Woolley & Wallis

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Design

Tuesday 18th October 2016

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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DESIGN

Tuesday 18th October 2016 at 10.30am VIEWING TIMES Friday 14th October Saturday 15th October Monday 17th October Tuesday 18th October

11.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.30pm 9.00am – 10.30am

ENQUIRIES

Michael Jeffery 01722 424505 mj@woolleyandwallis.co.uk

Zoe Smith 01722 424505 zs@woolleyandwallis.co.uk

COLLECTION OF LOTS Please note that all lots will be cleared from our Castle Street Saleroom on Thursday 20th October.

Furniture will be removed to our Old Sarum warehouse on 19th October for collection.

All remainder lots will be cleared to our Salt Lane office on Thursday 20th October.

If you are collecting items on or after this date please contact the department to arrange in advance.

Our Old Sarum Warehouse address details and map are at the back of this catalogue.

All accounts to be settled prior to collection.

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 17th October.

LIVE BIDDING ILLUSTRATIONS Front cover: Lot 398 Back cover: Lot 513 Inside cover: Lots 223-225 Catalogue £10.00 (£15.00 by post)

www.the-saleroom.com Please register by 5pm on Monday 17th October.

Please note there is a 3% +VAT surcharge for using this service.

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GLASS 1 1.

A pair of Arts and Crafts stained glass panels, one depicting deer alert and gazing by a pool side and below three flying white doves, the other cattle and horses grazing below three birds, 2nd panel with painted galleon and GG monogram, 119 x 48cm. (2) £300-500

2.

An Aesthetic Movement large stained glass hall lantern, square section, decorated with coloured glass panels with foliate designs, brass frame, 34cm. wide. £150-200

3.

A John Walsh Walsh vaseline glass vase, elaborate fluted bowl internally decorated with simple flower stem motif, unsigned 24cm. high £100-150 Literature Eric Reynolds The Glass of John Walsh Walsh 1850-1951, Richard Dennis, page 43 plate 11 for vases with comparable decoration.

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A James Couper & Sons Clutha glass ewer designed

by Dr Christopher Dresser, tapering cylindrical form with pulled, elongated spout and applied handle, pale green glass with bubble inclusions, internally decorated with white and gold aventurine striations, unsigned, 19cm. high £800-1,200 Literature Widar Halen Christopher Dresser, Phaidon, page 192 plate 225 for a reproduction of this model produced for Liberty & Co Yule Tide Gifts catalogue, 1895.

Applied Arts from 1880 Sotheby’s 4th November 1994 lot 205 for a comparable ewer

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5.

Six James Powell & Sons Whitefriars glasses designed

by Philip Webb, clear glass, the swollen, faceted bowl on twisted stem, and five Champagne bowls unmarked, 12.5cm. high (11) £150-200

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Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 97 plate 4 for the wine glass illustrated. The Champagne bowls are illustrated as a line drawing in Mrs Loftie’s The Dining Room, 1878, reproduced page 28 figure 71.

6.

A pair of James Powell & Sons Whitefriars green glass vases in wrought metal mounts, the urn shaped vases with surface decoration, unsigned, 23.5cm. high. (2) £200-300 Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 101 plate 21 for comparable forms.

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A Monart glass table lamp, model V 13:392, the ovoid vase pale pink graduating to purple with green spots and aventurine inclusions, the domed cover purple graduating to pink with whorls and aventurine inclusions, with metal mount £150-200 applied paper labels, damages 42cm. high 8.

A Monart glass vase, mottled blue graduating to green with pulls, cased in clear 26cm. high £150-250 9.

A Monart Paisley Shawl glass vase, flaring bucket form on applied foot green purple and yellow whorls, cased in clear, another Monart bucket vase and a tall footed vase unsigned, bruised side, 15cm. high £150-250

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10. An Annette Meech studio glass goblet vase, dated 1974, streaked yellow and green glass cased in clear, on applied clear stem, a compressed vase by Christopher Wright, a bowl by Adrian Sankey, a beaker vase by Anthony Stern, two other studio glass items, etched signature and date, 15cm. high, and a Webb Iris glass vase, low, flaring form covered in an orange - golden lustrous finish, acid etched mark to base 10.5cm. wide (7) £150-200

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11. A large Webb Corbett cut glass vase, flaring elliptical section, cut with bands of two wavy lines unsigned 25cm. high £150-200 12. A John Walsh Walsh Leaf vase designed by Clyne Farquharson, flaring bucket form with cut columns, etched signature 38, 20cm. high £150-250 13. A James Powell & Sons Whitefriars Cloudy White Lattice glass vase, shouldered form, 25.5cm. high £150-200

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Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 120 plate 98 for this design and plate 99 for this shape vase illustrated.

14. A Whitefriars glass window-cut paperweight designed

by Geoffrey Baxter, internally decorated with a butterfly and floral border in cases, in shades of pink, yellow and blue on a £150-250 black ground, incised S to base 8cm. wide

6

Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 144 plate 173 for an example of this weight.

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WHITEFRIARS GLASS 15. A rare Whitefriars small trial Ice Drunken Bricklayer vase designed by Geoffrey Baxter, cast in reverse with three blocks, unsigned, 20.5cm. high £400-600 This vase has been cast in reverse with the central brick pushed to the right.

16. A rare Whitefriars small Lavender Drunken Bricklayer vase designed by Geoffrey Baxter, unsigned, 21cm. high £400-600

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17. A rare Whitefriars small Sage Drunken Bricklayer vase designed by Geoffrey Baxter, unsigned 20cm. high £400-600

18. A rare Whitefriars Aubergine small Drunken Bricklayer vase designed by Geoffrey Baxter, unsigned, 21cm. high £300-500 Literature Lesley Jackson, Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 140 plate 160 for a comparable.

19. A rare Whitefriars small Meadow Green Drunken Bricklayer vase designed by Geoffrey Baxter, unsigned, 21.5cm. high £300-500

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20. A Whitefriars small Cinnamon Drunken Bricklayer vase designed by Geoffrey Baxter, and another Whitefriars Indigo Drunken Bricklayer vase unsigned, 21cm. high, (2). £300-400

21. A Whitefriars small Kingfisher blue Drunken Bricklayer vase designed by Geoffrey Baxter, and another Whitefriars Pewter Drunken Bricklayer vase unsigned, 21cm. high, (2). £300-400

22. A Whitefriars small Tangerine Drunken Bricklayer vase designed by Geoffrey Baxter, and another Whitefriars Willow Drunken Bricklayer vase unsigned, 21cm. high, (2). £300-400

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23. A Webb Corbett Random cut glass bowl designed by David Queensberry, and another designed by David Queensberry acid etched mark to base 17.5cm. diam. (2) £150-200

24. A Mdina glass Angular Fish vase based on a design by Michael Harris, slab form with pulled solifleur neck, dated 1979, Tiger pattern overlaid with blue, etched Mdina 1979 applied Mdina paper label 18.5cm. high £100-150

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25. Samuel J Herman (born 1936) A Rosenthal Studio Line limited edition glass vase designed by Sam Herman, opaque glass with blue and ochre decoration band, cased in clear, a Val St. Lambert vase by Sam Herman and a smaller Studio Line vase acid etched Rosenthal mark, 27/200 18.5cm. high (3) £200-400

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26. Siddy Langley (born 1955) a glass Tulip vase swollen cylindrical form, cloudy white glass with pulled green and red flowers, cased in clear, and two other vases by Siddy Langley, 32cm. high (3). £150-200

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27. David Gulland (1934-2013) A limited edition stipple engraved vase to commemorate The Churchill Centenary, stipple engraved with a portrait bust of Sir Winston Churchill before the London skyline lit up by searchlights, the base engraved 1874 WSC 1974, and a stipple engraved goblet signed PM, engraved title and numbered 10/10, 20cm. high (2) £150-200

28. Danny Lane (born 1955) two Drinking Glass on Loose Base, 2000, borosilicate and float glass, etched signature 26cm. high (4) £150-200

29. An Asprey optical glass sculpture, triangular section, cut and polished with hot-air balloons unsigned 25.5cm. high £300-400

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30. A pair of enamelled glass vases, probably Austrian, cylindrical with everted rim on domed foot, enamelled with panels of stylised flowers and foliage in blue, yellow and green, and a box and cover similar enamelled with passion-flowers unsigned 27.5cm. high (3) £150-200 31. A continental silver mounted enamelled glass bowl and servers, in the manner of Emile Galle, enamelled with poppy flowers in shades of pink, blue, green and black, highlighted in gilt, stamped marks to servers, bowl riveted, 23cm. diam. (3) £100-200

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32. A Moser Karlsbad amber glass vase made for the Wiener Werkstatte, flaring faceted form on foot acid etched WW Moser mark, 10.5cm. high £200-300 33. A Moser Karlsbad amber glass vase, flaring, faceted form on foot, unsigned 19cm. high £200-300 34. A Moser Karlsbad smoked glass vase, tall, slender faceted form on flaring faceted foot, unsigned 30.5cm. high £200-300

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35. An amethyst glass vase the design attributed to Josef Hoffmann, probably manufactured by Moser, Karlsbad, amethyst, faceted glass unsigned 11.5cm. high £150-200

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36. A Loetz glass vase the design attributed to Koloman Moser, tapering, elliptical section with pulled and pinched top rim, surface decorated with spot and linear decoration in green lustre on a golden iridescent surface unsigned 19.5cm. wide. £700-900 37. A Loetz glass propeller vase, the twisted triangular section vase with flaring, pinched trefoil rim, covered in a golden iridescence unsigned 25cm. high £200-300

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38. A Loetz Papillon glass vase, ovoid body with cylindrical solifleur neck, covered in a blue splashed iridescence, and three other Austrian Iridescent glass vases £150-200 unsigned 9.5cm. high (4)

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39. A rare Art Nouveau cased and carved Galle vase by Emile Galle, shouldered form, green glass internally decorated with blue streaks, cased in purple, carved with hellebore flowers, on a martele ground etched Galle signature, smashed and re-stuck 19cm. high £100-150 Provenance Private collection.

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40. An early Galle enamelled glass vase

by Emile Galle, the cylindrical twisted glass body with flaring fluted foot and fluted top rim, enamelled with a spiky thistle stem and Cross of Lorraine, etched to base Cristallerie Emile Galle, neck broken and re-stuck, 26cm. high £150-200

41. A rare Art Nouveau glass vase by Leveille Rousseau, rectangular section, cut and etched with Japoniste Koi carp swimming amongst waterweed, and a freshwater shrimp, the vase applied with two clear glass dragons, on clear glass stand etched with flowers the vase etched Leveille Coy Paris, the base with later E Galle etched signature 29.5cm. high (2) £800-1,200

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42. A tall and impressive Art Nouveau Galle Verreries Parlantes cameo glass vase by Emile Galle, slender, shouldered form with everted top rim, opaque glass vase overlaid in purple and ochre, decorated with Iris flowers and foliage cameo Galle signature to side, 46cm. high ÂŁ10,000-15,000 Provenance Private collection.

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43. An Art Nouveau Galle cameo glass vase, slender, shouldered form decorated with flowering crocus, purple and brown overlay on yellow glass, incised into the cameo Galle, 13cm. high £700-900 Provenance Private collection.

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44. An Art Nouveau Galle cameo glass vase by Emile Galle, solifleur form, amber glass cased in red decorated with flowers and fern fronds, cameo signature Galle, 17.5cm. high £300-500 Provenance Clarice Cliff, Art Deco & 20th Century Design, Woolley and Wallis auctioneers, 7th March 2012, lot 961 Private collection

45. A large Art Nouveau Galle cameo glass vase by Emile Galle, tapering cylindrical form, opaque and yellow glass cased in purple, decorated with flower stems cameo signature Galle, 35cm. high £1,000-1,500

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Provenance Arts and Crafts Woolley and Wallis Auctioneers, 20th June 2012, lot 32.

Private collection.

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46. An Art Nouveau Galle cameo glass vase by Emile Galle, ovoid disc form with elliptical neck, amber glass overlaid in purple, cameo decorated with a mountain landscape with pine trees in the foreground cameo Galle signature, 15cm. high £1,500-2,000 Provenance Private collection.

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47. An Art Nouveau Daum Nancy enamelled glass vase, square section, decorated with a spring forest scene, in colours, enamelled Daum Nancy France to the base, 12cm. high £1,000-1,500 Provenance Private collection.

48. A rare Daum enamelled riverscape solifleur vase, the swollen ovoid body enamelled with boats sailing on a river with windmills on the tree-lined banks, painted Daum & Nancy signature 16.5cm. high £1,000-1,500 Provenance Private collection.

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52 part 49. A Val St Lambert cased glass vase, clear, thick flaring glass body cased in green, decorated with geometric bands etched Val St Lambert 23cm. high. £150-200 50. A Biot vase by Henry Navarre, mottled pink and white, cased in clear, etched marks, 21cm. high £150-200

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51. An Orrefors etched glass cup vase and cover, the design attributed to Edward Hald, model no.279, etched to the cover and bowl with a frieze of stylised foliage, and a small Orrefors beaker vase etched with dancing children etched marks, paper Orrefors label £150-200 16cm. high (3) 52. A Salviati & Co glass model of a tortoise, pale blue glass with gold aventurine, cased in clear, a Murano Sommerso glass vase, a Kaj Franck glass shell dish, a Gusum studio glass vase by Milan Vobruba dated 1985, and five other glass items applied Salviati label 12cm. wide, and two Kosta glass fish designed by Vicke Lindstrand, streamlined form, internally decorated with air bubbles smaller with etched signature 20 and 15.5cm. long (11) £150-200 53. A tall Strombergshyttan Optic-ribbed amber glass vase designed by Edward Stromberg, flaring cylindrical form with slightly fluted top rim, and two Whitefriars Sapphire blue glass vases with air £100-200 bubble inclusions, unsigned 29.5cm. high (3)

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Literature Lesley Jackson Whitefriars Glass The Art of James Powell & Sons, Richard Dennis Publications, page 75 for a comparable Stromberg Optical glass vase 54. An Orrefors glass vase by Simon Gate, faceted smoked glass on applied foot, etched with Leda & the Swan, an Orrefors tall flaring cylindrical form on applied black glass foot, the body engraved with a figure being carried by a large bird, and two other Orrefors glass vases, another vase, and a purple crackled glass vase in the manner of WMF Ikora glass, etched marks, 13cm. high (6) £200-400

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55. An Orrefors glass vase by Edvard Hald, stretched octagonal section, etched with geese in a farm courtyard setting, the reverse with a young child herding geese whilst a small flock of geese fly by, an Orrefors glass vase by Nils Lundburg etched with a sailor smoking a pipe whilst looking out to sea, a galleon sailing past a lighthouse in the distance, and four other glass vases similar, etched Orrefors Hald 28cm. wide (6) £200-300 56. An Iittala glass Savoy vase designed by Alvar Aalto, clear fluted glass, another white cased vase and a blue glass version smaller, applied label and acid etched Alvar Aalto 21cm. wide, (3) £150-200

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57. A Mdina glass bowl, swirling green, and orange glass cased in clear, a Holmegaard clear glass Flower Frog vase by Michael Bang, another smaller, a Holmegaard glass vase model no.15927, another Holmegaard vase, a glass fish a Wedgwood glass paperweight probably designed by Ronald Stennett-Willson, and a collection of glass various marks, 10cm. high (Mdina), (27). £150-200

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58. An Art Deco Schneider glass tazza, streaked orange bowl on applied black glass stem and foot, etched Schneider signature, 25cm. diam. £200-300 59. A La Verre Francais Charder large cameo glass coupe, the black glass foot and stem supporting flaring mottled white glass bowl with orange and green cameo overlay modelled as stylised foliage sprays cameo signature Charger to vase, etched La £1,200-1,800 Verre Francais to foot 25.5cm. high 60. A D’Argental fire polished cameo glass vase, shouldered amber glass cased in red, acid etched with stylised flowerheads and geometric borders, cameo signature 20cm. high £200-300

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61. A Legras cameo glass vase, shouldered form, pale textured pink glass cased in purple, acid etched with columns of flowers and geometric motif, cameo signature 20cm. high £200-300 62. A Steuben glass model of a fan-tailed dove, and another glass fan-tailed dove etched signature to larger figure, 18cm. high, (2). £150-200

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63. A Moser acid etched amethyst glass vase designed by Heinrich Hussmann, ovoid form, cast and etched with deer amongst stylised flowers and foliage acid etched Moser mark, etched monogram, small frit chips to highpoints of design, 12cm. high £150-200 64. A Sabino opalescent glass vase, shouldered form, cast in low relief with panels of manta ray etched £150-200 Sabino Paris to base 21.5cm. high 65. An unusual Sabino opalescent glass Gazelle car mascot, modelled leaping over grasses, on circular base, applied paper label, cast Sabino Paris mark, 15.5cm. wide £150-250

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LALIQUE GLASS 66. ‘Chicoree’ no.1 a Lalique opalescent glass bowl designed by Rene Lalique, cast mark to well, etched R Lalique, flat chip to edge of bowl, 24cm. diam. £200-300

67. ‘Bulbes’ no.2 a Lalique opalescent glass plate designed by Rene Lalique, stencil R Lalique France to well, chip to rim, 27.5cm. diam. £100-200

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68. ‘Poisson’ no.2 a Lalique opalescent glass bowl designed by Rene Lalique, cast mark to well, etched R Lalique France, 24cm. £300-500 diam.

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69. ‘Rambouillet’ no.60 a Lalique clear and frosted glass box and cover designed

by Rene Lalique, circular section, with blue staining, moulded R Lalique to side of cover 8.5cm. diam.(2) £250-350

70. ‘Sanglier’ no.1157 a modern clear and frosted glass paperweight originally designed by Rene Lalique, a modern Lalique seal modelled as an ibex, another modelled as two lovebirds, a Burleigh commemorative mug designed by Dame Laura Knight and an Imari palette box and cover, etched marks to Lalique 9cm. wide (5) £150-200

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71. ‘Raisin Chasselas’ no.3476 a Lalique clear and frosted glass menu designed by Rene Lalique, etched R Lalique France no.3476, small chip to corner, 15 x 9cm. £150-200

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72. Enfants no. 1070 a Lalique clear and frosted glass vase, designed by Rene Lalique, stencil R Lalique France, 27cm. high £1,000-2,000 This vase was designed in 1931.

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73. ‘Trois Branches Roitelets’ no.2110 a Lalique clear and frosted glass three branch light, designed by Rene Lalique 1931, with chrome sconces and metal mount stencil R Lalique France to base, flat chip to side of base 18.5cm. high £800-1,200

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74. ‘Ondines’ no.3003 a Lalique opalescent glass plate designed by Rene Lalique, wheel cut R Lalique France 27.5cm. diam. £1,000-1,500

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75. ‘Soudan’ no. 1016 a Lalique clear and frosted glass vase designed by Rene Lalique, stencil R Lalique France, 18cm. high £700-1,000

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76. A postwar Lalique clear and frosted glass lemonade jug and four goblets, with modelled, graduated chevron bands, etched Lalique France, 21cm. high (jug), 12.5cm. high (glasses), (5) £200-400

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A PRIVATE COLLECTION OF LALIQUE GLASS

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77. R. Lalique Catalogue Raisonne de L’oeuvre de Verre by Felix Marcilhac £150-200

78. ‘Ecureuil’ no.315 a Lalique opalescent glass cendrier designed by Rene Lalique, stencil R Lalique France, 9.5cm. diam. £400-600

79. ‘Ecureuil’ no.315 a Lalique opalescent glass cendrier designed by Rene Lalique, stencil R Lalique France 12cm. high £200-300

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80. ‘Canard’ no.283 a Lalique opalescent glass cendrier designed by Rene Lalique, etched R Lalique France, 10cm. diam. £150-200 This design was introduced in 1925.

81. ‘Souris’ no.286 a Lalique opalescent glass cendrier designed by Rene Lalique, etched R Lalique France no.286, 9.5cm. diam. £200-300 This design was introduced in 1925.

82. ‘Chien’ no.290 a Lalique opalescent glass cendrier designed by Rene Lalique, etched R Lalique France no.290, 10cm. diam £150-200

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83. ‘Pelican’ no.310 a rare Lalique opalescent glass cendrier designed by Rene Lalique, stencil R Lalique France, 9cm. wide. £300-400 This design was introduced in 1931.

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84. ‘Clos Sainte-Odile’ a Lalique clear glass cendrier designed by Rene Lalique, etched R Lalique France, 9cm. diam. 10cm. high. £200-300 This design was introduced in 1925.

85. ‘Jeane Lanvin B’ a rare Lalique glass cendrier designed by Rene Lalique, cast RL monogram to figure, 13cm. diam. £800-1,200

86. ‘Remy Martin’ a rare Lalique cendrier designed by Rene Lalique, clear glass with remains of staining, unsigned 10.5cm. high £200-300

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Literature Lalique Glass, Christie’s South Kensington, 20th November 1998 lot 51 for an identical piece.

87. ‘Dahlia et Papillon’ no.318 a Lalique clear glass cendrier designed by Rene Lalique, stencil R Lalique France, small bruise to base rim and well, 16.5cm. wide. £300-400 This design was introduced in 1931.

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88. ‘Souris’ no.286 a Lalique grey glass cendrier designed by Rene Lalique, etched R Lalique France, no.286, 10cm. diam. £200-300 This design was introduced in 1925.

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89. ‘Renard’ no.291 a Lalique smoky grey glass cendrier designed by Rene Lalique, etched R Lalique France no.291, 9cm. diam. £200-300 This design was introduced in 1926.

90. ‘Chien’ no.290 a Lalique topaz glass cendrier designed by Rene Lalique, etched R Lalique France no.290, 10cm. diam. £200-300 This design was introduced in 1926.

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91 91. ‘Dindon’ no.287 a Lalique grey glass cendrier designed by Rene Lalique, etched R Lalique France no.287, 10cm. diam. £150-200 This design was introduced in 1925.

92. ‘Dindon’ no.287 a Lalique grey glass cendrier designed by Rene Lalique, etched R Lalique, 10cm. diam. £150-200

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This design was introduced in 1925.

93. ‘Canard’ no.283 a Lalique grey glass cendrier designed by Rene Lalique, etched R Lalique, 9cm. diam. £200-250 This design was introduced in 1925.

94. ‘Sanglier’ no.1157 a Lalique smoked glass Car mascot/paperweight designed

by Rene Lalique stencilled R Lalique to base, chip to base rim, 8.5cm. wide £150-200

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95. ‘Moineau’ no.284 a Lalique smoked glass cendrier designed by Rene Lalique, and a clear and frosted glass example etched R Lalique France no.284, 10.5cm. diam. (2) £200-300

96. ‘Statuette de la Fontaine’ no.288 a Lalique smoky grey glass cendrier designed by Rene Lalique, etched R Lalique France, no.288, 8cm. diam. 12cm. high £200-300 This design was introduced in 1925.

97. ‘Athletes’ no.319 a Lalique clear and frosted glass cendrier designed by Rene Lalique, with black staining, stencil R Lalique France, 10cm. high £200-300

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98. ‘Bison’ no.1196 a Lalique clear and frosted glass paperweight designed by Rene Lalique etched R Lalique France 12cm. wide £150-200

99. ‘Naiade’ no.309 a Lalique clear and frosted glass cendrier designed by Rene Lalique, and another modern example, stencil R Lalique France, modern cendrier £200-300 chipped, 10cm. high (2)

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100. ‘Chien’ no.290 a Lalique amber glass cendrier designed by Rene Lalique, etched R Lalique France 10cm. diam. £200-300 This design was introduced in 1926.

101. ‘Ecureuil’ no.315 a Lalique amber glass cendrier designed by Rene Lalique, stencil R Lalique France 12cm. high £200-300 102. ‘Souris’ no.286 a Lalique yellow glass cendrier designed by Rene Lalique, etched R Lalique France 10cm. diam. £200-300

100

101

103. ‘Moineau’ no.284 a Lalique yellow glass cendrier designed by Rene Lalique, etched R Lalique France, 11cm. diam. £200-300 104. ‘Lapin’ no.285 a Lalique yellow glass cendrier designed by Rene Lalique, etched R Lalique France, 10cm. diam. £200-250 This design was introduced in 1925.

105. ‘Dindon’ no.287 a Lalique yellow glass cendrier designed by Rene Lalique, etched R Lalique France 10cm. diam. £200-300 This design was introduced in 1925.

102

103

106. ‘Renard’ no.291 a Lalique yellow glass cendrier designed by Rene Lalique, etched R Lalique France 10.5cm. diam. £250-350 107. ‘Dindon’ no. 287 a Lalique amber glass cendrier designed by Rene Lalique, etched R Lalique France, 10cm. diam. £150-200 108. ‘Canard’ no.283 a Lalique yellow glass cendrier designed by Rene Lalique, etched R Lalique France, 10cm. diam. £200-250 This design was introduced in 1925

24

104

105

106

107

108

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109. ‘Caravelle’ no.312 a Lalique clear glass cendrier designed by Rene Lalique, unsigned, 9cm. diam. £150-200 This design was introduced in 1930.

110. ‘Soucis’ no.324 a Lalique clear glass cendrier designed by Rene Lalique, etched R Lalique France, 9.5cm. diam. £200-300 This design was introduced in 1931.

111. ‘Naiade’ no.309 a modern Lalique clear glass cendrier originally designed by Rene Lalique, unsigned 10cm. diam. £150-200

109

110

111

112

112. ‘Statuette de la Fontaine’ no. 288 a Lalique clear and frosted glass cendrier designed by Rene Lalique, green staining, etched R Lalique France, 8cm. diam. 12cm. high. £200-300 This design was introduced in 1925.

113. ‘Chevre’ no.333 a Lalique clear and frosted glass dish designed by Rene Lalique, stencil R Lalique France, 13.3cm. wide £150-200

114. ‘Bressan’ no.321 a Lalique clear and frosted glass cendrier designed by Rene Lalique, sepia staining, etched R Lalique France, small nick, 10cm. diam. £200-300 This design was introduced in 1931.

113

114

25

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115. ‘Souris’ no.286 a Lalique green opalescent glass cendrier designed by Rene Lalique, etched R Lalique France, 9.5cm. diam. £200-300 This design was introduced in 1925.

116. ‘Chien’ no.290 a Lalique green glass cendrier designed by Rene Lalique, etched R Lalique France no.290, 10cm. diam. £150-250

115

116

117. ‘Moineau’ no. 284 a Lalique green glass cendrier designed by Rene Lalique, etched R Lalique France no 284, 10cm. diam. £200-300 This design was introduced in 1925.

118. ‘Canard’ no.283 a Lalique green glass cendrier designed by Rene Lalique, etched R Lalique France no.283, 9cm. diam. £200-300 This design was introduced in 1925.

117

118

119. ‘Dindon’ no.287 a Lalique green glass cendrier designed by Rene Lalique, etched R Lalique France no.287 10cm. diam. £200-300

120. ‘Renard’ no.291 a Lalique green glass cendrier designed by Rene Lalique, etched R Lalique France, no.291 10.5cm. diam. £200-300

26

119

120

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121. ‘Soucis’ no.324 a Lalique opalescent glass cendrier designed by Rene Lalique, stencilled R Lalique, 9cm. diam. £250-300 This design was introduced in 1931

122. ‘Alaska’ no.325 a Lalique opalescent glass cendrier designed by Rene Lalique, stencil R Lalique, 9.5cm. diam. £200-300 This design was introduced in 1931.

121

122

123

124

125

126

123. ‘Lapin’ no.285 a Lalique opalescent glass cendrier designed by Rene Lalique, etched R Lalique France, 9cm. diam. £200-300 This design was introduced in 1925.

124. ‘Moineau’ no.284 a Lalique opalescent glass cendrier designed by Rene Lalique, stencil R. Lalique, 9cm. diam. £200-300 This design was introduced in 1925.

125. ‘Deux Colombes’ no.320 a Lalique opalescent glass cendrier designed by Rene Lalique, stencilled R Lalique France, 9cm. diam. £200-300 This design was introduced in 1931.

126. ‘Dindon’ no.287 a Lalique opalescent glass cendrier designed by Rene Lalique, etched R Lalique France, 9.5cm. diam. £150-200 This design was introduced in 1925.

127. ‘Renard’ no.291 a Lalique opalescent glass cendrier designed by Rene Lalique, etched R Lalique France, 10.5cm. diam. £200-300

127

27

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128. ‘Archers’ no.278 a Lalique black glass cendrier designed by Rene Lalique, and another Archers clear and frosted glass cendrier with blue staining, moulded R Lalique 12cm. diam. (2) £200-300 129. ‘Trianon’ no.292 a Lalique clear glass cendrier designed by Rene Lalique, with remains of black staining, etched R Lalique France, 11cm. diam. £150-200 This design was introduced in 1926.

128

129

130. ‘Soudan’ no.328 a Lalique clear and frosted glass cendrier designed by Rene Lalique, and a Lalique clear and frosted ‘Corfou’ cendrier and cigarette holder set, stencil R Lalique France, 11.5cm. wide (3) £150-250 131. ‘Colmar’ no.337 a Lalique clear glass square cendrier designed by Rene Lalique, sepia staining, etched Lalique, 9.4cm. square. £150-200 This design was introduced in 1942.

130

131

132. ‘Eglantines’ no.331 a Lalique clear and frosted glass cendrier designed by Rene Lalique, a ‘Varese’ Lalique cendrier and an ‘Alice (8 Figurines)’ Lalique cendrier, stencil R Lalique France, 20.5cm. wide, (3) £150-250 133. ‘Martinique’ no.298 two Lalique clear and frosted glass cendrier designed by Rene Lalique, one with sepia staining, a ‘Cuba’ Lalique clear and frosted glass cendrier and a ‘Sumatra’ clear and frosted glass cendrier etched R Lalique France, minor nicks to Martinique, 14cm. diam. (4) £300-500

132

133

134. ‘Vezelay’ no.281 a Lalique clear and frosted glass dish designed by Rene Lalique, and a dish by Rene Lalique, 2nd with etched signature 11.5cm. wide (2) £100-150 135. ‘Taureau’ no.1194 a Modern Lalique clear and frosted glass paperweight originally designed by Rene Lalique, a ‘Daim’ Lalique glass paperweight, and a modern Lalique glass deer figure etched Lalique France and paper label, deer chipped, 11cm. wide. (3) £150-250

28

134

135

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136. ‘Medicis’ no.280, a Lalique opalescent glass dish designed by Rene Lalique, with remains of blue staining, etched R Lalique France 15cm. wide £300-400

137. ‘Vezelay’ no.281 a Lalique opalescent glass dish designed by Rene Lalique, etched R Lalique France no.281 11.6cm. square £150-250

136

137

This design was introduced in 1924.

138. ‘Feuilles’ no.279 a Lalique opalescent glass Cendrier designed by Rene Lalique, etched R Lalique France no.279, small nick to £150-200 rim, 17.5cm. wide

139. ‘Antheor’ no.293 a Lalique clear and frosted glass cendrier, etched R Lalique France no.293, 14cm. diam. £200-300

138

140. ‘Antheor’ no.293 a Lalique amber glass cendrier designed by Rene Lalique, etched R Lalique France 14cm. diam. £300-500

139

140

141

142

141. ‘Serpent’ no.276 a rare Lalique opalescent glass cendrier designed by Rene Lalique, etched R Lalique mark, 11.5cm. diam. £150-250 This design was introduced in 1920.

142. ‘Sirenes’ no.277 a Lalique opalescent glass cendrier, with blue staining, R Lalique France no.277, 11.7cm. wide. £300-500 This design was introduced in 1920.

29

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143. ‘Grenade’ no.297 a Lalique clear and frosted glass cendrier designed by Rene Lalique, etched R Lalique France, 13.8cm. diam. £200-300 This design was introduced in 1928.

144. ‘Irene’ no.304 a Lalique frosted glass cendrier designed by Rene Lalique, etched R Lalique France, 9cm. diam. £150-250 This design was introduced in 1929.

143

144

145. ‘Tete de Lion’ a modern Lalique clear and frosted glass table lighter and two Cendrier, and a Lalique ‘Gao’ cendrier, a Galleon cendrier and two other modern Cendrier, etched Lalique France 14.8cm. £200-400 diam. (7) 146. ‘Jamaique’ no.296 two Lalique clear and frosted glass cendrier designed by Rene Lalique, one with black staining, etched R Lalique 14cm. diam. (2) £150-200 147. ‘Dahlia’ no.317 a Lalique frosted glass cendrier designed by Rene Lalique, stencil R Lalique, 10cm. diam. £200-300 This design was introduced in 1931.

145

146

148. ‘Simone’ no.300 a Lalique grey frosted glass cendrier designed by Rene Lalique, stencilled R Lalique France, 9.8cm. diam. £150-200 This design was introduced in 1929.

149. ‘Louise’ no.301 two Lalique clear and frosted glass cendrier designed by Rene Lalique, with black enamel decoration, moulded R Lalique France, 7.5cm. diam. (2) £150-200

147

30

148

149

150. ‘Louise’ no.301 two Lalique clear and frosted glass cendrier designed by Rene Lalique, with black enamel decoration, one with sepia staining moulded R Lalique France, one with etched 301, 7.5cm. diam.

(2) £150-200

150

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151. ‘Grenade’ no.297 a Lalique red glass cendrier designed by Rene Lalique, and a ‘Sumatra’ amber glass cendrier, wheel cut R Lalique France, small chips, 13.5cm. diam. (2) £150-200 152. ‘Tabago’ no.295 a Lalique red glass cendrier, and another clear and frosted glass cendrier etched R Lalique France 14cm. diam. (2) £200-300 153. ‘Fauvettes’ no.282 a Lalique red glass cendrier designed by Rene Lalique, and a Lalique ‘Fauvettes’ clear glass cendrier, etched R Lalique France no.282 to red and cast R Lalique to both, 17.5cm. wide. (2) £300-500

151

152

153

154

155

156

158

159

This design was introduced in 1924.

154. ‘Vezelay’ no.281 a Lalique amber glass cendrier designed by Rene Lalique, etched R Lalique France No 284, 11.6cm. square £200-250 This design was introduced in 1924.

155. ‘Rapace’ no.323 a Lalique dark blue glass cendrier designed by Rene Lalique, stencilled R Lalique, 9cm. diam. £150-200 This design was introduced in 1931.

156. ‘Naiade’ no.309 a rare Lalique blue glass cendrier designed by Rene Lalique, stencil R Lalique France, 10cm. high£400-600 157. ‘Feuilles’ no.279 a Lalique electric blue cendrier designed by Rene Lalique, etched R Lalique 16.5cm. wide £300-400 This design was introduced in 1924.

158. ‘Deux Zephys’ no.275, a Lalique electric blue glass cendrier designed by Rene Lalique, moulded R Lalique to rim, 7.5cm. diam. £150-250 159. ‘Irene’ no.304 a Lalique green glass cendrier designed by Rene Lalique, stencil R Lalique France, 9.5cm. diam. £150-200

157

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160. ‘Ecureuil’ no.315 a Lalique clear and frosted glass cendrier designed by Rene Lalique, stencil R Lalique France, 9.5cm. diam. £150-250

161. ‘Muguet’ no.334, a Lalique clear and frosted glass cendrier designed by Rene Lalique, stencilled R Lalique France, 8cm. high £250-350

160

161 162. ‘Rapace’ no. 323 a Lalique clear and frosted glass cendrier designed by Rene Lalique, and a Lalique ‘Pinson’ cendrier, stencil R Lalique, 10cm. diam. (2) £150-250

163. ‘Renard’ no.291 a Lalique clear glass cendrier designed by Rene Lalique, etched R Lalique France, 11cm. diam. £200-300

162

163

164. ‘Deux Colombes’ no.320 a Lalique clear glass cendrier designed by Rene Lalique, stencilled R Lalique France, 9.5cm. diam. £200-300 This design was introduced in 1931.

165. ‘Pinson’ no.311 a Lalique clear and frosted glass cendrier designed by Rene Lalique, stencilled R Lalique France, 9.5cm. diam. £200-300 This design was introduced in 1930.

164

165

166. ‘Canard’ no.283 a Lalique clear glass cendrier designed by Rene Lalique, etched R Lalique, 12cm. diam. £200-250

167. ‘Pelican’ no.310 a rare Lalique clear and frosted glass cendrier designed by Rene Lalique, stencilled R Lalique France, 8.5cm. diam. £200-300 This design was introduced in 1931

32

166

167

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168. ‘Caravelle’ no.312 a Lalique clear and frosted glass cendrier designed by Rene Lalique, and another modern version, stencil R Lalique France, 10.5cm. high (2) £150-200

169. ‘Deux Colombes’ no.320 a Lalique clear and frosted glass cendrier designed

by Rene Lalique, and a Lalique clear and frosted glass menu holder, stencil R Lalique 10cm. (2) £150-200

168

169

170

171

172

173

174

175

170. ‘Muguet’ no.334 a Lalique clear and frosted glass cendrier designed by Rene Lalique, stencil mark R Lalique France 8.5cm. £150-250 high

171. ‘Dove in Wreath’ an unusual clear and frosted glass cendrier designed by Rene Lalique, with sepia staining, etched R Lalique France, 9.5cm. high £150-250

172. ‘Lapin’ no.285 a Lalique clear glass cendrier designed by Rene Lalique, and another Lapin cendrier, etched R Lalique, 2nd cendrier damaged, 10.5cm. diam. (2). £150-200

173. ‘Dindon’ no.287 a Lalique clear glass cendrier designed by Rene Lalique, etched R Lalique 10.5cm. diam. £150-200

174. ‘Rapace’ no.323 a Lalique clear and frosted glass cendrier designed by Rene Lalique, etched Lalique France, 9cm. diam. £150-200 This design was introduced in 1931.

175. ‘Alaska’ no.325 a Lalique opalescent glass cendrier designed by Rene Lalique, £150-200 stencil R Lalique, 10cm. diam.

33

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176. ‘Chien’ no.290 a Lalique clear glass cendrier designed by Rene Lalique, etched R Lalique France, 9.5cm. diam. £200-300 This design was introduced in 1926.

177. ‘Chamois’ no.314 a Lalique clear and frosted glass cendrier designed by Rene Lalique, with blue staining, with original card presentation box, stencil R Lalique, 10cm. diam. £250-350

176

177 178. ‘Saint Odile’ a pair of Lalique clear and frosted glass cendrier designed by Rene Lalique, and a modern Lalique American Independence Bicentenary cendrier etched mark to 3rd 10cm. diam. (3) £150-200

178

179

179. ‘Berthe’ no. 302 a Lalique clear and frosted glass cendrier designed by Rene Lalique, with black enamel decoration, another ‘Berthe’ cendrier, a ‘Paquerette’ cendrier, and two ‘Nicole’ cendrier (5) £150-250

180. ‘Anna’ no.303 a Lalique clear and frosted glass cendrier designed by Rene Lalique, with sepia staining, another clear and frosted glass cendrier and a ‘Marguerites’ no.329 cendrier etched Lalique £150-250 France, 8.7cm. wide. (3)

180

181

181. ‘Bluets’ no.335 two Lalique clear and frosted glass cendrier designed by Rene Lalique, one with blue staining the other with pink staining, stencil R Lalique France mark, 13 x 11cm. (2) £200-300 This design was introduced in 1936.

182. ‘Eglantines’ no.331-332 a Lalique clear and frosted glass cendrier and eteignoir designed by Rene Lalique, with sepia staining, stencil R Lalique to tray, etched R Lalique France to the holder, 20.5cm. long. (2) £200-300

34

182

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183. ‘Faune’ no.316 a Lalique Cendrier designed by Rene Lalique, with black staining, stencil R Lalique 9cm. high £150-250

184. ‘Coq Nain’ no.1135 a modern Lalique clear and frosted glass paperweight/car mascot originally designed by Rene Lalique, etched Lalique France, 20.5cm. high £200-300

183

184

185. ‘Hirondelle’ no. 1143 a pair of postwar clear and frosted glass book ends designed by Rene Lalique, etched Lalique £150-200 France 15.5cm. high (2).

This design was originally introduced in 1928.

186. ‘Dahlia’ no.317 two Lalique clear and frosted glass cendrier designed by Rene Lalique, etched R Lalique France 10cm. diam. (2) £150-200

185

This design was introduced in 1931.

186

187

187. ‘Deux Zephyr’ a pair of smoked grey frosted glass cendrier designed by Rene Lalique, stencil R Lalique and moulded R Lalique marks, minor frits to rim, 7.8cm. diam. (2) £200-300

188. ‘Birds in Hair’ a pair of Lalique clear and frosted glass large plates designed by Luciana Roselli, etched signature 32cm. high (2). £300-500

188

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189

190

189. ‘Actinia’ no.10-392 a Lalique opalescent glass shallow bowl designed

by Rene Lalique, stencil R Lalique France 25.5cm. diam. £150-200

191

190. ‘Asters’ a Lalique opalescent glass shallow bowl designed by Rene Lalique, stencil R Lalique France 25.5cm. diam. £150-200

191. Plumes de Paon’ no.10-375 a Lalique opalescent glass bowl designed by Rene Lalique, etched R Lalique France to inside well, 24cm. diam. £200-300 This bowl was introduced in 1932.

192. ‘Dauphins’ no.424 a Lalique opalescent glass bowl designed by Rene Lalique, stencil R Lalique France 29.5cm. diam. £250-350

36

192

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193. ‘Beautreillis’ no.989 a Lalique opalescent glass vase designed

by Rene Lalique, wheel cut R Lalique France to base, 14.5cm. high £1,000-1,500

193

194. ‘Beautreillis’ no.989 a Lalique smoky grey clear and frosted glass vase designed by Rene Lalique, wheel cut R Lalique France no.989 to base, 14.5cm. high £500-1,000 This vase was introduced in 1927.

194

195. ‘Beautreillis’ no.989 a Lalique opalescent clear and frosted glass vase designed by Rene Lalique, wheel cut R Lalique France no.989 to base, 14.5cm. high £1,000-1,500

195

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196. Fourteen modern Lalique year plates, comprising, 1966, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975, 1976, a duplicate 1969 and two undated Lalique plates, with original card cases, applied labels 21cm. diam. (14) £400-800

196

197. ‘Houbigant’ a Lalique opalescent glass box designed by Rene Lalique, with silk four compartment base, cast R Lalique mark, base stamped France 14cm. diam. (2) £200-300 This box and cover was introduced in 1928.

197

198. ‘Poissons’ no.3056 a Lalique plate designed by Rene Lalique, moulded R Lalique to well, small nick to rim, 27.5cm. high £300-500

198

199. ‘Biches’ no.1082 a post-war Lalique vase designed by Rene Lalique, signed Lalique 17cm. high £150-200 This vase was designed in 1932 and produced after 1945.

38

199

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200

201

202

200. ‘Chamonix’ no.1090 a Lalique opalescent glass vase designed by Rene Lalique, stencil R Lalique 15.5cm. high £300-500 This vase was introduced in 1933

201. ‘Bellis’ no. 1097 a Lalique opalescent glass vase designed by Rene Lalique, stencil R Lalique, 14cm. high £300-500 This vase was introduced in 1926.

202. ‘Rampillon’ no.991 a Lalique opalescent glass vase designed by Rene Lalique, wheel cut R Lalique France 13cm. high £400-600

203

203. ‘Ondines’ no.3003 a Lalique clear and frosted glass plate designed by Rene Lalique, moulded R Lalique mark, etched France 27.5cm. diam. £500-800

204. ‘Ondines’ No.3003 a Lalique opalescent glass plate designed by Rene Lalique, moulded R Lalique, later incised R Lalique 27cm. diam. £700-900 Provenance 20th Century Design, Woolley and Wallis 13th October 2010 lot 657.

Private collection.

204

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205. A Kosta Boda vase by Bertil Vallien, shouldered form with tapering solifleur neck, covered in a purple lustre, another Bertil Vallien vase, two Kosta cubes by Vallien and a Rorstrand vase incised marks, 20cm. high (5). £150-200

205

206. A Crystal Maastricht glass vase, thick clear glass streaked with blue and red applied paper label, 42cm. high £150-200

207. A blown amber glass sculptural vase attributed to Henryk Albin Tomaszewski (Polish, 1906-1993), ovoid amorphic form with linking tubes of glass to the interior £150-200 unsigned 15cm. high

207

Several examples of this shape are recorded all have been in an olive green colour. They have previously thought to have been made in Czechoslovakia although Mark Hill now believes them to have been made by the Polish studio glass artist Henryk Albin Tomaszewski.

208. A Kosta Boda Can-Can vase designed

by Kjell Engman, the mottled orange glass bowl with pale blue and purples patches, cased in clear, on applied orange and blue glass column stem and foot etched marks, applied Kosta label, 27cm. high £150-200

206

208

209. An Orrefors Graal dish designed by Edward Hald, thick clear glass internally decorated with fish amongst waterweed in aubergine, a Brierley Glass Graal vase and an Orrefors Graal vase by Jan Johanson, incised marks, 15cm. high, (3) £150-250

209

210. A Moser Citrine glass bowl, the pale yellow glass modelled and cut with a radiating flowerhead design, and a glass vase designed by Heinrich Hussmann unmarked, 25cm. diam. (2) £150-250

211. A Czechoslovakian glass vase, flaring cylindrical form, thick glass with cut geometric repeat unmarked 26cm. high £150-200

40

210

211

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212. Arlecchino a Venini Commedia dell’ Arte glass figure designed by Fulvio Bianconi, modelled casually standing with arms raised up to chest, in mask and flaming hat, Lattimo glass with glass applications, on black glass domed base, acid etched mark to base Venini Murano Italia 37cm. high £800-1,200 Literature Venini Catalogue Raisonne 1921-1986, SKIRA, page 154 plate 112 for a comparable figure illustrated.

213. Tartaglia a Venini Commedia dell’ Arte glass figure designed by Fulvio Bianconi, designed in 1969, modelled standing with one leg raised, white glass with aubergine trailing on black glass vase, acid etched Venini Murano Italia mark to base, 31cm. high £500-1,000 Literature Venini Catalogue Raisonne 1921-1986, SKIRA, page 272 this figure illustrated, page 216 for a detailed list of the figures.

214. A Murano glass table lamp in the manner of Ercole Barovier, tapering, triangular section of textured glass, cased in clear and applied with three graduating discs to each side, unsigned 36cm. high. £400-600

212

213

215. An A.V.E.M. glass vase, shouldered black glass with silver aventurine and cane inclusions, cased in clear unsigned, 39cm. high £200-300

216. A Murano glass vase in the manner of Barovier & Toso, compressed, shouldered pale green glass internally decorated with swags and aventurine, cased in clear £200-300 unsigned 19cm. high

217. A Barovier & Toso glass and bronze picture frame, the ribbed, rectangular glass frame with bronze mount and foot stamped factory mark to frame, 23cm. high £300-500

218. A Murano glass vase, compressed elliptical section, red and blue columns cased in clear unsigned 29.5cm. high £200-300

216

214

215

217

218

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219. A Rossi e Neri glass model of a fish in the manner of Venini, the black glass body with applied blood red details unsigned, repair to tail, 12.5cm. high £150-200 Literature Venini Catalogue Raisonne 1921-1986, Skira, page 38 for a comparable dolphin designed by Napoleone Martinuzzi.

219

220

220. A Venini glass Transparent bird designed by Toni Zuccheri, slender clear glass body applied with green glass details, etched Venini Italia, 18cm. wide £200-300 Literature Venini Catalogue Raisonne 1921-1986, Skira, page 228 catalogue number 237 for an example of this design illustrated. This design was introduced in 1966.

221. A Murano glass vase possibly A.V.E.M, flaring cylindrical form with fluted rim, red glass with murrine cane inclusions, cased in clear unsigned, 28.5cm. high £150-200

221

42

222. A Barovier & Toso glass vase, thick heavy clear glass internally decorated with white and pink cane columns, with aventurine inclusions etched Toso N Murano 41cm. high £300-500

222

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223. A Vistosi Pulcini glass bird designed

by Alessandro Pianon, the blown spherical orange glass body with textured surface and applied glass cane eyes, on patinated copper feet unsigned 22cm. high £500-1,000 Provenance The collection of John Newall Esq.

224

224. A Vistosi Pulcini glass bird designed

by Alessandro Pianon, the blown blue glass body internally decorated with red stripes, applied glass cane eyes, on copper feet unsigned 18cm. high £500-1,000 Provenance The collection of John Newall Esq.

223

225. A Vistosi Pulcini glass bird designed

by Alessandro Pianon, the blown blue glass body internally decorated with red and blue plumage, applied glass cane eyes, on copper feet unsigned 32cm. high £500-1,000 Provenance The collection of John Newall Esq.

225

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CERAMICS 226. Six William De Morgan Persian border tiles, painted with carnation and tulip flowers, in shades of blue, green and aubergine on a blue ground, a ruby lustre Sunflower tile, six dark turquoise tiles and a collection of spacer and encaustic tiles by William De Morgan and other manufacturers, various marks, damages border tiles 21 x 5.5cm. (a lot). £200-300

227

226

227. A pair of Faience glazed pottery architectural tiles possibly Burmantoft’s Faience, each modelled with a scrolling foliage design with dragon mask in blue, yellow and mushroom, in later modern frame, and a collection of Craven Dunnill, Jackfield encaustic tiles, 50cm. square frame, (30cm. square tiles), (a lot). £100-200

228

229

228. A composite set of three Farnham Pottery graduated Owl jugs, each with incised details, glaze blue and a Farnham Pottery Owl bowl, unsigned, 17.5cm. high (4) £300-500 229. A Minton’s Secessionist vase designed by Leon Solon and John Wadsworth, model no.42, the ovoid body with tapering neck, tubeline decorated with spiky foliage in green and blue on a purple ground, a Wedgwood ball vase designed by Keith Murray, a Michael Casson stoneware vase and a Winchcombe Pottery plate by Sidney Tustin, various marks, minor professional repair to the slip, ball vase £150-200 lamped, 13.5cm. high (4) 230. A pair of Martin Brothers stoneware architectural panels, each shaped form, cast in low relief with a grotesque mask amidst scrolling fruiting vine, glazed in shades of brown, apparently unsigned, damages and losses, 45cm. high (2) £150-200

230 231. A C J C Bailey Fulham Pottery stoneware vase and cover, low cylindrical form cast with a band of scrolling foliage, the slightly domed cover cast with radiating panels of foliage each with pierced vent, glazed blue and buff incised Bailey Fulham, restored 26cm diam. £100-150 232. A C J C Bailey Fulham stoneware jar and cover, cylindrical form, cast and incised with stylised foliate roundel with radiating foliage, in shades of blue and green on a buff ground, and a C J C Bailey Fulham stoneware flask, incised marks, CJ monogram, professionally restored cover, 17cm. high (2) £100-150

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231

232

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233. A Burmantoft’s Faience jardiniere and stand, the base model no.1885, the top model no.1662, the base modelled as four entwined diving classical dolphin, on quattrolobed drum base, the bowl an upturned shell on rock, glazed blue, impressed marks to base and top, old restorations and minor losses, base 104cm. high, top 33cm high, total height 137cm. (2) £150-250

234. A large Compton Pottery tile plaque, rectangular, cast in low relief with a young girl collecting apples in her dress, in a walled garden with an apple tree grown in a pot impressed seal mark, 31 x 19cm. £250-350

235. A pair of Minton’s Cloisonne vases designed by Dr Christopher Dresser, swollen, square section, with cast loop handles, printed and painted with stylised flowers and foliage in colours on a pink ground, impressed and printed marks, both £200-300 restored necks 21.5cm. high

233

Literature Michael Whiteway Christopher Dresser A Design Revolution, V&A, page 102 plate 132 for a comparable pair decorated with a different design.

Widar Halen Christopher Dresser, Phaidon, page 125 catalogue number 134 for this design on a drum shaped vase.

236. A Sunflower Pottery tyg by Sir Edmund Elton, cylindrical form with puller rim and applied handles, applied slip panels of clover in pink and green on a streaked green ground painted Elton, 17.5cm. high £200-300

234

235

237. A Sunflower Pottery vase by Sir Edmund Elton, swollen form, applied with slip decorated flower spray in ochre and green on a streaked green ground, and a Doulton Lambeth stoneware jug by Hannah Barlow dated 1872, incised with deer painted Elton S mark, damages, 12.5cm. high (2) £100-200

236

237

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238. ‘Sir Francis Drake Jug’ a Royal Doulton limited edition jug designed by Charles Noke, moulded in low relief, glazed in colours printed and painted marks, 27.5cm. high £200-300 This jug was produced in a limited edition of 500 examples, issued from 1933.

239. ‘Cora’ a Royal Worcester porcelain figure designed by Doris Lindner, glazed in shades of green, cream and black printed and painted marks, date code 16cm. high £250-350

239 238

240. Twenty four Royal Doulton Charles Dickens figures, comprising; Pecksniff, Tony Weller, Jingle, Buzfuz, Mrs Bardell, Dick Swiveller, Uriah Heap, Oliver Twist, David Copperfield, Sam Weller, Pickwick, Tiny Tim, Little Nell, Fagin, Bill Sikes, Fat Boy, Scrooge, Stiggins, Sairy Gamp, Trotty Veck, Artful Dodger, Bumble, Captain Cuttle, and Micawber, painted in colours printed marks, Dick Swiveller broken and glued, chips to £150-200 Fagin and Sairey Gamp, (24)

240

241 241. ‘Coppelia’ HN.3115 ‘Newsboy’ HN.2244 ‘Columbine’ HN.2185 and Harlequin HN.2186 four Royal Doulton figures, painted in colours, ‘Girl on Pony’ and ‘Huntsmen’ two Beswick figures and a Beswick dog, printed factory marks, Harlequin repaired, frits to Columbine,(7) £200-300

242. ‘Young Lady with a Fishing Basket’ a rare Royal Doulton prototype figure, modelled bare breasted, seated with an empty fishing basket, glazed in colours printed Royal Doulton Prototype mark, 24cm. £600-1,000 high

243. A Wemyss Pottery biscuit barrel and cover, painted with strawberries in colours on a white ground, and another Wemyss biscuit barrel and cover painted with purple fruit, painted yellow Wemyss & T Goode marks, repaired finial to 2nd cover, 16cm. high (2) £150-200

242

Provenance: From the collection of John Newall Esq.

244. A Wemyss Pottery Cabbage Rose teapot and cover, painted in colours impressed and painted Wemyss marks, chips to spout and inner rim, 21cm. wide. £150-200

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243

244

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246 245

MOORCROFT POTTERY 245. ‘Prairie Summer’ a modern Moorcroft wall charger designed by Rachel Bishop, dated 2001, painted in colours, in original card box, impressed and painted marks, 35.5cm. diam. £200-300

246. ‘Claremont’ a Moorcroft Pottery floating bowl designed by William Moorcroft, painted in shades of red, purple, yellow and green on a blue ground, painted green signature, hairline crack to rim, 29cm. diam. £300-500

247

248

247. ‘Green and Gold Florian’ a James Macintyre vase designed by William Moorcroft, painted with art nouveau flower stems in blue and celadon green, highlighted in gilt, printed mark, painted green signature, 22cm. high £300-500

248. ‘Frilled Orchid’ a rare early Moorcroft Pottery vase designed by William Moorcroft, waisted cylindrical form with loop twin-handles, painted in shades of blue and purple on a mottled blue and green ground, impressed Burslem mark, painted green signature, professionally restored base rim, 21.5cm. high £200-300

249. ‘Eventide’ a Moorcroft Pottery footed bowl, painted in shades of green, blue and sand under a flambe pink sky, the exterior mottled blue impressed marks, painted green signature 27cm. diam. £300-500

249

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250. A Bough Pottery baluster vase and cover by Elizabeth Amour, painted with a band of anemone flowers in shades of pink, purple and green, outlined in grey and highlighted in black on a white ground printed Bough mark, painted EA monogram 30cm. high £150-200 Literature Elizabeth Cumming Hand, Heart & Soul The Arts and Crafts movement in Scotland, page 76 for a Bough Studio charger by Elizabeth Armour.

251. An Arts and Crafts jug retailed by Liberty & Co, ovoid with pinched rim, painted with columns of fritillary flowers in shades of red and green on a white ground, painted Liberty London, 14cm. high £150-200

250

251

252

Provenance Marion Terry (1853-1930) the sister of Ellen Terry was also an actress and played Mrs Erlynne in Oscar Wilde’s Lady Windermere’s Fan and Bathsheba in Thomas Hardy’s Far From the Madding Crowd.

252. A rare Gray’s Pottery toucan designed by Nancy Catford, modelled, perched on a rock with head titled back and beak raised, glazed in colours printed clipper mark, 29cm. high £150-200 253. A Bernard Moore flambe vase, shouldered form, painted with a peacock feather, in colours with turquoise enamel on a flambe ground indistinct mark, 12.5cm. high, a Crown Ducal flambe ginger jar and cover, painted with panels of flowers in flambe red, two E R Wilkes flambe vases and three other vases, printed £150-200 factory mark, damages, 17cm. high (7)

253

255

254

254. A Minton’s Secessionist toilet set designed

by John Wadsworth and Louis Solon, tubeline decorated with fruit and foliage in colours on a vivid yellow ground, comprising two candlesticks, toothbrush holder, soap dish and cover printed factory marks, 16cm. high (5). £150-200 255. A Minton’s pot-pourri jar and cover designed

by Reginald Haggar, model no.E.4350, modelled in low relief with pansy flower, the pierced cover with simple pansy flower and butterfly finial, and another Minton’s preserve jar and cover similar, painted in colours printed and painted marks, 12.5cm. high (4) £200-300

256

256. A collection of twenty-eight Denby Danesby Ware rabbits, various sizes including Pastel Blue, Meadow Green and Orient Ware glazes, and a small collection of related ware including a Royal Doulton Flambe rabbit printed marks, 26cm. high (largest), (a lot) £200-300 Literature Irene & Gordon Hopwood Denby Pottery 1809-1997, Richard Dennis Publications page 26 for comparable examples illustrated.

48

257. ‘Pink Dresden Spray’ a Susie Cooper Productions tea set, printed and painted in colours, comprising; Rex teapot and cover, hot-water pot and cover, milk-jug and two sugar basins, preserve pot and cover, muffin dish and cover, two breakfast bowls and plates, two tea cups, saucers and side plates, two egg cups and two small dishes, and a cruet printed factory marks, cruet smashed, 13cm. high £50-100

257

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258

259

258. The Chase a pair of Carter’s Poole Pottery tiles designed

by Edward Bawden, circa 1922, painted with two foxes and a pack of four fox hounds in a landscape, in blue, green and black on an off white ground impressed marks painted CS4 and CS6 12.5cm. square (2) £300-500 Literature Leslie Hayward & Paul Atterbury Poole Pottery, Richard Dennis Publications, page 172 for an example of The Chase series illustrated.

259. A Carter Stabler & Adams Poole Pottery Bluebird twinhandled vase designed by Truda Adams, painted by Anne Hatchard, pattern NE shape 901, painted in colours on a white ground impressed and incised marks, painted marks and artist cipher 23.5cm. high £150-200

260

260. A Carter Stabler & Adams Poole Pottery vase probably designed by Truda Carter, shape no. 435, shouldered cylindrical form, painted with stylised flowers and foliage in colours on a white ground impressed mark, incised 435, 28cm. high £300-500

261. ‘I’s Shy’ L.A.9 a Shelley Pottery figure designed by Mabel Lucie Attwell, painted in colours printed green mark, repair to bow, 16cm. high £100-150

262

261

262. ‘Eastern Lady’ an Ashtead Pottery figure designed by Phoebe Stabler, model no. M.37, painted in colours printed factory marks,14cm. high £100-150

263. A Shelley Pottery lustre bowl by Walter Slater, model no.8306, enamelled in white with a scaly fish on a blue-green lustre ground printed mark, facsimile signature 19cm. diam. £200-300

263

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265 264

266

CLARICE CLIFF 264. ‘Rhodanthe’ a Clarice Cliff Bizarre Twinhandled Lotus jug, painted in colours on a honeyglaze, printed factory mark, small bruise to top rim, 30cm. high £300-500

265. ‘Autumn’ a Clarice Cliff Fantasque Bizarre plate, dated 1931, painted in colours inside orange and blue bands, printed factory marks, impressed date code, 22.5cm. diam. £150-200

266. ‘Dutch Man & Woman’ a pair of Royal Staffordshire figures designed by Clarice Cliff, model no.425 and 426, painted in colours printed £300-500 factory marks, 20cm. high (2)

267

Literature Clarice Cliff Christie’s South Kensington, 9th October 2005 lot 15 for a comparable pair of figures.

267. ‘Age of Jazz’ a modern Wedgwood table centrepiece originally designed by Clarice Cliff, modelled as a dancing couple, in colours printed marks, 20.5cm. high £200-300

268. A Foley bone china Art in Industry ‘White Rose’ part tea set designed by Graham Sutherland, model V.626, comprising, three tea cups, a saucer and five side plates, printed in black and green with rose motif to the well of the tea cup and centre of plates, printed and painted factory marks, facsimile signature, fine hairline to one cup, 16cm. diam (9) £200-250

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268

Literature Graham Sutherland The Tate Gallery, 19th May-4th July 1982, page 66 catalogue number 27 for the original design, page 67 catalogue number 28 for a comparable part service in this design illustrated.

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A PRIVATE COLLECTION OF ART DECO 269. ‘Crocus’ a Clarice Cliff Bizarre Isis jug, painted in colours between yellow, brown and green bands, printed factory marks, 24.5cm. high £150-200 270. ‘Gay-Day’ a Clarice Cliff Bizarre Single-handled Lotus jug, painted in colours between yellow, brown and green bands, printed factory mark, 29cm. high £150-200 271. ‘Crocus’ a Clarice Cliff Bizarre Beehive preserve pot and cover, painted in colours, a Bon Jour cruet set and a Clog in the same pattern printed factory marks, minor frit chips to preserve cover 7cm. high (5) £200-300

269

270

272. ‘Crocus’ a Clarice Cliff Bizarre Globe tea set for six, comprising teapot and cover, milk-jug and sugar basin, six Globe cups, saucers and side plates printed factory marks, 13cm. high £300-400 273. ‘Windbells’ two Clarice Cliff Bizarre Clogs, painted in colours printed factory marks, hairline to side of one, 11cm. long (2). £200-300

271

274. ‘Sliced Fruit’ a Clarice Cliff Bizarre bowl, painted in colours between orange bands, a Clarice Cliff Delecia Citrus bowl and Cylindrical biscuit barrel, printed marks, chips to inner rim of barrel and cover missing, Citrus bowl overpainted green band,21.5cm. diam. (3) £150-250 275. A Clarice Cliff Bon Jour tea for two, painted with a floral border design in colours, comprising teapot and cover, milk-jug and sugar basin, two cups, saucers and a side plate printed factory mark, 13.5cm. high £200-300

272

The plate and saucers are dated 1932.

276. ‘Tennis’ a Clarice Cliff Bizarre tazza, with electroplated foot, painted in colours printed factory mark, 22.5cm. diam. £200-300

275

274

273

276

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277

278 277. A Clarice Cliff banded Breakfast service for one, comprising Bon Jour teapot and cover, Conical milk-jug and sugar basin, one cup, saucer and side plate, toastrack, serving plate, muffin dish and cover, twin-compartment serving dish, cruet and a pin dish, painted with bands in shades of blue and mushroom on a honeyglaze, printed marks, mustard pot damaged, 13.5cm. high (teapot) £150-250

279

278. ‘Patina Tree’ a Clarice Cliff Conical bowl, shape no.384, painted in colours with pale blue slip decoration, a Gay Day candlestick a Peter Pan Crocus bowl, an Original Bizarre bowl and a Chloris Conical cup and saucer printed factory marks, 11.5cm. diam (Patina Tree), (5) £150-200 279. ‘Autumn’ a Clarice Cliff Fantasque Bizarre cigarette and ashtray, painted in colours, an ‘Orange Autumn’ Clarice Cliff bowl and a banded Clarice Cliff pin dish printed factory marks, 9cm. wide. (3) £150-200 280. ‘Orange Hydrangea’ a Clarice Cliff Bizarre side plate, octagonal, painted in colours, a Rhodanthe plate, a Blue Chintz plate and a Forest Glen Biarritz plate printed factory marks, 14.5cm. diam. (4) £150-200 281. ‘Orange Hydrangea’ a Clarice Cliff Bizarre Lynton part coffee set for four, painted in shades of orange, yellow and brown, comprising coffee pot and cover, four coffee cups and saucers, printed marks, 19cm. high (10) £300-500

280

282. ‘Green Hydrangea’ a Clarice Cliff Bizarre Daffodil coffee set for six, comprising coffee pot and cover, milk-jug and sugar basin, six cups and saucers, painted in colours printed factory marks, 18cm. high £350-450 283. A Carlton Ware Moderne shape teapot and cover, pattern 8704, painted with a geometric design in orange and black, a Carlton Ware Bass advertising musical mug decorated with a Mephistopheles handle and hanging Puritan, and a collection of ceramics by Crown Ducal Charlotte Rhead (stitch pattern), Carltonware, Goebels, Moorcroft and Radford printed and painted marks, handle to teapot restuck, damages, 14.5cm. high (a lot) £150-250

281

284. A Shelley Pottery Regent coffee set for six, pattern 12207, painted with geometric design in green, white and black highlighted in silver, comprising coffee pot and cover, milk-jug and sugar basin, six cups and saucers printed and painted marks, 18.5cm. high £150-250 This design was registered in 1933.

285. Eleven Wade Art Deco figures, including, Zena, Springtime, Jeanette, Pavlova, June and Anton, painted in colours, one with lamp fittings printed factory marks, (11) £300-500

282

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284

285

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286

287

286. Contemplation a carved ivory figure of a woman by Ferdinand Preiss, modelled seated on a tree stump, on green onyx base etched F Preiss to base edge 11.5cm. high £600-1,000 Literature Bryan Catley Art Deco and Other Figures Antique Collector’s Club, page 265 for an example illustrated.

288 287. A carved ivory model of a woman by Ferdinand Preiss, modelled seated on a green onyx base, polished black band, and another carved ivory figure of a woman by Ferdinand Preiss, etched F Preiss, 2nd figure with losses, 11cm. high. (2). £800-1,200 288. Mask Dancer a patinated bronze and ivory exotic dancer cast from a model by Joe Descomps, modelled standing with leg and arms raised, on onyx faceted base signed Joe Descomps in the cast, repaired foot and fingers, 34cm. high £600-1,000 Literature Bryan Catley Art Deco and Other Figures Antique Collector’s Club, page 136 for another example illustrated.

289. Delhi Dancer a patinated bronze and ivory model of a dancer cast from a model by Demetre Chiparus, on veined green onyx base incised Chiparus to base 26cm high £2,000-3,000 Literature Alberto Shayo Chiparus Master of Art Deco, ACC Art Books, page 105 plate 32 for a comparable example illustrated.

289

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290. An enamelled glass decanter, stopper and six shot glasses, enamelled with black geometric panels and frosted glass panels, two slender shot glasses similar, a Maison Eugene Flocon Art Nouveau metal shot glass set in original fitted presentation case, and two WMF pewter wine cup holders, unsigned, 23.5cm. high (decanter) (12) £150-250

290 291. ‘Volnay’ a Lalique clear and frosted glass scent bottle and stopper designed by Rene Lalique, a Lalique opalescent glass bowl by Rene Lalique and a modern Lalique frosted glass Floreal figure and stand factory marks, 8.5cm. high (scent bottle), (4) £200-300

291 292. A Landier opalescent glass dish, moulded in low relief with radiating geometric swirls, an opalescent glass probably Barolac modelled with galleons, a Murano glass bottle with stopper and two stirrup cups, cast marks, 35cm. diam. (5) £150-200

292

293

293. A Monart glass vase, tapering form with everted rim, mottled yellow and white with whorls and pulls, graduating to pink and green and cased in clear unsigned 26cm. high £150-200

294. An English Art Deco walnut veneer nest of tables, circular with four smaller quadrant tables, 61cm. high, 76.5cm. diam.

(5) £200-400

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294

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295. An English Art Deco walnut veneer display cabinet, circular, the glazed doors with sunburst tracery, glass shelves, 128cm. high £200-300 296. An English Art Deco walnut veneer display cabinet, circular on arched feet, with glazed doors and glass shelves, 129cm. high £200-300 297. An English Art Deco walnut veneer cocktail cabinet/sideboard, with central hinged, mirrored cabinet above drawers, flanked with cupboards, bakelite handles, 91cm. high, 134cm. wide, 55cm. deep. £200-300 298. An English Art Deco satinwood dining table and six chairs, the rounded rectangular table on U shaped legs, with glass protective cover, two carver and four chairs with modern mushroom leather padded back and seat, 183 x 91.5cm (table), 86cm. high (chairs). (7) £1,200-1,500

295

296

open 297

298

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WEDGWOOD

299

300

301

299. A Wedgwood Dragon lustre bowl designed by Daisy Makeig-Jones, the exterior printed in gilt on a blue ground, the interior pearl lustre, and another octagonal bowl similar printed marks, 10.5cm. diam. (2) £150-200

300. A Wedgwood Hummingbird lustre bowl designed by Daisy Makeig-Jones, printed and painted in colours on a green lustre ground, the interior on pearl lustre printed and painted marks, Z5088, 22cm. £150-250 diam.

301. A Wedgwood Fairyland Lustre ‘Argus Pheasant’ bowl designed by Daisy MakeigJones, pattern no.5486, printed and enamelled in colours and gilt on a powder blue lustre ground printed and painted marks, 23cm. diam. £1,000-2,000 Literature Una Des Fontaines Wedgwood Fairyland Lustre, page 257 plate 69 for this design illustrated.

302. A Wedgwood Fairyland lustre Octagon bowl designed by Daisy MakeigJones, printed to the exterior in the ‘Castle on a Road’ pattern, the interior ‘Bird in a Hoop’, printed factory marks, 18cm. diam. £1,000-2,000

302

303. A Wedgwood Butterfly lustre vase designed by Daisy Makeig-Jones, compressed ovoid form, decorated in gilt with butterflies on a mottled orange lustre ground, and a Wedgwood small dragon lustre bowl, printed and painted marks, 10cm. high. (2) £150-250

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304 304. A Wedgwood Fairyland lustre brooch, printed and painted in colours, highlighted in gilt on a flame yellow and orange ground printed factory mark, 5cm. diam. £300-400 305. ‘Rainbow/Bifrost’ a Wedgwood Fairyland Lustre vase designed by Daisy Makeig-Jones, shape 3149, printed and painted in colours on a blue lustre ground, highlighted in gilt, printed and painted marks, paper collection label, 21.5cm. high £2,000-3,000 Provenance Betty & Leonard Issod Collection Private collection.

Literature Una Des Fontaines Wedgwood Fairyland Lustre, page 127 plate 25 for a covered vase in the same pattern.

305

306. A rare and unusual Art Deco Wedgwood desk lamp, model D.150, stepped circular section base with chrome artriculated stem and angled shade, glazed green with silver borders, printed mark to inside of shade 40cm. high £300-350 307. Garden Implements a Wedgwood lemonade set for six designed by Eric Ravilious, printed with vignette of garden tools and scenes in pink lustre and black on a white ground, comprising large jug and six handled beakers, printed and painted marks, 20cm. high (7) £1,000-1,500 Literature Andrew Casey 20th Century Ceramic Designers, Antique Collector’s Club, page 227 figure 260 for a comparable Garden Implements jug illustrated.

306

307

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CARLTON WARE 308. A large Carlton Ware Rouge Royale ‘New Stork’ Tomb jar and cover, the cover with modelled dog of fo finial, enamelled in colours and gilt with wading herons and trees on a riverbank, on a red lustre ground printed factory marks, original paper label 35cm. high £150-200

309. ‘Babylon’ a Carlton Ware vase, model no.4126, enamelled in colours and gilt on a red lustre ground printed and painted marks, 26.5cm. high £500-800

308

310. ‘Paradise Bird and Tree’ a Carlton Ware vase and cover, pattern no. 3144, printed and painted in colours and gilt on a mottled pale blue ground, printed and painted marks, professional restoration to rim of vase, 19.5cm. high £300-500

311. ‘Chinaland’ a rare Carlton Ware Temple ginger jar and cover, pattern 3705, printed and painted in colours and gilt on a pale blue lustre ground, the cover with gilt lion finial and internally decorated with Chinaland mon, printed and painted marks, 31.5cm. high £400-600 Literature Dr Czes & Yvonne Kosniowski Carlton Ware The Complete Guide, page 29 for examples of this pattern illustrated.

309

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311

311 detail

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DENNIS CHINAWORKS 312. ‘Orchid’ a Dennis Chinaworks Flute vase designed by Sally Tuffin, dated 2004, painted in colours on a pale green ground, painted marks, 17cm. high and ‘Grape’ a Dennis Chinaworks Collector’s Day vase designed by Sally Tuffin, dated 2001, painted in colours printed and painted marks, 25cm. high (2) £150-250 313. ‘Pansy’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2003, painted in colours, and a Pansy preserve pot and cover, painted marks, 21cm. high (2) £150-200 314. ‘Dandelion’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2005, flaring conical form with pierced decoration, painted in colours, and a Gala Day Lilac vase printed and painted marks, no.9 17.5cm. high (2) £120-180

312

313

315. ‘Iris’ a Dennis Chinaworks Flute vase designed by Sally Tuffin, painted with purple flag iris on a graduated blue to green ground, a miniature version and another shouldered Iris vase painted marks 16.5cm. high (3) £150-200 316. ‘Butterfly’ a Dennis Chinaworks vase and cover designed by Sally Tuffin, dated 2006, tapering cylindrical form with flat cover, the finial modelled as a butterfly, the vase moulded with a ladybird, in colours on a graduating black to white ground painted marks, 22.5cm. high £150-200 317. ‘Wisteria with Butterfly’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, 2006, slender cylindrical form with everted rim, applied with butterfly to the shoulder, painted in shades of purple and green on a graduated purple to blue ground painted marks, 39cm. high £150-200

314

318. ‘William De Morgan Antelope’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, shouldered form with cylindrical neck and everted rim, painted in shades of purple, blue and green painted marks, 35cm. high £300-500 319. ‘Blue Eagle’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 2000, painted in colours on a blue ground painted marks, 40cm. high £200-300 320. ‘Snake’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, shouldered form, painted in shades of green and blue on a purple ground painted marks 33.5cm. £150-250 This vase was produced in a limited edition of 30.

315

316

317

318

319

320

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SIX UNIQUE DENNIS CHINAWORKS VASES

321. Lustred Klimt Pattern a unique Dennis Chinaworks X.L. Skittle vase designed by Sally Tuffin and Buchan Dennis, thrown by Rory McLeod, decorated

by Theresa Blackmore, painted in colours and gold lustre, painted and impressed marks, WW5, 2016, 42cm. high £1,200-1,800

321

322. Lustred Elizabethan Textile a unique Dennis Chinaworks XL Skittle vase designed by Sally Tuffin and Buchan Dennis, thrown by Rory McLeod, decorated

by Theresa Blackmore painted and impressed marks, WW6, 2016, 42cm. high. £1,000-1,500

322 323. Lustred Iris a unique Dennis Chinaworks X.L Egyptian vase designed by Sally Tuffin and Buchan Dennis, thrown by Rory McLeod, decorated by Vanessa Thompson, painted in copper and silver lustre on a cream ground, impressed marks, WW4 Trial, 2016, 28cm. high £700-800

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324. Jewelled Dragon Fly a unique Dennis Chinaworks N.L. Baluster vase designed by Sally Tuffin and Buchan Dennis, thrown by Rory McLeod, decorated by Natasha Chapman-Cox, impressed and painted marks, WW3, 2016, 36.5cm. high £700-800

324

325. Orbit a unique Dennis Chinaworks Large Sphere vase designed by Sally Tuffin and Buchan Dennis, thrown by Rory McLeod, decorated by Natasha ChapmanCox, painted with bands in colours, silver and metal oxide, impressed and painted marks, £1,200-1,800 WW1, 2016, 36cm. high

325

326. Great Bustard a unique Dennis Chinaworks Large Ovoid vase designed by Sally Tuffin and Buchan Dennis, thrown by Rory McLeod, decorated by Vanessa Thompson, scratched and painted in colours on a feather detailed ground, impressed and painted marks, WW2, 2016, 36cm. high £1,600-2,000

326 both sides

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327

RICHARD PARKINSON POTTERY 327. Susan Parkinson (1925-2012) Owls, a limited edition print on paper, mounted, and another limited edition print by Susan Parkinson signed SP and numbered 2/10 25.5 x 18cm. (image), (2). £150-200

328

329

328. Two Richard Parkinson Pottery models of mice designed by Susan Parkinson, resist decorated in blue on a white ground, a fish bottle stopper, hedgehog, bird, owl and cruet by the same factory various impressed marks £150-200 4.5cm. high (8) Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery page 73 for three comparable mice illustrated.

The hedgehog model is a rare example of Susan Parkinson’s experiments with lustre glazes - the details picked out in a pink lustre.

330

331

329. A Richard Parkinson Pottery model of a Cockerel designed by Susan Parkinson, stylised form, resist decorated in blue on a white ground impressed marks, etched Made in England, museum restoration to neck, 30.5cm. high £150-200 Literature Carol Cashmore and Tim Smith-Vincent, Susan Parkinson & the Richard Parkinson Pottery, page 23 for another example illustrated.

330. A Richard Parkinson Pottery ‘Pocket’ owl designed by Susan Parkinson, matt glazed in blue on a white ground, another Parkinson pottery pig and a money-box pig signed SP to tail, 7.5cm. high (Owl) (3). £150-200 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, page 24 for a comparable owl.

62

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334

333

331. Two Richard Parkinson Pottery bottle stoppers designed by Susan Parkinson, each modelled as a policeman’s helmeted head, one matt glazed in shades of blue and white the other gloss glazed, unsigned, 12.5cm. long £150-200 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, page 62 for a comparable stopper.

332. A Richard Parkinson Pottery bird designed by Susan Parkinson, glazed matt blue on white, remains of impressed mark, 16.5cm. high £150-200 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, page 47 for a comparable example.

333. A large Richard Parkinson Pottery owl designed by Susan Parkinson, resist decorated in matt blue on a white ground impressed factory marks, 21.5cm. high £150-200 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, page 22 for a comparable large owl illustrated.

335

334. A Richard Parkinson Pottery School Girl plate designed by Susan Parkinson, triangular section, resist decorated in blue on a white ground with a school girl portrait impressed marks, 15.5cm. wide £150-200 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, page 38 this actual plate illustrated.

335. A Richard Parkinson Pottery Rook charger designed by Susan Parkinson, resist decorated in blue on a white ground, sold with a copy of Susan Parkinson and the Richard Parkinson Pottery, impressed factory marks, 33.5cm. diam. (2). £300-500 Literature Carol Cashmore & Tim Smith-Vincent Susan Parkinson and the Richard Parkinson Pottery, page 58 for a comparable charger illustrated.

336. ‘Large Golfer’ a Richard Parkinson Pottery figure designed by Susan Parkinson, model no.70, modelled standing with club in hand, his bag of clubs on his back, glazed in resist in shades of blue and white impressed marks, to base, small flat chip to base rim, 40cm. high £500-800 Carol Cashmore & Tim Smith-Vincent Susan Parkinson & The Richard Parkinson Pottery, private publication, page 107 for another example illustrated.

336

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337 338

TROIKA

339

‡ 337. A rare Troika pottery lidded cube vase designed by Leslie Illsley, shouldered square form on four feet, with tapering cylindrical neck, resist decorated in black on a blue ground indistinct marks, 14cm. high £500-800 Literature Ben Harris & Laurence Illsley Troika 63-68 colour plate 9 for a comparable shape illustrated.

338. A Troika Pottery coffee set for six, designed by Benny Sirota, cylindrical form, sgraffito decorated with a band of blue lines under a black metallic glaze, comprising; coffee pot and cover, milk-jug and sugar basin, six cups and saucers unsigned 26cm. high (coffee pot) £150-200 Literature Ben Harris & Lawrence Illsley Troika 63-83, page 24 for a comparable coffee set at the Troika saleroom Wheal Dream.

339. A Troika Pottery large Bottle vase, flat disc form with tapering cylindrical neck, resist decorated with a flowerhead roundel in black and blue on a white ground, painted Troika Cornwall England mark, 17cm. high £150-250

340

Literature Ben Harris & Lawrence Illsley Troika 63-83, page 104 plate 7 for a comparable bottle.

‡ 340. Leslie Illsley (1936-1989)

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341

untitled abstract, 1985 acrylic on paper, framed signed Leslie 85 lower right 45 x 36cm. (image)

£300-500

‡ 341. Leslie Illsley (1936-1989) untitled abstract, 1988 acrylic on paper, framed signed Leslie, 88 top right 37.5 x 45cm. (image)

£300-500

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‡ 342. Robin Welch (born 1936) a large Totem form tube vase, on swollen base, constructed in four sections, with white and red bands and black detailing impressed seal mark, 218cm. high £500-1,000

343 343. Peter Hayes (born 1946) a small sack form vase, set with red roundel, and an Allister Malcolm glass paperweight, vase unsigned, 13.5cm. high £100-200

344. Peter Hayes (born 1946) an early Lesotho stoneware pot dated 1974, flaring bucket form incised with a frieze of warriors holding spears and shields. incised Peter Hayes 74 to base, minor chips to top rim, 25.5cm. high £150-200

344

345. Dinah Molefe (born 1927) a Rorke’s Drift stoneware jar and cover, dated 1974, ovoid with applied strapping and three crenulated handles, glazed blue and silver over tenmoku, painted signature 178/74, 37cm high £300-500

345

Dinah Molefe worked at Rorke’s Drift between 1969 and 1983.

346. Hilary LaForce (born 1957) Ceremonial Vase, 1989, coil built terracotta with alkaline matt glazes, painted marks to base 45cm. high, and Sally MacDonell Winged Figure, an early college work raku figure, circa 1991/92, unsigned 30cm. high (2) £150-200 Provenance Hilary La Force, Beaux Arts Bath, 3rd November 1989.

Sally MacDonell has authenticated this figure and suggested the date of 1991/92.

342

346

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‡ 347. Gordon Baldwin O.B.E. (born 1932) Sky Grey Vessel with Two Holes and a Line, 1997, a stoneware hand-built pebble form covered with thick applied white paint, incised GB monogram, 97, 26cm. wide. £500-1,000 Provenance Purchased from a charity auction at the Rufford Craft Centre, February 1998.

348. Edwin Beer Fishley (1832-1911) a Fremington Pottery ovoid vase with four loop handles, covered in a mottled brown running glaze incised E B Fishley Fremington N Devon 22cm. high £200-300

347

Provenance Arts and Crafts Woolley and Wallis 23rd June 2010 lot 219 Private collection.

348

349. Colin Saunders (born 1938) a large porcelain pedestal bowl with fluted rim, 1990, covered in a celadon glaze painted monogram and date, 43cm. wide £100-150 350. Paul Soldner (1921-2011) large winged form, a large American Raku sculpture on metal base, numbered 978, £300-500 73cm. high, 95cm. wide 351. Martin Smith RCA (born 1950) a unique red earthenware table, 1988, red earthenware tiles with glass cement, on turned, birch laminate plywood, and red earthenware foot chips to foot rim 69cm. high, 54cm diam. £300-500

349

Provenance Lord Parmoor Private collection Exhibited Contemporary Applied Arts, London 1988

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350

351

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352 353

CONTINENTAL CERAMICS

354

352. An Art Nouveau tile plaque designed by Carl Luber, probably manufactured by Johann Von Schwarz, modelled as a lady admiring herself in a hand-mirror, glazed in colours impressed CH 097, painted XII, 28 x 16.5cm. £200-300 353. An Art Nouveau Amphora pottery vase, shouldered, gourd form, glazed in white green and blue impressed marks, 24cm. high £150-200 354. An Italian Art Nouveau tin-glaze pottery charger possibly Ceramica dell Arte, painted with an Art Nouveau maiden beside a giant Calla lily, in colours on a deep blue ground unmarked, 29cm. diam. £150-200

355

356

355. An Art Nouveau Arnhem pottery vase, the compressed body with pierced, slender twin-handles, painted with panels of flowers and foliage, in colours on a matt cream ground, printed and painted marks, JK monogram 177, one handle repaired,. 33cm. high £150-200 356. An Art Nouveau Gouda Pottery ewer and cover

by Helena F, painted with stylised flowers and foliage in colours on a cream ground, an Arnhem pottery twinhandled vase printed and painted marks, Arnhem vase chipped top rim with chip missing, 26cm. high. (2). £100-200 357. An Art Nouveau Julius Dressler vase, model no.D.93, ovoid with tapering neck, painted with a frieze of yellow tulip stems on a pale blue streaked ground, £150-200 painted marks, 25cm. high

357

358. An Art Nouveau pottery vase probably Italian in the manner of Galileo Chini, slender form with knopped neck, painted with a frieze of three swans, the knop with waterlily flowers in colours on a bream ground, indistinct painted mark to base, 33cm. high £200-300

358

359. A pair of Cantagalli pottery grotesque candlesticks, each modelled as a heraldic griffin wearing a crown and holding a shield, painted in colours painted cockerel mark, professional restoration to wing of one and minor restoration to spine of other, 34cm. high (2) £700-1,000 360. A Cantagalli pottery wine jug, ovoid with grotesque spout and over-slung handle, painted with stylised flowers on a pale yellow ground, painted cockerel mark, small glaze frit to spout, 18.5cm. high £100-200

359

360

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361. A large Art Nouveau Rorstrand porcelain vase by Karl Lindstrom, painted with an owl perched on a tree bough as the sun sets, in colours printed and impressed marks, painted KL monogram, 35cm. high £250-350 Literature Bengt Nystrom Rorstrand Arnoldsche, page 100 catalogue number 18 for a comparable vase, circa 1910, decorated with swans.

362. An Art Deco Royal Copenhagen porcelain ginger jar and cover, model no.99/186, decorated in resist with geese flying over clouds printed and painted marks, 21cm. high £200-300

362

361

363. A pair of Danish Copenhagen vases, model no 430/190, the swollen cylindrical body applied with twinhandles each modelled with a slug crawling over the rim, the bodies painted with pansy flowers in yellow, green, blue and pink on a white ground painted marks, professional £150-250 restoration to handles, 26cm. high 364. A Royal Copenhagen stoneware vase and cover by Knud Kyhn, the ovoid pot with stepped circular cover set with duck finial, covered in a red flambe glaze, printed and painted Royal Copenhagen mark to vase, cover incised KK, restored finial, 18cm. high £100-200

363

365. A French pottery mantel clock, in the manner of Theodore Deck, model number 668, the circular body mounted with prunus stems and cockerel terminal, painted with scrolling foliage and prunus panels, in blue, aubergine and green, the circular metal dial with Roman numerals, impressed marks, minor chips, 41cm. high £300-400 366. A Lachenal Persian charger, painted with flower stems in shades of turquoise, red, green and black on a crazed white ground painted marks, 33.5cm. diam. £150-200

364

367. ‘Le Ruisseau Normandie’ a Theodore Deck plaque by A Jullien , painted with a young couple on either side of a wooden bridge over a river, in a country landscape, painted in colours, with original wooden frame, signed lower right, impressed and painted marks to reverse, 33.5 x 23.5cm. high £600-800

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366

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368. A Royal Dux pottery model of a Shepherdess, model no.1116, modelled feeding a sheep, glazed in matt colours, highlighted in gilt, applied pink triangle, impressed marks, restored ear of sheep, 51cm. high £150-200 369. Reflections an Austrian Art Nouveau sculptural lamp possibly by Goldscheider, cast from a model by W Binon, model no.K1404, modelled as a naked young maiden peering into a glowing pool of water, stamped £500-800 marks and signature to reverse 38cm. wide 370. An Art Nouveau Goldscheider Pottery figure of a woman cast from a model by E Tell, model no.2357, modelled stopping to lift a water jar, glazed in matt colours highlighted in gilt, signed in the cast E Tell, impressed marks, 62cm. high £400-600

369

Literature Robert E Dechant Goldscheider, Arnoldsche, page 357 this model illustrated and dated to 1901-1902.

Ora Pinhas Goldscheider, Richard Dennis Publications, page 43 for a comparable example illustrated.

371. A Galle faience cat, modelled seated, painted with heart and circle patches in blue on a yellow ground, signed E Galle Nancy to foot, damages, repairs and additions, 34cm. high £100-200 372. ‘Mr Le Baron’ a Galle style faience dog, with applied glass eyes, painted in shades of brown and grey with yellow collar, unsigned, restored hind leg and ears, 31cm. high £400-600 373. Emmanuel Villanis (1858-1914) Nymphe, terracotta bust signed and titled in the cast, chips 49cm. high

368

£300-500

374. A Wiener Keramos pottery model of two children, model no.23412, in the manner of Michael Powolny, modelled huddled, one raising his leg, on stepped rectangular base, the base enamelled in black with geometric designs printed mark, impressed numbers, professionally restored ankles, 25.5cm. high £150-200

371

372

370

373

374

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375. A Bauhaus Hamelner Topferei vase designed by Gertrud Kraut and painted design by Anni Rawitzer, the ovoid body with tall flaring neck, applied with two strap handles, painted with a geometric design in blue and ochre on a crackled cream ground impressed mark to base, chips to foot rim, 40cm. high £300-500 The H.T. Hamelner Topferei pottery was founded in Hameln, Germany in 1922 by Gertrud Kraut and Dr Georg Rawitzer - who were both members of the Deutsche Werkbund. This vase was designed in 1924 and made circa 1930.

376. An Art Nouveau Bornholm stoneware vase and cover by Lauritz Adolph Hjorth (1834-1912), footed, flaring form, the flat cover with quatrolobed finial, painted with Celtic inter-twined frieze in red and black on a mushroom brown ground impressed Hjorth mark, 40cm. high £200-300

376

375

377. A Keramis vase designed by Charles Catteau, model no.D.943, shouldered form, enamelled with deer resting and grazing, in shades of blue, turquoise and black on a crackled white ground printed and painted marks, facsimile signature 34cm. high £300-500 378. A Longwy Pottery wall plate, enamelled in colours with an exotic pheasant, inside stylised flowerhead border, printed factory marks, 31.5cm. diam. £200-300 379. A Boch Freres Keramis vase designed by Charles Catteau, pattern D.750, painted with stylised flowerheads in shades of yellow and orange on a crackled white ground impressed and printed marks, facsimile signature 35cm. high £100-200 Literature Marc Pairon Charles Catteau Art Deco Ceramics Made in Belgium, Fondation Charles Catteau, page 556 catalogue number

377

380. A Boch Freres Keramis vase designed by Charles Catteau, model no.D1651, enamelled in colours with a colour variation of yellow and blue peonies, on a turquoise ground, and another Boch Freres Keramis vase printed and painted marks, smaller vase minor overpainted restoration to top rim, 30cm. high (2). £200-300

378

381. Le Verseau a modern Longwy pottery limited edition vase designed by Danillo Curetti, spherical form decorated with a nude woman showering herself in water from an urn, enamelled in bright colours painted marks, title and facsimile signature, 4/100, 26cm. high £500-800 382. A pottery wall plate after a design by Pablo Picasso, square, painted with a young man standing beside a horse, in blue on a green and white ground, an Art Nouveau pottery jug and a Whitefriars commemorative glass jug, facsimile signature, 17.5cm. wide (3) £150-200

380

379

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381

382

383. A pair of Vallauris plates designed by Roger Capron, each painted with a stylised warrior, in colours on a matt cream ground, painted Vallauris Capron GL, 24cm. diam. (2) £300-400

383

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384 385 384. A Scandinavian stoneware sculpture of three fishermen, in the manner of Lisa Larsson, modelled standing holding their catch of fish, and another stoneware model of a lion, glazed with bright red, unsigned, re-stuck foot to lion, 23cm.wide (2). £150-200

386 387

385. A Primavera pottery model of a young couple, model no.8328, he modelled kneeling at her feet proposing, painted in colours printed Primavera mark, £200-300 base drilled, 25cm. high 386. A Hutschenreuther porcelain model of a dancer, modelled with arms up-stretched and holding her dress hem, enamelled with green with gilt highlights, on stepped elliptical base, printed mark, professionally restored wrists, 32.5cm. high £150-200 387. A Bigi Italian pottery model of a scantily clad water-carrier, glazed in colours, highlighted in gilt, painted mark to base, 1974, paper retail label, 52cm. high £300-500

388

Bigi trained at the prestigious Lenci Pottery factory between 1915 and 1929.

389 388. A Goldscheider Pottery model of a woman with attentive setter dog, designed by Stephan Dakon, model no. 6756, painted in colours impressed marks to base, minor glaze chips, hairline to hind-leg, 30.5cm. high £400-600 Literature Ora Pinhas Goldscheider, Richard Dennis, page 132 for a colour variation of this figure suggested to be Marlene Dietrich 389. A Royal Dux model of a Flamenco dancer, modelled holding her dress hem, glazed in colours applied pink triangle, impressed marks, 37cm. high £300-400 390. A large Goldscheider pottery model of a dancer

by Stephan Dakon, model no. 5625, modelled stepping forward her right hand holding her dress hem behind her, on domed elliptical base, painted in colours impressed and printed marks, signed Dakon in the cast on the vase of flowers, professionally restored arms and neck, 47cm. high £800-1,200 Literature Ora Pinhas Goldscheider, Richard Dennis Publications, page 150 for this model illustrated in two sizes.

390

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A PRIVATE COLLECTION OF LENCI

391. ‘Nella’ a rare Lenci Pottery figure designed

by Helen Konig Scavini, modelled seated on a bench, an open book by her side, a frog resting on the back of the bench, enamelled in colours painted marks, professional restoration to hand, 23cm. high £3,000-5,000 Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 163 catalogue number 323 for this model illustrated.

72

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392. ‘Colpo il Vento’ a rare Lenci Pottery figure designed by Helen Konig Scavini, model no.363 modelled as a sophisticated woman in check suit and lime green hat, caught in the wind, enamelled in colours painted marks, professional restoration to back of dress, 38cm. high ÂŁ4,000-6,000 Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 175 catalogue number 402-403 for this model illustrated.

The Lenci price list states the price for this figure as 125 lira.

73

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393. ‘Romagnola’ a Lenci Pottery figure, modelled standing in national dress, holding a large bottle, enamelled in colours painted marks and mouse monogram, professional restoration to bottle, 47cm. high £400-600 Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 224 catalogue number 728 for this model illustrated.

394. ‘Genovese’ a Lenci Pottery figure designed by Abele Jacopi, modelled in national dress, painted in colours painted marks, impressed 606 model number, minor professional restoration to base rim, 40cm. high £400-600 Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 226 catalogue number 742 for this model illustrated.

393

394

395. ‘Maternita’ a Lenci Pottery figure designed by Helen Konig Scavini, enamelled in colours painted marks, impressed signature to plinth back, minor professional restoration, 31cm. high £500-1,000 Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 184 catalogue number 468 for this model illustrated.

395

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396. ‘Amanti sul Tronco’ a rare Lenci Pottery figure designed by Giovanni Grande, modelled as two young lovers embracing, painted in colours painted marks and dated 4-4-30, 31.5cm. high ÂŁ3,000-4,000 Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 149 catalogue number 219 for this model illustrated.

75

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397. ‘Me ne Infischio - La Studentessa’ a Lenci Pottery figure designed by Helen Konig Scavini, the young girl modelled perched on a book shelf, an open volume resting on the floor, enamelled in colours painted marks, impressed signature to back of base, professional restoration to head, 38cm. high ÂŁ3,000-4,000 Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 187 catalogue number 489-490 for this model illustrated.

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398. ‘Capri’ a rare Lenci Pottery figure designed by Fanni Giuntoli, modelled as a young girl resting, her elbow on her raised knee, on stone base with coral and anemonies, enamelled in colours, painted marks, remains of paper retail label, professional restoration to legs 33.5cm. high ÂŁ600-1,000 Literature Alfonso Panzetta La Ceramiche Lenci, Umberto Allemandi, page 357 catalogue number 1551 for this model illustrated.

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399

401

400

399. R Genet Projet Pour Chambre a Coucher, an Art Deco pen and ink wash design on paper, framed signed R Genet lower right 59 x 44cm (image) £150-250 400. Julius Klinger (1876-1942) Flugplatz Berlin, 1908, Tabu, 1921, Klingen, 1922 and Raiser-Klingen, 1922 four lithographic posters on paper, signed Klinger & dated to base, Free Public Library Newark stamp 30.5 x 23cm. (4) £150-200

402 part

403

401. ‘Farbige Raume und Bauten’ (Colour Space and Design)

by Professor Wilhelm Joker, a loose bound folio of interior designs, published by G Siegle & Co, Stuttgart, published circa 1929, 36 x 25.5cm. £150-200 402. Evelyn Dunbar (1906-1960) & Charles Mahoney (1903-1968) A Design for Gardener’s Choice, eight prints, framed, published by Routledge, 1936, and nine prints by Robert Austin 32 x 25cm. (largest) (17) £100-200 403. Walter Sauer (1889-1927) Young Woman in a Floral Shawl, 1918 lithograph in colours, framed signed, monogrammed and dated top left in the print 50 x 42cm. image £200-250

404

405

404. John Hall Thorpe (1874-1947) The Chinese Vase a print of anemones in a blue and white cylindrical vase, framed, and a smaller print by John Mace signed lower right and titled lower left 53 x 37cm. (2) £150-250 405. Isabel de Bohun Lockyer (1895-1980) Chateau de la Tour, Vevey,1926 linocut on paper, framed signed, dated and numbered in pencil lower right, titled lower left, gallery label to reverse 21 x 18cm (image) £150-250 Provenance Michael Parkin Fine Art 406. Ronald Hamson Woman in a pink dress watercolour on paper, framed annotated label attached to back, 39.5cm wide x 31cm high (image)

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406

£100-200

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DODO BURGNER

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‡ 407. Dorte Clara Dodo Burgner (1907-1998) Exotic Dancers pen and ink on paper costume design, 33 x 21.5cm. (image) £150-200

‡ 408. Dorte Clara Dodo Burgner (1907-1998) Costume Design for a Ballet Dancer pen and ink on paper, signed DW 25 x 16.5cm. £150-200

‡ 409. Dorte Clara Dodo Burgner (1907-1998) Costume design for a Ballet Dancer, watercolour on paper with silver highlights, signed Dodo lower right 51.5 x 29cm. £150-200 407

408 ‡ 410. Dorte Clara Dodo Burgner (1907-1998) Figure study of a nude young woman pencil on paper 55.5 x 32cm. £150-200

‡ 411. Dorte Clara Dodo Burgner (1907-1998) Lady in a Blue Dress three fashion design studies, pencil with watercolour wash 45 x 36.5cm (sheet), (3). £150-200

‡ 412. Dorte Clara Dodo Burgner (1907-1998) Woman in a cape and evening dress, and Woman in a blue coat two watercolour fashion designs on paper 49 x 25.5cm. (Woman in a cape image), (2) £150-200 409

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‥ 413. Dorte Clara Dodo Burgner (1907-1998) Woman in a Blue Dress and fur coat a pen, ink and watercolour fashion design of an Art Deco woman before a building, signed Dodo lower right 48 x 31.5cm.

ÂŁ600-1,000

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414

‡ 414. Dorte Clara Dodo Burgner (1907-1998) Design for a Poster watercolour on paper, mounted unsigned, losses 49 x 36cm.

£150-200

‡ 415. Dorte Clara Dodo Burgner (1907-1998) Komm pencil and watercolour on paper signed Dodo lower left 25 x 17.5cm. (image)

£150-200

‡ 416. Dorte Clara Dodo Burgner (1907-1998) Seated Lady watercolour on paper, 39 x 32cm.

£200-300

‡ 417. Dorte Clara Dodo Burgner (1907-1998) Women in the Alps, a pen, ink and wash on card fashion design, with white highlight signed Dodo lower left 34.5 x 23.5cm (image) £300-500

415

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417

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419

420

418 417A

417A. A collection of stereoscope photographic cards, depicting scenes from world fairs including, The Pan American Exposition, The Paris Exposition, World Columbian Exposition and Chicago’s Great Fair, (a lot) £50-100

421 418. ‘The Studio Yearbook’ four bound volumes, comprising years 1931, 1934, 1935, 1937, (4) £150-200 419. The Studio forty-two bound volumes, 16-38, 41-43,46,47,49-51, 53,55, £250-350 64, 94-100 and 102, mainly bound in green (42) 420. The Studio fifty-one volumes, original red bindings, a run, 1896-1934, volume numbers 9,11, 13-18, 33-72, 103-108, (51) £400-600 421. The Decorative Arts Society Journal, twenty eight volumes, volume numbers 10-25, 27-31, 33-39, (28) £100-150 422. Ten books on design, comprising; Charles Eames Furniture, Marcel Breuer Furniture and Interiors, A Century of Posters, Manifatture E Ceramisti Italiani, Edward Hald, Gustave Miklos Sculpteur, English Art Pottery, The Doulton Lambeth Wares, Moorcroft, and Art Nouveau, (10). £100-150

422

423. House & Garden a collection of magazines from the 1960s, (a lot) £50-150 424. Pat Cooke (1935-2000) Derbyshire Farm Whaley Bridge, 1972, and Sightseeing, 1971 watercolour on paper, annotated to Anton Pieck, framed A Rowley Gallery marquetry panel, inlaid with a nude child and a butterfly, and another similar decorated with a sailing boat at harbour, framed signed and dated in ink 25 x 15cm and 22.5 x 20.5cm (4) £150-200

423

Pat Cooke lived in Mottram-in-Longdendale, Cheshire, where she met L.S. Lowry (via her Father’s building works for him). Lowry, who would later move to Mottram, became her artistic mentor and lifelong friend sharing trips around the country. These watercolours are dedicated to Anton Pieck (1895-1987) the Dutch artist and graphic designer who was also a friend of Pat Cooke.

425. Viktor Deni (1893-1946) Sutochnaya Pogruzka (The Daily Load) lithographic poster on paper, originally printed in 1935, with colour vignette of the Kremlin and a pioneer activist controlling railway signals, framed 46 x 37.5cm (image) £150-200

424

Provenance The collection of John Newall Esq. 426. Anonymous, Russian Propaganda Peasant, The Polish Landlord wants to Enslave you, a lithographic poster, originally printed by The Literary Publishing Department, framed 49 x 34cm. £150-200 Provenance The collection of John Newall Esq.

425

426

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427. Patten Wilson (1869-1934) May All You Deserve Be Yours pen and ink and watercolour on board, mounted dedicated to GPM from PW 14 x 8.5cm wide (2) £400-600

428. Patten Wilson (1869-1934) A Love That Springs From Heart and Brain, 1901 pen and ink with wash on ordinary pasteboard, original illustration for ‘Voyage of the Ophir’ published in Pall Mall magazine, mounted signed and dated lower right, pencil title to reverse 22 x 14.5cm (image) £300-500

429. Patten Wilson (1869-1934) Ship at Full Sail, pen and ink with wash on ordinary pasteboard, an original illustration possibly for Coleridge’s Rime of the Ancient Mariner, mounted signed lower right 19 x 12cm (image) £300-500

427

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431

430

432

LESLIE GOODAY OBE 430. Leslie Gooday O.B.E. (1921-2013) Number 5 acrylic on board, framed signed lower right, paper label to reverse 45 x 39cm. £150-200

433. Leslie Gooday O.B.E. (1921-2013) Leonardo acrylic on board, framed signed lower right, paper label to reverse 36.5 x 29.5cm (image) £150-200

Provenance The estate of the artist.

Provenance The estate of the artist.

431. Leslie Gooday O.B.E. (1921-2013) Lot no.7 acrylic on board, framed signed lower right, Mall gallery label to reverse, exhibition number 150 to front 34 x 38cm (image) £150-200

434. Leslie Gooday O.B.E. (1921-2013) Still life, untitled acrylic on board, framed signed lower right, paper label to reverse 49 x 43cm. £150-200

Provenance Mall Galleries Exhibition 2006 no.150.

The estate of the artist.

432. Leslie Gooday O.B.E. (1921-2013) Corinthian acrylic and print on board, framed signed lower left, title to reverse 38 x 34cm. (image) £150-200 Provenance The estate of the artist.

Provenance The estate of the artist.

435. Leslie Gooday O.B.E. (1921-2013) Judges 16:4-31 acrylic on board triptych, framed signed lower right (middle board), paper label to reverse 66 x 22.5cm. (image) £150-200 The story of Samson & Delilah illustrated by a statue of Samson, the asses jawbone and the bondage of Samson following the betrayal of Delilah.

Provenance The estate of the artist.

433

434

435

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436

437 436. Joan M Cleburne Abstract Design for Dividing Wall, 1961 watercolour and ink on paper, framed signed and dated lower right, paper label to reverse 23 x 16.5cm.

438

£150-200

437. A set of six Flora’s Feast silk napkins designed by Walter Crane, probably manufactured by John Wilson & Sons, each printed and hand £250-350 Literature Greg Smith Walter Crane Artist, Designer and Socialist, Lund Humphries, page 126 catalogue number H4 for comparable examples illustrated. This design was exhibited at the Arts and Crafts Exhibition, 1893.

438. Conchiglie & Cornici two zinc metal lithographic printing plates designed by Pierro Fornasetti, printed factory stamps, with letter of authenticity from Barbara Fornasetti framed, 51 x 48cm. (image) £500-600

439. Romaine de Tirtoff Erte (1892-1990) Erte - First London Exhibition 1967 at the Grosvenor Gallery a poster printed by The Curwen Press, framed signed in pencil and numbered 68 of 75, also facsimile signature in the print 76 x 50cm. £250-350

86

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440. Missile Monsters and On the Threshold of Space two American insert file posters, printed marks, 92 x 36cm. (2) £50-100 441. Everything or Nothing a British Quad film poster, advertising the untold Story of James Bond, published 2012, 102 x 76cm. £100-200 442. The Spy Who Loved Me a British Quad James Bond film poster, illustrated

by Bob Peak, released 1977, framed 100.5 x 75cm. £100-200 Bond 443. Moonraker a James Lithographic film poster, published in the USA, 104 x 69cm. £150-200

441

Provenance Karel Reisz.

Private collection 444. A Mont Blanc Meisterstuck 146 fountain pen, in fitted Mont Blanc case, cast marks to rolled gold band, 14cm. long £100-200 445. America’s Cup a Montegrappa commemorative fountain pen, with display case, in original retail box £150-200

440

446. James Bond 007 a Dupont limited edition cigarette lighter, with velvet carry case, in original presentation case and with commemorative booklet, another Dupont James Bond lighter and a Dupont James Bond limited edition fountain pen, in presentation case, (3) £200-250

444

442

445

446

443

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FURNITURE 447. A Gothic Revival oak octagonal library table, with flaring pegged legs, carved with tracery roundels, 110cm. diam, 77cm. high. £500-800 448. An Italian Art Nouveau secretaire desk, in the manner of Giacomo Cometti, the legs and writing surface carved in low relief with scrolling flower stems on a textured ground, single drawer with patinated metal furniture, 80cm. high, 48 x 70cm (top). £200-300 Literature Irene de Guttry il mobile liberty italiano, Editori Laterza, page 133 figure 11 for a comparable carved secretaire.

This desk was purchased in Venice in 1964 when the vendor was on tour with the London Festival Ballet.

449. An Aesthetic Movement mahogany music cabinet, the door with painted panel of musicians, carved and gilded floral panels, ebonised wood rail, internally fitted with shelves, 107cm. high, 59cm. wide. £300-500

447

450. An oak armchair in the manner of John Pollard Seddon, flaring carved legs with pegged stretcher, the open back with pierced and carved stylised foliate panels below carved geometric arches inset with ebony, the arms with carved dog’s head terminals, with new cane seat and back, 87cm. high £800-1,200 Provenance Private collection Literature Jeremy Cooper Victorian & Edwardian Furniture and Interiors, Thames & Hudson, page 223 plate 220 for the original drawing and plate 227 for an armchair designed by Seddon showing comparable form.

448

88

449

450

451. A large Gothic Revival oak wardrobe, two panelled doors flanking central mirrored door, internally fitted with drawers, crenelated mantel, carved and painted decoration,211cm. high, 200cm. wide, 67cm. deep £500-800

451

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452. An oak double bookcase designed by Ernest Gimson, double width, four graduated shelves, on sleigh feet, 115cm. high, 153cm. wide. £1,000-2,000 Provenance Laurence Bisson, Pembroke College, Oxford, then Professor at Queen’s University Belfast.

Philip Boyd, thence by descent.

Literature Annette Carruthers Ernest Gimson & The Cotswold Group of Craftsmen, Leicester Arts and Museums, page 65 figure F.41 for a comparable single bookcase.

452

453. A walnut cupboard with bookshelves by Peter Waals, the twin compartment cupboard with single shelf, patinated hinges and hand wrought patinated brass drop handles probably by Alfred Bucknell, with dovetail joints, sleigh feet and simple ebonised wood inlaid bead borders, 124cm. high, 60.5cm. wide, 27cm deep. £2,000-3,000 Provenance Laurence Bisson, Pembroke College, Oxford, then professor at Queen’s University Belfast.

Philip Boyd, thence by descent.

Literature Ernest Gimson & The Cotswold Group of Craftsmen, Leicester Arts and Museum Services, page 59 catalogue F.30 for Ernest Gimson’s variation on this cabinet in oak, and page 73 catalogue F.55 for the original design drawing by Peter Waals (including the sleigh feet).

454. A set of four Clissett ash chairs, ladderback, with rush seats, 98cm. high, (4) £400-600

455. A pair of Clissett ash armchairs, ladderback, with rush seats, 114cm. high, (2). £300-500

453

454

455

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457

456

456. A set of six Gothic Revival walnut dining chairs, with carved foliate panels to back, padded seats, on turned legs, with castors, £500-800 99cm. high, (6).

457. An Arts and Crafts embroidery panel, rectangular depicting a £200-300 medieval hunting scene, framed 98 x 40cm.

458. A Gothic Revival oak whatnot, rectangular top with back-rail, the chamfered supports with carved cruciform panels, on castors, £150-200 115cm. high, 92cm wide, 45cm. deep.

459. A Barnsley Workshops oak pew bench, solid plank back and panelled ends, with applied memorial plaque dated 1938, 129cm. £800-1,200 wide, 87cm. high

458

460. A set of four Edward Barnsley Workshops oak chairs, curved back and flat oak plank seat, stamped Barnsley, 85cm. high £800-1,200 461. A stained wood occasional table in the manner of Josef Hoffmann, possibly manufactured by J & J Kahn, circular section top with three turned wood legs and central column, with drum shaped supports, circular base on pad feet, 47cm diam, 70cm. high £300-500 Literature Moderne Vergangenheit 1800-1900, page 63 for a reproduction from Katalog-Blatt Der Firma J & J Kohn for comparable tables.

459

90

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462

463

462. A Gordon Russell oak dressing table mirror, the rectangular adjustable mirror on simple carved supports and stretcher 67.5cm. wide. £400-600

463. An oak reading stand and bookcase retailed by Liberty & Co, rectangular section, the top slightly angled, with panels of dowel and ball decoration, unsigned 79cm. high, 34cm. deep, 64cm wide. £200-300

464

464. A Liberty & Co mahogany corner display cabinet, triangular section, glazed twin door cabinet over shelf with turned columns, applied ivorine label to back, 161cm. high, 84cm. wide, 59cm. deep. £800-1,200

465. An Art Nouveau carved mahogany table designed by Edouard Colonna, rectangular top on slender tapering legs with carved feet, 107 x 60cm (top), 76cm. high. £600-800

465

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466. A small Art Deco mahogany table, square top with ebonised edge, on four square section legs joining sleigh feet, 31cm. square top, 40cm. high £100-200

467. A pair of oak bedside cabinets designed

by Jules Leleu, each with single drawer, 55cm. high, 50cm. wide (2) £500-800

466

467 468. A mahogany tub chair in the manner of Andre Groult, with green upholstery 75cm. high £100-200

469. An English Art Deco burr walnut veneer bureau, with satin birch interior, bakelite handles and chromed metal fittings, 100cm. high, 71cm wide. £150-250 Provenance Leslie Gooday OBE

470. A large rosewood dining table, on eight swollen, reeded legs, with silvered bronze feet 199 x 119cm. high £300-500

468

469

470

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471. An Ekco M23/RS2 bakelite radio designed by J K White, designed 1932, the brown bakelite Odeon case, applied Ekco label to reverse, 40cm. high £150-200

472. An Art Deco quartered walnut veneer table in the manner of Heal’s, circular with offset bookshelves below, 61cm. diam. £100-200

471 473. A Modernist Laszlo Hoenig blonde beech desk top bureau, the fall-front door with bakelite circular handle and polished brass fittings, applied label to reverse 68cm. wide, 54cm. high, 26cm. deep. £300-500

472

474. An Art Deco satinwood occasional table probably by Laszlo Hoenig, square section, with twin cupboards, drawers and shelves, the top inlaid with marquetry panel of Diana the huntress, with metal furniture, unsigned 61cm. square, 58cm. high £400-600

475. An Art Deco walnut wall cabinet probably by Laszlo Hoenig, the twin-hinged doors each decorated with a marquetry panel of a Bacchanalian figure seated on scroll foliage, with fitted shelf to interior, 65.5cm. wide, 41cm. high, 24cm. deep. £200-300

473

474

475

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478 477

478A

476. A carved teak four fold screen by Bev Houlding, carved with naked swimmers between bands of shellfish and stylised birds unsigned 172cm. high £100-200

476

477. A set of eight Carimate chairs by Vico Magistretti, designed 1959, the pine frame with rush seating, 82cm. high (8) £100-200 Provenance Leslie Gooday OBE 478. A Phillips Model Z brass and enamel desk lamp designed by Louis Christiaan Kalff, designed in 1955, with black enamelled shade cast Phillip’s mark to top, 46cm. high £150-250

479 part

Literature Charlotte & Peter Fiell, 1000 Lights,Taschen, page 522 for this lamp design illustrated.

480

478A. A pair of Modernist chrome bookends, made for Cigarette Component Ltd, the rectangular base set with three graduated discs, etched marks, 15cm. high £150-200 479. A Herman Miller 670 Lounge chair and 671 Ottoman, designed by Charles & Ray Eames, bent-ply rosewood veneer, with padded black leather pad cushions, on aluminium swivel base, applied Herman Miller labels, dated 22nd Jul 1975, bent-ply arm panel broken, 80cm. high, 85cm. wide, Ottoman 66 x 53cm. £300-500 Literature Leslie Pina, Fifties Furniture, Schiffer, page 120 for a comparable lounge chair and ottoman illustrated.

481

480. A set of four Herman Miller bentwood and chromed metal stacking armchairs, model no.RS101NA, each chair with cut out square vents to the back, applied paper retail label, 87cm. high £150-250 481. A modern Cassina LC2 chrome metal two seat sofa originally designed by Le Courbusier, with dark blue padded cushions, 165cm. long, 72cm. deep. £300-500 482. A pair of beech wood 969 chairs designed by Gio Ponti, painted white, 84cm. high (2) £300-500

94

482

483

483. A painted bent ply table designed by Marcel Breuer, probably manufactured by Isokon, painted white finish, unsigned, 34cm. high, 61 x 38cm. £150-250

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484 484. An abstract carved wood sculpture, pierced form, on angled pine base, unsigned, 30cm. high £150-200

485

485. An Andrew Varah sycamore and ash veneered sideboard, slender form, two sets of arched twin doors below flat rectangular top, applied paper label and inset triangular label, 165cm. wide, 80cm. high, 41cm. deep. £400-600 486. An Andrew Varah marquetry fitted Wine cabinet, the central angled, hinged doors, one with carved bottles, the other door with tromp l’oeil bottles in a rack, flanked by two tromp l’oeil cupboards of racked bottle ends, inset metal AV triangle to door 113cm. wide, 42.5cm. deep, 82.5cm. high £200-300

485 mark

487. An ebonised wood table designed by Robert Heritage, made by G.W. Evans, model no.D5542, the circular top supported on three interlinked legs, 121cm. diam, 71cm. high. £200-300 This table, also available in elm veneer, was retailed by Heal’s for £27 15 in 1955.

Literature Lesley Jackson, Modern British Furniture, Design Since 1945, V&A Publications, page 68 plate 72 for a comparable.

488. A Gordon Russell mahogany sideboard designed by David Booth and Judith Ledeboer, designed in 1951, the twin drawers with routed circles, the twin cupboards routed with ellipses, with applied label to reverse, 92cm. high, 122cm. wide, 43cm. deep. £250-350

486

488 487

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489. A carved wood sculpture of a young man, possibly T E Lawrence (Lawrence of Arabia), on stepped chip-carved base, unsigned 33cm. high £300-500

490. A Danish teak tray designed

by Jens Quistgaard, pierced, twinhandled rectangular form, another smaller, an icepail and cover with white plastic liner, and a collection of Danish domestic ware including servers, cruet set and platters, and a serving trolley unsigned 46cm. wide, (a lot) £150-200

490

491. A Modernist electroplated trio, tapering square section with hinged cover and ebonised wood handles, comprising coffee pot and cover, milk-jug and cover and a sugar basin, coffee pot stamped 7, 15.5cm. high (3) £150-200

489

491

492. A canteen of Viners Studio stainless steel cutlery designed by Gerald Benney, comprising, sixteen various forks, fourteen knives, eight spoons, three serving spoons, eight teaspoons, and an additional twelve fish knives and forks, six dessert spoons, cake forks and butter-knives, various cast marks, £150-200

493. A Cohr electroplated metal coffee pot and cover, with ebony handle and finial, a Walker & Hall stainless steel sugar basin and milkjug designed by David Mellor and a stainless steel hot-water pot and cover stamped marks, 20cm. high (4) £100-200

493

494. A set of four brushed stainless steel applique wall lamps designed

by Jean-Louis Domecq, domed shade with articulated stems, 34cm. wide (4) £200-300

492

Literature Charlotte & Peter Fiell 1000 Lights, Taschen, page 450-451 for comparable model no.1200 standard and task lights illustrated.

494 495. A set of three Semco Hoover rubber advertising characters, Dust, Grit and Fluff, moulded rubber, cast Hoover mark, 15.5cm. high (3) £150-250

96

495

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496

496. Henry Moore, (1898-1986), manner of Draped Seated Woman, patinated pottery figure on wooden base unsigned 17cm. wide

£150-200

497. An early Olympia steel wall sconce by Mark Brazier-Jones, dated 1989, the faceted torch with glass lens and two green marble light diffusers surrounded by copper laurel leaf frame, signed and dated 61cm. long £500-800 Literature Mark Brazier-Jones Fiell page 70 for an example illustrated.

This wall applique was designed in 1986 with this early example being dated 1989. It relates to the Creative Salvage group set up by Mark Brazier-Jones and Tom Dixon in the 1980s - recycling materials into new pieces of furniture. The designer gave an example of this light (made in 2001) to the V&A collection.

“A torch from another time, the ancient Greeks, or even lost Atlantis”

497

498 ‡ 498. Brian Willsher (1930-2010) Abstract totem form, cedarwood sculpture, unsigned, numbered 366 61cm. high

£500-800

Catalogue notes The sculpture is reputed to have been purchased from Heal’s in the 1967 exhibition of Brian Willsher’s work.

Heal’s gave Willsher his first solo exhibition in 1966 - its success led to another exhibition the following year.

499. A carved oak abstract sculpture in the manner of Gertrude Hermes, abstract form with carved aperture, on rectangular oak base, unsigned, 52cm. wide, 19cm deep, 25.5cm. high £150-250

499

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500

501

502

500. Chocolow a large woven wool wall hanging by E. Januszkow, rectangular, decorated with houses and stylised trees in mustard, green and brown on a dappled buff ground signed E in the weave, label to reverse, 181 x 153cm. £150-200 501. Linden a printed cotton textile designed by Lucienne Day, on later wooden stretcher, signed and titled to selvedge 202 x 76cm. £150-200 Literature Andrew Casey, Lucienne Day Textile Design Antique Collector’s Club, page 178-179 this design illustrated.

502. Age of Kings a Tibor Limited printed cotton design by Tibor Reich, designed in 1964, printed in blue and green highlighted in gilt, mounted on a modern stretcher, signed and titled on selvedge 119 x 61cm. £150-200 503. A printed silk in the manner of Stig Lindberg, printed in black on a cream ground with stylised faces amidst swag nets unsigned, 249 x 128cm. £200-400

503

504

504. Petrus two large screen printed cotton crepe curtains designed by Peter Hall, designed for retail at Heal’s in 1967, signed and titled to the selvedge 247cm. drop x 228cm wide (approx). £150-200 505. Stones of Bath a pair of Sanderson curtains designed by John Piper, screen printed in colours on a blue ground title details on selvedge 118 x 83cm (2) £150-200 Literature Artist’s Textiles in Britain 1945-1970 Antique Collector’s Club, page 85 catalogue number 74 for a comparable example illustrated.

506. ‘Omega’ a printed cotton textile designed by Barbara Brown for Heal’s, designed 1965, printed in shades of orange, brown and black, mounted on a stretcher, selvedge titled 121 x 102cm. £150-250 507. Twenty silk scarves, including designs by Picasso, Liberty, Richard £150-200 Allen and Jacqmar, (20)

505

98

506

508. Twenty silk scarves, including designs by Pablo Picasso, Liberty, Richard Allen and Jacqmar, (20) £150-200

507

508

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A PRIVATE COLLECTION OF ARTS & CRAFTS

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509

510

509. South Kensington School Medusa watercolour on board design for a ceramic charger, stamped ESK 53.5 x 49cm. £150-250

511 part

510. South Kensington School Art Nouveau Flowers watercolour on paper, framed stamped ESK lower left 64 x 26cm (image)

£150-200

511. John Turner Design for Stencilled Hanging printed linen, another tilted to mount Design for Stencilled Hanging, commended 1914 and four other designs for textiles, framed main with handwritten note to corner 56.5 x 42cm. (6). £400-600

512. Tulip and Rose a Morris & Co jacquard woven wool portiere designed by William Morris, originally designed in 1876, red and green on a blue ground 87 x 193cm. £400-600

100

512

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513

514

513. Michaelmas Daisy five Rolls of Morris & Co wallpaper originally designed by John Henry Dearle 1912, hand block printed, golden ochre and vivid blue on a blue ground, probably manufactured by Sanderson, stamped Morris & Co to selvedge, (5) £150-250

515

514. Acanthus a Morris & Co silk embroidered firescreen panel, woven silk in pink and green on a blue ground, in modern oak frame, 52 x 53cm. £400-600

515. Bird a Morris & Co jacquard woven wool hanging designed by William Morris, originally designed 1878, on red ground, 191cm wide, 205cm. long £1,000-2,000

516. Bird a Morris & Co jacquard woven wool hanging designed by William Morris, originally designed 1878, on red ground, 191cm wide, 205cm. long £1,000-2,000

516

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517

518

519 517. John Hardman Company Madonna & Child flanked by Saints, a watercolour on paper stained glass window design, framed remains of John Hardman Company paper label, 40.x 35.5cm (sheet) £150-200 518. Sir Edward Coley Burne-Jones (1833-1898), after Temperantia a photogravure print probably printed by Berlin Photographic Company, framed, and another similar, unsigned 34 x 13cm. (Temperantia) (2) £150-200

520 519. A patinated copper plate, possibly American, repousse hammered with a simple leaf repeat to the rim, covered in a rich patination, unsigned 30cm. diam. £150-200 520. A vivid green glass flower vase probably James Couper & Sons Clutha glass, the tapering cylindrical body with flat flaring rim, lime green glass with air bubble inclusions unsigned, 25.5cm. diam. £200-300 Although unattributed to a designer this vase has elements and similarities of design to both George Walton and Dr Christopher Dresser’s designed produced by James Couper under the Clutha glass range.

521. A C H Brannam pottery jug probably made for retail

by Liberty & Co, cylindrical form, incised with a scaly fish and motto ‘I Slept and I Dreamt That Life was Beauty, I Woke and Found that Life was Duty’ in shades of green and blue, and a small collection of West Country pottery, various marks, 8.5cm. £100-200 high (18)

521

522. A Moorcroft Pottery Flamminian Ware vase designed

by William Moorcroft for retail by Liberty & Co, shouldered form, decorated to the shoulder with three roundels, in blue on a mottled green ground incised signature, printed Liberty mark, 22cm. high £300-500 523. A C H Brannam vase designed by Archibald Knox, ovoid with collar rim and twin-handles, slip decorated with a Celtic knot design in green and white on a blue ground impressed marks, 21cm. high £250-350

102

522

523

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524 524. An Arts and Crafts patinated copper wall mirror probably retailed by Liberty & Co, oval section set with four Ruskin ceramic roundel, 64cm. wide. £500-600 525. A Liberty & Co English Pewter and Clutha glass coupe designed by Archibald Knox, model no.0276, the bowl cast and pierced with Art Nouveau berried foliage, on tripod legs, the Clutha glass liner pale green glass with white swirl and aventurine inclusions, stamped marks to base £1,200-1,500 17cm. high Literature Stephen A Martin Archibald Knox, ARTMEDIA page 205 for a comparable example illustrated.

525

526. Jessie Bayes (1876-1970) Sister Moon and Brother Wind an illuminated triptych, the carved wood frame with gilded decoration and gilt metal furniture, signed J Bayes 46cm. high £3,000-5,000 Provenance Private collection Literature The Studio 1914 ‘Jessie Bayes Painter and Craftswoman’ Adeste Fideles a comparable triptych of gilded mahogany painted in tempera by Jessie Bayes, illustrated page 265.

526 closed

526

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527

528 527. A John Pearson patinated copper wall mirror, circular, repousse hammered with a stylised bird perched on a flower stem repeat, covered in a deep brown £1,000-1,500 patination, unsigned 40cm. diam.

528. A fine John Pearson patinated copper wall mirror probably made at the Guild of Handicrafts, repousse hammered with a pair of peacocks amidst fruiting foliage, the rim inscribed O Wad Some Power The Giftie Gi’e Us - To See Ourselves as Others £1,500-2,000 See Us, bevelled circular mirror glass, unsigned 61cm. diam.

An identical mirror can be seen at Standen House where the design is attributed to Charles Robert Ashbee and John Pearson.

529. A John Pearson repousse copper wall charger, dated 1889, hammered to the well with a bird seated on its nest in a stylised fruit tree, another bird on the ground amidst flowers, the rim with a band of scrolling ivy above leaping scaly fish, signed J £800-1,200 Pearson 1889 to reverse, 38.5cm. diam.

530. A pair of polished brass and steel wall sconce probably by Gordon Russell, the backplate pierced and worked in low relief with flowers and foliage, with two flaring steel arms with tight scroll terminals, the shallow domed drip pan and sconce with £2,000-3,000 serrated edge unsigned 29.5cm. high, 45cm. wide. (2) 531. A pair of polished brass and steel wall sconce probably by Gordon Russell, the backplate pierced and worked in low relief with flowers and foliage, with two flaring steel arms with tight scroll terminals, the shallow domed drip pan and sconce with £2,000-3,000 serrated edge unsigned 29.5cm. high, 45cm. wide. (2)

529

104

530

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532

532. A rare and important brass and glass ceiling light probably designed by C.F.A. Voysey, the shallow circular bowl pierced and worked with scrolling foliage, set with central green opalescent glass shade, the hanging wire with two brass knops, the domed ceiling rose pierced with flowerhead motif unsigned, 28cm. diam. £3,000-5,000 Literature Wendy Hitchmough C.F.A Voysey, Phaidon, page 92 plate 17 for an original photograph of a comparable light hanging in the hall at New Place.

An example of this light can be seen hanging in the hall of New Place in the contemporary photographs taken by Henry Irving, in 1897, and held in the RIBA collection.

533

533. A Guild of Handicrafts Ltd silver candlestick probably designed by Charles Robert Ashbee, domed base repousse hammered with fruiting pomegranate, the knopped, twisted stem supporting hammered flaring sconce, stamped £1,000-1,500 marks, London 1905 28cm. high

534. A Guild of Handicrafts electroplated muffin dish and cover designed by Charles Robert Ashbee, shallow base with flaring rim with bead border to well, domed hammered cover with wirework Art Nouveau finial set with mother of pearl finial, stamped Guild mark to base, cover and finial, 23.5cm. diam. £1,000-1,500

534

105

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535. A rare stained oak wall mirror designed by C. F. A. Voysey, rectangular form with flaring mantel and simple stepped mount, 125cm. high, 51cm wide. ÂŁ1,500-2,000 An example of this wall mirror can be seen hanging in the bedroom of The Homestead (Frinton on Sea) designed by C.F.A Voysey in 1905-1906.

535

536. A Shapland & Petter Peacock Feather oak wall mirror, model R1406, the shaped rectangular form with overhanging mantle, inlaid with marquetry feather columns and peacock eye frieze to top, with bevelled glass mirror, unsigned 86 x 75cm. ÂŁ1,000-2,000 Literature Daryl Bennett Shapland & Petter Ltd of Barnstaple, page 47 catalogue number 4.17 for a comparable mirror.

106

536

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537

538

539

537. A pair of Aesthetic Movement patinated metal frog candlesticks retailed by Liberty & Co, one modelled seated on a lily pad, his long arms supporting a sconce, the other long legged frog standing on the lily pad and holding up a sconce, unsigned 29.5cm. high, (2) £200-300

538. An oak mantle clock probably retailed by Liberty & Co, the rounded rectangular body supported on four pillar feet, inlaid with sunrise motif in marquetry woods and pewter, with circular white enamelled dial with Arabic numerals, 28.5cm. high, 23.5cm. wide. £200-300

539. A John Pearson repousse copper twin-handled vase, cylindrical form with applied handles, the body hammered in relief with stylised fruiting foliage sprays, stamped JP to base rim of vase 22.5cm. high £200-300

540

540. An Arts and Crafts copper and wrought iron firescreen possibly retailed by Liberty & Co, the rectangular panel stamped in relief with a peacock, applied with two Ruskin ceramic roundels and red glass eye, with wrought iron feet with twisted terminals and handle, unmarked, 64cm. high, 52cm. £300-500 wide.

541. A Liberty & Co pewter and enamel candlestick designed by Archibald Knox, model no 0219, compressed cylindrical form with circular drip pan and foot, the foot cast in low relief with ivy leaf and panels of green and blue enamel, stamped 0219, 10cm. high £350-450

541 542. A Liberty & Co pewter and enamel pepper pot designed

by Archibald Knox, model no.0347, cast in low relief with foliate border, enamelled in shades of purple, stamped marks, 5.5cm. high. £150-250

543. A Liberty & Co silver napkin ring designed by Archibald Knox, cast in low relief with Art Nouveau entwined knot panel, and another silver napkin ring, stamped marks, Birmingham 1903, 5cm. wide. (2) £200-300

542

543

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544. A Continental Secessionist mantel clock, the rectangular oak frame set with brass plates and circular copper dial, with Arabic numerals, 27.5cm. high £100-200 545. A large hammered brass wall mirror possibly designed by Harry Silver for Liberty & Co, rectangular, hammered with a panel of two conjoined birds issuing from Celtic knot motif, with stud work decoration, unsigned, 92 x 61cm. £300-400 546. An Arts and Crafts patinated brass Apollo wall charger, decorated with a youthful Apollo, the rim with roundel motif unmarked 59cm. diam. £200-300 547. A brass wall sconce in the manner of the Keswick School of Industrial Arts, the rectangular back plate stamped in low relief with scrolling stylised flowers, with articulated scroll arms and sconces, unsigned 35.5cm. high. £150-200

544

548. An Arts and Crafts patinated copper charger, stamped in low relief with panels of stylised honesty seedheads unsigned 51cm. diam. £150-200

545

549. A hammered copper string box in the manner of Newlyn Industrial Classes, the cylindrical pot with flaring rim and cover with rivet border decoration, the cover set with Ruskin ceramic roundel unmarked, 10cm. high £150-200 550. A pair of cast iron firedogs designed by Thomas Jekyll, probably manufactured by Barnard, Bishop & Barnard, the pierced body cast with roundel panels of a bird inside wavy border, the flaring base with similar wavy border, stamped regd diamond to base, 22cm. high £150-200

546

551. A Hukin & Heath electroplated metal letter tack designed by Dr Christopher Dresser, model no.2555, arched rectangular base on bun feet with articulated rod and ball partitions, stamped marks, regd diamond, 12cm. high £300-400

547

Literature Michael Whiteway Christopher Dresser 1834-1904, Skira, page 84 figure 58 for a comparable letter rack.

552. A Gothic walnut and bronze jewellery casket, in the manner of A.W.N. Pugin, the domed hinged cover with articulated handle, pierced strapwork decoration, on four feet unsigned 25cm. wide. £1,000-1,500

548 549

108

550

551

552

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554

555 553 553. A French Art Nouveau pewter wall plaque cast from a model by Auguste Ledru, cast in relief with a satyr and Nymph, cast by Susse Fres signed in the cast Ledru cast Fres mark, 80 x 57cm. £300-400 554. An Orion Secessionist pewter centrepiece with green glass liner, model no.825, cast in low relief with stylised leaf motif, stamped marks, 34.5cm. wide £100-150 555. An Art Nouveau pewter and glass claret jug, tall, tapering, slender form, the pewter base cast with sea maiden amongst scrolling waves of hair, the handle a branch of berried foliage, pierced foliate ball stopper, stamped marks, 38cm. high £600-900

556

556. A pair of Continental pewter figural candelabra, in the manner of W.M.F, the figures emblematic of spring, modelled waking and stretching between two floral sconces, apparently unmarked, converted for £300-500 electricity, 33cm. high (2)

557

557. An Art Nouveau patinated metal bust of a woman cast from a model by Paul Eugene Mengin (1853-1937), signed in the cast 34cm. high £100-150 558. An Art Deco octagonal marquetry twin-handled tray, the well decorated with a marquetry panel of Diana the Huntress, indistinct stamped mark to reverse 41cm. wide. £150-200

559 558

559. An Austrian Secessionist brass, glass and wood inkwell and stand, rectangular section with cast twin-handles and raised pen rack, unmarked, 18cm. long £150-250 560. A pair of Art Nouveau Orivit candlesticks, model no.2284, the pierced domed base cast with stylised foliage, with flaring floriform sconce, stamped mark, 18.5cm. high (2) £150-200 561. A pair of W.M.F. electroplated tazza bases, each modelled with an Art Nouveau maiden rising from a domed turbulent base with berried foliage sprays stamped marks, glass £100-200 bowls missing 33.5cm. high (2)

560

561

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562. A pair of Art Deco silvered metal wall applique in the manner of Albert Cheuret, each modelled as a bird flying before a cornucopia, with later glass shades unmarked, 24cm. deep, 23cm. high (2) £150-200 563. A bronze mounted enamel vase by A Vilpien, flaring cylindrical form, enamelled with geometric flowers in red, black and white on a blue and grey ground, with loose bronze foot with vertical columns, painted A Vilpien signature £200-300 25cm. high 564. A lacquered wood tray the design in the manner of Jean Dunand, the circular tray with carved and cane finished handles, covered in a golden lacquer unsigned 49cm. diam. £200-300

562

Provenance given to the present vendor by Noel Tovey from L’Odeon London.

565. A pair of Rowley Gallery marquetry pictures, oval, each decorated with a silhouette of a maiden before trees, with gilt frame, remains of Rowley Frames label, 54cm. high. (2) £150-250 566. A Rowley Gallery embroidered tray, square section, embroidered with a carafe and drinking vessels, in coloured silk threads, glazed and with silvered wooden frame and stepped handles, applied Rowley stamp 40cm wide. £200-300 567. An Asprey shagreen and ivory box and cover, rectangular with hinged cover, another larger and a shagreen card case stamped marks, to main item, 11.5cm. wide, (3) £200-300

563

568. A pair of Art Deco pottery book ends, each modelled as a Chinaman leaning against a rickshaw, on a stepped base, glazed in colours, impressed mark, 10091, 17.5cm. high (2) £100-200

564

569. A silvered bronze model of a Borzoi probably Hagenauer, another smaller Borzoi, a small silvered bronze model of a swimmer about to dive, a small box mounted with silver metal panel of a cat, a patinated metal figural cage and a modern sculpture of three figures, unsigned, 12cm. high, (6) £150-200

565

110

567

566

568

570. An Art Deco verdi patinated metal wall mask cast from a model by Professor Severino Tremator, (1895-1940), covered in a cream patination, framed, unsigned 26cm. high £200-300

569

570

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571

572

571. A pair of patinated bronze book ends modelled as a satyr cast from a model by Paul Silvestre, one seated and resting the other pushing at a wall, signed in the cast and Suisse Fres foundry mark, 23cm. wide £500-800 572. A patinated bronze cast from a model

by Pierre Le Faguays, modelled as a muscular male athlete pulling a rope taught signed in the cast P Le Faguays 70cm. wide £700-1,000 Provenance Private collection.

573. ‘Maiden resting with a Dog’ a gilt bronze sculpture cast from a model by Louis Riche (1877-1949), on black veined marble base, signed L Riche in the cast 59cm. wide £600-1,000

573

574. ‘Wheat’ a terracotta sculpture cast from a model by Demetre Chiparus, on ebonised wood base, signed in the cast D H Chiparus, 77cm. wide £600-900 Literature Alberto Shayo Chiparus Master of Art Deco, ACC Art Books, page 249 plate 182 for a comparable example illustrated.

574

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575

576

577 575. A small patinated bronze model of a dancer cast from a model by Josef Lorenzl, modelled balancing on one foot, on green onyx base, signed in the cast Lorenzl, 13cm. high £150-250 576. A patinated spelter model of a dancer designed by Josef Lorenzl, modelled stepping forward her arms outstretched and holding a scarf, on green onyx base unsigned 26.5cm. high £300-500

578

578A

577. ‘Girl with a Ball’ an Art Deco patinated bronze model of a dancer cast from a model by Pierre Le Faguays, modelled holding an ivory ball, covered in a silvered patination, on green and black marble base, signed P Laurel in the base, stamped foundry mark, 41cm. high £700-900 578. An Art Deco cold painted patinated metal model of a dancer cast from a model by Josef Lorenzl, modelled standing on tiptoes, her arms outstretched and holding her dress hem, her dress painted with red and white flowerheads, on veined white onyx base, signed in the cast Lorenzl, 33cm. high £400-600 578A. A tall patinated bronze figure of a dancer cast from a model by Josef Lorenzl, naked, modelled standing on tiptoes her arms drawn into her chest, on veined onyx base, signed in the cast Lorenzl, 37cm. high £800-1,200 579. ‘Message of Love’ a patinated bronze sculpture in the manner of Pierre le Faguays, on grey onyx base unsigned, 31cm. high £200-300

112

580. ‘Dancer with Cymbals’ an Art Deco patinated bronze sculpture cast from a model by Pierre le Faguays, on flaring square section onyx base, etched Le Faguays to onyx base 37cm. high £700-900

579

580

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581. Le Grande Escart Respecteux (The Respectful Splits) a rare bronze and ivory figure of a dancer cast from a model by Paul Phillipe, modelled gracefully holding the splits pose, on polished black marble base, signed with R & M foundry mark in the cast 28cm wide, 21.5cm. high ÂŁ5,000-8,000

113

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582. A patinated bronze plaque, rectangular, cast in low relief with two figures inside laurel wreath border, flanked by putti offering up a flame, before stylised sun ray background indistinct monogram top right 29.5 x 21cm. £300-500

582

583. A Bromsgrove Guild patinated bronze advertising plaque designed by Walter Gilbert, cast in low relief with a classical bare breasted maiden, inscribed Bromsgrove Guild Worcestershire England, mounted as a paperweight, red veined £150-200 marble, 10.5cm. diam.

583

Literature Simplicity or Splendour, Cheltenham Museum & Art Gallery, page 126-127 catalogue number 103 for a comparable plaque.

585

584

584. A Hagenauer wood and bronze model of a boy, modelled with arms raised wearing bracelet and anklet on rectangular bronze base, stamped marks to base 28cm. high £300-500

585. Child on a Chair a gilt bronze sculpture cast from a model by Juan Clara (1875-1958), signed in the cast Juan Clara and stamped 400, 23.5cm. high £800-1,200

586. Lovers a patinated bronze sculpture, on a black marble base unsigned 47cm. high £150-250

587

586

587. Flore a patinated metal Art Nouveau bust cast from a model by Julien Causse, signed in the cast, applied title to socle 31cm. high £300-500

588. An Art Deco black veined marble and green striated onyx base, elliptical £50-100 form, 38cm. wide.

This design was used by Demetre Chiparus to display his Art Deco figures.

114

588

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589. ‘Ballet Dancer’ a bronze and ivory figure designed by Ferdinand Preiss, model no. 1163, cold painted decoration, on shaped onyx and black slate base with patinated metal lamp fittings painted 1163 and 7487 to underside of base, unsigned, two fingers chipped, 15.5cm. high (figure) £1,000-2,000 Literature Alberto Shayo Ferdinand Preiss Art Deco Sculptor, Antique Collector’s Club, page 157 for another example on simple onyx base illustrated.

590. A gilt bronze model of a young boy cast from a model by Eugene Wagner, dated 1910, modelled standing holding a toy horse and a panel, on veined onyx base signed in the cast Eug Wagner, dated 1910, 37cm. high £250-350

589

590

591. ‘The Young Gentleman’ a gilt bronze and ivory figure cast from a model by George Omerth, modelled as a young Victorian boy in three-piece suit and top hat, holding an umbrella behind his back, on rough cut, veined white marble base signed in the cast Omerth 20cm. high £500-600

592. A patinated bronze model of a Victorian child cast from a model by Professor Poertzel, modelled in top hat and tails, holding a card and a bouquet of flowers, on black marble base, and a bronze and ivory model of a young girl in short-dungarees cast from a model by Grundmann, signed in the cast 17.5cm. high (Poertzel), (2) £350-450

591

592

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593. ‘Diana riding a Deer’ a patinated bronze figure cast from a model by Johann Robert Korn (1873-1921), on green veined marble base, signed in the plinth J R Horn 30cm. wide, replacement spear, 30cm. high £500-600 594. A patinated bronze and ivory model of an elephant cast from a model by Irenee Rochard, modelled standing with trunk raised, on later black polished marble base 55cm. wide (base), bronze 31cm. high £1,000-1,500 595. Matador and Bull a bronze sculpture cast from a model

by Albert Allmann, on red veined marble base, signed Allmann in the bronze 28cm. high £400-500

593

596. A patinated bronze model of a bull cast from a model

by A Fernandez, modelled standing, on veined rectangular marble base signed in the cast A Fernandez S 23cm. wide. £150-200 597. A patinated bronze abstract sculpture, leaf form, cast and pierced with abstract panels, and another smaller unsigned, 67cm. high (2). £300-500 598. A patinated bronze abstract sculpture, pierced spherical form, loose on marble base unsigned 17cm. wide £150-200

594

595

116

596

597

598

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599. ‘Venetian Woman’ a cold-painted bronze and ivory figure of a woman cast from a model by Jean Lormier, modelled standing in traditional carnival dress, tricorn hat and holding a ribbon mask, on stepped marble and polished slate base, signed in the cast J Lormier, 41cm. high £2,500-3,000 Literature Alberto Shayo Statuettes of the Art Deco Period, Antique Collectors Club, page 175 for a comparable.

117

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599A

601

600

602

599A. An A & E Goodley & Son silver and enamel picture frame, on wooden back with easel support, stamped in low relief, enamelled in shades of green and blue stamped marks, AEG&S Birmingham 1903 20cm. high £700-900 600. An Art Nouveau Synyer & Beddoes silver mirror frame, cast in low relief with scrolling and entwined stylised flower stems, with bevelled glass, stamped S*B Birmingham 1904, easel back missing, losses to leather 33 x 23.5cm. £150-200 601. An American silver and enamel easel back picture frame, rectangular, stamped in low relief with Art Nouveau iris stems, with green and blue enamel panels, stamped marks and sterling, easel support missing, 28.5 x 23.5cm. £150-200

603

604

602. An Arts and Crafts silver plate possibly Hayle, repousse hammered with a frieze of lily flower and fruit, the well with four raised panels inscribed 73 JC 98 AC, and a silver bowl with the same inscription unsigned 28.5cm. diam. (2) £500-800 603. A pair of George Lawrence Connell silver salts, each pierced and cast with stylised foliage panels, with original green glass liners, and a matched serving spoon, stamped mark, London 1902, 4cm. high £150-200 604. A silver pepper pot probably by A.E. Jones, model no.408, raised on four foliate feet, indistinct stamped marks, 8.5cm. high £100-150

605

605. Six Aesthetic Movement silver dinner knives and forks, the handles cast in low relief with simple flower sprays stamped Sterling to forks, 25cm. long (knives), (12) £200-300 606. A Mappin & Webb electroplated vase designed by Keith Murray, flaring cylindrical form on stepped foot, and a Mappin & Webb bowl, model no.16514 stamped mark, 16.5cm. high (2) £100-150 607. An Arts and Crafts silver chalice in the manner of the Artificers Guild, the hammered flaring foot supporting knopped stem and shallow bowl, stamped marks, London 1919, 13.5cm. high £300-500

606

608. A Goldsmith’s & Silversmith’s silver footed cup, with three applied loop handles, hammered finish, London 1906 10cm. high £150-200 609. An A.E. Jones silver spoon, the circular bowl with twist stem and bud finial, and another A.E.Jones silver spoon stamped marks, Birmingham 1915, 13.5cm. long (2) £150-200

118

607

609 608

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611

611A

610

610. An A.E. Jones silver cruet set, each piece on four legs, comprising salt and pepper pots, mustard pot and blue glass liner, stamped marks, Birmingham 1935, 8.5cm. high (pepper pot), (3). £300-500

612

611. A silver inkwell, circular section, large circular base supporting flaring body with hinged flat cover with loop finial, stamped marks, hallmarks rubbed, Birmingham 1934 11.5cm. diam. £150-200

611A. A Duchess of Sutherland Cripples Guild electroplated copper twin-handled cup and cover, chased and embossed with bands of fruit stamped mark, 28cm. high. £150-200

612. An Arts and Crafts electroplated teapot milk-jug and sugar basin, the teapot with hinged cover, with ivory insulators and ebonised wood finial, unsigned 15.5cm. high (3) £200-300

613

613. A Guild of Handicrafts electroplated metal muffin dish and cover designed by Charles Robert Ashbee, the base with flaring rim supporting domed cover, set with wirework finial and green chrysoprase £500-1,000 terminal, unmarked 22cm. diam.

614. An Art Deco H.G. Murphy Falcon Works silver Kandahar Skiing Club presentation cup, engraved with the coat of arms for the Duke of Kent, the domed base supporting four column stems flaring bowl and lug handles, stamped marks, London 1937, 24cm. high £2,000-3,000 Literature Paul Atterbury & John Benjamin Arts and Crafts to Art Deco The Jewellery and Silver of H.G. Murphy, Antique Collector’s Club, page 146 for a large and small example of this cup. Murphy designed several versions of the Kandahar Cup (all accompanied by a smaller version), which encapsulated the modernity of 1930s Britain - this example shares both the solid machine age lug handles with the cluster column inspired by a medieval font.

614

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616 615

617

618

JEWELLERY 615. A James Fenton silver and enamel pendant necklace, shield shape with smaller foliate drop, enamelled in pale blue stamped marks, Birmingham 1908, 4.5cm. long £150-200 616. A Secessionist silver and enamel pendant necklace, pierced, triangular section, set with pink and lavender enamel stone, and small pearl, stamped J.W. marks, Birmingham 1903, 2.5cm. long. £150-200

620 619

617. An Arts and Crafts silver and opal necklace, wirework triangular form set with central opal stone, inscribed to reverse 24.7.1912 Of Hol Herte Cometh Hope, a quote from Piers Plowman 3.5cm. long £300-500 618. A continental silver and citrine set necklace, cast foliate frame set with central citrine, with similar drop, the chain set with two similar flowerhead panels unsigned 4.5cm. long £300-500 619. A Pendelton & Sons silver and enamel pendant necklace, trilobed form enamelled in blue and green, with freshwater pearl drop, and another enamelled silver pendant necklace, stamped marks, PAS Birmingham 1909, 3cm. wide, (2). £150-200

622

620. A James Fenton silver and enamel pendant necklace, cast in low relief with stylised honesty stems, enamelled blue and green, with green enamel drop, stamped marks JF Birmingham 1909, 4cm. long. £200-300

621

621. A Barnet Henry Joseph gold and amethyst set pendant, pierced, shield shape, set with central amethyst stone and drop, stamped BHJ 90, 3.5cm. long £300-500 622. A Murrle Bennett gold and mother of pearl link bracelet, alternate cast square foliate panel and square mother of pearl panels stamped MB & C mark,9ct, 19cm. long, £800-1,200

623

624

623. A Bernard Instone silver and enamel bar brooch, cast with flowers and foliage, enamelled in colours, and another Bernard Instone brooch modelled as a flower, stamped marks, 6cm. wide (2). £150-200 624. A silver pendant necklace in the manner of A.H. Jones, the wirework foliate frame set with yellow metal flowers, abalone shell panel and an abalone shell drop, set with peridot and ruby stones, unmarked, 7cm. long £500-800 A.H. Jones worked as an independent jeweller and is also recorded working for Liberty & Co. 625. A Murrle Bennett gold mounted tortoisehell hair-comb, cast with Secessionist design and set with turquoise stone, stamped marks 950 and MB to rim, 10cm. wide £150-200

120

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628

626 627 626. An Arts and Crafts silver and amethyst necklace in the manner of Edward Spencer, the chain with pierced panels of wirework foliate design, abalone shell and amethyst stones unsigned 8.5cm. high drop. £150-200 627. An Arts and Crafts silver necklace in the manner of R.C. Price, the wirework frame set with central rectangular painted panel of a female saint possibly by Averil Burleigh, set with amethyst drop, the wirework link necklace with panels and amethysts unsigned 9cm. high £1,500-2,000 Literature Michael Jeffery Arts and Crafts Style Pavilion Books, page 166 this piece illustrated. Although little is known about R.C.Price although his work was illustrated in The Studio in 1913 (Volume 57).

630

628. An Arts and Crafts silver and opal set Cross of St Andrew, possibly designed by R.C. Price, the wirework frame with cast foliate panels, set with five opals, on link chain unmarked, 5.5cm. square £800-1,200 629. A silver and turquoise mounted pendant necklace by Beatrix Cameron, the thick metal frame set with square turquoise stone, inside scroll borders, in fitted presentation case from Beatrix Cameron, pendant unsigned, case signed Beatrix Cameron 102 Mount Street, Grosvenor Square, 6cm. long £300-400 630. A silver and plique a jour enamel brooch possibly designed

by H.G. Murphy, the wirework frame cast with grape and vine motif, enamelled in blue, green and red, set with moonstone panels, unsigned 6.5cm. high £1,200-1,500 Literature Paul Atterbury and John Benjamin Arts and Crafts to Art Deco the Jewellery & Silver of H.G. Murphy, Antique Collector’s Club, page 43 for a plaque brooch with comparable enamelled grape vine design.

631. A Levinger & Bissenger plique a jour enamel pendant necklace, the cast frame set with blue, green and coral coloured enamel panels, set with tiny pearls and three pearl drops, stamped marks, losses, 5cm. wide. £150-200

629

631

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632. A Mexican silver Los Castillo fish brooch by Sigi Pineda, stylised form, another Mexican silver fish brooch, a skeletal fish pendant and two other stylised fish brooches, stamped marks, 6.5cm. wide (5) £120-180 Literature Penny Chittim Morrill & Carole A Berk, Mexican Silver, Schiffer Publishing page 196 colour plate XIX-10 for a comparable stylised fish brooch.

633

633. A Mexican silver and amethyst mask bracelet

by Los Ballesteros, with hinged reeded band, stamped marks, 4cm. high £150-200

632 634. A Mexican silver Alpaco brooch, circular form inlaid with mother of pearl and enamelled black, a taxco silver bar brooch, a Mexican silver and agate Totem necklace, two other brooches and a ring, various marks, 3.5cm. diam. (6) £120-180 635. An enamelled brass cat brooch, modelled standing, details enamelled black, another Pelican brooch, and a collection of costume jewellery in a red leather jewellery case, unsigned 4cm wide (cat) (12) £120-180 636. A Limoges style enamelled copper necklace, three chain linked discs enamelled green and amber, another enamelled copper link necklace, an enamelled bracelet, pendant and pair of earrings, pendant indistinct signature in gold, discs 4cm. diam.(6) £150-200

635 634

637. A Mexican silver figure brooch/pendant, with applied brass limbs and hair, set with stone buttons, a Mexican silver bangle, a pair of Mexican silver cufflinks and a tie-clip, and a collection of jewellery, stamped marks 7cm. high (14) £150-200 638. An Iona silver napkin ring designed by Alexander Ritchie, D shaped, cast in low relief with a sailing vessel flanked by panels of Celtic knot, an Iona Celtic cross silver pendant, circular brooch, bar brooch and a spoon, stamped marks, 5.5cm. wide. (5) £500-800 639. An Arts and Crafts silver brooch in the manner of The Artificer’s Guild, circular, pierced and cast with radiating foliate stems set with stones and central large moonstone cabouchon, and an Iona style brooch set with lapis stone, unsigned 8cm. diam. (2) £150-200

637

641. A silver and enamel brooch possibly made at the Newlyn Industrial Classes, the wirework frame set with blue and green enamel stone stamped JP, 3.5cm. wide £150-200

636

122

638

640. A large silver brooch in the manner of Charles Ricketts, circular with cast columns set with amethyst and amber glass cabochon unsigned 6.5cm. diam. £150-200

639

640

641

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644 642

643

642. An early Liberty & Co silver belt buckle designed by Oliver Baker, hammered in low relief with foliate design, set with central amethyst flanked by two fire opals, stamped marks, Birmingham 1899, 8cm. wide. £400-600 Literature Alan Crawford By Hammer and Hand, page 100 this design illustrated.

643. A Liberty & Co silver belt buckle, model no.0198, in the manner of Mary Seton Watts, the pierced and cast design decorated with creatures entwined in Celtic knot motif, stamped marks, Birmingham 1896 11cm. wide £250-350

645

646

Provenance Private collection 644. A Birmingham Guild of Handicrafts silver buckle designed by Arthur Dixon, with fleur de lys terminals, and central flowerhead panel, hammered finish, stamped marks, Birmingham 1900, 16.5cm. wide £300-500 Literature Alan Crawford, By Hammer and Hand, page 100 this design illustrated.

645. An Arts and Crafts gold and turquoise set ring by William Thomas Pavitt, the cast wirework foliate frame set with central turquoise stone, internally applied white metal panel with the symbol of Venus, another copper panel with Libra symbol, flanking quartered date 1909, in William Thomas Pavitt presentation case, size P £400-600 William Thomas Pavitt is listed in the Dictionary of Gold and Silversmiths Jewellers and Allied Traders 1838-1914 at 17 Hanover Square, London.

William along with Kate Pavitt wrote The Book of Talismans, Amulets and Zodiacal Gems being interested in such symbolism in jewellery.

646. An Arts and Crafts yellow metal and synthetic ruby stone ring, cast with foliate panels to the shoulder unmarked, size P £150-200

647

648

647. An Arts and Crafts silver pendant necklace, quattro-lobed form set with carnelian and mother-of-pearl stones, unsigned 4cm. long. £150-250 648. An Arts and Crafts silver pendant the design attributed to Sibyl Dunlop, the shield shape frame cast with foliate and berried motif, set with four shaped chrysoprase and two paste, in Sibyl Dunlop presentation case unsigned, 3.5cm. long. £500-700 649. A Rose quartz and opal pin brooch by H.M.S, elliptical rose quartz set with pink stone and six opal stones, in foliate wirework border, stamped galleon and H.M.S mark, 5.5cm. wide. £700-900 650. An unusual Arts and Crafts carved aquamarine pendant by HMS, the large central drop carved with peach fruit and foliage, set in asymmetric silver frame with pink topaz and aquamarine stones, stamped HMS and sailing boat mark, 6.5cm. long. £1,000-1,500

649 649 mark

650

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653

652

651. An Arts and Crafts silver and amethyst set pendant necklace, cast and pierced with foliate panels, set with central abalone shell panel, and amethyst drop, the link chain set with four amethyst panels, unsigned 5cm. long £300-500

651

652. A silver pendant necklace in the manner of Sybil Dunlop, circular domed form on green enamel base, wirework foliate tracery and central green agate stone, the link chain set with silver foliate panel, unsigned, stamped monogram to reverse 2cm. diam. £400-600 653. An Art Nouveau Levinger & Kissinger silver and plique a jour enamel necklace, cast as three foliate panels, enamelled in green, set with mother-of-pearl shell panel and natural pearl drop, stamped depose to reverse 5cm. high £400-600

654

654. A silver and amethyst mounted pin the design probably by Dorrie Nossiter, the two amethyst stones set in simple wirework border, and another similar unsigned 7.5cm. wide (2) £400-600 655. A Continental silver and peridot pendant necklace, the shaped frame with central panel of a water nymph, set with three peridot drops, stamped mark 7cm. long. £200-300 656. A set of six James Fenton silver and enamel dress buttons, in original fitted case, circular, cast in low relief and enamelled in shades of blue and green stamped marks, £150-200 Birmingham 1908, 1cm. wide.

657. A set of six Liberty & Co silver and enamel buttons designed by Archibald Knox, round, cast in low relief with a simple foliate design, enamelled in shades of green and blue, in original presentation case unmarked, case stamped Liberty London Paris, 1.5cm. diam. £400-600 658. A Danish silver link bracelet by Herman Siersbol, the cast triangular sections set with amethyst stones, stamped 925S HS to bar, 18cm. wide. £150-200

655

656

124

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659. A rare Alfred Dunhill silver and enamel cigarette case and lighter combination, the hinged cigarette compartment enamelled red, with black enamelled ends, stamped marks, London 1929, 9.5cm. long £600-800 This rare combination lighter was probably made in Germany or Switzerland (at the workshop ‘La Nationale’ for retail by Alfred Dunhill).

659

660. A rare Alfred Dunhill 9ct gold cigarette case Unique lighter and integrated timepiece combination by Bando (Matteo Cellini), the rectangular case with hinged cover with engine turned panel and black enamel bands stamped marks AD London 1929 and etched Bando, 10.5 x 7.5cm. £2,000-2,500 Catalogue Notes The name Bando first appeared in a Dunhill catalogue as early as 1919 and Alfred Dunhill referred to Bando as ‘These superb cases are the work of the renowned master craftsman in precious metal, Matteo Cellini, known familiarly as Bando. In beauty of design and perfection of craftsmanship they rival the famous craftsmen of old. Each bears the signature of the artist-craftsman, ‘Bando’.

660

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20TH CENTURY DESIGN 2017 Calendar

WEDNESDAY 29TH MARCH Clarice Cliff, Art Deco & 20th Century Design Closing date for entries Friday 3rd February

WEDNESDAY 21ST JUNE Arts & Crafts Closing date for entries Wednesday 26th April

THURSDAY 22ND JUNE A Private Collection of Burmantoft’s Pottery

TUESDAY 17TH OCTOBER Design Closing date for entries Tuesday 22nd August

WEDNESDAY 13TH DECEMBER British Art Pottery Closing date for entries Friday 20th October

ENQUIRIES Michael Jeffery | mj@woolleyandwallis.co.uk Zoe Smith | zs@woolleyandwallis.co.uk Tel: +44 (0) 1722 424505

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BRITISH ART POTTERY

Wednesday 30th November 2016

A fine Pilkington’s Lancastrian charger designed by Walter Crane, painted by William S Mycock, dated 1918.

Estimate: £10,000 - 20,000 ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Wednesday 19th October 2016

obverse

reverse

A Glorious 1st of June Naval General Service Medal to Landsman Michael Kinsale, H.M.S. Valiant, two clasps, 1 June 1794, 23rd June 1795 (MICHL KINSALE.).

Estimate: £4,000 - £5,000

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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FINE SILVER & OBJECTS OF VERTU Wednesday 26th October 2016

An Edwardian silver and enamel cigarette box, by the Guild of Handicraft Ltd, London 1904.

Estimate: £1,500 - £2,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lucychalmers@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (†) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

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Registered in England No. 2998482

Salisbury Salerooms

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

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Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

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WOO L LE Y & WA L LI S Absentee Bid Form

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Design

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 18th October 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 5th October 11th January 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk 20TH CENTURY DESIGN 30th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 19th October Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk SILVER 25th October – The Arthur Holder Collection (Part I) 26th October – Fine Silver & Objects of Vertu 24th & 25th January 2017 – Silver & Objects of Vertu including The Arthur Holder Collection Part II Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 27th October – Fine Jewellery 26th January 2017 – Jewellery & Watches Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ASIAN ART 15th November John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk PAINTINGS 13th December – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 28th February 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 1st March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

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