Woolley & Wallis

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art & Clocks Wednesday 10th January 2018

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below 20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Marta Olszewska

424506 424506 424591

CHINESE PAINTINGS Freya Yuan-Richards

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ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

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FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JAPANESE ART Alex Aguilar Doméracki JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde MEDALS & COINS, ARMS & ARMOUR Ned Cowell Gemma Bush

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424595 424504 424586

341469 341469

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

WATCHES Adrian Hailwood

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Hollie Grubb

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SALEROOM MANAGER David Jordan

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Natalie Milsted FCCA

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ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

07775 788500

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 10th January 2018 at 10.00am VIEWING TIMES Saturday 6th January Monday 8th January Tuesday 9th January Wednesday 10th January

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Yuan-Richards 01722 411854 myr@woolleyandwallis.co.uk

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

Suzy Becsy 01722 411854 sb@woolleyandwallis.co.uk

COLLECTION OF LOTS Collection is available from Thursday 11th January to Saturday 13th January from our Castle Street Salerooms. All items will be in transit from the Salerooms to the warehouse at Old Sarum on Monday 15th January and Tuesday 16th January.

Collection will not be available on those dates.

From Wednesday 17th January collection is from our new warehouse at Old Sarum, Unit 1B, Castle Gate Business Park, Old Sarum, Salisbury, SP4 6QX, please call 01722 411854 prior to collection to ensure the items are ready.

All accounts to be settled prior to collection.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 25% plus VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 9th January.

LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 566 Back cover: Lot 289 Catalogue £10.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 9th January.

Please note there is a 3% +VAT surcharge for using this service.

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OAK & COUNTRY

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

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An oak refectory table, with a panelled and banded rectangular top, on turned column supports, united by an ‘H’ stretcher, 17th century and later, 74.4cm high, 214cm long, 71cm deep. £500-800 Provenance: Woolley and Wallis, Furniture and Works of Art, Property from the North Canonry, The Close, Salisbury, 13th September 2005, lot 1.

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A mid-18th century Welsh oak coffer bach, the loose top above a vacant interior and a twin panelled front, the base with a pair of drawers, above shaped bracket feet, 47.4cm high, 68.8cm wide, 35.5cm deep. £300-500 3.

A Queen Anne oak side table, the twin plank top above a frieze drawer, on baluster ring and cover turned legs, united by peripheral stretchers, 71.8cm high, 77cm wide, 54.5cm deep. £300-500

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A carved oak plate rack, with an egg and dart and ribbon frieze, above swags and three shelves with turned urn spindle galleries, £400-600 124.5cm high, 142cm wide, 34.5cm deep.

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A William & Mary century oak side table, the boarded top above a frieze drawer, the sides and corners with split baton and rondel mouldings, on block and bobbin legs united by peripheral stretchers, 72.3cm high, 85cm wide, 55cm deep. £100-200

A Queen Anne oak side table, the boarded top above a frieze 6. drawer, on baluster turned legs united by a ‘H’ turned and block stretcher, 70.2cm high, 89.6cm wide, 49.5cm deep. £200-300

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An oak gateleg table, the oval drop-leaf top above a frieze drawer, on turned baluster and bobbin legs united by peripheral stretchers, late 17th / early 18th century, 71cm high, 95.5 x 106.5cm. £100-200

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A walnut spice cabinet, with a pair of cross and feather banded doors enclosing an arrangement of eight drawers, 18th century and later, 57.5cm high, 61.3cm wide, 28.5cm deep. £200-300

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

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An Anglo-German oak and parquetry Nonsuch chest, the hinged top revealing a lidded till fitted with two drawers, the front with a pair of pedimental arches, inlaid with buildings and geometric and floral borders, with iron side carrying handles, late 16th / early 17th century, 67.4cm high, 123cm wide, 59.7cm deep. £600-1,000 ‘Nonsuch’ chests resemble similar chests made in Germany but they are now thought to have been made in Southwark by émigré German and Netherlandish cabinet makers. Their decoration of parquetry spired buildings derive from prints

by Hans Vredeman de Vries (1527-1604). They became to be known as ‘Nonsuch’ chests after Henry VIII’s palace of Nonsuch in Surrey because their decoration was thought, wrongly, to represent that building.

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10. A pair of Italian walnut open armchairs, each covered with floral needlework, with scroll arms, turned and block supports and sleigh feet. (2) £600-800

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11. A late 17th century Italian cedarwood Adige chest, the hinged top penwork decorated to the underside, with scrolling leaves and flowers, with a pair of panels with a lion and a leopard flanking a cartouche, the front decorated with poker and penwork with birds, figures and scrolling leaves and flowers, on bun feet, 70cm high, 185cm wide, 56.8cm deep. £800-1,200 Provenance: Rosalind, Countess of Carlisle, Castle Howard.

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12. A 19th century French cherrywood farmhouse kitchen table, with bowfront ends, above two frieze drawers, on chamfered legs, 79cm high, 218.3cm long, 92.8cm deep. £400-600 13. A carved oak Gothic style cupboard, with a hinged top, revealing a vacant compartment, above a pair of linen-fold doors, with part hinged panels, with carved lion’s corbels flanking a base drawer, on bun feet, 135.8cm high, 89.5cm wide, 62.8cm deep. £200-300 14. A French walnut money lender’s table, the boarded and cleated top with two slot apertures (one now filled), above a frieze drawer and on stretchered ring turned supports, late 17th / early 18th century, 73.9cm high, 90cm wide, 62.7cm deep. £100-200

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15. A late 17th century French walnut side table, with a frieze drawer, on ring turned baluster and cup and cover supports, united by a shaped ‘X’ stretcher, 75.8cm high, 101.7cm wide, 66cm deep. £200-300 13 15

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

16. A Charles II oak panelled back armchair, the arched scroll top carved with flowers and leaves above strapwork panels, leaves and scrolls and a diamond lozenge, the scroll arms with cut-outs and with incised hatched decoration, with a solid seat above a lunette carved frieze, on turned and block legs united by peripheral stretchers. £300-400

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17. An oak panelled back armchair, the surmount carved with flowers, an urn and grapevine, with teardrop faces, above a plain back, on baluster turned supports, 17th century and later. £100-200

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18. A mid-17th century lignum vitae wassail bowl, the body with a single reeded girdle moulding, on a conforming foot, 20.4cm high, 20cm diameter. £800-1,200

18A. Two treen sycamore dairy bowls, 35.2cm wide (max). (2) £150-200

19. A Regency treen spoon, the handle punch decorated with a heart and dated ‘1816’ and inscribed ‘MADE for MJ’, possibly Welsh, 18.8cm long. £80-120

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A set of four Victorian turned oak candlesticks, 22.7cm high. (4) £100-150

21. A Norwegian wood kasa, with chip carved decoration and with horse’s head handles, the base dated ‘1808’ and with a monogram, 13cm high, together with a French fruitwood tea caddy in the form of a pear, 15.3cm high. (2) £150-250

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

22. A large Charles II lignum vitae wassail bowl, with a later silver rim above reeded bands, on a turned stem and on a stepped circular foot, 36cm high, 32.2cm diameter. ÂŁ4,000-6,000 Provenance: Purchased by the current vendor from a sale in Sussex, approximately thirty years ago.

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23. A Charles II style oak and fruitwood inlaid chest, fitted with a geometric moulded drawer, decorated with mother of pearl and ivory flowers, flanked by split pilasters, above a pair of conforming doors, enclosing three drawers, late 19th century, 95.3cm high, 100.5cm wide, 48.2cm deep. £300-500

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24. A Charles II oak triple panelled coffer, the interior with a lidded till, with a lunette frieze, above diamond lozenges, 65.3cm high, £200-300 119cm wide, 59.3cm deep.

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25. A late 17th century oak chest, with three long drawers, with geometric panelled fronts, on a later stand, fitted with three drawers, 113.2cm high, 101cm wide, 55.5cm deep. £200-300

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26. A Charles II oak triple panelled coffer, the hinged top above a lunette frieze and a foliage lozenge carved front, 70.3cm high, 118cm wide, 58.7cm deep. £200-300

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27. A 16th century oak relief carved panel, of St. Luke the Evangelist holding a book, accompanied by his attribute, an ox, 48.5 x 26.7cm, together with a late 15th century panel with parchemin decoration and two other oak panels, one carved with a dragon, the other with scrolling leaves and the head of a dog. (4) £80-120

28. A 16th century French relief carved oak panel, decorated with scrolling leaves, flowers, two birds and a squirrel, later mounted, 66 x 19.3cm. £200-300

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29. A German carved limewood relief panel of the Adoration of the the Magi, late 16th / early 17th century, in a later frame, 53.9 x 44cm. £200-300

30. A carved walnut architectural panel, with a pair of arches, with a 17th century triple carved panel, decorated with scrolls and flowers, together with a pair of oak linenfold panels, 115.2cm wide (max). (4) £100-200

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31. A mid-18th century Welsh oak mule chest, with a hinged top above a quadruple fielded panel front, the base with five drawers, on shaped bracket feet, with panelled sides, 117.5cm high, 150.8cm wide, 54.5cm deep. £200-300

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32. A William and Mary oak bible box, the hinged top revealing an interior with a lidded till, the front incised with inititals ‘E B’ and the date ‘1700’, 46cm high, 66.2cm wide, 43.2cm deep. £100-150 32

33. An early 18th century oak mule chest, the interior with a till, with a sliding cover revealing two drawers, the base with two further drawers, 51.7cm high, 95.2cm wide, 48cm deep. £100-150

34. An early 17th century boarded oak chest, with crimped edges, the later hinged top revealing a vacant interior, on cut-out ends, 58cm high, 127.5cm wide, 34.3cm deep. £100-200

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

35. A George III mahogany Windsor armchair, the comb top rail above a stick back and scroll arms, on cabriole legs united by an ‘H’ stretcher. £400-600

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36. An early 19th century elm and mahogany open armchair, with a triple-ball horizontal splat, above a dished seat, East Anglia. £80-120

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37. A 19th century fruitwood country child’s chair, with a turned and faceted baton horizontal splat above a dished seat, East Anglia, 52.7cm high, 34.2cm wide. £100-150 38. A George III and later yew and elm stickback Windsor armchair, with a later cherry hoop back, on front cabriole legs and £200-300 pad feet.

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Provenance: Originally from a Stokenchurch Farmhouse, Wycombe.

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39. Five 19th century Windsor armchairs, comprising: a yew low back example, the underside of the seat scored with letters, two similar ash wheelback armchairs and two stickback chairs. (5) £200-400

40. A mid-18th century oak potboard dresser, the raised plate rack with a shaped frieze, above three shelves, the base with two drawers and on bracketed legs, 183.4cm high, 115cm wide, 38.3cm deep. £200-300

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41. A George II oak lowboy, with three frieze drawers, on cabriole legs, 71.3cm high, 77.7cm wide, 47.3cm deep. £100-200

42. A George II oak bureau, the interior with pigeon holes, drawers and secret pilaster compartments, with a central cupboard above a sliding well cover, and with two short and two long drawers, 99.8cm high, 89cm wide, 49.2cm deep. £200-300 40 42

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43. A kingwood and brass mounted strong box or coffre fort, with strapwork mounts, the hinged lid revealing a paper lined vacant interior, with a compartment to the lid with a secret drawer, the hinged front revealing a pair of drawers and two secret drawers with side carrying handles, late 17th / early 18th century, 23.4cm high, 39cm wide, 23.2cm deep. £300-500 44 44. A French iron coffret, the domed lid with a swing handle, with a vacant interior, the locking clasp is released by pulling the front left foot, late 16th / early 17th century, 11.8cm high, 17.7cm wide. £300-500

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45. An early 18th century Dutch bell metal mortar, the rim with an inscription and the date ‘1710’, above a ring turned body, the base with a foliate border, 13cm high. £100-150 46. A 17th century bronze mortar and pestle, with a flared rim, the reeded body with a single handle, probably Dutch or German, 16cm high, the pestle: 26.5cm long. £200-300 (2) 47. A 17th century French gilt copper alms bowl, of fluted circular form, with punched decoration with stars and crescent moons, 23.3cm diameter. £100-150 46

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48. A wrought iron game crown, suspended from a chain and applied with hooks, together with a similar example, with fleur-de-lis decoration and candle sconces, 40.4cm high, 63cm wide (max). (2) £200-300 49. A 17th century wrought iron book rest, the open top with a ratcheted bar support, 30.6cm high, 35.5cm wide. £150-250 Provenance: By repute Littlecote House, Hungerford.

50. A large cast iron mortar and pestle, 18th / 19th century, 20.2cm high, 25.3cm diameter, together with three 17th century oak panels, a painted iron pot hook, two cow bells with engraved decoration and a length of iron chain. (8) £100-200

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51. An early 18th century bell metal skillet, the handle cast ‘T. P. B:WATER VI’ for Thomas Pyke of Bridgewater, on tripod supports, 17cm high, 44.5cm long. £100-150

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

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52. Anglo-Irish School. A late 18th century death panel, depicting the coat of arms of Brodrick, Viscount Midleton, with a pair of knights, crowned with bloody staffs, the base with the motto 'A CUSPIDE CORONA', oil on canvas, 132.6 x 133.5cm. £1,500-2,000 53. Three Folk art carved wood and painted toy figures, comprising: a tumbler man with tin articulated arms and two part whirligig figures, 39cm high (max). (3) £150-250 54. A Regency naive watercolour of a boy and a girl, wearing dresses and holding flowers, in a domestic setting, with a sabre legged chair, a chamfered front table and an inlaid set of rosewood bookshelves, possibly Scottish, 41.3 x 26.2cm, in a glazed, gilt moulded frame. £300-500 53

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56 55 55. A George III brass armorial eagle, holding a shield of seven stars in its mouth, 22.2cm high, 23.7cm wide. £100-150 56. A 17th century brass oval snuff box, one side engraved with fleur-de-lis and inscribed ‘Daniel Gilbert 1692’, the other side later engraved with a ribbon inscribed ‘Licence from my Taster Without a not here to be a Master Atte mpt’ the centre ‘WM ORAM Charterhouse LONDON February 6th 1852’, 9.5cm wide, an early 19th century brass oval combination lock snuff box and a brass hand paper clip. (3) £100-150 57.

A 19th century treen turned lignum vitae flask, with stopper, 22.3cm high. £80-120

58. A pair of 19th century treen Brighton bun travelling candlesticks, with snuffer, 12.5cm diameter. £100-150 59. A 19th century Folk art oak box, possibly relating to the Hartlepool monkey legend, the hinged lid carved with oak leaves and acorns, and with a monkey in a naval style uniform flanked by two other monkeys, the conforming front with a monkey and two dogs, the left side with a portrait of an old hag, the right side with leaves, 19.5cm high, 33.5cm wide. £200-300 During the Napoleonic Wars there was a fear of a French invasion of Britain and much public concern about the possibility of French infiltrators and spies. On one occasion a French vessel was wrecked off the Hartlepool coast. The fishermen of Hartlepool fearing an invasion kept a close watch on the French vessel as it struggled against the storm. Among the wreckage lay one wet and sorrowful looking survivor, the ship’s pet monkey dressed to amuse in a military style uniform. The fishermen apparently questioned the monkey and held a beachbased trial. Unfamiliar with what a Frenchman looked like they came to the conclusion that this monkey was a French spy and should be sentenced to death.

The unfortunate creature was to die by hanging, with the mast of a fishing boat (a coble) providing a convenient gallows.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

60. A rare silk and silver thread needlework picture by Mary Sibley, depicting the Sibley sisters, standing in a gallery below a canopy with tassels, with a cityscape, possibly London, in the distance, with painted details and embroidered outlines, with a silver braid outer border, the brick wall formed with couchwork, dated ‘1670’, the verso with a description of the three Sibley sisters by a relative George Edwards in 1771, Edwards states that ‘all three were with child and that Mary was the daughter of Mr Cresnard of Earlscone (Earls Colne) Essex and married George Sibley gent of Westham, Essex, who was the son of Nathan Sibley, Deputy of Coleman Street ward of London’, 17th / 18th century, 13.7 x 18.2cm, in a later glazed ebonised wood moulded frame. £800-1,200 The figures in this picture were directly taken from Wenceslaus Hollar’s (Czech 1607-1677) fashion plate etchings: Theatrum Mulierum. The central figure is a direct copy of Mulier Generosa Anglica.

George Sibley baptised 10th January 1731 St. Stephens, Coleman Street London, of East India House died 1771.

Mary Sibley married to George Sibley, died 1770 buried in Wansted. Essex.

George Edwards (1694-1771) was born in Stratford Essex. He was the librarian for the Royal School of Physicians. He was a respected painter of natural history and ornithology. He retired to Plaistow Green, Essex.

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61. A Charles II silk and walnut needlework mirror, worked in coloured silks and metal thread with a country house above a stag and a leopard, with flowers, insects and a bird above Charles II and Catherine of Braganza, the base with a lion and unicorn flanking a rocky pond, with a central mirror in a moulded frame, 65.8 x 49cm. ÂŁ3,000-5,000

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

62. A 15th century French stained glass fragment, depicting a prophet holding a blank scroll under a later Gothic canopy, from SaintMaclou, Rouen, 36.3 x 12cm. £200-300 Provenance: Acquired through Morel and Lafond.

From the collection of the late Dr Hilary Wayment.

63. An early 16th century French stained glass panel, depicting the fall of Adam and Eve, in the garden is a lion, a lamb, a calf and a fox, flanked by niches with figure of Faith and Hope, the top with a Baroque cartouche and the date ‘1605’ supported by two winged putti, the base with a pair of lion’s heads and a panel of script which translates as ‘Eve brought us into unending distress from which Christ has redeemed us.’, probably Strasbourg, 28.7 x £400-600 20.1cm.

Provenance: Sotheby’s Sale 30th July 1964, lot 125, formerly the collection of Lord Lucan.

William Cole.

From the collection of the late Dr Hilary Wayment.

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64. A late 15th century French stained glass fragment, depicting the head and shoulders of probably a prophet, standing against a stained sheaf and a Gothic window, from SaintMaclou, Rouen, 20.3 x 11.5cm. £150-200 Provenance: Acquired through Morel and Lafond.

From the collection of the late Dr Hilary Wayment.

65. A late 15th century French stained glass fragment, depicting an angel with a portable organ, from Saint-Maclou, Rouen, 17.4 x 12cm. £100-150 Provenance: Acquired through Morel and Lafond.

From the collection of the late Dr Hilary Wayment.

63 66. A late 15th century French stained glass fragment, of a flower, probably from Saint-Maclou, Rouen, 16.2 x 12.4cm. £100-150 Provenance: From the collection of the late Dr Hilary Wayment.

67. A late 15th century French stained glass fragment, depicting a Bishop holding a clasped book, from Saint-Maclou, Rouen, 25.7 x 10.5cm. £150-200 Provenance: Acquired through Boscherville and Lafond.

From the collection of the late Dr Hilary Wayment.

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A PRIVATE COLLECTION OF COQUILLA NUTS Coquillas are the nuts of the attalea funifera or the piassaba palm tree which can be found extensively distributed on the eastern side of South America. The trees grow in swampy ground or partially flooded river banks. They are generally egg shape and size, they are a rich brown colour and are very hard and brittle taking a high polish and are of an oily nature. They were first introduced into Europe in the mid-16th century and enjoyed popularity for small turned and carved objects until the end of the 19th century. It is the shell which is used not the kernel and their oily nature makes them ideal for snuff boxes as it stops the snuff drying out. Coquilla nuts have also been used for: ornamental handles, pomanders, pincushions, rosaries and rosary cases, scent flasks, muffineers, pocket spice boxes and flea traps to name a few.

68. A French carved coquilla nut figural snuff box, in the form of a bearded soldier, holding a goblet, the hinged lid in the form of his pack, with a grotesque bugbear type stalk end, late 18th /early 19th century, 7.5cm long. £150-200

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69. An early 19th century French carved coquilla nut egg shaped box, with a screw off lid, the body pierced and decorated with scrolling leaves and flowers, 8.1cm long. £100-150

70. An early 19th century French carved coquilla nut bugbear flask, carved with South American Indian figures, each side with a man and a lady, with a grotesque end, late 18th / early 19th century, 7.3cm long. £100-150

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

71. A French carved coquilla nut snuff box, the hinged lid carved with a lady playing the violin and two figures dancing, with floral ends, the base with a native Indian figure on a stag hunt, late 18th / early 19th century, 9.5cm wide. £150-200

72. An early 19th century French carved coquilla nut snuff box, the hinged lid carved with two female missionaries, one holding a cross, the other the Bible, with floral ends, the base with an urn of flowers, 7.6cm wide. £150-200

73. A mid-19th century French carved coquilla nut snuff box, the hinged lid with an American eagle holding a sword, the base with war trophies, 8cm wide. £150-200

74. An early 19th century French carved coquilla nut snuff box, the hinged lid with an urn issuing roses, with crown ends, the base with a basket of fruit and implements, 10cm wide, £100-150

75. A 19th century French carved coquilla nut snuff box in the form of a basket, the hinged lid carved with a wheelbarrow filled with baskets of flowers and fruit, a watering can and other implements, 7.5cm wide. £150-200

Possibly dating from the American-Mexican conflict from 1846-48.

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76. A collection of carved and turned coquilla nut items, bone and ivory mounted, including a tobacco tamper, an ornamentally turned flask in two sections, an acorn shaped nutmeg grater (lacking grater) and three disc shaped boxes, one with a mother of pearl inlay, 19th century, 9.8cm high (max). (7) £150-200

77. A collection of coquilla nut items, carved and ornamentally turned, comprising a basket, a pomander, a small bowl, a box and cover, the lid with a slot and three pear shaped boxes, one plain and one £100-150 with incised decoration, 7.3cm high (max). (7)

78. An early 19th century carved coquilla nut flask, with a screwoff lid and base, decorated with leaves, flowers and fruit, together with two ornamentally turned and pierced casters and a similar pomander, each with a screw-off lid, 11.2cm high (max). (4) £150-250

79. A collection of coquilla nut items, comprising: three egg shaped boxes, a cylindrical box, a barrel shaped nutmeg grater, a spinning top, an acorn box and a bilboquet or cup-and-ball game, 19th century and later, 12.5cm high (max). (8) £100-150

80. A collection of coquilla nut items, comprising: three napkin rings, two egg cups, a toddy ladle, two nutmeg graters and two disc boxes, 16cm (max). (10) £100-150

81. Four 19th century ornamentally turned coquilla nut egg shaped boxes, with pierced decoration, one with crosses, together with a similar vegetable ivory example, containing six bone markers, possibly either rosary, thimble, pomander or flea traps, 7.3cm (max). (5) £100-150

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82. Two early 19th century French carved coquilla nut flasks, one with a native American Indian, the other side with a lady, the other decorated with a pair of hearts and arrows, and the reverse with a tree, 5.7cm long (max). (2) £150-200

83

83. A 19th century French carved coquilla nut bugbear flask, decorated with three oval panels, one carved with a European figure in full military uniform, possibly Emperor Maximilian I of Mexico, a European military officer, and a South American nobleman and his wife in Mexican dress, with a grotesque end, 7.2cm long. £200-300 84. Two early 19th century French carved coquilla nut flasks, one with a general and a native American Indian, with a bone stopper, the other of canted form, relief carved with war trophies and musical instruments, 4.7cm long (max). (2) £150-200

84

85. An early 19th century French carved coquilla nut snuff box, in the form of a shoe, the pierced hinged lid carved with an Indian, the body with scrolling leaves and tassels and with a bugbear end, 8.5cm long. £150-200 86. Three 19th century carved and pierced coquilla nut boxes, one decorated with musical instruments and flowers, another with scrolling foliage and the last one with a grapevine, 5.5cm diameter (max). (3) £100-150

85

86

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87

88

89

87. An early 19th century French carved coquilla nut egg cup, decorated with male busts of a European soldier and South American Indians, together with an ornamentally turned egg cup, 9.9cm high (max). (2) £150-200

89. A late 19th century ornamentally turned portable shrine, the finial inset with a Stanhope, above a metal model of the Virgin, with a paper label inscibed ‘12 Juillet 1900’, 10.8cm high. £80-120

88. A 19th century carved coquilla nut chalice, decorated with a band of flowers and with a pair of dragon handles, hung with later chains, with swags of fruit, on a leaf base, possibly Spanish or Italian, £200-300 15.4cm high.

90. A small collection of coquilla nut items, comprising: a turned box and cover, inset with a mother of pearl disc to the lid, a silver filigree mounted box, a small disc powderer, a hat pin in the form of a lion’s head and a goblet shaped box and cover with a bone ring handle, early 19th century and later, 6.8cm long (max). (5) £150-200 91. Three 19th century carved coquilla nut needle cases, in four sections, each with a female bust finial sporting a hat, above a flower carved body, 11.5cm long (max). (3) £100-150

90

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92

92. An early 19th century French carved coquilla nut snuff box, the hinged lid with a coach and horses, figures and a dog, the base with native Indians, 7.5cm wide. £150-200 93. A 19th century carved coquilla nut cylindrical rosary holder, in three sections, decorated with garlands of flowers, with a portrait of a saint and with a winged cherub playing a musical instrument, possibly Spanish or £150-200 Portuguese, 14cm long.

94. An early 19th century carved coquilla nut perfume bottle holder, the screw-off top decorated with a lion’s mask, revealing a glass bottle, the pierced body with two winged mythological figures and with a screw end, 8cm long. £100-150 95. An early 19th century French carved coquilla nut snuff box, the hinged lid carved with a man and a woman drinking, with trees and two houses in the distance, the base with swags of flowers, 9cm wide. £100-150

94

93

95

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96

96. Four 19th century carved coquilla nut needle cases, two with female head finials sporting hats, in four sections, and a pair carved with mythological and South American figures, in two sections, 11.7cm long (max). (4) £100-150 97. An early 19th century carved coquilla nut nutmeg grater, of acorn shape, decorated with swags of flowers, (grater missing), 6cm long. £80-120 98. An early 19th century carved nut bugbear snuff box, with a hinged lid, carved with two portrait busts of South American Indians and with a grotesque end, 8cm long. £100-150 99. An early 19th century French carved coquilla nut snuff box, with all over pierced scrolling foliage decoration, the hinged lid with a basket of flowers and a carved mermaid to one side, 11.2cm wide. £150-200 98 100. A 19th century carved coquilla nut pomander, with a screw off lid, pierced and carved with scrolling leaves, above a band of flowers, the pierced base finely carved with leaves and fruit, 4.3cm high. £80-120

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18TH CENTURY ENGLISH FURNITURE

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101. A Queen Anne and later giltwood pier mirror, with a divided arched plate, with a black glass outer border and a leaf carved frame, 164.7 x 64.4cm. ÂŁ750-1,000

101

102. A walnut chest on chest, of two short and five long graduated, feather banded drawers, on bracket feet, 18th century, but top and base associated, 162.3cm high, 100.3cm wide, 58.6cm deep. ÂŁ500-800

102

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103. A rare Charles II carved giltwood side table, the top inset with later yellow marble, within a scrolling leaf border, above a leaf, shell and scroll carved frieze, on scroll legs with carved acanthus leaves and fruit, united by a shaped 'X' stretcher with a flaming urn finial, on scroll feet, formerly the base of a cabinet on stand, 82.4cm high, 86cm wide, 54cm deep. ÂŁ3,000-5,000

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104. An 18th century and later walnut chest on stand, with three short drawers, above three long drawers, the base fitted with a long drawer, 149.8cm high, 102.8cm wide, 55cm deep. £400-600

105. An 18th century walnut bureau bookcase, with a pair of raised panel doors enclosing a compartmented interior, above a hinged fall, with a stepped interior of drawers and pigeon holes, with a sliding well cover and a later baize lined writing surface, above two long drawers, on ogee bracket feet, 208.2cm high, 100.2cm wide, 56.3cm deep. £1,000-1,500

106. A George II mahogany fret-frame wall mirror, the later plate within a gilt carved slip, the slides with swags of leaves, berries and fruit, 106.5 x 58.8cm. £300-500

107. A George II mahogany and giltwood fret-frame wall mirror, the later arched plate within a carved slip, with flower and leaf garlands and a ho-ho bird and scroll applied surmount, 110.9 x 62.2cm. £100-200

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108. A George I walnut and burr walnut bureau bookcase, cross and feather banded, the double domed top with a moulded cornice with three giltwood finials, above a central oval mirrored panel and a pair of shaped arch panelled doors with bevelled plates, enclosing three adjustable shelves, above a pair of candle slides, the stepped interior with an arrangement of pigeon holes and doors, with a sliding well cover and a later leather lined writing surface, above two short and two long graduated drawers on bracket feet, 223.5cm high, 104cm wide, 60.7cm deep. £6,000-8,000 Provenance: Christie’s, Important English Furniture & Tapestries, 2nd May 2002, lot 265.

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109. A George II and later walnut kneehole desk, the crossbanded top with a moulded edge, above an arrangement of nine drawers, with brass bat’s wing handles, with a central cupboard door enclosing a shelf, on ogee bracket feet, 76.5cm high, 90.5cm wide, 46.5cm deep. £1,000-1,500

110. A George I giltwood wall mirror, with a later arched rectangular plate, the frame decorated with a punched ground and carved with scrolling leaves, with a shell surmount and base, the back with a paper trade label for Thomas Agnew & Sons, 100 x 56.5cm. £400-600

111. A George II mahogany lowboy, the top with re-entrant front corners, above one long and two short drawers, on turned club legs and pad feet, 71.4cm high, 82.7cm wide, 48cm deep. £500-700

111

112. An 18th century mahogany silver table, the dished top above a frieze drawer to either end, on cabriole legs and pointed pad feet, 71.3cm high, 77.5cm wide, 48.2cm deep. £400-600

110

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113. A George II and later walnut wing armchair, upholstered in burgundy corduroy fabric, on cabochon leaf and husk carved cabriole legs and paw feet. £4,000-6,000

114. A mahogany circular stool, with a needlework seat worked with a parrot, on leaf carved tripod cabriole legs and hairy paw feet, on brass castors, the underside with an ivorine trade label inscribed ‘FRANK PARTRIDGE WORKS OF ART 26, KING ST., ST. JAMES’S AND NEW YORK.’, possibly Irish, 30.5cm high, 48cm wide. £600-800

115. A George II red walnut demi-lune card table of diminutive proportions, the fold-over top on a single gate support, with a frieze drawer, on cabriole legs and pad feet, 68.3cm high, 51.5cm wide, 26cm deep. £600-800 113

114

115

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116. A George III mahogany bureau bookcase, with an astragal glazed door, enclosing three adjustable shelves, the interior with an arrangement of drawers and pigeon holes, above four long graduated drawers, the top and base possibly associated, 210.3cm high, 39.6cm wide, 32.6cm deep. £300-500

117. A George III mahogany bowfront hanging corner cupboard, with a fret carved frieze, above a pair of doors enclosing two shelves, flanked by stop fluted pilasters, 98.9cm high, 72.4cm wide, 48.7cm deep. £100-200

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116A. A mahogany secretaire cabinet, with a pair of geometric astragal glazed doors enclosing ten adjustable shelves, the base inlaid with stringing and fan and marquetry paterae, a secretaire drawer fitted with an arrangement of pigeon holes and drawers with bone handles, above a pair of cupboard doors enclosing one slide, on swept bracket feet, George III but top and base associated, 237.4cm £400-600 high, 128.7cm wide, 59.3cm deep.

118. A set of mahogany library steps, 121.7cm high, 52.5cm wide, 60.6cm deep. £200-400

119. An early George III mahogany kneehole desk, with a brushing slide above an arrangement of seven drawers around a central cupboard, on shaped bracket feet, 81.3cm high, 79.3cm wide, 50cm deep. £500-700

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120. A set of five George II mahogany sgabello hall chairs, each £1,000-1,500 with a dished seat. (5)

121. A George III Scottish mahogany demi-lune console table, on square tapering legs and spade feet, 81.3cm high, 82cm wide, 41cm deep. £300-500

122. A George III mahogany serpentine card table, on fluted and bracketed tapering legs, the underside branded with initials ‘E H’ in two places, 73cm high, 95cm wide, 47cm deep. £300-500

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123. An early George III mahogany bureau, the interior fitted with pigeon holes and drawers with scroll carved decoration, with a pair of secret pilaster compartments flanking a fret carved cupboard door, with a later leather writing surface, above four long drawers and ogee bracket feet, 107.4cm high, 101.2cm wide, 55.2cm deep. £500-800

124

125

124. A pair of George III mahogany open armchairs, each with a serpentine top rail above fluted vertical splats and a drop-in seat, one with the remains of a paper trade-label inscribed ‘FROM G. GARBUTT & SON, Brewers and Maltsters’. (2) £300-400 125. A George III mahogany bureau, the interior with an arrangement of pigeon holes and drawers, around a central pull-out cupboard, revealing two secret drawers, above two short and three long graduated drawers, on bracket feet, 112.5cm, 103.2cm wide, 58.2cm deep. £80-120 126. A pair of George III mahogany open armchairs, each with a scroll top rail, above a pierced Gothic splat, a drop-in seat on bracketed square tapering legs and block feet. (2) £150-250

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126

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127. A George III mahogany serpentine serving table, with two frieze drawers to either end, on square tapering legs and block feet, 87.5cm high, 152.8cm wide, 75cm deep. £800-1,200

128. A George III mahogany four pedestal partner’s desk, the top inset with a later tooled suede writing surface, above a frieze drawer to either side, each with false fronts and three drawers to each pedestal, with outline mouldings, on castors, 72cm high, 110cm wide, 124.5cm deep. £800-1,200

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129. A George II mahogany kneehole desk, with an arrangement of seven drawers around an alcove with a shelf, with pierced brackets, on ogee bracket feet, 76cm high, 74.1cm wide, 43.5cm deep. £400-600

129

130. A late George III mahogany demi-lune card-table, inlaid with boxwood stringing, the fold-over top with twin gate supports, 71.3cm £100-200 high, 91.2cm wide, 45.3cm deep.

130

131. A mahogany library table, the top with three hinged panels, each on a ratchet, above a frieze drawer on either side, with a pullout slide, on chamfered legs and brass castors, George III but probably adapted, 73.3cm high, 91.2cm wide, 74.6cm deep. £400-600

131

132. An early George III mahogany secretaire chest, of four drawers, the top fitted with pigeon holes, drawers and a baize lined writing surface, 111.5cm high, 110.5cm wide, 57.8cm deep. £400-600 132

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133. A George III and later mahogany secretaire breakfront library bookcase, the detachable pendant cornice above astragal glazed doors, with Prince of Wales plumes of feathers and foliate paterae, enclosing adjustable shelves, with a secretaire drawer fitted with pigeon holes and drawers, and a central cupboard flanked by a pair of satinwood faux-fluted secret pilaster compartments, with a leather lined writing surface, flanked by a pair of deep drawers with false fronts, all with lion’s mask brass handles, above a pair of panelled doors enclosing a shelf, flanked by further cupboards, each with two shelves, 272cm high, 330cm £5,000-8,000 wide, 56.1cm deep.

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135

134. A late George III mahogany chest, the crossbanded top with satinwood banding, above two short and three long graduated drawers, on shaped bracket feet, 78.4cm high, 93.5cm wide, 53.7cm deep. £500-700 135. A George III mahogany demi-lune tea table, with a kingwood crossbanded fold-over top, on boxwood strung tapering legs, 74cm high, 92cm wide, 45.5cm deep. £300-500 136. A George III mahogany tray-top bedside commode, with a shaped three-quarter gallery, above a hinged door and a converted pull-out base, with brass side carrying handles, 75cm high, 55.5cm wide, 51.4cm deep. £200-300 137. A set of eight mahogany dining chairs, each with a pierced and fluted splat above a drop-in seat, six George III and two modern copies. (8) £600-800

136

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138. A George III mahogany linen press, the swan neck cornice with a Greek key moulding and inlaid with faux flutes and fan paterae, with kingwood banding, the oval recessed panel doors enclosing four slides, above two short and two long graduated drawers, on shaped bracket feet, the back of the cornice inscribed in black paint ‘S C No. 3’, 210.6cm high, 125cm wide, 60.4cm deep. £800-1,200

139. A George III mahogany wing armchair, with later gold damask upholstery, on square tapering legs and brass castors. £500-800

140. A George III harewood and marquetry lady’s writing table in the manner of John Cobb, with satinwood panels, the top inlaid with an urn and scrolling leaves, above an end frieze drawer, inlaid with swags, on cabriole legs, 68.8cm high, 70cm wide, 44.4cm deep. £600-1,000

138

139

140

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142

141. A George III mahogany gentleman’s washstand, inlaid with boxwood stringing, the twin hinged top revealing a fitted interior with four hinged lidded compartments, two bowl apertures and an easel backed shaving mirror on a ratchet, with a divided frieze drawer, on square tapering legs, 82cm high, 58cm wide, 51.5cm deep. £300-500 142. A George III mahogany chest, with two short and three long drawers, on shaped bracket feet, 92cm high, 102.3cm wide, 57.7cm deep. £400-600 143. A George III mahogany wing armchair, on moulded and chamfered front legs, united by peripheral stretchers, on brass castors. £300-500 144. A set of eight George III dining chairs, each with a serpentine top rail, with scrolled ears, above a pierced splat and a drop-in seat, seven in mahogany, one in fruitwood, £500-800 comprising: a pair of open armchairs and six side chairs. (2)

143

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145. A pair of rare George III carved wood rustic plate stands in the manner of Robert Manwaring, of naturalistic form of entwined branches, carved with oak leaves and acorns, 55.2cm high, 72.5cm wide. (2) £800-1,200 Furniture and interior items of ‘rustic’ design intended to look as if made of branches and twigs became popular in the late 18th century when there was a new interest in nature and the simple life. Such items were intended to furnish summer houses, grottos and cottages ornés. One of the proponents for ‘rustic’ furniture was Robert Manwaring, see ‘The Cabinet and Chair Maker’s Real Friend and Companion’ published in London in 1765 for chairs made of yew or apple branches. The fashion for rustic furniture continued as late as 1820.

146. A George III mahogany serpentine front card table, the foldover top on twin gate supports, above a fluted frieze and carved flower head rondels, on fluted tapering legs and turned feet, 71.6cm high, 90.8cm wide, 43.8cm deep. £300-500

147. A George II walnut chest, with ebonised banding, the crossbanded top with a caddy moulded edge, above four long graduated drawers, the top drawer with divisions, on bracket feet, 86cm high, 96.5cm wide, 51cm deep. £400-600

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148. An early George III mahogany kneehole desk, fitted with a plush lined brushing slide, above an arrangement of eight drawers, around a central cupboard, on later bracket feet, 80cm high, 73.2cm wide, 47cm deep. £300-500

150

149. A George III mahogany demi-lune card table, with a crossbanded fold-over top, on square tapering legs, with faux fluted panels and spade feet, 73.5cm high, 90cm wide, 44.5cm deep. £200-300

151

150. A George III mahogany octofoil dished tray, 48.3cm wide. £100-150 151. A George III mahogany circular dished tray, the centre with an ivory circular plaque inscribed ‘Mary Dolby February the 14th 1766’, 47cm diameter. £100-150 Presumably, given the date, this tray was given as a Valentine’s present.

152. A George III mahogany tray, with a scalloped dished edge, previously mounted, 58.5cm wide. £200-300

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FIREPLACE FURNITURE

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153 153. A polished steel serpentine fire-grate in George III style, with a railed front, urn finials and a pierced frieze, 76cm high, 81.7cm wide, 40cm deep. £300-500 154. A 19th century Dutch copper and brass logbin, with a swing handle and a riveted body, together with a similar, smaller example, 32.5cm high, 39.9cm wide (max). (2) £200-300

154

155. A late Victorian brass fire companion set, comprising: three tools, a poker, tongs and a shovel, on a turned stand, with lion's paw feet, 88.2cm high. £300-500 156. A pair of elm and studded leather fire bellows, 48.8cm long. £30-50 157. A brass serpentine fire-grate in George III style, with an arched cast iron back, above a railed front, with urn finials and a pierced apron, 79.8cm high, 72.5cm wide, 44.5cm deep, together with a triptych brass and mesh folding spark guard, a set of three brass fire tools and a pair of brass tool rests. (7) £400-600

156 155

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158. A George III carved pine chimney-piece, with a carved inverted breakfront mantel, above a frieze decorated with scrolling acanthus and swags of flowers, fruit, nuts and berries, above a pair of scroll corbels and carved chains of husks, external: 155.6 x 198.6cm, internal: 115.5 x 124.8cm. £1,000-1,500

159. A set of three early 19th century steel fire tools, each with a faceted handle and knopped stem, with a pierced pan, 77cm long. (3) £300-400

160. Two 19th century tôle peinte coal boxes and covers, with gilt decoration, 51cm high (max). (2) £200-300 161. A George III cast brass serpentine fender, with urns and swags and foliate engraved decoration, 13.8cm high, 109.5cm wide. £150-250 160

159

161

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162. A brass and mahogany country house stickstand, with eight divisions and a pair of painted metal lift-out trays, late 19th / early 20th century, 81.5cm high, 155.5cm wide, 25.4cm deep. £300-400 163. An oak brass bound barrel / bucket stickstand, with a swing handle, 41.8 cm high, 27.2cm wide. £100-150 164. A late Victorian brass and black painted umbrella stand, with a lift-out tray, 71.5cm high, 28cm wide. £100-150 163 165. An oak oval jardinière, with a pair of handles, together with three wirework planters, 56.3cm wide (max). (4) £80-120

164

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166. A massive pair of Regency Irish style mahogany and brass mounted peat buckets, each with a removable liner, with a pair of carrying handles and spiral ribbed tapering bodies, of recent manufacture, 91.5cm high, 78cm diameter. (2) £5,000-7,000

167. A late 19th century French ormolu fender in Louis XVI style, with a central urn, with swags of laurel leaves and a pair of sphinx figures flanked by birds, 41.8cm high, 182cm wide. £800-1,200

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168. A pair of Regency style mahogany and brass mounted peat buckets, each with a swing handle and a ribbed tapering body, 46cm high, 35.5cm wide. (2) £500-700

168

169. A late Victorian brass and wirework magazine rack, with four divisions, stamped ‘S. H. & S.’ with registration number ‘RD NO 80693’, 72.4cm high, 40.5cm wide, 30cm deep. £250-350

169

170. A late Victorian mahogany and brass mounted stickstand, inlaid with boxwood stringing, with a pierced handle, above a metal lift-out liner, 79.1cm high, 34cm wide, 21cm deep. £300-400

170

171. A 19th century navette shape mahogany and brass mounted peat bucket, with a swing handle, 36.8cm high, 37cm wide. £500-700 171

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172. A massive pair of Birkhall style mahogany lidded peat buckets, each with a leaf carved and turned finial, above a segmented, veneered lid, the interior with a removable metal liner, the tapering bodies with scroll handles, of recent manufacture, 106cm high, 68cm wide. (2) £4,000-6,000

173. A late Victorian brass doorstop, in the form of a pair of partridge, with a leafage handle, the back inscribed ‘England’, 29.5cm high. £150-200

174. A Victorian painted cast iron doorstop by Coalbrookdale, in the form of a recumbent spaniel, with a scrolling ivy handle, with registration lozenge, the base stamped ‘CBDALE’ and indistinctly numbered, 48.5cm high, 28.5cm wide. £150-200

175. A Victorian brass doorstop by William Tonks & Sons, with an eagle head stem and a horseshoe handle, the base with a goblin figure, inscribe ‘BIDE A BLINK’, the back stamped ‘W T & S’, with a sun mark and registration number ‘R D. 626156’, 31.4cm high. £150-200

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177

176. A cast iron figural doorstop, with a bronze finish, in the form of an 18th century dandy, holding a staff and a monocle, the back stamped ‘HVH, 2000A’ and with registration number ‘794042’, probably 1930s, 57.4cm high, 22.5cm wide. £100-150 177. A brass and cast iron fox’s head doorstop, the handle in the form of a riding crop, 42cm high. £100-150 178. A Victorian lion’s paw doorstop, with a leaf stem and a leaded base, 39.8cm high. £100-150 179. A William IV brass doorstop, with a snake handle, above a spiral twist stem and a faceted bell shaped weighted base, 45cm high. £200-300 180. Four carved stone camel tethers, each with an iron ring handle, north African, 25.3cm high (max). (4) £50-100

179

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CLOCKS, BAROMETERS & MUSICAL BOXES

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181. A William and Mary brass lantern clock by John London of Bristol, the posted movement, with an outside countwheel and striking on a bell, with a later recoil anchor escapement, the dial with a silvered chapter ring with Roman numerals, the centre engraved with an urn of flowers and signed ‘John London m Bristoll’, with radiating designs to the spandrels, the case with one piece finial, post and feet, with pierced frets and a turned urn finial, the movement holes have keyhole style piercings which is a John London feature, 39cm high. £3,000-4,000 According to Brian Loomes, little is known of John London. He first appears in Bristol in June 1675 when he was made a free Burgess as a gunsmith. In July 1675 he took an apprentice, as a gunsmith, named Robert Sainsbury. In August 1678 he was married in Bristol to Mary Baker.

181

182. A Regency mahogany musical bracket clock, the three train brass movement striking on a bell, with a 4¼in musical cylinder with thirteen bells, playing seven tunes including: ‘Deck the halls’, ‘God Bless the Prince of Wales’, ‘The National Anthem’, ‘Rule Britannia’ and ‘Speed Bonnie Boat’, with engraved borders of scrolling flowers, with pull-repeat, the arched later enamelled 9¾in dial, with moonphase above globes, with Roman numerals, strike/silent and song selection dials, the case with brass mounts, the raised top with a ball finial, the sides with Gothic pierced brass panels and lion’s mask ring handles, with a fret carved base and ball feet, 75.7cm high, 41.7cm wide. £3,000-4,000

182

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183. A George III red japanned tavern timepiece, the brass movement with recoil anchor escapement, five turned pillars and with tapered plates, the 25¼in repainted circular dial with Roman and Arabic numerals and brass hands, the case signed ‘John Dwerryhouse Berkeley Sqre London’, the door decorated with chinoiserie with figures before buildings, above a hinged door base decorated with birds, 148cm high. £3,000-5,000 John Dwerryhouse is recorded as working at 23 Charles Street, Berkeley Square from 1770-1805.

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184. An early 19th century Scottish longcase clock, the brass eight day movement, with anchor escapement striking on a bell, with a painted arched 14in dial, the arch decorated with a port scene with Britannia, with one package inscribed 'Mr C. HAGGART Merchant Glasgow', the dial with Roman and Arabic numerals, with subsidiary seconds and date dials, in a satinwood banded case, 211cm high. £300-500

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185. A small George III oak longcase clock, the brass eight day movement with four turned pillars, with anchor escapement and striking on a bell, the 9in dial with subsidiary seconds and date dials, with Roman numerals, and signed 'ROBINSON LONDON', the case inlaid with mahogany banding, parquetry stringing and with marquetry panels, with a broken swan neck pediment above quarter pilasters, a shaped trunk door and a moulded plinth, 188.7cm. £200-300

186. A George II oak longcase clock by Philip Avenell of Farnham, the brass eight day movement, with five turned pillars and anchor escapement, the automaton figure driven from the pallet arbor, with rack strike on a bell, the 12in arched dial with gilt cast urn and eagle spandrels, the chapter ring with Roman and Arabic numerals, the matted centre engraved with two love birds and a basket of fruit, with subsidiary seconds dial and date aperture, the arch with cast dolphin mounts and with a circular recess with an automaton figure of Father Time with a starry sky, signed 'Philip Avenell Farnham' and 'TEMPUS FUGIT', the case with a caddy top and an arched trunk door, (in need of restoration), 224.5cm high. £300-500

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187. A George III brass cased travelling alarm timepiece by Thomas Mudge and William Dutton, the thirty hour movement with a verge escapement, turned pillars, a bell and a bob pendulum, the hinged outer plate inscribed ‘Thos Mudge, Willm Dutton, London’, the silvered dials with Roman and Arabic numerals, with a sanded ground and pierced hands, the case with sliding dust shutters, 13.5cm high, together with a later oak bracket and two weights. £1,000-1,500

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188. An ebonised bracket timepiece, the brass eight day single fusee movement, with a verge escapement, with a false pendulum and rise and fall regulation, with four turned pillars, the arched 6in dial with a silver chapter ring with Roman and Arabic numerals, with subsidiary calendar, seconds and strike/silent dials, with gilt brass scrolling foliage and mask spandrels, signed ‘Wm Graham London’, the inverted bell top with a brass handle and a plain moulded case, with arched glazed side panels, 18th century elements, 39cm high, 23.7cm wide. £500-800

189. A mahogany wall clock, the brass thirty hour movement with a verge escapement, with turned columns and a bell, the arched dial with Roman numerals and a signed circular plaque ‘Jno Watts Canterbury’, the sliding hood with a broken swan neck pediment and a glazed door, flanked by columns, 80.5cm high. £150-250

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190. A William IV mahogany longcase regulator timepiece by James McCabe, the fine quality brass eight day movement with five pillars and deadbeat escapement, with jewelled pallets and beat adjustment, with maintaining power and high count wheels and pinions, the wheels with six crossings and off set small weight, the mercury jar compensated pendulum suspended from a substantial bar mounted and spanning both plates, with a 13in circular silvered dial with Arabic numerals, with subsidiary seconds dial over an hour dial with Roman numerals, with blued steel hands, signed ‘James McCabe Royal Exchange, LONDON’ and numbered ‘2476’, in a £4,000-6,000 Gothic carved case, 194.2cm high.

James McCabe Snr founded his business in 1778 based in Fleet Street and then at 97 Cornhill, Royal Exchange. He produced fine clocks, chronometers and watches, he died in 1811 with his son James Jnr succeeding him. James Jnr was apprenticed to Reid and Auld of Edinburgh. In 1838 the Royal Exchange was destroyed by fire and the business moved to 32 Cornhill.

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191. An early 19th century mahogany banjo barometer, with an 8in silvered dial, with dry/damp dial above a thermometer, the base with a spirit level dial and signed ‘COX LONDON’, 97.9cm high. £150-250

192. A George III mahogany stick barometer by James Long, with a broken arch swan neck pediment, with an urn finial above a silvered dial inscribed ‘J A S Long Royal Exchange LONDON’, with an adjustable vernier scale, the banded trunk with a silvered thermometer scale, the base with a turned well cover, 101.5cm high. £200-300

193.

A Victorian rosewood stick barometer by McLachlan & Son, with ivory dials and adjustable vernier scale (knob missing), signed ‘MC LACHLAN & SON, 17 UPPER EAST SMITHFIELD’, with a mother of pearl inlaid case, decorated with birds and foliage, with thermometer and a brass cistern, 97cm long. £150-200

194. A late 19th century mahogany cased two day marine chronometer by A. Johannsen & Co., the circular single fusee movement with four pillars and Harrisons maintaining power, with an Earnshaw type spring detent escapement and split bi-metallic balance and helical balance spring, with an engine turned backplate, the circular 4in silvered dial, with subsidiary seconds and up/down dials and Roman and Arabic numerals, signed ‘A. Johannsen & Co., MAKERS TO THE ADMIRALTY, THE INDIAN GOVT & ROYAL NAVIES OF ITALY, SPAIN & PORTUGAL, 149 Minories, London’ and numbered ‘8644’, mounted on a brass gimbal, the case lacking its upper section, with a later ivorine plaque and with an accompanying facsimile of its Admiralty record sheet from 1944 to 1971, 16.8cm high, 18.5cm wide. £500-800

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195. An early 19th century mahogany wall timepiece by James McCabe, the brass eight day single chain fusee movement, with a lever platform escapement, with four turned pillars, the backplate and rear of dial signed and numbered, with a 5½in dial silvered dial with Roman numerals and slow/fast lever, signed ‘Jas McCabe ROYAL EXCHANGE, LONDON, No. 2502’, in a mahogany case, 20.2cm diameter. £500-700 James McCabe Snr founded his business in 1778 based in Fleet Street and then at 97 Cornhill, Royal Exchange. He produced fine clocks, chronometers and watches, he died in 1811 with his son James Jnr succeeding him. James Jnr was apprenticed to Reid and Auld of Edinburgh. In 1838 the Royal Exchange was destroyed by fire and the business moved to 32 Cornhill.

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196. A William & Mary walnut and marquetry longcase clock by Thomas Johnson, the brass eight day movement with four turned and finned pillars, with recoil anchor escapement and internal countwheeel with strike to bell, the 11in dial with gilt cast boys and crown spandrels, with a silvered chapter ring with Roman and Arabic numerals, the matted centre with a subsidiary seconds dial and engraved date aperture, with ringed winding holes, signed 'Thos Johnson London' to the lower edge of the dial, the case with a caddy top inlaid with flowers with three giltwood ball finials, above a fret carved frieze and columns, above floral and leafage borders, the trunk door inlaid with birds, flowers and naked winged figures with a glass lenticle, with a conforming plinth and flattened disc feet, 238cm high. £7,000-10,000 Thomas Johnson is listed in Brian Loomes’ The Early Clockmakers of Great Britain, with several longcases known dating from 1680-1705. In 1701 a clockmaker Thomas Johnson was listed as living in Southwark.

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197. A walnut and marquetry longcase clock, the brass eight day movement by Henry Jones, with recoil anchor escapement, with five turned and knopped pillars, with an outside countwheel striking on a bell, the 10in dial with gilt cast cherub and scrolling leaf spandrels, with a silvered chapter ring with Roman and Arabic numerals, the matted centre with an engraved date aperture, subsidiary seconds dial and ringed winding holes, signed 'Henry Jones in the Temple', the dome top inlaid with flowers above a pair of giltwood urn finials, and a fret carved frieze, with a pair of columns, the trunk with seaweed borders and panels of floral marquetry with a bird, a pair of mermen and an urn of flowers, with a glass lenticle, above a conforming plinth and flattened bun feet, late 17th century but case and movement probably associated, 228.5cm high. £6,000-8,000 Henry Jones is an important maker who is listed in Brian Loomes’ Clockmakers of Britain 1286-1700 as born to William Jones at Boulder, Hampshire in 1634. He was apprenticed to Edward East in August 1654 gaining his Freedom of the Clockmakers' Company in July 1663.

Jones is thought to have initially worked as journeyman to Edward East before setting up on his own in the Inner Temple, London by 1672. In 1675 he is recorded as 'in Inner Temple Lane' prior to being appointed as an Assistant of the Clockmakers' Company the following year. Henry Jones was subsequently made a Warden in 1687 and finally served as Master of the Company in 1691. In 1692 Jones gave the Clockmakers' Company £100 'for the use of the poor'; he died in 1694 leaving his workshop in the hands of his widow, Hannah, who is known to have supplied clocks signed in her name.

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198. A William and Mary walnut marquetry longcase clock by John Foorde of Oxon, the brass eight day movement with five turned pillars, one latched, with a recoil anchor escapement and an outside countwheel striking on a bell, with an 11in dial with gilt cast cherub and leaf spandrels, the silvered chapter ring with Roman numerals, signed ‘John Foorde Oxon’, the matted centre with subsidiary seconds dial and date aperture, with ringed winding holes, the case with a domed caddy top, inlaid with floral sprays above a fret carved frieze, with later gilt ball finials, with spiral twist columns to the formerly rising hood, the trunk door inset with a lenticle and decorated with three shaped panels inlaid with flowers, birds and mermaids baring their breasts, the plinth similarly veneered and on bun feet, the sides crossbanded and divided into panels by stringing, 218cm high. £10,000-15,000 John Foorde (or Ford) was born c.1669. He was apprenticed to John Knibb of Oxford between 1682 and 1690 and was one of his ten apprentices. He was free in 1691 and continued to work in Oxford until 1708 after which me moved to Aylesbury with records indicating he was working there c.1712.

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199. A William and Mary walnut and marquetry longcase clock

by John Knibb of Oxford, the brass eight day movement of light construction with seven ring turned and knopped pillars and recoil anchor escapement, with fine winged nut regulation suspension above the back cock, with bolt and shutter maintaining power, the outside countwheel striking on a bell, the 11in latched dial with gilt cast cherub mask spandrels, with a silvered chapter ring with Roman numerals, the matted centre with engraved calendar aperture and subsidiary seconds dial and applied with a shaped signature plaque inscribed ‘JOHN KNIBB OXON’, the case with a domed caddy top inlaid with flowers and shells, with giltwood ball finials above a fret carved frieze and spiral pilasters to the formerly rising hood, the trunk door inset with a lenticle and decorated with three shaped panels of finely drawn bird, flower and putti marquetry, all on an ebony ground and within a walnut border, the crossbanded plinth with similar decoration, the sides divided into shaped panels by stringing, on bun feet, 210cm high, together with a first edition copy of the 'Knibb Family Clockmakers' by Ronald A. Lee, no.550 of 1,000 printed. (2) £15,000-20,000 John Knibb was born c.1650 and was apprenticed to Joseph Knibb his older brother in St Clements in c.1664. After a year the business moved to the south side of Holywell Street. When Joseph moved to London in 1670, John took over the Oxford business gaining the Freedom of the city in 1673. John became a very important figure in Oxford twice becoming Mayor in 1698-99 and 1710-11. He continued in business until 1722.

The signature plaque on this lot compares very closely to a dial featured in Ronald Lee, The Knibb Family Clockmakers, p.111, pl.114.

Certain elements of the movement with its fine plates and butterfly nut regulation on the top of the suspension spring are typical features of John Knibb.

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200. George Graham No. 670. A fine walnut longcase clock, the brass eight day movement with five turned, knopped and latched pillars, recoil anchor escapement and bolt and shutter maintaining power, with rack striking on a bell, punch numbered '670' to the lower edge of the backplate, the 12in latched dial with double screwed mask and leaf scroll gilt spandrels, with a silvered chapter ring with Roman numerals, the matted centre with subsidiary seconds dial and date aperture, with shuttered winding holes, signed 'Geo: Graham London' twice, on an applied plaque and along the lower edge of the dial, the associated case possibly produced

by Daniel Delander's workshop, with a shaped caddy top with three gilt brass urn finials, above a fret carved panel and turned pilasters with brass caps, the burr veneered trunk door with feather banding, the plinth base with outline mouldings, George II but movement and case associated, 256cm high. ÂŁ40,000-60,000 George Graham, (1673-1751), a pre-eminent clockmaker and Fellow of the Royal Society. Apprenticed in July 1688 to Henry Aske he was free in 1695 and immediately transferred to Tompion's workshops. In 1704 he married Tompion's niece Elizabeth. He took the business over on Tompion's death in 1713 and moved to the Dial and One Crown in 1720. Graham is credited with several inventions including the deadbeat escapement in 1713, the mercury pendulum and cylinder escapement in 1726.

Provenance: This clock was lent by the previous owner to the Fitzwilliam Museum in Cambridge and was on display for many years alongside a Tompion.

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201. A fine William and Mary walnut longcase clock by William Clement, the brass movement of one month duration with five latched turned and finned pillars, with recoil anchor escapement and an outside countwheel and strike to bell, the 9 3/16in dial with gilt cast winged cherub spandrels, with a silvered chapter ring with Roman and Arabic numerals, with a matted centre with a date aperture and a central finely floral engraved boss, signed 'Gulielmus Clement Londini Fecit' to the lower edge of the dial, in an architectural case, with a moulded pediment above spiral twist columns with gilt brass Corinthian columns, above a quarter veneered trunk door and a conforming stepped plinth base, 202.7cm high. £30,000-50,000 William Clement is listed in Brian Loomes’ The Early Clockmakers of Great Britain, and is noted as a very important clockmaker and one of the leading London clockmakers of the late 17th century. Born at Rotherhithe, he initially made anchors for the local shipbuilders. He turned to clockmaking when he moved to Southwark and eventually became Master of the London Clockmakers Company in 1694, having become a member in 1677. Clement was one of the earliest makers to apply the anchor escapement to clockwork, thus making the long pendulum practicable.

See British Museum no. 1958,1006.2058 for a wall clock by Clement with a very similar hood to this present lot.

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202. A brass kangaroo mystery clock, the marsupial supporting a pendulum, the circular dial with Arabic numerals, 20th century, 28.6cm high. £100-200

203. A brass cased carriage timepiece, retailed by Asprey, Bond Street, London,second half 20th century, 11.8cm high, with travelling case. (2) £50-100

204. A modern gilt brass cased mental timepiece by Luxor, the drum case decorated with figures, the circular dial with Roman numerals, the base stamped ‘1357’, 21.2cm high, under a glass £300-400 dome, with an ebonised base.

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205. A Victorian brass pocket combination barometer and compass, with thermometer, in a leather case, 7.2cm wide. £40-60

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206. A late 19th century French rouge marble and bronze metal timepiece, with a brass eight day movement, stamped ‘Paris Make 5996’, the enamelled dial decorated with swags of flowers and with Arabic numerals, the case with a dancing figure surmount, 28.2cm high. £300-400

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207. A large Napoleon III gilt and patinated bronze clock garniture

by Barbedienne, the brass eight day drum movement by Japy Freres, striking on a bell, stamped with medaille d’or pastille and numbered ‘925’, the circular bleu de roi porcelain dial with Roman and Arabic numerals, with pierced hands and signed ‘F. BARBEDIENNE A PARIS, BD POISSONNIERE 30,’, the impressive case in Louis XVI style with two cherubs, one holding a torch flanking a pair of love birds with a floral wreath surmount, with further flowers and ribbon tied laurel borders and porcelain mounts, 46.5cm high, 67.2cm, wide, together with a pair of conforming six light candelabra, 74.9cm high. (3) £2,000-3,000 208. A French Regence tortoiseshell and ormolu mounted mantel clock by Baltazar Martinot, the brass eight day twin train movement with turned tapering pillars and an outside countwheel, striking on a bell, the backplate signed ‘A PARIS, Baltazar Martinot’, the brass circular dial with enamelled Roman numerals, the centre chased with musicians, above Helios, the sun god, in his chariot, the arched case with flaming finials, above a female mask and with scrolling acanthus leaf mounts, the interior with a parquetry floor and a marquetry inlaid door, 60.8cm high, 35.5cm wide. £2,000-3,000 Baltazar Martinot (1636-1716) was born in Rouen and come from an important dynasty of Rouen watchmakers. He received his master’s degree in watchmaking in Paris in 1660 and became Valet de Chambre-Horloger Ordinaire of the Queen Mother in 1665. From his connections within the Royal circle he is known to have had many prestigious clients and was considered the widest supplier of quality clocks in Paris.

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209. A late 19th century German Dresden porcelain clock garniture, the brass eight day drum movement stamped ‘180248’, striking the hours and quarters, with a white enamel dial with Roman and Arabic numerals, with an ormolu cast bezel, the case blue and white painted and decorated with cherubs and flowers, on a matching stand, with blue underglaze crossed sword marks, together with a pair of possibly associated Berlin porcelain figural five-light candelabra modelled with a man and a woman, 60.7cm high. (4) £1,500-2,000

210. A late 19th century French marble and ormolu mounted clock garniture, the brass eight day drum movement with an outside countwheel striking on a bell, stamped ‘PARIS THREE STARS’ and numbered ‘569’, the white enamel dial with Arabic numerals, the Louis XVI style case in the form of a temple, with a cherub surmount, together with a pair of twin light candlesticks, 44.6cm high. (3) £500-700

211. A late 19th century French marble and ormolu mounted clock garniture by Planchon, the brass eight day drum movement with an outside countwheel and striking on a bell, by Marti and Cie, with medaille d’argent pastille and stamped ‘7079 PLANCHON A PARIS’, the circular enamelled dial with Roman and Arabic numerals and signed ‘Planchon A PARIS’, in a Louis XVI style case with an urn surmount with a pair of twin light candlesticks and a pair of associated ivory mounted candlesticks, 31.3cm high. (5) £300-500

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212. A late 19th century French gilt brass and jewelled porcelain miniature carriage timepiece, with a lever platform escapement, the dial with Roman numerals and decorated with a butterfly, flowers and two figures, the sides and back with landscapes and buildings, 7.4cm high, together with its silk covered travelling case the interior with J. W. Benson cypher. (2) £400-600

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213. A late 19th century French ormolu mantel clock in Louis XV style, the brass eight day drum movement, with an outside countwheel and striking on a bell, stamped ‘GD 572’, the white enamelled dial with Roman and Arabic numerals and signed ‘LENOIR A PARIS’, the case with a cherub holding a lyre surmount and decorated with scrolls, rocaille and ribbon tied musical instruments, 43.6cm high. £400-600

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214. An early 19th century French steel lyre shape timepiece, the brass movement with engraved and pierced decoration, with a white enamel dial with Arabic numerals, with blued pierced hands, the case with cut steel decoration, 13.5cm high. £300-400

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215. A large 19th century Swiss rosewood musical box with clock, the 14in brass cylinder playing ten airs with nine bells, with a printed tune sheet, retailed by ‘KEITH PROWSE & CO. Manufacturers, 48 Cheapside, LONDON’, the part ebonised case marquetry inlaid with a cartouche with musical instruments, the front inset with a clock dial, the eight day movement striking on a bell, the white enamel dial with Roman and Arabic numerals, with side carrying handles, 29.5cm high, 70.8cm wide, 36.5cm deep. £2,000-3,000

216. A Swiss tortoiseshell musical singing bird box, retailed by ‘FINNIGANS, NEW BOND ST. W.’ the top with an engraved gilt brass oval hinged lid, revealing a pierced panel and a brightly coloured bird, activated by a lever on the front of the box, inscribed ‘TO SARAH FROM Mary + £400-600 Douglas’, the back with a hinged compartment possibly for snuff, with a bird shape key, late 19th / early 20th century, 10cm wide.

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217. A set of six 18th century Dutch walnut and marquetry side chairs, inlaid with urns of flowers and birds, each with a drop-in seat, on stylised hoof feet. (6) £500-700 218. A 19th century Dutch mahogany miniature commode, of two drawers, on fluted front feet, the back with a branded mark ‘Crown over J&OC’, possibly an apprentice piece, 33.2cm high, 44cm wide, 27cm deep. £200-300 219. An 18th century Dutch black japanned dressing table mirror, painted with flowers and foliage, with an arched bevelled plate, above a base with a hinged fall, with a stepped interior with drawers and pigeon holes, above a ripple front long drawer, with divisions and a secret compartment, 86.1cm high, 46.4cm wide, 25.7cm deep. £400-600

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220. A late 19th century Flemish oak and rosewood hanging wall cabinet, the hinged door decorated with a pair of panelled pilasters flanking a pedimented arch, the interior with thirteen brass hooks, 78cm high, 59.5cm wide, 21.4cm deep. £100-150 221. An 18th century style Dutch oak burgomaster stool, on leaf carved cabriole legs and stylised claw and ball feet and brass castors, late 19th century, 38.5cm high, 60.5cm diameter. £200-300 219

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222. A Dutch kingwood and marquetry china display cabinet, of canted form, the arched pediment centred with a carved scrolling crest, inlaid with panels of urns of flowers, with scrolling leaves and birds, with a pair of shaped glazed doors enclosing two plush lined shelves and four shallow drawers, the base with a pair of panelled doors enclosing a shelf, on bun feet, late 18th / early 19th century, 234.2cm high, 175.5cm wide, 39.5cm deep. £2,000-3,000

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223. A Dutch mahogany and marquetry bombe cylinder bureau, with gilt metal mounts, in two halves, inlaid with urns of flowers, birds and cornucopiae, the pull-out writing surface retracting the roll top, revealing a stepped interior of drawers and pigeon holes, with a pair of secret pilaster compartments, above three long drawers, late 18th / early 19th century, 113.4cm high, 127cm wide, 62.5cm deep. £1,000-1,500

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224 224. A Directoire mahogany commode, the grey veined marble top above a frieze drawer, with a panelled false front and two further long drawers, fitted with faceted brass handles, flanked by fluted columns and on toupie feet, 87.8cm high, 126.8cm wide, 59.2cm deep. £600-1,000

225. A Directoire mahogany demi-lune commode, the marble top with a moulded edge, above two drawers, flanked by panelled cupboard doors, enclosing shelves, with fluted panels and turned legs, 81.8cm high, 81.3cm wide, 45.5cm deep. £200-300 225

226 226. An 18th century French provincial walnut buffet, with a single panel frieze drawer, above a pair of arched doors carved with flowers, enclosing a shelf, 95.8cm high, 105.4cm wide, 51.3cm deep. £200-300

227. A 19th century continental walnut display cabinet, inlaid with stringing and chequer banding, with a pair of glazed doors enclosing a shelf, the base with five drawers, 146.3cm high, 63.5cm wide, 40.6cm deep. £100-200

228. A French rosewood and tulipwood bonheur du jour in Louis XV style, inlaid with floral marquetry and with gilt metal mounts, with a raised mirrored back, the interior with a well and three drawers, late 19th century, 127.3cm high, 71.9cm wide, 45.3cm deep. £100-200 227

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229. A pair of Napoleon III rosso antico marble and ormolu mounted urns in Louis XVI style, each with a fruit finial, the shoulders applied with satyr pan figures playing pipes, the turned bodies with a band of musical instruments and laurel leaves, possibly by Henri Dasson, 33.9cm high. (2) £1,000-1,500

230. A pair of Charles X bronze and rouge marble tazza, each on a plinth base with an applied rosette, 25.5cm high. (2) £300-400

231. A Charles X bronze and Siena marble Grand Tour tazza, with a bead and leaf rim above and acanthus and flower decorated stem and tripod lion’s paw monopodia feet, 17.2cm high. £200-300

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232. A pair of Napoleon III marble and ormolu mounted pedestals, each with a maurin green marble revolving top, above a Corinthian capital and a possibly Saint Lary marble stem, on a laurel base and a £800-1,200 stepped plinth, 106.4cm high, 26cm square. (2)

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233

233. A Louis XVI white marble and ormolu candlestick, with an urn shape sconce, above a leaf decorated tapering stem, 20.8cm high. £150-200

234. A pair of late 19th century French Siena marble urns in Louis XVI style, each with a bud finial, above ram’s head masks and swags of flowers, 31.4cm high. (2) £200-300

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235. A pair of French Louis XVI style mahogany and ormolu mounted bergères attributed to François Linke, each with a ribbon tied surmount, with beaded and moulded frames, later upholstered with herringbone fabric, the fluted arms with leaves and flowers, above flowerheads and fluted tapering legs, c. 1900. (2) £3,000-5,000 Provenance: Purchased in Paris approximately thirty years ago from a specialist furniture dealer. The chairs were originally part of a suite of furniture that came from a chateau in the Loire valley.

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236 237

236. A late 19th century Black Forest carved wood model of a growling bear, with glass eyes, 35cm long. £300-500 237. A late 19th century Swiss finely carved wood group, of a domestic scene of a family about to have dinner, seated around a table, accompanied by a cat and dog, 10.8cm high, 19cm wide, in an associated box. (2) £200-300 238. A late 19th century Black Forest coat hook, in the form of a bear holding a hat, skis and pole, with horn hooks, 40cm high. £300-400 239. A late 19th century Swiss Black Forest type carved walnut figural nut cracker, in the form of a laughing gnome, 26cm high. £200-300 240. Two late 19th century continental carved wood animals, a horse and a ram, both with glass eyes, possibly from a nativity crèche, 20cm high (max). (2) £150-200

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241

241. A 19th century Swiss Black Forest mantel clock, the brass movement with a circular dial with applied Roman numerals, the case well carved with a shepherdess accompanied by her dog, with a ram, a sheep, flowers, foliage and a rocky outcrop, 62.3cm high, 52cm wide. £800-1,200 242. A late 19th century Black Forest carved wood group, of two bears, the adult holding a naughty youngster about to spank with a golf club, with glass eyes on a circular base, 36.3cm high. £400-600 243. A Black Forest carved wood musical nutcracker, in the form of a begging bear, with glass eyes, when the handle is lifted the music starts, late 19th / early 20th century, 24.2cm high. £300-400 244. A late 19th century Black Forest carved wood model of a recumbent mountain dog, possibly a St. Bernard, with glass eyes, £300-500 24cm long.

243 242

244

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245. A 19th century French glass and ormolu mounted scent bottle, the laurel leaf decorated lid, above a tapering stepped body, with a floret band with male mask handles, 17.3cm high. £150-250

245

246. Four 19th century Bohemian glass drinking vessels, each with etched titled panels of buildings, together with a ruby glass bowl with a scalloped rim, 26.2cm wide (max). (5) £100-150

247. A pair of late 19th century Bohemian cut glass decanters, of oval form, 26.7cm high. (2) £200-300

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248. A large 19th century French glass bowl and cover, with a mushroom finial above oval panels and fluted decoration, on a faceted stem and square plinth, 37.7cm high, together with a pair of matching bowls. (3) £600-800

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249. A French Directoire kingwood and marquetry guéridon, with a pierced brass gallery and a white marble top, with a removable baize lined reversible insert, above a frieze inlaid in fruitwood with teapots, vases, and a bowl of grapes, with two frieze drawers and two pull-out slides, on square tapering legs and brass sabot, 76cm high, 85.8cm diameter. £800-1,200

249

250. A pair of late Louis XV walnut side chairs, each with a moulded frame decorated with ribbon-tied rondels, carved with the bust of a Roman emperor, with a padded back and seat, upholstered with floral Aubusson tapestry, £300-500 previously gilt. (2)

250

251. Two similar French kingwood tables en chiffonieres, each with ormolu mounts and inlaid with chequer stringing, the pierced gallery above a leather inset surface, with three drawers and a kidney shaped undertier, 75.3cm high, 46.7cm wide, 35.5cm deep (max). (2) £800-1,200

251

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252 252. A grey painted long stool in Louis XVI style, with a squab cushion on column legs, united by double ‘X’ stretchers, 56.7cm high, 124cm wide, 42cm deep. £200-300 253. A French stained beechwood ‘Japonais’ display cabinet in the manner of Gabriel Viardot, inlaid with mother of pearl, the pagoda top above a glazed door, enclosing a plush lined interior, above an open base of pierced carved decoration, 142.3cm high, 56.6cm wide, 44.5cm deep. £800-1,200 254. A set of gilt brass faux bamboo shelves, with a flower finial, above three glass tiers, 86.7cm high, 44.3cm wide, 12.5cm deep. £200-300 255. A French mahogany vitrine in Louis XV style, with gilt brass mounts, the marble top above a bowfront glazed door, enclosing two plush lined shelves, late 19th / early 20th century, 139.5cm high, 68cm wide, £100-200 33.8cm deep.

253

256. A 19th century mahogany serpentine console table, with a white marble top, above a frieze drawer, with flower carved double scroll front legs with an undertier and a plinth base, 89.9cm high, 96.8cm wide, 36.3cm deep. £300-400

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256

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258

257. A pair of continental porcelain Neo-Classical pot pourri vases, with pierced covers, the bodies decorated with titled portrait busts of Roman emperors, ‘OCTAV: AUGUST:TIBER: CLAUD:’ ‘TIBER: NERO. NERO CLAUD’, within laurel wreaths, with war trophies, laurel swags and satyr masks, the bases with underglaze blue ‘F’ marks, possibly for Fürstenberg, early 19th century, 35.5cm high. (2) £200-300

259. An early 19th century porcelain candlestick, white glazed with gilt decoration, with a campana shape urn sconce, the base with three entwined dolphins, possibly Paris, 29.3cm high. £100-150

258. A Victorian porcelain Greek revival volute krater vase, with a pair of scroll and swan’s head handles, above a twin border of a key design, the body decorated with a female charioteer and a male bust, the base with impressed marks ‘OPAQUE PORCELAIN’, possibly by Charles Meigh & Co., 35.8cm high, together with a continental porcelain Egyptian revival vase, painted with figures and hieroglyphics. (2) £100-150

261. A pair of late 19th century continental porcelain ice pails, with gilt bands, the bodies painted with country scenes of a feasting family, two men smoking, a loving couple and figures dancing, with lion’s mask handles, each on a separate stand, 22.2cm high, 23.5cm wide.

(4) £100-200

260. A 19th century biscuit porcelain bust of the King of Prussia, mounted on a faux marble socle titled ‘Roi de Prusse’, and a brass base, 18.5cm high. £100-150

261 259

260

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262

263

262. A near pair of 19th century Italian painted and giltwood console tables, each with a later verde antico marble top (one broken), above a lattice frieze applied with rosettes and with a central oak leaf and acorn wreath tablet, on spiral fluted tapering legs, each stamped 'H. SAMUEL 484 OXFORD ST. LONDON', slight differences in dimensions, 84.3cm high 159cm wide, 35.2cm deep (max). (2) £500-700 263. An Italian giltwood and gesso wall mirror in 18th century style, the oval plate within a leaf carved frame, early to mid 20th century, 97 x 79cm. £100-150 264. A pair of Italian giltwood wall mirrors in 18th century style, of cartouche shape, with marginal plates, the frames carved with scrolls and leaves, late 19th / early 20th century, 106 x 56.5cm. (2) £300-500

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265. A large Italian Florentine giltwood mirror, the later rectangular plate within a frame carved with scrolling leaves, interspersed with grotesque winged male masks, late 18th / early 19th century, 145 x 116.5cm. £500-700

266. A pair of 18th century Italian giltwood corner appliques, carved with flowers, rocaille, scrolls and a shell, 65.8cm high, 54cm wide. (2) £400-600

267. An 18th century Italian giltwood and painted Papal coat of arms, carved with a crown, a wreath and flags with a central crest of the Pope’s tiara and crossed keys of St. Peter, 69 x 65.5cm.£200-300

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RUSSIAN EASTER EGGS FROM THE COLLECTION OF DR VENETIA NEWALL

268. Three late 19th century Russian papier-mâché Easter eggs, comprising a gilt metal mounted example

by Lukutin , painted with the Virgin & Child, the base with an Imperial Spread Eagle mark, together with a smaller Lukutin example, painted with the Angel Gabriel and flowers, in two halves and another egg painted with a bishop and the Kremlin, in two halves, 10.7cm high (max).

(2) £100-150 Provenance: From the collection of Dr Venetia Newall.

268

269. Two late 19th century Russian papier-mâché Easter eggs, both painted with Christ and his disciples, reverse of one with the angel Gabriel, both with gilt interiors and inscribed in Cyrillic and in two halves, 12.8cm high (max). (2) £100-150 Provenance: From the collection of Dr Venetia Newall.

269

270. Two late 19th century Russian papier-mâché Easter eggs, one painted with the Resurrection of Christ and with the view of the Kremlin, the other with a bishop and the view of a cathedral, 7.3cm high (max). (2) £100-150 Provenance: From the collection of Dr Venetia Newall.

270

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271. A late 19th century Russian papier-mâché Easter egg, with gilt metal and jewelled mounts, one side painted with the Virgin Mary, the other with Christ, 17.7cm high. £150-250 Provenance: From the collection of Dr Venetia Newall.

272. A late 19th century Russian papier-mâché Easter egg by Lukutin, painted with panels of St Basil’s Cathedral, the reverse with Christ with saints, with a gilt interior, marked with the Imperial Spread Eagle mark and £200-300 with an inscription in Cyrillic, in two halves, 15.8cm high.

Provenance: From the collection of Dr Venetia Newall.

273. A late 19th century Russian papier-mâché Easter egg, with white metal mounts and a tassel, one side with Christ with his disciples, the other with a view of the Kremlin, 16.5cm high (including mounts). £100-150 Provenance: From the collection of Dr Venetia Newall.

274. A late 19th century Russian papier-mâché Easter egg by Lukutin, painted with the Resurrection of Christ, the reverse with the Grand Kremlin Palace, the interior with a quadruple Imperial spread eagle mark and with an inscription in Cyrillic, in two halves, 16.5cm high. £200-300 Provenance: From the collection of Dr Venetia Newall.

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275. Two late 19th century Russian papier-mâché Easter eggs, one painted with the Resurrection of Christ and a view of the Kremlin, in two halves, the other with a cathedral and Christ offering bread and wine, 12.2cm high (max). (2) £100-150

276. A mid-20th century Kashmir papier-mâché Easter egg, made from an old Russian coloured postcard during the second World War, decorated with geometric and floral bands and with an accompanying letter detailing the egg’s history, 10.7cm high. £40-60

Provenance: From the collection of Dr Venetia Newall.

Provenance: From the collection of Dr Venetia Newall.

277. A Russian mahogany and brass inlaid Neo-Classical open armchair, with carved eagle’s head arm supports, on sabre legs, late 18th / early 19th century. £500-800

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A PRIVATE COLLECTION OF PAPIER-MÂCHÉ SNUFF BOXES

278. An early 19th century German lacquered papier-mâché snuff box by Stobwasser, of circular form, the lid painted with a classical maiden with bared breasts, the interior with the title ‘La favorite de Titian’, numbered ‘6398’ and signed ‘Stobwassers Fabrik in Braunschweig’, 9.9cm diameter. £200-300 See Detlev Richter, Stobwasser Lackkunst aus Braunschweig & Berlin, p.232, fig.127 for an identical example.

278

279. An early 19th century German lacquered papier-mâché snuff box by Stobwasser, of circular form, the lid painted with a young Turkish lady baring her breasts, the interior with the title ‘Zaide’, numbered ‘5573’ and signed ‘Stobwassers Fabrik in Braunschweig’, 9.9cm diameter. £200-300 This snuff box relates to the unfinished opera by Wolfgang Amadeus Mozart in 1780. Zaide was set in Turkey and portrays her efforts to save her beloved Gomatz. It was popular at the time for operas to depict the rescue of enslaved Westerners from Muslim courts, since Muslim pirates were preying on Mediterranean shipping, particularly to obtain slaves for various purposes.

279

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280. A 19th century German lacquered papier-mâché snuff box, of circular form, the lid painted with a lion and a lioness in a cave, in the manner of Johann Elias Ridinger (1698-1767), 10.3cm diameter. £150-200

281. A 19th century German lacquered papier-mâché snuff box, of circular form, the lid painted with a topographical view of a cathedral, with houses and figures, the interior with part signature £150-250 ‘Wa...’, 9.8cm diameter.

282. A 19th century German lacquered papier-mâché snuff box, of circular form, the lid painted with a portrait of a Turkish Pasha, 9.1cm diameter. £150-200

283. A 19th century lacquered papier-mâché snuff box, of circular dished form, the lid painted with a bust of a peasant, 9.6cm diameter. £80-120

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284. A rare early 19th century German lacquered papier-mâché snuff box, of circular form, the lid painted with a portrait of the Duke of Wellington, his face formed with various naked men and women in erotic positions, 10.2cm diameter. £800-1,200 For a similar snuff box depicting Napoleon see Detlev Richter, Stobwasser Lackkunst aus Braunschweig & Berlin, p.292, pl. 257.

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285. A 19th century German lacquered papier-mâché snuff box by Stobwasser, of circular form, the lid well painted with ‘The Feast of the Bean King’ after Jacob Jordaens, the interior with the title ‘Der Bohnenkonig nah Lucas Jordano’, numbered ‘10001’ and signed ‘Stobwassers Fabrik ‘, 9.5cm diameter. £400-600

286. An early 19th century lacquered papier-mâché snuff box, of circular form, the lid painted with a clergyman possibly Dr. Syntax embracing a classical maiden baring her breast, possibly an allusion to Actaeon and Artemis, 9cm diameter. £200-300

287. A 19th century German lacquered papier-mâché cigar case, decorated with a lady with a rose, the other side with a harbour view, together with a rectangular snuff box decorated with a classical maiden, 13.2cm (max). (2) £100-150

288. A 19th century lacquered papier-mâché snuff box, of circular form, the lid painted with the caricature of the face of an African man, 9.1cm wide. £150-200

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289. A rare mid 19th century lacquered papier-mâché Freemasons’ snuff box, of circular form, the lid painted with an eye, ear and padlocked lips alluding to the motto of Freemasonry: Audi, Vide, Tace (Hear, See, Be Silent), 9.8cm diameter. £800-1,200 The motto Audi, Vide and Tace relates to one of the symbols of Masonry that is most understood, secrecy.

See W. Kirk MacNulty, Freemasonry, Symbols, Secrets, Significance, p. 257 for a similar silver mounted example that can be found at Freemasons’ Hall, 60 Great Queen Street, London.

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290. A 19th century lacquered papier-mâché snuff box, of circular form, the lid painted with fish on a riverbank in the manner of Roland Knight, 9.1cm. £200-300

291. A 19th century lacquered papier-mâché snuff box, of circular form, the lid painted with a clergyman lighting his clay pipe, with a gilt lined interior, 10.3cm diameter. £100-150

292. A 19th century lacquered papier-mâché snuff box, of circular form, the lid painted with lovers, the interior with traces of gilt, 9.7cm diameter. £100-150

293. A 19th century German lacquered papier-mâché snuff box, of circular form, painted with two figures in a woodland, one possibly an artist, with a faux-tortoiseshell interior, 10.5cm diameter. £100-150

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294. An early 19th century lacquered papier-mâché snuff box by Samuel Raven (1775-1847), of circular form, the lid painted with a tavern scene after Sir David Wilkie’s painting ‘The Village Politicians’, the interior signed ‘S. Raven Pinxt, Patronised by H. R. H. the Duke of Sussex & Prince Leopold of Saxe-Coburg’, 10cm diameter. £200-300

294

295. A 19th century German lacquered papier-mâché snuff box by Stobwasser, of circular form, the lid painted with figures outside a tavern playing draughts after Sir David Wilkie, titled ‘Die Damenbrettspieler nach D. Wilkie’, numbered ‘12098’ and signed £250-350 ‘Stobwassers Fabrik’, 9.5cm diameter.

295

296. An early 19th century lacquered papier-mâché snuff box by Samuel Raven (1775-1847), of circular form, the lid painted with a portrait of Lord Byron, the interior signed ‘S. Raven Pinxt, Patronised

by H. R. H. the Duke of Sussex & Prince Leopold’, 10.4cm diameter. £200-300

296

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297. An early 19th century lacquered papier-mâché snuff box by Samuel Raven (1775-1847), of circular form, the lid painted with the portrait of a gentleman wearing the Order of the Garter, the interior signed ‘S. Raven Pinxt, Patronised by H. R. H. the Duke of Sussex & Prince Leopold of Saxe-Coburg’, 10cm diameter. £200-300

297

298. An early 19th century lacquered papier-mâché snuff box by Samuel Raven (1775-1847), of circular form, the lid painted with a toper, the interior signed ‘S. Raven Pinxt, Petronised by H. R. H. the Duke of Sussex & Prince Leopold’, 7.5cm diameter. £100-150

298

299. Five 19th century lacquered papier-mâché snuff box lids, one painted with a portrait of General Gebhard Leberecht von Blücher, two interior scenes, one of a stolen kiss, the other of lover’s tryst by Samuel Raven (1775-1845), signed, and two landscape scenes, one with a dragon, the other with two figures, 9.8cm diameter (max). (5) £100-200

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FURNITURE & WORKS OF ART

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300. A late George III mahogany bowfront chest, of four graduated drawers, with bone shield shape escutcheons, on bracket feet, 99.3cm high, 114cm wide, 60.8cm deep. £300-500

300

301. An unusual William IV mahogany sarcophagus shaped chest, the hinged top revealing a vacant interior, with three false fronts and two real drawers, with later Chubb’s patent brass locks and turned knob handles, on scroll feet, 67cm high, 91cm wide, 61.5cm deep. £400-600

301

302. A late George III mahogany bowfront chest, of four long graduated drawers, with ivory shield shape escutcheons, 99.3cm high, 118cm wide, 60.3cm deep. £300-500

302

303. A mahogany breakfast table, the rectangular fixed top with rosewood crossbanding, on a turned stem and with reeded splay legs and foliate cast brass caps and castors, early 19th century and later, 70.8cm high, 106.2 x 153.5cm. £200-300 303

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304. A George IV mahogany drum table, the circular revolving top with a gilt tooled green leather writing surface, with four frieze drawers and four false fronts, above a ring turned stem and ribbed splay legs, terminating in lion’s paw sabot and castors, 76.8cm high, 105.7cm diameter. £800-1,200

305. A Regency mahogany dumb waiter, with two graduated dished revolving tiers, on a turned and ribbed stem, on splay legs and brass caps and castors, 105.3cm high, 67.5cm diameter. £400-600

306. A George IV mahogany occasional table, the circular top with crossbanding and an outer border of possible wenge wood, on a ring turned and lappet carved stem, on a nulled base, on scroll feet, £400-600 71.2cm high, 43.4cm diameter.

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307

307. A William IV goncalo alves library table in the manner of Gillows, the crossbanded top above scroll ends, with applied rosettes and rondels, on lappet carved ends, united by a turned stretcher, on leaf scroll feet and brass castors, 73cm high, 153cm wide, 91cm deep. £400-600 308. A William IV rosewood sewing table, the frieze drawer with divisions, above a pull-out pleated silk bag and on scroll feet, 73cm high, 56cm wide, 38cm deep. £100-200

308

309. A George IV mahogany four-tier whatnot, the top hinged and on a ratchet, with lappet turned supports, the base with a drawer on brass castors, 138.2cm high, 50.7cm wide, 39.5cm deep. £500-700

309

310. An early Victorian rosewood library table, with a frieze drawer, on faceted baluster supports and sunken brass castors, 76.3cm high, 144.2cm wide, 72.5cm deep. £300-500

104

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311. A late Regency simulated rosewood library armchair, the lyre front decorated with rosettes and ribbed and channelled mouldings, on brass castors. £200-300

311

312. A Regency mahogany tub chair, the frame decorated with rondels, volutes and rosettes, on ribbed tapering legs and brass castors. £400-600

312

313. A Regency mahogany four-tier whatnot, with a three-quarter gallery, above three concave front shelves, with turned supports and spindle ‘X’ shape ends, 86.5cm high, 69.8cm wide, 32.3cm deep. £500-700

313

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314

314. A mahogany twin pillar dining table, on splay legs and brass caps and castors, comprising: a pair of D ends and two additional leaves, early 19th century and later, 70.8cm high, 242.1cm wide, 132cm deep. £400-600 315. A William IV rosewood side cabinet, the raised back with a stylised egg and dart gallery, on carved giltwood lappet supports, above a pair of pleated silk panelled doors, enclosing a shelf, 118.3cm high, 91.5cm wide, 43.8cm deep. £400-600 316. A Regency rosewood three-tier whatnot, with baluster turned supports on brass castors, 93.7cm high, 40cm square. £100-150 317. A set of six Regency rosewood dining chairs, each with a scroll and drape back, above a drop-in seat, on sabre legs. (6) £400-600

315

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316

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318

318. A Regency style mahogany twin pillar dining table, the top with a reeded edge, on vase turned stems and reeded splay legs, terminating in brass caps and castors, comprising: a pair of ‘D’ ends and two additional leaves with brass clips, early 19th century and later, 70.3cm high, 286.5cm long, 117cm deep (max). £500-800 319. A Regency rosewood side cabinet, the raised top carved with flowerheads and scrolls, with a shelf above a mirror and a Siena marble top, above a frieze drawer and an arched gilt brass lattice grille and silk door, enclosing a shelf flanked by pilasters, 123cm high, 62.3cm wide, 34.4cm deep. £400-600 320. A set of six Regency mahogany dining chairs, each with a scroll carved top rail, above a conforming splat and a drop-in seat, on moulded sabre front legs. (6) £400-600 321. An early Victorian rosewood serpentine whatnot, with three tiers, the top with a gallery, on baluster and disc turned supports and brass castors, 87.2cm high, 39.7cm wide, 34.3cm deep. £200-300 319

320

321

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322. An early 19th century mahogany bedside cupboard, with a three quarter gallery, above a hinged door, 79.3cm high, 39.3cm wide, 34.3cm deep. £150-200

323

322

323. An early 19th century and later mahogany bedside cupboard, the gallery pierced with a pair of handgrips, above a hinged door, 76.3cm high, 37.5cm wide, 38.3cm deep. £150-200

324. A mahogany and brass bound hexagonal wine cooler, tapering form, on square legs with scroll brackets, 71.3cm £800-1200 high, 50.5cm wide.

325. A 19th century mahogany and brass bound octagonal wine cooler, the interior with a lift-out liner, with lion’s mask ring handles, on brass roller castors, 75.5cm high, 50cm wide. £100-200 324

325

326. A George IV mahogany bergère armchair, with a squab cushion, on rondelheaded tapering legs and brass caps and castors, stamped ‘COPE COLLINSON PATENT’, the seat rail stamped ‘G’. £400-600

327. A Regency mahogany tub chair frame, the seat rail stamped ‘G D’. £100-200

326

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328. A Regency rosewood and brass mounted secretaire side cabinet in the manner of Gillows, the raised top above a drawer fitted with satinwood veneered drawers and pigeon holes, with a later leather writing surface, with panels of floral brass marquetry, with a pair of panelled doors enclosing three mahogany drawers, each fitted with faceted gilt brass handles, on cast brass lion’s paw front feet, £3,000-5,000 128cm high, 85cm wide, 43cm deep.

328

329. A Regency rosewood and brass inlaid waterfall bookcase cabinet, the shaped top above shelves, a pair of gilt metal trellis grill and pleated silk doors and a drawer, on sabre front legs, 136.8cm high, 61.7cm wide, 30.8cm deep. £400-600

330. A Regency mahogany writing table, fitted with a frieze drawer, on splay legs and brass castors, 73.8cm high, 86.2cm wide, 47.6cm deep. £200-300

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332

331

331. A Regency japanned tôle peinte plate warmer, the hinged door painted with chinoiserie, revealing two shelves, with shell and leaf brass ring handles, on cast lion’s paw feet, 73.6cm high, 52.3cm wide. £300-500 332. A pair of early Victorian papier-mâché face screens, each painted with Scottish Highland sporting scenes, after Sir Edwin Landseer, titled ‘DEER STALKERS’ and ‘A DAYS SPORT IN THE HIGHLANDS’, with turned gilt handles, 38.7cm long, together with a papier-mâché tray. (3) £100-150

333 333. A German tôle tray in the manner of Stobwasser, painted with Coriolanus taking leave from his mother and wife, the verso titled in English and German, 39.4cm wide, together with a pair of Victorian papier-mâché face screens, painted with winged cherubs and flowers, 41.2cm long. (3) £200-300 334. An early 19th century tôle tray, painted with a view of St Peter in chains, later mounted on an ebonised and gilt wood base, 49.9cm high, 72cm wide, 53.7cm deep. £200-300 335. A Victorian and later papier-mâché tray table, the folding top painted with flowers, 50.8cm high, 80.4cm wide, 62.5cm deep. £100-150

334

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336. A rosewood and mahogany novelty cigar cutter in the form of a guillotine, with brass and silver plated mounts, with a lead weighted blade above a galleried base fitted with two drawers on flattened bun feet, early 20th century, 57cm high, 31.1cm wide, 25.2cm deep. £800-1,200

337

336 337. A George IV rosewood double sided booktrough, with turned spindle handles and gallery, with gilt brass scroll supports, on lobed mushroom feet, 20cm high, 40.2cm wide, 32.5cm deep. £400-600 338. An early Victorian rosewood gallery glass, with a baluster turned handle, 39.8cm long, 23cm diameter. £300-500

338

339. A near pair of 19th century rosewood and brass mounted book troughs, each with baluster turned handles, 28.8cm high, 32cm wide, 23.7cm deep. (2) £200-300

339

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340. An early 19th century mahogany table reading stand, with a removable rest, the hinged top on a ratchet, with ‘HORNE PATENT’ brass hinges, 34.9cm wide. £100-150

341

341. An early 19th century miniature mahogany side table, with a frieze drawer, 26cm high, 28.5cm wide, together with a Victorian miniature open armchair and a side chair. (3) £100-150 342

342. Three miniature mahogany tripod tables, each with a circular tilt-top, on a vase turned stem, possibly apprentice pieces, 18th century and later, 32.2cm high, 27.5cm diameter (max). (3) £120-180 343. A 19th century bronze Medusa head inkwell, with a hinged lid revealing a brass liner, 12cm high. £150-200

343

344

344. A late 19th century French gilt bronze and porcelain mounted inkwell, decorated with a winged cherub, flanked by a pair of Rococo inkwells and with leaves, porcelain flowers and a single candle sconce, together with a pair of bronze and marble figural cherub candlesticks, 19.2cm high (max). (3) £150-250

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345. A Victorian bronze owl’s head inkwell, with glass eyes, the hinged lid revealing a removable brass and glass liner, 11.5cm high. £400-600

346

345

346. A late 19th century French carved walnut bulldog head inkwell, with glass eyes, the interior with an associated glass well, £200-300 with a leather and brass collar, 13cm high.

347. An early 19th century gilt and patinated bronze inkwell, with a boy feeding his dog which is in its kennel, the roof hinges to reveal a well aperture, 18.5cm wide. £150-200

347

348

348. An early 19th century Derby porcelain inkwell, painted with panels of flowers with gilt highlights on a green ground, the top with two dished wells and three apertures, with rust coloured mark, 13cm wide. £40-60 349. A Charles X gilt and patinated bronze inkwell, the hinged lid with the figure of sleeping Cupid, revealing an interior with two apertures for inkwells, on an alabaster base, 11.3cm high, 16.2cm wide. £200-300

349

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350

350. A George IV mahogany twin pedestal desk, the top with a three-quarter gallery, above an arrangement of eleven drawers fitted with turned knob handles, 86.9cm high, 137cm wide, 59.5cm deep. £400-600

351. A William IV rosewood occasional table, the octagonal fixed top on a turned stem and triform base, 73.4cm high, 42.3cm wide. £150-200

351

352. A George III mahogany hanging corner cupboard, inlaid with boxwood stringing and parquetry banding, with panels of Prince of Wales plumes of feathers and a conch shell, with an astragal glazed door enclosing three shelves, 106cm high, 66.7cm wide, 39.2cm deep. £100-150

352

353. A late George III mahogany corner washstand, the later top covering apertures and fitted with a frieze drawer, 83.8cm high, 56.8cm wide, 40.5cm deep. £100-150

354. A William IV rosewood side cabinet, the raised back with turned column supports, above a pair of mirrored doors enclosing two shelves, 118cm high, 79cm wide, 25.5cm deep. £200-300

353

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355

355. A George IV rosewood library table in the manner of Gillows, the top with a gadrooned edge, above a pair of frieze drawers, the reverse with false fronts on panelled solid ends, carved with palmettes and scrolls, on sunken brass castors, 73.7cm high, 159cm wide, 69cm deep. £1,500-2,000 356. A pair of George IV mahogany open armchairs, each with a curved top rail, above lattice upholstered drop-in seats, on turned £600-800 and tapering front legs. (2) 356

357. A Regency mahogany and ebonised cheval mirror, with a rectangular bevelled plate, with ring turned supports, on splay legs and brass caps and castors, 166.5cm high, 66.2cm wide, 54cm deep. £500-700 358. A near pair of mahogany Lancashire commodes, each with a hinged top, above a hinged seat, revealing a converted base, the serpentine front inlaid with ebonised stringing, 77cm high, 55.5cm wide, 50.8cm deep. (2) £400-600

358

357

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359

359. An early Victorian mahogany chaise longue, the frame decorated with scrolls, with a squab cushion and a single bolster, on lappet carved legs and brass caps and castors, 88.4cm high, 172cm wide, 64cm deep. £300-500 360. A Regency mahogany cellaret, with boxwood stringing, with a vacant interior, with side carrying handles, on brass castors, 57.8cm high, 45.8cm wide, 36.7cm deep. £300-400 361. A William IV mahogany breakfast table, the circular tilt-top on a faceted stem, scroll £300-500 feet and wooden castors, 72.8cm high, 118.4cm diameter.

362. A mahogany and brass bound oval wine cooler on stand, with cast brass lion’s mask ring handles in the Gillows style, the stand with turned tapering legs and brass castors, with a lift-out metal liner, early 19th century and later, 48.1cm high, 64cm wide, £400-600 42.5cm deep.

360

362

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363. A William IV oak library armchair, button upholstered with green leather, the frame carved with scrolling acanthus leaves and rope twist and lappet borders, on paw front feet and later brass castors. £1,500-2,500

363

364. An early Victorian mahogany library armchair, button upholstered with black leather, on ceramic castors. £800-1,200

364

365. An early Victorian rosewood library table by Kendall & Co., with a pair of frieze drawers, above turned and spiral ribbed supports, on cartouhe capped cabriole scroll legs and brass castors, the underside with a paper label inscribed ‘J. Kendall & Co. No. 12125 Workman’s Name: Donnington’, 71.8cm high, 122.2cm, 60.2cm deep. £500-800

365

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366

366. A late George III mahogany bowfront serving table, with a three quarter gallery, above three frieze drawers and ring turned tapering legs, 92.1cm high, 121.5cm wide, 53.cm deep. £400-600

367. A small Regency mahogany open bookcase, with a frieze drawer, with a paper label for ‘C. DIXSON’S WAREHOUSE BLACKFRIARS’, above two adjustable shelves flanked by two turned columns, 90.5cm high, 74.4cm wide, 27.5cm deep. £200-300 368 368. A George IV rosewood firescreen in the manner of Gillows, with an adjustable glazed panel, with a brass foliage handle and a hinged rest , on scroll supports united by a baton turned stretcher, 105.8cm high, 47.2cm wide, 37.4cm deep. £40-60

367

369. A mahogany Canterbury, with three divisions, with brass side carrying handles, on part brass claw and ball feet, 19th century and later, 52.6cm high, 47cm wide, 30.2cm deep. £300-500

369

370. A Regency mahogany hall chair, with an octagonal panelled back, on turned tapering front legs. £100-150 370

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371. A pair of Regency carved and painted wood torchères, with parcel gilt decoration, each with a circular top above a lobed and fluted tapering stem, on a fan fluted triform base and lion’s mask and paw feet, with traces of green painted decoration, 125.5cm high, 50.5cm wide. (2) £400-600

371

372

372. A black lacquered drinks cabinet on stand, decorated in gilt with chinoiserie, with a pair of doors, revealing an interior with one shelf and the drawer fronts that formerly formed the interior of the cabinet, the stand with a frieze drawer, on bracketed legs, 162.7cm high, 95.8cm wide, 47cm deep. £500-700

373. A Regency simulated rosewood and parcel side cabinet, with a sarrancolin marble top, above a pair of pleated silk panelled doors, on bun feet, 86.4cm high, 100.9cm wide, 25cm deep. £500-700 373

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A PRIVATE COLLECTION OF BLUE JOHN & DERBYSHIRE STONE OBJECTS

374. A pair of Victorian Ashford black marble and pietra dura obelisks, each inlaid with specimen hardstones and with stepped bases, 37.4cm high, 11cm wide. (2) £200-300

375 375. A pair of Victorian Ashford slate and malachite spill vases, each on an octagonal base, 13.7cm high. (2) £100-150

376. A pair of Victorian Ashford pietra dura and black marble turned candlesticks, with urn sconces, the circular bases inlaid with specimen hardstones, 11.5cm high. (2) £150-200

374

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376

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377. A George III blue john urn, of campana shape, on a stepped black marble plinth, 22.3cm high, 14.7cm diameter. £800-1,200

377

378. A George III blue john urn, 14cm high.

£300-500

378

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379. A George III Derbyshire fluorspar tazza, the turned bowl on a tapering stem and a domed foot, 20.2cm high. £300-500

379

380

380. A 19th century French bronze bust of a lady, mounted on a blue john and black marble plinth, 15.5cm high. £100-150

381. A small blue john bowl, 8.3cm diameter. £100-150

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381

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382. A pair of George III blue john candlesticks, each with a turned urn sconce, a tapering stem and spreading foot, mounted on a slate base, 18.4cm high. (2) £400-600

383. A George III Derbyshire fluorspar tazza, the turned bowl above a knopped stem and a domed foot, the base with a paper label inscribed ‘A Derbyshire Spar Tazza, Bought at Christies 16th April 1925, Vol...., C. Buekstou Browe 80 Wimpole St. London. W1’, 11.6cm high. £200-300 383

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385

384

384. A 19th century turned ivory cup and cover, 10cm high. £200-300 385. A late 19th century fruitwood box, with a central handle flanked by a pair of lidded compartments each with an applied carved model of a hatching chick, with glass eyes, possibly Nice or Sorrento, 13.4cm wide. £150-200 386. A Victorian pressed tortoiseshell card case, decorated with columns and arched Palladian windows, 9cm high. £100-150 387. A George III mahogany cutlery tray, with a brass handle and three divisions, 31.8cm wide. £80-120

386

388. A Regency painted chinoiserie box, of canted form, decorated with panels of figures and pagodas, with a paper lined divided interior, 27.4cm wide. £40-60 389. A 19th century French burr yew and brass mounted box, the lid inlaid with mother of pearl stars and with a cartouche inscribed with initials ‘M P’, with a silk lined interior, 27.3cm wide. £80-120

387

389 388

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390. A Regency harewood shell caddy, of rectangular form the lid and front painted with oval panels of shells, with a marbled paper lined interior, with a single lidded compartment and a sugar bowl £400-600 aperture, 11.3cm high, 19cm wide.

390

391. A WiIliam IV rosewood and brass marquetry tea chest, of sarcophagus form, with nulled mouldings, the interior with a pair of lift-out part-hinged lidded canisters, flanking a sugar bowl aperture, 19.2cm high, 35.7cm wide. £150-200

391

392. A William IV ash and ebonised tea chest, of sarcophagus form, the interior with a pair of pull-out part-hinged lidded canisters flanking a sugar bowl aperture, 20.7cm high, 39cm wide. £200-300

392

393. An early 19th century fiddleback mahogany and satinwood drum or keg shape stationery box, with a divided interior, the lid with a leather note and pen holder, 27.5cm high, 21.1cm deep. £300-500

393

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394. A Victorian macassar ebony dressing case, with a leather and plush lined interior, with a mirror and a letter pouch to the underside of the lid, the interior fitted with Bohemian ruby glass and white overlay bottles, jars and boxes with silver plated lids, with five mother of pearl handled utensils, the base with a jewellery drawer, 17.5cm £500-700 high, 31.7cm wide, 24cm deep.

395. A Victorian black leather and silver mounted writing slope by Leuchars, the hinged lid with silver gilt corner mounts, and with a monogram and a coronet, with a part plush lined interior, with a pull-out stationery compartment, fitted with ivory handled writing utensils, above a pair of silver mounted inkwells, four leather sovereign cases and a hinged slope, stamped ‘LEUCHARS & SON, 38 & 39 PICADILLY, LONDON £500-700 & 2 RUE DE LA PAIX, PARIS’, 15.6cm high, 37.1cm wide.

396. An early Victorian rosewood letter box, the hinged part glazed lid with a single slot, with a bone escutcheon, 14.7cm high, 24.3cm wide. £100-150

397. A thuya wood box, the lid with a Tunbridge ware style border, the interior with two divisions, 24cm wide. £80-120

398. A Napoleon III burr yew and gilt brass mounted box, with mother of pearl cabochons, the domed hinged lid with an applied bronze portrait relief bust of a girl, the interior with a trade label inscribed ‘ZIMBERG, 53. Pas’Panoràmas, 15. R Anc Comédie, PARIS’, 16.3cm high. £250-350

399. A William IV rosewood and brass marquetry box, inlaid with scrolling leaves and flowers, the lid with initials ‘M N C’, with a silk lined interior on ball feet, 12.3cm high, 24.2cm wide. £200-300

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400. A novelty 19th century painted wood tea chest, in the form of a Gothic castle, with lancet windows and painted with shields, the crenellated hinged roof with a clock tower compartment for a pocket watch, the interior with a pair of mahogany lidded lift-out canisters flanking a sugar bowl, 24.7cm high, 31.3cm wide. £600-800

401. A Victorian coromandel sewing box, the hinged lid inset with a porcelain plaque painted with a couple dancing in a river landscape setting, the silk lined interior with divisions containing mother of pearl and bone reel holders, with lidded compartments and a lift-out tray, 20.6cm wide. £100-200

401

402. A novelty 19th century mahogany and fruitwood tea caddy, in the form of a house, the front with a pedimented door, the roof hinged, revealing a pair of lidded compartments, 21.2cm high, 20.2cm wide. £300-500 402

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403. An early 19th century rosewood sarcophagus shape tea caddy, with kingwood banding, the interior with twin lidded compartments, on brass ball feet, 13.7cm high, together with an early Victorian rosewood and brass box. (2) £100-150

404. Two 19th century rectangular tea chests, one in mahogany, the other in satinwood, both with lift-out canisters, the satinwood example with a later white metal plaque, with a monogram and the date ‘SEPT 20TH 1921’, 30.5cm wide (max). (2) £100-150

405. A near pair of Victorian mahogany tub chairs, each with a drop-in seat, the rails stamped ‘HENRY WOOLLEY 97 NEW BOND STREET’. (2) £200-300

406. A George IV beechwood bobbin turned armchair, on brass castors. £200-300

407. A Regency rosewood side table in the manner of Gillows, with a frieze drawer fitted with star handles, on solid trestle ends and cast brass paw feet and castors, 70.4cm high, 60.2cm wide, 43.2cm deep. £400-600

408. A late George III octagonal wine cooler, the hinged top inlaid with a fan patera, revealing a part lead line interior with six divisions, on square tapering legs and brass castors, 67.4cm high, 54.4cm wide. £400-600

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409. A Regency rosewood and satinwood games table in the manner of Gillows, with a pair of shaped drop-leaf ends with pierced brass galleries, the centre with a sliding reversible top, inlaid with chequer and cribbage boards, above a leather backgammon board, on ring turned ‘X’ frame spindle supports, 74.3cm high, 101cm wide, 42.5cm deep. £800-1,200

409

410. A Regency rosewood bonheur du jour, inlaid with boxwood and brass, the raised back with a set of waterfall shelves, with scroll supports, above a hinged writing surface inset with gilt tool leather, with a lidded pen tray and an inkwell compartment, above a panelled frieze drawer, the right side with a pull-out sewing frame, on ring turned legs and brass castors, 123.3cm high, 58.4cm wide, 41.2cm deep. £800-1,200

410

411. A Regency kingwood and brass inlaid sofa table, the drop-leaf top with ebonised crossbanding, above a pair of frieze drawers, with false fronts to the reverse, on twin turned baluster ends, united by a curved stretcher, on splay legs and brass castors, 73.2cm high, 152.8cm wide (open), 69cm deep. £600-1,000 411

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412. A William IV rosewood armchair, button upholstered with green striped fabric, on lappet carved front legs and brass castors, stamped ‘COPE’S PATENT’. £300-400

413. A George III padouk cellaret, the hinged top with a caddy moulded edge, above a later baize lined vacant interior, with brass side carrying handles, on moulded tapering legs and brass castors, 66.7cm high, 39.5cm wide, 27.3cm deep. £200-300

414. A set of George IV mahogany hanging wall shelves, with a galleried top and turned supports, the base with a drawer and leaf carved decoration, 66cm high, 53.4cm wide, 19.7cm deep. £150-200

415

415. A George IV mahogany bergère armchair, with a reeded frame and ring turned supports, on brass castors. £500-800

416. A late George III mahogany Canterbury, with four dipped divisions, above a frieze drawer, on ring turned tapering legs and brass castors, 51.3cm high, 45cm wide, 31.4cm deep. £200-400

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416

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417. A pair of late George III mahogany hall chairs, the backs carved with a double headed eagle, above a shaped seat, on sabre legs. (2) £400-600 For a similar pair of related chairs see Sotheby’s, New York, English Furniture, Ceramics, Decorations, 20th October 2003, lot 239.

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418. A pair of mahogany and brass mounted side cabinets, each with a moulded inverted breakfront top, above a pair of panelled doors, enclosing a shelf, flanked by stop fluted pilasters, 19th century, 96.5cm high, 116.3cm wide, 44.7cm deep. (2) £1,500-2,500

419. A Regency mahogany and brass inlaid open armchair, with a stuffed-over leather seat, on sabre legs, together with another mahogany open armchair. (2) £100-150

419

420

420. A Regency mahogany cylinder bureau, the interior with drawers and pigeonholes and a leather lined pull-out writing surface, the hinged and ratcheted slope above two frieze drawers, on ring turned tapering legs and brass caps and castors, 102.5cm high, £300-400 92.3cm wide, 61.5cm deep.

421

132

421. A pair of late George III open armchairs, each with a ribbed tablet back, above vertical splats, with a stuffed-over silk seat on turned tapering legs. (2) £600-800

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422. An early 19th century rosewood overmantel mirror, with a rectangular plate within a frame decorated with nulled decoration, the frieze with applied ormolu mounts of wreaths, palmettes and a basket of flowers with scrolling acanthus, 92.8 x 128.2cm. £600-800

423. A pair of George IV mahogany hall chairs in the manner of Gillows, each with a ribbed gorget back, with a central oval panel painted with a stylised letter, on ribbed tapering legs. (2) £300-500

424. A Regency rosewood side cabinet, the raised back with a lancet arched brass gallery, the base with a pair of frieze drawers, flanked by a pair of brass laurel wreaths, above a pair of glazed doors enclosing an adjustable shelf, on scroll feet, 125.4cm high, 115.5cm wide, 37.5cm deep. £700-900

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426

425

425. A mahogany spirit decanter box, with a sloping hinged front, revealing a divided plush lined interior with six gilt decorated glass decanters and stoppers, with a matching tray and a pair of liqueur glasses, with an ivory escutcheon and sunken brass carrying handles, late 18th / early 19th century, 26cm high, 31cm wide, 23.7cm deep. £300-400 426. An early 19th century mahogany and brass bound decanter box, the lid with a plaque engraved with initials ‘H B’, the plush lined interior with four divisions, with a Chubb’s patent brass lock, and sunken brass handles, 27cm high, 24.8cm square. £200-300 427. A pair of Regency red papier-mâché wine coasters, with old Sheffield plated mounts, reeded bodies and with rings and hooks for joining the coasters together, 13.4cm diameter. £300-400

427

428. An early Victorian walnut decanter box, the lid with a vacant brass plaque, with sunken brass handles, the plush lined interior with four divisions and fitted with four coloured glass bottles, with silver grapevine mounts and stoppers, each with a silver vine leaf wine label ‘RUM’, ‘WHISKEY’, ‘BRANDY’ and ‘GIN’, by Charles Reily and George Stoner, London 1840, 37.8cm high, 19.8cm square. £300-500 429. A late Victorian oak tantalus, with silver plated mounts, the top with a carrying handle above three glass decanters and stoppers, 33cm high, 37.5cm wide, 15.7cm deep. £100-150

429 428

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430. A rare George IV rosewood decanting table in the manner of Gillows, the raised white marble top with an ormolu gallery, on lyre shape supports, above a panelled frieze drawer, on ring turned and lozenge carved tapering legs, 110.3cm high, 91.7cm wide, 45.5cm deep. ÂŁ4,000-6,000

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431. A Regency mahogany dressing table mirror attributed to Gillows, with a bevelled rectangular plate, with ribbed turned baluster tapering supports and scroll back legs, 63.7cm high, 72.5cm wide, 40.7cm deep. £200-300 See Christopher Gilbert, Furniture at Temple Newsam House and Lotherton Hall, p.380, pl.501 for a similar mirror supplied by Gillows for Parlington Hall, and for a brief discussion.

431

432. A George IV mahogany sofa table, with a pair of frieze drawers, on a wasted panelled stem, with nulled decoration, on leaf carved ribbed legs and brass castors, 72.3cm high, 93.3cm wide, 63.5cm deep. £500-700 432

433. A George IV mahogany Davenport in the manner of Gillows, the sliding top with a brass gallery, above a hinged leather lined writing slope, revealing a drawer and a secret drawer, the right side with a hinged pull-out inkwell and pen compartment, above four long graduated drawers, the left side with a pull-out leather lined slide, on sunken brass castors, 86.3cm high, 57.5cm wide, 62.5cm deep. £800-1,200

433

434. A Regency mahogany tea table, with a crossbanded swivel top and interior, the frieze with a carved flower tablet, on a faceted baluster stem, on paw feet and brass castors, 75.8cm high, 91.2cm wide, 45.7cm deep. £200-300

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434

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435. A mid-18th century Rococo boxwood snuff box, carved in relief, the hinged lid with musicians and a lady playing a piano, within scroll and rocaille borders, the front with a king seated flanked by lions with attendants, the back with men playing billiards, the ends with a couple hunting and sitting in a landscape, the interior with remains of foil, possibly French or German, 9.7cm wide. £300-500

436. An early 19th century Mauchline ware sycamore and penwork snuff box, of curved form, the hinged lid with a scene of returning Highland soldier greeting his loved one, the body decorated with thistles, 7.5cm wide. £300-500

437. A 19th century French pressed tortoiseshell and horn snuff box, the hinged lid with a country scene of a couple with trees and buildings, with ivory edging, 10.2cm wide. £200-300

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439 438

438. A 19th century treen snuff shoe, with tack, mother of pearl and bone inlay, the sliding cover decorated with diamonds and a heart, 13.8cm long. £300-400

439. A 19th century treen snuff shoe, with tack inlay, inscribed ‘SOUVENIR AMITIE’, the hinged lid inset with a carved bone portrait medallion, 12.9cm long. £200-300

440. A 19th century treen snuff shoe, with tack inlay, the sliding lid with initials, together with another treen snuff shoe with carved decoration and a paper knife with a carved bulldog head finial, 27.5cm £200-300 (max). (3)

441

441. A 19th century treen snuff shoe, with pewter stringing and tack inlay, the hinged lid inset with a carved bone portrait medallion, 12cm long. £200-300

440

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442. A rare George III engraved and hand-coloured imaginary map paper fan, the ‘Land of Matrimony’, with islands ‘ENCHANTED’, ‘Coquet’ and ‘Divorce’, and ‘’Bay of Repentance’, titled ‘A MAP OF THE WORLD’, printed by T. Pike, King Street, Bloomsbury, May 1st 1788, with woden guards and sticks, 23.5cm long. £500-800 See Sotheby’s, Travel, Atlases, Maps & Natural History, 15th November 2011, lot 10 for a similar fan.

443. After Abraham Ortelius (Flemish, 1527-1598). ‘Typus Orbis Terrarum’, a continental tin glazed pottery tile map of the world, of twelve brightly coloured panels and with Latin inscriptions from Cicero and Seneca, in a stained pine frame, 78.2 x 103cm. £1,500-2,000

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444

445

444. A rare George III engraved map of Bath, titled ‘A Map of 5 Miles round the City of Bath...from an actual survey made by Thos. Thorpe with Alterations & Improvements to the present time 1773’, printed for and sold by W: Frederick & W. Taylor Booksellers, W. Hibbert, Bath Sculpt., published 25th March 1773, 43 x 43cm in a later glazed ebonised frame. £100-200

445. After John Ogilby. ‘The Road from LONDON to WEYMOUTH’, a hand-coloured engraved strip map, late 17th / early 18th century, 34 x 46cm, in a later mounted, glazed £80-120 Hogarth type frame.

446. A George III reverse glass mezzotint of Musidora, titled ‘Musidora or summer evening’, published 5th June 1784 by R. Sayer & J. Bennett, 33.6 x 24.2cm, with a sanded gilt slip and an ebonised moulded frame, together with an 18th century decalcomania panel, in an ebonised £100-150 frame. (2)

447. After James Gillray. ‘FLANNEL ARMOUR FEMALE PATRIOTISM..or Modern Heroes accoutred for the Wars’, a hand-coloured etching, published 18th November 1793 by H. Humphrey, 32 x 37, in a later glazed Hogarth type frame together with a satirical print after George Cruikshank, ‘The ROOT of KING’S EVIL’. (2) £100-200 448. A late 18th century French silk fan, the ivory sticks with gilt and silvered decoration, the fan applied with sequins, with swags, flowers and leaves and with three gouache painted panels, depicting a family in a woodland setting, marvelling at a clock, and a man and a woman playing instruments, 50.5 wide, in a later glazed rectangular display case. £100-150 446

447

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448

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449. A 19th century wrought iron velocipede or boneshaker, with a leather saddle and painted wood spokes, 129.7cm high, 171.9cm long. £1,500-2,000

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451 450 450. A set of Victorian brass postal parcel scales by S. Mordan & Co., with a harlequin set of weights, from 4 lbs - a 1/4 of an ounce, 26.8cm high, 44.5cm wide. £200-300

451. A pair of German horn rimmed spectacles, possibly Nuremburg, 18th century, 10cm wide. (2) £100-150

452. A George III brass and steel folding compass, in a shagreen case, 20.8cm long. £300-500 452 453. An early 19th century mahogany spinning wheel, with an ivory ring plaque, inscribed ‘Doughty York’, 81.7cm high. £40-60

454. A French wood hat stretcher, with an iron handle, with maker’s applied plaque for L’Escolier, 33.3cm high, together with a 19th century treen adjustable wool winder, 55cm wide. (2) £100-150

453

142

454

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455. A small collection of agate items, comprising: a cylindrical brass mounted vesta case, the base with a strike, an oblong example, three boxes and two agate specimens, 12.1cm wide (max). (7) £100-150

455

456. A Victorian opaline glass cornucopia vase, with a gauntlet terminal and on an alabaster base, together with a modern paperweight in the form of a dolphin, 17cm high (max). (2) £100-150

456 457. A pair of French ormolu furniture mounts in the form of a satyr mask, each with a scroll base, 14.1cm high. £30-50 458. A pair of continental cast bronze candlesticks, each with a leaf and scroll decorated urn nozzle, the stems with cherubs personifying the four seasons, on circular bases, French or Italian, late 18th / early 19th century, 22cm high. (2) £100-200

457

458

459. A novelty Victorian gilt bronze inkwell / pen wipe, in the form of a fox wearing a night gown and cap, with a hinged head, the tub with bristles, 10.7cm high. £200-300

459

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460

461

460. Two pairs of Portland stone bookends, and a matching ashtray, with Tudor rose and portcullis lead plaques inscribed ‘THIS STONE CAME FROM THE HOUSES OF PARLIAMENT’, c.1941, 14.9cm high (max). (5) £80-120 These items were made from the stone of the Houses of Parliament after damage caused in the Blitz by the German air raids.

461. A pair of Victorian miniature feather pictures, each depicting a bird in a tree, painted on glass, in a gilt brass and bois durci frame, 10.6cm square. £40-60 462. An ostrich egg and white metal mounted goblet by Anthony Redmile, on an eagle claw foot, stamped ‘redmile london’, 19.3cm high. £500-700 463. A Victorian painted pottery tobacco jar, with a tin lid, the body decorated with a cartouche, inscribed ‘CUT CAVENDISH’, the base with impressed marks ‘H. F. & SONS, LONDON’. £40-60 462

464. A leather string box, with gilt tooled decoration, the lift-off top revealing a marbled paper interior and with a pair of scissors, 14.4cm high. £30-50 465. An American painted cast iron money box in the form of a house, the back indistinctly stamped, 15.8cm high, 15.7cm wide. £80-120

463

464

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466. A Victorian ivory Staunton pattern chess set by Jaques, natural and stained red, the underside of the white king stamped ‘JAQUES LONDON’, one rook and knight of each marked with a crown, the king: 8.5cm high, the pawn: 5.9cm high, in a velvet covered box. (33) £400-600

467. A Selenus type bone chess set, natural and stained red, the monarchs with carved busts and cross finials, German or central European, early to mid-19th century, the king: 11.9cm high, the pawn: 4.5cm high. (32) £100-150

468. A German Selenus pattern turned bone chess set, natural and stained, the king: 8.5cm high, the pawn: 6.2cm high, early 19th century, in an Indonesian Jepara carved wood box. (33) £200-300

469. A Victorian mahogany cased travelling chess set, with carved ivory pieces, natural and stained red, with a folding board, the box with a brass plaque engraved with ‘E. C. 1930’, 19.7cm wide. £100-150

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470. A late 19th century ivory and rosewood walking cane, the handle carved with the bust of a bearded Arab, 91.8cm long. £100-150

471. A Spanish carved bone satirical walking cane, the handle in the form of a rabbi, with an ebony shaft, possibly early 20th century, 90.8cm long. £100-150

472. An early 19th century Folk art penwork walking cane, with chip carved decoration and worked with ships, a crocodile, a horse, a dog, a fox, a kite, a portrait of Napoleon and other figures and motifs, signed with initals ‘JR’ and inscribed ‘LD KEITH’ AND ‘LD NELS’, 88.3cm long. £150-200

473. An Italian alto saxophone ‘Jedson’ by Rampone and Cazzani of Milan, numbered ‘2526’, cased. £80-120 474. A 19th century Italian Neapolitan rosewood mandolin, inlaid with mother of pearl, tortoiseshell and abalone and decorated with seven dancing classical girls, with stars and a crescent moon, 59.8cm long. £80-120

475. A tan leather suitcase, the lid stamped with initials ‘I. H. McC.’, 67cm wide, 44cm deep. £100-150

476. A crocodile jewellery case by Drew & Sons, the hinged lid with a white metal initial ‘E’, with a green plush lined and leather interior, with a lift-out tray, stamped in gilt ‘RD. NO. 327661’ and ‘DREW & SONS, PICCADILLY CIRCUS, LONDON, W.’, with a brass Bramah lock, early 20th century, 32.2cm wide. £150-200 473

475

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474

476

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477. A Victorian painted wood ship diorama, depicting a paddle steamer, with a cotton wool sea and painted cloud background, in a glazed gilt and ebonised case, 38.3 x 89cm. £200-300

478. A Victorian sailor’s woolwork picture, depicting a three masted sailing ship, flying the red ensign, with initials ‘K.R.A.Q.C.’, 34.3 x 58.2cm, in a glazed bird’s eye maple frame. £200-300

480. A Victorian painted pine model ship, 27.8cm high, 160.3cm long.

479. A Victorian sailor’s woolwork picture, depicting a three masted ship titled ‘ELECTRA’, flying two flags including the red ensign, 58 x 72.5cm in a glazed bird’s eye maple frame. £300-400

£200-300

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LIGHTING

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481. A pair of French gilt and patinated bronze figural candelabra in Louis XVI style, each with a draped putto holding a cornucopia, issuing scroll branches and four lights, on a white marble drum base, 19th century, 45.8cm high. (2) £150-250

482. A pair of Napoleon III ormolu and five-light figural candleabra in Louis XVI style, each with a cherub supporting a torch, with scrolling branches and flower decorated sconces, the bases with £150-250 Sevres style porcelain mounts, 52.5cm high. (2)

483. A pair of Regency bronze figural candlesticks, each modelled with a winged cherub supporting an urn sconce, on a lattice decorated drum base, 25.9cm high. (2) £300-500

484. A pair of 19th century French ormolu three-light candelabra, each modelled with a cherubic satyr, seated on a tasselled cushion and playing a musical instrument, with leaf scroll branches, 21.9cm high, 26.3cm wide. (2) £200-300

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485 486 485. A modern crackle glaze ceramic table lamp, on a giltwood base, with shade, 45cm high (excluding shade). £80-120 486. A brass bouillote lamp in early 19th century style, with an adjustable shade above three lights, with scroll arms and a turned stem, 77.3cm high. £100-150 487. A pair of late Victorian mahogany candlesticks, with reeded brass sconces above a dished £250-350 drip-pan, on a fluted stem and circular leaf carved base, 43.6cm high. (2) 488. A pair of gilt and patinated bronze candlesticks in Louis XVI style, each with three ram’s head masks issuing chains, the base with satyr monopodia holding swags of flowers, 28.3cm high (excluding fittings), later converted into table lamps, with silk shades. (2) £150-250 489. A set of three 19th century French ormolu wall appliques in Louis XV style, each with a leaf backplate and scroll arms with four lights, 38cm high, 40.5cm wide, together with a similar single wall light. (4) £200-300 487

488

150

489

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490. A pair of early 19th century patinated and gilt pottery, glass and brass storm lanterns, each modelled with a figure of Triton holding a cornucopia, after a Wedgwood design of a basalt candlestick, supporting an urn, decorated with a Greek key border and with an etched glass shade, 53.7cm high. (2) £800-1,200

490

491. A pair of Victorian gilt brass and jasperware lustre candlesticks, each with a detachable nozzle and van dyke drip pans, hung with pear shaped drops, the drum bases decorated with classical figures, 26cm high. (2) £800-1,200

491

492. A near pair of George III cut glass and ormolu lustre candlesticks, each with a van dyke drip-pan above a faceted sconce and a stylised pineapple stem hung with pear shaped drops, on a black glass drum base, decorated in gilt with classical maidens holding swags of flowers, 30cm high. (2) £400-600

492

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493 494

493. Two pairs of brass wall lights, one with a shell backplate, the other with scrolling foliage, with faux candle sconces, together with a Louis XVI style table lamp, 30.5cm high (max). (5) £80-120 494. Three pairs of brass adjustable wall lights, each with a hinged arm, two with faux candle sconces, one with a shade, probably by Vaughan, 16.7cm high, 47.7cm deep (max). (6) £80-120 495. Two similar brass adjustable reading lamps, each with a bronze finish and with a pleated silk shade, 162.4cm high (max). (2) £200-300 496. A brass adjustable desk lamp, 47cm high.

£80-120

497. Eight brass and bronzed picture lights, 72cm wide (max). (8) £80-120 495

496

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497

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498. A pair of late 19th century French onyx and and ormolu mounted Corinthian column table lamps, 53.8cm high. (2) £400-600

499. Two similar Regency bronze table lamps, each with a leaf capital above a ribbed shaft, on an acanthus wrapped baluster stem, the triform base with comic and tragic masks in the manner of Thomas Hope, later converted to electricity, 62cm high (max). (2) £400-600

500. A pair of Neo-Classical ormolu urns, each with a stop fluted body and ram’s head masks, on a turned marble plinth, later converted into table lamps, 38.5cm high. (2) £300-500

501. A pair of Edwardian silver plated Corinthian column table lamps, each with a fluted stem, above a base decorated with paterae and ribbon tied husks, 42.8cm high, excluding fittings. (2) £100-200

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502. A pair of Empire style brass and copper lyre wall appliques, decorated with eagles’ heads, a female mask, husks and anthemion motifs, with four lights, hung with cut glass drops and lustres, £400-600 100.5cm high, 42.5cm wide. (2)

503. A pair of Italian giltwood twin-light wall appliques in Louis XVI style, each with a ribbon tied quiver of arrows backplate, with scroll branches, 20th century, 62cm high. (2) £200-300 Provenance: By repute from the Grand Hotel Milan, c. 1950.

504. A pair of painted wood and brass mounted twin-light wall appliques, hung with cut glass drops and lustres, 45.5cm high. (2) £100-150

504

506

505. Two similar Indian glass and brass mounted globular lanterns, with peacock head hooks, 47.4cm high. (2) £100-150

506. A circular brass and glass hall lantern, with a four-light fitting, together with a smaller similar example, 71.3cm high, 43.7cm wide (max). (2) £150-250

154

505

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507. A pair of Regency cut glass and ormolu twin-light candelabra, each with a fir cone finial, above a canopy, hung with drops and lustres, with a baluster stem, and leaf scroll arms terminating in winged putti, on a circular stepped plinth and square base with serrated edges, 42cm high, 36cm wide. (2) £2,000-3,000

508. A pair of early 19th century ormolu and glass lustre candlesticks, each with an eagle stem supporting a fluted urn sconce, with a cut glass drip-pan hung with faceted drops and lustres, on a baluster plinth and a marble base, 33.7cm high. (2) £200-300

509. A pair of 19th century patinated bronze and brass twin-light lustre candlesticks, decorated with palmettes and with scroll branches, and turned urn sconces hung with cut glass drops and lustres, 33cm high. (2) £300-400

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510. A late 19th century French ormolu twin-light candelabra, decorated with scrolling leaves and porcelain flowers, with a Chinese biscuit porcelain figure of Guandi, on a Rococo base, with shades, £300-500 42.7cm high, 45.5cm wide.

510 511. A pair of Regency style gilt and patinated bronze candlesticks, each with a lappet sconce above halberd decorated cluster columns and griffin supports, later converted into table lamps, £150-200 with silk shades, 50.4cm high. (2)

511

512. A pair of late 19th century Japanese cloisonné vase table lamps, each with giltwood mounts and stands, the bodies decorated with figures and buildings, 56.6cm high. (2) £400-600

512

513. A pair of Neo-classical style wall lights, each with a draped urn backplate and twin sconces, together with a set of three 18th century style twin-light wall lights, 36.8cm high, 31.3cm wide. (5) £80-120

513

514

156

514. A pair of 19th century brass figural twin-light wall appliques in Regence style, each with a classical female term backplate, supporting scroll arms and stiff leaf decorated sconces, 43.3cm high, 26.5cm wide. (2) £300-400

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515. An 18th century style Neo-classical gilt bronze and onyx standard lamp, in the form of an athenienne, with three lights, above a body decorated with ram’s head monopodia, and acanthus swags, on a triform base, late 19th / early 20th century, 185.1cm high. £300-500

515

516

516. A late 19th century gilt bronze hall lantern, decorated with ribbon tied tassels and beaded swags, the base with a baluster gallery, 93.2cm high, 47.8cm wide. £800-1,200

517. A pair of Italian pottery tobacco leaf pattern table lamps in Chinese style, each with a blue glazed finial, above a pagoda lid and a faceted baluster body, on an octagonal giltwood base, with one shade, 86.7cm high. (3) £300-500 517

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518

519

518. A pair of 19th century French glass and ormolu mounted candlesticks, possibly Baccarat, each with a porcelain figural stem of ladies, one holding a basket, the other an umbrella, with fluted and lobed decoration, 26.3cm high. (2) £600-800

519. A pair of gilt brass and glass storm lanterns, with a foliate relief decorated collar on a green marble plinth base, 35cm high. (2) £200-300

520. Five Edwardian glass candlesticks in 18th century style, with faceted sconces and stems, three: 22.8cm high, two: 21.8cm high.

(5) £200-300

520

521. A pair of silvered brass five-light chandeliers in 18th century style, with scroll arms and lobed urn shape sconces, mid-20th century, 47cm high, 68.5cm wide. (2) £1,000-1,500

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522. A pair of 19th century gilt and patinated bronze candelabra in Empire style, in the manner of Martin-Guillaume Biennais, with four lights with leaf scroll arms, above a triple owl and ball stem, with a triform base with applied appliques of classical figures embracing, on £800-1,200 winged paw feet, 65.4cm high. (2)

522

523. A pair of Napoleon III gilt and patinated bronze candelabra in Louis XVI style, each with a cherub supporting scrolling leaves and flowers, with three lights, the bases with swags of flowers, 47.3cm high. (2) £400-600

523

524. A pair of gilt and patinated brass three-light wall appliques in Empire style, early 20th century, 32.2cm high, 27.7cm wide. (2) £100-150

524

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525. An Edwardian glass three light chandelier attributed to Osler, with spiral fluted decoration, with a baluster stem and scroll branches, hung with drops and with a faceted ball pendant, 39.4cm high, 42cm wide. £300-400 526. A late 19th century French ormolu six-light chandelier, with a leaf stem and ivy wrapped scroll arms, supporting cut glass drops, with fluted urn sconces and a cut glass ball pendant, 80cm high, 46.3cm wide. £800-1,200

526

527. A glass and gilt metal six-light chandelier, with a baluster stem hung with drops, with scroll arms and conforming drip-pans, with a faceted ball pendant, 55cm high, 62cm wide, together with a pair of matching wall lights. (3) £100-150 528. An Edwardian gilt bronze and cut glass dish ceiling light, with a leaf corona supporting three chains, with a lappet and flower gallery, with three lights and a bud pendant, 67.5cm high, 37cm wide. £400-600

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529. A pair of Italian tôle peinte oriental style lanterns, parcel gilt decorated, each with a pineapple finial, above a pierced tent top, above a shaped glass body, with three lights, on leaf decorated square bases, mid-20th century, 80.5cm high, 29cm square. (2) £1,000-1,500

530. An early 19th century tôle peinte hall lantern, with three lights, the open scroll frame decorated with flowers and ribbons, Italian or French, 70.7cm high, 37cm wide. £300-500

531. A pair of early 19th century French tôle peinte corner wall lights, painted with gilt swags and flowers on a red ground, each with a detachable shade, 38.1cm high. (2) £300-500 Provenance: The Marquess of Tweeddale, Yester House, Gifford, East Lothian.

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SCULPTURE & THE GRAND TOUR

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532. After the antique. An Italian carved green serpentine Grand Tour model of the ‘Porcellino’ or the Uffizi wild boar, on a plinth base, late 19th century, 29.7cm high, together with a pair of Italian serpentine models of the Medici lions, 16.5cm long. (3) £200-300

533. After the antique. A pair of Italian bronze Grand Tour equestrian groups of the Quirinale Castor and Pollux, depicting horse tamers, each on an alabaster and marble £200-300 plinth, late 19th century, 18.5cm high. (2) The original marble sculptures were discovered in the Baths of Constantine and were erected in the Piazza del Quirinale in 1588.

532

533

534

534. A pair of 19th century red serpentine Grand Tour models of obelisks, each engraved with hieroglyphics, on stepped bases, 46.5cm high, 13.5cm square. (2) £200-300

535. After the antique. A 19th century Italian bronze Grand Tour figure of Mercury by Sabatino De Angelis & Fils, Napoli, seated on a marble rocky outcrop, with a bronze maker’s plaque, 51cm high, 48.5cm long. £500-700

535

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536. After the antique. A 19th century Italian bronze Grand Tour figure of Mercury, seated on a rocky outcrop, 49.8cm high, 43cm wide. £400-600

536

537

537. After the antique. An early 19th century bronze Grand Tour bust of Pericles, on a black marble stepped plinth, 23.1cm high. £300-400 538. After Giambologna (Flemish 1529-1608). A bronze model of Venus bathing, probably 17th / 18th century, on a later ebonised socle, 17.5cm high. £200-300

538

164

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539. After Donatello (Italian 1386-1466). A set of six late 19th century plaster relief plaques of angel musicians, from the Basilica di San Antonio, Padova, grey painted with parcel gilt highlights, with numbers to bottom edges, 57.8 x 20.5cm (each panel). (6) £300-400 540. After Desiderio da Settignano (Italian c. 1428-1464). A late 19th century plaster relief of the Virgin and child, with angels, by Domenico Brucciani & Co., remains of signature bottom left, with traces of terracotta finish, 68.7 x 51.7cm. £300-500 Provenance: From the collection of Sir Frank Brangwyn, his home The Jointure, Ditchling, East Sussex. The house and contents were purchased on his death by the father of the current vendor and amongst them was the present lot.

541. After Donatello (Italian 1386-1466). A large late 19th century plaster relief of the dead Christ tended by angels, painted plaster, 81.2 x 115cm. £500-800 The original marble panel by Donatello and his one time partner, Michelozzo, can be found in Victoria & Albert Museum, London, museum number 7577-1861.

Provenance: From the collection of Sir Frank Brangwyn, his home The Jointure, Ditchling, East Sussex. The house and contents were purchased on his death by the father of the current vendor and amongst them was the present lot.

540

541

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542. An Italian marble Grand Tour bust of a Roman emperor, possibly Tiberius, on a waisted plinth, 18th / 19th centuy, 24.2cm high, together with a gilt metal bust of Galba, titled. (2) £150-250

542

543. A 19th century gilt bronze Grand Tour figure of a Centurion, on a Siena brocatelle marble base, 18.3cm high, together with a Celtic style brass oval tray, with a rope twist border. (2) £100-150 543

544. A polished bronze Grand Tour bust of a Roman emperor, on a marble socle, together with a gilt bronze figure of a Roman, on a marble plinth, 25.4cm high (max). (2) £150-250

544

545. A 19th century Italian bronze Grand Tour model of the Medici £150-200 lion, 18.2cm long.

166

545

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546. After the antique. A mid-19th century Italian Siena marble Grand Tour model of a Roman lamp, the body in the form of an Egyptian winged female Pharaoh figure, the lid with a sleeping bust of a lady with an owl, with a detachable griffin handle, the base with female masks, the rosso antico marble plinth with inset classical panels, 39.7cm high. £1,000-1,500 See Alvar Gonzalez-Palacios, Il Tempio del Gusto, Milan, 1984, Vol. II, p.131, fig.287, for a similar oil lamp signed ‘B. Boschetti’, in giallo antico, in the Museum Mario Praz, Rome.

167

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547. An early 19th century relief carved marble plaque, depicting the Pasqual lamb, with a cross lying on a tassled cushion, with a stylised sunburst outer border, engraved with initials and a date ‘P. M. 1837’, probably French or Italian, 43 x 53cm. £300-500

548. After the antique. A 19th century Italian marble carved relief plaque, depicting the goddess Nike sacrificing a bull, 19.2 x 24.8cm. £150-250

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549. A pair of carved marble plaques, each with a ram’s head mask, possibly formerly part of a chimney-piece, 13.5 x 12cm. (2) £80-120

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550. An Italian bronze figure of a naked warrior, wearing a helmet and a fig leaf, mounted on a marble plinth, possibly early 18th century, 17.3cm high (overall). £500-800

550

551. Two 19th century Italian alabaster Grand Tour figures, one of Mercury after Giambologna, and Venus Italica after Antonio Canova, 55.5cm high (max). (2) £300-500

551

552. After the Master of the Duplicated Dolphins. A 19th century Italian bronze inkwell, in the form of a Triton riding a dolphin, holding a conch shell, the top hinged, mounted on a marble plinth, 14cm high, 15.3cm wide. £800-1,200 Provenance: Purchased from Christopher Clarke.

The Collection of the Late P. J. Rankin. Sold in these rooms 7th January 2016, lot 380.

552

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553. A 17th century gilt bronze knife handle, in the form of the infant Hercules grappling with a snake, and with a cornucopia of fruit, with a steel blade, probably Italian or German, the handle: 8.7cm long, overall: 21cm long. ÂŁ800-1,200

554. An Italian carved bone triptych in the manner of the Embriachi, depicting the Crucifixion, in a worn leather and velvet lined case, 23.8cm high. ÂŁ150-250

553

553 detail

554

170

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555. An early 18th century carved and stained wood figure of a victorious warrior queen in the manner of Laurent Delvaux, the monarch standing on rocky base strewn with a crown and a ribbon tied garter medal with a Maltese cross, she supports a sword in her right hand and holds a scroll in her left and wearing a laurel crown, probably personifying Victory, possibly Flemish or French, 68.7cm high. ÂŁ800-1,200 Provenance: Purchased from Colefax & Fowler in the early 1980s.

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556. After Baron Francois Joseph Bosio (French 1768-1845). A French bronze figure of Henri IV as a boy, the base signed ‘Bosio’, late 19th / early 20th century, 40.6cm high. £200-300

557

556

557. A 19th century French bronze figure of Cupid, sat on a tree branch accompanied by a pair of love birds and his bow and quiver, on a later wood base, 18cm high. £200-300 558. After Etienne Maurice Falconet (French 1716-1791). A 19th century bronze figure of Psyche, seated on a draped rocky outcrop with her bow and quiver of arrows, on marble plinth, 26.5cm high. £150-200

558

559. A pair of late 19th century French bronze cherubs, personifying Summer and Autumn, each on a Siena marble plinth, 21.8cm high. (2) £200-300

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559

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560

560. A French bronze model of Mercury, seated on a draped tree stump, with his caduceus and a tortoise, late 18th / early 19th century, 15.7cm high. £400-600 561. A French gilt bronze Bacchanalian group of a cherub playing with a goat, 21.6cm high, 23.7cm wide. £200-300 562. A 19th century French bronze Bacchanalian group, depicting Silenus with attendant putti and satyrs on a horse, on a stepped £150-250 marble plinth, 14.3cm high.

563. A 19th century bronze Bacchanalian group, of a satyr and a cherub, on a grey marble base, 10.7cm high, 10.2cm wide. £80-120

561

563

562

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564. Georges Charles Coudray (French 1883-1932). An early 20th century bronze figure of a bare breasted Nubian, seated on a Pharaoh mask playing a harp, signed ‘G. Coudray’, on a verde antico marble base, 61.8cm high. £1,500-2,000

564

565. Jean-Jacques Feuchère (French 1807-1852). A bronze group depicting Pan teaching Daphnis to play the pipe, seated on a rocky outcrop, signed ‘Feuchère 1847’, cast by Victor Paillard, 53cm high, on a simulated marble oval plinth. (2) £1,500-2,500

565

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566

566. Albert-Ernest Carrier-Belleuse (French 1824-1887). A bronze group of Psyche awakening Cupid, signed ‘A. CARRIER-BELLEUSE’, mounted on a verde antico marble base, 44.3cm high, 53.1cm wide. £5,000-8,000 Albert-Ernest Carrier-Belleuse (1824-1887) was a pupil of David d'Angers and was one of the founding members of the Société Nationale des BeauxArts. He is probably most well known for the fact that Auguste Rodin worked as his assistant between 1864 and 1870. The story of Cupid and Psyche is originally from Metamorphoses and concerns itself with the obstacles of love between Psyche (Soul) and Cupid or Amor (Desire/Love) and their eventual sacred marriage. The bronze depicts the moment when Psyche (who was told by her sisters that Cupid was a vile winged serpent) uses a lamp to see Cupid and kill him, but when the light reveals such a beautiful creature she startles and subsequently wounds herself on one of Cupid's arrows. Struck with a feverish passion she spills hot oil from the lamp and wakes him.

567. After Albert-Ernest Carrier-Belleuse (French 1824-1887). A polished bronze bust of a lady, signed ‘A Carrier’, on a marble socle, £100-150 26.4cm high.

567

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568. Pietro Bazzanti (Italian 1825-1895). A 19th century Italian carved marble figure of a boy, seated on a tree stump, holding a key, and with a heraldic shield, the base signed ‘P. Bazzanti Firenze’, on a circular base, 85.5cm high. £1,500-2,000

568

569

569. A French terracotta bust of an 18th century girl in the manner of Houdon, on a turned marble socle, 54.2cm high. £100-200

570. Giuseppe Gambogi (Italian 1862-1938). An early 20th century carved alabaster group of a boy and a girl, holding a basket and playing with a cat, the naturalistic base signed ‘G. Gambogi’, 28.7cm high. £200-300

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570

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571

571. Antoine-Louis Barye (French 1795-1875). A bronze model of an Axis deer, with a naturalistic base, signed ‘BARYE’ and dated ‘1838’, 16cm long. £800-1,200

572. After Antoine-Louis Barye (French 1795-1875). A bronze model of a seated lion, ‘lion assis’, signed ‘BARYE’, 19.9cm high. £300-500

572

573. After Antoine-Louis Barye (French 1795-1875). A bronze group of a lion with a serpent, signed ‘BARYE’, 14cm high. £300-500

573

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574. Jacques Auguste Fauginet (French 1809-1847).

A bronze model of a dog searching for a rat, on a naturalistic base, signed ‘FAUGINET’, 21.5cm long. £300-500

574

575. A 19th century bronze model of a dachshund, 17cm long. £200-300

575

576. Attributed to Alfred Barye (French 1839-1889).

A bronze model of an ostrich, on a naturalistic base strewn with shells, late 19th / early 20th century, 21.2cm high. £200-300

576

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577. Paul Joseph Raymond Gayrard (French 1807-1855). ‘SIX TOURS’ a 19th century bronze group, depicting a monkey steeplechase, signed ‘P. Gayrard’, and with a foundry signature and mark for ‘Boyer’, 22.3cm high. £800-1,200

578. Prosper Lecourtier (French 1851-1924). A bronze model of a roaring lion, standing on a rocky stone base, signed ‘P. LECOURTIER’, 68cm long. £800-1,200

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579. A 19th century French turned and carved ivory bust of Voltaire, on a fluted plinth, 11.5cm high, a miniature Austrian cold painted bronze group of a dog with a game bird, a novelty miniature Austrian cold painted bronze figure of a pug dog, wearing a sandwich board and a pair of lion and lioness finials on turned wood plinths. (2) £150-200

580. An Austrian cold painted bronze group of two pheasants, sat in a tree, mounted on an onyx base, first half 20th century, 10.3cm high, 14cm deep. £100-150

581. An Austrian cold painted bronze model of a hare, mounted on an onyx dished base, first half 20th century, 11.3cm high, 12cm diameter. £200-300

582. A late 19th century gilt brass and ebonised wood paper clip, mounted with a cold painted bronze dachshund, 15.9cm wide. £100-150

583. A cold painted bronze cat pin cushion, probably Austrian, late 19th century, 13.2cm high. £200-300

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584. An Austrian cold painted bronze model of a fox, late 19th / early 20th century, 18cm long. £500-800

584

585. An Austrian cold painted bronze model of a horse by Bergman, stamped with a ‘B in a vase’, ‘GESCHUTZT’ and numbered ‘3885’, late 19th / early 20th century, 11.4cm high. £200-300

585

586. A bronze model of a bulldog, mounted on a dished marble base, late 19th / early 20th century, 8.8cm high, 19cm deep. £200-300

586

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‡ 587. Mark Coreth (b.1958). A bronze model of a snow leopard, signed ‘M. Coreth’ and with an ‘M in a circle’,15.8cm high, 19.5cm long. £700-1,000

588. Major Cecil Hew Brown (Scottish 1868-1926).

A bronze model of a seated dachshund, the base signed ‘Cecil Brown’, 16.5cm long. £300-500

182

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589. Marion Margaret Violet Duchess of Rutland (1856-1937).

An early 20th century bronze figure of Pan with his pipes, seated on a rocky outcrop, signed ‘Violet Hand’ and dated ‘1920’, 27.6cm high, together with a facsimile photograph of Violet in her garden sculpting the bronze. (2) £300-500

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590. After Sir Frank Brangwyn (1867-1956). A large early 20th century plaster cast relief of the Entombment of Christ, with a terracotta painted finish, 85.3 x 119cm. ÂŁ500-800 Provenance: From the collection of Sir Frank Brangwyn, his home The Jointure, Ditchling, East Sussex. The house and contents were purchased on his death by the father of the current vendor and amongst them was the present lot.

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591. Arthur George Walker (1861-1936). An early 20th century bronze ‘The Thorn’, of a female nude, standing on a rocky outcrop, on a turned green marble plinth, signed with monogram ‘AGW’, 54.1cm high. £600-800 ‘The Thorn’ was exhibited at the Royal Academy in 1903.

See M.H. Spielmann, British Sculpture and Sculptors of Today, p.102.

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592. A modern bronze figure of Sir Winston Churchill, standing at a BBC microphone making a speech, the base stamped ‘DA Fryers Studios’, limited edition ‘3/25’, 75.5cm high. £1,500-2,500

592

593. A modern bronze figure of Queen Elizabeth II, holding the orb and septre and dressed in ceremonial robes, wearing her crown, standing on a stepped plinth, the base stamped DF1/10, 71.1cm high, 45.2cm wide. £1,000-1,500

186

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NATURAL HISTORY & SPORTING ITEMS

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594

594. An ash fishing rod wall rack, with a number of fly fishing rods, including some by Hardy’s, 74.3cm high, 110.4cm wide. £100-200 595. A 1950s blue and clear glass cocktail shaker, decorated with a fishing fly, together with three matching glasses, 23.6cm high.

(4) £100-150 596. A 19th century ebony and brass mounted fish priest, with a ribbed handle, 22.7cm long. £100-150 597. A late Victorian taxidermied pike, mounted in a naturalistic setting, with a paper label inscribed in pen ‘Pike 15lb, Caught and Preserved by J. Gillson Taken from the Thames Bank... 1894’, in a bowfront glazed gilt and ebonised case, 42.2cm high, 108.5cm wide, 15.5cm deep. £300-500 595 596

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597

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598. A George V Scottish carved and painted pine model of salmon attributed to Malloch, the back inscribed ‘KILLED BY E.S. SCOTT SMITH NO. 3 BEAT MAY 1925 40 1/2 LBS’, possibly a shop sign, with brass suspension rings, 124cm long. £2,000-3,000

599. A late Victorian Scottish skin mounted model of a trout by Malloch, titled ‘CAUGHT IN LOCH BADDEN JULY 1894’ and with maker’s label inscribed ‘P. D. MALLOCH, Fishing Tackle Makers, 209 HIGH ST., PERTH’ in a glazed and ebonised barrel front case, 33.8cm high, 71.8cm wide, 15.2cm deep. £500-700

600. A pair of George V taxidermied roach, in a naturalistic setting and in a gilt and ebonised bowfront Cooper style case, inscribed ‘ROACH, Caught by J. C. DENNIS at Fordingbridge, Sept. 21st 1913. Weights. 2lb’s & 2lb’s 2oz’s’, 44.5cm high, 78cm wide, 18.7cm deep. £150-250

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601

601. Archery interest. A Victorian painted pine wall hanging bow rack, containing: three lady’s bows and a quantity of arrows, 90cm high, 150cm wide. (A lot) £400-600

602. Archery interest. A Victorian oak free standing bow rack, of hinged 'A' shape form, with apertures for eight bows and with leather supports, stamped with a patent number '18980', 160.5cm high, 69cm wide, together with three gentlemen's bows. (4) £500-700

603

603. A brown leather game bag, together with a canvas gun sleeve by Brady, and a leather pouch. (3) £80-120

602

604. A George V bamboo horse measuring walking cane, with a silver button and mount, hallmarked for 1922, revealing a boxwood and brass mounted measure with a hinged arm, 90.5cm long, together with a briar and leather handled carriage whip. (2) £300-400

605. An oak boot jack by Tom Hill, with an ivorine plaque inscribed ‘TO HILL LONDON S.W.1. (Knightsbridge) Ltd.’, numbered ‘2753’, 87.6cm high. £200-300

604 605

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606. A Victorian taxidermied snowfinch by F. W. Wilson, in a naturalistic setting, with a green printed label inscribed ‘F. W. WILSON, Estab.1852, Naturalist, Plumassier and Furrier, WESTGATE HOUSE, High Street, Sydenham, Prize Medal 1862’, in a glazed domed case, with traced of gilding to the wood base, 32.1cm diameter. £100-150

607. A late Victorian taxidermied owl, in a naturalistic setting, in an ebonised and glazed case, 70.9cm high, 45.5cm wide, 26cm deep. £200-300

608. A pair of painted fin whale’s eardrums, decorated with faces, indistinctly signed ‘ALBERTS’, possibly sailor’s work, 14cm long (max).

(2) £800-1,200

608

609

609. Three whale’s eardrums, 13.5cm long (max). (3)

£300-400

610. A large pair of French carved and painted wood decoy geese, £100-150 37.5cm high, 70.7cm long. (2) Provenance: By repute from the Jean Marais collection, Marnes-la-Coquette.

610

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612

611

611. A late Victorian carved ash and antler wall hanging stick rack, in the form of four walking canes, with brass ferrules, applied with hooks, 95.8 x 98cm. £600-800 612. A Coco de Mer (Lodoicea Maldivica), 30.5 x 29.5cm.

£200-300

613. A pair of late 19th century hippo tusk ornaments, with naturalistic bronze mounts, 31.7cm high, 31cm wide. (2) £400-600 613

614. A late Victorian bog oak collector’s cabinet, the carved scale top with a plaque inscribed ‘MADE BY Robert Garnett & Sons, WARRINGTON, FROM BOG OAK 3000 YEARS OLD DISCOVERED AT Thelwall, Cheshire, WHEN CUTTING The Manchester Ship Canal in 1891’, above a pair of panelled doors enclosing eight slides, containing a collection of shells, minerals, counters, buttons, pottery shards and other items, 55cm high, 34.3cm wide, 24.3cm deep. £200-300 615. A late Victorian brass mounted hoof candlestick by Rowland Ward, with an urn shape sconce, the base stamped ‘ROWLAND WARD & CO. £80-120 LIMITED, THE JUNGLE 166 PICCADILLY’, 13cm high.

614

192

615

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616

617

616. Four petrified wood specimens, one with a stand, 27.5cm (max). (5) £200-300 617. Three petrified wood specimens, of cross section form, 27cm (max). (3) £100-150 618. Five petrified wood specimens, of cross section form, 23cm (max). (5) £150-200 619. Six hardstone and petrified wood carved eggs, with stands, together with three oval paperweights, 13.7cm (max). (15) £200-300

618

619

193

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620

620. A red agate specimen, 14.8cm.

£150-200

621. A desert rose specimen, selenite crystal, possibly from the Sahara, of typical rosette form, 26.5cm, together with two windblown specimens, one on a wooden plinth. (4) £100-150

621

622

622. A fossilised coconut tree root, on a hardwood stand, 27.3cm. (2) £150-200 623. A phillipsite specimen, of the zeolite group, 23cm. £100-150

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ORIENTAL FURNITURE, WORKS OF ART, CARPETS & RUGS

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624. A large Japanese Imari bowl and cover, decorated with panels of hawks, with flowers and butterflies, 18th century but restored, £300-500 48.3cm high, 36.5cm diameter.

Provenance: The Marquess of Tweeddale, Yester House, Gifford, East Lothian.

624

625 625. A pair of Japanese ivory Shibayama tusk vases, each with a hardwood lid and base, the bodies inlaid with gilt and mother of pearl with a basket of flowers, a grapevine, an urn, teapot and leaves, on ball feet, Meiji 1868-1912, 8cm high. (2) £500-800

626. A large pair of Japanese porcelain vases, painted with figures, buildings, with fish, octopuses and crayfish, with lacquered panels of two exotic birds and a view of Mount Fuji, the bases with a six character mark, late 19th / early 20th century, 69.9cm high. £300-500 627. A Korean black lacquer garden seat, polychrome painted with dragons chasing a flaming pearl in a watery landscape, with brass mon ring handles, late 19th century, 42.4cm high, 27cm wide. £150-200

626

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628. A modern Chinese hardwood cabinet, incorporating a pair of possibly 18th century carved wood panels, decorated with vases of flowers, a teapot, an incense burner and other items, the reverse carved, one with tigers, the other with deer, the interior with divisions and two drawers, 96.8cm high, 117.7cm wide, 48cm deep. £300-500

628

629. A 19th century Chinese lacquer tray, decorated in gilt with figures in a watery landscape, with pagodas and with an outer border of dragons, later mounted on an ebonised and gilt stand, 40.6cm high, 43.7cm wide, 31.8cm deep. £200-300 629

630. An Edwardian mahogany coffee table, the top inset with a Chinese scroll painting on silk attributed to Qiu Ying (1494-1552), depicting two huntsmen with bows and their dog in a mountainous landscape with pine trees, accompanied by attendants, all on horseback, signed with characters, with a frieze drawer and on ‘X’ frame supports, the painting: 79 x 41.3cm, the table, 47.3cm high, 91.3cm wide. £200-300

630 top

197

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632

631

631. A small collection of Chinese rice paper paintings, depicting boats and figures the majority wearing robes, all mounted, late 19th / early 20th century, 18.8cm high (max). (7) £100-150 632. An early 19th century Chinese Canton ivory fan, relief carved with figures, buildings, trees and flowers, 28cm wide. £100-150

633

633. A Chinese silver model of a junk, with three masts, the deck with figures and seven cannon, mounted on a swirling wave hardwood stand and on a hardwood base, early 20th century, 36.5cm high, 30cm wide. £250-350 634. Indo-Chinese School. A pair of late 19th century watercolours on ivory, depicting tigers in landscapes, 9.5 x 13.5cm, each in a gilt and ebonised frame. (2) £200-300 635. Twelve Thai celadon glazed pottery medicine heads, each mounted on a Perspex plinth and in a Perspex case, 5cm high (max). (13) £200-300 Provenance: By repute excavated at Sukhothai, the first capital of the kingdom of Siam.

634 635

198

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636. An Anglo-Indian rosewood octagonal occasional table attributed to M. Yusuf Ali & Sons, ivory inlaid with flowers and foliage, the top with a rosette, with mihrab arch legs, early 20th century, 46.8cm high, 40.8cm wide. £200-300 See Amin Jaffer, Furniture from British India and Ceylon, p.164 for a similar example.

636

637. An Anglo-Indian hardwood octagonal occasional table, ivory, bone and ebony inlaid, the lift-off top decorated with scrolling leaves and flowers, above a folding base with mihrab arches, the underside with a paper label stamped ‘MADE IN BRITISH INDIA’, late 19th / early 20th century, 46.4cm high, 49.5cm wide. £200-300

638. An Anglo-Indian rosewood octagonal occasional table, inlaid with ivory, bone and ebony, the detachable top decorated with a star, with scrolling foliage and a chevron edge, on a folding base with mihrab arches, late 19th / early 20th century, 62.4cm high, 66cm wide. £400-600

639. An Anglo-Indian rosewood octagonal occasional table, inlaid with ivory, bone and ebony, the detachable top inlaid with a floral chequer board and scrolling foliage, with a chevron edge, on a conforming folding base with mihrab arches, late 19th / early 20th century, 62.7cm high, 66.3cm wide. £500-800

640. A Moorish hardwood octagonal occasional table, inlaid with mother of pearl with geometric decoration, and on mihrab arch legs, late 19th / early 20th century, 56.8cm high, 41.2cm wide. £150-250

640

199

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642

641. A 19th century Anglo-Chinese rosewood campaign or naval chest in two halves, the top with brass holes possibly for a gallery, above four long drawers with sunken brass handles, on turned feet with brass side carrying handles, 92.4cm high, 70.8cm wide, 36cm deep. £300-500 642. A 20th century Anglo-Chinese camphorwood writing slope, the interior with a leather lined surface and compartments for pens, ink £150-200 and stationery, 26.8cm high, 49.8cm wide, 44.9cm deep.

641

643. A 19th century Ceylonese ebony and porcupine quill writing slope, with ivory and bone inlay, the interior with urns of flowers, birds and elephants, together with a Ceylonese inkstand, carved with an elephant, 37.5cm wide (max). (2) £150-250 644. An Indian polychrome decorated wood and metal window shutter, painted with a man and three women, within floral borders, possibly Rajasthan, 42 x 38.5cm, mounted on a later Perspex plaque. £200-300 645. An Indian lacquered wood box lid, polychrome and gilt painted, with figures, elephants, carriages and deer with buildings, probably Rajasthan, 14.3x 29.7cm, mounted in a later Perspex box. £200-300 643

645

200

644

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646. An Indian carved wood panel of a couple in an erotic embrace, with an attendant child, the base with a painted inscription, possibly Tamil Nadu, 18th century, 49.6cm high, 29cm wide. £200-300

646 647. Indian school. A miniature painting on ivory of the Taj Mahal, 8.3 x 12.5cm, in a plush outer frame. £100-150

647 648. Indian school. A pair of miniature paintings on ivory, depicting the Qutub Minar tower and the interior of the Red Fort, late 19th / early 20th century, 9 x 13cm, in ebony frames carved with scrolling flowers and foliage. (2) £200-300

649. A pair of Anglo-Indian turned ivory candlesticks, with square stepped bases, early 20th century, 21.7cm high. (2) £200-300

649

648

201

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650. A large 19th century Indian printed silk shawl, the central panel decorated all over with boteh, 322 x 164cm. £300-500

651. Two 19th century Ottoman embroidered linen hand towels, one worked with metal thread with urns of flowers, the other with leaf borders, 57 x 40cm. (2) £80-120

652. A Turkish Anatolian kilim prayer rug, with a green field, with braided warp ends, 180 x 79cm. £80-120

650 detail

651

202

652

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653. A large Turkish Anatolian kilim, woven in two halves, early 20th century, 352 x 160cm. £150-250

654. A Caucasian Lenkoran rug, south east Caucasus, late 19th / early 20th century, 268 x 122cm. £150-250

655. A Qashqai kilim, Fars region, south Persia, early 20th century, 255 x 189cm. £100-150

656. A Qashqai rug, Fars region, south Persia, mid 20th century, 225 x 142cm. £100-150

203

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657. Three Uzbekistan ghudjeri warp faced weave fragments, early 20th century, 185 x 118cm. (3) £80-120

659. Two jajim flat weaves, together with another flat weave, north west Persia, 20th century, 207 x 174cm. (3) £100-150

204

658. A warp faced weave saddle bag, with braided and woollen tassels, together with a Kurdish mat, a Fars bag, a north west Persian fragment and two needlework panels, 240 x 43cm (max). (6) £50-100

660. Four Turkish and Kurdish flat weave grain / storage sacks, 20th century, 170 x 124cm (max). (4) £100-150

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661. A Turkish Anatolian rug in Gendje style, with diagonal stripes and a star border, late 19th century, 158 x 107cm. £300-500

661 662

662. A Kurdish long rug, north west Persia, early 20th century, 260 x 136cm. £80-120 663. Three Caucasian soumac weave mafrash panels, late 19th / early 20th century, 98 x 54cm (max). (3) £150-250

663 664. An Alpan Kuba rug, south west Caucasus, late 19th century, 182 x 98cm. £100-150 664

205

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665

666 665. A Karabakh rug, with a triple medallion design, south west Caucasus, early 20th century, 169 x 112cm. £100-200 666. A north west Persia rug, with a herati field, modern, 220 x 148cm. £100-200 667. An Erivan rug, with a triple medallion, Central Caucasus, 20th century, together with a Moroccan small rug and an Afghan saddle bag, 134 x 105cm. (3) £100-150 668. An Afshar rug, south Persia, together with an Afghan kizalayak ensi, early 20th century, 179 x 135cm (max). (2) £100-200 669. Two north west Persia / Kurdish runners, early 20th century, 350 x 112cm (max). (2) £100-200

667

206

668

669

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

670 671 670. Two Afghan rugs, Afghanistan, mid 20th century, 210 x 120cm.

(2) £80-120 671. A Tekke Turkmen rug, Turkmenistan, early 20th century, with a Harvey Nichols retail label, 185 x 128cm. £100-150 672. A Turkmen rug, Turkmenistan, modern, 253 x 160cm. £100-150 673. An Afghan prayer rug, together with a Turkmen rug and a Hamadan rug, mid 20th century, 180 x 103cm. (3) £40-60 674. A Yomut chuval face, Turkmenistan, late 19th / early 20th £40-60 century, 79 x 99cm.

672

673

674

207

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675

675. A Regency style mahogany twin pillar dining table, the top with a reeded edge, on vase turned stems and ribbed splay legs and brass lion’s paw sabot and castors, comprising: a pair of ‘D’ ends and an additional leaf, 73.cm high, 228.3cm long, 101.3cm deep (max). £300-400 676. A rosewood coaching table, the hinged top on spiral twist ‘X’ frame supports, 75.8cm high, 67cm wide, 53.7cm deep. £200-300 677. An early 19th century mahogany three-tier whatnot, with acorn finials and attenuated bobbin supports, the base with a drawer, 142.8cm high, 48.8cm square. £200-300

676

678. A set of six mahogany dining chairs in George III style, each with a pierced splat back, carved with wheat ears, above a drop-in seat. (6) £200-300

677

208

678

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679

679. A mahogany triple chair back settee in Chippendale style, the back carved with leaves and with pierced interlaced splat backs, above a drop-in seat, on leaf-capped cabriole legs, on claw and ball feet, late 19th / early 20th century, 95.9cm high, 168cm wide, 59cm deep. £300-500 680. A walnut and giltwood wall mirror in George II style, the shaped plate within a leaf and scroll decorated frame, the sides with garlands of berries, fruit and flowers, early 20th century, 114.7 x 73.9cm. £200-300 681. A Victorian satinwood bedside tray-top cupboard, with kingwood banding, the galleried top pierced with a pair of handgrips, above a cupboard and a drawer with enamelled ring handles, 81.5cm high, 49cm wide, 44.5cm deep. £500-700 682. A mahogany bowfront side table, with a pair of frieze drawers, on square tapering legs and spade feet, 80cm high, 140.8cm wide, 51.8cm deep. £150-250

681

680

682

209

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683. An early Victorian satin birch cupboard, with two pairs of panelled doors, enclosing fixed shelves, with simulated walnut sides, 131cm high, 96.5cm wide, 32.7cm deep. £200-300

684. A 19th century mahogany open armchair, together with a William and Mary style stool, with matching upholstery (2) £80-120

683

685. A late Victorian mahogany collector’s chest, of eight graduated drawers, with turned wood knob handles, 81cm high, 67cm wide, 36cm deep. £200-300 686. A Victorian mahogany bookcase cabinet, with four adjustable shelves, above a pair of panelled doors, enclosing a shelf, 226cm high, 107.3cm wide, 45cm deep. £400-600

686

687. Two beechwood upholstered armchairs, on turned front legs and brass castors. (2) £50-100 687

210

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

688. A near pair of Victorian mahogany bookcase cabinets, each with a detachable cornice, above four adjustable shelves, with applied carved corbels, the base with a pair of panelled doors enclosing a shelf, with slight differences to measurements, one 242cm high, 109.4cm wide, 48.2cm deep, the other 243cm high, 106.3cm, 47.5cm deep. (2) £600-1,000

689. A Victorian walnut open bookcase, with fixed shelves and remains of leather dust guards, 103.9cm high, 147.9cm wide, 28.5cm deep. £300-500 690. No Lot

211

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691. A Victorian giltwood and gesso twin light girandole, the arched plate within a moulded leaf frame, with a scroll and cartouche surmount, the base with leaf scroll branches, the verso with a trade label for ‘T. J. PIKE Decorator and Gilder at Surbiton’, 97 x 46.8cm. £150-250

691

692

692. A pair of late 19th century gilt brass girandoles, each with a bevelled rectangular plate, within a scrolling leaf frame, with a female mask surmount and three leaf branches, 51.5 x 29.1cm, together with a French ormolu dressing table mirror, with an easel back. (3) £200-300

693. A William IV giltwood and gesso pier mirror, with an oval bevelled plate within a frame decorated with lappet carved batons, the frieze with an urn and scrolling foliage, 89.6 x 65cm. £200-300

693

212

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

694 694. A Victorian giltwood and gesso overmantel mirror in Rococo style, with an oval bevelled plate, within a leaf, scroll and rocaille frame, with a pair of cherubs holding swags of flowers, above a pair of shelves for porcelain figures, with a flower and cartouche cresting based with scrolling leaves, 126.5 x 154.3cm. £500-800

695. A pair of late 19th century Italian Florentine giltwood girandoles, each with an arched plate and moulded border, the frame carved with scrolls and flowers and with a shell surmount, the base with three lights with scroll arms, 78.2 x 44cm. (2) £200-400

696. A Victorian walnut nursing chair, covered with floral needlework, on ceramic castors. £200-300

695

696

213

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697. An Edwardian mahogany and marquetry display cabinet, with satinwood banding and inlaid with ribbon tied husk, swags and a Vitruvian scroll, with a pair of astragal glazed doors enclosing three £100-200 shelves, 170.9cm high, 124.5cm wide, 37.2cm deep.

697

698. A Victorian walnut and ebonised display cabinet, with gilt brass mounts and thuya banding, the interior with a mirrored back and three plush lined shelves, 107.1cm high, 77cm wide, 31.7cm deep. £100-200

698

699. A Victorian oak ‘antiquarian’ centre table in 17th century style, with a carved leaf frieze, on turned legs and Braganza style feet, 72.4cm high, 92.4cm wide, 58cm deep. £200-300

699

700

214

700. A walnut and burr walnut kneehole desk, cross and feather banded, the top with re-entrant front corners, above an arrangement of eight drawers around a central cupboard, 78.7cm high, 89.4cm £100-200 wide, 49.8cm deep.

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

701. An Edwardian satinwood display cabinet in Sheraton revival style, painted with ribbon-tied swags of flowers and with oval portraits of ladies, with a central concave section, flanked by a pair of doors, the interior with two glass shelves, 189.5cm high, 137cm wide, 43.5cm deep. £400-600

701 702. A late Victorian mahogany and marquetry standing corner cabinet, with an astragal glazed door enclosing two shelves, the base with a panelled door decorated with an urn, leaves and bell flowers, enclosing a shelf, 200cm high, 66cm wide, 37.5cm deep. £150-250 703. A Victorian carved oak Gothic hall seat, the back decorated with quatrefoil tracery, 100.1cm high, 126cm wide, 45.5cm deep. £300-500

702

703

704

704. A Victorian satin birch writing desk, the top with a raised back and inset with a gilt tooled brown leather writing surface, with four drawers on solid trestle end, united by a platform stretcher, on brass castors, 81.8cm high, 123cm wide, 61cm deep. £200-300

215

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705. A Victorian mahogany bedside cupboard attributed to Holland & Sons, with a three-quarter gallery, above a panelled door enclosing a shelf, 90.2cm high, 39cm wide, 37cm deep. £300-500

705

706

706. A quartetto nest of mahogany occasional tables, each with a quarter veneered crossbanded top, on ring turned spiral twist legs, late 19th century, 76.8cm high, 55.3cm wide, 39.9cm deep (max). (4) £400-600 707. A late Victorian walnut hall bench, with turned bolster lifts, 46.8cm high, 96.3cm wide, 25cm deep. £300-400 708. Two William IV giltwood and cream painted easy chairs, each with buttoned damask upholstery, on lappet carved tapering front legs and brass castors, stamped ‘COPE’S PATENT’. (2) £300-400

707

216

708

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Each lot is subject to a Buyer’s Premium of 25% plus VAT

709. An easy armchair by Howard Chairs, with part ‘H & S’ monogrammed ticking, on beechwood legs, the back left stamped ‘HOWARD CHAIRS LONDON W4 1796’, on brass castors. £800-1,200

709

710. An easy armchair by Howard & Sons Ltd., covered with part ‘H & S’ monogrammed ticking, on square tapering front legs, the back left leg stamped ‘HOWARD & SONS LTD. BERNERS ST. 18523 106’. £600-800

710

711. A late Victorian ebonised and marquetry side cabinet by Howard & Sons, with parquetry stringing, with two panelled doors inlaid with birds, leaves and a nest, stamped 'HOWARD & SONS BERNERS ST.', flanked by concave shelves to either side with mirrored backs, on turned tapering feet. £300-500

711

217

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712. A 19th century pollarded oak and ebonised writing table, the top inset with black leather, above a frieze drawer, with an ivorine plaque insribed ‘SPILLMAN & CO. ST. MARTINS LANE, LONDON.’, on reeded exotic hardwood tapering legs and Cope’s patent brass caps and castors, £1,000-1,500 75.3cm high, 111.7cm wide, 70.8cm deep.

712

713. A late Victorian walnut luggage rack by James Shoolbred & Co., the slatted top on turned tapering legs, the underside with an enamel plaque inscribed ‘JAMES SHOOLBRED & Co. TOTTENHAM HOUSE, ...TOTTENHAM COURT ROAD, LONDON’, stamped and numbered ‘3852’, £300-500 41.2cm high, 68.5cm wide, 43.7cm deep.

713

714. A Victorian oak and brass mounted hall bench attributed to James Shoolbred & Co., the back stamped with two registration lozenges for ‘13th December 1883’, 62.8cm high, 54.8cm wide, 32.6cm deep. £300-500

714

218

END OF SALE

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FURNITURE, WORKS OF ART & CLOCKS

INCLUDING THE COLLECTION OF THE LATE GEOFFREY HARLEY REMOVED FROM PICKWICK END, CORSHAM

Wednesday 11th April 2018

Closing date for entries: 2nd February 2018

ENQUIRIES Mark Yuan-Richards Tel: +44 (0)1722 411854 myr@woolleyandwallis.co.uk

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MODERN BRITISH ART FROM THE ESTATE OF THE LATE GEOFFREY HARLEY Wednesday 7th February 2018

Michael Ayrton (1921-1975) Icarus rising III From an edition of 9 Patinated bronze, 102cm high Estimate: £15,000 - £20,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: +44 (0)1722 424592 | jb@woolleyandwallis.co.uk

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ANTIQUITIES & TRIBAL ART

Wednesday 21st February 2018

A Greek marble female head Circa 4th century BC 34.5cm high Estimate: £8,000 - £12,000

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof.

For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The omega symbol ( ) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory.

Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is

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unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or . Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture, Works of Art & Clocks

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 10th January 2018 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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Auction Calendar SILVER 23rd & 24th January 2018 – Silver & Vertu 24th & 25th April 2018 – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 25th January 2018 – Jewellery & Watches 26th April 2018 – Fine Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk WATCHES 25th January 2018 – Jewellery & Watches 26th April 2018 – Fine Jewellery & Watches Adrian Hailwood +44 (0) 7775 788500 • ah@woolleyandwallis.co.uk PAINTINGS 7th February 2018 – Modern British Art from the estate of the late Geoffrey Harley 7th March - 2018 – Old Masters, British & European Paintings Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 20th February 2018 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk 20TH CENTURY DESIGN 21st March 2018 – Clarice Cliff, Art Deco & Design Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 10th April 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk MEDALS & COINS, ARMS & ARMOUR 3rd May 2018 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART, CHINESE PAINTINGS & JAPANESE WORKS OF ART 22nd & 23rd May 2018 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk

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