Woolley & Wallis

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

A Private Collection of Snuff Boxes & Bonbonnières Tuesday 25th April 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Suzy Becsy

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young

424500

SALEROOM MANAGER David Jordan

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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A PRIVATE COLLECTION OF SNUFF BOXES & BONBONNIÈRES Tuesday 25th April 2017 at 10.00am VIEWING TIMES Friday 21st April Saturday 22nd April Monday 24th April Tuesday 25th April

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Ceramics & Enamels Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

Clare Durham 01722 424507 cd@woolleyandwallis.co.uk

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 24th April.

ILLUSTRATIONS

LIVE BIDDING

Front cover: Lots 209, 200 & 157 Back cover: Lot 203 www.the-saleroom.com Catalogue £12.00 (£15.00 by post)

Please register by 5pm on Monday 24th April.

Silver weights are in Troy ounces

Please note there is a 3% +VAT surcharge for using this service.

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TUESDAY 25TH APRIL 2017 AT 10.00AM

1. A Victorian silver snuff box,

by Frederick Marson, Birmingham 1852, rectangular form, engine-turned sides, the cover with engraved decoration, length 6.8cm, approx. weight 2.2oz. £60-80

2. A George III silver snuff box,

by Samuel Pemberton, Birmingham 1801, rectangular form, fluted decoration, plain thumb-piece, gilded interior, length 5.8cm, approx. weight 1.2oz. £100-150

3. A silver snuff box,

by George Unite, Birmingham 1924, rectangular form, engine-turned decoration, plain thumb-piece, gilded interior, initialled, length 5.3cm, approx. weight 1.2oz. £60-80

4. A George III silver snuff box,

by Thomas Harper, London 1802, shaped rectangular form, reeded decoration, plain thumb-piece, gilded interior, length 7.1cm, approx. weight 1.9oz. £100-150

5. A 19th century silver snuff box, unmarked, book form, hinged cover, engraved foliate decoration, length 3.5cm, approx. weight 0.4oz. £80-120

6. A George III silver snuff box,

by Daniel Hockley, London 1813, rectangular form, engine-turned cover and base, the sides with a foliate border, length 7cm, approx. weight 2.3oz. £150-200

7. A 19th century French silver snuff box, circa 1870, rectangular form, the cover with engineturned and foliate decoration, length 4.6cm, approx. weight 0.5oz. £60-80

8. A Victorian presentation silver snuff box,

by Francis Clark, Birmingham 1839, rectangular form, engraved tartan decoration, the hinged cover applied with an inscribed shield cartouche, inscribed ‘Presented to Dr. John Gillow, by a party of visitors from Bishop Auckland to Ushaw College, as a small memento of his Urbanity and Kindness, Nov.1862’, gilded interior, length 6.8cm, approx. weight 2.5oz. £150-250

9. A Victorian silver snuff box,

by Frederick Marson, Birmingham 1857, rounded rectangular form, engraved foliate scroll decoration, the cover initialled, length 7.4cm, approx. weight 1.5oz. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

10. A 19th century Russian silver and niello work snuff box, assay master I. Avdeyev, Moscow circa 1850, rectangular form, the hinged cover and base with town scenes, the interior initialled, and with traces of gilding, length 6.4cm, approx. weight 1.7oz. £100-150

11. A 19th century Russian silver ‘trompe L’oeuil’ snuff box,

by Karl Veyrlen, Moscow circa 1880, rectangular form, modelled as a suitcase, with belted straps and engine-turned decoration, the cover with an oval cartouche engraved with a pointer dog facing left, the base engraved with a crest, length 10cm, approx. weight 4.8oz. £600-800

12. A 19th century Russian silver snuff box, assay master P. Dmitriyev, St. Petersburg 1850, rectangular form, engraved foliate scroll sides and base, the hinged cover with a female figure and two hounds, length 5.8cm, approx. weight 2.3oz. £200-250

13. A 19th century Russian silver and niello work snuff box,

by Andrey Kovalskiy, Moscow 1842, maker’s mark n.c, oval form, foliate scroll decoration, gilded interior, length 7.5cm, approx. weight 3.3oz. £400-600

14. A 19th century Continental silver and niello work snuff box, rectangular form, with foliate scroll decoration, plain thumb-piece, gilded interior, length 7.7cm, approx. weight 2.5oz. £100-150

15. A 19th century Russian silver snuff box, assay master Viktor Savinkov, Moscow 1862, rectangular form, niello chequer board decoration, the hinged cover with a vacant cartouche, gilded interior, length 8cm, approx. weight 2.7oz. £300-500

Provenance: from the Collection of Sir John Gielgud.

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16. A Victorian silver-mounted hoof table snuff box,

by Charles Rawlings and William Summers, London 1842, the mounts with textured fur, the hinged cover mounted with a reclining fox, on a horse-shoe base, length 14cm. £700-900

17. A small collection of four 19th century snuff boxes, comprising: a tortoiseshell one, of rectangular form, gold mounts, modelled as a suitcase, the cover and sides with inlaid carrying handles, length 9cm, plus a bone snuff box, the cover with a ship and whale, plus two horn snuff boxes, the covers with inlaid tortoiseshell. (4) £300-400

18. A collection of fourteen 19th century lacquered snuff boxes, various forms, comprising: an erotic one, the cover with lady riding her horse, one with a monkey goading a chained dog, plus others with various scenes and one wooden one. (14) £500-800

19. A collection of snuff boxes, various materials, comprising: a horn box of oval form, the cover set with a coloured glass cabochon, a base metal one, the cover with a dog’s head set with glass eyes, a pewter one, ivory examples, wooden boxes, a horn one, one inlaid Killarney Lakes, and other examples. (qty) £300-400

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

20. A 19th century lacquered snuff box, unmarked, rectangular form, the hinged cover with a print of a dog tethered to his kennel being taunted by a monkey holding his tail, and ‘Don’t you wish you may get it’, length 8.8cm. £80-120

21. A late 18th/early 19th century ‘scagliola’ snuff box, circular form, the pull-off cover inlaid with two-coloured gold and silver flowers, stylised border, the base with a foliate motif, tortoiseshell lined, diameter 5cm. £300-500

22. A late 18th century Vernis Martin style lacquered box, circa 1770, circular form, the pull-off cover inset with a circular panel under glass of figures on a rock overlooking ships by a port, linear decoration, pierced silver borders, tortoiseshell lined, diameter 7.8cm. £500-700

23. A 19th century burr birch portrait snuff box, circular form, the pull-off cover with a miniature under glass of a seated lady in a red dress with a lace border, tortoiseshell lined, diameter 8.5cm. £100-150

24. A late-Victorian silver ‘squeeze-action’ tobacco box,

by Saunders and Shepherd, Birmingham 1898, plain circular form, plus a snuff box, London 1931, and a 19th century silver-mounted horn snuff box, approx. weighable 3.4oz. (3) £150-250

25. A late 18th century Neapolitan silver-gilt snuff box, with a town mark only, circular form, engraved decoration, with an urn of flowers on a wriggle-work ground, in a fitted green tooled leather case, diameter 6cm, approx. weight 2.7oz. £500-700

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26. An English enamel bonbonnière, c.1770, modelled as a bullfinch with bright naturalistic plumage, the hinged lid with a bird perched on a low branch, 7.3cm across. £250-350

27. A Birmingham or South Staffordshire enamel bonbonnière, c.1770, modelled as a pug dog curled up on a grassy mound, his tongue protruding, wearing a yellow collar with red studs, the hinged cover painted with a spray of flowers including rose and convolvulus, 5cm. £500-800

28. A Bilston enamel bonbonnière, c.1770, modelled as a black and white spaniel curled up on a pink cushion, the metal-mounted and hinged lid painted with a blue flower spray, 4cm. £400-600

29. A London or Birmingham enamel bonbonnière, c.1765, modelled as the head of a pug dog with the tip of his tongue protruding on one side, the base painted with loose flower sprays in polychrome enamels on a white ground, the interior lid with a single pink rose, 6.5cm. £500-800

30. An English enamel bonbonnière, c.1760, modelled as the head of a pug dog with protruding tongue, the flat circular cover painted to the exterior with a gentleman holding his cocked hat in one hand and raising a glass in the other, the interior lid with a young maiden, 5cm across. £500-800

31. A Birmingham or South Staffordshire bird bonbonnière, c.1760-70, modelled as a goldfinch preening its feathers, its head tucked under its left wing, recumbent on a grassy base, with gilt coloured metal mount, the hinged cover painted with a further bird perched on a leafy branch, 7cm. £400-600

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Cf. Therle and Bernard Hughes, English Painted Enamels, p.141, fig.77 for a similar example in the Ionides Collection.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

32. A rare Birmingham or South Staffordshire bonbonnière, c.1766-70, modelled as the head of a snow leopard, its creamy coat decorated with grey and black spots, the hinged lid printed in black with two putti embracing beside a hollow tree stump, gilt metal mounts, 6cm long. £400-600 The mould for this box is usually decorated as a conventional leopard, but the first illustration of a snow leopard (by Georges Buffon in his Natural History of 1766) presumably provided the inspiration for this lot. The print of two putti is by Simon François Ravenet, after James Gwin.

33. A rare Birmingham or South Staffordshire enamel bonbonnière, c.1760-70, modelled as a horse’s head with a white star on his forehead, his black coat greying to the muzzle, wearing a bit and bridle, the hinged lid painted with an equestrian jumping a five bar gate, 7.5cm long. £1,200-1,500

34. A South Staffordshire enamel bonbonnière, c.1760-70, modelled as the head of a deer, its coat detailed in brown with speckled markings, the flat lid painted with a bold flower spray including rose and convolvulus, 6.5cm long. £400-600 The small moulded ears on this box have been ignored by the decorator, suggesting it may have initially been made to represent another animal.

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35. A Birmingham or South Staffordshire enamel gilt-metal mounted snuff box or bonbonnière, c.1760, modelled as a recumbent lion, resting his chin on his forepaws and wearing a frown beneath his long mane, the base with a partial hinged lid, the larger section decorated with an equestrian hunter chasing a leopard with a spear, the smaller with a leopard standing and facing the viewer, 11cm long. £2,500-3,500 Provenance: The Mort and Moira Lesser Collection.

A similar hunting scene to that on the lid of this box, probably after Antonio Tempesta, is illustrated by Bernard Watney and R J Charleston, ‘Petitions for Patents’, ECC Transactions, Vol 6, Pt 2, pl 70 (a) and (b).

36. A Birmingham or South Staffordshire enamel bonbonnière, c.1760-65, modelled as two dogs fighting over a dead game bird on a grassy mound, the rectangular hinged lid painted with a bird perched on an arrangement of fruit within a raised gilt scroll panel, 7.5cm across. £1,500-2,000

37. A rare Birmingham or South Staffordshire enamel bonbonnière, c.1760-70, modelled as a swan with its head resting over its back, swimming amidst aquatic reeds, the hinged oval cover painted with a further mute swan on a lake, 7.6cm across. £1,200-1,500 Cf. Therle and Bernard Hughes, English Painted Enamels, p 141, fig 77, for a similar example in the Ionides Collection.

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

38. A good Birmingham enamel bonbonnière, c.1770, modelled as the head of a pug dog, its teeth bared and muzzle finely detailed, the hinged lid painted with a standing pug with left forepaw raised, within a puce monochrome scrolling cartouche, the gilt metal mount with a wave design, 5cm. £800-1,200 Label for D M & P Manheim, New York.

39. A South Staffordshire enamel bonbonnière, c.1760, modelled as the head of a lion with teeth bared, his dark brown mane framing his painted features, the base decorated with a spray of English flowers, 4.2cm. £300-500

40. A South Staffordshire enamel bonbonnière, late 18th century, modelled as a leopard, curled up on a grassy base with teeth bared, his coat painted with a variety of spots, the hinged cover decorated with a hunter in a tree, pointing a bow and arrow at a further large leopard facing away from him, 4.5cm. £600-800

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41. An early 19th century pressed horn snuff box,

by Wilson, circular form, the cover with a huntsman with his two pointers in a forest, the base with a plough, a lyre and books amongst laurel and thistles, diameter 8.3cm, plus another 19th century pressed horn snuff box, the cover with two jockeys approaching the finish line, diameter 7.3cm. (2) £200-300

42. A 19th century pressed horn snuff box, signed W. Wilson. J, circular form, the pull-off cover with a cupid and bee and motto, diameter 7.6cm. £100-150

43. Two early 19th century Portuguese pressed horn snuff boxes, circular form, the covers with a memorial with two flaming hearts, trophies and the motto ‘Amor Nos Unio Athea A Morte’, diameters 6.5cm and 5.3cm. (2) £150-250

44. A 19th century red lacquered snuff box, circular form, the pull-off cover with a raised relief of the bust of Louis XIV and Marie Therese, within a classical foliate border, tortoiseshell lined, diameter 8.2cm. £300-400

45. Two 18th century horn snuff boxes, oval form, one with a squirrel to the cover, sitting on a basket of fruit, the other with a portrait of George I, lengths 5.5cm and 5.2cm.

(2) £100-150

46. A 19th century French gold-mounted black Bois Durci snuff box, signed DEFRANCE FECIT, circular form, the pull-of cover pressed with a scene of the new buildings of the Palais Royal in Paris, inlaid with a striped inlaid gold borders, some losses, tortoiseshell lining, diameter 7.8cm. £150-250

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

47. Napoleonic interest, a 19th century pressed horn snuff box, in the form of Napoleon’s hat, the hinged lid with a depiction of Napoleon on his horse, length 8cm. £200-300

48. A Victorian novelty horn snuff box, modelled as a boot, the hinged cover with a base metal cartouche, height 7cm. £80-120

49. A 19th century French red Bois Durci snuff box, circular form, the pull-of cover pressed with a scene of the siege of Gibraltar, reeded sides and base, tortoiseshell lining, diameter 8cm. £150-250

50. An early 18th century German pressed horn snuff box, signed S.L, for Samuel Lambelet, oval form, the cover pressed with men smoking at a table, attended by a maid, with a gentleman to the right answering a call of nature, within a leaf and berry border, length 9.8cm. £150-250

51. An early 18th century pressed horn snuff box, oval form, the cover with a portrait of Queen Anne, length 6cm. £80-120

52. An early 18th century pressed horn box, possibly by Jean Obrisset, oval form, the pull-off cover with a portrait of Charles I, length 10.2cm. £200-300

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53. A 19th century French silver-mounted tortoiseshell snuff box, maker’s mark E.N in a lozenge, shaped rectangular form, the hinged cover with carved lattice decoration with stud work, the base with basket-weave decoration, length 7cm. £200-300

54. A late 18th century French silver-gilt portrait snuff box, maker’s mark G.M, Paris 1775, oval form, with radiating decoration, and engraved with garlands, the hinged cover set with a portrait of a gentleman in an oval cartouche, paste border, length 8.5cm, approx. weight 3.5oz. £700-900

55. A 19th century tole peinte snuff box, shield form, the hinged cover with a harvest trophy and ‘Success to the Farmer’, red ground, with gilt borders, length 8.5cm. £80-120

56. A Victorian tortoiseshell snuff box, shaped rectangular form, the hinged cover inlaid with a hunting scene, length 7.5cm. £200-250

57. A 19th century lacquered scagolia snuff box, rectangular form, the cover, sides and base with varied decoration, length 8.8cm. £150-200

58. A silver-gilt and mother-of-pearl portrait snuff box, probably 18th century, oval form, the mounts with chased foliate decoration, the motherof-pearl cover applied with an oval portrait of a lady in a foliate mount, panelled sides, the inside rim prick dot inscribed and dated ‘1699’ length 8cm. £200-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

59. An early 19th century German lacquer snuff box,

by Stobwasser, numbered 400, and signed ‘Stobwasser Fabrik in Braunschweig’, rectangular form, the hinged cover with an Alpine lake scene, the base painted to simulate hardstone, length 8.9cm. £500-700

60. An early 19th century German lacquer snuff box,

by Stobwasser, numbered 151, rectangular form, the hinged cover with a bedroom scene of a lady tying her lace garter around the head of her lover, the interior painted ‘Est il gentil comme Ca’, the base painted to simulate hard stone, length 9cm. £200-300

61. A 19th century silver-mounted horn snuff box, probably Scottish, circa 1863, rectangular form, inlaid with banded decoration, with two cartouches within a foliate border, engraved ‘Wm Brown’ and ‘Dundee 16th Sept 1863’, length 8.8cm. £200-250

62. An 18th century silver mounted Vernis Martin snuff box, circular form, the pull off cover with three ladies with a gold coloured background, sides and base, the base also painted with a tree, tortoiseshell lined, diameter 7.9cm. £300-400

63. A late 19th century hoof double snuff box, with two hinged covers with vacant rectangular cartouches, the underside with stud work ‘Killarney Lakes’, length 6.8cm. £100-150

64. A 19th century gold and silver pique tortoiseshell box, probably French, circular form, the cover with foliate decoration, initialled, diameter 6.5cm. £200-300

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65. A French silver-gilt and enamel snuff box, with English import marks for London 1913, importer’s mark of Charles Grappe and So, retailed by Callow of Mount Street Mayfair, oval form, the pull-off cover and sides with enamelled lace decoration, length 8.3cm, approx. weight 4.6oz. £150-200

66. A 19th century French silver box, circa 1880, circular form, the hinged cover with a cherub reading in a classical scene with a ewer and bust behind, with traces of gilding, gilded interior, diameter 7cm, approx. weight 2oz. £150-250

67. A German silver and enamel snuff box,

by Berthold Muller, Neresheimer of Hanau, shaped cartouche form, embossed foliate scroll decoration, the hinged cover with an oval enamelled panel of a courting couple with gentleman behind, length 8.7cm, approx. weight 4.5oz. £150-250

68. A German silver snuff box,

by Neresheimer of Hanau, with import marks for London 1924, importer’s mark of Berthold Muller, rectangular form, cushion sides, the cover with a boar hunting scene, the sides with running game, gilded interior, length 8.4cm, approx. weight 3.4oz. £150-200

69. A George III silver-gilt snuff box,

by Alexander Strahan, London 1806, rounded rectangular form, engine-turned decoration, plain thumbpiece, length 8.2cm, approx. weight 2.2oz. £300-400

70. By Asprey and Co, a modern silver box, London 1958, oval cylindrical form, flush-hinged cover, engine-turned decoration, the interior gilded, length 8.2cm, approx. weight 3oz. £100-150

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

71. A Victorian silver double snuff box,

by Aldewinckle and Slater, London 1885, oblong form, the two hinged covers with engraved decoration and with a crest and monogram, the centre with a finger hole, length 10.2cm, approx. weight 3.6oz. £700-900

72. A late 19th century Continental silver mounted Pietre Dura and hardstone snuff box, probably Austro-Hungarian, incuse stamped ‘13’ only, oval form, fluted sides, the cover set with a panel of a classical urn in white and blue on a red ground, hardstone base, length 5cm. £500-700

73. A late Victorian novelty silver Tricorn hat snuff box, with import marks for Sheffield 1897, importer’s mark of Samuel Landeck, embossed with putti and foliate decoration, beaded border, length 5.5oz, approx. weight 1oz. £200-250

74. A late-Victorian novelty Brazil nut silver snuff box,

by John Marshall Spink, London 1895, hinged cover, gilded interior, length 4.8cm, approx. weight 0.6oz. £150-200

75. An Italian silver-gilt and enamel snuff box, circa 1920, shaped rectangular form, the hinged cover with simulated lapis lazuli decoration, with a central enamelled circular portrait of Justice and cherubs, within a yellow and pink stone border, length 8cm. £150-200

76. A continental silver-gilt gem-set snuff box, probably Italian, circa 1920, hexagonal form, the hinged cover set with an agate panel and mounted with an urn of flowers with sapphires and a garnet, paste border, the base engraved with a swallow and foliate decoration, length 8.3cm. £250-300 15

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77. Two South Staffordshire enamel bonbonnières, c.1770, naturalistically modelled as a pear and an apple, the latter with a pale puce patch on a pale golden ground, a small pink apple painted to the inside of the hinged lid, the pear sponged with two russet stripes, 7cm max. (2) £500-800

78. Two South Staffordshire bird bonbonnières, c.1770-80, one perhaps later, modelled as perched finches with plumage picked out in bright enamels, one hinged lid painted with flowers, the other titled ‘A Trifle from Bodmin’, one with an internal mirror, 4.2cm. (2) £250-350

79. An English enamel rectangular snuff box, c.1770, painted with a shepherdess being courted on a hillside, while her flock graze by the water’s edge, reserved within a raised gilt and white enamel scrolling border on a dark pink ground, and a Samson enamel snuff box painted with a figure playing the flute beside Classical statuary and cattle, with a raised enamel border on a blue ground, 9.3cm max. (2) £200-300

80. An English enamel patch box, late 18th century, the cover painted with an equestrian figure in a landscape scene, the sides and base a rich yellow tone, and a French faïence hexagonal snuff box, painted with a courting couple, the sides with flower sprays, marked ‘Lille 1767’ to the base, 6cm max. (2) £100-200

The Samson box with an old paper label for T G & Co. (London) Ltd.

81. A French enamel rectangular snuff box, 19th century, decorated in the pâte-sur-pâte manner with Neptune in his chariot drawn by two hippocampi, reserved on a terracotta ground, the sides and base with a continuous design of tiny gilt stars, gilt metal mounts, 8.4cm across. £150-250

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82. A French enamel rectangular snuff box, 19th century, decorated in the pâte-sur-pâte manner with Anchises and Aphrodite, the scantily clad goddess holding out her hand to her tricked lover, reserved on a dark blue ground with tiny gilt stars, 8.2cm. £250-300

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Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT @ 20%

83. A Dutch silver and enamel oval snuff box, C H maker’s mark, possibly for Cornelius Herberts fl. 1710-59, the cover set with an enamel plaque painted after David Teniers with a tavern scene of three men taking snuff, drinking and smoking a pipe, the sides with a narrow ropetwist border to the top and bottom, 9cm across. £1,000-1,500

84. A large South Staffordshire enamel rectangular snuff box, c.1765, painted in raised enamel with a large spray of English flowers including tulip, rose, and forget-me-nots, the sides painted with similar smaller sprigs, all reserved on a pale primrose yellow ground, with blue scroll edges to the base, gilt metal mounts, 9.2cm across. £200-300

85. An English enamel snuff box, c.1770-80, of rounded rectangular form, the cover painted with a panel of a shepherdess and her flock standing beside a winding river, a seated piper beneath a tree to the background, reserved within a dark blue border with raised gilt and white enamel scrolls, the sides with similarly reserved panels of small figures in rural landscapes, length 6cm. £150-250

86. A Birmingham enamel snuff box, c.1760-70, modelled as a lady’s shoe, brightly painted with polychrome sprays of flowers, the heel and trim enamelled a rich yellow, the sole painted brown, 10cm long. £400-600

87. A French enamel rectangular snuff box, 18th century, the cover painted in puce monochrome with an allegory of Spring, a maiden seated beneath a tree and attended by putti proffering flowers, the interior cover with a young swain courting his beloved with a nest of two chicks, the gilt metal mounts chased with floral panels reserved on a diaper ground, 9.5cm across. £400-600

Cf. Sotheby’s, The Rous Lench Collection, 7 July 1986, lot 829 for a similar example.

88. A silver-mounted enamel snuff box, 18th century, the sides finely painted with landscape scenes of buildings, one with a piper, the hinged lid with flowers and flying insects, the interior cover painted with the portrait of a lady leaning against a plinth, the silver mounts engraved with scrolling leaves, 8.5cm. £400-600

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detail 89. A Victorian silver snuff box,

by Charles Rawlins & William Sumner, London 1839, rounded rectangular form, the cover with central vacant cartouche flanked by scene of a pointer and game birds on an intensely engraved rocaille ground of shells and scrolls, the sides with similar decoration, the base with a tiger slaying an antelope, the gilt interior engraved with a presentation inscription: “To Dr Cyner as a small acknowledgement of his Professional Skill & extreme kindness & sympathy in time of trouble from his very sincere and obliged friend I. W. Tully August 1857,” length 9.4cm, together with an ebonised and silver-inlaid snuff box, with lattice and star decoration, length 8.2cm. (2) £400-600

90. A late 18th century gilt-metal mounted portrait snuff box, circular form, engraved borders, the pull-off cover with an oval portrait of a lady, with linear white, red and gold ground, tortoiseshell lined, diameter 8cm, plus a silver snuff box, of rectangular form, basket weave decoration, the inside of the hinged cover with a panel of a putto, goblet and urn, length 8.8cm. (2) £500-700

91. A George III silver and glass snuff box,

by John Reily, London 1813, oval form, plain mounts and plain thumb-piece, radiating decoration, length 6.8cm. £250-300

92. A late 18th century Swedish silver snuff box,

by Schalin, Söderköping 1799, oval navette form, chased foliate scroll decoration on a matted background, the base initialled, length 7.8cm, approx. weight 2.5oz. £200-300

93. A George III silver snuff box, maker’s mark miss-struck, possibly W?, London 1812, rectangular form, cushion sides, diagonal reeded decoration, the hinged cover with initials, foliate girdle, length 7.3cm, approx. weight 2.1oz. £150-200

94. A Continental silver and enamel snuff box, possibly Austrian, maker’s mark GG, rectangular form, the hinged cover with an enamel plaque of a lady, gilded interior, length 7.5cm, approx. weight 2.7oz. £150-200

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95. A George III tortoiseshell and gold mounted portrait snuff box, unmarked, the miniature possibly by the school of Christian Ritcher (1678-1732), circular form, basket-weave decoration, gold thumb-piece and hinge, the inside of the hinged cover set with a portrait miniature of a young lady in a blue dress with a lace collar, gilt surround, diameter 6.3cm. £700-900

96. An 18th century gilt metal and tortoiseshell snuff box, with an enamel panel, rectangular bombé form, the hinged cover with basket weave decoration and traces of gold wire-work inlay, the inside of the cover with a panel of Leda and the Swan, the sides with chased scroll decoration, length 7.8cm. £1,000-1,500

97. A George III gold and tortoiseshell portrait snuff box, the miniature by Richard Cosway, R.A (1742-1821), oval form, gold mounts and hinge, the mount with a wavy-edge border, scroll thumb-piece, the hinged cover inlaid with a spray of vari-coloured flowers, the inside of the hinged cover set with a portrait miniature of Lady Margaret Heathcote, wearing pearls in a pink silk dress trimmed in black lace, holding her dog enamelled to border ‘married 22 June 1749, died 19 Aug 1769’, length 8.5cm. £1,500-2,000

98. An 18th century silver and enamel snuff box, unmarked, rectangular form, the hinged cover applied with three dancing figures, gilded interior, the inside of the hinged cover with a finely painted satirical plaque of a well-dressed lady smoking a longstemmed clay pipe and wearing a cocked hat with a red ribbon cockade, a winged putto behind her wearing a similar hat and sash, writing on a piece of parchment the words ‘Je n’énrôle que des volontaires’, length 6.7cm. £400-600

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99. A 19th century Mauchline Ware sycamore and pen work snuff box,

by Crawford, Cumnock, of curved rectangular form, the cover with a drinking scene after Burns’ picture entitled, ‘It is the moon I ken her horn,’ the sides and base with thistle decoration, length 7.5cm. £250-300

100. A 19th century Mauchline Ware sycamore and pen work snuff box,

by Crichton, Cumnock, the cover decorated with a set of arms within a square reserve on a stylised thistle ground, the convex sides and base with similar decoration, length 8.5cm. £200-300 The arms are of Broun Coulston with the motto of BOYD, Cumnock

101. A 19th century Mauchline Ware sycamore and pen work snuff box,

by Crawford, Cumnock, of curved rectangular form, the cover with central oblong panel with seaweed/ribbon motif within an Arabic script frame on a linear seaweed/ribbon ground, the sides and base with similar decoration, length 8.2cm. £200-300

102. An early 19th century Mauchline Ware sycamore and pen work snuff box,

by Crawford, Cumnock, the cover with a depiction of a grouse shoot, the convex sides and base with thistle decoration, length 8.5cm. £200-300

103. A 19th century Mauchline Ware sycamore and pen work snuff box,

by Laurie, Cumnock, of curved rectangular form, the cover decorated with a scene after ‘The Rent Day’ by Sir David Wilkie, entitled, ‘Poor tenant bodies, scant o cash,’ the sides and base with thistle decoration, length 8.2cm. £250-300

104. An unusual 19th century Mauchline Ware sycamore and partridge wood veneered snuff box, marks rubbed, remains of Mauchline just visible to cover, the sycamore hinge and carcass mounted with panels of ‘end-on cut’ partridge wood, length 10.2cm. £100-150

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105. A 19th century Mauchline Ware sycamore and pen work snuff box,

by Smith, Mauchline, rectangular form, the cover with a scene of a St. Bernard with a child asleep on its back, titled ‘Le Chien de l’Hospice’, convex sides, length 8.3cm. £250-300

106. A 19th century Mauchline Ware sycamore and pen work snuff box,

by McKerrow, Cumnock, of curved rectangular form, the cover with a portrait of Lord Byron, surrounded by thistle decoration, the sides and base with similar decoration, length 8cm. £250-300

107. A 19th century Mauchline Ware sycamore and pen work snuff box,

by Smith, Mauchline, circular form, the pull-off cover with a vignette of an Arabian horseman, within a black border, diameter 8.8cm. £150-200

108. A 19th century Mauchline Ware sycamore and pen work snuff box,

by P. Crichton, Cumnock, of rectangular form with gently rounded ends, the cover with a vignette of two pointers, with black ‘strung’ border, with plain incurved corners, length 10.1cm. £150-200

109. A 19th century Mauchline Ware sycamore and pen work snuff box,

by J Cowan, Tarbolton, the cover decorated with a scene of a woman with tartan shawl cowering by a fluted pillar, entitled ‘Woe Burn’s Lord Gregory,’ the plain base with convex sides, length 7.8cm. £200-300

110. A 19th century Mauchline Ware sycamore and pen work snuff box,

by Laurie, Cumnock, of curved rectangular form, the cover with a drinking scene after Burns’ picture entitled, ‘It is the moon I ken her horn,’ the sides and base with tartan decoration, length 8.7cm. £250-300

The scene is from Robert Burns’ poem Lord Gregory (1793).

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111. A 19th century silver-mounted treen fox mask snuff box, unmarked, plain mounts, the hinged cover carved with oak leaves, with an oval cartouche with a monogram, gilded interior, length 7cm. £400-600

112. A Victorian treen novelty shoe snuff box, elongated toe, with stud-work decoration, slide-off cover, length 16.5cm. £100-150

113. A 19th century Mauchline Ware root and pen work table snuff box, apparently unmarked, the oval cover with a depiction of a Highland soldier at the mouth of a cave with the motto ‘We are this day in Arms for a Broken Covenant, and a Persecuted Kirk’, the sides with thistle decoration, length 9cm. £250-300

114. A pair of Victorian novelty treen shoe snuff boxes, the fronts with stud-work decoration, slideoff covers, brass heels and toe caps, length 9.5cm. (2) £150-250

115. A 19th century Mauchline Ware root and pen work table snuff box, apparently unmarked, the oval cover with a depiction of a Burns’ Cottage and Craignethen Castle, length 9cm. £250-300

116. A late Victorian novelty treen shoe snuff box, with stud-work decoration, later hinged cover, length 12cm. £100-150

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117. A 19th century silver-mounted treen snuff box, circular form, the pull-off cover with a circular silver disc, inscribed ‘Oak of Hyde Chapel, 1708’, diameter 7.8cm. £80-120

118. Nelson Interest, a 19th century oak and gold-mounted snuff box, circular form, with gold mounts and a circular cartouche engraved, “Victory,” diameter 5.2cm, together with a 19th century Mauchline Ware sycamore and pen work snuff box, the cover decorated with a scene after The Rent Day by Sir David Wilkie entitled: ‘Poor tenant bodies scant o’cash. How they maun thole a Factor’s snash’, from Robert Burns’ poem ‘Twa The Dogs,’ the sides and base with thistle decoration, length 8cm, together with a carved burr wood snuff box, the cover with a relief depiction of a drunken tavern scene, with integrated hinge and convex sides, length 10cm. (3) £800-1,200

119. A Victorian lacquered papier-mâché novelty snuff box, unmarked, modelled as a shoe with inlaid laces and decoration, length 8.2cm. £50-70

120. A 19th century Scottish silver-mounted snuff mull, conventional form, the front with a shield shaped cartouche, the hinged cover with embossed thistle decoration, and set with a rose quartz, length 8.5cm. £300-400

121. A collection of five 19th century novelty shoe snuff boxes, comprising: a wooden one with stud-work decoration, two further wooden shoes one dated 1914-19, and two lacquered shoes. (5) £300-500

122. A George III silver-mounted leather snuff box, unmarked circa 1790, oval navette form, the mounts with engraved decoration, with two hinged covers and a central cartouche, length 11.3cm. £80-120

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123. A George II gold and hard stone mounted snuff box,

by Francis Harache, London 1741, cartouche form, the hinged cover with an aventurine quartz panel, with a chased foliate a rocaille border on a matted background, the sides with similar chased decoration, length 7.2cm, £5,000-8,000

124. An early 18th century blonde tortoiseshell and gold mounted snuff box, circa 1730, oval form, gold hinge, the hinged cover inlaid with fine piqué scallop and shell decoration, with shell fluting filled with further shells and foliage, the base with a foliage and a stud border, length 8cm. £2,000-3,000 125. A mid-18th century gold keg snuff box, unmarked, in the form of a barrel with hinged cover, interior with a later engraved presentation inscription ‘The Gift of Caroline Queen of George II to Mary Countess of Bute who left it to her son William Archbishop of Armagh’, the ends engraved ‘Thomas Viscount Northland, July 25th 1883,’ length 5.5cm, approx. weight 66.6g. £1,500-2,000 Mary Wortley Montagu (1718-1794) was the daughter of Sir Edward Wortley Montagu and Lady Mary Pierrepont, married in 1736, John Stuart, 3rd Earl of Bute, they had at least nine children, and managed influential marriages for their daughters: Lady Mary (ca. 1741-1824), married James Lowther, later the 1st Earl of Lonsdale; Lady Anne (born ca. 1745) married Lord Warkworth, later the 2nd Duke of Northumberland; Lady Jane (ca. 1748-1828) married George Macartney, later the 1st Earl Macartney and Lady Caroline (before 1763-1813) married The Hon. John Dawson, later the 1st Earl of Portarlington.

126. A 19th century French gold snuff box, circa 1830, rectangular form, engine-turned decoration, foliate thumb-piece, length 7.3cm, approx. weight 58.3g. £800-1,200 127. A 19th century continental gold snuff box, rectangular form, canted corners, with engine-turned and rope-twist decoration, plain thumb-piece, length 8.3cm, approx. weight 62.8cm. £1,000-1,500 128. A 19th century continental gold Royal Presentation snuff box, bearing a scratched mark of 16K, I F R, B, with serpentine front and sides, the cover engraved with elaborate rocaille decoration of an architectural capriccio amongst scrolls with birds, also applied with shell scrolls, the bombé sides and base with similar decoration, the underside of the cover engraved: ‘The Gift of H. R. H. Prince Albert of Prussia, To the Officers of H. M. S. Geyser, Given to Robert McKean, Surgeon, at Constantinople, 1843’, length 8.5cm, approx. weight 122g. £2,000-3,000

129. A 19th century tortoiseshell, gold lined and micromosaic mounted snuff box,

by Jean-Louis Leferre, Paris circa 1819-22 rectangular form, the cover set with a micromosaic panel depicting the Pantheon in Rome within a chased gold stiff leaf frame with blue enamel stringing, tortoiseshell body with gold lining and hinge mount, length 8.3cm. £4,000-6,000 130. An 18th century gilt-metal snuff box, circa 1760, rectangular form, the hinged cover with pierced figural decoration and set with a simulated lapis lazuli panel, with scroll motifs, the sides and base with foliate decoration, length 6cm. £400-600

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131. A Battersea enamel rectangular snuff box, c.1750-55, printed in sepia to the exterior with a scene of soldiers attacking the Trojan horse, the lid’s interior with a portrait of a Chancellor of the Exchequer, the sides and base with panels of a diaper ground containing shell and floral motifs, 8.5cm. £1,000-1,500 Cf. Bernard Watney, ‘The Chancellor on a Battersea Enamel’, ECC Transactions Vol 7, pt 1, for a discussion of the same portrait on a plaque in the Watney Collection. It seems likely, given the date, that the portrait is of Henry Pelham, since it is remarkably like a print by John Hinton of 1754. However, other examples have been identified as Sir Robert Walpole, and it has more recently been pointed out that the sitter’s features are similar to a portrait of Henry Boyle. detail

132. A rare Birmingham enamel rectangular snuff box of Jacobite interest, c.1760, the cover painted with an oval portrait of Bonnie Prince Charlie (Charles Edward Stuart), reserved on ground of flags and other military motifs, the sides with Classical ruins and Italianate landscapes, 9cm across. £800-1,200 The portrait on this box is after one by Sir Robert Strange. This box is particularly unusual in its brazen display of the Prince’s likeness, since such portraits were designed to be small enough to conceal in order to protect the owner.

133. A Birmingham enamel rectangular snuff box, c.1760-65, painted to the interior lid with a portrait of the actress, Mrs Mary Brooks (nèe L’Hereux), the exterior with four figures seated around a table and playing cards, within a raised gilt scroll cartouche on a dark blue ground, the sides with panels of landscapes on a similar ground, gilt metal mounts, 8.2cm across. £1,000-2,000 The source for the portrait of Mrs Brooks is a mezzotint by Richard Houston, after Thomas Worlidge.

Mary L’Hereux married the Irish engraver, John Brooks, in 1756, but he was made bankrupt three years later. Mrs Brooks turned to acting in order to support herself and her three children. Cf. Transactions of the English Ceramic Circle, Vol 8, Pt. 2, ‘The London Enamellers’ for more details.

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134. A large Birmingham or South Staffordshire enamel snuff box, c.1765-70, of shaped rectangular form, the cover painted with three figures reclining in a garden setting, one lady with a tame bird perched on her right hand, a picnic basket tucked in one corner, reserved in a raised gilt scrolling cartouche on a white ground, the sides with further panels of courting couples and other figures, the base decorated after Robert Hancock with two chaffinches pecking over an upturned basket of fruit, with chased gilt metal mounts, 9cm across. £500-800

135. A good Battersea enamel snuff box, c.1755, printed in sepia with ‘Partie de Chasse’, engraved by Simon François Ravenet, a lady huntress seated beneath a tree while her companion stands by holding the leads of two dogs, the sides with rococo-scrolled panels of hatched diaper ground, with gilt metal mounts, 7.3cm. £700-1,000

136. A Birmingham enamel rectangular snuff box, c.1760-65, the cover painted with a Fête Champêtre scene in the manner of Watteau, with five figures around a table in a garden setting, and a small dog seated upon a stool, the sides and base with sprays of honeysuckle, rose and other flowers on a white ground, the interior cover painted with Perseus rescuing Andromeda from Cetus, with gilt metal mounts, 8.5cm across. £600-800

137. A large Birmingham or South Staffordshire enamel snuff box, c.1765-70, of shaped rectangular form, the cover painted with a lascivious drunk attempting to pour wine into the glass of his barebreasted companion, reserved within a raised gilt and white enamel scrolled cartouche, the sides with panels of courting couples and figures fishing, the base after a Robert Hancock print, with two finches alighting on fruit which spills from an upturned basket, with chased gilt metal mounts, 9cm across. £1,500-2,000

This particular version of Perseus and Andromeda is taken from a print after the painting by François Lemoyne painted in 1723, currently in the Wallace Collection, London, accession number P417.

Exhibited: English Ceramic Circle, 1977, No. 251.

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138. A Birmingham or South Staffordshire rectangular snuff box, c.1765-70, decorated with Masonic emblems including a set square, a pair of compasses and other work tools, around the entrance to a temple, the sides and base with further vignettes of emblems, all within raised gilt cartouches on a white ground, 8cm across. £1,500-2,000

139. A rare London enamel circular snuff box, c.1740-45, the cover painted with the coat of arms for the Hippesley family, within elaborate scrollwork before puce fringed curtains, the sides painted in the Meissen manner with purple monochrome landscape panels within strapwork designs, the underside with a vignette of garden implements, the interior lid with a figure driving a cow beside a farmstead, the box’s interior with gilt flower sprays, with gilt metal mounts, 6.7cm across. £800-1,200 The crest and the first quarter of the shield are those of Toby Ipsley of Hambleton in Rutland, granted in 1681.

140. An English enamel snuff box, c.1770-80, the oval form painted to the cover with two figures fishing on the bank of a river beneath a tall urn ornament on a plinth, with Classical columns visible beyond, within a blue border with white enamel rococo scrolls, the sides painted with polychrome flower sprays, length 6.5cm. £100-200

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141. A German enamel bombé shaped snuff box, 2nd half 18th century, the exterior sides and lid painted in the Meissen manner with puce monochrome panels of figures in harbour settings, loading and unloading ships, and trading around large barrels, reserved on a ground of polychrome floral garlands against gilt and white, the interior lid with further figures around a statue of Neptune on a square plinth, 7.5cm across. £1,000-1,500

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142. A Continental enamel double snuff box, mid 18th century, the rectangular form with a silver-mounted hinged cover to each side, decorated perhaps in the Fromery workshop, each cover with a fox, dog and birds amidst continuous foliate scrolls and flowering branches, richly decorated with jewelled green and pink enamels, and raised gilding on a white ground, the silver mounts with Paris discharge marks, 7.7cm across. £400-600

143. A French enamel snuff box, c.1745, the shaped form decorated perhaps in the Fromery workshop, perhaps by Antoine Leschaudel, the lid with a couple dancing beneath a flowering branch to the music of a piper seated nearby, the sides and with a hunter, dogs and other motifs, all in raised gilt and jewelled green and pink, 7.3cm across. £600-800

144. A Continental enamel double snuff box, mid 18th century, the rectangular form with silver-mounted hinged lids revealing adjacent compartments, possibly decorated in the Fromery workshop, with rich elaborate raised gilding and jewelled green enamel in formal scrolling designs, with Paris discharge marks for 1758, 8cm. £400-600

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145. A Continental enamel snuff box, 19th century, the shaped form with flared sides, richly decorated in the 18th century manner, with an oval panel of a seated lady, en grisaille within a puce landscape, reserved in a raised gilt scroll border echoed to the sides, with gilt metal mounts, 8.2cm across. £100-200

146. A rare pearlware bonbonnière, c.1770, modelled as the head of a lady wearing a close-fitting patterned cap glazed in blue and with incised decoration, her features similarly picked out in blue, the screw top with a stylized floral motif, 8.2cm. £800-1,200

147. An unusual Continental porcelain bonbonnière, 19th century, modelled as the head of a white Bengal tiger with teeth bared, his fur striped in black and gold against white, the hinged lid mounted in gilt metal and painted with a spray of polychrome flowers, 6.2cm. £300-500

148. A Doccia porcelain rectangular snuff box, probably 19th century, the cover with raised decoration of Cupid embracing Psyche, whose left hand reaches out to a pair of doves beside her, the sides and base with wave and shell moulding, decorated in a pale lilac with narrow gilt bands, with gilt metal mounts, 8.2cm across. £600-800

149. A Continental porcelain rectangular snuff box, late 19th century, decorated in the Meissen manner, the cover with a quatrefoil cartouche of figures fishing in a harbour setting, reserved on a ground of gilt foliate scrolls, the sides with chamfered rectangular landscape panels, a landscape scene echoed to the interior, overglaze blue pseudo Sèvres mark to the base, 8.3cm. £100-200

150. A rare pearlware bonbonnière or snuff box, c.1800, modelled as the head of a pug dog, decorated in Portobello type colours with a pink muzzle, his fur striated in cream and black, the interior inscribed ‘Rose’, with a pewter hinged lid and mount, 7cm. £700-1,000

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151. A Chelsea gold-mounted bonbonnière, c.1760, modelled as three children and a dog playing on a grassy mound, the girl covering one eye as she peeps into a kaleidoscope or similar instrument, the boy who holds it wearing a sash inscribed ‘La Curiousité Des Belles’, the mound base applied with flowers and leaves, the interior painted with polychrome flower sprays, the gold mount with rococo scrolls and flowers, the hinged lid formed of a panel of polished hardstone, 5.5cm high. £2,500-3,500 Cf. G E Bryant, The Chelsea Porcelain Toys, pl.47, no.5 for a similar example in the British Museum.

152. A St James (Charles Gouyn) bonbonnière, c.1755, modelled with two putti playing with a lamb atop a grassy knoll painted with flowers, the box’s interior, and both sides of the hinged lid, painted with sprays of English flowers, chased gilt metal mounts, 4.5cm high. £4,000-6,000

153. A Chelsea bonbonnière, c.1760, modelled as a recumbent maiden tying a blindfold around an infant Cupid, titled ‘Aimant Aveuglement’ in red to the base, the interior painted with flowers, gilt metal mounts and a hardstone base, 5cm high. £800-1,200 Provenance: from the collection of Sister Wendy Beckett.

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154. A George II silver erotic snuff box, unmarked, circa 1730, oval form, the hinged cover with a relief depiction of Bacchus and Ariadne after Sebastian Conca, the inside of the cover set with a miniature on ivory of a gentleman and two ladies, one holding a hat over the reclining gentleman, with a side push/pull lever that moves the hat to reveal his enjoyment, gilded base, length 7.8cm. ÂŁ1,500-2,000

155. A 19th century French gold snuff box, circa 1840, rectangular form, chased foliate scroll decoration on an engineturned ground, scroll thumb-piece, in a fitted case, length 7.8cm, approx. weight 66.2g. ÂŁ1,000-1,500

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156. A mid 18th century continental silver-gilt, mother-of-pearl, and vari-coloured gold inlaid table snuff box, with a later Dutch tax mark, elongated cartouche form, reeded mounts, the cover inlaid with vari-coloured gold musical trophies and foliage, the side panels with further musical trophies and vases of flowers, length 11.4cm. ÂŁ1,500-2,000

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157. A 19th century Austrian jewel-set, agate and enamelledgold mounted snuff box unmarked apart from later French import marks, oval, the cover and base carved from striated agate with bands of brown separated by distinct white lines around a crystalline centre, the gold hinge mount with black and white floral enamel border, with applied diamond-set and coloured stone thumb-piece, length 9.5cm. £2,000-3,000

158. A 19th century gold-mounted amethyst snuff box, unmarked, oval form, hinged cover, the mount with a simple wavy-edge border, gold lined interior, length 8.7cm. £800-1,200

See front cover illustration

159. A Victorian provincial gold and hard stone snuff box,

by Walter and George Myers, Chester 1881, rectangular form, reeded sides, foliate thumb-piece, length 4.8cm. £600-800

160. An 18th century gold-mounted bloodstone snuff box, unmarked, possibly English or North German, oval form, the reeded mount with a wavy-edge border and plain thumb-piece, bombe sides, the interior with an old collection label ‘12’, length 6.2cm. £2,000-3,000 Provenance: a Ducal collection of Hardstone and Gold Boxes Collected by the 7th and 8th Dukes of Wellington, Bonhams, New Bond Street, 19 June 2013, lot 3.

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161. A 19th century continental silver and mother-of-pearl snuff box, unmarked, rectangular form, canted corners, the hinged cover and base with nativity scenes, the front with a flaming heart motif, inscribed and dated ‘1894’, length 5.3cm. £200-300

162. An 18th century carved ivory bonbonnière, probably French or German, circa 1780, circular form, the cover carved in relief with six frolicking putti among clouds, torches and flaming hearts between foliate scrolls, the base carved in relief with cupid looking down from a cloud over two putti and two birds, diameter 7.5cm. £300-400

163. A late 18th century German silver-mounted mother-of-pearl snuff box, Norden, maker’s mark of IGS, horseshoe form, chased and embossed foliate scroll borders, the hinged cover with a figural scene, the base engraved, length 7.5cm. £300-400

164. An early 19th century gilt metal and gold inlaid blonde tortoiseshell snuff box, unmarked, circa 1820, oval form, with inlaid stud-work borders, length 7.2cm. £300-400

165. A late 18th century silver-mounted mother-of-pearl snuff box, unmarked, rectangular form, canted corners, reeded mounts, the hinged cover with a raised relief of the Last Supper, the sides with engraved decoration, decorated base, length 7cm. £200-300

166. A 19th century ivory snuff box, circular form, the pull-off cover with carved basket-weave squares with alternate panels with stud decoration, the centre with a circular initialled cartouche, tortoiseshell lining and stringing, diameter 6cm. £200-300

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167. A George III gilt-metal mounted shell snuff box, unmarked circa 1760, the mounts with chased foliate scroll decoration, plain thumb-piece, length 7.8cm. £150-250

168. An Edwardian silver-mounted scrimshaw snuff box, maker’s mark worn, Birmingham 1908, the mount and hinged cover with foliate scroll decoration, the whale tooth engraved and blackened with a stylised image of Salome, the reverse applied with a star, length 11.8cm, £300-500

169. A 19th century silver-mounted mammoth tooth snuff box, unmarked, the mounts with foliate decoration, the cover sides and base set with mammoth tooth panels, length 7.3cm. £300-500

170. A 19th century ivory snuff box, rectangular form, the hinged cover with a coaching scene, length 9.7cm. £100-150

171. A 19th century silver-mounted simulated ‘gold stone’ snuff box, rectangular form, reeded mounts, plain thumb-piece, length 7.2cm. £300-400

172. A 19th century silver-mounted scrimshaw snuff mull, unmarked, hinged cover, the body engraved and blackened with a sailor holding a cane, length 7.3cm. £400-600

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173. A George IV silver raised relief Pedlar snuff box,

by John Linnit, London 1820, rectangular form, the hinged cover with a scene of a standing pedlar with a tray of his goods, silver-gilt interior, plain sides and base, length 9.8cm, approx. weight 5.4oz. £1,000-1,500

174. A mid 18th century gilt metal mounted mother-of-pearl snuff box / flask unmarked, circa 1740-1760, tapering form, the panels with engraved foliate decoration, the top with a screw-off cover, the base with a push button to open the snuff box, length 8.3cm. £700-900

175. An 18th century Japanese export sawasa snuff box, with incuse character mark to cover and base, oval form, the flush cover with typical bas relief decoration of a central prunus tree with a bird on a branch within a black lacquered roundel with a prunus tree to either side and black border, the sides with a flowering vine with birds, the base with central cloud tree with birds in a roundel, within a border of flowers, gilt interior, length 9cm. £1,500-2,000

176. A mid-19th century Russian silver-mounted hard stone snuff box, assay master Alexander Mitin, St. Petersburg 1857, oval fluted form, the cover and base with radiating decoration, the mounts with chased strap-work on a matted background, silver-gilt lined interior, length 8cm. £800-1,200

Sawasa is the general term used for the 17th and 18th century Asian metal work technique for objects made from copper alloy with gilt relief decoration with black lacquered highlights.

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177. A 19th century Indian silver snuff box,

by Peter N. Orr, Madras circa 1860, rectangular form, the hinged cover with chased foliate decoration and birds, tapering sides with engraved decoration, the hinged cover with a crest and inscribed ‘A remembrance of Richard Green’, the interior gilded and with a later inscription,. ‘A.S.Kettlemell, from H.G, 1876’, length 9cm, approx. weight 7.5oz. £400-600

178. A 19th century Chinese Export silver snuff box, maker’s mark M.B, Canton circa 1840, rectangular form, the hinged cover and sides with figural scenes in landscape settings, the base with radiating decoration and with traces of initials, gilded interior, length 6.3cm, approx. weight 2.8oz. £500-700

The crest is that of Green of Norfolk and Essex.

179. A Victorian silver-gilt snuff box,

by Joseph Willmore, Birmingham 1844, rectangular form, the hinged cover with a raised relief of a man shooting game with two gun dogs, reeded sides and engine-turned base, with a vacant cartouche, length 6.8cm, approx. weight 2.5oz. £600-800

180. A George III silver snuff box,

by John Shaw, Birmingham 1817, curved and rounded rectangular form, engraved lattice decoration, the hinged cover initialled, gilded interior, the end with a hinged compartment, which opens to reveal a rectangular frame, length 6.3cm, approx. weight 2oz. £600-800

181. A Victorian silver-gilt ‘castle-top’ snuff box, Windsor Castle,

by Nathaniel Mills, Birmingham 1841, rectangular form, the hinged cover with a scene of the Castle, engine-turned sides and base, foliate scroll borders, length 8.3cm, approx. weight 4.4oz. £800-1,200

182. A George IV silver raised relief snuff box,

by Joseph Willmore, no apparent date letter, Birmingham circa 1825, rectangular form, the hinged cover with a raised classical battle scene, possibly Alexander The Great on horseback at the Battle of Issus, reeded sides and engine-turned base with a vacant cartouche, length 7.7cm, approx. weight 4oz. £700-900

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183. An 18th century Dutch silver-gilt box, marked with a later tax mark, oval form, the hinged cover with mother-of-pearl and pierced and embossed cage-work decoration of a gentleman and lady with a peacock, the sides and base with chased foliate scroll decoration, the inside of the cover with a later armorial plaque, length 9.3cm. £400-600

184. A George III silver snuff box,

by John Death, London 1806, rectangular form, the hinged cover with a hunting scene with horses and hounds in a landscape setting, gilded interior, length 6.6cm, approx. weight 2oz. £400-600

The armorial could be that of Van der Straten of Flanders.

185. An 18th century silver-mounted tortoiseshell and motherof-pearl snuff box, unmarked circa 1740, oval form, the mother-of-pearl cover with a scene of a Fisherman, with a town behind, tortoiseshell base, length 8.2cm, £250-300

186. An 18th century silver-mounted tortoiseshell snuff box, unmarked, rectangular form, canted corners, the hinged cover inlaid with wirework decoration depicting Cupid launching winged hearts by a stream, with the motto ‘Je Cherche Un Coeur Fidelle’, length 8.7cm. £800-1,200

187. An 18th century French lacquered portrait miniature snuff box, the miniature by Peter Paul Lens, circular form, gilt metal mounts and thumb-piece, the interior of the hinged cover set with a portrait miniature of a young lady, signed and dated 1745, the interior of the base leather lined, diameter 9cm. £400-600

188. A George III provincial silver snuff box,

by Langlands and Robertson, Newcastle circa 1790, oval navette form, the flush hinged cover with a bright-cut border and with a crest, the interior with traces of gilding, length 8.6cm, approx. weight 2.5oz. £400-600

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The crest is that of Bokenham, Brockett, Creekman, Ward and other families.

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189. An 18th century silver-mounted tortoiseshell snuff box, unmarked circa 1740, rectangular, silver sides, the hinged tortoiseshell cover inlaid with silver and mother-of-pearl foliate decoration with a basket of fruit, tortoiseshell base, length 7.7cm. £800-1,200

190. A mid 18th century silver-mounted ivory and piqué snuff box, circa 1740, the cover decorated with a stag resting under a tree, with reeded silver hinge mount and an unusual seated lion thumb-piece, the base with piqué leaf motif, length 8.8cm. £600-800

191. An 18th century silver-mounted tortoiseshell snuff box, unmarked circa 1740, oval form, silver sides, the hinged tortoiseshell cover inlaid with silver and mother-of-pearl foliate decoration, tortoiseshell base, length 7.5cm. £300-400

192. A William and Mary silver squeeze-action spice / snuff box, maker’s mark PR crowned, London circa 1690, oval form, the hinged cover and base with engraved foliate scroll decoration, engraved chevron sides, length 5cm, approx. weight 0.8oz. £600-800

193. A William and Mary silver double snuff box, maker’s mark T.F with a bird above, possibly for Thomas Fowles, London circa 1690, oval form, with two flush hinged covers with engraved scroll and shell decoration, gilded interior, the sides with traces of gilding, length 7.5cm, approx. weight 2.6oz. £800-1,200

194. An early 18th century silver-mounted tortoiseshell snuff box, unmarked, circa 1720-40, rectangular form, the hinged cover with foliate scroll decoration, foliate border, plain sides, tortoiseshell base, length 6.6cm. £300-500

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195. An 18th century gold-mounted agate snuff box, unmarked, circa 1740, cartouche form, the cover and base with agate panels, the mounts and base chased with foliate decoration and birds, length 7.8cm. £2,000-3,000 196. An 18th century gold-mounted moss agate snuff box, unmarked, probably English, circa 1740, shaped oblong form, the hinged cover with an oval moss agate panel, chased border with birds, shells and foliate decoration, the sides with similar decoration, length 7.5cm. £1,000-1,500 197. An early 19th century jewel-set, hard stone and gold box unmarked, oval form, the cover set with a reeded panel of amber-coloured agate set with cabochon gems including a opal, moonstone and nephrite, with trailing leaf frame applied with flower heads in silver and rose gold, the gold sides finely chased with panels of foliage below a band of stiff leaves, the underside chased with a spray of flowers on a matted ground within a stiff leaf border, length 5cm. £1,000-1,500

198 interior

198. An 18th century signed Roman micromosaic mounted in a French tortoiseshell and gold bonbonnière,

by Giacomo Raffaelli, Rome 1785, the box by Joseph-Pierre-Jacques Duguay, Paris circa 1785, circular form, the pull-off cover with raised scene of Pliny’s doves, plain gold mounts and sides, the interior of the cover signed ‘Giacomo Raffaelli fece Roma 1785’, the interior also with an old collection label ‘15’, and with an old paper cutting saying ‘from the Collection of Sir Julian Goldsmid’, diameter 7.8cm. £3,000-5,000 199. An 18th century French three-colour gold oval snuff box,

by Nicholas-Augustin Delions, Paris 1766, the cover with a central patera within an oval frame hung with ribbons and supported by laurels on a lattice ground, the sides with similar paterae panels within a twisted ribbon guilloche band, length 6cm, approx. weight 62g. £700-900 200. A George III silver-gilt and micromosaic mounted snuff box,

by Hockley and Bosworth, London 1815, rectangular form, the hinged cover with a Roman micromosaic depicting a cockerel and hen in a field, foliate scroll border, the sides and base with engine-turned decoration, plain thumb-piece, length 7.5cm. £1,500-2,000 See front cover illustration

201. A late 18th century gold, silver, lacquer and tortoiseshell snuff box, maker’s mark L.V, Paris charge and discharge marks, oval form, the hinged cover with a urn on a red ground, engine-turned decoration, scroll and star borders, tortoiseshell lined, length 6.3cm. £500-800

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202. A late 19th century Swiss gold snuff box, incuse stamped O.B, Geneva circa 1890, and with later French control marks, rectangular form, the cover engraved with flowers and foliate scroll decoration, on an engine-turned ground, the base with similar decoration, engine-turned sides, length 7.4cm, approx. weight 67.7g. £1,000-1,500

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195

199

197

198

202

200

201

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203. A fine and rare Meissen gold-mounted oval snuff box, c.1750, moulded with rococo scrolls and flower sprays enamelled in green with black highlights, framing scenes of courting couples and figures from the Commedia dell’Arte, the inside cover finely painted with Cupid in flight above a cloud separating Harlequin from two ladies, the gold mount chased with scrolling flowers, foliate fronds and shells, 8cm across. £10,000-15,000 Exhibited: Amsterdam, Rijksmuseum, 1972-2003; London, Gilbert Collection, Somerset House, 2003-2008; Barnard Castle, Co. Durham, The Bowes Museum, 2008-2010

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204. A documentary Fürstenberg portrait snuff box, c.1770, of bombé shape, the inside cover painted perhaps by Johann Andreas Oest with a half-portrait of Marie Sophie Wilhemine von Württemberg-Oels, seated on a red velvet chair with a gilt crown mount, wearing a purple dress trimmed with lace, and the Order of Württemberg-Oels, a small cat seated on her lap, the shaped sides and base with purpurmalerei decoration of landscape vignettes, the cover with the monogrammed initials MS within a crowned oval cartouche, gilt metal mounts, 8.2cm across. £4,000-6,000 Paper label for the Joseph Collection.

Marie-Sophie Wilhelmine von Württemberg-Oels (1721-93), born Countess of Solms-Laubach, married in 1741 Karl Christian Erdmann, Duke of Württemberg-Oels and Bernstadt (1716-92).

Exhibited: Amsterdam, Rijksmuseum, 1972-2003; London, Gilbert Collection, Somerset House, 2003-2008; Barnard Castle, Co. Durham, The Bowes Museum, 2008-2010

205. A Meissen rectangular snuff box, c.1760, the exterior with osier type moulding and painted with colourful sprays of deutscheBlumen, the interior lid well painted with a black spaniel seated on a gilt-tasselled red cushion and proffering its right forepaw, an ornate church visible in the background, gilt metal mounts, 8.2cm across. £3,000-4,000 Paper label for the Hasse Collection.

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206. A St Cloud silver-mounted porcelain snuff box, c.1740, modelled as a reclining shepherd, resting his head on his right hand, his crook and his dog lying on the ground beside him, the tall oval base decorated with sprays of Kakiemon flowers, with similar sprays painted to both sides of the flat base, 7.6cm across. £1,500-2,000 Provenance: The Helmut Joseph Collection.

The Albert Joseph Collection.

Exhibited: Amsterdam, Rijksmuseum, 1972-2003; London, Gilbert Collection, Somerset House, 2003-2008; Barnard Castle, Co. Durham, The Bowes Museum, 2008-2010

207. A good silver-mounted Saint Cloud snuff box or bonbonnière, c.1745, modelled in the blanc de Chine manner as the pagoda figure of Pu Tai Ho Shang, the rotund Chinese monk seated with belly exposed, his robes moulded with flower sprays, echoed to the hinged flat cover, the silver mount with Paris discharge marks for 1744-50, 6.5cm high. £2,500-3,000

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208. A Saint Cloud silver-mounted snuff box or bonbonnière, c.1745, modelled as a swan or goose, resting its chin on its furled wings, raised on a base of reeds picked out in red and turquoise, the hinged oval lid painted in a simple palette with a Chinese figure holding a parasol beneath a palm tree, the interior with flying insects and Oriental flower sprays, the silver mount with a Paris discharge mark for Antoine Leschaudel, c.1744-50, 6.5cm across. £800-1,200

209. A Mennecy silver-mounted snuff box, c.1750, the mount with a later Dutch tax mark, modelled as a dog and her puppy recumbent on an oval grassy base, the pup nestling into its mother’s side, their coats decorated with splashes in shades of brown, the flat base with an incised basket weave design, painted with European flowers in a traditional muted palette, impressed control marks to the later silver mounts, 6.7cm. £1,000-1,500

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210. A German porcelain snuff box, 18th century, possibly Fürstenberg, the moulded cover decorated in purpumalerei with a figure crossing a bridge in a European village landscape, the base with a further figure leaning on a spade with mountains beyond, the shaped sides with small flower sprigs, later metal mount, 8cm across. £800-1,200

211. A Saint Cloud porcelain silver-mounted snuff box, c.1748, the cover painted in the Chinese manner with a single figure holding a tall parasol before an ornamental zigzag fence and large flowering branches, the shaped sides with flower sprays, landscape vignettes and a kneeling Chinese figure, the base with a standing figure holding a fan beside a pagoda landscape, with similar decoration to the interior lid and scattered flying insects to the interior base, the silver mounts with discharge marks for Antoine Leschaudel, Paris 1744-50, and Paris year letter ‘H’ for 1748-49, 8.2cm across. £1,500-2,000 Provenance: The A Joseph Collection, No.1310.

212. A Chantilly circular snuff box, c.1735, painted in the Kakiemon palette with the Squirrel and Vine pattern around the side, the cover with a long-tailed phoenix, the base with bright flying insects, gilt metal mounts with a large chased section beneath the hinge, 6.3cm. £1,500-2,000

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213. A Chantilly silver-mounted circular snuff box, c.1740, the cover painted with a chinoiserie scene of figures beneath a double parasol, one with a bird, another blowing a horn, between other figures carrying baskets of flowers and other objects, the shaped sides and base with further figures carrying various objects between flower sprays and flying insects, 6.7cm across. £600-800

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214. A Mennecy porcelain silver-mounted snuff box and cover, c.1740, modelled as a reclining shepherd, leaning his head on his right hand, his crook lying by his side, the oval base moulded with sprays of flowering prunus, picked out in a Kakiemon palette, with further sprays of flowers painted to either side of the flat base, Paris discharge mark for 1738-44, 7.8cm across. £1,500-2,000

215. A Saint Cloud silver-mounted snuff box or bonbonnière, c.1740, modelled as a small dog, with long ears and finely detailed fur, turning its head back over its right shoulder, the hinged oval lid painted in the Kakiemon palette, the exterior with a flower spray, the interior with a Chinese figure between flowering branches, discharge mark to the silver mount, 5.5cm across. £1,200-1,500

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216. A late 18th century gilt-metal mounted pressed tortoiseshell snuff box, probably French, upright rectangular form, with foliate decoration, scroll borders, shell scroll thumb-piece, length 7.8cm. £300-400

217. A 19th century French silver-gilt snuff box, circa 1860, rectangular form, the hinged cover with engine-turned and engraved foliate scroll decoration, plain sides and reeded base, length 8.4cm, approx. weight 2.5oz. £100-150

Provenance: a Ducal collection of Hardstone and Gold Boxes Collected by the 7th and 8th Dukes of Wellington, Bonhams, New Bond Street, 19 June 2013, lot 16.

218. An 18th century black lacquered tortoiseshell snuff box, circular form, the hinged cover with birds and vegetation inlaid with mother-of-pearl, gold, silver and abalone shell, gilt metal mounts and shell thumb-piece, diameter 7.8cm. £300-500

219. A 19th century silver-gilt mounted burr wood snuff box, circular form, the pull-off cover with a circular plaque under glass of Louis XVIII, and stamped Morel F, the plaque loose, the interior with horn lining, diameter 8.5cm. £100-150

220. A late 18th / early 19th century silver-mounted black enamel snuff box, marked with French control marks, rectangular cushion form, inlaid with mother-of-pearl and abalone shell foliate decoration with houses and a butterfly, with chequer board borders, length 8.3cm. £250-300

221. A 19th century French silver-gilt and silver snuff box, also marked with a Russian import mark for St. Petersburg, oval form, engraved foliate scroll decoration, the hinged cover applied with a raised silver relief of drinking revellers, after Tenniers, foliate thumb-piece, length 8.8cm, approx. weight 4oz. £250-300

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222. An 18th century gold-mounted blonde tortoiseshell portrait snuff box, circular form, the cover set with a miniature under glass of a seated lady wearing a blue and white dress, after Dumont, the box with inlaid bands of decoration and pierced borders, diameter 7.7cm. £1,000-1,500

223. A late 18th / early 19th century Continental silver-gilt portrait snuff box, maker’s mark C.k, struck four times, circular form, the pull-off cover set with a circular panel after George Engleheart, depicting a lady wearing a bonnet, the side of the cover inscribed ‘Vog 8 lod 3 gint’, diameter 7.2cm, approx. weight 4.2oz. £400-600

224. A 19th century two coloured gold inlaid portrait snuff box, circular form, the pull-off cover inset with a miniature under glass of a classical scene, possibly the Punishment of Cupid, with two colour gold border, set with mother-of-pearl beads, diameter 7.6cm. £500-800

225. A late-18th century French ballooning snuff box, circa 1780s, circular form, gold flecked red lacquer ground, guilt-metal banding, the pull-off cover with a scene showing the Versailles balloon under glass, and titled ‘LE GRENIE ELEVE LA DOUCHEUR’, diameter 6.7cm. £700-900 Provenance; Fine Ballooning Art, The Property of a Lady, Bonhams Knightsbridge, 30 January 1997, lot 144.

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226. A George III silver-mounted shell snuff box, probably by Josiah Snatt, London 1796, oval form, the flush-hinged cover with engraved decoration, length 3.3cm. £300-400

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227. A George IV silver-mounted shell snuff box,

by Thomas Edwards, London 1824, shaped form, the hinged cover with a rectangular gold-mounted tortoiseshell plaque, length 6.2cm. £400-600

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228. A late 18th / early 19th century gilt metal double snuff box, unmarked circa 1800, oblong form, engine-turned decoration, with two hinged covers, length 9.3cm. £100-150

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229

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229. A late 18th century tortoiseshell double snuff box, unmarked, circa 1780-1800, rounded rectangular form, with two hinged circular compartments, applied stud-work borders, and with two engraved foliate scroll mounts, length 7.5cm. £150-200

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230. An 18th century silver-mounted mother-of-pearl portrait snuff box, unmarked, oval form, the hinged cover with a motherof-pearl panel engraved with a biblical scene, the inside of the cover with an oval portrait of a gentleman, length 7.4cm. £400-600 230 detail

231. A George III silver-mounted cowrie shell snuff box, marked Johnston, circa 1800, the flush-hinged cover engraved with an armorial, length 9.2cm. £500-700

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232. A 19th century gold mounted snail snuff box, circa 1825, plain mounts, the hinged cover inscribed ‘28.1.15’, length 4.5cm. £400-600

233. A George III silver double snuff box,

by Joseph Ash, London 1809, oblong rectangular form, with two flush hinged covers, embossed foliate scroll decoration, engraved with a ‘Bampton’ above a standing horse, foliate sides, the base inscribed ‘From Mrs Murray to Charles Wilson as a mark of her esteem for the faithful servant of her Brother William Murray Esq. of Polmaise’, length 11cm, approx. weight 5.2oz. £600-800

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233

underside

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234. An 18th century silver-gilt mounted amethystine quartz snuff box, with a later Dutch control mark, shaped rectangular form, reeded mounts with a raised thumb-piece, the base with bombé sides, length 7.3cm. £700-900

235. An 18th century gold-mounted agate snuff box, unmarked, probably English or German, cartouche form, reeded mounts and scroll thumb-piece, the base with bombé sides, the interior with an old collection label ‘13’, length 5.4cm. £1,000-1,500

Provenance: a Ducal collection of Hardstone and Gold Boxes Collected by the 7th and 8th Dukes of Wellington, Bonhams, New Bond Street, 19 June 2013, lot 33.

Provenance: a Ducal collection of Hardstone and Gold Boxes Collected by the 7th and 8th Dukes of Wellington, Bonhams, New Bond Street, 19 June 2013, lot 35.

236. A 19th century gold-mounted petrified wood box, unmarked, the pull-off cover and base with a plain gold rim, diameter 6cm. £800-1,200

237. An 18th century gold-mounted agate snuff box, unmarked, possibly Continental, cartouche form, plain mounts and plain thumb-piece, length 5.8cm. £700-900

238. An 18th century silver-mounted agate snuff box, unmarked, possibly continental, rectangular form, bevelled hinged cover, reeded mounts with a plain thumb-piece, shaped raised base, length 7cm. £300-500

239. A 19th century French gold-mounted glass snuff box, circa 1830, oval form, foliate borders, hinged cover, length 6.4cm. £250-300

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240. An 18th century German gilt-metal mounted rock crystal snuff box, unmarked, cartouche form, the hinged cover carved in relief with a stylised scallop shell, reeded mounts with a scroll thumb-piece, the interior with an old collection label, length 7.6cm. £800-1,200 Provenance: a Ducal collection of Hardstone and Gold Boxes Collected by the 7th and 8th Dukes of Wellington, Bonhams, New Bond Street, 19 June 2013, lot 34.

241. A 18th century silver-gilt mounted agate snuff box, unmarked, shaped rectangular form, reeded mounts and plain thumb-piece, shaped bombé sides, the interior with an old collection label ‘51’, length 7.8cm. £600-800 Provenance: a Ducal collection of Hardstone and Gold Boxes Collected by the 7th and 8th Dukes of Wellington, Bonhams, New Bond Street, 19 June 2013, lot 39.

242. A 19th century silver-mounted moss agate snuff box, unmarked, possibly Scottish, circa 1831, rectangular form, agate cover and base, foliate borders, engineturned sides, the front inscribed ‘J. (or S.) Dick from his affectionate Children, December 1831’, length 8.5cm. £700-900

243. A mid 18th century silver-gilt and mother-of-pearl snuff box, unmarked, circa 1740-50, oval form, the mount chased with birds and foliate decoration, the cover and base with mother-of-pearl, length 7.5cm. £250-300

244. A late-18th century French gold-mounted agate snuff box, apparently unmarked, circular form, the mounts with pierced scrolls and with a seated hare, the hinged cover with a white enamel ribbon, inscribed ‘S’il me prenoit envie d’aimer voudriez vous me seconder’, diameter 5.5cm. £500-700

245. An 18th century gold-mounted agate snuff box, unmarked, rectangular form, canted corners, agate cover and base, plain sides, length 5.6cm. £700-900

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246. A Louis XVI gold and enamel box, maker’s mark of Joseph-Etienne Blerzy, with charge mark of Jean-Baptiste Fouache, the date letter P for 1778/9, the rim with the discharge mark for Henry Clavel, circular form, with opaque and opalescent pink enamel on the lid, base and sides, painted to simulate moss agate, bordered with red enamel and strings of white enamel ‘pearls’, with a later Garrard & Co. box, diameter 4.8cm, weight 54gms. £6,000-8,000 247. An 18th century French gold and enamelled box,

by George-Antoine Croze, Paris, 1781, circular form, the cover and base with a panel of pearlescent enamel with red pellets over a wavy rayed ground, within a white opaque band and with a ‘pearl’ and green leaf border, diameter 4.6cm, approx. weight 49.3g. £2,000-3,000 248. An 18th century diamond-set, carved quartz and gold mounted horse’s head snuff box, unmarked, possibly by the widow of the jeweller Louis Buyrette, Berlin circa 1760, the shaped-oval quartz cover with gold hinge mount decorated with a guilloche band on a base carved as the head of a horse with diamond-set eyes and gold bridle with diamond tips to the bit, height 7.5cm, length 6.8cm. £6,000-8,000 Provenance: The Arnold and Barbara Burton Collection, Bonhams, New Bond Street, 18 June 2014, lot 7.

With Wartski 1975.

Bonhams’ footnote reads as follows: The possible attribution to the widow of Louis Buyrette is due the similarity of selection in stone, carving and eye mounts to a series of dudlesack (German bag pipe) boxes, examples of which could be seen these rooms (Bonhams) 19 June 2013, ex-lot 68, and the Collection of Baron de Red and Baron Guy de Rothschild, Sotheby’s Monaco, 25-26 May 1975, one of which is illustrated by Snowman, plate 624. In plate 655, Snowman illustrates another carved hard stone animal head box that has very similar cover mounts.

249. A 19th century German gold and enamelled snuff box, incuse crossed-S and sunray mark, numbered 3617 to the flange, Hanau circa 1820, rectangular form, the cover with a courting couple by a fountain in a darkened wooded classical landscape within a delicate laurel and berry enamel border, the sides with a similar band flanked by turquoise and white enamel stringing, the base with a spray of flowers including roses, buttercups and a passion flower on a black ground, length 7.1cm, weight 78.7gms. £6,000-8,000 250. A George III eighteen carat gold and enamelled box,

by Alexander James Strachan, London 1806, circular form, the hinged cover set with an enamelled pastoral panel of a young couple with their son attracting their attention to nesting doves, on a gold ground within an engine-turned border, the convex sides and base with similar engine-turning, the underside of the cover with a crest dated June 1794 and bearing the Order of Bath, diameter 7cm, weight 99.5gms. £5,000-7,000 The crest was granted by Sir William Betham, Ulster King of Arms (1820-53) to Vice Admiral Sir Ross DONNELLY, RN who was invested KCB (military) on 17 March 1837.

The date inscribed within the crest, June 1794, was of great significance to Donnelly: The Glorious First of June (also known as the Third Battle of Ushant, or Bataille du 13 Prairial) was the first and largest fleet action of the naval conflict between Great Britain and the First French Republic during the French Revolutionary Wars. The British Channel Fleet under Admiral Lord Howe attempted to prevent the passage of a vital French grain convoy from the United States, which was protected by the French Atlantic Fleet, commanded by Rear-Admiral Villaret-Joyeuse. The two forces clashed in the Atlantic Ocean, some 400 nautical miles (741 km) west of the French island of Ushant.

Donnelly started the battle as first lieutenant of the Montagu but after the death of his captain, James Montagu, took command. After the battle Donnelly and a number of other officers who had had to take command of their vessels after the deaths of their captain were disappointed not to receive the gold medal issued to all post captains involved. There were bitter consequences of these awards, rooted in Howe’s official dispatch to the Admiralty concerning the battle.

After studying the ship’s logs and reports of the battle, the Admiralty minted a medal to be awarded to the living captains on the list only (although Captain William Parker of HMS Audacious was awarded one as well). The captains excluded from the list were furious, and the furore from this selective commendation lasted years: in 1795 Vice-Admiral Caldwell quit the service in anger as a result. Over five decades later the battle was among the actions recognised by a clasp attached to the Naval General Service Medal, awarded upon application to all British participants still living in 1847.

This rule was afterwards modified and, both after the Nile and Trafalgar, first lieutenants who succeeded to the command by the death of their captain received the medals or other awards.

54

END OF COLLECTION

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246

247

248

249 250

55

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FINE SILVER & VERTU

Tuesday 25th & Wednesday 26th April 2017

A Victorian silver presentation racing trophy by John Samuel Hunt, London 1851, height 72cm.

Estimate: £15,000 - £25,000 ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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THE JOHN PINNICK COLLECTION

to be sold in the English & European Ceramics & Glass sale on Tuesday 23rd May 2017

A small selection of lots including Worcester, Bow and Lowestoft.

Various estimates

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 26.4% inclusive of VAT on the first £500,000 of the hammer price and 14.4% inclusive of VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof.

For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The buyer shall pay the hammer price together with a premium thereon of 26.4% inclusive of VAT on the first £500,000 and 14.4% thereafter inclusive of VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Amanda Lawrence 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Registered in England No. 2998482

Salisbury Salerooms

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Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form A Private Collection of Snuff Boxes & Bonbonnières

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 25th April 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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Auction Calendar PAINTINGS 7th June 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 28th March 2017 22nd November 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk 20TH CENTURY DESIGN 29th March 2017 – Clarice Cliff, Art Deco & Design 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 12th April 2017 5th July 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk SILVER 25th & 26th April 2017 – Fine Silver & Vertu Including A Private Collection of Snuff Boxes and Bonbonnières 18th & 19th July 2017 – Silver & Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 27th April 2017 – Fine Jewellery 20th July 2017 – Jewellery & Watches Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ASIAN ART 16th May 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 23rd May 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 20th September 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

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