Woolley & Wallis Auctioneers

FURNITURE

WORKS OF ART & CLOCKS WEDNESDAY 29TH & THURSDAY 30TH JUNE 2022

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer Jim Gale Suzy Becsy Sarah Stone

VALUATIONS FOR INSURANCE & PROBATE 411854 446974 339161 446974 339161

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

Jeremy Lamond MRICS ASFAV FRSA Neil Grenyer Amanda Lawrence

GENERAL OFFICE Ruth Pike (Office Manager) Sarah Bennie Leyanne Hind Nicola Young

Sally Litherland

Will Hobbs Molly O’Reilly

339752 446980

MARKETING Chloe Davie

ASIAN ART 424506 424583 424589 +44 (0)7812 601098 424591 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Michelle Yu

John Axford MRICS ASFAV Chairman

424507 446964

Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

ASSOCIATE DIRECTORS

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Emily O’Donnell Megan Corbett

BOARD OF DIRECTORS

Natalie Milsted FCCA Managing Director

JAPANESE ART Alexandra Aguilar Alana Ker Mercer

ACCOUNTS Sharon Ringwood Anna Gentleman

424589 424571

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424500

CASTLE GATE RECEPTION

AFRICAN & OCEANIC ART ANTIQUITIES

John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Alana Ker Mercer Michelle Yu

424502 446974 424509

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

424501 424594

446951

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FURNITURE WORKS OF ART & CLOCKS

Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

WEDNESDAY 29TH & THURSDAY 30TH JUNE 2022 10.00AM

Neil Grenyer 01722 446974 ng@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

VIEWING AT OUR NEW EXHIBITION SPACE AT CASTLE GATE Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX

Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

VIEWING Saturday 25th June Monday 27th June Tuesday 28th June Wednesday 29th June Thursday 30th June

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 1.00pm 9.00am – 1.00pm

Sarah Stone 01722 339161 ss@woolleyandwallis.co.uk

DIRECTIONS TO THE NEW EXHIBITION SPACE AT CASTLE GATE Woolley & Wallis Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

E

Kia Motors

Old Sarum Park

N

S

Westover Garage Sarum Business Park

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VIEWING HERE

WOOLLEY & WALLIS Castle Gate

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1st Self Access Storage

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AUCTION HERE

WOOLLEY & WALLIS Salisbury Salerooms

A345 Castle Rd

AMESBURY

SALISBURY

Old Sarum

A36

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MARLBOROUGH & SWINDON

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

1

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THE VIEWING OF THIS SALE WILL TAKE PLACE AT Unit 1B, Castle Gate Business Park Old Sarum, Salisbury, SP4 6QX Client Parking Available Saturday 25th June Monday 27th June Tuesday 28th June Wednesday 29th June Thursday 30th June

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 1.00pm 9.00am – 1.00pm

THE AUCTION ON 29TH & 30TH JUNE WILL TAKE PLACE AT CASTLE STREET 51­61 Castle Street, Salisbury, SP1 3SU

IMPORTANT CHANGES TO OUR BIDDING PROCEDURE Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identification. This applies to both new and existing clients

LIVE ONLINE BIDDING – FREE OF CHARGE

BUYER’S PREMIUM

bid.woolleyandwallis.co.uk

Each lot is subject to a Buyer’s Premium of 25% plus VAT

Please register by 5pm on Tuesday 28th June

LIVE

TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 28th June CONDITION OF LOTS The condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

Instagram: @woolleyandwallisfurniture @woolleyandwallissalerooms Facebook: @woolleyandwallis Twitter: @woolleywallis

COLLECTION OF LOTS Please call 01722 446950 or 01722 424500 to make an appointment to collect from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please instruct carriers accordingly and note, the warehouse is closed over weekends

Pinterest: Woolley and Wallis

All accounts to be settled prior to collection

ILLUSTRATIONS

EXPORT AND CITES LICENCES

Front cover: Lot 161 Back cover: Lot 507

Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance

Catalogue £10.00 (£15.00 by post)

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DAY ONE LOTS 1-362

SELECTED CONTENTS OF REDLYNCH HOUSE SALISBURY, WILTSHIRE

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LOTS 1-121 Redlynch House is a fine period house, with a wonderful history and intriguing ownership dating back to the early 19th century when it was purported to have been built by John Bailey. It was acquired at some point before 1833 by Rev. William Nelson, 1st Earl Nelson, the elder brother of Admiral Horatio Nelson of nearby Trafalgar Park, for his son-in-law Samuel Hood, 2nd Baron Bridport. Ownership of the house changed hands in 1843 and throughout the 19th and early 20th century was owned by a succession of successful local gentlemen and retired members of the military. The property allegedly served as the New Forest hunting lodge of the Monckton / Ilchester family from Abbotsbury, Dorset. The wide ranging contents include: a fine Louis XVI secrétaire à abattant by François Bayer, a selection of Grand Tour bronzes, fine examples of Chinese vase table lamps and decorative furnishings.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1 A WALNUT WING ARMCHAIR IN GEORGE I STYLE LATE 19TH CENTURY / EARLY 20TH CENTURY covered in petit and gros point needlework with scrolling leaves and flowers, the front legs carved with flowerheads and on claw and ball feet, with a label to the seat, inscribed ‘This chair is the work of Muriel Lady Capel Cure copied from a Queen Anne chair now at Saltram. Given to Theresa Farquhar in 1926.’

Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

2 A RARE ENGRAVING RELATING TO THE ALLEGED MURDER OF ARTHUR CAPEL, EARL OF ESSEX LATE 17TH CENTURY showing three men seizing Capel, his corpse lying prostrate and a razor on the ground, a key explaining the scene and banderoles with inscriptions, borders trimmed, later pencil inscription to the mount 'Arthur Capel Earl of Essex’., framed and glazed image size 14.3 x 18.5cm Provenance Redlynch House, Salisbury, Wiltshire.

Catalogue Note For a similar engraving, see The British Museum, Registration Number 1871, 0211.17.

Arthur Capel, 1st Earl of Essex (1631/32-1683), was Lord Lieutenant of Ireland and First Commissioner of the Treasury. His intolerance to Roman Catholicism eventually led to his arrest and imprisonment in The Tower of London where he died having had his throat cut.

£100­150

3 A QUEEN ANNE WALNUT CHEST EARLY 18TH CENTURY inlaid with boxwood stringing, the quarter veneered crossbanded top, above two short and three long drawers, on later bun feet 86.3cm high, 100.3cm wide, 56.7cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£600­1,000

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4 A GEORGE II MAHOGANY AND GILTWOOD WALL MIRROR C.1735­40 the later bevelled plate within a carved slip, the Kentian frame with applied leaf garlands and a swan neck pediment 118.4 x 66.7cm Provenance Redlynch House, Salisbury, Wiltshire.

£500­700

5 A SILVERED WOOD WALL MIRROR IN GEORGE III STYLE EARLY 20TH CENTURY the frame carved with ‘C’ scrolls, leaves, rocaille and a shell 102 x 61.5cm Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

6 A PAIR OF EARLY GEORGE III MAHOGANY SIDE CHAIRS C.1760 each with an arched back and covered with damask fabric, on moulded and chamfered front legs (2) Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

6

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

7 A GEORGE II MAHOGANY AND GILTWOOD WALL MIRROR C.1740 the later bevelled plate within a shaped moulded slip, the frame with applied leaves and a swan neck pediment centred with a carved ho-ho bird 140 x 71.8cm Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

8 A GEORGE II GILTWOOD WALL MIRROR C.1735 the later arched bevelled plate within a leaf carved frame, on a punched ground, decorated with ‘C’ scrolls, with a pierced surmount 99.5 x 57cm Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

7

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

9 A GEORGE III MAHOGANY AND MARQUETRY BREAKFRONT SIDEBOARD POSSIBLY IRISH, C.1790

10 A MAHOGANY TRIPLE PILLAR DINING TABLE IN REGENCY STYLE EARLY 20TH CENTURY

with satinwood banding, inlaid with scrolling grapevines and ribbon tied husks, with two central drawers flanked by two deep drawers, formerly with a brass rail 92.8cm high, 204cm wide, 69.2cm deep

the top with a reeded edge, on turned stems and splay legs, inlaid with stringing and foliate decorated brass sabot and castors, with two additional leaves 74cm high, 106.3cm wide, 346cm long

Provenance Redlynch House, Salisbury, Wiltshire.

Provenance Redlynch House, Salisbury, Wiltshire.

£1,000­1,500

£800­1,200

8

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11 A MATCHED SET OF TWENTY-SIX MAHOGANY DINING CHAIRS IN CHIPPENDALE STYLE, LATE 19TH / EARLY 20TH CENTURY each with a pierced Gothic splat back, carved with leaves, above a stuffed-over leather seat, on acanthus carved cabriole legs and claw and ball feet (26) Provenance Redlynch House, Salisbury, Wiltshire.

£3,000­5,000

9

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12 A GEORGE III MAHOGANY SERVING TABLE C.1770 with a blind fretwork frieze above chamfered legs with foliate ‘C’ scroll brackets, ivorine label for ‘G Parkhurst & Co, Cabinet Makers, Haywards Heath’ 88.2cm high, 158cm wide, 45cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200 13 A MAHOGANY BUTLER’S TRAY 19TH CENTURY the gallery pierced with three handgrips, on a later folding stand 89.6cm high, 75cm wide, 52cm deep (2) Provenance Redlynch House, Salisbury, Wiltshire.

£150­250

14 A MAHOGANY STOOL IN CHINESE CHIPPENDALE STYLE with a needlework seat, on Gothic blind fret carved legs 38.8cm high, 72cm wide, 48cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

10

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

15 A HEREND PORCELAIN PART DINNER AND TEA SERVICE 20TH CENTURY in the Rothschild Birds pattern, with Meissen style insects, butterflies and birds, with gilt edges and blue printed marks, comprising: a covered tureen, two small jardinières, one large jardinière, four graduated platters, eighteen nineteen inch dinner plates, eighteen soup plates, twelve ten inch entrée plates, eighteen nine inch plates, eighteen side plates, twenty coffee cups and saucers, one double spout sauce boat, one caster, one milk jug, one oval dish, one mustard pot and cover, two leaf shaped dishes and two matchbox holders (121) Provenance Redlynch House, Salisbury, Wiltshire.

£500­1,000 16 A PAIR OF GEORGE IV BURR OAK PLATE STANDS SECOND QUARTER 19TH CENTURY the shaped back with a pair of scrolled rests, on a weighted rectangular base (2) 33cm high, 20.8cm wide, 12.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

17 A MINTONS MAJOLICA LAZY SUSAN LATE 19TH CENTURY with a revolving top and impressed marks for ‘Mintons’ 47.5cm diameter Provenance Redlynch House, Salisbury, Wiltshire.

£80­120

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18 A MAHOGANY TWIN PEDESTAL DESK 19TH CENTURY the top inset with gilt tooled red leather, above an arrangement of nine drawers 74.6cm high, 151cm wide, 82.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£500­800

19 A MAHOGANY WALL MIRROR IN GEORGE II STYLE EARLY 20TH CENTURY with a bevelled plate and parcel gilt decoration, with a ho-ho bird surmount, the base with a marquetry inlaid patera 109 x 68cm Provenance Redlynch House, Salisbury, Wiltshire.

£100­150

20 A GEORGE III MAHOGANY CHEST LATE 18TH CENTURY fitted with a brushing slide, above four long graduated drawers 85.7cm high, 87.2cm wide, 50.3cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

21 A SET OF SIX EARLY GEORGE III MAHOGANY DINING CHAIRS CHIPPENDALE PERIOD, C.1760­70

λ 22 A REGENCY ROSEWOOD CARD TABLE EARLY 19TH CENTURY

each with a pierced vase shaped splat, carved with leaves, ‘C’ scrolls and Rococo motifs, with a drop-in seat, on moulded front legs united by an ‘H’ stretcher (6)

inlaid with brass stringing and with gilt bronze mounts of rosettes and anthemion motifs, with a canted swivel fold-over top revealing a baize lined playing surface 72.3cm high, 90cm wide, 43.8cm deep

Provenance Redlynch House, Salisbury, Wiltshire.

£1,000­1,500

Provenance The Earl of Essex, Cassiobury House, Hertfordshire.

Redlynch House, Salisbury, Wiltshire.

£800­1,200

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23 A FRENCH ORMOLU FIRE FENDER IN LOUIS XVI STYLE C.1870­80 decorated with a pair of recumbent sphinxes and with a pierced gallery and tool rests 29.5cm high, 137.5cm wide, 43.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

24 A PAIR OF FRENCH ORMOLU CHENETS IN LOUIS XV STYLE LATE 19TH CENTURY modelled as a man with a hammer and anvil and a classical maiden, on Rococo foliate scrolls (2) 29cm high, 27cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

25 A FRENCH ORMOLU FIRE FENDER IN LOUIS XVI STYLE C.1870­80 decorated with a pair of figures, of a drummer boy and a young girl sharpening a knife 35.3cm high, 134.5cm wide, 30.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

14

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

26 26 A BRASS AND CAST IRON FIREGRATE IN GEORGE III STYLE IN THE MANNER OF THOMAS ELSLEY, LATE 19TH / EARLY 20TH CENTURY with an arched back decorated with an urn above a serpentine railed basket, the pierced front with engraved decoration and turned urn finials 74.5cm high, 80.7cm wide, 35cm deep Provenance Redlynch House, Salisbury, Wiltshire.

28 A PAIR OF VICTORIAN BRASS FIGURAL DOORSTOPS C.1870 in the form of a classical maiden holding fruit and standing on a plinth hung with drapes, with ram’s heads (2) 44.5cm high, 13.7cm wide Catalogue Note For a similar doorstop, see Woolley and Wallis, Furniture and Works of Art, 11th January 2017, lot 489.

Provenance Redlynch House, Salisbury, Wiltshire.

£500­800 27 A PAIR OF VICTORIAN BRASS RAMPANT LION DOORSTOPS C.1870

£400­600

facing left and right with their front paws resting on a shield, on a stepped base with scrolling foliage (2) 32.5cm high, 22.5cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

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28

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29 A DUTCH BRASS OVAL JARDINIÈRE 19TH CENTURY with repoussé decoration and with lion’s mask ring handles, on cast paw feet, with a copper lift-out liner 23.4cm high, 57cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

30 FOUR SETS OF BRASS FIRE IRONS 19TH CENTURY together with a pierced brass fire fender (13) 116.1cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£100­200

31 A SET OF THREE BRASS FIRE IRONS LATE 19TH CENTURY with bronze handles, knopped stems and a pierced pan (3) 77.5cm long (max) Provenance Redlynch House, Salisbury, Wiltshire.

£100­150

16

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

32 AN ITALIAN PAINTED AND PARCEL GILT ARMCHAIR 18TH CENTURY covered with distressed embroidered silk, the frame carved with scrolls and leaves, on stylised hoof feet Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

33 A PAIR OF ITALIAN GREEN JAPANNED SIDE CHAIRS IN 18TH CENTURY STYLE PROBABLY VENETIAN, LATE 19TH CENTURY each painted with flowers, Rococo motifs and figures, with a cane seat (2) Provenance Redlynch House, Salisbury, Wiltshire.

32

£400­600

33

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34 AN ITALIAN WALNUT COMMODE 18TH CENTURY AND LATER the shaped quarter veneered top above a pair of hinged doors, enclosing a divided interior 84.7cm high, 181.5cm wide, 58.8cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

35 A GILTWOOD CENTRE TABLE IN 18TH CENTURY STYLE EARLY 20TH CENTURY the top inset with mottled green marble, above a carved leaf, flower and shell frieze, on cabriole legs, with claw and ball feet 78.2cm high, 103.2cm wide, 48.1cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

36 A SET OF SIX GILTWOOD FAUTEILS IN LOUIS XV STYLE MID­19TH CENTURY the cartouche shaped back above outswept arms, a serpentine seat and cabriole front legs, with plush upholstery (6) Provenance Redlynch House, Salisbury, Wiltshire.

£500­800

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

37 AN OIL ON COPPER PICTURE OF THE VIRGIN MARY IN THE MANNER OF MURILLO, 19TH CENTURY stood standing on clouds, with cherub heads beneath, in an etched mirrored frame, dated ‘1871’ 12.8 x 9.2cm Catalogue Note With old collection numbers to verso, including: No.2527 / D10 and M141.

Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

38 AN ITALIAN GILTWOOD BIRD NEST TABLE LAMP 18TH CENTURY AND LATER ADAPTED modelled with a mother bird with her three young 24.5cm high Provenance Redlynch House, Salisbury, Wiltshire.

Catalogue Note The imagery used in this lot is a symbol of selflessness and is based on the story of a pelican who nourishes her starving chicks with its own blood but in so doing causes her own death. This is often related to the sacrificial death of Jesus to save His followers.

£100­200

39 A PAIR OF GILTWOOD WALL BRACKETS LATE 19TH / 20TH CENTURY of Rococo form, each modelled as a cherub draped in cloths, supporting a shaped shelf (2) 43.5cm high, 27cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

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40 A REGENCY BLACK JAPANNED PAPIER-MÂCHÉ TRAY EARLY 19TH CENTURY of canted rectangular form, the gallery decorated in gilt with a Greek key design, with impressed marks ‘Patent Imperial Solid IMG’, together with an Italian painted tray in Rococo style, decorated with Venetian masquerade figures (2) 52 x 73.6cm and 49 x 66.7cm Provenance Redlynch House, Salisbury, Wiltshire.

£150­250

40

λ 41 SIX FANS 19TH / EARLY 20TH CENTURY comprising: two lace examples, with mother of pearl and bone guards and sticks, a French mother of pearl and lithograph fan in 18th century style, two bone fans, one with a lithograph leaf, the other painted silk and lace and a tortoiseshell and black lace fan with chinoiserie decoration (6) 65.7cm wide (max) Provenance Redlynch House, Salisbury, Wiltshire.

£150­250

41

λ 42 A PAINTED SILK FAN FRENCH OR ITALIAN, LATE 18TH CENTURY with amber coloured tortoiseshell sticks and silver metal details, painted with a central classical scene with figures, flanked by panels of cherubs and portraits decorated with floral swags in silver metal thread and spangles, in a later glazed giltwood box frame with an easel back 50cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£150­250

42 20

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

43 A DUTCH MARQUETRY AND HARDWOOD BOWFRONT COMMODE 19TH CENTURY inlaid with flowers and scrolls and fitted with three long drawers 91cm high, 115cm wide, 57cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£600­1,000

44 A DUTCH MAHOGANY AND MARQUETRY TRAY TABLE 19TH CENTURY the lift-off top inlaid with flowers and butterflies 46cm high, 64cm wide, 45cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

45 A PAIR OF DUTCH WALNUT AND MARQUETRY CHAIRS LATE 18TH CENTURY each with an arched back with Rococo style scrolling splat, the drop-in seat with Chinese style silk upholstery, with a serpentine front rail, above cabriole legs and pad feet (2) Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

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46 A SOUTH GERMAN WALNUT SHREIBSHRANK 18TH CENTURY AND LATER in two halves, the top with an arrangement of ten drawers around a central tabernacle cupboard enclosing two further drawers, with a hinged fall revealing two drawers, the kneehole base with four drawers, on later cabriole legs 170.7cm high, 127cm wide, 63cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£500­800

46

47 λ 47 A DUTCH SATINWOOD AND ROSEWOOD SIDE CABINET 19TH CENTURY with parquetry banding, the inset marble top above a frieze drawer and a door (locked) decorated with an Oriental lacquer panel, enclosing a shelf 82.7cm high, 65cm wide, 39.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

λ 48 A RED TORTOISESHELL AND EBONISED FRAME FLEMISH OR ITALIAN, 18TH / 19TH CENTURY with a later plush lining and hooks 62 x 52.2cm Provenance Redlynch House, Salisbury, Wiltshire.

22

48

£80­120

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

49 A FRENCH LOUIS XVI KINGWOOD AND MARQUETRY SECRÉTAIRE À ABATTANT

BY FRANÇOIS BAYER, C.1780 with ormolu mounts and inlaid with various woods, including: purpleheart and fruitwood, with lattice work, panels of ribbon tied musical trophies and an urn, the grey marble moulded edge top above a frieze drawer and a hinged fall, revealing an interior fitted with six drawers and a later gilt tooled leather writing surface, the base with a pair of cupboard doors, enclosing a shelf 138.3cm high, 95.3cm wide, 38.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

Catalogue Note François Bayer was made maître on the 5th December 1764. See the Victoria and Albert Museum, Accession Number 1065:1 to 3-1882 for a marquetry table by Bayer.

Literature See Pierre Kjellberg, Le Mobilier Français Du XVIIIe Siècle, pp.50­51 for details and illustrations of four further items by Bayer, including: a secrétaire of a similar form and a commode with similar trophy inlay.

£1,000­1,500

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50 A NEAR PAIR OF FRENCH LOUIS PHILIPPE MAHOGANY CARTONNIERS C.1840 each with eight gilt tooled leather fronted pull-out cartons, with a fall front and brass handle, with a Wellington style locking bar (2) 155.5cm high, 69cm wide, 32.5cm deep and 156.4cm high, 69.5cm wide, 33.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£600­1,000

50

51 A FRENCH MAHOGANY AND BRASS MOUNTED WRITING TABLE EARLY 19TH CENTURY with a leather writing surface above a pair of frieze drawers, on parcel gilt fluted tapering legs with toupie feet 72cm high, 85cm wide, 54.2cm deep Provenance Redlynch House, Salisbury, Wiltshire.

51

£200­300

52 A MATCHED GILTWOOD SALON SUITE IN LOUIS XV STYLE 19TH CENTURY comprising: a canapé with a shell cartouche above the upholstered back and serpentine seat, the front rail and cabriole legs with further shell carvings, together with two similar bergères with scrolling foliate decoration (3) 85cm high, 139cm wide, 78cm deep (max)

52

Provenance Redlynch House, Salisbury, Wiltshire.

£500­800

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53 A FRENCH KINGWOOD AND MARQUETRY COMMODE IN TRANSITIONAL STYLE 18TH CENTURY with ormolu mounts and inlaid with panels of flowers, fruit and a landscape scene, the Siena brocatelle marble top with a moulded edge above three drawers 86.8cm high, 80.5cm wide, 43cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£1,500­2,000

λ 54 A FRENCH ROSEWOOD BUREAU PLAT IN LOUIS XV STYLE LATE 19TH CENTURY with ormolu mounts, the serpentine top inset with a gilt tooled leather writing surface above three frieze drawers 75.8cm high, 145cm wide, 71cm deep

53

Provenance Redlynch House, Salisbury, Wiltshire.

£600­1,000

54

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λ 55 NAPOLEON INTEREST. TWO PORTRAIT MINIATURES OF NAPOLEON AND MARIE LOUISE on ivory, Napoleon signed ‘Aubry’ and Marie Louise signed and dated ‘Isabey 1812’, in an Italian pietra dura frame and a gilt metal mount frame 17.7 x 23cm, Napoleon 7.3 x 5.7cm Provenance Redlynch House, Salisbury, Wiltshire.

Catalogue Note Listed in a family inventory of the contents of no.11 Belgrave Square, London of 1905, taken from old inventories of 1841 and 1856. Then valued at £21. *Ivory Act registration reference no. will be available to the buyer.

£800­1,200

λ 56 NAPOLEON INTEREST. A FRAMED SET OF THREE PORTRAIT MINIATURES MID­19TH CENTURY on ivory, of Napoleon, Marie Louise and Napoleon François Joseph, in gilt mounts and a leather bound frame Napoleon 4.8 x 3.5cm Provenance Redlynch House, Salisbury, Wiltshire. *Ivory Act registration reference no. will be available to the buyer.

£150­200

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57 A BRONZE DEATH MASK OF NAPOLEON BONAPARTE AFTER DR FRANÇOIS CARLO ANTOMMARCHI, MID­19TH CENTURY cast by Susses Frères, brown patinated, inscribed 'Dr F Antommarchi' beneath the chin, stamped 'Susses Frères, Breveté' 9.2cm high, 4.5cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£500­800

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58

58 A PAIR OF FRENCH ORMOLU TWIN-LIGHT CANDELABRA IN THE MANNER OF JUSTE­AURÈLE MEISOONIER (FRENCH 1695­1750), PROBABLY MID­18TH CENTURY decorated with Rococo scrolls, with leaf branches and flowerhead sconces, with engraved decoration and a crest of a rampant lion holding a cross, later drilled for electricity 37.5cm high, 31.5cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

59 A PAIR OF FRENCH ORMOLU THREE-LIGHT CANDELABRA IN LOUIS XV STYLE 19TH CENTURY each modelled with a cherub, supporting a branch issuing three flowerhead nozzles, with detachable drip-pans, on a Rococo scroll base, the undersides with incised initials ‘EB’ 39cm high, 18cm wide

59

28

Provenance Redlynch House, Salisbury, Wiltshire.

£300­500

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λ 60 A FRENCH LOUIS XV KINGWOOD AND MARQUETRY WRITING CABINET IN THE MANNER OF LÉONARD BOUDIN (FRENCH 1735­1807), C.1770 the top inlaid with books, an inkwell with quill and an envelope, the sides with ribbon tied hunting trophies, the hinged fall front with a classical scene of church ruins with figures, revealing an interior originally with divisions, above three drawers with ivory handles 32cm high, 40.5cm wide, 17.6cm deep Provenance Redlynch House, Salisbury, Wiltshire. *Ivory Act registration reference no. will be available to the buyer.

£500­800

detail

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61 A PAIR OF REGENCY GILT BRONZE CANDLESTICKS AFTER A DESIGN BY CHENEY OF LONDON, EARLY 19TH CENTURY each with engine milled decoration, with an urn nozzle and a detachable drip-pan, on tripod eagle monopodia (2) 21.5cm high Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

62 A PAIR OF ORMOLU TWIN-LIGHT WALL LIGHTS IN LOUIS XVI STYLE LATE 19TH CENTURY each with a ribbon and urn backplate (2) 38.4cm high, 27.5cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£150­250

63 A PAIR OF FRENCH GILT BRASS AND GLASS CANDELABRA EARLY 20TH CENTURY each with six lights, with an obelisk finial, hung with ball pendants and applied with flowerheads (2) 63.2cm high, 30.5cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

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64 A FRENCH EMPIRE WALNUT AND PARCEL GILT BED HEADBOARD EARLY 19TH CENTURY with a scrolling bird and ribbon crest above a coronet, with initials’ AM’ flanked by Greek keys, with urn shaped finials above further gilt urns, together with a bedstead with tapering fluted columns, with flowerbud finials and carved and gilt flowerheads (2) Headboard: 177cm high, 161cm wide Bedstead: 106cm high, 155cm wide, 194cm long Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200 31

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65 A GILT BRASS AND MALACHITE MOUNTED INKSTAND LATE 19TH CENTURY of urn form with foliate and shell engraved decoration, together with a Victorian blue glass and silver mounted scent bottle hallmarked for Thomas Mills, London 1850, and a paper knife by Holtzapffel & Co. with a hardstone handle (3) knife 20.5 cm long Provenance Redlynch House, Salisbury, Wiltshire.

£150­200 λ 66 THREE CONTINENTAL BOXES LATE 18TH CENTURY AND LATER including: a two tone gold mounted circular box with a central miniature of children playing cards, on ivory, a circular box with a triple profile portrait of Napoleon, Marie Louise and François, and a Belgian Spa rectangular box with a printed scene of a romantic couple (3) 8.3cm (max)

65

Provenance Redlynch House, Salisbury, Wiltshire. *Ivory Act registration reference no. will be available to the buyer.

£150­250 66A A MUGHAL INDIAN SILVER AND ENAMEL PANDAN 18TH CENTURY of canted rectangular form, the hinged cover with a recumbent lion finial amongst pierced scrolling foliage on a green enamel background, the sides similarly decorated, the hinged base enclosing a mirror 6cm high, 10cm wide, 8.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

66

67 THREE ENAMEL BOXES AND COVERS 19TH CENTURY painted with scenes of classical ruins (3) 8cm diameter (max) Provenance Redlynch House, Salisbury, Wiltshire.

£100­150

66A

67 32

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68 TWO PAIRS OF FRENCH GILT METAL FIGURES OF ELIZABETHAN SOLDIERS AFTER ÉMILE GUILLEMIN (FRENCH 1841­1907), POSSIBLY LATE 19TH CENTURY each standing on a short socle base, two signed ‘E. Guillemin’, the other pair signed ‘Ele.Guillemin. L.M.’ 28cm high (max) Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200 69 A FRENCH RENAISSANCE REVIVAL GILT METAL JEWELLERY CASKET 20TH CENTURY of square section, cast with scenes above winged cartouches, on scrolling lion’s head monopodae 17cm high, 12cm square Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

70 A FRENCH ORMOLU CASKET LATE 19TH CENTURY pierced and decorated with scrolls, birds and winged beasts 11.3cm high, 16.9cm wide, 11.8cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

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71 A FRENCH EMPIRE GILT AND PATINATED BRONZE MANTEL CLOCK EARLY 19TH CENTURY the brass eight day drum movement stamped ‘118’, with a circular silvered dial with Roman numerals and an engine turned guilloche centre, the case modelled as a fireplace with logs burning on sphinx fire dogs, a girl standing to one side playing with balls of wool and a kitten, on a rectangular base cast with a band of stiff leaves 32cm high, 29cm wide, 13cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

71

72 A VICTORIAN MAHOGANY AND BRASS SEDAN CLOCK EARLY 19TH CENTURY the brass lever escapement with an enamelled dial with Arabic numerals, inside a stepped mahogany and brass mounted frame 15.4cm diameter (excluding suspension mount) Provenance Redlynch House, Salisbury, Wiltshire.

£100­150

73 A FRENCH WHITE AND GREY MARBLE AND GILT METAL MOUNTED PORTICO CLOCK FIRST HALF 19TH CENTURY the brass eight day drum movement with an enamelled dial with Arabic numerals inside a cylindrical case surmounted by a fruiting urn, flanked by foliate lyres and supported by shaped rectangular pillars with floral and rosette mounts, on a rectangular base with engine turned panels and bun feet 40cm high, 29cm wide, 9cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£500­700

73 74 A FRENCH GILT BRASS CARRIAGE TIMEPIECE LATE 19TH CENTURY the eight day brass platform escapement movement with an ivorine dial with Arabic numerals, inside scrolling foliage and similar fretwork to the side panels with fluted square columns to the corners 13cm high Provenance Redlynch House, Salisbury, Wiltshire.

£150­200 34

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75 A FRENCH ORMOLU CARTEL CLOCK IN LOUIS XVI STYLE 19TH CENTURY the brass drum movement with an outside countwheel and striking on a bell, stamped ‘Lay Fht, 2454 Pre Jouffroy 29’, the circular enamel dial with Roman and Arabic numerals, the case with an urn surmount and decorated with scrolls and laurel swags 42.8cm high Provenance Redlynch House, Salisbury, Wiltshire.

£500­700

76 A FRENCH ORMOLU CARTEL CLOCK IN LOUIS XV STYLE 19TH CENTURY the brass drum movement with an outside countwheel and striking on a bell, numbered ‘3625’, the circular enamel dial with Roman and Arabic numerals, the case decorated with Rococo scrolls, leaves and flowers 48.5cm high Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

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77 AN ITALIAN BRONZE GRAND TOUR CHARIOTEER GROUP AFTER THE ANTIQUE, EARLY 19TH CENTURY with two rearing horses pulling a two wheel chariot carrying a standing charioteer, on a Siena marble base 21cm high, 25.7cm long, 13cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

78 AN ITALIAN BRONZE GRAND TOUR FIGURE OF VICTORY EARLY 19TH CENTURY mounted on a giallo antico marble plinth 18.3cm high Provenance Redlynch House, Salisbury, Wiltshire.

£150­250

79 AN ITALIAN BRONZE GRAND TOUR EQUESTRIAN FIGURE OF MARCUS AURELIUS AFTER THE ANTIQUE, EARLY 19TH CENTURY mounted on a stepped Siena marble base 20.8cm high, 19.1cm wide Provenance Redlynch House, Salisbury, Wiltshire.

Catalogue Note After the bronze equestrian statue of Marcus Aurelius in the Piazza del Campidoglio, Rome.

£300­500

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80 AN ITALIAN BRONZE GRAND TOUR FIGURE OF DIONYSUS LATE 18TH / EARLY 19TH CENTURY OR EARLIER mounted on a giallo antico plinth base 28.4cm high Provenance Redlynch House, Salisbury, Wiltshire.

£300­500

81 A ROMAN BRONZE FIGURE OF A GLADIATOR C. 1ST­3RD CENTURY AD standing holding up his right hand, a bronze Grand Tour figure of a nude classical lady on a marble plinth and another of a classical lady standing wearing a Roman helmet (3) 21cm (max) Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

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82 AN ITALIAN EQUESTRIAN BRONZE OF ‘SOLOMON’

BY ENRICO MALVANI (ITALIAN 1864­1931) signed, titled and stamped ‘Prop Art Ripp Viet’, mounted on a marble base 38.2cm high, 47cm long Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

83 A BRONZE DOOR KNOCKER IN VENETIAN STYLE IN THE MANNER OF ALESSANDRO VITTORIA (ITALIAN 1523­ 1608), 19TH CENTURY modelled as Neptune standing before winged hippocampi 43cm high, 29cm wide Provenance Redlynch House, Salisbury, Wiltshire.

Catalogue Note For a similar example, see Sotheby’s Olympia, 9th December 2004.

£800­1,200

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84 A LIMOGES ENAMEL PLAQUE IN THE MANNER OF PIERRE REYMOND (FRENCH 1513­1584) painted with a scene of Perseus falling on the dragon and Andromeda chained to a rock, the back inscribed with initials ‘PR’ and the date ‘1546’ 14.8 x 11.1cm Provenance Redlynch House, Salisbury, Wiltshire.

Catalogue Note For another enamelled plaque with similar initials verso, see Sotheby's, Old Master Sculpture and Works of Art, 6th July 2021, lot 30.

Pierre Reymond (French 1513­after 1584) was a prolific enameller working in Limoges for at least 40 years.

£400­600

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85 TWO 18TH CENTURY COPPERPLATE ENGRAVINGS OF THE ‘LOGGIE DEL RAFFAELLO’

BY GIOVANNI OTTAVIANI (ITALIAN 1735­1808) After Pietro Camporesi (Italian 1763­1822) and Gaetano Savorelli (d.1791), with hand-coloured

decoration, depicting pilasters with ‘grotesque’ motifs, inscribed ‘Savorelli Piet., et Pet. Camporesi Arch. delin, Joann Ottaviani. sculp.cum privilegio SS. D. N. Clementis XIII’ and ‘Palmi tre Romani, Piedi tre di Londra, Piedi tre di Parigi’, numbers ‘1’ and ‘V’, framed and glazed (2) 107.5 x 40.5cm Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

86 ENGLISH SCHOOL, A PORTRAIT OF A LADY IN 18TH CENTURY STYLE oil on canvas, in a gilt frame, the back with a paper label, inscribed in pen ‘Cecily Katherine Parker’ 75.6 x 62cm Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

85

87 A PAIR OF PORTRAIT MINIATURES OF HARVIE FARQUHAR AND LOUISA FARQUHAR MID­19TH CENTURY on ivory inscribed ‘M & E Hall’ and ‘E & M Hall’, he with gilt inscription to verso, she with her dates inscribed to the frame and with a locket of hair, in metal frames (2) 7.2 x 5.7cm Provenance Redlynch House, Salisbury, Wiltshire. *Ivory Act registration reference no. will be available to the buyer.

£150­200

87

40

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88 two sides

λ 88 AN ETHIOPIAN ORTHODOX CHRISTIAN RHINOCEROS HORN PLAQUE COPTIC, POSSIBLY 18TH CENTURY double-sided, relief carved with scenes of Christ’s burial and Resurrection, each side with an inscription to the rim 9.5cm high, 7.5cm wide, 9mm deep Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

89 A GILT METAL BEAKER AND COVER POSSIBLY PERSIAN, LATE 18TH / 19TH CENTURY of tapering cylindrical form, with a domed cover and spreading foot, with raised scrolling floral and foliate decoration 11.3cm high, 7.7cm diameter Provenance Redlynch House, Salisbury, Wiltshire.

£300­400

89 41

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90 A SHIRVAN RUG SOUTH EAST CAUCASUS, C.1890 the indigo field with columns of angular stylised flowerheads enclosed by Kufic borders, flanked by minor borders and arrowhead guard stripes 160.5 x 120cm Provenance Redlynch House, Salisbury, Wiltshire.

£500­800

91 A SARYKH ENSI PENDEH (AFGHAN / TURKMEN FRONTIER), C.1900 the pale aubergine divided field with animal head motifs, enclosed by borders of geometric plants and chequered guard stripes, the elem with columns of further plants and a kilim 182.5 x 147cm Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

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92 A SPANISH CARPET C.1920 the mustard field with columns of cruciform motifs enclosed by floral borders, signed and dated in outer guard stripes ‘STUYCK 1925’ and ‘RF DE TAPICES’ 489 x 349cm Provenance Redlynch House, Salisbury, Wiltshire.

£400­600 43

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93

λ 93 A REGENCY SOFA EARLY 19TH CENTURY with a serpentine back and scroll arms, on rosewood tapering bobbin turned legs 79.5cm high, 175cm wide, 67.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£500­800 94 A GILT BRASS ÉTAGÈRE 20TH CENTURY with two tiers inset with gilt tooled red leather, on brass castors 62.8cm high, 39.5cm wide Provenance Redlynch House, Salisbury, Wiltshire.

£150­250 94

95 A MAHOGANY STOOL IN REGENCY STYLE

BY GEORGE SMITH, LATE 20TH CENTURY the needlework seat above turned legs and brass castors, the underside with a brass trade label, inscribed ‘Handmade by Craftsmen. Newcastle, England. George Smith Mfg. Ltd.’ 45cm high, 99cm wide, 43cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£100­200 95

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96

96 A VICTORIAN SERPENTINE SOFA MID­19TH CENTURY on giltwood supports and brass castors, with loose covers 83.3cm high, 188cm wide, 90cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£500­800 97 A GILTWOOD TUB ARMCHAIR IN 18TH CENTURY STYLE with scroll arms carved with laurel leaves, on fluted front legs Provenance Redlynch House, Salisbury, Wiltshire.

£500­700

97

98 A PAINTED WOOD AND PARCEL GILT LOW TABLE IN ADAM STYLE SECOND HALF 20TH CENTURY with an inset brèche violette marble top, with fluted decoration 43cm high, 98.5cm wide, 53,5cm high Provenance Redlynch House, Salisbury, Wiltshire.

£300­500 98

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99 A GERMAN PAINTED TERRACOTTA ORIENTALIST BUST

BY KOENIG & LENGSFELD, LATE 19TH / EARLY 20TH CENTURY depicting a Moorish lady, her head cloaked, with maker’s mark ‘Koenig & Lengsfeld, Koeln, ...Geschützt’, on an ebonised wood socle 53.5cm high Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

100 A JAPANESE PORCELAIN FIGURE OF A RAT ON A BAG LATE 19TH / EARLY 20TH CENTURY the rat with brown patches, the bag with flowers and rondels on an iron red ground with gilt scrollwork, the underside with an iron red character mark 16cm long Provenance Redlynch House, Salisbury, Wiltshire.

£100­150

101 TWO BOHEMIAN SMOKED GLASS VASES IN THE MANNER OF MOSER, LATE 19TH / EARLY 20TH CENTURY each decorated with coloured enamels with flowers, one applied with a crocodile, the other with a fish (2) 31.8cm high (max) Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

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102 A CHINESE PORCELAIN ROULEAU VASE TABLE LAMP QING DYNASTY with a powder blue glaze, decorated in gilt with figures in a garden pavilion 46.5cm high (excluding mount) Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

103 A CHINESE PORCELAIN FAMILLE VERTE BALUSTER VASE TABLE LAMP QING DYNASTY with a powder blue glaze, painted with figures, birds and deer around a rock and tree with gilt mons to the neck, on a gilt metal base height excluding mounts 43.5cm high (excluding mount) Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

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104 A CHINESE PORCELAIN TABLE LAMP LATE 19TH / EARLY 20TH CENTURY in the form of a crane, mounted on an ebonised wood base 35cm high (excluding fitting) Provenance Redlynch House, Salisbury, Wiltshire.

£300­500

105 A CHINESE PORCELAIN LEMON GLAZED VASE TABLE LAMP EARLY 20TH CENTURY together with a Regency porcelain vase table lamp (2) 40.9cm high (max) Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

106 A CHINESE WHITE CRACKLE GLAZE LAMP LATE 19TH / EARLY 20TH CENTURY of slender ovoid form, with a pair of lion’s masks, mounted on a wooden stand 41cm high (excluding fitting) Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

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107 A CHINESE PORCELAIN SANG DE BOEUF VASE TABLE LAMP LATE 19TH / EARLY 20TH CENTURY of baluster form, with later brass mounts 29.5cm high (excluding fitting) Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

108 A PAIR OF CHINESE CANTON PORCELAIN FAMILLE ROSE VASE TABLE LAMPS LATE 19TH CENTURY painted with coloured enamels, with panels of figures, flowers, butterflies and baskets of flowers, with ormolu mounts (2) 28cm high (excluding fitting) Provenance Redlynch House, Salisbury, Wiltshire.

£300­400

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109 AN EARLY VICTORIAN BONE SPELLING ALPHABET C.1840­50 in a mahogany case with a sliding cover, the interior with twenty-seven divisions, containing one hundred and eightysix double sided letters and five blanks (192) 17.8 x 28.8cm Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

λ 110 A REGENCY SARCOPHAGUS SEWING BOX EARLY 19TH CENTURY gilt decorated with scrolling leaves, with a silk lined interior with lidded compartments, together with a rosewood and bird’s eye maple glove or sewing box and a French painted box decorated with flowers (3) 29cm wide (max) Provenance Redlynch House, Salisbury, Wiltshire.

£100­200

λ 111 A SWISS ROSEWOOD AND EBONISED ‘BELLS INSIGHT’ MUSICAL BOX LATE 19TH CENTURY the twelve and three quarter inch cylinder playing eight airs, striking on six bells, the crank handle numbered ‘9521’, the printed tune sheet inscribed ‘Étouffoirs en acier soit à spiraux’, the hinged lid inlaid with marquetry 19.1cm high, 56.2cm wide, 28cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£400­600

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112 A VICTORIAN WALNUT AND MARQUETRY WRITING TABLE IN LOUIS XV STYLE C.1870 of kidney shape, with gilt bronze mounts, the top inset with a gilt tooled leather writing surface, inlaid with a pair of cornucopia and a basket of fruit and flowers 74.7cm high, 116cm wide, 57cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

113 A GEORGE III JAPANNED TRIPOD OCCASIONAL TABLE

with gilt chinoiserie decoration, the circular tilt-top with figures and pagodas 62.7cm high, 48.5cm diameter Provenance Redlynch House, Salisbury, Wiltshire.

£150­250

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114 114 AN EDWARDIAN MAHOGANY BREAKFRONT COMPACTUM WARDROBE EARLY 20TH CENTURY

115 A SHERATON REVIVAL SATINWOOD BIJOUTERIE TABLE LATE 19TH / EARLY 20TH CENTURY

116 A VICTORIAN EASY ARMCHAIR LATE 19TH CENTURY

inlaid with stringing and satinwood banding, with a pair of panelled doors enclosing slides, with two short and three long drawers, flanked by further cupboards, with interiors of brass rails and hooks, the right side originally with shelves, the base with a hinged compartment 215.3cm high, 243.4cm wide, 62.3cm deep

inlaid with floral marquetry, with a hinged top 76.3cm high, 61.5cm wide, 42cm deep

Provenance Redlynch House, Salisbury, Wiltshire.

Provenance Redlynch House, Salisbury, Wiltshire.

£100­200

£200­300

Provenance Redlynch House, Salisbury, Wiltshire.

£500­800

52

115

on turned walnut front legs and metal castors

116

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117 117 AN EDWARDIAN MAHOGANY BREAKFRONT SECRÉTAIRE LIBRARY BOOKCASE

BY EDWARDS & ROBERTS, EARLY 20TH CENTURY

118 A PAIR OF MAHOGANY STOOLS IN HEPPLEWHITE STYLE LATE 19TH / EARLY 20TH CENTURY each with a Bargello style needlework seat, on leaf carved rondel supports, together with a similar armchair (3) 45.2cm high, 91cm wide, 40.2cm deep (max)

with fiddle back and flame veneers, inlaid with stringing and satinwood banding, with astragal glazed doors enclosing adjustable shelves, the secrétaire fitted with pigeonholes, drawers and an inset gilt tooled leather writing surface, above a pair of cupboard doors flanked by further cupboards, stamped ‘Edwards & Roberts’ 260.4cm high, 251.2cm wide, 50.8cm deep

Provenance Redlynch House, Salisbury, Wiltshire.

£300­500

Provenance Redlynch House, Salisbury, Wiltshire.

£1,500­2,000

118

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119 A PAIR OF LATE VICTORIAN SATINWOOD AND MARQUETRY CONSOLE TABLES IN THE MANNER OF EDWARDS & ROBERTS, C.1890­1900 inlaid with urns, ribbon tied husk swags, each with a demi-lune top above a frieze drawer, on square tapering legs united by a shaped stretcher (2) 76.9cm high, 64cm wide, 33.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

120 A SHERATON REVIVAL PAINTED SATINWOOD BIJOUTERIE TABLE LATE 19TH CENTURY decorated with floral sprays, swags and husks, with a circular hinged top 78.5cm high, 58cm diameter Provenance Redlynch House, Salisbury, Wiltshire.

£200­300

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121 A SHERATON REVIVAL SATINWOOD AND GILTWOOD SERPENTINE DISPLAY CABINET IN THE MANNER OF WRIGHT & MANSFIELD, LATE 19TH CENTURY painted with panels of flowers on an ebonised ground, with an astragal glazed door enclosing two glass shelves, above a panelled door 197.3cm high, 137cm wide, 40.5cm deep Provenance Redlynch House, Salisbury, Wiltshire.

£800­1,200

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OAK & COUNTRY & FOLK ART

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122 A CHARLES II OAK COFFER C.1680 the twin panelled top on pin hinges, with a till, the front with a scrolling frieze, above twin panels with lozenge carved decoration 67.5cm high, 113cm wide, 52.3cm deep

£300­400

123 AN OAK BIBLE BOX POSSIBLY SCOTTISH, MID­17TH CENTURY the lid with later hinges, and carved with flower and leaf lozenges, with punched decoration, the interior with an open till, the front and sides carved with foliate lunettes 18.5cm high, 53cm wide, 30.2cm deep

£300­500

124 AN OAK TRIPLE PANELLED COFFER LATE 17TH / EARLY 18TH CENTURY the moulded top enclosing a later till, above a front with a frieze carved with scrolling decoration above lozenge carved panels 69cm high, 117cm wide, 45cm deep

£200­300

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125

126

125 A CHARLES I OAK BOX STOOL C.1640 the hinged lid revealing a divided interior, part of base missing, on turned gun barrel legs united by peripheral stretchers 45.6cm high, 44.2cm wide, 38cm deep

£200­300 126 TWO OAK JOINT STOOLS 17TH CENTURY each with turned legs united by peripheral stretchers 50.8cm high, 47cm wide, 28cm deep (max)

£200­300 127

127 AN OAK AND MARQUETRY INLAID SPICE CUPBOARD EARLY 18TH CENTURY AND LATER the panelled door with carved arched decoration inside a sycamore and mahogany band, enclosing a later interior of three drawers 50cm high, 40cm wide, 21.5cm deep

£150­250 128 A CHARLES I OAK TABLE DESK FIRST HALF 17TH CENTURY AND LATER with crimped edges and incised decoration, the hinged fall with initials ‘M H’ and an integral rest, the interior with four drawers with later dividers and lopers, above a scroll carved front, on an associated stand 99.4cm high, 84.5cm wide, 50.8cm deep Provenance An inscription on the reverse of a photograph consigned with this table desk suggests the desk belonged to Mary Heaton, the mother (or grandmother) of a Mrs Walpole and her daughter Joan Horatia Lynch Fletcher of Ranelagh, descendants of Robert Walpole.

£300­500

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129

129 A CHESTNUT COFFER 16TH CENTURY

130 A CARVED WALNUT PANEL 16TH CENTURY

the hinged top with a thumbnail moulding, the interior with a lidded till, the front with a pair of strapwork panels flanking a stylised coat of arms with rampant lions, above a sun motif with a heart and a pair of lion’s heads, on bracket feet 64cm high, 146.5cm wide, 184cm deep

decorated with a central urn of flowers flanked by cypress trees, tulips and architectural buildings, possibly Solomon’s temple, formerly the front panel of a coffer 40 x 103.2cm

£300­500

£800­1,200

130

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131 AN OAK LIVERY CUPBOARD 17TH CENTURY with a bog oak and holly chevron band and carved decoration, with a pair of lozenge panel doors, above a pair of drawers and a cupboard 153.5cm high, 121cm wide, 59.5cm deep

£400­600

132 A WILLIAM AND MARY OAK SIDE TABLE LATE 17TH / EARLY 18TH CENTURY with a frieze drawer, on ring turned baluster legs united by peripheral stretchers 75.3cm high, 85cm wide, 54.5cm deep

£400­600

133 A WILLIAM AND MARY YEW OR CEDAR CENTRE TABLE LATE 17TH CENTURY AND POSSIBLY LATER ADAPTED the top with a moulded edge, above an end frieze drawer, on turned twin baluster legs united by peripheral stretchers 74.4cm high, 58.5cm wide, 101.5cm long

£300­500

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134 AN OAK CUPBOARD 17TH CENTURY with thumbnail mouldings and a pair of panelled doors enclosing shelves 159.3cm high, 126cm wide, 42.5cm deep

£500­800

135 A GEORGE II OAK LOWBOY C.1730­40 the top with a moulded edge and rounded corners, above a pair of frieze drawers and a wavy apron 74.8cm high, 91.5cm wide, 51.5cm deep

£600­800

136 A CHARLES II OAK CHILD’S HIGHCHAIR 17TH CENTURY AND LATER the arched back carved with lunettes and a leaf panel, the apron carved with scrolling foliage

£500­700

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137 A GEORGE III OAK DRESSER LATE 18TH CENTURY the raised plate rack with three shelves, the base with three frieze drawers above a pair of raised panelled doors 216.7cm high, 190cm wide, 53.5cm deep

£800­1,200 138 AN OAK CRICKET TABLE EARLY 18TH CENTURY AND LATER the circular top on turned twin baluster and cup legs 64.9cm high, 68cm diameter

£300­500 139 A WALNUT STOOL EARLY 18TH CENTURY the top with a moulded edge and inlaid with stringing, on turned and block legs, the underside carved with initials ‘DJP’ 43cm cm high, 42.3cm wide, 38.3cm deep

£400­600

137

139 138 62

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λ 140 A CHARLES II OAK, WALNUT AND SNAKEWOOD CHEST C.1680 in two halves, with applied split mouldings, ivory rondels and cedar mouldings, fitted with three long drawers with geometric raised panelled fronts 92cm high, 97.5cm wide, 53cm deep *Ivory Act registration reference no. will be available to the buyer.

£600­1,000

141 A WILLIAM AND MARY WALNUT CHEST LATE 17TH CENTURY fitted with four long drawers with panelled fronts 87.3cm high, 87.8cm wide, 56cm deep

£400­600

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143 142

142 A CARVED OAK FIGURAL GROUP PROBABLY FLEMISH, LATE 16TH / EARLY 17TH CENTURY depicting a knight in armour, accompanied by a mournful lady, in a rockwork setting 35.7 x 35.2cm

£200­300 143 A PAIR OF DUTCH BRONZE HEEMSKERK CANDLESTICKS POSSIBLY LATE 17TH CENTURY each with a tapering nozzle, a dished drip-tray, baluster stem and domed foot (2) 24.5cm high

£200­300 144 A CARVED WALNUT PANEL DEPICTING THE MADONNA AND CHILD ITALIAN OR SPANISH, 17TH CENTURY the figures amongst clouds with a cherub above, previously a cupboard door 36cm high, 20cm wide

£200­300

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145 145 TWENTY-ONE SPANISH LEATHER MOUNTED CHAIRS 17TH CENTURY AND LATER

146 A SPANISH WALNUT SIDE TABLE LATE 17TH / EARLY 18TH CENTURY

in chestnut and walnut, the leather with embossed decoration and brass mounts, some stamped, comprising: seven armchairs and fourteen side chairs (21)

the frieze drawer with a panelled front, on ring turned legs united by peripheral stretchers 74.2cm high, 99.2cm wide, 60.5cm deep

£1,000­2,000

£400­600

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147 A LIMEWOOD BUST OF THE VIRGIN MARY IN 17TH CENTURY STYLE carved looking slightly to her right 35cm high, 39cm wide Provenance The collection of Michael Stennett.

£300­400

148 A PAIR OF GERMAN WROUGHT IRON BRACKETS POSSIBLY NÜREMBERG, LATE 17TH CENTURY each gilt and polychrome decorated with figures of angels and scrolling foliage (2) 46.6 x 67cm

£200­300

149 A CONTINENTAL WROUGHT IRON PORTABLE FOLDING LECTERN SPANISH OR ITALIAN, POSSIBLY LATE 16TH / EARLY 17TH CENTURY the twisting ‘X’ frame with a cross finial, with adjustable candlesticks and foliate details supporting a green velvet bible rest 153cm high, 54cm wide, 78cm deep (open)

£800­1,200

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150 A LARGE GERMAN OAK AND IRON MOUNTED CHEST OR STOLLENTRUHE WESTPHALIAN, 16TH CENTURY with floral strapwork mounts and carved scrolls to the front and feet, the hinged lid revealing an interior with a lidded till 89.2cm high, 181.5cm wide, 64.5cm deep Catalogue Note This type of large standing chest is known as a 'stollentruhe' or studded chest and is thought to have been made from the 15th century. The type has become closely associated with the Westphalia region in central western Germany.

For a similar chest ,see the Victoria and Albert Museum, no.900:2­1904.

£3,000­4,000

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151 AN ITALIAN CEDAR, PINE AND POKERWORK ESCRITOIRE LATE 17TH CENTURY the raised back decorated with mythical beasts and with an inscription, the hinged fall decorated with a blindfolded cherub on a chariot, drawn by two lions, with an inscription in Latin which translates ‘He who has given to a worthy man receives a benefit from giving.’, the interior with an arrangement of drawers, pigeonholes and cupboards, decorated with fountains, trees and birds, the sides with scroll decoration, with gilt brass side carrying handles, on a later stand and with a later raised back, with ceramic castors 130cm high, 113.3cm wide, 47.5cm deep

£1,000­1,500 λ 152 A NORTH ITALIAN CEDAR, POKER AND PENWORK TABLE CABINET 17TH CENTURY AND LATER with a pair of doors, decorated with a fort and tents, with a port and sailing ships in a bay, the reverse with courtly figures, the interior with an arrangement of eight drawers with ivory handles, around a central architectural cupboard, the sides decorated with cavaliers 45.5cm high, 47.7cm wide, 28.5cm deep *Ivory Act registration reference no. will be available to the buyer.

£400­600

151

152 open

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153 A PAIR OF LARGE ITALIAN BRONZE ANDIRONS IN RENAISSANCE STYLE VENETIAN, LATE 19TH CENTURY each with a cherub finial above tiered balusters and urns cast with stiff leaves, masks and swags, above a triangular foot with winged satyrs and resting on dolphin's feet, on an open scroll work base centred with a bearded mask (2) 189cm high, 49cm wide, 88cm deep Provenance Purchased by the vendor's great grandfather from Ducci, Florence on the 4th March 1899 for 1100 lire.

£3,000­4,000 69

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154 A COMPOSITE WALL LIGHT LATE 19TH / 20TH CENTURY in the form of a cherub, with painted and gilt decoration, holding hooks for two lights, with an iron suspension hook 45cm high

£100­150

155 A MEDIEVAL PEWTER VOTIVE OR PILGRIM’S CANDLESTICK PROBABLY ENGLISH, 13TH / 14TH CENTURY the ogee shaped holder cast with vertical lines, on a circular base with bands of dotted circle and bead decoration and inscribed ‘Ecce Amcus’, on three trefoil shaped feet 4.7cm high, 3.7cm diameter Catalogue Note For similar examples please see Christie’s, The Lear Collection, 15th December 1998, lot 40.

Phillip’s Chester, The Sandy Law Collection, 25th September 1997, lots 133 and 134.

£400­600

156 A WHITE MARBLE FIGURE OF THE INFANT CHRIST POSSIBLY LATE BYZANTINE carved supported on the Virgin’s hand, with open eyes and with his right hand raised, the draped robes with scrolling decoration 20cm high

£100­150

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157 A NORTH EUROPEAN MARINE OR WALRUS IVORY DRAUGHTSMAN OR TABLEMAN PROBABLY 12TH CENTURY carved to the centre with a crouching feline inside a border of ogee arching 5.8cm diameter, 1.2cm deep Provenance Acquired in the 1950s from Portobello Road.

Catalogue Note The game of tables, or backgammon, was popular in the 11th and 12th centuries. There were fifteen counters to each side, and 12th century boards inlaid with bone sections have been excavated at Gloucester and Saint­Denis. The game was popular throughout Northern Europe and the pieces were made in a number of different centres, with the most productive workshops based in Northern France and Cologne.

£4,000­6,000

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158 A DUTCH OAK TABLE 17TH CENTURY the planked top above a single frieze drawer, on turned cup and cover legs, united by peripheral stretchers 82cm high, 135.8cm wide, 101cm deep

£800­1,200

159 A NORTH EUROPEAN POLYCHROME WOOD FIGURE OF A PRIEST POSSIBLY GERMAN, 13TH / 14TH CENTURY with a later back and base 55.2cm high

£300­500

160 A PAINTED PINE JARDINIÈRE STAND POSSIBLY ITALIAN, 18TH CENTURY the circular top with a recess, decorated with ovolo and stiff leaf decoration 100.4cm high, 34cm wide,

£200­300

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161 A FRANCO-FLEMISH BURR WALNUT AND GILT BRASS COFFRE FORT EARLY 18TH CENTURY with strapwork mounts and substantial side carrying handles, with a hinged lid and fall fronts, the interior with two hinged compartments, two drawers and four secret compartments 32.3cm high, 65cm wide, 39.7cm deep

£3,000­5,000

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162 A SCANDINAVIAN FOLK ART BOX AND COVER NORWEGIAN, LATE 19TH CENTURY of oval form, the lid with a hoop handle, the body with stamped and pokerwork decoration, with hearts, flowerheads, square and circular motifs 29cm high, 45cm long, 27cm deep

£100­150

163 A SCANDINAVIAN CHIP CARVED TANKARD NORWEGIAN OR DANISH, 19TH CENTURY of staved construction, with bentwood bands, the hinged lid above a body decorated with rondels of differing designs, the underside carved with a cross 24.5cm high

£80­120

164 A SCANDINAVIAN FOLK ART PAINTED PINE BOX AND COVER NORWEGIAN, LATE 19TH CENTURY of oval form, carved with scrolling and rondel decoration 16cm high, 44.5cm long, 22cm deep

£150­250

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165 165 A SET OF SIX MAHOGANY WINDSOR STYLE SIDE CHAIRS POSSIBLY AMERICAN, SECOND HALF 19TH CENTURY

167 A VICTORIAN ELM ‘OXFORD’ WINDSOR ARMCHAIR

BY STEPHEN HAZELL, C.1850-70

each with a comb top rail, above a stick back and a solid seat, on turned legs united by an ‘H’ stretcher (6)

with turned legs united by an ‘H’ stretcher, the underside of the seat with branded initials ‘SH’

£400­600

Catalogue Note Stephen Hazell first advertised as a 'Turner and chair-maker' in 1846 working in South Parade in Summertown. His son, Stephen Charles Hazell was also a chair-maker and working on his own account from 1877. For a more comprehensive history of the Hazell family, see Bernard Cotton, The English Regional Chair, 1991, pp.91-93 and figs. TV211, 212, 214 and 216.

166 TWO VICTORIAN YEW LOW BACK WINDSOR ARMCHAIRS C.1840 each with a pierced splat back, on turned legs united by a crinoline stretcher, one with an elm seat, the other probably alder (2)

£200­300

£300­500

166

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168 169 A REGENCY FRUITWOOD COUNTRY ARMCHAIR EARLY 19TH CENTURY

168 FOUR VICTORIAN ASH AND ELM HIGH BACK WINDSOR ARMCHAIRS LATE 19TH CENTURY

with a curved elm seat

three with pierced splat backs, one stamped ‘5’, together with a stickback example by Glenister, the seat stamped ‘E.W. Glenister maker Wycombe’, all on turned legs united by an ‘H’ stretcher (4)

£100­150

£400­600

170 A HARLEQUIN SET OF SEVEN REGENCY ASH AND YEW WINDSOR KITCHEN CHAIRS LATE 18TH / EARLY 19TH CENTURY each with a hoop and stick back, with a pierced central splat decorated with an urn, with an elm seat and turned legs united by an ‘H’ stretcher (7)

£300­500

169

76

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171

171 A LARGE SYCAMORE DOUGH BOWL 19TH CENTURY each end with an iron band 22.2cm high, 110.5cm wide, 42.8cm deep

£150­250 172 KITCHENALIA INTEREST. AN ELM DOUGH ROLLER 19TH CENTURY with a detachable handle and twin rollers 100cm high, 119.5cm wide, 63.5cm deep

£100­150 173 A TREEN SYCAMORE DAIRY BOWL 19TH CENTURY with banded decoration to the outside 46cm diameter

172

£150­200 174 A TREEN DAIRY BOWL 19TH CENTURY possibly ash, with banded decoration 53.5cm diameter

£150­250

173

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THE GEOFFREY CHESTERS TREEN COLLECTION

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175 A TREEN FRUITWOOD MORTAR GRATER POSSIBLY LABURNUM, LATE 17TH / EARLY 18TH CENTURY with an orb finial, above a body with turned and notch decoration 20.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£150­200

176 FIVE TREEN SALTS 19TH CENTURY AND LATER in lignum vitae, boxwood and fruitwood, with turned decoration and stepped feet (5) 10.5cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

177 A COLLECTION OF THREE TREEN SPICE FLASKS LATE 18TH / EARLY 19TH CENTURY in yew and boxwood, each in three sections, with an acorn finial above a globular body and turned foot (3) 17cm (max) Provenance The Geoffrey Chesters Collection of Treen.

£150­200

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178

179

178 THREE TREEN FUNNELS 19TH CENTURY in beech and boxwood, the largest with a faceted spout (3) 16 x 12cm (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 179 THREE TREEN FLASKS OR POUNCE POTS 19TH CENTURY in boxwood and fruitwood, the detachable covers on ovoid bodies, with turned feet (3) 13cm (max) Provenance The Geoffrey Chesters Collection of Treen.

180

£100­150 180 THREE TREEN LIGNUM VITAE GO TO BEDS OR VESTA HOLDERS 19TH CENTURY the covers with foliate fringe decoration, around a central vesta or light holder (3) 12.2cm (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 181 A TREEN TOBACCO BARREL 19TH CENTURY with banded decoration, with a cover and weight and tin liner, together with a lignum vitae pot and cover of tapering form with turned, banded decoration (2) 20cm (max) Provenance The Geoffrey Chesters Collection of Treen.

£150­200 181 80

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182 A TREEN LIGNUM VITAE MORTAR 18TH CENTURY the moulded rim above a short moulded stem and stepped foot, with a lignum vitae pestle (2) 22cm high, 22.5cm diameter Provenance The Geoffrey Chesters Collection of Treen.

£300­500

183 A TREEN LIGNUM VITAE MORTAR 18TH CENTURY with a flared rim above a short moulded stem and foot 22cm high, 18.5cm diameter Provenance The Geoffrey Chesters Collection of Treen.

£300­500

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185

184

184 A SCANDINAVIAN TREEN PILGRIM’S FLASK AND STOPPER 19TH CENTURY of necked ovoid form with turned decoration, with leather straps and lug feet, together with another, possibly Scottish, of flattened form, lacking its stopper (2) 34cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

Literature Edward H Pinto, Treen and Other Wooden Bygones, 1969, pl.58E. Jonathan Levi, Treen for the Table, 1998, p182, pl.15/15.

£150­250 185 A TREEN WATCH STAND 19TH CENTURY with an acorn finial, knopped stem and stepped foot, together with a lignum vitae barrel and stopper (2) watch stand 27cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

186

£100­150 186 A TREEN LIGNUM VITAE STRING BOX AND COVER 19TH CENTURY of cylindrical form, the stepped cover with a finial cutter, together with a similar cylindrical box and cover (2) 22cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 187 THREE TREEN LIGNUM VITAE APOTHECARY OR SNUFF PESTLES AND MORTARS 19TH CENTURY AND LATER of tear and tapering cylindrical forms (6) 12.5cm (max) Provenance The Geoffrey Chesters Collection of Treen.

187 82

£100­150

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188 A TREEN LIGNUM VITAE COFFEE GRINDER MID­19TH CENTURY of bullet form, in three sections, with an acorn finial revealing the iron winder, the body with turned and banded decoration 20.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

189 A TREEN LIGNUM VITAE STRING BOX AND COVER 19TH CENTURY of cylindrical form, together with five lignum vitae bowls of rounded and footed forms (6) string box 11cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

190 A PAIR OF TREEN ‘BRIGHTON BUN’ TRAVELLING CANDLESTICKS AND SNUFFERS POSSIBLY ZEBRAWOOD each with a detachable urn shape sconce, above a circular dish base, the domed snuffer with a conical finial (4) 8cm diameter Provenance The Geoffrey Chesters Collection of Treen.

£100­150

83

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191 A PAIR OF TREEN LABURNUM AND HOLLY URNS AND A MATCHING SALT SCOTTISH of footed form, with turned decoration (3) 9cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 192 FOUR TREEN LIGNUM VITAE PLUMB BOBS OR WEIGHTS LATE 19TH CENTURY each pear shaped weight with a cylindrical shaft and brass hook, together with four lignum vitae rings, possibly chogs or stands (8) 12.8cm (max) Provenance The Geoffrey Chesters Collection of Treen.

191

£100­150 193 A SWEDISH TREEN BIRCH BUTTER TUB AND COVER MID­19TH CENTURY with a ‘locking’ cover and turned decoration, together with a Norwegian folk art painted bentwood box and cover with stamped decoration (2) butter tub 11.2cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 194 A VICTORIAN TREEN SYCAMORE FOUR SECTION SPICE TOWER MID­19TH CENTURY the sections titled in gilt ‘Mace’, ‘Cloves’, ‘Nutmeg’ and ‘Cinamon’ (sic) 19cm high Provenance The Geoffrey Chesters Collection of Treen.

192

£100­150

193 194 84

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195 AN IRISH TREEN WILLOW LAMHOG LATE 17TH / EARLY 18TH CENTURY of tapering cylindrical form, on a moulded foot, with an integral carved handle ,with a paper collector’s label, inscribed ‘Charlton Collection, KE22’ 18cm high, 14cm diameter Provenance The Geoffrey Chesters Collection of Treen.

Literature For similar lamhogs see Sotheby’s, The WJ Shepherd Collection of Treen, 30th November 1983, lot 539, and Christie’s, Treen for the Table: The Jonathan Levi Collection, 8th November 2006, lot 129, also Jonathan Levi, Treen for the Table, p.77, plates 4/3 and 4/4.

£300­500

196 A TREEN YEW SALT OR SPICE POT AND COVER LATE 18TH / EARLY 19TH CENTURY with a moulded cover, on stepped foot 22cm high Provenance The Geoffrey Chesters Collection of Treen.

£150­200

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197 SEVEN TREEN GOBLETS 19TH CENTURY AND LATER in various woods, including: peach, apple, pine and sycamore, together with a snuff mortar (8) 10.2cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

198 A TREEN COCQUILLA NUT NUTMEG GRATER LATE 18TH / EARLY 19TH CENTURY the upper section with a grater, on a basket shaped base with turned and foliate decoration 15.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

199 SEVEN TREEN INKWELLS LATE 19TH CENTURY with engine turned, rondel and notched decoration (7) 9cm diameter (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

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200 TWO GEORGE III TREEN BURRWOOD EGG CUPS LATE 18TH CENTURY of urn form with beaded decoration to feet, together with two lignum vitae salts, possibly 18th century, the flaring bowls on side spreading feet (4) 7.3cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

201 A TREEN FRUITWOOD CASTER OR MUFFINEER 19TH CENTURY of urn shape with a pierced detachable cover 19.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

202 A GEORGE III TREEN BOX AND COVER C.1800 of urn shape with turned decoration, together with a boxwood box and cover of tapering form, with an acorn finial, and a lignum vitae box and cover of cylindrical form (3) 19cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

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203 A PAIR OF OAK BOOKENDS LATE 19TH CENTURY carved with Tudor style scrolling foliage (2) 21cm high, 20cm wide, 10cm deep

£100­150

203

204 A PAIR OF CARVED AND STAINED OAK OVAL PORTRAIT PANELS 19TH CENTURY depicting Shakespeare and Byron inside carved gadroon and foliate borders (2) 36.5cm high, 32cm wide

£300­500

205 AN OAK TABLE COLLECTOR’S CABINET 19TH CENTURY the hinged door with a bone escutcheon, revealing six drawers 42.4cm high, 42.2cm wide. 44.5cm deep

£250­350 204

205 88

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206 A TREEN PRIMITIVE FIGURAL LEVER ACTION NUTCRACKER PROBABLY 18TH CENTURY carved with the head of a man wearing a hat, with a flat face and nail eyes 15.5cm high

£300­500

207 A COLLECTION OF TREEN 19TH CENTURY AND LATER including: a four section spice tower, butter pats, a rattle, a cased spirit level (13) 23cm high (max)

£100­200

208 A PAIR OF FOLK ART CARVED WOOD RECUMBENT LIONS LATE 19TH / EARLY 20TH CENTURY with bone teeth, on rectangular bases (2) 22.5cm long

£150­200 89

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210

209

211

209 A CARVED WOOD SERVING MALLET PROBABLY FROM H.M.S. LION, C.1809 the turned handle with a finial in the form of a seated lion holding a shield, inscribed ‘H.M.S. Lion’, the back inscribed ‘Joseph Miller 1809’ 29cm long

£300­400 210 A FOLK ART HOLLY WALKING STICK LATE 19TH CENTURY the handle in the form of Emperor Wilhelm I, together with another with a dog’s head handle, the shaft carved with animal heads and twisting rope decoration (2) 94.5cm (max)

£100­150 211 A FOLKD ART FIGURAL WALKING STICK OR KNOBKERRIE 19TH CENTURY possibly yew, the carved wooden head with painted details, applied to a gnarled shaft 92.5cm long

£100­150

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212 A FOLK ART DIORAMA OF A GEORGIAN HOUSE EARLY 19TH CENTURY with a gilt door and window frames, in a glazed mahogany box frame 26cm x 31cm

£150­250

213 A CARVED AND PAINTED TOBACCO ADVERTISING FIGURE LATE 18TH / EARLY 19TH CENTURY modelled as a European looking man wearing a red and gold coloured hat, a black cloak and gold coloured waistcoat and holding a later clay pipe, with an iron suspension staple to his back and on a domed base 61cm high Literature See Pinto (E H), Treen and other wooden Bygones, 1969, p. 412 for a discussion on carved and painted tobacco advertising figures and pl.436-440 for similar examples.

£800­1,200

214 A FOLK ART CARVED WOOD PIG SHOP OR TAVERN SIGN with an iron tail and suspension rings, inscribed in gilt ‘BLACK PIG’ 51.5 x 78cm

£300­500

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215 A FOLK ART NAIVE PORTRAIT OF A PRIZE BULL EARLY 19TH CENTURY titled ‘A Prize Hereford Bull, the property of Mr Joss Gilbert of Hellesveor’, oil on canvas, in a giltwood frame 44.5 x 59cm Catalogue Note Hellesveor can be found on the outskirts of St Ives, Cornwall.

£200­300

215

216 A FOLK ART NAIVE WATERCOLOUR PAINTING OF A COUNTRY HOUSE 19TH CENTURY the red brick house in a parkland with two cattle in the foreground, a paper label verso, inscribed ‘Signed FJ Nash, Chatham. Kent’, in a verre églomisé frame 20.5 x 35.6cm

£100­200

216

217 A SET OF SIX WATERCOLOURS OF EXOTIC BIRDS IN THE MANNER OF SAMUEL DIXON, EARLY 20TH CENTURY each perched on a flowering plant, with gilt and painted frames (6) 24.3 x 19.3cm

£400­600

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218

218 A FOLK ART SET OF CARVED AND PAINTED WOOD WALL HOOKS LATE 19TH CENTURY carved with a pediment of two birds, above cut-metal hooks 79cm long, 20cm high

£100­150

219

219 A FOLK ART CARVED AND PAINTED PART WHIRLIGIG EARLY 20TH CENTURY modelled as a man in a top hat turning a handle, with an applied metal label, inscribed ‘W.G. Wright Maker Louth’, lacking a propellor, on a later stand 48cm high, 38cm long

220

£200­300 220 A FOLK ART ROCKING PARROT DISPLAY EARLY 20TH CENTURY the four wooden parrots painted in green, white and red, with weighted tails, on a later metal stand (5) 69.5cm high, each parrot 33cm high

£150­200 221 A FOLK ART NAIVE PAINTING OF A MAN DUTCH SCHOOL, 19TH CENTURY wearing a brown hat and coat and smoking a clay pipe, oil on board, in a burr maple frame 40.7 x 32cm

£300­400

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222 A PAIR OF GEORGE II BRASS CANDLESTICKS MID­18TH CENTURY each with fixed sconces, a multi-knopped stem and an octagonal foot (2) 16.5cm high

£80­120

223 A PAIR OF BRASS CANDLESTICKS LATE 18TH CENTURY

222

each with an ejector mechanism, on square sockets, the tapering body on a stepped square foot, together with another pair, 19th century, with an ejector mechanism and multi-knopped stems (4) 25cm high (max) Provenance Wellow Manor, Hampshire.

£150­250

224 A COLLECTION OF EIGHT PAIRS OF BRASS CANDLESTICKS 18TH CENTURY AND LATER of various forms, some with base and side ejector mechanisms, together with another single candlestick and two brass pestles and mortars (13) 21.5cm high (max)

£200­300 223

94

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225 225 A GEORGE IV SAMPLER OF BURGHLEY HOUSE NEAR STAMFORD

BY ANN BAILEY, DATED ‘1821’ worked in colours, primarily in cross stitch with a view of the house, with an oval garden in front and trees to either side, inscribed ‘Burghley House near Stamford the seat of the Marquis of Exeter’, signed ‘Ann Bailey aged 11 years 1821’, in a glazed gilt frame 48 x 60cm

226 A SCOTTISH SAMPLER PROBABLY 18TH CENTURY

227 A GEORGE III NEEDLEWORK SAMPLER

BY JANE HOPKINS, DATED ‘1783’

on a linen ground, worked in red and green with bands of scrolling designs, above ‘boxer’ figures and flowers, alphabets and crowns, possibly initialled ‘IS’, framed and glazed 55 x 23.5cm

worked in colours with plants, insects, cherubs and beasts, Adam and Eve, with biblical lines from Genesis III, 2 3 4, and inscribed ‘Jane Hopkins Finished this Sampler October ye 9 1783’, in a later glazed walnut frame 42 x 31.5cm

£300­500

£100­150

£800­1,200

226

227

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228

228 A PAIR OF FRENCH BEADWORK OR SABLE PICTURES C.1850 depicting scenes from the Aesop Fable ‘The Fox and the Crow’, each with a line from the fable (2) 18cm high, 23cm wide

229

£200­300

229 A VICTORIAN BRASS WALL HANGING BRACKET C.1870­80 in the form a horse running before a gate 17cm high, 21cm wide, 33cm deep (open)

£100­150

230 A COLLECTION OF ELEVEN BLACKENED TIN REPOUSSÉ ARMORIAL CRESTS 19TH CENTURY in various designs, including: griffins, a bishop’s mitre, helmets, and a castle (11) 14.5 x 15.5cm (max)

£200­300

96

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231 232

231 A BEZOAR STONE POSSIBLY 18TH CENTURY 8cm diameter (approx.), weight 70 grams (approx.)

£100­150 232 AN INDO-PORTUGUESE SILVER MOUNTED BEZOAR STONE LATE 17TH / 18TH CENTURY of near spherical form, the filigree mounts with suspension rings and joined by chains 7cm diameter (approx.)

Catalogue Note Bezoar stones were believed to be the universal antidote against any poison. The name derived from the Persian word ‘pad zhar’ meaning ‘antidote against poison’.

£1,000­1,500 233 A CARVED COQUILLA NUT FIGURAL SNUFF BOX POSSIBLY FRENCH, LATE 18TH / 19TH CENTURY

233

with glass eyes, a hooked nose and with his hands deep in his pockets, the hinged lid in the form of his coat tails 9.7cm high

£150­250 234 AN INDIAN CARVED COCONUT 19TH CENTURY with a scene of birds in scrolling foliage and with white metal foliate mounts to each end, together with a coconut snuff box, 19th century, carved with figures, foliage and an urn of flowers (2) 10cm diameter (max)

£150­250

234 97

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235

235 A WILLIAM AND MARY OLIVEWOOD CHEST LATE 17TH CENTURY

236 A WILLIAM AND MARY OLIVEWOOD AND WALNUT SIDE TABLE LATE 17TH CENTURY

with holly and maple banding, the oyster veneered top with a moulded edge and inlaid with lobed rondel designs, above two short and three long drawers, on later bracket feet 84cm high, 98.5cm wide, 58.7cm deep

the oyster veneered top and frieze drawer with holly banding, on turned tapering legs united by a shaped ‘X’ stretcher, the drawer with a printed paper label, inscribed ‘Mr Molesworth-Godfrey, The Haven, Houghton, Nr. Huntingdon’ 70.8cm high, 68cm wide, 47.8cm deep

£2,000­3,000

£800­1,200

236 99

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237 A WILLIAM AND MARY WALNUT CHEST ON STAND LATE 17TH / EARLY 18TH CENTURY AND LATER with two short and three long feather banded drawers, with oak sides, the stand fitted with three drawers and with later legs and stretchers 159.2cm high, 103.5cm wide, 56.5cm deep

£2,000­3,000

238 A TAPESTRY NEEDLEWORK WALL SCONCE 18TH CENTURY AND LATER of shaped square form, worked with a unicorn and a porcupine beneath a fruiting vine inside a scrolled border, with a brass candle holder, in a wooden frame 45 x 37cm

£100­150

239 A WILLIAM AND MARY WALNUT ARMCHAIR LATE 17TH CENTURY AND LATER decorated with scrolls, rosettes and spiral mouldings, with a cane back and seat

£150­200

237

238 100

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240 A DIMINUTIVE BURR WALNUT BUREAU POSSIBLY EARLY 18TH CENTURY with cross and feather banding, the hinged fall revealing pigeonholes, three drawers and a later baize lined writing surface, above an arrangement of seven drawers and an apron with a drop centre, on tapering legs united by a shaped ‘X’ stretcher and bun feet, with brass side carrying handles 83.2cm high, 46cm wide, 30.5cm deep Catalogue Note For a related bureau, see Adam Bowett, English Furniture 1660-1714, p.217, pl.7:45.

£2,000­3,000

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241 A BURR WALNUT AND OAK CHEST ON CHEST 18TH CENTURY AND LATER ADAPTED with two short and three long drawers, flanked by canted angles, the base with two short and one long drawer 130.6cm high, 102.5cm wide, 56cm deep

£400­600

242 A WALNUT CHEST EARLY 18TH CENTURY ELEMENTS inlaid with stringing and parquetry banding, with two short and two long drawers 84cm high, 102.7cm wide, 55cm deep

£400­600

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243 A QUEEN ANNE WALNUT CHEST ON STAND EARLY 18TH CENTURY the veneered top above two short and three long drawers, the stand with two short and one long drawer, on later bun feet 135.5cm high, 102.7cm wide, 56cm deep

£600­1,000

244 A DIMINUTIVE GEORGE I ‘MULBERRY’ KNEEHOLE DESK EARLY 18TH CENTURY AND LATER with stained burr maple veneers, the moulded edge top inset with a later leather writing surface, above an arrangement of seven drawers around a central cupboard door enclosing a shelf 67.8cm high, 84cm wide, 46.8cm deep

£500­800

103

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245 A GEORGE II WALNUT AND OAK LOWBOY C.1730 with cross and feather banding and three frieze drawers 72.6cm high, 80cm wide, 50.6cm deep Provenance Purchased from Victor Needham Antiques, 21st August 1987, for £4,900.

£500­800 246 A GEORGE I WALNUT DRESSING TABLE MIRROR EARLY 18TH CENTURY the arched plate in a moulded slip, above a shaped stepped box base fitted with six drawers 68.9cm high, 41.3cm wide, 19cm deep Provenance Purchased from Christie’s, 16th July 1987, lot 18.

£400­600 247 A GEORGE I WALNUT DRESSING TABLE MIRROR EARLY 18TH CENTURY AND LATER 245

the rectangular plate in a moulded slip, with a later fret surmount, the base fitted with four drawers flanking a cupboard 77.3cm high, 43cm wide, 20.5cm deep Provenance Purchased from Victor Needham Antiques, 21st August 1987.

£300­500

246 104

247

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248 A GEORGE I WALNUT BUREAU

BY JOHN GATEHOUSE (ACTIVE 1700­1730) with cross and feather banding, the hinged fall revealing an interior with pigeonholes, drawers, central cupboard and a sliding well cover, above two short and two long drawers, one with a printed trade label, inscribed ‘John Gatehouse, Cabinet Maker and the Golden Hall by the ... near Holborn Bridge London. Maketh and selleth all sorts of cabinetworks. Viz. chest of drawers, book cases, cabinets, scritoirs. All sorts of glasses, pier glasses, chimney glasses and sconces. All sorts of joiners work as oval tables ... at reasonable rate.’

94cm high, 87.5cm wide, 49.5cm deep Catalogue Note John Gatehouse was listed as a cabinet-maker in a document giving details of people living and working in St Andrew, Holborn in 1695 and continued working into the early 18th century. Christopher Gilbert's book, the Pictorial Dictionary of Marked London Furniture 17001840, published in 1996, illustrates two walnut bureau bookcases, an oak bureau and a walnut portable chest, each applied with a very similar label.

248

£600­800

249 A GEORGE II WALNUT BACHELOR’S CHEST C.1735 crossbanded and inlaid with stringing, the quarter veneered fold-over top above two short and three long drawers, on bracket feet 77.5cm high, 73.7cm wide, 30.5cm deep

£800­1,200

249 105

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250 AN ANGLO-DUTCH BURR WALNUT BUREAU CABINET EARLY 18TH CENTURY cross and feather banded, the moulded broken arched cornice above a pair of panelled doors with three drawers, above a pair of candle slides, the hinged fall revealing a curved interior of pigeonholes and drawers, with a sliding well cover and three secret drawers, with a pair of loper drawers and three long inverted breakfront drawers, on bracket feet 233.5cm high, 99.3cm wide, 61cm deep

£2,000­3,000

251 A GEORGE II JAPANNED SERPENTINE CARD TABLE C.1730­40 AND LATER gilt decorated with chinoiserie scenes, with pagodas, trees, birds, leaves and flowers, on an aubergine ground, the hinged fold-over top revealing counter wells and candle stands, on a later base 73.5cm high, 81cm wide, 40cm deep

£800­1,200

106

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252 A GEORGE II BURR WALNUT AND WALNUT SECRÉTAIRE CABINET ON CHEST C.1730 with cross and feather banding, the moulded cornice above a pair of arched mirrored doors, revealing a fitted interior of ten drawers and three secret drawers, above a pair of candle slides, a secrétaire with pigeonholes and drawers and three further long drawers, on bracket feet 194.5cm high, 105.5cm wide, 55.2cm deep Provenance Wellow Manor, Hampshire.

£6,000­8,000

107

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253 A GEORGE II OAK KNEEHOLE DESK C.1730­40 with a caddy moulded edge top above an arrangement of seven drawers around a cupboard door, on bracket feet 76cm high, 76.5cm wide, 47cm deep

£300­500

254 A GEORGE II MAHOGANY KNEEHOLE DESK C.1750 the caddy moulded top above an arrangement of eight drawers, surrounding a central cupboard door enclosing a shelf, on bracket feet 78.2cm high, 76.2cm wide, 50cm deep

£500­800

255 A GEORGE II OAK DROP-LEAF TABLE MID­18TH CENTURY with a frieze drawer 69.8cm high, 90.3 x 100.7cm (open)

253

254

108

£100­150

255

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256 A GEORGE II MAHOGANY DESK C.1740 the open top fitted with six drawers, above a slide-out writing surface fitted with later gilt tooled leather and a hinged slope on a ratchet, above a pair of frieze drawers 103.2cm high, 120.5cm wide, 85cm deep

£500­800

257 A NEAR PAIR OF GEORGE II OAK SGABELLO HALL CHAIRS MID­18TH CENTURY each with a dished seat (2)

£200­300

258 A GEORGE II ELM STOOL C.1730 with a later needlework drop-in seat, on cabriole legs and pad feet 43cm high, 51cm wide, 41.5cm deep Provenance Wellow Manor, Hampshire.

£400­600

109

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259 A GEORGE II CONCERTINA ACTION CARD TABLE POSSIBLY PADOUK, C.1740 the fold-over top revealing a baize lined playing surface, on shell, leaf and scroll carved cabriole legs and pad feet 74cm high, 91.5cm wide, 45.5cm deep Provenance From the collection of the late Peter Meyer.

£800­1,200

260 A GEORGE II RED WALNUT CHEST C.1750­60 with two short and three long drawers, on bracket feet 101cm high, 105.2cm wide, 57.4cm deep Provenance Wellow Manor, Hampshire.

£500­800

259

261 A GEORGE II RED WALNUT STOOL C.1730 with a later needlework drop-in seat, on cabriole legs and pad feet 42.6cm high, 51cm wide, 43.5cm deep

£200­300

260 110

261

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262 A GEORGE II MAHOGANY CENTRE TABLE C.1750 the later verde antico marble top above a plain frieze with ovolo and leaf mouldings, on scroll and cabochon carved cabriole legs, with scroll toes 75cm high, 97.7cm wide, 59.7cm deep Provenance Wellow Manor, Hampshire.

£4,000­6,000

263 A GEORGE II RED WALNUT SIDE TABLE C.1740 with a later marble top above a plain frieze, on cabriole legs and pad feet 81.5cm high, 114.5cm wide, 67cm deep Provenance Wellow Manor, Hampshire.

£4,000­6,000

111

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264 A GEORGE II WALNUT AND PARCEL GILT FRET-FRAME MIRROR C.1730 the rectangular plate with a bevelled edge inside a moulded frame, the fret scrolling top with a gilt fleur-de-lis crest, together with two similar smaller and later examples (3) 103 x 54.5cm (max)

£150­200

265 A MAHOGANY FRET-FRAME WALL MIRROR IN GEORGE II STYLE LATE 19TH CENTURY with parcel gilt decoration 73cm high, 44cm wide

£100­150

112

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266 A PAIR OF GEORGE II GILTWOOD GIRANDOLES C.1750­60 each with a later shaped mirror plate within a scroll and rocaille carved frame, with a ho-ho bird surmount and a single gilt brass sconce (2) 68.5 x 22cm Provenance Phillip’s, Whixley Hall, North Yorkshire, 30th November 1994.

£800­1,200

113

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267 A PAIR OF GEORGE II IRISH MAHOGANY SIDE CHAIRS C.1740­50 each with a curved solid vase shaped splat, with scrolled decoration above a drop-in bell shaped seat, on shell capped cabriole front legs and scroll trefid feet (2)

£800­1,200

268 A GEORGE II MAHOGANY TRIPOD OCCASIONAL TABLE C.1755 the tilt-top with a pie crust moulded edge revolving on a birdcage, with a ribbed stem, on shell capped cabriole legs and claw and ball feet, with a paper label to the underside, inscribed in pen ‘Lieut. Lloyd 26. 9. 42’ 70.5cm high, 72cm diameter Provenance Wellow Manor, Hampshire.

£3,000­5,000

114

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269 A PAIR OF GEORGE II WALNUT STOOLS C.1735­40 each with a later drop-in velvet covered seat, above a shaped frieze, on shell capped cabriole legs and pad feet, one with an applied Apter-Fredericks trade label (2) 37.8cm high, 49cm wide, 43.2cm deep Provenance Purchased by Sir John Gooch, 12th Bt. from Apter-Fredericks Sotheby’s, Benacre Hall, Suffolk, 9th, 10th, 11th May 2000, Lot 227, sold for £20,000 Catalogue Note Benacre Hall, Suffolk, is the seat of the Gooch baronets. On the death of Sir John Gooch Bt, the contents were sold by Sotheby’s on 9th, 10th and 11th May 2000 and the sale made over £8,000,000. At the time a record for a country house auction.

£6,000­8,000

115

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270 AN EARLY GEORGE III MAHOGANY CHEST ON CHEST C.1760­70 with blind fret decoration, the top with two short and three long drawers, the base with a brushing slide and three long drawers 175.4cm high, 108cm wide, 55.8cm deep

£500­800

271 AN EARLY GEORGE III MAHOGANY LOWBOY C.1760 fitted with three drawers, above a shaped apron 71cm high, 85.3cm wide, 44cm deep

£400­600

272 AN EARLY GEORGE III MAHOGANY TRIPOD OCCASIONAL TABLE C.1760­70 the circular tilt-top with a pie-crust moulded edge, on a spiral flouted stem 73cm high x 61.2cm wide

£200­300

116

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273 A GEORGE III MAHOGANY CHEST ON CHEST PROABLY NORTH COUNTRY, C.1770 fitted with two short and six long flame figured drawers, flanked by stop fluted quarter pilasters, on ogee bracket feet 170cm high, 120.4cm wide, 55.7cm deep Provenance Wellow Manor, Hampshire.

£1,500­2500

274 A GEORGE III SERPENTINE CARD TABLE C.1770 the fold-over top with a ribbon and floret carved edge, on a single gate support, on ‘Chinese Chippendale’ style blind fret carved legs, baize lacking 73.3cm high, 83.2cm wide, 41.5cm deep

£600­1,000

275 A GEORGE II MAHOGANY TRIPOD OCCASIONAL TABLE MID­18TH CENTURY the circular tilt-top on a turned stem with a spiral fluted bowl 70.4cm high, 91.7cm diameter

£300­400

117

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276 AN EARLY GEORGE III LIBRARY ARMCHAIR C.1760­70 with a serpentine back, above a padded seat and armrests, the arms carved with Rococo leaf scrolls, on conforming cabriole front legs and brass roller castors

£800­1,200

277 A GEORGE III MAHOGANY TRIPOD OCCASIONAL TABLE C.1760 the octagonal tilt-top on a turned stem with a spiral fluted bowl 66cm high, 68.5cm wide

£200­300

278 A GEORGE III GILTWOOD WALL MIRROR C.1770 the shaped rectangular plate in a frame with rocaille 'C' scrolls and fruiting swags 94 x 50.5cm

£800­1,200

118

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279 A SET OF SIX EARLY GEORGE III MAHOGANY DINING CHAIRS C.1760­70 each with a serpentine top rail carved with leaves, tassels and frills, above a pierced and interlaced splat, the drop-in seat on leaf and cabochon carved cabriole front legs and claw and ball feet (6) Provenance Wellow Manor, Hampshire.

£6,000­8,000

119

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280 A GEORGE III MAHOGANY BUREAU BOOKCASE C.1770 with a fretwork swan neck cornice, above a dentil moulding and a pair of astragal glazed doors, enclosing three adjustable shelves, the hinged fall revealing an interior fitted with pigeonholes and drawers, with a central cupboard and a later baize lined writing surface, above two short and three long drawers 242.3cm high, 112.8cm wide, 59.7cm deep

£500­800

281 A PAIR OF EARLY GEORGE III MAHOGANY SIDE CHAIRS C.1770 each with a pierced vase shaped splat, above a needlework seat with differing designs (2)

£150­250

282 A GEORGE III MAHOGANY OCTAGONAL WINE COOLER C.1790 brass bound and with a lead lined interior, with side carrying handles, on moulded legs with applied brackets 58.7cm high, 46cm wide Provenance From the collection of the late Peter Meyer.

£400­600

120

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283 A GEORGE III MAHOGANY BUREAU BOOKCASE C.1770 with a fret carved swan neck pediment, above a pair of geometric astragal glazed doors, enclosing adjustable shelving, the hinged fall revealing an interior fitted with a central cupboard, pigeonholes and drawers and a later baize lined writing surface, above two short and three graduated long drawers 225cm high, 106cm wide, 61cm deep

£500­800

284 A PAIR OF EARLY GEORGE III MAHOGANY SIDE CHAIRS C.1760­70 each with a pierced Gothic splat back above a drop-in seat (2)

£200­300

285 A GEORGE III MAHOGANY OCTAGONAL WINE COOLER ON STAND C.1790­1800 brass bound, the hinged lid revealing an interior with nine divisions, the stand with brass roller castors 70.2cm high, 46.6cm wide

£600­1,000

121

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286

286 A GEORGE III MAHOGANY SIDE TABLE LATE 18TH CENTURY the crossbanded top inlaid with stringing, on square tapering legs 76cm high, 137cm wide, 61cm deep

£200­300 287 AN EARLY GEORGE III MAHOGANY SIDE CHAIR C.1770 with a pierced ladder back, above a tapestry drop-in seat, on chamfered front legs united by an ‘H’ stretcher

£100­150

287

288 A GEORGE III MAHOGANY CHEST C.1790 of two short and three long drawers, on shaped bracket feet 83.5cm high, 82cm wide, 50.3cm deep

£800­1,200

122

288

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289

289 A GEORGE III MAHOGANY SERPENTINE SERVING TABLE LATE 18TH CENTURY the top with ebonised edging above two frieze drawers, one carved with a tablet of ribbon tied sheaves of wheat, on tapering rhomboid front legs 80cm high, 138cm wide, 68.2cm deep

£600­800 290 A GEORGE III MAHOGANY ARMCHAIR IN FRENCH HEPPLEWHITE STYLE, C.1780­90 covered with contemporary petit point needlework, depicting figures dancing and a pair of deer, with scrolling flower and leaf borders

£600­800

290

291 A REGENCY MAHOGANY BOWFRONT CHEST EARLY 19TH CENTURY inlaid with boxwood and ebonised stringing, the crossbanded top above four long graduated drawers on swept bracket feet, the top drawer with a trade label for ‘Norman Adams’ 87.5cm high, 94cm wide, 46.5cm deep

£400­600 291

123

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292

292 A GEORGE III MAHOGANY SERPENTINE SERVING TABLE C.1790 inlaid with stringing, the fan inlaid top with a central oval panel, above a fluted frieze fitted with three drawers, on panelled and stop fluted legs 86cm high, 139.3cm wide, 64.8cm deep Provenance From the collection of the late Peter Meyer.

£2,000­3,000

293 A GEORGE III MAHOGANY CHEVERET LATE 18TH / EARLY 19TH CENTURY with a lift-off book carrier, fitted with two drawers and with eleven leather bound books, the base with a drawer and undertier 122.5cm high, 38.2cm wide, 30cm deep Provenance The Power Collection

£500­700 294 A MAHOGANY TRIPOD OCCASIONAL TABLE MID­18TH CENTURY AND LATER the circular fixed top with a moulded pie­crust edge, on a turned stem 62cm high, 45.5cm wide

£100­150

294 124

293

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295

295 A GEORGE III MAHOGANY DEMI-LUNE SIDEBOARD C.1790­1800 with boxwood stringing and parquetry dog tooth banding, fitted with four drawers, one with an oak cover, on square tapering legs and spade feet 91.2cm high, 185.5cm wide, 68cm deep

£600­1,000

296 A GEORGE III MAHOGANY DUMB WAITER LATE 18TH CENTURY with three graduated drop-leaf tiers, two revolving, with an urn turned stem, on brass roller castors 116cm high, 60cm diameter

£300­500 297 A LATE GEORGE III MAHOGANY ARMCHAIR C.1800­1805 the lattice top rail carved with flowerheads above triple vertical splats, with supports carved with stiff leaves, above a later needlework seat and on turned legs

£200­300

296

297 125

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299 298 A GEORGE III MAHOGANY STANDING CORNER CUPBOARD C.1770

299 A GEORGE III MAHOGANY SPIDER LEG SIDE TABLE LATE 18TH CENTURY

with an arched astragal glazed door enclosing a later painted interior, with three shelves above a cupboard door enclosing a further shelf 207.7cm high, 91.7cm wide, 46cm deep

with a wavy edge frieze and turned legs 74.4cm high, 62.8cm wide, 45.5cm deep

£200­300

£250­350 300 A LATE GEORGE III MAHOGANY AND LEATHER UPHOLSTERED ARMCHAIR EARLY 19TH CENTURY the slightly arched back above padded arms with carved rosettes and moulded supports, with a stuffed-over seat, on moulded front legs united by an 'H' stretcher

298

126

with a frieze drawer 73.4cm high, 74.5cm wide, 36.2cm deep Provenance Wellow Manor, Hampshire.

£300­500

300

301 A GEORGE III MAHOGANY SIDE TABLE LATE 18TH / EARLY 19TH CENTURY

£200­300

301

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302

302 A SET OF SEVEN GEORGE III MAHOGANY DINING CHAIRS IN THE MANNER OF GILLOWS, C.1790­95 each with four vertical splats carved with drapes and a central bullrush, above a stuffed over seat covered in horse hair fabric, on ribbed tapering front legs, the seat rail stamped with workmen’s initials ‘E S’ and ‘I P’, one with numerals ‘03035’, comprising: one open armchair and six side chairs (7) Provenance From the collection of the late Peter Meyer.

£1,000­1,500

303 A GEORGE III PURPLEHEART BONHEUR DU JOUR ATTRIBUTED TO GILLOWS, C.1800 inlaid with boxwood stringing, the top with shelves above a pair of doors, each enclosing three drawers with turned bone handles, above a frieze drawer fitted with a hinged leather lined writing surface, above a pair of cupboard doors enclosing a shelf 126.7cm high, 87.5cm wide, 46cm deep

£1,500­2,000

303 127

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304

304 A GEORGE III MAHOGANY SET OF WALL SHELVES IN CHINESE CHIPPENDALE STYLE C.1770­80

305 A GEORGE III MAHOGANY PEMBROKE TABLE C.1790

with pierced ends, the base with a pair of drawers, together with a similar later set of shelves (2) 86.7cm high, 77.2cm wide, 18.8cm deep and 80.8cm high, 68.5cm wide, 20cm deep

the top crossbanded and inlaid with barber’s pole stringing, with a central fan patera, above a frieze drawer with a paper label, inscribed in pencil ‘H. P. C. Clark, left him by his uncle, John Chichester, Dec. 1932’, on brass castors 72.5cm high, 71.2cm wide, 98cm deep

£400­600

306 A MAHOGANY SIDE TABLE LATE 18TH / EARLY 19TH CENTURY the top with rounded corners, above a frieze drawer 69.9cm high, 86.7cm wide, 54.7cm deep

£200­300

Provenance The property of a gentleman.

£600­1,000

305

128

306

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307 A GEORGE III MAHOGANY SECRÉTAIRE CHEST IN THE MANNER OF GILLOWS, C.1790 the secrétaire fitted with an arrangement of drawers and pigeonholes and inset with a later green gilt tooled leather writing surface, above three drawers with apparently original gilt brass handles 101.8cm high, 73.8cm wide, 48.6cm deep

£500­800

308 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790­1800 inlaid with stringing, with bone rondels and escutcheon, with a shield shape plate, above a serpentine box base 56.3cm high, 39.5cm wide, 19.5cm deep

£200­300

309 A GEORGE III MAHOGANY DOMED TRUNK POSSIBLY CAMPAIGN, LATE 18TH CENTURY the hinged lid with brass studded decoration, above a base drawer with a twin lidded compartment and sunken brass military style handles 37.8cm high, 62cm wide, 35cm deep

£400­600

129

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310 A LATE GEORGE III MAHOGANY DRESSING CHEST C.1800 the top drawer with a baize lined slide, revealing lidded compartments and divisions and a hinged pen and ink side compartment, above three further long drawers, on swept feet 84.2cm high, 91.5cm wide, 54.4cm deep

£500­800

311 A GEORGE III MAHOGANY SPIDER LEG TABLE LATE 18TH CENTURY with a drop-leaf top, on stretchered supports 70cm high, 26cm wide, 69.3cm long

£200­300

312 A GEORGE III MAHOGANY BOWFRONT WINDOW SEAT LATE 18TH CENTURY with scroll ends, on moulded tapering legs united by a curved stretcher 68cm high, 103.5cm wide, 42cm deep

£500­700

130

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313 A GEORGE III MAHOGANY DRESSING CHEST ATTRIBUTED TO GILLOWS, C.1790 with boxwood edging, the top drawer with a baize lined slide revealing lidded compartments and divisions, above three further long drawers, the lower two with later baize lined divisions, on slender French bracket feet 82cm high, 105.5cm wide, 64.8cm deep

£800­1,200

314 A GEORGE III MAHOGANY SPIDER LEG TABLE C.1770­80 with a single drop-leaf top, on ring turned supports and arc d’arbalète shaped ends 71.5cm high, 61.8 x 59cm Provenance From the collection of the late Peter Meyer.

£200­300

315 A GEORGE III MAHOGANY WINDOW SEAT LATE 18TH CENTURY the silk upholstered seat on scroll ends, with tapering legs and block feet 60.4cm high, 80.5cm wide, 48cm deep

£400­600

131

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316 A WALNUT AND GILTWOOD WALL MIRROR IN GEORGE II STYLE the later arched plate within a moulded leaf decorated stepped frame 217 x 81cm Provenance From the estate of the late Marguerite Littman.

£100­200

λ 317 A GEORGE III SATINWOOD WORK TABLE C.1790­1800 inlaid with ebonised stringing and kingwood banding, the divided frieze drawer with an ivory escutcheon, above a silk lined bag 76.8cm high, 47.8cm wide, 34.2cm deep Provenance From the collection of the late Peter Meyer. *Ivory Act registration reference no. will be available to the buyer.

£200­300

318 A GEORGE III MAHOGANY SIDE TABLE LATE 18TH CENTURY with boxwood edging, the frieze drawer with a bone escutcheon 75.5cm high, 69.5cm wide, 49.2cm deep

£200­300

316

317 132

318

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319 A GEORGE III SATINWOOD COMMODE SHERATON PERIOD, C.1790 inlaid with stringing and purpleheart panels, with a pair of bowfront panelled doors inset with painted panels of flowers, enclosing a shelf, on square tapering legs and spade feet 91.5cm high, 83.7cm wide, 41.5 deep Provenance The collection of Admiral John Jervis Tucker, of Trematon Castle, Cornwall, sold at Christie's on the 3rd February, 1888, lot 153, when purchased by the current vendor's great grandmother.

Catalogue Note A commode with very similar painted panels is in the Victoria and Albert Museum, no. 636:1to:22­1870 and is illustrated on the front cover of Ralph Fastnedge, Sheraton Furniture.

£2,000­3,000 133

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321

320

λ 320 A GEORGE III SATINWOOD WORK TABLE SHERATON PERIOD, C.1790 the rectangular top inset with a leather writing surface, with a rising screen, the side drawer with divisions for pen and ink, with ivory handles, the front with a pull-out slide, the left side with a silk lined pull-out work bag 78cm high, 58.3cm wide, 40.5cm deep Provenance Purchased from John Bly Antiques, Bury Street, London, 18th August 1997. *Ivory Act registration reference no. will be available to the buyer.

£400­600 321 A GEORGE III GILTWOOD SIDE CHAIR IN THE FRENCH MANNER, LATE 18TH CENTURY the padded back and seat button upholstered with pink silk, the cartouche shaped back with a gadroon moulding, on cabriole legs

£100­200 322 A GEORGE III SATINWOOD PEMBROKE TABLE C.1790 inlaid with stringing and amaranth banding, the dropleaf top above a frieze drawer either end, on brass caps and castors 70.9cm high, 56.7cm wide, 90.8cm long

322 134

Provenance Sotheby’s, Fine English Furniture, 2nd June 2000, lot 81.

£400­600

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λ 323 A GEORGE III SATINWOOD CYLINDER BUREAU BY GILLOWS C.1790­1800 with rosewood banding and purpleheart panels, the removable bookcase top with a shaped three quarter gallery, above a pair of concave fronted cedar lined drawers, one stamped ‘Gillows.

Lancaster’, the interior fitted with an arrangement of drawers and pigeonholes, with ivory handles and with a pull-out writing surface inset with original green Morocco leather, on a ratchet, above a pair of frieze drawers, on square tapering legs united by a galleried undertier 154.2cm high, 91.4cm wide, 58.5cm deep *Ivory Act registration reference no. will be available to the buyer.

£1,500­2,000

λ 324 A GEORGE III ROSEWOOD AND MARQUETRY BOX C.1790 of rectangular form, the top inlaid with a stained floral panel, enclosing a lift-out tray 13cm high, 36cm wide, 23cm deep

£150­250

325 A GEORGE III MAHOGANY AND BRASS BOUND TRAY C.1780 of oval form, with heart shaped piercing to the handles 40cm long, 26.5cm wide

£200­300

323

324

325 135

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326 A GEORGE II WALNUT AND FEATHER BANDED DRESSING TABLE MIRROR EARLY 18TH CENTURY the shaped rectangular plate in a moulded frame with turned brass finials, the base with three scroll front drawers and a wavy apron 65cm high, 41cm wide, 20cm deep

£200­300

327 A GEORGE III MAHOGANY SERPENTINE KNIFE BOX C.1790­1800 the cover with flowerhead and stringing, enclosing the original fitted interior with stringing, with a drawer to the back, on bun feet 38.4cm high, 21.5cm wide, 26.3cm deep

£100­150

328 A GEORGE III MAHOGANY TEA CADDY IN THE STYLE OF THOMAS CHIPPENDALE C. 1760­70 with a brass swing handle and a three section interior 14cm high, 25.3cm wide, 14.4cm deep

£100­150

136

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329 A PAIR OF GEORGE III MAHOGANY AND BOXWOOD LINE INLAID SERPENTINE FRONTED KNIFE BOXES C.1790­1800 the cover inlaid with a star motif and stringing to the underside and enclosing an original, hinged fitted interior with line inlay, the front with a navette shaped escutcheon (2) 35.5cm high, 23cm wide, 27.5cm deep Provenance Wellow Manor, Hampshire.

£1,000­1,500

330 A GEORGE III MAHOGANY SERPENTINE KNIFE BOX C.1790 with a brass fretwork escutcheon, handle plates and mounts, enclosing a vacant interior 33.5cm high, 22.5cm wide, 26.5cm deep

£200­300

331 A GEORGE III MAHOGANY TEA CADDY IN THE STYLE OF THOMAS CHIPPENDALE C.1770 the twin canister interior with central aperture for a sugar bowl, with a brass fretwork escutcheon, on ogee bracket feet 16.5cm high, 25.5cm wide, 14cm deep

£100­150

137

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333

332

λ 332 A REGENCY ROSEWOOD PLATE STAND EARLY 19TH CENTURY the back with a rounded top above a moulded rectangular base 40.1cm high, 24.5cm wide, 15cm deep

£150­200 333 A GEORGE III MAHOGANY TEA CADDY C.1780 of rectangular form, the twin canisters with hinged covers flanking a glass sugar bowl 19cm high, 36cm wide, 18.5cm deep

334

Provenance Wellow Manor, Hampshire.

£400­600 334 A GEORGE III MAHOGANY AND BOXWOOD SERPENTINE DRESSING TABLE MIRROR C.1780 the oval plate on scroll supports, on a base with three drawers, on ogee feet 61cm high, 47.5cm wide, 22cm deep

£150­200 335 A GEORGE III MAHOGANY SIDE TABLE LATE 18TH CENTURY with boxwood edging and fitted with a frieze drawer 71.3cm high, 76.7cm wide, 47cm deep Provenance Wellow Manor, Hampshire.

£300­400 335 138

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336 A GEORGE III BURR OAK AND MAHOGANY CHEST ON CHEST C.1790­1800 the moulded cornice above a parquetry chevron band, above two short and six long crossbanded drawers, with probably original brass handles 187.8cm high, 104.4cm wide, 59cm deep

£1,000­1,500

336 337 A GEORGE III MAHOGANY SERPENTINE KNIFE BOX C.1790­1800 the cover inlaid with a shell motif, enclosing a fitted interior inlaid with a star and stringing, with a white metal shield shape escutcheon 36.5cm high, 23cm wide, 29.5cm deep Provenance Wellow Manor, Hampshire.

£200­300

338 A GEORGE II MAHOGANY BACHELOR’S CHEST C.1750­60 the top with a moulded edge, above a brushing slide and four long drawers 78.3cm high, 76cm wide, 45.5cm deep

£600­1,000

338

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CLOCKS &

BAROMETERS

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

339 A WALNUT AND MARQUETRY LONGCASE CLOCK

BY FABIAN ROBIN OF LONDON, LATE 17TH / EARLY 18TH CENTURY the brass eight day movement with four turned and finned pillars, with an anchor escapement striking on a bell, the eleven inch brass dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre with subsidiary seconds dial and a date aperture, signed ‘Fab Robin Londini Fecit’, with cherub mask spandrels, the case with a rising hood and inlaid with panels of flowers and birds 199.8cm high

£3,000­4,000

141

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340 A GEORGE III OAK LONGCASE CLOCK

BY M. WORCESTER OF WEDNESBURY

341 A MAHOGANY GRANDMOTHER CLOCK

BY FRANCIS HALLS OF LONDON

the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the painted arched fourteen inch dial with Roman numerals and decorated with a hunting scene, cottages and pheasants, with date aperture and subsidiary seconds dial, signed ‘M Worcester, Wednesbury’, the case with mahogany panels and banding, the hood with a broken swan neck pediment and turned columns, the shaped trunk door inlaid with a marquetry conch shell and flanked by quarter split pilasters 229cm high

the brass eight day movement with four turned pillars with shaped plates, with an anchor escapement, the nine inch arched brass dial with Roman and Arabic numerals, signed ‘Francis Halls London’, with automaton bird Tempus Fugit dial, the hood with blind fret decoration and twin brass finials, the case with a shaped trunk door 188.3cm high

Provenance Carswell Castle.

£100­200 142

£500­800

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342 A GEORGE III JAPANNED LONGCASE CLOCK

BY GEORGE JEFFERYS OF CHATHAM

343 A BLUE JAPANNED LONGCASE CLOCK 18TH CENTURY AND LATER

the brass eight day movement with four turned pillars and an anchor escapement striking on a bell, the arched twelve inch brass dial with Roman and Arabic numerals, with a subsidiary seconds dial and date aperture, with gilt Rococo spandrels and strike / silent dial, signed ‘George Jefferys Chatham’, the faux tortoiseshell case decorated with gilt highlights with chinoiserie scenes 225cm high

the later brass eight day movement with an anchor escapement striking on a bell, the backplate stamped ‘Made in England’, the eight and a half inch arched brass dial with a silvered chapter ring with Roman and Arabic numerals, signed ‘Isaac Rogers London’, the case decorated in gilt with chinoiserie scenes 200cm high

£800­1,200

£800­1,200

143

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345

344

344 A VICTORIAN GILTWOOD BAROMETER MID­19TH CENTURY with a twelve inch silvered dial and subsidiary thermometer, the case carved with leaves and scrolls and with a shell and pear surmount 116.3cm high

£300­500 345 A GEORGE III MAHOGANY AND STAR INLAID STICK BAROMETER LATE 18TH CENTURY the silvered gauge with adjustable vernier scale and thermometer, inscribed ‘Thos. Roncheti’, the case with a broken pediment, star and string inlay and a turned reservoir cover 98cm high

£200­300 346 A BRASS VERTICAL SUNDIAL INSCRIBED ‘F. ZAPPECK’, 19TH CENTURY with a folding gnomon and month pointer, together with a cased brass travelling microscope, a steel hunting horn, a brass seal and a pair of bisque porcelain cufflinks in the form of children’s heads (6) microscope 15cm high Catalogue Note See Dorotheum, Antique Scientific Instruments and Globes, 29th March 2017, lot 371 for a similar brass vertical sundial by F. Zappeck.

£150­250 346 144

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347 A GEORGE III SATINWOOD BOWFRONT STICK BAROMETER C.1800

348 A VICTORIAN MAHOGANY BOWFRONT STICK BAROMETER C.1840

the silvered gauge inscribed ‘Willson & Dixey’, beneath a painted urn finial, with a bone adjuster and and ebony urn reservoir cover 104.5cm high

the silvered gauge with vernier scale, inscribed ‘A Gilardoni, Bristol’, with a bone adjuster and a thermometer, above an ebonised urn cistern cover, glass lacking 97cm high

£300­500

£800­1,200

145

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349 A FRENCH BRONZE AND ROUGE GRIOTTE MARBLE MANTEL CLOCK C.1870­80 the eight day brass cylinder movement stamped ‘Rollin à Paris, 217’, striking on a bell, the dial with gilt Roman numerals and inscribed ‘Miller & Sons, Piccadilly’, in a bowfronted case with scrolling sides, surmounted by a bronze figure of ‘La Rêverie’ after Pierre Travaux, signed to one side 52cm high, 36cm wide, 26cm deep

£400­600

350 A FRENCH CHARLES X MAHOGANY AND ORMOLU PORTICO MANTEL CLOCK

BY PICNOT PÈRE, C.1830 the brass eight day drum movement with an outside countwheel striking on a bell, with an enamelled circular dial with Roman numerals, signed ‘Picnot Père à Paris’, the arched case with turned pillar supports, under a glass dome (2) 47.7cm high, 27.7cm wide

£200­300

351 A REGENCY MAHOGANY PAGODA TOP BRACKET CLOCK EARLY 19TH CENTURY the brass twin fusee eight day movement striking on a bell, the seven and three quarter inch dial with Roman numerals, the case with foliate carving and scrolling spandrels above a panelled base, on reeded bun feet 53.7cm high, 35cm wide, 19.5cm deep

£400­600

146

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352 A FRENCH GILT BRASS CARRIAGE CLOCK MID­19TH CENTURY The brass eight day repeating movement with a platform lever escapement striking on a bell, the enamelled dial with Roman numerals, the backplate inscribed ‘Lépine à Paris’, the ‘one piece’ case engraved with foliate decoration, with bevelled glass, the shuttered back sliding upwards, with a leather bound travelling case (2) 15.2cm high (including handle)

£800­1,200

353 A FRENCH BRASS CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day repeating movement with an alarm, stamped ‘1812’, the platform lever escapement striking on a gong, the circular white enamel dial with Roman and Arabic numerals and a subsidiary alarm dial, in an engraved gorge case, with a burgundy leather bound travelling case (2) 13cm high (including handle)

£300­500

354 A FRENCH BRASS MINIATURE OVAL CARRIAGE TIMEPIECE LATE 19TH CENTURY the brass movement with a platform lever escapement, with an enamelled dial with Roman numerals, inside a fretwork foliate frame, the foliate engraved brass case with bevelled glass and with fretwork panels behind 10cm high (including handle)

£100­150

147

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355 A GERGE IV GILT BRASS CARRIAGE TIMEPIECE

BY GRAYHURST HARVEY & CO, C.1825 the brass chain driven fusee movement with a horizontal escapement, the backplate, inscribed ‘Grayhurst Harvey & Co, Strand and Regent Street, London, No. 8024’, the silvered dial with Roman numerals and engraved cornucopia of flowers to the centre in a gilt. scrolling foliate mount, the case with a scrolling frieze, column corners, bevelled glass and foliate scrolling handle, the back door with a sprung catch 13.2cm high (excluding handle), 9.3cm wide, 6.2cm deep

£800­1,200

356 A VICTORIAN GILT BRASS CARRIAGE TIMEPIECE

BY MATTHEW THOMSON LONDON, MID­19TH CENTURY the brass chain driven single fusee movement with a horizontal escapement, the silvered dial with Roman numerals and a subsidiary seconds dial, with a floral engraving in a gilt scrolling foliate mount, the backplate inscribed 'Mattw Thomson London, No. 133', the case with fluted columns, with a scrolling case handle, together with a similarly decorated stepped rectangular base (2) 15.5cm high (including handle)

£600­800

148

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357 A VICTORIAN GILT BRASS CARRIAGE CLOCK IN THE MANNER OF THOMAS COLE, SECOND QUARTER 19TH CENTURY the brass movement with a platform escapement chiming on three gongs, the silvered dial with Roman numerals and a foliate engraved centre and inscribed ‘Arnold London’ inside a gilt fretwork foliate mount, the shaped case with foliate engraving beneath a wreath swing handle on a stepped base with flower bud finials to the corners and shuttered back, stamped ‘W Sluce’ to the back and underside 19.5cm high (including handle) Catalogue Note Thomas Cole made clock movements for various clockmakers and retailers, including Arnold, Hancock, Hunt & Roskell and Payne but often did not sign his work.

William Sluce is recorded as working on Bethnal Green Road, London.

£1,000­1,500

149

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358

359

358 A FRENCH BRASS AND CHAMPLEVÉ ENAMEL CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day repeating movement with a platform lever escapement, striking on a gong, the backplate stamped ‘7166’ the enamelled dial with Arabic numerals and floral swags, inscribed ‘Sharman D Neill, Belfast, Paris Make’, inside a scrolling foliate frame, the case with enamelled foliate decoration and a scrolling handle 19cm high (including handle)

£600­800 359 A VICTORIAN GILT BRASS CARRIAGE TIMEPIECE LEACH & SON, MID­19TH CENTURY the plain backplate on a chain driven single fusee movement with lever platform escapement, the enamelled dial with black Roman numerals and inscribed ‘Leach & Son, 63 Mark Lane, London’, in a corniche case 20cm high (including handle)

£400­600 360 A FRENCH GILT BRASS OVAL CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day movement striking on a gong, the backplate stamped ‘3645’, the dial with Roman numerals and inscribed ‘R.R. Rowell, Oxford’, the case with bevelled glass, engraved with scrolling foliage beneath a scrolling handle and on a slightly stepped foot 18cm high (including handle)

360

150

£200­300

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361 AN ELECTRIC MANTEL CLOCK

BY THE EUREKA CLOCK CO. LTD., DATED ‘1906’ the brass movement stamped ‘Patent no.14614, No. 7006’ and with Fast / Slow indicator, the enamelled face with a subsidiary seconds dial, in a mahogany case with a bevelled glass front door, on a stepped base, with later battery fittings 37.8cm high, 28.2cm wide, 15.7cm deep

£500­800

362 AN ELECTRIC MANTEL CLOCK

BY THE EUREKA CLOCK CO. LTD., DATED ‘1906’ the brass movement stamped 'Patent no. 14614, No.7028' and with Fast / Slow indicator, the ivorine dial with Roman numerals, in a mahogany case with a bevelled glass front door, on a stepped base, with later battery fittings 34.5cm high, 28.2cm wide, 15.7cm deep

£400­600

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DAY TWO LOTS 363-713

CONTINENTAL FURNITURE WORKS OF ART & LIGHTING

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

363 A FRENCH GILTWOOD WALL MIRROR IN LOUIS XVI STYLE 18TH CENTURY ELEMENTS AND LATER the later rectangular plate within a beaded slip and a laurel leaf outer border, the sides applied with further laurel leaves, with a quiver of arrows and trophies of war surmount 177.2 x 82cm Provenance From the estate of the late Marguerite Littman.

£300­500

364 A FRENCH GILTWOOD BERGÈRE IN LOUIS XVI STYLE 19TH CENTURY with silk upholstery and a leaf moulded frame

£400­600

365 A FRENCH GILTWOOD STOOL IN LOUIS XV STYLE MID­19TH CENTURY the later upholstered serpentine seat above a pierced and carved base decorated with leaves, flowers and with a shaped ‘X’ stretcher 40cm high, 52cm wide, 40cm deep

£300­500

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366 A PAIR OF FRENCH WALNUT BEDSIDE CUPBOARDS EARLY 20TH CENTURY each with a raised back above a black marble top, with a drawer and a panelled door (2) 110.2cm high, 47.7cm wide, 39cm deep Provenance Wellow Manor, Hampshire.

£400­600

367 A PAIR OF FRENCH WALNUT SALON CHAIRS IN LOUIS XV STYLE MID­19TH CENTURY with ormolu mounts and ceramic castors (2) Provenance Wellow Manor, Hampshire.

£200­300

368 A FRENCH KINGWOOD AND MARQUETRY SERPENTINE COMMODE LATE 19TH CENTURY with bronze mounts and inlaid with leaves and flowers, the rouge marble top above two drawers 82.7cm high, 104.5cm wide, 51cm deep

£200­300

154

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369 A SET OF FOURTEEN WALNUT AND UPHOLSTERED SIDE CHAIRS IN LOUIS XV STYLE 19TH CENTURY on cabriole legs and with 18th century embroidered silk and velvet damask loose covers (14) Provenance Spillini Palace, Palermo.

£4,000­6,000

155

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λ 370 A BIEDERMEIER MAHOGANY WORK TABLE C.1840­50 the octagonal flame veneered hinged top revealing a fitted interior with nine lidded compartments with ivory handles, the base with scroll corbels and a cupboard, on flattened bun feet 78cm high, 52cm wide, 51.5cm deep *Ivory Act registration reference no. will be available to the buyer.

£800­1,200

371 A CONTINENTAL BURR-ELM SECRÉTAIRE C.1830­40 with a white marble top above a hinged fall, inset with a gilt tooled red leather writing surface, revealing divisions for stationery and hinged swivel compartments for pens and ink, on scroll legs and brass castors 116.8cm high, 56.2cm wide, 44cm deep

£150­250

372 A DUTCH SATINWOOD WORK TABLE LATE 19TH CENTURY with a hinged top inset with an Oriental lacquer panel above a drawer and a bag, together with a Continental walnut and parquetry sewing table, with a triple hinged top and the interior with a mirror (2) 71.7cm high, 47.2cm wide, 32.5cm deep

£200­300

156

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373 A FRENCH GILTWOOD AND COMPOSITION OVERMANTEL MIRROR IN LOUIS XVI STYLE LATE 19TH CENTURY with a later arched plate and a leaf, flower and shell surmount 152.5 x 110.5cm

£600­800

λ 374 A CONTINENTAL ROSEWOOD WORK TABLE MID­19TH CENTURY with ripple mouldings, the hinged lid revealing a fitted interior with amboyna lidded compartments and divisions, on a triform base 72.5cm high, 53.4cm wide, 42.8cm deep

£200­300

375 A PAIR OF VICTORIAN WALNUT STOOLS IN LOUIS XV STYLE C.1860­70 each with a later upholstered seat, on cabriole legs (2) 45.6cm high, 39cm wide and deep

£300­500

157

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376

377

376 A DUTCH MAHOGANY SILVER TABLE MID­18TH CENTURY the dished top with casped corners, above a frieze drawer 72.7cm high, 80.5cm wide, 51.8cm deep

£300­500 377 A DUTCH WALNUT TEESTHOFF 19TH CENTURY with a brass swing handle, a lift-out liner and a slatted body, on ball feet 45cm high, 38.5cm diameter Provenance From the collection of the late Peter Meyer.

£150­250 λ 378 A PORTUGUESE ROSEWOOD WALL MIRROR MID­18TH CENTURY the later hexagonal plate within a carved frame, decorated with scrolling leaves, pairs of birds, a crown and a male mask 49.5 x 33.8cm

378 158

£300­400

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

379 AN ITALIAN WALNUT CREDENZA IN RENAISSANCE STYLE IN THE MANNER OF LUIGI FRULLINI (1839­1897), FLORENCE, C.1880 all over carved, the frieze with scrolling leaves and shell motifs above a pair of panelled doors decorated with strapwork, a pair of fauns flanking a lion’s mask, with three figural terms, the interior with a shelf, the base with a drawer 124.5cm high, 134cm wide, 52.5cm deep

£500­800

159

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380 A SPANISH GILTWOOD AND VERRE ÉGLOMISÉ MIRROR IN BAROQUE STYLE 20TH CENTURY with an arched plate, within a stepped frame carved with ‘C’ scrolls 136.8cm high, 96cm wide

£300­500

381 AN ITALIAN GILTWOOD AND POLYCHROME DECORATED BUREAU CABINET 18TH CENTURY AND LATER painted with flowers and leaves, on a lattice ground, the broken arch pediment centred with an urn, above a pair of panelled doors enclosing three shelves, the hinged fall enclosing two drawers and pigeonholes, above a frieze drawer 241cm high, 80cm wide, 34cm deep Provenance From the estate of the late Marguerite Littman.

£300­500

160

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382

382 A SWEDISH PAINTED PINE DAY BED GUSTAVIAN PERIOD, LATE 18TH / EARLY 19TH CENTURY

383 A PAIR OF ITALIAN WALL MIRRORS 19TH CENTURY

with classical carved paterae and leaf decoration, with drop-ends and a pullout seat, with a later squab cushion and two bolsters 110cm high, 199.5cm wide, 70cm deep

of Rococo cartouche form, with a foliate scrolling frame (2) 56.5cm high, 35cm wide

£300­400

£2,000­3,000

383 161

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384 A GERMAN TÔLE PEINTE OVAL TRAY IN THE MANNER OF STOBWASSER, EARLY 19TH CENTURY black japanned with bands of gilt leaves and panels of trophies, the centre painted with an oval landscape scene with figures and horses, trees and a town in the distance, the gallery pierced with two handgrips 58.2 x 77cm

£150­250

384

385 A GEORGE III OVAL TÔLE TRAY C.1770 black painted and inlaid with metal decoration, with a central swag design inside two bands of ovals and flowerheads and a pierced gallery 66.8 x 53cm

£300­500

385

386 A TÔLE TRAY POSSIBLY FRENCH, 19TH CENTURY of cartouche form, with painted and gilt decoration of demon-like figures amongst gilt foliage, the border with a soldier, a dragon and insects 31.5 x 39cm

£200­300

386 162

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387 A VICTORIAN PAINTED TÔLE COAL BIN C.1870 of two handled circular form, with a conical cover painted with green stripes and a tin liner 48cm high, 32cm diameter (excluding handles)

£150­250

388 A PAIR OF FRENCH TÔLE JARDINIÈRES MID­19TH CENTURY of square section, printed with various continental rural scenes on an olive ground, on four gilt paw feet and a square base 22.5cm high, 14cm square (2)

£200­300

389 A BRITISH RAIL (MIDLANDS) TÔLE PLATFORM LAMP green painted and embossed 'BR(M)', with a vaporite burner (2) 65cm high, 37cm wide, 25.8cm deep

£300­400

163

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390 A BLACK AND GILT PAINTED FIGURAL OBELISK IN REGENCY STYLE MID­19TH CENTURY the female figure standing holding drapes, supporting a tapering square section obelisk 81cm high

£200­300

391 A LARGE PAIR OF MASONIC PAINTED TÔLE COLUMNS 19TH CENTURY each decorated to simulate marble, with a sphere above a faux fluted plinth, a plain shaft and a square plinth base (2) 244cm high, 40.5cm wide and deep Provenance Bristol Masonic Lodge.

£800­1,200 392 A PALE GREY PAINTED TÔLE SIX-LIGHT CHANDELIER 20TH CENTURY the foliate scrolling frame supporting flowerhead shaped light holders, hung with glass lustres 83 x 60cm

£200­300 164

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393 A PAIR OF FRENCH BRONZE AND GILT METAL THREE-LIGHT CANDELABRA IN EMPIRE STYLE MID­19TH CENTURY modelled as a winged figure standing on an orb, holding an urn with three scrolling candle holders, on a cylindrical pedestal with engine turned decoration and a square foot 65.5cm high (2) Catalogue Note For a similar pair, see Bonhams, The Gentleman’s Library Sale, 23rd February 2021, lot 173.

£1,000­1,500 394 A FRENCH GILT BRASS BOUILLOTE LAMP IN LOUIS XVI STYLE with a loop handle and arrow, above a red painted tôle shade, three scroll arms issuing lights and a dished circular base with stiff leaf border 80cm high

£150­250 395 A GILT METAL CHERUB TABLE LAMP 20TH CENTURY modelled as a cherub supporting a cornucopia, on a rectangular base and a mahogany stand 41cm high (excluding fitting), 33cm long, 16cm deep Provenance Wellow Manor, Hampshire.

£200­300

393

394

395 165

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396 A PAIR OF FRENCH CHARLES X ORMOLU AND CUT-GLASS VASES C.1830 of Campana shape, the rims with stiff leaf decoration above milled socles, on white marble and porphyry plinth bases and winged lion’s paw feet (2) 58cm high, 27cm diameter Provenance Sotheby’s, Benacre Hall, Suffolk, 9th, 10th, 11th May 2000, lot 45, The Saloon.

Catalogue Note Benacre Hall, Suffolk, is the seat of the Gooch baronets. On the death of Sir John Gooch Bt, the contents were sold by Sotheby’s on 9th, 10th and 11th May 2000 and the sale made over £8,000,000. At the time a record for a country house auction.

Literature Lanto Synge, Mallett Millennium, 1999, p.330, pl.428.

£5,000­8,000

166

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167

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397 A PAIR OF GILT BRONZE WALL LIGHTS IN EMPIRE STYLE 20TH CENTURY with three-lights, decorated with a mask of Medusa, with war trophies and laurel leaves (2) 70cm high, 37.3cm wide

£500­800

398 A PAIR OF BRASS WALL LIGHTS IN ART DECO STYLE MID­20TH CENTURY each with a reeded half column beneath a mask, supporting a slender scrolling foliate arm and a flowerhead light mount (2) 39cm high, 30.5cm deep

£200­300

399 A PAIR OF DUTCH BRASS WALL LIGHTS IN 18TH CENTURY STYLE with five-lights on scroll branches and split baluster turned stems (2) 80.8cm high, 57.2cm wide

£300­400

168

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400 A SILVER PLATED SIX-LIGHT CANDELABRUM ITALIAN, PROBABLY 19TH CENTURY the foliate sconces above winged satyr masks on a tapering fluted column, the tripod base with female busts above bosses and lion paw feet 78.5cm high, 33cm wide

£400­600

401 A PAIR OF BRASS CANDLESTICKS IN ROCOCO STYLE FRENCH, LATE 18TH / EARLY 19TH CENTURY

400

each with a detachable sconce above a flowerbud nozzle, with an inverted baluster and knopped stem, on a shaped hexagonal foot with scrolling foliate decoration, possibly originally silvered, together with a pair of gilt brass Neoclassical candlesticks, 19th century, with bands of engine turned and stiff leaf decoration (4) 26cm high (max)

£150­200

402 A GILT BRONZE FOUR-LIGHT CANDELABRUM IN EMPIRE STYLE 19TH CENTURY the three branches around a central light with a removable flame, on a fluted column and tripod base with lion’s paw monopodae interspersed with lion’s head masks 58.8cm high, 19cm wide

£200­300 402

169

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403 A SET OF FOUR SILVERED BRASS TWIN-LIGHT WALL LIGHTS IN CHARLES II STYLE EARLY 20TH CENTURY each decorated with winged cherubs holding baskets of fruit (4) 36cm high, 30cm wide

£300­500

404 A BRASS CORINTHIAN COLUMN STANDARD LAMP with an adjustable stem and shade (2) 137cm high, 39cm wide Provenance Wellow Manor, Hampshire.

£300­500

405 A SET OF FOUR SILVERED TWIN-LIGHT WALL LIGHTS IN 17TH CENTURY STYLE the wall plates cast with a central figure, possibly Venus, surrounded by scrolling foliage (4) 21cm high, 29.5cm wide

£300­500 170

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406 A GLASS ELEVEN-LIGHT CHANDELIER EARLY 20TH CENTURY of open scroll form, applied with flowerheads and hung with drops and spheres, together with a similar glass eight-light chandelier (2) 73cm high, 79.5cm wide and 66cm high, 90cm wide

£500­800

407 A FRENCH AND GILT SILVERED WOOD WALL MIRROR IN EMPIRE STYLE 19TH CENTURY the later rectangular plate within a faux bois frame, with an eagle and leaf branch surmount 208 x 111cm

£800­1,200

171

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408 A CUT-GLASS TWO-LIGHT CANDELABRUM IN THE MANNER OF WILLIAM PARKER, LATE 18TH / EARLY 19TH CENTURY the central faceted shaft above two lights on scrolling branches and a third branch suspending swags, issuing from an orb above a square section blue glass with gilt decoration in the manner of James Giles, on a concave pedestal and a gilt metal base with ball feet 63cm high

£200­300

409 A PAIR OF REGENCY GILT METAL CANDELABRA EARLY 19TH CENTURY each with a pair of cut-glass sconces on scrolling foliate branches, supported by a cherub standing on a pedestal, with bands of engine turned and rope twist decoration, drilled for electricity (2) 37cm high, 27cm wide

£800­1,200

410 A PAIR OF REGENCY GILT AND PATINATED BRONZE CANDLESTICKS EARLY 19TH CENTURY each with a gadrooned sconce above a band of gilt flowerheads supporting glass lustres with central orb, on a spreading foot with a foliate border (2) 20.5cm high

£200­300

172

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411 A GEORGE IV ORMOLU AND GLASS SIX-LIGHT DISH LIGHT C.1825 AND LATER the later circular lozenge cut-dish with an urn decorated with vine draped ram’s masks and a cone finial, issuing six arms, the gallery with palmettes and hung from a conforming corona by three chains, with a sphere and leaf pendant base 124.5cm high, 76.7cm diameter Provenance Partridge Fine Art, London A Private Collection, California, USA. Catalogue Note A similar light is in the Yellow Drawing Room at Harewood House, Yorkshire, and illustrated in Eileen Harris, The Genius of Robert Adam, fig.205. Another example is illustrated in Jonathan Bourne and Vanessa Brett, Lighting in the Domestic Interior, p.134, fig.453.

£3,000­5,000

173

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413

412

412 A PAIR OF ITALIAN GLASS WALL LIGHTS each with a pair of sconces, on scrolling beadwork supports and with ‘cut-glass’ swags and lustres (2) 33cm high, 29cm wide, 18cm deep

£100­150 413 A PAIR OF WILLIAM IV GLASS LUSTRES SECOND QUARTER OF 19TH CENTURY each with a castellated dish with a gilt metal candle holder, supporting eight lustres, on a faceted stem and a circular foot with a star-cut base 20cm high, 10cm diameter (2)

£200­300 414 A BRONZE AND COPPER MOUNTED TABLE LAMP LATE 19TH CENTURY of obelisk form, applied with scenes of bull fighting and lion’s masks, the front with graduating studs, on a stepped base 60cm high (excluding fitting), 21cm wide, 15cm deep

£300­400 414

415 A BRASS AND CUT-GLASS HALL LANTERN with four star-cut and bevelled panes beneath an arched frame, supporting four lights 74cm high, 29.5cm square

£300­500

415 174

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416

416 A NAPOLEONIC PRISONER OF WAR BONE SHIP MODEL EARLY 19TH CENTURY with a planked and pinned hull, with sixty-two metal guns protruding from red stained portals, the stern painted with a British Royal Crest, on shaped bone supports and a wooden base with a marquetry border and a pull-cord mechanism beneath hull length 24.5cm, base length 31cm

£400­600

417 A GEORGE III SCROLLED OR QUILLED PAPER BOX AND COVER LATE 18TH CENTURY with parcel gilt decoration, the cover with a central watercolour miniature of a gentleman on a navette and foliate field, the sides with floral and oval designs 5.7cm high, 11.3cm wide, 8.3cm deep

£200­300

418 A FRENCH STRAW WORK BOX POSSIBLY PRISONER OF WAR, 19TH CENTURY the cover with an image of a vase of flowers, above one false and one true drawer with scrolling floral decoration, the interior with a townscape to the cover, the base with a basket of flowers flanked by two lidded compartments, together with a coopered oval salt box, 19th century, possibly walnut and holly, with brass mounts (2) 13cm high, 29cm wide, 19.5cm deep (max)

£200­300

175

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419

420

419 A PAIR OF FRENCH BRASS PANELS OF PASTORAL SCENES LATE 19TH CENTURY

420 A FRENCH GILT AND PATINATED BRONZE TAZZA THIRD QUARTER 19TH CENTURY

titled ‘Le Rendez vous de Chaisse van Falens’ and ‘Le Marechal de Campagne Berghen’, inside a border of studs, scrolling foliage and an ebonised Dutch ripple frame (2) 43.2 x 54.2cm

the circular bowl with panels of Bacchic cherubs flanked by grapes, the handles as a pair of leopards, on a spreading circular foot 17.2cm high, 23.5cm wide

£100­150

£150­200

421 A GERMAN LAQUERED PAPIER-MÂCHÉ SNUFF BOX ATTRIBUTED TO STOBWASSER, EARLY 19TH CENTURY

422 A GERMAN LAQUERED PAPIER-MÂCHÉ SNUFF BOX

BY STOBWASSER, EARLY 19TH CENTURY

the lid painted with Cupid and Psyche, the interior titled in gilt ‘Amor and Psyche’ and with the red initials ‘St’ 9.4cm diameter

the lid painted with Venus and Cupid, the interior signed and numbered ‘Stobwassers Fabrik 3307’ and titled ‘Schlafen de Venus’ 9.4cm diameter

£300­500

£300­500

421 176

422

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423 A BLACK FOREST LINDENWOOD BEAR NUTCRACKER LATE 19TH CENTURY the standing bear with inset glass eyes 18.5cm high

£200­300

424 A BLACK FOREST LINDENWOOD BEAR THERMOMETER PROBABLY LATE 19TH CENTURY the standing bear holding the thermometer, on a plank of wood 30cm high

£150­250

425 A BLACK FOREST LINDENWOOD COAT HOOK LATE 19TH / EARLY 20TH CENTURY in the form of a fox, with twin horn hooks 28.6cm high

£200­300

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426

427

426 A BLACK FOREST CARVED LINDENWOOD DOG’S HEAD INKWELL LATE 19TH CENTURY of a boxer, with glass eyes and a leather collar 9.7cm high

£150­250 427 A BLACK FOREST CARVED LINDENWOOD TERRIER INKWELL LATE 19TH CENTURY

428

modelled as the dog peering above a hollow log 14cm high, 24.5cm wide

£100­150 428 A VICTORIAN DEER ANTLER INKWELL LATE 19TH CENTURY in the form of a wheelbarrow, with a single glass inkwell, the cover carved with a deer 11cm high, 12.5cm long, 8cm wide

£100­150 429 A VICTORIAN DEER ANTLER INKWELL AND PEN REST LATE 19TH CENTURY with two glass inkwells 26cm high, 31cm wide, 29cm deep

£150­200

429

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430 A REGENCY MAHOGANY CHIFFONIER EARLY 19TH CENTURY with ebonised mouldings and banding, with a three quarter brass baluster gallery, above graduated shelves with scroll supports and a pair of drawers, the base with a pair of panelled doors with applied rondels, enclosing a shelf, on pyramidal stepped feet 144cm high, 91.6cm wide, 36cm deep

£1,000­1,500

431 A REGENCY MAHOGANY ARMCHAIR IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the curved scroll and reeded top rail above a rondel decorated horizontal splat, with shepherd’s crook arms above a cane seat and ‘X’ shape supports united by a turned stretcher, the front rail stamped with workman’s initials ‘ET’

£800­1,200

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432 A REGENCY MAHOGANY CARD TABLE EARLY 19TH CENTURY inlaid with ebonised stringing, the fold over ‘D’ shape top on twin gate supports above a frieze decorated with a stylised Greek key motif 73.4cm high, 91cm wide, 43.8cm deep

£300­500

433 A RED PAINTED AND PARCEL GILT PIER MIRROR IN NEO-CLASSICAL STYLE MID­19TH CENTURY with an arching frieze supported by a pair of fluted columns 90.5cm high, 51cm wide

£100­150

434 A PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY each later painted with a rampant lion crest (2)

£200­300

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435 A GEORGE III COROMANDEL CARD TABLE C.1800 with burr yew banding, the ‘D’ shape fold-over top revealing a baize lined playing surface, on twin gate supports 74cm high, 90.7cm wide, 45cm deep Provenance By repute, the Collinson Family, East Bilney Rectory, Norfolk.

£600­1,000

436 A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY AND LATER the rectangular plate flanked by cluster columns, with ebonised relief decoration of Ceres and cherubs harvesting 104.7cm x 60.3cm

£200­300

437 A PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY each painted with a rampant lion crest, on sabre front legs, one stamped with workman’s initials ‘FS’ (2)

£400­600

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438 λ 438 A REGENCY ROSEWOOD LIBRARY TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY with a pair of cedar lined frieze drawers, on lyre shaped supports united by a turned stretcher 77cm high, 122cm wide, 65cm deep Provenance Colonel Pain, Preston House, Lewes.

£1,500­2,500 439 A REGENCY BURR YEW TEAPOY EARLY 19TH CENTURY with reeded decoration, the segmented and crossbanded hinged top revealing a later converted vacant interior, on brass castors 79.2cm high, 49.5cm wide

£300­500

439

λ 440 A REGENCY MAHOGANY ARMCHAIR EARLY 19TH CENTURY the curved top rail inlaid with brass stringing and a rosewood panel, with scroll arms and carved leaf decoration, with a later leather cushion above a cane seat

£300­500 440 182

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441 441 A REGENCY MAHOGANY LIBRARY TABLE EARLY 19TH CENTURY the top with rounded ends and inset with gilt tooled black leather, above a pair of cedar lined frieze drawers and reeded swept legs 72.9cm high, 152cm wide, 76cm deep Provenance Colonel Pain, Preston House, Lewes.

£2,000­3,000 λ 442 A GEORGE IV ROSEWOOD AND PENWORK GAMES TABLE C.1820 the top with a chequer board, decorated with flowerheads, within a band of flowers and leaves, on a Gillows style base 71.8cm high, 46.5cm wide

£200­300

442

443 A REGENCY EBONISED AND PARCEL GILT ARMCHAIR EARLY 19TH CENTURY painted with panels of flowers and ribbon tied laurel leaves, with a later squab cushion above a cane seat

£300­500

443

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444 A GEORGE IV MAHOGANY DAVENPORT ATTRIBUTED TO GILLOWS, C.1825 with nulled and reeded mouldings, the hinged slope inset with gilt tooled leather, revealing two drawers and a pull-button mechanism for the pop-out hinged pen and ink compartment, with a pair of slides, the right side with a panelled door enclosing four cedar lined drawers, on ribbed feet and sunken brass castors 86.5cm high, 51.6cm wide, 56.5cm deep

£500­800

445 A GEORGE IV MAHOGANY BUFFET C.1830 with three tiers, panelled ends and carved scroll supports, on lobed feet and sunken brass castors 116.9cm high, 92.3cm wide, 52cm deep

£400­600

446 A GEORGE IV MAHOGANY DRESSING TABLE MIRROR IN THE MANNER OF GILLOWS, C.1825 with a rectangular plate and fluted scroll supports, above a rectangular base with two short drawers, on turned feet 58.5cm high, 40cm wide, 24cm deep

£200­300

184

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447 A REGENCY MAHOGANY EXTENDING DINING TABLE ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY the reeded edge top with four additional leaves supported by a telescopic frame on ribbed tapering legs, brass caps and castors 72cm high, 138cm wide, 318cm long (extended) Provenance By repute, Langar Hall, Nottinghamshire.

Wellow Manor, Hampshire.

Catalogue Note See Susan Stuart, Gillows of Lancaster and London, 1730-1840, vol.1, pl.241 for a similar dining table.

£7,000­10,000

185

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448

449

λ 448 A REGENCY ROSEWOOD WORK TABLE EARLY 19TH CENTURY inlaid with stringing and lozenge parquetry banding, the crossbanded top above a frieze drawer, with a bone / ivory escutcheon 76cm high, 66cm wide, 47.8cm deep *Ivory Act registration reference no. will be available to the buyer.

£300­400 449 A REGENCY MAHOGANY BREAKFRONT SIDE TABLE EARLY 19TH CENTURY with three frieze drawers 75.7cm high, 87cm wide, 48.3cm deep Provenance Purchased from J. W. Blanchard, Winchester, 1st September 1997.

£100­150 450

450 A LATE GEORGE III YEW BEDSIDE COMMODE EARLY 19TH CENTURY with a concave front fitted with a frieze drawer flanked by a pair of lopers, above a tambour shutter, with a pull-out base fitted with a zinc liner 75.9cm high, 59.5cm wide, 46.7cm deep

£300­500 451 A LATE REGENCY MAHOGANY BEDSTEP EARLY 19TH CENTURY with baton reel and bobbin mouldings, with inset leather treads and a hinged top 49.7cm high, 64.7cm wide, 43.2cm deep

£200­300 451 186

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452 A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY the bar top rail with Greek key style carving, above an ‘X’ splat with a central floral rondel, above stuffed-over seats and sabre legs with reeded decoration, comprising: two carvers and six side chairs, the front rails with an applied Ronald Phillips label, reference number ‘12160’ (8) Provenance With Ronald Phillips, Bruton Street, London.

£3,000­5,000

187

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453 A GEORGE IV MAHOGANY BOWFRONT CHEST C.1830 with two short and two long drawers, on mushroom shaped feet 92.3cm high, 92cm wide, 52.5cm deep £400­600

λ 454 A REGENCY ROSEWOOD CARD TABLE IN THE MANNER OF GEORGE OAKLEY, EARLY 19TH CENTURY inlaid with stringing, the fold-over swivel top with satinwood banding and canted corners, on brass leaf sabot and castors 73.5cm high, 89cm wide, 42.8cm deep

£300­500

455 A REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY inlaid with stringing and with satinwood banding, fitted with two frieze drawers, on brass lion’s paw sabot and castors 72cm high, 89cm wide, 61cm deep Provenance From the collection of the late Peter Meyer.

£400­600

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456

λ 456 A REGENCY KINGWOOD AND ROSEWOOD SIDE CABINET EARLY 19TH CENTURY with gilt bronze beading and mounts, the verde antico marble top above a pair of cedar lined drawers, inlaid with stylised Greek key and arrow stringing, above a pair of mirrored doors enclosing two adjustable shelves 109cm high, 109.5cm wide, 31.9cm deep

£800­1,200

457 A WILLIAM IV MAHOGANY LIBRARY ARMCHAIR C.1830­35 the frame decorated with carved leaves and lappets, with a drop-in seat, on brass caps and ceramic castors

£500­800

457 189

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458 A LATE GEORGE III MAHOGANY BOWFRONT CHEST IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY inlaid with ebonised stringing, the top with a moulded edge, with three oak lined long drawers on swept feet 89.5cm high, 101cm wide, 51.5cm deep

£200­300

459 A MAHOGANY SOFA / GAMES TABLE 19TH CENTURY with a sliding reversible chequer board top, revealing an inlaid backgammon board 75.8cm high, 68cm wide, 61.1cm deep

£300­500

460 A GEORGE IV MAHOGANY TEA TABLE C.1820 with a swivel hinged top, on a panelled stem and brass sabot and castors 75cm high, 91cm wide, 44.7cm deep

£200­300

190

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461

461 A GEORGE IV MAHOGANY SERVING TABLE C.1825

462 A GEORGE IV MAHOGANY DRESSING TABLE C.1830

fitted with a frieze drawer, on scroll front legs 97.5cm high, 179.5cm wide, 68.5cm deep

the top with a three quarter gallery, above a pair of frieze drawers, with panelled trestle ends, on lobed bun feet and sunken brass castors 83.7cm high, 122cm wide, 65.5cm deep

£600­800

£600­800

462 191

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463 AN EARLY VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR C.1840­50

464 A WILLIAM IV MAHOGANY LIBRARY ARMCHAIR C.1830

with three bevelled plates flanked by cluster columns, the frieze decorated with palmettes interspersed with tazzae of fruit 85 x 149.2cm

with plush upholstery, the frame with lappet and scroll decoration, on brass caps and castors

£300­400

£200­300

λ 465 A REGENCY ROSEWOOD BREAKFAST TABLE EARLY 19TH CENTURY the rectangular tilt-top with rounded corners and inlaid with stringing and partridgewood banding, on a faceted stem and brass caps and castors 73cm high, 152.5 x 112.4cm Provenance Purchased from Arthur Brett and Sons, Norwich, 16th September 1997.

£400­600

192

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466 A PAIR OF REGENCY MAHOGANY BEDSIDE CUPBOARDS IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY each with a hinged door, on turned legs (2) 79.3cm high, 46.6cm wide, 37.5cm deep

£500­800

467 A GEORGE III MAHOGANY CHEVERET TABLE IN THE MANNER OF GILLOWS, C.1790­1800 inlaid with boxwood stringing, the lift-off galleried top fitted with four cedar lined drawers, originally with a handle, above a hinged baize lined writing slope and a further drawer with a pen and ink side compartment, on part ribbed tapering legs united by a line inlaid ‘X’ stretcher 92.8cm high, 51.5cm wide, 40cm deep

£200­300

468 A REGENCY MAHOGANY DWARF BOOKCASE EARLY 19TH CENTURY the galleried top above two shelves, with reeded decoration and tapering columns, on brass castors 73.5cm high, 89.5cm wide, 28.4cm deep

£300­500

193

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469 A REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY inlaid with ebonised stringing, the tilt-top with re-entrant corners, on a platform base, above leaf carved and ribbed scroll legs terminating in brass sabot and castors 71.8cm high, 102.6cm wide, 145.8cm deep

£400­600

470 A REGENCY MAHOGANY DRESSING TABLE MIRROR EARLY 19TH CENTURY the rectangular plate on carved twisting supports, above a base with three drawers, on turned feet 89.7cm high, 68cm wide, 28cm deep

£100­150

471 A REGENCY MAHOGANY SIDE TABLE EARLY 19TH CENTURY inlaid with boxwood stringing, with a concave front and fitted with four drawers 81.7cm high, 106.3cm wide, 52cm deep

£150­250

194

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472

472 A SET OF SIX EARLY VICTORIAN PAINTED SIDE CHAIRS C.1840

473 AN EARLY VICTORIAN PAINTED OCCASIONAL TABLE C.1840­50

474 AN ANGLO-INDIAN TEAK AND EBONY HEXAGONAL OPEN LANTERN LATE 19TH CENTURY

each with a cane seat (6)

decorated to simulate specimen woods, with lozenge designs, fitted with three drawers, on brass castors 77.7cm high, 49.5cm wide, 40cm deep

in Gothic style, with a castellated rim above lancet windows 47.5cm high, 26cm diameter

£400­600

£300­400

473

£200­300

474 195

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476

475 475 A REGENCY OVAL SILKWORK PICTURE EARLY 19TH CENTURY depicting a lady hurdygurdy player before a pavilion on an island, together with a silkwork picture of a vase of flowers (2) oval picture 24.5 x 29.5cm

£80­120

476 TWO GEORGE III OVAL SILKWORK PICTURES C.1790­1800

477 TWO OVAL BARTOLOZZI PRINTS IN VERRE ÉGLOMISÉ FRAMES EARLY 19TH CENTURY

with woolwork details, each depicting a shepherdess with her flock, in moulded gilt and ebonised glazed frames, one with a paper trade label for ‘A & F Ponzini & Co, 22 Hatton Garden’ (2) 38.6 x 32cm (max)

one titled ‘Bacchanalians’ after Angelica Kauffman, the another with a classical scene of muses and a cherub, in gilt frames (2) 36 x 48cm (max)

£100­150

477 196

£80­120

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478

478 AN OVAL QUILLWORK FLORAL SPRAY EARLY 19TH CENTURY the coloured scrolled paper forming a bouquet of flowers and foliage, in a moulded mahogany stained frame 32.5cm high. 28cm wide Catalogue Note An inscription to verso states ‘Work supposed to have been done by Mrs Philadelphia Lee of Totteridge Park and brought from thence to Harkwell. J Lee or the work of her daughter brought to Harkwell in 1841 after the death of Mrs Arrowsmith in 1840’.

479

479 A SILK AND HAIR-WORK PORTRAIT OF A GENTLEMAN LATE 17TH CENTURY AND LATER in a gilt metal scrollwork border and an oval giltwood frame 31 x 28.3cm

£300­500

480 A PAIR OF SAND PICTURES OF RURAL FARM SCENES AFTER GEORGE MORLAND ATTRIBUTED TO BENJAMIN ZOBEL, EARLY 19TH CENTURY in glazed and gilt frames (2) 42 x 55.5cm Catalogue Note Benjamin Zobel (1762­1831) was an Anglo­German painter who developed the technique of marmotinto, known as sand painting.

£1,200­1,500

£200­300

480 197

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481 481 THREE BIRD FEATHER PICTURES 19TH CENTURY on watercolour backgrounds, including: a grouse, in maple frames (3) 14.5 x 20.5cm (max)

£100­150

482 A SET OF FOUR GERMAN WATERCOLOURS OF LOCKS AND BOLTS 19TH CENTURY in monochrome and colours, each illustration numbered, some with pencil annotations, in glazed and gilt frames (4) 18 x 31cm Provenance Christie’s, Town and Country Perspective ­ The Charles Plante Collection, lot 464 where offered as part of a group of eleven.

£100­200

482

483 A PAIR OF REGENCY PAPIERMÂCHÉ FACE SCREENS EARLY 19TH CENTURY of cartouche form, painted with oval river and coastal scenes, in green and gilt foliate frames, on turned, carved and parcel gilt handles (2) 39.5 x 25cm

£100­150 484 A VICTORIAN TAPESTRY TABLE SCREEN MID­19TH CENTURY with a needlework picture depicting a recumbent deer, in a rectangular gilt frame, above a carved baluster stem and concave tripod base 46cm high, 28.5cm wide

483

£80­120

198

484

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485 A VICTORIAN BURR WALNUT COUNTRY HOUSE LETTER BOX C.1860­70 of rectangular form, with a broad slot to the top, with an applied brass label for ‘General Post’, above a glass window to the front, and an inlaid label, inscribed ‘Houghton, 162 New Bond St. London’ 19cm high, 35cm wide, 18.5cm deep

£200­300

486 A COLLECTION OF EIGHT MAHOGANY COASTERS MAINLY 19TH CENTURY including: a pair with string inlay to the rim, together with a mahogany plate stand with a trefoil shaped back (9) coasters 22.5cm diameter (max)

£200­300

487 A GILT AND PATINATED BRONZE INKWELL EARLY 19TH CENTURY the recumbent lion between a pair of lidded inkwells with glass liners, the plinth applied with gilt metal mask swing handles 12cm high, 29cm long, 10.2cm wide

£150­250

199

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488 A REGENCY SATINWOOD AND EBONY BOOK CARRIER EARLY 19TH CENTURY with brass mounts, inlaid with marquetry scrolling foliate decoration, above a single drawer, on bun feet 24cm high, 38cm wide, 28cm

£400­600

489 AN OAK HERALDIC WALL CREST LATE 19TH / EARLY 20TH CENTURY carved with an eagle appearing from a battlement 48.3cm high, 40.5cm wide

£100­150

490 A REGENCY PAINTED BOX C.1820 of sarcophagus form, painted in puce with a lady discovering a child in a rural setting, inside a floral border, the sides painted with insects and flowers, together with another box, of domed form, with gilt chinoiserie decoration (2) 14cm high, 32cm wide, 25cm deep (max)

£100­150

200

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491 A REGENCY STEEL FIRE FENDER EARLY 19TH CENTURY with pierced decoration 17cm high, 106cm wide, 22.4cm deep Provenance Wellow Manor, Hampshire.

£200­300

492 A SET OF THREE WILLIAM IV STEEL FIRE IRONS SECOND QUARTER 19TH CENTURY with faceted handles, knopped stems and a pierced pan (3) 74cm long Provenance Wellow Manor, Hampshire.

£300­400

493 A MAHOGANY AND BRASS BOUND PEAT BUCKET EARLY 19TH CENTURY of navette shape, with a brass swing handle and lift-out liner 20cm high, 37cm wide

£600­1,000

201

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494 A LARGE WICKER LOG BASKET EARLY 20TH CENTURY with a platform base and iron spoke wheels 90.2cm high, 110cm wide, 65cm deep

£200­300 495 A DUTCH ‘TEESTHOOF’ OR KETTLE BUCKET EARLY 19TH CENTURY of coopered construction in walnut and holly, with turned and ebonised banding, with a brass swing handle and a later lead lining 33cm high, 30cm diameter

£200­300 496 A GEORGE III BRASS AND STEEL FOOTMAN LATE 18TH CENTURY with pierced decoration, and with side carrying handles, together with a set of brass and steel fire irons, with foliate handles above twisting shafts and an adjustable brass and iron trivet (5) length of shovel 75cm (max)

494

£100­150

495 496

202

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497 A PAIR OF FRENCH EMPIRE BRONZE SPHINX CHENETS AFTER PIERRE­PHILLIPPE THOMIRE (FRENCH 1751­1843), EARLY 19TH CENTURY the sphinx wearing a Nemes headdress, recumbent on a rectangular base, with rounded ends applied with winged, ribbon and lightning bolt decoration, raised on wrythen toupie legs and bun feet (2) 36cm high, 40cm long, 14cm deep Literature Hans Ottomeyer and Peter Pröschel, “Vergoldete Bronzen”, 1986, p. 341, pl. 5.4.6, shows a gilt and patinated bronze fender with similar sphinxes by Pierre­Philippe Thomire with very similar motifs to the base panels

£600­800

498 A PAIR OF GILT BRONZE CHENETS IN LOUIS XVI STYLE 19TH CENTURY each in the form of a quiver of arrows and decorated with swags of flowers and scrolling leaves (2) 56.8cm high, 23.5cm wide Provenance From the estate of the late Marguerite Littman.

£150­250

499 A PAIR OF FRENCH LOUIS XV STYLE ORMOLU CHENETS LATE 19TH CENTURY each modelled with a Bacchanalian cherub, on foliate ‘C’ scroll bases (2) 31cm high, 28.5cm wide

£300­500

203

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500

501

502

500 NELSON INTEREST. A VICTORIAN BRASS DOORSTOP IN THE FORM OF HMS VICTORY LATE 19TH CENTURY the pierced handle with a bust medallion of Admiral Nelson, on a lead weighted base 47cm high, 22cm wide

£100­150 501 A VICTORIAN BRASS DOORSTOP LATE 19TH CENTURY cast as a knight holding a shield and lance, incised ‘7608’ to the reverse 43cm high, 20cm wide

£150­250 502 A VICTORIAN BRASS DOORSTOP LATE 19TH CENTURY with an oval handle, above a slender baluster, with a collared stem and graduated foot 46.5cm high

£100­150 503 A PAIR OF VICTORIAN BRASS DOORSTOPS MID­19TH CENTURY each with rope twist handles above semi-circular lead weighted bases (2) 50.3cm high. 15.3cm wide

503

204

£150­200

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504 A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY with a brass ring handle 19.5cm high

£150­250

505 A PAIR OF CORNISH GREEN AND RED SERPENTINE CANDLESTICKS LATE 19TH / EARLY 20TH CENTURY each with an urn sconce, above baluster column, on a stepped circular bases (2) 25cm high

£150­200

506 A CORNISH SERPENTINE PAPERWEIGHT LATE 19TH / EARLY 20TH CENTURY of circular form, together with a circular stand and a red serpentine paperweight (3) 16.5cm diameter (max)

£100­150

205

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THE GREGSON DOLL’S HOUSE

507 'THE GREGSON HOUSE' AN IMPORTANT EARLY VICTORIAN CUPBOARD DOLL'S HOUSE FROM 1830, THE VAST MAJORITY OF THE CONTENTS EARLY AND ORIGINAL the pine cupboard complete with original un-restored pale graining and with a moulded cornice above a pair of six panelled doors, over three short drawers, the whole raised on short shaped bracket feet; the pair of panelled doors opening to reveal nine room settings on three floors (three bedrooms above a music, dining and drawing room and the lower floor with hallway flanked by kitchen and rare still-room) the rooms communicating with thick opening latched brass handled doors and with marbled fireplaces with steel and brass inserts, cornicing and skirting to the main reception rooms, the original carpets mainly of thin velvet or oil cloth or baize, the walls covered with original coloured paper, sometimes hand painted or embossed and often edged in gilt or printed flowers and the whole containing the original furniture of wood, tin, card and in one instance pressed bread dressed in watered silks and other original fabrics, the walls hung with watercolours many painted by the original owner Bessie Wilkinson who also worked the drawing room carpet, also containing extensive fittings in ceramic, glass, alabaster and lead, the whole house peopled with the original dolls, including a cook doll with leather hands The cupboard: 204cm high, 168.7cm wide, 61cm deep; each room: 51cm high, 50.5cm wide and 51cm deep.

£20,000­30,000

206

A view of Aston Hall.

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507 207

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Provenance Ordered, made for and furnished by Miss Elizabeth 'Bessie' Wilkinson (died 1857) of Aston Hall, Birmingham.

By descent, to her nephew Henry Gregson 1857 who lived at Moorlands.

By descent, to Annie Canon-Cox Little.

By descent, to her daughter Lady Wenlock until about 1957 of Knockin Hall, Oswestry, Shropshire.

Thence by family descent, until 2010 when sold by private treaty to the present vendor, a family friend.

Elizabeth 'Bessie' Wilkinson was the scion of a great iron making dynasty being daughter of William Wilkinson (1744 – 1808) and niece of John ‘Iron­Mad’ Wilkinson (1728 – 1808) most famous for instigating the famous Ironbridge in Coalbrookdale in the 1770’s and who both had interests in iron works in North Wales and Shropshire. Both were tied in with Matthew Boulton senior and James Watt seniors’ business making boilers in Birmingham. On the death of their father William in 1808 ‘Bessie’ and her sister Mary Anne were made guardians of James Watt junior (1769 – 1848) who from about 1817 until his death leased and lived at the fine Jacobean prodigy house Aston Hall in Birmingham; ancestral home of the Holte family, it is listed Grade I and now owned and run as a museum by Birmingham City Corporation.

‘Bessie’s’ sister Mary Anne had on 24th February 1817 married Matthew Robinson Boulton (1770 – 1842), only son of the great 18th century entrepreneur Matthew Boulton (1728 – 1809) who was also a member of the Lunar society and manufacturer of small metal trinkets, ormolu, silverware and in conjunction with James Watt senior of the steam engines that revolutionised industrial Britain. Mary Anne and Matthew Boulton lived at Soho House in Birmingham, built by his father to designs by Samuel and James Wyatt – the latter also providing designs for silver ware to Boulton senior.

The fine Georgian house still exists as a museum run by the council.

Mary Anne Boulton sadly died in childbirth on 7th June 1829, leaving seven children and a new born baby girl who was also named Mary. It was this tragedy that precipitated the creation of this wonderful doll’s house to help her little nieces and nephews recover from this great sadness by their maiden aunt Elizabeth ‘Bessie’ Wilkinson. The doll's house was originally called 'Maryland Lodge' after her sister and baby niece. The house itself was possibly made for Aunt Bessie by estate carpenters but is fine enough to have been supplied by a more sophisticated cabinet maker.

The nieces visited nearby Aston Hall where Aunt Bessie lived and between the years 1830 and 1850 they worked on it together collecting items, making some of the furniture and Aunt Bessie herself painted the watercolours and worked the carpet in the drawing room. Aunt Bessie died in 1857. Her sister Mary Anne is commemorated in a fine monument by Sir Francis Chantrey R. A. at St Michael’s Church, Great Tew, Oxfordshire where the Boultons had their country estate. The contents of Great Tew House were sold by Sotheby’s in 1987 and included furniture supplied by George Bullock who had also supplied furniture to James Watt junior.

Bullock’s associated cabinet maker and designer Richard Bridgens was furnishing Aston Hall from the 1820’s onwards from his Birmingham workshop.

Exhibited At No. 1, Royal Crescent Bath c.1985/6.

Literature Vivien Greene, Family Dolls' Houses, pp.101-106 where the ‘Gregson House’ is discussed in detail and illustrated.

Catalogue Note This remarkable doll's house has not only a fantastic provenance and has never been on the open market before, it is also in remarkably good and original condition with its original contents, the main reason being (according to family repute) 'no child has ever been allowed to play with it'. Doll's houses or 'Baby Houses' were originally conversation pieces of wealthy adults with the earliest examples dating from the 16th century. They were not meant to be used as toys, but as items of wonder of a world in miniature or sometimes as an educational tool.

Vivien Greene (wife of Grahame Greene the famous author) in her book 'Family Doll's Houses' of 1973 wrote that the Gregson House was a 'splendid example of a 'cupboard house'. She thought the Still Room was unique in her experience 'and it is a delight to survey the ranges of built-in cupboards, curved round the room, some filled with china'.

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508

509 508 AN ITALIAN CARVED WOOD DOLL 19TH CENTURY with glass eyes, the painted wooden head and body with articulated arms and terracotta hands, wearing an 18th century embroidered silk costume 36cm high Provenance The collection of Michael Stennett.

£150­250 509 A WAX MOTHER AND CHILD DOLL GROUP POSSIBLY SPANISH, LATE 19TH CENTURY both standing, the mother with a halo above her, holding a cross and wearing a silk dress with gilt metal lacing 26cm high Provenance The collection of Michael Stennett.

£150­200 510

510 AN ITALIAN NEAPOLITAN CRIB FIGURE 19TH CENTURY of a young man, with glass eyes and a painted wooden face, with a bound string body on painted wooden legs, wearing a cotton smock, together with a painted composition bust of a man (2) 45cm (max) Provenance The collection of Michael Stennett.

£100­200 511 A PEG DOLL OF AN ELIZABETHAN LADY PROBABLY 19TH CENTURY with glass eyes, the ead with painted hair and face, on a wooden framed body with articulated arms and composition hands, wearing a dress with a lace ruff over a damask style bodice and a skirt with wirework floral decoration 49.5cm high Provenance The collection of Michael Stennett.

511 210

£200­300

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512 A WOODEN PEG DOLL LATE 18TH / EARLY 19TH CENTURY AND LATER with inset glass eyes, the head with gesso and painted features, above a pigeon chested body with replacement arms and legs, wearing a silk costume 55cm high Provenance The collection of Michael Stennett.

£200­300

513 AN ITALIAN NEAPOLITAN CRIB FIGURE 19TH CENTURY modelled as a lady wearing a silk outfit and a pearl choker, on a stepped wooden plinth 33cm high Provenance The collection of Michael Stennett.

£200­300

514 AN ITALIAN NEAPOLITAN CRIB FIGURE 19TH CENTURY of a monk, with a painted head above a wooden body with articulated arms and painted hands, wearing a gold coloured embroidered silk costume over stockings and leather shoes 50cm high (including stand) Provenance The collection of Michael Stennett.

£150­250

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516

515 515 A PAINTED WOODEN DOLL LATE 19TH / EARLY 20TH CENTURY with a painted face above an articulated head, body, arms and legs, together with another with glass eyes, a painted face and articulated arms and legs (2) 56cm high (max) Provenance The collection of Michael Stennett.

£100­200 516 A JAPANESE SAMURAI DOLL 19TH CENTURY with glass eyes and a lacquered head, in a kneeling posture, wearing a traditional silk outfit 31cm high Provenance The collection of Michael Stennett.

£80­120 517 A BRASS DOLL'S BED FRAME IN VICTORIAN STYLE

with railed head and foot boards, with orb finials and a spring mesh base 46.5cm high, 61cm long, 36.5cm wide

517

212

Provenance Wellow Manor, Hampshire.

£200­300

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ORIENTAL FURNITURE

WORKS OF ART & CARPETS

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518 A CHINESE STONEWARE LION DOG 18TH / 19TH CENTURY facing left, in turquoise and ochre glazes 37cm high, 36cm wide, 21cm deep

£200­300

519 A PAIR OF CHINESE PORCELAIN BLUE AND WHITE VASE TABLE LAMPS LATE 19TH / EARLY 20TH CENTURY of baluster form, painted with a vase before a basket of flowers, with a twin-light fitting (2) 42.7cm high (excluding fitting)

£100­150

520 A PAIR OF CHINESE PORCELAIN VASE TABLE LAMPS 20TH CENTURY each with a lemon yellow glaze and of baluster form, with banded decoration to the neck, drilled for electricity (2) 45cm high (excluding fitting)

£200­300

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521 A LARGE PAIR OF CHINESE CLOISONNÉ VASES LATE 20TH CENTURY each decorated with coloured enamels, with birds, butterflies and flowers, standing on a carved hardwood stand (4) 103cm high

£1,000­2,000

522 A PAIR OF CHINESE CANTON PORCELAIN FAMILLE ROSE ‘FIGURAL’ VASES 19TH CENTURY painted with dignitaries, ladies and attendants in interiors with smaller panels between and interspersed with fruit, auspicious objects and insects, applied with chilong to the shoulders, the neck with a pair of handles formed of two lion dogs, on gilt metal mounts (2) 47.5cm high

£200­300 523 A CHINESE CANTON PORCELAIN FAMILLE ROSE VASE 19TH CENTURY painted with figures on a bridge above water with further figures in boats or riding on clouds or bats, applied with chilong to the shoulders, the neck with a pair of handles formed of two lion dogs 63.5cm high

£400­600 215

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λ 524 A SET OF ANGLO-CHINESE WATERFALL SHELVES POSSIBLY PADOUK OR HUANGHUALI with five graduated tiers, turned spindle galleries and scroll supports 125.5cm high, 84cm wide, 32cm deep

£1,000­1,500

525 AN ANGLO-CHINESE EXPORT CHILD’S COMMODE CHAIR POSSIBLY PADOUK OR HONGMU, C.1740 in George II style, with a vase shaped splat, above shepherd’s crook arms, with a later removable mahogany seat, revealing an aperture for a chamber pot, on cabriole front legs

£4,000­6,000

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526 A RARE PAIR OF ANGLO-CHINESE EXPORT PADOUK ARMCHAIRS IN IRISH STYLE, MID­18TH CENTURY each with a scroll top rail above a pierced and interlaced splat back carved with bird’s heads, with a drop-in seat, on leaf and rosette carved cabriole front legs and claw and ball feet (2) Catalogue Note This fine pair of armchairs was constructed in China, probably Canton or Macau, for an English client, possibly for an East India Company official. The armchairs are based on an English prototype but constructed in an entirely Chinese way. Interestingly, the design of the interlaced splat with scrolls terminating in eagle's heads, relates to examples of Irish origin. See The Knight of Glin and James Peill, Irish Furniture, p.213, figs.38 & 39.

Literature See Carl L. Crossman, The Decorative Arts of the China Trade, pp.220-234.

£15,000­20,000

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527

528

527 A CHINESE PADOUK KANG TABLE LATE 19TH CENTURY the top with a burr panel, above a frieze carved with bats and curved scroll ends 32.3cm high, 97.4cm wide, 42cm deep

£100­150

528 A JAPANESE BLACK LACQUER AND MOTHER OF PEARL STAND 19TH CENTURY decorated with scrolling leaves, flowers and butterflies, with an associated copper liner 20.7cm high, 42cm wide Provenance From the estate of the late Marguerite Littman.

£40­60

529 A CHINESE HARDWOOD LOW STAND LATE 19TH CENTURY

529

the top inset with a marble panel, the pierced and carved frieze decorated with auspicious symbols and with a bat, bamboo, fruit and leaves, on reeded legs and scroll feet 52.4cm high, 43.7cm wide, 33.2cm deep

£100­150

530 218

530 A CHINESE STYLE GREEN SERPENTINE KANG TABLE

BY MAITLAND­SMITH, 20TH CENTURY with pierced brackets and scroll feet 41.8cm high, 91.5cm wide, 91.3cm deep

£100­200

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λ 531 AN ANGLO-CHINESE EXPORT PADOUK SOFA GAMES TABLE EARLY 19TH CENTURY inlaid with stringing and banding, the drop-leaf top with a sliding central reversible chequer board revealing a backgammon board inlaid with lozenges, above a double sided frieze drawer with ivory handles, on trestle ends and brass castors 72cm high, 59cm wide, 59cm deep Literature See Carl L. Crossman, The Decorative Arts of the China Trade, pp. 236 and 237, pl.88 and 89, for two comparable examples with similar interiors. According to the author, the interiors were based on a gaming box by Thomas Chippendale for Paxton House in 1774.

See also Dreweatts, Fine Furniture, 30th June 2021, lot 265 for a similar example which sold for £15,000 (hammer). *Ivory Act registration reference no. will be available to the buyer.

£6,000­8,000

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532 A PAIR OF ANGLO-CHINESE PAKTONG CANDLESTICKS MID­18TH CENTURY each with a detachable sconce, above a knopped stem, the square plinth foot with a gadrooned border and stamped with faux hallmarks (2) 25cm high Catalogue Note For a similar pair with square sconces, see Keith Pinn, Paktong, The Chinese Alloy in Europe, p.92, pl.51.

£1,000­1,500

533 A MATCHED PAIR OF ANGLO-CHINESE PAKTONG CANDLESTICKS 18TH CENTURY AND LATER each with a foliate drip-tray above a turned tapering stem and a stepped shaped foot, engraved with a lion’s head crest (2) 23.5cm high

£300­500

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534

534 AN ANGLO-INDIAN SANDALWOOD WRITING SLOPE LATE 19TH / EARLY 20TH CENTURY profusely carved with a central deity, flanked by a pair of winged beasts and surrounded by scrolling foliage, with birds and other animals, the hinged covers enclosing an interior with a velvet lined slope and a pair of metal capped glass inkwells 12.5cm hgh, 38cm, wide, 24cm deep

£150­200

535 A GROUP OF FIVE PERSIAN EMBOSSED BRASS PLAQUES PROBABLY TEHRAN, LATE 19TH CENTURY depicting various scenes, including: a mounted falconer, figures in an arcaded interior, a lady with two maids, four figures in a garden and a mounted huntsman, some with inscriptions in Arabic (5) 24 x 17cm (max)

535

Provenance Charles Lumb & Sons Ltd, from whom purchased on the 16th July 1991.

Catalogue Note A letter from the Keeper at the Ashmolean Museum, Oxford suggests that ‘They must be close relatives of Tehran figural tiles of the late 19th century’ in that ‘their size is approximately the same and the framing is similar too’.

£200­300

536 A SYRIAN SANDALWOOD PICTURE FRAME 20TH CENTURY with Mashrabiya panels and marquetry decoration in bone, mother of pearl and ebony, with an Arabic inscription beneath the opening and an easel back 38.5 x 29cm

£150­250

536 222

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537 A SUFI DERVISH COCO DE MER ‘KASHKUL’ OR BEGGING BOWL PROBABLY 19TH CENTURY 30cm wide

£100­150

λ 538 FIVE OTTOMAN SHERBET SPOONS 19TH CENTURY comprising: one with a tortoiseshell bowl with bone and coral handle, one with a bone and silver mounted handle, one with a horn bowl and a bone handle, one of horn and mother of pearl, and another with a mother of pearl handle (5) 25.5cm (max)

£300­500

539 A MOORISH WALNUT AND MOTHER OF PEARL OCTAGONAL OCCASIONAL TABLE POSSIBLY RETAILED BY LIBERTY’S, LATE 19TH / EARLY 20TH CENTURY inlaid with marquetry and parquetry, with Mihrab arched legs 66.3cm high, 47cm wide

£300­400

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540 A BIDJAR KHELLEH WEST IRAN, C.1920 the plain abrashed madder field centred by a stepped Herati medallion, framed by spandrels and ice blue borders, flanked by meandering vine guard stripes, moth damage 395 x 168cm

£100­150

540

541 A TEKKE TURKMAN CARPET EMIRATE OF BUKHARA, C.1900 the brick red field with columns of quartered guls enclosed by borders of hooked guls, flanked by guard stripes, cut and rejoined 348 x 218cm

£150­250

542 AN USHAK CARPET CENTRAL / WESTERN ANATOLIA, C.1910 the tomato red field with columns of medallions enclosed by indigo borders of stylised flowerheads flanked by guard stripes 432 x 365cm

£200­400

224

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543 A KAZAK RUG CENTRAL CAUCASUS, C.1890 the mid-indigo field with five panels of hooked motifs enclosed by ivory borders of stylised flowerheads flanked by barber poles and saw tooth guard stripes 280 x 142cm

£700­1,000

544 A CAUCASIAN KILIM PROBABLY C.1900 the indigo field with four polychrome hooked medallions enclosed by ivory borders of stylised flowerheads and saw tooth guard stripes 315 x 176.5cm

£400­600 225

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545 A HERIZ CARPET NORTH WEST PERSIA, C.1910 the madder field of angular vines centred by a cruciform medallion, framed by camel spandrels and sky-blue borders of samovar motifs and salmon pink guard stripes 358 x 268cm

£300­500

546 A HERIZ CARPET NORTH WEST PERSIA, C.1910 the madder field of angular vines around an indigo medallion, framed by sky-blue spandrels and deep indigo borders of samovar motifs and meandering angular vines flanked by guard stripes 322 x 230cm

£200­300

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547 A FINE TABRIZ PICTORIAL CARPET NORTH WEST PERSIA, EARLY 20TH CENTURY with an all over design of a hunting scene, with mounted figures pursuing various wild animals amidst foliage, with an indigo border woven with birds and kneeling female figures 562 x 424cm Provenance From the collection of the late Peter Meyer.

£2,500­3,500

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548 A SULTANABAD CARPET NORTH WEST PERSIA, C.1900 the plain tomato red field enclosed by indigo borders of turtle motifs, flanked by carnation and boteh guard stripes 330 x 248cm

£250­350

548

549 A SHIRVAN RUG SOUTH EAST CAUCASUS, C.1910 the pale lemon diamond lattice field with a central panel of hooked devices, framed by stepped indigo spandrels and ivory and madder borders of further hooked motifs 234.5 x 135cm

£250­350

550 A TRIBAL KILIM PROBABLY VERAMIN, CENTRAL IRAN, C.1930 the honeycomb lattice field of serrated guls enclosed by reciprocal arrowhead borders 332 x 180cm

£200­300 550 228

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551 A TASHKENT SUSANI CENTRAL ASIA, LATE 19TH CENTURY woven in sections on a linen base, the field centred by a large flowerhead rondel surrounded by smaller rondels and similar borders, with inner meandering vine guard stripes 230 x 165cm

£700­1,000

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552 A KASHMIR SHAWL EARLY 20TH CENTURY the brick red field of cruciform design enclosed by wide paisley borders and meandering vine outer borders, dated and signed indistinctly 191.5 x 183cm

£300­500

553 A KASHMIR SHAWL EARLY 20TH CENTURY the soft brick red field of leafy scrolls and flowers enclosed by similar narrow borders 340 x 158.5cm

£200­300

554 A KASHMIR SHAWL FRAGMENT EARLY 20TH CENTURY cut and re-joined 199 x 216cm

£100­150

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555 A SILK, GILT AND SILVER THREAD GAMING PURSE PROBABLY FRENCH OR ITALIAN, LATE 17TH / EARLY 18TH CENTURY the four alternating panels woven with a coronet above an initial, surrounded by flowering foliage, with a pink silk lining, together with a purse with vertical bands in pink and black silk, and gilt thread interspersed with gilt thread lace work, with probably later tassels, and a miser’s purse with cut-steel beads worked into the embroidery (3) 41cm (max)

£300­500

556 A SILK NEEDLEWORK CUSHION PROBABLY 18TH CENTURY worked in colours with scrolling, floral foliage on a cream ground, together with two cream silk panels, 17th or 18th century, worked in colours with scrolling flowers and foliage (3) cushion 13 x 18cm, silk panels 15 x 80cm and smaller Provenance The collection of Michael Stennett.

£100­200 557 A LATE GEORGE III RED SILK DAMASK AND WIREWORK PENNANT OR BANNER EARLY 19TH CENTURY with an embroidered border and appliqué central Royal Coat of Arms beneath a ‘GR’ monogram, on a mahogany tripod stand with a crown finial and shell carved knees pennant 48.5 x 54cm, 151cm high Catalogue Note For a similar pennant, see Woolley and Wallis, Furniture, Works of Art & Clocks, 1st April 2020, lot 372.

£500­800 231

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GRAND TOUR & SCULPTURE

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558 AN ITALIAN BRONZE GRAND TOUR FIGURE OF MARCUS AURELIUS AFTER THE ANTIQUE, LATE 19TH CENTURY modelled on horseback, on a stepped green marble base 22.5cm high (excluding base) Catalogue Note After the bronze equestrian statue of Marcus Aurelius in the Piazza del Campidoglio, Rome.

£200­300

559 AN ITALIAN BRONZE GRAND TOUR FIGURE OF THE SEATED MERCURY AFTER THE ANTIQUE, LATE 19TH CENTURY seated on a rock 26.5cm high

£200­300

560 A FRENCH BRONZE GRAND TOUR BUST OF AJAX OR MENELAUS AFTER THE ANTIQUE, LATE 19TH CENTURY on a socle base and a stepped square foot, inscribed ‘PAR’ to the underside 28cm high

£200­300

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561 AN ITALIAN BRONZE GRAND TOUR BUST OF DIANA AFTER THE ANTIQUE, LATE 18TH / EARLY 19TH CENTURY on an ebonised socle base 32cm high

£400­600

562 A BRONZE GRAND TOUR FIGURE OF A CLASSICAL MAIDEN ‘TRAGEDY’ LATE 17TH / EARLY 18TH CENTURY the nude figure seated on a rock and reaching upwards, on a burr oak plinth 21cm high

£200­300

563 TWO ITALIAN BRONZE GRAND TOUR BUSTS OF ROMAN EMPERORS LATE 18TH / EARLY 19TH CENTURY on gilt socle bases and marble column plinths (2) 27cm high

£300­500

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564 A FRENCH BRONZE FIGURE OF THE MEDICI VENUS AFTER THE ANTIQUE, LATE 19TH CENTURY standing before a cherub riding a dolphin, on a shaped base, stamped ‘F Barbédienne. Fondeur’ and with their foundry mark 45.5cm high Catalogue Note The original marble sculpture is currently on view at the Gallerie degli Uffizi, Florence.

£600­800

565 AN ITALIAN WHITE MARBLE BUST OF DANTE LATE 19TH CENTURY on a grey marble plinth, together with an alabaster plaque carved in relief with a profile portrait of a bearded gentleman and a carved serpentine figure of ‘Porcellino’ or the Uffizi wild boar (3) 33cm high (max)

£200­300

566 A FRENCH BRONZE GROUP OF A CENTAUR AND A WILD BOAR

BY LOUIS DE MONARD (FRENCH 1873­1939) with a green patination, signed ‘L. de Monard’ and with a foundry stamp ‘A. Rudier Fondeur Paris’, and also inscribed ‘2e état 1ere épreuve’ 58.5cm high, 59cm wide

£500­800

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567 A COLLECTION OF FORTY-ONE PLASTER GRAND TOUR CAMEOS AND INTAGLIOS 19TH CENTURY depicting classical and mythical scenes and figures, with original gilded paper frames (41) 4.5 x 4.1cm (max)

£100­200

568 A PAIR OF ITALIAN BRONZE GRAND TOUR FIGURES OF LORENZO AND GIULIANO DE MEDICI AFTER MICHELANGELO (ITALIAN 1475­1564), LATE 19TH CENTURY on black marble stepped plinths (2) 24.5cm high Catalogue Note See Woolley and Wallis, Furniture, Works of Art and Clocks, 30th March 2022, lot 351 for a similar gilt bronze pair of figures.

£200­300

569 AN ITALIAN ALABASTER GRAND TOUR GROUP OF THE THREE GRACES AFTER THE ANTIQUE, LATE 19TH / EARLY 20TH CENTURY standing before a tree stump, on an oval base, together with an alabaster figure of Apollo (2) 41.5cm high (max)

£200­300 236

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570 A FRENCH BRONZE GRAND TOUR FIGURE OF DELILAH OR FORTUNA AFTER GIAMBOLOGNA, LATE 19TH CENTURY modelled standing holding a pair of scissors in her right hand and a lock of hair in her raised left hand, on a cylindrical plinth cast with cherubs at various activities in bas-relief, on a black marble base 73cm high (incl. base)

£500­800

571 A FRENCH BRONZE GROUP OF A SATYR AND NYMPH IN THE MANNER OF CLODION (FRENCH 1738­1814), MID­19TH CENTURY seated on a rock strewn with grapes, a tambourine and with pipes at their feet, inscribed ‘de Braux Fr’ to verso 36cm high, 20.5cm wide

£200­300

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572 572 A BRONZE ANIMALIER FIGURE OF A LION PROBABLY FRENCH

573 A PAIR OF FRENCH BRONZE MARLY HORSE GROUPS AFTER GUILLAUME COUSTOU (1677­1746), LATE 19TH CENTURY

modelled crouching, snarling and looking to his right 21cm high, 45cm long, 19cm deep

on naturalistic bases (2) 36.5cm high, 38cm wide

£800­1,200

£800­1,200

573 238

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574 A LARGE BRONZE FIGURE OF ULYSSES AFTER JACQUES BOUSSEAU (FRENCH 1680­1740), 19TH CENTURY depicting Ulysses standing on a tree stump, stringing his bow, together with an oak and pine octagonal pedestal (2) figure: 88.4cm high Catalogue Note Jacques Bousseau studied at the atelier of Nicolas Coustou in Paris and later at the French Academy in Rome from 1709 to 1712.

He became a full Academician of the Academie Royale de Peinture et de Sculpture in 1715.

The present lot is a bronze version of Ulysses or Ulysses Bending His Bow, it was originally carved in marble, completed in around 1715 and that can now be see in the Louvre, Paris.

£2,000­3,000

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575 A FRENCH BRONZE GROUP OF THE ‘UFFIZI WRESTLERS’ AFTER THE ANTIQUE, LATE 19TH CENTURY on a naturalistic base, with dark brown patination 43cm high, 50cm wide, 36cm deep Catalogue Note The original sculpture, attributed to Lysippus, was found in 1583 in the Horti Lamiani on the Esquiline Hill in Rome. It was bought and restored

by Cardinal Ferdinando de’ Medici, before being put on exhibition in the Villa Medici. It is currently on view in the Gallerie degli Uffizi, Florence.

£1,500­2,000

576 A PAIR OF BLACK MARBLE GRAND TOUR ROTUNDAS MID­19TH CENTURY each with a soldier standing inside five ebonised and brass mounted columns 25cm high, 12.5cm wide (2)

£150­200

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577 AN ITALIAN MARBLE BUST OF A ROMAN LADY AFTER THE ANTIQUE, PROBABLY LATE 16TH / EARLY 17TH CENTURY with a downcast gaze, she wears an animal pelt headdress, with a feint inscription 56cm high, 44cm wide

£2,000­3,000

578 AN ITALIAN BRONZE MODEL OF A TOAD PADUAN, C.1600 modelled in a squatting pose, with a lead filled body 6.5cm long

£1,000­1,500

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579 THREE PLASTER FRIEZE RELIEFS FROM THE TEMPLE OF APOLLO AT BASSAE AFTER THE ANTIQUE, LATE 20TH CENTURY depicting battle scenes (3) 67.5 x 122cm, 69.5 x 139cm and 66cm x 137.5cm

£500­800 242

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580 A PLASTER BUST OF JAMES WATT AFTER SIR FRANCIS CHANTREY (1781­1841) with a painted wash finish, inscribed ‘Chantrey, Sculptor, 1818’, together with an oak pedestal (2) 69.4cm high, the pedestal: 125cm high Catalogue Note James Watt, Scottish scientist and engineer, rose to fame following his work on improving Newcomen’s steam engine which was then put into successful commercial production when he went into partnership with Matthew Boulton.

The original version of the present lot was commissioned from Chantrey in 1814. Due to Watt’s fame, there was an instant demand for replicas which were produced in full size, in marble and in plaster, and in miniature in ivory.

£500­800

581 A PLASTER BUST OF WILLIAM PITT THE YOUNGER (1759-1806) AFTER JOSEPH NOLLEKENS (1737­1823), 19TH CENTURY 64.2cm high Catalogue Note William Pitt the Younger became Britain’s youngest British prime minister in 1783 at the age of 24 and the first Prime Minister of the United Kingdom in January 1801.

The present lot is a plaster version of an original bust commissioned posthumously from Nollekens in 1807. To maximise his financial return, it is reputed that Nollekens produced seventy-four examples of the bust, examples of which can be found in a variety of collections, including the Royal Collection Trust and the Met Museum, New York.

£200­300 243

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582 582 A CAST IRON WARWICK VASE GARDEN URN AFTER THE ANTIQUE, 19TH CENTURY

583 A PAIR OF POLISHED CAST IRON MODELS OF THE WARWICK VASE AFTER THE ANTIQUE, LATE 19TH CENTURY

painted black, with entwined handles and decorated with busts 57.3cm high, 84cm wide

each decorated with entwined handles and portrait busts, with a removable liner (2) 39.7cm high, 35.5cm wide

£800­1,200

£300­500

583 244

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584 A LARGE VICTORIAN MINTON PARIAN FIGURE OF VENUS WITE A DATE MARK FOR 1880 standing wearing sandals and with a drape around one leg, on an oval base, with impressed marks to the underside 86cm high Catalogue Note The paper label to the underside states this was exhibited in the Richard Dennis Parian Exhibition in 1984, item 154.

£500­800

584

585 A VICTORIAN PARIAN BUST OF CLYTIE AFTER C. DELPECH, PROBABLY COPELAND, C.1870 made for the Art Union of London 35cm high

£200­300

586 A VICTORIAN COPELAND PARIAN FIGURE OF CORINNA, THE LYRICAL MUSE AFTER W. BRODIE SC, MID­19TH CENTURY seated writing and with a lyre to her side, with impressed marks to the base 56cm high

£200­300 586

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587 A BRONZE BUST OF A YOUNG CHILD FRENCH, LATE 19TH CENTURY modelled with a hairband, smiling and looking down to their left, on a socle foot and a stepped gilt bronze and breccia marble base 33cm high

£300­500

588 A PAIR OF SILVERED BRONZE GROUPS OF RENAISSANCE STYLE MEN FIGHTING AFTER AFTER ÉMILE GUILLEMIN (FRENCH 1841­1907) each of two men in a brawl over a game of cards, on an oval base, signed ‘Ele Guillemin’ (2) 23cm high

587

£600­800

589 A PAIR OF BRONZE FIGURES OF A BULL AND A COW POSSIBLY FRENCH, 20TH CENTURY with dark green patination, on rectangular black marble bases (2) 17cm high, 23cm wide, 8cm deep

£150­250

588

589 246

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590

590 A FRENCH EQUESTRIAN BRONZE MODEL OF ‘IBRAHIM’, AN ARAB STALLION

BY PIERRE­JULES MÊNE (1810­1871)

591 A FRENCH EQUESTRIAN BRONZE MODEL OF A PACING STALLION

BY CHRISTOPHE FRATIN (1790­1864) with a mid-brown patina, signed to the base ‘Fratin’ 25.5 x 29.5cm

with a brown patina and signed ‘P. J. Mâne’ and titled ‘Ibrahim Etalon Arabe’ to the base 31 x 36cm

Literature J. Horswell, Bronze Sculpture of Les Animaliers, Reference and Price Guide, vol. 8, p.96.

Literature J. Mackay, The Animaliers: The Animal Sculptors of the 19th and 20th Centuries, pp.73-78.

£1,500­2,000

£2,500­3,500

591 247

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592 A FRENCH ALABASTER BUST OF A YOUNG LADY EARLY 20TH CENTURY her eyes downcast, her dress with a central flower issuing scrolling ivy tendrils, signed ‘Julien’ to the reverse, on a serpentine base 68cm high

£1,000­1,500

592

593 A FRENCH BRONZE FIGURE OF JOAN OF ARC AFTER CHARLES CHAMPIGNEULLE (FRENCH 1853­1905), LATE 19TH CENTURY standing holding her standard aloft, with one foot raised on a rock, inscribed ‘Champigneulle Sculpt’ 50.5cm high

£200­300

594 AN ITALIAN ALABASTER BUST OF A GIRL LATE 19TH CENTURY, PROBABLY FRENCH with carved decoration to her dress, on a grey marble base 20.5cm high, 17.5cm wide, 8cm deep

£100­150 594 248

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595 A 19TH CENTURY MARBLE PORTRAIT BUST OF A LADY

BY JOHN WARRINGTON WOOD (1839­1886) inscribed ‘J. Warrington Wood sculpt. Roma 1869’, on a turned socle 75.4cm high, 43.5cm wide Catalogue Note John ‘Warrington’ Wood was born in Warrington, Lancashire, and adopted the name of his town of birth as his middle name to distinguish himself from John Wood, an already established sculptor. His three main oeuvres were portraiture and Biblical and mythological scenes.

£800­1,200

596 AN ITALIAN MARBLE RELIEF OF THE MADONNA AND CHILD AFTER VERROCCHIO, ATTRIBUTED TO GIOVANNI BASTIANINI, MID­19TH CENTURY 70cm high, 44.2cm wide Catalogue Note A similar relief from the workshop of Andrea del Verrocchio is held at the Museo Nazionale del Bargello, Florence, and a plaster version of a similar relief is held at the Victoria and Albert Museum, accession no.

REPRO.1888-522.

£4,000­6,000

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597 A FRENCH BRONZE FIGURE OF A DANCER WITH A LYRE

BY MATHURIN MOREAU (FRENCH 1822­1912) the base signed ‘Math. Moreau/Hors. Concours’ 70.6cm high

£2,000­3,000

598 A FRENCH BRONZE GROUP OF A SATYR AND BACCANTE

BY JAMES PRADIER (FRENCH 1790­1852) the kneeling figures in a passionate embrace, on a rectangular base and a stepped ebonised wooden plinth 31cm high, 35cm wide

£500­800

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599 A FRENCH BRONZE OF ‘EVE’ OR ‘SALAMBÔ’

BY JEAN­MARIE­ANTOINE IDRAC (FRENCH 1849­1884) the base signed ‘A Idrac’ and stamped ‘Thiebaut Frères Fondeurs Paris’ 72cm high

£2,500­3,500

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λ 600 A LARGE EARLY VICTORIAN ROSEWOOD COUNTRY HOUSE FIRESCREEN C.1840 with a carved leaf and scroll surmount, above a Berlin needlework panel of flowers, on brass castors 162cm high, 96.5cm wide, 58.5cm deep

£300­500

601 A SET OF MAHOGANY WALL SHELVES IN CHINESE CHIPPENDALE STYLE, 19TH CENTURY with four graduated tiers and pierced fret ends, fitted with three drawers 109.8cm high, 79.5cm wide, 20.5cm deep

£300­500

602 A VICTORIAN MAHOGANY OPEN BOOKCASE C.1870 with two adjustable shelves with gilt tooled leather aprons, flanked by fluted uprights, on a plinth base 112cm high, 107cm wide, 29cm deep

£150­200 252

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λ 603 A VICTORIAN ROSEWOOD SERPENTINE SIDE CABINET C.1850­60 with a raised mirror back, above a marble top and a pair of mirror doors enclosing a shelf, flanked by turned columns 152.6cm high, 145cm wide, 38.5cm deep

£400­600

604 A SET OF MAHOGANY WALL SHELVES 19TH CENTURY with pierced ends 78.7cm high, 89cm wide, 16.5cm deep

£150­200

605 AN EARLY VICTORIAN MAHOGANY OPEN BOOKCASE MID­19TH CENTURY decorated with flowerhead bosses 96.5cm high, 100.3cm wide, 35.5cm deep

£200­300

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606 607

606 A MAHOGANY CHILD’S CORNER ARMCHAIR IN GEORGE II STYLE 19TH CENTURY with pierced splats above a drop-in seat

£100­150 607 AN EARLY VICTORIAN MAHOGANY WHATNOT C.1840 with three tiers and a base drawer 93cm high, 45.5cm wide, 40.4cm deep

608

£200­300 608 A VICTORIAN WALNUT METAMORPHIC ARMCHAIR C.1870 of ‘X’ shape, with button upholstery, the hinged arms transforming into a prayer chair

£150­250 609 A GEORGE IV MAHOGANY PIANO STOOL IN THE MANNER OF GILLOWS, C.1825 with a needlework revolving seat on ribbed splay legs, together with an ‘X’ frame piano stool with an adjustable seat (2) 46.7cm high, 46.2cm wide and 47.2cm high, 53cm wide

£100­150 609 254

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λ 610 AN EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE C.1850 the circular tilt-top on a baluster turned stem and tripod legs carved with leaves, scrolls and cabochons, the block stamped ‘3795’ 74cm high, 122cm diameter

£400­600

611 A VICTORIAN BIRD’S EYE MAPLE WALL MIRROR C.1860­70 with a rectangular plate and a moulded frame 147.4cm high, 53.2cm wide

£200­300

λ 612 AN EARLY VICTORIAN ROSEWOOD CARD TABLE C.1840 with a hinged swivel top, revealing a baize lined playing surface, with a platform base, on scroll supports and castors 75cm high, 91.5cm wide, 45.3cm deep

£200­300

255

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613

614

613 A CONTINENTAL WALNUT BOMBE CASKET PROBABLY DUTCH, MID­18TH CENTURY with steel fretwork strap hinges, the front with a steel escutcheon above a wavy apron with a central shell crest, on short scroll legs 15.2cm high, 30cm wide, 18.5cm deep

£150­200 614 A MAHOGANY AND BRASS BOUND WRITING SLOPE FIRST HALF 19TH CENTURY 615

with a leather covered fold-out slope and a stationery rack, fitted with two secret drawers, with campaign style handles and corner mounts 15.4cm high, 40.5cm wide, 25cm deep

£200­300 λ 615 A GEORGE III BURR YEW TEA CADDY C.1800 of rectangular form, with a boxwood line inlay, the twin canister interior with a central glass sugar bowl, together with a rosewood caddy with a twin canister interior, on ivory ball feet (2) 15cm high, 30.5cm wide, 15.3cm deep (max) *Ivory Act registration reference no. will be available to the buyer.

£100­150 616 A REGENCY MAHOGANY, CROSSBANDED AND BRASS MOUNTED TEA CADDY EARLY 19TH CENTURY 616

256

of rectangular form, enclosing a twin canister interior with a central glass sugar bowl, with a brass escutcheon, on ogee feet 17.2cm high, 33.5cm wide, 18cm deep

£100­150

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617 A PAIR OF VICTORIAN OAK TEAPOYS C.1850­60 each with carved leaf decoration, the hinged top with a recumbent lion finial, revealing four lift-out canisters and twin sugar bowl apertures, on a spiral twist stem and sunken wooden castors (2) 106.5cm high, 54.5cm wide, 42cm deep

£800­1,200

257

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618 A VICTORIAN COROMANDEL TWO-DECANTER TANTALUS C.1860­70 of rectangular form, the Gothic style mounts with foliate decoration and Wedgwood blue jasper style rondels, with apertures for a pair of square decanters and stoppers, on a sprung base 20cm high, 21.2cm wide, 10cm deep

£200­300

619 A VICTORIAN BURR WALNUT DECANTER CASE

BY MECHI, C.1860­70 with a leather and plush lined interior, with four divisions fitted with cut-glass decanters and stoppers, with a brass plaque, inscribed ‘Mechi Regent St. London’, with a Bramah lock 26.6cm high, 23.8cm wide, 23.5cm deep

£200­300

620 A REGENCY MAHOGANY AND BRASS MOUNTED APOTHECARY CHEST EARLY 19TH CENTURY of square form, the hinged cover enclosing a silk lined, fitted interior with ten glass bottles and stoppers, above a single drawer with a fitted interior, containing a lift-out tray, four glass bottles and stoppers and a mixing vase, with campaign style brass handles and a brass escutcheon 22cm high, 17.2cm wide, 16cm deep

£150­200

258

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621 A GEORGE III MAHOGANY MINIATURE CHEST LATE 18TH / EARLY 19TH CENTURY probably an apprentice piece, inlaid with boxwood stringing, the crossbanded top above two short and three long drawers 50.3cm high, 46.2cm wide, 21.7cm deep

£300­500

622 A PAIR OF TURNED MAHOGANY CANDLESTICKS IN GEORGE III STYLE LATE 19TH CENTURY each with a brass foliate sconce, above a fluted and spiral twist column and a circular foot (2) 34cm high

£100­150

λ 623 A VICTORIAN ROSEWOOD AND BRONZE MOUNTED PARTNERS DESK STAND C.1840­50 with a central well flanked by square glass inkwells, with pen rests to either side, above a single drawer and with side carrying handles 17cm high, 43cm wide, 26cm deep

£300­400

259

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624 624 A VICTORIAN PAPIER-MÂCHÉ SNUFF BOX MID­19TH CENTURY the cover painted with a scene inside a barber’s shop, together with an oval steel and mother of pearl mounted snuff box carved with a scene of a lady in front of a house, and a brass snuff box of shaped quatrefoil form, engraved with a crest, a monogram and hunting hounds (3) 7.7cm long (max)

£150­200 625 AN EDWARDIAN HORSE’S HOOF SNUFF BOX EARLY 20TH CENTURY with silver plated mounts with engraved decoration, together with a paper clip with a cold painted bronze rabbit mounted on a rifle, on an oak base (2) 24cm long (max)

£150­200 626 A VICTORIAN SCOTTISH MAUCHLINE WARE BURR SYCAMORE SNUFF BOX C.1840

625

with a dated inscription, together with a Mauchline ware egg cruet with various scenes to the egg cups, and two cigar cases, one with a greyhound, the other with a cottage scene (4) egg cruet 23cm high

£150­200 627 A VICTORIAN SCOTTISH MAUCHLINE WARE SYCAMORE BOX C.1860 of tapering rectangular form, the cover with a soldier and a lady dancing to bagpipe music, with another soldier looking on, inside a penwork wrigglework border, the sides similarly decorated with a vacant interior 6.5cm high, 21.8cm wide, 16cm deep *Ivory Act registration reference no. will be available to the buyer.

£80­120

626 260

627

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628 A VICTORIAN SCOTTISH MAUCHLINE WARE TARTAN SNUFF BOX C.1860 of rectangular form, painted with a loch scene to the cover, later titled to the interior 2.5cm high, 9cm wide, 6cm deep

£100­150

629 A VICTORIAN SCOTTISH MAUCHLINE WARE REEL BOX C.1890 in the form of a Pullman Parlour Car, the cover with a mountain landscape, the inside with a paper label, inscribed ‘Clark & Co Anchor Sewing Cottons’ 10cm high, 16.5cm long, 9.2cm deep

£80­120

630 THREE ITEMS OF VICTORIAN SCOTTISH MAUCHLINE WARE LATE 19TH CENTURY a tartan snuff box, the cover with a scene of two men hunting with a hound, together with a tartan cigar case, and a card case with gilt scrolling foliate decoration on a black background (3) 12cm long (max)

£150­200

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632

631

631 A VICTORIAN TREEN FRUITWOOD THREE-TIER COTTON REEL STAND LATE 19TH CENTURY with turned baluster supports, and another single tier stand on a stepped base with a turned column (2) 31cm high (max)

£80­120 632 A REGENCY MOTHER OF PEARL JEWELLERY BOX EARLY 19TH CENTURY of rectangular form, with a domed cover, the fitted interior with purple silk lining, on ball feet 8.5cm high, 25.5cm wide, 23cm deep

£100­150

633

633 A FILIGREE GILT METAL STRING BOX AND COVER PROBABLY INDIAN, LATE 19TH CENTURY with a pair of bird shaped scissors, together with a circular brass box and cover, inset with a blue jasper style plaque, an oval copper box and cover, a green jade type buffalo brush washer, a pewter tea caddy, a sovereign case, a travelling tea and sugar holder and similar items (11) 18cm (max)

£100­200 634 A HOHNER SIX-WAY PADDLE WHEEL EXTRA FEINE HARMONICA with its original box, together with a ‘Parrot Harmonica’ (2) 27.5cm (max)

£80­120 634 262

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635 A GEORGE III CORNISH TYPE TRUNCHEON OR MACE DATED ‘1801’

636 AN EARLY 19TH CENTURY WOODEN TRUNCHEON INSCRIBED ‘1822’

637 AN EARLY VICTORIAN CORNISH TYPE TRUNCHEON OR MACE POSSIBLY MILITARY, C.1840­50

the square section head painted ‘III GR’ beneath a crown on two sides and ‘UP 1801’ to the other sides, with a cylindrical shaft, with a turned finial and terminal 58cm long

of tapering form, painted and gilded ‘GR IIII above a Royal Crest’, the date ‘1822’ and ‘J. Smailes/Constable’, with a turned finial 56cm long

the square section head painted and gilded with ‘VR’ beneath a crown, with a castle flanked by a pair of gilt keys, a Union Flag and a Royal Crest, on a baluster turned shaft 61cm long

£300­500

£300­500

£300­500 263

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638

639 638 NELSON INTEREST. AN OAK FRAGMENT FROM HMS VICTORY bound in copper, inscribed ‘England Expects Everyman To Do His Duty’, and with a copper label attached, inscribed ‘HMS Victory, Piece of original deck on which NELSON fought 1815 (sic) given during repairs to RM Ballantyne (Boy’s Author)’, in fitted case, marked ‘Jays, Oxford Street, London’ (2) 8.5cm x 9.5cm (max) x 3.7cm

£200­300

640

639 A SET OF THREE BLUE JASPER STYLE RECTANGULAR PLAQUES IN THE WEDGWOOD MANNER, LATE 19TH / EARLY 20TH CENTURY with scenes of Cupid, Psyche and other classical maidens around a brazier, together with two similar oval plaques (5) 15.2 x 46cm (max)

£100­150

640 A MICMAC CIGAR CASE NORTH EAST CANADA, LATE 19TH CENTURY

641 A BRASS AND ENAMELLED ICON LATE 19TH / 20TH CENTURY

the red and black leather body inset with quill slices and with swirling rondel designs 13.8cm long, 7cm wide, 3cm deep

the central figure of a winged figure, possibly Christ, surrounded by 18 saints in rondels, in an oak frame, possibly based on an icon in the Hagia Sophia 15 x 13cm

£80­120

Provenance Richardson & Kailas, dealers in icons and frescoes from whom purchased on the 10th May 1995.

£100­150 641A A REGENCY MAHOGANY TWO SECTION CHEESE COASTER EARLY 19TH CENTURY the body with a baluster turned handle, together with a burr walnut domed box and cover with a hatched inlay, and a pair of Victorian tiles with scenes of children (3) 44.5cm long (max)

£100­150

641

641A 264

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642 A MAHOGANY, SATINWOOD AND PENWORK RECTANGULAR TRAY MID­19TH CENTURY marquetry inlaid with a central patera inside stringing and ribbons with penwork, the border with stringing and quarter patera spandrels, the rim with parquetry banding, with side carrying handles 69cm long, 44.3cm wide

£150­200

643 FIVE TRAYS 19TH CENTURY two tôle examples, together with a mahogany and inlaid example in George III style and two papier-mâché examples, one with painted and gilt floral decoration and the other marked ‘WS Burton, London’ (5) 79 x 60cm (max)

£150­200

644 A GEORGE III MAHOGANY AND MARQUETRY OVAL TRAY C.1790 with a brass balustrade gallery and a pair of open handles, inlaid with a central fan patera surrounded by urns and scrolling foliage 68 x 47.5cm

£400­600

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645

646 645 A PAIR OF CARVED OAK WALL BRACKETS / CORBELS decorated with leaves 49cm high, 65.6cm wide, 31.4cm deep (2)

£300­400

646 A PAIR OF VICTORIAN GILTWOOD AND COMPOSITION WALL BRACKETS IN GEORGE II STYLE, C.1870 each decorated with a ho-ho bird, with Rococo scrolls, flowers and leaves, damages and losses (2) 34.5cm high, 30cm wide

£200­300

647 A PAIR OF CARVED AND PAINTED WOOD WALL HANGINGS IN THE MANNER OF GRINLING GIBBONS

648 A PAIR OF LEATHER SWAGS / WALL HANGINGS PROBABLY SPANISH, 19TH CENTURY

with fruit, flowers and foliage beneath a ribbon bow (2) 85cm long

the gilded fruit, flowers and leaves mounted on a wirework frame (2) 100cm long (max)

£300­500

£200­300

648

647

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649 A VICTORIAN MAHOGANY CAMPAIGN CHEST POSSIBLY NAVAL, LATE 19TH CENTURY fitted with three drawers, the top one with a baize lined slide with two brass apertures, with brass side carrying handles 80.5cm high, 73.2cm wide, 55cm deep

£500­700

649

650

650 A VICTORIAN WALNUT STOOL IN WILLIAM AND MARY STYLE LATE 19TH CENTURY with a needlework seat, on turned legs united by an ‘X’ stretcher, on brass castors 44.2cm high, 63.3cm wide, 71.7cm long

£300­400

λ 651 A VICTORIAN ROSEWOOD WALL BRACKET C. 1840­60 the canted shelf with a moulded edge, on a scrolling pierced support and backplate 38cm high, 33cm wide, 33cm deep

£100­150 651

652 A LARGE EARLY VICTORIAN MAHOGANY BLANKET CHEST C.1840 of sarcophagus shape 64.3cm high, 145.5cm wide, 70.2cm deep

£400­600 652 267

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653

λ 654 A ROSEWOOD AND PARCEL GILT BREAKFRONT SIDE CABINET IN REGENCY STYLE EARLY 20TH CENTURY

653 A GILTWOOD SOFA IN LOUIS XV STYLE MID­19TH CENTURY the moulded frame carved with leaves, flowers and ‘C’ scrolls, with button upholstery 98cm high, 215cm wide, 92cm deep

inlaid with stringing and banding, with three frieze drawers above pleated silk panelled doors (one drawer and two cupboards locked) 91.5cm high, 182.7cm wide. 48.3cm deep

£500­800

£500­800

654 268

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655

655 A SET OF SIX VICTORIAN WALNUT AND PARCEL GILT DINING CHAIRS

BY GILLOWS, C.1860­70

656 A VICTORIAN WALNUT AND PARCEL GILT WINDOW SEAT

BY HOLLAND & SONS, C.1860 later upholstered with damask fabric, with scroll ends, a moulded frame and on cabriole legs, stamped ‘Holland & Sons’ 64.4cm high, 109.5cm wide, 43.5cm deep

in the French manner, upholstered with damask fabric with moulded frames, with leaf decoration, stamped ‘Gillow’ and with initials ‘G.R’

£500­700

Provenance Sotheby's, Fine English Furniture, 2nd June 2000, lot 180.

£500­800

656 269

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657

657 A LARGE EDWARDIAN MAHOGANY BREAKFRONT OPEN BOOKCASE EARLY 20TH CENTURY inlaid with stringing and satinwood banding, with adjustable shelves, flanked by Corinthian column pilasters 124cm high, 289.5cm wide, 38.5cm deep

£500­700

657A A GEORGE III STYLE MAHOGANY SERPENTINE DRESSING TABLE MIRROR MID­19TH CENTURY the oval plate on scrolling supports and a three drawer base with bracket feet, together with another with a bowfront base (2) 59cm high, 43cm wide, 20.5cm deep (max)

£100­150 λ 658 AN EDWARDIAN MAHOGANY AND MARQUETRY CYLINDER BUREAU

BY MAPLE & CO., EARLY 20TH CENTURY

658 270

with satinwood banding and inlaid with various fruitwoods and ivory with an urn and scrolling foliage, the interior with pigeonholes, drawers and a sliding leather lined writing surface inset with glass inkwells, one drawer stamped 122cm high, 87.3cm wide, 55.2cm deep *Ivory Act registration reference no. will be available to the buyer.

£200­300

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659 A SATINWOOD AND GILTWOOD PEMBROKE TABLE IN SHERATON STYLE IN THE MANNER OF WRIGHT AND MANSFIELD, C.1860­70 the drop-leaf top with a central oval panel painted en grisaille with Aurora in her chariot in the manner of Angelica Kauffman, with a border painted with roses, above a frieze drawer, on stop fluted legs and with a later curved stretcher 76.7cm high, 50.5cm wide, 91.5cm long

£400­600

660 A VICTORIAN WALNUT TRIPOD TABLE

BY HOLLAND & SONS, C.1860 the circular top inlaid with a satinwood band on a barley twist stem, the scrolling tripod base with a central turned finial stamped ‘Holland & Sons’ twice 73cm high, 41cm wide

£300­500

271

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661 A VICTORIAN MAHOGANY LAMP STAND IN ADAM STYLE, LATE 19TH CENTURY the circular dished top above a fluted frieze and with ram’s head monopodia supports, with carved hoof feet, the base with a trade label, inscribed ‘Bertram & Son, 100 and 101, Dean Street, Oxford Street, W.’ 92.9cm high, 51cm wide

£300­400

661

662 A MAHOGANY WHIP AND BOOT STAND LATE 19TH / EARLY 20TH CENTURY with two brass hooks 100.8cm high, 47.5cm wide, 32cm deep

£200­300

663 A MAHOGANY MUSIC STAND IN REGENCY STYLE, LATE 19TH CENTURY with a lyre support above a rest, with an adjustable brass stem, on swept legs 161.6cm high (max), 48.7cm wide Provenance Formerly the property of Sir George Trenchard Cox, CBE, FSA (1905-1995). Sir George used it as an easel for watercolours and prints in his office at the V & A Museum.

The Collection of Sir Jeremy Lever.

£200­300 272

663

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664 A MAHOGANY ARMCHAIR IN HEPPLEWHITE STYLE LATE 19TH / EARLY 20TH CENTURY with a shield back, guilloche mouldings and a leather seat Catalogue Note See Woolley and Wallis, 12th and 13th January 2022, lot 190 for a period example, on which this chair is based

£200­300

665 A VICTORIAN MAHOGANY ARMCHAIR

BY WM. A. & S. SMEE, C.1880 the carved top rail above a vase shape splat and turned spindles, with outswept arms and a shaped solid seat, the cabriole front legs with foliate carving to the knees, tied with an ‘H’ stretcher, with a gilt metal manufacturer’s label to the underside

£500­700

666 A MAHOGANY SILVER TABLE IN GEORGE II STYLE LATE 19TH CENTURY the moulded serpentine edge top above a pierced frieze and claw and ball feet 71.3cm high, 79cm wide, 47cm deep

£300­500

273

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667 A VICTORIAN SPECIMEN WOOD OCCASIONAL TABLE C.1870 with ebonised decoration, the octagonal top inlaid with a parquetry star 17.5cm high, 47cm wide

£300­400

667

668 AN EBONISED WOOD HALL BENCH 20TH CENTURY with parcel gilt decoration of leaves and flowers, on scroll front supports and bun feet, with a squab cushion (2) 45.5cm high, 114.5cm wide, 32cm deep

£150­200

669 A PINE STANDING CORNER CABINET PROBABLY LATE 18TH / EARLY 19TH CENTURY with an applied carved eagle and five shelves flanked by fluted pilasters 196.4cm high, 69.3cm wide, 26.3cm deep

£300­500

274

669

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670 A PINE BREAKFRONT BOOKCASE IN GEORGE II STYLE 20TH CENTURY with an architectural pediment and Vetruvian scroll mouldings, the astragal doors enclosing shelves above fielded cupboard panels 222.3cm high, 170cm wide, 43.5cm deep

£800­1,200

275

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671

276

671 A PAIR OF LEATHER EASY ARMCHAIRS IN HOWARD STYLE EARLY TO MID­20TH CENTURY

672 A PAIR OF MAHOGANY FAUX BOOK SPINE LIBRARY DOORS 20TH CENTURY (2)

each with a later cushion and on beechwood supports (2)

181.6cm high, 101.8cm

£400­600

£1,500­2,000

672

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673 A PAIR OF MAHOGANY BOOKCASES

BY GLOBE WERNICKE LATE 19TH CENTURY each with four glazed tiers, with hinged retractable doors and with a base drawer, in six sections, with a trade label, inscribed ‘The Globe-Wernicke Co. Ltd. Office & Library Furnishers, London’ (2) 161.6cm high, 90cm wide, 37.3cm deep

£800­1,200

674 A LATE VICTORIAN HALL SETTLE LATE 19TH / EARLY 20TH CENTURY with turned spindle decoration and fielded panels, the base with a hinged fall front revealing a shelf 93cm high, 126.5cm wide, 45.8cm deep

£400­600

277

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675

676

λ 675 A GEORGE V ASPREY’S CROCODILE SUITCASE C.1930 with a brown watered silk lined interior, lacking inner tray, the brass clasps stamped ‘Asprey London’, with gilt initials ‘L.N’ beneath a coronet to the cover 18cm high, 62.3cm wide, 40.2cm deep Catalogue Note The crest is for Lavinia, Duchess of Norfolk (1916­1995). Born Lavinia Mary Strutt, she married Bernard Fitzalan­Howard, 16th Duke of Norfolk in 1937.

677

£400­600 λ 676 A GEORGE V CROCODILE BRIEFCASE

BY SMYTHSON OF BOND STREET, C.1933 the interior fitted as a stationery case with a blotter, pen holder, with cash and address books and stationery pockets, the silver clasp hallmarked for GC & S, London 1933, with gilt retailer’s marks and initials ‘LN’ 10.5cm high, 41cm wide, 27cm deep

£300­500 λ 677 A CROCODILE DRESSING CASE MID­20TH CENTURY the fitted interior with an arrangement of open and covered compartments, including: a removable jewellery box, the brass handle mounts stamped ‘Prov Pat 10965/29’ 13cm high, 36.7cm wide, 29.3cm deep

£300­500 678 A COLLECTION OF CELEBRITY PHOTOGRAPHIC MONTAGES LATE 20TH CENTURY relating to the Aids Crisis Trust events, one of the Charity Auction held by Christie’s ‘Dresses from the Collection of Princess Diana’ 25th June 1997, with photographs of Princess Diana with Mrs Mark Littman and various celebrities, with two invites to the private view and with newspaper cuttings, another relating to an Aids Crisis Trust Charity Auction of 1st June 1987, with photographs of Jerry Hall, Jasper Conran, Shirley Bassey and other famous people, the other montages relating to Aids Crisis Trust events, premieres and gala receptions, including: ‘The Prince of Tides’, ‘Hockney’s Alphabet’, ‘Suddenly Last Summer’, ‘Verdura in London’, ‘Richard III’, ‘ Richard Avedon, Evidence 1944-1994’ and ‘White Mischief’ (12) 110.4 x 85.4cm (max) Provenance From the estate of the late Marguerite Littman.

£500­700

278

678

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open

679 679 A VICTORIAN MAHOGANY COLLECTOR’S CABINET C.1870­80

680 AN EARLY VICTORIAN MAHOGANY COLLECTOR’S CABINET C.1840

with a pair of glazed arched doors enclosing thirty-nine drawers, each numbered and with a glazed lift-off lid 120.4cm high, 104cm wide, 49.5cm deep

the panelled door enclosing fifteen drawers with turned bone handles, the back with a printed paper trade label, inscribed ‘Museum of Natural History, J. Gardner, Naturalist, 52 High Holborn, London’ 85.2cm high, 45.8cm wide, 41.5cm deep

£1,500­2,000

£200­300

open

680 279

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NATURAL HISTORY FOSSILS & SPECIMENS

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681 682

681 A CARVED FOSSILISED WHALEBONE MODEL OF A POLAR BEAR POSSIBLY INUIT 31cm long

£100­150 682 A SPERM WHALE TOOTH WITH SCRIMSHAW DECORATION 19TH CENTURY carved with a mother and two children to one side and a mother and young child on her lap to verso 15.3cm long Provenance: The collection of Vice­Admiral Reginald Vesey Holt, C.B., D.S.O., M.V.O. (1884­1957), and thence by descent.

£150­200 683 TAXIDERMY INTEREST. A MOUNTED ARMADILLO 20TH CENTURY

683

on an ebonised wood plaque 45 x 25cm

£200­300 684 A VICTORIAN LEATHER TOP HAT CASE LATE 19TH CENTURY of rectangular form, stamped to the front ‘C. Livingston.

Liverpool’, together with a black silk top hat by Woodrow, 8 Castle Street, Liverpool, approx size 6 5/8 23cm high, 35cm wide, 28cm deep

£100­150

684

281

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685

686 AN UNCURLED AMMONITE SPECIMEN

685 A CLEONICERAS AMMONITE MADAGASCAR, JURASSIC PERIOD 150 MILLION YEARS OLD

27cm long

sliced into two sections, later mounted in a glazed wooden box frame 11.5cm wide

£200­300

£100­200

686

282

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687 688 AN UNCURLED HETEROMORPH AMMONITE ANCYLOCERAS LOWER CRETACEOUS

687 A LARGE AMMONITE FOSSIL SPECIMEN 52.8cm wide

£500­800

52cm long

£500­800

688 283

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689

689 A MOROCCAN POLISHED FOSSIL GREY STONE TABLE LATE 20TH CENTURY in three sections (3) 47cm high, 60cm wide, 50cm deep

£200­300

690 A POLISHED SECTION OF STROMATOLITE (FOSSIL ALGAE) BOLIVIA, SOUTH AMERICA, EARLY PROTEROZOIC together with a fossilised sea urchin and a petrified wood specimen (3) 21cm (max)

£200­300

691 A STONE SLAB SPECIMEN WITH FOSSILS including: trilobites 61.5cm wide

£150­250

284

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692 A POLISHED PETRIFIED WOOD SPECIMEN with a later metal display stand (2) 42.5cm wide

£400­600

692

693 A POLISHED PETRIFIED WOOD SPECIMEN with a later metal display stand (2) 43.5cm wide

£300­400

694 A POLISHED PETRIFIED WOOD SPECIMEN with a later metal display stand (2) 37cm wide

£200­300

694

285

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695 A MOSASAUR JAW FOSSIL JURASSIC PERIOD in a stone matric 55cm wide

£100­150

696 A FOSSILIZED FISH broken, in two sections (2) 73.5cm long

£100­150

697 A FOSSILISED DINOSAUR BONE with an amber coloured resinous surface 37cm long

£100­150

286

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698 A PSITTACOSAURUS SKELETON LOWER CRETACEOUS PERIOD, 119 ­ 97.5 MILLION YEARS BP with a birdlike skull and beak mouth, mounted on a naturalistic desert sand setting, in a glazed hardwood case 85cm long, the case: 64 x 95.2cm Catalogue Note Psittacosaurus (which translates literally as parrot lizard) was notable for its birdlike appearance. Despite its small stature and lack of horns, it was part of the Ceratopsia group which included iconic dinosaurs, such as Triceratops.

£4,000­6,000

287

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700

699

699 THREE ROCK CRYSTAL SPECIMENS two with wooden stands (5) 40cm high (max)

£200­300

λ 700 A ROSE ROCK CRYSTAL SPECIMEN together with a fossilised tortoiseshell specimen and a petrified wood specimen (3) 19cm (max)

£300­400

701 A COLLECTION OF SEASHELLS including: conch, nautilus, cowrie, spider conch and others (38) 17cm (max)

£200­300 701

288

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702 A COLLECTION OF LARGE SEASHELLS including: clam, conch and spider conch (9) 31cm (max)

£200­300

703 A LARGE BRAIN CORAL SPECIMEN together with another smaller example and another coral specimen (3) 37cm x 35cm x 21cm (max)

£150­250

289

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704 A BRASS WIREWORK BIRDCAGE EARLY 19TH CENTURY with a hinged door and mahogany base with two feeding troughs 52cm high, 62.5cm wide, 35.7cm deep Provenance Purchased by the vendor from Lennox Cato Antiques, Olympia Fine Art Fair in the 1990s.

£200­300

705 A BRASS AND CAST IRON UMBRELLA STAND LATE 19TH CENTURY with four divisions and a lift-out tray 62.3cm high, 24.8cm wide

£100­150

706 A LEAD HEART SHAPED PLANTER 19TH CENTURY decorated with cherubs 12cm high, 42cm long, 40cm wide

£100­150

290

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707 A SET OF FOUR LEAD GARDEN FIGURES EMBLEMATIC OF THE FOUR SEASONS POSSIBLY BY CROWTHER, EARLY TO MID­20TH CENTURY each in the form of a standing cherub on an octagonal base (4) 65.6cm high

£1,000­1,500

708 A LARGE PAIR OF WIREWORK GARDEN URNS EARLY 20TH CENTURY each with a removable liner and traces of green paint (2) 90.2cm high, 77cm diameter

£1,200­1,500

291

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709 A PAIR OF COMPOSITE STONE URNS ON PEDESTALS 20TH CENTURY of fluted campana form, on a fluted socle base, a stepped square foot and a square section pedestal (2) 137cm high

£400­600

710 A SET OF THREE COMPOSITE STONE BALL FINIALS 20TH CENTURY together with a staddle stone (4) balls 28cm diameter, staddle stone 56cm high

£200­400

711 A SET OF FOUR COMPOSITE STONE BALL FINIALS 20TH CENTURY on socle bases (4) 55cm high

£400­600 292

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712 A COPPER AND BRASS ARMILLARY SPHERE 20TH CENTURY with an arrow and plain flight, with a bell shaped base, on a Bath Stone tapering cylindrical column and a stepped square foot (2) 180cm high

£800­1,200

713 A VICTORIAN CAST IRON AND WOOD GARDEN BENCH IN THE MANNER OF COALBROOKDALE, THIRD QUARTER 19TH CENTURY AND LATER with a later slatted back and seat, the ends decorated with a grapevine and a squirrel, the arms with eagle head terminals 72.4cm high, 159cm wide, 70.8cm deep

£500­800

END OF SALE 293

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EXBURY HOUSE WEDNESDAY 5TH OCTOBER 2022

ENQUIRIES Mark Yuan­Richards +44 (0)1722 411854 myr@woolleyandwallis.co.uk

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FINE FURNITURE, CLOCKS AND WORKS OF ART THURSDAY 6TH OCTOBER 2022 WE ARE CURRENTLY INVITING ENTRIES

A pair of George III blue john and ormolu vase perfume burners by Matthew Boulton.

Estimate £15,000 ­ 20,000* ENQUIRIES Mark Yuan­Richards | +44 (0)1722 411854 | myr@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS

Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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VALUATIONS

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For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

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Woolley & Wallis valuations are accepted by all leading insurance companies.

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We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

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We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

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Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk

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Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on +44 (0)1722 424500.

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WOOLLEY & WALLIS SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

WW102-738 Listing DAY 2.qxp_Layout 1 01/06/2022 15:32 Page 304

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FURNITURE

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WORKS OF ART & CLOCKS 29TH & 30TH JUNE 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

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AUCTION CALENDAR 2022

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2022 AUCTIONS

JULY 12th & 13th 14th

Silver & Objects of Vertu Fine Jewellery

SEPTEMBER 7th 20th 21st

Old Masters, British & European Paintings English & European Ceramics & Glass African & Oceanic Art | Antiquities

OCTOBER 5th 6th 19th 25th & 26th

Exbury House Sale Fine Furniture, Works of Art & Clocks Design Silver & Objects of Vertu

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A William and Mary black and polychrome japanned cabinet on stand SOLD FOR £68,750*

www.woolleyandwallis.co.uk