Woolley & Wallis Auctioneers

FURNITURE

WORKS OF ART & CLOCKS WEDNESDAY 17TH & THURSDAY 18TH JANUARY 2024

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Neil Grenyer Jim Gale Sarah Stone Victoria Elwell

VALUATIONS FOR INSURANCE & PROBATE 411854 446974 339161 339161 339161

Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES Will Hobbs Georgina Way

339752 446980

424506 424583 424589 +44 (0)7812 601098 424571 424591 424591

BRITISH AND CONTINENTAL CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

CHINESE PAINTINGS & CALLIGRAPHY 424589 424571

JAPANESE ART Alexandra Aguilar

424583

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Samuel Hug FGA DGA Megan Corbett Beth Reardon

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Georgina Way

Ruth Pike (Office Manager) Lynda Cummins Lucinda Phillips Gemma Pointer Nicola Young

CASTLE GATE RECEPTION MARKETING Chloe Davie

ACCOUNTS Sharon Ringwood Ania Antkowiak

BOARD OF DIRECTORS John Axford MRICS Chairman Natalie Milsted FCCA Managing Director

ASSOCIATE DIRECTORS Alexandra Aguilar Ed Beer Clare Durham Victor Fauvelle Will Hobbs Samuel Hug FGA DGA Michael Jeffery Jeremy Lamond MRICS FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Sarah Bennie

446961 446962 446970 CBP006075

SILVER Rupert Slingsby Lucy Chalmers

424500

Sally Litherland

ASIAN ART

Freya Yuan­Richards Michelle Yu

424502 446974 424509

GENERAL OFFICE

20TH CENTURY DESIGN

John Axford MRICS Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Michelle Yu Sophie Moore Nelson Chui

Jeremy Lamond MRICS FRSA Neil Grenyer Amanda Lawrence Archie Swann (Trainee Valuer) Hannah Farthing (Trainee Valuer)

424501 424594

446951

FURNITURE

WORKS OF ART & CLOCKS WEDNESDAY 17TH JANUARY 2024 10.00AM - LOTS 1-379

Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

THURSDAY 18TH JANUARY 2024 10.00AM - LOTS 380-813 at our City Centre Salerooms, SP1 3SU Neil Grenyer 01722 446974 ng@woolleyandwallis.co.uk

VIEWING AT OUR OLD SARUM GALLERIES Unit 1B, Castle Gate Business Park Old Sarum, Salisbury SP4 6QX

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

VIEWING Saturday 13th January

10.00am – 1.00pm

Monday 15th January

10.00am – 4.00pm

Tuesday 16th January

10.00am – 4.00pm

Wednesday 17th January

9.00am – 1.00pm

Thursday 18th January

No Viewing

Sarah Stone 01722 339161 ss@woolleyandwallis.co.uk

Victoria Elwell 01722 339161 ve@woolleyandwallis.co.uk

IMPORTANT NOTICE TO ALL PURCHASERS REGARDING STORAGE AND COLLECTION OF LOTS WE ARE PLEASED TO OFFER TWO WEEKS FREE STORAGE FOR ALL LOTS PURCHASED FROM THIS SALE. HOWEVER, OWING TO A BUSY SALE SCHEDULE, ALL BOUGHT LOTS NOT COLLECTED BY 4PM ON FRIDAY 2ND FEBRUARY 2024 WILL BE TRANSFERRED TO SACKVILLE-WEST MOVING & STORING IN ANDOVER, WHERE THEY WILL BE AVAILABLE FOR COLLECTION FROM WEDNESDAY 7TH FEBRUARY. PLEASE NOTE, HANDLING AND STORAGE CHARGES WILL BE APPLIED FROM WEDNESDAY 7TH FEBRUARY 2024.

FOR FULL DETAILS, PLEASE REFER TO THE ‘AUCTION INFORMATION’ IN THE ‘PAYMENT AND CLEARANCE’ SECTION AT THE BACK OF THE CATALOGUE OR ON OUR WEBSITE.

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WOOLLEY & WALLIS Old Sarum Galleries Unit 1B Castle Gate Business Park Old Sarum Salisbury SP4 6QX

Kia Motors Old Sarum Park

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Sarum Business Park

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Old Sarum, Salisbury, SP4 6QX

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VIEWING

AUCTION

WOOLLEY & WALLIS Old Sarum Galleries

WOOLLEY & WALLIS City Centre Salerooms A36 Ch urchill Wa y

MARLBOROUGH & SWINDON

Unit 1B, Castle Gate Business Park

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Storage Works

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A345 Castle Rd

AMESBURY

WOOLLEY & WALLIS City Centre Salerooms 51-61 Castle Street Salisbury SP1 3SU

SALISBURY

Old Sarum

Client Parking Available

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Westover Garage

A36

THE VIEWING OF THIS SALE WILL TAKE PLACE AT OUR OLD SARUM GALLERIES

DIRECTIONS TO THE OLD SARUM GALLERIES

THE AUCTION ON 17TH & 18TH JANUARY WILL TAKE PLACE AT OUR CITY CENTRE SALEROOMS 51­61 Castle Street, Salisbury, SP1 3SU

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26% plus VAT

LIVE ONLINE BIDDING – FREE OF CHARGE

LIVE

CONDITION OF LOTS The condition of lots is not stated in the catalogue descriptions. Reports on condition may be available on request. The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults COLLECTION OF LOTS We are pleased to offer two weeks free storage for all lots purchased from this sale. However, owing to a busy sale schedule, all bought lots not collected by 4pm on Friday 2nd February 2024 will be transferred to Sackville­West Moving & Storing in Andover, where they will be available for collection from Wednesday 7th February.

Please note, handling and storage charges will be applied from Wednesday 7th February 2024.

For full details, please refer to the ‘Auction Information’ in the ‘Payment and Clearance’ section at the back of the catalogue or on our website.

bid.woolleyandwallis.co.uk

Instagram: @woolleyandwallisfurniture @woolleyandwallissalerooms Facebook: @woolleyandwallis Twitter: @woolleywallis Pinterest: Woolley and Wallis

Please call 01722 446950 or 01722 424500 to make an appointment to collect from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX. Please call 02080 909988, email: office@sackvillewest.co.uk, to make an appointment to collect from Sackville­West Moving & Storing All accounts to be settled prior to collection EXPORT AND CITES LICENCES

ILLUSTRATIONS

Some lots will require export or CITES licences in order to leave the UK, please refer to the department for guidance

Front cover: Lot 407 Back cover: Lot 347

2

DAY ONE LOTS 1-379

THE OAK INTERIOR & FOLK ART

1 A LARGE OAK COFFER POSSIBLY WELSH, MID­17TH CENTURY the boarded top with wooden hinges, revealing a vacant interior, the triple panelled front with arcaded decoration 72.6cm high, 140cm wide, 62.5cm deep

£400­600

1

2 A CHARLES II OAK JOINT STOOL LATE 17TH CENTURY AND LATER the frieze with incised zigzag decoration on turned tapering legs 58.5cm high, 48.7cm wide, 34.1cm deep

£100­200

2

3 TWO OAK BACK STOOLS LATE 17TH CENTURY each with a brass studded leather back and seat, one with a spiral twist front stretcher, the other with bobbin turning (2)

£100­150

3

4

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

4 A WEST COUNTRY OAK COFFER POSSIBLY NEW FOREST AREA, LATE 17TH CENTURY the interior with a lidded till, the triple panelled front with leaf decoration below a lunette frieze on cut­out ends 69.9cm high, 121.3cm wide, 50.5cm deep

£200­300

4

5 A CHARLES II OAK LOW STOOL C.1670­80 the moulded frieze above bobbin turned supports 40cm high, 43.2cm wide, 38.5cm deep Literature See Tobias Jellinek, Early British Chairs and Seats 1500­1700, pp. 246­254 for similar examples.

£150­200

5

6 A CHARLES II OAK ARMCHAIR YORKSHIRE, C.1670­80 the scroll crest above a panelled back decorated with carved scrolling foliage and flowers, inlaid with holly and bog oak parquetry banding, on turned supports with peripheral stretchers Provenance Purchased by the current vendor from Huntington Antiques Ltd, Stow­on­the­Wold, 10th June 1983.

£300­500

6 5

7 A WILLIAM AND MARY OAK CHEST LATE 17TH CENTURY BUT LATER ADAPTED with two short and two long drawers 71.3cm high, 103cm wide, 58.3cm deep

£300­500

7

8 A CHARLES II OAK JOINT STOOL LATE 17TH CENTURY the seat with a moulded edge above ring turned legs united by peripheral stretchers 52.5cm high, 43.5cm wide, 27.5cm deep

£300­400

8

9 A GEORGE II OAK AND ELM DELFT RACK MID­18TH CENTURY with a pierced fret surmount 108.4cm high, 148.2cm wide, 11.3cm deep

£300­500

9 6

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

10 AN ELIZABETH I PLANEWOOD MEAL CHEST C.1600 of beehive shape, constructed with overlapping boards 68.3cm high, 74cm wide, 51cm deep

£500­800

11 AN ELIZABETH I OAK MEAL CHEST OR ARK C.1600 the domed top with overlapping boards above a conforming clamp front 81.2cm high, 110 cm wide, 63cm deep

10

£600­800

11

7

13

12 12

A BRONZE CAULDRON 17TH CENTURY with a flared rim and angular lug handles, with banded decoration and a wrought iron swing handle 17cm high, 28.4cm wide

£150­250 13 AN IRON CAULDRON 18TH / 19TH CENTURY inscribed ‘3/4 GALL’, with a flared rim, two angular handles and banded decoration 12.7cm high, 22cm wide

£100­150 14

14 AN ENGLISH BRONZE MORTAR PROBABLY LONDON, LATE 17TH / EARLY 18TH CENTURY of flaring form, cast with four lions rampant beneath banding, on a slightly spreading foot 11.2cm, high, 13.8cm diameter Literature See Michael Finlay, English Decorated Bronze Mortars, p.78, ill. 120 for a similar London mortar.

£200­300 15 A BRONZE CAULDRON 17TH CENTURY with a flared rim and angular lug handles, with banded decoration and tripod feet 23cm high, 28.1cm wide

£200­300

15 8

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

16

16

17

A CHARLES II OAK REFECTORY TABLE LATE 17TH CENTURY AND LATER

A PAIR OF OAK FORMS OR LONG BENCHES LATE 18TH / EARLY 19TH CENTURY

the boarded top with cleated ends above a plain frieze with scroll spandrels, on turned and block legs 75.2cm high, 70.7cm wide, 221.3cm long

on ‘A’ frame legs with shaped stretchers (2) 47.2cm high, 36cm deep, 244cm long

£1,000­1,500

£400­600

17

9

18

19 18

19

A DUTCH BRASS OVAL TOBACCO BOX 18TH CENTURY

A REGENCY BRASS CHAMBER CANDLESTICK EARLY 19TH CENTURY

engraved with panels of coats of arms, crests and two portraits 13.5cm wide

the ejector candlestick in an oval stand, with a snuffer and pair of wick trimmers, together with a pair of George III brass candlesticks (3) 20.5cm high (max)

£200­300

£100­200

20

21

A DUTCH BRASS WARMING PAN LATE 17TH CENTURY

A DUTCH BRASS OVAL TOBACCO BOX 18TH CENTURY

pierced and engraved with a vase issuing flowers, with a turned fruitwood handle and another similar with a steel handle (2) 120cm (max)

the top and base engraved with biblical scenes with inscriptions 12cm wide

£200­300

£100­150

22 A NEAR PAIR OF WILLIAM & MARY BRASS TRUMPET CANDLESTICKS LATE 17TH CENTURY 20

each with a plain collar above a slightly ribbed or corded stem and spreading foot (2) 14cm high, 9.8cm diameter (max)

£300­500

21 10

22

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

23 A WILLIAM AND MARY OAK DRESSER LATE 17TH CENTURY AND LATER the plate rack with applied mouldings and bobbin decoration, the base with an arrangement of six geometric moulded drawers and a pair of doors 202.5cm high, 152cm wide, 50.5cm deep

£500­800

23

24 A GEORGE I OAK CLOSE STOOL EARLY 18TH CENTURY with a hinged top above a false drawer front, with brass side carrying handles 50.2cm high, 43.3cm wide, 38.8cm deep

£200­300

24 11

26

25

25

A YEW AND ELM STICK BACK WINDSOR ARMCHAIR EARLY 19TH CENTURY the saddle seat above turned legs, united by a crinoline stretcher

£300­500 26 TWO SIMILAR VICTORIAN YEW AND ELM HIGHBACK WINDSOR ARMCHAIRS POSSIBLY NOTTINGHAM, SECOND HALF 19TH CENTURY each with a pierced splat back above a saddle seat, on turned legs united by a crinoline stretcher (2)

£400­600 27 27

A YEW AND ELM STICK BACK WINDSOR ARMCHAIR EARLY 19TH CENTURY with a saddle seat and turned legs, united by a crinoline stretcher

£200­300 28 A HARLEQUIN SET OF FOUR HIGHBACK WINDSOR ARMCHAIRS 19TH CENTURY two in ash and two in yew, each with an elm saddle seat and a crinoline stretcher (4)

£600­800

12

28

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

29 AN EARLY GEORGE III WELSH OAK AND FRUITWOOD TRIPOD TABLE SOUTH WALES, C.1760 the dodecagonal top parquetry inlaid with a sun motif above a box fitted with a drawer on a baluster stem 68.4cm high, 51cm wide

£500­800

30 A GEORGE I WELSH OAK SIDE TABLE VALE OF GLAMORGAN, C.1720 the moulded edged top above a pair of frieze drawers with original brass handles and a wavy edge apron, on turned legs with Braganza feet 66.5cm high, 82.6cm wide, 52.4cm deep Literature For a similar table see Richard Bebb, Welsh Furniture 1250­1950, vol. II, p.55, pl.708.

£1,500­2,000 29

30 13

31 A GERMAN PEWTER STEIN INSCRIBED HINRICH ARTENS, 1668 of tapering form with a domed cover, scroll thumbpiece and circular foot, together with a quart and a pint tankard, a side pouring covered jug, a footed bowl and a platter (6) 31cm diameter (max)

£200­300

32 A GEORGE III LIDDED PEWTER PINT TANKARD

BY GEORGE ALDERSON, C.1800 of tapering form with a domed cover and pierced thumbpiece, together with an 18th century pint tankard of baluster form, and four baluster measures (6) 14.5cm high (max)

31

£100­150

33 A GEORGE III SCOTTISH PEWTER TAPPIT HEN LATE 18TH CENTURY with banded decoration and initialled ‘MD’, with a scrolling thumbpiece and a domed cover with a turned finial, together with a George III pewter coffee pot with an ebonised wooden handle and engraved initials ‘MB’ (2) 30cm high (max)

£100­150

32

33 14

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

34 A CHARLES I PEWTER BROAD RIM PLATE

BY NICHOLAS DOLBEARE, ASHBURTON, DEVON, C.1630 engraved with the arms of the Edgecumbe family from Cotehele House, Cornwall, inside a laurel wreath, hallmarks to the rim and touchmarks to the reverse 25.7cm diameter Catalogue Note For a similar plate, see Bishop & Miller, 27th April 2023, lot 135.

Five lots of six similar plates were sold at Sothebys, 1st June 1956 on behalf of the Earl of Mount Edgcumbe.

Literature Michaelis (RF), Early Stuart Pewter from Cotehele, Cornwall, pp. 31­34.

£400­600

34

35 A WILLIAM & MARY ENGLISH PEWTER TRIPLE REEDED DISH

BY JOHN BARLOW OF DERBY (FL. 1698­1744), C.1699 the plain bowl inside a broad rim with a reeded border, hallmarks to the rim touchmarks to the reverse 42.2cm diameter

£150­250

35

36 A JAMES II OR WILLIAM AND MARY PEWTER CHARGER

BY THOMAS POWELL, LONDON, LATE 17TH / EARLY 18TH CENTURY the plain, hammered centre inside a broad border and triple reeded rim, touchmarks to the reverse 56.1cm diameter

£150­250

36 15

37

37 A COLLECTION OF PEWTER 18TH CENTURY AND LATER including: a matched set of baluster measures, eight similar baluster candlesticks, moulds, tankards, tobacco jars, spoons, plates, warming dishes and other items (a lot)

£200­300 38 A GEORGE II PEWTER BASIN DATED 1738 the plain bowl with a narrow rim with banded decoration, the base with touchmarks and stamped ‘ADDLESTRAP CHURCH BASON 1738’, together with a copy of Victoria Huxley’s book ‘Jane Austen & Adlestrop ­ Her Other Family’ (2) 27cm diameter

38

Catalogue Note Jane Austen’s cousin, the Reverend Thomas Leigh, held the living of St Mary Magdalene Church, Adlestrop, for 51 years from 1762. Jane is know to have visited Thomas on a number of occasions and is very likely to have seen or used this bowl when she attended services led by Thomas at St Mary’s.

For further details, please refer to Victoria Huxley’s book.

£150­200 39 A PEWTER ALE JUG 18TH CENTURY of tapering form, inscribed ‘Edwd Thirkell Angel Bunhill Fields’ to the body and with ownership initials ‘TEL’ to the top of the handle 29cm high Catalogue Note The Angel was an Inn in Bunhill Fields, Islington, London.

£80­120

39 16

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

40 A MEDIEVAL MARBLE FONT 13TH / 14TH CENTURY the rounded body on a short stem and circular foot 26.5cm high, 36.7cm diameter

£800­1,200

40

41 A WILLIAM III SANDSTONE MORTAR OR POST SOCKET DATED ‘1696’ of square section, the front corners with quadrant pilasters flanking the initial ‘MM’ and the date ‘1696’, a carved letter ‘J’ to the left­hand side and chamfered corners to the back 16.5cm high, 14.2cm wide, 14.1cm deep

£500­800

41

17

42 AN IRON STRONG BOX OR ARMADA CHEST ENGLISH, 17TH / 18TH CENTURY the slightly domed, hinged cover enclosing a vacant pine lined interior, with a pair of latches, the sides with hoops for carrying poles 47cm high, 106cm wide, 52.5cm deep

£300­500

42

43 A PINE IRON BOUND BENTWOOD BOX AND COVER PROBABLY SCANDINAVIAN,19TH CENTURY of domed, oval form, with a swing handle to the cover and hoop handles to the side 25cm high, 57cm wide, 43cm deep

£150­250

43

44 A HARDWOOD IRON BOUND TRUNK 19TH CENTURY with side carrying handles 47cm high, 92.7cm wide, 47.5cm deep

£200­300

44

18

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

45 A NETHERLANDISH BRASS CANDLESTICK LATE 15TH / EARLY 16TH CENTURY the slightly tapering nozzle with a pair of rectangular apertures, on a baluster turned stem and dished foot, various scratched marks to the underside 30.2cm high

£500­800

45

46 A DUTCH BRASS ALTAR CANDLESTICK POSSIBLY 17TH CENTURY the turned stem on a triangular base with winged masks and claw and ball feet, fitted as a lamp base 54cm high

£200­300

46

47 A DOUBLE-ARMED BRONZE CROSS PENDANT POSSIBLY 17TH OR 18TH CENTURY engraved with Christ beneath a plaque and surrounded by the inscription ‘INRI, DOMINE MEMENTO MEI’ above the Skull of Golgotha, the reverse with various figures and angels amongst foliage 13.2 x 6.9cm

£200­300

47

19

48 A CARVED AND STAINED LIMEWOOD CORPUS CHRISTI 17TH / 18TH CENTURY the downward facing head with well carved hair and beard, rope­tied loin cloth and iron nails through his hands and feet 108 x 81cm

£800­1,200

49 A SPANISH CARVED WOOD AND POLYCHROME PAINTED FIGURE OF A SAINT 17TH / 18TH CENTURY carved standing looking slightly upwards, holding his right hand up and a bible in his left 92.5cm high

£400­600

50 TWO POLYCHROME AND GILTWOOD FIGURES SPANISH OR ITALIAN, 18TH CENTURY AND LATER depicting St. Anthony and the pig and Herodias with the head of St. John, on square section plinths (2) 52.3cm high (max)

£200­300 48

49 20

50

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

51

reverse

51 A NETHERLANDISH BOXWOOD ICON OR PRAYER DISC IN RENAISSANCE STYLE, LATE 19TH CENTURY / EARLY 20TH CENTURY carved to both sides with scenes from the life of Christ, inside a painted circular frame, with arcaded finial and terminal 10.5cm high, 6cm diameter

£300­500

52 A CARVED WOOD AND POLYCHROME PAINTED GROUP OF SAINT JAMES OR SANTIAGO MATAMOROS SPANISH OR SPANISH COLONIAL, 18TH CENTURY depicting St. James seated on a horse standing on the dismembered bodies of Moors, with gilt highlights, on an oval base 73.5cm high, 49cm wide, 31cm deep

£500­800

52 21

53 A FRAMED SET OF BONE PLAQUES 19TH / 20TH CENTURY depicting various rural domestic scenes, surrounded by further plaques with pairs of rondels, on a velvet mount and inside a gilt frame 29.3 x 24cm

£150­200

53

54 A TREEN HARDWOOD CANDLESTICK POSSIBLY DUTCH, 17TH CENTURY with a tapering nozzle above a turned stem with a broad, central drip­tray and above a domed foot, with banded decoration 45cm high

£300­400

54 55 A SILVER MOUNTED COCONUT AND COVER EARLY 19TH CENTURY carved with a rondel of a pair of love birds above a bow and quiver, the reverse monogrammed ‘FSB’, flanked by star bursts and swags, beneath a silver rim, the cover with a stylised face with silver mounts, on three short legs with ball feet 15.5cm high

£200­300

55 22

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

56 λ 56 A FLEMISH EBONY, EBONISED AND SILVER MOUNTED TABLE CABINET LATE 17TH / EARLY 18TH CENTURY applied with engraved silver plaques, the hinged lid revealing a mirror flanked by two panels depicting Justice and the Virgin and Child, above an arrangement of four drawers with ivory handles, flanking an open compartment with two further drawers, with Solomonic columns 31.5cm high, 34.7cm wide, 32.5cm deep

open

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

57 A BEZOAR STYLE STONE of irregular ovoid form in a wirework mount 9.5 x 9cm

£400­600

57 58 A CONTINENTAL BOXWOOD FIGURE OF THE VIRGIN MARY 19TH CENTURY modelled standing clasping her hands 25.5cm high

£100­200

58 23

59 A GEORGE III OAK WALL HANGING SPOON RACK LATE 18TH / EARLY 19TH CENTURY with apertures for six spoons and with a hinged box base 40.3cm high, 32.5cm wide, 15.3cm deep

£150­250

59

60

60 A TREEN WALKING STICK 19TH CENTURY carved with a ‘Green Man’ style head above a stem carved with twisting tendrils and thorns 86cm

£100­150

61 A LATE GEORGE III TRIPOD TABLE LATE 18TH / EARLY 19TH CENTURY the dished mahogany top on a cherrywood base 65.5cm high, 51.5cm diameter

£200­300

61 24

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

62 A GEORGE II OAK SPOON RACK MID­18TH CENTURY AND LATER the fret surmount above thirteen slots for spoons, the base with an open candle compartment with a lift­out metal liner 62.3cm high, 41cm wide, 16cm deep

£200­300

62

63

63

64

A GEORGE III OAK CANDLE BOX LATE 18TH CENTURY

A GEORGE III OAK TRIPOD TABLE LATE 18TH / EARLY 19TH CENTURY

of rectangular form with a sliding front and with a waisted ovoid wall mount 44cm high, 12.4cm wide, 8.2cm deep

the circular dished burr top on a turned stem 66cm high, 46.2cm wide

£100­150

£150­200

64 25

65 A FOLK ART PAINTED PINE CHILD’S ARMCHAIR POSSIBLY IRISH, 19TH CENTURY with a bar back, the front arms originally with a rail

£150­250

65

66 66 A SAILOR’S SHELLWORK VALENTINE PIN CUSHION C.1900 in the form of an anchor 22 x 18cm

£100­150

67 A FOLK ART PAINTED PINE DOLL’S HOUSE LATE 19TH / EARLY 20TH CENTURY the hinged front revealing a two storey interior 67.3cm high, 44.7cm wide, 35.8cm deep

£300­500

67 26

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

68 A SET OF FOLK ART MAHOGANY AND PINE HANGING WALL SHELVES LATE 19TH CENTURY the shaped surmount inset with bone panels, the centre with a loveheart 69cm high, 41cm wide, 12cm deep

£200­300

68

69 69 A PAIR OF FOLK ART BRONZED STAG CHIMNEY ORNAMENTS 20TH CENTURY each on a rectangular base with a wavy apron (2) 28cm high

£100­150

70 A VICTORIAN FOLK ART CARVED OAK CHAIR

BY CHARLES LEWIS OF NEWTON ABBOT, C.1880 the back carved with winged female figures, a monkey head mask and a central quatrefoil marquetry panel inlaid with a bunch of grapes, with a handwritten paper label inscribed ‘Made and carved by Charles Lewis, Woodman, Bradley Woods, Newton Abbot, Devon’.

Provenance Bought directly from Mr Lewis by Herbert J. Elliott, Monkton Hadley, about 1890.

£200­300

70 27

72

71

72

A BURR WOOD SPECIMEN 20TH CENTURY

A SHAKER CIRCULAR BENTWOOD FOOD BOX AND COVER LATE 19TH CENTURY

anthropomorphically carved 92.2cm high

£100­150

with star and lozenge stamped decoration 16.5cm high, 30.7cm diameter

£150­200

71

73

λ 73A

A FRENCH BEE SKEP LATE 19TH / EARLY 20TH CENTURY

A GEORGE III FAUX TORTOISESHELL TABLE CABINET LATE 18TH CENTURY

of square section, of coiled straw and willow on a pine frame drilled with holes 33 x 43 x 42cm

with a hinged cover above a pair of doors enclosing three drawers, with pyrograph decoration, ivory escutcheons, handles and bun feet 21cm high, 22.7cm wide, 16.7cm deep

£100­150

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£150­200 28

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

74 A VICTORIAN STONEWARE WHISKY BARREL LATE 19TH CENTURY inscribed ‘WHISKY’ above the Royal Coat of Arms, flanked by knights on horseback and recumbent lions, on a red and black banded ground, together with a matching brandy barrel (2) 33cm high (max)

£150­250

74

75 A PAINTED SHOP OR STUDIO SIGN LATE 19TH CENTURY inscribed ‘Dora Davis, Photographer, Carslane Howden ...’ painted over older gilt lettering on a black painted ground, on iron hinges 29 x 41.8cm

£100­150

75

76 A VICTORIAN FOLK ART PAINTED PINE BUILDER’S TOOL BOX LATE 19TH CENTURY with iron mounts, the fall front inscribed ‘J.M.’, ‘C.M.C.’, EGERTON BROS., Builders, Church Minshull 45cm high, 65cm wide, 31.5cm deep Catalogue Note Egerton Bros were Wheelwrights and Coach Builders based in Church Minshull, Chester.

£200­300 76

29

78 77

77 A VICTORIAN COPPER PIE MOULD

BY BENHAM & FROUD, 19TH CENTURY of oval section, moulded in relief with fleurs­de­lys and scrolling foliage, with cross and orb mark and numbered ‘17’ 14cm high, 29.5cm wide, 19.5cm deep

£200­300 78 A VICTORIAN COPPER AND TIN JELLY MOULD MID­19TH CENTURY moulded with a sheaf of wheat 11.5cm high, 18.2cm wide, 12.8cm deep

£100­150 79

79 A VICTORIAN COPPER AND TIN JELLY MOULD 19TH CENTURY modelled with a basket of fruit and numbered ‘619’ 15.5cm high, 26.3cm wide, 19.5cm deep

£150­250 80 A SET OF FOUR VICTORIAN COPPER MOULDS LATE 19TH CENTURY each modelled as a fish with a scaly body, stamped with indistinct marks (4) 10.6cm long

£100­150

80

30

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

81 A VICTORIAN COPPER JELLY MOULD

BY BENHAM & FROUD, 19TH CENTURY modelled with a recumbent lion, on a part fluted base, with cross and orb mark and numbered ‘628’ 15.5cm high, 20cm wide, 13.6cm deep

£200­300

81

82 A VICTORIAN COPPER JELLY MOULD LATE 19TH CENTURY modelled with a squirrel eating an acorn, the base with acorns and oak leaves, numbered ‘119’ 10.4cm high, 16cm wide, 12cm deep

£200­300

82

83 A VICTORIAN COPPER JELLY MOULD

BY BENHAM & FROUD, MID­19TH CENTURY modelled with a pineapple on a lobed base, with cross and orb mark and stamped ‘1 A’ 10.5cm high, 17.6cm wide, 11.5cm deep

£100­150

83

31

84

85 84 A SCANDINAVIAN FOLK ART PAINTED WOOD BOWL PROBABLY NORWEGIAN, LATE 19TH CENTURY painted with bands of flowers inside a broad rim with two large shaped cut­out sections 45.7cm diameter (max)

£150­200 85 A PAIR OF FOLK ART ELM AND LEATHER BELLOWS LATE 19TH / EARLY 20TH CENTURY the front carved and painted with a German shepherd dog in a landscape 58.5cm high

£100­150 86 A MAHOGANY DESK PERPETUAL CALENDAR EARLY 20TH CENTURY of typical form, the back with a trade label inscribled ‘Veteran series, British made’ 32.4cm high, 28cm wide

£100­150 86

87 A FOLK ART PINE BEAM LATE 19TH CENTURY relief carved with various animals including a squirrel and a dog 15cm high, 118.6cm wide, 4.8cm deep

£100­150

87 32

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88 TWO FOLK ART PAINTED PINE WHIRLIGIG FIGURES LATE 19TH / EARLY 20TH CENTURY in the form of army officers, one wearing a kilt with his sporran, with painted tin details, later mounted on a wooden stand (2) 40.5cm high (max), 32.5cm wide

£500­800

88

89 A VICTORIAN EBONISED AND DECOUPAGE TABLE CABINET MID­19TH CENTURY decorated with chinoiserie figures, birds and flowers, the interior with an adjustable shelf 82.8cm high, 57cm wide, 21.8cm deep

£800­1,200

89 33

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

90 A TREEN ELM DAIRY BOWL EARLY 19TH CENTURY of shallow, circular form with a gently undulating rim, the exterior with banded decoration 43.5cm diameter, 9cm high

£300­400

90

91 A TREEN DAIRY BOWL LATE 19TH / EARLY 20TH CENTURY the base pierced with three holes 15.6cm high, 51.5cm diameter

£150­250

91

92 A TREEN SCALLOP SHELL BOWL 20TH CENTURY 14cm high, 41cm wide, 38cm deep

£300­400

92 34

THE CASTLE COLLECTION OF TREEN

93 A TREEN SHOP DISPLAY CASTER 19TH CENTURY of turned urn form, mahogany stained with a pierced detachable cover, with old paper collection label attached to the base 26cm high Provenance The Simon Castle Collection of Treen.

£200­300

93

94 A VICTORIAN TREEN WALNUT TOBACCO BOX LATE 19TH CENTURY the domed cover with a spinning top finial enclosing an inner cover, on a moulded base and graduated foot 21cm high, 19cm diameter Provenance The Simon Castle Collection of Treen.

£100­150

94

95 A TREEN WALNUT CASTER 19TH CENTURY of pear form with banded decoration, on a spreading foot 17cm high Provenance The Simon Castle Collection of Treen.

£80­120

95 36

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

96 A TREEN FRUITWOOD GOURD TEA CADDY MID­19TH CENTURY with a short stalk finial and ebonsied inner cover 13cm high Provenance The Simon Castle Collection of Treen.

£120­180

96 97 A PAIR OF TREEN SPILL HOLDERS LATE 19TH CENTURY of slender ovoid form with bronze liners (2) 10.8cm high Provenance The Simon Castle Collection of Treen.

£80­120

97

98 A TREEN TEA CANISTER AND COVER LATE 19TH / EARLY 20TH CENTURY in the form of a ginger jar, with gilt chinoiserie floral decoration 16.5cm Provenance The Simon Castle Collection of Treen.

£100­150

98 37

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

99 A VICTORIAN TREEN TABLE SALT MID­19TH CENTURY the hemispherical bowl on a knopped stem and moulded, spreading foot 12.5cm high Provenance The Simon Castle Collection of Treen.

£100­150

99

100 A PAIR OF TREEN BURR MAPLE GOBLETS LATE 19TH / EARLY 20TH CENTURY each with an ovoid bowl, on a knopped and tapering stem and stepped spreading foot (2) 23.1cm high (max) Provenance The Simon Castle Collection of Treen.

£120­180

100

101 A PAIR OF TREEN FRUITWOOD SALTS MID­19TH CENTURY each with a slightly waisted bowl on a short stem and stepped foot (2) 6cm high, 7.6cm diameter Provenance The Simon Castle Collection of Treen.

£100­150

101

38

102 A LARGE CHARLES II LIGNUM VITAE WASSAIL BOWL C.1680 the body turned with reeded bands, with engraved initials ‘DE’, on a conforming circular foot 26cm high, 23.3cm diameter Provenance The Simon Castle Collection of Treen.

Literature The current lot is illustrated in the Illustrated History of Antiques, general editor Huon Mallalieu, p.257.

Catalogue Note A legacy of Anglo­Saxon culture, wassailing ceremonies traditionally occurred on important feast days, especially Twelfth Night. The term 'wassail' itself derives from the Anglo­Saxon 'waes hael', meaning 'good health'. This expression of well­wishing was exchanged as the wassail bowl was passed round the table for guests to share its contents of mulled ale. The bowl had become, by the Stuart period, a significant status symbol and grew greatly in size during the 17th century, thanks to the adoption of lignum vitae as a turnery wood around 1660. With its large hardwood core and its particular durability, this timber revealed itself ideal for making large drinking vessels, especially as its sap was also considered to have healing properties. The pinnacle in this production is arguably epitomised by Post­Restoration wassail bowls, such as the example offered here.

Recent examples of this date sold in these rooms include lot 14, 4th October 2017, which fetched £14,000 hammer, as well as lot 101, 6th July 2021, which achieved £8,500 hammer and lot 392, 4th & 5th October 2023 which fetched £28,000.

£1,000­1,500

39

103

104

103 A PAIR OF TREEN FLASKS OR MOULDS EARLY 19TH CENTURY of bottle vase form, with chip carved decoration (2) 21cm high Provenance The Simon Castle Collection of Treen.

£150­200 104 A TREEN AND BRASS BOUND STRING BARREL EARLY 20TH CENTURY together with a four section spice tower, a pair of lions supporting a shield and two boxes and covers (6) 20cm high (max) Provenance The Simon Castle Collection of Treen.

£150­250 105 105

A TREEN CAMPAIGN DRESSING OR TOILET BOX MID­19TH CENTURY of slightly swollen cylindrical form, the hinged cover enclosing a brass fitted interior 17.2cm high Provenance The Simon Castle Collection of Treen.

£200­300 106 A VICTORIAN TREEN LIGNUM VITAE GRAHAM’S PATENT INKWELL LATE 19TH CENTURY the turned body and cover on a square foot 4cm high, 4.5 x 4.5cm Provenance The Simon Castle Collection of Treen.

106 40

£80­120

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

107

107

108

A TREEN LIGNUM VITAE BALL 19TH CENTURY

A TREEN WINE FUNNEL 19TH CENTURY

of cricket ball form with a ‘seam’ to the equator 8cm diameter

probably boxwood, with a bell shaped funnel 21cm long Provenance The Simon Castle Collection of Treen.

Provenance The Simon Castle Collection of Treen.

£80­120

£100­150

108

109 A TREEN BURR MAPLE AND BRASS PIPE BOWL POSSIBLY SCOTTISH, MID­19TH CENTURY of tapering form with a scrolling finial 14cm high Provenance The Simon Castle Collection of Treen.

Literature The current lot is illustrated in the Illustrated History of Antiques, general editor Huon Mallalieu, p.258.

109

£150­200 41

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110

111

TWO TREEN GAVELS LATE 19TH AND 20TH CENTURY

A VICTORIAN TREEN MAHOGANY WINE COASTER C.1860­70

with turned handles and heads, one miniature (2) 17.5cm long (max)

of slightly spreading form, with scrolled foliate decoration, on four bun feet 5.5cm high, 17.5cm diameter

Provenance The Simon Castle Collection of Treen.

Provenance The Simon Castle Collection of Treen.

£100­150

£150­250

in use 112 A VICTORIAN TRAVELLING CANDLE HOLDER C.1860­70 the slender cover converting to be the handle screwing into the cylindrical base with strike to the underside 20.5cm high Provenance The Simon Castle Collection of Treen.

Literature The current lot is illustrated in the Illustrated History of Antiques, general editor Huon Mallalieu, p.262. See Edward H. Pinto, Treen and Other Wooden Bygones, pl.125 for similar examples.

£80­120 42

113 A WELSH TREEN LOVE SPOON EARLY 19TH CENTURY with heart, crescent moon, arcade and other pierced decoration, with a scrolling terminal and ten­link chain 30.5cm long (excluding chain) Provenance The Simon Castle Collection of Treen.

Literature The current lot is illustrated in the Illustrated History of Antiques, general editor Huon Mallalieu, p.261.

£500­800 43

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

114 A PAIR OF TREEN GNOME SPILL HOLDERS LATE 19TH CENTURY each carved standing with an antler shaped vase, on naturalistic circular bases (2) 10cm high Provenance The Simon Castle Collection of Treen.

£200­300

114

115 A LATE VICTORIAN WALNUT LETTER BOX C.1880 the top with a slot on a trellis carved ground, above a hinged front, with an oval window surrounded by scrolling foliage 21.5cm high, 32.5cm wide, 12.5cm deep Provenance The Simon Castle Collection of Treen.

£100­150

115

116 A BLACK FOREST LINDEN WOOD DOG HEAD NUTCRACKER EARLY 20TH CENTURY the terrier head with a turned and notch carved handle 18.7cm long Provenance The Simon Castle Collection of Treen.

£100­150 116

44

117

117A

A BLACK FOREST LINDEN WOOD RECUMBENT MOUNTAIN DOG EARLY 20TH CENTURY

A BLACK FOREST LINDEN WOOD RECUMBENT MOUNTAIN DOG EARLY 20TH CENTURY

possibly a St. Bernard, with glass eyes 27cm long

possibly a St. Bernard, with glass eyes 25cm long

Provenance The Simon Castle Collection of Treen.

Provenance The Simon Castle Collection of Treen.

£300­400

£300­400

45

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

118 A VICTORIAN TÔLE PEINTE OVAL TRAY MID­19TH CENTURY BUT LATER PAINTED with a portrait of a King Charles Spaniel inside a gilt painted border 66.5 x 53.5cm Provenance The Simon Castle Collection of Treen.

£80­120

118

119 A MINIATURE VIOLIN AND BOW 20TH CENTURY with a single piece back and penwork banding (2) 26.5cm long (max) Provenance The Simon Castle Collection of Treen.

£60­80

119

120 A VICTORIAN MAHOGANY OVAL TRAY LATE 19TH CENTURY with a fretwork gallery 59.5 x 39.5cm Provenance The Simon Castle Collection of Treen.

£150­200

120

46

121 A TREEN FRUITWOOD BURGHER TOBACCO JAR POSSIBLY BLACK FOREST, 19TH CENTURY modelled standing wearing a tricorn hat and an overcoat, smoking a pipe and resting on a walking stick, ink signature to the rim 36.5cm tall Provenance The Simon Castle Collection of Treen.

Literature The current lot is illustrated in the Illustrated History of Antiques, general editor Huon Mallalieu, p.258.

£300­500

47

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

122 A PAIR OF GEORGE III TREEN MAHOGANY TRIPOD CANDLESTICKS LATE 18TH CENTURY each with a bronze urn nozzle on a tapering stem and a tripod base (2) 39.3cm high Provenance The Simon Castle Collection of Treen.

Literature The current lot is illustrated in the Illustrated History of Antiques, general editor Huon Mallalieu, p.259.

£300­500

122

123 A PAIR OF GEORGE III TREEN MAHOGANY CANDLESTICKS LATE 18TH CENTURY each with a bronze nozzle with foliate decoration, on a fluted column with a bulbous reeded base and a spreading foot (2) 36.5cm high Provenance The Simon Castle Collection of Treen.

Literature The current lot is illustrated in the Illustrated History of Antiques, general editor Huon Mallalieu, p.259.

£300­500 123

48

124 A BLACK FOREST LINDEN WOOD FIGURE OF AN EAGLE IN THE MANNER OF ALFRED STAHLI OF BRIENZ, EARLY 20TH CENTURY modelled with wings spread and perched on a rock 33cm high, 30cm wide, 18cm deep Provenance The Simon Castle Collection of Treen.

£300­500

49

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 125 A LARGE LATE REGENCY ROSEWOOD AND BRASS MOUNTED GALLERY GLASS EARLY 19TH CENTURY with a turned handle 45.7cm long, 24cm diameter Provenance The Simon Castle Collection of Treen.

£500­800

126 A CHINESE HUANGHUALI STAND 18TH / 19TH CENTURY with scroll ends 5.5cm high, 33cm wide, 22.2cm deep Provenance The Simon Castle Collection of Treen.

£300­500

END OF COLLECTION 50

THE GEOFFREY CHESTERS COLLECTION OF TREEN 127 A TREEN BURR MAPLE POT AND COVER SCANDINAVIAN, 19TH CENTURY of squat ovoid form with turned, banded decoration and a spinning top finial 11cm high, 10.5cm diameter Provenance The Geoffrey Chesters Collection of Treen.

£100­150

127

128 A PAIR OF TREEN LIGNUM VITAE TABLE SALTS 19TH CENTURY each with a rounded bowl on a short stem and stepped foot, another table salt, 20th century, a footed bowl with line decoration and two smaller footed bowls or goblets (6) 14.8cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

128

129 A GEORGE III TREEN YEW-WOOD CHALICE C.1800 the bucket­shaped bowl on a knopped stem and spreading foot, together with an Ohl & Hauschild ‘laminated wood’ goblet with an integral ring to the stem, a lignum vitae goblet, a laburnum goblet and two fruitwood goblets (6) 13.3cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

129

51

130 131 130 A TREEN LIGNUM VITAE POUNCE POT 19TH CENTURY of baluster form, together with a barrel shaped ebony and gilt lined pounce pot, a spherical boxwood pounce pot and a similar birch pounce pot and an urn shaped string box (5) 10.3cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 131 A BOXWOOD MEDICINE BOTTLE CASE AND COVER EARLY 20TH CENTURY containing a glass bottle, stopper and beaker, two cylindrical powderers with domed covers, a cylindrical inkwell and cover, a syringe case, a container and cover containing an hour­glass and a spherical box and cover on a short foot (7) 22.5cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

Catalogue Note For a similar medicine bottle case and cover, see Edward H Pinto, Treen and other Wooden Bygones, ill. 53 (C and D) where similar items are described as ‘predecessors of the vacuum flask’.

132

£100­150 132 A TREEN ELM TABLE SALT 19TH CENTURY the rounded bowl on a tall stem and stepped foot, an elm beaker, mid­19th century, with an everted rim, an elm wine taster and a fruitwood quaich (4) 14.2cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 133 A TREEN LIGNUM VITAE STRING BOX AND COVER MID­19TH CENTURY of acorn shape on a stepped, circular foot, together with a lignum vitae cylindrical box and cover, another footed box and cover and a powder box and cover (4) 20.5cm high (max)

133 52

Provenance The Geoffrey Chesters Collection of Treen.

£100­150

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

134

135

λ 134 A PAIR OF TREEN ROSEWOOD GOBLETS MID­19TH CENTURY each with a barrel shaped bowl on a knopped stem and stepped foot, a yew­wood goblet, early 19th century, of bucket shape on a knopped stem and spreading foot, a large fruitwood goblet and a lignum vitae goblet (5) 18.8cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 135 A TREEN SYCAMORE MORTAR GRATER LATE 18TH / 19TH CENTURY of slightly waisted form with turned decoration to the shoulders and foot, a red­stained fruitwood mortar grater, with banded decoration and a fruitwood cork inserter (3) 24.5cm tall (max)

136

Provenance The Geoffrey Chesters Collection of Treen.

£100­150 136 A TREEN LIGNUM VITAE FOOTED POT AND COVER 19TH CENTURY on a short stem and circular foot, a 19th century hardwood turned pot and cover, possibly ebony, a boxwood footed spherical pot and cover and two fruitwood pots and covers (5) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 137 A COLLECTION OF SIX TREEN BOXES AND COVERS 19TH AND 20TH CENTURY in a variety of woods including walnut and various fruitwoods, together with a walnut urn­shaped ornament with a tall finial and banded decoration (7) 23cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

137 53

139

138

138 A COLLECTION OF FIVE TREEN PATCH OR PILL BOXES AND COVERS 19TH CENTURY of circular form, together with a watchmaker’s oil pot and cover, two apothecary’s miniature mixing bowl cases, one including a ceramic mixing bowl, two lignum vitae miniature beakers, two miniature mortars, one with a pestle, a footed bowl and a beaker (14) 4.2cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 139 TWO BERRY’S PATENT TREEN LIGNUM VITAE INKWELLS LATE 19TH CENTURY of cylindrical form, one lacking its glass liner, both stamped ‘Berry’s Patent’ to the covers; three Berry’s Patent style inkwells, two of barrel form; and a lignum vitae cased pocket compass with a brass gnomon and a paper calendar to the inside of the cover (6) 7.1cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

140

£100­150 140 TWO SUSSEX STYLE TREEN STORAGE JARS 19TH CENTURY possibly sycamore, one with a stopper together with an an oak and copper bound storage jar and an ebonised storage jar and cover (4) 19cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 λ 141 TWO TREEN LIGNUM VITAE DICE SHAKERS 19TH CENTURY of tapering form with a central band, a lignum vitae barrel­shaped spill holder, a yew­wood scent or ointment bottle case and cover, another in lignum vitae with a removeable base, a rosewood go­to­bed and a mahogany patch box and cover with a white metal plaque (7) Provenance The Geoffrey Chesters Collection of Treen.

141 54

£100­150

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

142 A PAIR OF TREEN ELM WIG STANDS 19TH CENTURY each with a domed mushroom cap on a baluster turned stem and banded foot, together with another walnut wig stand, with an adjustable brass stem (3) 42.5cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

142

143 A TREEN LIGNUM VITAE ROLLING PIN MID­19TH CENTURY

143

together with another smaller rolling pin, a lignum vitae ‘straight edge’, a lignum vitae life preserver, a fruitwood pestle, an elm strickle and a boxwood club­shaped implement with a central plunger mechanism, twice stamped ‘GS’ (7) 49cm long (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

144 A TREEN OAK SPILL HOLDER 19TH CENTURY of urn form, with a stepped foot, a fruitwood beaker, the bowl with an everted rim above a composite stem and banded foot, two treen beakers with knopped stems and four footed beakers or spill vases (8) 15.8cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

144

£100­150

55

145 A VICTORIAN TREEN BOXWOOD SECTIONAL CONTAINER AND COVER DATED ‘1869’ modelled as a barrel and cover standing in a half­barrel, with banded decoration, a maple tobacco box and cover of ovoid form, a fruitwood pot and cover of squat ovoid form and a fruitwood pot and cover on a short stem and stepped foot (4) 22cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

145

146 A TREEN FRUITWOOD SALVE OR OINTMENT POT AND COVER EARLY 19TH CENTURY of acorn form on a stepped circular foot together with two lignum vitae go­to­beds, a boxwood salve pot and cover with banded decoration and a glove powderer with a knopped stem and cylindrical body (5) 9.5cm high Provenance The Geoffrey Chesters Collection of Treen.

£100­150

146

147 A TREEN LIGNUM VITAE TABLE SALT MID­19TH CENTURY with a short knopped stem and stepped foot, another lignum vitae salt with a rounded body and spreading foot, two fruitwood salts with banded decoration and another of champagne bowl form with an integral ring to the stem (5) 9cm high (max)

147

Provenance The Geoffrey Chesters Collection of Treen.

£100­150

56

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

148 A TREEN LIGNUM VITAE GO-TO-BED 19TH CENTURY the cover with foliate fringe decoration around a central vesta or light holder, a pair of ebony candlesticks, a pair of walnut and brass candlesticks and a fruitwood chamberstick (6) 21cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150

148

λ 149 A GEORGE III TREEN POT AND COVER LATE 18TH CENTURY possibly laburnum, of urn form on a baluster stem and stepped foot, an urn and cover, mid­19th century, possibly goncalo alves, with an ivory acorn finial, a rosewood pot and cover of ovoid form on a knopped stem and a fruitwood pot and cover (4) 24cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

£100­150 149

150 A TREEN FRUITWOOD SALT LATE 19TH CENTURY together with a collection of egg cups and small beakers in a variety of woods including lignum vitae, boxwood, walnut and others (9) 9cm high (max) Provenance The Geoffrey Chesters Collection of Treen.

150

£100­150

END OF COLLECTION 57

FURNITURE & WORKS OF ART

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

151 A QUEEN ANNE WALNUT CHEST ON STAND EARLY 18TH CENTURY AND LATER inlaid with boxwood stringing and fitted with two short and three long drawers, on a later stand with spiral twist supports 121cm high, 88cm wide, 58.5cm deep

£600­1,000

152 A GEORGE II WALNUT CHEST C.1725­30 inlaid with stringing and crossbanding, the top with a caddy moulded edge, above two short and three long drawers, with pine sides 92.9cm high, 93.5cm wide, 50.7cm deep

£400­600

151

152 59

153 A GEORGE I WALNUT CHEST EARLY 18TH CENTURY with crossbanding and inlaid with stringing, with two short and three long drawers on later bracket feet 90cm high, 97cm wide, 57.8cm deep

£300­500

153

154 A GEORGE I WALNUT CHEST EARLY 18TH CENTURY with cross and feather banding, the quarter veneered top above two short and two long drawers 78.8cm high, 97.2cm wide, 58cm deep

£400­600

154

155 A WALNUT CHEST 18TH CENTURY AND LATER with cross and feather banding with two short and three long drawers 93.7cm high, 80.2cm wide, 52cm deep

£300­500

155 60

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

156 A QUEEN ANNE WALNUT BUREAU EARLY 18TH CENTURY with cross and feather banding, the fitted interior with an arrangement of pigeonholes and drawers above a sliding well cover, above two short and two long drawers on later bun feet 98.2cm high, 83cm wide, 49cm deep

£800­1,200

156

157 A GEORGE II WALNUT CHEST ON CHEST C.1730 with cross and feather banding and six long drawers 145cm high, 101cm wide, 51.5cm deep

£500­800

157 61

158 A WILLIAM AND MARY WALNUT HIGHBACK SIDE CHAIR LATE 17TH CENTURY the padded back and seat covered in later floral needlework, on turned legs united by an ‘X’ stretcher

£100­200

158

159

159 A WALNUT LOWBOY 18TH CENTURY ELEMENTS AND LATER with cross and feather banding and fitted with two short and one long drawer 72.7cm high, 58.2cm wide, 45.8cm deep

£200­300

160 A GEORGE II JAPANNED BOWFRONT HANGING CORNER CUPBOARD MID­18TH CENTURY gilt decorated with chinoiserie scenes of figures, buildings and birds, the painted interior with three shelves 92.3cm high, 60.7cm wide, 39.5cm deep

£200­300

160 62

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

161 A WALNUT HIGHBACK ARMCHAIR LATE 17TH / EARLY 18TH CENTURY the arched padded back and seat covered with needlework, the turned and block front legs united by a scroll and stylised shell stretcher

£300­500

161

162

162 A GEORGE II WALNUT DRESSING TABLE MIRROR MID­18TH CENTURY the later bevelled plate within an arched moulded frame, the box base fitted with three drawers and chequered line inlay, on bracket feet 55cm high, 39cm wide, 21cm deep

£150­250 163 A GEORGE II JAPANNED BOWFRONT HANGING CORNER CABINET MID­18TH CENTURY decorated in low relief with figures in a garden with birds in flight and amongst foliage, the pair of doors with pierced brass butterfly hinges and enclosing shaped shelves, beneath two graduated shelves 115cm high, 58cm wide, 38cm deep

£200­300 163 63

164 A GEORGE I WALNUT CABINET ON CHEST EARLY 18TH CENTURY with cross and feather banding, with a pair of doors revealing a vacant interior, above two short and four long drawers 204.5cm high, 111.5cm wide, 58.8cm deep Provenance The Property of a Nobleman.

£600­1,000

64

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

165 A GEORGE II WALNUT BUREAU BOOKCASE C.1735 AND LATER with cross and feather banding, with a pair of doors inset with bevelled and etched mirrors revealing three shelves, with a pair of candle slides, the hinged fall revealing pigeonholes, drawers, secret pilaster compartments, a central cupboard and a sliding well cover, above four long drawers, the back with a label inscribed ‘Hon. V. Seeley, 24 10 1939’ 216.2cm high, 107cm wide, 52.2cm deep

£800­1,200

65

166 A WALNUT BOOKCASE IN QUEEN ANNE STYLE, LATE 19TH / EARLY 20TH CENTURY the arched top with a pierced and carved crest, with a pair of fluted pilasters flanking a bevelled glazed door enclosing two shelves, the base with two short and three long drawers 184.7cm high, 79.7cm high, 36.5cm deep

£500­800 167 A GEORGE II WALNUT MIRROR MID­18TH CENTURY the rectangular plate inside a gilt slip and moulded frame 53.5 x 43cm (max)

£100­150 168 A GEORGE II MAHOGANY FRET-FRAME WALL MIRROR MID­18TH CENTURY with probably it’s original bevelled plate within a giltwood slip 98.7 x 62.3cm

£200­300

166

167 66

168

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

169 A WILLIAM AND MARY OYSTER VENEERED CUSHION FRAME MIRROR C.1700 the rectangular plate inside a moulded frame 59.3 x 53.2cm

£600­1,000

169

170 A GEORGE II WALNUT SIDE CHAIR C.1725­30 with a vase shaped splat above a drop­in needlework seat and trefid feet

£200­300

170 67

171 A SILKWORK SAMPLER EARLY 19TH CENTURY worked with a variety of flowers, birds, animals and an angel fish, indistinctly inscribed and dated, framed and glazed 31.4 x 34cm

£200­300

171

172 A SMALL COLLECTION OF CUSHIONS 18TH CENTURY AND LATER comprising: a pair of tapestry examples, possibly Brussells, worked with monkeys, flowers and foliage with an owl crest, together with two Aubusson examples, and three others (7) 56cm max

£200­300 173 A GEORGE III NEEDLEWORK SAMPLER EARLY 19TH CENTURY worked in wool with alphabets, numbers, plants and figures on a linen ground, together with another, similar, and a late 18th century silkwork sampler (3) 37 x 42cm (max)

172

£200­300

173 68

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

174 A RARE NEEDLEWORK PORTRAIT OF CHARLES II AFTER SIR PETER LELY (1618­80), LATE 17TH CENTURY silk and hair on a silk ground, depicted seated wearing a suit of armour and the chain of the garter, in an ebonised ripple moulded frame 20 x 17.2cm Catalogue Note This silkwork portrait is probably after the original portrait painting

by Sir Peter Lely which can be found in the Throne Room of the Palace of Holyroodhouse.

£100­150

175 A DUTCH TAPESTRY HERALDIC PICTURE DATED ‘1689’ depicting the Rotterdam City Coat of Arms, with a pair of lions supporting a crowned shield, in a later frame 56.8 x 65.7cm

£800­1,200

174

175 69

176 A WILLIAM IV RECRUITING OFFICER’S SPEECH NEEDLEWORK SAMPLER

BY MARY BEAUMONT, NOTTINGHAM, DATED 1835 the twenty­nine line speech beneath a pair of crowns and surrounded by flowers, trees, birds and animals, inscribed ‘Mary Beaumont Nottingham, Aged 9 years, January 8 1835’, inside a meandering floral border, glazed and in a maple frame 46.2 x 37.3cm

£200­300

176 177 A GEORGE IV ALPHABET NEEDLEWORK SAMPLER

BY MARIA FEATHERSTONE, DATED ‘1824’ worked in black with seven lines of alphabets and numbers above an eight line rhyme and inscribed ‘Anne Featherstone August 25th 1824’, glazed and in a maple frame 35 x 32.3cm

£150­250

177

178 A GEORGE III NEEDLEWORK SAMPLER

BY SARAH LEWIS, DATED ‘1774’ worked in colours with an alphabet above a rhyme titled ‘On Education’ and another about Virtue, surrounded by flowering plants, trees and birds inside meandering foliage, glazed and in a maple frame 42.6 x 33.6cm

£200­300

178 70

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

179 A GEORGE III SILKWORK PICTURE LATE 18TH CENTURY depicting a two handled urn on a table issuing a variety of flowers including roses and lilies on a black ground, in a glazed giltwood frame 58.5 x 48cm

£400­600

179

180 A PAIR OF GEORGE III OVAL SILKWORK PICTURES C.1800 with ribbon­tied sprays of flowers on a black ground, in a glazed giltwood frame (2) 29.5 x 22cm

£200­300

180

71

181 A GEORGE II WALNUT SIDE CHAIR C.1730­40 the padded back and seat with later velvet upholstery, on carved lion’s head cabriole legs and claw and ball feet, with hairy fetlocks

£300­500

181

182 A GEORGE II MAHOGANY WIG OR BASIN STAND C.1750 fitted with two drawers, together with an associated blue and white pottery bowl 80.3cm high, 50.5cm wide

£100­150

182

183 A GEORGE III MAHOGANY GAINSBOROUGH ARMCHAIR C.1770 on moulded front legs united by an ‘H’ stretcher

£400­600

183

72

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

184

184 A LATE GEORGE II MAHOGANY GAINSBOROUGH ARMCHAIR MID­18TH CENTURY upholstered with green damask silk on cabriole legs and sunken brass castors and another with a serpentine back above scroll arms (2)

£1,000­1,500

185 A GEORGE II MAHOGANY CARD TABLE C.1750­60 the fold­over top on a single gate support, revealing a baize lined playing surface, on oak leaf and acorn carved cabriole legs and claw and ball feet 71.5cm high, 76cm wide, 38.5cm deep

£300­400

185

73

186 AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760 the galleried octagonal tilt­top on a baluster turned stem 74.4cm high, 81.5cm wide

£200­300

186 187 A GEORGE II MAHOGANY CARD TABLE C.1750 the baize lined interior with sunken counter wells and candlestands 73.3cm high, 84cm wide, 41.3cm deep

£300­500

187

188 A MAHOGANY TRIPOD TABLE 18TH CENTURY AND LATER the tilt­top with a pie­crust moulded edge, on a stop fluted stem and leaf carved cabriole legs and claw and ball feet 71.7cm high, 83.5cm wide

£400­600

188 74

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

189 A GEORGE II MAHOGANY SERPENTINE COMMODE ON STAND C.1755­60 with three short and two long drawers on cabriole legs and scrolled toes 76.8cm high, 103cm wide, 54cm deep

£3,000­5,000

75

190 A GEORGE II MAHOGANY TRIPOD TABLE MID­18TH CENTURY AND LATER the circular tilt­top revolving on a birdcage 70cm high, 71.5cm diameter

£200­300

190 191 A GEORGE III MAHOGANY ARMCHAIR C.1770 with a pierced ladder back, above a dipped seat covered in green silk damask

£300­400

191

192 A GEORGE II MAHOGANY TEA TABLE C.1750 fitted with a frieze drawer on lappet carved legs 72.3cm high, 72cm wide, 36cm deep

£200­300

192 76

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

193 A MAHOGANY SILVER TABLE IN CHINESE CHIPPENDALE STYLE, 19TH CENTURY with a pierced gallery and lattice frieze, above a gadrooned edge on cluster column legs united by a turned ‘X’ stretcher 73cm high, 74.3cm wide, 55.5cm deep Provenance Kenneth Neame: An Enduring Legacy.

PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

£1,000­1,500

193

194 A GEORGE III MAHOGANY DUMB WAITER 18TH CENTURY WITH LATER ADAPTATIONS with two graduated tiers, each with a spindle gallery inlaid with brass stringing, on brass roller castors 91.5cm high, 62cm wide

£500­700

194

195 A NEAR PAIR OF EARLY GEORGE III MAHOGANY WINE TABLES C.1760­70 each with a circular fixed top with a turned spindle gallery, inlaid with brass stringing, on tripod supports (2) 57.2cm high, 39cm wide (max)

£300­500

195 77

196 A LATE GEORGE III MAHOGANY SERPENTINE SIDEBOARD C.1800 inlaid with stringing and crossbanding fitted with three drawers on square tapering legs and spade feet, the left side with a hinged door 87.2cm high, 145cm wide, 70cm deep

£400­600

196

197 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790­1800 the shield shaped plate with a bronze finial, on a crossbanded bowfront base with three drawers, with bone rondels, escutcheon and handles 67cm high, 44.4cm wide, 21.5cm deep

£150­200

197

198 A GEORGE III MAHOGANY TRAY-TOP COMMODE LATE 18TH CENTURY the gallery pierced with three handgrips, above a tambour shutter and a converted pull­out base, with brass handles 79.9cm high, 49.8cm wide, 46.5cm deep

£200­300

198 78

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

199 A GEORGE III MAHOGANY BOWFRONT SIDEBOARD LATE 18TH CENTURY inlaid with stringing and satinwood banding, with a part cedar lined frieze drawer, flanked by a pair of deep drawers 93.4cm high, 152.5cm wide, 69.3cm deep

£500­800

199

200 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790­1800 the shield shaped plate above a serpentine base with crossbanding, with a pair of shaped drawers flanking an oval floral marquetry panel, with bone rondels and handles 60cm high, 45.5cm wide, 20cm deep

£150­200

200

201 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE LATE 18TH CENTURY the gallery pierced with a pair of handgrips above a pair of doors and a pull­ out base with a lidded aperture 73.6cm high, 50cm wide, 43.2cm deep

£200­300

201

79

202 A GEORGE II YEW LOWBOY C.1740­50 fitted with four drawers on cabriole legs and pointed pad feet 69.3cm high, 71.5cm wide, 41.7cm deep

£200­300

202

203 A GEORGE III MAHOGANY WINE COOLER LATE 18TH CENTURY the domed lid revealing a lead lined interior with twelve divisions, above a pair of doors, with brass side carrying handles 75.7cm high, 62.7cm wide, 49.5cm deep

£400­600

203

204 A GEORGE III MAHOGANY SPIDER LEG TABLE LATE 18TH CENTURY the drop­leaf top on turned legs and pad feet 73.8cm high, 80.3 x 84.5cm (open)

£150­200

204 80

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

205 A GEORGE III MAHOGANY DINING ROOM PEDESTAL IN THE MANNER OF GILLOWS, LATE 18TH CENTURY AND LATER the front with a door with outline mouldings simulating drawers to a converted interior fitted for files 85.8cm high, 48.8cm wide, 41.2cm deep

£400­600

206 A GEORGE III MAHOGANY WINE BOTTLE OR DECANTER STAND POSSIBLY IRISH, LATE 18TH CENTURY the top with shaped galleries and eight divisions, above a pair of banded doors enclosing a shelf and on brass castors 67.8cm high, 72cm wide, 37cm deep Catalogue Note For similar bottle stands, please see Robin Butler, Great British Wine Accessories, 2009, 1550­1900, pp 108­9.

£500­800

205

206

81

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

207

207 A PAIR OF GILTWOOD WALL BRACKETS IN GEORGE II STYLE, 19TH CENTURY each with a shaped top painted to simulate marble above an eagle and with Rococo ‘C’ scrolls 60.7cm high, 41.6cm wide, 28cm deep

£600­1,000

208 A GEORGE III OVAL GILTWOOD MIRROR LATE 18TH CENTURY the later bevelled plate inside a frame of meandering fruiting branches with avian wing­like foliage and rocaille work between a padoga shaped ‘C’ scroll and foliate surmount and ‘C’ scroll terminal 110 x 71.5cm

£600­1,000

208

82

209 A PAIR OF CARVED PINE EAGLE CONSOLE TABLES IN GEORGE II STYLE AFTER FRANCIS BRODIE, LATE 19TH / EARLY 20TH CENTURY each with a marble top, above a Greek key frieze and an eagle standing on rockwork support (2) 87cm high, 181.5cm wide, 55cm deep Catalogue Note The design for this type of 'Roman' pier table has historically been associated with the eminent English architect and furniture designer William Kent (1685­1748) and this design was most popular during the 1730s­1750s throughout England and Scotland. A related table is illustrated in the 1739 trade sheet by the Edinburgh cabinetmaker Francis Brodie. In the same year he supplied 'a marble table supported by and eagle, gilt in burnished gold' to the Duke of Gordon. See F. Bamford, 'Dictionary of Edinburgh Wrights and Furniture Makers', Furniture History, vol. XIX, 1983, plate 24a. For a similar pair of tables see Dreweatts, Fine Furniture, Ceramics & Works of Art, 28th March 2018, lot 70.

£8,000­12,000

83

210 A GEORGE III MAHOGANY BOWFRONT SIDEBOARD LATE 18TH CENTURY with a central frieze drawer flanked by a pair of hinged compartments on panelled square tapering legs and turned feet 86.3cm high, 150cm wide, 52.5cm deep

£300­500

210

λ 211 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790­1800 the replaced circular plate on a serpentine base with boxwood edging and three drawers with ivory handles, on bracket feet, together with its original worn plate 55.5cm high, 43.6cm wide, 22cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

211

212 A PAIR OF GEORGE III MAHOGANY DINING ROOM PEDESTALS LATE 18TH CENTURY each with a hinged door, decorated with a fluted freize flanked by urns above garlands of husks, one fitted with two drawers and with a compartment with side access, the other with three drawers (2) 90.8cm high, 47.5cm wide, 46.5cm deep

£600­1,000 212

84

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

213 A GEORGE III GILTWOOD WALL MIRROR CHIPPENDALE PERIOD, C.1760 the replacement plate inside a flowering foliate, ‘C’ scroll and rocaille frame with a chinoiserie surmount of a man in an archway beneath a foliate dome 133 x 65cm

£800­1,200

85

214 A MAHOGANY ARMCHAIR IN FRENCH HEPPLEWHITE STYLE, 19TH CENTURY together with a similar walnut armchair, each with a cartouche shaped back (2)

£500­800

214

215 A GEORGE III MAHOGANY BACHELOR’S CHEST LATE 18TH CENTURY with a brushing slide above four long drawers 86.3cm high, 95cm wide, 48.1cm deep

£200­300

215

216 A GEORGE III MAHOGANY DEMI-LUNE TEA TABLE LATE 18TH CENTURY with burr yew banding and inlaid with faux fluting 72.3cm high, 90.8 cm wide, 45cm deep

£300­400

216 86

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

217 A GEORGE III MAHOGANY SERPENTINE KNEEHOLE DESK C.1770 fitted with a brushing slide, above an arrangement of eight drawers around a cupboard door, flanked by blind fret angles and on ogee bracket feet 78.3cm high, 80cm wide, 54cm deep

£600­1,000

217

218 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790­1800 the shield­shaped plate on a serpentine base fitted with three drawers, with bone rondels and handles 61cm high, 45cm wide, 22cm deep

£200­300

218

219 A GEORGE III MAHOGANY ARMCHAIR IN FRENCH HEPPLEWHITE STYLE, C.1780 with scroll arms and fan decorated cabriole front legs

£300­500

219 87

220 A GEORGE III MAHOGANY CHEST ON CHEST LATE 18TH CENTURY with a dentil cornice above two short and six long drawers, with a brushing slide 199cm high, 111.5cm wide, 58.3cm deep

£400­600

220 221 A GEORGE III GILTWOOD OVAL WALL MIRROR LATE 18TH CENTURY the later plate in a beaded and gadrooned frame 67 x 51cm

£200­300 221

222 A MAHOGANY TWIN PEDESTAL DESK GEORGE III AND LATER the top inset with later green leather above an arrangement of nine flamed figured drawers 79cm high, 140.3cm wide, 73cm deep

£800­1,200

222 88

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

223 A LATE GEORGE III MAHOGANY PLATE AND CUTLERY STAND ATTRIBUTED TO GILLOWS, C.1800­10 with two divisions and lift­out metal liners 64.7cm high, 55.3cm wide, 33.8cm deep Literature See Margaret Jourdain, Regency Furniture, pl.127 for a related cutlery stand at Harewood House.

£800­1,200

223

224 A GEORGE III MAHOGANY AND BRASS WINE COOLER ON STAND LATE 18TH CENTURY of canted form, with a lift­out metal liner and with brass carrying handles 60.7cm high, 61cm wide, 44cm deep

£2,000­3,000

224

225 A GEORGE III MAHOGANY AND MARQUETRY OVAL TRAY ATTRIBUTED TO GILLOWS, LATE 18TH CENTURY inlaid with a central fan patera inside stringing and with scallop shell carved handles 77.5 x 49.5cm Catalogue Note For a tray with similar handles see Christie’s, 14th June 2001, lot 1, which realised £4,113 (including premium).

£600­800 225

89

226 A GEORGE III MAHOGANY BACHELOR’S CHEST C.1770 fitted with a brushing slide above two short and three long drawers 86.5cm high, 84.4cm wide, 51.2cm deep

£200­300

226

227 AN ARCHITECTURAL OVAL WINDOW OR OEIL-DE-BOEUF C.1800 with a central oval pane inside eight fan shaped panes, in a white painted pine frame 70 x 103.5 x 4.7cm

£200­300

227

228 A MAHOGANY SERPENTINE CARD TABLE IN CHINESE CHIPPENDALE STYLE, 19TH CENTURY the hinged top with a floret carved edge revealing a baize lined interior on chamfered blind fret carved legs 72.2cm high, 87.5cm wide, 43.2cm deep

£300­500

228

90

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

229 A GEORGE III MAHOGANY SERPENTINE COMMODE IN THE MANNER OF THOMAS CHIPPENDALE, C.1770 the top with a moulded edge above four long graduated drawers, with brass ‘S’ shaped escutcheons, with canted angles carved with leaves 90.3cm high, 116.3cm wide, 53cm deep Catalogue Note The distinctive ‘S’ shaped keyholes on this commode follow examples used by Sir Thomas Chippendale and occasionally by his contemporary John Cobb. The locks were the speciality of the Gascoigne family which are occasionally stamped. See Christopher Gilbert , The Life and Work of Thomas Chippendale, pp.146­147 pl. 267.

£6,000­8,000

91

230 230

231

232

A GEORGE III MAHOGANY SERPENTINE CHEST C.1770­80

FIVE GEORGE III MAHOGANY SIDE CHAIRS 18TH CENTURY

A GEORGE III MAHOGANY CHEST C.1770­80

including: a pair of chairs each with a pierced splat in the Chippendale style carved with rosettes and with frills (5)

of two short and three long drawers 82cm high, 94.8cm wide, 52.3cm deep

with four long drawers flanked by blind fret canted angles 85.8cm high, 109cm wide, 59.2cm deep

£800­1,200

231

92

£200­300

£300­500

232

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

233 A GEORGE II CARVED AND LIMED WOOD WALL MIRROR C.1750­60 the replacement plate inside a ‘C’ scroll, rocaille and fruiting foliage frame beneath an anthemion surmount 122.5 x 65cm

£1,000­1,500

233

234 AN EARLY GEORGE III PINE STANDING CORNER CUPBOARD C.1760 AND LATER with two pairs of fielded panelled doors enclosing shaped shelves, the top painted blue, the base with a red interior 209.5cm high, 116.4cm wide, 50.8cm deep

£500­800

234 93

235 A GEORGE III MAHOGANY RENT TABLE C.1780 the circular top inset with a later green leather surface, above six numbered drawers some with divisions, the base with a hinged door 79.3cm high, 98.8cm diameter Provenance Dreweatts, The Private Collection of Sir David and Lady Scholey, 30th June 2021, lot 85.

Catalogue Note For a closely related example of table see, Christie's, London, The Legend of Dick Turpin Part I, 9th March 2006, lot 182 (£20,400). A similar form of rent table was held in the Norman Adams Collection, see Christopher Claxton Stevens and Stewart Whittington, 18th Century English Furniture, The Norman Adams Collection, Antiques Collectors' Club, 1983, p.110.

£2,000­3,000

235

236 A GEORGE III MAHOGANY BACHELOR’S CHEST C.1770 fitted with a brushing slide above four long graduated drawers, with side carrying handles 79.4cm high, 84cm wide, 50.5cm deep

£2,000­3,000

236 94

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

237 A GEORGE III MAHOGANY SERPENTINE COMMODE IN THE MANNER OF HENRY HILL OF MARLBOROUGH, C.1780 the top with a moulded edge above two short and two long drawers flanked by keeled angles and with a shaped apron 81cm high, 96.7cm wide, 55.8cm deep Catalogue Note Henry Hill of Marlborough (act.1740­1778), was one of the leading regional cabinetmakers of the mid­Georgian period.

In his obituary in 1778, Hill was described as ‘one of the most eminent cabinet­makers and upholsterers in the kingdom’ and was also successful as an auctioneer, estate agent, decorator and agent for the Sun Insurance Company. The location of his enterprise, Marlborough, greatly benefited Hill, as this town lay on the Great West Road between the capital London and the fashionable city of Bath. Hill also had many important clients among the affluent landowners of Wiltshire, including Paul Methuen at Corsham Court, John Ivory Talbot of Lacock Abbey, Henry Hoare at Stourhead and the 9th Duke of Somerset at Maiden Bradley. The serpentine form, keeled angles and shaped apron are all features that the present lot shares with the work of Hill.

£2,000­3,000

95

238 A REGENCY MAHOGANY DUMBWAITER EARLY 19TH CENTURY with two circular tiers with reeded edges and brass column supports on a turned stem and brass caps and castors 112cm high, 60.3cm diameter

£400­600

238 239 A GEORGE III MAHOGANY TALL CHEST C.1770 of six long drawers, with original brass swan neck handles 110.5cm high, 71.2cm wide, 46.2cm deep

£600­800

239

240 A GEORGE III MAHOGANY DUMB WAITER LATE 18TH CENTURY with two graduated drop­leaf tiers on brass castors 91.2cm high, 61cm diameter

£300­400

240 96

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

241 241 AN EARLY GEORGE III MAHOGANY TRIPOD TABLE CHIPPENDALE PRIOD, C.1770 AND LATER the fixed petal top on a fluted stem, the legs carved with husks 65.8cm high, 46cm wide

£200­300

242 A GEORGE III MAHOGANY ‘COCKPEN’ AMRCHAIR IN CHINESE CHIPPENDALE STYLE, PROBABLY SCOTTISH, C.1770 with a lattice back, above a dipped seat on cluster column front legs Catalogue Note While the form of ‘cockpen chairs’ undoubtably has its origins in the late 18th century, including the circular section structural elements, it is not certain where the term ‘cockpen’ derives from. There are two main schools of thought. The first is that they were first made to be placed in the family pew of the Earls of Dalhousie in the church of the parish of Cockpen. The Scottish origins of this theory are backed up by many of the earlier examples being made of laburnum, a typically Scottish wood. The second theory comes from some drawings of some pens used for cockfighting which appear to have a similar form of construction. What is less in doubt is that this form of chair was generally referred to as a ‘Chinese Chair’ with the term ‘cockpen’ probably originating in the antiques trade in the early 20th century.

£800­1,200

242 97

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

243

244

245

A MAP OF CORNWALL

BY JOHN SPEED, C.1616

A MAP OF THE COUNTIE AND CITIE OF LYNCOLNE (LINCOLN)

BY JODOCUS HONDIUS, C.1611

AN IMPROVED MAP OF THE COUNTY OF SOMERSET DIVIDED INTO ITS HUNDREDS

BY EMMANUAL BOWEN, C.1750

described with the armes of them that have bene earles thereof since the conquest, sold by Bassett and Chiswell, with hand colouring, with ‘The Description of Lincolnshire’ verso, double glazed in a Hogarth style frame 41.5 x 53.5cm

printed for Bowles and Wilkinson, with hand colouring, glazed in an ebonised frame 53.8 x 71.8cm

with hand colouring, inset with a view of Launceston, the reverse with details in Latin, sold

by John Sudbury and George Humble, single glazed in a limed frame 38.8 x 53.5cm

£600­800

£200­300

£100­150

246

247

248

A MAP OF WILTONIA (WILTSHIRE)

BY JOHANNES BLAEU, C.1645

A MAP OF HAMPSHIRE AND DORSET

BY MICHAEL DRAYTON, C.1612

‘Wiltonia sive Comitatus Wiltoniensis Anglis Wilshire’, with hand colouring, double glazed with details in Latin verso 49.5 x 58cm

an untitled allegorical engraving with hand colouring, glazed and in a Hogarth style frame 26.5 x 34cm

A SEA CHART OF OOST ZEE

BY JOHANNIS VAN KEULEN, AMSTERDAM, C.1695

£150­250

98

£100­150

from Sernevisse to Parnout including Koningsbergen, with four inset maps, with hand colouring, glazed and framed 51.5 x 58cm

£100­150

249

250

A PAIR OF LATE GEORGE III BLUE JOHN URNS LATE 18TH / EARLY 19TH CENTURY

A PAIR OF GEORGE III BLUE JOHN OBELISKS LATE 18TH / EARLY 19TH CENTURY

each of lidded ovoid form on a socle base, on a square section Ashford black marble, alabaster and blue john pedestal base (2) 27cm high

each of tapering form, mounted on a square section Ashford black marble, alabaster and blue john pedestal base (2) 33.5cm high

£2,000­3,000

£2,000­3,000

249

250

99

251

251

252

AN EDWARDIAN STEEL FIRE FENDER IN GEORGE III STYLE, EARLY 20TH CENTURY

A VICTORIAN BRASS AND IRON BOWFRONT FENDER LATE 19TH CENTURY

with turned urn finials and pierced and bead decoration 28.3cm high, 149.7cm wide, 26.5cm deep

the top rail with ball finials above an iron mesh and moulded base with ball feet 56cm high, 111cm wide, 30cm deep

£300­500

£150­200

252

253 A LATE VICTORIAN GILT BRASS FIRE FENDER LATE 19TH CENTURY with a pair of detachable implement rests, the pierced front with scrolling leaf and flower decoration 33.4cm high, 184cm wide, 31.5cm deep

£800­1,200

253

254 A REGENCY POLISHED STEEL FENDER EARLY 19TH CENTURY with pierced slender oval decoration 13.5cm high, 112.5cm wide, 31.5cm deep

£150­200 254 100

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

255

256

A DUTCH BRASS OVAL JARDINIÈRE LATE 19TH CENTURY

A DUTCH COPPER AND BRASS LOG BIN LATE 19TH CENTURY

repoussé decorated with a lion and fleur­de­lys, with lion’s mask ring handles 33.5cm high, 68cm wide, 33.7cm deep

the body decorated with the Royal Coat of Arms, with scrolling leaves and flowers with lion’s mask ring handles and with a lift­out metal liner 39.5cm high, 38cm wide

£200­300

£300­500

257

258

A DUTCH BRASS OVAL WINE COOLER 19TH CENTURY

A MATCHED PAIR OF DUTCH COPPER LOG BINS LATE 19TH CENTURY

with a pierced gallery, the body decorated with a Bacchus mask and swags on paw feet and with a lift­out metal liner 27.4cm high, 50.3cm wide, 36cm deep

each with a brass swing handle and a riveted body (2) 33.2cm high, 35cm diameter (max)

£300­500

£200­300

101

259

260

259 A CAST IRON CAT DOORSTOP OR FIRE IRON STAND EARLY 20TH CENTURY with glass eyes and a blue painted bow tie, stamped ‘NESTOR RD 267012’ 37cm high

£80­120 261 260 TWO LEATHER ARTILLERY SHELL STICKSTANDS EARLY 20TH CENTURY one inscribed ‘N R.C.D’ the other of double shell form emblazoned with the Royal Coat of Arms (2) 74cm high (max)

£150­200 261 A MALTESE BRASS DOLPHIN DOOR KNOCKER 20TH CENTURY stamped ‘MALTA’ beneath a Maltese cross to each fin 25.5cm long

£100­150 262 A SET OF THREE GEORGE III STEEL FIRE IRONS LATE 18TH / EARLY 19TH CENTURY

262

102

with urn finials and engraved foliate decoration, together with a toasting fork and a pair of Neo­classical steel fire dogs (6)

£300­500

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

265

264

263 263

264

A BRASS BACCHANALIAN CHERUB DOORSTOP

BY PEERAGE, EARLY 20TH CENTURY

A BRASS DOORSTOP IN GEORGE III STYLE, LATE 19TH CENTURY

the leaf scroll handle above a winged putto holding a grapevine, the cast iron weighted base stamped ‘Peerage England 4370’ 49cm high

cast as a hairy paw with a lyre shaped stem, together with another doorstop as a stook of corn (2) 56m high (max)

£150­250

£200­300

265

266

A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY

A VICTORIAN BRASS DOORSTOP OR MONSTRANCE MID­19TH CENTURY

with a brass ring handle 23.5cm high

£200­300

266

with a central amber glass panel inside a scrolling foliate frame, on a baluster stem and octagonal foot 31.5cm high

£100­150

267 A PAIR OF VICTORIAN BRASS PINEAPPLE DOORSTOPS 19TH CENTURY 33.3cm high (2)

£150­200

267

103

268

269

A DUTCH FRUITWOOD AND WALNUT ‘TEESTOF’ OR TEA BUCKET EARLY 19TH CENTURY

A GEORGE III LEATHER FIRE BUCKET LATE 18TH CENTURY

the ribbed body of staved construction, with a brass swing handle and a half­ depth lift­out liner 33cm high, 30cm diameter

with a strap handle, copper rim and brass studs 26.5cm high

£200­300

£200­300

270

271

A GEORGE III MAHOGANY PEAT BUCKET PROBABLY IRISH, LATE 18TH / EARLY 19TH CENTURY

A REGENCY BRASS BUCKET OR PAIL EARLY 19TH CENTURY

with brass bands and a swing handle 42.9cm high, 37cm diameter

of tapering cylindrical form with reeded banded decoration and a swing handle, with a replacement tin liner 22.5cm high, 25.5cm wide

£300­500

Catalogue Note For a similar bucket, see Rupert Gentle and Rachel Feild Domestic Metalwork 1640­1820, p.414, no.3.

£100­200 104

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

272 A PAIR OF ITALIAN WHITE MARBLE CAMPANA GARDEN URNS 19TH CENTURY each with a flaring rim above a gadrooned body, a socle base and square foot (2) 64cm high, 50cm wide

£400­600

272

273 A CAST ALUMINIUM GARDEN BENCH IN THE MANNER OF VAL ‘D’OSNE, 20TH CENTURY with a Gothic tracery back above a honeycomb seat 89cm high, 99cm wide, 52cm deep

£150­250

274 A PAIR OF CAST IRON RECUMBENT GARDEN LIONS LATE 19TH / 20TH CENTURY

273

facing left and right, on rectangular bases (2) 49cm high, 90cm wide, 42.5cm deep

£2,000­3,000

274

105

TEA CADDIES & BOXES

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

275 A TREEN FRUITWOOD TEA CADDY IN THE FORM OF A PEAR LATE 18TH / EARLY 19TH CENTURY with a steel escutcheon, the interior with traces of foil 19cm high

£1,000­1,500

275

λ 276 A GEORGE III HAREWOOD OVAL TEA CADDY LATE 18TH CENTURY the top and front with an oval marquetry floral panel, with rosewood and boxwood banding, the interior with the remains of foil lining 12.5cm high, 15.2cm wide, 8.4cm deep

£150­250

276

277 A GEORGE III MARQUETRY WORK BOX LATE 18TH CENTURY with blackthorn bookmatched panels inside marquetry meandering foliage, with feather banding and stringing to the edges, the sides with oval burr yew panels 8.4cm high, 26.5cm wide, 21.2cm deep

£200­300

277

107

278 A BELGIAN SPA PAINTED WORK BOX LATE 18TH CENTURY the top painted with an oval beach scene, on a light blue ground with a foliate border, with a mirror to the underside of the cover, above a fitted drawer with bone fittings, together with set of three smaller boxes similarly decorated (4) 13.3cm high, 29.8cm wide, 21.6cm deep

£200­300

278

279 A REGENCY RED LEATHER WORK BOX EARLY 19TH CENTURY of sarcophagus form, the stepped cover enclosing a silk picture of Venus and Neptune riding a chariot and a leather bound fitted interior of lidded compartments and silk pin cushions with steel beaded trim, the rounded base with lion head ring handles and bronze lion’s paw feet 13.5cm high, 28.5cm wide, 20.5cm deep

£150­200

279

280 A REGENCY PENWORK WORK BOX EARLY 19TH CENTURY of sarcophagus form, the top with a central scene of a lady in a tropical garden, with floral spandrels and scrolling borders, with ring handles and on gilt ball feet 10cm high, 28.8cm wide, 22cm deep

£100­150

280

108

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 281 A REGENCY GREEN TORTOISESHELL WORK BOX EARLY 19TH CENTURY the quarter veneered top with a central white metal monogrammed plaque and ivory edging, enclosing a fitted interior 6.8cm high, 25.5cm wide, 17.7cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£500­800

281

λ 282 A REGENCY GREEN TORTOISESHELL TEA CADDY EARLY 19TH CENTURY of rectangular form, with ivory edging and escutcheon and a later velvet lining 9.5cm high, 9.8cm wide, 7.7cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£400­600

282

λ 283 A REGENCY BLONDE TORTOISESHELL WORK BOX EARLY 19TH CENTURY of rectangular form, the quarter veneered cover with ivory edging and inscribed “Mrs John Sparks’ on a white metal plaque, enclosing a fitted interior of lidded compartments with mother of pearl cotton reels, floral finials and a silver thimble 6.8cm high, 28.4cm wide, 21cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

283

£300­400

109

284

285

A BOHEMIAN AGATE TEA CADDY KARLSBAD, MID­19TH CENTURY

A RARE SCOTTISH MAUCHLINE WARE SYCAMORE TEA CADDY ATTRIBUTED TO SMITH & CO., C.1840­50

of cuboid form applied with square panels of agate in tones of cream and brown, with an inscription to the cover 'Andenterr von Karlsbad' 11 x 11 x 11cm

decorated in faux niello, the twin hinged top labelled ‘Black’ and ‘Green’ 8.2cm high, 16cm wide, 9.5cm deep

£150­200

£500­700

286

λ 287

A PAINTED TEA CADDY 18TH CENTURY AND LATER DECORATED

TWO LATE VICTORIAN TORTOISESHELL AND SILVER MOUNTED TEA CANISTERS LATE 19TH CENTURY

painted in the form of a Georgian house, with a vacant interior 15.5cm high, 26cm wide, 15.5cm deep

£200­300

one oval the other rectangular, each applied ‘Tea’ beneath a pull­off cover, maker’s mark ‘CS*FS’ for Saunders and Shepherd, Chester 1897 (2) 8.8cm high, 7.7cm wide

£400­600

110

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 288 A LARGE AND IMPRESSIVE REGENCY TORTOISESHELL BOMBÉ TEA CHEST EARLY 19TH CENTURY with pewter stringing and ivory edging, the pagoda shaped lid revealing a pair of lidded compartments flanking a glass sugar bowl, on vegetable ivory bun feet 21cm high, 30.8cm wide, 16.3cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£2,000­3,000

288

λ 289 A REGENCY TORTOISESHELL AND WHITE METAL MOUNTED TEA CADDY EARLY 19TH CENTURY with a pagoda shaped top revealing a twin lidded interior with bone handles, the front with a vacant plaque and inlaid with leaves 17.3cm high, 17.5 wide, 9.7cm deep

£1,500­2,000

289

111

290 A VICTORIAN PAINTED PAPIER-MÂCHÉ TEA CADDY C.1850 decorated with bands of faux malachite and flowers and leaves, the domed top revealing twin lidded divisions 15.2cm high, 21.4cm wide, 13.2cm deep

£300­500

290

291 A VICTORIAN PAPIER-MÂCHÉ GLOVE BOX C.1850 painted with a lake scene of figures being rowed before a country mansion 4.5cm high, 23.2cm wide, 10cm deep

£80­120

291

292 A VICTORIAN PAPIER-MÂCHÉ WRITING SLOPE C.1870 the cover painted with a peacock on a balustrade surrounded by gilt and painted flowers and inlaid with mother of pearl, enclosing a fitted interior 8.8cm high, 29cm wide, 23.5cm deep (closed)

£100­150 292

112

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

top

293 A GERMAN LACQUERED PAPIER-MÂCHÉ TEA CADDY ATTRIBUTED TO STOBWASSER, EARLY 19TH CENTURY the hinged lid painted with an Ottoman interior scene with a sleeping Moor servant with attendants, the interior with a single lid with a bone handle 8cm high, 14cm wide, 10.3cm deep

£500­800

top λ 294 A FRENCH PRESSED BURR MAPLE EROTIC SNUFF BOX EARLY 19TH CENTURY the cover titled ‘ARC DE TRIOMPHE DU CAROUSEL’ and enclosing a tortoiseshell lined interior, the base unscrewing to reveal a secret gilt framed painted erotic scene 8.2cm diameter

£300­500

113

295

λ 296

A VICTORIAN COROMANDEL STATIONERY BOX C.1880

A WILLIAM IV CAMPAIGN STYLE ROSEWOOD AND BRASS BOUND DRESSING CASE RETAILED BY J.T. NEEDS, PICCADILLY, C.1830

the hinged cover enclosing a satinwood fitted interior of letter racks, drawers and a purple velvet lined writing slope, the chrome locks stamped ‘Bramah London’, with Gothic style brass handle mounts 30.8cm high, 38.7cm wide, 22.5cm deep

with a brass plaque engraved with a crest, with recessed handles, with a Bramah lock and a partial fitted leather lined interior with twin inkwells 14.8cm high, 31.8cm wide, 24.4cm deep

£300­500

£100­150

297

298

A VICTORIAN BURR WALNUT DRESSING CASE C.1860­70

A VICTORIAN RED VELVET AND BRASS BOUND JEWELLERY CASKET C.1860

the inside of the lid inset with a leather lined mirror and secret letter pouch, above a divided interior with silver plated topped glass jars, bottles and boxes, with a spring loaded base jewellery drawer 17.4cm high, 30.4cm wide, 22.9cm deep

with Gothic style mounts and swing handle, enclosing a satin lined interior 12.3cm high, 20.7cm wide, 14.3cm deep

£100­200 114

£100­150

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

299 A ‘BOSCOBEL’ OAK AND SILVER MOUNTED BOX AND COVER 18TH CENTURY the cover with a central silver plaque engraved with an oak tree surrounded by a rhyme, with a floral engraved escutcheon, hinges and mounts 7.5cm high, 28cm wide, 23cm deep Catalogue Note Although ‘Boscobel Oak’ boxes are decorated and inscribed with references to the escape of Charles II and of his hiding in an oak tree in after the Battle of Worcester in 1651, most are dated to the early or mid­18th century and, as such, are likely to be items of Jacobite interest. They were probably seen or used as symbols of support for Charles Stuart in his attempt to regain the British Throne.

It is possible that wood from the original ‘Boscobel’ oak was used in the production of the ‘Boscobel Oak’ boxes. The site of the original tree, in Shropshire, is now marked with a descendant.

£400­600

300

301

A PAIR OF REGENCY RED PAPIER-MÂCHÉ COASTERS EARLY 19TH CENTURY

A REGENCY BLACK PAPIER MÂCHÉ BREAD BASKET

BY CLAY, KING STREET, COVENT GARDEN. C.1820­30

with gilt scrolling foliate decoration (2) 5cm high, 13.5cm diameter

of rectangular form, with gilt chinoiserie decoration, impressed marks 7.5cm high, 34.5cm wide, 20.5cm deep

£150­200

£100­150

115

302

303

A NOVELTY OAK AND BRASS WHEELBARROW HUMIDOR EARLY 20TH CENTURY

A VICTORIAN COROMANDEL HUMIDOR LATE 19TH CENTURY

the hinged cover with Gothic brass mounts enclosing a fitted interior 17.5cm high, 41cm long, 23cm deep

with hinged covers enclosing three compartments, on a flaring foot 12cm high, 32cm wide, 21.8cm deep

£300­400

£200­300

304

305

A REGENCY MAHOGANY AND BRASS BOUND WRITING SLOPE IN CAMPAIGN STYLE, EARLY 19TH CENTURY

A VICTORIAN TUNBRIDGEWARE BOX LATE 19TH CENTURY

the cover with a plaque enclosing a fitted interior with a leather lined slope, above a side drawer 14.5cm high, 50.3cm wide, 26.7cm deep

the top with an oval marquetry scene of a three masted ship flying the American Stars and Stripes flag, inside a Greek key border and rope twist rim, the interior fitted with a lift­out tray of lidded compartments and pin cushions 9.8cm high, 33.1cm wide, 23.5cm deep

£100­150

116

£300­400

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

306 A WILLIAM IV MAHOGANY CAMPAIGN SOFA BED IN THE MANNER OF BURDET, BUTLER OR MORGAN AND SANDERS, C.1830 the scrolling and upholstered removable back and arms above a squab cushion and turned legs, the base folding out to form a double bed, supported on later turned legs 94cm high, 190.5cm wide, 63.5cm deep Catalogue Note See Nicholas Brawer, British Campaign Furniture, pp.25 and 169 for illustrations of similar sofa beds.

£2,000­3,000

117

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

307 A TEAK CAMPAIGN CHEST EARLY 19TH CENTURY with brass mounts and sunken handles, with four long drawers in two halves with side carrying handles 94cm high, 71.8cm wide, 41cm deep

£500­800

307

308 A VICTORIAN MAHOGANY OVAL CAMPAIGN MIRROR LATE 19TH CENTURY the body hinged with the mirror on a ratchet support 43 x 31.5cm

£300­400 308

309 A VICTORIAN SAILOR’S WOOLWORK PICTURE OF HMS ST. GEORGE C.1900 shown at anchor flying the Union Flag and White Ensign, in a glazed maple frame 36.8 x 57cm

£200­300

309 118

CLOCKS & SCIENTIFIC INSTRUMENTS

310

311

A MAHOGANY BARREL ORGAN LONGCASE CLOCK C.1780­1800

A GEORGE II WALNUT AND BURR WALNUT LONGCASE CLOCK

BY RICHARD PECKOVER, LONDON, MID­18TH CENTURY

the Dutch eight day movement with wooden organ pipes, stops and levers with leather bellows, the painted wooden dial with black Roman numerals slightly raised above the frame painted and gilded with an early 18th century Royal Crest supported by cherubs and other figures beneath a stage of five carved and painted wooden automaton figures in a chinoiserie setting, in a mahogany case in the manner of Gillows, the arched hood with a broken swan neck pediment above an aperture flanked by gilded organ pipe pilasters and a pair of panelled side doors, the trunk with a triple ogee arched door flanked by cluster columns on a plinth base with canted corners 236cm high, 69.5cm wide, 43.4cm deep

the brass eight day four pillar movement with an anchor escapement and striking on a bell, with a 12in brass dial with black Roman hours and Arabic minutes on a matted centre with a subsidiary seconds dial and date aperture, inside crowned mask spandrels, beneath an arch with a rondel inscribed ‘Richard Peckover LONDON 505’, the hood with an arched, glazed door flanked by tapering columns with brass capitals and feet, the body with an arched trunk door with crossbanding and boxwood stringing, on a plinth base, with keys, weights and pendulum 224cm high

Catalogue Note The clock had extensive work carried out on it in 1998 including to the drive mechanism, musical mechanism and automata. Once this work was completed, an inventory of work that still needed to be carried out was produced by the workshop. Details of this work can be provided on request.

£800­1,200 120

£600­800

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

312 A WILLIAM AND MARY MARQUETRY LONGCASE CLOCK

BY JOSEPH WINDMILLS, C.1690 the brass eight day five pillar movement with anchor escapement, with internal countwheel and striking on a bell, the 11in brass dial with a silvered chapter ring with black Roman numerals interspersed with foliate motifs and Arabic minutes and inscribed ‘J WINDMILLS LONDON’, with a matted centre and a subsidiary seconds dial and date aperture inside winged cherub mask spandrels, the hood with a moulded cornice above a blind fretwork frieze and a square glazed door flanked by slightly swollen columns with brass capitals and feet, the trunk door with three marquetry panels of figures and birds amongst scrolling, flowering foliage and a circular lenticle with a brass bezel, inside a chevron inlaid band, the base with a further marquetry panel and wavy apron foot, with weights and pendulum 205.5cm high Catalogue Note Joseph Windmills was an esteemed maker and was made free of the Clockmakers’ Company in 1671 and became master in 1702. He was in partnership with his son Thomas and they were based in Tower Street, London.

£5,000­8,000

121

313 A VICTORIAN PAPIER-MÂCHÉ AND MOTHER OF PEARL BAROMETER

BY CICERI & PINI, EDINBURGH, C.1850­60 with a hygrometer and thermometer above the main dial and spirit level interspersed with gilt and painted chinoiserie scenes, with a mother of pearl adjusting knob 99cm high

£400­600

314 A DUTCH BRASS AND STEEL WARMING PAN LATE 17TH / EARLY 18TH CENTURY the cover pierced with a star and swag design, together with a black papier mâché barometer,

by J Somalvico, London, with painted and gilt decoration (2) 116cm long and 118cm

£200­300

314 313

315

λ 316

A REGENCY MAHOGANY DROP-DIAL WALL CLOCK C.1820

A REGENCY ROSEWOOD MANTEL CLOCK

BY GROHE, C.1830

the brass eight day, chain driven single fusee movement with an anchor escapement on a cream painted dial ‘PRINCE.HAMMERSMITH’ with black Roman hours, inside a brass bezel, above a shaped rectangular window flanked by fan wings, with brass inlay, with a pendulum and keys 48cm high, 35.5cm wide

the brass eight day, twin fusee movement striking on a bell, the backplate inscribed ‘Grohe, Wigmore Street, LONDON’, the white painted dial with black Roman hours and inscribed ‘Grohe’, in a sarcophagus top case with brass fishscale grilles to the side, on bun feet, with a heavy brass pendulum 42cm high, 28.2cm wide, 20.5cm deep

£300­500

£500­800

122

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

317 AN EARLY GEORGE III JAPANNED TAVERN CLOCK

BY CHRISTOPHER BIGGIN OF WISBEACH, C.1765 the brass eight day movement, with five turned pillars, an anchor escapement and tapering plates, the painted 24in dial with Roman hours and Arabic minutes, the case decorated in gilt chinoiserie and signed ‘Chris.R Biggin, Wisbeach’ 145.4 high, 73cm diameter

£3,000­4,000

123

318 A REGENCY WHITE MARBLE AND GILT BRONZE MANTEL CLOCK

BY WEBSTER, LONDON, C.1820 the brass chain driven single fusee drum movement with a backplate inscribed ‘Webster, Cornhill, London’, the enamelled dial with black Roman hours and inscribed ‘WEBSTER LONDON’, inside a laurel wreath and guilloche bezel beneath a ribbon, oak leaf and acorn crest, on scroll brackets and a white marble plinth with a fruiting foliate swag and four guilloche decorated bun feet, with key and pendulum 23cm high

£800­1,200

318

319 A GEORGE II MAHOGANY CHIMING BRACKET CLOCK MID­18TH CENTURY the brass eight day chain driven triple fusee movement chiming on a nest of eight bells and striking on a single bell, the backplate inscribed ‘Isaac Warriner Connock’ inside engraved scrolling foliage, the brass dial with a silvered chapter ring and black Roman numerals with day, moonphase and date apertures beneath ‘Fast Slow’ and ‘Strike Silent’ subsidiary dials and an arch with an enamelled moonphase and date aperture surrounded by engraved scrolling foliage and inscribed ‘Warriner Connock’, the mahogany and brass case with a caddy top, brass grilles to the front and back, side panes and brass feet, with keys and pendulum 61.5cm high, 37cm wide, 24.2cm deep Catalogue Note Isaac Warriner is recorded as being the tenant of Conock Manor in the parish of Chirton, Wiltshire, between the early 1720s and his death in 1752. There are also local records that list a clockmaker by the name of W. Adams as being in Conock in c.1738. While it is a very well made clock for one made in the provinces and it unusual for the backplate and dial to be inscribed for the owner rather than the maker, it would seem likely that Isaac Warriner commissioned a clock from the aforementioned Mr Adams while in residency at Conock Manor.

£1,000­1,500

319 124

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

320 A GEORGE III WELSH JAPANNED TAVERN CLOCK

BY WILLIAMS, NEWPORT, LATE 18TH CENTURY with a brass ‘A’ frame four pillar eight day movement, the painted 25in. dial with black Roman numerals, the black japanned case inscribed ‘Williams, Monmouthshire’ and with gilt chinoiserie decoration to the trunk door and chisel foot, with weight and pendulum 73.5cm diameter, 152cm high

£2,000­3,000

320

320A A GEORGE III EBONISED BRACKET CLOCK

BY BISHOP, C.1770 the brass eight day twin fusee repeating movement with a verge escapement and four knopped pillars, striking hourly on a bell, with a foliate engraved backplate, the silvered dial with black Roman hours and Arabic minutes and date aperture beneath an arch with strike/silent and seconds dials, the arched case with a gilt brass handle and mounts, with pendulum and keys 35cm high

£2,000­3,000

320A 125

321 A FRENCH GILT METAL MANTEL CLOCK IN EMPIRE STYLE, C.1830­40 the brass eight day drum movement stamped ‘Cailly Paris’, with an outside countwheel and striking on a bell, the enamelled dial with black Roman hours and inscribed ‘FOUQUET A PARIS’, in a laurel wreath and ribbon frame centred on a medal and flanked by a pair of angels, the case surmounted by Napoleon leaning on a cannon, and an eagle to each corner, with a key 55.5cm high, 35.7cm wide, 15.7cm deep

£300­500

321

322 A FRENCH ORMOLU CARTEL CLOCK IN LOUIS XVI STYLE, 19TH CENTURY the brass eight day movement with an outside countwheel striking on a bell, the circular enamel dial with Roman hours and Arabic seconds, signed ‘Beliard Fils a Paris’, the case with an urn surmout and decorated with a lion’s mask and pelt with rams heads and cone pendants, with a broken bezel 80cm high, 41cm wide Provenance Kenneth Neame: An Enduring Legacy.

£200­300

322

323 A FRENCH ORMOLU CARRIAGE CLOCK

BY RAIT, PARIS, LATE 19TH CENTURY the brass eight day movement with an alarm mechanism and a platform lever escapement and striking on a bell, the backplate inscribed ‘D C Rait, Paris’ and stamped ‘220’, the enamelled dial with black Roman hours and a subsidiary alarm dial, the case with rectangular bevelled glass top panel and cast with entwined convolvulus foliage, with a swing handle and twig feet, with a key 15cm high

£300­500 323 126

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

324 A FRENCH ORMOLU MANTEL CLOCK

BY HRY MARC, IN EMPIRE STYLE, MID­19TH CENTURY the brass movement with an outside countwheel and striking on a bell, the backplate stamped ‘Hy Marc, Paris, 12140’, the white enamel dial with black Roman numerals and inscribed ‘Hry Marc a Paris’, in a rocky case surmounted by maps and flanked by a standing figure of Napoleon Bonaparte, the base with a large oval plaque of Napoleon facing the Duke of Wellington on horseback, with applied scrolling foliage to the corners, on a plinth with further scrolling foliage and flowerheads, with a key and pendulum 47cm high, 34.2cm wide, 11.3cm deep

£500­800

324

325 A FRENCH EMPIRE ORMOLU URN MANTEL CLOCK EARLY 19TH CENTURY the brass eight day drum movement with an outside countwheel, striking on a bell, numbered ‘2480’, with a circular enamel dial with Roman numerals, the case with swan neck handles and decorated with ribbon­tied leaves and palmettes 39.6cm high Provenance Sotheby’s, ‘Elton John & His London Lifestyle’, 30th September 2003, lot 190.

£250­350

325

326 A FRENCH GILT BRASS CARRIAGE CLOCK

BY HENRY CAPT, LATE 19TH CENTURY the brass eight day movement with a silvered platform escapement, repeat and alarm mechanisms, striking on two bells, stamped ‘2972’, the enamelled dial with black Roman numerals, inscribed ‘HENRY CAPT’ above a subsidiary alarm dial and inside a foliate engraved frame, the gorge case with further floral engraved decoration, bevelled panes and hinged handle, the base with an ‘All Works / Striking / Silent’ lever, with a key and its original red leather case (2) 14cm high

£1,000­1,500 326 127

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

327 A FRENCH BRONZE AND MARBLE ‘ATLAS’ CLOCK C.1870­80 with an eight day brass drum movement, the case modelled as Atlas supporting a marble globe, with Roman hours and gilt metal hands 53.5cm high

£800­1,200

327

328 A FRENCH BRASS CARRIAGE CLOCK

BY AUBERT & KLAFTENBERGER, GENEVE, LATE 19TH CENTURY the brass eight day movement with platform lever escapement, with repeat and alarm mechanisms and striking on a bell, stamped ‘740’ to the backplate, the enamelled dial with black Roman hours above a subsidiary alarm dial, inscribed ‘Aubert & Klaftenberger, Geneve’, the gorge case with bevelled glass panels and hinged handle, with a burgundy leather bound travelling case, with keys (2) 11.5cm high

£300­500 328

128

329 A FRENCH EMPIRE GILT AND PATINATED BRONZE ‘HARLEQUIN’ MANTEL CLOCK ATTRIBUTED TO PIERRE PHILIPPE THOMIRE, C.1815­20 with a brass eight day drum movement striking on a bell, stamped ‘Ch Vc Paris 64348’ and with a circular maker’s mark, the enamelled dial with black Roman hours, Arabic quarters and floral spandrels, in a case modelled as a large weight driven Comtoise clock, inscribed ‘Le Point du Jour’ to the door, being carried by a harlequin in a patterned suit, on a shaped base, the frieze with a central flaming heart flanked by honeysuckle flowers and foliage further flanked by butterflies, on bun feet, with pendulum and keys 33.5cm high, 25.5cm wide, 9.5cm deep Literature Elke Niehuser, French Bronze Clocks, 1700­1830, p.168.

Catalogue Note The harlequin was an entertaining and popular figure in the Italian Commedia dell’arte where, with his characteristic diamond decorated outfit, was instantly and universally recognisable as a comic or troublesome character.

Pierre Philippe Thomire (France, 1751­1843) trained as a sculptor but quickly changed profession to become a bronze caster, setting up his own company in 1775. Soon after, he starting working with Jean­Claude Duplessis, the artistic director of Sevres, where he eventually supplied all the gilt bronze mounts for the porcelain. 1809 saw his appointment as ciseleur de l’empereur (Engraver to the Emperor) and in 1811 as fournisseur de leurs majesties (Furniture Supplier to Their Majesties). For a related clock recently sold at auction see Christie’s, Rothschild Masterpieces, 17th October 2023, lot 561 which fetched $37,800 (including premium).

£4,000­6,000

129

330 A BRASS AND SILVERED COMPASS

BY DOLLAND LONDON, LATE 19TH CENTURY with a silvered dial and gauge, previously from a theodolite but now fitted as a novelty desk lamp 14.5cm high, 16cm diameter

£400­600

330

331 A LEATHER BOUND THREE DRAW STALKING TELESCOPE

BY GRAY & CO, INVERNESS

331

serial no. ‘1411’, with anodised tubes, the pull­out weather shade marked ‘GRAY & CO. 30 Union Street, INVERNESS No. 1411’, in its leather case and cover, with adjustable strap (2)

£600­1,000

332 A GERMAN FAUX ROSEWOOD SYMPHONION LATE 19TH CENTURY the cover printed with six crests and titled ‘SYMPHONION BREVETE­ PATENT’, with a 5 3/4in. metal disc 8.5cm high, 16.5cm x 16.5cm

£100­150

top 130

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

333 A FRENCH PAINTED WOOD CHILD’S TRICYCLE VELOCIPEDE LATE 19TH CENTURY in the form of a horse 72cm high, 56cm wide, 84.5cm long

£1,000­1,500

333

334 A COLD PAINTED BRONZE DOG’S HEAD PAPER CLIP LATE 19TH / EARLY 20TH CENTURY mounted on a walnut plaque with a brass suspension ring 27.5cm high, 7cm wide. 11.7cm deep

£250­350

334

335 A VICTORIAN CAST IRON HORSE’S HEAD TETHER FINIAL LATE 19TH CENTURY with the remains of polychrome decoration 24cm high

£300­400

335 131

336

337

A BLACK FOREST LINDEN WOOD FIGURE OF A COW EARLY 20TH CENTURY

A PAIR OF BLACK FOREST LINDEN WOOD BEAR PAW INKWELLS LATE 19TH / EARLY 20TH CENTURY

modelled with a neck bell and standing on a naturalistic base 16cm high, 21cm wide

each with a pen rest before a ceramic ink pot, one with a carved monogram to the underside (2) 7cm high, 11cm wide, 15.5cm deep

£300­400

£200­300

338

339

A BLACK FOREST CARVED AND STAINED LINDEN WOOD WALL MOUNT LATE 19TH / EARLY 20TH CENTURY

A BLACK FOREST LINDEN WOOD MIRROR C.1900

carved with the head of a chamois surrounded by leaves and branches 35.5cm high, 33cm wide

£200­300 132

the oval plate inside a frame carved as branches and leaves 52.5 x 45.5cm

£200­300

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

340 A BLACK FOREST LINDEN WOOD IBEX GROUP C.1900 modelled as five ibex clambering over a rocky outcrop with a tree stump 94cm high, 53cm wide, 23cm deep

£800­1,200

340

341 A VICTORIAN CARVED LINDEN WOOD STAG’S HEAD TROPHY MOUNT LATE 19TH CENTURY the naturalistically carved head mounted with a set of twelve point antlers 102cm high, 50.5cm wide

£2,000­3,000

341 133

342 A GEORGE V PAINTED HALF-BLOCK FISHING TROPHY MODEL OF A SALMON ATTRIBUTED TO THE FOCHABERS STUDIO mounted on an oak board and inscribed ‘28 LBS. CAUGHT BY DR. J. F. SALFORD, CAIRNTON POOL, DRUM, 6TH MARCH, 1935’ 109cm long (salmon), 53 x 142cm

£5,000­8,000

342

343

344 134

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

343

344

AN ELIZABETH II PAINTED COMPOSITION HALFBLOCK FISHING TROPHY MODEL OF A SALMON

BY ROWLAND WARD

AN EDWARD VII PAINTED HALF-BLOCK FISHING TROPHY MODEL OF A TROUT

BY A.C. FARLOW

mounted on an oak board and applied with an ivorine plaque inscribed ‘PRIORY POOL, BISHOPSWOOD, RIVER WYE, MARCH 28TH 1954, WEIGHT 43 1/2 LBS’ and an ivorine trade label inscribed ‘ROWLAND WARD LTD LONDON AND NAIROBI’ 120cm long (salmon), 43 x 132cm

mounted on a mahogany board and applied with a brass plaque inscribed ‘RIVER GAULA, 9lbs, JULY 30TH 1906, 9ft. Trout Rod, W.H.B.’, with a Farlow stencil verso 77.5cm long (trout), 30.2 x 91.4cm

£2,000­3,000

Catalogue Note This salmon was caught by an American Bill Mitchell, a friend of the vendor’s grandfather. By repute, the current salmon was one of two ‘portmanteau’ salmon that were landed in the River Wye that weekend.

£800­1,200

135

345

reverse

345 A GERMAN PAPIER MÂCHÉ AND PLASTER ANATOMICAL HORSE’S HEAD LATE 19TH / EARLY 20TH CENTURY the reverse showing a cross­section through the head, the key organs, muscles, blood vessels and nerves numbered, on a turned wood stand 54.7cm high, 48cm wide

£500­800

346 A PLASTER PHRENOLOGY BUST EARLY 20TH CENTURY with applied paper labels, under a glass dome and on an ebonised stand (2) 29.5cm high

£200­300

346 136

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 347 A SPECIMEN MINERAL ‘GROTTO’ DIORAMA 19TH CENTURY with a mammoth tooth slice, fossilised coral, malachite, quartz and other minerals in a rusticated and glazed case 36.5cm high, 45cm wide, 12.4cm deep

£300­500

347

λ 348

349

A CORAL SPECIMEN GROUP IN VICTORIAN STYLE

A QUARTZ CRYSTAL GROUP IN VICTORIAN STYLE

on a serpentine wooden base, under a glass dome (2) 52.5cm high, 35cm wide (max)

mounted on a Louis XVI style gilt base, under a glass dome (2) 42cm high (max)

£300­500

£300­500

137

350 A FOSSILISED BISON FEMUR BONE PROBABLY PLEISTOCENE PERIOD on a green painted wood stand applied with a paper label inscribed ‘BISON SCHOETENSACKI, ICE AGE ­ FOSSIL BONE, AGE : PLEISTICINE ­ 2.58 mil. to 11.7k years old, Found North Sea, trawled from Doggerland (Dogger Bank and Brown Bank area) 49.5cm long

£100­150

350

351 A ROCK CRYSTAL SKULL 20TH CENTURY 15cm high, 14.5cm wide, 20.5cm deep

£400­600

352 A FOSSILISED MAMMOTH VERTEBRAE PLEISTOCENE PERIOD with signs of iron absorption, together with a mammoth leg bone, probably a tibia (2) 52 cm long (max)

£100­150

351

352

138

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

353 A CROCODILE HORNBACK LEATHER OVERNIGHT BAG EARLY 20TH CENTURY made from one skin with complete osteoderms (back scales), the inside with a skin gusset 56.4cm high, 60cm wide

£500­800

353

354 A CROCODILE LEATHER SUITCASE EARLY 20TH CENTURY with a later lined interior 18.5cm high, 56cm wide, 35.2cm deep

£200­300

354

355 A CROCODILE LEATHER CASE EARLY 20TH CENTURY 19cm high, 46.4cm wide, 33.7cm deep

£200­300

355

139

356 TWO BROWN LEATHER CAR TRUNKS FIRST HALF 20TH CENTURY each with a watered silk lined interior, with gilt metal locks (2) 20.2cm high, 89.2cm wide, 52cm deep (max)

£400­600

356

357 A CROCODILE LEATHER SUITCASE EARLY 20TH CENTURY with brass locks and two keys 21cm high, 71cm wide, 42.5cm deep

£300­400

358 A MEXICAN EMBOSSED LEATHER JEWELLERY BOX EARLY 20TH CENTURY

357

the cover with a profile portrait of a warrior beside a rondel of Mayan designs, with a fitted interior, another, similar, with a cactus and bow and arrow flanking a rondel and a Japanese lacquered box (3) 21cm wide (max) Provenance Kenneth Neame: An Enduring Legacy.

PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

£40­60

358 140

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

359 TWO VICTORIAN BEADWORK ARMORIAL PICTURES C.1850­70 of the Christie­Miller family formerly of Clarendon Park, Salisbury, one with an oak tree crest with a motto ‘Sic Biresco’ signed with initials numbered ‘C.A.J. 1088’, the other with a shield and the same motto, signed with initials and numbered ‘C.I.A. 15128.a’ each in a later glazed gilt frame (2) 62.5 x 52cm (max)

£150­250

360

361

A COLLECTION OF ARCHITECTURAL PLASTER MOULDINGS 20TH CENTURY

A VICTORIAN WAX FRUIT GROUP MID­19TH CENTURY

including: flowerheads, anthemion, foliate scrolls and honeysuckle and a collection of ‘Shortwood’ and ‘Craven’ plastic mouldings (a lot) 15.5 x 16.5cm (max)

on a faux coral openwork base, under a glass dome (2) 36cm high, 28cm diameter (max)

Provenance Gosberton Hall, Lincolnshire.

£100­200

£150­200 141

362 A REGENCY REVERSE GLASS SILHOUETTE PICTURE EARLY 19TH CENTURY depicting a lady at her spinning wheel beside a japanned table and a vase heightened with polychrome decoration, in a giltwood frame 22.5 x 17.5cm

£150­250

362 λ 363 EIGHT PORTRAIT MINIATURES 18TH CENTURY AND LATER comprising: a silhouette on convex glass portrait of Lord Dorchester by Hinton Gibbs (fl.1790s­1822), in a papier­mâché frame, together with three other silhouettes, a George III reverse glass print of a lady, in an oval fruitwood frame and three portraits on ivory of a husband and wife, Simon Groves and Elizabeth Blackadder, married in 1826 at Wellington, Somerset and a portrait of a lady (8) 14cm (max) Provenance From the collection of Phillip Allen (1938­2022).

PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE. *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

363

364 A JOSIAH WEDGWOOD & SONS PARIAN BUST OF GEORGE STEPHENSON AFTER E. W. WYON, C.1858 on a socle base, impressed marks to the reverse of the shoulders 38.5cm high

£100­150

364 142

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 365 A BURR BIRCH CAMPANA URN ÉTUI C.1820­30 with ivory mounts, the screw­off cover with a pin cushion top, revealing a mirror to the underside and fitted with various steel sewing utensils 15.4cm high Provenance Previously from the Estate of the late Jane Sumner. *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£250­300

365

366 A REGENCY WELSH JAPANNED TÔLE PEINTE TRAY PONTYPOOL, EARLY 19TH CENTURY of fan shape, the centre painted with figures in a landscape, with a pair of carrying handles 62cm wide

£150­200

366

367 A GEORGE IV CORONATION PANORAMA PUBLISHED BY WILLIAM SAMS, C.1821 with a single hand coloured aquatint sheet with numbered scenes from 1­126 depicting various figures including soldiers, dignitaries, the Royal Family and The King, possibly lacking scenes 127­129, contained in a wooden cylinder with a printed cover 13cm high

£200­300 367

143

368

368 A PAIR OF BRONZE BOAR’S HEAD APPLIQUÉS LATE 19TH CENTURY in relief, facing to left and right on shaped rectangular backing plates with foliate fleur­de­lys finials (2) 11.1cm high, 29.3cm wide

£150­250

369

369 AN OVAL PAPIER-MÂCHÉ FAUX BOIS WINE COOLER LATE 19TH CENTURY with silvered banding and ebonised swing handles, with a moulded monogram to the base 13.5cm high, 36.2cm deep, 27.7cm deep

£100­150

370 A BLACK MARBLE PESTLE AND MORTAR POSSIBLY INDIAN, LATE 19TH / EARLY 20TH CENTURY the mortar of oval form, in a fitted wooden case with iron catches and hinges 19cm high, 23.5cm wide, 18.5cm deep (the case)

£100­150 370

144

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

371 A VICTORIAN GREEN JAPANNED TÔLE PEINTE TEA CANISTER AND COVER C.1860 decorated in gilt with chinoiserie figures, numbered ‘1’ 37cm high

£100­150

371

372 A WILLIAM IV MAHOGANY OCCASIONAL TABLE C.1830 AND LATER the circular top painted to simulate marble 70.3cm high, 31cm wide

£150­250

372

373 A VICTORIAN BLACK JAPANNED TÔLE PEINTE TEA CANISTER AND COVER C.1880 decorated with bands of scrolling foliage and Chinese characters, numbered ‘11’ 44.5cm high

£100­150

373 145

374 374 A FRET CARVED WOOD KEY HOOK 20TH CENTURY in the form of a large key surrounded by smaller keys and padlocks, with metal hooks 56.3cm long

£100­150 375 A COLLECTION OF FORTY-SEVEN BONE FISH COUNTERS POSSIBLY NAPOLEONIC, 19TH CENTURY each with red outlined eyes, in a wooden box (47) 6.5cm long (max)

£100­150

375

376 A COLLECTION OF MAUCHLINE WARE LATE 19TH CENTURY AND LATER in a variety of shapes including a watch­holder and various sewing accessories, printed with scenes from towns throughout the British Isles including: Ilfracombe, Seaton, Lowestoft and Hastings (47) 18cm long (max)

£400­600

376 146

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

377 A LIPSCOMBE POTTERY VASE 20TH CENTURY of shouldered form, with applied fruiting vine cameos over sponged decoration 41cm high

£100­150

377 378 A CORNISH SERPENTINE LIGHTHOUSE 20TH CENTURY on a naturalistic rocky base cut with steps 44.5cm high

£100­150

378

379 A LIPSCOMBE & CO POTTERY VASE LATE 19TH / EARLY 20TH CENTURY with sponged decoration, with impressed marks ‘Lipscombe & Co. Patentees London’ to the inner rim 37.5cm high

£100­150

379

END OF DAY ONE 147

DAY TWO LOTS 380-813

CONTINENTAL FURNITURE & LIGHTING

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

380 A NEAR PAIR OF DUTCH MAHOGANY NEO-CLASSICAL SIDE CABINETS LATE 18TH / EARLY 19TH CENTURY each with ebonised and satinwood banding, with an inset marble top above a tambour shutter and two drawers with sunken brass handles 90.4cm high, 62cm wide, 36.5cm deep (max)

£800­1,200

380

λ 381 A FLEMISH TORTOISESHELL AND EBONSIED CUSHION MIRROR 19TH CENTURY the rectangular bevelled plate within a ripple moulded frame 73 x 90cm

£300­400

381

382 A DUTCH SATINWOOD NEO-CLASSICAL COMMODE EARLY 19TH CENTURY AND LATER inlaid with barber’s pole stringing and fitted with four long drawers 83.7cm high, 87.3cm wide, 47.2cm deep

£400­600

382 149

383 A DUTCH WALNUT AND MARQUETRY COMMODE LATE 18TH / EARLY 19TH CENTURY inlaid with flowers, urns and birds, with three ripple moulded drawers 82.5cm high, 85cm wide, 50.2cm deep

£400­600

383

384 A DUTCH MAHOGANY AND MARQUETRY WRITING TABLE EARLY 19TH CENTURY inlaid with an urn of flowers with a bird, the part­hinged top revealing three divisions above a side drawer and an undertier 74.6cm high, 75.7cm wide, 55.5cm deep

£150­250

384

385 A SOUTH AFRICAN STINKWOOD AND HARDWOOD BOMBÉ COMMODE CAPE DUTCH, 19TH CENTURY with two short and three long drawers above a carved apron and stylised paw feet 75.2cm high, 99cm wide, 52.5cm deep

£400­600

385 150

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

386 A NORTH EUROPEAN MAHOGANY AND BRASS MOUNTED SIDE CABINET FIRST HALF 19TH CENTURY the marble top above a shallow frieze drawer with a hinged lion’s mask escutcheon, with a pair of doors enclosing a shelf 78.5cm high, 73cm wide, 38.5cm deep Provenance Kenneth Neame: An Enduring Legacy.

PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

£800­1,200

386 387 AN EBONISED WALNUT AND PINE WALL MIRROR POSSIBLY DUTCH, 20TH CENTURY the rectangular plate within a ripple moulded frame 84.5 x 80.5cm

£200­300

387

388 A NORTH EUROPEAN MAHOGANY BOWFRONT SIDE TABLE BALTIC, EARLY 19TH CENTURY with brass mounts and fitted with two long drawers 85.5cm high, 96.2cm wide, 52.7cm deep

£400­600

388

151

389 A GERMAN GILTWOOD MIRROR IN BAROQUE STYLE, 18TH CENTURY the frame carved with scrolling leaves and with an eagle surmount, the base with flowers 122.8 x 90.5cm

£500­800

389 390 A NORTH EUROPEAN FLAME MAHOGANY DRESSING TABLE MIRROR DANISH OR GERMAN, MID­19TH CENTURY

390

the oval plate on scroll supports and a spreading rectangular foot 80cm high, 56.5cm wide, 19cm deep

£100­150

391 A SET OF FOUR SCANDINAVIAN GREY PAINTED DINING CHAIRS IN LOUIS XV STYLE, 20TH CENTURY each with a pierced vase shaped splat and a drop­in seat, comprising: a pair of side chairs and a pair of armchairs (4)

£300­500 152

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

392

392 A PAIR OF NORTH EUROPEAN SATINWOOD CONSOLE TABLES 19TH CENTURY each with a white marble top and base, with scroll front supports and a mirrored back (2) 83cm high, 52cm wide, 37.5cm deep

£400­600

393 A LEATHER FOUR-FOLD SCREEN 19TH CENTURY painted on a red ground with architectural vignettes and flowers, with gilt borders 192 x 50.5cm (each panel)

£300­500

393 153

394 AN ITALIAN PIETRA DURA GAMES TABLE 19TH CENTURY the top inlaid with various marbles and hardstones with a chequer board, inset into a walnut surround and base 79.6cm high, 59.5cm wide, 59.8cm deep

£500­800

394

395 A PAIR OF ITALIAN STAINED PINE FIGURAL TORCHÈRES VENETIAN, LATE 19TH CENTURY each with a Blackamoor cherub support (2) 94cm high, 42.5cm wide

£300­500

395

396 AN ITALIAN JAPANNED FAUX TORTOISESHELL CASKET LATE 18TH CENTURY the caddy top above a slightly waisted body and vacant interior, with gilt chinoiserie decoration and gilt metal mounts 12cm high, 29.4cm wide, 21.3cm deep

£300­400

396

154

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

397

λ 397 AN ITALIAN ROSEWOOD AND MARQUETRY BUREAU MAZARIN IN THE MANNER OF PIETRO PIFFETTI, LATE 18TH CENTURY inlaid with bone, ivory and pewter stringing with panels of grotesques, the raised top fitted with six drawers above a kneehole, with an arrangement of seven further draws, a hinged cupboard and a secret compartment 100.4cm high, 148cm wide, 82cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£3,000­5,000

λ 398 AN ITALIAN WALNUT BOMBÉ COMMODE LATE 18TH CENTURY of serpentine outline, inlaid with engraved ivory and fruitwoods with hunting scenes, with three drawers on swept feet 88.8cm high, 66cm wide, 39cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£500­800

398 155

399 A LARGE PAIR OF ITALIAN GILTWOOD WALL MIRRORS IN ROCOCO STYLE, 19TH CENTURY each with an arched plate within a moulded frame, with an applied carved leaf crest centred with a cartouche with initials ‘I S’ (2) 218.5 x 145cm

£800­1,200

399

399

400 TWENTY-SEVEN CARVED AGATE DOMINOES PROBABLY ITALIAN, LATE 18TH / EARLY 19TH CENTURY with Rococo decoration, in a leather case (27) 4.6cm

400

156

£100­200

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

401 A PAIR OF ITALIAN PAINTED AND GILTWOOD CONSOLE TABLES IN LOUIS XV STYLE, 20TH CENTURY each with a serpentine marble top above a pierced Greek key frieze and a ribbon tied laurel swag, on hoof feet united by an urn stretcher (2) 94cm high, 132.5cm wide, 56cm deep

£1,500­2,500

157

402

402 AN ITALIAN EBONISED AND GILTWOOD DAY BED 19TH CENTURY carved with leaves and scrolls, the headboard with a female mask surmount with a drop­in velvet covered seat and on paw feet 123.2cm high, 91.5cm wide, 188cm long

£400­600

403 A PAIR OF ITALIAN GILTWOOD TORCHÈRES IN LOUIS XIV STYLE, 19TH CENTURY each with a circular dished top and carved with leaves, scrolls and tassels (2) 138.8cm high, 61cm wide

£2,000­3,000

403 158

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

404 AN ITALIAN MAHOGANY BOMBÉ PETITE COMMODE IN LOUIS XV STYLE, 19TH CENTURY the grey serpentine marble top above a pair of drawers inlaid with a burr walnut oval panel, on ormolu sabots 70.7cm high, 78.5cm wide, 40cm deep

£400­600

404

405 AN ITALIAN FAUX PORPHYRY SCAGLIOLA COLUMN 19TH CENTURY with a painted wood base 94.2cm high, 32cm wide, 31.5cm deep

£300­500

405

406 A FRENCH MARBLE AND BRONZE GUÉRIDON IN LOUIS XVI STYLE, LATE 19TH / EARLY 20TH CENTURY the circular top with breche d’alep segmented veneers, on ram’s head monopodia supports 72.5cm high, 92cm wide

£500­800

406 159

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 407 A FINE PAIR OF ITALIAN WALNUT FIGURAL TORCHÈRES

BY ANGIOLIO BARBETTI (1805­1873), FLORENCE, DATED ‘1866’ in the form of a scantily clad Nubian man and woman, with finely carved details heightened with gilding, each with one arm chained, the man with a necklace, the woman with earrings and classical style sandals, standing on a triform base with winged lion’s paw feet and scallop shells, the guilloche frieze with signature and date panels inscribed ‘Barbetti’, ‘Anno 1866,’’Firenze’ (2) 148.7cm high, 51cm wide Catalogue Note Angiolo Barbetti was born in Siena in 1805, the son of one of the city's leading wood carvers. Angiolo was a skilled carver, designer and decorator established a flourishing atelier in Florence producing a large range of carved ivory, ebony and walnut furniture including frames, cornices, candelabra and much larger commissions as lavishly inlaid cabinets and tables. A regular award winner in the international fairs and exhibitions, Barbetti was selected to represent Tuscany at the Great Exhibition of 1851 where as part of his commission he won a prize for a Renaissance style walnut console table which can now be found in the Victoria & Albert museum, 24­1851.

£8,000­12,000

160

161

408 A FRENCH LOUIS PHILIPPE WALNUT COMMODE MID­19TH CENTURY the marble top above four long drawers 101cm high, 130cm wide, 62.3cm deep

£150­250

408

409 A PAIR OF NORTH EUROPEAN OAK GOTHIC REVIVAL HALL CHAIRS LATE 19TH CENTURY each with a carved pierced tracery back and seat, and a retailer’s label to the underside for ‘Les fils d’Alfred Wimphen’ (2)

£200­300

409

410 A PAIR OF CONTINENTAL WALNUT HIGHBACK ARMCHAIRS IN LOUIS XIV STYLE, FIRST HALF 20TH CENTURY each with scroll arms, the apron carved with scrolls, harebells and shells, the back and seat with gros point needlework, on carved cabriole legs united by an ‘X’ stretcher and with hoof feet (2)

£250­350

410

162

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

411 411

412

413

A FRENCH PROVINCIAL LOUIS XV WALNUT COMMODE

BY J. DUVAL, C.1770

A FRENCH KINGWOOD AND PARQUETRY OVAL TABLE AMBULANTE IN LOUIS XV STYLE, EARLY 19TH CENTURY

A FRENCH GILTWOOD WALL MIRROR LATE 18TH CENTURY

the serpentine marble top with a moulded edge above two short and two long drawers with ormolu Rococo handles, stamped ‘J. DUVAL JME’ 87.7cm high, 130.2cm wide, 63cm deep

decorated with lattice panels with flowerheads, with a pierced brass gallery above a frieze drawer, with divisions for pens and ink 74cm high, 55cm wide, 40.7cm deep

£800­1,200

£400­600

the rectangular mercury plate in a frame carved with flowers, leaves and guilloche bands 80 x 56cm

£300­500

412 413 163

414 A FRENCH MAHOGANY GUÉRIDON IN EMPIRE STYLE, LATE 19TH / EARLY 20TH CENTURY with gilt and patinated bronze mounts, the circular top on Grecian caryatid supports and dolphin feet 76cm high, 81cm diameter

£500­800

415

414

A FRENCH THUYA AND MARQUETRY JARDINIÈRE STAND LATE 19TH CENTURY with ebonised decoration and ormolu mounts, the top with a lift­out liner, the legs decorated with greyhound heads 96.5cm high, 46cm wide

£400­600

415

416 A FRENCH GILTWOOD WALL MIRROR IN LOUIS XVI STYLE, LATE 19TH / EARLY 20TH CENTURY the circular plate in a ribbon tied fruit and flower wreath frame 81 x 61cm

£200­300 416 164

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

417 A PAIR OF CARVED WALNUT AND GILTWOOD FIGURAL TORCHÈRES IN RÉGENCE STYLE, 19TH CENTURY each in the form of a cherub term, hung with tassled drapes with winged grotesque masks and on paw feet (2) 126.8cm high, 43cm wide, 44cm deep

£4,000­6,000

165

418 A FRENCH GILTWOOD WALL MIRROR IN LOUIS XVI STYLE, 19TH CENTURY the rectangular plate in a frame decorated with laurel flowers and with an urn surmount 163.6 x 87.5cm

£200­300

418

419

419 A FRENCH BRONZE OVAL GUÉRIDON IN EMPIRE STYLE, LATE 19TH CENTURY with a marble top, the frieze applied with winged masks above ebonised legs and hoof feet 76.7cm high, 57cm wide, 32.5cm deep

£200­300

420 A FRENCH MAHOGANY CENTRE TABLE IN EMPIRE STYLE, 19TH CENTURY AND LATER with a later circular black hardstone top above turned column supports headed by female masks united by a star shaped stretcher 72.5cm high, 96.2cm diameter

£500­700

420 166

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

421 A PAIR OF FRENCH GILTWOOD FAUTEUIL IN LOUIS XVI STYLE, 19TH CENTURY each upholstered with 18th century Aubusson tapestry, the frames carved with leaves and beaded mouldings (2)

£500­800

421

422 A FRENCH GILTWOOD AND TAPESTRY FOOT STOOL IN LOUIS XVI STYLE, MID­19TH CENTURY the cushion with floral tapestry upholstery above a gilt apron and tapering, fluted legs 19cm high, 35.5cm wide, 30.5cm deep PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

£100­150 422

423 A FRENCH BEECHWOOD WING BACK CANAPE IN LOUIS XV STYLE, 19TH CENTURY upholstered with floral needlework, the frame carved with shells and leaves 98.8cm high, 129cm wide, 65cm deep

£500­800

423 167

424 A FRENCH KINGWOOD MINIATURE BOMBÉ COMMODE IN LOUIS XV STYLE, 19TH CENTURY the serpentine marble top above two drawers 29cm high, 34.5cm wide, 19.4cm deep Provenance The Collection of the Hon. Algernon and Gwendoline Bourke of St. Mary’s House, Bramber, West Sussex and by descent. Algernon Bourke was the second son of the Earl of Mayo, Viceroy of India.

£300­500

424

425 A FRENCH MAHOGANY JARDINIÈRE 19TH CENTURY in the form of an Empire sleigh­type bed, with a lift­ out brass liner 27.3cm high, 67.2cm wide, 29.7cm deep

£150­200

425

λ 426 A FLEMISH TORTOISESHELL BONE AND IVORY MINIATURE ARMCHAIR IN RENAISSANCE STYLE, 19TH CENTURY the seat and under­shelf inlaid with a star motif, with metal finials and feet 25.5cm high, 20.5cm wide, 5.5cm deep Provenance The Collection of the Hon. Algernon and Gwendoline Bourke of St. Mary’s House, Bramber, West Sussex and by descent. Algernon Bourke was the second son of the Earl of Mayo, Viceroy of India. *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300 426 168

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

427 A FRENCH DIRECTOIRE PAINTED FAUTEUIL BY ÉTIENNE­FRANÇOIS QUENNE (1766­1837), C.1800 with a padded back and seat, with a moulded frame and on turned front legs, the seat rail stamped 'QUENNE' and with ink stencil marks 'H du R 131' and '11141'

£300­500

427

428

428 A PAIR OF PAINTED WOOD PEDESTALS 20TH CENTURY of tapering form, decorated to simulate marble 117.7cm high, 30cm square

£300­500

429 A PAINTED WOOD HALL LANTERN 20TH CENTURY with five tôle scroll and leaf supports and arched glazed panels 92cm high, 64cm wide

£400­600 429 169

430 A FRENCH TRIPOD OCCASIONAL TABLE 20TH CENTURY decorated with flowers and leaves on lion’s paw feet 54cm high, 60.5cm diameter

£150­250

430

431 431 A PAIR OF FRENCH EBONISED AND GILT BRASS MOUNTED PEDESTALS IN LOUIS XIV STYLE, LATE 19TH / EARLY 20TH CENTURY of tapering form (2) 115.8cm high, 41.5cm wide, 25cm deep

£300­500

432 A FRENCH GREEN ONYX AND GILT METAL MOUNTED COLUMN LATE 20TH CENTURY the square top on a Corinthian style column and square foot 116cm high, 28.3cm square

£300­400 432 170

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

433 A FRENCH KINGWOOD AND PARQUETRY TRICOTEUSE JARDINIÈRE TABLE IN LOUIS XVI STYLE, 19TH CENTURY inlaid with lattice panels and with brass mounts, the top with a lift­out liner and fitted with a drawer 76.8cm high, 76.2cm wide, 35cm deep

£800­1,200

433

434 A PAIR OF ITALIAN GILTWOOD WALL MIRRORS IN ROCOCO STYLE, EARLY 20TH CENTURY each of cartouche shape, the frame carved with scrolls, flowers and rocaille (2) 104 x 76.5cm

£500­800

434

λ 435 A FRENCH ROSEWOOD AND MARQUETRY TABLE AMBULANTE IN LOUIS XV STYLE, LATE 19TH CENTURY inlaid with scenes of figures in landscapes and fitted with three drawers 76.5cm high, 43cm wide, 35cm deep

£300­500 435 171

436 A FRENCH EBONISED AND BRASS MOUNTED BIBLIOTHÈQUE IN LOUIS XIV STYLE, LATE 19TH CENTURY inlaid with Boulle marquetry, the arched top above a pair of glazed doors enclosing two shelves, the base with a single shelf 219cm high, 116.4cm wide, 52.8cm deep Provenance Purchased Christie’s South Kensington, 28th February 2001, European Furniture, lot 65.

£500­800

436

437 437 A SILVERED BRONZE DRESSING MIRROR IN ROCOCO STYLE, LATE 19TH CENTURY the scrolling frame with a cartouche above floral swags and foliate details, with a mahogany back, previously with an easel support 65cm high, 43cm wide

£200­300

438 A HARDSTONE AND GILT METAL MOUNT POSSIBLY RUSSIAN, LATE 19TH CENTURY of quatrefoil form with filigree panels and mounted with a variety of stones including: agates, malachite and lapis lazuli 22.7 x 19.3cm

£150­200 438 172

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

439 A FRENCH MAHOGANY AND MARQUETRY CENTRE TABLE IN LOUIS XVI SYTLE, LATE 19TH CENTURY ormolu mounted with scrolling leaves and ram’s heads, the drop­leaf top inlaid with trophies and urns and flowers above a frieze drawer 71cm high, 74cm wide, 51cm deep

£300­500

439

440 A FRENCH EBONISED AND SATINWOOD TABLE AMBULANTE IN LOUIS XVI STYLE, LATE 19TH CENTURY with ormolu mounts and panels of lattice parquetry, fitted with a frieze drawer 69.5cm high, 43cm wide, 38cm deep Provenance The Property of a Nobleman.

£300­500

440

441 A FRENCH EBONISED AND CHAMPLEVÉ ENAMEL CASKET IN THE MANNER OF TAHAN OF PARIS, LATE 19TH CENTURY of rectangular form, the cover with a central Egyptian mask inside floral and foliate enamelled brass panels and spandrels, enclosing a buttoned, blue silk interior, the base with similar mounts and a spreading apron with enamelled foliate arching decoration 15.5cm high, 38.2cm wide, 27.4cm deep

£500­800 441

173

442 A PAIR OF FRENCH PEWTER, BRASS, GILT METAL AND PAINTED PICTURES ATTRIBUTED TO THOMAS COMPIGNÉ, C.1775 of river scenes with fishermen in boats, other figures looking on, houses and trees in the background, on blue foil­backed glass panels, inside gilt guilloche borders, in fruitwood frames (2) 13.2 x 17.3cm Provenance Christie's Paris, 28th June 2012, Parisian apartment of Mr. and Mrs. John Gutfreund, lot 340 for €11,250 (including premium).

Catalogue Note Thomas Compigné was a peintre and tabletier who worked under the patronage of Louis XV. He was based in the Rue Grenetta at the 'Roi David'. His speciality were exquisite pictures of country houses, townscapes and landscapes. Executed in gouache, silver and gold on a pewter or tortoiseshell ground they were much admired and sought after by the French cognoscenti.

£800­1,200

174

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

443 A PAIR OF VERDE ANTICO MARBLE AND ORMOLU URNS AND COVERS POSSIBLY RUSSIAN, SECOND HALF 19TH CENTURY each urn mounted with dancing nymphs between goat’s head handles and beneath a domed cover with flower bud finial, supported by putti on an oval plinth mounted with spread eagles in laural wreaths, on toupie feet (2) 41cm high, 15cm wide Catalogue Note These vases are of the same form as an ormolu pair in the Palace of Pavlovsk, and a further pair that were sold from Pavlovsk in the Soviet sales at Rudolph Lepke, “Kunstwerke aus den bestanden Leningrader Museen und Schlosser Eremitage, Palais Michailoff, Gatschina U.A.”, Berlin, 6 November 1928, Lots 170­171.The Pavlovsk examples may have been cast in Russia by the bronzier Frederick Bergenfeldt, who was influenced by the French master, Claude Galle. See Christie’s, London, 7 July 2005, lot 195 for a Russian, early 19th century pair of this design.

£800­1,200

443 444 A RUSSIAN ICON OIL ON PANEL, 19TH CENTURY depicting St George slaying the Dragon before figures in buildings, signed, in a silver frame, inscribed ‘1912, MOCKBA 30 ABr’ to the reverse; together with a bronze and enamel triptych icon (2) 31 x 27cm (max)

£300­500

444

445 A PAIR OF FRENCH EMPIRE ORMOLU VASES C.1810 each modelled as a two­handled urn with bands of stiff leaves and reeding above a leaf and harebell base and socle foot, on a cylindrical pedestal with geometric trellis and flowerhead decoration, on a square foot (2) 32.3cm high

£500­800

445 175

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

446 446

447

448

A LARGE FRENCH PORCELAIN AND ORMOLU MOUNTED CENTREPIECE IN LOUIS XVI SÈVRES STYLE, 19TH CENTURY

A FRENCH ORMOLU OVAL CASKET PALAIS ROYALE, 19TH CENTURY

A FRENCH ORMOLU AND PORCELAIN CASKET PALAIS ROYALE, 19TH CENTURY

painted with Watteau­esque scenes of lovers reserved on a bleu celeste ground, mounted with a pierced scrolling foliate rim and female term handles, some restoration 56cm across, 51cm high

£500­800

the cover with a glass panel enclosing a large cut­ paper flower bouquet, with a push button catch revealing a mirrored and silk lined interior, the sides with fourteen similar smaller cut­paper floral panels, the metal mounts with meandering floral swags and zigzag decoration between finely reticulated and decorated handles and above a lacework apron with lion paw feet 9cm high, 22.7cm wide, 14cm deep

£400­600

447

176

448

of hexagonal form, the cover with a central oval glass pane applied with a pair of cherubs and a wreath on a body with enamelled floral panels, scroll and ball feet and further tooled gilding 14cm high, 25.5cm wide, 17cm deep

£300­500

449 A MASSIVE PAIR OF FRENCH PORCELAIN VASES IN SÈVRES STYLE, LATE 19TH CENTURY with ormolu mounts, painted with oval panels of figures in woodland settings signed 'P. D. Watteau', with gilt borders and on a blue celeste ground with satyr mask handles, with blue interlaced 'L' marks, each on an ebonised and brass mounted plinth (4) 114.5cm high, 142cm high (overall)

£10,000­15,000 177

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

450 A FRENCH GILT BRONZE JAPONISME FLOOR STANDING OIL LAMP IN THE MANNER OF ÉDOUARD LIÈVRE, LATE 19TH CENTURY the reservoir with pierced scrolling and foliate decoration on a telescopic stem with a spinning top knop with a band of lappets, above a sphere applied with winged dragon masks, three swing handles and tripod base joined by a pierced dome stretcher, with fretwork brackets and chinoiserie cartouche shaped feet with a seated Immortal, fitted for electricity 172cm high (max) Catalogue Note Édouard Lièvre (France, 1828­1886) was a French artist, designer and cabinet maker who made extensive use of oriental, especially Japanese, ornamentation.

The attribution of this lamp to Lièvre is based upon the use of mythological animals, foliage and scrolling mounts which are seen as typical of his work and that are found on other items with a known attribution, including: a pair of vases sold through Bonhams, New Bond Street, 4th December 2008, lot 152 and the Persian Vase cast by Barbedienne and exhibited at the Paris 1878 Universal Exhibition.

£2,000­3,000

451 A LARGE FRENCH ORMOLU AND CHAMPLEVÉ ENAMEL CENTREPIECE OR JARDINIÈRE IN THE MANNER OF BARBEDIENNE, LATE 19TH / EARLY 20TH CENTURY of circular form, with scrolling foliate handles each mounted with a snarling lion and lioness, the body with a broad enamelled band of scrolling, flowering foliage, on tortoise feet, with a removable liner 18.2cm high, 61.5cm wide

£2,000­3,000

450

451 178

452 A FRENCH CLOISONNÉ AND GILT BRONZE JAPONISME JARDINIÈRE ON STAND

BY MAISON MARNYHAC, PROBABLY AFTER A DESIGN BY ÉDOUARD LIEVRÈ (1829­1886), LATE 19TH CENTURY the ovoid bowl with floral and insect decoration on a turquoise ground between a pair of scrolling dragon and hoop handles, stamped ‘Marnyhac’ and numbered ‘1730’ beneath a pierced rim and on four similated bamboo splayed legs terminating in toad feet 110cm high, 67cm wide Catalogue Note Maison Marnyhac, also known as La Societé des Marbres et Bronzes Artistiques de Paris were known to employ Édouard Lièvre who specialised in 'Japonisme'.

For similar jardinières that have sold at auction, see Christie's, New York, 21st April 2009, lot 278, Christie's, Paris, Collection d'un Amateur provenant d'un Hotel Particulier, 2nd July 2008, lot 111 and Christie's, New York, 24th April 2003, lot 201.

£5,000­8,000

179

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

453 A FRENCH KINGWOOD AND ORMOLU MOUNTED ARMOIRE ATTRIBUTED TO JOSEPH­EMANUEL ZWIENER (1848­1895), LATE 19TH CENTURY of serpentine form, the arched pediment with a shell mount above a pair of two­panelled doors, each panel inlaid with flowering foliage on a quarter veneered ground, the reverse of the doors fitted with mirrors, enclosing a shelf and two short drawers, the sides similarly decorated, on a base with a shaped apron with a smoking urn mount, on short scrolling legs with lion paw sabots, the whole with acanthus, rocaille, floral and shell mounts 263cm high, 149cm wide, 61cm deep

£5,000­8,000

top

453

454 A FRENCH MAHOGANY AND AUBERGINE LACQUER JAPONISME TABLE AMBULANTE LATE 19TH CENTURY with silvered bronze mounts, the shaped top decorated with flowers and inlaid with a mother of pearl butterfly and flowerhead, with a frieze drawer 71.6cm high, 43cm wide, 34cm deep

£800­1,200

454 180

455 A LARGE AND IMPRESSIVE FRENCH IMARI PORCELAIN AND GILT BRONZE JAPONISME CLOCK GARNITURE IN THE MANNER OF ÉDOUARD LIEVRÈ, LATE 19TH / EARLY 20TH CENTURY the central shouldered vase and cover with a brass eight day movement with an outside countwheel, on a dial with enamelled Roman hours, the body with lion dog swing handles beneath a domed cover with a winged man finial, on a base with winged dragon supports, a pair of scrolling dragon feet surmounted by men and further tortoise and elephant head feet, together with a pair of six light candelabra en suite with a pair of inverted baluster vases and covers with matching gilt bronze mounts (3) 74cm high (max)

£6,000­8,000

181

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

456 A FRENCH GILT BRONZE AND LACQUER CANDLESTICK

BY L’ESCALIER DE CRISTAL, PARIS, IN LOUIS XV STYLE, LATE 19TH CENTURY the Chinese fan­shaped panel with a view of buildings by a bridge and mounted with an urn nozzle with a foliate collar and scrolling handle, the underside of the frame inscribed ‘Escalier de Cristal Paris’ 22 x 17.4cm

£300­500 456

457 457 A FRENCH EBONISED AND KINGWOOD INKSTAND

BY MAISON MILLET, IN LOUIS XVI STYLE, LATE 19TH CENTURY with ormolu mounts with a laurel wreath handle, the stem stamped ‘Millett’ with four pen holders, three inkwell compartments and a sander above a drawer 22.8cm high, 18cm wide

£150­200

458 A PAIR OF JAPANESE CLOISONNÉ VASE TABLE LAMPS 20TH CENTURY each of bottle form, with panels of birds and insects amongst flowering foliage, beneath oil lamp style fittings and on pierced brass bases, with lion dog mask feet, fitted for electricity (2) 50.5cm high

458

182

£400­600

459 A PAIR OF FRENCH BRONZE JAPONISME FIGURES OF A MAN AND WOMAN POSSIBLY CAST BY BARBEDIENNE, C.1870­80 in traditional Japanese costume, he modelled standing holding a fan and carrying a pair of swords in his belt, she carrying a parasol, each on integral bases with a rectangular platform above pierced aprons and raised on elephant head feet, impressed ‘32673’ and other numerals to the underside (2) 62cm high

Catalogue Note The artist responsible for these figures is not known although they have been attributed to several high profile artists working in the period including Charles Cordier, Émile Guillemin and Émile Louis Picault. For similar pairs of figures, see Christie’s, New York, 5th March 2014, lot 252 for a pair in ormolu, and Sotheby’s, Paris, 5 November 2014, lot 317A where they were described as being ‘A Chinese Couple, in the manner of Francois Boucher’, perhaps inspired by pictures by the artist that were in wide circulation in the late 18th and 19th century.

£4,000­6,000

183

460 A FINE FRENCH ORMOLU AND PORCELAIN JAPONISME CLOCK GARNITURE ATTRIBUTED TO L’ESCALIER DE CRISTAL, C.1880 the brass eight day drum movement striking on a gong, stamped ‘125’ and ‘C’ to the backplate, on a simulated cloisonné porcelain dial, decorated in the manner of Kiffert, with faux Japanese character numerals on a blue and gilt ground surrounded with birds and flowers, the sides with similarly decorated panels, in an ormolu case with a finial as a peacock perched on flowering prunus and a rectangular stand above pierced scrolling corbels and meandering foliage, on an integral base with a central porcelain panel surrounded by scrolls and foliage on elephant head feet, with a pendulum; together with a pair of five light candelabra en suite, the scrolling dragon arms with pierced brackets supporting urn nozzles on a square section vase painted with birds and flowers on a simulated cloisonné ground, with lion dog mask handles, on a stepped base with scrolling and foliate decoration on short feet, stamped 37444 to the underside (3) 52cm high (max) Catalogue Note For similar examples, see Dreweatt’s, Fine Clock, Baromoeter and Scientific Instruments, 21 April 2021 (£7000) and Christie’s, The Opulent Eye, 6th March 2014, Lot 197 (£35,000).

£5,000­8,000

184

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

461 A FRENCH KINGWOOD AND MARQUETRY TABLE DE MILIEU

BY SORMANI & FILS, IN LOUIS XVI STYLE, LATE 19TH CENTURY with ormolu mounts, the breakfront top with a rectangular burr walnut panel within a border of Vitruvian scrolls, the frieze inlaid with flowers and guilloche motifs fitted with a drawer, the lock stamped ‘Vve P. Sormani & Fils, 10 r. Charlot Paris’, on fluted tapering legs united by a pierced stretcher 73.8cm high, 119cm wide, 74.5cm deep Catalogue Note Paul Sormani (1817, Venice – 1877, Paris) specialised in reproductions of Louis XIV, XV and XVI furniture and exhibited at exhibitions throughout Europe, being awarded several medals along the way. The business was continued by his son, Paul­Charles, under the name Sormani Veuve Paul et Fils, included patronage from Princess Eugenie, and joined forces with Thiebault Freres in 1914 until their last boutique was closed in 1934.

£3,000­4,000

185

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

462 A PAIR OF FRENCH ORMOLU CANDELABRA IN LOUIS XVI STYLE AFTER JEAN­CHARLES DELAFOSSE, 19TH CENTURY each with a central urn with a flowerbud finial surrounded by three urn nozzles on scrolling branches, a reeded and foliate stem and a domed foot with a band of stiff leaves and beaded rim (2) 40.5cm high

£400­600

462

463 A PAIR OF FRENCH GILT BRONZE CANDELABRA BASES AFTER MEISSONNIER, EARLY 19TH CENTURY each modelled with a basket of flowers supported by three putti above trophy cartouches, swags and a circular foot with fluted and scrolling foliate decoration 55cm high

£500­800

463

464 A PAIR OF FRENCH GILT BRONZE CANDELABRA IN LOUIS XVI STYLE, 19TH CENTURY each with three nozzles on scrolling branches around a central light, on a reeded column with a floral capital and stiff leaf base, on a circular foot (2) 45cm high (max)

£150­250

464 186

465 A FRENCH ORMOLU EIGHTEEN-LIGHT CHANDELIER IN RÉGENCE STYLE, LATE 19TH / EARLY 20TH CENTURY the two tiers to lights with fluted urn nozzles on slender stems and circular drip trays with beaded rims, on scrolling foliate branches, the lower tier with female masks, issuing from a composite column with a foliate ceiling boss above an urn with classical heads, a foliate ‘cup and cover’ and flowerbud terminal, fitted for electricity 95cm high, 98cm diameter (approx)

£4,000­6,000

187

466 A PAIR OF FRENCH GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS MID­19TH CENTURY modelled as a couple holding up Rococo nozzles on foliate drip­pans, on pierced rocaille bases, stamped ‘BX’, drilled for electricity (2) 21.5cm high

£200­300

466

467 A PAIR OF FRENCH ORMOLU FOUR LIGHT CANDELABRA IN LOUIS XVI STYLE, MID­19TH CENTURY each with an amphora on three monopodia supporting scrolling branches around a central cornucopia, with fluted nozzles, the fluted cylindrical base on toupie feet, one arm damaged (2) 54.3cm high (max) Provenance The Collection of Jean Louis Chameroy (1946­2020).

£100­200

467

468 A PAIR OF GILT BRASS THREE LIGHT CANDELABRA IN LOUIS XVI STYLE, LATE 19TH CENTURY each with three urn sconces on scroll brackets with laurel swags and hoof monopodia, fitted for electricity (2) 36cm high, 22.5cm wide (max)

£200­300

468

188

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

469 469 AN EMPIRE ORMOLU AND CUT GLASS WALL LIGHT EARLY 19TH CENTURY of semi­circular form, with three foliate candleholders interspersed with anthemions above six further candleholders with scrolling foliate decoration and a band of floral swags and drops above nine tiers of glass lozenges and droplets 36cm high, 82cm wide, 39.5cm deep

£1,500­2,000

470 A PAIR OF FRENCH GILT BRONZE AND ALGERIAN ONYX CANDELABRA LATE 19TH CENTURY each with four urn nozzles on scrolling branches surrounding a fifth nozzle, on a baluster body with Greek­style handles with female bust finials, on a stepped circular base with angular and turned feet, drilled for electricity (2) 64.5cm high

£400­600

470 189

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

471 A PAIR OF FRENCH ORMOLU WALL SCONCES IN RÉGENCE STYLE, LATE 19TH CENTURY each with a pair of nozzles on scrolling branches, above a mask and beneath a turned head finial, drilled for electricity (2) 28.2cm high, 22cm wide

£150­200

471

472 A DUTCH BRASS SIX-LIGHT CHANDELIER IN BAROQUE STYLE, LATE 19TH CENTURY with scroll branches issuing from a turned baluster and ball stem, fitted for electricity 71.7cm high, 85cm wide

£200­300

472

473 A PAIR OF FRENCH ORMOLU FIGURAL CANDELABRA IN LOUIS XVI STYLE, MID­19TH CENTURY each with four foliate nozzles on broad drip trays with beaded rims on scrolling branches and a tapering fluted stem with bird’s head brackets, above a scantily clad maiden supporting fruiting vines standing before an ewer and tree stump on a naturalistic base, one arm broken (2) 61.5cm high

£400­600

473 190

474 A PAIR OF FRENCH LOUIS XVI GILT AND PATINATED BRONZE CANDELABRA AFTER CLAUDE MICHEL, KNOWN AS CLODION (FLEMISH 1738­1812), LATE 18TH CENTURY each modelled with a dancing infant Bacchus, with a vine leaf loin cloth supporting a pair of spiral fluted cornucopiae, filled with grapes and vine leaves, with a detachable drip­pan, standing on a rocky base, one with a tambourine, the other with a sack, each on a white marble plinth, with a ribbon tied laurel wreath band (2) 44cm high

£2,000­3,000

191

475 A PAIR OF REGENCY GILT BRASS TWIN LIGHT TABLE LAMPS EARLY 19TH CENTURY each with a pair of foliate nozzles with glass drops, on scrolling branches from a central support with lion’s paw monopodia, with a circular base and a square foot, fitted for electricity (2) 24cm high

£150­250

475

476

476 A PAIR OF VICTORIAN BRONZE CANDLESTICKS LATE 19TH CENTURY each with a knopped urn stem (2) 30.5cm high

£100­150

477 A SET OF FOUR ITALIAN LYRE WALL APPLIQUÉS IN EMPIRE STYLE, 20TH CENTURY each gilt and ebonised wood plate with a pair of brass lights (4) 56.5cm high, 29cm wide

477

192

£300­500

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

478 A PAIR OF FRENCH ORMOLU AND WHITE MARBLE FOUR LIGHT CANDELABRA IN LOUIS XVI STYLE, LATE 19TH CENTURY each with urn nozzles on foliate branches, on a gadrooned white marble body, goat head monopodia and a circular base with foliate swags and feet, drilled for electricity (2) 52.7cm high Provenance Formerly the Property of the late Sir David and Lady Carina Frost, Michelmersh Court, Romsey.

£600­800

478 479 A FRENCH GILT BRASS AND GLASS EIGHT-LIGHT CHANDELIER EARLY 20TH CENTURY of open form and hung with pear and lozenge shaped drops, applied with flowerheads and hung with swags 94cm high, 61.8cm wide

£500­800

479

480 A PAIR OF FRENCH EMPIRE ORMOLU FIGURAL CANDELABRA EARLY 19TH CENTURY each with four urn nozzles with scale decoration and a flaming urn snuffer, on scrolling branches and a twisting foliate stem of a winged figure supporting a floral basket and a cornucopia, on a globe and baluster stem with arched floral, anthemion and leaf decoration, with a square base and ball feet (2) 63.5cm high

£800­1,200

480 193

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

481

482

TWO PÂTE SUR PÂTE VASES PROBABLY FRENCH, LATE 19TH / EARLY 20TH CENTURY

A PAIR OF BRASS AND GLASS ADJUSTABLE DESK LAMPS FIRST HALF 20TH CENTURY

decorated with classical maidens and formal foliate arrangements on a celadon ground, the lamp mounts by James Hinks & Son (2) 49.2cm high

each with an orange glass shade on a circular brass foot (2) 66.7cm high

£400­600

£300­500

483

484

A PAIR OF GILT METAL CANDLESTICK TABLE LAMPS IN ROCOCO STYLE, LATE 19TH CENTURY

AN EARLY VICTORIAN GILT BRASS AND OPALINE TABLE LAMP C.1840­50

of scrolling form with foliate decoration, fitted for electricity (2) 33.8cm high

the baluster stem painted with flowers 53.3cm high

£150­250

£200­300

194

485 A PAIR OF FRENCH GILT AND PATINATED BRONZE CHERUB CANDELABRA IN LOUIS XVI STYLE, LATE 19TH CENTURY each modelled as a cherub holding up a three light floral spray, on an ormolu and red marble cylindrical pedestal with a square foot (2) 57cm high

£800­1,200

195

486

487

A PAIR OF DECALCOMANIA TABLE LAMPS 20TH CENTURY

A PAIR OF FRENCH SPELTER CANDLESTICKS LATE 19TH CENTURY

of baluster form, decorated with flowers, fungi and birds on a cream ground together with another similar table lamp, with flowers and insects on a sky blue ground, fitted for electricity (3) 57.5cm high (max)

modelled as bearded soldiers resting on their rifles (2) 32.5cm high

£100­150

£200­300

488

489

A CORNISH SERPENTINE AND GILT METAL TABLE LAMP 20TH CENTURY

A PAIR OF BRASS TWIN LIGHT TABLE LAMPS LATE 19TH CENTURY

of two handled urn form with a wavy rim and brass foot 50.5cm high

each with pierced nozzles on scrolling branches, the central stem with an oval carrying handle and on a circular foot, fitted for electricity (2) 61.3cm high

£150­200 196

£200­300

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

490 490

491

492

A PAIR OF EARLY VICTORIAN GILT BRONZE TWIN-LIGHT CANDELABRA C.1840­50

A PAIR OF REGENCY BRASS CANDLESTICKS IN THE MANNER OF CHENEY, C.1820

A REGENCY GILT BRASS STORM LANTERN EARLY 19TH CENTURY

each with an urn nozzle, above a pierced collar and glass lustres, on three eagle monopodia and a stepped concave triangular base (2) 26.2cm high

the clear and frosted glass shade on a fluted and foliate stem, lion paw tripod base and a further triangular platform foot with scrolling foliage and lion paw feet, fitted for electricity 51.2cm high

each with a central urn above the pair of lights with collars stamped for ‘I & C Ratcliff, Birmingham’, on a scrolling triangular base, previously colza lamps now converted for electricity (2) 54.3cm high

£200­300

£200­300

£600­1,000

491 492 197

493 A SIMULATED MARBLE AND PORPHYRY TABLE LAMP LATE 19TH CENTURY with a Corinthian column with a gilt capital and pedestal plinth 56cm high

£150­200 494 AN EBONISED TABLE LAMP IN EMPIRE STYLE, LATE 19TH CENTURY with a gilt brass capital, on a cylindrical pedestal with a laurel and ribbon wreath on lion’s paw feet, fitted for electricity 58cm high

£150­200 495 A PAIR OF BRASS AND GLASS CORINTHIAN COLUMN TABLE LAMPS LATE 19TH / EARLY 20TH CENTURY each with a cut glass stem on a stepped foot (2) 47.7cm high

£800­1,200 496 A SILVER PLATED CORINTHIAN COLUMN TABLE LAMP EARLY 20TH CENTURY with a cut glass reservoir, now fitted for electricity 60cm high

£200­300 493

494

495 198

496

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

497 A PAIR OF LATE VICTORIAN ORMOLU MOUNTED CUT GLASS LUSTRE CANDLESTICKS

BY JAMES GREEN AND NEPHEW, C.1880 each with a candleholder with a fold­over rim cut with a band of lozenges suspended with oval and teardrop lustres, on a stem with an urn­shaped nozzle above a facet­cut glass teardrop and domed foot, in a pierced ormolu mount (2) 29cm high

£1,500­2,000

497

498 A PAIR OF FRENCH MILK GLASS AND GILT METAL LUSTRE CANDLESTICKS LATE 19TH CENTURY each with an urn nozzle above arching lustres on an ovoid and cylindrical stem with gilt metal mounts, fitted for electricity (2) 39.5cm high (max)

£200­300

498

499 A PAIR OF GILT METAL AND GLASS LUSTRE CANDLESTICKS MID­19TH CENTURY each with an urn shape cut glass nozzle above lustres on a marble and gilt metal Corinthian column and square foot (2) 27cm high

£200­300

499 199

A COLLECTION OF GERMAN PORCELAIN PLAQUES

& BOHEMIAN GLASS

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

500 A PAIR OF BOHEMIAN GLASS VASES 19TH CENTURY the slender teardrop forms flashed in ruby and engraved with continuous hunting scenes (2) 40cm high

£800­1,200 501 & 502 NO LOTS

500

503 A PAIR OF BOHEMIAN GLASS VASES LATE 19TH / EARLY 20TH CENTURY ruby­flashed and engraved with stags in a continuous wooded landscape, the feet with bands of grapevine, some chipping (2) 39.7cm high

£800­1,200

503 201

504 TWO BOHEMIAN GLASS VASES FOR THE OTTOMAN MARKET 19TH / 20TH CENTURY one opaque and painted with flowers, with an everted lappet rim, the other of bottle form, washed in ruby and painted with flowers and gilt curlicues (2) 30.5cm high (max)

£150­250

505 A PAIR OF BOHEMIAN GLASS VASES LATE 19TH CENTURY overlaid in blue and cut with formal designs, together with a ruby flashed decanter and stopper, a panelled tankard or stein engraved with German buildings (5) 27.2cm high

£300­500 506 NO LOT

504

505

202

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

507 A LARGE BOHEMIAN GLASS GOBLET AFTER FRANZ PAUL ZACH, 19TH CENTURY flashed in blue to the bowl and foot, the bowl engraved with putti, raised on a spiral stem, together with a ruby flashed goblet engraved with a dandy (2) 29cm high (max)

£1,500­2,000

507

508 A GOOD BOHEMIAN GLASS VASE MID­19TH CENTURY the cup bowl painted with a band of roses, the foot overlaid in white and cut with lappets, together with a similarly decorated top of a flared vase with a later silver Rococo style foot (2) 31.5cm high

£300­500

508

203

509 A PAIR OF BOHEMIAN GLASS DECANTERS AND CUP STOPPERS LATE 19TH / EARLY 20TH CENTURY painted with flower garlands above formal panels in green and gilt, one hollow stopper heavily repaired (2) 23.5cm high

£100­200

509

510

510 A PAIR OF BOHEMIAN GLASS GOBLETS AND COVERS FOR THE OTTOMAN MARKET 19TH CENTURY cut with a continuous design highlighted in gilt, raised on knopped baluster stems (2) 36cm high

£300­500

511 A BOHEMIAN GLASS AND GILT BRONZE CENTREPIECE LATE 19TH CENTURY the tulip shaped vase of white glass cut through to clear with alternating panels of painted flowers and cut lozenges, with gilt highlights, the gilt bronze stand of flowering roses and scrolling foliage 40cm high

£300­500 511 204

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

512 TWO VIENNESE TRANSPARENT ENAMELLED RANFTBECHER BEAKERS AFTER ANTON KOTHGASSER, 19TH CENTURY one painted with a view of St Stephen’s Cathedral in Vienna, the other with a portrait panel, each raised on a starcut foot with amber highlights (2) 14.5cm high (max)

£1,000­1,500

512

513 A SAXON GLASS ARMORIAL REICHSADLER HUMPEN INSCRIBED ‘1624’ enamelled with the double­headed eagle between the 56 states of the Holy Roman Empire 34.5cm high

£1,000­1,500

513 205

514 A PAIR OF BOHEMIAN RUBY GLASS ENAMELLED VASES 19TH CENTURY decorated with bands of animals in gilt on a blue ground around Prussian eagle rondels (2) 19.5cm high

£400­600

514

515 THE FOUR SEASONS CUP - A SILVER MOUNTED SERPENTINE CUP THE MOUNTS AFTER BERTEL THORWALDSEN (DANISH 1770­1844), LATE 19TH CENTURY of tapering form, with four arched scenes of classical figures depicting allegorical figures emblematic of the four seasons 10.8 x 8.5cm

£200­300

515

516 A VENETIAN GLASS BOWL IN BYZANTINE STYLE, 19TH CENTURY the ruby body elaborately gilded with panels of classical figures and portrait rondels on a dense foliate ground, with white bead highlights 12.3cm (max) Catalogue Note See The Corning Museum, no. 59.3.36 for a Venetian copy of a similar Byzantine bowl.

£300­500 516

206

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

517

517 FOUR CUT GLASS CANDLESTICKS 19TH / 20TH CENTURY raised on hexagonal feet, together with a pair of moulded glass candlesticks with figural stems, a set of eight heavily cut glass flutes and a matching tray and a pair of hexagonal Bohemian glass decanters and stoppers with six matching tumblers engraved with animals (23) 30cm (max)

£250­350

518 518

519

A WEDGWOOD BLACK JASPERWARE VASE C.1900

A LARGE PAIR OF FRENCH WHITE GLASS VASES POSSIBLY BY BACCARAT, LATE 19TH CENTURY

applied in white with classical maidens between formal foliate motifs, with impressed marks 27cm high

£100­200

of slender baluster form, one inscribed to the base ‘1e. Mars’, the other ‘25 Juillet’ (2) 75cm high

£500­800

519 207

520

520 A LARGE PAIR OF MEISSEN PORCELAIN SWEETMEAT FIGURES 19TH CENTURY modelled as a couple reclining and holding the edge of a large basket, painted with the Blue Onion pattern (Zwiebelmuster), with blue crossed swords marks, and incised ‘2858’ and ‘2863’, minor faults (2) 33cm wide

£300­500 521 A MATCHED PAIR OF MEISSEN PORCELAIN SWEETMEAT FIGURES 19TH CENTURY modelled as a Turk and his companion holding large shells, with blue crossed swords marks, some damages (2) 17cm wide

521

£200­300

522 A PAIR OF CONTINENTAL PORCELAIN SWEETMEAT FIGURES AFTER MEISSEN, 19TH CENTURY modelled as a Turk and his companion beside large bowls, with pseudo Sèvres marks, small damages (2) 18cm

£100­200

522

208

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

523 A LARGE PAIR OF FRENCH PORCELAIN FIGURES OF TURKS POSSIBLY MICHEL­ISAAC AARON, CHANTILLY, MID­19TH CENTURY one modelled with a goat, the other wearing an elaborate costume, raised on square gilded bases, with blue ‘MA’ marks, some damages (2) 39cm high (max)

£500­800

524

525

A PAIR OF SÈVRES STYLE PORCELAIN CÂCHEPOTS 19TH CENTURY

A PAIR OF SÈVRES STYLE PORCELAIN CÂCHEPOTS POSSIBLY MINTON, 19TH CENTURY

painted with Watteau­esque scenes of courting couples, the reserves with landscapes, reserved on a bleu de roi ground (2) 11.7cm high

painted with panels of putti within jewelled borders on a bleu celeste ground, the reverse with floral panels, with blue interlaced ‘LL’ marks (2) 12.2cm high

£200­300

£250­350 209

526

526 SIX SITZENDORF PORCELAIN FIGURES FROM AN OTTOMAN BAND 20TH CENTURY modelled as children in traditional costume, picked out in gilt and playing various instruments, blue factory marks (6) 16cm high

£300­500

527 A PAIR OF MEISSEN STYLE PORCELAIN PLATES POSSIBLY VOLKSTEDT, 19TH CENTURY painted with figural panels to the well, the pierced rims with floral panels, reserved on a turquoise ground, blue crossed hayfork marks (2) 24.7cm diameter

527

£100­200

528 A SAMSON DOVE PORCELAIN TUREEN AND COVER IN CHELSEA STYLE, 19TH CENTURY modelled as two billing doves, their plumage picked out in shades of orange, pink and purple, with spurious gold anchor mark, the cover restored 38cm across

£150­250 528

210

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

529 529

530

A COMPOSITE MEISSEN PORCELAIN DINNER SERVICE 20TH CENTURY

AN EXTENSIVE COPELAND SPODE STONEWARE PART SERVICE LATE 19TH / EARLY 20TH CENTURY, RETAILED BY ROB.T HOGG CO. LTD., BELFAST

painted in underglaze blue with the Onion Pattern (Zwiebelmuster), with blue crossed swords marks to most (some cancelled), some damages, comprising: a large tureen with cover and stand, two oval serving dishes in differing sizes, 9 soup dishes, 5 side plates, 8 small plates, 24 dinner plates, two square bowls, a square dish, a round dish, three small plates, two pierced rim plates, a mustard pot, a pierced tazza, a pierced oval dish, a two­handled sauceboat, a small oval dish, a vase, a pin dish, a leaf dish, a jug, eight knife rests and two napkin weights, together with a small wooden tray with two salts and other sundry items. (A lot)

in pattern 2379, comprising: twenty 9 1/2in. plates, twenty­three each of side, soup and tea plates, seven graduated serving dishes and a ‘tree and well’ plate, painted pattern numbers and printed factory marks (74) 53cms wide (max)

£1,500­2,500

£2,000­3,000

530 part 211

531 A LARGE PAIR OF MEISSEN PORCELAIN FIGURES OF MAGPIES 19TH CENTURY modelled by J. J. Kändler with beaks agape and tails erect, on tall stumps, with blue crossed swords marks, small damages (2) 52cm high

£500­800

532 A LARGE PAIR OF DRESDEN PORCELAIN VASES AND COVER C.1900 painted with battle scenes alternating with flowers on a blue ground, with blue ‘AR’ monograms possibly for Helena Wolfson (2) 52cm high

£200­300

531

532 212

reverse

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

533 A VERY LARGE MEISSEN PORCELAIN VASE WITH COVER AND STAND 19TH CENTURY painted with a panel of figures and applied with flowers and putti, the cover with an effusion of flowers, with blue crossed swords marks 73cm high

£4,000­6,000

213

534 534

536

A LARGE PAIR OF GERMAN PORCELAIN OVAL PLAQUES 19TH / 20TH CENTURY

A LARGE AND RARE KPM (BERLIN) PORCELAIN OVAL PLAQUE OF JESUS 19TH CENTURY

each painted with a scene from a stag hunt, mounted in giltwood and velvet frames (2) 34.5cm

£300­500 535 A GERMAN PORCELAIN OVAL PLAQUE PROBABLY KPM (BERLIN), 19TH CENTURY painted with a classical beauty after Angelo Asti, signed ‘Wagner’, mounted on a red velvet and giltwood frame 13 x 10cm

after Annibale Carracci (Italian 1560­1609), depicting a head and shoulders portrait of Jesus, with an impressed mark, mounted in a velvet and elaborate giltwood frame 43cm Catalogue Note The original painting by Carracci was part of the collections of the Gemäldegalerie Alte Meister in Dresden and has been missing since the end of the Second World War.

£800­1,200

£250­350

535 214

536

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

537 A LARGE KPM (BERLIN) PORCELAIN PLAQUE OF THE EXPULSION OF HAGAR AFTER ADRIEN VAN DER WERFF (DUTCH 1659­1722), 19TH CENTURY with Abraham casting out Hagar and Ishmael, with impressed mark, mounted in an elaborate giltwood frame 39.5 x 30.5cm

£2,500­3,500

537

538 A LARGE VIENNA PORCELAIN PLAQUE OF CHILDREN BATHING LATE 19TH CENTURY painted with seven children bathing in a forest stream, the reverse titled ‘Badende Kinder im Walde’, with painted shield mark and dated ‘1890’, mounted in a giltwood frame 51 x 35cm

£1,500­2,000

538 215

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

539 A KPM (BERLIN) PORCELAIN PLAQUE OF JUDITH 19TH CENTURY painted by R. Dittrich after the painting by Nathaniel Sichel (German 1843­1907), the protagonist holding a gold sword and standing beside an attendant, with impressed marks, mounted in a velvet and giltwood frame 32.5 x 19.5cm

£1,500­2,000

539

540 A LARGE KPM (BERLIN) PORCELAIN PLAQUE ERBLUHT

BY WAGNER, 19TH CENTURY after Angelo Asti, painted with a portrait of a classical maiden with flowing hair, draped in a diaphanous robe, with impressed marks, signed lower left mounted in a velvet and giltwood frame 33.5 x 29cm

£1,500­2,000

540 216

REGENCY

λ 541 A REGENCY MAHOGANY SECRÈTAIRE BOOKCASE C.1800­10 inlaid with satinwood and rosewood banding, with a pair of astragal glazed doors enclosing three shelves, the secretaire drawer fitted with drawers, pigeonholes and a central cupboard, stamped ‘From W. Williamson & Sons, Guildford’, above three long drawers 213.3cm high, 102.7cm wide, 55cm deep

£500­800

541

542

542 A REGENCY MAHOGANY CHILD’S HIGHCHAIR EARLY 19TH CENTURY with a drop­in seat raised on a stand 85cm high

£100­150 543 EIGHT LATE REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY each with a curved tablet top rail, six with rope­twist back and two with bar backs (8)

£300­500

218

543

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 544 A REGENCY ROSEWOOD AND PARCEL GILT BONHEUR DU JOUR IN THE MANNER OF JOHN MCLEAN, EARLY 19TH CENTURY the lift­off upper section with gilt brass galleries and fitted with two cedar lined drawers with a hinged writing surface above a brass mounted frieze drawer with a side pen and ink drawer with a bone handle on turned tapering legs 114.7cm high, 77cm wide, 45cm deep

£500­800

544

545

λ 545 A REGENCY ROSEWOOD AND BRASS MOUNTED GAMES TABLE IN THE MANNER LOUIS LE GAIGNEUR, EARLY 19TH CENTURY the octagonal fixed top inlaid with bird’s eye maple with a chequer board 71.3cm high, 54cm wide

£400­600 λ 546 A REGENCY ROSEWOOD AND BRASS MOUNTED CHIFFONIER EARLY 19TH CENTURY the raised back with a pierced gallery and ‘X’ shaped supports, above a pair of frieze drawers and a pair of panelled doors enclosing a shelf 113.5cm high, 92.8cm wide, 41.7cm deep

£600­1,000

546 219

λ 547 A REGENCY ROSEWOOD AND BRASS MOUNTED SOFA TABLE EARLY 19TH CENTURY with classical mounts and fitted with a frieze drawer on turned column supports and cast brass lion’s paw feet and castors 72cm high, 83cm wide, 65.8cm deep

£400­600

547

548 A REGENCY MAHOGANY CANTERBURY EARLY 19TH CENTURY with four dipped divisions and fitted with a drawer, on brass castors 55.3cm high, 52.4cm wide, 37.5cm deep

£200­300

548

549 A WILLIAM IV MAHOGANY RECLINING LIBRARY ARMCHAIR IN THE MANNER OF ROBERT DAWS, C.1830 the frame carved with lappets and with a reclining back on brass castors PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

£700­1,000

549

220

reclining

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 550 A REGENCY ROSEWOOD AND BRASS MOUNTED SOFA TABLE EARLY 19TH CENTURY the drop­leaf top with satinwood banding above a pair of frieze drawers, on turned twin column supports, scroll feet and castors 72.3cm high, 95cm wide, 65cm deep

£500­800

550

λ 551 A WILLIAM IV ROSEWOOD CANTERBURY

BY W. H. BISHOP, AFTER A DESIGN BY LOUDON, C.1835 with three divisions and turned lifts, the front decorated with a carved laurel wreath, the frieze drawer with a printed trade label ‘W. H. Bishop, Maker, Ann Street, Birmingham’ 52.3cm high, 49.5cm wide, 35.7cm deep

£400­600

551

552 A GEORGE IV MAHOGANY READING ARMCHAIR IN THE MANNER OF ROBERT DAWS,C.1825­30 with buttoned leather upholstery, with an adjustable reclining back and pull­out foot rest, the reading stand on a brass adjustable arm

£1,500­2,500

reclining

552

221

553 A REGENCY MAHOGANY PEMBROKE TABLE EARLY 19TH CENTURY inlaid with boxwood stringing, the crossbanded drop­leaf top above a frieze drawer 72cm high, 56.5cm wide, 91cm deep

£200­300

553

554 A REGENCY MAHOGANY BOWFRONT SIDE TABLE EARLY 19TH CENTURY with reeded decoration and fitted with a pair of frieze drawers 74.7cm high, 91.5cm wide, 48.5cm deep

£200­300

554

λ 555 A REGENCY ROSEWOOD AND BRASS MOUNTED CARD TABLE EARLY 19TH CENTURY the hinged and swivel top revealing a baize lined interior on brass caps and castors 71.4cm high, 92cm wide, 45.7cm deep

£200­300

555 222

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

556 A SET OF EIGHT REGENCY SIMULATED ROSEWOOD DINING CHAIRS EARLY 19TH CENTURY each parcel gilt and polychrome decorated with leaves, a Greek key band and floral tablets, with a cane seat and back, the back rail stamped with workman’s initials ‘TO’, comprising: a pair of armchairs and six side chairs (8)

£600­1,000

556

λ 557 A REGENCY ROSEWOOD GAMES TABLE EARLY 19TH CENTURY inlaid with stringing, the sliding reversible top inlaid with a chequer board, above a leather backgammon board, with slides and a silk work bag, on ebonised and parcel gilt legs and brass castors 75.7cm high, 63cm wide, 44cm deep

£300­500

557

558 A REGENCY LACQUER AND PENWORK LAMP TABLE EARLY 19TH CENTURY, TOP AND BASE ASSOCIATED the fixed top painted with chinoiserie scenes of figures in watery landscapes 88.3 cm high x 39cm wide

£200­300

558 223

λ 559 A ROSEWOOD CYLINDER BUREAU EARLY 19TH CENTURY with satinwood banding, the raised back with a verre églomisé panel of an urn flanked by a pair of griffins, the interior with an arrangement of pigeonholes and ten drawers, with bone handles, above a pull­out hinged and ratcheted writing surface on painted legs 135.6cm high, 82cm wide, 52.2cm deep

£400­600

559

560

560 A MAHOGANY SIDE TABLE IN REGENCY STYLE, POSSIBLY COLONIAL, 19TH CENTURY with ebonised stringing and fitted with a frieze drawer, with brass Pharoah’s head mounts on fluted and reeded legs and lions’s paw feet 93.5cm high, 106cm wide, 58cm deep

£300­500

561 A GEORGE IV MAHOGANY LYRE BERGÈRE C.1820 with scroll arms, on ribbed legs and later ceramic castors

£300­500 561 224

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

562 A REGENCY GILTWOOD AND EBONISED CONVEX GIRANDOLE MIRROR EARLY 19TH CENTURY the circular plate in an ebonised slip and a beaded gilt metal outer border, the snake and laurel wreath surmount with a flame finial, above a pair of candle branches with associated glass nozzles and drip­pans, with a foliate and pineapple pendant base, the nozzles stamped ‘14’ and ‘16’ 128 x 84cm Provenance By repute The Deepdene, Dorking, Surrey.

Christie’s, 18th November 2010, 500 Years: Decorative Arts Europe, lot 134.

Catalogue Note Deepdene was the country home of Thomas Hope. On his death in 1831, the house passed to his son Henry Thomas Hope and remained in the family until Lord Francis Hope­Pelham­Clinton was declared bankrupt. The majority of the collection was sold in 1917.

£2,000­3,000 225

563

563 A REGENCY BLACK JAPANNED OPEN BOOKCASE EARLY 19TH CENTURY with parcel gilt decoration, the later marble top above fixed shelves flanked by fluted pilasters 88.6cm high, 120.2cm wide, 27.8cm deep

£400­600

564 A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY the rectangular plate inside a reeded, ebonised slip and beneath a glass frieze painted with a dog, inside a pair of Corinthian columns with star capitals 60 x 34.3cm

£150­200

564

565 AN EBONISED CANTERBURY 19TH CENTURY with twin slatted divisions and turned split lifts, on lion’s paw brass feet and castors 40.3cm high, 56.5cm wide, 30cm deep

£200­300 565 226

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 566 AN EARLY VICTORIAN GILTWOOD AND ROSEWOOD ‘GRECIAN’ HARP

BY J.SCHWIESO, MID­19TH CENTURY decorated with palmettes and classical figures, the brass plate signed ‘J. Schwieso, late foreman to S. Erard, No. 417’ 171.1cm high, 86cm wide

£600­1,000

566

567 567 A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY the later rectangular plate flanked by fluted columns with a tablet surmount with ribbon tied war trophies, with a later brass wreath finial hung with a rock crystal sphere 101.4 x 54.7cm

£400­600

568 AN EARLY VICTORIAN CIRCULAR GILTWOOD CONVEX MIRROR

BY A. WHITCOMBE, C.1840 the circular plate inside a gilt slip and moulded frame, with a printed paper label to the reverse inscribed ‘A. WHITCOMBE, LOOKING GLASS MANUFACTURER, CARVER AND GILDER & C, COVENTRY ST LONDON’ 82cm diameter

£200­300 568 227

569 A REGENCY MAHOGANY BOWFRONT SIDE TABLE EARLY 19TH CENTURY with a three quarter gallery above a frieze drawer 77.7cm high, 85.5cm wide, 52cm deep

£200­300

569

570 A REGENCY MAHOGANY STEP COMMODE EARLY 19TH CENTURY with three treads inset with later leather, the top with a hinged lid, the middle section with a slide­out pot compartment with ceramic pot 73.2cm high, 41cm wide, 71.7cm deep

£200­300

570

571 A PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY each with a waisted back with a vacant cartouche (2)

£200­300

571 228

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

572 572 A REGENCY MAHOGANY SIDE TABLE EARLY 19TH CENTURY the concave top above a conforming frieze drawer flanked by tablets, on acanthus carved scroll front legs and lion’s paw feet 85.5cm high, 141.5cm wide, 58.3cm deep Provenance The Property of a Nobleman.

£800­1,200

573 A PAIR OF REGENCY MAHOGANY BOWFRONT BEDSIDE CUPBOARDS ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY each pierced with handgrips on ring turned legs (2) 79cm high, 40.5cm wide, 35.5cm deep

£2,000­3,000

573

229

λ 574 A REGENCY ROSEWOOD WINE COOLER C.1815­20 of sarcophagus shape and with nulled mouldings, the lead lined interior with six divisions on brass cast lion’s paw feet and castors 44.7cm high, 49.9cm wide, 41.5cm deep

£500­800

574

575 575 A GEORGE III MAHOGANY AND BRASS BOUND OVAL WINE COOLER IN THE MANNER OF GILLOWS, LATE 18TH CENTURY with a lead lining and lion mask handles 20.5cm high, 61cm wide, 43cm deep

£400­600

λ 576 A REGENCY ROSEWOOD AND BRASS MARQUETRY GAMES AND WORK TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY inlaid with flowerheads and fleur­de­lys, the hinged sliding top on a ratchet and with a removable rest revealing a leather backgammon board, flanked by hinged compartments, one for pens and ink, above a sliding bag on lion’s paw feet and castors 78.3cm high, 73.7cm wide, 42.7cm deep

£500­800 576

230

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

577

λ 577 A GEORGE IV ROSEWOOD AND BRASS INLAID BREAKFRONT SIDE CABINET ATTRIBUTED TO GILLOWS, C.1820­30 with a gilt brass three­quarter gallery with pierced quatrefoil decoration, above a frieze with scrolling brass marquetry inlay, the four doors with silk lined brass grilles divided by foliate and reeded pilasters, on turned reeded feet 97.5cm high, 167.5cm wide, 44.3cm deep

£8,000­12,000

578 A GEORGE IV GONCALO ALVES LIBRARY TABLE ATTRIBUTED TO GILLOWS, C.1825­30 the top with nulled mouldings above a frieze drawer to either end, on ribbed and lapet carved legs, united by a stretcher on leaf carved legs and brass castors 74.5cm high, 91.5cm wide, 56cm deep Catalogue Note For a similar pair of tables also in Goncalo alves, see Susan Stuart, Gillows of Lancaster and London, 1730­1840, p.263, pl. 267 and p. 268, pl. 274 for a drawing of a rosewood table ordered by Ferguson & Co in 1825.

578

£400­600 231

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 579 A GEORGE IV MAHOGANY GENTLEMAN’S DRESSING TABLE MIRROR

BY GILLOWS, EARLY 19TH CENTURY the rectangular plate on reeded supports with ormolu extending candleholders, on a rectangular base with a fold­out surface enclosing an interior fitted with lidded compartments, each numbered to the underside and with a rosewood button handle, the front with two false drawers flanked by lopers 69.5cm high, 73cm wide, 33cm deep Provenance Duke’s, 12th­14th May 2012, Wormington Grange, lot 831 where bought by the current vendor for £2200.

Catalogue Note See Gillows Estimates Sketch Book, page 3001, where a sketch for a very similar dressing table mirror is listed as being ‘For Ferguson & Co for Edmonstow’ and is described as being ‘A Mahg frame with a box set up for dressing’. (Westminster City Archive).

£1,000­1,500

580 A LARGE REGENCY MAHOGANY OVAL WINE COOLER IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY the lid with segmented flame veneered panels revealing a lined interior, with a fluted and ribbed body, on brass castors 68cm high, 92cm wide, 57.5cm deep

£3,000­5,000

579

580 232

λ 581 A PAIR OF REGENCY ROSEWOOD AND BRASS MARQUETRY OCCASIONAL TABLES ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY with nulled mouldings, the shaped top above a frieze drawer on turned spindle swept supports and brass caps and castors (2) 73.6cm high, 77.2cm wide, 50.6cm deep Catalogue Note For a table with a top of a similar shape, see Susan Stuart, Gillows of Lancaster and London, 1730­1840, p.267, pl. 272 and for a table with similar ‘spindle ends’ see p. 301, pl. 329.

£8,000­12,000

233

582

582

583

λ 584

A PAIR OF GEORGE IV MAHOGANY HALL CHAIRS C.1825

A REGENCY MAHOGANY CHEVAL MIRROR IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

AN EARLY VICTORIAN ROSEWOOD ARMCHAIR C.1840

each with a scroll carved back centred with a rosette (2)

with a rectangular plate, the frame carved with lappets and with spiral reeded decoration 160.5cm high, 69cm wide, 52.5cm deep

button upholstered with brown velvet, with moulded arms, scroll legs and brass castors

£1,000­1,500

583 234

£300­400

£500­700

584

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

585

λ 585

λ 586

λ 587

A REGENCY ROSEWOOD LIBRARY TABLE ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY

A PAIR OF ROSEWOOD AND BRASS MOUNTED OCCASIONAL TABLES C.1825­30, BUT LATER ADAPTED

A WILLIAM IV ROSEWOOD LAMP TABLE C.1830

with parcel gilt decoration, the supports decorated with turned spindles and with scroll feet and sunken brass castors 73cm high, 94.3cm wide, 61.1cm deep

each with a fixed octagonal top with oak banding on lion’s paw feet (2) 49.3cm high, 63.5cm wide

£1,500­2,500

£400­600

with a concave front and nulled mouldings, on turned tapering legs 74cm high, 45.6cm wide, 43cm deep

£100­150

586 587 235

588 588 A SET OF SIX REGENCY EBONISED DINING CHAIRS EARLY 19TH CENTURY each with parcel gilt decoration, the tablet back painted with chinoiserie scenes, above a cane seat on front sabre legs, comprising: a pair of armchairs and four side chairs (6)

£400­600 589 A REGENCY GILTWOOD PIER MIRROR EARLY 19TH CENTURY the later rectangular plate in an ebonised reeded slip, with a verre églomisé frieze decorated wtih Napoleon and his troops 99.2 x 60xm

£200­300

589 590 A REGENCY PAINTED AND PARCEL GILT STOOL EARLY 19TH CENTURY 590

236

of ‘X’ shape and with lappet carved decoration 46cm high, 56.5cm wide, 39cm deep

£300­500

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 591 A REGENCY ROSEWOOD AND BRASS MOUNTED CENTRE TABLE ATTRIBUTED TO MARSH AND TATHAM, AFTER HENRY HOLLAND, EARLY 19TH CENTURY the circular tilt­top inlaid with foliate marquetry and crossbanded in calamander, on a faceted stem with a nulled collar on carved giltwood winged scroll paw feet on pads and castors 71.8cm high, 130cm diameter Catalogue Note The present table is associated with a group of furniture in the Louis XVI style late Georgian style promoted by the architect Henry Holland. His designs were partly based on the drawings of his pupil, Charles Heathcote Tatham and Holland collaborated with the furniture maker's Marsh and Tatham for some closely related tables for Southill Park, Bedfordshire. See Margaret Jourdain, Regency Furniture 1795­1820, pl.99 for a rosewood library table formerly at Normanton Park with very similar scroll feet with flat pads.

For related tables sold at auction see Sotheby's Important English Furniture, 18th November 2008, lo 226 for £25,000 (including premium) and more recently Dreweatts, Fine Furniture, 30th June 2015 for £9,500 (without premium).

£3,000­4,000

237

592

593

592

593

594

A REGENCY MAHOGANY ARMCHAIR EARLY 19TH CENTURY

A REGENCY SATINWOOD CARD TABLE EARLY 19TH CENTURY

A GEORGE IV MAHOGANY CENTRE TABLE C.1825­30

with a needlework cushion and armrests, signed with initials ‘A.W.H.’ and the date ‘1937’, on front sabre legs and brass castors

inlaid with ebonised stringing, the ‘D’ shaped fold­ over top revealing a baize lined playing surface, on brass castors 74.5cm high, 91cm wide, 44cm deep

the circular tilt­top with segmented flame veneers, on a collared faceted stem with nulled mouldings, on finely cast gilt brass winged scroll feet and castors 72.5cm high, 129cm diameter

£150­250

238

£400­600

£400­600

594

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

595

595

596

A REGENCY ROSEWOOD AND SIMULATED CHAISE LONGUE IN GRECIAN STYLE, EARLY 19TH CENTURY

A PAIR OF KINGWOOD AND GILT BRASS MOUNTED PIER CABINETS EARLY 19TH CENTURY AND LATER

line decorated with palmettes and with gilt brass rosette mounts, upholstered with striped silk and on carved giltwood paw feet 84.2cm high, 201cm wide, 69cm deep

each with a later granite top above a frieze drawer and a door enclosing a shelf on carved giltwood lion’s paw front feet (2) 95.3cm high, 68cm wide, 37.5cm deep

Literature For a similar chaise longue, see Margaret Jourdain, Regency Furniture 1795­1820, pl.57.

£800­1,200

£1,500­2,500

596

239

597 597

λ 598

A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY

A REGENCY ROSEWOOD AND BRASS MOUNTED BREAKFAST TABLE EARLY 19TH CENTURY

each with a rope­twist top rail, above a tablet back and drop­in seat, on sabre legs (8)

the circular tilt­top inlaid with stars to the frieze on four swept supports and brass castors 71cm high, 137cm diameter,

£500­700

£700­1,000

598 240

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

599 A JAPANNED BOOKCASE CABINET 19TH CENTURY decorated in gilt, on an aubergine ground with chinoiserie scenes of exotic birds in watery landscapes, with a pair of glazed doors enclosing two adjustable shelves, the base with a single shelf 208.2cm high, 109.1cm wide, 48.4cm deep

£3,000­5,000

599

600 A REGENCY BAMBOO CHILD’S CHAIR IN BRIGHT PAVILION STYLE, EARLY 19TH CENTURY with leaf decoration and a cane seat

£1,000­1,500

600

241

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 601 A MAHOGANY BREAKFRONT SECRÈTAIRE BOOKCASE EARLY 19TH CENTURY BUT LATER ADAPTED with open adjustable shelves, the central section with a hinged fall without line mouldings revealing pigeonholes and drawers with ivory handles above a hinged cupboard door, stamped ‘T. Willson, 68 Great Queens Street, London’, enclosing a shelf 214cm high, 140.2cm wide, 33.8cm deep *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£500­800

601

602

602 AN EARLY VICTORIAN WALNUT EASY ARMCHAIR C.1850­60 on ribbed front legs and brass caps and castors, stamped ‘BB & CO Patent’

£200­300

603 A WALNUT FRAMED TRUMEAU STYLE MIRROR 19TH CENTURY the rectangular plate beneath an arched panel painted with a bird between scrolling foliage; together with another with a chinoiserie painted arched panel above a rectangular plate (2) 77 x 38.3cm (max)

£150­250 603 242

SCULPTURE & GRAND TOUR

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

604 604

605

606

AN ITALIAN MICROMOSAIC GRAND TOUR PAPERWEIGHT ROMAN, C.1860­80

AN ITALIAN PIETRA DURA GRAND TOUR PLAQUE OF A PARROT FLORENTINE, 19TH CENTURY

AN ITALIAN PIETRA DURA GRAND TOUR PLAQUE FLORENTINE, LATE 19TH CENTURY

inlaid with the Doves of Pliny on a cartouche shaped black slate ground 9 x 12.5cm

the bird perched on a slender branch, in a variety of hardstones on a black marble ground, in a gilt frame 24 x 16.3cm

inlaid with a variety of hardstones with a scene of a young lady walking down a flight of steps, in a later gilt frame 19.8 x 12.8cm

£400­600

£200­300

£200­300

605 244

606

607 A PIETRA DURA TABLE TOP IN 17TH CENTURY FLORENTINE STYLE inlaid in a variety of marbles and hardstones including: lapis lazuli, verde antico and Siena with mother of pearl highlights, with flowering foliage, birds and butterflies, on a black ground 125 x 66 x 4cm Catalogue Note See Anna Maria Giusti, Pietre Dure and the Art of Florentine Inlay, pp.3, 5 and 6 for similar examples.

£4,000­6,000

245

608

608 A SPECIMEN MARBLE CENTRE TABLE IN GRAND TOUR STYLE, 20TH CENTURY the rectangular top with a lattice design of various marbles and hardstones, mounted in an ebonised base, with cabriole legs and claw and ball feet 75.4cm high, 134.4cm wide, 88.4cm deep

£250­350

609 A COLLECTION OF MARBLE EGGS AND SPHERES LATE 20TH CENTURY comprising: nine eggs and fourteen spheres (23) 15cm (max)

£200­300

609 246

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

610 'LIBEROTTI IMPRONTE'. AN ITALIAN GRAND TOUR FAUX BOOK OF PLASTER INTAGLIOS RETAILED BY GIOVANNI LIBEROTTI, ROME, FIRST HALF 19TH CENTURY each hinged cover revealing thirteen medallions after Canova, Thorwaldsen and the Antique, with a list of works to the inside of each cover titled 'Opera Scelte', the back applied with a later facsimile maker's label inscribed 'Giovanni Liberotti, Incsore di Camei...Roma Via del Babuino, No. 105' 26.1 x 16.7cm

£400­600

610

611 FOUR FRAMED GROUPS OF PLASTER GRAND TOUR CAMEOS MID­19TH CENTURY on velvet mounts and in gilt and ebonised frames (4) 24.3 x 24.3cm

£200­300

611

612 AN ITALIAN WATERCOLOUR GRAND TOUR FAN LEAF IN THE MANNER OF MICHELANGELO MAESTRI, NEAPOLITAN, LATE 18TH / EARLY 19TH CENTURY depicting a central scene of three maidens and cherubs at play, probably from Pompeii, flanked by trophies ,classical ruins and musical instruments, in a glazed giltwood frame 50.5cm wide

£200­300

612 247

613 A FRENCH BRONZE GRAND TOUR FIGURE OF THE VENUS DE MEDICI PROBABLY BY F. BARBEDIENNE, AFTER THE ANTIQUE, LATE 19TH CENTURY standing before cherubs riding a dolphin, on a shaped base, stamped with the ‘REDUCTION MECANIQUE A COLLAS BREVETE’ cachet, on a rouge griotte marble base 49cm high Catalogue Note The original marble sculpture is currently on view at the Gallerie degli Uffizi, Florence.

£400­600

613

614

614 AN ITALIAN BRONZE GRAND TOUR FIGURE OF THE SEATED MERCURY AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY seated on a rock 25.5cm high

£300­400

615 AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS AFTER THE ANTIQUE, NEAPOLITAN, MID­19TH CENTURY standing with his right hand slightly raised, on a wooden plinth 40cm high

£400­600 615 248

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

616

616 A PAIR OF ITALIAN ALABASTER GRAND TOUR VASES AND COVERS MID­19TH CENTURY each of urn form, the body carved with classical scenes between dolphin head handles with mask terminals and beneath bands of fruiting vines, the cover with a flowerbud finial, on a socle base and black and white marble foot (2) 58.5cm high

£1,500­2,500

617 AN ITALIAN MARBLE GRAND TOUR BUST OF A ROMAN EMPEROR LATE 18TH / EARLY 19TH CENTURY mounted on a walnut socle 20.4cm high (overall)

£300­500 617 249

618 A LARGE ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY with an ‘antique’ patination, the circular base with bands of stiff leaf decoration 61.5cm high

£600­1,000

618

619

619 AN ITALIAN BRONZE GRAND TOUR FIGURE OF THE SEATED MERCURY AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY seated on a rock 19.6cm high

£200­300

620 A FRENCH BRONZE FIGURE OF VENUS BATHING AFTER CHRISTOPHE­GABRIEL ALLEGRAIN (FRENCH 1710­1795), CAST BY SUSSE FRÈRES, LATE 19TH CENTURY modelled drying her legs standing before a tree stump, the naturalistic base inscribed ‘SUSSE Frers EDITEURS A PARIS’ 36cm high

£400­600 620 250

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

621 AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY the circular base inscribed ‘Musee de Naples’ 48.5cm high

£1,500­2,500

621

622

622 AN ITALIAN BRONZE GRAND TOUR FIGURE OF THE SEATED MERCURY

BY SOMMER, AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY seated on a rock, inscribed ‘Sommer Napoli’ 29cm high

£400­600

623 A LARGE FRENCH BRONZE FIGURE OF VENUS BATHING AFTER CHRISTOPHE­GABRIEL ALLEGRAIN (FRENCH 1710­1795), 19TH CENTURY 74cm high

£800­1,200 623 251

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

624 AN ITALIAN GILT BRONZE GRAND TOUR FIGURE OF NARCISSUS AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY the circular base with bands of stiff leaf decoration, a cachet inscribed ‘Bellman & Ivey, 37 Piccadilly, London, By Appointment to the Queen’ 62cm high

£400­600

625

625 624

A BRONZE GROUP OF ARIADNE AND THE PANTHER AFTER JOHANN HEINRICH VON DANNECKER, LATE 19TH CENTURY she seated on the panther’s back 14cm high, 13cm long

£150­250

626 AN ITALIAN BRONZE GRAND TOUR FIGURE OF THE SEATED MERCURY AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY seated on a rock 9.8cm high

£100­150

626 252

627 AN ITALIAN MARBLE GRAND TOUR FIGURE OF VENUS BATHING

BY PIETRO BAZZANTI (1825­1895) the base signed ‘Peter Bazzanti, Firenze’ 79.5cm high

£5,000­8,000

253

Φ 628 AN AUSTRIAN BRONZE AND ALABASTER BUST OF A ROMAN EMPEROR

BY RUDOLF KÜCHLER (AUSTRIAN 1867­1954) the back with foundry stamp and signed ‘R. Küchler’, mounted on verde antico marble base 29.8cm high, 31.5cm wide

£500­700

628

629 629 AN ITALIAN BRONZE GRAND TOUR FIGURE OF A ROMAN CENTURION MID­19TH CENTURY standing wearing a helmet and cape and holding a sword, requiring a base 57cm high

£400­600 630 AN ITALIAN BRONZE GRAND TOUR FIGURE OF A ROMAN CENTURION LATE 19TH CENTURY

630 254

modelled standing holding a scroll in his left hand on a stepped black marble plinth 42.8cm high

£400­600

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

631 AN ITALIAN BRONZE GRAND TOUR FIGURE OF MARS AFTER GIAMBOLOGNA (1529­1608), LATE 19TH CENTURY standing holding a sword and a severed head, on a canted rectangular base signed ‘J De Bologne’ and inscribed ‘Mars’ 40cm high Catalogue Note While the main figure is after the Dresden Mars by Giambologna, the severed head is a later addition, traditionally attributed to Soldani. The figure is sometimes referred to as 'The Executioner' with the head being that of John the Baptist.

Literature Charles Avery, Giambolgna, The Complete Sculpture, pp.137,261, no.69.

£800­1,200

631

632 AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS AFTER THE ANTIQUE, NEAPOLITAN, LATE 19TH CENTURY with brown patination, the circular base with bands of stiff leaf decoration 61cm high

£500­800

632 255

633 TWO FRENCH BRONZE GRAND TOUR MODELS OF SPHINX LATE 19TH CENTURY 9.1cm high, 16.5cm long

£100­150

633

634 AN ALABASTER GRAND TOUR HEAD OF A PHAROAH EGYPTIAN REVIVAL, LATE 19TH CENTURY on an ebonised plinth 34cm high, 19.8cm wide, 16.3cm deep (max)

£200­300

634

635 A PAIR OF PLASTER SPHINX 20TH CENTURY together with an ebonsied stoneware copy of the Portland vase, stamped ‘N & H’ to the base (3) 23cm high (max)

£100­150

635

256

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

636 A FRENCH BRONZE GRAND TOUR OBELISK IN EGYPTIAN STYLE, LATE 19TH CENTURY decorated with hieroglyphics and with a Pharoah’s mask mounted on a red marble plinth 25cm high

£150­250

636

637

637 A BRONZE WINGED SPHINX AFTER THE ANTIQUE recumbent facing dexter, with green patination 7.5cm high, 13.5cm long

£150­200

638 TWO SERPENTINE OBELISKS IN GRAND TOUR STYLE, LATE 19TH CENTURY each on a stepped base (2) 42.7cm high (max)

£200­300

638 257

639

639 A PAIR OF FRENCH BRONZE MARLY HORSE GROUPS AFTER GUILLAUME COUSTOU (FRENCH 1677­1746), LATE 19TH / EARLY 20TH CENTURY each on a nauturalistic base and a rectangular plinth (2) 51cm high, 39cm wide, 19cm deep

£800­1,200 640 A FRENCH BRONZE FIGURE OF DIANA AFTER JEAN­ANTOINE HOUDON (1741­1828), LATE 19TH CENTURY the huntress standing holding a bow and arrow, on a circular foot and green veined marble plinth, signed to the foot 63cm high

£600­900 641 A FRENCH TERRACOTTA BACCHANALIAN GROUP AFTER CLAUDE MICHEL, KNOWN AS CLODION (FLEMISH 1738­1812), LATE 19TH CENTURY with a bronzed patination, depicting Pan seated on a rock holding a tambourine of grapes, his left arm around the nymph who is holding the hand of a child, on a naturalistic circular base, signed ‘Clodion’ to the reverse 51cm high

£400­600

640 258

641

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

642

642

643

644

A PAIR OF ITALIAN BRONZE GRAND TOUR MODELS OF LIONS AFTER ANTONIO CANOVA (ITALIAN 1757­ 1822), LATE 19TH CENTURY

A VICTORIAN ASHFORD MARBLE AND SPECIMEN HARDSTONE DESK WEIGHT MID­19TH CENTURY

AN ITALIAN BRONZE GRAND TOUR AND GIALLO ANTICO MARBLE LION EARLY 19TH CENTURY

mounted with a gilt bronze figure of a recumbent bull, probably Sultan, inside a band of marble and hardstone specimens 10cm high, 15.2cm wide, 9.9cm deep

the recumbent lion with green patination, on a rectangular marble plinth, stamped ‘5904’ 13cm high, 21.5cm wide, 11.2cm deep

depicting sleeping lions, on a rectangular plinth (2) 13.7cm high, 24cm wide Catalogue Note The originals versions of these lions by Canova are part of the Rezzonico Monument in St Peter’s Basilica in Vatican City. Marble copies, by Rinaldo Rinaldi and Fransesco Benaglia, are held as part of the Chatsworth Collection.

£200­300

£300­400

£150­250

643

644

259

645

645 A FRENCH BRONZE RELIEF PLAQUE LATE 17TH CENTURY depicting a scene from a campaign, a General in the foreground directing his troops, with soldiers on horseback sighting a carriage, with a cityscape beyond and a river god in the lower right 12.6 x 26.7cm Provenance Purchased Sotheby’s, London, 22nd April 1986, European Sculpture, Works of Art and Ironwork, lot 119.

Catalogue Note See similar reliefs in the Louvre modelled by Desjardins in 1681 for the pedestal of the statue of Louis XIV in the Places des Victoires, Paris, and Souchal, French Sculptors, p.255. The scene is possibly that of Marshal Turenne and the Duchesse de Longueville at the crossing of the Rhine at Wesel in 1646.

£100­200

646 A GERMAN BRONZE RELIEF PLAQUE 17TH / 18TH CENTURY depicting Christ’s burial 19 x 17.3cm

£150­250 646

260

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

647 A PAIR OF ITALIAN BRONZE TORCHÈRES AFTER A DESIGN BY GIUSEPPE MICHIELI, VENETIAN, 19TH CENTURY each with a graduated stem modelled with cherubs, chimerae and Moors, the base with chained slaves and sphinxes on lion’s paw feet, stamped ‘Venezia 1866’, each mounted on a wooden plinth, later fitted for electricity (2) 127.7cm high, 190cm high (with plinth) Catalogue Note A very similar candelabrum was exhibited at the 1867 Paris Exposition Universelle and the design was reproduced in the Art Journal catalogue of the exhibition, p.263. A similar pair of torcheres were sold in these rooms Furniture & Works of Art 12th April 2017 for £4,200 (hammer).

£3,000­4,000

261

648 A PAIR OF FRENCH BRONZE FIGURES OF COUNTRY MUSICIANS

BY CELESTIN­ANATOLE CALMELS (FRENCH 1822­1906), LATE 19TH CENTURY depicting a man playing bagpipes and another castanets, each on one foot, on a naturalistic circular base and a black marble octagonal stand, one signed ‘A. Calmels de Pradier’ (2) 57cm high

£1,500­2,500

648

649 A PAIR OF BRONZE FIGURES OF VICTORY AND JUSTICE AFTER HERMANN EICHBERG, LATE 19TH CENTURY modelled as an angel holding a wreath and a blind folded maiden holding sword, on pink veined marble plinths, signed and dated ‘90’ to the bases (2) 29.5cm high (max)

£150­200 650 A FRENCH BRONZE FIGURAL TABLE LAMP LATE 19TH CENTURY the scantily clad maiden holding a corncupia aloft, with a tambourine hanging to her side, on a verde antico marble and gilt metal pedestal 85cm high

£300­500

649 650 262

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

651 A FRENCH GILT BRONZE AND PEWTER GROUP OF THE BELL FOUNDERS OF THE MIDDLE AGES

BY LOUIS ETIENNE MARIE ALBERT­LEFEUVRE (1843­1924), C.1900 the two men carrying an upturned bell cast, with figures between bands of laurel leaves, stars, oak leaves and fleurs­de­lys, inscribed ‘ALBERT­LEFEUVRE, SIOT FONDEUR. PARIS’ 47.2cm high, 45cm wide, 31.5cm deep

£1,500­2,000

651

652 A FRENCH BRONZE OF A CLASSICAL MAIDEN CARRYING A BASIN EARLY 19TH CENTURY the scantily clad lady slightly stooping while carrying a bowl with a pair of serpent handles, on a circular base with bands of stiff leaves, lappets and beads 64.5cm high

£2,000­3,000

652 263

653 A PAIR OF FRENCH BRONZE GRAND TOUR URNS MID­19TH CENTURY each with a folaite rim above a female mask flanked by oval profile portraits and a pair of sphinx handles above scallop shells and lion masks, a stop fluted base, socle type foot and Languedoc marble bases (2) 28.5cm high

£800­1,200

653

654 A FRENCH PARCEL GILT BRONZE TWO HANDLED URN MID­19TH CENTURY with anthemion to the rim above scrolling foliage, stop fluting to the body, high scrolling handles with mask terminals and socle foot, stamped ‘110 20032’ 17cm high, 26.2cm wide, 17.7cm deep

£150­250

654

655 A MARBLE COMPOSITION BUST OF NELSON AFTER FREDERICKS, PROBABLY 20TH CENTURY on a pink and black veined marble socle base, inscribed verso 30.5cm high

£150­250

655 264

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

656 A FINE FRENCH AGATE CAMEO PORTRAIT MEDALLION OF NAPOLEON PROBABLY AFTER BERTRAND ANDRIEU, EARLY 19TH CENTURY the oval profile portrait of Napoleon as a Roman Emperor with a laurel garland, in an ormolu frame with guilloche decoration 8.3 x 6.8cm

£800­1,200

656

657 A FRENCH MARBLE BUST OF NAPOLEON AFTER LOUIS­SIMON BOIZOT, MID­19TH CENTURY depicted as First Consul, facing forward, wearing a high collared jacket, on a red velvet covered mount, indistinctly signed 36cm high (bust), 56cm high (max)

£600­1,000

657

265

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

658 A JAPANESE BRONZE OF A WARRIOR MEIJI, LATE 19TH CENTURY standing with a wakizashi in his belt, on a naturalistic base 72cm high

£1,000­1,500

659 A PAIR OF FRENCH GREEN PATINATED BRONZE VASES AND COVERS IN THE MANNER OF ALBERT CARRIER­BELLEUSE, LATE 19TH / 20TH CENTURY each of baluster form, decorated with swagged drapery, leafing branch handles and a cartouche, on a wrythern socle stem and scrolling foot (2) 52cm high

£800­1,200

658

659 266

660 A FINE ITALIAN MARBLE BUST OF A MAIDEN

BY CESARE LAPINI (ITALIAN 1848­1893) possibly representing Night, portrayed gazing slightly downwards, with stars in her tied hair, with flowers and a crescent to her draped decolletage, the reverse inscribed ‘C. LAPINI, Firenze’ and dated ‘1891’ 68.7cm high, 41cm wide Catalogue Note Cesare Lapini was born in Florence and became one of the leading sculptors of his generation. He was known for his allegorical and mythological sculptures, as well as his carvings after the Antique. He is recorded as a participant in several Italian exhibitions including the General Italian Exposition of Turin in 1884. A similar bust representing Cleopatra, was sold at Sotheby's London, 19th and 20th Century Sculpture, 10th July 2019, lot 45 for £16,250 (including premium).

£4,000­6,000

267

661 A TERRACOTTA BUST OF A GEORGIAN LADY INSCRIBED ‘COMONDO 1793’ modelled wearing a head scarf and a shawl over her shoulders, cream glazed and on a verde antico marble base 55.5cm high

£300­500

661

662

662 A BRONZE PORTRAIT PLAQUE OF ABRAHAM LINCOLN

BY VICTOR DAVID BRENNER (AMERICAN, 1871­1924), C.1907 in low relief, facing dexter, titled to the lower edge, inscribed and dated ‘1907’ to the right edge, on an easel back 24 x 18cm PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

£150­250

663 A FRENCH BRONZE CORPUS CHRISTI EARLY 20TH CENTURY the emaciated body on a naturalistic cross 85.5 x 51cm

£400­600 663 268

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

664 A FRENCH ANIMALIER BRONZE GROUP OF A MASTIFF AND A TORTOISE

BY JOSEPH FRANCOIS VICTOR CHEMIN (FRENCH 1825­1901) on an oval base, signed 9cm high, 14.2cm long

£150­200

664

665 A FRENCH ANIMALIER BRONZE FIGURE OF A DOG LICKING ITS LEFT PAW, CHIEN SE LECHANT LA PATTE

BY JOSEPH FRANCOIS VICTOR CHEMIN (FRENCH 1825­1901) on an oval base, signed 10cm high, 15.7cm long

£100­150

665

666 A FRENCH ANIMALIER BRONZE FIGURE OF AN IRISH SETTER

BY JULES MOIGNIEZ (FRENCH 1835­1894) standing over a hiding rabbit, on a naturalistic oval base, signed 18cm high, 32.2cm long

£300­500

666

269

667 A FRENCH ANIMALIER BRONZE FIGURE OF AN IRISH SETTER

BY JULES MOIGNIEZ (FRENCH 1835­1894) in a stalking pose, on an oval naturalistic base, signed 12.5cm high, 29.3cm long

£200­300

667

668 TWO FRENCH ANIMALIER BRONZE FIGURES OF BANTAMS

BY JULES MOIGNIEZ (FRENCH 1835­1894) each standing on a naturalistic base, signed (2) 14.5cm high (max)

£300­500

668

669 A GERMAN SILVERED FIGURE OF AN ALSATIAN AFTER FRITZ DILLER (GERMAN, 1875­1945), C.1900 standing on a rectangular base, signed ‘Diller’, marked ‘25226’ to the underside 14.7cm high, 16.5cm wide, 5cm deep

£80­120

669

270

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

670 A BRONZE HEAD OF GREYHOUND FIRST HALF 20TH CENTURY mounted on a marble plinth 22.9cm high

£200­300

670

671 A CAST IRON EQUESTRIAN FIGURE ‘DJINN ETALON BARB’

BY COALBROOKDALE, AFTER PIERRE­JULES MÊNE, (...), 19TH CENTURY signed ‘P. J. Mene 1846’ and stamped ‘Coalbrookdale Company’ 29.3cm high, 39.5cm wide

£150­200

671

672 A FRENCH BRONZED SPELTER ANIMALIER GROUP OF TWO WHIPPETS IN THE MANNER OF PIERRE­JULES MÊNE, LATE 19TH / EARLY 20TH CENTURY 26cm high, 29.5cm wide

£150­250

672 271

673 AN AUSTRIAN COLD PAINTED TERRACOTTA PUG DOG EARLY 20TH CENTURY modelled seated looking slightly to dexter, with glass eyes and red painted collar 28cm high, 21cm long

£300­500

674 A COLLECTION OF TWENTY-THREE AUSTRIAN COLD PAINTED BRONZE ANIMALS EARLY 20TH CENTURY including: eight Beatrix Potter figures, a caterpillar, an owl and other wild and domestic creatures, together with a collection of seven carved wood miniature dogs of various breeds (30) 4cm (max)

£200­300 673

674 272

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

675 A FRENCH BRONZE MODEL OF A MOOSE LATE 19TH / EARLY 20TH CENTURY mounted on an amber veneered rectangular base 35.8cm high, 35cm wide, 15cm deep

£500­700

Φ 676 A PAIR OF BRONZE EQUESTRIAN GROUPS OF PORTUGUESE BULLFIGHTERS - REJONEADORES CAST BY VALSUANI AFTER HERBERT HASELTINE (AMERICAN, 1877 ­ 1962) each signed ‘Herbert Haseltine’, dated 1922 and stamped ‘C. VALSUANI CIRE PERDUE’ on black and white veined marble bases (2) 32cm high, 30cm wide, 11cm deep

£3,000­5,000 675

676

273

677 A MAHOGANY WING ARMCHAIR IN GEORGE III STYLE, LATE 19TH / EARLY 20TH CENTURY upholstered in brass studded green leather, on tapering front legs

£300­500

677

678 A WALNUT STOOL IN GEORGE II STYLE, 19TH CENTURY with a needlework drop­in seat on shell capped cabriole legs and pad feet 43.8cm high, 53.7cm wide, 43.8cm deep

£200­300

678

679 A MAHOGANY SERPENTINE CHEST IN GEORGE III STYLE, 19TH CENTURY fitted with a brushing slide above four long graduated drawers flanked by blind fret angles 84.8cm high, 86.5cm wide, 56cm deep

£400­600

679 274

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

680 A WALNUT WING ARMCHAIR IN QUEEN ANNE STYLE, LATE 19TH CENTURY the high arched back above scrolling arms with turned finials, on orb and block feet united by a scrolling ‘X’ stretcher 136cm high

£800­1,200

680

681 A PAIR OF MAHOGANY STOOLS IN GEORGE III STYLE, 19TH CENTURY each with a dipped seat on moulded legs, united by an ‘H’ stretcher (2) 53cm high, 46cm wide, 39.5cm deep

£200­300 681

682 A MAHOGANY SERPENTINE SIDE TABLE IN CHIPPENDALE STYLE, LATE 19TH CENTURY carved with ribbons, leaves and husks 77.7cm high, 108.5cm wide, 51.5cm deep

£400­600

682

275

683 A MAHOGANY AND BOXWOOD INLAID FOUR POSTER BED IN GEORGE III STYLE, 20TH CENTURY with square section headposts supporting a button upholstered headboard and reeded footposts with line inlaid bases supporting an arched canopy, with flowerbud finials 228cm high, 205.5cm long, 157cm wide

£300­500

684 A MAHOGANY BUTLER’S TRAY ON STAND IN GEORGE III STYLE, 20TH CENTURY the folding galleries each pierced with a handgrip 54cm high, 64.2cm wide, 88cm deep

£150­250

685 A SET OF MAHOGANY METAMORPHIC LIBRARY STEPS IN REGENCY STYLE, 20TH CENTURY with four treads, inset with gilt tooled green leather 70.7cm high, 44.7cm wide, 70cm deep

£200­300

683

684 685 276

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

686 686

687

A VICTORIAN WALNUT AND GILTWOOD OVERMANTEL MIRROR IN GEORGE II STYLE, 19TH CENTURY

A VICTORIAN MAHOGANY TWIN PEDESTAL DESK IN EARLY GEORGE III STYLE

BY SPILLMAN & CO., LATE 19TH CENTURY

the rectangular plate in a frame decorated with a Vitruvian scroll band, egg and darts mouldings, swags of flowers and with an eagle surmount 152.8 x 161.8cm

the top inset with tooled brown leather with a ribbon and floret carved edge, above an arrangement of nine drawers, one with an ivorine label inscribed ‘Spillman & Co., St. Martins Lane, London’, on castors 77.1cm high, 122.2cm wide, 76cm deep

£500­800

£500­800

687 277

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

688 A WALNUT AND GILTWOOD WALL MIRROR IN GEORGE II STYLE, 19TH CENTURY the arched plate in a gilt carved slip, the swan neck pediment centered with a carved cartouche 137.8 x 68.5cm

£300­500

688

689 A GILTWOOD WALL MIRROR IN GEORGE II STYLE, 19TH CENTURY the frame decorated with scrolling leaves and a pair of Ho­Ho birds 121 x 66cm

£300­500

689 278

690 A GILTWOOD SIDE TABLE IN THE MANNER OF WILLIAM KENT, 19TH CENTURY the inset verde antico marble top above a frieze carved with leaves and ‘C’ scrolls, on cherub head scroll legs 94.9cm high, 157cm wide, 80cm deep

£4,000­6,000

279

691 A GILTWOOD WALL MIRROR IN GEORGE III STYLE, 19TH CENTURY the replacement plate inside a foliate and rocaille frame between an openwork foliate and ‘C’ scroll crest and terminal 145 x 86cm

£800­1,200

691

692

692 A PAIR OF JAPANNED ARMCHAIRS IN GEORGE III STYLE, 19TH CENTURY each painted in gilt on a black ground with chinoiserie, the oval back above a stuffed­over seat (2)

£300­500

693 A RED LACQUER BOOKCASE IN GEORGE III STYLE, 20TH CENTURY decorated with chinoiserie scenes with flowers, leaves, figures and pagodas, with a pair of glazed doors enclosing three adjustable shelves, the base with a single shelf 231cm high, 126.3cm wide, 39cm deep

£400­600

693 280

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

694 694

695

A VICTORIAN GILTWOOD OVERMANTEL MIRROR IN GEORGE III CHIPPENDALE STYLE, 19TH CENTURY

A PAINTED GILTWOOD CONSOLE TABLE 18TH CENTURY AND LATER

the shaped plates within a Rococo decorated frame, carved with leaves, scrolls and rocaille 146 x 127.5cm

the demi­lune breakfront top decorated with Venus and Cupid and with a band of flowers above a fluted frieze and leaf and husk tapering legs 83.4cm high, 107.3cm wide, 53cm deep

£600­1,000

£400­600

695

281

top

696

λ 696 A WILLIAM IV ROSEWOOD OCCASIONAL TABLE C.1830 the rectangular top inset with a septarian nodule hardstone panel on a baluster stem the base carved with flowers 87cm high, 50.3cm wide, 41cm deep

£500­800

697 697 A VICTORIAN EBONISED AND PARCEL GILT CONSOLE TABLE LOUIS XVI STYLE, 19TH CENTURY the black and grey veined marble top above a frieze of foliate rondels and flowering swags on a cabriole leg with scrolling foliage, strings of flowers and scroll foot 93cm high, 80cm wide, 39cm deep

£400­600 698 A GILTWOOD CONVEX WALL MIRROR IN REGENCY STYLE, LATE 19TH / EARLY 20TH CENTURY the moulded frame applied with balls and with an eagle surmount 104 x 73.3cm

698 282

£300­500

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

699 A MAHOGANY AND PAINTED FOUR POSTER BED LATE 18TH CENTURY AND LATER with a pair of George III headposts supporting a painted canopy, with base and mattress 237cm high, 204cm long, 161cm wide

£500­800

699

700 A LATE VICTORIAN GILT AND COMPOSITION OVAL WALL MIRROR IN GEORGE III ADAM STYLE, LATE 19TH CENTURY the bevelled plate within a moulded frame applied with scrolling leaves and sphinx, with an urn and palmette surmount 162.2 x 96.5cm

£400­600

700 283

284

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

701 A FINE VICTORIAN BURR WALNUT KIDNEY SHAPED DESK

BY GILLOWS, C.1850­60 the top inset with later gilt tooled green leather, above an arrangement of ten drawers, the frieze drawer stamped 'Gillow', the underside with a pencil signature for 'John Barrow', with a brass lock stamped 'J. T. Needs, 128 Piccadilly, Late J. Bramah 134 Piccadilly' with side pilaster locking bars, the back with three open bookshelves on castors 74.3cm high, 130.5cm wide, 59cm deep Catalogue Note The form of the present lot is derived from a design by Thomas Sheraton in his 'The Cabinet­Maker and Upholsterer's Drawing Book' of 1802, pl.58. The kidney shape form was one of Gillows best known models. A drawing of a similar desk, 'An oak Pedestal and Kidney Table' can be seen in the Gillow's Estimate Sketch Books, dated 1840. See also Susan Stuart, Gillows of Lancaster and London 1730­1840, vol. 1, pp..338­339, pl. 393 for a related desk that was sold by Bonhams, 14th March 2006 for £54,000 (including premium).

John Barrow was apprenticed to Leonard Redmayne in 1826 and appears in the Gillow's records between 1834 and 1848, see Susan Stuart, op.cit., vol.11 p.215. Related desks bearing John Barrow's signature were sold at Sotheby's London, 15th November 1996, lot 113 and Bonhams, London, 12th June 2013, lot 183.

£20,000­30,000 285

702

702 AN EARLY VICTORIAN GILTWOOD AND GESSSO LANDSCAPE OVERMANTEL MIRROR C.1850 with three rectangular plates flanked by batons, the frieze decorated with Aurora and her chariot with frolicking cherubs 79.5 x 146cm

£300­500 703 A MAHOGANY THREE-FOLD ROOM DIVIDER LATE 19TH / EARLY 20TH CENTURY with turned poles and brass hinges 177.6cm high, 179cm wide

£400­600

703

704 A VICTORIAN WALNUT CARD TABLE C.1860­70 the burr veneered swivel top revealing a baize lined interior on ceramic castors 74.2cm high, 91.5cm wide, 45.5cm deep

704 286

£200­300

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

705 TWO EGYPTIAN REVIVAL MAHOGANY ARMCHAIRS LATE 19TH CENTURY each with parcel gilt decoration and upholstered with brown leather, on cluster column supports (2) PLEASE NOTE THIS LOT IS TO BE OFFERED WITHOUT RESERVE.

£800­1,200

705

706 A PAINTED PINE SERPENTINE CHEST PROBABLY CONTINENTAL, 18TH CENTURY with four long ripple moulded drawers, flanked by fluted quarter columns, in two halves 120.2cm high, 130cm wide, 65.3cm deep Provenance By repute Maureen Constance Guinness, Marchioness of Dufferin and Ava. The interiors of her home in Hans Crescent, London were decorated

by Felix Harbord.

£800­1,200

706

707 A PAIR OF PAINTED LOW CABINETS EARLY 20TH CENTURY each with a mirrored top above sliding doors and one end open for books (2) 63.2cm high, 94.8cm wide, 39.5cm deep Provenance By repute Maureen Constance Guinness, Marchioness of Dufferin and Ava. The interiors of her home in Hans Crescent, London were decorated by Felix Harbord.

£300­500

707 287

708

708 A LATE REGENCY GILTWOOD OVERMANTEL MIRROR EARLY 19TH CENTURY the rectangular bevelled plate flanked by cluster columns, the frieze decorated with palmettes 66.3 x 124.2cm

£500­800 709 A LATE VICTORIAN MAHOGANY AND MARQUETRY STANDING CORNER CUPBOARD IN GEORGE III STYLE, LATE 19TH / EARLY 20TH CENTURY inlaid with urns and ribbon tied swags of husks, with a pair of astragal glazed doors enclosing three shelves, the base with a single shelf 218cm high, 82.5cm wide, 44cm deep

£300­500

709

710 A LATE VICTORIAN OAK TWIN PEDESTAL PARTNERS DESK LATE 19TH / EARLY 20TH CENTURY the top inset with gilt tooled red leather, the front with an arrangement of nine drawers, the back with three frieze drawers and a pair of cupboard doors, on castors 76.5cm high, 152.5cm wide, 105.5cm deep

£500­800 710 288

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

711 711

712

713

A VICTORIAN WALNUT BREAKFRONT CREDENZA C.1860­70

A VICTORIAN WALNUT AND MARQUETRY BONHEUR DU JOUR IN LOUIS XV STYLE, C.1860

A VICTORIAN WALNUT AND MARQUETRY KIDNEY SHAPED WRITING TABLE IN LOUIS XV STLYE, C.1860

with ormolu mounts, the top with a parquetry band, above three open shelves, flanked by a pair of glazed doors, interspersed with female masks and leaf corbels 118cm high, 219.5cm wide, 42cm deep

with gilt brass mounts and inlaid with flowers, leaves, a bird and a butterfly, the mirrored back flanked by a pair of glazed compartments, the hinged fall revealing pigeonholes and three drawers and sliding well cover 142.6cm high, 86cm wide, 51.5cm deep

with brass mounts and inlaid with flowers and leaves, the top inset with a gilt tooled leather surface above a frieze drawer 75cm high, 102.3cm wide, 52cm deep

£1,000­1,500

£400­600

£300­500

712

713 289

714

714

715

716

A SET OF VICTORIAN OAK AND BRASS JOCKEY’S SCALES

BY YOUNGS, C.1870

A SET OF FLOOR STANDING BUTCHER’S SCALES POSSIBLY PORTUGUESE, EARLY 20TH CENTURY

AN OAK ARTIST’S EASEL LATE 19TH / EARLY 20TH CENTURY

with a leather seat and five weights, stamped ‘Youngs, Bear St. London, W.C.’ 94.6cm high, 91cm wide, 48cm deep Provenance Sotheby’s London, 1st and 2nd October 1992 lot 511W, where bought for £1500 with catalogue.

with a bull’s head supporting a set of scales, on a shaped base with a set of weights up to 5kg, with various stamped marks 146cm high, 84cm wide, 41cm deep

176.4cm high, 77.5cm wide, 66.2cm deep

£200­300

£500­800

£800­1,200

715 290

716

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

717

717

718

719

A LATE VICTORIAN PAINTED SATINWOOD OVAL CENTRE TABLE IN SHERATON STYLE, LATE 19TH / EARLY 20TH CENTURY

AN EDWARDIAN SATINWOOD BIJOUTERIE TABLE IN GEORGE III STYLE, EARLY 20TH CENTURY

A WALNUT STOOL

BY HOWARD & SONS, FIRST HALF 20TH CENTURY

of canted form, the hinged lid inset with bevelled glass 72.7cm high, 68.5cm wide, 48.2cm deep

covered with ‘H&S’ ticking, on square tapering legs and brass castors, one leg stamped ‘Howard & Sons, London, W.1. 174’ 45.3cm high, 54cm wide

the top decorated with a central oval panel with lady and her whippet, with floral borders above a pair of freize drawers with engraved silver plated handles 73.8cm high, 122.5cm wide, 102cm deep

£400­600

£500­800

£500­800

718

719

291

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

721

720

722

720

721

A HENLEY REGATTA COAT STAND 20TH CENTURY

A PAIR OF VICTORIAN WALNUT EASY ARMCHAIRS LATE 19TH CENTURY

in the form of two painted pine oars joined by a shield inscribed ‘The London 1901 Henley Regatta Rowing Club’ 215cm high, 91.5cm wide

each later upholstered with red striped ecru cotton, on turned front legs and brass castors (2)

£200­300

£800­1,200

722

723

A TREEN BARREL NEST OF CUPS POSSIBLY SCANDINAVIAN, FIRST HALF 19TH CENTURY

A TREEN MORTAR GRINDER 18TH CENTURY

the barrel with brass bands and reeded decoration, the pull­off cover revealing a nest of four cups, inscribed in pen ‘Baer’ 13.5cm high, 10.8cm diameter (max) Provenance Purchased from Maria Baer, Davies Street, London.

The Adler Collection of Treen.

£100­150 723

with a turned lignum vitae pestle within a fruitwood mortar, the undersigned inscribed ‘Baer’ Provenance Purchased from Maria Baer, Davies Street, London.

The Adler Collection of Treen.

£150­250 λ 724 A VICTORIAN TREEN OAK CEREMONIAL MASON’S MALLET LATE 19TH CENTURY decorated with a boxwood band with specimen wood dot inlay to the body and handle, with ivory ball finials, together with a Victorian mahogany ceremonial mallet, carved with foliate scrolls to the base and handle (2) 23cm long, 10cm diameter (max) Provenance The Adler Collection of Treen. *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

292

724

£80­120

ASIAN ART

725 A CHINESE HARDWOOD ALTAR TABLE 19TH CENTURY the rectangular top above a frieze and legs carved with rope­tied rondels or bi­discs on a lattice ground 85cm high, 156.2cm wide, 44.3cm deep

£2,000­3,000

725

726 A CHINESE CELADON VASE TABLE LAMP 20TH CENTURY with peach and fan shaped raised panels of blue and white painted decoration on a celadon ground, with gilt metal mounts, fitted for electricity 59.4cm high

£200­300

726

727 AN ANGLO-CHINESE CAMPHORWOOD TRUNK EARLY 19TH CENTURY covered in brass studded black leather, with side carrying handles, on carved paw feet 40cm high, 82cm wide, 45.5cm deep

£200­300

727

294

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

728 A CHINESE RED LACQUER ALTAR TABLE 19TH CENTURY the top carved and painted with three cartouches of figures on a trellis ground, above scroll ends, the frieze and shaped legs decorated with scrolling and flowering foliage 83cm high, 137.5cm wide, 45.8cm deep Catalogue Note For a table with similar flowering foliate decoration to the frieze, see Bonhams, 3rd November 2022, lot 308.

£1,000­1,500

728

729 A CHINESE SANG-DE-BOEUF ORMOLU VASE TABLE LAMP LATE 19TH OR 20TH CENTURY of bottle vase form under a rich red glaze, with a domed cover with scale decoration and a scrolling foliate foot, fitted for electricity 69.5cm high

£800­1,200

729

730 AN ANGLO-CHINESE CAMPHORWOOD TRUNK EARLY 19TH CENTURY with brass mounts and brass studded red leather, with a vacant interior and side carrying handles 33cm high, 77.3cm wide, 39.6cm deep

£200­300

730

295

731 A CHINESE HARDWOOD CORNER ARMCHAIR LATE 19TH CENTURY inlaid with mother of pearl with flowers, leaves and butterflies

£200­300

731 732 A PAIR OF CHINESE CLOISONNÉ QUAILS CANDLESTICKS LATE 19TH CENTURY each standing holding a floral branch in its beak supporting an urn shaped nozzle, on a rectangular reticulated base (2) 21.5cm high

£400­600

732

733 A PAIR OF SMALL CHINESE BLACK LACQUERED CABINETS LATE 19TH / EARLY 20TH CENTURY polychrome decorated with panels of figures within landscape and domestic settings, each with a pair of drawers above a drawer (2) 68.8cm high, 50.5cm wide, 28.2cm deep

£300­500

733

296

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

734 AN ANGLO-CHINESE BLACK LACQUER CENTRE TABLE MID­19TH CENTURY the tilt­top gilt decorated with a scene of figures amongst buildings in a watery landscape, revolving on a birdcage on carved tripod legs 77cm high, 99.2cm diameter

£600­1,000

735 A SMALL ANGLO-CHINESE RED JAPANNED CABINET ON STAND 19TH CENTURY AND LATER gilt decorated with chinoiserie scenes with a pair of doors revealing a brown lacquer interior of five drawers, with Chinese characters to the undersides 85.5cm high, 39.5cm wide, 25.5cm deep

734

£400­600

735 297

736 A PAIR OF CHINESE POLISHED BRONZE TABLE LAMPS LATE 19TH / EARLY 20TH CENTURY each of two handled vase form, with panels of lion dogs in relief, on a floral ground between a pair of horned lion dog handles, the neck and foot with arched foliate panels, with six character seal marks, fitted for electricity (2) 44cm high

£300­500

736

737 A PAIR OF CHINESE ENAMEL AND HARDSTONE JARDINIÈRE TREE GROUPS 20TH CENTURY each with a flowering plant, the flowers and foliage on bark effect stems and branches, in rectangular cloisonné stands (2) 34cm high

£200­300

737

738 A PAIR OF CHINESE ORMOLU MOUNTED POTTERY MODELS OF ELEPHANTS LATE 19TH CENTURY standing four square, with a vase issuing from their caparisons, glazed in turquoise, mounted on pierced French Rococo style scrolled bases (2) 24cm high

£500­800

738 298

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

739 A CHINESE HARDWOOD ‘DRAGON’ CABINET LATE 19TH CENTURY with a pair of panelled doors well carved with dragons amidst swrling clouds, enclosing a shelf 96.9cm high, 86.8cm wide, 46.6cm deep

£2,000­3,000

740 A NEAR PAIR OF CHINESE HARDWOOD AND MOTHER OF PEARL GARDEN SEATS LATE 19TH CENTURY each of open barrel form, with a white marble top and inlaid with leaves and flowers (2) 51.3cm high, 42cm wide (max)

£2,000­3,000 739

740

299

741 A CHINESE FAMILLE VERTE DISH IN KANGXI STYLE enamelled with figures in a pagoda, together with a selection of Chinese export wares including: six Canton enamelled tankards and various blue and white wares (a lot) 27.5cm diameter (max)

£100­200

741

742 A CHINESE FAMILLE ROSE GROUP OF FUXING AND A CHILD 20TH CENTURY carrying a small boy, with elaborate robes decorated with crane roundels amongst flowers on a turquoise ground 52.5cm high

£200­300

742

743 A CHINESE EXPORT ARMORIAL TUREEN, COVER AND STAND LATE 18TH CENTURY the crest with a ‘WP’ monogram inside blue borders, together with other items from the same service including a sucrier and cover, sauce tureen base, sauceboat, bowl, saucers and a leaf shaped teapot stand (15) 36cm wide (max)

£200­300 743

300

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

744 A CHINESE POTTERY MODEL OF A HORSE TANG DYNASTY, 618­907 AD standing four square with its head bowed, with a saddle on its back 41.5cm high, 44cm long

£300­500

744

745 A CHINESE STONEWARE FIGURE OF GUANYIN FAHUA STYLE, MING DYNASTY, 17TH CENTURY with two attendants, seated before a flaming mandala, turquoise and dark blue glazes 27.5cm high, 14.5cm wide, 9cm deep

£200­300

745

746 A CHINESE FAMILLE VERTE DISH KANGXI (1662­1722) painted with a vase of flowers inside a landscape panel with a moulded border, an 18th century famille rose vase, enamelled with exotic birds in a rock surrounded by flower together with an 18th century octagonal serving dish with scroll and floral decoration and a high fired stoneware vase in tones of lavender, red, green and turquoise (4) 36.5cm diameter

£300­500 746

301

747 A CHINESE CELADON AND GILT METAL MOUNTED VASE TABLE LAMP LATE 19TH CENTURY of bottle vase form, with scrolling foliate and swag mounts 47cm high

£300­500

747

748

748 A CHINESE FAMILLE ROSE VASE QIANLONG MARK BUT REPUBLIC PERIOD of shouldered form, enamelled with a building set in a landscape, beneath a ruyi decorated neck and banded shoulders, with an iron red six character seal mark 22cm high

£150­250

749 A PAIR OF FRENCH ORMOLU AND CHAMPLEVÉ ENAMEL JAPONISME CANDLESTICKS LATE 19TH / EARLY 20TH CENTURY of square section, with floral decoration on a black and gilt ground, with a pair of mask handles and a pierced base (2) 14.5cm high

£150­250

749 302

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

750

750

751

752

A PAINTED AND PARCEL GILT COFFEE TABLE POSSIBLY BY MALLETT, MID­20TH CENTURY

A JAPANESE LACQUER LAMP LATE 19TH / EARLY 20TH CENTURY

A PAIR OF CHINESE CINNABAR LACQUER TABLE LAMPS 20TH CENTURY

the top incorporating a Chinese brown lacquer and hardstone mounted panel decorated with vases of flowers, with a plate glass top 40.5cm high, 118cm wide, 44.5cm deep

£1,000­1,500

gilt decorated on a black and red ground, with an eagle and other birds, with later mounts and twin light fitting 68.3cm high

£600­1,000

each of baluster form with an elongated and flaring neck, carved with figures and animals amongst trees in a rocky landscape, between a neck and foot of scrolling, flowering foliage, on pierced hardwood stand, fitted for electricity (2) 65.5cm high

£1,000­1,500

751

752 303

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

753 A LARGE JAPANESE SATSUMA VASE MEIJI PERIOD, LATE 19TH / EARLY 20TH CENTURY of shouldered form, painted with a continuous scene of birds amongts foliage beside a lake, the neck with a pair of gilt seated cats surrounded by dragons in clouds on a wrigglework ground, painted mark to the base 76cm high

£300­500

754 A JAPANESE ARITA IMARI BOWL AND COVER 19TH CENTURY of ovoid form, painted with a variety of flowers 27cm high, 24.6cm diameter

£200­300

755 A JAPANESE ARITA BLUE AND WHITE BOWL AND COVER 18TH CENTURY of ovoid form, painted with chrysanthemums and other flowering foliage (2) 23.5cm high, 25cm diameter

£200­300

753

754 304

755

756 A FRENCH ORMOLU AND IMARI PORCELAIN CENTRE TABLE 18TH CENTURY AND LATER the Chinese charger decorated with a fenced garden inside a broad border of paired ogee cartouches before a rocky landscape inside an ormolu foliate rim, the stem formed from a Japanese trumpet vase decorated with panels of birds and flowering foliage, on a tripod ormolu base of a laurel wreath issuing scrolling foliate legs with flowerhead feet 78cm high, 50.4cm diameter

£8,000­12,000

305

757 757

758

759

A JAPANESE LACQUER WORK TABLE LATE 19TH CENTURY

A JAPANESE LACQUER TABLE CABINET LATE 19TH CENTURY

with gilt decoration of peacocks, flowers and leaves, the hinged lid revealing a fitted interior with lidded compartments above a drawer and a slide­out work bag 79cm high, 79cm wide, 50.2cm deep

with a pair of cupboard doors with hiramakie decoration of ducks enclosing an arrangement of six drawers, over a single drawer, gilt decorated with birds and foliage on a brown ground, with engraved metal mounts 40.7cm high, 41cm wide, 27.5cm deep

A JAPANESE LACQUER TABLE CABINET ON STAND LATE 19TH / 20TH CENTURY the top with a moonlit deer scene above a pair of drawers and a pair of panelled doors enclosing six drawers, with gilt landscape and figural decoration, on a stand with short scroll legs 41.5cm high, 36.5cm wide, 23cm deep

£400­600

£300­400

£300­500

758 306

759

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

760

λ 760 AN ANGLO-INDIAN ROSEWOOD BREAKFAST TABLE C.1830­40 the rectangular tilt­top with canted corners, on a ribbed double baluster stem and scroll supports, with paw feet 72cm high, 122.5cm wide, 90.5cm deep Provenance Purchased by the vendor from Wakelin & Linfield, 12th June 2004.

£800­1,200

λ 761 AN ANGLO-INDIAN ROSEWOOD TEAPOY C.1830­50 the pagoda shaped lid revealing four pull­out conforming tea canisters, with carved leaf and flower decoration and scroll feet 84.3cm high, 43.2cm wide, 43.3cm deep

£1,500­2,500 761 307

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

762 λ 762

λ 763

764

A SET OF FOUR ANGLO-INDIAN ROSEWOOD ARMCHAIRS LATE 19TH CENTURY

AN ANGLO-INDIAN SADELI ARMCHAIR PROBABLY BOMBAY, MID­19TH CENTURY

A PAIR OF BURMESE HARDWOOD CHAIRS LATE 19TH CENTURY

inlaid with star mosaics and ivory, bone and ebony stringing, with a drop­in seat

each all over carved with leaves and flowers, the back centred with a bird above a drop­in seat (2)

*This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

each with differing carved decoration, the splat with a figure with foliate borders and a cane seat on ceramic castors (4)

£500­800

£300­500

763 308

764

765 A VERY NEAR PAIR OF ANGLO-INDIAN TEAK CAMEL OCCASIONAL TABLES C.1900 each with a bi­lobed top with a broad border of carved scrolling foliage inside a gadrooned rim and supporting a pair of ogee finials beneath, on a base carved as a dromedary camel on a slender octagonal base with trellis carved decoration (2) 75cm high, 59.5cm wide, 76cm deep

£6,000­8,000

309

766 AN ANGLO-INDIAN SHISHAM, BRASS AND EBONY INLAID OCCASIONAL TABLE PROBABLY LAHORE, LATE 19TH / EARLY 20TH CENTURY decorated with a central star and scrolling leaves and flowers, the lift­off octagonal top above a folding base with carved and pierced panels, wtih printed paper lables inscribed ‘Made in British India’ 50.7cm high, 55cm wide Literature See Amin Jaffer, Furniture from British India and Ceylon, p.293, pl.115 for a very similar example.

£200­300

766 767 A MAHOGANY AND COPPER BOUND OVAL BOX AND COVER POSSIBLY ANGLO­INDIAN, 19TH CENTURY the gently shaped cover enclosing a vacant interior 8cm high, 24.2cm wide, 11cm deep

£200­300

767

768 AN ANGLO-INDIAN HARDWOOD AND BONE INLAID WORKBOX LATE 18TH / EARLY 19TH CENTURY of rectangular form with brass swing handles, inlaid with meandering foliage, the drawer with a paper lined fitted interior above a pair of secret side drawers 13.2cm high, 39.8cm wide, 29.4cm deep

£300­500

768

310

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

769 A LARGE INDIAN PAINTED SILK HAWKING PICTURE LATE 20TH CENTURY depicting a prince on horseback holding a hawk in a painted frame 178 x 142.1cm

£800­1,200

770 AN INDIAN PAINTED SILK PANEL OF A HORSE LATE 19TH / EARLY 20TH CENTURY with a ceremonial saddle and bridle 88 x 120cm

£500­800 769

770 311

771 A PAIR OF INDIAN PAINTED HARDWOOD AND IRON FOLDING SHUTTERS 19TH CENTURY each of two hinges panels, with cast iron knotted trellis panels (2) 85.5cm high, 75cm wide

£150­200

771 772 A LARGE EGYPTIAN GILT BRASS AND INLAID CASKET IN MAMLUK STYLE, LATE 19TH CENTURY of rectangular form, the recessed cover enclosing a velvet lined interior, above a bombé body on short brass legs, the whole inlaid with copper and silver decoration including panels of script 22cm high, 42.5cm wide, 38cm deep

£300­500

772

773 A PAIR OF ANGLO-COLONIAL TEAK AND PARQUETRY OCCASIONAL TABLES FIRST HALF 20TH CENTURY inlaid with ebony, bone and palmwood, with star motifs (2) 42.3cm high, 34.5cm wide

£150­200

773

774 A PERSIAN COPPER BOWL IN SAFAVID STYLE, 18TH / 19TH CENTURY of ovoid form, with bands of engraved floral and foliate decoration, together with a Middle Eastern brass ewer, (2) 37cm high (max)

£200­300

312

774

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

775

776

775 TWO MOORISH OCTAGONAL OCCASIONAL TABLES LATE 19TH CENTURY each inlaid with mother of pearl with geometric motifs (2) 59.5cm high, 49.5cm wide (max)

£150­250 776 A MOORISH EBONISED AND MOTHER OF PEARL OCCASIONAL TABLE PROBABLY TURKISH, LATE 19TH CENTURY the octagonal top inlaid with parquetry stars, the underside with a handwritten paper label stating that the table was acquired in Turkey, c.1897 59cm high, 47cm wide

£200­300 777 A COCO DE MER BASKET LODOICEA MALDIVICA, LATE 19TH CENTURY with twin divisions, with cross­hatched decoration to the rim 30 x 26.5cm

£150­250 777 313

778 A PERSIAN GILT BRASS ASTROLABE QAJAR, LATE 19TH CENTURY with Islamic script, the rotating, reticulated dial with engraved decoration beneath an ogee cusp and suspension hoop, the reverse with concentric bands of script and signs of the zodiac 12.6cm high

£400­600

778

779 FOUR MEERSCHAUM PIPES FOR THE OTTOMAN MARKET LATE 19TH / EARLY 20TH CENTURY each bowl carved as the head of a bearded Turk, two with white metal mounts to their amber coloured pipes, one cased (4) 19cm long (max)

£150­250 779

780 FOUR OTTOMAN EMBROIDERED METAL THREAD AND LEATHER PURSES 18TH / 19TH CENTURY each with scroll and foliage with silver thread decoration on silk and leather grounds (4) 11 x 16.2cm (max)

£400­600

780

314

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 781 AN OTTOMAN STEEL SWORD SHAMSHIR TURKEY, LATE 18TH / EARLY 19TH CENTURY with a curved watered steel 27.5in blade, and gold koftgari decoration to each side comprising panels with Arabic text from Qur’an, sura II, al-baqarah, part of verse 249 separating flowering foliate scrolls, with brass cross piece with bud­ terminal quillons and slender langets, horn grip with bulbous hooked terminal 83.5cm long Provenance Formerly in the collection of the late Oliver Hoare (1945­2018).

£1,000­1,500

781

782 A MUGHAL ROCK CRYSTAL HORSE HEAD DAGGER PESHKABZ NORTH INDIA, 18TH / 19TH CENTURY the handle in the form of a horses head with carved details and inset ruby eyes, on a single­edged steel blade of tapering form, the forte decorated in koftgari with flowerheads and foliage inside quatrefoil bands 32.5cm long

£600­800

782

315

783 A PERSIAN DAMASCENED STEEL MIRROR QAJAR, 19TH CENTURY of rectangular form, the plate inside a frame with gold line­and­dot banded decoration, the reverse with three Islamic calligraphic cartouches in gold­ line borders, inside a border of further gold­lined calligraphic panels 40 x 30cm

£600­800

reverse

783

784 AN AUSTRIAN COLD PAINTED BRONZE CAMEL PIN CUSHION IN THE MANNER OF BERGMAN, LATE 19TH CENTURY stamped ‘GESCHÜTZT’ 7.5cm high, 10.4cm long

£150­250

784

λ 785 AN AUSTRIAN COLD PAINTED SPELTER AND ALABASTER LAMP IN THE MANNER OF BERGMAN, LATE 19TH CENTURY modelled as an Indian elephant with ivory tusks and mahout before a rocky outcrop applied with palm leaves, fitted for electricity 30.5cm high *This item is offered for sale in accordance with the Ivory Act 2018 and has been assigned an exemption certificate.

£200­300

785 316

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

786 A CONTINENTAL MUSICAL PICTURE CLOCK FOR THE OTTOMAN MARKET AFTER JOHANN PETER KRAFFT (1780­1856), MID­19TH CENTURY painted on metal, depicting the Ottoman attack on the Fortress of Szigetar in 1566, the giltwood frame with a clock mounted to the top edge, the three train brass drum movement striking on two gongs, the enamel dial with black Roman hours inside an engine turned bezel, with a cylinder musical movement, with paper manufacturer’s label verso 58 x 81.5cm (the painting), 113 x 113 cm (max)

£2,000­3,000

786

787

788

A FRENCH ORMOLU ORIENTALIST MANTEL CLOCK

BY RAINGO FRÈRES, C.1830­40

A FRENCH GILT AND SILVERED BRONZE ORIENTALIST EQUESTRIAN GROUP MID­19TH CENTURY

the brass eight day drum movement with outside countwheel, striking on a bell and stamped ‘RAINGO FRERES’ and ‘VINER A PARIS’, on an enamelled dial with black Roman hours inside scrolling foliage, surmounted by a turbanned Sultan reclining on a devan and holding a hookah pipe, the case stamped ‘1296’, with a pendulum 27.5cm high, 17.5cm wide, 7.5cm deep

£300­400

modelled as a wealthy Mameluk seated on a horse, with sword drawn and a pair of pistols in a holster, on a naturalistic base 35.5cm high, 34cm wide, 10.2cm deep

£800­1,200 317

789

789

790

791

A CONTINENTAL PORCELAIN TUREEN WITH COVER AND STAND FOR THE PERSIAN MARKET, 20TH CENTURY

A CHINESE CANTON PORCELAIN BOWL AND PLATE FOR THE ISLAMIC MARKET, 19TH CENTURY

A PERSIAN CARVED STONE RELIEF FRAGMENT POSSIBLY 12TH OR 13TH CENTURY

printed with portraits of the Qajar ruler Nasr Al Din Shah and others, on a blue and gilt floral ground, together with two chargers (4) 41.3cm (max)

enamelled with panels of birds amongst flowers around a central circular panel with an inscription in Arabic script (2) 23.8cm diameter (max)

with a central bird surrounded by foliage, on a later perspex mount 14.8cm high, 16cm wide (the tile)

£150­250

£400­600

£100­150

790 791

318

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

792 A KASHAN MOULDED LUSTRE AND COBALT POTTERY TILE IN 12TH OR 13TH CENTURY STYLE, 20TH CENTURY decorated in relief with a Mihrab enclosing scrolling foliage above a cobalt thuluth inscription on a golden brown lustre foliate ground, inside a wide border with an extensive Quranic inscription 57.5cm high, 42cm long

£2,000­3,000

792

793 A KASHAN MOULDED LUSTRE POTTERY TILE IN 12TH OR 13TH CENTURY STYLE, 20TH CENTURY of rectangular form, a broad Quranic inscription in cobalt blue on a golden brown lustre ground with leafing vines in turquoise, beneath a moulded foliate border, together with another similar but smaller (2) 41 x 35 x 4cm (max)

£800­1,200

793 319

794 794

795

796

A LARGE ITALIAN CANTAGALLI POTTERY IZNIK STYLE FOOTED BOWL LATE 19TH CENTURY

A POTTERY IZNIK STYLE CHARGER

BY THEODORE DECK, EARLY 20TH CENTURY

A POTTERY IZNIK STYLE CHARGER PROBABLY FRENCH, 19TH CENTURY

painted in blue, turquoise, green and manganese with saz leaves, stylised flowers and shaped panels, with painted cockerel mark, damages 43.5cm diameter

painted to the well with flowers and foliage in shades of blue, turquoise, green and coral red, on a white ground, the rim with a simple geometric border in blue and turquoise, with impressed ‘TD’ mark, museum restoration to rim 40cm diameter

£600­800

painted in blue, turquoise, red and black with a tiger attacking an antelope, with other animals and stylised flowers 31.2cm diameter

£400­600

£400­600

795 320

796

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

797 A LARGE HISPANO-MORESQUE POTTERY CHARGER 19TH / 20TH CENTURY the convex centre decorated with confronting peacocks in blue and copper lustre, within a script border 46.5cm diameter

£250­350

798

797 λ 798 A RHINOCEROS HORN AND MALACCA WALKING CANE EARLY 20TH CENTURY the curved handle above a gilt metal band and tapering shaft 102cm long

£300­400

799 FIVE CASED PAIRS OF MEXICAN DRESSED FLEAS OR PULGAS VESTIDAS EARLY 20TH CENTURY each as a couple in Mexican folk costume, one probably dressed for a wedding, each in a small paper case and outer cover (5) each case 6 x 8mm approx Catalogue Note Mexican Dressed Fleas, or Pulgas Vestidas, were probably originally made by Mexican nuns as a way of subsidising the income of the convent. However, the practice soon spread into the wider community and eventually became a novelty aimed at the tourist market. Usually modelled as a bride and groom, the tableaux sometimes feature a farming scene or occasionally a full mariachi band with their instruments.

Similar sets of dressed fleas can be found at the Museum of Natural History at the University of Oxford and the Carnegie Museum of Natural History in Pittsburgh.

£500­800 321

800 A SOUTH EAST CAUCASIAN RUNNER C.1890 the madder field with four polychrome panels each with a cruciform motif enclosed by ivory borders of hooked devices and an outer sky blue guard stripe flanked by barber poles 287 x 92cm

£100­150

801 A KURDISH RUNNER NORTH WEST PERSIA, C.1910 the field of polychrome diagonal bands of stylized plants enclosed by similar borders and ivory guard stripes 317 x 120cm

£200­300

800 802 A TEKKE TURKOMAN RUG SOUTH WEST TURKESTAN, C.1890

801

the madder field with three columns of quartered guls enclosed by borders of geometric devices and octagons containing stellar motifs, with a Harvey Nichols retail label 180 x 127cm

£150­250

803 A KURDISH RUG NORTH WEST PERSIA, C.1900 the indigo field with an angular lattice design containing numerous stylised flowerheads enclosed by pale terracotta borders of serrated slant leaf vines flanked by ivory carnation guard stripes 225 x 125cm

£200­300

802 322

803

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

804 A FINE GARUS BIDJAR CARPET PERSIAN KURDISTAN, C.1890 the deep indigo field with a one­way design of polychrome flowering plants and angular vines enclosed by apple green borders of meandering vines flanked by ivory guard stripes and a further out guard stripe 540 x 360cm

£7,000­10,000

323

806

805

805 A GHOM SILK RUG CENTRAL PERSIA, LATE 20TH CENTURY the pale terracotta field of scrolling vines centred by a cusped ivory pole medallion framed by spandrels and midnight blue borders of palmettes and vines flanked by carnation guard stripes 210 x 140cm

£400­600 806 A HERIZ CARPET PERSIAN AZERBAIJAN, C.1900 the rich brick red geometric lattice field of multiple serrated medallions framed by indigo borders of stylised palmettes and polychrome flowerheads flanked by meandering vine guard stripes 300 x 223cm

£500­700 807 AN INDIAN RUG C.1920

807 324

the plain wheat field centred by an ivory medallion framed by stepped steel blue spandrels of angular vines enclosed by narrow ivory borders of flower heads flanked by meandering vine guard stripes and reciprocal outer guard stripes 256 x 183cm

£400­600

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

808 A MAHAL CARPET WEST PERSIA, C.1930 the brick red field with a one way design of trees and plants enclosed by narrow indigo borders flanked by ivory carnation guard stripes and secondary guards 520 x 320cm

£3,500­4,500 325

809

809 A FINE PERSIAN PRAYER RUG PROBABLY KIRMAN, SOUTH EAST PERSIA, PRE­1884 the pale lemon field with a one way design of urns issuing flowers enclosed by ivory floral borders flanked by guard stripes, signed and dated indistinctly '12’.

250 x 146cm Catalogue Note The Islamic calendar year 1300 equates to 1883/4 in the Christian calendar, meaning the rug was made prior to 1884. The other part of the inscription will probably refer to the maker’s name.

£400­600

810 A FERAGHAN CARPET WEST PERSIA, C.1920 the indigo Herati field enclosed by pistachio green borders of angular vines in flower flanked by candy pink and carnation guard stripes 570 x 380cm

£2,000­3,000

810 326

See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

811 A FERAGHAN CARPET WEST PERSIA, C.1890 the pale brick red field of polychrome flower heads centred by an ivory and indigo medallion framed by pale lemon spandrels and indigo floral borders flanked by triple guard stripes 576 x 465cm

£6,000-8,000 327

812 A MAHAL CARPET WEST PERSIA, C.1930 the pale brick red field with an all over design of angular vines and stylised flower heads enclosed indigo borders of samovar motifs and meandering vines flanked by ivory carnation guard stripes 375 x 275cm

£400­600

813 A LESGHI RUG NORTH EAST CAUCASUS, C.1900 the indigo field with four typical stellar motifs surrounded by tribal and zoomorphic devices framed by mustard leaf and calyx borders flanked by guard stripes and barber pole together with a Tekke rug and a Caucasian rug (3) 267 x 133cm (max)

£300­500

812

813

END OF SALE 328

COLLECTIONS 17TH, 18TH & 19TH APRIL 2024

An important Louis XVI bureau plat by Claude­Charles Saunier (1735­1807) with French Royal Provenance.

Estimate: Refer to department.

Provenance: A Collector’s Vision. Selected items from Heath House, Hampshire.

WE ARE NOW ACCEPTING ENTRIES.

ENQUIRIES Mark Yuan­Richards +44 (0) 1722 411854 myr@woolleyandwallis.co.uk

FINE JEWELLERY WEDNESDAY 24TH & THURSDAY 25TH JANUARY 2024

An Art Deco emerald and diamond sautoir by Rood, 1920's Estimate £30,000 ­ 50,000*

ENQUIRIES Marielle Whiting +44 (0)1722 424595 jewellery@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

SILVER & OBJECTS OF VERTU TUESDAY 30TH & WEDNESDAY 31ST JANUARY 2024

A pair of Victorian silver­mounted glass claret jugs, makers mark over­struck with that of Gibson and Langman, London 1890 Estimate £2,000 ­ 3,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

AUCTION INFORMATION OPENING HOURS City Centre Salerooms Monday to Friday 9am – 5pm Old Sarum Galleries Monday to Friday 9am – 5pm SACKVILLE-WEST MOVING & STORING Monday to Friday 8.30am – 4.30pm VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

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BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

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Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

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LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

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Lots marked with a Φ symbol are potentially subject to a levy.

Where practical, payment can be made and purchases collected during the auction.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

IMPORTANT NOTICE TO ALL PURCHASERS

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

We are pleased to offer two weeks free storage for all lots purchased from this sale. However, owing to a busy sale schedule, all bought lots not collected by 4pm on Friday 2nd February 2024 will be transferred to Sackville­West Moving & Storing in Andover. The items are subject to a handling charge of £20 (plus VAT) per lot and to a further storage charge of £3 (plus VAT) per lot per part or full day thereafter. Please note for large consignments there may be additional charges. These charges will be the sole liability of the purchaser and will be billed directly to them by Sackville­West Moving & Storing ­ the new sister company of Vangaroo Ltd. On payment of all sales and storage costs, items will be available for collection from Wednesday 7th February by appointment from Sackville­West Moving & Storing (Andover SP10 3SA): tel: + 44 (0) 2080 909988, email: office@sackvillewest.co.uk. These charges are set by Sackville­West Moving & Storing; we recommend that you contact them directly regarding queries relating to these charges and other questions relating to storage. Staff at the saleroom will unfortunately be unable to answer questions relating to items that have been removed from the saleroom.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but will not be allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 26% plus VAT @20% (totalling 31.2% inclusive) on the first £500,000 and 20% plus VAT @20% (24%) inclusive thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS

GENERAL

If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a Φ symbol are potentially subject to the levy.

PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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WOOLLEY & WOOLLEY & WALLIS WALLIS CITYSALEROOMS CENTRE SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FURNITURE

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WORKS OF ART & CLOCKS 17TH & 18TH JANUARY 2024 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email ID may be required even if you have bid with us before.

Signature

City Centre Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500

www.woolleyandwallis.co.uk

ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2024 AUCTIONS AUCTION CALENDAR 2024 JANUARY 17th & 18th 24th & 25th 30th & 31st

Furniture, Works of Art & Clocks Fine Jewellery Silver & Objects of Vertu

FEBRUARY 20th 21st

Arts of Africa, Oceania and The Americas Fine Pottery & Porcelain

MARCH 6th 20th & 21st

Old Masters, British & European Paintings Clarice Cliff, Art Deco & Design

Dates may be subject to change

A French bronze figure of the Dying Gladiator SOLD FOR £8,820*

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

www.woolleyandwallis.co.uk