Woolley & Wallis Auctioneers

FURNITURE WORKS OF ART & CLOCKS TUESDAY 11TH AUGUST 2020

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

VALUATIONS FOR INSURANCE & PROBATE

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

Paul Viney ASFAV Amanda Lawrence (PA)

424509 424509

MARKETING 20TH CENTURY DESIGN

Sally Trench

Michael Jeffery Zoe Smith

424505 446955

446959 446960

ACCOUNTS Janice Clift (Office Manager)

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez-Ferreiro

424500 424506 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan-Richards Amber Lees

424589 424571

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Ruth Pike Sarah Bennie Megan Corbett

CASTLE GATE RECEPTION Sally Litherland

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

John Axford MRICS ASFAV Chairman

JAPANESE ART Alexandra Aguilar Sarah Lopez-Ferreiro

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

BOARD OF DIRECTORS

339752 446980

Natalie Milsted FCCA Managing Director Paul Viney ASFAV Non-Executive Director

ASSOCIATE DIRECTORS Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Rupert Slingsby Marielle Whiting FGA Mark Yuan-Richards

424500

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FURNITURE WORKS OF ART & CLOCKS TUESDAY 11 10.00AM

TH

Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

AUGUST 2020

at our Castle Street Salerooms, SP1 3SU Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 10th August

bid.woolleyandwallis.co.uk

CONDITION OF LOTS Please note that the condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request.

The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

Instagram: @woolleyandwallissalerooms Facebook: @woolleyandwallis

COLLECTION OF LOTS Due to new safety measures in place, collections will not be possible until Monday 17th August and must be by appointment only.Please contact the department or our main reception to arrange a time to collect.

Twitter: @woolleywallis Pinterest: Woolley and Wallis

All accounts to be settled prior to collection ILLUSTRATIONS Front cover: Lot 262 (detail) Back cover: Lot 263 Catalogue £10.00 (£15.00 by post) 1

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OAK &

COUNTRY

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1

AN 18TH CENTURY OAK DRESSER PROBABLY WELSH, c.1750 the boarded top above three panelled front frieze drawers, with three false fronts flanked by a pair of fielded panelled cupboard doors 86.6cm high, 163cm wide, 53.5cm deep

£800­1200

2

A QUEEN ANNE OAK GATELEG TABLE EARLY 18TH CENTURY the single drop­leaf top on baluster turned legs united by a curved stretcher 68.9cm high, 67.5 x 74cm (open)

£200­300

A WILLIAM AND MARY OAK SIDE TABLE LATE 17TH / EARLY 18TH CENTURY the boarded top with a moulded edge above a frieze drawer, on bobbin turned legs united by peripheral stretchers, 74cm high, 77.8cm wide, 54cm deep

£200­300

3

3

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4

A CHARLES II OAK AND ROSEWOOD CHEST LATE 17TH CENTURY in two sections, the hinged boarded top revealing a vacant interior, the front inlaid with rosewood, ebony and fruitwood panels, with one false drawer front above three further long drawers, on bracket feet and later Shepherd castors 127.8cm high, 123cm wide, 60.5cm deep

£800­1200

5

A CHARLES II OAK COFFER LATE 17TH CENTURY the triple panelled hinged top revealing a till, the front carved with lunettes and lozenges 63.2cm high, 117cm wide, 52.5cm deep

£300­500

A 17TH CENTURY OAK BIBLE BOX / DESK ATTRIBUTED TO SALISBURY the sloping hinged lid revealing an interior fitted with a drawer and pigeonholes, the body carved with flowerheads and a band of stylised ‘S’ designs 24.5cm high, 61cm wide, 42.5cm deep

£200­300

4

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7

A CHARLES II OAK AND EXOTIC WOOD CHEST LATE 17TH CENTURY in two halves, with four long drawers with geometric panelled fronts of padouk and snakewood, on later bun feet 100.6cm high, 108.7cm wide, 58.7cm deep

£500­800

A CHARLES II OAK TRIPLE PANELLED COFFER LATE 17TH CENTURY

8

the hinged top revealing an interior with a lidded till, the front carved with leaf and stylised ‘S’ bands and lozenges 67cm high, 109.4cm wide, 53cm deep

£200­300

A 17TH CENTURY FRUITWOOD BIBLE BOX / DESK POSSIBLY WEST COUNTRY the hinged sloping lid with a rest, revealing an interior with oak pigeonholes, the body carved with scrolling foliage and bird’s heads 30.7cm high, 64.5cm wide, 43.2cm deep

£400­600

9

5

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AN OAK PRESS CUPBOARD 17TH CENTURY AND LATER the frieze carved with stylised scrolls, initials ‘MW’ and the date ‘72’, in two halves, with a pair of panelled doors above further quadruple panelled doors enclosing a shelf 156.8cm high, 177.5cm wide, 57.5cm

£400­600

FOUR OAK CHAIRS LATE 17TH / EARLY 18TH CENTURY comprising: a pair of slat back side chairs, each with a scroll carved top rail, a low chair (reduced in height) and a similar side chair with a later seat and stylised Braganza feet (4)

£150­200

A WILLIAM AND MARY OAK SIDE TABLE LATE 17TH CENTURY / EARLY 18TH CENTURY

10

the boarded top with cleated ends above a frieze drawer with later divisions, on bobbin and block supports 75cm high, 67.2cm wide, 56cm deep

£300­500

11

6

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A CHARLES II OAK PRESS CUPBOARD SECOND HALF 17TH CENTURY in two halves, carved with lunettes, flowerhead lozenges, whorls and stylised leaves, the top with a pair of panelled cupboard doors, above a pair of further doors enclosing a shelf 153cm high, 136cm wide, 53.5cm deep

£300­400

THREE COUNTRY CHAIRS LATE 17TH CENTURY AND LATER comprising: a bobbin turned chair with a solid seat, an elm side chair with a turned spindle back and an oak back­stool carved with leaves and flowers (3)

£200­300

AN OAK SIDE TABLE LATE 17TH CENTURY AND LATER the single piece top above a frieze drawer with chevron panels, with applied split mouldings and bobbin turned supports 75.8cm high, 86.8cm wide, 56cm deep

£300­500 13

15

14

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A QUEEN ANNE OAK GATELEG TABLE EARLY 18TH CENTURY the oval drop­leaf top above a single end frieze drawer, on block and baluster turned legs 73.5cm high, 131 X 153.2cm diameter

£400­600

AN OAK JOINT STOOL MID­17TH CENTURY the top with thumbnail carved edges, above a moulded frieze with an undulating apron, on turned legs united by peripheral stretchers 54.3cm high, 50.5cm wide, 34.6cm deep

£100­150

16

TWO SIMILAR OAK BACKSTOOLS EARLY 18TH CENTURY each with an open back with arc d’arbalète rails above a solid seat, on block and turned legs united by stretchers (2)

£50­100

18

8

17

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19 A WELSH PRIMITIVE ELM LAMBING / COMMODE CHAIR 17TH / 18TH CENTURY AND LATER the hooded top above a boarded seat with a circular aperture and lid, the sideboards carved with the letters ‘WC’ on both sides, the front with a hinged door revealing a vacant compartment, on naive wooden castors 140.3cm high, 75.5cm wide, 58cm deep

£2000­3000

9

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A LATE GEORGE III OAK POTBOARD DRESSER PROBABLY SOUTH WALES, EARLY 19TH CENTURY the raised plate rack with three shelves and applied with iron hooks, the base with three frieze drawers, with turned supports and an open potboard base 181cm high, 145cm wide, 39cm deep

£500­700

TWO HANGING CANDLE BOXES LATE 18TH / EARLY 19TH CENTURY one in oak, one in cherrywood, both with sliding covers (2) 48.1cm high (max)

£80­120

A YEW JOINT STOOL WITH 17TH CENTURY ELEMENTS the seat with a moulded edge above a plain frieze, on ring turned column legs united by peripheral stretchers 49cm high, 40cm wide, 26cm deep

£200­300 20

10

21

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A LATE GEORGE III OAK POTBOARD DRESSER PROBABLY SOUTH WALES, EARLY 19TH CENTURY the raised plate rack with three shelves and applied with iron hooks, above three frieze drawers 208.5cm high, 176cm wide, 41cm deep

£300­500

A PAIR OF 17TH CENTURY CARVED OAK CARYATYDS OR TERMS c.1620 each with a male figure supporting an Ionic capital, above a tapering strapwork column (2) 67cm high

£200­300

A GEORGE I OAK CLOSE STOOL EARLY 18TH CENTURY the hinged lid revealing an interior with a pewter pot with a pine lid, the front with false drawer fronts and with brass side carrying handles 50cm high, 43.4cm wide, 38.7cm deep

£200­300 23

24

25

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26

27

A CHARLES II OAK MULE CHEST LATE 17TH CENTURY the hinged lid revealing a vacant interior, originally with a till, the panelled front applied with split mouldings and with a base drawer 76cm high, 120cm wide, 52.5cm deep

£300­400

A QUEEN ANNE OAK SIDE TABLE EARLY 18TH CENTURY the boarded top with a moulded edge, above a frieze drawer, on baluster turned legs united by an ‘X’ stretcher 72.3cm high, 78cm wide, 51cm deep

£150­250

AN 18TH CENTURY FRENCH OAK ARMOIRE POSSIBLY NORMANDY with a moulded detachable cornice above a pair of panelled doors enclosing shelves, above a drawer 189cm high, 151cm wide, 58.5cm deep

£300­500

28 12

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29

A WILLIAM AND MARY OAK CHEST LATE 17TH CENTURY of two short and three long drawers with panelled fronts, on later bun feet 94.7cm high, 99.5cm wide, 59cm deep

£300­400

A 17TH CENTURY OAK BIBLE BOX c.1640­1650 the hinged lid with incised decoration of urns of flowers, with scrolling foliage, a pair of acorns and the initials ‘H P’, the front and sides with stop fluted decoration 19.6cm high, 80.2cm wide, 41.8cm deep

30

£200­300

A CHARLES II OAK HANGING SPICE CUPBOARD LATE 17TH CENTURY with punched star decoration, the hinged door with a geometric moulded panel enclosing an arrangement of eight drawers 33cm high, 36.3cm wide, 22cm deep

£300­500

31 13

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A QUEEN ANNE BRONZE SKILLET BY CLEMENT TOZIER SALISBURY, LATE 17TH / EARLY 18TH CENTURY the handle signed ‘Clemant x Tosear xx’ 10.4 cm high, 43.2cm long

£100­150

A WILLIAM AND MARY BRONZE SKILLET

BY THE FATHERS FOUNDRY MONTACUTE, SOMERSET, LATE 17TH / EARLY 18TH CENTURY the handle inscribed ‘Praies God for all’ and signed with initials ‘I F’ bisected by a horizontal arrow, together with a 17th century bronze skillet by Thomas Palmar of Canterbury and a brass skillet, the handle with an impressed cross mark (3) 40cm long (max)

32

£150­250

33

A CHARLES II BRONZE SKILLET BY ROBERT FLOWEREE SALISBURY, c.1671­1679 the body decorated with scratchmarks with a vine meander and a downward pointing arrow flanked by the initials ‘R F’ 15cm high, 46.3cm long Literature Michael Finlay, English Decorated Bronze Mortars and their Makers, p.146 for a discussion on the Floweree Foundry.

£200­300 34 14

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35

A CHARLES II DATED BRONZE MORTAR

BY EDWARD NEALE OF BURFORD the body cast with two pairs of fleur­de­lis, flanking the date ‘1660’ and with owners triad initials ‘T I I’ 11.1cm high, 14.5cm diameter Literature Michael Finlay, English Decorated Bronze Mortars and their Makers, pp.100­107 for a discussion of Edward Neale, with a similar example and p.105 where the present mortar is listed.

£800­1200

A CHARLES II BRONZE MORTAR ATTRIBUTED TO THE ‘UNIDENTIFIED’ FOUNDRY LOTHBURY OR ALDERSGATE, LONDON decorated with the London City Arms four times 10.5cm high, 12.2cm diameter Literature Michael Finlay, English Decorated Bronze Mortars and their Makers, p.73 for a discussion of the ‘unidentified’ foundry and pl.101 for a similar or possibly this current lot.

36

£300­400

15

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A CHARLES II BRONZE MORTAR ATTRIBUTED TO THE ‘UNIDENTIFIED’ FOUNDRY LOTHBURY OR ALDERSGATE, LONDON decorated with the crowned bust of Charles II, with lug handles 12cm high, 15cm diameter Literature Michael Finlay, English Decorated Bronze Mortars and their Makers, p.74 for a discussion of the ‘unidentified’ foundry and pl.102 for a similar mortar.

37

£200­300

A POLISHED BRASS MORTAR LATE 17TH / EARLY 18TH CENTURY the underside of the foot with maker’s initials ‘J A’ and motif, with owner’s initials ‘I+A’, together with an associated bronze pestle (2) 22.5cm (max)

£100­200

38

A 17TH CENTURY BRONZE MORTAR ATTRIBUTED TO WHITECHAPEL FOUNDRY, LONDON, c.1630­1640 decorated with a band of scrolling leaves, flowers and shells 10.7cm high, 14cm diameter Literature Michael Finlay, English Decorated Bronze Mortars and their Makers, pp.61­71 for a discussion of the Whitechapel foundry and pl.88 for a similar mortar by John Clifton.

£200­300

39 16

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A PAIR OF GERMAN BRONZE CANDLESTICKS PROBABLY NUREMBERG, EARLY 17TH CENTURY each with an urn shape nozzle with a dished drip­pan with a reeded edge above a bulbous base and domed foot (2) 22.8cm high

£800­1200

A GERMAN BRASS ALMS DISH PROBABLY NUREMBERG, MID­16TH CENTURY with punched decoration, the centre with a repoussé whorl and with an outer band of Gothic text 42.5cm diameter

£200­300

40

A PATINATED BRONZE HANGING LAMP OR THURIBLE POSSIBLY ITALIAN, VENICE OR GERMAN, NUREMBERG, 17TH CENTURY the pierced and leaf decorated corona suspended on chains with fluted balls and stylised angel terminals, the pierced body engraved with scrolling leaves and lions flanking a coat of arms with the Maltese cross 80cm high

£300­500

41

42 17

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A NETHERLANDISH BRASS LAVABO PROBABLY 16TH CENTURY with a swing handle with female mask terminals and with stylised beast spouts 25.7cm high, 30cm wide

£300­400

A PAIR OF FLEMISH BRASS PRICKET CANDLESTICKS LATE 17TH / EARLY 18TH CENTURY each with a dished drip­pan, above a baluster turned and knopped stem (2) 34.3cm high Provenance The late Greta Morrison, widow of Bryan Morrison.

£200­300

43

A NETHERLANDISH BRASS LAVABO PROBABLY 16TH CENTURY with a swing handle and with female mask terminals 27.3cm high, 31cm wide

£300­400

44 18

45

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AN ITALIAN KUNSTKAMMER CORAL BRANCH SPECIMEN PROBABLY 18TH CENTURY issuing from a relief carved ivory campana shape urn 12cm high

£200­300

AN ITALIAN BONE AND PIETRA DURA INLAID CASKET IN EMBRIACHI STYLE PROBABLY 19TH CENTURY inlaid with ebonised stringing and with porphyry and serpentine lozenges, the sloping hinged lid revealing a fabric lined interior, with a chequerboard base 9.9cm high, 15cm wide, 8.7cm deep

£500­800

46

47

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48

49

AN ITALIAN COPPER WINE CISTERN LATE 17TH / EARLY 18TH CENTURY with a repoussé gadrooned body 32.7cm diameter

£150­250

A CARVED LIMEWOOD BUST OF A FEMALE SAINT POSSIBLY GERMAN OR FLEMISH, LATE 17TH / EARLY 18TH CENTURY

50

originally painted 36.5cm high

£200­300

A PAINTED WOOD RIBBED CASKET IN GOTHIC STYLE 23.6cm wide

£100­150

A SMALL CARVED OAK CARTOUCHE PANEL PROBABLY LATE 17TH / EARLY 18TH CENTURY depicting a winged cherub with a bird, decorated with scrolls and leaves 24 x 16.8cm

£100­150

20

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A PAIR OF CARVED LIMEWOOD AND POLYCHROME PAINTED FIGURES OF FRIARS SOUTH GERMAN, LATE 17/ EARLY 18TH CENTURY with gilt and silvered decoration (2) 48.8cm high Provenance Purchased from Lansborough Ltd. in 1961 for £120.

Property from the collection of Monty and Barbie Passes.

£400­600

52

A CARVED PINE AND POLYCHROME DECORATED FIGURE OF ST FRANCIS OF ASSISI ITALIAN, 18TH CENTURY the saint with his right arm aloft and holding a skull and a book in his left hand 29.8cm high

£100­150

A CARVED WOOD AND POLYCHROME PAINTED FIGURE OF ST TERESA SPANISH, 18TH CENTURY with gilt decoration, with an applied metal halo, she holds a book in her left hand 43.3cm high Provenance Purchased from Lansborough Ltd. in 1961 for £60.

Property from the collection of Monty and Barbie Passes.

£200­300

53

54

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A FOSSILISED WALRUS OOSIK BONE carved with nine human skulls and with a handgrip 49cm long

£1000­1500

A COCO DE MER (LODOICEA MALDIVICA) 24.5 x 19cm

£100­150

A CARVED STONE MODEL OF A SLEEPING DOG POSSIBLY MEDIEVAL 65cm long

£200­300

55

56

57

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58 A RARE SAILOR’S WHALEBONE MODEL OF A HUMAN SKULL 19TH CENTURY OR POSSIBLY EARLIER possibly carved from a whale’s vertebrae as a memento mori, with bone teeth 20.5cm high

£300­500

23

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A GRADUATED SET OF FIVE GEORGE IV BRONZE IMPERIAL MEASURES

BY DE GRAVE, EARLY 19TH CENTURY each inscribed ‘Dudley District No. 9 Worcestershire 1827’, signed ‘De Grave Maker London’, with various crowned and Port Cullis marks, half gallon, quart, half pint, gill and half gill (5) 16cm high (max)

£600­800

A GEORGE III MAHOGANY AND BRASS SET OF FOLDING GUINEA SCALES BY WILKINSON LATE 18TH CENTURY

59

with a printed paper label inscribed ‘A. Wilkinson, Ormskirk, Lancashire’ 15cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£80­120

A SET OF TRAVELLING SCALES 18TH CENTURY

60

the treen case with a hinged sliding lid with brass mounts, containing a brass pan and weight with a piqué decorated ebony pole 41.5cm long

£80­120

A WELSH PONTYPOOL TIN CASED SET OF COIN SCALES 18TH CENTURY japanned to simulate tortoiseshell, the interior with two weights, together with another tin cased set of scales (2) 18.1cm wide (max) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

61

24

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63

A BRASS LANTERN CLOCK BY JOHN BUFFETT OF COLCHESTER EARLY 18TH CENTURY the thirty hour birdcage movement striking on a bell, the circular dial with Roman numerals, the recessed centre engraved with flowers and signed ‘John Buffett in Colchester fecit’, the case with two doors engraved with scrolling foliage, with pierced surmount panels and turned urn finials, 36cm high, later mounted on a walnut bracket

£800­1200

AN OAK LONGCASE CLOCK BY PETER BOWER OF REDLYNCH 18TH CENTURY the thirty hour brass birdcage movement with an anchor escapement and outside countwheel striking on a bell, the eleven inch brass dial with a silvered chapter ring with Roman and Arabic numerals, the centre engraved with a coastal scene with a ship and buildings and signed ‘Peter Bower Redlinch’, with Rococo spandrels, the hood with a pierced frieze above a plain trunk and plinth 204.5cm high

£300­400 64 25

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FOUR PRIMITIVE DAIRY STOOLS 19TH CENTURY AND LATER of ash and elm, with traces of original painted decoration (4) 56.3cm high (max)

£100­200

AN EARLY 19TH CENTURY FRUITWOOD OPEN ARMCHAIR PROBABLY EAST ANGLIAN with a rope­twist back and a dished solid seat, together with a Victorian smoker’s bow armchair and a painted dairy ash stool with faux bamboo legs (3)

£150­250

65

A PRIMITIVE ELM DAIRY STOOL PROBABLY 19TH CENTURY the rustic burr top on tripod supports united by a stretcher 35.8cm high, 34cm wide

£100­150

66

26

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68

A 19TH CENTURY ELM FARMHOUSE KITCHEN TABLE POSSIBLY WEST COUNTRY the boarded top above a frieze drawer and open trestle ends 74cm high, 73cm wide, 279.4cm long

£600­1000

A TREEN SYCAMORE DAIRY BOWL 19TH CENTURY

69

the exterior with reeded bands 46cm diameter

£100­150

A TREEN SYCAMORE DAIRY BOWL 19TH CENTURY with a reeded band to the exterior 42.5cm diameter

£150­200 70

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72

71

TWO SIMILAR PAINTED ASH COUNTRY OPEN ARMCHAIRS PROBABLY WEST MIDLANDS, FIRST HALF 19TH CENTURY each with a pierced and shaped ladder back above a rush seat, on stretchered turned legs, one later painted (2)

£300­400

A 19TH CENTURY ASH AND ELM WINDSOR LOW BACK ARMCHAIR c.1850 with a pierced splat back on turned legs united by a crinoline stretcher

£100­150

A HARLEQUIN SET OF TEN LANCASHIRE ASH DINING CHAIRS 19TH CENTURY each with a turned spindle back above a rush seat (10)

£400­600

73

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A GEORGE III FRUITWOOD BOWFRONT HANGING CORNER CUPBOARD LATE 18TH CENTURY the hinged doors with a bone escutcheon revealing an interior with three fixed shelves 92cm high, 55.2cm wide, 35.2cm deep

£200­300

A GEORGE III YEW TRIPOD TABLE LATE 18TH CENTURY the boarded circular tilt­top above a turned stem and cabriole legs 68.8cm high, 69.5cm diameter

£300­400

A 19TH CENTURY CHILD’S FRUITWOOD, ASH AND ELM WINDSOR ARMCHAIR THAMES VALLEY OXFORD STYLE 59.8cm high, 29cm wide, 29cm deep

£150­250

74

75

76

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A VICTORIAN PINE CRICKET TABLE LATE 19TH CENTURY the circular boarded top on tapering legs 72.7cm high, 121.5cm diameter

£300­400

A GATELEG TABLE EARLY 18TH CENTURY AND LATER the later red walnut drop­leaf oval top on an oak base with a frieze drawer, on block and baluster turned legs 72.5cm high, 85.5 x 104cm (open)

£300­500

A GEORGE III PINE AND FRUITWOOD COUNTRY SIDE TABLE c.1800 77

fitted with a frieze drawer, on square tapering legs 73.6cm high, 81.5cm wide, 45.5cm deep

£100­150

78

30

79

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80 A RARE ENGRAVED PERPETUAL CALENDAR PAPER INSTRUMENT BY JOHN SELLER c.1680 hand­coloured copper line engraving, the top with a globe signed ‘Io Seller Execudit’, with the sun and moon in the top corners above the days of the week with their planetary symbol and with two dials for the days and months which are rotated by a wooden rundle on the back, surrounded by classical figures representing the days of the week, Apollo for Sunday, Luna / Diana for Monday and Venus with her mirror for Friday, with a central cartouche with figures representing death and time lost, above a winged heart pierced by a sword, in a glazed ebonised fruitwood moulded frame 19.8 x 13cm Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£1000­1500

31

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81

82

JOAN BLAEU. ‘WILTONIA SIVE COMITATUS WILTONIENSIS ANGLIS WIL SHIRE’ MID­17TH CENTURY an engraved map, French text to verso, together with an engraved map with the same title by Jan Jansson, ‘Wiltoniae comitatus herbida planicie nobilis vulgo will shire pars olim belgarum’ by Christopher Saxton and William Kip, ‘Mapp of Wiltshire with its hundreds’ by Richard Blome, ‘The continuation of the road from London to the Lands End plate 2d’ by John Ogilby, all in later ebonised and gilt glazed frames and an untitled allegorical engraved map of Somersetshire and Wiltshire by Michael Drayton in a later fruitwood and gilt glazed frame (6) 65.5 x 57.5cm

£100­200

‘ANGLESEY ANTIENTLY CALLED MONA. DESCRIBED 1610’ JOHN SPEED (1552­1629) a hand­coloured engraved map with an inset map of Beaumaris, English text to verso, 52.8 x 41.3cm, in a later ebonised and gilt glazed frame

£100­150

WILLIAM NAISH. ‘THE CITY OF SALISBURY WITH THE ADJACENT CLOSE..’

MID­18TH CENTURY 83

an engraved city plan, with inset views of a prospect of the city and a vignette of the cathedral, printed and sold by Benjamin Collins 1751, together with two 17th century engraved views of Salisbury Cathedral by Wenceslaus Hollar, in later ebonised and gilt glazed frames (3) 60.5 x 53.5cm

£100­200

32

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84

A REGENCY WELSH OR SAILOR’S TREEN LOVE TOKEN EARLY 19TH CENTURY

85

with chip carved style decoration, pierced and containing one ball, dated ‘1814’ with initials ‘M H’, the end hung with a bank token dated ‘1813’ 9.7cm long Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

A CARVED TREEN FRUITWOOD LADLE 19TH CENTURY of king’s pattern, pierced for suspension 29.5cm long

£100­150

AN EARLY 19TH CENTURY TREEN SPICE TOWER together with a treen walnut turned egg cup and two other treen cups (4) 12.2cm high (max) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150 86

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SNUFF BOXES

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87

A QUEEN ANNE TORTOISESHELL AND SILVER MOUNTED OVAL SNUFF BOX EARLY 18TH CENTURY of ribbed form, the hinged lid with a band of piqué decoration and with a plaque engraved with initials ‘W*W’ 9.5cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

88

£150­200

A TREEN CHIP CARVED SNUFF BOX IN THE FORM OF A BOOK FIRST HALF 19TH CENTURY with a sliding cover 12.4cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

A TREEN BURR OAK FOLK ART OVAL SNUFF BOX PROBABLY FIRST HALF 18TH CENTURY the lid carved with Eve accompanied by various animals beside the tree of the knowledge of good and evil, above a Latin motto ‘Totus Mundus In Maligno Mali Positus’, with a brass band and a leaf border, the base carved with a seated figure and an indistinct motto ‘...Here Redde Diem’ 10.7cm wide

89

Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£150­200

35

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A HORN SNUFF SHOE POSSIBLY SCOTTISH, 19TH CENTURY with brass and white metal mounts, the hinged lid with tack inlay 13.5cm wide

90

Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£150­200

TWO 19TH CENTURY SNUFF BOXES one in the form of a horse’s hoof, with plated mounts, a hinged lid and the base with an iron horseshoe, the other fashioned from the tip of a cow horn with pewter mounts, indistinctly stamped (2) 10.7cm (max) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

91

A STAG ANTLER SNUFF BOX PROBABLY SCOTTISH, EARLY 18TH CENTURY of disc form, the lid with an applied circular silver coloured metal plaque engraved with initials ‘T B’ 6.2cm diameter Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

92 36

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A GEORGE III WELSH HORN SNUFF BOX EARLY 19TH CENTURY the lid inscribed and dated ‘Hugh Jones Brynodol 1806’ 6.8cm diameter Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

93

£150­250

A REGENCY HORN OVAL SNUFF BOX PROBABLY WELSH, EARLY 19TH CENTURY the lid inscribed and dated ‘D. James 1817’ 9cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

94

AN 18TH CENTURY WELSH PONTYPOOL TIN OVAL SNUFF BOX black japanned and decorated in gilt with a decanter flanked with a pair of glasses and a pair of crossed clay pipes, above the motto ‘Peace and Content’ 9.4cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

95

37

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TWO TREEN FOLK ART PINCH OF SNUFF ADVERTISING SIGNS 19TH CENTURY in the form of hands taking a pinch of snuff (2) 13.3cm high (max)

£100­150 Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

96

A TREEN AND BRASS MOUNTED ‘MISER’S PINCH’ SNUFF BOX 19TH CENTURY with a swivel top revealing a pinch double aperture and with a spiral fluted body 7cm diameter

£100­150 Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

97

A TREEN CARPENTER’S PLANE SECRET SNUFF BOX POSSIBLY FRENCH, 19TH CENTURY with carved and lozenge decoration 9.4cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

98 38

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A TREEN FOLK ART FROG SNUFF BOX FIRST HALF 19TH CENTURY with a hinged compartment 10cm long Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£200­300

99

A TREEN SNUFF BOX IN THE FORM OF A PAIR OF BELLOWS 19TH CENTURY with brass tack decoration, the sliding cover inscribed ‘Love’ 11.2cm long Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

100

A TREEN SNUFF BOX CARVED IN THE FORM OF A WALNUT PROBABLY 19TH CENTURY 3.2cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£80­120

101

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A GEORGE III STEEL SNUFF BOX LATE 18TH CENTURY rectangular with canted corners, inscribed ‘Tho Brockh’s March 18 1784, TD’ 10.4cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150 102

A GEORGE IV OAK ‘YORK MINSTER’ CIRCULAR SNUFF BOX EARLY 19TH CENTURY engine turned, the lid inset with a silver medallion, one side with a view of York Minster, titled and dated ‘1829’, the obverse inscribed ‘York Minster was commenced 1171, completed 1377, the choir of this magnificent edifice destroyed by an incendiary Feb 2nd 1829’, inscribed in pen ‘The incendiary was an insane brother of Martin the great painter’ 10cm diameter Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

Catalogue Note

103

The fire, one of several in the Minster`s history, was started deliberately by a deranged man, Jonathan Martin, elder brother of the Romantic painter John Martin (1789­1854).

£100­150

THREE HORN ITEMS EARLY 19TH CENTURY AND LATER comprising: a French snuff box, the hinged lid pressed with a view of the Apostolic Palace in the Vatican, titled ‘Palais Pontifical’, together with a faceted goblet and a whistle (3) 10.4cm (max) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

104

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105

A FRENCH PRESSED BURR MAPLE EROTIC SNUFF BOX EARLY 19TH CENTURY the lid with a landscape scene with a dying military general titled ‘L’ami Veritarle’, with a tortoiseshell interior, with a screw­off base revealing a secret painted scene of an amorous couple 8.5cm diameter

£300­500

A FRENCH PRESSED BURR MAPLE SNUFF BOX EARLY 19TH CENTURY the lid decorated with a portrait of Queen Caroline, inscribed ‘Caroline Queen of England’, with a tortoiseshell lined interior and an engine turned base 8.2cm diameter

106

Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£200­300

A FRENCH PRESSED BURR MAPLE SNUFF BOX EARLY 19TH CENTURY the lid decorated with figures on horseback in a wooded setting, titled ‘Retour de Chasse d’Henri IV’ 8.2cm diameter Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

107 41

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A 19TH CENTURY BURR WALNUT BARREL SNUFF BOX c.1820­1830 of faceted form with ebonised decoration, with a hinged lid and horn lining 10cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

108 A SCOTTISH MAUCHLINE WARE PENWORK SNUFF BOX EARLY 19TH CENTURY all over decorated with thistles, flowers and leaves 9.4cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

FIVE SNUFF BOXES 19TH CENTURY comprising: a brass and stag antler example, a tôle example in the form of a book, a brass curved hip box, a circular box in burr walnut and a lacquer snuff box painted to simulate tortoiseshell (5) 7.7cm (max)

109

Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

110 42

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111

112

AN EARLY 19TH CENTURY GERMAN LACQUERED PAPIER-MÂCHÉ SNUFF BOX IN THE MANNER OF STOBWASSER the lid painted with a scene of Abraham sacrificing Isaac, the interior inscribed in red ‘Abraham nach Andre del Sarto in der Konigl Galleries in Dresden’ 10cm diameter

£150­250

A GERMAN LACQUERED PAPIER-MÂCHÉ FAUX WOOD SNUFF BOX IN THE MANNER OF STOBWASSER, EARLY TO MID­19TH CENTURY painted to depict a section of timber with a textured bark style rim 9cm diameter

£150­200

A 19TH CENTURY PAINTED CAST IRON TOBACCO JAR AND COVER c.1840 decorated with flowers, with scrolling gilt foliage, the lid with a pair of clay pipes, a jug and a glass, on a red ground 18.3cm high

£100­150

113

43

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115 114

A SMALL COLLECTION OF POTTERY MUGS 19TH CENTURY comprising: three pearlware mocha ware examples decorated with seaweed tree tendrils, with applied ‘Imperial’ marks, with five similar mugs, one decorated in gilt with a ship, two with chequer bands, together with a small creamware example (9) 15.2cm high (max) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­200

A VICTORIAN BRASS MOUNTED HORN CANDLESTICK MID­19TH CENTURY the body scrimshaw engraved with Scottish thistles and inscribed ‘Jas Coldwell 79th Cameron Highlanders Crimea 1856’, 43.3cm high, together with a primitive iron bound and brass mounted wooden bucket, with a plaque inscribed with Islamic text (2)

£80­120

A LARGE PAIR OF GEORGE III BRASS CANDLESTICKS LATE 18TH / EARLY 19TH CENTURY each with an ejector mechanism, handles missing, with a ring turned stem and a domed foot (2) 50.3cm high

£100­150

AN 18TH CENTURY TOOLED LEATHER PENNER OR TRAVELLING INKWELL POSSIBLY FRENCH in two sections, the interior with a marbled paper lining and with a quill and ceramic well 18cm high

116

117

Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150 44

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A COLLECTION OF PAINTED TERRACOTTA POTTERY MODELS OF FRUIT AND VEGETABLES PROBABLY LATE 19TH / EARLY 20TH CENTURY including a melon, tomato, bamboo and exotic fruits, in a treen bowl (27)

£150­250

118

A 19TH CENTURY PAINTED PLASTER RELIEF OF A BASKET OF FRUIT c.1840 in an ebonised moulded frame 26 x 33.8cm

£150­250

119

A LARGE COLLECTION OF CARVED AND PAINTED STONE MODELS OF FRUIT PROBABLY LATE 19TH / EARLY 20TH CENTURY including figs, peaches, apples, pears, grapes and a lemon, in a wicker basket (59)

£600­800

120

45

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A GEORGE III NEEDLEWORK DARNING SAMPLER BY ELIZA COLE LATE 18TH CENTURY worked with a central flower spray surrounded by further flowers and eight crosses, signed and with an indistinct date ‘17...’, 26.2 x 25.2cm, in a later glazed frame, together with a George III needlework sampler by Ann Cooper, dated ‘1799’, 43.2 x 31cm, in a later glazed frame (2)

£100­200

121

A PAIR OF CONTINENTAL BIRD COLLAGE PRINT PICTURES LATE 19TH / EARLY 20TH CENTURY each depicting cut­out hand­coloured birds of paradise perched on a tree, 22 x 13.8cm, each in glazed olive wood frames (2)

£80­120

122

A NAIVE OIL PAINTING OF A BULLDOG LATE 19TH CENTURY oil on canvas, in a moulded giltwood frame 34.5 x 43.8cm

£300­400

46

123

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124

A SET OF TEN GERMAN TÔLE MUSHROOM TEACHING AID BOOKENDS LATE 19TH / EARLY 20TH CENTURY each polychrome printed with various fungi, with applied German titles (10) 12.3cm high

£200­300

A PAIR OF PAINTED PAPIER-MÂCHÉ DECOY PIGEONS POSSIBLY EARLY 20TH CENTURY

125

mounted on a sprung brass pole and a log base (2) 33.3cm high

£100­150

A NAIVE PAINTED CARVED WOOD BOAT HANGING SHOP SIGN LATE 19TH / EARLY 20TH CENTURY hung with chains, the body inscribed ‘Oysters for sale’, the boat named ‘Bess’ 42.5cm high, 44cm long

£150­250

126

47

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128

127

A CARVED AND PAINTED WOOD HUNTING GROUP IN THE MANNER OF NEW FOREST TOYS EARLY 20TH CENTURY with two horse and riders, a single huntsman, two foxhounds and a fox, with articulated limbs, glass eyes and fabric coats (6) 24cm (max)

£100­150

A PAIR OF SCOTTISH POLISHED GRANITE CURLING STONE DESK WEIGHTS EARLY 20TH CENTURY 129

each with a nickel and bone handle (2) 12.5cm diameter

£200­300

A PAIR OF GEORGE III BRISTOL GREEN GLASS SPIRIT BARRELS LATE 18TH CENTURY each with silver plated reeded mounts and taps (2) 15.5cm high

£150­250

A GREEN TÔLE PEINTE PLANTER 19TH CENTURY painted with roses and with parcel gilt and ebonised decoration, with a lift­out metal liner 30.5cm diameter

£100­150 130 48

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FURNITURE & WORKS OF ART

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A QUEEN ANNE WALNUT CHEST ON STAND EARLY 18TH CENTURY the quarter veneered top with cross and feather banding, above two short and two long drawers, the stand with a further long drawer, with later bun feet 95cm high, 88.9cm wide, 56cm deep

£300­500

131

A GEORGE II AND LATER FRUITWOOD AND WALNUT CHEST ON STAND EARLY 18TH CENTURY the crossbanded top above two short and three long conforming graduated drawers, the stand with a shaped frieze on later beechwood cabriole legs 131cm high, 97.2cm wide, 55cm deep

£300­500

132 50

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A WILLIAM AND MARY WALNUT AND SEAWEED MARQUETRY CHEST ON STAND LATE 17TH / EARLY 18TH CENTURY the quarter veneered and crossbanded top inlaid with a central oval panel and spandrels, with ebonised and fruitwood scrolling leaves, above two short and three long crossbanded drawers with conforming panels, the sides with arched marquetry panels, the stand with a further drawer, on later bun feet 95.8cm high, 103.8cm wide, 58.3cm deep

£1000­1500

51

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A SET OF SIX 18TH CENTURY WALNUT AND BEECH SIDE CHAIRS POSSIBLY DUTCH each with a scroll and shell carved top rail above a later needlework back and seat, on hocked cabriole front legs and pad feet (6)

£300­500

A GEORGE I OAK BUREAU BOOKCASE EARLY 18TH CENTURY

134

the chevron moulded frieze above a pair of arched panelled doors enclosing adjustable shelves, the hinged fall with a rest, revealing an interior fitted with drawers, pigeonholes and a central cupboard flanked by secret pilaster compartments, above a sliding well cover, with two short and two long drawers, on bracket feet 201.7cm high, 98.5cm wide, 48.9cm deep

£600­800

A CARVED BEECHWOOD WALL MIRROR EARLY 18TH CENTURY ELEMENTS the later rectangular plate within a pierced frame carved with flowerheads and leaves, with a crown and cherubs surmount 46cm square

£150­200

135 52

136

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A CARVED GILTWOOD WALL MIRROR LATE 17TH / EARLY 18TH CENTURY the later rectangular plate within a frame carved with a pair of eagles perched on balls, with a cherub mask surmount flanked by a pair of tulips, with a pendant grotesque mask issuing scrolling leaves 57 x 46.5cm

£300­500

A WILLIAM AND MARY WALNUT AND OYSTER VENEERED CUSHION FRAME WALL MIRROR LATE 17TH / EARLY 18TH CENTURY the rectangular plate within a moulded frame 53.2 x 48.2cm

£300­400

A GEORGE I WALNUT STOOL EARLY 18TH CENTURY with cusped corners, the later floral needlework drop­in seat above a plain frieze, on cabriole legs and pad feet 44.9cm high, 52cm wide, 39.5cm deep

137

£200­300

139

138 53

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A RARE GEORGE I JAPANNED TRIANGULAR GAMES TABLE c.1720 the Chinese black lacquer tilt­top gilt decorated with watery scenes of pagodas, bridges and willow trees, centred with the arms of the Tower family of Weald Hall, inscribed with the motto ‘Love and dread’, with floral diaper borders and three divided counter wells, on an English ebonised baluster stem and tripod cabriole legs and pad feet, with three paper depository labels for the Tower family 72.5cm high, 111.5cm wide, 97.8cm deep Provenance A Private Collection.

Literature Ralph Edwards, The Dictionary of English Furniture, vol.III, p.198, fig.20.

Catalogue Note The Tower Family of Weald Hall is descended from Thomas Tower of Wryesdale who died in 1659. His son Christopher went to London and prospered as a merchant, eventually becoming Deputy Collector of Customs for the Port of London. He died in 1728 leaving two sons, Christopher and Thomas. Christopher Tower (1694­1771) was a Whig politician and an MP between 1727­1742, with his family seat at Huntsmoor Park, near Iver in Buckinghamshire. His brother, Thomas (1698­1778), was a lawyer and an MP who got elected to Parliament for Wareham in 1729 and bought Weald Hall in 1759. There are no written records to say who commissioned this rare triangular card table but it was probably Thomas before he acquired Weald Hall, sometime in the 1720s.

The unusual triangular table top was made for the three player trick­taking card game Ombre or ‘hombre’, which originated in Spain in the 16th century but its popularity swept through Europe at the end of the 17th century and into the 18th century. Ombre was the first card game in which a trump suit was established by bidding rather than by the random process of turning the first card of the stock which gives this game its historical importance in the field of playing cards. Although little played today, Ombre has been described as "the most successful card game ever invented”.

£8000­12000

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A GEORGE II MAHOGANY DINING TABLE c.1740­1750 the oval drop­leaf top above turned club legs and pad feet 71.8cm high, 121.5 x 134.7cm (open)

£300­400

A GEORGE II OAK HANGING CORNER CUPBOARD the arched top above a shaped fielded panel door, enclosing three shelves 103cm high, 62.8cm wide, 34.5cm deep

£80­120

141

A GEORGE II OAK LOWBOY MID­18TH CENTURY the top with rounded corners, above three drawers, on cabriole legs and pad feet 74.1cm high, 75cm wide, 44cm deep

£200­300

142

56

143

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A GEORGE II WALNUT BACHELOR’S CHEST c.1740 the quarter veneered and crossbanded top inlaid with a parquetry star, with a caddy moulded edge above a brushing slide and four long graduated drawers 79.5cm high, 80.7cm wide, 46.7cm deep

£500­700

A GEORGE II WALNUT AND PARCEL GILT FRET FRAME WALL MIRROR the bevelled plate with arched top corners, within a carved gilt slip, the scroll frame with a pierced leaf cartouche 102.3 x 57.7cm

£100­150

A GEORGE III MAHOGANY SIDE CHAIR POSSIBLY IRISH, c.1760­1770 the serpentine top rail with scroll ears, above a pierced splat with interlocking decoration with carved ears and frills, above a needlework seat and chamfered front legs

144

£100­150

145

146 57

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147 A PAIR OF GEORGE II AND LATER CARVED PINE EAGLE CONSOLE TABLES IN THE MANNER OF FRANCIS BRODIE MID­18TH CENTURY AND LATER each with a breche violette marble top above a Greek key and leaf carved frieze, the eagle support with outstretched wings, standing on rockwork, on a ribbon and floret carved plinth base, probably originally painted, slight differences to carving, the tops re­ constructed, with later iron rod supports (2) 92.2cm high, 96cm wide, 49.5cm deep Catalogue Note The design for this type of ‘Roman’ pier table has historically been associated with the eminent English architect and furniture designer William Kent (1685­1748) and this design was most popular during the 1730s­1750s throughout England and Scotland. A related table is illustrated in the 1739 trade­sheet by the Edinburgh cabinet­maker Francis Brodie. In the same year he supplied ‘a marble table supported by and eagle, gilt in burnished gold’ to the Duke of Gordon. See F. Bamford, 'Dictionary of Edinburgh Wrights and Furniture Makers', Furniture History, vol. XIX, 1983, plate 24a.

For a similar pair of tables see Dreweatts, Fine Furniture, Ceramics & Works of Art, 28th March 2018, lot 70.

£8000­12000

58

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59

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148

151

A GEORGE II MAHOGANY CHEST MID­18TH CENTURY the top with a moulded edge and re­entrant front corners above a brushing slide and four long graduated drawers, on bracket feet 81.5cm high, 47.5cm deep

£400­600

A GEORGE III FRUITWOOD CORNER ARMCHAIR LATE 18TH CENTURY with out­scrolling arms, and twin pierced splats above a later covered drop­in seat

£200­300

149 A GEORGE II RED WALNUT DRESSING TABLE MIRROR MID­18TH CENTURY the later bevelled plate within a carved giltwood slip and an arched moulded frame, the box base fitted with three drawers 56.7cm high, 38cm wide, 19cm deep

£150­200

AN EARLY GEORGE III MAHOGANY CHEST THIRD QUARTER 18TH CENTURY the top with a moulded edge above a brushing slide and four long graduated drawers, on bracket feet 84cm high, 82cm wide, 48cm deep

£400­600

150 60

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152

AN EARLY GEORGE III MAHOGANY WRITING TABLE c.1770 the rectangular top above a baize lined slide, above three frieze drawers, one with a hinged compartment for pen and ink, with false fronts to the reverse, on moulded and chamfered legs with applied pierced brackets 77.8cm high, 115cm wide, 63cm deep

£400­600

AN EARLY GEORGE III MAHOGANY SIDE TABLE c.1770 fitted with a pair of frieze drawers, on moulded and chamfered legs with applied pierced fret brackets 75.3cm high, 75cm wide, 47cm deep

£300­400 153

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154

A GEORGE III MAHOGANY DRESSING CHEST c.1770­1780 the top drawer with a baize lined slide above a hinged compartment, revealing lidded compartments and divisions, supported by lopers, above three long drawers 80cm high, 91.1cm wide, 58.2cm deep

£1500­2000

A GEORGE II MAHOGANY KNEEHOLE DESK MID­18TH CENTURY the caddy moulded edge top inset with a later gilt tooled brown leather writing surface, the front with an arrangement of seven drawers around a kneehole, the back with a further three drawers, on bracket feet and castors, with side carrying handles 80.5cm high, 103.7cm wide, 82.8cm deep

£800­1200

155

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156 AN EARLY GEORGE III MAHOGANY BUREAU IN THE MANNER OF THOMAS CHIPPENDALE PROBABLY NORTH COUNTRY, c.1760­1770 with well­figured flame veneers, the hinged fall revealing an arrangement of nine drawers, one fitted for pens and ink, with six pigeonholes and with a later lined green leather writing surface, above four long graduated drawers, the top one unusually flanked by lopers, on later bracket feet 107.2cm high, 118.2cm wide, 61.8cm deep Catalogue Note The present lot has some attributes that could tentatively point to the manner of Thomas Chippendale. The use of an unusual cut of mahogany is a strong feature. The layout of the interior which is very typical and use of a pen and ink drawer which is very similar to one that can be found in Sabine Winns’ ‘secretary’ supplied for the Winns’ London house at 11 St. James’s Square. The most unusual feature of this bureau is the arrangement of the top drawer with lopers which sit flush side by side with no vertical rail to keep them in position. This design can be seen in a ‘desk (bureau) and bookcase’ in the 1762 Director. This might be a feature that offered a slight cost saving or it could be a provincial design used by someone working in tandem with Chippendale.

£600­800

A GEORGE III MAHOGANY SERPENTINE CARD TABLE c.1770 the hinged fold­over top with a moulded edge on twin gate supports, the plain frieze on chamfered legs with leaf carved brackets 72.5cm high, 91cm wide, 49cm deep

157

£100­150

63

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A GEORGE III MAHOGANY SERPENTINE CHEST LATE 18TH CENTURY inlaid with boxwood and ebonised faux fluting, the top with a moulded edge above four long graduated drawers 84.8cm high, 90.4cm wide, 49cm deep

£2000­3000

A MAHOGANY TRIPOD TABLE 18TH CENTURY AND LATER the circular tilt­top with a pie crust edge, revolving on a bird cage, on a stop fluted stem and acanthus and cabochon carved cabriole legs and carved pad feet 71cm high, 80cm diameter

£100­150

A GEORGE III MAHOGANY DEMI-LUNE CARD TABLE c.1790­1800

158

inlaid with boxwood stringing, the crossbanded hinged and fold­over top on twin gate supports, with a plain frieze, on square tapering legs and block feet 74.4cm high, 91.5cm wide, 41.3cm deep

£100­150

159

64

160

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A GEORGE III MAHOGANY SERPENTINE CHEST LAST QUARTER 18TH CENTURY the top with a moulded edge above four long graduated drawers with raised brass escutcheons 88cm high, 102cm wide, 57.2cm deep

£500­700

A GEORGE II MAHOGANY TRIPOD TABLE MID­18TH CENTURY the circular tilt­top on a ring turned stem with a spiral ribbed bowl, on cabriole legs and hairy stylised hoof feet 70.3cm high, 58.3cm diameter

£400­600

A GEORGE III MAHOGANY DEMI-LUNE CARD TABLE c.1790 inlaid with stringing, the hinged fold­over top crossbanded in kingwood and cocobolo, on twin gate supports, on floral marquetry headed square tapering legs and spade feet 73.5cm high, 91.2cm wide, 46cm deep

161

£200­300

162

163

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A GEORGE III MAHOGANY STANDING CORNER CUPBOARD LATE 18TH CENTURY in two halves, the top with a pair of panelled doors enclosing a painted interior with three shelves, the conforming base with a single shelf 197cm high, 109.5cm wide, 62cm deep

£200­400

A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE LATE 18TH CENTURY the gallery top with pierced handgrips, above a tambour shutter and a pull­out base 74.6cm high, 50.3cm wide, 42.7cm deep

£250­350

A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS LATE 18TH CENTURY each with a pierced fan splat back above a drop­in seat, on chamfered front legs united by stretchers (6)

£200­300

164

165 66

166

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A GEORGE II AND LATER MAHOGANY BUREAU BOOKCASE THE BUREAU MID­18TH CENTURY the later bookcase top with a dentil and blind fret cornice above a pair of astragal glazed doors enclosing three adjustable shelves, the hinged fall revealing an arrangement of drawers and pigeonholes with a central cupboard, above an arrangement of nine drawers around a kneehole with a cupboard, on later bracket feet 214.6cm high, 103cm wide, 60cm deep

£300­500

A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE LATE 18TH CENTURY the galleried top pierced with handgrips, above a pair of cupboard doors and a pull­out base fitted with a ceramic pot and a wooden lid 78.3cm high, 55.3cm wide, 45.5cm deep

£300­500

TWO SIMILAR GEORGE III MAHOGANY SIDE CHAIRS c.1770 each with a padded back and seat, on moulded and chamfered stretchered supports (2)

£600­800

167

168

169

67

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A PAIR OF GEORGE III MAHOGANY DINING ROOM URNS AND PEDESTALS IN THE MANNER OF GILLOWS c.1775­1780 each urn of campana shape, with lobed, fluted and ribbed decoration, the lid with a fir cone finial revealing a later lined interior, with gilt brass handles and gilded taps, the pedestals with crossbanded tops, the fronts with stained sycamore banding and inlaid with boxwood stringing, one with a hinged door with false drawer fronts revealing a vacant interior, the other with a top drawer to hold water to wash glasses, above a cupboard originally with a chamber pot and a base drawer for wine bottles, now lacking original linings (2) 182cm high, 50cm wide, 48cm deep Provenance With Denys Wrey Ltd., 45 Sloane Street, London, S.W.1 and sold to G. E. J. Deering Esq. of Ormskirk, Lancashire on the 15th January 1969 for £1,400.

Literature Susan E. Stuart, Gillows of Lancaster and London 1730­1840, vol.1, p.315, pl.356, for a similar pair of dining room pedestals and vases with cone finials, attributed to Gillows made for John Bell of Thirsk Hall, North Yorkshire.

£8000­12000

68

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171

172

A GEORGE III MAHOGANY OPEN ARMCHAIR c.1770 with an interlaced and pierced splat back with outscrolling arms, above a later drop­in seat

£200­300

A GEORGE III MAHOGANY BOWFRONT HANGING CORNER CUPBOARD LATE 18TH CENTURY the frieze inlaid with shell and leaf marquetry paterae above a pair of doors enclosing three shelves and three drawers 109.8cm high, 75.2cm wide, 50cm deep

173

£150­250

A GEORGE III MAHOGANY GENTLEMAN’S WASHSTAND c.1790 inlaid with boxwood stringing and purpleheart banding, of canted form, the twin­ hinged top revealing a lift­out mirror on a ratchet, above a cupboard and a drawer fitted with a Gillows style brass handle 88.3cm high, 50.7cm wide, 48cm deep

£200­300

A GEORGE III SATINWOOD AND ROSEWOOD DRESSING TABLE MIRROR LATE 18TH / EARLY 19TH CENTURY inlaid with barber’s pole and chequered stringing, with a later shield shape plate, with brass urn finials, above a serpentine box base fitted with three drawers, with bone handles and rondels 55.5cm high, 42cm wide, 21.4cm deep

174 70

£150­250

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175

AN IRISH MAHOGANY CENTRE TABLE IN GEORGE II STYLE PROBABLY 19TH CENTURY the top with a moulded edge above a profusely decorated apron carved with baskets of flowers, eagle’s heads, scrolling leaves and rocaille, on leaf capped legs with a grapevine, terminating in hairy lion’s paw feet 69.5cm high, 105.5cm wide, 65.5cm deep

£1000­1500

176

A GEORGE III MAHOGANY OVAL TRAY LATE 18TH CENTURY crossbanded and inlaid with chequer stringing, with an undulating laminated gallery and a pair of brass scroll handles 55.4 x 76.2cm

£150­250

A GEORGE III MAHOGANY TRIPOD TABLE LATE 18TH / EARLY 19TH CENTURY with an octagonal fixed top above a baluster turned stem 68.8cm high, 45.5cm wide

£100­150

177 71

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179

178

A GEORGE III MAHOGANY CARD TABLE LATE 18TH / EARLY 19TH CENTURY of ‘D’ shape, the satinwood and tulipwood crossbanded top inlaid with a fan patera, above a frieze inlaid with ebonised stringing and lozenge panels 72.9cm high, 91cm wide, 45cm deep

180

£400­600

A GEORGE III MAHOGANY BUTLER’S TRAY LATE 18TH CENTURY AND LATER the shaped gallery pierced with two handgrips, with later divisions, latterly used as a hanging plate rack 52 x 73.4cm

£100­150

A GEORGE III MAHOGANY BOWFRONT STOOL LATE 18TH CENTURY the stuffed­over seat on moulded tapering legs 47cm high, 78cm wide, 43.5cm deep

£200­300

A PAIR OF GEORGE III MAHOGANY CONSOLE TABLES LATE 18TH CENTURY, FORMERLY THE ENDS OF A DINING TABLE each with a demi­lune top on moulded legs (2) 71.7cm high, 131cm wide, 58.3cm deep

£100­200 181 72

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182

A LATE GEORGE III SATINWOOD DEMI-LUNE COMMODE EARLY 19TH CENTURY inlaid with ebonised stringing and stars, the top crossbanded in kingwood, above a pair of panelled doors backed with gilt brass lattice and pleated fabric, enclosing two shelves, on tapering feet, the back with the remains of a paper trade label, inscribed ‘Bart.... Ant....and Fine Art 7 West Street...’

85.8cm high, 115cm wide, 46.9cm deep

£2000­3000 183

A GEORGE III SATINWOOD BONHEUR DU JOUR LATE 18TH / EARLY 19TH CENTURY with tulipwood crossbanding, the raised top fitted with four drawers, above a frieze drawer with divisions for pens and ink 96.2cm high, 47.8cm wide, 38.3cm deep

£400­600

A GEORGE III GILTWOOD OVAL WALL MIRROR c.1790 the oval plate within a beaded and fluted moulded frame 60 x 45cm

£100­150

184 73

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FIREPLACE FURNITURE GARDEN & DOORSTOPS

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A CARVED PINE FIRE SURROUND / CHIMNEY PIECE IN GEORGE II STYLE LATE 19TH CENTURY with egg and dart and Greek key mouldings, the frieze centred with a basket of flowers, flanked by ribbon tied swags of fruit and flowers, with conforming garlands to the jambs 145.2 x 153.1cm exterior, 108.4 x 101cm interior

£800­1200

A 19TH CENTURY BRONZE FIRE GUARD the rectangular back decorated with guilloche bands, the pierced front decorated with leaves, flowers and an urn 75.4cm high, 68cm wide, 28cm deep

£200­300

A CAST IRON AND GILT BRONZE MOUNTED BASKET FIRE GRATE REGENCY STYLE of navette shape, with leaf decorated handles, the stepped base with applied ram’s head masks and laurel swags 49.7cm high, 68cm wide, 32.2cm deep

£300­500

186

187 75

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A CAST IRON, STEEL AND BRASS FIRE GRATE REGENCY STYLE with a railed front above a lion’s mask and on paw feet 60.3cm high, 56cm wide, 24.5cm deep

£200­300

A VICTORIAN TÔLE PEINTE PLATE BUCKET with parcel gilt and simulated wood decoration 50cm high, 33.2cm diameter

£50­100 188

AN EARLY 19TH CENTURY TÔLE PEINTE NAVETTE SHAPE BUCKET with a swing handle, the part moulded body with parcel gilt and red line decoration 30.3cm high, 37.5cm wide

£100­150

A DUTCH BRASS OVAL JARDINIÈRE LATE 19TH CENTURY repoussé decorated with sailing ships and with lion’s mask ring handles 23.3cm high, 40.5cm wide

£100­150

189

190

191 76

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192

A PAIR OF FRENCH ORMOLU CHENETS IN LOUIS XV STYLE LATE 19TH CENTURY

A PAIR OF FRENCH LOUIS XVI GILT AND PATINATED BRONZE CHENETS IN THE MANNER OF BOIZOT, LATE 18TH CENTURY

each modelled with a Bacchanalian cherub and decorated with leaf scrolls and a grapevine (2) 31.4cm high, 33cm wide

modelled with a recumbent lion and lioness on tasselled drapes, with a fir cone finial and wrapped with laurel leaves, each later mounted on a porphyry veneered base (2) 31.8cm high, 40.2cm wide, 14.5cm deep

£300­400

£500­800

193

77

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A LATE VICTORIAN OAK HALL STAND IN THE MANNER OF JAMES SHOOLBRED AESTHETIC MOVEMENT with brass mounts, the galleried top above four divisions for umbrellas and walking canes, the back with a brass trade label, inscribed ‘George Davis Plymouth cabinet maker and upholsterer’ 99.5cm high, 56.8cm wide, 26cm deep

£800­1200

A VICTORIAN BRASS DOORSTOP IN THE FORM OF A SEATED DOG on a stepped breakfront base, with a registration lozenge and numbered ‘19’ 35.4cm high

£200­300

A VICTORIAN PATINATED BRASS DOORSTOP in the form of a wheatsheaf, the wreath handle above a rope twist stem and a weighted base 40.5cm high

£100­150

A VICTORIAN BLACK PAINTED CAST IRON BOOT SCRAPER decorated with a pair of recumbent lions and with a nulled border 28cm high, 52.5cm wide, 35cm deep

£200­300

194

195 78

196

197

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198

199

200

A VICTORIAN SERPENTINE DOORSTOP PROBABLY CORNISH with a brass ring handle 23.4cm high

£100­150

A VICTORIAN SERPENTINE DOORSTOP PROBABLY CORNISH with a brass ring handle 23.1cm high

£100­150

A VICTORIAN SERPENTINE DOORSTOP PROBABLY CORNISH with a brass ring handle 21.5cm high

£100­150

A COLLECTION OF CORNISH SERPENTINE ITEMS LATE 19TH CENTURY with a pair of turned vases with ovoid bodies, a larger vase with an octagonal base and an inkwell with an acorn finial and glass liner (4) 35.2cm high (max)

£200­300 201 79

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A WROUGHT IRON GARDEN BENCH LATE 19TH CENTURY with a slatted back and seat, with scroll supports 79cm high, 278cm wide, 75cm deep

£400­600

A PAIR OF LEAD OGEE SHAPE PLANTERS the bodies decorated with scrolling leaves and flowers (2) 21.3cm high, 46cm wide, 30cm deep

£200­300 202

A PAIR OF COMPOSITE STONE GARDEN FINIALS in the form of pineapples (2) 45cm high

£150­250

A PAIR OF PAINTED CAST IRON GARDEN URNS 19TH CENTURY the bodies decorated with scrolling leaves and flowers and with lion’s mask handles (2) 62cm high, 47cm diameter

£400­600 203

204 80

205

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206 A LARGE ‘BLUE OAK’ GARDEN TABLE 20TH CENTURY

A SET OF EIGHT TEAK GARDEN ARMCHAIRS LATE 20TH CENTURY

the boarded top with cleated ends, on square supports united by an ‘H’ stretcher 73cm high, 269.8cm long, 90cm deep

each with a slatted back and seat (8)

£800­1200

Provenance Purchased by the current vendor from Axel Vervoordt, Belgium.

Catalogue Note Quercus douglasii, known as blue oak, is a species of oak endemic to California, it is common in the foothills of the Sierra Nevada and the coastal ranges.

£1500­2000

207 81

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CONTINENTAL

FURNITURE

& WORKS OF ART

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A LOUIS XV ROSEWOOD AND KINGWOOD PETIT COMMODE BY JEAN-CHARLES ELLAUME c.1760 with ormolu mounts, the serpentine marble top with a moulded edge above two drawers, stamped ‘JME J.C. Ellaume’ 84.2cm high, 62cm wide, 37cm deep Catalogue Note Jean­Charles Ellaume was made maître on the 6th November 1754.

His furniture can be found in the collections of Château de Morlanne, Château Royal de Wawel in Krakow and the Musée des Beaux­Arts de Bernay.

£1000­1500

A PAIR OF GILTWOOD FAUTEUILS IN LOUIS XVI STYLE 19TH CENTURY the moulded frames carved with leaves, ribbons and guilloche mouldings, each with a padded back, seat and armrests, on leaf carved stop fluted legs (2)

£300­400 208

209 83

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A FRENCH GILTWOOD WALL MIRROR IN LOUIS XV STYLE LATE 19TH / EARLY 20TH CENTURY the shaped central plate surrounded by marginal plates, within a scroll, rocaille, leaf and flower carved frame 172 x 80cm

£500­700

A FRENCH GILTWOOD BERGÈRE IN DIRECTOIRE STYLE LATE 19TH / EARLY 20TH CENTURY the moulded frame carved with flowers, ribbons and leaves, with ball finials, upholstered with damask fabric, on fluted supports

£200­300

A FRENCH GILTWOOD BERGÈRE IN LOUIS XV STYLE LATE 19TH CENTURY the moulded frame carved with scrolls, together with a French giltwood window seat (2)

£200­300

210

211 84

212

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A PAIR OF FRENCH GILTWOOD GIRANDOLE MIRRORS PROBABLY EARLY 19TH CENTURY each with a rectangular plate within a moulded frame, with a ribbon tied surmount, the base with a flowerhead sconce holder and bronze sconces (2) 74.5 x 30cm

£300­500

A 19TH CENTURY FRENCH BIRD’S EYE MAPLE SIDE TABLE c.1850 inlaid with ebonised stringing, the rectangular top with a frieze drawer, on baluster turned legs 77.5cm high, 120.5cm wide, 70.2cm deep

£400­600

213

214 85

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A FRENCH GILTWOOD WALL MIRROR LATE 18TH / EARLY 19TH CENTURY the rectangular plate within an anthemion decorated outer frame, the pierced surmount carved with leaves, flowers and quivers, the sides with drapes 67 x 42cm

£150­200

A FRENCH KINGWOOD AND BEECHWOOD OVAL BIJOUTERIE TABLE IN LOUIS XVI STYLE LATE 19TH CENTURY

215

with gilt mounts, the hinged top with a bevelled glass panel, on cabriole legs united with a basket undertier 75.5cm high, 72cm wide, 49cm deep

£300­500

A CONTINENTAL EBONISED AND PARCEL GILT TRIPOD TABLE POSSIBLY ITALIAN, FIRST HALF 19TH CENTURY the circular top painted with flowers and with a band of palmettes 68cm high, 53.5cm diameter

£300­400

A PAIR OF FRENCH OAK OPEN ARMCHAIRS IN RÉGENCE STYLE LATE 19TH CENTURY each with a needlework padded back and seat, the frames carved with leaves, shells and scrolls, on hoof feet (2)

£300­500 216

217 86

218

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A FRENCH EMPIRE ORMOLU FIGURAL MANTEL CLOCK

BY ALEXANDRE ROUSSEL, PARIS EARLY 19TH CENTURY the eight day brass drum movement with an outside countwheel striking on a bell, the backplate numbered ‘158’, with silk suspension, the circular dial with Roman numerals, the centre cast with leaves, signed ‘Alexandre Roussel a Paris’, with an entwined snake bezel, the case decorated with Apollo holding his lyre, with a scroll and a laurel wreath and further classical decoration 61cm high

£1000­1500

A FRENCH TORTOISESHELL AND BRASS BOULLE MANTEL CLOCK IN LOUIS XV STYLE LATE 19TH CENTURY the eight day brass drum movement striking on a bell, the backplate stamped ‘19973’, with a pastille inscribed ‘Japy Frères cie med. d’honneur’, the circular dial with Roman enamelled numerals, the case with ormolu mounts decorated with scrolling foliage and with a classical mask 35cm high

£300­500

A FRENCH PLUM PUDDING MAHOGANY DEMI-LUNE WRITING TABLE IN DIRECTOIRE STYLE LATE 19TH / EARLY 20TH CENTURY with brass mounts, the top with a pierced gallery and inset with a gilt tooled red leather writing surface, with two frieze drawers to the front and a further drawer to the back 75.3cm high, 115cm wide, 60cm deep

£500­700 219

220

221 87

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222 A NAPOLEON III EBONY AND BOULLE MARQUETRY SIDE CABINET ATTRIBUTED TO MATHIEU BÉFORT DIT BÉFORT JEUNE c.1875 with gilt bronze mounts, the detachable black marble top above a pair of doors decorated with two of the four seasons, Ceres and Saturn, enclosing an oak lined interior with one shelf, the sides with Hercules masks, the underside of the marble top with various labels, including one inscribed ‘Lady Vernet’ dated ‘ Aug. 6 1875’ 104.5cm high, 126.5cm wide, 44cm deep Provenance Lady Alice Emily Verner (1853­1908), who married Christopher Neville Bagot (1827­1877) in 1875 and by descent to the present vendor.

Catalogue Note This meuble d’appui can be firmly attributed to the cabinet maker Matthieu Béfort called Béfort Jeune who was recorded at Neuves­Saint­Gilles from 1844 until 1880. He specialised in furniture in the Louis XIV and Régence style and copied a number of pieces from those periods. One of his most famous works was a copy of André­Charles Boulle’s armoire à médaille. For a pair of similar cabinets, see Christie’s, The Opulent Eye, 20th September 2012, lot 18.

£5000­8000

88

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89

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A FRENCH GILT BRASS INKWELL LATE 19TH CENTURY decorated with classical subjects, the hinged lid with a depiction of Victory in her chariot, the border with griffins and rondels decorated with mythological figures in various pursuits, including: Zeus, Mercury and Venus with Cupid 19cm diameter

£100­150

223 A FRENCH GILT BRASS AND CROCODILE LEATHER CIRCULAR BOX AND COVER EARLY 20TH CENTURY decorated with ribbon tied swags of flowers, with bands of guilloche and beaded mouldings 10.5cm diameter

£100­150

A FRENCH CARVED AND EBONISED WOOD INKWELL IN THE FORM OF A BULLDOG’S HEAD LATE 19TH CENTURY with inset glass eyes and a leather collar, the hinged lid revealing a brass capped inkwell with spring release, stamped ‘Déposé’ 11.8cm high

224

225

£200­300

A FRENCH CARVED FRUITWOOD BOX IN THE FORM OF A TRUNK LATE 19TH CENTURY the hinged lid with a vacant brass plaque, the interior originally with a tray 9cm high, 15.3cm wide

£100­150

226

90

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227

A CONTINENTAL GLASS AND GILT METAL MOUNTED BOWL IN EMPIRE STYLE 19TH CENTURY of breakfront oblong form, etched with scrolling leaves and flowers, with a crowned eagle above a thunderbolt and with caduceus mounts, on winged lion’s paw feet 8.2cm high, 25cm wide, 13.5cm deep

£150­250

A PAIR OF COLD PAINTED SPELTER CANDLESTICKS IN THE FORM OF BLACKAMOORS LATE 19TH / EARLY 20TH CENTURY

A PAIR OF AUSTRIAN PAINTED TERRACOTTA MOORISH FIGURES

BY JOHANN MARESCH, LATE 19TH / EARLY 20TH CENTURY

each holding an amphora, standing on a naturalistic base (2) 36.5cm high (max)

of an Arab beauty carrying an ewer and a man holding a basket and fruit, impressed marks ‘J. M.’ and numbered ‘6431’ and ‘6432’ (2) 48cm high (max)

£100­150

£400­600

228

229

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230

AN AGATE CASKET c.1930-50 with silver plated mounts, the hinged lid with a ball finial 17cm wide

£200­300

A FRENCH MINIATURE EN GRISAILLE LATE 18TH CENTURY depicting the Triumph of Pan, signed ‘Degaule’ and dated ‘1786’, in an oval glazed frame and hung on an a gilt brass miniature easel 7.2 x 9cm

£300­500

A PAIR OF CONTINENTAL SCROLLWORK DEVOTIONAL DIORAMAS EARLY 19TH CENTURY 231

each decorated with gilt rolled paper, on a crystalline ground with printed paper labels with the names of various Catholic saints, in glazed gilt and silk covered shaped frames (2) 15.8 x 22cm

£200­300

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A DUTCH MAHOGANY STANDING CORNER CUPBOARD LATE 18TH CENTURY Neo­Classical decorated with egg and dart dentils and guilloche mouldings, the broken pediment centred with a draped urn above laurel branches, with a pair of panelled doors enclosing three shelves, a pull­out slide and further cupboard doors enclosing a shelf, inscribed in pencil ‘Le Breton’ 247.5cm high, 110cm wide, 57cm deep

£800­1200

A CONTINENTAL CHERRYWOOD WALNUT AND BIRD’S EYE MAPLE BOMBE COMMODE PROBABLY NORTH EUROPEAN, 19TH CENTURY inlaid with fruitwood, burr panels and specimen woods, the top decorated with a pair of birds with leaves and flowers, above three long drawers inlaid with further flowers 83.4cm high, 124cm wide, 62.5cm deep

£1000­1500

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235

AN ITALIAN PAINTED AND GILTWOOD SOFA POSSIBLY LOMBARDY, LATE 18TH / EARLY 19TH CENTURY the wrap­around frame decorated with oval paterae, griffins and urns, on square tapering legs 84.6cm high, 164.5cm wide, 52cm deep

£500­700

A 19TH CENTURY GILTWOOD STANDARD LAMP c.1880­1890 with fluted, beaded and leaf carved decoration 164cm high

£400­600

TWO FRENCH GILTWOOD PELMETS 19TH CENTURY 150.5cm wide and 140.5cm wide (2)

£200­300

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239

AN ITALIAN YELLOW MARBLE OCCASIONAL TABLE PROBABLY LATE 19TH / 20TH CENTURY the circular top with a moulded edge inlaid with rosso and verde antico marble, on a turned stem and tripod scroll feet 74.2cm high, 65.2cm diameter

£500­700

AN ITALIAN CARVED AND EBONISED WOOD STOOL VENETIAN, LATE 19TH CENTURY the faux cushion top above lion, fruit, shell and leaf carved supports 51cm high, 43.7cm wide. 43.4cm deep

£100­150

AN ITALIAN VENETIAN CARVED PINE MIRROR LATE 19TH CENTURY the bevelled crescent moon shaped plate grappled by a winged lion with a dragon’s tail, the back with a later easel back and a chain for hanging, the back inscribed in pen ‘S. M Grubb from Venice Feb. 1899’ 56.1 x 43cm

£400­600

240 NO LOT

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A PAIR OF FRENCH ORMOLU TWIN-LIGHT CANDELABRA IN LOUIS XV STYLE SECOND HALF 19TH CENTURY with leaf scroll branches and decorated with flowers and rocaille, each mounted with a porcelain figure of a flower seller (2) 29.2cm high

£200­300 242

A PAIR OF 19TH CENTURY FRENCH BRONZE CANDELABRA each modelled with two cherubs, with scrolling branches and three lights (2) 27.5cm high

£80­120

243

A PAIR OF FRENCH GILT PATINATED BRONZE FIGURAL TWIN-LIGHT CANDLESTICKS EARLY 19TH CENTURY each modelled with a classical maiden holding a pair of scroll branches, on an engine turned plinth and a circular base (2) 38cm high

£300­400

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245

246

THREE COLUMN TABLE LAMPS LATE 19TH / EARLY 20TH CENTURY AND LATER comprising: a painted faux­marble example, the capital carved with ram’s heads and two tôle peinte lamps, one painted to simulate porphyry and marble (3) 52.4cm high (max)

£200­300

A FRENCH ORMOLU BOUILLOTTE LAMP IN LOUIS XVI STYLE EARLY 20TH CENTURY with an adjustable tôle shade, the galleried base with a classical stem issuing three leaf scroll branches and with fluted urn nozzles, 37.8cm high, together with a silvered brass lamp with a tôle shade, 47.3cm high (2)

£200­300

A FRENCH PRESSED BRASS TABLE LAMP LATE 19TH CENTURY with a bronzed finish and decorated in the Renaissance revival style with strapwork, scrolls and grotesque beast masks 57.1cm high

£150­200

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248

A GILT BRASS AND GLASS PENTAGONAL HALL LANTERN hung with cut­glass drops and fitted with three lights 52.8cm high, 37cm wide

£200­300

A PAIR OF GILT BRASS WALL LIGHTS LATE 19TH CENTURY with leaf decorated scroll branches with three lights, the drip­pans hung with cut­glass drops and lustres, with a central faceted glass obelisk finial (2) 56cm high, 35.5cm wide

£200­300

A FRENCH GILT BRASS HALL LANTERN IN LOUIS XVI STYLE LATE 19TH / EARLY 20TH CENTURY the panelled glass body applied with ribbon tied floral swags and satyr masks, 43cm high, together with a gilt brass five­light chandelier hung with glass drops, 48.2cm high (2)

£200­300 250

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251

A SILVERED SIX-LIGHT ‘KNOLE’ CHANDELIER EARLY 20TH CENTURY the turned stem decorated with cherub masks and strap­ work, with scroll branches and a cone pendant, possibly by Lenygon & Co 49cm high, 64cm wide

252

£300­400

A PAIR OF BRASS STANDARD LAMPS LATE 19TH / EARLY 20TH CENTURY each with a scroll arm, a turned stem and triform base (2) 168.5cm high

£400­600

A BRONZED PLASTER FIGURAL TORCHÈRE IN THE MANNER OF HUMPHREY HOPPER 19TH CENTURY in the form of a classical maiden holding a bronze chalice 111cm high

£400­600

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A PAIR OF GILT BRASS AND OPAQUE GLASS PLAFONNIERS IN REGENCY STYLE 20TH CENTURY decorated with lion’s masks, one with twin­light fittings (2) 36cm diameter

£200­300 254 A PAIR OF DUTCH GILT BRASS EIGHT-LIGHT CHANDELIERS IN 18TH CENTURY STYLE LATE 19TH / EARLY 20TH CENTURY each with a baluster stem and with scroll branches with beast terminals and a ball pendant (2) 51.8cm high, 65cm wide

£300­500

FOUR BRONZED METAL PICTURE LIGHTS 20TH CENTURY three by Linolite (4) 66cm wide (max)

£100­150

AN AUSTRO-HUNGARIAN OPAQUE GLASS HANGING LIGHT LATE 19TH CENTURY with gilt metal mounts, painted with panels of lilies, flowers and butterflies, with dog’s head chain terminals 43.8cm high

£200­300 255

256

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EXBURY HOUSE HAMPSHIRE LOTS 258 TO 275

On behalf of the Exbury House Trustees, Woolley and Wallis are delighted to be selling a selection of the contents of the house in upcoming auctions in Salisbury throughout the spring and summer.

Exbury House was purchased by Lionel de Rothschild in 1919 and has remained in the family ever since.

The spectacular 200 acre gardens which are open to the public have a world renowned collection of rhododendrons, azaleas, camelias and other rare shrubs and plants.

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ALFRED DE ROTHSCHILD (1842-1918) Alfred was the second son of Baron Lionel de Rothschild (1808­1879) and grandson to Nathan Mayer de Rothschild (1771­1836). His father Baron Lionel was a passionate art collector with a wonderful collection of Old Master paintings from the Dutch and Flemish schools and Renaissance works of art. He was often competing for treasured items with his brother Mayer Amschel de Rothschild at Mentmore and his cousins based in Austria and France. On his death the collection was divided between his three sons, Nathaniel, Leopold and Alfred. Alfred subsequently followed in his father’s footsteps adding to the collection and by the end of the 19th century Alfred was considered, according to Lady Neville ‘the finest amateur judge of French eighteenth­century art in England’. He was a prominent figure in the art world helping to open the Wallace Collection and was a significant art collector competing with his cousin Ferdinand de Rothschild (1839­1898) for the choicest lots.

His fine collection of Renaissance works of art, 18th century paintings and French furniture and objects was divided between his London town house, One Seamore Place and his grand country home, Halton House in Buckinghamshire. Halton House was built between 1881­ 1884 and its interiors were recorded in a series of photographs by the royal photographer S.G. Payne in 1888. Alfred’s collection of paintings, furniture and works of art was also catalogued and published in 1884 by the eminent art dealer Charles Davis. The majority of the following eighteen lots were part of Alfred’s collection, lots 258, 259 and 262 are listed in the catalogue and lot 261 features in a photograph taken in 1888 of the Red Room at Halton. They subsequently passed by descent to Lionel de Rothschild (1882­1942) and thence to Edmund de Rothschild (1916­2009).

Opposite: The front cover of the Catalogue of the Collection formed by Alfred de Rothschild

by Charles Davis 1884.

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AN ORMOLU AND PORCELAIN MOUNTED MANTEL CLOCK MID­18TH CENTURY AND LATER the eight day watch movement with a pierced and engraved cock and signed 'J. Jolly a Paris', the circular enamel dial with Roman and Arabic numerals, signed 'Jean Le Noir a Paris', the case decorated with mid­18th century Meissen porcelain figures, with a fruit seller modelled by J. F. Eberlein, a putto with a basket of flowers, a campana shape urn, the whole surmounted by a pug dog seated on a cushion and with ormolu branches of porcelain flowers 31.8cm high, 24cm wide Provenance Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Literature Charles Davis, A Description of the Works of Art forming the collection of Alfred de Rothschild, 1884 p.231, no.256.

£3000­5000

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AN AUSTRIAN LAPIS LAZULI TAZZA IN RENAISSANCE STYLE VIENNA, LAST QUARTER 19TH CENTURY with silver and enamel mounts, the oblong bowl supported by a turned stem, on a pierced fret foot 9.8cm high, 10cm wide Provenance Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Literature Charles Davis, A Description of the Works of Art forming the collection of Alfred de Rothschild, 1884, p. 258, no.348.

£600­800

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260 A SET OF EIGHT FRENCH GILTWOOD FAUTEUILS IN LOUIS XVI STYLE AFTER A MODEL BY GEORGES JACOB, THIRD QUARTER 19TH CENTURY each with a padded back, seat and armrests covered with mid­18th century Beauvais tapestry depicting scenes from the fables of Jean de la Fontaine, with leaf, bead and guilloche carved frames, on stop fluted legs, the underside of two applied with a metal label inscribed 'HALTON COLLECTION' (8) Provenance Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Catalogue Note 'The Fables' by Jean de la Fontaine (1621­1755) many of which were taken from Aesop made popular and suitable subjects for tapestry seat covers. They were probably woven after designs by the painter Jean­Baptiste Oudry (1686­1755) who was court painter to Louis XV and was made Director of Tapestry at Beauvais in 1734.

The scenes illustrated include: the cat and the thrush, the fox and the stork, the wolf and the lamb, the frog and the ox, the two doves and the heiffer, kid and sheep in partnership with lion.

£8000­12000

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Illustration from E. Alfred Jones, The Gold and Silver of Windsor Castle.

The present lot on a display cabinet in the Red Room, Halton House, c.1888 (Courtesy of the Rothschild Archive, London)

TWO FINE SILVER-GILT MODELS OF AN ELEPHANT AND RHINOCEROS WITH EXOTIC RIDERS PROBABLY CONTINENTAL 18TH CENTURY AND LATER the elephant as a perfume burner, modelled with a seated oriental Empress, wearing a headdress and bird, flower and leaf robes, sitting cross­legged on a leaf and flower decorated pillow and a tasselled saddle cloth decorated with scrolls, accompanied by a 'mahoot' driver sitting on the animal’s head holding an axe and arrows, the rhinoceros with his armour plated body based on the famous woodcut by Albrecht Dürer, has an almost identical seated dignitary and 'mahoot' and a similar pillow, each raised on a later onyx plinth, both unmarked, the elephant: 35.5cm high, 28.5cm long, 151oz the rhinoceros: 36.2cm high, 28.5cm long, 165oz Provenance Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Literature Edward Alfred Jones, The Gold and Silver of Windsor Castle,1911, pp.226­227, pl.XL, no.1 for an almost identical elephant group with a male figure, described as 'Elephant, Silver­gilt, The Elephant is driven by a figure holding arrows and an axe, and is surmounted by a large Indian god.

Weight, 185 1/4oz. Height, 14in. No marks. English, eighteenth century'.

Catalogue Note In the 17th and 18th centuries the fashion for all things oriental and exotic ensured models of elephants and rhinoceros to be imported in various styles and media, including porcelain. In the 18th century, Meissen began to produce similar models based on eastern prototypes and the present lot owes much to the elephant and rhinoceros groups modelled by J. J. Kändler and P. Reinicke in the 1740s.

£10000­15000

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A PAIR OF FINE AND RARE FRENCH LOUIS XVI ORMOLU MOUNTED WHITE MARBLE VASES AFTER THE BORGHESE VASE c.1790 each elliptical and with a beaded rim with an egg and leaf dart collar above a finely cast and chased frieze depicting in relief the thiasus, an ecstatic Bacchanalian procession with Dionysus draped with a panther skin and playing the aulos accompanied by Ariadne and various male and female figures playing castanets and musical instruments, with Dionysus supporting a drunken Silenus who is falling down reaching for a spilled flagon of wine and Dionysus holding a thyrsus with a panther at his feet, above a gadrooned body with applied stiff leaves and bulrush decoration and a pair of leaf wrapped handles, above a laurel and berry stem and an acanthus decorated socle with an outer laurel wreath, on a square plinth and a later leaf scroll decorated base with lion's paw feet (2) 44.7cm high, 26cm wide Provenance Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Literature Charles Davis, A Description of the Works of Art forming the collection of Alfred de Rothschild, 1884, pp.104­105, no.127 where illustrated. £20000­30000

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THE BORGHESE VASE The Borghese Vase is a monumental bell­shaped kylix sculpted from Pentelic marble. It was made in the second half of the 1st century BC in Greece as a lavish garden ornament for the Roman market. The vase was discovered in 1566 in the gardens of Sallust in Rome together with a Silenus with Infant Bacchus and by 1645 the vase was in the Borghese Villa. On the 27th September 1807 it was acquired by Napoleon Bonaparte and was sent to Paris and placed in the Louvre where it has remained since 1811. It is one of the most influential and admired Greek sculptural vases and was frequently copied in the 18th century with bronze reductions by Zoffoli and Righetti and other examples produced by Wedgwood and Coade.

The present vases with their finely sculpted frieze copy the original closely with their depiction of Bacchanalian revelry with Dionysus supporting a drunken Silenus, an engraving of which was published by Giovanni Battista Piranesi in ‘Vasi, candelabra, cippi, sarcophagi, tripodi, Lucerne, ed ornamenti disegnati, pls.109, 110’, in 1778. However, other parts of their design borrow stylistically from the Medici vase which was first discovered in 1598 at the Villa Medici and then transferred in 1780 to the Uffizi.

The use of bronze and marble in vases such as these is very rare, for comparison a related pair of Medici vases now in the Frick Collection by Luigi Valadier (1726­1785) for Madame du Barry employ the use of porphyry, gilt bronze and marble. However, the present combination was more common for the use of urns and candelabra in the Louis XVI period and echo the work of the celebrated bronzier François Rémond and in particular a pair of four­light candelabra with bronze wrapped bodies decorated with a classical procession attributed to him, sold by Christie’s, The Alexander Collection, New York, 30th April 1999, lot 135.

A similar vase, just in gilt bronze and catalogued as Regency with almost identical mounts, was sold by Sotheby’s, The Collection of Mr & Mrs Stephen C. Hilbert: Important French and English Furniture, 24th May 2007, lot 59 and a Louis XVI vase in bleu turquin with similar mounts but no Bacchanalian frieze was also sold by Sotheby’s, Property from the Estate of Ogden Phipps, 19th October 2002, lot 128.

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A ROCK CRYSTAL, SILVER AND ENAMEL MODEL OF BACCHUS IN RENAISSANCE STYLE, GERMAN OR AUSTRIAN, LATE 19TH CENTURY depicting a youthful Bacchus astride a barrel, with a grapevine in his hair, holding a ruby coloured goblet in his right hand, the barrel with a tap and decorated with green enamel, unmarked, mounted on a lapis lazuli base 10.7cm high Provenance Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Catalogue Note This present lot bears an interesting resemblance to the wonderful late 16th century silver­gilt and green turban shell Bacchus collected by Baron Ferdinand de Rothschild (1839­1898) and later bequeathed to the British Museum as part of the Waddesdon Bequest. It is interesting to speculate that Alfred coveted his cousin's Bacchus and acquired a similar one for his own collection. For a similar model of Bacchus but riding a sea monster, see the Metropolitan Museum of Art, accession number 1975.1.1494.

£1000­1500

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264 AN ITALIAN CARVED ROCK CRYSTAL FLASK IN RENAISSANCE STYLE 17TH / 18TH CENTURY with a silver gilt stopper, the body carved with a pair of winged angel masks and with pierced lugs, with swags of leaves and scrolling foliage, the base now lacking 11.7cm high Provenance

Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House

£600­800

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265 A PAIR OF AUSTRIAN SILVER, ENAMEL AND MOTHER OF PEARL COURT JESTERS IN BAROQUE PEARL STYLE, VIENNA, LATE 19TH CENTURY / EARLY 20TH CENTURY each in Commedia dell’arte style, dancing holding an engraved fan, mounted on a silver velvet covered socle applied with masks, each stamped ‘KB’ possibly for Karl Bohm or Karl Bender, with Austrian ‘A’ control marks (2) 12.2cm high (overall) Provenance

Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Catalogue Note Karl Bohm was recorded on Frierdich­Kaisergasse in 1908. Karl Bender was based in Vienna between 1875­1892 at Wienstrasse 63 and then at Frungasse 25. He specialised in revivalist objects mounted in enamel and hardstone.

£2000­3000

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266 AN ITALIAN CARVED ROCK CRYSTAL SMALL GOBLET IN MISERONI STYLE, 17TH CENTURY of tapering form, finely engraved with swags of scrolling foliage and fruit, with a silver­gilt and enamel mount to the turned stem and with a circular foot, possibly later 13.8cm high Provenance

Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House

£800­1200 124

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267 AN ORMOLU AND PORCELAIN CENTREPIECE MID­18TH CENTURY AND LATER mounted with Meissen porcelain, c.1740­50, with a figure of a beggar musician playing a hurdy­gurdy modelled by J. J. Kändler, together with a girl feeding chickens, another chicken and a Cupid figure in disguise as a fish seller, decorated with laurel leaves supporting a turquoise ground sugar bowl and cover painted with panels of harbour scenes, the lid with courting couples 35cm high, 27.2cm wide Provenance Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House

£4000­6000 125

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268 A PAIR OF FRENCH MARBLE GROUPS OF LA FILLETTE AU NID VIDE AND GARÇON A L’OISEAU AFTER CHARLES ANTOINE BRIDAN, FRENCH 1730­1805, EARLY 19TH CENTURY together with a companion group of la fillette au nid vide, each depicted standing, the girl holding a bird’s nest, the boy playing with a dove, with a pair of yellow and violet marble pedestals and an associated painted wood pedestal (6) the figures: 78cm high (max), marble pedestals: 111.5cm high Provenance

Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Catalogue note The ‘garçon a l’oiseau’ is based on a terracotta prototype by Charles­Antoine Bridan from 1784 on display at the Museum of Fine Arts of Chartres, which in turn is a copy of an ancient Roman sculpture at Villa Borghese, Italy. It forms a pair with ‘la fillette au nid vide’.

£6000­8000

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269 A PAIR OF FLEMISH CARVED MARBLE ALLEGORICAL FIGURES PROBABLY LATE 17TH / EARLY 18TH CENTURY possibly representing Day and Night, one in the form of the Infant Hercules holding a club, the other as a young girl, weeping and holding probably a torch in her left hand, now missing, on rectangular bases and later concrete plinths (4) the figures: 91.8cm and 90.5cm high, 30.5cm wide the plinths: 68.7cm high Provenance Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House

£4000­6000

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A ROSEWOOD AND MARQUETRY TABLE À ÉCRIRE IN LOUIS XVI STYLE EARLY 19TH CENTURY, RETAILED BY EDWARD HOLMES BALDOCK with gilt bronze mounts, the crossbanded maple top inlaid with an oval panel depicting a shepherd with his flock within a floral ribbon tied rondel, the frieze drawer fitted with a leather lined slide and with a gilt metal inkwell and sander, the underside with branded initials ‘E H B’ for Edward Holmes Baldock 71.2cm high, 57cm wide, 36.7cm deep Provenance Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Catalogue Note Edward Holmes Baldock (1777­1844) was a prominent London furniture dealer who numbered King George IV, William Beckford and the 5th Duke of Buccleuch as clients.

He worked with cabinet makers such as George Trollope and Blake to provide Louis XV and XVI style pieces for his clients.

£1000­1500

AN ONYX CIGARETTE BOX EARLY 20TH CENTURY the brass hinge stamped ‘Made In England’, together with a desk thermometer by Field & Son, Aylesbury (2) 20.5cm (max)

270

£150­200

A FRENCH MARQUETRY TABLE À ÉCRIRE IN LOUIS XVI STYLE 19TH CENTURY with gilt bronze mounts and banded with tulipwood, the oval top inlaid with a basket of flowers, above a pull­out leather lined slide and a side frieze drawer, with further floral marquetry inlay, on cabriole legs and leaf cast sabots united by a conforming undertier, the underside with an applied metal label inscribed ‘Hamilton Place Collection K.P.G.’ 76cm high, 57cm wide. 39.4cm deep Provenance Leopold Rothschild (1845­1917) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Catalogue Note Lionel de Rothschild (1808­1879) acquired the lease of 5 Hamilton Place which was situated behind his house 148 Piccadilly bordering Hyde Park. He bequeathed it to his youngest son Leopold (1845­1917).

£1000­1500

272 128

271

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273 A SET OF THREE FRENCH GILTWOOD SIDE CHAIRS IN LOUIS XVI STYLE AFTER THE MODEL BY GEORGES JACOB, LATE 19TH CENTURY each with a rectangular padded back and bowed seat, the carved frames with five acorn finials and entwined with flowers and leaves, the seat­rail with intersecting demi­lunes on ribbed leaf wrapped tapering legs (3) Provenance Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House Catalogue Note These chairs are based upon the polychrome painted chairs, part of a suite, made for Marie­Antoinette’s Bedchamber at the Petit Trianon, circa 1787, illustrated by D. Mayer, Versailles, Furniture of the Royal Palace, 17th & 18th centuries, vol. I.2002, p.278.

£2000­3000

129

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274 FOUR GILTWOOD CENTRE TABLES IN LOUIS XV STYLE LATE 19TH CENTURY comprising: two pairs of tables, each with a later inset opaque glass panel and with engraved scrolling leaf and husk decoration above a leaf and flower carved pierced frieze, on pierced scroll cabriole legs (4) 67.5cm high, 57 and 52cm wide, 36 and 34.5cm deep Provenance Alfred de Rothschild (1842­1918) Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House

130

Catalogue Note This set of four giltwood tables were originally set with a remarkable group of Sèvres porcelain plaques with scenes from Tasso's 'Jerusalem Liberata'. They originally framed a large coloured porcelain plaque showing 'Rinaldo and Armida' after Boucher and formed the top of a table made in 1787 for the Duke of Saxe­ Teschen, the brother­in­law of Marie­Antoinette. The table the largest and most famous of its kind was made by Daguerre for Louis XVI who paid 30,000 livres.

Alfred de Rothschild bought the table at the end of the 19th century and removed the plaques. They now reside in the Huntington Library, San Marino, California.

£600­800

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275 TWO CHINESE STYLE GILTWOOD OCCASIONAL TABLES PROBABLY FRENCH, 19TH CENTURY each with a circular top with a moulded edge inset with a Chinese cloisonné panel one depicting scholar’s objects with vases of flowers, incense burners and a brushpot with a stand, the other with a lion dog accompanied by a pair of magpies, above a Chinese style base with pIerced frieze carved with dragons, on scroll legs united by an ‘X’ stretcher with a pagoda finial (2) Provenance Lionel de Rothschild (1882­1942) Edmund de Rothschild (1916­2009) The Trustees of Exbury House

Catalogue Note The subject matter of these Chinese cloisonné tables offers a subtle hidden meaning.

The peach, pomegranate and finger citron that feature on the scholar’s panel form the auspicious ‘san duo’ or the ‘Three Abundances’ invoking the wish for good fortune, longevity and an abundance of descendants. The magpies that feature in the other panel are always auspicious symbols, the birds of good fortune and love. The first character for the name of the bird, xi que, has the same sound as xi, which means ‘happiness’.

£2000­3000

131

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SELECTED ITEMS FROM THE ESTATE

OF THE LATE GRETA MORRISON

A NORTHERN EUROPEAN ASH WRITING TABLE POSSIBLY SWEDISH, LATE 19TH / EARLY 20TH CENTURY the top inset with a gilt tooled black leather writing surface, above three frieze drawers with bone escutcheons, on turned legs 76cm high, 97cm wide, 54.7cm deep Provenance The late Greta Morrison, widow of Bryan Morrison.

£300­500

A DUTCH BRASS TEN-LIGHT CHANDELIER IN BAROQUE STYLE 20TH CENTURY the baluster turned body issuing scroll branches, with bird’s head finials and turned urn sconces 80.8cm high, 68cm wide

276

Provenance The late Greta Morrison, widow of Bryan Morrison.

£400­600

A CONTINENTAL SIMULATED ROSEWOOD GUÉRIDON IN EMPIRE STYLE POSSIBLY RUSSIAN, 19TH CENTURY with parcel gilt decoration, the later white marble top supported by eagles on monopodia supports united by an undertier 88.3cm high, 41cm wide Provenance The late Greta Morrison, widow of Bryan Morrison.

£500­800

277 132

278

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279

A PAIR OF SWEDISH GILTWOOD AND EBONISED ARMCHAIRS IN GUSTAVIAN STYLE BY MYRSTEDT & STERNS EARLY 20TH CENTURY each with a tub back carved with lion’s heads, upholstered with faux leopard skin fabric, on stiff leaf decorated front legs, each with a metal trade label, inscribed ‘Myrstedt & Sterns A. B. Kongl, Hofleverantor, Stockholm’ (2)

A SCANDINAVIAN BIRCH TWIN PEDESTAL DESK SECOND HALF 19TH CENTURY the top inset with a later gilt tooled black leather writing surface, above three frieze drawers and a pair of panelled doors enclosing shelves, all with ebonised escutcheons, on arc d’arbalète bracket feet 78.6cm high, 126.5cm wide, 62.8cm deep Provenance

Provenance

The late Greta Morrison, widow of Bryan Morrison.

The late Greta Morrison, widow of Bryan Morrison.

£500­800

£500­800

280 133

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A BLACK JAPANNED AND PARCEL GILT CHEVAL MIRROR LATE 19TH / EARLY 20TH CENTURY the bevelled shield shaped plate within a frame decorated with chinoiserie figures, leaves, flowers, scrolls and butterflies, with urn finials, on brass castors 169.8cm high, 77cm wide, 46.3cm deep Provenance The late Greta Morrison, widow of Bryan Morrison.

£300­400

A GILT METAL OVAL COFFEE TABLE LATE 20TH CENTURY with a glass top and a mirrored base 50.3cm high, 99.7cm wide, 50.5cm deep Provenance The late Greta Morrison, widow of Bryan Morrison.

£100­150

A CONTINENTAL ROSEWOOD AND SIMULATED VIDE-POCHE POSSIBLY GERMAN, EARLY 19TH CENTURY the dished top above tripod scroll supports united by stretchers on gilt brass ball feet 71.2cm high, 52.1cm wide Provenance The late Greta Morrison, widow of Bryan Morrison.

£200­300 281

282 134

283

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284

A PAIR OF EBONISED AND PARCEL GILT BERGÈRES IN EMPIRE STYLE PROBABLY 20TH CENTURY each with a moulded frame, on square tapering front legs (2) Provenance The late Greta Morrison, widow of Bryan Morrison.

£800­1200

A 19TH CENTURY WEST INDIAN MAHOGANY CLERK’S TABLE PROBABLY JAMAICA the shaped raised back carved with stylised palm leaves, the frieze inlaid with various specimen woods and parquetry stars, with an end drawer, on turned legs 144.5cm high, 119.3cm wide, 52.7cm deep Provenance The late Greta Morrison, widow of Bryan Morrison.

£500­800

285 135

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286

AN OAK REFECTORY TABLE 17TH CENTURY AND LATER the boarded top with cleated ends, above a lunette carved frieze, on turned gun­barrel legs 79.3cm high, 159cm wide, 64.cm deep Provenance The late Greta Morrison, widow of Bryan Morrison.

£300­400

A LATE VICTORIAN IRISH SATINWOOD KIDNEY SHAPE BIJOUTERIE TABLE BY BUTLER OF DUBLIN LATE 19TH / EARLY 20TH CENTURY inlaid with stringing and marquetry bell flowers, the hinged crossbanded top above cabriole legs united by an undertier, the underside with two printed trade labels, inscribed ‘M. Butler Chippendale, Adams and Sheraton furniture…

26, 126 & 127 Upper Abbey St. Dublin’ 78.7cm high, 62cm wide, 42.5cm deep

287

Provenance The late Greta Morrison, widow of Bryan Morrison.

£100­200

A SET OF MAHOGANY FOLDING LIBRARY STEPS 19TH CENTURY with brass hinges 98.7cm high, 66.5cm wide Provenance The late Greta Morrison, widow of Bryan Morrison.

£100­150

288 136

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A SET OF TWELVE EBONISED AND PARCEL GILT DINING CHAIRS IN REGENCY STYLE 19TH CENTURY AND LATER

289

each with a curved top rail decorated with palmettes above a triple rail back and a cane seat, comprising: six open armchairs and six side chairs of which two are modern and three squab cushions (15) Provenance The late Greta Morrison, widow of Bryan Morrison.

£1000­1500

A BROWN LEATHER BUCKET SHAPE HAT BOX LATE 19TH / EARLY 20TH CENTURY with a padded silk lining and a later strap, together with a wooden milliner’s hat stretcher with an ivorine size chart (2) 36.5cm (max)

290

Provenance The late Greta Morrison, widow of Bryan Morrison.

£200­300

TWO LOUIS VUITTON CANVAS SUITCASES c.1960 with brass mounts and locks, leather edging and decorated with the ‘LV’ monogram, one with a paper label to the interior, numbered ‘911266’, both with the monogram ‘B.A.M’, together with a Louis Vuitton canvas bag with leather stripes and carrying handles and with the initials ‘G.M.M.’ (3) 80cm (max) Provenance The late Greta Morrison, widow of Bryan Morrison.

£1000­1500 291 137

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A FRENCH CAST IRON GARDEN CENTRE TABLE 19TH CENTURY AND LATER in Renaissance revival style, the later granite fixed top above a pierced rondel frieze, on bearded male mask legs with cherub pendants united by a ‘X’ stretcher 70.7cm high, 89.7cm wide, 60cm deep Provenance The late Greta Morrison, widow of Bryan Morrison.

£200­300

A PAIR OF GILT METAL WHEATSHEAF WALL LIGHTS LATE 20TH CENTURY each with a mirrored back and with twin lights (2) 57cm high, 33cm wide Provenance

292

The late Greta Morrison, widow of Bryan Morrison.

£150­200

FOUR TABLE LAMPS EARLY 20TH CENTURY AND LATER comprising a Kashmir lacquered papier­mâché example, an Empire style ebonised and brass lamp, a French tôle peinte urn shape lamp and a burr­wood example, all with shades (8) 68cm high (max) Provenance The late Greta Morrison, widow of Bryan Morrison.

£300­500

A PAINTED SPELTER BLACKAMOOR TABLE LAMP FIRST HALF 20TH CENTURY on an ebonised base, with shade (2) 51.5cm high

293

Provenance The late Greta Morrison, widow of Bryan Morrison.

£150­200

294 138

295

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296

A WILLIAM IV POCKET GLOBE BY NEWTON, SON & BERRY c.1830 the three inch globe made of twelve hand­ coloured engraved gores, inscribed ‘Newton’s new & improved (terrestrial) globe published by Newton, Son & Berry 66 Chancery Lane London’, the oceans with Cook’s three voyages, South Africa titled ‘Caffreria’, Alaska as Russian territory and New Zealand in Maori, with iron axes pins and housed in a turned case with a domed lid 11.6cm high

297

A PREHISTORIC STYLE FERTILITY FIGURE on a metal stand and with an associated marble plinth (2) 33.7cm high

TWO SIMILAR DUTCH DELFT BLUE AND WHITE CHARGERS LATE 18TH CENTURY

The late Greta Morrison, widow of Bryan Morrison.

each painted with an urn of flowers and with yellow rims, painted marks to bases, together with a large tin glazed pottery bowl (3) 51cm diameter (max)

£100­150

Provenance

Provenance

The late Greta Morrison, widow of Bryan Morrison.

£200­300

Provenance The late Greta Morrison, widow of Bryan Morrison.

£800­1200

298 139

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A COLLECTION OF PORCELAIN AND ENAMEL BOXES 20TH CENTURY the majority by Halcyon Days and Limoges, some modelled with cats, some egg shaped and one in the form of an apple, together with two shell boxes, a walnut nut box and a lapis and silver pill box (43) 9cm wide (max) Provenance The late Greta Morrison, widow of Bryan Morrison.

£200­300

299

A MIXED LOT 19TH CENTURY AND LATER including: a Bidri ware baluster vase, a tortoiseshell clutch bag, a Chinese jade and bronze mounted small mirror, a pottery box and cover, inscribed ‘Greta’, a French ‘Pompeia’ scent bottle and three porcelain boxes and covers (12) 22.2cm (max) Provenance The late Greta Morrison, widow of Bryan Morrison.

£100­200

300 140

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301

AN ANGLO-INDIAN EBONISED HARDWOOD SETTEE POSSIBLY GOAN, 19TH CENTURY carved with scrolling leaves and flowers, with a spindle back and spiral ribbed arms and legs, with a cane seat and later cushions 94cm high, 113.4cm wide, 68.5cm deep Provenance The late Greta Morrison, widow of Bryan Morrison.

£800­1200

302

A MOORISH WALNUT, BONE AND MOTHER OF PEARL WALL MIRROR DAMASCUS, EARLY 20TH CENTURY the later rectangular plate within a frame inlaid with metal stringing, with scrolling leaves and flowers and a pierced leaf scroll surmount 97.3 x 55cm Provenance The late Greta Morrison, widow of Bryan Morrison.

£150­250

AN EASTERN PAINTED WOOD OCTAGONAL OCCASIONAL TABLE 20TH CENTURY encrusted with seashells and pearls and carved with figures, scrolling foliage and peacocks 66.7cm high, 59cm wide Provenance The late Greta Morrison, widow of Bryan Morrison.

£100­150 303 141

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A 19TH CENTURY MARBLE COLUMN ITALIAN OR FRENCH the detachable rotating top above a turned stem and an octagonal base 11.5cm high Provenance The late Greta Morrison, widow of Bryan Morrison.

£400­600

A BARGESTA MIXED WEAVE RUG AFGHANISTAN / PAKISTAN, LATE 20TH CENTURY a combination of soumac, kelim and pile weave 204 x 145cm Provenance The late Greta Morrison, widow of Bryan Morrison.

304

£100­200

A CHINESE BRONZE MODEL OF THE CHARIOT AND HORSES OF QINLING 20TH CENTURY after the original Qin dynasty (221­206BC) group 39.3cm high, 69cm long Provenance The late Greta Morrison, widow of Bryan Morrison.

£100­200

305

142

306

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ORIENTAL FURNITURE, CARPETS & RUGS

A CHINESE HARDWOOD WRITING DESK 19TH CENTURY the carved fretwork galleried back above a leather lined hinged writing slope, with a pen tray flanked either side by two burr elm panels, the carved and pierced frieze on moulded supports united by peripheral stretchers 108.5cm high, 139cm wide, 28.8cm deep

£800­1200

307

A CHINESE HARDWOOD ALTAR TABLE 19TH CENTURY the panelled rectangular top above a carved and pierced frieze, on open trestle ends 103cm high, 156cm wide, 47cm deep

£1500­2000

308

143

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309

A CHINESE BLACK LACQUER AND MOTHER OF PEARL TEA CHEST MID­19TH CENTURY of canted rectangular form, inlaid with figures, trees, leaves and watery landscapes, the hinged lid revealing a vacant interior, with brass side carrying handles 47.6cm high, 55.3cm wide, 39.5cm deep

£150­200

AN ANGLO-CHINESE TEAK AND ELM CAMPAIGN WASHSTAND COLONIAL, LATE 18TH / EARLY 19TH CENTURY 310

the hinged top revealing a divided interior, above three drawers and a false front, the right side with a long deep drawer, with side carrying handles 86.3cm high, 72cm wide, 48cm deep

£100­200

A CHINESE PENWORK TEA CHEST LATE 19TH / EARLY 20TH CENTURY decorated with butterflies and blossoms, the vacant interior originally paper lined, with side carrying handles, the underside with various inscriptions, some in Chinese 37.7cm high, 42cm wide, 32cm deep

£100­150

311

144

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312

TWO CHINESE EXPORT LACQUER GAMES BOXES MID­19TH CENTURY each gilt decorated with panels of figures in various pursuits, the interiors fitted with trays decorated with playing card motifs and with a lidded box, containing engraved mother of pearl counters, on carved giltwood dragon feet, together with three Chinese soapstone carvings of lion dogs and Shou Lao and a Chinese bronze incense burner (6) 39.5cm (max)

£200­400

A CHINESE EXPORT BLACK LACQUER BONHEUR DU JOUR c.1800­1820 with gilt decoration of floral sprays, bamboo and ribbon tied wreaths, the top section with a pair of cupboard doors enclosing five long drawers, above a hinged pen and ink compartment and a writing slope, on fluted tapering legs 121.3cm high, 58.3cm wide, 67.6cm deep

313

£500­700

A CHINESE BLACK LACQUER AND GILT INCENSE DRAGON BOAT TIMEKEEPER 19TH CENTURY decorated in gilt with panels of figures and hung with eight pairs of metal balls, the interior with cradles for incense sticks, on a later ebonised cradle with a brass pan 60.5cm long

£200­300

314 145

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A CHINESE PADOUK AND AMBOYNA DISPLAY CABINET LATE 19TH / EARLY 20TH CENTURY with a glazed door enclosing two glass shelves, above a pair of panelled doors, each applied with a pierced rondel carved with a dragon’s head and scrolling leaves, enclosing a wooden shelf 176.7cm high, 80.5cm wide, 31.5cm deep

£300­500

A RED LACQUER COFFEE TABLE 19TH CENTURY AND LATER the top inset with a panel taken from a Chinese Coromandel screen, with a glazed top on an oriental style base 41cm high, 123.7cm wide, 42.7cm deep

£300­500

A CHINESE PADOUK KANG TABLE LATE 19TH CENTURY the panelled top above scroll decorated legs 35.9cm high, 91.7cm wide, 60.1cm deep

£800­1200

315

316

146

317

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A CHINESE PORCELAIN DOUBLE GOURD VASE TABLE LAMP LATE 19TH / EARLY 20TH CENTURY painted with colourful scaly dragons chasing pearls, on a yellow ground, neck reduced 63cm high

£400­600

A PAIR OF CHINESE PORCELAIN SANG DE BOEUF VASE TABLE LAMPS PROBABLY LATE 19TH / EARLY 20TH CENTURY each on an ebonised, pierced stand base (2) 57.3cm high

£1000­1500

A PAIR OF CHINESE CANTON FAMILLE ROSE PORCELAIN VASES 19TH CENTURY painted with coloured enamels on a gilt ground, with panels of courtly figures, with flowers, butterflies and birds, the neck applied with gilt lion dogs (2) 45.5cm high

£800­1200 318

319

320

147

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A PAIR OF CHINESE HARDWOOD STOOLS IN MING STYLE LATE 19TH / EARLY 20TH CENTURY each inset with a white marble panel, on stretchered supports (2) 43.2cm high, 38.5cm square

£1500­2500

321

A CHINESE / TIBETAN HARDWOOD AND SHAGREEN SADDLE PROBABLY 19TH CENTURY with iron mounts, 30.8cm high, 36cm wide, 48cm deep, on a later stand (2)

£150­250

A CHINESE MOTHER OF PEARL AND SILVER MOUNTED COUNTER BOX LATE 18TH / EARLY 19TH CENTURY rectangular with canted corners, the hinged lid engraved with two figures and buildings, with initials ‘E G’ 6.3cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

322

148

323

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324

A CARVED RHINOCEROS HORN RIDING CROP LATE 19TH CENTURY the tapering shaft carved with barbed faux briar decoration 55.5cm long and 167g

£300­500

A SET OF FOUR CHINESE GOUACHE RICE PAPER PAINTINGS 19TH CENTURY depicting scholar’s objects, with vases, stands, incense burners, brush pots, a cinnabar lacquer box and cover and a bi disc, 25.7 x 33.1cm, each in later glazed giltwood frames (4)

£300­400

A PAIR OF CHINESE PINE BENCHES 19TH CENTURY with scroll decoration and turned stretchers (2) 56cm high, 198cm wide, 55cm deep

£500­800

325

326

149

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AN INDO-DUTCH HARDWOOD BURGOMEISTER STYLE ARMCHAIR 18TH / 19TH CENTURY the frame and triple splats carved with Rococo frills, the solid seat originally caned, on four cabriole legs united by a scroll carved ‘X’ stretcher, on claw and ball feet and brass castors

£200­300

A JAPANESE BRONZE CENSER the rim with a Greek key border and a weathered verdigris patination, above chrysanthemums and a scaly dragon flying through waves, base lacking 51.9cm high, 46cm diameter

£200­300

A PERSIAN PAINTED WOOD KASHKUL 19TH CENTURY of navette shape, with pierced dragon handles, the body decorated with panels of gilt scrolling foliage and with further flowers and leaves, with two suspension holes 23.5cm wide

£200­300 327 A PAIR OF KASHMIRI LACQUERED PAPIERMÂCHÉ CANDLESTICKS EARLY 20TH CENTURY painted with a multitude of flowers, with a turned urn and open spiral twist stem (2) 52cm high

£150­250

328

329 150

330

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AN ANGLO-INDIAN SHISHAM, BRASS AND EBONY INLAID HARDWOOD OCCASIONAL TABLE PROBABLY LAHORE, LATE 19TH / EARLY 20TH CENTURY decorated with a central star and scrolling leaves and flowers, the fixed octagonal top above carved and pierced panels 61.1cm high, 65.5cm wide Literature Amin Jaffer, Furniture from British India and Ceylon, p.293, pl.115 for a very similar example

£250­350

A MOORISH BONE, IVORY AND MOTHER OF PEARL OCCASIONAL TABLE PROBABLY DAMASCUS, LATE 19TH / EARLY 20TH CENTURY inlaid with geometric designs 48.3cm high, 42cm wide

£200­300

A SMALL MOORISH WALNUT EGYPTIAN REVIVAL TABLE OR STAND EARLY 20TH CENTURY inlaid with bone and mother of pearl, the hexagonal top with a band of flowers and decorated with figures 31.2cm high, 23.6cm wide

331

£150­250

332

333 151

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335

336

334

TWO SIMILAR ANGLO-INDIAN EBONY AND PORCUPINE QUILL OCCASIONAL TABLES CEYLONESE, LATE 19TH / EARLY 20TH CENTURY with bone dot inlay, the tops with parquetry specimen woods, on canted supports and stylised paw feet (2) 51.5cm high, 30.5cm square (max)

£400­600

AN INDIAN PAINTED TERRACOTTA FIGURE OF A MAN POONA DISTRICT, LATE 19TH CENTURY / EARLY 20TH CENTURY standing holding a saddle 25.4cm high

£100­150

AN ANGLO-INDIAN EBONY WATCHSTAND PROBABLY CEYLONESE, MID­19TH CENTURY carved with scrolling leaves and flowers, with a pair of ribbed columns flanking a circular aperture for a pocket watch 23.7cm high, 16cm wide

£100­150

AN ANGLO-INDIAN EBONY AND TEAK SECRÉTAIRE CABINET CEYLONESE, LATE 19TH CENTURY with a pair of glazed cupboard doors enclosing a shelf, flanked by spiral ribbed columns, the secrétaire drawer fitted with four drawers and pigeonholes, above a further long drawer with turned ebony handles 144.3cm high, 112cm wide, 51.7cm deep

337 152

£200­300

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AN ANGLO-INDIAN EBONY FOUR-FOLD TABLE SCREEN LATE 19TH / EARLY 20TH CENTURY carved with scrolling foliage and with turned spindle galleries, inset with twelve oval miniature topographical paintings on ivory of famous Indian monuments, including: the Red Fort, the Taj Mahal, the Qutub Minar tower, the interior of the Red Fort and with four portrait medallions of noble gentlemen and ladies, 96.5 x 23cm each panel, together with later metal feet

£4000­6000

153

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λ 339 A MUGHAL INDIAN EBONY AND IVORY CABINET GUJARAT OR SINDH, LATE 17TH / EARLY 18TH CENTURY AND LATER inlaid with scrolling leaf and flower borders and with repeating patterns of flowers on a rosewood ground, with a pair of hinged doors revealing a divided interior with a pair of mahogany drawers, the sides inlaid, on a later, probably 18th century English, ebonised stand, the cabinet later adapted and lacking its original interior the cabinet: 51.5cm high, 97.5cm wide, 45.3cm deep, overall: 130.7cm high, 98.8cm wide, 46.3cm deep Catalogue Note This present lot with its beautiful inlay of flowers reflects the high Mughal style of setting rows of flowering plants in alternating patterns on a plain ground. This enchanting device is characteristic of the reign of Shah Jahan and can be found decorating buildings erected by the Emperor.

For a very similar example see the Victoria & Albert Museum, South Asia, Room 41, case 16, which is on loan from Dr. and Mrs A. Poteliakhoff.

£3000­5000

154

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λ 340 AN INDO-PORTUGUESE ROSEWOOD, HARDWOOD AND IVORY INLAID CABINET ON STAND GUJARAT OR SINDH, EARLY 17TH CENTURY AND LATER inlaid with panels of birds amongst urns of flowers and leaves, the top with musicians and ladies dancing, the sides with the addition of tigers attacking antelope, the front with peacocks and two hunters attacking the tigers, some stained green, enclosing an arrangement of six drawers, the top a long drawer with a false front, the centre a deep drawer, inlaid with scrolling leaves, flowers, birds and two courtly men, with a later leather lined writing surface, with side iron carrying handles, with a later applied moulding to base and on a later stand, the undertier with a further panel, probably taken from the inside of the fall, restorations and replacements the cabinet: 36cm high, 53.8cm wide, 41.5cm deep overall: 107.3cm high Catalogue Note For a very similar cabinet, see the Victoria & Albert Museum, no.122­1906. See also Bonham’s, Islamic and Indian Art, 23rd October 2017, lot 168 and Christie’s, Art of the Islamic & Indian Worlds, 7th April 2011, lot 256.

£8000­12000

155

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341

342

A PERSIAN NAIN CARPET CENTRAL PERSIA, 20TH CENTURY signed to top edge 409 x 307.5cm Provenance Purchased from Essie Carpets, London.

£400­600 A KAZAK LONG RUG SOUTH WEST CAUCASUS, LATE 19TH / EARLY 20TH CENTURY 401.5 x 108cm

£200­300

A TEKKE TURKMEN RUG TURKMENISTAN, SECOND HALF 19TH CENTURY four by eleven guls 231.5 x 188cm

£300­500

156

343

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344

A PAIR OF KASHAN RUGS CENTRAL PERSIA, FIRST HALF 20TH CENTURY of kurk wool (2) 204 x 130cm

£500­800

A SENNEH KILIM NORTH WEST PERSIA, LATE 19TH / EARLY 20TH CENTURY 188 x 123cm

£200­300

A PERSIAN SILK PRAYER RUG PROBABLY SARUK, EARLY 20TH CENTURY 198.5 x 125.5cm

£200­300

345

346 157

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347

348 A KUBA KELLEH SOUTH WEST CAUCASUS, c.1930 539 x 154cm Provenance Purchased from Linder Oriental Rug Gallery, Pennsylvania, 30th April 1999 for $29,000.

£400­600

A BESSARABIAN KELIM LONG RUG EASTERN EUROPE, EARLY 20TH CENTURY worked with flowers, with a date to one end 351 x 146cm

£200­300

AN UNUSUAL NEEDLEWORK SAMPLER 20TH CENTURY

349 158

worked on a linen foundation with various different tribal and village design motifs, Caucasian, Azerbaijan, Swedish and Greek, including an elephant, a donkey’s head, figures, birds, flowers and leaves in a later gilt glazed frame 36.2 x 32.5cm

£100­200

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A ZIEGLER CARPET ARAK SULTANABAD, LATE 19TH CENTURY 460 x 370cm

£800­1200

159

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A ZIEGLER CARPET ARAK SULTANABAD, LATE 19TH CENTURY 504 x 310cm Provenance Purchased by the current vendor from Robert Stephenson Carpets, Chelsea.

£800­1200

160

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A ZIEGLER MAHAL CARPET ARAK SULTANABAD, LATE 19TH CENTURY of Mina­Khani style design 544 x 323cm Provenance Purchased by the current vendor from Robert Stephenson Carpets, Chelsea.

£500­800

161

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A LARGE SERAPI CARPET NORTH WEST PERSIA, LATE 19TH / EARLY 20TH CENTURY 559 x 346.5cm Provenance Purchased from Linder Oriental Rug Gallery, Pennsylvania, 6th March 1999 for $147,000.

£4000­6000 162

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AN OTTOMAN COTTON APPLIQUÉ MARRIAGE TENT KHAYAMIYA EGPYTIAN, c.1900­1920 worked in various colours with scrolling leaves and flowers, with medallions and arabesque borders in Mamluk style, the side panels with stylised lions, comprising: a ceiling with awning, two side panels and an end panel (4) the celing: approximately 750 x 397cm (not including the awning) the side panels: 331cm high, 1150cm long

£4000­6000 163

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A PRIVATE

COLLECTION

OF TEXTILES

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A MOSQUE PORTIÈRE OTTOMAN, LATE 19TH CENTURY the red and blue sateen ground embroidered with metal thread with calligraphic and arabesque motifs, some within six pointed stars 175 x 320cm Provenance A Private Collection.

£1500­2000

165

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357

A PRAYER ARCH OF EAU DE NIL SATIN OTTOMAN, c.1900 356

embroidered in metal thread and silks with a flower filled urn beneath an arch with a pendant mosque lamp 103 x 181.5cm Provenance A Private Collection.

£200­300

TWO TURKISH EMBROIDERIES 19TH CENTURY AND LATER together with an Indian runner, an Italian pink cushion cover and two Ottoman style cushion covers (6) 216cm (max) Provenance A Private Collection.

£200­400

A PANEL OF EMBROIDERY OTTOMAN, 19TH CENTURY possibly a Koran box cover, embroidered in metal thread and silks 42 x 27cm

358

Provenance A Private Collection.

£100­150

166

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A LARGE COVER OF PALE GREEN KASHMIR WOOL OTTOMAN, c.1800 tamboured throughout in silks with pagodas and striped tents, embellished with silver metal strips 141 x 200.5cm Provenance A Private Collection.

£2000­3000

167

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A MOSQUE PORTIÈRE OTTOMAN, LATE 19TH CENTURY the black and brown ground embroidered with calligraphy and geometric motifs in metal threads 173 x 319cm Provenance A Private Collection.

£800­1200

A COMPOSITE PRAYER HANGING 18TH CENTURY ELEMENTS made from various Greek embroidered strips, assembled in the 20th century 85 x 140.5cm Provenance A Private Collection.

£100­150

A MUSLIN ROBE OTTOMAN EMPIRE, c.1920 the hem embroidered with pink flower sprays 139cm long Provenance A Private Collection.

£100­150 360

361 168

362

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363

A HANGING COMPOSED OF THREE ALGERIAN SASHES OTTOMAN, LATE 18TH / EARLY 19TH CENTURY embroidered in floss silks with ogival medallions on a muslin ground 107 x 228cm Provenance A Private Collection.

£1000­1500

AN ALGERIAN SASH OTTOMAN, LATE 18TH / EARLY 19TH CENTURY the plain muslin ground embroidered with ogival medallions and flourishes in silks and metal thread, with a gilt fringed edge 39.5 x 291cm Provenance A Private Collection.

£1000­2000 364 169

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AN EMBROIDERED CARPET INDO­PORTUGUESE, c.1800 worked in twisted silks with a border of peonies and lions, with gilt embellishments, the field with a central circular medallion 207 x 263cm Provenance A Private Collection.

£1500­2000

170

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A COVER OF RED SATIN PERSIAN, c.1800 embroidered in silk and silver metal thread with a central stellar medallion among flowers 132 x 134.5cm Provenance A Private Collection.

£1000­2000

366

A DOUBLE NICHE PRAYER MAT OF GREEN AND RED VELVET PERSIAN, MID­19TH CENTURY embroidered in silk and metal thread with arabesques and birds 77 x 128cm Provenance A Private Collection.

£400­600

367 171

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368

A LARGE RED VELVET HANGING ITALIAN, c.1800 possibly a canopy, appliqué with cloth of gold scrolls and flourishes, the centre with applied gold braid, later mounted 154 x 328cm Provenance A Private Collection.

£800­1200

TWO PANELS OF CLOTH OF GOLD ITALIAN, c.1700 appliqué with red velvet large­scale flowers and scrolls, later backed (2) 56.4 x 99cm Provenance A Private Collection.

£150­200

369

172

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A LARGE COVER OF RED VELVET ITALIAN, c.1700 AND LATER appliqué with a border of scrolling flowers, the centre with two putti holding up a crown, with the Christ child beneath with a lamb 206 x 242cm Provenance A Private Collection.

£1000­1500

173

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A VICTORIAN RED SILK DAMASK PENNANT OR BANNER with an embroidered border and appliqué central Royal Coat of Arms with the monogram ‘VR’ 53.5 x 42cm Provenance A Private Collection.

£200­300

371

A RED SILK DAMASK PENNANT OR BANNER with an embroidered border and appliqué central Royal Coat of Arms with the monogram ‘GR’ 52.7 x 45.6cm Provenance A Private Collection.

£200­300

372

174

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FURNITURE, WORKS OF ART & TEA CADDIES A GEORGE IV MAHOGANY TRIPLE PILLAR DINING TABLE EARLY 19TH CENTURY with a pair of ‘D’ ends and a central drop­leaf section, on turned stems, moulded splay legs and brass caps and castors 75.5cm high, 121.5cm wide, 285.5cm long

£800­1200

A GEORGE IV MAHOGANY SIDE CABINET EARLY 19TH CENTURY with flame figuring, the galleried top with a shelf above a brushing slide, a drawer and a pair of cupboard doors, on flattened bun feet and brass castors 109.6cm high, 53.5cm wide, 38cm deep

£400­600

A SET OF SIX LATE REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY each with a rope­twist top rail, above a reeded scroll and rosette carved horizontal splat, with a drop­in seat, on ribbed front sabre legs, comprising: an open armchair and five side chairs (6)

373

£400­600

374

375 175

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376

377

A SMALL GILTWOOD STOOL IN REGENCY STYLE POSSIBLY EARLY 19TH CENTURY with a later Aubusson floral tapestry seat and decorated with ebonised Greek key designs on sabre legs 15.5cm high, 24cm square

£100­150

A GEORGE III MAHOGANY PEMBROKE TABLE c.1800 inlaid with stringing, the crossbanded oval drop­leaf top above a bowfront frieze drawer, on square tapering legs and brass caps 70.7cm high, 84.2 x 101cm (open)

£150­200 378 A REGENCY MAHOGANY ‘D’ SHAPED CARD TABLE EARLY 19TH CENTURY inlaid with stringing, the satinwood crossbanded hinged fold­over top on twin gate supports 73.9cm high, 92cm wide, 45.5cm deep

£100­150

A WILLIAM IV ROSEWOOD CANTERBURY EARLY 19TH CENTURY with four divisions, decorated with leaves and ‘C’ scrolls, with twin­baluster lifts, fitted with a drawer, on brass castors 48cm high, 50cm wide, 37.5cm deep

£400­600

379 176

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A 19TH CENTURY ROSEWOOD AND BRASS INLAID BREAKFRONT SIDE CABINET POSSIBLY IRISH the serpentine marble top above three frieze drawers inlaid with scrolling leaves, above a pair of cupboard doors with pleated fabric panels, enclosing an adjustable shelf flanked by further cupboards 91.5cm high, 128.7cm wide, 38.5cm deep

£500­800

380

A GEORGE IV MAHOGANY AND BRASS INLAID PIER MIRROR EARLY 19TH CENTURY with a later bevelled plate 76 x 50.3cm

£150­200

A REGENCY MAHOGANY ARMCHAIR IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the curved top rail decorated with palmettes, the horizontal splat back with rosettes, with scroll arms and a cane seat

£200­300

381

382 177

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383

A WILLIAM IV MAHOGANY EXTENDING DINING TABLE FIRST HALF OF 19TH CENTURY the top with a moulded edge and rounded corners, with two additional leaves on a telescopic frame and ribbed and turned legs, on octagonal brass caps and castors 74.3cm high, 121.5cm wide, 238cm long (extended)

A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY the later rectangular plate flanked by cluster columns, the lattice frieze centred with an ebonised lion’s mask 73.5 x 45cm

£100­150

A SET OF FOUR REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY each with a curved tablet top rail, above twin reeded horizontal rails, on turned front legs, comprising: an open armchair and three side chairs (4)

£150­200

£500­800

384 178

385

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386

A GEORGE IV MAHOGANY EXTENDING DINING TABLE EARLY 19TH CENTURY AND LATER the reeded edge top with three additional leaves, supported on a telescopic frame, on ribbed tapering legs and brass caps and castors 73cm high, 136.7cm wide, 320.8cm long (extended)

A GEORGE IV GILTWOOD PIER MIRROR EARLY 19TH CENTURY

A SET OF SIX GEORGE III MAHOGANY DINING CHAIRS IN SHERATON STYLE EARLY 19TH CENTURY

the later rectangular plate within a lappet carved baton frame and an anthemion decorated frieze, on brass ball feet 112.5 x 65.6cm

each with a triple horizontal rail back, above a drop­in seat and stretchered square tapering front legs (6)

£100­200

£200­300

£1000­1500

387

388 179

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389

390

A SET OF 19TH CENTURY MAHOGANY HANGING WALL SHELVES c.1840 with turned spindle supports and brass suspension rings 72.9cm high, 64.5cm wide, 18cm deep

£150­200

A MAHOGANY BREAKFRONT SIDE TABLE EARLY 19TH CENTURY AND LATER inlaid with boxwood stringing, the later top with a reeded edge above an arrangement of five short drawers 80.7cm high, 90.3cm wide, 50.7cm deep

£300­400

A PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY 391

each with a gorget back later painted with a stylised eagle, on turned front legs (2)

£100­150

A GILTWOOD CONVEX MIRROR IN REGENCY STYLE 19TH CENTURY the circular plate in an ebonised reeded slip and a moulded ball decorated frame, originally with crestings 68.5cm diameter

£100­150

180

392

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393

A LARGE MAHOGANY AND BRASS BOUND WINE COOLER IRISH REGENCY STYLE the rim decorated with shells, with a lead lining, the ribbed body with lion’s mask and ring handles, on paw feet and castors 58cm high, 108cm wide, 72cm deep

£4000­6000

A REGENCY MAHOGANY WINE COOLER EARLY 19TH CENTURY with parcel gilt decoration, the roll­over rim above a lead lined interior, the body with rosette panels, on lobed feet and a stepped plinth 61.3cm high, 81.5cm wide, 56.5cm deep

£600­800

394

181

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A GILTWOOD WALL MIRROR IN REGENCY STYLE 19TH CENTURY the circular plate within a reeded slip and a ball decorated frame, with an eagle and leaf surmount 104 x 68.5cm

£200­300

A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY the rectangular plate flanked by fluted columns and with a verre églomisé frieze decorated with figures and a cottage 52.5 x 29.5cm

£100­150

A REGENCY GILTWOOD CONVEX WALL MIRROR EARLY 19TH CENTURY the later plate within an ebonised reeded slip and a lattice moulded outer frame 55cm diameter

£150­250

395

396 182

397

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398

A GEORGE IV ROSEWOOD SOFA IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the frame carved with urns, scrolls and paterae, later calico upholstered with a squab cushion and two boulsters, on ribbed front legs and brass castors 87.5cm high, 185cm wide, 68cm deep Literature Frances Collard, Regency Furniture, p.298, for the original design of this ‘Dress Sofa’ by John Taylor published February 1821 in the Repository of Arts.

£500­800

A REGENCY GILTWOOD CONVEX WALL MIRROR EARLY 19TH CENTURY

399

the circular plate within a reeded slip, with a ball decorated moulded frame and an eagle surmount 68.3cm high

£300­500

A REGENCY MAHOGANY BOWFRONT CHEST EARLY 19TH CENTURY the well figured top with a moulded edge, above a brushing slide and three long drawers, onFrench bracket feet 84.3cm high, 96.2cm wide, 61.8cm deep

£500­700

400 183

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401

402

A GEORGE III MAHOGANY KNIFE BOX LATE 18TH CENTURY AND LATER inlaid with tulipwood banding and chequer stringing, the sloping lid with a marquetry conch shell, the interior converted for stationery 36.2cm high, 23.2cm wide, 26.8cm deep

£150­250

A REGENCY MAHOGANY CHEESE COASTER EARLY 19TH CENTURY 403

with twin­split baluster lifts and two divisions, on leather roller castors 18.5cm high, 43.5cm wide, 26cm deep

£200­300

A LATE REGENCY ROSEWOOD DOUBLE SIDED BOOKSTAND EARLY 19TH CENTURY with a brass part ribbed handle and turned spindle galleries, above a drawer, on flattened bun feet 30.5cm high, 54cm wide, 29cm deep

£300­400

A GEORGE III MAHOGANY KNIFE BOX LATE 18TH / EARLY 19TH CENTURY inlaid with stringing and satinwood banding, the sloping hinged lid revealing a matrix with forty­five apertures 37.2cm high, 22.2cm wide, 29.9cm deep

£200­300

404 184

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A RARE REGENCY TUNBRIDGE WARE HAREWOOD AND GONCALO ALVES COLLECTOR’S TABLE CABINET BY ROBINSON’S MANUFACTORY EARLY 19TH CENTURY inlaid with stringing and with five parquetry lozenge panels of various specimen woods, with a pair of hinged doors revealing two short and four long cedar drawers with oval silver plated handles, the top right drawer with a printed paper label ‘From Robinson’s Manufactory No.53 Piccadilly and Tunbridge Wells’, on flattened bun feet 30cm high, 33.5cm wide, 17.2cm deep Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£500­700

405

A COLLECTION OF ELEVEN WINE COASTERS EARLY 19TH CENTURY AND LATER with five mahogany examples, comprising: two pairs and a single small coaster and six in papier­ mâché, comprising: a pair of chinoiserie decorated examples, a pair with a band of Greek key decoration and two singles (11) 14.5cm diameter (max)

£150­250

A REGENCY ORMOLU CHAMBERSTICK EARLY 19TH CENTURY the leaf shape drip­pan entwined with a serpent forming a handle, the nozzle in the form of a flower bud 17.7cm long

406

Catalogue Note The design of this chamberstick can be attributed to the goldsmith Lewis Landfrede, who first entered his mark on the 21st February 1801. For a similar example, see the Victoria & Albert Museum, ref. M.10­1989.

Literature Timothy Schroder, National Trust Book of English Domestic Silver, 1500­1900, p.257 where a similar chamberstick in silver­gilt is illustrated from the collection at Attingham Park, Shropshire.

£200­300

407

185

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A GEORGE IV MAHOGANY PLATE STAND EARLY 19TH CENTURY with nulled decoration, the weighted box base with split turned rests 41.5cm high

£800­1200

TWO MAHOGANY PLATE STANDS 19TH CENTURY each with a weighted box base (2) 53.5cm high, 24.5cm wide

£200­300

A LARGE MAHOGANY PLATE STAND PROBABLY 19TH CENTURY the weighted stepped box base with split moulded rests 80.6cm high

£400­600

408

409

186

410

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A 19TH CENTURY MAHOGANY CHILD’S CHEST c.1840 of three long drawers, on inverted beehive feet 51.5cm high, 60.7cm wide, 30.8cm deep

£200­300

AN EARLY 19TH CENTURY MAHOGANY LINEN / NAPKIN PRESS ATTRIBUTED TO GILLOWS with a beechwood screw stem and a turned handle 56.8cm high, 54cm wide, 32.3cm deep

£200­300

A GEORGE III MAHOGANY KNIFE BOX LATE 18TH CENTURY AND LATER with kingwood banding and inlaid with a marquetry conch shell, the sloping hinged lid revealing an interior later converted for stationery 38.2cm high, 22.6cm wide, 29.5cm deep

£100­150

411

412

413

187

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A WILLIAM IV GILTWOOD WALL MIRROR the rectangular plate within a reeded slip, the spiral ribbed baton frame decorated with strapwork and scrolling leaf top corners 137 x 94.8cm

£600­800

AN EBONISED AND PARCEL GILT BOOKCASE EARLY 19TH CENTURY painted with leaves, flowers and a wreath, the top with three open shelves, above a drawer and a cupboard door 131.4cm high, 57.5cm wide, 28.7cm deep

£400­600

A ROSEWOOD AND SATINWOOD LIBRARY TABLE EARLY 19TH CENTURY AND LATER

414

the octagonal tilt­top inset with a later tooled green leather writing surface, on a faceted stem and splay legs inlaid with faux fluting, on brass caps and castors 71cm high, 113cm wide

£500­700

415

188

416

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A GEORGE IV GONCALO ALVES WHATNOT IN THE MANNER OF GILLOWS EARLY 19TH CENTURY the top with a later detachable brass gallery above three tiers, with scroll and turned spindle supports, fitted with a drawer, on turned bun feet and brass castors 104.2cm high, 60.8cm wide, 39.7cm deep

£200­300

A GEORGE IV MAHOGANY SERPENTINE SIDE CABINET IN THE MANNER OF GILLOWS EARLY 19TH CENTURY all over carved with scrolls, leaves and shells, the top originally with a super structure, with a pair of glazed doors enclosing two adjustable shelves 86cm high, 100.5cm wide, 38.2cm deep

£300­500

A REGENCY ROSEWOOD SIDE CABINET EARLY 19TH CENTURY the later white marble top above a pair of cupboard doors inset with pleated silk panels and with gilt brass beaded borders enclosing two shelves, flanked by a pair of giltwood fluted columns 85.3cm high, 80cm wide, 28.5cm deep

417

£500­700

418

419

189

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A VICTORIAN COROMANDEL DECANTER BOX BY FARTHING AND THORNHILL c.1860­1870 with brass mounts, the hinged lid inset with a cypher plaque engraved with the heron and fish crest of the Beckford family, the leather lined interior with four divisions fitted with cut­ glass decanters and stoppers, with an engraved brass plaque inscribed ‘Farthing and Thornhill Makers 42 Cornhill’, with sunken brass carrying handles and a brass Brahma lock and key 23.4cm high, 21.3cm wide, 21.5cm deep

£500­700

A VICTORIAN BLACK LEATHER WRITING SLOPE BY ASPREY 420

the hinged lid with a sunken brass handle and gilt tooled initials ‘M.F.H.’, the interior fitted with a sprung stationery compartment to the underside of the lid with monogrammed utensils and a steel corkscrew, with a lift­out tray with a portable lighter and inkwell, with a hinged slope with compartments and a triple panel ivory notepad, the brass lock stamped ‘ASPREY 166 BOND ST.’ 18.5cm high, 41cm wide, 28cm deep.

£200­300

A 19TH CENTURY EBONY AND BRASS BOULLE MARQUETRY INKSTAND c.1840 all over decorated with scrolling foliage, with a pair of cut­glass inkwells with engraved collars flanking a handle and a lidded compartment, with two dished pen trays above a drawer, on cast ormolu scroll and shell feet 39.8cm wide, 32cm deep

£800­1200

A WILLIAM IV EBONY AND BRASS BOULLE MARQUETRY LETTER BOX c.1830­1840

421

of tapering form, the hinged lid decorated with urns of flowers and scrolling foliage, with a single slot, the base with glazed panels, on flattened bun feet 11.5cm high, 22.3cm wide, 14.3cm deep

£100­150

422 190

423

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TEA CADDIES A GEORGE III SYCAMORE AND MARQUETRY TEA CADDY LATE 18TH CENTURY of canted rectangular form, inlaid with stringing, with oval burr yew panels with stylised husk garlands and faux fluted angles, the interior lacking its lid, with a silver caddy spoon hallmarked for London 1827 (2) 12.7cm high, 12.3cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£300­400

A GEORGE III PARTRIDGEWOOD CADDY LATE 18TH / EARLY 19TH CENTURY of canted rectangular form, inlaid with stringing and with a bone escutcheon, the hinged lid revealing twin divisions, one with a lid 12.9cm, 18.4cm wide

424

Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£200­300

A GEORGE III SATINWOOD TEA CADDY LATE 18TH CENTURY of canted rectangular shape, inlaid with stringing and with a bone escutcheon, the hinged lid revealing a single lidded interior 11.9cm high, 12.3cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£200­300

TWO REGENCY ROSEWOOD TEA CADDIES EARLY 19TH CENTURY

425

one of canted form with a twin lidded interior, the other with a domed lid and a vacant interior, both with bone escutcheons (2) 12.5cm high, 18.4cm wide (max) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

426

427 191

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428

429

A SMALL VICTORIAN WALNUT TEA CADDY c.1870 with a domed lid and brass strapwork mounts, the interior with a pair of lidded compartments 10.4cm high, 12.5cm wide

£80­120

A VICTORIAN WALNUT AND PARQUETRY TEA CADDY inlaid with mother of pearl lozenges, the domed lid revealing a twin lidded interior 12.5cm high, 17.7cm wide

£100­150 430 A VICTORIAN COROMANDEL TEA CADDY c.1860­1870 with brass strapwork mounts, the interior with a pair of domed lidded compartments 14cm high, 22.8cm wide

£300­400

A REGENCY BURR YEW TEA CADDY EARLY 19TH CENTURY of sarcophagus shape, inlaid with boxwood stringing and with a bone escutcheon, with a twin lidded interior and brass side carrying handles 15.4cm high, 19.2cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

431

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432

AN UNUSUAL 19TH CENTURY ROSEWOOD AND SHELL ENCRUSTED TEA CADDY c.1820­1840 the interior with a pair of mahogany lidded compartments, on flattened bun feet 15.5cm high, 22cm wide

£500­800

A SATINWOOD, KINGWOOD AND PARQUETRY TEA CADDY IN GEORGE III STYLE LATE 19TH CENTURY of sarcophagus shape, inlaid with fan paterae, with fluted canted angles, the hinged lid with a brass swing handle revealing a twin­lidded interior 18.4cm high, 24.6cm wide

£200­300 433 A 19TH CENTURY PENWORK STYLE TEA CHEST of sarcophagus shape, all over decorated with printed landscape scenes, with urns of fruit and flowers, with butterflies, a grapevine and classical lyres, the interior with a pair of lidded compartments flanking a glass sugar bowl, on moulded brass ball feet 19.3cm high, 30.5cm wide

£300­500

434 193

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436

435

A GEORGE IV MAHOGANY AND BRASS MARQUETRY TEA CHEST EARLY 19TH CENTURY of sarcophagus form, the lid and front inlaid with panels of scrolling leaves, the interior with a pair of part hinged inlaid lift­out canisters, flanking an associated glass sugar bowl, with side carrying handles 19.7cm high, 31.6cm wide, 16.1cm deep

£200­300

A VICTORIAN TUNBRIDGE WARE AND ROSEWOOD TEA CADDY MID­19TH CENTURY

437

decorated with mosaic bands of flowers, the hinged lid with a view of Eridge Castle, the interior with a pair of mahogany lidded compartments, on brass ball feet 13.3cm high, 20.4cm wide

£150­200

A LATE VICTORIAN SYCAMORE TEA CADDY POSSIBLY MAUCHLINE WARE of sarcophagus shape, with printed panels of hunting scenes, dogs and game birds, with a faux leather decorated body, the interior with a pair of lidded compartments, on ebonised bracket feet 15.4cm high, 22.2cm wide

£100­150

A BLACK JAPANNED TEA CHEST LATE 19TH / EARLY 20TH CENTURY

438

of sarcophagus shape, decorated in gilt with chinoiserie scenes, the interior with three lidded compartments 17cm high, 29.5cm wide

£150­250

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439 A LATE 18TH CENTURY KINGWOOD AND SYCAMORE TEA CHEST IN THE MANNER OF ABRAHAM ROENTGEN inlaid with tulipwood banding, barber’s pole and parquetry stringing, with marquetry fan paterae, the bell shaped hinged lid revealing a chevron veneered interior with three pull­out canisters with fan inlaid lids, one canister slightly smaller to accomodate a sliding cover to reveal a secret compartment, with an ebony base moulding 15.7cm, 24.2cm wide, 13.5cm deep

£400­600

A GEORGE III SATINWOOD HEXAGONAL SCROLLWORK TEA CADDY LATE 18TH CENTURY with glazed panels decorated with coloured and gilt rolled paper with flowers, leaves, a patera and the front panel inset with a painted silk portrait of a young girl, the interior with a marquetry inlaid lidded compartment 13.1cm high, 17.5cm wide, 10.8cm deep

£400­600

440

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441

442

A CHINESE BLACK LACQUER TEA CHEST LATE 19TH CENTURY of fluted shape, decorated in gilt with panels of figures in various pursuits, the interior with a pair of lidded engraved pewter canisters 15.5cm high, 23.5cm wide

£200­300

TWO LATE 19TH CENTURY ITALIAN SORRENTO WARE MACASSAR EBONY AND MARQUETRY CUBE TEA CADDIES each inlaid with figures in various pursuits and with parquetry banding, together with a satinwood box chest with a later divided interior, formerly a tea chest (3) 32cm (max)

£100­200 443 A 19TH CENTURY CONTINENTAL ROSEWOOD TEA CHEST c.1850 the interior with three divisions, containing: Paris porcelain lidded tea canisters, painted with figures, landscape scenes, birds and flowers 16cm high, 27cm wide

£100­150

A PAINTED MAHOGANY OVAL TEA CADDY IN GEORGE III STYLE LATE 19TH CENTURY decorated with ribbon tied swags of flowers 11.4cm high, 16.8cm wide

£100­150 444

196

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445

446

A TREEN FRUITWOOD TEA CADDY IN THE FORM OF AN APPLE LATE 18TH / EARLY 19TH CENTURY the interior with traces of foil lining, with an iron oval escutcheon, with a key 11.2cm high

£2000­3000

A GEORGE III SYCAMORE AND MARQUETRY SINGLE TEA CADDY inlaid with panels of flowers and leaves, with purple heart banding, the hinged lid with a later gilt brass handle, the interior with traces of foil lining 11.3cm high, 11.5cm wide

£200­300 447 A REGENCY PENWORK TEA CHEST EARLY 19TH CENTURY of canted rectangular form, decorated with panels of leaves, the interior with a pair of part hinged pull­out canisters decorated with chinoiserie figures, flanking an aperture for a sugar bowl 15.3cm high, 31.2cm wide

£200­300

A FRENCH PAINTED WOOD BOX LATE 18TH CENTURY of canted rectangular form, painted with floral sprays and ribbon tied swags of roses, with a vacant interior, possibly originally a tea caddy 10cm high, 21.4cm wide, 11.4cm deep

£100­150 448

197

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MARITIME WORKS OF ART

198

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A FRENCH NAPOLEONIC PRISONER OF WAR STYLE BONE SHIP MODEL PROBABLY LATE 19TH / EARLY 20TH CENTURY of a French man’o’war, fully rigged with two gun decks of sixty cannon, with stained red portals and a detailed pinned deck with life boats, with a carved and painted figurehead, on a later oak cradle, 34.5cm high, 46cm long, in a later walnut glazed display case

£1000­1500

449

A FRENCH DIEPPE STYLE BONE SHIP MODEL LATE 19TH / EARLY 20TH CENTURY of a French man’o’war, rigged with ebonised cannon, in a glazed wooden display case with a plaque indistinctly inscribed ‘French m...’

37.5cm high, 43.1cm wide, 24cm deep (overall)

£800­1200

450

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A CLINKER BUILT MODEL OF A ROWING BOAT 20TH CENTURY 124cm long

£150­250

A PAINTED WOOD MODEL THREE-MASTED SAILING SHIP PROBABLY LATE 19TH / EARLY 20TH CENTURY with rigging and mounted on an ebonised stand 29.9cm high, 38cm long

£200­300 451 A SCALE MODEL OF THE THREE-MASTED SCHOONER ‘ACAMAS’ FIRST HALF 20TH CENTURY

A LARGE POND YACHT LATE 19TH / EARLY 20TH CENTURY

with wooden masts, decks, lifeboats and other details, mounted in an ebonised glazed case 56.3cm high, 85.8cm wide, 28.4cm deep

with a clinker built hull, cotton sails and brass mounts, on a later stand 146.5cm wide

Catalogue Note ‘Acamas’ was built at Mary Port in 1897 by T. Ritson & Son. Eventually, the ship was sold to Norway.

She was posted missing in 1918 on a passage from Rio to New York.

£300­400

£300­400

452

453 200

454

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455 A RARE GERMAN TINPLATE DISPLAY-MODEL OF AN OCEAN LINER BY MARKLIN c.1912­1918 of a twin­funnel liner titled ‘Columbus’, with a red and black painted hull pierced with celluloid backed portholes for illumination from interior lighting, with detailed ‘planked’ decks with life­boats, on a black painted metal truckle 98cm long Catalogue Note This tinplate liner would have been used for display purposes by shipping agents and travel firms. For a similar model, see Christie’s, The Marklin Transport Sale, part two, 4th May 1995, lot 49.

£5000­8000

201

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A GERMAN TINPLATE CLOCKWORK MODEL OF AN OCEAN LINER BY BING c.1915­1920 the hull, painted red and black, containing a long working motor, the detailed decks with three funnels and lifeboats, with rigged masts and with black printed Bing mark ‘Bavaria,’ with fourteen small figures, and a winding key 100.5cm long

£5000­8000

A GERMAN TINPLATE CLOCKWORK MODEL OF AN OCEAN LINER BY CARETTE c.1912­1914 with a red and black painted hull, the detailed deck with four funnels and lifeboats, with rigged masts, and a winding key 61cm long

£3000­4000

202

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456

457

203

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458

A GERMAN TINPLATE STEAM DRIVEN WORKSHOP BY ERNST PLANK c.1910­1912 with an overhead drive powering a grinding wheel, a lathe, hammer and saw, titled ‘Workshop’, with an applied ‘E P ‘ metal plaque, on a wooden base and in original box with printed ‘E P’ label 35.2cm high, 38.2cm wide, 18.6cm deep

£2000­3000

A FRENCH CHROME AND BRASS DIVER’S HELMET INDUSTRIAL TIMEPIECE LATE 19TH CENTURY the central clock dial with Roman numerals, flanked by a thermometer and aneroid barometer dials, the top with a compass, the back of the helmet inscribed ‘Morton Eden 25th June 1880 from H. E. Surtees’, raised on a rosso antico marble plinth 20.7cm high Literature

A RARE FRENCH BRASS AND SILVERED TORPEDO INDUSTRIAL TIMEPIECE WITH AUTOMATON LATE 19TH / EARLY 20TH CENTURY with an automaton propeller, the eight day brass drum movement with a lever escapement, stamped ‘4624’ and ‘93’, the silvered dial with Roman numerals and pierced hands, the case in the form of a torpedo hung on chains with pullies, the base with nautical themed decoration, an anchor, a life buoy, a shell and a ship’s wheel, the centre inset with a compass, signed ‘Radiguet Paris’, on a stepped rosso antico marble base and turned brass feet 36.2cm high, 46.2cm wide Literature Derek Roberts, Mystery, Novelty & Fantasy Clocks, p.256, fig.22­6, c. for a similar example.

Catalogue Note This model was probably based on the Whitehead torpedo, the world’s first self­propelled torpedo.

£8000­12000

204

Derek Roberts, Mystery, Novelty & Fantasy Clocks, p.258, fig.22­11, c. for a similar example.

£1500­2000

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460

459

205

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A VICTORIAN GILTWOOD ‘WELLINGTON’ BAROMETER BY ROE OF SALISBURY the silvered nine and a half inch dial signed ‘Roe Salisbury’, with a mother of pearl handled adjuster, the carved case commemorating the life of the Duke of Wellington, decorated with a ducal coronet above tassels, a spear and his sword, the base with a portrait relief medallion, within laurel leaves and with further rondels, inscribed with the names of his most famous victories ‘Waterloo’, ‘Badaioz’, ‘Assaye’, and ‘Vittoria’ 120.8cm high

£800­1200

A SCOTTISH MAHOGANY LONGCASE CLOCK BY GEORGE INNES OF GLASGOW EARLY 19TH CENTURY the eight day brass movement with an anchor escapement striking on a bell, the ten and a half inch silver dial with Roman numerals and subsidiary seconds and date dials, signed ‘Geo. Innes Glasgow’, the architectural flame veneered case with ebonised edging 197cm high

£800­1200

A TERRESTRIAL GLOBE BY PHILIP’S EARLY 20TH CENTURY the six inch globe made of twelve printed and coloured gores, inscribed ‘Philips educational terrestrial globe London Geographical Institute George Philip & Son Ltd 32 Fleet Street’, with a brass meridian and a wood base 27.5cm high

£200­300

A MAHOGANY BAROGRAPH BY SHORT AND MASON EARLY 20TH CENTURY

461

with a glazed lift­off cover, with an ivorine trade label inscribed ‘Short & Mason Ltd London’ and stamped with patent number ‘22556’ 18.8cm high, 31.5cm wide

£150­250 462

463 206

464

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A 19TH CENTURY BRASS REFRACTING TELESCOPE BY DOLLOND OF LONDON the four and three quarter inch diameter tube inscribed ‘Dollond London’, on a folding tripod stand, with the original stained pine case containing various lenses the tube: 155cm long, the tripod base: 177.5cm high

£500­800

466

A BRASS ‘POKE DIAL’ OR PORTABLE RING SUNDIAL FIRST HALF 18TH CENTURY constructed for a latitude of fifty degrees, engraved with various letters, including ‘S H W’ standing for Summer, Winter and possibly Herbst the German word for Autumn, in a later box with papers and letters relating to the dial, two from the Director of the Science Museum in 1931 3.9cm diameter

£100­150

465

AN EARLY 19TH CENTURY ROSEWOOD AND BRASS THREE DRAW TELESCOPE c.1830­1840 the barrel inscribed ‘W. Jefferys, Optician, 26 Wilderness Row St. John St. London’, together with a mahogany cased pocket compass, with a paper dial (2) 39.6cm (max extended) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

NO LOT

467 207

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469

470

A NAVAL SILKWORK PICTURE EARLY 20TH CENTURY depicting H.M.S. King Alfred, an armoured cruiser, in a titled crowned oval panel, worked with thirteen various flags, on a black ground, 60.9 x 70.7cm, in a glazed gilt composition frame

£200­300

A CAST METAL MODEL OF A SHIP’S FIGUREHEAD LATE 19TH CENTURY modelled as a naval admiral, on a brass plinth 12.7cm high

£100­150

SIX MINIATURE SWORD PAPER KNIVES LATE 19TH / EARLY 20TH CENTURY made of brass and steel, four with scabbards and one with a shagreen hilt (6) 25cm long (max)

£100­150

471 208

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A RARE GEORGE III SCRIMSHAW DECORATED HORN BEAKER

BY SPILMAN LATE 18TH CENTURY worked all over with a naval battle scene with a multitude of ships on the line, some named, including ‘Monarch’ and ‘Venerable’, titled ‘A Representation of Admiral Duncan’s Victory the 11th October 1797’, signed ‘N. Spilman Sculp. Yarm.o’ 11.2cm high Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

Catalogue Note Adam Duncan, 1st Viscount Duncan (1st July 1731­4th August 1804), was a British Admiral who defeated the Dutch fleet off Camperdown on the 11th October 1797. The present lot depicts this battle which is considered one of the most significant actions in naval history. There is little known of Nathaniel Spilman but a number of engraved horn beakers reside in a handful of British museums. A horn beaker commemorating the Battle of Trafalgar can be found in the Lionel Preston Collection at the National Maritime Museum in Greenwich. A beaker commemorating Nelson’s victory at the Nile was sold by Tennants, Leyburn on the 21st July 2006 for £3,200 hammer price.

£800­1200

209

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A 19TH CENTURY FOLK ART ENGRAVED HORN BEAKER OF COACHING INTEREST, c.1820­1830 naively scrimshaw worked with a mail coach drawn by four horses and with buildings, signed ‘W + P Prosser’, with a later glass bottom 9.5cm high Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£200­300

A REGENCY TREEN SCRIMSHAW BEAKER POSSIBLY SAILOR’S, EARLY 19TH CENTURY 473

474

worked with an anchor, a boat, a bird, a gate, a flower, a shotgun, a shield and crossed arrows, with initials ‘D A’ and the date ‘1808’ 8.3cm high Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

THREE SHIPS IN A BOTTLE EARLY 20TH CENTURY AND LATER depicting sailing ships, one in full sail, one before a fishing village and a church, all on wooden cradles (3) 30.5cm (max)

£100­150

THREE SHIPS IN A BOTTLE EARLY 20TH CENTURY AND LATER

475

one depicting a four­masted sailing ship before a fishing village and a lighthouse, one of the Scillonian steam ship and another of a yacht, two on wooden cradles (3) 30.5cm (max)

£100­150

FOUR SHIPS IN A BOTTLE FIRST HALF 20TH CENTURY depicting sailing ships, three in full sail, one before a headland with trees, in whiskey glass bottles, one marked ‘Haig’s’ (4) 23cm (max)

£150­200

476

210

477

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A MID-18TH CENTURY DUTCH EAST INDIES TEAK SHIP’S DECANTER BOX c.1750­1760 with iron mounts, the hinged lid with a swing handle revealing an interior fitted with nine cut­glass decanters of three different shapes, decorated with flowers 23.8cm high, 25cm wide, 25.5cm deep Provenance By repute, the Frazer­Mackenzie family at Pilton, Somerset and Norah Woodall of Wateston Manor, Dorset, previously owned by an ancestor who worked for Macleen & Watson who traded with the Far East, in particular Java. Once owned by a Dutch sea captain.

478

£400­600

479

AN EARLY 19TH CENTURY MAHOGANY NAVAL WRITING SLOPE with brass mounts and banding, the hinged lid centred with a vacant cartouche, revealing gilt tooled green leather writing surfaces, with sunken brass military style carrying handles 21cm high, 47.3cm wide, 34.7cm deep

£300­500

A VICTORIAN TEAK SHIP’S STORAGE TRUNK with twin hinged lids revealing a vacant interior, the front with an applied brass plaque, inscribed ‘Daphne R. T. Y. C.’ for the Royal Thames Yacht Club, and with four flags with the initials ‘S. M. H. J.’ 37cm high, 142.7cm wide, 25.6cm deep

£200­300 480

211

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MARITIME INTEREST. A BOXED SET OF CARVED AND PAINTED WOOD NAVAL FLAGS 19TH CENTURY the stained pine case containing: two lift­out trays each fitted with fifty divisions and an assortment of flags, with a wooden base and five poles with metal hooks for flying the flags 67cm wide

£200­300

A NAPOLEONIC FRENCH PRISONER OF WAR CARVED BONE FOLDING PIPE CLEANER EARLY 19TH CENTURY in the form of a soldier with a Punch like face 8.5cm long

£100­150

A NAPOLEONIC PRISONER OF WAR STRAW-WORK VANITY BOX IN THE FORM OF A BOOK EARLY 19TH CENTURY

481

with parquetry decoration, the hinged lid originally with a mirror to the underside, now with a later print of a dog, with three hinged lidded compartments and a vacant division 6.4cm high, 29.8cm wide, 23cm deep

£100­150

482 483

212

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484

A TUNBRIDGE WARE AND WALNUT WORK BOX 19TH CENTURY with four marquetry inlaid panels depicting yachts, sailing ships and a steam boat, the interior originally with a tray 12cm high, 31.2cm wide, 21.3cm deep

£200­300

NELSON INTEREST. A VICTORIAN BRASS NELSON DOORSTOP IN THE FORM OF H.M.S. VICTORY the pierced handle with a portrait bust medallion titled ‘ADMIRAL NELSON’, with a lead weighted base 46.7cm high

£100­150

A VICTORIAN POTTERY INKSTAND IN THE FORM OF A BARGE LATE 19TH CENTURY with a treacle glaze, with lift­out inkwells and an associated oak penholder made from original timber taken from ‘H.M.S. Victory’, stamped, with certificate available, with impressed marks ‘R. H. 18’ 27.3cm long

485

£100­150

486 213

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SCULPTURE & THE GRAND TOUR

214

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AFTER THE ANTIQUE. A WHITE MARBLE BUST OF THE ROMAN EMPEROR HADRIAN on a turned socle and a marble and serpentine plinth base bust and socle: 69.2cm high, plinth: 89.8cm high

£1000­1500

AFTER THE ANTIQUE. A CARVED MARBLE BUST OF THE ROMAN EMPEROR COMMODUS 20TH CENTURY his toga sculpted from a beige marble, on a turned socle bust: 79cm high

£1000­1500

488

487 215

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AFTER THE ANTIQUE. AN ITALIAN GILT BRONZE GRAND TOUR FIGURE OF THE APOLLO BELVEDERE LATE 19TH CENTURY 28.5cm high

£200­300

AFTER THE ANTIQUE. AN ITALIAN PATINATED BRONZE MODEL OF SILENUS NEAPOLITAN, LATE 19TH CENTURY the drunken figure holding a serpent entwined corona aloft, on a marble plinth 46.3cm high

£150­250

489

AFTER THE ANTIQUE. AN ITALIAN BRONZE GRAND TOUR FOUNTAIN HEAD NEAPOLITAN, LATE 19TH CENTURY depicting a fisherman seated on a rocky outcrop 53.3cm high

£200­300

490 216

491

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492 AFTER THE ANTIQUE. AN ITALIAN ROSSO AND GIALLO ANTICO MARBLE GRAND TOUR MODEL OF THE NAVICELLA SIGNED BOSCHETTI ROMA, PROBABLY LATE 19TH CENTURY modelled after the ship shaped fountain fronting the San Stefano Rotondo on the Caelian hill, the part black marble stepped plinth carved with three panels of cavorting Bacchanalian cherubs and signed ‘Boschetti Roma’ 33.5cm high, 57.5cm wide

£5000­8000

217

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494

493

AFTER THE ANTIQUE AN ITALIAN MARBLE FIGURE OF SPINARIO LATE 19TH CENTURY the young boy seated on a rocky outcrop endeavouring to extract a thorn from his foot, the circular base inset with a bronze pastille, inscribed ‘Bellman, Ivey & Carter, New Bond Street, By appointment to the Queen’ 36.7cm high, Catalogue Note According to the National Portrait Gallery's Directory of British bronze founders and plaster figure makers, the Bellman firm originally began with Vincent Bellman (c. 1796­ 1860), who was working as a plasterer and scagliola manufacturer by the 1830s. Upon Bellman's death in 1860 John Ivey (1794­1874) became director of the company and in the 1890s Charles B. Carter (1856­1928?), a dealer in sculpture, became associated with the business. (Times, 13 December 1892, 10) From the late 1880s until the early twentieth century, the firm regularly listed exhibitions of "Bronzes à cire perdue and Russian" and "Sculpture from Academy and Salon" in The Year's Art.

£800­1200

AFTER THE ANTIQUE. AN ITALIAN CARVED ALABASTER GRAND TOUR FIGURE OF THE SLEEPING ARIADNE LATE 19TH CENTURY the goddess reclining on a daybed 32.5cm long

£300­400

AN ITALIAN CARVED ALABASTER GRAND TOUR GROUP OF THE THREE GRACES AFTER ANTONIO CANOVA LATE 19TH / EARLY 20TH CENTURY 33.7cm high

£200­300

495

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496 AFTER THE ANTIQUE. AN ITALIAN GRAND TOUR RELIEF MASK OF THE MEDUSA RONDANINI PROBABLY 19TH CENTURY later mounted on a fluted white marble plinth 39cm high, 30.5cm wide Catalogue Note The Medusa Rondanini is possibly a Roman copy of an Hellenistic original. It was originally exhibited at the Palazzo Rondanini on the via del Corso in Rome. The portrait of Medusa was widely admired because it depicted the features of the Gorgon in a more human form than normal. Goethe wrote that ‘the mere knowledge that such a work could be created and still exists in the world makes me twice the person I was’. The Medusa Rondanini is now located in the Glyptothek in Munich having been purchased by the art­loving King Ludwig of Bavaria. See Sotheby’s, Noblesse Oblige, 14th April 2011, lot 271, for a similar example in white marble.

£4000­6000

219

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AFTER THE ANTIQUE. AN ITALIAN BRONZE GRAND TOUR BUST OF A YOUNG MAN 19TH CENTURY gazing upwards and mounted on a turned serpentine socle 34.6cm high

£400­600

AFTER THE ANTIQUE. A PAIR OF ITALIAN COLD PAINTED SPELTER GRAND TOUR BUSTS LATE 19TH / EARLY 20TH CENTURY of Pericles and Lucius Verus, each mounted on a marble plinth (2) 15cm high (max)

£100­150

AFTER THE ANTIQUE. AN ITALIAN BRONZE GRAND TOUR FIGURE OF SPINARIO LATE 19TH CENTURY the young boy seated on a rocky outcrop endeavouring to extract a thorn from his foot, stamped ‘Nelli Roma’, on a black marble and serpentine plinth 45.5cm high

£300­500

497

498

499

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500 A CARVED MARBLE FIGURE OF EROS SLEEPING lying on the infant Hercules’s lion’s pelt spread over a rock, resting his head on his left arm, his right lying across his body and with his legs crossed, his hair with a central plait, the underside slightly hollowed 19.6cm high, 60.5cm wide, 29.5cm deep Provenance An English private collection, acquired by the vendor’s parents, probably from a Country House sale in the 1940/50s.

This unpublished and hitherto anonymous statue of Cupid sleeping belongs to a class of sculptures that was favoured in ancient Roman sculpture, was revived in Renaissance Italy and was later popularised in Baroque Rome by Algardi and particularly François Duquesnoy, with many variations on exact pose and subject. Therefore, the present statue could potentially have originated from any of these epochs and there are only its appearance (veiled by weathering from exposure out of doors ­ for perhaps a couple of centuries at least) and circumstantial evidence to narrow the choice.

It depicts the winged child god of love sleeping on a lion’s skin which is an attribute of Hercules. There is one tale that tells of Cupid stealing his club, quiver and lion’s skin, suggesting that even the most powerful are vulnerable to the subtle cunning ways of love.

The image of sleeping Cupid was used by the Romans in a variety of ways: as a fountain or garden ornament, a dedication to the gods or, as possibly in this case, as a funerary monument where the statue was used as a child’s tomb cover.

£2000­3000

221

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501

TWO FRENCH BRONZED COPPER PLAQUES LATE 19TH / EARLY 20TH CENTURY depicting classical figures with horses, each with a signature plaque stamped indistinctly ‘Sculp Mecque Alle Collas’ (2) 31.6 x 42.5cm (max)

£150­200 502 TWO GLASS SULPHIDE GRAND TOUR CLASSICAL RELIEF BUSTS EARLY 19TH CENTURY depicting classical figures, mounted in glazed and moulded circular giltwood frames (2) 9.3cm diameter

£200­300

AN ITALIAN CARVED ALABASTER URN AND COVER LATE 19TH CENTURY of fluted baluster shape, with egg and dart and lobed decoration 34cm high

£150­250

503 222

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A VENETIAN STYLE BLACK, WHITE AND VARIEGATED MARBLE BUST OF A BLACKAMOOR PROBABLY 20TH CENTURY an allegorical representation of the American continent, wearing a feathered headdress and a coral necklace, on a waisted socle 60.3cm high

£2000­3000

504

A PAIR OF ITALIAN TURNED ALABASTRO FIORITO URNS AND COVERS POSSIBLY LATE 18TH CENTURY / EARLY 19TH CENTURY of baluster shape (2) 23.9cm high

£1000­1500

505 223

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AN ITALIAN CARVED WALNUT RELIEF OF A SLAVE PROBABLY LATE 17TH / EARLY 18TH CENTURY the bearded figure with long hair and wearing a turban type headdress, with a rope around his neck, mounted on a walnut plaque decorated with leaves and rosettes 26.9 x 19.5cm

£400­600

A 19TH CENTURY CARVED PINE AND EBONISED BUST OF DIANA DATED ‘1801’ mounted for wall hanging 49.4cm high

£200­300 506

AN ITALIAN BRONZE GRAND TOUR MODEL OF A PACING LION mounted on a white marble base 12cm wide

£100­150

507 224

508

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A PAIR OF 19TH CENTURY FRENCH BRONZE GRAND TOUR FIGURES OF MERCURY AND FORTUNA AFTER GIAMBOLOGNA FLEMISH 1529­1608 he holds a caduceus in his left hand, she holds a cornucopia and stands on a wheel, both signed ‘Jean­de­Bologne’, on a Siena marble and bronze cherub relief decorated plinth (2) 83cm high (max)

£800­1200

A BRONZE GRAND TOUR EQUESTRIAN GROUP OF BARTOLOMEO COLLEONI 19TH CENTURY after Andrea del Verrocchio (Italian 1435­1488) 37.2cm high, 35.8cm wide.

£2000­3000

509

510 225

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ATTRIBUTED TO FRANCESCO BERTOS ITALIAN 1678­1741 a carved marble allegorical group fragment, depicting a slave, possibly Ganymede, in the grips of an eagle surmounted by a naked male figure, the back with an axe, a barrel and a rope, 62cm high, on a later stone stand Literature See Charles Avery, Bertos ­ The Triumph of Motion, for relating sculptures.

£500­800

226

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227

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512

A PAIR OF BRONZE MARLY HORSE GROUPS LATE 19TH CENTURY after Guillaume Coustou (French 1677­1746), on naturalistic bases (2) 37.3cm high

£800­1200

A PAIR OF ORMOLU BUSTS OF VOLTAIRE AND BENJAMIN FRANKLIN 19TH CENTURY after Jean-Antoine Houdon (French 1741-1828), each on a Siena marble plinth, mounted with a band of lappets (2) 28.4cm high

£300­500 513

A FRENCH BRONZE CHERUB FIGURE IN THE MANNER OF CLODION EARLY 19TH CENTURY the Bacchanalian figure with a grapevine in his hair and holding a bird in his right arm, mounted on a marble base 20.3cm high

£300­500

514 228

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AN ITALIAN MARBLE FIGURE OF A YOUTH

BY CESARE LAPINI FLORENCE, b.1848 standing on a naturalistic plinth, titled ‘Montanaro’ and signed ‘C. Lapini Firenze 1894’ 106.5cm high

£2500­3000

515

A VICTORIAN WHITE MARBLE BUST OF A GENTLEMAN LATE 19TH CENTURY wearing a jacket and tie and a classical toga, the plinth base inscribed ‘C.F. Blackett’ 74cm high

£500­700

516 229

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518

517

A MARBLE FIGURE OF A YOUNG GIRL 19TH CENTURY possibly Queen Victoria’s third eldest daughter, Alice, wearing a dress, holding a posy of flowers and seated on a tree stump 8.5cm high

£2000­3000

A MARBLE PORTRAIT RELIEF RONDEL OF QUEEN VICTORIA LATE 19TH CENTURY commemorating her Jubilee, signed ‘A L’ and dated ‘1887’, in a beaded border 34cm diameter

£300­400

A MARBLE BUST OF A MOUSTACHIOED GENTLEMAN POSSIBLY FRENCH, LATE 19TH / EARLY 20TH CENTURY mounted on a Siena marble plinth 53cm high

£400­600 519 230

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520

521

AN ITALIAN CARVED ALABASTER BUST OF A YOUNG LADY LATE 19TH / EARLY 20TH CENTURY wearing a ribbon tied lace bodice and carved with a butterfly, flowers and leaves, mounted on an octagonal serpentine plinth 64.7cm high

£400­600

AN ART NOUVEAU BRONZE BUST BY GEORGES VAN DER STRAETEN BELGIAN, 1856­1928 of a young woman with cherries, signed ‘Van der Straeten’ and with a foundry pastille inscribed ‘Société des bronzes de Paris’ 67.1cm

£300­500

A FRENCH BRONZE FIGURE OF DIANA THE HUNTRESS BY LOUIS-AUGUSTE MOREAU (FRENCH, 1855-1919) the base signed ‘Moreau’ 46.8cm high

£400­600 522 231

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A FRENCH GILT AND PATINATED BRONZE FIGURE OF NAPOLEON BONAPARTE SECOND HALF 19TH CENTURY after Émile Guillemin (French 1841­1907), the Emperor standing with his arms crossed on a plinth decorated with an eagle, on a green marble base 23.7cm high

£300­500

TWO AUSTRIAN BRONZE FIGURES OF KNIGHTS LATE 19TH / EARLY 20TH CENTURY each with hinged visors, one titled ‘Teodorick Konig Der Goott’, the other ‘Artur Konig V England’, stamped ‘FR Unterberger Innsbruck’ (2) 17.9cm high (max)

£100­150

AN AUSTRIAN COLD PAINTED BRONZE OF A PUG DOG LATE 19TH CENTURY stamped ‘Geschützt’, together with bronze models of a grouse, a pig, a goose, a pair of beagles and a dachshund and three metal groups of pigs, a rat and a boot (9) 10cm (max)

£100­150

523

524

232

525

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PIERRE-JULES MÊNE. A BRONZE MODEL OF THE WHIPPET GIGI FRENCH 1810­1879 at play, with a ball, standing on an engraved oval base, signed ‘P. J. Mene’ 17cm wide

£300­400

A BRONZE STUDY OF A WORK HORSE AFTER JEAN-FRANÇOIS-THÉODORE GECHTER (FRENCH 1795-1844) MID­19TH CENTURY standing on a naturalistic base, signed ‘T. Gechter’ and founders impressed marks probably for ‘GH Leblanc’ 15cm wide

£100­200

526

AN AUSTRIAN COLD PAINTED BRONZE GOLDEN PHEASANT IN THE MANNER OF BERGMAN LATE 19TH / EARLY 20TH CENTURY 21.8cm long

£80­120

527

528

233

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BLACK FOREST,

TAXIDERMY, EQUESTRIAN & RELATED ITEMS

234

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A BLACK FOREST CARVED WOOD SMOKER’S TABLE LATE 19TH / EARLY 20TH CENTURY the naturalistic leaf and branch pierced top with a pair of lidded compartments, each surmounted by a reclining bear and with a pair of brass lift­out bowls, supported by a bear holding a tree trunk and leaning on a pipe 83.5cm high, 58cm wide

£2500­3500

A PAIR OF BLACK FOREST CARVED WOOD BULLDOG WALL BRACKETS LATE 19TH / EARLY 20TH CENTURY naturalistically carved with leaves, nuts and branches, each with hinged supports (2) 43.2cm high, 40.5cm wide, 21.3cm deep

£400­600

A BLACK FOREST CARVED WOOD HEAD OF A BLOODHOUND LATE 19TH CENTURY mounted on a walnut plinth 20.7cm high, 22.5cm wide

£400­600

529

530

531 235

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532

533

A PATINATED BRONZE HOUND DOG DESK PAPERCLIP LATE 19TH / EARLY 20TH CENTURY mounted on an oak plinth 22cm wide

£300­400

AN AUSTRIAN COLD PAINTED BRONZE RUNNING HOUND DOG DESK PAPERCLIP LATE 19TH / EARLY 20TH CENTURY mounted on a mahogany plinth 31.6cm

£400­600

534

535

A VICTORIAN CARVED IVORY BULLDOG WALKING CANE HANDLE LATE 19TH CENTURY with glass eyes, the white metal ferrule engraved ‘Dr. Popham’ 7cm high

£200­300

A VICTORIAN SILVER PLATED GREYHOUND WALKING CANE HANDLE LATE 19TH CENTURY his collar with a date ‘1886’ and the ferrule engraved with scrolling foliage and with a monogram ‘EWP’ 7.6cm high

£200­300

536

A PATINATED BRONZE DOG’S HEAD DESK PAPERCLIP LATE 19TH / EARLY 20TH CENTURY in the form of a whippet’s head, mounted on a walnut plinth 26cm wide

£400­600

236

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537

A BLACK FOREST CARVED WOOD COAT RACK LATE 19TH / EARLY 20TH CENTURY carved with the head of a chamois with glass eyes, the naturalistic rack with branches, oak leaves and five hoof shaped hooks 42.5cm high, 68.7cm wide

£400­600

A VICTORIAN CARVED WOOD SPANIEL WALL BRACKET BY RALPH TUDSBERY NOTTINGHAMSHIRE, LATE 19TH CENTURY the back stamped ‘R. Tudsbery artist Edwinstow Not’ 21.8cm high, 20.5cm wide

538

£300­400

TWO BLACK FOREST CARVED WOOD WALL HANGING COAT RACKS each carved with a fox’s head, on a shaped shield plaque, with antler hooks (2) 30.8cm high, 23cm wide (max)

£300­400

539

237

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540

541

A VICTORIAN TEAK AND CAST IRON LADY’S SADDLE RACK BY MUSGRAVE LATE 19TH CENTURY together with a harness rack, both stamped ‘Musgrave’s patent Belfast’ (2) 51cm (max)

£250­350

542

A VICTORIAN TEAK AND CAST IRON HARNESS RACK

BY MUSGRAVE LATE 19TH CENTURY marked ‘Musgrave’s patent Belfast’, together with a painted cast iron stable name plate ‘Forager’ and an oak and iron hanging rein rack (3) 39.6cm (max)

£300­400

A VICTORIAN TEAK AND CAST IRON SADDLE RACK IN THE MANNER OF MUSGRAVE LATE 19TH CENTURY together with a teak and cast iron harness rack by Musgrave, stamped ‘Musgrave’s patent Belfast’ (2) 63.5cm (max)

£300­400

A VICTORIAN TEAK AND CAST IRON CHILD’S SADDLE RACK IN THE MANNER OF MUSGRAVE LATE 19TH CENTURY 543

together with a harness rack by Musgrave, stamped ‘Musgrave’s patent Belfast’ (2) 46cm (max)

£250­350 238

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545

544

A 19TH CENTURY MAHOGANY WHIP AND BOOT STAND c.1840 with turned spindle supports 95.4cm high, 75cm wide, 28cm deep

546

£100­150

A WALNUT HORSE SHOE SHAPE HANGING WHIP RACK

BY MAXWELL FIRST HALF 20TH CENTURY with brass hooks and an ivorine trade label, inscribed ‘Maxwell, Dover Street, London’, 46.5cm high, together with three bamboo riding crops and a leather baton (5)

£200­300

AN ANTLER HORN STICKSTAND LATE 19TH CENTURY 52.3cm high, 43cm wide

£150­200

A VICTORIAN MAHOGANY CLOTHES HORSE LATE 19TH CENTURY on stylised paw feet 90.2cm high, 62cm wide, 31.5cm deep

£100­150

547 239

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TAXIDERMY. A CASED GROUP OF EIGHT CRABS LATE 19TH CENTURY mounted in a naturalistic setting and in an ebonised pine and glazed case 19cm high, 28.5cm wide, 13.8cm deep

£200­300

A SECTION OF FOSSILISED MAMMOTH TOOTH (MAMMUTHUS PRIMIGENIUS) together with a polished mammoth tooth plinth (2) 10cm (max)

£100­150 548

A BOWFRONT CASED TROUT LATE 19TH CENTURY preserved by R. Allder, Naturalist in Newbury, with a paper label titled ‘Kennet Trout’ with further indistinct inscription and date ‘1898’, in a naturalist setting with a label inscribed ‘These stones were found inside the fish covered with growth’, with maker’s label and gilt decoration to the front 43.5cm high, 85cm wide, 15.8cm deep

£200­300 549

550 240

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A RARE VICTORIAN CARVED AND PAINTED WOOD HALF-BLOCK FISHING TROPHY MODEL OF A SALMON ATTRIBUTED TO JOHN RUSSELL c.1870­1880 naively decorated and mounted on a green painted pine board 42.5 x 113.5cm

£5000­7000

241

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552

A GEORGE V PAINTED PLASTER HALF-BLOCK FISHING TROPHY OF A TROUT

BY HARDY BROTHERS

TAXIDERMY. AN EDWARDIAN CASED PRESERVED PERCH

BY J. COOPER & SONS mounted in a naturalistic setting, with a printed paper trade label ‘Preserved by J. Cooper & Sons, 28, Radnor Street, St. Luke’s, London, E.C.’, in an ebonised and gilt lined bowfront glazed case 31.6cm high, 52.7cm wide, 15.8cm deep

with two ivorine plaques, one inscribed ‘Brown trout 3 and 3 quarter lbs, Blagdon, 8th June 1932 by M.V. R. first fish on helical reel’, the other a trade label, inscribed ‘Hardy Brothers Ltd, Angling Specialists, Alnwick....’, mounted on an oak board 27.5 x 63.5cm

£800­1000

£2500­3500

553 242

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554

AN EDWARDIAN CARVED AND PAINTED WOOD HALF-BLOCK FISHING TROPHY MODEL OF A CHAR ATTRIBUTED TO JOHN TULLY EARLY 20TH CENTURY, RETAILED BY CHARLES FARLOW

TAXIDERMY. AN EDWARDIAN CASED PAIR OF PRESERVED TENCH IN THE MANNER OF COOPER EARLY 20TH CENTURY mounted in a naturalistic setting, with a paper label inscribed ‘Tench, caught by T. Potter, July the 15th 1901, weights 4lbs. & 4lb 2ozs’, in an ebonised and gilt line decorated glazed bowfront case 39.2cm high, 99cm wide

polychrome decorated and mounted on a stained pine board, inscribed ‘Caught 27th May 1910, Mrs Wolfenden, Loch.An. Seilich Gaick’, the reverse with an indistinct Farlow stencil mark ‘C. Farlow .... 191 Strand London’ 16.2 x 35.5cm

£1000­1500

£3000­4000

555 243

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556

557

A MAHOGANY TWO SEATER SETTEE IN GEORGE II STYLE LATE 19TH / EARLY 20TH CENTURY the undulating padded back above scroll arms and shell capped cabriole legs and claw and ball front feet 122.9cm high, 149.5cm wide, 73cm deep

£150­200

A WALNUT STOOL IN WILLIAM AND MARY STYLE LATE 19TH CENTURY the Bargello style needlework seat above baluster legs and scroll, leaf and crown carved stretchers 47.8cm high, 56cm wide, 38.5cm deep

£100­150

558

A MAHOGANY OPEN ARMCHAIR IN CHIPPENDALE STYLE 19TH CENTURY the pierced splat back carved with scrolls and rosettes and with a blind fret carved frame

£200­300

A MAHOGANY SILVER TABLE IN GEORGE II STYLE LATE 19TH CENTURY the galleried top above a plain frieze, on cabriole legs and pad feet 66.7cm high, 73cm wide, 49cm deep

£200­300

559 244

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561

560

A WALNUT AND GILTWOOD WALL MIRROR IN GEORGE II STYLE 19TH CENTURY the rectangular plate within a carved slip, in an egg and dart moulded frame, the swan neck pediment centred with a leaf scroll cartouche 129.3 x 73cm

£400­600

A MAHOGANY AND WALNUT LOWBOY IN GEORGE II STYLE LATE 19TH CENTURY the quarter veneered and crossbanded top with re­ entrant front corners, above four drawers, on acanthus carved cabriole legs and claw and ball feet 85.5cm high, 78.5cm wide, 50cm deep

£200­300

A SET OF SIX PAINTED DINING CHAIRS IN GEORGE III STYLE 19TH CENTURY AND LATER each with an oval spider web back, decorated with husks and centred with an urn patera, above a stuffed­over seat, on fluted tapering legs, comprising: a pair of open armchairs and four side chairs, together with four associated side chairs of a later date (10)

£500­800

562 245

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563

A LARGE MAHOGANY AND PARCEL GILT CENTRE TABLE PROBABLY MID­20TH CENTURY

A SET OF EIGHT MAHOGANY DINING CHAIRS IN HEPPLEWHITE STYLE LATE 19TH / EARLY 20TH CENTURY

the circular top in two halves, inset with gilt tooled leather decorated with bands of Greek key design, on six reeded column legs and a spoke platform base stamped ‘40014 4685 T’ 77.2cm high, 259.3cm diameter

each with an oval back carved with husk swags and flowers with a pierced fan splat, above differing drop­ in seats, on beaded square tapering front legs with stretchers, comprising: a pair of open armchairs and six side chairs (8)

Provenance

£400­600

Trinity Bank, London.

£400­600

564 246

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A WALNUT TWIN PEDESTAL DINING TABLE IN 18TH CENTURY STYLE EARLY 20TH CENTURY the cross and feather banded top with two additional leaves, with a pair of ‘D’ ends with tilt­ tops, on turned stems and tripod supports 74.3cm high, 129.5cm wide, 244cm long

£800­1200

A SET OF EIGHT WALNUT DINING CHAIRS IN QUEEN ANNE STYLE POSSIBLY IRISH, EARLY 20TH CENTURY each with a curved vase shaped solid splat back, with a serpentine drop­in seat, on shell capped cabriole legs and pad feet (8)

565

£500­700

566 247

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A CARVED OAK HERALDIC WALL BRACKET COMMEMORATING FIVE HUNDRED YEARS OF WINCHESTER COLLEGE LATE 19TH CENTURY carved with a bishop’s mitre with the motto ‘Manners makyth man’ and the dates ‘1393­1893’, above the school’s emblem, the ‘Trusty Servant’ 40.7 x 27cm

£100­150

A VICTORIAN PRESSED PATINATED BRASS ROYAL COAT OF ARMS 20.5 x 29.8cm

£100­150

567

A PENWORK CHEQUER GAMES BOARD c.1830­1840 decorated with panels of flowers and scrolling leaf spandrels, on flattened ebonised bun feet 28.7 x 38.2cm

£100­150

TWO POLYCHROME DECORATED STONEWARE SPIRIT BARRELS 19TH CENTURY 568

the bodies with applied moulded titles and decoration for ‘Rum’ and ‘Gin’, each with the Royal Coat of Arms and with a pair of lions, one decorated with equestrian knights, the other with flowers and leaves (2) 29.3cm high

£100­150

A VICTORIAN TARTAN WARE AIDE-MEMOIRE the cover painted with a view of Balmoral, together with a Tartan ware circular stamp box decorated with the Stuart tartan and a Mauchline ware card case decorated with ‘Crookston’ and ‘Stanley’ castles (3) 8.6cm (max) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150 569

570 248

571

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A VICTORIAN EBONISED PINE AND SCRAPWORK DECORATED TABLE TOP CHEST all over applied with decoupage engraved depictions of various household objects, dogs, an elephant, umbrellas, chalices, model boats and a kangaroo, with two short and three long drawers 49.5cm high, 42.5cm wide, 26cm deep

£400­600

A PAIR OF CARVED AND GREEN PAINTED WOOD DECOUPAGE VASES 19TH CENTURY of baluster form, decorated with boats, exotic birds, flowers and trees (2) 23.5cm high

£150­200 572

A VICTORIAN PAPIER-MÂCHÉ NEEDLEWORK TABLE CABINET c.1850 painted with panels of English and Italianate landscape scenes, with gilt highlights and inlaid with mother of pearl, the hinged lid with a letter pouch to the underside, above a lift­out tray with silk lined lidded compartments and with mother of pearl and bone reel holders, the serpentine front with a pair of doors enclosing four drawers, the lower one with a writing slope and a compartment for pen and ink 26cm high, 31.5cm wide, 28.5cm deep

£300­500 573

574 249

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A ‘MEDALLIC MAP OF THE WORLD’ c.1820­1830 double sided, depicting the Western and Eastern hemispheres, the edge inscribed ‘Presented to George Burnett by Mr Robinson 1st Class Reading DecR 1829’, with original card protector and in a chamois leather bag 7.3cm diameter Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150 575

576

SIXTEEN COPPER ‘TESTAMENTAL TRUTHS’ AFTER SIR EDWARD THOMASON c.1820­1830 with religious verses to each side, contained in a cylindrical copper case, the lid inscribed ‘Testamental Truths, Thomason Dirix’ 5cm high Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£80­120

AN EARLY 19TH CENTURY COPPER/BRONZE BOX

577

the lid with a portrait bust of the Duke of Wellington, titled, the base with an inscription within a wreath, this box would have originally contained rondels commemorating the Duke’s famous victories, now containing a Swedish coin inscribed ‘1 Skilling’ and dated ‘1815’, together with a similar box, the lid with the bust of George Prince of Wales, titled and dated ‘February 5th 1811’ and a tin box with the bust of Queen Victoria (3) 4.7cm diameter (max) Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

A VICTORIAN OPAQUE WHITE GLASS MONOCULAR VIEWER MID­19TH CENTURY the interior with four coloured lithographic views of the Thames tunnel, Whopping and Rotherhide, inscribed ‘The opal views are manufactured by J. J. Mathewson Nos. 4, 21, 51 & 59 Thames Tunnel and will always preserve their colour in any climate’, with further inscriptions relating to the building of the tunnel, the exterior with a pair of glass buttons to revolve the scenes, lense lacking 12.8cm high

£100­150

578 250

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579

A PAIR OF SAND PICTURES OF PIGS ATTRIBUTED TO BENJAMIN ZOBEL AFTER GEORGE MORLAND, EARLY 19TH CENTURY

TWO PAINTED WOOD LADY’S HAT OR WIG STANDS EARLY 20TH CENTURY

one of a sow with two piglets, the other of two pigs in a barn, in moulded glazed giltwood frames (2) 21.5 x 28.7cm

each decorated with a lady wearing a bonnet and a crinoline style dress (2) 26.7cm high

Catalogue Note

£40­60

Benjamin Zobel (1762­1831) was an Anglo­German painter who developed the technique of marmotinto, known as sand painting.

£400­600

A RED LEATHER AND MARBLED PAPER FOLIO BOOK BOX PROBABLY FIRST HALF 20TH CENTURY

THE SPEAKING PICTURE-BOOK FOR THE AMUSEMENT OF CHILDREN c.1880 BY THEODORE BRAND with eight printed plates and with pull­activated sounds, in a carved pine outer case 35 x 27.1cm

£400­600

the spine inscribed ‘Neptune Francois 1753 recueil de carts marines’ and ‘1754’ at the base, with gilt tooled decoration, with an eagle and laurel crest and the motto ‘Pax et spes’, hinged to reveal a vacant interior 66 x 49.5cm

580

£100­150

581

582 251

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A CROQUET SET BY SLAZENGER comprising: four lignum vitae mallets with hickory shafts, with painted cast iron hoops, balls, clips and a marker post, in a pine box with a printed maker’s label, inscribed ‘Standard croquet adapted specially for tournaments Slazengers Ltd London’

£300­400

ROWING INTEREST. A DOWNING COLLEGE CAMBRIDGE RUDDER MID­20TH CENTURY inscribed ‘Downing College 3rd May boat 1964’, centred with a coat of arms and the participants names, together with an oar converted into a wall hanging pipe rack, with three framed photographs from 1963, 1964 and 1966 (5) 86.5cm (max)

£300­400

A BROWN LEATHER SHOTGUN CASE LATE 19TH CENTURY

583

with brass corners, the hinged lid emblazoned with a later transfer print of the Royal Coat of Arms, the vacant interior with a paper trade label to the underside of the lid for ‘Williams & Powell, Liverpool’ 79.5cm wide

£200­300

AN IGUANA SKIN COVERED CIGARETTE BOX EARLY 20TH CENTURY with ivory edging, stamped to base ‘MADE IN ENGLAND’ 12cm wide

£100­150

584

585

252

586

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

AN EARLY 20TH CENTURY SILVER BOXING TROPHY

BY GOLDSMITHS AND SILVERSMITHS, LONDON 1929 modelled as a boxer, on an ebonised wood plinth applied with a vacant silver plaque, the boxer 21.4cm high, overall 38.3cm high Provenance By repute, the estate of the of Captain Edward de Lerisson Cazenove, who won this trophy as a boxing blue at Oxford University in 1939.

£400­600

TWO CROCODILE LEATHER JEWELLERY CASES BY ASPREY LATE 19TH / EARLY 20TH CENTURY with plush lined interiors, one with three divisions, the other with a pair of hinged trays, one with an applied plaque with initials ‘’BMR’, both stamped in gilt ‘ASPREY LONDON’, one with a key (2) 30.6cm and 35.6cm wide

£300­500 587 A COLLECTION OF SPIRIT STOPPERS 19TH CENTURY of mother of pearl, brass, silver plate and cork, the majority named, including: brandy, whiskey, rum, port and gin, in a rosewood octagonal box (19) 26.7cm wide Provenance ‘A Lifetime of Collecting’­The Property of a Gentleman.

£100­150

A VICTORIAN TORTOISESHELL AND SILVER MOUNTED STATIONERY BOX BY WILLIAM COMYNS HALLMARKED LONDON 1899 the serpentine sloping front applied with repoussé Rococo mounts depicting a family with a birdcage in a woodland setting, with further scrolls, leaves and smaller panels of shepherdesses, the silk and leather lined interior with divisions for letters 18.2cm high, 29cm wide, 14cm deep

588

£200­300

589

590

253

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592

591

A 19TH CENTURY MAHOGANY CAMPAIGN STYLE BUTLER’S TRAY ON STAND SECOND QUARTER 19TH CENTURY the hinged top on a folding ‘X’ frame base 74.4cm high, 67.5cm wide, 50cm deep Literature Nicholas A. Brawer, British Campaign Furniture Elegance under Canvas 1740­1914, p.112, pls.109­110 for a similar table.

£200­300

A MAHOGANY AND BRASS BOUND BOX POSSIBLY CAMPAIGN, EARLY 19TH CENTURY the hinged lid with a sunken brass military style handle and an oval vacant plaque, the interior with a later plush lining 10.3cm high, 32.2cm wide, 18.5cm deep

£100­150

593

A VICTORIAN CAMPAIGN OFFICER’S CUTLERY SET LATE 19TH CENTURY the leather case containing: a beaker, with four folding ivory handled utensils, a spoon, a knife, a fork and a corkscrew, some marked ‘WH & S BP’ for William Hutton, a double cup, a teaspoon and a beehive condiment holder 13cm high

£300­400

A CROCODILE LEATHER GLADSTONE BAG LATE 19TH / EARLY 20TH CENTURY with silvered tooled initials ‘C D’, with nickel mounts, the interior with a lift­out vanity compartment, stamped ‘A & N LS’ for Army & Navy 45cm wide

£100­150

594 254

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596

595

A BEECHWOOD ARTIST’S EASEL BY O. ROBERSON & CO. LATE 19TH / EARLY 20TH CENTURY with an adjustable rest on castors, with an ivorine plaque inscribed ‘O. Roberson & Co. Ld. 99 Long Acre London & 166, Piccadilly’ 194.4cm high, 67cm wide, 65.2cm deep

£600­800

A 19TH CENTURY STONEWARE PLANTER in the form of a tree trunk, with a later circular glass top 30.6cm high, 60.3cm diameter

£200­300 597 A LATE VICTORIAN OAK AND BRONZE GONG c.1880 in Gothic style, with a beater 108.4cm high, 63cm wide, 40cm deep

£200­300

A PAIR OF VICTORIAN OAK STANDS possibly originally with glass domes (2) 13.5cm high, 41cm diameter

£200­300

598 255

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A QUARTETTO NEST OF OCCASIONAL TABLES IN REGENCY STYLE LATE 19TH CENTURY each with a beaded rectangular top inlaid with an oval amboyna panel, with ash crossbanding, on ring turned legs united by curved stretchers (4) 69.7cm high, 49.5cm wide, 35cm deep (max)

£800­1200

AN EDWARDIAN MAHOGANY SHIELD SHAPE BIJOUTERIE TABLE EARLY 20TH CENTURY inlaid with ebonised and boxwood stringing, on square tapering legs united by a circular undertier 67.5cm high, 38cm wide, 46cm deep

£200­300

A SHERATON REVIVAL PAINTED SATINWOOD BIJOUTERIE TABLE LATE 19TH / EARLY 20TH CENTURY decorated with ribbon tied leaves, roses and other flowers, the hinged lid above square tapering legs united by an ‘X’ stretcher 76cm high, 61cm wide, 42cm deep

£400­600

599

AN EARLY VICTORIAN WALNUT ARMCHAIR c.1860 the bow back supported by twin ‘C’ scrolls, on flower carved cabriole legs and castors

£100­150

600

256

601

602

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

603

A LEATHER COVERED METAMORPHIC LIBRARY CHAIR / STEPS BY MAITLANDSMITH LATE 20TH CENTURY

A RED LEATHER SOFA LATE 19TH CENTURY AND LATER with a studded and button upholstered back and seat, on turned front legs and brass castors 78cm high, 143cm wide, 72.5cm deep

with gilt tooled decoration

£500­700

£200­300

A VICTORIAN WALNUT AND MARBLE GAMES TABLE c.1870 the black marble top inlaid with a specimen hardstone and white marble chequerboard, above a pierced pendant frieze and a fluted and cabochon carved tripod base, with stencil mark ‘from C. J. Freemans Furniture Manufactory 37 London Street Norwich’ 72.9cm high, 39.9cm square

£300­500

604

605

257

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A SET OF TWELVE MAHOGANY DINING CHAIRS IN HEPPLEWHITE STYLE LATE 19TH / EARLY 20TH CENTURY each with an oval back carved with leaves and bell flowers, with a scroll and urn pierced splat above a drop­in seat, on moulded square tapering front legs, comprising: a pair of open armchairs and ten side chairs (12)

£800­1200

A FAUX BAMBOO COCKPEN STYLE OPEN ARMCHAIR LATE 19TH / EARLY 20TH CENTURY £200­300

A MAHOGANY TORCHÈRE IN ADAM STYLE LATE 19TH / EARLY 20TH CENTURY

606

the dished circular top with a carved ribbon and floret edge, with ram’s monopodia supports joined by drapes, on hoof feet 127.1cm high, 48cm wide

£100­150

A MAHOGANY TWIN PEDESTAL DINING TABLE IN REGENCY STYLE 20TH CENTURY the reeded edge top with two additional leaves, on turned pedestals, each with four splay legs and brass caps and castors 73.4cm high, 107cm wide, 254cm long

£200­300

607

608 258

609

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

A VICTORIAN WALNUT AND MARQUETRY BUREAU PLAT IN LOUIS XV STYLE c.1870 with gilt brass mounts, the serpentine edge top inset with a gilt tooled green leather writing surface, above a pair of frieze drawers, on cabriole legs 71cm high, 123cm wide, 68.8cm deep

£500­800

610

A VICTORIAN WALNUT WRITING DESK IN THE MANNER OF HOLLAND & SONS c.1870­1880 inlaid with stringing and amboyna panels, with gilt brass mounts, the top inset with later tooled green leather, fitted with two frieze drawers, one stamped ‘07086’, on brass castors 74cm high, 121cm wide, 61cm deep

£400­600

611

AN UNUSUAL GEORGE IV ROSEWOOD DEMI-LUNE CARD TABLE EARLY 19TH CENTURY the hinged fold­over top on a scissor­action which rotates the supports, with carved ram’s masks and four carved legs with hoof feet 75cm high, 90cm wide, 45cm deep

£600­800

612 259

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613

614

A LATE VICTORIAN IRISH MAHOGANY AND MARQUETRY CHEVAL MIRROR inlaid with scrolling leaves, flowers, husks and paterae, with a rectangular bevelled plate, urn finials and bronze anthemion handles, on brass castors 74.8cm high, 81cm wide. 57cm deep.

Provenance The Property of a Noblewoman.

£200­300

615

A SET OF SIX 19TH CENTURY ROSEWOOD DINING CHAIRS each with a cartouche shape back carved with a shell and leaves, upholstered with striped fabric, on cabriole legs (6)

£100­200

A MAHOGANY WINDOW SEAT IN REGENCY STYLE the scroll and ‘X’ shape frame with an upholstered seat and spiral twist lifts 56cm high, 92.5cm wide, 46cm deep.

Provenance The Property of a Noblewoman.

£80­120

AN EARLY 19TH CENTURY LANCASHIRE / CHESHIRE STYLE ASH AND FRUITWOOD ARMCHAIR the spindle back with turned wing supports, above a rush seat, on turned front legs united by stretchers

£40­60 616 260

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FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 21ST OCTOBER 2020

A 19th century mahogany apothecary’s chest of drawers Estimate £500 ­ 800*

ENQUIRIES Mark Yuan­Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Monday to Friday 9am – 5.30pm Saturday 10am – 1pm

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence

Alban Shipping

+44 (0)1582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622 133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally entitled to acquire the lot(s) that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but may not take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction, or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7424 7830 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FURNITURE

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WORKS OF ART & CLOCKS TUESDAY 11TH AUGUST 2020 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed

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All accounts must be settled within 21 days ID is required for all first time bidders

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Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR AUGUST 26th

Modern British & 20th Century Art Including the Estate of Dame Elisabeth Frink and Lin Jammet

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2021 AUCTIONS

SEPTEMBER 8th 22nd 23rd

Old Masters, British & European Paintings Tribal Art & Antiquities Medals & Coins, Arms & Armour

OCTOBER 6th 21st

Art & Crafts, Design Furniture, Works of Art & Clocks

NOVEMBER 10th 12th 24th 25th & 26th

Fine Chinese Paintings & Works of Art, Ja­ panese Works of Art Fine Jewellery English & European Ceramics & Glass Silver & Objects of Vertu

DECEMBER 9th 16th

Modern British & 20th Century Art British Art Pottery

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51-61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A pair of important French Louis-Philippe Royal ormolu and hardstone mounted candelabra made for Ferdinand-Philippe duc d'Orléans by Guillaume Denière, designed by Aime Chenavard SOLD FOR £123,750*

www.woolleyandwallis.co.uk