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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery & Watches

Thursday 19th July 2018


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Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 446955

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska

424506 424506 424591

CHINESE PAINTINGS Freya Yuan-Richards

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Ilona Pichler Tamzin Corbett

446960 424590

ACCOUNTS Janice Clift (Office Manager)

424500

424589 GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Fleur Field

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 446974

SALEROOM MANAGER David Jordan

JAPANESE ART Alex Aguilar Doméracki

424583

CASTLE GATE MANAGER Matt Hill

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

MEDALS & COINS, ARMS & ARMOUR Ned Cowell Zoe Cordey

341469 446980

PAINTINGS Victor Fauvelle Jo Butler Hollie Grubb

424503 424592 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Zoe Cordey

339752 446980

424500

424500

CASTLE GATE RECEPTION Madeleine White BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Natalie Milsted FCCA

424599

ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS


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JEWELLERY & WATCHES

Thursday 19th July at 10.00am VIEWING TIMES Saturday 14th July Monday 16th July Tuesday 17th July Wednesday 18th July Thursday 19th July

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 18th July. LIVE BIDDING ILLUSTRATIONS Front cover: Lot 1344 Inside cover: Lot 1415 Page 1: Lot 1459 Back cover: Lot 1458 Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 18th July. Please note there is a 3% +VAT surcharge for using this service.


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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot. These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates. Not all images are life-sized, weights and measurements in the catalogue are approximate only. It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots. Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date. Saturday collections by appointment. 10.00am to 1.00pm

CITES REGULATIONS Please note that lots marked  may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/


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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1001

1002

1000

1000. A collection of five books on the subject of jewellery, including: WEBER SOROS, S., WALKER, S., Castellani and Italian Archaeological Jewelry, (New Haven & London: Yale University Press: 2004) MUSÉE DES ARTS DÉCORATIFS, Les Fouquet: Bijoutiers & Joailliers à Paris 1860 1960, (Paris: Flammarion: 1983) VEVER, H., Le Bijouterie Francaise au XIXe siècle (1800-1900) Vol I - Consulat, Empire, Restauration, Louis-Philippe VEVER, H., Le Bijouterie Francaise au XIXe siècle (1800-1900) Vol II - Le Second Empire VEVER, H., Le Bijouterie Francaise au XIXe siècle (1800-1900) Vol III - La Troisième Rèpublique £200-300

1003

1001. KUNZ, G. F., STEVENSON, C. H., The Book of the Pearl; The History, Art, Science and Industry of the Queen of Gems, (New York: The Century Co.: 1908) £400-600 With a handwritten inscription to the endpapers, reading ‘To Miss Janet Kinney, with the sincerest best wishes of the senior author, George Frederick Kunz - New York, June 21 1928. Pearls are tears, By angels shed, To give mortals joy’. 1002. LOBANOFF DE ROSTOFF, V., Catalogue de Joyaux, Colliers de Perles, Joaillieries, Perles & Brilliants, (Paris: M. Baudoin: 1920) £300-400

1004

1003. A large quantity of antique and modern jewellery boxes, including one for Mappin & Webb £200-300 1004. A large quantity of antique jewellery boxes, for rings, brooches and stick pins, including one from Mappin & Webb 100-150 1005. A large quantity of antique jewellery boxes, for rings, bracelets, brooches and cufflinks, including ones from Asprey, Mappin & Webb and Selfriges £100-150

1005

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1006. Two jewellery caskets containing an assortment of jewellery, including a lapis lazuli cabochon-mounted gold bracelet, a garnet-set gold ring, a jade-set gold ring, a Victorian lozenge and tassel brooch decorated with blue enamel and seed pearls, an amethyst-set gold brooch, a seed pearl bar brooch and a selection of silver gold and costume jewellery £200-300 1007. A jewellery casket containing an assortment of jewellery, including a diamond gypsy ring, the old circular-cut diamond is set in rubover yellow gold mount, size N, a diamond three-stone ring, a gold band ring, a faceted amethyst bead necklace, an amber bead necklace, a cultured pearl necklace and a selection of jewellery, wristwatches and costume jewellery £600-800

1006

1008 1007 1008. A jewellery casket containing a quantity of jewellery, including a gold gatelink bracelet set with a sovereign, a gold pendant set with an emerald-cut smoky quartz, a spinning gold fob seal set with a bloodstone and carnelian, an opal and whitestone ring, a tiger’s eye pendant, a blue and white paste bracelet set in silver and gold and an assortment of jewellery and costume jewellery £400-600

1009

6

1009. A jewellery box containing a mixed quantity of jewellery, including a pair of cushion-shaped diamond ear studs, two gold signet rings, three plain gold bands; two set with diamonds, a pair of garnet drop earrings, a 9ct gold oval-link watch chain, a gold ropetwist necklace, a gold fringe necklace, two gold bracelets, a gold pendant, a turquoise-set silver necklace, a silver pocket watch and eight cultured pearl necklaces £600-800


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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1010. A jewellery box containing assorted jewellery, including a 9ct gold fancy-link watch chain, two pairs of plain oval disc cufflinks, a large gold safety pin, a 9ct gold cigarette case, a 9ct gold vesta case, a silver cigarette case and various gold, mother of pearl and coral studs £600-800

1011. Various items of jewellery, including a 9ct gold graduated curb-link bracelet with 9ct gold padlock clasp and mounted with assorted gold charms, 37g, a 9ct gold fancy gate-link bracelet with 9ct padlock clasp, 15g, ten assorted gem-set gold rings, a late Victorian gold circular brooch set with a ruby and rose-cut diamonds with matching earrings and fitted case, four assorted gemset gold brooches, a silver Charles Horner brooch set with a citrine, a steel wristwatch by Rotary and various items of silver jewellery £600-800

1010

1011

1012. A large quantity of jewellery, including a gentleman’s steel-back gold-cased Omega Seamaster wristwatch, quartered with gold Arabic numerals, signed dial and sweep seconds hand, automatic winding, case 32mm wide, brown leather band £800-1,200

1013. Various items of jewellery, including a gold money clip by Cartier, signed and engraved with initials, a gold hinged bangle alternately-set with turquoise and coral cabochons, a sapphire and diamond three-stone ring set in platinum with Garrard case, a 9ct gold sovereign case with a shield-shaped gold fob engraved with arms, a gold fob pendant suspending from a gold chain mounted with seven spherical gold links, set overall with turquoise cabochons, two sets of cased sets of shellmounted gold dress studs, an Edwardian gold brooch pendant set with seed pearls, turquoise cabochons and centred with a small diamond, cased by Dibdin, a banded agate-mounted gold bar brooch, a pair of paste-set shoe buckles, etc £400-600

1012

1013

1014. A mixed lot of jewellery, including an early 18th century gold cruciform pendant set with emeralds and rose-cut diamonds, suspending from a gold chain, 19g, a yellow gold gate-link bracelet, 36g, a 9ct gold facet hinged bangle, 16g, a 9ct gold fringe necklace with two links converting to earrings, 24g, a 9ct gold and steel, 12g, a white opal-set gold brooch, a turquoisemounted gold brooch, two gold rings set with cushion-shaped citrines and an ovalshaped citrine, a tourmaline-mounted gold ring, a jade bead necklace, 50cm, a lapis lazuli bead necklace, 64cm, two jewellery boxes by Yeo £800-1,200

1014

7


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1015. Various items of jewellery, including a gold fancy-link watch chain, 43g, a two-colour gold flat curb-link bracelet, 23g, a yellow gold closed and open curb-link necklace, six further assorted gold necklaces, 77g, six assorted stone-set and plain gold brooches, a gold wristwatch by Cyma, cased, a diamond and seed pearl-set gold stick pin, cased, a double portrait brooch set with white stones, and a garnet-set gold stick pin £800-1,200

1016

1017. A mixed quantity of jewellery including a diamond-set yellow gold pendant, on fine-link yellow gold neck chain, an Arts and Crafts silver pendant by James Fenton, three gold wristwatches, a ring set with rubies emeralds and diamonds, a silver fob seal on chain, an Indian polychrome enamel pendant, a cultured pearl and diamond pendant, a gold and enamel zodiac pendant for Cancer, a pair of cultured pearl earrings, a silver heart pendant, a gold cross pendant, a cultured pearl pendant, ten brooches and various chains £200-300

1015

1018

1018. A diamond solitaire ring, set in platinum and gold, a small diamond-set gypsy ring, a 9ct gold curb link bracelet, an amethyst and seed pearl pendant, a cultured pearl and whitestone ring, an opal and diamond gold lozenge brooch, a ruby diamond and seed pearl brooch suspending a cameo, a paste Royal naval crown brooch, two paste rings, two shell cameos and a silver charm bracelet and a further silver bracelet £200-300

1019. Eighteen assorted gold stickpins, three set with diamonds, three with coral, three with pearls, one with a ruby, one carved hardstone Buddha, one designed as a snake set with a diamond and another two with two turquoise cabochons £200-300

1017

1019

1020

8

1016. A tanzanite and diamond ring, set in yellow gold, a large citrine-mounted gold ring, a gold ring set with a carved lavender jadeite cabochon, an amethyst-set gold ring, two green tourmaline-set gold rings, four other gem-set rings, two silver pendants and an agate-set silver brooch £200-300

1021

1020. A collection of glass intaglios, probably by James Tassie (1735-1799), a metal casting block depicting the head of an Assyrian revival man and with resin cast, with seventeen further opaque white glass casts of five classical figures and King George III, a glass model of a man's head wearing a turban with green-stone pendant and tassle, a gold brooch centred with a diamond with four amethysts and four seed pearls, a garnet and seed pearl-set gold bar brooch, a circular gold brooch centred with a diamond within a surround of seed pearls and further border of larger pearls, a gold flower head brooch set with seed pearls and a gold brooch set with three circular cabochon amethysts, an Art Nouveau pressed horn butterfly pendant mounted with two blue glass beads and further glass beads to the necklace, 10cm wide, a yellow glass intaglio-mounted silver ring depicting Brutus with the words 'Eid Mar', a clear glass intaglio engraved with the mizpah inscription under the all-seeing eye and reference to Genesis XXXI 49, with a soft-back pamphlet for James Tassie, Scottish Masters from The National Galleries of Scotland £300-400 1021. A mixed lot of jewellery, including an Edwardian amethyst and white-stone set gold pendant on a fine-link gold neckchain, a graduated cultured pearl necklace, a yellow gold propelling pencil with bloodstone terminal engraved with a crest and signed Mordan & Hancocks & Co, three assorted gem-set bar brooches, a gold fob pendant incorporating a compass and mounted with a bloodstone (dented), a heart-shaped amethystmounted gold pendant with diamond-set bow and suspension ring, a damaged turquoise enamel and seed-pearl set gold pendant with cracked glass to the reverse, a 22ct gold wedding band and a small gold fob watch with white enamel dial and black Roman numerals and engraved initials to the reverse, cased £400-600


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1021A. An Edwardian heart shaped seed pearl and red enamel brooch, a coral gypsy ring, a single row coral and seed pearl necklace, a sapphire and seed pearl laurel brooch, four other gem-set gold rings, a gold bangle, a tortoiseshell cigarette case, an opal ruby and diamond foliate brooch, a George III garnet-set gold mourning brooch, eight further brooches, a pair of earrings and a single earring £200-300 1022. A mixed lot of gem-set gold jewellery including, a 19th century navette-shaped diamond cluster ring (one diamond missing), a bi-colour gold sapphire and diamond cluster ring, two pairs of 9ct gold cufflinks, two plain gold wedding bands, ten gemset gold rings, an Edwardian gold brooch and a gold heart-shaped pendant £400-600

1022 1021A

1023. A mixed group of loose stones, including a pair of circular-cut fire opals, 0.90cts total, an emeraldcut emerald, 2.16cts, a solid black opal, 3.64cts, a fire opal cabochon, 2.53cts, an emerald-cut citrine, 24cts, an oval-shaped citrine 16.88cts, a pair of pink tourmalines and a collection of aquamarines, green tourmalines and an iolite £800-1,200

1023

1024. Various items of jewellery, including an early 19th century gold necklace with fine pellet work decoration to the links and turquoise-set barrel clasp, a graduated gold curb-link bracelet with fine wirework decoration to the links and alternately-set with four cabochon emeralds and three pearls, a pair of 18ct yellow gold cufflinks, a cameo-set gold ring (one cameo missing), a lady’s gold wristwatch by Verona, and a stone-set pendant £800-1,200 1025. Various items of jewellery, including an early 19th century swivel fob seal, mounted with a carnelian and chalcedony, both with French romantic engravings, three 19th century mourning brooches, two 19th century gold rings, a pendant and a section of dendritic agate £200-300

1024

1025

1026

1027

1028

1029

1026. Various items of jewellery, including a gold fox mask-mounted bar brooch with diamond eyes, a seed pearl-set gold horse shoe bar brooch, a 22ct gold wedding ring, a 9ct gold stock pin, a pair of diamond-set black onyx and gold dress cufflinks, cased, a garnet-set brooch, pendant, and a red stone-set hinged bangle £200-300 1027. A cased glass specimen stone set, with a purple, blue, red (damaged), yellow and colourless oval-shaped glass specimen stone in fitted case, with an 18ct textured gold bird brooch by E.Wolfe & Co, the wing set with small circular-cut diamonds and cabochon red-stone eyes, with maker’s mark £200-300 EW&Co, Sheffield hallmarks for 1997 1028. A diamond-set gold pendant, on a twisted-link gold chain, a Victorian gold pendant set with emeralds and a garnet in yellow gold, a gold fob seal set with a carnelian and a pair of silver marcasite earrings £150-250 1029. A mixed lot of jewellery, including a carnelian cabochon pendant on yellow gold neck chain, a white gold necklace set with three coloured paste flower head cluster pendants (one stone chipped), and an Edwardian bangle set with two circular-cut amethyst and rose-cut diamond clusters, with seed pearl trefoils and further seed pearls to the £200-300 shoulders (one missing)

9


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H.G. MURPHY H.G. Murphy was born in Birchington-on-Sea in Kent on 27th October, 1884. His father, a groom, died when Harry was only six and the family was obliged to seek lodgings in London, where they settled in premises located just off Kensington Church Street. A shy and introspective boy, Harry was largely self-taught and spent much of his spare time in the local library where, according to family tradition, he devoured Encyclopedia Britannica from cover to cover firing a lifelong passion for many of the subjects which were to influence his designs including botany, astronomy, astrology and zoology. At the age of 14, a chance meeting at a local Arts and Crafts exhibition was to have a radical bearing on Harry's life and career. While admiring the silverware on display he fell into conversation with Henry Wilson, the celebrated designer and craftsman who, clearly impressed by the boy's enthusiasm, offered Harry a six-year apprenticeship at his studio in Kensington. Wilson was probably England's greatest teacher and mentor of young talent in the Arts and Crafts tradition and by the end of his apprenticeship Harry had mastered many of the skills necessary to be a highly competent goldsmith and silversmith, such as hammering, engraving, gem polishing, gem setting, niello work and enamelling. Unsurprisingly, much of his output before and after the First World War was strongly influenced by nature and naturalism and it was not until the 1920s that he started to experiment with a range of different ideas and concepts. In 1928, Harry Murphy established retail premises in Marylebone called the Falcon Studio. By the early 1930s, his output was prodigious encompassing silver commissions from City institutions, churches, schools and sporting associations as well as small-scale jewellery in silver and gold, such as a splendid topaz, sapphire, diamond and polychrome enamel tiara designed and made for the Princess Royal. The Falcon studio prospered through the late 1930s but Murphy's health had begun to deteriorate. In 1938 he received the award of Royal Designer for Industry (RDI) from The Duke of Gloucester and Harry was appointed the Faculty's First Master. He died on 10th July, 1939, at the tragically young age of 54. The pinnacle of the collection, lot 1344 is illustrated p57 and features as the front cover: Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors' Club, 2005. An iconic piece embodying the charm and exuberance of H.G. Murphy’s innovative style.

1030. A sapphire set gold circular plaque by H.G. Murphy, decorated with green and blue sapphires (two missing) within circular gold strapwork border with pellet decoration, neoclassical shotwork, quatrefoil and heart-shaped sections in yellow gold, 4.2cm diameter £400-600 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 73

1030 1031

1031. A silver brooch depicting Ireland by H.G. Murphy, engraved with stylised shamrocks and laurel borders, Ireland set with an emerald cabochon locating Kinsale, Cork to denote the location of H.G. Murphy’s own ancestry, with maker’s mark HGM, The Falcon Studio’s mark and London hallmarks for 1939, 5.1cm wide £200-300 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 68 1032. A silver cross pendant by H.G. Murphy, set with carnelian cabochons and linear decoration in silver, pellet decoration to bale, maker’s mark HGM and The Falcon Studio’s mark, 6.5cm high £150-250 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 68

1032

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1033

1033. A pair of gold and niello rectangular cufflinks, the niello depicting the letters CWPC (the initials of H.G. Murphy's son-in-law) amongst leaf decoration on rectangular gold plaques, in Murphy leather case (damaged) £300-400 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 168 1034. Three silver animal and zodiac brooches and a stick pin by H.G. Murphy, the circular silver brooches depicting Virgo, a penguin and a lion passant guardant; all with maker’s mark HGM, London hallmarks for 1933 and The Falcon Studio’s mark, all carved and pierced in silver, each 3.2cm diameter, the stickpin depicting Aquarius in silver, 2cm wide £200-300

1034

Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Similar examples illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 67 1035. Four animal and zodiac brooches by H.G. Murphy, the circular silver brooches depicting a lion passant guardant, with maker’s mark HGM and London hallmarks for 1932, a flamingo, with maker’s mark HGM and London hallmarks for 1933, (brooch pin missing), Virgo, with maker’s mark HGM and The Falcon Studio’s mark, and Welsh leeks, with maker’s mark HGM and The Falcon Studio’s mark, all carved and pierced in silver, each 3.2cm diameter £200-300 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Similar examples illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 67

1035

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1037

1036 1036. Four silver animal brooches by H. G. Murphy, the circular silver brooches depicting a flamingo; with Falcon Studio’s mark, an artic fox and a lion passant guardant; both with maker’s mark HGM, London hallmarks for 1933 and The Falcon Studio’s mark, a duck; with maker’s mark HGM, London hallmarks for 1938 and The Falcon Studio’s mark, all carved and pierced in silver, each 3.2cm diameter £200-300 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Similar examples illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 67 1037. A triangular silver plaque engraved by W.P. Robins, signed and depicting an allegorical scene of love broken, 6.5cm high, a rectangular niello plaque by W.P. Robins, 5.7cm wide, and two silver circular pendants with abstract niello decoration, one marked HGM and The Falcon Studio’s mark, 3.2cm wide £100-200 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner

1038

Illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 168 1038. Seven silver brooches by H.G. Murphy, including two circular brooches with ropetwist and oval-link decoration, maker’s mark HGM and The Falcon Studio’s mark, each 3cm wide, a niello bar brooch, maker’s mark HGM and The Falcon Studio’s mark, 5.2cm wide, with five other silver and gem-set brooches £200-300 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Similar examples are illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 44 1039. Two satsuma ware silver brooches by H.G. Murphy, maker’s mark HGM and The Falcon Studio’s mark, 4.1cm diameter, and two circular abalone shell brooches within ropetwist scallop-edged silver border, 5.5cm diameter £150-250 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 41

12

1039


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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1040 1040. A collection of items from the studio of H.G. Murphy, including two silk bookmarks with silver plaque finials, eight similar silver plaque finials, six unfinished circular zodiac/animal brooches, seven niello studs, an elaborate silver belt buckle, maker’s mark JB, London hallmarks for 1893, a carved lapis lazuli pendant with a silver foliate pendant mount, a diamond bar brooch, an opal bar brooch, a gold sapphire and pearl stickpin, six buttons, a green enamel circular brooch, a crucifix, two silver plaques, a large silver niello plaque with carving to reverse, a silver and enamel owl plaque, a pair of silver cufflinks, a turquoise-set silver brooch, two amber studs, three silver bar brooches and a circular brooch £100-200

1041

Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Similar examples are illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 40, 44, 67 1041. Six silver zodiac brooches by Jessie Murphy, the circular silver brooches depicting Leo, Pisces, Scorpio, Gemini and Aries, all with maker’s mark JM and London hallmarks for 1961, and Sagitarius, with maker’s mark JM and London hallmarks for 1959, all carved and pierced in silver, each 3.2cm diameter £200-300 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Similar examples illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 67

1042

1042. Six silver animal and zodiac brooches by Jessie Murphy, the circular silver brooches depicting Leo and Aries, both with maker’s mark JM and London hallmarks for 1959, Pisces, with maker’s mark JM and London hallmarks for 1949, Sagitarius, with maker’s mark JM and London hallmarks for 1961, Libra, with maker’s mark JM and London hallmarks for 1950, and a whale, with maker’s mark JM and London hallmarks for 1953 all carved and pierced in silver, each 3.2cm diameter £200-300 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner Similar examples illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 67 1043. A large collection of gemstones, beads and hardstones from the studio of H.G. Murphy, including amethysts, amazonites, white topaz, opals, rose quartz, banded agate, and various other gem stones and mounts £200-300 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner

1043

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1044. A sapphire and diamond-set platinum cluster ring, a white gold bar brooch set with three pearls and rose-cut diamonds, and a white gold circular brooch set with sapphires and diamonds £600-800 1045. A ruby and diamond nail brooch, set in yellow gold, 3.4cm long, a 19th century stickpin set with a black pearl within a surround of diamonds, a 9ct gold ring set with a tiger’s eye cabochon, size P½, a multigem-set gold ring, size P and a shamrock brooch decorated with green enamel, a diamond and seed pearls in yellow gold, 3.5cm wide £200-300

1044

1045

1046. Various items of jewellery, including a banded agate-mounted gold ring, engraved with inscription dated 1864, size D, a silver fedé ring, a gold ring mounted with a turquoise matrix, a miniature portraitmounted Austrian silver-gilt brooch, a pair of paste-set gold cluster earrings, and a pendant painted with enamel arms £200-300

1046

1047

1047. An Edwardian yellow gold closed crescent brooch, set with graduated seed pearls, and Edwardian gold star brooch set overall with graduated seed pearls, a micromosaic-mounted brooch (damaged) and a pair of pearl-set gold pins £100-200 1048. A gold pan-form pendant by Cartier, engraved ‘Luigi’, signed Cartier London to the reverse, 2.5cm long, Cartier case, a French gold pendant on a fine fancy-link platinum watch chain, French control marks, and a gold frog stick pin, with baroque pearl body and cabochon emerald eyes £300-400 1049. A diamond solitaire ring, set with a single circular-cut diamond within textured yellow gold double band, London hallmarks for 18ct, 1993 size M½, a diamond solitaire ring, size M½, an amethyst and seed pearl pendant and a silver Scottish brooch, maker CH & Co £200-300

1048

1050. A small yellow gold gate-link bracelet with gold padlock clasp, a sapphire and diamond-set 18ct gold cluster ring, and five further plain and stone-set gold rings £100-150

1049

1050

14

1051. A yellow gold hinged bangle, set with two lines of graduated round brilliant-cut diamonds, cased, with a conforming yellow gold ring set with four rows of graduating round brilliant-cut diamonds, size N, case £600-800

1051


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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1052. Various items of jewellery, including a triple opal and diamond-set gold ring, size L, a pair of gold bombé earrings, each set with four sapphires and centred with a diamond, a pair of mabé pearl and diamondmounted earrings, and a pair of earrings mounted with freshwater pearls £400-600 1053. An Edwardian circular guilloche blue enamel pendant, set with pearls on fine-link neck chain, a cultured pearl and diamond pendant on fine-link white gold neck chain, a pearl in blue stone brooch in Collingwood box and a silver ingot pendant £100-200

1052

1054. A mixed lot of jewellery, including a diamond three-stone ring set in yellow gold, a cased sapphire and diamond three-stone ring set in gold, and a graduated cultured pearl necklace £100-200

1053

1055. Various items of jewellery, including a 9ct gold mesh purse, 33g, a gold ring set with three lines of sapphires, diamonds and rubies with scroll shoulders (missing one diamond), size M½, and an emerald and diamond-set gold ring, size K½ £400-600 1056. Two gem-set rings, one diamond five-stone ring (one stone loose), the graduated old circular-cut diamonds are set in yellow gold, size O, with an emerald and diamond cluster ring, the square-shaped emerald is set within a surround of twelve circular-cut diamonds in platinum, size P ½ £200-300

1054 1055

1057. An early 20th century open-work platinum brooch, set overall with graduated circular-cut diamonds £400-600 1058. A George III flat garnet-mounted suite of jewellery, including a necklace, a ring and drop earrings £200-300

1057 1056

1059. An 18ct gold signet ring, engraved with a crest, size L, with a gold bar brooch mounted with a chick, set with rose-cut diamonds and contemplating a seed pearl £100-200 1060. A 19th century diamond five-stone ring, set in yellow gold, size P, a diamond solitaire ring, size K, a diamond solitaire ring, size V, a sapphire and diamond five-stone ring, size P, and an amethyst-set ring, size M £400-600

1058

1059 1060

15


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1061 1062

1064

1061. A single-row amber bead necklace, the oval beads graduate from 10 to 26mm long, 64g, 80cm long £400-600

1063

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration 1062. A single-row graduated amber bead necklace, the largest bead measures 2.5 x 1.8cm, 63g, 82cm long £200-300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration

1066 1065

1063. Two single-row amber bead necklaces, the smaller row graduates from 8mm to 16mm, the the larger row graduates from 10mm to 20mm, 127g, 66cm long £200-300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration 1064. A single-row amber bead necklace, the oval beads £200-300 graduate from 10-22mm, 39g total, necklace 34cm Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration 1065. A single-row amber bead necklace, the oval beads graduate from 10mm to 26mm long, with a loose bead and a pair of earrings, 44g total £400-600

1067

Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted. The colour of the amber may vary from the catalogue or online illustration

1066. Three carved coral stick pins, realistically depicting dog’s heads in coral, set in yellow gold £300-500

16

1067. A single-row graduated coral bead necklace, with gold barrel clasp, 60cm, a three-row coral bead bracelet, the gold clasp set with three coral cabochons, a four-row coral bead bracelet, the gold clasp set with a coral cabochon £100-200


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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1068

1069

1070

1068. A Victorian gem-set gold brooch, of alternating foliate repoussé and pellet decoration set with a cluster of garnets and blue stones in yellow gold, glazed locket compartment to reverse, 3.8cm wide £250-350 1069. A pair of 19th century French gold and garnet drop earrings, the garnet-set upper sections suspend two articulated garnet and seed pearl drops, 3.8cm long, French control marks and maker’s lozenge £150-250

1071

1070. A Victorian emerald-set gold tassel brooch, of navette shape with ropetwist decoration, set with seven graduated emeralds, suspending tassels and a stylised palm leaf set with another emerald in yellow gold, glazed locket compartment to reverse, 7.2cm long £400-600

1072

1071. A carved and pierced jade pendant on a gold chain, suspending from a gold fancy-link neck chain with jade beads, pendant 4.9cm high, chain 90cm £400-600 Accompanied by report number 78157-65 dated 24 May 2018 from GCS, London stating that the carved jade pendant weighs approximately 110cts and is natural green jadeite jade with no indications of impregnation

1073

1072. A white gold foliate brooch, mounted with eleven pearshaped jadeite cabochons, 6cm high, a pair of gold earrings set with oval jadeite cabochons, a pair of gold earrings set with pear-shaped jadeite cabochons and a pair of jadeite cabochon cufflinks set in yellow gold £800-1,200 Accompanied by report number 78143-52 dated 19 February 2018 stating that the earrings, brooch and one pair of cufflinks are set with fifteen cabochons (total) of natural jadeite jade with no indications of impregnation 1073. A single-row choker-length jade bead necklace, each jade bead separated with a rock crystal rondel and with a diamond-set gold cluster clasp, 40cm long £400-600 Accompanied by report number 07531 dated 9 April 2013 from The Gem & Pearl Laboratory stating that the fifty-two round beads measure 5.1-6.6mm and are natural green jadeite jade with no indications of treatment

1074

1074. A gold curb link bracelet, centred with a heart-shaped locket centred with a circular-cut diamond on blue guilloche enamel ground within a surround of small diamonds, the glazed locket compartment to the reverse containing hair and engraved with a memorial inscription dated 1895, 12g, 18.5cm £400-600 1075. A Victorian seed pearl and turquoise heart pendant, set in yellow gold with glazed locket compartment to reverse, with a finelink neck chain, pendant 2.2cm long, chain 47cm long £200-300 1076. A pair of Victorian gold cannetille drop earrings, of conical form and suspending from later gold ball fittings, 4cm £200-300

1075

1076

17


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1077. Three shell cameos mounted in a wooden frame, the cameos depicting the Duke of Wellington, approx. 5.5cm high, Elizabeth Barrett and Mrs Elizabeth Gaskell, each approx. 5cm high, each in yellow metal frames, mounted on a green fabric background and in glazed wooden frame, the frame 27cm high £600-800 1078. A mother of pearl bead necklace suspending three shakudo plaques each depicting birds amongst foliage, the two smaller plaques set within gold borders, 42cm long, a shell cameo depicting George and the dragon in gold ropetwist border, 6cm high, two loose shell cameos depicting Hebe feeding Zeus as an eagle, 5.4 and 5.2cm high, a loose shell cameo depicting the procession of Apollo, 6.3cm wide, a shell cameo depicting two young maidens, 3.3cm high and a plain carnelian cabochon, 4.3cm high £400-600

1077

Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner 1079. Three portrait cameos, the profile of the Duke of Wellington carved in bone, 4.7cm high, the hardstone carved bearded gentleman well detailed (possibly a philosopher), 4.4cm high, a smaller carved hardstone cameo depicting an Elizabethan gentleman with beard and wearing a ruff, 2cm high £400-600 1080. A gold cased fob seal, scroll decorated and set with a chalcedony intaglio depicting Shakespeare, a gold cased fob seal set with a red glass intaglio depicting a philosopher in profile, a shell cameo depicting Socrates in plain gold mount, a blue glass cameo depicting Cupid and Psyche in plain gold mount on oval-link chain set with a turquoise bead £400-600

1079 1078

1081. A small carved shell cameo brooch, depicting a bearded gentleman, 9ct gold frame, 2.8cm high £200-300

1081

1080

1082. A Victorian shell cameo brooch depicting Eos, within carved gold border, 5.6cm high £200-300 1083. A Victorian shell cameo brooch, depicting Shakespeare in profile within plain gold border, later brooch fitting, 5cm high £300-400 1084. A Victorian shell cameo brooch, depicting a woman in profile within abstract linear and pellet decorated border in yellow gold, folding pendant loop to reverse, 5cm high £200-300

18

1082

1083

1084


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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1085

1086 1087

1085. A suite of carved shell cameo jewellery, the brooch cameo depicting Demeter in a lozenge-shaped gold mount, with a pair of conforming shell cameomounted gold earrings, brooch 5cm high £200-300

1088

1086. A Victorian shell cameo brooch, depicting a woman and child in the classical manner surrounded by putti, within engraved yellow gold border, 7cm high £400-600 1087. A collection of Swiss polychrome enamel plaques depicting Regional dress, £200-300 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner

1089

1088. A pair of shakudo-mounted gold stick pins, each plaque depicting a standing crane with foliate, each 2.5cm high £200-300 1089. A set of Shakudo dress studs, comprising two larger and four smaller studs, depicting cranes amongst foliage in mixed metal, 21mm and 10mm wide £400-600

1090. An Edwardian coral, pearl and diamond crescent pendant, the gold closed crescent pendant conversion set with two coral and rose-cut diamond clusters, alternatelyset with seed pearls, on a fine-link gold neck chain, pendant £200-300 2.5cm wide, necklace 46cm long

1090 1091. An amethyst and seed pearl brooch pendant, the oval-shaped amethyst is set within seed pearl border and concentric surround alternately-set with amethysts and seed pearls in yellow gold, detachable pendant loop, 6cm high £400-600

1091

1092. A fruiting vine brooch, the grapes formed as seed pearls and set with a diamond to the textured foliage, 3.5cm high £200-300 1093. A Victorian gold locket pendant, the domed centre section decorated with blue enamel and with seed pearl-set star motif within a broken surround of white enamel pellets, glazed locket compartment to the reverse and reverse amphora design gold pendant with white enamel decoration, and a gold double circular-link neck chain, chain 51cm long £400-600

1092

1094. A 19th century gold brooch mounted with two circular limoge enamel plaques, depicting putti, framed within seed pearl borders, centre section set with small rose-cut diamonds, 4cm wide £300-400

1093

1094

19


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1095

1096 1094A 1097 1094A. A gold charm bracelet, the 9ct curb-link bracelet mounted with assorted gold charms (mainly 9ct), including a running rugby player with enamel decoration, dancing can-can girls with kicking legs, a folded £1 note, a spinning good luck charm and a model of an early automobile, 69g £300-400 1095. A 9ct gold curb link bracelet, set with a gold padlock clasp, London hallmarks for 1971, and a bi-colour gold fancy-link bracelet formed from circular and lozenge-shaped links with scroll decoration, 48g total £300-400 1096. A 9ct two-colour fancy and textured gate-link bracelet, 19cm, and a pair of textured gold leaf-form earrings, each set with circular-cut sapphires and a small diamond, 102g total £800-1,200

1099

1097. A gold penknife, with engine turned decoration, a gold cigar cutter and a gold charm depicting a car on an oval-link chain £300-400

1098 1098. A gold South African miner’s brooch, designed as a crossed pick-axe and shovel, centred with a gold nugget, suspending a bucket and spade marked ‘South Africa’ and set with a small diamonds, 5cm £300-400 1099. A 9ct gold Dunhill lift-arm short rectangular cigarette lighter, the arm signed Dunhill and REG no. 737418, the base with patent numer 43752, maker’s mark AD in lozenge, London marks for 1929, the spirit reserve marked ‘Dunhill Unique Lighter’ £300-400 1100. A gold flat curb-link bracelet, set with a 1963 gold coin in gold collet, 72g £1,000-2,000 1101. A yellow gold longuard chain, 31g, 145cm

£400-600

1100 1102. A 18ct yellow and white gold Star of David pendant, with an 18ct gold long bar-link neck chain, chain 58cm, 56g total £800-1,200

1101

1103. A tank track gold bracelet, with textured and foliate decoration, 18.5cm long, 48g £1,000-1,500 1104. A gold charm bracelet, the rectangular and circular link bracelet with assorted charms including a basket of puppies, a clock and a pig, 76g, Lacloche bangle box £500-700

20

1102

1103

1104


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1106

1105

1105. A Victorian garnet-set gold snake necklace, the stylised serpent’s head set with garnets and pearls, suspending a heart-shaped locket from its mouth, on snake-link gold neck chain, 38cm long, case £400-600

1107

1106. A French silver-gilt double compartment compact, the rectangular box with light blue guilloche enamel overall, centred with a cabochon blue stone within a laurel, with rose-cut diamond thumbpiece, a centre opening pair of hinged covers to the interior with powder puffs, the cover and mirror loose, the hinged cover interior bearing the mark ‘Cartier Paris Londres’, French control marks £200-300

1109

1107. A seed pearl and amethyst fringe collar, the four rows of seed pearls are separated with yellow gold pellet decorated links and suspend a row of graduated oval-shaped amethysts, yellow £400-600 gold clasp set with rubies, 34cm long

1108

1108. A Victorian gold bangle, decorated with fruiting vines set with seed pearl grapes in yellow gold, box £200-300 1109. A small gold brooch, bearing initials for Marie Henriette of Austria beneath a diamond-set crown coronet, 3cm wide £150-250

1111

1110. Seventeen assorted miniature egg-form pendants, four drilled but missing bales, the stylised carved skull and carved red-stone egg-form pendants both with Cyrillic marks to the bale, the eleven further egg-form pendants with unsigned bales and suspension loops £200-300 1111. A Victorian blue enamel and diamond cluster ring, set in yellow gold, size R, case, with a Victorian seed pearl and emerald cluster ring, set in engraved yellow gold shank, size M, case £200-300

1110

1112. A pair of polychrome enamel cufflinks, of abstract design and decorated with guilloche enamel, with four matching studs in yellow gold, fitted case £300-400 1113. A sapphire and diamond cluster ring, the circular diamond is set within a surround of circularcut sapphires within gold twisted rope yellow gold border, size M, with a conforming sapphire and diamond-set gold bracelet, of ropetwist design with a central octagonal plaque set with a circular-cut diamonds and a blue enamel border in yellow gold and platinum, 17.5cm long £600-800

1113

1112

21


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1115 1114

1116 1114. A pear-shaped aquamarine-set yellow gold pendant, on a fine-link yellow gold neck chain, chain 42cm, in a modern Cartier box £400-600 1115. A sapphire and diamond heart pendant, the centre pendant pavé-set with sapphires, which fits inside the heart-shaped frame set with circular-cut diamonds, all in white gold, on a fine-link white gold neck chain, the larger heart 2cm wide £300-400 1116. An opal and diamond pendant, the solid white opal is set on a white gold chain with interlocking lozenges set with circular-cut diamonds, with a matching pair of diamondset earrings in white gold. £600-800 1117. A sapphire and diamond collar necklace, the plain white and yellow gold collar set with an oval-shaped sapphire and seven graduated circular cut diamonds, 12cm inner diameter £1,000-1,500 1118. A pair of mabé pearl-mounted gold earrings by Kiki McDonough, each earring centred with a circular mabé pearl and quartered with small circular-cut diamonds to the twisted rope border, the pearls interchangeable with a pair of circular cabochon citrine-mounted gold fittings, maker’s mark KMcD and Birmingham marks for 1993, 2.2cm wide £300-400

1117

1119. A pair of peridot and diamond drop earrings, each earring set with three circularcut peridots and three clusters of small circular-cut diamonds in white gold, 5.2cm long £800-1,200

1118

1119 1120

22

1121

1120. A cultured pearl and diamond pendant, the three cultured pearls are set within scroll border of circular-cut and baguette-shaped diamonds in white gold, on white gold neck chain £300-400 1121. A diamond half-hoop ring, set with graduated tapered baguette-shaped diamonds weighing approximately 0.70cts in total, set in white gold, size N, a diamond-set ring, of leafform in yellow gold, size N, a sapphire and diamond half-hoop ring, set in yellow gold, size P, and two blue topaz rings, size O½ and approximately K (with inner re-sizing balls) £600-800


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1122. A diamond half-hoop ring, pavé-set with circular-cut diamonds in yellow gold border on plain yellow gold band, maker’s mark CSW, marked 18ct and with import marks for 1993, size P½, a diamond half-hoop ring, set with circular-cut diamonds in platinum within fluted yellow gold border, maker’s mark ZJ and rubbed import marks for 1990, size Q, and a yellow gold spiral ring set with a line of circular-cut diamonds, maker’s mark LL and hallmarked for 2005, size M £800-1,200

1122

1123

1123. A citrine and diamond band ring, set with an emerald-cut citrine within triangular-shaped diamonds on wide yellow gold band with twisted rope and pellet decoration, inner re-sizing balls, approximately size M, with a plain yellow gold ring set with a circular-cut green tourmaline, size O £400-600

1124

1124. A cabochon citrine-set gold pendant, within a twisted yellow gold border set with diamonds, the underbezel decorated with pink sapphires, on fine-link yellow gold neck chain, pendant 2.5cm high, chain 45cm long,with a pair of diamond-set gold earrings, of ropetwist design set with a line of small diamonds in platinum and gold, 2.5cm high £200-300

1125

1125. A mixed lot of jewellery, including a tourmaline-mounted 18ct gold ring with a matching pair of earrings, a pair of ovalshaped citrine-mounted gold earrings and a pair of lapis lazuli-mounted gold earrings £200-300

1126

1126. A pair of tricolour twisted gold earrings, and a pair of yellow gold twisted hoop earrings set with cultured pearls, 15g total £200-300

1127. A green tourmaline bracelet, on white and yellow fancy-link bracelet, 19cm long £200-300

1128. A French gem-set gold brooch, designed as twisted stylised fabric, of woven construction and set with graduated circularcut citrines, sapphires, emeralds and rubies in yellow gold, French control marks, 5cm wide, 15g £200-300

1127

1128

23


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1129

1130

1131

1129. A silver deer brooch by Georg Jensen, design 256, the deer kneeling amongst tall flowers, maker’s mark to the reverse, London hallmarks for 1949, 4.5cm wide £150-200

1130. A suite of silver jewellery by Georg Jensen, designed as flower heads and centred with coral cabochons, the bracelet design no. 36, with maker’s initials and Georg Jensen stamp, London marks for 1951, 18cm, the earrings design no. 49, with maker’s mark, the ring design no. 73, with maker’s mark, size O, a pair of silver foliate earrings by Georg Jensen, design no. 50A, with maker’s mark, with a twisted silver-link neckchain, design no. 283c, with maker’s mark, 68cm £600-800 1131. A small collection of Arts & Crafts jewellery, including a silver pierced buckle centred with a rose decorated with blue and green enamel by James Fenton, Birmingham marks for 1909, a silver pendant with blue enamel decoration by James Fenton, Birmingham marks for 1908, a silver pendant with blue enamel decoration, a silver pendant with green enamel decoration and centred with a cabochon brown stone, a silver brooch set with a citrine by Charles Horner and a gold thistle brooch, signed H & N, and a silver and blue enamel pendant £200-300

1132

1132. An Arts & Crafts silver and enamel peacock pendant, decorated with blue and green enamel and suspending three freshwater pearls, counter enamelled in blue and suspending from a fine-link gold neck chain mounted with seven circular discs with conforming enamel decoration, pendant 5cm wide, necklace 53cm long £300-400 1133. A gold Art Nouveau ring, depicting the profile of a girl with diamond-set flowers to her flowing hair and wearing a coronet, size R £100-150

24

1133 Illustrated front and side


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1135 1134

1134. Three Indian miniature portraits, the woman (possibly a Maharani), wearing elaborate costume, headdress and jewels, in silver glazed frame, 6cm high, a miniature portrait depicting the profile of Maharaja Ranjit Singh wearing elaborate costume, headdress and holding two small flowers, 4.7cm high, silver glazed frames, and a small glazed miniature portrait of a gentleman set in a gold stick pin with later gold border £200-300 1135. An early 19th century gold stud, centred with a painted oval plaque depicting Moti Masjid, within Greek key pattern ropetwist decorated border in yellow gold, 3cm high. With a late 19th century gold pendant, centred with an oval portrait plaque depicting the young Maharaja Ranjit Singh, within diamond trefoil and seed pearl scroll border, set in silver and gold, 5cm high £300-400 1136. A small group of Indian jewellery, including a Perthabghar brooch (missing pin) depicting an Indian scene against green glass background within a gold cannetille border, 4.8cm wide, with four other similar items £200-300

1136

1137

Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner 1137. An early 19th century panel bracelet, set with oval painted scenes of the Taj Mahal and Moti Masjid within gold cannetille border conjoined with triple circular-link chains in yellow gold, 21cm long £600-800 1138. A gold fob-mounted with four double-sided circular glazed lockets, containing six portraits of Maharajas and Maharani, including Maharaja Ganga Singh, Maharaja Karakh Singh and Maharani Jind Kaur, and a Victorian 1890 half sovereign, £300-400 13cm

1138

25


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1139. OMEGA - a rectangular wristwatch, the white enamel dial signed Omega De Ville, quartz movement, black leather band, and a gold-plated fountain pen signed Swan Pen Mabie Todd & Co New York, 9.5cm long, Maibe Todd case £100-200 1140. A lady's gold Omega wristwatch, on gold bracelet, a gold open faced pocket watch, case, a silver half-hunter pocket watch, a gold wristwatch by J.B. Benson, fitted case, an Omega wristwatch and a gold Vertex wristwatch £300-400

1139

1141. An 18ct yellow gold key-wind open-faced fob watch, the gold dial with engine-turned decoration and black Roman numerals, engine turned foliate decoration overall, 3.5cm wide, with a 15ct yellow gold fancy-link longuard chain with a knotform watch key, chain 56g, 160cm £1,000-1,500

1140

1142. Two gold pocket watches, including one 18ct gold keywind hunting-cased pocket watch by Frodsham and Baker, the white enamel dial (cracked) signed Frodsham and Baker, Grace Church Street, subsidiary seconds dial, signed three-quarter plate movement numbered 8051, 4.8cm wide, and a 9ct half hunting-cased pocket watch by Benson, the signed white enamel dial with black Roman numerals and subsidiary seconds dial, black Roman numerals to the outer case, signed threequarter plate movement and numbered 6684, London marks for 1924, 4.7cm wide £400-600

1141

1143. An open-face pocket watch by J G Graves Sheffield, hallmarked Birmingham 1899, signed, key-wind full-plate movement with English lever escapement, white enamel dial with Roman numeral hour markers, subsidiary dial to six, Silver case. 53mm. Together with a rolled-gold keyless wind half-hunter pocket watch by Thos. Russel & Son Liverpool £120-180

1142

1143

1144

1144. An open-face pair-case pocket watch by D D Neveren London, hallmarked London possibly 1803 marks heavily rubbed, key-wind full-plate fusee and chain movement with verge escapement, pierced and decorated balance cock with diamond end-stone. White enamel dial with Roman numeral hour markers alternating with gilt decoration. Hinged whitemetal dust cover. Silver case numbered 74868, white metal repoussé outer case. 65mm. Together with an uncased verge pocket watch movement by May London £100-150 1145. An open-face pocket watch by S Mowbray London, hallmarked London 1891. Signed key-wind, full-plate, fusee and chain movement with English lever escapement. Silver dial with foliate decoration to centre, Roman numeral hour markers, subsidiary seconds to six. Silver case. 55mm £100-150

1145

1146. An open-face eight-day pocket watch by Aubry, Graizley & Godat, signed keyless-wind pin-set movement with Swiss patent marks. White enamel dial with Roman numeral hour markers, gilt foliate decoration to the sides and exposed balance to six. Gun-metal case, 50mm £200-300

1146

1147. An open-faced pocket watch by ‘Mirror of Gems’ Newport, hallmarked Chester 1901. Three-quarter plate keylesswind movement with screwed chatons and English lever escapement, numbered 146122. White enamel dial with Roman numeral hour markers and subsidiary seconds dial at 6. 18ct gold case numbered 146122. 50mm 93gms £350-450

1148

26

1147

1148. An open-face pocket watch, unsigned keyless-wind pinset three-quarter plate movement with club-tooth lever escapement, numbered 7203 patent no 22206. White enamel dial with Arabic numeral hour markers, numbered 7203. Case stamped 18k with poinçon, numbered 7203. 49mm 85gms £300-400


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1149. An open-face pocket watch, hallmarked London 1857. Unsigned full-plate, key-wind fusee and chain movement with English lever escapement. Gilt dial with foliate decoration to centre, Roman numeral hour markers. 18ct gold case, 41mm 56gms £350-450 1150. An 18ct yellow gold half hunting-cased pocket watch, the outer case with blue Roman numerals, white enamel dial with black Roman numerals and subsidiary seconds dial, the back cover engraved with the Clive crest, internal presentation inscription dated 1924, the movement by the Army & Navy cooperative society, numbered 400322 £500-700

1149

1150

1151. An open face pocket watch by Rolex, hallmarked Bimingham 1946. Signed keyless-wind movement with clubtooth lever escapement. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 9ct gold case numbered 216706. 49mm 83gms £300-500 1152. An 18ct half hunting-cased stem-wind pocket watch by Frodsham, the signed white enamel dial with black Arabic numerals and subsidiary seconds dial, the outer case with further black enamel Arabic numerals, the movement numbered 804423, Glasgow import marks for 1925, outer and inner cases engraved with initials and presentation inscription dated 1928, 4.5cm wide £400-600

1152 1151

1153. A half-hunter pocket watch by Thos Russell & Sons Liverpool, hallmarked Chester 1920. Signed keyless-wind movement with screwed chatons, swan-neck regulator and club-tooth lever escapement, numbered 6172. White enamel dial with Roman numeral hour markers, subsidiary seconds dial to six. 18ct gold case numbered 7495 with initials L.S. engraved to rear. 49mm, 102gms. £400-600 1154. An 18ct gold hunting-cased stem-wind pocket watch, the white enamel dial with black Roman numerals and subsidiary seconds dial, front cover engraved with initials, the back cover engraved with a crest and motto, the three-quarter plate movement signed JB BANKES, Roncorn and numbered 4574, London marks for 1877, 5.2cm wide £600-800

1154

1153

1155. An open face centre-seconds chronograph pocket watch, hallmarked London 1881. Unsigned three-quarter plate keyless-wind pin-set movement numbered 27731 with screwed chatons and English lever escapement. White enamel dial with Roman numeral hour markers. 18ct gold case. 53mm, 132g £400-600 1156. A half-hunter pocket watch with import hallmarks for London 1910, Unsigned keyless-wind movement with straight line lever escapement. Silver dial with Arabic numerals. 9ct gold case with Shaw family crest and motto ‘Vincit que Patitur’ to the rear. 45mm, weight 45gms Together with an 18ct yellow and white gold Albert chain 35cm, 6g with fitted box £200-300

1156 1155

1157. A gold fob watch, the white enamel dial with Roman numerals and outer Arabic numerals, the reverse with foliate design set with rose-cut diamonds and decorated with red and green enamel, suspending from a gold bow brooch, case 24mm £150-200 1158. A Victorian blue enamel fob watch, the plain white dial with blue Arabic numerals, within turquoise blue enamel case and suspended from a blue enamel bow in yellow gold, 5.5cm long, fitted case £200-300

1157

1158 reverse and front

27


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1159. A lady’s 18ct gold ‘trench’-style wrist watch by T W Harris London, hallmarked 1922, keyless-wind pin-set, threequarter-plate movement with club tooth lever escapement, white enamel dial with Roman numeral hour markers, fitted to an unsigned brown leather strap with pin buckle. 27mm Together with a silver open-face key-wind fusee and chain movement pocket watch by Barling Maidstone £100-150 1160. CYMA - a gold wristwatch, the dial with luminous Arabic numerals, subsidiary seconds dial, signed Cyma Tavannes watersport shock absorber, presentation inscription to reverse dated 1941, numbered to reverse 92978 142, case 28mm £100-150

1159

1161. ROLEX - a gold wristwatch, the dial signed Rolex Oyster, luminous Arabic numerals, subsidiary seconds dial and signed for Cooke & Kelvey, Calcutta, engraved to the reverse with name, case 32mm £400-600

1160

1162. LONGINES - a gentleman’s 9ct gold bracelet watch, silvered dial with gold baton markers, signed manual wind calibré 19.4, numbered 10996701, case stamped Baume, hallmarked London 1958, serial 11009. Fitted to a plain leather strap, 32mm, 45gms £300-400 1163. BORGEL - a steel trench watch, the black dial with luminous Arabic numerals and subsidiary seconds dial, case 35mm £80-120

1161

1164. JAEGER - a brass eight-day alarm desk clock, cream dial with gilt central alarm wheel, gilt dot hour markers with Arabic numeral quarters, manual wind movement, winding crown and alarm setting to rear covered by gilt sliding doors, green case sides and silence button. Height 50mm £100-150

1162

1165. ULYSSE NARDIN - a gentleman’s rose metal wrist watch, silver dial with rose gold baton hour markers. Signed manual wind movement numbered 5521402. Case stamped 18k with sculpted lugs. Fitted to an unsigned brown leather strap with pin buckle. 38mm £500-700 1166. BAUME & MERCIER - an 18ct gold gentleman’s chronograph wrist watch, silver dial with rose gold Arabic numeral hour markers alternating with chevrons, subsidiary recording dials to three and nine. Signed manual-wind Landeron 48. Case back stamped 18K with poinçon, serial 19500. Fitted to an unsigned blue leather strap with pin buckle. 38mm £300-400 1167. SMITHS - a gentleman’s 9ct gold De-Luxe wrist watch, cream dial with Arabic numeral hour markers, subsidiary seconds dial to six. Unsigned, hand wound calibré 1215 numbered 605. Caseback hallmarked Birmingham 1959, numbered 1062 serial 12858. 31mm £120-180

1163 1164

28

1165

1166

1167


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1168. OMEGA - a gentleman’s 9ct gold wrist watch, silver dial with gold dart hour markers and Arabic numeral quarters, signed automatic calibré 501 numbered 16331552, case back hallmarked Birmingham 1957, numbered 13308 serial 853555, personal engraving to rear. fitted to an unsigned ostrich strap with pin buckle. 34mm £300-400 1169. BREITLING - a gentleman’s stainless steel Navitimer chronograph wrist watch reference A23322, blue dial with silver baton hour markers, subsidiary recording dials to three, six and nine, date aperture to 4.30. Signed automatic calibré 7753. Serial 2111862, Fitted to a signed blue leather strap with signed stainless steel pin buckle. 41mm £1,800-2,600 1170. TAG HEUER - a gentleman’s stainless steel Formula 1 chronograph bracelet watch reference CAC111B, black dial with luminous dart hour markers, subsidiary recording dials to two, six and ten, date aperture to 4.30, unsigned quartz ETA calibré G10 711, serial number YW1132, fitted to a signed stainless steel bracelet with deployant clasp and extension link. 42mm £300-400

1168

1169

1171. ROLEX - a steel Oyster Royal precision wristwatch, black enamel dial with sweep seconds hand, with a second of Rolex steel band with deployant clasp (broken), case 33mm £400-600 1172. GIRARD PERREGAUX - a lady’s bi-metal bracelet watch reference 8039, black dial with gold baton hour markers and Arabic numeral quarters, date aperture to three. Signed automatic calibré 2501, Serial BJ No.35. Fitted to a signed bimetal bracelet with double deployant clasp. 29mm £400-600 1173. CARTIER - a lady’s silver-gilt Must de Cartier tank wristwatch, signed enamel dial with black Roman numerals, numbered to the reverse 3014043, Cartier leather band and buckle, case 20mm £150-250

1170

1174. CARTIER - a silver-gilt Must de Cartier Tank wristwatch, signed yellow enamel dial with black Roman numerals, manual winding, numbered 3092096, Cartier silver-gilt deployant clasp with black patent leather band, 2.8cm £200-300 1175. An Art Deco diamond-set lady’s dress watch, set with baguette-shaped and small circular-cut diamonds in platinum, white metal mesh band £200-300 1176. INTERNATIONAL WATCH COMPANY - A lady’s 18ct yellow gold wristwatch, the square-shaped signed dial applied with gold baton numerals, the case with London import marks, integrated yellow gold band, 17.5cm (max) £300-400

1172

1171

1177. A lady’s Art Deco Egyptian Revival gold and enamel wristwatch, the square dial with black Arabic numerals and enamel decoration and engraved with laurel border to the hinged and extended bezel, the reverse numbered 1018, the movement signed Montreaux Watch Co, adjustable gold mesh band, case 18mm £200-300

1173

1174

1175

1176

1177

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FINE JEWELLERY

Thursday 1st November 2018 Entries are now being accepted for this sale

TO BE INCLUDED: An Egyptian-style early 20th century gem-set platinum brooch, set with buff-top emeralds, rubies and sapphires. Estimate: £4,000 - £6,000


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TO BE INCLUDED: An early 20th century Egyptian Revival gold tiara, converting to be worn as a choker necklace. Estimate: £5,000 - £7,000

ENQUIRIES Charlotte Glyde | Tel:+44 (0)1722 424586 | cg@woolleyandwallis.co.uk


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Each lot is subject to a Buyer’s Premium of 25% plus VAT

1178. CARTIER - a lady’s 18ct gold Tank wrist watch, white dial with black Roman numeral hour markers, unsigned quartz movement, inner case back stamped 18K with poinçon, numbered 1293, serial number 810521544, fitted to an unsigned brown crocodile strap with signed 18k gold deployant buckle. 23mm £900-1,400 1179. CARTIER - a lady's 18ct gold Baignoire wristwatch, Reference: 1954, quartz movement, cream dial with black Roman numerals, secret signature at 10, blued steel sword hands, polished oval form case, back secured by 4 screws, cabochon set crown, No.455979CD, Cartier leather strap and gold buckle, 23mm, Cartier box £1,000-1,500 1180. PIAGET - a lady’s yellow gold wristwatch, signed rectangular dial set with three diamonds, diamond winder, pavé-set with round brilliant-cut diamonds to the bezel, further diamonds pavé-set to the hinged clasp and terminal ring, four-row mesh bracelet, signed to the reverse and numbered 5225 891954, 80g total, with a yellow gold Piaget ring, the centre rotating section with with round brilliant-cut diamonds, signed Piaget and numbered B61013, size N £3,000-4,000 1181. CARTIER - a lady’s steel and gold Panthère round wristwatch, the champagne dial with Roman numerals, date aperture at three, quartz movement, steel and gold brick-link band, deployant clasp, case 2.8cm wide £800-1,200 1182. CARTIER - a lady’s bi-metal Santos Ronde bracelet watch, burgundy dial. Signed automatic calibré 2670, case back serial 090758634. Fitted to a signed bi-metal bracelet with deployant clasp. 24mm £600-800 1183. JAEGER LECOULTRE - a lady’s gold and steel reverso wristwatch, the signed dial with guilloche decoration and black enamel Arabic numerals, two lines of small round brilliant-cut diamonds to the upper and lower bezel, steel and gold Jaeger LeCoultre band with deployant clasp, with spare links and a small screwdriver, with purchase papers and certificate £2,000-3,000 1184. ROLEX - a lady’s oyster perpetual datejust reference 79173, white dial with Roman numerals, date aperture at three, stainless steel and gold clasp, deployant clasp £1,000-2,000

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1178

1180

1184 1181

1183

1182 1179

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1185. ROLEX - a gold wristwatch, the dial signed Rolex Oyster Imperial Chronometer, quartered with gold Arabic numerals, numbered to the reverse 42269 3116, case 28mm £600-800 1186. ULYSSE NARDIN - a gentleman’s yellow metal chronograph wrist watch, cream dial with rose gold Roman numeral hour markers to six and twelve, subsidiary recording dials to three and nine, blue outer telemetry scale, blued-steel luminous hands. Signed hand-wound movement marker 14” CHR calibré 15. Case back stamped 14k with poinçon, serial 787484. Fitted to an unsigned black leather strap with pin buckle. 38mm £800-1,200 1187. JAEGER LE-COULTRE - a gentleman’s 9ct gold wrist watch, discoloured silver dial with gilt baton hour markers and Arabic numeral quarters. Signed hand-wound calibré P80/C, numbered 1118909. Caseback hallmarked London 1955 serial 7962, personal inscription to rear. Fitted to an unsigned brown leather strap with pin buckle. 30mm £400-600 1188. BLANCPAIN - an 18ct rose gold automatic calendar wristwatch, No.63/333, 29-jewel Cal.11.51 automatic movement adjusted to 5 positions, cream dial with applied gilt Roman numerals, gilt faceted sword hands with luminous inserts, centre seconds, date aperture at 3, polished round case with snap on exhibition back, stepped bezel, fitted black leather strap with signed 18K gold buckle, together with fitted Blancpain box, outer card and instruction booklet, case, dial and movement signed, 36mm £2,000-3,000 1189. SEIKO - a gentleman’s stainless steel dive watch reference 6105 8110, black dial with luminous baton hour markers. Date aperture to three. Locking crown to 4, black bi-directional bezel Signed automatic calibré 6105B, serial 522624. Fitted to a signed black rubber strap with signed steel pin buckle. 44mm. £600-800 1190. BREITLING - a gentleman’s stainless steel Transocean wrist watch reference A10360, black dial with silver baton hour markers, date aperture to three, signed automatic calibré 2892A2, serial number 2673108, fitted to a signed black leather strap with signed stainless steel pin buckle. 43mm £1,000-1,500 1191. ULYSSE NARDIN - a gentleman’s stainless steel chronograph wrist watch, silver dial with rose gold Arabic numeral hour markers alternating with darts, subsidiary recording dials to three and nine. Signed hand-wound movement. Case back serial 329949. Fitted to an unsigned brown leather strap with pin buckle. 37mm £600-800 1192. OMEGA - a gentleman’s stainless steel Speedmaster chronograph wrist watch reference 145.022 78, black dial with luminous baton hour markers, subsidiary recording dials to three, six and nine. Signed manual wind calibré 861 serial 44820474, caseback stamped ST145.022 78, fitted to an unsigned black leather strap with pin buckle. 40mm £2,000-3,000 1193. FORTIS - a gentleman’s stainless steel B-42 Flieger GMT Chronograph reference 637.10.175, cream dial with gold Arabic numeral hour markers, subsidiary recording dials to six, nine and twelve, date aperture to three. Signed automatic calibré 7750, numbered 13BCC, display case back, serial 2812. Fitted to a signed stainless steel bracelet with deployant clasp and extension link. 42mm £600-800

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1188 1186 1187 1185

1191

1192

1189

1190

1193

35


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1194. PATEK PHILIPPE - A gentleman’s 18ct gold Calatrava wrist watch reference 2526, white lacquered signed Tiffany & Co dial with gold baton numerals and subsidiary seconds dial, gold case numbered 695916, automatic movement numbered 760967, Patek Philippe crocodile band and gold clasp marked PPCo, case 32mm wide, Patek Philippe pouch £12,000-15,000 Accompanied by a letter from Patek Philippe dated October 2009 stating that the Movement number 760967 and the Case number 695916 of Reference 2526 watch are authentic Patek Philippe parts, as verified by their records Accompanied with a letter confirming that the watch was serviced in December 2015, including fitting a new white lacquered dial with 'Tiffany' reproduced on the dial as original

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1195. A Regency gold fob seal, set with a swivel citrine fob seal, carved with coat of arms, 4.4cm long £200-300 1196. A Regency gold desk seal, the carnelian matrix engraved with a coat of arms for Nisbet, with banded agate waisted body and gold scroll decoration, 8cm high, fitted case £300-400 1197. A George III gold-mounted circular waisted agate box, (damaged), with gold mount to the raised base and to the hinged cover, shell thumbpiece with rococo decoration, 3.3cm wide £200-300 1198. A waisted octagonal dendritic agate double-ended desk seal, with foliate scroll gold mounts, the smaller end engraved with a crest, 6cm high £500-700 1199. A silver and lapis lazuli desk seal, modelled as Pan playing the pipes, the lapis lazuli pedestal with vacant matrix, 11.5cm high £600-800 1200. A 19th century gold vesta case, with honeycombe decoration, and set with rubies and diamonds, hinged compartment and striker to base, plain gold hoop, 4cm high £400-600 1201. A 19th century carved carnelian intaglio ring, depicting a standing female figure with cupid and a flaming torch, gold mounts, the intaglio 2.5cm high, size O½ £100-200 1202. A Victorian shield-shaped bloodstone-mounted 18ct gold signet ring, carved with decorative shoulders, London marks for 1865, maker AP, size P £200-300 1203. A gentleman’s gold signet ring, set with a bloodstone engraved with a coat of arms in 18ct yellow gold, Chester hallmarks for 1891, size V £200-300 1204. An early 19th century gold viniagrette, of rectangular-form, with pierced grille and set with sections of agate to top and bottom in yellow gold, 3cm long £150-250 1205. A carved nicolo agate intaglio ring, depicting a standing female nude adjusting her headdress, later gold mount, size O £200-300 1206. A 19th century perfume bottle, the gold lid set with diamond fleur-de-lys and an amethyst and diamond cluster top set in silver and gold, 6.1cm high £600-800 1207. A diamond-set gold and enamel brooch, the cipher millegrain-set with diamonds and contained £300-400 within a Royal Garter with blue enamel decoration, 3cm high 1208. A Regimental brooch for the Cold Stream Guards, set with a rubies and diamonds to the centre section within blue enamel border in platinum and gold, 3.5cm high £200-300

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1196

1195

1197

1198 1200

1199

1206 1204 1201

1203 1208 1205 1202 1207

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1209. A late 18th century tortoiseshell box, with Romantic scene painted to the hinged cover interior, of circular form and decorated with concentric foliate design to the cover and base, the cover concealing a glazed painting of a young couple in romantic embrace, gold mounts and shell thumbpiece, 8cm wide £1,500-2,000 1210. A gold and enamel triangular frame in the Russian style, centred with a glazed oval compartment within a scroll border on matted ground, the lilac guilloche enamel frame with two colour gold laurel borders, with gold scroll strut support to the ivorene back, 9.8cm high £2,000-3,000 1211. A 19th century oval-shaped gold box, of waisted form and set with blue glass panels depicting Japanese scenes, 5cm wide £1,000-2,000 1212. A rectangular gold box with lapis lazuli sides, with concentric diamond-shaped engine-turned decoration overall, the sides mounted with panels of lapis lazuli, secret pressure opening to front section, numbered 60270, stamped 585, 127g total, 3.5cm wide £3,000-4,000 1213. A yellow gold mesh evening bag, with engraved decoration to the frame and with two cabochon sapphires to the clasp, 199g, 15cm wide £1,000-2,000

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1210

1209

1211

1212

1213

41


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1214. A pair of gold cufflinks by Tiffany & Co, each spherical terminal with fluted decoration in yellow gold, signed Tiffany & Co, 3cm long £500-700 1215. A pair of moss agate and ruby cufflinks, each circular panel of moss agate is set within a border of French-cut rubies (one missing) in rub-over gold setting, fluted closed gold back, each disc 2.1cm wide £1,200-1,500 1216. A pair of gold horse cufflinks, each oval link painted with an enamel horse head, including a chestnut, bay, gray and dark bay, stamped 9ct and maker’s mark A&W for Alabaster & Wilson, links 1.5cm high, fitted case by Collingwood £400-600 1217. A pair of white gold cufflinks depicting the four suits, pavé-set with black diamonds and rubies, each link 1.5cm high £800-1,200 1218. A pair of yellow gold cufflinks by Patek Philippe, the larger oval link with steel-coloured enamel decoration, the smaller link hinged, signed and stamped 750, the larger links 1.5cm high, with Patek Philippe pouch £300-400 1219. A pair of square-shaped dress cufflink, with alternate diagonal lines of calibré-cut sapphires and circular-cut diamonds in platinum, French control marks, each link 1.8cm wide £1,000-1,500 1220. A pair of rectangular yellow and white gold cufflinks, each link with raised centres, 1.5cm long, case £200-300 1221. A pair of gold and enamel jockey cufflinks by Theo Fennell, the jockey’s hats decorated with red and white enamel in yellow gold, signed Fennel with maker’s mark and London hallmarks for 2000 £600-800 1222. A set of four sapphire and rock crystal studs, set with four calibré-cut sapphires within rock crystal border in platinum, 1.1cm diameter £600-800 1223. A pair of French sapphire and diamond cufflinks, alternately-set with lines of princess-cut diamonds and calibré-cut sapphires in platinum, each link 1.3cm wide £800-1,200 1224. A pair of gold horse cufflinks, each oval link painted with an enamel horse head, including a chestnut, bay, gray and dark bay horse, stamped 9ct and maker’s mark A&W for Alabaster & Wilson, links 1.5cm high £400-600 1225. A pair of amethyst-mounted gold cufflinks, the octagonal-shaped amethysts each set in scroll engraved gold mounts, each link 1.3cm high, cased £400-600 1226. A pair of carved abstract opal cufflinks, set in textured yellow gold, maker’s mark JMW and London hallmarks for 1997, each link 2.2cm wide £400-600

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1215

1214 1216

1217

1218

1221

1222 1220

1223 1219

1226

1224

1225

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1227. A diamond half-hoop ring, set with four lines of graduated circular-cut diamonds in yellow gold, size Q £500-700 1228. An early 20th century navette-shaped diamond cluster ring, set with an old cushion-shaped diamond within pierced millegrain-set diamond surround in platinum and gold, size Q £100-200 1229. An emerald and diamond cluster ring, the oval-shaped emerald set within a surround of twelve circular-cut diamonds and two tapered baguette shoulder diamonds in white gold, size O £1,200-1,500 1230. A yellow sapphire and diamond cluster ring, the emerald-cut sapphire set with round brilliantcut diamonds in yellow gold with three small graduated diamonds to each bifurcated shoulder, size O £1,200-1,500 1231. A sapphire and diamond five-stone ring, set with three sapphires and two old circular-cut diamonds in 18ct yellow gold, Chester mark for 1912, size K, case £200-300 1232. A sapphire and diamond cluster ring, the slightly oval-shaped sapphire set within a surround of round brilliant, baguette and marquise-shaped diamonds in white gold, size O £1,200-1,500 1233. A ruby and diamond cluster ring, the oval-shaped ruby weighs approximately 0.80cts, set with two pear-shaped rubies, within a surround of round brilliant-cut diamonds and two further round brilliantcut diamonds to each shoulder, size M £800-1,200 1234. A diamond cluster ring, the seven circular-cut diamonds are set in gold, size M

£400-600

1235. A pink sapphire and diamond-set cluster ring, the sapphire set within a surround of ten round brilliant and two square-shaped shoulder diamonds in white gold, size M £800-1,200 1236. A sapphire solitaire ring, the oval-shaped sapphire set in yellow gold, size M

£800-1,200

1237. An aquamarine and diamond cluster ring, the oval-shaped aquamarine weighs approximately 1.10cts and is set within a surround of small round brilliant-cut diamonds in yellow and white gold, size O ½ £350-450 1238. An emerald and diamond cluster ring, the octagonal-cut emerald set within a surround of old circular-cut diamonds in gold, size O £1,200-1,500 1239. A sapphire and diamond ring, the oval-shaped sapphire is flanked by baguette-shaped diamonds in platinum, size M½ £400-600 1240. An emerald-cut yellow sapphire and diamond cluster ring, the sapphire set within a surround of round brilliant-cut diamonds in white gold, size M £600-800 1241. A diamond five-stone ring, the graduated circular-cut diamonds are set in platinum, size K ½ £200-300 1242. An emerald and diamond cluster ring, the oval-shaped emerald set within a surround of old circular-cut diamonds in yellow gold with two further shoulder diamonds, size O £1,000-1,500 1243. A ruby five stone ring, set with graduated circular-cut rubies and diamonds-set to the gallery in yellow gold mount, size O £800-1,200 1244. A sapphire and diamond-set heart-shaped ring, the sapphire set within a surround of eleven old circular-cut diamonds in gold, size N £800-1,200 1245. A ruby and diamond cluster ring, the oval-shaped ruby is set within a surround of circular-cut diamonds in white gold, size O½ £300-400 1246. A diamond gypsy ring, the cushion-shaped diamond is claw-set in plain polished yellow gold shank, size K £500-700

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1227

1245 1229 1244 1228

1230

1243

1231 1242

1232

1246 1241

1233 1240

1238

1239

1234 1235

1236

1237

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1247. A kunzite and diamond-set gold pendant, the oval shaped kunzite set in yellow gold and with circular-cut diamonds set to the pendant mount, on fine-link yellow gold chain £800-1,200 1248. A four-row emerald bead necklace, mounted with a white gold knot pavé-set overall with round brilliant-cut diamonds and suspending four emerald bead tassles, plain white gold clasp, 43cm £2,000-3,000 1249. A sapphire and diamond cluster ring, the slightly oval-shaped sapphire set within a surround of round brilliant-cut diamonds and set in white gold with further round brilliant-cut diamonds to the shoulders, size L ½, with a pair of yellow sapphire-set white gold earrings £600-800 1250. A pair of emerald and diamond cluster earrings, the pear-shaped emeralds set within a surround of round brilliant-cut diamonds in yellow and white gold £800-1,200 1251. A cabochon ruby and diamond cluster ring, the oval-shaped ruby set within a surround of small round brilliant-cut diamonds in white gold, size N £600-800 1252. A pair of emerald and diamond half-hoop earrings, each set with a central line of calibrè-cut emeralds within round brilliant-cut diamond borders in white and yellow gold, stamped 14kt and marker’s mark C.E.I., post and clip fittings, 2cm long £300-400 1253. A pair of emerald and diamond drop earrings, centred with a pear-shaped cabochon emerald, suspending from two concentric lines of small round brilliant-cut diamonds and with a diamond cluster above, 3.5cm £2,000-3,000 1254. A pair of amethyst and diamond drop earrings, the briolette-cut amethysts suspend from an articulated line of small graduated round brilliant-cut diamonds in white gold, with four-section foliate diamond-set caps, 5cm high £1,000-1,500 1255. A sapphire and diamond bangle, channel-set with a line of calibré-cut sapphires within diamond borders in yellow gold, London hallmarks for 18ct, 2012, 6cm inner diameter £800-1,200 1256. A sapphire line bracelet, set with square-shaped sapphires in white gold square-shaped collets, 17.5cm £800-1,200 1257. A diamond line bracelet, the circular-cut diamonds weigh approximately 4.00cts in total, set in white gold, 17.5cm long, with six spare links £600-800 1258. A diamond-set butterfly brooch, the rose-cut diamonds are millegrain-set in silver and gold, 4cm wide £900-1,200 1259. A diamond-set kookaburra brooch, pavé-set with graduated circular-cut diamonds and a garnet £300-400 eye in white gold, 3cm wide

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1248

1247

1249 (2)

1250

1252

1251

1253

1259

1254

1256

1257 1258

1255

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1260. A carved hardstone cameo brooch, depicting a lady in classical dress and wearing a headdress, seed pearl surround to the gold frame, 2.5cm high £300-400 1261. A shell cameo brooch by Tommaso Saulini, c1870, depicing the young Edward VII in profile, within gold scroll border decorated with blue enamel (damaged) and paste, the cameo signed Saulini F, 7.1cm high, fitted case £100-150 1262. A miniature portrait in diamond frame, depicting a girl wearing a lace-trimmed cap and white shawl, in glazed circular frame set with rose-cut diamonds and with a diamond pearl and ruby-set bow below, silver and gold mount, 3.8cm wide £600-800 1263. A 19th century gold mourning ring, decorated with black enamel and ‘In Memory Of’ within scroll engraved border, maker’s mark JW, London hallmarks for 1855, 18ct, the inner inscription reads ‘David Smith, died 18th Nov 1855’, size T £200-300 1264. A rose-cut diamond cluster brooch and bangle, the brooch set with a larger diamond within a surround of nine smaller rose-cut diamonds (upper section loose from base) in gold, on two-colour gold frame, 2.8cm wide, the rose-cut diamond-set gold hinged bangle centred with a large rose-cut diamond within a surround of ten smaller rose-cut diamonds and ten smaller border diamonds in gold, with two lines of rose-cut diamonds to the shoulders, 6cm wide £7,000-9,000

1265. A George III rectangular patch box, the tortoiseshell rectangular box with gold mounts, the hinged cover mounted with a rectangular glazed compartment containing plaited hair and within seed pearl border, the cover interior mounted with a mirror and velvet to the lower half, 5.8cm high £400-600 1266. A 19th century diamond-set dove brooch, set with graduated old cushion-shaped diamonds, blue enamel to the wings and ruby eyes, set in silver and gold, 2.5cm wide £400-600 1267. A Victorian sapphire and diamond cluster ring, the circular-cut sapphire is set within a surround of rose-cut diamonds within sapphire and diamond trefoil shoulders in silver and gold, size N ½ £300-400 1268. A miniature portrait depicting Ferdinand IV (1759-1799) of Naples and III of Sicily, wearing a high red collared jacket and various orders, the other side depicting a young lady with her hair tied up in a blue bow, gold glazed frame and blue enamel border to the portrait of the lady, both portraits 5.8cm high £600-800 1269. A pair of George III gold mourning rings, both 18ct yellow gold rings centred with a white enamel band within black enamel borders, the white band with gold letters, ‘Mary Tatnell. died. 2.Feb:1811.Aged 73’, maker IP, London marks for 1810, size T and size M approx. £400-600 1270. A pair of George III gold mourning rings, with black enamel and inscription ‘Ann Blackmore died 9 July 1812 aged 72’ on both rings, fluted gold decoration and black enamel borders in yellow gold, London marks for 1812, maker’s mark SG, sizes M½ and U½ £400-600 1271. A pearl and diamond half-hoop ring, set with five pearls and diamond pointers in carved and pierced yellow gold mount, size Q½ £300-500 1272. A William IV gold mourning ring, the flower head top section centred with a small diamond between five seed pearls on black enamel ground, engraved with scroll decoration to the bifurcated shoulders and with further enamel decorated forget-me-nots, London marks for 1830 and maker CG, size O £200-300 1273. A Victorian ruby, diamond and enamel gold ring, of scroll design and centred with a rectangularcut ruby and two small shoulder diamonds on blue enamel ground, size M ½ £200-300

1274. An early 19th century romantic pendant, one side painted in sepia on ivory depicting a seated woman with a French romantic message, the other with a locket compartment of curled hair tied with seed pearls, both sides with glass cover and in gold frame, 5cm high £200-300 1275. A 19th century pearl and ruby cluster ring, set in scroll pierced yellow gold mount, size N½, case £200-300 1276. A late 18th century diamond and blue enamel ring, centred with a cushion-shaped diamond between diamond-set foliate sections, on blue guilloche enamel ground within a border of small cushion shaped diamonds in silver and yellow gold, size Q £400-600 1277. A late Victorian novelty ring, set with seven small children’s teeth, the teeth separated with small circular-cut diamonds, scroll pierced shoulders, size L £200-300

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1261

1262

1260

1263 1264

1265

1269

1270

1266 1267

1268

1277

1271

1276

1272

1273 1275

1274

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1278. A pair of emerald and diamond cluster earrings, the emerald-cut emeralds are set within a surround of circular-cut diamonds in yellow gold, case by Garrard £800-1,200 1279. A pair of diamond-set scroll earrings, each earring set with an old circular-cut diamond and smaller diamonds to the inverted scrolls in white gold £600-800 1280. A pair of diamond drop earrings, the quatrefoil of diamonds suspends an articulated line of diamonds and a teardrop-shaped diamond pendant set in white gold, 4.2cm long £300-400 1281. A pair of sapphire and diamond drop earrings, the oval-shaped sapphires are set within a surround of circular-cut diamonds and suspend from an articulated line of baguette, tapered baguette and circular-cut diamonds in white gold, 4cm high £1,500-2,000 1282. A lapis lazuli, cultured pearl and yellow gold bracelet, alternately-mounted with plain circular and carved, pierced lapis lazuli links, each mounted in yellow gold collets and joined with two cultured pearls, marked Gumps, 14k, 19cm £200-300 1283. A French emerald and diamond bracelet, set with a central line of emeralds and diamonds within yellow gold ropetwist border, 17.5cm long, French control marks £1,800-2,000 1284. A diamond-set gold bangle, the plain polished yellow gold bangle is set with a line of graduated circular-cut diamonds, maker’s mark TP and date marks for 1997, 6cm inner diameter, 31g £1,200-1,500 1285. A gem-set gold fish brooch by Ben Rosenfeld, of stylised design, set with circular-cut diamonds a sapphire collar and a turquoise cabochon eye in yellow gold, maker's mark BRLd, London hallmarks for 18ct, 1962, 3.4cm wide, case £400-600 1286. A 1950s diamond-set double clip scroll brooch, set overall with graduated circular-cut diamonds in platinum, each clip separates to be worn individually, 5cm wide £800-1,200 1287. A five-stone diamond ring, set with five graduated oval-shaped diamonds within yellow gold border on plain trifurcated yellow gold shank, size O £800-1,200 1288. An aquamarine and diamond cluster ring, the rectangular cushion-shaped aquamarine is set within a border of circular-cut diamonds and further diamonds set to the shoulder in white gold, size M½ £800-1,200 1289. A cultured pearl and diamond cluster ring, the button-shaped pearl measures 11.6mm and set within a surround of round brilliant-cut diamonds in white gold, size M £400-600 1290. A tanzanite and diamond three-stone ring, the oval-shaped tanzanite set with two round brilliantcut shoulder diamonds in white gold, size O £400-600 1291. An emerald and diamond cluster ring, the octagonal-shaped emerald set within a surround of old circular-cut diamonds in yellow gold and platinum, size O, case by Asprey & Garrard £1,500-2,000 1292. A coloured-stone cluster ring, centred with a round brilliant-cut cinnamon-coloured diamond and set in gold with six round multi-coloured sapphires, bifurcated shoulders, size L½ £800-1,200 1293. A ruby and diamond cluster ring, the emerald-cut diamond is set within French-cut ruby border and further millegrain-set border of diamonds in white gold, size N½ £1,500-2,000

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1282

1293 1278

1292

1279

1291

1290

1288

1289

1280

1287

1281

1286

1283

1284

1285

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1294. A modern yellow gold heart-shaped pendant by Fabergé, centred with a small diamond and with gold fleur-de-lys decoration, 2cm wide, signed Fabergé, Fabergé box £600-800 1295. A pair of modern heart earrings by Fabergé, the blue enamel hearts are decorated with a diamond and suspend from a blue enamel disc in yellow gold, with blue counter enamel (one earring damaged), £400-600 stamped Fabergé 750, 3cm long, Fabergé box 1296. A gold leaf brooch by Tiffany & Co, the stylised leaf with textured decoration, signed Tiffany & Co to reverse, 5.5cm long, Tiffany box £400-600 1297. A yellow gold shooting star brooch by Paloma Picasso for Tiffany & Co, signed, 18g, 8cm, Tiffany case £600-800 1298. A briolette-cut rubelite and diamond pendant, with a diamond-set white gold cap and suspending from three round brilliant-cut diamonds on a diamond-set white gold fine-link neck chain, pendant 4.5cm long, chain 40cm long £1,500-2,000 1299. A diamond-set white gold bracelet, set with quatrefoils of round brilliant-cut diamonds and joined with diamond-set scroll cross links, 19cm £1,000-1,500 1300. A yellow gold oval-link bracelet by Tiffany & Co, alternately mounted with smaller and larger oval links, the larger links each with hinged clasp, stamped T&Co 750 Italy, 15g, 19cm, Tiffany case £500-700 1301. A pair of pear-shaped diamond drop earrings, set in rubover gold settings, 2cm high £1,000-2,000 1302. A black onyx and diamond panda brooch, the stylised panda pavé-set with circular-cut diamonds and black onyx decoration in white gold, 2.4cm high £600-800 1303. A diamond-set heart-shaped pendant, the gold heart pavé-set with small diamonds, detachable heart-shaped locket frame to the reverse, 2cm wide £1,200-1,500 1304. A suite of diamond-set jewellery, the bangle set with a central band of baguette-shaped diamonds between rows of round brilliant-cut diamonds in white gold, 6cm wide, the conforming hoop earrings with post fittings and diamonds set to the interior, each 2cm high, with conforming diamond£2,000-3,000 set half-hoop ring, size L 1305. An aquamarine and diamond cluster ring, the rectangular-cut aquamarine set within a surround of round brilliant-cut diamonds in white gold, size N £800-1,200 1306. A pink tourmaline-set gold ring, the surgarloaf rubelite is set in carved white gold mount, size N £400-600 1307. A brown and white diamond ring, the half hoop ring pavé-set with brown circular-cut diamonds surmounted with a band of white diamonds (one missing) in white gold, size M½ £800-1,200 1308. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.90cts and is claw-set with diamond shoulders in white gold, size K½ £1,500-2,000 Accompanied by report number 2196045377 dated 19 January 2015 from GIA stating that the round brilliantcut diamond weighs 1.00cts and is a natural diamond with H colour and SI1 clarity with faint fluorescence 1309. A pink sapphire and diamond ring, the oval-shaped sapphire set with two triangular shoulder diamonds in yellow gold, size R £1,200-1,500 1310. A Happy Diamonds ring by Chopard, the rectangular plaque set with circular-cut diamond border, the central compartment containing a loose diamond in gold collet, with diamond-set shoulders in yellow gold, signed Chopard to inside shank, size M½ £600-800

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1294

1295

1297

1296

1298 1301

1299

1302

1303 1305 1300

1306 1308 1304 1307

1309

1310

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1311. A late 19th century pearl and diamond star pendant, set overall with graduated seed pearls and a central diamond in closed back yellow gold mount and pearl-set bale, on fine-link yellow gold neck chain, pendant 4cm long, 68cm long £400-600 1312. A 19th century French ruby and pearl-mounted gold bracelet, the three engraved and pierced open-work circular panels each set with a ruby and seed pearls, the centre panel suspending a circular pendant and a two-row engraved fancy-link bracelet, the tongue with French control marks, 16.5cm long £800-1,200 1313. An early 20th century moonstone and ruby fringe necklace, set with a line of graduated oval moonstone cabochons, suspended from yellow gold scroll links set with ruby cabochons and further moonstones, on fine-link yellow gold neck chain, 52cm long £1,200-1,500 1314. A Victorian diamond and claw-set bow brooch pendant, centred with a cluster of coloured pearls and set overall with graduated cushion-shaped diamonds in silver and gold, detachable brooch fitting and suspending from a fine-link white gold neck chain, fitted case, 3cm wide £800-1,200 1315. A pair of garnet and diamond drop earrings, the oval garnet cabochons set within a foliate diamond border and suspending a pear-shaped garnet cabochon and further diamonds in silver and gold, with a matching garnet and diamond brooch £1,500-2,000 1316. A pair of late Victorian natural pearl and diamond-set hinged bangles, each gold bangle centred with a black or white pearl and diamond cluster, with further graduated cushion-shaped diamonds to the shoulders £4,000-6,000 Accompanied by report number 78161-46 dated 12 June 2018 from GCS London stating that the two pearls are natural saltwater 1317. A late 19th century gold bee stick pin, realistically formed and with carnelian-mounted wings (chips to one side), bee 2cm high, cased £100-150 1318. A diamond-set gold gypsy ring, the plain yellow gold band is set with an old cushion-shaped diamond, Chester hallmarks for 18ct, 1903, size M½ £500-700 1319. A sapphire and diamond five-stone ring, the three sapphires and two circular-cut diamonds are set in yellow gold with pierced scroll shoulders, size O £1,500-2,000 1320. A late 19th century ruby and diamond ring, the circular cushion-shaped diamond is claw-set and flanked with cushion-shaped rubies in yellow gold, London hallmarks for 18ct, 1870, size P½ £800-1,200 1321. A late 19th century ruby and diamond cluster ring, the oval-shaped ruby cabochon is set within a surround of cushion-shaped diamonds in silver and gold, size V £150-250 1322. A late 19th century bee stick pin, set with rose-cut diamonds and with a tiger’s eye body and ruby eyes, fitted case £100-200 1323. A pair of late Victorian peridot and diamond drop earrings, the calf’s head-shaped peridots are set in silver and gold within a surround of cushion-shaped diamonds, suspending from two further graduated diamonds, 2.5cm high £600-800 1324. An early 20th century insect brooch, the yellow gold beetle set with diamonds and cabochon garnets on yellow gold bar brooch, 4.8cm wide £200-300 1325. A late Victorian diamond closed crescent brooch, set with graduated old circular-cut diamonds in silver and gold, 18mm wide £600-800 1326. A 19th century carved hardstone cameo brooch, depicting the profile of a woman wearing a laurel wreath to her hair, gold mount with pendant loop, French control marks, cameo 4.2cm high £600-800 1327. No lot

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1312

1311

1314

1313

1322 1318

1319

1315

1316 1320

1321 1317

1323

1324

1325 1326

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1328. A blister pearl and diamond pendant, the pearl set within diamond surround and diamond-set cap in silver and gold, 4cm long £200-300 1329. A three-row natural and cultured pearl necklace, the openwork gold and silver clasp millegrainset overall with small diamonds, 47cm £800-1,200 The cultured pearls are marked for identification with black ink 1330. A single-row natural pearl necklace, the silver and gold clasp set with three rose-cut diamonds, 88cm £200-300 Accompanied by report number 78157-59 dated 25 May 2018 from GCS, London stating that the one hundred and ninety-seven cream pearls measure 3.1 - 4.2mm and are natural saltwater 1331. A single-row natural pearl necklace, with a pearl and small diamond-set cluster clasp, 91cm £400-600 Accompanied by report number 15683 dated 4 May 2018 from The Gem & Pearl Laboratory stating that the two hundred and eighty-six pearls measure 2.2 - 3.3mm and are natural saltwater 1332. A single-row natural pearl necklace, with a fluted gold ball clasp, 54cm

£600-800

Accompanied by report number 15701 dated 12 May 2018 from The Gem & Pearl Laboratory stating that the one hundred and fifty-five pearls measure 2.6 - 5.7mm and are natural saltwater 1333. A single-row graduated natural pearl necklace, with a ruby-set clasp, 61cm

£4,000-6,000

Accompanied by report number 12107 dated 11 December 2015 from The Gem & Pearl Laboratory stating that the one hundred and nine pearls measure 2.9 - 7.5mm and are natural saltwater 1334. A single-row natural pearl necklace, with a gold barrel clasp, 43cm

£600-800

Accompanied by report number 15681 dated 4 May 2018 from The Gem & Pearl Laboratory stating that the one hundred and twenty-eight pearls measure 1.7 - 5.3mm and are natural saltwater 1335. A single-row natural pearl necklace, 40cm

£200-300

Accompanied by report number 78157-67 dated 25 May 2018 from GCS, London stating that the ninetynine cream pearls measure 2.6 - 5.8mm approx. and are natural saltwater, with the exception of one beaded saltwater cultured pearl 1336. A single-row graduated natural pearl necklace, the gold clasp set with an emerald (damaged) and diamond cluster, 37cm £1,000-2,000 Accompanied by report number 15687 dated 7 May 2018 from The Gem & Pearl Laboratory stating that the seventy-one pearls measure 2.8 - 7.4mm and are natural saltwater 1337. A single-row natural pearl necklace, with a diamond cluster clasp, 73cm

£800-1,200

Accompanied by report number 15682 dated 4 May 2018 from The Gem & Pearl Laboratory stating that the three hundred and fifty-nine pearls measure 1.4 - 6.1mm and are natural saltwater 1338. A single-row graduated natural pearl necklace, with a diamond-set clasp, 54cm

£600-800

Accompanied by report number 15700 dated 12 May 2018 from The Gem & Pearl Laboratory stating that the one-hundred and fifty-six pearls measure 1.9 - 5.9mm and are natural saltwater 1339. A single-row natural pearl necklace, with a diamond and pink sapphire-set clasp (sapphire loose), 49cm £800-1,200 Accompanied by report number 15702 dated 12 May 2018 from The Gem & Pearl Laboratory stating that the one hundred and eighty-two pearls measure 1.6 - 5.5mm and are natural saltwater 1340. A single-row natural pearl necklace, with a diamond-set clasp, 53cm

£800-1,200

Accompanied by report number 15679 dated 4 May 2018 from The Gem & Pearl Laboratory stating that the one hundred and eight pearls measure 2.3 - 5.6mm and are natural saltwater, with the exception of one bead-nucleated cultured pearl

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1328

1329

30

13

31

13

32

13

33

13

34

13

35

13

36

13

37

13

13

39

13

40

38

13

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1341. An Art Nouveau gold dragon brooch by Hartz et Cie, the realistically formed dragon with an old cushion-shaped diamond within its jaws, in yellow gold, maker’s lozenge and French control mark, 4cm wide £1,200-1,500 1342. A peridot necklace by Murrle Bennett & Co, the central cluster of six circular-cut peridots are set within a line of peridots and gold quatrefoils links set with seed pearls in yellow gold, maker’s mark applied to reverse, 42cm long £200-500 1343. An early 20th century Russian yellow gold stylised heart-shaped hinged locket pendant, applied with a foliate design set with rose-cut diamonds and a circular pink stone (probably a sapphire), the suspension loop with indistinct marks (probably includes 56 KP), 30cm £400-600 1344. An intricate cabochon sapphire enamel and gem-set pendant by H. G. Murphy, the circular pendant set with a central oval cabochon blue sapphire within concentric borders decorated with cream, red and green enamel, the outer border formed from elliptical crossover strapwork motifs set with rubies, pyramidal plaques set with emeralds within abstract borders decorated with orange, cream and green enamel, with blue and orange enamel and pellet decoration in pierced yellow gold setting, the reverse with a border of green and white enamel surround gold strapwork and orange trefoils, 4.2cm diameter, folding gold pendant loop, original gold chain, 42cm long, original fitted box £5,000-7,000 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner. Illustrated in Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors’ Club, 2005, page 49 and front cover. 1345. A Cartier gold and enamel fob watch, the guilloche enamel dial with black Roman numerals and subsidiary seconds dial, white enamel case and gold winder, case back decorated with white enamel and green and red laurel decoration, 4cm high, Dibdin case £4,500-6,500

1345 reverse

1346. A pair of seed pearl and carved agate drop earrings, the faceted circular sections of agate suspend a stylised seed pearl and diamond-centred flower head, and suspend from a line of further seed pearls in white gold, 6cm £100-150 1347. A gold gate-link bracelet, set with eight flower heads, each centred with a seed pearl and alternately decorated with green and red enamel, 17.5cm £600-800 1348. A yellow gold bracelet, mounted with three diamond-set flower head centred links with green enamel decoration, 8cm £300-400 1349. A gold and enamel nautical pendant bracelet, spelling the words ‘Well Done Anne’

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1341

1342

1343

1345

1344 1346

1347 1349 1348

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1350. A suite of Indian jewellery set with moonstones, mounted with assorted cabochons (one missing) in yellow gold collets to the necklace, bracelet and pair of drop earrings, each piece with small diamond drops £3,000-4,000 1351. A gold bird brooch by Georg Jensen, design number 1320, signed, with London import marks for 1964, 4.2cm wide, 8.4g £400-600 1352. An 18ct yellow gold abstract-form brooch, with stylised bark texture and set with eight small circular-shaped sapphires, signed SJR, Birmingham marks for 1968, 4.1cm wide £200-300 1353. A yellow sapphire-set gold brooch, the rectangular cushion-shaped yellow sapphire weighs approximately 30.00cts and is set within an abstract yellow gold mount resembling tree branches in yellow gold, 6cm widest £3,000-4,000 Accompanied by report number 78161-48 dated 12 June 2018 from GCS London stating the rectangularshaped sapphire is a natural yellow sapphire with no indications of heat treatment Accompanied by report number E15875 dated 6 December 2013 from Nederlands Edelsteen Laboratorium stating that the rectangular sapphire measures 20 x 13.6 x 11.9mm and is a natural yellow sapphire with no indications of heat treatment 1354. A diamond-set abstract brooch by Andrew Grima, the textured stylised vermicelli yellow gold brooch set overall with round brilliant-cut diamonds, signed GRIMA to the reverse, 33g, 4cm wide £1,500-2,000 1355. A steel and gold long chain necklace by Fred, from the Force 10 collection, each link formed with two bars of twisted steel with yellow gold terminals, alternately-set with yellow gold oval links, signed Fred to the clasp and with maker’s lozenge, French control marks and maker’s initials M.D., 72cm £500-700 long, 65g 1356. A cultured pearl and diamond ring, the cultured pearl measures approximately 12.65mm and is set within a surround of baguette-shaped, circular-cut and marquise-shaped diamonds in platinum, size N½ £1,000-1,500 1357. An amethyst and diamond-set abstract pendant, c1970, the rough amethyst centre is set within textured yellow gold border set with circular-cut diamonds, 5.1cm high £850-950

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1350

1351

1354 1353

1352

1355

1357

1356

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1358. An Edwardian diamond-set brooch, of pierced flower head design set with diamonds on knifeedge mounts, within a plain pentagonal border in platinum and yellow gold, 4.2cm wide, fitted case £400-600 1359. An early 20th century sapphire and diamond-set closed crescent brooch, alternately-set with circular-cut sapphires and cushion-shaped diamonds in silver on gold, 2.8cm wide £800-1,200 1360. An opal and diamond cluster ring, the oval-shaped white opal set within a surround of twenty cushion-shaped diamonds in yellow gold, size N ½ £1,000-1,500 1361. A diamond, opal and ruby-set cluster ring, of flower head form and centred with an old circularcut diamond within six white opals, six small rubies and a border of small cushion-shaped diamonds (one missing), pierced under bezel, size K £150-250 1362. An Art Nouveau diamond-set pendant, set in platinum and gold with old circular and rose-cut diamonds and suspending a pearl pendant, on a seed pearl necklace with a platinum and gold clasp set with three small diamonds, the pendant 3cm high £400-600 1363. An Edwardian sapphire and diamond-set open crescent brooch, set with graduated oval-shaped sapphires each separated with a pair of circular-cut diamonds in gold, 5.1cm £800-1,200 1364. An Edwardian aquamarine and diamond pendant, the oval-shaped aquamarine is millegrain-set in platinum and yellow gold, suspended from a knife-edge link and an old circular-cut diamond. On finelink platinum neck chain, pendant 3.8cm long, chain 40cm long, case £300-400 1365. An early 20th century diamond and opal brooch pendant, of foliate design and set overall with diamonds and heart-shaped opals in silver and gold, detachable pendant loop and brooch fitting, 2.8cm wide £600-800 1366. A Victorian diamond and seed pearl quatrefoil pendant, 3.8cm high

£300-400

1367. A diamond and ruby ring, the old circular-cut diamond set within a surround of calibré-cut rubies in white gold, size M £1,500-2,000 1368. A pair of sapphire and diamond cluster earrings, the circular-cut sapphires are set within a surround of diamonds in platinum and white gold, 8mm diameter £200-300 1369. An Edwardian diamond cluster ring, the old circular-cut diamond set within a surround of ten smaller diamonds in platinum with bifurcated shoulders, size P £300-400 1370. A diamond cluster ring, the graduated old circular-cut diamonds weigh approximately 2.60cts in total, claw set in platinum and yellow gold, the shank hallmarked for 18ct gold, Birmingham 1977, size M £1,000-2,000 1371. A Victorian ruby and diamond open crescent brooch, set with graduated oval-shaped rubies separated with pairs of cushion-shaped diamonds in yellow gold, 7.5cm wide £600-800 1372. An early 20th century diamond and zircon cluster brooch, the circular-cut zircon set within a surround of ten circular-cut diamonds in gold £400-600 1373. A diamond three stone bar brooch, the three graduated circular-cut diamonds weigh approximately 1.15cts in total, mounted on a platinum and gold bar brooch, 5.2cm wide, in fitted case £600-800

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1358

1359

1362

1360

1361 1366

1363

1367 1364 1368 1365 1371 1369 1372

1373

1370

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1374. A 19th century amethyst and diamond cluster ring, the oval-shaped amethyst is set within a surround of rose-cut diamonds in silver and gold, on carved and pierced yellow gold shank, size N½ £400-600 1375. A pair of late 18th century Catalan gold and hessonite garnet (one missing) earrings, 10cm long £500-700 Provenance: H.G. Murphy (1884-1939), and thence by descent to the present owner. 1376. An early 20th century emerald and diamond circle brooch, alternately set with cushion-shaped diamonds and rectangular-shaped emeralds in silver and gold, 2.5cm wide, case £200-300 1377. A early 20th century turquoise and diamond horse shoe brooch, centred with a line of buff-top turquoise within a border of rose-cut diamonds in gold, 1.5cm wide £100-200 1378. A George III ring incorporating a miniature perfume bottle with stopper, the pear-shaped bottle with blue and gold enamel decoration, the stopper attached with fine-link gold chain, the shank formed with two serpents with black and white laurel enamel decoration, size Q £200-300 1379. A Victorian ruby and seed pearl cluster ring, the circular-cut ruby is set within a surround of seed pearls with further seed pearls and rubies to the shoulders in carved yellow gold shank, size O £150-250 1380. An 19th Century Portugese Order of Christ, the paste-set silver neck badge Cross of St John set with red pastes and with central plain cross formed of white pastes, further white pastes set to the terminals and paste-set fleur-de-lys within the angles, large upper star suspension set with pastes of various sizes, pendant fitting to reverse, 5.5cm wide, box, an unofficial example £1,000-1,500 1381. A gold knot ring, the shoulders set with small green and red stones, size O

£100-200

1382. A George III amethyst and diamond ring, the amethyst set in a gold closed-back mount with two rose-cut shoulder diamonds, size K £200-300 1383. A George III locket pendant, depicting the portrait of a lady beneath a diamond-set bow in glazed compartment with closed yellow gold back, 3.3cm high, case £600-800 1384. A Victorian garnet-set gold cruciform pendant, the graduated circular-cut garnets are set in yellow gold, 6.1cm high £200-300 1385. An early Victorian citrine-mounted rivière necklace, each cushion-shaped citrine set with a gold cut-down collet, 39cm, fitted case £1,000-1,500 1386. A George III garnet and diamond pendant, the oval-shaped cabochon garnet is set within a rosecut diamond border in silver and gold, later pendant fitting, 3.2cm wide £400-600 1387. A miniature painting in the manner of Antoine Vestier, Marie Antoinette wearing a lace-trimmed dress and pink bow, wearing an elaborate feather headdress, bearing the signature of Vestier and dated 1780, glazed and in gold laurel border to the diamond-set silver frame, engraved to the reverse A.M. within foliate and bow surround, 5cm high £800-1,000

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1388. A Victorian amethyst-set gold ring, the circular-cut amethyst is set within a border of black enamel in yellow gold, size L ½ £200-300 1389. A mid 19th century gold brooch in the style of Castellani, centred with a ram’s mask in a raised millefiori design, with fine wire-work border and upper tubular section with ram’s mask terminals each suspending an amphora design pendant, the central circular pendant applied with a grotesque mask, 5cm wide, fitted case £1,000-2,000 1390. A 19th century fire opal, pearl and diamond brooch, the cushion-shaped fire opal is set within a surround of seed pearls with rose-cut diamonds in yellow gold, 2cm wide, with a loose cultured pearl which can be attached to the brooch, case £600-800 1391. A late Victorian diamond cluster ring, the seven old circular-cut diamonds are set in yellow gold with pierced and fluted mount, size N £600-800

1392. A late 19th century carved ivory snake pendant, backed on realistically engraved gold body and with engraved gold decoration to the front, set with rose-cut diamonds and further sapphires pavéset to the body, suspending from a rose-cut diamond-set bale, emerald eyes, 6cm high £2,000-3,000 1393. A Regency gold-mounted amethyst brooch, the oval-shaped rich colour amethyst is set in a gold cannetille mount, 4.1cm wide £400-600 1394. An early 20th century gold star-form six locket pendant, each hinged locket with internal compartment, foliate engraving to the outside, folding to form a shield-shaped pendant, 3.2cm high, 7.3cm wide when open £400-600 1395. A Victorian shell cameo brooch, depicting Ceres, within gold pellet decorated border, glazed locket compartment to reverse, 4cm high £300-400 1396. A pair of early 19th century aquamarine drop earrings, the graduated aquamarines are set within cannetille surround in yellow gold, 5.6cm long £2,000-3,000 1397. A pair of Victorian carnelian-mounted gold drop earrings, the top sections formed with graduated gold pellets, 3.3cm high £500-700 1398. A diamond-set gold lute brooch, well detailed and pavé-set with rose-cut diamonds, maker's mark T.O.D. and London hallmarks for 1980, 4.6cm £1,000-1,500 1399. A early 19th century yellow topaz rivière necklace, the graduated topaz set in cut-down gold collets, 39cm, suspending a citrine-mounted cruciform gold pendant formed with a square and four half moon-shaped citrines, with a citrine and topaz-mounted gold brooch, fitted case £600-800

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1400. CARTIER - a lady’s gold wristwatch, the rectangular cream dial signed Cartier with Roman numerals, the gold case numbered 63993, French control marks and rubbed makers lozenge, inside case numbered 5454, 15mm wide, manual movement, on black adjustable fabric band with gold clasp, 15mm wide £1,000-1,500 1401. A pair of aquamarine and diamond drop earrings, the briolette-cut aquamarines suspend from a triangular section of three old circular-cut diamonds in platinum and diamond-set platinum caps, 3.5cm £3,500-4,500

1402. A double coral cabochon and diamond cluster ring, each coral set within a surround of cushion-shaped diamonds in gold, size L ½ £1,500-2,000 1403. An Edwardian emerald and diamond ring, the centre emerald and two shoulder old circular-cut diamonds rubover set in platinum with smaller diamonds millegrain-set to the shoulders, size P £200-300 1404. An Art Deco diamond and sapphire rectangular plaque ring, the old brilliant-cut diamond weighs approximately 1.40cts, rubover-set in platinum within a surround of fancy-shaped sapphires, inventory number 17 462, size P £1,500-2,000 1405. An Art Deco sapphire and diamond plaque ring, the three sugarloaf sapphires are set within a surround pavé-set with diamonds in platinum, size M £2,000-3,000 1406. An Edwardian-style ruby and diamond-set ring, centred with a circular-cut ruby within diamondset cruciform design in white gold, with further graduated round brilliant-cut diamonds to the borders, size N £1,200-1,500 1407. An early 20th century diamond line bracelet, the articulated engraved platinum collets are millegrain-set with old circular-cut diamonds, the clasp engraved 10.05ct, 18cm £8,000-12,000 1408. A diamond and onyx bracelet, each oval link millegrain-set with circular-cut diamonds and onyx links in white gold, 18cm long £2,000-3,000 1409. An emerald and diamond ring, the cushion-shaped emerald set with four circular-cut diamonds to each shoulder in platinum, size L ½ £300-400 1410. A sapphire and diamond-set crossover ring, the old brilliant cut diamond weighs approximately £1,200-1,500 1.30cts and is set with the circular-cut sapphire in platinum, size P½ 1411. A diamond full-circle eternity ring, the forty-one baguette-shaped diamonds weigh approximately 2.80cts total, size O (the ring has taken on a slightly oval shape) £1,000-1,500 1412. A pair of Art Deco onyx and diamond double clips, of symmetrical design and millegrain-set overall with graduated cushion-shaped diamonds and onyx in platinum and yellow gold, 6.2cm wide £1,500-2,000

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1413. An early 20th century Russian gem-set gold oval locket pendant, applied with two flowers set with a ruby, sapphire and two small diamonds, the interior stamped 56, kokoshnik & AP, and a further rubbed mark (possibly AW), the gold chain stamped with kokoshnik and initials to the barrel clasp, 2.7cm high, chain 54cm £400-600 1414. An early 20th century Russian yellow gold and lapis lazuli bracelet, the plain yellow gold oval links incorporating five small egg-form lapis lazuli links each centred with a faceted crystal rondel, suspending a larger similar pendant, various Russian marks including 56 zolotnik and possibly a St Petersburg mark, 20cm £400-600

1415 1415. A hardstone frame by Fabergé, workmaster Karl Armfelt, the rectangular chalcedony frame (damaged) with ten cabochon rubies set to the internal white enamel striated border, three-colour gold swags suspended from a diamond-set gold bow, gold strut support on shell backing, with gold ring above the strut, unscrewing to release the shell back-section, signed to gold strut with workmaster’s initials ßA and 88 zolotnik, 8cm high, fitted hollywood box, the silk with imperial eagle over the Fabergé mark £5,000-10,000 1416. Two early 20th century Russian miniature egg pendants, a pink gold pendant with scroll pierced yellow gold cage work, set with four rose-cut diamond trefoils, cabochon turquoise terminal, marks include 56, 2cm high, with a yellow gold pendant with orange guilloche enamel decoration to the upper and lower sections (damaged) and a central band of white enamel foliate decoration, including a cross and a heart, suspending a seed pearl, obscure mark (possibly 56), 1.8cm £300-400 1417. Two miniature egg pendants, one with fluted gold upper section and set with a cabochon red stone (probably synthetic ruby), the pendant loop stamped 56 and with a shell, 1.5cm high, the other fluted gold egg-form pendant with pierced centre section alternately-set with rose-cut diamonds and rubies, 1.3cm high £300-400 1418. Five Russian gold miniature egg pendants, a pendant with pricked vermicelli pattern, the pendant loop with obscure marks (probably 56 zolotnik and St Petersburg mark), 1.5cm high, a gold cage work pendant applied with a flower set with a rose-cut diamond (one missing) and a cabochon red stone, the pendant loop stamped 56 zolotnik, 1.3cm high, a pendant set with a cabochon sapphire and cushion-shaped diamond, stamped 56, 1.4cm high, a plain pendant set with a ruby, stamped 56, a plain pendant set with a rose-cut diamond, stamped 56, 1cm high, together with a rose-cut diamond-set horseshoe pendant set in silver and gold and suspending a small hard-stone egg-shaped pendant, 1cm high £300-400 1419. An early 20th century Russian and an Austro-Hungarian egg pendant, one with yellow gold cage work construction and set with five turquoise cabochons, pendant loop with obscure mark (probably 56), the suspension ring with two Cyrillic letters, 2cm high, the other yellow gold egg with lillac enamel decoration and foliate design set with two small diamonds and two cabochon red stones, the suspension ring stamped with Austro-Hungarian mark for 1901-1921, the suspension ring stamped 56, 1.7cm £300-400 1420. A Russian Art Nouveau floral pendant, the purple flowers with enamel decoration and one centred with an old circular-cut diamond on green plique-á-jour enamel lattice ground, suspending a triangular-cut diamond and with diamond-set bale, signed to the reverse in Cyrillic for K Bop £2,000-3,000 1421. A Russian gold-mounted nephrite circular box by Feodor Afanasiev (missing cover), of compressed form with hinged gold vacant cover mount with red and white enamel bead decoration with rose-cut diamond-set thumb piece, stamped ФA, 5.3cm wide £600-800 1422. A green enamel egg pendant by Fabergé, workmaster August Hollming, decorated overall with green guilloche enamel and a sixpointed gold star set with a rose-cut diamond, the pendant loop marked A*H and 56 zolotnik, 2.8cm high £2,000-2,500 1423. A pink enamel rectangular gold brooch, set with a circular-cut diamond to the centre within gold laurel border, with Russian marks to the brooch fitting; stamped 56 zolotnik and maker A S YU in Cyrillic, 3cm wide £400-600 1424. A Russian Art Nouveau circular gold brooch, with foliate pierced decoration centred with a circular-cut amethyst and three smaller diamonds in yellow gold, the catch stamped with a kokoshnik and 583, Cyrillic letters to the pin, 2.2cm wide £400-600 1425. A late 19th century Russian horseshoe gold brooch, set with seed pearls and with wide honeycomb pattern border, obscure marks including St Petersburg mark and 56 zolotnik, 3.5cm high, fitted Russian box £400-600

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1418 1417

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1426. A sapphire and diamond-set pierced gold bombé ring, centred with a cushion-shaped sapphire with smaller sapphires and diamonds, size O £2,000-3,000 1427. A sapphire and diamond-set yellow gold floral brooch by Boucheron, centred with a round brilliantcut diamond within a cluster of five circular-cut sapphires, signed, French control marks, Boucheron fitted case £2,000-3,000 1428. A black opal and diamond brooch, the solid black opal cabochon is set within a graduated border of alternately-set baguette-shaped and circular-cut diamonds in white gold, 3.8cm wide £2,000-3,000 Accompanied by report number E15880 dated 6 December 2013 from Nederlands Edelsteen Laboratorium stating that the half moon-shape cabochon opal measures 23 x 11.3 x 5.5mm and is a natural black opal

1429. A coral and yellow gold bracelet, the six slightly oval sections of fluted coral are mounted in yellow gold collets, each joined with a pair of fluted circular gold beads, signed Gumps, marked 14k, 20cm £600-800 1430. A pink gold stylised tank track bracelet, 1940s, 69g, 21cm

£2,000-3,000

1431. A diamond, sapphire and yellow gold bracelet, the oval-shaped gold links alternately joined with straight links set with four calibré-cut sapphires and four circular-cut diamonds, 41g, 19cm £1,000-1,500 1432. An aquamarine and diamond dress ring, c1940, the emerald-cut aquamarine is set within rectangular scrolling border set overall with circular-cut diamonds and further diamonds to the shoulders and gallery in platinum, size N½ £1,000-1,500 1433. A diamond bombé ring, set with five sections of tapered baguette-shaped diamonds in yellow gold rub-over setting, size O £1,500-2,000

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1427

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1434. An aquamarine and diamond pendant, the pear-shaped aquamarine is set within a surround of single-cut diamonds and suspended from a pear-shaped diamond cluster in platinum, 4.2cm long, on finelink platinum neck chain £2,000-3,000 1435. A pink topaz and diamond briolette pendant, the pink topaz suspends from a diamond-set cap in silver and gold, on later fine-link white gold neck chain, case £7,000-9,000 1436. An early 20th century diamond bow brooch, the stylised bow is pavé-set with diamonds in platinum, 4.7cm wide, fitted case £1,000-2,000 1437. A pair of aquamarine and diamond drop earrings, the pear-shaped aquamarines suspend within a teardrop border of circular-cut and baguette-shaped diamonds, suspended from a line of alternately-set diamonds in white gold. 4.3cm long £1,500-2,000 1438. An Art Deco style onyx and diamond bracelet, each panel millegrain set with onyx cabochons within a surround of single-cut diamonds in white gold, 17.6cm long £4,000-5,000 1439. A pair of Edwardian emerald and diamond drop earrings, the pear-shaped emeralds are set within articulated concentric border of diamonds millegrain-set in platinum, suspended from knife-edge links set with emeralds and diamonds and a diamond set bow, 5.2cm long £4,000-6,000 1440. An early 20th century fire opal and diamond cluster brooch, set with a cushion-shaped fire opal set with a diamond, within a border of old circular-cut diamonds millegrain-set in platinum and yellow gold, 2.4cm wide £400-600 1441. A diamond and sapphire-set sphere ring, pavé-set with graduated round brilliant-cut diamonds and separated with small diamonds, with circular-cut sapphires to the lower section in platinum, French control mark, size L £3,000-4,000 1442. A diamond solitaire ring, the circular-cut diamond weighs approximately 1.30cts, claw-set in platinum with two diamonds to each shoulder, size M½ £800-1,200 1443. A diamond-set bar brooch, the slightly graduated old circular and cushion-shaped diamonds set in platinum, 6cm wide £200-300

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1444. An amethyst and diamond gold necklace with matching earrings, the yellow gold necklace with heart-pierced rectangular links alternately pavé-set with round brilliant-cut diamonds, suspending a heartshaped amethyst pendant in rubover yellow gold mount, 41cm, and a pair of yellow gold earrings centred with heart-shaped amethysts within two rows of circular-cut diamonds and two tapered baguette-shaped diamonds above, 121g total £2,500-3,000 1445. A citrine and diamond cluster ring, centred with an oval-shaped Madeira-coloured citrine within a border of round brilliant-cut diamonds and further surround of small circular-shaped citrines in gold, French control marks, size L £1,500-2,000 1446. A pair of sapphire and diamond hoop earrings, set with a sapphire cabochon within pavé-set diamonds in platinum and yellow gold, hallmarked for 18ct, import marks for 1998 £800-1,200 1447. A gem-set half-hoop ring, of abstract design and millegrain-set with amethysts, rubies, citrines, emeralds and diamonds in platinum, size P £800-1,200 1448. A gem-set gold giardinetto brooch, the flowers set with assorted diamonds, sapphires, rubies, opals, emeralds and two pink stones, 6cm high £4,000-6,000 1449. An articulated yellow gold bracelet with enamel decoration, alternately mounted with blue enamel and green guilloche enamel links, 78g, 23cm, stamped 18k £1,000-1,500

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1450. A pair of diamond stud earrings, the round brilliant-cut diamonds weigh approximately 1.95cts in total, claw-set in white gold £1,000-2,000 1451. A pair of antique diamond cluster earrings, set with a central cushion-shaped diamond within a border of smaller cushion-shaped diamonds in silver and gold, 13mm high £2,000-3,000 1452. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.75cts and is set in platinum, size L½ £4,000-6,000 1453. A diamond solitaire ring, the emerald-cut diamond weighs approximately 1.80cts in total, flanked with tapered baguette-shaped diamonds in platinum, Sheffield hallmarks and maker EF, size M½ £2,000-3,000 1454. A diamond and spinel five-stone ring, the centre circular-cut diamond weighs approximately 1.30cts, set with an oval and smaller circular-cut diamond to each shoulder, in yellow gold scroll pierced mount, stamped pink, size £1,200-1,500 1455. A pink sapphire and diamond three-stone ring, the pear-shaped sapphire set with two kite-shaped shoulder diamonds in platinum, size N £4,000-6,000 Accompanied by report number 78161-47 dated 12 June 2018 from GCS London stating that the pearshaped sapphire is a natural pink-sapphire with no indications of heat treatment. Origin: Burma 1456. A diamond solitaire ring, the circular brilliant-cut diamond weighs approximately 0.90cts and is set in platinum, size M½ £800-1,200 Accompanied by report number 78157-61 dated 24 May 2018 from GCS, London stating that the old European-cut diamond weighs approximately 0.90cts and is colour I/J and clarity SI1 1457. A diamond solitaire ring, the old circular-cut diamond weighs approximately 1.30cts and set in white gold, size N £600-800

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λ 1458. A Rose de Noèl brooch and earring set by Van Cleef & Arpels, the coral petals (chipped in places) are centred with a cluster of six round brilliant-cut diamonds within a surround of gold stamens, the brooch 3.8cm wide, numbered BL9966, signed with initials within lozenge, the matching earrings 3.5cm wide, numbered BL10429, signed with initials in lozenge and full signature £10,000-20,000

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1459. A diamond solitaire ring, the Asscher-cut diamond weighs 4.52cts, set with baguette-shaped shoulder diamonds in platinum, size I ½ £25,000-30,000 Accompanied by report number 20040577225 dated 10 July 2004 from Antwerp World Diamond Center, stating that the square emerald-cut diamond weighs 4.52cts and is a natural diamond of I colour, VVS2 clarity and with strong fluorescence

Not actual size

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1460. A late Victorian diamond solitaire ring, the old circular-shaped diamond weighs approximately 3.00cts and is set in 18ct yellow gold with blue enamel decoration to the bifurcated shoulders, Birmingham marks for 1899, size Q, case £4,000-6,000 1461. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 3.37cts, set with three circular-cut diamonds to each shoulder in platinum, Sheffield hallmarks for 2004, size O £4,000-6,000 1462. A diamond solitaire ring, the old circular-cut diamond weighs approximately 3.15cts and is set in a platinum coronet mount, size K½ £4,000-6,000 1463. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 3.69cts, with three circular-cut diamonds set to each shoulder in platinum, size N £4,000-6,000 1464. A Belle Époque diamond-set pendant, the centrepiece formed as laurels joined with a bow, set overall with rose-cut diamonds and suspending a larger millegrain-set old circular-cut diamond, suspended from three articulated lines of graduated circular-cut diamonds surmounted with a larger old circular-cut diamond in platinum, on a fine-link neck chain, pendant 7cm long £3,500-4,500 1465. A diamond line bracelet, the thirty-two graduated round brilliant-cut diamonds weigh approximately 7.70cts in total, millegrain-set in white gold, 18cm long £3,000-4,000 1466. A fancy-coloured diamond solitaire ring, the round brilliant-cut diamond weighs 3.94cts and is set in yellow gold £10,000-15,000 Accompanied by report number 78159-57 dated 12 June 2018 from GCS London stating that the round brilliant-cut diamond weighs 3.94cts and is a natural diamond of fancy light yellow colour 1467. A pair of diamond earrings, the old cushion-shaped diamonds weigh 5.75 and 5.67cts, set in yellow gold mounts and suspending from gold shepherd’s hooks £5,000-10,000

1461

1460 1463 1462

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Tuesday 11th September 2018 Closing date for entries 17th July

Antonietta Brandeis (Austrian 1848-1926) Courtyard of the Doge’s Palace, Venice with the Giant’s Staircase Signed, oil on canvas, 50 x 40.5cm Estimate: £6,000 - £8,000

ENQUIRIES Victor Fauvelle | +44 (0)1722 446961 | vf@woolleyandwallis.co.uk Jo Butler | +44 (0)1722 446962 | jb@woolleyandwallis.co.uk


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TRIBAL ART & ANTIQUITIES

Wednesday 19th September 2018

A pair of Fulani earrings, Mali. Estimate: £500 - £600

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk


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ENGLISH & EUROPEAN CERAMICS & GLASS Tuesday 16th October 2018 Closing date for entries 24th August

A Derby ‘capuchine pigeon’ box and cover, circa 1760. Estimate: £800 - £1,200

ENQUIRIES Clare Durham| Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk


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DESIGN

Wednesday 17th October 2018 Closing date for entries 31st August

A rare Clarice Cliff Age of Jazz centre piece Estimate: £6,000 - £10,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk


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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays. VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues. BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered. REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales. To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval. There is a 3% + VAT charge for this service. In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids. TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office. BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

SALE RESULTS These will be posted on our website shortly after the sale. PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area. Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Kimdan Ltd.

07973 389436 andy@kimdan.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.


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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released. The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present. Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction. Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega () have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price. CITES REGULATIONS Please note that lots marked  may be subject to CITES Regulations when exported. The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy. Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof. For further information, please contact Ned Cowell.


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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand. 2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller. 3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive. 4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol () indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax. 6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale). 7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first. 8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help. The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment. 9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification will be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding. 10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax. 11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers. 2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above. 3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility. 4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable. 5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue. 6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7. 7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. . Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally. 8. Electrical items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense. 9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense. The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request. 10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it. 11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is


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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate. 12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued. 13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking. 14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply. 15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal. 16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein. 1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved. 3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion. 4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter. 5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position). 6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied. 7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for. 8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.


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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable. Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made. 11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims. 12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers. 13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot. 14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation. 15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below. Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person. 17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them. 18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting. 19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue. 20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death. Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000. Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer. Please enquire for the accepted exchange rate on the day of the sale. Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000


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PRIVACY NOTICE FOR CUSTOMERS WHAT THIS PRIVACY NOTICE DOES This privacy notice (Notice) explains how Woolley and Wallis Salisbury Salerooms Limited (us, we, our, Woolley & Wallis), processes the personal data of users of our auction and valuation services (Services) and includes buyers, bidders and sellers of auction items as well as prospective users of our Services (you, your). It also explains your rights in relation to the personal data we hold about you. This Notice is effective from May 2018. We may change this Notice from time to time. Any significant changes will be notified to you. DATA CONTROLLER AND CONTACT DETAILS Woolley and Wallis is the data controller of your personal data and is subject to the Data Protection Act 1998 (DPA) and, once in force, the General Data Protection Regulation (GDPR). If you have any questions about how we use your personal data, whom we share it with, or if you wish to exercise any of the rights set out in this Notice, please contact us using the following details: • By post – Privacy Officer, Woolley and Wallis Salisbury Salerooms, 51-61 Castle Street, Salisbury, SP1 3SU. • By email – privacyofficer@woolleyandwallis.co.uk • By telephone – +44 (0)1722 424599 HOW WE COLLECT YOUR PERSONAL DATA We collect your personal data from the following sources: From you when you: • interact with us before entering into a contract with us, for example when you express your interest in our Services; • instruct us to provide Services to you, sign contractual documentation and provide information in connection with those instructions; • communicate with us by post, telephone, email or via our website, for example in order to make enquiries or register for an online account; • in various other ways as you interact with us during your time as a user (or potential user) of our Services, for the various purposes set out below. From third parties such as: • other auction houses and individuals and organisations in the auctioneering trade whom we may contact to check background details about you; • the-saleroom.com who enable live online bidding and provide us with the name, contact details, the last four digits of registered payment cards and transaction history (in relation to activity on the-saleroom.com) of individuals who register for one of our auctions (please see thesaleroom.com’s privacy policy for further information). We also receive names, contact details, sale details and payment details (the amount and date paid) from realex payments (the-saleroom.com’s payment provider); • sage pay who process payments on our behalf and who provide us with your name, contact details and payment details (only the last four digits of your payment card are provided); • shipping companies whom you hire to collect items you purchased from us. THE CATEGORIES OF PERSONAL DATA WE COLLECT

THE BASIS FOR PROCESSING YOUR DATA, HOW WE USE THAT DATA AND WITH WHOM WE SHARE THAT DATA WHERE WE HAVE A CONTRACTUAL RELATIONSHIP WITH YOU We will process your personal data because it is necessary for the performance of a contract with you (for example, a contract to use our Services) or in order to take steps at your request prior to entering into a contract. In this respect, we use your personal data for the following: • to interact with you before you enter into a contract with us, such as when you express your interest in our Services (for example, to send you information about our Services or answer enquiries about our Services); • once you have engaged us and entered into a contract, to provide you with the Services set out in any contractual documents. In this respect we will provide your data to our third party suppliers or subcontractors as necessary whom we engage to help us perform our Services or who assist us in conducting our business, such as our IT suppliers, data storage providers, and valuation companies. LEGITIMATE INTERESTS We may also process your personal data because it is necessary for our or a third party’s legitimate interests. Our legitimate interests include our commercial interests. In this respect, we may use your personal data for the following: • to monitor and evaluate the performance and effectiveness of our Services, including by training our staff or monitoring their performance; • to deal with any concerns or feedback you may have in the performance of the Services; • for our internal business record keeping and processes; • to seek advice on our rights and obligations, including obtaining legal advice; • to contact you for marketing purposes. If you do not wish to receive such information, please let us know now or at any time in the future, and your details will be removed from our marketing list. We will not provide your personal data to third party organisations to use for their own marketing purposes; • to customise our website and marketing communications in line with your particular interests or preferences; • to collect money owed to us or our consignors; • to carry out background and credit checks in relation to bidders and buyers.

We may collect the following personal data about you:

In this respect we will provide your data to the following:

• your name and contact details including address, telephone and email address; • your image, as captured by CCTV, if you attend our premises; • personal identification documents, including copies of government-issued identification such as passport and driving license which are required to register bidders (or when we need to verify a seller’s details); • account details and other information relating to your transactions/dealings with us and your use of our Services; • payment details such as credit card and bank account details; • credit and payment history (where you open an account with us as a buyer or bidder); • information on your collecting preferences and aspirations, and your collections, acquisitions and disposals; and • other information that you provide to us, for example, when you have a comment/complaint, submit a question, take part in a survey or where you express an interest in receiving marketing material or request further information.

• our professional advisors; • the-saleroom.com; • debt collection agencies; • third parties who assist us with our marketing; • our website and email management software provider.

We may also process special categories of personal data, including information concerning your health and medical conditions (for example, disability), where relevant to the provision of our Services.

LEGAL OBLIGATIONS We may also process your Personal Data for our compliance with our legal obligations. In this respect, we may use your Personal Data for the following: • to meet our compliance and regulatory obligations, such as our tax reporting requirements or to carry out identity checks; • in order to assist with investigations (including criminal investigations) carried out by competent authorities; In this respect we will provide your data to the following: • external auditors; • the police and other competent authorities, including HMRC;


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CONSENT

HOW LONG YOUR INFORMATION IS KEPT

We may also process your Personal Data where we have your specific consent to do so (for example, where we have your agreement to include information about you (as a seller) in sale marketing materials) or where we have sought and obtained your consent to send you direct marketing by email, or for the use of cookies on our website. If you have given your consent and you wish to withdraw it, please contact us using the contact details set out above.

We will retain your personal data for as long as we are providing you with the Services referred to in any contractual document, and for as long as is required for legal, regulatory, fraud prevention and our legitimate business purposes after the termination of your account/agreement with us, or if your application for a particular Service is declined or abandoned.

• if it is necessary to protect your or another person’s vital interests (for example, where you have a life-threatening accident or illness and we have to process your personal data to ensure you receive appropriate medical attention);

In particular: • in relation to CCTV images taken when you attend our premises, we will retain these for a few months; • in relation to personal data relating to the transactions you have entered into with us as part of the provision of our Services, we will retain that data for period of seven years after that transaction has concluded in case any legal claims arise out of the provision of those Services; • we will retain your details on our marketing database until you inform us that you no longer wish to receive our marketing communications. However, where you do unsubscribe from our marketing communications we will keep your details on a suppression list to ensure that we do not send you information you have asked not to receive; • in relation to personal data relating to the provenance of works, we may retain that data indefinitely in our legitimate interests and the legitimate interests of the wider art market in maintaining the integrity of that market.

• if it is necessary for the establishment, exercise or defence of legal claims (for example, to protect and defend our rights, and/or the rights of our customers);

YOUR LEGAL RIGHTS

Please note that where our processing of your personal data relies on your consent and where you then withdraw that consent, we may not be able to provide all or some aspects of our Services to you and/or it may affect the provision of our Services. SPECIAL CATEGORIES OF PERSONAL DATA We process special categories of personal data for the following reasons:

We may process information relating to your health where we have your explicit consent to do so (for example, when you provide information about your access requirements prior to attending one of our events). INTERNATIONAL TRANSFERS OF DATA We transfer names and addresses on our Asian mailing list to a printing company in Hong Kong to distribute our auction catalogues and promotional material. In these circumstances, your personal data will be transferred subject to standard data protection clauses (adopted by the European Commission) and included in our contract with the printing company. We share your data collected for marketing purposes and through our website with our website and email management software provider who are based in Jersey. In these circumstances, your personal data is transferred to them subject to an Adequacy Decision made by the European Commission in respect of Jersey. PROFILING We may use your geographical location to target our communications and advertising and promotions to you. If you do not wish us to do this, then please contact us using the details provided above.

Under the DPA you have the following rights: • to obtain access to, and copies of, the personal data that we hold about you; • to require that we cease processing your personal data if the processing is causing you damage or distress; • to require us not to send you marketing communications. ONCE GDPR TAKES EFFECT ON 25 MAY 2018, YOU WILL ALSO HAVE THE FOLLOWING ADDITIONAL RIGHTS: • to require us to correct the personal data we hold about you if it is incorrect; • to require us to erase your personal data; • to require us to restrict our data processing activities (and, where our processing is based on your consent, you may withdraw that consent, without affecting the lawfulness of our processing based on consent before its withdrawal); • to receive from us the personal data we hold about you which you have provided to us, in a reasonable format specified by you, including for the purpose of you transmitting that personal data to another data controller; • to object, on grounds relating to your particular situation, to any of our particular processing activities where you feel this has a disproportionate impact on your rights. Please note that the above rights are not absolute, and we may be entitled to refuse requests where exceptions apply. If you are not satisfied with how we are processing your personal data, you can raise a concern with the Information Commissioner. You can also find out more about your rights under data protection legislation from the Information Commissioner’s Office website available


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INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

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PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required. Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

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Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk


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WOO L LE Y & WA L LI S

Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery & Watches

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 19th July 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed. Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.w o o lleyan d w allis.co .u k


Auction Calendar JEWELLERY 19th July 2018 – Jewellery & Watches 1st November 2018 – Fine Jewellery Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 4th July 2018 3rd October 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk SILVER 17th July 2018 – Silver & Objects of Vertu 30th & 31st October 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk PAINTINGS 11th September 2018 – Old Masters, British & European Paintings 4th December 2018 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 19th September 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October 2018 – Design 12th December 2018 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 13th & 14th November 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Freya Yuan-Richards +44 (0)1722 424589 fyr@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 16th October 2018 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 21st November 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk


www.woolleyandwallis.co.uk

Profile for Jamm Design Ltd

Woolley & Wallis  

Jewellery & Watches Thursday 19th July 2018

Woolley & Wallis  

Jewellery & Watches Thursday 19th July 2018