lot 409.

218 A George III Irish provincial silver marrow spoon, maker’s mark twice MD, probably for Michael McDermott, Cork circa 1760, conventional form, length 24.6cm, approx. weight 2.2oz. £300-400 Provenance: Purchased from Phillips, London, 21 January 1994.

220 A set of four George III Scottish provincial silver Old English pattern teaspoons,

by John Keith, Banff circa 1800, the terminals with initials, approx. weight 1.5oz. (4) £200-300

217 A pair of Victorian silver sugar tongs,

by Francis Higgins, London 1879, panelled baluster arms, shell bowls, the terminal with chased decoration and mounted with a boy on a barrel, length 16cm, approx. weight 1.9oz. £100-150

219 A George II Irish silver punch ladle, maker’s mark lost in decoration, circa 1750, double lipped oval form, chased foliate scroll decoration, engraved with a crest, turned wooden baluster handle, length 40.5cm, approx. weight 3oz. £150-200

221 A pair of early 19th century George III Scottish provincial silver Old English pattern teaspoons,

by George Elder, Banff circa 1820, the terminals with initials, approx. weight 0.7oz. (2) £200-300

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222 A set of six George III Scottish provincial silver Celtic-point teaspoons and a masking spoon,

by James Smith, Aberdeen circa 1800, plain terminals, in a later fitted case, approx. weight 2.7oz.

(7) £150-200

222

223 A modern silver Kings pattern canteen for six,

by The Cooper Brothers, Sheffield 1975, comprising: six table forks, six dessert forks, six dessert spoons, six soup spoons, six teaspoons, six table knives, six dessert knives, and four electroplated items, in a fitted case, approx. weighable 55oz. £500-700

223

224 A modern silver Old English pattern canteen for six,

by United Cutlers, Sheffield 2000, comprising: six table forks, six dessert forks, six dessert spoons, six soup spoons, six teaspoons, six table knives, six dessert knives, and a pair of tablespoons, in a fitted case, approx. weighable 63oz. £500-700

224

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λ 225 A collection of silver Fiddle pattern flatware, various dates and makers, comprising: thirteen table forks, twelve tablespoons, twenty-three dessert forks, thirty-one dessert spoons, thirty-one teaspoons, four sauce ladles, a sugar sifting spoon, a caddy spoon, a two pairs of sugar tongs, six salt spoons, two mustard spoons, a stilton scoop, and a pickle fork, plus various ivory handled knives, in a fitted three drawer wooden case with inlay, approx. weighable 160oz. (qty) £1,000-1,500

225

226 A large collection of electroplated flatware, including a part canteen by Walker and Hall, in a five drawer wooden cabinet, plus a Kings pattern canteen for six cased, a modern Grecian pattern canteen for six, cased and a quantity of loose flatware. (qty) £300-400

226

λ 227 A silver Old English pattern canteen for twelve,

by Josiah Williams & Co., London 1934, the terminals initialled, comprising: twelve table forks, twelve dessert forks, twelve dessert spoons, twelve soup spoons, eight tablespoons, nine teaspoons, soup ladle, a pair of sauce ladles, twelve matched ivory-handled table knives and twelve dessert knives, plus a four-piece carving set and a knife sharpener, in a fitted two drawer canteen on four turned legs, approx. weighable 135oz. £1,000-1,500

227

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part 228 A modern electroplated Beaded pattern canteen for twelve,

by Garrard and Co., the terminals with a vacant foliate cartouche, comprising: twelve table forks, twelve dessert forks, twelve table knives, twelve dessert knives, twelve fish knives, twelve fish forks, twelve dessert spoons, twelve soup spoons, twelve teaspoons, twelve coffee spoons, four tablespoons, a three-piece carving set, and a pair of sauce ladles, in a fitted wooden case. £150-200

part 230 An Edwardian silver Hanoverian-rat-tail pattern part-canteen, over-stamped with maker’s mark of Carrington and Co., London 1905, three pronged tines, the reverse of the bowls with plain rat-tails, the reverse of the terminals with crests, comprising: twenty-four table forks, eleven tablespoons, seventeen dessert forks, sixteen dessert spoons, seven teaspoons, a soup ladle, a pair of basting spoons, and a pair of sauce ladles, plus nineteen silver-handled table knives and twenty-two dessert knives, by The Harrison Brothers, Sheffield 1905, approx. weighable 163oz. (qty) £1,500-2,000 44

229 A mixed lot of silver flatware, various dates and makers, comprising: a set of eight Old English pattern soup spoons, London 1931, five sauce ladles, a small table spoon, six butter knives, an Exeter ladle, a sifting spoon, a jam spoon, twelve salt spoons and seven small forks, approx. weight 36oz. (qty) £300-400

part 231 A collection of antique and modern King’s and Queen’s pattern flatware, various dates and makers including George Adams, London 1871, comprising: twelve table forks, six tablespoons, eleven dessert forks, twelve dessert spoons, twelve teaspoons, plus ten electroplated handled table knives and ten dessert knives, plus five electroplated serving pieces and a dessert fork, approx. weighable 115oz. (qty) £1,000-1,500

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232 A set of twelve silver and mother-of-pearl handled fruit knives,

by James Dixon and Sons, Sheffield 1934, plain blades, tapering mother-of-pearl handles, in a fitted wooden case. £150-200

233 A set of twelve American parcel-gilt and silver oyster forks,

by Gorham and Co., three tines with a cutting edge, the terminals with Egyptian emblems including a Sphinx head, plus a pair with a mixed metal figure, approx. weight 9oz. (12) £300-400

λ 234 A Victorian silver travelling dressing table set, the mounts by Norman Marshall, London 1897, the plain covers with a monogram, comprising seven toilet jars/bottles, in a green lined Gladstone travelling case, also with a mirror, vesta box, inkwell and needle case, plus two silver cigarette boxes, a candle snuffer, a silver-mounted tortoiseshell paper knife and six Swedish matchboxes, approx. weighable 7oz. (qty) £200-300

235 A silver dressing table set,

by The Goldsmiths and Silversmiths Company, London 1913, with engine-turned decoration, foliate borders, comprising: a dressing table box, of rectangular form, the hinged cover opens to reveal a pull-out tray, plus a curling tongs heater, of rectangular form, pull-out brass heating section, a matchbox cover, a hand mirror, a toilet jar, a hair brush, a pair of clothes brushes, a nail buffer, a shoe horn, and a nail file, approx. weighable 43oz. (11) £300-500 45

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A PRIVATE COLLECTION OF REGIMENTAL SILVER – INDIA AND IRELAND

236 A Victorian Regimental electroplated wine cooler, 9th Regiment of Bombay Native Infantry.

By Elkington, Mason and Co., 1847, lobed tapering circular form, trailing grape-vine decoration, engraved with the badge, and with a later presentation inscription, ‘Presented to Lt. Col. B Hadler, O.B.E, Late Commandant by the Officers 4/4 Bombay Grenadiers on the Disbandment of the battalion, 1929’, on a raised circular foot with vine leaf decoration, height 29cm. £200-300 In 1824 the Regiment was re-designated the 2nd Battalion 1st Regiment of Bombay Native Infantry. It is likely that the wine cooler was acquired by The Regimental Officers’ Mess in 1848. The Regiment were at the siege of Mooltan in January 1849.

The Regiment were involved in the 2nd Afghan war, and in World War I they served in Mesopotamia and India. The regiment was disbanded in 1930.

236

237 A Regimental silver table cigar cutter, The 44th Merwara Infantry, by the Goldsmiths and Silversmiths Company, London 1910, rectangular form, sprung cover with three cutters, engraved with the Regimental badge and inscribed ‘Presented to The Officers 44th Merwara Infantry by Major F. W. Thomas 1913’, on a tapering rectangular foot, length 11cm, approx. weight 8.6oz. £150-200 In 1914 the Regiment was stationed at Ajmer (Rajasthan). In 1915 it was deployed to Mesopotamia. After the war the Regiment returned to Ajmer and in 1921 it was disbanded. In 1914 Major Thomas was transferred to the 9th Bhopal Infantry and on the 13 June 1916 he was wounded at the Battle of the Wadi and died on the 26 June. He is buried in the CWGC cemetery at Amara Irag.

237

238 A regimental silver mug, The 20th Duke of Cambridge’s Own Infantry (Brownlow’s Punjabis), by the Goldsmiths and Silversmiths Company, London 1911, tapering circular form, scroll handle, engraved with the Regimental badge and ‘Presented to the Officers, 20th D.C.O Infantry by Lieut.

C.C. Stewart’, height 12cm, approx. weight 10oz. £100-150 The Regiment were involved in the Boxer Rebellion in 1900.

Lt. Christopher Steward was promoted captain in October 1912, and was killed in action in Mesopotamia in November 1915. After partition the Regiment was allocated to Pakistan.

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239 A matched pair of Indian Regimental silver goblets, 3rd Battalion, 19th Hyderabad Regiment.

by Thomas Barton and Son, circa 1924, plain circular bowls, engraved with the Regimental badge, on knopped stems on raised circular bases, engraved to bases ‘The Officers 3rd Battalion XIX Hyderabad Regiment from Lieut B.B Haynes 23-5-24’ the other inscribed ‘The Officers 1/97th Infantry from 2nd Lieut H.S. Larkin 5-12-17’, height 19.8cm, approx. weight 31.4oz. (2) £400-600 In 1922 the 19th Hyderabad Regiment was created by bringing together six battalions of the Old Hyderabad Contingent. The 3rd Battalion was disbanded in 1931.

Henry Larkin (1899-1944) served in Mesopotamia during World War I and was promoted to Lieutenant on 12 September 1918. He returned back to India after the war and was involved in the unrest in Ahmedabad in Gujarat and was wounded in the disturbances.

When the regiment was disbanded in 1931 he transferred to another Regiment and was promoted to Major in 1935.

Basil Haynes (1899-1980) joined the Indian army at the age of 20.

In 1922 he joined the 19th and was promoted to Captain in 1925.

In 1931, when the Regiment was disbanded, he turned to England.

He was put on half pay and was listed as carrying out ‘Home Duties’.

239

240 A late-Victorian Regimental silver goblet, 35th (Sikh) Regiment of Bengal Infantry,

by The Mappin Brothers, Sheffield 1896, circular bowl, engraved with the Regimental badge and inscribed ‘L.J. Bradshaw on Promotion 1896’, on a raised circular foot, height 16cm, approx. weight 9.9oz. £100-150 Laurence Bradshaw was educated at Wellington College before being commissioned into the 25th (King’s Own Borderers) Regiment of Foot. By 1885 he had transferred to the Bengal Staff Corps and joined the 24th (Punjab) Regiment of Native Infantry. In 1892 he transferred to the 35th (Sikhs). He was promoted to Captain on 10 September 1896. The regiment took part in the siege of Makaland in 1897, and in World War I were stationed on the North Western Frontier. In 1919 they were involved in the 3rd Afghan War. in 1947 on partition the Regiment was allocated to India.

240

241 An Edwardian silver regimental goblet, The 5th Bengal Light Infantry, by the Goldsmiths and Silversmiths Company, London 1902, plain urn form, inscribed ‘Presented to The Officers 5th Bengal Light Infantry by Lieut. Colonel A. P. Harris on Appointment 1902’, height 17cm, approx. weight 6.8oz. £100-150 Lieut. Colonel Harris took over as Commandant on 18 March 1902. on the 12 January 1922, the Regiment was disbanded as part of the post-World War I reorganisation of the Indian Army.

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λ 242 A Victorian electroplated teapot, The 16th Madras Native Infantry,

By Elkington, Mason and Co. 1860, compressed circular form, engraved foliate scroll decoration and engraved with the Regimental badge, scroll handle with ivory insulators, plus a Victorian electroplated sugar bowl and cover, the 12th Madras Native Infantry, unmarked, circa 1865, lobed baluster form, hinged cover with a flower finial, engraved with The Regimental badge, scroll handles, height 19.5cm. (2) £100-150 The 16th Madras Native Infantry became in 1903 the 76th Punjabis and in 1922 the 3rd Bn, The 1st Punjab Regiment. The 12th Madras Regiment became in 1903 the 72nd Punjabis.

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243 A pair of Regimental silver napkin rings, The 61st King George’s Own Pioneers,

by James Dixon and Sons, Sheffield 1916, circular form, beaded border, engraved with the regimental badge and numbered ‘12’ and ‘3’, approx. weight 3.6oz. (2) £60-80 Raised in 1807 as the Madras Native Infantry, by 1910 they had been re-designated 61st King George’s Own Pioneers. In 1922 they was re-designated 1st Bn. 1st Madras Pioneers. They were disbanded in 1933.

243

244 A Regimental electroplated tea pot, The 113th Infantry,

by H. Atkin, oval bellied form, part-fluted decoration, scroll handle, engraved with the Regimental badge, length handle to spout 26cm. £60-80 In 1903 the 13th Bombay Native Infantry was re-designated as the 113th Infantry. During World War I it was attached to 17th Indian Division during the Mesopotamia Campaign.

On partition it was allocated to India.

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245 A matched set of six Victorian Regimental silver menu holders, The 8th (King’s Royal Irish) Hussars, three by E. Stockwell, London 1884/86, (struts 1890), and three by Gibson and Langman, London 1890, upright rectangular form, applied with the Regimental badge, hinged easel strut support, height 18.3cm, approx. weight 25oz. (6) £500-700 The Regiment served in Crimea and took part in the Charge of the Light Brigade. They served in both World Wars and in Korea. In 1958 they amalgamated with the 4th Queen’s Own Hussars to become the Queen’s Royal Irish Hussars.

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246 A Regimental silver vase, the 128th Pioneers, by the Goldsmiths and Silversmiths Company, London 1913, tapering lobed circular form, engraved with the regimental badge, on a raised circular foot, height 14cm. £60-80 During World War I the regiment defended the Suez Canal and in 1915 moved to Mesopotamia. After the war the Regiment became the 3rd 2 Bombay Pioneers and were disbanded in 1933.

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247 A pair of Victorian Regimental silver Fiddle, Thread and Shell egg spoons, the Madras Artillery,

by George Adams, London 1862, the terminal with the Regimental badge, plus an Indian Regimental silver Fiddle, Thread and Shell teaspoon, The 43rd Madras Infantry, by Hamilton and Co. Calcutta, and a Regimental electroplated egg cup, The 3rd Hyderabad Contingent, by Mappin and Webb, approx. weighable 2.8oz. (4) £60-80 The Madras Artillery was absorbed into the Royal Artillery as the 17th, 20th and 23rd Brigades.

247

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248 A pair of late-Victorian Regimental silver Albany pattern fruit serving spoons, The 28th Bombay Infantry.

by Gibson and Langman, Sheffield 1890, the reverse of the stems engraved with the Regimental badge, approx. weight 5.8oz. (2) £80-120

249 A Victorian Regimental silver Albert pattern pickle/chutney fork, The 20th Madras Native Infantry,

by William Eaton, London 1842, the terminal with the Regimental badge, length 14.5cm, approx. weight 1.25oz. £40-60

In 1885 The Bombay Native Infantry was designated the 28th Bombay Infantry (pioneers), During World War I it was deployed to defend the Suez Canal.

In World War I the Regiment was involved in the Mesopotamia campaign. In 1921 it was disbanded.

250 An early Victorian regimental silver Fiddle and Thread pattern table fork, 1st Madras European Regiment, (East India Company’s Regiment),

by William Eaton, London 1839, the terminal with the regimental badge, length 19.8cm, approx. weight 2.8oz. £60-80

251 Two Victorian and Edwardian silver Fiddle and Thread pattern table forks, The 74th Punjabis,

by J and A Savory, London 1840, and Robert Stebbings, London 1903, the terminals engraved with the regimental badge, approx. weight 5.5oz. (2) £80-120

The regiment became the 1st Madras Fusiliers in 1858, and when it transferred to the British Army in 1862, it became the 102nd Regiment (Royal Madras Fusiliers). In 1882 it amalgamated with the 103rd Royal Bombay Fusiliers to form The Royal Dublin Fusiliers.

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In 1903 the 14th Madras Infantry was re-designated the 74th Punjabis. During World War I they served in Hong Kong, India and Egypt. The Regiment was disbanded in 1939.

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252 A Victorian silver Regimental Fiddle, Thread and Shell pattern basting spoon, The 32nd Madras Native Infantry,

by Elizabeth Eaton, London 1850, the terminal with the regimental badge, length 31.3cm, approx. weight 6.7oz. £80-120 In 1890 it became the 4th Burma Infantry and by 1922 it was the 5th Bn. 8th Punjab Regiment. On partition in 1947 it was allocated to Pakistan.

254 Two pairs of George III and William IV Regimental silver Fiddle, Thread and Shell Table forks, The Royal Irish Rifles, two by R. Peppin, London 1819, two by William Eaton, London 1830, the terminals engraved with the badge of the 86th (Royal County Down) Regiment of Foot and the 83rd Regiment of Foot, approx. weight 11oz. (4) £80-120 The 86th Regiment was deployed to Madras in 1818. The Regiment returned in 1819. The 83rd Regiment took part in the Peninsular Campaign and Waterloo. in 1834 they were deployed to Canada.

The two regiments amalgamated in 1881 to form the 2nd Battalion, The Royal Irish Rifles.

253 A George III Irish silver Fiddle pattern basting spoon, The Royal Artillery,

by Richard Whitford, Dublin 1810, retailed by West, the terminal with the Regimental badge, the reverse of the stem inscribed ‘Royal Artillery Mess’, length 32.2cm, approx. weight 4.2oz. £100-150 After the Act of Union in 1801, The Royal Irish Artillery was absorbed into the Royal Artillery, which continued to have units in Ireland throughout the 19th century.

255 A George III Irish Regimental silver Fiddle pattern straining spoon, 8th Garrison Battalion,

by John Power, Dublin 1806, the bowl with a fixed strainer, the terminal engraved with a crown above 8 GB Mess’, length 33cm, approx. weight 5.1oz. £150-200 Formed in Ireland on 25 December 1806, this was one of nine such Garrison Battalions. it consisted of between 600 and 1000 men, and was organized into ten companies. The first appointed commanding officer was Lt. Col. Joseph Gubbins. Its HQ was at Parsonstown, King’s County. On the 24 March, 8th Garrison was disbanded.

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256 A Victorian Regimental electroplated meat dish and cover, The 4th (Royal Irish) Dragon Guards,

by Elkington and Co. 1852, oval form, shell and scroll border, engraved with the Regimental badge, the domed cover with a trailing vine handle and engraved with the badge, length of dish 45cm. (2) £150-200 The Regiment served in the Peninsular War, and took part in the Charge of the Heavy Brigade at Balaclava in 1854. They fought at the battle of Tel el Kebir in 1882. Deployed to India in 1894, and served in World War I. In 1922 they amalgamated with the 7th Dragoon Guards to form the 4th/7th Dragoon Guards.

256

257 A Victorian Regimental electroplated mustard pot, The Royal Queen’s Country Rifles,

by Elkington and Co., 1853, circular form, pierced body, leaf capped scroll handle, gadroon border, the hinged cover with the Regimental badge, with a blue glass liner, height 7.5cm. £60-80 The Militia Regiment was raised at Montrath in 1793 in Queen’s County. In 1853, The Regiment added Rifles to become the 104th or The Royal Queen’s County Rifles Regiment of Militia. In 1881 it became the 4th Bn The Prince of Wales Leinster Regiment. In 1922 the Regiment was disbanded.

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258 A Regimental silver whisky tot, The 8th (King’s Royal Irish) Hussars,

by Asprey and Co., London 1912, tapering circular form, scroll handle, domed hinged cover, hinged cover and spout cover, engraved with the Regimental badge and inscribed ‘Capt. H.N. Clegg, June 1911’, height 7.6cm, approx. weight 3oz. £60-80 Raised in 1693 the Regiment saw service in India, The Crimea, the Boer War, World War I and II, and in Korea. In 1958 it merged with the 4th Queen’s Own Hussars to form the Queen’s Royal Irish Hussars.

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259 A Regimental presentation silver salver, The Royal Dublin Fusiliers,

by William Hutton and Sons, Sheffield 1913, circular form, moulded border, the centre engraved with the Regimental badge and inscribed ‘Presented to the Officers, 1st Battalion The Royal Dublin Fusiliers by Lieut A. B. Bagley. 15 April 1914’, on three gnarl feet, diameter 26cm, approx. weight 16oz. £150-20 The Regiment was raised in Ireland in 1881 by the amalgamation of the Royal Bombay Fusilier’s and the Royal Madras Fusiliers. It saw service in the Boer War, World War I and II and was involved in the 1916 Easter Uprising. In 1922 the Regiment was disbanded.

Captain Arthur B. Bagley (1891-1918) joined the Dublin Fusiliers in 1912, and was stationed in Madras. On the 15h April 1914 he was promoted to Lieutenant, and this salver was probably his gift to the regiment on his promotion. He returned to England and started flying training at the Central Flying School at Upavon. When he qualified as a flying officer he was seconded to the Royal Flying Corps in November 1914. He was posted to France and then invalided back, where he went on to teach flying.

He returned to France and on the 28 February 1917 was awarded the Military cross for his action at Saint-Saillysel. He was wounded and later died from shell fire on the 29th October 1918 at the age of 27, fourteen days before Armistice was signed.

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260 A 19th century Regimental old Sheffield plated wine coaster, The 88th The Connaught Rangers Regiment of Foot,

by Creswick and Co., circa 1840, circular form, foliate, gadroon and shell border, the turned wooden base set with a central button engraved with the badge, diameter 16.5cm. £60-80 The 88th saw service in the Peninsular War and the Occupation of Paris in 1815-1817. It was deployed to Malta in 1840, and in 1844 certain items of silver plate were ordered. They served in Crimea and the Xhosa war of 1877-78. In 1881, the Regiment amalgamated with the 94th Foot to become the 1st Battalion The Connaught Rangers.

This coaster is listed in Jourdain, Capt. H., A History of The Mess Plate of the 88th The Connaught Rangers, privately printed, 1904, page 118, items 128 (part).

260

261 Jourdain, Capt. H., A History of The Mess Plate of the 88th The Connaught Rangers, privately printed, 1904, hard back. £80-120

261

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262 A set of six George III Irish Regimental silver Fiddle pattern tablespoons, 8th Garrison Battalion,

by Tudor and Whitford, Dublin 1807, the terminals engraved with a crown above 8 GB Mess’, length 22.2cm, approx. weight 11.4oz. £150-200 Formed in Ireland on 25 December 1806, this was one of nine such Garrison Battalions. it consisted of between 600 and 1000 men, and was organized into ten companies. The first appointed commanding officer was Lt. Col. Joseph Gubbins. Its HQ was at Parsonstown, King’s County. On the 24 March, 8th Garrison was disbanded.

264 A pair of Victorian Regimental silver Fiddle pattern oyster forks, The Leitrim Rifles,

by John Smyth, Dublin 1852, with four tines and a cutting edge, the terminals engraved with the Regimental badge, approx. weight 2oz. £60-80 Raised in 1793 at Carrick-on-Shannon as the Leitrim Militia. In 1855 re-designated the Leitrim Rifles. In 1881 the Regiment became the 8th Battalion The Rifle Brigade. In 1889 The Regiment was disbanded.

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263 A small collection of three Regimental silver salt spoons, including: a George IV spoon, London 1828, the terminal engraved ‘77’, for the 27th Enniskillen Regiment of Foot, plus a Victorian salt spoon, by George Adams, London 1854, the terminal engraved ‘79’ for Queen’s Own Royal Rifles Antrim Regiment of Militia, and a Fiddle pattern mustard spoon, maker’s mark H, the terminal with the 103rd Regiment of foot, approx. total weight 1.9oz. (3) £20-30

265 A pair of Victorian Regimental electroplated basting spoons, 82nd or South Mayo Rifles Militia, retailed by West and Son, the terminals with the Regimental badge, length 34cm. (2) £40-60 The Regiment was raised in 1793 at Westport as South Mayo militia and was re-designated in 1855 as the South Mayo Rifles Militia. In July 1881, the regiment became the 3rd Battalion The Connaught Rangers. The unit was disbanded in 1908.

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266 A Victorian Irish Regimental silver Fiddle pattern tablespoon and butter knife, Royal Queen’s County Rifle Militia,

by John Smythe, Dublin 1854, the terminal with the Regimental badge, length 22.5cm and 20.5cm, approx. weight 4.4oz. (2) £20-30 Raised in 1793 at Montrath as Queen’s County Rifles militia.

Re-designated in 1854 as the Royal Queen’s County Rifles Militia. In 1881 The regiment became the 4th Bn The Prince of Wales Leinster Regiment. It was disbanded in 1922.

268 A George III Irish provincial Regimental silver Celtic-point pattern salt spoon, Leitrim Militia,

by William Reynolds, Cork circa 1793, the terminal inscribed ‘Leitrim Mess’, length 10.2cm, approx. weight 0.2oz. £40-60 Raised at Carrick-on-Shannon in 1793 at the Leitrim Militia. Involved in the suppression of the 1798 Irish Rebellion. Re-designated in 1855 as the Leitrim Rifles. In 1881 the Regiment became the 8th Bn The Rifle Brigade. They were disbanded in 1889.

267 A Victorian silver Kings pattern table fork,

by Robert Garrard, London 1862, the reverse of the terminal with a Royal Garter crest, plus a German silver Fiddle and Thread pattern tablespoon, by R. Menard, the terminal engraved with crowned initials, the reverse inscribed ‘Kammler 27.1.02’, approx. weight 5.7oz. (2) £60-80

269 A George III Irish Regimental silver Fiddle pattern tablespoon, Royal Dublin City Militia,

by Richard Whitford, Dublin 1815, the reverse of the terminal with the Regimental badge, length 20cm, approx. weight 2.2oz. £40-60 Raised in 1793 as the Dublin City Militia, and it took part in the Battle of Vinegar Hill in 1798. In 1813 it was re-designated the 12th or Royal Dublin City Militia. In 1853 the Regiment provided security for Queen Victoria and Prince Albert at the Great Industrial Exhibition in Dublin.

As a result the Regiment was retitled The Royal Dublin City (Queen’s Own Royal Regiment) of Militia. In 1881 The Regiment became the 4th Bn the Royal Dublin Fusiliers. In the 1918 Easter uprising, the 4th Bn fought the rebels along the railway line from Broadstone to Cabra bridge Station. They were disbanded in 1922.

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270 A George III Irish Regimental silver Fiddle pattern table fork, Kilkenny Militia,

by Samuel Neville, Dublin 1808, the reverse of the terminal with the Regimental badge, length 20.2cm, approx. weight 2.4oz. £40-60

271 A George III Irish Regimental silver Fiddle pattern table fork, Roscommon Militia,

by Samuel Neville, Dublin 1806, the reverse of the terminal with the Regimental badge, length 19cm, approx. weight 2.4oz. £40-60

Raised in 1793 in Kilkenny and often referred to as the City of Kilkenny Militia. In 1855, the Regiment was re-designated The Kilkenny Fusiliers Regiment. In 1881 the Regiment became the 5th Bn The Royal Irish Regiment. It disbanded in 1922.

Raised in 1793 at Boyle as the Roscommon Militia. In 1881, the Regiment became the 5th Bn the Connaught Rangers and they disbanded in 1922.

272 A William IV Regimental silver Fiddle and Thread pattern marrow scoop, 83rd (County of Dublin) Regiment of Foot,

by William Chawner, London 1830 the reverse of the bowl with the Regimental badge, length 23cm, approx. weight 2oz. £80-120

273 A Victorian Irish Regimental silver Fiddle pattern marrow scoop, Royal Queen’s County Rifles Militia,

by John Smythe, Dublin 155, retailed by Waterhouse, the reverse of the bowl with the Regimental badge, length 23cm, approx. weight 2oz.

22.9cm, approx. weight 1.2oz. £80-120

Raised in Dublin in 1783 as the 83rd Regiment of Foot. Served with distinction in the Peninsular war, in Ceylon 1817-18, Canada 1837 and the Indian Mutiny of 1857. In 1881, the 83rd and 86th regiments combined to become the 1st and 2nd bn of the Royal Irish Rifles.

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Raised in 1793 at Montrath as Queen’s County Rifles militia. Redesignated in 1854 as the Royal Queen’s County Rifles Militia. In 1881 The regiment became the 4th Bn The Prince of Wales Leinster Regiment. It was disbanded in 1922.

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274 A George III Irish provincial Regimental silver Celtic Point pattern tablespoon, Royal Downshire Militia,

by John Warner, Cork circa 1790, the terminal with the regimental badge, length 24cm, approx. weight 2.6oz. £150-250

275 A George III Regimental silver Fiddle pattern tablespoon, Tipperary Militia,

by Thomas Barker, London 1814, the reverse of the terminal with the Regimental badge, length 19cm, approx. weight 2.3oz. £40-60

They were raised in 1793, but in 1797 they split into the North and South Down Militias. In 1881 one became the 3rd Bn The Royal Irish Rifles and the other became the 5th Bn the Royal Irish Rifles. Both disbanded in 1953.

The Regiment was raised in 1793. In 1812, re-designated Tipperary (or Duke of Clarence’s Munster) Regiment of Militia. The Regiment split in 1854 into the North Tipperary Light Infantry Militia and the South Tipperary Artillery Militia. These disbanded in 1922 and 1909.

276 A Victorian Irish Regimental silver Fiddle pattern dessert spoon, Royal Artillery Charlemont Garrison,

by John Smythe, Dublin 1850 the terminal with the Regimental badge, the stem inscribed ‘Charlemont’ length 22.5cm and 20.5cm, approx. weight 4.4oz. (2) £20-30

277 A George III Regimental silver Fiddle pattern tablespoon, 83rd Regiment of Foot,

by Stephen Adams, London 1808, the terminal with the Regimental badge, length 19cm, approx. weight 2.3oz. £30-40

This spoon indicates that there was an Artillery unit garrisoned at Charlemont Fort in County Armagh until 1858 when the Fort ceased to be used as a garrison.

Raised in Dublin in 1783 as the 83rd Regiment of Foot. Served with distinction in the Peninsular war, in Ceylon 1817-18, Canada 1837 and the Indian Mutiny of 1857. In 1881, the 83rd and 86th regiments combined to become the 1st and 2nd bn of the Royal Irish Rifles.

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278 A George III Irish regimental silver Fiddle pattern table fork, Londonderry Militia,

by Samuel Neville, Dublin 1804, the reverse of the terminal with the Regimental badge, length 19cm, approx. weight 2.3oz. £40-60

279 A George III Irish Regimental silver small Fiddle pattern tablespoon, Louth Militia,

by Michael Keating, Dublin 1795, the terminal with the Regimental badge, length 20cm, approx. weight 2.3oz. £30-40

Raised in 1793 at Derry. In 1855 it became the Londonderry Light Infantry Militia. In 1882, The Regiment was converted to an artillery unit part of 9 Brigade North Irish Division (Artillery) until 1909 when it was disbanded.

Raised in 1793 at Colton. In 1797 the Regiment absorbed the Drogheada Militia, In 1855, the Regiment was re-designated the Lough Rifles. In 1881 the Regiment became the 6th Bn the Royal Irish Rifles, It disbanded in 1908.

280 Jackson, Lieutenant Colonel P., The Silver Room The Royal Artillery Mess, Woolwich, 1976, a pamphlet Royal Engineers Corps Silver and a photocopy of an Inventory of Officers’ Mess Silver belonging to the 2nd Battalion, the Royal Irish Rangers. (3) £20-30

λ 281 A George III silver and ivory knife, fork and spoon campaign set,

by Samuel Godbehere, Edward Wigan & James Boult, London 1812, shaped rectangular form, with a hinged fork and spoon and with a steel knife blade, one piece missing to reverse and some of cracks to ivory, length closed 13cm. £100-150

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OTHER PROPERTIES A PRIVATE COLLECTION OF GOLD PENCILS

282 A collection of four 9 carat gold slider-action pencils, comprising: one of swirl fluted cylindrical form, by Arthur Downing, Birmingham 1900, with a ring attachment, length 8cm, one by E. Baker, plain cylindrical form, ring attachment, length 5.2cm, plus another one of plain form, possibly by The Goldsmiths and Silversmiths Company, London 1903, with a ring attachment, and one by E Baker, Birmingham 1909, length 7cm, approx. total gross weight 41g. (4) £200-300

283 Five 9 carat gold single extension telescopic pencils, comprising: an Edwardian one, by Arthur Downing, Birmingham 1902, plain cylindrical form, with a ring attachment, an Edward Baker single extension pencil, engine-turned decoration, another similar, Chester 1896, plus one by Edward Baker with engraved decoration and another by the same maker with ribbed decoration, approx. total gross weight 41.9g. (5) £200-300

284 A collection of five gold and gilt metal pencils, comprising: a 9 carat gold single extension propelling pencil, with a loop attachment, plus an unmarked pencil holder, plain six sided form, with a ring attachment, plus three single section propelling pencils, plain cylindrical form, with ring attachments, approx. gross weight of marked pencil 6g. (5) £150-200

285 Two 9 carat gold Mordan slider pencil,

by E Barker, hexagonal form, chased foliate decoration, both with plain bloodstone matrix seal terminals, length 9cm, plus a 14 carat gold ‘Magic’ pencil, plain cylindrical form, with a ring attachment, approx. total gross weight 40g. (3) £200-300

286 A Mabie and Todd 14 carat gold single stage magic pencil, cylindrical swirl-fluted sheath, with a ring attachment, length 5.7cm, plus a 9 carat gold slider pencil holder, by Arthur Downing Limited, Birmingham 1897, swirl fluted decoration, with a ring attachment, and a 9 carat gold Thomas Henry Vale slider pencil, Birmingham 1900, engraved decoration, with a ring attachment, approx. total gross weight 43.7g. (3) £150-200

287 Three 9 carat gold carpenters pencils,

by Edward Baker and Son, Birmingham 1902 and Chester 1910/11, plain form, with ring attachments, lacking cedar pencils, plus a 9 carat gold carpenter’s slider pencil, Chester 1903, with a ring attachment, approx. total weight 17.2g. (4) £200-300 59

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288 A collection of four gold carpenter’s pencil holders, rounded rectangular form, comprising: one marked 14k with engraved foliate scroll decoration, with a ring attachment, engraved ‘1916’, one with ribbed decoration, by E. Baker, Birmingham 1901, inscribed ‘Edward VII 1902’ and with initials, a 9 carat one by Perry & Co Ltd., Birmingham 1901, and a plain one by E. Baker, Chester 1916, two with cedar pencils, approx. total weight 27.3g. (4) £300-400

289 A small collection of five 9 carat gold pencils, comprising: a Mordan gold slide pencil, chased decoration, with a bloodstone seal matrix, length 6.8cm, plus a propelling pencil by S.J Rose, Birmingham 1958, engine-turned decoration, a gold-mounted bone propelling pencil, length 7.4cm, a miniature propelling pencil, length 3.3cm, and a single extension telescopic pencil, possibly by Howell and Co., approx. total gross weighable (excluding bone pencil) 26.2g. (5) £200-300

290 Three 18 carat gold pencils, comprising: a Mabie Todd propelling pencil with clip, engine-turned body, the cartouche engraved ‘S.A’, London 1938, also marked ‘Fyne Poynt Mabie Todd and Co’. length 12.6cm, plus a De La Rue ‘Onoto’ propelling pencil with clip, the cartouche engraved ‘J.B’, Edinburgh 1937, and an Edward Baker Pointer pencil, Patent 7985110 and Rd 566825, plain cylindrical form, inscribed ‘To George from Toby 1940’, length 11.5cm, approx. total gross weight 75.3g. (3) £150-200

291 A 9 carat gold and enamel calendar dropper pencil holder, import marks for London 1930, importer’s mark of George Stockwell, hexagonal form, engine-turned decoration, with a ring attachment, cabochon push button, length 8cm, plus a 9 carat gold dropper pencil holder, by Edward Baker, Birmingham 1938, engine-turned decoration, with a ring attachment, length 8.6cm, approx. total gross weight 32.4g. (2) £150-200

292 A 9 carat gold Baker’s Pointer propelling pencil,

by Edward Baker and Son, Birmingham 1937, plain cylindrical form, length 10.9cm, plus a 9 carat gold propelling pencil, by Cohen and Charles, London 1938, engine-turned decoration, with a ring attachment, total gross weight 42g. (2) £100-150

293 A 9 carat gold dropper cedar pencil holder,

by E Baker & Son, Birmingham 1929, plain cylindrical form, with a ring attachment, length 7.9cm, plus a gold dropper propelling pencil, marked 9ct, engine-turned decoration, (a.f), length 7.7cm, approx. total gross weight 37.5g. (2) £150-200

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294 By Cartier, a 14 carat gold propelling pencil, cylindrical form, reeded decoration, with a vacant cartouche, length 7.8cm, gross total weight 13.7g. £100-150

295 By Asprey, an 18 carat gold ‘Gatling’ propelling pencil, London 1915, also with a registered design number 632782, plain cylindrical form, with a ring attachment, inscribed ‘J.A.C Feb 29, 1918’, length 9.5cm, approx. gross total 25.8g. £100-150 This pencil was known as the ‘Gatling’ pencil due to the resemblance of the internal lead storage chamber to a Gatling gun.

OTHER PROPERTIES

296 By Tiffany and Co., a late-19th American century 18 carat gold ‘magic’ pencil, cylindrical form, chased decoration, engraved ‘1875’, with a ring attachment, length 5cm, gross total weight 12.6g. £100-150

297 An Edwardian silver and enamel bridge pencil,

by E Baker & Son, Birmingham 1902, rectangular form, the end with a pull-out pencil, and with four slideout enamel trump markers, also with a slide-action scorer, ring attachment, length closed 11cm. £100-150

298 A Victorian electroplated chatelaine, unmarked, the clip pierced and chased with figural and foliate scroll decoration, with seven hanging chains and a scissor holder, a needle case, a pencil, and a cotton reel holder. £70-100

299 Two late-Victorian silver diary cases, one by F. Hewson, London 1898, the other Birmingham 1896, plain rounded rectangular form, with a ring attachment, the hinged cover opens to reveal a 1900 diary, the other of similar form, with a crest and monogram the interior with a diary for 1897, lengths 8.2cm and 8.5cm, approx. weight 2oz. (2) £150-200 61

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A PRIVATE COLLECTION OF CRICKET RELATED SILVER

300 A collection of four silver cricket fobs, various dates and makers, comprising two with enamel cricketers, with ring attachments, inscribed ‘F &D.L, 3rd 1924’, ‘C.V.C.L Winners East Hoathley C.C 1913’. (4) £80-120

301 A 9 carat gold cricket fob,

by Thomas Fattorini, Birmingham 1931, circular form, with crossed cricket bats and stumps, with a ring attachment, diameter 2.3cm, approx. weight 4g. £100-150

302 A late Victorian silver and enamel cricket fob compass, maker’s mark of H. Bros, Birmingham 1891, circular form, the reverse enamelled with a cricketer at the crease, foliate scroll mounts with a ring attachment, diameter 2cm, approx. weight 0.1oz. £80-120

303 A collection of four silver cricket fobs, various dates and makers, comprising three with enamel cricketers, with ring attachments, inscribed ‘H.A.C. Bowling T. H. Twizell 4-45’, ‘C& D. L Div II. D.C. Winners 1911 H.C. Clements’, ‘B & D. C.L Priory 1930’. and ‘LCA KC 1929’. (4) £80-120

304 A collection of four silver cricket fobs, various dates and makers, comprising two with enamel cricketers, with ring attachments, one inscribed ‘G.L. DIV 1, 1926’. (4) £80-120

305 A 9 carat gold and enamel cricket fob,

by James Walter Tiptaft, Birmingham 1911, shield form, enamelled with a bowler in action, with a ring attachment and later brooch fitting, inscribed ‘S&D N.C.L’, and with a monogram, approx. weight 4g. £150-200

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306 An Edwardian silver cricket cigarette case,

by H. Matthews, Birmingham 1909, rectangular form, the cover embossed with a scene of a cricketer at the crease, length 8.5cm, approx. weight 1.6oz. £100-150

307 A late-Victorian silver and enamel cricket vesta case,

by Joseph Gloster, Birmingham 1892, rectangular form, enamelled with a scene of a cricketer at the crease, the reverse with engraved decoration and with initials, length 4.2cm, approx. weight 0.5oz. £300-400

308 A small mixed lot of cricket related items, comprising silver items: a modern miniature cricket bag, pads, bat and cap, by R M Whitehouse, London 1987, a Victorian locket with a bat, ball and stumps within a horseshoe, Birmingham 1899, plus a metal tie pin and a button. (7) £80-120

309 A silver cricket trophy shield,

by Turner & Simpson. Birmingham 1929, shaped rectangular form, the shield with a cricket scene and vacant cartouche, wooden back and easel support, length 12.3cm. £80-120

310 A set of seven silver cricket teaspoons,

by William Adams Ltd., Birmingham 1947, the terminals with a scene of a cricketer at the crease, plus another teaspoon with a similar terminal, Birmingham 1933, approx. weight 2.5oz. (8) £100-150

311 A silver regimental cricket medallion, maker’s mark of H.P, London 1925, circular form, the front with a cricketer at the crease, the reverse inscribed ‘1st Worcestershire Regiment, Inter Company Cricket’, and applied with the regimental badge, in a fitted case, diameter 4.5cm, plus a silver commemorative medallion celebrating the bicentenary of the M.C.C 1787-1987, in a fitted case, approx. total weight 3oz. (2) £80-120 63

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312 A novelty electroplated seven-bar toast rack, unmarked, the bars modelled as crossed cricket bats, the ends with crossed stumps, central ring handle, on a rounded rectangular base on four cricket ball bun feet, length 18.8cm. £80-120

313 A silver goblet,

by Charles Boyton and Sons, London 1925, plain urn shaped bowl, on a tapering stem on a circular foot, mounted with two crossed cricket bats, a set of stumps, and a cricket ball, height 12.6cm, approx. weight 2.3oz. £100-150

314 A small collection of three electroplated cricket items, comprising a three-piece cruet set, the frame modelled as three bats, central ring handle, with three glass condiment bottles on three ball feet, plus a cream jug, inscribed ‘Lancashire County Cricket Club’, and a novelty pepper pot modelled as a cricket ball, height of cruet 13cm. (3) £80-120

315 A modern silver cricket ball,

by Camelot Silverware Ltd, Sheffield 2001, diameter 7.2cm.

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OTHER PROPERTIES

Provenance: purchased from Sotheby’s London, 9 June 1994.

λ 317 A continental silver-gilt and enamel Egyptian revival desk set, marked 900, circa 1920, matted surface, vari-coloured enamel decoration, comprising an inkstand of rectangular form, with two inkwells with enamelled covers, a pen rest and a bird with spread wings, plus a desk seal with a Sphinx terminal and engraved matrix, a letter knife with an ivory blade, a blotter with a similar finial, a pencil and a nib cutter/sharpener, engraved with the initial W.S in hieroglyphic lettering, in a fitted case, length of inkwell 16cm. £800-1,200

318 A George IV silver mounted glass box, makers mark partially worn, London 1829, rectangular hexafoil glass body, raised hinged cover with an applied foliate border and duck finial, length 9cm. £200-300

319 A French silver-gilt mounted maple string box,

by George Keller, Paris, barrel form, ribbon and reed mounts, screw-off base, the front applied with a crowned H, height 7.8cm. £400-600

316 A mid 18th century French silver-gilt travelling perfume set, some wear to marks, comprising: a funnel of plain circular form, and four silver-gilt mounted glass scent bottles, of faceted circular form, plain mounts and stoppers, in a fitted shagreen case, the interior of the cover fitted with a mirror, with a lock and key, length 23.5cm. £400-600

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320 A pair of Victorian silver salt cellars,

by Hawksworth, Eyre and Co., London 1895, oval form, engraved and pierced foliate decoration with urns, beaded borders, on four claw and ball feet, with blue glass liners, approx. weight 3.6oz. (2) £100-150

321 A set of four George III silver salt cellars,

by George Burrows, London 1818, oval navette form, with engraved decoration, gilt interiors, reeded borders, on raised oval bases, length 9.5cm, approx. weight 9oz. (4) £200-300

322 A pair of George III silver salt cellars,

by Benjamin Bickerton, London 1772, cauldron form, gadroon border, on three hoof feet, plus a similar pair of George III silver salt cellars, by Thomas Shepherd, London 1777, approx. weight 5.5oz. (4) £100-150

323 A large pair of George IV silver salt cellars,

by Robert Hennell, London 1829, cauldron form, on three scroll capped legs on webbed feet, gadroon borders, later blue glass liners, diameter 8cm, approx. weight 9oz.

(2) £100-150

324 A modern three-piece silver condiment set,

by JCL, London 1967, oval form, pierced and engraved foliate decoration and with urns, with blue glass liners and with a salt spoon and later mustard spoon, approx. weight 7.5oz. (5) £100-150

325 A set of four George III silver salt cellars,

by Solomon Hougham, London 1805, rectangular bombé form, gadroon border, gilded bowls, on four bracket feet, length 7.3cm, approx. weight 13oz. (4) £200-300

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326 Two similar George III silver mustard pots,

by Peter, Ann and William Bateman, London 1800 and 1803, oval form, reeded borders, scroll handles, domed hinged covers, one with a plain thumb-piece, the other with a pierced thumb-piece, one engraved with a crest, with blue glass liners, lengths10.8cm and 10cm, approx. weight 6.9oz. (2) £300-400

327 A modern novelty cast silver dragon mustard pot,

by C.J. Vander, London 1996, formed with the coiled body of the dragon, the scroll handle as the tail, the hinged cover mounted with the dragon’s head, with a glass liner, height 7.5cm, approx. weight 11oz. £300-400

328 A George III silver mustard pot,

by William Abdy, London 1767, circular form, pierced scroll body, scroll handle, domed hinged cover with a shell thumb-piece, with a blue glass liner, a.f, in a stuck position, height 7.2cm. £100-150

329 A William IV silver mustard pot,

by Charles Fox, London 1836, plain circular form, scroll handle, the hinged cover with a shell thumb-piece, with a later blue glass liner, approx. weight 4oz. £100-150

330 A George III silver mustard pot,

by Thomas Harper, London 1810, oval form, pierced decoration and a vacant cartouche, scroll handle and thumb-piece, blue glass liner, plus a later spoon, length 10cm, approx. weight 3.7oz. (2) £150-200

331 A Victorian silver mustard pot,

by Hayne and Cater, London 1844, circular form, with pierced trellis decoration, and with a winged figure and foliate decoration, leaf capped scroll handle, the hinged cover with a shell thumb-piece, with a blue glass liner, height 8.7cm, approx. weight 4.7oz. £150-200 67

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332 A pair of Victorian silver-gilt salt cellars,

by William Evans, London 1890, circular form, in the Indian manner, with chased foliate and scroll decoration on a matted background, with clear glass liners and two spoons, in a fitted case, approx. weight 2.5oz. (4) £80-120

333 A modern cast silver-gilt shell salt cellar,

by R. Comyns, London 1960, modelled as a nautilus shell, on a rocky and foliate base, height 6.8cm, approx. weight 4.8oz. £100-150

334 A three-piece modern silver cruet set,

by A Chick & Sons Ltd, London 1965, shaped oval form, pierced and engraved decoration, with blue glass liners and two condiment spoons, approx. weight 7oz. £100-150

335 A George III silver bun caster,

by Thomas James, London 1805, plain urn form, reeded borders, on a raised square base, engraved with a crest, height 7.5cm, approx. weight 1.2oz. £60-80

336 A pair of Edwardian silver salt cellars,

by W J Myatt & Co, Birmingham 1907, oval form, scroll handles with garlands and foliate decoration, with two spoons, in a fitted case, approx. weight 1.9oz. (4) £80-120

337 A pair of Victorian silver shell salt cellars,

by Atkin Brothers, Sheffield 1876, conch shell form, reeded borders, on raised rocky bases, length 10.7cm, approx. weight 6.7oz. (2) £200-300

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338 A silver wine taster,

by D and J Wellby, London 1912, the centre set with a coin, fluted and grape decoration, stylized snake ring handle, length 12cm, approx. weight 3.5oz. £100-150

339 A pair of Edwardian silver-mounted cut glass whisky tots,

by J & J Maxfield Ltd., Birmingham 1905, tapering conical form, plain glass bodies with scroll handles, the hinged covers engraved with a crest, height 10.7cm. (2) £150-200 The crest is that of Salt (of London).

340 A George III silver pap boat, maker’s mark worn, London 1785, oval form, beaded border, initialled, length 12.5cm, approx. weight 2oz. £100-150

341 A George II silver beaker,

by Richard Burcombe, London 1730, plain tapering circular form, later engraved ‘Christopher Payan Dawnay 1910’, on a raised circular base and initialled to the underside MM over SM June 14 1731, height 5cm, approx. weight 1.4oz. £150-200

342 A George IV silver bowl,

by Charles Fox II, London 1824, tapering circular form, engraved with script initials and ‘Old Ship Tavern’, gadrooned border, on a plain circular foot, approx. weight 8.3oz. £150-200

343 A George III silver swing-handled sugar basket,

by Solomon Hougham, London 1802, oval form, reeded swing-handle and border, on a raised oval foot, length 15.8cm, approx. weight 7.5oz. £100-150 69

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344 A Victorian silver two-handled inkstand,

by Edward Ker Reid, London 1878, oval form, gadroon border, leaf capped scroll handles, engraved foliate decoration, with a silver-mounted cut glass inkwell, length handle to handle 29.4cm, approx. weight 10.9oz. £150-200

345 An Edwardian silver inkstand,

by George Leonard Allen, London 1909, oval form, pieced gallery with a bead border, with a central miniature chamber stick and snuffer, and with two silver-mounted blue glass inkwells, on four foliate bracket feet, length 23.2cm, approx. weight 18.8oz. £200-300

346 A Victorian silver-mounted glass inkwell,

by Charles and George Fox, London 1857, lobed circular form, the cut-glass inkwell with a hinged cover, crested, diameter 21cm, approx. weight 11.5oz. £150-200

347 A Victorian silver inkstand,

by Dobson and Sons, London 1889, oval navette form, pierced lattice decoration, beaded borders, with a pen mount, on four fluted bracket feet, with a silver-mounted cut glass inkwell, length 24cm, approx. weight 4.7oz. £100-150

Provenance: Purchased from Winch’s Jewellers, Friar Street, Reading, 27 February 1987.

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348 A silver inkstand,

by Carrington and Co., London 1913, rectangular form, with three hinged compartments, two with clear glass inkwell liners, the front with a pen well, on four ball feet, length 26.5cm, approx. weight 44oz. £400-600

349 A late-Victorian silver Egyptian revival inkstand,

by Mappin and Webb, Sheffield 1896, shaped rectangular form, with two pen wells, with a central box with a pull-off cover with a sphinx, on four paw feet, with two silvermounted cut glass inkwells, by Henry Manton, Birmingham 1896, length 26.5cm, approx. weighable 21oz. £300-500

350 A late-Victorian silver inkstand,

by H. Atkin, Sheffield 1894, rectangular form, gadroon border, with a pen rest, and with a silvermounted glass inkwell with a hinged cover, initialled and dated, length 20.3cm, approx. weight 13oz. £100-150

351 A silver inkstand modelled as a seventeenth century sugar box,

by Alfred Crichton, London 1912, oval form, embossed foliate decoration, the hinged cover with a snake handle and crest, on four scroll feet, the interior fitted with lift-out oval frame with three hinged covers with two inkwells and a stationary box, engraved with a crest, one liner missing, length 19.5cm, approx. weight 46.9oz. £600-800

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352 A George III silver tea pot,

by John Robins, London 1795, shaped oval form, scroll handle, tapering spout, engraved foliate decoration, with two vacant shield cartouches, reeded border, length handle to spout 30cm, approx. weight 14.5oz. £150-200

352

353 A George III silver teapot and matching stand,

by John Robins, the stand by Timothy Renou, both London 1794, shaped rectangular form, incurved corners, engraved decoration, scroll handle, domed hinged cover, with two engraved cartouches, one initialled, on a shaped rectangular stand on four scroll feet, length handle to spout 27.5cm, approx. weight 20oz. (2) £800-900

353

λ 354 A Victorian silver tea pot, by the Barnards, London 1881, oval form, scroll handle with ivory insulators, flush-hinged cover, engraved decoration, length handle to spout 24.5cm, approx. weight 17oz. £150-200

354 72

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355 A George II silver bullet teapot,

by Francis Spilsbury, London 1731, plain circular form, faceted tapering spout, flush-hinged cover with a knop finial, scroll handle, some repair, on a circular foot, engraved with a crest, length handle to spout 22cm, approx. weight 13.8oz. £800-1,200

355

λ 356 A George III silver teapot, probably by John Emes, London 1801, oval form, flushed hinged domed cover with an oval finial, ivory scroll handle, length handle to spout 31cm, approx. weight 20oz. £300-400

356

357 A George III silver tea pot, maker’s mark partially worn, W.P over R.P, possibly for W and R Peaston, London 1761, inverted pear form, chased foliate decoration, wooden scroll handle, the scroll spout with shell mounts, flush-hinged cover with acorn finial, on a raised circular foot, length handle to handle 21.8cm, approx. weight 16oz. £400-600

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358 By Garrard and Co., a modern commemorative silver ewer and six goblets, celebrating the Silver Wedding Anniversary of HM Elizabeth II and The Duke of Edinburgh, London 1972, numbered ‘103’ and ‘542-547’, the ewer of ovoid form, engraved foliate decoration and with the Royal Ciphers and ‘Silver Wedding’, scroll handle, on a raised circular foot, the goblets with tapering circular bowls, gilded interiors, with similar engraving, on a baluster stem on raised circular foot, in two fitted cases, height of ewer 29cm, height of goblets 15.1cm, approx. weight 67.5oz. (7) £1,000-1,500

358

359 By Garrard and Co., a modern commemorative silver ewer and six goblets, celebrating the Silver Wedding Anniversary of HM Elizabeth II and The Duke of Edinburgh, London 1972, numbered ‘105’ and ‘524-529’, the ewer of ovoid form, engraved foliate decoration and with the Royal Ciphers and ‘Silver Wedding’, scroll handle, on a raised circular foot, the goblets with tapering circular bowls, gilded interiors, with similar engraving, on a baluster stem on raised circular foot, in two fitted cases, height of ewer 29cm, height of goblets 15.1cm, approx. weight 67.5oz. (7) £1,000-1,500

359

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360 A modern silver épergne,

by W I Broadway & Co., Birmingham 1987, baluster column with foliate decoration, with four leaf capped foliate supports holding a central gadroon ring, with a central glass bowl, with four fluted scroll arms each supporting a further glass bowl, on a shaped square base on four shell bracket feet, the base weighted, height 32cm, approx. weight of arms 25oz. £700-900

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WEDNESDAY 13TH APRIL 2022 AT 10.00AM THE COLLECTION OF THE LATE PIERS ERIC NORWOOD – LOTS 365-407

365 A small mixed lot of silver items, comprising: a George III snuff box, by Phipps and Robinson, London 1799, circular form, flush hinged cover, bright-cut borders, a match box cover, a cigar cutter and a slide-action pencil, approx. weighable 2oz. (4) £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

367 A mixed lot of silver flatware, various dates and makers, comprising: an 18th century mote spoon, marks worn, the bowl with pierced decoration, an Exeter ladle, Bright-cut decoration, a sifting spoon, a berry spoon, four small forks, three teaspoons, a jam spoon, a butter knife and two salt spoons, approx. weight 10oz. (15) £200-300 Provenance: From The Collection of the late Piers Eric Norwood.

366 A mixed lot of silver items, various dates and makers, comprising: a pipe case, by William Neale, Chester 1903, with a modern clay pipe, plus a pepper pot, Birmingham 1886. a button hook, a silver-mounted glass bath salts bottle and a upturned glass with a later enamel mount, approx. weighable 3.7oz. (6) £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

368 A collection of silver flatware, various dates and makers, comprising: a set of three Old English pattern tablespoons, by Hester Bateman, London 1779, the terminals with initials, plus a Victorian stilton scoop, by George Adams, London 1873, a Channel Islands tablespoon

by Jacques Quesnel, three tablespoons, a Banff teaspoon by John Keith and three further teaspoons, approx. weight 14oz. (12) £200-300 Provenance: From The Collection of the late Piers Eric Norwood.

369 A George III silver meat skewer,

by John Lambe, London 1778, tapering circular form, plain ring terminal, plus a George III silver marrow scoop, London 1815, the reverse of the bowl with initials, approx. total weight 4.2oz. (2) £150-200

370 A George III silver Old English pattern soup ladle,

by William Sumner, London 1791, circular bowl, the terminal with a crest, plus a George II silver punch lade, London 1741, oval form, turned wooden baluster handle, approx. weight 6oz. (2) £150-200

Provenance: From The Collection of the late Piers Eric Norwood.

Provenance: From The Collection of the late Piers Eric Norwood.

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371 A George III silver snuff box,

by Samuel Pemberton, Birmingham 1797, oval form, bright-cut borders, flush-hinged cover, with a worn inscription and dated ‘1821’, length 6.3cm, approx. weight 0.9oz. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

372 A George IV presentation silver snuff box,

by Thomas Saw, Birmingham 1827, rectangular form, engine-turned sides and base, the hinged cover inscribed ‘Presented to Mr John McConnechy by the Tenters and Dressers of Burn Bank Factory as a testimony of their esteem and regard for him as Manager, A.D 1828’, foliate thumb-piece, length 7.5cm, approx. weight 2.5oz. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

373 A 19th century Scottish silver-mounted snuff mull, unmarked, conventional form, the mount inscribed ‘A Gift from a Friend’, the front with an initialled shield cartouche, the hinged cover with an engraved thistle and initials, length 9cm. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

374 A George III silver snuff box,

by Thomas and James Phipps, London 1816, of incurved rectangular form, the hinged cover with a crest, length 6.7cm, approx. weight 2.3oz. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

375 A silver hip flask,

by Alexander Clarke, Birmingham 1934, rounded rectangular form, pull-off drinking cup, bayonet fitting hinged cover, length 11.5cm, approx. weight 5oz. £80-120

376 A George III silver toilet pot and cover,

by William Parker, London 1809, cylindrical form, the pull-off cover with a crest, diameter 4.3cm, approx. weight 1.7oz. £100-150

Provenance: From The Collection of the late Piers Eric Norwood.

Provenance: From The Collection of the late Piers Eric Norwood.

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377 An Edwardian silver travelling inkwell,

by S. Mordan, London 1906, rectangular form, the hinged cover engraved ‘Phyllis’, with a swing catch, height 5.4cm. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

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377

378 A small collection of three antique silver vinaigrettes, comprising: a George III one by Joseph Willmore, Birmingham 1814, rectangular form, foliate and trellis decoration, the interior with a pierced and engraved foliate grille, plus a George IV one, Birmingham 1828, engraved decoration, and a curved one with engraved decoration, Birmingham 1804, approx. weight 1.4oz. (3) £250-300 Provenance: From The Collection of the late Piers Eric Norwood.

378

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379 A small collection of three antique silver vinaigrettes and a patch box, comprising: one by John Bettridge, Birmingham 1817, rectangular form, the hinged cover with a rose motif, plus one by Samuel Pemberton, Birmingham 1808, and one by Francis Clark, the patch box of oval form, by Joseph Taylor, Birmingham 1802, approx. weight 1oz. (4) £250-300

379

Provenance: From The Collection of the late Piers Eric Norwood.

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380 A George III silver nutmeg grater,

by Phipps and Robinson, London 1792, oval form, plain hinged cover, and flush hinged base, the interior with a grater, length 5.3cm, approx. weight 1.4oz. £300-400 Provenance: From The Collection of the late Piers Eric Norwood.

380 78

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381 A metalware Torrah pointer, bearing spurious St. Petersburg marks, tapering circular form, chased foliate scroll decoration on a matted background, inscribed and with a ring terminal, length 24.5cm. £150-200 Provenance: From The Collection of the late Piers Eric Norwood.

382 A 19th century Russian silver and niello work vesta box, Assay master Nikolay Dubrovin, Moscow 1834, rectangular form, the hinged cover with a city scene, the base with figures, the interior with a hinged striker and hole for a lighting cord, length 6.3cm, approx. weight 2.2oz. £200-300

383 A Russian silver-gilt and enamel spoon, 1896-1908, circular bowl, the reverse of the bowl and stem with enamel decoration, plus another Russian silver and enamel spoon and a pair of spoons with engraved decoration, approx. weight 3.4oz. (2) £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

384 A collection of five Russian silver Kiddish cups, various dates and makers, baluster and tapering circular form, engraved with buildings and foliate decoration, on raised circular bases, approx. weight 8.3oz. (2) £250-300 Provenance: From The Collection of the late Piers Eric Norwood.

Provenance: From The Collection of the late Piers Eric Norwood.

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385 A George II Scottish silver salver,

by Lothian and Robertson, assay master Hugh Gordon, Edinburgh 1752, circular form, shell and scroll border, on three hoof feet, the underside engraved ‘M’ over ‘1751’, diameter 24cm, approx. weight 15oz. £400-600 Provenance: From The Collection of the late Piers Eric Norwood.

387 A silver two-handled dish,

by Finnigans Ltd., London 1901, circular form, elongated wire-work handles, on a raised circular foot, length 27.5cm, approx. weight 12oz. £150-200 Provenance: From The Collection of the late Piers Eric Norwood.

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386 A Victorian silver mustard pot and pair of matching salt cellars,

by Alexander Macrae, London 1863, tapering oval form, flush-hinged cover, the mustard pot with a liner, the interior of the salts gilded, length 8cm, approx. weight 8.8oz. (3) £200-250 Provenance: From The Collection of the late Piers Eric Norwood.

388 A small collection of three silver cream jugs, comprising: a George II one, probably 1750, baluster form, leaf capped scroll handle, wavy-edge border, plus another baluster cream jug and one with cancelled marks and London Assay Office marks for 2004, approx. weight 10oz. (3) £200-300 Provenance: From The Collection of the late Piers Eric Norwood.

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389 A 19th century Danish silver sugar caster, marks partially worn, Copenhagen, vase form, engraved foliate decoration, raised pierced cover with an urn finial, on a raised circular foot, engraved with initials, height 18.3cm, approx. weight 5.9oz. £150-200 Provenance: From The Collection of the late Piers Eric Norwood.

391 A modern silver vase,

by C.J. Vander, London 1973, tapering circular form, textured decoration, on a raised circular foot, height 14.8cm, approx. weight 6.8oz. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

390 A George III silver wine funnel,

by D and R Hennell, London 1800, plain circular form, reeded border and with a side clip, length 15.5cm, approx. weight 4.7oz. £200-300 Provenance: From The Collection of the late Piers Eric Norwood.

392 A 19th century Italian silver string / bougie box, Naples, circular form, scroll handle, foliate and trellis decoration above partfluting, on a circular foot, height 14.5cm, approx. weight 5oz. £250-300 Provenance: From The Collection of the late Piers Eric Norwood.

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393 A James I silver Seal-top spoon, maker’s mark possibly a scallop shell, London 1613, fig-shaped bowl, tapering faceted stem, the finial with prick-dot initials ‘E.F’, length 17.7cm, approx. weight 1.7oz. £1,000-1,500 Provenance: From The Collection of the late Piers Eric Norwood.

395 A late 17th century silver Trefid spoon, marked worn, maker’s mark of William Scarlett, London, the oval bowl with a raised rat-tail, the reverse of the terminal with scratch initials ‘P’ over ‘WM’, length 19.5cm, approx. weight 1.7oz. £200-300 Provenance: From The Collection of the late Piers Eric Norwood.

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394 A late 17th / early 18th century Continental silver Cone-top spoon, maker’s mark IS conjoined, probably Scandinavian, fig-shaped bowl, the reverse of the bowl scratch initialled ‘LP’, length 17cm, approx. weight 0.9oz. £200-300 Provenance: From The Collection of the late Piers Eric Norwood.

396 A George III Irish silver Bright-cut meat skewer, possibly by John Sheils, Dublin circa 1790, tapering form, ring-handle, length 28.5cm, approx. weight 2.9oz. £200-300 Provenance: From The Collection of the late Piers Eric Norwood.

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397 A George III two-handled silver lemon strainer, maker’s mark partially worn, London 1765, circular form, foliate scroll side handles, length 19.3cm, approx. weight 3oz. £200-300 Provenance: From The Collection of the late Piers Eric Norwood.

398 A late 17th century silver two-handled porringer, marks worn, maker’s mark ?C with a crown above, possibly London 1689, circular form, scroll handles embossed acanthus leaf decoration, prick-dot initialled ‘O’ over ‘R.I’ over ‘W.T’ over ‘1693’, height 7cm, approx. weight 4oz. £800-1,200 Provenance: From The Collection of the late Piers Eric Norwood.

399 An early 19th century French silver wine taster, marks worn, circular form, the bowl set with a coin, stylised double snake ring handle, foliate scroll decoration, length 11.3cm, approx. weight 5.5oz. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

400 A pair of George III scissor snuffers, possibly by John Booth, London 1816, gadroon and shell decoration, ring handles, initialled, on three bun feet, plus a silver snuffers tray, by Emes and Barnard, marks worn, shell, gadroon and scroll border, a George III silver pap boat, marks worn, gadroon border, length 11.7cm, approx. weighable 13oz. (3) £250-300 Provenance: From The Collection of the late Piers Eric Norwood.

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401 A George III provincial silver cream jug,

by John Robertson II & John Walton, Newcastle, no date letter, oblong bellied form, reeded scroll handle, gadroon border, engraved foliate decoration, on four ball feet, height 11cm, approx. weight 4.6oz. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

402 A George III silver cream boat,

by Stephen Adams, London 1773, oval form, wavy-edge border, leaf capped scroll handle, on three shell capped hoof feet, length 11.8cm, approx. weight 2.2oz. £100-150 Provenance: From The Collection of the late Piers Eric Norwood.

403 A George II silver pepper caster,

by Samuel Wood, London 1756, baluster form, the pierced pull-off cover with a knop finial, on a circular foot, height 13cm, plus another caster by the same maker, London 1766, scratch initialled ‘R’ over ‘TM’, approx. total weight 5.3oz. (2) £200-300

λ 404 A small Victorian silver Aesthetic Movement tea pot,

by Walker and Hall, Sheffield 1888, rectangular form, canted corners, scroll handle with ivory insulators, the body engraved with birds and bamboo decoration, the hinged cover with an ivory finial, on four bun feet, length handle to spout 15.2cm, approx. weight 7oz. £200-300

Provenance: From The Collection of the late Piers Eric Norwood.

Provenance: From The Collection of the late Piers Eric Norwood.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

405 A George III silver tea caddy,

by James Young, London 1783, oval form, flush hinged cover with a hinged finial, engraved Brightcut and foliate decoration, the front with an armorial with an oval cartouche, the reverse with a crest, with a lock, (no key), length 13cm, approx. weight 12.9oz. £1,000-1,500 Provenance: From The Collection of the late Piers Eric Norwood.

405

λ 406 A George III silver coffee pot, probably by John Carter, London 1776, baluster form, stained ivory scroll handle, domed hinged cover with a foliate finial, beaded borders, on a raised beaded circular foot, engraved with a crest, height 28cm, approx. weight 27oz. £700-900 Provenance: From The Collection of the late Piers Eric Norwood.

406

407 A George III silver teapot and associated stand,

by John Lambe, London 1786, the stand by Elizabeth Jones, London 1789, shaped oval form, wooden scroll handle, engraved decoration, initialled, flush-hinged cover with a pineapple finial, engraved with initials, the stand of matching form, with the same initials, on four bracket feet, length handle to spout 29.5cm, approx. weight 22.9oz.

(2) £600-800 Provenance: From The Collection of the late Piers Eric Norwood.

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THE DR TONY SAUNDERS COLLECTION OF WINE AND SAUCE LABELS

408 A small collection of reference books on wine labels, comprising: Salter, J., Wine Labels 1730-2003, A Worldwide History, Antique Collectors’ Club 2004, Sauce Labels, by the same author, The Wine Label Circle 2002, Penzer, N., The Book of The Wine Label, 1947, plus other volumes, and a copy of The Marshall Collection of Labels for Wines, Spirits, Sauces and Toilet Waters. (7) £60-80 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

409 A collection of bottle stoppers, comprising silver examples: a George IV one by George Pearson, London 1820, shell handle, gadroon border, incised and blackened ‘PORT’, a Victorian silver-gilt one by Robert Garrard, London 1853, trailing grapevine form, with a glass stopper, plus others including a German eagle with spread wings, plus metalware and electroplated examples, twenty six Old Sheffield plated and electroplated stoppers, some with mother-of-pearl and two incised ‘GINGER BRANDY’ and ‘BROWN BRANDY’, and a ceramic bottle stopper. (qty) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

410 A collection of 19th century ceramic bin labels, comprising: three of hanger form, titled ‘PORT’, ‘SHERRY’ and ‘MADEIRA’, plus twelve numbered labels, of circular form, by Farrow and Jackson, and five plain hanger bin labels, by Jackson and Farrow, unglazed and with pencil names. (20) £300-400

411 A collection of enamel wine labels, shaped cartouche form, foliate borders, including ‘KUMMEL’, ‘CHERRY WHISKY’, COGNAC’, ‘IRISH’, and other titles, with two fitted T. Goode and Co. cases. (18) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

412 A collection of eleven enamel wine labels, various designs and decoration, including: ‘EAU DE LUBIN’, ‘ITALIAN VERMOUTH’, ‘MADERE’, VERMOUTH’, ‘GIN’, ‘BENEDICTINE’, ‘WHISKEY’, ‘RUM’, ‘CLARET’ and ‘WHISKY’. (11) £200-300

413 A collection of ten enamel wine labels, including a pair of shaped form, with ribbon and foliate decoration, titled ‘WHISKEY’ and ‘BRANDY’, the reverse with ’Dreyfous, 99 Mount Street. W.’, plus ‘ROUSSILLON’, ‘CURACOA’, (x2), ‘SLOE GIN’, ‘ANISETTE’, ‘MARTINI’, and ‘PORT’ (x2). (10) £200-300

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

414 A collection of twelve George III and early 19th century mother-of-pearl wine labels, rectangular and crescent form, incised and blackened: ‘LISBON’, ‘W.WINE’, ‘CLARET’, ‘MADEIRA’, ‘PORT’ (x2), ‘BRANDY’ AND ‘RUM’, plus a set of four ‘BRANDY’, ‘SHERRY’, ‘PORT’ and ‘WHISKEY’ (12) £200-300

415 A collection of twelve George III/IV mother-of-pearl wine labels, rectangular and crescent form, incised and blackened: ‘PEPPERMINT’, ‘GRAPE’, ‘MOUNTAIN’, ’BUCELLAS’, ‘CALCAVELLA’, ‘W.WINE’, ‘CLARET’, ‘MADEIRA’, ‘PORT’ (x2), AND BRANDY (x2).

(12) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

416 A collection of twelve George III/IV mother-of-pearl wine labels, rectangular and crescent form, incised and blackened: ‘MILK PUNCH’, ‘RED PORT’, ‘HOCK’, ‘RUM ‘, (x5),’GIN’, and ‘BRANDY’ (x3).

(12) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

417 A collection of nine George III/IV mother-of-pearl wine labels, comprising: five of large crescent form, engraved decoration and incised and blackened ‘CLARET’, ‘HOCK’, ‘W.PORT’, ‘MADERA’ (sic), and ‘FRONTINIAC’, plus a crescent one ‘HAUT BARSAC’, one pierced with a fox ‘PORT’, and one ‘RUM’ and one ‘CLARET’ (9) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

418 A collection of twelve George III/IV mother-of-pearl wine labels, rectangular and crescent form, incised and blackened: ‘BUCELLAS’, ‘GENEVA’, ‘W.WINE’, ‘MADEIRA’, (x2), ‘PORT’, ‘BRANDY’, ‘RAISIN’, ‘HOLLANDS’, ‘SHERRY’, and RUM (x2). (12) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

419 A small collection of six George III silver wine labels, various dates and makers, comprising: two of oval form, with raised pediments, Bright-cut borders, incised ‘SHERRY’ and ‘BRANDY’, one with Prince of Wales Feathers, incised ‘RUM’, plus three others ‘CLARET’, ‘PORT’ and ‘RUM’, approx. weight 1.9oz. (6) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

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420 A collection of seven early 19th century silver wine labels, shaped rectangular form, vine, shell and gadroon and foliate borders, comprising: a Scottish pair by W and P Cunningham, Edinburgh circa 1800, incised ‘PORT’ and ‘SHERRY’, plus one pierced ‘CHAMPAIGNE’, a silver-gilt one pierced ‘HOCK’, plus ‘CLARET’, RUM and ‘WHISKY’, approx. weight 4oz. (7) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

421 A collection of ten early 19th century silver wine labels, oblong form, gadroon borders, comprising: a set of four George IV labels, by Charles Reily, London 1822, incised ‘MADEIRA’, ‘SHERRY’, ‘CLARET’, and ‘PORT’, a Scottish pair by George McHattie, Edinburgh circa 1820, incised ‘SHERRY’ and ‘MADEIRA’, plus one incised ‘AMONTILLADO SHERRY’, and three others ‘MOSELLA’, ‘RUM’ and ‘MADEIRA’, approx. weight 5oz. (10) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

422 A collection of ten antique small silver wine labels, various dates and makers, including one with a snake to the border, incised ‘RUM’, plus ‘CHAMPAGNE’, ‘HOLLANDS’, (x2), ‘SHERRY (x3), ‘RUM’, ‘WHISKY’ and ‘CURACOA’, approx. weight 2.2oz. (10) £200-300

423 A collection of fifteen Old Sheffield plated wine labels, various designs including crescent, cartouche and rectangular form, including: ‘MARCELLAS’, ‘MASDEUS’, ‘CURRANT’, ‘NOYAU’, ‘W.WINE’ (x2), ‘MARCELLA’, ‘LISBON’, ‘R.PORT’, ‘CLARET’, ‘BRANDY’, AND ‘PORT’ (x4). (15) £150-200

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

424 A collection of seven silver wine labels, including a pair by Rawlings and Summers, London 1845, shaped form, pierced scroll decoration, pierced ‘MADEIRA’ and ‘CLARET’, plus a pair by Alfred Taylor, Birmingham 1865, incised and blackened ‘BRANDY’ and ‘WHISKY’, and three incised ‘GIN’, ‘ WHISKY’ and ‘NOYEAU’, approx. weight 2.9oz. (7) £200-300

425 A collection of ten antique silver wine labels, oblong and rectangular form, including a matched set of three by Elizabeth Morley, London 1798, 1802 and 1804, incised ‘SHERRY’, ‘CLARET’ and ‘PORT’, plus ‘LISBON’, ‘TENERIFF’, ‘RUM’, ‘BRANDY’, ‘PORT’, and ‘SHERRY’ (x2), approx. weight 2.8oz. (10) £200-300

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

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Provenance: The Dr. Tony Saunders Collection of Wine Labels.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

426 A small collection of six 18th century silver wine labels, comprising: one by Richard Binley, London circa 1760, rectangular form, feather edge border, incised ‘WHITE.WINE’, plus one of cartouche form, by Sandilands Drinkwater, incised ‘WHITE.WINE’, plus two further cartouche labels, incised ‘CLARET’ and ‘WHITE’, a shaped label, by Margaret Binley, incised ‘WHISKEY’, and a plain label incised ‘WHITE.WINE’, approx. weight 2.3oz. (6) £200-300

427 A collection of ten antique silver wine labels, various dates and makers, rectangular and oblong form, tilted: ‘BUCELLAS’, ‘CALCAVELLA’, ‘CLARET’, BRANDY’, (x2) and ‘SHERRY ‘ (x4), approx. weight 2.7oz.

(10) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

The Richard Binley Label was the first wine label purchased by Tony Saunders. It was from S.J. Shrubsole, Museum Street, London, on the 24 June 1966.

428 A collection of nine early 19th century silver vine leaf wine labels, various dates and makers, pierced ‘VIDONIA’, ‘LIGHT WINE’, ‘CLARET’, ‘BUCELLAS’, ‘RUM’, MADEIRA’, and ‘SHERRY’ (x3), approx. weight 5.5oz. (9) £200-300

429 A collection of thirteen silver wine labels, comprising: five commemorating the Queen’s Silver jubilee, incised ‘SCOTCH’, ‘GIN’ (x2), ‘BRANDY’, and ‘SHERRY’, plus four cut-out letter wine labels, ‘M’, ‘P’, and ‘S’ (x2), plus two unmarked labels ‘BRANDY’ and ‘HOLLANDS’, approx. total weight 7.5oz. (13) £150-200

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

430 A collection of six antique silver wine labels, shaped cartouche form, including two by John Reily, London 1821 and 1823, pierced ‘PORT’ and ‘MADEIRA’, one with Bacchanalian Putti by Mathew Linwood, Birmingham 1806, plus one pierced ‘HOCK’ and one ‘MADEIRA’, plus one incised ‘HOCK’, approx. weight 3.5oz. (6) £200-300

431 A small mixed lot of sauce labels, comprising silver examples: a pair of George III neck rings, by John Reilly, London 1817, incised ‘HARVEY’ and ‘KYAN’, plus old Sheffield plated and electroplated examples, titled: ‘SOHO’, ‘READING’, ‘CATSUP’, ‘CLOVES’, ‘WORCESTER’, (x2) ‘HARVEY’, ‘ANCHOVY’, (x2), ‘SOY’, (x2), ‘KETCHUP’ and ‘CURACOA’, approx. weighable 0.4oz. (15) £200-300

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

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432 A collection of five George III to Victorian silver neck ring wine labels, comprising: a Victorian one by Messrs. Lias, London 1866, pierced ’MADEIRA’ and with the crest of the Mercers’ Company, plus three Georgian ones, pierced ‘HERMITAGE, ‘ HOCK’ and ‘BRANDY’ and one of raised rectangular form, with a plain ring, London 1831, incised ‘PORT’, approx. weight 3oz. (5) £200-300

433 A collection of five George III silver raised pediment wine labels, comprising: two of crescent form, by Phipps and Robinson, incised and blackened ‘SHERRY’ and incised ‘WHISKEY’, a Newcastle label, ‘PORT’, by Langlands and Robertson, a matching one by H.C, incised ‘MADEIRA’, and another incised ‘PORT’, approx. total weight 1.7oz. (5) £150-250

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

434 A small collection of six George III silver ‘eye’ shaped wine labels, various dates and makers, with Bright-cut and reeded borders, including three by Susannah Barker, circa 1790, incised ‘BRANDY’, ‘PORT’, ‘W.WINE’, plus three others ‘PORT’, ‘SHERRY’ and one blackened ‘LISBON’, approx. weight 1.8oz (6) £200-300

435 A collection of sixteen Old Sheffield plated neck ring wine labels, including: one with pierced decoration and incised ‘PORT’ (ex Collection of Brian Beet), plus another from the same collection ‘1818 SHERRY A.1’, plus ‘VIDONIA’, ‘ORANGE’, ‘RUM’, ‘PORT’, ‘BRANDY’, (x2), ‘MADEIRA’ ‘WHISKY’, ‘SHERRY’, ‘CLARET’, and a set of four ‘RAISIN’, ‘PORT’, ‘BRANDY’, and ‘HOLLANDS’. (16) £200-300

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

436 A pair of George III silver wine labels,

by I.B, London 1818, shaped oval form, with a lion head and foliate and shell border, incised ‘PORT’ and ‘SHERRY’, length 6.3cm, plus a pair of George III silver-gilt wine labels, by Benjamin Smith and Digby Scott, London 1804, shaped form, with a Bacchus mask and trailing vine boarders, incised ‘WHISKY’ and ‘PORT’, length 5.7cm, approx. total weight 3.9oz. (4) £150-250

437 A collection of six George III silver wine labels, various dates and makers, crescent form, some with bright-cut borders, incised ‘PORT’, ‘WHITE.WINE’, ‘ RUM’, ‘BRANDY’ and ‘MADEIRA’ (x2), approx. weight 1.4oz. (6) £200-300

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

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Provenance: The Dr. Tony Saunders Collection of Wine Labels.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

438 A set of three George III silver wine labels,

by Hester Bateman, London circa 1780, crescent form, feather-edge borders, incised ‘PORT’, ‘MADEIRA’, and ‘SHERRY’, plus another George III silver wine label, by Hester Bateman, London circa 1780, scroll from, with a raised pediment, engraved with a crest, incised ‘HOCK’, approx. weight 1.2oz. (3) £250-300

439 A late 18th century silver wine label, maker’s mark JT twice, possibly Irish, shell form, incised ‘MADEIRA’, length 5.1cm, plus an Irish provincial silver wine label, stamped ‘Sterling’, incised ‘CLARET’ approx. total weight 0.5oz. (2) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Dreweatts, Newbury, 8 June 2001, lot 129.

440 A set of four George III silver wine labels,

by Robert Gray and Sons, Edinburgh 1813, crescent form, incised ‘CLARET’, ‘SHERRY’, ‘MADEIRA’ and ‘PORT’, length 4.4cm, approx. weight 0.9oz. (4) £150-200 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

441 A George III Royal silver wine label,

by John Rich, London circa 1800, plain rectangular form, reeded borders, incised ‘CLARET’, the reverse engraved with the Royal Cipher, length 4.4cm, approx. weight 0.3oz, plus a Victorian Royal electroplated bottle stopper, unmarked, circular form, plain ring handle, engraved with the Royal cipher VR below a crown. (2) £200-300 Provenance: The Dr. Tony Saunders Collection of Wine Labels.

442 A collection of five antique silver sauce labels, comprising: one by Elizabeth Morley, incised ‘FISH SAUCE’, plus two incised ‘KYAN’, one pierced ‘SOY’, and one ‘GENEVA’, approx. weight 0.5oz. (5) £200-300

443 A collection of five antique silver sauce labels, various dates and makers, comprising: ‘KYAN’, ’SOY’, ‘ANCHOVY’, ‘KETCHUP’, and ‘CAYENNE’, approx. weight 0.6oz. (5) £200-300

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

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OTHER PROPERTIES

444 A large collection of unmarked and electroplated wine labels, comprising an Indian one, with two mythical beasts, pierced ‘SHERRY’, a regimental pair, with a canon, applied ‘PORT’ and ‘SHERRY’, a cartouche shaped one incised ‘PETIT BORDEAUX’, a gilt copper label incised ‘BURGUNDY’, a cut-out letter label ‘MANZANILLA’, one ‘CARLOWITZ’, a gilt pair ‘CURACOA’ and ‘MARASCHINO’, a set of three pierced and engraved with a squirrel ‘WHISKY’, ‘BRANDY’ and ‘GIN’, plus various others including ‘KUMMEL’ B. CURRENT’ and ‘RUM.SHRUB’. (qty) £200-300

445 A small collection of five antique silver wine labels, comprising: a George IV label, by Joseph Willmore, Birmingham 1826, shaped form, with bacchanalian putti and incised ‘SHERRY’, plus a George IV label, by William Knight, London 1827, incised ‘SAUTERNE’, plus three pierced ‘SHERRY’, ‘CLARET’ and ‘MADEIRA’, approx. weight 2.1oz. (5) £200-300

Provenance: The Dr. Tony Saunders Collection of Wine Labels.

446 A mixed lot of silver wine labels, various dates and makers, comprising: a Victorian Scottish cut-out label ‘C’, a Joseph Willmore label pierced ‘M’, plus two labels incised ‘WHISKEY’, plus ‘SHERRY’, ‘RUM’, and ten various modern labels, plus a George III sauce label, London 1796, eye form, incised ‘CHILLI’, approx. total weight 5oz.

(17) £200-300

447 A small collection of six antique silver wine labels, comprising: a George IV one by Reily and Storer, London 1828, oval form, vine border, pierced ‘CURACAO’, plus a Scottish label by George Paton, Edinburgh, pierced ‘HOCK’, a cut-out letter ‘R’, plus one pierced ‘SHERRY’, one ‘PORT’, and one ‘MADEIRA’, approx. total weight 2.7oz. (6) £200-300

448 A collection of nine ceramic bin labels, coat hanger form, four stamped Spode, including a pair ‘PORT’ and ‘SHERRY’ and two ‘SHERRY’, plus ‘RUM’, ‘SHERRY’, and three ‘PORT’. (9) £300-400

449 A set of three modern gilt metal wine labels,

by Sporrongs, Sweden, shaped rectangular form, with the gates of the NY Club 21 and titled ‘SCOTCH, ‘BOURBON’ and ‘GIN’, in a fitted case. £80-120

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

450 A set of three Art Deco silver wine labels,

by Charles Boyton, London 1931, also signed Charles Boyton, triangular form, heavy chain, incised ‘WHISKY’, ‘BRANDY and ‘SHERRY’, plus a Georg Jensen wine label, incised ‘PORTUIN’, and two Concord wine labels, ‘GIN and ‘WHISKY’, approx. weight 3.2oz.

(6) £250-300

451 A rare pair of 19th century Channel Islands silver wine labels,

by Thomas de Gruchy and John Le Gallais, Jersey circa 1831-1846, rectangular form, reeded borders, incised ‘SOTERNE’; and ‘BORDEAUX’, length 4cm, approx. weight 0.7oz. (2) £1,000-1,500 For maker’s mark and write-up see Mayne, R., Channel Islands Silver, Phillimore, 1985, page 48. It mentions here that one of the items seen by this maker was a ‘Plain wine label with chain, ‘Soterne’ (sic).

See also Salter, J. Wine Labels, 1730-2003. The Antique Collector’s Club 2004, page 281, where a reference is made to these two wine labels.

452 A set of three George III silver wine labels,

by Phipps and Robinson, London 1805, rectangular form, incurved corners, reeded borders, incised ‘RUM’, ‘BRANDY’ and ‘WHITE.WINE’, length 4cm, approx. weight 0.8oz. (3) £80-120

453 A George III silver wine label,

by Charles Rawlings, London 1825, rectangular form, canted corners, reeded border, incised and blackened ‘COTE.ROTI’, length 4cm, approx. weight 0.2oz. £150-200

454 A modern silver hip flask,

by C. J. Vander, Sheffield 1999, plain circular form, screw-off cover, in a box, approx. weight 4.3oz. £100-150

455 A Dutch silver corkscrew and sheath, marked with a 19th century tax mark, scroll handle, the tapering screw-off sheath with fluted decoration, steel worm, and with an oval matrix base engraved with an armorial, length 8.4cm, approx. weight 1.5oz. £300-400 93

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456 A Queen Anne miniature silver chamber stick,

by George Manjoy, London 1712, circular form, plain socket, tapering shaped long handle, repaired, length 10cm, approx. weight 0.32oz. £200-300

457 A George I miniature silver chamber stick,

by David Clayton, London circa 1720, circular form, plain socket, with a flat baluster handle, repaired, length 9cm, approx. weight 0.5oz. £300-400

458 A Dutch miniature silver warming pan, probably late 19th century, pierced hinged cover, twisted handle with a ring terminal, plus another silver warming pan, unmarked, possibly 18th century, pierced hinged cover, lengths 8.8cm and 10cm, approx. weight 1oz.

(2) £300-400

459 A Queen Anne miniature silver goblet, probably by George Manjoy, London 1708, in the continental manner, tapering lobed circular bowl, on a baluster stem on a raised shaped circular foot, height 3.6cm, approx. weight 0.35oz. £400-600 For a similar goblet by George Manjoy, circa 1705, see Houart, V., Miniature Silver Toys, Alpine 1981, page 161, illustration 193. ( ex Christie’s, London, An Important Collection of Silver Toys and Miniature, Wednesday 11 October 1972, lot 73).

reverse

460 An early 18th century miniature silver toy spoon, maker’s mark only, that of David Clayton, London circa 1720, Hanoverian pattern, the bowl with a plain rat-tail, length 3.3cm, approx. weight 0.02oz. £100-150 94

461 A George III miniature silver chamber stick, maker’s mark A.R, reeded socket, ring handle, on a rectangular base, length 5.3cm, approx. weight 1oz. £80-100

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

462 An Edwardian novelty silver-mounted parasol,

by Henry Davis, London 1907, the handle modelled as a duck’s head, textured feathers, glass eyes. wooden shaft, the silk perished, length 86.5cm. £100-150

463 A modern Italian novelty silver walking cane, the handle modelled as an eagle’s head, textured feathers, tapering wooden shaft, length 93cm, in a box. £80-120

464 A modern silver novelty cane handle, probably Italian, modelled as a dog, length 8cm.

£80-120

465 A silver ‘Butterfield’ style pocket sundial/compass, engraved ‘Butterfield’, possibly modern, rectangular form, canted corners, the underside engraved with city names, hinged sundial, the compass with a replacement needle, length 6.6cm. £600-800

466 A late 19th century Chinese silver-mounted walking cane, unmarked, tapering circular form, chased with figures in landscape settings, later tapering wooden shaft, length 87.5cm. £100-150

467 A modern silver letter knife,

by Walker and Hall, Birmingham 1985, modelled as a Samurai sword, length 18.3cm, approx. weight 0.7oz. £100-150 95

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468 A pair of George III silver butter shells,

by Wakelin and Taylor, London 1778, plain shell form, engraved with a crest, with two shell feet supports, length 12cm, approx. weight 6oz. (2) £400-600

469 A George I silver brandy pan,

by William Looker, London 1719, tapering circular form, turned wooden baluster handle, on a circular foot, length 19.5cm, approx. weight 3.4oz. £400-600

The crest is that of Beckford.

470 A George III provincial silver sugar basket,

by Francis Solomon, Newcastle 1774, tapering circular form, pierced trellis and embossed foliate decoration, on a raised square base, beaded borders, on four claw and ball feet, with a blue glass liner, height 10.8cm, approx. weight 6.7oz. £200-300

471 A George III silver toast rack, probably by William Plummer, London 1783, oval form, plain bars, central ring handle, beaded border, on four claw and ball feet, length 17.3cm, approx. weight 5.8oz. £150-200

472 An Edwardian silver swing-handled sugar basket,

by J. W. Benson, London 1904, circular form, pierced with vertical slats and embossed with swags and medallions, beaded border and swing-handle, with a blue glass liner, on a raised square foot, height 17cm, plus a modern silver helmet cream jug, by Pepper and Hope Ltd., Birmingham 1978, approx. weight 13.5oz. (2) £200-300

473 A George III silver wine coaster, probably by Solomon Hougham, Solomon Royes & John East Dix, London 1817, circular form, part-fluted decoration, foliate, shell and gadroon border, the silver centre engraved with the badge of the 80th Staffordshire Volunteers, wooden underside, diameter 17.4cm. £200-300

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474 A George III silver swing-handled sugar basket,

by Peter and William Bateman, London 1806, oval form, later embossed foliate scroll decoration, reeded border and swing-handle, on a raised oval foot, length 16.5cm, approx. weight 6.7oz. £150-200

475 A pair of George III silver butter shells,

by S. Herbert and Co., London 1753, plain shell form, the handles with a monogram, with two shell pad supports, length 14.5cm, approx. weight 8oz. (2) £250-300

476 A George III silver cream jug,

by Hester Bateman, London 1782, baluster form, leaf capped scroll handle, punch bead border, leaf capped scroll handle, on a raised circular foot, height 12.2cm, approx. weight 2.6oz. £150-200

477 A William IV silver chamber stick,

by Henry Wilkinson and Co., Sheffield 1832, circular form, gadroon border, detachable drip pan and conical snuffer, gadroon borders, diameter of base 14.5cm, approx. weight 10oz. £300-400 The crest is that of Wood.

478 A late-Victorian silver box, maker’s mark worn, London 1881, rectangular form, embossed foliate scroll decoration, pull-off cover with a fluted border, length 9.3cm, approx. weight 5.9oz. £100-150

479 A silver dressing table tray,

by William Neale and Sons, London 1911, rectangular form, engine-turned decoration, central vacant circular cartouche, length 28.3cm, approx weight 16.7oz. £150-200

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480 A four-piece George III silver tea set,

by John Emes, London 1805, comprising: a hot water pot on burner, a tea pot, a cream jug and a sugar bowl, tapering circular and oval form, engraved with a Greek key border, the scroll handles, the hot water pot with a scroll handle with snake mounts, engraved with a crest, height of hot water pot on stand 30.4cm, approx. weight 70oz.

(4) £800-1,200

480

481 An Edwardian silver teapot,

by The Barker Brothers, Birmingham 1902, oval form, part-fluted decoration, the scroll handle with wooden insulators, length handle to spout 28.8cm, plus a bachelor’s teapot, by William Hutton and Sons, London 1895, circular form, shell and gadroon border, approx. weight 26.9oz. (2) £250-300

481

482 A modern matched four-piece silver tea set,

by J. Gloster Ltd., Birmingham 1961-62, oval and oblong bellied form, acanthus borders, scroll handles, on four scroll feet, approx. weight 55.5oz. (4) £600-800

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λ 483 A four-piece Victorian silver tea and coffee set,

by The Barnards, London 1856, panelled baluster form, engraved foliate scroll decoration, scroll handles with ivory insulators, foliate scroll borders, on shaped circular bases, engraved with a crest, height of coffee pot 28.5cm, approx. weight 70oz. (4) £1,000-1,500 The crest is that of Bancroft, Ferne, Hodgkinson or Middleton.

483

λ 484 A three-piece George IV silver and old Sheffield plate tea set, the tea pot by Emes and Barnard, London 1822, the cream jug and sugar bowl old Sheffield plated, compressed circular form, fluted decoration, with a chased band of trailing acorns and oak leaves, leaf capped fluted scroll handle with ivory insulators, on four ball feet, engraved with a crest, length handle to spout 27.5cm, approx. weight 22.5oz. (3) £300-400 484

The crest is that of Appleyard, Esmond and others.

485 A four-piece silver tea set and matching salver, Thomas Ducrow & Sons, the salver by H.S.E, Birmingham 1946, circular form, scroll handles, reeded borders, the salver of circular form, on three bracket feet, length handle to spout 24.2cm, diameter of salver 34.4cm, approx. weight 80oz. (5) £750-900

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486 An Edwardian silver tea caddy, by the Fenton Brothers Ltd, Sheffield 1903, lobed oval form, gadroon border, knop finial, on four shell bracket feet, height 11.8cm, plus another silver caddy, London 1911, circular form, hinged cover, approx. total weight 11.3oz. (2) £150-200

487 A presentation silver mug, by the Goldsmiths and Silversmiths Company, London 1916, tapering circular form, scroll handle, on a raised circular foot, inscribed ‘From Douglas Haig 1917’, height 11.5cm, approx. weight 10.5oz. £250-300 Provenance: the mug was given to General Sir Douglas Baird, and then by family descent to the present owner.

Earl Haig was a close friend of General Sir Douglas Baird, from both Scotland and from India. They served together on the Western Front. The tankard was given to Douglas Baird in celebration of the birth of his son, to whom Haig was godfather.

488 A George II silver mug, maker’s mark partially worn, ?E, London 1736, baluster form, scroll handle, the front with traces of initials and armorial mantling, on a raised circular foot, height 11.8cm, approx. weight 13oz. £250-300

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489 A Victorian presentation silver biscuit barrel,

by John Samuel Hunt, London 1865, cylindrical form, pull-off cover with a tapering finial, inscribed ‘From Major Ainslie To E. B Hutton May 1865’, and ‘1865, Reading, Royal Dragoons Challenge Cup won by Major Ainslie’s Remedy Ridden by E. B. Hutton, 7 Horses Ran’, and ‘1865 Rugby, Sir H de Traffords Challenge Cup won by Major Ainslie’s Remedy Ridden by E. B. Hutton, 5 Horses Ran’, and engraved with a crest, on a spread circular foot, height 19cm, approx. weight 26.5oz. £300-400

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490 A Victorian silver sugar basket,

by Thomas Bradbury & Son, Sheffield 1857, circular form, pierce and engraved with classical figures and foliate decoration, twisted swing-handle, on a raised circular foot, with a later frosted glass liner, height 19cm, approx. weight 6.5oz. £100-150

491 A George III silver chafing dish and cover,

by James Young, London 1775, the stand by James Young, London 1768, the burner by James Young, circular form, plain handles, beaded border, domed pull-off cover, wooden handle, the stand of circular form, wire-work frame, the burner with two wick holders, length handle to handle 35cm, approx. weight 52.9oz. £600-800

492 Two modern presentation silver armada dishes,

by Carrington and Co., London 1962, circular form, the centre engraved with Nelson’s column and ‘R’, inscribed ‘Rothmans of Pall Mall Region II Salesman of the Year’ with the name of the winner and ‘1962’ and ‘1963’, diameter 14.5cm, approx. weight 11.7oz. (2) £100-150

493 A pair of George III silver butter shells, maker’s mark worn, London 1782, the handles with bright-cut borders, and engraved with a crest, with two shell feet, plus a matching Victorian silver butter shell, by Hayne and Cater, London 1852, length 13.3cm, approx. weight 6oz. (3) £250-300

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494 An Edwardian silver salver,

by Jackson and Fullerton, London 1908, circular form, shell and scroll border, on three claw and ball feet, diameter 27cm, approx. weight 20oz. £150-200

495 A George II silver waiter,

by Elizabeth Tuite, London 1742, circular form, shell and scroll border, engraved with a crest, on four scroll feet, diameter 16.5cm, plus a George III waiter, by Crouch and Hannam, London 1773, shell and scroll border, engraved with an armorial within foliate mantling, diameter 16.7cm, approx. weight 15.5oz. (2) £300-400 The arms are that of Furnivall, Hulgrave, Tempest or Thaworth.

496 A George III silver salver, possibly by John Carter, London 1770, circular form, shell and scroll border, the centre with a monogram, on three hoof feet, diameter 30.2cm, approx. weight 25.9oz. £300-350 Provenance: Purchased from Dibdin and Co. Ltd., Sloane Street, London 30 April 1977.

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497 A late-Victorian silver salver,

by Charles Stuart Harris, London 1899, circular form, moulded border, on four hoof feet, engraved with a Nigerian map and inscribed ‘T.E. Letchworth, C.M.G, Senior Resident, Bornu, Nigeria 1928-1958’, approx. weight 40oz. £400-600

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498 A pair of George III silver warming dish rings,

by Edward Fernell, London 1792, interchangeable oval and circular form, wire-work frames, with oval burners with two wick holders, engraved with a crowned crest, length 31.5cm, approx. weight 50oz. (2) £700-900

499 A pair of George III swing-handled sugar baskets,

by William Plummer, London 1786, tapering oval form, reeded wavy-edge borders, with garlands of flowers, on raised oval bases, engraved with a crest, length 16cm, approx. weight 16oz. (2) £400-600

The crest is that of Earl of Beverley: Algernon Percy (1750-1830), 1st Earl of Beverley.

500 A pair of silver sauce boats,

by The Goldsmiths and Silversmiths Company, London 1931, oval form, gadroon borders, leaf capped scroll handles, on four shell capped webbed feet, length 19cm, approx. weight 19.5oz. (2) £150-200

501 A George III silver snuffer tray,

by Ebenezer Coker, London 1763, shaped oblong form, scroll thumbpiece, moulded border with shell corners, on four shell feet, length 9.2cm, approx. weight 7.4oz. £300-400

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502 A silver-mounted glass spirit flask,

by G H James & Co., London 1925, rounded rectangular form, pull-off drinking cup, bayonet fitting cover with engine-turned decoration, the glass body with engraved decoration, plus another silver-mounted glass spirit flask, by George Neale, London 1913, approx. weighable 3.5oz. (2) £150-200

503 A 19th century Scandinavian silver hovedvansaeg, marked twice with a crown mark, urn form, engraved decoration, the hinged cover with a red finial, the base with a hinged cover, gilded interior, height 17.8cm, approx. weight 1.3oz. £60-80

504 A silver novelty seal, stamped STERLING, baluster form, the double-sided handle cast with pug’s heads, set with glass eyes, the matrix with a reeded border and with a crest, length 5.4cm, approx. weight 1.1oz. £100-150

505 A Victorian silver-mounted red glass double scent bottle, unmarked, faceted cylindrical form, one end with a hinged cover, the other with a screw-off cover, engraved decoration, with traces of gilding, plus a silver-gilt mounted red glass double scent bottle, the covers engraved and initialled. (2) £70-100

506 A French electroplated box, circa 1959, retailed by Kirby, Beard and Co., Paris, rectangular form, the hinged cover with a strap, plain thumb-piece, the interior with a signature and dated 1959, length 13cm. £80-120

507 A Victorian silver dressing table box,

by William Comyns, London 1895, heart shape, embossed foliate scroll and figural decoration, initialled, length 8.5cm, approx. weight 3.4oz. £80-120

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508 An Edwardian matched nine-piece silver dressing table set,

by Nathan and Hayes, Chester 1901/02, and Matthew John Jessop, Birmingham 1903, and Levi and Salaman, comprising: a dressing table tray, a hand mirror, four brushes, a pair of glove stretchers, a button hook and a shoe horn, embossed with acorns, rose, thistle, shamrocks and foliate decoration, inscribed ‘Jane’, approx. weighable 11oz. (9) £150-200

509 A Victorian silver double sided ‘Castle-top’ card case,

by Nathaniel Mills, Birmingham 1839, rectangular form, the front with a scene of Warwick Castle, the reverse with a scene of Kenilworth castle ruins, with engine-turned decoration, length 9.3cm, approx. weight 2.3oz. £500-700

510 A silver revolving desk calendar,

by H. Matthews, Birmingham 1929, rectangular form, engine-turned decoration, on a raised rectangular foot, some month names faded, height 9cm. £150-200

λ 511 An Edwardian silver shooting butt marker,

by Charles and George Asprey, London 1904, rectangular form, the hinged cover opens to reveal three hinged sections, with eight numbered ivory pegs, length 4.3cm, approx. weight 1.7oz. £300-400

512 An Edwardian silver string box,

by Saunders and Shepherd, Birmingham 1902, plain cylindrical form, domed pull-off cover, on a weighted circular base, height 11.3cm. £100-150

513 An Edwardian novelty silver pepper pot, maker’s mark worn, Birmingham 1906, modelled as a partridge on a standing position, the pull-off head with pierced decoration, length 5.3cm, approx. weight 0.4oz. £200-300 105

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514 A modern Italian silver and enamel model of an aeroplane,

by Sacchetti, with green enamel wings, length 5.7cm, plus a pair of silver and enamel ducks, height 4.3cm, approx. weight 2.25oz. (3) £150-200

515 An Italian silver and wood model of a double scull rowing boat,

by Sacchetti, with a stand and pair of oars, length 34cm. £100-150

516 A modern silver model of a wheel barrow,

by Douglas Pell Silverware, London 1995, conventional form, plus a silver and wooden handled rake and shovel, length 11.5cm, approx. weight 1oz. (3) £100-150

517 A Victorian silver dressing table mirror,

by William Comyns, London 1887, rectangular form, pierced and chased with figures and foliate scroll decoration, with a central shield cartouche, engraved with a crest, velvet easel back, height 35.5cm. £200-300

518 A Chinese silver belt buckle, pierced and foliate engraved with Chinese characters, which translate to ‘Happiness and Longevity’, length 11cm. £60-80

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519 A pair of late-Victorian silver and enamel dishes,

by Levi and Salaman, Birmingham 1893, circular form, enamelled with the playing cards the King of Spades and the King of Hearts, diameter 8.7cm, plus a shagreen cigarette case, approx. weighable 3.2oz. £150-200

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520 A George IV silver star badge,

by William Knight, London 1828, star form, bright-cut decoration, the centre initialled, length 13.5cm, approx. weight 1.8oz. £100-150

521 A Victorian silver Ancient Order of Forester’s badge,

by Hilliard and Thomason, Birmingham 1880, star form, with a central shield with a stag’s head and horn, length 8.5cm, approx. weight 0.7oz. £60-80

Provenance: purchased from Christie’s South Kensington, 18 July 1988.

522 A silver filigree counter box, unmarked, possibly early 19th century, cylindrical form, the pull off cover with an armorial under glass, height 3cm. £150-200

523 A Victorian silver Ancient Order of Forester’s badge,

by E. Lowerstark, London 1869, star form, with a central gilded medallion under glass, chased foliate scroll decoration, length 8.5cm, plus another Forester’s badge of star form, engraved decoration, with a central stag head issuing from a crown, by William Briggs, Sheffield 1842, with a stag’s head and horn, length 10cm, approx. total 2oz. (2) £200-300 Provenance: purchased from Bonhams, Knightsbridge, 9 December 2003, lot 158.

524 A Victorian silver cigar case,

by Dealkin and Francis, Birmingham 1895, modelled to fit four cigars, spot-hammered decoration, length 15.8cm, approx. weight 8oz. £100-150

525 A Victorian silver inkwell,

by John Grinsell & Sons, Birmingham 1892, capstan form, with a hinged cover and glass liner, and with five holes for pens, engraved with a crest, on a circular foot, diameter of base 9cm, plus an Edwardian novelty silver-mounted glass inkwell, Birmingham 1908, the glass body of boat form. (2) £100-150

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526 A 19th century French silver and niello work snuff box, maker’s mark worn, possibly J.B in a lozenge, circa 1840, rectangular form, the hinged cover with a scene of five revellers in a landscape setting, with trailing foliate borders, the sides and base with geometric scroll decoration, length 8.5cm, approx. weight 3oz. £150-200

527 A 19th century Russian silver and niello work snuff box, assay master Nikolay Dubrovin, Moscow circa 1830, rectangular form, decorated with trailing grapevines, gold thumbpiece, trellis borders, length 10cm, approx. weight 5oz. £200-300

528 A 19th century Russian silver-gilt and niello work snuff box, assay master possibly Andrey Kovalskiy, Moscow 1822, rectangular form, the cover with Peter the Great on horseback, the underside with a port scene, length 8cm, approx. weight 3.5oz. £250-300

529 A 20th century Japanese erotic cigarette case, unmarked, rectangular form, the front lacquered with birds, the interior with an erotic scene, length 10.3cm. £50-70

530 An early 18th silver patch box, unmarked, circular form, the pull-off cover with an image of Queen Anne and ‘Q’ and ‘A’, diameter 2.5cm, approx. weight 0.1oz. £150-200

531 A Queen Anne silver patch box, maker’s mark of T.K, probably for Thomas Kedder, London, circular form, the pull-off cover with an image of Queen Anne and ‘Q’ and ‘A’, diameter 2.2cm, approx. weight 0.1oz. £200-300

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532 A late 19th century German silver cigarette case, stamped M.Fleischmann, 800, rectangular form, gilt interior, the cover enamelled with a running hound and a horse and rider jumping a fence, length 8.1cm, approx. weight 2.7oz. £300-400

533 A silver and agate cigarette case, with import marks for Birmingham 1927, importer’s mark of Steinhart & Co., rectangular form, the hinged cover applied ‘Sybil’, engine-turned sides and base, the interior with an inscription, length 7.6cm,, plus an enamelled portrait of a lady, rectangular form, in formal dress with a tiara, plain gilt metal frame with a ring attachment, in a velvet lined frame with an easel back, length 8.2cm. (2) £100-150

534 A silver and enamel cigarette case, with import marks for London 1928, importer’s mark of T.K and Co., rectangular form, the front enamelled with a black Terrier dog, engine-turned reverse, length 8.8cm, approx. weight 3.2oz. £300-400

535 A silver and enamelled cigarette case,

by Henry Clifford Davis, Birmingham 1926, rectangular form, engine turned decoration, the hinged cover with pink enamel and chevron border, gilt interior, length 8.7cm, plus a silver and enamelled cigarette case, with import marks for George Stockwell, London 1929, black enamelled base and hinged cover, gilt interior, length 8.1cm, approx. weight 7.6oz. (2) £200-300

536 A French gold and enamel mounted hardstone bonbonnière, marked with an eagle’s head and maker’s mark, circular agate body, the mount enamelled with red flowers and green leaves on a black ground, the cover panel loose, diameter 6.5cm. £200-300

537 An electroplated cigarette case, stamped Alpacca, rectangular form, gilt interior, the hinged cover with an enamelled scene depicting Leda and the Swan, length 8.8cm, approx. weight 3.4oz. £150-200 109

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538 A Victorian novelty silver owl pepper pot,

by George Fox, London 1875, modelled in a standing position, textured feathers, the pierced pull-off head set with red glass eyes, height 8cm, approx. weight 1.9oz. £400-600

539 A set of four Edwardian miniature silver rabbit pepper pots,

by William Hornby, London 1906, modelled in seated positions, pull-out bases, (one missing), length 2.5cm, approx. weight 2oz. (4) £300-500

540 A novelty silver money box, possibly by Deakin and Francis, Birmingham 1917, modelled as an oval pillar box, the front engraved with the posting times and the cipher of George V, screw-out weighted base, height 6.3cm, approx. weighable 2.5oz. £200-300

541 A Victorian silver Ancient Order of Foresters Jewel of Office,

by Abraham Loewenstark, London 1860, the cross with a central glazed and gilt medallion, horn and crossed arrows suspended below, and mounted with a stag head issuing from a crown above shaking handles, the reverse inscribed ‘Presented to Bro. F.A. White by the Officers and Brethren of Court 3109 for his services as CR, March 20th, 1861’, length 19cm, approx. weight 3oz. £200-300 Provenance: Purchased from Christie’s New York, 21 October 2003.

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542 A matched pair of German parcel-gilt silver nefs, with import marks for London 1925 and 1926, importer's marks of Catchpole & Williams Ltd, and John George Piddington, the hull with and embossed with classical scenes with armorials, the rudder engraved with a mythical dolphin, each hull with eight canons, with an anchor and chain, on four pierced wheels with mythical dolphin mounts, the deck with a canopy, and various figures, with two masts in full sail and with crow's nests, the top of the masts with flags, height 24.5cm, approx. weight 44.8oz. (2) £1,200-1,500

542

543 A silver model of a galleon, with import marks for London 1928, importer’s mark of Adolph Barsach Davis, modeled with three masts in full sail, the deck with an open hatch, the hull with two rows of canons, on a wooden plinth, height 21.5cm, approx. weight 12oz. £300-500

543

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544 A late-19th century German parcel-gilt silver nef, with import marks for London 1893, importer's mark of Thomas Glaser, the hull embossed with classical figures, and foliate scroll decoration, the rudder with a cherub and mythical dolphin, with an anchor and chain, on four pierced wheels, the deck mounted with various figures of sailors and cannons, and with a central tent canopy, with two masts in full sail and with crow's nests and rigging, the sails with engraved decoration, the top of the masts with flags, height 40.2cm, approx. weight 64oz. £1,500-2,000

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545 A large late 19th century German silver nef, with pseudo earlier marks, the hull embossed with classical scenes and with twelve canons, with figure head and anchor and chain, on four wheels with dolphin mounts, the deck with a pierced rope-work gallery, and with various figures and cannons, with turreted towers and canopies, with two masts in full sail and with crow’s nests, height 59cm, approx. weight 103oz. £5,000-7,000

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545

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546 A George I silver caster,

by Samuel Welder, London 1715, baluster form, pierced pull-off cover with a knop finial, engraved with a crest in foliate scroll mantling, on a circular foot, height 15.5cm, approx. weight 5.3oz. £300-400

547 A large Edwardian silver sugar caster,

by Nathan and Hayes, Chester 1908, octagonal baluster form, pull-off cover with an urn finial, on a raised octagonal foot, height 27cm, approx. weight 10oz. £100-150

548 A pair of George II silver casters,

by Thomas Bamford, London 1727, baluster form, the pull-off pierced covers fitted with pierced sleeves, with knop finials, on raised circular bases, height, 15.4cm and 15cm, approx. weight 12.4oz. (2) £300-500

549 A pair of Victorian silver sugar casters,

by Robert Garrard, London 1856, also with a French import mark, circular bellied form, with cut-card decoration, the pierced pull-off covers with knop finials, on a raised circular foot, height 17.2cm, approx. weight 15.5oz. (2) £500-700

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550 A pair of modern silver two-light candelabra,

by R. Comyns, London 1973, in the George I manner, octagonal baluster stems, spool-shaped capital, on raised octagonal bases, with two scroll branches each supporting a spool-shaped capital, and with a central baluster finial, height 27cm, approx. weight 53oz. (2) £600-800

550

551 A suite of three George III silver casters,

by John Delmester, London 1763, baluster form, the pull-off covers with different pierced decoration and swirl fluted flame finials, on a raised circular foot, height of taller 20cm, height of smaller pair 16cm, approx. weight 15.5oz. (3) £200-300 551

552 A set of four silver candlesticks,

by Thomas Bradbury and Sons, Sheffield 1927, in the George II manner, knopped baluster stems, spool shaped capitals, on raised square bases, filled bases, one underside loose, height 23cm. (4) £500-700

552

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553 An Edwardian silver coffee pot,

by Thomas Bradbury, London 1905, octagonal baluster form, scroll handle, domed cover with a knop finial, faceted spout, on a raised octagonal foot, height 19.8cm, approx. weight 12.4oz. £150-200

554 A pair of Edwardian silver cafe au lait pots,

by Jay, Richard Attenborough & Co., Chester 1905, baluster form, part-fluted decoration, scroll handle, fluted domed cover with a fluted finial, on a circular foot, height 23.5cm, approx. weight 28.4oz. (2) £300-400

555 A George II silver coffee pot,

by Edward Pocock, London 1732, tapering circular form, hinged cover with an acorn finial, scroll handle, tapering faceted spout, on a circular foot, height 22.8cm, approx. weight 22oz. £600-800

556 A George III silver coffee biggin,

by John Mewburn, London 1801, cylindrical form, with bands of reeded decoration, scroll handle, hinged cover with a ball finial, height 16.5cm, approx. weight 11oz. £150-200

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557 A George III silver coffee pot,

by Benjamin Gignac, London 1765, baluster form, scroll handle, leaf capped spout, the domed hinged cover with a fluted acorn finial, gadroon borders, the front engraved with an armorial, on a circular foot, with a scratch weight ’31”3’, height 27cm, approx. weight 30oz. £700-900 The Arms are those of Coape of Duffield, Derbyshire impaling Greenwood of Derbyshire.

557

558 A George III silver coffee pot,

by Lewis Herne & Francis Butty, London 1760, baluster form, scroll handle, embossed foliate and scroll decoration, scroll handles, domed cover with a flower finial, the spout with a mythical bird, on a raised foliate circular foot, engraved with a crest, height 26.5cm, approx. weight 32.8oz. £700-900

558

λ 559 A George III silver coffee pot, probably by J. King, London 1773, baluster form, chased foliate decoration on a matted background, domed hinged cover with an acorn finial, leaf capped scroll handle with addition marks for William Bateman, with ivory insulators, on a raised circular foot, engraved with a crest, height 24.2cm, approx. weight 24.6oz. £500-700 The crest is that of Abadain, Gordon, Harty, McKenzie, Shaw and others.

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560 A George I silver waiter,

by John Tuite, London 1725, square form, rounded corners, moulded border, on four bracket feet, length 15.2cm, approx. weight 8oz. £200-300

561 A pair of Edwardian silver candlesticks,

by The Goldsmiths and Silversmiths Company, Sheffield 1903, in the mid 18th century manner, shell corners, removable drip pan, on raised shaped square bases, height 18.5cm. (2) £200-300

562 A pair of Edwardian silver candlesticks,

by Thomas Bradbury, London 1901, the columns with bead and swag decoration, beaded removable drip pans, (one stuck), on raised square bases with rams’ heads and ribbon tied swag decoration, height 13cm. (2) £150-200

563 A silver saver,

by Mappin and Webb, Sheffield 1924, square form, canted corners, moulded border, on four gnarl feet, length 24.3cm, plus a presentation silver waiter, London 1919, with a presentation inscription, approx. total weight 28.9oz. (2) £250-300

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564 A George IV matched silver entrée dish and cover,

by William Bateman, London 1826 and 1827, rectangular form, gadroon borders, the pull-off cover with a detachable gadroon handle, the cover with an armorial, the base with a crest, numbered ‘1’ and ‘2’, length 29cm, approx. weight 58.5oz. £800-1,200

565 A George III silver wax-jack,

by William Cox, London 1768, on a shaped circular base with pierced scroll decoration, gadroon border, the carrying handle with a feather-edge thumb-piece, with scissor-action cutter and drip pan, on three claw pad feet, engraved with a crest, height 14.5cm, approx. weight 6.8oz. £800-1,200

The arms are that of Spechford or Sparchford.

The crest is possibly Bury of Devon.

Provenance: Purchased from Christie’s, London 12 May 1993.

566 An Edwardian presentation silver waiter,

by The Barker Brothers, Chester 1908, circular form, shell and scroll border, with a presentation inscription, plus a silver waiter, by Elkington and Co., Birmingham 1906, approx. total weight 23oz. (2) £200-300

567 A pair of George IV silver sauce boats,

by William Stroud, London 1824, oval form, wavy edge border, scroll foliate handles, on three scrollcapped hoof feet, engraved with a crest, length 16.4cm, approx. weight 30.4oz. (2) £500-700

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568 A George III silver warming dish ring,

by Andrew Fogelberg, London 1772, circular form, wire-work frame, beaded borders, with a circular burner, engraved with a crowned crest, diameter 23cm, approx. weight 15.9oz. £300-400

569 A George III silver waiter,

by Robert Peaston, London 1762, circular form, shell and scroll border, the centre with an armorial within foliate scroll mantling, on four hoof feet, diameter 17.5cm, approx. weight 7.9oz. £150-200

The crest is that of Earl of Cork and Orrery: Edmund Boyle (17421798), 7th Earl.

The arms are that of Foyle impaling Hutton.

570 A George II silver waiter,

by John Robinson, London 1742, circular form, shell and scroll border, on three hoof feet, the centre with a crest, diameter 17cm, approx. weight 8.2oz. £150-200

571 A George III silver salver,

by Richard Rugg, London 1777, circular form, with ribbon tied drapes, medallions, and beaded borders, on three claw and ball feet, the centre with a crest, diameter 31.5cm, approx. weight 28.8oz. £500-700 The crest is that of Browne, Glascott and others.

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572 A pair of George III silver wine coasters,

by Benjamin Smith and James Smith, London 1809, circular form, pierced and chased with trailing grapevines and bunches of grapes, pierced border, the turned wooden bases with unmarked central buttons, diameter 15cm, height 5.8cm, plus a pair of electroplated wine coasters, of circular form, pierced with vertical slats, wooden bases. (4) £800-1,200

572 (4)

573

573 A George III silver entrée dish and cover on an old Sheffield plated warming stand,

by Thomas Robins, London 1814, rectangular form, gadroon border, the cover engraved with two armorials, detachable foliate capped handle, the warming stand with two baluster handles, on four bun feet, length 30.5cm, approx. weight 51.9oz. £500-700 The armorials are that of Dalrymple impaling Graham quartering others: Sir Adolphus John Dalrymple (1784-1866), 2nd Baronet of High Mark who married Anne Graham, daughter of Sir James Graham, Baronet of Kirkstall in 1812.

574 A George III silver wine taster,

by I.A, London 1776, tapering circular form, raised centre, punch bead decoration, engraved ‘John Sampson 1776’, diameter 10.4cm, approx. weight 3.6oz. £400-600

574 121

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λ 575 A pair of French tortoiseshell operas glasses,

by Maison Tonnel, 18 Rye de la Paix, Paris, applied with a gold crowned cipher, length 9.8cm.

£200-300

576 A late-Victorian novelty silver-gilt fruit box, with import marks for Sheffield 1893, importer’s mark of Samuel Landeck, fluted and embossed decoration, hinged cover, diameter 5.5cm, approx. weight 1.8oz. £100-150 Provenance: purchased from Dreweatt and Neate, Newbury, 19 July 1988.

577 A 19th century gilt metal inkwell stand, of square form, canted corners, engraved decoration, set with blue and white club and diamond shaped motifs, with a later red glass liner and an unassociated gilt metal and enamel cover, loose, length of base 6.8cm. £200-300

122

578 A French silver-gilt and enamel clock, marked with a control mark, upright rectangular form, with lilac guilloche enamel decoration, within white enamel borders, central circular dial, with a later associated plastic cover, wear to gilded edges, chip to enamel and back panel of enamel missing, with a key, height 6.4cm. £250-300

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λ 579 A 19th century composition and pressed tortoiseshell snuff box, circa 1820-30, circular form, with wriggle-work decoration on a turned pale green ground, the border with star motifs, the underside with similar decoration and with a basket weave border, tortoiseshell lined, diameter 8.2cm. £200-300

580 An early 19th century silver-mounted lava stone snuff box, unmarked circa 1820-40, circular form, the cover with a classical scene of the Greek God of medicine Aeclepius healing a sick man, foliate and scroll border, diameter 7.3cm. £400-600 Provenance: purchased from Bonhams, Silver Sale, 22 June 1999, lot 12.

Provenance: purchased from Bonhams, Knightsbridge, 12 October 2004.

581 A 19th century red lacquer composition snuff box, circa 1820-40, circular form, the body and base simulated to represent stone, the pull-off cover with engraved foliate decoration, (cover loose), diameter 8.3cm. £150-200

582 A George III silver-mounted cowrie shell snuff box, possibly by William Ellerby, London 1813, the hinged cover and mounts with reeded decoration, plain thumbpiece, the cover initialled, length 8.9cm. £200-300 Provenance: purchased from Sotheby’s, London, 22 October 1987.

Provenance: purchased from Christie’s South Kensington, 7 July 1999.

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583 A Victorian silver-mounted portrait miniature display frame,

by William Leuchars, London 1885, shaped upright cartouche form, foliate scroll borders, the top applied with a crest and motto ‘FIDE ET VIRTUTE’, the purple velvet front with nine hooks, leather easel back, height 30cm. £400-600 Provenance: A Private Collection.

Philip Mould, Pall Mall, London.

584 A Victorian silver-mounted pietra dura castle-top tray,

by Taylor and Perry, Birmingham 1846, shaped rectangular form, embossed with seaside scenes, York Minster and another cathedral, the centre set with a pietra dura panel, (some damage), on a raised rectangular foot, length 21.7cm. £300-400

The crest is probably that of Gooch.

585 A pair of silver and painted porcelain menu card holders, retailed by Asprey and Co., London 1915, the reverse signed R. Ward Binks, the oval plaques painted with a horse ‘Patrick’ and a dog ‘Bobbie’, on raised oval bases, length 6.8cm. (2) £300-400 Reuben Ward Binks (1880 - 1950) was a noted British artist in canine portraiture, Lakeland landscapes and wildlife painting. He painted dogs for three generations of the British Royal family.

124

λ 586 A 19th century Cantonese carved tortoiseshell snuff box, circa 1820-40, shaped rectangular form, the cover deeply carved with figural scenes in landscape settings, the sides and base with carved decoration, metalware hinge, the front with a vacant oval cartouche, length 9cm. £400-600 Provenance: purchased from Phillips, London, Silver And Objects of Vertu, 10 April 2001.

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587 A late 17th / early 18th century miniature silver casket, unmarked, circa 1700, rectangular form, slightly domed cover, engraved with birds and foliate scroll decoration, lacking handle, and losses to rim, on four ball feet, length 5.2cm, approx. weight 1.1oz. £200-300

588 A French gilt-metal snake paper weight,

by Odiot, Paris, early 20th century, mounted on a malachite base, length 13.5cm.

589 A 19th century silver-gilt reliquary, unmarked, probably French circa 1870, circular form, chased foliate decoration, with a rock crystal centre and a pierced Gothic canopy, with three hanging chains and three enamelled cabochons of male and female heads with green and red enamel, on a raised circular foot, height 10cm, approx. weight 3.3oz. £400-600

590 A German Art Nouveau silver and enamel cigarette case, maker’s mark of ND conjoined, rectangular form, the cover with a semi-nude lady smoking a cigarette, in the Alphonse Mucha manner, on a red ground, chips to enamel, length 7.8cm, approx. weight 4oz. £300-500

£800-1,200

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591 A 19th century gold snuff box, maker’s mark of C.C over S, in a lozenge punch, probably French, circa 1850, rectangular form, engraved trailing vine decoration on an engineturned ground, the hinged cover with a foliate thumb-piece, length 7.8cm, approx. weight 75g. £1,000-1,500

592 An early 19th century French two-colour gold snuff box, circa 1818, oblong form, the hinged cover and base with a foliate border, engine-turned sides, the interior inscribed ‘Souvenir Cum 30th Septembre 1818’, length 7.1cm, approx. weight 66.2g. £1,500-2,000

593 An Edwardian 9 carat gold cigarette holder case,

by Charles and George Asprey, London 1901, plain tapering form, hinged cover, with a ring attachment, the interior with a gold-mounted amber cigarette holder, length 5.7cm, approx. weight 16.3g. (2) £300-400

594 By Cartier, a 18 carat gold key fob, maker’s mark of J. Cartier, London 1968, rounded rectangular form, reeded decoration, with two turning Drings which bring-out two door keys, length 5cm. £300-400

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595 A George III cast silver-gilt snuff box,

by Edward Farrell, London 1824, oblong form, the sides and base with swirl fluted and foliate decoration, the hinged cover with a raised scene of a meeting with a seated gentleman with another kneeling before him, and with four figures behind, in a classical setting with pillars behind, length 8.8cm, approx. weight 7.5oz. £2,000-3,000 Provenance: Purchased from Christie’s South Kensington, Objects of Vertu and Miniatures, 14 December 1999, lot 298.

595

596 A rare Victorian novelty silver-gilt rose vinaigrette,

by Jenner and Knewstub, London 1878, modelled as a rose, with a hinged and pierced cover, the handle formed as the stalk, with leaves, and with a ring attachment, in the original fitted velvet case, length 13.4cm, approx. weight 2oz. £2,500-3,000

596

597 A 19th century gilt metal mounted agate card case, rectangular form, inlaid with a geometric design of vari-coloured agates, the mounts with engraved foliate decoration and with a seed pearl push button clasp, length 10.9cm. £400-600 597 127

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598 A modern silver model of a stag,

by C. J. Vander, London 1970, modelled in a standing position, textured fur, height 19.8cm, approx. weight 30oz. £600-800

598

599 A modern silver model of a mounted Indian lancer,

by Garrard and Co., London 1989, mounted on a wooden plinth with a plaque inscribed ‘General Sir Douglas Baird, K.C.B, C.M.G, C.I.E D.S.O, A.D.C born 4-4 1877 Died 2-7-1963’, total height on plinth 40.5cm. £1,000-1,500 General Sir Douglas Baird was commissioned into the Indian Army in 1897. He served in Probyn’s Horse on the North West Frontier. He served on the Western Front in World War I becoming CO of the Argyle and Sutherland Highlanders and the GSO with the 51st Highland Division. He went on to Command the 75th Brigade and was one of the youngest Commanders on the Western Front. In 1935 he was appointed Commander in Chief of Eastern Command, India.

599

600 Two modern cast silver models of Scottie dogs,

by Langfords Silver Galleries, London 2015, with textured fur decoration, length 10cm, approx. weight 15oz. (2) £400-600

600 128

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601 A three-piece modern novelty silver frog cruet set,

by R. Comyns, London 1972, modelled in seated positions, the central mustard pot with a hinged cover and with a spoon modelled as a tongue, glass eyes, height 5cm, approx. weight 11oz. (3) £600-800

601

602 A later Victorian novelty silver trug dish and spade,

by Alfred Fuller, London 1892, the spade by Aldewinckle and Slater, London 1888, the trug with a central handle, on four bracket feet, length 14.2cm, length of spade 14cm, approx. weight 6.4oz. (2) £300-400

602

603 A pair of late-Victorian novelty silver knight’s helmet pepper pots,

by George Unite, London 1892, hinged pierced visors, on raised circular bases, inscribed, height 6.8cm, approx. weight 4.5oz. (2) £300-500

603 129

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λ 604 A silver butt marked,

by George Unite, Birmingham 1909, fan form, the cover opens to reveal eight hinged and sprung holders with five numbered ivory pegs and three numbered wooden pegs, the cover initialled H.S.G, length 7.7cm, approx. weight 1.45oz. £200-300 604 open

605 An early 19th century Scottish silver nutmeg grater, maker’s mark JM, probably for Jonathan Millidge, Edinburgh circa 1820, oblong cylindrical form, hinged cover and base, the side opens to reveal the grater, length closed 6.2cm, approx. weight 1.8oz. £300-400

605 open

606 A Victorian collapsible beaker,

by Thomas Johnson, London 1876, retailed

by Thornhill, circular form, the pierced hinged cover opens to reveal the detachable three section beaker, the cover with a hinged clasp, diameter 5.3cm, approx. weight 3.7oz. £150-200 606

open

607 A silver-gilt and enamel compact, with import marks for London 1929, importer’s mark of George Stockwell, rectangular form, engine-turned sided and base, the hinged cover with a blue enamel top, the interior of the cover with a mirror, the interior with a hinged compartment, a pull-out drawer and a lipstick, length 4.6cm. £150-200 607

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608 An early 19th century gold-mounted, hardstone and micro mosaic vinaigrette, unmarked, circa 1820, oval form, the sides and cover with chased foliate decoration, on a matted background, the hinged cover set with an oval micro mosaic of a Spaniel dog, within a blue border, amethyst case, the interior with a pierced and engraved foliate scroll silver-gilt grille, length 5.2cm. £1,500-2,000

609 An Edwardian 9 carat gold toothpick box,

by William Hornby, London 1902, retailed by Percy Edwards, Piccadilly, plain rectangular form, the hinged cover mounted with an Essex crystal of a dog and inscribed ‘A Faithful Friend is hard to Find, Xmas 1919’, the interior with a secret slide out panel which reveals a small photograph frame, length 7cm, approx. weight 44g. £700-1,000

λ 610 A mid 18th century presentation parcel-gilt silver snuff box, unmarked, rectangular form, the hinged cover with gilt chased animals and foliate decoration, the centre with two dancing figures form the Commedia Dell’Arte, on blue enamel decoration, the underside with a slide-off base with presentation inscription, probably later added, ‘Presented by William Hogarth to his Friend Dr. H. Hoadly, 1751’ and ‘Human Nature is all the same in all ages of the World’, the slide-off base reveals a miniature figural scene which is a copy of a Thomas Rowlandson print, after the original

by Henry Bynbury called The Country Club, painted on ivory, initialled to the corner, ‘W.H’, length 7.5cm. £1,500-2,000

608

open

Provenance: purchased from Christie’s, 11 July 1990.

609 open

610

detail

Provenance: purchased from Bonhams, Knightsbridge, Silver, 27 November 1990. inscription

611 A George IV silver-gilt vinaigrette,

by Nathaniel Mills, Birmingham 1829, rectangular form, engine-turned decoration, foliate borders, vacant cartouche, the interior with a pierced foliate scroll grille, length 3.7cm, approx. weight 0.7oz. £100-150

open

611

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612 A 19th century Scottish silver-gilt and hard stone vinaigrette, unmarked, with alternate panels of vari-coloured agate panels, engraved foliate borders, the hinged cover with a crown and domed hardstone, the interior with a pierced and engraved foliate grille, height 6.3cm. £800-1,200

612

open

613 A George III Scottish provincial silver Luckenbooth brooch,

by Charles Jamieson, Inverness circa 1800, with a later brooch pin to reverse, length 6.8cm, approx. weight 0.3oz. £200-300

614 A rare George III Scottish provincial silver tongue scraper,

by Robert Keay, Perth, circa 1800, plain form, length 9.3cm, approx. weight 0.6oz. £100-150 614

613

615 A 19th century Scottish silver-gilt and hard stone vinaigrette, with an cancelled maker’s mark to the base, with alternate panels of vari-coloured agate panels, engraved foliate borders, the hinged cover with a domed crystal, the interior with a pierced and engraved foliate grille, height 5.8cm. £800-1,200

132

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616 A rare Queen Anne Scottish provincial silver thistle cup,

by William Scott, Elgin circa 1710, conventional form, scroll handle, the body with cut-card decoration of the twelve lobed straps below a central girdle, (some wear to lobes), the front scratch initialled ‘I.D’ over ‘I.B’, and with traces of other initials to either side, A?, on a plain circular foot, height 7.5cm, approx. weight 4oz. £5,000-7,000 Provenance: A Private Collection.

There is one other mug known like this by the same maker, and this was in the ‘Made in Scotland Exhibition’, at the National Museum of Scotland 25 January-27 April 2008. It is illustrated and written up in the catalogue by Dalgleish, G. and Fotheringham, H., NMSE publishing, 2008, pages 102-3, entry number 5.37.

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617 A fine Henry VIII silver Apostle spoon, St. James The Greater, maker’s mark of a fringed S, for William Simpson, London 1538, fig-shaped bowl, faceted tapering stem, gilded finial, pierced nimbus, the reverse of the bowl with an old collection label, length 18cm, approx. weight 1.9oz. £6,000-8,000 Provenance: A Private Collection.

618 A Henry VIII silver Apostle spoon, St. Andrew, maker’s device of a feather, London 1522, fig-shaped bowl, faceted tapering stem, gilded finial, the reverse of the bowl with an old collection label, length 17.5cm, approx. weight 1.8oz. £3,000-5,000 Provenance: A Private Collection.

619 A fine Henry VIII silver Apostle spoon, St. Thomas, maker’s mark of a fringed S, for William Simpson, London 1533, fig-shaped bowl, faceted tapering stem, gilded finial, pierced nimbus, the reverse of the bowl with an old collection label, length 17.8cm, approx. weight 1.7oz. £6,000-8,000 Provenance: A Private Collection The Rupert Collection The Crompton-Roberts Collection.

Illustrated and written up in How, G., and How J., English and Scottish Silver Spoons, 1953, Volume Two, Chapter III, Section II, Plate 30, pages 106/7.

620 A matched pair of Commonwealth silver Stump-top spoons,

by Stephen Venables, London 1657 and 1658, the reverse of the oval bowls with a crest, the faceted stems terminating in a stump-top, the reverse of the bowls with an old collection label, lengths 18cm and 18.2cm, approx. weight 3.3oz. (2) £1,500-2,000 Provenance: A Private Collection.

621 An Edward VI silver Maidenhead spoon,

by Nicholas Bartholomew, London 1548, fig shaped bowl, faceted tapering stem, the finial with traces of gilding, the reverse of the bowl with an old collection label, length 15.8cm, approx. weight 1oz. £4,000-6,000 Provenance: A Private Collection.

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617

618

619

620 (2)

621

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622 A Charles II unascribed provincial silver Trefid spoon, marked to the bowl with a fleurs-de-lys mark in a circular punch, circa 1680, oval bowl, the terminal with prick-dot initials ‘S.A’ over ‘A.M’, length 17cm, approx. weight 0.9oz. £300-400 Provenance: A Private Collection.

Batemans Auctioneers, Stamford, 5 July 2013, lot 1377.

622

reverse

623 A Charles II unascribed provincial silver Trefid spoon, marked to the bowl with a fleurs-de-lys mark in a circular punch, circa 1680, oval bowl, the terminal with prick-dot initials ‘T.B’ over ‘R.C’ over ‘1680’, with traces of gilding, length 20.3cm, approx. weight 1.5oz. £350-400 Provenance: A Private Collection.

Lawrence’s, Crewkerne, Fine art Sale, 15 January 2013, lot 167.

623

reverse

624 An 18th century Channel Island silver Trefid spoon,

by G.S below a fleurs-de-lys and crown, Jersey circa 1724, the reverse of the bowl with a rat-tail, the reverse of the terminal scratch initialled ‘I.C’ over ‘1724’, length 17.5cm, approx. weight 0.9oz. £150-200 Provenance: A Private Collection.

Duke’s, Dorchester, 21 June 2012, lot 974.

624 136

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625 A Charles II unascribed provincial silver Trefid spoon, marked to the stem with a fleurs-de-lys mark in a circular punch, and twice with the letter ‘S’, circa 1683, oval bowl, the terminal with prick-dot initials ‘T.H’ over ‘1683’, 18.6cm, approx. weight 1.2oz. £400-600 Provenance: A Private Collection.

Bonhams, Knightsbridge, Silver and Objects of Vertu, 5 December 2012, lot 236.

reverse

625

626 A late 17th century silver Lace-back Child’s Trefid spoon,

by Edward Hulse, London date letter worn, circa 1680, the reverse of the bowl with foliate scroll decoration, the terminal with scroll decoration, the stem later inscribed, and the reverse with a later crest, length 15cm, approx. weight 0.6oz. £150-200 The crest is a variant of Ridge Provenance: Phillips, London, Sale No. 783, lot 67.

reverse

626

627 A Roman silver spoon, circa 300 A.D, oval shaped bowl, scroll joint and tapering stem, length 13.3cm, approx. weight 0.4oz. £300-500

628 A late 17th century silver handled two-pronged fork, circa 1680, tapering filigree handle, the steel prongs with traces of gilding, length 16.8cm. £100-150 137

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629 A continental silver-gilt spoon, marks worn, probably Scandinavian and 18th century, fig-shaped bowl, the reverse of the bowl with worn initials, fluted stem, with a filigree ball finial, length 16.8cm, approx. weight 1.4oz. £200-300

630 An 18th century Austro-Hungarian silver-gilt spoon, maker’s mark FMR, 1721, the oval bowl with a plain rat-tail, the terminal with shell and foliate decoration, the reverse with a mask, length 19cm, approx. weight 1.9oz. £200-300

631 An early 18th century silver spoon, assay master FCH, Danzig, circa 1735, fig-shaped bowl, the reverse with engraved decoration, the tapering handle with engraved foliate decoration, the tapering handle with a bud terminal, length 19.2cm, approx. weight 1.7oz. £200-300

632 An 18th century continental silver spoon, unmarked, circular bowl with a plain rat-tail, the tapering stem with engraved decoration and with a bird finial, initialled to reverse of stem, length 19.2cm, approx. weight 1.4oz. £150-200

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633 An Elizabeth I silver-gilt Apostle spoon, maker’s mark of a crescent enclosing a mullet, probably for Nichols Bartholomew, London 1581, fig-shaped bowl, tapering faceted stem, with a figural terminal, length 17.6cm, approx. weight 1.6oz. £1,500-2,000

reverse

634

633

634 A silver Molinet, maker’s mark MS, and also with another unidentified mark, probably 18th century, oval wire-work form with a ball finial, and with a rotating star with ball finial’s, turned baluster handle, length 18.5cm. £600-800

635 An 18th century Channel Island silver Trefid spoon,

by George Hamon, Jersey circa 1788, the reverse of the bowl with a rat-tail, the reverse of the terminal scratch initialled P.L.B 1788, length 17.5cm, approx. weight 0.8oz. £150-200 Provenance: A Private Collection.

Woolley and Wallis, Salisbury, Silver and Vertu Sale, 16 April 2013, lot 358.

reverse

635 139

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636 A late-14th century silver Acorn knop spoon, unmarked, circa 1380, fig-shaped bowl, tapering faceted stem with plain acorn finial, the reverse of the bowl with an old collection label, length 15.6cm, approx. weight 0.9oz. £2,000-3,000 Provenance: A Private Collection.

637 A Henry VIII silver Maidenhead spoon, maker’s mark of a fringed S, for William Simpson, probably London 1538, fig shaped bowl, faceted tapering stem, the finial with traces of gilding, the reverse of the bowl with later scratch initials ‘A*L’, with an old collection label, length 15.7cm, approx. weight 1.2oz. £4,000-6,000 Provenance: A Private Collection.

638 A French silver Stump-Top spoon, marked twice to the top of the stem with a crowned Fleur-de-lis above a device, possibly for Orleans area, probably Fourteenth Century, elongated fig-shape bowl, the reverse with a plain rat-tail, faceted tapering stem with a Stump-top terminal, with traces of gilding, the front of the bowl with an old collection label, length 20.6cm, approx. weight 2.3oz. £2,000-3,000 Provenance: A Private Collection.

The Benett-Stanford Collection.

Illustrated and written up in How, G., and How J., English and Scottish Silver Spoons, 1953, Volume One, Chapter I, Section III, Plate 9, pages 52/53.

How writes about the spoon. 'It is reputed to have been dredged up from the River Loire near Orleans, which would be a reasonable explanation for the extensive pitting on the spoon which is otherwise in a remarkably fine state of preservation'.

639 A William and Mary silver marrow spoon, maker’s mark worn, London 1694, the reverse of the oval bowl with a raised rat-tail and engraved foliate decoration, the stem with engraved decoration, length 19.6cm, approx. weight 1.3oz. £400-600 Provenance: A Private Collection.

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636

637

638

639

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640 A pair of silver candlesticks,

by William Hutton and Sons, Sheffield 1916, Corinthian column form, beaded borders, on stepped square bases, with a presentation inscription, height 29cm. £200-300

640

641 A set of six modern silver regimental goblets,

by Garrard and Co., London 1968, in the George III manner, plain bowls, gilded interiors, on a raised beaded circular foot, all inscribed K.D Dance, and with the badges of the Royal Berkshire Regiment 1939-41, 55 Frontier Force Rifles, 1941-46, The Khyber Rifles, 1946-49, The Royal Artillery 1949-58, The Isle of Wight Rifles, 1950-53, and The Combined Operations badge,1956-58, in a fitted case, height 13.6cm, approx. weight 34oz. (6) £600-800

641

642 A pair of silver candlesticks,

by William Hutton and Sons, Sheffield 1910, in the mid 18th century manner, spool shaped capitals, shell shoulders, on raised shaped square bases with shell motifs, height 29.8cm. (2) £250-300

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643 A Victorian parcel-gilt electroplated suite of épergnes in the Greek revival manner,

by Elkington and Co., 1878 and 1886, comprising: a pair of shaped oval épergnes, with leaf supports, the bases pierced and mounted with two Sphinx. supporting cut-glass bowls, plus four épergnes, on rounded triangular bases mounted with three winged sphinx, with beaded borders, and hanging chains, on three paw feet, each supporting a cut-glass bowl, plus four vases modelled as standing putti with the glass vase raised in one hand, on fluted circular bases, the glass with engraved decoration, in a fitted wooden case, length of pair of épergnes 27.4cm, height of four épergnes 21.4cm, height of vases 24.2cm. £2,000-3,000 Provenance: A Private Collection.

Sworders. Essex, Fine Art Sale, 3 July 2001, lot 515.

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644 A Victorian silver-mounted glass claret jug,

by Reily and Storer, London 1838, tapering and circular bellied form, the pierced mounts with trailing grapevines and pierced scroll handle, and with bunches of grapes, the silver-mounted cork stopper apparently unmarked, and with similar decoration, cut glass body, height 30cm. £500-700

644

645 A George III silver ewer,

by Abraham Peterson & Peter Podio, London 1786, plain vase form, scroll handle, domed hinged cover with a ball finial, engraved with an armorial shield with star mantling, on a raised square foot, height 31cm, approx. weight 24.5oz. £800-1,200 The arms and crest are that of Hawkins.

645

646 A George III silver two-handled cup and cover, maker’s mark not traced, London 1765, baluster form, leaf capped scroll handles, gilded interior, the pull-off cover with a raised foliate scroll finial, the front engraved ‘SP to GC’ and ‘A sign of Thanks’, on a raised circular foot, height 35,5cm, approx. weight 49oz. £600-800 Provenance: The initials G.G are for George Culley, (1735-1813) Agriculturalist. The Culley family owned Fowberry Tower and Coupland Castle in Northumberland.

Then by family descent to the current owner.

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647 The Worshipful Company of Blacksmiths, a pair of silver goblets, copies of the ‘The Pym Cup’, maker’s mark of JM over MG, London 1977, tapering circular bowl, with matted decoration and engraved with the Company’s arms and inscribed ‘The Gift of Christopher Pym upon his Admission to the place of Clerk of this Company’, the stem modelled as a blacksmith at the anvil, inscribed ‘by hammer and hand, all arts doe stand’, on a raised circular foot, height 17.9cm, approx. weight 19.6oz. (2) £800-1,200

647

648 A George III silver ewer, over-struck with maker’s mark of probably Thomas Daniell, London 1790, tapering shaped rectangular form, with panels of fluted and engraved decoration, wooden scroll handle, the hinged cover with an urn finial, on a raised shaped rectangular base, engraved with an armorial, height 33cm, approx. weight 33.8oz. £800-1,200 Provenance: purchased from Sotheby’s, London 26 November 1992.

The arms are that of Oliver or Turner and another in pretence.

648

649 An unusual George III silver tankard, maker’s mark partially worn, ?K, London 1771, ovoid form, engraved foliate borders, leaf capped beaded scroll handle, the domed cover with a pierced thumb-piece, on a raised circular foot with a gadroon border, engraved with a monogram, height 24.5cm, approx. weight 38oz. £2,000-3,000

649 145

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650 A set of four George II cast silver candlesticks,

by John Cafe, London 1757, knopped baluster form, shell shoulders, spool-shaped capitals, rope-work borders, removable drip pans, on raised shaped hexafoil bases with shell motifs, the undersides with scratch weights, height 23.7cm, approx. weight 80oz. (4) £2,000-3,000

650

651 A George II silver salver,

by William Peaston, London 1754, circular form, shell and scroll border, chased with foliate scroll decoration, the centre with an armorial within foliate mantling, on three hoof feet, diameter 34.5cm, approx. weight 40.5oz. £400-600 The arms are that of Rhodes/Rodes and another.

651

652 A pair of modern silver candlesticks,

by Barker Ellis, Sheffield 1978, oval tapering form, fluted decoration, reeded borders, on raised oval bases, height 24.7cm. (2) £100-150

652

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653 A Victorian presentation silver four light candelabrum,

by John Samuel Hunt, London 1857, the central stem modelled as a classical figure holding a cornucopia shell and with a scythe and sheaf of corn at her feet, mounted on a raised triangular base with three panels, two with pastoral scenes and one vacant, the reverse inscribed, ‘Presented to Thomas Johnson Ward Esq. of Fernhill House Olveston Gloucestershire by his principal tenants in token of their great regard and esteem for him as their landlord 29th Oct, 1857’, on three scroll feet, with four foliate scroll branches each supporting a fluted capital, central light missing, height 54cm, approx. weight 138oz. £5,000-7,000

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654 A George III silver tea caddy,

by Robert Hennell, London 1780, oval form, bright-cut and foliate decoration, flush hinged cover with a foliate and fruit finial, with a lock, the front with initials, length 11.8cm, approx. weight 11.4oz. £700-900

655 A George III Channel Islands silver two-handled christening cup,

by Jean Pierre Du Port, Guernsey circa 1784, stamped ID four times, over-striking possible London marks, conventional form, beaded and scroll handles, on a circular foot, the underside of the base inscribed ‘N.T’ ‘1784’, height 6cm, approx. weight 1.9oz. £200-300 For similar examples and a write up on this maker and marks see; Mayne, R. Channel islands Silver, Phillimore 1985, pages 109-110.

656 A George III silver tea caddy,

by Emick Romer, London 1769, shaped rectangular bombé form, the pull-off cover with a flower finial and gadroon border, on four pierced scroll bracket feet with shell motifs, engraved with an armorial and crest, height 13.5cm, approx. weight 8oz. £500-700

148

657 A George II silver mug,

by William Shaw & William Priest, London 1757, baluster form, scroll handle, on a raised circular foot, height 11.8cm, approx. weight 9oz. £250-300

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658 A George III silver two-handled porringer, possibly by George Brasier, London 1790, circular form, reeded scroll handles, rope-work girdle above partfluted decoration, with a vacant cartouche with scroll mantling, height 10.5cm, approx. weight 5.5oz. £200-300

659 A George III silver tea caddy,

by William Vincent, London 1786, shaped oval form, bright-cut foliate decoration, the hinged cover with an urn finial, the front with ribbon-tied oval cartouche, engraved with an armorial, with a lock, length 14.5cm, approx. weight 14.7oz. £1,000-1,500

660 A George II silver mug,

by Benjamin Cartwright, London 1741, baluster form, scroll handle, on a raised circular foot, height 9.5cm, approx. weight 6.2oz. £200-300

661 A George III silver tea caddy, possibly by Samuel Wood, London 1786, shaped oval form, bright-cut foliate decoration, the hinged cover with an urn finial, the front with vacant oval cartouche, with a lock and key, length 13.2cm, approx. weight 13.7oz. £800-1,200

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662 A George III silver mazarine,

by Robert Garrard, London 1787, oval form, pierced with foliate scroll and mullet decoration, the centre with an armorial, fitted in a two-handled mahogany tray of oval form, length in tray 46.9cm, length of tray handle to handle 54.5cm, approx. weight 65oz. £800-1,200 The Arms are that of Smith impaling Clarke and Jervoise.

662

663 A pair of George III silver two-handled vegetable dishes and covers,

by Robert Makepeace, London 1796, circular form, hinged reeded drop-ring handles, the pull-off covers with leaf capped scroll handles, gadroon borders, engraved with initials, the undersides inscribed ‘No.2, 37”12’ and ‘3,36”6’, diameter 22.1cm, approx. weight 68.7oz. (2) £1,000-1,500

663

664 A George II silver salver,

by William Peaston, London 1750, circular form, shell and scroll border, the centre engraved with a crest within foliate scroll mantling, on three gnarl feet, diameter 39cm, approx. weight 48oz. £800-1,200 The arms are those of Fairfax of Yorkshire.

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665 A William and Mary silver tankard,

by John Duck, London 1690, slight tapering circular form, the flat hinged cover with a scroll thumb-piece, scroll handle, the front engraved with an armorial within foliate scroll mantling, the underside with scratch initials ‘C’ over ‘I.A’, height 17.5cm, approx. weight 27oz. £3,000-4,000 Provenance: A Private Collection.

Bonhams, New Bond Street, Defining the Interior, 3 June 2015, lot 94.

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666 A pair of Edwardian silver candlesticks,

by William Hutton and Sons, London 1901, in the mid 18th century manner, shell capped knopped stems, spool-shaped capitals, on raised shaped square bases, height 29.5cm. (2) £250-300

666

667 A George III silver salver,

by Crouch and Hannam, London 1782, circular form, bead and husk border, the centre engraved with a crest within an oval cartouche, on four beaded bracket feet, diameter 37cm, approx. weight 46oz. £800-1,200 The crest is that of Aston and others.

667

668 A pair of George III silver candlesticks,

by John Parsons & Co., Sheffield 1787, tapering rectangular fluted columns, on raised fluted rectangular bases with canted corners, the undersides with wooden bases, height 30cm. (2) £250-300

668

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669 A George III silver épergne,

by Thomas Pitts, London 1773, oval form, part-fluted and swag decoration, beaded borders, with a hanging apron of swag decoration, with medallions with urns, with a central pierced basket engraved with an armorial and with beaded borders, with six reeded scroll arms, supporting two oval baskets and four circular dishes with pierced decoration, on four scroll legs on pierced pad feet, height 33.5cm, length 49.5cm, approx. weight 101oz. £3,000-4,000

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670 A pair of George II cast silver candlesticks,

by William Cripps, London 1769, also with a French import mark, knopped baluster stems, spool-shaped capitals, detachable drip pans, on shaped square bases with shell motifs, height 24.7cm, approx. weight 40oz. (2) £800-1,200

670

671 A silver salver,

by Lee & Wigfull, Sheffield 1929, circular form, moulded border, on three gnarl feet, diameter 36.8cm, approx. weight 38oz. £300-400

671

672 A pair of George II cast silver candlesticks,

by William Grundy, London 1752, knopped baluster stem, shell shoulders, spool-shaped capitals, detachable drip pans, on raised shaped square bases with shell motifs, engraved with a crest and initials, height 23cm, approx. weight 39.5oz. (2) £1,000-1,500 672

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673 A matched set of four George II / George III cast silver candlesticks, two by John Cafe, London 1754 and two by Emik Romer, London 1765, caryatid form, urn shaped capitals with foliate decoration, on triangular bases with foliate scroll decoration, and engraved with an armorial, height 24.7cm, approx. weight 95oz. (4) £4,000-6,000 The cartouche is engraved with a Saltire between three Garbs in Chief, two Estoiles in the flanks and a boar’s head in the base, impaling vert three amulets OR. This is possibly for the family Williamson.

Provenance: A Private Collection.

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674 A set of four George III cast silver candlesticks,

by William Cafe, London 1762, knopped baluster form, shell shoulders, spool-shaped capitals, rope-work borders, removable drip pans, on raised shaped hexafoil bases with shell motifs, height 24.8cm, approx. weight 82oz. (4) £2,000-3,000

674

675 A silver four-light candelabrum, by the Goldsmiths and Silversmiths Company, London 1910, in the George I manner, with three scroll arms each supporting a spool-shaped capital and with a central capital, on a knopped tapering baluster column on a raised square base with incurved corners, height 40cm, approx. weighable 35oz. (2) £700-900

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676 676

676 A set of four George IV silver entrée dishes and covers,

by William Eaton, London 1826, rectangular form, gadroon borders, detachable foliate handles, the covers engraved with an armorial with foliate mantling, the bases with a crest, numbered 1-4, length 31cm, approx. weight 253oz. (4) £3,500-4,000 Provenance: A Private Collection.

Purchased from Christie’s Fine Silver, London 20 May 1987.

The arms are that of Craven impaling Wendy.

677 A silver two-handled rose bowl,

by Charles Piling, Sheffield 1909, panelled circular form, with long scroll handles, on a raised tapering stem on a square foot, with a metal flower grille, and a wooden plinth, height 28.4cm, approx. weight 69oz. (3) £800-1,200

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678 By Gillian Elizabeth Mallett, a collection of hand-made silver spoons, London 1976-2002, various designs, spot-hammered bowls, some in the Roman manner and some with twisted stems, approx. weight 5.4oz. (11) £70-100

679 Two Danish silver handmade serving spoons, assay master C.F. Heise, 1930 and 1931, spot-hammered bowls, with stylised foliate terminals, length 26.5cm and 23.8cm, approx. weight 7.7oz. (2) £100-150

680 By Charles Edwards, an Art Nouveau silver cream jug and sugar bowl, London 1919, circular form, spot-hammered decoration, the sugar bowl with three bifurcated scroll handles, on four scroll feet, approx. weight 10oz.

(2) £100-150

681 Designed by A. G Styles for Wakely and Wheeler, a modern tea strainer and stand, London 1954, circular form, shaped handle, the stand of circular bellied form, spot-hammered decoration, length 14.4cm, approx. weight 5.4oz. (2) £150-200

682 Two French silver Art Deco mustard pots,

by A. Aucoc, Paris, upright rectangular panelled form, hinged covers, geometric thumbpieces, one with a scroll handle, clear glass liners, heights 8.5cm and 8cm, approx. weight 13.5oz. (2) £300-400

683 By Leslie Durbin, an Arts and Crafts silver paper knife / skewer, London 1952, tapering form, with a pierced foliate finial, length 20cm, approx. weight 0.9oz. £150-200

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Provenance: A Private Collection

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684 By George Hart for the Guild of Handicraft, a pair of silver dishes, London 1936, tapering circular form, fluted decoration, the border with embossed foliate decoration, diameter 16.2cm, approx. weight 11.2oz. (2) £400-600

685 By Stanley Morris, a modern silver rose bowl, Birmingham 1969, oval form, spot-hammered decoration, the raised pull-off cover with pierced decoration, and with a oval finial, on an oval foot, length 24.6cm, approx. weight 32oz. £600-800 Stanley Morris was born in 1919. He was a student at the Birmingham School of Jewellery and Silversmithing and the Birmingham College of Arts and Crafts. He assisted Bernard Cuzner make the Olympic Torch Cuzner had designed for the 1948 London Olympics.

His commissions included work for the Salters’ Company as well as Birmingham, Cambridge and Oxford Universities.

Ref Andrew, J., and Styles, D., Designer British Silver, The Antique Collector’s Club, 2015, page 524.

686 By A. E. Jones, an Arts and Crafts silver two handled dish, Birmingham 1919, circular form, spot-hammered decoration, ribbon-tied bifurcated scroll handles, on a raised circular foot, length handle to handle 27.5cm, approx. weight 11.5oz. £250-300

687 The Worshipful Company of Salters, a commemorative silver pepper mill,

by Christopher Bowen. London 1993, cylindrical form, the turning section modelled as the dome of St. Paul’s cathedral, engraved with the crest of the Salters’ Company and ‘1394-1994’, height 15.8cm. £200-300 159

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688 By Norman Reginald George Poynton, an Arts and Crafts silver rose bowl, London 1954, plain circular form, spot-hammered decoration, on a raised circular foot with a stylised border, with a plated mesh grille, diameter 25cm, approx. weight 31oz. £600-800 Norman Poynton registered his mark in 1936, giving his address as The Leicester College of Art. He made a number of civic items for the City of Leicester, designed by himself and Kenneth Holmes, Principal of the College. Ref Andrew, J. and Syles, D., Designer British Silver, Antique Collectors Club, 2015, page 527.

688

689 Retailed by Cartier, an American silver-mounted decanter and six matching glasses, the silver mounts by The Watson Company, the pull-off silver sleeves of trellis form in the Weiner Werkstatte manner, the decanter with a tapering faceted stopper, clear glass body, height of decanter 30cm, approx. weighable 17oz. (7) £600-800

689

690

160

690 By Christopher Lawrence, a pair of modern silver marriage goblets, London 1975, tapering circular form, textured decoration, gilded bowls, each applied with a gender symbol for a man and woman, in a fitted case, the cover inscribed Christopher Lawrence Jean Renet 1 Old Bond Street, London W1, heights 14.3cm and 13.3cm, approx. weight 12.5oz. (2) £300-400

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691 By Georg Jensen, a Danish silver dish, design no. 544, shallow circular form, lug and ring side handles, on a raised circular foot, length handle to handle 26cm, approx. weight 15oz. £1,200-1,500

691

692 A large Arts and Crafts silver chalice, maker’s mark of FHA, Sheffield 1958, circular bowl, spot-hammered decoration, on a lobed cylindrical stem, on a raised circular foot, height 25cm, approx. weight 23oz. £300-400

692

693 By Evald Nielsen, a modern Danish silver centrepiece bowl / champagne cooler, tapering spot-hammered circular bowl, supported by six double scroll supports, on a stepped circular foot with fluted motifs, diameter 25.7cm, height 20.6cm, approx. weight 55.8oz. £1,500-2,000

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694 By Gerald Benney, a pair of modern silver goblets, London 1970, circular form, textured decoration, gilded interior, on raised circular bases, height 12.7cm, approx. weight 14.5oz. (2) £1,000-1,500

695 By Gerald Benney, a modern silver salt cellar, London 1972, circular form, textured decoration, gilded interior, on a raised circular foot, lacking liner, height 6.8cm, approx. weight 5.6oz. £200-300

696 By Gerald Benney, a modern silver goblet, London 1973, circular form, textured decoration, gilded interior, on a raised circular foot, height 10.5cm, approx. weight 7.7oz. £300-400

697 By Gerald Benney, a modern silver desk dish, London 1972, rectangular form, textured decoration, blue leather lined interior with a clear glass liner, length 10.8cm, approx. weight 8.9oz. £300-400

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698 By A. E. Jones, an Edwardian silver Arts and Crafts casket, Birmingham 1903, rectangular form, spot-hammered decoration, the hinged cover and sides with embossed motifs and set with Ruskin style circular turquoise cabochons, pierced hinged clasp, on four bracket feet, length 7.5cm, approx. weight 16oz. £1,000-1,500

699 By Frederick Smythe-Greenwood, an Arts and Crafts silver inkwell, London 1914, circular form, embossed with lobed motifs, spothammered decoration, the hinged cover with similar decoration and set with a chryoprase cabochon, on a spread circular foot with a rope-work border set with ball motifs, diameter of base 11.2cm. £300-400

699 163

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700 By Omar Ramsden, a set of six Arts and Crafts silver teaspoons, London 1927, oval bowls, tapering rectangular seal-top handles with a twist motif, spot-hammered decoration, length 10.5cm, approx. weight 3oz. (6) £300-400

700

701 By Omar Ramsden, an Arts and Crafts silver bowl, London 1922, also engraved ‘OMAR RAMSDEN ME FECIT’, circular bowl, spot-hammered decoration, hexagonal borders with ball and scroll motifs, on three scroll capped pad feet, length of border 13.7cm, approx. weight 4oz. £400-600

701

702 By Omar Ramsden and Alwyn Carr, an Edwardian Arts and Crafts silver napkin ring, London 1908, circular waisted form, spot-hammered decoration, embossed with a Tudor rose and ‘h. J. P 19 Jan 1909’, height 5.4cm, approx. weight 1oz. £100-150

702 164

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703 By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver casket, London 1911, also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT LONDON MCMXI’, rectangular form, spot-hammered decoration, the hinged cover with a a trialing border of Tudor roses and with a central armorial shield cartouche mounted with a Knight’s helmet, rope-work borders, on four scroll legs terminating in stylised paw feet, length 31.5cm, approx. weight 59.9oz. £3,000-4,000

704 By Omar Ramsden and Alwyn Carr, a pair of Arts and Crafts silver candlesticks, London 1900, tapering circular columns embossed with flame motifs, the plain capitals with intertwined scroll supports, on spread circular bases with flame and ball decoration, height 18cm, approx. weight 10oz. (2) £2,000-3,000

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705 By Omar Ramsden, an Arts and Crafts silver sugar caster, London 1930, also engraved ‘OMAR RAMSDEN ME FECIT’, tapering baluster form, embossed and chased foliate decoration, the stepped pull-off cover pierced with scroll decoration, on a raised chased foot, height 20.8cm, approx. weight 13.7oz. £1,000-1,500

705

A PRIVATE COLLECTION OF OMAR RAMSDEN

706 By Omar Ramsden, a pair of Arts and Crafts silver salt cellars / small dishes, London 1932, also engraved ‘OMAR RAMSDEN ME FCT’, tapering rectangular form, cast pierced foliate scroll borders, spot-hammered bodies, on four bifurcated sinuous bracket feet, length 9.5cm, approx. weight 6oz.

(2) £400-600 706

707

166

707 By Omar Ramsden, a pair of Arts and Crafts silver salt cellars / small dishes, London 1935, also engraved ‘OMAR RAMSDEN ME FCT’, tapering rectangular form, cast pierced foliate scroll borders, spot-hammered bodies, on four bifurcated sinuous bracket feet, in a fitted case, the inside of the cover with ‘OMAR RAMSDEN Artist Goldsmith, London, England’, length 9.5cm, approx. weight 6oz. (2) £500-700

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708 By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver shoe horn and button hook, London 1915, tapering form, spot-hammered decoration and chased with a Tudor rose, with a button hook terminal, length 24cm, approx. weight 3.5oz. £200-300

709 An Edwardian Arts and Crafts silver napkin ring, over-stamped with maker’s mark of Omar Ramsden, (probably over the earlier Ramsden and Carr mark), London 1903, tall waisted circular form, spot-hammered body, embossed with a Tudor rose, height 5.2cm, approx. weight 1.4oz. £200-300

710 By Omar Ramsden, an Arts and Crafts silver regimental dish, 28th (County of London) Battalion, The London Regiment, (The Artists Rifles), London 1918, circular form, spot-hammered decoration, crimped border, the centre with the regimental badge, diameter 10.2cm, approx. weight 2oz. £200-300

711 By Omar Ramsden, an Arts and Crafts silver caddy spoon, London 1935, spot-hammered fig-shaped bowl, pierced wire-work and ball decoration with three oval dark orange cabochons, length 9.3cm, approx. weight 1.4oz. £1,000-1,500

Raised in 1859 in London drawing its members from artists, musicians and actors. In 1880 it became the 20th Middlesex (Artists’) Rifle Volunteer Corps and in 1908 it became the 28th (County of London) Battalion of the London Regiment. In 1947 it became the 21st Special Air Service Regiment (Artists Rifles).

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712 By Omar Ramsden and Alwyn Carr, an Edwardian Arts and Crafts presentation silver goblet, London 1906, also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT’, spot hammered lobed circular bowl, embossed with the crest and motto of Powell, and inscribed ‘To Clement Powell, 20 August 1907’, ‘From His Brothers’, and with the initials of the seven donors, on a raised lobed circular foot with rope-work border and eight pierced scroll supports, height 14cm, approx. weight 6.5oz. £800-1,200

712

713 By Omar Ramsden and Alwyn Carr, an Arts and Crafts silver nine-bar toast rack, London 1914, also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT’, rectangular form, spot-hammered decoration, central scroll carrying handle, on eighteen small bun feet, length 17.4cm, approx. weight 14.5oz. £800-1,200

713

714 By Omar Ramsden and Alwyn Carr, an Edwardian Arts and Crafts silver tea caddy, London 1908, also engraved ‘OMAR RAMSDEN ET ALWYN CARR ME FECERUNT’, rectangular form, canted corners, spot-hammered decoration, rope-work borders, the hinged cover with foliate motif and ‘B.C.E.M.A. DEC 18 1908’, the body with an engraved band ‘TEA THOU FRAGRANT STREAM WHERE ON THE BARQUE OF FRIENDSHIP EVER SAILS IN GENTLE SUNLIT EASE’, height 8.7cm, approx. weight 7oz. £800-1,200

714 168

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715 By Omar Ramsden, an Arts and Crafts silver tazza, London 1930, also engraved ‘OMAR RAMSDEN ME FECIT’, spot-hammered shallow tapering circular bowl, on a tapering circular foot with cast and pierced trailing grapevines and bunches of grapes, with six ribs terminating in foliate scroll motifs, diameter 27.8cm, height 20.4cm, approx. weight 49.2oz. £4,000-6,000

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SILVER & OBJECTS OF VERTU TUESDAY 12TH & WEDNESDAY 13TH JULY 2022 CLOSING DATE FOR ENTRIES 20TH MAY

A pair of George III silver wine coolers,

by William Frisbee, London 1807 Estimate £10,000 ­ 15,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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JAPANESE WORKS OF ART TUESDAY 17TH MAY 2022

A large Japanese Kutani dish with Mandarin ducks, Edo period, 32cm Provenance: formerly the collection of Peter K Warren (1920-2014), former CEO of Pepsi International, purchased from Bluett & Sons Ltd, 10th March 1980 Estimate £3,000 ­ 4,000*

ENQUIRIES Alexandra Aguilar | +44 (0) 1722 424583 | aa@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0) 20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM

SILVER & OBJECTS OF VERTU

Lot Number

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

TUESDAY 12TH & WEDNESDAY 13TH APRIL 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

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AUCTION CALENDAR ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2022 AUCTIONS

2022 MARCH 30th

Furniture, Works of Art & Clocks

APRIL 7th 12th & 13th 26th 27th

Fine Jewellery Silver & Objects of Vertu English & European Ceramics & Glass African & Oceanic Art | Antiquities

MAY 17th & 18th 25th 31st

Asian Art, Chinese Paintings & Japanese Works of Art Medals & Coins, Arms & Armour Modern British & 20th Century Art

JUNE 15th 29th

Fine Arts and Crafts Furniture, Works of Art & Clocks

JULY 12th & 13th 14th

Silver & Objects of Vertu Fine Jewellery

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

By Stuart Devlin, a rare modern parcel­gilt silver musical box, London 1975 SOLD FOR £7,750*

www.woolleyandwallis.co.uk