Woolley & Wallis Auctioneers

CHRISTMAS GIFTS TIMED ONLINE AUCTION 19TH NOVEMBER - 2ND DECEMBER 2020

CHRISTMAS GIFTS TIMED ONLINE AUCTION 19TH NOVEMBER - 2ND DECEMBER 2020 ENQUIRIES enquiries@woolleyandwallis.co.uk +44 (0)1722 424 500

IMPORTANT CHANGES TO OUR BIDDING PROCEDURE

ONLINE BIDDING VIA THE-SALEROOM.COM

Owing to the recent introduction of Money Laundering Regulations, clients wishing to bid in this auction are likely to be asked to provide two forms of identification. This applies to both new and existing clients.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT CONDITION OF LOTS The condition of lots is not stated in the catalogue descriptions.

Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults

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ILLUSTRATIONS

Twitter: @woolleywallis

Front cover: Lots 1010, 1026, 1032, 1086, 1149, 1292, 1293 & 1294 Back cover: Lots 1175 – 1180

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SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN

VALUATIONS FOR INSURANCE & PROBATE

Michael Jeffery Zoe Smith

424505 446955

Jeremy Lamond MRICS ASFAV FRSA Paul Viney ASFAV Amanda Lawrence

424598 424509 424509

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Amber Lees Sarah Lopez­Ferreiro

424506 +44 (0)7812 601098 424571 424591

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

GENERAL OFFICE Janice Clift (Office Manager) Sarah Bennie Megan Corbett Pauline Jones Nicola Young

424500

CASTLE GATE RECEPTION Sally Litherland

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA

424595 424504 424586

MARKETING Sally Trench

ACCOUNTS ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

Ruth Pike Sharon Ringwood

BOARD OF DIRECTORS CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Amber Lees

424589 424571

Natalie Milsted FCCA Managing Director

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy

411854 339161 446974

424583 424591

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Paul Viney ASFAV Non­Executive Director

ASSOCIATE DIRECTORS

JAPANESE ART Alexandra Aguilar Sarah Lopez­Ferreiro

John Axford MRICS ASFAV Chairman

339752 446980

Janice Clift Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Mark Yuan­Richards

446959

JEWELLERY NOTICES Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained

by Woolley and Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley and Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life­sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Items described as ‘seed pearls’ have not been tested and cannot be guaranteed as natural pearls.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Woolley and Wallis do not guarantee the working order of mechanical movements at the point of sale and beyond.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­en/imports­exports/cites/

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DENNIS CHINA WORKS

1000 ‘Beethoven’ a Dennis China Works limited edition Spill vase designed by Sally Tuffin, dated 2020, painted by Theresa Blackmore, thrown by Rory McLeod, tubeline decorated in colours highlighted in gilt after a design by Gustav Klimt, impressed and painted marks, numbered 15, 25.5cm. high £250­350

1000

1001

1001 ‘Dragon and Peacock’ a Dennis China Works limited edition Spill vase designed by Sally Tuffin, dated 2019, painted by Vanessa Thompson, thrown by Rory McLeod, cylindrical form tubeline decorated in colours on a green ground, the rims highlighted in gilt highimpressed marks, painted marks, number 8/20, 25cm. high £350­450

1002 ‘BBB’ a Dennis China Works limited edition Bud vase designed by Sally Tuffin, dated 2018, painted by Vanessa Thompson, thrown by Rory McLeod, footed, swollen cylindrical form, tubeline decorated in blue, turquoise and green after the original BBB tile design by William De Morgan, impressed and painted marks, numbered 3, 21cm. high £240­280

1003 ‘De Morgan Fish’ a Dennis China Works limited edition Baluster vase designed by Sally Tuffin, dated 2019, painted

by Vanessa Thompson, thrown by Rory McLeod, tubeline decorated after the original design by William De Morgan, in shades of blue, turquoise and green impressed and painted marks, numbered 55, 20.5cm. high £250­300 1002

1003

1004 ‘Elizabethan Embroidery’ a Dennis China Works limited edition Sphere vase designed by Sally Tuffin, dated 2019, painted

by Theresa Blackmore, thrown by Rory McLeod, tubeline decorated in colours and gilt based on an embroidered Elizabethan jacket in the V&A museum, impressed and painted marks, numbered 7, 11.5cm. high £220­280

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1004

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1005 ‘Klimt Pattern’ a Dennis China Works limited edition Bud vase designed by Sally Tuffin, dated 2019, painted by Theresa Blackmore, thrown by Rory McLeod, tubeline decorated in colours and gilt inspired by Gustav Klimt, impressed and painted marks, 20.5cm. high £240­280

1006 ‘Peacock’ a Dennis China Works trial vase and cover designed by Sally Tuffin, dated 2008, painted by Theresa Blackmore, thrown by Rory McLeod, pear­shaped bottle with flat cover, tubeline decorated in colours on a graduated green ground, impressed and painted marks, 31cm. high (2) £550­650

1005

1006

1007 ‘Sunflower’ a Dennis China Works trial Bottle vase designed by Sally Tuffin, dated 2018, painted by Vanessa Thompson, thrown by Rory McLeod, tubeline decorated in yellow and brown on a blue ground, impressed and painted marks, 18cm. high £180­220

1008 ‘Tiger’ a Dennis China Works trial Mr T vase designed by Sally Tuffin, dated 2017, painted by Vanessa Thompson, thrown by Rory McLeod, painted in shades of orange, black and cream, impressed and painted marks, marked Trial, 12.5cm. high £180­220

1009 ‘Barn Owl’ A Dennis China Works limited edition Conical vase designed by Sally Tuffin, dated 2018, painted by Theresa Blackmore, thrown by Rory McLeod, tubeline decorated in colours on a pale yellow to cream ground, impressed and painted marks, 16.5cm. high £140­180

1007

1008

1009

1010

1010 ‘Penguins’ a Dennis China Works limited edition Conical vase designed by Sally Tuffin, dated 2019, painted by Theresa Blackmore, thrown by Rory McLeod, tubeline decorated in colours on a graduated blue ground, impressed and painted marks, numbered 26, 18cm. high £150­200

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

ASIAN COLLECTABLES

1011 A CHINESE APPLE GREEN JADEITE RECTANGULAR PENDANT QING DYNASTY OR LATER Carved in low relief to one side with a scholar and his attendant beneath a pine tree in a rocky landscape, the reverse with calligraphy, all set beneath stylised clouds, the white stone with areas of vibrant green, the plaque suspending from thread to form a necklace, the pendant 6cm. £800­1,000

1012 A FINE JAPANESE ENAMELLED SILVER BOX AND COVER MEIJI PERIOD, 1868­1912 Of circular form, the lid richly decorated with many flowers including chrysanthemum, peonies, daisies, sakura and other blossoms amongst foliage, with details highlighted in colourful enamels, a firefly, a bee and a praying mantis amongst the vegetation, all reserved on a gilt ground, the bottom half of the box incised with a band of further blooms, the base signed Shomin, 7.8cm. (2) £2,000­3,000

1013 A SMALL CHINESE PALE CELADON JADE CARVING OF A BOY WITH LOTUS QING DYNASTY OR LATER The child kneels holding a large sprig of lotus over his shoulder, bearing a content expression on his face, the stone with some russet markings, 4.3cm. £600­800

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1011

1013

1012

9

1014 A SMALL GILT­METAL OWL­SHAPED VESTA CASE EARLY 20TH CENTURY Formed as an owl with its wings tucked in, finely detailed with its feathers, the head forming the hinged cover, its eyes picked out in pinkish­orange jewels, with the striker to the base, 5.8cm, 27g. £200­300 1015 A CHINESE SILVER FILIGREE CARD CASE LATE 19TH CENTURY

1014

1015

Decorated in relief to one side with a dragon amongst stylised clouds, with a panel enclosing a butterfly and fish amidst flowers to the reverse, the designs bordered by floral scrolls, 8.7cm, approx 0.2oz. (2) £200­300 1016 A JAPANESE SHIBAYAMA­STYLE SILVER CASE MEIJI PERIOD, 1868­1912 The rectangular panel to the front embellished with three small birds amongst sakura and wisteria flowers, the inlays in mother of pearl on the gold lacquer ground, the silver incised with further blossoms and the reverse with a large iris growing from a stream, signed Seikin and with the jungin (pure silver) mark inside, 8.8cm x 6.5cm. £300­500

1016

1017

1017 A CHINESE SILVER FILIGREE CARD CASE 19TH CENTURY With a hinged cover, decorated to each side with a large oval panel containing stylised scrolling designs, with lappets to the edges, the reverse centred by a small plaque inscribed ‘Erika’, 9.8cm, 2.5oz. £200­300 1018 A FINE JAPANESE SATSUMA PORCELAIN BOX AND COVER BY KINKOZAN MEIJI PERIOD, 1868­1912

1018

The circular body delicately painted with a panel enclosing a scene of small birds flying above large sprays of chrysanthemum, on a millefleurs ground, the minute flowers painted in a variety of pastel colours and with details in gold, the rims with gilt bands of coin patterns, the insides with further blooms and gold dots, the lower half of the box with four sprays of chrysanthemum blossoms and scrolling tendrils, the base embellished with an elaborate mark for Kinkozan, together with a fitted wood box with purple silk lining, 8.1cm dia. (2) £1,400­1,600 1019 A SMALL JAPANESE LACQUER BOX AND COVER MEIJI OR TAISHO PERIOD, 20TH CENTURY The square body in deep black lacquer decorated with abstract patterns reminiscent of mountains in ochre, iron­red and olive­ green, the rim with silver­coloured mounts, the inside with nashiji gold lacquer and the underside of the lid painted with a Dharma Chakra (Wheel of Dharma) in gilt, in a fitted tomobako wood box and cover stamped with the elephant­shaped seal for the Zohiko workshop, 5.5cm x 6.1cm x 6.1cm. (4) £200­300

1019 10

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1020 A SMALL CHINESE PALE CELADON JADE CARVING OF A BOY AND A GOOSE QING DYNASTY OR LATER The boy crouches embracing the goose, the bird’s wing detailed with its plumage, with a cheerful expression on the child’s rounded face, the stone with some minor white mottling and russet markings, 4.5cm. £600­800 1021 A SMALL CHINESE WHITE JADE ‘LOTUS’ BRUSH WASHER QING DYNASTY OR LATER Carved as a lotus leaf furling at the edges, with a lotus flower and further leaves trailing underneath and over the edges, their stems all tied at the end, the pale stone of an even tone with some very small inclusions, 6.1cm.

1020

1021

£600­1,000 1022 A CHINESE WHITE JADE CARVING OF TWO CATS ON A HAT QING DYNASTY OR LATER Worked as two small kittens chasing each other as they climb over a large hat, the hat tied with a ribbon and with finely incised details, with some pale inclusions in the stone, 6.1cm. £1,000­2,000 1023 A SMALL CHINESE PALE CELADON JADE OCTAGONAL SEAL PASTE BOX AND COVER QING DYNASTY OR LATER The plain box of shallow form, with a flat cover and a slightly recessed base, the translucent stone of an even tone with very minor pale inclusions, 5.2cm. (2)

1022

£400­500 1024 A CHINESE PALE CELADON JADE ‘CHILONG’ HUAN QING DYNASTY OR LATER Formed as a disc, carved in relief with two feline­like mythical beasts clambering over the exterior, the stone with some small russet markings and white inclusions, 5.2cm. £500­800 1025 A PAIR OF CHINESE CORAL BEAD BANGLES QING DYNASTY OR LATER

1023

1024

Each circular bracelet decorated to the edge with a geometric band of white beads, the design set amidst many orange beads, 8cm. (2) £300­400 1026 A CHINESE RED GLASS SNUFF BOTTLE QING DYNASTY The plain ovoid body rising from an oval foot to a short cylindrical neck, the translucent glass of a dark red colour, 6.4cm. £300­400

1025

1026 11

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

SILVER & OBJECTS OF VERTU

1027 An Asprey novelty gilt and oxidised metal cartridge butt marker, the base inscribed Asprey’s Cartridge Place Finder, Patent Applied For, the top with a 6 in a triangle and inscribed, ‘Loaded by Asprey, Smokeless’, the rotating action opens the cartridge to reveal eight unmarked numbered pegs, the base with a presentation inscription, length closed 6.2cm. £400­600 Provenance: A Private Collection Manfred Schotten Antiques, Burford, Oxon. 18 April 2009.

1028 An Edwardian silver butt marker,

by Grey and Co, Birmingham 1906, rectangular form, hinged cover, the interior with ten unmarked numbered pegs, length 4.7cm, approx. weight 1.5oz. £300­400 Provenance: A Private Collection.

Alastair Dickenson Ltd. Woolley and Wallis, Salisbury, Silver Sale, 27 October 2010, lot 639.

1029 An Edwardian silver butt marker,

by Inderwick and Co., London 1903, tapering oblong form, the hinged cover opens to reveal eight unmarked numbered pegs with ball finials, with a ring attachment, length 6.2cm. £300­500 Provenance: A Private Collection.

Alastair Dickenson Ltd. 1030 A late­Victorian silver butt marker,

by H. Samuel, Birmingham 1898, shaped form, plain hinged cover, the base with a dispensing mechanism to release eight numbered balls, length 3.8cm, approx. weight 0.7oz. £700­900 Provenance: A Private Collection.

Alastair Dickenson Ltd. 1031 A late­Victorian silver butt marker,

by John Banks, London 1899, retailed by Albert Barker Ltd., London, Pat no.22108, rectangular form, the marker opens to reveal a fan of eight numbered unmarked pegs, the side inscribed ‘The Sportsman Pathfinder’, length 4.7cm, approx. weight 1.4oz. £600­800 Provenance: A Private Collection.

Alastair Dickenson, Christie’s South Kensington, Silver Sale, 18 May 2004, lot 229.

1032 A silver butt marker and note pad,

by Asprey and Co., Sheffield 1927, rounded rectangular form, the front with a cut­out section and numbered 1­8, with eight numbered ivorine pegs. the side with pencil clip and pencil, the reverse with a slide­out ivorine note pad, length 8.5cm. approx. weight 2oz. £400­600 Provenance: A Private Collection.

Purchased from Hancocks, Burlington Arcade, London, 8 October 2002.

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1028 1027

1029

1030

1031

1032

13

1033 A set of eight modern silver butt markers,

by Whitehill Silver & Plate Co, Birmingham, no apparent date letter, modelled as shot guns, the reverse of the stocks numbered 1­8, in a leather wallet case, length 10.7cm, approx. weight 4oz. (8)

£300­400

Provenance: A Private Collection.

1034 A Victorian parcel­gilt cast silver caddy spoon,

by Francis Higgins, London 1890, shell bowl, with a lily pad handle with gilded leaves, length 8.8cm, approx. weight 0.8oz. £400­600

1035 A George III novelty silver hand caddy spoon,

by Josiah Snatt, London 1805, the terminal with engraved decoration and initials, length 7cm, approx. weight 0.2oz. £200­300

Provenance: A Private Collection.

Purchased from Julian Pawle Limited, New Bond Street, London, 12 June 1991.

Provenance: A Private Collection.

Purchased from Julian Pawle Limited, New Bond Street, London, 7 February 1991.

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1036 A George III novelty silver jockey cap caddy spoon,

by Elizabeth Morley, London 1798, bright­cut decoration, length 4.7cm, approx. weight 0.1oz. £200­300 Provenance: A Private Collection.

Purchased from Julian Pawle Limited, New Bond Street, London, 7 February 1991.

1038 A George III silver nutmeg grater, maker’s mark only, I.P, for James Phipps, London circa 1785, plain oval cylindrical form, the hinged cover opens to reveal the hinged side with a steel grater, length 6.7cm, approx. weight 1oz. £500­700

1037 A pair of Edwardian silver nutcrackers,

by Henry Williamson Ltd, Sheffield 1902, tapering faceted and baluster handles, length 13.5cm, plus another pair of silver nut crackers, by Mappin and Webb, Sheffield 1917, with ribbon and reed handles and foliate motifs, length 15.2cm. (2) £200­300

1039 A pair of late­Victorian silver handled nut crackers and a nut pick,

by Adie and Lovekin, Birmingham 1898/99, steel grips and pick, the handles with fluted decoration, in a fitted case, length 15.3cm. £120­150

15

1040 A pair of modern Irish silver candlesticks,

by Kevin J. O’Dwyer, Dublin 1988, the tapering columns with two scroll supports, plain capitals, height 19.8cm, approx. weight 10.5oz. (2) £200­300

1041 A pair of silver two­light candelabra,

by Garrard and Co., Sheffield 1958, on raised shaped rectangular base, plain tapering arms each supporting an urn capital, with a central fluted finial, length 30.3cm, approx. weight 28oz. (2) £600­800

1042 By Christopher Lawrence, a pair of modern parcel­gilt salt and pepper pots, London 1982, tapering and circular bellied form, with textured decoration, height 9.5cm, approx. weight 4.5oz. (2) £300­400

1043 A pair of Edwardian silver trumpet vases,

by Mappin and Webb, Sheffield 1901/2, tapering circular form, crimped borders, embossed with chrysanthemum decoration, on raised weighted circular bases, height 20.7cm. (2) £200­300

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1044 An Edwardian novelty silver hedgehog pin cushion,

by Adie and Lovekin, Birmingham 1906, modelled in a standing position, length 4.4cm. £200­300

1045 A Dutch novelty silver pepper pot, circa 1920, modelled as a pecking hen, textured feathers, the pierced pull­off head set with red eyes, length 9.2cm, approx. weight 1.1oz. £200­300

1046 A matched pair of Edwardian novelty silver bear pepper pots, one by Henry Williamson Ltd, the other by Gourdel Vales & Co., Birmingham 1909, modelled in seated positions, detachable pierced heads set with purple eyes, height 4.5cm, approx. weight 0.9oz. (2) £250­300

1047 By David Andersen, a pair of Norwegian silver­gilt and enamel novelty owl pepper pots, modelled in standing positions, one with a green enamel body and one with a purple enamel body, with feather decoration, on circular bases, height 5.3cm, approx. weight 1.5oz. (2) £250­300

1048 A silver model of a standing horse,

by Richard Comyns, London 1974, modelled in a standing position, length 9.5cm, approx. weight 3.5oz. £250­300

17

1049 A silver­gilt and blue enamel travelling dressing table set,

by J W Benson Ltd, London 1927, plain mounts, comprising: a hand mirror, two brushes, a scent bottle, a circular box, a nail buffer, a nail file, a manicure item and a pair of gilt scissors, in a fitted velvet lined leather case with gilt mounts and a carrying handle, with a lock, but no key. length of mirror 13cm. £250­300

1050 A collection of six silver stamp boxes and cases, comprising: a late­Victorian triple box, by A and J Zimmerman, Birmingham 1899, rectangular form, the hinged cover set with three stamps under glass, length 8.8cm, plus two single stamp boxes, a double box with a hinged glass cover, by Saunders and Shepherd, Chester 1898, a double slide­action case, with engraved decoration, and an Edwardian box, the hinged cover set with two stamp compartments, Birmingham 1901. (6) £300­400

1052

1051 By George Hart for the Guild of Handicraft, an Arts and Crafts silver preserve pot and cover, London 1943, upright cylindrical form, spot­hammered decoration, the pull­off cover with a knop finial, on a spread circular base, green glass liners, approx. weight 15.6oz, 17cm high. £500­700

1051

1052 A silver playing cards box for Bridge,

by The Goldsmiths and Silversmiths Company, London 1910, rectangular form, the hinged cover with a plain thumb­piece and applied ‘Bridge’, the green lined interior with a pack of cards, length 11.8cm. £250­300

1053

18

1053 A gold­mounted English porcelain dog whistle, late 18th/19th century, simply decorated with leaf sprigs on a white ground, the gold mount with a white enamel band inscribed ‘Accours a Mon Appel’ (Run to my call), with a small hinged compartment to the base, contained in a later fitted box, 6.5cm. £300­400 Provenance: a private collection. Purchased from Gerald Sattin Ltd., 8 January 1981.

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1054 A set of six silver napkin rings,

by The Goldsmiths and Silversmiths Company, Sheffield 1921, circular form, pierced and engraved with foliate decoration, reeded borders, numbered 1­6, in a fitted case, approx. weight 5oz. (6) £250­300

1055 A set of six Edwardian silver tot cups,

by William Hutton and Sons, Birmingham 1905 shaped tapering square form, scroll handles, gilded interiors, on circular bases, in a fitted case, height 4.7cm, approx. weight 4oz. (6) £250­300

1056λ A silver and tortoiseshell dressing table box,

by William Comyns, London 1912, retailed by J.C. Vickery, Regent Street, London, oval form, the hinged cover set with a tortoiseshell panel, inlaid with silver ribbon­tied swag decoration, swag border, the interior velvet lined, on four bracket feet, length 15.2cm. £350­400

1057 A George III silver cream jug,

by Robert Hennell, London 1802, helmet form, beaded borders and scroll handle, on a raised circular foot, height 13.8cm, approx. weight 3.8oz. £150­200

1058 By Cartier, a modern novelty silver watering can spirit measure, stamped Cartier and Sterling, the watering can with an overhead handle and cylindrical spout, height 8cm, approx. weight 1.6oz. £150­200

1059 A novelty silver bonbon dish,

by Charles S Green & Co Ltd, Birmingham 1910, modelled as a wheelbarrow, the sides pierced with foliate scroll decoration, length 12.3cm, approx. weight 1.2oz. £150­200 19

1060 A pair of Edwardian silver mirrors,

by Samuel Jacob, London 1907, plain oval form, with a hinged triangular ring attachment, and pigskin backing, length 12.2cm. (2) £100­150

1061 A silver travelling sandwich box and electroplated mounted glass flask,

by Andrew Barrett & Sons, Chester 1910, rectangular form, hinged cover and side, gilded interior, the flask with a bayonet fitting hinged cover, plain glass body, retailed by Swaine and Brigg, London, in a fitted leather case, initialled ‘E.R.C’, length of box 13.5cm, approx. weighable 7oz. £300­400

1062 An Edwardian silver jewellery box,

by Horton and Allday, Birmingham 1904, rounded rectangular form, the cover with a spray of flowers, the sides with sinuous Art Nouveau decoration, on four bracket feet, the interior silk and velvet lined, with with six recesses to fit rings, length 11.5cm. £250­300 1062

1063 A silver canon handled basting spoon,

by R. Comyns, London 1936, tapering circular handle, with a knop finial, the reverse of the oval bowl with two crests and inscribed ‘Copy of The Salisbury Ladle 1684, given to The Fishmongers Livery on the Coronation of King George VI, 12 May 1937’, length 38.2cm, approx. weight 4.9oz. £200­300 20

1064 A set of six George III silver­gilt King’s Hourglass pattern salt spoons,

by Eley, Fearn and Chawner, London 1811, oval bowls, the terminals with a crest, length 11.2cm, approx. weight 5oz. (6) £100­150

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1065 A silver seven­bar toast rack,

by Nathan and Hayes, Chester 1913, trefoil shaped bars, with a central carrying handle, on a rectangular base with a gadroon border, on four ball feet, length 14cm, approx. weight 5.7oz. £150­200

1066 A Victorian silver seven­bar toast rack,

by Martin, Hall and Company, London 1875, shaped rectangular form, plain arched bars, central scroll carrying handle, initialled, on four ball feet, length 18cm, approx. weight 12.5oz. £250­300

1067 A collection of modern silver Christmas tree decorations,

by Braybrook and Britten, London 2009­2017, modelled as Rudolph, Dasher, Dancer, Comet, Cupid and Blitzen, plus two modelled as stars and one modelled as a cat, all with red ribbon, plus five pouches and six boxes, length of Rudolph 7cm, approx total weight 5.5oz. high (9) £150­200 21

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1069

GEORG JENSEN 1068

1068 A pair of Georg Jensen silver candlesticks designed by Harald Nielsen, model no.747B, circular disc base with cylindrical necks, stamped marks, 5.5cm. diam.

2.5ozt. (2) £150­200 1069 A Georg Jensen silver ring designed

by Vivianna Torun Bulow­Hube, model no.150, angular, solid form, stamped factory marks, size J £150­250

1070

1071

1070 A Georg Jensen silver brooch designed by Georg Jensen, model no.65 oval pierced and cast in low relief with a bell flower stem, stamped factory marks, import hallmarks for London 1948, 5cm. wide £150­250 1071 A Georg Jensen silver brooch designed by Kristian Mohl­Hansen, model no.166, rounded form stamped in low relief with a bird and vine design, stamped factory marks, 5.5cm. wide. £150­250

1072

1072 A Georg Jensen silver brooch designed by Arno Malinowski, model no 204, cast in low relief with a bird amongst foliage stamped marks, 4cm. wide. £120­180 1073 A Georg Jensen silver neck ring and rock crystal pendant designed by Vivianna Torun Bulow­Hube, model no. 169, the pendant model no.132, streamlined form, set with rock crystal panel, stamped marks and Torun, 16.5cm. wide. 13ozt (neck ring), (2) £200­300 Literature Georg Jensen Jewellery, BGC/Yale an example illustrated on the back cover.

1073

1074 A Georg Jensen silver brooch designed by Henning Koppel, model no.325, pierced and cast abstract form, stamped factory marks, 5.6cm. wide £150­250

1074 22

1075

1076

1077

1075 A Georg Jensen silver and lapis pendant necklace designed by Georg Jensen, model no. 826, pierced and cast in low relief with flowers and foliage, set with four small lapis stones, central drop with larger blue stone, on link chain, stamped factory marks, 4cm. long £200­400 1076 A Georg Jensen silver pendant necklace designed by Arno Malinowski, model no.97, heart­ shaped, pierced and cast with a bird flying between two leaves, on link chain, stamped factory marks, 3.7cm. high £150­250 1079

1077 A Georg Jensen silver pendant necklace designed by Arno Malinowski, model no.95, pierced and cast in low relief with a resting deer and stylised flowers, stamped factory marks to reverse, 4cm. wide £150­250

1078

1078 A Georg Jensen silver brooch designed by Georg Jensen, model no.173, pierced and cast with radiating flower stem design, stamped factory marks, 5.2cm wide £150­250 1079 A Georg Jensen silver brooch designed by Arno Malinowski, model no.238, pierced and cast with an exotic bird flying over a large flower, stamped factory marks, 4.2cm. wide. £150­250

1081

1080 A pair of Georg Jensen silver earrings, bell flower on chain drop with large flowerhead motif, with screw fittings stamped factory marks, 4.5cm. drop (2) £120­180 1080

1081 A Kay Bojesen Solvsmedie silver and Amazonite brooch, oval cast in relief with flower border, set with central Amazonite, roundel, stamped marks, 5.5cm. wide £150­250 1082 A Georg Jensen silver Peryton brooch designed by Kristian Mohl­Hansen, model no.81, rounded square form cast in low relief with a winged deer, stamped factory marks, 5.5cm.wide £150­250

1083

1083 A Georg Jensen silver brooch designed by Georg Jensen, model no.20, circular, pierced and cast in low relief with radiating foliage and berries, stamped marks, 4.5cm. diam. £150­250

1082 23

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

JEWELLERY

1084 A chalcedony and gold snowman brooch by Tiffany & Co, signed and dated July 26th 1953, 4.2cm high £1,600­2,000

1085 A lapis lazuli and gold snowman brooch by Tiffany & Co, signed, 4.6cm high

£1,600­2,000

1086 A set of six diamond­set gold star brooches, the three dimensional stars each set with an old circular­ cut diamond in yellow gold, 16mm wide £6,000­8,000

1087 A peridot and diamond present ring by Geoffrey Rowlandson, the fancy­cut peridot set next to pavé­set diamonds surmounted with a bow in 18ct yellow gold, signed to interior, maker’s mark and London hallmarks for 2002, size N½ £1,000­1,500

1088 A late Victorian diamond snowflake brooch, set overall with graduated cushion­shaped diamonds in silver and gold, 3cm wide £800­1,200

24

1086

1085

1084

1087

1088

25

RINGS 1089 A tanzanite and diamond cluster ring, the tanzanite cabochon is set within teardrop surround set with single­cut diamonds in silver and gold, size M £600­800

1089

1090 An emerald and diamond cocktail ring, of odeonesque style set with graduated emerald­cut emeralds and single­cut diamonds in 9ct gold and platinum, size P £1,500­2,000

1091 An amethyst cabochon ring by Geoffrey Rowlandson, set in striated rubover white gold mount, maker’s mark and London hallmarks for 2006, size P £600­800

1092 A chalcedony and diamond ring by Geoffrey Rowlandson, the carved blue chalcedony is mounted with white gold straps set with round brilliant­cut diamonds, signed Rowlandson and GR074, size O £600­800

1090

1093 An onyx and diamond ring by Geoffrey Rowlandson, the teardrop­shaped onyx decorated with twisted gold set with round brilliant­cut diamonds on plain 18ct yellow gold shank, maker’s mark and London hallmarks for 2001, size P £400­600

1091

1094 A moonstone and white gold tank ring by Cartier, the buff­ top moonstone set in 18ct white gold, signed and dated 1997, numbered 605666, French maker’s lozenge to outer shank, size L £500­700

1095 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 1.20cts, with diamond shoulders in platinum, size K £400­600

1096 A late 19th century ruby sapphire and diamond ring, formed from three half hoop rings conjoined, each set with five stones and diamond pointers mounted in carved and pierced yellow gold, size M £800­1,200

1092

1097 An amethyst and diamond ring, the oval­shaped amethyst is set within a surround of circular­cut diamonds in pierced geometric platinum mount, size P½ £600­800

1098 A diamond cluster ring, the round brilliant­cut diamonds weigh approximately 1.50cts in total, set in 18ct yellow gold, London hallmarks for 2019, size O £1,300­1,500 1093

26

1098

1097

1096 1095

1094

27

1099

1099 An onyx and diamond ring, set with graduated round brilliant­cut diamonds and carved onyx in yellow gold, initials LJM, 18ct Sheffield import marks for 1979, size R £600­800 1100

1100 A sapphire and diamond bombé ring, the emerald­cut sapphire is flanked with channel­set square­shaped diamond shoulders and a pavé­set diamond surround in yellow gold, size M £800­1,200

1101 A sapphire and diamond bombé ring, set with graduated calibré­cut sapphires and circular­cut diamonds in platinum, size L½ £800­1,200

1101

1102 A sapphire and diamond three stone ring, the old circular­cut diamond is set with oval­shaped sapphires in yellow gold, size M½ £200­300

1102

1103 A square diamond cluster ring, millegrain­set with graduated round brilliant­ cut and baguette­shaped diamonds in pierced white gold mount, size M½ £1,100­1,200

1104 An amethyst and diamond ring, the rectangular­shaped amethyst is set with three single­cut diamonds to each shoulder in platinum and white gold, size S £400­600

1103

1105 A French ruby and diamond cluster ring, the oval­shaped ruby set within a surround of rose­cut diamonds in white gold, size N £800­1,200

1104

1105A A chrysoberyl cat's eye and diamond cluster ring, the cabochon chrysoberyl set within a surround of circular­cut diamonds in yellow gold, size R½ £500­700

1105

1105A 28

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1107

1106 A diamond solitaire ring, the marquise­shaped diamond weighs 1.08cts set in white gold, size L½ £1,500­2,000 Accompanied by report number F6G82725 dated 7 May 2014 from IGI stating that the marquise­shaped diamond weighs 1.08cts and is a natural diamond with F colour, SI1 clarity and very slight fluorescence.

1106

1107 A diamond ‘ribbon’ engagement ring

by Tiffany & Co., the round brilliant­cut diamond weighs approximately 0.40cts, within diamond scrolls and further diamonds set to the shoulders in platinum, signed, size J, Tiffany & Co box and outer box £800­1,200

1108 A diamond solitaire ring, the old circular­cut diamond weighs approximately 0.50cts, set in platinum and yellow gold, size N½ £200­300

1109

1108

1109 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 0.20cts, set in platinum, London hallmarks for 1987, size L, Tiffany & Co box £400­600

1110 An amethyst solitaire ring, Cartier Monture, the emerald­cut amethyst is claw­set in platinum, signed to inside shank Cartier Monture, rubbed inventory number R7606, size L £1,200­1,500 1111

1111 A sapphire and diamond cluster ring, the oval­shaped sapphire is set within a surround of old circular­cut diamonds and diamond shoulders in platinum, size P½ £2,500­3,000

1110

1111A An opal and diamond cluster ring, set with cabochon opals and circular­cut diamonds in gold, size M½ £400­600

1112 An early 20th century opal and diamond half hoop ring, set with five graduated opal cabochons with diamond pointers in carved and pierced yellow gold, Birmingham hallmarks for 1922, size L½ £200­300

1112

1111A 29

1113

1114

1113 A diamond full circle eternity ring, channel­set with French­cut diamonds weighing 2.73cts in total, set in platinum, size P £1,000­1,500

1114 A diamond full­circle eternity ring by Tiffany & Co., the round brilliant­cut diamonds channel­set in platinum, signed Tiffany & Co, size J½ £200­300

1115 An emerald and diamond half eternity ring, channel­set with square­shaped emeralds and round brilliant­cut diamonds in 18ct white gold, Birmingham hallmarks, size J½, case £600­800

1115

1116

1116 An early 20th century diamond full circle eternity ring, set with old circular­cut diamonds in platinum, size K½ £200­300

1117 A natural pearl ring, the silver pearl set with diamonds to the shoulders in platinum, size P½ £1,000­1,500 Accompanied by report number 04100 dated 10 May 2011 from The Gem & Pearl Lab stating that the button­shaped cream/white to light grey pearl weighs 11.45cts, measures 11.7 ­ 12.1mm and is natural saltwater.

1117

1118 An amethyst­set gold ring, the domed cabochon amethyst is set in textured yellow gold, size O½ £300­400 1118

1119 A late Victorian sapphire solitaire ring, the oval sapphire is set in yellow gold with scroll engraved shoulders, size N £200­300 1119A An early 20th century diamond full circle eternity ring, set with old circular­cut diamonds in white gold, size N £600­800

1119

1119A 30

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1120 A chrysoberyl catseye and gold ring, the cabochon chrysoberyl set in textured yellow gold mount, size O £200­300

1121 A late Victorian diamond and pearl ring, the old cushion­shaped diamond is set with two pearls in square settings on plain yellow gold band, size O £200­300

1121

1120

1122 An aquamarine and diamond cluster ring, the round brilliant­cut aquamarine is set within a surround of round brilliant­cut diamonds in platinum and gold, size N £600­800 1123

1123 An emerald and diamond cluster ring, the oval shaped emerald flanked with round brilliant­cut diamonds and a further surround of smaller round brilliant­cut diamonds in white gold, size O £1,400­1,500

1122

1124 An amethyst and citrine ring, the square shaped amethyst and citrine are set within old cushion­shaped shoulder diamonds in platinum and iridium, size M½ £400­600

1125 A blue topaz and diamond ring, the step­cut blue topaz set with round brilliant­ cut shoulder diamonds in white gold, size M £500­700

1126 A diamond­set gold ring, the high domed textured gold ring is surmounted with a circle of round brilliant­cut diamonds, size M½ £600­800

1125

1124

1126

31

1127

1128

1127 A square diamond cluster ring, millegrain­set with graduated round brilliant­ cut diamonds in pierced white gold mount, size N £1,100­1,200

1128 A Victorian diamond five stone ring, set with graduated old circular­cut diamonds in carved and pierced yellow gold shank, size R £200­300 1129

1129 A diamond solitaire ring, the old circular­cut diamond weighs 2.26cts, set in white gold, size Q £2,000­3,000 1130

1130 A sapphire single stone ring, the old cushion­shaped sapphire is claw­set in plain yellow gold mount, size L £400­600

1131 A sapphire and diamond pansy ring, set with graduated circular­cut sapphires and diamonds in silver and gold on a platinum band, size G½, case £400­600

1132 An amethyst and diamond ring, set with an amethyst cabochon, with graduated round brilliant­cut diamonds to the shoulders in gold, size M £200­300

1131

1132

1133 A tourmaline and diamond­set gold ring by Tiffany & Co, the mixed­cut tourmaline set within pierced shoulders with diamond crosses, signed Tiffany & Co, size L, case £800­1,200

1134 A late 19th century ruby five stone ring, set with diamond pointers in carved and pierced yellow gold mount, size P £200­300

1133

1134

32

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1135

1136

1135 A sapphire three stone ring, the graduated oval­shaped sapphires set in rhomboid four claw yellow gold settings, size M½ £200­300

1137

1136 A yellow sapphire and diamond cluster ring, the emerald­cut sapphire set within a surround of round brilliant­cut and baguette­shaped diamonds in white gold, size O £700­900 1137 A sapphire and diamond cluster ring, the cushion­shaped sapphire is set within a surround of round brilliant­cut diamonds in platinum and gold, size O £1,100­1,200

1138

1139

1138 A sapphire and diamond cluster ring, the circular­cut sapphire is set within a surround of old cushion­shaped and rose­cut diamonds in yellow gold, size M £400­600 1139 A diamond full­circle eternity ring, by Tiffany & Co., set with round brilliant­cut diamonds in platinum, diamonds approximately 0.80cts total, signed, size I, case and outer case £400­600 1140 An Edwardian rectangular plaque ring, pave­set with graduated old cushion­ shaped diamonds and a central blue glass cabochon in platinum and gold, size P £400­600

1140

1141 A zircon and diamond ring, the oval­ shaped blue zircon is set with three old circular­cut diamonds to each shoulder in platinum, size O½ £1,500­2,000

1141

1142 An emerald and diamond cluster ring, the emerald­cut emerald set within a surround of round brilliant­cut diamonds in 18ct yellow gold, London hallmarks for 1995, size K £100­200 1143 An opal and diamond cluster ring, the navette­shaped opal cabochon set within a surround of rose­cut diamonds in silver on gold, the gold ring with fluted shoulders, £800­1,200 size Q

1142

1143 33

CLOCKS & WATCHES

1144 A silver and enamel strut clock,

by Williams Limited, Birmingham 1923, shaped rectangular form, dark turquoise enamel decoration, stylised border, gilt face, brass easel strut, length 11cm. £200­300 1145 A lady’s steel Oyster Perpetual datejust wristwatch by Rolex, the signed pink dial with date aperture at 9, baton numerals, on steel Rolex band with deployant clasp, case 27mm wide, with box and papers £800­1,200 1146 A lady’s gold wristwatch by Longines, the signed white rectangular dial with Arabic and baton numerals, diamond­set case and brick­link 18ct gold bracelet, deployant clasp, case back numbered 32451945, 1.8cm wide, 17cm long £1,500­2,000 1147 A Gentleman's gold 'Instantaneous' perpetual calendar wristwatch by Daniel Roth, the signed skeletonised dial with black Roman numerals, three subsidiary dials indicating date, day and month, blued steel hands, signed 27 jewel automatic movement, barrel­form case with stepped bezel and skeleton back, caseback signed and numbered 119.X.40. 16301, Numero 33, case 48mm, on a blue leather signed strap with gold buckle clasp, box and papers £6,000­8,000

1144

1148 A steel and gold wristwatch by Girard­ Perregaux for Ferrari, the signed red enamel dial with Ferrari prancing white horse, gold baton numerals, subsidiary seconds hand and three subsidiary timing dials, automatic winding, signed to reverse, numbered BJ311 ref 8020, with steel and gold Gerard Perregaux band with deployant clasp, with box and some papers, case 37mm wide £800­1,200 1149 A yellow gold Duoface reverso wristwatch

by Jaeger LeCoultre, ref 270­1­54, both sides with guilloche decoration to the signed face, different styles of chapter rings and subsidiary seconds dial, manual winding, leather strap with yellow gold Jaeger LeCoultre deployant clasp, case 4.2cm high including lugs, numbered 270154. with box and papers including a fitting instrument £2,000­3,000 1145 1147 1146

34

1150 A steel and gold constellation wristwatch by Omega, the signed dial with date aperture at 3 and sweep seconds hand, gold chapter ring with Roman numerals, name and date engraved on the reverse, on gold Omega band with deployant clasp, quartz movement, case 32mm £800­1,200

1148

1149

1150

35

GENTLEMAN’S COLLECTABLES

1151 By Stuart Devlin, a modern parcel­gilt silver letter opener, London 1980, tapering form, with a pierced and textured swirl handle, length 25.4cm, approx. weight 4.5oz. £250­300

1152 By Gerald Benney, a modern silver and enamel letter opener, London 1972, also marked RVW for the enameller Robert Winter, tapering blade, the handle with geometric bands of black and white enamel decoration, length 23.8cm, approx. weight 3.8oz. £300­500

Provenance: A Private Collection.

Provenance: A Private Collection.

1153 By Stuart Devlin, a modern parcel­gilt silver letter opener, London 1973, tapering form, raised tail­fin handle with textured decoration, length 30.5cm, approx. weight 5.7oz. £250­300

1154 By Gerald Benney, a modern silver letter opener, London 1973, tapering blade, the handle textured decoration, length 23.9cm, approx. weight 3oz. £200­300

Provenance: A Private Collection.

Provenance: A Private Collection.

1155 By Tiffany and Co., an American silver paper knife, circa 1890, rounded rectangular form, the terminal engraved with an initial, length 17.8cm, approx. weight 2oz. £100­150

36

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1156 A three­piece 9 carat gold Parker 51 fountain pen, ballpoint pen and pencil set, London 1959 and 1960, engine­turned decoration, in a pigskin and wooden lined box, length of fountain pen 13.8cm. (3) £1,000­1,500

1157 A late­Victorian silver­gilt travelling folding knife and fork,

by Alfred Fuller, London 1885, retailed by Clark, 20, Old Bond Street, London, rounded rectangular handles applied with gold initials, the knife with a steel blade, in a leather case, length shut 10.7cm £150­250

1158 A Victorian silver­mounted double­ended green leather cigar case,

by Alexander Crichton, London 1911, rounded rectangular form, plain mounts, each interior with four compartments, length 20.5cm. £500­700

1159 A novelty silver paper knife,

by Joseph Cook & Son, Birmingham 1928, tapering blade, with a pierced hand guard with scroll motifs, length 19cm, approx. weight 1oz. £200­300

37

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1160

1161

1160 A late 19th century French diamond­set stick pin, depicting a Chimera, set with an old circular­cut diamond, French control mark and obscured maker’s lozenge, 7cm high, 3g £250­350 1161 A diamond­set gold stick pin, the old circular­cut diamond weighing 1.07cts in gold, 6.8cm high £600­800 1162 A Victorian diamond­set lamb stickpin, the stylised lamb with a ruby eye is pavé­set with rose­cut diamonds in silver on gold, 18mm wide, 4.5cm high £500­700 1163 A diamond and demantoid garnet stick pin, the triangular­shaped diamond set with three circular­ cut demantoid garnets in yellow gold, 6.5cm high total £500­700 1164 An emerald and diamond stickpin, the cabochon emerald is set within a surround of old cushion­ shaped diamonds in silver and gold, 11mm wide, 6cm high £500­700 1165 A conch pearl stick pin, the pink conch pearl is 10mm high, on twisted gold stickpin, 7cm high total £600­800 1166 A diamond cluster stickpin, set with an old cushion­shaped diamond within a border of single­cut diamonds in silver and gold, 6.5cm high £800­1,200 1167 A Victorian diamond­set pig stickpin, the realistically formed pig is pavé­set with diamonds in silver and gold, 2cm wide, 5.8cm high £500­700

38

1164 1165

1163 1166

1167

1162

39

1168 A pair of diamond and onyx­set studs by Cartier, each centred with a circular­cut diamond in gold, signed Cartier and ‘Made in France’, French control marks, 2.7cm long £200­300

1168

1169

1169 A pair of French sapphire and gold cufflinks

by Lasbleitz Fourniere Vitello, the rectangular links with woven fabric decoration in textured yellow gold, each link set with a sapphire in the larger half, maker's lozenge, French control marks and inventory number 4664, 17mm widest £1,200­1,500 1170 A pair of early 20th century diamond and enamel cufflinks by Cartier, the blue and white striped discs set within a surround of rose­cut diamonds in platinum and gold, signed Cartier Paris, with French control marks, each disc 18mm wide £3,000­4,000 1171 A pair of black enamel and diamond­set gold cufflinks, each circular link centred with a circular­cut diamond and outer border of rose­cut diamonds, with black enamel decoration in gold, 14mm wide, 12g total £500­700

1170

1172 A pair of seed pearl and onyx cufflinks, set in platinum and gold £200­300 1173 A pair of silver and enamel four vices cufflinks, signed Trilby, 18mm high, case £150­250

1171

1174 A pair of square diamond­set cufflinks, with textured and plain decoration surmounted with a single­cut diamond in triangular platinum mount, 9mm wide, with two matching studs, case £1,200­1,500 1175 A pair of twisted gold cufflinks, in bi­colour engraved and plain gold, each link 18mm long £200­300

1172

1176 A pair of textured gold A­form cufflinks, with spring­loaded push release, 2.4 x 1.7cm, 9g £200­300 1177 A pair of chalcedony and enamel gold cufflinks, the blue chalcedony cabochons set within a surround of white enamel in yellow gold £200­300

1173

1178 A pair of gem­set gold cufflinks, the cylindrical links with ropetwist decoration and terminated with a circular­cut ruby, with a smaller cylindrical gold link, 2.3cm high, 15g £700­900 1179 A pair of ruby­set gold cufflinks by Paul Flato, set with a row of calibré­cut rubies in fluted gold mounts, signed, 1.2cm wide, 12g total £3,000­4,000 1180 A pair of oval moonstone and gold cufflinks, the moonstone cabochons set in yellow gold rubover settings 15mm widest £200­300

1174 40

1177 1175 1176

1180 1178

1179

41

1182

1181

1181 A gem­set butterfly brooch, set with a sapphire and cultured pearl body, ruby eyes and emerald and diamond wings in silver and gold, 4cm wide £300­400 1182 An early 20th century gem­set butterfly brooch, set with solid white opal wings, a ruby and boulder opal body in yellow gold, 6cm wide, case £2,000­3,000

1183 An Edwardian gold insect brooch, the stylised bee set with seed pearls and demantoid garnets in yellow gold on gold bar, 4.5cm wide £350­450

1183

1184 A diamond­set gold daffodil brooch, set with circular­cut diamond and with green enamel decoration in gold, 6cm high, case by Garrard £650­750 1184

1185 A gold bird brooch, the stylised bird set with citrines and an emerald eye, set on a branch in yellow gold, 3.5cm high £500­700

1186 A gold bird brooch, the stylised bird set with citrines and an emerald eye on a bi­ colour gold branch, 4cm high £300­400

1185

1186

42

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1187

1188

1187 A late 19th century diamond­set horse brooch, the leaping horse pavé­set with old cushion­shaped diamonds with a ruby eye, in silver and gold, 4cm wide, the pin with modern hallmarks £1,500­2,000 1188 A diamond and enamel horse and jockey brooch, the stylised horse is pavé­set with diamonds, the jockey decorated with red and white enamel stripes, in platinum and gold, 4.8cm wide, case £1,000­1,500 1189

1190

1189 A gem­set gold horse and carriage brooch by Mellerio, the cart set with rubies and a sapphire in polished yellow gold, signed and numbered 2296Br, with maker’s lozenge and French control marks, 3.4cm high £850­1,200 1190 A diamond­set panda brooch, pavé­ set with round brilliant­cut diamonds, with black and green enamel decoration in two­ colour gold, 3cm high, case £800­1,200 1191 A late 19th century floral brooch, the stylised posy and coronet set with rose­cut diamonds and untested pearls in silver and gold, 5.5cm high £800­1,200 1192

1192 An Art Nouveau diamond­set flower brooch, centred with an old circular­cut diamond, with shaded polychrome enamel decoration, with further rose­cut diamonds to the border, 2.8cm wide £300­400 1193 A gem­set gold foliate brooch, set with clusters of rubies and emeralds, 3.8cm wide, 13g £600­800

1191

1193

43

1194

1195

1194 An amethyst pink sapphire and diamond­set scroll brooch pendant by Fei Liu, centred with an oval­shaped amethyst within a surround of 18ct white gold scrolls set with pink sapphires and graduated diamonds, Birmingham marks, 4.3cm wide £1,200­1,800 See lot 1259 for a matching pair of earrings.

1195 An Edwardian pearl and diamond­set circular brooch, centred with a pearl within an openwork surround millegrain­set with rose­ cut and old circular­cut diamonds in platinum, 3cm wide £1,500­2,000 1196 An Edwardian diamond brooch, designed as three interlocking wreaths millegrain­set with old circular­cut diamonds, each suspending a diamond drop, set in platinum, 5cm wide £2,500­3,000

1196

1197

1197 A Victorian diamond­set scroll brooch pendant, of foliate scroll design and set with graduated old circular­cut diamonds in silver on gold, detachable brooch fitting and diamond­set bale, 4cm wide, 5.5cm high £1,500­2,000 1198 A Victorian diamond and enamel heart brooch, centred with a cluster of rose­ cut diamonds within a surround of blue and white enamel decoration, with outer laurel border set with rose­cut diamonds in silver on gold, 2.6cm high £600­800

1198

1199

1199 A late 19th century ruby and diamond brooch, the graduated circular­cut rubies set within hexafoil surround set with diamonds in silver and gold, 2.2cm wide £600­800 1200 A 19th century circular gold brooch, of openwork design and centred with a seed pearl, with gold pellet ‘millefiori’ decoration, 3.8cm wide, 11g £300­400 1201 A Victorian diamond scroll brooch, set overall with graduated old circular­cut diamonds in silver and gold, rhodium plated, 4.4cm wide £2,000­3,000

1200

44

1201

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1202‡ A ruby and diamond brooch by Andrew Grima, the stylised starburst set with graduated round brilliant­cut rubies and diamonds in textured 18ct yellow gold, with maker’s plaque for Grima, maker’s mark and London hallmarks for 1973, 6cm wide £2,000­3,000

1203 1202

1203 A pair of diamond and gold double clip brooches, c1940, the square clips with fluted decoration and a diamond surmount, set in 15ct gold, later modern hallmarks, 3.2cm high £800­1,200 1204 An early 20th century gem­set jabot pin, designed as an arrow, set with rose­cut diamonds and calibré­cut onyx in platinum on gold, 6.5cm long, case £300­400 1205 A Victorian ruby and diamond crescent brooch, set with graduated rubies and diamonds and a seed pearl on a gold bar brooch with ruby terminals in silver and gold, 5.2cm wide £600­800

1204

1206 A late Victorian opal and garnet­set gold brooch, of foliate design set with cabochon opals and circular­cut green garnets in gold, 2.5cm wide, 3.5g £300­400

1205

1207 A Victorian diamond­set double heart brooch, set with old circular­cut diamonds in silver on gold, 2cm wide £150­250 1208 A Victorian amethyst, diamond and seed pearl brooch pendant, the circular­cut amethyst set within an asymmetrical surround of graduated old circular­cut diamonds and graduated seed pearls in silver on gold, folding pendant loop, 3cm wide £1,200­1,500

1206

1207

1208

1209

1209 A Victorian diamond and seed pearl brooch, the star motif set with seed pearls and rose­cut diamonds with blue enamel decoration in gold, 18mm wide £100­200

45

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1210

1212

1210 A Victorian ruby and pearl double heart pendant, set with a half pearl and a cabochon ruby within diamond surround in closed back yellow gold setting beneath a coronet, on a seed pearl and gold fine­link chain, pendant 2cm wide, chain 46cm long, case £1,500­2,000 1211 A mid 19th century enamel and gold pendant, the graduated gold batons applied with a blue enamel cross set with diamonds in gold lozenge settings, 4.5cm high £600­800 1212 An Edwardian gem­set gold pendant, the openwork circular pendant set with a circular­cut peridot and seed pearls in two­ colour gold, pendant 3.7cm high including bale, chain 36cm long £300­400

1211

1213

1213 A 19th century diamond­set pendant, the articulated old circular­cut diamonds suspend a further diamond within an oval diamond border in silver on gold, 4cm high £350­450 1214 A Victorian diamond and enamel heart brooch pendant, the diamond and turquoise­set bow suspends a blue enamel heart locket pendant, set with old circular­cut diamonds in silver and gold, 5.2cm high, fitted case by Tessier £800­1,200 1215 A diamond scroll pendant, set overall with graduated circular­cut diamonds in silver on gold, on fine­link gold neck chain, pendant 6cm high, chain 40cm long £800­1,200 1216 A Victorian opal and diamond heart pendant, pavé­set with opal cabochons and a cluster of old circular­cut diamonds in yellow gold, glazed locket compartment to reverse, 3cm high including bale, on a snake­link gold chain, 54cm long £1,500­2,000

1214

1215

1216 46

1218 1217

1219

1218A

1217 A diamond heart pendant, the stylised heart is pavé­set with round brilliant­cut diamonds totalling approximately 0.35cts in white gold, on fine­link white gold neck chain, 44cm long £350­450 1218 A pink sapphire and diamond ‘Hearts’ pendant by Tiffany & Co., set in platinum on fine­link platinum neck chain, pendant and chain signed, 42cm long, Tiffany & Co box, with a pair of matching pink sapphire and diamond hoop earrings by Tiffany & Co, in platinum, signed, Tiffany & Co case £400­600 1218A An Art Nouveau opal­set gold necklace by Barnet Henry Joseph, of openwork scroll design and set with opal cabochons in gold, on a fine­link gold chain, signed BHJ 9ct, pendant 3cm high, chain 42cm long £500­700

1220

1219 A diamond cluster pendant, set with round brilliant­cut diamonds in two­colour gold, on a fine­link gold neck chain, diamonds approximately 1.00cts total, chain 45cm long £800­1,200 1220 A aquamarine and diamond pendant, the pear­shaped aquamarine millegrain­set within a surround of round brilliant­ cut diamonds and a diamond bale in white gold, 19mm high, on fine­link white gold neck chain, 38cm long £900­1,100 1221 A diamond­set handbag charm / pendant, the stylised bag set with round brilliant­cut diamonds in yellow gold, 2.3cm high £200­300

1221

47

1222 1223 1224

1222 A diamond solitaire necklace by Cartier, the round brilliant­cut diamond weighs approximately 0.38cts, on fine­link white gold neck chain, signed, 39­41cm long £800­1,200 Accompanied by Cartier certificate dated 2018 Accompanied by report number 6252928668 dated 30 May 2017 from GIA stating that the round brilliant­cut diamond weighs 0.40cts and is a natural diamond with G colour, VS1 clarity and no fluorescence.

1225

1226

1223 A diamond solitaire pendant, the round brilliant­cut diamond weighs approximately 0.50cts, claw­set in platinum and gold on a fine­link yellow gold neck chain, 44cm long £600­800

1224 A diamond solitaire pendant, the round brilliant­cut diamond weighs approximately 0.65cts, claw set in gold, on a fine­link gold neck chain, 45cm long £850­950

1225 A diamond­set gold pendant by Gavello, centred with a round brilliant­cut diamond and set in yellow gold, signed Gavello, 5cm high including bale, 16g £600­800

1226 A diamond­set blue enamel gold pendant in the manner of Gavello, designed as a leaf and set with a round brilliant­cut diamond in gold, Italian marks, 5cm high, 8g £300­400

1227 A diamond­set pendant by Ileana Makri, the openwork foliate pendant set with round brilliant­cut diamonds, with a diamond­ set bale in white gold, on a white gold neck chain, with initials IM to the clasp, pendant 5.5cm high, chain 82cm long £1,500­2,000

1227

48

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1228

1228 An Art Deco gold lipstick holder by Cartier, of cylindrical form, with black enamel decoration and cabochon onyx push piece, signed Cartier, inventory number 05, French control mark and rubbed maker’s lozenge, 5.2cm high £1,500­2,000 1229 An orange Ostrich 'Birkin' bag by HERMÈS, orange ostrich leather, silver­tone hardware, twist lock close and with padlock (no key), two rolled leather straps and protective feet, interior zip pocket, signed 'HERMÈS PARIS' and 'Made in France', 30cm wide £2,000­3,000 1230 A silk and gold evening bag by Cartier, with woven decoration and plain silk strap, signed 'Cartier Ltd London' to the interior, with fluted cylindrical 9ct gold bar, London hallmarks for 1964 and maker's mark 'M&Co', 23cm wide, together with a large collection of leather handbags and fabric purses £500­700

1229

1230

49

1231 A pair of diamond stud earrings by Cartier, the round brilliant­cut diamonds weigh 0.50cts in total, signed and numbered EHA454 in platinum, Cartier box and outer box £600­800 Accompanied by report number 2171182101 dated 28 May 2015 and 2236471042 dated 12 August 2016 from GIA stating that the round brilliant­cut diamonds weigh 0.25cts each and are natural diamonds with G colour, VVS2 clarity and no fluorescence.

1231

1232 A pair of diamond stud earrings, the round brilliant­cut diamonds weigh approximately 1.00cts total, claw set in two­ colour gold, post fittings £1,300­1,500

1232

1233 A pair of diamond stud earrings, the round brilliant­cut diamonds weigh approximately 0.30cts in total, claw set in white and yellow gold £300­500

1234 A pair of diamond stud earrings, the round brilliant­cut diamonds weigh approximately 0.50cts total, claw­set in white gold £600­800

1233

1235 A pair of diamond stud earrings, the round brilliant­cut diamonds weigh approximately 1.00cts total, claw­set in white gold £800­1,200

1234

1236 A pair of cultured pearl and diamond earrings, the cultured pearls set within a surround of round brilliant­cut diamonds in platinum and white gold, 11mm wide£1,000­1,500

1237 A pair of diamond drop earrings, each set with three graduated old circular­cut diamonds in silver on gold, the principal diamonds approximately 2.90cts total, the four smaller diamond weigh approximately 0.85cts total, post fittings £5,000­7,000

1238 A pair of chalcedony­set gold drop earrings, the elongated chalcedony drops suspend from engraved gold caps, shepherd’s hook fittings, 6.3cm high (including fittings) £150­250 1235

1239 A pair of diamond cluster ear studs, the round brilliant­ cut diamonds weigh approximately 0.65cts in total set in gold, 8mm wide £450­550

1236

1240 A pair of ceramic flowerhead earrings by Chanel, mounted in 18ct yellow gold, signed and with inventory number 6F308. 2.5cm wide £500­700

1241 A pair of diamond bombé earrings, pavé­set with round brilliant­cut diamonds which weigh approximately 3.25cts in total, set in white gold, 18mm high, post and clip fittings £1,500­2,000

50

1240

1238

1241

1237 1239

51

1243

1242 A pair of Roman style gold earrings, each suspending plaited drop sections and cruciform pendants with pellet decoration in gold, 7cm high, 15g £600­800 1242A A pair of gold amphora drop earrings, with pellet decoration in gold, shepherd's hook fittings, 5.5cm high £500­700 1242

1243 A pair of Etruscan style lion pendants, the stylised recumbent lions are sitting on a gold plinth with ropetwist border, 2.8cm wide £400­600

1242A

1244 A pair of enamel and gold earrings, designed as stylised putti riding polychrome enamel gondolas suspending cultured pearls in yellow gold, 4.4cm high £300­400 1245 A pair of Etruscan Revival gold earrings, the concentric gold hoops suspend from bars with pellet decoration, 5.2cm high £400­600 1246 A pair of Russian sapphire and diamond cluster earrings, the oval­shaped sapphires set within a surround of old circular­cut diamonds in gold, initialed AT to reverse and 56 zolotnik, 2.1cm high £2,800­3,000 1247 A pair of cultured pearl and diamond cluster earrings, each cultured pearl set within a surround of single­ cut diamonds in platinum, post fittings, 11mm high £200­300

1244

1248 A pair of cultured pearl and diamond cluster earrings, the cultured pearls set within a surround of round brilliant­cut diamonds in white gold, clip fittings, 12mm £600­800 1249 A pair of sapphire­set flowerhead earrings, the graduated flowerheads set with pear­shaped yellow, pink and blue sapphires with diamond centres in platinum, folding post and clip fittings, 5cm high £2,500­3,000

1245

1246

52

1247

1248

1249

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1250 A pair of Victorian garnet drop earrings, the drop earrings pavé­set with rose­cut garnets, suspended from a rose­cut garnet cluster in gold, shepherd’s hook fittings, 6cm long (including hooks) £200­300 1251

1251 A pair of opal and diamond drop earrings, the round brilliant­cut diamonds suspend opal drops in yellow gold, 3.2cm high £500­700 1252 A pair of opal and diamond drop earrings, the pear­shaped opal cabochons suspended from knife­edge links and a small diamond in gold, 2.7cm high £700­900

1252

1250

1253 A pair of cultured pearl and diamond drop earrings, the cultured pearl drops suspend from circular­cut diamonds in white gold, 19mm long, case £200­300 1254 A pair of cultured pearl and diamond drop earrings, the upper sections set with round brilliant­cut diamonds and suspending a cultured pearl in white gold, post fittings, 5.5cm high, together with a diamond­set white gold cruciform pendant, 2.5cm high £600­800 1255 A pair of gem­set gold duck earrings, the stylised ducks set with a turquoise and diamond head and a lapis lazuli cabochon body in yellow gold, maker’s mark LB, post fittings, 1.7cm wide £150­250

1253

1254

1255 1256

1256 A pair of diamond­set gold earrings, set with round brilliant­cut diamonds in textured yellow gold, 3cm high £400­600 1257 A pair of foliate earrings, each set with diamonds, an emerald, ruby and sapphire in yellow and white gold 3.5cm high £600­800 1258 A pair of diamond hoop earrings, pavé­set with round brilliant­cut diamonds weighing approximately 2.80cts, in 18ct white gold, London hallmarks, 2cm high, post fittings £1,000­1,500

1257

1259 A pair of amethyst, diamond and tsavorite­set ‘Whispering Chandelier’ earrings by Fei Liu, set with pear­shaped amethysts, round brilliant­cut diamonds and circular­cut green garnets in white gold, swinging lower sections, 18ct Birmingham hallmarks, signed FL, 8cm high £1,500­2,000 See lot 1194 for a matching brooch.

1258

1259

53

1260

1260A 1261

1260 A 19th century gold bracelet set with seven ancient Roman hardstone intaglios, the intaglios 2nd ­ early 3rd century AD, depicting an archaising goddess, a gryllus, Mercury, Hercules, a wreathed holy mountain, Victoria and Apollo, 10 ­ 16mm highest, bracelet 17.5cm long £5,000­7,000 1262

1260A A gem­set gold bracelet, set with cabochon rubies and half pearls in 9ct gold, 19cm long, 18g £1,200­1,500 1261 A gold bracelet mounted with intaglios, the seven intaglios depict assorted classical oval profiles including a gryllus, 1.3 ­ 2.1cm high, each mounted in gold and joined with a simple chain link and with a filigree gold clasp, 21cm long £1,500­2,000 1263

1262 A multigem­set gold bracelet, the clasp set with rose quartz, aventurine, citrine, amethyst, a cultured pearl and diamonds on a five­row ruby bead bracelet separated with diamond bars in yellow gold, 19cm long £600­800 1263 A hardstone cameo­mounted gold ring, tthe cameo depicting a man in profile, with bifurcated shoulders in gold, size T £300­400 1264 A Victorian gold miniature bracelet, the repoussé gold bracelet with a seed pearl and gold detachable clasp set with a portrait miniature of a gentleman, in glazed compartment with hair to the locket interior, 18.5cm long, miniature frame 5.8cm high £2,500­3,000

1264 54

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1265

1266

1267

1268

1265 An expanding diamond bracelet by Bucherer, set with round brilliant­cut diamonds in white gold, 18cm fully expanded, Bucherer case and outer case £600­800 1269

1266 A ruby and diamond line bracelet, alternately set with five circular­cut rubies and five circular­cut diamonds in white gold, 18.7cm long £2,000­3,000 1267 A diamond­set curb­link bracelet, set with round brilliant­cut diamonds in polished white gold, diamonds approximately 5.50cts total, 19cm long, 85g £5,000­7,000

1270

1268 A ceramic and white gold ‘LOVE’ bracelet by Cartier, the interconnecting white gold and black ceramic loops on black silk bracelet, 20cm, Cartier case and outer case £200­300 Accompanied by Cartier certificate.

1269 An early 20th century diamond line bracelet, the square­shaped links set with circular­cut diamonds in platinum, 18cm long £3,500­4,500 1270 An early 20th century composite sapphire bracelet, set with clusters of blue and white sapphires in silver on gold, on a later gold back chain, 22cm long £200­300 1271 An emerald and diamond flexible bracelet, the links alternately­set with French­ cut emeralds and circular­cut diamonds in white gold, 19.5cm long £1,200­1,500 1271 55

1272 1273

1275

1274

1272 A garnet bead­mounted gold necklace, the garnet beads alternately­set with spring­form fancy gold links, Italian marks, 89cm long, 23g £400­600 1273 A diamond line necklace, set with graduated round brilliant­ cut diamonds in white gold, diamonds approximately 11.50cts total, 42cm long £9,000­12,000 1274 A fluted gold collar necklace, the links separated with three round brilliant­cut diamonds (total approximate diamond weight 4.00cts) in yellow gold, 41cm long, with a matching diamond­set gold bracelet, 17cm long, 107g total £5,000­7,000

1275 A gold collar necklace, pierced tapered rectangular links, ten links set with a triangular trefoil of diamonds in yellow gold and platinum, 44cm long, with a matching gold bracelet set with diamonds, 19cm long, 63g total £1,200­1,500 1276 An enamel and seed­pearl set gold chain, alternately­set with tapered links with pink guilloche enamel decoration and seed pearls, 44cm long, 4.7g £800­1,200 1277 A quartz­set platinum necklace, set with fancy­shaped amethyst, citrine, green and smoky quartz cabochons in platinum mounts, 44cm long £4,500­5,500

1276 56

1277

57

1278

1279

1281

1280

1278 A cultured pearl and gold 'Passo Doppio' necklace and earrings

by Bulgari, the necklace set with 14 white cultured pearls joined with fancy yellow gold links, signed to clasp with London hallmarks for 18ct gold, 1999, 41.5cm long, with matching earrings, signed, 4.5cm long, Bulgari pouch £4,000­5,000 1279 A South Sea cultured pearl necklace, the 31 matched white pearls terminate with oval links and a clasp pavé­set with diamonds and a further cultured pearl, pearls approximately 12.5­13.5mm, 44cm long £3,500­4,000 1280 A freshwater cultured pearl and gold parure by Tiffany & Co., comprising a necklace, bracelet, earrings and cufflinks, each set with baroque pearls joined with figure of eight links in yellow gold, necklace and bracelet signed, necklace 44cm long, bracelet 19cm long, earrings 3.5cm high £3,500­4,500 1281 A zircon­set gold long chain, the round brilliant­cut multicoloured zircons are set in spectacle mounts and joined on fine­ link gold chains, 62cm long £450­550 1282

1282 A sapphire set yellow gold chain necklace, set with assorted sapphires in spectacle gold mounts, 46cm £400­600 58

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

1284

1283

1285

1283 A fancy­link gold necklace by Hermès, signed, with French control marks, maker’s lozenge, London import marks for 1987, 41cm long, 92g, with Hermès orange outer box £4,500­5,500 1284 A fancy link gold necklace, with fluted circular links in yellow gold, 52cm long, 40g £1,000­1,500 1285 An early 19th century pinchbeck chain, the textured circular links with pellet decoration and barrel clasp, 108cm long £200­300 1286 A diamond­set gold collar necklace by Van Cleef & Arpels, of openwork design and formed with figure­of­eight polished gold links, the centre section set with trefoils of round brilliant­cut diamonds, signed VCA, inventory number B4640 C93 A4, French control mark, approximate total diamond weight 3.20cts, 37cm long, 11cm inner diameter, 101g £10,000­20,000

1286

59

1287 A sapphire and diamond necklace and matching bracelet, alternately set with oval­shaped vari­coloured sapphires and round brilliant­cut diamonds in white gold, diamonds approximately 9.00cts total, bracelet 18cm long, necklace 42cm long £15,000­20,000 1288 A diamond scroll bracelet, the undulating lines of circular­cut and baguette­shaped diamonds are centred with larger round brilliant­cut diamonds in platinum, 14mm wide, 18.5cm long £10,000­15,000 1289 A sapphire and diamond cluster ring, the cushion­shaped saphire weighs 5.15cts, the openwork ring set with a trefoil of pear­shaped diamonds to each shoulder and an outer border of round brilliant­cut diamonds in white gold, diamonds approximately 4.50cts total, rubbed 18ct London hallmarks for 2002, size L £8,000­12,000 Accompanied by report number 80261­85 dated 21 May 2020 from GCS stating that the cushion­shaped sapphire is a natural sapphire with no indications of heat treatment. Origin: Sri Lanka (Ceylon) 1290 A marquise­shaped fancy­coloured diamond ring, the diamond weighs 6.14cts and is set in white gold, quartered with diamond trefoils and a border of small diamonds, size M½ £10,000­15,000 Accompanied by report number 78172­61 dated 8 August 2018 stating that the marquise­cut diamond weighs appproximately 5.40cts (estimated from measurements, not the known weight) and is a natural diamond with fancy­intense yellow­brown colour and I1­I2 clarity 1287

1291 A sapphire and diamond cluster ring, the cushion­shaped sapphire weighs 15.03cts, set within a surround of round brilliant­cut diamonds in platinum, size M £20,000­30,000 Accompanied by report number 114742 dated 9th October 2020 from SSEF, Switzerland stating that the sapphire weighs 15.03cts with no indications of heating, origin: Ceylon (Sri Lanka) 1292 A French Art Deco sapphire and diamond bracelet by Edouard Caen, the lozenge­ shaped links set with lines of French­cut sapphires and round brilliant­cut diamonds in platinum, French control marks, maker's lozenge, 18cm long £10,000­12,000 Accompanied by report number 80276­82 dated 8 October 2020 from GCS stating that the calibre­cut sapphires weigh approximately 9.20cts total and are natural sapphires with no indications of heat treatment. Origin: Basaltic & Burma (Myanmar) 1293 A pair of French sapphire and diamond bombé earrings, set with sapphire flowerhead clusters within pavé­set circular­cut diamonds in white gold, French maker’s lozenge and French control marks, folding post and clip fittings, 2.2cm high £3,000­4,000

1288

1294 A French sapphire and diamond heart pendant, pavé­set with diamonds and flowerhead clusters of sapphires in white gold, 3cm high, on a white gold circular­ link chain by Chopard, 40cm long £2,500­3,000 1295 A French sapphire and diamond bombé ring, pavé­set with diamonds and flowerhead clusters of sapphires in white gold, French control mark and maker’s lozenge, size M £2,500­3,000

1289

1296 A wide gold strap bracelet, of openwork design, the pear­shaped polished links in two­colour gold with a buckle­form clasp, 18cm long £3,500­4,500

1290

1297 A diamond cluster ring, the cushion­shaped diamond weighs 2.50cts, set within a surround of round brilliant­cut diamonds, pear shaped diamonds and further graduated round brilliant­cut diamonds to the white gold shank, size N £25,000­30,000 Accompanied by report number 5192747060 dated 13 October 2018 from GIA stating that the cushion modified brilliant diamond weighs 2.50cts and is a natural diamond with D colour, IF clarity and medium blue fluorescence.

1291

1298 A diamond solitaire ring, the round brilliant­cut diamond weighs approximately 2.30cts, set with graduated circular­cut diamonds in platinum, size N £4,000­6,000 1299 An Art Deco silver gilt rectangular vanity case by Cartier, black enamel decoration overall with four diamond­set arrow­form motifs and conforming arrow form handle to the hinged cover which is also mounted with a bevel­edged mirror to the interior, the internal hinged cover is engraved with initials MLS which opens to reveal a rectangular compartment, marked for Cartier Paris, French control marks and makers mark (slightly rubbed but probably for Paul Pillard who registered firstly in December 1926), fitted box marked for Cartier £3,500­4,000 1292 60

END OF SALE

1295 1293

1294

1296 1299 1297

1298

61

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

ONLINE ONLY TIMED AUCTIONS These following terms are applicable only to sales conducted online only and are to be used in addition to the conditions of sale. (a) Right to Cancel (i) If you are a consumer resident in the European Union you have the right to cancel the contract for the purchase of a lot within 14 calendar days without giving any reason. (ii) The cancellation period will expire after 14 calendar days from the day on which you acquire (or a party nominated by you and is not the shipper) physical possession of the lot. (iii) To exercise the right to cancel, you must inform us of your decision to cancel this contract by a clear written statement (e.g. a letter sent by post, fax or email).

The communication must be received within 14 calendars days from the day on which you acquire the lot. (iv) If you cancel the contract, we will reimburse all payments received from you including the initial delivery cost. The cost of returning the item if you choose to cancel the contract is payable by you. (v) We may make a deduction from the reimbursement for loss in value of any goods supplied, if the loss is the result of damaged caused by unnecessary handling whilst in your possession. We will make the reimbursement without undue delay, and not later than

(vi) We will make the reimbursement using the same means of payment as you used for the initial transaction, unless you have expressly agreed otherwise; in any event, you will not incur any fees as a result of the reimbursement. We may withhold reimbursement until we have received the goods back or you have supplied evidence of having sent back the goods, whichever is earliest. (b) Liability Woolley and Wallis nor the seller will be responsible to you for errors during or after the online only timed auction or failures to execute bids placed on the internet or on your mobile device, including, without limitation, errors or failures caused by: (i) any loss of connection to the auction being conducted online; (ii) a breakdown or problems with the online bidding software or the website service provider; and/or (iii) a breakdown or problems with any internet connection, computer, mobile device or system.

(aa) 14 calendar days after the day we receive back from you any goods supplied, or (bb) (if earlier) 14 calendar days after the day you provide evidence that you have returned the goods.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT We may collect the following personal data about you: • your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA

SPECIAL CATEGORIES OF PERSONAL DATA

WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following:

We process special categories of personal data for the following reasons:

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

• to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

LEGITIMATE INTERESTS

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

In this respect we will provide your data to the following: • our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC; CONSENT We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

INTERNATIONAL TRANSFERS OF DATA

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

HOW LONG YOUR INFORMATION IS KEPT We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Contact Amanda Lawrence +44 (0)1722 424509 | valuations@woolleyandwallis.co.uk

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17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk