Woolley & Wallis Auctioneers

FURNITURE WORKS OF ART & CLOCKS WEDNESDAY 30TH MARCH 2022

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy Sarah Stone

VALUATIONS FOR INSURANCE & PROBATE 411854 339161 446974 446974

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Jeremy Lamond MRICS ASFAV FRSA Amanda Lawrence

424502 424509

GENERAL OFFICE Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

424500

CASTLE GATE RECEPTION

Will Hobbs Molly O’Reilly

339752 446980

Sally Litherland

MARKETING ASIAN ART John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Alana Ker Mercer Michelle Yu

Chloe Davie 424506 424583 424589 +44 (0)7812 601098 424591 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Michelle Yu

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

JAPANESE ART Alexandra Aguilar Alana Ker Mercer

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Samuel Hug FGA DGA Emily O’Donnell

424595 424504 424586 424586

ACCOUNTS Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

446951

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FURNITURE WORKS OF ART & CLOCKS

Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

WEDNESDAY 30TH MARCH 2022 10.00AM

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU

VIEWING AT OUR NEW EXHIBITION SPACE AT CASTLE GATE

Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX VIEWING Saturday 26th March Monday 28th March Tuesday 29th March Wednesday 30th March

Sarah Stone 01722 446974 ss@woolleyandwallis.co.uk

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm

DIRECTIONS TO THE NEW EXHIBITION SPACE AT CASTLE GATE Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

E

Kia Motors

Old Sarum Park

N

S

Westover Garage Sarum Business Park

W

VIEWING HERE

WOOLLEY & WALLIS Castle Gate

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A36 Chu

A3

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1st Self Access Storage

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A345 Castle Rd

AMESBURY

SALISBURY

Old Sarum

A36

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MARLBOROUGH & SWINDON

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

WOOLLEY & WALLIS Salisbury Salerooms

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THE VIEWING OF THIS SALE WILL TAKE PLACE AT Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX Client Parking Available Saturday 26th March Monday 28th March Tuesday 29th March Wednesday 30th March

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm

IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identification. This applies to both new and existing clients

LIVE ONLINE BIDDING – FREE OF CHARGE

BUYER’S PREMIUM

bid.woolleyandwallis.co.uk

Each lot is subject to a Buyer’s Premium of 25% plus VAT

Please register by 5pm on Tuesday 29th March

LIVE

TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 29th March CONDITION OF LOTS The condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

Instagram: @woolleyandwallisfurniture @woolleyandwallissalerooms Facebook: @woolleyandwallis Twitter: @woolleywallis

COLLECTION OF LOTS Please call 01722 446950 or 01722 424500 to make an appointment to collect from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends

Pinterest: Woolley and Wallis

All accounts to be settled prior to collection

ILLUSTRATIONS

EXPORT AND CITES LICENCES

Front cover: Lot 100 detail Back cover: Detail of lot 288, 304 and 362

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance

Catalogue £10.00 (£15.00 by post)

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FURNITURE, WORKS OF ART & CLOCKS WEDNESDAY 29TH JUNE 2022

ENQUIRIES Mark Yuan­Richards | +44 (0) 1722 411854 myr@woolleyandwallis.co.uk

A small William and Mary walnut bureau, late 17th / early 18th century, 83.7cm high

*Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

Estimate £2,000 ­ 3,000*

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OAK, COUNTRY & FOLK ART

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1 A FRENCH CHERRYWOOD FARMHOUSE KITCHEN TABLE 19TH CENTURY the boarded top with cleated ends, above a frieze drawer, on chamfered Gothic style legs united by an ‘H’ stretcher 75.5cm high, 90.8cm wide, 200.3cm long

£600­800

2 A CHARLES II OAK JOINT STOOL C.1660 on ring turned legs united by peripheral stretchers 52.5cm high, 45cm wide, 28cm deep

£250­350

3 A LARGE OAK COFFER POSSIBLY FLEMISH OR SCANDINAVIAN, 16TH / 17TH CENTURY of ark form, the hinged top revealing an interior with an open till, the front with panels of ripple mouldings 69cm high, 134.2cm wide, 59.3cm deep Provenance David and Paula Newman, London / Eastbourne.

£200­300

5

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4 A WILLIAM AND MARY WELSH OAK COURT CUPBOARD DATED ‘1695’ in two parts, the top with two fielded panelled doors, flanking a carved panel with owner’s triad initials ‘T H E’ and the date ‘1695’, the base with a pair of frieze drawers and cupboard doors enclosing a shelf 164cm high, 151.5cm wide, 60cm deep

£600­800

5 A WILLIAM AND MARY LARGE FRUITWOOD GATELEG DINING TABLE LATE 17TH / EARLY 18TH CENTURY the oval drop­leaf top on block and bobbin turned legs united by peripheral stretchers 72.8cm high, 156 x 157.5cm open

4

£400­600

5

6

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

6 A WELSH OAK COURT CUPBOARD LATE 17TH / EARLY 18TH CENTURY AND LATER with an arcaded frieze, above three fielded panelled doors with applied split mouldings, each enclosing a shelf, above three frieze drawers and a pair of conforming doors enclosing two shelves 174.2cm high, 148.2cm wide, 59.2cm deep

£500­800

7 A WILLIAM AND MARY YEW GATELEG DINING TABLE LATE 17TH / EARLY 18TH CENTURY the oval drop­leaf top on ring turned baluster legs united by peripheral stretchers, on stylized Braganza type feet 73cm high, 169cm diameter

£800­1,200

6

7

7

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8 A GEORGE III WELSH OAK DRESSER LATE 18TH CENTURY the plate rack with a wavy frieze, two shelves and fitted with five drawers. the base with three drawers 179cm high, 189.45cm wide, 50cm deep

£300­500

9 A TREEN WROUGHT IRON TABLE RUSHNIP AND CANDLEHOLDER

with bird’s beak jaws and a ‘U’ shaped arm with an open rolled socket, on a conical ash base 23.5cm high

£150­250

10 A CHARLES II FRUITWOOD COFFER C.1660 with a vacant interior and moulded decoration 77.5cm high, 133cm wide, 53.5cm deep

£400­600

8

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

11 A QUEEN ANNE OAK CHEST ON STAND EARLY 18TH CENTURY the top with a moulded edge, above three long drawers, the stand fitted with three drawers and on front bun feet 97.7cm high, 90.2cm wide, 55.3cm deep

£500­800

12 A SMALL TREEN AND WROUGHT IRON TABLE RUSHNIP

with a scroll handle and on a turned mahogany base 17.5cm high

£200­300

13 A QUEEN ANNE OAK OCCASIONAL TABLE EARLY 18TH CENTURY with a frieze drawer and on baluster supports 60cm high, 43.5cm wide, 61cm deep

£300­500

9

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14 AN OAK CHEST ON STAND EARLY 18TH CENTURY inlaid with fruitwood and parquetry banding, with two short and three long drawers, the stand with three frieze drawers, with a wavy edge apron, on cabriole legs 164cm high, 112.5cm wide, 62.7cm deep

£400­600

15 A WELSH OAK AND ASH TAVERN CRICKET TABLE 19TH CENTURY the circular top on tripod supports united by an undertier 61.5cm high, 51cm wide

£300­500

14

15

16 A WELSH PRIMITIVE SYCAMORE AND PINE CHILD’S DUG-OUT CHAIR 19TH CENTURY of curved form 58cm high, 36.2cm wide Provenance A gift from Dame Elisabeth Frink, Woolland House, Blandford, Dorset.

16 10

£300­500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

17 A LARGE EARLY GEORGE III OAK DRESSER C.1760­70 the architectural plate rack with fluted pilasters and pierced scroll corbels, the base fitted with six fielded panel drawers, flanked by a pair of cupboard doors 214cm high, 230.7cm wide, 60cm deep Provenance Purchased from Edward Hurst.

£4,000­6,000 18 A WELSH PRIMITIVE ASH WINDSOR ARMCHAIR EARLY 19TH CENTURY with a stick back, above a burr elm thick plank seat, with traces of original painted decoration

£500­800 19 A WELSH PRIMITIVE DUG-OUT BOX SEAT / FLOWER CONTAINER EARLY 19TH CENTURY the seat with a detachable lid, revealing a vacant interior 67.2cm high, 43cm wide, 40.8cm deep

18

Provenance A gift from Dame Elisabeth Frink, Woolland House, Blandford, Dorset.

£500­800

19 11

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20

20

21

22

A LARGE ELM TAVERN SETTLE 19TH CENTURY

A WELSH TREEN ASH CRUMB SCOOP LATE 19TH CENTURY

TWO FOLK ART IRON WALL RACKS LATE 19TH CENTURY

of curved form, with traces of original painted decoration 173.3cm high, 220.5cm wide, 52cm deep

35.3cm long

one decorated with birds, the other with pierced decoration (2) 44.3cm wide (max)

£400­600

£100­150

Provenance A gift from Dame Elisabeth Frink, Woolland House, Blandford, Dorset.

£150­200

21 12

22

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

23 A FOLK ART PAINTED WOOD CHILD’S ROCKING CHAIR FIRST HALF 20TH CENTURY in the form of a swan, with a Rexine seat 48.8cm high, 33.3cm wide, 68cm long Provenance A gift from Dame Elisabeth Frink, Woolland House, Blandford, Dorset.

£200­300 24 A FOLK ART BLACKTHORN ROOTWOOD WALKING CANE FRAGMENT LATE 19TH CENTURY the gnarly protrusions carved with faces, some applied with eyes, later mounted on a serpentine socle 42.2cm high

£200­300

23

25

26

A VICTORIAN MAHOGANY SOLITAIRE BOARD LATE 19TH CENTURY

A VICTORIAN PAINTED CHILD’S WINDSOR CHAIR POSSIBLY WEST COUNTRY, MID­19TH CENTURY

together with thirty­three marbles (34) 31.8cm diameter

£100­150

with a stick back above a solid seat Provenance A gift from Dame Elisabeth Frink, Woolland House, Blandford, Dorset.

£100­150

24

25

26

13

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27 AN OAK FIGURE OF SAINT MATTHEW FRANCO­FLEMISH, 15TH CENTURY the Evangelist standing in contraposto, with flowing robes 92.4cm high

£500­800

28 A CARVED OAK PANEL PROBABLY FLEMISH, 18TH CENTURY depicting a highwayman, on horseback and accompanied by his dog, before trees and a castle on a hill 51.6 x 30cm

£200­300

29 A PAIR OF CARVED STONE MODELS OF LIONS POSSIBLY 16TH CENTURY each with a flowing mane (2) 18.8cm high, 26cm wide (max)

£400­600

14

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

30 A FRENCH GILTWOOD AND POLYCHROME FIGURE OF THE VIRGIN MARY 16TH / 17TH CENTURY AND LATER mounted on a later plinth 122.2cm high, 56cm wide

£2,500­3,500

15

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31 A SPANISH COLONIAL WALNUT AND LEATHER ARMCHAIR IN RENAISSANCE STYLE 18TH CENTURY the back polychrome decorated with a coat of arms, the seat with embossed decoration

£600­1,000

32 A SPANISH GILTWOOD RELIQUARY 18TH CENTURY in the form of an arm, inset with a mirror and on a scroll decorated base 67.8cm high Provenance Christie's, The Collection of Duarte Pinto Coelho, 21st July 2011.

£300­500

33 A SPANISH WALNUT AND PINE TAVERN TABLE 18TH CENTURY AND LATER with an ‘X’ frame base united by a moulded stretcher 77.5cm high, 99.5cm wide, 64.2cm deep

£500­800

16

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

34 A SPANISH GILT AND POLYCHROME FIGURE OF CHRIST LATE 16TH / EARLY 17TH CENTURY depicted standing on a skull representing Golgotha 89.5cm high

£800­1,200

35 AN ITALIAN PAINTED AND GILTWOOD TABERNACLE POSSIBLY TUSCAN, 18TH CENTURY of architectural form, the front decorated with angel masks and with an arched door with a chalice 44.2cm high, 32cm wide, 25.2cm deep

£300­400

36 A PAIR OF ITALIAN GILTWOOD BAROQUE RELIQUARIES 18TH CENTURY each decorated with ‘C’ scrolls and husks, inset with a later mirror plate (2) 40.9cm high

£250­350

17

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37

37 A PAIR OF CONTINENTAL STAINED AND LEADED GLASS RONDELS 19TH CENTURY decorated with rural scenes, one with chickens, the other with two beehives, with banners inscribed in Latin, one translated as ‘So we the bees make honey, but not for ourselves’ (2) 21cm diameter (max)

£200­300 38 TWO FRENCH IRON AND TREEN PIGTAIL CANDLESTICKS LATE 18TH / EARLY 19TH CENTURY of spiral twist open form, the stems with adjustors, on turned wooden bases (2) 19cm high (max) Provenance A gift from Dame Elisabeth Frink, Woolland House, Blandford, Dorset.

£200­300 38

18

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

39 A PAIR OF FLEMISH BRASS CANDLESTICKS IN 15TH CENTURY STYLE each with a pierced socket, above a turned stem and a dished base, on a domed foot (2) 25.4cm high

£800­1,200

40 A PAIR OF BRASS ALTAR TABLE LAMPS IN BAROQUE STYLE 20TH CENTURY each fitted for electricity, together with a gilt metal altar pricket candlestick with repoussé decoration (3) 83.5cm high (max)

£150­250

41 A PAIR OF GILTWOOD ALTAR CANDLESTICKS IN BAROQUE STYLE SPANISH OR ITALIAN, 18TH CENTURY each with an iron pricket and decorated with the Lamb of God (2) 74.2cm high

£500­800

19

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42

42 A CHARLES II BRASS STUDDED GREEN LEATHER TRUNK POSSIBLY BY RICHARD PIGG, DATED ‘1660’ the lid decorated with palm fronds and a star, the front with scrolls, lozenges and a central coat of arms with a crown and the letters ‘C’ and ‘C’, the hinged lid revealing a later linen lined interior, with side carrying handles 64.5cm high, 110.5cm wide, 62.5cm deep

£400­600

43 A CHARLES II WALNUT SIDE CHAIR LATE 17TH CENTURY with a caned back and seat, with boy’s head finials flanking a carved crown and thistle surmount, with turned baluster uprights, the leaf carved scroll front legs united by a stretcher

£300­400

43

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

44 A LOUIS XIV KINGWOOD COFFRE FORT LATE 17TH / EARLY 18TH CENTURY with gilt brass fleur­de­lis strapwork mounts, the hinged lid with a hinged compartment to the underside, the fall front revealing a pair of drawers, with side carrying handles and on a later giltwood stand (2) coffre fort: 27.2cm high, 44.9cm wide, 28.5cm deep stand: 57.5cm high, 48cm wide, 33cm deep

£1,500­2,500

21

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45 A RARE AMERICAN PRMITIVE PAINTED WOOD SKELETON CHAIR PROBABLY MAINE, EARLY 20TH CENTURY with an arched comb and ladder back above a triangular seat

£800­1,200

46 AN AUSTRO-HUNGARIAN TREEN BEER SERVING JUG C.1880 of staved construction, with bentwood reeded bands, the lid carved with leaves and the initials ‘LB’, with a fox head terminal 25.5cm high, 29cm wide

£200­300

47 A SWEDISH TREEN DOG SNUFF BOX LATE 19TH CENTURY with an ebonised finish, the recumbent hound with bone eyes and a hinged lid 14.2cm long

£150­250

22

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

48 A FOLK ART PAINTED PINE MARRIAGE ARMOIRE POSSIBLY TYROLEAN, 19TH CENTURY painted with panels of urns of flowers, with the date ‘1844’, the door enclosing two shelves, the base with a drawer 177.2cm high, 128cm wide, 60cm deep

£800­1,200

49 A SCANDINAVIAN FOLK ART PAINTED PINE BOX MID­19TH CENTURY decorated with scrolling leaves, the front with an inscription, the hinged lid with an iron handle 22.5cm high, 51cm wide, 35.2cm deep

£200­300

50 A SCANDINAVIAN FOLK ART PAINTED WOOD BOWL PROBABLY NORWEGIAN, LATE 19TH CENTURY the interior decorated with a flowerhead and scrolling leaves, the rim exterior with an inscription 31.2cm diameter

£150­200

23

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51

51

52

53

A TREEN YEW URN LATE 18TH / EARLY 19TH CENTURY

A TREEN FRUITWOOD URN AND COVER MID­19TH CENTURY

A FOLK ART TREEN CARRIAGE WHIP LATE 19TH CENTURY

with a detachable fluted rim and applied scroll handles, above a bone collar and a stepped base 24.3cm high

with pierced and spiral fluted decoration and ring handles 15.2cm high

£200­300

£150­200

with a silver handle hallmarked for London 1877, above a Malacca stem and a silver collar, the shaft relief carved with fox hunting scenes, birds, trees and ‘Tally Ho’, signed ‘T. Ball carved this stick aged 86’, with a printed collection label, inscribed ‘A. J. Levi Collection 528’ 134cm long

£1,000­1,500

53

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THE CHESTERS TREEN COLLECTION

Mr Geoffrey Chesters was born in Crewe just before the outbreak of World War II and after gaining a good education from the local grammar school, he was able to go on to study History at Birmingham University. Following his studies he became a history teacher, which he did for 15 years after graduating. In later years, from 1975 all the way through to his passing in September 2020, he worked tirelessly as a secondhand book seller, who also sold rare maps and prints.

His passion for collecting treen really began during his late teens. He was fascinated by Early Modern English History, particularly the Tudor period, and the beautifully carved wooden objects that he was able to purchase represented a link to his love of that bygone era.

After he re­located to Warwickshire, he regularly visited the Pinto collection that was on display at the Birmingham Museum and the experience was a leading influence in Geoff’s desire to maintain a substantial collection of his own. The family home was forever in need of new glass cabinets to display his recent acquisitions.

Geoff generally didn’t want to sell items from his collection, as he collected for the beauty of the object and not as an investment. Hence, there was only one antiques fair where he experimented selling his treen, at the Antiques for Everyone fair at the NEC in November 2017 where Geoff also had the role of a ‘vetter’. He was known for his expertise and good eye for detail, so the organisers were always greatly appreciative of his help, and they could rely on his decisions. Naturally, his experiences assisted him in ensuring his own collections of treen, books and prints were genuinely of the highest quality.

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54 A TREEN LIGNUM VITAE TOBACCO JAR EARLY 19TH CENTURY the lid with an acorn finial, the body with two ribbed bands 26cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

55 THREE TREEN LIGNUM VITAE POTS 19TH CENTURY with turned, reeded and moulded bands, all with lids, one a small string barrel, the lid pierced with a small hole (3) 15cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

56 A SMALL COLLECTION OF TREEN LIGNUM VITAE ITEMS 19TH CENTURY comprising: a pair of candlesticks, a small snuff mortar with a ribbed pestle, two small bowls and a dice shaker (7) 16.3cm (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

57 A GEORGE III TREEN LIGNUM VITAE COFFEE GRINDER OR MILL C.1760­70 in five parts, with an urn shaped finial, the body with reeded bands and with a folding steel handle 23.3cm high Provenance The Geoffrey Chesters Collection of Treen.

£200­300

58 THREE TREEN LIGNUM VITAE POUNCE POTS LATE 18TH / EARLY 19TH CENTURY each with a flared pierced top, above a turned baluster stem, one in three parts, the others in two parts (3) 10.2cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­200

59 THREE TREEN LIGNUM VITAE SLICKEN STONES EARLY 19TH CENTURY of turned form (3) 15.4cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

60 A GEORGE III SILVER MOUNTED TREEN LIGNUM VITAE LOVING CUP LATE 18TH / EARLY 19TH CENTURY the rim with reeded bands and a foliate border, hallmarked for London 1806, the vase shaped body on a turned foot 28.3cm high Provenance The Geoffrey Chesters Collection of Treen.

£500­700

61 A GEORGE III LIGNUM VITAE GOBLET LATE 18TH / EARLY 19TH CENTURY with a cylindrical body, above a knopped turned stem and foot 18.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£200­300

28

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62 A LARGE CHARLES II LIGNUM VITAE WASSAIL BOWL C.1680 the body turned with two reeded bands, on a conforming circular foot 25cm high, 24.7cm diameter Provenance The Geoffrey Chesters Collection of Treen.

£1,000­1,500

29

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63

64

63

64

FOUR TREEN SALTS LATE 18TH CENTURY / 19TH CENTURY

FOUR TREEN GOBLETS PROBABLY 19TH CENTURY

comprising: a George III yew example, with a paper lining to the underside of the foot, two mahogany examples and one of urn shape, possibly in goncalo alves (4) 12.3cm high (max)

including: one turned in oak, the underside of the foot inscribed ‘Made from old beams when Harrold Church was restored in 1888’, one in sycamore with ebonised bands and one in fruitwood (4) 17cm (max)

Provenance The Geoffrey Chesters Collection of Treen.

Provenance The Geoffrey Chesters Collection of Treen.

£150­200

£80­120

65

66

FOUR TREEN DICE SHAKERS 19TH CENTURY

A PAIR OF TREEN WALNUT GOBLETS 19TH CENTURY

of typical form, with ribbed interiors, including: a boxwood and a lignum vitae example (4) 9.8cm high (max)

with incised bands and on turned feet, together with a footed jar and cover (3) 21.2cm high (max)

Provenance The Geoffrey Chesters Collection of Treen.

£80­120

£80­120

65

30

Provenance The Geoffrey Chesters Collection of Treen.

66

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67 A TREEN BOXWOOD SPICE FLASK 18TH CENTURY in three sections, with an acorn finial, above a globular body and a turned foot 14.3cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

68 TWO APOTHECARY TREEN BOXWOOD MEASURES 19TH CENTURY each double ended and of hourglass shape, one stamped ‘S8’ (2) 10.8cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

69 A TREEN BURR BOXWOOD SPICE FLASK LATE 18TH CENTURY in four sections, with an acorn finial and bone button, above a globular body and a turned foot 16.8cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

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70

71

A TREEN LIGNUM VITAE BARREL EARLY 19TH CENTURY

SEVEN TREEN BOXWOOD MEDICINE BOTTLE HOLDERS 19TH CENTURY

the lid with a cone finial, with a ribbed body 17cm high

five containing glass bottles and stoppers, four with maker’s / retailer’s marks for ‘S. Maw & Son’, ‘Hitchcock & Sons, Oxford’, ‘Gibbertson, London’ and ‘Savory & Moore, 143 New Bond Street’ (7) 17.5cm high (max)

Provenance The Geoffrey Chesters Collection of Treen.

£100­150

Provenance The Geoffrey Chesters Collection of Treen.

£100­150

72

73

TWO VICTORIAN TREEN LIGNUM VITAE STRING BARRELS MID­19TH CENTURY

TWO VICTORIAN TREEN COROMANDEL STRING BARRELS C.1860

each with a screw­off turned lid (2) 16.8cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

32

one brass bound, the other with kingwood banding, both with a brass tap cutter (2) 11.3cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

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74 AN EARLY TREEN ASH OR ELM BOWL POSSIBLY WELSH, LATE 17TH / EARLY 18TH CENTURY the turned body with reeded and moulded bands and an etched zigzag border 17.5cm diameter Provenance The Geoffrey Chesters Collection of Treen.

£300­500

75 FIVE TREEN BOWLS 19TH CENTURY in elm and beech, one branded with owner’s initials ‘J C’ (5) 18.7cm diameter (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

76 A GEORGE IV TREEN OAK YORK MINSTER RELIC BOWL DATED ‘1829’ the bowl with moulded bands, the interior stamped ‘York Minster 1829’ with crossed keys 12.3cm diameter Provenance The Geoffrey Chesters Collection of Treen.

Catalogue Note The fire of 1829, one of several in the Minster`s history, was started deliberately by a deranged man, Jonathan Martin, elder brother of the Romantic painter, John Martin (1789­1854).

£100­150

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77 A SILVER MOUNTED TREEN COCONUT CUP LATE 18TH / EARLY 19TH CENTURY unmarked, the rim engraved with the initials ‘FS’, on a turned stem and foot 14.9cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150 78 A GEORGE III TREEN FRUITWOOD URN AND COVER LATE 18TH CENTURY possibly apple or cherry, the lid with a turned finial, the body with reeded bands, on a stepped foot 25.3cm high

77

Provenance The Geoffrey Chesters Collection of Treen.

£100­150 79 A TREEN TOBACCO JAR 19TH CENTURY probably burr oak, of bun form and the interior with a lead cover, together with a fruitwood circular box and cover, the screw­off lid revealing a segmented interior (2) 15.4cm diameter (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 80 TWO TREEN FRUITWOOD POTS AND COVERS LATE 18TH / EARLY 19TH CENTURY each with finely reeded bands, one with a lockable lid (2) 14.3cm diameter (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 78

79

34

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81 A PAIR OF LATE GEORGE III FRUITWOOD EGG CUPS EARLY 19TH CENTURY of urn shape (2) 8.7cm high Provenance The Geoffrey Chesters Collection of Treen.

£150­200

82 A TREEN ‘MULBERRY’ STAINED MAPLE POT PROBABLY LATE 18TH / EARLY 19TH CENTURY the pierced lid above a globular body 9cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

83 A GEORGE III TREEN YEW GOBLET LATE 18TH CENTURY the conical bowl on a disc knopped stem and a dished foot with ring mouldings 12.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£150­200

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84 A TREEN FRUITWOOD MORTAR GRATER 18TH CENTURY in two parts, with a turned pestle handle, revealing two pierced metal grating plates, with an urn shaped body, on a turned foot 22.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£200­300

85 THREE TREEN POUNCE POTS LATE 18TH / EARLY 19TH CENTURY all pierced with a star motif, one in lignum vitae in three parts, the other two of boxwood and one piece construction (3) 8.7cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

λ 86 A TREEN BOXWOOD GO-TO-BED EARLY 19TH CENTURY the screw­off top with beaded bands, above a spiral ribbed body and a turned ivory foot 10.6cm high Provenance The Geoffrey Chesters Collection of Treen.

£80­120

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87 A GEORGE III TREEN PAINTED SYCAMORE CASTER OR MUFFINEER LATE 18TH CENTURY of turned urn shape, with a pierced detachable cover 14.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£150­200

88 THREE TREEN CASTERS OR MUFFINEERS LATE 18TH / 19TH CENTURY one possibly yew, of baluster form and with a pierced cover, together with an oak example with a screw­off foot, the third of bullet shape (3) 17.3cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

89 A GEORGE III TREEN SYCAMORE NEGUS STRAINER LATE 18TH CENTURY with a pierced bowl 23cm wide Provenance The Geoffrey Chesters Collection of Treen.

Catalogue Note ‘Negus’ was a beverage imported by Colonel Francis Negus.

It was made from wine, spices, lemon and hot water and was popular in the 18th and 19th centuries.

£100­150

37

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90

91

90

91

A GEORGE III TREEN APPLE GOBLET C.1780­1800

A SCANDINAVIAN TREEN BURR BIRCH POT AND COVER EARLY 19TH CENTURY

with a turned stem and a slightly domed foot 10.5cm high Provenance Purchased from Mark Seabrook Antiques.

The Geoffrey Chesters Collection of Treen.

turned in the form of a barrel, the body with ribbed and reeded bands 12.8cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

£100­150

92

93

A SWEDISH TREEN BURR BIRCH BUTTER TUB MID­19TH CENTURY

A SWEDISH TREEN BIRCH SPICE GRINDER EARLY 19TH CENTURY

the lid with a bone lock, the body with reeded bands 10.3cm high (max).

in three parts, with a turned pestle handle, with two pierced grating plates, with a screw­off base 14.7cm

92

Provenance The Geoffrey Chesters Collection of Treen.

£100­150

Provenance Purchased from Mark Seabrook Antiques.

The Geoffrey Chesters Collection of Treen.

£100­150

END OF COLLECTION 93 38

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94

94

95

96

A SMALL COLLECTION OF GERMAN PAINTED AND CARVED PINE MODELS OF MUSHROOMS LATE 19TH CENTURY

A SILVERED MERCURY GLASS WITCH BALL LATE 19TH CENTURY

A BLUE GLASS WITCH BALL LATE 19TH / EARLY 20TH CENTURY

the bases applied with dried cones, moss and leaves and with printed titles in German and Latin, including: ‘Amanita muscaria’, ‘Boletus badius’ and ‘Lepiota procera’ (6) 22.5cm high (max)

26.5cm diameter

£100­150

27cm diameter

£100­150

£400­600

95

96

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97

97 A PAIR OF VICTORIAN COCK FIGHTING PAINTINGS ENGLISH SCHOOL, LATE 19TH CENTURY oil on canvas, each in a giltwood frame (2) 11.5 x 14.1cm

£100­150 98 AN EARLY VICTORIAN WATERCOLOUR PAINTING OF A GARDEN ENGLISH SCHOOL, C.1840­50 depicting figures taking tea in the garden of a Georgian house, in a glazed bird’s eye maple frame 13.4 x 13cm

£100­150

98

99 A FOLK ART TÔLE NAIVE PIN PRICK PICTURE POSSIBLY AMERICAN, 19TH CENTURY depicting a pair of soldiers, holding hands, in an ebonised moulded frame 20 x 16.8cm

£80­120

40

99

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ENGLISH FURNITURE

& WORKS OF ART

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100 A WILLIAM AND MARY BLACK AND POLYCHROME JAPANNED CABINET ON STAND LATE 17TH / EARLY 18TH CENTURY AND LATER with engraved brass mounts, the front and sides painted with Delft style vases of flowers and floral sprays, with a pair of doors enclosing an arrangement of ten drawers around a central cupboard, enclosing three further drawers, painted with scrolling leaves and flowers, the stand with conforming decoration, on square section legs united by a shaped 'X' stretcher 168cm high, 104.5cm wide, 53cm deep Catalogue Note This rare cabinet painted with still lives of flowers in the Netherlandish manner is part of a small group of similar examples, all painted with colourful flowers in vases on a black japanned ground. It is unclear whether the workshop was based in England or Holland.

For similar cabinets see Adam Bowett, English Furniture 1660­1714, from Charles II to Queen Anne, p.163 pl.5:32, the J. Paul Getty Museum, Los Angeles, inv. 78. Da. 117, the V&A Museum, accession no. W.50:1­1948, a cabinet on stand formerly in the collection of the Duke of Buccleuch and Queensberry, sold at Christie's New York, 13th April 2000, lot 212 and illustrated in G. Beard and J. Goodison, English Furniture 1500­1840, p.38 and finally a cabinet formerly in the collection of Christian, Lady Hesketh, sold at Sotheby's, 7th March 2007, lot 25.

£8,000­12,000 42

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101

101 A GEORGE II BLACK AND POLYCHROME JAPANNED COFFER ON STAND EARLY 18TH CENTURY AND LATER with raised decoration of flowers, exotic birds and leaves, with a nashiji interior, the stand on cabriole legs and pad feet 99.5cm high, 138.7cm wide, 60cm deep Provenance Christie's, Hanham Court ­ A Pastoral Idyll, 14th April 2010, lot 30.

£800­1,200

102 A GEORGE II BLACK JAPANNED BOWFRONT HANGING CORNER CUPBOARD C.1750­60 gilt decorated with figures on horseback, the interior with three shelves 91.5cm high, 60cm wide, 40.5cm deep

£200­300

102 44

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103 A WILLIAM AND MARY BLACK JAPANNED CABINET ON STAND LATE 17TH CENTURY AND LATER with raised bantam work style gilt and polychrome decoration and engraved gilt brass mounts, with chinoiserie scenes with figures, birds and trees, deer, pagodas and a pair of ducks, with a pair of doors enclosing an arrangement of ten drawers, on an early 18th century giltwood stand 150cm high, 97cm wide, 63.5cm deep

£4,000­6,000

45

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104 A GEORGE II WALNUT BUREAU C.1730 the stepped interior with drawers, pigeonholes, secret pilaster compartments and a sliding well cover, the later baize lined writing surface above two short and two long drawers 105.3cm high, 97cm wide, 51.4cm deep

£800­1,200

105 A PAIR OF GEORGE I FRUITWOOD SIDE CHAIRS C.1720 probably cherry, each with a vase shaped splat above a drop­in seat, with a shaped front rail, on cabriole legs and pad feet (2) Provenance Acquired by the present owner from Millhouse Antiques, Halfway Bridge, nr. Petworth, 13th October 1982.

A Private Collection, London.

£300­500

106 A WALNUT CHEST ON STAND EARLY 18TH CENTURY AND LATER with cross and feather banding, fitted with an arrangement of six drawers, on cabriole legs 108cm high, 110cm wide, 63.5cm deep

£300­500

46

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107 A WILLIAM AND MARY BLACK JAPANNED CHEST ON STAND LATE 17TH CENTURY with gilt and red raised chinoiserie decoration, with exotic birds and figures in various pursuits, with two short and three long drawers, the stand with three drawers, on turned legs united by peripheral stretchers 155cm high, 104cm wide, 58cm deep Provenance Purchased from Anthony Fell, Norfolk.

£8,000­12,000 47

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108 A GEORGE II WALNUT BOWFRONT STANDING CORNER CUPBOARD C.1730 with a dentil moulded cornice, above a pair of feather banded doors, enclosing a later blue painted interior with two shelves, with a conforming base enclosing one shelf 213.4cm high, 94.4cm wide, 63.9cm deep Provenance Purchased from Robin Sanders, Hertfordshire, October 1981.

£800­1,200

109 A WALNUT TABLE CABINET EARLY 18TH CENTURY with a cross and feather banded top with a brass handle, above a conforming hinged door enclosing five drawers 38.7cm high, 49.2cm wide, 32.8cm deep

£500­800

48

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110 AN ANGLO-DUTCH BURR WALNUT BUREAU CABINET EARLY 18TH CENTURY cross and feather banded, the moulded broken arched cornice above a pair of panelled doors with three drawers, above a pair of candle slides, the hinged fall revealing a curved interior of pigeonholes and drawers, with a sliding well cover and three secret drawers, with a pair of loper drawers and three long inverted breakfront drawers, on bracket feet 233.5cm high, 99.3cm wide, 61cm deep

£3,000­4,000

111 A WILLIAM AND MARY WALNUT CUSHION FRAME WALL MIRROR LATE 17TH CENTURY the rectangular bevelled plate within a moulded slip, originally with a cresting 75.3 x 66cm

£500­800

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112 A CHARLES II NEEDLEWORK PICTURE C.1665 embroidered in fine petit point in polychrome wool and silks, depicting the fall of Icarus, with a lakeland scene, with a castle, a farmer plowing, a man fishing, a shepherd and shepherdess with their flock and Icarus falling from the sky while Daedalus is watching on in horror, in a cartouche border, later mounted on silk and applied with contemporary butterflies and snails, in a later glazed frame 30.5 x 27.5cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 3rd October 1978 for £850.

£1,000­1,500

113 A GEORGE II NEEDLEWORK PANEL C.1740 worked with figures, dogs and houses in a woodland setting with swans swimming in ponds, within a border of lozenges and stylised flowerheads on a red ground, with a later backing and bar for hanging 126 x 76cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 19th September 1973 for £750.

£1,500­2,000

50

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114 A WILLIAM AND MARY OYSTER VENEERED AND MARQUETRY CHEST LATE 17TH CENTURY with holly banding and inlaid with panels of scrolling foliage, with two short and three long drawers, on later bun feet, with a handwritten paper label, inscribed ‘This chest of drawers belongs to Mary Pryce Aug. 1946’, the back inscribed in chalk ‘Pryce Yarmouth’ 95.2cm high, 96cm wide, 57.3cm deep

£2,000­3,000

115 A GEORGE II WALNUT CENTRE TABLE C.1725­30 the quarter veneered top with cross and feather banding and a caddy moulded edge, above a concave frieze drawer, on shell capped legs and claw and ball feet 71.5cm high, 71.5cm wide, 47cm deep

£3,000­5,000

51

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116 TWO ELIZABETHAN NEEDLEWORK SLIPS C.1590 embroidered on canvas in gros and petit point in colourful silks and wool, one depicting a caped courtier holding a falcon in a formal Renaissance garden, with dogs chasing a rabbit, the other showing a courtly lady embroidering her canvas in a garden landscape setting, later mounted on a velvet panel and later moulded frames (2) 31 x 25.5cm Provenance A Private European Collection. Acquired from Mayorcas Ltd, 38 Jermyn Street, St James’s, London, 11th March 1986 for £1,000.

£500­800

117

118

AN EARLY VICTORIAN NEEDLEWORK SAMPLER POSSIBLY AMERICAN, DATED ‘1845’

A GEORGE I NEEDLEWORK BAND SAMPLER DATED ‘1723’

worked with coloured wool on a linen ground, with part alphabets, initials, trees, stags, houses and urns of flowers, signed ‘Elisabeth Graham’s Work 1845’, in a later glazed frame 43.7 x 33cm

worked with coloured silks and metal thread on a linen ground, with various crowns, alphabets, numerals and geometric designs and a band of darns, signed indistinctly ‘Jane Hoffler Sept 16 Ano Dom 1723’, in a later glazed frame 46.1 x 20.5cm

Provenance By descent, through the family of F. Shaw, Brothers Tanneries of America & Canada.

£200­300 52

Provenance By descent, through the family of F. Shaw, Brothers Tanneries of America & Canada.

£200­300

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119 A LOUIS XVI AUBUSSON TAPESTRY LATE 18TH CENTURY worked with a pair of ribbon tied medallions and an amorous couple, within floral swags and agricultural trophies 248 x 385cm Provenance Purchased from C. John, South Audley Street, London, 29th August 1997 for £28,000.

£4,000­6,000

120 A FRENCH TAPESTRY FRAGMENT PARIS, MID­16TH CENTURY worked with a scantily clad maiden or muse reclining on a daybed and holding a book, with drapes and an onlooking Atlante figure, with a later border 66.8 x 100.7cm Provenance Purchased from Sotheby's, Paris, 31st May 2021, lot 71.

£800­1,200

120 53

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121 A GEORGE II MAHOGANY COMBINED TEA AND GAMES TABLE C.1740 the twin­hinged demi­lune top revealing a baize lined playing surface, with dished counter wells, on a single gate support, the interior with apertures for inkwells and a pen tray, on turned legs and pad feet 72.2cm high, 80.2cm wide, 40cm deep

£700­900

122 A GEORGE II WALNUT OPEN ARMCHAIR MID­18TH CENTURY with a scroll top rail, above a pierced splat, with shepherd’s crook arms, above a drop­in seat, on cabriole front legs and pad feet

£400­600

123 A GEORGE II MAHOGANY DINING TABLE C.1740­50 the oval drop­leaf top on turned legs and pad feet 72.3cm high, 122 x 136.3cm (open)

£300­400

54

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124 A GEORGE II WALNUT WALL MIRROR C.1730 the arched bevelled plate within a giltwood slip and a moulded frame, the fret arched top with a gilt rondel, the base with a pair of brass sconces 107.7 x 49.5cm

£1,000­1,500

125 A PAIR OF GEORGE II WALNUT SIDE CHAIRS IN THE FRENCH ROCOCO MANNER MID­18TH CENTURY each with a cartouche shaped back, carved with scrolls and leaves, on cabriole legs, in need of re­upholstering (2)

124

£1,000­1,500

125

55

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127

126

126

127

128

TWO MAHOGANY FRET-FRAME MIRRORS 18TH CENTURY AND LATER

A GEORGE III MAHOGANY BEDSIDE TABLE LATE 18TH CENTURY

A PAIR OF MAHOGANY DEMI-LUNE CONSOLE TABLES MID­18TH CENTURY

fitted with a drawer 73.7cm high, 34.3cm wide and deep

on turned legs and pad feet, formerly the ends of a dining table (2) 70.2cm high, 121.5cm wide, 52.6cm deep

one with a bevelled plate and a gilt ho­ho bird (2) 96.5 x 48cm (max)

£150­250

£100­150

£300­400

128 56

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129 A GEORGE II MAHOGANY HARLEQUIN TABLE IN THE MANNER OF THOMAS POTTER, C.1740 the crossbanded hinged fold­over top revealing an interior, with a rising cartonnier fitted with pigeonholes and drawers, the interior probably originally with a lined writing surface, on lappet carved legs and pad feet, on sunken leather roller castors 74.7cm high, 79.2cm wide, 41.3cm deep Catalogue Note The harlequin multi­purpose mechanical table was named after the master­of­disguises in the 18th Century Commedia dell'Arte theatre.

A related design for a harlequin table of this form is included on the trade card of Thomas Potter (d.1782), cabinet­maker of High Holborn (now in the Victoria and Albert Museum, ref. no. E.2320­1889).

See Adam Bowett, Early Georgian Furniture 1715­1740, p.265, pl.5 for a similar example.

£800­1,200

130 AN EARLY GEORGE III MAHOGANY SIDE TABLE C.1760­70 with a pair of frieze drawers, on chamfered legs and leather roller castors 75cm high, 90.7cm wide, 54.2cm deep

£400­600

57

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131 A GEORGE II MAHOGANY ARCHITECT’S TABLE MID­18TH CENTURY the twin hinged top on a ratchet, fitted with an integral rest, the pull­out front revealing a sliding writing surface, with divisions 78.4cm high, 105.9cm wide, 67cm deep

£800­1,200 132 A MAHOGANY TRIPOD TABLE GEORGE II AND LATER

131

the revolving needlework tilt­top worked with an urn and flowers, on a gun barrel stem 73.8cm high, 81.6cm wide, 62.3cm deep

£500­800 133 A MAHOGANY KNEEHOLE DESK MID­18TH CENTURY AND LATER fitted with a brushing slide, above an arrangement of eight drawers around a central cupboard 80cm high, 92cm wide, 51cm deep

£800­1,200 133A AN EARLY GEORGE III MAHOGANY SIDE CHAIR C.1770 with a pierced ladder back, above a tapestry drop­in seat, on chamfered front legs united by an ‘H’ stretcher

£200­300

132

133 58

133A

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134 A GEORGE II MAHOGANY KETTLE STAND C.1750 the hexagonal fixed top with a moulded edge, originally with a gallery, on a ring and fluted turned stem and scroll tripod supports 54.5cm high, 42cm diameter Provenance Purchased from Robin Sanders, Hertfordshire, 10th March 1981.

£800­1,200

135 AN EARLY GEORGE III MAHOGANY BACHELOR’S CHEST C.1760­70 the crossbanded top with a caddy moulded edge, above a brushing slide, with three long drawers, with original brass bat’s wing handles and escutcheons (one missing), on ogee bracket feet and brass roller castors 74cm high, 69.2cm wide, 39.6cm deep

£600­800

59

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136 A GEORGE II MAHOGANY KNEEHOLE DESK C.1750 the caddy moulded top above an arrangement of eight drawers, surrounding a central cupboard door enclosing a shelf, on bracket feet 78.2cm high, 76.2cm wide, 50cm deep

£800­1,200

137 A MAHOGANY TRIPOD TABLE MID­18TH CENTURY, TOP AND BASE ASSOCIATED the circular tilt­top with a pie­crust moulded edge, on a turned stem, with a spiral fluted bowl, on cabriole legs 64.8cm high, 72.5cm diameter

£200­300

138 A LATE GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE LATE 18TH / EARLY 19TH CENTURY the shaped gallery pierced with three handgrips, above a cupboard and a converted pull­out base 76.3cm high, 50.5cm wide, 45.5cm deep

£200­300

60

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139 A GEORGE II MAHOGANY LIBRARY ARMCHAIR ATTRIBUTED TO PAUL SAUNDERS, C.1755­60 the padded arched back, serpentine seat and armrests covered in damask fabric, with outscrolling arms carved with acanthus leaves, with a cabled edge and with shell terminals, the frieze with a lattice ground carved with Rococo ‘C’ scrolls, shells and leaves, on shell capped cabriole front legs terminating in scrolled toes, on later brass castors 101.8cm high, 70.5cm wide, 67.2cm deep Provenance Dreweatt Neate, 22nd March 1995, lot 87.

From the collection of the late Dr. Gordon Pack.

Catalogue Note This chair is conceived in the fashionable French style of the mid­18th century which was popularised by Thomas Chippendale in ‘The Gentleman and Cabinet­ Maker’s Director’ published in 1754. The present lot bears similarities to a suite of furniture previously in the collection of Sir John Ward of Dudley House attributed to William Bradshaw or his partner Paul Saunders.

Paul Saunders was one of the most important suppliers of upholstered furniture of the 1750s and 1760s. He was based around Carlisle House, Soho Square and 59 Greek Street and established a large workshop. He worked for many high profile clients, including 1st Earl of Leicester and the Earl and Countess of Egremont.

See Christie’s New York, 11th June 2010, lot 428 for a similar pair of armchairs.

£4,000­6,000 61

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140 A GEORGE II MAHOGANY BACHELOR’S CHEST C.1750­60 the top with a moulded edge, above a brushing slide and four long drawers 78.3cm high, 76cm wide, 45.5cm deep

£1,200­1,800

141 A MAHOGANY TRIPOD TABLE MID­18TH CENTURY AND LATER the rectangular tilt­top revolving on a birdcage, with a spiral fluted stem, on cabochon carved cabriole legs and claw and ball feet 71.2cm high, 64cm wide, 43.6cm deep

£300­500

142 AN EARLY GEORGE III MAHOGANY KNEEHOLE DESK C.1760­70 fitted with an arrangement of nine drawers around a central cupboard 80.8cm high, 97cm wide, 46.2cm deep

£300­500

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143 A GEORGE III MAHOGANY BUREAU BOOKCASE CHIPPENDALE PERIOD, C.1770 with a fretwork swan neck cornice, above a dentil moulding and a pair of astragal glazed doors enclosing three adjustable shelves, the hinged fall revealing an interior fitted with pigeonholes and drawers, with a central cupboard and a later baize lined writing surface, above two short and three long drawers 242.3cm high, 112.8cm wide, 59.7cm deep

£1,000­1,500

144 AN EARLY GEORGE III MAHOGANY READING TABLE CHIPPENDALE PERIOD, C.1760 AND LATER the leather lined top with an adjustable rest, on a sliding ratchet, on an adjustable support, the fluted stem carved with acanthus leaves, on conforming cabriole legs and claw and ball feet 140.4cm high (max), 54cm wide

£2,000­3,000

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145 A PAIR OF EARLY GEORGE III MAHOGANY SIDE CHAIRS POSSIBLY IRISH, C.1760­70 the pierced splat back carved with bells, scrolls and leaves, above a drop­in seat, on moulded and chamfered front legs (2)

£300­400

146 A GEORGE III MAHOGANY STANDING CORNER CUPBOARD C.1770 with an arched astragal glazed door enclosing a later painted interior with three shelves, above a cupboard door, enclosing a further shelf 207.7cm high, 91.7cm wide, 46cm deep

£500­700

147 A GEORGE II MAHOGANY BACHELOR’S CHEST C.1750­60 the top with a moulded edge, above a brushing slide and four long drawers 78.4cm high, 81.5cm wide, 48.2cm deep

£600­800

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148 A GEORGE III KINGWOOD AND MARQUETRY SIDE TABLE ATTRIBUTED TO PIERRE LANGLOIS, THIRD QUARTER 18TH CENTURY with ormolu mounts, the shaped top with harewood panels flanking a burr elm oval panel inlaid with ribbon tied flowers in various fruitwoods, the serpentine frieze with a conforming panel of flowers and leaves, on cabriole legs 73.3cm high, 105.5cm wide, 58cm deep Catalogue Note Pierre Langlois (1718­1767) of Tottenham Court Road, London, was one of the leading cabinet makers of the mid­18th century. He produced a wide range of furniture in the French manner, specializing in commodes in the Louis XV / XVI styles, inlaid with floral marquetry and with gilt bronze mounts. His clients included the Duke of Bedford at Woburn Abbey, the Earl of Coventry at Croome Court and the Duchess of Northumberland at Woburn.

See Ralph Edwards, The Dictionary of English Furniture, vol.III, p.298, fig.72 for a similar table.

£2,000­3,000

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149 A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS C.1770­80 each with a pierced splat carved with Prince of Wales plumes, above a drop­in seat (2)

£150­250

150 A PAIR OF MAHOGANY SIDE CHAIRS IN HEPPLEWHITE STYLE PROBABLY 19TH CENTURY each with a cartouche shaped back, with triple vertical pierced splats, centred with flowerhead paterae, above a stuffed over seat, on stop fluted and stiff leaf carved front legs, with guilloche ankles, the back left leg stamped ‘7496’ (2) Provenance By repute, Earl of Yarborough, Arlington Street, London W1.

£200­300

151 A PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS HEPPLEWHITE PERIOD, LATE 18TH CENTURY each with a padded back, seat and armrests, on moulded supports (2)

£3,000­5,000

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152 A RARE DIMINUTIVE GEORGE III MAHOGANY SERPENTINE SIDEBOARD ATTRIBUTED TO THOMAS SHEARER, C.1780 inlaid with stringing, the crossbanded top above a long frieze drawer and two small drawers, on panelled square tapering legs and spade feet 76cm high, 102.4cm wide, 54.4cm deep Provenance The Wallace Family, Eden Park, Batheaston, Bath, Somerset.

Purchased from Haughey Antiques at the Lapada Fair, October 1991.

£2,000­3,000

153 AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760 the circular tilt­top above a fluted stem and a spiral ribbed bowl, on scroll decorated legs and feet, on brass roller castors 73.7cm high, 86.5cm diameter Provenance Property from a Sibyl Colefax & John Fowler Interior, London.

Dreweatts, Fine Furniture, 10th December 2020, lot 602.

£1,000­1,500

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154 AN EARLY GEORGE III MAHOGANY HANGING CORNER CUPBOARD C.1760 the moulded cornice above an astragal glazed door, enclosing three shelves, with canted glazed angles, with mahogany backboards 112.2cm high, 84cm wide, 48.5cm deep Provenance Purchased from Avon Antiques, 20th January 1989.

£500­800

155 AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760 the hexagonal tilt­top on a vase turned stem and pad feet 70.3cm high, 77cm wide

£200­300

156 AN EARLY GEORGE III MAHOGANY CHEST C.1770 the top with a moulded edge, above four long drawers 80.3cm high, 81.8cm wide, 45.7cm deep

£700­900

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157 A GEORGE III MAHOGANY URN STAND C.1775 with a pierced fretwork gallery above a pull­out slide, on square tapering legs applied with pierced brackets 64.5cm high, 29cm square Provenance Purchased from Robin Sanders & Sons, Fulham Road, London, February 1986.

£600­800

158 A GEORGE III MAHOGANY SILVER TABLE IN THE MANNER OF THOMAS CHIPPENDALE, C.1760­70 the serpentine top with a pierced gallery, above a plain frieze, on leaf and fishscale carved legs united by a pierced stretcher, stamped to one rail ‘crown R’ 73.7cm high, 74cm wide, 49.5cm deep Provenance Private Collection, Berkshire.

Dreweatts, Fine Furniture, 10th December 2020, lot 580.

£1,000­1,500

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159

open 159

160

A GEORGE III PINE CABINET MAKER’S TOOL CHEST LATE 18TH CENTURY

A GEORGE III MAHOGANY SIDE CABINET C.1800

the hinged lid revealing a mahogany lined interior, with kingwood banding and barber’s pole stringing, the underside of the lid inlaid with an oval satinwood panel, with fan spandrels, the interior with two sliding compartments, fitted with various drawers and compartments 68cm high, 106cm wide, 69cm deep

with reeded decoration, with a pair of oval panelled doors, each enclosing a shelf, flanking a central pleated silk panelled door enclosing two adjustable shelves, on ribbed tapering legs 91.9cm high, 124.5cm wide, 30cm deep Provenance Acquired by the present owner from Sotheby’s London, Good English Furniture, 11th November 1988, lot 81.

A Private Collection, London.

£800­1,200

£400­600

160 70

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161 A GEORGE III MAHOGANY LINEN PRESS C.1770­80 with a dentil and pendant cornice, above a pair of oval panelled doors, enclosing four oak slides, the base with two short and two long drawers 197.8cm high, 126.9cm wide, 57cm deep

£1,000­1,500

162 A GEORGE III SCOTTISH MAHOGANY SERPENTINE SIDE TABLE C.1790­1800 inlaid with stringing, with a central ash lined frieze drawer flanked by false fronts, on square tapering legs with side stretchers and applied ankles 73cm high, 107cm wide, 54.5cm deep

£300­400

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163 A GILTWOOD WALL MIRROR IN ROCOCO STYLE PROBABLY 19TH CENTURY the later plate flanked by columns, within a ‘C’ scroll, leaf, rocaille and branch frame, with a pagoda style surmount 170 x 85.8cm Provenance Purchased from Arthur Brett and Sons, Norwich, 16th September 1997.

£2,500­3,500

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164 A GEORGE III GILT CARTON PIERRE WALL MIRROR C.1775 the oval plate within an interlaced leaf, scroll and husk frame, with an urn surmount, mounted on a board 151 x 82cm

£500­800

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165 165

166

167

A PAIR OF GILTWOOD WALL MIRRORS IN ROCOCO STYLE

BY ANTHONY REED OF BATH, 20TH CENTURY

A GEORGE III MAHOGANY KNIFE BOX C.1800

A GEORGE III SATINWOOD KNIFE BOX C.1800

inlaid with stringing and kingwood banding, the sloping hinged lid revealing a later interior converted for stationery 39.5cm high, 23.1cm wide, 29cm deep

inlaid with stringing and kingwood banding, the slope inlaid with a marquetry conch shell, the interior with a parquetry star and a matrix with thirty­seven apertures 36.2cm high, 23cm wide, 27cm deep

the frame decorated with laurel leaves, ‘C’ scrolls and rocaille, the back with a printed paper label (2) 117.8 x 66.2cm Provenance Purchased from Anthony Reed on the 7th October 1998.

£800­1,200

166 74

£100­150

Provenance From the collection of the late Dr. Gordon Pack.

£100­200

167

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168 A GEORGE III MAHOGANY CUTLERY URN C.1790­1800 of faceted form, inlaid with feather, barber’s pole and dogtooth stringing, the rising lid with an ebonised urn finial, revealing apertures for knives, with a silver escutcheon and plaque, the plaque engraved with initials 61.8cm high, 26cm wide Provenance Purchased from Millhouse Antiques, nr. Petworth, 23rd February 1982.

£800­1,200

169 A GEORGE III BRASS TEA URN C.1770 of faceted vase shape, with a pair of handles, the tap stamped ‘84’, the interior silvered 36.3cm high Provenance Purchased from Stephen Foster, 14th June 1990.

£200­300

170 A GEORGE III YEW TRAY LATE 18TH CENTURY quarter veneered and with a laminated fret gallery, pierced with twin handgrips 40cm x 58.7cm

£300­400

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171

172

A PAIR OF GEORGE III ORMOLU CANDLESTICKS IN THE MANNER OF MATTHEW BOULTON, C.1770

A GEORGE III MAHOGANY PLATE BUCKET C.1800

each in the form of an urn, with a fluted neck, with lion’s mask ring handles and laurel swags (2) 14.9cm high

the pierced body with brass mounts and a swing handle 32.3cm high, 30cm diameter

£600­800

£800­1,200

173 A GEORGE III MAHOGANY OVAL TRAY IN THE MANNER OF THOMAS CHIPPENDALE, C.1770­80 crossbanded and inlaid with ebonised stringing, with a laminated wavy gallery 51 x 67.7cm

£200­300

174 A PAIR OF GEORGE III ORMOLU CANDLESTICKS IN THE MANNER OF MATTHEW BOULTON, C.1770 each in the form of an urn, with a fluted neck, with lion’s masks and laurel swags (2) 14.7cm high

£600­800 76

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175 A GEORGE III DERBYSHIRE BLUE JOHN URN LATE 18TH / EARLY 19TH CENTURY AND LATER of ovoid shape, on a later socle and panelled plinth, with an Ashford black marble stepped base 29.5cm high

£3,000­4,000

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176 A GEORGE III MAHOGANY SECRÉTAIRE BOOKCASE C.1790 inlaid with boxwood stringing, the detachable cornice with a broken swan neck pediment and a central turned mahogany urn, above a banded frieze inlaid with three paterae, above a pair of astragal glazed doors decorated with penwork Prince of Wales plumes of feathers, enclosing a later silk lined interior with adjustable shelves, the crossbanded fall with later brass handles, the satinwood interior with drawers and pigeonholes with chequered stringing, the base with a pair of rectangular doors with circular panels, enclosing two short and one long drawer, on bracket feet 284.5cm high, 137cm wide, 63cm deep Provenance Acquired in 1970 from Denys Wrey Antiques, Sloane Street, London.

Woolley and Wallis Salisbury Salerooms, English and Continental Furniture, 15th May 2007, lot 493.

£2,000­3,000

177 A GEORGE III MAHOGANY WORK TABLE IN THE MANNER OF THOMAS SHEARER, C.1780 inlaid with stringing and satinwood banding, the serpentine top inset with an oval flame mahogany panel, above a frieze drawer, originally with divisions and a bag slide, on splay legs and moulded feet 71.5cm high, 52cm wide, 39.5cm deep Provenance Acquired by the present vendor from Ronald Phillips Ltd., 26 Bruton Street, London, 22nd November 1985.

A Private Collection, London.

£1,000­1,500

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λ 178 A GEORGE III HAREWOOD AND MARQUETRY CARD TABLE IN THE MANNER OF MAYHEW & INCE, C.1780­90 with rosewood and kingwood crossbanding, the fold­over demi­lune top inlaid with scrolling leaves and flowers, and centred with a ribbon tied laurel leaf surrounding a coat of arms for William Masterman of Leyton, revealing a later baize lined playing surface, on twin gate supports, the flowerhead guilloche decorated frieze centred with a female blackamoor bust crest, on square tapering legs inlaid with flowers and leaves 75.8cm high, 99.5cm wide, 49.5cm deep Catalogue Note William Masterman (d.1845) was a banker of Quaker origins, he married Lydia, daughter of Daniel Mildred, a merchant of London. He purchased Leyton House from the Bertie family in 1788 which subsequently became Barclay Park. The banking firm of Masterman, Peters, Mildred and Masterman was based in Lombard St. London between 1779 and 1865.

£4,000­6,000

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179 A GEORGE III MAHOGANY PEMBROKE TABLE C.1790 the top crossbanded and inlaid with barber’s pole stringing, with a central fan patera, above a frieze drawer with a paper label, inscribed in pencil ‘H. P. C. Clark, left him by his uncle, John Chichester, Dec. 1932’, on brass castors 72.5cm high, 71.2cm wide, 98cm deep Provenance The Property of a Gentleman.

£1,000­1,500

180 A GEORGE III SATINWOOD WORK TABLE SHERATON PERIOD, C.1790­1800 the rectangular top inset with a leather writing surface and with a rising screen, the side drawer with divisions for pen and ink, the front with a pull­out slide, the left side with a silk lined pull­out work bag 78cm high, 58.3cm wide, 40.5cm deep Provenance Purchased from John Bly Antiques, Bury Street, London, 18th August 1997.

£600­1,000

80

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181 181

182

A LATE GEORGE III MAHOGANY OVAL BREAKFAST TABLE C.1800

A GEORGE III PAINTED DEMI-LUNE DRESSING TABLE LATE 18TH CENTURY

the tilt­top crossbanded in satinwood and with a moulded edge, above a turned stem and on four reeded legs terminating in brass caps and castors 72cm high, 153 x 122cm

decorated with bands of ribbon tied laurel leaves and roses, the mahogany lined frieze drawer fitted with lidded compartments and divisions and with a hinged pen and ink side compartment, on turned legs and leather roller castors 78.8cm high, 114cm wide, 67.3cm deep

£800­1,200

£3,000­5,000

182 81

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183 A GEORGE III JAPANNED LONGCASE CLOCK WILLIAM LAWRENCE OF THAME, C.1760 the brass eight day movement with four turned and finned pillars, with an anchor escapement striking on a bell, the twelve inch brass arched dial with a silvered chapter ring, with Roman and Arabic numerals, the matted centre engraved with birds and with a subsidiary seconds dial and a date aperture, signed ‘Wm Larance Thame’, with a painted moonphase dial, the case decorated in gilt and polychrome with chinoiserie scenes and with 18th century figures, with gilt metal ball finials 245cm high Catalogue Note William Lawrence was active between 1740­1770.

£800­1,200

184 AN EBONISED BRACKET CLOCK

BY NATHANIEL SEDDON, EARLY 18TH CENTURY AND LATER the brass eight day movement with an anchor escapement, striking on a bell, the backplate engraved with scrolls and a basket of fruit, the arched dial with a silvered chapter ring, with Roman and Arabic numerals, with pierced handles, signed ‘Nathan Seddon at St. James’s’, the moulded case with brass and fretwork panelled sides 39.8cm high, 25.8cm wide Catalogue Note Nathaniel Seddon was sworn into the Worshipful Company of Clockmakers as a free Brother in 1691­92. He is known to have worked until c.1739.

£2,000­3,000

183 82

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185 A GEORGE III MAHOGANY AUTOMATON BRACKET CLOCK

BY FRANCIS DORRELL LONDON, C.1760­70 the brass eight day movement with a pull­repeat and a verge escapement striking on a bell, the backplate finely engraved with Rococo motifs, including: a ho­ho bird, a basket of flowers, scrolls and a pagoda, the seven inch arched dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a date aperture and signature panel, inscribed ‘Francis Dorrell, London’, the arch with a painted village scene with a pond and figures, one baiting a goose with a stick, the moulded case with fretwork panels, the pagoda top with a brass handle 48.7cm high, 29cm wide, 18.7cm deep Catalogue Note Francis Dorrell worked in Whitecross Street, he was apprenticed in 1731 and was free of the Clockmakers’ Company 1755­1780.

£3,000­5,000

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186 A RARE GEORGE III BOTANICAL FAN PUBLISHED BY SARAH ASHTON LONDON, C.1792 ‘The Botanick Fan’, hand­coloured engraving on paper, depicting the sexual anatomy of plants, arranged according to the Swedish botanist, Carl Linneaus’s classification specimens, with eight lines of a lettered verse from Darwin’s ‘Botanic Garden’, with boxwood guards and sticks, later mounted in a glazed gilt faux bamboo frame 46cm wide Catalogue Note The name of the fan comes from lines of the poem printed on the leaf, ‘The Botanic Garden’ by Erasmus Darwin, grandfather of Charles Darwin.

The Botanic Garden was intended to pique the readers’ interest in science whilst educating them at the same time. Whereas Linneaus’ classification focused on male plants, Darwin gave female plants a central role. It has been argued that the poem encouraged women to engage in scientific pursuits.

186

Sarah Ashton was a prominent publisher of fan leaves in the late 18th century from her business in Little Britain, near St. Martin’s Court, Covent Garden. She was admitted in 1770 into The Worshipful Company of Fan Makers and carried on the printing business after her husband’s death.

For an identical fan, see the V & A Museum, accession number E. 3191­1938.

£300­500 187 SALISBURY THEATRE INTEREST. A GEORGE III SILK PLAYBILL PROGRAMME PRINTED BY COLLINS, DATED ‘1791’

187

188

inscribed ‘for the benefit of Miss Fontenelle, Theatre, Salisbury. On Wednesday, Feb. 2, 1791 will be presented..., Confederacy and ... agreeable surprize’, in a later glazed frame 33 x 26cm Provenance From the Collection of the late Tony Dove.

£80­120 188 FIVE GEORGE III REVERSE GLASS PRINTS C.1800 comprising: a view of a lady in a classical landscape, accompanied by cherubs, in a giltwood frame, together with a pair, titled ‘The Element of Earth’ and ‘The Element of Air’ by J. Simon, ‘Evening’ published by P.Stampa, and a picture depicting an early 18th century family group (5) 35.6 x 26cm (max)

£200­300 189 A REGENCY REVERSE GLASS PRINT C.1810

189

84

depicting the radical MP, Sir Francis Burdett, with Britannia, titled ‘The Genius of Brittain, appointing Sir Francis Burdett, to protect the Rights of English Men’, published by W.B. Walker, in an ebonised Hogarth type frame 25 x 34cm

£100­150

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190 FIVE GEORGE III REVERSE GLASS PRINTS LATE 18TH CENTURY titled ‘Musick’, ‘Sculpture’, ‘Poetry’ and ‘Astronomy’ and one for ‘Architecture’ but lacking title, three printed for ‘John Bowles & Son’, in moulded frames (5) 25.5 x 36cm (max)

£300­500

85

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191 TWO GEORGE III EBONISED HAND SHAVING MIRRORS POSSIBLY NAVAL, LATE 18TH / EARLY 19TH CENTURY each with a circular concave plate, one with a reeded frame, both with a turned baluster handle and a brass suspension ring, one with the remains of a paper trade label for ‘James Lynch, Capel Street, Dublin’ (2) 17.3cm diameter (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£200­300

λ 192 A GEORGE III MAHOGANY HAND MIRROR LATE 18TH / EARLY 19TH CENTURY with an oval plate, together with two magnifying glasses, one ebonised, the other with a rosewood handle (3) 26.3cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

193 A GEORGE III EBONISED WOOD HAND SHAVING MIRROR POSSIBLY NAVAL, LATE 18TH / EARLY 19TH CENTURY with a circular concave plate within a reeded frame, with a baluster turned handle and a brass suspension ring, together with a similar smaller double sided optical hand mirror, with a concave and a flat plate (2) 15.3cm diameter (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250

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FIREPLACE FURNITURE & DOORSTOPS

194 194 A REGENCY IRISH BRASS FENDER EARLY 19TH CENTURY with a railed top with turned supports, above a pierced and engraved front decorated with griffins supporting a shield, with scrolling leaves and flowers, on paw feet 39.5cm high, 154cm wide, 36.3cm deep Provenance Purchased from Avon Antiques, Bradford on Avon, 1st March 1987.

£800­1,200

195 A LARGE WICKER LOG BASKET 20TH CENTURY with a pair of loop handles, on castors 97.4cm high, 93.5cm wide

£300­400 195

196 A BRASS SERPENTINE FENDER IN GEORGE III STYLE LATE 19TH CENTURY with pierced and engraved decoration, with ribbon tied bell flowers, paterae and with a beaded border, each end with a pair of implement rests, together with a pair of brass andirons, a pair of bellows and various brass fire tools (13) 52.5cm high, 152.2cm wide, 32.3cm deep (max) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£100­150 196 87

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197

197 A GILT METAL CLUB FENDER 20TH CENTURY with button upholstered green leather seats and a railed front 53.2cm high, 154cm wide, 49cm deep (external)

£400­600

198 A PAIR OF DUTCH BRASS ANDIRONS IN BAROQUE STYLE, 19TH CENTURY each with turned and ball decoration, above a portrait bust of a King (2) 53.4cm high, 28cm wide, 56.5cm deep

£150­250

198

199 A REGENCY CAST IRON FIRE GRATE EARLY 19TH CENTURY decorated with leaves and anthemion motifs 28.5cm high, 55cm wide, 29cm deep

£150­250

199

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200

200 A BRASS ADJUSTABLE CLUB FENDER FIRST HALF 20TH CENTURY with leather seats and with railed supports 47.8cm high, 145cm wide, 47.3cm deep (external)

£400­600

201 A PAIR OF BRASS AND CAST IRON FIRE DOGS IN GEORGE III STYLE, LATE 19TH CENTURY each with a spiral fluted urn and on ram’s leg front supports (2) 47cm high, 27.5cm wide, 22.7cm deep

£200­300

201

202 A CAST IRON AND STEEL FIRE GRATE IN 18TH CENTURY STYLE EARLY 20TH CENTURY with a serpentine rail front, with brass flaming urn finials and Rococo decoration 63cm high, 52cm wide, 27cm deep

£200­300

202 89

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203 A VICTORIAN BRASS COAL SCUTTLE LATE 19TH CENTURY the shovel with an ebonised wood handle 52.2cm high, 51.2cm wide

£150­200

203 204 A VICTORIAN CAST IRON DOORSTOP ATTRIBUTED TO COALBROOKDALE, C.1870 modelled with a knight standing under an arch, with a leaf decorated handle, with indistinct stamped marks 44.5cm high

£100­150

205 A WILLIAM IV BRASS DOORSTOP C.1835 decorated with a lyre, the stem and handle with anthemion motifs, on an iron base 43.6cm high

£150­200 204

205

206 A VICTORIAN BRASS DOG DOORSTOP LATE 19TH CENTURY with an iron base 32.3cm high

£100­150

206 90

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207

208

207 A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY with a brass ring handle 19.8cm high

£100­200

208 A CORNISH SERPENTINE DOORSTOP 20TH CENTURY

209

with a brass ring handle 22.9cm high

£100­150

209 A WILLIAM IV CAST IRON BOOT SCRAPER C.1835 together with another cast iron boot scraper (2) 21.8cm high, 46cm wide (max)

£100­150

210 A LARGE PAIR OF WIREWORK GARDEN URNS EARLY 20TH CENTURY each with a removable liner and traces of green paint (2) 90.2cm high, 77cm diameter

£800­1,200 210

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SNUFF BOXES & MAUCHLINE WARE

212 211

211 A PRESSED HORN SNUFF BOX 18TH CENTURY of canted rectangular form, the lid decorated with Venus, accompanied by winged cherubs holding grapes 9cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 212 TWO JAPANNED TÔLE SNUFF BOXES 19TH CENTURY

213

both with part hinged lids, one of oval form, decorated with a silhouette portrait bust, the other with a diamond lozenge, with an anchor (2) 11.7cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 213 TWO PAINTED TÔLE SNUFF BOXES 19TH CENTURY one in the form of a shoe, decorated with an anchor and a flower, the other painted to simulate horn, possibly American (2) 9.5cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 214 FOUR BRASS SNUFF BOXES 19TH CENTURY comprising: a naval example, engraved with a ship and inscribed ‘Capt. G. Griffen, Lyme Regis, Dorset, 1859’, one in the form of a bellows, a circular Regency example engraved with initials and dated ‘April 9th 1815’ and one with punched decoration (4) 8.3cm (max)

214 92

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

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215 A GEORGE II STEEL SNUFF BOX DATED ‘1734’ of octagonal form, the hinged lid inscribed ‘John Russet 1734’, the underside of the lid stamped with initials ‘TS’, possibly for Thomas Shaw of Birmingham 8.5cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£200­300

216 TWO GEORGE III STEEL SNUFF BOXES LATE 18TH CENTURY each of rectangular form, with canted corners, one inscribed and dated ‘Jno Wooton, High Wycomb, 1778’, the other plain (2) 10cm wide (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

217 A SCOTTISH HORN AND SILVER MOUNTED SNUFF MULL 19TH CENTURY unmarked, with a hinged lid, together with a horn snuff box in the form of a boot (2) 11.3cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

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218

219

218 A PAIR OF VICTORIAN SCOTTISH MAUCHLINE WARE SYCAMORE TEA CADDIES LATE 19TH CENTURY decorated with lake scenes, titled ‘Loch Leven Castle’ and ‘Ben Lomond’, formerly part of a tea chest (2) 12cm high, 10.7cm wide, 12.5cm deep

£80­120

219 A WILLIAM IV SCOTTISH MAUCHLINE WARE SYCAMORE AND PENWORK TEA CADDY ATTRIBUTED TO CRICHTON & CO. CUMNOC, C.1830­40 the hinged lid with a central landscape scene and with an allover foliage ground, the interior with a pair of lidded compartments 11cm high, 20.5cm wide, 13.2cm deep

£200­300

220 220

A VICTORIAN SCOTTISH FERNWARE EBONISED WOOD OCCASIONAL TABLE LATE 19TH CENTURY the top painted with ferns, together with a Tartanware occasional table, on faceted tripod supports (2) 70.7cm high, 54.2cm diameter (max)

£100­150

221 A VICTORIAN SCOTTISH MAUCHLINE WARE BURR SYCAMORE SNUFF BOX C.1860 the hinged lid decorated with a view of ‘Caerlaverock Castle’ 9.5 x 9.5cm

£150­250 221 94

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222 A VICTORIAN SCOTTISH MAUCHLINE WARE SYCAMORE AND PENWORK BOX

BY CHARLES STIVEN OF LAURENCEKIRK, EARLY 19TH CENTURY the hinged lid decorated with a large country house and a horse in a parkland landscape, with a vacant interior, stamped ‘C. Stiven, Lau.kirk’ 10.4cm high, 28.3cm wide, 18.7cm deep

£300­400 223 THREE SCOTTISH MAUCHLINE WARE SYCAMORE SNUFF BOXES 19TH CENTURY one with a lattice ground, the lid with initials ‘AH’, another penwork decorated with a Roman rider on horseback, the last decorated with ferns and with grouse on the hinged lid (3) 8cm wide (max)

222

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

223

224 A WILLIAM IV SCOTTISH MAUCHLINE WARE SYCAMORE TEA CADDY C.1835­40 the hinged lid decorated with figures in 17th century style, in an interior setting, with an outer band of leaves and flowers, the body with topographical landscapes, the interior originally with divisions, on later bone feet 15.7cm high, 22.7cm wide, 16.5cm deep

£200­300

224 225 JACOBITE INTEREST. A SCOTTISH MAUCHLINE WARE RELIC SNUFF BOX 19TH CENTURY the hinged lid with an applied label, inscribed ‘Warranted the wood of ..Ninian’s Steeple, which stood where the Kirk was burned by Prince Charlie’s men 1745’ 9.5cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

225

£150­250

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226 TWO EARLY VICTORIAN OAK RELIC SNUFF BOXES C.1840­50 one of disc form and inset with a silver plaque, engraved ‘A Relic of the Old Market House Brentford’, the other with an applied plaque, inscribed ‘’Relic of Royal George Sunk 1782 Raised 1840’ (2) 7cm max

226

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

227 A VICTORIAN TREEN ENGINE TURNED EBONY BOX MID­19TH CENTURY containing six ebony engine turned buttons (7) 7.5cm diameter Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

227 228 TWO LACQUERED PAPIER-MÂCHÉ SNUFF BOXES 19TH CENTURY one all over decorated in gilt with scrolling leaves, the other painted, possibly to simulate tortoiseshell (2) 9.5cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

228

£100­150

229 THREE FRENCH CARD AND REVERSE GLASS CONFECTIONERY BONBON BOXES C.1840­60 with brass mounts, one lid with a coloured reverse glass print, titled ‘La Suite de la Promenade’ (3) 14cm diameter Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

229 96

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230 A GERMAN LACQUERED PAPIER-MÂCHÉ SNUFF BOX

BY STOBWASSER, EARLY 19TH CENTURY the lid painted with Venus and Cupid, the interior signed and numbered ‘Stobwassers Fabrik 3307’ and titled ‘Schlafende Venus’ 9.4cm diameter

£600­800

231 A GERMAN LACQUERED PAPIER-MÂCHÉ SNUFF BOX

BY STOBWASSER, EARLY 19TH CENTURY the lid painted with Cupid and Psyche, the interior titled in gilt ‘Amor and Psyche’ and with the red initials ‘St’ 9.4cm diameter

£600­800

97

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CONTINENTAL FURNITURE WORKS OF ART & LIGHTING

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232 A PAIR OF FRENCH LOUIS XV BEECHWOOD BERGÈRES 18TH CENTURY each with a moulded frame, carved with leaves and flowers and later upholstered in corded green velvet (2)

£2,000­3,000

233 A NAPOLEON III FRENCH GILTWOOD STOOL AFTER A DESIGN BY FOURNIER, THIRD QUARTER 19TH CENTURY the later button upholstered seat above a rope twist base, on brass castors 47cm high, 48cm diameter

£400­600

234 A FRENCH WALNUT LOVE SEAT IN LOUIS XV STYLE 19TH CENTURY with a cane back and seat, the moulded frame carved with Rococo motifs 86.8cm high, 80.5cm wide, 47.5cm deep

£200­300

99

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235 A FRENCH MAHOGANY AND KINGWOOD COMMODE IN TRANSITIONAL STYLE LATE 19TH / EARLY 20TH CENTURY with ormolu mounts, the mottled grey marble top with a moulded edge, above a frieze drawer and a cupboard, enclosing a shelf 103cm high, 117.7cm wide, 52.7cm deep

£600­800

236 A FRENCH ‘EMPIRE’ MAHOGANY SECRÉTAIRE À ABATTANT MID­19TH CENTURY flame veneered, with a marble top above a frieze drawer, the interior with a leather lined surface and four drawers, above three further drawers 137.3cm high, 94.5cm wide, 39.3cm deep

£100­200

237 A FRENCH KINGWOOD SERPENTINE COMMODE IN LOUIS XV STYLE 19TH CENTURY with bronze mounts, the yellow marble top above two long drawers 81.2cm high, 111.7cm wide, 56.5cm deep

£300­500

100

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238 A FRENCH KINGWOOD AND MARQUETRY VITRINE IN LOUIS XV STYLE LATE 19TH CENTURY of bombe form, with ormolu mounts and inlaid with scrolling leaves, flowers and insects, with a glazed door, enclosing a silk lined interior with four shelves 160.5cm high, 76.4cm wide, 36.5cm deep Provenance Bonhams 30th June 1983.

£1,000­1,500

239 A FRENCH KINGWOOD AND PARQUETRY BUREAU PLAT IN LOUIS XV STYLE LATE 19TH CENTURY with ormolu mounts, the top inlaid with a cube parquetry panel, above three conforming frieze drawers, on cabriole legs 76.9cm high, 101cm wide, 55.7cm deep

£1,500­2,000

101

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240 A FRENCH WHITE PAINTED AND GILTWOOD CANAPÉ IN LOUIS XV STYLE 19TH CENTURY covered in gold silk damask fabric, the moulded frame decorated with leaves, scrolls and flowers 103.9cm high, 139cm wide, 70cm deep

£400­600

241 A FRENCH GILTWOOD BERGÈRE IN LOUIS XVI STYLE LATE 19TH CENTURY the moulded frame carved with leaves and with a ribbon tied laurel and flower wreath surmount

£300­500

242 A PAIR OF FRENCH GILTWOOD FAUTEUILS IN LOUIS XVI STYLE LATE 19TH CENTURY each with a ribbon moulded frame, carved with leaves and flowers, with a padded back, seat and armrests (2)

£600­800

102

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243

243

244

A PAIR OF FRENCH KINGWOOD AND ORMOLU MOUNTED CENTRE TABLES AFTER ADAM WEISWEILER, C.1900­20

A VICTORIAN WALNUT AND COROMANDEL BUREAU PLAT IN LOUIS XV STYLE C.1870 ­80

each with a marble top above a frieze drawer, decorated with swags, sphinx and female masks, on caryatid supports united by a pierced stretcher, with a central basket (2) 78.2cm high, 85cm wide, 50cm deep

with ormolu mounts and inlaid with floral marquetry, the quarter veneered top above a pair of frieze drawers 75.4cm high, 102cm wide, 57cm deep

£4,000­6,000

Catalogue Note See Christopher Gilbert, Furniture at Temple Newsam House and Lotherton Hall, vol.11, p.435, pl.434 for a very similar table.

£500­700

244 103

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245 A FRENCH KINGWOOD BUREAU PLAT IN LOUIS XV STYLE AFTER THE MODEL BY CHARLES CRESSENT, EARLY 20TH CENTURY with ormolu mounts with quarter busts of Roman centurions and with female masks, with panels of lattice parquetry and fitted with two frieze drawers, on cabriole legs 79.2cm high, 130.5cm wide, 74.5cm deep Provenance Purchased from Christie's, 10th October 1997, lot 620.

£2,000­3,000

105

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246 A FRENCH NAPOLEON III TULIPWOOD BONHEUR DU JOUR C.1860 with ormolu mounts and ten Sèvres style porcelain plaques, painted with flowers, fruit, birds and a cherub, with a frieze drawer, above cupboards enclosing shelves and two small drawers, above a pull­out slide and three frieze drawers, on cabriole legs united by an undertier 104.5cm high, 71.4cm wide, 47.3cm deep Provenance By repute, from the Rothschild family.

£5,000­7,000 107

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247

247 A NAPOLEON III EBONISED SIDE CABINET IN THE MANNER OF MATHIEU BEFORT, C.1850­60 with ormolu mounts and inlaid with brass marquetry, with a pair of glazed doors enclosing a shelf 107.4cm high, 139.8cm wide, 38.5cm deep

£1,000­1,500

λ 248 A FRENCH EBONISED AND BOULLE MARQUETRY SERPENTINE DISPLAY CABINET LATE 19TH CENTURY with gilt brass mounts and cut­brass marquetry, on a red tortoiseshell ground, with a hinged door enclosing a plush lined interior with a shelf 98.6cm high, 71.5cm wide, 43.5cm deep

£400­600

248 108

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249

249 A PAIR OF FRENCH GILTWOOD GIRANDOLE MIRRORS IN 18TH CENTURY STYLE 19TH CENTURY each with an arched plate, within a moulded frame decorated with ribbons and leaves, with a pair of twin­ light sconces (2) 90.4 x 51.8cm

£700­900

250 A FRENCH GILTWOOD WALL MIRROR IN LOUIS XV STYLE 19TH CENTURY the bevelled plate within a moulded frame carved with scrolling leaves 123.5 x 88cm

£300­500

250 109

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251

252

251

λ 252

253

254

A FRENCH BOULLE MANTEL CLOCK IN LOUIS XIV STYLE 19TH CENTURY

A FRENCH ORMOLU AND PORCELAIN LYRE MANTEL CLOCK IN LOUIS XVI STYLE LATE 19TH CENTURY

A FRENCH EBONISED MARQUETRY PORTICO CLOCK LATE 19TH CENTURY

A FRENCH MARBLE MANTEL CLOCK

BY CRONIER PARIS

the brass eight day drum movement

by Japy Frères, stamped ‘1430’ and with a medaille pastille, the circular enamel dial with Roman numerals, the case with ormolu mounts and Solomonic columns, under a glass dome (2) 44.4cm high

the brass eight day drum movement striking on a bell, stamped ‘CHVCNE 34630’, the circular dial with Roman and Arabic numerals, signed ‘Cronier à Paris’, the case with brass mounts, together with a French gilt and patinated bronze mantel clock by Hausberg (2) 35.5cm high, 33.8cm wide (max)

the brass eight day movement striking on a bell, the circular dial with enamel Roman numerals, the brass marquetry case inlaid with mother of pearl, with ormolu mounts and with a figural surmount 68.5cm high, 34.5cm wide

£800­1,200

the brass eight day drum movement, with an outside countwheel striking on a bell, stamped ‘2185’, the circular enamel dial with Arabic numerals, the case decorated with laurel and oak leaves and swags of flowers, together with a French tortoiseshell and brass Boulle marquetry mantel clock (2) 56cm high (max)

£300­400

£200­300

£400­600

253 110

254

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255 A NAPOLEON III GILT AND PATINATED BRONZE CLOCK GARNITURE

BY CHARPENTIER & CIE. PARIS, C.1870 the brass eight day drum movement striking on a bell, the backplate stamped 'Charpentier de Bronzes, 200 A Paris', the enamel dial with Roman and Arabic numerals, with pierced gilt hands, signed 'Charpentier & Cie. Bronzier A Paris, Rue Charlot 8', the white marble Louis XVI style case surmounted with two classical figures, one of a man holding a dagger, and a lady with a mask, with scrolling leaves and on toupie feet, together with a pair of figural six­light candelabra, each with a cherub seated on a rocky outcrop on a fluted plinth (3) the clock: 45cm high, 69cm wide the candelabra: 65.4cm high

£2,000­3,000

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257

256

256

A FRENCH ‘EMPIRE’ ORMOLU MANTEL CLOCK EARLY 19TH CENTURY the brass eight day drum movement with an outside countwheel striking on a bell, the circular white enamel dial with Roman numerals and blued steel hands, the case surmounted by a bust of a Roman warrior, with applied war trophies, palmettes and scrolls 43.2cm high

£400­600 257 A FRENCH ‘EMPIRE’ ORMOLU MANTEL CLOCK EARLY 19TH CENTURY the brass eight day drum movement stamped ‘262’, the circular dial with Roman numerals and an engine turned guilloche centre, the case modelled with a classical maiden holding a wreath over the bust of a Roman emperor, the front decorated with a rosette and scrolling leaves 24.2cm high, 18.2cm wide

£200­300 258 A FRENCH ‘EMPIRE’ ORMOLU URN MANTEL CLOCK EARLY 19TH CENTURY the brass eight day drum movement with an outside countwheel striking on a bell, numbered ‘2480’, with a circular enamel dial with Roman numerals, the case with swan neck handles and decorated with ribbon tied leaves and palmettes 39.6cm high Provenance Sotheby’s, ‘Elton John & His London Lifestyle’, 30th September 2003, lot 190.

£400­600 258 112

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259 A FRENCH ORMOLU AND PORCELAIN MANTEL CLOCK IN LOUIS XVI STYLE LATE 19TH CENTURY the brass eight day drum movement striking on a bell, the backplate stamped ‘Rollin à Paris’, the circular dial with Roman numerals, the case with porcelain panels painted with figures, flowers and portrait busts, with an urn finial, the base with scrolls and laurel leaves 24.6cm high, 20.2cm wide Provenance Purchased by the vendor's family from R. G. A. Wells, Horologist, Guildford on the 21st February 1949.

£300­500

260 A FRENCH GILT BRASS AND LIMOGES ENAMEL MANTEL CLOCK C.1870­80 the brass eight day movement striking on a gong, the backplate stamped with an anchor and numbered ‘297’, the enamel dial painted with musical trophies and an 18th century amorous couple, with Roman numerals, in an architectural case with turned finials, the back door with an applied plaque, inscribed ‘From the Officers Mess, 20th Decr 1888’ 37.8cm high, 21.2cm wide

£400­600

113

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261

262

261 A SET OF FOUR ORMOLU WALL LIGHTS IN ROCOCO STYLE 20TH CENTURY each with a single light, the backplate decorated with scrolls and flowers (4) 57.2cm high

£150­250

262 A SET OF FOUR ORMOLU WALL LIGHTS IN LOUIS XVI STYLE LATE 19TH / EARLY 20TH CENTURY each with a fluted column and urn backplate, issuing three branches with stiff leaf decorated sconces (4) 52.2cm high, 37cm wide

£500­800

263 A SET OF FOUR ORMOLU WALL LIGHTS IN LOUIS XVI STYLE 20TH CENTURY 263

each with an urn and fluted tapering column backplate and a scroll arm, the drip­pan stamped ‘Bronze Veritable’ (4) 29cm high

£100­150

114

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264 A PAIR OF FRENCH DIRECTOIRE MARBLE AND ORMOLU CANDLESTICKS C.1790 of urn form, each with a detachable cover with a cone finial, the bodies with serpent handles and stiff leaf decoration, on a turned base and a square plinth (2) 20.8cm high

£400­600

265 A PAIR OF GILT AND PATINATED BRONZE FIGURAL CANDELABRA LATE 18TH / EARLY 19TH CENTURY each with a winged cherub holding leaves and flowers, with twin lights, standing on a marble plinth, hung with chains and tassels (2) 47.7cm high

£300­500

266 A FRENCH ORMOLU AND PARIS PORCELAIN POT POURRI EARLY 19TH CENTURY the cover with a laurel leaf bud finial, above a pierced frieze, with a pair of Bacchus mask handles, on a triform base with grapevine swags and satyr monopodia supports 34.3cm high, 28cm wide

£1,000­1,500

115

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268

267 A FRENCH BLUE OPALINE GLASS AND ORMOLU OIL LAMP LATE 19TH CENTURY

267

with a cut­glass reservoir, stamped ‘No.1 Hinks Patent’, above a baluster body applied with satyr masks, on hairy paw feet, later fitted for electricity 65.3cm high (overall)

£200­300

268 A PAIR OF GILT BRASS WALL LIGHTS IN 19TH CENTURY STYLE POSSIBLY BY VAUGHAN, LATE 20TH CENTURY each in the form of a torch, with a globular opaline glass shade, stamped ‘MV’ (2) 26.5cm high, 18cm deep

£100­150

269 TWO FRENCH GILT AND PATINATED BRONZE FIGURAL TABLE LAMPS 19TH CENTURY AND LATER each with a classical maiden holding a torch, standing on a marble plinth, later fitted for electricity (2) 52.6cm high

£150­250

269 116

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270 A PAIR OF FRENCH ORMOLU FIGURAL WALL LIGHTS IN LOUIS XVI STYLE

BY LEROLLE FRÈRES, C.1860 each in the form of a cherub, with an entwined serpent’s tail supporting a fluted glass scallop shell, with a three­light fitting, the bronze numbered ‘R5409’ and the glass signed ‘Lerolle Frères Déposé’ (2) 58cm high, 28cm wide Catalogue Note Édouard­François and Camille Lerolle became Lerolle Frères when they purchased their father's bronze foundry in 1849.

At the 1849 Exhibition of Agricultural and Industrial Products they won a silver medal. They exhibited at many of the famous exhibitions in the second half of the 19th century and their work is characterised by a strong sculptural quality.

£4,000­6,000 117

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271 A LARGE PAIR OF FRENCH GILT AND PATINATED BRONZE FIGURAL CANDLEABRA IN EMPIRE STYLE 19TH CENTURY ELEMENTS AND LATER each in the form of a classical maiden supporting three light sconces, standing on a cylindrical plinth, relief decorated with a plaque of Pegasus (2) 75cm high

£800­1,200

272 A FRENCH BRONZE AND GILTWOOD ‘MONKEY BAND’ TABLE LAMP decorated with three figures, including a conductor and with a single light fitting 62.2cm high

£150­200

273 A REGENCY GILT AND PATINATED BRONZE INKSTAND EARLY 19TH CENTURY decorated with applied classical masks, with a pair of vases as inkwells, with screw­off covers, a lidded sarcophagus and two pen holders, on paw feet 12.9cm high, 21cm wide

£200­300

118

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274 A PAIR OF FRENCH ORMOLU CHENETS POSSIBLY LOUIS XV, C.1760 modelled with chinoiserie figures, on a Rococo leaf and scroll base (2) 30.5cm high, 25cm wide

£700­900

275 A PAIR OF DUTCH GILT BRONZE ANDIRONS LATE 18TH / EARLY 19TH CENTURY each of classical form with an urn with a flaming finial, the plinth base applied with portrait medallions, on scroll feet (2) 44cm high

£200­300

276 A PAIR OF FRENCH ORMOLU CHENETS IN RÉGENCE STYLE 19TH CENTURY each in the form of a dragon perched on a leaf, with a scroll and flower decorated base (2) 28.8cm high, 26.5cm wide

£500­700

119

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278 A FRENCH SATINWOOD AND CUT-STEEL NÉCESSAIRE PALAIS ROYAL, EARLY 19TH CENTURY

277 A BONE PART SPELLING ALPHABET EARLY 19TH CENTURY with twelve single sided letters in a cylindrical box, together with a Prisoner of War bone cribbage box with four pegs (2) 15.5cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

the hinged lid with a swing handle and decorated with a scrolling band of flowers, the underside with a mirror, the interior with a lift­out tray, fitted with mother of pearl sewing utensils and a glass scent flask, the needle case with a pansy mark 7.5cm high, 21.6cm wide, 15.3cm deep

£300­400 279 A BELGIAN SPA SYCAMORE GAMING COUNTER BOX EARLY 19TH CENTURY painted en grisailles with an abbey, a man and a horse, the interior with four boxes with hinged lids decorated with figures in landscapes, containing stained bone counters 21 x 15.3cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£200­300 λ 280 FOUR FRENCH BOXES 18TH CENTURY AND LATER comprising: a Louis XVI card heart shape confectionery box, a Louis XV tortoiseshell snuff box and two further snuff boxes, one with a straw work panel, the other with a basket weave design (4) 16.5cm (max)

£200­300 279

281 A SMALL COLLECTION OF HARDSTONE BOXES FRENCH / ITALIAN, LATE 18TH CENTURY AND LATER comprising: a bonbonnière with gold mounts and three pill boxes, with gilt metal mounts, one in the form of a trunk with a domed lid (4) 8cm (max)

£200­300

280 281 120

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282 A FRENCH CUT-PAPER SILHOUETTE PICTURE IN THE MANNER OF LUISE DUTTENHOFER, C.1841 depicting a man with a goat, a rabbit, a pair of birds and trees, inscribed in pen ‘Petite souvenir...’, signed and dated ‘22 Février ‘41 L F’, in a later glazed frame 17.2 x 22.5cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

283 A FRENCH GILT AND POLYCHROME PAINTED PEWTER FOIL RONDEL IN THE MANNER OF THOMAS COMPIGNÉ, LATE 18TH CENTURY depicting a friar worshipping the cross and skull, in a glazed pressed brass and wood frame, titled in pen to reverse 11cm diameter (overall) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£200­300

121

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284 A DUTCH MAHOGANY AND MARQUETRY DISPLAY CABINET LATE 18TH / EARLY 19TH CENTURY inlaid with urns of flowers, scrolling leaves and floral sprays, with parquetry bands, with a pair of astragal glazed doors enclosing plush lined shaped shelves, the bombe base with four drawers, on claw and ball feet 240.5cm high, 181.5cm wide, 39.5cm deep

£2,000­3,000

285 A NORTH EUROPEAN MAHOGANY BOMBE COMMODE LATE 18TH CENTURY with brass mounts, the crossbanded top above four long drawers and serpentine sides 79.5cm high, 88cm wide, 45.5cm deep

£1,200­1,800

122

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286

286 A BLACK FOREST CARVED WOOD BEAR BENCH FIRST HALF 20TH CENTURY the seat with an arched back decorated with oak leaves, branches and a central bear, supported by a pair of standing bears 86cm high, 138cm wide, 36cm deep,

£3,500­4,500

λ 287 A PORTUGUESE ROSEWOOD WALL MIRROR EARLY TO MID­18TH CENTURY the later hexagonal plate within a carved frame, decorated with scrolling leaves, pairs of birds, a crown and a male mask 49.5 x 33.8cm

£400­600

287 123

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λ 288 A RARE SOUTH-AMERICAN TORTOISESHELL AND MOTHER OF PEARL CABINET ON STAND, ‘MUEBLE ENCONCHADO’ SPANISH COLONIAL, MEXICO OR PERU, 18TH CENTURY with ebonised ripple mouldings inlaid with brass and bone stringing and various floral motifs, the lattice parquetry top above seven drawers around a central cupboard, the door inset with a portrait of Saint Anthony of Padua, enclosing a plush lined interior fitted with a mirror, flanked by turned columns, the canted sides each with a hinged door, enclosing a shelf, above two frieze drawers, on a later ebonised stand with spiral twist supports 138.5cm high, 182.5cm wide, 42cm deep Catalogue Note During the 17th and 18th centuries the upper strata of Colonial Latin America spent enormous sums of money on sumptuous furniture and works of art produced locally and also from Europe and Asia. The present lot is an example of a Peruvian technique called enconchado, practiced by ateliers in Lima. They used a rich tortoiseshell ground as a backdrop to a complex mother of pearl inlay of flowers, arabesques and geometric designs. This type of marquetry originated in the Spanish Philippines and the prototype for these cabinets is the famous piece made as a wedding gift for the granddaughter of the Viceroy of Peru, now in the Dallas Museum of Art (see H. Hayward, World Furniture, p.106, fig.271).

See Joseph J. Rishel with Suzanne Stratton­Pruitt, The Arts in Latin America 1492­1820, pp.490­91 for a similar desk resting on a bufete, in the collection of the Museo Pedro de Osma, Lima, Peru. For similar cabinets sold at auction, see Christie’s, 20th May 2008, lot 385 and Sotheby’s, Important Continental Furniture, 3rd July 2007, lot 12.

£20,000­30,000

124

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125

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289 A GILTWOOD WALL MIRROR 18TH CENTURY the later rectangular plate in a leaf, scroll and husk decorated frame 106.3 x 126cm

£400­600

289

290

291

292

A VENETIAN OVAL WALL MIRROR LATE 19TH / EARLY 20TH CENTURY

AN ITALIAN GILTWOOD MIRRORED WALL BRACKET LATE 19TH / EARLY 20TH CENTURY

A PAINTED WOOD AND LEATHER DRUM POSSIBLY ITALIAN, 18TH / 19TH CENTURY

the bevelled plate within an engraved mirrored glass frame, decorated with leaves and flowers 95.6 x 54.3cm

£150­200

carved with scrolling leaves, with a crown surmount flanked by flaming urns and with four mirrors, above a hinged base 75.5 x 43.7cm

£200­300

the body decorated with blue and white chevrons and with a spread eagle 78cm high, 61.5cm diameter Provenance Christie’s, ‘Michael Inchbald: A Legacy of Design’, 22nd January 2014, lot 21.

£500­800

290 126

291

292

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293 AN ITALIAN PAINTED PINE CONSOLE TABLE LATE 18TH CENTURY AND LATER with a later simulated marble top, decorated in green and gilt with scrolling leaves and a stylised crown 79.5cm high, 122cm wide, 54.5cm deep

£800­1,200

294 A PAIR OF ITALIAN PAINTED AND PARCEL GILT ARCHITECTURAL PEDESTALS 18TH CENTURY of scroll form (2) 112.8cm high, 34cm wide

£1,500­2,500

295 THREE ITALIAN PAINTED AND GILTWOOD OVERDOORS IN ROCOCO STYLE EARLY 20TH CENTURY each painted with Italianate landscape scenes with figures, the carved scroll frame with a leaf surmount (3) 50.2 x 110.5cm

£500­800

127

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296 A VENETIAN CARVED PINE AND FRUITWOOD FIGURE OF A SHE-DEVIL ATTRIBUTED TO FRANCESCO TOSO (ITALIAN D.1893) the figure with horns and faun like ears, with wings and with an exaggerated ‘S’ bend posture, wearing a frock coat with a ruffled lace collar and a close fitting corset 135.5cm high Provenance Purchased by the present owner from Carlsen Auctions, Greenville, NY, February 1991.

Catalogue Note Francesco Toso was born in Murano, Venice to a family of glass makers. He soon discovered his own path finding great acclaim for his carved sculptures and mirrors. He exhibited at the 1893 World Fair in Chicago where, unfortunately, he sadly died. His most acclaimed work at the exhibition was a pair carved figures, which recall the present lot, which were inspired by the Faustian characters Marguerite and Mephistopheles.

This fantastical figure would have originally been designed to stand in front of a shop entrance to capture the attention of passers­by. She would have held cards in her fingers.

For a closely related pair of figures see Woolley & Wallis, Furniture, Works of Art & Clocks, 21st October 2020, Lot 212 which sold for £70,000. See also the Smithsonian affiliated Museum of Arts and Sciences in Florida (inv. A5121) and for an autograph pair of Mr and Mrs Satan figures, formerly in the collection of Elsa Schiaparelli, see Christie's, Paris, 'C'est fou', 12th­14th December 2018, lot 138 which sold for €181,250 (including fees).

£5,000­8,000

128

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FROM THE ESTATE OF THE LATE MARGUERITE LITTMAN

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297 AN ITALIAN GILTWOOD WALL MIRROR PROBABLY 19TH CENTURY the later rectangular bevelled plate with a ribbon slip with laurel leaves, with an applied urn of flowers and fruit, the plinth issuing scrolling leaves and further flowers, the base with lion’s paw feet and a floral spray 200.5 x 90cm Provenance From the estate of the late Marguerite Littman.

£2,000­3,000

298 A FRENCH GILTWOOD WALL MIRROR IN LOUIS XVI STYLE 18TH CENTURY ELEMENTS AND LATER the later rectangular plate within a beaded slip and a laurel leaf outer border, the sides applied with further laurel leaves, with a quiver of arrows and trophies of war surmount 177.2 x 82cm Provenance From the estate of the late Marguerite Littman.

£800­1,200

131

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299 A MASSIVE GILTWOOD WALL MIRROR IN REGENCY STYLE 20TH CENTURY the circular plate within an ebonised reeded slip and a moulded frame 215cm diameter Provenance Geoffrey Bennison.

From the estate of the late Marguerite Littman.

£2,000­3,000

132

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300 A GEORGE II GILTWOOD WALL MIRROR IN THE MANNER OF WILLIAM KENT, C.1740 the later rectangular plate within a ribbon and floret slip, with leaf and baton outer borders, applied with scrolls and with acorns and oak leaves, with a conforming frieze centred with a grotesque cartouche, with a broken pediment centred with a scallop shell 196 x 102cm Provenance From the estate of the late Marguerite Littman.

£3,000­5,000

133

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301 A WALNUT AND GILTWOOD WALL MIRROR IN GEORGE II STYLE EARLY 20TH CENTURY the later arched plate within a moulded leaf decorated stepped frame 217 x 81cm Provenance From the estate of the late Marguerite Littman.

£300­400

302 A FRENCH GILTWOOD SIDE CHAIR IN LOUIS XVI STYLE 19TH CENTURY with a laurel leaf carved frame and an oval padded back and seat Provenance From the estate of the late Marguerite Littman.

£80­120

303 A FRENCH LOUIS PHILIPPE MAHOGANY TUB ARMCHAIR C.1840­50 with swan’s head arm supports, on turned front legs Provenance From the estate of the late Marguerite Littman.

£100­150

134

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304 A FRENCH ROCOCO PANEL IN THE MANNER OF JEAN­BAPTISTE PILLEMENT, 18TH CENTURY oil on canvas, painted en grisailles with chinoiserie scenes of figures, birds and animals, with flowering pear trees, within a ribbon and scroll border 219.5 x 199.4cm Provenance From the estate of the late Marguerite Littman.

£2,000­3,000

135

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305 A PAIR OF GILT BRONZE CHENETS IN LOUIS XVI STYLE 19TH CENTURY in the form of a quiver of arrows and decorated with swags of flowers and scrolling leaves 56.8cm high, 23.5cm wide Provenance From the estate of the late Marguerite Littman.

£300­500

306 A FRENCH BEECHWOOD TUB BERGÈRE CHAIR IN LOUIS XV STYLE 19TH CENTURY with a caned back and seat Provenance From the estate of the late Marguerite Littman.

£100­150

307 A COLLECTION OF FIREPLACE FURNITURE 19TH CENTURY AND LATER comprising: steel fire irons, two pairs of steel fire dogs, a bucket and a brass coal scuttle and a modern folding fireguard (12) 72.3cm (max) Provenance From the estate of the late Marguerite Littman.

£100­200

136

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308 AN ITALIAN GILTWOOD AND POLYCHROME DECORATED BUREAU CABINET 18TH CENTURY AND LATER painted with flowers and leaves, on a lattice ground, the broken arch pediment centred with an urn, above a pair of panelled doors enclosing three shelves, the hinged fall enclosing two drawers and pigeonholes, above a frieze drawer 241cm high, 80cm wide, 34cm deep Provenance From the estate of the late Marguerite Littman.

£500­700

309 A MINIATURE CONTINENTAL WALNUT CABINET IN BAROQUE STYLE SOUTH GERMAN / NORTH ITALIAN, LATE 18TH / EARLY 19TH CENTURY fitted with seventeen drawers 23.2cm high, 16cm wide Provenance Peter Eyre.

From the estate of the late Marguerite Littman.

£100­200

310 AN ITALIAN GILTWOOD WALL MIRROR IN ROCOCO STYLE VENICE OR FLORENCE, 18TH CENTURY the later shaped plate within a rocaille and scroll decorated frame 119 x 81cm Provenance From the estate of the late Marguerite Littman.

£500­800

137

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311 311

312

A VICTORIAN MAHOGANY PARTNER’S WRITING TABLE MID­19TH CENTURY

A VICTORIAN ARTS AND CRAFTS OAK TABLE IN GOTHIC STYLE LATE 19TH CENTURY

the top inset with later gilt tooled green leather writing surface, above three frieze drawers to either side, one stamped ‘W. Priest 1 & 2 Tudor St. Blackfriars’, on turned tapering legs and brass caps and castors 74.8cm high, 167cm wide, 112cm deep

with a pair of frieze drawers, on chamfered ‘X’ frame supports applied with trefoil brackets, united by a stretcher 74.9cm high, 137.5cm wide, 90cm deep

Provenance From the estate of the late Marguerite Littman.

£300­400

£500­700

312

138

Provenance From the estate of the late Marguerite Littman.

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313 A FRENCH TÔLE PEINTE DUMMY BOARD DOG STICKSTAND LATE 19TH / EARLY 20TH CENTURY painted with a West Highland terrier seated on a tasselled cushion 61.6cm high, 39.6cm wide, 16.3cm deep Provenance From the estate of the late Marguerite Littman.

£200­300

314 FOUR TABLE EASELS 20TH CENTURY with three bamboo examples, together with a pair of Linley bookends (6) 38cm high, 22cm wide (max) Provenance From the estate of the late Marguerite Littman.

£100­200

315 A FRENCH TÔLE PEINTE JARDINIÈRE OR WINE COOLER MID­19TH CENTURY painted with drapes, bands of leaves and oval paterae, with a lift­out liner 22.8cm high, 47.5cm wide Provenance From the estate of the late Marguerite Littman.

£150­200

139

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316 A MAHOGANY BERGÈRE ARMCHAIR 19TH CENTURY with a reeded frame, with a caned back and sides, on ribbed supports, on brass castors, stamped ‘Howard & Sons Ltd’, with a leather squab cushion Provenance From the estate of the late Marguerite Littman.

£400­600

317 A NEAR PAIR OF FRUITWOOD AND ELM STICKBACK ARMCHAIRS FIRST HALF 19TH CENTURY on ring turned legs (2) Provenance From the estate of the late Marguerite Littman.

£100­150

318 A LATE VICTORIAN MAHOGANY AND LEATHER TUB DESK CHAIR LATE 19TH CENTURY button upholstered and on fluted supports Provenance From the estate of the late Marguerite Littman.

£150­250

140

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319 A COLLECTION OF CELEBRITY PHOTOGRAPHIC MONTAGES LATE 20TH CENTURY relating to Aids Crisis Trust events, one of the Charity Auction held by Christie's, 'Dresses from the Collection of Princess Diana', 25th June 1997, with photographs of Princess Diana with Mrs Mark Littman and various celebrities, with two invites to the private view and with newspaper cuttings, another relating to an Aids Crisis Trust Charity Auction of 1st June 1987, with photographs of Jerry Hall, Jasper Conran, Shirley Bassey and other famous people, the other montages relating to Aids Crisis Trust events, premieres and gala receptions, including: 'The Prince of Tides', 'Hockney's Alphabet', 'Suddenly Last Summer', 'Verdura in London', 'Richard III', 'Richard Avedon, Evidence 1944­1994' and 'White Mischief' (12) 110.4 x 85.4cm (max) Provenance From the estate of the late Marguerite Littman.

£2,000­3,000

141

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320

321

λ 320 A BONE AND IVORY MODEL OF A CHINESE PAGODA 19TH CENTURY of five tiers, with pierced fret decoration, rising from a garden terrace with polychrome figures, in a glazed case 40.2cm high Provenance From the estate of the late Marguerite Littman.

£400­600 321 AN ORIENTAL BLACK LACQUERED PUMPKIN BOX 20TH CENTURY together with an Islamic copper flask (2) 57.5cm high (max) Provenance From the estate of the late Marguerite Littman.

£100­150 322 A JAPANESE PORCELAIN VASE TABLE LAMP LATE 17TH / EARLY 18TH CENTURY with a twin­light fitting, together with a rattan table lamp (2) the vase: 29.8cm high Provenance From the estate of the late Marguerite Littman.

322

142

£150­250

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323 TWO INDIAN HARDWOOD AND MOTHER OF PEARL BOXES GUJARAT, IN MUGHAL STYLE BUT PROBABLY 19TH CENTURY each with a fishscale design, with a lift­off cover and a brass ring handle (2) 16.8cm high (max) Provenance From the estate of the late Marguerite Littman.

£200­300

324 AN OSTRICH EGG AND WHITE METAL CUP AND COVER ATTRIBUTED TO ANTHONY REDMILE, C.1970­80 the lid with a serpentine finial, on an eagle claw foot 33.5cm high, 14.5cm wide Provenance From the estate of the late Marguerite Littman.

£150­250

325 A COCO DE MER BASKET (LODOICEA MALDIVICA) LATE 19TH CENTURY with twin divisions 26 x 26.5cm Provenance Purchased from Harry Fane, Obsidian, Duke Street, St. James’s.

From the estate of the late Marguerite Littman.

£150­250

143

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327 326

326 A PAIR OF JAPANESE LACQUER LOW STANDS 20TH CENTURY with scroll supports (2) 7cm high, 40.4cm wide, 24.5cm deep Provenance From the estate of the late Marguerite Littman.

£150­250 327 A CHINESE BLACK LACQUER AND MOTHER OF PEARL STAND 19TH CENTURY decorated with scrolling leaves, flowers and butterflies, with an associated copper liner 20.7cm high, 42cm wide

328

Provenance From the estate of the late Marguerite Littman.

£100­150 328 A CHINESE BLACK LACQUER STOOL 19TH CENTURY gilt decorated with bands of scrolling leaves and flowers, the seat with the remains of a landscape scene 26.8cm high, 28.7cm wide Provenance From the estates of the late Marguerite Littman.

£100­150 329 A BLACK LACQUER LOW OCCASIONAL TABLE EARLY 20TH CENTURY with a marble inset top 38.5cm high, 55.3cm wide, 45.2cm deep Provenance From the estate of the late Marguerite Littman.

£100­150 329 144

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330 A PAIR OF CHINESE STONEWARE MODELS OF HAWKS IN KANGXI STYLE SHI WAN KILN, 20TH CENTURY with green glazed details, each perched on a blue glazed rocky outcrop (2) 40cm high Provenance From the estate of the late Marguerite Littman.

£400­600

331 A CHINESE BLUE AND WHITE GARDEN SEAT 19TH CENTURY of barrel form, painted with scrolling lotus, with bands of raised bosses and pierced cash motifs, old repairs 47.2cm high Provenance From the estate of the late Marguerite Littman.

£200­300

332 A SMALL CINNABAR LACQUER KANG TABLE PROBABLY CHINESE, LATE 19TH CENTURY decorated with a Greek key band and a leaf and flower ground 15.4cm high, 59.2cm wide, 41.7cm deep Provenance From the estate of the late Marguerite Littman.

£150­200

145

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333 A TYROLEAN STYLE ANTLER CHANDELIER 20TH CENTURY with six lights 117cm high, 116cm wide Provenance From the estate of the late Marguerite Littman.

£500­700

334 A PAIR OF FRENCH GILT AND PATINATED BRONZE CANDLESTICKS

BY CHRISTOPHE FRATIN (1800­1864) each modelled with Bacchanalian satyrs, seated on entwined serpents, each with a crocodile in its mouth, stamped ‘Fratin’ (2) 31.4cm high Provenance From the estate of the late Marguerite Littman.

£200­300

335 AN AUSTRIAN COLD PAINTED BRONZE EAGLE HEAD PAPER CLIP LATE 19TH / EARLY 20TH CENTURY

333

mounted on a walnut base, with a brass suspension ring 27.4 x 14.2cm Provenance From the estate of the late Marguerite Littman.

£100­150

335

334

146

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336 336

337

A FRENCH ANIMALIER BRONZE MODEL OF AN ALGERIAN CAMEL

BY ALFRED BARYE (1839­1882), C.1880

A FRENCH BRASS INKWELL IN THE FORM OF A RECUMBENT CAMEL LATE 19TH CENTURY

the naturalistic base signed ‘A. Barye’ 12.3cm high

with a coconut body, together with a treen coconut cup, with tripod Scottish silver feet hallmarked for Edinburgh 1935, a gilt bronze bull inkwell, a bronze model of a monkey and two silver mounted match strikers (6) 16cm max

Provenance From the estate of the late Marguerite Littman.

£300­500

Provenance From the estate of the late Marguerite Littman.

£150­200

337 147

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338 AN ITALIAN PORPHYRY AND VERDE ANTICO MARBLE GRAND TOUR BUST OF THE ROMAN EMPEROR HADRIAN AFTER THE ANTIQUE, 20TH CENTURY his tunic carved with a serpent headed gorgon Medusa, on a turned serpentine marble column the bust: 61.3cm high, 56cm wide marble column: 114.2cm high Provenance From the estate of the late Marguerite Littman.

£4,000­6,000 148

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149

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GRAND TOUR & SCULPTURE

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339 AN ITALIAN BRONZE SECTION OF AN ANDIRON ATTRIBUTED TO NICCOLÒ ROCCATAGLIATA (VENETIAN C.1593­1636), EARLY 17TH CENTURY of triform shape, modelled with three satyrs and ram’s heads, later mounted 29cm high (excluding base) Catalogue Note For a similar fragment attributed to Niccolò Roccatagliata, see the Wallace Collection, inv. s80.

£2,000­3,000

340 AN ITALIAN BRONZE CORPUS CHRISTI IN THE MANNER OF ANTONIO SUSINI, 17TH CENTURY with traces of gilding 20.6cm high, 19cm wide

£400­600

151

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341 A BRONZE RELIEF PLAQUE OF ANGELS AFTER DONATELLO (ITALIAN 1386­1466), PROBABLY 19TH CENTURY the two cherubs depicted singing, later mounted in an oak frame 56 x 20.8cm Catalogue Note The original relief can be found on the High Altar of the Basilica di Sant'Antonio, Padua, Italy.

£800­1,200

342 AN ITALIAN BRONZE GRAND TOUR BUST OF A ROMAN EMPEROR PROBABLY LATE 17TH / EARLY 18TH CENTURY on a turned stem and a domed foot 18cm high

£200­300

343 A GILT BRONZE FIGURE OF HERCULES AND THE ERYMANTHIAN BOAR PROBABLY GERMAN, EARLY 18TH CENTURY later mounted on a verde antico marble plinth 15.8cm high

£300­500

152

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344 AN ITALIAN BRONZE FIGURAL FOUNTAIN AFTER ANDREA VERROCCHIO (ITALIAN 1435­1488), LATE 19TH CENTURY in the form of a winged cherub holding a dolphin 75.2cm high Catalogue Note The original fountain was made for the Medici villa in Caraggi in 1465.

£800­1,200

345

346

AN ITALIAN ISTRIAN STONE FOUNTAIN HEAD POSSIBLY 17TH CENTURY OR EARLIER

AN ITALIAN MARBLE GROTESQUE FOUNTAIN MASK PROBABLY 17TH CENTURY

the spout carved with a bearded male mask 33.7cm high, 41cm wide, 71.5cm deep

the surface with the remains of a painted wash 23.5 x 18cm

£800­1,200

Provenance Purchased by the vendor from Talisman Antiques, Gillingham

£400­600

153

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347 TWO FRENCH BRONZE GRAND TOUR FIGURES OF NAKED CLASSICAL MAIDENS LATE 18TH CENTURY each seated holding a bird, on a fluted and moulded oval grey plinth base (2) 20.6cm high, 17cm wide

£800­1,200

348 A FRENCH BRONZE FIGURE OF A CROUCHING FEMALE PROBABLY 18TH CENTURY partially draped and holding a bunch of leaves in her right hand, mounted on a marble plinth 25.6cm high

£400­600

349 FOUR ITALIAN BRONZE GRAND TOUR FIGURES 19TH CENTURY comprising: Mercury seated at rest, a satyr with cymbals and kroupezion, a satyr playing a pipe and Mercury after Giambologna (4) 36.6cm high (max)

£600­800

154

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350 AN ITALIAN TERRACOTTA GRAND TOUR BUST OF SOLON

BY GIOVANNI MOLLICA NAPOLI, MID­19TH CENTURY titled ‘Solone’, the base with impressed marks ‘Giovanni Mollica’ 21.7cm high

£200­300

351 A PAIR OF GILT BRONZE GRAND TOUR FIGURES OF LORENZO AND GIULIANO MEDICI AFTER MICHELANGELO (ITALIAN 1475­1564), LATE 19TH / EARLY 20TH CENTURY one signed ‘Rtion Sauvage’ (2) 16.2cm high

£200­300

352 A FRENCH BRONZE BUST OF ANTINOUS AS DIONYSUS LATE 19TH CENTURY on a turned socle 24.5cm high

£400­600

155

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353 AN ITALIAN MARBLE GRAND TOUR OBELISK LATE 19TH / EARLY 20TH CENTURY with a stepped base 55.7cm high

£100­150

354 A FRENCH PAINTED PLASTER FIGURE OF VENUS AFTER ÉTIENNE­MAURICE FALCONET (FRENCH 1716­1791) depciting the goddess about to bathe 82.8cm high

£200­300

355 AN ITALIAN GREEN SERPENTINE COLUMN LATE 19TH CENTURY in three sections, the revolving top on a spiral fluted stem and an octagonal foot 104.7cm high

£800­1,200

156

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356 AN ITALIAN WHITE MARBLE FIGURE OF A NEAPOLITAN DANCER

BY G. CIGOLI, DATED ‘1873’ the figure with a grapevine in his hair and playing a tambourine, the naturalistic base signed ‘G. Cigoli Roma 1873’ 96.5cm high

£4,000­6,000

157

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357 357

λ 358

359

A PLASTER RELIEF IN GEORGE III STYLE AFTER AN ORIGINAL BY COADE OF LAMBETH EARLY 20TH CENTURY

A BAROQUE IVORY RELIEF FRAGMENT POSSIBLY GERMAN OR ITALIAN, LATE 17TH / EARLY 18TH CENTURY

A FRENCH MARBLE RELIEF PLAQUE 18TH CENTURY

depicting a cherub reclining on sheaves of wheat and holding a scythe, with impressed marks ‘Coade Lambeth’ 46.3 x 93.3cm

carved with three winged cherubs and a dove 20.3 x 15cm

£200­300

depicting two naked boys, one wearing glasses, a bishop’s collar and holding his member, in a walnut frame 29.5 x 24cm

£300­400

£300­500

358 158

359

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360 A WHITE MARBLE FIGURE OF WISDOM

BY GEORGE SIMONDS (1843­1929), DATED ‘1872’ the scantily clad maiden standing on a tortoise, holding a sphere in her right hand, the base signed and dated ‘George Simonds Romae Fec. MDCCCLXXII’ 114.4cm high Catalogue Note George Blackall Simonds was a sculptor and director of H & G Simonds Brewery in Reading. In 1858 he went to study sculpture under Professor Johannes Schilling in Dresden and he lived and worked in Rome for 12 years from 1864.

£2,000­3,000

159

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361 A MARBLE GROUP OF PUTTI MUSICIANS FRENCH OR ITALIAN, C.1880 modelled with five cherubs playing various musical instruments, the base strewn with flowers, weathered, in two pieces and with losses 65cm high, 91.5cm wide Catalogue Note A similar group of cherub musicians by Guillaume was sold by Christie's, Important 19th century Furniture and Sculpture, 20th March 2003, lot 189.

£400­600

362 A FRENCH MARBLE BUST OF A GIRL LATE 18TH / EARLY 19TH CENTURY mounted on a turned socle 42.3cm high

£800­1,200

363 A CONTINENTAL MARBLE BUST OF A NOBLEMAN MID­19TH CENTURY he wears a lace ruff, a chain and a toga style cloak, on a turned socle 30.5cm high

£500­700

160

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364 A RARE PLASTER BUST OF BENJAMIN FRANKLIN WORKSHOP OF JEAN­ANTOINE HOUDON (FRENCH 1741­1828) with a light wash finish, signed and dated ‘Houdon f.1778’ to his right shoulder 42cm high Catalogue Note Benjamin Franklin (1706­1790) was a philosopher, inventor, scientist and statesman and resided in France during most of the American Revolution courting favour for the American cause of Independence. He became a celebrity upon his arrival to Paris and portraits of him were made by famous sculptors and painters of the day, including: Greuze, Caffieri and Houdon.

Jean­Antoine Houdon produced his first portrait bust of Franklin in terracotta in 1778 and two marbles were subsequently carved. Other plaster versions dated '1778' can be found: in the Schlossmuseum, Gotha, the Musée Fabre, Montpellier and the American Society of Arts and Sciences, Boston. Four other untraced plaster busts were mentioned by William Temple Franklin in a letter of 1785, see Anne Poulet, Jean­Antoine Houdon, Sculptor of the Enlightenment, p.249.

For a comparable example, see Sotheby's New York, 1st May 2020 lot 6.

£5,000­8,000

161

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365 A PAIR OF GILT BRONZE MODELS OF RECUMBENT LIONS 19TH CENTURY with their forepaws crossed and lying on a rectangular plinth (2) 22.2cm wide

£200­300 366 365

A PAIR OF FRENCH BRONZE EQUESTRIAN GROUPS C.1870 depicting a man and a woman on horseback, in 16th century costumes, accompanied by running whippets, each on a verde antico and black marble plinth base (2) 40cm high, 40.5cm wide Provenance Woolley and Wallis, 23rd February 1989.

Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£300­500 367 A PATINATED PLASTER GROUP OF THE ‘LION AU SERPENT’ AFTER ANTOINE­LOUIS BARYE (FRENCH 1795­1875) signed ‘Barye’ 25.5cm high, 34.7cm wide

£200­300 368

366

A FRENCH BRONZE ANIMALIER MODEL OF A STALLION AFTER PIERRE­JULES MÊNE (1810­1879) the naturalistic base signed ‘P. J. Mêne’, mounted on a marble base 20.4cm high, 23.8cm long

£300­400

367

368 162

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369 A PAIR OF FRENCH ORIENTALIST GILT AND PATINATED BRONZE FIGURES

BY JEAN­JULES SALMSON (1823­1922) depicting an Arab warrior and an Arab lady water carrier, the naturalistic base signed ‘Salmson’ and stamped ‘Real bronze’, on a rosso antico marble plinth (2) 61cm high (max)

£4,000­6,000 163

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370 A PAIR OF BRONZED ELECTROTYPE FIGURES OF SOLDIERS POSSIBLY BY ELKINGTON, LATE 19TH CENTURY each standing leaning on their rifle (2) 62.6cm high

£1,500­2,000

371 A BRONZE FIGURE OF PSYCHE AFTER ALBERT ERNEST­CARRIER­BELLEUSE (FRENCH 1824­1887) standing, pouring oil into a lamp, signed ‘A. Carrier’ 37.5cm high, 15.2cm deep Provenance The Collection of Sir Jeremy Lever

£300­500

164

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REGENCY

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372 A PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY each with a scroll tablet back (2)

£200­300

λ 373 A REGENCY ROSEWOOD TRIPOD OCCASIONAL TABLE EARLY 19TH CENTURY with brass mounts and stringing, the octagonal crossbanded top with goncalo alves banding, above a fluted stem, with stiff leaf decoration, on scroll feet 74.5cm high, 56.5cm wide

£300­400

374 A REGENCY MAHOGANY BOOKCASE CABINET IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the open waterfall top with two shelves, above a pair of frieze drawers and oval panelled cupboard doors enclosing a shelf 148.1cm high, 115.5cm wide, 34.8cm deep

£600­800

166

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375 A GEORGE IV MAHOGANY BREAKFRONT BOOKCASE POSSIBLY SCOTTISH, C.1820 with nulled mouldings, the detachable cornice above Gothic lancet astragal glazed doors, enclosing adjustable shelves, the base with cupboard doors, enclosing further shelves 259.3cm high, 231.2cm wide, 54.6cm deep

£1,500­2,000

167

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376 A REGENCY MAHOGANY DINING TABLE EARLY 19TH CENTURY inlaid with stringing, the top with a reeded edge, on ring turned tapering legs and brass caps and castors, comprising: a pair of ‘D’ ends and two additional leaves, the frame stamped ‘4788’ 73.5cm high, 114.5cm wide, 222.5cm long

£500­800

377 A SET OF TWELVE REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY each inlaid with ebonised stringing, with reeded supports, a drop­in seat and sabre legs, comprising: a pair of open armchairs and ten side chairs, one side chair of a later date (12) Provenance Purchased from Eton Gallery, Windsor, 17th November 1997 for £13,400.

£2,000­3,000 168

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378 A PAIR OF REGENCY EBONISED AND PARCEL GILT SIDE CHAIRS IN GOTHIC STYLE IN THE MANNER OF GEORGE SMITH, EARLY 19TH CENTURY each with a crenellated top rail, above a triple lancet arch back, with columns and pendants, with a later silk squab cushion, above a cane seat, on panelled front legs with leaf and rosette arched brackets (4) Provenance Purchased from Avon Antiques, Bradford on Avon, 12th October 1990.

Catalogue Note See George Smith, ‘Designs for Household Furniture’, plate 36 / 37 and 54.

£1,000­1,500

169

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379 A LATE REGENCY PAINTED PINE SIMULATED ROSEWOOD CHIFFONIER EARLY 19TH CENTURY the top with two shelves, above a frieze drawer, with a grille door enclosing a shelf 158.7cm high, 90.1cm wide, 38.5cm deep Provenance Purchased from Dreweatts, The Phillip Lucas Collection, 9th December 2020, lot 298.

£600­800

380 AN EBONY AND SPECIMEN WOOD COIN COLLECTOR’S CABINET EARLY 19TH CENTURY with a pair of doors with parquetry decoration, enclosing fifty­three numbered and plush lined drawers fitted with gilt tooled leather apertures for coins or tokens, with side carrying handles 67cm high, 91cm wide, 34.6cm deep

£800­1,200

170

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381 A REGENCY PAINTED PINE SIMULATED ROSEWOOD CHIFFONIER EARLY 19TH CENTURY with a waterfall bookcase top, above a frieze drawer and a cupboard painted with a faux grille front, enclosing a shelf 125cm high, 60.5cm wide, 29.3cm deep

£300­500

382 A REGENCY OAK SIDE CABINET EARLY 19TH CENTURY inlaid with ebonised decoration, the black marble top above a pair of doors, inset with embossed leather panels of scrolling leaves, fruit and flowers, enclosing two shelves 84cm high, 104cm wide, 29deep

£700­1,000

171

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383 A PAIR OF REGENCY MAHOGANY CONSOLE TABLES EARLY 19TH CENTURY each with a ‘D’ shaped top, on ring turned tapering legs (2) 73cm high, 137cm wide, 72.5 and 73cm deep

£200­300

384 A LATE GEORGE III MAHOGANY WORK TABLE C.1790­1800 inlaid with boxwood stringing, the rectangular top with canted corners, above a frieze drawer and a silk lined bag 73.4cm high, 50.8cm wide, 34.6cm deep

£150­200

385 A REGENCY MAHOGANY CONSOLE TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY with a reeded edge top, above ring turned and ribbed legs 74cm high, 138.5cm wide, 60cm deep

£100­150

172

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386 A GEORGE IV MAHOGANY BREAKFAST TABLE C.1825­30 the circular tilt­top with a moulded edge, above a panelled frieze applied with tablets, on a tapering column, with a lappet base and scroll feet 72.2cm high, 172.5cm diameter

£800­1,200

173

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387 A REGENCY MAHOGANY PARTNER’S WRITING TABLE EARLY 19TH CENTURY the reeded edge top inset with a gilt tooled green leather writing surface, above a pair of frieze drawers to either side, on ring turned legs and brass spoke castors 77cm high, 120.5cm wide, 80.2cm deep Provenance The General Trading Company, 144 Sloane Street, London, 14th June 1994.

A Private Collection, London.

£500­800

388 A GEORGE III MAHOGANY PEMBROKE TABLE LATE 18TH CENTURY the drop­flap top above a frieze drawer, on chamfered legs, turned ankles, block feet and brass castors 72.5cm high, 61 x 95.5cm Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£100­200

389 A REGENCY MAHOGANY BREAKFRONT SIDE TABLE EARLY 19TH CENTURY with three frieze drawers 75.7cm high, 87cm wide, 48.3cm deep Provenance Purchased from J. W. Blanchard, Winchester, 1st September 1997.

£300­500

174

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390 A REGENCY MAHOGANY OVAL WINE COOLER ATTRIBUTED TO GILLOWS, C.1815 the fan fluted lid revealing a lead lined interior and a brass Bramah lock, with ribbed baluster supports and later brass caps and castors 65cm high, 69cm wide, 51cm deep Provenance The Property of a Gentleman.

Catalogue Note A similar wine cooler with fluted cover was formerly in the collection of the Earls of Stradbroke, Henham Hall, Suffolk, a house designed by James Wyatt in the 1790s. Another is illustrated in Ralph Edwards and Percy Macquoid, The Dictionary of English Furniture, vol. I, p. 223, fig. 9.

See also Christie's, The English Collector, 14th November 2013, lot 53.

£3,000­5,000

175

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λ 391 A REGENCY MAHOGANY CHAMBER WRITING TABLE

BY GILLOWS, C.1815­20 the raised top with two shelves supported by ring turned supports, the frieze drawer with turned rosewood handles and fitted with divisions and a leather lined writing surface, on a ratchet, stamped ‘Gillows Lancaster’, on ribbed tapering legs 124cm high, 69cm wide, 45.2cm deep

£1,500­2,000

392 A REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY inlaid with ebonised stringing, the tilt­top with re­entrant corners, on a platform base, with leaf carved and ribbed scroll legs terminating in brass sabot and castors 71.8cm high, 102.6cm wide, 145.8cm deep

£800­1,200

391

176

392

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393 A PAIR OF GEORGE IV MAHOGANY WRITING TABLES ATTRIBUTED TO GILLOWS, C. 1825­30 each with a baize lined top, above a pair of frieze drawers flanked by tablets, the reverse with false fronts, on turned and ribbed tapering legs and brass caps and castors (2) 74cm high, 86.5cm wide, 56cm deep

£800­1,200

177

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λ 394 A REGENCY ROSEWOOD SOFA TABLE EARLY 19TH CENTURY the drop­leaf top with satinwood banding, above a pair of frieze drawers, on trestle ends, swept legs and lion’s paw sabot and castors 70.8cm high, 101.5cm wide, 93.5cm deep

£300­500

λ 395 A REGENCY ROSEWOOD SOFA TABLE EARLY 19TH CENTURY inlaid with satinwood stringing, the crossbanded drop­leaf top above a pair of cedar lined frieze drawers, with false fronts to the reverse, on a single pillar and brass lion’s paw sabots and castors 74cm high, 73.7cm x 148.5cm (open) Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£150­250

396 A SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with a curved tablet top rail above a triple vertical splat back, with ribbed supports, comprising: a pair of open armchairs and four side chairs (6) Provenance From the collection of the late Dr. Gordon Pack.

£200­300

178

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397

λ 397

λ 398

A REGENCY ROSEWOOD WRITING TABLE EARLY 19TH CENTURY

A REGENCY ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY

inlaid with stringing and satinwood banding, the top inset with a later gilt tooled leather writing surface, above a pair of cedar lined frieze drawers, on trestle supports united by a stretcher and on brass castors 74.3cm high, 84cm wide, 58.6cm deep

the rectangular tilt­top with rounded corners and inlaid with stringing and partridge wood banding, on a faceted stem and brass caps and castors 73cm high, 152.5 x 112.4cm

£1,200­1,500

Provenance Purchased from Arthur Brett and Sons, Norwich, 16th September 1997.

£600­900

398 179

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399 A REGENCY BURR OAK TRIPOD TABLE EARLY 19TH CENTURY the circular segmented tilt­top with a moulded edge, above a turned yew stem, on oak legs 65.8cm high, 64cm diameter

£800­1,200

400 A RARE GEORGE III YEW BEDSIDE COMMODE C.1800­05 with a concave front fitted with a frieze drawer, flanked by a pair of lopers, above a tambour shutter, with a pull­out base fitted with a zinc liner 75.9cm high, 59.5cm wide, 46.7cm deep

£500­800

180

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401 A GEORGE III BURR OAK AND MAHOGANY CHEST ON CHEST C.1790 the moulded cornice above a parquetry chevron band, above two short and six long crossbanded drawers, with probably original brass handles 187.8cm high, 104.4cm wide, 59cm deep

£2,000­3,000

181

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λ 402 A REGENCY MAHOGANY CHIFFONIER EARLY 19TH CENTURY with foliate brass inlay and rosewood banding, the raised top with a pair of pleated silk and brass grille doors, enclosing a later mirrored interior, above a drawer and a pair of panelled doors enclosing two deep drawers, one with a lead lining 189cm high, 91cm wide, 48.5cm deep

£800­1,200

λ 403 A REGENCY MAHOGANY TRIPOD TABLE EARLY 19TH CENTURY with ebonised decoration, the tilt­top with rosewood banding, on a turned stem and splay legs 70.7cm high, 58.5cm wide

£100­150

404 A LATE GEORGE III GILTWOOD OVERMANTEL MIRROR C.1800­10 with four later rectangular plates, flanked by reeded leaf wrapped columns, with beaded bands and flowerhead paterae

113 x 128.8cm £200­300

182

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405 A PAIR OF REGENCY PAINTED AND PARCEL GILT SIDE CHAIRS IN GRECIAN STYLE, C.1805­10 with a stylised ‘X’ frame back, above a cane seat, on curule front supports painted with a Greek key design (2)

£500­800

406 A WALNUT CURULE ARMCHAIR LATE 19TH / EARLY 20TH CENTURY with reeded decoration, the pierced splat back above a rush seat and an ‘X’ frame front

£200­300

407 A SET OF SIX REGENCY PAINTED FAUX BAMBOO SIDE CHAIRS EARLY 19TH CENTURY each with a turned spindle back above a rush seat (6)

£500­800

183

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408

409

408 A PAIR OF REGENCY GILT AND PATINATED BRONZE EAGLE CANDLESTICKS EARLY 19TH CENTURY each with an urn shape nozzle, above an eagle and snake stem and a leaf and flowerhead decorated base (2) 19.3cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250 409 A REGENCY SPODE PORCELAIN URN SHAPED VASE TABLE LAMP EARLY 19TH CENTURY AND LATER 410

the body painted with Egyptian motifs and a band of oak leaves and acorns, later mounted on a giltwood base, with shade (2) 19.5cm high

£100­150 410 A PAIR OF REGENCY GILT AND PATINATED BRASS CANDLESTICKS EARLY 19TH CENTURY each hung with cut­glass drops (2) 19.8cm high

£300­400 411 A PAIR OF EARLY VICTORIAN CUT-GLASS LUSTRE CANDLESTICKS C.1840 each with an urn shape sconce, above a drip­pan hung with faceted drops and lustres, with a faceted baluster stem and a petal foot (2) 32cm high Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

411 184

£80­120

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412

413

A PAIR OF REGENCY PLASTER TORCHÈRE FIGURES OF BACCHUS AND FLORA IN THE MANNER OF HUMPHREY HOPPER, EARLY 19TH CENTURY

A REGENCY BRONZED PLASTER FIGURAL TORCHÈRE IN THE MANNER OF HUMPHREY HOPPER, EARLY 19TH CENTURY

possibly after the bronze model by Pierre Garnier, Bacchus draped with a lion’s pelt and holding a gilt brass wine cup, Flora standing beside a tree stump holding an ewer, each supporting a frosted glass storm lantern shade, mounted on gilt bronze bases and on modern painted wood plinths (8) the figures: 92.3cm high overall: 218cm high

£800­1,200

in the form of a classical maiden holding a bronze torch with a flaming finial, with a twin­light colza type oil burner 113.3cm high.

£500­800

185

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414 A VICTORIAN BURR WALNUT DECANTER CASE

BY MECHI, C.1860­70 with a leather and plush lined interior, with four divisions fitted with cut­glass decanters and stoppers, with a brass plaque, inscribed ‘Mechi Regent St. London’, with a Bramah lock 26.6cm high, 23.8cm wide, 23.5cm deep

£300­400

415

414

A REGENCY GLASS CORNUCOPIA VASE EARLY 19TH CENTURY etched with a grapevine and with a gilt bronze ram’s head terminal, on an alabaster base 17.4cm high

£100­150

416 TWO REGENCY CUT-GLASS SALTS EARLY 19TH CENTURY one of navette shape (2) 9.1cm high (max) Provenance A gift from Dame Elisabeth Frink, Woolland House, Blandford, Dorset.

£60­80

415

416 186

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417 A PAIR OF REGENCY GILT AND PATINATED BRONZE COLZA OIL LAMPS AFTER A DESIGN BY WILLIAM BULLOCK of urn shape, one with a glass reservoir, the body applied with winged masks and Chimera type beast handles, on a waisted socle with bearded male masks, on scroll and palmette lion’s paw feet, the undersides numbered (2) 30.8cm high, 23cm wide Catalogue Note William Bullock (1773­1849) was a sculptor, antiquarian, naturalist and traveller. He began as a goldsmith and jeweller. He founded a Museum of Natural Curiosities in Liverpool and in 1809 he moved his collection to London where it was housed at the Piccadilly Egyptian Hall. He took out a patent for his cassolette pattern in 1805 which takes inspiration from Thomas Hope's 'Household Furniture and Interior Decoration'.

A single black basalt urn of this design can be found in the British Museum.

A comparable pair of cassolettes were sold by Christie's, Important English Furniture, 6th April 2000, lot 1.

£800­1,200

187

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418 A GEORGE III NEEDLEWORK SILK BAG C.1790­1800 embroidered with colourful flowers and leaves, with a drawstring and ribbons 22 x 17.5cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250 419 TWO EARLY VICTORIAN BEADWORK AND HORN BOXES C.1840 418

together with a similar beadwork pin cushion decorated with a flower and a geometric design (3) 6.2cm diameter (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 420 TWO GEORGE III SILKWORK PICTURES LATE 18TH / EARLY 19TH CENTURY

419

one depicting Victory, blowing a horn and holding a laurel branch, the other of a lady in a garden setting, with urns and flowers, in a glazed giltwood frame (2) 39.8 x 33.3cm

£150­250 421 A REGENCY EMBROIDERED SILKWORK PICTURE EARLY 19TH CENTURY depicting a still life of fruit, with a bird and a bee, in a glazed giltwood frame 20.4 x 34.5cm

£100­150 422 TWO SILK PIN CUSHIONS EARLY 19TH CENTURY AND LATER

420

one embroidered with flowers and leaves and decorated with pins with lovehearts, crowns and the inscription ‘God Bless the Babe’, the other decorated with scrolling flowers and leaves and inscribed ‘A Precious Gift’ (2) 19cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

421 188

422

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423 A LARGE PAIR OF PAINTED TÔLE COLUMNS 19TH CENTURY each decorated to simulate marble, with a sphere above a faux fluted plinth, a plain shaft and a square plinth base (2) 244cm high, 40.5cm wide and deep

£2,000­3,000

424 A WELSH REGENCY PONTYPOOL PAINTED TÔLE PLATE WARMER EARLY 19TH CENTURY decorated with exotic chinoiserie landscapes, with pagodas, willow trees and flowers, the domed top above a door enclosing two shelves, on cabriole legs and with brass side carrying handles 72cm high, 49cm wide, 35.5cm deep Catalogue Note See W. D. John and Anne Simcox, Pontypool and Usk Japanned Wares, for a similar Usk plate warmer in the Newport Museum and Art Gallery Collection.

£3,000­4,000

189

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425 A BURR ELM OVAL TRAY EARLY 19TH CENTURY with a wavy edge gallery and brass bands 35 x 58cm

£200­300

426 TWO OAK GRADUATED TRAYS LATE 18TH / EARLY 19TH CENTURY each with a shaped gallery, pierced with a pair of handgrips (2) 43.3 x 35.6cm (max)

£150­250

427 A PAIR OF REGENCY BLACK LACQUER WINE COASTERS EARLY 19TH CENTURY with silver plated mounts and ring handles, together with three other wine coasters, one of navette shape (5) 16.5cm (max)

£150­250

428 A MAHOGANY BUTLER’S TRAY EARLY 19TH CENTURY with hinged sides, each pierced with a handgrip, on a folding stand (2) 84.4cm high, 75.5 x 95.7cm (open)

£400­600

190

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429 A LATE REGENCY PAINTED PINE FAUX BAMBOO TALL CHEST FIRST HALF 19TH CENTURY decorated with chinoiserie landscape scenes, with five short and four long drawers, on bun feet 134.4cm high, 97.2cm wide, 57.2cm deep

£1,000­1,500

430 A PAINTED PINE FOOD CUPBOARD PROBABLY WEST COUNTRY, 19TH CENTURY with a pair of panelled doors enclosing two shelves, above a pair of frieze drawers and a further cupboard 211cm high, 117cm wide, 43.4cm deep

£800­1,200

431 A REGENCY EBONISED AND PENWORK MUSIC STAND EARLY 19TH CENTURY gilt decorated with bands of oak leaves and acorns, with an adjustable stem, the fluted shaft above a band of stiff leaves, on gilt brass claw and ball feet 149cm high, 46cm wide

£400­600

191

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432 A REGENCY LEATHER SEWING BOX EARLY 19TH CENTURY of sarcophagus shape, with brass handles and mounts, the compartmented interior fitted with various utensils, including: two silver thimbles, a miniature pair of scissors and a pen knife, a tape measure and other items 8.3cm high, 21.2cm wide, 12.8cm deep Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

433 A VICTORIAN COROMANDEL EBONY TEA CADDY C.1860 with brass and copper mounts and rope­twist ovals, the domed lid revealing a satinwood interior with a pair of lidded compartments 15cm high, 22.8cm wide, 13cm deep

£150­200

434 A VICTORIAN OLIVEWOOD STATIONERY CABINET C.1870 with brass strapwork mounts, the hinged lid and fall front revealing a plush lined writing surface, compartments for pen and ink, with divisions for letters and three drawers, with a Bramah lock 30.8cm high, 44cm wide, 25cm deep

£200­300

λ 435 A WILLIAM IV ROSEWOOD AND BRASS MARQUETRY TEA CHEST C.1830 inlaid with scrolling leaves, with nulled mouldings, the interior with a pair of part hinged lift­out caddies, inlaid with initials ‘B’ and ‘G’ flanking a later glass sugar bowl 20.5cm high, 33.5cm wide, 17cm deep

£300­400

192

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436 A GEORGE IV PAINTED PINE HOUSE TEA CADDY DATED ‘1822’ with dormer windows to the hinged top, enclosing twin lidded compartments with bone handles, the front decorated with lattice glazed windows and a verandah, the base inscribed in pen ‘June.14.1822’ 19.4cm high, 21.5cm wide

£2,000­3,000

437 A PAINTED WOOD HOUSE TEA CADDY 19TH CENTURY the hinged lid with a tiled roof revealing a lidded compartment, the front with lattice glazed windows and an open front door, the right side with a base drawer for holding a caddy spoon 22.3cm high, 14.5 wide, 15cm deep

£400­600

193

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438 A SHAGREEN TEA CADDY EARLY 19TH CENTURY of sarcophagus shape, inlaid with pewter stringing and bone edging, with bone handles, feet and escutcheon, the interior with twin lidded compartments 16.5cm high, 19.5cm wide, 12.8cm deep

£2,000­3,000

439 AN UNUSUAL BURR WOOD TEA CADDY POSSIBLY SCOTTISH, 19TH CENTURY with an allover gnarly exterior, the hinged lid revealing a pair of lidded compartments 13.4cm high, 21.5cm wide, 16.5cm deep

£200­300

440 A NOVELTY TEA CHEST EARLY 19TH CENTURY AND LATER the exterior encrusted with a variety of shells, the hinged lid revealing a pair of harewood part hinged canisters flanking a glass sugar bowl 20.3cm high, 32cm wide, 17cm deep

£300­400

194

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ORIENTAL FURNITURE & WORKS OF ART

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441

442

441 A PAIR OF CHINESE PORCELAIN SANG DE BOEUF VASE TABLE LAMPS LATE 19TH CENTURY with twin lights, each with a silk shade and a carved hardwood base (2) the vases: 21cm high

£500­800 442 A CHINESE PORCELAIN CELADON GLAZED VASE TABLE LAMP 19TH / 20TH CENTURY with moulded decoration, the neck with stiff leaves, the body with scrolling leaves and flowers, with bird’s head handles with rings, on a hardwood base, together with a cloisonné lamp (2) 37cm high (max)

443

£200­300 443 AN ANGLO-CHINESE CAMPHORWOOD TRUNK 19TH CENTURY covered in green leather, with brass edging and stud decoration, with brass carrying handles, with a printed paper label to the paper lined interior 27.3cm high, 64cm wide, 32cm deep

£200­300 444 A COLLECTION OF CHINESE MOTHER OF PEARL GAMING COUNTERS 19TH CENTURY double sided, one engraved with initials ‘H A R’, the other with a Chinese figure in differing pursuits, three different shapes (104) 5.9cm wide (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

444 196

£80­120

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445 A MATCHED PAIR OF CHINESE RED LACQUER CUPBOARDS 19TH CENTURY in two sections, decorated in gilt, with figures in landscapes, with pagodas, trees and birds, each with a pair of doors, the upper section enclosing a shelf, the lower section enclosing two shelves, a hanging rail and a pair of drawers (2) 210.6cm high, 105.2cm wide, 56cm deep and 210.3cm high, 105cm wide, 56cm deep

£2,000­3,000

197

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198

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446 A CHINESE GILT LACQUER EIGHT-FOLD SCREEN FIRST HALF 19TH CENTURY in two sections, painted en­grisailles with Chinese landscapes with figures, pagodas, trees and flowers, the arched tops decorated with dragons and birds amidst scrolling foliage, double sided 239cm high, 55cm wide (each panel) Provenance The Heneage Family, Coker Court, Somerset.

On loan for the past thirty years at the National Trust House Lanhydrock, Cornwall.

£2,000­3,000

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447 A PAIR OF PORTUGUESE PADOUK SIDE CHAIRS POSSIBLY CHINESE EXPORT, 18TH CENTURY each with a Rococo carved and pierced top rail, above a solid vase shape splat back and a drop­in seat, on cabriole front legs united by a shaped ‘H’ stretcher (2)

£800­1,200

448 A REGENCY PADOUK CANTERBURY POSSIBLY ANGLO­CHINESE OR ANGLO­INDIAN, C.1810 with three dipped divisions, above a frieze drawer, on turned legs and brass castors 49.5cm high, 50.6cm wide, 35.5cm deep Provenance Purchased from Avon Antiques, Bradford on Avon, 30th June 1987.

£800­1,200

200

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449 AN ANGLO-CHINESE HUANGHUALI AND PADOUK GAMES TABLE EARLY 19TH CENTURY inlaid with stringing and banding, the drop­leaf top with a reeded edge, with a sliding reversible centre inlaid with an ebony and boxwood chequer board to the underside, revealing a backgammon board inlaid with ebony and bone, with parquetry squares and lozenges, above a camphorwood double sided frieze drawer with divisions, on square tapering legs and later block feet 76.2cm high, 70.3cm wide, 56.2cm deep Catalogue Note See Carl L. Crossman, The Decorative Arts of the China Trade, pp. 236 and 237, pl.88 and 89, for two comparable examples with similar interiors.

According to the author the interiors were based on a gaming box by Thomas Chippendale for Paxton House in 1774.

See also Dreweatts, Fine Furniture, 30th June 2021, lot 265 for a similar example which sold for £15,000 (hammer).

£5,000­8,000

201

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450 AN ANGLO-CHINESE HUANGHUALI AND PADOUK BUREAU QIANLONG, LATE 18TH CENTURY the hinged fall revealing a fitted interior of drawers and pigeonholes around a central cupboard, some drawers inscribed in ink with Chinese characters, above three short and three long drawers, on a separate platform base with ogee bracket feet, with brass handles 105.8cm high, 107.3cm wide, 61.7cm deep

£3,000­5,000

202

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451 A PAIR OF ANGLO-INDIAN EBONY OPEN ARMCHAIRS CEYLONESE, C.1820­30 each with a leaf carved back, with scroll arms, a cane seat and on sabre legs (2)

£800­1,200

452 AN ANGLO-INDIAN HARDWOOD OCTAGONAL OCCASIONAL TABLE PROBABLY LAHORE, EARLY 20TH CENTURY inlaid with copper, brass and ebony, with a central star and scrolling leaves and flowers, the detachable top on a folding base, with carved and pierced panels 61cm high, 65.6cm wide

£200­300

λ 453 AN ANGLO-INDIAN ROSEWOOD LIBRARY TABLE MID­19TH CENTURY carved with leaves, scrolls and with bands of grapevine, fitted with three frieze drawers, on ‘X’ frame supports united by a stretcher 76.3cm high, 137.2cm wide, 64.2cm deep

£500­800

203

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454 AN INDIAN HARDWOOD AND BRASS MOUNTED DOWRY BOX PROBABLY RAJASTHAN, 19TH CENTURY with a part hinged lid, revealing an interior with a single compartment 13.2cm high, 32.5cm wide, 25.2cm deep

£200­300

455 A PAIR OF BRONZE TABLE LAMPS IN JAPANESE STYLE, 20TH CENTURY each decorated with a scaly dragon, chasing a pearl and with birds, snakes and turtles (2) 48cm high

£200­300

456 AN ISLAMIC TRENCH ART SHELL CASE BEZALEL SCHOOL, C.1917 inlaid with silver and copper with Islamic designs and text, the base with a brass inset panel, stamped ‘Fried Krupp A.G.’ 27.7cm high Catalogue Note The decoration on this case possibly celebrates the liberation of Jerusalem by the British from the Ottoman Empire in 1917.

£150­250

204

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457 A LARGE MOORISH MOTHER OF PEARL AND BONE WALL MIRROR PROBABLY DAMASCUS, LATE 19TH / EARLY 20TH CENTURY with turned spindle panels and decorated with scrolling leaves and flowers, with a later plate and an arched surmount 240.1 x 119cm

£1,500­2,500

458 A SMALL COLLECTION OF KASHMIRI LACQUERED PAPIER-MÂCHÉ CANDLESTICKS LATE 19TH / EARLY 20TH CENTURY all polychrome and gilt decorated with flowers, eight with open spiral twist stems (9) 50.2cm high (max)

£200­300

205

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A PRIVATE COLLECTION OF POSTBOXES

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459 AN OAK COUNTRY HOUSE PRIVATE POSTING BOX EARLY 20TH CENTURY with a hinged panelled door, with a single letter slot and a double sided enamel number 137.3cm high, 51.5cm wide, 47.8cm deep

£300­500

460 A SET OF POSTAL SCALES

BY W. T. AVERY, 20TH CENTURY double sided, inscribed 'Avery, Made in England by W. T. Avery Limited, Birmingham' 36.5cm high, 25.7cm wide

£100­200

461 A SMALL OAK COUNTRY HOUSE LETTER BOX LATE 19TH / EARLY 20TH CENTURY the sloping lid with a single slot and a brass plaque, above a glazed panel 21.5cm high, 31cm wide, 18.5cm deep

£150­200

207

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462 A GEORGE V OAK DOUBLE MAILBOX C.1930 the front with a pair of doors with hinged apertures, with applied enamel labels for ‘Franked Mail London Numbered Postal Districts Only’ and ‘Franked Mail All Other Places’, with maker’s label ‘National Automatic Machines Ltd 54­ 56 Minerva Road London N.W. 19’ 95.5cm high, 84.6cm wide, 27.6cm deep

£300­500

463 AN OAK AND PINE COUNTRY HOUSE LETTER BOX EARLY 20TH CENTURY with brass mounts and a plaque for 'Letters', with a single slot, above a glazed door 61.2cm high, 36.3cm wide, 23.5cm deep

£150­250

464 A MAHOGANY COUNTRY HOUSE LETTER BOX EARLY 20TH CENTURY the top with integral brass postal scales and apertures for weights, above a brass slot with a plaque, inscribed ‘Letters’, above a glazed door and a base drawer 36.8cm high, 33cm wide, 29cm deep

£150­200

208

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465 A LARGE OAK COUNTRY HOUSE LETTER BOX EARLY 20TH CENTURY with a sloping top above a single slot, with a carved plaque 'Letter Box', above a hinged door 159cm high, 59cm wide, 49.5cm deep

£400­600

466 A GEORGE V PAINTED WOOD MODEL OF A POSTMAN’S BARROW CART C.1930 with twin hinged sloping lids painted with the Royal Coat of Arms and ‘G R’, the sides with ‘Royal Mail’ 61cm high, 86cm long

£300­400

467 A VICTORIAN CAST IRON LETTER BOX LATE 19TH CENTURY red painted, originally wall mounted, with an enamel plaque for ‘PISHILL’ 77.2cm high, 26cm wide, 33.5cm deep

£300­500

209

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469

468 A VICTORIAN OAK COUNTRY HOUSE LETTER BOX EARLY 20TH CENTURY 468

the arched top with a brass plaque, inscribed 'Letters', with a single slot, above a glazed door and two drawers 79.7cm high, 28cm wide, 24.7cm deep

£300­400 469 AN EDWARDIAN OAK AND WHITE METAL MOUNTED STATIONERY BOX EARLY 20TH CENTURY with a pull­out drawer fitted with compartments for pen and ink, activating a tambour to the top, with a calendar, stamped with registration number ‘RD. 493018’ 20.8cm high, 27cm wide, 22cm deep

£100­150 470 AN OAK POSTAL CABINET

BY J . WATSON, LATE 19TH / EARLY 20TH CENTURY

470

with a hinged door with an applied brass plaque, enclosing four drawers, each with a brass plaque for stamps, postal guides, envelopes and newspaper wrappers, above pull­out brass postal scales, the weights fitted in a drawer, with maker’s plaque ‘J. Watson, Wartahort’ 38cm high, 27cm wide, 21cm deep

£200­300 λ 471 A LATE VICTORIAN ROSEWOOD AND MARQUETRY INLAID COUNTRY HOUSE LETTER BOX LATE 19TH CENTURY inlaid with ribbon tied flowers and leaves, inscribed 'Letters', with a single slot and a hinged front with a glass door 21.5cm high, 29.3cm wide, 19.7cm deep

£150­200

471 210

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472 A VICTORIAN OAK HEXAGONAL COUNTRY HOUSE POSTBOX LATE 19TH CENTURY of Penfold type, with an applied Royal Coat of Arms with ‘Heaton Birm’, flanked by ‘Post Office’, above a single letter aperture, the door with a monogram ‘QH’, the inside with a handwritten paper label, inscribed ‘Queen’s Hotel, Southsea, Portsmouth, 1906’ 141.2cm high, 41cm wide

£2,000­3,000

211

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473 AN OAK STAMP DISPENSER AND LETTER BOX MID­20TH CENTURY the top with two stamp dispensing mechanisms, the base with a hinged panelled door with a single letter slot, with maker’s label ‘Hall Telephone Accessories Ltd, Dudden Hill Lane, London, N.W. 10’ 144.2cm high, 43.5cm wide, 27.5cm deep

£200­300

474 A PAIR OF VICTORIAN MAHOGANY STAMP DISPENSERS

BY J. COX with brass mounts and with a base drawer, applied with an enamel plaque, inscribed 'By Her Majesty's Royal Letters Patents, J. C. Cox, Inventor, Patentee & Manufacturer, Lit. Water Lane, Queen Victoria St. London, E. C.' (2) 41.3cm high, 43.5cm wide, 21.3cm deep

£200­300

475 AN OAK COUNTRY HOUSE LETTER BOX

BY J.C. VICKERY, MID­20TH CENTURY applied with a brass plaque, inscribed ‘E R Crown’ and ‘Letters’, with a single slot, above a part glazed door with an ivorine trade label, inscribed ‘J.C. Vickery, To his Majesty the King, Her Majesty the Queen, 179,181, 183 Regent St. W.’ 43cm high, 28.5cm wide, 21cm deep

£200­300

473

474

212

475

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476 A BLACK SILK TOP HAT

BY G. A. DUNN & CO., FIRST HALF 20TH CENTURY with maker’s mark, contained within a brown leather bucket shape hat box, with a red velvet lining (2) hat: 14.8cm high, 20.5 x 16.5cm interior

£200­300

477 A BLACK SILK TOP HAT LATE 19TH / EARLY 20TH CENTURY in a card hat box for ‘Coop & Co. Wigan’ (2) hat: 18.7cm high, 19.3 x 15.8cm interior

£100­150

478 A BLACK SILK TOP HAT

BY HERBERT JOHNSON, C.1940 with maker’s mark ‘Herbert Johnson 38 New Bond Street’ hat: 17.5cm high, 20 x 16.3cm interior

£200­300

213

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480 479 479 A BLACK SILK TOP HAT

BY HERBERT JOHNSON, EARLY 20TH CENTURY with maker’s mark ‘Herbert Johnson 38 New Bond Street’, in a fitted case (2) hat: 16.7cm high, 20 x 16.5cm interior

£200­300

480 A COLLECTION OF HATS MID­20TH CENTURY comprising; a chauffeur’s hat by Grantham, an opera top hat by Samuel Mortlock & Son, a lady’s brown felt bowler hat by Woodrow, two black felt bowler hats, one by New & Lingwood Ltd., the other by Herbert Johnson (5)

£200­300

481

481

A COLLECTION OF BOATER HATS 20TH CENTURY comprising; an example by Olney, one by G.A. Dunn & Co. and two others, together with a glazed case of three miniature boater hat samples, facsimile titles for Heaphys (5) 57 x 44.7cm

£200­300

482 A VICTORIAN OAK TRAVELLING FOOTSTOOL

BY FINNIGAN’S, LATE 19TH CENTURY with a studded leather seat and folding legs, marked in gilt ‘Finnigan Manchester’ 11.5cm high, 22cm wide

482

214

£100­150

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483 A LEATHER STICKSTAND

BY FINNIGAN’S, EARLY 20TH CENTURY with embossed decoration, the base with maker’s mark ‘Finnigan’s Manchester’ 52.4cm high

£200­300

484 A LATE VICTORIAN WROUGHT IRON AND OAK LADY’S BOOT JACK LATE 19TH CENTURY together with another boot jack (2) 58cm (max)

£200­300

485 A BROWN LEATHER OVERNIGHT CASE EARLY 20TH CENTURY together with a brown leather Gladstone bag (2) 53.5cm wide (max)

£300­400

215

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486

486

487

488

TAXIDERMY. A PRESERVED PIKE ATTRIBUTED TO COOPER, EARLY 20TH CENTURY

A TREEN CIDER MEASURING STICK LATE 19TH CENTURY

A COCO DE MER BASKET (LODOICEA MALDIVICA) LATE 19TH CENTURY

mounted in a naturalistic setting, in an ebonised and gilt bowfront glazed case 39.3cm high, 100cm wide, 19.8cm deep

engraved with measurements up to seventy­nine inches 201.7cm long

with twin divisions 28 x 24cm

£100­150

£600­800

488

487 216

£200­300

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489 A QUARTZ CRYSTAL AND SPECIMEN MINERAL GROUP

mounted on an ebonised base, applied with a printed paper label, inscribed ‘London’, under a glass dome 44cm high

£300­500

λ 490 A RARE BLACK CORAL SPECIMEN

mounted in a glazed ebonised case, with a brass suspension ring 35cm long

£400­600

λ 491 A WHITE CORAL DIORAMA LATE 19TH CENTURY in a naturalistic setting, mounted with various specimens, in a glazed giltwood case 33.5cm high, 60.4cm wide, 56cm deep

£800­1,200

217

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493

492

492 A COLLECTION OF CHESS SETS AND GAME BOARDS 19TH CENTURY AND LATER comprising: a boxwood and ebony Staunton pattern chess set by Jacques, a bone barleycorn chess set, natural and stained red, a Chinese lacquer folding games box, a parquetry cribbage board, a travelling chequer board, a set of bone backgammon counters, a leather book games board, a ‘Royal Cabinet of Games’ compendium in a simulated walnut case and a specimen wood folding games board (A lot) 49.3cm (max)

£200­300 493 A COLLECTION OF COPPER JELLY MOULDS 19TH CENTURY including: one by Benham and Froud, two by Trottier of Paris, together with three measures and four tumbler cups (24) 24.7cm high (max)

£300­400

494

494 A PLATED COCKTAIL SHAKER C.1950 the rotating body inscribed with the name of fifteen cocktails and their ingredients, together with a glass soda siphon with a white metal lattice overlay cover (2) 34cm high

£100­150 495 AN AUSTRIAN SILVER HANDLED WALKING CANE

BY GEORGE ANTON SCHEID, EARLY 20TH CENTURY 495

the handle in the form of an ostrich head with glass eyes, stamped ‘G. A. S.’, with an ebonised shaft and brass ferrule 85.5cm long

£200­300

218

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496 A LARGE POTTERY VASE

BY LIPSCOMBE & CO., EARLY 20TH CENTURY with sponged decoration, impressed marks ‘Lipscombe & Co. Patentees London’ 69cm high

£400­600

497 A PAIR OF VICTORIAN PAINTED TERRACOTTA FIGURES OF CLOWNS

BY PHILLIPS OF WESTON­SUPER­MARE, MID­19TH CENTURY each polychrome decorated, one titled ‘Boswell’, with impressed marks ‘Phillips, WS Mear’ and inscribed ‘C. P. September 1864’ (2) 40.5cm high

£300­500

498 A PAIR OF VICTORIAN CORNISH TURNED SERPENTINE VASES C.1880 each with a pear shaped body (2) 31.8cm high

£200­300

219

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499 A PAIR OF MAPUCHE TREEN STIRRUPS CHILE, LATE 19TH CENTURY of anchor shape, carved with Mapuche symbolism and cosmogony, with flowerheads and rondels (2) 19.4cm high, 20.6cm wide Catalogue Note These stirrups were probably used for rituals and ceremonies in which horses were adorned with rich and elaborate tack. They are based on Argentinian campana stirrups.

A related pair of stirrups can be found in the Metropolitan Museum of Art, accession number: 42.50.440­441.

£250­350 499

500 AN AMERICAN PAINTED CAST IRON MONEY BOX LATE 19TH / EARLY 20TH CENTURY in the form of a house, the back indistinctly stamped 15.8cm high, 15.7cm wide.

£80­120 501 A PAIR OF VICTORIAN BROWN STONEWARE SPIRIT BARRELS

BY DOULTON & WATTS, C.1850 each decorated with the Royal Coat of Arms and with a brass tap, the tops with impressed marks and numbers (2) 26.5cm high, 23cm wide

£150­250 502 A VICTORIAN DOULTON POTTERY BLUE & WHITE TOILET LATE 19TH CENTURY

500

501 220

the pan marked ‘Doulton & Co. Limited, The Simplicitas Patent Works, Lambeth & Paisley’ 42.7cm high

£150­250

502

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503 A RARE FRENCH STEEL ‘TIRE-BOUCHON A CAGE’ CORKSCREW LATE 18TH CENTURY with a brass collar above the turned handle and an openwork cage barrel, the slender helix with a removable cover 12cm long Catalogue Note For a similar slightly earlier example, see Bernard Watney and Homer Babbidge, Corkscrew for Collectors, p.35, pl.23.

£1,000­1,500

504 A GEORGE III SILVER MEDAL DATED ‘1805’ unmarked, in the form of an artist’s palette, the obverse with a ribbon tied laurel wreath, inscribed ‘The Honorary Pallet of the Society for Promoting Arts, Manufactures and Commerce’, the reverse with a scroll with paint brushes, inscribed ‘Miss Hellicar, MDCCCV, For a drawing of flowers’, in a red leather velvet lined case 6.3cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

505 A BRONZE CORKSCREW OF THOMASON TYPE 19TH CENTURY with a bone handle with a brush, the barrel applied with the Royal Coat of Arms and inscribed ‘Patent’ 21.2cm high

£200­300

221

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507 506

506

507

A VICTORIAN COPPER DOG COLLAR MID­19TH CENTURY

A VICTORIAN BRONZED CAST IRON PLAQUE OF THE ‘LAST SUPPER’

BY COALBROOKDALE, LATE 19TH CENTURY

with serrated borders and inscribed ‘B.Ryall Warminster’, with padlock and key 17cm diameter

£150­200

the base with a latin inscription from Matthew, Chapter 26, the back signed 37.2 x 67.2cm

£150­250 508

509

A PAIR OF GILTWOOD WALL BRACKETS 19TH CENTURY

A MAHOGANY POCKET COMPASS 19TH CENTURY

each carved with a female mask and scrolls (2) 40cm high, 32.3cm wide

£300­500

together with a boxwood pocket sundial and compass (2) 7.5cm (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 508

510 A PAIR OF VICTORIAN GILTWOOD AND COMPOSITION FRAMES C.1860­70 containing watercolours of fruit, together with a near pair of smaller frames with watercolours of flowers (4) 66.8 x 48.3cm (max)

£200­300

509

222

510

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511

511 A PAIR OF VICTORIAN PRINTS OF GAME BIRDS LATE 19TH CENTURY hand­coloured lithographs, with real pressed leaves, in later glazed gilt frames (2) 32 x 39.8cm

£200­300 512 A GEORGE III DISSECTED PUZZLE

BY JOHN WALLIS, LATE 18TH CENTURY the hand­coloured engraving on wood depicting English monarchs from William I to George III, in a mahogany box, the sliding lid with a printed label, inscribed ‘Wallis’s Royal Chronological Tables of English History, on a Plan similar to that of the Dissected Maps, Published March 31st 1788 by John Wallis, No.13m Warwick Sqre, London’ 41.4 x 58.5cm Catalogue Note Dissected puzzles were the forerunners of jigsaws, they were very simply made, by placing a picture on a piece of wood and cutting them into shapes.

512

£500­700 513 A LARGE POSTCARD ALBUM EARLY 20TH CENTURY containing a large quantity of postcards, with a dedication ‘For Pat from Uncle Bob, July 1914’

£200­400

513 223

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19TH AND 20TH CENTURY

FURNITURE

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514 514

515

AN EARLY VICTORIAN MAHOGANY TWIN PEDESTAL PARTNER’S DESK MID­19TH CENTURY

AN EARLY VICTORIAN FLAME MAHOGANY COMPACTUM WARDROBE C.1840

the moulded edge top inset with a later gilt tooled writing surface, the front with an arrangement of nine drawers, the back with three frieze drawers and a pair of cupboards, each enclosing a shelf 76.5cm high, 154cm wide, 101cm deep

with a central scroll and rosette carved surmount, above a pair of panelled doors, enclosing a later hanging rail and two pull­out slides, above two short drawers and one long deep drawer, flanked by a pair of conforming cupboards, each fitted with a later hanging rail, brass hooks and formerly with shelves 199.5cm high, 256.7cm wide, 66.4cm deep

£1,000­1,500

£300­500

515 225

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λ 516 AN EARLY VICTORIAN ROSEWOOD AND PARQUETRY OCCASIONAL TABLE C.1840­50 the circular top inlaid with specimen woods with star designs 70cm high, 58.5cm diameter

£200­300

517 A VICTORIAN MAHOGANY MINIATURE WELLINGTON CHEST LATE 19TH CENTURY fitted with seven drawers and with a locking pilaster bar, with brass side carrying handles 50.5cm high, 32cm wide, 27cm deep

£300­400

518 A DANISH TRIPOD TABLE 19TH CENTURY AND ASSOCIATED the circular ebonised and painted top decorated with four portrait miniatures of children, each named and with panels of scrolling leaves, with a German inscription and the date ‘1879’, on an associated mahogany base 70.8cm high, 47.5cm diameter

£150­250

226

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519

520

519 A REGENCY PAPIER-MÂCHÉ TRAY TABLE EARLY 19TH CENTURY AND LATER black japanned, painted in red, gilt and green, with a central urn, ho­ho birds, scrolling leaves and butterflies, later mounted on a faux­bamboo base, with a plate glass top 47.3cm high, 62.5cm wide, 51.5cm deep

£200­300 520 AN EBONISED WOOD HALL BENCH 20TH CENTURY with parcel gilt decoration of leaves and flowers, on scroll front supports and bun feet, with a squab cushion (2) 45.5cm high, 114.5cm wide, 32cm deep

£300­500

521

521

A BLACK LACQUER AND PARCEL GILT TORCHÈRE IN REGENCY STYLE the shaped top painted with a leaf patera, on a turned baluster and ribbed stem, on a tripod base 87.7cm high, 43.5cm wide

£100­150 522 AN EARLY VICTORIAN PAPIER-MÂCHÉ CHAIR C.1850 inlaid with mother of pearl and with gilt highlights, depicting two Turkish style palaces, with a cane seat

522

£100­150 227

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523

524 523 A PAIR OF CARVED OAK OPEN ARMCHAIRS IN CHARLES II STYLE LATE 19TH CENTURY each with a leaf and scroll decorated back above a green plush upholstered seat (2)

£150­200 524 A MAHOGANY TRIPOD TABLE IN GEORGE III STYLE

the circular tilt­top with a moulded pie crust edge, the cabriole legs carved with ribbon tied sheaves of wheat 72.4cm high, 74.3cm wide

£100­150 525 A MAHOGANY COACHING GAMES TABLE IN CAMPAIGN STYLE, LATE 19TH / EARLY 20TH CENTURY

525

with a baize lined interior and with a divided frieze drawer with nickel plated mounts, with a bone plaque, inscribed ‘Best London Make’ 71cm high, 77.5 x 86.5cm (open)

£200­300 526 A VICTORIAN SAILOR’S WOOLWORK PICTURE C.1860­70 depicting a ship flying a single flag, in a glazed mahogany frame 32.3 x 43cm

£150­200 526 228

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527 A VICTORIAN MAHOGANY CAMPAIGN CHEST MID­19TH CENTURY in two halves, with brass mounts, with two short and three long drawers with Bramah locks, with sunken military style handles and on bun feet 111.8cm high, 106.7cm wide, 50cm deep

£400­600

528 A BALEEN SAILOR’S SCRIMSHAW LOVE TOKEN STAY BUSK 19TH CENTURY decorated with lovehearts, baskets of flowers, a flag and two ships, one titled ‘Venus’ 38cm long

£200­300

529 NAVAL INTEREST. AN EXOTIC HARDWOOD TRIPOD TABLE 19TH CENTURY the octagonal tilt­top inlaid with cube parquetry, the centre with a garter, inscribed ‘H. M. S. Thetis’ and a central parquetry star, on a turned stem and scroll supports 73.5cm high, 64.5cm wide Catalogue Note H.M.S. Thetis was a forty­six gun frigate of thousand and eighty­six tons, built in Pembroke in 1817. She was wrecked on the coast of Brazil on the 5th December 1830.

£200­300

229

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530 530

531

A LATE VICTORIAN SATINWOOD SIDE CABINET IN THE MANNER OF HOLLAND AND SONS, LATE 19TH CENTURY

A SATINWOOD CARLTON HOUSE DESK IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY

with gilt brass mounts and inlaid with stringing and cross banding, with a central panelled door inset with a Wedgwood style jasperware classical plaque, enclosing two plush lined shelves, flanked by a pair of glazed doors, each enclosing two shelves, the back stamped ‘08 884’ 106.5cm high, 184.5cm wide, 44.5cm deep

inlaid with stringing, the brass pierced gallery above an arrangement of drawers and curved cupboards, with a leather writing surface, above three frieze drawers, on brass castors 98.3cm high, 114cm wide, 61.2cm deep

£3,000­5,000

£400­600

531 230

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532 A FINE VICTORIAN WALNUT AND MARQUETRY CENTRE TABLE ATTRIBUTED TO HOLLAND AND SONS, C.1860 with ormolu mounts, the shaped top finely inlaid with satinwood and various fruitwoods, some stained green and red, on an ebonised and kingwood ground, with scrolling leaves, flowers, lattice and strapwork, the corners with bearded male masks, above a pair of frieze drawers, on fluted legs and leaf carved scroll supports united by a stretcher and on ceramic castors 73cm high, 129cm wide, 71cm deep

£5,000­8,000

231

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533 A LATE VICTORIAN MAHOGANY BREAKFRONT DISPLAY CABINET IN SHERATON STYLE, LATE 19TH / EARLY 20TH CENTURY inlaid with boxwood stringing and satinwood banding, with conch shells and fan spandrels, with geometric astragal glazed doors, enclosing a velvet lined interior with fixed shelves 203.5cm high, 102.7cm wide, 49.2cm deep Provenance Dean’s Farmhouse, Stratford­sub­Castle, Salisbury.

£300­500

534 A NEST OF THREE SHERATON REVIVAL SATINWOOD OCCASIONAL TABLES LATE 19TH / EARLY 20TH CENTURY each painted with flowers and with a serpentine edged top, the largest with a central panel of cherubs (3) 63.3cm high, 55.7cm wide, 34.7cm deep

£200­300

535 A SHERATON REVIVAL PAINTED SATINWOOD SIDE TABLE LATE 19TH / EARLY 20TH CENTURY decorated with ribbon tied laurel leaves, fruit, flowers, portrait medallions and a cherub 77.6cm high, 90.8cm wide, 44.5cm deep

£200­300

533

534 232

535

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536 A LATE VICTORIAN SATINWOOD AND MARQUETRY BOWFRONT DISPLAY CABINET IN THE MANNER OF HOLLAND AND SONS, LATE 19TH CENTURY in two parts, inlaid with urns, swags and paterae, with crossbanding and stringing, the upper section with a pair of glazed doors enclosing three plush lined shelves, flanked by further doors, with a conforming base section, the panelled doors enclosing a shelf 218.1cm high, 154.2cm wide, 38.5cm deep

£2,000­3,000

537 A PAIR OF SATINWOOD DEMI-LUNE CARD TABLES IN GEORGE III STYLE EARLY 20TH CENTURY each inlaid with stringing and kingwood crossbanding, each with a fold­over top revealing a baize lined playing surface, on a single gate support (2) 75.8cm high, 93.3cm wide, 46.3cm deep Provenance Purchased from Obelisk Antiques, 7th March 1998.

£1,500­2,000

536

537

233

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538 A PAIR OF LEATHER AND BRASS STANDARD LAMPS 20TH CENTURY of triform shape (2) 149.5cm high

£400­600

539 A SET OF FOUR BRASS CANDLESTICKS IN GEORGE III STYLE

BY MAITLAND­SMITH, MID­20TH CENTURY each with a turned stem and a dished base, the undersides of two with labels, inscribed ‘handmade and designed by Maitland­Smith Ltd. Hong Kong’ (4) 19.2cm high

£100­200

540 A GILT BRASS HALL LANTERN LATE 19TH CENTURY with four bevelled and etched glass panels and with pierced leaf and scroll decoration, with a later three­light fitting 43.2cm high, 27.2cm wide

£700­900

234

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542 541

541 A MAHOGANY AND MARQUETRY DUMB WAITER 18TH CENTURY AND LATER inlaid with urns of flowers, bands of leaves and panels of birds, with three dished tiers, on leather roller castors 119.8cm high, 57.5cm diameter

£800­1,200

542 A PAIR OF VICTORIAN WALNUT ARMCHAIRS C.1860­70 later button upholstered, on ribbed baluster front legs and brass castors (2)

£800­1,200

543 A BURR WALNUT PEDESTAL

BY NIGEL NORTHEAST, C.1998 with gilt brass mounts and kingwood banding 146.7cm high, 46.5cm wide, 32.8cm deep

£200­300

543 235

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544 A LATE VICTORIAN IRON AND BRASS BED

BY JAMES SHOOLBRED with turned ball finials and a railed head and footboard, on castors, with an applied brass plaque, inscribed ‘James Shoolbred, Tottenham House, London’ 144.8cm high, 139.5cm wide, 207cm long

£400­600

545 A PAIR OF LATE VICTORIAN WALNUT WALL SHELVES C.1880 of open form, relief carved with leaves and flowers (2) 55cm high, 26cm wide, 14cm deep

£150­200

546 A STEEL ROCKING CHAIR AFTER A DESIGN BY R. W. WINFIELD & CO., LATE 19TH / EARLY 20TH CENTURY with later button upholstered brown leather seat and armrests Catalogue Note A very similar rocking chair was exhibited by R. W. Winfield & Co. of Birmingham at the Great Exhibition of 1851.

£400­600

236

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547 TWO SOFAS EARLY 20TH CENTURY AND LATER each with loose covers, one on square tapering front legs and on ceramic castors, the other in Howard style, possibly by George Smith (2) 86.5cm high, 186.5cm wide, 87cm deep and 73cm high, 178cm wide, 90cm deep

£300­500

237

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548 A NORTH WEST PERSIAN CARPET MID­20TH CENTURY of Herat design 355 x 250cm

£400­600

549 A FEREGHAN KELLEH CARPET HAMADAN AREA, LATE 19TH CENTURY 505 x 220cm

£400­600

238

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550

551

550 A KAZAK SHIKLI RUG SOUTH WEST CAUCASUS, EARLY 20TH CENTURY 240 x 139cm

£400­600 551 A KARABAKH RUG SOUTH CAUCASUS, FIRST HALF 20TH CENTURY 226 x 128cm

£200­300 552 AN AGRA RUG INDIA, LATE 19TH / EARLY 20TH CENTURY 230 x 138cm

£300­500

552 239

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553 A TURKISH STYLE CARPET POSSIBLY DONEGAL, EARLY 20TH CENTURY 452 x 394cm

£200­300

553

554 AN ANATOLIAN YORUK KILIM EARLY 20TH CENTURY 330 x 129cm

£200­300

555 A KAZAK RUG SOUTH WEST CAUCASUS, FIRST HALF 20TH CENTURY with triple medallions 273 x 166cm

£200­300

END OF SALE 240

555

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0) 20 7459 4749 jammdesign.co.uk

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

AUCTION CALENDAR ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2022 AUCTIONS

2022 MARCH 16th & 17th 30th

Clarice Cliff, Art Deco & Design Furniture, Works of Art & Clocks

APRIL 7th 12th & 13th 26th 27th

Fine Jewellery Silver & Objects of Vertu English & European Ceramics & Glass African & Oceanic Art | Antiquities

MAY 17th & 18th 25th 31st

Asian Art, Chinese Paintings & Japanese Works of Art Medals & Coins, Arms & Armour Modern British & 20th Century Art

JUNE 15th 29th

Fine Arts and Crafts Furniture, Works of Art & Clocks

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A treen frog or toad snuff box SOLD FOR £2,500*

www.woolleyandwallis.co.uk