Woolley & Wallis Auctioneers

FURNITURE WORKS OF ART & CLOCKS WEDNESDAY 12TH & THURSDAY 13TH JANUARY 2022

SPECIALIST DEPARTMENTS Please dial +44 (0)1722 followed by the number listed below FURNITURE, WORKS OF ART & CLOCKS Mark Yuan­Richards Jim Gale Suzy Becsy Sarah Stone

VALUATIONS FOR INSURANCE & PROBATE 411854 339161 446974 446974

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

AFRICAN & OCEANIC ART ANTIQUITIES

Jeremy Lamond MRICS ASFAV FRSA Amanda Lawrence

424598 424509

GENERAL OFFICE Ruth Pike (Office Manager) Sarah Bennie Megan Corbett Leyanne Hind Nicola Young

424500

CASTLE GATE RECEPTION

Will Hobbs Molly O’Reilly

339752 446980

Sally Litherland

MARKETING ASIAN ART John Axford MRICS ASFAV Alexandra Aguilar Freya Yuan­Richards Jeremy Morgan Alana Ker Mercer Michelle Yu

Chloe Davie 424506 424583 424589 +44 (0)7812 601098 424591 424571

CHINESE PAINTINGS & CALLIGRAPHY Freya Yuan­Richards Michelle Yu

424589 424571

ACCOUNTS Sharon Ringwood Anna Gentleman

BOARD OF DIRECTORS John Axford MRICS ASFAV Chairman Natalie Milsted FCCA Managing Director

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham Hollie Morrison

424507 446964

JAPANESE ART Alexandra Aguilar Alana Ker Mercer

424583 424591

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde FGA Emily O’Donnell

424595 424504 424586

ASSOCIATE DIRECTORS Alexandra Aguilar Clare Durham Victor Fauvelle Will Hobbs Michael Jeffery Jeremy Lamond MRICS ASFAV FRSA Rupert Slingsby Marielle Whiting FGA Freya Yuan­Richards Mark Yuan­Richards

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Molly O’Reilly

341469 446980

PAINTINGS Victor Fauvelle Ed Beer Hannah Farthing

446961 446962 446970

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

446951

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FURNITURE WORKS OF ART & CLOCKS

Mark Yuan­Richards 01722 411854 myr@woolleyandwallis.co.uk

WEDNESDAY 12TH & THURSDAY 13TH JANUARY 2022 10.00AM

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

at our Castle Street Salerooms, SP1 3SU Suzy Becsy 01722 446974 sb@woolleyandwallis.co.uk

VIEWING Saturday 8th January Monday 10th January Tuesday 11th January Wednesday 12th January Thursday 13th January

10.00am – 3.00pm 10.00am – 5.00pm 10.00am – 4.00pm 8.30am – 9.45am No viewing

Sarah Stone 01722 446974 ss@woolleyandwallis.co.uk

DAY ONE LOTS 1-280 DAY TWO LOTS 281-613

SEE OUR WEBSITE FOR UPDATED COVID-19 GUIDANCE BUYER’S PREMIUM

LIVE ONLINE BIDDING – FREE OF CHARGE

Each lot is subject to a Buyer’s Premium of 25% plus VAT

LIVE

TELEPHONE BIDDING Requests for telephone bids cannot be accepted after 5pm on Tuesday 11th January

bid.woolleyandwallis.co.uk Please register by 5pm on Tuesday 11th January

CONDITION OF LOTS Buyers are advised to obtain a full condition report prior to bidding, as descriptions do not necessarily list all faults COLLECTION OF LOTS BY APPOINTMENT Collection by appointment from Monday 17th January from our warehouse, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX

Instagram: @woolleyandwallisfurniture @woolleyandwallissalerooms Facebook: @woolleyandwallis

Please instruct carriers accordingly and note, the warehouse is closed over weekends. Please call 01722 446950 or 01722 424500 prior to collection to ensure the items are ready

Twitter: @woolleywallis

All accounts to be settled prior to collection

Pinterest: Woolley and Wallis

EXPORT AND CITES LICENCES Some lots will require export or CITES licences in order to leave the UK or Europe, please refer to the department for guidance

ILLUSTRATIONS Front cover: Lot 135 detail Back cover: Lot 31 detail Catalogue £10.00 (£15.00 by post) 1

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OAK, COUNTRY & FOLK ART DAY ONE LOTS 1­280

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A CHARLES I OAK FOLDING / CREDENCE TABLE C.1640

AN OAK JOINT STOOL MID­17TH CENTURY

A SMALL QUEEN ANNE OAK GATELEG TABLE EARLY 18TH CENTURY

the demi­lune hinged top on a single gate support, the frieze with chamfered arches and on ring turned gun barrel legs united by peripheral stretchers 79cm high, 103.5cm wide, 50.3cm deep

the rectangular top with a triple moulded edge, above sausage turned legs united by peripheral stretchers 53.8cm high, 45.3cm wide, 27cm deep

with an oval drop­leaf top 70.7cm high, 69.8 x 94cm (open)

£300­400

£100­200

Provenance David and Paula Newman, London / Eastbourne.

£800­1,200

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4 A GEORGE III WELSH OAK DRESSER LATE 18TH CENTURY the plate rack with a wavy frieze, two shelves and fitted with five drawers, the base with three drawers 179cm high, 189.45cm wide, 50cm deep

£500­800 5 A CHARLES II OAK COFFER C.1660 of five plank construction, the hinged lid with a thumbnail carved edge and the date ‘1662’, revealing an interior with an open divided till, on cut­out ends 66cm high, 100cm wide, 38.5cm deep

£200­300 6 A GEORGE II OAK LOWBOY MID­18TH CENTURY with three frieze drawers, on cabriole legs and pad feet 71.7cm high, 78.3cm wide, 47cm deep

£300­500

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7 AN OAK AND MARQUETRY COURT CUPBOARD PROBABLY YORKSHIRE, MID­17TH CENTURY inlaid with various woods, with scrolls, leaves, flowers and parquetry bands, with four arched panelled doors, the lower ones enclosing a shelf and with lobed and leaf cup and cover supports 148cm high, 124.5cm wide, 54.5cm deep

£800­1,200 8 A GEORGE II OAK LOWBOY C.1750 with a frieze drawer and a wavy edge apron 70cm high, 73.7cm wide, 57.2cm deep

£500­700 9 A CHARLES II OAK COFFER POSSIBLY WEST COUNTRY, C.1660 the interior originally with a till, the twin panelled front carved with foliate designs 60.8cm high, 103.5cm wide, 47cm deep

£300­500

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10 AN OAK FOOD CUPBOARD POSSIBLY EAST ANGLIAN, EARLY 18TH CENTURY the boarded top above a panelled front and sides, pierced with ventilation holes, the hinged door enclosing a shelf 85.4cm high, 100cm wide, 46cm deep

£200­300

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11 AN OAK PANELLED BACK OPEN ARMCHAIR 17TH CENTURY AND LATER the arched top carved with an urn issuing flowers and leaves, above a band of ‘S’ motifs, the back carved with oak leaves and acorns, with turned supports united by peripheral stretchers

£200­300

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12 A GEORGE III OAK OCCASIONAL TABLE C.1760­70 the rectangular top with an applied moulded edge, on moulded legs 62.8cm high, 61.5cm wide, 52.3cm deep

£500­800

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A CHARLES II OAK REFECTORY TABLE DATED ‘1673’

A SMALL OAK COFFER MID­17TH CENTURY

the boarded top with cleated ends, the frieze carved to one side with scrolling leaves and flowers, with the date ‘1673’ and initials ‘F P’, on ring turned baluster and block legs united by peripheral stretchers 75.2cm high, 284cm long, 71cm wide

the hinged lid revealing a vacant interior, the twin panel front with an arcaded frieze and raised boss decoration 50.7cm high, 68.5cm wide, 39.3cm deep

£200­300

£3,000­5,000

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A LARGE OAK COFFER 17TH CENTURY

A GEORGE II FRUITWOOD LOWBOY C.1740­50

A GEORGE III MAHOGANY OAK CHEST C.1770

the quadruple panelled hinged lid revealing a till, the conforming front carved with lozenges 75cm high, 156cm wide, 58cm deep

possibly cherrywood, the crossbanded top above three elm lined drawers, on square section cabriole legs 74.8cm high, 78cm wide, 44.4cm deep

of narrow proportions, the top with a moulded edge above two short and three long drawers 80.6cm high, 77.8cm wide, 36.7cm deep

£200­300

£200­300

£150­250

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A LARGE CHARLES I ELM COFFER C.1640

A HARLEQUIN SET OF EIGHT ASH LADDERBACK DINING CHAIRS LANCASHIRE, LATE 18TH / EARLY 19TH CENTURY

A GEORGE II OAK LOWBOY C.1740

of five plank construction, the hinged lid with a moulded edge, the moulded front with thumbnail edges, bi­furcated apron and cut­out ends 77.3cm high, 150.1cm wide, 59.1cm deep

each with a rush seat (8)

the top with a caddy moulded edge, above three frieze drawers and a shaped apron 76.8cm high, 80.3cm wide, 51cm deep

£300­500

£500­700

£800­1,200

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21 A GREEN GLASS LINEN SMOOTHER OR SLICKSTONE PROBABLY DUTCH, 17TH / 18TH CENTURY of bun form, the underside with a pontil mark 7.5cm diameter Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 22 A GRANITE MORTAR 17TH CENTURY OR POSSIBLY EARLIER the body with moulded buttresses 17.5cm high, 35cm wide

£200­300 23 A WROUGHT IRON STAND POSSIBLY 17TH / 18TH CENTURY with a pierced top, on tripod supports 72.8cm high Provenance David and Paula Newman, London / Eastbourne.

£150­200

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24 A TUDOR OAK CEILING BOSS LATE 15TH CENTURY / EARLY 16TH CENTURY carved with a central flowerhead, within interlaced moulded bands 17.5 x 15.5cm

£500­800 25 A PAIR OF CONTINENTAL OAK ARCHITECTURAL FRAGMENT BUSTS 17TH / 18TH CENTURY of a Queen and a young prince (2) 13cm high

£150­200 26 A CARVED OAK LION CORBEL POSSIBLY FLEMISH, 17TH CENTURY 20.5cm high

£150­250 24

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A LARGE TREEN ELM TURNED DAIRY BOWL 19TH CENTURY

A TREEN REED OR STRAW SPLITTER LATE 18TH / EARLY 19TH CENTURY

with a moulded rim 60.7cm diameter

£300­500

with a turned handle 13cm long Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­200

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A VICTORIAN WELSH TREEN SYCAMORE LADLE / SPOON DATED ‘1872’

A LARGE TREEN SYCAMORE DOUGH BOWL 19TH CENTURY

the handle with carved decoration and with initials ‘D C’ 16.3cm high

each end with an iron band 22.2cm high, 110.5cm wide, 42.8cm deep

£300­400

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

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31 A RARE GEORGE II CHANNEL ISLANDS POLYCHROME PAINTED PINE CHEST ON STAND GUERNSEY, C.1750 painted with tulips and other flowers and leaves on a blue / green ground, the hinged top revealing a till, above two long drawers, the stand with a further drawer, on square section cabriole legs, the sides with traces of original sponged decoration 118.6cm high, 103cm wide, 53.5cm deep Provenance Martel Maides Auctions, Guernsey, 28th November 2002, lot 209.

Literature Regional Furniture Society Newsletter, Summer 1994, No. 20, p. 10.

Regional Furniture Society Newsletter, Autumn 2011, No. 55, pp.3­4.

Catalogue Note This rare painted ‘dower’ chest belongs to a small group of similar known examples. In his article in the Regional Furniture Society Newsletter, Summer 1994, Christopher Gilbert suggest that the possible origin for the painted design lies in ‘the ornamental nail patterns on leather covered trunks in vogue on the Channel Islands c.1680­1760.’ The use of tulips and carnations representing, love and betrothal has a long tradition in Europe and Gilbert suggested Frisian or Baltic inspiration for the decoration. In his article in the Regional Furniture Society Newsletter No.55, Autumn 2011, John Vost pointed to the similarities between painted furniture in America, particularly New Jersey and Pennsylvania and the Channel Island chests. He also speculated that these chest wherever they appear, either on the Channel Islands, London or American there is evidence of a Huguenot or Calvinist population.

Related examples include a chest sold Sotheby’s, The Tristram Jellinek Collection, 9th & 10th May 1996, lot 306, an example dated ‘1754’ originally sold Sotheby’s, Sussex, 1990, lot 223 now in the Guernsey Museum & Art Gallery Collection, St. Peter Port, Guernsey. An example with a base drawer and no stand is in the collection of the National Trust of Guernsey Folk & Costume Museum, Suamarez Park, Guernsey and a very closely related example was previously with Avon Antiques and Robert Young Antiques and offered at Bonham’s, The Oak Interior, 20th September 2017, lot 318.

£5,000­8,000

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A HARLEQUIN SET OF ASH AND YEW WINDSOR SIDECHAIRS LATE 18TH / EARLY 19TH CENTURY

A SET OF FOUR EARLY VICTORIAN PAINTED SIDE CHAIRS C.1840

TWO PRIMITIVE COUNTRY STOOLS 19TH CENTURY

each with a hoop and stick back, with a pierced central splat decorated with an urn, with an elm seat and turned legs united by an ‘H’ stretcher (7)

each with a cane seat (4)

£200­300

one with the remains of painted decoration, the other with four legs (2) 42.7cm high, 54cm wide (max)

£200­300

£500­800

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35 A FOLK ART PRIMITIVE ASH AND ELM CHILD’S WINDSOR ARMCHAIR PROBABLY WELSH, LATE 18TH / EARLY 19TH CENTURY with a shaped comb and stick back, with bentwood arm supports and with traces of original green painted decoration

£300­500

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36 A FOLK ART PRIMITIVE ASH WINDSOR ARMCHAIR PROBABLY WELSH, 19TH CENTURY of small proportions, the stickback above an elm seat, with traces of orignial green painted decoration

£1,000­1,500

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37 AN ITALIAN BAROQUE WALNUT CREDENZA TUSCANY, 17TH CENTURY the rectangular moulded top above a pair of lozenge panelled drawers, with knob handles, above a pair of conforming doors enclosing a shelf 105cm high, 130cm wide, 53cm deep

£2,000­3,000

38 A GILTWOOD AND POLYCHROME FIGURE OF A FEMALE SAINT ITALIAN OR SPANISH, 17TH / 18TH CENTURY later mounted on a metal stand 25.5cm high

£200­300

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39 A LARGE OAK COFFER POSSIBLY FLEMISH OR SCANDINAVIAN, 16TH / 17TH CENTURY of ark form, the hinged top revealing an interior with an open till, the front with panels of ripple mouldings 69cm high, 134.2cm wide, 59.3cm deep Provenance David and Paula Newman, London / Eastbourne.

£500­800 40 A CARVED OAK FIGURAL GROUP PROBABLY FLEMISH, LATE 16TH / EARLY 17TH CENTURY depicting a knight in armour, accompanied by a mournful lady, in a rockwork setting 35.7 x 35.2cm

£500­800

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41 A LEADED POLYCHROME STAINED GLASS ARMORIAL FRAGMENT POSSIBLY SWISS OR GERMAN, 17TH CENTURY decorated with a central cartouche with a figure holding his hands aloft, surmounted by a helm and with drapes and flanked by marble columns with ribbon tied garlands 32.2 x 22.4cm Provenance From the collection of Edward Croft­Murray CBE (1907­1980).

£100­150 42 A BRASS FOOTMAN EARLY 19TH CENTURY the pierced top inscribed ‘God bless our home’ 33.2cm high, 44.7cm wide, 37.5cm deep

£100­150 43 A PAIR OF GEORGE II BRASS CANDLESTICKS C.1740­1760 43

each of seamed construction and with a knopped stem (2) 18.5cm high

£100­200

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44 A BRONZE CANDLESTICK IN THE FORM OF A LION OR LEOPARD POSSIBLY DINANT, IN 14TH CENTURY STYLE with a pierced socket 9.5cm high Catalogue Note For a related candlestick, see Christie’s, ‘The Lear Collection of Socket Candlesticks’, 15th December 1998, lot 27.

£800­1,200

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45 AN EARLY COPPER ALLOY / BRONZE SPOON POSSIBLY SOUTH GERMAN, 15TH CENTURY OR EARLIER double ended and decorated with rondels, the underside of the bowl with a rat tail 15.8cm long

£150­250

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46 A FOLK ART PAINTED PINE MARRIAGE ARMOIRE POSSIBLY TYROLEAN, 19TH CENTURY painted with panels of birds, urns and flowers, with the date ‘1832’, with a scroll moulded cornice above a pair of panelled doors and a base drawer 189.5cm high, 123cm wide, 49.5cm deep

£600­800 47 A DUTCH PAINTED BOWFRONT HANGING CORNER CUPBOARD 18TH CENTURY AND LATER the raised top with two shelves, above a pair of doors, decorated with Venus accompanied by winged cherubs in a garden landscape, the interior with two shelves 113.8cm high, 57.7cm wide, 37.8cm deep

£300­500 48 A FOLK ART PAINTED PINE MARRIAGE CHEST CENTRAL EUROPE, 19TH CENTURY the hinged top revealing a lidded till, the front painted with panels of birds and flowers and fitted with a long drawer, with iron side carrying handles, on tapering legs 81.5cm high, 119.6cm wide, 65cm deep

£300­500

46

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49 A FOLK ART PAINTED PINE MARRIAGE ARMOIRE POSSIBLY TYROLEAN painted with scrolling leaves and flowers, panels of ribbon tied wreaths inscribed with a name and the date' 28th January 1827' above panels of flowers, with a pair of panelled doors above a base drawer 201.5cm high, 164.5cm wide, 54.5cm deep

£600­1,000

50 A SWISS PAINTED PINE RENT TABLE LATE 18TH / EARLY 19TH CENTURY the sliding top above a drawer, the base painted with flowers and with a cupboard, on sleigh supports 82.3cm high, 108.5cm wide, 83.6cm deep

£300­400

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A FRENCH WALNUT VENDANGE OR WINE TASTING TABLE 19TH CENTURY

A COUNTRY PRIMITIVE ASH CHOPPING BLOCK 19TH CENTURY

A GREY PAINTED CHOPPING BLOCK LATE 19TH / EARLY 20TH CENTURY

the oval tilt­top with a reeded edge 72.7cm high, 107.2 x 143.4cm

the slab top with an iron band, on three rustic legs 78cm high, 80cm wide

£600­800

£800­1,200

iron bound, on tripod supports 80cm high, 39cm wide

£200­300

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A SCANDINAVIAN PINE DUG-OUT CHAIR PROBABLY SWEDISH, 19TH CENTURY

TWO FOLK ART PINE LOW OCCASIONAL TABLES PROBABLY SCANDINAVIAN, 19TH CENTURY

the back with a handgrip and with a later seat

each with a drawer (2) 48cm high, 64.7cm wide, 44cm deep (max)

£500­800

Provenance David and Paula Newman, London / Eastbourne.

£200­300

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56 A NORWEGIAN PAINTED WOOD KASA LATE 19TH CENTURY with horses head terminals, the body painted with leaves and flowers and inscribed ‘Staal Seppell’ 18.5cm high, 29cm wide

£150­250

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57 A SCANDINAVIAN CHIP CARVED TANKARD NORWEGIAN OR DANISH, 19TH CENTURY of staved construction, with bentwood bands, and a hinged lid, the body decorated with rondels of differing designs, the underside carved with a cross 24.5cm high

£150­250

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58 A FOLK ART CARVED AND PAINTED PINE DECOY DUCK LATE 19TH / EARLY 20TH CENTURY with glass eyes 36.5cm long

£100­150

58

59 A FOLK ART CARVED AND PAINTED WOOD MODEL FISH LATE 19TH / EARLY 20TH CENTURY possibly a shop sign, with two metal rings for suspension 25cm long

£100­150 59

60 A FOLK ART CARVED AND PAINTED PINE DECOY DUCK LATE 19TH / EARLY 20TH CENTURY 27.5cm long

£100­150

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A BANK OF PINE APOTHECARY DRAWERS 19TH CENTURY AND LATER

A BANK OF PAINTED PINE APOTHECARY DRAWERS 19TH CENTURY

with thirty­six titled drawers, with glass handles 82cm high, 182.5cm wide, 26cm deep

with twenty­eight drawers, with knob handles 57.5cm high, 91.3cm wide, 23.2cm deep

£600­800

£400­600

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63 A PAINTED PINE DUMMY BOARD AFTER KNELLER OR DAHL, EARLY 18TH CENTURY AND LATER depicting a well dressed maid, holding a broom 184cm high, 68.5cm wide Provenance From the collection of Edward Croft­Murray CBE (1907­1980).

£500­800

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64 A PAINTED DUMMY BOARD MID­20TH CENTURY depicting a cat and a kitten on a stool, with an easel back 55.7 x 38cm

£100­150

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65 ROYAL INTEREST. A LARGE PAIR OF MID-19TH CENTURY QUEEN ADELAIDE COACHING PANELS C.1837­49 each painted with Queen Adelaide of Saxe­Meiningen’s coat of arms (2) 49.7 x 63.8cm Catalogue Note Adelaide of Saxe­Meiningen (Adelaide Amelia Louise Theresa Caroline, 13th August 1792­2nd December 1849) was Queen of the United Kingdom and Hanover from 26th June 1830 to 20th June 1837 as the wife of King William IV. Adelaide was the daughter of George I, Duke of Saxe­Meiningen and Luise Eleonore of Hohenlohe­Langenburg. Adelaide, the capital city of South Australia is named after her.

£2,000­3,000

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66 A CARVED AND PAINTED WOOD HORSE’S HEAD LATE 19TH CENTURY with glass eyes 25cm high, 30cm long

£150­200 67 A VICTORIAN MAHOGANY SOLITAIRE BOARD LATE 19TH CENTURY together with thirty­two marbles (33) 30.7cm diameter

£100­150 68 A FOLK ART MAHOGANY HANGING WALL BOX EARLY 19TH CENTURY

68

the fret back decorated with love hearts, with a sloping hinged lid and a base drawer 39cm high, 20.7cm wide

£100­150 69 A VICTORIAN OAK ‘X’ FRAME STOOL C.1870 the top with specimen woods, above a shaped frieze, on Gothic style chamfered legs 34.3cm high, 53.5cm wide, 34.5cm deep

£100­150

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70 A FOLK ART CARVED AND STAINED PINE PEG OR BEDPOST DOLL POSSIBLY AMERICAN, LATE 18TH / EARLY 19TH CENTURY 27.7cm high

£300­500

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71 A CARVED AND PAINTED PINE CHILD’S PULL-ALONG TOY HORSE LATE 19TH / EARLY 20TH CENTURY with leather details and on wheels 69.3cm high, 63cm long

£200­300

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72 A CARVED AND PAINTED WOOD NOAH’S ARK MID­20TH CENTURY the interior with stamped mark ‘Made in England by disabled ex­service men’, with Noah and his wife and a collection of animals and birds, including kangaroos (55) 72cm long

£300­500

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73 A VICTORIAN PAINTED WOOD SHIP DIORAMA C.1870 depicting a tea clipper in full sail, flying various flags, with a steam ship titled ‘Ratler’ and a lighthouse, in a glazed gilt box frame 48.8 x 80cm

£150­200 74 A PAIR OF AMERICAN FOLK ART CHALKWARE MODELS OF SEATED CATS LATE 19TH / EARLY 20TH CENTURY with traces of polychrome decoration (2) 23.2cm high

£100­150 73

75 AN AMERICAN FOLK ART CHALKWARE MODEL OF A BASKET OF FRUIT LATE 19TH / EARLY 20TH CENTURY together with a fruit and leaf centrepiece, with traces of polychrome decoration (2) 35cm high (max)

£100­150 76 A LATE VICTORIAN SCOTTISH PAINTED CAST IRON MINIATURE FIREPLACE

BY GREENLEES OF GLASGOW, LATE 19TH CENTURY decorated with a Royal Coat of Arms, ribbon tied garlands of flowers, fruit and a grapevine, the back with maker’s mark and registration number ‘309874’ 26.5 x 27.2cm

£80­120 74

75 30

76

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77 A FOLK ART PAINTED PINE WALL MIRROR POSSIBLY AMERICAN, LATE 19TH CENTURY the rectangular plate within a comb decorated frame, with applied split mouldings, the surmount painted with a flower in a vase 50.5 x 34cm

£150­250

77

78

78 A FOLK ART PAINTED PINE BOBBIN STAND LATE 19TH / EARLY 20TH CENTURY decorated with rondels, lozenges and a loveheart, with four metal holders and two drawers 23.7cm high, 20.8cm wide

£100­150

79 AN AMERICAN TRAMP ART PINE MINIATURE CHAIR LATE 19TH / EARLY 20TH CENTURY 33.4cm high, 20cm wide

£100­150

79 31

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80

81 80 A LARGE PAIR OF SCOTTISH POTTERY MODELS OF RECUMBENT LIONS LATE 19TH CENTURY each with glass eyes and modelled lying recumbent on a naturalistic mound (2) 24.2cm high, 33.7cm wide

£200­300 81 A PAIR OF PAINTED COMPOSITION STONE LION’S MASKS PROBABLY ITALIAN together with four 20th century assorted lions, comprising: a plastic Hongkong and Shanghai Banking Corporation money box, a moulded glass plaque, a naive beadwork model of a lion, and a felt and metal thread example (6) 18.5cm (max) Provenance The Sir Michael Codron Collection of Lions.

82

£100­150 82 A BROWN STONEWARE POTTERY MODEL OF A RECUMBENT LION C.1840 on an oval stepped base with a ribbed foot 10.3cm high, 16.3cm wide Provenance The Sir Michael Codron Collection of Lions.

£50­80 83 FIVE CAST IRON MODELS OF LIONS 19TH CENTURY comprising: a heraldic example of a rampant lion, holding a flagpole, the flag inscribed ‘DON’, a gilt decorated example, a pair of black painted recumbent lions and a flatback chimney ornament (5) 24cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£80­120 83

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84 A FOLK ART TREEN CARVED AND STAINED WOOD LION TABLE SNUFF MULL the primitive recumbent lion with a hinged lid revealing a vacant interior 16.2cm high, 36cm long Provenance The Sir Michael Codron Collection of Lions.

£150­200

84

85 A BROWN STONEWARE SALTGLAZED POTTERY MODEL OF A RECUMBENT LION C.1840 13.2cm high, 22.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­150

85

86 A FOLK ART COPPER JELLY MOULD 19TH CENTURY modelled with a naive lion, the face possibly a satirical portrait of a politician of the period, with a suspension ring 7.7cm high, 24.2cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­200

86

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18TH CENTURY

FURNITURE &

WORKS OF ART

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

87 A WILLIAM AND MARY OLIVE WOOD OYSTER VENEERED AND MARQUETRY CABINET ON STAND LATE 17TH CENTURY AND LATER with a pair of doors inlaid with a pair of eagles perched on branches, in various fruitwoods and green stained bone leaves, the interior with an arrangement of eleven drawers, around a central cupboard enclosing seven further drawers, on a later stand 147.5cm high, 101.7cm wide, 48.5cm deep Provenance Bill Wightman, Hampshire and by descent.

£2,000­3,000 35

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88 A WILLIAM AND MARY YEW AND BURR YEW CABINET ON CHEST C.1690­1700 inlaid with chequer and holly banding, the moulded cornice above a cushion drawer and a pair of doors enclosing an arrangement of ten drawers around a central cupboard, enclosing four further drawers, the waist moulding inset with a pull­out brushing slide, above two short and three long graduated drawers and later bracket feet 176.5cm high, 108.2cm wide, 46.5cm deep

£4,000­6,000

36

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89 A WILLIAM AND MARY WALNUT CABINET ON CHEST C.1690­1700 cross and feather banded with burr veneers, the cushion frieze drawer above a pair of doors with arch banding, enclosing an arrangement of eleven drawers around a central cupboard, enclosing three further drawers, the base with two short and two long drawers, on later bun feet, the back with a printed auction description from Sotheby’s or Christie’s, lot 175 6th February 1959 171.4cm high, 108.5cm wide, 51.3cm deep

£3,000­5,000

37

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90 A QUEEN ANNE WALNUT ESCRITOIRE EARLY 18TH CENTURY with cross and feather banding and burr panels, with a cushion frieze drawer, the interior with pigeonholes, concealing secret drawers, with eleven further drawers and a central cupboard enclosing three drawers, the base with two short and two long drawers, on bun feet 167.3cm high, 111.2cm wide, 50.5cm deep

£1,000­1,500

91

90

91 A WILLIAM AND MARY WALNUT STOOL LATE 17TH / EARLY 18TH CENTURY the later upholstered seat on turned legs united by an ‘H’ stretcher 42.3cm high, 54.5cm wide, 41cm deep

£200­300

92 A WILLIAM AND MARY WALNUT CUSHION FRAME WALL MIRROR LATE 17TH / EARLY 18TH CENTURY with a later rectangular plate, originally with a cresting 57 x 52.8cm

£300­500

92 38

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93 A GEORGE II WALNUT CONCERTINA ACTION CARD TABLE IN THE MANNER OF BENJAMIN CROOK, C.1735 the quarter veneered cross and feather banded fold­over top revealing a baize lined playing surface, with counterwells and candlestands, on shell and lambrequin capped cabriole legs and claw and ball feet 72cm high, 82cm wide, 40.6cm deep Provenance Purchased from Dreweatt, Watson & Barton, Newbury, 30th March 1966, lot 227 for £600.

Catalogue Note The design of this table relates to similar examples made by Benjamin Crook, joiner and cabinet­maker of St. Paul’s Churchyard.

See Christopher Gilbert. Pictorial Dictionary of Marked London Furniture 1700­1840, p.169, fig. 265 for a table by Crook with a label in the drawer.

For two similar examples sold in these rooms see Furniture & Works of Art, 7th October 2014, lot 132 and Furniture & Works of Art, 6th April 2016, lot 66.

£4,000­6,000 39

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94 A GEORGE II WALNUT BUREAU BOOKCASE C.1730 cross and feather banded, the broken arch cornice with turned finials, above a pair of bevelled mirror panelled doors enclosing adjustable shelves, drawers and pigeonholes, above candle slides, the interior with pigeonholes and drawers, with a central mirrored cupboard enclosing a further drawer, above an arrangement of two short and three long drawers, on bun feet 243.4cm high, 107cm wide, 59cm deep Provenance From the collection of the late Peter Meyer.

£6,000­8,000

40

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94 41

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95 A GEORGE II BURR WALNUT BUREAU BOOKCASE C.1730 with a pair of doors with later bevelled arched mirrored panels, enclosing two adjustable shelves, above candle slides, the interior with pigeonholes, concave drawers and a sliding well cover, the well with secret drawers, above two short and two long drawers 204.3cm high, 98.4cm wide, 58.4cm deep

£2,000­3,000

96 TWO GEORGE I WALNUT SIDE CHAIRS C.1720 each with a vase shape splat, above a later needlework drop­in seat, one with faceted front legs with scroll toes (2) Provenance From the collection of the late Peter Meyer.

£1,200­1,800

95

96 42

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97

97 A BLACK JAPANNED DOMED CHEST EARLY 18TH CENTURY

with engraved brass mounts and lock plate and raised gilt decoration of chinoiserie scenes, with figures, angels, birds, trees and buildings, on later bun feet 69.2cm high, 108.2cm wide, 54cm deep

£800­1,200 98 A GEORGE II JAPANNED SERPENTINE CARD TABLE C.1730­40 AND LATER gilt decorated with chinoiserie scenes, with pagodas, trees, birds, leaves and flowers, on an aubergine ground, the hinged fold­over top revealing counter wells and candle stands, on a later base, with a plate glass top (2) 73.5cm high, 81cm wide, 40cm deep

£800­1,200

98

open 43

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99 A GEORGE I WALNUT SIDE CHAIR C.1720 the scroll top rail above a vase shape splat and a needlework drop­in bell shaped seat, on leaf capped cabriole front legs and trefid feet Provenance From the collection of the late Peter Meyer.

£600­800

99

100 A GEORGE II WALNUT LOWBOY C.1725­30 the quarter veneered cross and feather banded top with a moulded edge, above an arrangement of three drawers, on cabriole legs and pointed pad feet 72cm high, 81.2cm wide, 50.2cm deep Provenance From the collection of the late Peter Meyer.

£1,000­1,500

100

44

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101 101 A CHARLES II STUMPWORK NEEDLEWORK PICTURE C.1670 worked in coloured silks and metallic threads with various different stitches and techniques, depicting the Adoration of the Magi, with a view of a castle and a farmhouse, with birds, butterflies and flowers, in an elaborate border decorated with a lion, a stag, a camel, a leopard, birds, flowers and a dog chasing a hare, in an 18th century gilt and ebonised wood frame 41.4 x 54cm Provenance From an Old English Collection, Kent.

£1,500­2,000

102 A GEORGE III SILK NEEDLEWORK PICTURE C.1800 depicting a shepherd with his dog in a rural landscape, with a rose, grapevine and wheatsheaf outer border, in a glazed gilt frame 28.2 x 38.5cm

£800­1,200

102 45

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103 A GEORGE II MAHOGANY TEA TABLE C.1740 the fold­over top on a single gate support, fitted with a frieze drawer 72.5cm high, 70.5cm wide, 34.5cm deep

£200­300

103

104 A GEORGE II MAHOGANY DRESSING TABLE MIRROR C.1740 with a bevelled plate and a giltwood slip, the box base with a caddy moulded edge and three drawers 62.8cm high, 44.4cm wide, 20.6cm deep Provenance From the collection of the late Dr. Gordon Pack.

£200­300

104

105 A GEORGE II MAHOGANY WIG OR BASIN STAND MID­18TH CENTURY the ring top above scroll supports and fitted with two drawers on tripod legs 81cm high, 49cm wide Provenance From the collection of the late Dr. Gordon Pack.

£150­250

105 46

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106 A GEORGE II MAHOGANY DINING TABLE MID­18TH CENTURY the drop­leaf top with re­entrant corners and a moulded edge, with an arc d’arbalète moulding to either end, on scroll and hocked cabriole legs and pointed pad feet 73.2cm high, 94 x 140cm (open) Provenance J. W. Blanchard Ltd, Winchester.

From the collection of the late Dr. Gordon Pack.

£800­1,200 107 A GEORGE II MAHOGANY SIDE CHAIR C.1750 with a scrolled top rail above a pierced splat back and a later needlework drop­in seat Provenance From the collection of the late Dr. Gordon Pack.

£150­200 108 A GEORGE II MAHOGANY LADDERBACK SIDE CHAIR IN THE MANNER OF GILES GRENDEY, C.1750 with a stuffed over seat and on chamfered front legs Provenance From the collection of the late Dr. Gordon Pack.

106

£100­150

107

108 47

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109 A GEORGE II MAHOGANY CONCERTINA ACTION TEA TABLE C.1750­60 the hinged top on leaf and scroll carved cabriole legs and scroll feet 73.5cm high, 87.5cm wide, 43.5cm deep

£500­800

109

110 A GEORGE II MAHOGANY TRIPOD TABLE C.1740 AND LATER the circular dished tilt­top on a ring turned baluster stem and a fluted bowl, on leaf capped cabriole legs, with hairy paw feet and leather roller castors 72cm high, 74.5cm diameter Provenance From a private Cornish country estate.

£300­500

110

111 AN EARLY GEORGE III MAHOGANY CONCERTINA ACTION CARD TABLE C.1770 the hinged top with a ribbon and floret carved edge, above a frieze applied with flowerhead paterae, on fluted and chamfered legs 73.3cm high, 90.7cm wide, 45cm deep

£800­1,200

111 48

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112 A GEORGE II CONCERTINA ACTION CARD TABLE POSSIBLY PADOUK, C.1740­50 the fold­over top revealing a baize lined playing surface, on shell, leaf and scroll carved cabriole legs and pad feet 74cm high, 91.5cm wide, 45.5cm deep Provenance From the collection of the late Peter Meyer.

£2,000­3,000

112

113 A GEORGE II MAHOGANY TRIPOD TABLE C.1750­1760 the circular revolving tilt­top on a birdcage and on brass castors 74cm high, 87cm diameter

£500­800

113

114 A GEORGE III SERPENTINE CARD TABLE C.1770 the fold­over top with a ribbon and floret carved edge, on a single gate support, on ‘Chinese Chippendale’ style blind fret carved legs, baize lacking 73.3cm high, 83.2cm wide, 41.5cm deep

£800­1,200

114 49

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115 A GEORGE II GILTWOOD LANDSCAPE OVERMANTEL MIRROR C.1730­40 AND LATER with three later rectangular bevelled plates 50.5 x 111.2cm

£200­300

116 A WALNUT AND GILTWOOD WALL MIRROR IN GEORGE II STYLE 19TH CENTURY with a rectangular plate, the frame carved with egg and dart mouldings and oak leaves with acorns 121.1 x 73.8cm

£300­500

117 A GEORGE II GILTWOOD WALL MIRROR C.1730 AND LATER the later rectangular plate within a baton and bead slip, the frame decorated with garlands and swags of flowers, oak leaves and acorns, with an architectural pediment with a band of laurel and a shell decorated base 157 x 70cm

£500­800 116 50

117

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118 A GEORGE II MAHOGANY METAMORPHIC LIBRARY STOOL C.1755 with pierced lozenge and quatrefoil decoration, the lift­up dished seat revealing three threads, on moulded legs 46.3cm high, 62cm wide, 45.7cm Provenance From the collection of the late Peter Meyer.

Catalogue Note See Christie’s, New York, 10th May 2018, The Collection of Peggy and David Rockefeller: English and European Furniture, Ceramics and Decorations, Part II, lot 848 for a similar example.

£3,000­4,000

51

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119 A GEORGE II MAHOGANY LIBRARY ARMCHAIR ATTRIBUTED TO PAUL SAUNDERS, C.1755­60 the padded arched back, serpentine seat and armrests covered in damask fabric, with outscrolling arms carved with acanthus leaves, with a cabled edge and with shell terminals, the frieze with a lattice ground carved with Rococo ‘C’ scrolls, shells and leaves, on shell capped cabriole front legs terminating in scrolled toes, on later brass castors 101.8cm high, 70.5cm wide, 67.2cm deep Provenance Dreweatt Neate, 22nd March 1995, lot 87.

From the collection of the late Dr. Gordon Pack.

Catalogue Note This chair is conceived in the fashionable French style of the mid­18th century which was popularised by Thomas Chippendale in The Gentleman and Cabinet­Maker’s Director’ published in 1754. The present lot bears similarities to a suite of furniture previously in the collection of Sir John Ward of Dudley House attributed to William Bradshaw or his partner Paul Saunders.

Paul Saunders was one of the most important suppliers of upholstered furniture of the 1750s and 1760s. He was based around Carlisle House, Soho Square and 59 Greek Street and established a large workshop. He worked for many high profile clients including 1st Earl of Leicester and the Earl and Countess of Egremont.

See Christie’s New York, 11th June 2010, lot 428 for a similar pair of armchairs.

£8,000­12,000

52

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119

53

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120

120 TWO GEORGE II WALNUT AND PARCEL GILT FRET FRAME WALL MIRRORS C.1730­40 one with a bevelled plate and with Rococo scrolls, leaves and flowers, the other with a shaped plate, with a foliate rondel (2) 104 x 64.5cm (max)

£1,500­2,000

121 A MAHOGANY FRET-FRAME WALL MIRROR IN GEORGE II STYLE LATE 19TH CENTURY with parcel gilt decoration 92.5 x 52.6cm

£100­150

121

54

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122 AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760 the circular tilt­top with a moulded pie­crust edge, above a fluted stem, the cabriole legs carved with Rococo motifs, leaves and flowers, with scroll toes 71.3cm high, 64cm diameter Provenance From the collection of the late Peter Meyer.

£800­1,200

122

123 A MAHOGANY TRIPOD TABLE 18TH CENTURY AND LATER the fixed top with a moulded ‘pie crust’ edge, on a stop fluted stem and cabriole legs carved with Rococo ‘C’ scrolls, leaves and flowers 60.7cm high, 53cm wide

£300­400

123 55

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124

124 AN IRISH MAHOGANY SILVER TABLE IN GEORGE III STYLE PROBABLY 19TH CENTURY with a dished top, on leaf carved and hocked cabriole legs and trefid feet 69.4cm high, 83cm wide, 55.2cm deep

£800­1,200

125 AN EARLY GEORGE III IRISH MAHOGANY SIDE CHAIR C.1760 the serpentine scroll top above a vase shaped splat, above a later drop­in seat, above cabochon and leaf carved cabriole legs and claw and ball feet

£200­300

125

56

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126 A GEORGE II IRISH MAHOGANY CARD TABLE C.1740 the inverted breakfront fold­over top on a single gate support, revealing a baize lined interior, with counter wells and candlestands, above a shaped frieze, on hocked cabriole legs and faceted pad feet 74.3cm high, 88.2cm wide, 43.5cm deep Provenance From the collection of the late Dr. Gordon Pack.

£1,000­1,500

57

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127 A MAHOGANY CABINET ON STAND 18TH CENTURY ELEMENTS with a pair of panelled doors, enclosing a shelf 127.5cm high, 76.7cm wide, 31cm deep

£100­200

127

128

128 TWO GEORGE III MAHOGANY RECTANGULAR STOOLS THIRD QUARTER 18TH CENTURY one with a drop­in needlework seat, the other with a plush stuffed­ over seat, on chamfered and moulded legs united by an ‘H’ stretcher (2) 44cm high, 56.5cm wide, 41.6cm deep (max) Provenance From the collection of Edward Croft­Murray CBE (1907­1980).

£100­200

129 AN EARLY GEORGE III MAHOGANY TRIPOD TABLE C.1760 with a dished circular tilt top 69cm high, 55.5cm diameter Provenance From the collection of the late Dr. Gordon Pack.

£80­120 129 58

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130 A GEORGE III MAHOGANY OPEN ARMCHAIR C.1770­80 with a pierced splat back above a solid dished seat, with a leather squab cushion and on cabriole front legs Provenance Purchased by the present vendor from Jeremy Ltd. 8th November 1979.

£500­800

130

131 A SMALL EARLY GEORGE III MAHOGANY SIDE TABLE C.1770 the serpentine top with a moulded edge, above a frieze drawer, with floret and frill brass handles, on moulded chamfered legs 70.8cm high, 68.2cm wide, 44.5cm deep

£400­600

131

59

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132

133

132 A SMALL MAHOGANY SIDE TABLE LATE 18TH CENTURY, TOP POSSIBLY ASSOCIATED fitted with a frieze drawer 71.5cm high, 63.5cm wide, 41.5cm deep

£150­250

133 AN EARLY GEORGE III MAHOGANY STOOL C.1770 the stuffed­over seat with remains of original upholstery, on chamfered legs united by an ‘H’ stretcher 45cm high, 57cm wide, 44cm deep

£300­500

134 A GEORGE III MAHOGANY OPEN ARMCHAIR IN ‘CHINESE CHIPPENDALE STYLE’, C.1770 the pierced splat carved with scrolls, Gothic trefoils and a Chinese style fret panel, on chamfered front legs and block feet Provenance From the collection of the late Dr. Gordon Pack.

£300­400 134

60

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135 AN EARLY GEORGE III MAHOGANY SECRÉTAIRE CHEST ON CHEST ATTRIBUTED TO THOMAS BRADSHAW, C.1760­70 the detachable fretwork swan neck cornice above Greek key and pendant mouldings, with two short and three long drawers, flanked by fluted canted angles, the base with three drawers, the secrétaire fitted with pigeonholes and drawers and with secret pilaster compartments flanking a central cupboard 217.3cm high, 111cm wide, 56.3cm deep Provenance From the collection of the late Peter Meyer.

Catalogue Note Thomas Bradshaw was an upholder and cabinet­ maker based at 10 St. Paul's Church Yard and he subscribed to Chippendale's Director (1754) and was declared bankrupt in 1772. A bureau bookcase with a similar cornice to the present lot is illustrated in Christopher Gilbert, 'Pictorial Dictionary of Marked London Furniture 1700­1840', p.119. pl.150.

£1,000­1,500

61

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136 A GEORGE III MAHOGANY SPIDER LEG TABLE C.1770­80 with a single drop­leaf top, on ring turned supports, with arc d’arbalète shaped ends 71.5cm high, 61.8 x 59cm (open) Provenance From the collection of the late Peter Meyer.

£400­600

136

137 A GEORGE III MAHOGANY BEDSIDE CUPBOARD LATE 18TH CENTURY the gallery pierced with a handgrip, above a pair of banded doors 76cm high, 38cm wide, 37.5cm deep Provenance From the collection of the late Dr. Gordon Pack.

£100­150

137

138 A GEORGE III MAHOGANY OCTAGONAL WINE COOLER C.1790 brass bound and with a lead lined interior, with side carrying handles and on moulded legs with applied brackets 58.7cm high, 46cm wide Provenance From the collection of the late Peter Meyer.

£800­1,200

138

62

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139 A GEORGE III MAHOGANY SERPENTINE SERVING TABLE C.1790 inlaid with stringing, the fan inlaid top with a central oval panel, above a fluted frieze fitted with three drawers, on panelled and stop fluted legs 86cm high, 139.3cm wide, 64.8cm deep Provenance From the collection of the late Peter Meyer.

£4,000­6,000

63

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140 A GEORGE III MAHOGANY DRESSING TABLE MIRROR C.1790 with a later oval plate, with bone mounts and handles, the crossbanded serpentine base fitted with three drawers 58.8cm high, 48cm wide, 20.7cm deep Provenance From the collection of the late Dr. Gordon Pack.

£150­250

140

141 TWO GEORGE III MAHOGANY WINE COASTERS LATE 18TH CENTURY each with a dished top (2) 16cm diameter

£150­250

141

142 A GEORGE II MAHOGANY BOX C.1740 the interior originally with divisions, above a base drawer 12.4cm high, 41.2cm wide, 34.5cm deep Provenance From the collection of the late Dr. Gordon Pack.

£100­150 142

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143 A PAIR OF GEORGE III MAHOGANY OPEN ARMCHAIRS ATTRIBUTED TO JOHN COBB, C.1775 each with a cartouche shaped back, covered in later fabric, the arms and front legs carved with cabled decoration and husks, on cabriole front legs capped with leaves and berries (2) Provenance From the collection of the late Peter Meyer.

£2,000­3,000

65

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144 A GEORGE III MAHOGANY CHEST C.1770­1780 the top with a moulded edge, above a brushing slide and four long graduated drawers 84.3cm high, 87cm wide, 47.5cm deep Provenance From the collection of the late Dr. Gordon Pack.

£400­600

144

145 A GEORGE III MAHOGANY SIDE TABLE C.1790­1800 inlaid with stringing, with a false frieze drawer front 72.3cm high, 86.2cm wide, 44.9cm deep Provenance From the collection of the late Dr. Gordon Pack.

£100­150

145

146 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE C.1800 the galleried top pierced with two handgrips, above a cupboard, the pull­out base with a lidded pot aperture 76.3cm high, 45.7cm wide, 50.4cm deep

£100­150

146 66

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147 A GEORGE III MAHOGANY CHEST C.1770­1780 the top with a moulded edge, above four long graduated drawers, with raised brass escutcheons 85.4cm high, 81.5cm wide, 44cm deep Provenance From the collection of the late Dr. Gordon Pack.

£300­500

147

148 A GEORGE III MAHOGANY SIDE TABLE C.1790 inlaid with stringing, the crossbanded top with an oval marquetry patera, above a frieze drawer 73.5cm high, 78.4cm wide, 47.3cm deep Provenance From the collection of the late Dr. Gordon Pack.

£300­500

148

149 A GEORGE III MAHOGANY TRAY-TOP BEDSIDE COMMODE LATE 18TH CENTURY the shaped gallery pierced with three handgrips, above a pair of doors and a pull­out base with a ceramic pot 75.8cm high, 59cm wide, 48.6cm deep

£300­500

149

67

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150 150

151

A PAIR OF GEORGE III MAHOGANY DEMI-LUNE CONSOLE TABLES POSSIBLY IRISH, C.1780­90

A GEORGE III MAHOGANY PEMBROKE TABLE C.1790­1800

each on square tapering legs and brass castors (2) 72.2cm high, 114.2cm wide, 57.2cm deep

the butterfly drop­leaf top with a moulded edge, above an end frieze drawer, on ring turned baluster legs and brass castors 73cm high, 84.7 x 96cm (open)

£200­300

Provenance From the collection of the late Dr. Gordon Pack.

£500­700

151

152 A GEORGE III MAHOGANY OPEN ARMCHAIR C.1790 together with a pair of late George III mahogany side chairs (3) Provenance From the collection of the late Dr. Gordon Pack.

£150­200

152 68

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153 153

154

A PAIR OF GEORGE III MAHOGANY CONSOLE TABLES LATE 18TH CENTURY

A GEORGE III MAHOGANY SPIDER LEG TABLE C.1780

each with a ‘D’ shape top, on square tapering legs and brass caps and castors 71cm high, 114cm wide, 61cm deep (2)

the drop­leaf top on block and turned supports 69cm high, 70.8 x 78cm (open)

£300­500

Provenance Sotheby’s, Fine English Furniture, 15th September 2000, lot 67.

From the collection of the late Dr. Gordon Pack.

£300­400

154

155 THREE GEORGE III MAHOGANY SIDE CHAIRS C.1770­80 each with a hoop back and a pierced splat carved with ribbon tied husks, above a serpentine front seat (3) Provenance From the collection of the late Peter Meyer.

Catalogue Note See Elizabeth White, Pictorial Dictionary of British 18th century Furniture Design, p.85, pl. xxxxiv, fig. 131 for a design related to the present lot.

£800­1,200

155 69

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156

157

156

157

A PAIR OF GEORGE III MAHOGANY SIDE CHAIRS C.1770­80

A GEORGE III MAHOGANY COMMODE CHEST OR NIGHT TABLE AFTER A DESIGN BY GEORGE HEPPLEWHITE, C.1790

each with a pierced splat carved with Prince of Wales plumes, above a drop­in seat (2)

£150­250

the hinged top with a moulded edge, revealing a wooden lid and a ceramic pot, the part hinged front with faux drawer fronts, on bracket feet 75.7cm high, 69cm wide, 48.2cm deep

£150­250 158 A GEORGE III MAHOGANY POLE FIRESCREEN C.1770 with an urn finial above an adjustable gros­point needlework panel, depicting a lady accompanied

by Cupid in a woodland setting, the fluted base on moulded tripod scroll legs 176.8cm high

£150­250 159 A GEORGE III MAHOGANY TRAY TOP BEDSIDE COMMODE C.1790­1800 the galleried top pierced with a pair of handgrips, the pull­out base with a vacant interior 81cm high, 55.7cm wide, 45.7cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£150­250 158 70

159

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160 A GEORGE III MAHOGANY PEMBROKE TABLE C.1770­80 veneered with an unusual ‘tortoiseshell’ cut of mahogany, the drop­flap top above an end frieze drawer, on ribbed and leaf carved legs, with a conforming ‘X’ stretcher, on brass castors 71.2cm high, 67.5 x 107cm (open) Provenance From the collection of the late Peter Meyer.

£2,500­3,500

71

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161 161

162

163

A GEORGE III MAHOGANY SIDEBOARD C.1790

AN EARLY GEORGE III MAHOGANY BACHELOR’S CHEST C.1760

A GEORGE III MAHOGANY DEMI-LUNE TEA TABLE LATE 18TH CENTURY

the rectangular top with a moulded edge, above a brushing slide and four long graduated drawers, on shaped bracket feet 78.3cm high, 77cm wide, 47cm deep

with a crossbanded top on moulded legs 74.5cm high, 91.5cm wide, 40cm deep

inlaid with ebonised and boxwood stringing, with a frieze drawer above a tambour shutter, flanked by oval panelled cupboard doors, one enclosing a shelf, the other with a shelf and originally with a drawer 92.3cm high, 183.4cm wide, 79.7cm deep

£300­500

162 72

£300­500

Provenance From the collection of the late Dr. Gordon Pack.

£300­500

163

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164 A RARE GEORGE III GONCALO ALVES BUREAU CABINET IN THE MANNER OF GILLOWS, C.1770­80 the detachable dentil cornice above a pair of doors, with outline mouldings enclosing three adjustable shelves, the hinged fall revealing a fitted interior with pigeonholes and cedar lined drawers and a baize lined writing surface, above four long drawers, on shaped bracket feet 228.8cm high, 11cm wide, 62.2cm deep Provenance By repute, Mrs Benthall, Braintree.

Private collection, Shropshire.

Catalogue Note Goncalo alves (Astronium spp.) is the modern name for what used to be known as zebrawood.

The first shipments to arrive in England were from Central America. Edward Long’s History of Jamaica (1744) states zebrawood ‘at present in esteem among cabinet makers is brought to Jamaica from Mosquito shore’. Zebrawood occurs sporadically in English custom returns during the 1770s.

£2,000­3,000

73

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165 A GEORGE III MAHOGANY OPEN ARMCHAIR HEPPLEWHITE PERIOD, C.1790 with a shield shape back carved with plumes of feathers and with an interlaced splat, the seat rail stamped with workmen’s initials ‘R B crowned’ Provenance From the collection of the late Dr. Gordon Pack.

£300­400

165

166 A GEORGE III MAHOGANY CHEST C.1780­90 of two short and three long drawers 103.4cm high, 110cm wide, 54.5cm deep

£200­300

166

167 A GEORGE III MAHOGANY BUREAU C.1770 the interior with pigeonholes and drawers and a central cupboard inlaid with a fan patera, above four long graduated drawers 110cm high, 101cm wide, 49.5cm deep Provenance From the collection of the late Dr. Gordon Pack.

£300­500

167 74

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168 A SET OF SEVEN GEORGE III MAHOGANY DINING CHAIRS IN THE MANNER OF GILLOWS, C.1790­95 each with four vertical splats carved with drapes and a central bullrush, above a stuffed­over seat covered in horse hair fabric, on ribbed tapering front legs, the seat rail stamped with workmen’s initials ‘E S’ and ‘I P’, one with numerals ‘03035’, comprising: one open armchair and six side chairs (7) Provenance From the collection of the late Peter Meyer.

£2,000­3,000

75

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169 AN EARLY GEORGE III GILTWOOD WALL MIRROR C.1760 the later plate in a rocaille, leaf, fruit, flower and ‘C’ scroll decorated frame, with a foliate surmount 128 x 58.5cm Provenance From the collection of the late Peter Meyer.

£1,000­1,500

169

170 A GEORGE III MAHOGANY BREAKFAST TABLE C.1790 the rectangular tilt­top with canted corners, on four moulded swept legs and brass caps and castors 71.7cm high, 121.5cm wide, 106cm deep Provenance Purchased by the present vendor from Boss Antiques.

10th September 1978.

£800­1,200 170

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171 AN EARLY GEORGE III MAHOGANY AND WALNUT CHEST ON CHEST C.1760­70 with a breakfront dentil cornice with egg and dart mouldings, with two short and four long drawers flanked by stop fluted angles, the base with four long drawers, on bracket feet 210.6cm high, 125cm wide, 61.8cm deep

£800­1,200

77

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172 A LATE GEORGE III MAHOGANY CYLINDER BUREAU C.1810 inlaid with ebonised stringing, the tambour shutter revealing satinwood veneered drawers, pigeonholes, with a sliding writing surface inset with a later green tooled leather, with four drawers around the kneehole and with a pull­out slide to each side 99.2cm high, 114.5cm wide, 68.8cm deep

£500­700

172 λ 173 A GEORGE III SATINWOOD WORK TABLE C.1790­1800 inlaid with ebonised stringing and kingwood banding, the divided frieze drawer with an ivory escutcheon, above a silk lined bag 76.8cm high, 47.8cm wide, 34.2cm deep Provenance From the collection of the late Peter Meyer.

£500­800

173

174 A GEORGE III MAHOGANY CHEST C.1780­90 the fiddle back top with a moulded edge, above a brushing slide and four long drawers 79.9cm high, 87cm wide, 49.6cm deep Provenance From the collection of the late Peter Meyer.

£500­800

174 78

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175 175 A PAIR OF GEORGE III MAHOGANY HALL CHAIRS C.1790 each with a shield back carved with plumes of Prince of Wales feathers and painted with two crests, above a solid seat (2) Provenance From the collection of the late Peter Meyer.

Catalogue Note The painted crests possibly relate to the Dawkins and Colyears (Colyers) families. Lady Juliana Colyear, daughter of the 2nd Earl of Portmore married Henry Dawkins, from a plantation owning family from Jamaica. Henry Dawkins acquired Standlynch Park near Salisbury (later Trafalgar Park) c.1764.

£800­1,200 176 A GEORGE III MAHOGANY BOWFRONT CARD TABLE C.1790 the crossbanded fold­over top revealing a baize lined playing surface, above a fluted frieze and carved flowerheads, on fluted tapering legs 75.5cm high, 91cm wide, 45cm deep Provenance Purchased by the present vendor from Jeremy Ltd. 16th September 1969.

£1,500­2,000 176 79

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177

177

178

A LATE GEORGE III MAHOGANY TWIN PEDESTAL DINING TABLE C.1800

A PAIR OF GEORGE III OPEN ARMCHAIRS HEPPLEWHITE PERIOD, C.1790

comprising: a pair of ‘D’ ends and two additional leaves, on baluster turned stems and moulded splay legs with brass castors 71.3cm high, 123.5cm wide, 326.5cm long (extended)

each with a shield shape back, with five leaf carved vertical splats and moulded outscrolling arms with flowerhead terminals, on moulded legs carved with leaves headed by paterae (2)

Provenance From the collection of the late Peter Meyer.

Provenance Purchased by the current vendor’s family from H. C. Baxter & Son, c.1970.

£2,000­3,000

£2,000­3,000

178 80

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179 179

180

A GEORGE III MAHOGANY SERPENTINE COMMODE C.1770­80

A GEORGE III MAHOGANY SERPENTINE CARD TABLE C.1780­90

the moulded edge top above four long fiddleback mahogany drawers flanked by blind fret angles, with brass side carrying handles 83.7cm high, 106cm wide, 60cm deep

the crossbanded fold­over top revealing a baize lined playing surface, on moulded cabriole legs 73.3cm high, 92cm wide, 45.3cm deep

£2,000­3,000

£800­1,200

180 81

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181 A GEORGE III SATINWOOD KNIFE BOX C.1800 inlaid with stringing and kingwood banding, the slope inlaid with a marquetry conch shell, the interior with a parquetry star and a matrix with thirty­seven apertures 36.2cm high, 23cm wide, 27cm deep Provenance Woolley & Wallis, Furniture & Works of Art, 13th March 2007, lot 213.

From the collection of the late Dr. Gordon Pack.

£200­300

181

λ 182 A GEORGE III SATINWOOD PEMBROKE TABLE C.1790 inlaid with oval fan paterae, the drop­leaf top with rosewood banding above a frieze drawer, on square tapering legs and brass castors 72.3cm high, 53.2cm wide, 63.5cm deep

£300­500

182

λ 183 A GEORGE III SATINWOOD TEA TABLE C.1800 AND LATER inlaid with stringing, with a rosewood crossbanded fold­over top, on square tapering legs and spade feet 72.3cm high, 91.2cm wide, 44cm deep

£200­300

183 82

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184 A FINE GEORGE III SATINWOOD OCTAGONAL CELLARET IN THE MANNER OF MAYHEW AND INCE, C.1790 inlaid with stringing, kingwood banding and burr panels, the hinged lid revealing an interior with green stained sycamore and a lead lined interior with a brass plug, on square tapering legs with purpleheart faux fluting, with applied brackets and on brass caps and castors, with brass side carrying handles 60.5cm high, 45cm wide

£4,000­6,000 83

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185 A GEORGE III MAHOGANY CHEVERET TABLE IN THE MANNER OF GILLOWS, C.1790­1800 inlaid with boxwood stringing, the lift­off galleried top fitted with four cedar lined drawers, originally with a handle, above a hinged baize lined writing slope and a further drawer with a pen and ink side compartment, on part ribbed tapering legs united by a line inlaid ‘X’ stretcher 92.8cm high, 51.5cm wide, 40cm deep

£500­800

185

186 A GEORGE III SATINWOOD WORK TABLE C.1800 inlaid with kingwood banding, the top with scrolling foliage and a central conch shell, the drawer with divisions and lidded compartments 69cm high, 49.4cm wide, 39cm deep

£400­600

186

λ 187 A REGENCY SATINWOOD CARD TABLE EARLY 19TH CENTURY inlaid with stringing and with rosewood banding, the fold­over top on twin gate supports, with a baize lined playing surface, on ring turned legs 75.7cm high, 91.2cm wide, 44.5cm deep

£400­600

187 84

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188 A GEORGE III PADOUK CHEST C.1780 the quarter veneered crossbanded top with a moulded edge and centred with an oval fan patera, above a bank of six short drawers and two long drawers, probably later converted, all mahogany lined, on bracket feet 92cm high, 102.4cm wide, 57.3cm deep

£800­1,200

85

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189 A GEORGE III PAINTED SETTEE AND MATCHING ARMCHAIR C.1775 each with a moulded frame carved with leaves, with scroll arm supports, with fluted decoration, together with a matching but later armchair (3) settee: 101.8cm high, 184cm wide, 56cm deep

£1,500­2,500

86

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190 A GEORGE III MAHOGANY OPEN ARMCHAIR HEPPLEWHITE PERIOD, C.1790 the shield back with five vertical leaf carved and reeded splats, the frame carved with stiff leaves and guilloche bands, on ribbed tapering legs Literature See Ralph Edwards and Percy MacQuoid, The Dictionary of English Furniture, Revised Edition, p.294, fig.218 for an almost identical chair.

£2,000­3,000

190

191 A GEORGE III MAHOGANY PLATE BUCKET LATE 18TH CENTURY of staved construction, with a brass swing handle 38.3cm high, 38.8cm diameter Provenance H. W. Keil Ltd. Broadway, 11th May 1989.

From the collection of the late Dr. Gordon Pack.

£400­600

191

87

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192

192

193

A LARGE BRASS TRAY

A PAIR OF MAHOGANY CANDLESTICKS IN GEORGE III STYLE 19TH CENTURY

with a moulded serpentine edge and a pair of swing handles 43.5 x 115.4cm

£400­600

each with a vase shape nozzle and a detachable drip­pan, above a turned tapering stem and a reeded circular foot (2) 35.7cm high

£100­200

194

195

A GEORGE III SATINWOOD AND MARQUETRY TEA CADDY C.1790­1800

A GEORGE II MAHOGANY TEA CADDY C.1740

with barber’s pole stringing and purpleheart banding, inlaid with oval paterae, the interior with a lid 11.2cm high, 11.3cm wide, 10cm deep

193

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

194

88

195

the lid with a brass handle, the interior with three divisions, the right side with a sliding panel revealing a secret spoon drawer 14.9cm high, 23.5cm wide

£100­150

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196 A GEORGE III MAHOGANY FOUR POSTER BED C.1790 AND LATER the pelmet painted with scrolling oak leaves and acorns, with tablets decorated with drapes, flowers and baskets of fruit, with ribbed front posts carved with stiff leaves and sheaves of wheat, with bed base and mattress 248cm high, 155.5cm wide, 215cm long Internal: 142.5 x 202cm

£2,000­3,000 89

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CLOCKS & BAROMETERS

197 AN EBONISED BRACKET CLOCK

BY SAMUEL WRIGHT, NORTHWICH the brass eight day twin fusée movement with an anchor escapement and striking on a bell, the brass arched dial with Roman and Arabic numerals, signed ‘Samuel Wright Northwich’, the case with a bell top, with a brass handle 56.7cm high, 27.5cm wide

£500­800

197

198 AN EARLY GEORGE III EBONY BRACKET CLOCK

BY ROBERT FLEETWOOD LONDON the brass eight day twin pull repeating movement with an alarm, striking on seven bells, with a verge escapement and with four turned pillars, the backplate engraved with Rococo scrolling foliage, the arched brass dial with a silvered chapter ring, with Roman and Arabic numerals, with date aperture and a subsidiary strike / silent and seconds dials, signed ‘Robt Fleetwood, Abchurch Lane, London’, the moulded case with brass mounts and cone finials, the bell top with a brass handle 36.7cm high, 23.7cm wide

£2,000­3,000 198 90

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199 A LARGE REGENCY EBONISED AND BRASS BRACKET CLOCK

BY JAMES MCCABE LONDON, EARLY 19TH CENTURY the brass eight day twin fusée movement with turned pillars and an anchor escapement, striking the quarters on eight bells and the hours on a gong, the backplate signed and numbered ‘James McCabe London 3119’, the arched painted dial with Roman numerals, with subsidiary days of the week, date and strike / silent dials, also signed, the case inlaid with scrolling foliage, with lancet Gothic side panels and with a pineapple finial 67.8cm high

£6,000­8,000

91

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200 ‘THE DEVON SEA CLOCK’ A LIMITED EDITION BRASS SKELETON TIME PIECE 20TH CENTURY the visible movement with three dials, with a naval crest and a brass plaque, inscribed ‘The Devon Sea Clock no.100 / 500’, in a mahogany glazed case 35.7cm high, 28cm wide

£800­1,200

200 201 TWO VICTOIAN BRASS SCIENTIFIC MAGNIFYING GLASSES LATE 19TH CENTURY each with a bull’s eye lense and an adjustable arm (2) 15.8cm high (max)

£150­200

201

202 A VICTORIAN BRASS ANEROID BAROMETER

BY STANLEY, MID­19TH CENTURY the silvered dial signed ‘Stanley, London’ and numbered ‘6569’, in a leather case (2) 12cm diameter

£150­250

202 92

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203 A GEORGE III EBONY BRACKET CLOCK

BY BARRAUD LONDON, C.1770 the brass eight day twin fusée movement with four turned pillars and an anchor escapement striking on a bell, the backplate signed ‘Barraud Cornhill London’, the painted arched dial with Roman numerals and a strike / silence dial, signed, the moulded case with brass mounts, the pad top with a brass handle 38.7cm high, 27.3cm wide

£800­1,200

203 204 A LATE GEORGE III SCOTTISH MAHOGANY LONGCASE CLOCK

BY THOMAS IVORY DUNDEE, EARLY 19TH CENTURY the brass eight day movement with an anchor escapement striking on a bell, the arched twelve inch dial with Roman and Arabic numerals, with date aperture and subsidiary seconds dial, the spandrels painted with elegant ladies, the arch signed ‘Thos Ivory Dundee’, the case with brass finials and inlaid with stringing 222.5cm high Provenance Dreweatt Neate, 13th July 1994, lot 207.

From the collection of the late Dr. Gordon Pack.

£400­600

204 205 A REGENCY EBONISED AND BRASS BRACKET CLOCK

BY GIBSON LONDON, EARLY 19TH CENTURY the brass eight day twin fusée movement with an anchor escapement striking on a bell, the backplate signed ‘Gibson Royal Exchange London’, the painted circular dial with Roman and Arabic numerals, in a lancet shaped case inlaid with stringing, with lion’s mask ring handles 39cm high, 29cm wide

£500­700 205 93

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207

206

206

207

A FRENCH ORMOLU MANTEL CLOCK LATE 19TH CENTURY

A FRENCH ONYX AND ORMOLU MANTEL CLOCK LATE 19TH / EARLY 20TH CENTURY

the brass eight day drum movement striking on a bell, the backplate stamped with a pastille for ‘Japy Frères’, numbered ‘2018’, the circular enamel dial with Roman and Arabic numerals, the Louis XVI style case with an urn finial and decorated with fruit and leaf scrolls 40.3cm high

£200­300

the brass eight day drum movement striking on a bell, with a mercury pendulum, the backplate stamped ‘2590’ and with a pastille, inscribed ‘Médaille d’argent marti et cie 1889’, the circular dial with Arabic numerals and painted with floral swags, the four glass case flanked by columns surmounted by an urn and flaming finials 44.7cm high, 31cm wide Provenance By direction of the executors of the late Sylvia Quance.

From the collection of Gordon W Quance LLM (1931­2017).

£80­120

208 208

209

A FRENCH ORMOLU AND PORCELAIN MANTEL CLOCK LATE 19TH CENTURY

A FRENCH BRASS CARRIAGE CLOCK LATE 19TH CENTURY

the brass eight day drum movement striking on a bell, the back plate stamped with a pastille for ‘Japy Frères’ and ‘Horlogérie Paris’ numbered ‘4421’, the circular dial with Roman numerals, the Louis XVI style case with an urn finial, the front panel painted with a mother and child playing with a bird 35.8cm high, 22cm wide

£200­300

209 94

the brass eight day repeating movement with a platform lever escapement, striking on a gong, the circular dial with Arabic numerals and subsidiary alarm dial, in a corniche case 14.8cm high Provenance From a private Cornish country estate.

£100­200

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210 A FRENCH BRASS AND LIMOGES ENAMEL CARRIAGE CLOCK LATE 19TH CENTURY the brass eight day repeating movement with an alarm, the platform lever escapement striking on a gong, the circular dials with Roman and Arabic numerals, the case with turned columns and with panels of winged cherubs playing cymbals and the tambourine, with flowers and birds, with a leather travelling case (2) 16.5cm high

£800­1,200

210

211 A FRENCH GILT BRASS CARRIAGE CLOCK LATE 19TH CENTURY the eight day repeating movement with an alarm, the platform lever escapement striking on a bell, numbered ‘685’, the octagonal enamel dial with Roman and Arabic numerals, above an alarm dial, in an engraved corniche case 14cm high Provenance From the collection of the late Dr. Gordon Pack.

£500­700

211

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212 A LARGE VICTORIAN OAK CHIMING BRACKET CLOCK LATE 19TH CENTURY the brass eight day three train German movement by Winterhalder and Hofmeier, striking on eight bells and five gongs, with a pull­repeat, the backplate signed, the brass dial with a silvered chapter ring and Arabic numerals, with subsidiary dials, in an all over carved case 62.5cm high, 38.2cm wide

£500­700

212

213 A FRENCH CHARLES X MAHOGANY AND ORMOLU PORTICO MANTEL CLOCK

BY PICNOT PÈRE, C.1830 the brass eight day drum movement with an outside countwheel striking on a bell, with an enamelled circular dial, with Roman numerals, signed ‘Picnot Père à Paris’, the arched case with turned pillar supports under a glass dome (2) 47.7cm high, 27.7cm wide

£400­600

213 96

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FIREPLACE FURNITURE & DOORSTOPS

214 A STEEL AND CAST IRON FIRE-GRATE IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY with an arched back and a railed basket, the front with pierced decoration and urn finials 61cm high, 64cm wide, 40.5cm deep Provenance From the collection of the late Dr. Gordon Pack.

£300­500

214

215 A SET OF EARLY VICTORIAN STEEL FIRE TOOLS MID­19TH CENTURY each with a bronze handle and a spiral twist stem, with a pierced pan (3) 76.5cm long (max) Provenance From the collection of the late Dr. Gordon Pack.

£200­300

216 A GEORGE III STEEL BOWFRONT FENDER C.1800 with pierced lattice decoration 17cm high, 109.5cm wide

215

Provenance Bert Crowther, Syon Lodge, 29th October 1963.

From the collection of the late Dr. Gordon Pack.

£200­300

216

97

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217

217

218

219

A BRASS CLUB FENDER 20TH CENTURY

A LARGE WICKER LOG BASKET 20TH CENTURY

A DUTCH COPPER LOGBIN 19TH CENTURY

with red leather seats and railed supports dimensions: 57cm high, 152cm wide, 41.5cm deep internal dimensions: 125cm wide, 27cm deep

with a pair of handles and a later lining, the body inscribed ‘JST 454’ 80.5cm high, 105cm wide, 91cm deep

with a brass swing handle and a riveted body 34.3cm high, 37.5cm diameter

£200­300

£100­200

Provenance David and Paula Newman, London / Eastbourne.

£400­600

218 98

219

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220

220

221

222

A BRASS CLUB FENDER LATE 19TH / EARLY 20TH CENTURY

A DUTCH COPPER AND BRASS LOGBIN LATE 19TH CENTURY

A LARGE WICKER LOG BASKET 20TH CENTURY

with green leather seats and railed supports 51.7cm high, 145cm wide, 51.5cm deep internal: 123cm wide, 38.8cm deep

with a pair of handles and on tripod lion’s paw feet, together with twenty­one lignum vitae bowls (22) 33.3cm high, 52cm wide

with a pair of handles 66.5cm high, 113cm wide, 83.7cm deep

£400­600

£300­500

£200­300

222 221 99

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223 223

224

225

AN UNUSUAL LATE VICTORIAN COPPER DRUM LOG BIN DATED ‘1889’

A PAIR OF BRONZE CHENET EARLY 19TH CENTURY

A PAIR OF BRASS ANDIRONS LATE 18TH / EARLY 19TH CENTURY

with maker’s plaque, inscribed ‘V. A. Chaine Maker, 15 Robert Street Hampstead Rd. London N.W.’ 61.7cm high, 64cm wide

modelled with a semi­naked man and a woman, seated on a plinth supported by eagles, on scroll feet (2) 39.4cm high, 24cm wide

£400­600

£800­1,200

each with a flaming urn finial, above a triangular shape body, with pierced and engraved decoration, with a pair of lions supporting a crown, on lion’s paw front feet (2) 36.3cm high, 22.8cm wide, 29.5cm deep Provenance The Sir Michael Codron Collection of Lions.

£100­200

224 100

225

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226

227

228 226

227

228

A CARVED PINE FIRE SURROUND / CHIMNEY PIECE IN GEORGE III STYLE LATE 19TH CENTURY

A REGENCY CAST IRON GOTHIC STYLE FIRE-GRATE EARLY 19TH CENTURY

A GEORGE III IRISH BRASS SERPENTINE FENDER C.1790

with leaf carved and egg and dart borders, the frieze with a central tablet carved with frolicking cherubs, flanked by ribbon tied swags of fruit and flowers, with stop fluted jambs 140 x 143.5cm internal: 107.5 x 93cm

of basket form, decorated with quatrefoils, on paw and ball feet 28.4cm high, 43cm wide, 26cm deep

with pierced and engraved decoration of urns, swags and leaves 14.2cm high, 122.3cm wide, 20.5cm deep

£200­300

£300­500

£500­800 101

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230

229

229

230

231

A LATE VICTORIAN OAK COUNTRY HOUSE STICKSTAND LATE 19TH / EARLY 20TH CENTURY

A VICTORIAN BRASS STICKSTAND LATE 19TH CENTURY

A DUTCH WALNUT TEESTHOF 19TH CENTURY

with seven divisions and a lift­out zinc liner 77cm high, 105.7cm wide, 30.6cm deep

with six divisions and a cast iron base, with a lift­ out liner 62cm high, 31cm wide, 19.5cm deep

with a brass swing handle, a lift­out liner and a slatted body, on ball feet 45cm high, 38.5cm diameter

£200­300

£100­150

Provenance From the collection of the late Peter Meyer.

£300­500

232 A NICKEL AND BRASS BUCKET LATE 19TH CENTURY with a swing handle, the body with an indistinct coat of arms, the base with a faint maker’s mark 27.5cm high

£100­150

231 102

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234

233

233

234

AN EARLY VICTORIAN BRASS LION AND SERPENT DOORSTOP C.1840

A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY

with a leaf handle and stem above a lion grappling with a snake, with an iron weighted base 43.5cm high

with a brass ring handle 21cm high

£100­150

£200­300

235

235

236

A LATE VICTORIAN BRASS DOORSTOP

A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY

BY WILLIAM TONKS & SONS with a foliate handle and a lion mask, with an iron weighted base, stamped with a star and ‘W T & S’ 28.8cm high

with a brass ring handle 22.7cm high

£100­150

£100­150

236 103

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238

239

237 NELSON INTEREST. A VICTORIAN BRASS DOORSTOP IN THE FORM OF H.M.S. VICTORY LATE 19TH CENTURY 237

the pierced handle with a portrait bust medallion, titled ‘ADMIRAL NELSON’, with a lead weighted base 46.7cm high

£100­150

238 A CORNISH SERPENTINE DOORSTOP LATE 19TH / EARLY 20TH CENTURY with a brass ring handle 21.5cm high

£100­150

239 A CORNISH SERPENTINE DOORSTOP 20TH CENTURY 19.3cm high

£100­150

240 A BRASS STAG DOORSTOP FIRST HALF 20TH CENTURY with a lappet leaf handle and a weighted base 40.4cm high

£100­150

240 104

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SNUFF BOXES

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λ 241 TWO FRENCH PRESSED BURR MAPLE SNUFF BOXES EARLY 19TH CENTURY one decorated with the Apollo Belvedere, flanked by a lyre and a caduceus, the other depicting a carriage in a garden setting, each with a tortoiseshell lined interior (2) 8.4cm diameter (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£200­300

241

242 A FRENCH HORN SNUFF BOX IN THE FORM OF NAPOLEON’S BICORN HAT EARLY 19TH CENTURY the lid with a pressed scene of Napoleon on horseback, with a hinged lid 8.2cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120 242

243 A FRENCH PAPIER-MÂCHÉ SNUFF BOX EARLY 19TH CENTURY printed with the ‘Progression de l’École du Soldat, Bataillon and Peloton’, together with another papier­ mâché snuff box, applied with a print of William IV wearing the Order of the Garter (2) 9.8cm diameter Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 243

106

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244 A RARE CHARLES II STEEL SNUFF BOX C.1660­80 the hinged lid engraved with a leopard amongst scrolling foliage 7cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

Catalogue Note The symbolism on this snuff box possibly relates to the Boscobel Oak story when the young Charles II escaped from the Roundheads following the battle of Worcester.

£400­600

244

λ 245 A QUEEN ANNE TORTOISESHELL SNUFF BOX EARLY 18TH CENTURY of ribbed bun form, the lid with an unmarked silver mount, the centre with a fruit motif, the base with a brass rim 7cm diameter Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

245

107

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246 SHAKESPEARE INTEREST. A CHIP CARVED WOOD SPECTACLE CASE LATE 18TH / EARLY 19TH CENTURY possibly mulberry from the tree at New Place, Stratford, the lid with the bust of Sir William Shakespeare and two crests on a foliate lattice ground 13.3cm wide Catalogue Note During the 18th century, there was an informal tourist industry in Stratford with people visiting Shakespeare’s tomb and the mulberry tree he supposedly planted at New Place. However, the then owner, Rev. Francis Gastrell, became annoyed by the growing number of visitors and sometime in the 1750’s felled the tree and later demolished New Place. Objects carved from the mulberry tree first started to appear around 1760 / 1770, after Gastrell sold the wood to local carvers and turners, for example: Thomas Sharp and George Cooper, eager to make souvenirs. At this period of ‘bardolatry’ drinking vessels, tea caddies, tobacco stoppers, goblets, small boxes or caskets, and similar objects carved from the wood were highly prized.

£150­200

247 A VICTORIAN MAHOGANY SNUFF BOX IN THE FORM OF A BOOK MID­19TH CENTURY with a sliding cover 9cm wide

£100­150

247

248 A LEATHER BOOK SNUFF BOX LATE 18TH / EARLY 19TH CENTURY of gilt tooled maroon Morocco leather, the spined inscribed ‘Tom Jones’, the interior with a secret snuff compartment 11.2 x 7.7cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 248 108

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249 A TREEN FROG OR TOAD SNUFF BOX LATE 19TH CENTURY realistically carved with mother of pearl eyes and a hinged cover 8.2cm long Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£300­400

109

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250 A VICTORIAN SCOTTISH TREEN SPECIMEN WOOD SNUFF BOX

BY CHARLES STIVEN & SONS inlaid with twenty­two samples, the majority oak, each titled, including: ‘Oak from Lord Nelson’s Ship Victory’, ‘Oak from the State Prison on Bass Rock’, ‘Oak from the Florida Ship of the Spanish Armada, destroyed at Mull 1588’, with a hinged lid, the underside stamped ‘C. Stiven & Sons, Box Makers to Her Majesty, Laurencekirk’ 10.2cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250 250

251 251 TWO SCOTTISH SYCAMORE MAUCHLINE WARE SNUFF BOXES 19TH CENTURY each with a crest, one of curved form, penwork decorated with the Hunter crest, with a ribbon tied hunting horn above a garter, inscribed ‘In Cornu Salutis Spero’ and with initials ‘A H’, the other with a pair of hands and the motto ‘For Auld Lang Syne’ (2) 10.4cm wide (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

252 A SCOTTISH HORN AND SILVER MOUNTED SNUFF MULL EARLY 19TH CENTURY the hinged lid with initials ‘D W’, the rim inscribed ‘David Williamson’, unmarked 6cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

252 253 A GEORGE III SILVER MOUNTED SHELL SNUFF BOX LATE 18TH / EARLY 19TH CENTURY unmarked, with a hinged lid 7cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250 253 110

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254 254 PRINCESS ALICE STEAMER INTEREST. A RARE SET OF THREE VICTORIAN TREEN SNUFF SHOES DATED '1878' AND '1879' each with brass tack inlay and buttons, two of double snuff box form with hinged tops and heels, the sole of one inlaid with initials 'I.M.O.P. A. 3. 9. 78' in memory of the Princess Alice Steamer tragedy, one heel dated '1878' one other '1879' one of the snuff shoes containing a newspaper cutting inscribed 'The Last Survivor Mrs Emma Webb, buried to­day at Manor Park is believed to be the sole survivor of the Princess Alice steamer disaster in the Thames 1878....' (3) 8.5cm high, 10.7cm long (max) Provenance 'A Lifetime of Collecting' ­ The Property of a Gentleman.

Catalogue Note By the late 19th century the river Thames had become increasingly busy with hundreds of vessels vying for space with no precise 'rules of the road'. Such confusion inevitably led to tragedy. On the 3rd September 1878 the paddle steamer Princess Alice sank after a needless collision in Galleons Reach, more than 600 people last their lives in what is still the worst ever disaster on a British waterway. The present lot were presumably made to commemorate the disaster and were possibly acquired by the Webb family.

£500­800 255 A GEORGE III STEEL SNUFF BOX C.1770­80 of canted rectangular form, the hinged lid inscribed with owner’s name ‘J. Baines’, together with a 19th century steel oval snuff box, the lid inscribed ‘Job Rowles, JR 1877, Wednesfield’ (2) 11.7cm wide (max)

255

Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200 111

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256 THREE SNUFF BOXES 18TH CENTURY AND LATER one in horn, possibly Welsh, the lid inscribed indistinctly ‘Raglan’, a stag antler example and a treen disc shape snuff box with gold mounts (3) 7cm diameter (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150 256

257 FOUR WELSH BRASS OVAL WEST COUNTRY MINER’S SNUFF BOXES LATE 19TH / EARLY 20TH CENTURY stamped ‘George Lovell, Bishops Lydeard, nr. Taunton 1902’, ‘R. Protheroe 1889’, ‘Edward Bundy ...’ and ‘In Memory of George Taylor, Waun Llwyd’ (4) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

257

258 THREE TREEN MAHOGANY SNUFF SHOES 19TH CENTURY with brass tack decoration, one with a hinged lid inlaid with a flowerhead and with carved buttons, the other two with sliding covers (3) 10.7cm long Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­250 258

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259 A REGENCY SCOTTISH MAHOGANY WINE DECANTER COASTER

BY JAMES MEIN OF KELSO, C.1815­20 the dished top with a gadrooned edge, on three leather and brass roller castors, with a printed paper trade label, inscribed ‘J. A. S. Mein Cabinet Maker & Upholsterer Roxburgh Street, Kelso’, in pencil ‘No.23095’ 23.5cm diameter

£500­800

259

260

260 NAVAL INTEREST. AN OAK BOOK MADE FROM THE WRECK OF THE ROYAL GEORGE 19TH CENTURY the spine inscribed ‘History of the Royal George’, with labels to either side ‘In Memory of the Royal George Sunk Aug. 29, 1782’ and Part of the Wreck Recovered October 1839’ 8.3cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

261 A REGENCY MAHOGANY NAPKIN PRESS EARLY 19TH CENTURY the base with a part cedar lined drawer 49cm high, 40.2cm wide, 26.4cm deep

£300­500 261

113

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λ 262 AN IVORY AND PIQUÉ WORK HANDLED WALKING CANE LATE 17TH / EARLY 18TH CENTURY inlaid with rondels and swag designs, pierced for tassel, with a silver collar, above a Malacca shaft 92.7cm long

£300­500

262 263 A MAHOGANY DECANTER CASE LATE 18TH / EARLY 19TH CENTURY the flame veneered case with sunken brass carrying handles, the interior with six gilt decorated spirit decanters and stoppers, a matching tray and two liquor glasses 26.3cm, 31.2cm wide, 23.7cm deep

£300­400

263

264 AN EARLY VICTORIAN BONE SPELLING ALPHABET C.1840­50 in a mahogany case with a sliding cover, the interior with twenty­seven divisions and one hundred and seventy­four double sided letters and six blanks (181) 15.3 x 25.5cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£150­200

264 114

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265 A GEORGE III BILSTON ENAMEL TEA CANISTER / CADDY C.1760 decorated with gilt Rococo scrolls on a turquoise ground, with panels of flowers and rural views, the lid inscribed ‘Bohea’ 9.4cm high Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­200

265

266 TWO GEORGE III ENAMEL PATCH BOXES SOUTH STAFFORDSHIRE, C.1770­80 one with a portrait rondel of George III, inscribed ‘The Gift of a Friend’, the other of navette shape with a tomb, inscribed ‘Remembrance of Friendship’, each with a mirror to the lid (2) 5cm wide (max) Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

266

£150­250

267 THREE BLUE JOHN ITEMS EARLY 19TH CENTURY AND LATER a section of a George III urn and two egg shaped handles, both pierced (3) 7.5cm high

£50­80 267

115

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λ 268 A LATE REGENCY TORTOISESHELL AND MOTHER OF PEARL TEA CADDY EARLY 19TH CENTURY of pagoda shape, with pewter stringing and inlaid with urns of flowers, the interior with ivory edging and twin lidded compartments, on vegetable ivory bun feet 14cm high, 20.5cm wide

£600­800

268

269 A WILLIAM IV EBONY AND MOTHER OF PEARL INKSTAND

269

C.1835 marquetry inlaid with scrolling leaves and flowers, with pewter stringing and a pair of glass inkwells, flanking a lidded compartment and with a dipped division for pens, on disc feet 10.7cm high, 33.5cm wide, 24.6cm deep

£300­400

λ 270 AN EARLY VICTORIAN BLONDE TORTOISESHELL JEWELLERY BOX C.1840 inlaid with pewter stringing, the hinged lid with a vacant plaque, revealing an interior with a plush lined divided lift­out tray 13cm high, 30.7cm wide, 19.8cm deep

£800­1,200

270

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271 A TREEN FRUITWOOD TEA CADDY IN THE FORM OF A PEAR PROBABLY GERMAN, LATE 18TH / EARLY 19TH CENTURY with a stalk finial and a shaped iron escutcheon, the interior with traces of foil, with a key 17cm high

£500­800

271

λ 272 AN EARLY VICTORIAN ROSEWOOD DRESSING CASE C.1845­50 the lid with a brass plaque engraved with a monogram, the underside of the lid with a letter pouch, above a lift­out tray with divisions and fitted with glass bottles, jars and boxes with silver lids hallmarked for London 1848, with mother of pearl handled utensils, above a base drawer 27.5cm wide

£200­300 272

273 A VICTORIAN CALAMANDER JEWELLERY BOX MID­19TH CENTURY with gilt brass strapwork mounts, the lid centred with a Wedgwood style blue basalt plaque, the interior with engraved hinges and lock and with two leather and silk lined lift­out trays 14cm high, 28.2cm wide, 20.4cm deep

£150­250

273

117

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274 275 274 NINE PLASTER MEDIEVAL STYLE SEALS mounted in a glazed walnut frame, carved with fruits, leaves and flaming torches 54 x 50cm

£200­300 λ 275 HERALDRY INTEREST. A PAIR OF PAINTED CARVED OAK SHIELDS 19TH CENTURY AND LATER one with a spread eagle and the motto ‘Pro Deo et Patria’, the other with a griffin head, together with a needlework coat of arms for the Scarisbrick family, Lancashire, in a rosewood frame (3) 27.2cm high (max)

276

£150­200 276 A PAIR OF VICTORIAN PAPIER-MÂCHÉ CANDLESTICKS

BY JENNENS & BETTRIDGE, C.1860 decorated in gilt and polychrome in strapwork designs, the underside stamped ‘Jennens & Bettridge, makers to the Queen’ (2) 34.8cm high

£300­400 277 A VICTORIAN PAPIER-MÂCHÉ BOWL MID­19TH CENTURY of scallop shape, inlaid with mother of pearl, with a chinoiserie scene, together with a matching crumb tray and brush (3) 35cm wide (max)

277 118

£100­200

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278 AN EARLY VICTORIAN PAPIER-MÂCHÉ TABLE CABINET C.1850 painted with faux malachite panels, with gilt highlights and inlaid with mother of pearl, with a pair of doors enclosing five drawers 22cm high, 22.8cm wide

£200­300

278

279 AN EARLY VICTORIAN PAPIER-MÂCHÉ TRAY TABLE 19TH CENTURY AND LATER the circular top decorated with chinoiserie scenes, on faux bamboo supports 50.3cm high, 51cm diameter

£300­400

279

280 A VICTORIAN PAPIER-MÂCHÉ TRAY MID­19TH CENTURY well painted with a parrot, a peacock, flowers and fountains, with gilt highlights on an ebonised ground 60 x 76.3cm

£200­300

280

END OF DAY ONE 119

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CONTINENTAL FURNITURE & LIGHTING DAY TWO LOTS 281­613

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281 A PAIR OF FRENCH BEECHWOOD LONG STOOLS IN LOUIS XV STYLE LATE 19TH CENTURY each carved with shells, leaves and scrolls, on a lattice ground, with cabriole legs united by twin ‘X’ stretchers (2) 46cm high, 132cm long, 54cm wide

£800­1,200

281

282 A FRENCH LOUIS XIV GILTWOOD WALL MIRROR EARLY 18TH CENTURY the later oval plate within a leaf and floret lattice carved frame, with a pierced cartouche surmount, flanked by scrolls, leaves and husks 108 x 70cm Provenance From the collection of Edward Croft­Murray CBE (1907­1980).

£400­600

282

283 A PAIR OF LOUIS XV WALNUT AND BEECH FAUTEUIL C.1760 each with a cartouche shaped back carved with scrolls, flowers and leaves, with later floral upholstery, on cabriole legs (2)

£600­800 283

121

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285 284

284 A FRENCH THUYA AND EBONISED GUÉRIDON LATE 19TH CENTURY with ormolu mounts, the shaped legs united by an undertier 77.5cm high, 52.2cm diameter Provenance By direction of the executors of the late Sylvia Quance.

From the collection of Gordon W. Quance LLM (1931­2017).

£200­300 285 A FRENCH KINGWOOD SERPENTINE CENTRE TABLE IN LOUIS XV STYLE LATE 19TH CENTURY the crossbanded top inlaid with floral marquetry, on cabriole legs 75.2cm high, 99.8cm wide, 58.6cm deep Provenance By direction of the executors of the late Sylvia Quance.

From the collection of Gordon W. Quance LLM (1931­2017).

£200­300 λ 286 A CONTINENTAL ROSEWOOD WORK TABLE MID­19TH CENTURY

286

with ripple mouldings, the hinged lid revealing a fitted interior with amboyna lidded compartments and divisions, on a triform base 72.5cm high, 53.4cm wide, 42.8cm deep

£400­600

122

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287 A ‘FRENCH EMPIRE’ MAHOGANY SECRÉTAIRE À ABATTANT MID­19TH CENTURY flame veneered, with a marble top above a frieze drawer, the interior with a leather lined surface and four drawers, above three further drawers 137.3cm high, 94.5cm wide, 39.3cm deep

£300­500

287

288 288 A FRENCH MAHOGANY AND BRONZE MOUNTED FOLDING SCREEN IN EMPIRE STYLE, LATE 19TH CENTURY with an eagle finial and swan head mounts 114.4 x 77.5cm

£400­600

289 A FRENCH EMPIRE BONHEUR DU JOUR EARLY 19TH CENTURY with ormolu mounts, the raised back with pigeonholes and drawers, above a sliding leather lined writing surface, with a divided frieze drawer and on column supports 93.5cm high, 72cm wide 52.6cm deep

£400­600

289 123

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290 A GILT AND CREAM PAINTED SIDE CABINET IN LOUIS XVI STYLE with a yellow marble top, above a pair of cupboard doors, enclosing a green painted interior with a shelf 93.7cm high, 102.8cm wide, 46cm deep

£400­600

290

291 A PAIR OF CONTINENTAL WALNUT ARMCHAIRS C.1850 each later upholstered, with an arched padded back and turned supports (2)

£200­300

291

292 A PAIR OF CAST IRON OCCASIONAL TABLES each with a later circular top, on tripod leaf supports and triform base (2) 68.2cm high, 50.5cm diameter

£300­500

292 124

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293

λ 293

294

A ROSEWOOD BUREAU PLAT IN LOUIS XV STYLE

A FRENCH KINGWOOD SERPENTINE COMMODE IN LOUIS XV STYLE 19TH CENTURY

19TH CENTURY with ormolu mounts, the top inset with a gilt tooled leather writing surface, with three frieze drawers and false fronts to the reverse 78.5cm high, 142cm wide, 81cm deep

with bronze mounts, the yellow marble top above two long drawers 81.2cm high, 111.7cm wide, 56.5cm deep

£800­1,200

£600­800

294 125

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295 AN ARCHITECTURAL BIRDCAGE 20TH CENTURY with a base drawer, on an associated stand 181.2cm high, 68.5cm wide and deep

£400­600

295 296 A GREEN AND GILT PAINTED OVERMANTEL MIRROR EARLY 20TH CENTURY with three rectangular bevelled plates and decorated with ribbon tied leaves and flowers 183 x 107cm

296

£300­400

297 A BRÈCHE DE VIOLETTE MARBLE TABLE TOP with a moulded edge 74 x 42.2cm

£80­120 297

126

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298 A FRENCH AUBUSSON TAPESTRY CARPET 19TH CENTURY the ivory field with scrolling foliate designs, border cut 460 x 381cm

£400­600

298

299 A FRENCH AUBUSSON TAPESTRY PORTIÈRE 19TH CENTURY worked with tasselled drapes and swags of flowers 269 x 177cm

£300­500

299 127

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300 THREE ITALIAN EMBROIDERED VELVET CURTAINS IN RENAISSANCE STYLE C.1870 of rust colour, stamped with alternating circles and diamonds, the circles containing a hound and a stag's head, the diamonds with Tudor roses, the wide appliqué borders with interlocking raised work in gilt bronze round linen couched threads, gilt bronze wires and tinsel curls, lined and interlined (3) 411 x 371cm 412 x 305cm 437 x 367cm Provenance Baron Mayer Amschel de Rothschild, Mentmore Towers.

Sotheby Parke Bernet, Mentmore House, May 1977.

Acquired by Bernard Nevill (1930­2019), Fonthill, Wiltshire from the Mentmore sale.

Catalogue Note Mentmore Towers, known as Mentmore was built as a country house between 1852­4 for Baron Mayer Amschel de Rothschild (1818­1874). The house was designed in the late 16th / early 17th century style called ‘Jacobethan’ and the was home to the extensive Rothschild collection of art and antiques.

When the contents of Mentmore were sold in 1977 Bernard Nevill bought the present curtains and a large number of other furnishings for his home, the converted stables on the Fonthill Estate, Wiltshire. Nevill (1930­2019) was a professor of textiles at the Royal College of Art, a textile designer and a director of design at Liberty’s where he produced two exciting ranges of printed textiles, ‘Islamic’ (1963) and ‘Jazz’ (1964). He was an aesthete and a great collector and he felt he was rescuing beautiful objects when he had no use for them. The curtains featured in an article on Nevill in World of Interiors magazine in February 2021.

£2,000­3,000

128

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300

129

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λ 301 A PORTUGUESE ROSEWOOD STOOL 18TH CENTURY with a drop­in tooled brown leather seat, above a Rococo carved frieze and conforming cabriole legs united by an ‘X’ stretcher 46.5cm high, 49cm wide and deep

£400­600

301

302

302 A SMALL ROCOCO CARVED WALNUT WALL BRACKET 18TH CENTURY 18.5cm high, 21.3cm wide

£100­200

303 A PAINTED PINE JARDINIÈRE STAND POSSIBLY ITALIAN, 18TH CENTURY the circular top with a recess, decorated with ovolo and stiff leaf decoration 100.4cm high, 34cm wide,

£300­500

303 130

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304 A SPANISH BAROQUE CHESTNUT AND BRONZE MOUNTED VARGUENO LATE 17TH / EARLY 18TH CENTURY with strapwork mounts, the hinged fall revealing a giltwood interior, inlaid with polychrome decorated bone panels and stringing, with an arrangement of thirteen drawers and two cupboards, with further secret drawers, with side carrying handles and an elaborate lock, on a later carved trestle stand with an arcaded stretcher 142.2cm high, 113cm wide, 49cm deep

£6,000­8,000

131

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305

305

306

AN ANTWERP MARQUETRY CENTRE TABLE IN BAROQUE STYLE 19TH CENTURY

A FLEMISH WALNUT SIDE TABLE 17TH CENTURY

with ebony, ebonised and bone decoration, inlaid with fruitwoods, with scrolling leaves, flowers and birds, the rectangular top with a chevron edge, above a frieze drawer with a trade label for ‘Harrods’, on spiral twist legs united by an ‘X’ stretcher 74.5cm high, 117.2cm wide, 76.8cm deep

the boarded top with canted corners above a frieze drawer with a moulded front, on cup and cover supports united by a turned and block ‘H’ stretcher 78.8cm high, 129cm wide, 82.6cm deep Provenance From a private Cornish country estate.

Provenance From a Private Cornish Country Estate.

£500­800

£1,500­2,000

306 132

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307 A PAIR OF BAROQUE GILTWOOD AND GESSO WALL MIRRORS PROBABY GERMAN OR DUTCH, C.1700 AND LATER each with a rectangular plate, the frame decorated with ‘C’ scrolls, flower and winged cherubs, the pedimented surmount with billowing clouds (2) 70.5 x 50cm Provenance Purchased by the present vendor’s family from H. W. Keil Ltd. Broadway, 19th November 1976.

Literature The present lot shares an affinity with mirrors produced in Germany and Holland in the early 18th century. See Graham Child, World Mirrors 1650­1900, pp.222­23, figs. 458 & 459 for a mirror in the manner of Friedrich Unteutsch and a Dutch overmantel with similar cherub decoration.

£2,000­3,000 133

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308 AN ITALIAN MEMENTO MORI 19TH CENTURY with a pair of carved wood crossed bones supporting a section of bone applied with a patinated brass eye, mounted in a glazed box frame decorated in gilt with scrolling leaves and flowers on an ebonised ground, with a brass suspension ring 30.5cm square

£200­300

308

λ 309 AN ITALIAN EBONY AND EBONISED THREE-TIER ÉTAGÈRE LATE 19TH CENTURY inlaid with ivory stringing, each tier with a kingwood panel marquetry inlaid with scrolling leaves and flowers 75.5cm high, 46.7cm wide, 37cm deep

£100­150

309

310 A SMALL ITALIAN GILTWOOD WALL MIRROR FLORENTINE, 19TH CENTURY with a rectangular plate and a pierced outer frame 30.5 x 21.2cm

£80­120

310 134

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311 AN ITALIAN GILTWOOD SIDE TABLE IN NEO-CLASSICAL STYLE 19TH CENTURY the marble top above a fluted frieze centred with ribbon tied drapes 77.8cm high, 60cm wide, 29.5cm deep

£200­300

311

312 A PAIR OF ITALIAN GILTWOOD WALL BRACKETS IN NEO-CLASSICAL STYLE 20TH CENTURY 312

each decorated with drapes (2) 22.8cm high, 18cm wide, 16.7cm deep

£300­400

135

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λ 313 AN ITALIAN WALNUT AND IVORY INLAID TWIN PEDESTAL DESK THE IVORY ATTRIBUTED TO PIETRO PIFFETTI, TORINO, 18TH CENTURY AND LATER with ebonised banding, the top inlaid with a central classical scene of centurions with chariots, flanked by mythical female term figures with wings and horses’ legs, holding urns with scrolling leaves, signed with initials ‘PP’ for Pietro Piffetti, above three frieze drawers, each pedestal with a hinged cupboard door decorated with a figure of a saint, enclosing a shelf, the sides and back with ebonised outline mouldings and inlaid with further classical figures and grotesques, on later castors 82.4cm high, 118cm wide, 61cm deep

£3,000­5,000

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313

137

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314

315

λ 314

λ 315

λ 316

A FRENCH IVORY CORPUS CHRISTI LATE 18TH / EARLY 19TH CENTURY

A CARVED IVORY CORPUS CHRISTI FRENCH OR ITALIAN, LATE 19TH CENTURY

A CARVED IVORY TUSK HUNTING HORN 19TH CENTURY

with a wooden cross mounted in an arched gilt frame the figure: 26.5 x 19cm

on a rosewood cross the figure: 17.5cm high, overall: 47.5cm high

all over carved with a wild boar hunt with hound dogs, with the Royal Coat of Arms and a portrait medallion of George I, inscribed ‘Georgius. D.C. Brit.

Et. Hib. Rex. 1715’, flanked by cherubs, with scrolling leaves and a Bacchic satyr mask, with a silver mount, unmarked and a boar’s head mouthpiece 56.5cm long

£100­150

£800­1,200

£1,200­1,800

316

138

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λ 317 AN ENGRAVED IVORY PLAQUE IN RENAISSANCE STYLE ITALIAN OR GERMAN, 18TH CENTURY depicting well dressed burghers, a mother and child approached by a female beggar and two children in a classical interior, with a view to a courtyard with other figures and a man escaping from a castle, dated ‘1525’, mounted in a later ebonised frame 35.2 x 18cm

£800­1,200

317 139

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318

319

318

319

320

321

A GERMAN IRON CASKET IN GOTHIC STYLE LATE 19TH CENTURY

TWO PORTUGUESE POTTERY MODELS OF BULLS

BY CALDAS, LATE 19TH / EARLY 20TH CENTURY

A FRENCH GILT METAL MOUNTED GLASS DECANTER AND STOPPER IN RENAISSANCE STYLE, LATE 19TH CENTURY

A FRENCH ORMOLU ENCRIER IN LOUIS XV STYLE 19TH CENTURY

decorated with the twelve apostles between columns, with the signs of the zodiac 16.3cm high, 25.2cm wide, 14cm deep

each with a dark brown treacle glaze and with impressed ‘crowned Caldas’ marks (2) 36.7cm high, 54cm long

£200­300

£200­300

modelled in the Rococo style, with leaves, ‘C’ scrolls and flowers, with three compartments with hinged covers, two for inkwells with glass liners, the other with a sander / pounce pot 14.8cm high

with a pierced strapwork mount, the body with moulded wriggle work decoration 26.1cm high

£150­250

£100­150

140

320

321

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322 A FRENCH LOUIS XVI RED MOROCCO LEATHER AND SILVER MOUNTED PURSE LATE 18TH CENTURY the interior with a green silk lining, with a pouch, mirror, a notebook and holders for utensils, the clasp decorated with drapes and with an enamel patera, unmarked 8 x 10.4cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­150

322

323 AN ALABASTER FIORITO AND SILVER MOUNTED BOWL PROBABLY ITALIAN OR MALTESE the rim decorated with swags of flowers, with a floral filigree base and ball feet, unmarked 7.5cm high, 15.3cm diameter

£150­250

323

324 A BELGIAN SPA SYCAMORE GAMES BOX EARLY 19TH CENTURY decorated with landscape scenes with figures, the hinged lid revealing four divisions, with four boxes containing stained bone counters 20.3 x 15.8cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£200­300

324

141

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325 A BRONZE AND MALACHITE TAZZA POSSIBLY RUSSIAN, SECOND QUARTER 19TH CENTURY the patinated bowl cast with portrait medallions and ribbon tied laurel wreaths, one centred with a crowned ‘H’ and the other with interlinked capital ‘D’s, the stepped plinth applied with empire style stars, wreaths and rosettes 42.2cm high, 26cm diameter

£800­1,200

325 326 A PAIR OF GILT AND PATINATED BRONZE URNS IN LOUSI XVI STYLE LATE 19TH / EARLY 20TH CENTURY each with a cone finial, the ovoid bodies with ram’s masks (2) 40.2cm high

£200­300

326

327 A PAIR OF VICTORIAN GILT BRASS AND OPALINE GLASS FIVE-LIGHT CANDELABRA C.1870 each with an urn issuing lilies and with a grapevine, drilled for electricity (2) 77.2cm high

£150­250

327 142

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328 A FRENCH EBONISED AND GILT COPPER HALL LANTERN 19TH CENTURY with an oak leaf and acorn corona, above a globular glazed body, with a hinged door, fitted with a later three­light fitting and with a pendant base 77cm high, 38cm wide

£1,500­2,000

328

329 A FRENCH ORMOLU ‘VERSAILLES’ HALL LANTERN LATE 19TH CENTURY with an open crown surmount decorated with fleur­de­lis and issuing a chain, the octagonal faceted body with bevelled glass panels and a hinged door, applied with shells and flowerheads, with a single light fitting, the base with bearded male masks and a probably later cone pendant 77.5cm high Provenance By repute, this was originally in Chelmsford Cathedral.

£800­1,200

329 143

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330 331

330 A PAIR OF FRENCH NAPOLEON III ORMOLU AND PORCLELAIN CANDLESTICKS IN LOUIS XVI SÈVRES STYLE each with a stiff leaf urn shape sconce, the stem hung with swags of leaves 24.2cm high (2)

£400­600 331 A PAIR OF FRENCH GILT BRONZE CANDELABRA LATE 19TH CENTURY each decorated with urns and cherub masks and on a verde antico marble base (2) 35cm high Provenance From the collection of the late Dr. Gordon Pack.

£150­250 332

332 A PAIR OF ORMOLU AND PAINTED WOOD CANDELABRA IN LOUIS XV STYLE 19TH CENTURY AND LATER the simulated marble urn issuing leaves and flowers, with five lights (2) 55.2cm high

£100­150 333 A PAIR OF FRENCH ORMOLU CANDLESTICKS IN ROCOCO STYLE IN THE MANNER OF MEISSONNIER, MID­19TH CENTURY the undersides stamped with an initial ‘K’ and the monogram ‘M S’ (2) 25.7cm high

333 144

£500­800

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334 A PAIR OF GILT AND PATINATED BRONZE FIGURAL CANDELABRA LATE 18TH / EARLY 19TH CENTURY each with a winged cherub holding leaves and flowers, with twin lights, standing on a marble plinth, hung with chains and tassels (2) 47.7cm high

£600­800 335 A PAIR OF LOUIS XVI GILT AND PATINATED BRONZE FIGURAL CANDELABRA LATE 18TH CENTURY each modelled with a seated cherub supporting twin leaf and flower sconces, with a white marble base on lion’s paw feet, drilled for electricity (2) 23.8cm high

£300­500 336 A PAIR OF GILT AND PATINATED BRONZE TRITON CANDLESTICKS 19TH CENTURY each modelled with the sea god holding a shell cornucopia, with a detachable drip­pan, on a tortoise base (2) 16.5cm high

£300­400 334

335

336

145

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337 A SET OF THREE ORMOLU WALL LIGHTS IN EMPIRE STYLE, 20TH CENTURY each decorated with palm fronds and with three lights (3) 50.5cm high, 38.5cm wide

£400­600 338 A PAIR OF ITALIAN GILTWOOD AND GILT METAL WALL LIGHTS IN BAROQUE STYLE, LATE 19TH / EARLY 20TH CENTURY each modelled with a cherub and scrolling leaves and flowers, with twin lights, fitted for electricity (2) 69cm high, 49cm wide

£200­300 339 A PAIR OF VICTORIAN GILTWOOD AND COMPOSITION WALL SCONCES IN ROCOCO STYLE LATE 19TH CENTURY 337

with three lights, with scrolling branches supported by a cherub (2) 62.5cm high

£100­200

338

146

339

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340 A FRENCH GILT AND PATINATED BRONZE FIGURAL TABLE LAMP EARLY 19TH CENTURY AND LATER of a classical maenad, supporting a torch, later fitted for electricity 32cm high

£200­300

340

341 A FRENCH GILT AND PATINATED BRONZE TABLE LAMP IN EMPIRE STYLE, SECOND HALF 19TH CENTURY in the form of a column, on tripod lion’s paw feet, later fitted for electricity 55.8cm high

£200­300

341

342 TWO FRENCH GILT AND PATINATED BRONZE FIGURAL TABLE LAMPS 19TH CENTURY AND LATER both with classical maidens holding a torch, standing on a marble plinth, later fitted for electricity (2) 52.6cm high

£300­500

342 147

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343 TWO FRENCH GILT AND PATINATED BRONZE FIGURAL TABLE LAMPS EARLY 19TH CENTURY AND LATER one in the form of a winged cherub, the other a classical maiden (2) 69cm high

£300­500

343

344

344 A PAIR OF FRENCH PORCELAIN VASE TABLE LAMPS IN SÈVRES STYLE LATE 19TH CENTURY with bronze mounts, painted with panels of courting couples in 18th century costumes, each signed ‘G. Poitevi’ in gilt reserves, on a bleu du roi ground, with later fittings (2) 53cm high Provenance From a Private Cornish Country Estate.

£200­300

345 A PAIR OF BRASS ALTAR TABLE LAMPS IN BAROQUE STYLE 20TH CENTURY each fitted for electricity, together with a gilt metal altar pricket candlestick with repoussé decoration (3) 83.5cm high (max)

£300­500 345 148

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346 A FRENCH GILT AND EBONISED METAL TWELVE-LIGHT CHANDELIER IN THE MANNER OF MAISON JANSEN, C.1940 of open form, with scrolling leaves and flowers hung with glass drops, with a central basket and ball pendant 110cm high, 77cm wide

£500­800

346

347 A FRENCH NAPOLEON III GILT AND PATINATED BRONZE TABLE LAMP AFTER CLODION, MID­19TH CENTURY modelled with a cherub holding a cornucopia issuing leaves, seated on a rouge griotte marble fluted socle, with a band of oak leaves and acorns, with a later light fitting, formerly the base of a candelabra 50.5cm high Provenance From a Private Cornish Country Estate.

£300­500 347 149

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348

348

349

A PAIR OF FRENCH ROCK CRYSTAL AND GILT METAL WALL LIGHTS ATTRIBUTED TO MAISON BAGUES, 20TH CENTURY

A PAIR OF FRENCH ROCK CRYSTAL AND GILT METAL WALL LIGHTS ATTRIBUTED TO MAISON BAGUES, 20TH CENTURY

in the form of an urn with flowers and leaves, with twin lights (2) 48cm high, 30.5cm wide

in the form of an urn with flowers and leaves, with twin lights (2) 48cm high, 30.5cm wide

£800­1,200

£800­1,200

349 150

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350 A PAIR OF FRENCH ROCK CRYSTAL AND GILT METAL WALL LIGHTS ATTRIBUTED TO MAISON BAGUES, 20TH CENTURY modelled with a parrot perched on a tapering plinth, with leaf and flower scroll arms and twin lights (2) 65.5cm high, 34cm wide

£1,000­1,500

151

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351 A PAIR OF ITALIAN GILT AND POLYCHROME DECORATED PINE BLACKAMOOR TORCHÈRES VENICE, LATE 19TH CENTURY each holding a cornucopia and standing on a simulated porphyry plinth, each with a shade, later wired for electricity; (4) 141.2cm high

£500­800

352 A PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDELABRA EARLY 19TH CENTURY each with a standing blackamoor supporting a pair of torches, with cut­glass sconces and drip­pans, hung with faceted drops and lustres, the base decorated with a basket of fruit and flowers and two laurel leaves, on a marble plinth (2) 31.8cm high, 23.7cm wide Provenance A Private London Collection. Acquired in the first half of the 20th century and thence by descent.

£800­1,200

152

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353 A PAIR OF WILLIAM IV GILT BRASS TABLE LAMPS C.1835 of lappet form, with a leaf scroll base and a later ebonised wood foot, together with a green opaline glass table lamp, all later fitted for electricity (3) 59cm high

£300­500

353 354 A GEORGE IV BRONZE GOTHIC STYLE LAMP BASE C.1825 the scroll finial above a column and an arched base, decorated with trefoils and quatrefoils 61.4cm high

£200­300

354

355 A PAIR OF GREEN JAPANNED TÔLE TEA CANISTERS

BY JOHN. A. GILBERT, C.1860 decorated in gilt with chinoiserie figures, numbered ‘5’ and ‘6’, each with a lid and maker’s stamp ‘John A. Gilbert & Co. Makers, London’ (2) 40.6cm high

£300­500

355 153

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356 A VICTORIAN GILT BRASS HEXAGONAL HALL LANTERN LATE 19TH CENTURY with scroll supports above glass panels, four decorated with knights standing on plinths, with a hinged door with a clenched fist handle 52.5cm high, 38.3cm wide

£200­300

356

357 A SMALL MAHOGANY OCTAGONAL HALL LANTERN PROBABLY EARLY 20TH CENTURY decorated with turned columns and Gothic lancet arches, with glass panels and a single light fitting 45.2cm high

£150­200

357 154

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358 A SMALL REGENCY BRONZE COLZA CHANDELIER EARLY 19TH CENTURY decorated with satyr and Bacchus masks, with vine leaves and grapes, with a foliate corona and a pendant base, later converted 55.2cm high, 34cm wide

£300­400

358 359 A NEAR PAIR OF REGENCY GILT AND PATINATED BRONZE FIGURAL CANDLESTICKS EARLY 19TH CENTURY each modelled with a Bacchanalian cherub satyr supporting a torch, with a white marble base 30.8cm high (2)

£200­300

359

360 A VICTORIAN BOHEMIAN GLASS AND ORMOLU TABLE LAMP MID­19TH CENTURY the blue glass overlay stem decorated with flowers and scrolls, on a Rococo style base, the iron weighted base stamped ‘Ratcliff Birmingham’ 43cm high

£200­300

360 155

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λ 361 A GEORGE IV ROSEWOOD CARD TABLE C.1820 with nulled mouldings, the hinged swivel top with a baize lined playing surface, on brass lion’s paw sabot and castors 76.4cm high, 91.5cm wide, 45.7cm deep

£400­600

361

362 A NEST OF THREE MAHOGANY OCCASIONAL TABLES 19TH CENTURY each with a beaded top, on baluster turned supports, originally a quartetto (3) 70.3cm high, 53cm wide, 41.2cm deep (max)

£300­500

362

363 A MAHOGANY BERGÈRE ARMCHAIR IN REGENCY STYLE LATE 19TH CENTURY with a cane back, sides and seat and two leather cushions

£300­500

363 156

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λ 364 A REGENCY ROSEWOOD CARD TABLE IN THE MANNER OF GEORGE OAKLEY, C.1815­20 the hinged and swivel top crossbanded in calamander, revealing a baize lined interior, on four ring turned supports and brass lion’s paw sabot and castors 75.8cm high, 91.5cm wide, 44.8cm deep

£300­400

364

λ 365 A NEST OF THREE REGENCY ROSEWOOD OCCASIONAL TABLES EARLY 19TH CENTURY each with a beaded top, on ring turned legs (3) 71.4cm high, 51cm wide, 34.4cm deep Provenance From the collection of the late Dr. Gordon Pack.

£300­400

365

366 A REGENCY MAHOGANY BERGÈRE ARMCHAIR ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY with a shaped cane back, sides and seat, with later leather armrests and a cushion, the moulded frame with turned front supports and brass castors, the back rail stamped with workman’s initials ‘H H’ Literature Susan E. Stuart. Gillows of Lancaster & London 1730­1840, p.244 for a discussion of the journeyman ‘H H’.

£500­800 366 157

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367

367

368

A REGENCY MAHOGANY DINING TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

A SET OF EIGHT REGENCY MAHOGANY DINING CHAIRS POSSIBLY IRISH, EARLY 19TH CENTURY

the flame veneered frieze with reeded tablets on ribbed tapering legs, comprising: a pair of 'D' ends and a drop­leaf central section 74.6cm high, 111.5cm wide, 270.5cm long

with leaf carved decoration and with rope twist horizontal backs, on sabre legs, comprising: six side chairs and a pair of open armchairs (8)

£800­1,200

£300­500

368 158

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369 369

370

AN EARLY VICTORIAN FLAME MAHOGANY COMPACTUM WARDROBE C.1840

A REGENCY MAHOGANY CONSOLE TABLE IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY with a reeded edge top above ring turned and ribbed legs 74cm high, 138.5cm wide, 60cm deep

with a central scroll and rosette carved surmount, above a pair of panelled doors, enclosing a later hanging rail and two pull­out slides, above two short and one long deep drawers, flanked by a pair of conforming cupboards, each fitted with a later hanging rail, brass hooks and formerly with shelves 199.5cm high, 256.7cm wide, 66.4cm deep

£150­250

£600­1,000

370 159

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371 A REGENCY MAHOGANY BREAKFAST TABLE EARLY 19TH CENTURY the rectangular tilt­top with rounded corners and a reeded edge, on a ring turned stem and four ribbed downswept legs with brass caps and castors 70.4cm high, 136.5 x 97.9cm

£200­300

371

372 A REGENCY MAHOGANY CHEST EARLY 19TH CENTURY of two short and two long drawers, on swept bracket feet 81.8cm high, 103.5cm wide, 44.6cm deep

£200­300

372

373 A REGENCY MAHOGANY WRITING TABLE EARLY 19TH CENTURY with an ash lined frieze drawer, on trestle ends carved with palmettes 73cm high, 81.5cm wide, 57.5cm deep

£300­500

373

160

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374 A GEORGE IV MAHOGANY BREAKFAST TABLE C.1820 the tilt­top inlaid with stringing and with satinwood banding, on four moulded splay legs and brass castors 72.5cm high, 92.5 x 152cm

£200­300

374

375 A REGENCY MAHOGANY CHEST EARLY 19TH CENTURY of four long graduated drawers, on bracket feet 86.8cm high, 83.8cm wide, 44cm deep

£200­300

375

λ 376 A WILLIAM IV ROSEWOOD LIBRARY TABLE C.1840 the rectangular top with rounded corners, above solid trestle ends united by a ring and baluster turned simulated rosewood stretcher, on sunken brass castors 73.5cm high, 138.5cm wide, 75.3cm deep Provenance From a Private Cornish Country Estate.

£300­500 376

161

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377

378 377 A REGENCY MAHOGANY SOFA TABLE EARLY 19TH CENTURY inlaid with stringing and with satinwood banding, fitted with two frieze drawers, on brass lion’s paw sabot and castors 72cm high, 89cm wide, 61cm deep Provenance From the collection of the late Peter Meyer.

£800­1,200 378 A GEORGE IV MAHOGANY DINING TABLE C.1830 the drop­leaf top on turned legs and brass castors 72.3cm high, 106.5 x 156.8cm (open) Provenance From the collection of the late Dr. Gordon Pack.

£200­300 379 379

A GEORGE IV MAHOGANY COUNTRY HOUSE ADJUSTABLE READING TABLE IN THE MANNER OF GILLOWS, C.1830 the rectangular top with twin hinged and ratcheted opposing reading stands, on a baluster turned stem, with a brass collar and handle, with a platform base, on flattened bun feet with sunken brass castors 88.2cm high (max), 84cm wide, 51cm deep Provenance Major Edward Croft­Murray, Perivale, Ryde, Isle of Wight.

From the collection of Edward Croft­Murray CBE (1907­1980).

£150­250 λ 380 A REGENCY ROSEWOOD AND BRASS INLAID SOFA TABLE EARLY 19TH CENTURY the drop­flap banded top above two frieze drawers, on a ‘U’ shape support and a quatreform platform base, on foliate cast brass sabots and castors 72.5cm high, 62.3 x 142.5cm (open)

380

Provenance From a Private Cornish Country Estate.

£500­800 162

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381 381

λ 382

383

A REGENCY MAHOGANY SCROLL END SOFA IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

A SET OF FOUR GEORGE IV ROSEWOOD SIDE CHAIRS ATTRIBUTED TO GILLOWS, C.1830

A PAIR OF REGENCY MAHOGANY HALL CHAIRS EARLY 19TH CENTURY

later upholstered with green striped silk fabric with squab cushions and bolsters, the part ribbed lappet arms terminating in turned rondels, the conforming frieze on ribbed tapering legs and brass caps and castors 83.7cm high, 201cm wide, 71cm deep

each with a shell and scroll carved back, above a cane seat with a silk squab cushion, with panelled friezes, on anthemion headed turned and ribbed tapering legs (4)

each with a gorget shaped back, solid seat and on turned front legs, one with a printed paper label ‘A. and M. Coleridge Collection’ (2)

£200­300

£400­600

£800­1,200

382

383

163

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384

λ 384 A WILLIAM IV ROSEWOOD BREAKFAST TABLE C.1830 the circular tilt­top with a gadroon moulded edge, above a triform base, with leaf carved scroll supports and a central stem with egg and dart mouldings, winged scroll feet and brass castors (bolts lacking) 74.5cm high, 146cm diameter

£1,000­1,500

385 A REGENCY CALAMANDER AND PARCEL GILT OPEN WATERFALL BOOKCASE C.1820 in two sections and inlaid with boxwood stringing 150cm high, 110cm wide, 33cm deep

£800­1,200

385

164

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386

λ 386 A REGENCY ROSEWOOD BREAKFAST TABLE IN THE MANNER OF WILLIAM TROTTER, C.1815­20 with gadrooned mouldings, the circular tilt­top above a triform stem, with leaf decoration, on reeded scroll feet and brass castors 73.4cm high, 137cm diameter

£1,000­1,500

λ 387 A REGENCY ROSEWOOD AND GILTWOOD DISPLAY CABINET C.1810­15 with ormolu mounts, with a hinged glazed door enclosing two adjustable shelves, flanked by a pair of columns, the open base with a mirrored back, further column supports and a simulated marble plinth 162cm high, 92.5cm wide, 40.5cm deep

£1,000­1,500

387

165

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388 A REGENCY MAHOGANY BOWFRONT SIDEBOARD EARLY 19TH CENTURY fitted with four drawers and a cupboard door, on ring turned legs 91.7cm high, 152.2cm wide, 58cm deep Provenance From the collection of the late Dr. Gordon Pack.

£400­600

388

389 A REGENCY MAHOGANY STOOL EARLY 19TH CENTURY with a needlework seat, on ring turned tapering legs 48.8cm high, 30cm wide, 27.2cm deep

£150­250

389

390 TEN REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY comprising: a set of four inlaid with brass stringing and brass mounts and a set of six, each with matching upholstery and turned front legs (10) Provenance From the collection of the late Dr. Gordon Pack.

£500­800

390 166

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391 A REGENCY MAHOGANY PEMBROKE TABLE EARLY 19TH CENTURY inlaid with stringing and with parquetry arrow motifs, the drop­flap top above an end frieze drawer, with reeded turned pendants, on a turned stem and four swept legs terminating in brass lion’s paw sabot and castors 71.2cm high, 81 x 94.5cm (open)

£500­700

391

392 A REGENCY MAHOGANY READING OR MUSIC TABLE EARLY 19TH CENTURY inlaid with brass and ebonised stringing, the adjustable hinged top originally with a rest, above a drawer and on a tripod base 117.8cm high (max), 46cm wide Provenance From the collection of the late Dr. Gordon Pack.

£300­400

392

393 AN EARLY VICTORIAN MAHOGANY CHILD’S BERGÈRE ARMCHAIR C.1840 with a cane back and seat, with a squab cushion

£200­300

393

167

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394 A PAIR OF REGENCY MAHOGANY CONSOLE TABLES EARLY 19TH CENTURY each with a ‘D’ shaped top, on ring turned tapering legs (2) 73cm high, 137cm wide, 72.5 and 73cm deep

£400­600

394

395 A SET OF SIX REGENCY MAHOGANY DINING CHAIRS EARLY 19TH CENTURY with a curved tablet top rail above a triple vertical splat back, with ribbed supports, comprising: a pair of open armchairs and four side chairs (6) Provenance From the collection of the late Dr. Gordon Pack.

£400­600

395

λ 396 A WILLIAM IV ROSEWOOD LIBRARY TABLE C.1830 with nulled mouldings, the rectangular top with re­entrant corners, on turned ends and sunken brass castors 74.3cm high, 152.7cm wide, 91.5cm

£500­800 396

168

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397 A REGENCY MAHOGANY ‘X’ FRAME OPEN ARMCHAIR ATTRIBUTED TO GILLOWS, EARLY 19TH CENTURY with a cane back and seat and a green leather squab cushion, with reeded decoration and a flowerhead whorl

£500­800

397

398 A GEORGE IV MAHOGANY STOOL ATTRIBUTED TO GILLOWS, C.1825 with a plush upholstered seat, on ring turned and ribbed splay legs 51.7cm high, 38.3cm wide

£300­500

398

λ 399 A REGENCY MAHOGANY DRESSING TABLE MIRROR ATTRIBUTED TO GILLOWS EARLY 19TH CENTURY with a bevelled rectangular plate, with ribbed turned baluster tapering supports with ivory finials and scroll back legs 54cm high, 53.5cm wide, 37.5cm deep.

Catalogue Note See Christopher Gilbert, Furniture at Temple Newsam House and Lotherton Hall, p.380, pl.501 for a similar mirror supplied by Gillows for Parlington Hall, and for a brief discussion.

£500­800

399 169

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400

401

400

401

402

λ 403

A GEORGE IV MAHOGANY DRESSING TABLE C.1830

A LATE GEORGE III MAHOGANY WORK TABLE C.1805­1810

AN EARLY VICTORIAN ROSEWOOD CARD TABLE MID­19TH CENTURY

the top with a three­quarter gallery, above three frieze drawers, the kneehole with sunburst spandrels 81cm high, 95.5cm wide, 52.8cm deep

the drop leaf top with a moulded edge, above a divided frieze drawer and brass castors 75.9cm high, 50.7cm wide, 50.7cm deep

A REGENCY MAHOGANY WORK TABLE IN THE MANNER OF GILLOWS, C.1820

£400­600

Provenance From the collection of the late Dr. Gordon Pack.

£300­500

the top with a reeded edge, above a frieze drawer and with a slide out bag frame, on turned legs and castors 72.5cm high, 45.7cm wide, 45cm deep Provenance Christie's House Sale, Croxteth Hall, Liverpool, 17th September 1973.

170

Provenance From the collection of the late Dr. Gordon Pack.

£300­400

£400­600

402

with a baize lined playing surface, on four leaf carved legs and lion’s paw feet, with brass castors 75.7cm high, 85.7cm wide, 42.5cm deep

403

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λ 404 A PAIR OF EARLY VICTORIAN ROSEWOOD SIDE CABINETS

BY JOHNSTONE & JEANES, C.1840 each with a pink brèche marble top, above a leaf carved edge and a mirrored door applied with leaf carved corbels, enclosing a shelf, one door stamped ‘Johnstone & Jeanes New Bond St. London’ and the numbers ‘5405’ and ‘5406’ (2) 90.5cm high, 63.8cm wide, 33.5cm deep

£800­1,200

404

405 A REGENCY SATINWOOD WRITING TABLE EARLY 19TH CENTURY inlaid with ebonised stringing, the top with a later leather lined hinged writing surface, on a ratchet, above a frieze drawer, flanked by a pair of demi­lune compartments, each with a hinged lid, on brass castors 76cm high, 104cm wide, 50.8cm deep

£500­800

405

406 A GEORGE IV MAHOGANY CHEVAL MIRROR IN THE MANNER OF GILLOWS, C.1825 with a rectangular plate within a reeded slip and with a ring turned baluster frame, on brass castors 157.4cm high, 82.2cm wide, 57.9cm deep

£500­800

406 171

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407 A WILLIAM IV GILTWOOD PIER MIRROR

BY SALTERI & CO., C.1830 the rectangular plate within a baton decorated frame, the back with a printed trade label, inscribed ‘Salteri & Co. Looking Glass Manufacturers, Carvers, Gilders & Printsellers, No. 17 Queen Street, Lincolns Inn Fields’ 95.4 x 64cm

£300­400

λ 408 A WILLIAM IV ROSEWOOD AND PARCEL GILT CONSOLE TABLE C.1830 with lappet scroll supports 87.8cm high, 106cm wide, 39.5cm deep

£500­700

409 A GEORGE IV MAHOGANY SARCOPHAGUS SHAPE WINE COOLER C.1820 veneered with an unusual cut of timber, the interior with curved divisions for four bottles, on nulled bun feet and brass castors 44.8cm high, 66.5cm wide, 41cm deep Provenance From the collection of Edward Croft­Murray CBE (1907­1980).

£200­300 407

408 409

172

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410 A LARGE EARLY VICTORIAN GILTWOOD AND GESSO OVERMANTEL MIRROR IN ROCOCO STYLE, C.1850 the frame carved with ‘C’ scrolls and rocaille, on a punched ground and applied with scrolling leaves and flowers 234 x 165cm

£1,500­2,000 173

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411

412

411

λ 412

413

A MAHOGANY PEDESTAL SAFE CABINET EARLY 19TH CENTURY AND LATER

A GEORGE IV ROSEWOOD WHATNOT C.1825

the hinged door with false drawer fronts, revealing a door and Victorian Sampson Mordan cast iron safe, with oval maker’s plaque ‘S. Mordan & Co. Makers London’, the divided interior with a lockable drawer (2) cabinet: 113cm high, 63.5cm wide, 51.8cm deep safe: 61.5cm high, 46cm wide, 43cm deep

of three tiers, with ring turned baluster supports, on brass castors stamped ‘Copes Patent Strong’ 76.7cm high, 53cm wide, 36.5cm deep

THREE LATE REGENCY MAHOGANY DINING CHAIRS IN THE MANNER OF GILLOWS, EARLY 19TH CENTURY

£1,000­1,500

174

Provenance Dreweatt Neate, 25th October 1988, lot 119.

From the collection of the late Dr. Gordon Pack.

£300­400

with ribbed decoration, together with two pairs of mahogany dining chairs (7) Provenance From the collection of the late Dr. Gordon Pack.

£300­400

413

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414 A RARE WILLIAM IV PARROT COAL OCCASIONAL TABLE

BY R. MARTIN, DATED ‘1836’ the rectangular top on a faceted stem and quatreform base, signed and dated to the underside of the top 75.8cm high, 68.7cm wide, 47.3cm deep Provenance David and Paula Newman, London / Eastbourne.

Literature See Furniture History, Volume 23, 1987, pp.35­38 for an article by David Jones titled ‘Coal Furniture in Scotland’.

Catalogue Note Parrot coal is a geological formation dating back to the Carboniferous period.

The term ‘Parrot’ refers to the chattering noise it makes when it is burnt. It was used during the 19th century to produce furniture as it has similar characteristics to marble. The West Wemyss Colliery in Fife is well known for the excavation of parrot coal and tables and other objects made by the stonemason Thomas Williamson were exhibited at the Great Exhibition in 1851.

A similar table was sold by Mallams, Cheltenham in 2011.

£500­800 415 A VICTORIAN EBONY AND ASHFORD MARBLE MIRROR C.1860­70 with an oval plate, the spandrels inlaid with leaves and flowers 26.5 x 22.2cm

£250­350 416 A COLLECTION OF TWENTY SPECIMEN STONE EGGS 20TH CENTURY

414

including: obsidian, crystal agate, black jasper and aventurine, each numbered with a printed index, in a card box 3cm Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£80­120

416

415 175

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417

417

418

419

SALISBURY INTEREST. A PAINTED WOOD SHOP SIGN FOR BEACH’S BOOKSHOP MID­20TH CENTURY

A LARGE NEEDLEWORK SAMPLER

BY ANN TAYLOR, FIRST HALF 19TH CENTURY

A LARGE NEEDLEWORK PICTURE LATE 19TH / EARLY 20TH CENTURY

20.2cm x 117.1cm

worked with coloured silks on a linen ground, with a virtuous text, urns of flowers, crowns, butterflies and a landscape scene with the Tree of Knowledge and a shepherd and shepherdess with their flock, signed ‘Ann Taylor Aged 9 Years’, in a later glazed frame 65.5 x 63cm

£300­500

worked with coloured silks, depicting two peacocks in a garden landscape, in a glazed gilt frame 108.5 x 77.5cm

£200­300

£200­300

418

176

419

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420 A REGENCY WOOLWORK EMBROIDERED PICTURE OF A LION WITH A SNAKE AFTER JAMES NORTHCOTE, R. A. (1746­1831), EARLY 19TH CENTURY worked in various stitches with coloured silk and wool, depicting a recumbent lion grappling with a snake in a landscape setting, in a glazed ebonised reeded frame 53.2 x 67.8cm Provenance The Sir Michael Codron Collection of Lions.

£500­800

420

421 421 A GEORGE III NEEDLEWORK SAMPLER PIN BALL DATED ‘1779’ worked with flowers and geometric designs in Quaker style, with initials ‘M W’ 5.2cm wide Provenance ‘A Lifetime of Collecting’ ­ The Property of a Gentleman.

£100­200

422 A SMALL GEORGE III NEEDLEWORK SAMPLER

BY ANN JACKSON worked with coloured silks on a linen ground, with an alphabet and numbers, with Caleb and Joshua carrying grapes, inscribed ‘God Bless The King, Preserve The Crown, Defend The Church And Strike Rebellion Down’, dated ‘1787’ and signed ‘Ann Jackson her Work’, in a later glazed frame 28.2 x 16cm

£200­300

422 177

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423

424

423

424

‘WIENN IN OSTERREICH’ A HAND-COLOURED ENGRAVED VIEW OF VIENNA BY F. B. WERNER AFTER JOHANN FRIEDRICH PROBST (GERMAN 1721­1781)

DOMINIA ANGLORUM IN AMERICA SEPTENTRIONALI AFTER JOHANN BAPTIST HOMANN, C.1740

printed on two sheets joined together, numbering important houses and buildings in the city, in a later glazed frame 32 x 103.8cm

four hand­coloured engraved maps on one sheet of Virginia and Maryland, New England, Carolina, New Foundland and Nova Scotia, in a later glazed frame 51 x 56.5cm

£150­200

£300­400

425

426

LITERATURE. ‘THE DICTIONARY OF ENGLISH FURNITURE’

BY PERCY MACQUOID AND RALPH EDWARDS

LITERATURE. A COLLECTION OF BOOKS RELATING TO FURNITURE, ANTIQUES, CLOCKS AND COUNTRY HOUSES

in three volumes, with dust covers, published by Country Life, 1929 (3)

425

Provenance From the collection of the late Dr. Gordon Pack.

£200­300

including: Cescinsky and Gribble, Early English Furniture and Woodwork, Victor Chinnery, Oak Furniture, Charles Alix, Carriage Clocks, Edward Joy, Pictorial Dictionary of British 19th century Furniture Design, Clifford Musgrave, Regency Furniture and 18th Century Furniture, The Norman Adams Collection.

Provenance From the collection of the late Dr. Gordon Pack.

£100­200 427 LITERATURE. A LARGE COLLECTION OF BOOKS RELATING TO FURNITURE AND THE DECORATIVE ARTS including: Nicholas Goodison, Ormolu: The work of Matthew Boulton, Ralph Edwards, The Dictionary of English Furniture, in three volumes, revised edition, Adam Bowett, English Furniture 1660­1714 and Geoffrey Willis, English Looking Glasses Approximately 160 volumes

£200­300 For a fuller listing of lots 426 and 427 please see our website

426

178

427

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428 A COLLECTION OF DRAWINGS AND PAINTINGS

BY HENRY BELLARS C.1840­50 with six ornithological studies of birds, three mounted as one, including a goldfinch and a golden crested wren, together with eleven loose­leaf studies (15) 23.7cm high (max)

£300­400

428

λ 429 AN IVORY SEAL 19TH CENTURY the matrix with the arms of the Marquess of Tweeddale, together with a tortoiseshell box and cover and a small 18th century portrait miniature of a gentleman, in a brass frame (back lacking) (3)

£100­150 429

430 ROYAL INTEREST. EPHEMERA RELATING TO BALMORAL CASTLE, OSBORNE HOUSE AND WINDSOR CASTLE LATE 19TH CENTURY including: two printed programmes 'Tableaux Vivants' at Osborne on the 8th & 10th January 1891, a similar programme at Balmoral Castle, 23rd & 24th October 1890, three typed 'Dinner Lists' for 22nd & 30th June and 6th July at Windsor Castle, guests included the Queen, Empress Frederic, Princess Victoria of Prussia and the Duke and Duchess of Connaught, in a silver mounted Tartan ware blotter the front with an oval plaque engraved with crowned initials 'LCA' for Louise Caroline Alberta, Princess Louise, Duchess of Argyll (1848­1939) 30.7 x 23.2cm

£200­300 430 179

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432 431 431

432

A CUT-GLASS ICE BUCKET LATE 19TH / EARLY 20TH CENTURY

AN OAK AND SILVER PLATED OVAL OYSTER BUCKET EARLY 20TH CENTURY

with a silver plated rim, with a pair of swing handles 22cm high

of staved construction, with a pair of handles, one band stamped with a cupid 18cm high, 39.5cm wide

£100­150

£200­300 433

434

A PAIR OF BOHEMIAN ENAMELLED GLASS HOOKAH BASES MID­ TO LATE 19TH CENTURY

A LATE VICTORIAN SILVER PLATED AND GLASS CENTREPIECE C.1880

with gilt highlights and decorated with flowers (2) 31.2cm high (max)

with a detachable edged bowl, above a triform base applied with three Parian scantily clad classical maidens 27cm high, 25.5cm diameter

£100­150

£200­300

433

435 A PAIR OF RUBY GLASS AND SILVER PLATED CLARET JUGS LATE 19TH CENTURY together with a similar example with a pear shape body (3) 24.4cm high (max)

£150­250

434 180

435

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436 436

437

A LATE VICTORIAN OAK GREAT NORTHERN RAILWAY COAL WAGON HUMIDOR C.1900

AN EDWARDIAN OAK AND BRASS COUNTRY HOUSE LETTER BOX EARLY 20TH CENTURY

the hinged coal effect lid revealing a divided interior, with a strike and a metal bowl, the front with the letters ‘G N R’, numbered ‘1741’ and with the registration number ‘230537’ 17.1cm high, 33.2cm long

437

with a hinged lid with a single slot, with a Bramah lock 26.8cm high, 43.5cm wide, 22cm deep

£200­300

£500­800 438

λ 439

A THUYA WOOD TABLE CABINET LATE 19TH CENTURY

A CAST IRON TORTOISE TABLE BELL EARLY 20TH CENTURY

inlaid with fan paterae and spandrels, with six short drawers above a pair of hinged doors, revealing a lift­out tray and two long drawers 31.8cm high, 30.6cm wide, 19.5cm deep

with a real tortoise shell and a wind­up mechanism 16.5cm long

£80­120

£100­200 438 λ 440 AN EARLY VICTORIAN BURR WALNUT AND LEATHER CONCERTINA

BY C. WHEATSTONE & CO., C.1850 with forty­eight ivory buttons and with a signature panel, inscribed ‘C. Wheatstone & Co. Manufacturers, London, W.C. 15 West St. Charing Cross Rd’, numbered ‘1122’ for 23rd May 1846, in a rosewood hexagonal case 17cm high, 21cm wide Catalogue Note According to the Wheatstone & Co. Concertina Ledgers, number ‘1122’ was made for Lady Charlotte Denison (1806­1889) (née Cavendish­Bentinck) the daughter of the 4th Duke of Portland.

£500­800

440

439 181

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BLACK FOREST & AUSTRIAN WORKS OF ART

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441 A BLACK FOREST LINDEN WOOD DOG GROUP LATE 19TH / EARLY 20TH CENTURY depicting the mum with her three puppies 26cm wide

£400­600

441

442 A BLACK FOREST LINDEN WOOD BEAR PEN HOLDER LATE 19TH / EARLY 20TH CENTURY the seated bear with glass eyes, supporting an associated bark pencil (2) 14.8cm high

£100­150

442

443 A BLACK FOREST LINDEN WOOD NOVELTY COAT HOOK LATE 19TH / EARLY 20TH CENTURY in the form of a fox with glass eyes, dressed in hunting apparel, holding a rifle, with horn hooks 32cm high

£200­300

443 183

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445

444

444

445

A BLACK FOREST LINDEN WOOD WALL RACK LATE 19TH CENTURY

A SWISS CARVED WOOD AND STAG ANTLER MOUNTED BOX LATE 19TH CENTURY

carved with two St. Bernard mountain dogs with glass eyes, inscribed ‘Chamonix’ 31 x 14cm

the interior with twin divisions 14.8cm high, 28.5cm wide

£150­200

446 184

£150­250

446

447

A BLACK FOREST LINDEN WOOD ÉPERGNE LATE 19TH CENTURY

A PAIR OF BLACK FOREST LINDEN WOOD BEAR BOOKENDS FIRST HALF 20TH CENTURY

carved with a stag on a rocky mound with leaves, supporting a glass trumpet vase 47.1cm high

each modelled with a standing growling bear (2) 17.2cm high, 12.6cm wide

£100­200

£100­150

447

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448 A BLACK FOREST CARVED LINDEN WOOD BEAR STICKSTAND LATE 19TH CENTURY with glass eyes, modelled standing holding a branch, the base with a metal lift­out liner 109.3cm high, 39cm wide

£2,000­3,000

448 449 449

450

A BLACK FOREST LINDEN WOOD FIGURE OF A FARMER 19TH CENTURY

A PAIR OF BLACK FOREST LINDEN WOOD MODELS OF CROCODILES LATE 19TH / EARLY 20TH CENTURY

the bearded figure standing and wearing a hat 69.4cm high

each with articulated bodies and glass eyes (2) 38cm long (max)

£500­800

£100­150

450 185

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451 A CARVED WOOD BULLDOG BRUSH HOLDER LATE 19TH CENTURY with glass eyes, together with a brush (2) 24.4cm high, 15cm wide

£150­250

451

452 A CARVED WOOD BULLDOG’S HEAD PIPE STAND LATE 19TH CENTURY with glass eyes, together with a carved bark effect pipe (2) 13cm max

£100­150 452

453 A BLACKFOREST LINDEN WOOD DOG INKWELL AND PEN TRAY LATE 19TH / EARLY 20TH CENTURY with glass eyes, the head hinged to reveal a glass inkwell 10.2cm high, 22.2cm wide

£150­200

453

186

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454 A CARVED AND PAINTED WOOD STAG HEAD MOUNT LATE 19TH CENTURY with real fourteen point antlers, mounted on a leaf scroll shield plaque 127cm high, 85cm wide

£2,000­3,000

454 455

455 A PAIR OF ANTLER WALL LIGHTS 20TH CENTURY each with a single sconce (2) 69.8cm high, 44.6cm wide

£300­500

456 A BLACK FOREST CARVED LINDEN WOOD FOX’S HEAD AND BELL WALL MOUNT LATE 19TH / EARLY 20TH CENTURY with glass eyes and a brass bell, mounted on a shield shape plaque 35cm high, 28cm wide

£1,000­1,500

456 187

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457

458

457

458

A CAST IRON HUNTING WHIP RACK LATE 19TH / EARLY 20TH CENTURY

AN AUSTRIAN COLD PAINTED METAL PARROT HEAD DESK CLIP LATE 19TH / EARLY 20TH CENTURY

decorated with a horse’s head, within a horse shoe, with oak leaves and acorns, the crossed whips with greyhound head terminals, with seven hooks, the back stamped with a capital ‘M in a star’ and numbered ‘5820’ 36 x 76.5cm

mounted on an oak base 14.5cm wide

£150­200

£200­300

459

460

A COLD PAINTED METAL GREYHOUND PEN WIPE LATE 19TH / EARLY 20TH CENTURY

TWO AUSTRIAN COLD PAINTED METAL TABLE LIGHTERS FIRST HALF 20TH CENTURY

18cm long

one in the form of a spaniel with a pheasant in its mouth, the other an Orientalist group of two carpet sellers, with a camel (2) 27cm (max)

£80­120 459

£100­150

460 188

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461 SEVEN AUSTRIAN COLD PAINTED BRONZE MODELS OF ANIMALS LATE 19TH / EARLY 20TH CENTURY two in the form of foxes, a lion, a dachshund, a woodcock, a grouse and a partridge, one stamped ‘Austria’ (7) 9.8cm (max)

£200­300

461

462 AN AUSTRIAN COLD PAINTED BRONZE FIGURE OF A FISHER BOY IN THE MANNER OF FRANZ BERGMAN, EARLY 20TH CENTURY the base with a crab and two fish, numbered ‘8412’ 11.9cm high

£200­300

462

463 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF A GOLDEN PHEASANT

BY FRANZ BERGMAN, LATE 19TH / EARLY 20TH CENTURY the underside stamped with a ‘capital B in a vase’ and inscribed ‘Gesch 5724’ 21.8cm high, 44.5cm long

£800­1,200

463 189

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464

465

464 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF A CAT IN THE MANNER OF FRANZ BERGMAN, LATE 19TH / EARLY 20TH CENTURY

466

stamped ‘Geschützt’ 11.4cm high, 17.5cm long

£200­300 465 AN AUSTRIAN COLD PAINTED BRONZE MODEL OF A PUG DOG LATE 19TH / EARLY 20TH CENTURY 11.8cm long

£150­200 466 A FRENCH BRONZE NOVELTY INKWELL IN THE FORM OF A DOG LATE 19TH CENTURY the puppy with a hinged neck, revealing a ceramic liner, the underside with a registration mark and stamped ‘Depose’ 18.2cm long

£150­200 467 A PAIR OF AUSTRIAN PAINTED TERRACOTTA MOORISH FIGURES

BY JOHANN MARESCH, LATE 19TH / EARLY 20TH CENTURY of an Arab beauty carrying an ewer and a man holding a basket and fruit, impressed marks ‘J. M.’ and numbered ‘6431’ and ‘6432’ (2) 47.8cm high (max)

£300­500 467 190

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GRAND TOUR & SCULPTURE

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468 468 AN ITALIAN BRONZE GRAND TOUR FIGURE OF THE CAPITOLINE DYING GAUL AFTER THE ANTIQUE, LATE 19TH CENTURY on an ebonised oval plinth the bronze: 34cm wide, overall: 44.5cm wide

£300­500

469 A PAIR OF GRAND TOUR STYLE SPECIMEN MARBLE OBELISKS 20TH CENTURY 37cm high (2)

£200­300

469

470 A PAIR OF ITALIAN PATINATED BRONZE GRAND TOUR MODELS OF THE MEDICI VASE AFTER THE ANTIQUE. LATE 19TH CENTURY each mounted on a giallo antico marble base (2) 30cm high, 23.2cm wide

£800­1,200 470

192

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471 AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS, AFTER THE ANTIQUE. CAST BY SABATINO OF NAPOLI, LATE 19TH CENTURY the classical figure standing on a circular plinth, inscribed ‘Sabatino 1889 Napoli’ 62.3cm high

£800­1,200

471

472 AN ITALIAN BRONZE GRAND TOUR FIGURE OF NARCISSUS AFTER THE ANTIQUE. CAST BY SOMMER OF NAPOLI, LATE 19TH CENTURY the classical figure standing on a circular plinth, inscribed ‘C. Sommer Napoli’ 62cm high

£800­1,200

472

193

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473 AN ITALIAN BRONZE GRAND TOUR SATYR GROUP AFTER THE ANTIQUE. NAPOLI, LATE 19TH CENTURY depicting a faun teaching Pan to play the pipes, the base with an applied plaque, inscribed ‘Gargiulio Gannone E Ci Fonderia di Bronzo, Il Monastero St. Franco Vecchio, Napoli’, on an ebonised wood stand 32.5cm high

£400­600

474 AN ITALIAN ALABASTER GRAND TOUR BUST OF DIANA AFTER THE ANTIQUE. LATE 19TH CENTURY on a turned socle 41.5cm high

£300­500

473

474

475

476

A COLLECTION OF NINETEEN PLASTER GRAND TOUR INTAGLIOS 19TH CENTURY

A LARGE COLLECTION OF PLASTER GRAND TOUR INTAGLIOS 19TH CENTURY

with examples after Thorwaldsen, Canova and the Antique, in a planewood box with an index handwritten in pen by Mary Salmon 30.3 x 21.6cm

with various subject matter, including: portraits, mythological scenes and characters, topographical views of Rome, etc, some damages (143)

£300­500

£400­600

475

194

476

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477 A LARGE ITALIAN BRONZE ATHÉNIENNE AFTER THE ANTIQUE. IN THE MANNER OF CHIURAZZI OF NAPOLI, 2ND HALF OF 19TH CENTURY the brazier top with a later copper liner, supported by three satyr monopodia, on a rosso marble stand bronze: 91.3cm high marble: 41.9cm high Provenance By repute Oakley Hall, Shropshire.

£1,000­1,500

477

478 AN ITALIAN PATINATED BRONZE GRAND TOUR FIGURE OF SPINARIO AFTER THE ANTIQUE. CAST BY SOMMER OF NAPOLI, LATE 19TH CENTURY the circular base signed ‘Fonderia Sommer Napoli’ 45.1cm high

£800­1,200

478 195

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479 A GILT BRONZE AND ALABASTER DESK PAPERWEIGHT LATE 19TH / EARLY 20TH CENTURY modelled with a recumbent lion, together with an ashtray with a bronzed spelter lion and a carved alabaster paperweight (3) 13.8cm wide (max) Provenance The Sir Michael Codron Collection of Lions.

£100­150

480 FOUR LION’S MASKS 19TH CENTURY

479

comprising: a pair of lead examples, a bronze mask originally with a ring handle and a verde antico marble paperweight decorated with a gilt bronze mask (4) 12cm (max) Provenance The Sir Michael Codron Collection of Lions.

£50­80

481 AN EBONISED PLASTER MODEL OF THE MEDICI LION 20TH CENTURY together with an Italian gilt plaster model of an Etruscan ewer, with a lion handle and relief decorated with Bacchanalian figures (2) 23.3cm high, 34.5cm wide Provenance The Sir Michael Codron Collection of Lions.

£100­200

480

481

196

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482 AN 18TH CENTURY BRONZE FIGURE OF DIANA AFTER GABRIËL DE GRUPELLO (FLEMISH 1644­1730) the classical huntress holding a bow with a quiver of arrows, accompanied by her dog 23.2cm high

£800­1,200

482

483 A LARGE PAIR OF BRONZE EWERS IN RENAISSANCE STYLE FRENCH OR ITALIAN, LATE 19TH CENTURY relief decorated with Bacchanalian revelry, the handle with a Cupid figure and with bands of grapevine (2) 56.8cm high

£600­800

483

484 AN ITALIAN BRONZE INKWELL IN RENAISSANCE PADUAN STYLE 18TH / 19TH CENTURY the lid with a cone finial, the well supported by three crouching satyrs, on lion’s paw feet 22.5cm high, 17.8cm wide

£400­600

484 197

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485 A LARGE FRENCH BRONZE OF A BACCHANALIAN MUSICIAN LATE 19TH / EARLY 20TH CENTURY with a grapevine in his hair and playing a bagpipe, the base signed ‘Tillmant’ 91.3cm high

£800­1,200

486 A FRENCH BRONZE NOVELTY GRAND TOUR CLASSICAL RUINS MANTEL CLOCK 2ND HALF 19TH CENTURY the brass eight day drum movement stamped ‘104’, the circular dial with Roman numerals, the centre decorated with leaves and flowers, the case in the form of a capriccio of temple ruins with classical sculptures and columns, stamped ‘2492’ 53.8cm high, 33cm wide Provenance From the family collections of Captain George Lionel Jameson OBE (1880­1961) and by descent.

£400­600

487 485

A BRONZE MODEL OF A RAM’S HEAD LATE 19TH / EARLY 20TH CENTURY 14.2cm high, 21.5cm wide

£200­300

487 486 198

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488 A PAIR OF FRENCH BRONZE GRAND TOUR FIGURES OF MERCURY AND FORTUNA AFTER GIAMBOLOGNA (FLEMISH 1529­1608), 19TH CENTURY he holds a caduceus in his left hand, she holds a leaf in her right hand, both on a rosso antico cylindrical plinth relief decorated with cherubs (2) 50.3cm high (max)

£400­600

488

489 A PAIR OF FRENCH CLASSICAL BRONZE GROUPS LATE 18TH / EARLY 19TH CENTURY each depicting a goddess led by a Cupid, on a polished bronze plinth, one with a printed trade label to the underside ‘Ramus Bros. Dealers in Works of Art 186, Piccadilly, W.’ (2) 32.9cm high (max)

£1,500­2,500

489

199

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490 AN ITALIAN MARBLE GRAND TOUR PORTRAIT RELIEF BUST POSSIBLY OF NAPOLEON, EARLY 19TH CENTURY with a printed paper label for the ‘A. and M. Coleridge Collection’ 32.5 x 28cm

£500­800 491 A PAIR OF SMALL FRENCH BRONZE FIGURES OF PHILOSOPHERS EARLY 19TH CENTURY depicting Jean­Jacques Rousseau and Voltaire, each standing on a plinth base (2) 13.2cm high

£150­250 492 490

A FRENCH BRONZE BUST OF LOUIS XVI AFTER JEAN ANTOINE HOUDON (FRENCH 1741­1828) signed ‘Houdon’ and mounted on a verde antico marble plinth 37cm high

£400­600 493 A FRENCH BRONZE RELIEF PORTRAIT RONDEL

BY L. MARE, DATED ‘1892’ depicting three children, signed ‘L. Mare Juin 1892’ 43cm diameter

£200­300

491

492 200

493

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494 A FRENCH BRONZE GROUP OF A SEA NYMPH AND PUTTO

BY HENRY DASSON (FRENCH 1825­1896), DATED ‘1885’ signed ‘Henry Dasson 1885’, on an ormolu mounted grand mix campan marble base and an associated ebonised wood column bronze: 62.8cm high column: 100cm high Catalogue Note For a comparable example see Christie's, The Opulent Eye, 22nd September 2011, lot 88.

£3,000­5,000

201

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495

496 495 A FRENCH TERRACOTTA MODEL OF A SPHINX LATE 19TH CENTURY 63.8cm high, 62cm wide, 30cm deep

£500­700 496 A FRENCH PATINATED PLASTER BUST OF A GENTLEMAN LATE 19TH / EARLY 20TH CENTURY signed ‘J B Cheret Fc 1801’ 49cm high

£200­300 497 A SCOTTISH PATINATED PLASTER FIGURE OF A MUSICIAN

BY DAVID WATSON STEVENSON (1842 ­1904) depicting a young lady playing mandolin accompanied by her trusted dog, the base inscribed ‘ D. W. Stevenson Sc A. R. S. A. 1880’ 101cm high, 33cm diameter

£150­250 498 A FRENCH PAINTED PLASTER FIGURE OF VENUS AFTER ETIENNE­MAURICE FALCONET (FRENCH 1716­1791) the goddess about to bathe 82.8cm high

£500­800

497 202

498

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SHELLS, MINERALS & FOSSILS

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499 A COLLECTION OF MICROSCOPE SLIDES LATE 19TH CENTURY AND LATER including views of H. R. H. Prince Philip's Royal Pacific Tour of Easter Island, 1971, housed in a walnut cabinet fitted with metal trays and with a base drawer, together with two other boxes of slides (3) 26.6cm high, 30.4cm wide

£400­600

499

λ 500 A COLLECTION OF MICROSCOPE SLIDES LATE 19TH / EARLY 20TH CENTURY housed in a mahogany table collector’s cabinet, enclosing nine drawers with numbered ivory handles and with a glazed door 31.5cm high, 23.3cm wide

£400­600

500 501 AN EARLY VICTORIAN MAHOGANY COLLECTOR’S CABINET C.1840 the panelled door enclosing fifteen drawers, with turned bone handles, the back with a printed paper trade label, inscribed ‘Museum of Natural History, J. Gardner, Naturalist, 52 High Holborn, London’ 85.2cm high, 45.8cm wide, 41.5cm deep

£400­600

501 502 A SMALL COLLECTION OF OPTICIAN’S PROSTHETIC GLASS EYES LATE 19TH / EARLY 20TH CENTURY with nine examples, in blue, brown and grey, in a mahogany case (10) 30cm wide

£300­400 502 204

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503 A SPECIMEN MINERAL ‘GROTTO’ DIORAMA with crystal amethyst and other minerals, in a glazed ebonised case 59cm high, 42cm wide

£600­800

503

504

504 A COLLECTION OF SEA SHELLS housed in a pine collector’s chest, together with two clam shells (A lot.) chest: 43cm high, 38.2cm wide, 25.5cm deep

£300­400

505 A COLLECTION OF MINERALS AND FOSSILS with various specimens, including verdite, quartz, garnet, small ammonites, lead ore and fluorspar, housed in a collector’s chest of eight drawers (A lot.)

55.2cm high, 46cm wide, 26.5cm deep

£300­400

505

205

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506 TAXIDERMY. A PRESERVED HARLEQUIN MACAW PROBABLY LATE 19TH / EARLY 20TH CENTURY later mounted on a pine stand 89.5cm high

£300­500

506

507

507 TAXIDERMY. A DIORAMA OF THIRTY PRESERVED EXOTIC BIRDS LATE 19TH / EARLY 20TH CENTURY mounted in a naturalistic setting, in a later glazed display case 76.5 x 56.2cm

£200­300

508 A COCO DE MER BOX (LODOICEA MALDIVICA) LATE 19TH CENTURY the top later hinged, the interior with twin divisions 27.5cm high, 28cm wide

£300­400 508

206

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λ 509 A PAIR OF GIANT CLAM SHELLS (TRIDACNA GIGAS), PROBABLY 19TH CENTURY with a weathered finish (2) 68cm wide (max)

£1,000­1,500

λ 510 A PAIR OF LARGE CLAM SHELLS (TRIDACNA), PROBABLY LATE 19TH / EARLY 20TH CENTURY 62.5cm wide (max) (2)

£800­1,200

207

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511 A COLLECTION OF SEA SHELLS with various specimens including a fusinus colus and a large conch shell (A lot) 54cm (max)

£200­300

511

512 A COLLECTION OF SEA SHELLS with various specimens including a zebra murex shell and abalonel (A lot) 26cm (max)

£200­300

512

513 A COLLECTION OF SEA SHELLS with various specimens including a star fish, tibia fusus and red abalone (A lot) 24cm (max)

£200­300

513

208

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514

514 A MAHOGANY THREE SEATER SOFA IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY with chequered upholstery, with a fluted frieze and on turned fluted legs 89.5cm high, 198cm wide, 94cm deep

£800­1,200

515 A PAIR OF SATINWOOD SIDE CHAIRS IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY inlaid with ebonised stringing, each with a lattice back, the seats covered in watered silk, one with a squab cushion (2)

£200­300

515

516 A PAIR OF WALNUT ARMCHAIRS IN GEORGE II STYLE LATE 19TH CENTURY one with needlework upholstery, the other with red plush fabric, with scroll arms, on shell capped cabriole front legs and claw and ball feet (2)

£800­1,200

516 209

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λ 517 AN EARLY VICTORIAN ROSEWOOD BREAKFAST TABLE C.1840 the circular tilt­top on a faceted stem and castors 75cm high, 137cm diameter

£400­600

517

λ 518 AN EARLY VICTORIAN ROSEWOOD WHATNOT C.1840 with three shaped tiers, turned supports and brass castors 80.5cm high, 39.3cm wide, 34.5cm deep Provenance From the collection of the late Dr. Gordon Pack.

£150­250

518

λ 519 A VICTORIAN ROSEWOOD OTTOMAN / CANTERBURY C.1860­70 plush upholstered, the hinged seat revealing an interior with three divisions, the brass hinges stamped ‘Horne Patent’, on brass castors 52cm high, 49.5cm wide, 44.3cm deep

£200­300 519

210

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λ 520 AN EARLY VICTORIAN ROSEWOOD BONHEUR DU JOUR C.1840 with ovolo mouldings, the raised back with a fretwork gallery and scroll supports, fitted with two drawers, above a gilt tooled green leather lined pull­out writing surface, above a divided frieze drawer, on fretwork and spiral twist trestle ends and Rococo style frill brass castors, stamped ‘Copes’ 121cm high, 90cm wide, 53cm deep

£400­600

520

521 λ 521 AN EARLY VICTORIAN ROSEWOOD NURSING CHAIR C.1850 with a high back, the moulded frame carved with a shell, leaves and flowers

£100­150

522 A CALAMANDER AND GILTWOOD COLUMN 20TH CENTURY 110.9cm high, 46.7cm wide

£300­500 522 211

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523 523

524

525

A SET OF TEN MAHOGANY DINING CHAIRS IN 18TH CENTURY STYLE EARLY 20TH CENTURY

A PAIR OF CARVED OAK OPEN ARMCHAIRS IN CHARLES II STYLE LATE 19TH CENTURY

TWO ARMCHAIRS IN GEORGE II STYLE LATE 19TH / EARLY 20TH CENTURY

each with a pierced splat back carved with leaves, drapes and a ram’s head, above a drop­in leather seat, on shell capped cabriole legs, comprising: a pair of open armchairs and eight side chairs (10)

each with a leaf and scroll decorated back above a green plush upholstered seat (2)

£300­500

each with a padded back, one serpentine, the other concave, with scroll arms and later loose covers, on walnut front cabriole legs with leaf and shell decoration and claw and ball feet (2)

£400­600

£500­800

524

212

525

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526 AN EDWARDIAN MAHOGANY DISPLAY CABINET IN ‘CHINESE CHIPPENDALE’ STYLE EARLY 20TH CENTURY the pagoda top above a blind fret frieze, applied with scrolls and hung with bells, with a pair of Rococo astragal glazed doors enclosing two glass shelves, the base with blind fret and pierced decoration and with panelled legs united by a pierced stretcher 231.8cm high, 138.4cm wide, 45.3cm deep Provenance Purchased from L. L. Harfitt, House Furnishers, Salisbury 13th September 1951.

£800­1,200

213

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527 A WALNUT WING ARMCHAIR IN WILLIAM AND MARY STYLE LATE 19TH / EARLY 20TH CENTURY with scroll arms, on faceted inverted baluster supports united by a ribbed shaped stretcher Provenance From the Estate of the late Barbara Humble, Bradford­on­Avon.

£200­300

527

528 A MAHOGANY TRIPOD TABLE IN GEORGE III STYLE the circular tilt­top with a moulded pie crust edge, the cabriole legs carved with ribbon tied sheaves of wheat 72.4cm high, 74.3cm wide

£150­250

528

529 A WING ARMCHAIR IN GEORGE III STYLE 19TH CENTURY later upholstered, on moulded mahogany front supports united by an ‘H’ stretcher, on brass castors

£300­500

529

214

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530 A LATE VICTORIAN OAK BOOKCASE CABINET BY GILLOW & CO. C.1880 inlaid with burr oak panels and marquetry with scrolling leaves, palmettes and stylized urns, with applied carved corbels, the detachable cornice above a pair of glazed doors enclosing three adjustable shelves, the base with a pair of panelled doors, each enclosing an adjustable shelf, stamped ‘Gillow & Co. 864’ 251.3cm high, 134cm wide, 39cm deep

£2,000­3,000

530

531 A VICTORIAN ASH ARMCHAIR BY HOLLAND & SONS MID­19TH CENTURY with button upholstery, on turned front legs and brass caps and castors, the back left leg stamped ‘Holland & Sons’ Provenance From the collection of the late Dr. Gordon Pack.

£200­300 531

215

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532

533 532

533

A PAIR OF VICTORIAN GILTWOOD AND COMPOSITION WALL BRACKETS IN GEORGE II STYLE, C.1870

A RED JAPANNED CHINOISERIE WALL MIRROR LATE 19TH / EARLY 20TH CENTURY

each decorated with a ho­ho bird, with Rococo scrolls, flowers and leaves (2) 34.5cm high, 30cm wide

£100­150

45.5 x 31.2cm

£200­300

534

534

535

AN EDWARDIAN GILTWOOD BIJOUTERIE TABLE EARLY 20TH CENTURY

A MAHOGANY CLINKER BUILT MODEL BOAT COFFEE TABLE LATE 20TH CENTURY

the hinged lid with blind fret decoration, with applied pierced brackets and an undertier 75.9cm high, 56cm wide, 41.5cm deep

with a plate glass top, on a stand 39cm high, 126cm wide, 60.3cm deep

£100­150

535 216

£300­400

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λ 536 A PAIR OF MAHOGANY DEMI-LUNE CONSOLE TABLES IN GEORGE III STYLE LATE 20TH CENTURY inlaid with satinwood fan paterae and with rosewood crossbanding, on square tapering legs and spade feet (2) 81.8cm high, 113.5cm wide, 48.3cm deep

£600­800

536

λ 537 A SHERATON REVIVAL PAINTED SATINWOOD PEMBROKE TABLE LATE 19TH CENTURY decorated with an oval panel, with pastoral figures and Cupid after Angelica Kauffman, with bands of scrolling leaves and baskets of flowers, oval portraits and swags of husks, the drop­flap top above a frieze drawer, with ivory handles, on brass castors 75.3cm high, 91.7 x 94.5cm (open)

£400­600

537

538 A PAIR OF SATINWOOD OCCASIONAL TABLES IN REGENCY STYLE LATE 19TH / EARLY 20TH CENTURY each with kingwood banding and on lyre shape supports united by turned stretchers (2) 69.8cm high, 55.5cm wide, 37.6cm deep

£800­1,200

538 217

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539

539 A PAIR OF SATIN BIRCH SINGLE BEDS IN GEORGE III STYLE LATE 19TH / EARLY 20TH CENTURY inlaid with stringing and banding, of sleigh shape with caned head and footboards on leaf carved fluted legs, with Heals bases and mattresses (2) 99.3cm high, 99.3cm wide, 223cm long Provenance From the collection of the late Peter Meyer.

£300­500

540 A MAHOGANY CHEVAL MIRROR EARLY 20TH CENTURY the rectangular plate with square section supports and scroll legs, terminating in brass caps and castors, stamped ‘G R’ and with an inventory plaque 178.9cm high, 86.2cm wide, 63.5cm deep Provenance By repute, a British Embassy.

£400­600 540

λ 541 TWO SIMILAR LATE VICTORIAN ROSEWOOD OVAL TRAY TABLES C.1890­1900 inlaid with boxwood stringing and marquetry husks and fan spandrels, each with a lift­off drinks tray, with a pair of brass handles and a glass base, on swept supports united by an ‘X’ stretcher (2) 83cm high, 89.7cm wide, 55.5cm deep (max)

£200­300

541 218

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542 A PAIR OF LEATHER AND BRASS STANDARD LAMPS 20TH CENTURY of triform shape (2) 149.5cm high

£400­600

543

543 A PAINTED TÔLE POTTED TULIP CANDLEHOLDER AND BOUGH POT

BY COLEFAX & FOWLER, SECOND HALF 20TH CENTURY

542

with five lights 45.5cm high

£200­300

544 THREE NORTH AFRICAN NEEDLEWORK CUSHIONS 20TH CENTURY applied with cowrie shells, together with a pair of floral tapestry and silk cushions (5) 70cm (max)

£150­200

544

219

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545

545

546

A PAIR OF LENYGON & MORANT CLAYTON ‘HOWARD’ ARMCHAIRS MID­20TH CENTURY

AN EASY ARMCHAIR IN HOWARD STYLE LATE 19TH / EARLY 20TH CENTURY

each later upholstered with a tartan style fabric, on beechwood legs and brass castors, each with a label to the underside of the seats, inscribed ‘Lenygon & Morant Ltd, Makers of Howard Chairs & Settees’ 48 South Audley St. London W.1.’, consecutively numbered ‘14775’ and ‘14776’ (2)

on oak supports and brass castors

Provenance Purchased by the current vendor’s parents directly from Lenygon & Morant.

Provenance From the collection of the late Peter Meyer.

£200­300 λ 547

£2,000­3,000

A MAHOGANY AND SHAGREEN TRIPTYCH DRESSING TABLE MIRROR EARLY 20TH CENTURY with ivory finials 61cm high, 82cm wide

£150­250

546

220

547

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ORIENTAL FURNITURE WORKS OF ART & CARPETS

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548 AN ANGLO-CHINESE CAMPHORWOOD TRUNK LATE 19TH CENTURY with brass mounts, the interior with a lidded till 45cm high, 98cm wide, 48.2cm deep

£300­500

548

λ 549 A CHINESE EXPORT LACQUER WORK TABLE EARLY 19TH CENTURY gilt decorated on a black ground with figures in various pursuits, with buildings and pagodas in a water landscape, the hinged lid revealing a fitted interior with lidded compartments and divisions, with some carved ivory utensils above a silk lined pull­out bag, on pierced lyre shape supports united by a stretcher, on carved giltwood lion’s paw feet 70.6cm high, 61.5cm wide, 40.8cm deep Provenance From a Private Cornish Country Estate.

£200­300

549

550 AN ANGLO-CHINESE CAMPHORWOOD TRUNK EARLY 20TH CENTURY with brass mounts, the interior with a lidded till and twin lots, one stamped ‘Kwang Wah Camphorwood Trunks Maker Made in Hong Kong’ 48.4cm high, 97cm wide, 48.8cm deep

£300­500

550 222

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

551 A CHINESE PADOUK DESK 19TH CENTURY the panelled top above four frieze drawers and with a fretwork undertier 81.5cm high, 120.5cm wide, 64.5cm deep

£500­700

551

552 A CHINESE ELM BENCH LATE 18TH / EARLY 19TH CENTURY the rectangular top inset with a rattan panel, with a pierced frieze and stylised scroll supports 54cm high, 196.6cm long, 55cm deep

£400­600 552

553 A CHINESE PADOUK KANG TABLE LATE 19TH CENTURY the top with a burr panel, above a frieze carved with bats and curved scroll ends 32.3cm high, 97.4cm wide, 42cm deep

£200­300

553

223

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λ 554 A PAIR OF CHINESE ROSEWOOD HANGING DISPLAY CABINETS LATE 20TH CENTURY with fret decoration, each with a glazed hinged door, the interior with shelves and a collection of sea shells (2) 90.7cm high, 50.7cm wide, 12cm deep Provenance From the estate of Roland Baker deceased.

£300­500

554

555 TWO CHINESE SILK AND GILT METAL THREAD EMBROIDERED PURSES EARLY 20TH CENTURY 28.8cm wide (max) (2)

£100­150

555

556 A CHINESE BLACK LACQUER SCREEN 20TH CENTURY of six panels, mounted as one, decorated in gilt and polychrome with a watery landscape with figures in boats with buildings and trees, with signature panel inscribed 'Qing Huai ye bo tu' a scene of a river in mid­China 122.5 x 180.6cm Provenance From the estate of Roland Baker deceased.

£400­600 556 224

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

557 AN ANGLO-CHINESE NAVAL AMBOYNA AND PADOUK WRITING SLOPE LATE 19TH CENTURY brass mounted, the hinged lid with a plaque inscribed ‘H. W. Eason R.N. Presented by Signal Staff, H.M.S. Centurion’, the part camphorwood and possibly huanghuali lined interior with compartments and divisions for pen and ink, with two inkwells and an ebony ruler, with three secret drawers and a baize line writing surface, with side sunken handles 20.5cm high, 52.7cm wide, 29.5cm deep

£300­400 557

558 A CHINESE PAINTED VELLUM TRUNK EARLY 20TH CENTURY decorated with courtly ladies in pavilions, taking tea, with pine and prunus trees, the interior with a blue silk lining, with brass handles and lock plate 27.8cm high, 66.5cm wide, 43cm deep

£200­300

558

559 THREE GRADUATED CHINESE VELLUM TRUNKS EARLY 20TH CENTURY the largest painted with parakeets, the others with courtly ladies, all with a blue silk lining and brass handles and mounts, the largest with a locking bar (3) 25.5cm high, 56cm wide, 35.7cm deep (max)

£200­300

559 225

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560 A CHINESE EMBROIDERED SILKWORK PICTURE LATE 19TH CENTURY worked in various colours, with birds amidst flowers and foliage, comprising: three panels which have been mounted on later frames, signed (3); 226.3 x 51.7cm for the two end panels and 226.3 x 70.7cm for the central panel

£200­300 561 FOUR INDIAN HUNTING AQUATINTS FROM ‘ORIENTAL FIELD SPORTS’ AFTER CAPTAIN THOMAS WILLIAMSON & SAMUEL HOWITT (1756­ 1822) comprising: ‘The Chase after a Hog’, ‘The Return from Hog Hunting’, ‘Beating Sugar Canes for a Hog’ and ‘Hunters Going out in the Morning’, ‘Published & Sold June 4th 1805 by Edward Orme, Printseller to his Majesty, 59. Bond Street, London’, each in later glazed walnut and parcel gilt frames, with labels for ‘Richard Green, Frank T Sabin 4 New Bond Street’ (4) 35.3 x 46cm Provenance From a Private Cornish Country Estate.

£200­300 562 SEVEN EUROPEAN PRINTS DEPICTING CHINESE SUBJECTS LATE 18TH CENTURY AND LATER including three examples after W. Alexander, two after Pu­Qua, Canton and an engraving 'Celebrating The Queen's Jubilee in Hong Kong' from the Graphic (7) 31.5 x 23.5cm (max) Provenance From a Private Cornish Country Estate.

560

561 226

£80-120

562 part

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

563

563 A PAIR OF DUTCH PAINTED MIRROR STILL LIFE PICTURES IN THE MANNER OF JEAN­BAPTISTE MONNOYER, 18TH CENTURY in Chinese reverse glass style, depicting flowers in a basket and an urn, in ebonised wood frames (2) 11 x 15cm Provenance The Australian writer Barbara Janet Baynton, Lady Headley (1857­1929) and by descent.

£400­600 564 NO LOT 565 A CHINESE PORCELAIN DOUBLE GOURD VASE TABLE LAMP LATE 19TH / EARLY 20TH CENTURY painted with a colourful scaly dragon chasing pearls, on a yellow ground, neck reduced, the underside with an iron red four­character mark 63cm high

£400­600

565

227

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566 A SMALL COLLECTION OF CHINESE EXPORT FAMILLE ROSE PORCELAIN LATE 18TH / EARLY 19TH CENTURY comprising: three bowls, a pair of dishes, a cylindrical mug and a French Samson porcelain bowl and cover (7) 28.8cm diameter Provenance From the collection of the late Dr. Gordon Pack.

£100­150

566

567 A GREEN GLAZED VASE 41.5cm high

£50­100

567

568 A CHINESE BLUE AND WHITE PORCELAIN VASE TABLE LAMP with later wooden mounts 40cm high

£300­500 568

228

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λ 569 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET MID­19TH CENTURY natural and stained red, the white king and queen modelled as European monarchs, the opposing pieces as the Chinese Emperor and Empress, all raised on a puzzle ball base (32) the king: 16cm high, the pawn: 7.3cm high

£200­300

λ 570 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET MID­19TH CENTURY natural and stained red, the pieces as Chinese figures, the rooks as elephants, the knights as horsemen and the pawns as warriors (32) the king: 14cm high, the pawn: 5.5cm

£500­800

λ 571 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET MID­19TH CENTURY natural and stained red, the king and queens as a Chinese Emperor and Empress, all raised on a puzzle ball base (32) the king: 17.1cm high, the pawn: 8.2cm high

£200­300

229

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572 572

573

AN INDIAN CARVED AND TURNED BONE CHESS SET 19TH CENTURY

AN INDIAN CARVED AND TURNED BONE CHESS SET 19TH CENTURY

natural and stained red (32) the king: 13.5cm high, the pawn: 4cm

natural and stained red (32) the king: 13.6cm high, the pawn: 4.3cm

£150­250

£150­250

573 λ 574 A LARGE COLLECTION OF CHINESE AND INDIAN CARVED IVORY CHESS PIECES 19TH CENTURY (A lot)

£100­200

574 230

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λ 575 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET LATE 19TH CENTURY natural and stained red (33) the king: 8.8cm high, the pawn: 4cm high

£80­120

λ 576 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET LATE 19TH CENTURY natural and stained red, the pieces in the form of Chinese figures standing on puzzle ball bases, the rooks as elephants, the knights as horsemen and the pawns as warriors (32) the king: 13.5cm high, the pawn: 6.5cm high

£200­300

λ 577 A CHINESE EXPORT CARVED IVORY FIGURAL CHESS SET LATE 19TH CENTURY natural and stained red, the king and queen as a Chinese Emperor and Empress, all raised on a puzzle ball base (32) the king: 12.7cm high, the pawn: 6cm high

£100­150 231

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578

λ 578

λ 579

λ 580

EIGHT JAPANESE IVORY NETSUKES MEIJI 1868­1912

A JAPANESE IVORY OKIMONO MEIJI 1868­1912

of seated men, one in the form of a skeleton holding a dog (8) 4.5cm high (max)

of a lady eating with her son, kneeling before a table, the underside with a signature tablet 9.4cm high, 11.7cm wide

FOUR JAPANESE IVORY AND MARINE IVORY OKIMONO MEIJI 1868­1912

£100­200

£150­200

two of geishas and two of men and boys, with various signatures (4) 25.8cm high (max)

£100­200

580

232

579

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

λ 581 A JAPANESE IVORY SHIBAYAMA TWO-FOLD TABLE SCREEN TSUITATE MEIJI 1868­1912 decorated with gilt lacquer and inlaid with mother of pearl, ivory and coral, with panels of landscape scenes, with geisha figures and mountains beyond, above panels of birds, the reverse with watery landscapes with trees and flowers and various birds, with engraved silver hinges and a carved outer frame 20.6 x 21.7cm

£2,500­3500

λ 582 A JAPANESE IVORY OKIMONO MEIJI 1868­1912 carved with a group of fishermen and boys sitting on an anchor 17cm long

£200­300

581

582

233

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583 AN ORIENTAL BLACK LACQUER CABINET CHINESE OR JAPANESE, 18TH CENTURY with engraved brass mounts, the front decorated in gilt with watery landscapes, with pagodas, trees and mountains, enclosing an arrangement of twelve drawers around a cupboard, the sides painted with flowers, with a pierced base, on a later ebonised stand 165.2cm high, 90cm wide, 49.5cm deep

£2,000­3,000 584 A JAPANESE BRONZE CYLINDRICAL VASE OR CENSER MEIJI 1868­1912 the body decorated with pierced panels of scrolling foliage, with a liner 42cm high

£200­300 λ 585 A JAPANESE BRONZE OKIMONO BY GENRYUSAI SEIYA MEIJI 1868­1912 the pachyderm fending off the attack of two tigers, its front leg lifted and about to crush one feline whilst the other clambers upon its back, with ivory tusks and inscribed to the belly ‘Seiya zo for Genryusai Seiya’, together with a wood base (2) 28.5cm wide Provenance Formerly a private Russian collection, and thence by descent.

£800­1,200

583

584 234

585

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

587

586

586

587

588

589

AN INDIAN EBONY AND SILVER CANE OR PARASOL HANDLE 19TH CENTURY

A MINIATURE DUTCH COLONIAL PADOUK AND BRASS MOUNTED CHEST LATE 17TH / EARLY 18TH CENTURY

AN INDIAN SILVER HANDLED WALKING CANE LATE 19TH CENTURY

AN INDIAN TEAK AND BRASS BOUND BOX 19TH CENTURY

decorated with scrolling foliage, with signature to base, above a Malacca shaft 89.4cm long

the interior with a velvet lined writing surface, lidded compartments, drawers and a central glazed sliding box, the interior in need of some restoration 15.6cm high, 38cm wide, 26cm deep

the silver handle with scrolling foliage, the shaft relief carved with panels of flowers 52cm long

£150­200

the interior with a lidded till, with brass strapwork side carrying handles, on later ebonised wood bun feet 22cm high, 41cm wide, 21cm deep

£200­300

£150­200

£500­800

588

589

235

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590

λ 590

λ 591

AN INDO-PORTUGUESE IVORY AND TORTOISESHELL TABLE JEWELLERY CASKET 18TH CENTURY

A MUGHAL INDIAN HARDWOOD AND IVORY BOX LATE 17TH / EARLY 18TH CENTURY AND LATER

of sarcophagus shape, the hinged lid with glazed and tortoiseshell panels, some with floral decoration, with parquetry bands and green stained ivory borders, revealing lidded compartments and a lift­out tray, with secret drawers, the interior with a similar arrangement and with the addition of velvet lined ring holders 27cm high, 35.6cm wide, 25.5cm deep

£600­1,000

591

236

all over decorated with repeating patterns of flowers and bands of leaves, with a vacant plush lined interior 20cm high, 32.5cm wide, 24.5cm deep

£800­1,200

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λ 592 AN INDO-PORTUGUESE TORTOISESHELL AND IVORY CABINET ON STAND 18TH CENTURY ELEMENTS AND LATER with a pair of hinged doors, revealing a fitted interior with an arrangement of thirteen drawers, the sides with brass carrying handles and on a rosewood and ivory inlaid stand 111cm high, 57.7cm wide, 37cm deep

£2,000­3,000

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593 λ 593

594

595

THREE ANGLO-INDIAN HARDWOOD OCCASIONAL TABLES LATE 19TH / EARLY 20TH CENTURY

AN ANGLO-INDIAN HARDWOOD OCCASIONAL TABLE LATE 19TH / EARLY 20TH CENTURY

A LARGE TURKISH BRASS BRAZIER LATE 19TH / EARLY 20TH CENTURY

carved with flowers and scrolling foliage, each with a detachable top and a folding base, one with brass inlay, one with a printed paper label, inscribed ‘M. Dhani Ram Puran Chand ivory, brass, inlaid woodwork manufacturers & wholesale exporters, Hoshiarpur, India’ (3) 63.7cm high, 65cm wide (max)

inlaid with brass and ebony, with scrolling leaves and flowers and with a star motif, the octagonal top above a folding base with mihrab arches 63.3cm high, 64.5cm wide

with lobed and pierced decoration 133.5cm high, 88cm wide

£200­300

£400­600

£300­500

594 238

595

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

596 A KASHMIRI PAPIER-MÂCHÉ OCTAGONAL BOX LATE 19TH / EARLY 20TH CENTURY the hinged lid painted with flowers, the body with panels of urns of flowers, with iron carrying handles 46.4cm high, 43cm wide and deep Provenance From the estate of Roland Baker deceased.

£150­250

596 λ 597 AN ANGLO-INDIAN HARDWOOD DRESSING TABLE MIRROR HOSHIARPUR, LATE 19TH / EARLY 20TH CENTURY inlaid with bone, ivory and ebony with scrolling foliage, the interior with a hinged mirror, a lidded compartment and a lift­out tray 11.8cm high, 22cm wide, 28.6cm deep

597

£150­250

598 AN INDIAN TEAK DOWRY CHEST PROBABLY RAJASTHAN, LATE 19TH / EARLY 20TH CENTURY with painted and carved decoration and horse’s head finials, with a central cupboard door, on wheels 103cm high, 116cm wide, 73cm deep

£600­800

598 239

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599 A MOROCCAN RUG TAZNAKHT, 20TH CENTURY 207 x 108.7cm Provenance By repute, purchased at Liberty’s.

£200­300

599

600

600 A KURDISH RUG NORTH WEST PERSIA, EARLY 20TH CENTURY 239 x 113cm

£150­250 601 A LESGHISTAN RUG EAST CAUCASUS, LATE 19TH / EARLY 20TH CENTURY 173 x 129cm

601

240

£300­500

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See paragraphs 4 & 5 of our Conditions of Business at the back of this catalogue for additional charges on the final hammer price

602 A LARGE DOROKSH CARPET NORTH EAST PERSIA, C.1920­30 688 x 500cm

£2,000­3,000

241

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603

603 A MALAYER RUG NORTH WEST PERSIA, EARLY 20TH CENTURY 160.5 x 134cm

£150­200

604 A KURDISH MALAYER RUG NORTH WEST PERSIA, 20TH CENTURY 300 x 129cm

£150­250

604

605 A PAIR OF DOROKSH RUGS KHORASAN, NORTH EAST PERSIA, 20TH CENTURY 200 x 133cm (2)

£300­500

242

605

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606 A FINE TABRIZ PICTORIAL CARPET NORTH WEST PERSIA, EARLY 20TH CENTURY with an all over design of a hunting scene with mounted figures pursuing various wild animals amidst foliage, with an indigo border woven with birds and kneeling female figures 562 x 424cm Provenance From the collection of the late Peter Meyer.

£5,000­7,000

243

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607

608

607 AN AGRA CARPET NORTH INDIA, FIRST HALF 20TH CENTURY 450 x 303cm

£500­800

608 A TURKISH STYLE CARPET POSSIBLY DONEGAL, EARLY 20TH CENTURY 452 x 394cm

£400­600

609 A NEAR PAIR OF RUNNERS NORTH WEST PERSIA, FIRST HALF 20TH CENTURY one later cut into two sections (3) 509cm long 88cm wide, 222.5cm and 258.5cm

£200­300

609 244

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610 AN ISFAHAN CARPET CENTRAL PERSIA, 20TH CENTURY with an allover design of palmettes and a signature cartouche 495 x 348cm

£800­1,200 245

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611 612 611

612

613

A KERMAN RAVAR PICTORIAL RUG SOUTH EAST PERSIA, EARLY 20TH CENTURY

A SARAB RUNNER NORTH WEST PERSIA

A TURKMEN ENSI TURKMENISTAN, LATE 19TH / EARLY 20TH CENTURY

depicting a man fighting a lion taken from the Persepolis reliefs 96 x 76.5cm

together with a Persian rug (2) Runner: 391 x 110cm Rug: 185 x 115cm

together with another Turkmen rug and a Persian rug, possibly Jozan (3) Ensi: 153 x 125cm Turkmen: 161 x 89.5cm Persian: 198.5 x 140cm

£300­600

£300­500

£500­800

612

613

END OF SALE 246

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SILVER & OBJECTS OF VERTU TUESDAY 25TH & WEDNESDAY 26TH JANUARY 2022

A pair of George III silver candelabra, the bases by Parker and Wakelin, London 1768, the branches by Wakelin and Taylor, London 1778/79 Estimate £5,000 ­ 8,000*

ENQUIRIES Rupert Slingsby | +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | +44 (0)1722 424594 | lc@woolleyandwallis.co.uk *Visit woolleyandwallis.co.uk/buying for additional charges on final hammer price

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AUCTION INFORMATION OPENING HOURS Castle Street Salerooms Monday to Friday 9am – 5.30pm Castle Gate Offices Monday to Friday 9am – 5.30pm

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing id@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with our website, or any third party website, does not automatically register you to bid with us.

BIDDING AT AUCTION See below for the different options for bidding. Please note that you may be asked to provide two forms of identification, even if you have bid with us before, in order that we are compliant with Money Laundering Regulations.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available free of charge for most of our auctions via bid.woolleyandwallis.co.uk, enabling you to take part in the bidding from anywhere in the world live as it happens.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

+44 (0)1582 493099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd

+44 (0)7973 389436 andy@kimdan.co.uk

Mailboxes

+44 (0)1962 622133 mbewinchester@btconnect.com www.mbe.co.uk/winchester

Pack & Send

+44 (0)1635 887237 newbury@packsend.co.uk www.packsend.co.uk/newbury

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

EXPORTING YOUR PROPERTY FROM THE UK If you are exporting your property, import taxes, customs duties and other fees may apply at the country of destination. It is also your responsibility to ensure that your shipment can be lawfully imported to the destination country.

Please note that due to the withdrawal of the Retail Export Scheme by HMRC, we are unable to provide VAT refund documentation (C88) for hand­carried exports.

In order to qualify for a VAT refund, your lots must be exported by a shipper and valid export documentation must be provided.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling.

If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €10,000. We are no longer able to accept card payments of over £1,000 where the card­holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30­97­41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

We reserve the right to add storage charges to all lots not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked Regulations when exported.

λ may be subject to CITES

The CITES Regulations may be found at www.defra.gov.uk/ahvla­ en/imports­exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a a levy.

‡ symbol are potentially subject to

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000

FIREARMS Lots marked Ƒ in the catalogue, or by any other means identified as controlled firearms, are subject to the UK firearms/shotgun licencing regime, and should only be viewed/purchased by individuals with appropriate licences. It is the responsibility of the bidders to ensure that they are legally authorised to acquire the lot that they are bidding for. In the event that such a lot is successfully bid for by an individual who is not authorised to possess it, that individual will be required to pay for it, but are not allowed to take physical possession of it. The auctioneers will re­offer the lot on behalf of the buyer in a future auction; or may accept instructions to dispose of it by some other legal means, at their discretion.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS

TERMS OF CONSIGNMENT FOR SELLERS

1 . Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol (Ω) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. (As at 31st December 2020.

Please refer to SOFAA website for updates to the Terms and Conditions).

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre­sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

Reserves.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

(a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary.

Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re­ offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

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13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale.

In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or Ω. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

(a) Immediately a lot is sold you will:

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

(c) In line with new legislation we reserve the right to investigate and identify the source of any funds received by us. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either Woolley and Wallis or the Seller.

CONDITIONS OF SALE

(b) You shall at your own risk and expense collect any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (if later) after which you shall be responsible for any collection, storage and insurance charges.

Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

(i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(c) No purchase may be collected and we shall not release any lot to you or your agent until it has been paid for.

8. REMEDIES FOR NON­PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay­out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot.

Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’.

22. Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Woolley & Wallis relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Woolley & Wallis, subject to the provisions of the Copyright, Designs and Patents Act 1988. Woolley & Wallis and the seller make no representations or warranties that the buyer of a lot will acquire any copyright or other reproduction rights to it.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

GLOSSARY Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact.

The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist.

(b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

(i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand.

15. FORGERIES

(j) Dimensions are given height before width.

Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

(k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing.

This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €10,000.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

Royalties for Droit de Suite are as follows:

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

21. English law applies to the interpretation of these Conditions.

Please enquire for the accepted exchange rate on the day of the sale.

4% Up to €50,000 3% €50,000.01 ­ 200,000 1% €200,000.01 ­ 350,000 0.5% €350,000.01 ­ 500,000 0.25% In excess of €500,000 Up to a maximum levy of €10,000 Lots marked with a ‡ symbol are potentially subject to the levy.

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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you.

This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you.

DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 2018 (DPA) and the General Data Protection Regulation (GDPR).

If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51­61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below.

From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the­saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the­saleroom.com) of individuals who register for one of our auctions (please see the­saleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the­saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us.

THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents.

In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies.

LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government­issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the­saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations.

In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;

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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services.

In particular:

SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons: • if it is necessary to protect your or another person’s vital interests (for example, where you have a life­threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention); • if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers); We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events).

• in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

YOUR LEGAL RIGHTS

INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company.

We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey.

PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications.

• to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights.

Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply.

If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available at: www.ico.org.uk

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Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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WOOLLEY & WALLIS SALEROOMS

Old Sarum

17 (2nd floor) Clifford Street, London W1S 3RQ (open by appointment only)

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough

Woolley & Wallis Salisbury Salerooms Ltd. 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU Registered in England No. 02998482 VAT No: 631 9832 29

Design & Production

by Jamm Design Ltd +44 (0)20 7459 4749 jammdesign.co.uk

WW102-709 DayTwo.qxp_Layout 1 09/12/2021 14:44 Page 256

PLEASE PRINT CLEARLY IN BLOCK LETTERS

ABSENTEE BID FORM Lot Number

FURNITURE

Brief Decription

Price Excluding

in numerical

buyer’s premium

order

& VAT

WORKS OF ART & CLOCKS WEDNESDAY 12TH & THURSDAY 13TH JANUARY 2022 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Business printed in the catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email

ID may be required even if you have bid with us before.

Signature

Salisbury Salerooms, 51­61 Castle Street, Salisbury, Wiltshire SP1 3SU | Tel: +44 (0)1722 424500 | Fax: +44 (0)1722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR ENTRIES ARE CURRENTLY BEING ACCEPTED FOR OUR 2022 AUCTIONS

2022 JANUARY 12th & 13th 25th & 26th

Furniture, Works of Art & Clocks Silver & Objects of Vertu

FEBRUARY 9th

Fine Porcelain and Pottery

MARCH 2nd 16th 30th

Old Masters, British & European Paintings Clarice Cliff, Art Deco & Design Furniture, Works of Art & Clocks

APRIL 5th & 6th 12th & 13th 26th 27th

Jewellery Silver & Objects of Vertu English & European Ceramics & Glass African & Oceanic Art | Antiquities

MAY 17th & 18th 25th

Asian Art, Chinese Paintings & Japanese Works of Art Medals & Coins, Arms & Armour

Dates may be subject to change

+44 (0) 1722 424500 enquiries@woolleyandwallis.co.uk 51­61 Castle Street, Salisbury, SP1 3SU www.woolleyandwallis.co.uk *Price includes buyer’s premium

A set of four chestnut figural panels part SOLD FOR £20,000*

www.woolleyandwallis.co.uk