Woolley & Wallis Auctioneers

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art & Clocks

Wednesday 5th July 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Hollie Grubb

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Suzy Becsy

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Charlotte Glyde

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Natalie Milsted FCCA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 5th July 2017 at 10.00am VIEWING TIMES Saturday 1st July Monday 3rd July Tuesday 4th July Wednesday 5th July

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Richards 01722 411854 mr@woolleyandwallis.co.uk

Jim Gale 01722 339161 jg@woolleyandwallis.co.uk

COLLECTION OF LOTS

Suzy Becsy 01722 411854 sb@woolleyandwallis.co.uk

Collection is available from Thursday 6th July to Saturday 8th July from our Castle Street Salerooms with the exception of Friday 7th July from 9am until 2pm when the Salerooms are only open for visitors of our monthly valuation morning. All items will be in transit from the Salerooms to the Warehouse at Old Sarum on Monday 10th July. Collections will not be available on that date. From Tuesday 11th July collection is from our Old Sarum Warehouse, 2 Danebury Court, Old Sarum Park, Salisbury, SP4 6EB, please call 01722 411854 prior to collection to ensure the items are ready.

All accounts to be settled prior to collection.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% incl. VAT TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 4th July.

LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 123 detail Back cover: Lot 125 detail Catalogue £10.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 4th July.

Please note there is a 3% +VAT surcharge for using this service.

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The Honourable Mrs Daisy Fellowes, photographed in The Main Bedroom in 1960 for Harper's Bazaar, including the Savonnerie carpet lot 124.

This sale includes several private collections and deceased estates. The highlight is the eight lots from the collection formed by the late Hon Mrs Daisy Fellowes originally at Donnington Grove, Newbury. These items are being sold by a family member and were kept back from the original house sale conducted by Dreweatt Neate on the 1st May 1991. We are also pleased to be selling over twenty lots removed from Moreton House, The Grove, Highgate.

Moreton House has an interesting history and has had some famous occupants including the Prussian ambassador Count Maltzan in 1781 and in 1816, at the age of 43, Samuel Taylor Coleridge came to live in the house with the Gillman family. It was hoped that a month’s stay with Dr Gillman would assist in curing him of his addiction to Laudanum (opium).

Coleridge fell under Highgate's spell and stayed with the family until his death 18 years later. He attracted many literary figures to Highgate: John Keats, on a walk from Hampstead, met him in 1819 and both Southey and Wordsworth visited Moreton House in 1820. Other collections include: over twenty lots removed from Ballington Manor, Wylye and two deceased estates one from a house on the edge of Richmond Park, London.

Moreton House

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OAK & COUNTRY FURNITURE

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A large oak refectory dining table in 17th century style, the boarded top with cleated ends, on leaf and scroll carved cup and cover supports united by a central stretcher, 73.3cm high, 366.5cm long, 91.3cm deep. £2,000-3,000 2.

A Charles II chestnut or walnut boarded writing box, with a hinged lid above a vacant interior, the front with geometric mouldings and with a fall front revealing five drawers and two secret drawers (the central drawer missing), 36cm high, 45.8cm wide, 31.3cm deep. £800-1,200 See Victor Chinnery, Oak Furniture The British Tradition, p. 377, pls.3: 428a and b, for a similar example.

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A Charles II oak coffer, with a twin panelled lid above an arcaded frieze and a triple panelled front with diamond lozenges centred with flowerheads, 65.8cm high, 106cm wide, 51.5cm deep. £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

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A rare Cromwellian cedar gateleg dining table, the oval dropleaf top above solid ends and on scroll sleigh type feet, with a brass inventory label ‘D 493’, 79.7cm high, 97.3 x 110.5cm (open). £2,000-3,000 A comparative example in oak and cedar survives at Ham House and is illustrated in Thornton and Tomlin, The Furnishing and Decoration of Ham House, The Furniture History Society, 1980, fig.52 and Adam Bowett,. English Furniture 1660-1714, p.107, plates 4:1,2. The Ham House table was one of fourteen recorded in the 1677 inventories.

Woolley & Wallis, Furniture & Works of Art, 9th September 2008, lot 42 for a closely related example.

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A mid 16th century boarded oak stool, the top with a moulded edge, above a wavy edged frieze and with thumbnail carving, on shaped solid ends, 45.3cm high, 53cm wide, 31.8cm deep. £1,500-2,000 See Tobias Jellinek, Early British Chairs and Seats 1500 to 1700, p.195 for similar examples.

Provenance: Property from a deceased estate.

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An unusual oak stool, the circular top on turned tripod ‘horsebone’ type legs, united by moulded stretchers, possibly 17th century, 39.8cm high, 32.8cm wide. £500-800 Provenance: Property from a deceased estate.

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An 18th century Dutch brass milk jug and cover, with a turned finial and a leaf and scroll handle, 41cm high. £100-150 7

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A set of wrought iron ember tongs, with pipe tamper and hook ends, with initials ‘M L’, probably late 18th century, together with two pairs of brass tongs, 54cm long (max). (3) £100-200 9.

A brass door knocker, late 18th / early 19th century, 21.4cm high. £80-120 10. A George II brass helmet shaped ewer, with lappet decoration and a scroll handle, 26cm high. £200-300 Provenance: Christie’s, The Raglan Collection: Wellington, Waterloo, and the Crimea and Works of Art from the Collection of the Marquesses of Londonderry, 22nd and 23rd May, 2014, lot 512.

11. A 17th century Iberian bronze mortar, the body decorated with split balusters, 8.1cm high, 13.3cm diameter. £40-60

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Provenance: A private collection.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

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12. A mid-17th century Dutch brass Heemskerk candlestick, with a pierced nozzle, a turned and knopped stem and a dished drip-pan, on a domed foot, 22.1cm high. £150-200 13. A small 17th century bronze skillet by Thomas Palmar of Canterbury, the handle signed ‘THO PALMAR’, with an angular brace, on moulded tripod legs, the underside with a printed label £600-800 inscribed ‘HORNSBY COLLECTION’, 16.4cm high, 23.9cm long.

See Michael Finlay, English Decorated Bronze Mortars, p.50 for a discussion of Thomas Palmar.

14.

A large early 19th century wrought iron table peerman, on a wooden base, 44.8cm high. £150-200

15. A wrought iron cruise lamp, with a suspension hook and four corner spouts, probably 19th century, together with an iron socket candle holder, 31.7cm high (max). (2) £80-120 16.

An 18th century wrought iron table rushnip, on a lignum vitae base, 39.8cm high. £200-300

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18 17. A Victorian Scottish Mauchline ware egg cruet, with six cups each decorated with transfer printed scenes and faux eggs, the base inscribed ‘MADE OF WOOD GROWN ON THE DOOR OF THE DOON’, 26.7cm high, 20.4cm diameter. £80-120 18. A 17th century wrought iron brazier, the top with three hinged and pierced holders, with a later liner, above a scroll decorated and knopped stem and tripod legs, £250-350 68cm high, 43cm wide.

19. A 19th century oak spoon rack, pierced with love hearts and five apertures, 45.8cm high, 27.2cm wide, 10.2cm deep. £50-80 19

20. A Victorian treen turned lignum vitae egg cruet, with five associated walnut egg cups and with six faux eggs, with bone finials and a brass handle, 21.5cm high, 18.1cm diameter. £100-150 21. A 19th century primitive kitchen tool rack, with six wrought irons hooks, 79.7cm wide. £60-80

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

22. A walnut gateleg table, the oval drop-leaf top with a moulded edge, above a frieze drawer to one end, on turned and block support, united by peripheral stretchers and on carved Braganza feet, late 17th / early 18th century, 76.3cm high, 136.5 x 162.5cm (open). £600-800

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23. A Queen Anne walnut gateleg table, the oval drop-leaf top on ring turned baluster legs, united by peripheral stretchers and on stylised carved Braganza feet, 71.7cm high, 99 x 112.4cm (open). £400-600

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24. A large 17th century style oak gateleg dining table, the oval drop-leaf top on baluster turned legs united by peripheral stretchers, with twin gate supports, 20th century, 75.7cm high, 198 x 153cm (open). £300-500

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25 25. Two 16th century French carved oak panels, one of a recumbent dog sporting a collar and issuing oak leaves and acorns from its mouth, the other of a stylised dragon, 44 x 26.3cm (max). (2) £300-500 26. A 19th century carved oak group of the Madonna and child, possibly Dutch or German, 50cm high. £200-300 27. A William IV carved oak biblical panel, depicting the birth of Samson, with Manoah and his wife sacrificing a ram to the angel of the Lord, signed and dated ‘W. C. VINCENT 1836’, in a leaf and carved flower frame, 50.5 x 41cm. £300-500 28.

(2)

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A pair of carved oak linenfold panels, late 16th / early 17th century, 47.5 x 23cm. £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

29. A Flemish relief carved oak panel, depicting Christ’s entry into Jerusalem, riding a donkey amongst onlookers, with a palm tree and with buildings in the distance, probably early 16th century, 21 x 14.7cm, later mounted in a modern easel backed oak frame. £1,000-1,500

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31 30. An oak farmhouse kitchen table, the twin plank top with cleated ends, on turned and block supports united by an ‘H’ stretcher, early 18th century and later, with adaptations,72.5cm high, 154cm long, 75.5cm deep. £300-500 31. A 17th century oak joined stool, the seat with moulded and carved thumbnail edges and incised zigzag decoration, above a moulded frieze and ring turned gun barrel legs united £300-400 by peripheral stretchers, 48.8cm high, 42.4cm wide, 30cm deep.

32. A primitive elm dairy stool, the underside of the seat branded with initials ‘NB’, on tripod supports, 53.4cm high, 59.7cm wide. £80-120 33. Two 19th century oak and elm primitive dairy stools, each on chamfered supports, 60.2cm high, 33.5cm wide, 36.5cm deep (max). (2) £80-120 34. A George III oak tripod table, the circular tilt-top on a vase turned stem and cabriole legs, 63.5cm high, 85.3cm diameter. £60-100

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

35 35. A large Victorian pitch pine farmhouse kitchen table, the detachable top with a moulded edge on turned and tapering legs, 77.4cm high, 306.5cm long, 105.5cm deep. £500-800 Provenance: Candida Lycett-Green, Blacklands House, Calne.

36. Three 19th century yew low back Windsor armchairs, each with a pierced splat back and an elm seat, two by Nicholson of Rockley, Nottingham, the seats stamped ‘Nicholson Rockley’. (3) £400-600 37. A George III fruitwood and yew Windsor armchair, with a pierced splat back above an elm seat, on cabriole front legs and a crinoline stretcher. £700-900

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38. A 19th century burr elm caster, with a turned ivory finial, a treen beechwood funnel and a fluted glass funnel, together with a butter knife, the handle carved ‘BUTTER’, 15.9cm high (max). (4) £100-150

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39. A Victorian King’s pattern corkscrew, with a turned bone handle and with a brush, the bronze barrel applied with the Royal Coat of Arms, 19.3cm long, together with a root wood handled corkscrew. (2) £100-150

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40. A pair of early 19th century mahogany turned candlesticks, each with fluted decoration, the circular bases with scalloped edges, 16.4cm high. (2) £400-600

41 40 41. Four miniature treen tools, including: a saw and a chisel, together with a miniature brass smoothing iron, 19th century, 11cm long (max). (5) £150-200

42. A pair of Victorian mahogany candlesticks, each with a gilt brass leaf cast socket, above a fluted and spiral ribbed stem and a dished base with shell lifts, 32.6cm £150-200 high. (2)

43. An 18th century leather mug or blackjack, stamped with initials ‘S T J’, 17cm high. £200-300 42

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Provenance: Purchased from H.W. Keil, Broadway, Worcestershire, 12th November 1996.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

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44. A Japanese rootwood carving of a recumbent cat, late 19th / early 20th century, 33cm long. £100-200 45.

A primitive dug-out rootwood bowl, 27.5cm high, 41cm wide. £300-400 Provenance: Property from a deceased estate.

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46. A George III turned treen cat, with three revolving ribbed spokes on a tripod base, 35cm high, 33.2cm wide. £200-300

47. Two similar Indian carved coconut cups and covers, each decorated with a peacock and panels of figures, on a turned rosewood base, 19th century, 19.4cm high (max). (2) £200-300

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48. A 19th century continental tôle peinte lavabo wall fountain, with a galleried top, the body with printed scenes of classical figures and a lady and a gentleman promenading along a riverbank, with a gilt bearded male mask spout, 49.5cm high, 27.7cm wide. £100-150 49. A 19th century tôle box, painted with flowers and leaves, the domed lid with a handle, probably American, 18.5cm high, 19.6cm wide. £200-300 50. An early 19th century tôle tea caddy, a brass paperweight in the form of a recumbent lion and a pair of steel candle snuffers, 19.5cm wide (max). (3) £100-150 51. A Victorian cast iron doorstop, in the form of a seated dog, with painted decoration, together with a cast iron chimney ornament in the form of a boy and a girl standing on steps, 22.2cm high (max). (2) £80-120

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

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52. An early 19th century French provincial cherrywood buffet, later painted, with a pair of frieze drawers with steel handles, above cupboard doors carved with leaves and flowers enclosing two shelves, 119.8cm high, 135.5cm wide, 44.7cm deep. £400-600 53. A French provincial chestnut candle box, the sliding cover carved with an urn of £300-400 flowers, late 18th / early 19th century, 44.5cm high, 20cm wide, 9.8cm deep.

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54. A Norwegian carved and painted wood kasa, in the form of a stylised dragon, painted with flowers and with bands of script, second half 19th century, 35.2cm wide. £150-250 55. A late 19th century German painted wood Noah’s Ark, the ark’s lid painted with a pelican, containing seventy-five birds and animals, 23cm high, 50.5cm wide. (76) £300-500

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56 56. Three French late 18th century silk and needlework shroud pictures, depicting the Holy Shroud of Besançon, one decorated with a band of flowers and metal thread highlights, in a gilt frame, one with printed features and with an inscription in French, the last in an ebonised frame and very similar to one found in the Musée Alsacien de Haguenau, 31.8 x 42.3cm (max). (3) £300-500

57. An early Victorian woolwork embroidered picture, of a still life of a basket of flowers, with two butterflies, in a glazed bird’s eye maple frame, 67 x 57.3cm. £100-150

58. An 18th century Italian silvered brass altar candlestick, the urn shape top above a fluted and turned baluster stem, the triform base decorated with religious panels including: £150-250 Christ carrying the cross and the Virgin and child, on paw feet, 88.7cm high.

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59. A pair of Italian silvered brass altar candlesticks, of triform shape, the stems decorated with leaves and panels of wheat sheaves and grapevines, on paw feet, late 18th / early 19th century, 49.3cm high. (2) £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

60. A rare 18th century German gilt bronze chamberlain’s key, the pierced bow with a crown surmount with an orb finial above a monogram and flanked by lions above a cartouche centred with a coat of arms, 18.5cm long. £600-800 See Henry Rene D’Allemagne, Deocorative Antique Ironwork, p.90 for an almost identical example.

The holder was an archbishop and Elector from “Kur-Trier”. Trier is a city in Germany. For literature see DUWE Georg: Erzkammerer, und ihre Schuussel. Osnabruck 1990.

With thanks to The Hon William Wallace for cataloguing this lot.

61. A rare 18th century Bohemian gilt steel chamberlain’s key, the pierced bow surmounted with an Elector’s hat, decorated with a crowned lion passant and with scrolling foliage, the verso with an old paper collection label ‘69’, 19.5cm long. £500-800 The crowned lion passant is the symbol of the King of Bohemia, one of the seven Prince Electors and Archcupbearer of the Holy Roman Empire.

See William Wallace, The Lure of the Key, pp.56-57 for an almost identical key.

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62. An 18th century powder horn, scrimshaw decorated with leaves, birds, an owl and love birds, a horse, a stag, a zebra and a fish, the base with initials and the date ‘1761’, the interior with an inscribed collection label, 36cm long. £300-500

63. A 19th century horn hunting powder flask, carved with a hound chasing a hare and with the initials ‘A N’, with ribbed decoration and a screw-off end, 36cm long. £100-150

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64. A 19th century horn sailor’s love token shoehorn, scrimshaw decorated with a mermaid, love hearts, a couple embracing, fish, an anchor, a compass, the moon, a naval ensign flag and the initials ‘R G’, with a carved tribal figure finial, 23.2cm long. £150-200

65. A 19th century carved stag antler box, with white metal mounts, the hinged lid decorated with a wild boar, the body with stags and hind deer, possibly German, 14cm long. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

66. A rare mid-18th century Anglo-American map powder horn, scrimshaw decorated with a harbour, sailing ships and major settlements and forts including: New York and Albany and with trade routes leading north to the Canadian lakes including the ‘Hudson-Lake Champlain’ route, also decorated with a compass, the British Royal Coat of Arms and a double banner £800-1,200 indistinctly inscribed and possibly dated, 21cm long.

In Colonial and Revolutionary times soldiers and hunters had to travel through unfamiliar lands and much of the region was unchartered with no maps. So it became common practice for well-known trade routes to be engraved on cow or ox horns. The powder horn such an important companion, then served a dual-purpose, to carry gun powder and to act as a guide.

See Stephen Grancsay, American Engraved Powder Horns, A Study based on the J. H. Grenville Gilbert Collection, The Metropolitan Museum of Art, New York, for a full discussion of engraved powder horns and for similar examples, cat. nos. 28,29,30.

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FURNITURE & WORKS OF ART

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

67. A Queen Anne walnut bureau, in two sections, cross and feather banded, the front with burr veneers, the stepped interior with pigeon holes, drawers and a well with a sliding cover, above three long drawers and later bracket feet, 103.5cm high, 96.3cm wide, 60.9cm deep. £800-1,200 Provenance: Ballington Manor, Wylye, Wiltshire.

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68. A pair of Queen Anne grained beechwood highback side chairs, each with a pierced scroll and flower surmount, with interlaced ‘C’s, above an original caned back and seat and a conforming cresting between the carved front legs, with turned and block stretchers and branded marks ‘IB’, ‘JK’ and ‘WE’, with ivorine labels, one inscribed ‘JGL/6’, the other ‘GILL & REIGATE, /LONDON, W.’. (2) £800-1,200

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69. A walnut and marquetry wall mirror, the rectangular plate within a cushion frame inlaid with leaves and flowers, with a moulded edge and originally with a cresting, late 17th / early 18th century, 68.2 x 58.3cm. £800-1,200

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70. A Knole sofa by Kingcome, upholstered with green plush fabric, on castors, modern, 107cm high, 170.3cm wide, 94.5cm deep. £300-500 Provenance: Ballington Manor, Wylye, Wiltshire.

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71. A Queen Anne style wing armchair, upholstered with floral tapestry, on ebonised beechwood scroll front legs, united by a fore-rail and block and turn stretchers, early 18th century elements. £100-200 Provenance: Cypress House, Chilton Cantelo, Somerset.

72. An 18th century black japanned bowfront hanging corner cupboard, with a raised back , the doors decorated in gilt with chinoiserie scenes, the interior with three shelves, 115.8cm high, 59.2cm wide, 38.5cm deep. £200-300 73. A pair of walnut stools in George II style, each with a drop-in seat, on shell capped cabriole legs and lion’s paw feet, 49.7cm high, 59.8cm wide, 45cm deep.

(2) £300-500 Provenance: Property from a deceased estate.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

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74. An early 18th century walnut and seaweed marquetry card table, the crossbanded fold-over top inlaid with stringing and burr panels, revealing a plush fabric lined playing surface with dished counter wells and marquetry candlestands, with a frieze drawer on hocked cabriole legs and pad feet, 71.6cm high, 72cm wide, 36cm deep. £600-800

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75. A George II walnut concertina action card table, the hinged fold-over top with protruding front corners, revealing a baize lined playing surface with dished counter wells and candlestands, fitted with a frieze drawer above an applied carved shell, on flower carved cabriole legs and pointed pad feet, possibly Irish, 73.3cm high, 81.4cm wide, 40.8cm deep. £600-1,000 Provenance: Property from a deceased estate.

76. A pair of George I walnut candlestands, each with a quatrelobed top, above a fluted and graduated baluster stem and cabriole tripod supports, 92.3cm high, 45.7cm wide (2). £200-300 Provenance: Moreton House, South Grove, Highgate, London.

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77. A George II and later mahogany drop-leaf dining table, the oval drop-leaf top with a carved moulded edge, on leaf, cartouche and husk carved cabriole legs and pointed pad feet, 72.5cm high, 122 x 138cm (open). £300-500 78. A small George II mahogany tea table, the solid top on a single gate support, with a frieze drawer, on turned club legs and pad feet, 72.7cm high, 68.9cm wide, 24.5cm deep. £500-700

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79. An early George III mahogany tea table, the solid top above a frieze drawer, with a cast brass swing handle with oak leaf and acorn back plates, on chamfered legs, 74.7cm high, 76.7cm wide, 38.2cm deep. £100-150 80. A George II walnut fret-frame wall mirror, the later bevelled plate within a moulded frame and with scroll decoration, 92 x 49.2cm. £200-300 81. A George II walnut toilet mirror, with a bevelled arched plate within a carved gilt slip and a moulded frame, with turned brass finials, the box base fitted with three curved front drawers, on bracket feet, 53.3cm high, 38.4cm wide, 21.3cm deep. £200-300 Provenance: Ballington Manor, Wylye, Wiltshire.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

82 82. A George II mahogany circular stool, with a needlework seat worked with a parrot, on leaf carved tripod cabriole legs and hairy paw feet, on brass castors, the underside with an ivorine trade label inscribed ‘FRANK PARTRIDGE WORKS OF ART 26, KING ST. ST. JAMES’S AND NEW YORK.’, possibly Irish, 30.5cm high, 48cm wide. £2,000-3,000

83

83. A George II walnut chest, cross and feather banded, the top with a caddy moulded edge, above four long graduated drawers, £1,000-1,500 76.5cm high, 79.5cm wide, 49cm deep.

Provenance: Property from a deceased estate.

84. A small 18th century and later walnut chest, with cross and feather banding, the quarter veneered top above two short and three long drawers and bracket feet, 84.7cm high, 65.7cm wide, 47cm deep. £300-400

84

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85

85. A George III mahogany side table, the rectangular top with a moulded edge, above a frieze drawer fitted with brass swan neck handles, on square tapering legs, 74.7cm high, 121.8cm wide, 55.3cm deep. £200-300 86. A George III mahogany tray-top bedside commode, the gallery pierced with a pair of handgrips above a tambour shutter and a converted pull-out base, 77.1cm high, 49.4cm wide, 43.3cm deep. £200-300

86

Provenance: Moreton House, South Grove, Highgate, London.

87. A mahogany Chinese Chippendale style stool, with a drop-in seat on blind fret carved frieze and chamfered legs united by an ‘H’ stretcher, 45.3cm high, 55cm wide, 43.5cm deep. £100-150 Provenance: Property from a deceased estate.

88. A George III mahogany lowboy, fitted with three drawers and inlaid with barber’s pole stringing, 74.7cm high, 77cm wide, 47cm deep. £100-150 89. A George III mahogany Pembroke table, the drop-leaf top with a moulded edge, above a frieze drawer, on square tapering legs and brass caps and castors, 71.7cm high, 96 x 122cm (open). £40-60 87

Provenance: Cypress House, Chilton Cantelo, Somerset.

88

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90. A George III Irish giltwood oval wall mirror frame, with an ovolu moulding and decorated with green cut-glass cabochons interspersed with white and gilt glass panels, 92 x 61.5cm. £800-1,200

90

91

91. A George III and later Irish wall mirror, the replaced oval plate within a frame decorated with cut blue glass cabochons alternating with white and gilt panels, 75.5 x 49.7cm. £500-800

92. A George II oak cabinet on stand, the moulded cornice with a cushion drawer, above a fielded panelled fall, revealing an arrangement of pigeon holes and drawers around a central cupboard, with three secret drawers, the stand with a deep drawer with later divisions and fitted with gilt brass cast Rococo handles stamped ‘L&C’, the apron with an applied carved shell and on cabriole legs and faceted pad feet, probably Irish, 163.1cm high, 115cm wide, 50.5cm deep. £800-1,200

92

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94 93. A George III mahogany chest on chest, the moulded cornice with a blind fret frieze and Greek key mouldings, above two short and three long drawers, flanked by blind fret angles, the base with three long drawers, all fitted with brass Rococo handles and leaf and flower backplates, 174cm high, 112cm wide, 56cm deep. £500-800 94. A giltwood open armchair in George III style, upholstered with plush fabric, with an oval back, scroll arms and on stop fluted legs. £150-200 Provenance: Moreton House, South Grove, Highgate, London.

93

95 95. A George III mahogany bedside tray-top commode, with a wavy edge gallery, above cupboard doors and a converted pull-out base, with side carrying handles, 75.8cm high, 52.2cm wide, 50cm deep. £200-300 96. A late George III mahogany and satinwood bureau bookcase, with a pair of astragal glazed doors of elliptical design, enclosing three adjustable shelves, the interior with marquetry decoration and with pigeon holes, drawers and secret compartments with a baize lined surface, above two short and three long drawers, the underside of one stamped ‘4593’, 233.8cm high, 124cm wide, 58.8cm deep. £1,000-1,500

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97 97. A George II mahogany open armchair, with a pierced vase shaped splat back, with shepherd’s crook arms and a drop-in seat. £80-120 98. A George II mahogany chest on chest, the moulded cornice above two short and three long drawers, flanked by fluted angles, the base with three long drawers, 172.2cm high, 105cm wide, 50.2cm deep. £400-600 98

100

99. A mahogany secretaire cabinet, with a pair of geometric astragal glazed doors enclosing ten adjustable shelves, the base inlaid with stringing and fan marquetry paterae, a secretaire drawer fitted with an arrangement of pigeon holes and drawers with bone handles, above a pair of cupboard doors enclosing one slide, on swept bracket feet, George III but top and base associated, 237.4cm high, 128.7cm £800-1,200 wide, 59.3cm deep.

100. A George III mahogany tray-top bedside commode, inlaid with stringing, the gallery pierced with two handgrips, above a cupboard and a converted pull-out base with a leather lined surface, 75cm high, 48.6cm wide, 42.7cm deep. £300-400 Provenance: Ballington Manor, Wylye, Wiltshire.

99

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101 pair

101. A large pair of George III style mahogany sofas, each upholstered with plush fabric, with a serpentine back, scroll arms and a loose cushion, on square section legs united by stretchers, on brass caps and castors, of recent manufacture, 106cm high, 287cm wide, 96cm deep.

(2) £3,000-5,000 Provenance: Formerly at Aske Hall, North Yorkshire.

102. A George III mahogany demi-lune card table, the crossbanded fold-over top on a single gate support, on fan paterae headed square tapering legs, with applied ebonised ankles, 74.3cm high, 91.5cm wide, 46.2cm deep. £400-600

103. A pair of George III and later shield back open armchairs, each carved with foliage, husks and paterae, with a needlework seat dated ‘1955’ and ‘56’, on front moulded square tapering legs. (2) £300-500

Provenance: Ballington Manor, Wylye, Wiltshire.

Provenance: Property from a deceased estate.

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104

104. A George III mahogany breakfront serving table, the kingwood crossbanded top with radiating veneers and a demi-lune marquetry and penwork panel with flowers and feathers, above two frieze drawers flanking a marquetry classical urn, on square tapering legs with satinwood ankles, 90.8cm high, 216cm wide, 83cm deep. £2,000-3,000 Provenance: Ballington Manor, Wylye, Wiltshire.

105. A pair of George III giltwood girandoles, each decorated with leaf scrolls, with a mirrored back and a single gilt brass sconce, 38.3cm high.

(2) £500-700 105

106. A George III mahogany Gainsborough armchair, upholstered in a cream damask fabric, with scroll arms carved with blind Gothic panels, on conforming square tapering legs, united by a pierced ‘H’ stretcher, on block feet with leather £800-1,200 roller castors.

Provenance: Purchased from Avon Antiques, Bradford-onAvon, 1992.

Property of a deceased estate.

107. An early 19th century rosewood and satinwood oval drinks tray, with an inlaid gallery and a banded centre with feather stringing, the centre with a marquetry conch shell, 58.5 x 42cm. £100-150 107

106

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109

108

108. An early George III and later mahogany linen press, with a pair of fielded panel doors, enclosing four slides, each pierced with two handgrips, with runners on the inside of the doors and with a printed paper label stating that this linen press came from Sandford Park, Oxford, the home of Captain Samuel Fortnom Cox, above two short and two long drawers, with side carrying handles, 177.9cm £600-1,000 high, 130.7cm wide, 69cm deep.

109. A George III mahogany gentleman’s washstand, inlaid with stringing, the twin hinged top revealing an interior fitted with a blue and white pearlware washbowl and other appertures, with a pull-up adjustable mirror, the base with a drawer, with side carrying handles, 86.6cm high, 50.9cm wide, 51.2cm deep. £150-250 Provenance: Ballington Manor, Wylye, Wiltshire.

110

110. A George III mahogany stool, with chamfered legs united by an ‘H’ stretcher (lacking seat), 43.6cm high, 50.4cm wide, 40.3cm deep. £100-150 111. A George III mahogany chest, the crossbanded top above four long satinwood banded drawers, 89.4cm high, 89.4cm wide, 53cm deep. £200-300 111

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112. A George III rosewood and marquetry inlaid Pembroke table, the oval drop-leaf top with tulip wood crossbanding and decorated with husk swags, urns and leaf scrolls and centred with a later satinwood fan patera, with a bowfront frieze drawer, on faux fluted square tapering legs and spade feet, 70.6cm high, 92.4cm wide, 71.8cm deep (open). £2,000-3,000 Provenance: Purchased from Mill House Antiques, Petworth, West Sussex, 13th March 1992, for £17,000.

Property of a deceased estate.

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113

113. An early George III mahogany linen press in the manner of Philip Bell, with a pair of en arc d’arbelete doors, enclosing three slides, above two short and one long part cedar wood lined drawers, 170cm high, 127cm wide, 63cm deep. £100-200 114. A George III rectangular cellaret, inlaid with stringing, with a domed lid, the interior with eight divisions, on husk inlaid square tapering legs and brass caps and castors, the underside with a paper label inscribed ‘DENYS WREY LTD, Dealers in XV111 Century English Furniture No. 45 Sloane Street, S. W. 1.’, 75.7cm high, 52.9cm wide, 28.8cm deep. £600-1,000 Provenance: Ballington Manor, Wylye, Wiltshire.

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115. A George III mahogany occasional table, with satinwood banding and inlaid with stringing, with a frieze drawer on square tapering legs and brass castors, 75.3cm high, 43cm wide, 34.6cm deep. £150-250

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116

116. A George II mahogany bachelor’s chest, the top with a caddy moulded edge above an unusual pull-out slide fitted with a pair of lidded compartments, each carved with a shell, flanking a baize lined surface with a hinged central section, above four long graduated drawers, fitted with pierced bat’s wing handles, on bracket feet, 79.5cm high, 89cm wide, 48.5cm deep. £1,000-1,500

117. A set of eight Regency mahogany dining chairs, each with a moulded back with reeded vertical splats with leaf capitals, above a stuffed-over leather seat, on turned and tapering front legs, one front seat rail stamped ‘D. S.’, comprising: a pair of open armchairs and six side chairs. (8) £500-800

117

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THE HONOURABLE MRS DAISY FELLOWES COLLECTION DONNINGTON GROVE, BERKSHIRE The following eight lots were part of the collection formed by the late The Honourable Daisy Fellowes, at Donnington Grove, Newbury.

The Honourable Mrs Reginald Fellowes, known as 'Daisy' was one of the most glamorous women of her time, a style and trendsetter and a celebrated society figure of great taste. She was President of the Society of London Fashion Designers in the 1940s and shared the spotlight with famous contemporaries such as Coco Chanel, Greta Garbo, Marlene Dietrich and Joan Crawford.

In 1945 Daisy purchased Donnington Grove and set about restoring it to its former glory and importantly furnishing it in great style with an emphasis on Gothic and Chinoiserie pieces. Donnington Grove described by Pevsner as 'a little Gothic gem' was completed in 1760. It was was the masterpiece of the architect John Chute (1701-1776) who was a good friend and advisor of Horace Walpole of Strawberry Hill.

The majority of the contents of Donnington Grove were sold by Dreweatt Neate on the 1st May 1991 with a sale on the premises, with a further selection offered for sale on the 30th January 2001 which included a magnificent early George III giltwood and specimen marble side table by John Linnell which sold for ÂŁ360,000. The following eight lots were kept by the family but they are now surplus to requirements and we are delighted to be offering them for sale.

Illustrations: The Honourable Mrs Daisy Fellowes, watercolour, by Cecil Beaton.

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118. A pair of 19th century japanned wardrobes, each decorated in gilt on a black and brown ground, with chinoiserie, including Chinese figures, pagodas, trees and birds, each with a pair of doors fitted with brass hinges stamped ‘HORNE PATENT’, revealing a lined interior with a brass hanging rail, the base with two short and one long faux drawers, decorated with scrolling leaves, on flattened bun feet, 183.7cm high, 116cm wide, 60.7cm deep. (2) £2,000-3,000 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

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119. A 19th century brown japanned kneehole desk, the raised chinoiserie decoration painted with gilt highlights, the top with birds, figures and buildings, above an arrangement of nine drawers flanking a central cupboard, 78cm high, 140cm wide, 72.5cm deep. ÂŁ800-1,200 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

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120. A George IV mahogany sofa table, inlaid with stringing, the drop-leaf top above a pair of frieze drawers with faux fronts to the reverse, on lyre ends and reeded legs united by a low stretcher, with brass caps and castors, 74.9cm high, 147.8cm wide, 66.5cm deep (open). ÂŁ800-1,200 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

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121. A mahogany Gothic armchair in George II style, with a crenellated top rail above a trefoil and quatrefoil lancet arch back, with floret mouldings and with conforming scrolls arms, on cluster column front legs, previously on castors, seat lacking, with a printed paper label to the back of the seat rail inscribed ‘EXHIBITION OF ENGLISH CHAIRS 61 St. James’s St. S.W.1. May, 1938’. £1,000-1,500 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

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122. A pair of 19th century French bronze and Sèvres style porcelain jardinières in Louis XVI style, in the form of classical athénnienes, each with a pierced laurel gallery above a bleu celeste porcelain bowl painted with panels of flowers with gilt borders, each with an integral liner and tripod classical male mask and hoof monopodia supports, with a bud pendant and a flaming finial, 63.2cm high. (2) £1,000-2,000 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire.

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123. An important George II giltwood wall mirror in the manner of Matthias Lock and John Linnell, the shaped plate within a rocaille and column frame, with carved leaf branches supporting brackets for porcelain vases or figures, with rockwork and trellis decoration, the top with a serpentine balustrade surmounted by a Chinaman seated under a leaf canopy and hung with bells and flanked by exotic birds, the base with pierced fencing and a central canopy supported by columns, c.1755-60, 189 x 112cm. £20,000-30,000 This mirror with its overtly Chinese inspired decoration takes its design cues from some of the most celebrated mirror designers of the mid-18th century including Matthias Lock, Thomas Johnson and John Linnell.

For example see designs by Matthias Lock from ‘A New Book of Ornaments for Looking Glass Frames’ c.1752 for the designs employing the trellis motif and for a Chinaman seated under a leafy canopy. Also William and John Linnell’s designs for pier-glasses and girandoles which incorporate balustrading and the combination of a Chinaman and exotic birds, see Helena Hayward and Pat Kirkham, William and John Linnell, volume II, pp. 82 and 96, pl. 159 and 184.

See Geoffrey Wills, English Looking Glasses, A study of the Glass, Frames and Makers (1670-1820), p.96 for the actual mirror. Also Ronald Phillips, Mirrors, p.256 for a very similar mirror but with the addition of a ram to the canopied base.

Provenance: Purchased from Messrs Mallett & Sons, probably in the late 1950s.

From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire, ex. The Blue Bedroom.

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124. A 19th century French Savonnerie Empire style carpet, with a central fan medallion decorated with laurel leaves and with a classical twin griffin flaming athĂŠnienne with an outer border of swags of flowers hung with eight musical instruments including lyres and a horn, with classical mask spandrels with palmette decorated headresses, 490 x 439cm. ÂŁ4,000-6,000 Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire, ex. The Main Bedroom.

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125. A mid 18th century Brussels tapestry in Rococo style, worked with a gentleman and three ladies wearing silk dresses one with brocaded decoration and holding a fan, together with Pierrot with his guitar after Jean-Antoine Watteau’s La Partie carrée, with a chateau in the distance, with gardens, walkways and trees, the whole framed by marble columns and arches adorned with swags of flowers, 283.5 x 397cm. £4,000-6,000 This very fine tapestry in the fête galante style depicts figures in a stage like setting in the manner of Jean-Antoine Watteau's celebrated painting La Partie carrée of c. 1713. The figure of Pierrot is an almost exact copy and this figure gives a clue to the subject matter of the painting and this tapestry: the brash world of the Commedia dell'arte but poeticised with beautiful young women dressed in their finery in an aristocratic setting. Echoes of of Jean François de Troy's painting 'Declaration of Love' c.1731 can also be found in this tapestry especially with the treatment of the two lovers on the left hand side.

Provenance: From the collection formed by the late The Hon Mrs Daisy Fellowes, Donnington Grove, Berkshire, ex. The Drawing Room.

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CONTINENTAL FURNITURE & LIGHTING

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126 126. An Aubusson tapestry carpet in Louis XVI style, decorated with panels of flowers, 321.5 x 340cm.

£500-800

Provenance: Purchased from C. John, London.

127. An Aubusson tapestry carpet in Louis XVI style, decorated with floral sprays, 19th century, 451 x 328cm. £800-1,200 Provenance: Purchased from C. John, London.

128. A pair of Aubusson tapestry cushions, 42cm wide. (2)

£100-200

128

127

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129

129. A French giltwood and composition overmantel mirror in Louis XVI style, with a shaped rectangular plate, within a beaded slip and a ribbon and floret moulding and with a ribbon tied laurel leaf surmount, late 19th / early 20th century, 158.7 x 104cm. £300-500 Provenance: Property from a deceased estate in Richmond, London.

130. An Italian serpentine red and gilt decorated side table, decorated with scrolling leaves and arabesques, with three frieze drawers, on cabriole legs, first half of 20th century, 80.7cm high, 79.5cm wide, 40cm deep. £100-150 Provenance: Moreton House, South Grove, Highgate, London.

131 131. A Louis XVI style giltwood occasional table, with a breche marble top above a fluted frieze and with laurel swags, with a caned undertier, late 19th / early 20th century, 75.5cm high, 59.7cm wide, 37cm deep. £150-250 Provenance: Ballington Manor, Wylye, Wiltshire.

132. A late 19th century French mahogany and brass mounted centre table, the top with a serpentine edge and inlaid with leaves and husks, above stop fluted legs united by a pierced and shaped ‘X’ stretcher, on brass castors, 74cm high, 113cm wide, 112.3cm deep. £400-600 132

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133

133. A late 19th century French gilt and composition overmantel mirror, with an arched plate within a beaded slip and a leaf scroll outer border, with a ribbon tied surmount of flowers and a quiver of arrows, 163.6cm high, 125.5cm wide. £500-700 Provenance: Property from a deceased estate in Richmond, London.

134. A pair of Louis XV style kingwood and marquetry bedside tables, each fitted with three drawers and with brass sabot, first half 20th century, 74.5cm high, 25.2cm wide, 23.8cm deep. £200-300 Provenance: Morton House, South Grove, Highgate, London.

135 135. A French guéridon in Louis XV style, with a rouge marble top and brass mounts, late 19th century, 74.3cm high, 47.3cm wide.£300-400 Provenance: Property from a deceased estate in Richmond, London.

136. A Directoire style mahogany and brass mounted bureau plat, the top inset with a gilt tooled writing surface, the sides with a pair of pullout slides, with an arrangement of four frieze drawers, on fluted tapering legs, late 19th century, 74.2cm high, 129.8cm wide, 70cm deep. £400-600 Provenance: Property from a deceased estate in Richmond, London.

136

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137 138

137. A continental painted pine and parcel gilt console table, with a green granite top, above a fluted freeze on flower, leaf and disc carved legs, the base late 19th / early 20th century, the top modern, 77.4cm high, 89cm wide, 32.7cm deep. £300-500 138. A 19th century continental white and gilt painted stool, with an upholstered seat and a serpentine apron carved with palmettes, on cabriole legs, together with a walnut oval stool in 18th century style, and a gilt low stool with a needlework seat, 46.8cm high (max). (3) £150-250 Provenance: Moreton House, South Grove, Highgate, London.

139. A French gilt and composition wall mirror, with an arched plate within a beaded slip, a leaf scroll outer border and with a cartouche surmount, late 19th / early 20th century, 109cm high, 64.7cm wide. £200-300 140. A Louis XV style giltwood bergère, upholstered in green silk, with a moulded frame carved with leaves, scrolls and rocaille. £300-500 Provenance: Property from a deceased estate in Richmond, London.

141. A French giltwood canapé in Louis XV style, upholstered with a floral fabric and with a moulded leaf, flower and scroll carved frame, 75.6cm high, 122cm wide, 58.5cm deep. £200-300

139

140

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142. A pair of Italian Venetian carved pine and polychrome decorated blackamoor torchères, with silvered and gilt highlights, each figure holding a cornucopia and standing on a cushioned triform stool, late 19th / early 20th century, 188cm high. (2) £2,000-3,000 Provenance: Moreton House, South Grove, Highgate, London.

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143. A pair of late 18th century painted side chairs, with parcel gilt and ebonised decoration, each with a fluted column and moulded back and a ribbon tied quiver of arrows and archer’s bow back, above a stuffed-over seat on fluted tapering legs, each with a paper label inscribed ‘ARTHUR N. GILBEY’. (2) £300-400 Provenance: Moreton House, South Grove, Highgate, London.

143

144. A pair of late 18th century painted fauteuil, with parcel gilt and ebonised decoration, each upholstered in gold damask fabric, with moulded and fluted frames on tapering legs, each with a paper label inscribed ‘ARTHUR N. GILBEY’, slight differences to paintwork. (2) £300-500 Provenance: Moreton House, South Grove, Highgate, London.

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145. A pair of late 18th century fauteuil, painted in cream and gold , upholstered with silk, with moulded and fluted frames, on tapering legs, each with the remains of a paper label inscribed ‘ARTHUR N. GILBEY’. (2) £300-500 Provenance: Moreton House, South Grove, Highgate, London.

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146. A Louis XVI style commode after Jean-Henri Riesener, with ormolu mounts, the rouge marble top with a moulded edge, above three drawers with ebony and holly trellis decoration, the top drawer with a central panel of frolicking putti, above the central marquetry panel on a bois de citron ground, with ribbon tied instruments and flowers, late 19th century, 89cm high, 119.2cm wide, 55.5cm deep. £3,000-4,000 See Christopher Payne, 19th Century European Furniture, p.100 for an identical example.

Provenance: Purchased from Gay Antiques, 1 Beauchamp Place, London, SW3 1NG, 4th February 1978 for £1,450.

Property from a deceased estate in Richmond, London.

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147 detail

148 147. A French kingwood and satinwood guéridon, with ormolu mounts, the circular crossbanded top with a central trellis parquetry panel, the conforming frieze mounted with three oval porcelain plaques, painted with classical scenes including one with Diana bathing, late 19th century, 71.5cm high, 39.5cm diameter. £800-1,200 Provenance: Purchased from Gasson Antiques & Interiors.

Property from a deceased estate in Richmond, London.

148. A Louis XV style giltwood wall mirror, the shaped plate within a moulded frame decorated with scrolls, leaves and rocaille, 154 x 107.1cm. £200-300

147

149. A 19th century bird’s eye maple and painted sarcophagus shape box, decorated with scrolling leaves, garlands and baskets of flowers with peacock feathers, the hinged lid with a central panel of Venus in a chariot with Cupid on her side, with a silk lined interior and faceted side carrying handles (one partly missing) , 38cm high, 60.4cm wide, 41.5cm deep. £300-400 Provenance: Moreton House, South Grove, Highgate, London.

149

150. A matched pair of Louis XVI style giltwood bergères, with carved leaf and guilloche moulded frames, on leaf carved and fluted tapering legs. £600-1,000 Provenance: Property from a deceased estate in Richmond, London.

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152

151

151. A large pair of faïence pottery models of seated dogs, each with a studded collar, raised on a plinth base, 99.8cm high, 71cm long. (2) £300-500 Provenance: Moreton House, South Grove, Highgate, London.

152. A pair of 19th century giltwood and gesso corbels, each modelled in the form of a grotesque head with a shell surmount and a fruit pendant, 40.5cm high, 30cm wide. £200-300 Provenance: Property from a deceased estate.

153. A giltwood and polychrome decorated wall bracket, of shell and scroll form, probably Italian or Spanish 18th century, 31.5cm high, 35.5cm wide. £150-250 Provenance: Property from a deceased estate.

154. A pair of Rococo style gilt plaster models of sphinxes, the part female and part lion creatures wearing a headdress, the hind legs on scroll supports, possibly £200-300 Italian 18th century, 28.7cm high, 35.5cm long. (2) 153

Provenance: Purchased from Jack Wilson, Fulham Road, London.

154

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155. A pair of Italian verre églomisè pictures, decorated in gilt on a dark blue ground, one depicting Apollo chasing Daphne, the other with classical figures in a woodland setting, each in an ebonised moulded frame, with a brass suspension ring, late 18th / early 19th century, the verso of one inscribed in pen ‘Bought by Mary Frederica Bury at Florence 1836’, 11.8cm wide. (2) £100-150 156. A late 19th century Italian Sorrento olivewood letter holder, inlaid with marquetry figures, the interior with pouches inscribed in French, 26.5 x 19.7cm. £40-60

155 156

157. An 18th century tortoiseshell snuff box, the hinged lid inlaid with silver and mother of pearl, depicting a stag hunt with dogs and trees, possibly Italian, 7cm diameter. £300-400 158. Four ‘Black Forest’ carved wood models of bears, each with glass eyes, late 19th / early 20th century, 20cm long. (4) £150-200

157

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159. A French champlevé enamel and ormolu crystall ball stand, with an angel finial and an agate mounted square base, signed ‘L. Rambeaux 1902’, with a marble sphere, early 20th century, 26.3cm high. (2) £300-500

159

160. A French champlevé enamel and gilt brass crystal ball stand, with guilloche decorated scroll supports and paw feet, together with a glass ball, late 19th / early 20th century, 30cm high. (2) £200-300

160

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161. A Russian orthodox gilt bronze icon, depicting the Holy Trinity, 21 x 16.6cm, in a later glazed frame with a Perspex easel back. £500-700

161 162. A Russian Imperial enamel car badge, of shield shape decorated with Tsar Nicholas II’s coat of arms, with the crowned double headed eagle and with a red enamel shield of St. George and the dragon, late 19th / early 20th century, 14.2 x 10cm, in a later glazed gilt frame. £100-200 Provenance: By family repute this belonged to Mr Charles Preston an American hero who during the First World War was engaged in amazing exploits including exchanging gold for platinum on behalf of the US government. Charles Preston was a fur trader and travelled extensively throughout Russia during the late 19th century. He was a personal friend of Tsar Nicholas II and raced the Tsar’s cars at various events in the early 20th century. This badge was given to Mr Preston by the Tsar.

Property from a deceased estate.

162

163. A Dutch colonial tortoiseshell and silver mounted casket, with finely engraved decoration of arched panels of tulips and flowers, with strapwork mounts and pierced hinges and clasp, on bun feet, late 17th / early 18th century, 13.8cm high, 19.6cm wide. £800-1,200

60

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164. A Renaissance revival gilt and silvered metal magnifying glass, the circular glass within a beaded and moulded frame, decorated with dolphins, agate spheres, leaves and paste set flowers, the fluted, ribbed and fishscale handle mounted in jade, agate, malachite and ivory, stamped with spurious Italian hallmarks, late 19th / early 20th century, 38.5cm long. ÂŁ300-500

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165. A pair of late 19th century French gilt spelter and porcelain mounted five-light candelabra, each stamped ‘PH MOUREY’, 53.3cm high. (2) £100-150 Provenance: Moreton House, South Grove, Highgate, London.

166

165

166. A pair of Louis XVI style gilt brass candlesticks, each with a detachable nozzle above an urn body, decorated with ribbon tied bead swags and a marble base, late 19th / early 20th century, 14.3cm high.

(2) £150-250 167. A pair of Louis XVI style ormolu figural candelabra, each modelled with a cherub holding a cornucopia of flowers and leaves, with three lights, with Sevres style porcelain bases painted with amorini, late 19th century, 38.5cm high. (2) £150-250 Provenance: From a deceased estate in Richmond, London.

167

168 168. A late 19th century French ceramic and bronze mounted table lamp, with a celadon glaze with pâte-sur-pâte decoration of a classical female figure and flowers and foliage, together with three other ceramic £150-250 table lamps, 43.9cm high (excluding fittings, max). (4) Provenance: Moreton House, South Grove, Highgate, London.

169. A pair of 18th century French silvered brass candlesticks, each with a detachable drip-pan, with faceted and triform stems and engraved flower and grapevine decoration, 25.7cm high. (2) £200-300

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170. A Regency giltwood and ebonised four-light wall applique, the tasselled backplate decorated with an eagle and lion’s head masks, with scroll branches and Pharaoh terminals and bronze nozzles, 93.5cm high, 50cm wide. £200-300

170

171

171. A 19th century tôle octagonal tea canister, later converted into a table lamp, decorated with a Chinaman and Chinese characters on a gilt ground, 47.7cm high, 27.8cm wide. £150-200 Provenance: The Marquess of Tweeddale, Yester House, Gifford, East Lothian.

172. An early Victorian ormolu table lamp by Palmer & Co., later converted from an oil lamp, with a ruby glass baluster stem with gilt foliate overlay, above a scroll and leaf triform base, 58cm high (excluding fitting). £400-600

172

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173. A pair of late 19th century ormolu and malachite four-light candelabra, each modelled with a cherub sat on a tasselled cushion, holding four flowers, 31.3cm high. (2) £400-600

173

174. A pair of Louis Philippe ormolu three-light candelabra in Louis XV style, each decorated with scrolls, flowers, leaves and rocaille, 38cm high. (2) £300-500 174 175. A pair of 19th century French ormolu three-light candelabra, each modelled with a cherubic satyr, seated on a tasselled cushion and playing a musical instrument, with leaf scroll branches, 21.9cm high, 26.3cm wide. (2) £400-600

175

176. A pair of Napoleon III gilt and patinated bronze four-light figural candelabra, each modelled with a cherub emblematic of the arts and science, with leaf and flower branches, on porcelain mounted £300-500 bases with a laurel band, 52.8cm high. (2)

176

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177. A pair of French Empire gilt and patinated bronze figural candelabra attributed to Rabiat, each modelled with a classical maiden supporting a basket of fruit issuing scroll branches, with five lights, on engine turned stepped plinths, later converted to electricity, 68.7cm high (excluding fittings). (2) £2,000-3,000 For a similar pair of candelabra stamped ‘Rabiat’ see Christie’s, New York,, Roger Prigent’s Malmaison, 26th November 2002, lot 347.

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178

179

178. A Regency style gilt brass seven-light basket chandelier, decorated with palmettes and hung with graduated cut glass drops and faceted lustres, 77cm high, 39.5cm wide. £300-500 179. A pair of gilt metal three-light chandeliers, of open scroll form, hung with cut glass lustres and pendants, 60cm high, 48.5cm wide.

(2) £80-120 180. A Regency style gilt brass seventeen-light basket chandelier, decorated with palmettes and hung with cut glass drops, 71.4cm high, 72cm wide. £200-300 181. A gilt metal sixteen-light chandelier, of open form, hung with glass pendants, 71cm high, 71.5cm wide. £100-150 182. A gilt metal and glass four-light chandelier, of open scroll form and hung with cut glass drops and pendants, 45cm high, 34.5cm wide. £100-150

180

182

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183

183. A gilt brass five-light chandelier, with a leaf corona, above a turned fluted and ribbed stem, issuing leaf , flower and scroll arms with eagle’s head terminals, supporting glass drops and lustres, late 19th / early 20th century, 62cm high, 81cm wide. £400-600 184. A brass and cut glass sixteen-light chandelier, of open form, with eight scroll branches and hung with drops and florets, 85cm high, 62.5cm wide. £300-500

184

185 185. A pair of giltwood four-light chandeliers, with fluted and reeded decoration, 59.8cm high, together with a matching pair of twin light wall appliques, 38.5cm high. (4) £300-500 186. An Empire style gilt brass six-light chandelier, decorated with caducei, palmettes and with swan branches and hung with cut glass drops and lustres, 65cm high, 50.5cm wide. £300-500 186

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187. A pair of 18th century style carved wood twin-light wall appliques, each with a ribbon tied garland of fruit, flowers and leaves, 77.5cm high. (2) £150-200 Provenance: Moreton House, The Grove, Highgate, London.

188

188. A pair of Louis XV ormolu candlesticks, each cast in three sections and decorated with leaf scrolls and rocaille, 24.7cm high. (2) £150-250

187

Provenance: Purchased from Charles Hammond Ltd.,165 Sloane Street, London, 30th December 1986.

Property from a deceased estate in Richmond, London.

189. A pair of French onyx and gilt brass mounted table lamps, in the form of twin handled urns, applied with floral swags, on paw feet, late 19th / early 20th century, later fitted for electricity, 35.2cm high (excluding fitting). (2) £80-120 Provenance: Moreton House, South Grove, Highgate, London.

189

190

190. A pair of gilt brass and porcelain mounted wall lights, with three lights and with a lattice backplate and an urn and flower surmount, 37.6cm high, together with a pair of Empire style gilt brass wall lights, with twin arms and with ribbon tied laurel backplates, 23.7cm high. (4) £100-200 191

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191. A pair of Regency gilt and patinated bronze candlesticks, each with an urn nozzle, above a leaf drip-pan hung with cut glass drops and lustres, on an engine turned base, 16.5cm high. (2) £150-250

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192. A pair of 19th century Italian Venetian painted pine and glass wall lights, each with a mirrored back, one decorated with Europa and the bull, the other with a native lady, with a moulded glass frame with flowerheads and a female mask surmount, with twin lights, 72.7cm high, 32.5cm wide. £1,000-1,500 Provenance: The Marquess of Tweeddale, Yester House, Gifford, East Lothian.

193. A gilt bronze hall lantern, of tapering form, with lappet decoration and five shaped glass panels, late 19th / early 20th century, 56.7cm high, 36.5cm wide. £150-250

194. A 19th century tôle peinte hall lantern, with five glass panels and decorated with ribbon tied swags of flowers, the centre with a floral garland supporting five lights with faux candles, 68.5cm high, 35.7cm wide. £400-600

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195

195. A set of four wrought iron and frosted glass wall lights in Gothic style, each mounted on an oak plaque and with leaf scroll decoration, 58cm high. (4) £500-700 196. An iron lantern in Gothic revival style, with six spiked finials, above arches and columns with a balustrade, the arm support with leaf scroll volutes and lamb and flag panels, £200-300 with a glass shade, fitted for electricity, 78.4cm high.

197. A pair of French metal triangular wall lights, with a verdigris finish and glass panels, 50.2cm high, 30.1cm wide. (2) £150-250 198. A pair of French garden lights, each with a segmented mirrored back, with a circular holder, 33.8cm high. (2) £100-200

196

198 197

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199. A pair of Regency cut-glass and ormolu table lamps in the manner of John Blades, each with a dished drip-pan above a leaf and flower collar and lappet decorated stems, on stylised winged lion’s paw feet and circular bases, later converted for electricity, each with a shade, 42cm high (excluding fittings). (4) £500-800

199

200

200. An early 19th century gilt and patinated bronze figural candlestick, the stem with three classical seminaked maidens, on a marble socle and plinth, 25.3cm high. £150-200

201. A French Empire style gilt brass and glass sixlight chandelier, with an anthemion corona, a flaming urn finial and a bud pendant, 57.5cm high, 51cm wide. £150-200

201

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CLOCKS & SCIENTIFIC INSTRUMENTS

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202. A walnut longcase clock, the eight day movement with five turned pillars and an anchor escapement striking on a bell, with a 12in arched dial with engraved feather banding and gilt spandrels, with a silvered chapter ring with Roman and Arabic numerals, with a subsidiary seconds dial and date aperture, the arch with a silvered rondel inscribed ‘Geo Clarke, White Chappel, London’, the hood with fretwork spandrels and turned columns above a crossbanded case, 226.3cm high. £600-1,000

203. A Victorian Scottish walnut regulator longcase clock, the eight day movement with four turned pillars and an anchor escapement, the 13in circular dial with Roman numerals and with a subsidiary seconds dial, signed ‘ROBERT SORLEY GLASGOW’, the case with a basket of flowers surmount and carved with scrolls, leaves and cartouches, with a glazed trunk door and panelled base, 205cm high. £1,500-2,00

202

204. A late 17th century brass miniature lantern timepiece, the posted movement with a verge escapement, the circular dial with Roman numerals and with a central alarm disc striking on a bell, the recessed centre engraved with scrolling foliage, the case decorated with pierced leaves and entwined fret panels, 20.3cm high. £800-1,200

203

205. An early George III fruitwood bracket clock by Conyers Dunlop, the eight day twin fusee movement, with a verge escapement and four turned pillars, striking the hours on a bell and the quarters on the pull repeat, the backplate finely engraved with birds and Rococo scrolls and flowers, the silvered arch dial with Roman and Arabic numerals, with subsidiary ‘Strike/Silent’ and rise and fall dials, with date aperture and cast spandrels, signed ‘Conys Dunlop London’, in a pad top case, with a brass handle and glazed sides, 40.2cm high, 27.8cm wide. £1,500-2,500 Conyers Dunlop (1725-1779).

204

205

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206. A late Victorian mahogany marine chronometer by Alexander Dobbie & Son, the brass two-day movement with an Earnshaw spring detent escapement with a compensated balance wheel and a helical balance spring, with blued steel screw heads and a silvered dial engraved with Roman numerals, with subsidiary seconds and ‘down / up’ dials, inscribed ‘MAKERS TO THE ADMIRALTY, ALEX R. DOBBIE & SON, 45 CLYDE PLACE, GLASGOW.’ and numbered 5/4046, the twin-hinged mahogany case with an ivory maker’s plaque and sunken brass carrying handles, 19.4cm high, 18.5cm wide. £800-1,200

206

207. A French gilt brass repeating carriage clock, the eight day movement striking on a gong, the backplate stamped ‘4243’, the circular dial with Arabic numerals, within an architectural case £300-500 with Corinthian columns, late 19th / early 20th century, 17cm high.

208. A Victorian oak mantel clock, the eight day twin train movement striking on a gong, with a silvered dial, with Roman numerals and a ‘Silent Strike’ switch and inscribed ‘BISHOPP, 20, BUNHILL ROW’, in an architectural case with fishscale panelled sides, 46cm high, 32.7cm wide. £300-500 209. A French pink breccia marble and ormolu mounted clock garniture in Louis XVI style, the eight day brass drum movement, with an outside countwheel, stamped ‘H & K, PARIS 1996’ and ‘83’, with a white enamel dial with Roman and Arabic numerals, the case decorated with Mercury style cherubs, with a laurel wreath and war trophies, with a pair of matching twin-light candelabra and a pair of associated candlesticks, late 19th century, 45.5cm high. (5) £500-800 Provenance: Property from a deceased estate in Richmond, London.

208

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210. A late 19th century French black marble mantel clock, the eight day movement striking on a bell, the backplate stamped ‘3725 8’, the white enamel dial with Roman numerals and a visible Brocot escapement to the recessed centre, above a calendar dial with subsidiary day and date dials and moonphase, flanked by a pair of thermometers, 39cm high 34.2cm wide. £500-700 Provenance: A Scottish aristocratic family and by descent.

211. A 19th century Swiss ‘Black Forest’ mantel clock, the brass movement with a circular dial with applied Roman numerals, the case well carved with a shepherdess accompanied by her dog, with a ram, a sheep, flowers, foliage and a rocky outcrop, 62.3cm high, 52cm wide. £2,000-3,000

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212 212. An early 19th century Swiss tôle musical box by Henry Capt, the lid transfer printed with a view of a lake scene titled ‘Schloss Habsburg am Luxerner Sec’ and with a band of leaves and flowers, with a 10cm cylinder playing three airs, stamped with a serial number ‘3024’, the comb signed ‘H. CAPT’, 13.3cm wide. £300-500

213. A late 19th century Swiss musical box, with a 15.5cm long brass cylinder and three bells, in a rosewood and simulated ebonised case inlaid with marquetry flowers and musical instruments, 21cm high, 40.7cm wide. £100-200 214. Great Exhibition interest. A rare Victorian mahogany pocket compass, the screw-off lid revealing a green card dial with various London landmarks emanating from Regent Circus with distance in miles, including: ‘The Exhibition’, ‘African Exhibition’, ‘Egyptian Hall’, the base with a cardboard insert inscribed in pen ‘COMPASS MADE FOR VISITORS TO THE EXHIBITION IN HYDE PARK 1851’, 8.2cm diameter. £200-300

213

Provenance: The Forde family, Wimbledon, London and by descent.

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215 215. A William IV lacquered brass compound monocular microscope by Andrew Pritchard, the tripod foot signed ‘A. Pritchard, 18 Picket St. London’, with rack and pinion focusing and a convex mirror, fitted in a mahogany case, with five drawers containing lenses and accessories, with a paper trade label for Pallant Optician’ and a trade label for Andrew Pritchard ‘The Natural History of Animalcules’, 29cm high, 28.7cm wide. £1,000-1,500 216. A Victorian lacquered brass naturalist’s microscope by Amadio, inscribed ‘J. Amadio 7, Throgmorton St. London’, with some accessories and in a mahogany case with a brass carrying handle, 20.7cm high, together with three books in relation to microscopes, a quantity of slides and Eocene and Pliocene material. (A lot) £100-150 217. Two cases of microscopic slides, some with labels for ‘W. WATSON & SONS, 313 HIGH HOLBORN LONDON’, including: ‘Blood Discs of Toad’, ‘Wing of Butterfly’, ‘Human Skin Vertical Section’, ‘Human Spinal Cord’. 30.3cm wide. (2) £100-150

216

218. A Victorian mahogany case of surgeon’s tools, the brass rack inscribed ‘AITKEN YORK’, with ivory handled tools, some inscribed ‘AITKEN’ the others ‘ARNOLD, LONDON’, 22cm wide. £100-150

218 217

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FROM THE COLLECTION OF LORD TERENCE MORRIS BROWNE, 9TH MARQUESS OF SLIGO

219 219. A Victorian brass and patinated sextant by Henry Hughes & Son., with a silvered scale and inscribed ‘Henry Hughes & Son, 59 Fenchurch St. London’, with a printed certificate of examination, inscribed ‘National Physical Laboratory, Kew Observatory, Richmond, Surrey, ....Class B No. 3724....’, in a mahogany case, the lid with a brass plaque inscribed ‘LORD TERENCE BROWNE’, with side carrying handles, 26.8cm wide, together with a spirit level by the same maker, in a mahogany case and ‘The Neo-Cyclostyle’ a duplicating apparatus in an oak case. (3) £200-300 Provenance: Lord Terence Morris Browne, 9th Marquess of Sligo (1873-1952).

220. A late Victorian brown leather travelling trunk, applied with old labels, the lid inscribed ‘LORD TERENCE BROWNE’, containing: two leather cased cameras one by Kodak, the other by TCA of Dresden, together with another case containing photographic equipment, a boxed parallel rule, various books including ‘Visitation of England and Wales’ volume 7, inscribed ‘Lord Terence Browne February 5th 1912’, Philips’ ‘Mercantile Marine Atlas of the World’, two tin boxes and other items. (A lot) £100-200 Provenance: Lord Terence Morris Browne, 9th Marquess of Sligo (1873-1952).

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221. An American red leather photograph album by the Boysen Studio, containing fifty-one titled black and white silver prints of topographical views of Yosemite Valley, including: ‘Cathedral Rocks’, ‘Three Brothers’, ‘Sentinel Rock’, ‘Half Dome’, ‘A Summersault of Iron Nerve on Glacier Point’, ‘Grizzly Giant’, ‘California’, ‘Bachelor and Three Graces’, ‘Fallen Monarch’, ‘Wawona Section’ and ‘Lake Teneya’, signed ‘Boysen Studio Yosemite Valley, California’, late 19th / early 20th century, together with a green leather and gilt tooled leather photograph album containing fourteen £300-500 coloured photographs of Japanese domestic life and views, some titled: ‘Geisha Girls at Garden’ and ‘Girls Dressing Hair’. (2) Provenance: Lord Terence Morris Browne, 9th Marquess of Sligo (1873-1952).

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222

222. A Regency mahogany sideboard, inlaid with boxwood stringing, with a central frieze drawer flanked by a concave drawer and a deep bottle drawer and a cupboard, on square tapering legs and applied ankles, 97.8cm high, 166.1cm wide, 65.8cm deep. £500-1,000 Provenance: Ballington Manor, Wylye, Wiltshire.

223. A Regency mahogany Canterbury, with three divisions and baluster turned supports, with a frieze drawer and brass castors, 57cm high, 50.2cm wide, 36.2cm deep. £250-350 224. A Regency mahogany armchair, the panelled tablet back inlaid with brass stringing, above a ribbed splat, with moulded and turned arms above a leather seat and ring turned tapering legs. £100-150

225. A Regency style simulated rosewood breakfront bookcase, with a faux marble top, above a central frieze drawer and a pair of grille doors enclosing two shelves, flanked by three open shelves to either sides, 89.8cm high, 127.9cm wide, 30cm deep. £500-700

223

Provenance: Ballington Manor, Wylye, Wiltshire.

224

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226 226. A Regency ebonised and gilt sofa, with scroll arms, upholstered in ivory watered silk with a squab cushion and on turned tapering legs and brass castors, 78.8cm high, 202cm wide, 71cm deep. £500-700 227. A George IV mahogany Canterbury, with four divisions and ring turned supports, the base with a drawer, on turned legs, the brass castors with leaf collars, 52.7cm high, 53.3cm wide, 36cm deep. £400-600 Provenance: Ballington Manor, Wylye, Wiltshire.

228. A George IV mahogany bergère armchair, with a cane back, sides and seat and later burgundy leather cushions and armrest, with ribbed arm supports and legs on brass castors. £300-500

229. A 19th century rosewood breakfront bookcase, with a veined white marble top, above three frieze drawers and cupboards below, with gilt brass grille and pleated silk doors, enclosing a shelf, 93.8cm high, 168cm wide, 45.8cm deep. £600-1,000

227

Provenance: Ballington Manor, Wylye, Wiltshire.

228

229

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230. A Regency mahogany bowfront side table, the top with a reeded edge, above a frieze drawer, with brass knob handles, the underside with a paper label inscribed ‘REV. T. M. MCDONNELL, BRISTOL.’, 78.4cm high, 83.8cm wide, 48.3cm deep. £200-300

230

231. A Regency mahogany kneehole dressing table, with a three quarter gallery above an arrangement of four drawers, 77.5cm high, 99.1cm wide, 50.4cm deep. £200-300

231

232. An early 19th century mahogany card table, the crossbanded hinged and swivel fold-over top with a baize lined surface, the base inlaid with boxwood and ebonised stringing and with a ‘U’ shape support, 72cm high, 90.1cm wide, 44.4cm deep. £200-300

232

233. A pair of Regency beechwood side chairs in the manner of Gillows, each with a brass rope-twist handle, above a leaf and scroll carved back inlaid with marquetry, above a cane seat and on ribbed tapering front legs, the seat rail of one chair stamped ‘H H’. (2) £100-150 233

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234. A set of twelve Regency rosewood dining chairs, each with a curved tablet back, above a cane seat, with a squab cushion and reeded front sabre legs, comprising: a pair of open armchairs and ten side chairs, together with two matching modern side chairs. (14) £3,000-4,000 Provenance: Ballington Manor, Wylye, Wiltshire.

235. A Regency style mahogany triple pedestal dining table, the top with a reeded edge and two additional leaves, on ribbed supports and reeded splay legs and brass castors, 20th century, 72.3cm high, 425.5cm long, 127cm deep. £1,500-2,000 Provenance: Ballington Manor, Wylye, Wiltshire.

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236. An early 19th century giltwood overmantel mirror, with three later rectangular plates, within a cluster column frame, 54.2cm high, 123.8cm wide. £300-400 Provenance: Ballington Manor, Wylye, Wiltshire.

237. A Regency giltwood and gesso pier mirror, the rectangular plate flanked by a pair of reeded pilasters with Corinthian capitals, with a grey ground frieze decorated with palmettes and acorns and oak leaves, 112 x 73.4cm. £300-500 238. A Regency style giltwood convex wall mirror, with a reeded ebonised slip and a ball decorated frame, late 19th / early 20th century, 59cm diameter. £100-150 239. A William IV giltwood pier mirror, with a rectangular plate within a reeded ebonised slip and a lappet carved baton frame, 78 x 54cm. £200-300 Provenance: Ballington Manor, Wylye, Wiltshire.

238

240. A circular wall mirror, with a bevelled plate, within a gilt and grey painted moulded frame, early 19th century and later, 81.7cm diameter. £100-150

237

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241. An American Federal mahogany and satinwood tea table attributed to John and Thomas Seymour of Boston, the shaped fold-over top with lobed front corners and with an inlaid edge, on a single gate support, with an inlaid frieze on fluted ribbed and stiff leaf-carved tapering legs, with two inscribed paper labels, 78cm high, 91cm wide, 45cm deep. ÂŁ2,000-3,000 The father and son firm of cabinet makers John and Thomas Seymour emigrated from England to Portland, Maine in 1785 and subsequently settled in Boston in 1794. See Sotheby's, The Highly Important Americana Collection of George S. Parker II, New York, 19th January 2017, lot 2177 for a similar card table.

Provenance: The labels to the underside of the table read 'Table belonging to Mrs Paul Wentworth (Lydia Coggswell) purchased by Mr & Mrs Wentworth about 1814 paternal grandparents of Mrs Roxana A. Wentworth Bowen'. The second label reads 'Paul Wentworth and Lydia Cogswell. Wedding furniture, March 1814. Given me by my Aunt Mary. R.A.W.B.' Passed from Mrs. Roxana Atwater Wentworth Bowen (18541935) to her daughter Roxana Wentworth Bowen who was the godmother of the present owner.

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242. A Regency penwork octagonal work box, decorated with panels of Greek style classical figures, with a paper lined interior, 17.3cm high, 34.5cm wide. £300-400 243. A Regency mahogany knife box, inlaid with ebonised stringing, the sloping lid revealing a matrix with forty-five apertures, with a silver handle and escutcheon engraved with a monogram, 39.9cm high, 23.7cm wide, 29cm deep. £200-300 Provenance: Ballington Manor, Wylye, Wiltshire.

243

244. An early 19th century mahogany inkstand, with a brass handle, a pair of pen trays and two glass inkwells with silver lids, each engraved with a fox crest, hallmarked London 1828 & 1839, above an open stationery tray, 15cm high, 30.8cm wide, 23.5cm deep. £300-500 245. A pair of Victorian gilt brass relief models of recumbent greyhounds, £100-150 each in a glazed ebonised frame, 23 x 31.4cm. (2)

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246. An early Victorian ebonised cabinet on stand, with nulled, flower, leaf, scroll and paterae mouldings, with a pair of glazed doors, enclosing a paper lined interior, the brass hinges stamped ‘HORNE PATENT’, above two drawers with gilt brass drop handles, the stand with a fret carved frieze with birds and beasts flanking a central angel mask, applied with brass Latimer crosses on spiral twist legs and a shaped undertier, with two paper labels inscribed in ink ‘ABERDUNANT £2,000-3,000 1871’, 160.7cm high, 91.2cm wide, 56.5cm deep.

The design of this cabinet is based directly on the series of cabinets commissioned by William Beckford to furnish the St. Michael’s Gallery at Fonthill Abbey. The Latimer cross illustrates William Beckford’s descent from William, Lord Latimer of Corby (d.1302). It was one of his most favourite heraldic emblems and he employed it in his decorative schemes at Fonthill.

247 247. A pair of George IV oak Gothic stools, each with a later stuffedover top on pierced trefoil and carved arch bases, 19.6cm high, 38.5cm wide, 28.3cm deep. (2) £150-250 Provenance: Property from a deceased estate.

248. A pair of late Regency Gothic oak chairs after a design by George Smith, each with a moulded and pierced lancet arch back, above a later leather seat on panelled front legs and block feet. (2) £600-800 See George Smith, Household Furniture 1808, pl. 37 for the design for these chairs. Also, Frances Collard, Regency Furniture, p.190 for a similar chair.

Provenance: Purchased from Humphrey-Carrasco, 43 Pimlico Road, London, 8th December 1998, for £3,200.

Property from a deceased estate.

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249

249. A George III mahogany tea chest, inlaid with stringing and with rosewood and kingwood banding, the hinged lid inlaid with a marquetry conch shell, together with two other tea chests, one with a canister lacking, the other with a converted interior, 32cm wide (max). (3) £150-250 250. A black japanned tea caddy, decorated in gilt with part raised decoration with chinoiserie scenes, the interior with three divisions, the right side with a sliding front revealing a secret base drawer on disc feet, containing a Victorian silver caddy £150-250 spoon, 18th century and later, 17.6cm high, 25.4cm wide.

250

251. A George II oak tea caddy, inlaid with parquetry stringing and with moulded edges, the hinged lid with a leaf cast, silver coloured metal handle, the interior originally with divisions and with a raised spoon shelf, on brass paw and ball feet, 18.2cm high, 28.3cm wide. £150-250 252. A Regency burr yew tea caddy, of sarcophagus shape, inlaid with boxwood stringing, the interior with twin lidded compartments, with a bone escutcheon and disc feet, 16cm high, 20.5cm wide. £50-100 253. A William IV carved mahogany flower vase, with a lift-out copper liner, the detachable lid pierced with nine apertures, the body carved with lappets on a turned £100-150 base, 24.6cm high.

251

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254. A Regency rosewood window seat, of ‘X’ shape, the seat upholstered with later green plush fabric and with gilt metal mounts, 69cm high, 83cm wide, 47cm deep. £2,000-3,000

255

Provenance: An American private collection.

255. A rosewood extending breakfast table, the teardrop shape top accomodates an extra leaf, the underside inscribed in chalk ‘PITMAN’ on a turned stem and four splay legs, with brass beaded decoration and with brass caps and castors, Regency but possibly later adapted, 73cm high, 104cm long extending to 137.8cm, 131cm deep. £100-150 256. A 19th century simulated rosewood window seat, with parcel gilt decoration of leaves and flowers, with a damask upholstered seat, on stretchered ‘X’ frame £300-500 supports and ball feet, 59.4cm high, 98.7cm wide, 37cm deep.

257. A collection of nine Regency dining chairs, comprising: a set of six simulated rosewood chairs, each with a cane back and seat, a pair of ebonised chairs, each with a rope-twist top rail and a brass splat back and a simulated rosewood example £400-600 inlaid with brass marquetry. (9) 256

Provenance: Moreton House, South Grove, Highgate, London.

257

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258

258. Six glass rummers, comprising: a pair and a set of four, 16cm high. (6) 259

£40-60

259. Two wax portrait relief busts, one of a gentleman in a glazed mahogany frame, the other of a lady, her dress decorated with seed pearls, in an ebonised frame, George III and later, 12cm diameter (max). (2) £100-150 Provenance: Both purchased from M. Newport, Antique Dealer, Wilton, Wiltshire in the 1970s.

260. A George III oval silkwork picture of a mournful lady with her dog, with painted features, in a verre églomisé mount and a moulded giltwood frame, the verso inscribed in pen ‘This belongs to Mr W Lobb Esquire 1878’, 42.2 x 37cm. £100-150 261. A pair of 19th century mahogany pole firescreens, each with a brass pineapple finial and an adjustable Chinese painted panel, decorated with prunus, birds, a frog and insects, on a vase turned stem and inlaid tripod legs, 152.7cm high, 45.5cm wide. (2) £200-300 Provenance: Ballington Manor, Wylye, Wiltshire.

260

262. Two Victorian Isle of Wight sand pictures, depicting Osborne House in a gilt frame with a J. F. Moor Carver & Gilder label, the other of Shanklin Chine drawn by ‘Edward Dore, Newport 1840’ using Alum Bay sands, in a rosewood frame. (2) £80-120 Provenance: Property from a deceased estate.

262 261

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263

263. An early Victorian mahogany serving table, with a lappet frieze above scroll carved cabriole front legs and panelled back legs, the underside with a trade label inscribed ‘FROM T.H. FILMER’S, CABINET, CHAIR UPHOLSTERY, BEDDING & CARPET MANUFACTORY, 32 BERNERS ST. OXFORD ST.’, 93.6cm high, 183.2cm wide, 67cm deep. £400-600

264

264. A George III ‘Sheraton’ period mahogany sewing table, inlaid with stringing, the hinged top with satinwood banding and canted corners, with a velvet bag, on square tapering legs united by an ‘X’ stretcher, 73cm high, 45.3cm wide, 33.7cm deep. £150-200

265

265. A Regency plum pudding mahogany patience table, the twin hinged top revealing a baize lined surface, with a frieze drawer and on brass castors, 79.8cm high, 48cm wide, 42.2cm deep. £150-250 266. A Regency mahogany open armchair, with a scroll top rail and a tablet back above a drop-in seat, with reeded scroll arms and sabre front legs. £200-300

267. A William IV rosewood Davenport, the sliding top with a gilt tooled leather lined hinged slope, the interior with two drawers, the right side with a pen and ink drawer with a leather lined slide and four further drawers, on castors, 87.5cm high, 53.4cm wide, 52.4cm deep. £500-800 Provenance: Ballington Manor, Wylye, Wiltshire.

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269 268

268. A 19th century mahogany and brass bound navette shape peat bucket, with a later brass liner and a swing handle, 36cm high, 37.4cm wide. £400-600 269. A late 19th century Dutch copper and brass chestnut carrier, with serpent handles and lion’s paw feet, 60cm wide. £200-300 270. An oak and brass bound bucket, with a brass swing handle, together with a 16th century style brass cauldron on tripod feet, 27.8cm high (max). (2) £80-120 271. A 19th century brown leather fire bucket, with a copper rim and rivets, the body emblazoned with a transfer printed Royal Coat of Arms, the handle is present but broken, 25cm high. £80-120 Provenance: Property from a deceased estate.

270

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272. A brass bound bucket, with a lift-out metal liner, 33cm high. £80-120

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273. A late 19th century French cast iron and ‘Rouen’ enamelled planter by E. Paris & Cie., decorated in blue and white with floral arabesques, of cylindrical form with a flared rim, with lion’s mask handles and on four paw feet, signed to the rim ‘E. PARIS & CIE 47, Rue De Paradis Poissonniere (Paris)’, 61.6cm high, 60cm wide. £1,500-2,500 The firm of Charles-Emile Paris was founded in c.1827 and specialised in the manufacture of glass, mosaic and enamel products. They became well known for making stylish enamelled cast iron urns / cache pots imitating the blue and white Rouen faïence ware. For a recently sold similar example see Christie's, Noble & Private Collections Part II, London, South Kensington, 26th April 2017, lot 331.

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274

274. A cased model of a pike by Anderson’s of Edinburgh, in a naturalistic setting and a glazed ebonised bowfront case, with a loose ivory plaque inscribed ‘ANDERSON’S PRINCES ST. EDINBURGH’, 102.8cm wide. £200-300 275. A white painted three-tier garden planter stand, of circular form, 131cm high, together with a Victorian white painted wirework two-tier planter stand, 84cm high.

(2) £200-300 Provenance: Ballington Manor, Wylye, Wiltshire.

276. A Victorian cast iron boot scraper, 31cm high, 65cm wide, 51cm deep. £150-250 277. A collection of thirteen mountain goat horn and part skull mounts, some inscribed in pencil with dates, on walnut and oak shields, early 20th century, 21.8cm high. (13) £200-300 Provenance: The Marquess of Tweeddale, Yester House, Gifford, East Lothian.

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278. Hunting interest. A brass fox’s head doorstop, the handle in the form of a riding crop, the weighted base stamped ‘PEERAGE ENGLAND 19478’, late 19th century / early 20th century, 45.6cm high. £100-150

279. A Victorian brass doorstop, in the form of a woodman with his dog, 38cm high, together with a brass footman. (2) £80-120

280. A Victorian brass lion’s paw doorstop, with a leaf stem and a leaded base, 37.8cm high. £100-150

281. Hunting interest. A Victorian painted cast iron fox head doorstop, 14.7cm high. £100-150 282. Hunting interest. A Victorian painted cast iron fox head doorstop, 14.4cm high. £100-150 283. A matched pair of 19th century brass Cupid doorstops, each with a ring handle above Cupid holding a bow, on a lappet base and a cast iron plinth, 45cm high. (2) £250-350

281

282 283

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284 285

284. A red painted coopered barrel stickstand, emblazoned with a transfer printed Royal Coat of Arms, together with an oak example with a rope handle, 63.7cm high (max). (2) £100-200 285. A 19th century whale bone sailor’s walking cane, the turned handle inset with abalone, the stem carved with diamond and spiral twist decoration, 95.7cm long. £400-600

286

286. A 19th century whale bone and ivory sailor’s walking cane, the possibly associated handle carved with ribbon tied flowers and leaves, 95.5cm long. £200-300 287. A Victorian penwork walking cane, the ebonised handle engraved with the date ‘1881’, the shaft decorated with figures in various pursuits: dancing and on horseback and with insects and leaves, 84.7cm long. £200-300 288. An Edwardian palmwood and silver mounted walking cane, with a horn handle, the silver tips and ferrule engraved with floral decoration and with an inscription ‘Mr G Tait from Coldstream Post Office Staff 1909’, the silver hallmarked for London 1907, 91.3cm long. £150-200

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289. A stained pine and metal shipbuilder’s model boat hull, on ebonised and mahogany supports, 38.4cm high, 99.1cm wide. £150-250

289

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290. Fred Rose. A rare late Victorian ‘Serio-Comic War Map For the Year 1877’, lithograph with hand colouring, in scroll form, published by £300-500 ‘G.W.Bacon & Co. 127, Strand, London’, 43 x 56.8cm.

This rare anthropomorphic map was designed by Fred Rose and is a satirical commentary on the ‘Eastern Question’ and the geo-political situation of 1877. It depicts a fanciful map of Europe with each country represented by an appropriate figure. The main protagonist is Russia in the form of a giant octopus with its tentacles outstretched symbolising threat and advances to the Ottoman Empire. The Turkish figure aims a pistol at the octopus however one can see a skull inscribed ‘Bulgaria’ on the shoulder of the Turkish figure which symbolises the bloody war crimes the Bulgarians suffered at the hand of the Turks. Britain in the form of Gladstone is a keen but distant observer, Germany is a neutral observer, whilst Austria holds back its new ally Hungary from joining the conflict.

Provenance: The Forde family, Wimbledon, London and by descent.

291. Willem and Joan Blaeu (Netherlands 1571-1638 and 1596-1673). A 17th century hand-coloured engraved map, inscribed ‘ARAGONIA ET NAVARRA’, 49.8 x 38.1cm, in a later glazed frame. £100-200

292. Joan Blaeu (Netherlands 1596 1673). A 17th century hand-coloured engraved map of the Balearic Islands, inscribed ‘INSULAE BALEARIDES et PYTIUSAE’, 50 x 38.2cm, in a later glazed frame. £100-200

293. Willem Blaeu (Netherlands 15711638). A 17th century hand-coloured engraved map of Valencia, inscribed ‘Valentia Regnum; Contestani, Ptol.

Edentani, Plin.’, signed in the left bottom corner as ‘AMSTERDAMI Apud Guiljelmum Blaeuw’, 50 x 42cm, in a later glazed frame. £100-200

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295

296

294. Willem Blaeu (Netherlands 1571-1638). A 17th century hand-coloured engraved map of Navarra, inscribed ‘Navarra Regnum’, 50 x 42cm, in a later glazed frame. £100-200

295. Willem and Joan Blaeu (Netherlands 1571-1638 and 1596-1673). A 17th century hand-coloured engraved map, inscribed ‘ARRAGONIA REGNUM ‘, by Joanne Baptista Labanna, 52.3 x 41.9cm, in a later glazed frame. £100-200

296. Christopher Saxton (England c. 1540- c. 1610). ‘CESTRIAE’, a 17th century hand coloured engraved map of Cheshire by William Hole, inscribed ‘Comitatus (Romanis Legionibus et Colonijs olim insignis) vera et, absoluta descriptio’, 32 x 26cm, in a later mounted, glazed Hogarth-type frame, together with another map of Cheshire inscribed ‘CESTRIA COMITATUS PALATINUS’. (2) £150-250

297. Joan Blaeu (Netherlands 1596 - 1673). A 17th century hand-coloured engraved map, of the French county Charolais, inscribed ‘Les environs de L’ESTANG DE LONGPENDU, Comprenant une grande partie du COMTE de CHAROLOIS. Par Ican van Damme Sr. d’Amandale’, in a later glazed double-sided frame, with a Latin text on the reverse, 50.5 x 38.6cm, together with ‘VALESIUM Ducalus. VALOIS’, also by Joan Blaeu. £100-200

298. Four George III hand coloured stipple engravings, including: ‘An Irish Volunteer’, ‘Florizel & Perdita’ and ‘Ophelia’, titles and publisher’s details cut and pasted to verso, each in a verre églomisé and moulded giltwood frame, 46.5 x 46.2cm. (4) £200-300 Provenance: From a deceased estate in Richmond, London.

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299. After the antique. A pair of 19th century French bronze busts of Bacchus and Ariadne, each on a gilt socle and a black marble base, 21.2cm high. (2) £600-1,000 300. A bronze still life of a dead woodcock, originally mounted, 18th / 19th century, 36.5cm long. £300-500 301. After Germain Pilon (French 1525-1590). A late 19th century bronze figural group of the Three Graces, 53cm high. £800-1,200 The original marble sculpture was conceived as a funerary monument to King Henry II of France and the heart of the king was placed in the bronze urn held by the Three Graces.

302. After Claude Michel, called Clodion (French 1738-1814). A 19th century gilt and patinated bronze group of frolicking cherubs and a goat, signed ‘Clodion’, on a verde antico marble base, 20.1cm high, 22.4cm wide. £300-400 300

301

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303

303. Vincenzo Luccardi (Italian 1811-1876). A 19th century carved white marble figure of the ‘Penitent’ Magdalene, the base signed ‘V. LUCCARDI’, 97cm high, 51cm wide, 66cm deep. £800-1,200

304. Robert Physick (1815/16-1882). A 19th century carved marble bust of General Sir Lewis Grant, signed and dated ‘Robt PHYSICK Sculpt 1853’, on a turned socle and plinth base, 59.5cm high (including plinth). £300-400 General Sir Lewis Grant (d. 1852) was a British Army officer and a colonial administrator in the Caribbean.

305. Charles Adrien Prosper d’Epinay (Mauritian 1836-1914). A late 19th century carved white marble bust of a maiden, signed and dated ‘P. d’Epinay 1876’, on a turned socle, 40.3cm high. £500-800

305

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306. A late 18th century Italian carved alabaster Janus head, carved with double faced busts of a bearded man and a woman, on a turned socle, 18cm high. £300-400 307. An Italian carved alabaster bust of a lady, wearing a headdress, on a rectangular plinth, possibly late 18th / early 19th century, 21cm high. £100-200 308. An Italian alabaster bust of a girl, wearing a bonnet, with painted highlights, late 19th / early 20th century, 37.7cm high, 35.5cm wide. £200-300 Provenance: Cypress House, Chilton Cantelo, Somerset.

309. Giuseppe Gambogi (Italian 1862-1938). An early 20th century carved alabaster group of a boy and a girl, holding a basket and playing with a cat, the naturalistic base signed ‘G. Gambogi’, 28.7cm high. £400-600

307

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310. P. Bazzanti (Italian 1825-1895). A late 19th century carved white marble figure of a young boy tearing up his alphabet book, on a naturalistic base, signed ‘P. Bazzanti e F, Firenze’, 85.2cm high, on a green serpentine fluted pedestal, 109cm high. (2) £600-800

311. Italian School (late 19th century). A Florentine carved white marble bust of a young Renaissance gypsy woman, with loop earrings and necklace, with a tambourine and a small saucer, on a turned socle base, 67cm high, on a green serpentine spiral fluted pedestal, 109.2cm high. (2) £500-700 Provenance: Moreton House, South Grove, Highgate, London.

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312. A 19th century French gilt and patinated bronze model of a classical maiden, drinking water from a shell next to a fountain, the base stamped ‘F B’ possibly for Ferdinand Barbedienne, previously mounted, 36.4cm high. £200-300

312 313. Alexander Zeitlin (Russian 1872-1946). A bronze model of a lady in an evening gown, holding a pair of lorgnettes, the base signed and dated ‘A Zeitlin 1906’, 42.3cm high. £300-400

313 314. A late 19th century bronze model of Victory, standing on an orb and holding a laurel wreath, on a serpentine socle, 31.7cm high. £100-150

314 315. A French bronze figural lamp base, modelled with a scantily clad young maiden seated beside a tree, on a fluted black marble £200-300 base, 36cm high (excluding fitting).

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316. A group of four German bronze portrait busts, including: Kaiser Wilhelm I after Keil, signed and Field Marshal Von Moltke after W. Uhlmann, signed, each on a serpentine plinth base, early 20th century, 18.3cm high (max). (4) £100-150 Provenance: Property from a deceased estate.

316

317. Claudius Marioton (French 1844-1919). A bronze figure of a gypsy girl holding a tambourine, the naturalistic base signed ‘MARIOTON’, ‘2813’, 44cm high. £300-400

317

318. A patinated terracotta group of Cupid and Psyche as cherubs, signed ‘Fernandez’, on an associated giltwood base, 49.2cm high, 47.5cm wide. £300-500

318

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320 319

319. Victor Joseph Ghislain Demanet (1895-1964). Le Carrier or Le Marteleur, a patinated bronze model of a worker, bare chested, about to raise a hammer, signed in the cast ‘Demanet’, 67cm high. £300-400 320. An Italian bronze model of a Neapolitan fisher-boy, crouching on a rock peering into a lobster pot, signed indistinctly ‘A. Soese’? and with a Chiurazzi foundry pastille, on a verde antico marble plinth, late 19th / early 20th century, 42.2cm high. £500-800 321. A pair of late 19th century French Egyptian Revival bronze and red marble paperweights, each modelled with a recumbent sphinx, 14.9cm wide. (2) £150-250 322. A set of five plaster relief plaques, depicting Bacchanalian scenes, 10.7 x 15cm, each mounted in a plush and giltwood frame.

(5) £300-500

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Provenance: From a deceased estate in Richmond, London.

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323 323. Two French gilt bronze models of recumbent dogs, one of a poodle the other of a spaniel, with beaded borders and on a marble oval plinth, late 18th / early 19th century, 10cm wide. (2) £300-400 324. An Austrian cold painted bronze bird inkwell by Bergman, modelled as a thrush, its neck hinged to reveal a ceramic liner, standing on a naturalistic base, stamped ‘BERGMAN’, ‘GESCHUTZT’ twice and ‘A59 459’, late 19th / early 20th century, 13cm high, 17.1cm long. £300-500 324

325. An Austrian cold painted bronze bird and nest inkwell in the manner of Bergman, the bird’s neck hinged, stamped ‘GESCHUTZT’ and ‘29’, late 19th / early 20th century, 9.4cm high, 16.8cm wide. £200-300

325

326. A cold painted bronze group of horse and a dog, on a naturalistic base, stamped with a ‘B in a vase’ twice and ‘GESCHUTZT 3605’, 18.1cm high, £100-150 22.8cm long.

327. An Austrian cold painted bronze model of a snipe, mounted on a blue john ashtray base, late 19th / early 20th century, 12cm wide. £150-250

326

328. An Austrian cold painted model of a fox in the manner of Bergman, the underside of the tail stamped ‘GESCHUTZT’, late 19th / early 20th century, 18cm long. £150-250

328

327

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329. A pair of 19th century Italian Grand Tour wall shelves, each with an alabastro fiorito top with a moulded edge, above a rosso antico and carrara marble support, 29cm high, 50cm wide. (2) £500-700 330. A Carrara marble pedestal, in three sections, with a square top and turned stem, 86.2cm high, 25.5cm square. £100-150 Provenance: Property from a deceased estate in Richmond, London.

331. Two similar mottled grey marble Grand Tour models £100-150 of obelisks, 32.3cm high. (2) 332. A pair of carved and painted wood Neo-Classical style rondels, decorated with a lion’s head mask, scrolling leaves and war trophies, 77.7cm diameter. (2) £400-600

331 330

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333. A 19th century bronze Grand Tour model of a Roman charioteer, with two horses, mounted on a Siena marble base, 33cm wide. £300-400 334. A 19th century French bronze Grand Tour model of an eagle, on a Siena marble plinth applied with a ribbon tied laurel wreath and on a green marble base, 35cm high. £300-400 335. A pair of 19th century French bronze Grand Tour tazzas, each modelled with a shallow bowl and with swan lifts, on stiff leaf decorated stem and a Siena marble square plinth, 21.9cm wide. (2) £200-300

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336

336. A mid 19th century French bronze Grand Tour model of the Arc de Triomphe Paris, 18cm high. £200-300 Provenance: Purchased from Craig Carrington, Gloucestershire, 15th November 2000.

A deceased estate.

337. A mid 19th century French bronze Grand Tour model of the Vendôme column, on a Siena marble plinth, 27.5cm high. £100-150

337

338. A pair of 19th century French bronze Grand Tour Medici type urns, relief decorated with cherubs, 11.3cm high. (2) £100-200 339. A late 19th century French bronze candlestick, naturalistically cast with grapevine, with a triform base and scroll feet, 23.2cm high. £80-120

339

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340. After the antique. A 19th century gilt bronze model of the Warwick vase, with a lift-out liner, 28.7cm high, 36.7cm wide. £400-600

340

341

341. After the antique. An Italian carved alabaster and marble model of the Warwick vase, late 19th / early 20th century, 17cm high, 19.5cm wide. £300-500

342. After the antique. A late 19th century French bronze model of the Albani vase by Barbedienne, the base signed £100-150 ‘F.BARBEDIENNE’, on a serpentine plinth, 24.2cm high.

The original marble vase was discovered at the Villa Albani, Rome and in the Barbedienne catalogue of 1886 was titled as ‘Cratère vase consacré a Bacchus’.

Provenance: Property from a deceased estate.

342

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344

343 343. A matched pair of Italian carved alabaster urn lamps, decorated with classical figures on leaf carved tripod supports, late 19th century, 39cm high (excluding fitting). (2) £600-1,000 344. An Italian carved alabaster and Siena marble Grand Tour urn and four doves, after the Doves of Pliny, with an egg and dart rim and a stepped base, late 19th / early £150-250 20th century, 20.7cm high, 31cm wide.

Provenance: Property from a deceased estate.

345. A pair of late 19th century continental black marble and gilt brass models of classical temples, each housing a female bust, 23.4cm high. (2) £100-150 Provenance: Property from a deceased estate.

346. Three continental specimen agate and hardstone caskets, with gilt metal mounts, each with a star to the centre of the hinged lid and on ball feet, French or German, late 19th century, 10.7cm wide (max). (3) £400-600 345

347. A 19th century Italian alabaster Grand Tour model of the Baptistry at Pisa, on a green marble base together with a bronze model of the Temple of Vesta, 13.5cm high (max). (2) £100-150 Provenance: Property from a deceased estate.

346

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349

348 348. A 19th century Italian specimen marble and micromosaic Grand Tour circular plaque, the centre with a view of St. Peter’s Square, Rome within a malachite border, the verso with a faint inscription ‘....Sistina ‘73...’, 28.4cm diameter. £200-300 Provenance: Purchased from Asprey & Garrard, 167 New Bond Street, London, 21st December 1999 for £2,800.

Property of a deceased estate.

349. A late 19th century champlevé enamel and micromosaic Grand Tour inkstand, with a hinged lid revealing a glass liner, the base inlaid with four topographical views of Rome, comprising: the Pantheon, St. Peter’s Square, the Colosseum and the Forum, 11.6cm high, 19.6cm square. £1,500-2,000 350. A large collection of early 19th century Grand Tour wax seal intaglios and cameos, of classical scenes, portrait busts and other subjects, with gilt card borders, numbered and lettered in pencil, 5cm wide (max). (Approximately 277) £200-300 351. A late 19th century Italian pietra dura and specimen marble table top, the centre decorated with a woman in a rocky landscape carrying an amphora on her head, on an associated brass base, 45.4cm high, 66.5cm diameter. £400-600

350 351

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352. A late 18th century Dutch fan with ivory guards and sticks, carved with a harlequin, figures dancing and a windmill, the fan painted with an astronomer seated at a table in front of an armillary sphere, together with two ladies, one holding a birdcage, with an outer band of monkeys and parrots, 44.7cm wide, later mounted in a glazed gilt case. £100-150

353. A late 18th century painted bone fan, decorated with Mercury holding his caduceus and a purse, with two ladies, with trees and mountains in the distance, with applied gilt figures, shells, flowers and insects, 37cm wide, later mounted in a glazed gilt display case. £100-150 Provenance: Property from a deceased estate.

Provenance: Property from a deceased estate.

354. A pair of 19th century ebonised face screens, decorated with penwork drawings after Rubens and Anibale Carracci, with turned handles, together with three oriental paper and pine hand fans, 38cm long (max). (5) £80-120

356. An 18th century Italian painted fan, with carved ivory and mother of pearl sticks and guards, with polychrome highlights, the fan painted with a lady dancing with musicians, with landscape vignettes, scrolls leaves and flowers, the verso with a building, 27.2 x 46.5cm, in a card case. (2) £100-150

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355. A mixed lot of fans and crucifixes, comprising: three mother of pearl corpus Christi souvenirs, one inscribed ‘Sir DE JERUSALEM’, two cross pendants, one in tortoiseshell with gold piqué work decoration, the other carved bone, a bone rosary with Stanhope and three fans, including a 19th century Chinese carved ivory and painted example (damages), 35cm (max). (9) £100-150

357. A French painted silk fan in 18th century style, with mother of pearl sticks and guards, signed ‘H. Lefretum’, in a silk lined box with retailer’s name ‘NATHALIE 187a SLOANE ST. LONDON’, together with a silk and ebonised wood mourning fan, 35.5 x 63.5cm (max). (3) £100-200

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358. An Italian painted chicken skin Grand Tour fan, with probably horn sticks and guards, the guard with an enamel clock dial, the fan painted in gouache with a central scene of the Roman Forum, flanked by eagles and ribbon tied swags and urns, late 18th / early 19th century, 31.5cm wide, later mounted in a glazed display case. £200-300 Provenance: Property from a deceased estate.

359

360 359. A Rococo style painted bone fan, decorated with three figures in a wooded landscape, 31cm wide, later mounted in a glazed gilt case. £100-150 Provenance: Property from a deceased estate.

360. A Chinese Canton ivory brisé fan, carved with figures, buildings and a vacant plaque, with an upper border of animals from the Chinese zodiac, late 18th / early 19th century, 19.3 x 35cm. £200-300 361. Ballooning interest. A 19th century French fan, with gilt decorated amber coloured guards and sticks, the fan of black silk and muslin with applied gilt sequens, with panels of flowers and urns, with a central painted cartouche depicting the Montgolfier flight at Versaille, 19th September 1783, 49cm wide, later mounted in a glazed gilt £200-300 display case.

361

Provenance: Property from a deceased estate.

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362. A Victorian mahogany breakfront bookcase, with a detachable moulded cornice, above four arched glazed doors enclosing adjustable shelves, the base with panelled doors enclosing shelves, flanked by applied carved corbels, 227.7cm high, 245cm wide. 49.5cm deep. £800-1,200

363. A Victorian mahogany tripod table, the circular tilt-top with a moulded edge, on a turned and leaf carved stem, 75.9cm high, 59.5cm diameter. £100-150

364. A pair of gilt wall mirrors, each with a shaped plate within a beaded and palmette decorated frame, 107.4 x 69.5cm. (2) £100-200 Provenance: Cypress House, Chilton Cantelo, Somerset.

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365. An Edwardian mahogany revolving bookcase, the top with satinwood banding and inlaid with a marquetry fan patera, on ceramic castors, 84.3cm high, 47.6cm wide, 47.4cm deep. £100-150

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366. An Edwardian satinwood breakfront bookcase in Sheraton style, with rosewood banding and ebonised edging, with a pair of astragal glazed doors flanked by further glazed doors, enclosing a white painted interior with adjustable shelves, the base with a pair of lozenge inlaid panel doors, enclosing adjustable shelves flanked by four drawers to either side, 206.4cm high, 154cm wide, 58.5cm deep. £1,000-1,500

367. A Victorian tripod games table, the octagonal tilt-top inlaid with a rosewood and bird’s eye maple chequerboard, with parquetry lozenges and outer ebonised and fruitwood rope and lappet border, the block with thirteen divisions for games pieces, 75.2cm high, 64.3cm wide. £100-150

368. An Adam style giltwood wall mirror, with an oval plate within a fluted frame and with an urn surmount, 92 x 47cm. £100-150 Provenance: Property from a deceased estate in Richmond, London.

369. An Edwardian oak revolving bookcase, the hinged top with a ratchet and with a rest, with a metal trade label inscribed ‘MATTHEWS & Co., ART FURNISHERS, Gloucester’ on brass castors, 114.7cm high, 60.2cm square. £200-300

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370

371

370. A Victorian mahogany twin pedestal desk, the top with a moulded edge and inset with a later gilt tooled maroon leather, with an arrangment of nine drawers, the central frieze drawer stamped ‘JAMES WINTER & SONS, 101 WARDOUR ST., SOHO, LONDON’, on castors, 75.3cm high, 121.2cm wide, 76.7cm deep. £300-500 Provenance: Property from a deceased estate in Richmond, London.

371. A late Victorian rosewood adjustable piano stool, with a Marsden’s Leeds patent iron mechanism, with a silk damask seat, 47.8cm high, 51cm wide, 34.4cm deep. £100-150 372. A late Victorian mahogany cabinet on chest, inlaid with stringing and satinwood banding, with a lancet astragal glazed door enclosing two shelves, above four drawers, 177cm high, 62.2cm wide, 43.5cm deep. £200-300 373. A set of five mahogany dining chairs in George III style, each with an upholstered padded back and seat, on chamfered legs united by stretchers. (5) £300-400

372

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374 detail

374. A Regency style mahogany twin pedestal dining table by Restall, Brown & Clennell, with a satinwood banded top, painted with ribbon tied leaves and flowers, with an additional leaf, on turned stems and reeded splay legs, brass caps and castors, the underside with brass plaques inscribed ‘RBC 881’, 20th century, 74.3cm high, 242.3cm long, 116.1cm deep. £500-700 Provenance: Property from a deceased estate in Richmond, London.

375. A pair of walnut bedside chest of drawers, each with four graduated ash line drawers, with panelled fronts, 79.4cm high, 39cm wide, 50.7cm deep. (2) £200-400 376. A stained beechwood fluted pedestal, together with two mahogany candlestands, one with an octagonal top, 106.7cm high (max) (3). £100-200 Provenance: Moreton Highgate, London.

375

House,

South

Grove,

377. A set of eight mahogany dining chairs in Regency style, each with a lattice splat back, above a stuffed-over seat, on ring turned legs, comprising: a pair of open armchairs and six side chairs, 20th century. (8) £200-300 Provenance: From a deceased estate in Richmond, London.

376

377

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378. A mahogany display cabinet by Maple & Co. Ltd., inlaid with stringing, with a pair of astragal glazed doors enclosing three adjustable shelves, the bowfront base fitted with three drawers, the central one stamped ‘MAPLE & CO LTD’, early 20th century, 199cm high, 109.7cm wide, 56cm deep. £300-500

379. A pair of Victorian gilt composition wall mirrors, each with a rectangular plate, within a Rococo decorated frame and with a shell £100-150 surmount, 79 x 50.5cm.

379 part

380. A late Victorian walnut luggage rack, the slatted top above stretchered supports, the underside with stencilled numbers, 46.1cm high, 66.5cm wide, 40.5cm deep. £100-150

380 381. An oval giltwood wall mirror in George III style, the bevelled plate within a beaded and reeded frame, late 19th century, 84.2 x 53.5cm. £100-150

378

382. A late Victorian walnut Chesterfield sofa, upholstered with Bargello style fabric, on ring turned front legs and on ceramic castors, 74.6cm high, 208.5cm wide, 83cm deep. £400-600

381

120

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383. A Victorian satin birch card table, with brass mounts and parcel gilt engraved decoration, the hinged swivel and fold-over top revealing a blue baize playing surface, with a gilt tooled leather border, the fluted frieze decorated with blue and white jasper ware plaques, on four column supports and brass £500-800 castors, 71.1cm high, 95cm wide, 47cm deep.

383

384 384. A Victorian oak double sided pedestal open bookcase, one end with a decorative panel, with applied carvings of scrolling leaves, flowers and a quiver of arrows, with four adjustable shelves, some numbered, 100.5cm high, 55.5cm wide, 55.5cm deep. £300-500

385

385. A pair of Sheraton style satinwood open armchairs, each with a moulded back with four fluted vertical splats, with leaf capitals, above a stuffed-over seat on turned front legs, late 19th century. (2) £400-600 Provenance: Property from a deceased estate in Richmond, London.

386

386. A set of four Chippendale style mahogany dining chairs, each with a pierced and scroll carved Gothic splat back, above a needlework drop-in seat, on moulded front legs £200-300 and ‘H’ stretchers. (4)

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388

387

387. A pair of Victorian papier-mâché letter racks by Jennens & Bettridge, each decorated with an exotic bird, a fountain and flowers before a lake scene, with gilt highlights, the bases stamped, 20.5cm high.

(2) £100-200 388. A Victorian mother of pearl box, with a silk lined interior, on bone bun feet, together with a Victorian mother of pearl and abalone card case, 10.7cm long (max). (2) £80-120 389. A French milliner’s hat stretcher, 30.9cm high, together with a £80-120 copper wig curler oil can. (2) 390. A 19th century pietra dura paperweight, inlaid with a lily, 12.5cm wide, together with four other pietra dura plaques. (5) £100-150 391. A small collection of fossils and stone specimens, including: agate and ammonites, 15cm wide. (A lot) £100-150 389

390

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392

393 392. A Victorian burr walnut and brass mounted writing slope, the hinged lid inset with a plaque inscribed ‘George Turner Jan 11th 1885’, the macassar ebony edged interior with a gilt tooled leather writing surface, pen and inkwell compartments and three secret drawers, with a Bramah lock, the base with a further drawer and with sunken brass carrying handles, 22.8cm high, 50.4cm wide, 27.2cm deep. £100-150 393. A Victorian walnut sarcophagus sewing box, with burr veneers, the hinged lid carved with flowers, acorns and leaves, revealing a lift-out tray with divisions and compartments and with mother of pearl handled utensils, 32.7cm high, 45cm wide, 40.5cm deep. £200-300 394. A Victorian coromandel and brass mounted dressing case, the underside of the lid with a letter pouch, above an arrangement of glass jars and bottles with silver plated lids, with a lift-out tray revealing two small jewellery drawers, with a Bramah lock and sunken brass side carrying handles, 14.8cm high, 28.7cm wide, 21.5cm deep. £200-300 395. A Victorian mahogany Campaign decanter box, the hinged lid inset with a brass plaque and inscribed ‘Major James Duff 23rd Rt Welch Fusiliers’, the interior with four glass decanters, two with silver plated lids, with a Hobb’s patent lock and sunken brass side carrying handles, 26.6cm high, 20.4cm wide, 17.9cm deep. £150-200

394

Colonel James Duff (1831 - 22 December 1878) was a British Army officer and Conservative Party politician from Westwick in Norfolk.

396. A Victorian coromandel cigar cabinet, with brass strapwork mounts and a Bramah lock, the interior fitted with two drawers, 27.9cm high, 32cm wide, 24.5cm deep. £150-200

396 395

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397. An early 20th century German tinplate clockwork ‘Mandarin sedan chair’ toy by Lehmann, with a seated figure in a yellow cloak carried by two coolies in uniforms, with bell trademark patented in 1903, 13.9cm high, 18cm long. £200-300

397 398 398. A Victorian walnut stationery cabinet, with a pair of hinged doors, revealing a fitted interior with a calendar above letter divisions and compartments for pens and ink, 36cm high, 40.3cm wide, 27cm deep. £100-150 399. A Victorian painted Special Constable’s truncheon, with a ribbed handle, the butt impressed ‘FIELD 233 HOLBORN’, with a leather strap and a leather spring loaded case, 42cm long, together with the original letter from the Metropolitan Police District appointing Charles Claremont Atclusiou as a Special Constable on the 18th December 1867. (3) £100-150

399

400 400. A Victorian reverse glass patent pearl picture of Windsor Castle by Lane of Brimingham, inlaid with mother of pearl, in a papier-mâché frame, the verso with a printed paper label inscribed ‘LANE’S PATENT’, 34.4 x 41.1cm. £100-150 Thoms Lane (fl. c. 1821-1855/6) was based at the Royal Papier-Mâché Works, 91 Great Hampton Street, Birmingham and 20 Upper Hockley Street. He is best known for his wares with designs and pictures highlighted with thin flakes of pearl on the underside of the glass which he called ‘patent pearl glass’ although this was first patented by a Joseph Gibson.

401

124

401. Rowing interest. Two early Victorian pewter Jesus College Cambridge mug / trophies, each inscribed ‘Jes. Coll. Boat Club’ with the college coat of arms and motto, ‘Four-oar’d Race’ ‘2nd June 1848’ and ‘26 May 1849’, with the names of the oarsmen and cox, each with a glass base, 16.3cm high. (2) £100-150

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402. A black japanned standard lamp, decorated in gilt with chinoiserie, with a circular base, early 20th century, fitted for electricity and with shade, 156.5cm high (excluding fitting and shade). (2) £100-150 Provenance: Property from a deceased estate.

403. An early 18th century style japanned bureau bookcase, all over decorated with chinoiserie, including figures, flowers, pagodas and boats, all on a yellow ground, the double domed top with a pair of bevelled mirror doors, enclosing two shelves, above a hinged fall, fitted with green painted pigeon holes and drawers, around a central cupboard door with secret pilaster compartments, the base fitted with two short and three long drawers, 205.5cm high, 95cm wide, 52.5cm deep. £800-1,200 404. A Victorian oak Gothic style gong, with beater, 92.7cm high, 54.8cm wide, £200-300 34.3cm deep. (2) 405. A late Victorian lacquer and bamboo Canterbury, decorated with birds and flowers, with three divisions and a base frieze drawer, on ceramic castors, 56cm high, 50.7cm wide, 35cm deep. £100-150 Provenance: Moreton House, South Grove, Highgate, London.

402 406. A William IV papier-mâché tray, of serpentine outline, decorated with gilt with chinoiserie scenes, including figures, pagodas, weeping willows and lanterns, on a later stand, 53.2cm high, 80cm wide, 61.3cm deep. £300-500

403

404

406 405

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407. A Victorian Aesthetic movement ebonised and thuya centre table, with parcel gilt decoration, the octagonal banded top on fluted supports united by an ‘X’ stretcher with an urn finial, the underside stamped ‘5203’, on ceramic castors, 73.1cm high, 105cm wide. £200-300

408

407 408. A George II style mahogany fret-frame mirror, the bevelled plate within a gilt slip, with a gilt ho-ho bird surmount and inlaid with a marquetry conch shell, late 19th century, 91.7 x 51.4cm. £100-150 409. A late Victorian olivewood butler’s tray, with a quarter veneered top and a pair of swing handles, on a faux bamboo folding base, 75.5cm high, 61.7cm £100-150 wide,46.5cm deep.

409

410 410. A late Victorian walnut reading table by Leveson & Sons, with an adjustable slope and a ratcheted bookrest, with an applied ivorine plaque inscribed ‘LEVESON & SONS, 90 NEW OXFORD ST. W. C. & 21, PARK SIDE, KNIGHTSBRIDGE, LONDON & MANCHESTER, LIVERPOOL, LEEDS’, on ceramic castors, 117.8cm £100-150 high (max), 79.5cm wide, 42cm deep.

Leveson & Sons were active between c. 1870-1915 and specialized in mechanical and invalid furniture.

411. An oak reclining desk chair, with a spindle back and a cane swivel seat, on metal castors, late 19th / early 20th century. £80-120 Provenance: Ballington Manor, Wylye, Wiltshire.

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411

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412

412. A pair of Edwardian mahogany library tub chairs, inlaid with boxwood stringing and upholstered with studded green leather, on turned tapering legs and brass castors. (2) £400-600 Provenance: Ballington Manor, Wylye, Wiltshire.

413

413. An early Victorian mahogany console table, the plum pudding top above an egg and dart moulding, with a ribbon and florette edge and carved leaves, scrolls and rocaille, 57.8cm high, 88cm wide, 52.5cm deep. £300-500 414. A large late 19th century walnut wing armchair, with covered buttoned striped watered silk on turned front legs and brass castors. £800-1,200 Provenance: From the collection of Sir Jeremy Lever.

415. A late Victorian painted satinwood bergère armchair in Sheraton Revival style

by H. Samuel, the frame decorated with husks, leaves and flowers and a tablet with a mother and daughter, with a caned back and sides, with a drop-in seat, the underside stamped ‘H. SAMUEL 484 OXFORD ST LONDON’, with two squab cushions. £200-300

415

414

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416. A pair of easy armchairs by Kingcome, on beechwood supports and castors, modern, 80cm high, 99cm wide, 92cm deep. (2) £500-700 Provenance: Ballington Manor, Wylye, Wiltshire.

416

417. A pair of easy armchairs by Kingcome, each with a scroll back and arms, on turned walnut front legs and brass castors, modern, 87cm high, 85.5cm £400-600 wide, 77cm deep. (2) Provenance: Ballington Manor, Wylye, Wiltshire.

417

418. A gilt brass and glass cocktail trolley, with two tiers on spoke castors, 64.4cm high, 50cm square. £100-150 Provenance: Property from a deceased estate in Richmond, London.

418

419. A modern painted coffee table by Thomas Messel, with parcel gilt decoration, the tray-top painted with leaf scrolls and a central laurel leaf, on ‘X’ supports, 45.4cm high, 102.7cm wide, 59.7cm deep. £100-150 Provenance: Property from a deceased estate in Richmond, London.

420. An American marble and scagliola style coffee table, on a gilt metal scroll decorated base, modern, 53.5cm high, 150.6cm wide, 69.9cm deep. £100-150 Provenance: Property from a deceased estate.

419

420

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421

421. A late Victorian two seater sofa by Howard & Sons, with a scroll back and arms, on turned walnut front legs, the back left leg stamped ‘1126 717’, on brass caps and castors, stamped ‘HOWARD & SONS, LONDON’, the stretcher with the remains of a paper label, 69.5cm high, 139cm wide, 71.1cm deep. £300-500

422. An early 20th century easy armchair by Howard & Sons Ltd., covered with ‘H & S’ monogrammed ticking, on brass castors, stamped ‘HOWARD & SONS LTD LONDON’, the underside with a fabric label inscribed ‘HOWARD & SONS LTD., 31 OLD BURLINGTON ST. LONDON W.1.’. £200-300

422

423. A steel rocking chair after a design by R. W. Winfield & Co., with a buttoned brown leather seat and armrests, late 19th / early 20th century. £800-1,200 A very similar rocking chair was exhibited by R. W. Winfield & Co. of Birmingham at the Great Exhibition of 1851.

423

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ORIENTAL FURNITURE, WORKS OF ART & RUGS IVORIES

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424

424.

A 19th century Anglo-Indian rosewood library table, extensively carved with leaves and flowers, with three frieze drawers, on open ‘X’ frame supports and brass castors, 73.5cm high, 121.5cm wide, 57cm deep. £300-500 425. A 19th century Anglo-Indian occasional table, the fixed top with a moulded edge, above a pierced frieze and a leaf carved stem and splay legs, in the Gillows manner, 74.7cm high, 69.2cm wide, 48.6cm deep. £150-200

426

426. A pair of Moorish walnut and bone occasional tables, each with an octagonal top and inlaid with mother of pearl geometric and star designs, with arched bases, late 19th / early 20th century, 45cm high, 32.7cm wide. (2) £200-300 425 427. An Anglo-Indian hardwood and brass inlaid occasional table, with ebony stringing, the octagonal detachable top on a folding base with mihrab arch panels, late 19th / early 20th century, 51.1cm high, 54.6cm deep. £200-300

427

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428 428. A Mamluk revival Damascus copper vase, decorated with silver scrolling foliage and with panels of script, 19th century, 28.2cm high. £150-200 429. A large Persian silvered copper charger, with a scalloped edge, with panels of script, animals and figures, late 19th / early 20th century, 94.4cm diameter. £1,000-1,500

429

430. A Japanese bronze incense burner, in the form of a crane, the body with a lid, the underside with a four character mark, Meiji 1862-1912, together with a bronze beast incense burner, 37cm high (max). (2) £200-300 431. Indian School (19th century). A gouache and ink manuscript, depicting a polo match, with text to verso, 26.8 x 16.3cm, in a glazed double sided giltwood frame, with separate easel back. (2) £100-150

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431 430

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432

432. A pair of Chinese red leather trunks, each decorated with auspicious symbols, bats and shou characters with gilt highlights, with brass side carrying handles, each on a painted wood stand, with cabriole legs and pad feet, late 19th century / early 20th century, 79cm high, 91cm high, 72.3cm deep. (2) £500-700

433. A late 19th century Chinese hardwood jardinière stand, the octagonal top inset with marble, the pierced apron carved with dragon heads and flowers, 63.3cm high, 46cm wide. £100-150

433

434. A Chinese hardwood and metal mounted folding armchair, the ox-bow back above a pierced splat carved with a dragon’s head and a ram, above a woven seat, with a carved front rail and footrest, late 19th / early 20th century. £300-400

435. A Chinese bronze Gu vase in archaistic style, of square section form with lappet decoration, 19th century, 26.7cm high, 20.8cm wide. £80-120 434

435

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436. A pair of late 18th century Chinese reverse glass portrait paintings, of Louis XVI and Marie Antoinette, both titled, in carved gilt frames, 34.3 x 27cm. (2) ÂŁ300-500

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

437. A Chinese export black lacquer sewing table, all over decorated in gilt with panels of figures in various pursuits, with pagodas and tress in a watery landscape, with scaley dragon borders, the hinged lid revealing a fitted interior with a lift-out divided tray with a silk pin cushion and various carved ivory utensils and implements including: reel holders, needle cases, clamps a pair of pots and covers, flanked by a pair of lidded compartments fitted with further sewing utensils, originally with a bag, on turned supports united by a stretcher and on dragon’s head feet, first half 19th century, 63.5cm wide, 42.4cm deep. £600-1,000

438. A pair of ivory egg cups, with petal collars, together with carved ivory sewing utensils comprising: Chinese clamps, a box and a small needle case; an acorn shape tape measure and a barrel reel holder and a turned pin cushion, together with a continental white metal filigree bodkin / needle case, 19th century, 10.2cm long. £100-150

439. A 19th century ivory and bone barleycorn pattern harlequin chess set, natural and stained red, the kings with Maltese type crosses, the king: 11.2cm high, the pawn: 4.5cm high, in a mahogany box. (33) £100-150

440. A Chinese Macao carved ivory ‘bust’ chess set, the natural king and queen modelled on George III and Queen Charlotte, the stained red set as the Chinese Emperor and Empress, the bishops as clergy or mandarins, the knights as horses and the rooks as turrets the natural with the union flag, early 19th century, the king: 10.2cm high, the pawn: 5.4cm high. (32) £300-500

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441

442

441. An Indo-Portuguese carved ivory bust of a saint, possibly Saint Anthony, with traces of polychrome decoration, 17th / 18th century, Goa, 7.2cm high. £200-300 442. A 19th century carved ivory Corpus Christi, mounted on a walnut cross, the figure: 24.5cm high. £200-300 443. An 18th century ivory snuff box, the hinged lid relief carved with the Sacrifice of Isaac, 8.8cm wide. £100-150 444. A Victorian carved ivory oval box, carved with flowers and with a moulded lappet band, the hinged lid (defective) revealing a plush lined interior, 10.3cm wide. £150-250

136

443

445. A Victorian ivory box, the lid inset with a gilt bronze portrait medallion by Waldemar Uhlmann depicting a relief bust of Princess Victoria inscribed ‘UHLMANN AD VIV. SC.’, the verso with the conjoined heraldic emblems of the German eagle and the British Royal Standard, signed ‘G. LOOS D. BERLIN’, together with another ivory box, the cover carved with a bird feedings its young amidst £100-200 flower and leaves, 8cm diameter (max). (2)

444

445

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

446. A German or Flemish carved ivory panel, depicting the Immaculate Conception, with a kneeling and robed Virgin Mary surrounded by angels and a standing figure holding a stem of lilies, pointing to heaven with a dove and sun rays, late 17th / early 18th century, with a later frame, 21.2 x 12.4cm. (2) ÂŁ800-1,200

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447. A turned ivory and ebony chalice, with a white metal bowl with a fret carved slip above a spiral twist stem, 18th century elements and later, 39.1cm high. £400-600

447

448

448. A carved ivory mounted commemorative plaque, with a bust of Cromwell, surmounted by a lion crest with a shield below with the motto ‘PAX QUARITUR BELLO’, with scrolling leaves, on a burgundy velvet ground, the verso inscribed ‘No 2’, 19th century but possibly reconstructed, 27.2 x 20.2cm. £300-500

449. A late 19th century French Dieppe ivory model of a spinning wheel, the hinged treadle turns the wheel, with an adjustable winder, with carved and turned decoration, on scroll feet, 35.7cm high. £400-600

449

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

450. A set of four 19th century French Dieppe carved ivory figures, emblematic of the four seasons, modelled as a cherub, winter: wearing a fur coat and holding coals, spring: holding a basket of flowers, summer: with sheaves of wheat and autumn: with a basket of fruit, each mounted on a turned and ebonised socle, 20.9cm high. (4) £500-800

450

451. A late 19th century French Dieppe carved ivory and bone wall mirror, with a bevelled oval plate within a feathered leaf frame, applied with a sea creature, a coat of arms and the motto ‘SGOTORUM’, on a plush ground, 84.7 x 51.7cm. £400-600

451

452. A 19th century French Dieppe ivory triptych, relief carved with a 17th century court scene, 18.4cm wide, mounted in a plush lined frame. £300-500

452

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453. A 19th century ornamentally turned ivory tower, with a fluted minaret above columns and arches, with an intricate pendant above a font, on a gilt brass and malachite base, possibly German or Russian, 46.1cm high, under a glass dome. (2) ÂŁ400-600

140

454. A large 19th century ornamentally turned and carved ivory thermometer, with a flag finial, 47.6cm high, on an ebonised plinth and under a glass dome. (2) ÂŁ400-600

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

455. A north west Persian carpet, from the Hamadan region, c. 1930, 450 x 275cm.

456. A Turkish rug, of Caucasian chelaberd design, 20th century, 247 x 160cm. £80-120

457. An Isfahan rug, central Persia, early 20th century, 137 x 212cm. £100-150

£200-300

458. A Kurdish rug, 251 x 149.5cm £40-60

Provenance: Property from a deceased estate.

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459. A Veramin chuval, north west Persia, together with a Yomut chuval, an Afghan mat and a Hamadan rug, 192 x 132cm (max). (4) ÂŁ200-300

142

460. An Afghan ensi, Afghanistan, early 20th century, together with an Afghan baluchi rug, 234 x 159cm (max). (2) ÂŁ150-250

END OF SALE

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 4th October 2017 Entries are now being accepted for this sale

A rare pair of George I giltwood side chairs.

Provenance: By family repute Luton Hoo, Bedfordshire.

Estimate: £4,000 - £6,000

ENQUIRIES Mark Richards | Tel: +44 (0)1722 411854 | mr@woolleyandwallis.co.uk

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SILVER & OBJECTS OF VERTU

Tuesday 18th & Wednesday 19th July 2017

A modern silver model of a heron, by Garrard and Co, London 1979, 27.5cm.

Estimate: £600 - 800 ENQUIRIES Rupert Slingsby | Tel: +44 (0) 1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0) 1722 424594 | lc@woolleyandwallis.co.uk

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ANTIQUITIES & TRIBAL ART

Wednesday 20th September 2017

A Roman marble sarcophagus, 2nd - 3rd century, 121cm wide.

Estimate: £10,000 - 15,000

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega (††) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof.

For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate.

5. VAT. (†) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (††) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque 5 weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with a † or ††. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Salisbury Salerooms

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Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture, Works of Art & Clocks

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 5th July 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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Auction Calendar 20TH CENTURY DESIGN 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 5th July 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk SILVER 18th & 19th July 2017 – Silver & Vertu 24th & 25th October – Fine Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 20th July 2017 – Jewellery & Watches 26th October – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk Charlotte Glyde +44 (0) 1722 424586 • cg@woolleyandwallis.co.uk PAINTINGS 12th September 2017 – Old Masters, British & European Paintings Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 18th October 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk ASIAN ART 14th & 15th November 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk

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