Woolley & Wallis

WOOLLEY & WALLIS

www.woolleyandwallis.co.uk

WOOLLEY & WALLIS SALISBURY SALEROOMS

Furniture & Works of Art Tuesday 11th October 2011

FURNITURE & WORKS OF ART TUESDAY 11TH OCTOBER 2011

Specialist Departments

Auction Calendar 2011 / 2012

Please dial 01722 followed by the number listed below PAINTINGS December 7th 2011 Victor Fauvelle 01722 424503

FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

339752 411854 339161 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV ACCOUNTS & OFFICE MANAGER Janice Clift

Jo Butler 01722 424592

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jobutler@woolleyandwallis.co.uk

424510 CLOCKS, POCKET WATCHES & BAROMETERS October 25th 2011

424500

William Hobbs 01722 339752 Richard Price 01722 339752

CLOCKS Will Hobbs Richard Price (Consultant)

339752

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham John Axford MRICS ASFAV Sophie Lister ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Tim Wright (Consultant) 20TH CENTURY DESIGN Michael Jeffery PAINTINGS Victor Fauvelle Jo Butler BOOKS & MANUSCRIPTS Liz Merry (Consultant)

424507 424506 424591

424506 424591 424507

424505

424503 424592

424500

SILVER Rupert Slingsby Lucy Grazier

424501 424530

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

Members of The Society

GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite

victorfauvelle@woolleyandwallis.co.uk

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424500

SALEROOM MANAGER David Jordan

424500

PRESS & PUBLICITY Kate Williams

424590

williamhobbs@woolleyandwallis.co.uk

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richardprice@woolleyandwallis.co.uk

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FURNITURE & WORKS OF ART January 10th 2012 William Hobbs 01722 339752

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williamhobbs@woolleyandwallis.co.uk

Mark Richards 01722 411854

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markrichards@woolleyandwallis.co.uk

SILVER October 26th 2011 Rupert Slingsby 01722 424501 Lucy Grazier 01722 424530

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rupertslingsby@woolleyandwallis.co.uk

lucygrazier@woolleyandwallis.co.uk

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director

JEWELLERY October 27th 2011 Jonathan Edwards 01722 424504

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John Axford MRICS ASFAV Willi Verdon-Smith FRICS

Marielle Whiting 01722 424595

mariellewhiting@woolleyandwallis.co.uk

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 ● www.woolleyandwallis.co.uk

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jonathanedwards@woolleyandwallis.co.uk

ENGLISH & EUROPEAN CERAMICS & GLASS March 6th 2012

424526

Clare Durham 01722 424507

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claredurham@woolleyandwallis.co.uk

20th CENTURY DESIGN November 30th 2011 (British Art Pottery) Michael Jeffery 01722 424505

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michaeljeffery@woolleyandwallis.co.uk

ASIAN ART November 15th 2011 (Chinese Yixing Stoneware) November 17th 2011 (Asian Art 2) John Axford 01722 424506

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Sophie Lister 01722 424591

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November 16th 2011 (Asian Art 1)

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johnaxford@woolleyandwallis.co.uk sophielister@woolleyandwallis.co.uk

BOOKS & MANUSCRIPTS December 7th 2011 Liz Merry 01722 424500

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lizmerry@woolleyandwallis.co.uk

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Entries can be accepted up to six weeks prior to the auction

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Illustrated catalogues are available about ten days before the sale

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Viewing is normally two days prior to the auction and on Saturday mornings where appropriate

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Catalogue subscriptions are available for all sales

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Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

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FURNITURE & WORKS OF ART Tuesday 11th October 2011 at 10.30am

Viewing Times Friday 7th October 10.00am – 4.30pm Saturday 8th October 10.00am – 1.00pm Monday 10th October 10.00am – 4.30pm Tuesday 11th October 8.30am – 10.15am

ENQUIRIES Will Hobbs 01722 339752 willhobbs@woolleyandwallis.co.uk

Mark Richards 01722 411854 markrichards@woolleyandwallis.co.uk

Live Internet bidding via

Please note that any lots purchased via the-saleroom.com live auction service will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price

Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

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1. Two Tekke Turkmen rugs, Turkmenistan, 66 x 55.5in (168 x 141cm) and 59.5 x 43.5in (151 x 110cm). (2) £200-300

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2. A Tekke Turkmen rug, Turkmenistan, early 20th century, 75 x 55in (191 x 139cm). £80-120 3. A Kuba rug, north east Caucasus 79.5 x 38.5in (202 x 95cm) and a Caucasian prayer rug, 69 x 39in (175 x 100cm). (2) £100-150 4. A Konya rug, central Anatolia, late 19th century, 61 x 44in (155 x 112cm). £40-60 5. An Ersari Turkman chuval, Afghanistan, early 20th century, 36.5 x 57in (93 x 145cm). £40-60 6. A Hamadan runner, north west Persia, 52 x 41in (386 x 104cm). £100-200

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7. A Ghiordes prayer rug, west Anatolia, late 19th / early 20th century, 66 x 50in (168 x 127cm). £250-350

8. A Tree of life carpet, north west Persia, 131 x 100in (330 x 254cm). £400-500

9. A Shirvan rug, south east Caucasus, late 19th century / early 20th century, 79 x 37.5in (200 x 95cm). £500-700

10. A Mahal carpet, north west Persia, early 20th century, 161 x 123in (410 x 312cm). £200-300

11. A Tabriz carpet, north west Persia, 128 x 104in (325 x 264cm). £200-300

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12. A Mahal carpet, north west Persia, 169.2 x 116.5in (430 x 296cm). £200-300 13. A Tabriz carpet, north west Persia, 240.9 x 144.4in (612 x 367cm). £400-600 14. A Daghestan rug, north east Caucasus, late 19th / early 20th century, 39 x 37in (100 x 94cm). £100-150 15. A Baluchi rug, Khorasan, north east Persia, 99 x 62in (251 x 158cm).

16. A Mashad carpet, Khorasan, north east Persia, early 20th century, 159 x 117in (404 x 297cm). £500-600

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17. A late Victorian oak fire surround, with dentil mouldings above a frieze carved with a band of wheat sheaves and centred a stop fluted tablet, 54.5in (138cm) h, 71.75in (181.8cm) w, 11in (28cm) d, aperture: 40 x 46in (101.5 x 117cm). £400-500 18. A late Victorian brass and wirework nursery fender, 27in (68.7cm) h, 33.5in (85cm) w, 12.75in (32.3cm) d. Losses. £80-120 19. A late Victorian brass ten division stickstand, with a cast iron base and lift-out tray, 24.5in (62cm) h, 19.5in (49cm) w, 9in (22.5cm) d. Brass tarnished, base rusty. £200-300 20. A late Victorian brass adjustable standard lamp, the triform base with a petal collar, lacking fitting, 44in (112cm) h, lowest. £60-100 21. A set of three late Victorian brass fire tools, each with a stylized acorn finial and square tapering handle, together with a pair of matching andirons, the shovel: 28.75in (73cm) l. (5) £200-300 22. A Victorian brass standard lamp, the fluted and leaf cast stem to lion’s masks and tripod paw feet, later converted for electricity, 53.5in (136cm) h, 15in (37.7cm) w. £200-300

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23. A pair of mid 19th century continental copper oil lamps, each with a detachable coronet drip pans, with floral and shell embossed bands to the tapering and spherical stem, the base with a reservoir on twin triform scroll supports, converted to candle stands, 42.75in (108.5cm) h. (2) £2,000-3,000

24. A late Victorian mahogany and floral marquetry purdonium, with satinwood banding and gilt brass handles, 18in (45cm) h, 13.75in (34.7cm) w and d. £100-200 24 23

25. A pair of wrought iron andirons, in 17th century style with bottle holder tops, 28in (71cm) h, 12.5in (32cm) w, 24.5in (62cm) d. (2) £100-150

26. A hammered copper square coal bin, the front embossed a stylized rose, side handles, brass legs and a domed cover, 18.5in (47cm) h, 11.75in (30cm) sq. £150-200

27. A copper cockerel weather vane, 22.5in (57cm) h, 25.5in (65cm) w. £80-120

28. A gilt metal and stained glass hanging mosque lamp, with pierced panels, 22.5in (57cm) h. £50-100

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29. A patinated brass Art Nouveau hanging ceiling light, with an open hexagonal frame with applied bud branches two forming holders, one missing, with a link chain support, 29in (74cm) h, 18.5in (47cm) w. £80-120

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30. A coopered barrel stickstand, decorated with chinoiserie motifs, 27in (68cm) h. £120-180 26

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31. A late Victorian walnut and brass mounted hall stand by James Shoolbred & Co., with baluster galleries to a walnut lined frieze drawer stamped with two registration lozenges and ‘JAS. SHOOLBRED & CO 6005’, the reverse with an enamelled plaque inscribed ‘JAMES SHOOLBRED & CO. TOTTENHAM HOUSE TOTTENHAM COURT ROAD LONDON‘,

above scroll supports to quadrant brass rails and lift-out drip trays, 40in (101.7cm) h, 40in (101.5cm) w, 13.5in (34.2cm) d. £1,000-1,500

32. A Dutch Delft table lamp, in the form of a vase of flowers, the base marked ‘HV’, 27.5in (70cm) h. Neck repaired. £100-200 33. A pair of gilt and ebonised metal twin light lamps in Regency style, each with central leaf cluster issuing glass lustres, 20th century, 20.5in (52cm) h, 12.25in (31cm) w. (2) £100-150 34. A Victorian gilt brass candelabrum, cast with scrolling leaves and cabochon decoration, in three sections with a later six light surmount, previously an oil lamp, 26.5in (67.5cm) h. £200-300

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35. No Lot 36. A 19th century German cast brass twin light oil lamp, converted to electricity, stamped ‘PATENT WILD & WESEL, BERLIN‘, having pink opaque glass shades on an adjustable frame, 24.5in (62cm) h, 16in (40.5cm) w. £200-300 37. A pair of late 19th century giltwood and gesso brackets, with husk garland decoration, 10.75in (27.5cm) h, 9.25in (23.5cm) w, 5.5in (14cm) d. (2) £100-150

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38. A late George III needlework Map of England and Wales, by A. Anson, dated 1791, the title with a floral border, 25 x 21.5in (63.5 x 53.5cm) in a later rosewood frame. £150-200 39. A William IV needlework sampler, by Eliza Price, 1834, worked with an alphabet, crowns, urns of flowers, birds, blue coated figures and verse, within a flower border, 16.5 x 12.5in (41.6 x 31.3cm) in a later glazed and painted frame. Discoloured and with some holes. £150-200 40. A Victorian needlework sampler, by Jessie Brown, July 1867, worked with alphabets, numbers, hearts and a verse ‘Life is short, Death is sure, Sin’s the wound, Christ’s the cure’, 13.25 x 12in (33.8 x 30.5cm), in a later glazed bird’s eye maple frame. £80-120 41. A Victorian needlework sampler, by Emma Jancock, Born August 8th 1845, worked with urns of flowers and animals, with verse and an outer band of scrolling flowers, 12.5 x 17.25in (31.7 x 43.8cm) in a glazed and stained wood frame. Small stain to centre, some moth holes. £200-300 42. An early Victorian needlework sampler, by Elizabeth Surges, aged 12, 1839, with a central scene of a lady with a soldier in a woodland setting with a stag, flanked by a pair of urns with flowers, a verse and an outer floral zig-zag border, 17.25 x 17.25in (43.8 x 43.8cm), in a glazed bird’s eye maple frame. £200-300 41

43. A William IV needlework sampler, by Sarah Parsons, aged 10, 1833, worked with alphabets, a verse, urns of flowers, butterflies and peacocks, 11.5 x 11.5in (29.5 x 29.5cm), in a glazed and painted frame. Moth damage. £150-200 44. An early 19th century needlework sampler, by Edith Smith Cross, worked with a large country house, flanked by trees and putti, with butterflies, deer, urns of flowers, trees and verse with a floral outer border, 18.25 x 18.5in (46.5 x 47cm) within a later glazed and bird’s eye maple frame. £400-600

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45. A twelve star quilt, c.1920, 84 x 66in (213.5 x 167.5cm.) £200-300 46. A red and white quilt, of radiating lozenge design, 81 x 78in (206 x 198cm.) £400-500 47. A chequer board quilt, in purple and cream, 90 x 78.5in (228.5 x 199.5cm.) £100-200 48. A twenty star quilt, each bordered with three further outer borders, 100.5 x 93in (255 x 236cm) and another with fifteen squares with stylized birds, 109 x 64in (277 x 162.5cm.) (2) £120-180 49. A spongeware charger decorated with flowers, 14.5in (36.5cm) dia, together with six other spongeware decorated plates. (7) £150-250 50. A late Victorian holosteric barometer by Hill & Price, Bristol, the carved oak case decorated with oak leaves and acorns and with two figures, the brass bezel to a silvered dial numbered ‘6557’ and visible mechanism, 8in (20.1cm) h, 11.25in (28.3cm) w. £100-150

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51. A folk art wrought iron lamp, with a cloaked figure holding a leafy branch, on an open crenellated circular base, 12in (30.3cm) h, 9in (22.7cm) w. Rusty. £60-80

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52. A Canadian carved and painted wood drake Goose decoy, the underside with a pole recess and lead weights, c.1900, 11in (28cm) h, 29in (73.5cm) l.

Possibly from Prince Edward Island, Canada. £600-700

53. A late 19th century working wood Pigeon decoy, carved and painted decoration with glass bead eyes, on a later turned wood stand, 15.5in (39.5cm) h, including stand. £300-400

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54. Nick Barrett. Pintail Drake, painted carved wood, signed, tilted and dated Sept 1987 to the underside, 17in (43cm) l. £100-200 53

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55. A carved wood and painted model of a prowling tiger, his jaw open with inset wire teeth, one missing, 4.75in (12cm) h, 13.25in (33.5cm) l. £150-200

56. A rare coconut tea caddy, with a hinged lid and tagua nut finial and feet, late 19th century, 5.5in (13.9cm) dia, together with a coconut cup with a treen cover and stem, 6.5in (16.5cm). (2) £50-70

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57. A late 18th century carved coquilla nut snuff box, modelled as a galleon, the hinged cover relief carved Julius Caesar and four soldiers, the figurehead a king, the hull decorated shells, 5.5in (14cm) l. £100-150

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58. A 19th century carved cork inkstand, in the form of a lion’s head, hinged to reveal a vase of flowers and a later glass liner, the oval base carved with a pair of flower heads, the front with a pen rest, 4in (10cm) h, 6.25in (15.8cm) w, under an associated glass dome with an ebonised base. £100-150

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59. An American painted ‘sleigh’ seat, the brown ground with gilt highlights, the back painted a carriage scene with a milestone inscribed ‘Barnstable 8m.’, with a house on a hill, signed CAHOON, with metal scroll supports to the spindle arm supports and panelled seat on pierced trestle legs and an ‘X’ stretcher, with a later squab cushion, 33.5in (85cm) h, 37.75in (96cm) w, 22in (56cm) d.

Martha Cahoon (1905-1999) was the wife and business partner to Ralph Cahoon (1910-1982) whose naive style of painting are the basis of their final home in the village Cotuit, near Barnstable, Cape Cod, Massachucetts, now the Cahoon Museum of American Art. £1,000-1,500

60. A turned mahogany bowl, 9.25in (23.5cm) dia, another similar smaller bowl, two footed bowls and a sycamore bowl. (5) £80-120

63. An oak wall cupboard, with a geometric panel door, 14in (35.5cm) h and w, 10.75in (27.5cm) d. Constructed using some 18th century elements. £150-200

61. A turned sycamore mortar, 4in (10cm) h, with beechwood pestle, a lignum vitae mortar, a hardwood vase shape mortar, a 19th century pine spill vase, a 19th century fruitwood small goblet, four other treen goblets and two footed salts. (12) £150-200

64. A 19th century carved oak cabinet, the lidded top with a domed ridge, having linen fold to one end above a petal carved frieze and edge, above a pair of panelled doors with recessed arches and carved figures in a doorway, enclosing plush lined shelves and a drawer, the panelled sides carved central stiff leaf within an arch, 17in (43cm) h, 14.5in (37cm) w, 8in (20.5cm) d. £400-500

62. An early 19th century lignum vitae liqueur or medicine goblet, 3.75in (9.5cm) h, another smaller in ebony, a boxwood pill rounder, a turned pine stand, a lignum pill box and cover, a rosewood ink pot and cover, no liner, stamped ‘COOMBES, BOYNTON & FINLAY,’ a boxwood watch maker’s box with glass inset cover, a boxwood seal engraver’s cylindrical box, the cover inset a copper plaque stamped ‘??

ENGRAVER LONDON,’ and an ivory barrel shaped box and screw cover with a bone dice. (10) £150-200

65. An oak wall shelf, with applied carved front above two shelves, 32in (81cm) h, 25.25in (64cm) w, 7.25in (18.5cm) d. £100-150

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66. A 17th century carved lime wood, polychrome decorated and gilt Royal Coat of Arms, 25.75in (65.5cm) h, 22.75in (57.5cm) w. Old worm holes and losses, part of the lion finial is off but present. £1,000-1,500 67. A giltwood and polychrome decorated angel mask wall applique, Italian or Spanish, 17th / 18th century, 21.5in (54.5cm) l, 15.5in (39cm) w. £600-800 68. A 17th century bronze figure of a saint, 4.5in (10.9cm) l.

Provenance: The Silk Collection. £100-150 69. A 19th century French carved ivory figure of the Virgin Mary, 7in (18cm) h, another smaller, and five other ivory carvings: a figure of a man holding geese, a cherub, a cruciform fruiting vine pendant, and two brooches. (7) £200-300 70. An early 18th century pewter charger, by John Duncomb, 18in (46cm) dia, another charger, marks worn, four smaller chargers, 16.75in (42.5cm) dia, two shallow bowls, engraved initials R.L., and six smaller plates engraved the same initials, 9.75in (25cm) dia. (14) £500-600 71. A 17th century Nuremberg brass alms dish, the centre embossed with a rosette whorl within a band of Gothic script, 17in (43cm) dia. £150-200 72. An unusual 19th century carved walking cane, the handle with a man issuing a scroll of vellum and faint handwriting from the top of his head, with animals around his body, the shaft with further animals and serpents with bead eyes, the base with another human figure, his hinged chest revealing an arrow through his heart with a further scroll of handwritten vellum behind, to a serpent and a brass tip, 33.5in (85cm) l, together with a Lega type bone carving and a Scandinavian wooden drinking vessel. (3) £400-500

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73. A large carved stone coat of arms, of Sir Thomas Gery Cullum of Halstead Place and Hardwick House, 41 x 36in (104 x 91.5cm). £400-600 74. A 17th century bronze mortar, with an everted rim, the body cast with three crowned Tudor roses, probably London c.1660-80, 3.5in (8.6cm) h, 4.5in (11cm) dia.

For similar mortars cast with crowned Tudor roses c.f. M. Finlay, English Decorated Bronze Mortars and their Makers, p. 75. £120-180 75. Three bronze and bell metal skillets, the handles cast with their maker’s names ‘ROBT STREET & Co V‘, ‘T P B WATER VI‘ and ‘WASBROUGH‘, late 17th / early 18th century, 17.5in (44cm) w, max.

(3) Repairs. £100-150 76. A bronze mortar, with a flared rim and decorated with foliate, bead and lozenge bands, 17th / 18th century, 5.75in (14.3cm) h, 6.75in (17cm) dia. together with an associated pestle. (2) £80-120 77. A set of Victorian brass mechanical peat bellows, on a cast iron base, 17in (42.8cm) h, 18.25in (46cm) w. £80-120 78. A small collection of copper pans, some with brass and some iron handles, one stamped ‘W H‘ and ‘BENHAM & SONS LTD, 66 WIGMORE ST. LONDON‘, another stamped ‘TEMPLE & CROOK LTD IRONMONGERS, MOTCOMBE STREET, S.W.’, some with lids. (21 pieces including lids) £400-500 79. A late 19th century European ebonised and wire inlaid table cabinet, the top inlaid a penwork cherub, above a fall front enclosing six drawers, 10.25in (26cm) h, 11in (28cm) w, 8in (20.5cm) d, damages, together with an Indian carved hardwood box, the interior with a central circular aperture flanked by two shaped apertures, 16.25in (41cm) w. (2) £400-600

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80. A leaded stained glass window, depicting a mounted knight within a colonnaded arch with two figures to the top and cherubs to the base, with a castellated crest flanked by ‘1567’, 18.75 x 13in (47.5 x 33cm) and another depicting a maiden in 16th century costume, the base painted ‘1508’. (2) £400-600

81. A Black Forest carved wood and polychrome decorated nutcracker, in the form of a man, late 18th / early 19th century, 7.75in (19.6cm) h.

Provenance: The collection of Alfred Bastian. £500-700

82. A carved oak turtle spitoon, the previously hinged lid revealing a lift-out liner, the mechanism not working, late 19th / early 20th century, 8in (20.1cm) h, 14.5in (36.7cm) l. £100-150

83. An early 19th century mahogany and marquetry candle box, the fretwork carved top above a reeded edge hinged lid, the tapering front inlaid an urn issuing a flower, 16.25in (41.3cm) h, 7.5in (18.8cm) w, 4.5in (11.6cm) d.

Restoration to fretwork, crack to front. £150-250

84. Four Victorian brass miniature tilt-top tables / reflectors, a pair of nutcrackers in Renaissance style, dated ‘1564’; a brass bracket with an adjustable hook, a miniature anvil and hammer, a classical cast iron tazza with a brass liner and a small pewter measure, 10.5in (26.7cm) max. (10) £100-200

85. Thirteen iron keys, 19th century and later, a brass square chuck key, an escutcheon and a cast iron handle. (16) £40-60

86. Thirty two brass miniature fenders, of various pierced designs, one mounted a kitten wearing a bow. (32) £150-200

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87. A 19th century burr elm cricket table, with a triform undertier, 22.5in (57cm) h, 18.75in (47.4cm) dia. £400-600

88. A 19th century elm three leg low stool, 7.5in (18.8cm) h, 11in (27.9cm) w, 7.5in (19cm) d. £50-80

89. A north European brass pricket candlestick, the stem modelled with a lion holding a crown framing two tablets inscribed in Hebrew the Jewish ten commandments, on a lobed and stepped circular stem, on paw feet, 18th / 19th century, 15.25in (38.6cm) h. £150-200

90. A cast brass lion’s head door knocker, 8in (20cm) h, with a scroll and leaf plate. (2) £150-200

91. A child’s oak Orkney Island chair, with a wicker wrap round back to a solid seat on square tapering legs united by stretchers, early 20th century. £300-400

92. A pair of oval white metal relief plaques, depicting Venus holding a thyrsus with two satyrs, 18th century, 10in (25.5cm) h, 8.25in (21cm) w, in brass frames. (2) £100-200

93. A bronze lion’s head door knocker, with a ribbon and leaf reeded ring, 6.75in (17cm) h. £100-150

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94. A large oak refectory table, with a triple boarded and cleated end top above a plain frieze on six turned legs united by peripheral stretchers, late 19th century, 30.25in (77cm) h, 142in (362cm) l, 38.5in (98cm) w. £4,000-6,000

95. An oak gateleg table, the oval drop-leaf top to a later frieze drawer on baluster turned legs united by peripheral stretchers, 29.5in (75cm) h, 55.75in (141.5cm) open, 42in (106.7cm) d. Old repairs and replacements. £100-200

96. A mid 18th century tripod table, the circular oak tilt-top revolving on a birdcage to a yewwood base with a turned stem, cabriole legs and pad feet, 28.5in (72.2cm) h, 27.75in (70cm) dia. £200-300

97. A mid 18th century oak lowboy, the moulded edge top above three frieze drawers, capped cabriole legs and pad feet, 28in (71cm) h, 32.25in (81.7cm) w, 19.75in (50cm) d. £100-200

98. A 19th century yew cricket table, the circular top to an elm undertier, 23.5in (59.5cm) h, 16.25in (41.3cm) dia. £300-400

99. A late 18th century oak linen press on chest, with reeded decoration to front, the fruitwood screw housed within an open arched frame with a moulded edge base, on a canted cornered top above three short and three long drawers fitted later brass handles, on bracket feet, 81in (206cm) h, 32.75in (83cm) w, 19in (48cm) d. £450-550

100. An early 18th century oak side table, the twin plank moulded edge top above a frieze drawer fitted later brass handles, on block and baluster turned legs united by peripheral stretchers, 25.25in (64.3cm) h, 30.75in (78cm) w, 20.75in (52.3cm) d. Repairs and replacements, probably reduced. £200-300

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101. A harlequin set of eight Lancashire ash ladderback dining chairs, comprising: six side chairs each with rush seats and two open armchairs both with later leather seats. (8) Some feet tipped, repairs and replacements. £300-500

102. Three yew and elm low back Windsor armchairs, each with a pierced splat back and a crinoline stretcher, together with two ash and elm low back Windsor armchairs, one by Nicholson of Rockley, both with crinoline stretchers, 19th century. (5) £500-700

103. An early 18th century oak mule chest, the later hinged moulded edge top to a lidded till, the triple fielded and crossbanded panel front above three drawers, with panelled sides and on bracket feet, 33.25in (84.3cm) h, 49.25in (125.1cm) w, 20.25in (52.1cm) d. Top restored. £150-250

104. A George III oak and mahogany crossbanded Lancashire chest, the shaped raised back to a moulded edge top to a bank of nine drawers fitted later brass swan neck handles, flanked by reeded split quarter pilasters, with panelled sides and on ogee bracket feet, 39.25in (99.5cm) h, 80in (202.8cm) w, 22.25in (56.5cm) d. £500-800

105. A George III oak hanging corner cupboard, the moulded cornice above a fielded panel door enclosing three shaped shelves, 47in (119.3cm) h, 39in (98.9cm) w, 22.5in (57cm) d. £200-300

106. A 19th century oak dresser, the fixed rack with two shelves and shaped ends above two panelled front frieze drawers fitted iron handles, on chamfered supports and a potboard base, 60.25in (153cm) h, 49.25in (125.1cm) w, 18.75in (47.5cm) d. £300-500

107. A George III oak bureau, the fall with a central cupboard door with a pair of pilaster compartments, pigeon holes and drawers, above two short and two long graduated drawers fitted replaced brasswork, on bracket feet, 39.75in (101cm) h, 36in (91cm) w, 19.75in (47.5cm) d. £100-150

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113 114

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108. A late 17th century joined oak chest, the later hinged triple panelled top enclosing an open till, the foliate carved lunette frieze to a panelled front flanked by stylized scrolling leaves, 25.5in (64.3cm) h, 50.75in (128.5cm) w, 21.5in (54.5cm) d. £150-200

109. A joined oak chest, with a quadruple panel hinged lid and front, with an arched frieze above four lozenges centred a rosette, panelled sides, late 17th / early 18th century, 26.75in (68cm) h, 54in (137.5cm) w, 24.25in (61.5cm) d. £200-300

110. An early 17th century boarded oak chest, the hinged top with a moulded and crinkle carved edge to a foliate lunette carved front, 18.5in (46.8cm) h, 41.5in (105.4cm) w, 13.25in (33.5cm) d. Section of top replaced, cracks to top. £150-250

111. A late 19th century American walnut open armchair, having a turned spindle back, scroll arms on further turned supports, legs and stretchers, the seat re-rushed. £150-250 117 112. A 19th century West Country red painted stick back armchair, the hoop back to an elm seat above stretchered supports. £300-500

113. A pair of oak high back chairs in Carolean style, the scroll back centred a boy with a crown to a caned back and seat with leaf carved arms on stretchered supports. (2) £200-300

114. A 19th century Lancashire ash and sycamore ‘fan’ spindle back wing armchair, with a rush seat on stretchered supports. £50-100

115. An early 18th century oak dining table, the cleated end four board reversible top above a carved stylized leaf frieze and sides with shaped brackets, on turned slender barrel legs united by peripheral stretchers, 31.75in (80.5cm) h, 72.75in (185cm) l, 30.5in (77.5cm) w.

Provenance: The Cresswelll Family, Romsley, Shropshire. £2,000-2,500

116. A George III oak and mahogany crossbanded Lancashire mule chest, the moulded edge part hinged top above two false frieze drawers, one long drawer and three short drawers, fitted later brass handles, flanked by split quarter pilasters and on ogee bracket feet, 34.5in (87.3cm) h, 58in (147cm) w, 21.75in (55.2cm) d. £300-500

118

117. A George III oak press cupboard, the dentil and blind fret carved cornice above a pair of fielded panel doors enclosing pegs and a rail, flanked by spiral twist split pilasters, the base with five drawers fitted replaced brass handles on bracket feet, 75.5in (191.8cm) h, 52in (132cm) w, 21.5in (54.6cm) d. £500-700

118. A George II oak bureau cabinet, the moulded cornice above a pair of fielded panel doors, enclosing adjustable shelves, the fall revealing a sliding well cover, pigeon holes and drawers, the sides stepped, a later inset leather surface and brass lock stamped ‘I. BRAMAH, CROWNED PATENT‘, above a girdle moulding and two short and two long drawers, fitted replaced brasswork, on shaped bracket feet, the cupboard with iron side carrying handles, 78.75in (199.5cm) h, 40in (101.5cm) w, 23.5in (60cm) d. £600-800

119. A George III oak dresser, the plate rack with a moulded cornice above a stylized Greek key frieze and two shelves, the base with three drawers on moulded and chamfered square tapering legs, 75in (190.7cm) h, 75.5in (192cm) w, 21.25in (54cm) d. £600-1,000

119

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120. A French walnut farmhouse table, the moulded edge boarded top with cleated ends to a plain frieze and on bobbin turned legs united by stretchers, 30in (76.3cm) h, 126.5in (320.6cm) w, 34.75in (88.1cm) d. £600-800

121. A late 17th century oak chest, in two halves, with four long drawers each with twin panelled fronts, fitted replaced brass drop handles, with a base moulding on replaced front feet, 36in (91.5cm) h, 40.5in (103cm) w, 22.5in (57cm) d. £400-600

123. An oak side table, the moulded edge planked top above a frieze drawer with a geometric moulded front, slender baluster turned and block supports united by peripheral stretchers, late 17th century and later, 28.75in (72.8cm) h, 27.5in (69.7cm) w, 18.75in (47.6cm) d. £200-300

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122. A late 17th century oak chest, the boarded top with an applied moulded edge above three long graduated drawers with geometric mitred mouldings, fitted replaced brass handles, with panelled sides and on later bun feet, 31.75in (80.5cm) h, 35in (89cm) w, 23in (58.5cm) d. £500-800

124. A George II cherrywood hanging corner cupboard, with a pair of fielded panel doors, with engraved brass hinges enclosing three shaped shelves, 38in (96.7cm) h, 32.75in (83cm) w, 16.25in (41cm) d. £300-500

125. A George II oak lowboy, the twin plank moulded edge top above three frieze drawers fitted later brass swan neck handles, to a shaped apron and on cabriole legs and to hoof feet, 28in (71.3cm) h, 31.25in (79.3cm) w, 19.75in (50cm) d. £300-500

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126. An early 18th century oak refectory table, the two board top with later cleated ends, above a shaped frieze with a moulded border cut with ‘S’ motifs and stamped florets, the reverse plainer, on block and tapering turned supports united by peripheral stretchers, 30.75in (78cm) h, 91in (231cm) l, 36in (91.5cm) d.

Provenance: The collection of J.P.S. Clarke, Broadhurst Manor, Sussex. £2,000-3,000

127. An 18th century oak and elm dresser, the enclosed raised back with two shelves, reduced, above three drawers and a pair of fielded panel cupboard doors each enclosing a high shelf, replaced brasswork and on later feet, top and base possibly associated, 79.25in (201cm) h, 64.5in (164cm) w, 20.75in (53cm) d. £500-800

128. A small elm tavern table, the canted corner rectangular boarded top on moulded trestle end supports and stepped feet, 31in (78.5cm) h, 48.5in (123cm) w, 21.5in (54cm) d, together with a pair of benches, late 19th / early 20th century. (3) £400-600

129. An oak centre table, the boarded top above a plain frieze and on ring turned baluster supports united by peripheral stretchers, 30.75in (78.2cm) h, 54in (136.8cm) w, 26in (65.7cm) d. £150-250

130. An ash, oak and fruitwood farmhouse table, the twin planked top with cleated ends above a plain frieze and Gothic bracketed chamfered legs united by an ‘H’ stretcher, 19th century and later, 30.25in (77cm) h, 58.5in (148.2cm) w, 29.5in (74.9cm) d. Feet tipped. £300-500

131. A late 17th century carved oak bible box, the hinged slope revealing three drawers, to a guilloche and floret carved front and sides, 10in (25.5cm) h, 25in (63.5cm) w, 17in (43cm) d.

Old repairs. £150-250

132. An oak livery cupboard, with a three quarter gallery back having plate grooves, above a lunette and carved frieze and a pair of similarly carved doors, on turned supports and a stretcher base, 47.25in (120cm) h, 52.5in (133.5cm) w, 19in (48cm) d. £300-400

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133. A George I walnut bureau cabinet, the moulded cornice above a pair of later astragal glazed doors above a pair of candle slides, the moulded edge fall with a book rest to a fitted interior with a pull-out central section of hinged cupboard door, pigeon holes and two drawers, one drawer inscribed ‘Devizes Bills &’ revealing four secret drawers, flanked by three drawers each side, the front with a pair of lopers above two short and two long drawers, fitted replaced engraved brass plate handles and escutcheons on bracket feet, with brass side carrying handles, 92in (233.5cm) h, 42.5in (107cm) w, 23.5in (59.5cm) d.

Provenance: The collection of J.P.S. Clarke, Broadhurst Manor, Sussex. £3,000-5,000

134. A walnut chest on chest, the moulded cornice above three short and three long cross and feather banded drawers flanked by fluted canted angles, above three long drawers all fitted later brass plate handles, on bracket feet, 18th century and later, 70.75in (179.8cm) h, 43in (109cm) w, 22in (55.6cm) d. £500-700

22

135. A George II walnut chest, inlaid stringing, the applied caddy moulded edge top above three short and three long graduated drawers on bracket feet, 38.5in (97.4cm) h, 36.5in (92.7cm) w, 20in (50.8cm) d. £300-500

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136. A walnut chest, with an arc d’arbelette front, the book matched top with crossbanding to four long graduated drawers, fitted pierced brass plate handles, with canted corners and bracket feet, early 20th century, 34in (86.5cm) h, 30.25in (77cm) w, 19in (48cm) d. £300-400

137. A walnut chest on stand, with an arc d’arbelette front, having five long drawers fitted pierced brass plate handles, canted corners on cabriole legs to pad feet, early 20th century, 56.5in (143.5cm) h, 32in (81cm) w, 19in (48cm) d. £300-500

136

137 138. A walnut side table in William & Mary style, the quarter veneered crossbanded top above a frieze drawer, on scroll legs united by a shaped ‘X’ stretcher, late 19th century, 28.25in (71.5cm) h, 28in (71cm) w, 18.75in (47.5cm) d. Water marks to top. £150-200

139. A walnut dressing table, the serpentine front with cross and feather banding, the central frieze drawer flanked by cupboards, on shell capped cabriole legs, 30in (76cm) h, 42in (107cm) w, 24in (61cm) d and a similar bedside chest, 28.5in (72.5cm) h, 23in (58.5cm) w. (2) £100-150

139 138

140. A walnut wing armchair in early 18th century style, upholstered damask fabric, with scroll arms on leaf capped cabriole legs and fluted pad feet, originally on castors.

Old damages and repairs to legs. £1,000-1,200

141. A walnut wing armchair in George III style, on carved cabriole legs to claw and ball feet, early 20th century. Old worm holes. £100-150

140 141

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142. A mahogany Gainsborough style armchair, the padded back and seat upholstered damask fabric to outscrolling arms, on moulded bracketed and chamfered supports united by an ‘H’ stretcher, early 20th century. £150-250

142

143

143. An early 18th century japanned side chair, with gilt highlights, the vase shape splat back decorated a chinoiserie scene to a drop-in needlework seat on cabriole legs united by a turned and block ‘H’ stretcher and on pad feet, the japanned decoration possibly of a later date.

An old chip and losses to front left foot, old worm holes and degradation. £300-500

144. A George III mahogany commode open armchair, the arched top rail to a quadruple column back with stiff leaf capitals to a later drop-in seat on square tapering front legs and a George II mahogany commode stool, the later upholstered hinged top to a shaped frieze, to turned club legs and pad feet, 20.5in (52cm) h, 19.75in (50.3cm) w, 17.75in (45cm) d. (2) £50-100 145

144

145. A George II mahogany side table, the moulded edge top above a frieze drawer, fitted a brass plate handle, with curved brackets on turned club legs and pad feet, 27.25in (69cm) h, 27.25in (69cm) w, 17in (43cm) d. Top with plugs and a gouge. £200-300

147

146. An early George III mahogany corner commode armchair, with outscrolling arms and a pierced twin splat back, the later drop-in seat above a pot aperture with cover, with a shaped apron on chamfered and moulded legs. £250-350

146

147. A George II mahogany open armchair, the pierced fan shape splat back to outscrolling arms above a later upholstered stuffed-over seat on chamfered supports united by a pierced ‘H’ stretcher. £500-800

148

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148. A walnut wing settee in early 18th century style, upholstered damask fabric, the serpentine back to scroll arms and on cabriole legs and pad feet, united by baluster turned ‘H’ stretchers, late 19th century, 44.25in (112.4cm) h, 56.75in (144.2cm) w, 30in (76cm) d. £400-500

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149. A Victorian papier-mâché games box, the exterior painted with floral sprays with gilt highlights, the hinged lid inlaid a mother of pearl and ebonised chequer board, to a compartmented interior with a lift-out tray with a cribbage board, an ivory part chess set, an ebony and boxwood part chess set, draughts, two Japanese shibayama ivory and hardwood whist markers inlaid insects, and an example by Goodall & Son, London, playing cards, bezique etc, the lock stamped ‘Crowned V R PATENT‘, 4.25in (10.6cm) h, 16.25in (41.1cm) w, 12in (30.4cm) d. £500-600

150. A boxwood, ebony and ebonised Staunton pattern chess set, the king 3.25in (8cm) h, the pawn 1.75in (4.1cm) h, together with a 19th century mahogany tea caddy. (2) Old chips to extremities. £40-60

151. A rosewood and specimen marble chequer board table top, 19in (47.7cm) sq. £200-300

152. A miniature snooker table, revolving on a mahogany base with replaced turned wood feet, 3.5in (9cm) h, 14in (35.5cm) l, 8in (20.5cm) w. £350-400

153. A late 18th century tortoiseshell and piqué étui, decorated with squirrels and baskets of flowers, with a pull off cover, fitted a pistol grip penknife, a pair of steel and gilt metal scissors, a bodkin and a folding ivory note board, 3.5in (9cm) h. £200-300

154. A Victorian pressed tortoiseshell card case, two sides with a classical lady playing a lyre, with pewter stringing and ivory, 3.75in (9.5cm) h, another with central mother of pearl panels and tortoiseshell banded, and a tortoiseshell and piqué folding note book. (3) £80-120

155. A small collection of tortoiseshell items, comprising: three pots and covers, a compact with a mirror to the interior, a cigarette case, a pair of lorgnettes, a piquéwork purse and a similar card case with a silk lined interior, 19th century and later, 9.25in (23.3cm) l, max. (8) Damages. £100-150

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156. A brass and champlevé enamel oval snuff box, with a domed lid decorated with strapwork, the body with scrolling foliage, possibly Surrey enamel, 2.5in (6cm) w, together with two treen snuff boxes one in the form of a frog the other modelled as an elephant and a painted papier-mâché example. (4) Damages. £100-150

156

157

157. A 19th century carved wood and decorated ‘frog’ snuff box, with glass bead eyes, the hinged cover painted a horse racing scene, 3.75in (9.5cm) l, another smaller with mother of pearl inlay, cover missing, and a late 18th century blond tortoiseshell and piqué double lidded snuff box, with gilt mounts (a/f).

(3) £100-150 158. A collection of snuff boxes, to include: burr birch, tortoiseshell and horn; lacquer and painted papier-mâché examples, one with a printed scene of Stoke Hall, Derbyshire, together with a treen coaster box with a rose turned lid, a coaster centred a coin and a tortoiseshell and mother of pearl inlaid card case, 19th / 20th century, 5in (12.7cm) max. (17) £100-200

158

159

159. A collection of snuff boxes, including: a late 18th century oval tortoiseshell and white metal mounted example, a 19th century lacquer box in the form of a shoe, an engraved brass box inscribed ‘J. Sackley 1911’, a horn example etc., 3.75in (9.4cm) l, max. (20) £80-120 160. An early 19th century French pressed horn snuff box, the lid depicting the death of Atala and titled ‘ATALA AU TOMBEAU’, 3in (7.7cm) w, together with a 19th century papier-mâché box and cover, the lid painted with a bearded man possibly a saint, 4.5in (11.3cm) dia. (2) £100-150

160

161

161. A George III satinwood oval box and cover, inlaid barber’s pole stringing and a fan patera, the interior with foil lining, 3in (7.7cm) w; a 19th century treen rosewood snuff box, with brass tack decoration, 4in (11cm) l; a treen mahogany pot and cover; two Tunbridgeware stamp boxes, a sailor’s engraved cowrie shell and a small fruitwood toilet mirror. (7) £30-50 162. A 19th century brass inkwell, modelled as a lidded basket, with a swing handle, glass well, a pounce pot and two quill apertures, 5.5in (11.5cm) l, and a similar pot with a cast fruit hinged cover. (2) £100-200

162

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163. An early 19th century French mother of pearl, gilt brass and turquoise set ‘Souvenir’ note book, with engraved covers, the interior with 12 coloured printed vignettes and tilted months, held together with a pencil retipped, 2.75in (7cm) h, a jade and 14k mounted photograph frame by Verdura, 2.5in (6cm) w, and an Indian filigree mounted tooth brooch. (3) £150-250

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164. An early 19th century mahogany apothecary’s chest, the hinged lid and front revealing fifteen jars with stoppers, some with content labels, Antimonial Wine, Ether, Paregoric Elixir and also bearing labels for ‘E.PEAT (from Savory, Moore & Co), Chemist & Druggist, LYMINGTON‘, with Gothic arch apertures, to six drawers with turned bone handles, with brass scales and a glass pestle and mortar, measure and two pots, with a brass carrying handle, 9in (22.7cm) h, 8in (20.1cm) w, 8in (20cm) d. £400-600

165. A brass mounted hoof page turner, 22.75in (57.8cm) l, together with an ivory and calamander page turner, the handle inset three Austrian stamps, 16in (40.5cm) l, early 20th century. (2) £150-200

166. A 19th century continental bronze and porcelain mounted desk ornament, modelled with flowers and two birds around a central urn, 5.75in (14.5cm) h, 7.75in (19.5cm) w, 5in (12.7cm) d. One flower head missing. £100-150

167. A late 19th century Italian olivewood and plane folding miniature table, the rectangular top with a moulded edge frieze on hinged pierced and shaped trestle supports and stretcher, 4.75in (12cm) h, 10in (25.5cm) w, 5.25in (13.5cm) d, and a far eastern hardwood mould, carved temples and horses. (2) £150-250

164

165

166

168. Eleven pocket knives, one with faux tortoiseshell scales, another with a corkscrew; a button hook, a bone handled spike, seven corkscrews, three cap lifters and an ice hammer.

(24) £80-120 167

168

169. A pair of Victorian oak naturalistic wall brackets, carved with grapes, sweetcorn, pomegranates, pine cones, leaves and flowers, 13.5in (34.4cm) h, 12.75in (32.5cm) w. (2) £100-150

170. A figural glass vase in the form of a fecund woman, possibly South American, 13.5in (34.1cm) h. £80-120

169

170

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171. A pair of French Empire style ormolu and bronze figural candlesticks, modelled with Apollo and Diana, each supporting a nozzle cast with garlands and a sun and moon mask, the plinths with victory emblems above circular bases decorated with bands of palmettes and leaves, 2nd half 19th century, 12in (30.4cm) h, 4.5in (11.5cm) dia. (2) Diana lacking her bow. £400-600

172. A pair of French bronze and gilt metal figural candlesticks, each modelled with a cherub holding a cornucopia issuing the sconce, on a marble plinth hung with chains, late 19th century, 13in (33.1cm) h. (2) £400-600 171

172

173. A painted oval tôle tray, of a naval engagement, signed ‘L Dench’, 22.25 x 28in (56.5 x 71cm). £150-200

174. An early 19th century carved and pierced ivory fan, with a figure and leaf designs, the leaf painted the discovery of Moses, in a fitted case, 21in (53cm) w, and a late 18th century French carved ivory fan, relief decorated figures, buildings, basket of fruit and insects, the leaf painted a seated lady with a cherub above, with gilt foliage and cherubs, in a card tube with printed label Clarke, Fan Maker, No. 45 Ludgate Hill. (2) £300-500

175. A Victorian papier-mâché tray by Jennens & Bettridge, of serpentine form decorated with gilt foliate scrolls and inlaid mother of pearl urns and flowers, the reverse stamped ‘CROWNED JENNENS & BETTRIDGE, LONDON, BIRMH‘ and numbered ‘322 3736’, 25.75in (65.3cm) w, 18.25in (46.3cm) d. Cracks and an edge chip. £150-200

176. A detailed scale model of a Royal Navy steam picket boat, the painted wood hull, with brass and copper deck details including funnels, gun mount, wheel and rails, early 20th century, 17.75in (45cm) l, in a glazed case, with a brass plaque titled ‘MODEL OF A PICKET BOAT R. N.‘, 12.25in (31.2cm) h, 25in (63.1cm) w, 7.25in (18.3cm) d. £200-300

177. A small collection of mineral specimens, including: amethyst, malachite, copper, calcite etc. £40-60

178. After Angelica Kauffman. A pair of coloured stipple engravings, one of Cupid crowning Venus, 20 x 23.5cm in giltwood frames, together with a circular stipple engraving after Bartolozzi of Pomona and a later reprint ‘Cupid binding Aglaia to a laurel’. (4) £80-120

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179. A pair of Victorian bronze and cast iron trivets

by Coalbrookdale, the circular pierced tops with leaf, flower, bead and zig-zag bands, to a leaf wrapped stem and a scrolling leaf base, the underside stamped ‘CBDALE Co’, ‘No 164186‘, ‘No 12‘ and with a registration lozenge, 11.25in (28.5cm) h, 9.75in (24.6cm) dia. (2) £800-1,200

179

180. A 19th century mahogany book press, 19.5in (45.5cm) h, 13.5in (34cm) w, 11.5in (29cm) d. £400-500

180

181. A Dutch colonial brass cylindrical incense burner, with pierced foliate decoration, the hinged lid with a cast handle, on ball feet, 6.75in (17cm) h, 7.75in (19.5cm) dia. £10-20

182. A pair of turned mahogany candlesticks in George III style, each with a brass campana shape nozzle, to a ring turned baluster stem and dished and moulded circular bases, later converted for electricity, 19th century, 24.5in (62.3cm) h, 5.5in (14cm) d. (2) £200-300

183. An Italian bronze Grand Tour athenienne, after the antique, with tripod satyr monopodia supports, 19th century possibly Neapolitan, 7.5in (19cm) h, 4in (10cm) w. Losses and a break to one leg. £80-120

184. A pair of 19th century pewter portrait bust plaques, Queen Victoria and Prince Albert, 7.5in (19cm) h. max. (2) £80-120

185. A French ormolu mount, of scroll form with leaf and shell decoration, the sides with applied florets, 13.5in (34cm) h. £100-150

186. An Edwardian brass desk set by William Tonks & Sons, comprising: a double inkstand, one glass liner missing, a pair of candlesticks and calendar, stamped ‘W T & Sons with a sun’, 10in (25.1cm) w, max. (4) £200-300

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187. A pair of late George III blue john vases on stands, of semiovoid shape with integral covers having disc and pointed finials, on gilt brass socles to black and white marble square bases, 11in (28cm) h.

(2) £1,500-2,000 188. An Edwardian ivory rectangular shaving box, the hinged cover initialled D.H.M, the interior with a shaped division, 2in (5cm) h, 5.25in (13cm) w. £80-120 189. A 19th century Chinese carved ivory acrobat group, with articulated bodies, 3.5in (9cm) w, a small quantity of Chinese carved mother of pearl counters, mainly fish, and 46 19th century bone dominoes, boxed. £50-80 190. A plastic animal collar in the form of a wing collar and bow tie, with a brass bell, possibly for a cat, stamped ‘24’, early 20th century possibly French, 3.5in (8.7cm) dia. £50-100 191. A cameo carved shell lamp, depicting three cherubs harvesting grapes, on a bronze triform dolphin base, 9in (23cm) h, and two carved cameos, one depicting a windmill and two figures, the other an ancient Greek scene of a lady leading a blind man, 2.25in (6cm) h. (3) £150-200 192. A 19th century hardwood and carved ivory snuff bottle, one side decorated seated Diana, the verso with a ribbon tied hunting horn, 2.25in (6cm) h, and a long handled horn magnifying lens, 6.25in (15.5cm) l. (2) £100-200 193. An ivory and brass mounted 12 inch rule, marked J. RABONE an ivory handled steel scent bottle corkscrew, a silver bladed folding fruit knife with mother of pearl scales, Maker J.Y.C. Sheffield 1912. (3) £40-50

& SONS, MAKERS,

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188

189

190

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192 193

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194. A micromosaic and gilt brass casket, the lid decorated with two swans swimming on a lake, the sides with six panels of doves and other birds above flowers, raised on ball feet, 1st half 19th century, 3in (7.5cm) h, 5.5in (14cm) w, 3.75in (9.5cm) d. £800-1,200

195

194

195. A Victorian gilt metal cup, with a single open handle decorated with heart shape motifs, the body of the cup with running wolves, on a marble plinth, the circular base inscribed ‘LEUCHARS 38 & 39 PICCADILLY’, fixed under a glass dome and on a parcel gilt and mahogany base, 8.75in (22.2cm) h, 8.5in (21.5cm) dia. This has not been examined out of the dome. £200-300

196 197

196. A French black enamel handled cane, faceted with allover trailing foliage, the top engraved a coronet above interlaced S’s, on a malacca shaft stamped ‘VERDIER,’ and two eyelets, 35in (89cm) l. £100-200

197. A Victorian carved ivory handled walking cane, modelled as a lily, with a gilt collar inscribed ‘R.W.E.DIXON‘ on a malacca shaft, 34.5in (87.5cm) l. £120-160

198

199 198. A 9ct gold handled walking cane, floral chased with monogram ‘EHD’ on an ebonised shaft, maker HP & S, London 1920, 35in (89cm) l. £150-200

199. A late 19th century Indian dagger walking cane, with an ivory handle mounted an 8.5 inch steel blade, housed within a wood shaft, 35.75in (91cm) l. £150-250

200. An Indian ivory walking case, in three sections with a scroll handle having horn spacers and tip, late 19th century, 38.5in (98cm) l, a palmwood cane with turned horn handle, damaged, and an ebony shaft with inlaid ivory beads. (3) £100-200

200

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A Private Collection of Walking Canes

201. Ten walking canes, comprising: a vertebrae and horn cane, two segmented horn canes, two ebonised canes, a horn, silver plated and malacca cane; two silver plated and malacca canes and a branch cane with a crook handle, 43.25in (109.7cm) l, max. (10) £40-60

202. Ten walking canes, comprising: an ivory handled cane with a malacca shaft, three crook handled canes one with a silver ferrule, stamped ‘KENDALL‘ with initials ‘G T‘ and dated ‘30-4-31’; a horn handled example with a silver ferrule with monogram and a partridge wood shaft, an ebony cane with a foliate engraved bulbous handle, an Edwardian leather handled and silver mounted stick with a briar shaft, indistinctly inscribed and three others, 39in (99cm) l, max. (10) £40-60

203. Ten walking canes, comprising: a shagreen handled cane with a light colour malacca shaft, an ebony cane with a foliate engraved silver handle, a horn crook handled cane with a palmwood shaft, a horn cane simulating bamboo, a palmwood crook handled cane, a bamoo cane with white metal mounts and handle, a horn and malacca cane, an ebony crook handled cane and two others, 37.75in (95.7cm) l. (10) £40-60

204. Ten walking canes, comprising: a late Victorian tortoiseshell crook handled cane with a malacca shaft and a silver ferrule, an ebony example with silver mounts, a silver handled cane with a malacca shaft, an amber crook handled cane, with a gold coloured ferrule engraved with a monogram; an antler handled cane with an ebony shaft, two horn handled canes, one crook handled the other with a ball; a parquetry handled cane and two others, 36.5in (92.5cm) l, max. (10) £40-60

205. Ten walking canes, comprising: a late Victorian crocodile skin handled cane with a silver ferrule and a bamboo shaft, an amber handled cane with an 18ct gold ferrule and a malacca shaft, a root cane, a palmwood example with a crook handle, a segmented horn crook, an ebony shafted cane with a silver handle, a horn handled cane, a cane with a screw-off lid handle and two others, 36.5in (92.7cm) l, max. (10) £40-60

206. Ten walking canes, comprising: a marine ivory and ebony cane with a ball handle, a French cane with a white metal spiral twist handle and a light coloured malacca shaft inscribed ‘DROT PALAIS ROYAL‘, a horn handled malacca cane with an embossed gilt metal ferrule with initials, two palmwood canes, an ebony cane with a horn and mother of pearl handle, a root cane, a horn and ebonised cane and two others, 36.5in (92.4cm) l, max. (10) £40-60

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207. Ten walking canes, comprising: a marine ivory handled cane carved with a horse’s head, a horn and partridgewood cane, a late Victorian palmwood cane with a white metal handle with rocaille decoration and engraved a monogram, dated ‘13/3/99’; a crook handled horse measuring stick, a palmwood crook handled cane, two horn handled canes, an antler and bamboo cane, a white metal and malacca cane, and a silver handled cane, 36.25in (92cm) l, max. (10) £40-60 208. Ten walking canes, comprising: a shagreen handled cane with a malacca shaft and an ivory band, a leather and malacca cane with a bulbous handle, a silver crook handled cane, an antler and bamboo cane with a monogrammed white metal ferrule, an ebony cane with a silver reeded ball handle, an Honourable Artillery Company silver handled swagger stick, c.1917, two crook handled canes and two others, 36.75in (93.5cm) l, max. (10) £40-60 208

207 209. Ten walking canes, comprising: an early Victorian cane made from the wreck of H.M.S Edgar, exploded and sunk 1711, the brass handle inscribed ‘With A. Siebes’s Improved Diving Apparatus, 1844, Recovered under the Superintendence of Lt. H. Barlow R. E.’; a carved wood boxer dog’s head handle and with a silver ferrule indistinctly inscribed, a horn handled cane inlaid brass stars and a vacant cartouche, a continental white metal handled cane with a malacca shaft, an antler handled example, a bamboo cane with a crook handle, a palmwood cane and two others, 39.5in (100cm) l, max. (10) £40-60

209

210. Ten walking canes, comprising: an ivory handled cane with a foliate decorated white metal ferrule and a malacca shaft, a segmented horn cane with a stylized dog’s head handle, an ebony handled cane, a Victorian horn and ebony cane with 18ct gold foliate mounts, an eastern cane with a horse’s head and male mask handle, a crook handled cane with a silver terminal, an antler handled cane and two others, 36.5in (92.5cm) l, max. (10) £40-60

210

211. Ten walking canes, comprising: an ivory handled cane with a hardwood shaft, a rosewood cane with a white metal handle decorated with panels of vine leaves and grapes, two horn handled canes, a modern brass handled sectional cane, a bamboo crook handled cane, three malacca canes with white metal handles, a cane with an ebonised ball handle, 36in (91.2cm) l, max. (10) £40-60 212. Ten walking canes, including: a long staff with a foliate embossed gilt metal handle, a horn handled cane with a silver ferrule, with a shield inscribed ‘H. G. W. W. SEPT 1912‘, a sterling silver crook handled cane, inscribed with initials, three horn handled canes and three others, 59in (150cm) l, max. (10) £40-60 211

212

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213. Ten walking canes, comprising: a 19th century malacca cane with a 9ct gold terminal, an Alpine hoof and rootwood walking stick inscribed ‘Rigi’ and with applied metal badges for Lugano, Luzern, Campione etc., a walking stick with a horn and braided leather handle with brass mounts inscribed ‘NERE LAGUNA ETA LAGUNTZA’ and ‘AINCIART-BERGARA LARRESSORE‘, two African canes one with a an entwined serpent, two horn handled cane and two others, 37.75in (96.2cm) l, max. (10) £40-60

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214. Six walking canes, comprising: a tortoiseshell handled example with a silver ferrule, a palmwood and silver cane with a naturalistic handle, a sectional cane with a screw-off handle, a malacca cane with a brass handle, an antler handled cane with a silver ferrule and a crook handled cane, 42in (106.5cm) l, max. (6) £40-60

215. A Chinese silver handled ebony cane, decorated with a scaly dragon, bamboo and with a four character mark, 36in (91.4cm) l, a Chinese silver handled walking cane decorated with dragons, and with a naturalistically part carved stem, a Chinese malacca cane the silver handle decorated with figures in a landscape setting, maker’s marks, and an Indian cane, the handle with with figures, buildings and with a boy climbing a palm tree. (4) £40-60

216. A Victorian black painted cast iron stickstand, with sixteen divisions and two liftout metal trays, 22.5in (57cm) h, 38.5in (97.5cm) w, 11in (28cm) d, together with a pair of modern oak stickstands, each with 44 divisions. (3) £100-200

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217. A walnut dressing table mirror, the shaped rectangular plate within a conforming moulded frame with a scroll edge surmount, to a serpentine box base with feather banding and three drawers, early 18th century and later, 30.5in (77.5cm) h, 17.5in (44.5cm) w, 8.5in (21.5cm) d. £200-300

34

218. A mahogany toilet mirror, the replaced rectangular plate to a carved slip, the well figured box base fitted two two drawers and on bracket feet, 18th century and later, 24.25in (61.6cm) h, 14.75in (37.3cm) w, 8in (20.4cm) d. £200-300

219. A George III mahogany toilet mirror, the shield shape plate to scroll supports with bone rondels, the serpentine crossbanded base with three drawers fitted later handles, on bracket feet, 24in (61cm) h, 19in (47.9cm) w, 7.5in (19.3cm) d. Old breaks, to supports, adjustors replaced. £150-200

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220. A pair of late 19th century French large giltwood and gesso mirrors, with lyre and scroll leaf crestings and diaper panels with a crescent plate, the main with a bevelled arched plate surrounded by further plates and ribbon, leaf and bead borders, united by cartouches and two relief busts of a lady wearing a bonnet, 118 x 62.5in (300 x 159cm) (2) £1,000-2,000

221. A Florentine giltwood wall mirror, the rectangular plate to a pierced leaf and flower carved frame, 30.5 x 26.5in (77.5 x 67.3cm). One corner section off but present. £100-150

222. A late 19th century Florentine carved giltwood wall mirror, with a later plate, 23.25 x 19.75in (59 x 50cm). £80-120 221

223. A late 19th century Dutch embossed gilt brass and ebonised ripple moulded wall mirror, with a shaped cresting decorated with flowers and birds, the central rectangular plate flanked by chamfered side plates, 44 x 22in (86.5 x 56cm). £100-150

222

224. An Adam style gitlwood and gesso wall mirror, with a husk garlanded urn surmount above a rectangular frame to a ram’s head and husk garland base, 36 x 36.25in (91.5 x 92cm). £200-300

225. A 19th century ebonised and parcel gilt rectangular wall mirror, with a stepped arched plate to a moulded frame and with an urn surmount, 35.5 x 18.5in (90 x 47cm). £100-150

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226. A late 19th century Dutch black japanned lady’s bureau, of bombé shape, allover decorated with oriental figures in summer palace landscapes, the stepped interior with drawers, pigeon holes and a central cupboard flanked by secret pilaster drawers, above a frieze drawer and on cabriole legs, 43in (108.6cm) h, 35.5in (90cm) w, 19.5in (49.5cm) d. £200-300

226

227. A French rosewood and floral marquetry bureau a cylindre, with gilt brass mounts, the fall revealing drawers and a pull-out leather lined surface, above a frieze drawer, on cabriole legs, late 19th / early 20th century, 41.75in (106cm) h, 38.5in (98cm) w, 22.5in (57cm) d.

Water damaged. £250-350

227

228. A continental painted console table in 18th century style, the moulded serpentine edge Brèche d’alep marble top above a foliate and leaf carved frieze and supports united by a pierced cartouche, 35.75in (90.8cm) h, 24.5in (62cm) w, 19in (48.4cm) d. £100-200

228

229. A Dutch mahogany demilune tea table, the hinged fold-over top on a split leg support, with two frieze drawers to a shaped and curved apron on turned legs and pad feet, probably 18th century, 29.25in (74.2cm) h, 34.25in (86.8cm) w, 14.5in (36.8cm) d. Repairs. £300-500

229

230. A 19th century continental rosewood games table, the inlaid chequer board top to a frieze drawer to either side, on a turned stem and four moulded splay legs, 31.5in (79.5cm) h, 16in (40.5cm) w and d. £200-300

230

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231. An Austrian mahogany, ebony and mother of pearl inlaid pedestal work table, the circular hinged top inlaid a central urn with outer fish motifs, to a compartmented interior and a mirror, on a turned stem and a stepped octagonal base and brass castors, early 19th century, 34in (86.5cm) h, 20.75in (52.5cm) dia. £400-600

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232. A Normandy bleached walnut armoire, the moulded cornice above a frieze centred a panel with a central star issuing palm fronds, above a pair of panelled doors carved with shells enclosing a later divided interior with brass rails and shelves, late 18th / early 19th century, to a moulded base and on flattened bun feet, 87.25in (221.8cm) h, 64.75in (164.6cm) w, 27in (68.5cm) d. £400-600

233. An 18th century Anglo-Portuguese carved and polychrome decorated cupboard, the dentil moulded cornice above leaf carved borders to a pair of panelled doors one with a central split column, enclosing three shelves flanked by canted split columns, the sides with floral trellis designs, 80in (218.3cm) h, 50.75in (128.7cm) w, 26in (66cm) d. £1,000-1,500

234. An early 19th century Austro-Hungarian painted pine standing corner cupboard, with a swan neck pediment to a glazed astragal arch above a pair of fielded panel doors enclosing a painted interior with three shelves, above a cushion moulded drawer above a pair of panelled doors, to a painted interior lacking shelf, on ogee bracket feet, 94in (238.5cm) h, 47.5in (120.5cm) w, 32.75in (83cm) d. £1,500-2,000

235. A large French walnut and simulated armoire, inlaid banding, the detachable dentil moulded cornice above a pair of panelled doors with geometric and quatrefoil mouldings, the interior with two drawers and shelves, with panelled sides and on flattened bun feet, late 18th century, 107.75in (273cm) h, 76in (192.8cm) w, 28.5in (72.3cm) d. £1,500-2,000

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236. A 19th century continental rosewood and floral marquetry folio stand, of serpentine outline with kingwood banding, the hinged and ratcheted top inset a later gilt tooled leather panel to a detachable rest, above a door enclosing two adjustable shelves, with leaf scroll canted angles on flattened bun feet and sunken brass castors, 33.5in (85cm) h, 32.5in (82.5cm) w, 29in (73.5cm) d. £3,000-4,000

237

236

237. A pair of mahogany dwarf open bookcases in Empire style, with female caryatid pilasters flanking a shelf, 31.5in (80cm) h, 18in (45.5cm) w, 11.5in (28.6cm) d. (2) £200-300

238. A French white painted beechwood fauteuil in Louis XV style, the guilloche carved frame with moulded scroll arms and on stop fluted tapering legs, late 19th / early 20th century. £200-300

240. A 19th century continental ebonised games table, with gilt metal mounts, the reveneered circular top inlaid a chequer board with barber’s pole edging, 29.5in (75cm) h, 22.75in (58cm) dia. £300-400

238

241. A set of six 19th century continental walnut side chairs, with pierced ‘Gothic’ style backs, with bell shaped cane seats on stop fluted tapering legs. (6) £200-300

239. A 19th century turned rosewood Canterbury, with an undertier, on horn castors, 19.5in (49.5cm) h, 17in (43cm) w, 14in (35.5cm) d. £50-70

242. A 19th century French walnut and marquetry bureau de dame, the shaped fall inlaid an oval panel of flowers revealing an interior with a later leather surface, three drawers and shelves, above a pair of frieze drawers and on cabriole legs, 39.75in (98.5cm) h, 27.25in (69cm) w, 16in (40.8cm) d. £600-800

239

240

241

242

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243. A late 18th century Italian walnut, rosewood and fruitwood marquetry neo-classical commode, the quarter veneered and crossbanded top centred a navette shape cartouche with a male bust, above three lipped crossbanded long drawers fitted replaced brass handles, inlaid bands of flowers and berries, with birds and serpents amongst scrolling foliage, the deep central drawer centred a fan patera with a male mask, flanked by grotesque pilaster panels, the panelled sides with conforming decoration, on square tapering legs inlaid bell flowers, 34.75in (87.8cm) h, 48.5in (123.2cm) w, 23.25in (59cm) d. Restoration and replacements. £4,000-6,000

244. An 18th century walnut, kingwood and marquetry pedestal commode, with quarter veneers, the side hinged top opening to the left to reveal a vacant interior, on cabriole legs to hoof feet, Italian or Maltese, 29in (74cm) h, 18.5in (47cm) w, 14.75in (37.5cm) d. £300-500

244

245. An Italian ebonised and bone inlaid low table, the moulded edge top centred a penwork battle scene within a star motif and with grotesque marquetry panels, above a conforming frieze with a drawer on tapering legs and later feet, late 19th century, 20.25in (51.7cm) h, 26.5in (67.3cm) w, 19in (48.3cm) d. £200-300

245

246. A French carved beechwood day bed in Louis XV style, with cone finials and fluted and acanthus carved scroll supports on tapering legs, late 19th century, 37.75in (96cm) h, 78.5in (199.5cm) w, 33.75in (85.7cm) d. £400-600

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247 (pair) 247. A pair of giltwood console tables, each with a serpentine moulded edge white marble top above a foliate carved frieze and garland and tassel carved fluted tapering legs united by a moulded baton stretcher, 29.5in (74.8cm) h, 51.25in (130cm) w, 13in (32.9cm) d.

(2) £400-600 248. A late 19th century French bamboo easel, 73in (185.5cm) h, 31in (78.8cm) w, 32in (80.5cm) d. £1,000-1,200 249. A 19th century continental walnut secretaire à abattant, the grey marble top above a frieze drawer and a fall enclosing a shaped framed shelf above an arrangement of drawers with a replaced gilt tooled leather inset, above three further drawers all fitted replaced brass drop handles, 55in (140cm) h, 37in (94cm) w, 15in (38cm) d. £500-800 248

249 250. A set of four 19th century continental fruitwood chairs, each with a pierced splat back and a rush seat on square tapering front seats, comprising: an open armchair and three side chairs. (4) £150-200 251. A pair of French painted beechwood fauteuil in Louis XVI style, each with a needlework back, seat and armrest to a moulded show frame on paterae headed fluted tapering legs, late 19th century. £300-400 252. A 19th century walnut settee, the moulded serpentine show frame to a padded back and seat on cabriole legs, 42.5in (107.9cm) h, 70.75in (179.3cm) w, 34in (86.5cm) d. Old worm holes and damp stained. £300-400 251

250

252

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253. A painted pine and ash bookcase, with a pair of astragal glazed doors enclosing shelves above a pair of panelled cupboard doors enclosing a shelf to a plinth base, 101in (256cm) h, 56.25in (142.8cm) w, 17.5in (44cm) d. £800-1,200

254. A pair of painted pine bookcases, each with a moulded cornice above a pair of astragal glazed doors enclosing adjustable shelves, to a pair of drawers above a slide and pair of panelled cupboard doors, 104in (264cm) h, 45.25in (115cm) w, 19.75in (50cm) w. (2) £800-1,200

255. A painted pine open bookcase, the moulded cornice above a fluted frieze to five shelves, with panelled sides and a stepped plinth base, 108.75in (275.8cm) h, 78.5in (199cm) w, 23in (58.6cm) d. £600-800

256. An 18th century Dutch oak cabinet on stand, the moulded shaped cornice above a pair of conforming panel doors revealing drawers and shelves, the stand with two short and one long drawer on tapering faceted legs united by a shaped ‘X’ stretcher and bun feet, 81.25in (206.5cm) h, 47in (119.5cm) w, 16.75in (42.5cm) d. £100-200

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257

258 257. A Napoleon III ebonised, boulle marquetry and gilt metal mounted centre table in Louis XIV style, the serpentine moulded gadrooned edge top with foliate strapwork, above a frieze drawer centred an apollo mask on cabriole legs with espagnolette mounts terminating in foliate sabots, 29.5in (75.2cm) h, 60.5in (153.6cm) w, 33in (83.5cm) d. Brass lifting in places with losses, in need of restoration. £800-1,200 258. A late 18th century Dutch oak bombé bureau, in two parts, the fall revealing stepped drawers with hidden compartments, pigeon holes around a central serpentine cupboard with drawer behind, above a locking well cover, above a pair of loper drawers and two short and two long drawers fitted cast bronze handles on bracket feet, 45.25in (115cm) h, 44.25in (112cm) w, 24in (61cm) d. £100-200 259

260

259. An Edwardian mahogany tub chair, inlaid boxwood stringing, on square tapering legs and spade feet. £150-200 260. A Victorian walnut nursing chair, the moulded leaf and berry carved frame to a button back on scroll supports to ceramic castors. £200-300 261. A late Victorian rosewood and marquetry easy armchair, the pierced back to scroll arms and turned supports to ceramic castors. £100-150 262. A late Victorian mahogany low armchair, the pierced back and sides carved with scrolling foliage, the tapestry seat with two unicorns on cabriole legs and stylized hoof feet. £150-200

261

263. A pair of two seater settees, each with a serpentine back, scroll arms and on shepherd castors, with loose covers, 20th century, 32.75in (83.4cm) h, 75.75in (192.4cm) w, 34.75in (87.6cm) d. (2) £300-500

263 (pair)

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264‡. Mark Coreth (b.1958). A wild cat on a tree stump, bronze, signed and numbered 3/6, on a polished slated base, 9in (23cm). £500-700

265. A French bronze model of a Borzoi Wolfhound, on a stepped white marble base, 8.25in (21cm) h, 9.5in (24cm) l. £350-450

266. A cast iron model of a cockerel, later painted, 4.75in (12cm) h, 4in (10cm) l, and a similar model of a bull, 4.75in (11.5cm) h, 7.25in (18.5cm) l. (2) £200-300

267. Pierre Jules Mêne (18101879). Cropped-eared Terrier with ball, bronze, signed, 4.5in (11.5cm) h. £400-500 266 267

268. Pierre Jules Mêne (1810-1879). Italian Greyhound with fan, bronze, signed, 6.5in (16.5cm) h. £300-400

269. A late 19th century bronze inkwell, modelled as a boar’s head, hinged, liner missing, the back with ‘branch’ pen rest, 4.25in (11cm) h, 7in (18cm) l. £300-400

270. A bronze model of an Arabian horse, standing on an naturalistic oblong base, 20th century, 7.75in (19.5cm) h, 8.5in (21.5cm) w, 3.75in (9cm) d. £250-350

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272

273 271 271. Antonio Frilli (Italian, 1892). Bust of a young girl, marble, signed on the verso ‘A. Frilli’, 14.5in (37cm) h. £2,000-3,000

274. A French bronze model of Diana the huntress, on a marble plinth base, late 19th / early 20th century, 12.75in (32.3cm) h, 4.75in (12cm) w, 4.5in (11.4cm) d. A patch to the base. £150-200

272. A 19th century Italian bronze two handled vase, modelled in relief with two centaurs and putti in architectural and wooded landscapes, on a stepped marble and slate plinth base, 8in (20.2cm) h, 6.5in (16.5cm) w, 4.5in (11.3cm) d. £100-150

275. A 19th century French bronze reptilian group, of a lizard and two snakes entwined, on an oval green marble base, 9.5in (24cm) l. £150-250

273. A late 19th century French parcel gilt bronze standing monkey, dressed as a Ringmaster, wearing a top hat and smoking a pipe, on an oval slate base, 5in (12.5cm) h. £150-200

276. Gustav Grohe, German (1829-1906).

A lizard on a naturalistic rectangular base, bronze, signed, on a marble base, 8.25in (21cm) l. £200-300 277. A gilt bronze model of a lizard, mounted on a mineral specimen, c.1900, 1.75in (4.3cm) h, 5.5in (14cm) w, 3.25in (81cm) d. £250-350

276 275

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278. A Victorian polished bronze two handled urn, the body cast with flowers and leaves, the underside of the base stamped ‘2268’, 6.75in (17.2cm) h, 10.5in (26.1cm) w. One arm broken. £100-150 279. A bronze fetish letter rack, modelled as a standing woman wearing a horse mask, saddle, stirrups and tail, with a four bar fence and posts behind, on a shaped base, 9.5in (24cm) h, 10.5in (26.5cm) w. £150-250 278

280. Edward Alfred Drury (18561944). Spring, bronze signed ‘A. Drury’, on a green marble base, 17.5in (44.5cm) h.

See Nicholas Penny. Catalogue of European Sculpture in the Ashmolean Museum, Vol III. p.49. No.482 for the identical bronze. £4,000-6,000 281. Jules Moigniez (1835-1894).

Partridge, bronze, signed, on a rectangular base, 8.25in (21cm) h. £500-600

279

282. Three cold painted bronze children, comprising: a pair, one wearing a hat and reading a book, the other with her arms crossed, each standing on a naturalistic base, signed to the base ‘O. BERGE’, 7.25in (18.2cm) h, together with similar bronze of a boy standing on a rocky mound, signed indistinctly to the base, late 19th century, 7.5in (18.7cm) h.

(3) £200-300 283. After Pierre Jules Mêne, French (1810-1879). Pointer (Tac), bronze, signed, with a filled base, 1.5in (4cm) h, 4in (10cm) l. £200-300

281

284. A pair of plated table decorations in the form of hoopoe birds, male and female, each with glass eyes and articulated wings, late 19th / early 20th century, 7.25in (18.2cm) h, 11.5in (29.2cm) l, max. (2) £200-300

283

280

284

282

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285. A 19th century animalier bronze group, of a wolf attacking a hound and being attacked by another hound, on a naturalistic base, 11in (28cm) h, 18in (46cm) w. £600-800

286. A French terracotta bust of an 18th century aristocratic boy, indistinctly signed and dated ?177?, on a turned marble socle, 13in (33cm) h. £800-1,200

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287. A terracotta portrait bust of General Lord Wolseley, on a turned socle base, the back inscribed in pen, together with a similar bust of General Gordon, the back inscribed ‘General Gordon’, 17in (43cm) h, 11.5in (29cm) w. (2) £500-700

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288. John Keats (1795-1821). Plaster death mask, mounted on a rectangular slate inscribed ‘KEATS’, 13in (33cm) h, 9.5in (24cm) w, 6in (15cm) d. £400-600

289. A small Roman marble bust, of a man, on a later socle, 19in (48.5cm) h. £2,000-3,000

290. Italian School, late 19th century. A reclining nude on a daybed, marble, unsigned, 13in (33cm) h, 23in (58.5cm) w, 13in (33cm) d.

Weathered. £800-1,200

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292 291. A mid 18th century mahogany bureau cabinet, the moulded cornice above a pair of later arched bevelled mirror doors, enclosing pigeon holes and drawers, the adjustable shelves missing, above candle slides and a fitted interior with a central cupboard door and locking secret pilaster compartments, pigeon holes and drawers, one fitted for ink, the fall with an applied bookrest above a frieze drawer with lopers, a girdle moulding above three long graduated drawers, on bracket feet, possibly Scottish, 83.75in (213cm) h, 42in (107cm) w, 23.75in (60.5cm) d. In need of restoration. £400-600

293

294

292. A late George III mahogany linen press, the detachable moulded cornice above a pair of rectangular figured doors with outline mouldings, enclosing a later hanging rail above two short and two long oak lined drawers, fitted original brass swan neck handles, on bracket feet, 84.75in (215cm) h, 53in (134.5cm) w, 25in (63.5cm) d. £800-1,200 293. A George III mahogany open armchair, the leaf carved serpentine top rail above a pierced and interlaced splat back carved leafage and rocaille with moulded scroll arms to a drop-in seat, the frieze carved husk garlands on bracketed chamfered legs united by an ‘H’ stretcher. Old repairs. £300-500 294. A George III mahogany open armchair, the serpentine top rail above a pierced splat back to scroll arms and a drop-in seat, on chamfered supports united by an ‘H’ stretcher. Old repairs. £200-300 295. A mahogany open armchair in Chippendale style, the pierced serpentine top rail carved leaf scrolls and frilling above an elaborate ribbon tied splat with scroll arms carved foliage, on a stuffed-over velvet brocade seat and front cabriole legs capped with cabochon, late 19th century. £400-600

295

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296

296. A mahogany open armchair, the carved back and pierced vase shaped splat to a pair of scroll arms and a drop-in seat, on square chamfered legs united by an ‘H’ stretcher. £100-200

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297. A George III mahogany triple chair back settee, with a leaf and flower carved top rail above pierced and husk carved splat backs, the scroll arms on channelled supports to a later damask upholstered stuffed-over seat above chamfered and moulded legs united by stretchers, on leather roller castors, 36.25in (91.8cm) h, 64.5in (164cm) w, 23.5in (59.5cm) d. £2,000-3,000

298. A George III mahogany serpentine sideboard of small proportions, inlaid boxwood stringing and marquetry paterae, the crossbanded top above a central frieze drawer flanked by a deep drawer with a later baize lined lift-out tray with a dummy front and two drawers to the other side with later lift-out divisions for cutlery fitted replaced brass ring handles, on tapering legs to spade feet, 36.5in (92.4cm) h, 57.5in (146.2cm) w, 24.25in (61.7cm) d. £1,500-2,500

299. An Irish mahogany silver table, the dished rectangular top on slender cabriole legs to faceted pad feet, 28.5in (72.5cm) h, 28in (71cm) w, 18.75in (47.5cm) d. £200-300

300. A George III mahogany bureau, the later baize lined fall to a fitted interior of pigeon holes, drawers and secret pilaster compartments flanking a central cupboard, above three frieze drawers and three long graduated drawers fitted later turned knob handles on ogee bracket feet, 41.25in (104.5cm) h, 49.5in (125.6cm) w, 22in (55.5cm) d. £400-600

301. A George III mahogany demi-lune tea table, the fold-over top to twin gate supports, 27in (68.7cm) h, 33in (83.8cm) w, 16in (40.5cm) d. £150-250

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302. A George III mahogany ‘tray top’ bedside commode, the shaped gallery pierced three handgrips above a pair of doors, the pull-out base with an aperture, on chamfered and moulded legs, 29.25in (74.4cm) h, 24in (60.8cm) w, 18.75in (47.6cm) d. Sun faded, brasswork later. £300-400

302

303. A George III mahogany ‘tray top’ bedside commode, with a replaced top above a pair of cupboard doors with crossbanding and stringing, above a converted pull out base drawer, pierced side handgrips, 30.5in (77.5cm) h, 21in (53cm) w, 18in (46cm) d. £200-300

304 304. A mahogany four poster bed in George III style, the shaped canopy to blind fret carved Gothic arch decoration with fluted column supports to carved claw and ball feet and brass castors, 93in (236.3cm) h, 57.5in (145.8cm) w, 80.5in (204.9cm) l. £1,000-1,500

303 305. A late George III mahogany ‘tray top’ bedside commode, the galleried top above a cupboard door and a later drawer, 30.75in (78cm) h, 19.5in (49.5cm) w, 17.25in (44cm) d. £200-300

305

50

306. A mahogany chest on chest, later inlaid stringing and satinwood banding, the moulded cornice above a blind fret frieze and two short and four long drawers flanked by fluted canted angles, the base with three long drawers all fitted later brass handles, on bracket feet, George III and later, 71.5in (181.5cm) h, 43in (109cm) w, 22.25in (56.6cm) d. £400-500

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307. A George II mahogany dwarf cabinet, the crossbanded moulded edge top above a pair of fielded panel doors enclosing a bank of twenty four drawers each with a brass plaque engraved a letter and a ring handle, to a moulded edge and a later plinth base, 35in (89cm) h, 53.75in (136.3cm) w, 22.25in (56.5cm) d. Some handles replaced, and some lettered plaques off. £1,000-1,500

308. A 19th century mahogany bureau, the fall enclosing drawers and pigeon holes around a cupboard door, with an ivorine trade label from ‘BARNBY, BENDALL & Co.

THE

FURNITURE

DEPOSITORIES,

CHELTENHAM‘,

above four long graduated drawers fitted later handles on ogee bracket feet, 40.75in (103.5cm) h, 38in (96.5cm) w, 20in (51cm) d. Old repairs, warped flap. £200-300

309. A George III mahogany cellaret, the moulded edge hinged top above an arc d’arbelette panelled front, with one side carrying handle and on later bracket feet, 17in (43cm) h, 19in (48cm) w, 14.25in (36.2cm) d. £300-500

309 308

310. A mahogany side table, the moulded edge top above a frieze drawer and on square tapering legs, George III and later, 29.75in (72.8cm) h, 33in (83.4cm) w, 19.25in (48.8cm) d. Top sun faded. £100-150

311. A George III mahogany Pembroke table, the moulded edge oval drop-leaf top above a frieze drawer fitted later brass ring handles, with a false front to the reverse, on square tapering legs and later brass caps and roller castors, 28in (71cm) h, 37in (94cm) w, 29.75in (75.5cm) d. Repairs to legs. £200-300

310

311

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312. A 19th century mahogany Pembroke table, the oval moulded edge drop-leaf top above a bowfront drawer on square tapering legs, brass caps and castors, 27.5in (69.8cm) h, 20.25in (51.3cm) w, 32in (81cm) d. £100-150

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313. A mahogany bookcase, the detachable broken pediment above a pair of lancet shape astragal glazed doors enclosing three adjustable shelves, George III, previously the top of a secretaire, 50in (127cm) h, 41.5in (104.7cm) w, 12in (30.1cm) d. £200-300

315. A late George III mahogany breakfast table, the crossbanded and reeded edge tilt-top above a turned stem and four channelled splay legs, brass caps and castors, with retailers plaque ‘KERRIDGES, UPHOLSTERERS & FURNISHERS, HAILSHAM‘, 29.5in (74.7cm) h, 54in (137cm) w, 39.5in (100cm) d. £100-200

317. A late George III mahogany serpentine front pedestal sideboard, inlaid fine boxwood stringing, with a central frieze drawer fitted later brass handles, one missing, above a tambour door, flanked by a pair of oval panel doors, enclosing shelves, on plinth mouldings, 36.5in (93cm) h, 72.25in (183.5cm) w, 31.25in (79.5cm) d. £600-800

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314. A George III mahogany lowboy, the moulded edge top above two short and one long drawer fitted lacquered brass swan neck handles, on chamfered and moulded supports, 28.25in (71.5cm) h, 31in (78.5cm) w, 18in (45.8cm) d. £300-400

316. A George III mahogany bowfront serving table, with three frieze drawers fitted replaced brass ring handles, on square tapering legs, 31.75in (80.6cm) h, 72.5in (183.8cm) w, 23.5in (59.5cm) d. Reduced. £600-800

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318. A set of six George III mahogany open armchairs in ‘French Hepplewhite’ style, each with a cartouche shape back and moulded and scroll arms, upholstered later gross point needlework, the serpentine seat on slender cabriole legs carved husks and foliage, one with two paper labels printed ‘YARDLEY‘ and inscribed in pencil ‘V. YARDLEY‘, with later floral covers. (6) Old repairs. £2,000-3,000

319. A harlequin set of six mahogany Hepplewhite style chairs, with pierced vase shape splats, with drop-in seats in two differing materials, five with square tapering legs, one with square chamfered legs, 19th century. (6) £100-200

320. Two similar George III style wing armchairs, each with a curved ribbed back and scroll arms, upholstered damask fabric, one on chamfered and moulded front legs to brass castors, the other on square tapering legs brass caps and castors. (2) Damp stained. £600-800

321. A set of six late George III mahogany dining chairs, each with a tapering ladder back to a drop-in seat on square tapering legs united by stretchers. (6) £500-800

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322. A George III mahogany standing corner cupboard, the dentil moulded broken pediment with a central flame above a blind fret carved frieze and a pair of fielded panel doors enclosing a later painted interior with three shaped shelves, flanked by stop fluted canted angles above a pull-out demi-lune shaped shelf fitted engraved brass handles to a conforming base on bracket feet, 90.25in (229.3cm) h, 40.5in (103cm) w, 24in (61cm) d. £800-1,200

323. A George III mahogany open armchair, upholstered distressed brass studded red leather, the moulded arms to a serpentine seat on fluted tapering legs. £200-300

54

324. A late George III painted open armchair, the olive ground with floral decoration having a fine pierced trellis panelled back, with down scroll arms on turned supports with a cane seat on ring turned tapering legs. Repairs. £300-400

325. A mahogany and brass bound octagonal wine cooler in George III style, the hinged top to a lead line interior, the tapering body to a fluted frieze and bracketed fluted legs terminating in brass caps and castors, 2nd half 19th century, 25.5in (64.3cm) h, 18.5in (46.8cm) w. £500-700

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326. A late George III mahogany bowfront corner washstand, inlaid boxwood stringing, the later top above a frieze drawer flanked by false fronts, 41.75in (106cm) h, 24.75in (62.8cm) w, 16in (40.5cm) d. £100-150

327. A mahogany pot cupboard, the sides with pierced handgrips, on channelled supports, 30in (76.3cm) h, 13.75in (34.7cm) w, 14in (35.3cm) d. £80-120 326 327

328. A mahogany two tier dumb waiter, on cabriole legs to faceted pad feet and brass roller castors, 30in (76cm) h, 24.75in (62.8cm) w. £40-60

329. A George II mahogany wig or basin stand, the circular pierced top above two drawers and on tripod cabriole legs and pad feet, 31.75in (80.5cm) h, 20.5in (51.8cm) w. £80-120

330. A George III mahogany bedside cupboard, with a shaped galleried top above pierced hand grips to either side, the door with an oval panel and reeded mouldings above arc d’arbelette aprons and moulded square tapering legs, 30.75in (77.9cm) h, 15in (38cm) w, 13.75in (35cm) d. £300-400

328 329

331. A mahogany stool, the upholstered seat on chamfered supports united by an ‘H’ stretcher, 18in (45.7cm) h, 21.75in (55.2cm) w, 15.75in (40cm) d. £100-150

332. An early 19th century mahogany sideboard, inlaid brass stringing, the rosewood crossbanded inverted breakfront top above a pair of concave gilt metal grille doors enclosing an adjustable shelf, flanked by three drawers to each side, the right deep drawer with divisions for bottles with ivory escutcheons and spiral twist columns on turned bun feet, the top previously with a superstructure, 36.75in (93cm) h, 53.75in (136.2cm) w, 23.75in (60cm) d. £200-300

333. A George III satinwood and purpleheart banded card table, of canted form, the hinged fold-over top revealing a baize lined playing surface, on twin gate supports, the banded frieze to square tapering legs, 30in (75.9cm) h, 34in (86cm) w, 16.5in (41.8cm) d. Cracks and sun faded. £200-300

331 330

333 332

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334

337

335

336

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334. A Regency mahogany linen press, with ebonised mouldings, the detachable cornice decorated with palmettes above a pair of panelled doors enclosing five slides, the base fitted two short and two long drawers on swept bracket feet, 84in (213.4cm) h, 56in (142.5cm) w, 22.25in (56.6cm) d. £400-600

336. A 19th century mahogany standing corner cupboard, the astragal glazed door enclosing three shaped shelves above a frieze drawer fitted a later brass handle above a fielded panel door enclosing a shelf, 84.5in (214.5cm) h, 36.5in (93cm) w, 18.25in (46.5cm) d. £300-400

335. A mahogany bookcase cupboard, the dentil moulded cornice above a pair of geometric astragal glazed doors enclosing four adjustable shelves, the base with a pair of cupboard doors with outline mouldings enclosing an adjustable shelf, on swept bracket feet, George III and later, 90in (228.6cm) h, 50.75in (128.4cm) w, 16.5in (42cm) d. £500-700

337. A 19th century ebonised and specimen wood medal/coin cabinet, with a pair of geometric parquetry inlaid doors enclosing fifty four trays with gilt tooled morocco leather apertures, all with gilt brass knob handles, the sides with laurel leaf cast handles, 26.25in (66.5cm) h, 36in (91.5cm) w, 13.75in (35cm) d. £600-800

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338. Thomas Barton, Tunbridge Wells. A Victorian glove box, ebonised veneer with foliage panel and banding, to a paper lined interior, the underside with paper label T.BARTON Late NYE, Manufacturer, MOUNT EPHRAIM AND PARADE TUNBRIDGE WELLS, 2.75in (7cm) h, 9.75in (25cm) w, 3.5in (9cm) d, and a Tunbridgeware inkstand, with moulded glass well with cover. (2) £150-200 339. Edmund Nye, Tunbridge Wells. A Victorian Tunbridgeware stationery casket, rosewood veneered with a central floral spray and foliage border, to a paper lined partitioned interior, the brass hinges stamped MOORE & Co PATENT No.2, the underside with printed label EDMUND NYE, Manufacturer, MOUNT EPHRAIM, AND PARADE, TUNBRIDGE WELLS, 5.25in (13.5cm) h, 9in (23cm) w, 4.75in (12cm) d. £200-250

338

339

340

341

342

343

344

345

340. A Victorian Fernware serpentine front tea caddy, the hinged cover with an applied oval photographic print, hilltop view with railings, to a divided interior with two covers, the lock stamped with crowned VR PATENT, 4.75in (12cm) h, 8in (20cm) 5in (12.5cm) d. £200-250 341. Edmund Nye, Tunbridge Wells. A Victorian Tunbridgeware sewing box, ash veneered with a central floral spray, a parquetry and floral band, to a silk and paper lined partitioned interior, the brass hinges stamped P. MOORE REGISTERED SEPT 27 1845, the underside with printed label EDMUND NYE, Manufacturer, MOUNT EPHRAIM AND PARADE, TUNBRIDGE WELLS, 2.75in (7cm) h, 10in (25.5cm) w, 4.5in (11.5cm) w. £150-200 342. An early 19th century mahogany and brass bound travelling jewellery box, the hinged cover inset a plaque inscribed Mrs J.T. Hill, sunken brass side handles, the leather, paper and plush lined interior with a lift out tray, with a brass Chubb’s Patent lock, no. 8287, 9in (23cm) h, 14.25in (36cm) w, a Victorian rosewood writing slope, a Mauchline ware cribbage board and a horn purse. (4) £100-200 343. A Tunbridgeware sewing box, mahogany with a central view of Tonbridge Castle, the sides and front with floral panels all with parquetry borders, the interior with a partitioned tray with three lids and a central pin cushion, 6in (15cm) h, 13in (33cm) w, 10in (15.5cm) d. £225-250 344. A kingwood and bone parquetry writing slope, inlaid stringing, with a leather lined interior with stationery divisions to the lid and a twin hinged slope to divisions for inkwells and a pen tray, early 20th century, 6.25in (15.5cm) h, 12in (30.3cm) w, 9in (22.7cm) d. £100-150 345. A William IV rosewood and mother of pearl inlaid portable writing box by R. Dalton, with a turned spindle handle and nulled mouldings, to a twin hinged top revealing a pair of divisions for inkwells, two pen trays and a lidded compartment, the base with a drawer with a green trade label inscribed ‘R. DALTON, Portable Writing Desk, Fancy Cabinet and Pocket book Manufacturer, ....BAZAAR, SOHO SQUARE...‘, 5in (12.5cm) h, 10.25in (26cm) w, 7in (17.7cm) d. £120-180

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346. A Flemish ebonised, ivory and bone table cabinet, of nine drawers with ivory handles around a central cupboard, the fronts all polychrome decorated with hunting scenes, originally on bracket feet, 17th century and later, 10.5in (26.3cm) h, 15.5in (39.3cm) w, 7.25in (18.6cm) d. £600-800 347. Two Victorian walnut and brass mounted domed stationery boxes, 6.25in (15.7cm) h, 9.5in (24cm) w, 6.5in (16.2cm) d, together with a Victorian mahogany and brass mounted scent bottle box, the plush lined divided interior with three cut glass scent bottles and stoppers, one lacking. (3) £150-200 348. An early 19th century burr yew tea caddy, of rectangular canted form, inlaid boxwood stringing, with a twin lidded paper lined interior, 4.75in (12.2cm) h, 7.5in (18.9cm) w, 4.5in (11.3cm) d. Lid handles later, veneer replacements. £100-150 349. A late George III mahogany cube tea caddy, inlaid conch shells to the cover and front, to a later foiled interior, 4.5in (11.5cm) h and w, another with chevron banding and satinwood panels. (2) £150-250

346

350. A Victorian burr walnut sarcophagus shape tea caddy, inlaid parquetry stringing, the interior with three lidded divisions, on flattened bun feet, 7in (17.7cm) h, 12.75in (32.5cm) w, 7in (17.9cm) d, together with an early 19th century rosewood tea caddy, inlaid boxwood stringing, 6in (15.3cm) h, 12in (30.1cm) w, 6in (15.2cm) d.

(2) £100-200 351. A banded stopper, (11.4cm)

French walnut and tulipwood box, containing a cut glass jar and c.1870, 6.25in (15.6cm) h, 4.5in w. Escutcheon lacking. £20-30

352. A Victorian papier-mâché and mother of pearl inlaid rectangular box, with a raised edge cover and gilt highlights, 10.25in (26cm) w, a similar 19th century French glove box, with painted decoration, the interior with an embossed card lining titled ‘GANTS’, 11in (28cm) w, and a pencil box decorated children playing.

(3) £60-80

347

348

349

350 352 351

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353. A Victorian miniature mahogany chest, of two short and three long boxwood strung drawers, fitted turned wood knob handles, on shaped bracket feet, 14.25in (36.1cm) h, 12.25in (31.2cm) w, 9.25in (23.5cm) d. One handle chipped but present, with key. £250-350

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354. An early Victorian miniature mahogany chest, of two short and three long boxwood strung drawers, fitted turned knob handles, to a shaped apron and on bracket feet, 13.75in (34.8cm) h, 15.5in (39.1cm) w, 6.5in (16.5cm) d. £300-400

355. A 19th century mahogany tea caddy in the form of a chest of drawers, the hinged top to a divided lined interior with a single lid fitted ivory handles, the dummy front to shaped bracket feet, 7in (17.3cm) h, 7.5in (18.6cm) w, 4.5in (11.3cm) d. Lock lacking. £100-200

356. A pair of George III mahogany knife boxes, each inlaid stringing, and with a sloping serpentine front with a navette shape escutcheons, the interiors with later divisions, 14in (35.4cm) h, 8.5in (21.5cm) w, 11in (28cm) d. (2) Old cracks, one escutcheon missing, losses to stringing. £200-300

357. An 18th century Chinese Export lacquer knife box, of bowed form with a sloping hinged cover, decorated chinoserie scenes, with silver coloured metal mounts, lock clasp missing, the interior later divided and plush lined for stationery, 13.5in (34cm) h, 9in (23cm) w. £400-600

358. A 19th century Dutch walnut and marquetry jewellery box, the hinged cover with canted front corners and decorated a flowering vase flanked by two cherubs, to a plush lined interior above a base drawer, on angled scroll feet, 6.75in (17cm) h, 15.25in (38.7cm) w. £250-350

359. A George III harewood and marquetry writing slope, inlaid barber’s pole stringing and burr yew and oyster paterae, the hinged slope revealing a later marbled paper interior with two small drawers, the side with a drawer, 4.25in (10.4cm) h, 13.75in (34.6cm) w, 12.75in (32cm) d. Lid warped, with key. £80-120

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360. A George IV rosewood, brass bound and brass strung double hinged jewellery case, the cover inlaid initials IHI, with a plush lined interior with a mirror and compartments, hinging to a further layer with a lift-out tray revealing two drawers, with a brass Bramah style double lock, 6.25in (16cm) h, 14in (35.5cm) w. £400-500

362. A walnut and parcel gilt pier mirror in 18th century style, the rectangular plate to a painted still life panel of a vase of flowers, with a fret surmount and a Prince of Wales plume, late 19th / early 20th century, 52 x 19in (132 x 48cm). £150-250

361. A Victorian macassar ebony, brass, mother of pearl and abalone marquetry writing slope, the front inlaid an urn flanked by a pair of Ho-Ho birds amidst scrolling foliage and flowers, the interior with a plush lined slope, a pair of inkwells, a pen tray and two lidded compartments and two secret drawers, 4.25in (10.5cm) h, 15in (37.8cm) w, 10in (25.3cm) d. £200-300

363. A Victorian giltwood and gesso wall bracket, with an arched mirror back and ribbon tied floral garlands, 26in (66cm) h, 10.5in (26.5cm) w. £100-150

364. A pair of bronze girandoles in rococo style, each with a shaped plate to a frame decorated with ‘C’ scrolls, flowers, rocaille and a dragon, late 19th century, 19in (48.1cm) h, 13.5in (34.3cm) w. (2) Sconces lacking. £150-200

365. A William IV giltwood and gesso overmantel mirror, the inverted cornice above leaf and baton mouldings to a rectangular plate, the verso inscribed in italics ‘E J Outteridge 1835’, 33 x 55.5in (84 x 141cm). £400-600

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366. A large Victorian giltwood and gesso overmantel mirror, of arched shape, applied foxgloves and with a leaf and berry border, 80.5in (204.5cm) h, 75in (190.5cm) w. £600-800

368. A late 19th century giltwood and gesso wall mirror shelf, having three tiers and with scroll foliage decoration, 39.5 x 21in (100.5 x 53.5cm). £200-300

367. A William IV giltwood and gesso overmantel mirror, the rectangular plate to a leaf carved frame and an inverted breakfront base, the back inscribed in chalk ‘Cleveland Place, ...., James Pallais’, 69in (175cm) h, 50.5in (128cm) w. £500-700

369. A Regency mahogany cheval mirror, the rectangular bevelled plate to ring turned baluster supports on splay legs terminating in gilt brass paw sabot and castors, 58.5in (148.4cm) h, 31in (78.8cm) w, 28in (71cm) d. £1,000-1,200

370. A late 19th century satinwood and marquetry dressing mirror, the rectangular plate to a gilt slip, 69 x 31.25in (175.3 x 79cm). £150-200

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371. A pair of amboyna and gilt brass mounted inverted breakfront bookcases, with ebonised mouldings, each with a grey marble top above a pair of glazed doors enclosing three fixed shelves, to a plinth base, 19th century elements, 48in (122cm) h, 48in (122cm) w, 14.25in (36cm) d. (2) £6,000-8,000

372. A late Victorian rosewood and marquetry envelope card table, the revolving top with a baize lined playing surface and counter wells, above a frieze drawer, on square tapering legs united by a galleried undertier and on ceramic castors, 28.75in (72.9cm) h, 21.75in (55.3cm) w and d. £300-400

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373. An Edwardian mahogany bijouterie table, the blind fret edge top to bevelled glass and a plush lined interior, on twin stretchered supports, 30in (76cm) h, 27in (68.5cm) w, 18in (45.5cm) d. £200-300

374. A Victorian rosewood whatnot, the three quarter foliate fret carved gallery above three tiers with spiral twist supports, the base with a drawer, on turned legs and brass caps and castors, 44.5in (112.7cm) h, 20.75in (52.6cm) w, 16in (40.5cm) d. £400-600

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375 376

375. A Victorian mahogany twin pedestal sideboard, the pair of sarcophagus shape pedestals each with a gadroon and foliate carved edge above a drawer with a fluted and rosette panelled front and a gilt metal lion’s mask handle, with Hobbs & Co locks, one side lead lined with divisions for bottles the other with a baize lined pull-out cutlery tray, above cupboards on carved paw feet, the breakfront central section with a raised back to a frieze drawer with a carved floral swag, 42.25in (107cm) h, 84in (213.4cm) w, 27.5in (69.8cm) d. £800-1,200

376. A Victorian walnut, amboyna and ebonised credenza, inlaid stringing and marquetry with amaranth banding and gilt metal mounts, the central arched door to a silk lined interior with two shelves, flanked by a pair of columns and conforming bowfront doors, 43in (109cm) h, 60.5in (153.5cm) w, 18.25in (46.5cm) d. £500-800

377

377. An early 20th century mahogany extending dining table in Adam style, the ‘D’ ends on a telescopic frame stamped ‘Bu 1192161927’, with two extra leaves with folding friezes, to a palmette and urn frieze, on fan paterae headed fluted square tapering legs and acorn feet, 30in (76cm), 24.75in (63cm) height to frieze, 94.75in (240.5cm) l, 47.75in (121cm) d.

Possibly by Bulstrodes of London. £800-1,200

378. A set of twelve Regency simulated rosewood dining chairs, gilt metal mounted, each with a rope twist top rail above a horizontal splat centred a rondel decorated with palmettes a band of flowers and fruit with a central rosette, above a cane seat and on sabre legs, with later squab cushions. (12) £2,500-3,500

378

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379. A Victorian mahogany extending dining table, the moulded edge top with rounded corners with two additional leaves above turned and fluted tapering legs, brass caps and castors, 28.25in (71.5cm) h, 91.75in (233cm) extended, 47.5in (120.5cm) w. £600-1,000

380. A George IV mahogany twin pedestal partner’s desk, the moulded edge top inset black tooled leather above three frieze drawers to either side and three graduated drawers to each pedestal, fitted replaced brass handles, the reverse with panelled cupboards, on castors, 30.25in (76.7cm) h, 59.5in (151cm) w, 38.5in (97.3cm) d. £1,000-1,500

381. A Victorian mahogany three-tier dumb waiter, with lobed mushroom shaped finials, ribbed supports and turned feet to brass caps and ceramic castors, 45.25in (115cm) h, 44in (112cm) w, 19in (48.2cm) d. £300-500

382. An Edwardian mahogany demi-lune tea table, with satinwood banding and boxwood stringing, the fold-over top to a single pull-out support, 29.25in (74.3cm) h, 39.25in (99.5in) w, 19.75in (50cm) d. £250-300

383. An Edwardian mahogany and satinwood banded occasional table, inlaid stringing, with two open shelves, with panelled sides and on square tapering legs, 28.25in (71.4cm) h, 19.5in (49.4cm) w, 19.75in (50cm) d. £200-300

384. A late Victorian mahogany and floral marquetry display cabinet, with a shaped glazed panel door enclosing a plush lined interior with three shelves, 50in (127cm) h, 23.75in (60cm) w, 15in (38cm) d. £200-300

385. An ash and pine folding luggage rack, inscribed ‘Beatty Bros. Limited, Fergus, Canada’ and stamped ‘S513’, on wooden castors, early 20th century, 21.75in (55.2cm) h, 42.25in (107.1cm) w, 16in (40.6cm) d and a late Victorian walnut towel rail, 35in (89cm) h, 31.25in (79.3cm) w, 12in (30.7cm) d. (2) £80-120

386. A Victorian mahogany luggage rack, the top of one leg stamped ‘529’, 17in (43cm) h, 28in (71cm) w, 16in (40.5cm) d. £100-150

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387. A set of ten early Victorian rosewood dining chairs, each with a lappet carved interlaced buckle back to a drop-in seat on lappet and ribbed tapering legs. (10) £1,500-2,000

389. An early Victorian ‘fancy work’ decorated pine chiffonier, with an ebonised ground with gilt floral decorated chinoiserie figures, the raised back above a frieze drawer, signed Margaret Gray, 1840, fitted later handles above a pair of panelled doors with elliptical grilles enclosing a shelf on flattened bun feet, 53.75in (136cm) h, 43.5in (110.2cm) w, 15in (37.6cm) d. £800-1,200

388. A Sheraton Revival satinwood and polychrome decorated sewing table, with canted corners and kingwood banding, the hinged lid painted en grisaille a scene with an angel and two cherubs, to a silk lined interior, on square tapering legs united by a shaped undertier, 28.5in (72.5cm) h, 19in (48cm) w, 14.75in (37.5cm) d. £900-1,100

390. A Sheraton Revival polychrome decorated centre table, the circular top centred a lady in period costume standing next to a tazza of apples, on square tapering legs united by an undertier, 28.5in (72.5cm) h, 24.5in (62cm) dia. £400-600

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391. A William IV rosewood chaise longue, the moulded and leaf carved show frame to scroll supports and brass castors, 32.75in (83cm) h, 70.5in (179cm) w, 27.25in (69cm) d. £500-700

392 391

392. A 19th century rosewood and floral marquetry occasional table, the fixed circular top on a faceted baluster stem and a triform base, 21in (53.4cm) h, 20.5in (52cm) dia.

Reduced. £80-120 393. An Edwardian rosewood and floral marquetry envelope card table, with a baize lined playing surface with counter well above a frieze drawer and a stretchered undertier, 30.25in (77cm) h, 22in (56cm) w and d. £400-500 394. A William IV mahogany library table, the moulded edge top above a panelled frieze four drawers, three cedar lined, two with divisions and one with a brass lock stamped ‘GALE BIRMm‘, on turned ribbed tapering legs and brass caps and castors, 29.25in (74.2cm) h, 58.25in (148cm) w, 50in (127cm) d. £600-800

393

394 395. A 19th century mahogany butler’s tray, on an associated stand, 31.75in (80cm) h, 28in (71cm) w, 17.75in (45cm) d. (2) £300-400

395

396. A Victorian oak roll top desk by S & H Jewell, the three quarter gallery top with an applied brass plaque inscribed ‘An offering from a grateful congregation to their beloved Parish Priest, Bussage 1885’, the interior fitted with drawers and pigeon holes above a pull-out leather lined writing surface, the central frieze drawer with a stencil mark ‘FROM S & H JEWELL’S FURNITURE WAREHOUSES, GT & 29,30 & 31 LITTLE QUEEN ST. HOLBORN’,

flanked by drawers and three drawers to each pedestal, 50in (127cm) h, 67in (170cm) w, 35in (89cm) d. £600-800

396

397

66

397. A Victorian mahogany tripod table, the well figured top above a baluster stem and carved and pierced scroll supports, 28.25in (71.8cm) h, 21.25in (53.6cm) w, 18in (45.8cm) d.

Restored. £150-200

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398. A 19th century rosewood breakfront side cabinet, with brass marquetry, the white marble top above four rectangular panelled doors with fabric backed brass grilles enclosing adjustable shelves, 37.75in, (96cm) h, 71in (180.5cm) w, 15in (38cm) d. Restoration. £1,000-1,500

399. A Victorian walnut breakfront side cabinet, with marquetry, stringing and gilt brass mounts, the moulded edge top above an inlaid frieze and three glazed panel doors enclosing a plush lined interior with two shelves, on bracket feet, 41in (104cm) h, 65.75in (167.5cm) w, 13.5in (34.5cm) d. £300-500

401. A modern burr yew veneered pedestal desk, with an inset leather top above three frieze drawers and three drawers to each pedestal, 30.5in (77.5cm) h, 60in (152.5in) w, 36in (91.5cm) d. £400-600

400. A George IV mahogany pedestal sideboard, after a design by Thomas King, the raised back with a carved laurel wreath with scroll ends centre a hanging bell flower above three frieze drawers, the left later fitted for cutlery, the pedestals with a slide tray and a cellaret drawers, with anthemion mouldings to the doors, above a lotus leaf base moulding, on bun feet, 51in (129.5cm) h, 73.75in (187cm) w, 25in (63.5cm) d.

See The Pictorial Dictionary of British 19th Century Furniture Design, ACC, 1998, pages 429-430 for a drawing of the above sideboard by Thomas King from The Modern Style of Cabinet Work Exemplified, 1829. £500-700

Design for lot 400

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402. A William IV mahogany extending dining table attributed to Gillows, each end with rounded corners to a moulded edge above a mahogany telescopic frame joining in the centre, one side with a box to house the brass fasteners, with three extra leaves, the veneered frieze to a reel and dart applied edge and on twelve tapering lobed and ribbed legs, with palmette and floret banded brass caps and castors, 29.25in (74cm) h, 130in (330cm) extended, 59.5in (151cm) w, length fully extended 218in (554cm), with a cradle for six leaves.

See Stuart, Susan E., Gillows of Lancaster and London, 1730-1840, p.243 for reference to the patented ‘Imperial’ dining table with two joining telescopic frames originally drawn in 1804, see plate 240. £4,000-6,000

403. A George IV rosewood bergère in the manner of Gillows, the upholstered back and seat to leaf carved scroll arms and a panelled frieze on turned and ribbed tapering legs to brass caps and castors. £1,200-1,500

403

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404. A William IV simulated rosewood bergère, later upholstered yellow damask fabric, the lyre shape front with leaf carved scroll arms to lappet headed tapering legs to brass caps and castors. £800-1,200

404

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405. A pair of late Regency mahogany hall chairs attributed to Gillows, the well carved shell backs on scroll supports with an oval aperture painted a wreathed castellated tower crest above initials ‘GWB‘, to a solid seat with inner reed border, the back rails stamped ‘D‘, on turned and ribbed tapering legs. (2) £4,000-6,000

406. Gillows, Lancaster. A near pair of late Regency Pembroke tables, with a reeded edge top above an end frieze drawer with applied beading, each stamped GILLOWS. LANCASTER, on turned tapering legs with brass sabots and castors, 29in (73.5cm) h, 21.75in (55cm) w, closed, 30in (76cm) d. (2) £4,000-6,000

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407. A Regency mahogany wine cooler, of sarcophagus shape with concave corners inlaid ebonised stringing, the hinged top with an oak leaf and acorn carved finial to a fan gadrooned raised section and a nulled edge, the interior lead lined and with a brass lock stamped ‘GR PATENT‘, the ribbed and rondel panelled sides, to Ionic capital headed paw feet and steel castors, 27.5in (69.8cm) h, 29.5in (74.7cm) w, 21.5in (54.6cm) d. £2,000-2,500

408. An early Victorian rosewood Sutherland table by John Bewes of Gillows, the twin flap top with twin gates and turned tapering legs with brass castors, stamped COPE COLLINSON PATENT, the twin baluster end supports to a platform united by a turned stretcher, on flattened turned feet with sunken brass castors, the platforms stamped I. BEWES, 29.5in (75cm) h, 46.25in (117.5cm) open, 32in (81.5cm) w.

John Bewes, Lancaster was listed in the Gillows records working from 1834-1849. £1,500-2,000

407

409. A George IV mahogany bergère, the moulded frame with a panelled top rail with caned back sides and seat having scroll arms and supports on sabre legs with brass castors, later buttoned leather squab cushions. £500-700

408 409

410. A George IV mahogany open armchair in the manner of Gillows, the curved top rail with stylized palmette corners to horizontal splat and channelled scroll arms above a green leather stuffed-over seat on turned and ribbed tapering legs and front ceramic castors. £1,500-2,000

411. A Regency mahogany card table by Pryer & Mackenzie, with a rosewood banded folding swivel top, baize lined, banded frieze with a central tablet with reel beading, on a leaf carved and ribbed stem, a quatreform base with scroll legs having applied bronze scroll mounts to gilt brass paw sabots and castors, stamped ‘crowned B.S & P PATENT’, the bearer with printed trade label ‘Pryer & Mackenzie, UPHOLSTERERS & CABINET MAKERS, No.30 BRYDGES STREET, Catherine

410

70

411

Street, Strand, LONDON. Funerals and Appraising’., 29.25in (74cm) h, 36in (91.5cm) w, 18in (46cm) d.

Pryer & Mackenzie are listed as cabinetmakers and upholsterers at 30 Brydges Street, Covent Garden, London from 1812-1837. £300-400

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412. A George IV rosewood and brass side cabinet, the replaced green marble top above two frieze drawers with marquetry panels and nulled borders, above a pair of rectangular panelled doors with silk backed grilles with anthemion corners, enclosing two shelves, flanked by turned columns, 38.75in (98.5cm) h, 54in (137cm) w, 19.25in (49cm) d. Back feet missing, veneer losses. £500-800

413. A 19th century giltwood console table, the associated Carrara marble top above a palmette and cabochon frieze, on leaf carved scroll supports to a mirror back and a concave front rosewood plinth base, 37in (94cm) h, 33in (83.5cm) w, 15in (38.1cm) d. The base reduced, old chips. £600-800

414. An early 19th century Scottish mahogany secretaire bookcase, the swan neck pediment carved with swags above lancet shaped astragal glazed doors flanked by turned columns, enclosing two adjustable shelves, above a panelled and nulled secretaire drawer fitted drawers and pigeon holes above three long graduated drawers on turned tapering feet, 100in (254cm) h, 48in (122cm) w, 20.5in (52cm) d. £800-1,200

415. A George IV mahogany bowfront chiffonier, with moulded edge tops, the top tier part replaced on scroll supports, above a frieze drawer and a pair of pleated silk panelled cupboard doors enclosing adjustable shelves, on scroll volute supports and feet, 46.5in (118cm) h, 36.75in (93.5cm) w, 19.75in (50cm) d. £500-700

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416. A George IV rosewood teapoy, with nulled, reel and lozenge mouldings, the hinged top revealing three pull-out canisters and a glass mixing bowl with an etched oak leaf and acorn band, on a concave panelled stem to a quatreform base and scroll carved paw feet and brass castors, 30.25in (77cm) h, 19.5in (49cm) w, 13.25in (33.4cm) d. £600-800

417. A William IV mahogany jardinière stand, the circular moulded edge top with a sunken lidded centre on a ring turned baluster stem, on a triform base to flattened bun feet, 30.75in (77.7cm) h, 20.25in (51.4cm) dia. £500-600

416 417

418. A 19th century mahogany butler’s tray, with folding sides each pierced a handgrip, on a folding stand, 34.75in (88.3cm) h, 34.75in (88.3cm) w, 25.75in (65.3cm) d. (2) £150-200

418

419. A pair of early 19th century mahogany hall chairs, each with reeded waisted back with applied rondels centred a shield painted a crest of a demi lion issuant, on ring turned tapering ribbed legs. (2) Backs with old iron braces. £200-300

419

420. An early 19th century mahogany desk chair, upholstered green studded leather, the curved button back with a horizontal rail and ball splat with foliate carved spandrels on ribbed tapering legs to brass caps and castors. £800-1,200

421

420

421. An early 19th century mahogany campaign open armchair, re-upholstered in a mustard colour material, the reclining back mechanism with brass levers under the arm supports, the seat with a pull-out foot rest with hinged pad, on detachable petal carved and turned legs, the back legs detaching off sliding brass brackets, on brass castors. £1,000-1,500

422. A George IV mahogany card table, in the manner of Gillows, the reeded edge hinged top revealing a baize lined playing surface on twin gate supports with ribbed and ring turned tapering legs, 29.5in (74.7cm) h, 36in (91.5cm) w, 17.75in (45cm) d. £300-500

422 423

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423. A George IV mahogany occasional table, the reeded edge tilt-top above a ring turned stem on four leaf hipped down swept legs terminating in brass caps and castors, 29.75in (75.3cm) h, 30in (76.3cm) w, 23.75in (60.5cm) d. Repairs to base, top and base possibly associated. £200-300

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424

425

426

427

428

429

424. A late George III mahogany chest, the moulded edge top above two short and three long graduated drawers fitted turned knob handles on bracket feet, 38.5in (97.5cm) h, 36.5in (92.5cm) w, 20in (50.7cm) d. £300-400

425. An early 19th century mahogany butler’s tray, with hinged arched sides, on an associated folding stand, 33.75in (85.5cm) h, 30in (76cm) w, 19in (48cm) d. £300-400

426. A Victorian mahogany flame veneered chest, of two short and four long graduated drawers, fitted turned wood knob handles, to a plinth base, 48in (122cm) h, 47.5in (120.8cm) w, 23.5in (59.6cm) d. £400-500

427. An early Victorian mahogany corner armchair, the curved back with scroll arms supported by turned spindles to a drop-in seat on turned tapering legs united by an ‘X’ stretcher on brass caps and castors. £500-700

428. A William IV mahogany open armchair, the padded back, seat and armrests upholstered red leather, on faceted tapering legs and replaced brass caps and castors, the back with an applied brass plaque inscribed ‘THIS

429. An Edwardian mahogany bergère, the reeded frame to ribbed supports. £150-200

CHAIR WAS OWNED BY REV. MARTIN JOSEPH ROUTH, D.D. PRESIDENT OF MAGDALEN COLLEGE, OXFORD 17911855‘.

£300-400

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430. A Regency rosewood and brass inlaid ‘D’ shape card table, the fold-over top on twin gate supports to a baize lined playing surface on ring turned gadroon and fluted tapering legs, early 19th century, 29.5in (75cm) h, 36in (91.4cm) w, 17.5in (44.5cm) d. Top warped, some veneer loss. £100-200 431. An early Victorian mahogany writing table, with a three quarter galleried top, above a pair of frieze drawers fitted turned knob handles on solid trestle ends united by a foot stretcher, on turned bun feet and wooden castors, 32.25in (81.8cm) h, 41in (104.3cm) w, 21.25in (53.5cm) d. £800-1,200

431 430

432. An early 19th century mahogany chest, the moulded edge and crossbanded top above two short and three long graduated crossbanded drawers, fitted replaced brass handles, on bracket feet, 35.75in (90.8cm) h, 39.75in (101cm) w, 20.75in (52.3cm) d. £200-300

432

433. A two seater sofa, upholstered in pink draylon with later green loose covers on brass castors, early 20th century, 30.5in (77.5cm) h, 58in (146.8cm) w, 42in (106.7cm) d. £200-300

433

434. A 19th century mahogany butler’s tray, pierced handgrips, on a folding stand with turned supports, 35.5in (89.8cm) h, 30.25in (76.5cm) w, 20in (51cm) d. (2) £200-300

434

435. A 19th century satinwood writing table, the rectangular top with rounded corners above two frieze drawers and false fronts to the reverse, on plain trestle ends united by a turned stretcher, to bun feet and sunken brass castors, 28in (70.7cm) h, 36in (91.5cm) w, 21in (53.3cm) d. £400-600

435

436. A Regency mahogany sofa table, with rosewood crossbanding, the twin flap top with canted corners above a pair of frieze drawers with boxwood edging, with brass handles, on trestle end supports with splay legs united by a later turned stretcher, on brass castors, 28.75in (73cm) h, 38.25in (97cm) w closed, 27in (68.5cm) d. £500-800

437 436

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437. An early 19th century beechwood window or love seat, of scroll design, with rope twist lifts with a cane seat, with remains of rosewood simulation, 25.5in (64cm) h, 41.5in (105.5cm) w, 17in (43cm) d. One end repaired. £200-300

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439

440

438. A Victorian rosewood work table, the moulded edge hinged top with canted corners, to a paper lined divided interior, on a turned stem and quatreform base, 27in (68.6cm) h, 17in (43cm) w, 13.75in (34.8cm) d. £300-400 439. A late Victorian satinwood oval bijouterie table, inlaid stringing, on square tapering legs united by an ‘X’ stretcher, 30in (76.3cm) h, 13.5in (33.8cm) w, 11.5in (29.3cm) d. £500-600 440. A William IV carved mahogany column jardinière, the lift-off leaf carved top on a tapering turned stem and petal base, 39.25in (99.7cm) h, 12in (30.5cm) dia. £400-500 441. A set of early 19th century mahogany graduated and galleried shelves, with ring turned baluster supports and ribbed finials, 22.5in (57cm) h, 27in (68.5cm) w, 7.25in (18.5cm) d. £400-500

441

442. A pair of early 19th century simulated bamboo side chairs, each with a cane seat and on stretchered supports. (2) £350-450 443. A set of early 19th century mahogany open shelves, with reeded edges and brass supports, finials and feet, 27.25in (69cm) h, 28in (71cm) w, 8in (20cm) d. £300-400 444. A mahogany side table, with a replaced moulded edge top with a raised back, above a pair of frieze drawers, one bears a stamp ‘GILLOWS’, with damaged turned handles, on turned and ribbed tapering legs with brass castors, the base 2nd quarter 19th century, 33in (84cm) h, 36.25in (92cm) w, 23.75in (60.5cm) d. £500-600 445. A late Victorian rosewood and marquetry Canterbury, in the manner of Edwards & Roberts, satinwood banded and inlaid stringing with three divisions, ‘X’ shape supports and turned spindle columns above a frieze drawer on turned tapering legs and ceramic castors, 19.75in (50cm) h, 20.5in (52cm) w, 15in (37.8cm) d. Faded. £200-300

443

444

442

445

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446. An early 19th century mahogany linen press, the detachable cornice above a pair of panelled doors enclosing an interior originally with slides but now a shelf, above two short and three long drawers fitted turned wood knob handles, on turned feet, 77.75in (197.4cm) h, 50.75in (128.7cm) w, 23.25in (59cm) d. £600-800

447. A late Victorian walnut bookcase cabinet, the dentil moulded cornice above an astragal glazed door enclosing four adjustable shelves, above a pair of panelled doors, one stamped ‘T. WILLSON 68 GREAT QUEEN STREET, LONDON‘ enclosing two shelves, 90in (229cm) h, 31.5in (80cm) w, 15.5in (39.3cm) d. Section of moulding damaged to lower door. £600-800

448. A small mahogany side cabinet, with a pair of panelled doors enclosing a shelf on bracket feet, 33in (83.8cm) h, 30in (76.2cm) w, 14.25in (36.1cm) d. £200-300

449. A set of six Victorian oak dining chairs in the Grecian Revival style, each with a curved top rail to a pierced splat back, the bow front seat on stylized Greek key and tapering legs to ceramic castors. (6) £100-200

450. A Regency mahogany bowfront chest, inlaid ebonised stringing, of two short and three long graduated drawers, fitted replaced brass knob handles, on swept bracket feet, 40.5in (102.8cm) h, 42.5in (107.9cm) w, 21.5in (54.7cm) d. £300-400

451. A set of six late Regency mahogany side chairs, each with a part ribbed and curved tablet top rail above a foliage carved horizontal splat, the drop-in seat above moulded sabre front legs. (6) Restorations. £100-200

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452. A Sheraton Revival oval satinwood sewing table, with gilt brass mounts and Wedgwood style jasperware oval panels, the hinged top to a later fabric lined interior, the frieze with mythological decorated plaques, on square tapering splay legs united by a concave sided undertier, late 19th century, 28.5in (72.5in) h, 16in (40.5cm) w, 10.25in (26cm) d. £1,000-1,500

452

453. A Sheraton Revival satinwood and painted occasional table, the oval top decorated with trophies emblematic of Victory within a band of flowers, on square tapering legs united by an undertier, on ceramic castors, late 19th / early 20th century, 27.75in (70.5cm) h, 27in (68.5cm) w, 15in (38cm) d. £600-800

453

454. An Edwardian mahogany and brass bound oval jardinière by Alex Hampton, London, with a lift-out metal liner, the base stamped with ‘Rd 43179’ and maker’s mark, 15.75in (39.8cm) h, 15.75in (40.2cm) w, 12in (30.5cm) d. Movement to legs. £100-150

455. A Victorian walnut four tier whatnot, with marquetry stringing, with turned and carved supports and shaped tiers, previously with applied backs, 48.5in (123cm) h, 32in (81cm) w, 14.5in (37cm) d. £50-70

456. A mahogany writing table, the moulded edge top inset green leatherette on square tapering legs and spade feet, the underside with a circular ivorine plaque numbered ‘1776’, 30.5in (77.5cm) h, 48in (122cm) w, 36in (91.5cm) d.

Provenance: The Bank of England. £200-300

457. An early Victorian rosewood stool, the drop-in needlework upholstered seat dated ‘1982’, on scroll supports united by a spindle ‘X’ stretcher and on leather roller castors, 17in (42.6cm) h, 18.75in (47.5cm) w, 18.25in (46.4cm) d. One leg replaced, old cracks, losses and repairs. £100-150

458. A Victorian gilt concave sided stool, the foliate carved frame on cabriole legs, 15.75in (40cm) h, 24.25in (61.5cm) w, 27.5in (69.7cm) d. £100-150

459. A Victorian oak gout stool, the button upholstered top to a hinged and double ratchet support, to a gothic panelled frieze and octagonal bun feet, 13.75in (34.8cm) h, 19.5in (49.2cm) w, 12.75in (32.3cm) d. £400-600

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460. A mahogany card table in George III style, the crossbanded serpentine moulded edge hinged top revealing a baize lined surface on twin gate supports above a fluted frieze centred a husk garland with paterae, on square tapering legs and socket feet, 19th century, 28.75in (73cm) h, 35.5in (90.2cm) w, 17.75in (44.7cm) d. £200-300

461. A George IV pollarded oak teapoy, the circular moulded edge hinged top revealing a pair of part hinged lidded cylindrical caddies and two cut glass sugar bowls above a lobed baluster stem on a triform base and scroll feet and brass roller castors, 28in (71cm) h, 19.25in (48.8cm) dia. £1,200-1,500

462. A Victorian mahogany console table, the rectangular moulded edge marble top with canted corners above a concave frieze and on scroll, leaf and cartouche carved cabriole legs, 31.5in (80cm) h, 43.5in (110.3cm) w, 21.25in (54cm) d. £600-800

463. A William IV mahogany library armchair, upholstered yellow watered silk, the channelled frame with scroll arms on ribbed and ring turned tapering legs to brass caps and castors. £600-800

464. A Victorian mahogany library table, the moulded edge top above two frieze drawers to each side, one with divisions, on turned and ribbed tapering legs and ceramic castors, 29.25in (74cm) h, 48.25in (122.5cm) w, 33.75in (85.5cm) d. £800-1,200

465. A pair of 19th century bellringer’s stools, each with a saddle shape seat on turned tapering legs united by a ‘T’ shape stretcher on ball feet, 16.75in (42.4cm) h, 16.5in (41.4cm) w, 14.25in (36cm) d. (2) £400-500

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466. A Victorian walnut chaise longue, the carved showframe decorated with scrolling foliage and imbrication, on fluted tapering legs with replaced brass castors, 36.5in (92.3cm) h, 74.5in (189.2cm) w, 30.5in (77.4cm) d. £500-800

467. Three 19th century giltwood and gesso pelmets, with leaf decorated cornices above a replaced fabric frieze and an egg and dart base, 11.5in (29cm) h, 88in (223.5cm) w, the pair: 82in (208.5cm) w. (3) £500-700

466

468. A mahogany and satinwood secretaire, inlaid stringing, the crossbanded top above a pull-out secretaire drawer fitted with three long drawers, flanked by gilt brass mounted Corinthian columns above a central pull-out drawer and two cupboards each enclosing a shelf on swept bracket feet, 41.75in (106cm) h, 38.5in (97.5cm) w, 19.25in (49cm) d. One foot off but present, old damages and repairs. £100-200

467

469

468 469. A Victorian oak library table, the moulded edge top inset green leather, above a pair of deep frieze drawers with turned knob handles on ribbed tapering legs and ball castors, 30.5in (77.3cm) h, 50in (126.6cm) w, 33.25in (84.5cm) d. £200-300

470. A pair of mahogany armchairs, upholstered green damask fabric, with scroll arms, inlaid stringing and flower head paterae, on square tapering legs.

(2) Restored. £300-400

470 471

471. An early Victorian mahogany hall chair, restoration, together with an oak joined stool in 17th century style. (2) £100-150

472. A Victorian rosewood ‘X’ frame stool, with stretchered supports, 16.5in (41.6cm) h, 16.75in (42.3cm) w, 14.75in (37.5cm) d. £150-200

473. A William IV rosewood foot stool, with an upholstered seat and on scroll supports, 6in (15cm) h, 17in (43cm) w, 15.75in (40cm) d. £100-150

473

472

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474. A Moorish walnut twin pedestal desk, inlaid mother of pearl, bone and ebonised stringing, the spindle gallery top with a scroll carved crest, above three frieze drawers and three drawers to each pedestal, the reverse with cupboards, each flanked by ring turned columns, with panelled sides, each with raised spandrels and a central rondel, on flattened bun feet, late 19th / early 20th century, 44in (111.7cm) h, 56.75in (144cm) w, 36.5in (92.5cm) d. Cracks to top. £1,000-1,500

475. A Syrian ebonised, mother of pearl and metal inlaid chest on stand, decorated geometric motifs the front with foliage and centred war trophies flanked by vases, with a painted giltwood and green inner border, the interior with two lidded tills, on a fixed bracketed base, late 19th century, 39.25in (100cm) h, 56in (142cm) w, 22in (56cm) d. £1,200-1,500

476. An Anglo-Indian carved sandalwood and sadeli work writing slope, Bombay, extensively carved with animals, mythical beasts and scrolling foliage, the hinged top fitted with lidded compartments and inkwells, to a later lined slope, 2nd half 19th century, 5.75in (14.3cm) h, 14.5in (36.7cm) w, 10.25in (26cm) d. £100-150

477. An early 19th century sharkskin covered travelling writing box, with silver mounts and hinged lid opening to letter rack and three compartments housing a drawing compass, Book of Common Prayer published 1679, a rayskin covered notebook with four ivory leaves, a seal in treen case, a perpetual calendar, a folding pair of scissors and a silver penknife, all silk lined, together with an inkwell and pen holder, 3in (7.5cm) h, 12in (30.5cm) w, 9in (23cm) d. £400-500

478. A pair of Ceylonese ebony, ivory and porcupine quill book stands, late 19th century, 5.25in (13.3cm) h, 16.75in (42.5cm) w, 6.25in (15.6cm) d. (2) £800-1,200

479. A Burmese carved hardwood occasional table, the circular revolving top centred a rondel with a crowned man riding a lion to an outer band carved with animals, figures and buildings within scrolling foliage, the pierced and shaped frieze above four mythical beast supports, 2nd half 19th century, 25in (63.3cm) h, 28.25in (71.5cm) dia. £200-300

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482

481

480

483

484

485

480. Indian School. An ivory portrait plaque, depicting a seated nobleman holding a sword, within a pierced outer frame, 2nd half 19th century, 6 x 4.5in (15 x 11.5cm). Some cracks. £300-400

481. An Indian brass model of a standing dog, with a spike attachment to it’s neck, 3.75in (9cm) h, 5.25in (13cm) l. £150-250

482. An eastern carved hardwood model of an elephant, with a circular top, 12.5in (32cm) h, 18in (46cm) l. £200-300

483. A Chinese cloisonné toilet mirror, the circular plate with etched decoration to a swing frame, 2nd half 20th century, 21.75in (55.3cm) h, 15.25in (38.3cm) w. £100-150

484. Eight Japanese netsuke, mainly ivory, including; a rat on a fruit, 1.5in (3.5cm) l, a figure holding a mask, a figure with a sack, a figure with two children and a rat; two seated figures, an ivory elephant, two Cantonese carved ivory circular boxes, a similar needle case, a concentric ivory ball, a pair of chopsticks and tortoiseshell handled knife and container, a pair of ivory face screen handles and four paper knives. (26) £100-150

485. An Islamic pottery lamp base, possibly Qajar, decorated with two huntsmen on horseback, one with a bow and arrow the other killing a snake, impressed mark to base, 15.25in (38.5cm) h. £80-120

486. Lacquer ware. A 19th century Chinese export box, decorated in gilt figures in various pursuits, 5.25in (13.1cm) h, 8.25in (20.9cm) w, together with a small Japanese table cabinet with three drawers, chinoiserie decorated pots, boxes, trays a letter holder, a fan etc. 19th / 20th century.

(17) £100-200

487. A 19th century Chinese carved tortoiseshell snuff box, the hinged lid relief carved with figures and buildings within a foliate border and a bamboo edge, the curved base with a vacant cartouche and with a horse and rider and other figures, 4in (10cm) w. Hinge defective. £100-200

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488. A nest of Chinese hardwood quartetto tables, with inset panelled tops, 28.75in (73cm) h, 15.25in (38.5cm) square. Damage to frieze. (4) £300-400 489. A Chinese hardwood low stand, the octofoil beaded edge top inset rouge marble above a pierced foliate frieze on flower carved cabriole legs and claw and ball feet, 14.75in (37.7cm) h, 14.5in (36.8cm) w, 15in (38cm) d. £200-300 489 490. A pair of Anglo-Indian carved hardwood open armchairs, allover decorated with scrolling leaves and flowers, the splat back with a grape vine, early 20th century. (2) £200-300

488

491. A Chinese padouk kang table, with a fret frieze, 11in (28cm) h, 29.5in (75cm) w, 16in (40.5cm) d. £100-150

491 490

492. A Chinese penwork decorated chest, decorated with flowers and insects, the front with figures, with brass handles and clasp, 14.5in (37cm) h, 16.75in (42.5cm) w, 12.5in (32cm) d. £100-200 493. A Chinese lacquer table cabinet, decorated in gilt with panels of figures in domestic settings, within foliate bands, the hinged top to a divided interior above a pair of panelled doors inset painted soapstone plaques with exotic birds and flowers, enclosing three drawers with sunken brass handles, the lower drawer fitted a writing slope, on fluted bun feet, c.1880, 17.25in (43.6cm) h, 13.75in (34.5cm) w, 9.5in (24cm) d.

Some hinges need re-fixing, the top compartment needs attention. £200-300

492

493 494. A Chinese camphorwood and brass bound chest, the lid with an inset vacant plaque, the interior with a till, the two brass locks stamped ‘LEUNCKEE‘, with side carrying handles, 20in (51cm) h, 41in (104cm) w, 20.5in (52cm) d. £100-200

494

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495. A Chinese camphorwood and brass bound chest, the hinged cover with an inset vacant plaque, the two brass locks stamped ‘KCNOWUEG, IFUNUKEF‘, with side carrying handles, 22in (56cm) h, 44in (112cm) w, 27.75in (55cm) d. £100-200

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496. A Japanese root carved open handled basket, 9in (23cm) h, 15in (38cm) l. £200-300

497. A pair of Chinese famille rose porcelain table lamps, of hexagonal form and painted with dragons, tigers, horses, buffalo and other animals, with brass mounts, fitted for electricity, 12in (30.2cm) h, damages, together with a Chinese blue and white porcelain vase decorated with dragons and flowers, 18.5in (47cm) h, a rim chip. (3) £150-200

498. A set of eight Chinese rice painting, birds amidst foliage, 5.5 x 4in (14 x 10cm) and two others, each depicting a figure. (10) £100-150

499. Two Chinese hardstone seals, each with kylin finials, calligraphy on one side and the bases, 7in (18cm) h, two bronze seals, a porcelain model of a kylin and a Chinese Export silver pepper pot modelled a temple, 3.5in (9cm) h. (6) £100-150

500. After August Moreau. A large bronze figure of a young flower seller, she carries two wicker baskets and stands on a grassy mound, the base signed ‘August Moreau’, 46in (116.8cm) h. £1,000-1,500

501. A Thors croquet set, comprising: mallets, hoops, balls and markers, with two pine boxes. £100-200

502. Two staddle stones, of typical form, 34.5in (88cm) h, 20in (51cm) w. (2) £400-600

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503. A painted pine saddle horse, with horseshoe shape apertures to the eaves, three drawers to one end and three shelves to the other, stamped twice ‘JAMES JONES & SONS LTD.’, on wooden castors, late 19th / early 20th century, 39.25in (99.8cm) h, 40in (101.4cm) w, 20.75in (53cm) d. £650-750

504. A 19th century mahogany whip and boot stand, with a brass handle and turned supports, 39in (99cm) h, 25.75in (65cm) w, 11.75in (29.8cm) d. £250-300

503

505. A late Victorian walnut bootjack, 33.25in (84.3cm) h, 15.75in (39.9cm) w. £150-200

505

506. A copper and nickel hunting horn, 36.25in (92cm) l, with a wicker sleeve. (2) £200-250 504

507. An early 19th century mahogany boot and whip stand, with a brass carrying handle, 39.75in (101cm) h, 24in (60.5cm) w. £200-300

506

507 508. A pine rod box, the lid initialled ‘CT’ and with stencil for ‘Charles Farlow & Co, London’, 86in (218cm) l, containing a Carter of London brass and bamboo rod and a Greenheart fly rod.

(3) £100-150

509

508

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509. An early Greenheart drop ring salmon fly rod by Forrest, stamped ‘FORREST MAKER £100-150 KELSO‘, 180in (457cm) l.

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Please note the purchasers of the following four lots require a shotgun licence to be produced on payment

510. A 12 bore double barrel shotgun, J. Blanch & Son, no. 5594, with ‘IMPROVED SNAP BOLT,’ 28in (71cm) long barrels, floral engraved lock and a walnut stock with top inset brass plaque initialed ‘S.W.’ lock and barrels signed, ejector a/f., in a fitted leather and brass bound case, stamped ‘STUART WILSON.‘ £600-800

511. A 12 bore double barrel shotgun, T. Stensby & Co, Manchester, sleeved 28in (71cm) long barrels, floral engraved lock and walnut stock, lock and barrels signed, ejector, with a modern slip base. £200-300

512. A 12 bore non-ejector double barrel shot gun, Army & Navy C.S.L., no.12665, 28.25in (71.5cm) long barrels, floral engraved lock, with walnut stock, signed on lock and barrels. £50-100

513. A Webley & Scott bolt action 410 single barrel shotgun, with a modern slip case. £50-80

514. A George V Officer’s dress sword, with an etched blade for The Royal Artillery by Batson London, to an open guard and shark skin bound grip within a polished scabbard, together with leather covered scabbard and chamois protector. (4) £80-120

515. A Naval Officer’s dress sword, with an etched blade by Walton, with owner’s name ‘H.S. BURNISTON‘, guard with folding side clip, snake skin bound handle and lion’s head pommel, in a leather and brass bound scabbard, together with a similar sword by Wilkinson. (4) £200-300

516. An 1822 pattern dress sword, the fullered slightly curved blade stamped ‘W. WALSCHEID, SOLINGEN‘, to an open steel guard and a shark skin grip with scabbard. £100-150

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517. A pair of George III silver mounted flintlock pistols by Joseph Griffin, London, each with a 9in brass barrel inscribed GRIFFIN LONDON, stained walnut stocks with bulbouus butts, carved shells around the tang, the locks inscribed GRIFFIN, the silver mounts including a flower engraved trigger guard, ram rod locators, cast and chased grotesque butt caps, vacant cartouches and open scroll and shell side plates, maker I.K, London 1769, with ram rods. (2) £3,000-4,000

518. A Sawfish (Pristidae spp.) rostrum, 46in (117cm) l.

With CITIES A10 (non-transferable) licence No. 474887/01. £200-300

519. A 19th century Indian painted hide dhal, the exterior with four bronze bosses, 24.5in (62.3cm) dia. £80-100

521. A cased stuffed heron, in naturalistic setting with grass and bulrushes, 39.75in (101cm) h, 18in (45.4cm) w, together with a cased pair of ducks, 37in (94cm) w, 13.75in (35cm) d. (2) £100-200

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520. A leather and wicker picnic basket by Gucci, the inside with loop straps and wicker glass holders, the front pouch stamped ‘MADE IN ITALY BY Gucci’, 23in (58.3cm) h, 17in (43cm) w. £400-600

522. Rowland Ward. A pair of silver plated boar hoof candlesticks, with scroll bases, the inside of each sconce stamped ‘ROWLAND WARD LIMITED £200-250 167 PICCADILLY‘, 11in (27.7cm) h, 10in (25.3cm) w. (2)

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523. A lion skin, with full head and on a black felt edge, 106in (269.5cm) l. £100-200

525. A mountain goat neck mount, 25in (63.5cm) d. £80-120

524. Rowland Ward. A bear cub, with full head and black felt edge, fabric label to reverse ‘The Jungle TRADE MARK Rowland Ward Ltd, 167 Piccadilly, LONDON’, 46in (117cm) l. £200-300

526. Two turtle shells, late 19th century, 26in (66cm) and 24.25in (61.4cm) l. (2) £100-200

528. A collection of butterflies, contained in six cabinets: 1. A 10 drawer deal cabinet by Watkins and Doncaster, with hinged pilasters, one with lock, mainly European butterflies, one drawer with Australian specimens, all with identification labels, 27.5in (70cm) h.

527. A mounted stag’s head, on an oak shield, 44.25in (112.3cm) l. £200-300

529. An antler horn stool, with a padded leather seat, late 19th / early 20th century, 18.75in (47.7cm) h, 55in (139.8cm) w. £400-600

2-5. Four cabinets containing butterflies from Malaya, 1960’s to include most families occuring there, with identification labels, one drawer with giant silk moths.

6. Containing European specimens with identification labels. (6)

£400-500

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530. A large Bambara antelope headdress, of typical form and mounted on a later stand, 58.5in (148cm) h. £300-400

530

531. Two Yoruba Ibeji figures, the male with two bead bands, the female with blue pigments to her coiffure, 10.75in (27.5cm) h. (2) £200-300

531

532. Two African pierced and hollow bronze crescent shape bangles, and another similar bangle. (3) £100-150

533. A carved African figure of a male, holding his beard, 19in (48cm) h, a seated female figure and a seated male figure holding two spheres. (3) £100-150

532

534. An African carved group, of a female mask and four others on horn tripod legs, previously with horns to the top, 20.5in (52cm) h and a shield shape mask. (2) £150-200

533

534 535. A Benin style carved wood bust, 8in (20cm) h, another hardwood bust and an ebonised figural carving. (3) £80-120

535

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536. An African carved wood seated figure, with an inset glass plaque to her abdomen, 9.25in (23.5cm) h, a carved figure with cloth wrapped around three spikes, an ebony seated monkey and a carved bust with applied hair. (4) £200-300

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537. A West African pottery bust, of a lady with a conical and bulbous coiffure and wearing beads and carrying a sleeping child on her back, the reverse indistinctly signed and dated 1954, 11.25in (28.5cm) h. £250-300

538. A Baule Gbekre standing figure, the head carved with serrated eyebrows and an open mouth bearing teeth and two fangs, holding a bowl to it’s mouth, 41in (104cm) h. £400-600

537

538

539. An African carved crouching male figure, with bead and shell necklace and a loin cloth, 25in (63.5cm) h. £150-200

540. An West African carved pipe, carved as a female holding her abdomen, 22.25in (56.5cm) h. £80-120

541. A Mangbetu type harp, with a carved head finial and vellum skin, 14.25in (36cm) h, a carved figure with a gourd base with pierced hole for tube and a carved Polynesian nut shell with woven terminal and bands of cowrie shells.

(3) £60-100

542. A Yaure mask, with a high plaited coiffure with white pigments to the ears and mouth, large crack through face with four staples, 15.5in (39.5cm) h, another West African mask with plaited fibre coiffure and a carved head with metal mounts. (3) £100-200

543. Literature - Ladislas Segy. African Sculpture Speaks, 1961; David Attenborough.

The Tribal Eye, 1976; M.H. Goonatilleka. Masks and Mask Systems of Sri Lanka, 1978. Rene Simmen. The World of Puppets, 1975. (4) £50-80

544. Five African ivory bangles, one with raised inner edge with incised line in circle decoration, an ivory pot with copper base and a sphere. (7) £100-150

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545. A West African staff, of hooked beak form, the terminal carved a male and female figure sitting back to back, 41in (104cm) l. £300-400

546. A good South African knobkerrie, with fluted flattened ball head, 28.5in (72cm) l and an African double headed short staff/prestige stick, 23in (58.5cm) l. (2) Provenance: Captain John Henry Crane (circa 1880-1900) collected in South Africa. £200-300

545

546 548 547. A South African staff, with a central entwined snake between ribbed and knopped sections with a spherical finial, 63in (160cm) l, together with three spears. (4) £100-150

548. A Bedu plank mask, Bondoukou region, carved wood with red, white, blue and black pigments, of shield and disc shape connected by an H shape, frame and metal spikes to the reverse, 81.25in (206.5cm) h. £300-400

547

549. An Edwardian oil on board, portrait of an arab, signed indistinctly possibly ‘L H Cudais’ and dated ‘1901’, 13 x 7.25 (33 x 17.9cm), in a gilt composition frame. £150-200

549

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550

550. Stephen Katsande (Zimbabwean, mid 20th century). The Thinker, oil on canvas, 15.75 x 11.75in (40 x 29.9cm), framed and glazed, the reverse inscribed ‘The Thinker, by Stephen Katsande (his first attempt in oils)’, together with a Zulu knobkerrie similar to the one featured in the painting, with a polychrome decorated and scarified handle, 28.25in (71.6cm) l. (2) £300-400

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551. A Mossi mask, Burkina Faso with an ebonised ground with red, blue and white pigment to the triangular headpiece and short beard, two fastening holes to the sides, 17.5in (44.5cm) h. £200-400

553. An African woven oblong basket, with a stepped cover, 3.5in (9cm) h, 8in (20cm) l. £60-100

552. A Senufo fire spitter mask, decorated in shades of brown, 41in (105cm) h. £500-700

554. A West African bronze group, of two males and two females supporting a shallow bowl, 5.5in (14cm) h, a standing figure and a small bronze bangle. (3) £150-250

555. A West African helmet mask, with applied copper plates, 13.5in (34cm) h, and an ebonised wood helmet mask with applied beads.

(2) £150-200

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556. A West African metal two headed female figure, standing holding her right breast and a two headed infant, 12.5in (32cm) h. £400-500

557. An Ashanti stool, with a dished seat, central column support with arch decoration, four further supports with scallop edges, the rectangular base later painted, 18.5in (47cm) h, 25.5in (65cm) w. £400-500

558. A hardwood sheath, having a raised protective edge with a plaited belt and fabric mount, 30.5in (77.5cm) l, a circular woven and cowrie shell basket and two carved female figures. (4) £100-150

559. A West African large mask, with applied copper, beads and shells with an ebonised ground and painted red features, 17.5in (44.5cm) h, and another similar smaller mask. (2) £200-300

560. A leather quiver, with plaited and inked decoration, with a vellum cover, 26in (66cm) l, containing ten barbed arrows. £100-150

561. A Bambara mask, with metal mounts and cloth, 17.75in (45cm) h, and another headdress, of bovine form with cowrie shell inlay and bopper mounts, with a woven fibre support edge, 18in (46cm) h. (2) £100-200

562. An East African mask, carved wood with a bovine surmount, 17in (43cm) h. £100-200

563. A Yoruba cast brass bird headdress, realistically modelled with a pierced band with fibre mount, 11in (28cm) l.

Provenance: Evard De Rouvre Collection, Paris.

M. Jean-Luis Sonnery - purchased in May 1978. £400-600

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564. An African rhinoceros horn knobkerrie, with a spherical head and tapering handle terminating to a point, c.1900, approximately 825g, 17.5in (44.5cm) l. ÂŁ5,000-6,000

565. An African rhinoceros horn knobkerrie, with a spherical head and a tapering handle with a plaited wire band, terminating to a point, c.1910, approximately 750g, 14.75in (37.5cm) l. ÂŁ4,000-5,000

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Jim Spillius

The following thirty three lots are from the collection of Jim Spillius, the majority of which was acquired whilst working on the Pacific Islands. Based on his degrees in Classics and Social Philosophy, his post-war teaching at various universities allowed him time to develop his interests in Social Anthropology culminating at the London School of Economics where he had the post of tutor.

In 1956 he was recruited by the United Nations in London because he was one of only two scientists in England who spoke a Polynesian language. His UN contract time was spent mainly in the W.H.O. and the Technical Assistant Board mainly on projects in the South Pacific where he established the first UN office in that area. He then spent three years advising the Tongan government. The objectives of his studies in the Solomon Islands on behalf of the Australian National University and Colonial Office United Kingdom, in 1952 until 1954 were assessing social and political postwar change. In the Solomons several crisis emerged including Christian missionaries vigorously converting pagan islanders and over population was assessed in the context of hurricanes and famine.

Jim specialised in collecting ordinary, functional useful every-day artefacts, and because of his studies in the Northwest coast he knew all these would be substituted once money was plentiful. He has made major donation to the Australian National University of about 700 Solomon artefacts. He donated an ocean going outrigger canoe made for him on the island of Tikopia in 1952 to the Aukland Museum. The canoe is a unique museum piece because Jim was accompanied by six Tikopia men to rig and erect the sail.

Born in Edmonton, Canada, Jim has been a resident in the UK since 1954, and returned towards the end of his UN contract in 1961. He established his scientific consultancy to government departments. He has written several scientific articles and UK government and UN reports. Recently pressure and encouragements from two well known film producers stimulated him to write a shooting script for a feature length film based on his adventures in the South Pacific.

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566. A Sepik double spirit mask, with opposing faces and tiered spikes, with lug finials, the back flat, 30in (76cm) h. £500-800

567. A Sepik River basket hook, New Guinea, carved wood with polychrome highlights, modelled as ancestral head with cowrie shell eyes, stylized crocodile and head hook, suspension loop to the reverse, 23in (58.5cm) h. £300-400

568. A New Guinea yipwon, hunting deity, carved wood and polychrome decorated with two masks having inset eyes and eleven hooks, on a single leg, 39.25in (99.5cm) h. £500-800

569. A Sepik adze, wood, stone and coir, with written inventory and identification stickers, 15.75in (40cm) l. £200-300

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573. A Papua New Guinea large stone ceremonial axe head, of spatulate form, 18in (46cm) l. £300-400

570. A Sepik ancestor figure, wood, with a standing human figure with a stylized hook and mask head, 21.25in (54cm) h. £300-400

571. A Sepik mask, carved wood with shells in set to clay with fibre beard and nose knot, 16in (43cm) h. £200-300

574. A Papua New Guinea stone tapa cloth beater, in elongated oval form, with a series of framed horizontal lines, 8.5in (21.5cm) l, a Papua New Guinea greenstone axe head with a metal bound inscribed ‘STONE AXE HEAD NEW GUINEA 1925’, 5.25in (13.5cm) l, together with seventeen stone axe heads / implement heads and two volcanic fragments on a wicker galleried tray.

(22) £500-700

572. A Sepik ancestor mask, of shield form decorated tusks, cowrie shells, resin and feathers, the protruding mask with a long circular nose, with a wickerwork backing, 34in (86cm) h. £500-600

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575. A Melanesia hardwood club, the squared shaft with incised and filled line decoration, the handle with a pierced hole, 46.25in (117.5cm) l. £150-250

576. A Santa Cruz Islands dance club, napa, carved wood of canoe form with painted geometric designs, 29.25in (74cm) l. £200-300

577. A Samoa club, wood, with a continuous barbed band towards the tip and a gouged line finish, 24in (61cm) l. £150-200

578. A Solomon Islands wood club, the faceted and pointed end with bands on incised and filled triangles, 48.75in (124cm) l. £300-500

579. A Solomon Islands hardwood club, with faceted edges and a flattened centre and pointed tip, the handle with a faceted terminal, 46.75in (118.5cm) l. £200-300

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580. A Cook Islands ceremonial adze, with an carved octagonal shaft with allover geometric designs, the coir bound head with a black stone blade, 30.5in (77.5cm) l. £800-1,200

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581. A Samoan war club, carved with sixteen barbs along one edge, the other with incised decoration to a hooked spike terminal, with a waisted handle inscribed ‘Matafa’, 32.5in (82.5cm) l. £400-500

582. A Samoa wood club, of tapering faceted form with a band to the base, the rounded handle with two diamond shape lozenges, 37.25in (94.5cm) l. £400-600

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583. A Santa Ana Island ceremonial bowl, Solomon Islands, ebonised wood with mother of pearl inlay, the oval base with arched supports and a central bowl flanked by fish, 9.75in (25cm) h £300-400

584. A Santa Ana Island club, Solomon Islands, ebonised wood with mother of pearl inlay, in the form of a stylized fish, 20.25in (51.5cm) l. £400-600

585. A Santa Cruz dance wand, of tapering cylindrical form with a carved bird finial, 36.75in (93.5cm) l. £150-250

586. A Solomon Islands hardwood cane, with a carved head handle, 34.75in (88cm) l. £100-150

587. A San Cristobal dance wand, Solomon Islands, with a club shape shaft and a carved terminal representing a canoe and canoe prow, 33.25in (84.5cm) l. £80-120

588. A Solomon Islands hardwood cane, with an ovoid handle to a square section with incised and filled triangular bands to a tapering shaft, 34.75in (88cm) l. £100-150

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589. A Yoruba staff for Shango, carved wood with blue and white pigments, with a seated male figure wearing beads, with his arm outstretched over a bird and animal, his head with an axe surmount, 11.25in (28.5cm) h, on a later stand. (2) £500-700

591. A North West Coast horn spoon, the tapering handle carved totemic masks, 7in (18cm) h.

Provenance: Herbert Reiser, New Quebec Street, London £500-600

590. A Haida argillite model totem pole carving, the rectangular base with incised grooves to a dolphin holding its tail in its mouth, a hawk above and a bear with the feet of a man its mouth whilst holding him upside down, 10.25in (26cm) h. £800-1,200

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592. A Maori quarter staff, taiaha, with a carved pointed tip, the reduced shaft with a pierced hole, 32.75in (83cm) l. ÂŁ500-600

593. A Maori paddle, hoe, carved tikis with inset haliotis eyes, the flat reverse with scrolling lines and points, with conforming handle and stylized butt, 59in (150cm) l. ÂŁ500-800

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594. A Maori hand club, kotiate, of spatulate form carved ridged lines and points, pierced triangles and notches, with tiki masks, the flat handle with a pierced hole and mask butt, 14in (35.5cm) l.

Provenance: Auckland Museum, New Zealand £400-600

595. A Maori hand club, wahaika, of curved spatulate form with carved lines and points, the forward edge with a notch, the back edge with a tiki figure and a mask to the handle butt, one side of the blade incised initials HEU, a paper label on the handle is inscribed ‘H.E. Uden R.N 1793’, 15in (38cm) l.

Provenance: Auckland Museum, New Zealand £600-800

596. A Maori greywacke hand club, patu onewa, of spatulate form with a pierced hole in the handle, the butt with ridges, 16in (40.5cm) l.

Provenance: Auckland Museum, New Zealand £1,000-1,500

597. A Maori whalebone hand club, patu paraoa, of spatulate form with a pierced hole in the handle, 16.25in (41cm) l.

Provenance: Auckland Museum, New Zealand £200-300

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598. A Maori nephrite pendent, hei tiki, waith carved features and inlaid red wax eyes, pierced for suspension, 3in (7.5cm) h. £800-1,200

OTHER PROPERTIES

599. A Maori oval feather box with cover, waka huia, carved allover with notched scrolls, the ends with tiki masks having haliotis inlaid eyes, c.1890, 5in (12.5cm) h, 23in (58.5cm) l. £2,000-3,000

600. A Maori carved tiki, with line and notch decoration, the reverse of canoe form with seven partitions, 10.25in (26cm) l. £300-400

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601. A Maori rootwood club, inscribed ‘This Club was the property of a New Zealand Chief and was used by in their Intestine Wars. Bought to England by John Moody 1856,’ 23.5in (59.5cm) l. £150-250

602. A Maori greenstone pendant, hei tiki, New Zealand, with features and red wax enhanced eyes, pierced for suspension, 4.25in (10.5cm) l. £400-600

601

602

603. A pair of dance wands, each with a double medial arch with sphere terminals and painted with pigments on ebonised stands, 49.25in (125cm) h. (2) £400-600

604. A Fiji paddle club, of flattened shaped form with curved horizontal and vertical ridges to both sides and areas of hatching, crescents and triangles to one side, 42in (107cm) l. £600-800

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605. A New Caledonian nephrite sceptre head, of irregular oval form, the base with two piercings, 8.75in (22) h, 9.75in (24.5cm) w. £2,500-3,000

606. A greystone adze head, of slightly tapering rectangular form with one flattened end, 6.5in (16.5cm) l and a similar greenstone adze head. (2). £150-250

607. A greenstone adze head, of tapering form with a flattened end, 9.5in (24cm) l. £150-250

609. A Papua New Guinea hardwood and carved bone bowl, of elliptical form, carved stylized crocodile head handles, 6.25in (16cm) h, 23.75in (60cm) l. £150-250

608. A New Caledonian type ceremonial sceptre, with a greenstone oviod top, rope bound to a rattan stem and covered disc base, 13.25in (30.3cm) h. £100-150

610. A Santa Ana Island model of a canoe, Solomon Islands, ebonised wood with mother of pearl inlay, 7.5in (19cm) h, 23in (58.5cm) l. £150-250

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611. A small whalebone hammer, 6.75in (16.5cm) l. £40-50

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612. A painted, embroidered and beadwork portrait of a North American Chieftan, in a stained wood frame with maple leaf and hatched decoration, the reverse inscribed ‘Allman, Oct 1912’, 21.5 x 21in (54.5 x 53.5cm). £200-300

613. Seven carved teeth, all with a pierced attachment hole, two other teeth and two greenstone adze heads. £50-100

613 614

616

615

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614. A Sepik river bamboo pipe, decorated with carved and inked geometric panels, with a short tube, 11.25in (28.5cm) l, and two similar with pointed ends. (3) Purchased by the vendor around 30 years ago on the Sepik river. £30-40

615. Two pairs of Sarawak theatre dolls, 12.5in (31.5cm) h, a small Persian dahl with pierced metal mounts, 12in (30.5cm) l, an engraved and gilt inlaid Persian shin protector, a Kukri in scabbard, part model canoe, a bamboo bow, two quivers, various arrows and a Polynesian part headdress. £80-120

616. A Solomon Islands paddle, of flattened leaf form with a short medial and with a lozenge shape handle, 50in (127cm) l. £100-150

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617. A Hawaiian turned kou wood bowl, 5.5in (14cm) h, 8.25in (21cm) dia.

Provenance: The collection of Josef Herman. £1,000-1,500

618. A Sepik wicker, bamboo and carved wood skull rack, the detachable head inlaid shells and fibre, above a bound body with two arms, the outer frame with a painted panel with further fibre decoration, attached to a bamboo pole, 83in (211cm) h. £400-500

619. A Sepik River carved wood maternity figure, standing holding a child on her left hip, her ears pierced, on a domed base, the reverse with seated mother breast feeding her child, 34.5in (87.5cm) h.

Provenance: The collection of Josef Herman. £800-1,200

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Furniture & Works of Art Tuesday 10th January 2012 Closing date for entries 18th November 2011

A bronze group of Nessus and Deianira, after Giambologna.

Sold for ÂŁ9,321

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk Mark Richards Tel: 01722 411854 markrichards@woolleyandwallis.co.uk

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British Art Pottery Including Moorcroft Pottery from the collection of Ken Manley

Wednesday 30th November 2011 Closing date for entries 30th September

ENQUIRIES Michael Jeffery Tel: 01722 424505 michaeljeffery@woolleyandwallis.co.uk

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Silver Wednesday 26th October 2011

ENQUIRIES Rupert Slingsby Tel: 01722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Grazier Tel: 01722 424530 lucygrazier@woolleyandwallis.co.uk

By A. E. Jones, an Edwardian silver Art Nouveau bowl, Birmingham 1904.

Estimate ÂŁ1,500-2,000

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Clocks, Pocket Watches, Scientific Instruments & Barometers Tuesday 25th October 2011

A Willam and Mary walnut and marquetry stick barometer, 4ft 1in (124.5cm) h.

Estimate: £10,000 - £15,000

ENQUIRIES Will Hobbs Tel: 01722 339752 willhobbs@woolleyandwallis.co.uk

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WOO L LE Y & WA L LI S

Absentee Bid Form Furniture and Works of Art Absentee Bid Form Tuesday 11th October 2011 Antique Silver – SV498 AF111011

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Please bid, on my behalf, for the undermentioned Lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed Please bid, on my behalf, for the undermentioned lots up to the as cheaply as is permitted by other bids, and/or reserves if prices shown which include the premium or any any, and subject to do thenot Conditions of buyer’s Sale printed in this V.A.T. payable on lots.

These are toguarantee be executed as cheaply Catalogue.

Please note webids cannot that bids received after 4pm on the day priorreserves to the auction willsubject be as is permitted by other bids, and/or if any, and executed. to the Conditions of Sale printed in the Catalogue.

Wednesday 29th April 2009

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If you have not settled your account within 21 days of the auction Woolley & Wallis Salisbury Salerooms Ltd reserves the right to debit all charges due. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. By signing below you are authorising this payment to be taken by us. ID is required for all first time bidders.

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PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Description of lot

Price excluding buyer’s premium and VAT

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Packing and Despatch We have negotiated competitive rates with Alban Shipping - Specialist Shippers of Antiques, Collectors’ Items and Fine Art, for the packing and despatch of lots purchased at our salerooms.

INSURANCE

Unfortunately, Woolley & Wallis are unable to offer any other packing and despatch service of their own.

For further details please contact: Mr. Andrew Jackman on 01582 493 099 who will be able to assist with any enquiries or information that you may require.

Alban Shipping collect items from our Salisbury Salerooms on a weekly basis and offer a fast, friendly and efficient shipping service via all methods of modern transport, by air, sea and road, including - air-post, courier, air and seafreight. They also offer a case making service.

Full comprehensive Transit insurance is charged from £3.50 or 1.5% of the hammer price.

ALBAN SHIPPING Specialist Shippers of Antique, Collectors’ Items and Fine Art Unit 4, Premier Buisiness Park, Dencora Way, Luton, Bedfordshire, LU3 3HP

QUOTATIONS Alban Shipping will be pleased to provide a prompt individual quotation for this service.

MINIMUM CHARGE Their minimum charge is £35 plus VAT which includes the collection, expert packing and despatch for inland delivery. Mastercard and Visa are welcome.

Delivery Instructions

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Auction Information OPENING HOURS

PAYMENT AND CLEARANCE

Monday to Friday 9.00am to 5.30pm and 10.00am to 1.00pm on Saturdays

Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and may require funds to be cleared before purchases can be released.

VIEWING All our specialist auctions are on view at least two days prior to the sale, and details will be found in the relevant catalogues.

BIDDING To bid at the auction, you will need a bidding number.

This can be obtained from the office either during the view or on the day of the sale.

ABSENTEE BIDDING If you are unable to attend the sale you can leave a written commission bid. This will be executed on your behalf by the auctioneer who will endeavour to purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. On the more expensive lots it is usually possible to bid on the telephone by prior arrangement with the office.

The following methods of payment may be made: bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a limit of £5,000.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account name Woolley & Wallis Salisbury Salerooms Ltd. Clients Account Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC/SWIFT code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surchange + VAT Debit cards: Delta, Switch, Connect It is company policy not to accept single or multiple payments in cash equivalents in excess of £5,000 (or the equivalent value in another currency).

Where practical, payment can be made and purchases collected during the auction.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot where practical.

BUYER’S PREMIUM

Please note that lots will remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Each lot is subject to a Buyer’s Premium of 19.5% + VAT at the appropriate rate.

PACKING AND SHIPPING

SALE RESULTS

All our packing and shipping is arranged through Alban Shipping. Please see details at the back of this catalogue.

Results from this sale are available from our office on 01722 424500 and posted on our website www.woolleyandwallis.co.uk a few days after the sale.

STORAGE CHARGES Storage charges will be levied on all lots in the Furniture and Works of Art and Clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT at the standard rate on the hammer price.

Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium The colours printed in the catalogue are not necessarily true.

All weights and measures given in the catalogue should be regarded as approximate.

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Valuations Valuations are a core part of our business and are usually carried out by a senior specialist or director.

Accuracy, speed and above all confidentiality are paramount.

PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson: 01722 424510

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley and Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 2998482

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 17.5% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders may be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium.

They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by fax or email.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates:- 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. There is a minimum charge of £5 per lot.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. (a) We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at mid pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. (b) If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense.

We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur.

We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions. and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. After sale settlement of the net sum due to you normally takes place until the expiry of 28 days from the date of the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 21 days from the date of sale.

2.

BIDDING PROCEDURES AND THE BUYER

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3.

INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4.

THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 19.5% + VAT at the appropriate rate.

5.

VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling. (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8.

REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES

(d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents;

(a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied.

(e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

(f)

9.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising.

(g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

(a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a)

Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b)

Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable.

(b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f)

Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date.

(g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i)

The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

(j)

Dimensions are given height before width.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTISTS RESALE RIGHT / DROIT

DE

SUITE

Lots potentially subject to the levy are marked with a ‡ symbol next to the lot description.

Works by living artists who are nationals in European Union Countries and certain other countries are subject to the levy if they sell for a hammer price of the sterling equivalent of Euro 1,000 or more. The levy will be added to the purchaser’s invoice and the full amount will be paid by us to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale, or for any further information.

Royalty For the Portion of the resale price In Euro 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Specialist Departments

Auction Calendar 2011 / 2012

Please dial 01722 followed by the number listed below PAINTINGS December 7th 2011 Victor Fauvelle 01722 424503

FURNITURE Will Hobbs Mark Richards Jim Gale Gemma Bush

339752 411854 339161 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV ACCOUNTS & OFFICE MANAGER Janice Clift

Jo Butler 01722 424592

●

jobutler@woolleyandwallis.co.uk

424510 CLOCKS, POCKET WATCHES & BAROMETERS October 25th 2011

424500

William Hobbs 01722 339752 Richard Price 01722 339752

CLOCKS Will Hobbs Richard Price (Consultant)

339752

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham John Axford MRICS ASFAV Sophie Lister ASIAN ART John Axford MRICS ASFAV Sophie Lister Clare Durham Tim Wright (Consultant) 20TH CENTURY DESIGN Michael Jeffery PAINTINGS Victor Fauvelle Jo Butler BOOKS & MANUSCRIPTS Liz Merry (Consultant)

424507 424506 424591

424506 424591 424507

424505

424503 424592

424500

SILVER Rupert Slingsby Lucy Grazier

424501 424530

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

Members of The Society

GENERAL OFFICE Ruth Pike Pauline West Linda Garthwaite

victorfauvelle@woolleyandwallis.co.uk

●

424500

SALEROOM MANAGER David Jordan

424500

PRESS & PUBLICITY Kate Williams

424590

williamhobbs@woolleyandwallis.co.uk

●

richardprice@woolleyandwallis.co.uk

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FURNITURE & WORKS OF ART January 10th 2012 William Hobbs 01722 339752

●

williamhobbs@woolleyandwallis.co.uk

Mark Richards 01722 411854

●

markrichards@woolleyandwallis.co.uk

SILVER October 26th 2011 Rupert Slingsby 01722 424501 Lucy Grazier 01722 424530

●

rupertslingsby@woolleyandwallis.co.uk

lucygrazier@woolleyandwallis.co.uk

●

BOARD OF DIRECTORS Paul Viney ASFAV Chairman and Managing Director

JEWELLERY October 27th 2011 Jonathan Edwards 01722 424504

●

John Axford MRICS ASFAV Willi Verdon-Smith FRICS

Marielle Whiting 01722 424595

mariellewhiting@woolleyandwallis.co.uk

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 ● www.woolleyandwallis.co.uk

●

jonathanedwards@woolleyandwallis.co.uk

ENGLISH & EUROPEAN CERAMICS & GLASS March 6th 2012

424526

Clare Durham 01722 424507

●

claredurham@woolleyandwallis.co.uk

20th CENTURY DESIGN November 30th 2011 (British Art Pottery) Michael Jeffery 01722 424505

●

michaeljeffery@woolleyandwallis.co.uk

ASIAN ART November 15th 2011 (Chinese Yixing Stoneware) November 17th 2011 (Asian Art 2) John Axford 01722 424506

●

Sophie Lister 01722 424591

●

●

November 16th 2011 (Asian Art 1)

●

johnaxford@woolleyandwallis.co.uk sophielister@woolleyandwallis.co.uk

BOOKS & MANUSCRIPTS December 7th 2011 Liz Merry 01722 424500

●

lizmerry@woolleyandwallis.co.uk

●

Entries can be accepted up to six weeks prior to the auction

●

Illustrated catalogues are available about ten days before the sale

●

Viewing is normally two days prior to the auction and on Saturday mornings where appropriate

●

Catalogue subscriptions are available for all sales

●

Fully illustrated catalogues can be viewed on our website www.woolleyandwallis.co.uk

WOOLLEY & WALLIS

www.woolleyandwallis.co.uk

WOOLLEY & WALLIS SALISBURY SALEROOMS

Furniture & Works of Art Tuesday 11th October 2011

FURNITURE & WORKS OF ART TUESDAY 11TH OCTOBER 2011