Woolley & Wallis

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WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture, Works of Art & Clocks

Wednesday 5th October 2016

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Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan

424506 424583 424589

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence SALEROOM MANAGER David Jordan

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

424503 424592

424500

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

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FURNITURE, WORKS OF ART & CLOCKS Wednesday 5th October 2016 at 10.00am VIEWING TIMES Saturday 1st October Monday 3rd October Tuesday 4th October Wednesday 5th October

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 8.30am – 9.45am

ENQUIRIES

Mark Richards 01722 411854 Furniture, Works of Art & Clocks mr@woolleyandwallis.co.uk

Jim Gale 01722 339161 Furniture & Works of Art jg@woolleyandwallis.co.uk

Anna Wimbush 01722411854 Administrator aw@woolleyandwallis.co.uk COLLECTION OF LOTS All items will be in transit from the Salerooms to the Warehouse at Old Sarum on Thursday 6th and Friday 7th October.

From Monday 10th October collections will be from the Old Sarum Warehouse, 2 Danebury Court, Old Sarum Park, Salisbury, SP4 6EB. Please call 01722 411854 prior to collection to ensure the items are ready.

Our Old Sarum Warehouse address details and map are at the back of this catalogue.

All accounts to be settled prior to collection.

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Tuesday 4th October.

LIVE BIDDING ILLUSTRATIONS Front cover: Lot 132 detail Back cover: Lot 532 detail Above: Lot 91 detail Catalogue £10.00 (£13.00 by post)

www.the-saleroom.com Please register by 5pm on Tuesday 4th October.

Please note there is a 3% +VAT surcharge for using this service.

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OAK, COUNTRY & WALNUT

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A George III oak dresser, with three frieze drawers above a pair of panelled cupboard doors and a central drawer above two false fronts, 87.8cm high, 152.5cm wide, 50.4cm deep. £500-700 2.

An elm cricket table, the circular triple boarded top on angular legs united by an undertier, late 18th / early 19th century, 72.7cm high, 76.5cm diameter. £300-500 3.

A George II oak hanging wall cupboard, with a fielded panel door enclosing a green painted interior with two arc d’arbelette shelves, 76.7cm high, 56.5cm wide, 27cm deep. £600-800 4.

An early 18th century oak refectory table, the triple boarded top on turned legs united by an ‘H’ stretcher, 72.3cm high, 68.5cm wide, 144cm long. £100-150 3

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A George III oak potboard dresser, the plate rack with three shelves and with iron hooks, the base fitted with three frieze drawers, 182.8cm high, 145cm wide, 42.5cm deep. £300-500

6.

A late 17th century oak coffer, the twin panel hinged top revealing a lidded till, with a flower and scroll carved front, 66.7cm high, 113.3cm wide, 52.3cm deep. £300-400

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A George II oak hanging corner cupboard, with an arched fielded panel door enclosing two shelves, 82cm high, 59.7cm wide, 30.8cm deep. £50-100

8.

A 17th century oak side table, the boarded top with a moulded edge, above a gadrooned moulding and a foliate carved frieze, on turned and block legs united by peripheral stretchers, 83.5cm high, 110cm wide, 56.4cm deep. £200-300

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9.

A George III oak dresser, the plate rack with shelves and a pair of panelled cupboards each enclosing three shelves, the base with three deep frieze drawers on moulded tapering legs, 204.4cm high, 226cm wide, 53.5cm deep. £500-1,000

10. A late 17th century oak coffer, the hinged lid revealing a lidded till, the triple panelled front carved with stylised foliage, 76.7cm high, 136.4cm wide, 57.3cm deep. £200-300

11. Two 17th century joined oak stools, each with turned legs joined by peripheral stretchers, 50.7cm high, 47.6cm wide and 34.8cm high, 40.5cm wide. (2) £200-300

12. A William and Mary oak writing table, the triple boarded top with a moulded edge above three drawers on turned column supports united by a wavy stretcher and bun feet, the front with branded owner’s initials ‘C G’, 72.5cm high, 87.4cm wide, 51.1cm deep. £400-600

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13. A 17th century and later oak panel back open armchair, the scroll carved toprail centred a male mask above an arched panel back inlaid with bog oak and holly with flowers and a bird, the solid seat on turned front legs and peripheral stretchers. £600-800 Provenance: Norris Castle, Isle of Wight.

14. A William and Mary and later oak cabinet / spice cupboard, with a pair of hinged panelled doors revealing an arrangement of eight drawers with brass handles, 30.8cm high, 38.2cm wide, 25.7cm deep. £150-250

15. An 18th century child’s cedar rocking chair, with pokerwork decoration. £100-150

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16. An elm boarded chest, with a vacant interior on later cut-out ends, late 17th / early 18th century, 53.7cm high, 115.5cm wide, 36cm deep. £200-300 17. An early 19th century elm primitive child’s lambing chair, on a rocking base, the reverse with a handle. £100-150 17

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18. An 18th century ash dresser, the plate rack with three shelves, the base with three panelled frieze drawers above a pair of cupboard doors, 199cm high, 169.7cm wide, 50cm deep. ÂŁ2,000-3,000

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19. An early 19th century yew highback Windsor armchair, with a pierced splat back centered a shield, above an elm seat on turned tapering legs united by a crinoline stretcher. £300-500 20. An early 19th century yew child’s Windsor rocking chair, with a pierced splat back above an elm seat and turned legs united by a crinoline stretcher on sleigh rockers. £400-600 19

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21. An early 19th century primitive oak open armchair, with an arched back, the splat carved with a lady, a horses and female mask, with snake arms above a plush seat on cabriole legs and paw feet. £200-300 22. A Victorian beech and elm child’s Windsor armchair, with traces of original finish. £40-60 23. A 17th century boarded oak chest, the hinged lid revealing a lidded till, with an iron clasp and lock plate with key, the front carved with a lunette frieze, 58.3cm high, 110cm wide, 41.4cm deep. £100-200

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24. A late 19th century Flemish oak draw-leaf centre table, the rectangular top with a pair of pull-out leaves above six carved pine and polychrome decorated religious panels, probably 15th/16th century possibly Swiss, depicting Elijah and the angel, Adam and Eve, the Baptism of Christ, Elijah and the raven, the two end panels as drawers and carved with King David playing a harp, flanked by fluted panels with ebonised inlay on turned legs united by peripheral stretchers, the table: 80.2cm high, 88.8cm wide, 53cm deep, the side panels: 24 x 29cm, the end panels: 23.5 x 27cm. ÂŁ2,000-3,000

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A PRIVATE COLLECTION OF METALWARE

25. A rare pair of 18th century brass pew hangings, each engraved with the arms of the North family and with the motto ‘ANIMO ET VIDE’ and pierced with a suspension £150-250 hole, 23.8 x 15.5cm. (2) Provenance: Purchased by the current vendor from Peter Gould.

The shield is one granted to North of and Nottinghamshire Walkeringham, Huddersfield in 1600.

The arms were granted to the Nottinghamshire branch of the North family after one of their younger generation had left his home territory and risen to such prominence in London as to be granted a peerage, with a further generation being elevated to be Earls of Guilford.

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26. A pair of George II brass candlesticks, each with a knopped stem and stylised petal bases, 22.7cm high, 13.2cm wide. (2) £100-150 Provenance: Purchased by the current vendor from Peter Gould.

27. A 16th century Nuremburg alms bowl, the punch decorated deep sided edge above a band of Gothic text and a wrythen centre, 8.3cm high, 27.5cm diameter. £400-600 Provenance: Purchased by the current vendor from Keith Hocken Antiques, Stow-on-theWold.

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28. A copper glazing pot and cover, the lid with an acorn handle and with impressed marks ‘G * O’ and numbered ‘11’, 18th / 19th century, 9cm high, 17cm wide. £100-150 This glazing pot would have been part of a French batterie de cuisine and would have been used for finishing bacon.

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29. A 17th century Italian bronze holy water pail, the swing handle decorated with mythical beast heads, 13.3cm high, 24.3cm diameter. ÂŁ400-600 Provenance: Purchased by the current vendor from Keith Hocken Antiques, Stowon-the-Wold.

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30. A late 16th century French iron coffret, the domed lid with a swing handle, revealing a vacant interior, the locking clasp is released by pulling out the front left foot, with a bronze key that is probably original, 10cm high, 12.4cm wide. ÂŁ400-600 Provenance: Purchased by the current vendor from Keith Hocken Antiques, Stowon-the-Wold.

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31. A mid 17th century pewter flagon, of transitional form, the hinged lid with a mushroom finial and with a twin cusp thumbpiece above a scroll handle, the body with incised lines, the base with a maker’s mark ‘LB’, 26cm high. £400-600 Provenance: Purchased by the current vendor from Peter Gould.

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32. A pair of George II pewter chalices, each with a narrow bowl on a knopped slender stem, the domed foot with incised bands, 18.7cm high. (2) £150-250 Provenance: Purchased by the current vendor from Peter Gould.

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33. A George I pewter broth bowl, with a lipped rim and a reeded body on a spreading foot, 9.8cm high, 14.5cm diameter. £200-300 Provenance: Purchased by the current vendor from Keith Hocken Antiques, Stow-on-the-Wold.

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34. A Charles II pewter tankard, the hinged lid with owner’s initials ‘W S’ over ‘C W’, with a crenellated lid and a ram’s horn thumbpiece, with maker’s mark to interior ‘L S’, 18.5cm high. £800-1,200 Provenance: Purchased by the current vendor from Peter Gould.

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35. A late 17th century wrigglework pewter plate, with a triple reeded edge the centre decorated with a tulip flanked by two lovebirds amidst foliage, with owner’s initials ‘A G’ over ‘M D’, with an unidentified touchmark to the base, 21.7cm diameter. £200-300 Provenance: Purchased by the current vendor from Peter Gould.

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36. A William and Mary style pewter candlestick, with a turned trumpet stem, 17cm high. £200-300 37. A George II lidded pint tankard, with a spout, the pierced foliate thumbpiece above a scroll handle, possibly paktong, 14.8cm high. £100-150 38. Two 19th century Dutch brass tobacco boxes, one engraved with the portraits of the Monarchs of seven European countries, the base with cityscapes of their capital cities, the other decorated with a horse inscribed with names and the dates ‘1816-1872’, 18th / 19th century, 11.4cm wide (max). (2) £150-200 39. An early 18th century brass teapot, of bullet shape with a lift-off cover, 13.5cm high, 21cm long. £100-150 40. A pair of Dutch brass ‘Heemskerk’ style candlesticks, each with a pierced nozzle above a dished drip-tray and a turned stem, probably 18th century, 17.5cm high.

(2) £300-500

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41. An 18th century brass tray, with a pierced gallery with a pair of handgrips, with scrolling leaf and flower decoration, 41cm diameter. £300-400

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42. A glazed terracotta pottery garden figure, possibly Mr Punch, 18th / 19th century, 63.5cm high, 21cm wide, 20cm deep. £200-300

43. A late 17th century Spanish carved wood and polychrome decorated group of the Madonna Lactans, with traces of gilt decoration, 45cm high. £500-800

44. A leather black jack, probably late 17th / early 18th century, 37.8cm high. £300-400 42

45. A small collection of steel and iron keys, including a 16th / 17th century example with traces of gilt, probably Venetian or German and nine other keys, 16th / 17th century and later, £200-300 16cm long (max). (10)

46. An 18th century copper barber’s bowl, with a brass suspension ring, previously plated, and an 18th century brass tankard inscribed ‘YE OLDE BULL TAVERN FULHAM’, together with a pair of brass wall sconces, 25.4cm high (max). £150-250 (4)

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47. A George III oak spoon rack, the fret carved back above twelve spoon apertures, with one treen spoon, the base with a hinged lidded compartment and a drawer, 69.6cm high, 35.3cm wide. £100-150

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48. Treen. A Victorian treen and bone mounted snuff shoe, with a lift-off lid, inlaid with brass and mother of pearl, with visible toenails, 12cm long. £150-200

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49. Treen. A 19th century ash hoof snuff box, with a hinged lid, with an iron horseshoe base, 12.1cm high. £100-150

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50. Treen. A pair of Victorian mahogany candlestands, each with an adjustable top on a baluster turned stem, 34.3cm high, 14.5cm wide. (2) £150-200 51. Two French iron spiral candlesticks, the stem of one stamped ‘NA & LM’, each on a fruitwood base, 18th / 19th century, 19.1cm high. (2) £200-300

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52. An early 18th century oak chip carved box, the hinged lid with heart and stylised flower designs, the sides and front with Catherine wheels and foliate designs, 15.5cm £400-600 high, 42.7cm wide, 22.7cm deep.

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53. Two 18th century chip carved boxes, decorated with stylised flower designs, the interior of one with a lidded till and with an 18th century engraving to the underside of the lid, the other with an open till, 11cm high, 31.9cm wide, 19.7cm deep (max). (2) £300-500

54. An early 18th century chestnut table candlestand, with a baluster and ring turned stem, on a scroll carved cruciform base, 43.5cm high, 23.2cm wide. £200-300

55. A pair of 17th century carved oak terms, one of a piper, the other of a drummer, 48.5cm high. (2) £150-250

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56. Treen. Three turned lignum vitae wool bowls, 12cm diameter (max). (3) £100-150

57. Treen. Three 19th century chogs, hardwood and lignum vitae, 9cm diameter (max). (3) £150-200

58. Treen. A 19th century fruitwood string box, the lift-off cover with a cutter above an octagonal body, 20.6cm high. £100-150

59. Treen. A 19th century turned lignum vitae string box, the screwoff lid with a cutter finial, 18.4cm high, 13cm diameter. £100-150

60. Treen. Three 19th century chogs, hardwood and lignum vitae, 10.5cm diameter (max). (3) £150-200

61. Treen. Three 19th century chogs, hardwood and lignum vitae, 11.5cm diameter (max). (3) £150-200

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62. An early 19th century coquilla nut urn and stand, with a screw-off lid with swags of fruit and flowers above coats of arms with animal supporters, the screw-off base above a plinth carved with the fox and the crane from Aesop’s Fables, 12.1cm high. £100-150 Provenance: From the collection of John Newall Esq.

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63. Treen. Three 19th century coquilla nut nutmeg graters, each with a screw-off lid revealing a steel grater, 7.4cm high (max). (3) £150-250

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64. Treen. Two 19th century turned beehive string boxes, 11cm high (max). (2) £200-300

65. Treen. A carved coquilla nut nutmeg grater, the screw-off acorn finial with a bone and steel grater with a compartment for nutmegs, the screw-off base also with a nutmeg compartment, late 18th / early 19th century, 15.2cm high. £400-600 65

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66. Treen. Four hardwood chogs or ship’s pulleys, 14.3cm wide (max). (4) £200-300 67. Treen. A 19th century lignum vitae fid, the top with reeded bands together with a smaller lignum fid and a hardwood example, 48cm long (max). (3) £150-250 68. Treen. A rare early 19th century paint muller, with a bloodstone base, 23.2cm long. £200-300 69. Treen. Three 19th century chogs, hardwood and lignum vitae, 10cm diameter (max). (3) £150-200 68 70. Treen. A sycamore bowl, the exterior with a hatched band, together with another turned bowl, 20.5cm diameter (max). (2) £100-150

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71. A William and Mary olivewood oyster veneered cabinet on stand, the moulded cornice above a pair of cushion drawers with a pair of doors enclosing an arrangement of ten drawers around a central cupboard door enclosing four further drawers, the later stand with a frieze drawer on spiral twist legs united by a shaped stretcher and bun feet, 163cm high, 117.5cm wide, 49cm deep. ÂŁ3,000-4,000

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72. A William and Mary style walnut side table, the rectangular top with a moulded edge above a frieze drawer on spiral twist legs united by an ‘X’ stretcher, 75.8cm high, 94.6cm wide, 65cm deep. £400-600

74. An early 18th century ebonised walnut and beech open armchair, with a scroll carved top rail above a cane back and seat £100-150 with a carved crest rail between the front legs.

73. An early 18th century and later walnut cabinet on stand, with a cushion drawer above two short drawers and a pair of panelled doors enclosing an arrangement of fourteen drawers, a pigeon hole compartment revealing a secret drawer and a central cupboard enclosing three drawers, the later stand with a drawer on spiral twist legs and pierced stretchers, 168.5cm high, 107cm wide, 53.4cm deep. £1,000-1,500

76 75. An early 18th century and later japanned cabinet on stand, the exterior decorated with chinoiserie scenes with figures on horseback with flowering trees, the top with a galleon with engraved brass mounts, the interior with an arrangement of ten drawers decorated with chinoiserie figures in various pursuits, with three secret drawers, the stand carved with scrolls and on paw feet, 121.9cm high, 89.4cm wide, 54.5cm deep. £400-600 76. A William and Mary walnut side table, the crossbanded top with a moulded edge, above a frieze drawer on spiral twist and baluster turned legs united by an ‘X’ stretcher, 71.7cm high, 93cm wide, 55cm deep. £400-600

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77. A George II walnut chest on chest, cross and feather banded with three short and three long burr veneered drawers flanked by fluted angles, the conforming base with a brushing slide and three long drawers, on bracket feet, 182cm high, 109.5cm wide, 56.3cm deep. £2,000-3,000

78. An early 18th century walnut side chair, the scroll and leaf carved crest above a cane back and a shell and scroll carved base, the bell shaped needlework drop-in seat, on leaf carved cabriole legs and hoof feet, with a flattened stretcher, possibly Irish. £300-500

79. A William and Mary style walnut side table, the top with a moulded edge and with a segmented panel, centered with a star above a frieze drawer on spiral twist legs, united by stretchers and on bun feet, 74.8cm high, 82cm wide, 61.5cm deep. £500-700

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80. A George II walnut bureau, in two halves, cross and feather banded, the stepped interior with pigeon holes, drawers and secret pilaster compartments flanking a cupboard above a sliding well cover, with two short and two long drawers, 98cm high, 93cm wide, 51cm deep. £400-600

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81. An early 18th century walnut chest, in two halves, of two short and three long graduated burr veneered drawers, on bracket feet, £400-600 100.7cm high 103.9cm wide, 57.2cm deep.

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82. An 18th century folding games board, the exterior with a chequer board inlaid with ebony and fruitwood squares, the interior with backgammon inlaid with green stained and natural bone, with a brass locking clasp, 69.4 x 57.6cm (open). £300-400 83. An early 18th century walnut table top bureau, with feather banding, the top and hinged fall quarter veneered, with a stepped interior with five drawers and pigeon holes above a serpentine front long drawer fitted with divisions, on turned feet, 26.3cm high, 45.5cm wide, 26.4cm deep. £400-600 84. A George II walnut table cabinet, inlaid with boxwood stringing, the fall-front revealing an ebony interior with ivory stringing and an arrangement of eight drawers, with a love poem inscribed in pencil behind the drawers, 21.8cm high, 27.4cm wide, 18.2cm deep. £400-600

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85. A George I giltwood and gesso side table in the manner of Richard Gumley, decorated with scrolling leaves and shells on a punched ground, the inner edge of the table with a branded mark with initials possibly ‘RG’, on leaf capped cabriole legs and scroll feet, in need of restoration, 77cm high, 79cm wide, 51.5cm deep. £500-700

86. A walnut card table, the swivel and hinged burr veneered top with cross and feather banding revealing a baize lined surface, counter-wells and candlestands, above a plain frieze on scroll and husk carved cabriole legs and pad feet, 18th century with later adaptations, 74.3cm high, 89cm wide, 45cm deep. £1,000-1,500

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A PRIVATE COLLECTION OF TEXTILES 87. A fine early 19th century Honiton lace collar, worked with raised and rolled work of ferns, oak leaves, acorns and forget-me-nots, with a silk ribbon to gather up as a Bertha collar, 117cm long, together with an unusual square edging in pont ground bobbin lace decorated with a grapevine and four various lengths of reticella style needle lace. (6) £100-200

87 88. A Limerick style needle-run lace stole, decorated with ivy and a basket of flowers, late 19th century, together with a needle-run apron and a good quality machine lace stole, 301cm long (max). (3) £100-200 89. An early 18th century Flemish bobbin lace flounce, decorated with flowers, foliage and figures, 340 x 47cm. £200-300 88

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90. Two 18th century childs’s quilted bonnets or caps, with embroidered floral decoration, 19cm wide (max). (2) £100-150

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91A

91. An early 18th century embroidered silver thread drawstring silk bag, decorated with scrolling leaves and flowers, the base with a circular panel with silver and gilt thread and spangles, together with an early 18th century embroidered silk pouch with tassels, 21.5cm high (max). (2) £200-300 91A. An 18th century embroidered silk on linen gentleman’s nightcap, 26cm high.

£300-500

92. A small early 19th century lady’s silk bodice, with piped decoration, a child’s underskirt with whitework decoration, together with assorted costume and machine and handmade lace. (A lot) £80-120 93.

Two 18th century child’s corsets / stays, 23cm high (max). (2)

£100-200

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94. A late 17th century silk and stumpwork picture, depicting Catherine of Braganza, within a laurel wreath frame with figures in landscapes, flowers and a lion and unicorn, set into a walnut and gilt glazed frame, 43.5 x 37.4cm. £400-600

95. An early 18th century needlework panel, depicting figures and animals with a house in the distance, 66.5 x 52.5 in a later glazed frame. £200-300 94

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96 pair

96. A pair of silkwork embroidered pictures mounted on paper, one of ribbon tied flowers and leaves, the other with a cornucopia issuing flowers, each in a glazed, gilt and ebonised carved frame, late 18th / early 19th century, 27.4 x 22cm, with a hand written paper label to the verso inscribed ‘The Property of Harriet Sophia Betty Payne.

Born at Uphill, Weston-super-Mare, Somersetshire, 1813. Married Michael Miller of Plush, Dorsetshire 1836. Died at Fordington, Dorchester, 1868. Buried at £80-120 Plush.’ (2)

97. A George III silkwork double picture, depicting a young lady spinning with her family, and then in tears with her beau about to depart to sea, 33.5 x 53.5, the verso with a Frost & Reed label, in a glazed ebonised wood frame. £100-150 Provenance: The Property of the Rt. Hon. Sir Mathew Thorpe.

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98. A George III silkwork embroidered landscape picture, depicting buildings beside a stream with trees and a flock of birds, in a gilt verre églomisé mount and a moulded gilt frame, 26.5 x 31.1cm. £80-120

99. A George III silkwork landscape picture, depicting a castle and a river in an oval frame with rolled paper scrolls and flowers, on a crushed iridescent ground, in a later glazed, gilt moulded frame, 30.5 x 33.8cm, together with a George III silkwork embroidered landscape picture of a mill house with trees and hills beyond, in a glazed, beaded, giltwood frame, the reverse with a paper label printed with ‘JOHN FISHER, Carver, Gilder & Picture Frame MANUFACTURER, 5 WEST NILE STREET, GLASGOW’, 20.3 x 28cm. (2) £100-150

100. An early 19th century needlework sampler by Ann Roberts, worked with a ship at anchor with trees and a house within a floral border, in a glazed Hogarth type frame, the verso inscribed in pen with a brief family history, 21.4 x 28.6cm. £80-120

101. A George IV needlework sampler by Matilda Richardson, worked with a religious verse, columns, butterflies, trees, an urn of flowers and animals, inscribed ‘Matilda Richardson born Novr 7 1813 finished this Work June 1822’, in a glazed mahogany frame, 41 x 49.8cm. £100-150

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A PRIVATE COLLECTION OF SAMPLERS 102. A George IV needlework sampler

by Mary Jane Cowell, worked with alphabets and numbers, signed and dated ‘1827’, in a later glazed frame, 27.6 x 22.8cm, together with a Victorian wool alphabet needlework sampler signed with initials ‘MES’, and dated ‘May 1868’, possibly Welsh, in a glazed, oak frame, 38.2 x 26.1cm. (2) £50-100

102 pair

103. An early Victorian needlework sampler by Julia Eliza Dudley, worked with a scrolling flower and leaf border with pairs of angels, a verse, urns of flowers and a house, dated ‘1845’, in a £80-120 later frame, 44 x 33.7cm.

103

104 104. A late Regency needlework sampler by Elizabeth Fooks, worked with leaves, flowers and husks with a verse titled ‘THE ETERNAL SABBATH’, above a border of coronets, signed and dated ‘APRIL 1819’, in a later glazed, gilt frame, 49.7 x 39.8cm. £100-150

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105. An early William IV needlework sampler by Elizabeth Manners aged 12 years, worked with alphabets, baskets of fruit with birds, a stag, a house and a verse, signed and dated ‘1830’, in a later glazed and gilt frame, 59 x 61.4cm £100-150 105

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106. A George III needlework darning sampler by Elizabeth Slack, worked with a central ribbon tied basket of flowers within a geometric border of crosses and other motifs, signed and dated ‘August 1791’, in a later glazed frame, 32 x 27cm. £100-150

107. A George III needlework darning sampler, worked with an outer band of scrolling leaves and flowers, the centre with an urn of flowers surrounded by a band of crosses, with a worn signature and date ‘Susanna ... 178..’, in a later glazed frame, 37.5 x 38.6cm. £150-250

108. A George III needlework sampler by Frances Jane Kiddle, worked with leaf and flower corners with insects, with an alphabet, a verse and a stag in a landscape, signed and dated ‘20TH JUNE 1803’, in a later glazed, bird’s eye maple frame, 49.1 x 41.5cm. £150-250

109. A Regency needlework sampler by Louisa Page aged 10 years, worked with urns of flowers, a bird in a tree, a religious verse above a house and further trees, signed and dated ‘1816’, in a later glazed frame, 43.8 x 33.1cm. £100-150

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110. A George III needlework sampler by Jean Wilson, worked with an alphabet, a verse, a house, Scottish thistles, birds, stags, urns of flowers and figures, dated ‘1810’, 48.5 x 50.4, in a later glazed frame. £100-150

111. A George III needlework sampler by Anna Maria Peeters, worked with alphabets, numbers with Catholic religious symbols ‘IHS’ and ‘INRI’ and a monstrance, together with urns of flowers, a peacock, a bell and a stag, signed and dated ‘1791’, in a later glazed frame, 33 x 38cm. £80-120

112. A George III needlework sampler by Margaret Dick, worked with an alphabet, a row of trees and birds, hearts, a country house with figures, animals and initials, signed and dated ‘1791, in a later glazed, bird’s eye maple frame, 39.5 x 38.5cm. £150-250

113. A George III needlework sampler by Elizabeth Denne aged 5 years, worked with a band of flowers, with a pair of angels, a basket of fruit, urns of flowers and a central verse titled ‘ON EDUCATION’, signed and dated ‘1798’, in a later glazed frame, the verso with remnants of original frame label for ‘JAMES BROUMTON’, 45.4 x 35.5cm. £100-150

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114. A set of early 19th century silk curtains, lined and interlined and decorated with ribbon tied swags of flowers, cornucopiae, pairs of love birds, urns and trophies of bows and arrows, comprising: five pelmets with applied brocaded tassels and five pairs of curtains with matching silk fringes, tiebacks of twisted golden silk cord and with some supplementary pieces, Jacquard either Spitalfields or French manufacture, the pelmets: 294-296cm wide, the curtains: 272 x 200-235cm. (A lot) ÂŁ600-800 Provenance: The Ballroom, Cricket House, Cricket St. Thomas, Chard, Somerset.

Purchased by the current vendor from Charles Angell Antiques, 34 Milsom Street, Bath, October 1964.

115. Two carved giltwood pelmets, with leaf flower and scroll decoration, 249.5cm and 230cm wide. (2)

ÂŁ300-400

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FURNITURE & WORKS OF ART

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116. A George II red walnut china cabinet, the moulded broken arch cornice above a pair of astragal glazed doors enclosing four adjustable shelves, the base with a pair of panelled deep drawers on ogee bracket feet, possibly Irish, 221.3cm high, 115.5cm wide, 50.5cm deep. £600-800

117

117. A George II mahogany architect’s table, the hinged crossbanded top with a moulded edge above a single drawer to the right side and two drawers to the left, one for pens and ink, on lappet carved cabriole legs and pad feet, 75.5cm high, 91.5cm wide, 54cm deep. £800-1,200

116 118. A pair of George II mahogany open armchairs, each with a solid vase shape splat with out-scrolling arms, above a drop-in seat on carved cabriole legs and pad feet. (2) £600-800

119

119. A George II mahogany drop-leaf dining table, the oval top on club legs and pad feet, 70.1cm high, 127.5 x 137cm (open). £300-500

118

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120. A George II walnut and giltwood wall mirror, the later rectangular plate within a moulded slip and a conforming outer border with rosettes, the broken arch pediment with a central leaf scroll cartouche, 116 x 65cm. £600-800

121

120 121. A George II walnut fret-frame wall mirror, the arched bevelled plate within a moulded gilt slip with a carved and gilt rocaille surmount, 93 x 53cm. £150-250 122. A George II mahogany highback corner armchair, with vase shaped splats, the arms with two holes above a drop-in seat on turned legs. £200-300 123. A George II walnut and giltwood overmantel mirror, the later bevelled glass plates within a moulded slip and a conforming outer border with carved flower garlands, 48.5 x 126.1cm. £600-800

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122

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124 detail

124

124. A small George III mahogany bachelor’s chest by George Speer, the brushing slide with a printed paper trade label, above four long drawers and later castors, 74.9cm high, 78cm wide, 45.9cm deep. £200-300 George Speer (1736-1802), was based at ‘The Seven Stars’ 2 Great Tower Street, London by 1761 and was a cabinet maker and undertaker. His first mention in the London directories isn’t until 1777. A small number of items have been recorded with his rococo trade label which he shared with his cousin John. See Anthony Coleridge, Apollo, October 1970, for an article on George Speer featuring a number of drawings. A mahogany bureau cabinet obtained by the V&A Museum in 1980 is believed to have been made by George Speer. See Christopher Gilbert, Pictorial Dictionary of Marked London Furniture, 1700-1840 pp. 435-439.

125

126

125. A George III mahogany Pembroke table, on turned legs united by a ring and baluster turned ‘X’ stretcher, on leather roller castors, 73.8cm high, 64.5cm wide, 60.8cm deep. £300-500 126. A George III mahogany card table, the fold-over top on unusual gate supports on fluted legs with leaf carved and beaded brackets, 74cm high, 91.5cm wide, 45ccm deep. £600-800 127. An early George III mahogany tripod table, the circular tilt-top with a piecrust edge, revolving on a birdcage, above a baluster turned £300-400 stem, 70.3cm high, 76.6cm wide.

127

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128. A George III wing armchair, upholstered with later damask fabric on chamfered mahogany legs united by an ‘H’ stretcher, the front legs on brass castors. £500-800

128 129. An early George III mahogany tripod table, the circular tilt-top with a piecrust edge, revolving on a birdcage on a turned and spiral ribbed stem and shell capped cabriole legs, 71.4cm high, 76cm wide. £400-600 130. A George III mahogany ‘Gainsborough’ armchair, the serpentine padded back above downswept arms and chamfered front legs united by an ‘H’ stretcher on roller castors. £400-600

130 131. A small George II red walnut tripod table / kettle stand, the circular fixed top with a serpentine moulded edge on an inverted baluster stem and pointed pad feet, 52.8cm high, 40.2cm wide. £150-200

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132. An early George III mahogany serpentine dressing-commode attributed to William Gomm, the crossbanded top with a floret carved edge above four long graduated drawers fitted with original brass swan neck handles, the top drawer with a leatherette lined slide which part hinges above compartments and divisions, the right side with a drawer, flanked by leaf, flower and scroll carved angles on a sanded ground, the bracket feet and aprons carved with scrolling leaves and rocaille on brass castor, 82.5cm high, 117.5cm wide, 64cm deep. £15,000-20,000 Provenance: The collection of John Shaffer Phipps (1874-1958), New York and thence by descent to the present owner William Gomm established a cabinet making and upholstery workshop at Peterborough Court, in the parish of St. Bartholomew, Smithfield c.1725. By 1756 Richard William’s son was working for the business and in 1763 the company was titled William Gomm & Son & Co. William Gomm is chiefly remembered for his association with Abraham Roentgen having given the famous German cabinet maker a work experience placement during his time in London in the 1730s. His major commission was to furnish Stoneleigh Park, Warwickshire for the 5th Lord Leigh in 1763, where he worked with the decorators Bromwich & Leigh and produced at least six serpentine dressing commode tables similar to the above lot.

See Geoffrey Beard and Christopher Gilbert, Dictionary of English Furniture Makers 1660-1840, pp. 115 and 349-350 for a discussion of William Gomm also Sotheby’s, New York, Property from the Hascoe Family Collection, 23rd January 2011, Lot 231 for a similar commode.

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133. A George III mahogany two seater sofa, with a serpentine padded back above floret and husk carved arms, on moulded front legs united by stretchers, previously on castors, 102.8cm high, 118.5cm wide, 75.5cm deep. £500-800

134. A George III mahogany corner pedestal cupboard, the hinged door with outline mouldings and turned rondels, revealing two shelves, 83cm high, 48.5cm wide, 47cm deep. £100-150

134

135. A George III mahogany pedestal cupboard, the hinged top revealing a vacant interior above a fluted frieze and a panelled door enclosing three adjustable shelves, 120cm high, 59cm wide, 58.5cm deep. £300-500

135

136. A George III mahogany side chair, the serpentine top rail with leaf carved scroll ears above a pierced and leaf carved splat, with scrolls and rocaille above a drop-in seat on carved cabriole legs and claw and ball front feet. £100-150

137. George III mahogany open armchair, with a shield shape back with wheat sheaf splats above a stuffed-over seat on square tapering legs, together with another mahogany open armchair with an open back. (2) £200-300

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136

137

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138. A George III and later mahogany four pillar dining table, with a pair of ‘D’ ends and a pair of central sections with two additional leaves on turned gun barrel stems with moulded splay legs terminating in brass caps and castors, 72cm high, 121cm wide, 448cm long (extended). £2,000-3,000

139. A set of eleven George III mahogany dining chairs, each with a moulded back with four vertical splats above a stuffed-over seat on moulded front legs united by an ‘H’ stretcher, comprising: a pair of open armchairs and nine side chairs, together with a pair of similar dining chairs upholstered in the same fabric. (13) £1,500-2,500

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140. A George III and later mahogany dining table, comprising: a pair of ‘D’ ends and a central section with two additional leaves on fluted tapering legs and spade feet, 71.5cm high, 137.5cm wide, 360cm long (extended). £2,000-3,000

141. A George III mahogany tray-top bedside commode, with brass side carrying handles, with a pair of cupboard doors above a converted pull-out base, 77.5cm high, 50.5cm wide, 45.5cm deep. £300-500 142. A George III mahogany tray-top bedside commode, the gallery pierced with three handgrips above a cupboard and a pull-out base with a turned lid and a ceramic pot, 81.2cm high, 54.4cm wide, 49cm deep. £200-300 143. A pair of George III mahogany sidechairs, each with a moulded shield shaped back, splats carved with sheaves of wheat, the stuffedover seat on square tapering legs and spade feet. (2) £200-300

141

144. A pair of 19th century mahogany open armchairs, each with a pierced serpentine ladder back, above a pair of out-scrolling arms, with a stuffed-over seat on stretchered supports. (2) £150-200

143

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142

144

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145. A small George III mahogany bowfront sideboard, inlaid with boxwood stringing and kingwood banding, with a central frieze drawer, a deep cellaret drawer to the right and two further drawers to the left, on tapering legs and spade feet, 89.4cm high, 137.2cm wide, 66.4cm deep. £800-1,200 146. A George III tray-top bedside cupboard, the pierced gallery with three handgrips above a hinged fallfront door on moulded legs and leather roller castors, 75.8cm high, 50.7cm wide, 38cm deep. £300-500 147. An early George III mahogany tripod table, the circular tilt-top with a balustraded gallery, above a fluted stem and leaf and flower carved legs terminating in stylised claw and ball feet, 70.7cm high, 67.5cm diameter. £500-700 148. A George III and later mahogany serpentine commode, the moulded edged top above a baize lined brushing slide and four graduated drawers, on ogee bracket feet, 80.3cm high, 90cm wide, 55cm deep. £2,000-3,000 146 147

148

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149. A wing armchair in George II style, with later floral upholstery on carved mahogany front legs and claw and ball feet, the back legs with brass castors. £500-700

150. A George III mahogany bowfront Pembroke table, the oval drop-leaf top above a frieze drawer, on brass roller castors, 70.7cm high, 77.2 x 111.5cm (open). £100-150

149

151

151. A George III mahogany oval stool, the drop-in seat covered in Bargello type fabric, 46.8cm high, 58cm wide, 45cm deep. £100-150

152. A Regency mahogany supper table, the drop-flap top above an end frieze drawer on a turned stem and splay legs with brass castors, 74.3cm high, 91 x 100.7cm (open). £150-250 153. An early 19th century mahogany twin pedestal desk, the top inset with tooled green leather above three frieze drawers and a pair of cupboard doors with oval panels, each enclosing three slides, 794cm high, 133cm wide, 66.1cm deep. £400-600

152

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153

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154. An early George III Irish giltwood pier mirror, the later rectangular plate flanked by cluster columns and carved ‘C’ scrolls with floral garlands, with a basket of flowers surmount above a later cartouche carved with a Pegasus crest flanked by a pair of ho-ho birds, 157.5 x 102cm. £8,000-12,000 Provenance: Purchased from William Mullins Ltd., Cashel, Co. Tipperary, Ireland, 2nd July 1960 for £350.

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155. A George II Irish mahogany card table, the fold-over top with protruding corners revealing a baize lined surface with candlestands and counter-wells, the frieze with an applied carved shell and two florets on leaf capped cabriole legs and paw feet, 73.5cm high, 93cm wide, 47cm deep. £2,000-3,000

155

156. An unusual George II Irish walnut and fruitwood dressing table, with gilt brass mounts in the manner of John Channon, the top with a hinged drop-leaf above two drawers and a false front on turned legs with shell, flower, husk and scroll mounts, 68.4cm high, 69.5cm wide, 65.4cm deep (open). £500-700

156

157. A George II Irish mahogany blanket chest on stand, with pierced brass mounts and strapwork hinges with a vacant interior, the stand with an applied carved shell on leaf capped cabriole legs and hairy paw feet, with side carrying handles, 90cm high, 127cm wide, 64.5cm deep. £600-800

157

158. A pair of George III Irish mahogany side chairs, each with a moulded top rail above a pierced splat and a needlework seat, together with a mahogany side chair with a pierced ladder back. (3) £100-200 158

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159.

A rare George III Irish upright square piano or Camerachord by William Southwell of Dublin, the mahogany case with satinwood banding, the top with a Gothic fretwork gallery flanking a painted tablet with a cypher with a worn inscription and the number ‘22’ above a geometric parquetry band and a hinged panel painted with musical trophies within a sunburst frame and an outer border of grapevines, peacock feathers and ribbon tied instruments, flanked by a pair of oval silk pleated panels, the base with two hinged compartments, one revealing the five and a half octave keyboard with ivory naturals and ebony accidentals with one pedal, the conforming stand on square tapering legs with an undertier and brass castors, 141.7cm high, 157cm wide, 46.5cm deep. £3,000-5,000 William Southwell (1736/7-1825) was an Anglo-Irish inventor and musical instrument maker whom made in particular very fine pianos for the nobility and the wealthy elite. He is most well known for the production of a demi-lune piano which when closed appeared as a very fashionable Adam style pier table. The above example is a rare upright square pianoforte, the design for this piano was patented in 1798. It is number ‘22’ so this points it to being an early example made between 1798 and 1800. Only a small number of these pianos are known to exist, there is an example in the National Museum, Dublin and Ireland and there was one in the Finchcocks Musical Museum in Kent which closed in December 2015.

Our thanks to Margaret Debenham for help in researching this lot.

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160

161

160. An Irish walnut open armchair in 18th century style, the serpentine top rail centered a shell above a solid splat and a drop-in bell shaped seat, on cabriole front legs and a flat stretcher. £200-300 161. An Irish mahogany wake or hunt table, the oval drop-leaf top on moulded square section legs, George III and later, 73.4cm high, 245.5 x 140.5cm (open). £600-1,000 162. A George III Irish mahogany and satinwood banded secretaire bookcase, with a pair of lancet astragal glazed doors, inlaid with stringing and kingwood banding, above a conforming base, the drawer fitted with a leatherette writing surface with an arrangement of pigeon holes and satinwood veneered drawers, on square tapering legs and spade feet, 194.5cm high, 93.4cm wide, 48.4cm deep. £800-1,200 Provenance: Cappoquin Co. Waterford, 2012, Slane Castle.

163. A set of six George III Irish mahogany dining chairs, each with a pierced Gothic splat above a needlework drop-in seat on chamfered legs united by an ‘H’ stretcher, comprising: an open armchair and five side chairs. (6) £500-700 162

164. A George II walnut stool, the needlework upholstered seat above a serpentine edge frieze on cabriole legs united by a flat ‘X’ stretcher, possibly Irish, 39cm high, 65.5cm wide, 45cm deep. £400-600

164

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165. A George III mahogany serpentine chest, the moulded edge top above a lined brushing slide and four long graduated drawers, the top drawer previously with divisions, 102.5cm high, 104.5cm wide, 53cm deep. £800-1,200

165

166. A George III mahogany side table, inlaid with stringing, the crossbanded top above twin frieze drawers on square tapering legs, the back with a trade label for ‘Norman Adams, 78cm high, 76.7cm wide, 45.5cm deep. £100-150

166

167. A pair of George III painted side chairs, the rectangular back painted with beads, with triple vertical splats decorated with leaves above a stuffed-over seat and stretchered tapering legs. (2) £200-300

167

168. An early 19th century mahogany buffet, with a three quarter gallery above a frieze drawer on turned column supports above four short drawers, the lower two recessed, all with gilt brass lion’s mask ring handles, 86cm high, 94.5cm wide, 48.3cm deep. £200-300

168

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169.

A near pair of mahogany and rosewood open waterfall bookcases, each with five shelves above three drawers, one a deep drawer with a false front, 19th century but possibly later adapted, 113.6cm high, 61.5cm wide, 20.5cm deep (max). (2) £400-600

170

169

170. A mahogany tripod table in George III style, with a fixed top above a carved base on claw and ball feet, late 19th / early 20th century, 53.8cm high, 45.5cm wide. £100-150 171. A George III style mahogany corner armchair, the twin pierced splats carved with urns of flowers above a drop-in seat on cabriole legs. £200-300 172. A George III fruitwood and mahogany open armchair, with a pierced splat back together with a George III side chair and a pair of mahogany side chairs in £100-200 Chippendale style. (4) 173. A George III mahogany chest, the crossbanded top inlaid with stringing above two short and three long graduated drawers, with original brass handles, 99.7cm high, 111cm wide, 55.2cm deep. £600-800 171

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172

173

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174. A George III mahogany serpentine card table, the crossbanded top inlaid with stringing, revealing a baize lined surface on twin gate supports, with stop fluted tapering legs headed by carved anthemion panels, 73cm high, 91.5cm wide, 45cm deep. £600-800

174

175

175. A Regency mahogany writing table, the hinged top on a ratchet inlaid with ebonised stringing, inset with a plush surface with pull-out slides to either side above a frieze drawer and a shallow drawer, 75.7cm high, 52cm wide, 41cm deep. £300-500 176. An early 19th century mahogany child’s high chair, with a leaf carved horizontal splat above a drop-in needlework seat, the stand on turned legs, 94.7cm high, 39.5cm wide, 45.2.cm deep. £100-200 177. A Regency mahogany chest, the top with a moulded edge above four long graduated drawers fitted with oval gilt brass handles, on French bracket feet, 93cm high, 92cm wide, 51cm deep. £600-800 178. A pair of George IV mahogany side chairs, each with a curved top rail above a carved splat with a pair of mythical beasts supporting a flower above a drop-in seat on fluted tapering legs,together with a pair of George III mahogany side chairs with leaf carved and rocaille decoration with a pierced splat, above a needlework seat and a continental walnut side chair with a moulded scroll leaf and flower rococo style back. (5) £200-300

177

176

178

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CLOCKS & BAROMETERS

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179. An Empire ormolu mantel clock by L. Mallet, the eight day movement with an outside countwheel, striking on a bell, the case surmounted with a classical mother with her child, the base with palmettes, laurel leaves and with a central scene of a mother and child, the white enamel dial with Roman numerals inscribed ‘L. Mallet’ and ‘H. DE M.D. D’ORLEANS’ and ‘N.957’, 37cm high, 25.5cm wide, £500-700 under a glass dome. (2)

180. A late 19th century French gilt brass and champlevé enamel four glass mantel clock, the eight day movement striking on a gong, the backplate stamped ‘A1 MADE IN FRANCE’ and numbered ‘3427 4.11’, the enamel dial painted with swags of flowers and with Roman and Arabic numerals, with worn inscription, the gilt bezel with paste gemstones, the case with an urn finial and turned columns and with a mercury pendulum, 42cm high, 22cm wide, 13.5cm deep. £800-1,200

181. A late 19th century French ormolu and porcelain mounted mantel clock, the eight day movement striking on a bell by ‘Japy Freres’ with ‘GRANDE MEDAILLE d’HONNEUR’ mark and numbered ‘2156’, the enamel dial with Roman numerals, in a Louis XVI style case with ribbon tied flowers and painted panels of classical landscapes and an amorous couple, 35cm high, 23.7cm wide. £150-250

182. A late 19th century French marble four glass mantel clock, with a twin train movement, striking on a bell, stamped ‘AD MOUGIN’ and numbered ‘110287, 4 8’, with a mercury pendulum, the painted enamel dial with Arabic numerals and signed ‘RICHOND, 11 BARD MONMARTRE, PARIS’, with a moulded bezel, the breche marble case with ormolu mounts in Louis XVI style, 35.8cm high. £500-800

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183.

A late 19th century French tortoiseshell and brass mounted mantel clock, the eight day movement striking on a gong, the backplate with a silver medal stamp and numbers ‘319544’, with a white enamel dial with Roman and Arabic numerals inscribed ‘PAGE, KEEN & PAGE PLYMOUTH’, the case with a Cupid finial and decorated with eagles, swags of flowers and leaf scrolls, 39.8cm high, 19cm wide, 13.7cm deep. £300-500 184. A kingwood and marquetry mantel clock in Louis XV style, with a German eight day movement, the gilt brass and white enamel dial with Roman numerals, the case decorated with scrolls, leaves and a central male mask, 20th century, 56.5cm high, 28.7cm wide, 13.4cm deep. £200-300 183

185. A late 19th century French mantel clock in Louis XVI style, in the form of a globe with Arabic numerals and arrow hands, surmounted by a model of Cupid and supported by two cherubs, on a white marble £300-400 base, 31.3cm high, 18cm wide.

184

186. A late 19th century French ormolu mantel clock, the eight day movement with an outside countwheel striking on a bell, the backplate numbered ‘518’, with a medal of honour mark, the white enamel dial with Roman and Arabic numerals in a Louis XV style case with a putto surmount above ram’s heads, garlands of flowers and war trophies, 47cm high, 36.5cm wide, 19.6cm deep. £200-300

185

187. A late 19th century German burr walnut chiming mantel clock, the eight day three train movement striking on five gongs, with pull repeat, the backplate stamped ‘LENZKIRCH AGU, NO 1 MILLION’, with a silvered dial and chapter ring with Roman and Arabic numerals and subsidiary slow / fast and chime / silent dials, in an architectural case with fish scale gilt brass panelled sides, 45cm high, 33.8cm wide, 24cm deep. £500-700

186

188. A German oak chiming mantel clock, the eight day movement by Winter Halder and Hofmeier quarter striking on two gongs,the backplate stamped ‘W & H, Sch 3’, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals with a subsidiary slow / fast dial and foliate spandrels, in a gilt brass mounted case on paw feet and with side carrying handles, late 19th / early 20th century, 48.7cm high, 29.8cm wide, £300-500 22.8cm deep.

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187

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189. A late 19th century patinated bronze and porcelain chinoiserie clock garniture, the eight day movement striking on a bell, the backplate stamped ‘R & C PARIS & LONDON 1533’, for Richard & Cie, the rectangular dial painted with Roman numerals and with figures and butterflies and inscribed ‘MONK BROTHERS’, the case with an urn surmount and elephant head masks and painted with figures, the conforming vases painted with landscapes, 40.5cm high, 27.7cm wide, 13cm deep. (3) £500-700 A large late 19th century French brass and tortoiseshell 190. boulle marquetry mantel clock, the eight day movement with an outside countwheel striking on a gong, the backplate stamped ‘59487’, the gilt brass dial with enamel Roman numerals, the case with a putto surmount and decorated with ormolu rococo style mounts, 76cm high, 38.3cm wide, 17cm deep, together with a matching bracket. (2) £600-1,000

189

190

191 191. A French brass and tortoiseshell boulle marquetry mantel clock, with an associated English eight day, three train musical movement, striking on nine bells and a gong with a 9.5cm pinned cylinder, the engraved backplate signed ‘J. Elliott, LONDON’, the gilt brass and white enamel dial with Roman numerals, with strike / silent, the gilt brass and ebonised case, with a rising top and with figural mounts including: a chariot drawn by two horses, on a stand, 82cm high, 61cm wide, 26cm deep. £1,000-1,500 192. A late 19th century ormolu clock garniture, the eight day movement striking on a bell, the backplate signed with initials ‘H F’ and ‘Cie Paris’, stamped ‘128’, with a blue enamel dial with Roman numerals engraved with a coronet and a cypher ‘DSD’, and ‘LONDON & RYDER 17 NEW BOND STREET’, the tear drop shape Gothic style skeleton case applied with blue enamel and gilt cabouchons, 44cm high, 27cm wide, together with a pair of matching three light candelabra. (3) £500-700 192

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193 194

193. A French brass and tortoiseshell boulle marquetry clock bracket, 23cm high, 34.8cm wide. £150-200 194. A French Siena marble mantel clock, with an eight day movement, the backplate stamped ‘CHEVRON 8 JOURS, 23229’, with a circular Limoges enamel dial in rococo style with an amorous couple, signed ‘RICHAY’ within a silvered chapter ring with Roman numerals, with case with applied ram’s head urns, early 20th century, 29cm high. £500-700 195. A late 19th century Vienna regulator wall clock, the eight day movement striking on a gong, the backplate stamped ‘1000000 5948’, with a white enamel dial with Roman numerals and a subsidiary seconds dial, in an architectural and part ebonised and burr walnut case, 126cm high, 43cm wide. £150-250 196. A late 19th century French tortoiseshell and brass boulle marquetry mantel clock, the eight day movement striking on a gong, the backplate numbered ‘42352’ with a medal of honour stamp, the gilt brass dial with enamel, Roman numerals in a gilt brass mounted case decorated with a female mask and a basket of flower finial, 37.2cm high, 20cm wide, 11cm deep. £400-600 197. A late 19th century French black slate mantel clock, the eight day movement striking on a bell by Jean-Baptiste Delettrez, stamped ‘JBD’ and numbered ‘29236 14’, with a gilt brass dial with Roman numerals and worn retailers name and with an unusual hand adjuster below 6 o’clock, in an architectural case, 24.7cm high, 27.5cm wide, 14cm deep. £150-250

195

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198. A late 19th century French brass and tortoiseshell boulle marquetry mantel clock, the eight day movement with an outside countwheel striking on a bell, stamped ‘LEROY A PARIS’, the gilt brass dial with enamel Roman numerals, the case with a putto surmount and applied with scrolling leaves, 45.5cm high, 23cm wide, 13.5cm deep, together with a matching bracket. (2) £600-800

197

198

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199. A late 19th century French gilt brass and enamel repeating carriage clock with alarm by Le Roy & Fils, the platform lever escapement striking on a gong, the backplate stamped ‘97’, the painted enamel dial decorated with cherubs in a river landscape with love birds, the two dials with Arabic numerals, inscribed ‘Le Roy & Fils, 35 AVENUE DEL’OPERA, PARIS’, the sides painted with scantily clad classical maidens, in a guilloche decorated case with spiral twist columns, 15.3cm high, 10cm wide. £1,500-2,000

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200. A late 19th century French gilt brass grand sonnerie carriage clock by Henri Jacot, with repeat, the platform lever escapement striking on two gongs, the backplate with Jacot’s parrot stamp and numbers ‘7623’, the base with selector lever for ‘Full Striking, Silent, Quarters’, the white enamel dial with Roman and Arabic numerals with an engine turned surround engraved with gilt leaves, in an architectural case, 17.5cm high, with its leather travelling case. (2) £1,000-1,500

200 201. A late 19th century French gilt brass repeating carriage clock, the platform lever escapement striking on a gong, engraved ‘N. 72899’, with initials ‘GV’, the white enamel dial with Roman and Arabic numerals and a worn retailers mark, in a gorge case, 13cm high, together with its leather travelling case. (2) £400-600 201

202. A gilt brass skeleton clock, the eight day twin train fusée movement striking on a bell with a silvered chapter ring with Roman numerals, the Gothic style case on upturned Corinthian capitals, on a gilt plinth and under a glass dome, 44cm high, 34cm wide, 24.7cm deep. £300-400 (2) 203. A mahogany dial wall clock, the single fusée movement with a painted dial with Roman numerals within a brass bezel and a moulded case, 33cm diameter. £150-250

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202

203

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204. A mahogany quarter repeating verge bracket clock, the five ringed pillar movement with a knife edge verge, with a floral engraved backplate, the full quarter repeat on two bells, the brass dial with mock pendulum and date aperture in the matted centre, with mask and scroll spandrels, the arch with a silvered boss signed ‘Robert Smith, London’, in an inverted bell top case with brass handle and £1,500-2,500 block feet, 46cm high.

205. A 19th century mahogany chiming bracket clock, the eight day three train movement striking on eight bells and a gong, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals with cast foliate spandrels and three subsidiary dials, chime / silent, slow / fast, chime on eight bells / Cambridge Bells, the bell top case above a ripple moulding with gilt brass mounts and cast foliate paw feet, with side carrying handles, 62cm high, 37.8cm wide, 25cm deep. £600-800

206. A late Victorian mahogany chiming mantel clock, the eight day three train movement striking on eight bells and five gongs, the arched dial with a silvered chapter ring with Roman and Arabic numerals and inscribed with the retailers name ‘WEST & SON DUBLIN’, with gilt cast foliate spandrels and three subsidiary dials for chime / silent, slow / fast, chime on eight bells / Westminster on gongs, in an architectural case with gilt brass pineapple finials and Corinthian capital columns, 49.2cm high, 42cm wide, 29.7cm deep. £600-800

204

207.

An early 19th century rosewood mantel clock, the eight day single fusée movement with an anchor escapement, the silvered dial with Roman numerals and inscribed ‘Birch Fenchurch St., London’, in a pagoda shaped case, 25.8cm high, 15cm wide, 11.6cm deep. £400-600

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208. An oak longcase clock by William Wilkins of Devizes, the thirty hour turned and posted frame movement with an anchor escapement and striking on a bell, with a brass dial, the chapter ring with Roman numerals and signed ‘W Wilkins Devizes’, with cast spandrels and matted centre with single hand and alarm dial, the bell top hood with a fabric backed pierced fret frieze and brass finials, the base later and reduced, 227cm high. £500-700

209. An 18th century oak longcase clock

by Richard Comber of Lewes, the thirty hour birdcage movement with an anchor escapement striking on a bell, the brass dial with a silvered chapter ring with Roman and Arabic numerals, the centre signed ‘Rich Comber Lewes’, with date aperture and cast foliate spandrels, the hood with turned columns with giltwood capitals above a shaped waist door, 208.4cm high. £500-700

William Wilkins (c.1693-1776) of St. Johns, Devizes, Clock and Watchmaker.

Richard Comber born 1742, died 1824.

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210. An oak longcase clock, the eight day four pillar movement with an anchor escapement and striking on a bell with a silvered chapter ring with Roman and Arabic numerals, signed ‘Wm Speakman in Old Street’, with cast cherub and crown spandrels, a subsidiary alarm, dial and date aperture, the hood with a rising top and fluted columns above a waist door applied with a bone day dial, 219.4cm high. £800-1,200 William Speakman was apprenticed to Peter Closon and was made Master of the Clockmaker’s Company in 1701.

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211. A George III mahogany longcase clock by Thomas Hall of Romsey, the eight day four pillar movement with an anchor escapement striking on a bell, the arched dial with a silvered chapter ring with Roman and Arabic numerals, with cast brass spandrels, strike / silent dial and date aperture, the arch inscribed ‘THOMAS HALL RUMSEY’, above a moon phase, the hood with blind fret carving and giltwood finials, 237cm high. £600-800

212. A George III mahogany longcase clock

by Thomas Read of Manchester, the eight day four pillar movement with an anchor escapement and striking on a bell, the painted enamel arched dial decorated with figures and four season spandrels, the centre with a shepherd and a young lady, with subsidiary seconds and date dials, signed ‘Thos Read MANCHESTER’, the arch with a moon phase, the hood with a broken swan neck pediment, the case inlaid with stringing and marquetry with urns of flowers, scrolling leaves and oval paterae with a lancet arch door on bracket feet, 242cm high. £800-1,200

213. A walnut grandmother clock in 18th century style, the eight day three train movement striking on eight gongs with an engraved brass dial and silvered chapter ring with Roman and Arabic numerals, with a rondel inscribed ‘Tempus Fugit’, flanked by brass mounted pilasters, the sides with fretwork panels and on bracket feet, early 20th century, 185cm high. £300-400

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214. A George III mahogany longcase clock by Guy of Shaftesbury, the eight day four pillar movement with an anchor escapement and striking on a bell, the silvered arched dial with engraved scrolls and swags, Roman numerals and signed ‘GUY Shaftesbury’, with subsidiary seconds dial and date aperture, with a moon phase and inscribed ‘THE MOONS AGE’, the case inlaid with stringing and with brass mounted fluted columns, 212.3cm long. £800-1,200

215. A George III mahogany musical automaton longcase clock by Joseph Miles of Shaftesbury, the eight day five pillar three train movement with an anchor escapement and striking on a bell and playing six tunes from a 9cm pinned cylinder on a graduated set of eight bells, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals, the engraved centre with a castle and a boat, signed ‘Joseph Miles, SHASTON’, with subsidiary seconds dial, with rococo cast spandrels and with subsidiary date and tune dials, the arched top with a painted automaton rondel with chickens and a flying bird, the hood with a pagoda top and brass finials, with blind fret panels, the case with stop fluted quarter pilasters, with a panelled base and bracket feet, 265cm high. £1,500-2,500

214

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216. A fine George III mahogany musical automaton longcase clock by Samuel Smith of London, the eight day, six pillar three train movement with an anchor escapement and striking on a bell and playing six tunes from a 9.5cm pinned cylinder on a graduated set of eight bells, the arched brass dial with a silvered chapter ring with Roman and Arabic numerals, the matted centre signed ‘Samuel Smith LONDON’, with subsidiary seconds dial and date aperture, with foliate cast spandrels and strike / silent and chime dials, the arch painted with a Georgian interior with figures playing instruments with a lady at a harpsichord, inscribed ‘FAL LA LA, HOME SWEET HOME, MARCH IN ROB ROY, BLUE BELLS OF SCOTLAND, MARINERS HYMN, 104th PSALM’, the hood with fluted pilasters and glass side panels, the case with outline mouldings on bracket feet, 230.2cm high. £4,000-6,000

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217. A George III bronze sundial, with a pierced gnomon, detached, with an engraved circular dial with Roman numerals, signed indistinctly ‘Jno Feny London fecit’ and dated ‘1786’, 19.6cm diameter. £100-150

218. A George III bronze circular sundial by Heath & Wing, with a replaced pierced gnomon, above an engraved dial with Roman numerals and signed ‘Heath & Wing London’, 30cm diameter. £300-400 Thomas Heath and Tycho Wing, were working between 1751 and 1773 based in the Strand, London.

219. A bronze sundial, with a solid gnomon and with an engraved dial,16.3cm high, 16cm square. £100-150

219

220.

A late 19th century Swiss rosewood and ebonised musical box, the 15.4cm brass cylinder playing eight airs with three bells, with a printed and handwritten tunesheet, the hinged lid with floral marquetry, 20.4cm high, 35.8cm wide, 24.7cm deep. £150-200 221. An oak barograph by Short & Mason, the eight aneroid movement flanking a recording drum with maker’s plaque inscribed ‘SHORT & MASON, LONDON’, the glazed case with fluted columns, the base with a divided drawer containing charts, 23cm high, 38cm wide, 23cm deep. £200-300

221

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222.

A Victorian walnut stick barometer by Negretti & Zambra, with twin ivory dials, signed ‘NEGRETTI & ZAMBRA Inst Makers To The Queen London’, 10 A.M. Yesterday’ and ‘10 AM ToDay’ with vernier scales, the case carved with a leaf and scroll capital with ivory adjusters and a thermometer, 99cm high. £400-600

223.

A Victorian oak Admiral Fitzroy storm barometer by Negretti & Zambra, with twin ceramic dials inscribed ‘NEGRETTI & ZAMBRA INSTRUMENT MAKERS TO HER MAJESTY HOLBORN VIADUCT E.C.122 REGENT ST. W. & 45 CORNHILL E.C. LONDON’, for ‘10 A.M YESTERDAY’ and ‘10 A.M. TODAY’, and patent ‘No. 2347’, with ivory vernier scales, the case with brass adjusters and a thermometer, 104cm high. £400-600

224.

A George III mahogany stick barometer by Cary, the silvered arch dial inscribed ‘Cary London’, with a brass vernier scale, the moulded case with an ivory adjuster, the base with an ebonised urn cistern cover, 95cm high. £500-800

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CONTINENTAL FURNITURE & LIGHTING

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225 top 225

227 226

225. A Dutch walnut and marquetry centre table, the detachable chevron banded top inlaid with a central urn of flowers with birds and angels within an outer floral and shell band, the conforming base with a frieze drawer on scroll legs united by an ‘X’ stretcher, late 18th / early 19th century, 70.8cm high, 107.3cm wide, 81cm deep. £1,000-1,500 226. A Louis XVI tulipwood encoignure, with a grey marble top, above a door enclosing two shelves,90.5cm high, 61.7cm wide, 39cm deep. £200-300 227. A late 18th century South African Cape Dutch yellow and stinkwood centre table, the serpentine panelled top above a ‘C’ scroll frieze on cabriole legs and pad feet, 70.5cm high, 90.5cm wide, 62.2cm deep. £800-1,200 228. A 19th century Dutch walnut teesthof, inlaid with boxwood stringing with a brass £150-250 swing handle and lift-out liner, 44.6cm high, 37.3cm diameter.

228

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229. A late 18th century Aubusson needlework panel, with a central floral spray within a laurel and floral swag border, 54 x 159.3cm, in a later gilt frame, 66.6 x 172cm (including frame). £200-300

230. A large Aubusson style woven carpet in Louis XVI style, decorated with a central medallion of flowers, with foliate borders and corner trophies, 421 x 610cm. £800-1,200 Provenance: Purchased by the current vendor from Stark, New York, c.1996.

231. A Louis XV beadwork altar frontal, embroidered on an ivory satin ground with tubular beads in white and yellow with seed pearls and brilliants, the centre with the monogram of Mademoiselle Louise, the daughter to Louis XV, surmounted buy a coronet and flanked by floral sprays, in a later glazed and gilt frame, 158.8 x 97.3cm. £300-500 Provenance: By repute this panel was worked by the Ladies in Waiting of Mademoiselle Louise, who took it to the Carmel of St. Denis in 1769. When the Convent was disbanded during the French Revolution on of the nuns, Sister Mary Charlotte, brought it to England.

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232. Circle of Jean-Baptiste Leprince A family fishing by a tower in a landscape Oil on canvas 130 x 91cm ÂŁ3,000-5,000 Provenance: The collection of the banker F. A. Konig (1867-1940) of Tyringham House, Buckinghamshire and thence by descent to the present owner.

233. A Louis XVI giltwood console table, with a guilloche frieze above a carved ribbon-tied flower and leaf swag on fluted tapering legs, united by a stretcher with a carved urn and floral swag, lacking its marble top, 83.8cm high, 77cm wide, 34cm deep. ÂŁ600-800 Provenance: The collection of the banker F. A. Konig (1867-1940) of Tyringham House, Buckinghamshire and thence by descent to the present owner.

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234

235 234. A Dutch gilt brass wall mirror, with a rectangular bevelled plate flanked by marginal plates within a leaf moulded frame and a scroll and shell surmount, late 19th century, 58 x 32.3cm. £80-120 235. A Napoleon III ebonised and pietra dura meuble à hauteur d’appui, with ormolu mounts, the black marble detachable top above a door with a ribbon tied floral wreath decorated with branches of fruit: pears, cherries and apples, with conforming spandrels, enclosing two shelves and £600-800 flanked by caryatid figures on plinths, 133.3cm high, 104cm wide, 44.3cm deep.

236. A bronze and marble console table in Regency style, the fixed top above four lion monopodia, 84.5cm high, 60.9cm wide, 30.6cm deep. £600-800

236

237. An early 20th century French cast iron card stand, in the form of a waiter carrying brass trays, with elongated legs on a triangular base, the underside stamped ‘16344 Depose’ and with a circular foundry stamp inscribed ‘CARPE DIEM’, with a square and compass, 89cm high, 29.3cm wide. £200-300 238. A painted window seat in 18th century style, the pierced scroll ends carved with palmettes, on turned legs, 70.8cm high, 140cm wide, 39.3cm deep. £100-150

238

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239. A near pair of French kingwood and Vernis Martin serpentine vitrines in Louis XV style, with gilt brass mounts, each with a single door enclosing a damask silk lined interior with two shelves, each with painted panels of amorous lovers and landscapes, early 20th century, 206cm high, 117.6cm wide, 45.3cm deep. (2) £1,500-2,000

240. An Italian Florentine carved giltwood wall mirror, the rectangular plate within a scrolling leaf frame, late 19th / early 20th £100-150 century, 72 x 60.4cm.

241. A late 19th century mahogany and floral marquetry writing table in Louis XV style, with gilt brass mounts, the serpentine edge top inset with black leather above a frieze drawer, 78.8cm high, 86cm wide, 55cm deep. £300-400

242. A late 19th century Italian Florentine giltwood wall mirror, with a rectangular plate within a beaded inner moulding and a scrolling leaf carved frame, 55.1 x 39.7cm. £100-150

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243

243. A Venetian triptych dressing table mirror, with etched parcel gilt decoration with stars, a laurel wreath, arrows and ribbon tied scrolls, 71cm high. £200-300

244

244. A 19th century French giltwood and gesso wall mirror, with scroll and floral decoration, 78.6 x 59.6cm. £200-300

245

245. A specimen marble occasional table, the circular top on gilt brass faux bamboo supports, 46cm high, 51.9cm diameter. £400-600 246 246. A Swedish Biedermeier style birch single bed, with scroll carved surmounts above arc d’arbelette panelled ends, 99cm high, 83.5cm wide, 190cm long. £100-200

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Îť 247. A late 19th century Italian narwhal tusk and gilt metal lantern, with an orb and cross finial above six glass panels, one with a hinged door above scroll leaf decoration, possibly Venetian, the lantern, 178cm high, the tusk approximately 103cm long. ÂŁ2,000-3,000 To be sold with Cites Article 10 (non-transferable) Licence, No: 547080/01.

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248

248. A pair of Regency gilt brass candlesticks, hung with cut glass drops and lustres, the bases decorated with shells and anthemion motifs, 31.5cm high. (2) £80-120 249. A late 19th century bronze spelter table lamp, in the form of a classical maiden holding an urn, indistinctly signed to the naturalistic base, 78cm high, 23.5cm diameter. £100-150 249

250. A late 19th century ormolu vase table lamp, with leaf scroll handles, the body cast with classical figures, stamped with initials ‘H.H.V.F.B’, 60.6cm high, 16.5cm wide. £150-250 251. A pair of late 19th century five light candelabra in Louis XV style, with leaf cast nozzles on a rococo base decorated with scrolls and rocaille, 49.7cm high, 28cm wide. (2) £150-250 252. A pair of Regency gilt and patinated brass and bronze candlesticks, each decorated with scrolling leaves and flowers and hung with faceted lustres, on scroll feet, 27.5cm high.

(2) £300-400

251

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250

252

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253. A set of six 19th century gilt brass twin branch wall lights of neo-classical design, each with a palmette and husk decorated backplate inset with a Wedgwood jasperware roundel, with leaf decorated scroll arms and stiff leaf and bead nozzles, 53.3cm high, 32cm wide.

(6) ÂŁ800-1,200

254. A set of five 19th century ormolu wall lights in Louis XV style, each with three scroll arms cast with leaves and rocaille and with naturalistic nozzles, 39cm high, 38cm wide. (5) ÂŁ800-1,200

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255. A pair of alabaster and gilt brass table lamps in George III style, in the form of an athénienne with winged classical female bust caryatid supports, early 20th century, 30.1cm high. (2) £150-250

255

256. A late Victorian gilt brass Corinthian column standard lamp, with fluted stems, the elaborate base with three flaming oil lamps with a grapevine entwined central stem, on leaf capped lion’s paw feet, 147.8cm high, 55cm wide. £200-300

256

257. An Art Deco frosted glass and plated metal plafonnier by J. Robert Paris, with four lights, the coloured glass shades decorated with flowers and leaves, each signed ‘J. ROBERT’ and ‘FRANCE 1051’, 69cm high, 49cm wide. £300-400

257

258. A late Victorian gilt brass standard lamp, the triform base with patinated angel caryatids, 158cm high, 46cm wide. £200-300

259. A late 19th century French gilt brass and alabaster lamp base, the ovoid body applied with leaf scroll and female mask mounts, on paw feet, 56.8cm high, 22.5cm wide. £200-300

258

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259

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260. A 19th century cut glass chandelier, with a ribbed corona hung with drops, above a spiral fluted baluster stem, with ten scroll arms hung with swags of lustres and drops, above a faceted ball pendant, possibly Irish Waterford crystal, 107cm high, 79.5cm wide. ÂŁ4,000-6,000 Provenance: By family tradition acquired from Crowther's of North End Road, London. Then at Ray Mill House, Chippenham, Wiltshire, 1975-1995, after which with the same owner at his current address.

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262 261

261. A pair of Italian tôle tea canister style table lamps, decorated in gilt with ribbon tied cornucopiae, modern, 41cm high, with pleated silk shades. (4) £150-200 262. A pair of late 19th century French bronze ‘Assyrian’ candlesticks, each with a ribbon and leaf decorated sconce above a bearded male term stem and a circular foot decorated with £500-700 classical female busts and ribbon tied trophies, 31.5cm high. (2) 263. A late 19th century French onyx and champlevé lamp, with gilt brass mounts, with a twin handled vase supported by a Corinthian column, originally an oil lamp but later converted for electricity, 76cm high. £100-150 264. A pair of gilt brass Corinthian column standard lamps, each with a ribbed stem and a circular base, with pleated shades, 51cm high (excluding shade). (2) £200-300 265. A French cherrywood twin light standard lamp, with an adjustable stem on tripod supports, 113.5cm high, 43cm wide. £100-150 263 266. A pair of Italian giltwood and ebonised wall lights in 18th century style, each with an eagle surmount, fluted backplates and scroll arms with lobed nozzles, 20th century, 61.5cm high, 28.5cm wide. (2) £150-250

266

264

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265

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267. An Italian giltwood and ebonised girandole in 18th century style, the circular plate within a moulded frame with twin scroll arms with an eagle and spear surmount, 20th century, 107.5cm high, 39.5cm wide. £100-150 268. A Directoire gilt and patinated bronze bouillotte lamp, with an adjustable tôle shade, the leaf cast stem with three branches and reeded sconces, on ball feet, later drilled for electricity, 87.1cm high, 40cm diameter. £200-300 269. A French wrought iron hall lantern, with leaf scroll decoration with lobed and pierced panels, with a hinged door, 86.8cm high, 52cm wide. £300-500

268

267 270. A silvered brass single light chandelier, with a flaming urn sconce above three scroll flower and leaf decorated arms hung with chains, above a gadrooned and ring base, 121.5cm high, 47cm wide. £300-400 271. An Arts & Crafts gilt brass fifteen light Gothic style chandelier, decorated with scrolling leaves, 79.5cm high, 57.5cm wide. £400-600 272. A pair of wrought iron chandeliers in Gothic style, each with scroll decoration and four lights, 38.4cm high, 47.5cm wide together with a pair of matching twin light wall appliques. (4) £200-300 269

270

272 part

271

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A PRIVATE COLLECTION OF REVERSE GLASS PAINTINGS

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273. A set of three Italian reverse glass paintings, depicting scenes from the life of Joseph, titled ‘GIUSEPPE VENDUTO’, ‘GIUSEPPE USCITO DELLA GISTERNA’ AND ‘LA TASSA TROVATA NEL SACCO DI BENEAMINO’, probably Southern Italy, late 18th century, 34.5 x 44cm, in moulded ebonised frames, the verso of each with a printed paper label for ‘THOS AGNEW & SONS’. (3) £400-600 Provenance: From the collection of John Newall Esq.

274. A late 18th century Italian Venetian Commedia dell’Arte reverse glass painting, depicting the death of Pulcinella, 36.6 x 43.5cm, in a moulded fruitwood frame. £200-300 Provenance: From the collection of John Newall Esq.

275. An 18th century Italian reverse glass painting of the Great Flood, with figures in distress escaping from the water with Noah’s Ark in the distance, 32.2. x 40.7cm, in a moulded giltwood frame. £200-300 Provenance: From the collection of John Newall Esq.

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276. Four Eastern European Orthodox Church reverse glass paintings, two with the Madonna and Child, one with a bishop and a saint, the other with four saints, Serbian, 51.2 x 38.5cm (max), all framed. (4) £80-120 Provenance: From the collection of John Newall Esq.

277. A late 19th century Qajar reverse glass painted mirror, the rectangular plate within a leaded panelled frame decorated with panels of flowers and foliage, Iran, 68.8 x 33.3cm. £300-500 Provenance: From the collection of John Newall Esq.

276 part

278. Seven Polish Catholic Church reverse glass paintings, three depicting Christ on the cross, one of St George and the dragon, the Madonna and Child and other biblical scenes, 38 x 28.8cm (max), all framed. (7) £100-150 Provenance: From the collection of John Newall Esq.

279. Three European reverse glass paintings / hinterglas, including a Spanish example of a shepherdess with her young child and sheep, a Bohemian picture of a monk on a pilgrimage and a German painting of a burger inscribed ‘Murnauer Burger, 1810’, 35.5 x 27.2cm (max) all framed. (3) £100-150

278 part

277

Murnau in Southern Germany was an important centre for Hinterglas production.

Provenance: From the collection of John Newall Esq.

280. A modern Polish reverse glass painting by Ewa Fajkosz, of two figures wearing hats holding a pole, together with a similar reverse glass painting signed ‘A. Falek’ and a Hungarian reverse glass picture of a boy with a sheep, 42 x 39cm (max), all £80-120 framed. (3) Provenance: From the collection of John Newall Esq. 280 part

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281. A late 18th century Italian reverse glass painting, depicting a bishop, probably St. Martin of Tours supported by two angels, a step inscribed ‘S. MARTINI EP.E.C.’, 29.7 x 24.5cm, in a gilt frame. £200-300 Provenance: From the collection of John Newall Esq.

282. An Italian reverse glass painting, of an an old man on a balcony with a young lady with a basket of fruit with an attendant Cupid holding a mask, late 18th / early 19th century, 23.5 x 18.1cm, in a carved frame decorated with a grapevine on a gilt ground, the verso stamped ‘FRAT PETRALLI FIRENZE’. £150-200 Provenance: From the collection of John Newall Esq.

283. An 18th century European reverse glass painting of Christ on the cross, possibly German, 20.2 x 26.7cm, in a carved giltwood frame. £200-300 Provenance: From the collection of John Newall Esq.

284. A late 18th century European reverse glass painting, depicting a river scene with figures with a town in the distance, possibly Italian or South German, 26.3 x 36.5cm, in a carved giltwood frame. £200-300 Provenance: From the collection of John Newall Esq.

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285. A late 18th century Italian reverse glass painting, of three figures harvesting wheat, with three birds, 18.5 x 24cm, in a carved giltwood ribbon and floret frame. £80-120 Provenance: From the collection of John Newall Esq.

285

286. Three 19th century reverse glass paintings of peacocks and exotic birds, each framed, 34.6 x 43.8cm (max). (3) £50-100 Provenance: From the collection of John Newall Esq.

287. A Victorian reverse glass print of Peterborough Cathedral, titled in a papier-mâché frame, together with a reverse glass print of a still life of flowers and fruit and a small reverse glass print titled ‘Little black and white Duck’, 49.4 x 39.3cm (max), all framed. (3) £80-120 Provenance: From the collection of John Newall Esq.

288. A pair of late 19th century continental reverse glass oval paintings, depicting celebrations at harvest time, each in a gilt £200-300 composition frame, 52 x 61cm. (2)

84

288

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289. Three 18th century reverse glass prints, including a mezzotint titled ‘The FARM HOUSE on FIRE’, signed ‘L.P. Boitard Fecit’, another mezzotint of a king with ermine robes kneeling at the Temple of Bacchus and an unusual reverse glass print in the form of a stained glass window with a cartouche with mythical beast masks, with figures outside a tavern eating and drinking with lead glazing bars, £100-150 45.7 x 25.7cm (max). (3)

290. A pair of early 19th century reverse glass prints, titled ‘FLIGHT into EGYPT’ and ‘RETURN from EGYPT’, each in a bird’s eye maple frame, a reverse glass print of ‘EVE presenting to ADAM the FORBIDDEN FRUIT’ and one of ‘ASIA AFRICA’, 35.5 x 35.5cm (max), all framed. (4) £100-200 Provenance: From the collection of John Newall Esq.

Provenance: From the collection of John Newall Esq.

291. A 19th century reverse glass painting, ‘THE DUET’, depicting two young ladies singing, in an oval cartouche with foliate decorated spandrels, together with a late 18th century reverse glass mezzotint of the Countess of Coventry, 42 x 37cm (max), both framed. (2) £80-120 Provenance: From the collection of John Newall Esq.

292. Five reverse glass prints, comprising: a portrait of Thomas Maxwell Esq., a portrait of ‘ROBERT EARL OF ORFORD’, a mezzzotint after Rubens ‘Out of Egypt have I call’d my Son’, ‘JOSEPH fleeth into EGYPT’ and ‘LABOUR AND HEALTH’, late 18th / early 19th century, 34.2 x 25.5cm (max), all framed. (5) £100-150 Provenance: From the collection of John Newall Esq.

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293. Six Chinese reverse glass paintings, comprising: a painting of a lady in an interior enjoying the view of her garden, inscribed ‘Nong Yue’, a picture of three ladies, a landscape view, a mirror painting with a lady holding a fan in a chinoiserie frame and a pair of pictures of Guandi, Zhou Cang and Guan Ping, one inscribed, 19th / 20th century, 50 x 34.5cm (max) all framed. (6) £100-150 Provenance: From the collection of John Newall Esq.

293

294

294. Four Chinese reverse glass paintings of ladies, comprising: a pair of pictures of a young lady standing on a terrace and seated holding a mirror, in moulded frames, one of ladies playing musical instruments and one of a lady holding a flower, 19th / early 20th century 33.5 x 23cm (max). (4) £100-150 Provenance: From the collection of John Newall Esq.

295 pair

295. Two Chinese reverse glass paintings, one depicting courtly figures in a pavilion, overlooking a lake, with a figure carrying a large gourd, the bottom right corner with a three character mark, the other with figures, one an official and one is holding a flag, late 19th / early 20th century, 59.3 x 42.2cm (max) in moulded hardwood frames. (2) £100-150 Provenance: From the collection of John Newall Esq.

296. A Chinese reverse glass painting of cats, and kittens in a landscape setting with butterflies, insects and flowers, early 20th century, 46.5 x 86.5cm in a moulded hardwood frame. £80-120 Provenance: From the collection of John Newall Esq.

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296

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297

297. A 19th century Chinese hardwood four panel table screen, inset with reverse glass paintings of figures and objects, hinges missing, 56.5 x 13.8cm (each panel). (4) £100-150 Provenance: From the collection of John Newall Esq.

298. Four Chinese reverse glass portrait paintings of ladies, two behind mirrors, 19th / 20th century, 48.8 x 33.5cm (max), all framed. (4) £150-250 Provenance: From the collection of John Newall Esq.

299. A pair of Chinese reverse glass portrait paintings, one possibly of Genghis Khan, the other of an Indian Prince, together with three reverse glass paintings of Indian gods including Saraswati, 59.5 x 44cm (max), all framed. (5) £100-150 Provenance: From the collection of John Newall Esq.

298 pair

299 pair

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300. A Chinese reverse glass painting of Mary Magdalene, the saint with her bible, cross and skull, titled ‘SANCTA MARIA MAGDALENA’, early 19th century, 28.3 x 19.3cm, in a later moulded frame, together with a pair of German reverse glass paintings of a courting couple, the man offering his beloved a fish and flowers, probably part of a Four Seasons group, early 19th century with moulded fruitwood frames. (3) £150-200 Provenance: From the collection of John Newall Esq.

301. A European reverse glass painting of a Franciscan monk, wearing robes and holding a book, 48 x 36.5cm in a moulded walnut frame, together with a smaller reverse glass painting of St Francis, holding a book, a quill and with a dove, possibly Spanish, 19th century. (2) £150-200 Provenance: From the collection of John Newall Esq.

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301 pair

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302. A pair of Chinese reverse glass paintings for the Indian market, depicting Ganesh flanked by two attendants and Durga on her tiger, early 19th century, 49.5 x 34.2cm, in moulded giltwood frames. (2) ÂŁ300-400 Provenance: From the collection of John Newall Esq.

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303. A Chinese reverse glass oval portrait painting, of an English lady, wearing a coral cloth and pearl headdress, late 18th / early 19th century, 28 x 23.1cm, in a moulded giltwood frame. £200-300 Provenance: From the collection of John Newall Esq.

304. A Chinese reverse glass painting of a bird, perched on a branch, late 18th / early 19th century, 37 x 30.2cm, in a moulded giltwood frame. £200-300 Provenance: From the collection of John Newall Esq.

90

305. A Chinese reverse glass painting of two English ladies, promenading in bonnets and wearing fur stoles, late 18th / early 19th century, 24 x 21.5cm, in a moulded giltwood frame. £200-300 Provenance: From the collection of John Newall Esq.

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306. A pair of late 18th century Chinese reverse glass portrait paintings of George III and Queen Charlotte, probably after Thomas Frye (1710-1762), 49.5 x 34.5cm in carved giltwood frames, the back of George III with ink Chinese characters. (2) ÂŁ800-1,200 Provenance: From the collection of John Newall Esq.

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307. A fine late 18th century Chinese reverse glass painting of a shepherd and shepherdess, after a painting by Franรงois Boucher (1703-1770), the shepherd teaching his companion to play the flute, set in an arcadian landscape with trees, a temple and a flock of sheep, 45 x 37.5cm in a later giltwood frame. ยฃ1,000-1,500 Provenance: Purchased from Norman Adams Ltd., 8-10 Hans Road, London 23rd November 1982.

From the collection of John Newall Esq.

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ORIENTAL FURNITURE & WORKS OF ART 308. A Chinese hardwood side table, with three frieze drawers carved with mythical beast, flowers and leaf scrolls, the cabriole legs carved with leaf and flame motifs, Qing dynasty, 85cm high, 150cm wide, 84cm deep. £400-600

308

309. A 19th century Chinese oval hardwood and mother of pearl occasional table, the top decorated with figures, trees and pagoda’s, 69cm high, 45cm wide, 34.5cm deep. £150-250 310. A Chinese hardwood side table, the panelled top above a pierced carved frieze on moulded legs and scroll feet, 87cm high, 92.6cm wide, 46.5cm deep. £300-400 311.

A Chinese rosewood coffee table, the panelled rectangular top above a shaped frieze with scroll mouldings and with shou characters, on carved legs, 45.8cm high, 122cm wide, 56cm deep. £100-200

309

310 311

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312

312. Four Chinese lacquered hardwood side chairs, each with a stylised yoke back with a carved splat decorated with figures with gilt highlights above a solid seat on stretchered supports, late 19th century. (4) £300-500 313. A late 19th century Chinese hardwood stand, the top inset with a marble panel of a carved fretwork frieze, the underside with Chinese characters and an old paper label, 80.1cm high, £100-200 41.2cm wide, 31cm deep.

314. A quartetto nest of Chinese hardwood occasional tables, carved with bamboo and grapevines, late 19th / early 20th century, 72cm high, 50cm wide, 36cm deep. (4) £200-300 314

313

315. A Chinese cinnabar lacquer box and cover, the lid decorated with a man in a rocky landscape, 10.6cm wide. £100-150

94

316. A small collection of stands, the majority Chinese in hardwood together with a European rosewood stand and an ebonised example, 26cm diameter (max).

(17) £50-100

317. A pair of Chinese cinnabar lacquer vases, decorated with flowers and foliage with panels of figures in landscapes, late 19th / early 20th century, 25cm high. (2) £200-300

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318

318. A Chinese black lacquer altar table, with pierced ends and scroll feet, Qing dynasty, 84.7cm high, 150cm wide, 35cm deep. £200-300 319. A late 19th century Chinese boxwood carving of Zhong Kui, together with a smaller carving of Liu Hai, 23.8cm (max). (2) £100-150

319

320. An early 19th century Chinese export lacquer tea chest, of sarcophagus shape, decorated in gilt with panels of figures in tea related pursuits with further decoration of flowers and butterflies, the hinged lid revealing a pair of lift-out lidded pewter canisters with vegetable ivory handles with brass side carrying handles on carved and painted giltwood dragon feet, 16cm high, 28cm wide, 21.7cm deep. £300-500

320

321. Three late 19th century Chinese padouk stools, comprising: two oval and one circular, each with a dished seat on lappet carved legs united by an ‘X’ stretcher, each with a paper label to the underside, inscribed ‘KWONG HING WING, DEALER IN ALL KINDS OF CHINESE AND FOREIGN BLACK WOOD FURNITURE No. 5, in front of Wa Lam Monastery, Si Loi Chor Ta, CANTON’, 49.6cm high, 39cm wide. (3) £300-500

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322

323

322. A 19th century Chinese tortoiseshell and bird feather fan, the guards relief carved with figures, buildings and trees, together with a bone and bird feather fan, painted with two Chinese ladies in a garden setting and a lace and mother of pearl fan, 26cm high (max). (3) £100-200 323. A pair of Japanese patinated bronze monkey candlesticks, with parcel gilt decoration, each with a standing adult supporting its young holding a coconut, on an upturned leaf base, Meiji 1868-1912, 25.2cm high. (2) £200-300 324. A Chinese famille rose dish, painted with six birds perched amongst flowering prunus, the base with a six character iron-red Jiaqing mark, 36cm, together with an 18th century Chinese blue and white vase, decorated with flowers, foliage, birds and landscapes, 28cm. (2) £100-150 325. A 19th century Chinese Canton fan, with relief carved and pierced guards and sticks, the paper fan painted with a procession of figures in landscapes and buildings with applied ivory faces with fine features, with fruit and flower borders, 52.3cm wide, with its original box and cover. £200-300

324

326. A 19th century Chinese bamboo carving, depicting sages on a boat under a tree canopy, 31.5cm long. £150-200

326

96

325

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327. A 19th century camphorwood and brass bound trunk, the hinged lid with a vacant plaque, with iron side carrying handles, 47.3cm high, 96.5cm wide 46.6cm deep. £300-500

327

328.

An Indian rosewood occasional table, the circular top carved with bands of scrolling foliage and with a central rondel with a god and two elephants, on elephant head and trunk legs with bone tusks, 62.3cm high, 61cm diameter, together with a smaller example, early to mid 20th century. (2) £150-250 329. Two similar Anglo-Indian carved hardwood occasional tables in the form of camels, each with a circular top with a band of flowers and foliage, early to mid 20th century, 61.7cm high, 48cm wide. (2) £500-700

329

330.

Thirteen 19th century Indian miniature paintings on ivory, of topographical views of palaces and tombs, titled in pen to the verso, including: Humayan tomb, Delhi and Qutub, Delhi, 2.5cm wide, contained in a lacquered box. (13) £150-250 331. A Colonial hardwood and bone table cabinet, with engraved panels of birds, animals and flowers, with an arrangement of six £400-600 drawers, 32.4cm high, 50cm wide, 31cm deep.

331

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332. An Indian embroidered cotton hanging, decorated with parakeets and mirror work, 162.3cm high, 76.1cm wide. £100-150

332

333. An Indian copper and silver charger, the centre with Krishna playing a flute within a border of thirteen oval rondels of possibly Saraswati, with an outer rim decorated with palmettes, late 19th / early 20th century, 45.2cm diameter. £80-120

334

334. An Anglo-Indian carved sandalwood box, the hinged lid with a view of the Taj Mahal above panels of scrolling flowers and foliage, Bombay, first half 20th century, 10.3cm high, 25.9cm wide. £30-50 Provenance: The Dr Lawrie Webster Collection of Boxes.

335. A pair of 19th century Indian carved marble mortars or jardinières, each with four lion’s mask terminals above a stiff leaf carved body, 18cm high, 40.5cm wide. (2) £100-200

336

336. Two Indian carved elephant groups, hardwood and ebony, each with two riders with a coconut parasol, the elephants with bone details, late 19th / early 20th century, 46.3cm high, 38cm long. (2) £100-150

337. A Kashmiri lacquered papier-mâché charger by Phlox Arts, decorated with panels of flowers on a gilt scrolling foliage ground, the base with a printed paper label ‘Hand Made By PHLOX ARTS, Exporters Dalgate Srinagar Kmr (India) Price Rs 160’, first half 20th century, 42.4cm diameter. £200-300

98

338.

A pair of 19th century Anglo-Indian rosewood side chairs, with pierced leaf carved backs above a cane seat on leaf and scroll carved cabriole front legs. (2) £100-150

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340

339

339. An 18th century Indo-Dutch tortoiseshell and silver mounted box, the embossed mounts with scrolling foliage, the hinged lid revealing a vacant interior, with side carrying handles on ball feet, 10.5cm high, 22.7cm wide, 16.3cm deep. £400-600

341

340. An Islamic copper and brass charger, with silver decoration depicting religious scenes with panels of script, the top with a mosque, the base with an eagle with a banner in its mouth, late 19th century, £200-300 45.6cm diameter.

341. A pair of Islamic Cairo ware ovoid vases in Mamluk style, of brass, copper and white metal decorated with panels of scrolling leaves and script, late 19th / early 20th century, 27.1cm high. (2) £100-150

343

342. An Islamic silvered metal floor standing mosque lamp, with pierced decoration of scrolling leaves and flowers with panels of script, with a fringed corona above a knopped stem and a flared foot, £400-600 196cm high, 55cm diameter.

343. A late 19th century Islamic copper and silver charger, decorated with leaping deer with panels of script on a scrolling foliage ground, 40cm diameter. £100-150

344. A Qajar pottery vase, decorated with birds and animals, with a band of figures in various pursuits, probably 19th century, 27.8cm high. £100-200 344

342

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IVORIES INCLUDING A PRIVATE COLLECTION

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λ 345.

A Chinese carved ivory group of Liu Hai, standing on the three legged toad, a Chinese carved ivory box, the cover relief decorated with figures and buildings, a Chinese ivory bangle, together with two Japanese carved ivory figures, one of a dog the other of a man, 19th century, 10.5cm (max). (5) £80-120

λ 346.

Five Japanese ivory carvings, comprising: four netsuke, one as a lion crouching on a rock, a recumbent man on a leaf, the base signed, a Noh mask example carved with seven faces, signed and a figure of an old man on an associated base, together with a carving of a man wearing a leaf hat and with an articulated tongue, Meiji 1868-1912, 4.4cm high (max). (5) £80-120

λ 347.

A Japanese ivory box and cover, carved all over with grotesque Noh masks, Meiji 1868-1912, 10.3cm high. £150-200

λ 348.

A Japanese carved ivory cane / parasol handle, in the form of an eagle and a snake on a tree trunk, the beasts with mother of pearl and ebonised eyes, Meiji 1868-1912, 10.3cm high. £80-120

347

λ 349.

An ivory box and cover, decorated with lions, a carving of a sage with a monkey sat on his tall hat, an ivory hinged cover and two netsuke boxes, Meiji 1868-1912, 13cm high (max). (5) £80-120

348

λ 350.

A small collection of ivory carvings of animals, comprising: five elephants, two lions, two oxen on plinths and an ox and an elephant on a plinth base, late 19th / early 20th century, 7cm high (max). (10) £100-150

101

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351

λ 351.

Four small 19th century Chinese ivory carvings, of figures in landscape settings, with trees, horses, boats, birds and rockwork, each on a carved hardwood base, 11.6cm wide, together with a carving of a fisherman on an ebonised plinth and a carved model of a clam shell the interior with figures and trees, on an ebonised base.

(6) £100-150

352

λ 352.

A 19th century Chinese ivory brise fan, the guards relief carved with figures, trees and buildings, the sticks with panels of animals and with figures in various pursuits and with a central monogram ‘MW’, 27cm high, together with a Chinese carved ivory fan decorated with dragons and an ivory and painted silk fan, one guard carved with a coronet over a monogram. (3) £100-150 λ 353.

A late Victorian page turner, the carved bone handle in the form of a monkey catcher with the primate on his back, above a silver mount inscribed with initials ‘G. H. from S. B.’, hallmarked for London 1882, with an ivory blade, 43.5cm long. £100-150 λ 354.

A Chinese carved ivory card case, decorated with figures, buildings and trees, two Chinese carved ivory needle cases and a pair of Chinese ivory counter boxes, each containing six engraved mother of pearl counters, all 19th century, 5.3cm high (max). (5) £100-150

102

354

353

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356

λ 355.

A Japanese carved ivory and bone okimono of a fish seller, carrying a basket of fish over his shoulder and with a parasol in his right hand, the base with various marks, Meiji 1868-1912, 35cm £300-400 high.

λ 356.

Two Japanese carved ivory okimono, one of a father and son looking at two chicks, the base signed, the other with a man and boy with baskets of fruit, the base with a rectangular signed panel, Meiji 1868-1912, 12.3cm high (max). (2) £150-250

λ 357.

A Japanese carved ivory model of a kingfisher, with a fish in its beak, with mother of pearl and ebonised eyes, later mounted in a black marble and malachite base, Meiji 1868-1912, 7cm high. £100-150

355

λ 358.

A Japanese carved ivory model of a chicken, with mother of pearl and ebonised eyes, Meiji 1868-1912, 10cm high. £600-800

103

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λ 359. An ivory and gilt metal mounted needle case, together with a similar bodkin, both late 18th / early 19th century, a carved ivory sprinkler decorated with leaves, a card holder finial carved with shell scrolls, an aide-mémoire with six tablets for the days of the week, a bone apple corer and a small penknife in the form of a leg, the steel blade stamped ‘LONDON’, 12cm long (max). (7) £80-120

λ 360. Three carved ivory portrait cameos, of classical ladies, three carved ivory floral brooches and a carved ivory basket of flowers, 19th century, 7.5cm wide (max). (5) £80-120

λ 361. A carved ivory seal, in the form of a clenched fist with a snake, with a carnelian matrix, together with three other ivory seals, one carved with two hands the others turned, all with engraved matrixes, three with coat of arms and one with a name, together with an agate seal, late 18th / 19th century, 9.5cm high. (5) £100-150

λ 362. An early 19th century French carved ivory portrait medallion of a lady, possibly Marie Antoinette with an outer gilt mount, 9.8cm diameter, together with a 19th century carved ivory box and cover, the lid with a portrait of a Roman emperor and a carved relief portrait bust of a man. (3) £80-120

104

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λ 363.

A 19th century German relief carved ivory panel, depicting a 17th century hunting scene, with gentlemen on horseback, with hunting dogs, falcons and men carrying game, 5.5 x 18.8cm. £200-300

λ 364.

A European carved ivory group of Cupid and a swan, seated in a flower festooned shell playing his lyre, drawn by a swan on a naturalistic sea base, possibly Dieppe, 18th / 19th century, 9.3cm high, 13.5cm wide. £300-400

105

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365 366

λ 365.

After Giambologna. A bronze model of Mercury, on an ivory base, an ivory box with a hinged lid, broken with engraved decoration of a basket of flowers and floral sprays, the interior with two lidded compartments, an ivory box and cover with a carved elephant finial on a shagreen ground, a turned ivory doorknob, a miniature carved ivory wise monkey group and a meerschaum pipe in a leather case, with retailers mark ‘J.T. PRESTON 15 COLLEGE GREEN DUBLIN’, late 18th century and later, 15.3cm long (max). (6) £80-120 λ 366.

An 18th century horn oval snuff box, the lid with a carved ivory plaque depicting three classical figures, a turned ivory powder box, a carved ivory box and cover, the lid decorated with a pair of figures holding a male mask and a plated box the hinged lid carved with birds amidst flowers and containing an ivory plaque painted with a parakeet, 10.3cm wide. (5) £100-150 λ 367.

A 19th century European carved ivory group of the Madonna and child, standing on a plinth under a canopy / baldacchino with Solomonic columns, 14cm high, together with a carved bone figure of St Louis standing in a niche and a carved ivory / bone Corpus Christi on an ebonised cross. (3) £100-150 λ 368.

367

A 19th century turned ivory mallet, with a screw-off handle, 18.5cm long. £100-150

λ 369.

Two similar turned ivory salt and pepper mills, the mills stamped ‘PARK GREEN & CO. LTD. MADE IN ENGLAND’, early 20th century, 10cm high. (2) £100-150 λ 370.

A late 19th century painted ivory box, the hinged lid decorated with a scene of figure dancing in a wooded landscape, 8cm wide. £100-150

368 370 369

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Îť 371.

A German carved ivory figure of Winter, the old bearded man wearing a loose robe and warming himself near a fire, late 17th / early 18th century, 36.8cm high. ÂŁ3,000-5,000

107

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372 373

372. A 19th century turned bone chess set, natural and stained red, the king: 8.5cm high, the pawn: 3.4cm. (32) £80-120

λ 373.

A George III ivory toothpick box, of rectangular form with canted corners, the hinged lid with gold piqué inlay with leaves and inset a a faceted cabochon, the plush lined interior with a mirror inset into the lid, 7.1cm wide, together with a George III carved ivory urn shape thread holder, with dot inlay and a painted ivory scent bottle case, the interior with a glass bottle with a faceted stopper. (3) £100-150

374

374. An early 19th century Prisoner of War turned bone object, with dot decoration and applied with rings, the screw-off end revealing a small compartment with miniature carved bone goblets, candlesticks, a bowl and a spoon, 8.3cm long. £80-120

λ 375.

A continental ivory handled paper knife, the handle carved with a cherub possibly Bacchus with bunches of grapes and fruit, above a grapevine gilt collar and a damascened blade, late 18th / early 19th century, 21.7cm long. £100-150

375

λ 376.

A 19th century carved ivory Corpus Christi, mounted on an ebony cross, the figure: 16.5cm x 13cm, the cross: 36 x 17.5cm. £100-150

λ 377.

An Indian lacquer box, decorated with figures and a hunt scene with a carved ivory clenched fist finial on ball feet, late 19th / early 20th century, 17.9cm high. £80-120

108

376

377

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378

λ 378.

A pair of 19th century French Dieppe craved ivory portrait plaques, of Louis XIII and Anne of Austria, 16 x 11.6cm, mounted in a hinged gilt tooled brown leather case. (2) £300-400 λ 379.

A European carved ivory group of an officer, with his sword seated under a tree, late 18th / early 19th century, 10.5cm high. £100-150

λ 380.

A small late 19th century German carved ivory model of a tankard, with a hinged lid, the body decorated with a figure on horseback and horses pulling carts, the base with shields, 11cm high. £100-150 λ 381.

A carved ivory plaque, of curved form depicting saints and kings with the Christ child, 19th century or earlier, 11cm x 9.5cm. £100-150

379

380

381

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382. Shakespeare interest. A section of a crab apple tree, one side with a carved bone portrait of William Shakespeare, mounted in copper, the verso inscribed ‘Fragment of SHAKESPEARE’S CRAB TREE Cut down 1815’, 8cm diameter. £150-250 The legend of Shakespeare’s crab apple tree relates to a tree under which Shakespeare had apparently slept off a drinking binge, the tree subsequently gained magical powers. The legend dates back to the middle of the 18th century and was referred to by David Garrick. During the 18th century there was an informal tourist industry in Stratford with people visiting Shakespeare’s tomb and also the mulberry tree at New Place which he had supposedly planted. When the Mulberry tree was cut down in 1756, the residents started to promote other locations associated with Shakespeare. The tree nicknamed ‘Shakespeare’s Canopy’, was found on the main road to Bidford on Avon and was a minor shrine and a target of souvenir hunters until it collapsed in 1824.

383

384

383.

A 19th century tortoiseshell box and cover, the lid with an applied ivory relief plaque with two card players, 9.6cm diameter. £100-150 384.

A small Victorian ivory easel back frame, carved with scrolling leaves, a 19th century ivory purse, the cover relief carved with Cupid, a pair of gilt metal and mother of pearl opera glasses by Comont, a pair of Victorian carved ivory glove stretchers, a tortoiseshell purse and a lady’s silk and beadwork bag, 28.3cm (max). (6) £100-150

110

385

385.

A 19th century ivory box and cover, inlaid with tortoiseshell, the lid with a portrait miniature of a lady, 10.7cm diameter. £200-300

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FURNITURE & WORKS OF ART PART II 386. A late George III mahogany bonheur du jour, inlaid with boxwood and ebonised stringing and with satinwood banding, the suprastructure with an adjustable shelf flanked by two cupboards, each fitted with a drawer and two pigeon holes, above two long drawers, 135cm high, 92cm wide, 45.8cm deep. £300-500

387. A George III Sheraton period painted bijouterie table, with gilt and gesso husk and bead mouldings and painted with scrolling leaves and ribbons with floral swags and musical instruments, with a plush lined drawer, 77.5cm high, 39.5cm wide, 35.5cm deep. £400-600

388. A George III and later mahogany cheveret, inlaid with stringing and with satinwood banding, the lift-off top fitted with three drawers with turned bone handles, the later base with square tapering legs united by an undertier, 94cm high, 48.5cm wide, 27.7cm deep. £400-600

386

389. A Regency bird’s eye maple bowfront chest, inlaid with stringing, with a crossbanded mahogany top and sides, with four long graduated drawers, on French bracket feet, 97.5cm high, 86.5cm wide, 50cm deep. £600-800

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390. A George III mahogany side table, inlaid with boxwood stringing and crossbanding, with a three quarter gallery above a pair of frieze drawers, 83.5cm high, 106.5cm wide, 52.5cm deep. £400-600

390

391. A Regency mahogany bowfront side table, the top with a reeded edge above a frieze drawer, 77.8cm high, 103cm wide, 54.3cm deep. £150-200

391

392. A Regency mahogany ‘D’ shape card table, inlaid with boxwood stringing, the fold-over top with rosewood crossbanding on square tapering legs and ebonised spade feet, 74.3cm high, 86.5cm wide, 42.5cm deep. £300-400

392

393. A Regency mahogany bowfront side table, with a reeded edged top above two frieze drawers, 73.5cm high, 90.4cm wide, 53.5cm deep. £200-300

393

394

112

394. A George III mahogany Pembroke table, the drop-leaf top crossbanded in satinwood above a frieze drawer, the reverse with a false front on brass caps and castors, 70.7cm high, 86 x 180.7cm (open). £100-200

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395. A pair of Regency style rosewood occasional tables, each with a fixed octagonal top with satinwood banding on a faceted stem with gilt brass collars and ball feet, 73cm high, 41cm wide. (2) £500-800

395 396

396. A Regency mahogany dressing table mirror by William Wilkinson, the rectangular plate within a flame veneered frame with turned column supports with engine turned gilt brass capitals and plinths, the base stamped ‘WILKINSON. LUDGATE HILL 14110’, 64cm £300-500 high, 78.2cm wide, 29cm deep.

397

397. A George III satinwood lady’s writing table, the hinged top on a ratchet, with kingwood and harewood crossbanding, with a detachable rest above a cedarwood lined frieze drawer, on square tapering legs and brass caps and castors, 71.6cm high, 56.8cm wide, 36cm deep. £800-1,200

398

398. A Regency mahogany cheval mirror, with ebonised decoration, the rectangular plate with brass foliate adjusters and with ring turned baluster and block supports and mushroom and acorn finials, with brass castors, 165cm high, 71.9cm wide, 60.9cm deep. £500-700

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399. An early 19th century mahogany butler’s tray, with folding sides, each pierced with a handgrip on an ebonised folding stand, 83.5cm high, 70.5cm wide, 50.8cm deep. £200-300 400. A William IV mahogany armchair, later upholstered with floral chenille fabric, on ring turned tapering front legs and brass castors. £200-300 401. A Regency mahogany Canterbury, with four dipped divisions above a drawer and on ring turned legs and brass castors, 50cm high, 48cm wide, 31.5cm deep. £400-600

399

402. A Regency rosewood Canterbury, with three dipped divisions with two adjustable dividers, on turned and leaf carved supports with a base drawer, on brass castors, 58.3cm high, 55.5cm wide, 37.3cm deep. £300-500

400

403. A George IV goncalo alves occasional table in the manner of Gillows, the circular fixed top on a ribbed stem with a leaf carved base on scroll feet and brass castors, 76.5cm high, £200-300 75.5cm diameter.

404. An early 19th century painted pine occasional table, the oval top decorated with a classical urn and scrolling foliage above a drawer, 69.5cm high, 54.5cm wide, 40.3cm deep. £200-300 401

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402

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405. A George IV mahogany open waterfall bookcase, with ebonised edging and turned brass column supports on spiral twist fluted legs, 131.3cm high, 102.7cm wide, 24cm deep. £800-1,200

406. A Regency mahogany bowfront secretaire chest on chest, the detachable cornice above two short and three long drawers, the secretaire drawer with satin veneered drawers and pigeon holes with a secret compartment to the hinged fall, above two long drawers, all fitted with lion’s mask ring handles, 197cm high, 108.4cm wide, 60cm deep. £400-600

407. A large Regency Irish mahogany bowfront chest, the top with a reeded edge above two short and two long drawers on French bracket feet, 98cm high, 150cm wide, 59.5cm deep £400-600

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408

409

408. An early Victorian mahogany coaching table, with turned stretchers, 76.5cm high, 96.3cm wide, 57cm deep. £150-200 409. A 19th century mahogany butler’s tray, on an associated folding stand, 65.5cm high, 70cm wide, 44.5cm deep. £100-150 410. A nest of three 19th century rosewood occasional tables, on turned column supports united by curved stretchers, 76cm high, 60cm wide, 36.5cm deep. £300-400 411. A mahogany dressing table mirror, with an arched plate on a later ratchet mechanism above a serpentine box base, 60.5cm high, 45cm wide, 19cm deep. £80-120

410

412. A William IV mahogany sarcophagus shape wine cooler, the lead lined interior with six divisions with gilt brass acorn and rosette side carrying handles, 35.4cm high, £200-300 40cm wide, 28cm deep.

413. A low Victorian mahogany coaching table, with turned stretchers, 47cm high, 91.2cm wide, 49.3cm deep. £100-150

411 412

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414. A set of thirteen George IV mahogany dining chairs in the manner of Gillows, each with a moulded toprail carved with rosettes above a scroll and gadrooned horizontal splat with a drop-in seat on sabre legs, some seat rails with workman’s initials ‘I.S.’, comprising: a pair of open armchairs and eleven side chairs. (13) £2,000-3,000

415. An early Victorian mahogany extending dining table, the top with a moulded edge on a telescopic frame extending to accommodate three additional leaves, on turned tapering legs and ceramic castors, 72.8cm high, 140.5cm wide, 314cm long (extended). £1,000-1,500

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416. A set of Victorian mahogany hanging wall shelves, with acorn finials and ring turned baluster supports, 56.2cm high, 67.8cm wide, 16cm deep. £200-300

416

417. A pair of mahogany open armchairs, each with a padded back, armrests and seat, on square tapering legs, early 19th century and later. (2) £300-500 418. A set of early Victorian mahogany hanging wall shelves, with gilt brass suspension rings and finials with turned baluster supports, 49.8cm high, 63.5cm wide, 15cm deep, together with two sets of walnut hanging shelves. (3) £100-200

418

419.

A pair of George IV rosewood open armchairs, each with a curved top rail above a leaf carved pierced horizontal splat, with a drop-in seat with scroll arms and ribbed front legs. (2) £300-400 420. A Regency mahogany sarcophagus shape wine cooler, inlaid with stringing, the interior with divisions for twelve bottles, on bun feet with sunken castors, possibly Irish, 42.2cm high, 69.3cm wide, 55cm deep. £300-500

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421. A set of six early Victorian walnut Gothic style dining chairs in the manner of Richard Bridgens, each with an arched back with a pierced and leaf carved panel with acorns and a central rosette within a stylised leaf moulded border, with a leather upholstered padded back and a drop-in seat, on leaf carved ‘X’ frame supports united by turned stretchers on ceramic castors. (6) £800-1,200

421

422.

A George IV mahogany writing table in the manner of Gillows, the breakfront top inset with green material and with a hinged slope on a ratchet above a frieze drawer with ivory knob handles, the frieze with three further false fronts and nulled moundings, on turned and ribbed tapering legs and brass castors, 74.8cm high, 107.6cm wide, 67cm deep. £500-700

422

423. A Regency mahogany bowfront chest, the top with a reeded edge above a baize lined brushing slide above three long drawers flanked by ribbed columns, 91.4cm high, 106cm wide, 53.8cm deep. £600-800 423

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425

424

424. A William IV rosewood three tier whatnot, with mushroom finials and ring and baluster turned supports, with a base drawer on brass castors, 104.7cm high, 43.2cm wide, 40.3cm deep. £200-300 425. A Victorian mahogany twin pedestal desk, the top with a moulded edge and inset with a gilt tooled green leather above an arrangement of nine drawers, the reverse with a pair of £500-700 cupboard doors, on castors, 76.5cm high, 142cm wide, 78.2cm deep.

426. A Regency mahogany whatnot, with urn finials, with four tiers inset with later tooled leather panels, 148.4cm high, 44.5cm wide, 45.5cm deep. £400-600 427. A Regency mahogany bowfront chest, the crossbanded top above two short and two long drawers, 90.5cm high, 91.5cm wide, 46.5cm deep. £300-500 428. A quartetto nest of 19th century mahogany occasional tables, each with a beaded £300-400 top on turned column supports, 73.5cm high, 45.7cm wide, 35.2cm deep. (4)

426

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429

430

429. A William IV rosewood occasional table in the manner of Gillows, with a baluster turned stem and flower carved base on scroll feet, 83.5cm high, 58.7cm wide, 40.7cm deep. £200-300 430. A large George IV rosewood cheval mirror attributed to Gillows, with a rectangular plate and square section uprights supporting gilt brass candle sconces with engine turned anthemion decoration and lobed finials, the base with scroll volutes on bun feet and sunken brass castors, 180cm high, 104.5cm wide, 70cm deep. £2,000-3,000 431. A Regency rosewood guéridon, the circular top inset with later marble, with a gadrooned edge on leaf carved scroll supports, 71.9cm high, 60cm diameter. £800-1,200 432. A Regency mahogany and brass inlaid ‘D’ shape tea table, on turned and spiral twist tapering legs and brass castors, possibly Scottish, 74.4cm high, 90.5cm wide, 43.7cm deep. £400-600

431

432

433. A Regency rosewood and brass marquetry tea table, the crossbanded hinged and swivel top inlaid with flowers and foliage, the frieze with a cut brass tablet on splay legs and lion’s paw sabots and castors, 73.5cm high, 91.5cm wide, 45cm deep. £500-700

433

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434

434. An early 19th century mahogany side table, the top with a reeded edge and a raised back above a pair of frieze drawers on turned legs and brass castors, 80.9cm high, 135.7cm wide, 60.7cm deep. £200-300 435. A pair of of late 19th century giltwood wall brackets, with leaf scroll supports, 25.5cm high, 29.5cm wide. (2) £100-150

435

436. An early 19th century black japanned sewing table, decorated with chinoiserie with figures, trees and birds, the hinged lid revealing a divided interior above a turned stem with a galleried undertier, 75cm high, £100-200 41.5cm wide, 35.5cm deep.

437. A mahogany corner wall bracket, of fan shape, 29.5cm high, 36.4cm wide. £100-150 438. A Regency mahogany bowfront chest, of two short and three long graduated drawers on French bracket feet, 103.7cm high, 107cm wide, 49.7cm deep. £300-400

436 437

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439. A 19th century giltwood and gesso girandole, with an inverted bell shape plate in an arcaded and bead edge frame, with an urn surmount issuing scrolling foliage, the base with a pair of gilt metal scroll branches, 117 x 57cm. £400-600

439

440. A George III carved giltwood and gesso girandole, the shaped plate within a leaf, husk and scroll carved frame, with an urn surmount and twin brass sconces, 93.5 x 37.5cm. £200-300 441. A carton-pierre and wood oval wall mirror in the manner of John Linnell, ebonised and parcel gilt, 113 x 44.4cm. £300-500

441 442. A late Victorian giltwood and composition wall mirror, the rectangular plate within a rococo style frame carved with scrolls, leaves and flowers, applied with a coat of arms for the Peel family, 89.2 x 77cm. £400-600 442

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444 443 443. A giltwood overmantel mirror, the rectangular plate within a ribbed and ribbon tied frame, the base with leaf scrolls, 119.4 x 117cm. £500-800 444. A rococo style giltwood wall mirror, the shaped plate within a scroll carved rocaille, leaf and branch carved frame with a stylised waterfall surmount, 125.5 x 73.7cm. £300-500 445. An early 19th century giltwood convex wall mirror, the circular plate within an ebonised reeded slip and a ball decorated frame with a leaf surmount, 55cm high, 43.3cm wide. £100-200 446. An Italian giltwood wall mirror, with a shaped plate within a carved scrolling foliage frame, 85 x 68cm, together with another wall mirror. (2) £100-200 447. A late Regency bird’s eye maple and rosewood marquetry overmantel mirror, the rectangular plate within a gilt slip, the frame decorated with split columns, 50.3 x 80.4cm. £80-120

445

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446

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449 448

448. A George III ivory decagonal tea caddy, inlaid with tortoiseshell stringing, the front with a navette shape escutcheon engraved with a bird over initials ‘GSM’, the hinged lid with mother of pearl dot inlay and a swing handle revealing a lidded interior, 10.8cm high, 10.5cm wide. £400-600 449. A George III harewood and marquetry navette shape tea caddy, inlaid with conch shells, with an ivory escutcheon and with a lidded interior, 12cm high, 15.6cm wide. £150-250 450. A George III mahogany and marquetry rectangular tea caddy, inlaid with conch shells with a lidded interior, 12.4cm high, 12cm wide. £100-150 451. A George III blond tortoiseshell oval tea caddy, inlaid with ivory edging, the moulded hinged lid with a brass handle revealing the interior with twin lidded divisions with turned handles, 11.3cm high, 15.5cm wide. £300-500

450

452. A late Regency partridge wood sarcophagus shape tea caddy, inlaid with ebonised stringing, with a bone escutcheon, the interior with lid lacking on gilt brass £100-150 claw and ball feet, 16cm high, 13.6cm wide.

452 451

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454 453

453. A collection of hardstone objects, including: agate, bloodstone and chalcedony of bowls, a model snail, a paperweight and other items, 20cm diameter (max). (10) £100-150 454. A late 19th century Black Forest carved wood model of a recumbent mountain dog, with glass eyes, 24cm long. £200-300

455. A 19th century continental boxwood screw action figural nutcracker, in the form of a violin player,15.8cm high. £200-300

456. An early 19th century plated metal inclinometer, with a spirit level, engraved scales and inscribed ‘T. B. Python Leut Colonel Invenit’ and ‘Fresselicque Lx fecit’, 21.8cm long. £100-200

457. A pair of late 19th century blue glass tazzas, each with a flower and leaf gilt rim, 17.1cm high, 115.5cm diameter. (2) £150-200

455

458. A near pair of Victorian glass cornucopia vases, each with a bronze gauntlet terminal on an alabaster plinth, 16cm high, 17cm wide. (2) £200-300 456

457

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460

459

459. A Chinese mother of pearl counter box, containing eight circular engraved counters, together with a Victorian tortoiseshell and silver purse and a Victorian mother of pearl handled and silver penknife, hallmarked Birmingham 1858, 7.3cm wide (max). (3) £80-120 461 460. An early 20th century gilt bronze and steel cigar cutter, one side decorated with £400-500 two running dogs, the other with a whippet chasing a hare, 23.1cm long.

461. A George III tortoiseshell and silver inlaid lancet étui, decorated with a basket of flowers, floral swags and an urn with initials ‘FN’, the hinged lid revealing four lancets, three with tortoiseshell handles, the other with mother of pearl, one steel blade stamped ‘DADLEY’, 7.6cm high. £150-200

462. An Austrian meerschaum pipe by Ludwig Hartmann & Eidam, of a man with a long Pinocchio style nose, wearing a top hat, in a fitted leather case with maker’s mark, together with another meerschaum pipe, 10.6cm long (max). (2) £200-300

463. A late 19th century meerschaum pipe, with silver coloured metal mounts, the bowl with a coat of arms, the hinged lid inscribed ‘Karl Schwarzenberg’, 40cm long. £80-120

462 detail

463

462

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464. A collection of Russian lacquer items painted in the Soviet propaganda style, including eggs and boxes, five eggs painted by G.A. Matsygin, one of Marshall S.M. Budyonny, the majority signed and dated, late 20th century, 28.3cm (max). (16) £200-300 Provenance: From the collection of John Newall Esq.

465. A small collection of late 19th century Russian lacquer items, comprising: a tea caddy, the hinged lid painted with a peasant man and woman, with a foil lined interior, together with a barrel caddy, the lid painted with a troika scene, a small box and cover painted with two men taking tea and a circular plate painted with a troika scene, 22.3cm diameter (max). (4) £100-150 Provenance: From the collection of John Newall Esq.

466. A collection of Russian lacquer items, with boxes and two eggs, painted with fairy tale scenes, landscape views, a hunting scene and a winter landscape view of figures, the majority signed and dated, late 20th century, 20.2cm wide (max). (14) £150-250 Provenance: From the collection of John Newall Esq.

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467. A pair of Louis XVI style white marble and ormolu perfume burners, the lid with a leaf wrapped cone finial above a body applied with ribbon tied laurel swags, on a leaf moulded base, late 19th century, 25.8cm high. (2) £600-800

468. A pair of Louis XVI style white marble and ormolu perfume burners, each with a lift-off lid with a cone finial above a pierced band and with male mask tripod supports with hoof feet, 19th century, £300-400 33cm high. (2)

469. A pair of Regency style tôle peinte cachepots, each with a green painted lift-out liner, 29cm high, 20.5cm wide. (2) £150-250

470. A 19th century Dutch mahogany and marquetry decanter box, inlaid with a basket of flowers and further panels of flowers and foliage, the plush lined interior fitted with six gilt decrorated glass decanters and stoppers, 28.4cm high 23.7cm wide, 19.9cm deep. £700-900

471. A 19th century tôle peinte oval tray, painted green, the centre with a river city scape, possibly East European on the Danube, 58.5 x 71.1cm. £200-300

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472

473 472. A Victorian papier-mâché sewing table cabinet, decorated with gilt flowers and inlaid with mother of pearl, the hinged lid painted with a view of Magdalen Bridge and College, broken, revealing a plush lined and silk divided interior above a pair of panelled doors revealing three drawers, the sides with floral sprays, 26cm high, 26.4cm wide, 21.5cm deep. £200-250 473. A Victorian papier-mâché bowl by Clay, decorated in gilt with leaves, the base stamped ‘CLAY KING ST. COVT GARDEN’, 35.5cm wide, together with a Victorian papier-mâché inkstand with two glass wells, a pot and cover, a tray with a brass swing £100-200 handle and a tole bowl. (5) Provenance: From the collection of John Newall Esq. 474. A gilt brass scale model of a 19th century carriage or coach, with hinged doors, mounted on a mahogany plinth with gilt ball feet, 20.8cm high, 32.8cm wide. £100-150 475. A Victorian gilt brass tazza, with engraved decoration and applied with agate cabochons, 10cm high, 31.3cm diameter. £150-200 474

476. A Victorian commemorative turned ebony snuff box, the lid with a circular panel with a portrait bust, with sheaves of wheat and agricultural tools, inscribed ‘TO COMMEMORATE THE PASSING OF SIR RBT PEELS FREE TRADE MEASURES’, 7cm diameter. £100-150 477. A late 19th century French gilt metal jewellery box, the hinged lid inset with a portrait miniature on ivory of a queen, signed ‘Adart’, with a plush lined interior, 11cm wide. £80-120

475

476

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478 478. An early 19th century enamel on copper oval plaque, painted with a farmer with his donkey, sheep and cows in a moorland setting with a ruined castle, 18.3 x 26.5cm in a giltwood and gesso moulded frame. £1,200-1,500 A 19th century wax portrait relief 479. bust of Robert Adam, inscribed ‘ROBERT ADAM, ARCHITECT DIED 3 MARCH 1792’, in a plush lined, glazed rosewood box frame, probably cast from the James Tassie medallion, 14.5 x 12.2cm. £300-500 480. An early George III cut paper coat of arms, for Sir George Leonard Staunton, mounted in a glazed ebonised moulded frame with a gilt slip, 45.5 x 40.5cm. Sir George Leonard Staunton (1737-1801) Privy Counsellor and his Majesty’s Attorney General of Grenada. £400-600 479

480

481. After Daniel Maclise R.A. (Irish 1806-1870). A pair of steel engravings by Lumb Stocks of ‘Wellington and Blucher’, meeting after the battle of Waterloo and the Death of Nelson, at the battle of Trafalgar, published by the Art Union of London 1875, 36.5 x 118cm, mounted, framed and glazed. (2) £100-150

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483

482 482. An Austrian pottery fishbowl, modelled with a polar bear and two cubs on an icy precipice, signed ‘Marowicka’, the interior with a glass bowl, the base with factory mark and inscribed ‘VIENNA FAIENCE SCHAUER’, with impressed marks ‘D845F, DEPOSE 2363’, early 20th century, 45.4cm high, 46m wide. £300-400 483. Two pottery spirit barrels, one inscribed ‘BRANDY’ and printed with a stork in an exotic river landscape, the other for ‘SHERRY’, £150-200 31.3cm high (max). (2) 484. Three South Sea Island carved mother of pearl shells, the largest with a portrait bust of George V in a wreath supported by two natives, with further portrait busts of ladies, together with two smaller shells, one with the portrait of Edward VII the verso titled, the other with £80-120 a rosette and and a pair of doves, 22 x 18.5cm (max). (3) Provenance: From the collection of John Newall Esq.

484

485. A bronze bust of Napoleon, on a marble plinth, 18.2cm high, together with a South Sea Island carved mother of pearl shell depicting Napoleon on horseback, titled and a French porcelain small plate printed with a portrait of Napoleon, gilt marks ‘PORCELAINE DE LUXE’. (3) £150-200 Provenance: From the collection of John Newall Esq. 486. A bronze inkstand, naturalistically modelled with a lion, with a pair of hinged inkwell compartments, signed ‘Martin’, early 20th century, 10.5cm high, 37cm wide. £100-150

485

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486

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487. A set of fifty-three French engraved playing cards, the set decorated with coats of arms, kings and queens and other figures, probably late 17th century, together with twelve hand-coloured engraved French playing cards, decorated with famous historical figures including: Marguerite De Valois, François 1, Richelieu, early 19th century, a scorecard inscribed ‘PAIEMENS AU BOSTON’ with the rules, late 18th / early 19th century and a boxed set of German oval playing cards by A. Twietmeyer, the lid inscribed ‘NEUE OVALE SALON SPIELKARTEN, A. TWIETMEYER, LEIPZIG’ late 19th century. (A lot) £100-150

487

488. A Victorian gilt bronze tray, the rim and handles cast with a grapevine, the centre with a reverse glass painted scene of Crystal Palace, the Great Exhibition 1851, 7.4cm high, 34.5cm wide. £100-150 Provenance: From the collection of John Newall Esq.

489. An early 19th century painted card and silk sewing box, in the form of a secretaire bookcase, decorated to imitate satinwood, with a drawer fitted with a pair of steel scissors, two silk pin cushions and a lidded compartment with needle holders, together with a card toilet mirror, with bone finials and gilt mouldings, decorated with a printed scene of a man and a woman, the back with a printed label ‘Made by C. Lincoln, London.’, 21.9cm high (max). (2) £50-100 Provenance: From the collection of John Newall Esq.

490.

A 19th century French card and brass chocolate box, the lid with a printed portrait of a lady behind glass, the base with a printed label ‘Au Fidele Berger, Yve AUCLER & P. LEDOUX, Rue des Lombards 46 & 48 Paris’, two similar boxes one with a printed river scene with two figures, the other with a girl with a dog, a French gilt brass dish with printed views of Paris landmarks, three English pin cushions with reverse glass prints including Brighton Pavilion, a tortoiseshell box and a papier-mâché plaque with a view of St. Paul’s Cathedral together with two snuff boxes, 11.8cm wide (max). (11) £100-150 Provenance: From the collection of John Newall Esq.

491.

A 19th century French burr maple snuff box, the lid inset with a gilt bronze double portrait relief medallion of Voltaire and Rousseau after François Caunois, signed, with a tortoiseshell lined interior, 8cm diameter. £100-150

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492. An early Victorian rosewood gallery glass, with a moulded frame and a turned handle, the end with a metal suspension ring, 37.5cm long, 18.5cm diameter. £200-300 493. A William IV painted London and Brighton railway truncheon, the shaft decorated with a crown above the town arms of London and Brighton within a garter and inscribed ‘LONDON AND BRIGHTON RAILWAY COMPANY 1837’, and painted with floral sprays, with a ribbed handle, the base stamped ‘PARKER HOLBORN 233’, £300-500 46.7cm long.

492

494. A Victorian tortoiseshell and mother of pearl card case, inlaid with a band of leaves and flowers, a Victorian mother of pearl card case with engraved decoration and a carved panel with an exotic bird amidst leaves and flowers, together with a mother of pearl purse carved with figures, 10.7cm high (max). (3) £50-100 Provenance: From the collection of John Newall Esq. 495. An Edwardian umbrella by Brigg, the ebony handle carved with a man’s head with glass eyes above a silver ferrule, hallmarked London 1902, with a silk canopy, 97.4cm long. £80-120 Provenance: From the collection of John Newall Esq. 496. An early Victorian rosewood hand mirror, the circular bevelled plate within a moulded frame and with a turned handle, 43.4cm long, 22.6cm diameter. £100-150

494

497. Literature. Nicholas A. Brawer ‘British Campaign Furniture Elegance under Canvas, 1740-1914’, Elizabeth White ‘Pictorial Dictionary of British 18th Century Furniture Design’, Graham Child ‘World Mirrors 1650-1900’, Annette Carruthers and Mary Greensted ‘Good Citizen’s Furniture, The Arts and Crafts Collections at Cheltenham’, Craig Gilborn ‘Adirondack Furniture and the Rustic Tradition’, Christie’s ‘Dumfries House A Chippendale Commission Volumes 1 & 2’ and Christie’s ‘Nureyev Part 1 & 2’. (9) £100-200

493

495

496 495 detail

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498. A set of six copper etchings taken from ‘Raccolta di Pitture d’Ercolano’, depicting artifacts excavated from Herculaneum, by various artists including Casanova and Vanni, 25.7 x 36cm, mounted, framed and glazed. (6) £150-250

499. A 19th century bronze Grand Tour model of the Vendôme column, on a marble plinth, 23.6cm high, together with a bronze model of the Temple of Vespasian. (2) £200-300

136

500. After the antique. A late 19th century bronze model of the Warwick vase, 22.5cm high, 27cm wide. £100-150

501. After John Flaxman (1755-1826). A pair of late 19th century bronze ewers, water modelled with Neptune and decorated with waves and a fish, wine with Bacchus and decorated with a grapevine and a horned ram, 21.5cm high. (2) £300-500

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502

503

502. After the antique. A 19th century Italian carved Siena marble Grand Tour model of Scipio’s tomb, the lift-off cover revealing three apertures, two for inkwells, the front with a Latin inscription 7.3cm high, 13.7cm wide. £300-400

504

503. An early 19th century Italian Grand Tour ‘book’ of plaster intaglios, titled ‘LIBEROTTI IMPRONTE, OPERE SCELTE’, with a hinged cover revealing fourteen medallions after Canova, Thorwaldsen and the antique, with a titled list of works to the inside of the £200-300 lid, 25.3cm x 16.5cm.

504. A late 19th century Italian micromosaic paperweight, of serpentine outline, the centre inlaid with the ‘Doves of Pliny’, within a malachite band, 14.5 x 18cm. £200-300 505. A late 19th century Italian Vatican workshop micromosaic plaque, depicting pansies within a giltwood and composition frame, the reverse with a printed paper label inscribed ‘REV. FABB CA DI S. PIETRO IN VATICANO’, with ink inscriptions ‘1269 lira 190’ and with the buyer’s name and address in £400-600 pencil, the plaque 15.5 x 29.5.

505

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506. A 19th century Italian carved oak ‘book paperweight’, the top with a band of oak leaves and acorns with a laurel wreath bordering a central carved cameo portrait bust of a man, the underside inscribed in ink ‘Florence 1857’, 14.4 x 9.2cm. £150-250

507. A late 19th century Italian Florentine pietra dura paperweight, the centre decorated with a portrait of Dante within a band of specimen stones, 16 x 12cm. £150-250

506

507

508. A pair of Italian micromosaic oval paperweights, inlaid with views of Venice: St. Marks Basilica and Santa Maria della Salute, each within a malachite border, late 19th / early 20th century, 7.7 x 10cm. (2) £200-300

509. A late 19th century gilt metal trinket box, the hinged lid inset with a micromosaic panel depicting the ‘Doves of Pliny’, cracked, 3.8cm high, 7cm wide. £80-120

century Italian 510. A late 19th micromosaic paperweight, with an oval panel depicting St Peter’s Square, Rome, £100-150 12.2 x 14.1cm.

509

508

511. An Italian micromosaic paperweight, inlaid with a central panel of flowers, a gilt metal box, the hinged lid inlaid with a panel of flowers, together with a gilt metal paper knife, the handle decorated with flowers and with a coat of arms for Lugano, late 19th / early 20th £100-150 century, 20.5cm (max). (3)

511

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512

513

512. A late 19th century Italian Florentine pietra dura paperweight, inlaid with a goldfinch and two other birds perched on a branch, the underside indistinctly inscribed with names, the number ‘2169’ and ‘Firenze’, 9.5 x 14.1cm. £200-300

513. After the antique. A carved marble bust possibly of Diana, on a green marble socle, late 18th / early 19th century, 41.3cm high, 26cm wide. £300-500

514. After Christophe Gabriel Allegrain (French 1710-1795). A late 19th century carved alabaster figure of the bathing Venus, 88cm high. £800-1,200

515. After the antique. An Art Deco gilt bronze figure of Discobolus, standing on a circular plinth, 63cm high, 45cm wide. £150-250 515

514

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516. After Giambologna (Flemish 1529-1608). A 19th century bronze figure of Fortuna, signed indistinctly, on a stepped circular Siena marble base, 47cm high. £300-400

517. After Giambologna (Flemish 1529-1608). A 19th century bronze figure of Mercury, signed ‘J de Bgna’, on a stepped circular Siena marble base, 48.4cm high. £300-400

516

518. A carved marble figure of a cherub, with inlaid eyes, inscribed ‘AGNUS’, possibly 18th century, 92.8cm high, 23.3cm wide, 30.3cm deep £300-500

140

517

519. After Jean-Antoine Houdon (French 1741-1828). A bronze figure of Diana the Huntress, the goddess carrying a bow and arrow, the base signed ‘HOUDON’, 60.7cm high. £400-600

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520. After the antique. An 18th century German boxwood figure of Venus Callipygos, or of the beautiful buttocks, 28.2cm high. £1,000-1,500

522 520

521. A pair of bronze models of recumbent lions, 18th / 19th century, 9cm long. (2) £400-600

521

522. After Claude Michel known as Clodion (French 1738-1814). A pair of bronze figures of cherubs, one holding grapes in his tunic, the other with a bird’s nest, on a marble base, 33.8cm high. £200-300

141

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523. Jean Garnier (French 1853-c.1910).

A bronze figure of a Dutch farmer, working the soil, the naturalistic base signed ‘J. GARNIER’ and with ‘BRONZE GARANTI’ pastille, on a later mahogany plinth, 32.5cm high. £200-300 524. After Albert-Ernest Carrier-Belleuse (French 1824 - 1887). A French bronze group, of Paul and Viginia from the novel Indian Cottage, the base signed ‘A. CARRIER £200-300 BELLEUSE’, 43.5cm high.

525. A 19th century French bronze figure of an ice-skater, standing on a naturalistic base putting on his skates, signed ‘Sevres’ on a Siena marble plinth, 18.5cm high. £200-300

523

524

526. An Art Nouveau gilt bronze figure of a nude lady, with a bird resting on her arm, the base signed ‘Schmalenberg’ and ‘Germany’, on a marble base, 29.8cm high. £200-300 527. A 19th century bronze bust of a lady, with a wreath and a lion mask in her hair, with a shield dated ‘1848’, together with another bronze bust of a lady and a small German bronze figure of a young boy, by Schmidt Felling, signed and titled ‘Sepp’, 19.9cm high (max). (3) £200-300 528. A pair of carved and painted wood portrait busts, of two gentlemen, the bases with impressed marks ‘E. STROOBANT, 83 ANS 1863 WATTRELOS’, Dutch or French, £200-300 38cm and 33cm high. (2) 525

526

527

142

528

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529. Charles Arthur Bourgeois (French 1838-1886).

A bronze figure of the ‘Snake Charmer’, the base signed ‘A. BOURGEOIS Sculptr’ and with foundry signature ‘L. Marchand EDT’, 82.8cm high. £1,500-2,000 Charles Bourgeois created and exhibited the plaster version of the Snake Charmer in 1863 the same year that he won the Prix de Rome. In 1864 Emperor Napoleon III ordered a life-size bronze of the Snake Charmer which now stands in the Jardin des Plantes, Paris.

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530. Charles Alexandre Malfray (French 1887-1940).

A bronze bust of a lady, signed ‘MALFRAY’, 14cm high. £1,500-2,000 Provenance: Given by the artist to the vendor’s grandmother who was an art student in Paris in the 1930s at the Académie Julian.

531. An Italian white marble group, of two cherubs and a lizard, the naturalistic base signed indistinctly ‘A BARASOTTE’ and dated ‘1905’, 46.7cm high, 37.5cm wide. £600-1,000

144

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532. Ugo Zannoni (Italian 1836-1919). A 19th century white marble figure, ‘Her Favourite Pets’, signed and dated ‘UGO ZANNONI FECIT MILANO 1875’, 110cm high, 41cm wide. £8,000-12,000 Ugo Zannoni was born in Verona in 1836 and attended the Academy in Venice and the Brera in Milan. One of his most famous works is the monument to Dante which can be found in the Piazza dei Signori, Verona.

145

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533. After Pierre-Jules Mêne (French 1810 - 1879). A bronze group of nanny goat and kid, on a naturalistic base, signed ‘P.J. MENE’, 22.7cm high. £300-400

533

534. A carved wood group of two fighting lions, the base with initials ‘S.K’, 42.2cm high, 39.5cm wide. £500-800

534

535. An Austrian cold painted bronze model of a hind deer in the manner of Bergman, the underside of its belly stamped ‘GESCHUTZT’, late 19th / early 20th century, 14.4cm high, 14cm long. £150-200

535

536. An Austrian cold painted bronze model of a grouse in the manner of Bergman, stamped ‘GESCHUTZT’, late 19th / early 20th century, 9.1cm high. £100-150 536

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537. Falconry interest. A pair of early 20th century cold painted bronze models of falcons, each standing on a plinth, one hooded, one with glass eyes, both signed ‘A N MILLER’, both mounted on marble ashtrays, possibly originally car mascots, the bronzes: 14.7cm high, the ashtrays: 22.5cm wide (max). (2) £300-400

537

538. Two Austrian cold painted bronze models of stags in the manner of Bergman, one with a hinged back revealing an inkwell compartment, the other stamped indistinctly to the underside of its belly, late 19th / early 20th century, 19cm high, 19.5cm long (max). (2) £300-500

538 537 detail

FIREPLACE FURNITURE & GARDEN STATUARY 539. A pair of early 20th century carved and painted models of fir trees, with gilt highlights, on a naturalistic base inset into a green painted cast iron urn, 126.4cm high, 37cm diameter. (2) £2,000-3,000

540. A carved stone garden statue of a seated lion, on a square plinth, 110cm high, 57cm wide, 58cm deep. £600-800 Please note this item is extremely heavy and will require professional removal.

539

540

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541

541. A modern green leather and brass club fender, the button upholstered and studded seat on turned supports, 54cm high, 195cm wide, 66cm deep, interior: 166.9cm wide, 48.5cm deep. £300-400 542. A set of three 19th century steel fire tools, each with a disc finial handle and a knopped stem, with a pierced pan, 75cm long (max). (3) £150-250 543. A set of three Victorian steel fire tools, each with a baluster handle, with a pierced pan, 75.4cm £100-150 long (max). (3)

542

544. A teak and brass bound planter by Maple & Co., the interior with an associated lift-out copper liner, with lion’s mask ring handles, the base with an oval brass plaque, early 20th century, 76.4cm high, 85.1cm wide, 53.5cm deep. £200-300

543

545. A leather bucket, with two pierced handles, 39.1cm high, 40.8cm diameter. £200-300 546. A large country house wicker log basket, with a pair of handles on sleigh type feet, 72cm high, 138cm wide, 92cm deep. £300-500

544

545

546

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547

547. A cast iron and brass fire-grate in George III style, the arched back decorated with a patera and husk swags, above a rail front with a pierced frieze and with urn finials, 62.4cm high, 71.5cm wide, 40cm deep. £200-300 548. A set of three William IV steel fire tools, each with a faceted mushroom finial handle and knopped stems, with a pierced pan, 77.4cm long (max). (3) £200-300 549. A set of three early 19th century steel fire tools, each with a foliate decorated gilt bronze handle and faceted stem, with a pierced pan, 77cm long (max). (3) £300-400 548

550. A late Victorian Fulham pottery stoneware stickstand, with moulded mark to base, 68cm high, 34.7cm diameter. £150-250

549

551. An Italian bronze door knocker, the centre with a hunter with his bow and quiver of arrows flanked by a pair of dolphins above a lion’s mask, probably 19th century, 18cm high. £150-200 552. An early 19th century polished steel fender, with a pair of columns with lobed finials flanking a baton and pierced and engraved flowers and foliage, 22.2cm high, 125.1cm wide, 26.5cm deep. £100-150

550

551

552

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553. A Victorian brass lion’s paw doorstop, with an open handle and leaf cast stem, 38cm high. £100-150

554. A Victorian painted cast iron doorstop in the form of Punch, reclining on a stack of books with his dog, 31.4cm high. £100-150

555. A Victorian brass doorstop, with an open handle and a bell shaped base, 39.3cm high. £100-150

556. A Victorian brass doorstop in the form of a basket of flowers, with a laurel wreath handle, 32.1cm high. £100-150

557. A Victorian cast iron boot scraper, 23cm high, 59.8cm wide, 37.5cm deep. £100-150

558. A late Victorian painted cast iron urn, with an ovolo moulded rim, the edge of the bowl with impressed registration and kite marks and ‘No 3’, on a fluted and lobed foot, 39cm high, 47cm diameter. £150-250

559

150

559. A pair of coopered wood and iron fruit carriers, with open handles, 55.7cm high, 58cm wide. (2) £200-300

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560. A George III white marble chimneypiece tablet, carved with a classical lady holding a torch and with Cupid with a quiver of arrows, 19cm high, 43.5cm wide. £800-1,200

561

561. A set of three early Victorian steel fire tools, each with a lappet cast handle and knopped stem, with a pierced pan, 71.5cm long (max), together with a pair of steel and gilt brass andirons with a claw and ball finial on lion’s paw feet, with traces of a registration number. (5) £200-300

562

562. A cast iron and brass serpentine fire-grate in George III style, the arched back above a rail front with a pierced frieze and with urn finials, 71cm high, 60.6cm wide, 31.5cm deep. £200-300 563. A set of 19th century steel fire tools, each with a beaded urn handle and a knopped stem, with a pierced pan, 74.6cm long (max). (3) £100-150

563

564. A cast iron and brass serpentine fire-grate in George II style, with a serpentine railed front above above a pierced frieze, turned finials and scroll front feet, 60.7cm high, 53cm wide, 34cm deep. £150-250

564

151

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565

565. A Victorian mahogany and satinwood floral marquetry centre table, the circular tilt-top crossbanded and inlaid with bands of flowers on faceted stem and a conforming platform base with scroll feet and castors, 73.7cm high, 135cm diameter. £600-800

566

566. A mahogany serpentine commode in George III style, with a brushing slide above four long graduated drawers flanked by blind fret angles, late 19th / early 20th century, 88.3cm high, 95cm wide, £300-400 55.7cm deep.

567. A leather porter’s chair, with a button back seat with studded burgundy leather upholstery on spoke castors, mid 20th century. £400-600

568. A late Victorian wing armchair, later upholstered with red damask fabric on oak supports and brass castors. £200-300

568

152

567

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569

569. A Victorian oak Gothic library table in the manner A.W.N. Pugin, the rectangular top with a moulded edge above a leaf arch and berry carved base with chamfered supports, 80.3cm £800-1,200 high, 167.3cm wide, 77cm deep.

570

570. A Victorian carved oak ice box, of sarcophagus shape, the hinged lid with a fruit and leaf panel, the interior with a lift-out metal liner with spiral twist columns and leaf carved cartouche panels, on brass castors, 54.5cm high, 66.8cm wide, 52cm deep £300-500 Provenance: Hannington Hall, Wiltshire.

571. A 19th century satin birch open waterfall bookcase, with two shelves on disc feet, 107.8cm high, 106cm £200-300 wide, 32.8cm deep.

572. A late Victorian walnut easy armchair, with a button upholstered back with padded arms on fluted column supports, on tapering front legs and ceramic castors. £200-300

571

572

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573. An Edwardian satinwood breakfront bookcase in Sheraton style, with rosewood banding and ebonised edging, with a pair of astragal glazed doors flanked by further glazed doors enclosing a white painted interior with adjustable shelves, the base with a pair of lozenge inlaid panel doors enclosing adjustable shelves flanked by four drawers to either side, 206.4cm high, 154cm wide, 58.5cm deep. £1,000-1,500

573

574. A Victorian walnut nursing chair, with a carved and moulded frame with later fabric on cabriole legs and ceramic castors. £150-200

154

575. A Victorian mahogany pot cupboard, with a panelled door enclosing a shelf, 78.7cm high, 38.5cm wide, 39.4cm deep. £100-150

576. A Victorian walnut sewing table, the circular burr veneered top with an adjustable candle sconce, above a galleried undertier on a platform base and brass castors, the underside stamped ‘07427’, 67.4cm high, £200-300 55.7cm wide.

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577. A late Victorian Irish satinwood and marquetry display cabinet attributed to James Hicks of Dublin, with gilt brass mounts and inlaid with swags, scrolling foliage, paterae and husks in the Sheraton style, with a broken arch cornice centred an urn above a pair of glazed doors enclosing a plush lined interior with a shelf, supported by fluted columns, the base with a further glazed door enclosing a mirrored interior with a single shelf, 194.7cm high, 101.5cm wide, 37cm deep. £2,000-3,000

577

578. A walnut bergere armchair, with a moulded frame and a double cane back and sides, above a laurel carved front edge and carved bun feet, late 19th / early 20th century. £200-300

579. A mahogany drum library table in Regency style, the circular top inset with red leather above four drawers and divisions for books, on splay legs and brass lion’s paw castors, early 20th century, 73.3cm high, 77cm diameter. £150-250

580. An Edwardian satinwood open armchair in George III style, inlaid with stringing and fine rosewood banding. £100-150

155

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581

581. Two similar two seater sofas, each upholstered in taupe ‘Romo’ fabric, each with a scroll back and arms on turned front legs and castors, 86.5cm high, 209.5cm wide, 100cm deep and 84.5cm high, 184cm wide, 96cm deep.

(2) £800-1,200 582. A late Victorian thuya and marquetry card table, with gilt brass mounts, the hinged, swivel and fold-over top with a harewood panel on square tapering legs and ceramic castors, 74.3cm £150-200 high, 91cm wide, 44.3cm deep.

582 583. A burr walnut bureau in George II style

by Maple, the interior with drawers and pigeon holes, above two short and two long drawers, one with a trade label, the carved base with claw and ball feet, early to mid 20th century, 101.3cm high, 94cm wide, 54.5cm deep. £200-300

583

584. A Victorian miniature bird’s eye maple chest, with ebony banding and fitted with two short and three long drawers with turned knob handles, 42.5cm high, 42.5cm wide, 29.2cm £200-300 deep.

585. A Victorian papier-mâché tray, painted with a band of scrolling leaves and flowers on a later ebonised faux bamboo stand, 52cm high, 76.5cm wide, 59.2cm deep. £150-200 585 584

156

581

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586

588 monogram

586. A pair of late Victorian easy armchairs in the manner of Gillows, each upholstered with blue striped fabric with stitched leather buttons, on turned walnut front legs. (2) £800-1,200 Provenance: Purchased by the current vendor from Spencer Swaffer Antiques, Arundel.

587. A late Victorian oak and brass mounted hall bench attributed to James Shoolbred & Co., the back stamped with two registration lozenges for ‘13th December 1883’, 63cm high, 55cm wide, 32.8cm deep. £300-500 587

588

588. An early 20th century mahogany writing table attributed to George Betjemann & Sons, the raised back with three thuya veneered drawers, the central one with a pen tray and an ivorine plaque inscribed ‘RD. No. 706337’, above a lift-out reversible writing surface, with hinged stationery compartments with opaque glass panels to either side, one broken, the underside with a carved maker’s monogram ‘G B & S’, 81cm high, 68cm wide, £200-300 52.2cm deep.

589. A late Victorian walnut and brass mounted hall bench attributed to James Shoolbred & Co., the top rail with a brass gallery, the back stamped with two registration lozenges for ‘13th December 1883’, 63cm high, 55cm wide, 32cm deep. £400-600 589

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590. A late Victorian oak ‘Gothic’ centre table by Howard & Sons, the segmented octagonal top on chamfered legs united by a shaped stretcher on brass castors, the underside of the top stamped ‘HOWARD & SONS BERNERS ST.’, together with the remains of a paper trade label, 72cm high, 103.5cm wide. £800-1,200 591. A late Victorian pitch pine chest by Howard & Sons, with four drawers decorated with faux bamboo mouldings, one with a division and stamped ‘HOWARD & SONS BERNERS ST.’ and with a paper trade label, with Hobbs brass locks, 77cm high, 56.4cm wide, 49cm deep. £500-700 592. A Lenygon & Morant ‘Howard’ easy armchair, with loose covers and part ‘H & S’ monogrammed ticking, on beechwood supports and brass castors, the underside with a label inscribed A ‘LENYGON & MORANT LTD MAKERS OF HOWARD CHAIRS AND SETTEES, 48 SOUTH AUDLEY ST. LONDON W.1. E.G. 3263’, the back legs both stamped. £600-800 593. A Lenygon & Morant ‘Howard’ stool, with loose covers and part ‘H & S’ monogrammed ticking, on beechwood tapering legs and brass castors, the underside with a label inscribed ‘LENYGON & MORANT LTD MAKERS OF HOWARD CHAIRS AND SETTEES, 48 SOUTH AUDLEY ST. LONDON W.1. 1622 WG’, one leg stamped ‘HOWARD CHAIRS 48 STH AUDLEY ST. 1829’, 46.2cm high, 58.5cm square. £300-400

590

594. A Lenygon & Morant ‘Howard’ stool, with loose covers and ‘H & S’ monogrammed ticking, on beechwood tapering legs and brass castors, the underside with a label inscribed ‘LENYGON & MORANT LTD MAKERS OF HOWARD CHAIRS AND SETTEES, 48 SOUTH AUDLEY ST. LONDON W.1. E.G. 2988’, 44cm high, 54cm square. £300-400

591

592

593

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594

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595. A Lenygon & Morant ‘Howard’ three seater sofa, with a button back and a concave front, with loose covers and ‘H & S’ monogrammed ticking, on beechwood supports and brass castors, one back leg stamped ‘HOWARD CHAIRS 48 STH AUDLEY ST.’, 82.6cm high, 200cm wide, 84cm deep. £1,500-2,000

596. A Lenygon & Morant ‘Howard’ two seater sofa, with a button back and a concave front, with loose covers and ‘H & S’ monogrammed ticking, on stained beechwood supports and brass castors, the underside with a label inscribed ‘LENYGON & MORANT LTD MAKERS OF HOWARD CHAIRS AND SETTEES, 48 SOUTH AUDLEY ST. LONDON W.1, 5/2552 RH’, one back leg stamped ‘HOWARD CHAIRS 48 STH AUDLEY ST. 5/2552’, 78cm high, 156cm wide, 78cm deep. £800-1,200

159

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MARINE, TAXIDERMY, MISCELLANEA & CARPETS

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597. After Robert Dodd (1748-1815). Four coloured Trafalgar aquatints, the ‘BATTLE OF TRAFALGAR, VAN DIVISION’, ‘VICTORY OF TRAFALGAR, IN THE VAN’ , ‘VICTORY OF TRAFALGAR, IN THE REAR’ and ‘BATTLE OF TRAFALGAR, REAR DIVISION’, published by J.W. Laird, London 1843, 51.3 x 77cm, each in a glazed, bird’s eye maple frame. (4) £300-500 598. A bronze ship’s bell, the body cast with the name ‘TAKORADIAN’, 29.8cm high, 28.8cm diameter. £100-200 This bell is probably from the Empire cargo ship Swale, built by Deutsche Schiff und Maschinenbau. Completed in 1937 as Takoradian. The ship was scrapped in 1963.

599. A brass ship’s binnacle compass, with an applied plaque inscribed ‘6605-99-460-6389, 7428/SIS/R/38’, 26.5cm high. £50-100

598

600. A 19th century carved and painted wood halfblock model of a ship, with parcel gilt decoration, 24cm £200-300 high, 86cm wide.

600

599

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601 602

601. A sailor’s scrimshaw walrus tusk, one side engraved with a whaling scene flanked by a pair of walrus, with an inscribed banner ‘THE WHALERS IN THE ARCTIC’, with a replaced tip in wood, 52.4cm long. £300-500 602. Two sailor’s scrimshaw whale’s teeth, one decorated with a lady beside a tree stump, the other with a young boy, 13.3cm high (max). (2) £100-200 603. A 19th century shark vertebrae walking cane, 96cm long. £80-120 604. A sailor’s scrimshaw whale’s tooth, each side decorated with sailing ships, 16.3cm long. £300-400 605. A pair of ornamental alabaster models of cannon, 31cm long. (2) £200-300

604

605

162

603

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606. A White Star Line cabin blanket, decorated with a diaper outer border and with panels of flowers, the centre with a garter inscribed ‘WHITE STAR LINE’ and with a flag, with two small panels inscribed ‘REGD’, 188 x 121cm. £300-500

607. A Victorian tôle peinte tray, painted with a steamer in full sail, the edge pierced with two handgrips, 56 x 77cm. £100-200

608.

An early Victorian gilt brass and painted relief model of a ship’s captain, standing on a quay next to a Customs House, 15.7 x 9.2cm, mounted in a glazed rosewood frame. £40-60

609. A carved and painted wood model of the ship RMS Mauretania, in a glazed and brass case with ivorine plaque, 11.8cm high, 46.5cm wide, 12.5cm deep. £150-200

606

608

607

609

163

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610. Campaign interest. A Victorian copper burner, a pair of glass scent bottles with silver plated lids and a glass and silver plated mounted bottle, each with a leather case, some stamped with letters and numbers, 25cm long (max). (3) £300-400 611. Campaign interest. A Victorian cutlery set by Mappin, with a silver plated beaker containing folding ivory handled knife, spoons and fork, together with a condiment tower, in a leather case, stamped ‘MAPPIN BROTHERS, CUTLERS TO THE QUEEN, LONDON & SHEFFIELD’, 13.1cm, long. £200-300 612. A 19th century mahogany Campaign officer’s shaving case, the hinged lid revealing an interior with an inset mirror and a comb compartment above a lift-out tray with two razors above brush compartments and a soap box, 21.3cm long. £100-150

610

611

613. Fifteen Victorian pottery wine bin labels, one blank, the others with numbers, some stamped ‘FARROW & JACKSON LONDON & PARIS’, and one by Wedgwood and stamped ‘CHARLES FARROW LONDON’, 8.5cm (max). (15) £300-400 614. A set of sixteen brass metric weights, from 5kg - 1g, mounted in a wooden box with steel tweezers, 15.1cm high, 41.1cm wide, £40-60 13.6cm deep.

612

615. A Victorian bronze 56lb bell weight by De Grave & Co., engraved with ‘BOROUGH OF CROYDON 1896’, with maker’s mark, various portcullis marks ‘VR’ and ‘ER’ stamps, and the number ‘2291’, the handle engraved ‘56lb AVOIR’, 30.5cm high, in a fitted stained wood box, together with matching 28lb and 14lb weights, both in a fitted box and a matched set of Avery brass weights from 7lb - 1/2dram, in a leather case. (17) £2,000-3,000 613 616. A late Victorian brass yard stick by De Grave & Co., stamped ‘IMPERIAL YARD, BOROUGH OF CROYDON 1889 DE GRAVE & CO. LONDON’, in a mahogany box with a bronze plaque. £300-400

614

164

615

616

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617. A Lechertier Barbe pine and beech artist’s easel, with an adjustable rest, one side with a brass plaque inscribed ‘LECHERTIER BARBE LTD 95 JERMYN ST. S.W., 72 YEARS AT 60 REGENT ST.’, on ceramic castors, 165.3cm high, 61.2cm wide, 58.2cm deep, together with a paint box and a book ‘My Colourful Life’ by Juliet Pannett’. (3) £300-500 Provenance: The Property of the late Juliet Pannett M.B.E., F.R.S.A.,(1911-2005). Juliet was a prolific portrait artist and one of the chroniclers of twentiethcentury life in Britain. Her portraits of Prime ministers and eminent public figures featured in exhibitions and newspapers and magazines.

617

618 618. A George V leather artist’s travelling paint case by Brachers, the hinged top revealing a set of five concertina action metal trays, with a leather label inscribed ‘Brachers BAG, TRUNK AND SAMPLE CASE MANUFACTURERS, BRISTOL & CARDIFF’, the exterior with brass locks, a leather strap handle and stamped ‘PATENT NO. 175202’, with further Brachers stamps, 22.5cm high, 36.2cm wide, 16cm deep. £300-400 The application for the Patent was made on the 14th March 1921 and was accepted on the 16th February 1922. A copy of the Patent specification is included with this lot.

619

620

619. An early 20th century carved and painted dapple grey rocking horse by F. H. Ayres, with glass eyes and a leather bridle and saddle, the ash trestle base with stencil mark ‘F.H. Ayres’, 92.2cm high, 107cm long. £300-500 620. A brown leather Gladstone type bag, with initials ‘T. B. H.’, with brass lock and mounts, with two paper labels inscribed in pen ‘Carriage Paid. Passenger Train, To Lady Hohler, Rembrandt Hotel, Thurloe Place, Cromwell Road, London, S.W.1’, early 20th century, 68.5cm wide. £300-400 Sir Thomas Beaumont Hohler (1871-1946) was a British diplomat. During World War I he led a delegation to Mexico and was part of a group that intercepted the German Zimmermann Telegram.

165

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621

622 621. Taxidermy. Two Army & Navy animal skin trophy blankets, probably a deer and a wolf, each mounted on a baize backing with a fabric label inscribed ‘MOUNTED BY ARMY & NAVY C.S.LTD. 8 Dept 105, VICTORIA STREET S.W.’, late 19th / early 20th century, 141 x 163.3cm and 119.5 x 107.5cm. (2) £300-500 622. Taxidermy. A zebra skin rug, with paper labels for ‘Manfred Gorn’ and with export, £500-700 hunting permits from the Namibian government, 623. A late 19th century Indian hippo tusk shield, with silver mounts decorated with exotic birds, a lion and an elephant on a scrolling leaf and flower ground, mounted on a hardwood and ebonised plaque, 45.5 x 50cm. £500-700 624. Taxidermy. An early 20th century preserved Nile crocodile, 78.5cm long. £100-150 Provenance: From the collection of John Newall Esq. 625. An antler eight light chandelier, 41cm high, 77cm wide, together with two matching wall appliques, one with seven lights the other with five, all fitted for electricity.

(3) £500-700

623

624

166

625

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626. A George V carved and painted wood half block salmon by Hardy Brothers, mounted on an oak plaque and with an applied brass plaque inscribed ‘SALMON CAUGHT ON THE RIVER WYE SEPT 25TH 1915 WEIGHT 34LBS GIRTH 221/2” LENGTH 51” BY CAPT COUNT ROBERT METAXA’, with an inset ivorine plaque inscribed ‘HARDY BROTHERS (ALNWICK) LTD. 61 PALL MALL, LONDON, S.W., EDINBURGH, MANCHESTER, MANUFACTORY, ALNWICK’, 39.6 x 141cm. £4,000-6,000 Captain Frederick Robert Windham Metaxa of the Royal Scots Fusiliers, who died as a result of wounds received in South Africa, January 18th 1918, aged 39.

627

628

627. Two French reed fishermen’s creels, each with a canvas strap, 33cm high, 50cm wide, (max). (2) £200-300

628. A Coco de Mer (Lodoicea Maldivica), with a polished patination, the reverse natural, 33 x 31cm. £300-400

629. A leather and French reed fisherman’s creel, with a canvas strap, 24cm high, 32.5cm wide £200-300

629

167

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631

630

630. Treen. A 19th century turned mahogany hanging whip reel rack, with a brass suspension ring, 9cm diameter. £100-150 631. Treen. A 19th century turned mahogany triple reel whip wall rack, each mounted on a rectangular plinth, 17.4 x 50.7cm. £200-300 632. A briar two piece carriage whip by Swaine, with a brass and leather handle stamped ‘SWAINE MADE IN ENGLAND’, in a mahogany £250-300 and brass mounted wall rack, the rack 92.3cm long.

633

633. A late Victorian copper and brass coaching horn by Boosey & Co., with a nickel mouthpiece and ridged stem, the base stamped ‘ BOOSEY & CO MAKERS S95 REGENT ST LONDON 32733, C.E.D. MORGAN-RICHARDSON ESQ. CARDIGAN’, 112cm, in a leather case. £400-600 634. A late Victorian Irish horse measuring stick by Kennan & Sons, the screw-off horn handle revealing a boxwood measure stamped ‘KENNAN & SONS, DUBLIN’, with a malacca shaft and brass tip, 95.5cm long, together with a malacca walking cane. (2) £200-300 635. A mahogany boot jack, with turned and block supports, with an applied ivorine label inscribed ‘TOM HILL LONDON S.W.1.

(Knightsbridge) Ltd’, 84cm high, 54.5cm wide. £200-300

632

633 stamp

636. A cast iron and polychrome decorated horses head tether, together with a similar black painted example, 26.5cm high (max). (2) £300-400

635

636

634

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637. A Heriz carpet, north west Persia, early 20th century, 382 x 286cm. £400-600

638. Two Tekke Turkmen bag faces, Turkmenistan, late 19th century, both with hanging loops, 34 x 100cm and 60 x 118cm.

(2) £40-60

639. A Yomut Turkmen chuval face, Turkmenistan, late 19th century, one end folded over, 64 x 114cm. £40-60

640. An Ersari basheer torba, with multicoloured woollen tassels and braided fringe, late 19th / early 20th century, 87 x 126cm. £40-60

169

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641

642

641. A Tekke Turkmen Torba, Turkmenistan, 20th century, 83 x 146.7cm. £100-150

642. A Tekke Turkmen saddle bag, Turkmenistan, early 20th century, 105 x 59cm together with a Qashqai saddle bag, mid 20th century, 97 x 57cm, both with plain weave backs. (2) £40-60

643

644

643. Two Tekke Turkmen chuval faces, Turmenistan late 19th / early 20th century, 73.5 x 126cm (max).

(2) £100-150

644. A Turkish embroidered flat weave rug, possibly Yoruk, early 20th century, 171 x 148cm. £100-150

645. A Bakhtiari rug, Chahar Mahal Valley, south west Persia, early 20th century, 232 x 146cm. £200-300

646. An Afshar bag face, with varied decoration to the bridge, with an upside down animal, south Persia, 2nd half 19th century, 62 x 78cm. £40-60

170

645

646

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647. A Chinese carpet, decorated with butterflies, insects, vases and circular floral designs, first half 20th century, 355 x 278cm. £400-600

649. A Khamseh rug, Fars region, south Persia, c.1920-30, 169 x 104cm. £100-150

648. A Qashqai rug, with a triple medallion, Fars region, south Persia, early 20th century, 317 x 185.3cm. £300-400

650. An Isfahan rug, north Persia, early 20th century, 224 x 139.5cm. £200-300

171

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651

652 651. A Baluchi prayer rug, north east Persia, c.1930, 151 x 103cm, together with an Afshar style sofreh 124 x 109cm. (2) £50-100

652. A Kurdish rug, north west Persia, c.1920, 160 x 133cm. £40-60

653. A Sarab runner, north west Persia, early 20th century, 398 x 96cm. £150-250

654

654. An Indian rug, possibly Agra, early 20th century, 212 x 154cm. £100-200

655. A Malayer rug, north west Persia, first half 20th century, 190.4 x 142cm. £100-150 653

172

655

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656. A Caucasian banded kelim, early 20th century, 195 x 161cm. £100-200

657. A Turkish Fethiye kelim prayer rug, 20th century, 125 x 83cm. £100-150

658. A Turkish Konya kelim, in two parts, central Anatolia, early 20th century, 366 x 156.5cm. (2) £300-500

659. A Turkish Fethiye kelim, early 20th century, 305.5 x 146cm. £300-400

173

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660 661

660. A warp faced weave textile, with embroidered geometric patterns, north west Persia, early 20th century, 280.5 x 209.5cm £100-150 661. A warp faced Jajim textile, in two parts, north west Persia, 281.5 x 103.7cm (each panel). (2) £150-250 662. A fine warp faced weave animal / ceremonial band, with tassels and bead decoration to both ends, early 20th century. £50-80 662

663. A Yomut Turkmen ensi, Turkmenistan, early 20th century, 172 x 125cm. £150-250 664. A Qum silk rug, central Persia, second half 20th century,102 x 69cm. £200-300

664

174

663

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665

665. A pair of Qum rugs, decorated with trees, birds and animals, central Persia, 20th century, 147 x 90cm. (2) £400-600 666. A Salting group style silk prayer rug, decorated with panels of calligraphy, with scrolling leaves and flowers with birds and vases in the central field, Turkish, 20th century, 192 x 95cm. £500-700 667. A Hereke silk and metal thread pictorial rug, depicting a horse and rider with a falcon in a landscape scene with a pond with fish, with signature to top right, Turkish, 20th century, 143 x 78.3cm. £500-700 668. A Yallameh rug, south Persia, mid 20th century, 296 x 165.5cm

668

666

£100-200

667

175

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669. A small Isfahan rug, north Persia, early 20th century, 127.5 x 84.5cm. £100-150

670. A Kurdish Quchan rug, north east Persia, c.1920-30, 251 x 149.5cm £100-200

671. A Qashqai kelim rug, with an unusual diagonal stripe pattern, Fars region, south Persia, early 20th century, 289.5 x 137.5cm. £200-300 669

670

176

671

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672. A Turkish Ushak carpet, decorated all over with stylised trees, west Anatolia, early 20th century, 347 x 271cm. ÂŁ800-1,200

673. A Daghestan rug, with an ivory field, first half 20th century, 145 x 93cm.

ÂŁ300-500

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DESIGN

Tuesday 18th October 2016

A walnut cupboard with bookshelves by Peter Waals, 124cm. high.

Estimate: £2,000 - £3,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

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ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Wednesday 19th October 2016

A fine cased pair of rifled percussion target pistols by Charles Moore.

Estimate: £5,000 - £6,000

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

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FURNITURE & WORKS OF ART

INCLUDING THE COLLECTIONS OF SIR JEREMY LEVER AND SIR MICHAEL CODRON

Wednesday 11th January 2017 Entries close 4th November 2016

A George III painted satinwood and giltwood card table attributed to Seddon.

From the collection of Sir Jeremy Lever.

Estimate: £2,000 - £3,000 ENQUIRIES Mark Richards | Tel: +44 (0)1722 411854 | mr@woolleyandwallis.co.uk

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FINE CLOCKS

Wednesday 11th January 2017 Entries close 4th November 2016

A rare English mid 19th century gilt brass carriage clock by Dent.

Estimate: £8,000 - £12,000

ENQUIRIES Mark Richards | Tel: +44 (0)1722 411854 | mr@woolleyandwallis.co.uk

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Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

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PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

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11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

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10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

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Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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WOO L LE Y & WA L LI S Absentee Bid Form Furniture, Works of Art & Clocks

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 5th October 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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Auction Calendar 20TH CENTURY DESIGN 18th October – Design 30th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 19th October Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk SILVER 25th October – The Arthur Holder Collection (Part I) 26th October – Fine Silver & Objects of Vertu Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 27th October – Fine Jewellery Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ASIAN ART 15th & 16th November John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk PAINTINGS 13th December – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk FURNITURE, WORKS OF ART & CLOCKS 11th January 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 28th February 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 7th March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

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