Woolley & Wallis

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Jewellery & Watches

Thursday 26th January 2017

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

424504 424595

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

2

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

PAINTINGS Victor Fauvelle Jo Butler

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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JEWELLERY & WATCHES

Thursday 26th January 2017 at 11.00am VIEWING TIMES Saturday 21st January Monday 23rd January Tuesday 24th January Wednesday 25th January Thursday 26th January

10.00am – 1.00pm 10.00am – 4.00pm 10.00am – 4.00pm 10.00am – 4.00pm 9.00am – 10.45am

ENQUIRIES

Jonathan Edwards FGAA 01722 424504 je@woolleyandwallis.co.uk

Marielle Whiting FGA 01722 424595 mw@woolleyandwallis.co.uk

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Wednesday 25th January LIVE BIDDING

ILLUSTRATIONS Front cover: Lot 1874 Back cover: Lot 1879 Inside cover: Lots 1622 & 1623 Catalogue £10.00 (£13.00 by post)

www.the-saleroom.com Please register by 5pm on Wednesday 25th January Please note there is a 3% +VAT surcharge for using this service.

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1500

1500.

A collection of six books and catalogues, including: Pick, Michael, 'Be Dazzled! Norman Hartnell: Sixty Years of Glamour and Fashion' Richon, Marco, 'Omega: A Journey Through Time' 'Jewels from the Personal Collection of Princess Salimah Aga Khan', Christies Geneva (1995) 'The Jewels of the Duchess of Windsor', Sotheby's Geneva (1987) 'The Mondani Collection of Rolex Wristwatches', Antiquorum Geneva (2006) and a catalogue for Sajjante, Mumbai. £80-120

1501. A large leather jewellery box containing: a citrine mounted gold ring, a gold wedding band, a diamond bar brooch, an opal mounted gold ring, an amethyst and seed pearl mounted gold ring, an opal and sapphire mounted gold ring, a coral bead necklace in a box by Tiffany & Co, an Edwardian seed pearl set foliate brooch, a Victorian diamond and pearl-set silver and gold brooch, a large orange paste mounted Scottish silver brooch, a cultured pearl necklace, an amethyst and seed pearl fringe necklace, and various other items of jewellery, costume £400-600 jewellery and Regimental brooches.

1501

1502

4

1502. A lady’s leather travel case containing: a cased set of Victorian gold buttons and dress studs (one missing) designed as serpents coiled around banded agate cabochons. A jade bead necklace. Two paste buckles. An amethyst mounted gold bracelet. A bloodstone mounted gold signet ring, a travel clock, a pair of gold amethystmounted drop earrings, a paste and opalescent glass brooch with matching earrings, a garnet brooch, two banded agate hat pins, with matching brooch, two studs, a button and half a cufflink, an amethyst heart pendant, a gold chain, a coral necklace, a propelling pencil by S. Mordan & Co. A propelling cigar cutter, a silver watch chain, a silver and enamel fob watch and the original components of the travel case. £300-400

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1503

1504

1503.

A selection of fifteen diamond or gem-set clasps.

£300-400

1504.

Twelve gem-set gold rings, including a 9ct gold blue topaz ring, two 9ct gold fire opal rings, two 9ct gold amethyst rings, and seven further 9ct gold rings mounted with green quartz, rutilated quartz, citrine, kunzites and goshenite, all size N½. £600-800 1505.

A collection of gem-set gold and silver mounted pendants including three rutilated quartz pendants, an amethyst pendant, a citrine pendant, two blue topaz pendants, with five other gem-set pendants and a blue stone set base metal pendant. £600-800

1505

1506

1506.

Assorted jewellery, including a sapphire and diamond cluster ring in 18ct white gold, an aquamarine and diamond seven stone ring set in 18ct yellow gold and four further gem-set rings in 9ct yellow gold. A 9ct gold spinning fob seal with carnelian, bloodstone and onyx matrices. A sapphire and diamond cluster pendant in 9ct gold and twelve other gold pendants with seven fine-link gold chains. A 9ct gold oval-link chain and five gold bracelets. A child’s gold bangle and a white stone set navel bar.

88.0g in total. £500-700 1507.

Assorted jewellery, including two 9ct white gold wedding rings and two 9ct yellow gold stone-set rings. A ruby and diamond pendant, a white stone set 9ct yellow gold cruciform pendant and five other gold pendants. A carved shell cameo brooch in 9ct yellow gold. Two 9ct yellow gold £400-600 bracelets and two bangles. 98.0g in total.

1507

5

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1509

1508

1511

1508.

Assorted jewellery, including a sapphire and diamond three stone ring, size L½. A diamond solitaire ring, A gold mourning ring with plaited hair. Two gold rings mounted with plaited hair. A sapphire mounted gold stick pin. A pair of silver earrings mounted with amber. A gold branch brooch. An amethyst-set foliate brooch. A gold signet ring, A pair of turquoise earrings, an aquamarine pendant, a pair of rose-cut diamond earrings, a sapphire bar brooch, a citrine ring, six plain gold wedding bands and four other gold rings. £700-1,000

1510

Two gold bracelets, eight neck chains, two pendant mounts, seven gold swivel 1509. clips, four heart-shaped padlock clasps and a T-bar. 87g in total. £800-1,200

1512

1510. A silver-mounted tortoiseshell dressing table box, with piqué decoration to the oval tortoiseshell lid. With Birmingham marks for 1909 and maker’s mark for William Comyns. 5.8cm wide. A coloured stone set gold bar brooch designed as a donkey towing a cart. 4cm wide. A pair of white opal set gold ear studs. 1.6cm wide. A white opal and diamond set 9ct gold bar brooch. 5.8cm wide. A fancy-link gold necklace suspending a gold tassel pendant. 44cm long including pendant. A textured openwork ring mounted with red and white stones in 18ct yellow gold. Size O½. And a carved shell cameo brooch pendant depicting the profile of a young woman mounted in gold.

5.0cm high. £300-400 1511.

A citrine-mounted gold brooch, the oval-shaped citrine is set within a scrolling surround on a yellow gold brooch with further scrolling border, 4.0cm wide. A jademounted gold bar brooch, 5.5cm wide. A double flowerhead brooch set with two yellow gold flowerheads centred with old circular-cut diamonds and with a textured gold stem, 3.5cm wide. A George III garnet-mounted gold ring, size O½. And a turquoise, garnet and diamond-set ring in 18ct yellow gold, size L. £400-600

1512A

1512. An assortment of seventeen gem-set and plain gold rings, including an emerald and diamond triple cluster ring, an amethyst and diamond ring, a coral mounted gold ring, an emerald and diamond half hoop ring, an opal three stone ring, a peridot and diamond cluster ring, two ruby and diamond cluster rings, a sapphire and diamond half hoop ring, a citrine and diamond cluster ring, a gold ring set with six small diamonds, a gold ring set with three white stones, a ruby and diamond half hoop ring, a sapphire and diamond cluster ring, a cultured pearl and pink stone ring, a pink stone and diamond three stone ring and a gold ‘Nan’ ring. £300-400 1512A. A mixed lot of jewellery including a lapis lazuli mounted silver ring, a silver pocket watch by Elgin, a malachite mounted silver ring, a silver chain and pendant, a synthetic corundum ring, a tortoiseshell bangle, and various other beads, jewellery and costume jewellery. £200-300

6

1512B. A leather jewellery box containing various items of jewellery including: a cultured pearl necklace, a ruby and diamond-set abstract gold ring, a garnet-set gold ring with matching earrings, a propelling cigar cutter with a blank seal to the base, an abstract diamond cluster ring, a fob seal, a seed pearl and diamond cross, a turquoise and seed pearl mounted gold bracelet, a gold chain and a pair of citrine mounted gold earrings. £200-300 1512B

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1515

1513

1514

1513.

Sixteen gem-set rings including: two sapphire and diamond cluster rings, two emerald and diamond cluster rings, a diamond solitaire ring, an amethyst five-stone ring, a garnet and diamond carved half hoop ring, three peridot rings, a white stone cluster ring, a sapphire and diamond three-stone ring, a sapphire and diamond half hoop ring, an opal and diamond three-stone ring, a ruby and diamond channelset half hoop ring, and an emerald and diamond three-stone ring. £300-400 1514.

An aquamarine ring, the emerald-cut aquamarine is mounted in yellow gold with five small old circular-cut diamonds set to each shoulder, size G½. A white gold ring mounted with an ovalshaped amethyst between two lines of small diamonds and further small diamonds to the shoulders, size N½. And a gold ring set with an emerald-cut citrine and three round brilliant-cut diamonds to each shoulder, size E½. £400-600 1515.

A 9ct yellow gold ring mount, six 9ct white gold wedding rings and five 9ct yellow gold wedding rings. 53.0g in total. £300-400

1516

1517

1516.

Four assorted 19th century rings, including a gold ring ornately set with an emerald and six shoulder diamonds, size O½. A gold ring ornately set with a cushion-shaped diamond and two shoulder sapphires, size L½. An 18ct gold ring set with a cushionshaped diamond with ornately engraved shoulders and with an inscription dated 1840. London marks for 1839. Size O½. An 18ct gold ring set with five graduated half pearls. Chester marks for 1884. Size N½. £200-300 1517.

A diamond solitaire ring, set with an old cushion-shaped diamond in yellow gold. Size Q. With a navette-shaped diamond cluster ring, set overall with old circular-cut diamonds in platinum and gold. Size Q½. With a yellow gold diamond-set buckle-form ring, with date marks for London 1892. Size M. £400-600

1518

1518.

A ruby and seed pearl ring, set with a trefoil of seed pearls within a surround of circular-cut rubies within a gold openwork mount, size N. A sapphire and diamond five stone ring alternately set with circular-cut sapphires and round brilliant-cut diamonds in white gold, size L½. Case by Collingwood. A 22ct yellow gold wedding ring, inscribed to the inner band “n’oublie pas” for ‘do not forget’, size I. And a 9ct gold wedding ring, size O. £200-300 1519.

A diamond-set gold ring, spelling the word ‘puss’. Size D½. £60-80

1519

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1520

1521

1522

1520.

An 18ct gold half hunting cased stem-wind pocket watch by John Walker, blue enamel outer chapter ring with Roman numerals, the signed white enamel dial with black Roman numerals and subsidiary seconds dial. The outer case engraved with initials.

3/4 plate movement signed John Walker 20406, 77 Cornhill & 230 Regent Street, London. London marks for 1946. 5.0cm wide. £400-600 1521.

An 18ct gold half hunting cased stem-wind pocket watch by the Goldsmiths Company, blue enamel outer chapter ring with Roman Numerals, the signed white enamel dial with black Roman numerals and subsidiary seconds dial. The outer case engraved with a crest and motto and the inner case engraved ‘C. P. Norris.’ 3/4 plate movement signed Goldsmiths Company, 112 Regent St, London 17610. London marks for 1951. 4.8cm wide. £400-600

1523

1524

1522.

A 9ct gold half hunting cased stem-wind pocket watch, blue enamel outer chapter dial with Roman numerals, the white enamel dial with black Roman numerals and subsidiary seconds dial. 3/4 plate movement signed DF&C. Birmingham marks for 1945. £300-400 5.0cm wide.

1523.

A gold hunting cased pocket watch by Henri Hoffmann, signed white enamel dial with black Roman numerals and subsidiary seconds dial. Engraved and engine-turned decoration to both cases £600-800 (worn). 4.2cm wide. With case (damaged), two keys.

1524.

An 18th century silver pair-cased pocket watch, the silver dial applied with Roman and Arabic numerals and signed Wilders. The reverse of the outer case depicting a seated lady with two gentleman. Key wind. 5cm wide. £200-300

1526 1525

1525.

A lady’s gold open faced pocket watch, with black Roman numerals on a gold-coloured dial. Key wind. The case with black enamel decoration and a painted religious scene. £200-300 1526.

A lady’s 19th century gold pocket watch, chased with foliate decoration to the yellow gold case and applied with the gold cipher BDS to the front. Stem wind movement. 3.2cm wide. £200-300 1527.

A gold fob watch by Eszeha, in gold rectangular case chased with engine turned decoration. Hinged to reveal when opened the rectangular dial with Arabic numerals and black hands.

Manual movement. 4.7cm high. Fitted case. £300-400 1528.

A steel purse watch by Movado, the square dial with calendar chapter and hand with red pointer. Apertures for day and month, and moon phases. Dilapidated leather centre-opening case.

The dial 2.5cm wide. And a miniature portrait depicting a boy wearing a sailor’s uniform. Silver frame. 6.5cm high. £150-200

1527 1528

8

1529

1529.

A 1940s dress wrist watch by Bulova, the signed dial with ruby and diamond-set hinged cover and with scroll link bracelet. 17.5cm long. £200-300

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1530

1531 1532

1530.

A French early 20th century gold lorgnette, the elaborately-decorated body chased with romantic images and initials. Set with diamonds and emeralds. Springloaded lorgnette. 12cm. £400-600 1531.

A 19th century gold fob seal set with a carnelian depicting Edmund Halley with a comet, with a smaller gold fob seal set with a bloodstone, a carnelian mounted spinning fob seal and a gold mounted silk fob. £150-200

1533

A 19th century gold swivel fob seal, mounted 1532. with a bloodstone engraved with a crest, and to the other side a carnelian engraved with arms and motto.

Surmounted with a gold owl. 3.3cm high. And a gold-cased stirrup seal, mounted with a carnelian engraved with arms, the body formed with serpents. 4.0cm high. £200-300 1533.

A Victorian gold target stickpin set with an old cushion-shaped diamond and ropetwist border, in fitted case. A diamond solitaire stickpin. A pair of moss agate mounted gold cufflinks. An opal doublet stickpin. A pair of 9ct gold engine turn decorated cufflinks applied with the cipher KMW. And a gold curb-link bracelet. £400-600 1534.

Assorted jewellery and costume jewellery, an Arts and Crafts white metal brooch mounted with an amethyst cabochon and three half pearls, 3.2cm wide.

A Victorian turquoise-mounted gold brooch, 5.1cm wide.

Eleven further brooches. A gold stick pin mounted with an opal doublet, 0.7cm wide. Two pendants, and a seed pearl mounted grapevine necklace in 9ct yellow gold, 41cm long. £200-300

1534

1535.

A silver-gilt brooch mounted with five chrysoprase cabochons, attributed to Dorrie Nossiter. A silver brooch mounted with an enamel stylised fleur de lys, signed B I for Bernard Instone. A silver Art Nouveau brooch depicting a nymph. A silver brooch set with a square chrysoprase cabochon, a circular silver brooch set with a carnelian cabochon and a scroll pierced silver brooch mounted with mother of pearl. £80-120 1536.

A pair of Arts and Crafts silver cufflinks, one section set with amethyst cabochons and heart-shaped chrysoprases in silver, the other section designed as silver trefoils, the two joined by an oval link silver chain. A pair of curb-link design silver cufflinks. An elaborately designed mask ring, possibly representing Il Capitano from The Commedia Dell’Arte, set with foliate scrolling shank in silver. Size S. And a pair of Finnish silver cufflinks set with tiger’s eye cabochons. £200-300

1535

1536

9

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1537

1538

1539 1537.

A large silver heart shaped pendant by Georg Jensen, model number 126. On a long tapered cylindrical link silver chain. The heart 6.5cm wide. £200-300 1538.

A Georg Jensen silver bracelet, of geometric square link design. With maker’s mark and stamped 925. Design number 195, by Astrid Fog. 21.5cm long. £400-600 1539.

An opal and diamond cluster ring, the oval-shaped opal is set within a surround of circular-cut diamonds in platinum and gold. Size L½. With a gold sabre jabot pin applied with red enamel decoration and set with a diamond, two base metal studs, and a three-row cultured pearl necklace with a citrine and half pearl mounted clasp. £200-300 1540.

A single-row cultured pearl necklace, the yellow gold clasp set with a further cultured pearl, 78cm. And a two-row cultured pearl necklace, the bow-shaped white gold clasp also set with a cultured £200-300 pearl, 41cm.

1540

1541.

A two-row cultured pearl necklace, the pearls measure approximately 6.85mm, with a yellow gold openwork clasp set with cultured pearls and red stones. 61cm longest. £200-300 1542.

A large collection of natural, cultured and artificial pearls. £200-300

Accompanied by report number 5777-7339 dated 23rd November 2016 from GCS, London stating that of a sample of five pearls selected at random, one was an imitation pearl, one was a cultured saltwater pearl, one was a natural freshwater pearl and two were natural saltwater pearls, one of them an abalone pearl. See certificate for further details.

1543.

1541

10

1542

A large collection of natural, cultured and artificial pearls. £200-300

Accompanied by report number 5777-7338 dated 23rd November 2016 from GCS, London stating that of a sample of five pearls selected at random, one pearl was an imitation pearl, two were cultured saltwater pearls and two were natural saltwater pearls, one with colour enhancement. See certificate for further details.

1543

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1545 1546

1544

1548

1544. An early 20th century coral pendant, set with a central coral bead within coral and blue enamel flower border in pierced scrolling and square mount. Suspending three smaller coral drops in gold. A coral and diamond navette-shaped ring, set in platinum and gold (one diamond loose from mount).

A pair of carved coral gold mounted earrings, a carved coral brooch, a carved coral gold ring, and seven coral necklaces. £400-600

1547

1545. A fancy-link coral necklace with a Victorian gold brooch mounted with coral cabochons. £600-800 1546. A suite of foliate-carved coral jewellery, comprising a brooch, 6.0cm wide, and a pair of earrings, 5.2cm high. £200-300 1547. A three-row coral bead necklace, the clasp mounted with a glazed locket compartment. 65.5g, 55cm. £200-300 1548. A single row coral bead necklace, 46cm long. 37g. £600-800 1549. Assorted jewellery, including a coral bead latticework sautoir suspending a coral bead tassel and mounted with a gold clasp set with seed pearls and a glazed locket compartment. 84 cm long (broken), with spare coral beads. A brooch set with rose-cut diamonds in silver and gold. A pair of sapphire-set gold earrings and two pairs of gold knot-form earrings. Two gold rings. A pair of foliate-engraved cufflinks in 9ct gold. A diamond-set platinum and white gold clasp and two gold bracelets. £600-800

1549

1550.

Various items of amber, including two amber-mounted silver boxes, a silver knife mounted with a spoon-shaped amber handle and an amber-mounted silver pendant. A bead necklace comprising amber, agate and various other beads, a necklace mounted with rough amber pieces and small turquoise and amber beads, and a fringe necklace mounted with fancy-shaped amber pendants. An amber carving of Shoulao, 3.5cm wide, and an amber carving of a crocodile, 11cm long. And various items of rough and fashioned amber. £400-600 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted.

1550

The colour of the amber may vary from the catalogue or online illustration.

1551.

A graduated amber bead necklace, the oval beads graduate from 0.9 to 2.1cm. 34.8g, 81cm. £200-300 Woolley and Wallis do not guarantee amber as being naturally formed and all or parts may be reconstituted.

The colour of the amber may vary from the catalogue or online illustration.

1551

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1552

1553 1554

1557 1556

1552.

A gold mounted jade bracelet, set with oval-shaped jade cabochons, a jade bead necklace, a jade cabochon mounted gold ring and a pair of jade earrings. £100-150

1555

1553.

A jade and diamond pendant, designed as three interlocking open squares each set with two opposing lines of circular-cut diamonds in yellow gold, and centred with an ovalshaped jade cabochon. 3.8cm high. £200-300

1558

1554.

A pair of jade and diamond earrings, the circular jade cabochons are set beneath a line of circular-cut diamonds in £800-1,200 white gold.

1559 1555.

59g.

A gold curb-link watch chain, with gold T-bar terminal. £700-900

1556.

A gold propelling pencil by S. Mordan & Co., a 9ct gold twisted curb-link watch chain with swivel clips and T-bar, and an oval-link watch chain with swivel clip, T-bar and watch key. 87g in total. £500-700 A 9ct gold watch chain, with fancy links and a gold 1557.

T-bar. 39cm long. 49g. £600-800

1560

1558.

A 9ct gold vesta case, of hinged form and chased with foliate and swag decoration. With London marks for 1923. 6cm long. 28g. £200-300 1559.

A gold mesh link strap bracelet, 88.5g, 19cm. £1,200-1,500

1560.

An 18ct yellow and white integrated gold link necklace, 42g, 43.5cm. £700-900

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1562 1563 1561

1561.

A gold bar brooch, mounted with an untested pearl within a border of rose-cut diamonds, 4cm. Case. A men’s gold ring set with a ruby cabochon and four old circular-cut diamonds, size W. A gold brooch set with an oval cat’s-eye cabochon, 1.7cm wide. A ball watch pendant on a white metal chain, 1.9cm wide. A single row graduated malachite bead necklace, 60cm. And a retracting tooth pick, signed S. Morden & Co. £400-600

1564

1566

1562.

A large citrine brooch, the cushion-shaped citrine is set within carved and pierced octagonal gold mount. 4.4cm wide. £300-400 1563.

An amethyst and blue topaz bangle, the tricolour gold open bangle of fluted columnar design with cabochon sapphires to the abacuses, and set with oval-shaped amethyst and blue topaz terminals. 6.1cm internal diameter. A gold bombé-shaped double ring, set with a fancy-cut citrine and blue topaz, size K. And a citrine and diamond-set fringe pendant, set with heart-shaped citrines graduating in colour, and separated with small round brilliant-cut diamonds in 18ct yellow gold, on a fine-link gold chain. £400-600 The pendant 5.0cm high.

1564.

A modern amethyst and diamond pendant, the fancycut trillion-shaped amethyst is set within a surround of small circular-cut diamonds in yellow and white gold. 5.1cm high. With date marks for Birmingham 2011. £400-600 1565.

A cabochon amethyst and pearl-set gold bracelet, a ruby and diamond cluster ring, size P. An abstract gold pendant set with lapis lazuli. A gold rhinoceros pendant set with a chalcedony cabochon. An aquamarine and cultured pearl pendant. A diamond and blue enamel foliate cluster ring, size T. A textured gold ring mounted with white stones and a tiger’s eye cabochon. A gold daisy brooch set with citrine petals and a peridot to the centre. A rough amethyst pendant and a section of malachite. £200-300 1566.

A 20th century gem-set butterfly brooch, set overall with rubies, sapphires, diamonds, pearls and cabochon ruby eyes, in silver and gold. 4.2cm wide. Fitted case. £600-800 1567.

A diamond line bracelet, set with forty round brilliantcut diamonds in 18ct yellow gold. 16.5cm. £1,000-1,500

1565

1569 1567

1568.

A boulder opal and diamond pendant, the elongated oval-shaped boulder opal is mounted within a spiral of circular-cut diamonds in white gold. 8cm long. £400-600 1569.

A diamond solitaire stud, the old cushion-shaped diamond is set in gold. £200-300 1568

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1570

1572

1571

1574

1573

1575

1570.

A paste-set white metal pendant, the green and white pastes set in the design of a wheel, on a fine link silver chain, 48cm. A white metal line bracelet set with white pastes, 19cm, and a pair of white metal earrings set with white pastes and suspending artificial pearls, 6cm high. £60-80 1571.

An 18th century gold ring, mounted with a bloodstone, bearing the inscription to the inside dated 1797. Size M½. An 18th century gold ring mounted with plaited hair to the centre, within a surround of white pastes. Size Q½. A yellow paste mounted silver cluster ring and three paste buckles. £200-300 1572.

Three 19th century gold eternity rings, set with seed pearls (one missing) size H½, one set with blue pastes (one missing) size M½, one set with green pastes (six missing) size L. Two rings mounted with elephant’s hair. An agate mounted gold locket pendant.

A gold Victorian turquoise, seed pearl and black enamel mourning ring. A bloodstone mounted gold locket pendant. A mother of pearl shell-shaped pendant. A red enamel bell pendant and an urn-shaped agate and seed pearl gold pendant. £300-400

1576

1573. A gold folding knife pendant, a stylised amethyst cat, a coral cameo, a set of four garnet-mounted buttons, a banded agate stick pin, a gold horn brooch, a set of three amethyst and rock crystal buttons, an agate brooch mounted with a pearl and diamondset fleur-de-lys and a Scottish agate and citrine-set gold brooch. £300-400 1574.

A garnet and diamond-set gold gypsy ring, set with a central circular-cut garnet set with two old circular-cut diamonds to each shoulder. Size S½. With a Victorian bloodstone and citrine mounted gold sword brooch, the bloodstone blade with a gold serpent wrapped around it. 9cm long. £400-600 1577

1575.

A Victorian turquoise, ruby and diamond mounted butterfly brooch, set in silver and gold. An amethyst and white stone mounted gold ring. A gold gate-link bracelet, £150-200 a shell cameo and a lady’s rolled gold wristwatch.

1576.

A diamond and seed pearl circle brooch, alternately set with old circular-cut diamonds and seed pearls in silver and gold. 2.2cm wide. Case. A gold brooch designed as a rose, 2.5cm wide. And a paste-set circle brooch, 3.0cm wide. Case. £200-300 1577.

A gold posy ring, with the inscription to the interior: ‘A true frinds giuft’ (sic).

A 19th century circular pendant bearing the inscription ‘J’aime qu’on m’aime comme J’aime quand J’aime’ meaning ‘I love to be loved the way I love when I’m in love’ , the reverse inscribed Juillet 1897. And a 19th century gold harp stick pin, set with seed pearls and applied with diamond-set initials JC. 5cm high. £200-300

14

1578.

A peridot and seed pearl pendant, the pendant set with two circular-cut peridots and seven seed pearls, and suspending a further oval-shaped peridot in yellow gold, on a gold circular-link chain, the pendant 5cm, the chain 45cm. A gold bar brooch set with a circular-cut peridot and a seed pearl. An enamel and seed pearl brooch designed as five clovers arranged around a central cushion-shaped diamond in yellow gold. A yellow gold enamel and seed pearl shamrock brooch, and a yellow gold bar brooch set with a green stone. £300-400 1578

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1582 1580 1579

1581

1579.

A late 19th century seed pearl mounted gold starburst pendant, with detachable brooch and pendant fitting. 4cm longest. £200-300 1580.

A gem-set gold bee brooch, set overall with demantoid garnets, rose-cut diamonds and a red stone. 5.3cm wide. £200-300 1583

1581.

A late Victorian sapphire and diamond set gold bar brooch, centred with an ovalshaped sapphire within a horseshoe-shaped surround of old circular-cut diamonds on a double knife-edge mount, with two old circular-cut diamonds to each terminal in silver and gold. 4.5cm wide. And a gold brooch, set with an oval-shaped amethyst within a surround of seed pearls (one missing). 3.0cm wide. £120-180 1582.

An early 20th century gold opal mounted bracelet, the circular opal cabochons are £150-250 set within gold concentric circles on fancy oval link gold band. 16cm long. Case.

1583.

An Edwardian peridot and seed pearl pendant, of scrolling seed pearl set foliate design and surmounted with a seed pearl set bow (one seed pearl missing), suspending a central pear-shaped peridot and three smaller pear-shaped peridots in yellow gold, on a fine link gold chain. 42cm. £200-300

1584 (2)

1584.

An Edwardian bangle, mounted with a line of graduated seed pearls centred with a central pearl within a seed pearl set openwork flowerhead surround in yellow gold. 5.6cm internal diameter. And a seed pearl set gold brooch of scrolling floral design. 5.7cm wide. £300-400

1585

1585.

A late Victorian ruby, sapphire and diamond bar brooch, mounted with three diamond-set crescents and three ruby, sapphire and diamond trefoils, each with a diamondset ‘stem’, in silver and gold. 5.3cm wide. Case. £300-400 1586 1586.

A sapphire, diamond and seed pearl bar brooch, the fluted gold bar brooch is set with lines of small rose-cut diamonds between three oval-shaped sapphires. With S-shaped ropetwist decoration above and below, each rope terminating at the centre of the brooch with a seed pearl trefoil. 4.9cm wide. £200-300

1588

1587

1587.

An early 20th century citrine and sapphire pendant, set with an oval-shaped citrine and suspending two small circular-cut sapphires on knife-edge links, and a larger oval-shaped citrine in yellow gold. On a gold oval-link chain. The pendant 4.9cm high, the chain 50cm long. £200-300 1588.

An early 20th century sapphire and diamond jabot pin, in the form of an arrow and millegrain-set with rose-cut diamonds and a line of calibre-cut sapphires in platinum and gold. 5.5cm wide. £100-200

1589 1590

A diamond bow brooch, set with a central old circular-cut diamond and further 1589. smaller diamonds to the remainder of the ribbon, in silver and gold. 3cm wide. £200-300 1590.

A late 19th century diamond enamel and seed pearl mounted gold brooch, designed as a spray of forget-me-nots with pearl flowers and leaves and a diamond centre, on blue guilloche enamel within a gold scrolling and textured foliate border. Locket compartment to reverse with hair within. 5cm widest. Fitted case. £200-300 1591.

A Victorian diamond-set foliate bar brooch, centred with a flowerhead within a closed crescent, and set overall with graduated cushion-shaped diamonds in silver and gold.

4cm wide. And a gold locket ring, set with diamonds and damaged dark blue enamel latticework decoration. Unglazed locket compartment to reverse. Size R. £200-300

1591

1592.

A diamond solitaire ring, the principal circular-cut diamond is set between six smaller circular-cut diamonds to the shoulders in platinum, size J. A gold ring mounted with an agate intaglio depicting two superimposed profiles of classical figures and a lyre, size O. An 18ct gold signet ring, size P½. And a gold tie tack, mounted with a cluster of white stones. £400-600 1592

15

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1594

1595

1593

1597

1596

1598

1593.

Nine heart-shaped pendants, including a gold heart-shaped pendant, set with a diamond and foliate enamel decoration. A smoky quartz heart-shaped pendant, set with a coronet mounted with pearls. A gold witch’s heart-shaped pendant set with seed pearls.

A small gold heart-shaped pendant set with turquoise and seed pearls. A marcasite and paste set silver heart and bow pendant. A paste-set silver heart pendant. A marcasite and garnet silver and gold bow and wreath pendant. A bow brooch mounted with a moss agate heart and a marcasite pear-shaped pendant. £300-400 1594.

A sapphire and diamond three stone ring, a George III garnet-set mourning brooch, with glazed locket compartment containing hair, a sapphire and seed pearl-set gold oval brooch, a pair of sapphire drop earrings, and an amethyst-set gold bar brooch. £400-600 1595.

A 19th century micromosaic brooch pendant, the micromosaic depicting lovebirds atop fruiting vines, mounted in gold and with a glazed locket compartment to the reverse. The micromosaic 2.8cm wide. A 19th century micromosaic plaque depicting Pliny’s Doves, the plaque 4.2cm wide. And a gilt metal amphora-form bodkin case with micromosaic sections depicting natural motifs, 7.2cm high £200-300 1596.

Assorted jewellery, including five carved shell cameo brooches and a carved shell cameo ring, all set in white metal. A 9ct yellow gold seed pearl and amethyst mounted gold egg-shaped pendant with scrolling decoration and suspending from a fleur-de-lys design bale.

A 9ct gold pendant set with a small round brilliant cut diamond on a fine link gold chain. A smoky quartz mounted white gold ring. A gold locket pendant and a gold cased pen knife. £100-200

1599

1597.

A 19th century 15ct gold bangle, with ropetwist and pellet decoration. An Edwardian seed pearl and turquoise gold brooch-pendant. A 19th century gold snake bangle, the body (damaged) formed from coils of ropetwist decoration. And a shell cameo in gold frame. £100-200 1598.

An amethyst and diamond cluster ring, size L½. A peridot and diamond cluster ring, size K½. A gold bangle mounted with blue pastes. A gold curb-link bar brooch. A Wedgwood cameo mounted gold brooch, and two similar brooches. And a gold spinning fob seal mounted with a carnelian and bloodstone. £400-600 1599.

A carved shell cameo brooch depicting the angel Ramiel, with an anchor to her feet and a star above. In yellow gold frame. 7cm high. With another carved shell cameo brooch depicting Nyx and Hemera (Night and Day) within yellow gold border. 6cm high. And two £200-300 smaller carved shell cameos

16

1600.

Two 19th century carved hardstone portrait cameos, depicting a lady and possibly Otto von Bismarck. A pair of smaller carved hardstone rectangular cameos depicting the profiles of ladies, 2cm high. And a carved shell portrait cameo depicting a late 19th century £100-150 gentleman, 4.5cm high.

1600

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1601

1602

1603 1605 1604

1601.

A gold stickpin mounted with a carved hardstone gryllus cameo, with a rose-cut diamond set to the mouth of the central mask.

The cameo 2.2cm diameter. With a hardstone cameo ring, depicting a woman in the Classical manner, within a yellow gold surround. Size P. £100-200 1602.

Three pairs of 19th century earrings, including a pair of carved shell cameo mounted gold navette-shaped earrings, probably depicting two of the Daughters of Danaus. 2cm high. A pair of carved shell cameo mounted gold earrings, depicting butterflies. 2cm high. And a pair of gold earrings depicting the face of a horned deity. 1.8cm high. £200-300

1604.

A nineteenth century carved hardstone cameo mounted brooch, depicting the profile of a man and signed C. Voigt. Mounted in a foliate-pierced gold mount, 5cm wide total. A nineteenth century carved hardstone cameo mounted brooch, depicting the profile of Demeter, 3.4cm high. And three further cameos in lava, glass and possibly basalt. £300-500 1605.

Four carved shell cameo profiles.

£150-250

1606.

A collection of Tassie intaglio and cameo casts, the two framed boxes contain forty-four Tassies. The frames 35cm high. £1,000-2,000

1603.

Two 19th century monochrome micromosaic plaques, the micromosaics depicting architectural scenes, each plaque 4.7cm wide. £80-120

1606

17

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FINE JEWELLERY

Thursday 27th April 2017 Entries are now being accepted for this sale

ENQUIRIES Marielle Whiting | Tel: +44 (0)1722 424595 | mw@woolleyandwallis.co.uk

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A ‘tutti-fruitti’ style giardinetto brooch in the Japanese taste by Cartier. 3.2cm high.

Estimate: £10,000 - £15,000

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LOTS 1607-1625 ARE MOSTLY FROM A SINGLE OWNER COLLECTION Every effort has been made to accurately describe and date the intaglios and cameos in this catalogue, but errors may have occurred and consequently there is no guarantee for the descriptions.

1607.

Six small assorted carved hardstone Renaissance cameos, depicting various Classical scenes and a profile portrait. 1cm high - 1.3cm wide. ÂŁ400-600

Not life size

1608.

Seven assorted glass and lava intaglios and cameos (one cracked), five assorted carved scarabs , and four further cameos. The largest scarab 5.5cm high. ÂŁ400-600

Not life size

20

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Not life size

1609.

117 assorted carved carnelian portrait intaglios, mostly 18th and 19th century. 1.0-2.3cm high. ÂŁ600-800

21

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1610. A carved coral cameo depicting Bacchus, circa 1800.

Bearded and wearing fruiting vines, and with a soporific expression.

3.3cm high. £400-600

1611. A nineteenth century carved coral figure of a reclining dog, 3.0cm long. And two carved coral cameos depicting female profiles. Metal mounts, both 1.7cm high. £300-400

1610

1612.

An 18th century carved hardstone cameo depicting a satyrical mask, 3.3cm high. A 16th/17th century carved hardstone cameo depicting an emperor, 2cm high. And two carved hardstone cameos depicting male profiles, possible senate orators, one 2nd century AD and the other 17th century, both 2.3cm high. £1,500-2,000

1613.

A 19th century carved shell gryllus cameo, depicting three classical profiles and a ram’s head. Backed on jet. The cameo 1.8cm wide. And a carved basalt intaglio, probably depicting one of the Daughters of Danaus. Mounted in a gold ring. The intaglio 2.2cm high.

Size M. £600-800

1614.

An 18th century well detailed carved hardstone cameo circa 1800, depicting the seated Achilles mourning his friend Patroclus, who was killed in battle by the Trojan, Hector. To the left of Achilles is his slave and concubine Briseis and the Greek warrior Antilochus leaning on a column. 2.7cm high. £400-600

1611

1615.

A late 18th century carved hardstone cameo, depicting the profile of a senator. 2.8cm high. Later gold mount. £400-600

1616.

A late Medieval Western European carved agate cameomounted gold ring, the cameo depicting a female profile. 19th century closed back rub-over mount. 1.6cm high. Size N. £600-800

1617.

A toadstone of circular cabochon form. 1.5cm long. £100-150

Toadstones, named for their resemblance to the bumps on the skin of a toad, are the fossilised teeth of Lepidotes, an extinct ray-finned fish of the Cretaceous and Jurrasic periods. Toads were thought to be poisonous, and so toadstones were worn set in jewellery from as early as the 14th century to protect the wearer from contagions and poisons.

1618.

Two late 18th century carved rock crystal intaglios, depicting two bearded men, possibly philosophers. Both 1.7cm high. And a late 18th century carved and reverse-faceted rock crystal intaglio depicting a man’s profile. 1.9cm high. £600-800

1612

22

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1613

1616

1615

1614 1617

1618

23

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1619.

A 17th century carved circular carnelian intaglio, depicting a Christian scene with a seated figure holding a cross and a chalice.

1.8cm wide. A 1st to 2nd century AD carved oval intaglio depicting Zeus. 1.2cm high. A 3rd to 4th century Sicilian carved intaglio depicting a warrior. 1.5cm high. And two 17th century carved intaglios of warriors wearing helmets. 1.8 and 1.2cm high. ÂŁ400-600

Not life size

24

1620.

A group of fourteen carved hardstone intaglios ÂŁ600-800 and cameos, mostly 17th to 19th century.

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1621.

Fifty-five assorted glass and hardstone intaglios and cameos, including a gryllus and a worn anti-slavery intaglio depicting a kneeling slave within the words Am I not a Man and a Brother. 2cm high. ÂŁ200-300

Not life size

25

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1622

1623

1624

1622.

A carved agate cameo, circa 1800. Depicting Hercules in profile with short curled hair and beard, wearing his lion cloak. 4.8cm high. £1,000-2,000

λ 1623. A 17th/18th century carved coral cameo, depicting the full face of a bearded man, probably a philosopher, 5cm high. £2,000-3,000 1624.

A Renaissance carved hardstone cameo fragment, depicting Cleopatra wearing two strings of pearls and holding asps in each hand to her breast. 16th century. Damaged border. 4.5cm high. £300-400

26

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Not life size

1625.

A group of thirty-three carved hardstone intaglios and two hardstone cameos, mostly Classical. Including a black and white comedic mask, 1.2cm high. A green intaglio depicting Athena, 1.5cm high. An agate intaglio depicting a gryphon, 1.0cm wide. And a very small agate intaglio depicting a bearded mask, after Silanus, 0.5cm high. ÂŁ2,000-3,000

27

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1626.

An early 19th century necklace mounted with twenty-three assorted carved hardstone intaglios, mounted in gold claw-set cut down collets and alternately set with pairs of circular turquoise cabochons. 42cm long. ÂŁ4,000-6,000 1.

2.

3.

4.

5.

6.

7.

8.

9.

10.

11.

12 & 14.

13.

15.

16.

17.

18.

19.

20.

21.

22.

23.

28

A late 17th century intaglio depicting Fortuna praying A paste intaglio A 17th century intaglio depicting a satyr’s head A 17th century intaglio depicting Mars An 18th Century intaglio depicting a lion A 17th/18th century intaglio depicting a centaur A 17th/18th century intaglio depicting a female profile A 16th/17th century intaglio depicting Victory An 18th century intaglio depicting Psyche and Cupid holding a lyre A 19th century intaglio depicting Plenty holding the Cornucopia An 19th century banded agate intaglio depicting a woman Two small 19th century intaglios, each depicting a figure, possibly a warrior An 18th century intaglio depicting a lion.

A 1st/2nd century BC intaglio depicting Victory A 2nd century AD intaglio depicting a satyrical mask A 17th century intaglio depicting a Roman warrior An 18th century intaglio depicting a female profile A 19th century intaglio depicting a portrait A 1st century BC depicting a warrior with spear A 19th century intaglio depicting a philosopher, probably Socrates A Tassie intaglio depicting Julius Caesar with two daggers, and beneath, the words Eid Mar for Ides of March, being the 15th March in the Roman calendar and the date of the assassination of Caesar An early 19th century intaglio depicting a youth

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1

23 2 22 3 21 4 20 5 19

6 18

7 17

8

14

16

9 15

10

11 13

12

Not life size

29

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1627 Not life size 1627.

A silver mounted bead necklace attributed to Dorrie Nossiter, alternately-set with banded agate beads, faceted citrine beads and citrine cubes, the agates mounted either side with a chalcedony rondel. The clasp set with a citrine within a border of smoky quartz, chalcedony and citrines in silver collets.

47cm long. £300-500 1628.

A circular Arts and Crafts brooch, probably by Sibyl Dunlop. The openwork foliate silver brooch is set with opals, pearls and a cushion-shaped diamond (damaged). 4.3cm wide. £800-1,200 1629.

A French gold Art Nouveau brooch by Louis Rault, designed as the head of Flora and signed with initials LR. Border of eight rose-cut diamonds. 2.5cm wide. £200-300 1630.

An Arts and Crafts turquoise mounted gold necklace, the turquoise cabochons are set in gold collets with wirework decoration and joined with finelink gold chain. The necklace 41cm long. £200-300 1631.

A Jugendstil plique-à-jour silver pendant, designed as a stylised butterfly with shaded green and yellow enamel wings, set with graduated white opal cabochons and suspending a pear-shaped opal cabochon. With red and white pastes. On a fine link silver neck chain. The pendant 6.8cm wide. The chain 42cm long. £800-1,200 Accompanied by purchase invoice from Tadema Gallery dated 1998.

1632.

A pair of onyx and marcasite earrings by Theodor Fahrner, of triangular form and set in silver.

Signed TF. £80-120 1633.

A finely-detailed silver dove brooch, its wings spread. With gold feet and pin. Maker’s mark for BM, probably French. 9.0cm wide. £400-600 1634.

A gem-set silver silver Celtic cross pendant, set with four oval-shaped moonstones, three yellow-green stones, possibly sapphires, and two oval-shaped blue sapphires. 7.5cm high, including bale. £600-800 1635.

An Art Nouveau amethyst brooch by Archibald Knox for Liberty & Co, the oval-shaped amethyst is mounted in a stylised leaf-shaped brooch with pierced knot motif in yellow gold. 2.0cm wide.

And an oval-shaped Art Nouveau mother-of-pearl mounted yellow gold brooch with pierced knot motif by Archibald Knox for Liberty & Co, 2.0cm wide. £150-250 Literature: The Liberty Jewellery Sketch-Book, model numbers 1287 and 1288 1636.

A gold bar brooch by Murrle Bennett & Co, set with an opal cabochon, a quartrefoil gold pendant decorated with white enamel and set with a circular-cut yellow zircon to the centre, a circular gold pendant set with turquoise and suspending two pearls, on a fine-link gold neck chain. A polychrome enamel Art Nouveau gold brooch, of stylised foliate form and set with seed pearls, an Art Nouveau gold pendant mounted with a blister pearl and suspending three smaller baroque pearls, and a turquoise mounted gold pin. 4.5cm long. £200-300 1636A. A turquoise and pearl mounted gold Arts and Crafts pendant by Barnet Henry Joseph, signed B.H.J. to reverse. 7cm high. With a similar Art and Crafts gold brooch by Barnet Henry Joseph. Signed £100-200 B.H.J to front. 9cm wide.

30

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1631

1628

1629

1630

1636A

1632

1633

1636 (7)

1634

1635 (2)

31

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1637.

An abstract silver brooch by Ane Christensen, of circular form and pierced to create two coiled springs, conjoined in the centre of the brooch and set en tremblant. Signed and with maker’s mark AKC. London marks for 2001. 10.5cm diameter. £200-300 1638.

A mixed media bangle circa 1980, designed as layered sheets of silver, blue, yellow and red metal. With screw fittings and stepped to reveal the inner layers and decorated with fabric tufts to the £60-80 front and back. 6.2cm inner diameter.

1639.

An abstract silver brooch by Marilynn Nicholson, designed as a stylised raincloud. The cloud inlaid with abalone shell. The cells forming the rain and sky filled with resin. With Birmingham marks for 1977 and maker’s mark MN. 6.5cm high. £80-120 1640.

A gold brooch by Geoffrey Bellamy, depicting a leaping dear amongst three wild clovers. In 9ct gold with maker’s mark and signed. Birmingham marks for 1969. Retailed by Ivan Tarratt. And a silver stylised kite-shaped brooch by Sarah Letts, decorated with abstract iridescent polychrome cloisonné enamel and a gold border of decoration to one side. Maker’s mark and London marks for 1972. 10cm wide. £200-300 1641.

An abstract gold ring by Björn Weckström for Lapponia, set with a semi-spherical section of rough zoisite and a circular-cut diamond within abstract textured 18ct yellow gold mount. Size M½. With a matching gold pendant by Björn Weckström for Lapponia, also set with zoisite and a circular-cut diamond, the pendant 2.8cm long. The chain 40cm long. £600-800 1642.

An abstract silver brooch, of stylised rhombus form, inlaid with polychrome enamel. London £80-120 marks for 1979 and maker’s mark JMM. 9.5cm high.

1643.

A blue acrylic bangle circa 1980, inlaid with red and yellow geometric patterned design. 6.4cm inner diameter. £60-80 1644.

A ruby and diamond abstract gold ring, set with three pear-shaped rubies and five circular-cut diamonds set in platinum and textured yellow gold mount. Marked for London 1976. Size P. £600-800 1645.

An acrylic bangle circa 1975, with polychrome stripes and beige enamel sandwiched onto a section of amber coloured acrylic. 7cm inner diameter. Inscribed with the initals PMC and .75. £60-80

32

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1638

1637 1641

1642

1640

1639

1645

1643

1644

33

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1646.

A gold hunting cased dress pocket watch by Omega, the signed silvered dial with subsidiary seconds dial. Two colour gold decoration to the cases. 5.0cm wide. £300-400 1647.

A gold hunting cased dress pocket watch by Longines, the signed gold-coloured dial with black Arabic numerals and subsidiary seconds dial. 5.0cm wide. £300-400 1648.

A gold hunting cased quarter-repeating chronograph by Sorbina, the signed white enamel dial with black Arabic numerals and subsidiary seconds dial. Plunge activated chronograph and repetition.

5.0cm wide. £600-800 1649.

An 18ct gold hunting cased pocket watch by Dent, the white enamel dial signed Dent, 61 Strand and numbered 56367. Black Roman numerals. Key wind. Signature and number repeated to the 3/4 plate.

5cm wide. £600-800 1650.

An Art Deco open-faced stem-wind gold pocket watch by LeCoultre, the signed dial with baton numerals and Arabic numerals at 12, 3 and 9. Subsidiary seconds dial. Bridge movement signed LeCoultre Co 49266. 4.8cm wide. £500-700 1651.

A gold open-faced pocket watch, white enamel dial with black Roman numerals. Subsidiary seconds dial and apertures for day and date (French). 4.8cm wide. £400-600 1652.

An ornately decorated gold pocket watch by Vacheron Constantin, circa 1835. The silver dial with guilloche decoration and Roman numerals, gold baton hands and subsidiary seconds dial. Key winding.

The inner case back inscribed Vacheron Constantin Geneve. The case back engraved with cornucopia and a boating scene in yellow gold. With key. £400-600 Accompanied by a letter from Vacheron Constantin dated 1959 confirming the authenticity of the watch and its date of manufacture.

34

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1646 1647

1648

1649

1651

1652

1650

35

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1653.

A gold open-faced quarter repeating pocket watch, the outer case with engine-turned decoration and black Roman numerals to the white enamel dial. Plunge action repetition, 5.5cm wide. £600-800 1654.

An 18ct gold open-faced stem-wind quarter repeater pocket watch by Dent, the signed white enamel dial with black Roman numerals and subsidiary seconds dial. Engine-turned decoration and crest to the case back. Slide quarter repeating, with gold slide to milled band. 3/4 plate movement with Nicole patent winding work and signed E.J. Dent, Watchmaker to the Queen and Patent, London No. 10905.

London marks for 1846 and maker’s initials AN for Adolphe Nicole. 5.0cm wide. £1,500-2,000 Nicole Nielsen manufactured for many of the major watchmaking firms of the late 19th century, including Dent. Adolphe Nicole took out the patent for keyless winding in 1844, and this watch is a very early example.

Repeating pocket watches by Nicole Nielsen are uncommon.

1655.

A gold hunting-cased minute-repeating chronograph, white enamel dial with subsidiary seconds dial, black Roman numerals and various recording sections. 5.0cm diameter. Case with two colour gold decoration. £600-800 1656.

A gold hunting cased quarter repeating pocket watch by Le Roy et Fils, white enamel dial with black Roman numerals and subsidiary seconds dial. Slide action repetition. Key wind. Elaborately £800-1,200 engraved arms with baron’s coronet to the outer case. 4.8cm wide.

1657.

A gold pair-cased pocket watch, the white enamel dial with black Arabic numerals and gold hands. The lever movement (converted from a verge) with elaborate scroll-pierced balance cock and diamond end stone. Signed Fra Perigal, Royal Exchange, 20711. The case stamped with duty mark, with initials WQ and repeated number. Damaged blue and white enamel decoration to the border of the outer case, repeated maker’s initials and London marks for 1794. Loose back plate stripped of enamel. 4.8cm wide. Leather case. £1,000-1,500 1658.

A gold open-faced quarter repeating pocket watch, circa 1820. Engine turned decoration to the reverse and dial and black Roman numerals to the chapter ring. Key wind. Elaborately pierced balance cock. Plunge repetition. £600-800 1659.

A gold hunting cased chronograph pocket watch, white enamel dial with black Arabic numerals, subsidiary seconds dial and power-reserve dial. Plunge action chronograph and return. 5.3cm wide. £600-800

36

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1654 1653

1656

1655 1657

1659

1658

37

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1660.

A lady’s yellow gold wristwatch by Patek Philippe, the square dial with gold baton numerals and gold baton hands. Manual winding. On fancy link gold bracelet. The case 19cmm wide (excluding winder). 15.5cm long. £1,000-1,500 1661.

A lady’s yellow gold wristwatch by Chatelain, the plain hexagonal dial with gold baton hands and set with four diamonds. On woven yellow gold band. Stamped 750. The case 2.4cm wide. 17cm long.

With missing winder. £600-800 1662.

A gentleman’s 18ct pink gold wristwatch by Movado, automatic movement with chronometer and three subsidiary dials for seconds and chronograph recording. Signed mother of pearl dial with baton numerals. The reverse engraved 1881. Number 350. Leather band. Case. £1,000-1,500 1663.

A lady’s gold Baignoire wristwatch by Cartier, the plain tonneau-shaped dial with black Roman numerals and secret signature at VII. Black baton hands and signed Cartier. Quartz movement. Sapphire winder. 18ct yellow gold fancy link bracelet. 16cm long. £3,000-5,000 1664.

A stainless steel Omega Speedmaster Professional Snoopy Award wristwatch, the signed black enamel dial with chronograph recording, and chronograph subsidiary recording dials. With box, papers and spare links. £1,000-1,500 1665.

A lady’s diamond-set dress wristwatch by Bueche-Girod, the hexagonal dial pavé-set overall with circular-cut diamonds and repeated pavé-set diamonds to the bezel. Plain hands. 18ct integrated white gold band. 18.5cm. Case. £800-1,200 1666.

A gentleman’s gold Rolex Day-Date wristwatch, the plain gold dial with gold baton numerals, gilt baton hands with luminous inserts and centre seconds, magnified date aperture at 3, day aperture at 12, brushed and polished tonneau-form case with screw down Oyster back and crown, fluted bezel, fitted polished President link bracelet with signed folding clasp. With box and papers. £3,000-4,000 1667.

A white gold lady’s Tank Americaine wrist watch by Cartier, the rectangular white enamel dial with black Roman numerals signed Cartier and with secret signature at VII. The crown mounted with a circular-cut sapphire. The case back signed Cartier, 27312 SM and 2489. The case 1.9cm wide. Textured green leather strap signed Cartier. £800-1,200 1668.

A gentleman’s gold wristwatch by Patek Philippe, the plain signed white dial with black Roman numerals and black baton hands, date aperture at III. With gold engraved case and black leather band. The £2,000-3,000 gold buckle signed Patek Philippe and with Swiss marks. Patek Phillipe box.

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1660 1661 1663

1662

1664

1665

1666

1667

1668

39

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1669.

A sapphire and diamond cluster ring, of hexagonal form, the central circular-cut sapphire is set within a surround of six round brilliant cut diamonds and a further surround of twelve circular-cut sapphires in 18ct gold. Size N½. £600-800 1670.

A cultured pearl and diamond ring, the large black cultured pearl measures approximately 13mm diameter, set with four baguette-shaped diamonds to each shoulder in yellow gold. Size J. £150-250 1671.

A diamond solitaire ring, the circular-cut diamond weighs approximately 0.40cts and is set in 18ct white gold. Size K. £200-300 1672.

An emerald and diamond five-stone ring, set with two round brilliant-cut diamonds and three circular-cut emeralds in 18ct gold. Size P. Garrard box. £200-300 1673.

A tanzanite and diamond cluster ring, the oval-shaped tanzanite is set within an undulating surround of tapered baguette-shaped diamonds in yellow and white gold. Size O½. £800-1,200 1674.

A sapphire and diamond three stone ring, the central oval-shaped sapphire is set between two old circular-cut diamonds in yellow gold. Size M½. Case. £400-600 1675.

A diamond solitaire ring, the old cushion-shaped diamond is set in platinum and yellow gold.

Size O. Case. £300-400 1676.

An enamel and diamond paws ring, designed as two crossed paws and decorated with purple guilloche enamel and circular-cut diamonds in yellow gold. Size J½. £200-300 1677.

A diamond and emerald cluster ring, centred with a circular rose-cut diamond millegrain-set within a surround of square-shaped emeralds and further border of round brilliant-cut diamonds in white gold. Scroll pierced underbezel. Size N. £1,000-1,500 An emerald and diamond crossover ring, set with an old circular-cut diamond and an emerald1678. cut emerald within two lines of old circular-cut and round brilliant-cut diamonds and three circular-cut emeralds to the birfurcated shoulders in white gold. Size S. £600-800 1679.

A sapphire and diamond five stone ring, alternately set with graduated round brilliant-cut diamonds and oval-shaped sapphires in a yellow gold mount with fluted shoulders. Size R½. £600-800 1680.

A coloured stone half hoop ring, channel set with seven square-shaped coloured stones, including sapphires, in yellow gold. Size O. Case. £100-150 1681.

An alexandrite and diamond ring, the cushion shaped alexandrite is set either side with a baguette-shaped diamond in platinum and white gold. Size N. Case. £300-400 1682.

A sapphire and diamond five stone ring, alternately set with oval-shaped sapphires and old circular-cut diamonds in a yellow gold mount with trifurcated shoulders. Size M. £200-300 1683.

A diamond crossover ring, set with two old circular-cut diamonds in yellow gold and platinum.

Size Q½. £400-600 1684.

A sapphire and diamond three stone ring, the oval-shaped sapphire is set between two round brilliant cut diamonds in white gold. Size I. £1,000-1,500 1685.

A ruby and diamond three stone ring, the cushion-shaped ruby is set between two round brilliant-cut diamonds in 18ct yellow and white gold. Size P. £800-1,200 1686.

An emerald and diamond cluster ring, of hexagonal form and set with lines of circular-cut emeralds and diamonds in white gold. Size M½. £200-300 1687.

An emerald and diamond three stone ring, the emerald cut emerald is set with a baguetteshaped diamond to each shoulder. In scroll pierced platinum mount. Size G½. £400-600 1688.

A diamond-set platinum full circle eternity ring, the round-brilliant cut diamonds weigh approximately 2.50cts in total. Size O. £400-600 1689.

An emerald and diamond nine stone ring, the three graduated emeralds are set within six circular-cut diamonds in yellow gold. Size N. £200-300 A diamond five stone ring, set with five slightly graduated round brilliant-cut diamonds in yellow 1690. and white gold. Size M. £1,000-1,500

40

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1669 1670

1671

1672

1681 1680

1673

1682 1679 1683

1674 1678 1690 1675

1684 1689 1676

1677

1685 1688

1686 1687

41

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1691. A 19th century coral choker necklace, the woven coral beads are set with silver gilt coral mounted claps. 42cm long. £100-200 1692. A 19th century carved coral hand and dagger charm, designed as a hand clutching the handle of a gold dagger and wearing a gold bracelet mounted with a turquoise cabochon, mounted in yellow gold. 2.1 cm high excluding bale. A smaller 19th century carved coral hand and dagger charm of similar design, 1.5cm high. And a 19th century carved coral skull charm, 1.0cm high £150-200 1693. A carved coral mounted gold brooch, realistically designed as an open rose amongst daisies, within a plain and textured 18ct yellow gold leaf border. Hallmarked for London 1995. 7.1cm wide. £200-300 1694. A 19th century coral cameo brooch, the carved coral depicting a woman with fruiting vines to her hair, within yellow gold foliate border. 5cm high. £500-800 1695. A 19th century carved coral cameo brooch, depicting a woman in the Classical manner. Gold mount. 4.2cm high. £200-300 1696.

A long jade bead necklace, the beads measure approximately 9.5mm. 125cm long.

£400-600

1697.

A jade and diamond cluster ring, the oval-shaped jade cabochon is set within a surround of round brilliant-cut diamonds in platinum and yellow gold. Size P. £200-300 1698.

A pierced and carved jade brooch, gold mount. 6.5cm long.

£400-600

Accompanied by report number 5777/8108 from GCS London stating that the jade is natural with no indications of impregnation.

1699.

A jade mounted gold bracelet, set with oval and square jade cabochons alternately set in pierced yellow gold. 18cm long. £300-400

42

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1691

1692

1693

1695

1694

1696

1698 1699 1697

43

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1700.

A French gem-set choker-length gold necklace, set with gold textured interlocking square links joined with clusters of four square-shaped coloured stones, circa 1970. 41cm. Fitted case. £1,500-2,000 1701.

A gem-set giardinetto brooch, set overall with diamonds, sapphires, emeralds, rubies, an opal and a pearl in gold. Circa 1950. 4.5cm wide. Case. £400-600 1702.

A pair of cultured pearl and diamond drop earrings, the white South Sea cultured pearls suspend from a millegrain-set diamond cap, two articulated circular-cut diamonds and a millegrain-set diamond top section, post fittings. The pearls approximately 13 and 14mm wide. The earrings 4cm long. £2,500-3,500 1703.

A diamond sunflower brooch, the centre section set overall with old circular-cut diamonds within an undulating surround of alternating marquise-shaped and pear-shaped diamond petals. 2.8cm wide. £1,500-2,000 1704.

A gold fancy-link neck chain, with London marks for 1978. 47g. 74cm long.

£350-400

1705.

A diamond necklace, suspending a three section diamond pendant, with heart shaped motif and a circular-cut diamond, with diamonds set to the sides on an oval-link neck chain with a diamond set to each terminal. In white gold and signed Escada. With matching 18ct white gold earrings, signed Escada. £800-1,200 1706.

A pair of diamond studs, the old circular-cuts weigh approximately 0.50cts in total, millegrainset in white gold. £500-700 1707.

A pair of emerald and diamond cluster earrings, each earring is set with an oval-shaped emerald cabochon within a surround of small round brilliant cut diamonds in white and yellow gold. The emeralds weigh approximately 8.00cts in total, and the diamonds weigh approximately 1.53cts in total. 2.7cm high. £2,000-3,000 1708.

A pair of diamond and cultured pearl ear clips, the trifurcated bombé-shaped gold clips are pavé set with round brilliant-cut diamonds and surmounted with a cultured pearl. 2.7cm high. £600-800 1709.

A pair of emerald and diamond cluster earrings, each set with five oval-shaped emeralds interspersed with marquise and round brilliant-cut diamonds, and with a line of graduated round brilliantcut diamonds in white gold. 2.5cm high. £2,000-3,000 1710.

A fire opal and diamond cluster ring, the fancy-cut fire opal is set within a border of baguetteshaped and circular-cut diamonds in platinum and yellow gold. Size O½. £600-800 1711.

A sapphire and diamond plaque ring, set with an oval-shaped sapphire between two lines of circular-cut diamonds and within a square surround of square-shaped diamonds, with pierced scroll gallery and stylised fleur-de-lys shoulders in white gold. Size O½. £600-800 1712.

A sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of undulating tapered baguette and circular cut diamonds in white gold. Size M. £600-800 1713.

A pair of emerald and diamond earrings, each earring set with a cluster of marquise and pearshaped diamonds surmounted with a round brilliant-cut diamond and centred with an emerald-cut emerald.

Suspending a larger round brilliant-cut diamond and a further cluster of marquise and pear-shaped diamonds and a larger emerald-cut emerald in yellow and white gold. 4cm high. £4,000-5,000

44

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1701

1700

1706

1702

1703

1704

1705

1712

1711 1708

1710 1713

1707 1709

45

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1714.

A diamond and pearl set brooch, the V-form brooch with stylised fleur-de-lys, set overall with graduated rose-cut diamonds set in silver and gold. Suspending an oval-shaped natural pearl. 6.0cm high. £1,200-1,500 Accompanied by report number 5776-6445 dated 27th July 2016 from GCS, London stating that the brown pearl measures approximately 8.10-8.20 x 8.80mm and is a natural saltwater pearl with no indications of treatment.

1715.

An early 20th century moonstone fringe necklace, set with a line of graduated moonstone cabochons which suspend three larger moonstones on knife-edge mounts with moonstone swags between.

On fine link yellow gold neckchain. 39cm long. £1,500-2,000 1716.

A single-row graduated natural pearl necklace, the pearls graduate from 2.0 to 5.3mm, set with an emerald and diamond cluster clasp. 42cm long. £600-800 1717.

A sapphire and diamond cluster ring, the central oval-shaped sapphire is set within a surround of ten old circular-cut diamonds in gold. Size H½. £200-300 1718.

A diamond and sapphire five stone ring, alternately set with three graduated round brilliant-cut diamonds and two oval-shaped sapphires in an 18ct yellow gold scroll carved and pierced mount. Size P½. £400-600 Accompanied by report number 5777/8119 from GCS, London stating that the pearls are natural saltwater.

1719.

A late Victorian small emerald and diamond half hoop ring, set with three emeralds and two cushion-shaped diamonds in 18ct yellow gold. Scroll-pierced shoulders. Birmingham marks for 1899. Size L. £200-300 1720.

An early 20th century yellow sapphire and diamond pendant, the oval-shaped yellow sapphire is millegrain-set within pierced diamond-set mount and a diamond trefoil. In platinum and gold. The pendant £1,500-2,000 3.5cm long, the chain 40.5cm long.

1721.

NO LOT

1722.

A French natural pearl stick pin, the pearl measures 9.1 x 13.1mm and is set on a gold pin.

French control marks and maker’s lozenge for P.G. Case. £100-200 Accompanied by report number 303245 dated 6th May 2014 from Laboratoire Français de Gemmologie, Paris stating that the baroque white-cream half-drilled pearl measures approximately 9.10-9.30 x 13.10mm and is a natural saltwater pearl.

1723.

Two drop-shaped natural non-nacreous pearls, the undrilled pearls displaying a fine flame pattern to the surface and weighing 5.78ct and 5.59ct, and measuring 8.39 - 8.41 x 11.72mm and 8.07 8.20 x 12.08mm respectively. From the mollusc Tridacna spp. £1,000-1,500 Accompanied by report number 5777-7985 dated 29th November 2016 from GCS, London stating that the two undrilled white pearls weigh 5.78ct and 5.59ct and are natural saltwater clam pearls of the mollusc Tridacna spp, with no indications of treatment.

1724.

A natural pearl ring, set with a line of calibre-cut rubies to the underbezel and French-cut rubies to the shoulders, in platinum. Size L. £1,000-1,500 Accompanied by report number 5777-7918 dated 28th November 2016 from GCS, London stating that the cream coloured pearl measures approximately 11.80 -12.00 x 9.60mm and is a natural saltwater pearl with no indications of treatment.

1725.

An Edwardian red spinel and diamond brooch, the central oval-shaped red spinel is millegrainset within a pierced surround of six old circular-cut diamonds, with a line of three further old circular-cut diamonds to each side, in platinum and yellow gold. 7.0cm wide. Case. £1,000-2,000

46

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1714

1715 1719 1716 1718

1722

1720

1717

1723

1725 1724

47

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1726.

A gem-set and enamel gold parrot brooch, wearing a diamond-set necklace and a ruby eye and decorated overall with polychrome enamel in 18ct yellow gold. 8cm long. £600-800 1727.

A gold collar necklace by Fope, the fancy link necklace stamped 750. 46.5cm long. £1,200-1,800

1728.

A pair of cultured pearl and diamond earrings, each South Sea pearl measures approximately 14.80-15.20mm and suspend from three round brilliant cut diamonds in white gold. £1,500-2,000 1729.

A pair of diamond drop earrings, the articulated line of circular-cut diamonds suspends a pierced teardrop section millegrain-set with diamonds and suspending two further circular-cut diamonds in yellow and white gold. 4.8cm long. £2,500-3,000 1730.

A black diamond and ruby-set spider brooch, realistically designed and pavé-set overall with £1,500-2,000 rubies and black diamonds, the legs articulated, set in platinum. 5cm wide 1731.

A cultured pearl and diamond kitten brooch, the cat pavé-set with circular-cut diamonds and playing with a pink cultured pearl. In platinum and yellow gold. 3.3cm wide. £400-600 1732.

A sapphire and diamond cluster ring, the oval-cut sapphire weighs approximately 5.60cts and is set within a surround of twelve round brilliant cut diamonds in white gold. The diamonds weigh £5,500-7,000 approximately 1.20cts in total. Size K½.

1733.

A pair of ruby and diamond night and day earrings, the upper palmette sections set with three pear-shaped rubies within a surround of circular-cut diamonds. Suspending a detachable lozenge-shaped section set with baguette and circular-cut diamonds, pear-shaped rubies in pierced yellow gold and £300-400 platinum surround. 6.2cm longest. Clip fittings.

1734.

A diamond crossover ring, of yellow gold fluted form, the two top sections set with a cluster of circular-cut diamonds in platinum on yellow gold. Size G½. £600-800 1735.

An opal and diamond cluster ring, the solid white opal cabochon is millegrain-set within a surround of circular-cut diamonds in platinum and yellow gold. Size O. £1,500-2,000 A oval-shaped diamond plaque ring, of fluted design and set with a cluster of circular-cut 1736. diamonds in yellow gold. Stamped 750. Size K. £600-800 1737.

A French diamond and yellow gold dress ring, centred with a round brilliant-cut diamond and fourteen further shoulder diamonds. Size K. £1,500-2,000 1738.

A diamond line bracelet, set with clusters of small round brilliant-cut diamonds each centred with a yellow diamond, the clusters separated with a baguette-shaped diamond in white gold. 17.5cm long. £4,500-5,500 1739.

A pair of yellow and white diamond set scroll earrings, each earring set with three yellow diamonds and further graduated round brilliant cut diamonds in yellow and white gold. 2.5cm high. £3,000-4,000

48

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1726 1727 1728

1729

1730

1733 1731 1732 1735 1738 1734

1737 1736

1739

49

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1740.

A hardstone cameo brooch, the carved agate depicting a woman in the Classical manner, with flowing ivy vines flowing from her hair. Set within ropetwist and pellet yellow gold border. 5cm high. £400-600 1741.

A late 19th century hardstone cameo brooch, centred with an oval-shaped hardstone cameo depicting the profile of a young woman in the Classical manner within a black enamel border, and mounted on an oval-shaped pierced and engraved gold border set with four circular-cut rubies and four untested pearls. French marks. 5.8cm high. £200-300 1742.

A Victorian yellow gold fringe necklace, with ropetwist and pellet decoration to the undulating fronds. The lower circular drops each with a vacant section. On a fancy link yellow gold chain. 41cm long. £800-1,200 1743.

A Victorian diamond-set brooch pendant, centred with an eight-pointed star set with an old cushion-cut diamond within a surround of eight rose-cut diamonds, the star accented with blue enamel.

On an oval-shaped plaque with ropetwist and pellet border, and further scalloped-edge surround with eight rose-cut diamonds in yellow gold. Suspending swags and a gold tassel, surmounted with a diamond-set blue enamel trefoil motif. 4.2cm wide. With a pair of corresponding ear clips, 2.2cm high. £600-800 1744.

A late 19th century paste rivière, the oval-shaped green pastes are graduated and set in gold collets. 40cm long. With a pair of matching earrings (butterflies missing). £500-700 1745.

A pair of paste-set silver pendeloque earrings, gold tops. 9.5cm long.

£200-300

1746.

A Victorian gold bangle, decorated with seed pearl flower head clusters, in 18ct yellow gold. £700-900

1747.

A late 19th century citrine mounted gold brooch, the oval-shaped citrine set within a ropetwist and pellet border and mounted in a gold brooch with further ropetwist and pellet surround, 3.0cm wide.

With a corresponding pair of yellow paste set gold earrings, 2.6cm high. £80-120

50

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1741

1740

1742

1743

1744

1745

1746

1747

51

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1748.

A pair of diamond-set cufflinks, the bevel-edged square-shaped links are invisibly set with princess-cut diamonds in yellow gold. 1.4cm wide. £200-300 1749.

A set of French Art Deco onyx and diamond cufflinks and studs, the black onyx discs are mounted with rose-cut diamonds millegrain-set in platinum, pierced to form billowing clouds. The cufflinks 1.9cm wide, the studs 1.0cm wide. Case. £800-1,200 1750.

A pair of onyx and diamond cufflinks, designed as stylised cubes, set with a line of rose-cut diamonds and an onyx rhombus in white gold. With Austrian marks and maker’s mark P.L. £500-700

1751. A pair of late 19th century French coral, diamond and enamel cufflinks, each circular link mounted with a green guilloche enamel flowerhead centred with a rose-cut diamond on a circular coral ground in silver and yellow gold. 1.8cm wide. £800-1,200 1752.

A pair of aeronautical cufflinks, one end designed as a stylised tailplane, the other as a propeller £500-700 in motion and set with rose-cut and old circular-cut diamonds. In yellow and white gold.

1753.

A pair of early 20th century Iron Cross cufflinks, each square link is pavé-set with old circularcut diamonds and millegrain-set in platinum. Centred with a miniature replica of a 1914 Iron Cross. The torpedo-shaped platinum bands set with small circular-cut diamonds. Case by Lavender. £1,500-2,000 1754.

A pair of diamond-set cufflinks, the circular links are centred with old circular-cut diamonds £600-800 within two concentric carved laurel borders in platinum and yellow gold. 1.9cm wide. Case.

1755.

A pair of hematite and diamond cufflinks, the hematite batons decorated with two crossed bands of circular-cut diamonds in 18ct yellow gold. Birmingham marks for 1989. £200-300 1756.

A pair of French Art Nouveau gold cufflinks, of pierced scrolling form and set with a central cushion-shaped ruby. French control marks. £700-900 1757.

A set of mother-of-pearl, seed pearl and enamel cufflinks and studs, the octagonal-shaped mother-of-pearl links are centred with seed pearls within a blue enamel border with gold lozenges at each vertex, in 9ct gold. 1.2cm wide. With four matching studs, 0.8cm wide. Birmingham marks for 1965. Fitted case. £200-300 1758.

A pair of French Art Deco gold and enamel cufflinks, the square links are decorated with blue and black enamel in a geometric design. 1.2cm wide. £800-1,200 1759.

A pair of 19th century gold and gunmetal cufflinks, set with a central baroque pearl within engraved gunmetal surround and gold and white enamel striped border. With marks for LP and Austria. £300-500 1760.

A set of early 20th century French sapphire and enamel cufflinks and studs, the circular discs engraved with concentric circles and centred with a sapphire cabochon, and within a blue enamel border in white and yellow gold. The cufflinks 1.4mm wide, the studs 0.9mm wide. Fitted case. £600-800 1761.

52

A pair of diamond-set disc cuff-links, set with a central old circular-cut diamond in white gold. £500-700

WW102-408 Listing.qxp_Layout 1 15/12/2016 09:52 Page 53

1749

1748

1752

1751 1750

1755 1754 1753

1758

1756

1757

1761

1759

1760

53

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1762.

A gold box by Tiffany & Co, with engine-turned crosshatch and fluted decoration. Signed Tiffany & Co and 14k. 12.7cm long. 149g. £4,500-5,500 1763.

An Art Deco French gold square-shaped box, the hinged cover with gold lacquer decoration on black enamel ground. Centred with an elaborate basket of flowers within a circle, and quartered with similar foliate motifs. Red enamelled sides and thumb piece. Obscure French control marks, maker’s £800-1,200 lozenge JT (2), and numbered 4397 (2). 8.5cm wide.

1764.

A circular gold and enamel Russian locket pendant circa 1900, with oyster coloured guilloche enamel and set with an old circular cut diamond. With two inner glazed locket compartments and a diamond-set bale. 2.1cm diameter. £1,000-2,000 1765.

An elaborately decorated gold seal, chased with carved flowers and diamond swags and laurels above green guilloche enamel panels. The corners decorated with white enamel and gold fruiting vines.

Applied with a vacant silver section to the base, with French marks. 6cm high. £1,500-2,000 1766.

A Regency ruby and turquoise mounted gold vinaigrette, the cover chased with a scrolling quatrefoil motif and mounted with turquoise and ruby cabochons within a foliate chased border in yellow gold. Engine-turned base and sides. Foliate chased and pierced grille. 3.1cm wide. £1,000-1,500 1767.

A large Regimental brooch for the Royal Artillery, set overall with circular-cut diamonds in gold and platinum, and blue enamel decoration to the motto. 5.7cm wide. Fitted case by Spink. £1,500-2,000 1768.

An emerald and diamond pendant representing the badge of the French Legion d’Honneur, the blue enamel centre sections reading ‘Republique Français’ and ‘Honneur et Patrie’ with crossed French flags and the head of Marianne. Set overall with emeralds and diamonds in silver and gold. 2.7cm high. £200-300 1769.

A gold triangular-shaped enamel photograph frame, the central oval glass section decorated with bi-colour gold border and mauve guilloche enamel. Within an outer border of yellow and rose gold laurels. Ivorine back and gold scrolled strut. 10cm high. £4,500-5,000 1770.

A gold circular box, the detachable cover mounted with Bristol glass and verre églomisé style gold decoration depicting a vase with flowers and two butterflies. Two pellet borders and repeated decoration to the glass-mounted base, centred with a butterfly, and with conforming double pellet border. £5,000-7,000 Unidentified mark to base rim. Circa 1775. 7.5cm diameter. Fitted case by Lavender.

1771.

An early 19th century gold and gold-cased fob seal, mounted with a circular carnelian matrix, carved with arms and a motto. The stylised amphora body issues from a scroll and foliate decorated base.

And a gold and gold-cased fob seal mounted with a bloodstone matrix carved with arms and a motto. The £400-600 stylised amphora body rises from a heavily fluted base with scroll border. 4.0cm high.

1772.

A shakudo fan bracelet, comprising one larger and five smaller fans, each decorated with a pair of quails amongst foliage. 17.5cm. Broken clasp. £500-700

54

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1763

1769

1762

1766

1764

1765 1768

1767

1771

1770

Not life size

1772

55

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1773.

An Edwardian seed pearl, turquoise and diamond set heart pendant, the heart-shaped pendant is pavé-set with seed pearls and a cluster of six turquoise cabochons centred with an old circular-cut diamond in gold. Mounted with a glazed locket compartment to the reverse. 1.8cm high. £200-300 1774.

An Edwardian peridot and seed pearl pendant, of Art Nouveau influence and set with two peridots and graduated seed pearls in gold. 4.2cm wide. Fine link gold neck chain, fitted case. £400-600 1775.

An Edwardian seed pearl mounted gold necklace, set with an articulated line of seed pearls and suspending three star and moon design pendants, alternately suspending seed pearl and stylised tulip drops.

38cm long. Fitted case. And with a similar Edwardian seed pearl cluster and heart design gold brooch. £600-800 1776.

An early 20th century French heart-shaped amethyst pendant, the part faceted heart-shaped amethyst set within a surround of old circular-cut diamonds in platinum, with diamond-set bale. 3.5cm high (excluding bale). £3,000-4,000 1777.

An Edwardian peridot and seed pearl pendant, centred with an octagonal-shaped peridot within a scrolling foliate surround set with seed pearls and suspending a pear-shaped peridot. On a fine link gold chain. 48cm. £400-600 1778.

An Edwardian sapphire and diamond pendant, the pearl and diamond laurel wreath suspending two cushion-shaped sapphires in platinum and gold. The pendant 6.2cm long. The chain 44cm long. Fitted case. £1,500-2,000 1779.

An early 20th century suffragette pendant, of circular form and set with a large central ovalshaped amethyst within a border of dementoid garnets and seed pearls. Suspending a further pear-shaped £400-600 amethyst and circular-cut dementoid garnet in yellow gold. 6cm long. Case.

1780.

An Edwardian pink tourmaline and graduated seed pearl set gold pendant, with two drop pendants. Fine link gold neck chain. £400-600 1781.

A pair of late 19th century untested pearl and diamond earrings, each set with a central untested pearl within a surround of old circular-cut diamonds in silver and gold. Screw fittings. 1.0cm wide. £600-800 1782.

A late Victorian turquoise and diamond snowflake pendant, set with seven turquoise cabochons and old circular-cut diamonds in silver and gold. 3.5cm wide. Case. £300-400 1783.

An Edwardian brooch pendant set with two aquamarines and small diamonds, the open heart-shaped and foliate design with detachable brooch fitting and safety chain. 4.5cm high. Fitted case. £800-1,200 1784.

An Edwardian tourmaline and seed pearl bracelet, the gold openwork links are each centred with a circular-cut tourmaline and four seed pearls. 18cm. £600-800 1785.

A heart-shaped diamond ring, pavé-set with old circular-cut diamonds, in silver and gold. Size N½. £600-800

1786.

An opal and diamond seven stone ring, the three graduated oval-shaped opal cabochons are each spaced with two old circular-cut diamonds in a yellow gold mount with trifurcated shoulders. Size M½. Case. £200-300

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1773

1775 (2)

1774

1777

1778 1780

1781 1779

1782 1784

1783

1786 1785 1776

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1787.

Two Victorian rings, including a gold ring set with five graduated half pearls, each separated with two rose-cut diamonds and scroll engraved shoulders. Engraved with presentation inscriptions. Size L. And an unusual gold mourning ring, set with an oval-shaped opal and decorated with black enamel. Glazed locket compartment to the reverse, containing plaited hair and engraved with presentation inscription dated 1840. Size L. £200-300 1788.

A three-row graduated cultured pearl necklace, the pearls graduate from 9.5-6.5mm. 44cm.

The gold clasp centred with an oval-shaped rose-cut diamond set within four alternating rows of graduated rose-cut diamonds and seed pearls. £1,000-1,500 1789.

An elaborate 19th century French amethyst rivière necklace, the oval-shaped amethysts are alternately-set with gold fruiting vines set with smaller circular-cut amethysts. Suspending a detachable and conforming pear-shaped amethyst drop, in gold. 38cm long. French control marks. Fitted case by Hancocks & Co. £2,000-3,000 1790.

A ruby three stone ring, the graduated oval-shaped rubies set in a scroll carved yellow gold mount. Size M. £1,500-2,000 1791.

A 19th century emerald, diamond and garnet brooch, the large cabochon garnet is set within a surround of cushion-shaped diamonds and emerald-cut emeralds in ropetwist and stylised fleur-de-lys yellow gold border. 3cm wide. £300-400 1792.

A turquoise and diamond seven stone ring, set with three graduated oval turquoise cabochons each spaced with two old circular-cut diamonds in a scrolling gold mount. Size L. £300-400 1793.

A 19th century Holbeinesque gold pendant, the central cabochon garnet is set within foliate decorated enamel borders interspersed with cushion-shaped chrysolites. Suspended from a detachable conforming scroll brooch and suspending a square cluster of four chrysolites. With counterenamel decoration and ornately carved gold plaque covering the locket compartment. Fitted case. £1,000-1,500 1794.

A Victorian ruby and diamond foliate brooch, the principal section mounted en tremblant and set with a ruby and diamonds, on further diamond foliate spray brooch, in silver and gold. £600-800 1795.

A Victorian sapphire and diamond set gold hinged bangle, set with a line of graduated ovalshaped sapphires, each spaced with two old circular-cut diamonds in yellow gold. Scroll-pierced mount.

6cm inner diameter. £1,000-1,500

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1787 (2)

1788

1790

1789

1791

1794

1792

1793

1795

59

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1796.

A 19th century topaz cross pendant, the cruciform pendant is set with eleven circular-cut topaz in yellow gold. 3.6cm high excluding bale. Fitted case. £200-300 Accompanied by report number 5776-5811 dated 21st June 2016 from GCS, London stating that the eleven round cut yellow to orange topaz weigh approximately 3.30cts in total and are natural topaz. Colour treatment indeterminable.

1797.

An Austro-Hungarian 19th century silver collar necklace by Georg Adam Scheid, formed from a line of silver and silver gilt foliate scroll links joined by a floral border to each end. The front section mounted with an ancient silver tetradrachma coin from Syracuse replica, with four horse chariot to the reverse. 45cm long. With Austro Hungarian marks and maker’s mark GAS. £250-350 1798.

A realistically-formed late 19th century gold fouled anchor pendant, with a blue enamel and gold matched oval-link watch chain. The anchor with broken rope and oval glazed locket compartment to the reverse, and with polished gold bale. 6.5cm high. The gold watch chain with two swivel clips of different sizes and royal blue enamel decoration overall. The chain 36cm. £3,000-4,000 Provenance: Believed to be from the collection of King Ludwig II of Bavaria.

1799.

An 18ct gold buckle ring, engraved with foliate scroll decoration. The centre-opening hinged outer section reveals an inscription dated 1916. Marked 18 (twice) and initials DM (twice). Size P. £200-300 1800.

An early 19th century diamond cluster ring, set with a central rose-cut diamond within a surround of smaller rose-cut diamonds in silver and gold. Size L. £80-120 A gold fede and triple gimmel posy ring, probably 17th century, French. Hinged to the base of 1801. the three rings and the hands move to clasp the amethyst and white stone set crowned heart. Enamel decoration to the hands and reverse of the centre section. The centre ring engraved mon coeur est en vos mains, which translates to my heart is in your hands. Size N, case. £400-600 1802.

A George III emerald and diamond cluster ring, the central emerald set within a surround of rose-cut diamonds and bifurcated diamond-set shoulders in silver and gold. Size O½. £800-1,200 1803.

A late Victorian diamond cluster locket ring, centred with a small circular locket containing hair and covered with a crystal cabochon, and surrounded with eight cushion-shaped diamonds in gold and silver. The gold shank with fluted shoulders. Engraved Emily Seely, 1894. Size M½. Case by S. J. Phillips. £200-300 1804.

A late George III topaz and seed pearl mounted gold ring, the oval-shaped topaz is set within a surround of half pearls, mounted on a fluted gold ring with graduated openwork twist form shoulders.

Size R. Case. £300-400 1805.

Three early 19th century rings, including a gold locket ring, alternately set with turquoise cabochons and seed pearls, centred with a crystal covered locket containing plaited hair. Fluted bezel.

Engraved with inscription to reverse dated 1816. Size I. A cluster ring centred with a cushion-shaped deep orange stone set within a surround of seed pearls and further smaller seed pearl border in gold. Size O. A gold locket ring, centred with a long oval locket with crystal cover and containing plaited hair, within a surround of alternately-set seed pearls and garnets. Openwork shoulders. Size J. £200-300 1806.

A French gold lozenge-shaped brooch watch circa 1820, cylinder movement, white enamel dial, subsidiary seconds dial and calendar dial. Seed pearl border. Slide cover for key apertures to reverse.

Suspension ring. 3.5cm high. Fitted case. £1,000-1,500 1807.

A late 18th century gold long guard chain, formed with small circular links decorated with scroll £800-1,200 design, with cannetille barrel-shaped gold clasp. 128cm, 36g.

1808.

A pair of 19th century French enamel and gold earrings, of fluted melon form with blue enamel stripes. French control marks and rubbed maker’s lozenge. 3.6cm long. £150-200 1809.

A Regency pink topaz and turquoise mounted gold brooch, of quatrefoil-form, set with a central oval-shaped pink topaz and four turquoise cabochons within fine cannetille decoration. 2.6cm wide. £100-200

60

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1796

1798

1797

1804 1803

1800

1805 (3)

1802

1799

1801

1807

1809

1808 1806

61

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1810.

A turquoise, gold and ruby cat brooch by Cartier, set with two oval turquoise matrix cabochons forming the cat’s head and body mounted in gold, with textured gold claws forming the paws. Textured and engraved gold ears, face and whiskers, with circular-cut ruby eyes. Signed to the reverse Cartier, Italy.

3.5cm high. Red Cartier pouch. £800-1,200 1811.

A yellow gold stylised knot brooch by Tiffany & Co. 5.2cm wide. 15g.

£500-700

1812.

A ruby and diamond bombé-shaped ring by Kutchinsky, the top section set with a cluster of circular-cut rubies divided by a line of circular-cut diamonds, within concentric fluted borders, in yellow gold. London marks for 1961. Size K. £1,200-1,500 1813.

A ruby, sapphire and diamond set gold triple ring by Cartier, each of the three interlocking gold yellow gold rings set with either five circular-cut rubies, five circular-cut sapphires or five round brilliant£800-1,200 cut diamonds and with a central groove. Signed Cartier. Size L½.

1814.

A gem-set dress ring by Chanel, set with a central cushion-shaped citrine within an alternating border of peridot and sapphire cabochons in yellow gold bombé mount. French control marks and maker’s lozenge B.A. Signed Chanel and numbered 1C4461. Size K½. With Chanel pouch. £800-1,200 1815.

A diamond-set half-hoop crossover eternity ring by Cartier, set with a line of nine round brilliant-cut diamonds in white gold and with an overlapping white gold band. Signed Cartier and L42256.

Size O½. £600-800 1816.

A pair of ‘Or et Acier’ diamond-set hoop earrings by Cartier, the gold and steel earrings of woven design and each with a wedge-shaped section set with two lines of graduated round brilliant-cut diamonds. With rubbed Cartier signatures and reference number 944771. 2.3cm high. £1,000-1,500 1817.

A diamond-set bombé-shaped ring by Van Cleef & Arpels, the upper section pavé-set with graduated circular cut diamonds, in yellow gold. Signed Van Cleef & Arpels and numbered B5444 and A12.

French control marks and maker’s lozenge W.S. Stamped 750 and VCA and with import marks for London 1984. Size L½. £2,500-3,500 1818.

A gold and lapis lazuli ring by Bulgari, centred with two pierced heart-shaped motifs and containing a lapis lazuli circular motif. Size K. £1,000-1,500 1819.

A pair of diamond and rock crystal earrings by Cartier, the droplet-shaped earrings pavé-set with round brilliant cut diamonds set behind rock crystal cabochons and mounted in white gold. Signed Cartier and 867974. 1.5cm high. £600-800 1820.

A pair of gold earrings by Bulgari, the articulated earrings designed as two lines of alternating square and circlular links joined with oval pellets and suspending a pierced oval and circle in yellow gold.

Signed BVLGARI. 4.4cm high. £600-800 1821.

A pair of ‘day and night’ cultured pearl and diamond drop earrings by Cartier, each earring set with a black or cream round cultured pearl suspending three graduated round brilliant-cut diamonds mounted in fritillary-shaped and circular links. And further suspending a white or grey drop-shaped cultured pearl in platinum. Signed Cartier and 943066. The pearls measure approximately 11.8mm, 11.7mm, 12.7 x 14.4 and 12.7 x 14.6mm. 4.8cm high. £2,000-3,000 1822.

A pair of ruby and diamond ear clips by Lalaounis, the gold openwork foliate-form ear clips pavé-set to the base with round brilliant cut diamonds extending to a central oval-shaped ruby cabochon.

The clips marked for Lalaounis and Greece. 3.3cm high. £800-1,200 1823.

A pair of gold earrings by Cartier, designed as stylised foliate sprays, with textured gold branches each set with eight circular cut diamonds. Clip fittings. Signed Carter, and inventory number ?3041, with maker’s lozenge MA. French export marks, stamped 750 and London import marks for 1977. £3,000-4,000 1824.

A pair of Happy Diamond earrings by Chopard, the bevel-edged square-shaped earrings in white gold and centred with a square-shaped glazed compartment containing a ‘floating’ round brilliantcut diamond. Signed ‘Chopard’ to the glass and the reverse. 1.0cm high. £400-600

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1810

1811

1812 1815

1819 1814 1818 1813

1817 1822

1821

1816

1820

1823

1824

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1825.

A late 19th century diamond crescent brooch, the open crescent is set with two lines of graduated old circular-cut diamonds in silver and gold. 5.1cm wide. £300-400 1826.

A 19th century ruby and diamond crown pendant, set with rose-cut diamonds and old cushionshaped rubies in silver and gold. On a spectacle mounted ruby and diamond fine link platinum neck chain.

42cm long. £400-600 1827.

A Victorian gold star brooch, set with an old mine cut diamond set within borders of graduated old cushion-shaped diamonds in yellow gold. Fitted case. £400-600 1828.

A late Victorian diamond brooch pendant, of scroll form and set with graduated cushion-shaped and circular-cut diamonds in silver and gold. With diamond-set bale. The pendant 5cm long. On fine link neck chain. Fitted case. £1,000-1,500 1829.

Two matching Victorian diamond star brooches, set with graduated cushion-shaped diamonds £1,000-1,500 in silver and gold. Each brooch 3.5cm wide.

1830.

A late Victorian diamond-set salamander brooch, realistically formed, the body pavé-set with rose-cut diamonds and ruby cabochon eyes in silver and gold. 9cm long. With detachable brooch fitting.

Fitted case. £3,000-4,000 1831.

A late 19th century heart and bow brooch, the two intertwined witches hearts set beneath a stylised bow and set with rose-cut diamonds, in silver and gold. 2.8cm wide. £600-800 1832.

A late Victorian diamond snake brooch, realistically designed, the snake set with rose-cut diamonds (three missing) and ruby eyes and suspending a turquoise cabochon, set in silver and gold.

3.1cm high. £400-600 1833.

A set of three Victorian diamond star brooches, set with a central old cushion-shaped diamond, within a surround of smaller old cushion-shaped diamonds in silver and gold. The larger 4.5cm wide. The smaller two 3.5cm wide each. £1,500-2,000 1834.

A gem-set donkey brooch, realistically formed and pavé-set with rose-cut diamonds and further gemstones to the gold saddlebag. Set in silver and gold. 4.5cm wide. Case. £600-800 1835.

A late Victorian heart-shaped locket pendant, pavé-set with graduated old circular-cut diamonds in silver and gold, and with detachable crystal section to the reverse. Diamond-set bale. 2cm wide. Fitted case. £4,000-5,000 1836.

An Edwardian ruby and diamond openwork butterfly brooch, the body centred with a circularcut ruby and set to the abdomen and eyes with rose-cut diamonds. Each wing is set with an old circular-cut diamond, the upper wings further set with circular-cut rubies and rose-cut diamonds, the lower wings with calibré-cut rubies and rose-cut diamonds. Pierced platinum and yellow gold mount. 5.3cm wide. £800-1,200 1837.

A late Victorian heart-shaped locket pendant, pavé-set with old circular-cut diamonds and diamonds set to the bale, in silver and gold. With glazed locket compartment to reverse (the glass cracked) 2.2cm high. £1,000-1,500

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1827

1825 1826 1829 1828

1830 1831

1832

1833 1836

1835

1837 1834

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1838.

A diamond solitaire ring, the old circular-cut diamond weighs approximately 2.30cts and is set in platinum and white gold. Size M½. £6,000-8,000 1839.

A diamond solitaire ring, the circular brilliant-cut diamond weighs approximately 2.20cts and is set in platinum. Size L. £8,000-12,000 Accompanied by report number 955993 dated 27th October 2015 from AGI, Manchester stating that the brilliant-cut diamond weighs 2.23cts, with J colour, IF clarity and faint fluorescence.

1840.

An emerald and diamond crossover ring, set with a pear-shaped emerald and a pear-shaped yellow diamond in white gold. The shoulders set with graduated baguette-shaped diamonds. Size O½. £4,000-6,000 Accompanied by report number 5777/8107 from GCS London stating that the emerald has minor clarity enhancement. Origin opinion: Colombian.

1841.

A French emerald and diamond cluster ring, the emerald-cut emerald weighs approximately 11.00cts and is set within a surround of sixteen old circular-cut diamonds in platinum and gold. French control marks. Size P½. £12,000-16,000 Accompanied by report number 5777-7636 dated 14th November 2016 from GCS, London stating that the octagonal-cut emerald weighs approximately 11.00cts and measures approximately 15.90 x 12.30 x 6.20mm, and is a natural emerald with indications of moderate clarity enhancement and cavity filling. Origin: Colombia 1842.

A pair of diamond drop earrings, the stylised fleur-de-lys top section suspends a pear-shaped scallop edged drop set with a line of graduated circular-cut diamonds and three circular-cut diamonds on a knife edge line within, set in silver and gold. 5cm long. £5,000-7,000 1843.

An emerald, diamond and sapphire pendant, the circular-shaped cabochon emerald is set within a surround of sapphires, a diamond-set ribbon border and further surround of larger old circular-cut diamonds in gold. Suspended from an oval-shaped cabochon sapphire and circular-cut diamond and diamond-set bow. 7cm high. £4,000-6,000 1844. A ruby and diamond cocktail ring, the cushion-shaped ruby within geometric mount, set overall with tapered baguette-shaped diamonds in platinum. Size M. £5,000-7,000 Accompanied by report number 5777-7637 dated 14th November 2016 from GCS, London stating that the cushion-cut ruby weighs approximately 4.20cts and measures approximately 9.90 x 8.70 x 5.20mm, and is a natural ruby with no indications of heating. Origin: Burma 1845.

A sapphire and diamond cluster ring, the cushion-shaped pale blue sapphire is set within a surround of circular and tapered baguette-shaped diamonds in white gold. Size L½. £1,500-2,000 1846.

An emerald and diamond three stone ring, the emerald-cut emerald is set with a trillion-cut diamond to each shoulder in platinum and gold. Size L. £3,000-5,000 1847.

A diamond solitaire ring, the old circular-cut diamond weighs approximately 2.92cts and is set in platinum. Size N½. £2,000-3,000 1848.

A yellow and white diamond solitaire ring, the oval-shaped yellow diamond is set within a surround of round brilliant-cut diamonds and further diamonds to the shoulders in platinum. Size K £5,000-10,000 Accompanied by report number 5777/8106 from GCS London stating that the diamond is a natural diamond with no evidence of heat treatment.

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1846

1845

1844

1838

1839

1843 1847

1848

1842

1841

1840

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1849.

A ruby and diamond set stick pin by Lacloche Frères, designed as a racing post with an open circle set with calibré-cut rubies to one side and old cushion-cut diamonds to the other, in platinum and yellow gold. Signed Lacloche Fres, Paris. 1.1cm wide. Case by Janesich. £400-600 1850.

A two-row graduated cultured pearl necklace, the pearls graduate from 7.5-8.5mm. The openwork rectangular clasp is centred with an octagonal-shaped emerald within surrounds of graduated circular-cut diamonds millegrain-set in platinum. The clasp 3.0cm wide. £3,000-5,000 1851.

An Art Deco diamond bracelet, of geometric design, the square pierced links are millegrainset with circular-cut diamonds in platinum. 17.8cm long. £4,000-6,000 1852.

A French diamond and platinum dress wristwatch, the rectangular dial with black Arabic £400-600 numerals and set overall with graduated circular-cut diamonds. Leather band. Case.

1853.

An early 20th century sapphire and diamond cluster ring, the oval-shaped sapphire is set within a surround of small cushion-shaped diamonds (one missing) in platinum and gold. Size N½. £400-600 Accompanied by report number 5777-7917 dated 28th November 2016 from GCS, London stating that the oval cut sapphire weighs approximately 3.50cts and measures approximately 10.60 x 7.40 x 5.10mm, and is a natural sapphire with no indications of heating. Origin: Basaltic Deposit 1854.

An opal and diamond cluster ring, the circular solid black opal, with old circular-cut diamonds set the the shoulders and gallery, in engraved platinum mount. Size N½. £2,000-3,000 1855.

An aquamarine and diamond ring, the emerald-cut aquamarine is set with three single-cut £1,200-1,500 diamonds to each shoulder in platinum. Size O. 1856.

A yellow gold ring, designed as three interlocking plain gold bands in 22ct gold. With Birmingham marks for 1939. Size J½. £180-250 1857.

An early 20th century diamond plaque ring, of rectangular form and set with five principal diamonds millegrain-set in platinum and within a smaller single-cut diamond border. Size M½. £600-800 1858.

A pink sapphire and diamond three stone ring, the pear-shaped pink sapphire weighs approximately 1.70ct and is set between two mixed-cut diamonds in platinum. Size N. £5,000-7,000 Accompanied by report number 5777-7987 dated 30th November 2016 from GCS, London stating that the pear cut pink sapphire weighs approximately 1.70cts and measures approximately 8.40 x 7.00 x 3.00mm, and is a natural pink sapphire with no indications of heating. Origin: Burma 1859.

An early 20th century colour-change sapphire and diamond cluster ring, the cushion-shaped sapphire weighs approximately 2.20cts and is set within a surround of small circular-cut diamonds in a platinum mount with foliate-pierced underbezel. Size L. £3,000-5,000 Accompanied by report number 5777-7986 dated 29th November 2016 from GCS, London stating that the cushion cut sapphire weighs approximately 2.20cts and is a colour-change sapphire displaying a Purplish Brown colour in daylight and Brownish Purple in incandescent light with no indications of heating. Origin: Indeterminable.

1860.

An Art Deco diamond brooch, of pierced geometric form and millegrain set with graduated circular-cut diamonds in platinum. 3.6cm wide. £400-600 1861.

An Art Deco diamond clip brooch, of geometric design and millegrain-set with graduated circular cut diamonds and tapered baguette-shaped diamonds in platinum. 2.3cm diameter. £1,200-1,500 1862.

An Edwardian sapphire and diamond giardinetto brooch, designed as a basket containing three flowers, each with a circular-cut sapphire within a surround of old circular-cut diamonds millegrainset in platinum. With further old circular-cut diamonds to the leaves, graduated handle and pierced basket.

3.3cm high. Case. £400-600

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1849

1851

1852

1850

1853

1854

1855

1856

1857 1860 1858 1861

1859

1862

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1863.

A ruby and diamond flower head brooch, the petals pavé-set with circular-cut rubies, the stem and stigma set with circular-cut diamonds in platinum and gold. 5.2cm long. Fitted case by Garrard. £1,000-1,500 With original receipt from Garrard & Co Ltd, 112 Regent Street, dated 1961.

1864.

A gold flowerhead brooch by Cartier, centred with four sapphires and three circular-cut diamonds within the textured yellow gold petals. Signed Cartier London, obscure inventory number, possibly 231. 4cm wide. With Cartier leather pouch. £2,000-3,000 1865.

A pair of sapphire and diamond set flowerhead earrings, each earring centred with four circularcut sapphires and three circular-cut diamonds within the textured gold and platinum petals. 2cm wide.

Cartier leather pouch. £800-1,200 Similar to the brooch in lot 1864.

1866.

A lady’s yellow gold dress wristwatch bracelet by Baume & Mercier, designed as foliate links, the top sections each set with a line of graduated circular-cut diamonds. Two links are hinged and open to reveal the watch face. The plain rectangular gold dial with Arabic and baton numerals and gold baton hands.

Manual movement. Inscribed to the back KMD. 17.7cm long. £4,000-6,000 1867.

A pair of prasiolite, diamond and gold earrings by Sterlé, the large pear-shaped prasiolites suspend from a cushion-shaped diamond and rose-gold surmount. Signed Sterlé Paris 8825 to the clip £2,000-3,000 fittings. In fitted case by Tessier, New Bond Street.

Accompanied by report number 5777-7617 dated 9th November 2016 from GCS, London stating that the two pear cut prasiolites weigh approximately 25.00cts in total and are natural prasiolites. The two old European cut diamonds weigh approximately 1.00ct in total, with J/K colour and VS1/VS2 clarity.

1868.

A diamond-set bombé eternity ring, pavé-set overall with single-cut diamonds in platinum. Size O. £1,500-2,000

1869.

A tourmaline-set gold ring, the centre emerald-cut green tourmaline is pavé-set with two shoulder triangular-shaped pink tourmalines. Size P. £600-800 A diamond solitaire ring, the round brilliant cut diamond weighs approximately 3.00cts and is 1870. set in a rub-over 18ct yellow gold bombé mount. London marks for 1997. Size G (approximately) with inner re-sizing balls. £5,000-7,000 1871.

A pair of French gold shell earrings, designed as scallops with cultured pearl and diamond-set terminals. 2.2cm wide. £400-600

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1863

1864

1866

1865

1868

1869

1870

1867

1871

71

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1872.

A pair of sapphire and diamond-set hoop earrings, channel-set with a line of square-shaped diamonds between two lines of calibré-cut sapphires in platinum. 1.9cm high. £5,000-7,000 1873.

A cultured pearl and diamond ring, the large white pearl is approximately 16mm diameter, set with three baguette-shaped diamonds to each shoulder in platinum. Size K. £1,000-1,500 1874.

A French diamond bracelet circa 1950, designed as concentric three quarter clusters of circular cut diamonds with lines of baguette-shaped diamonds extending from the vacant quarter of the cluster, in platinum and white gold. French control marks. 16cm long (approximately). £15,000-20,000 1875.

A pair of diamond drop earrings, circa 1950, of scroll form and set overall with graduated circular and baguette-shaped diamonds and suspending three articulated lines of baguette-shaped diamonds each £2,500-3,500 with a circular diamond drop to the end, in platinum. 3.5cm long.

1876.

A pair of cultured pearl and diamond earrings, each earring is mounted with a cultured pearl within a surround of ten round brilliant-cut diamonds in platinum. 1.7cm high £1,000-1,500

72

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1872

1873

1874

1875

1876

73

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1877.

A gold and enamel cross pendant by Giuliano, with white and blue enamel decoration, applied with initials C&AG to reverse. 1.8cm wide. Fitted case signed C & A Giuliano, 115 Picadilly, London. £800-1,200 1878.

An emerald and diamond three stone ring, the emerald-cut emerald is set either side with an old cushion-shaped diamond in carved and pierced yellow gold mount. Size O. £5,000-7,000 Accompanied by report number 5777-7852 dated 22nd November 2016 from GCS, London stating that the rectangular cut emerald weighs approximately 1.90cts and is a natural emerald with indications of minor clarity enhancement. Origin: Colombia 1879.

A 19th century Egyptian Revival winged scarab brooch, the blue faïence scarab engraved to the reverse with a mask, probably Anubis. The wings decorated with rows of white, brown and turquoise filigree enamel and pellet clusters to the upper sections. The collet holding the scarab with pellet and twisted wire decoration. Attributed to Giacinto Melillo. 5cm wide. Wooden rectangular box with plum velvet £1,500-2,000 lining, signed Giacinto Melillo, Napoli.

1880.

A Belle Epoque diamond set double-sided bracelet, comprising four oval links, each millegrainset with diamonds to the openwork foliate decoration and each centred with a diamond cluster.

The decoration repeated to the reverse. Each link joined with an articulated line of small diamonds.

Platinum. 18.5cm. £10,000-15,000 1881.

An emerald and diamond bracelet by Cartier, the centre section set with three graduated carved emeralds, each separated with diamond-set links. The bracelet section mounted with four diamond-set links to each side and joined with single circular-cut diamonds in platinum. Signed Cartier. 18cm. £20,000-30,000 1882.

A late 19th century sapphire and diamond brooch, the large sapphire cabochon is set within diamond laurel borders in silver and gold. 3cm wide. £600-800 Accompanied by report number 5777-7922 dated 28th November 2016 from GCS, London stating that the cabochon-cut sapphire weighs approximately 34.60cts and measures approximately 19.20 x 13.40 x 12.50mm, and is a natural sapphire with no indications of heating. Origin: Sri Lanka.

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1882

1881

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1878

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SILVER & OBJECTS OF VERTU

INCLUDING THE

ARTHUR HOLDER COLLECTION (PART II)

Tuesday 24th & Wednesday 25th January 2017

By F.C. Bush, a silver double cigarette box, made by E.S and Co, London 1952, the underside inscribed 'F.C. Bush, designer'.

Estimate: £500 - £700

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

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FINE PORCELAIN & POTTERY Tuesday 28th February 2017

A pair of Continental porcelain plaques, 19th century, painted with putti at play in the manner of Paul Rubens.

Estimate: £800 - £1,200

ENQUIRIES Clare Durham | Tel: +44 (0)1722 424507 | cd@woolleyandwallis.co.uk

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TRIBAL ART & ANTIQUITIES Wednesday 1st March 2017

A collection of combs.

Papua New Guinea, Solomon Islands, Democratic Republic of Congo, Point Hope and Nigeria.

Estimate: £800 - £1,200 Provenance: Seward Kennedy, London.

ENQUIRIES Will Hobbs | Tel: +44 (0)1722 339752 | wh@woolleyandwallis.co.uk

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OLD MASTERS, BRITISH & EUROPEAN PAINTINGS Wednesday 15th March 2017 Closing date for entries 20th January

Richard Karlovich Zommer (Russian 1866-1939) The Ferry, Lake Van Signed, oil on canvas 43 x 77cm Estimate: £20,000 - £30,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel:+44 (0) 1722 424592 | jb@woolleyandwallis.co.uk

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CLARICE CLIFF, ART DECO & DESIGN Wednesday 29th March 2017 Closing date for entries 3rd February

The Skater, a bronze figure cast and carved from a model by Ferdinand Preiss.

Estimate: £3,000 - £5,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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ASIAN ART

Tuesday 16th & Wednesday 17th May 2017 Closing date for entries 3rd March

A large Chinese Imperial carnelian-agate double brush-holder or vase, with a green stained ivory and zitan stand, Qianlong 1736-95, 19cm.

Estimate: ÂŁ10,000 - ÂŁ20,000 Provenance: Arthur Wellesley Gosset (b.1837) French private collection.

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | jea@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The following methods of payment may be made:

ARTIST’S RESALE RIGHT / DROIT DE SUITE Lots marked with a ‡ symbol are potentially subject to a levy.

Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Debit cards: Delta, Switch, Connect

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Where practical, payment can be made and purchases collected during the auction.

Please enquire for the accepted exchange rate on the day of the sale.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Royalties for Droit de Suite are as follows:

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

LOT SYMBOLS VAT Lots marked with an dagger (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 FIREARMS Lots marked Ƒ in the catalogue are subject to the UK firearms/shotgun licencing regime, and may only be viewed and/or purchased by individuals with appropriate licences. Such lots are offered on an auctioneer’s permit, and must be collected prior to the expiry thereof.

For further information, please contact Ned Cowell.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Jewellery & Watches

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 26th January 2017 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

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Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 11th January 2017 12th April 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk SILVER 24th & 25th January 2017 – Silver & Objects of Vertu Including The Arthur Holder Collection Part II 25th & 26th April 2017 – Fine Silver & Vertu Including The Arthur Holder Collection Part III Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 26th January 2017 – Jewellery & Watches 27th April 2017 – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 28th February 2017 – Fine Porcelain & Pottery 23rd May 2017 – English & European Ceramics & Glass Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 1st March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk PAINTINGS 15th March 2017 – Old Masters, British & European Paintings 7th June 2017 – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk 20TH CENTURY DESIGN 29th March 2017 – Clarice Cliff, Art Deco & Design 21st June 2017 – Arts & Crafts 22nd June 2017 – A Private Collection of Burmantofts Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 28th March 2017 Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk ASIAN ART 16 & 17th May 2017 John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk

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