Woolley & Wallis Auctioneers

FINE JEWELLERY WEDNESDAY 2ND & THURSDAY 3RD NOVEMBER 2022 10.00AM

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below JEWELLERY

VALUATIONS FOR INSURANCE & PROBATE

Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Megan Corbett

424595 424504 424586 424562

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Molly O’Reilly

339752 446980

ASIAN ART John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Michelle Yu Sophie Moore

Freya Yuan­Richards Michelle Yu

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

FURNITURE, WORKS OF ART & CLOCKS 411854 446974 339161 446974 339161

JAPANESE ART Alexandra Aguilar

424502 446974 424509

GENERAL OFFICE Ruth Pike (Office Manager) Sarah Bennie Leyanne Hind Serina Tandy­Cockram Nicola Young

424500

CASTLE GATE RECEPTION Sally Litherland

MARKETING 424506 424583 424589 +44 (0)7812 601098 424571 424591

CHINESE PAINTINGS & CALLIGRAPHY

Mark Yuan­Richards Neil Grenyer Jim Gale Suzy Becsy Sarah Stone

Jeremy Lamond MRICS ASFAV FRSA Neil Grenyer Amanda Lawrence

424583

Chloe Davie

446951

ACCOUNTS Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

CBP006075

SILVER Rupert Slingsby Lucy Chalmers

424501 424594 SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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FINE JEWELLERY WEDNESDAY 2ND NOVEMBER 2022 10.00AM

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

LOTS 1-381

THURSDAY 3RD NOVEMBER 2022 10.00AM LOTS 382-695

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

both days at at our Castle Street Salerooms, SP1 3SU

VIEWING AT CASTLE STREET, SP1 3SU Friday 28th October Saturday 29th October Monday 31st October Tuesday 1st November

Samuel Hug FGA DGA 01722 424586 sh@woolleyandwallis.co.uk

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm

No viewing on the days of the sale

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 1st November

Megan Corbett 01722 424562 mc@woolleyandwallis.co.uk

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 1st November

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults.

EXPORT AND CITES LICENCES

Instagram: @woolleyandwallisjewellery @woolleyandwallissalerooms

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance.

Facebook: @woolleyandwallis

ILLUSTRATIONS Front cover: Lot 695 Inside front cover: Lot 672 and 673 Page 1: Lot 666 Back cover: Lot 691 Catalogue £10.00 (£15.00 by post)

Twitter: @woolleywallis Pinterest: Woolley and Wallis

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JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gemstones included in that particular lot. These certificates may have been obtained by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are lifesized, and weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Pearls known and guaranteed to be cultured or natural are described as such in the cataloguing. Where the origin of a pearl is unknown and not guaranteed, it is described simply as a ‘pearl’, and it will be specified in the cataloguing as untested. Pearls described in this way are guaranteed to be pearls and not simulants, but their origin is not guaranteed as either natural or cultured. Items described as ‘seed pearls’ have also not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gemstones including pearls, synthetic diamonds and HPHT enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

COLLECTION OF LOTS BY APPOINTMENT CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

VAT Please note that lots marked † are subject to VAT on the hammer price.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/ ARTISTS’S RESALE RIGHTS / DROIT DE SUITE Lots marked ‡ are potentially subject to a levy.

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A large selection of jewellery boxes and a Must De Cartier book

£100­200

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A mixed group of 20 jewellery boxes, including Cartier and Boucheron

£200­300

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100 assorted jewellery boxes, including Cartier (2) James R Ogden (2) and Tiffany

£400­600

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A Cartier leather necklace pouch, 27 x 21cm

£200­300

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6 5 A paste and artificial pearl sautoir, 80cm long, suspending a conforming tassel, in a fitted leather Fortnum & Mason box £300­400 6

28 assorted jewellery boxes

£200­300

To be sold without reserve

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A large selection of loose gemstones

£200­300

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A large quantity of jewellery, and costume jewellery

£600­800

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An assorted group of jewellery and costume jewellery

£200­300

10 A jewellery casket containing assorted jewellery, including a green paste rivière, a George III miniature mourning pendant, a cultured pearl necklace, a gold signet ring, a five stone pearl ring, a lava cameo brooch, and various other items of jewellery and costume jewellery £400­600

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11 11 A large collection of jewellery, comprising: a gold chain necklace suspending a trio of pendants set with circular­cut rock crystal, citrine and smoky quartz respectively, accented with brilliant­cut diamonds, Italian maker’s mark, stamped 750; a white gold, jadeite and diamond bangle, stamped 18K; a turquoise, garnet, coral and diamond demi­parure in white gold; a cultured pearl pendant on a black rubber cord necklace; a white gold ring of bombé design set with rose­cut rock crystal; a white chalcedony and rock crystal bead bracelet; a silver chain and cultured pearl bracelet and necklace by Elsa Peretti for Tiffany & Co., each signed Peretti, Tiffany & Co.; a large amber pendant; a large blue topaz inscribed with gilded Arabic calligraphy in a gold brooch, stamped 22K and 18K; a filigree ‘Hand of Fatima’ pendant centring on an enamel and diamond ‘Evil Eye’, on a cord necklace; three cultured pearl necklaces and two cultured pearl bracelets; three silver bangles by Yves Saint Laurent, each signed Saint Laurent; a pair of silver, peridot and diamond torque bangles; a mesh link bracelet with an Arabic calligraphy slide set with brilliant­cut diamonds; a sapphire and emerald ‘HH’ initial brooch; a simulant stone bee brooch by Dior, signed Christian Dior; a navette­shaped turquoise, amethyst and diamond pendant; a torque bangle set with rose­cut sapphires and single­cut diamonds; a gilt silver and cord bangle; a simulant diamond ring and a silver and coral sea urchin and starfish motif ring; a diamond pendant on a white gold pendant; a pair of silver bulldog cufflinks by Dunhill, signed Dunhill; a calibré­cut emerald and chain bracelet, one emerald deficient; a green chalcedony and onyx bracelet; an antique pair of citrine and paste earrings; a pair of carved conch shell and cultured pearl stud earrings; a cultured pearl pendant; a rose quartz pendant; an amethyst ring, a turquoise and diamond ring, and an amethyst, turquoise and diamond ring; thirteen pendant necklaces including larimar and diamond pendants; five bracelets; a spectacle­set black diamond chain necklace; a pair of earrings set with rose­cut diamonds; two chain necklaces, a gilt metal necklace, an enamel football pin badge, a Dior velvet and paste choker necklace; a collection of costume jewellery including matching necklace and earrings, a pair of ear clips, a brooch and a pair of simulant pearl earrings; a pair of silver filigree, green chalcedony and cultured pearl earrings; a wire work ring set with brilliant­cut diamonds; and a base metal magnetic bracelet with a green leather strap £300­400

12 A collection of jewellery, including a Cartier ‘Trinity’ bracelet, the bracelet composed of three interlocking rings in three­coloured gold, to a black cord bracelet, signed Cartier, numbered MOD122, Swiss assay marks for gold; a gilt base metal bracelet by Dior; an 18ct gold charm bracelet by Links of London, British hallmarks; three leather cord and paste bracelets by Fossil; a silver expanding bracelet by Links of London; a gilt silver and feldspar pendant necklace; a leather cord bracelet suspending five medallion charms with Arabic inscriptions set with brilliant­cut diamonds, one centred on polished turquoise; a gold, enamel, mother of pearl, hardstone and diamond ‘evil eye’ bracelet; two cord bracelets threaded with gold beads, one suspending seed pearls; a gold bracelet composed of bronze medallions decorated with Arabic inscriptions set with brilliant­cut diamonds, suspending a turquoise bead; and a leather cord necklace £200­300

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14 13 A group of eight wristwatches including one by Omega, comprising: five stainless steel watches by Longines; a stainless steel watch by Gucci; a stainless steel and mother of pearl watch by Omega with a pale green leather strap; and a stainless steel watch by Pelex £400­500

14 A large coral necklace, with a smaller coral bead necklace and an orange bead necklace, with a silver bangle, an Arts & Crafts amazonite necklace and a carved turquoise brooch £200­300 15 A mixed lot of jewellery, including a gold bangle, stamped 750, a long gold chain suspending a diamond­set pendant, and various other gold chains, necklaces and bracelets £800­1,200

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16 16 A collection of turquoise jewels, comprising: three turquoise and diamond rings, sizes M-N½; a ring pavé­set with circular­cut blue gemstones, size M½; three pairs of turquoise and diamond earrings, post fittings, longest pair 6.4cm; a pair of gold drop earrings with Arabic calligraphy, suspending turquoise drops, post fittings, length 9.8cm; and a similar circular turquoise pendant to a gold rope twist chain, pendant length 3.6cm, chain length 50cm, chain signed Chopard, stamped 750, pendant unsigned; a turquoise and diamond pendant, length 2.1cm; and a turquoise, sapphire and diamond pendant on a belcher link chain, pendant length 3.1cm, chain length 41cm, chain stamped 750 £600­800

17 A collection of gem­set jewellery, including a pair of ruby and diamond­set gold drop earrings, clip fiitings, 6cm high, a pair of diamond drop earrings, set in gold, post fittings, 10cm high, and a turquoise and diamond demi parure comprising earrings and three graduated long pendants in silver and gold, length of earrings 3cm each £1,500­2,000

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18 A group of gem­set jewels, comprising: a larimar and millefiori glass pendant on a gold ropetwist chain, chain length 25cm, chain signed Chopard, stamped 750, pendant unsigned, length 4.4cm; an amethyst, citrine and violet cubic zirconia pendant necklace; a pair of gold pendent earrings set with circular­cut synthetic rubies and briolette pink tourmalines, post fittings; a pair of hoop earrings set with rough and brilliant­cut diamonds, post fittings; a pair of gold and diamond stud earrings, post fittings; a pendant necklace of similar design; a cabochon sapphire and rose­cut diamond cluster ring, L½, one diamond deficient; a pear­shaped rose­cut ruby and diamond cluster ring, size M; a pendant composed of three interlocking rings in tricoloured gold, each set with brilliant­cut diamonds; a pear­ shaped cabochon turquoise and brilliant­cut diamond ring, size L½; a pendant necklace composed of oval links set with brilliant­cut diamonds, circular­cut garnets, peridot, citrine and a cabochon turquoise, to a fine link chain; and a Swarovski crystal bracelet £800­1,200 18

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20 A collection of jewels including a black diamond demi­parure, comprising: a set of three black diamond bead necklaces, longest length 87cm; and a matching pair of black diamond stud earrings inset with brilliant­cut diamonds, post fittings; a pair of gold and lapis lazuli drop earrings, hook fittings; length 4.8cm each; an onyx medallion pendant centring on a gold shou character, length 5.1cm; a gold and diamond pendant of stylised Arabic calligraphy, to a fine gold chain, pendant length 4.2cm, chain length 47cm; a pair of tubular link white gold necklaces enclosing cubic zirconias, length 42.5cm each; a turquoise and diamond bangle, mounted in gold, inner circumference 16.5cm; a gold bracelet accented with a brilliant­cut diamond heart; an aquamarine and diamond pendant on chain, chain signed Boodles; a synthetic ruby horseshoe pendant; a citrine, prasiolite, smoky quartz and diamond pendant on a phrenite bead necklace, pendant length 6.1cm; a mother of pearl and diamond medallion pendant, length 7.1cm; a mother of pearl and diamond butterfly ring; size O½; a pair of cultured pearl and diamond rings; each size Q; a pair of floral stud earrings set with multicoloured sapphires and brilliant­cut diamonds, post fittings, each diameter 1.5cm; a pair of simulated malachite and diamond stud earrings, post fittings, length 1.4cm each; a gold and diamond bracelet, length 18cm; a gold ring; size N; and a yellow sapphire and diamond pendant; pendant length 3.8cm, chain length 37cm, each marked 750 £100­200

19 A mixed quantity of jewellery, including a mother of pearl­set gold and diamond pendant, a labradorite pendant, a moss agate pendant, a silver Tiffany necklace, a white gold gem­set butterfly necklace and various other pendants £100­200

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21 A collection of tanzanite, sapphire and diamond jewellery, comprising: a sapphire and diamond demi­parure of earrings and necklace, set with oval sapphires and brilliant­cut diamonds, necklace length 31cm, earrings length 2.4cm, post fittings; a sapphire and diamond pendant designed as an oval enclosing a lozenge, set with circular­cut sapphires and brilliant­ cut diamonds, length 3.9cm; a tanzanite and diamond demi­parure of earrings and a ring, each set with an oval tanzanite within a border of marquise­shaped diamonds, earrings length 17mm each, post fittings, size O; a tanzanite, sapphire and diamond ring, size M; and two sapphire and diamond rings, sizes O and P, each stamped 750 £1,000­1,500

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22 A collection of emerald and diamond jewels; comprising: eight emerald and diamond rings, size N-O; six pairs of emerald and diamond stud earrings, post fittings, length of longest 1.7cm; six emerald and diamond pendants, one with a chain, longest pendant 2.4cm, chain length 45cm, chain with Italian maker’s mark, stamped 750; together with a suite of matching ring, earrings and pendant, each of twisted design set with an oval emerald, ring size N, earrings length 2.2cm each, post fittings; pendant length 2.1cm; and a ring set with a marquise­shaped sapphire between circular­cut diamonds, size N½ £1,000­1,500

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23 A collection of eight diamond pendants and two bracelets, comprising: a spherical pavé­set diamond pendant; a turquoise and diamond ‘evil eye’ pendant; a diamond pendant designed as a geometric abstract heart; a diamond pendant designed as a butterfly; two heart­shaped gold pendants partially set with brilliant­cut diamonds; a gold ring pendant set to both sides with brilliant­cut diamonds; a diamond pendant designed as a key, the top designed as an eye, the iris and pupil composed of a blue gemstone inset with a black diamond, longest pendant length 3.7cm, longest chain length 44cm; together with a diamond and pink sapphire ‘Hello Kitty’ bracelet, length 175cm, signed Sanrio, Hello Kitty by Victoria Casai; and a Swarovski charm bracelet set with paste stones. £800­1,200

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24 A mixed group of 20 rings, including a sapphire cabochon and diamond ring, an emerald and diamond half hoop ring, a malachite and onyx ring and various other gem­set gold rings, 78g total £500­700 25 A collection of jewels, comprising: a silver and blue guilloché enamelled fob watch necklace, circa 1900, watch length 4.3cm, chain length 54cm, Swiss assay and British import hallmarks for silver; numbered 197212; a late 18th/early 19th century pear­shaped brooch set with foil­backed garnets, length 2.8cm, later brooch fitting; a star sapphire and half pearl cluster ring, size N½; an Edwardian brooch designed as a ring of seed pearls and circular­cut sapphire, numbered 47217, fitted case stamped C Sewell; a silver, cultured pearl and marcasite laurel wreath brooch; a garnet and half pearl cluster ring, size O, stamped 14K; a bicoloured 18ct gold rope twist watch chain, length 35cm; a gold medallion pendant with the Chinese character fu for good fortune, length 5cm; four enamel, mother of pearl and seed pearl buttons, each stamped 18K; three enamel and half pearl shirt studs; a pair of gilt metal and cultured pearl collar studs; and an additional pair of plain gold collar studs, each stamped 18, together with three cases, pearls untested £300­500 26 A gold ‘Evil Eye’ bracelet, set with mother of pearl and diamonds in gold, with a pair of gem­set gold hoop earrings, a pair of enamel and diamond ladybird pendants in 18ct yellow gold, a rose­cut diamond ring a pair of diamond­set cultured pearl earrings and a gold charm bracelet £300­400

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27 A collection of 15 stick pins, including a synthetic ruby and diamond stick pin, a reverse­ carved crystal burgee stick pin and various other gem­set and plain gold stick pins £200­300 28 A collection of seven stick pins, early 20th century, comprising: one with a sycamore leaf in green enamel with the initials AIBES in reserve; one with a painted miniature of a lady; one with a black pearl; one with a rabbit finial; one with a blindfolded lady; one modelled as a spider with a pearl abdomen, a sapphire thorax and rose­cut diamond eyes; all mounted in gold, together with one gilt metal military stick pin, longest 7.5cm, pearls untested £200­300 29 A collection of four gold and gem­set stick pins, late 19th century, comprising: one stick pin set with a step­cut emerald; one set with a cushion­shaped diamond suspending a lapis lazuli bead; one set with a turquoise cabochon; and another of trefoil design, set with a diamond, a sapphire and a garnet, each mounted in gold, the longest 7.2cm £200­300 30 A gold and enamel novelty stick pin, late 19th century, designed as a lantern with glazed panels and a conical top, enclosing an enamelled candle, mounted in gold, length 8.8cm £300­400 31 Giacomo Franchini (1827­1897), a rare and unusual Italian glass cane portrait tie pin, circa 1860 and later, set with a miniature portrait of the Italian statesman Camillo Benso, Count of Cavour (1810­1861) made from a single cross section of glass cane, within a glittering border, to a base metal pin with gilt metal stopper, cane 8.3mm diameter, total length 6.7cm, case £150­200 30

Giacomo Franchini (1827­1897) was the son of a Venetian glass maker, who mastered the art of making incredibly intricate and lifelike portraits in the unforgiving medium of millefiori glass, particularly of major figures in Italian reunification, such as the present portrait of Cavour. Partly due to the obsessively detailed nature and small scale of his artistic output, Franchini’s mental health deteriorated and he was confined to an asylum from 1863, where he remained for the rest of his life.

Please see Giovanni Sarpellon, ‘Miniature Masterpieces. Mosaic Glass 1838-1924’, Munich 1995, pp. 70­90, for additional information on on Franchini’s life and works.

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32 A group of nine gold and gem­set jewels, 19th century and later, comprising: a gold chain bracelet, the clasp set with an oval amethyst; a gold brooch set with a hexagonal amethyst; a gold roundel brooch centred on a filigree basket set with white and pink coral beads; a brooch set with an oval panel of chalcedony inlaid with floral designs in turquoise, to a gold border; a gold bar brooch set with two sapphires and a diamond, British hallmarks for 15ct gold; a gold brooch with pavé­set turquoise cabochons at the centre; a modern abstract scroll brooch, stamped 585; a modern medallion pendant with Arabic inscription, stamped 750; and a floral gold filigree brooch £400­600 33 A collection of gem­set jewellery, 19th century and later, comprising: a large cabochon moonstone and hessonite garnet brooch, a gilt metal, onyx and carnelian brooch; a gold bar brooch set with cabochon garnets and rose­cut diamonds; a gold bar brooch set with a cabochon opal; a gold ring set with an opal doublet; a 9ct gold and moss agate brooch, British hallmarks; a 9ct gold and carved nephrite brooch, British hallmarks; a 9ct and white enamel Yorkish rose pendant, British hallmarks; a gilt metal and banded onyx pendant; a brooch set with rose­ cut and cabochon garnets; a pair of banded onyx cufflinks, one back fitting deficient; and three drop earrings set with aventurine quartz £300­500 34 A diamond­set gold pendant by Boodles, set with black and white diamonds on an 18ct white gold diamond­set chain, with five other gem­ set gold pendants and a bracelet £600­800

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35 A group of jewellery including a pair of diamond stud earrings, comprising: a pair of diamond earrings of oval outline, set with brilliant­ cut diamonds, length 0.8cm each, post fittings; a pair of ruby and diamond earrings, post fittings, length 0.9cm each; two ruby pendants, length of longer pendant 1.5cm; three amethyst and diamond rings, sizes N½-O½; a garnet and diamond ring, size N½; a red paste stone, and an orange sapphire line bracelet, length 17.7cm, stamped 750 £800­1,200 36 A collection of jewellery, comprising: a gold brooch designed as a horse, pavé­set with brilliant­ cut diamonds of varying tints, length 4.2cm, diamonds not tested for natural colour origin; a gold rope twist link bracelet set with trios of brilliant­cut diamonds, length 19.5cm; a bicoloured ring with the design of a panther, size O½; and a rock crystal heart brooch tied with gold ribbons set with brilliant­cut diamonds, length 4.2cm £1,000­1,500 37 Three diamond pendants, each of rectangular outline, set with brilliant­cut diamonds, two with stylised Arabic calligraphy, each mounted in white gold, to white gold chain necklaces, length of longest pendant 5.2cm including bail, length of longest chain 46cm £800­1,200

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38 A group of four pendants and a brooch, comprising: a mother of pearl and diamond pendant in the shape of an island, pendant width 4cm, necklace length 42.5cm; a diamond pendant modelled as a horse, pendant 3.3cm, necklace 44.5cm, chain stamped 750; a gold, ruby and diamond pendant designed as a fox, to a gold chain, pendant length 4cm, necklace length 40.5cm, chain with Italian marks. stamped 750; a diamond pendant designed as an abstract boat sail, to a fine box link chain, pendant length 2cm, chain length 50cm, chain stamped 750; and a gold pendant modelled as a dachshund, accented with brilliant­cut diamonds, length 4.5cm, stamped 750 £800­1,200 39 Settle Brothers, an 18ct gold pocket watch, circa 1864, the exterior finely engraved with the coat of arms of the city of Coventry within a wreath of leaves, the reverse with a plough within a border of wheat, opening to reveal a white enamelled dial with black Roman numeral indicators, with subsidiary seconds dial and blued steel hands, and a backplate engraved with floral designs, to a later snake link watch chain, length of watch 7.2cm including suspension ring, dial signed Settle Brothers Coventry, case back with British hallmarks for London, 18ct gold, date letter i for 1864, case maker WIH, movement plate signed Settle Brothers Coventry AD 1864, two keys for winding and time adjustment, fitted case; together with two gold rings, Russian assay marks; and a pair of 9ct gold cufflinks, British hallmarks £600­800

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40 Five gold bracelets, comprising: a hinged gold bangle set with half seed pearls; a hinged 9ct bangle set with circular­cut sapphires and rose­cut diamonds, British hallmarks; a three­coloured gold link bracelet, stamped 750; a gold link bracelet set with circular­cut blue zircons, signed SB&S Ld, 15CT; and a hinged gold bangle, composite, clasp missing, front with British hallmarks for 9ct gold £300­500 41 A group of Victorian garnet and ruby jewels, comprising: a 9ct gold bangle set with rubies and diamonds, 6cm inner diameter, a George III gold brooch set with seed pearls and garnets, a Victorian gold brooch set with garnets and two other items set with red stones in metal £200­300

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43 42

λ 42 A group of cameo and tortoiseshell piqué work jewels, 19th century, comprising: a singe set with an oval agate cameo depicting Cupid, cameo 2 x 1.5cm, ring size O; a brown lava cameo of Omphale, length 4.9cm; a pair of lava cameo earrings carved with female figures, hook fittings, length 5.6cm; an additional pair of darker lava cameo earrings carved with women in profile, hook fittings, length 2.2cm; an oval tortoiseshell piqué work brooch depicting Bacchus, length 4.6cm; and two tortoiseshell piqué work brooches of circular outline with radiating designs in gold and silver inlay, larger diameter 4cm £200­300 44

43 Six items of mourning jewellery, including a gold ring containing hair and decorated with black enamel, inner inscription for 1847, size N, a gold ring with plaited hair, a gold ring containing plaited hair, decorated with black enamel inscription for Alex and Elizabeth Brown 1830 and 1832, size U, with a gold mourning brooch, a mourning pendant and a small circular locket pendant £400­600 44 A set of onyx cameo studs and a rock crystal pendant, the three shirt studs and one larger collar stud each set with a section of banded onyx carved as a flower, within gold settings applied with black enamel decoration, fitted case stamped William Wray; the pendant composed of rock crystal enclosing an impression of a sovereign coin depicting George III, length 3.2cm including bail £200­300 45 A group of jewels, 19th century, comprising: a foliate gold bar brooch set with seed pearls, stamped 15ct; an enamelled gold roundel brooch set with four cushion­ shaped rubies and a seed pearl; an amethyst and mother of pearl cluster brooch; a floral brooch set with pyrope garnets; a pendant set with purple and colourless paste; and a small chatelaine ribbon fitting applied with enamel and set with a cabochon ruby; jewellery case stamped Collingwood and Co. £200­300 46 A group of jewels, comprising: a gilt metal charm bracelet suspending nine charms, including a fob seal with a rock crystal intaglio depicting a ship, an amber drop and an enamelled kidney bean stamped 9ct; a gold mourning ring applied with white enamel, the exterior reading (indistinctly), ‘Emilia Latrange OB 19 FEB 1764 AE 23’; a gold ring with an agate intaglio carved with a heraldic crest of a bear’s claw, fitted case; and a low carat gold fob seal on ribbon set with carnelian carved with initials £300­500

45

47 A pair late 19th century garnet and seed pearl necklace, on a chain, 43cm long, with a pair of matching garnet and seed pearl earrings and brooch, earrings 3.5cm high including fittings, brooch 2.2cm longest £400­600

46

18

47

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49

48

48 A diamond pendant, Tiffany & Co., and a group of jewellery, comprising: a pendant designed as a cross, set with brilliant­cut diamonds, to a fine platinum chain, cross and chain signed Tiffany & Co. and T&Co respectively, each stamped PT950, pendant length 1.8cm, chain 44cm; a gold ring and pendant, each set with an oval citrine, ring size L½, stamped 750, pendant length 2.4cm, chain length 44cm; and a silver ring and pendant set with mixed­cut prasiolites within borders of brilliant­cut diamonds, ring size O½, pendant length 3cm, each stamped 925 £200­300 49 A group of jewels, late 19th/early 20th century, comprising: a pearl, ruby and diamond ring, British hallmarks for 18ct gold, date letter for 1922, case; an early 19th century gold, chalcedony, half pearl and emerald Maltese cross pendant; a graduated pearl necklace, the clasp set with a diamond; an 18ct gold and aquamarine floral bar brooch, British hallmarks for 18ct gold; a 9ct gold and opal doublet bar brooch; a 9ct gold and sapphire knot brooch; a rose­cut diamond and seed pearl bar brooch in silver and gold; a blue enamel bow brooch; a blue enamelled silver gilt pocket watch, and a gold and seed pearl pendant on a fine chain, pearls untested £400­600

50

50 A group of gold and silver jewels, 19th and 20th centuries, comprising: a synthetic colour change sapphire ring; an amethyst ring, two gold brooches set with seed pearls, a lyre brooch set with turquoise, half seed pearls and garnets, a gold bow brooch with pendant hook; a gold, red paste and half seed pearl necklace; and a silver buckle of baroque inspiration £200­300 51 A collection of gentleman’s accessories, 20th century, comprising: a pair of gilt metal and mother of pearl cufflinks; a set of three shirt studs, each stamped 18ct; a pair of gold and cultured pearl collar studs; and two bar brooches depicting foxes, one with rose­cut diamond eyes, each with fitted case £100­200

51

52 A collection of small fob seals, 19th century, comprising: four gold fob seals, three set with amethysts and one modelled as a dog atop its kennel, set with bloodstone; and two gilt metal fob seals set with onyx and bloodstone respectively, tallest 2.6cm £200­300

52 19

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54 55

53 53 A group of four gold brooches, comprising: an oval brooch with a shell cameo of Zeus and Ganymede; an oval pendant brooch with an enamel miniature of a woman in 18th century dress with a floral crown set with rose­cut diamonds, border with enamel and half seed pearls; an enamel miniature of Raphael’s ‘Madonna della Seggiola’ in a low­carat gold scroll frame; and a circular brooch with a painted miniature of a woman in 17th century dress, stamped 9ct £200­300 54 A diamond ring and gold, enamel and diamond necklace, 19th century, the ring of cluster design, set with lasqué­cut diamonds, to a shank of foliate design, size O; and a gold necklace composed of gold cannetille links applied with blue enamel, centring on an oval plaque engraved with foliate engraving, applied with blue enamel and set with rose­cut diamonds, length 38cm £400­600 55 A Regency gold Maltese cross pendant, with a central square panel of plaited hair and chalcedony terminals, 4.2cm wide; with a George III chrysoprase and seed pearl set gold brooch 2.2cm longest; and a George III seed pearl mourning pendant, 3.5cm high £200­300 56 An emerald and diamond ring, and a pair of gold and paste earrings, the ring of navette outline, the open work mount centring on an oval emerald surrounded by brilliant­cut diamonds, mounted in gold, size K; the earrings each designed as a long drop of stamped and textured scrollwork, set with blue and green paste stones and cultured pearls, length 6.4cm each, hook fittings £200­300

56

57 Two paste brooches, 18th century, one designed as a flower, the other designed as a crescent moon, each set with vaiously­cut colourless paste stones in closed­back silver settings, flower 3.5cm diameter, crescent moon length 5.1cm £450­650 58 An gold and aquamarine brooch and two turquoise brooches, comprising: an 18ct gold and aquamarine brooch set with a step­cut aquamarine within a gold mount modelled as gnarled tree branches, stamped 750; a mid 19th century gold, turquoise and seed pearl brooch; and an early 20th century turquoise and diamond bar brooch, longest 9.4cm, pearls untested £300­500 59 A collection of four heart pendants, late 19th/early 20th century, comprising: a mourning locket applied with green basse taille enamel and a flower set with rose­cut diamonds, the reverse with a glazed compartment for hair; a gold heart padlock pendant, its surface with decorated with studs and gold rope twist, suspending a smaller gold padlock pendant; a gold padlock pendant with key; and a silver ring suspending three hearts of carved rock crystal, amethyst and citrine, length of longest 2cm £300­400

57

60 A citrine brooch and a multi­stone pendant, the brooch set with an oval citrine within a border of half seed pearls; the pendant of leaf design set with multicoloured stones including sapphire, star ruby, tourmaline and zircon, pendant length 3.9cm £500­700

60

58

20

59

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61

63

61 A group of seven rings, including a diamond two stone ring, set in platinum and gold, size P, a turquoise five­stone gold ring, size M, a ruby and diamond half eternity white gold ring, size P, a garnet and turquoise gold ring, size Q, and three gold rings £500­700 62 A group of seven gold and gem­set rings, comprising: three amethyst rings; two citrine rings; a cultured half pearl and diamond ring, British hallmark for 9ct gold; and a labradorite ring, British hallmark for 9ct gold £200­300 63 A group of eight gem­set rings, comprising: an early 20th century gold ring set with three sapphires and two cushion­shaped diamonds, size O, British hallmarks for 18ct gold, date letter for 1906; a tanzanite and diamond ring in 18ct white gold, size U, British hallmarks; an aquamarine and diamond ring in 9ct white gold, size N, British hallmarks; three ruby and diamond rings, sizes M, N½ and N½ respectively, one stamped 14K, one with British hallmarks for 9ct gold; a 9ct gold ring set with a cabochon opal, size P, British hallmarks; and a 9ct gold ring set with three synthetic rubies and single­cut diamonds, size N½, British hallmarks £400­600

62

64 A group of six diamond rings, comprising: one diamond full eternity ring, size K, British hallmarks for 9ct gold; a brilliant­cut diamond solitaire, size M½; a princess­cut diamond solitaire, size P, British hallmarks for 9ct gold; a brilliant­cut diamond ring in a bicoloured gold mount with rope twist detail, size L½, British hallmarks for 9ct gold; a diamond half eternity, size N, stamped 14K; and a solitaire set with a cushion­shaped diamond of brown tint, size R½, stamped 18K and PLAT; together with a ring set with five simulated diamonds, size N £400­600 65 Five rings, including an opal and diamond navette­shaped cluster ring, set in platinum and gold, size N, with a turquoise­set gold half hoop ring, size K, a 9ct gold opal 5 stone ring, size Q, a sapphire solitaire ring in gold, size N and an eternity ring, size M £600­800 66 A group of jewels, comprising: a 19th century 15ct gold, garnet and half seed pearl ring, British hallmark; a diamond cluster ring mounted in 18ct gold and platinum; an 18ct gold ring set with circular­cut diamonds; an 18ct gold and platinum ring set with a brilliant­cut diamond; and a shell cameo ring and brooch mounted in 9ct gold £600­800 67 A group of four gold rings, comprising: an 18ct gold ring set with five graduated circular­cut diamonds, size L, stamped 18ct, maker’s mark CS FS; two smaller five­stone diamond rings mounted in 18ct gold, sizes K and L, one with diamond deficient and British hallmarks, the other stamped 18; and an 18ct gold ring set with three circular­cut sapphires spaced by rose­cut diamonds, size O, British hallmarks £200­300

64

65

66

67 21

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69 (2)

70 (2)

68 (3)

72 (5)

68 A collection of three gold and gem­set rings, comprising: one gold ring set with a cabochon turquoise between cushion­shaped diamonds, to a plain 18ct gold band, size O½, French assay mark; a diamond half eternity ring, channel­set with brilliant­cut diamonds, mounted in 18ct gold, size N, British hallmarks; and a 19th century gold band set with a turquoise cabochon and engraved with foliate scrollwork, size J £200­300 69 Two rings, cira 1920, comprising: an Art Deco jadeite, black enamel and diamond ring, size N; and a pearl and diamond ring, size K, stamped 18CT PLAT, pearl untested £200­300 70 Two gold signet rings, one set with a bloodstone engraved with a coat of arms, the other in 9ct gold engraved with a crest £200­300 71

71 (2)

Two plain gold wedding bands, in 18ct and 22ct gold, 8g

£150­200

72 A collection of five gem­set rings, comprising: a five­stone diamond ring set with cushion­shaped diamonds, size J½; a ring set with two jadeite cabochons, size M½, stamped 14K; a sapphire and diamond cluster ring, size M½, stamped 18CT; an 18ct gold three­stone sapphire ring accented with brilliant­cut diamonds, size M½, British hallmarks, maker’s mark for Cropp & Farr; and a gold ring set with a circular­cut smoky quartz, size N½, stamped 18K £300­500

73 A group of four ruby rings, late19th/early 20th century, comprising: a 22ct gold ring set with a circular­cut ruby between two cushion­shaped diamonds, size M, British hallmarks; an 18ct gold ring set with a cushion­ shaped diamond between circular­cut rubies, to a shank carved with scroll decoration, size Q½, British hallmarks; a gold ring of knot design set with a circular­cut ruby, size O, stamped 585; and an 18ct gold ring set with a cushion­shaped ruby, size K½; British hallmarks £200­300 74 An emerald and diamond cluster ring, the round brilliant­cut diamond set within a border of emeralds and diamonds in 18ct gold, London hallmarks for 1975, size Q; with a sapphire and diamond cluster ring, set in yellow gold, size N £400­600 75 A group of three rings, comprising: a ring set with turquoise cabochons and seed pearls, size K; a five­band puzzle ring, the two clasps set with rose­cut diamonds; size K; and a synthetic sapphire and seed pearl cluster ring, size I £200­300 76 Two gold mourning rings, one set with black enamel surrounding a glazed locket compartment, size L, the other set with a tooth within black enamel surround, interior inscription for 1873, size J £250­350

73 (4)

75 (3)

74 (2)

22

76 (2)

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77 A group of three rings, including a lasqué diamond flower ring, comprising: a ring designed as a flower, set with large lasqué­cut diamonds and pavé­set with smaller brilliant­cut diamonds, size O, stamped K18 750; an emerald and diamond feather ring by Tabbah, size K½, signed Tabbah, stamped 750; a ring designed as a flower, the petals opening as it is twisted, applied with light blue enamel and set with brilliant­cut diamonds, size L½, stamped 750; and a diamond snake ring pavé­set with brilliant­cut diamonds, size M½ £800­1,200

77

78 A group of gold and gem­set jewels, comprising: a pair of diamond and black cultured pearl pendent earrings, length 4.3cm, post fittings; a diamond and cultured pearl pendant, length 2.7cm; and three pendants of folded ribbon design, set with brilliant­cut diamonds, channel­ set calibré­cut emeralds and brilliant­cut diamonds, and a pink tourmaline, an opal doublet and a brilliant­cut diamond respectively, length of longest 3.1cm, all mounted in gold £600­800

78

79 A pink tourmaline, synthetic opal and diamond demi­parure, comprising: a gold bangle of hinged construction, centring on a pair of triangular pink tourmalines, to shoulders set with brilliant­cut diamonds and polished sections of synthetic opal, inner circumference approximately 16.8cm, stamped 14K; together with a ring of similar design, size M, stamped 14K £800­1,200

79

80 A diamond demi­parure, comprising: a pendant of heart design, pavé­set with brilliant­ cut diamonds, swing­set within a gold frame, length 3.2cm, stamped 14K; and a pair of earrings of cuff design, the front pavé­set with brilliant­ cut diamonds, length 1.9cm each, post fittings, stamped 14K £400­600 81 A ruby and diamond demi­parure, comprising a pair of stud earrings and a pendant, each composed of an oval ruby within a border of brilliant­cut diamonds, mounted in gold, pendant length 1.8cm, earrings each 0.9 x 0.7cm, post fittings £200­300

80

82 A sapphire and diamond demi­parure, comprising: a ring of cluster design, set with an oval sapphire within a double border of brilliant­ cut diamonds, to an 18ct white gold mount, size P½, British hallmarks; and a pair of stud earrings of similar design, length 1.2cm, post fittings, British hallmarks for 18ct white gold £1,500­2,000 83 A gold and diamond demi­parure, late 1960s, comprising: a brooch designed as a spray of leaves in engraved 18ct gold and single­cut diamonds, length 4.7cm, British import hallmarks for 18ct gold; and a pair of ear clips of similar design, length 2.2cm, British hallmarks for 18ct gold £400­600

81

82

83

23

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84

87 85 84 An early 20th century diamond bow brooch, the stylised bow set with rose­cut diamonds in silver and gold, 3.8cm wide, with an early 20th century moonstone necklace set in silver, 39cm long (clasp broken) £300­500 85 A mixed group of three items, including a George III seed pearl locket, containing plaited hair within seed pearl border in closed­back yellow gold setting, case, with a carved labradorite monkey ring in gold and an antique silver and paste girandole pendant, 3.8cm high £200­300

86

86 Attributed to Charles Fleetwood Varley (1874­1959), two silver and enamel brooches, early 20th century, one of rectangular outline, the other of oval outline, each inset with a plaque applied with translucent enamels depicting a landscape, each mounted in silver, larger measuring 4.2 x 2.5cm, unsigned, case £300­400 87 A gold demi­parure, comprising: a necklace and a bracelet, each of bicoloured woven links, necklace length 41.8cm, bracelet 19cm, each stamped 750, combined weight 88 grams £2,000­3,000

88

88

Two gold sovereigns and three gold half sovereigns

£800­1,200

89 A collection of three gold bangles, including: a bangle of bamboo design, stamped 9CT, maker’s mark S&P, a 9ct gold hinged bangle, the front with beaded edges, British hallmark; and a hinged bangle set o the front with a circular­cut diamond between marquise­shaped rubies, stamped 9ct £300­400 90 A group of gold jewellery, comprising: five patterned bangles, each stamped 18K; a plain 9ct gold bangle, British hallmark; a chain necklace, stamped 585; and a pair of 18ct gold knot earrings, British hallmarks, combined gross weight 58 grams £1,000­1,500

89

91 A Russian gold bracelet, early 20th century, composed of links embossed with star patterns, within a chain border, length 17.7cm, Russian assay mark for 14ct gold, unidentified maker’s mark, spare link, case £1,200­1,500

90 91 24

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92 92 A gold, emerald and diamond demi­parure, comprising: a gold necklace, the front of festoon design, composed of chain, floral motifs and plaques with Arabic calligraphic inscriptions accented with brilliant­cut diamonds, suspending three large pear­shaped cabochon emeralds, the largest accented with a circular­ cut ruby, length 45.5cm, assay marks; and a pair of earrings of similar design, clip and post fittings, length 4.4cm each £2,500­3,000

93

93 A gold and cubic zirconia parure, comprising: a necklace, bangle, ring and earrings, each pavé­set to the front with circular­cut cubic zirconia, necklace stamped 18K, necklace length 45cm, bracelet inner circumference 17cm, earring length 2.6cm each, post fittings; size M £1,000­1,500

94

94 Three gold bangles, of rectangular form, in rose, white and yellow gold respectively, stamped 750, total weight 64g £800­1,200 95 A gold bangle, 19th century, of hinged construction, the front decorated with a design of wildflowers in rose and green gold, inner circumference 16.3cm £800­1,200 96 Cropp & Farr, an 18ct gold signet ring, circa 1921, engraved with the crest of a lion and the motto ‘Sauviter et Fortiter’ (‘Gently and Boldly’), size N, British hallmarks for 18ct gold, sponsor’s mark C&F, date letter f for 1921 £400­600 97 A white gold signet ring, engraved with an armorial crest within a garter bearing the motto for clan Chattan ­ ‘touch not the cat but a glove’, size P, British hallmarks for 14ct gold £400­600

95

96

98 A gold spread gauge charm, set with a round brilliant­cut diamond in gold, 4.5cm high £100­200 99 A gold locket pendant, of rectangular outline, opening to reveal glazed compartments at each side, with a hinged double­sided glazed compartment in the centre, length 4cm £400­600

97

100 A gold and carnelian bracelet, late 19th century, designed as three rows of 18ct gold curb chain, to a clasp claw­set with a section of polished carnelian, length 20cm, links individually stamped with partial British hallmarks £1,000­1,500

98 100

99 25

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102

101

101 An 18ct gold watch chain, alternating elongated oval and oval links in yellow gold, 41.5cm long, 57g, with a small masonic charm set in silver and gold, 16mm wide £1,200­1,500 102 An 18ct gold Albert watch chain, suspending a gold T­bar, length 39cm, 44 grams £1,200­1,500

104

103

103 Two pocket watches, the first in gold, the exterior with engraved design of stars and swirls, opening to reveal a white enamelled dial with blued steel hands and subsidiary seconds dial, to a fancy link watch chain, length 6.2cm including suspension hoop, dial signed Elgin, case interior numbered 4541410, case; the other of white base metal, the silvered dial with subsidiary seconds dial and steel hands, length 6.3cm including suspension hoop, dial signed IWC Türler, fitted case stamped Türler £200­300 104 Waltham, a gold half hunter pocket watch, Roman numerals and subsidiary seconds dial, stem wind, with a 9ct gold hunter pocket watch, Roman numerals, subsidiary seconds dial, stem wind, Birmingham hallmarks for 1821, 180g total £800­1,200 105 Two gold pocket watches, late 19th century, each with dials engraved with floral designs within outer borders of Roman numerals in black enamel with blued steel hands, the reverses with engraved designs, one 5.5cm, the other 5.6cm in length including suspension hoop, stamped 18K and 14K respectively £400­600

105

106 A 19th century 18ct gold fob watch by Stauffer & Co, foliate engraved gold dial with Roman numerals, key wind, movement signed Stauffer, foliate engraved case, 5.2cm high, 40g, with another open­faced fob watch, scroll engraved gold case, metal back plate and winder, stem wind, 5cm high, 36g £400­600

106

107 A 9ct gold pocket watch, circa 1913, the hinged front with a glazed aperture and Roman numerals in black enamel, opening to reveal a white enamel dial with subsidiary seconds dial, the hands in blued steel, the case back with a later Masonic engraving, length 7.2cm including pendant loop, winder possibly replaced, British hallmarks for Chester, 9ct gold, case and movement numbered 58808, total weight 101 grams £600­800 108 J.E. Dufour & Co., a gold, enamel and diamond pocket watch, early 20th century, the white enamelled dial with a double row of Roman and Arabic numeral indicators in black and red enamel, with gold scrollwork hands, the reverse applied with red guilloché enamel with the initials FCB set with rose­cut diamonds, length 4.9cm including suspension loop, interior signed JE Dufour & Co., and E.Wirth Succ., Genève, numbered 14926 £600­800 107 26

108

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109 Longines, a gentleman’s gold wristwatch, signed gold dial with baton numerals, date aperture, sweep seconds hand, quartz movement, 14ct yellow gold, inscription to reverse, case numbered 18866599, case 3.7cm wide, 17cm long, 74g total £700­900 110 Beuche Girod, a lady’s gold wristwatch, 1970s, the cushion­shaped dial of textured gold with black baton indicators and hands, to a case and integrated strap of textured 9ct gold, length 17cm, signed Beuche Girod, British hallmarks, sponsor’s mark RCK, manual winding movement, original purchase receipt and certificate of guarantee £300­500

111

109

111 Asprey, a small 9ct gold travel clock, black rectangular dial with Arabic numerals and subsidiary seconds dial and, manual movement, on a hinge to be propped up when in use, cased within an engine­turned gold case with slide opening, Birmingham hallmarks for 1937, inscription to interior, 4.4cm high, 49g total, Asprey box £300­400

110

112 An unusual Art Deco zircon and diamond wristwatch, 1920s, the rectangular silvered dial with blued steel hands, within a geometric border of single­cut diamonds, to three graduated links set with circular­cut blue zircons and single­ cut diamonds, the later back section of rope chain, mounted in platinum and white gold, dial 1.4 x 1.0cm, bracelet length 15.5cm, manual winding movement, interior of case back stamped PLATINUM, case back numbered 2750 £1,500­2,000

112

113

113 A lady’s diamond wrist watch, 1920s and later, the silvered dial of Art Nouveau inspiration with black enamel numerals and blued steel hands, to a platinum case millegrain­ set with single­cut diamonds, the sides with laurel leaf borders, to a later 9ct white gold mesh link strap, dial 16 x 15cm, watch back with Swiss assay mark for platinum, watch strap with British hallmark for 9ct white gold, date letter for 1963 £600­800 114 J.E. Caldwell & Co, a lady’s diamond­set cocktail wristwatch, signed dial with diamond­set platinum case, on black cord bracelet, case 14mm wide £150­250 115 An Art Deco enamel and diamond wristwatch, circa 1920, the circular silvered dial with black indicators and blued steel hands, the gold watch case decorated to the front with platinum openwork set with rose­cut diamonds, to a black fabric strap, dial 1.8cm, manual winding movement £200­300

114

115

116

116 Longines, a retro sapphire and diamond watch, late 1930s, the silvered dial within a gold case set with circular­ cut diamonds and invisibly­set calibré­cut sapphires, length 4.1cm, manual winding movement, Swiss assay mark for 18ct gold, bracelet deficient £800­1,200 117 Vertex, a diamond cocktail watch, 1920s and later, the circular white enamelled dial with blued steel hands, the case and front of bracelet of concentric design, millegrain­set with circular­ and single­cut diamonds, to a later bracelet, manual winding movement signed Vertex, case back interior marked platinum, numbered 699/4587, dial 1.2cm diameter, bracelet length 16.5cm £600­800 118 Cartier, a gilt silver lady’s wristwatch, ‘Must de Cartier Tank’, the rectangular cream­coloured dial with Roman numeral indicators and blue steel hands, the winder set with a cabochon synthetic sapphire, the case in gilt silver, to a red leather strap, dial 2.1 x 1.7cm, manual winding movement, dial, strap and case back signed Cartier, case back numbered CC727759, Swiss and European convention marks for silver £350­500

117

118

27

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119

120

121 122

119 A gold and bloodstone fob seal charm, 19th century, designed as a fox head, the base set with a section of polished bloodstone, length 2.5cm including jump ring, jump ring with partial British hallmarks £100­150 120 A jasper intaglio fob seal, 19th century, the banded red and black jasper carved with an intaglio of Zeus, mounted as a gold fob seal, intaglio measuring 1.8 x 1.5cm, modern French assay mark for 9ct gold £600­800

124 123

121 A chalcedony intaglio fob seal, 19th century, the oval pale chalcedony carved with an intaglio of Socrates, mounted within a gold fob seal, intaglio measuring 1.4 x 1.2cm £400­600 122 A gold and enamel pencil holder, Russia, circa 1900, the elongated flat pencil holder applied with red basse taille enamel, with a border of laurel leaves in yellow and rose gold, the handle in plain gold, overall length 7.9cm including pendant hoop, Russian assay mark for gold, partial maker’s mark £600­800

125

126

123 A gold and enamel bonbonière, designed as an egg, applied with floral designs in brown basse taille and opaque white enamel, opening to reveal a plain gold interior, length 4.9cm, French return assay mark for 18ct gold, indistinct maker’s mark £1,200­1,500 124 A pair of gold golf ball cufflinks, each link with a gold ball and tee joined by plain gold chain in yellow gold, tee 2.1cm high, 10.7g total £400­600 125 A pair of gold cufflinks, each end modelled as a horse’s head, one eye accented with a ruby, to chain connections, length of each end 1.7cm, case £400­600 126 A pair of gold and gem­set cufflinks, mid 20th century, each end designed as a knot of gold wire, set with a circular­cut sapphire, and a cushion­shaped ruby, emerald and diamond respectively, each end 1.2cm diameter £1,000­2,000 127 A cased mother of pearl dress set, comprising a set of cufflinks, buttons and studs, each with a central mother of pearl disc decorated with a stylised stitch within further stylised border in gold, fitted case £400­600

127 28

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129

128

128 A sapphire and diamond locket necklace, the oval hinged gold locket set to the front with a cabochon sapphire within a double border of brilliant­cut diamonds, to a rope twist chain suspending a series of sapphire and diamond pendants, locket length 3.6cm, chain length 45cm £500­600

130

129 A gold and diamond necklace; the three strand chain of rope twist and fox tail linking, threaded with fluted gold motifs set with brilliant­cut diamonds, the clasp suspending two similar gold and diamond tassel pendants from an annular clasp, length 45cm £400­500 130 A gold and cubic zirconia parure, comprising: a necklace, a hinged bangle, a pair of earrings and a ring, each in yellow gold, of twisted design, set with brilliant­cut cubic zirconia, necklace length 43.5cm, bracelet inner circumference 17.2cm, earring length 4.5cm each, post fittings, ring size M, total weight 97 grams, one stone deficient, case £2,000­3,000

131

131 An unmounted topaz, the elongated cushion­shaped topaz of orange hue weighing 62.49 carats £15,000­20,000 Accompanied by GIA report no. 2225014758 dated 14th September 2021 stating that the cushion shaped topaz weighs 62.49 cts.

132 A citrine and diamond pendant, collet­set with a large circular­cut citrine, the tapering gold mount accented with brilliant­cut diamonds, length 5.5cm £400­600 133

133 A gold and diamond brooch, 1960s, designed as a spray of leaves entwined with a ribbon, set with brilliant­cut diamonds, length 6.3cm, stamped 18K £800­1,200 134 A late 19th Century carved peach nut and gold bracelet, set with six carved peach nut scenes within gold filigree links, 19cm long £600­800 132

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136

135 A zircon and white sapphire pendant, claw­set with a cushion­shaped blue zircon, to a mount set with circular­cut white sapphires, to a fine link chain, mounted in gold, length 40.5cm, stamped 750 £1,000­2,000 136 A jade and diamond pendant, the carved jadeite jade set with a diamond suspends on a fine­link yellow gold neck chain, pendant 3cm long, chain 39cm long £1,000­1,500

139

Accompanied by Gem and Pearl Laboratory report no. 20980 dated 8th January 2022 stating the flattened pear-shaped jadeite jade has no evidence of treatment and weighs 5.23cts.

137 A French diamond­set gold heart pendant, set with round brilliant­cut diamonds in gold, French control marks and maker’s lozenge, 2.4cm high £200­300 138 An Indian enamel pendant, decorated with green and red enamel and set with diamonds, with gold pendant loop, 3.5cm high £200­300 139 A ruby and diamond line bracelet, composed of articulated gold links set with circular­cut rubies and brilliant­cut diamonds, length 17.5cm, stamped 14K £500­700 140 An amethyst and blue topaz necklace, 1970s, the front composed of polished amethysts and faceted blue topazes in abstract textured gilt silver, to a belcher link back chain and hook clasp, length 41.5cm £400­600 141 A diamond brooch, early 20th century, designed as a spray of wild roses in three­coloured gold, set with circular­cut diamonds, length 5.2cm, unidentified assay marks, maker’s mark KK £300­400 142 A nephrite, citrine and diamond brooch, mid 20th century, designed as a spray of oak leaves and acorns, the leaves of carved nephrite, the the acorns of polished citrine, their cups pavé­set with single­cut diamonds, mounted in gold, length 4.6cm £400­600 143 Cropp & Farr, rock crystal and ruby flower brooch, circa 1954, the carved rock crystal flowers with ruby stamens, set in 14ct yellow gold with diamond­set leaves, maker C&F and London hallmarks for 14ct gold, date letter T for 1954, 6.7cm high, fitted case stamped Garrard & Co. £400­600

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145 144

144 A lavender jadeite, star ruby and cultured pearl brooch, the cabochon star ruby within a border of seed pearls, to an outer ring of carved lavender jadeite, mounted in white gold, diameter 3.5cm, stamped 18K £200­300 145 A gold and diamond brooch, late 19th century, designed as a cat playing with a ball, the cat of finely engraved gold, its eyes set with rose­cut diamonds, the ball a pearl, length 2.9cm, French import assay mark for gold, pearl untested £600­800

147 148

146 A coral brooch, claw­set with a section of coral carved as a fish, its mouth holding a brilliant­cut diamond, length 5.8cm, stamped 18ct £400­600 147 Masriera, an enamel and diamond brooch, designed in the Art Nouveau style as a Morning Glory vine, the flowers in blue enamel, the leaves in translucent green plique-à-jour enamel, accented with brilliant­cut diamonds and suspending a cultured pearl, mounted in gold, length 5.3cm, signed Masriera, numbered A6593A, stamped 750, fitted case stamped Masriera, accompanied by a Masriera booklet £800­1,200

149

148 A pair of turquoise and diamond earrings, each designed as a cluster, set with turquoise cabochons within borders of brilliant­cut and baguette diamonds, mounted in white gold, length 1.7cm each, post fittings £800­1,200 149 A pair of lapis lazuli earrings, each set with a pear­shaped cabochon of lapis lazuli, within a yellow gold border, length 2cm each, clip and post fittings £200­300 150 A pair of coral and diamond earrings, each of cluster design, set with coral cabochons and rose­cut diamonds in a concentric arrangement, mounted in gold, each 3.0 x 2.7cm, stamped 18K £2,400­3,000

150

151 A gold, diamond and enamel bracelet, the front composed of floral links set with single­cut diamonds and accented with green enamel, the back of plain rectangular linking, length 17.3cm £300­500 152 A silver bangle, Lalaounis, the hinged fluted silver bangle of torque design, each end terminating in a gilded lion’s head, inner curve approximately 16.2cm, signed Ilias Lalounis, stamped Megan, stamped 925 for silver £200­300 153 A diamond­st gold cluster clasp, set with graduated round brilliant­cut diamonds in yellow gold, 2cm wide £300­400

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154 Geoff Rowlandson, a cultured pearl and diamond brooch, ‘Only a Bird’, set with a baroque cultured pearl in the shape of a bird on a branch, within a gold bird cage pavé­set with brilliant­cut diamonds, height 4.7cm, inscribed ‘Only a Bird’, signed Geoff Rowlandson, British hallmarks for 18ct gold, fitted case £800­1,200 155 Geoff Rowlandson, a cultured pearl and diamond brooch, ‘Hearth and Home’, designed as a portrait over a fireplace, the portrait, cat and flames each formed of baroque cultured pearls, the portrait set with polished onyx, the mantlepiece pavé­set with brilliant­cut diamonds, height 5.7cm, reverse inscribed ‘Hearth and Home’, signed Geoff Rowlandson, British hallmark for 18ct gold, fitted case £1,000­1,500 156 Geoff Rowlandson, a cultured pearl and diamond brooch, ‘Keep Up, You Guys’, set with three graduated baroque cultured pearls in the form of a mother duck with two ducklings following behind, their eyes inset with brilliant­cut diamonds, the water’s surface in white gold accented with brilliant­cut diamonds, length 8cm, inscribed ‘Keep up you guys’, signed Geoff Rowlandson, British hallmarks for 18ct gold, fitted case, one diamond deficient £800­1,000

157

157 Geoff Rowlandson, gold, cultured pearl and diamond brooch, ‘In the Swim’, of oval outline, designed as a shoal of fish swimming among reeds and an underwater castle, the polished white gold ground engraved with waves and set with brilliant­cut diamonds symbolising bubbles, length 5.5cm, the reverse inscribed ‘In the Swim’, signed Geoff Rowlandson, fitted case £1,000­1,500

158

158 A pair of opal and diamond earrings and a cultured pearl, opal and diamond necklace, the earrings of drop design, composed of a cabochon opal within a border of brilliant­cut diamonds, suspended by a gold knife wire link from a diamond surmount, length 3cm each, post fittings; the two­row cultured pearl necklace with a clasp set with a cabochon opal within a border of cushion­ shaped diamonds, length 40cm £300­500 159 A cultured pearl and diamond bracelet, mid 20th century, composed of three rows of cultured pearls, to a clasp designed in the Art Deco style, set with brilliant­cut and circular­cut diamonds, length 17.2cm £500­700

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160 A pair of sapphire and diamond earrings, each of pendent design, suspending a step­cut sapphire from a line of brilliant­ and single­cut diamond links, mounted in white gold, length 2.6cm, post fittings £800­1,200

161 A pair of gem­set gold drop earrings, set with a citrine, amethyst and fancy­cut prasiolite in gold collets, 2.3cm high £200­300

163

162 A pair of emerald heart­shaped stud earrings, pavé­set in white gold, 12mm wide £600­800

163 A pair of Retro ruby and diamond ear clips, 1940s, each designed as a flower in gold, set with circular­cut rubies and single­cut diamonds, length 2.5cm each £600­800

164

164 A pair of amethyst cameo and seed pearl earrings, mid 19th century, each of cluster design, set with a carved amethyst cameo depicting a Bacchante, within a border of half seed pearls, mounted in gold, length 2.7cm, each cameo 1.9 x 1.5cm, later hook fittings £400­600

165 A pair of Victorian turquoise drop earrings, set in yellow gold, 3cm high including hooks £200­300 165 166 A pair of coral onyx and diamond drop earrings, set with graduated diamonds suspending a coral cabochon within black onyx border in yellow gold, 4.5cm high £1,250­1,500

167 A pair of sapphire and diamond earrings, each designed as a tortoise, set with circular­cut sapphires, rose­cut diamonds and seed pearls, mounted in gold, length 2.2cm each, later hook fittings £200­300

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168 A gem­set and enamel dragonfly ring, set with emeralds, diamonds, seed pearls and plique­à­jour enamel in yellow gold, size O £600­800 171

169 An emerald and diamond fish ring, set in yellow and white gold, size M £200­300 172

170 Zolotas, a gold and diamond ring, the coiled ring with scrolled decoration culminating in a lion’s head, accented with single­cut diamonds, size J, maker’s mark for Zolotas, stamped 18K £500­700 171 A sapphire and diamond eternity ring, early 20th century, of full eternity design, set with alternating trios of single­cut diamonds and calibré­cut sapphires, mounted in platinum, size K½ £200­300 172 A sapphire ruby and diamond half hoop ring, the central band set half with rubies, half with diamonds, within two outer bands on hinges set with diamonds in platinum, size P £800­1,000

173

173 An aquamarine and diamond ring, claw­set in 18ct white gold with a step­cut aquamarine, between shoulders set with circular­cut diamonds, size M½, British hallmarks £300­400 174

175 A diamond bombé ring, set with a circular blue stone within a border of single­cut diamonds in white gold, inner re-sizing section, approximately size O £400­600

175

176

178 A George III enamel and seed pearl ring, late 18th century, designed as a rectangular plaque applied with blue basse taille enamel and set with seed pearls, to a gold shank with fleur­de­lis shoulders, size J½ £200­300

178

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176 A diamond solitaire ring, the old circular­cut diamond weighs approximately 0.80cts, set with three round brilliant­cut diamonds to the shoulders in 18ct yellow gold, London hallmarks for 1993, size L £600­800 177 A five­stone sapphire ring, 19th century, set with five graduated oval sapphires, mounted in 18ct gold, size T½, British hallmarks £300­400

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179

174 A ruby and diamond ring, of cluster design, claw­set with an oval ruby, within a radiating border of brilliant­cut and baguette diamonds, mounted in platinum, size T, stamped PT900, numbered 090 and 260 £1,500­2,000

179 A diamond ring, 19th century composite, designed as a cluster of rose­cut diamonds in closed­back settings, within an open work silver border set with additional rose­cut diamonds, mounted in silver on gold, size J £400­600

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181

180 A gold and pearl cross pendant, 19th century and later, the cross pendant composed of open work gold scrolls, set with pearls, to a later chain, pendant length 6.6cm, necklace length 60cm, pearls untested £500­700 181 A turquoise necklace, early 20th century, designed as a line of turquoise cabochons suspending a graduated fringe of oval pendants pavé­set with smaller turquoise cabochons, the clasp similarly set, mounted in gilt silver, length 43.5cm £300­500 182 An opal bangle, the hinged gold bangle set to the front with nine graduated opal cabochons in closed­back claw settings, inner circumference 17.1cm, British hallmarks for 9ct gold, maker’s mark D&Co. £400­600 183 A sapphire and diamond brooch, mid 20th century, designed as a spray of flowers, set with oval sapphires and circular­ and single­cut diamonds, mounted in white gold, length 4.6cm £800­1,200

182

A verbal report from GCS stated that the largest sapphire tested was Sri Lankan no heat 184 A Victorian carved coral brooch, 19th century, designed as a spray of fruit and flowers in carved coral, suspending a floral pendant, length 6.2cm £150­250 183

185 A Victorian carved malachite bracelet, the central panel carved as a lion’s head with paws either side in malachite, on a malachite cabochon bracelet, with a cameo clasp, 18cm long £600­800 186 A rock crystal reverse intaglio brooch, late 19th century, the circular domed rock crystal carved in reverse and painted with an intaglio of a terrier, within a gold ropetwist border, diameter 2.3cm £200­300 187 A Russian phrenite egg pendant, ealy 20th century, of polished phrenite, to a gold pendant hoop, length 2.5cm, Russian assay mark and workmaster’s mark for Henrik Wigstrˆm £600­800

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186 185

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191 190

188 A gold and shell cameo bracelet, mid 19th century, the clasp set with a conch shell cameo carved with the chariot of Victory, within a gold cannetille border, to a gold mesh link bracelet decorated with gold cannetille studs, length 16.3cm, cameo 2.8 x 2.4cm £300­400

192

189 A glass intaglio ring, probably William Tassie, 19th century, the brown glass intaglio featuring an erotic scene, to a later 9ct gold ring mount, size W, British hallmarks, case £150­250 190 A shell cameo brooch, 19th century, the shell cameo carved to depict Zeus, within an engraved gold border designed as a laurel wreath, overall dimensions 4.9 x 3.9cm £100­200 191 A hardstone cameo brooch, 19th century, the layered chalcedony carved to depict a woman in profile, within a plain gold border, overall dimensions 2.5 x 2.0cm £200­300 192 A gold, turquoise and diamond locket brooch, 19th century, of oval outline, centring on a star motif set wth a rose­cut diamond, to a section of pavé­set turquoise cabochons, within a bead and twisted knifewire border, the reverse with a glazed compartment, length 4.8cm £300­500 193 A pinchbeck long guard chain, with a turquoise­set clasp, 88cm long £400­600

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194 A seed pearl and hardstone cameo necklace, 19th century, composed of fifteen hardstone cameos, each mounted in gold within a border of seed pearls, later seed pearl extension and clasp, length 37.5cm, largest cameo 1.2 x 0.8cm, case stamped R&S Garrard & Co. £2,000­3,000

194

195 A gold mourning locket, mid 19th century, designed as a heart, embossed with the name JB Vale, opening to reveal a plate with hinged compartment containing hair, inscribed ‘Obt 20 March 1815 aet 66’, length 2.8cm including bail £200­300 196 A gold, enamel and diamond locket pendant, mid 19th century, the oval gold locket with a design of a flower in reserve against blue enamel, its petals set with rose­cut diamonds, the reverse with an anchor in blue enamel, each within a border of incised floral scrolls, opening to reveal a portrait miniature and the inscription ‘AW to AM, 11th August 1856’, length 3.8cm including bail £300­400

196

195

197 Gaunt, a gold and quandong seed pendant/brooch, late 19th century, designed as a cross with grape vine leaf motifs, set with halved quandong seeds, length 5.8cm, signed Gaunt £800­1,200 Thomas Gaunt (1829­1890) was one of Melbourne’s leading jewellers and watchmakers in the late 19th century. The present brooch is set with the seed of a quandong, an edible fruit in the sandalwood family that is native to Australia.

198

Cf.: Anne Schofield and Kevin Fahy, Australian Jewellery, Antique Collector’s Club, 1991, p.255 for an illustration of a similar brooch set with quandong seeds attributed to Arthur Henry Young, c.1890 198 An amethyst brooch, 1830s, claw­set with an oval amethyst in a frame of gold cannetille, length 3.3cm £200­300

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199 An aquamarine and seed pearl necklace, early 20th century, the front designed as a festoon of seed pearls linked by circular­cut aquamarines, to a fine platinum back chain, length 43.5cm £1,800­2,000 200 An amethyst and seed pearl pendant, circa 1900, composed of a circular­cut amethyst suspending a pear­shaped amethyst from a knife wire link, accented with seed pearls, to a fine gold chain, pendant length 5.6cm, necklace length 41cm £200­300 201 A green paste necklace, 19th century and later, designed as a long chain with a festoon to the front, composed of collet­ set green pastes connected by two strands of fine gold chain, length 88cm £800­1,200 202 An early 19th century paste bracelet, suspending an articulated paste­set heart in closed­back silver settings, 15cm long £400­600

201

203 An Edwardian citrine and amethyst heart brooch, the cabochon hearts set within seed pearl surrounds beneath a seed pearl bow in yellow gold, 2.5cm wide £200­300 204 An amethyst, emerald and pearl brooch, mid 19th century, claw­set with an oval amethyst, within a border of half pearls accented with step­cut emeralds, mounted in gold, length 3.6cm. £400­600 205 A Victorian pearl and diamond brooch, mid 19th century, of oval outline, the centre of floral design, to an outer laurel wreath border, set with rose­cut diamonds, pearls and half­pearls, mounted in gold, length 4cm, later pin fitting, pearls untested £300­400

203

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206 A Victorian seed pearl fringe necklace, with a flowerhead centre, on fancy­link yellow gold chain, 40cm long £400­600

209

207 An Edwardian seed pearl­set gold necklace, the seed pearl bow suspending a citrine heart and on a curb­link necklace set with seed pearls, 38cm long £300­500 208 An Arts and Crafts sapphire and diamond pendant necklace, early 20th century, of knifewire construction, the top decorated with laurel leaves, millegrain­set with circular­cut sapphires and diamonds, suspended from an additional circular­ cut sapphire, to a fine link chain, mounted in gold, pendant length 5.8cm, necklace length 44cm £400­600

208

209 A Victorian garnet­set gold brooch, the garnet cabochon within twisted yellow gold surround, 3.2cm wide, fitted case £800­1,200

210

210 A Victorian seed pearl and diamond brooch, set with diamonds and seed pearls in a gold quatrefoil design, 3.2cm wide £200­300 211 A Georgian diamond brooch, late 18th/early 19th century, designed as Halley’s comet, composed of rose­cut diamonds in silver cut­down collet settings connected by gold wire, length 2.8cm £200­300 212 A gold, half­seed pearl and onyx locket, mid 19th century, the oval locket of hinged design, decorated with crossed bands and stars set with half seed pearls and banded onyx cabochons, opening to reveal a glazed interior, length 5.4cm, one seed pearl deficient, fitted case £300­500

211

212

213 An Edwardian amethyst and seed pearl brooch pendant, the circular amethyst set within a seed pearl intertwining surround and suspending a further oval­shaped amethyst in gold, 4.3cm high £200­300 214 A fine gold, turquoise and chrysoberyl brooch, circa 1850, designed as an undulating gold ribbon engraved with floral scrolls and applied with floral motifs of turquoise cabochons, threaded through a ring of cushion­shaped chrysoberyls, suspending a snake chain festoon and two drop pendants set with additional turquoise cabochons, length approximately 8.5cm, one turquoise flower motif deficient £300­500 Cf.: Daniela Mascetti and David Bennett, Understanding Jewellery, Antique Collector’s Club, 1989, pg. 119, no.113, for a brooch of similar design

213

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215 A gold and pearl pendant, France, early 20th century, composite, designed as a symmetrical spray of mistletoe, set with seed pearls, suspending a pearl and diamond pendant, to a fine chain necklace, pendant length 3.9cm, chain length 43cm, pendant with French assay mark for 18ct gold, indistinct assay mark, chain marked 15 for 15ct gold, pearls untested £500­700 216 A seed pearl and enamel necklace, early 20th century, the front of knife wire construction, designed as a graduated line of shamrocks, the central shamrock applied with green basse taille enamel, to bicoloured gold backchain, length 40cm, stamped 750, pearls untested £200­300 217

217 An Edwardian seed pearl­set gold necklace, of scrolling floral design set in closed back yellow gold mount, on fine­link gold neck chain, stamped 15ct, 40cm long, case £400­600 218 A platinum and diamond charm bracelet, early 20th century, the links of oval scroll design, suspending two charms of a mouse and the number 1, set with rose­cut and cushion­shaped diamonds respectively, the mouse’s eyes accented with demantoid garnets, length 14cm, mouse charm 2cm including jump ring £500­700

218

219 A Victorian diamond brooch, late 19th century, designed as a spray of flowers, set with circular­ and rose­cut diamonds, length 7cm, later rhodium plating £800­1,200 220 A diamond double clip brooch, France, mid 20th century, each of foliate design, set with brilliant­ and single­cut diamonds, together with a brooch fitting allowing them to be worn together, mounted in white gold, combined length 5.8cm, French maker’s mark FR with torch £1,000­1,500 221 An enamel and diamond brooch, early 20th century, designed as a pheasant, its plumage applied with translucent green, black and brown enamel, millegrain­set with single­cut diamonds, its eye set with a circular­cut ruby, mounted in silver, length 5.5cm £200­300

219

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222 An opal demantoid garnet and diamond brooch/pendant, late 19th century, designed as a turtle, its shell set with a cabochon opal, its body and head set with cushion­shaped diamonds, its eyes, legs and tail set with cushion­shaped demantoid garnets, mounted in gold, length 3.5cm excluding retractable pendant loop £200­300

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223 223 An Arts & Crafts gold and moonstone pendant, early 20th century and later, the pendant of foliate gold scroll work, set with cabochon moonstones, to a later bale and fine gold chain necklace, necklace length 43cm, pendant length 5.3cm £500­1,000 224 Murrle Bennet, an amethyst­set silver pendant, the oval amethyst set within pierced and hammered silver surround, suspending a further amethyst, on silver neck chain, pendant 4.7cm high, necklace 42cm long £200­300

225

225 An Arts and Crafts silver and moonstone necklace, early 20th century, composed of links with designed of birds and plants, set with cabochon moonstones, length 44cm, case £600­800 226 A Murrle Bennett Arts & Crafts peridot and amethyst pendant, of quatrefoil design, set with a central amethyst and circular­cut peridots in 9ct gold, with amethyst drop and suspending from fine link gold chains and a further amethyst plaque, maker’s mark to reverse, 5.8cm high £200­300

226

227 A pearl and demantoid garnet bracelet, early 20th century, designed as three gold chains connecting crossed links set with circular­ cut demantoid garnets, spaced by pearls, length 16.8cm, stamped 15CT £800­1,000 228 Attributed to Dorrie Nossiter, an Arts & Crafts moonstone and mother of pearl brooch, circa 1930, of oval outline, constructed in silver scrollwork, collet­set with cabochons of moonstone and sections of mother of pearl, length 5.7cm, unsigned £500­1,000

227

229 Charles Horner, a silver and enamel Arts & Crafts brooch, 1909, the shallow shield­shaped brooch in silver, applied with bluish green enamel, length 3.5cm, stamped CH for Charles Horner, British assay mark for Chester, date letter J for 1909 £150­250 230 A pair of gold earrings, late 19th century, composite, composed of sectioned gold scroll surmounts suspending a cube motif, each side with a circular panel depicting a bird in flight, later post fittings, length 2.9cm £200­300

230 229 228

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A PRIVATE COLLECTION OF CHILD & CHILD 231 Child & Child, an enamel and ruby ‘Saint Esprit’ brooch, circa 1905, the silver brooch modelled as a dove in flight, suspending a pear­shaped ruby from its beak, its body applied with green basse taille enamel, its tail set with cushion­shaped rubies, length 3.5cm £300­400 232 Child & Child, an enamel stick pin, circa 1905, designed as a butterfly applied with blue and green basse taille enamel, length 5.2cm, maker’s mark for Child & Child £150­250 233 Child & Child, an enamel brooch, circa 1905, designed as a butterfly, applied with green and blue basse taille enamel, wingspan 2.9cm, maker’s mark for Child & Child, case £400­600 234 Child & Child, an enamel and diamond brooch, circa 1905, designed as a butterfly, its wings applied with blue basse taille enamel, its body set with rose­cut diamonds, wingspan 2.7cm, maker’s mark for Child & Child, fitted butterfly-shaped case stamped Child & Child £300­400 235 Child & Child, two silver and enamel buckles, circa 1905, each of elongated octagonal outline, applied with green basse taille enamel, one engraved with a radiating design, the other with a design of flamingos, length 4.7cm each, each signed Child & Child, fitted case stamped Child & Child £300­400 236 Child & Child, an enamel clasp, circa 1905, designed as a butterfly, applied with blue and green basse taille enamel, to a later double strand of graduated cultured pearls, clasp wingspan 2.7cm, maker’s mark for Child & Child, necklace length 41cm £300­400 237 Child & Child, a silver and enamel buckle, circa 1905, of rectangular outline, applied with green and yellow ochre basse taille enamel over a design of flamingos, the corners with fan motifs, measuring 5.4 x 3.8, mounted with a bow £300­400 238 Child & Child, a silver, enamel and seed pearl brooch, circa 1905, designed as a ribbon scroll in the form of a Maltese cross, applied with blue basse taille enamel and centred on a half seed pearl, length 2.1cm, maker’s mark for Child & Child £200­300 239 Child & Child, an enamel brooch, circa 1905, designed as a pair of wings applied with blue basse taille enamel, wingspan 9.8cm, maker’s mark for Child & Child, fitted case stamped Child & Child £800­1,200 240 Child & Child, an enamel and zircon brooch, circa 1905, designed as a peacock, applied with bright blue and green enamel, suspending an oval deep pink zircon, length 4.2cm, maker’s mark for Child & Child, fitted case stamped Child & Child £600­800 241 Child & Child, two joined stick pins/cloak pins, circa 1905, one designed as a flower applied with green and yellow basse taille enamel, the centre set with a ruby, the other set with a circular­cut zircon of peach tint, connected by a chain, length 4.9cm each, maker’s marks for Child & Child, fitted case stamped Child & Child £200­300

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242 An emerald and diamond cluster ring, the oval­shaped emerald weighs 0.95cts, set within a surround of round brilliant­cut diamonds weighing approximately 1.00ct in white gold, size O £1,300­1,500 243 An aquamarine solitaire ring, claw­set with a step­cut aquamarine, to a tapering white gold shank, size O, stamped 750, maker’s mark £1,000­2,000 244 A sapphire and diamond ring, claw­set with an oval sapphire weighing 5.59 carats, within an asymmetrical border of brilliant­cut and marquise­shaped diamonds, size N £6,500­7,500 Accompanied by GCS report no. 79232­49, dated 5th September 2019, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment.

245 Asprey, a sapphire and diamond ring, claw­set with an oval sapphire within a border of pear­shaped diamonds, size N, British hallmarks for 18ct gold, stamped APLC for Asprey £1,500­2,000 246 A yellow sapphire and diamond ring, of cluster design, set with a cushion­shaped yellow sapphire within a border of brilliant­cut diamonds, mounted in gold, size O½, stamped 18CT £2,000­3,000 247 A diamond ring, of cluster design, set with brilliant­cut diamonds, mounted in yellow and white gold, size P½ £1,800­2,200 248 A star sapphire and diamond ring, claw­set with a cabochon violet star sapphire, within a border of circular­ cut diamonds, mounted in platinum, size O, stamped PLATINUM £1,200­1,500 249 An amethyst and diamond ring, claw­set with a step­cut amethyst, to shoulders set with circular­cut diamonds, mounted in platinum and white gold, size M½, stamped PLAT 18CT, numbered 390 £600­800 250 A three row diamond half eternity ring, set with princess­cut and baguette­shaped diamonds in 18ct white gold weighing an approximate total of 3.30 carats, rubbed London hallmarks for 2001, size M £500­700 Accompanied by a facsimile of an insurance valuation dated 15th March 2011 251 A turquoise and diamond ring, set with a cabochon turquoise, to shoulders set with baguette diamonds, size J, stamped PLAT, French import assay mark for platinum £1,000­1,500 252 An Art Deco diamond ring, 1930s, the front designed as a curved plaque set with two cushion­shaped diamonds within square settings, bordered with circular­cut diamonds, mounted in palladium, size R, stamped PALL £800­1,200 253 An emerald ring, claw­set with a step­cut emerald, size N½, stamped 750 and 18K

£800­1,200

254 A diamond solitaire ring, the round brilliant­cut diamond set in yellow gold, stamped .99 and 18k to interior, size N £1,200­1,600 255 A tanzanite and diamond half hoop ring, set with an emerald­cut tanzanite weighing 1.75cts within graduated baguette­shaped shoulder diamonds totalling 0.20cts in platinum, size N £800­1,200 256 An emerald and diamond ring, collet­set with a step­cut emerald, within a geometric border of brilliant­cut and baguette diamonds, mounted in platinum, size O½ £900­1,100 257 An emerald and diamond three stone ring, the emerald­cut emerald flanked with tapered baguette­shaped diamonds in 18ct gold, London hallmarks for 2006, size P £1,000­1,500 258 A ruby and diamond cluster ring, the cushion­shaped ruby set within a surround of old­cut diamonds in yellow gold, size Q £1,200­1,500 259 A star sapphire and diamond ring, claw­set with a cabochon violet star sapphire, to a border and shoulders set with brilliant­cut diamonds, mounted in platinum, size M½ £2,000­3,000 260 An emerald and diamond ring, claw­set with a step­cut emerald weighing 2.06 carats, to shoulders set with baguette diamonds, size K½, inscribed 2.06cts £3,000­4,000 Accompanied by GCS report no. 5782­1875 dated 31st May 2022, stating that the emerald is of Colombian origin, with indications of moderate clarity enhancement.

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261 A gold and diamond demi­parure, comprising earrings a bracelet and a pendant, each of circular pierced motif set with diamonds in yellow gold, earrings 2.8cm high, pendant 4.2cm high, bracelet 15cm longest £800­1,200 262 A tanzanite­set gold ring, the oval tanzanite set within hammered 22ct yellow gold mount, size Q ½ £700­900 263 An emerald and diamond heart­shaped pendant, the pear­shaped emerald set within a surround of round brilliant­cut diamonds in gold, on a two row diamond­set fine link neck chain, pendant 2.7cm high, chain 46cm long £5,000­7,000 264 A yellow diamond and diamond pendant, set with four square fancy yellow diamonds within a border of diamonds and suspending from further diamonds in white gold on a fine­link white gold neck chain, pendant 2.8cm high, chain 42cm long £1,500­2,000 265 A diamond eternity ring, of waisted design set with graduated round brilliant­cut diamonds in platinum, size K £500­700 266 An emerald and diamond cluster ring, the square step­cut emerald set within a border of French­cut diamonds with further graduated French­cut diamonds to the shoulders in platinum, size N £6,000­8,000 267 A pair of diamond drop earrings, of elaborate scrolling form set overall with circular­cut and rose­cut diamonds in yellow and white gold, post and clip fittings, 9.8cm long £1,500­2,000 268 A pair of emerald and diamond cluster earrings, the oval emeralds weighing 2.11cts, set within a surround of diamonds weighing 0.70cts in white gold, post fittings, 12mm high £1,500­2,000 269 A pair of diamond­drop earrings, each designed as a brilliant­cut diamond suspending a diamond­set hoop swing­set with a brilliant­cut diamond, 1.9cm high each £1,000­1,500 270 A ruby and diamond bracelet, the domed panels pavé­set with diamonds and a cluster of rubies, each separated by a row of baguette­shaped diamonds in white gold, 19cm long £1,500­2,000 271 A diamond strap bracelet, the rectangular panels set with round brilliant­cut diamonds in yellow gold, 18cm long £1,000­1,500 272 E Wolfe & Co, a diamond and cultured pearl­set Ostrich brooch, the stylised bird with a cultured pearl body, set overall with round brilliant­cut diamonds in 18ct yellow and white gold, maker’s mark and London hallmarks for 1987, 5.8cm high £600­800 273 A pair of diamond­set gold hoop earrings, set with a line of round brilliant­cut diamonds to the exterior and interior of the hoop in white gold, post fittings, 5cm high £800­1,200 274 A pair of diamond cluster ear studs, set with a central round brilliant­cut diamond within a border of smaller circular­cut diamonds in gold, total approximate diamond weight 2.05cts, screw fittings, case £1,000­1,500 275 A pair of diamond stud earrings, the round brilliant­cut diamonds millegrain­set in square 18ct white gold surrounds, 7mm wide, post fittings £800­1,200 276 A pair of diamond stud earrings, each claw­set with a brilliant­cut diamond, the diamonds weighing a combined total of 1.30 carats, post fittings £1,500­2,000 277 A diamond cluster ring, set with a central round brilliant­cut diamond within a border of baguette­shaped and circular­cut diamonds in platinum, London hallmarks for 2002, size P, with a pair of matching diamond­set earrings, 12mm high, clip fittings £3,000­4,000 278 A pair of sapphire and diamond cluster earrings, the round brilliant­cut diamonds set within a quatrefoil sapphire surround in white gold, post fittings, 9mm high £1,600­2,000 279 A diamond line bracelet, set with round brilliant­cut diamonds separated by pairs of round brilliant­cut diamonds in yellow gold, 18cm long £3,000­4,000 280 A pair of amethyst and diamond drop earrings, the briolette amethysts suspended from twisted diamond­ set mounts in white gold, 5.9cm high £800­1,200

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281 An enamel and diamond demi­parure, India, comprising: a necklace, the front designed as a fringe of lasqué diamonds in foiled settings, accented with green enamel, the reverse applied with green basse taille enamel with floral designs in reserve, to a gold back chain, length 41cm, length at front 8.5cm, largest diamond 13 x 10mm, mounted in gold; and a pair of matching pendent earrings, length 5.7cm, clip and post fittings £3,000­5,000 282 A garnet and diamond pendant necklace, India, set with a pear­shaped flat­cut garnet in a foiled setting, within a border of lasqué diamonds, the reverse applied with blue, red, green and white enamel in floral designs, mounted in gold, to a necklace of faceted citrines, necklace length 43cm, pendant length 7.1cm £300­400 283 An emerald, ruby and foiled gemstone brooch, India, 19th century, designed as a bird, set with carved emeralds and foil­backed green gemstones, its eye set with an oval ruby, mounted in gold, the reverse with incised decoration depicting a bird, length 3.1cm, later brooch fittings £600­800 284 A jadeite ring, the oval jadeite cabochon claw­set in platinum, size M

£300­500

285 A synthetic sapphire and diamond cluster ring, the oval synthetic sapphire set within a surround of round brilliant­cut diamonds weighing a total of 1.85cts in white gold, size U £600­800 286 A diamond solitaire ring, collet­set with a pear­shaped diamond, to an 18ct yellow gold band, size P½, British hallmarks £400­600 287 A gem­set, pearl and diamond brooch, late 19th century, designed as a bee in flight, set with cushion­shaped emeralds and sapphires, a pear­shaped ruby and rose­cut diamonds, its abdomen set with a pear­shaped pearl, mounted in silver and gold, wingspan 5.8cm, pearl untested £2,000­3,000 288 A jadeite and diamond pendant, the oval jadeite cabochon set within a surround of diamonds, suspended from a diamond­set bail in platinum, 3.2cm high £200­300 289 A spinel and diamond cluster ring, the oval­shaped spinel set within a surround of circular­cut diamonds in yellow gold, size L £1,500­2,000 Accompanied with AnchorCert report no. 20057276 stating the oval mixed shaped spinel weighs 7.11 cts approx.

290 A ruby and diamond cluster ring, of cluster design in 18ct gold, set with an oval ruby within a border of brilliant­cut diamonds, size S, British hallmarks £200­300 291 A synthetic ruby and diamond ring, early 20th century, claw­set with a step­cut synthetic ruby, within a scalloped border of circular­cut diamonds, mounted in platinum, size M½, stamped PLATINUM £400­600 292 A ruby and diamond cluster ring, the oval ruby set within a surround of round brilliant­cut diamonds in gold, size P £800­1,200 293 An aquamarine ring, claw­set with a pear­shaped aquamarine, to an 18ct gold mount, size Q½, British hallmarks £800­1,200

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294 A ruby and diamond demi­parure, comprising a pendant and earrings, the pendant set with a pear­shaped ruby within a border of graduated circular, marquise and pear­shaped diamonds suspending from further diamonds on a fancy­link platinum neck chain, London import marks for 1978, 39cm long, with matching ruby and diamond spray earrings, post and clip fittings, 16mm high £4,000­6,000 295 An emerald and diamond ring, claw­set with a step­cut emerald weighing 4.83 carats, to shoulders set with baguette diamonds, mounted in 18ct gold, size R, British hallmarks £4,000­6,000 296 A large peridot and diamond ring, the cushion­shaped peridot, weighing 27.08cts, between tapering baguette­cut diamonds, in 18ct yellow gold, London hallmark for 1997, size O, case £3,000­5,000 297 An emerald and diamond dress ring, the oval emerald weighing 8.22ct between triangular diamond shoulders and further smaller circular­cut diamonds in white gold, total diamond weight 0.85cts, size N £5,000­8,000 298 Asprey, a gold chain necklace, circa 1992, the articulated collar composed of woven 18ct gold wire, length 42cm, British hallmark for 18ct gold, signed APLC for Asprey, gross weight 185g, original case stamped Asprey £4,000­6,000 299 A diamond solitaire engagement ring, claw­set with a brilliant­cut diamond weighing approximately 1.80 carats, mounted in platinum, size N, British hallmark for platinum, sponsor’s mark MW, fitted case stamped Martin White £3,000­4,000 300 A yellow sapphire and diamond ring, the oval­shaped yellow sapphire weighs 13.56cts, claw­set within diamond­set shoulders in yellow gold, size O £6,000­8,000 Accompanied by The Gem & Pearl Laboratory report no. 12893 dated 21st June 2016, stating that the rectangular cushion-shaped sapphire is natural with no evidence of heat treatment and weights 13.56 cts.

301 A diamond solitaire ring, the round brilliant­cut diamond weighs 1.52cts, claw­set in 18ct yellow gold, London hallmarks for 2005, size M ½ £4,500­6,500 Accompanied by GIA report no. 12811535, stating that the diamond weighing 1.52 carats is H colour, VS2 clarity 302 A pair of diamond earrings, each designed as a bombé half hoop pavé­set with brilliant­cut diamonds, mounted in white gold, length 2.1cm, clip and post fittings, each stamped 18K £1,000­1,500 303 A sapphire and diamond ring, designed as a cluster, set with an oval sapphire weighing 5.71 carats, within a border of brilliant­cut diamonds weighing a total of 2.10 carats, mounted in white gold, size N½ £5,000­7,000 304 A tourmaline and diamond ring, claw­set with an oval pink tourmaline, to shoulders set with double rows of baguette diamonds, size M £800­1,200 305 A pair of diamond stud earrings, each set with a brilliant­cut diamond weighing 0.66 and 0.67 carats respectively, post fittings £1,500­2,000 Accompanied by GIA report no’s 3275556193 and 1278412139 dated 8th December 2017 and 13th November 2017, stating that the diamond weighing 0.66 carats is H colour, VS clarity, and the diamond weighing 0.67 carats is F colour, VS clarity respectively 306 A pair of sapphire and diamond earrings, each designed as a cluster, set with an oval sapphire within a border of brilliant­cut diamonds, mounted in white gold, each 1.7 x 1.9cm, post fittings, sapphires totalling 10.65 carats, diamonds totalling 3.50 carats £8,000­12,000

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307 Boucheron, a pair of gold baton cufflinks, the fluted gold links in 18ct yellow gold, signed with maker’s mark and French control marks, with interchangeable baton terminals including onyx, turquoise, lapis lazuli, coral, malachite and gold, 2.2cm high, fitted Boucheron case £2,500­3,500 308 A small carved emerald perfume bottle, with faceted emerald stopper, 2.6cm high, in fitted wooden box £2,000­3,000 309 Cartier, a pair of gold baton cufflinks, the twisted gold links in 18ct two­colour gold, signed and numbered 672844, with interchangeable baton terminals including onyx, lapis lazuli, rhodochrosite, and tiger’s eye, 2.2cm high, fitted Cartier case £1,500­2,000 310 A pearl and diamond stick pin, late 19th century, capped with a pearl set with a band of rose­cut diamonds, and topped with a cushion­shaped diamond, length 6.4cm, case, pearl untested £200­300 311 No Lot 312 A gold and enamel toothpick case, France, 19th century, the elongated rectangular hinged case applied to the exterior with black and white enamel in a design of floral scroll work, measuring 6.9 x 1.2 x 0.7cm, French assay mark for 18ct gold, French maker’s mark, possibly JI or JL, incised stock number £1,000­1,500 313 A pair of Art Nouveau gold cufflinks, each link set with a stylised iris and a stylised daisy in yellow gold, 16mm wide £700­900 314 Wièse, a pair of gold cufflinks, late 19th century, the central flower within pierced scrolling foliate surround in yellow gold, signed, conjoining chain links, each disc 14mm wide £1,000­2,000 315 A pair of Art Deco lapis lazuli and diamond cufflinks, early 20th century, the carved lapis lazuli set diagonally with a row of single­cut diamonds in platinum, each 11mm wide £800­1,200 316 Cartier, a pair of gold baton cufflinks, fluted and tied with gold twisted rope decoration in 18ct yellow gold, signed Cartier Paris and numbered Q2634 and 103524, 2.2cm (baton), Cartier pouch £1,000­1,500 317 An Art Deco pair of onyx and diamond cufflinks, France, early 20th century, each end of circular outline, set with lines of calibré­cut onyx within a border of rose­cut diamonds, mounted in platinum, each disc 1.3cm diameter, French assay marks for platinum, case £800­1,200 318 David Morris, a set of four dress studs, each set with four square­shaped diamonds in 18ct yellow gold, maker’s initials and London hallmarks for 1989, 7mm £800­1,200 319 A set of three Art Deco studs, of geometric circular design millegrain­set with circular and baguette­shaped diamonds in platinum, the discs 10mm diameter £600­800 320 An Art Deco onyx and diamond dress set, comprising cufflinks, five buttons and three studs, each onyx disc with a central band of diamonds and onyx millegrain­set in platinum, French control marks, case £1,500­2,000

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321 Cartier, a gold ‘Zodiac’ pendant, 1973, the textured gold medallion pendant depicting the ram and symbol of Aries, length 5.9cm including bail, signed Cartier, numbered P4703, British hallmark for 18ct gold, date letter for 1973, sponsor’s mark JC for Cartier London £2,000­3,000 322 A gold and gem­set parure, comprising: a necklace, designed as a belcher link chain, the front composed of floral motifs set with brilliant­cut diamonds and cabochon rubies, emeralds and sapphires, length 42cm; a bracelet, length 18.5cm, one diamond deficient; and a pair of earrings of similar design, post fittings, length 2.5cm each £6,000­8,000 Accompanied by a facsimile of a Kutchinsky receipt dated 12th December 1991.

323 Van Cleef & Arpels, a pair of diamond­set gold earrings, set with a demi­lune of diamonds on fluted yellow gold, signed and numbered B3282A6, with maker’s lozenge, hinged clip fittings, 3cm high £3,500­4,500 324 Boucheron, a pair of lapis lazuli and rock crystal gold earrings, of fluted rock crystal and gold, set with lapis lazuli terminals, signed Boucheron numbered 1432 and with maker’s mark TEB, clip fittings, 2.2cm high, Boucheron case £1,500­2,000 325 Pomellato, a pair of gem­set gold bracelets, set with cabochon tourmalines and citrines in 18ct yellow gold, signed, each bracelet 19.5cm long £2,000­3,000 326 Kutchinsky, a gold and tiger’s eye cocktail ring, 1970s, set with a cabochon tiger’s eye, to a textured gold mount, size K½, maker’s mark for Kutchinsky £1,800­2,000 327 A ruby and diamond ‘jarretière’ bracelet, circa 1940, of garter design, each end set with circular­cut rubies, circular­cut and baguette­cut diamonds, to a gold brick­link bracelet, length 20cm £6,000­8,000 328 M Gerard, a gold and diamond bracelet, the three diamond­set latticed plaques connected by fancy­link yellow gold chain, signed M R Gerard to clasp and numbered SB1049/3, maker’s lozenge and French control marks, 19cm long £3,000­4,000 329 A gold and citrine cocktail ring, France, mid 20th century, claw­set with an oval citrine, to a gold rope twist mount, size N½, French assay mark for 18ct gold £800­1,200 330 Cartier, a gold, sapphire and diamond brooch, mid 20th century, designed as a flower, the gold petals centring on a circular­cut sapphire and single­cut diamond stamens, to a brooch of safety pin design, length 7.4cm, signed Cartier Paris, numbered 08355, French assay marks for 18ct gold and maker’s mark for Cartier £2,000­3,000 331 A sapphire ring, of fluted design set with a central band of channel­set sapphires in yellow gold, size L ½ £500­700 332 A pair of gold and diamond earrings, each designed as a stylised door­knocker, set with brilliant­cut diamonds in 18ct yellow gold, maker’s mark DJH and London hallmarks for 1993, length 3.6cm each £1,000­1,500 333 Cartier, a pair of gold hoop earrings, each decorated to the front with coild bicoloured gold wire, length 1.8cm. post fittings, each signed Cartier, numbered 590258, stamped 750 £600­800

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331 332

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‡ 334 Attributed to Charles de Temple, a cultured pearl and diamond brooch/pendant, 1970s, of abstract design in bicoloured, textured gold, centring on a trio of grey baroque cultured pearls, accented with brilliant­cut diamonds, measuring 7.2 x 6.4cm, unsigned, case stamped Charles de Temple, the interior stamped ‘Designed Exclusively for Watches of Switzerland’ £3,000­4,000 ‡ 335 Charles de Temple, a gold, tourmaline, drusy quartz and diamond brooch, 1970s, of abstract design, centred on a quartz geode within a border composed of abstract gold wire work, incorporating a reclining figure, and set with circular­cut tourmalines and brilliant­cut diamonds, the largest weighing approximately 1.25 carats, measuring 5.8 x 5.3cm, signed Charles de Temple, stamped 18ct, case £5,000­7,000 336 A diamond­set gold flower brooch by Kutchinsky, set with graduated round brilliant­cut diamonds within scrolling 18ct yellow gold, maker’s plaque and London hallmarks for 1968, 6cm high £1,500­2,000 337 A gold and diamond pendant, second half 20th century, of oval outline, depicting Adam and Eve with the Tree of Knowledge and the serpent, set with brilliant­cut diamonds, length 7.3cm, stamped 750, case £2,000­3,000 338 An aquamarine and ruby ring, mounted in gold, the elongated cushion­shaped aquamarine between stepped shoulder set with graduated step­cut rubies, size Q, British hallmarks for 18ct gold £1,000­1,500 339 A gold and diamond dress ring, of abstract bombé design in yellow gold openwork, set with brilliant­cut diamonds, size N½ £800­1,200 340 Lalaounis, a gold and onyx ring, of bombé design, set with a polished section of onyx, to a tapering hammered gold band, size M½, maker’s mark for Lalaounis, stamped 750 for 18ct gold £800­1,000 341 Kutchinsky, a gold demi­parure, 1971, comprising: a pair of earrings, designed as a rhomboid Mobius strip with abstract textured branches in bicoloured 18ct gold, length 3.2cm each, post fittings, each with maker’s mark for Kutchinsky, British hallmarks; and a ring of matching design with a shank modelled as a gnarled wooden branch, size O, attributed to Kutchinsky, unsigned £2,800­3,200 342 A gold and diamond necklace, 1970s, composed of branches in textured gold, set with brilliant­cut diamonds, length 58cm £1,500­2,000 343 A pair of ruby and sapphire earrings, each of circular outline set with quatrefoil arrangements of circular­cut sapphires and rubies within woven gold motifs, each 2.1cm diameter, stamped 750 maker’s mark LG £400­600 344 A pair of gem­set ear clips, France, set with rubies, sapphires, emeralds and diamonds within gold twisted rope surrounds, clip fittings, 2.7cm high, French assay marks for 18ct gold £1,500­2,000

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345 A pair of cultured pearl and diamond ear clips, each set with a cultured pearl within a border of brilliant­cut diamonds, mounted in white gold, diameter 14mm each £400­600 346 A pair of diamond cluster earrings, each designed as a floral cluster of brilliant­cut diamonds, mounted in white gold, diameter 1.2cm each £1,500­2,000 347 A diamond cluster ring, of rectangular form, set with graduated round brilliant­cut diamonds in platinum, size Q £1,100­1,200 348 A diamond cluster bracelet, set with graduated diamond clusters, separated with pairs of baguette­shaped diamonds in white gold, 5.5cm inner diameter, Mappin & Webb case £1,000­1,500 349 A diamond ring, of cluster design, set with brilliant­cut diamonds, mounted in white gold and platinum, size Q, stamped PLAT&18CT £800­1,200 350 A diamond cluster ring, set with a central round brilliant­cut diamond within a border of 10 smaller round brilliant­cut diamonds in white gold, size P £1,000­1,500 351 A yellow sapphire and diamond ring, set with a step­cut yellow sapphire, within a border of brilliant­cut and baguette diamonds, the edges with a millegrain finish, mounted in platinum, size O, stamped PLAT £1,100­1,200 352 A pair of diamond stud earrings, 0.51 and 0.53cts, set in white gold

£1,500­2,000

Accompanied by GIA report no’s 7368158392 and 7351620123 dated 30th September 2020 and 20th July 2020, stating that the diamond weighing 0.51 carats is F colour, VS1 clarity, and the diamond weighing 0.52 carats is G colour, VS1 clarity 353 A diamond necklace, the articulated links set with graduated brilliant­cut diamonds, the back section composed of polished metal links, length 42cm, European convention marks for 18ct gold £3,000­4,000 354 A ruby and diamond necklace, composed of alternating quatrefoil clusters of brilliant­cut diamonds and circular­cut rubies, in 18ct white gold, length 43.5cm, stamped 750 £1,000­1,500 355 Georg Jensen, a diamond­set collar necklace of ‘question mark’ design, the terminals set with a cascade and a trefoil of graduated round brilliant­cut diamonds in white gold, case £2,000­2,500 356 A seven­stone diamond ring, set with a line of brilliant­cut diamonds stated to weigh a total of 1.80 carats, size N, stamped 750, stamped 1.80 £800­1,200 357 A diamond solitaire ring, the round brilliant­cut diamond weighing 0.51cts, set in platinum, London hallmarks for 2001, size M £300­400 358 A pair of diamond drop earrings, each composed of a spherical surmout suspending a drop­shaped pendant, each reverse­set with brilliant­cut brown diamonds, connected by a line of brilliant­cut diamonds in blackened gold, 6.5cm high £4,000­5,000 359 A tsavorite garnet, ruby and diamond brooch, designed as a rosebud, the rosebud and stem set with brilliant­ cut and baguette diamonds, the leaves set with marquise­shaped tsavorite garnets, the rosebud tipped with a marquise­shaped ruby, mounted in white gold, length 3.8cm £400­600 360 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing 1.65 carats, to a plain white gold shank, size L, stamped 18CT £1,600­2,000 Accompanied by Anchor Cert report no. 20025236, stating that the diamond weighing 1.65 carats is O­P colour, VS1 clarity 361 A ruby and diamond cluster ring, claw­set with a step­cut ruby within a border of brilliant­cut diamonds, size P, British hallmarks for 18ct gold £600­800 362 A tourmaline and diamond cluster ring, the oval tourmaline set within a surround of round brilliant­cut diamonds in white gold, size L £1,500­2,000 363 An emerald and diamond ring, claw­set with a step­cut emerald weighing 6.05 carats, within a border of brilliant­cut diamonds weighing a total of 0.86 carats, mounted in white gold, size N½ £3,500­4,500 364 A gold and diamond line bracelet, designed as an articulated line of brilliant­cut diamonds set in yellow gold, length 18.7cm £1,200­1,500

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365 Longines, a lady’s gold wristwatch, the oval dial of textured black enamel, with baton indicators at cardinal points and gold hands, to a plain oval gold bezel, to a black leather strap and gold clasp, dial 2 x 1.3cm, manual winding movement, dial and buckle signed Longines, case back numbered 17228973, case stamped with Swiss import assay marks for 18ct gold, buckle with French and Swiss assay marks for 18ct gold, stamped 750, French maker’s mark £200­300 366 Bovet, a mother of pearl, gold and diamond wriswatch, ‘Collection Château de Môtiers’, the circular dial in mother of pearl, the hour indicators in multicoloured enamel, with gold hands, the bezel and one lug set with brilliant­cut diamonds, to a black leather strap, mounted in yellow gold, dial 3.3cm, automatic movement, dial case back and buckle signed Bovet, case back stamped 750 and 18K, numbered G800 and 019384 £2,000­3,000 367 Audemars Piguet, a lady’s 18ct gold and diamond wristwatch, ‘Royal Oak’, the gold face with a square grid design, with gold hands, diamond indicators and date wheel aperture, within an octagonal bezel with screw motifs and bordered with brilliant­cut diamonds, to a gold link bracelet with deployant clasp, dial 1.7mm diameter, inner circumference 16cm, quartz movement, signed Audemars Piguet, inscribed Royal Oak, No443, European convention marks for 18ct gold, fitted case stamped Audemars Piguet £4,000­6,000 368 Rolex, a lady’s stainless steel and gold Datejust wristwatch, signed champagne dial, automatic movement, steel and gold president bracelet, case width 26mm wide £1,000­1,500 369 Baume & Mercier, a lady’s 18ct gold wristwatch, the textured gold dial with black Roman numeral indicators and blackened steel hands, to an integrated link bracelet, dial 2.1cm diameter, bracelet length 14.7cm, manual winding movement, signed Baume & Mercier, case back numbered 747033 and 36653, Swiss and European convention marks for 18ct gold £800­1,200 370 A gold watch, Italy, the octagonal dial enamelled white, with black Roman numeral indicators and black hands, with a synthetic sapphire winder, to a flexible coiled strap of gold gas pipe linking with a steel core, dial 1.5 x 1.3cm, manual winding movement, Italian maker’s mark, stamped 750 £2,500­3500 371 Rolex, a lady’s gold DateJust wristwatch, signed mother of pearl dial with Roman numerals and date aperture, sweep seconds hand, oyster perpetual automatic movement, on president­link bracelet, case 2.7cm wide, numbered K830536 and 179178, original box and papers £3,000­5,000 372 Rolex, a lady’s 18ct gold, mother of pearl and diamond wristwatch, ‘Cellini’, circa 1992, the octagonal mother of pearl dial with gold hands and indicators, within a geometric bezel set with brilliant­cut diamonds, to an integrated gold strap with deployant clasp, dial 1.7 x 1.4cm, signed Rolex Cellini, Swiss and European convention assay marks for 18ct gold, inner circumference 17.5cm, original box and papers, ref no. E465319, dated 1992, central watch holder deficient £2,500­3,500 373 Rolex, lady’s gold Datejust wristwatch, signed champagne dial with diamond hour markers, date aperture, sweep seconds hand, automatic movement, on 18ct gold president band, case 2.6cm wide, with spare links £2,000­3,000 Accompanied by a facsimile of a Strang receipt dated 19th Ocotber 1999 and a valuation for insurance dated 28th October 1999.

374 Cartier, a lady’s 18ct gold wristwatch, ‘Panthère’, circa 2002, the square white enamelled dial with black Roman numeral indicators and blued steel hands, to a gold bezel and integrated link bracelet with double deployant clasp, dial 1.3 x 13cm, bracelet 16cm, signed Cartier, secret signature on dial at X, case back numbered 1070 and MG281418, Swiss and European convention marks for 18ct gold, Cartier case and guarantee booklet £2,000­3,000 375 Jaeger LeCoultre, a lady’s stainless steel and diamond wristwatch, ‘Reverso Squadra’, the double­sided wristwatch with sliding mechanism allowing watch to be flipped, one side with a square white dial, day/night wheel and date wheel aperture, between borders of brilliant­cut diamonds, the other side in black with white enamel indicators, to a central wheel rotating with the movement, the white strap with deployant clasp, dial 2.1 x 2.1cm, automatic movement, signed Jaeger LeCoultre Reverso Squadra, numbered 235.8.76 and 2753959, original box and papers £2,500­3,500

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376 TH Picard et Fils, a gold chronometer wristwatch, ‘La Chaux­de­Fonds’, mid 20th century, the black enamelled dial with subsidiary seconds and half hour dials, with white enamelled hands, to a gold case with winder and two buttons for stopwatch function, to a later black leather strap, dial 3.2cm diameter, manual winding movement, dial signed TH Picard et Fils, La Chaux-de-Fonds’, the top inscibed ‘Telemetre’ case and interior of case back with Swiss assay marks for 18ct gold, numbered 224403 £1,500­2,000 Accompanied by a facsimile of a receipt dated 21st February 2017 from Bonhams 377 Rolex, a gentleman’s stainless steel and diamond wristwatch, ‘Submariner’, circa 2004, the brushed gilt dial with date wheel aperture and sapphire and diamond indicators, the hands applied with luminescent paint, within a blue enamel bezel, to a bicoloured stainless steel strap with adjustable deployant clasp, dial diameter 2.9cm, model no. 16613, reference no. Y425785, original box and papers £8,000­12,000 378 IWC, a gentleman’s stainless steel wristwatch, ‘Fliegerchronograph Day Date Automatic’, IW370607, circa 2015, the circular black chronograph dial with subsidiary dials, white enamel hands and indicators and day and date wheel apertures, to a plain stainless steel bezel and link bracelet with deployant clasp, dial 3.3cm diameter, automatic movement, dial clasp and case back signed IWC, case back numbered 2765166, accompanied by fitted case, facsimile of invoice dated 2015, and servicing documents dated 2017 £2,000­3,000 379 Rolex, a gentleman’s stainless steel, ‘Oyster Perpetual Date’, the silvered dial with baton indicators, steel hands and date wheel aperture, to a plain stainless steel bezel and link bracelet with deployant clasp, dial 2.9cm, automatic movement, ref no. 1500, case no. 5123541 £1,500­2,000 380 Rolex, a gentleman’s stainless steel ‘Air King Date’ wristwatch, circa 1972, the silvered dial with baton indicators and steel hands with date wheel aperture, to a steel link bracelet, dial 2.8cm diameter, automatic movement, model no. 5700, serial no. 27865634, pouch, papers and Rolex service certificate £2,500­3,500 381 Patek Philippe, an 18ct gold and diamond­set automatic annual calendar wristwatch, with sweep centre seconds and mother of pearl dial, signed Patek Philippe Geneve, movement numbered 3751055, reference no.

4936J­001, movement no. 3751055/4702122, cal. 324/397 automatic movement stamped with the PP seal, 34 jewels, white mother­of­pearl dial, applied Roman numerals, luminous hands, sweep centre seconds, two subsidiary dials for day and month, window for date, circular case, pavé­set diamond stepped bezel and winder, glazed display screw back, 18k gold Patek Philippe buckle, case, dial and movement signed, case 37mm wide, original box and papers £20,000­25,000

END OF DAY ONE

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382 A pink topaz and gold bangle, late 19th century, the hinged bangle set with a large oval pink topaz weighing approximately 30.00 carats, inner circumference 16cm £6,000­8,000 383 A gold and garnet muff chain necklace, 1830s, composed of stamped gold links connected in a spiral arrangement, to a cylindrical clasp with gold filigree decoration set with foil­backed oval garnets, length 120cm, case stamped Cameo Corner £16,000­20,000 384 A Regency diamond cluster ring, set with graduated old cushion­shaped diamonds in silver collets within scroll engraved gold shoulders, size O, case £600­800 385 A diamond solitaire ring, the circular­cut diamond set within yellow gold mount, size S

£1,000­1,500

386 A late 19th century chrysoberyl catseye and diamond ring, set with a cabochon chrysoberyl catseye within a border of old cushion­shaped diamonds in yellow gold, inner inscription for 1888, size P £1,000­1,500 387 A diamond solitaire ring, the old circular­cut diamond weighs approximately 2.80cts, claw­set in a heavy 18ct yellow gold mount, size T £5,000­7,000 388 A Victorian diamond solitaire ring, the cushion­shaped diamond weighs approximately 1.90cts, rubover­set in 18ct yellow gold, Sheffield hallmarks for 1885, size S £1,500­2,000 389 A five­stone diamond ring, late 19th century, claw­set with a series of five cushion­shaped diamonds, accented with rose­cut diamonds, mounted in gold, size O, maker’s mark HW, stamped 18 £800­1,200

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390 An early 20th century gem­set beetle brooch, the body formed from an oval cabochon garnet, with garnet cabochon eyes and diamond­set legs in platinum and gold, 3.4cm longest £1,200­1,500 391 A mid 19th century gold Caduceus brooch, of stylised form with gold decoration, 6cm high

£300­400

392 A diamond ring, early 20th century, of navette­shaped design, set with circular­cut and cushion­shaped diamonds, size P½, stamped 18CT £400­600 393 An unusual rock crystal and ruby locket, late 19th century, the gold locket of hinged design, the front and bail set with rock crystal cabochons accented with cushion­shaped rubies, additionally backed with a cabochon rock crystal, length 4.4cm including bail £600­800 394 A rare agate rivière necklace, mid 19th century, composed of octagonal agate plaques in gold rope twist borders, suspending a similar fringe of pendants, length 39.5cm, three pendants deficient, border of front link restored, case £2,000­3,000 395 A late 19th century moonstone and gem­set brooch, the elongated moonstone cabochon set within an outer knife­edge border set with sapphires and tourmalines in gold, 6.5cm wide £1,500­2,000 396 An early 20th century diamond five stone ring, the graduated old circular­cut diamonds set in platinum and gold, size P £800­1,200 397 A pearl, emerald and diamond ring, mid 19th century, set with a half pearl, to a gold mount of scroll design set with step­cut emeralds and rose­cut diamonds, size N, pearl untested £300­400 398 A Victorian diamond three stone ring, set with three graduated old­cut diamonds in 18ct yellow gold, Chester hallmarks for 1885, size O £300­400 399 A Victorian pearl and diamond cluster ring, the half pearl set within a surround of old cushion­shaped diamonds within scroll engraved shoulders in 18ct yellow gold, Birmingham hallmarks for 1899, size K £200­300 400 An Edwardian opal and diamond half hoop ring, set with three opal cabochons and four old circular­cut diamonds in yellow gold, size L £400­600 401 A diamond ring, late 19th century, designed as an oval plaque pavé­set with circular­cut and cushion­shaped diamonds, to shoulders of palmette design applied with blackened finish, mounted in gold, size O £400­600 402 Alabaster & Wilson, a three stone diamond ring, C1890, set with three graduated old cushion­shaped diamonds in square settings in yellow gold, size M £300­400

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403 An early 20th century diamond bracelet, set with five cushion­shaped diamonds on yellow gold gate­link bracelet, stamped 15, 16.5cm long £1,500­2,000 404 A Victorian chrysoprase bracelet, the graduated oval chrysoprase cabochons set within scrolling yellow gold surround, 18cm long £800­1,200 405 A gold multi­compartment locket, mid 19th century, of oval outline, the front and reverse with engraved scrollwork, the reverse opening to reveal five locket compartments, length 5.4cm including bail, mid 19th century design registration mark, one compartment with glazing deficient £600­800 406 A Victorian diamond­set gold locket, of oval form, set with a cushion­shaped diamond within engraved starburst motif, in yellow gold, glazed locket compartment to interior, 5.6cm high total, case £800­1,200 407 A pair of gold earrings, each composed of an inverted pear­shaped gold surmound suspending a tapering gold drop, length 7.1.cm each, hook fittings £750­850 λ 408 A Victorian coral and gold long guard chain, formed from alternating gold twisted rope links and coral anchorlinks, 88cm £1,500­2,000 409 A gold, enamel and diamond tenth anniversary locket, Russia, circa 1900, the locket of Rococo inspiration, the asymmetrical gold scroll frame enclosing a green guilloché enamel panel centring on the Roman numeral X set with circular­cut diamonds, opening to reveal a plain interior, the reverse with an inscription and the incised numbers 8919/99 and Roman numeral IV, to a gold rope twist chain necklace threaded with pearls, pendant length 4cm including bail, Russian assay mark for 14ct gold, Cyrillic maker’s mark for Uliansky Velkovich, assayer’s mark for Jakov Ljapunov, inventory number 1(7) 2114, chain length 50cm, Russian marks, later bolt ring stamped 750, pearls untested £3,000­5,000 Accompanied by a letter providing a detailed examination of the pendant, stating that the quality of its workmanship and the proximity of Velkovich's workshops to those of Fabergé indicate that this pendant was possibly made in collaboration with Fabergé 410 Robert Phillips, an aquamarine and enamel brooch, the oval­shaped aquamarine set within concentric surrounds of polychrome enamel in yellow gold, maker’s plaque, 4.1cm widest £1,500­2,000 411 Alfred Thielemann, a diamond and turquoise brooch, Russia, circa 1905, designed as a whiplash motif set with rose­cut diamonds and a circular­cut diamond, to a drop­shaped motif set with a cabochon turquoise within a border of rose­cut diamonds, mounted in silver on gold, length 3.3cm, Russian assay mark for gold, assayer initials AP for Alexander Romanov (1904-12), workmaker’s mark AT for Alfred Thielemann (1870-1910), case stamped Walter & Bull £1,500­2,000 412 A synthetic ruby and diamond ring, early 20th century, set with three cushion­shaped synthetic rubies, spaced by cushion­shaped diamonds, to a yellow gold mount with a scrolled gallery, size P½ £400­600 413 A late 19th century ruby and diamond cluster ring, the cushion­shaped ruby is set within a surround of old cushion­shaped diamonds in yellow gold, size L £500­700 λ 414 A Victorian coral and diamond bracelet, the graduated coral beads set with diamond stars on fluted yellow gold bracelet, 18cm long £2,000­3,000 415 An early 19th century topaz cross pendant, set with five orange topaz in yellow gold collets, 3.5cm wide £800­1,200 416 A Regency garnet­set gold bracelet, the eight fine­link chains with a garnet­set flowerhead clasp in yellow gold, 16cm long £600­800

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417 Cartier, a gold necklace, ‘Maillon Panthère’, circa 1996, the articulated gold collar composed of brick links, length approximately 41cm, signed Cartier, numbered 694580, French assay mark for 18ct gold, French maker’s mark, case stamped Cartier, with Cartier certificate of authenticity £3,000­4,000 418 Van Cleef & Arpels, a ruby, emerald, sapphire and diamond bangle, the hinged gold bangle set to the front with floral arrangements of circular­cut rubies, emeralds and sapphires, among pavé­set brilliant­cut diamonds, inner circumference 16cm, signed Van Cleef & Arpels NY, numbered 52794 £5,000­7,000 419 A pair of sapphire and diamond cluster earrings, set with a round brilliant­cut diamond within a border of sapphires and diamond in 18ct white gold, London hallmarks for 1977, 12mm wide, post fittings £800­1,200 420 Cartier, a diamond­set heart ring, the nine linked hearts set overall with round brilliant­cut diamonds in yellow gold, rubbed signature and numbered 2583, size K £2,500­3500 421 Tiffany & Co, a diamond crossover ring, set with three graduated round brilliant­cut diamonds within asymmetrical diamond border in platinum and iridium, size N £3,500­4,000 422 A pair of ruby and diamond earrings by Grima, set with a central line of channel­set rubies and diamonds within hammered yellow gold fluted surround in 18ct yellow gold, stamped Grima to inside, post and clip fittings, 2cm high £1,500­2,000 423 Cartier, a pair of ‘Love’ earrings, each of hoop design with screw motifs, length 2cm, post fittings, Swiss assay marks for 18ct gold, signed Cartier, numbered C27024, case stamped Cartier £1,000­2,000 424 Van Cleef & Arpels, a diamond ring, the gold band tension­set with a princess­cut diamond, size L, signed VCA, numbered B5943A16, partial French assay mark, French maker’s mark SM, stamped 750, British import hallmark for 18ct gold, case stamped Van Cleef & Arpels £1,200­1,500 425 Cartier, a pair of diamond eternity rings, each of undulating design, set with a continuous line of brilliant­cut diamonds, mounted in 18ct yellow gold, each size N, each signed Cartier, numbered 708773 and 708733 respectively, each with French assay marks and British hallmarks for 18ct gold, each with French maker’s marks, fitted case stamped Cartier £3,000­4,000 426 Theo Fennell, a pink sapphire and diamond pendant, designed as a cross, pavé­set with brilliant­cut diamonds and accented with circular­cut pink sapphires, mounted in 18ct white gold, length 4.7cm, signed Theo Fennell, British hallmarks £800­1,200 427 Elizabeth Gage, an aquamarine and diamond ring, centring on a collet­set oval aquamarine, to a tapering mount of trellis design in bicoloured gold, each edge set with a line of graduated brilliant­cut diamonds, size Q½, signed Gage £1,000­1,500 428 Cartier, a diamond eternity ring, of full eternity design, set with brilliant­cut diamonds, mounted in yellow gold, size K, signed Cartier, numbered 909726, stamped OR750 £1,500­2,000 429 Mappin & Webb, a pair of ruby and diamond ear clips, circa 1987, each of scroll design, set with cabochon and marquise­shaped rubies and brilliant­cut diamonds, mounted in 18ct gold, length 1.9cm each, British hallmarks, sponsor’s mark for Mappin & Webb, fitted case stamped Mappin & Webb £800­1,200 430 Theo Fennell, a tourmaline and diamond ‘Memento Mori’ ring, the circular faceted red tourmaline is set within a border with the inscription ‘Memento Mori’ in black enamel, set with two black diamonds and a border of small white diamonds, a skull applied to each shoulder in yellow gold, stamped Fennel to inside shank, with inner resizing balls, approximately size N £800­1,200 431 Cartier, a pair of gold earrings, ‘Maillon Panthère’, circa 1992, each designed as a hoop composed of solid brick links, length 1.9cm each, post and clip fittings, each signed Cartier, numbered C69451, dated 1992, Swiss assay marks for 18ct gold, case stamped Cartier £1,000­1,500 432 Alex Ball, a citrine­set gold ring, the fancy­cut citrine set in yellow gold, with a screw across the gallery, stamped Alex Ball to inside shank and shoulder, stamped 750, size K approximately £200­300

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433 79 assorted gold beads threaded on gold wire, mostly numbered on labels with dimensions and weights, approx 30cm long approx 31g total (including hand written tags) the three larger beads test as 22­23ct gold. the beads are believed to have been discovered at Fort Victoria ruins, Zimbabwe, 1896­ 1904 and sold by the local Ancient Monuments Committee, as from the great Zimbabwe period, specifically later iron age. £5,000­7,000 Correspondence including further provenance explaining how the beads were exported legally from ‘Rhodesia’ to RSA in 1975 Further correspondence from the national museums and monuments of Rhodesia dated 28th April 1978 states that ‘ the 78 gold beads are of a type associated with other similar items from the Zimbabwe ruins and as such are authentic relics of the gold work of this period.’ With additional correspondence referring to the authenticity of the gold beads and suggested manufacture.

Accompanied with a folder containing relevant correspondence.

434 A 17th century diamond cluster ring, set with a table­cut diamond within a border of further table­cut diamonds in silver and gold closed back setting, size Q £800­1,200 435 A Roman chrome chalcedony intaglio ring, 2nd century AD, the oval chrome chalcedony carved with an intaglio depicting Mars making an offering to a fire, later mounted in a gold ring, intaglio 1.5 x 1.1cm, ring size L, ring stamped 9ct £400­600 436 An enamel and gem­set ring, designed in the Renaissance Revival style, the domed mount applied with black and white champlevé enamel and set with a pale green gemstone and four synthetic rubies, to scrolled shoulders applied with white enamel, size Q £1,000­1,500 437 A hardstone cameo ring, possibly 17th century and later, set with an agate cameo of Julius Caesar, later mounted in a gold ring, size O, cameo measuring 1.5 x 1.2cm, faint British hallmark £1,500­2,000 438 A carnelian intaglio, set with an oval carnelian intaglio depicting two male lovers, later mounted in a gold ring, size Q, intaglio measuring 1.2 x 1.5cm £2,000­3,000 439 A gold Stuart crystal romantic ring, late 17th century, the faceted crystal covers two winged putti, both clasping a heart with red enamel decoration and the putti in white, gold wire scrolling border on finely plaited hair ground, undulating decoration to the border and with blue enamel decoration to the carved border, lobed to the reverse and matching enamel decoration to the carved shoulders, size M £1,000­1,500 440 A Renaissance green paste stone and gold ring, late 16th century, centring on a square green paste stone in a scalloped setting engraved with floral motifs, the shoulders of strapwork design, size P £600­800 To be sold without reserve 441 A George III diamond plaque ring, set with a diamond­set urn on blue glass within a border of rose­cut diamonds in silver and gold closed back setting, size O £2,000­3,000 λ 442 A gold and enamel mourning ring, late 18th century, of oval outline, enclosing a glazed ivory miniature depicting a lady in classical dress beside a memorial beneath a willow tree, bordered in black and white enamel, to a tapered gold shank, the reverse with memorial inscription dated 18th September 1792, size N½, case £300­400 443 An Iberian late 18th century emerald­set pendant, set with graduated emerald­cut emeralds (two missing) and an articulated pear­shaped emerald to the lower circular cluster, in gold, 7.4cm high £3,500­4,500 444 A carnelian intaglio ring, 19th century, set with an octagonal section of carnelian, carved with an intaglio of a coat of arms depicting the Pelican in Her Piety, to a gold mount with trifurcated scroll shoulders, size N £2,000­3,000 445 A diamond brooch, late 18th century, composed of three vertically arranged panels of floral scrollwork, set with rose­cut diamonds in foil­backed collet settings, mounted in silver, length 7.1cm, later brooch fitting, case £800­1,200 446 A gold, enamel and diamond mourning ring, late 18th century, the oval ring centred on a glazed panel of woven hair work with conjoined gold initials, possibly MR, within a white and blue enamel border accented with rose­cut diamonds, to a ring with pierced foliate shoulders, size Q, possibly converted from a brooch or slide £1,000­1,500 447 A rock crystal mourning pendant, 19th century, the heart­shaped gold locket set with a faceted rock crystal, over a panel of hairwork with the initials EW in gold thread, length 3cm including bail £3,000­4,000 448 A very fine renaissance carved quartz cameo, circa 16th/17th century, depicting the profile of a gentleman , possibly of the Medici family, 2.9cm high. Mounted in a 19th Century French gold brooch mount set with 23 cushion shaped diamonds, French control mark to pin, 3.8cm high. £6,000­8,000 449 A jasper cameo ring, 19th century, collet­set with an oval red jasper cameo depicting Cicero, to a fluted gold shank, size P½, cameo measuring 2.8 x 1.8cm £3,000­4,000 450 An amethyst and chrysoberyl ring, claw­set with an oval step­cut amethyst within a border of cushion­shaped chrysoberyls, mounted in gold closed­ back settings, to shoulders with scrollwork decoration, size O £2,000­3,000 451 A jasper intaglio ring, set with a rotating jasper bead of triangular cross section carved with intaglios of two figures and a beast, mounted on a gold ring modelled as a two­headed snake, size O½ £600­800 452 A rare George III hardstone necklace, late 18th/early 19th century, designed as a sequence of collet­set hardstone cabochons suspending various hardstone drops, including rock crystal, amethyst, jasper, chalcedony and agate, to a malachite clasp, length 40cm £3,000­5,000 453 A garnet brooch, early 19th century, designed as as flower, set with table­cut garnets in foiled settings, length 3.5cm

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454 A Regency gold tassel pendant, decorated with polychrome enamel and ruby quatrefoils in pierced cannetille surround, suspending from a later green enamel bow, set with a ruby, emerald and blue enamel flower centrepiece in yellow gold, 10cm high, case £1,500­2,000 455 A Victorian pearl­set gold collar necklace, the fringe formed from small cannetille discs each suspending two seed pearls in yellow gold, the centre with a suspension loop, 42cm long, case by Hunt & Roskell £2,000­3,000 456 A late 19th century silver Renaissance style necklace, designed as a series of putti within laurel swags in silver, 39cm long £700­900 457 A late 19th century French gold eagle brooch by Gaston Lafitte, the realistically designed bird suspending an untested pearl in it’s talons in 18ct yellow gold, French marks and maker’s lozenge to pin, 5.8cm wide £1,000­1,500 458 An Art Nouveau gold and diamond brooch, circa 1900, designed as a wyvern holding a cushion­shaped diamond in its mouth, within a frame of floral scrolls, measuring 4.0 x 3.6cm, pendant hooks £1,200­1,800 459 A late 19th century sapphire brooch, the stylised griffin and winged serpent fighting over a cabochon sapphire, within pierced scrolling yellow gold surround, 4cm wide £1,200­1,500 460 A lapis lazuli and pearl pendant, late 19th century, designed as a cabochon of lapis lazuli within a border of smaller lapis lazuli cabochons and half pearls, the bail similarly set, length 5.4cm including bail, pearls untested £200­300 461 A Victorian seed pearl and enamel gold locket, decorated with a seed pearl starburst within blue enamel border with engine­turned decoration, hinged and opening to reveal a glazed locket compartment to interior, rubbed registry mark to bale, 4.6cm high total £400­600 462 A Victorian gold mourning locket, set with a seed pearl star on black enamel ground, glazed locket compartment to interior, black enamel bale, 5.5cm high £300­400 463 A pair of gold earrings, 19th century, each designed as a floral cluster suspending a long drop, composed of gold cannetille, length 9.2cm, later hook fittings £2,000­3,000 464 A Regency emerald and pearl cluster ring, with foliate engraved yellow gold shoulders and glazed locket compartment to reverse, size P £300­400 465 A diamond gypsy ring, mounted in yellow gold, rubover­set with three circular­cut diamonds, size L, sponsor’s mark WM £300­400 466 A diamond novelty doll’s ring, early 20th century, claw­set with a circular­cut diamond, to a tapering gold shank, size under A £80­120 467 A Victorian gold, pearl and diamond bangle, late 19th century, the hinged bangle composed of fixed curb chain links, the front set with pearls and circular­cut diamonds in alternation, inner circumference 15.5cm, pearls untested £1,500­2,000

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468 An Edwardian amethyst, seed pearl and demantoid garnet necklace, early 20th century, the front composed of sinuous scrollwork in the Art Nouveau style, set with half seed pearls, oval amethysts and circular­cut demantoid garnets, to a fine back chain with barrel clasp, mounted in gold, necklace length 39cm, length at front 4.1cm, fitted case stamped Mappin & Webb £600­800 469 An aquamarine, peridot and seed pearl necklace, early 20th century, of negligée design, set with oval aquamarines, pear­shaped peridots and seed pearls, to a gold back chain, necklace length 37cm, pendant length 5.6cm £1,500­2,000 470 An Edwardian citrine and diamond brooch, set with a central citrine within millegrain­set diamond laurel border in platinum and gold, 4.1cm widest £600­800 471 A demantoid garnet and diamond­set tortoise brooch, the stylised tortoise with ruby eyes, in textured yellow gold, 3.2cm long £1,500­2,000 472 An amethyst and diamond ring, early 20th century, designed as a cabochon amethyst within an open work millegrain­borderd cluster set with rose­cut diamonds, mounted in platinum, size M½ £2,200­2,500 473 Palstcho, a rare butterfly wing, ruby and diamond brooch, circa 1920, designed as a butterfly, its wings composed of glazed compartments of iridescent butterfly wing, its body set with cushion­shaped diamonds, its eyes set with circular­cut rubies, wingspan 5.8cm, maker’s mark EP for Palstcho, Austro-Hungarian assay mark for 14ct gold, Vienna, and French import assay marks for 14ct gold, French patent inscription £4,000­6,000 474 An Edwardian emerald and diamond ring, the old circular­cut diamond set within a square border of emeralds and diamonds in platinum and gold, size Q £300­400 475 A ruby and diamond triple cluster ring, set with three circular­cut rubies within a border of diamonds in gold, London hallmarks for 18ct, 1997, size P £400­600 476 An Art Nouveau diamond­set brooch, set overall with graduated diamonds millegrain­set in platinum and gold, 7cm wide £600­800 477 A ruby and diamond half hoop ring, of chequerboard design set with rubies and diamonds in platinum, size N £600­800 478 An opal, aquamarine and diamond ring, early 20th century, designed as a cluster, set with a rectangular sugarloaf cabochon opal within a border of rose­cut diamonds, the corners accented by circular­cut aquamarines, mounted in gold, size L½ £300­400 479 A ruby five­stone ring, late 19th century, set with a series of five graduated cushion­shaped rubies, to a gold shank with scrolled galleries, mounted in 18ct gold, size Q, British hallmarks £1,000­1,500 480 An early 20th century sapphire and diamond bar brooch, alternately­set with round brilliant­cut and calibré­ cut sapphires in platinum and gold, 7.7cm wide £400­600 481 A ruby and diamond ring, early 20th century, claw­set with an oval ruby between circular­cut diamonds, mounted in platinum, size R, stamped PLAT £600­800 482 A diamond solitaire ring, early 20th century, claw­set with a circular­cut diamond weighing approximately 1.25 carats, to shoulders set with circular­cut diamonds, mounted in platinum, size I½, stamped PLAT£2,500­3,500 483 A sapphire and diamond half hoop ring, mid 20th century, set with three graduated oval­shaped sapphires separated with pairs of diamonds in white gold, size L £1,000­1,500 Accompanied by GCS report no. 5782­2915 dated 12th September 2022, stating the cushion cut sapphire is a natural corundum with no indication of heating.

484 A sapphire and diamond cluster ring, set with oval and circular­cut sapphires within small diamonds in silver and gold, size M £300­400 485 A diamond solitaire ring, claw­set with a brilliant­cut diamond weighing approximately 0.70 carats, mounted in gold, size M £300­500 486 A natural pearl and diamond ring, early 20th century, of cluster design, set with a natural pearl measuring 5.9mm diameter, the border and shoulders set with cushion­shaped diamonds, mounted in platinum, size M, French import assay mark for platinum £800­1,200

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487 A pearl and diamond necklace, early 20th century, the front set with circular­cut and rose­cut diamonds, suspending a pearl and diamond pendant within millegrain borders, mounted in platinum and gold, to a platinum back chain, pendant length 6.5cm, necklace length 44.5cm, later safety chain, pearl untested £2,000­3,000 488 A gem­set and diamond pendant, early 20th century, designed as a trefoil suspending a pear­shaped pendant, set with a pear­shaped sapphire, peridot, pink tourmaline and aquamarine and bordered with rose­cut diamonds, to a gold belcher link chain, pendant length 4.1cm, chain length 22cm, chain stamped 15ct £2,200­2,500 489 A diamond bar brooch, early 20th century, of tapering design, set with a line of graduated circular­cut diamonds, mounted in gold, length 7.5cm £1,000­1,500 490 An Edwardian pearl and diamond pendant, the articulated pearl set within a lozenge­shaped diamond surround in platinum and gold, 3.1cm high £300­400 491 An Edwardian gem­set gold wreath brooch, set with ruby, sapphire and demantoid garnet flowerhead clusters with diamond centres in yellow gold, 3cm wide £800­1,200 492 An Edwardian pink tourmaline and diamond shamrock brooch, set with pink heart­shaped tourmalines and graduated old circular­cut diamonds in platinum and gold, 2.8cm wide, fitted case £600­800 493 A sapphire and diamond three stone ring, set with an oval­shaped sapphire flanked with old circular­cut diamonds in platinum, size N £1,200­1,500 494 A pearl and diamond three stone ring, the pearl flanked with old circular­cut diamonds in platinum, size R ½ £1,200­1,500 Accompanied by The Gem and Pearl Laboratory report no. 20978 dated 8th January 2022, stating the button­ shaped pearl is a natural saltwater pearl measuring 6.5mm in width 495 An onyx and diamond brooch, France, first half 20th century, designed as a flower in finely carved onyx, centring on a circular­cut diamond, a bee alighting on its gold stem, the stem tipped with cushion­shaped diamonds, length 6.5cm, French assay mark for 18ct gold, indistinct French maker’s mark, fitted case £3,000­4,000 496 A black pearl and diamond ring, early 20th century, of lobed outline, set with a concentric arrangement of circular­cut diamonds and black pearls, mounted in white gold, size M £1,500­2,000 497 An early 20th century plique­à­jour and gem­set gold ring, the rectangular plaque set with graduated diamonds within green enamel surround, ruby shoulder in platinum and gold, size K £1,500­2,000 498 A ruby and diamond ring, early 20th century, set with a circular­cut ruby between circular­cut diamonds, to a gold foliate shank, size M½ £300­400 499 A star sapphire, rock crystal and diamond pendant/brooch, early 20th century, of radiating design, set with cabochon sapphires and star sapphires, and circular­cut rock crystal, suspending a fringe of cabochon sapphire pendants from rose­cut diamond links, detachable brooch fittings and two pendant hoops, length 8.3cm, fitted case stamped A.Marx & Co. £3,000­4,000 500 A gem­set and enamel dragonfly brooch, with ruby eyes, blue enamel wings set with diamonds and a diamond body in silver and gold, detachable brooch fitting to reverse, 4.5cm wide £1,500­2,000 501 A pair of Edwardian diamond drop earrings, set with a graduated line of old circular­cut diamonds suspending two concentric circles of diamonds in platinum, post fittings, 3.2cm high £800­1,200 502 A sapphire, enamel and diamond brooch, early 20th century, designed as the flag of the Royal Thames Yacht Club, channel­set with calibré­cut sapphires and millegrain­set with single­cut diamonds, the central Imperial State Crown motif applied with red enamel, mounted in gold and platinum, length 2.7cm £700­900 503 A diamond ring, early 20th century, of ‘toi et moi’ design, claw­set with a pair of circular­cut diamonds each weighing approximately 0.80 carats, mounted in platinum, size M½, case £1,500­2,000 504 An amethyst, seed pearl and diamond ring, circa 1900, set with an oval amethyst, within a border of seed pearls and rose­cut diamonds, to a tapering gold shank intricately engraved with foliate scrolls, size P, stamped 15CT £500­700 505 A diamond ring, early 20th century, of toi et moi design, set with a pair of circular­cut diamonds, to shoulders set with single­cut diamonds, mounted in gold, size Q, stamped 18CT £200­300 506 An emerald and diamond cluster ring, the emerald­cut emerald set within a rectangular border of old cushion­ shaped diamonds in gold, size P £8,000­12,000 Accompanied by GCS report no. 81297-27 dated 8th March 2021, stating the rectangular cut emerald is a natural beryl, originating from Colombia.

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507 A Retro gold and diamond jarretière bracelet, France, mid 20th century, of garter design, composed of gold brick links, the buckling mechanism pavé­set with brilliant­cut diamonds, length 17-18.5cm, adjustable, French import assay marks for 18ct gold £5,500­6,500 508 A two row gold necklace, the fancy­links joined by three diamond­set discs in 18ct yellow gold, 45cm longest £1,500­2,000 509 Sabbadini, a gold flower brooch, the stylised flowerheads formed from polished 18ct yellow gold, maker’s plaque to reverse with Italian control marks, 8.6cm high £1,700­2,000 510 A pair of emerald and diamond earrings, each of oval outline, mounted in gold, set with variously sized cabochon emeralds, each diameter 3.0cm, clip and post fittings, case stamped Goldsmith’s Company £2,000­3,000 511 A pair of diamond earrings, each designed as a flower, the pistils claw­set with briliant­cut diamonds, the petals pavé­set with brilliant­cut diamonds, diameter 3cm each, clip and post fittings, case £2,000­3,000 512 A pair of emerald and diamond bracelets, each mounted in gold, the well­articulated links each set with a circular­cut emerald and a brilliant­cut diamond, lengths 17.7 and 17.9cm, case £6,000­8,000 513 A pair of emerald and diamond­set gold earrings, each set with an emerald­cut emerald, circular­cut diamonds and smaller emeralds in polished yellow gold setting, post and clip fittings, 2.2cm high £3,000­4,000 514 An emerald and diamond ring, collet­set with a step­cut emerald weighing approximately 3.10 carats, within a gold foliate mount set with brilliant­cut diamonds, size O £10,000­15,000 Accompanied by GCS report no. 5782­1980, stating that the emerald is of Colombian origin, with indications of minor clarity enhancement 515 A gold and diamond brooch, naturalistically designed as a flower with a sandblasted finish, centring on a cluster of brilliant­cut diamonds, diameter 3.5cm, British hallmarks for 18ct gold £600­800 516 A convertible emerald, ruby and diamond brooch, designed as a large butterfly, its body and wings of gold, accented with carved and pear­shaped emeralds, circular­cut rubies and baguette, circular­ and single­cut diamonds, the jewelled motifs on the lower wings detaching to form a pair of ear clips, wingspan 9.1cm, ear clips 2.4cm each, brooch fitting stamped 750 £5,000­7,000 517 Carlo Weingrill, a pair of gold ear clips, each of gas­pipe linking, length 3.5cm, maker’s mark, stamped 750 £2,000­3,000 518 A pair of diamond and wood flower earrings, the central disc pavé­set with round brilliant­cut diamonds with wooden petals in gold, clip fittings £200­300

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519 A pair of enamel, diamond and pearl earrings, mid 19th century, each composed of concentric rings of turquoise enamel, accented by cushion­shaped and rose­cut diamonds and centred on a pearl, interlaced with gold ribbons applied with blue enamel, suspending a pearl pendant, to surmounts set with cushion­shaped diamonds, length 5cm each, hook fittings, diamond surmounts and hook fittings possibly later £3,500­4,000 520 A turquoise and diamond cluster ring, set with graduated rose­cut diamonds and turquoise cabochons in silver and gold cut­down collets and closed­back setting, size R £2,000­3,000 521 A pair of aesthetic movement gold earrings, each designed as a butterfly in engraved gold, length 2.5cm each, clip and post fittings £1,500­2,000 522 A turquoise garnet and diamond bangle, mid 19th century, of hinged construction, designed as a coiled snake, its head pavé­set with turquoise cabochons, its forehead set with a circular­cut diamond, its eyes set with cabochon garnets, mounted in gold, its throat bearing the later inscription ‘Friends Forever, Nov 12th 1928’, inner circumference approximately 15cm, flexible £3,000­5,000 523 A turquoise and garnet necklace, mid 19th century, designed as an articulated snake, mounted in gold, set with cabochons of turquoise, its eyes set with garnet cabochons, length 40cm £5,000­7,000 524 A late Victorian Egyptian Revival gold necklace, set with 14 faience and hardstone scarboids on fine oval­ link yellow gold chain, 158cm long £1,000­2,000 525 A late 19th century Egyptian Revival gold bracelet, alternately­set with faience scaraboids within gold stylised palmette links, the clasp set with a rectangular faience plaque inscribed with heiroglyphics, 17cm long £2,000­3,000 526 An Art Deco Egyptian revival polychrome enamel pocket watch by Plojoux Geneve, the signed champagne dial with Arabic numerals, ornate inner rail track and subsidiary seconds dial, the case decorated with stylised lotus flowers and scarabs in enamel, caseback signed and numbered 381202, manual winding, Plojoux Geneve 17 jewel movement £1,200­1,500 527 A turquoise and ruby brooch, mid 19th century, designed as a coiled snake, its body pavé­set with turquoise cabochons, its eyes set with circular­cut rubies, length 6.2cm, brooch fitting possibly later added £2,000­3,000 528 A gold and enamel buckle, 1940s, designed in the ancient Egyptian style, replicating an amulet in the Cairo Museum, from the pyramid of Pharoah Amenemhat in Fayoum, applied with red, blue and yellow enamel, mounted in gold, measuring 8.5 x 7.2cm, 78 grams, display stand, accompanied by a letter and business card from E. Hatoun & Sons of Cairo, discussing the buckle and its original counterpart, the card with handwritten note dated 1944 £2,500­3,000 529 An Egyptian scarab ring, set with an inverted faÔence scarab, its underside facing outwards, inscribed with partially coloured heiroglyphs, to a later 18ct gold mount with shoulders of coiled gold wire, size O½, British hallmark £600­800 530 A small gold scaraboid ring, the swiveling faience scarab set in yellow gold, size F approximately £300­400 531 A diamond ring, late 19th century, designed as a cluster of cushion­shaped diamonds, to gold knife wire shoulders and shank, size N½ £1,000­1,500 532 A diamond ring, 19th century, designed as a cluster, set with an elongated pear­shaped diamond within a border cushion­shaped diamonds, to scrolled shoulders, mounted in gold, size K £800­1,200

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533 A gold and diamond necklace, France, the articulated collar of closely interlocked chain links, the centre designed as a swan, pavé­set with brilliant­cut diamonds, length 41cm, French assay marks for 18ct gold £4,000­6,000 534 A gold and diamond brooch, 1960s, designed as a rose, its articulated petals of mesh design edged with single­cut diamonds, the articulated stamens and leaves set with brilliant­cut diamonds, mounted in 18ct gold, length 7cm, French assay marks and maker’s mark JL with seahorse £2,000­3,000 535 Wolfers Frères, a mid 20th century diamond spray brooch, set overall with graduated old circular­cut diamonds and a principal diamond weighing approximately 1.10cts, in platinum, maker’s mark to pin, 6cm high, case £1,500­2,000 536 A pair of diamond earrings, each of geometric design, set with brilliant­cut and baguette diamonds, the largest brilliant­cut diamonds weighing approximately 1.10 carats each, mounted in platinum, post fittings, length 2.1cm each £6,000­8,000 537 A ruby, emerald, sapphire and diamond brooch, France, mid 20th century, designed as a spray of flowers, set with cabochon sapphires, rubies and emeralds and circular­cut and baguette diamonds, length 3.7cm, French assay marks for platinum £3,500­4,500 538 A sapphire and diamond ring, of bombé design, the front pavé­set with brilliant­cut diamonds with pear­ shaped sapphires set in floral arrangements, mounted in white gold, size O £400­600 539 A retro gold and sapphire bracelet, France, 1940s, designed as interlaced ribbon loops with a spray of stylised fruit motifs, channel­set with calibré­cut sapphires and pavé­set with circular­cut sapphires, to a gold link bracelet, length 18.5cm, French assay mark for 18ct gold, French maker’s mark VP with crossed arrows, numbered 1319 £8,000­10,000 540 A diamond and synthetic ruby ring, of target design, set with a brilliant­cut diamond weighing approximately 1.70 carats, within a border of calibré­cut synthetic rubies, to fleur­de­lis shoulders set with rose­cut diamonds, size L½, French import assay marks for 18ct gold and platinum £6,000­8,000 541 A French sapphire and diamond brooch, mid 20th century, set with a central cluster of old cushion­shaped diamonds within a spray border further set with diamonds and concentric surrounds of cabochon sapphires in yellow gold, French control marks and rubbed maker’s lozenge, 4.6cm wide £5,000­7,000 542 Kutchinsky, a pair of diamond spray earrings, set with round brilliant­cut diamonds and tapered baguette­ shaped diamonds in white gold, signed, 3cm long £8,000­12,000 543 Raymond Barbe, a pair of French diamond scroll earrings, circa 1940, set with graduated baguette­shaped diamonds and round brilliant­cut diamond terminals in platinum and white gold, maker’s lozenge and French control marks, post and clip fittings, 2.7cm long £2,800­3,000 544 A pair of diamond drop earrings, set with a spray of circular and baguette­shaped diamonds suspending two articulated drops each set with graduated round brilliant­cut diamonds and a marquise­shaped diamond terminal in white gold, clip fittings (one earring with a bent post) 4.5cm high £3,000­4,000 545 Chopard, a black and white diamond ring, of bombé form, half set with black diamond, the other half set with white diamonds in 18ct white gold, signed and numbered 2253162, size N £600­800 546 A zircon and diamond cluster ring, the large zircon set within diamond­set scrolling surround in platinum and gold, size M, case £2,000­3,000 Accompanied by The Gem & Pearl Laboratory report no. 16318 dated 20th September 2022 stating the transparent blue, mixed­cut zircon weighs 18.23cts.

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547 A diamond brooch, late 19th century, designed as a star, set with cushion­shaped and circular­cut diamonds, diameter 3cm, later safety chain £600­800 548 A diamond and seed pearl necklace, circa 1920, the centre designed as a swirled openwork cluster of circular­ cut diamonds, mounted in platinum, to a necklace composed of eight strands of seed pearls meansuring approximately 3mm, necklace length 37cm, central motif diameter 3.2cm, detaching to form a brooch, or attaching as a pendant to a later 18ct white gold collar, British hallmarks, pearls untested, case £2,500­3,500 549 A late 19th century sapphire and diamond ring, set with an oval sapphire set within six old cushion­shaped diamonds in yellow gold, size M £600­800 550 A diamond five­stone ring, late 19th century, set with a series of graduated circular­cut and cushion­shaped diamonds, spaced by smaller rose­cut diamonds, to galleries of scrolled design, mounted in 18ct gold, size L½, stamped 18ct £1,000­2,000 551 A sapphire and diamond ring, of cluster design, set with a cushion­shaped sapphire weighing approximately 7.00 carats, within a border of circular­cut diamonds, size O½ £4,000­6,000 Accompanied by AnchorCert report no. 300188/20059475 dated 20th September 2022 stating the sapphire is natural with no evidence of treatment originating from (Myanmar) Burma 552 A zircon and diamond ring, of cluster design, set with a circular­cut blue zircon within a border of circular­ cut diamonds, mounted in white gold, size N½ £400­600 553 A pearl and diamond ring, 19th century, designed as a pair of hearts connected by a ribbon bow, set with circular­cut diamonds and half pearls, to bifurcated gold shoulders, size M½, pearls untested £1,000­1,500 554 A Victorian sapphire and diamond bangle, late 19th century, the front of floral design, set with a cushion­ shaped sapphire and cushion­shaped and rose­cut diamonds, to a hinged gold bangle of knife wire construction, inner circumference 16cm £1,000­1,500 555 A sapphire and diamond cluster ring, set with an oval sapphire weighing approximately 11.00 carats, within a border of circular­cut diamonds, mounted in gold, size K £4,000­6,000 Accompanied by GCS report no. 5782­2736 dated 17th August 2022, stating that the central sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment 556 A sapphire and diamond brooch, Russia, early 20th century, designed as a looped ribbon, set with oval sapphires and cushion­shaped diamonds, length 4.2 x 3.8cm, Russian assay mark for 14ct gold, St Petersburg, unidentified maker’s mark SS £10,000­20,000 557 A three­stone diamond ring, early 20th century, claw­set with three cushion­shaped diamonds, in a gold mount, size L, stamped 18CT £800­1,200 558 A sapphire ring, early 20th century, set with a graduated sequence of five oval sapphires spaced with rose­ cut diamonds, to a scrolled gallery, mounted in yellow gold, size P½, one diamond replaced, case £1,500­2,000 559 A sapphire and diamond ring, 19th century, of navette outline, set with cushion­shaped diamonds, centring on a cushion­shaped sapphire, mounted in yellow gold, size J½, sapphire possibly a later replacement £800­1,200 560 A late Victorian diamond five stone ring, set with graduated old circular­cut diamonds in gold, size O, case £200­300 561 A diamond brooch, designed as a wreath, set with brilliant­cut diamonds in cut­down collet settings, diameter 2.7cm £1,000­1,500 562 A pink sapphire and diamond brooch, late 19th century, designed as a radiating cluster, set with cushion­ shaped diamonds and centring on a cushion­shaped sapphire, length 2.0cm £3,000­4,000 Accompanied by AnchorCert report no. 300188/20059476 dated 20th September 2022 stating the ruby is natural with no evidence of treatment and originates from (Myanmar) Burma

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563 Boucheron, a gold, sapphire and diamond brooch, 1950s, naturalistically modelled as a feather constructed from gold wire, set with circular­cut sapphires and brilliant­cut diamonds, length 8.1cm, signed Boucheron Paris, numbered 13503, French assay mark and partial British hallmark for 18ct gold, French maker’s mark HD with Maltese cross £4,000­5,000 564 An unusual diamond double clip brooch, 1950s, designed as two birds of paradise on a branch, set with brilliant­, single­cut and baguette diamonds, separating into two brooches, mounted in platinum and white gold, total length 8.8cm, one diamond deficient £6,000­8,000 565 A Retro gold bracelet, 1940s, designed in the ‘tank’ style, designed as a line of domed gold links between borders of triangular links, length 17.3cm £5,500­6,000 566 A Retro gold bracelet, France, mid 20th century, composed of alternating oval and cylindrical links, length 18cm, French assay marks for 18ct gold £5,000­7,000

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567 A sapphire and diamond brooch/pendant, mid 19th century, centring on an elongated cushion­shaped sapphire, within a foliate frame of cushion­shaped diamonds, measuring 3.5 x 3.0cm, detachable brooch fitting with later pin, one diamond deficient £4,000­6,000 568 A Victorian pearl, sapphire and diamond locket pendant, late 19th century, of shield­shaped outline, centring on a pear­shaped sapphire within an open work surround set with cushion­shaped diamonds, to a wreath border set with rose­cut diamonds and pearls, the reverse with a removable glazed panel, the ribbon surmount additionally set with rose­cut diamonds, mounted in silver on gold, length 4.8cm, pearls untested £2,000­3,000 569 A diamond­set gold bird brooch, set overall with graduated old cushion­shaped diamonds with a ruby eye in yellow gold, 3.2cm high £4,000­6,000 570 A late Victorian pearl and diamond crescent brooch, composite, the closed crescent set with with old cushion­shaped diamonds and graduated untested pearls in silver on gold, with a contemporary but later added pearl and diamond flower set within the crescent, 4.6cm high £1,000­1,500 571 A late Victorian pearl and diamond pendant, the central pearl in a stylised shell suspending from a diamond surround and diamond laurels in silver and gold, 6cm high, on twisted rope yellow gold chain, 48cm long £1,000­1,500 572 A diamond brooch, late 19th century, designed as a crescent moon, set with cushion­shaped diamonds, length 3.2cm £1,500­2,000 573 A diamond and pearl brooch, late 19th century, designed as an owl on a branch, set with cushion­shaped and rose­cut diamonds, its eyes set with cabochon rubies, the end of the branch set with a pearl, meausuring 4.5 x 3.0cm, one diamond deficient, pearl untested, one eye replaced £3,000­5,000 574 A late Victorian diamond starburst brooch pendant, set with graduated old cushion­shaped diamonds in silver and gold, 4.2cm wide, case £1,000­1,500 575 A late 19th century diamond double heart brooch, set with graduated old cushion­shaped diamonds and a central diamond in silver and gold, 2.8cm wide £600­800 576 A Victorian diamond brooch/pendant, late 19th century, designed as a star, set with circular­ and rose­cut diamonds, later brooch and pendant fittings, length 4.6cm including bail, fitted case stamped Garrard £800­1,200 577 A late Victorian pearl and diamond heart pendant, the heart pavé­set with graduated cushion­shaped diamonds within a surround of pearls in silver and gold, glazed locket compartment to reverse, 3.2cm high including bale £800­1,200 578 A late 19th century diamond crab brooch, realistically formed and pavé­set with graduated rose­cut diamonds and ruby cabochon eyes in silver and gold, 2.9cm wide £2,000­3,000 579 A Victorian diamond­set mouse brooch, pavé­set with graduated old circular­cut and rose­cut diamonds, with a cabochon ruby eye in silver and gold, 2.2cm wide £300­400 From the collection of Lady Adela Larking (1845 ­ 1912) and thence by descent to the current owner.

580 A novelty diamond brooch, early 20th century, designed as a submarine, set with rose­cut diamonds, the back with a moving propeller, length 7.0cm, case £1,500­2,000 581 A sapphire and diamond bar brooch, late 19th century, of floral design, set with an oval sapphire and circular­ cut diamonds, length 3.9cm £1,000­1,500

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582 Cartier New York, a rare Belle Époque seed pearl and diamond choker, early 20th century, designed as a plaque centring on a giardinetto set with seed pearls and diamonds, to a black silk choker, the clasp set with two small diamonds, set in platinum and gold, choker length 37cm, plaque length 1.8cm high, signed Cartier NY £2,000­3,000 583 A diamond cluster ring, the old circular­cut diamond set within a surround of smaller diamonds in white gold, size M £1,500­2,000 584 A Belle Époque diamond ring, circa 1910, centring on a pair of circular­cut diamonds, within a platinum mount of open work design with scalloped edges, accented with smaller circular­cut and cushion­shaped diamonds, size N½, faintly inscribed £2,000­3,000 585 A sapphire and diamond ring, claw­set with an elongated cushion­shaped sapphire weighing approximately 3.50 carats, to stepped shoulders set with single­cut diamonds, mounted in platinum, size I½ £2,000­3,000 586 An Art Deco diamond bracelet, circa 1930s, designed as a series of pierced geometric panels with abstract foliate motifs of Indo­Persian inspiration, set with circular­ and single­cut diamonds, mounted in platinum with millegrain borders, length 18.5cm, case stamped Asprey & Company Ltd £8,000­12,000 587 A sapphire and diamond three stone ring, the cushion­shaped sapphire is flanked with old­cut diamonds in platinum and white gold, size L ½ £2,000­3,000 588 A diamond two stone crossover ring, set with a brown diamond and a white diamond, claw­set in yellow gold, size N £2,000­3,000 589 S.J. Rood, an Art Deco amethyst and diamond brooch, circa 1920, set with a large circular­cut amethyst, within a geometric brooch of buckle design set with circular­ and single­cut diamonds, length 4.2cm, fitted case stamped Rood £1,000­1,500 SJ Rood was founded in 1873 as manufacturers and retailers of jewellery, and catered to an elite clientele from their premises in Mayfair’s famous Burlington Arcade. The quality of their jewels attracted the patronage of Queen Mary (r.1910­1936), whose Royal Warrant is displayed on the fitted case accompanying this stylish Art Deco brooch.

590 A diamond solitaire ring, the old circular­cut diamond with diamond­set shoulders in platinum, size Q £2,000­3,000 591 A three­stone diamond ring, early 20th century, claw­set with a circular­cut diamond between smaller circular­cut diamond shoulders, mounted in gold and platinum, size O½, stamped 18CT PLAT £2,000­3,000 592 An Art Deco sapphire and diamond brooch, set with a central old circular­cut diamond within pierced millegrain­set diamond lozenge surround and a border of calibré­cut sapphires in white gold and palladium, 8cm wide, fitted case £1,500­2,000 593 A Belle Époque diamond brooch, circa 1910, designed as an oval open work plaque, the centre designed as a knife wire trellis supporting a laurel wreath, set with circular­cut diamonds, length 4.5cm, stamped 14K £1,200­1,500

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594 An enamel and diamond bracelet, mid 19th century, the centre designed as a flower, set with cushion­ shaped diamonds, to a detachable articulated bracelet composed of ridged links applied with blue basse taille enamel and spaced by collet­set cushion­shaped diamonds, mounted in silver and gold, bracelet length 17cm, diameter of central flower 2.2cm £3,000­5,000 595 A gold, enamel, ruby, opal and diamond snake bracelet, possibly Switzerland, mid 19th century, designed as an ouroboros, its articulated gold body elaborately engraved with and applied with scroll decoration in blue and white enamel, its head applied with blue basse taille enamel and set with floral arrangements of cushion­shaped and rose­cut diamonds, one central diamond of pale pink hue, centring on a cabochon opal, its eyes set with oval rubies, length 18.5cm £2,000­3,000 596 An amethyst rivière necklace, mid 19th century, designed as a graduated series of circular­cut and oval amethysts in open­backed gold collet settings, suspending a pear­shaped amethyst pendant, length 42cm, length at front 5.9cm £2,000­3,000 597 No lot 598 An emerald, diamond and pearl serpent brooch, mid 19th century, designed as a coiled snake, its body set with circular­ and rose­cut diamonds, its head set with a circular­cut emerald, suspending a pearl from its mouth, length 4.9cm £4,000­5,000

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599 An Art Deco diamond, blackened metal and seed pearl pendant, circa 1920, composed of seed pearls and blackened beads suspending an old European­cut diamond in a blackened mount within a ring of blackened metal, to a platinum back chain, chain length 40.5cm, pendant length 5.5cm £3,000­4,000 600 Cartier, an Art Deco lacquer, silver gilt and diamond vanity case, 1920s, the rectangular case applied to the exterior with black lacquer, its hinged lid decorated with Indo­Persian motifs and an arched handle set with circular­ cut diamonds, opening to reveal a mirror, lidded powder compartment with the engraved initials MLS, containing a Cartier powder puff, and a compartment for lipstick, measuring 5.6 x 7.6 x 2.0cm, signed Cartier, numbered 1710, French assay mark for silver, French maker’s mark for Paul Pillard, sponsor’s mark JC for Cartier London, lipstick deficient, fitted Case stamped Cartier Paris £2,000­3,000 601 An onyx and diamond pendant, early 20th century, the pendant designed as a faceted onyx inset with a a circular­cut diamond, suspended from a line of links set with circular­cut diamonds, to a fine link platinum chain, chain length 44cm, pendant length 4.9cm £600­800 602 An Art Deco diamond double clip brooch, 1930s, the geometric design pierced and set overall with graduated circular and baguette­shaped diamonds in platinum, 6.3cm wide as a brooch, each clip 3.1cm long £3,000­4,000 603 A pair of Art Deco jadeite, pearl and diamond earrings, 1920s, each of pendent design, composed of links set with rose­ and circular­cut diamonds, pearls, and jadeite beads, suspending an annular jadeite disc, length 7cm, later post fittings, case £3,000­4,000 604 An Art Deco zircon and diamond brooch, 1930s, centring on a step­cut blue zircon, to a bar brooch of geometric design set with circular­ and single­cut diamonds, mounted in platinum and white gold, length 6.1cm, stamped PLAT 14K £400­600 605 An amethyst and diamond ring, early 20th century, claw­set with a scissor­cut amethyst within a border of single­cut diamonds, mounted in white gold, size M½ £400­600 606 An Art Deco pearl and diamond bar brooch, early 20th century, of geometric design with millegrain borders, set with circular­ and single­cut diamonds and pearls, mounted in white gold, length 6.2cm, pearls untested £1,500­2,000 607 A French Art Deco sapphire and diamond ring, circa 1920, set with a fancy­cut sapphire within a border of single­cut diamonds, size O½, French assay mark for platinum, maker’s mark EB with otter £500­700 608 An early 20th century emerald and diamond cluster ring, set with an step­cut emerald within a surround of old circular­cut diamonds in yellow gold, size P £800­1,200 609 An aquamarine and diamond ring, claw­set with a step­cut aquamarine, to geometric shoulders set with single­cut diamonds, mounted in platinum, size P½ £1,000­1,500 610 An Art Deco onyx and diamond ring, 1920s, of navette outline, the pierced mount set with a circular­cut diamond within a surround of calibré­cut onyx, to an outer border of circular­cut diamonds, size R, shank possibly later, stamped 18CT £1,000­1,500 611 An aquamarine, onyx and diamond ring, set with an oval aquamarine within a border of single­cut diamonds and polished onyx, mounted in platinum and white gold, size K½ £2,000­3,000

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612 A natural pearl and diamond ring, early 20th century, set with a natural pearl measuring 7.9mm, within a border of circular­cut diamonds, later 18ct gold shank, size P, British hallmarks £600­800 Accompanied by AnchorCert report no. 300188/20059477 dated 20th September 2022 stating the pearl is natural saltwater 613 A late 19th century pearl and diamond pendant, the drop­shaped pearl set within a surround of old circular­ cut diamonds beneath a diamond­set bow in silver and gold, 4.5cm high, case £4,000­6,000 Accompanied by a report from AnchorCert stating that the pearl is natural saltwater 614 A pair of natural pearl and diamond earrings, 1920s and later, centring on a bouton­shaped white and black natural pearl respectively, each approximately 7mm diameter, within radiating openwork mounts set with circular­ cut and baguette diamonds, diameter 2.4cm each, later post fittings £3,000­4,000 615 A late Victorian natural pearl and diamond flowerhead brooch, the stylised flower set with a central baton­ shaped pearl, within pavé­set diamond petals in silver and gold, 3cm wide £5,000­7,000 Accompanied by AnchorCert report no. 300188/20059479 dated 20th September 2022 stating the pearl is natural saltwater 616 A Victorian pearl and diamond foliate pendant, the blister pearl set within rose­cut diamond (one missing) leaves and further pearls in yellow gold, 5.2cm high, one diamond deficient £600­800 Accompanied by GCS report no. 79223­93 dated 16th July 2019 stating the pearls are natural saltwater with the largest pearl at the bottom being a natural blister pearl 617 A Victorian pearl and diamond pendant, late 19th century, centring on a bouton­shaped pearl measuring approximately 9.2mm, within a mount of open work design set with cushion­shaped and rose­cut diamonds, mounted in silver on gold, length 3.9cm including bail £2,000­3,000 Accompanied by GCS report no.5782­2005 6th June 2022 stating the peal is natural saltwater with no indication of treatment 618 A natural pearl necklace, designed as a single row of natural pearls measuring approximately 2.7­4.3mm, to a clasp set with three half pearls, length 54cm £200­300 Accompanied by AnchorCert report no. 300188/20059481 dated 20th September 2022 stating the pearls are natural saltwater except 3 which are beaded cultured pearls 619 A natural pearl, ruby and diamond necklace, composed of a double strand of natural pearls measuring 3.2­ 5.1mm, to a clasp set with circular­cut rubies and single­cut diamonds, length 45cm £400­600 Accompanied by AnchorCert report no. 300188/20059480 dated 20th September 2022 stating the pearls are natural saltwater 620 A natural pearl necklace, composed of a single row of natural pearls measuring approximately 3.6­5.1mm, to a silver clasp set with a cultured pearl, length 76cm, pearl in clasp untested £600­800 Accompanied by GCS report no.80270­86, stating that the pearls in the necklace are natural, saltwater with no indication on treatment 621 A natural pearl and diamond necklace, designed as a single row of graduated natural pearls measuring approximately 3.8­9.7mm, to a clasp set with circular­cut diamonds, length 44cm £15,000­20,000 Accompanied by GCS report no. 5782­2348 dated 8th July 2022 that the pearls are natural saltwater 622 A natural pearl and diamond bar brooch, early 20th century, constructed from gold knife wire, set with three pearls, the largest measuring approximately 9.6 x 10.7 x 8.9mm, spaced by circular­cut diamonds in alternating box collet and claw settings, length 5.3cm, fitted case £1,500­2,000 Accompanied by AnchorCert report no. 300188/20059478 dated 20th September 2022 stating the pearls are natural saltwater 623 A natural pearl necklace, early 20th century, the pendant suspending a pearl measuring approximately 14.7 x 9.3 x 10.1mm, to a circular­cut diamond bail and white gold chain necklace threaded with seed pearls, length 44cm, clasp stamped 9ct. £1,500­2,000 Accompanied by AnchorCert report no. 300187/20059474 dated 20th September 2022 stating the pearl is natural saltwater

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624 An emerald and diamond ring, late 18th century, designed as a cluster, set with a step­cut emerald within a border of rose­cut diamonds, in closed back settings, to a gold band decorated with engraved foliate scrollwork, size R½, case £600­800 625 A George III diamond cluster ring, set with a rose­cut pear­shaped diamond within a border of eight graduated diamonds in silver and gold closed­back setting, size I £1,500­2,000 626 A Regency gold St Esprit brooch, the realistically formed dove in yellow gold, later pendant loop, 3.2cm high, pendant deficient £300­400 627 A George III emerald five­stone ring, early 19th century, the five step­cut emeralds in closed­back settings enhanced with bead decoration, the shoulders of scrolled design, mounted in gold, size O½, case stamped Richard Ogden £400­600 628 A topaz bracelet, 1830s, centring on gold cannetille cluster set with foiled circular­cut and oval topazes in closed­back settings, the reverse with a glazed compartment containing knotted hairwork, to a strap bracelet composed of stamped gold links, length 17cm £1,200­1,500 629 A topaz necklace, mid 19th century, composite, the front designed as a series of graduated oval topazes suspending a fringe of pear­shaped topaz pendants, each in closed­back settings decorated with beading, the back section of stamped links of scrolled design, to a topaz clasp, length 39.5cm £6,000­10,000 630 A diamond brooch, 18th century, of circular outline, designed as a radiating floral spray with rose­cut diamonds in closed­back settings, mounted in silver, diameter 2.7cm, later brooch fitting, probably converted from a slide £2,000­3,000 631 A silver and diamond brooch, late 18th century and later, of foliate openwork design, constructed in silver, set with rose­cut diamonds in closed­back settings, length 2.7cm, later brooch fitting £150­250 632 A George III diamond cross pendant, late 18th century, set with rose­cut and cushion­shaped diamonds, the central line of the vertical arm in open­backed settings, the rest in closed­back settings, mounted in silver on gold, later brooch and pendant fittings, length 6.3cm including bail £1,500­2,000 633 A gem­set acrostic ring, 19th century, set with a sequence of cushion­shaped stones including ruby, emerald, garnet, amethyst and diamond, their initials spelling the word ‘REGARD’, two in closed­back settings, mounted in gold, size Q½ £600­800 634 An enamel and diamond ring, late 19th century, the cushion­shaped diamond set within scrolling green enamel border in yellow gold, size O £600­800 635 An emerald and diamond ring, 19th century and later, of cluster design, set with circular­cut diamonds surrounding a later added step­cut emerald, in closed­back settings, to fleur­de­lis shoulders, size O £300­400 636 A George III diamond cluster ring, set with a central rose­cut diamond within a border of smaller diamonds in silver and gold, size L £1,200­1,500 637 A diamond half hoop ring, early 19th century, composed of two rows of cushion­shaped diamonds in closed­ back settings, to a fluted gold shank, size R £400­600 638 A diamond necklace, Portugal, 19th century, composed of foliate silver links set with rose­cut diamonds in closed­back settings, length 44.7cm, later rings for safety chain, later Portuguese assay marks £8,000­12,000

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639 An Art Deco sapphire and diamond ring, early 20th century, set with a cabochon sapphire within geometric border set with sapphires and diamonds in platinum, size M £1,500­2,000 640 An Art Deco sapphire ring, early 20th century, set with a central cushion­shaped sapphire with French­cut sapphire shoulders, in platinum, size N, one sapphire deficient £800­1,200 641 An aquamarine, ruby and diamond ring, set with a scissor­cut aquamarine, within a border of calibré­cut rubies, to fleur­de­lis shoulders set with single­cut diamonds, mounted in platinum, size R½ £800­1,200 642 A diamond three­stone ring, set with three brilliant­cut diamonds weighing an approximate total of 1.80 carats, mounted in 18ct gold, size S, British hallmarks £2,000­3,000 643 An Art Deco sapphire and diamond ring, early 20th century, the square sapphire within geometric border of circular­cut diamonds in platinum, size N £1,000­2,000 644 A synthetic sapphire and diamond ring, 1920s, set with a step­cut synthetic sapphire within a millegrained border of circular­ and single­cut diamonds, mounted in platinum, size P, stamped PLAT £1,500­2,000 645 A diamond and sapphire ring, early 20th century, set with a circular­cut diamond, within a platinum openwork mount set with single­cut diamonds and calibré­cut synthetic sapphires, to shoulders engraved with foliate scrolls, size M £1,200­1,500 646 A diamond eternity ring, early 20th century, the full eternity set in the round with circular­cut diamonds, mounted in platinum, size N½ £400­600 647 An unusual sapphire and diamond brooch, early 20th century, designed as a propellor set with a cabochon sapphire, cushion­shaped and rose­cut diamonds, the two ends tipped with a pair of marquise­shaped diamonds, between a pair of outstretched wings pavé­set with circular­ and single­cut diamonds, mounted in platinum, length 8.6cm £3,500­4,500 648 An Art Deco sapphire and diamond brooch, circa 1920, centring on a cushion­shaped sapphire within a millegrained border of circular­cut diamonds, to a bar brooch designed as a ribbon channel­set with calibré­cut sapphires and pavé­set with circular­cut diamonds, mounted in platinum, length 6.3cm, French import assay mark, brooch pin with indistinct signature £1,500­2,000 649 An Art Deco diamond bracelet, 1920s, the articulated front of geometric design, set with circular­cut diamonds in millegrain borders, to an expanding link bracelet, mounted in white gold, length 16.3cm, fitted case £2,000­3,000 650 An Art Deco diamond bracelet, set with a central old circular­cut diamond, millegrain­set within pierced graduated panels of smaller circular­cut diamonds in white gold, 1.4 x 16.8cm, fitted case £2,000­3,000 651 An early 20th century gem­set tennis racket brooch, set with carved rock crystal, diamonds, rubies and a pearl tennis ball in platinum and yellow gold, 4cm long £500­700 652 An Art Deco diamond brooch, 1930s, designed as an openwork geometric plaque with millegrain borders, set with circular­cut and cushion­shaped diamonds, mounted in platinum, length 5.2cm £600­800 653 A pair of Art Deco diamond earrings, 1920s, each of abstract floral design, suspending an asymmetrical fringe of pendants, set with circular, single­cut and baguette diamonds, mounted in platinum, length 3.4cm each, later post fittings £1,500­2,000

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654 An Art Deco diamond ring, 1930s, designed as a stylised jarretière, set with a triangular diamond between carré­cut diamonds, the band channel­set with baguette diamonds, mounted in platinum, size P £3,000­4,000 655 An Art Deco diamond solitaire ring, 1930s, claw­set with a circular­cut diamond weighing approximately 1.10 carats, to shoulders set with baguette diamonds, mounted in white gold and platinum, size M, stamped 18CT and PLAT £3,000­4,000 656 An Art Deco sapphire and diamond bow brooch, circa 1920, the stylised bow millegrain­set with French­ cut sapphires and single­cut diamonds in platinum, rubbed inventory number 8805, 7.5cm wide £1,500­2,000 657 An Art Deco onyx and diamond bow brooch, circa 1920, the sylised bow pierced and millegrain­set with black onyx panels and graduated single­cut diamonds in platinum, 7.5cm wide £4,000­6,000 658 An Art Deco diamond brooch, circa 1920, designed as a ribbon bow, pavé­set with cushion­shaped and rose­cut diamonds, mounted in platinum, length 4.7cm, case stamped Goldsmiths & Silversmiths Company £2,000­3,000 659 An Art Deco sapphire and diamond brooch, France, 1920s, designed as a bow, pavé­set with circular­cut diamonds and bands of calibré­cut sapphires, mounted in platinum and 18ct gold, length 5.3cm, French assay mark for 18ct gold £1,500­2,000 660 An Art Deco sapphire and diamond brooch, circa 1920, of ribbon design, set with single­cut diamonds and a step­cut sapphire, mounted in platinum and white gold, Austrian import assay marks £1,500­2,000 661 An Art Deco three stone plaque ring, millegrain­set with graduated old cushion­shaped diamonds within a pierced octagonal surround in platinum and gold, with inner re-sizing balls, size P approximately £1,500­2,000 662 A topaz and diamond ring, early 20th century, set with a step­cut orange topaz within a millegrained border of circular­cut diamonds, size K½ £1,500­2,000 663 An Art Deco emerald and diamond ring, circa 1920, set with a step­cut emerald weighing 4.89 carats, within a border of millegrain­set single­cut diamonds, the gallery with elaborately pierced scrollwork, mounted in platinum and white gold, size S½ £10,000­15,000 Accompanied by GCS report no. 5782­2351 dated 8th July 2022 stating the emerald is of Colombian origin with indications of moderate clarity enhancement

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664 lifesize

664 A diamond tiara/necklace and earrings, late 19th/early 20th century, the tiara designed as a series of graduated palmettes and pointed trefoils flanked by knife wire scrolls, set with cushion­shaped, circular­ and rose­ cut diamonds, mounted in silver on gold, the tiara frame of base metal, detaching to form a necklace via additional back chain composed of knife wire links connected by cushion­shaped diamonds in box settings, inner curve of tiara frame 25cm, tiara height at centre 3.5cm including frame, length as necklace 39cm; together with a pair of later pendent earrings of matching palmette design, set with circular­cut and cushion­shaped diamonds, length 2.5cm, screw fittings, £12,000­15,000 fitted case 665 A diamond brooch, late 19th century, designed as a peacock feather, the eye designed as a cluster of circular­ cut and cushion­shaped diamonds, the barbs set with rose­cut diamonds, mounted in silver on gold, length 8.2cm, £3,000­4,000 fitted case stamped Skinner 666 A fine demantoid garnet, spinel, sapphire and diamond brooch, late 19th century, designed as a bee in flight, its head set with a cushion­shaped sapphire and cushion­shaped diamond eyes, its thorax set with a cushion­ shaped pink spinel, and its abdomen set with three calibré­cut demantoid garnets weighing an approximate total of 3.30 carats, the wings set with rose­cut and cushion­shaped diamonds, mounted in silver and gold, wingspan 5.7cm £5,000­7,000 667 A diamond brooch/pendant, late 19th century, of radiating design, mounted in silver on gold, set with circular­cut and cushion­shaped diamonds, 3cm diameter, detachable brooch fitting, pendant hook and retractable loop, case £1,500­2,000 668 A diamond and ruby brooch, late 19th century, designed as a salamander, set with cushion­shaped and rose­ cut diamonds, the eyes set with cabochon rubies, length 5cm, case £600­800 669 A citrine, amethyst and diamond brooch, late 19th century, designed as a pansy, set with calibré­cut pear­ shaped amethysts and citrines, centring on a cushion­shaped diamond, within a border of circular­cut diamonds, mounted in silver on gold, length 3.4cm £800­1,200 670 A spinel and diamond brooch, late 19th century, designed as interlocking crescent moons and stars, set with £600­800 cushion­shaped diamonds and spinels, mounted in silver and gold, length 3.2cm, case 671 A yellow diamond cluster ring, claw­set with a cushion­shaped diamond of yellow tint weighing 3.69cts, £12,000­15,000 within a border of brilliant­cut diamonds, mounted in white gold, size M, British hallmark

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lifesize

672 Monture Boucheron, a sapphire and diamond ring, claw­set with an octagonal step­cut sapphire weighing 4.83 carats, to an 18ct yellow gold mount channel­set with square and tapered baguette­cut diamonds, size H½ (sizing beads), signed MT Boucheron, numbered P53174, French assay mark for 18ct gold, French maker’s mark for Boucheron, Boucheron box. £20,000­30,000 Accompanied by GEM PARIS report no. 20221976477 dated 22nd May 2022, stating the sapphire is of Ceylon (Sri Lankan) origin, with no indications of heat treatment.

Accompanied by original illustration from Boucheron dated 1992.

lifesize

673 A ruby and diamond ring, claw­set with an octagonal step­cut ruby weighing 3.26 carats, to a geometric bombé mount set to the front with baguette and pavé­set brilliant­cut diamonds, size O½, French assay mark for platinum, indistinct maker’s mark £20,000­30,000 Accompanied by a GCS report no. 57832­1953 dated 30th May 2022 stating the ruby is of Burmese (Myanmar) origin, no indications of heat treatment.

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674 Three Art Deco diamond bracelets, 1920s, the undulating circular links millegrain­set with graduated old circular­cut diamonds in platinum, the three bracelets joining to become one long necklace, each bracelet 19cm long, necklace 57cm long £20,000­30,000

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675 A sapphire and diamond ring, 1920s, claw­set with an oval sapphire weighing 12.97 carats, within a mount of ribbon design set with circular­ and single­cut diamonds, the underside pierced with floral motifs, size M ½, stamped PLAT £10,000­15,000 Accompanied by report number 79216­27 dated 21 June 2019 from GCS stating that the cushion­cut sapphire weighs 12.97cts with no indications of heat treatment. Origin: Sri Lanka (Ceylon) lifesize

676 A sapphire and diamond ring, the rectangular cushion­shaped sapphire weighs 21.70cts, within diamond­ set stylised foliate setting in platinum, size H approximately £20,000­30,000 Accompanied by Gem and Pearl Laboratory report no.20630, stating that the sapphire is of Sri Lankan (Ceylon) origin, with no indications of heat treatment lifesize

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677 Wolfers Frères, a pair of diamond ear clips, mid 20th century, each centring on an old European­cut diamond weighing 3.47 and 3.48 carats respectively, within a radiating mount bordered with smaller circular­ cut diamonds, each 2.1cm diameter, clip fittings, each with maker’s mark for Wolfers, fitted case stamped Wolfers £12,000­15,000 lifesize

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678 A pair of sapphire and diamond drop earrings, early 20th century, each designed as as floral motif set with a cabochon sapphire and circular­and rose­cut diamonds, suspending a detachable cabochon sapphire drop bordered with rose­cut diamonds, later clip and post fittings, length 4cm each, clip fittings with Swedish assay marks for 18ct gold, Stockholm, date 1953, maker’s mark EAT £20,000­30,000

lifesize

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679 A diamond ring, mid 20th century, claw­set with a circular­cut diamond weighing 2.65 carats, within a radiating mount bordered with brilliant­cut diamonds, to a platinum wire shank, size M½, case £10,000­15,000 680 A diamond solitaire ring, mid 20th century, claw­set with a circular­cut diamond weighing approximately 3.08 carats, to a base metal mount with engraved decoration, size K½ £6,000­8,000 681 A diamond solitaire ring, the round brilliant­cut diamond weighing approximately 3.20cts, claw­set in platinum, size P £5,000­7,000 682 A diamond solitaire ring, mid 20th century, claw­set with a brilliant­cut diamond weighing approximately 2.50 carats, mounted in white gold, size N £5,000­7,000 683 A diamond ring, claw­set with a brilliant­cut diamond weighing 6.20 carats, to bifurcated shoulders set with brilliant­cut diamonds, mounted in white gold, size K £28,000­35,000 684 A diamond ring, claw­set with a circular­cut diamond weighing approximately 2.30 carats, the shoulders set with baguette and single­cut diamonds, mounted in platinum, size L, British hallmarks £5,000­7,000 685 A solitaire diamond ring, claw­set with an antique circular­cut diamond weighing approximately 2.30 carats, to a plain 18ct gold shank, size V, British hallmarks £6,000­8,000 686 A diamond ring, set with a brilliant­cut diamond weighing approximately 1.50 carats, between shoulders set with baguette diamonds mounted in platinum, size O £1,600­2,200

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687 A pair of emerald and diamond earrings, each of drop design, composed of a tapering surmount set with circular­, single­ and rose­cut diamonds, suspending a pear­shaped emerald, post fittings, length 5.2cm each, case £40,000­50,000 Accompanied by GRS report no GRS2018 ­ 098405 dated 10th September 2018 stating that the emeralds weigh 8.67 and 7.69 carats are of Colombian origin, with no indications of clarity enhancement

688 A ruby and diamond ring, set with an oval ruby weighing approximately 2.50 carats, within a geometric mount set with baguette and brilliant­cut diamonds, the shoulders set with tapered baguette diamonds, size M½ £10,000­15,000 Accompanied by GCS report no. 5782­1792, stating that the ruby is of Burmese origin, with no indications of heat treatment

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689 A diamond tiara, Sweden, late 19th century and later, designed as a symmetrical foliate scroll, centring on a floral motif, circular­, rose­cut and cushion­shaped diamonds, mounted in gold and silver, to a later silver and base metal frame, inner curve 39cm, height at front 3.5cm, silver ends of frame with Swedish hallmark for silver, dated 1941, one diamond deficient, blue velvet case £12,000­15,000

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690 Leviev, a rare Fancy Pinkish Purple diamond ring, claw­set with an oval modified Fancy Purple diamond weighing 1.30 carats, to a mount pavé­set with brilliant­cut diamonds of pink and colourless tints, mounted in 18ct gold and platinum, size J, signed Leviev £25,000­35,000 Accompanied by a facsimile of GIA report no 15306536 dated 21st November 2006, stating that the oval modified brilliant-cut diamond weighing 1.30 carats is Fancy Pinkish Purple, natural colour.

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691 Gillot & Co., a rare Art Deco gem­set and diamond brooch, circa 1920, the bar brooch channel­set with a line of rectangular step­cut emeralds, sapphires and diamonds, terminating in calibré­cut rubies, within an open work frame of stylised lotus motifs in the Egyptian taste, set with calibré­cut emeralds, rubies and sapphires, to an outer border of single­cut diamonds, mounted in platinum, length 7.8cm, pin signed Gillot & Co. Inc. £15,000­20,000 Paul Gillot (circa 1877­1949) was an important creative driving force in American jewellery at the start of the 20th century. In his native France he trained as a draughtsman, and his 1898 entry into a jewellery design competition caught the attention of jeweller and jewellery historian/critic Henri Vever, who praised the young designer in print for his talent.

In 1902, he emigrated to New York and found employment at one of the most creative and prominent jewellers in America, Marcus & Co, whose doorman at the time would become an important American jeweller in his own right ­ Raymond Yard. Prized for his knowledge of pioneering Art Nouveau techniques such as plique­à­jour enamel, Gillot was an indispensable asset to these influential jewellers, and remained at Marcus & Co. for twelve years. Among his key commissions during this time was a gold laurel wreath crown, presented to the famed actress Sara Bernhardt when she performed in New York in 1913, now housed in the MFA Boston.

Shortly afterwards, Gillot left Marcus & Co. to enlist in the French army in the First World War, but injury and sickness cut his service short. When Gillot returned to New York and resumed trading in 1916, now under his own name, Bernhardt, whose renowned jewellery collection contained superbly imaginative jewels designed by René Lalique and Alphonse Mucha, became one of his key clients, to the extent that he was later described as having designed ‘the major portion of Sarah Bernhardts’s jewellery’ by the Yonkers Statesman in 1927.

Gillot is also said to have assembled an extraordinary collection of coloured diamonds, which briefly earned him the nickname ‘the King of Diamonds’, (a moniker later and more enduringly given to Harry Winston), and while his signed jewels are rare and seldom seen, when they do appear they are often set with stones of superb quality, reflecting his elite clientele and connoisseur’s eye. The present brooch is no exception, set with a beautifully matched selection of step­cut sapphires, rubies, emeralds and diamonds, arranged in a stylish Art Deco bar brooch designed with subtle accents of the fashionable Ancient Egyptian revival style, making it a perfect testament to the talent and elevated taste that this French jeweller contributed to American design at the start of the 20th century.

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692 Cartier, a rare Belle Époque amethyst, enamel, chalcedony and diamond minute repeat desk clock, circa 1910, the circular white­enamelled dial with black enamel indicators and rose­cut diamond hands, within a white enamelled frame, to a cuboid case applied with blue guilloché enamel bordered with white enamel, the top with a cylindrical amethyst push piece, on a four­footed chalcedony base, the sides additionally accented with rose­cut diamonds, measuring 8.0 x 5.8 x 4.9cm including amethyst push piece, dial signed Cartier, indistinct assay and maker’s marks, winding key, original fitted case stamped Cartier Paris £10,000­20,000 Cf. Cartier 1899-1949: Le Parcours d’un Style, Calouste Gulbenkian Foundation, 2007, p.96, no.18, for a closely related clock in the Cartier collection, no. CR01A10, in pink enamel on a darker chalcedony foot, dated 1910.

693 Cartier, an Art Deco diamond brooch, circa 1930, designed as a stylised ruyi, set with circular­cut and baguette diamonds, length 3.4cm, signed Cartier Paris, numbered 04437, French assay marks for 18ct gold and platinum, indistinct French maker’s marks, original fitted case stamped Cartier, numbered 04437 £10,000­15,000 694 An Art Deco black opal and diamond ring, early 20th century, set with a black opal cabochon, between shoulders millegrain­set with single­cut diamonds, mounted in platinum, size N½, stamped Pt £6,000­8,000

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interior, lifesize 695 A rare and exceptional emerald and diamond ‘zarf’ cup, 19th century, the deep cup with undulating rim, to a short spreading foot, channel­set à jour with calibré­cut emeralds and decorated with lines and festoons of pavé­set rose­cut diamonds, mounted in gold, height approximately 4.5cm, diameter approximately 5cm, foot detachable, fitted case and outer box stamped Collingwood £50,000­100,000 Accompanied by a facsimile of the original purchase invoice from Collingwood & Co., dated 18th October 1978, for £24,000 Provenance: a private family collection, purchased from Collingwood in London in in 1978 A comparable 19th century emerald and diamond zarf can be found in the collection of the Louvre, collection no. OA0832 The term ‘zarf’ is a transliteration of an Arabic work for a cup or vessel. In English it tends to refer to a specific vessel used primarily across the Middle East as a holder for a small coffee cup, designed to absorb heat and protect the drinker’s hands while lifting the cup to drink. The zarf is thought to have originated in the Middle East in the 1700s, and though fundamentally a functional vessel, the zarf’s form lent itself to elaborate decoration, becoming a fashionable accessory for coffee drinking in Europe as well as the Middle East. While porcelain examples were being made for the European market in the 1830s by Sèvres, the most opulent 19th century examples remained associated with the vessel’s origins, particularly the Ottoman court, where they were symbols of status and taste, and part of everyday life.

Just as foreign Chinese, Japanese and European coffee cups were fashionable in the Ottoman court, foreign­made zarfs in precious materials were also popular, most notably jewelled and elaborately enamelled designs from Switzerland, such as a trio of mid­19th century zarfs in the Khalili collection, no. SW180. The present zarf is possibly also Swiss, though unmarked, but its highly sophisticated construction suggests a Western European origin and mid 19th century date. Consisting of an openwork frame channel­set with calibré­cut emeralds and pavé­set with rose­cut diamonds, this extraordinary object is a tour­de­force of the jeweller’s craft, placing it at the cutting edge of jewellery manufacturing in the 19th century. Zarfs set in this way are extremely rare.

lifesize Photo (C) RMN­Grand Palais (musée du Louvre) / Stéphane Maréchalle

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DESIGN WEDNESDAY 19TH OCTOBER 2022

Strumenti Musicali a Fornasetti four­fold screen Estimate £2,000 ­ 4,000* ENQUIRIES Michael Jeffery | +44 (0)1722 424505 | mj@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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SILVER & OBJECTS OF VERTU TUESDAY 25TH & WEDNESDAY 26TH OCTOBER 2022

A selection of vinaigrettes from a private collection

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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ASIAN ART TUESDAY 15TH & WEDNESDAY 16TH NOVEMBER 2022

A FINE CHINESE IMPERIAL GREEN­ENAMELLED 'DRAGON' JAR AND COVER QIANLONG MARK AND OF THE PERIOD 1736­95 Provenance: from the collection of Admiral Robert Coote CB (1820-1898), and thence by descent.

Estimate £50,000 ­ 80,000* ENQUIRIES AsianArt@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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CHRISTMAS GIFTS TIMED ONLINE AUCTION 17TH NOVEMBER – 4TH DECEMBER 2022

Van Cleef & Arpels, a gold, coral, mother of pearl and diamond pendant, ‘Mercredi à Paris’, circa 2009 Estimate £1,000 ­ 1,500*

ENQUIRIES Chloe Davie | chd@woolleyandwallis.co.uk | +44 (0)1722 446951 Molly O’Reilly | mor@woolleyandwallis.co.uk | +44 (0)1722 446980 *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa, Mastercard or Amex Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0) 20 7459 4749 jammdesign.co.uk

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PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FINE JEWELLERY

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

2ND & 3RD NOVEMBER 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

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AUCTION CALENDAR 2022 OCTOBER 5th 6th 19th & 20th 25th & 26th

Exbury House: ‘Le Goût Rothschild’ Fine Furniture, Works of Art & Clocks Design Silver & Objects of Vertu

NOVEMBER 2nd & 3rd 15th & 16th 23rd 30th

Jewellery Asian Art, Chinese Paintings & Japanese Works of Art Medals & Coins, Arms & Armour British Art Pottery

DECEMBER 3rd 14th

The Christmas Sale Modern British & 20th Century Art

Dates may be subject to change

A sapphire and diamond three­stone ring SOLD FOR £110,000*

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

www.woolleyandwallis.co.uk