Woolley & Wallis Auctioneers

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Fine Jewellery

Thursday 26th October 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

MARKETING Lyndsey Harvey Tamzin Corbett

424590 424590

ASIAN ART John Axford MRICS ASFAV Jeremy Morgan Alex Aguilar Doméracki Freya Yuan-Richards Marta Olszewska

424506 424506 424583 424589 424591

ACCOUNTS Janice Clift (Office Manager)

424500

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Hollie Grubb SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Yuan-Richards Jim Gale Suzy Becsy

411854 339161 411854

JEWELLERY Marielle Whiting FGA Jonathan Edwards FGAA (Consultant) Charlotte Glyde

424595 424504 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director COMPANY SECRETARY Natalie Milsted FCCA ASSOCIATE DIRECTORS Janice Clift Clare Durham Will Hobbs Michael Jeffery Mark Yuan-Richards Rupert Slingsby Marielle Whiting FGA

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

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424500

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

FRICS FRSA

424599

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FINE JEWELLERY

Thursday 26th October at 11.00am VIEWING TIMES Saturday 21st October Monday 23rd October Tuesday 24th October Wednesday 25th October Thursday 26th October

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

Consultant Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Charlotte Glyde 01722 424586 cg@woolleyandwallis.co.uk BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% incl VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 25th October.

LIVE BIDDING ILLUSTRATIONS Front cover: Lot 1758 Back cover: Lot 1658 Inside front cover: Lot 1756 Page 1: Lots 1757, 1760, 1669, 1742, 1743 & 1730 Catalogue £12.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 25th October.

Please note there is a 3% +VAT surcharge for using this service.

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JEWELLERY & WATCHES

Thursday 25th January 2018 Entries are now being accepted for this sale

An Indian gold necklace, c1950, in the shape of yasmin buds and set with cabochon rubies, 250g.

Estimate: £10,000 - £20,000

ENQUIRIES Charlotte Glyde | Tel: +44 (0)1722 424 586 | cg@woolleyandwallis.co.uk

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Special Jewellery Notices Some lots are accompanied by gemmological certificates which give an opinion on some or all of the gem stones included in that particular lot.

These certificates may have been obtained by Woolley & Wallis or supplied by vendors. It is important to note that the content of these certificates is not guaranteed by Woolley & Wallis and we cannot be held responsible for any disagreement over the content of certificates after the sale, or for a retrospective change in opinion by the providers of any of the certificates.

Not all images are life-sized, weights and measurements in the catalogue are approximate only.

It is common practice for coloured stones including jade to be treated to enhance their appearance. This includes jade that has been bleached (usually in acid), polymer/resin filled or dyed, or a combination of any of these treatments. Prospective buyers should presume that all coloured stones sold by Woolley and Wallis have been treated unless stated to the contrary in the catalogue description. Please contact the department for more information regarding enhancement and treatment of coloured stones, and for condition reports which are available on single item lots.

Any dispute as to the authenticity of a lot, including signatures, age and condition, and as to the treatment of gem stones including pearls, synthetic diamonds and HTHP enhanced diamonds, must be brought to the attention of Woolley and Wallis within two weeks of the sale date.

Saturday collections by appointment. 10.00am to 1.00pm

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

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1200 1203

1201

1204

1200. A gold necklace, the yellow gold necklace with alternating plain and striated oval links with large bolt ring clasp, 59cm, 59g £800-1,200

1203. An oval-link 18ct gold watch chain, suspending a gold t-bar and a plain spinning citrine fob seal, 111g in total, 43cm long £1,500-2,000

1201. A yellow gold fancy-link tassel necklace, of textured twisted rope design and joined with a sliding rope-design clasp, the ends decorated with two yellow gold tassels, with Edinburgh hallmarks for 18ct, dated 2001, 87g £1,500-2,000

1204. A gold charm bracelet, the 9ct gold curb-link bracelet set with assorted gold charms including a piece of agate, a gold hedgehog, two articulated gold fish and a gold Buddha, 71.3g £500-700

1202. Two pairs of gold earrings, one designed as a fluted semisphere suspending a fluted sphere in yellow gold. The other pair designed as a pear-shaped section suspending a larger gold hoop.

17g in total £400-600

1205. A gold charm bracelet, the 9ct gold oval-link bracelet suspends ten gold charms including a gold mounted sovereign, a gold lion and a gold fob seal, with a further heart-shaped amber charm, 20.5cm long, 122g £1,000-1,500

1202

6

1205

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1207

1206

1208 1206. A ruby-mounted gold ring, the pearshaped ruby cabochon set in a medieval style mount, approx. size J, with a jademounted gold ring, approx. size L £300-400

1207. A Roman intaglio-mounted gold ring, the oval-shaped carnelian crudely carved with a running deer, later mount, approx. size H and a Roman intagliomounted gold ring, the oval carnelian crudely carved with a warrior in modern gold mount, £400-600 approx. size M

1208. A gold tassel pendant, the spherical upper section decorated with diamond-set lozenges and suspends articulated gold tassels, with a diamond-set bale and a gold chain, set in yellow and white gold, London import marks for 1978, pendant 6cm long, chain 60cm long £400-600

1209

1209. A single-row oval amber-bead necklace, 61cm, 67g £600-800 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted.

The colour of the amber may vary from the catalogue or online illustration.

1210. A single-row graduated amberbead necklace, the oval beads graduate from 0.9-2.6cm, necklace 113cm, 140g £600-800 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted.

The colour of the amber may vary from the catalogue or online illustration.

1210

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1213 1211

1212

1211. A single-row coral bead necklace, the large central bead measures 1.5cm and suspends a gold and coral-bead pendant, 56cm, 76g £800-1,200

1212. A coral bead and rock crystal necklace, the pairs of demi-spherical coral beads alternately-set with rock crystal rondels, 135cm, 36g £400-600

1214

1213. A single-row cultured pearl necklace, the pearls graduate from 7.07.5mm with an egg-shaped white gold clasp set with lines of graduated round brilliant-cut diamonds, 20cm £600-800

1214. A two-row cultured pearl necklace, the cultured pearls graduate from 3.788.94mm, the clasp millegrain-set with diamonds and a central yellow paste, in platinum and gold, 42cm longest £600-800

1215. A two-row cultured pearl necklace, the clasp set with a cabochon emerald and diamonds, 42cm longest £300-400

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1215

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1216

1218 1217

1220 1216. A Happy Diamonds ring by Chopard, the white gold band is set with an articulated heart which suspends a loose diamond within, with a matching white gold pendant on fine-link white gold neck chain and a matching pair of earrings, in white gold, signed Chopard £1,000-1,500

1218. An Edwardian pearl and diamond pendant, the central pearl suspending an articulated diamond-set laurel and a further section of tesselated squares each with a diamond suspended within and pearls at each corner, on a fine-link platinum neck chain, 39cm long £400-600

1217. An opal and diamond pendant, the solid white opal is set on a white gold chain with interlocking lozenges set with circular-cut diamonds, with a matching pair of earrings, the interlocking lozenges alternately-set with baguette-shaped and circular-cut diamonds in £800-1,200 white gold

1220. A late 19th-century enamel and diamond brooch by Mrs Newman, celebrating the 55th year of the reign of Queen Victoria, the lozenge-shaped brooch set with a surround of rose-cut diamonds and a millegrain border enclosing the numbers 1837-1892 and VR with enamel laurels and a bow, in yellow gold, with the plaque for Mrs N to the reverse, 5.2cm £300-400 wide, case by Carrington

1219. A cultured pearl and diamond pendant, the three cultured pearls set within scroll border of circular-cut and baguette-shaped diamonds in white gold, on white gold neck chain £600-800

1221. An Edwardian seed pearl and peridot pendant, of scroll design, set with oval-shaped peridots and seed pearl leaves in yellow gold, 43cm long £400-600

1219 1221

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1222. An Art Nouveau amethyst and mother-of-pearl silver pendant, of naturalistic foliate design and set with five amethysts, suspending an articulated pearl drop, on fine-link silver neck chain, the chain 48cm long, the pendant 6.5cm long £200-300 1223. An opal and mother-of-pearl silver necklace attributed to Arthur and Georgie Gaskin, each gem-set plaque set within a surround of pierced foliate decoration, the links conjoined with smaller silver links set with hexafoils, on a fine-link silver neck chain, 41cm long £2,000-3,000 1224. A continental silver pendant, set with two blue synthetic spinels and four half pearls, with foliate scroll decoration and a purple enamel flower in silver, on silver fancy-link chain, maker’s mark PV to the clasp, chain 38cm long £600-800 1225. An Art Nouveau diamond and sapphire pendant, millegrain-set with graduated circular-cut diamonds to the scroll design, centred with a circular-cut diamond with three diamond-set articulated pendants in platinum, on a modern 18ct finelink gold neck chain, pendant 5.5cm, chain 46cm £800-1,200 1226. An Arts & Crafts pendant by Murrle Bennett & Co, the open-work silver pendant with stylised poppies on a blue and turquoise enamel ground, suspending a small pearl, with signature to the reverse and stamped 950, on a fine-link silver neck chain, pendant 3.3cm wide, chain 50cm £300-400 1227. An Art Nouveau brooch by Evald Nielsen, of open-work lily pad design and mounted with five oval-shaped moonstones to the flowers, signed to the reverse with initials E.N. in script and 830, 8.5cm high £600-800 1228. An Arts & Crafts gold, enamel and pearl pendant, centred with an oval-shaped pearl in foliate mount on a green and blue enamel ground suspending a baroque-shaped pearl with a stylised fleur-de-lys pendant loop, on a fine-link gold neck chain, 60cm £300-400 1229. A gem-set silver pendant by Arthur and Georgie Gaskin, the central circular section set with mother-of-pearl surrounded by laurels set with pink tourmalines and green pastes, suspending a mother-of-pearl drop beneath, applied to the reverse with the letter ‘G’ for Arthur and Georgie Gaskin, pendant 6cm long, chain 41cm £300-400 1230. An abstract silver brooch by Georg Jensen, of open-work foliate design and set with seven cabochon moonstones, marked Georg Jensen to reverse and design number 159, with London import marks for 1996, 4.6cm wide £300-400 1231. An Arts and Crafts silver brooch, c1920, the quatrefoil design brooch centred with a large oval-shaped amethyst, within a border of silver foliate clusters and emerald-cut amethysts, set in silver, attributed to Edith Linnell £200-300 1232. An early 20th-century Virgin Mary pendant, the carved shell pendant depicting Mary with a halo of calibré-cut £600-800 sapphires within a frame of seed pearls and quartered with four small diamonds, 2.7cm 1233. An Art Nouveau enamel, moonstone and ruby pendant, set with a central articulated cabochon moonstone within blue enamel scroll border, the bale and lower pendant section set with a ruby in gold, 4.5cm high, case £300-400 1234. An Art Nouveau diamond-set gold fob watch, the small hunting-cased watch engraved with a sunset, a trefoil diamond flower and green enamel leaves to the front, the reverse with similar foliate decoration on matted ground, the conforming gold suspension brooch with shaded enamel decoration and set with rose-cut diamonds to the scrolling foliate form, Swiss movement, 2.5cm wide, fitted case £600-800 1235. A silver foliate brooch by Georg Jensen, of quatrefoil design set with a central paste cabochon, with further blue paste cabochons forming the stamens of the flowers, signed to the reverse Georg Jensen, design number 173 £400-600 1236. An early 20th-century bird brooch, in the form of a swallow decorated with shaded enamel (damaged), small diamonds set to the wings and ruby eye, 4cm wide £300-400 1237. A silver foliate bracelet by Georg Jensen, each stylised link set with a chrysoprase cabochon, design number 3, stamped GJ and Denmark Sterling 925, 19cm long £600-800 1238. An Art Nouveau sapphire and diamond-set bracelet, the centre section set with three graduated circular-cut sapphires with the open-work foliate decoration set with small rose-cut diamonds, the floral decoration repeated to the three circular discs which separate the three-row white gold bracelet sections, 17.5cm, fitted case by Liberty £600-800

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1223

1222

1224

1225

1228

1226 1229

1227

1230

1234 1231

1233

1236 1235

1232

1237

1238

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1239. An opal bead necklace, the single row of beads graduate from 7.0-12.3mm, the platinum clasp centred with a marquise-shaped diamond within a surround of smaller circular-cut diamonds in platinum, French control marks, 49cm £2,000-4,000 1240. A pair of cultured and seed pearl-set drop earrings, formed with seven tassels of seed pearls, each terminating with a larger cultured pearl and suspending from a scroll upper section alternately-set with two lines of small diamonds and two lines of seed pearls, each 5cm £800-1,200 1241. A pair of kunzite and diamond drop earrings, each pear-shaped kunzite suspends from an articulated line of three graduated circular-cut £2,000-3,000 diamonds and a white gold diamond-set cap, approximate total diamond weight 1.5cts, each earring 5.5cm 1242. An amethyst and diamond cluster ring, the oval-shaped amethyst set within a surround of fourteen round brilliant-cut diamonds in platinum and gold, London marks for 1976, size Q ½ £400-600 1243. A diamond-set bombé ring, pavé-set with round brilliant-cut diamonds in white gold, size P

£1,000-1,500

1244. A sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 3.00cts and is set within a surround of circularcut diamonds in white gold, size M ½ £800-1,200 1245. A diamond five-stone ring, the graduated circular-cut diamonds set in carved and pierced yellow gold mount, London marks for 1967, size M ½ £500-700 1246. A diamond and sapphire three-stone ring, the old circular-cut diamond set with two circular-cut sapphires in platinum and gold, size L ½ £1,200-1,300 1247. A diamond five-stone ring, the five graduated diamonds rub-over set in white gold, size L ½

£800-1,200

1248. A sapphire and diamond half-hoop ring by Tiffany & Co, alternately-set with circular-cut sapphires and diamonds channel-set in platinum, stamped Tiffany & Co to inside shank, size L £400-600 1249. A diamond solitaire ring by Tiffany & Co, the round brilliant-cut diamond weighs approximately 0.75cts and is rubover-set in white gold, signed Tiffany & Co, size P ½ £800-1,200 1250. A diamond three-stone ring, the old circular-cut diamonds set in platinum and yellow gold, size L, case

£300-400

1251. A pair of diamond stud earrings, the old circular-cut diamonds weigh approximately 0.90cts total, in diamond-set coronet mounts with £800-1,000 screw fittings 1252. A tsavorite garnet and black diamond feather pendant, the stylised yellow gold feather pavé-set with circular-cut tsavorite garnets and black diamonds, 7.7cm long £800-1,200 1253. A morganite and diamond cluster ring, the oval-shaped morganite is set within a surround of circular-cut diamonds in platinum and yellow gold, size M £800-1,200 1254. A tanzanite and diamond pendant, the pear-shaped tanzanite set in pierced mount suspends from a triangular-shaped rubover-set diamond on an 18ct white gold snake-link chain, 42cm £500-700 1255. A pair of diamond cluster stud earrings, the round brilliant-cut diamonds set in a textured foliate white gold mount

£1,000-1,500

1256. A cultured pearl and emerald pendant, the carved emerald set with cabochon sapphire terminals above a cultured pearl and suspended £1,500-2,000 from a diamond-set bale in yellow gold, stamped A.Clunn to reverse, 5.2cm long 1257. A diamond-set horseshoe brooch, set with old cushion-shaped diamonds in platinum and gold, 3cm high

£600-800

1258. A carved emerald plaque brooch, the oval-shaped carved emerald within a carved and pierced yellow gold border set with pink and £800-1,200 blue sapphires, pendant loop to reverse, 4cm long Accompanied by report number 5777-9040 dated 2nd March 2017 from GCS, London stating that the oval-shaped emerald weighs approximately 16cts and is a natural emerald with indications of significant clarity enhancement, origin: Zambia 1259. A pair of rectangular morganite earrings, the emerald-cut morganites set within tri-colour gold foliate rectangular borders, screw £600-800 fittings, each earring 1.9cm high 1260. A ruby and diamond cluster ring, the oval-shaped ruby set within a surround of ten round brilliant-cut diamonds in gold, size V £800-1,200 1261. An emerald and diamond cluster ring, the square emerald-cut emerald set within a surround of circular-cut diamonds and diamond shoulders in white gold, size N ½ £600-800 1262. A colour-change sapphire and diamond cluster ring, the oval-shaped cabochon sapphire set within a surround of circular-cut diamonds in platinum, size P £4,500-5,000 Accompanied by report number 77113-40 dated 31st July 2017 from GCS, London stating that the cabochon sapphire weighs approximately 10.5cts, and is a natural colour-change sapphire exhibiting dark blue in daylight and dark purple in incandescent light, with no indications of heating, origin: Sri Lanka (Ceylon)

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1241

1240

1242

1245

1248

1243

1246

1249

1244

1247

1250

1251

1239

1255 1254 1253 1252 1260 1259 1261 1256 1257 1262 1258

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LADY OTTOLINE MORRELL (1873-1938)

Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

Lady Ottoline Morrell, was the youngest child of Lieutenant-General Arthur Cavendish-Bentinck and his second wife, Augusta Mary Elizabeth Browne.

In 1902 she married Philip Morrell, a Liberal MP. They socialised with the Bloomsbury Group, Bertrand Russell, (with whom she had a stormy love affair), writers such as T.S. Eliot, Aldous Huxley, D.H. Lawrence and artists such as Augustus John, the brothers Stanley and Gilbert Spencer.

Her intrigue, unusual beauty and style was parodied in several novels; most famously as Hermione Roddice in D.H. Lawrence's "Women in Love". Aldous Huxley satirized her home Garsington Manor, and Ottoline as Priscilla Wimbush, in "Crome Yellow".

Her epitaph at Garsington Church was composed jointly by T.S .Eliot and Virginia Woolf, her memorial by Eric Gill.

Lady Ottoline wearing lot 1271 1263. A diamond solitaire ring, the old circular-cut diamond set with a trefoil of diamonds to each shoulder in platinum and yellow gold, size I ½, case £600-800 Provenance: Julian Vinogradoff, daughter of Lady Ottoline Morrell, and thence by descent to the current owner 1264. A heart-shaped emerald and diamond cluster ring, the emerald set within diamond border in silver and gold, size N

£600-800

Provenance: Lady Ottoline Morrell and thence by descent to the current owner 1265. An early 20th-century fancy yellow diamond cluster ring, the cushion-shaped diamond set within a surround of demantoid garnets in platinum and yellow gold, size M ½ £2,000-3,000 Provenance: Lady Ottoline Morrell and thence by descent to the current owner Accompanied by report number 77119-13 dated 15th September 2017 from GCS, London stating that the cushion-cut diamond weighs approximately 1.5cts and is a natural fancy-intense yellow diamond with VS clarity and strong fluorescence 1266. An early 19th-century gold snake mourning brooch, the stylised serpent set with pearls and coiled around a glazed locket compartment containing hair, with inscription to reverse for ‘Sarah Parker 1821’, 3cm wide £200-300 Provenance: Sarah Parker was a forbear of Philip Morrell, and thence by descent to the current owner 1267. A pair of 19th-century diamond drop earrings, the articulated teardrop sections set with rose-cut diamonds in silver cut-down collets on closed-back gold settings, 5.8cm high, case by Collingwood £100-200 Provenance: Lady Ottoline Morrell and thence by descent to the current owner 1268. A pair of 19th-century paste earrings, of girondolle form and set in silver, 9.2cm long

£100-200

Provenance: Lady Ottoline Morrell and thence by descent to the current owner 1269. A pair of natural pearl and enamel girondolle earrings, the upper target section set with graduated pearls within matte green enamel £200-300 scrolls, suspending a further enamel and pearl panel suspending five pearl drops in gold, silver screw back fittings, 3cm wide Provenance: Lady Ottoline Morrell and thence by descent to the current owner Accompanied by original receipt dated March 30th 1936 from Cameo Corner, 1 New Oxford Street, London 1270. A 19th-century gold heart-shaped brooch/pendant, decorated with blue enamel, diamonds in the shape of a heart and a border of £200-300 pearls in silver and gold, with glazed locket compartment to reverse containing hair, 4.2cm high Provenance: Julian Vinogradoff, daughter of Lady Ottoline Morrell, and thence by descent to the current owner 1271. A gem-set silver necklace, each bombé link set with a cabochon garnet within a surround of turquoise cabochons, faceted garnets £150-250 and enamel decorated foliate and scroll pierced surround, with two additional spare links and a matching brooch Provenance: Lady Ottoline Morrell and thence by descent to the current owner. Illustrated in the portrait of Lady Ottoline Cavendish-Bentick by James Sant 1272. A gem-set silver pendant, of open-work design and set with emeralds, pearls and pink stones, in twisted rope design surround and suspending a further emerald drop in closed back silver mount, 8.5cm long £100-200 Provenance: Lady Ottoline Morrell and thence by descent to the current owner 1273. A gold-case fob seal with a carnelian matrix bearing the Morrell coat of arms, with a smaller gold-cased fob seal bearing the crest for Revd Deacon Morrell £150-250 Provenance: Philip Morrell by descent 1273A. An Edwardian diamond-set jabot pin, each lozenge-shaped terminal millegrain-set with old circular-cut diamonds in platinum and yellow gold, 8cm long, case £200-300 Provenance: Julian Vinogradoff, daughter of Lady Ottoline Morrell, and thence by descent to the current owner

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1263

1264 1266

1265

1267

1269

1268

1273 part

1270

1273 part 1272

1273A 1271 part

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1274. A Victorian turquoise and diamond pendant, the diamond and pearl-set bow suspends a turquoise and diamond scroll pendant with a pearl drop, set in silver and gold, on fine-link platinum neck chain £1,000-1,500 1275. A pair of Victorian gold drop earrings, the five-sided earrings applied with filigree foliate designs to the lower £600-800 sections, the upper sections each set with a small ruby to the filigree flower head, 6.5cm high, fitted case 1276. A sapphire and diamond cluster ring, the emerald-cut sapphire set within a surround of rose-cut diamonds in yellow gold, size S £600-800 1277. A 19th-century diamond five-stone ring, the graduated circular-cut diamonds set with diamond pointers in carved and pierced yellow gold mount, size O £800-1,200 1278. A Victorian blue enamel bangle, set with a central pearl in yellow gold, 5.5cm inner diameter

£1,000-2,000

1279. A Victorian amethyst necklace, the graduated oval-shaped amethysts set in silver-gilt coronet mounts and conjoined with circular-link gold chain, 36cm long £400-600 1280. A seed pearl sautoir, formed as two twisted rows of seed pearls, with citrine-set gold and silver cluster clasp, 50cm £2,500-3,500 1281. An early 20th-century sapphire and diamond cluster ring, the oval-shaped cabochon blue sapphire millegrain-set within a surround of rose-cut diamonds in platinum, size O £400-600 1282. A 19th-century enamel and diamond locket pendant, the circular pendant with blue enamel ground applied with a diamond-set forget-me-not in yellow gold, with glazed locket compartment to reverse, 2.8cm wide £400-600 1283. A cultured pearl and diamond scroll brooch, the open-work brooch millegrain-set with old cushion-shaped £600-800 diamonds in silver and gold, suspending drop-shaped cultured pearls, 6cm high 1284. A twisted rope-design cultured pearl necklace, with a Victorian gold and blue enamel clasp set with a line of six seed pearls, 34cm long £300-400 1285. A Victorian suite of matching earrings and a brooch, the brooch set with realistically formed hand holding a fan which opens and closes on a spring, set with blue and red glass cabochons and seed pearls in gold, with matching earrings, fitted case £800-1,200 1286. An Art Nouveau seed pearl and diamond brooch, of stylised foliate design, set in yellow gold, 3.2cm high, with a late 19th-century seed pearl and diamond abstract stick pin, 6.8cm high £400-600

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1278

1274

1280

1276

1281

1277 1279 1275

1282

1283

1286 1285

1284

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1287. A Cartier Tank Francaise steel and gold wristwatch, quartz movement, the signed square guilloche dial 1.8cm with black Roman numerals, date aperture, steel and gold Cartier band with deployant clasp, case numbered 626519CE 2465, secret signature at VII, 15.5cm long £1,200-1,600 1288. A lady’s steel and diamond wristwatch by Le Marquand, quartz movement, the purple dial with chronograph, date aperture and sweep seconds hand, the bezel set with diamonds, steel case, leather band with deployant clasp, Andre Le Marquand case, 15.5cm long £450-550 1289. A Cartier Tank Francaise steel wristwatch, automatic movement, signed square guilloche dial 2cm with black Roman numerals, date aperture, steel Cartier band with deployant clasp, numbered 129419CE 2302, secret signature at VII, £1,200-1,600 cabochon sapphire winder, 16.5cm long 1290. A Jaeger-LeCoultre Reverso Squadra Lady Duetto white gold wristwatch, automatic movement, one side with white gold Roman numerals applied to the signed guilloche face measuring 2.2cm, centred with moon phases, diamond-set upper and lower bezel, the reverse with alternate Arabic numerals to the signed guilloche dial and exposed winding disc, automatic movement, £2,500-3,000 model 235.8.76 3033119, leather band with white gold Jaeger-LeCoultre deployant clasp, 23cm long 1291. A Cartier Tank Francaise steel Chronoflex wristwatch, automatic movement, the signed rectangular dial 2.5cm with black Roman numerals, minute and hour recording subsidiary dials, sweep seconds dial and date aperture, push button stop/start chronograph, steel Cartier deployant clasp, the case numbered 198861 2653, secret signature at VII, 17cm long £1,200-1,600 1292. A gentleman’s pink gold Tonneau wristwatch by Cartier, the signed guilloche dial with black Roman numerals and secret signature at VII, the case signed to the reverse and numbered 2458B 0264AF, 4.5cm high, leather band with Cartier pink gold deployant clasp, cased with instruction manual, cleaning kit and additional presentation cushions, £3,000-5,000 16cm long Provenance: Property of Sir Michael Codron 1293. A titanium and 18ct gold Declaration wristwatch by Cartier, silver sunburst effect dial with curved rectangular case, set with a quatrefoil of circular-cut diamonds and numbered 80113CE2611, with eight three-colour gold sliding rings, £1,800-2,500 one set with small diamonds, black silk band with white gold deployant clasp, 15.5cm long, Cartier box 1294. A gentleman’s gold Omega Constellation wristwatch, the gold dial with gold Roman numerals and date aperture, with quartz movement and gold Omega band, 104g £2,800-3,500 1295. A lady’s diamond-set gold wristwatch by Cartier, the plain signed gold dial with Roman and baton numerals, on textured circular ropetwist band, the circular links separated with plain links set with diamonds, French marks and numbered £3,000-4,000 65752, 19.5cm long 1296. A lady's gold wristwatch by Beuche Girod, the signed textured gold dial with Roman numerals within a textured yellow gold case, manual movement. On a conforming textured gold circular-link bracelet, with London hallmarks for 18ct gold and dated 1970, 20.5cm long, 62.9g £1,200-1,500 1297. A lady’s gold Tank wristwatch by Cartier, Ref:2562, Case No.912314CD, Circa 1990. 5-jewel ETA Cal.280.002 quartz movement, grid engraved silvered dial with black Roman numeral hour markers, blued steel sword hands, polished rectangular case with back secured by 4 screws, cabochon-set crown, fitted polished three-strand brick-link bracelet with folding clasp, fitted Cartier box, signed case, dial and movement, 14mm, 17.5cm long £2,500-3,500 1298. A lady’s yellow gold wristwatch by Rolex, the signed rectangular dial with baton numerals, five small diamonds set to each bezel and on an integrated yellow gold band, case no.001108, 17.5cm £600-800 1299. A lady’s steel and gold Rolesor wristwatch by Rolex, the dial signed Rolex Oyster Perpetual, automatic movement, £800-1,200 sweep seconds hand and date aperture, steel and gold Jubilee bracelet, no. 486B, 16cm long

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1287

1289

1288 1292

1290

1293

1291

1295

1294

1296 1297

1298

1299

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1300. An octagonal-form gold-mounted agate box, the cover applied with a sapphire and diamond plaque set in silver and gold, with waisted engine turned decoration, 7.8cm long £800-1,200

1301. A late 18th-century gold-mounted ivory Carnet de Bal, applied with elaborate glazed oval frames, containing figures on a pink guilloche enamel ground, the cover with the words souvenir d’amitie, engraved gold bands to the four terminals, containing a double section ivory leaf note and a pencil, undecipherable marks, probably French, 8.5cm high £800-1,200 1302. An unusual early 20th-century gold zeppelin-form minaudière, decorated with alternate stripes of engine turned and scroll panels, with three cabochon sapphires and three internal hinged compartments, 10cm £2,000-2,500 1302A. Four gold and gold-plated fob seals, each mounted with a carnelian matrix engraved with a combination of the £400-600 same cockerel crest, arms and motto Spe Moveo, one engraved with the initials G.C., with a gold split ring 1303. A French cylindrical gold box, decorated overall with gold foliate bands on blue guilloche enamel ground, white pellet borders to each terminal, screw action cover, French control mark and marker’s lozenge with initials C&S, (possibly for Chasles & Cabanis), 5cm, 27g £800-1,200 1304. A 19th-century sapphire and diamond scent bottle by Touyon & Stensmaght, the top set with a high-domed cabochon sapphire within a border of rose-cut diamonds in yellow gold, with diamond-set thumbpiece and spring-loaded hinge, on a glass bottle (no stopper), with maker’s lozenge, 6.7cm high £1,000-2,000 1305. A gold and enamel etui, c1800, of slightly tapered oval form, the cover and body with two-colour gold festoons, birds and floral decorations, the four terminals with bands of seed pearls, the sides with further seed pearls and green enamel leaves to the matted ground, the cover with conforming decoration and damaged enamel to the raised centre, plain base, no marks, probably French, 10.8cm high £600-800 1306. An early 19th-century tortoiseshell scent bottle holder in the form of a beehive, with pique decoration depicting laurels and bees, opening to reveal three small scent bottles with silver gilt fittings, the beehive 10cm high £3,000-4,000

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1300

1301

1302

1303

1304

1306

1302A

1305

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1307. A silver paperknife by Fabergé, work master Anna Ringe, the egg-form rose quartz terminal with capstan-form silver joint, lobed upper section to blade and mounted with a cabochon garnet in gold collet, signed ФАБЕРЖЕ to reverse, maker’s mark AR and 88 zolotnik with kokoshnik, approx. 21 cm long, later fitted case £2,000-3,000 1308. An Art Nouveau gold brooch by Fabergé, set with a large oval-shaped cabochon garnet within textured yellow gold scroll borders set with demantoid garnets, pearls and a rose-cut diamond, suspending a further rose-cut diamond below, 6.5cm high, with marks for ФАБЕРЖЕ and BA for Victor Aarne and 56 zolotnik, with scratched inventory number 67080 £15,000-20,000 1309. An oval-shaped gold enamel locket pendant by Fabergé, with light blue guilloche enamel decoration to the front and applied with a diamond-set sprig of mistletoe, opening to reveal two lockets and stamped internally with work master’s initials ФА for Feodor Afanasiev, the suspension bale set with small rose-cut diamonds, pendant 4cm high, box and letter from Bentley & Co, 8 New Bond Street £2,000-3,000 1310. A Russian gold egg pendant, decorated with orange enamel and a diamond-set shamrock, marked 56 zolotnik to the pendant loop, 2cm high £400-600 1311. A Russian triangular-shaped bell push by Fabergé, the cabochon red-stone button mounted in a silver-gilt acanthus leaf-centred circular section within a heart-shaped laurel border tied at the top and bottom with bows, pellet borders to the upper and lower sections and on three fluted button-shaped feet, signed К. ФАБЕРЖЕ, work master’s initials B.A. for Johan Victor Aarne with 88 zolotnik mark, kokoshnik with assayer’s mark, 5cm wide, attached to electrical cable (probably original) and plug £3,000-5,000 1312. A pair of silver Russian bangles, with gold inscription to the exterior, with marks for St Petersburg and 84 zolotnik, maker’s mark F.W., inner diameter 5.7cm for both £100-200 1313. A Russian agate bell push, with stepped edge, the blue chalcedony button within a surround of white enamel in gold mounts, with gold feet, marked 56 zolotnik, 4.5cm diameter £600-800 1314. A gold locket pendant, the triangular pendant with trefoil diamond decoration, with a central sapphire cabochon on gold pendant loop, 2.5cm high £200-300 1315. A pair of diamond-set tortoiseshell hair pins attributed to Fabergé, each pin set with fourteen cushion-shaped £2,000-3,000 diamonds, 10cm, fitted case bearing the Fabergé mark to the silk lining 1316. A Russian diamond and sapphire brooch, centred with a cushion-shaped diamond within lines of smaller diamonds and sapphires in yellow gold, pierced scroll decoration to the shoulders, 5.5cm, fitted case and with written note £4,000-6,000 Provenance: given by Empress Maria Feodorovna to Augusta, Lady Monson, lady-in-waiting to Grand Duchess Maria Alexandrovna, the Empress’ sister-in-law, thence by descent 1317. A pair of Russian Rococo style cufflinks, each disc centred with a cabochon ruby on an oyster-coloured guilloche ground with elaborate scroll decoration, folding torpedo-shaped terminals, marked with 56 zolotnik, 2 kokoshniks and maker’s mark ИX, case by Wartski £800-1,200

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1308

1311

1309

1312 (2)

1310

1315

1313

1307 1317 1314

1316

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1318. A cased set of dress cufflinks and studs, each octagonal mother-of-pearl plaque centred with a small sapphire and mounted in yellow and white gold, the cufflinks 1.2cm wide, without chains, the four larger and two smaller studs with hatched pattern engraved decoration, fitted case £200-300 1319. A pair of sapphire and diamond-set cufflinks by Cartier, with a pair of matching sapphire and diamond-set platinum studs, each octagonal link set with baguette-shaped sapphires and a small circular-cut diamond to each corner in platinum, each cufflink signed Cartier, links 1.3cm wide £3,000-4,000 1320. A cased set of dress cufflinks and studs, the pair of cufflinks with four large and three smaller studs each mounted with a square section of mother-of-pearl and centred with a seed pearl in platinum and gold, two of the smaller studs missing £300-400 seed pearl centres, fitted case by Garrard 1321. A pair of reverse-carved crystal-mounted gold cufflinks, depicting three dogs; possibly a Staffordshire Bull Terrier, a Pomeranian, a Foxhound and a wild boar, fitted case £600-800 1322. A pair of diamond, black onyx and ceramic cufflinks, the circular discs millegrain-set within a border of black onyx £600-800 and textured white ceramic, set in platinum and gold 1323. A French gold stickpin, depicting a monkey holding a crab in yellow gold, 18mm wide, case by S.J. Phillips Ltd £400-600 1324. A gold stick pin, mounted with a realistically formed and textured recumbent cow, the cow 2cm long

£150-250

1325. A gem-set jabot pin with an elephant, the diamond-set elephant with an emerald eye and set with small sapphires and diamonds, the detachable terminal in the form of arrow feathers with small diamonds and sapphires, signed, possibly Cartier, 5.5cm £600-800 1326. A fruiting vine gold stick pin, the grapes formed from garnet beads, with a green-stone leaf, set in yellow gold, stamped ESC to reverse, 4.5cm high £600-800 1327. A pair of yellow gold cufflinks, each set with a larger and smaller plain circular gold disc, each signed Cartier and numbered R9541, the larger disc 1.7cm £500-700 1328. A pair of red and white enamel cufflinks by William James Holmes, each link set with a central circular-cut diamond with red engine turned decoration and a white border in yellow gold, maker’s mark and 18ct to reverse, case by Hunt & Roskell Ltd £600-800 1329. A cased set of dress cufflinks and studs, the yellow and white gold button-form studs formed as a circular disc of mother-of-pearl on a faceted white gold border, the cufflinks with four large and two small studs, fitted case £300-400 1330. A pair of yellow gold A-form cufflinks by Van Cleef & Arpels, signed VCA and numbered 11909, French control marks £1,000-1,500 1331. A pair of blue and green enamel cufflinks, in yellow gold with honeycomb engine turned decoration to the central panel, approximately 9.5g £250-350 1332. A pair of Art Deco diamond and emerald-set illusion cufflinks, each kite-shaped link millegrain-set with rows of small circular-cut diamonds and two sides with calibré-cut emeralds giving the illusion of square form, set in platinum, each link 1.5cm high £800-900 1333. A Regimental brooch for the Scots Guards, set overall with circular-cut diamonds and the motto with green enamel £200-300 decoration and a red cabochon stone to the thistle, 2.5cm wide, case 1334. A Regimental brooch for the Royal Regiment of Artillery, set in yellow and white gold with diamond-set gun and enamel decoration to the crown and mottos, 3.5cm wide £300-400 1335. A Regimental brooch of the Royal Northumberland Fusiliers, with lines of graduated diamonds set to the flames and blue and white enamel decoration to the main body, set in yellow and white gold, fitted case by Reids of Newcastle, 3cm high £300-400 1336. An early 20th-century Regimental brooch for The Welsh Guards, the stylised leek set overall with diamonds in platinum and gold, 4cm high, fitted case by Carrington £600-800

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1320

1318 1319

1327

1326

1322

1328

1321

1324

1325

1323

1330

1334

1333 1331

1329

1335

1336

1332

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1337. A jade pendant, the carved and pierced jade plaque suspended from a jade bead and further baluster-form jade section, gold mounts, 8cm £200-300 1338. A diamond line bracelet, the thirty-nine round brilliant-cut diamonds weigh approximately 13.00cts total, set in white gold, 18.5cm long £5,000-6,000 1339. A floral carved and pierced oval jade pendant, quartered with scroll-shaped sections of baguette and circular-cut diamond-set mounts in white gold, on a graduated jade bead necklace mounted with seed pearls, pendant 5.5cm high, necklace 42cm £800-1,200 1340. A jade and diamond pendant, the carved jade plaque set beneath diamond-set scrolls in white gold, on fine-link white gold neck chain, 44cm long £200-300 1341. An Art Deco style jade, black onyx and diamond pendant, the foliate carved jade pendant suspends from three cylindrical links of black onyx, a further black onyx circular section and suspending from a larger diamond and white gold chain mounted with black onyx links (two broken), diamond collets, pendant 8cm, chain 44cm £4,000-5,000 1342. A jade and diamond pendant, the kite-shaped jade pendant suspends from a tapered baguette and circular-cut £600-800 diamond in white gold, on a fine-link white gold neck chain, pendant 5cm, chain 18cm Accompanied by report number 09991 dated 7th June 2014 from The Gem and Pearl Laboratory, London stating that the geometric-shaped polished gemstone weighs approximately 5.08g and is natural mottled green jadeite jade with no indications of treatment 1343. A jade and diamond ring, the oval-shaped jade cabochon set with an old circular-cut diamond to each shoulder in white gold, size M £200-300 1344. An Indian diamond ring, the rectangular-cut diamond pavé-set in gold with green enamel decoration to the shank, bezel and under bezel, size O ½ £1,000-2,000 1345. A French jade duck brooch by Mellerio, gold mount with French control mark and signed, 4.5cm high £6,000-8,000 Accompanied by report number 1176347572 dated 23rd October 2015 from GIA, New York stating that the carved green jadeite jade is of natural colour with no indications of impregnation 1346. A pair of lavender jade and diamond earrings, the jade discs set with geometric lines of small round brilliant-cut diamonds and also to the border of the centre hole, white gold mounts and suspended from a line of further small round brilliant-cut diamonds, diameter 5cm £1,500-2,000 Accompanied by report number 11330 dated 20th May 2015 from The Gem and Pearl Laboratory, London stating that the two carved discs of jade weigh approximately 33.63g and are natural lilac jadeite jade with no indications of treatment 1347. A jade mounted gold ring, the oval-shaped jade cabochon set in gold with two pierced foliate shoulders, size L £800-1,200 Accompanied by report number 77117-63 dated 18th August 2017 from GCS, London stating that the cabochon-cut jade weighs approximately 4.77cts and is natural green jadeite jade with no indications of impregnation 1348. A jade and diamond cluster ring, the oval-shaped jade cabochon set within a surround of circular-cut diamonds in white gold, size N £1,300-1,500 Accompanied by report number 77108-28 dated 28th June 2017 from GCS, London stating that the cabochon-cut jade weighs approximately 2.30cts and is natural green jadeite jade with no indications of impregnation 1349. A jade-mounted yellow gold ring, the oval jade plaque rubover-set within yellow gold mount, size N

£600-800

1350. A jade brooch pendant, the oval section of jade mounted in gold with steel pin, 4.4cm high

£500-700

Accompanied by report number 5777-7782 from GCS, London dated 21st November 2016 stating that the natural green jadeite jade shows no indications of impregnation (may also be called A-jade) 1351. Fifteen Indian gem-set gold plaques, six mounted with a cabochon ruby and nine set with a rose-cut diamond to the rectangular gold plaques, all with polychrome enamel foliate decoration to both sides, probably originally a bracelet, each plaque 1cm £400-600 1352. An Art Deco French jade and diamond jabot pin, each terminal mounted with a jade disc with rose-cut diamondset clips in platinum, detachable terminal, French control marks, 10.3cm £1,200-1,500

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1340

1337

1342

1341

1344 1338

1346 1339

1343 1345

1347 1348 1349

1350

1351

1352

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1353. An Edwardian style ruby and diamond cluster ring, the marquise-shaped diamond set within a surround of Frenchcut rubies and circular-cut diamonds in white gold, with two circular-cut diamonds set to each shoulder, in yellow gold pierced scroll mount, size O £1,000-1,500 1354. An emerald and diamond cluster ring, the emerald-cut emerald set within a surround of small circular-cut diamonds in platinum and yellow gold, size S ½ £800-1,200 1355. An unusual diamond-set white gold ring, probably 1950s, set overall with baguette-shaped, triangular and circularcut diamonds with open scroll shoulders, two Chinese signatures to the inside shank, broken shank, size O £900-1,000 1356. A diamond cluster ring, set with a central circular-cut diamond within a border of smaller circular-cut diamonds and £500-700 stylised fleur-de-lys shoulders, in yellow gold, size U 1357. A pair of diamond clip earrings by Strauch, the semi-circular cluster of old cushion-shaped diamonds set beside two scrolling lines of circular-cut diamonds in platinum, 3.2cm wide £1,200-1,300 1358. A pair of gold clip brooches, of fluted scroll design in yellow gold, marked AD, each clip 3.5cm

£500-700

1359. A 1940s pearl and diamond ring, centred with two untested pearls and old circular-cut diamonds to the shoulders, set in platinum, size O £1,200-1,300 1360. A yellow gold strap bracelet, surmounted with an oval plaque millegrain-set with diamonds, 18.5cm long £600-800 1361. A kunzite and diamond ring, the emerald-cut kunzite set with two rows of round brilliant-cut diamonds to each shoulder, size M £1,000-2,000 1362. A gem-set 18ct gold and enamel insect brooch, the body set with small diamonds and with ruby eyes, the wings decorated with blue and white enamel stripes (some damage), signed to the reverse Rossignol, London import marks for 1969, 3cm long £1,000-1,500 1363. A pair of diamond drop earrings, each triangular diamond suspends an articulated line of circular-cut diamonds £1,500-2,000 and a pear-shaped diamond cluster within a surround of circular-cut diamonds in white gold, 3.2cm long 1364. A diamond five-stone ring, the three graduated emerald-cut diamonds set with two baguette-cut shoulder diamonds in white gold, size N £800-1,200 1365. A diamond and gold cocktail ring, set with splayed lines of yellow gold, with a border of diamonds and a central £600-800 diamond panel across the waisted centre, in yellow gold, size N ½ 1366. A pair of diamond-set stylised cornucopia platinum earrings, the open-work spray set with circular-cut diamonds and tied with graduated baguette-shaped diamonds, c1950, 3cm high £800-900 1367. A diamond-set half-hoop ring, set with nine circular-cut diamonds in platinum and gold, size L

£200-300

1368. An aquamarine and diamond ring, the emerald-cut aquamarine is set with four circular-cut shoulder diamonds to each shoulder in platinum, size N £1,000-1,500 1369. A diamond bombé ring, set with three lines of graduated old cushion-cut diamonds in yellow gold, with French control mark, size O £1,000-1,500 1370. A sapphire and diamond cluster ring, the circular-cut sapphire set within a surround of single-cut diamonds in platinum, size L £400-600 1371. A pair of diamond stud earrings, the old circular brilliant-cut diamonds weigh approximately 0.50cts total and clawset in white gold £200-300 1372. A diamond plaque ring, of waisted design, set with three circular-cut diamonds within a millegrain-set Greek keypattern border of smaller circular-cut diamonds and baguette-shaped diamond shoulders, in platinum, size Q £600-800 1373. A pair of diamond-set gold solitaire rings, the yellow and white gold rings each set with a cushion-shaped diamond, £600-800 both size N ½ 1374. A pair of 18ct yellow gold circular foliate-design earrings, maker’s mark LOG and London hallmarks for 1989, 3cm diameter, 14.5g £250-350

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1354

1353

1355 1356

1357

1360

1358

1359

1361 1362

1363

1364 1365 1366 1367

1368

1370 1369 1372 1373 (2) 1371

1374

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1375. A diamond full-circle eternity ring, the circular-cut diamonds channel-set in carved platinum mount, size N £250-350 1376. A diamond solitaire ring, the circular-cut diamond is claw-set in platinum, size N

£2,000-3,000

Accompanied by report number 77109-14 dated 17th July 2017 from GCS, London stating that the round brilliant-cut diamond weighs approximately 1.00cts and is a natural diamond with J colour and IF clarity 1377. A diamond three-stone ring, the three round brilliant-cut diamonds weigh approximately 0.70cts in total and set in white gold, size O £600-800 1378. A sapphire and diamond three-stone ring, the oval-shaped sapphire weighs approximately 1.75cts and is claw-set with an old cushion-shaped diamond to each shoulder in yellow gold, size O ½ £2,000-2,500 Accompanied by report number 5776-3315 dated 15th October 2015 from GCS, London stating that the cushion-cut sapphire weights approximately 1.76cts and is a natural sapphire with no indications of heat treatment, origin: Burma 1379. An emerald and diamond ring, the square-shaped emerald weighs approximately 1.77cts and is set with three baguette and two tapered-baguette-shaped diamonds to each shoulder in platinum, total diamond weight approximately 0.38cts, size M £1,500-2,000 Accompanied by report number 77119-15 dated 14th September 2017 from GCS, London stating that the octagonal-cut emerald weighs approximately 1.80cts and is a natural emerald with indications of moderate clarity enhancement, origin: Colombia 1380. An aquamarine and diamond cluster ring, the oval-shaped aquamarine set within a surround of ten circular-cut diamonds and two baguette-shaped shoulder diamonds in white gold, size N £1,200-1,500 1381. A star sapphire and diamond ring, the black cabochon sapphire set within a surround of circular-cut diamonds in white gold, size M ½ £1,500-2,000 1382. A sapphire and diamond cluster ring, the oval-shaped sapphire weighs approximately 9.70cts and is set within a surround of circular-cut diamonds in white gold, size N ½ £1,500-2,000 1383. A sapphire and diamond cluster ring, the circular-cut sapphire set within an oval border of single-cut diamonds and a circular-cut diamond to each shoulder, size O £1,500-2,000 Accompanied by report number 77105-49 dated 2nd June 2017 from GCS, London stating that the round-cut sapphire weighs approximately 4.3cts and is a natural sapphire with no indications of heat treatment, origin: Basaltic 1384. A sapphire and diamond cluster ring by Boodle & Dunthorne, the oval-shaped sapphire set within a surround of circular-cut diamonds in platinum and yellow gold, with maker’s mark B&D and hallmarked for London 1977, size L ½ £1,500-2,000 1385. A sapphire and diamond cluster ring, the cushion-shaped sapphire set within a surround of twelve round brilliant£2,000-3,000 cut diamonds and two baguette-shaped shoulder diamonds in white gold, size N 1386. A tanzanite and diamond cluster ring, the emerald-cut tanzanite set within a surround of circular-cut diamonds in white gold, size O ½ £1,500-2,000 1387. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of graduated circular-cut £2,500-3,000 diamonds and further diamond-set shoulders in white gold, size M ½ 1388. A purple sapphire and diamond cluster ring, the cushion-shaped sapphire set within a surround of circular-cut diamonds in white gold, with Swedish marks to the inner shank, size N ½ £4,000-5,000 Accompanied by report number 77111-21 dated 11th July 2017 from GCS, London stating that the cushion-cut sapphire weighs approximately 3.7cts and is a natural sapphire with no indications of heat treatment, origin: Sri Lanka (Ceylon) 1389. A diamond cluster ring, set with a central line of square-shaped diamonds within borders of small circular-cut diamonds in white gold, size L ½ £800-1,200 1390. A four-row aquamarine bead necklace, the slightly graduated beads with a diamond and sapphire-set platinum clasp, French control marks, 55cm, 151g total £3,000-4,000 1391. A pair of rubellite and diamond drop earrings, the pear-shaped tourmalines rubover-set in white gold and suspend from a line of small diamonds and a larger round brilliant-cut diamond £600-800 1392. A pair of aquamarine and diamond-set drop earrings, the pierced foliate upper section set with graduated circularcut diamonds in white gold and each suspending a long rectangular-cut aquamarine, 4.5cm £3,000-4,000 1393. A gem-set platinum long chain necklace, the platinum chain alternately-set with circular-cut sapphires, circular-cut diamonds and moonstone cabochons in rubover mounts, 98cm £2,000-3,000

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1375 1376

1377

1378

1379

1380 1391

1381

1392

1382

1383

1384

1385

1386

1387

1388 1390

1393

1389

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1394. An open-faced pendant watch by Longines, the watch with signed gold guilloche and plain dial with black Arabic numerals, light blue guilloche enamel decoration to the border and back case which is set with three small diamonds, similar colour enamel decoration to the long links on the neck chain, the movement numbered 2670988 and stamped to the case Wittnauer 13057, case 2.5cm wide, chain 68cm £800-1,200 1395. An early 20th-century diamond-set hair pin, the platinum upper section millegrain-set overall with graduated circular and rose-cut diamonds, tortoiseshell tines, 12cm high £1,500-2,000 1396. A pearl and diamond pendant, of rectangular form and articulated, the centre set with a circular-cut diamond weighing approximately 1.15cts within pierced border further set with two pearls and a smaller diamond, in pierced surround and with a scallop-edged border of old circular-cut diamonds, on fine-link platinum neck chain, the chain marked for Sheffield £1,500-2,000 2011, pendant 5.5cm, chain 42cm 1397. A Belle Époque diamond pendant, designed with foliate swags and bows, millegrain-set overall with graduated £800-1,200 circular-cut diamonds in platinum, on a modern 18ct white gold neck chain, pendant 5.5cm 1398. An early 20th-century garnet and diamond target brooch, the circular cabochon garnet set within a carved and pierced diamond-set surround, in platinum, 3.1cm diameter £400-600 1399. An early 20th-century amethyst and demantoid garnet suffragette pendant, set with a square-shaped amethyst within scroll enamel border and decorated with demantoid garnets and seed pearls, suspending a further amethyst and £800-1,200 demantoid garnet within a border of white enamel, in yellow gold, on fine-link platinum neck chain, case 1400. An Edwardian pendant in the suffragette colours, centred with a rubover-set oval-shaped amethyst within white enamel scrolls and small demantoid garnets in gold, suspending a seed pearl, 3.5cm (without bail) £600-800 1401. A seven-section harem ring, each gold ring set with circular-cut diamonds and either two rubies, sapphires or £200-300 emeralds, approx. size L 1402. An early 20th-century amethyst and seed pearl-set gold necklace, the stylised vermicelli gold links set with circularcut amethysts and seed pearls, 42cm, fitted case by Liberty £600-800 1403. An opal and diamond bracelet, the four solid white opals each set within open-work white gold clusters millegrainset with rose-cut diamonds, each separated with a diamond-set leaf form design, 17.5cm £3,000-4,000 1404. A tanzanite pearl and diamond bracelet, the central plaque set with an oval-shaped cabochon tanzanite within millegrain-set diamond plaque, on a seed pearl bracelet, set in platinum and gold, 17cm long £1,500-2,000 1405. An early 20th-century sapphire and diamond bracelet, the eight graduated sections each centred with an ovalshaped cabochon sapphire in rubover yellow gold mount, set within a surround of circular and rose-cut diamonds in platinum, 6.5cm £3,000-4,000 1406. A sapphire five-stone ring, set with a line of graduated oval-shaped sapphires in yellow gold, size O £1,000-2,000 1407. A ruby and diamond cluster ring, the oval-shaped ruby millegrain-set within a border of old circular-cut diamonds and French-cut rubies in white gold, size N ½ £3,000-4,000 Accompanied by report number 77117-36 dated 22nd August 2017 from GCS, London stating that the oval-shaped ruby weighs approximately 1.8cts and is a natural ruby with indications of heating and with moderate residue in the healed fissures, origin: Burma 1408. An early 20th-century sapphire and diamond crossover ring, the circular-cut sapphire and old circular-cut diamond set in platinum and yellow gold, with three smaller graduated diamonds to each shoulder, size L £2,000-3,000 1409. A sapphire and diamond-set quatrefoil ring, the oval-shaped sapphire set with four small old circular-cut diamonds in gold, size K ½ £300-400

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1398

1397

1396 1399

1395

1401 1394

1400

1402

1403

1404

1405

1409 1408 1406

1407

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1410. A sapphire and diamond cluster ring, the oval-shaped sapphire set in a surround of ten circular-cut diamonds and six tapered baguette-shaped diamonds in white gold, size N £1,500-2,000 1411. A diamond solitaire ring, the square-shaped diamond weighs approximately 1.05cts and set in platinum with 18ct yellow gold shank, assay marks for London 2003, size O £1,500-2,000 1412. An aquamarine and diamond pendant, the broilette-cut aquamarine suspends from a calf-cut diamond and further marquise-shaped diamonds on a fine-link white gold neck chain, 40cm long £3,000-4,000 1413. A sapphire and diamond target ring, the old cushion-shaped diamond weighs approximately 1.50cts and is set within a surround of French-cut sapphires in white gold, size O £3,000-4,000 1414. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.60 cts and is set in 18ct white gold, size K £2,500-3,000 1415. A diamond cluster ring, the centre round brilliant-cut diamond weighs approximately 2.00cts in rubover white gold mount and set with smaller surrounding diamonds, size R £8,000-10,000 Accompanied by report number 77111-33 dated 16th August 2017 from GCS, London stating that the round brilliant-cut diamond weighs approximately 2.01cts and is a natural diamond of E colour and SI1 clarity with strong fluorescence 1416. A diamond line bracelet, the forty-eight round brilliant-cut diamonds weigh approximately 7.80cts in total, set in white gold, 18.8cm long £2,500-3,000 1417. A diamond bracelet, c1950s, the three sections each centred with a circular-cut diamond with baguette-shaped diamond borders and a graduated open-work panel set with circular-cut diamonds to each side, in platinum, 18cm, fitted case stamped for Raymond Yard, New York £5,000-7,000 1418. Twenty-one unset circular-cut diamonds and a white stone, the diamonds graduate from approximately 0.250.43cts, approximately 6.85cts total £1,000-2,000 1419. A pair of sapphire and diamond cluster drop earrings, the principal oval-shaped sapphires each millegrain-set within borders of circular-cut diamonds, suspending from diamond and synthetic sapphire-set mounts with two larger £3,000-4,000 circular-cut diamonds, 5cm high, cased Accompanied by report number 12745 dated 13th May 2016 from The Gem & Pearl Laboratory stating that the two ovalshaped sapphires are natural with no indications of heat treatment, and that the 30 calibré-cut sapphires are synthetic sapphires 1420. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 0.85cts and is set in white gold with fourteen small shoulder diamonds, size M £600-800 1421. A diamond three-stone ring, the three graduated round brilliant-cut diamonds weigh approximately 2.30cts in total, £3,000-4,000 with three smaller diamonds millegrain-set to the shoulders in platinum, size M 1422. A diamond solitaire ring, the round brilliant-cut diamond weighs 1.32cts and is set in white gold, size P ½ £4,000-5,000 Accompanied by report number 77109-13 dated 17th July 2017 from GCS, London stating that the round brilliant-cut diamond weighs approximately 1.32cts and is a natural diamond with G colour and VS2 clarity 1423. A pair of Art Deco style diamond drop earrings, the geometric design upper section suspends five graduated and articulated lines of circular-cut diamonds in white gold, 5cm long £4,000-6,000 1424. A sapphire and diamond tiara, formed as inverted scrolls, each set with three graduated circular-cut diamonds with larger diamonds to each crest, surmounted with a circular-cut sapphire and diamond-set cluster, white gold and platinum with a yellow gold frame, 13.3cm wide £5,000-10,000 1425. An emerald and diamond ring, the cabochon emerald set within a surround of marquise-shaped diamonds in platinum, French control mark, size R £5,000-6,000

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1415

1414

1413

1412

1416 1411 1422 1417 1410 1423 1421

1420

1424

1418

1419

1425

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1426. A French late 19th-century lily of the valley brooch, realistically designed and set with a line of seed pearls (one missing) and diamond-set stems either side in silver and gold, 6.2cm long £300-400 1427. A gold aesthetic period artist’s palette-design brooch, with gold paintbrushes, the paints represented with a ruby, sapphire and two diamonds, 3.5cm wide £300-400 1428. A late 19th-century butterfly brooch, the realistically designed butterfly surmounted on diamond-set staff set overall £800-1,200 with rose-cut diamonds, with sapphire eyes and a sapphire body, set in silver and gold, 5.5cm high 1429. A diamond and natural pearl-set bee stick pin, the bee with a white button-shaped pearl and golden egg-shaped pearl with diamond wings and ruby eyes, the bee 1.7cm long £400-600 Accompanied by report number 5776-4035 dated 16th December 2015 from GCS, London stating that the cream pearl weighs approximately 0.35cts and the gold pearl weighs approximately 0.77cts and are both natural saltwater with no indications of treatment 1430. A diamond-set pheasant stick pin, the rising cock bird pavé-set with rose-cut diamonds (some missing) in silver and gold, case £200-300 1431. A 19th-century silver and gold chain, depicting hunting scenes, the realistically carved pack of dogs chasing a stag and deer leaping across logs in silver and gold, alternately-set with ropetwist-design links, 55cm long £2,500-3,000 1432. An early 20th-century gold horse and jockey brooch, realistically formed and set within a gold oval border set with calibré-cut rubies and a diamond in yellow gold, 3.5cm wide £200-300 1433. An late 19th-century cockerel and hen brooch, both birds pavé-set with graduated circular-cut diamonds and red enamel decoration to their combs, set in silver and gold, fitted case £1,000-1,500 1434. An early 20th-century diamond-set horse and jockey brooch, modelled at full gallop and pavé-set overall with £1,000-1,500 graduated circular-cut diamonds in platinum, the jockey with blue silks and gold band, 4cm long 1435. A 19th-century diamond-set dove pendant, set with a rose-cut diamond to the tail and graduated cushion-shaped and rose-cut diamonds to the realistically-formed body, in silver and gold, 3.5cm wide £2,000-3,000 1436. A diamond and enamel horse and jockey brooch by Alabaster & Wilson, the standing horse pavé-set with circularcut diamonds, the seated jockey in green and white enamel racing silks, set in yellow and white gold, 3.2cm wide £800-1,200 1437. A George III diamond butterfly brooch, set overall with graduated old cushion-shaped diamonds in closed back silver and gold mounts. The four wings and legs articulate to be en tremblant when worn. 4cm wide £1,800-2,500 1438. A Victorian diamond-set owl brooch, realistically formed and set overall with rose-cut diamonds in silver and gold, centred with a blister pearl and cabochon ruby eyes, 5cm high, case £3,000-4,000 1439. A French late 19th-century bee brooch, realistically designed, the body formed from tiger’s eye cabochons, the wings and eyes set with rose-cut diamonds in silver and gold, French marks, 4cm long £4,000-6,000 1440. A diamond-set cartwheel pendant, the hub formed as an old circular-cut diamond with gold spokes and rose-cut diamond-set wheel, 2cm £300-400 1441. A hunting brooch, the huntsman with enamel scarlet coat, white britches and black boots (some damage), with hand to his mouth calling, horse pavé-set with circular-cut diamonds, the other end of the pin with a pursued running fox also pavé-set with diamonds, silver and gold, 7cm, cased £400-600 1442. A late 19th-century ruby and diamond bee brooch, the body set with cabochon rubies within a surround of £400-600 diamonds and diamond-set wings, set in silver and gold, 2.1cm wide

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1428

1427

1429 1426 1431 1430

1432

1435

1433

1434

1436

1439

1437

1438 1442 1440

1441

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1443. An Edwardian opal and diamond necklace, the graduated white cabochon opals suspended on knife-edge gold links, each set with a demantoid garnet from a fine-link yellow gold neck chain, 40cm long £600-800 1444. An opal and diamond cluster ring, the solid cabochon black opal claw-set within a single-cut diamond border, millegrain-set in platinum and yellow gold, size M ½ £2,000-3,000 1445. An opal and diamond pendant, the solid cabochon opal set within a surround of circular-cut diamonds in white gold, on a fine link gold neck chain, pendant loop folds under so that the opal and diamond cluster can attach to a ring £5,000-7,000 mount, London marks for 1989, size J ½ 1446. A boulder opal and diamond cluster ring, the oval-shaped boulder opal set within a surround of circular-cut diamonds in platinum and white gold, size M ½ £2,000-3,000 1447. A Victorian opal and diamond pendant, the open-work design pendant set with rose-cut diamonds and two solid cabochon opals in silver and gold, on fine-link platinum neck chain, pendant 5.4cm long, chain 39cm £800-1,200 1448. A pear-shaped opal and diamond pendant, the solid black opal set in white gold and suspends from a rubover-set old circular-cut diamond in white gold, on a seed pearl and white gold cylindrical bar-link neck chain, pendant 4.5cm, necklace £3,000-4,000 45.5cm 1449. An opal pendant, the solid black opal set in a white gold mount, 2cm

£200-300

1450. A pair of opal and diamond drop earrings, each oval-shaped cabochon white opal millegrain-set within a surround of round brilliant-cut diamonds suspending from a further diamond and opal set in white and yellow gold, fitted case by Goldsmiths & Silversmiths £800-1,200 1451. A large opal and enamel ring, the solid cabochon opal claw-set in a matte green enamel mount embellished with scroll and shell decoration, in yellow gold, size O £2,000-2,500 1452. An early 20th-century opal bead necklace, the beads graduate from 14.3-7.11mm and are alternately-set with rock £12,000-15,000 crystal rondels, with a rose-cut diamond-set platinum clasp, necklace 66cm, fitted leather case 1453. An opal stick pin, the egg-shaped crystal opal set on a gold pin, case

£80-120

1454. An opal and diamond cluster brooch, the solid cabochon opal weighs approximately 8.80cts and is set within a surround of old cushion-shaped diamonds in yellow gold, 2.8cm wide £5,000-7,000 1455. An Edwardian opal and diamond brooch pendant, the hexagonal flower head design set with six cabochon opals centred with an old circular-cut diamond and border of smaller old circular-cut diamonds in gold, detachable brooch fitting and fold-down suspension loop, 2cm wide £1,000-1,500

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1443 1444

1445

1446

1447

1448

1449

1450

1451

1452

1454

1453 1455

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1456. A diamond pendant, the central pear-shaped diamond weighs approximately 0.64cts and is set within a surround of circular-cut diamonds in white gold, on a fine-link white gold chain, 44cm long £800-1,200 Accompanied by report number 20033769 dated 6th July 2017 from Anchorcert, Birmingham stating that the pear-shaped diamond weighs approximately 0.64cts and is a natural diamond with F colour and VVS2 clarity 1457. A sapphire and diamond pendant, the pear-shaped sapphire set within a surround of circular-cut diamonds and a further diamond trefoil in white gold, on a fine-link white gold neck chain, 42cm £1,200-1,500 1458. A pair of tanzanite and diamond ear studs, the cushion-shaped tanzanites set within a surround of circular-cut diamonds in yellow and white gold £2,500-3,500 1459. A pair of fire opal and diamond drop earrings, each pear-shaped fire opal set within a surround of circular-cut diamonds, suspended from a trefoil of diamonds and a further circular-cut diamond in white gold, 3.5cm long£1,500-2,000 1460. A suite of pink topaz jewellery, the riviére necklace mounted with graduated emerald-cut pink topaz in white gold collets, with a matching pink topaz-set white gold bracelet and a pair of pink topaz-set white gold ear studs, necklace 41cm, bracelet 18cm £2,000-3,000 1461. A pair of diamond stud earrings, the round brilliant-cut diamonds weigh approximately 1.25cts total £1,500-2,000 1462. A pair of emerald and diamond cluster earrings, each emerald-cut emerald set within a surround of twenty small circular-cut diamonds in 18ct white gold £800-1,200 1463. A diamond cluster ring, the centre round brilliant-cut diamond set within a surround of eight smaller diamonds in platinum and gold, size L ½ £1,000-2,000 1464. A diamond half-hoop ring, channel-set with two lines of graduated circular-cut diamonds and a line of baguetteshaped diamonds in white gold, size N £3,000-5,000 1465. A heart-shaped fancy coloured diamond ring, the heart-shaped diamond weighs approximately 3.50cts and is set within a surround of circular-cut diamonds in platinum and yellow gold, size Q £8,000-12,000 1466. A multi-gem-set gold bracelet, the fancy-cut gemstones consist of peridots, diamonds, garnets, tourmalines and spinels, set in yellow gold, 22cm long £1,500-2,000 1467. A double heart ring, set with a pear-shaped ruby and a pear-shaped sapphire within a surround of graduated circularcut diamonds in yellow gold, size M ½ £800-1,200 Accompanied by report number 77112-65 dated 19th July 2017 from GCS, London stating that the pear-shaped ruby weighs approximately 1.0ct and is a natural ruby with no indications of heat treatment, origin: Thailand, and that the pear-shaped sapphire weighs approximately 1.1ct and is a natural sapphire with no indications of heat treatment, origin: Basaltic 1468. A tanzanite and diamond cluster ring, the cushion-shaped tanzanite weighs approximately 6.10cts and is set within a surround of sixteen round brilliant-cut diamonds in white gold, size O £1,500-2,000 1469. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of old circular-cut diamonds in white gold, size O ½ £3,500-4,500 1470. A diamond full-circle eternity ring by Cartier, set with round brilliant-cut diamonds in white gold, signed, size K £600-800 1471. A ruby and diamond ring, set with a central cluster of an oval-shaped ruby within circular-cut diamond border and decorated with graduated baguette-shaped diamond shoulders in yellow gold, size M £1,200-1,600 1472. A diamond three-stone ring by Boodle and Dunthorne, the three round brilliant-cut diamonds weigh approximately £3,000-4,000 2.25cts in total, set in platinum and yellow gold, maker’s mark B&D and hallmarks for 1976, size K 1473. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.17cts and is set in white gold, size M £2,500-3,000 Accompanied by report number 77109-18 dated 17th July 2017 from GCS, London stating that the round brilliant-cut diamond weighs approximately 1.17cts and is a natural diamond with G colour and SI1 clarity and faint fluorescence

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1457 1456

1458 1460

1459

1461

1460 1462

1463 1464

1465

1467 1468 1466 1469 1470

1471

1472 1473

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1474. A pink sapphire and diamond cluster ring, the oval-shaped pink sapphire set within a surround of circular-cut diamonds which weigh approximately 2.00cts in total, size O ½, with inner re-sizing balls £2,000-3,000 1475. An amethyst ring by Cartier, the domed cabochon amethyst claw-set in a plain yellow gold mount, signed Cartier, inventory number N8911, size M ½ £600-800 1476. A fire opal and peridot ring, the oval-shaped fire opal set within two oval-shaped peridots in yellow gold, size L ½ £1,800-2,000 1477. A two-row cultured pearl necklace with Cartier clasp, the signed gold clasp set with thirteen sapphires and two cushion-shaped diamonds with further rose-cut diamonds (one missing), the pearls measure 5.8-9.9mm, necklace 46cm £10,000-15,000 Provenance: previously owned by a Lady of title.

1478. A diamond and black onyx-set 18ct gold ring by Kutchinsky, set with four rows of small round brilliant-cut diamonds and a rectangle of black onyx to the textured yellow gold mount, marked for London 1973, signed with initials, size H £700-900 1479. A pink sapphire and diamond ring by Van Cleef & Arpels, the oval-shaped pink sapphire rubover-set in yellow gold with six round brilliant-cut diamonds millegrain-set to each shoulder, signed VCA, stamped 750, inventory number CS148172, £3,000-4,000 size N Accompanied by report number 5777-7882 dated 7th December 2016 from GCS, London stating that the oval-shaped sapphire weighs approximately 2.4cts and is a natural pink sapphire with no indications of heating 1480. A ruby and diamond ‘Mimi’ ring by Cartier, centred with an oval-shaped cabochon ruby weighing approximately 0.60cts, with three lines of matched round brilliant-cut diamonds in yellow gold, signed and engraved DD12596, B40128/52, London import marks for 1995, size P £1,500-2,000 1481. An amethyst, sapphire and diamond-set carved rock crystal ring in the style of René Boivin, the centre cushionshaped cabochon amethyst set with ten round brilliant-cut shoulder diamonds and two pear-shaped cabochon sapphires in yellow gold mounts, with two further round brilliant-cut shoulder diamonds, size J £800-1,200 1482. A diamond-set yellow gold ring by Cartier, of link form with two sections set with round brilliant-cut diamonds, rubbed Cartier signature and numbered 651313, size P £1,200-1,500 1483. A rubellite and diamond ring, the oval-shaped pink tourmaline set with three round brilliant-cut diamonds to each shoulder in white gold, size N £600-800 1484. A pair of yellow gold graduated interwoven bar and ball earrings by Boucheron, signed Boucheron with French control marks, numbered B194X1104 £1,800-2,000 1485. A pair of diamond and gold ear clips by Cartier, of polished door-knocker design accented by rubover-set circular£2,000-3,000 cut diamonds, signed Cartier, no. C60446, 1994; approx. 25.2g 1486. A pair of 18ct yellow gold scroll earrings by Kutchinsky, fully signed, Kutchinsky box

£400-600

1487. An abstract gold ring by Bjorn Weckstrom, the textured yellow gold set with a long green tourmaline crystal, signed and with Finnish marks for 14ct, size O £600-800

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1474

1477 1475

1476

1478

1479 1480

1481

1483 1482

1485

1484

1487 1486

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1488. A George III diamond cluster ring, set with eleven old cushion-shaped diamonds in silver collets on carved yellow gold shank, size O £800-1,200 1489. A late 18th-century diamond brooch, set with graduated rose-cut diamonds in closed-back silver and gold mount, 4.5cm wide, case £1,000-1,500 1490. A gold poison ring, the shaped oval centre section hinged to reveal a secret compartment with black and white enamel border, the shank with polychrome enamel decorations, size R £200-300 1491. An unusual gold fedé ring, centred with a pair of clasped hands on a six-sided black enamel ground, the shoulders decorated with polychrome enamel flowers, size R ½ £300-400 1492. A ruby and diamond half-hoop ring, alternately-set with oval-shaped rubies and circular-cut diamonds in carved and pierced yellow gold mount, size R £1,500-2,000 1493. An early 19th-century diamond two-row ring, the two lines of old cushion-shaped diamonds collet-set in closedback silver and gold settings, with carved yellow gold shoulders, size P £600-800 1494. A pair of gold drop earrings in the Giuliano manner, the seed pearls suspend from an open-work mid-section £400-600 decorated with black and white dot enamel and white enamel palmette, 4cm 1495. A George III mourning brooch, the oval-shaped gold brooch centred with a glazed locket of plaited hair within blue guilloche enamel border and further surround of seed pearls, 4.5cm, fitted case £200-300 1496. A 19th-century gold snake ring, the textured rose gold ouroboros opens at the mouth to reveal a locket compartment, size O £200-300 1497. A George III gem-set gold ring, the closed-back yellow gold mount set with a demantoid garnet, a ruby, a diamond, a sapphire and an emerald, size L £1,000-2,000 1498. A miniature portrait depicting a lady in the 18th century style, her hair in ringlets and wearing a loose fitting fabric bonnet, sky background, the gold scroll frame decorated with black and white enamel dots, with further seed pearls and old circular-cut diamonds, pendant loop, the miniature 3.8cm £800-1,200 1499. An early 19th-century diamond cluster ring, pavé-set with graduated cushion-shaped diamonds in silver with a gold shank, size O £800-1,200 1500. A George III diamond plaque ring, set with an oval-shaped flat garnet applied with the initials DEVL interlocking and set with diamonds, closed-back mount in silver and gold, size N ½, case £600-800 1501. A 19th-century amethyst, diamond and enamel child’s mourning ring, the circular-cut amethyst set within rosecut shoulder diamonds in silver and gold, the outside shank decorated with white enamel and the inscription ‘Caroline Smith OB 25 Nov 1739 AE 5Y’, the internal inscription reads ‘Edwd Philpot Ob 7 Aug 1727 ae: 30’, size R £400-600 1502. A rose-cut diamond-set solitaire ring, the oval-shaped rose-cut diamond set in a closed-back pierced gold mount set with smaller rose-cut diamonds and a fluted shank, size M £2,000-3,000 1503. A George III pearl and diamond bow brooch, the open-work design set overall with rose-cut diamonds in silver and gold, suspending a detachable diamond and pearl drop in closed back silver and gold setting, 5.2cm wide £1,000-1,500 1504. A late 19th-century five-stone diamond ring, the graduated cushion-shaped diamonds weigh approximately 4.60cts £5,000-7,000 total, set with eight rose-cut diamonds and with pierced fleur-de-lys scroll design shoulders, size M 1505. An 18th-century gem-set quatrefoil ring, centred with an octagonal-cut crystal set within a surround of four cushionshaped diamonds to the gold scroll mount, size Q £200-300 1506. A George III diamond cluster ring, designed as a central cluster of rose-cut diamonds within a border of smaller rose-cut diamonds in silver and gold, size P £600-800 1507. A George III diamond cluster ring, centred with a slightly pear-shaped rose-cut diamond within a surround of smaller diamonds in a closed-back silver and gold mount, the foliate shoulders set with further diamonds and a gold scroll shank, size J £800-1,200 1508. A citrine and enamel brooch by Carlo and Arthur Giuliano, the terminals each set with an oval-shaped citrine, conjoined with a white enamel bar with blue enamel decoration, set in closed-back yellow gold mount, applied with the plaque C&AG, 3.7cm wide, fitted case £600-800

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1488

1489 1492

1490 1493

1494

1491

1495 1497 1496

1499

1498

1500

1501

1502 1503

1504 1505 1506

1507

1508

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1509. A Victorian diamond foliate brooch, the spray of flowers set overall with graduated cushion-shaped diamonds in silver and gold, 7.7cm long £600-800 1510. An untested pearl and diamond-set circular scroll brooch, the pearl set within a surround of five scrolls set with graduated circular-cut diamonds in platinum and gold, 3cm wide £600-800 1511. A Victorian emerald and diamond scroll brooch, set with a central emerald and diamond cluster within scrolling border of rose-cut diamonds and pearls in gold, 4.5cm high £1,000-1,500 1512. A late Victorian amethyst rivière, the graduated oval-shaped amethysts set in yellow gold cut-down collets, with an emerald-cut amethyst set to the clasp, 38cm £800-1,200 1513. An Austrian pearl and diamond scroll brooch, of open-work foliate design and set with graduated circular-cut £1,200-1,300 diamonds and a pearl, pendant 3.5cm long, chain 44cm 1514. A Victorian diamond brooch, the abstract brooch suspends three articulated diamond-set drops in silver and gold, 3cm wide £1,000-1,200 1515. A 19th-century diamond-set gold mourning brooch, the realistically formed pansy set overall with rose-cut diamonds in yellow gold, on a disc of black onyx (cracked) and mounted in yellow gold, 3.1cm wide, fitted case £400-600 1516. A two-row cultured pearl necklace, the well-matched pearls measure approximately 6.90mm diameter, with a late Victorian sapphire and diamond cluster clasp, the sapphire weighs approximately 3.60cts and set within a surround of old circular-cut diamonds in platinum and gold, necklace 43cm longest £1,500-2,000 1517. A late Victorian ruby and diamond bangle, the central ruby set within a flowerhead cluster of diamonds within £600-800 further diamond decoration, set in silver on yellow gold bangle, 5.8cm inner diameter 1518. A late Victorian gold hinged bangle, set with a row of graduated quartz cat’s-eye cabochons with rose-cut diamond borders, case £300-400 1519. A Victorian sapphire and diamond scroll brooch, the diamond-set spiral set with a cabochon ruby and a cabochon sapphire to each terminal, in silver and gold, 5cm long £600-800 1520. A 19th-century diamond-set brooch pendant, the open-work cross set overall with graduated old cushion-shaped diamonds in silver and gold, 4.2cm wide, case £1,200-1,500 1521. A late Victorian ruby and diamond flower head brooch, set with circular-cut rubies within a border of diamonds in £300-400 silver and gold, 2.5cm wide 1522. An early 20th-century open-work foliate diamond-set clip brooch, of lozenge form and set overall with graduated circular-cut diamonds in platinum, 6cm £1,500-2,000 1523. A Victorian emerald and diamond pendant, of open-work design and set with a central emerald-cut emerald within £1,000-1,500 diamond-set laurel border and suspending a further pear-shaped diamond in silver and gold, 5.2cm long

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1510

1509 1511

1512

1514

1513

1516 1515

1517

1518

1523 1519

1520 1521

1522

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1524. A late Victorian diamond-set double heart brooch, the intertwined hearts set with old pear-shaped diamonds within concentric surrounds of diamonds and surmounted with a bow, set in silver and gold, 2.8cm wide, case by The Goldsmiths & Silversmiths Company Ltd £3,000-4,000 1525. A late Victorian diamond-set closed crescent brooch, the three rows set with graduated old circular-cut diamonds in silver and gold, 4cm, fitted case by Garrard £1,000-1,500 1526. A 19th-century tourmaline and diamond pendant, the emerald-cut green tourmaline set within a foliate diamond-set border in silver and gold, on diamond-set bale and fine-link white gold neck chain, pendant 4.2cm long, chain 40cm £800-1,200 1527. An Edwardian closed crescent gold brooch, alternately-set with graduated oval opals and pairs of circular-cut £800-1,200 diamonds in gold, 3.7cm 1528. A Victorian amethyst and diamond circular pendant, the circular-cut amethyst set within a surround of alternately large and small cushion-shaped diamonds and a further border of larger graduated cushion-shaped diamonds, set in silver and gold, suspending an amethyst set in yellow gold, with yellow gold twisted rope-link necklace, pendant 6cm, chain 42cm £3,000-4,000 1529. A late Victorian natural pearl and diamond pendant, of open-work design and set overall with graduated circularcut diamonds and a natural pearl, suspending a further drop-shaped pearl in silver and gold, with detachable brooch fitting, 5.5cm long £1,000-2,000 Accompanied by report number 77117-33 dated 22nd August 2017 from GCS, London stating that the cream pearls measure approximately 7.0 x 6.8 x 4.6mm and 6.5 x 5.4 x 5.2mm and are natural saltwater pearls with no indications of treatment 1530. A Victorian snake brooch, the realistically designed serpent set with single-cut and circular-cut diamonds in silver and gold, 6.7cm long £1,000-1,500 1531. A late Victorian amethyst, pearl and diamond brooch pendant, the scroll design set in silver and gold and centred with a cabochon amethyst with rose-cut diamonds and small pearls to the scrolls, detachable pendant loop set with a larger pearl and small diamonds, pendant 4cm, case £400-600 1532. An Edwardian heart-shaped brooch pendant, centred with a heart-shaped blue enamel plaque, with diamond centre and surround of rose-cut diamonds, further foliate border of seed pearls and diamond-set leaves, set in silver and gold, £600-800 opening heart shaped glazed locket compartment to the reverse, 3cm 1533. A Victorian diamond-set scroll brooch, the central old circular-cut diamond set within a surround of six scrolls set with graduated old circular-cut diamonds in silver and gold, one stone missing, 2cm wide £300-400 1534. A natural pearl and diamond bangle, the two button-shaped pearls are set within a surround of diamonds to form two clusters of interlocking hearts beneath a diamond bow, flanked with diamond-set scrolls in silver on a yellow gold bangle, case £2,500-3,000 Accompanied by report number 77119-10 dated 15th September from GCS, London stating that the two cream pearls measure 9.5 x 7.4 x 6.4mm and 8.7 x 7.6 x 6.3mm and are natural saltwater pearls with no indications of treatment 1535. A pink topaz and red spinel pendant, the cushion-shaped pale pink topaz set in a quartrefoil design with red spinel terminals, in yellow gold, 3.5cm long £400-600 1536. A late Victorian foliate design diamond bangle, the central flower head section detaches to be worn as a brooch, the two shoulder sections detach to be worn as earrings (fittings missing), mounted on a yellow gold bangle and set in silver and gold, the flowerhead 2.2cm wide, the bangle’s inner diameter 5.3cm, fitted case with inner compartment containing brooch fitting £1,500-2,000 1537. A late Victorian diamond cluster bangle, set in silver and gold, the cluster centred with an old circular-cut diamond within a surround of smaller diamonds and rose-cut diamonds to the shoulders, fitted case £800-1,200 1538. A diamond cluster bar brooch, the centre old circular-cut diamond set in a surround of eight smaller circular-cut diamonds in gold, 6cm £800-1,200 1539. A late 19th-century tourmaline and diamond cluster ring, the oval-shaped tourmaline set within a surround of circular-cut diamonds in silver and gold collets, size N ½ £600-800 1540. A late Victorian diamond set navette-shaped ring, set with graduated old circular-cut diamonds and four further small shoulder diamonds in gold, size Q £600-800 1541. A George III diamond cluster ring, a triangular-shaped rose-cut diamond set within a surround of cushion-shaped diamonds in silver and gold, in carved and pierced yellow gold shank, size N £600-800 1542. A chrysoberyl cat’s eye and diamond cluster ring, the cabochon chrysoberyl set within a surround of circular-cut diamonds in yellow gold, size R ½ £1,000-2,000

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1543. A 19th-century ruby and diamond cluster ring, the central oval-shaped ruby set within a surround of circular-cut diamonds in platinum and gold, size M ½ £400-600

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1526 1525

1524

1529 1527

1528 1532 1530

1531 1535 1533 1534 1538

1539 1536

1540

1542 1537

1541

1543

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1544. A very fine micromosaic plaque depicting a spaniel, the realistically represented spaniel standing in a field with hilly landscape beyond, fluffy clouds to the blue sky, signed lower left L.M. for Luigi Moglia, mounted on copper with metal rectangular frame, the micromosaic 6.5 x 4.3cm £1,000-1,500 Luigi Cavaliere Moglia (c.1813-1878) was one of the most esteemed mosaic artists of all time. In 1851 he won a gold medal at the ‘Great Exhibition’ of London for his micromosaic The Ruins of Paestum. Amongst his best known works are Spaniel after Aguatti and Flight to Egypt. Moglia’s works can be seen in the Royal Collection Trust, Cincinnati Museum of Art and the Hermitage, St. Petersburg.

1545. A late George III style two-colour gold longuard chain, the textured circular links multi-joined with small flat sections, the George III gold clasp designed as a serpent’s head set with turquoise cabochons and emerald eyes, 120cm, 66g £1,500-2,000 1546. An early Islamic stone-set gold eternity ring, set with various stones including a diamond, pearl, carnelian and each divided with pairs of smaller stones, size S £400-600 1547. A 15th-century gold Middle-Eastern ring, mounted with a cabochon sapphire concealing a hidden compartment, engraved decoration to the shoulders, size O £2,500-3,500 1548. A 19th-century amethyst mounted gold Bishop’s ring, the octagonal-shaped amethyst set in yellow gold collet with the inscription ‘dic’ in Latin to each shoulder, which translates to ‘to tell’ or ‘to say’, approx. size W £600-800 1549. A Regency amethyst and gold cruciform pendant, the four briolette-shaped amethysts centred with textured foliate £600-800 gold mount, 6.5cm high 1550. An unusual gold and enamel mourning ring, decorated to the outside with carved cornucopia pattern in an undulating design, with black enamel to the centre and the words ‘IN MEMORY OF’ in gold, with carved inscription to interior for ‘Mary Dunnington Ob 5th Aug ae 64’, with maker’s mark BC & N for Barber, Cattle & North and York date letter for 1829, size M £1,000-2,000 1551. A George III sentimental enamel and gold locket, with the words ‘Mon coeur est a vous’ to one side on red enamel and ‘enchaine par l’amour’ to the other on white enamel which translates to mean ‘my heart is chained to you by love’, with a teardrop-shaped glazed locket compartment to the centre, in yellow gold, 3cm high £400-600 1552. An 18th-century gold cruciform pendant brooch, each circular disc set with a pearl and further graduated circularcut garnets, 7.5cm high £300-400 1553. A Regency gold locket pendant, of circular form, set with a flowerhead formed from seed pearls, turquoise and a ruby, within engine turned decoration and a foliate engraved border, opening to reveal a glazed locket compartment, on a £800-1,200 fancy-link Regency gold chain, the locket 3.5cm high, chain 42cm 1554. A 19th-century carved hardstone cameo brooch, depicting the head of a bearded man with laurel wreath to his curling hair, gold frame, 4.5cm high £600-800 1555. A 19th-century carved lava cameo bracelet, each cameo depicting the head of a famous character and engraved with the name to the reverse, some names less clear than others but Vinci, Giotto and Caravaggio remain easily legible, gold mounts, 17.5cm £400-600 1556. An early 19th-century eye miniature brooch, the blue eye painted on porcelain with a fringe of tight brown curls and mounted in a gold snake surround with a green stone set to the eye, 2.5cm wide £400-600 1557. A Victorian cross pendant with heart-shaped slide, the gold cross with blue enamel decoration set with five seed pearls suspends from a fine-link gold chain, with a gold and blue enamel heart-shaped slide centred with a cluster of seed pearls and small glazed locket compartment to the reverse containing hair, 3cm high, fitted case £600-800 1558. A Regency gold chain, the fancy-link chain with gold barrel clasp set with turquoise cabochons, 38cm long, with a £600-800 matching bracelet with a turquoise clasp and glazed locket pendant, 18cm long 1559. A Regency gold heart locket pendant, depicting a cherub playing a lyre amongst fruiting vines and shamrocks, the reverse applied with the word ‘amitie’, with a stylised butterfly pendant loop and a glazed locket compartment containing hair to the interior, 3cm high £600-800

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1546

1547

1548 1544

1545

1550

1549

1551

1553

1552

1554

1558 part 1555

1557

1559 1556 1558 part

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1560. A choker-length four-row graduated cultured pearl necklace, the pearls graduate from 5.2-7.5mm, the platinum clasp formed as a diamond pavé-set scroll and three-row tail of calibré-cut rubies in white gold, 35cm £600-800 1561. A pair of ruby and diamond scroll earrings, c1950, set with two lines of graduated circular-cut diamonds and five diamond and ruby flower heads, clip fittings £800-1,200 1562. A diamond solitaire ring, the emerald-cut diamond set with two small circular-cut diamonds to each shoulder in white gold, size K £2,000-3,000 1563. A sapphire and diamond ring, the cushion-shaped sapphire set with six old circular-cut shoulder diamonds in yellow gold, scroll engraved shoulders, size L £1,000-1,500 1564. An odeonesque diamond ring, set overall with graduated circular-cut diamonds in platinum, size M £1,000-1,500 1565. A pair of French diamond scroll earrings, c1950, each earring centred with a transitional circular-cut diamond within borders of baguette-shaped diamonds and scrolled lines of further baguette-shaped and circular-cut diamonds in platinum, various French control marks and maker’s lozenge (possibly BF) £6,000-8,000 1566. An 18ct gold grasshopper brooch, the black enamel head with green cabochon emerald eyes, the body set with small diamonds and polychrome enamel decoration, wings with plique-à-jour enamel, London import marks for 1969, maker’s mark C&Co, for Collingwood & Co., 6.5cm long £1,500-2,000 1567. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 1.05cts and is set in platinum and 18ct yellow gold, size K £1,500-2,000 1568. A tanzanite and diamond ring, the oval-shaped tanzanite set with two tapered baguette-shaped diamonds to each shoulder in platinum, size M £1,000-1,500 1569. A peridot and diamond cluster ring, the oval-shaped peridot set within a surround of round brilliant-cut diamonds in white gold, size N ½ £1,200-1,500 1570. A gem-set rosebud brooch, pavé-set with circular-cut diamonds and a ruby, the stem set with a line of tapered £800-1,200 baguette-shaped diamonds and green garnet leaves. 4cm high 1571. An emerald and diamond spray brooch, set overal with old cushion-shaped diamonds, interspersed with circular cut emeralds and with calibré-cut emerald sprays in white gold, the diamonds weigh approximately 7.00cts in total, 5.5cm wide £5,000-7,000 1572. An emerald and diamond scroll brooch, set with a central square emerald-cut emerald within scrolling border of circular-cut diamonds and emerald-cut emeralds, leading to baguette-shaped emerald and diamond terminals, set in white gold, 4.5cm long £600-800 1573. A pair of diamond-set drop earrings, c1950, the two clusters each set with marquise, baguette-shaped and circularcut diamonds with detachable three-row drops set with further graduated baguette and three marquise-shaped diamonds, platinum, 5.5cm £8,000-12,000 1574. A pair of turquoise and diamond cluster earrings, the circular turquoise cabochons set within oval-shaped threerow clusters of graduated round brilliant-cut diamonds in yellow gold £800-1,200 1575. A yellow sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of round brilliant-cut diamonds in white gold, size N £1,200-1,500

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1561

1562 1560 1563

1564

1567 1565 1566

1568

1571 1569

1570

1572

1573

1574

1575

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1576. A Victorian gold satchel pendant, realistically formed and decorated with black enamel (damaged), with a concertina locket compartment to the interior, 2.2cm high excluding pendant loop £100-200 1577. A Victorian gold lute brooch, realistically designed and set with seed pearls, 4cm long

£200-300

1578. A mid-19th-century garnet pendant, the cushion-shaped garnet set within stylised ribbon and ropetwist border, suspending articulated gold tassels and surmounted with a gold trefoil and seed pearl, on ropetwist gold chain, chain 41cm long, pendant 4cm long £400-600 1579. A late 19th-century pearl and diamond mourning pendant, the central bombé section set with a cushion-shaped diamond within a surround of graduated pearls, suspending a pearl-set drop and suspended from a pearl-set bale, set in £600-800 yellow gold, with glazed locket compartment to reverse containing hair, 5cm long 1580. A Victorian turquoise and diamond pendant, of bombé design and pavé-set with turquoise cabochons and a central diamond, within ropetwist yellow gold border, 3.5cm high £400-600 1581. A Victorian Holbeinesque gold pendant, centred with a large cushion-shaped iolite within a border of two rubies, four seed pearls and small cushion-shaped diamonds, the frame decorated with polychrome enamel features and set with four half pearls and four emerald quatrefoils, suspending a pear-shaped cabochon emerald drop, the reverse engraved with fine scrolling decoration, detachable brooch fitting, pendant loop, 6.5cm £4,000-6,000 1582. A 19th-century gold locket pendant, the circular locket with vacant glazed compartment set within a surround of seed pearls and pellet and wirework border in yellow gold, 3.5cm diameter £150-250 1583. A Victorian pietra dura-mounted gold suite, the brooch and earrings of foliate design and all set in yellow gold mounts with pellet borders, the brooch 4cm, fitted case £600-800 1584. A Regency topaz-set gold brooch, with intricate cannetille decoration, set with five oval-shaped topaz and four £1,000-1,500 emeralds, suspending two further conforming gold pendants on fine-link gold chain, 6cm wide 1585. A 19th-century diamond cluster ring, set with old cushion-cut diamonds and rose-cut diamonds in yellow gold carved and pierced mount, size O ½ £400-600 1586. A diamond three-stone ring, set with an oval-shaped diamond within two old circular-cut diamonds in carved and £500-700 pierced yellow gold mount, size O 1587. A diamond three-stone ring, the graduated old circular-cut diamonds set in carved and pierced yellow gold mount, size P ½ £800-1,200 1588. An Victorian gold fringe necklace, each fringe set with a seed pearl suspending an acanthus style drop, 44cm, 53g £2,000-3,000 1589. A Victorian opal-set gold snake ring, the stylised serpent set with a cabochon opal to its head and diamond eyes, size K £200-300 1590. A Victorian garnet and pearl-set gold bracelet, the five graduated scroll-form and engraved panels each set with a cabochon oval-shaped garnet and four pearls, each joined with conforming scroll link, foliate engraving to the reverse, 17.5cm £2,000-3,000

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1578

1577

1576

1582 1579 1580

1581

1583

1588

1584

1589 1585

1586

1587 1590

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1591. A single-row natural saltwater pearl necklace, the pearls graduate from 3.00-6.93mm, with a circular clasp set overall with diamonds and a pearl to the centre, in platinum, 38cm long £2,600-3,000 1592. A late Victorian pearl and diamond brooch, the stylised flower of open-work design set with a central pearl within borders of rose-cut and old circular-cut diamonds in silver and gold, 4.2cm long £3,500-4,000 Accompanied by report number 5775-2166 dated 2nd July 2015 from GCS, London stating that the black coloured pearl measures approximately 11.2 x 9.1 x 7.8mm and is a natural saltwater pearl with no indications of treatment 1593. An early 20th-century pearl, diamond and sapphire pendant, the pearl suspending from an inverted V-shaped mount set with calibré-cut sapphires and a diamond-set crescent, set with further graduated circular-cut diamonds in platinum, later white gold chain £800-1,200 Accompanied by report number 77104-56 dated 26th June 2017 from GCS, London stating that the cream pearl measures 10.7 x 9.3 x 8.0mm and is natural saltwater with no indications of treatment 1594. A pair of drop-shaped natural pearl and diamond earrings, the two natural pearls suspend from an articulated line of five millegrain-set graduated circular-cut diamonds in platinum, 3cm long £10,000-15,000 Accompanied by report number 77111-06 dated 11th July 2017 from GCS, London stating that the light grey/white pearls weigh approximately 5.13g and are natural saltwater pearls with no indications of treatment 1595. A pair of natural pearl and diamond cluster earrings, of flower-head design, the pearls set within a surround of diamond petals in white gold, 1.6cm diameter £5,000-7,000 Accompanied by report number 5776-4355 dated 20th January 2016 from GCS, London stating that the cream pearls weigh approximately 5.33 and 5.38 cts and are natural saltwater with no indications of treatment 1596. A pearl and diamond ring, the button-shaped silver pearl claw set in a yellow gold scroll mount set within diamonds, size I ½ £4,000-6,000 1597.

A pearl and diamond cluster ring, the pearl set within a surround of cushion-shaped diamonds in white gold, size O £1,000-2,000

Accompanied with report number 5777-8166 dated 15th November 2016 from GCS, London stating that the cream coloured pearl measures approximately 9.1 x 7.2 x 5.8mm and is a natural saltwater pearl with no indications of treatment 1598. A French diamond and pearl-set bracelet, the lozenge-form foliate platinum links each millegrain-set with a circularcut diamond and separated with a pearl, French control marks, 19.5cm £2,000-3,000 Accompanied by report number 77117-37 dated 22nd August 2017 from GCS, London stating that the cream pearls measure approximately 5.0-5.5mm and are natural saltwater pearls with no indications of treatment 1599. A single-row freshwater pearl necklace, the pearls graduate from 5.24-10.28mm, with a diamond cluster clasp in silver and gold, 58cm long £1,000-1,500 Accompanied by report number 14515 date 21 July 2017 from The Gem and Pearl Laboratory, London stating that the sixtynine pearls weigh approximately 45.61g and are natural freshwater pearls, with the exception of two cultured pearls 1600. A natural pearl necklace and pendant, the single-row necklace with the largest central pearl suspending a baroqueshaped natural pearl, 42cm £2,000-3,000 Accompanied by report number 5777-9118 dated 20th March 2017 from GCS, London stating that the cream pearls are natural saltwater with no indications of treatment 1601. A single-row graduated natural pearl necklace, with a 19th-century cushion-shaped diamond-set gold clasp, 68cm £800-1,200 Accompanied by report number 77109-19 dated 12th July 2017 from GCS, London stating that the cream pearls graduate from 2.4-6.3mm approx. and are natural saltwater with no indication of treatment 1602. A single-row natural pearl necklace, the round pearls graduate from 2.47-6.40mm set with three old circular-cut diamonds in platinum and gold, 50cm long £2,000-2,500 Accompanied by report number 77110-36 dated 3rd July 2017 from GCS, London stating that the cream coloured pearls weigh approximately 7.69g total `and are natural saltwater pearls with no indications of treatment 1603. A natural pearl-mounted gold stick pin

£500-700

Accompanied by report number 77112-28 dated 25th July 2017 from GCS, London stating that the light grey pearl measures 8.32 x 8.33 x 11.1mm and is a natural saltwater pearl with no indications of treatment 1604. A pearl and diamond cluster ring, the button-shaped pearl set within a surround of cushion-shaped diamonds in yellow gold, size O £1,000-1,500 Accompanied by report number 5777-9111 dated 20th March 2017 from GCS, London stating that the cream pearl measures 9.1 x 8.0 x 7.0mm and is a natural saltwater pearl with no indications of treatment

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1592

1594

1595

1596

1597

1600

1598

1601 1603 1602

1599

1604

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1605. A gold ring mounted with a Roman intaglio, the carnelian carved with a hippocamp group, later mount, size G ½

£400-600

1606. A late 17th-century Royal portrait ring, the plain gold ring mounted with an oval miniature portrait of King William and Queen Mary, glazed with rock crystal faceted at the border, size I ½ (with sizing bar), with case marked for J. Hancock, 45 Piccadilly, Manchester £200-300 Provenance: To be sold with a copy of a catalogue for an exhibition Parliament and the Glorious Revolution: 1688-1988, held at the Banqueting House, Whitehall, July-October 1988.

The ring was exhibit no. 18 and described as Gold finger ring, the bezel containing a miniature of William and Mary under faceted crystal, said to have been presented to Jean Stuart Campbell, Lady-in-Waiting to Queen Mary. Lent by L. Campbell ESQ. 1607.

A Roman intaglio ring, the carved bloodstone depicting the Roman sacrifice of a goat, in plain gold rubover setting, size M

£800-1,200

1608. An early 18th-century black enamel mourning ring, set with a skull beneath rock crystal (chipped), the band decorated with black enamel and the inscription ‘Joan Collins Ob 13 Dec 1737 AE 83’, size O ½ £1,000-1,500 1609. A late 18th-century gold ring mounted with a finely-carved ivory coastal scene, possibly French, depicting a fisherman on the left of the port centred with a fishing boat and to the right a French man-of-war flying the tricolour, with the town to the background, blue sky, glazed, scroll fluting to the reverse with vacant cartouche, foliate pierced shoulders, 1.5cm wide, size K £3,000-4,000 1610. A carved hardstone intaglio-mounted gold ring, the intaglio depicting a seated warrior, probably Roman, late 18th-century gold mount, £1,000-1,500 size P 1611. A late 18th-century diamond-set mourning ring, the oval plaque set with a glazed locket compartment containing plaited hair within a border of old cushion-shaped diamonds in silver and gold, engraved inscription to the interior reads ‘Frederick Rasch died 31 July 1793 Aged 72’, size R £800-1,200 1612. A double-sided reliquary pendant, possibly 18th century, one side applied with small unidentified objects, centred with a heart design within a surround of six scrolls each inscribed with the name of a saint, the other side with miniature painting, probably depicting a female saint or Mary Magdalene in a grotto with skull and cross, mounted in silver, 6.2 x 5.3cm £400-600 1613. An 19th-century green paste cruciform pendant, mounted with eleven graduated oval-shaped green paste stones and small cushionshaped diamonds in closed-back gold mount, the gold pendant loop with conforming paste and diamonds set in gold, 11cm £600-800 1614. A mid-18th-century glazed gold pendant incorporating figures at a tea-party, the four seated women drinking tea and being attended £4,000-6,000 by a small black servant, enamel decoration, rock crystal cover, 2.7cm high For a similar pendant, see Victoria & Albert Museum exhibit M.33-1960.

1615. A Royal miniature portrait gold pendant depicting King Charles I and Henrietta Maria, facing each other and with arms above within scroll border, rose-cut diamonds to the open-work foliate surround and suspending from a diamond-set ornate chain, engraved with foliate scroll decoration to the reverse, later pin mount, the portrait 2cm wide £4,000-6,000 1616. A Victorian gold and green paste intaglio bracelet by Phillips Brothers, c1870, the five graduated green paste intaglios depicting various mythological figures including Ganymede, one signed in Greek for Luigi Pilcher, each set within pellet borders with foliate clasp signed with Phillips Brothers cipher, the largest intaglio 2.6 x 2cm, bracelet 17cm £1,000-1,500 1617. An early carved carnelian intaglio ring, depicting a standing lion in gold rubover mount, size M

£800-1,200

1618. An 18th-century carved hardstone cameo brooch, depicting the profile of a bearded man with thinning hair, probably a Roman philosopher, mounted in a gold brooch, 3.2cm £700-900 Accompanied by an invoice dated 1st September 1994 from Hortons Antique Jewellery, Silver & Fine Art, Surrey stating that the cameo belonged to the Pierpont Morgan collection 1619. A late 19th-century hardstone cameo and diamond brooch, the carved hardstone c1790 probably depicting a young Hercules and signed Hecker for Christian Friedrich Hecker, set within a surround of cushion-shaped £1,000-2,000 diamonds in silver and gold, 2.8cm high 1620. A late 17th-century Stuart crystal memento mori slide, (later converted to a clasp), the faceted rock crystal covering a skeleton sitting at a table with a skull above the motto ‘learn to die’ on plaited hair, mounted in gold, 2.5cm wide £400-600 1621. A pair of Stuart crystal cufflinks, each octagonal link decorated with intertwined gold C’s beneath the Stuart crystal in closed-back £600-800 gold mounts

1606

58

1615

Image © Victoria and Albert Museum, London, exhibit M.33-1960, similar to lot 1614.

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1607 1605

1606

1608 1611

1609 1610

1614

1612 1613

1617

1618 1615

1621

1616 1619

1620

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1622. A diamond three-stone ring, the transitional-cut diamonds set in platinum, centre diamond weighs approximately 1.30cts, total diamond carat weight approximately 2.25cts, size P £2,000-3,000 1623. A ruby and diamond three-stone ring, the oval-shaped ruby weighs approximately 1.70cts and is flanked with an emerald-cut diamond, in platinum, size N £6,000-8,000 Accompanied by report number 80712 from SSEF, Switzerland dated 19th June 2015 stating that the oval-shaped ruby measures 8.20 x 6.40 x 3.60mm and weighs 1.70cts, with red of medium strong saturation and no indications of heating.

Origin: Burma 1624. An aquamarine pendant, the emerald-cut aquamarine mounted in a white metal frame, 2.3cm wide £1,000-1,500 Accompanied with report number 14197 dated 10th May 2017 from The Gem and Pearl Laboratory, London stating that the emerald-cut aquamarine measures 21 x 17 x 11.3mm and is a natural aquamarine 1625. An Art Deco diamond brooch, pavé-set with circular-cut diamonds in platinum, with vacant initials PWA, 3.2cm long £400-600 1626. No Lot 1627. An Art Deco ruby and diamond double-clip brooch, each clip set with old circular-cut diamonds and rubies (one replaced with paste), set in platinum, 5.5cm wide £2,000-3,000 1628. A pair of aquamarine and diamond drop earrings, each earring set with a rectangular-shaped aquamarine suspending from an articulated line of millegrain-set circular-cut diamonds, fitted case £1,000-1,500 1629. A lady’s diamond wristwatch by Rolex, the signed rectangular silver dial with black Arabic numerals, the case millegrain-set with diamonds and diamond-set scallop-edged lugs, manual movement, the case back inscribed A.R 27 Nov 1935, 1.5cm wide, with later leather strap £800-1,200 1630. A sapphire and diamond half-hoop ring, of chequerboard design, set with lines of calibré-cut sapphires and circularcut diamonds in carved half-hoop white gold ring, size K ½ £400-600 1631. An odeonesque diamond ring, the rectangular plaque with raised shoulders set with graduated circular-cut diamonds £400-600 in platinum, size Q 1632. A ruby and diamond odeonesque ring, the scrolling top section set with a triangular-cut diamond with three calibrécut sapphires and a triangular-cut ruby with a baguette-shaped diamond, within scrolling borders set with diamonds, in platinum, size N ½ £800-1,200 1633. A synthetic emerald and diamond ring, the octagonal-cut synthetic emerald set in platinum with small diamonds millegrain-set to the open-work mount with stylised fleur-de-lys shoulders, size K £1,000-2,000 1634. An aquamarine ring, the square step-cut aquamarine set in a pierced white gold scroll mount, with inner resizing balls, aquamarine weighs approximately 14.00cts, size I £1,400-2,000 1635. An Art Deco fine-link diamond and black onyx bracelet, each circular-cut diamond millegrain-set in a hexagonal gold mount and joined with waisted links of black onyx on platinum and gold, 18cm £1,000-2,000 1636. An onyx and diamond bracelet, of buckle design, set with a line of circular-cut diamonds within borders of Frenchcut onyxes in platinum and white gold, 17.5cm long, French import marks £2,500-3,000 1637. A lady’s diamond-set cocktail wristwatch by Benson, the silver dial with black Arabic numerals, the oval-shaped case set overall with circular-cut diamonds and with quatrefoil fleur-de-lys pattern, the movement signed Vogt & Co, the case with inscription to reverse for Sept 8th 1950, on expanding white gold band £400-600 1638. An Art Deco gold and tortoiseshell rectangular box, the gold box with engine-turned pattern to the mounts and £600-800 with tortoiseshell hinged cover and base, gold geometric patterns to the lid, 7.6cm wide 1639. A gem-set giardinetto brooch, the vase formed of three fancy-cut diamonds, two ruby-centred flowers with diamond petals and marquise-shaped emerald leaves, a central line of baguette-shaped diamonds and stylised Greek key-pattern border, millegrain-set with circular-cut diamonds, with a further flower set with turquoise cabochons and marquise-shaped emeralds, 5.1cm £2,500-3,500 1640. A diamond full-circle eternity ring, millegrain-set with old circular-cut diamonds in platinum, the diamonds weigh approximately 2.00cts in total, size R ½ £600-800 1641. A pair of diamond-set scroll earrings, the graduated circular-cut diamonds set in white gold

£200-300

1642. A pink sapphire and diamond-set three-stone ring, the oval-shaped pink sapphire set with two triangular-cut shoulder diamonds in 18ct white gold, size M £1,200-1,800

60

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1622

1630

1623

1631

1628 1632 1624

1633

1625 1634

1627

1636

1637 1635

1640 1638

1641

1629 1639

1642

61

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1643. An Art Nouveau diamond and pearl crossover ring, of open-work swirl design and set with an old circular-cut diamond and a pearl, smaller graduated shoulder diamonds and fluted shank, size R £2,000-3,000 Accompanied by report number 77117-29 dated 21st August 2017 from GCS, London stating that the white pearl measures approximately 6.3-6.4 x 5.6mm and is a natural saltwater pearl with no indications of treatment 1644. An early 20th-century French briolette-cut amethyst pendant, suspending from an open-work mount set with diamonds and a seed pearl in gold and platinum, French control marks, 6cm, on a fine-link platinum chain necklace mounted with seed pearls, 90cm £10,000-15,000 1645. An early 20th-century triple navette ring, the centre navette set with three cushion-shaped rubies within a diamond surround, one smaller shoulder navette set with three emeralds, the other with three sapphires, two small pear-shaped £600-800 rubies to the shoulders and fluted shank, yellow gold, size O 1646. A Belle Époque diamond-set brooch, the centre pear-shaped diamond millegrain-set within a surround of smaller diamonds, suspending from a diamond-set bow design and circle of diamond-set laurels, in platinum and gold, 3cm £1,000-1,500 1647. A diamond cluster ring, the graduated old circular-cut diamonds weigh approximately 3.75cts in total and set in platinum and gold, size L ½ £1,500-2,000 1648. An Edwardian pearl and diamond brooch, set with a central old circular-cut diamond within borders of diamonds and diamond-set laurels, the lower border set with seed pearls and suspending an articulated section set with seed pearls and a further pearl drop, in platinum with a white gold pin, 4.5cm high £1,200-1,500 1649. A pair of pearl and diamond drop earrings, the graduated old circular-cut diamonds suspend a larger brioletteshaped diamond within a hoop of pearls in white gold, 3cm long £1,800-2,500 1650. A 19th-century emerald and diamond cluster ring, the emerald-cut emerald set within a surround of old cushionshaped diamonds in silver and gold, the carved and pierced gallery set with diamonds and depicting three leaf clovers, on trifurcated diamond shoulders and with re-sized yellow gold shank, size J ½ £6,000-8,000 Accompanied by report number 5777-7827 dated 29th November 2016 from GCS, London stating that the cushion-cut emerald weighs approximately 1.6cts and is a natural emerald with minor indications of clairty enhancement, origin: Columbia 1651. A sapphire and diamond three-stone ring, set with an oval-shaped sapphire and two circular-cut diamonds in platinum and yellow gold, size N ½ £1,500-2,000 1652. A sapphire and diamond cluster ring, the oval-shaped sapphire set within a surround of old circular-cut diamonds (one missing) in white gold, size Q ½ £800-1,200 Accompanied by report number 77109-16 dated 17th July 2017 from GCS London stating that the pink sapphire weighs approximately 2.90cts and is of Sri Lankan (Ceylon) origin with no indications of heating.

1653. An Edwardian ruby and diamond pendant, set with a central diamond within a diamond-set laurel border and suspending a pear-shaped ruby in platinum and gold, suspended from a silver and gold diamond-set bale, 4.5cm high £200-300 1654. A ruby and diamond cluster ring, the oval-shaped ruby set within a surround of nine circular-cut diamonds in white gold, size M £3,000-4,000 Accompanied by report number 13234 dated 23rd September 2016 from The Gem and Pearl Laboratory, London stating that the oval-shaped ruby weighs approximately 2.26cts and is a natural ruby with no indications of heating, origin: Burma 1655. A late Victorian double cluster ring, the two clusters centred with a diamond and an emerald, each within a cluster of circular-cut diamonds, on lines of circular-cut diamonds in platinum and yellow gold, size L £600-800 1656. An Edwardian diamond-set bar brooch, centred with an old circular-cut diamond within a surround of smaller circular-cut diamonds in platinum and white gold, 7.5cm £1,500-2,000 1657. A sapphire and diamond cluster ring, the square-cut sapphire millegrain-set within a border of old circular-cut diamonds in platinum and yellow gold, size Q £1,500-2,000 Accompanied by report number 77109-83 dated 4th July 2017 from GCS, London stating that the cushion-cut sapphire weighs approximately 5.5cts and is a natural sapphire with no indications of heat treatment, origin: Basaltic

62

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1643

1645

1644

1647

1646

1648

1649

1650

1651

1655

1652

1654

1653

1656

1657

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1658. A carved rock crystal seated French Bulldog, possibly by Cartier, c1910, realistically formed and with rose-cut peridot eyes in gold collets, with gold collar suspending a small pearl, 8cm high £8,000-12,000 For a similar carved hard-stone dog, probably by Bozzachi and Lenfant, Cartier, see J. Rudoe., Cartier; 1900-1939, London: British Museum Press: 1997, p. 114, cat. 52, catalogue for British Museum Exhibition 1659. A pair of Art Deco style diamond-set white gold drop earrings, designed as two circles and three articulated festoons all millegrain-set with circular-cut diamonds, 6.5cm £2,000-3,000 1660. A coral, grey agate, diamond and black onyx-mounted gold pendant, the centre bulbous oval section of grey agate millegrain-set with bands of circular-cut diamonds to the upper and lower sections, suspending from a diamond-set coral cap which in turn suspends from a black onyx circle and coral-set gold brooch above, with multistrand coral bead tassel, possibly altered upper section, 10cm high, Cartier box £10,000-15,000

1661. A gold compact by Boucheron, decorated overall with engine turned floral pattern and ruby cabochons, opening to reveal a mirror and a fluted compartment with hinged opening for powder, the elaborate thumbpiece decorated with rubies and diamonds and cabochon ruby terminals, one can be pressed to open the box, signed Boucheron and maker's mark BM Co, with London hallmarks for 1954, 8cm long, with outer fabric pouch £2,000-3,000 Accompanied by original receipt dated 29th November 1963 from Boucheron, London.

Provenance: previously owned by Norman Loudon, owner of Shepperton Studios, Surrey, which was sold in 1946 to Sir Alexander Korda and in 2001 merged to form part of the Pinewood Studios Group.

Thence by descent to the current owner.

1662. A blackamoor brooch by Cartier, wearing a turban with rosecut diamond centrepiece and surmounted with a coral bead and seed pearl earrings set in yellow and white gold, signed Cartier Paris (slightly rubbed), stamped to the base MADE IN FRANCE with various French control marks, numbered 9314, 4.5cm high, re-enameled head and stripped turban £2,000-3,000

1658

1663. An early 20th-century emerald and diamond ring, set with a central emerald-cut emerald, with an old circular-cut diamond within a surround of calibré-cut emeralds to the top and bottom, in platinum and yellow gold, size Q £1,000-1,500

1665. An Art Deco style enamel bracelet, the oval links alternately decorated with black or red enamel in white gold, joined with smaller plain links millegrain-set with small circular-cut diamonds, 17.5cm £2,500-3,000

1664. An Art Deco chrysophrase and rock crystal bracelet, mounted with four square domed cabochon chrysophrases and four rock crystal circles with gold links, 18cm £1,000-2,000

1666. An Art Deco style enamel and diamond jabot pin, each terminal formed with a circle of red or black enamel on white gold with small circular-cut diamond bands, 9.5cm £1,000-1,500

64

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1660 1659

1662

1663 1661

1664

1665

1666

65

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1667. A French turquoise and ruby leaf brooch by Georland, the stylised leaf formed of plaited yellow gold sections applied with a navette-shaped cluster of turquoise and ruby cabochons, with French marks to the stem and maker’s lozenge for Georland, 6.8cm high £600-800 1668. A citrine and diamond cluster ring, the oval-shaped citrine set within a surround of round brilliant-cut diamonds in £1,000-2,000 white gold, size K ½ 1669. An aquamarine, ruby and diamond cocktail ring by Mellerio, the emerald-cut aquamarine weighs approximately 28.00cts and set within a border of circular-cut rubies and diamonds in fluted yellow gold mount, the inside shank signed Mellerio with inventory number C.11.995., French import marks to the outside shank, size O £2,000-3,000 1670. A sunstone and diamond cluster ring, the oval-shaped cabochon sunstone set within a surround of round brilliantcut diamonds in white gold, size N £800-1,200 1671. A yellow gold bracelet, c1940, set with rubies and diamonds, each scroll-form link set with a line of graduated square-shape rubies within borders of circular-cut diamonds with two cabochon shoulder rubies, 9cm, 64g £4,000-6,000 1672. A gold tank track bracelet, c1940, the rectangular yellow gold links alternately-set with bi-colour pyramid links, £2,000-3,000 19.5cm, 53g 1673. A topaz and diamond ring, the cushion-shaped orange topaz set between two circular-cut shoulder diamonds in platinum, size M ½ £1,000-1,500 1674. A gem-set gold bird of paradise brooch, the stylised gold bird set with a chrysoprase head, a chalcedony body and £600-800 diamond-set tail feathers in platinum and yellow gold, 4.5cm high 1675. An aquamarine and diamond dress clip by Cartier, c1940, designed as a stylised pear-shaped scroll, centred with a similarly-shaped aquamarine within a border of single-cut diamonds, signed Cartier, 3.7cm long £1,000-1,500 1676. A pair of figurative gem-set gold earrings by Carrera y Carrera, designed as female profiles each set with a circular£1,000-1,500 cut aquamarine and pavé-set with circular-cut diamonds, signed with CC and numbered 57111

66

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1667

1668

1669

1670

1671

1672 1673

1674

1676

1675

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1677. A pair of 19th-century diamond flower head earrings, set with an old cushion-shaped diamond which suspends a flower head cluster of further old cushion-shaped diamonds and a central pearl in silver and gold, 3.5cm high, case £6,000-8,000 1678. A 19th-century emerald and diamond pendant, the teardrop-shaped pendant set with a central emerald-cut emerald within a border of seed pearls and graduated old cushion-shaped diamonds in silver and gold, suspending from a fine-link platinum neck chain, decorated with six seed pearls and a seed pearl trefoil, chain 40cm, pendant 3.8cm £6,000-8,000 1679. A 19th-century aquamarine and diamond necklace, mounted with sixteen cushion-shaped aquamarines millegrainset within rose-cut diamond surrounds in silver and gold, each cluster joined with a double scroll link also set with rose-cut diamonds, 45cm £20,000-25,000 1680. A late Victorian emerald and diamond pendant, the centre cruciform section set with a long cushion-shaped emerald set in silver and gold with four larger cushion-shaped diamonds and four smaller diamonds, suspending from a shield-form frame set with graduated circular-cut diamonds, detachable pedant loop with with three diamonds, 5.5cm £6,000-8,000 Accompanied by report number 77119-12 dated 14th September 2017 from GCS, London stating that the octagonal-cut emerald weighs approximately 2.20cts and is a natural emerald with indications of minor clarity enhancement, origin: Colombia 1681. A late 19th-century emerald and diamond brooch, of sunburst design and set with a central circular-cut emerald which weighs approximately 5.30cts within a surround of old cushion-shaped diamonds in silver and gold £5,000-7,000 Accompanied by report number 5777-7635 dated 14th November 2016 stating that the round cut emerald weighs approximately 5.30cts and measures approximately 10.80-11.00 x 8.50mm, and is a natural emerald with indications of moderate clarity enhancement, origin: Colombia 1682. A late 19th-century aquamarine pendant, the large cushion-shaped aquamarine weighs approximately 50.00cts and is set within a surround of circular-cut rubies in fluted yellow gold collet, suspending a pearl drop, suspended from a diamond-set bow and a seed pearl-set fine-link gold chain, 7cm long £1,500-2,000

68

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1677

1678

1679

1682 1681

1680

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1683. A 19th-century gold pomander with scent bottle in the mid-17th-century style, probably French, the spring-loaded stylised petals open to reveal twelve vinaigrettes with sliding foliate pierced grilles, engraved with further scroll decoration, the under-side centred with a six-sided peridot and six petals pavĂŠ-set with graduated turquoise cabochons and small diamonds, the circular upper section set with further turquoise cabochons and lifts to open the vinaigrette sections, the hinged terminal with fluted and scroll decoration opens to reveal a scent bottle, with gold foliate engraved cylindrical-link neck chain, marks to one link probably French control marks, 8cm high, chain 110cm ÂŁ18,000-25,000

70

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1684. A ruby and diamond cluster ring, the cabochon ruby set within a surround of circular-cut diamonds in white gold, size O ½ £2,000-3,000 Accompanied by report number 77111-47 dated 14th July 2017 from GCS London stating that the cabochon ruby weighs approximately 4.2cts and is a natural ruby with no indications of heat treatment, origin: Burma 1685. A colour-change cabochon sapphire and diamond ring, the oval-shaped cabochon sapphire set within circular-cut and baguette-shaped diamond shoulders in white gold, size N £5,000-6,000 Accompanied by report number 13882 dated 7th March 2017 from The Gem and Pearl Laboratory, London stating that the oval cabochon sapphire weighs approximately 10.33cts and is a natural colour-change sapphire exhibiting blue in daylight and pinkish-purple in incandescent light with no indications of heat treatment, origin: Sri Lanka 1686. A ruby and diamond cluster ring, the oval-shaped ruby set within a surround of circular-cut diamonds in platinum and weighs approximately 1.80cts, size O £2,500-3,000 1687. A purple star sapphire and diamond cluster ring, the cabochon sapphire set within a surround of circular-cut diamonds in platinum, size M ½ £2,000-3,000 1688. A ruby and diamond ring, the cabochon ruby millegrain-set within two old circular-cut diamonds and further border of rose-cut diamonds in platinum, size M £3,000-4,000 Accompanied by report number 77111-16 dated 14th July 2017 from GCS London stating that the ruby weighs approximately 2.30cts and with no indication of heating, origin: Burma 1689. A ruby and diamond crossover ring, the oval-shaped ruby set within two asymmetrical shoulders, one set with baguette-shaped diamonds, the other pavé-set with circular-cut diamonds in platinum and gold, size L £2,000-3,000 Accompanied by report number 77117-32 dated 21st August 2017 from GCS, London stating that the oval-shaped ruby weighs approximately 1.9cts and is a natural ruby with indications of heat treatment with minor residue in the healed fissures, origin: Burma 1690. A sapphire pendant on a gold and seed pearl neck chain, the pendant set with an oval-shaped sapphire measuring 13.11 x 11.81 x 4.78mm, estimated to weigh approximately 6.15cts, suspending from a pearl and smaller sapphire with groups of three graduated seed pearls to the yellow gold neck chain £2,000-3,000 1691. An Edwardian multigem-set gold necklace, set with pink topaz, amethysts, garnets, aquamarines, chrysolites and seed pearls in yellow gold coronet settings, 36cm long, case £600-800 1692. A sapphire fringe necklace, the oval-shaped sapphires set in plain gold collets and suspending from a fine-link gold neck chain, from left to right the sapphires weigh approximately 5.00, 7.00, 9.00, 11.00, 8.50, 7.50, 4.50cts, total approximate weight 52.00cts, necklace 42cm £6,000-8,000 Accompanied by report number 77101-11 dated 1st June 2017 from GCS, London stating that the cushion-cut sapphires weigh approximately 52.5cts and are natural sapphires with no indications of heat treating, origin: Sri Lanka (Ceylon) 1693. A star sapphire and diamond cluster ring, the slightly oval-shaped grey cabochon star sapphire set within a surround of round brilliant-cut diamonds and further diamonds to the shoulders, set in white gold, size L ½ £800-1,200 1694. A sapphire and diamond cluster ring, the slightly oval-shaped sapphire set within a surround of round brilliant-cut diamonds in platinum, size N £8,000-12,000 Accompanied by report number 45260 dated 14th September 2005 from SSEF, Switzerland stating that the antique cushionshaped sapphire weighs approximately 5.603cts and is a natural sapphire with no indications of heat treatment, origin: Sri Lanka (Ceylon) 1695. A colour-change sapphire and diamond ring, the cushion-shaped sapphire set within diamond shoulders in platinum, size N £4,000-6,000 Accompanied by report number 12860 dated 12th June 2016 from The Gem and Pearl Laboratory stating that the rectangular cushion-cut sapphire weighs approximately 5.04cts and is a natural colour-change sapphire which exhibits green in daylight and purplish brown in incandescent light, with no indications of heat treatment

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1684

1687 1686 1685

1688

1689

1690

1691

1692

1965 1693

1694

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1696. An Art Nouveau diamond and pearl pendant, the scroll frame set overall with graduated circular-cut diamonds, surmounted with a larger old circular-cut diamond in platinum, suspending a pearl cluster millegrain-set within a surround of circular-cut diamonds, on a white gold fine-link neck chain, pendant 5.5cm wide, chain 42cm £8,000-12,000 Accompanied by report number 77117-35 dated 22nd August 2017 from GCS, London stating that the cream pearl measures approximately 7.8-8.0 x 5.6mm and is a natural saltwater pearl with no indications of treatment 1697. A Belle Époque diamond and natural pearl pendant, the pearl millegrain-set within a surround of circular-cut diamonds, suspending from a pear-shaped foliate mount and a bow above, all set with diamonds in platinum on a fine-link £4,000-6,000 platinum chain, pendant 3.6cm, chain 48cm, fitted case by Koch Accompanied by report number 5777-9366 from GCS, London dated 17th March 2017 stating that the grey pearl measures 8.76 x 7.10mm and is natural saltwater with no indications of treatment 1698. A natural pearl and diamond pendant, the light grey coloured pearl of slightly flattened form suspends from a white gold pendant millegrain-set with graduated small circular-cut diamonds, on a fine-link white gold neck chain, pendant 3cm high, chain 45cm £2,000-3,000 Accompanied by report number 77112-30 dated 25th July 2017 from GCS, London stating that the grey pearl measures 13.2 x 10.7 x 8.0mm and is a natural saltwater pearl with no indications of treatment 1699. A single-row pearl necklace, the pearls graduate from 3.17-7.09mm, the clasp millegrain-set with an old circularcut diamond in platinum, diamond weighs approximately 0.85cts, necklace 44cm long £6,000-8,000 Accompanied by report number 77111-07 dated 11th July 2017 from GCS, London stating that the cream pearls weigh approximately 14g total and are natural saltwater with no indications of treatment 1700. A single-row graduated natural pearl necklace, the navette-shaped clasp centred with three graduated old circularcut diamonds within a border of calibré-cut rubies, 43cm, case £2,000-3,000 Accompanied by report number 14098 dated 23rd April 2017 from The Gem and Pearl Laboratory stating that the pearls graduate from 3.7-8.2mm and are natural saltwater 1701. A pair of natural pearl and diamond drop earrings, each larger drop-shaped pearl suspends from an old circular£20,000-30,000 cut diamond and a smaller pearl set within seven smaller diamonds in white gold, 2.5cm Accompanied by report number 67904 dated 28 April 2013 from SSEF, Switzerland stating that the light cream roundish pearls weigh approximately 1.5cts each and the white drop-shaped pearls weigh approximately 6.70 and 7.10cts and are natural saltwater pearls 1702. A fancy light pink diamond ring, the square-shaped pink diamond set within diamond-set border, with further diamonds to the shoulders in white gold, size L £15,000-20,000 Accompanied by report number 2181288307 dated 18th April 2017 from GIA, New York stating that the square-shaped diamond weighs approximately 2.34cts and is a natural fancy light purplish pink diamond 1703. A pair of pearl and diamond earrings, the old circular-cut diamonds weigh approximately 2.75cts in total and each set above a button-shaped pearl in white gold £20,000-30,000 Accompanied by report number 77112-75 dated 17th November 2016 from GCS, London stating that the cream coloured pearls measure 13.9 x 13.1 x 8.1mm & 13.8 x 13.5 x 9.0mm and are natural saltwater pearls with no indications of treatment

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1698

1697

1696

1701

1699

1703 1702

1700

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1704

1704. An Art Deco French diamond-set giardinetto brooch, the foliate sections set with triangular and marquise-shaped diamonds and smaller circular-cut diamonds, the urn centred with baguette-shaped diamonds and further circular-cut diamonds in platinum, French control marks, rubbed inventory number 23339, 4.3cm high fitted case by Mallet of Bath £6,000-8,000 1705. An aquamarine, diamond and sapphire ring, the emerald-cut aquamarine millegrain-set in white gold with circular-cut shoulder diamonds and a border of calibré-cut sapphires to the shoulders, size N ½ £800-1,200 1706. A pair of Belle Époque ruby and diamond drop earrings, the articulated lines of graduated circular-cut diamonds and pearls suspend pear-shaped lower sections pavé-set with old circular-cut diamonds within further articulated concentric borders of graduated calibré-cut rubies in platinum and gold, 4.3cm long £3,000-4,000 1707. A pair of Art Deco ruby and diamond double-clip brooches, of half-lozenge shape and set with lines of circular-cut rubies and diamonds, overlapping lines of baguette-shaped diamonds and further rubies, each clip 3cm high £3,000-4,000 1708. An Art Deco 1930s sapphire and diamond bracelet, set with a central line of graduated oval and circular-cut sapphires within frames of baguette-shaped and circular-cut diamonds, the shoulders formed with two conforming but smaller sapphire and diamond sections, platinum, 18cm £6,000-8,000 Accompanied by report number 77119-19 dated 15th September 2017 from GCS, London stating that the twenty-three oval-cut sapphires weigh approximately 28.00cts total and are natural sapphires with no indications of heat treatment, origin: Burma (with the exception of seven which are Basaltic) 1709. An Art Deco onyx, enamel and diamond brooch by Boucheron, of symmetrical design, the two parallel lines of old circular-cut diamonds divided with two perpendicular panels of black enamel, the brooch terminals each set with black onyx lozenges under scrolling lines of diamonds, set in platinum, signed Boucheron, Paris, French control marks, 8cm wide £20,000-30,000 1710. A pair of synthetic sapphire and diamond-set drop earrings, the long pear-shaped synthetic sapphires suspend from a diamond-set platinum mount which also suspends from a larger and smaller circular-cut diamond, 4cm, Cartier case £2,000-3,000

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1705

1706

1707

1708

1709

1710

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1711. A diamond solitaire ring, the baguette-shaped diamond set with a smaller baguette-shaped diamond to each shoulder in platinum, size L ½ £6,000-8,000 Accompanied by report number 77109-17 dated 17th July 2017 from GCS, London state that the baguette-cut diamond weighs approximately 3.20cts and is a natural diamond with L colour, VS1 clarity and faint fluorescence 1712. A diamond solitaire ring, the emerald-cut diamond weighs approximately 6.51cts and set in white gold with two baguette-shaped shoulder diamond, size M £32,000-40,000 1713. A diamond solitaire ring, the round brilliant-cut diamond weighs approximately 2.75cts and millegrain-set in white gold with small circular-cut diamonds to the shoulders and crown, size H (with inner re-sizing balls) £6,000-8,000 1714. A sapphire and diamond three stone ring, the emerald-cut sapphire set between two baguette-shaped diamonds in platinum and yellow gold, size O ½ £2,000-3,000 Accompanied by report number 77119-16 dated 14th September 2017 from GCS, London stating that the rectangular-cut sapphire weighs approximately 1.90cts and is a natural sapphire with no indications of heat treatment and minor amounts of oil in fissures, origin: Burma 1715. A diamond solitaire ring, the old circular-cut diamond weighs approximately 2.90cts and set in white gold, size N £6,000-8,000 1716. A sapphire and diamond cluster ring, the cushion-shaped sapphire weighs approximately 10.10cts and set within a surround of ten round brilliant-cut diamonds and four baguette-shaped shoulder diamonds in platinum and white gold, size N £10,000-12,000 Accompanied by report number 77119-11 dated 14th September 2017 from GCS, London stating that the cushion-cut sapphire weighs approximately 10.20cts and is a natural sapphire with no indications of heat treatment, origin: Sri Lanka (Ceylon) 1717. An unusual diamond-set ring, the centre open-work panel set with seven circular-cut diamonds, two emerald-cut and a single triangular-shaped diamond, the shoulders each pavé-set with four rows of small round brilliant-cut diamonds in yellow gold, principal circular-cut diamond weighs approx. 1.80cts, size O £4,000-6,000 1718. A sapphire and diamond cluster ring, the rectangular-cut sapphire set within a surround of round brilliant-cut diamonds and ten graduated baguette-shaped shoulder diamonds, with a further twelve baguette-shaped diamonds to the bifurcated shoulders in platinum, size N ½ £2,000-3,000 Accompanied by report number 77119-18 dated 14th September 2017 from GCS, London stating that the cushion-cut sapphire weighs approximately 6.80cts and is a natural sapphire with no indications of heat treatment, origin; Sri Lanka (Ceylon) 1719. A diamond solitaire ring, the circular-cut diamond claw-set in white gold, size M

£3,000-4,000

Accompanied by report number 77114-34 dated 16th August 2017 from GCS, London stating that the round brilliant-cut diamond weighs approximately 1.81cts and is a natural diamond with K colour, VS1 clarity and faint fluorescence 1720. A topaz and diamond-set ring, the cushion-shaped golden topaz weighs approximately 16.93cts and set in platinum with bifurcated shoulders, pavé-set overall with round brilliant-cut diamonds, signed Hennell London, engraved 16.93ct & 3.68ct, size N £5,000-7,000 1721. A pair of pink tourmaline and diamond clip earrings, the pear-shaped pink tourmalines set beneath a cluster of diamonds in yellow and white gold, 2.2cm high £2,500-3,000 1722. A sapphire and diamond three-stone ring, the square-shaped sapphire set within two circular-cut diamonds in platinum, size P ½ £2,000-3,000 Accompanied by report number 77107-89 dated 27 June 2017 from GCS, London stating that the octagonal-cut sapphire weighs approximately 3.5cts and is a natural sapphire with no indications of heat treatment, origin: Sri Lanka (Ceylon) 1723. A diamond solitaire ring, the circular-cut diamond weighs approximately 2.50cts and is set in a coronet mount in platinum, size O ½, with a diamond-set half-hoop ring of chevron design and set in white gold, formed to sit alongside the diamond solitaire ring, size P ½ £5,000-7,000 Accompanied by report number 77114-35 dated 16th August 2017 from GCS, London stating that the round brilliant-cut diamond weighs approximately 2.52cts and is a natural diamond of J colour and SI2 clarity with faint fluorescence 1724. A fancy yellow diamond three-stone ring, the fancy yellow hexagonal-shaped diamond set with a calf-shaped diamond to each shoulder, the gallery millegrain-set with graduated circular-cut diamonds in platinum, size O ½ £7,000-9,000 Accompanied by report number 5777-7508 dated 31st October 2016 from GCS, London stating that the fancy-cut diamond weighs approximately 2.15cts and is a natural diamond of fancy yellow colour with VVS2 clarity with faint fluorescence 1725. A diamond three-stone ring, the old cushion-shaped centre diamond weighs 2.56cts and is set within trillion-shaped shoulder diamonds in platinum, size L ½ £5,000-9,000

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1726. A diamond three-stone ring, the three graduated circular-cut diamonds weigh approximately 3.25cts in total and are set in white gold, size K ½ £4,000-6,000

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1711

1712

1713

1714

1715

1719 1716

1718 1717

1720

1722 1721

1723

1724

1725

1726

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1727. An Art Deco diamond bracelet, the open-work geometric design set overall with circular-cut and single-cut diamonds, with a central line of baguette-shaped diamonds in platinum, 18.5cm long £2,000-3,000 1728. An Art Deco pearl and diamond pendant, the elongated lozenge pavé-set with circular-cut diamonds and a line of graduated button-shaped pearls, suspending a pearl beneath and set on a longuard chain set with pearls and conjoined with £22,000-28,000 a diamond hoop and bale, pendant 8cm long, chain 124cm 1729. A diamond full-circle eternity ring, channel-set with baguette-shaped diamonds in platinum, size L ½ £1,200-1,500 1730. An Art Deco tutti fruiti clip brooch by Chaumet, set with carved emeralds, rubies and sapphires within scallopedged circular-cut diamond-set border, the scrolling top section set with a line of baguette-shaped diamonds, pierced scroll design to reverse and signed Chaumet et cie, Paris, made in France, 3.5cm high £10,000-15,000 1731. An early 20th-century diamond three-stone ring, the three transitional circular-cut diamonds set in platinum with rubbed Greek key-pattern-pierced shoulders, with further foliate engraved decoration to the shoulders, size L £1,500-2,000 1732. A pair of ruby and diamond scroll earrings, set with a cluster of oval-shaped rubies within a scrolling semi-circular border of circular and baguette-shaped diamonds in platinum and white gold, 2.7cm long £4,000-6,000 Accompanied by report number 77117-30 dated 22nd August 2017 from GCS, London stating that the oval-cut rubies weigh approximately 5.2cts total and are natural rubies with no indications of heating, origin: Burma 1733. An Art Deco bow brooch, the stylised ribbon millegrain-set with old circular-cut diamonds and three hexagonal clusters of triangular-cut diamonds, separates to be worn as a pair of double clips, 7cm wide. £1,000-2,000 1734. A diamond-set snake ring, pavé-set overall with graduated old circular-cut diamonds, a larger fancy-coloured pearshaped diamond to the head and emerald eyes, size O £3,000-4,000

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1729 1728

1731

1730

1727 1732

1733 1734

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1735. An early 19th-century topaz necklace, comprising nine graduated oval-shaped topaz each suspending a pear-shaped topaz in closed-back gold collets with bead decoration, the back chain formed as gold open-work foliate links with a topazset conforming gold clasp, the topaz weigh approximately 100.00cts total £10,000-15,000 1736. A pair of 19th-century ruby and diamond-set filigree gold drop earrings, each earring set with six rubies and four diamonds, 5cm £5,000-7,000 1737. A ruby and diamond cluster ring, the oval-shaped ruby set within a surround of circular-cut diamonds in white gold, size N ½ £2,000-3,000 Accompanied by report number 5777-9605 dated 12th April 2017 from GCS, London stating that the oval-shaped ruby weighs approximately 1.3cts and is a natural ruby with no indications of heat treatment, origin: Burma 1738. An emerald and diamond cluster ring, the cushion-shaped emerald set within a surround of circular-cut diamonds and a further five circular-cut diamonds to each shoulder in yellow gold, size G £5,000-10,000 Accompanied by report number 5777-9070 dated 6th March 2017 from GCS, London stating that the cushion-cut emerald weighs approximately 2.03cts and is a natural emerald with indications of moderate clarity enhancement, origin: Colombia 1739. An emerald and diamond cluster ring, the high-domed circular cabochon emerald set within a surround of ten round brilliant-cut diamonds in yellow and white gold, size L ½ £10,000-15,000 Accompanied by report number 5777-9072 dated 6th March 2017 from GCS, London stating that the cabochon emerald weighs approximately 8.55cts and is a natural emerald with indications of minor clarity enhancement, origin: Colombia 1740. An oval-shaped emerald and diamond cluster ring, the oval-shaped emerald set within a surround of circular-cut diamonds in carved and pierced platinum and yellow gold mount, size K £3,000-4,000 Accompanied by report number 77117-68 dated 22nd August 2017 from GCS London stating that the oval-shaped emerald weighs approximately 1.30cts and is Colombian with minor clarity enhancement.

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1736

1740

1735

1737 1739

1738

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1741. An early 20th-century diamond pendant, the pear-shaped diamond weighs 3.80cts and suspends from an articulated line of circular-cut diamonds millegrain-set in platinum, on a fine-link neck chain measuring 40cm, the diamond pendant detaches to be added to a necklace formed with twenty-one circular-cut diamonds millegrain-set in platinum with a platinum fine-link neck chain, pendant 4cm ÂŁ30,000-50,000 Accompanied by report number 2181354154 dated 27 April 2017 from GIA, New York stating that the pear-shaped diamond weighs 3.80cts and is a natural diamond of D colour and VS2 clarity, fluorescence: none Accompanied by an additional letter dated 26 April 2017 from GIA, New York stating that the pear-shaped diamond is type IIa Not illustrated life-size

84

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1742. A spinel and green garnet ring in the style of Lorenz Baumer Cardinale, the large red oval-shaped spinel set in yellow gold with small tsavorite garnets graduating in colour, pavé-set to the claws and shoulders, size O £10,000-15,000 Accompanied by report number 92509 dated 7th June 2017 from SSEF, Switzerland stating that the oval-shaped red spinel weighs approximately 11cts and is a natural spinel with no indications of heat treatment and minor amounts of oil in fissures at the time of testing, origin: Burma Not illustrated life-size

85

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1743

1743. An Art Deco emerald and diamond pendant, of geometric design and set with a central fancy-cut triangular-shaped diamond within a border alternately-set with circular-cut and baguette-shaped diamonds with further triangular-shaped diamonds and emeralds below, in platinum, on fine-link platinum neck chain, pendant 5.2cm long, chain 47cm, case £12,000-15,000 Accompanied by report number 5777-9613 dated 11th April 2017 from GCS, London stating that the fancy-cut diamond weighs 3.14cts with J colour and VS1 clarity with faint fluorescence 1744. A diamond pendant, the round brilliant-cut diamond weighs approximately 6.23cts and set in platinum £25,000-30,000 1745. An Art Deco emerald and diamond cocktail ring, set with a central line of emerald-cut emeralds within borders of circular-cut diamonds in platinum, size M £2,000-3,000 1746. An early 20th-century diamond line bracelet, alternately-set with marquise-shaped diamonds and quatrefoils of diamonds millegrain-set in platinum, the largest diamond weighs approximately 2.05cts in total, total diamond weight approximately 9.30cts, 17.2cm long £30,000-40,000 1747. An emerald and diamond bracelet, of geometric design, set with a central marquise-shaped diamond weighing approximately 2.25cts, within abstract borders of circular-cut diamonds and square-shaped emeralds, on a further two rows of old circular-cut diamonds and a bombé-shaped clasp, pavé-set with diamonds and a central diamond weighing approximately 0.90cts, 19cm long, case £15,000-20,000 1748. A diamond cocktail ring, of cuboid form and pavé-set with circular and baguette-shaped diamonds, with a central round brilliant-cut diamond weighing approximately 2.90cts, in platinum, size N £5,000-7,000 1749. An Art Deco pink topaz and diamond brooch, the large cushion-shaped pink topaz weighs approximately 16.00cts and is set within geometric design millegrain-set diamond border in platinum, 3cm wide £5,000-10,000 1750. A pair of diamond scroll earrings, c1935, each earring set with an old cushion-shaped diamond within a concentric circular border of baguette-shaped diamonds divided by a spray of circular and baguette-shaped diamonds and another scroll of baguette-shaped diamonds in platinum, the two principal diamonds weigh approximately 5.50cts total, 2cm diameter £15,000-20,000

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1744

1745

1746

1747

1748

1749

1750

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1751. An early 20th-century diamond pendant with diamond necklace, the Art Deco pendant with Belle Époque influence, stylised Greek key-pattern upper section, set overall with rose-cut diamonds, the four festoons of foliate and plain links suspending a diamond-set tassel, the principle diamond set with two smaller diamonds to the upper section, the necklace designed as an articulated row of circular-cut diamonds, all set in platinum, pendant 9cm, necklace 65cm, fitted case £15,000-20,000 Not illustrated life-size

88

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1752. A French early 20th-century diamond and pearl pendant, formed with three graduated festoon frames with Greek key-pattern terminals, each millegrain-set with rose-cut diamonds and suspending graduated pearls and larger diamonds, the lower section suspending a larger pearl and two pear-shaped diamonds, suspended from a platinum fine-link necklace mounted with old circular-cut diamond-set collets, the clasp with open-work inverted Greek pattern emblems and set with small diamonds, French control marks, maker’s lozenge for Victor Pizzetti 1907, pendant 11cm, necklace 50cm £20,000-30,000 Accompanied by report number 5776-5316 dated 29th April 2016 from GCS, London stating that the cream pearls are natural saltwater with no indications of treatment, the largest measuring 11.0 x 8.2 x 7.7mm Not illustrated life-size

89

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1753. A sapphire lavalier, set with three emerald-cut sapphires, the two matched smaller sapphires suspend on knifeedge links from a slightly larger sapphire, all in platinum rubover mounts on fine-link platinum neck chain, pendant 4cm high, chain 35cm ÂŁ180,000-250,000 Accompanied by report number 91195 dated 25th March 2017 from SSEF, Switzerland stating that the octagonal step-cut sapphire weighs 3.362cts and is a natural sapphire with no indications of heat treatment, origin: Kashmir Accompanied by report number 91196 dated 25th March 2017 from SSEF, Switzerland stating that the octagonal step-cut sapphires weigh 2.780 and 2.725cts and are natural sapphires with no indication of heat treatment, origin: Kashmir Accompanied by a gouache image of the three sapphires set in an Art Deco brooch

90

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1754

1755

1754. A sapphire and diamond ring, the cushion-shaped sapphire weighs 7.95cts, each shoulder set with two tapered baguette-shaped and two square-shaped diamonds, size O £20,000-30,000 Accompanied by report number 94576 dated 18 August 2017 from SSEF, Switzerland stating that the cushion-shaped sapphire weighs 7.950cts and is a natural sapphire with no indications of heat treatment, origin: Burma 1755. A diamond solitaire ring, the round brilliant-cut diamond weighs 3.41cts and is set in platinum, size L £40,000-50,000 Accompanied by report number 1179565138 dated 11th August 2017 from GIA, New York stating that the round brilliant-cut diamond weighs 3.41cts and is a natural diamond with E colour and VS1 clarity and very strong fluorescence

92

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1756. A gem-set parrot brooch by Cartier, pavé-set overall with graduated round brilliant-cut diamonds, carved motherof-pearl beak, emerald eye and buff-top sapphires to the wings and tail, perched amongst tutti frutti carved emerald leaves with diamond-set carved ruby flower heads, platinum mount, signed Cartier, French control marks, numbered 67185B, c1995, 5.7cm high £200,000-300,000 For similar parrots, see N. Coleno., Amazing Cartier: creations since 1937, Paris: Ediyions du Regarrd, 2008, pp. 32-33

94

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95

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96

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1757. An impressive diamond solitaire ring by Cartier, the round brilliant-cut diamond weighs 3.48cts and is set within single-cut diamond shoulders in platinum, signed Cartier to the inner shank with maker's mark JC and London date marks for 1976. The shank was replaced by Cartier for the original owner in 1976, size R ½ £100,000-150,000 Accompanied by report number 1138052974 dated 11th August 2017 from GIA, New York stating that the round brilliant-cut diamond weighs 3.48cts and is a natural diamond with D colour, IF clarity and strong fluorescence Accompanied by original purchase receipt from Cartier, 175-176 New Bond Street dated May 7th 1962 for £7,500 Accompanied by a copy of the invoices from the polishers explaining that the stone was repolished from 3.61ct (as stated in the Cartier invoice of 1962) to 3.48ct (as stated in the GIA certificate of August 2017) Not illustrated life-size

97

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Lot 1758 as a necklace

98

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

1758. An impressive diamond-set foliate corsage and matching earrings, naturalistically formed as wild roses, set overall with graduated circular-cut diamonds and baguette-shaped diamond stems, each flower head centred with a larger old circular-cut diamond graduating to approximately 2.35cts, the full corsage 13cm long and converting to three smaller brooches, with matching diamond-set flower head clip earrings, the five components can be attached to a frame to be worn as a necklace on fine-link chain ÂŁ20,000-30,000 Family tradition holds that the suite was originally purchased from Bulgari

99

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Original memorandum from Bulgari to be sold with lot 1760

100

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1759. An articulated diamond clip brooch by Bulgari, c1960, set with a cluster of graduated circular-cut diamonds within a scroll border of tapered baguette-shaped diamonds, suspending four articulated lines of tapered baguette-shaped diamonds and graduated circular-cut diamonds in platinum, the diamonds weigh approximately 16.61cts in total, 7.6cm long ÂŁ12,000-15,000 Accompanied by a copy of the original memorandum from Bulgari dated June 9th 1961, with a drawing of the brooch Provenance: previously owned by Norman Loudon, owner of Shepperton Studios, Surrey, which was sold in 1946 to Sir Alexander Korda and in 2001 merged to form part of the Pinewood Studios Group Thence by descent to the current owner Not illustrated life-size

101

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1760. An impressive diamond cluster ring by Bulgari, set with a round brilliant-cut diamond weighing 8.15cts within a surround alternately set with marquise-shaped and pairs of graduated circular-cut diamonds in platinum, with a further pear-shaped diamond to each shoulder, the additional diamonds total approximately 4.64cts, size R ÂŁ60,000-100,000 Accompanied by report number 1182718903 dated 7th September 2017 from GIA, New York stating that the round brilliant-cut diamond weighs 8.15cts and is a natural diamond of I colour and SI1 clarity (internal graining) with faint fluorescence Accompanied by original memorandum from Bulgari dated June 9th 1961, with original drawing of the ring (illustrated on p.100) Provenance: previously owned by Norman Loudon, owner of Shepperton Studios, Surrey, which was sold in 1946 to Sir Alexander Korda and in 2001 merged to form part of the Pinewood Studios Group Thence by descent to the current owner Not illustrated life-size

102

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FINE SILVER & VERTU

Tuesday 24th & Wednesday 25th October 2017

By Murrle Bennett and Co, a pair of Art Nouveau 9 carat gold and abalone shell hat pins.

From the extensive Tom Lawson Collection of hat pins included in the sale.

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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ASIAN ART

Tuesday 14th & Wednesday 15th November 2017

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | jea@woolleyandwallis.co.uk Jeremy Morgan | Tel: +44 (0)7812 601098 | jm@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

The colours printed in the catalogue are not necessarily true.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM ASIAN ART SALES The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

ALL OTHER SALES The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 10,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (††) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof.

For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price.

Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (††) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory.

Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss

with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate. To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE Asian Art sales: The Buyer shall pay the hammer price together with a premium thereon of 25% plus VAT @20% (totalling 30% inclusive) on the first £500,000 and 12% plus VAT @20% (14.4% inclusive) thereafter.

All other sales: The Buyer shall pay the hammer price together with a premium thereon of 22% plus VAT @20% (totalling 26.4% inclusive) on the first £500,000 and 14.4% inclusive of VAT @20% thereafter.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or ††. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 10,000.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 10,000

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Fine Jewellery

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 26th October 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

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Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 4th October 2017 10th January 2018 Mark Yuan-Richards +44 (0) 1722 411854 • myr@woolleyandwallis.co.uk 20TH CENTURY DESIGN 17th October 2017 – Design 13th December 2017 – The Studio Pottery Collection of Professor Luke Herrmann 14th December 2017 – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 18th October 2017 – English & European Ceramics & Glass 20th February 2018 – Fine Porcelain & Pottery Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk SILVER 24th & 25th October 2017 – Fine Silver & Vertu 23rd & 24th January 2018 – Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 26th October 2017 – Fine Jewellery 25th January 2018 – Jewellery & Watches Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Jonathan Edwards (Consultant) +44 (0) 1722 424504 • je@woolleyandwallis.co.uk ASIAN ART 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk Jeremy Morgan +44 (0) 7812 601098 • jm@woolleyandwallis.co.uk Alex Aguilar Doméracki +44 (0) 1722 424583 • aad@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk PAINTINGS 29th November 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 21st February 2018 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

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www.woolleyandwallis.co.uk