Woolley & Wallis

Project6_Layout 1 19/09/2016 13:23 Page 1

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

The Arthur Holder Collection of Silver & Vertu (Part I) Tuesday 25th October 2016

Project6_Layout 1 19/09/2016 13:23 Page 2

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery Zoe Smith

424505 329477

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Ned Cowell Gemma Bush

341469 341469

ASIAN ART John Axford MRICS ASFAV Alex Aguilar Doméracki Freya Yuan Marta Olszewska

424506 424583 424589 424591

ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham

424507

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV Clive Stewart-Lockhart FRICS FRSA

424509 424598

MARKETING Tamzin Corbett

424590

ACCOUNTS Janice Clift (Office Manager)

424500

GENERAL OFFICE Sharon Ringwood Pauline Jones Nicola Young Amanda Lawrence

424500

SALEROOM MANAGER David Jordan

FURNITURE, WORKS OF ART & CLOCKS Mark Richards Jim Gale Anna Wimbush

411854 339161 411854

JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA Hannah Galbraith

424504 424595 424586

PAINTINGS Victor Fauvelle Jo Butler

424503 424592

SILVER Rupert Slingsby Lucy Chalmers

424501 424594

TRIBAL ART & ANTIQUITIES Will Hobbs Gemma Bush

339752 339752

424500

BOARD OF DIRECTORS Paul Viney ASFAV Chairman John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY James Macarthur CA ASSOCIATE DIRECTORS Janice Clift Clare Durham Jonathan Edwards FGAA Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 • www.woolleyandwallis.co.uk

424599

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 1

THE ARTHUR HOLDER COLLECTION OF SILVER & VERTU (PART I) Tuesday 25th October 2016 at 10am VIEWING TIMES Friday 21st October Saturday 22nd October Monday 24th October Tuesday 25th October

10.00am – 4.00pm 10.00am – 1.00pm 10.00am – 4.00pm 8.30am – 9.45am

ENQUIRIES

Rupert Slingsby 01722 424501 rs@woolleyandwallis.co.uk

Lucy Chalmers 01722 424594 lc@woolleyandwallis.co.uk

TELEPHONE BIDDING Please note that requests for telephone bids cannot be accepted after 5pm on Monday 24th October.

ILLUSTRATIONS

LIVE BIDDING

Front cover: Lot 741 & others Back cover: Lot 337 part www.the-saleroom.com Catalogue £10.00 (£15.00 by post)

Please register by 5pm on Monday 24th October.

Silver weights are in Troy ounces

Please note there is a 3% +VAT surcharge for using this service.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 2

Arthur working in his silver studio

2

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 3

THE ARTHUR EDMUND HOLDER COLLECTION Arthur Holder (known as Pat to many) started collecting in the late 1960s as a hedge against inflation. He initially collected anything that took his fancy – porcelain, clocks, paintings – but silver held a special fascination for him, particularly Georgian silver. What drew him to collecting silver in particular was its connection with history, and the opportunity to study the social customs and lifestyles of past centuries.

As time went by, instead of buying silverware as an investment, he started to appreciate its true worth and beauty and started to buy it as a work of art.

In 1971, Arthur discovered that there was a silversmithing class at Chesterfield College, Derbyshire. He enrolled that week and remained a student until the age of 96 – the oldest student of the college and possibly in the country. He received several awards for his silversmithing and over forty years produced two-hundred and fifty exquisite pieces. His understanding of the manufacturing process gave him a unique insight into silver, and influenced his collecting. He had a new appreciation of the challenges presented in making certain articles of silver and was at times prepared to pay more than others because he truly understood the value of the workmanship entailed.

By the 1990s much of his six bedroom house had been transformed into a museum, and it was a delight for him to be able to show off his collection to anyone who wanted to see it. He also had a workshop at home where he was able to carry out his silversmithing.

In his later collecting years, Arthur focused on collecting Victorian castle top calling card cases, truncheons, tipstave’s, wine labels, fire insurance badges and waterman’s badges.

Arthur was born in Highgate, London in 1918. He went to Highgate School and then got a position at the Ecclesiastical Commission in Westminster. War broke out soon after and he joined the Army in July 1939.

He was commissioned in 1940 with the Royal Artillery 8 th Army and posted to Lincolnshire. In 1942 he was sent to the Middle East and then on to Italy.

After the war he returned to the Ecclesiastical Commission. As a result of his surveying skills for the Commission and the artillery regiment during the war, he moved to Nottingham and joined an estate agency. He soon set up his own agency in Mansfield, Nottinghamshire. He did not retire until he was 84 and he continued silversmithing until he was 96. He was still collecting silver when he sadly passed away in February, 2016, at the age of 97.

Rosalie Hewins, (née Holder)

3

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 4

1.

An Edwardian silver double stamp box / inkwell,

by M.J. Jessop, London 1902, rectangular trough form, with two hinged compartments with stamps set under glass and a central hinged vesta box cover with a striker, on four scroll feet, length 9.4cm, approx. weight 2oz. £150-200

2.

An Edwardian silver double stamp box / inkwell,

by James Deakin and Sons, Chester 1901, rectangular trough form, with two hinged compartments with stamps set under glass and a central hinged inkwell cover, on four scroll feet, length 8.5cm, approx. weight 2oz. £150-200

3.

An Edwardian silver double stamp box / glass stamp moistener,

by James Deakin and Sons, Chester 1902, rectangular trough form, with two hinged compartments with stamps set under glass and a central glass roller, on four scroll feet, length 8.5cm, approx. weight 1.7oz. £100-150

4.

An Edwardian silver triple stamp box / glass stamp moistener, by the Goldsmiths and Silversmiths Company, London 1903, square form, with a hinged glass cover opening to reveal three compartments, with a glass roller, on four ball feet, length 7.6cm, approx. weight 3.4oz. £150-200

5.

A late-Victorian silver triple stamp box with pen rest,

by Grey and Co, London 1896, rectangular form, wire-work pen support, the hinged cover with three glazed rectangular apertures, length 8.3cm, approx. weight 2.5oz. £100-150

6.

An Edwardian silver triple stamp box,

by Spurrier and Co, Birmingham 1905, rectangular trough form, the hinged cover with engraved decoration, and with three stamps under glass, on four ball feet, length 8cm, approx. weight 1.2oz. £100-150

7.

An Edwardian silver inkwell / stamp box,

by George Betjemann and Sons, London 1906, rectangular form, domed hinged cover, the domed front opens to reveal two stamp compartments and a wooden based stationery compartment, length 8.6cm. £100-150

8.

An Edwardian silver-mounted glass inkwell and double stamp box, with a watch holder,

by J. Grinsell and Sons, Birmingham 1904, rectangular form, the hinged cover set with a pocket watch, the front hinged cover opens to reveal two stamp compartments and also with a pen well, length 10.8cm. £200-300

9.

An Edwardian silver inkwell / stamp box,

by George Betjemann and Sons, London 1903, rectangular form, domed hinged cover, the domed front opens to reveal three stamp compartments and a wooden based stationery compartment, length 10.6cm. £150-200

4

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 5

10. An Edwardian silver ruler / stamp case,

by W and C Sissons, London 1905, the ruler measuring six inches, the stamp case with a hinged cover with an oval pierced cartouche, length 19.3cm, plus an Edwardian silver paper knife / magnifying glass / stamp box, by William Hornby, London 1902, tapering form, with a hinged cover, length 17.5cm. (2) £200-300

11. An American silver and enamel stamp case, marked sterling and pat. June 24 90, circa 1910, envelope form, hinged cover, the front enamelled with the address ‘Ethel Newell Doggett, Fredericksburg, Va’, and with a stamp and post mark ‘NEW YORK II, 6pm 1910’, the reverse enamelled ‘P.O 11.12.10 Rec’d’, length 3.2cm, plus another American silver stamp case of similar design, with an enamelled post mark of ‘NEW YORK 9 3pm 91’, the reverse enamelled with the ‘P.O.9.10.91 Reg’d’, with a chain attachment, £150-200 approx. total weight 0.7oz. (2)

12. A silver double stamp box / glass pen tray, probably by Cohen and Charles, Birmingham 1910, rectangular form, the ends with a hinged stamp compartment, one with a stamp under glass, length 28.2cm. £200-300

13. An Edwardian silver blotter / stamp case,

by W?W, Birmingham 1905, rectangular form, central knop handle, with a hinged stamp compartment and a glazed rectangular aperture with a stamp, length 13.6cm. £100-150

14. An Edwardian silver and enamel large stamp / card case,

by Adie and Loveklin Limited, Birmingham 1903, rectangular envelope form, the front enamelled ‘R.E. Hogmore Esq. 162 Ebury Street, London E.C, England’ and with a stamp and post mark ‘Belize B.H 10.15 AM’, length £100-150 7.8cm, approx. weight 0.9oz.

15. An Edwardian silver blotter / stamp case,

by W. J. Myatt, Chester 1909, rectangular form, central knop handle, with a hinged stamp compartment, bead border, length 12.6cm. £100-150

16. An American silver double stamp box,

by Gorham, rectangular form, scroll border, the interior with two compartments, the cover with a monogram, length 7.2cm. £100-150

17. An Edwardian silver stamp moistener / triple stamp box, maker’s mark worn, Birmingham 1909, rounded rectangular form, the rear with a pull-out triple stamp compartment, length 13cm, plus another silver stamp moistener, London 1910, approx. weight 2.5oz. (2) £200-300

18. An Edwardian silver and tortoiseshell triple stamp box,

by Levi and Salaman, Birmingham 1906, rectangular form, domed hinged cover inlaid with a floral motif, the interior with three compartments, length 7.8cm. £150-200

5

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 6

19. An American silver double stamp box,

by George Shiebler and Co, circa 1900, rectangular form, pierced and chased with foliate scroll decoration, pierced cover, length 8.3cm, approx. weight 1.9oz. £100-150

20. A late-Victorian silver double stamp box / vesta box,

by S. Mordan and Co, London 1893, rectangular form, the two slanted hinged covers set with glass and opening to reveal two stamp compartments and a vesta compartment, the side with a striker, length 6.2cm. £150-200

21. An American silver double stamp box,

by Gorham and Co, 1890, rectangular form, embossed and foliate scroll decoration, the hinged cover with initials, the interior with two stamp compartments and a long thin compartment, length 8.1cm, approx. weight 4oz. £100-150

22. An Edwardian silver inkwell, stamp box and glass stamp moistener,

by H & D, over-stamped with maker’s mark of S. Blankensee and Sons, Birmingham 1905, rectangular form, hinged covers, length 10.6cm, plus an Edwardian silver-mounted glass inkwell, by The Corke Brothers, London 1905, shaped form, with a glass stamp moistener wheel, a stamp compartment and a pen well, length 10cm. (2) £150-200

23. An Edwardian novelty silver stamp box,

by A and J Zimmerman, Birmingham 1909, modelled as a lowboy, the hinged cover opens to reveal two compartments, the serpentine front with a dummy drawer, length 5.8cm, approx. weight 1.6oz. £200-300

24. An Edwardian silver triple stamp box / note pad,

by J. Batson and Sons, London 1903, rectangular form, the hinged cover with three stamps under glass, with a later £200-300 pencil, length 17.2cm.

25. An American silver and enamel stamp dispenser, cylindrical form, the hinged cover inscribed ‘C.S.L’, and with four slots above inscribed ‘2¢’, ‘3¢’, and ‘6¢’ plus a red and black enamelled ‘Via Air Mail’, length 10.3cm, approx. weight 4.7oz. £150-200

26. Three American silver stamp dispensers, comprising: one of circular form, the cover enamelled ‘VIA AIR MAIL’, plus one of bottle form, the cover with a stamp moistener, and one of cylindrical form, engine-turned decoration, with a ring attachment, approx. weight 2.8oz. (3) £150-200

27. An American silver and enamel stamp dispenser, oblong form, the hinged cover enamelled ‘2¢’, ‘3¢’ and ‘Via Air Mail’, the front with three dispensing slots, length 14.8cm, the inside of the cover initialled, approx weight 6.3oz. £150-200

6

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 7

28. An Edwardian silver double inkwell / stamp dispenser, over-stamped with maker’s mark of David Randle, London 1906, rectangular form, the curve sprung-hinged cover opens to reveal two glass inkwells, the top with two stamp dispensing slots, height 9.4cm £200-300

29. A novelty silver stamp dispenser,

by Charles Usher, Birmingham 1922, modelled as a pillar letter box, the pull-off cover with a gilded crown finial, pull-off base, the front inscribed ‘Next Clearance 9am’, height 6.5cm, approx. weight 1.4oz. £200-300

30. A late-Victorian novelty silver stamp box, possibly by The Douglas Clock Company, Birmingham 1899, modelled as a coal scuttle, the hinged front with a circular glass aperture with a later stamp and tortoiseshell sleeve, spothammered decoration, on four bun feet, height 7.8cm. £150-200

31. An Edwardian silver stamp dispenser,

by Henry Brown, London 1903, domed form with two dispensing slots, on a raised rectangular base, length 6.3cm £100-150

32. An Edwardian silver stamp roll dispenser,

by S. Clifford and Co, London 1905, tear-drop form, hinged cover, with two slots, length 6.2cm, approx. weight 1oz. £100-150

33. A silver triple stamp dispenser, marks worn, probably by Charles and George Asprey, cylindrical form, with three slots and two turning handles, length 9cm. £100-150

34. A set of Edwardian silver postage scales,

by Levi and Salaman, Birmingham 1903, rectangular form, on a shaped raised rectangular base, the dial with ‘Salter No. 18d’, height 10cm. £100-150

35. A set of Edwardian silver postage scales,

by H. Matthews, Birmingham 1906, circular form, on a raised rectangular base, height 10cm. £100-150

36. A set of Edwardian silver postage scales,

by Levi and Salaman, Birmingham 1906, rectangular form, on a shaped raised rectangular base, with a silvered dial, height 8.5cm. £100-150

7

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 8

37. A set of Edwardian silver postage scales,

by Levi and Salaman, Birmingham 1914, semi-circular form, on a shaped raised rectangular base, height 9cm. £100-150

38. A set of silver scales,

by George Betjemann and Sons, London 1913, rectangular form, on a raised rectangular base, with four electroplated weights, length 18.5cm. £400-600

39. A large set of silver postage scales, probably by Levi and Salaman, Birmingham 1922, rectangular form, on a shaped rectangular base, the dial with ‘POST PARCEL RATES’, height 18.2cm. £400-600

40. An Edwardian novelty silver pen wipe and matchbox cover,

by Levi and Salaman, Birmingham 1906, rectangular form, the cover mounted with a standing pig, on four ball feet, length 5.8cm, approx. weight 1.5oz. £100-150

41. An Edwardian novelty silver pen wipe,

by Horton and Allday, Birmingham 1905, modelled as a boot cleaner, rectangular form, ribbon and reed border, plus three circular pen wipes. (4) £200-300

42. A late-Victorian novelty silver pen wipe,

by William Corke, London 1897, modelled as a knife sharpener, with a baluster turning handle, on an ebonised plinth, height on plinth 6.8cm, plus an Edwardian silver pen wipe, by William Comyns, London 1905, semi-circular form, with a carrying handle, height 11.5cm. (2) £250-300

43. A William IV silver sealing wax holder, maker’s mark partially worn, London 1831, cylindrical form, with a slide-action mechanism, turned wooden baluster handle, with a screw-off cap, length 24.5cm. £100-150

44. An Edwardian silver cigarette and vesta case,

by Wright and Davies, London 1905, rectangular form, the hinged cover set with a medallion of George Prince of Wales and Victoria Princess of Wales, and inscribed ‘India 1905-6’, also with a tinder cord, in a fitted green case, the cover with the Prince of Wales’s Feathers, length 9.7cm, approx. weight 4oz. £100-150

45. A Victorian silver-mounted ivory pen / pencil, with a compass and thermometer,

by S. Mordan and Co, cylindrical form, with a slide-out pen and pencil, the body with a thermometer and the terminal with a compass, length closed 10.5cm. £200-300

8

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 9

46. A George III silver snuff box,

by Joseph Willmore, Birmingham 1813, rectangular form, the hinged cover with a scene of a shepherd boy playing his flute, with animals around, scroll border, the sides and base with chased and engraved decoration, the interior initialled, length 6cm, approx. weight 2oz. £300-400

47. A 19th century Portuguese silver snuff box, Oporto, marked Labai, circa 1820, rectangular form, reeded sides and base, the hinged cover engraved with a townscape within foliate scroll borders, length 9cm, approx. weight 2.7oz. £100-150

48. An early 19th century Cape silver snuff box,

by L. Willem Beck, circa 1850, rectangular form, engraved borders, the hinged cover initialled, plain thumb-piece, silver-gilt interior, length 7.1cm, approx. weight 2.5oz. £300-500

49. A silver travelling folding clock,

by S. P. Ora and Co, Birmingham 1940, rectangular form, engine-turned decoration, length closed 4.8cm. £100-150

50. A late 19th century German novelty silver caster, with import marks for Edinburgh 1895, modelled as a child in a night dress, the pull off base reveals a pierced pull-out caster cover, length 7cm, approx. weight 1.2oz. £100-150

51. An Edwardian silver dressing table box,

by Joseph Cook and Son, Birmingham 1901, heart form, crimped border, the hinged cover inlaid with green hard stone decoration of a harp and shamrock, within engraved foliate decoration, the interior with a velvet lined base, with traces of gilding, length 10cm, approx. weight 3.5oz. £150-200

52. A modern commemorative silver engraved snuff box,

by J. Bros, Sheffield 1973, rectangular form, the hinged cover engraved with a scene of the Sheffield Assay Office and engraved ‘Sheffield Assay Office’, the front inscribed ‘1773 Bi Centenary 1973’, length 6.4cm, approx. weight 2.8oz. £100-150

53. A George III silver snuff box,

by John Douglas, London 1804, rectangular form, engraved trellis and foliate decoration, plain thumb-piece, gilded interior, length 6cm, approx. weight 1.6oz. £200-300

54. A modern silver engraved ‘castletop’ pill box, Buckingham Palace,

by Asprey and Co, London 1957, rectangular form, the cover engraved with a scene of Buckingham Palace from St. James’s Park, plain thumb-piece, length 4.5cm, approx. weight 1.1oz. £150-200

9

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 10

55. A George III silver snuff box,

by Samuel Pemberton, Birmingham 1798, oval form, flush-hinged cover, bright-cut engraved radiating decoration, the cover with an initial, length 6.3cm, approx. weight 1oz. £250-350

56. A George III silver snuff box,

by Phipps and Robinson, London 1784, oval navette form, flush-hinged cover, bright-cut engraved decoration, the cover with a vacant cartouche, length 6.7cm, approx. weight 1.2oz. £300-400 Provenance: Bonhams, London, sale 10114, lot 230.

57. A George III silver side-opening snuff box,

by Phipps and Robinson, London 1792, oval form, flush-hinged cover, with foliate and dot decoration, oval vacant cartouche, silver-gilt interior, length 9cm, approx. weight 2.1oz. £300-500

58. A George III silver snuff box,

by Ford and Slater, Birmingham 1799, oval form, flush-hinged cover, bright-cut engraved decoration, the cover with initials, length 6.7cm, approx. weight 1.1oz. £250-350

59. An 18th century silver-mounted tortoiseshell snuff box, unmarked, circa 1740, cartouche form, the hinged cover with ribbed decoration and inlaid with figures and birds, the base inlaid with two birds, length 9.7cm, together with an 18th century French gold Fiddle, Thread and Shell pattern snuff spoon, length 4.2cm, approx. weight 4.1g. (2) £400-600

60. An 18th century silver and tortoiseshell snuff box, unmarked, circa 1740, oval form, the hinged cover inlaid with silver and mother-of-pearl decoration, plain silver sides, tortoiseshell base, length 8cm. £250-300

Provenance: purchased in these rooms, 21 January 2014, lot 700.

10

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:34 Page 11

61. A pair of Victorian novelty silver pepper pots, Punch and Judy,

by Joseph Clarke, London 1894, modelled as the head and torso of the couple, Judy taking snuff, pulloff bases, height of Punch 5.8cm, approx. weight 4.2oz. (2) £800-1,200

62. A pair of Victorian novelty silver owl pepper pots,

by George Richards, London 1851, modelled in standing positions, the pull-off heads with red glass eyes, textured feathers, height 7.2cm, approx. weight 2.9oz. (2) £600-800

63. A pair of Victorian novelty silver beehive pepper pots,

by E. Hutton, London 1889, the hives with ball finials, blue glass liners and on three ball feet, height 5.3cm, approx. weight 1.2oz. (2) £300-500

64. A pair of Victorian novelty silver pepper pots,

by George Unite, Birmingham 1876, modelled a knight’s helmet with hinged pierced visor, height 6.2cm, approx. weight 4oz. (2) £300-500

65. A pair of Victorian novelty silver salt cellars,

by Robert Hennell, London 1865, modelled as tricorn hats, matted decoration with an engraved foliate border, length 8.2cm, approx. weight 4.2oz. (2) £400-600

66. A matched pair of Victorian novelty silver-gilt pepper pots,

by E. Stockwell, London 1876 and 1879, modelled as poppy heads, pierced tops, pull-off covers, length 9cm, approx. weight 3oz. (2) £400-600

Provenance: Bonhams, New Bond Street, Fine Silver & Vertu, 23 July 2004, lot 155.

11

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 12

67. A George III silver invalid siphon feeding straw, unmarked, circa 1800, hinged cover, with a clip and engraved with a monogram, length 24.5cm, approx. weight 2.5oz. £300-400 Provenance: purchased in these rooms, 29th January, 2003, lot 338.

68. A collection of 19th century antique silver dental mirrors, comprising: a Victorian silver-gilt one, by Walter Thornhill, London 1877, with engraved foliate scroll decoration, length 10.5cm, one William IV, by Mary Anne Holmes, London 1835, hinged handle, length 10cm, and a Victorian silver-gilt one by John Harris, London 1856, engraved decoration, hinged handle, length 10.2cm. (3) £200-300 Provenance: two were purchased in these rooms, 25th July 2007, lot 716, and 29th January 2003, lot 441.

70. A George III silver toothpaste box / toothbrush / tongue scraper set,

by Joseph Taylor, Birmingham 1801, the box of rectangular form, bright-cut engraved border, with two hinged compartments, the toothbrush and scraper of plain form, in a fitted red case, length of box 8.5cm, £200-300

71. A Victorian electroplated ear trumpet,

by Rein and Son, circa 1860, inscribed ‘Rein and Son, Patented Sole Inventors and Makers, 108 Strand, London’, the body and tube with engraved decoration, with a pierced grille cover, length 9cm. £300-400

73. A George IV silver Gibson Type medicine spoon,

by William King, London 1829, the bowl with a hinged cover, tapering handle, length 15cm, approx. weight 1.4oz. £300-400

74. A Victorian silver double medicine spoon,

by Wright and Davies, London 1884, conventional form, the centre of the handle with a finger and thumb-piece, length 16.2cm, approx. weight 1.4oz. £100-150

12

Provenance: purchased in these rooms, 29th January, 2003, lot 275.

69. A small collection of three early 19th century silver invalid siphon straws, one maker’s mark I.H, London 1813, engraved with a crest, one by John Reily, London 1824, and one unmarked, lengths 11cm, 13.5cm and 13.4cm, approx. weighable 1.3oz. (3) £200-300 The crest is that used by a number of families including: Dalrymple, Grimstone, Uppleby and Younge.

72. A George III silver toothpaste box / toothbrush / tongue scraper set,

by William Parkyns, London 1795, the box of rectangular form, with two hinged compartments, the toothbrush and scraper of plain form, in a fitted red case, £200-300 length of box 9.2cm.

75. A George IV silver Gibson medicine spoon,

by Charles Gibson, London 1828, the bowl with a hinged cover, stamped ‘C.Gibson, Inventor’, tapering handle, length 13.5cm, approx. weight 1.1oz. £300-400

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 13

76. A George III ivory toothpick box, circa 1794, oblong form, the hinged cover with an oval cartouche with plaited hair under glass and ‘Susannah Calvert OB 24 Feb 1794 AE 86’, gold mount, the interior with a mirror and velvet lining, length 9cm. £200-300

77. A George III silver toothpick box,

by Samuel Pemberton, Birmingham 1816, rectangular form, canted corners, engraved radiating and foliate decoration, velvet lined, later loose mirror, length 8cm, approx. weight 0.9oz. £150-200

78. A George III ivory toothpick box, circa 1800, oblong form, the hinged cover with a counter marker under glass, the dial numbered one to ten, seed pearl border, with a push-button arrow, gold mount, the interior with a mirror and velvet lining, length 8.5cm. £300-500

79. A George III ivory toothpick box, circa 1800, oblong form, the hinged cover with an oblong cartouche with ‘PENSEZ A MOI’, gold mount, the interior with a mirror and velvet lining, length 8.3cm. £200-300

80. A George III parcel-gilt silver toothpick box, unmarked, circa 1800, oblong form, engraved decoration, the hinged cover applied with an oval cartouche of an urn within a blue beaded border, length 10.1cm. £300-500

81. A George III ivory toothpick box, circa 1800, rectangular form, the hinged cover carved with intertwined rings stud-work borders and decoration, the interior with a later mirror and velvet lining, length 8.3cm. £200-300

82. A Victorian silver bosun’s call,

by Hilliard and Thomason, Birmingham 1859, with engraved decoration, and a ring attachment, length 9.8cm, approx. weight 0.3oz. £200-300

83. A George III silver toothpick box,

by John Guest, Birmingham 1810, oval navette form, engraved borders, length 7.8cm, approx. weight 0.6oz. £150-200

84. A George III silver baby’s rattle / whistle,

by Elizabeth Morley, London 1792, baluster form, with eight hanging bells, the whistle end with a hinged ring attachment, and engraved decoration, with a coral teether, length 13.8cm. £300-400

13

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 14

85. A Victorian silver-gilt pocket corkscrew,

by Thomas Johnson, London 1863, tapering barrel form, with a crest, length 6.8cm. £80-120

86. A George III silver pocket corkscrew,

by Matthew Linwood, Birmingham circa 1800, reeded tapering handle, tapering sheath, with a beaded border, length 9.6cm. £250-350

85

86

87. A George III silver pocket corkscrew,

by Samuel Pemberton, Birmingham circa 1800, turned ivory handle, tapering sheath, with swirl fluted decoration, length 8cm. £300-400

88. A George III silver pocket corkscrew, unmarked, circa 1800, shaped crescent turned green stained ivory handle, tapering sheath, with a beaded border, length 7.6cm. £250-350 87

88

89. A George III silver pocket corkscrew, the sheath with maker’s mark only ‘RG’ or ‘HG’, incuse stamped, turned stained green ivory handle, tapering sheath, length 7.8cm. £300-400

90. A George III silver pocket corkscrew,

by Samuel Pemberton, Birmingham circa 1800, tapering handle, plain tapering sheath, length 7.8cm. £250-350

14

89

90

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 15

91. A set of four silver menu card holders,

by A. Wilcox, Chester 1938, pierced and engraved with game birds, on circular bases with a wavy-edge border, in a fitted case, retailed by Butt and Co, Chester, diameter 3.4cm, approx. weight 2.5oz. (4) £200-300 92. A set of six silver sandwich flags,

by Albert Sydenham, Birmingham 1928, flag form, with pull-out plastic sandwich names, and additional names, in a fitted £200-300 case, height 8.5cm.

93. A late-Victorian silver chatalaine,

by Mitchell Bosley and Co, Birmingham 1900, with pierced Art Nouveau foliate decoration and with a diving kingfisher, with a plain clip and five hanging chains, and with various items, different dates and makers, including: a pin wheel, a stamp case, a pencil, a sovereign case, a scissor case, and a thimble holder and thimble, full length 32cm. £300-500

91

92

93

94

95

96

94. A Victorian cased silver chatelaine, the majority of items apparently unmarked, the whistle by George Unite, Birmingham 1877, retailed by Pickett, Goldsmith 265 Oxford Street, London, the clip with pierced foliate scroll decoration, with six hanging chains each mounted with an animal and a clip, with the accessories with foliate scroll decoration, comprising: a whistle, the hinged cover opens to reveal a vinaigrette, a velvet lined sovereign case, an egg shaped cotton reel holder and pin case, an aide memoire, and a circular purse, in a fitted case. £600-800 95. A late 19th century American novelty vesta case, Pat. Oct 1. 90, modelled as a rolled up copy of ‘The Scientific American’, with a sleeve and enamelled stamp and with an enamelled post mark for ‘New £100-150 York 2pm 10 90’, length 6cm.

Provenance: purchased at Christie’s, South Kensington, Vesta Cases, Tuesday 15 September 1998, lot 17.

The Scientific American was founded by Rufus M. Porter, inventor and publisher, in 1845. However, the last edition was published in 1890, which may have resulted in this commemorative vesta being produced.

96. A Victorian silver and enamel vesta case,

by John Banks, Chester 1900, rectangular form, the hinged cover with a ring attachment, the front enamelled ‘1881 MAJUBA, wiped-out 1900’, length 4.5cm, approx. weight 1oz. £150-200

During the Second Anglo-Boer War, “Remember Majuba” was a rallying cry of British soldiers. It referred to the British defeat at Battle of Majuba Hill on 27th February 1881 during the First Anglo-Boer War. Exactly 19 years later, on 27th February 1900, General Piet Cronjé and 4,000 of his men surrendered after the British victory at the Battle of Paardeberg. In the jingoistic poem, The Absent-Minded Beggar, by Rudyard Kipling, there is a line which reads: “He is out on active service, wiping something off a slate”. Hence the wording on the vesta: “MAJUBA WIPED OUT” signifies the restoration of British pride. Reference www.southAfricanmedals.com.

15

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 16

97. A late-Victorian silver vesta case, maker’s mark worn, Birmingham 1892, rectangular form, the side with a raised relief of race horses with a grandstand behind, with a ring attachment, length 5.3cm, approx. weight 1oz. £100-150

98. A silver and enamel vesta case,

by A and J Zimmerman, Birmingham 1919, rectangular form, the front enamelled with the ribbon of the Great War medal, with a ring attachment, length 5.5cm, approx. weight 1.5oz. £150-200

99. A Victorian silver novelty vesta case,

by George Unite, Birmingham 1862, rectangular form, with a sliding tambour cover, the end matted, possibly to use as a striker, length 5.2cm, approx. weight 0.8oz. £100-150 Provenance: purchased at Christie’s, South Kensington, Vesta Cases, Tuesday 15 September 1998, lot 191 (part).

100. A Victorian silver and enamel vesta case,

by L Emanuel, Birmingham 1886, rectangular form, the front enamelled with a smoking cigar and ‘It all ends in’, with a ring attachment, length 4cm, approx. weight 0.7oz. £150-200

101. A silver and enamel vesta case,

by S. Mordan and Co, Chester 1913, rectangular form, hinged cover enamelled ‘Dr. E.J. Lewis’, and ‘London’, on a white ground, length 5.7cm, approx. weight £100-150 1.4oz.

102. A Victorian silver and enamel vesta case,

by S. Mordan, London 1886, rectangular form, hinged cover, the front enamelled with a match and ‘In me you will always find’, length 5cm, approx. weight 0.8oz. £150-200

103. A late-Victorian silver and enamel vesta case,

by George Unite, Birmingham 1896, rectangular form, hinged cover enamelled ‘Miss Ada Blanche’, ‘Theatre Royal, Drury Lane’, on a white ground, with a ring attachment, length 5.7cm, approx. weight 1.1oz. £100-150

104. A Victorian silver and enamel vesta case,

by Saunders and Shepherd, Birmingham 1883, rectangular form, the hinged cover enamelled with the King of Diamonds playing card, with a ring attachment, length 5cm, approx. weight 0.8oz. £300-400

105. A Victorian silver and enamel vesta case,

by S. Mordan and Co, London 1891, rectangular form, hinged cover, enamelled ‘Mr. Tom Pinkney,’ and ‘Sunderland’, on a white ground, the interior of the cover inscribed ‘Christmas 1891’, length 5.7cm, approx. weight 1.2oz. £100-150

16

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 17

106. A late 19th century American silver vesta case, apparently unmarked, shaped rectangular form, hinged cover, the front embossed with classical figures in a woodland setting, the reverse engraved with a coastal scene and ‘Golden Gate’, length 6.8cm, approx. weight 1.3oz. £100-150 Provenance: purchased at Christie’s South Kensington, May 1997, lot 206.

109. A continental silver and enamel vesta case, marked 800, probably German, rectangular form, hinged cover, the front enamelled with an Egyptian stamp, with a ring attachment, length 4.8cm, approx. weight 0.9oz. £150-200

107. A late-Victorian silver and enamel novelty vesta case,

by Deakin and Sons, Chester 1899, rectangular form, modelled as a domino, slide-out base, the sides with strikers, length 4.8cm, approx. weight 1oz. £200-300 Provenance: purchased at Christie’s, South Kensington, Vesta Cases, Tuesday 15 September 1998, lot 11.

110. A late-Victorian silver and enamel vesta case,

by Constantine and Floyd, Birmingham 1893, rectangular form, the front with a circular panel of a rower, length 4cm, approx. weight 0.6oz. £200-300

111. A German silver and enamel vesta case,

by Lutz and Weiss, rectangular form, hinged cover, the front enamelled with a Maltese stamp, with a ring attachment, length 4.3cm, approx. weight 0.8oz. £150-200 Provenance: purchased at Christie’s, South Kensington, Vesta Cases, Tuesday 15 September 1998, lot 83 part.

Provenance: purchased at Christie’s, South Kensington, Vesta Cases, Tuesday 15 September 1998, lot 83 part.

112. A novelty Victorian silver vesta case,

by William Oliver, Birmingham 1887, also marked with a registration number, rectangular form, the cover with bars, the underside with a striker, hinged cover, length 4cm, approx. weight 0.4oz. £100-150

108. An American silver vesta case, circa 1900-1910, rounded rectangular form, the front embossed with the head of a native American chief, hinged cover, length 5.8cm, approx. weight 1oz. £100-150

113. An American silver and enamel vesta case, marked sterling, shaped rectangular form, enamelled with a standing race horse, length 6.5cm, approx. weight 1.2oz. £200-300

114. A Victorian silver and enamel vesta case,

by Howard James, Birmingham 1890, rectangular form, the hinged cover enamelled with punch magazine, the interior gilded, length 4.5cm, approx. weight 0.9oz. £400-600

17

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 18

115. A small collection of three silver vesta cases, comprising: one embossed ‘PAT A CAKE’,

by H. Cooper and Co, Birmingham 1927, one embossed with Charley’s Aunt, by Walker and Hall, Sheffield 1909, and one with a scene from A Midsummer Night’s Dream, by the Goldsmiths and Silversmiths Company, London 1905, approx. total weight 2.4oz. (3) £150-200

116. A late-Victorian silver vesta case / railway ticket holder,

by Cheshire Cohen, Birmingham 1891, rectangular form, hinged cover, sprung side, with an initial, length 6.4cm, plus a late-Victorian presentation silver vesta case, maker’s mark partially worn, ?H, Birmingham 1894, plain rectangular form, inscribed, ‘Royal Albert Yacht Club’, ‘Corinthian Race’, 8th June 1895, “THALIA”, E.D MacLaughin’, with a ring attachment, length 5.8cm, approx. weight 2.4oz. (2) £150-200

117. A small collection of four silver vesta cases, comprising: a late-Victorian one, the hinged front opens to reveal an oval photograph frame, by Minshull and Latimer, Birmingham 1896, plus one with engraved decoration and a cigar cutter, by William Corke, London 1894, one with a stamp holder and engraved decoration, by William Manton, Chester 1902, and one engraved with a horse’s saddle, stirrups, crossed whips and a jockey’s hat, by Minshull and Latimer, Birmingham 1894, approx. total weight 4.2oz. (4) £150-200

118. A Victorian silver naturalistic vesta case,

by Robert Dick, Birmingham 1883, modelled as eight branches in a cigar case form, length 5cm, plus another silver vesta case, by William Neale, Chester 1896, of similar form, with embossed decoration, approx. total weight 1.6oz. (2) £150-200

119. A late-Victorian silver matchbox cover / go-to-bed,

by Stokes and Ireland Limited, Chester 1897, rectangular form, the cover mounted with a miniature chamber stick, on four ball feet, length 8cm, approx. weight 1.5oz. £100-150

120. An Edwardian silver commemorative vesta case,

by Jones and Crompton, Birmingham 1901, rectangular form, embossed with a portrait of Edward VII, length 4.8cm, plus a Victorian silver commemorative vesta case,

by Charles Lyster and Sons, Chester 1900, embossed with a portrait of Queen Victoria in a heart-shaped cartouche, length 5.2cm, approx. weight 1.8oz. (2) £100-130

121. A late-Victorian silver novelty padlock vesta case,

by William Locke and Co, Birmingham 1901, slide-action opening, engraved foliate scroll decoration, length 5.5cm, approx. weight 0.9oz. £100-150

122. Three unmarked silver-mounted coin vesta cases, unmarked, circular form, one mounted with a Georgian cartwheel, a Victorian penny and an Edward VII coronation coin, all with ring handles. (3) £200-300

123. A late-Victorian silver sovereign / vesta case with a watch,

by William Neale, Chester 1887, rectangular form, hinged covers, with a ring attachment, length 7.8cm, approx. weight 1.9oz. £150-200

18

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 19

124. A Victorian silver combination vesta case / pencil / pen knife,

by S. Mordan, London 1889, rounded rectangular form, the hinged cover with a crest, with a ring terminal, length 7cm, approx. weight 1.7oz. £200-300 The crest is that used by a number of families including: Adams, Cliff, Monson and Sloan.

125. An Edwardian silver novelty padlock vesta case,

by A and J Zimmerman, Birmingham 1906, hinged cover, length 5.2cm, approx. weight 0.7oz. £150-200 Provenance: purchased at Christie’s, South Kensington, Vesta Cases, Tuesday 15 September 1998, lot 191 (part).

126. A Victorian combination Vesta case / whistle / penknife and pencil,

by S. Mordan, London 1888, rounded fluted rectangular form, hinged cover, slide-out pencil, length 5.8cm, approx. weight 0.9oz. £200-300 Provenance: Phillips, New Bond Street, sale no. 472, lot 58.

127. A late-Victorian novelty silver table vesta holder,

by Cohen and Charles, London 1899, modelled as a weight, cylindrical form, the pull-up ring handled cover reveals four sections for vestas, the side with a striker, height 7.5cm, approx. weight 2oz. £100-150

128. A French novelty silver vesta case, maker’s mark of E.L in a lozenge, modelled as a boot, the hinged cover initialled, the interior with a lighting cord holder, the interior with a turning star tassel mount, the underside of the sole with a striker, height 5.8cm, approx. weight 0.8oz. £150-200

129. A Russian silver triple coin case, maker’s mark BK, circa 1912, cylindrical form, reeded decoration, foliate borders, spring action holders, length 6.5cm, approx. weight 1.8oz £150-200

130. A silver vesta case / sovereign case,

by J. Gloster, Birmingham 1910, plain rectangular form, hinged cover, with a ring attachment, length 8.3cm, approx. weight 1.30oz. £80-120

131. A late-Victorian silver vesta case / sovereign case,

by Deakin and Francis, Birmingham 1894, rectangular form, engraved foliate scroll decoration, hinged cover, with a ring attachment, length 6cm, approx. weight 1.30oz. £80-120

132. A late-Victorian silver vesta case / sovereign case,

by Deakin and Francis, Birmingham 1896, rectangular form, engine-turned decoration, hinged cover, with a ring attachment, length 8.3cm, approx. weight 1.4oz. £80-120

19

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 20

133. An Edwardian silver vesta / double sovereign case,

by W. Neale, Chester 1908, rectangular form, engraved decoration, hinged covers, designed to fit a sovereign and a half sovereign, initialled, with a ring attachment, length 6.4cm, approx. weight 1.8oz. £100-150

133

134. An Edwardian 9 carat gold double sovereign case,

by S. Blanckensee and Sons Limited, Birmingham 1901, oblong form, engraved foliate scroll decoration, with a ring attachment, length 5.3cm, approx. weight 25.5g. £200-300

134

135. An Edwardian silver vesta / double sovereign case with a cigar cutter,

by George Unite, Birmingham 1905, rectangular form, hinged covers, designed to fit a sovereign and a half sovereign, with a ring attachment, length 5.6cm, approx. weight 2.4oz. £150-200

135

136

136. An Edwardian silver double sovereign case with a stamp holder and a pull-out pencil,

by Horace Woodward and Co, London 1903, rectangular form, hinged covers, designed to fit a sovereign and a half sovereign, with a ring attachment, inscribed, length 10cm, approx. weight 3oz. £150-200

137. A silver triple sovereign case,

by C. Cheshire, Chester 1912, rectangular form, engine-turned decoration, with a ring attachment, initialled, length 8.5cm, approx. weight 1.6oz. £100-150

20

137

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 21

138. An Edwardian silver triple sovereign case,

by Smith and Bartlam, Birmingham 1906, to fit two sovereigns and a half sovereign, kidney form, engraved foliate scroll decoration, the hinged cover with initials, with a ring attachment, length 9cm, approx. weight 1.4oz. £100-150

138

139. A silver triple sovereign case with a stamp holder, maker’s mark worn, Birmingham 1913, rectangular form, hinged covers, designed to fit two sovereigns and a half sovereign, the inside of the cover with clip, with a ring attachment, lacking pencil, length 10.3cm, approx. weight 2.4oz. £100-150

139

140. An Edwardian silver vesta / double sovereign case,

by J. Gloster, Birmingham 1905, rectangular form, hinged covers, designed to fit a sovereign and a half sovereign, the interior of the cover with a sprung clip, with a ring attachment, length 6.4cm, approx. £100-150 weight 2.2oz.

140

141. An Edwardian silver sovereign / stamp case,

by William Haseler, Birmingham 1908, oblong form, engraved foliate scroll decoration, with a ring attachment, length 5.8cm, approx. weight 1oz. £80-120 141

142. An Edwardian silver double sovereign case with a stamp holder and miniature photograph frame,

by Walker and Hall, Chester 1906, rectangular form, hinged covers, designed to fit a sovereign and a half sovereign, with a ring attachment, initialled, length 6.3cm, approx. weight 2oz. £100-150 142

21

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:52 Page 22

143. A Victorian electroplated wine cradle, the simulated grapevine supports on four hoof feet, with a turning handle and tilting mechanism, central carrying handle, height 38cm. £300-400

144. A Victorian electroplated lemon squeezer,

by Hukin and Heath, also marked with a registration number, modelled as a lemon, with a hinged cover and turning screw, on three wire-work legs on a circular textured base, height 21.5cm. £200-300

143

144

145. A George III old Sheffield plated two-handled cup and cover, unmarked, circa 1770, baluster form, scroll handles terminating in heart-shaped cartouches, on a raised circular foot with a gadroon border, domed pull-off cover, initialled, engraved with a crest and inscribed ‘Maturae’, height 24.5cm. £300-400 The crest is that of Johnston.

146. A George III old Sheffield plated Argyle, circa 1810-20, circular form, gadroon border, scroll handle, the water compartment with a hinged cover, the pull-off cover with a ball finial, height 16.3cm. £100-150

145

146

147. A George III old Sheffield plated Argyle, unmarked circa 1765-70, tapering circular form, the scroll handle with a heart-shaped cartouche, the hinged cover with a featheredge border, internal hot-water compartment, on a circular base, height 9.8cm. £200-300 Provenance: The James Walker Collection, Christie’s South Kensington, 13 July 2006, lot 71.

For a similar example see; Crosskey, G., Old Sheffield Plate, Treffry Publishing, 2001, page 214, figure 138a.

22

147

148

148. A George III old Sheffield plated Argyle, unmarked, circa 1790, ovoid form, straight tapering spout, scroll handle, engraved decoration, the pull-off cover with an urn finial, the interior with a heating compartment with a cover, on a circular foot, height 18cm. £100-150

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 23

149. A Victorian electroplated ‘mousetrap’ entrée dish and cover, rectangular form, fluted scroll handles, the pull-off cover with a mouse-trap finial, on four scroll feet with standing mouse supports, engraved with a crest, length handle to handle 31.5cm. £300-400 The crest is that of Antisell.

150. A rare George III old Sheffield plated cucumber slicer, unmarked circa 1800, cylindrical form, with a wooden turning handle that moves the cucumber towards the slicing blade, on raised circular bases, length 22cm. £800-1,200 Provenance: Lawrence’s, Crewkerne, January 2010, lot 352.

149

150

151

152

153

154

151. An early 19th century old Sheffield plated decanter trolley, unmarked, circa 1820, double circular form, foliate borders, wooden bases set with central buttons, on four wheels with a pulling handle, length 35cm. £600-800

152. A Victorian novelty electroplated spoon warmer, with a registration lozenge, possibly for 1872, modelled as a mythical dolphin, on a raised oval foot, length 21.5cm, height 14.5cm. £300-400

153. A George III old Sheffield plated globe inkwell, possibly by Roberts, Cadman and Co, circa 1795, the two-section domed cover with a pushdown ball finial, opening to reveal three mounted blue glass inkwells, with a swag and medallion apron, on a raised circular foot, height 21cm. £200-300

154. A George III old Sheffield plated cruet frame, unmarked circa 1790, oval navette form, pierced holders, with a pair of cut-glass oil and vinegar bottles, a mustard pot and a pepper pot, bright-cut decoration, on four bracket feet, length 30.5cm. £150-200

23

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 24

155. An electroplated champagne bucket and stand,

by Walker and Hall, tapering circular form, fluted banding, circular side handles, the stand of tapering circular form, on three scroll legs on a triangular base, height 53.5cm. (2) £200-300

156. A rare old Sheffield plated honey skep, unmarked, possibly by Morton or Watson and Co, circa 1790, beehive form, the pull-off cover with a rope-work finial, the base of circular form, gadroon border, on three pierced bracket feet, gilded interior, height 14cm. £300-500

157. A rare George III old Sheffield plated dish wedge, unmarked, circa 1790, tapering rectangular form, with an oak leaf mounted scroll handle, length 16cm. £150-200

158. A rare pair of George III old Sheffield plated dish wedges, unmarked, circa 1800, triangular wedge form, serrated edges, wire-work backs, length 17cm.

(2) £200-300 Provenance: The James Walker Collection of Silver and Vertu, Christie’s South Kensington, 13 July 2006, lot 70.

159. A George III old Sheffield plated decanter trolley, unmarked, circa 1800, double plain circular form, scroll handles, on four wheels, length 34.5cm. £200-300

160. A rare set of six George III old Sheffield plate asparagus holders, unmarked, circa 1790, tapering shaped rectangular form, the sides and base with pierced slats, engraved with initials, length 9.3cm. (6) £150-200

24

Provenance: The James Walker Collection, Christie’s South Kensington, 3 July 2006, lot 69.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 25

161. A set of five Russian silver-gilt and enamel coffee spoons, maker’s mark E.H, the reverse of the bowl with vari-coloured enamel decoration on a matted background, twisted stem, with blue and white enamel decoration, approx. weight 2.9oz. (5) £100-150

162. A four-piece Russian silver and enamel serving set, 1896-1908, comprising: a sugar sifting spoon, a pair of sugar tongs, a sugar spoon/caddy spoon and a serving fork, with vari-coloured foliate scroll decoration on a matted background, twisted stems, approx. weight 5.5oz. (4) £200-300

163. A collection of five Russian silver / silver-gilt and enamel spoons, comprising: a larger one, assay master A.A, Moscow 1894, the reverse of the bowl with vari-coloured foliate scroll decoration, on a matted background, plus four single ones with similar decoration, length of largest 19.4cm, approx. weight 6.9oz. (5) £250-300

164. A Russian silver-gilt and enamel kovsch, bearing pseudo marks for Ovchinnikov, oval form, with vari-coloured foliate scroll decoration, on a matted background with rope-work borders, enamelled blue bead border, length 12.7cm, approx. weight 3.4oz. £600-800

165. A Russian silver-gilt and enamel kovsch, 1896-1908, oval form, with vari-coloured foliate scroll decoration, on a matted background with rope-work borders, enamelled blue bead border, length 7.5cm, approx. weight 1.4oz. £200-300

166. A Russian silver-gilt and enamel kovsch, maker’s mark HC, 1896, oval form, with vari-coloured foliate scroll decoration, on a matted background with rope-work borders, enamelled blue bead border, length 8cm, approx. weight 1.4oz. £200-300

167. A silver model of a peacock, with import marks for London 1910, importer’s mark of Berthold Muller, modelled in a standing position with a fanned tail, length 15.8cm, approx. weight 4.7oz. £120-180

168. A rare William IV silver ‘castle-top’ thermometer,

by Joseph Willmore, Birmingham 1836, upright rectangular form, mounted with a scene of Abbotsford House, on a rectangular base, height 9cm. £300-400

169. An Edwardian silver playing cards box, maker’s mark worn, Chester 1907, upright rectangular form, the hinged cover with a monogram, the sets set with playing cards, one under glass, on a spread square base, height 13cm. £600-800

Provenance: purchased in these rooms, 19/20 July 2011, lot 592.

25

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 26

171. An 18th century Spanish silver-gilt double-sided saw, possibly Catalan, late 18th century, the baluster shaped ends with foliate scroll decoration, the ropework handle with a frog finial, inscribed ‘Schiso Siendo Maioxdomo.

D:b Antonio Radxi.sy Poxtillo. Ano de 1772’, length 17.8cm, approx. weight 3.5oz. £600-800 170. A late-Victorian silver toothpick holder, with import marks for London 1895, importer’s mark of Edwin Bryant, modelled as a standing man with a basket on his back, with a staff and a dog at his feet, on a raised circular foot, height 8.8cm, approx. weight 3oz. £100-150

Provenance: Christie’s London, Important Silver, The Property of a European Collector, 5 July 2005, lot 15.

Sotheby’s London, 17 May 1973, lot 85. The saw is possibly a badge of office for an officer or warden in the Guild of Carpenters and symbolises the wardenship of Don Antonio Rodri Portillo in 1772.

172. A 19th century Indian colonial silver pap boat,

by Hamilton and Co, Calcutta circa 1820, oval form, gadroon and foliate shell border, length 13.5cm, approx. weight 3.3oz. £150-200

173. A pair of American silver egg cups with cutting hinged covers, circa 1920, circular tapering form, with two hinged cutters with chicken feet handles, domed cover, engraved with an initial, on a spread circular base, height 9cm, approx. weight 8oz. (2) £300-500

174. A 19th century American silver pap boat / sauce boat,

by Ball, Black and Co, New York, oval form, scroll handle, covered spout, length 16.7cm, with a presentation inscription, approx. weight 3.2oz. £100-150

175. An 18th century French silver wine taster, maker’s mark N.C over BD, Paris 1775-76, circular form, fluted decoration, snake ring handle, beaded border, inscribed ‘E. CAILLOT’, diameter 9.3cm, approx. weight 4.6oz. £300-400

176. A 19th century French silver twohandled ecuille and cover and stand, maker’s mark of P Brothers, in a lozenge, circular form, the cover and stand with chased foliate scroll and shell decoration, pierced foliate side handles, length handle to handle 22.5cm, approx. weight 22.9oz.

(3) £300-400

177. A 19th century French silver wine taster, circular form, fluted decoration, snake ring handle, the centre set with a coin, inscribed ‘J. ROULIES’, diameter 9.3cm, approx. weight 3.5oz. £150-200

26

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:54 Page 27

178. A German silver fox head stirrup cup, with import marks for London 1925, importer’s mark of Israel Segalov, the fox head with textured fur, tapering body engraved with a hunting scenes, height 14cm, approx. weight 6.8oz. £600-800

179. A late-Victorian silver cow creamer, with London import marks for 1895, importer’s mark of Berthold Muller, modelled in a standing position, the hinged cover lacking fly, the neck with a collar, height 8.5cm, approx. weight 6.2oz. £600-800

180. A late-Victorian silver cow creamer, with import marks for London 1897, importer’s mark of Elly Miller, modelled in a standing position, the hinged cover embossed with a fly, height 10cm, approx. weight 4.7oz. £500-700

181. A German silver model of a peacock,

by Neresheimer of Hanau, with import marks for Chester 1906, importer’s mark of Berthold Muller, modelled in a standing position, detachable head, length 28.5cm, approx. weight 6.3oz. £300-400

182. A Chinese silver overlay green glass decanter,

by Lee Yeeshing, circa 1920, compressed circular form, decorated with a junk, buildings and dragons within foliate scroll motifs, screw-off cover, on a rectangular foot, height 20cm. £300-400

183. An early 19th century French silver-gilt mustard pot, Paris 1809-1819, fluted vase form, scroll handle, beaded borders, scroll handle, on a raised circular foot, the hinged cover with a bud finial, height 13.5cm, approx. weight 5oz. £150-200

27

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 28

184. A Dutch silver windmill cup, date letter worn, circa 1900-1920, the bowl of tapering circular form, embossed with farm scenes and foliate scroll decoration, with two figures and a bird finial, height 22cm, approx. weight 7.7oz. £300-400

reverse

184 185. A 19th century Dutch silver windmill cup, bearing pseudo earlier marks, also marked with 19th century tax marks, in the 17th century manner, tapering bowl engraved with figural scenes, and applied with lion masks and hanging bells, the canopy engraved with figural scenes and with an inscription and clock, height 19.8cm, approx. weight 7.2oz. £600-800 Provenance: Phillips, London, January 2000, lot 40.

reverse

185 186. A late-19th century Dutch silver windmill cup, 1891, the bowl of tapering circular form, embossed with foliate scroll decoration, with two figures and a bird finial, height 23.8cm, approx. weight 7.7oz. £500-800 Provenance: Sotheby’s, London, September 2003, lot 1128.

reverse

28

186

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:54 Page 29

187. A pair of Victorian silver wager cups, with import marks for London 1891, importer’s mark of Martin Sugar, modelled as a standing woman and a bearded standing woman holding scroll supports, with a hinged swing circular bowls, embossed foliate scroll decoration, height 26cm, approx. weight 24oz. (2) £1,500-2,000

187 188. A late 19th century German silver wager cup,

by Neresheimer of Hanau, with import marks for Chester 1899, importer’s mark of Berthold Muller, modelled as a standing maiden, with her arms above her head with scroll supports holding a swing circular baluster cup, height 25.5cm, approx. weight 11.5oz. £700-900

188 189. An Edwardian silver wager cup, with import marks for London 1903, importer’s mark worn, modelled as a standing woman holding scroll supports, with a hinged swing circular bowl, embossed foliate scroll decoration, height 16cm, approx. weight 4.5oz. £200-300

189

29

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 30

190. An 18th century Scandinavian silver peg tankard, maker’s mark PC, script, circular form, scroll handle with a cherub mask mount, the hinged cover with a rampant lion and ball thumb-piece and set with a coin and inscribed and dated ‘1761’, the body also with an inscription, the interior with four pegs, on three foliate capped cone feet, height 17.5cm, approx. weight 19.5oz. £2,000-3,000

30

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 31

191

191. An Edwardian silver cow creamer, with import marks for Chester 1901, importer’s mark of Berthold Muller, modelled in a standing position, the hinged cover embossed with a fly, height 8.3cm, approx. weight 5oz. £700-900

192. A German silver pineapple cup and cover,

by Neresheimer of Hanau, with import marks for Chester 1906, importer’s mark of Berthold Muller, the bowl of lobed circular form, the pull-off cover with a scroll finial, the stem modelled as a tree trunk and mounted with a figure playing bag-pipes, on a raised lobed circular foot, height 28.5cm, approx. weight 11oz. £300-400 192

31

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 32

193. A Victorian silver ewer,

by J and J Angell, London 1846, circular bellied form, engraved decoration, caryatid scroll handle, with two vacant cartouches, on a raised circular foot, height 31cm, approx. weight 29.9oz. £600-800

194. A George III presentation silver tea urn,

by Wakelin and Taylor, London 1783, urn form, scroll handles, beaded borders, fluted tap with a stained ivory handle, the front with an armorial, the raised pull-off cover with a cone finial, on a raised square base, the front inscribed ‘The Gift of the Right Honourable Robert Lord Visct. Arundell Gallway’, height 36.5cm, approx. weight 41.5oz. £1,500-2,000

195. A Victorian silver ewer,

by Martin, Hall and Company, Sheffield 1866, baluster form, embossed foliate scroll decoration, engraved with a crest, the scroll handle with ivory insulators, domed cover with an acorn finial, height 30.5cm, approx. weight 19oz. £500-800 The crest is that of Coldbeck of Bedfordshire.

The arms are those of Bower, originally of Bridlington, Yorkshire, with Seymour in pretence.

196. A Victorian silver ewer,

by Henry Wilkinson and Co, Sheffield 1851, lobed circular baluster form, embossed vine-leaf decoration, scroll handle, domed cover with a bunch of grapes finial, on a raised circular foot with grapes, height 32.5cm, approx. weight 24oz. £700-900

32

197. A George III silver five-bottle cruet frame,

by T.L, unidentified, London 1770, circular form, with a pierced foliate scroll gallery, central pierced carrying handle, on three claw and ball feet, with three silver mounted glass casters and a pair of silvermounted oil and vinegar bottles, height 23.5cm, approx. weighable 14.5oz. £600-800

198. A Victorian presentation silver ewer,

by George Angell, London 1859, baluster form, scroll handle, engraved with classical figures and scroll decoration, beaded borders, on a circular foot, inscribed ‘Presented to B. Huntsman Esq. on his relinquishing the Manor of Camston by a few friends as a memento of his kindness in having allowed them to course over the same, January 1867’, height 32.5cm, approx. weight 17.5oz. £600-800

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:55 Page 33

199. A Victorian silver coffee pot,

by Martin, Hall and Company, London 1874, tapering shaped circular form, engraved decoration, scroll handle with ivory insulators, engraved with a crest, the hinged cover with a cone finial, on a circular foot, height 25.8cm, approx. weight 21.8oz. £300-400

200. A Victorian silver five-bottle sauce bottle stand,

by Charles and George Fox, London 1844, cinquefoil form, central scroll carrying handle, wire-work frame, on four scroll and pad feet, with a cartouche, engraved with a crest, with five cut-glass sauce bottles, one with a later silver mount, plus a set of five silver sauce labels, by Rawlings and Summers, London 1833, incised ‘CAYENNE’, ‘ANCHOVY’ ‘HARVEY’, ‘CHILI’, ‘LEMON’ and ‘SOY’, height 18cm, approx. weight 8.5oz. (2) £600-800

201. A George II silver tankard,

by Richard Bayley, London 1748, baluster form, later embossed foliate scroll decoration, with a presentation inscription, domed hinged cover with a pierced thumbpiece, scroll handle with a shield-shaped terminal, on a circular foot, height 19.2cm, approx. weight 25.9oz. £800-1,200

Provenance: Phillips, London, Sale No. 42, lot 344.

202. A George III silver ewer,

by Peter and Ann Bateman, over-stamped with maker’s mark of Thomas Ollivant of Manchester, London 1792, vase form, bright-cut decoration, scroll handle, domed hinged cover with a ball finial, on a raised circular foot, reeded borders, the front with a ribbon-tied vacant cartouche, height 34cm, approx. weight 25.2oz. £1,000-1,500

203. A George III silver four egg cup stand and egg spoons,

by John Emes, London 1806, the spoons, by Eley and Fearn, London 1807, square form, the wire-work frame with a central swing-handled salt cellar, gilded bowl, and with three lift-out egg cups of circular form, engraved with a crest, on four fluted bracket feet, the egg spoons Old English pattern, height 19.5cm, approx. weight 20oz. £400-600 The crest is that used by a number of families including: Ackford, Cockburn, Rutherford, Twentyman and Whinfield.

204. A late-Victorian silver mounted claret jug,

by Gibson and Langman, London 1898, tapering circular form, hob-nail cut decoration, the plain mount with an angular scroll handle, hinged cover, height 20cm. £200-300

33

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 34

205. A George III silver swing-handled cream pail,

by Robert Hennell, London 1781, tapering circular form, pierced decoration, beaded borders, with a blue glass liner, height 7.5cm, approx. weight 3.2oz. £150-200

206. A George III silver swing-handled cream pail, possibly by T.L, London 1769, tapering circular form, pierced and embossed foliate scroll decoration, ropework borders, with a blue glass liner, and with a cream ladle, height 7.5cm, approx. weight 3.1oz. (2) £150-200

207. A George III silver swing-handled cream pail,

by Burrage Davenport, London 1778, tapering circular form, pierced decoration, bright-cut and beaded borders, with a blue glass liner, height 6.5cm, approx. weight 2.4oz. £150-200

208. A George III silver swing-handled cream pail, maker’s mark worn, London 1795, tapering circular form, pierced with horizontal slats and foliate motifs, engraved bands of decoration, beaded borders, and swing-handle, with a blue glass liner, height 8.5cm, approx. weight 3.3oz. £200-300

209. A George III swing-handled sugar basket,

by Burrage Davenport, London 1777, vase form, pierced with horizontal and vertical slats, rope-work swing-handle, beaded borders, with a blue glass liner, height 12cm, approx. weight 5oz £200-300

210. A George III silver swing-handled cream pail, unmarked, possibly Irish, tapering circular form, pierced and embossed with a windmill, buildings and animals in landscape settings, with a blue glass liner, height 7.2cm, approx. weight 1.8oz. £200-300

211. A George III swing-handled sugar basket,

by J. Hoyland and Co, Sheffield 1778, vase form, pierced with horizontal and vertical slats, and embossed with ribbontied drape decoration, beaded borders and swing-handle, the raised circular foot with a crest, with a blue glass liner, height 13.5cm, approx. weight 6oz. £200-300

212. A George III silver swing-handled cream pail,

by Thomas Foster, London 1768, tapering circular form, pierced decoration, gadroon and rope-work borders, with a blue glass liner, height 6.3cm, approx. weight 1.6oz. £150-200

The crest is that of Bass, Eredy, Folton, Johnson, Tanke and Van Straubenzee.

34

The crest is that of Irish families Codd, Lebas, Teeling, Toler and Turpin.

213. A George III silver swing-handled sugar basket,

by Charles Chesterman, London 1796, vase form, pierced with medallions, engraved decoration, wavy-edge border, engraved decoration, reeded swing-handle, on a raised square foot, with a red glass liner and a crest, height 12.3cm, approx. weight 5.9oz. £200-300 The crest is that used by a number of families including: Brandwood, Easton, Hensely, Mowbray and Sparrow.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 35

214. A George III silver swing-handled sugar basket, maker’s mark worn, London 1787, oval form, pierced scroll border, engraved bright-cut decoration, beaded borders, on a raised oval foot, height 9cm, approx. weight 4oz. £150-200

215. A George II silver ‘sparrow-beak’ jug, possibly by Edward Gibbon, London 1735, baluster form, scroll handle, on a raised circular foot, height 9cm, approx. weight 2.8oz. £300-500

216. A George III silver wig powderer / caster,

by William Pitts, London 1805, globe form, on a raised circular base, screwoff cover, with a crest, height 8.8cm, plus a pair of similar casters, by Charles Fox, London 1830, engraved ‘SALT’, height 6.5cm, approx. total weight 7.8oz. (3) £300-400 The crest is that of Andrews of Rivington, Lancashire.

217. A George III silver swing-handled sugar basket,

by Hester Bateman, London 1790, shaped oval form, bright-cut decoration, swing-handle, on a shaped oval foot, length 17.8cm, approx. weight 7.8oz. £300-400

218. A George III silver brandy pan,

by Walker Brind, London 1770, tapering circular form, plain lip, wooden baluster handle, engraved with an armorial, length 25cm, approx. weight 6.9oz. £400-600

219. A Victorian silver bowl,

by Edward Farrell, London 1841, circular lobed form, embossed decoration, gilded bowl, on three fruit capped scroll legs, diameter 15cm, approx. weight 7.4oz. £100-150

The arms are possibly those of Copley impaling Camery.

220. A George III silver swing-handled basket,

by Peter and Ann Bateman, London 1798, oval form, bright-cut decoration, reeded borders and swing-handle, with two vacant cartouches, on a raised oval foot, length 16.8cm, approx. weight 7.2oz. £300-400

221. A pair of George III silver salt cellars, maker’s mark of S.H or H.S, London 1765, oval form, pierced with foliate scroll decoration, gadroon borders, on four claw and ball feet, with blue glass liners, length 9.3cm, approx. weight 5.9oz. (2) £100-150

222. A George III silver two-handled bowl,

by Joseph Angell, London 1812, circular form, embossed acanthus leaf decoration, bifurcated snake scroll handle, on a raised circular foot on a square base, gilded interior, height 14.3cm, approx. weight 18.5oz. £400-600

35

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 36

223. A George III silver snuffer’s tray,

by Robert Hennell, London 1775, shaped oblong form, with a pierced gallery and beaded border, leaf capped scroll handle, the front with a worn crest, wooden base, length 19.5cm. £300-400

224. A George III silver chamber stick,

by Wakelin and Taylor, London 1785, circular form, beaded borders, scroll handle, with a conical snuffer, engraved with a crest and initial, the underside scratch initialled ‘No.2, 12=11’, diameter of base 14.5cm, approx. weight 11.3oz. £300-500 The crest is that of Browne.

225. A George III silver snuffer’s tray,

by Robert Hennell, London 1775, shaped oblong form, with a pierced gallery with oval medallions and drapes, beaded border, engraved with a monogram wooden base, length 19.7cm. £250-300

226. A George III silver two-handled lemon strainer, maker’s mark worn, London 1764, pierced circular bowl, elongated scroll side handles, length handle to handle 32.2cm, approx. weight 5.5oz. £300-400

227. A George IV silver wine funnel,

by William Bateman, London 1828, plain circular form, gadroon border and shell side clip, engraved with a crest, height 15.6cm, approx. weight 6.2oz. £400-600

228. A George II silver lemon strainer,

by Samuel Herbert and Co, London 1753, circular form, with scroll side handles, the circular bowl with pierced decoration, length 18.8cm, approx. weight 2.6oz. £250-300

229. A George III silver pap boat, maker’s mark worn, London 1819, shell and gadroon border, gilded bowl, length 13cm, approx. weight 2.7oz. £100-150

230. A George III silver snuffer’s tray,

by John Carter, London 1773, shaped oblong form, beaded border, leaf and bead capped scroll handle, engraved with a crest and motto, on four claw and ball feet, length 18.5cm, approx. weight 5.9oz. £150-200

36

The crest is that of Playters of Suffolk.

The coronet and crest is that for the Scottish Lord Sinclair, Baron of Ravenscraig.

231. A George III silver pap boat, maker’s mark partially worn, S?, London 1792, oval form, reeded border, length 11.5cm, approx. weight 2.8oz. £100-150

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 37

232. A George III silver snuffer’s tray,

by William Cafe, London 1763, shaped rectangular form, gadroon border, scroll handle with a shell motif, the underside scratched ‘H’ and ‘9-8’, on four hoof feet, length 18.8cm, approx. weight 8.2oz. £250-300

233. A George III silver bougie box, maker’s mark only, that of William and Aaron Lestourgeon, London circa 1770, circular form, the side with a hinged handle, the domed hinged cover with a cutter, diameter 5cm, approx. weight 1.5oz. £200-300

234. A George II silver snuffer’s tray,

by John Cafe, London 1749, shaped rectangular form, moulded border, scroll handle, engraved with a crest, on four hoof feet, length 18cm, approx. weight 8.4oz. £300-400

235. A George III silver lemon strainer,

by Aldridge and Stamper, London, no apparent date letter or town mark, circa 1760, circular form, with one scroll side handle, the circular bowl with pierced decoration, and with a crested clip, length 17.5cm, approx. weight 4.4oz. £200-300

236. A George IV silver wine funnel,

by Joseph Story, London 1817, plain circular form, gadroon border and with a foliate and shell side clip, engraved with a monogram, height 12.7cm, approx. weight 3.8oz. £150-200

237. A George III silver lemon strainer,

by Samuel Herbert and Co, London 1765, circular form, with scroll side handles, the circular bowl with pierced decoration, ropework border, length 23.7cm, approx. weight 3.3oz. £250-300

239. A George III silver bougie box,

by Christopher Buckler, London 1820, circular form, the side with a hinged handle, the pull-off cover with a cutter, with a monogram and inscribed ‘And the Rain descended, and the floods came, and the winds blew, and beat upon that house, and it fell not: for it was founded upon a rock’, diameter 4.3m, approx. weight 2oz. £300-400

240. A George III silver pap boat,

by Samuel Meriton, London circa 1764, plain oval form, the underside of the base scratch initialled ‘W.B’ ‘1764’, length 12.4cm, approx. weight 2.2oz. £100-150

The crest is that of Lathom, of Moosborough, Ormskirk, Lancashire.

The crest is that used by a number of families including: Hooker, Marlay, Sandilands and Rous.

238. A George II silver lemon strainer, marks worn, possibly by John Gamon, London 1734, circular form, with scroll side handles, the circular bowl with pierced decoration, length 14.8cm, approx. weight 2.3oz. £300-400

37

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 38

241. A small collection of three George III silver sauce labels, comprising: a rectangular neck ring, probably by Phipps and Robinson, London circa 1800, pierced ‘ANCHOVY’, plus one of shaped oval form, foliate and shell border, by Mary Ann and Charles Reily, London 1826, pierced ‘CAYENNE’, and one of rectangular form, foliate gadroon border, pierced ‘KYAN’, approx. total weight 0.6oz. (3) £200-300

242. A pair of George III silver sauce labels,

by Joseph Ash, London 1813, rectangular form, reeded borders, pierced ‘KETCHUP’ and ‘ANCHOVY’, length 2.8cm, approx. weight 0.2oz. (2) £100-150

243. A set of three William IV silver sauce labels,

by Reily and Storer, London circa 1830, shaped oval form, foliate scroll borders, pierced ‘ANCHOVY’, ‘CAYENNE’, and ‘SOY’, length 3.4cm, approx. weight 0.4oz. (3) £200-300

244. A set of three George III silver sauce labels,

by Susanna Barker, London circa 1780, oval navette form, reeded border, incised ‘CAMP’, ‘LEMON’ and ‘KYAN’, length 2.8cm, approx. weight 0.3oz. (3) £200-300

245. A set of three George III silver sauce labels,

by Phipps and Robinson with James Phipps, London circa 1810, oblong form, gadroon border, pierced ‘ANCHOVY’, ‘KETCHUP’, and ‘CHILI’, £150-200 approx. weight 0.20z. (3)

246. A small collection of three 19th century silver sauce labels, comprising: a Victorian label, by Rawlings and Summers, London 1849, shaped rectangular form, incised ‘KETCHUP’, a George III oval label,

by Phipps and Robinson, London circa 1800, oval form, reeded border, incised ‘LEMON PICKLE’, and an unmarked label, ‘CHILI VINEGAR’, approx. weight 0.4oz. (3) £150-200

247. A small collection of four George III silver sauce labels, canted rectangular and oblong form, reeded border, comprising: ‘TARNVINGR’, by George Knight, London 1818, one ‘ORANGE’, London 1805, plus ‘SOY’ and ‘LEMON’, approx. weight 0.4oz. (4) £250-300

248. A collection of four George III silver sauce labels,

by John Rich, one London 1796, crescent form, incised ‘CAVICE’, ‘TARRAGON’, ‘KETCHUP’, ‘SOY’, with traces of blackening, approx. weight 0.3oz.

(4) £250-300

249. A matched set of four George III silver sauce labels, three by Thomas Daniell, London circa 1780, oval form, bright-cut borders, incised ‘KETCHUP’, ’SOY’, ’LEMON’ and ‘CAYAN’, length 2.5cm, approx. weight 0.4oz. (4) £250-300

38

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 39

250. A matched pair of George IV silver sauce labels, possibly by two makers, London 1829, scroll form, mounted with two rosettes, pierced ‘LEMON’ and ‘ANCHOVY’, length 3cm, approx. weight 0.3oz. (2) £200-300

251. A George IV silver neck ring sauce label,

by Charles Rawlings, London 1824, rectangular form, canted corners, reeded border, incised ‘FISH SAE’, length 2.3oz, approx. weight 0.08oz. £150-200

252. An 18th century silver sauce label, unmarked, circa 1780, shaped rectangular form, incised ‘GARLICK’, plus another 18th century silver sauce label, unmarked, crescent form, bright-cut border, incised ‘ELDER’, approx. weight 0.2oz. (2) £150-200

253. A small collection of three silver sauce labels, oblong form, reeded border, comprising: a silver-gilt one pierced ‘TARRAGON’, by John Robins, London 1804, and a pair London 1808, incised ‘LEMON. PICK’, and ‘KETCHUP’, approx. weight 0.3oz. (3) £200-300

254. A set of six George III silver sauce labels,

by Thomas Hyde, London circa 1785, crescent form, incised ‘CAYON’, ‘ELDER’, ‘TARRAGON’, ‘LEMON’, ‘GARLICK’, and ‘KETCHUP’, length 2.8cm, approx. weight 0.6oz. (6) £500-700

255. A small collection of four George III silver sauce labels, crescent form, bright-cut and feather-edge borders, one by Susannah Barker, London circa 1780, incised ‘TARRAGON’, one unmarked, incised ‘CAYON’, one by John Rich, incised ‘TARRAGON’, and another unmarked, incised ‘GARLICK’, approx. weight 0.4oz. (4) £250-300

256. A collection of four silver sauce labels, rectangular form, canted corners, reeded borders, comprising one by Yapp and Woodward, Birmingham 1854, incised ‘CARRACK’, a Victorian label, London 1844, incised ‘WALNUT’, a George IV label, London 1824, ‘KETCHUP’; and one by John Robins, ‘ANCHOVY’, approx. weight 0.4oz. (4) £200-300

257. A small collection of three George III silver sauce labels, comprising: a George III oval label, possibly

by John Baddeley, London 1821, incised ‘CATSUP’, one by John Holloway, London 1797, incised ‘SOY’, and one incised ‘KYAN’, approx. weight 0.4oz. (3) £150-200

258. A set of three George III silver sauce labels,

by Thomas and James Phipps, London circa 1820, oblong form, gadroon and shell border, pierced ‘KYAN’, ‘SOY’ and, ‘ANCHOVY’, length 2.2cm, approx. weight 0.25oz. (3) £150-200

39

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 40

259. A set of five 19th century silver neck ring sauce labels, with obliterated marks, oval form, reeded borders, incised ‘YORKSHIRE’, ’WORCESTER’, ‘TARRAGON’, ‘HARVEY’, and ‘KETCHUP’, length 2.5cm, approx. weight 0.6oz. (5) £300-400

260. A set of five early 19th century Scottish silver wine labels,

by William Cunningham, one over-stamped with maker’s mark of H and Co, Edinburgh circa 1830, shaped oval form, scroll and vine borders, incised and blackened ‘MADEIRA’, ‘GIN’, ‘RUM’, ‘SHERRY’ and ‘PORT’, length 4.4cm, approx. weight 1.4oz. (5) £300-400

261. A set of five silver-gilt wine / sauce labels,

by Wakely and Wheeler, London 1956, shaped form, pierced with the plants of the labels,and one with bees, pierced ‘MEAD’, ‘CRAB APPLE’, ‘ELDERBERRY’, ‘PARSLEY’, and ‘FONTINIAC’, length 5.3cm, approx. weight 2.70z. (5) £300-400

262. A set of six George III silver wine labels,

by Elizabeth Morley, London 1802, raised rectangular form, reeded border, engraved with a crest, and incised ‘MADEIRA’, ‘BRANDY’, ‘CLARET’, ‘SHERRY’, ‘RUM’, and ‘GENEVA’, length 3.8cm, approx. weight 1.2oz. (6) £400-600

Frontiniac is a sweet wine produced in the Languedoc-Roussillon region of France.

263. A matched set of eleven George IV / William IV silver wine labels,

by Reily and Storer, London 1829/30, oval form, gadroon border, pierced ‘HERMITAGE’, ‘MADEIRA’ (x2), ‘MOSELLE’, ‘CLARET’, ‘BURGUNDY’ ‘VIN.DE.GRAVE’, ‘HOCK’, ‘CHAMPAGNE’, ‘SHERRY’ and ‘PORT’, length 5.3cm, approx. weight 7.3oz. (11) £600-800

40

264. A set of ten American silver wine labels,

by The Simoris Brothers, Philadelphia circa 1900-1920, banner form, scroll and bead border, incised ‘CHERRY CORDIAL’, ’PEACH BRANDY’, ‘ORANGE BITTERS’, ‘ANGUSTURA BITTERS’, ‘MARTINI’, ‘CHARTREUSE’, ‘BENEDICTINE’, ‘CURACAO’, ‘SHERRY’ and ‘APRICOT BRANDY’, length 4.8cm. (10) £600-800

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 41

266. A George II silver wine label, maker’s mark only, A.G in a heart shaped punch, London circa 1750, cartouche form, incised ‘RED-CHAMPAN’, length 5.3cm, approx. weight 0.3oz. £200-300

267. A George III silver wine label, maker’s mark twice, W.T, for William Turton, circa 1785, crescent form, pierced zigzag border, bright-cut border, incised ‘PORT’, length 4.3cm, approx. weight 0.2oz. £150-250

268. A George III silver wine label,

by Edward Farrell, London 1819, shaped form, with a Bacchanalian cherub, a leopard head, urn and trailing grape vines, pierced ‘ROUSSILLION’, length 6.2cm, approx. weight 0.6oz. £250-300

269. A George II silver wine label,

by Sandilands Drinkwater, London circa 1750, cartouche form, chased trailing grapevines, incised ‘CYDER’, length 5.3cm. £150-250

270. A George II cast silver wine label,

by Sandilands Drinkwater, London circa 1755, shaped form, with Bacchanalian cherubs with a jug and bottle and trailing grapevines, incised ‘OLD HOCK’, length 6.2cm, approx. weight 0.5oz. £200-300

271. A late 18th century silver wine label, stamped twice with traces of an indistinct maker’s mark I?, crescent form, featheredge border, pierced ‘MALAGA’, length 5cm, approx. weight 0.2oz. £80-120

272. A George III silver wine label,

by Richard Binley, London circa 1760, escutcheon form, chased trailing vine decoration, incised ‘BURGUNDY’, length 5.4cm, approx. weight 0.4oz. £100-150

273. A George IV silver wine label,

by Richard Poulden, London 1824, scroll form, with a raised pediment, featheredge border, incised ‘CAPE MADEIRA’, length 4.5cm, approx. weight 0.3oz. £100-150

265. An early 19th century Irish silver wine label,

by James Fray, retailed by West, Dublin circa 1820, shaped oval form, shell and reeded scroll border, incised ‘MUSCATEL’, and engraved with a crest, length 5.5cm, approx. weight 0.6oz. £200-300 The crest is that used by several families including: Dolton, Agar, Stansfield, Wintringham and Vaughan.

Provenance: purchased in these rooms, 22nd October 2013, lot 906.

41

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 42

274. A pair of George III silver wine labels,

by Peter and Ann Bateman, London 1796, banner form, mounted with Prince of Wales’s Feathers, and with foliate ends, bright-cut borders, incised ‘WHITE’ and ‘PORT’, length 5cm, approx. weight 0.6oz.

(2) £300-400

275. A matched pair of George III silvergilt wine labels,

by John Reily, London 1814 and probably 1818, shaped form, with a putto passing a cup of wine to Bacchus, with trailing grapevines and bunches of grapes, pierced ‘PORT’ and ‘SHERRY’, length 6cm, approx. weight 1.8oz. (2) £400-600

276. A pair of George IV silver wine labels,

by Mary Ann and Charles Reily, London 1827, shaped cartouche form, embossed with foliate scroll and shell decoration, pierced ‘ST. PERAY’, and ‘SWEET CHAMPAGNE’, length 6cm, approx. weight 1.2oz. (2) £300-400

277. A pair of early-Victorian silver wine labels,

by Rawlings and Summers, London 1838, rectangular form, canted corners, reeded borders, engraved with a coronet and a crest, and incised ‘BURGUNDY’ and ‘CLARET’, length 4cm, approx. weight 0.6oz. (2) £100-150

278. A pair of George III silver wine labels,

by Phipps and Robinson, with James Phipps, London 1813, rectangular form, incurved corners, reeded borders, incised and blackened ‘SERCIAL’ and ‘HOCK’, length 4.5cm, approx. weight 0.6oz. (2) £250-300

279. A pair of George III silver wine labels,

by Thomas and James Phipps, London 1818-19, rectangular form, canted corners, reeded borders, pierced ‘SERCIAL and ‘TINTA’, length 4cm, approx. weight 0.5oz. (2) £300-400

The crest is that of Gore, with a coronet appropriate to Philip York Gore, who succeeded as 4th Earl Arran of the Arran Islands in 1837, and married Elizabeth Napier in 1838.

280. A set of three George III silver wine labels,

by Phipps and Robinson, London circa 1790, crescent form, with a shield pediment, engraved with a crest, thread borders, incised ‘MADEIRA’, ‘CLARET’ and ‘HOCK’, length 5cm, approx. weight 0.9oz. (3) £400-600 The crest is that used by several families including: Goodman, Greaves, Kingdon and Meade.

42

Sercial is the driest of the Madeira dessert wines.

281. A set of four George III silver wine labels,

by William Abdy, London circa 1784, oval form, pierced and bright-cut borders, incised ‘CLARET’, ‘MADEIRA’, ‘SHERRY’ and ‘PORT’, length 5.4cm, approx. weight 1.2oz. (4) £600-800

282. A set of three George IV silver wine labels,

by Mary Ann and Charles Reily, London 1828, shaped large cartouche form, embossed with foliate scroll and shell decoration, incised ‘SHERRY, ‘WHISKEY’, ‘PORT’, length 8cm, approx. weight 4.8oz. (3) £600-800

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 43

283. A pair of George III silver wine labels,

by Elizabeth Morley, London 1811, rectangular form, canted corners, reeded borders, incised ‘GOOSEBERRY’ and ‘DAMSON’, length 4cm, approx. weight 0.5oz. (2) £200-300

284. Two George III silver wine labels, one with maker’s mark of James Phipps, London circa 1780, the other unmarked, banner form, bright-cut borders, pierced foliate pediment, engraved with two crests, length 6cm and 4.8oz, approx. weight 0.8oz. (2) £400-600

285. A pair of Edwardian silver boudoir labels,

by Henry Atkins, Sheffield 1904, kidney form, reeded border, incised ‘LISTERINE’ and ‘POND’S EXTRACT’, length 3.7cm, approx. weight 0.6oz. (2) £200-300

The crest is that used by several families including: Boothby, Mares, Savage, Penton and Livesey.

286. A set of three Victorian silver wine labels,

by Reily and Storer, London 1841, vine leaf form, pierced ‘PORT’, ‘SHERRY’ and ‘MADEIRA’ length 7.2cm, approx. weight 2.8oz. (3) £200-300

287. A pair of Victorian silver-gilt wine labels,

by Rawlings and Summers, London 1850, shaped form, with a Bacchus mask and trailing grapevine decoration, incised ‘PORT’ and ‘WHISKEY’, length 5.6cm, £200-300 approx. weight 1.3oz. (2)

288. A pair of George III Irish provincial silver wine labels,

by J. Toleken, Cork circa 1790, urn form, with pierced ribbon-tied festoons, bright-cut borders, incised ‘SHERRY’ and ‘MADEIRA’, length 5cm, approx. weight 0.7oz. (2) £800-1,200

289. A matched set of four George IV / Victorian silver wine labels, two by Rawlings and Summers, London 1845, one by John Reily, London 1824, one unmarked, scroll banner form, two pierced ‘SHERRY’, and two ‘MADEIRA’, length 5.5cm, approx. weight 1.3oz. (4) £250-300

290. Three George III old Sheffield plated wine labels, circa 1770, rectangular form, feather-edge border, one incised and blackened ‘ALE’, the others incised ‘BEER’ and ‘MOUNT.N’, length 5.2cm. (3) £100-150

291. A set of four early 19th century silver sauce labels,

by Matthew Boulton, Birmingham 1832, one unmarked, shaped oval form, foliate borders, incised ‘WORCESTER’, ‘CAYENNE’, ‘ANCHOVY’, and ‘KETCHUP’, length 3cm, approx. weight 0.4oz. (4) £300-400

43

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 44

292. A George IV silver wine label,

by Rawlings and Summers, London 1829 rectangular form, canted corners, reeded borders, incised ‘BRONTI’, length 4cm, approx. weight 0.2oz. £100-150

293. A George IV silver wine label,

by John Reily, London 1825, rounded rectangular form, reeded border, incised and blackened ‘LUNELLE’, length 4.2cm, approx. weight 0.2oz. £100-150

294. A George IV silver wine label,

by John Reily, London 1825, rectangular form, gadroon and foliate border, pierced ‘BRONTE’, length 4cm, approx. weight 0.4oz. £100-150

Lunelle is a wine produced in the Languedoc-Roussillon region of France, from the Muscat grape.

295. A George III silver wine label,

by Phipps and Robinson, London 1804, slender rectangular form, canted corners, pierced ‘SANTO’ length 3.8cm, approx. weight 0.2oz. £150-200

296. A George III silver wine label,

by Peter and Ann Bateman, London 1793, rectangular form, canted corners, incised ‘WIGHT’, length 4cm, approx. weight 0.2oz. £100-150

297. A George III silver wine label,

by William Bateman, London 1818, oblong form, feather-edge border, incised ‘DRY PAXERETE’, length 5.2cm, approx. weight 0.5oz. £200-300

298. A George III silver wine label,

by Phipps and Robinson, London 1802, rectangular form, canted corners, reeded borders, incised ‘SCHIEDAM’, length 3.5cm, approx. weight 0.2oz. £150-200

299. An early 19th century silver wine label, maker’s mark only, P.M, rectangular form, incurved corners, incised ‘H.GIN’, length 4.7cm, approx. weight 0.2oz. £150-200

300. A George III Scottish silver wine label, marks worn, Edinburgh circa 1810, slender rectangular form, canted corners, incised and blackened ‘SOURING’, length 4cm, approx. weight 0.2oz. £150-200

Schiedam is a Gin distilling area near Rotterdam.

44

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 45

301. A George III Irish silver wine label, maker’s mark twice, G.N, for George Nagle, Dublin circa 1800, rectangular form, bright-cut decoration, incised ‘W. HERMT’, length 4.1cm, approx. weight 0.2oz. £200-300

302. A George III silver wine label,

by John Reily, London 1820, plain rectangular form, canted corners, incised ‘JOHANNESBERG’, length 4.2cm, approx. weight 0.3oz. £250-300

303. A George III silver wine label,

by Joseph Willmore, Birmingham 1822, rectangular form, canted corners, reeded borders, incised ‘VAN.DEPURLL’, length 4cm, approx. weight 0.2oz. £150-200

304. A George III silver wine label,

by William Barrett, London 1814, banner form, bright-cut border, incised ‘VAL DE PENAS’, length 5.5cm, approx. weight 0.2oz. £150-250

305. A George III silver wine label, possibly by Joshua Johnston, London circa 1780, rectangular form, feather-edge border, retitled ‘PRIGNIAC’, length 4.5cm, approx. weight 0.2oz. £100-150

306. A 19th century silver-gilt wine label, unmarked, scroll form, bright-cut decoration, incised and blue lettering ‘CURACAO D’HOLDE’, length 4.5cm, approx. weight 0.2oz. £100-150

307. A George IV silver wine label,

by Rawlings and Summers, London 1829 rectangular form, canted corners, reeded borders, pierced ‘BUAL’, length 4cm, approx. weight 0.2oz. £150-200

Prigniac is a commune in the Bas-Medoc.

Curacao is a liqueur made from bitter oranges, originally from the island of Curacao,

308. A Victorian silver wine label,

by George Unite, Birmingham 1856, pierced and engraved cartouche form, incised and blackened ‘JAMAICA’, length 6cm, approx. weight 0.4oz. £200-300

309. A George IV silver wine label,

by John Reily, London 1820, rectangular form, reeded border, incised ‘BLONDE’, length 3.5cm, approx. weight 0.2oz. £100-150

Bual is a medium sweet Madeira.

45

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 46

310. A George III silver wine label, marks partially lost in piercing, probably by Mathew Linwood, Birmingham 1817, shaped form, pierced grape-vine decoration, pierced ‘SILLERY’, length 6cm, approx. weight 0.4oz. £100-150

311. A George III silver wine label,

by Phipps and Robinson, London 1793, crescent form, bright-cut borders, incised ‘ORANGE.WINE’, length 4.5cm, approx. weight 0.5oz. £250-300

312. A George II cast silver wine label,

by Sandilands Drinkwater, London circa 1755-60, shaped form, with Bacchanalian cherubs with a jug and bottle and trailing grapevines, incised ‘BURGUNDY’, length 6.1cm, approx. weight 0.5oz. £200-300

313. A George III Irish silver wine label,

by John Egan, Dublin 1812, retailed by Law, rectangular form with a pediment, incised and blackened ‘RED. WINE’, length 5.1cm, approx. weight 0.2oz. £150-200

314. A George III cast silver-gilt wine label,

by Phipps and Robinson with James Phipps, London 1792, shaped form, with a putto passing a cup of wine to Bacchus, with trailing grapevines and bunches of grapes, pierced ‘HOCK’, length £150-250 6.2cm, approx. weight 1.1oz.

315. A George III silver wine label, maker’s mark W.T, twice, by William Turton, London circa 1775, scroll form, pierced zig-zag border, incised ‘LISBON’, length 6cm, approx. weight 0.3oz. £100-150

316. A set of four Chinese silver wine labels, unmarked, circa 1900-1920, crescent form, mounted with a dragon, pierced ‘PORT’, ‘SHERRY’, ‘BRANDY’ and ‘GIN’, length 6cm, approx. weight 1.5oz. (4) £300-400

317. An early 19th century silver Anti-Corn Law League wine label,

by Mordan, stamped out with sheaves of wheat, a cornucopia of fruit, a scythe, rake, sickle and a bale of wool and the word ‘FREE’ on each side, pierced ‘CYPRUS’, length 5.7cm, approx. weight 0.3oz. £300-400

318. A set of three early 19th century silver wine labels, marks partially lost in piercing, London circa 1820, modelled as baskets of fruit and grapes, pierced ‘CLARET’, ‘PORT’ and ‘SHERRY’, length 7.5cm, approx. weight 2.8oz. (3) £500-700

Sillery is a Grand Cru village in the Champagne region.

46

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 47

319. A late 18th / early 19th century silver wine label, unmarked, circa 1800, with an engraved swan head and pierced scroll apron, incised ‘PORT’, length 5.5cm, approx. weight 0.2oz. £100-150

320. A late 18th century possibly Irish silver neck-ring wine label, unmarked, circa 1800, shaped form, engraved with the head of a bearded man facing left and incised ‘Togodubiline’, plain ring attachment, length £200-300 4.7cm, approx. weight 0.3oz.

321. A George III silver armorial wine label, marks partially lost in piercing, London 1815, modelled as an eagle head and wings issuing from a crown, pierced ‘CLARET’, height 4.2cm, approx. weight 0.7oz. £600-800

322. A George II silver wine label,

by Sandilands Drinkwater, London circa 1750, cartouche form, incised ‘CALCAVELLA’, length 5.3cm, approx. weight 0.4oz. £100-150

323. A George III silver wine label,

by Richard Pearce, London 1817, rectangular form, canted corners, pierced and bright-cut foliate border, incised ‘MALMSEY ‘, length 4.8cm, approx. weight 0.3oz. £200-300

324. A George III provincial silver wine label,

by Richard Richardson, Chester circa 1760, escutcheon form, re-titled ‘BURGUNDY’, length 5.4cm, approx. weight 0.4oz. £200-300

325. A George III Irish silver wine label,

by George Nangle, Dublin circa 1790, oval form, pierced and engraved decoration, incised ‘PORT’, length 6cm, approx. weight 0.2oz. £150-200

326. A pair of George III Irish silver wine labels,

by John Stoyte, Dublin circa 1790, oval form, pierced and engraved decoration, incised ‘PORT’ and ‘WINE’, length 6cm, approx. weight 0.5oz. (2) £300-500

327. A George III Irish silver wine label,

by James Fray, retailed by West, Dublin circa 1810, rectangular form, bright-cut border, incised ‘CLARET’, length 4.3cm, approx. weight 0.3oz. £100-150

47

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 48

328. A set of three George III silver-gilt wine labels,

by Daniel Hockley, London 1816, shaped oval form, with a central leopard head, and trailing grape-vines, pierced ‘PORT’, ‘SHERRY’ and ‘MADEIRA’, length 5.2cm, approx. weight 1.6oz. (3) £300-500

329. A Victorian silver wine label,

by Alfred Taylor, Birmingham 1862, crescent form, incised ‘IRISH WHISKEY’, length 3.7cm, approx. weight 0.2oz. £100-150

330. A set of three 19th century silver ‘slot-in’ wine labels, probably French, scroll form, with mythical dolphins and foliate decoration on a matted background, length 4.8cm, approx. weight 0.6oz. (3) £100-150

331. A George III silver wine label,

by Phipps and Robinson, with James Phipps, London 1813, shaped form, with Bacchanalian cherubs with a ewer and bottle, pierced ‘VIN DE GRAVE’, length 5.8cm, approx. weight 0.8oz. £150-200

332. A Victorian silver wine label,

by Rawlings and Summers, London 1858, shaped rectangular form, made up of concentric rings, engraved decoration, incised ‘MADEIRA’, length 5.7cm, plus a Victorian silver wine label, by the same makers, London 1850, shaped form, pierced scroll decoration, incised ‘MADEIRA’, length 5.8cm, approx. weight 0.9oz. (2) £100-150

333. A George III silver wine label,

by Phipps and Robinson, London 1808, shaped form, with Bacchanalian cherubs with a ewer and bottle, pierced ‘MADEIRA’, length 6cm, approx. weight 0.9oz. £150-200

334. An early-Victorian silver ‘singing foxes’ wine label,

by Rawlings and Summers, London 1837, shaped rectangular form, pierced with two foxes and trailing grapevines, pierced ‘SHERRY’, length 5.8cm, approx. weight 0.7oz. £250-300

335. A George III silver wine label,

by Thomas Brough, London 1796, rectangular form, canted corners, bright-cut borders, with a pediment of a shield and two cornucopia, initialled, length 3.9cm, approx. weight 0.3oz. £100-150

336. A George III silver wine label, maker’s mark I.H, London 1818, shaped form, with foliate scroll decoration, pierced ‘HOCK’, length 4.8cm, approx. weight 0.4oz. £100-150

48

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 49

337. A set of six late 19th century silver wine labels, unmarked, probably Colonial, modelled as bats with out-stretched wings, with textured fur, titled ‘LISBON’, ‘PORT’, ‘HOCK’, ‘SHERRY’, ’CLARET’ and ‘BRANDY’, length 11cm, approx. weight 15oz. (6) £3,000-4,000 Provenance: purchased in these rooms, 24th April, 2007, lot 801.

49

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 50

338. A George III old Sheffield plated wine label, unmarked circa 1770, cartouche form, chased trailing grape-vines, incised and blackened ‘CYDER’, length 5.8cm. £100-150

339. A set of three George III silver wine labels,

by Joseph Bradley, London circa 1785, rectangular form, pierced border, pierced ‘FRONTINIAC’, ‘MADEIRA’, and ‘SHERRY’, length 5.2cm, approx. weight 0.9oz. (3) £300-500

340. A George III silver armorial wine label,

by John Holmes, London 1812, modelled as a Marquis’s coronet, incised ‘PORT’, length 5.6cm, approx. weight 0.2oz. £250-350

341. A George III silver armorial wine label, unmarked, circa 1800, modelled as a crest of three arrows, scroll decoration, pierced ‘WHITE’, length 4.5cm, approx. weight 0.2oz. £250-300

342. A set of four George III silver neck ring wine labels,

by John Robins or John Reily, London 1800, rectangular form, canted corners, reeded border, plain rings, incised and blackened ‘CHAMPAGNE’, ‘HERMITAGE’, ‘HOCK’, and ‘MADEIRA’, length 4.8cm, approx. weight 1.5oz. (4) £300-500

343. A George IV silver wine label,

by R.M, Birmingham 1823, shaped rectangular form, pierced and engraved trailing wine borders, incised ‘VIN DE GRAVE’, length 6.2cm, approx. weight 0.5oz. £150-250

344. A pair of Victorian silver wine labels,

by Reily and Storer, London 1848, shaped form, with two cherubs with a jug and bottle and trailing grapevines and a basket of grapes above a Bacchus mask, pierced ‘CLARET’ and ‘BURGUNDY’, length 6.5cm, approx. weight 2.2oz. (2) £300-400

345. A set of four George III Irish silver wine labels,

by John Stoyte, Dublin circa 1790, banner form, bright-cut borders, incised ‘W*WINE’, ‘MADEIRA’, ‘CLARET’ and ‘PORT’, length 5.4cm, approx. weight 0.9oz.

(4) £700-900

346. A pair of George III silver wine labels,

by Samuel Meriton, London circa 1785, slender rectangular form, pierced pediment, bright-cut borders, pierced ‘SHERRY’ and ‘MADEIRA’, length 4.9cm, approx. weight 0.5oz. (2) £150-200

50

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 51

347. A George III cast silver wine label,

by Benjamin Smith, London 1807, four leaf clover form, pierced ‘TENERIFFE’, length 5.4cm, approx. weight 1.5oz. £800-1,200

348. A George III cast silver-gilt wine label,

by Benjamin Smith, London 1807/8, four leaf clover form, pierced ‘COTE ROTI’, length 5.4cm, approx. weight 1.6oz. £800-1,200

349. A George III silver armorial wine label, unmarked, circa 1800, modelled as a fouled anchor, incised and blackened ‘MADEIRA’, length 5.7cm. £600-800

350. A George III Scottish cast silver wine label,

by William Peat, Edinburgh circa 1815, shaped oval form, with Bacchus and a cherub, pierced vine and scroll border, inscribed ‘To Mrs. Geo. Kinnear for excellent GOOSEBERRY CHAMPAGNE, from the Cal: Hort: Soc:, Sept 1815’, length 7.8cm, approx. weight 1.6oz. £600-800 The Caledonian Horticultural Society is recorded as awarding a number of these Wine Labels as prizes during the first half of the 19th century.

351. A George III Channel Islands silver two-handled christening cup, maker’s mark IH with a crown above, unidentified, Guernsey circa 1754, circular form, beaded scroll handles, engraved ‘MDR don de son Payain & Mavaine D.D.L & S.L.P, 1754’, height 6.5cm, approx. weight 72.3oz. £400-600 Provenance: Phillips, New Bond Street, July 2000, lot 268.

352. A George III Channel Islands silver two-handled christening cup, maker’s mark IH with a crown above, unidentified, Guernsey circa 1769, circular form, beaded scroll handles, engraved ‘I.S.C.’ over ‘P.L.R.’ ‘1769’, height 7.3cm, approx. weight 3.8oz. £400-600 Provenance: Phillips, New Bond Street, July 1995, lot 130.

51

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 52

353. A George III silver brandy pan,

by Solomon Hougham, London 1811, circular baluster form, plain lip, wooden baluster handle, engraved with a crest, length 20.5cm, approx. weight 3.4oz. £200-300

354. A George III silver waiter,

by John Scofield, London 1778, oval form, beaded borders, the centre with an armorial shield, on four beaded shell bracket feet, length 24cm, approx. weight 15oz. £250-300

The crest is that of Aldhouse and Aldus of Suffolk.

The arms are those of Jones.

356. A pair of George III silver dish wedges,

by Thomas Robinson and Samuel Harding, London possibly 1812, tapering fluted wedge form, engraved with a crest, weighted, length 11.5cm. (2) £500-700

357. A George III silver dish wedge,

by Peter and William Bateman, London 1808, tapering rectangular wedge form, jagged border, bright-cut decoration, engraved with a crest, length 15.6cm, approx. weight 4.7oz. £400-600

The crest is that of Barnard of Bartlow, Cambridgeshire.

355. A George III silver mug,

by Fuller White, London 1763, tapering circular form, leaf capped scroll handle, on a raised circular foot, initialled, height 11.8cm, approx. weight 12.3oz. £300-400

358. A pair of George III silver dish wedges,

by Peter and Ann Bateman, London 1798, tapering rectangular wedge form, wavyedge border, engraved decoration, engraved with a crest and initial, length 10cm, approx. weight 3.4oz. (2) £400-600

The crest is that of Hodgetts.

359. A George II silver salver,

by Henry Brind, London 1750, circular form, shell and scroll border, the centre with an armorial, on three gnarled feet, diameter 24.8cm, approx. weight 19oz. £400-600

360. A George II silver sugar caster,

by Samuel Wood, London 1751, baluster form, the pull-off pierced cover with an acorn finial, on a raised circular foot, engraved with a crest, height 17.5cm, approx. weight 7.3oz. £200-300

361. A George II silver salver,

by William Peaston, London 1747, circular form, shell and scroll border, the centre with later engraved foliate decoration and with a crest, on three hoof feet, diameter 31cm, approx. weight 24oz. £400-600

The arms are the arms of Sanders possibly quartering Gislingham.

The crest is that used by a number of families including: Beckwith, Ker, Ord, Wyle and Young.

The crest is that used by a number of families including: Alderson, Barclay, Noyes, Omer, Prior and Wade.

52

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 53

362. A Victorian silver jug,

by The Barnards, London 1893, circular bellied form, part-fluted decoration, scroll handle, on a circular foot, height 15.5cm, approx. weight 18.5oz. £300-400

363. A George II serving dish and cover,

by Edward Wakelin, London 1758, the cover unmarked, rectangular form, turned wooden baluster handle, engraved with a crest and ‘F&C’ crowned and ‘(1)’, the pull-off cover with a scroll handle and engraved with a crest, the underside of the base with a scratch weight 48=16, length 36.8cm, approx. weight 43.4oz. (2) £800-1,200 The crest is that of Robert D’Arcy 8th Baron Conyres and 4th Earl of Holdernesse (1718-1778).

364. A George IV silver six-egg cup cruet frame, by the Matthew Boulton Plate Company, Birmingham 1826, circular form, wire-work frame, central shell and foliate scroll capped carrying handle, on a circular base with a shell and gadroon border, on three paw feet, the six egg cups of circular tapering form, gilded bowls, gadroon borders, plus six matched egg spoons, height 21.5cm, approx. weight 32oz. £600-800

365. A pair of Victorian silver wine coasters,

by Charles and George Fox, London 1848, circular form, pierced and engraved with scrollwork and birds, wavyedge gadroon border, turned wooden bases, engraved with a crest and inscribed ‘T.C to I.W.C AMICITIAE VIRTUTISQUE ERGO’ and diameter 14cm. (2) £700-900 The crest is that of Carson, Fountaine, Oliphant and Packington.

The crest is that of Bagg and Borough/Burrows.

366. A pair of George III two-bottle sauce bottle stands,

by Robert Hennell, London 1775, double circular form, pierced with vertical slats and embossed with medallions and swags, beaded borders, scroll handles, on four claw and ball feet, with four unmarked silver-mounted sauce bottles, with a set of four sauce labels, with maker’s mark M.B, possibly for B. Mountigue, incised ‘LEMON’, ‘KETCHUP’. ‘SOY’ and ‘ELDER’, length 9.2cm, approx. weight 6.7oz. (2) £700-1,000 Provenance: Mary Cooke Antiques, July 2012.

367. A Queen Anne silver brazier / chaffing dish warming stand,

by William Pearson, London 1711, circular form, turned wooden baluster handle, pierced scroll border, with three scroll supports, on three scroll legs with claw feet and on bun bases, with a detachable heater base, the underside inscribed ‘The gift of Mrs Jud. Whitaker HRB’, length 29.5cm, approx. weight 18.2oz. £1,500-2,000 Provenance: purchased in these rooms 20 April 2005, lot 880.

53

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:59 Page 54

368. An Edwardian silver dish,

by Charles Stuart Harris, London 1901, shaped oval bowl, pierced with slats and embossed with medallions and swags, pierced foliate border, on a raised oval foot, length 26.5cm, approx. weight 20.5oz. £200-300

369. A George II silver brandy pan,

by James Goodwin, London 1728, circular baluster form, plain lip, wooden baluster handle, length 20cm, approx. weight 4.1oz. £300-400

370. A pair of George III silver salt cellars,

by William Sharp, London 1819, oblong bellied form, fluted decoration, gadroon and foliate scroll border, on four foliate capped paw feet, length 10.3cm, approx. weight 6.5oz. (2) £100-150

371. A George III silver dish cross,

by Matthieu Brodier, London 1778, the central circular baluster burner with foliate and beaded decoration, bright-cut extending pierced feet and shell dish supports, length 30.5cm, approx. weight 22.6oz. £400-600

372. A silver bowl,

by Mappin and Webb, Sheffield 1929, circular form, pierced with slats and scroll decoration, on a circular foot, beaded borders, with a blue glass liner, diameter 23.7cm, approx. weight 17oz. £300-400

373. A George III silver dish cross, probably by William Plummer, London 1778, the central circular burner with a beaded border, bright-cut extending pierced feet and dish supports, with a crest, length 33cm, approx. weight 20oz. £500-700

374. A Victorian silver tazza,

by John Beresford, London 1879, circular form, embossed foliate scroll decoration, with cherubs and masks, on a raised and pierced circular foot, diameter 29cm, approx. weight 27oz. £400-600

375. A Victorian silver cream jug,

by Florence Warden, Chester 1897, in the Irish manner, circular form, embossed with running dogs chasing foxes within landscape settings, scroll handle, on three shell capped hoof feet, height 13cm, approx. weight 6.7oz. £150-200

54

The crest is that used by a number of families including: Aske, Bright, Pemberton, Westropp and Stovin.

376. An Edwardian silver swing handle basket,

by H. Atkins, Sheffield 1903, rectangular form, engraved foliate scroll decoration, reeded swing-handle, engraved with a monogram and crest, on a rectangular foot, length 25.8cm, approx. weight 21.5oz. £200-300

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 55

377. A George III silver invalid’s feeding cup, possibly by Francis Crump, London 1772, baluster form, scroll handles, the unmarked cover with a knop finial, tapering spout, on a raised circular foot, height 15cm, approx. weight 11.4oz. £500-700

378. A George III silver four-bottle sauce bottle frame,

by Henry Green, London 1791, oval form, wire-work frame, reeded border, on four bracket feet, with four unmarked silver-mounted sauce bottles, with two pairs of silver sauce labels, ‘TARRAGON’, ‘KYAN’, ‘LEMON’ and ‘SOY’, length 19.8cm, approx. weight 5.7oz. £500-700

379. A William IV silver invalid’s feeding cup,

by John James Keith, London 1834, cylindrical form, scroll handle, straight spout with a ball-end, the pull-off cover with a ball finial, the interior with a straining section with a pull-off cover, height 11cm, £600-800 approx. weight 7oz.

380. A George III silver mug, possibly by Benjamin Brewood, tapering circular form, scroll handle, central girdle, height 13.5cm, approx. weight 14.5oz. £400-600

381. A William IV silver brandy pan and cover,

by Jonathan Hayne, London 1834, tapering circular form, domed cover with a knop finial, on a raised circular foot, baluster side handle, length 24.8cm, approx. weight 11.5oz. £400-600

382. A George III provincial silver twohandled cup, possibly by John Law, Sheffield 1797/8, circular form, reeded scroll handles, embossed and chased decoration, with two shields, one engraved with initials, on a raised circular foot, height 15.3cm, approx. weight 11.5oz. £300-500 This cup is marked with the double duty mark, which was used from 15th July 1797 until the end of August 1798.

383. A rare George III silver dutydrawback waiter,

by Elizabeth Jones, London 1784, circular form, beaded border, on three beaded bracket feet, diameter 17.8cm, approx. weight 7.7oz. £300-500 The duty drawback mark was used on exported wares from 1 December 1784 up to the 24 July 1785.

384. A Victorian silver plate,

by Robert Garrard, London 1888, circular form, gadroon border, diameter 25cm, approx. weight 19.7oz. £150-200

385. A Victorian silver waiter,

by Henry Holland, London 1868, circular form, pierced scroll border with an outer beaded border, the centre with engraved foliate decoration, engraved with a monogram, on three bracket feet, diameter 20.5cm, approx. weight 10oz. £150-200

55

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:01 Page 56

386. A pair of George III silver two-handled sugar vases and covers, possibly by John Broughton, London 1792, vase form, with medallions and draped decoration, scroll handles, bright-cut borders, the pull-off covers with urn finials, on raised square bases, height 18cm, approx. weight 18oz. (2) £600-800

387. A matched three-piece Victorian silver tea set,

by The Barnards, London 1877-1884, oval form, scroll handles, engraved decoration, flush-hinged cover with an oval finial, with a pair of George III sugar tongs, London 1799, approx. weight 32oz. (4) £500-700

388. A Victorian silver punch bowl,

by Sibray, Hall and Co, London 1896, circular form, embossed foliate scroll decoration, wavy-edge scroll border, with a crest and a presentation inscription, on a raised circular foot, diameter 30.8cm, approx. weight 44.5oz. £600-800

389. A suite of three George II silver sugar casters,

by Samuel Wood, London 1746, baluster form, the pull-off pierced cover with an acorn finial, on a raised circular foot, height 18.5cm and 15.2cm, approx. weight 16oz. (3) £400-600

The crest is that of Fenton.

390. A modern commemorative silver decanter trolley, The Wellington Coaster,

by R.F.E, London 1977, number 30 of an edition of 50, double circular form, set with medallions, heavy bead border, with a horn ended pulling handle, wooden bases set with medallions, on four wheels, in a fitted case, length 44cm. £800-1,200 The Wellington Coaster is an exact replica of the original made in 1826 and presented to His Grace the Duke of Wellington by His Majesty King George IV.

56

391. A suite of three Edwardian silver baskets,

by Mappin and Webb, London 1905, oval form, pierced foliate scroll decoration, embossed medallions and swags, eagle head drop ring handles, on raised pierced oval bases, length 29.3cm and 20.5cm, approx. weight 34oz. (3) £400-600

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 57

392. An 18th century silver-mounted coconut cup, maker’s mark only I.P, possibly for James Phipps, London circa 1780, the plain mount with a wavy-edge border, on a raised circular foot with a gadroon border, height 16.5cm. £300-400

393. A silver-mounted coconut cup and cover, the main body unmarked, the cover with possible traces of a mark, the nut supported by three figural straps, the silver mounts with engraved decoration, on a knopped stem on a circular foot, the pull off cover with a knop finial, height 24.5cm. £600-800

394. A 17th century silver-mounted coconut cup, maker’s mark possibly WF, the plain coconut cup with strap-work mounts, engraved decoration, plain rim, on a baluster stem on a raised circular foot, the underside with a later presentation £800-1,200 inscription, height 17cm.

Provenance: purchased in these rooms 28th October 2009, lot 1131.

395. An 18th century silver-mounted coconut cup, unmarked, circa 1780, the plain mounts with a wavy-edge border, on three shell capped claw and ball feet, engraved with a crest, height 9.3cm. £200-300 The crest is that used by a number of families including: Beaumont, Booth, Crompton and Turner.

396. A Victorian silver-mounted coconut cream jug and sugar bowl,

by George Fox, London 1864, circular form, applied with garlands of flowers, engraved foliate and beaded mounted, scroll handles, on raised circular bases, beaded borders, cracks, height of sugar bowl 14.8cm. (2) £200-300

397. An 18th century silver-mounted coconut cup, unmarked, probably Irish, circa 1770, leaf capped scroll handle, plain mounts, engraved with a crest and motto, the whole on three shell capped hoof feet, height 11cm. £250-300 The crest is that of Blake of Dublin.

57

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 58

398. A Victorian silver ‘castle-top’ vinaigrette, Worcester Cathedral,

by Nathaniel Mills, Birmingham 1852, rectangular form, the hinged cover with a raised view of the Cathedral, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engraved foliate scroll decoration, the base with an initialled cartouche, length 4.5cm, approx. weight £1,000-1,500 1.1oz.

398 399. A Victorian silver-gilt ‘castle-top’ vinaigrette, Windsor Castle,

by Joseph Willmore, Birmingham 1838, rectangular form, the hinged cover with a raised view of the Castle, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned tartan decoration, the base with an inscribed cartouche, ‘J.S to M.A.R’, length 4.3cm, approx. weight 1.oz. £700-900 399 400. A William IV silver 'castle-top' vinaigrette, Tintern Abbey,

by Edwin Jones, Birmingham 1836, rectangular form, the hinged cover with a raised view of the Abbey, the interior with a silver-gilt pierced and engraved foliate grille, the sides and base with engine-turned decoration, the base with a vacant cartouche, length 3.8cm, approx. weight 0.8oz. £800-1,200

400

401

401. A Victorian silver ‘castle-top’ vinaigrette, St. George’s Hall, Liverpool,

by Edward Smith, Birmingham 1854, rectangular form, the hinged cover with a raised view of the Hall, the interior with a pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned decoration, the base with a vacant cartouche, length 4.7cm, approx. weight 1.4oz. £1,000-1,500 Provenance: Objects of Vertu, The property of the Late Diana Keggie, Christie’s South Kensington, London, 30th November 2005, lot 55.

402. A Victorian silver ‘castle-top’ vinaigrette, Newstead Abbey,

by Nathaniel Mills, Birmingham 1836, rectangular form, the hinged cover with a raised view of the Abbey, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned decoration, length 4.5cm, approx. weight 1.3oz. £600-800

58

402

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 59

403. A Victorian silver ‘castle-top’ vinaigrette, Malvern Abbey,

by Nathaniel Mills, Birmingham 1843, rectangular form, the hinged cover with a raised view of the Abbey, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned decoration, the base with a vacant cartouche, length 4.1cm, approx. weight 0.9oz. £1,000-1,500

404. A Victorian silver ‘castle-top’ vinaigrette, Warwick Castle,

by Nathaniel Mills, Birmingham 1849, rectangular form, the hinged cover with a raised view of the Castle, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned decoration, the base with an inscribed cartouche, ‘S. Haines to H. Gillett’, length 4.5cm, approx. weight 1.2oz. £700-900

405. A William IV silver ‘castle-top’ vinaigrette, Dryburgh Abbey,

by William Phillips, Birmingham 1836, rectangular form, the hinged cover with a raised view of the Abbey ruins, the interior with a pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned decoration, the base with a vacant cartouche, length 5cm, approx. weight 1.9oz. £1,000-1,500

403

404

Provenance: Objects of Vertu, The property of the Late Diana Keggie, Christie’s South Kensington, London, 30th November 2005, lot 78.

405 406. A Victorian silver ‘castle-top’ vinaigrette, Abbotsford House,

by Nathaniel Mills, Birmingham 1838, rectangular form, the hinged cover with a raised view of the House, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with reeded and engine-turned decoration, the base with an initialled cartouche, length 4.1cm, approx. weight 0.8oz. £700-900 406 407. A Victorian silver ‘castle-top’ vinaigrette, St. Paul’s Cathedral,

by Nathaniel Mills, Birmingham 1843, rectangular form, the hinged cover with a raised view of the Cathedral, the interior with a silver-gilt pierced and engraved foliate scroll grille, foliate scroll borders, the sides and base with engine-turned decoration, the base with a vacant cartouche, length 4.8cm, approx. weight 1.2oz. £1,000-1,500 407

59

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 60

408. A Victorian silver engraved vinaigrette, Chatsworth,

by Nathaniel Mills, Birmingham 1851, shaped oblong form, the hinged cover with an engraved scene of the House, the interior with a pierced and engraved silvergilt foliate scroll grille, scroll borders, the sides and base with engine-turned decoration, the base with an initialled cartouche, length 4.3cm, approx. weight 0.4oz. £600-800

408 409. A Victorian silver engraved vinaigrette, Carlisle Castle,

by Hilliard and Thomason, Birmingham 1851, rounded rectangular form, the hinged cover with an engraved scene of the castle, the interior with a pierced and engraved silvergilt foliate scroll grille, scroll borders, the sides with engraved foliate scroll decoration, the base with engine-turned decoration, the base with an initialled cartouche, length 5cm, approx. weight 0.7oz. £700-900 409

410

Provenance: purchased in these rooms 30th April, 2003, lot 788.

410. A Victorian silver engraved vinaigrette, The Law Courts, Dublin,

by Nathaniel Mills, Birmingham 1849, rectangular form, the hinged cover with a scene of the Courts from the River Liffey, the interior with a silver-gilt pierced and engraved foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with a vacant cartouche, length 3.5cm, approx. weight 0.4oz. £800-1,200 Provenance: purchased in these rooms, The Petzall Collection, 28 October 2008, lot 342.

411

60

412

411. A Victorian silver engraved vinaigrette, The Scott Memorial,

by David Pettifer, Birmingham 1853, oblong form, the hinged cover with a scene of the Memorial, the interior with a pierced and engraved foliate scroll grille, scroll borders, the sides with engraved decoration, the base engine-turned and with a vacant cartouche, length 4.3cm, approx. weight 0.5oz. £300-400

412. A Victorian silver-gilt scent bottle / vinaigrette,

by S. Mordan, London 1873, gilding worn, horn form, the hinged cover opened to reveal a pierced and engraved foliate scroll grille, screw-off mouth-piece, with a ring and chain attachment, length £200-300 8cm, approx. weight 1.3oz.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 61

413. An early-Victorian silver ‘castle-top’ vinaigrette, Windsor Castle,

by Gervase Wheeler, Birmingham 1841, purse form, embossed foliate decoration, the hinged cover with a scene of Windsor Castle, with a chain and ring terminal, length 3cm, approx. weight 0.5oz. £700-900

413 414. A George III silver vinaigrette,

by Phipps and Robinson, London 1796, circular form, the pull-off cover with a silvergilt pierced pull-out grille, engraved sun ray and bead decoration, diameter 2.5cm, approx. weight 0.6oz. £150-200

414 415. A George III silver vinaigrette,

by Oughton and Smith, Birmingham 1818, rectangular purse form, the cover with an engraved strap, the interior with a hinged silver-gilt grille, pierced and engraved with an eagle within foliate scroll decoration, length 2.5cm, approx. weight 0.3oz. £150-200

415

416. A Victorian silver vinaigrette,

by Hilliard and Thomason, Birmingham 1880, purse form, engraved decoration, with a chain and ring attachment, length 2.8cm, approx. weight 0.3oz. £200-300

416

417. A George III silver novelty purse vinaigrette,

by Jesse Parks, London Birmingham 1816, the hinged cover inscribed ‘Fanny Murray’, engine turned decoration, rope work handle, length 2.8cm, approx. weight 0.3oz. £250-300 Provenance: purchased in these rooms, 27th October 2010, lot 677.

417

61

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 62

418. A Victorian silver engraved vinaigrette, Old Black Friar’s Bridge,

by Nathaniel Mills, Birmingham 1846, rectangular form, the hinged cover with an engraved scene of the bridge with St. Paul’s in the background and ships in the foreground, the interior with a silver-gilt pierced and engraved foliate scroll grille, scroll borders, the sides and base with reeded and engine-turned decoration, the base with a vacant cartouche, length 4.6cm, approx. weight 1oz. £800-1,200 418 419. A Victorian silver engraved vinaigrette, lake scene,

by Edward Smith, Birmingham 1845, rectangular form, the hinged cover with a lake scene with buildings on the shore and boats on the water, the interior with a pierced and engraved silver-gilt foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with an initialled cartouche, length 4.2cm, approx. weight 0.9oz. £500-700 419

420. A Victorian silver engraved vinaigrette, Old Chain Pier Brighton,

by Nathaniel Mills, 1847, rectangular form, the hinged cover with a scene of the pier, the interior with a pierced and engraved silver-gilt foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with an initialled cartouche, length 4.5cm, approx. weight 0.9oz. £700-900 420 421. A Victorian silver engraved vinaigrette, Westminster Abbey,

by Nathaniel Mills, Birmingham 1843, rectangular form, the hinged cover with an engraved scene of the Abbey, the interior with a silver-gilt pierced and engraved foliate scroll grille, scroll borders, the base with engraved tartan decoration, the base with a vacant cartouche, length 3.7cm, approx. weight 0.6oz. £600-800 421 422. A Victorian silver engraved vinaigrette, lake and building scene,

by Yapp and Woodward, Birmingham 1847, rectangular form, the hinged cover with a building on a lake, with a rowing boat in the foreground, and mountains behind, the interior with a pierced and engraved silvergilt foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with an initialled cartouche, with a ring attachment, length 3.8cm, approx. weight 0.7oz. £500-700

62

422

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:02 Page 63

423. A Victorian silver engraved vinaigrette, St. Michael’s Mount, Cornwall,

by Taylor and Perry, Birmingham 1844, rectangular form, the hinged cover with an engraved scene of the Mount, the interior with a pierced and engraved foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with an initialled cartouche, length 4cm, approx. weight 0.7oz. £1,000-1,500

423 424. A Victorian silver engraved vinaigrette, Lincoln Cathedral,

by Nathaniel Mills, Birmingham 1843, rectangular form, the hinged cover with a scene of the Cathedral, the interior with a silver-gilt pierced and engraved foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with an initialled cartouche, length 3.7cm, approx. weight 0.6oz. £700-900

424 425. A Victorian silver engraved vinaigrette, Crystal Palace,

by Thomas Dones, Birmingham 1848, rectangular form, the hinged cover with an engraved scene of Crystal Palace, the interior with a silver-gilt pierced and engraved foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with a cartouche, inscribe ‘H.C from M.W’, length 3.5cm, approx. weight 0.5oz. £600-800 425 426. A Victorian silver engraved vinaigrette, lake and windmill scene,

by Nathaniel Mills, Birmingham 1846, rectangular form, the hinged cover with a windmill in the foreground and a lake scene behind with boats on the water, the interior with a pierced and engraved silver-gilt foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with a crested cartouche, length 3.5cm, approx. weight 0.4oz. £300-400 426 427. A Victorian silver engraved vinaigrette, The Houses of Parliament,

by Edward Smith, Birmingham 1848, rectangular form, the hinged cover with an engraved scene of the Houses of Parliament, the interior with a pierced and engraved foliate scroll grille, scroll borders, the sides and base with engraved foliate scroll decoration, the base with a vacant cartouche, length 3.5cm, approx. weight 0.5oz. £600-800 427

63

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:03 Page 64

428. A George III commemorative silver vinaigrette,

by Matthew Linwood, Birmingham 1805, rectangular form, the hinged cover engraved with a portrait of Nelson, and inscribed ‘Nelson Expects Every Man Will Do His Duty’, the interior with a silver-gilt pierced grille cast with depiction of H.M.S. Victory, and ‘VICTORY’ and ‘TRAFALGAR OCR. 21,1805’, the underside with a foliate motif, length 3cm, approx. weight 0.5oz. £1,500-2,000 Provenance: Bonhams, Fine Silver Sale, New Bond Street, 4th July 2007, lot 33.

428 429. A Victorian silver scent bottle / vinaigrette,

by Henry Dee, London 1876, compressed circular form, one side with a hinged cover, which opens to reveal a pierced silver-gilt grille, the other side opens to reveal a silver-gilt compartment, with a chain and ring attachment, engraved with a monogram, length 6.5cm, approx. weight 2.3oz. £400-600

429 430. A large George III silver nutmeg grater, unmarked, circa 1790, plain rectangular form, the hinged cover with a bright-cut border and engraved with a crest, the hinged base and sides with bright-cut borders, hinged cover, length 6.7cm, approx. weight 3.6oz. £300-500 Provenance: Phillips, New Bond Street, April 1985, lot 584.

The crest is that used by a number of families including: Dewhurst, Evans, Millar, Rowley and Wormington.

430 431. A William and Mary / William III silver nutmeg grater, unmarked, London circa 1690-1700, tear drop form, the hinged cover and base with engraved decoration, the cover initialled, length 3.5cm, approx. weight 0.6oz. £700-900

64

431

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:35 Page 65

432. A late-17th century silver nutmeg grater, maker’s mark BC over 98, possibly continental, circa 1700, tubular form, engraved foliate decoration, the pull-off cover opens to reveal a grater, the cover scratch initialled ‘M.C’ length 5.3cm, approx. weight 0.5oz. £400-600 Provenance: Christie’s South Kensington, 28-29 November 2006, lot 386.

432 433. A George III silver nutmeg grater, maker’s mark only I.P for James Phipps, London circa 1790, oval form, the hinged cover with an engraved oval cartouche with swags and engraved with a monogram, hinged base, length 5cm, approx. weight 1.1oz. £300-400

433 434. A Victorian silver nutmeg grater,

by Nathaniel Mills, Birmingham 1838, rectangular form, reeded decoration, the hinged cover with a vacant cartouche, hinged base, length 4.2cm, approx. weight 1.1oz. £300-400

434 435. A George III silver nutmeg grater,

by Matthew Linwood, Birmingham 1812, oval tubular form, reeded decoration, hinged cover and side, length 6.2cm, approx. weight 1.2oz. £300-500

435

65

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 66

436. A George III silver nutmeg grater,

by Joseph Willmore, Birmingham circa 1800, barrel form, reeded bands of decoration, screw-off cover, length 4cm, approx. weight 0.5oz. £300-400

436 437. A William and Mary / William III silver nutmeg grater, maker’s mark GU, London circa 1690-1700, tubular form, engraved foliate decoration, the pull-off cover opens to reveal a grater, the base scratch initialled ‘E.A’, length 6cm, approx. weight 0.9oz. £500-700

437 438. A small William III silver nutmeg grater, maker’s mark of F.N, London circa 1700, plain tear drop form, the hinged cover scratch initialled ‘J*P’, length 3cm, approx. weight 0.7oz. £500-700

438 439. A George III silver nutmeg grater,

by Matthew Linwood, Birmingham 1806, plain egg form, screw-off cover with a monogram, pull-out grater, length 3.8cm, £250-300 approx. weight 0.4oz.

66

439

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 67

440. A George IV silver kitchen nutmeg grater,

by Joseph Willmore, Birmingham 1824, cylindrical form with reeded borders and handle, flush hinged base, engraved with a crest, length 7.5cm. £300-400 Provenance: sold in these rooms, A Private Collection of Silver Nutmeg Graters, April 20th, 2005 Part 1, lot 33.

The crest is that used by a number of families including: Clive, Dennet, Halliday, Purcell, and Waring.

440 441. A George III silver nutmeg grater,

by John Shekleton, London 1799, oval form, the hinged cover with engraved radiating decoration, and engraved with a crest, the sides with bright-cut borders, length 4.5cm, approx. weight 1oz. £400-600 The crest is that of Lambert.

441 442. A William III silver nutmeg grater, unmarked, circa 1700, plain tubular form, the pull-off cover opens to reveal a steel grater, the cover with a later monogram, length 7.2cm, approx. weight 0.7oz. £500-700 Provenance: sold in these rooms, 29th January 2003, lot 534.

442 443. A George III silver nutmeg grater,

by John Reily, London 1808, vase form, the domed hinged cover with a reeded border and ball finial, hinged front, height 7.2cm, approx. weight 1.4oz. £700-900 Provenance: Phillips, New Bond Street, sale no. 712, January 1999, lot 712.

443

67

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 68

444. A William and Mary / William III silver nutmeg grater, unmarked circa 1690-1700, tear drop form, hinged cover and base, the cover with a later armorial, the base with a later crest, length 4cm, approx. weight 1.2oz. £700-900 Provenance: sold in these rooms, A Private Collection of Silver Nutmeg Graters Part II, October 19th, 2005, lot 18.

444

The arms are those of Edward Sleech, Clerk of the Exchequer, 3rd son of the Revd. Richard Sleech, Fellow of Eton and Prebendary of Windsor. In pretence is the cartouche of Elizabeth, née Bishop of London.

445. A George III silver nutmeg grater, unmarked, circa 1775, vase form, the domed hinged cover with a beaded border and ball finial, the hinged front and back engraved with a monogram with a foliate border, height 7.9cm, approx. weight 1.2oz. £700-900 Provenance: sold in these rooms, A Private Collection of Silver Nutmeg Graters, October 19th, 2005 Part II, lot 32.

445 446. A William and Mary / William III silver nutmeg grater, maker’s mark IA, London circa 1690-1700, tubular form, engraved foliate decoration, the pull-off cover opens to reveal a grater, the base scratch initialled ‘E.C’, length 6cm, approx. weight 0.6oz. £400-600

446 447. A George III silver nutmeg grater,

by Samuel Pemberton, Birmingham 1798, oval form, the hinged cover with an engraved border, hinged base, length 3.5cm, approx. weight 0.7oz. £300-400

68

447

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 69

448. A George III old Sheffield plated nutmeg grater, unmarked, circa 1800, cylindrical form, reeded borders, the pull-off cover opens to reveal a steel grater, length 6.4oz. £100-150

448 449. A William and Mary / William III silver nutmeg grater, maker’s mark T.K, probably for Thomas Kedder, London 1690-1700, tubular form, engraved foliate decoration, pull-off covers which open to reveal a compartment and a steel grater, length 7.4cm, approx. weight 0.8oz. £500-700 Provenance: sold in these rooms, A Private Collection of Silver Nutmeg Graters Part II, October 19th, 2005, lot 58.

449 450. A William and Mary / William III silver nutmeg grater, maker’s mark of I.A, London circa 16901700, tear drop form, the hinged cover engraved with tulips, plain hinged base, length 4.2cm, approx. weight 0.8oz. £800-1,200

450 451. A William IV silver kitchen nutmeg grater,

by Reily and Storer, London 1830, cylindrical form with reeded borders and handle, flush hinged base, length 10cm. £500-700 Provenance: sold in these rooms, 27 July 2005, lot 594.

451

69

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 70

452. A William and Mary / William III silver nutmeg grater, maker’s mark JN conjoined, London circa 1690-1700, tubular form, pierced and engraved foliate decoration, the pull-off cover opens to reveal a grater, length 5.9cm, approx. weight 0.5oz. £400-600

452 453. A George III silver kitchen nutmeg grater,

by Phipps and Robinson, London 1799, rectangular form, reeded handle, with a curved steel grater, flush-hinged base, engraved with a crest, length in a fitted case with the gilt initials, length 11cm. £600-800 The crest and motto are those of Casley.

453 454. A William and Mary / William III silver nutmeg grater, maker’s mark of T.K, probably for Thomas Kedder, London circa 1690-1700, tear drop form, the hinged cover engraved with a tulip, the hinged base with a rose motif, length 3.5cm, approx. weight 0.7oz. £800-1,200

454 455. A William IV silver nutmeg grater,

by Rawlings and Summers, London 1834, oval tubular form, engine-turned decoration, hinged cover and side, the cover with a crest, length 6.5cm, approx. weight 1.4oz. £300-500 Provenance: Phillips, New Bond Street, June 1992, lot 82.

The crest is that used by a number of families including: Chetwood, Garrard, Lacy and Walsh.

70

455

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 71

456. A George III silver nutmeg grater,

by Matthew Linwood, Birmingham 1808, vase form, the domed hinged cover with a reeded border and ball finial, the hinged front engraved with a crest and initial ‘W’, height 7cm, approx. weight 1.5oz. £700-900 Provenance: sold in these rooms, A Private Collection of Silver Nutmeg Graters, April 20th, 2005 Part 1, lot 35.

The crest is that of Jessup and Martin.

456 457. A George III silver nutmeg grater, maker’s mark of S.M, possibly for Samuel Marshall, London circa 1800, egg form, with bright-cut foliate decoration, screw-off cover, pull-out grater, length 3.5cm, approx. weight 0.5oz. £300-400

457 458. A George III silver nutmeg grater,

by Joseph Willmore, Birmingham 1811, plain rectangular form, hinged cover, length 3.8cm, approx. weight 0.9oz. £250-300

458 459. An 18th century silver nutmeg grater, unmarked, probably American circa 1760-70, tear drop form, the hinged cover engraved with monogram, length 4.5cm, approx. weight 1.5oz. £500-700 Provenance: sold in these rooms, A Private Collection of Silver Nutmeg Graters, April 20th, 2005, Part 1, lot 50.

459

71

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 72

460. A rare George III silver nutmeg grater,

by Thomas Meriton, London 1810, boat form, the hinged cover with a grater, and also with a hinged compartment, with a ring attachment, the cover with a crest and initials, length 15.5cm, approx. weight 3.3oz. £700-900 Provenance: sold in these rooms, A Private Collection of Silver Nutmeg Graters Part II, October 19th, 2005, lot 60.

The crest is that of O’Brien.

460 461. A George III silver nutmeg grater / corkscrew, possibly by George Harris, London 1810, vase form, domed hinged cover with a ball finial, hinged front, with a screw-off tubular sheath that opens to reveal a corkscrew, length 12.8cm, approx. weight 2oz. £1,000-1,500 Provenance: Phillips, New Bond Street, sale no. 787, June 1999, lot 227.

461 462. A William IV silver kitchen nutmeg grater,

by Reily and Storer, London 1832, rectangular form, gadroon and foliate shell handle, with a curved, blued steel grater, flush-hinged base, in a fitted case with the gilt initials, length 10.5cm. £600-800

462 463. A William and Mary / William III silver nutmeg grater, maker’s mark AP, London circa 1690-1700, tubular form, engraved foliate decoration, the pull-off cover opens to reveal a grater, length 7.2cm, approx. weight 0.9oz. £500-700 Provenance: Phillips, New Bond Street, October 1992, lot 31.

72

463

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 73

464. A George III silver-gilt raised relief snuff box, tavern scene,

by A.J. Stachan, London 1812, rectangular form, the hinged cover with a tavern scene with gentlemen drinking and smoking, the sides and base with engineturned decoration, length 8.6cm, approx. weight 5.7oz. £800-1,200

465. A George IV silver raised relief snuff box, Mr. Pickwick,

by John Linnit, London 1852, rectangular form, the hinged cover with a scene from the Pickwick Papers by Charles Dickens, of Mr Pickwick addressing the club (probably after the print by Seymour which formed the front-piece of the Pickwick Papers printed in 1837), silver-gilt interior, the interior initialled ‘J.B to G.M’, ‘1852’, the sides and base with engraved foliate scroll decoration, length 9.3cm, approx. weight 6.2oz. £1,500-2,000 Provenance: purchased in these rooms, A Private Collection of British Silver Snuff Boxes, 25th April 2006, lot 111.

466. A George IV silver raised relief snuff box, Diogenes and the Barrel,

by Thomas Shaw, London 1827, rectangular form, the hinged cover with a scene of Diogenes out of his barrel in dialogue with Alexander the Great, silver-gilt interior, foliate thumb-piece, foliate scroll sides and engine-turned base, with a vacant cartouche, and with traces of gilding, length 7.3cm, approx. weight 3.4oz. £600-800 Provenance: purchased in these rooms, A Private Collection of British Silver Snuff Boxes, 25th April 2006, lot 80.

467. A George IV silver raised relief snuff box, Mazeppa,

by Thomas Edwards, London 1829, rectangular form, the hinged cover with a scene of Mazeppa strapped to a horse being pursued by a wolf, silver-gilt interior, foliate thumb-piece, reeded sides and engine-turned base, length £600-800 8.3cm, approx. weight 4.6oz.

Provenance: Phillips, New Bond Street, London July 1997.

73

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 74

468. A William IV silver ‘castle-top’ snuff box, The Houses of Parliament,

by Joseph Willmore, Birmingham 1834 rectangular form, the hinged cover with a raised view of Parliament, on a matted background within a heavy foliate scroll border, foliate scroll sides, engine-turned base, silver-gilt interior, length 9.7cm, approx. weight 8.6oz. £1,500-2,000 Provenance: Lawrence’s, Crewkerne, October 2011, lot 1578.

470. A Victorian silver presentation cheroot case,

by Cronin & Wheeler & Co, Birmingham 1850, with a relief depiction of the Crystal Palace within a scrolling foliate border, the reverse with a central scroll cartouche with a presentation inscription: ‘Presented to T C Mills Esq by the Gentlemen connected with the L & NW Railway, 1851’, on a ground of scrolling foliage, in a fitted leather case, length 12cm, approx. £1,500-2,500 weight 3.6oz.

469. A rare Victorian engraved silver snuff box, Glastonbury Abbey,

by Nathaniel Mills, Birmingham 1852, rectangular form, the hinged cover engraved with a scene of the Abbey, within foliate scroll decoration, foliate scroll sides and base, silver-gilt interior, length 8.8cm, approx. weight 4.9oz. £700-900 Provenance: purchased in these rooms, A Private Collection of British Silver Snuff Boxes, 25th April 2006, lot 58.

471. A Victorian presentation silver cheroot case,

by Alfred Taylor, Birmingham 1860, rectangular form, engraved foliate scroll decoration, hinged cover, the front with a central cartouche inscribed ‘Presented to H.J.Mills Esq. by the staff of the Bristol Gazette Office, December 21 1864’, length 12cm, approx. weight 2.8oz. £200-300

Provenance: Fine Silver and Vertu, Bonhams, New Bond Street, 3 November 2010, lot 16.

Bonhams footnote: ‘T C Mills was the London Freight Manager of the London & North West Railway Company and, as such, he was responsible for the logistics of moving the 1.5 million square feet of glass and many thousands of tons of ironwork for the construction of the Crystal Palace from the Midlands to the site in Hyde Park.

The Crystal Palace was designed by Joseph Paxton, formerly head gardener at Chatsworth House, where he had experimented with glass and iron in the creation of large greenhouses. The project was engineered by William Cubitt and the steel was supplied by Charles Fox. Due to its innovative modular design and construction techniques, the building was ready in nine months and all three were knighted for the success of the project.

Fox was an engineer who had been involved in innovative steel construction since 1837 when Robert Stephenson appointed him as one of the engineers on the London and Birmingham Railway, later part of the London and North West. During the late 19th century, the L&NWR was the largest joint stock company in the world.’

74

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 75

472. A Victorian silver ‘castle-top’ snuff box, York Minster,

by Nathaniel Mills, Birmingham 1840, rectangular form, the hinged cover with a raised view of the Minster, silver-gilt interior, foliate scroll borders, engine-turned sides and base, the base inscribed ‘Presented to J.D.Styring, by his Father, July 1853’, length 8.2cm, approx. weight 3.6oz. £1,000-1,500 A similar box by the same maker was sold in these in these rooms, A Private Collection of British Silver Snuff Boxes, 25th April 2006, lot 122.

474. A Victorian silver ‘castle-top’ snuff box, Magdalen College, Oxford,

by Francis Clarke, Birmingham 1841, rectangular form, the hinged cover with a raised view of the college, silver-gilt interior, reeded sides, the base with engraved tartan decoration, length 8cm, approx. weight 2.6oz. £1,000-1,500 Provenance: purchased in these rooms, A Private Collection of British Silver Snuff Boxes, 25th April 2006, lot 126.

473. A rare Victorian silver ‘castle-top’ snuff box, Old Colchester Town Hall,

by Nathaniel Mills, Birmingham 1844, rectangular form, the hinged cover with a raised view of the Hall on a matted background, silver-gilt interior, scroll border, engine-turned sides and base, the base with a vacant oval cartouche, length £2,000-3,000 6.3cm, approx. weight 2oz.

Provenance: Christie’s South Kensington, 5th October 2004, lot 178.

475. A Victorian silver ‘castle-top’ snuff box, Bamburgh Castle,

by David Pettifer, Birmingham 1848, rectangular form, the hinged cover with a raised view of the castle, silver-gilt interior, foliate scroll borders, engine-turned sides and base, length 7.8cm, approx. weight 4.1oz. £800-1,200 Provenance: purchased in these rooms, A Private Collection of British Silver Snuff Boxes, 25th April 2006, lot 123.

75

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 76

476. A William IV silver raised relief snuff box,

by Thomas Edwards, London 1836 rectangular form, the hinged cover with a hare coursing scene in a countryside setting, silver-gilt interior, foliate scroll thumb-piece, the sides with reeded decoration, and engine-turned base, length 8.2cm, approx. weight 4.6oz. £500-700

477. A 19th century Russian silver and niello-work snuff box, assay master Viktor Savinkov, Moscow 1863, maker’s mark A.C, rectangular form, the hinged cover with the statue of Peter the Great, with a foliate scroll border, foliate sides and engine-turned base, the base initialled, length 8.8cm, approx. weight 4.4oz. £300-400

Provenance: purchased in these rooms, A Private Collection of British Silver Snuff Boxes, 25th April 2006, lot 108.

478. A William IV silver raised relief snuff box, maker’s mark T.E, possible for Thomas Edwards or T. Eley, London 1830, rectangular form, the hinged cover with a hunting scene, with riders and hounds chasing a fox, reeded sides and base, length 7.8cm, approx. weight 3.7oz. £500-700

479. A George III silver engraved snuff box,

by Thomas Richards, London 1813, rectangular form, the cover with a depiction of the Duke of Wellington by a canon, holding a map, with a tent behind and a tree to the left, inscribed ‘Vittoria’, the base with a peacock in a landscape setting, length 4.8cm, approx. weight 0.7oz. £400-600

Provenance: Christie’s South Kensington, 5th October 2004, lot 177.

Provenance: Christie’s South Kensington, 20 May 2014, lot 305.

On the 21st June ,1813, a British and allied army under Wellington decisively defeated Napoleon near Vittoria in Spain.

480. A George III silver dressing table box and cover,

by Thomas Wade, London 1813, plain circular form, the pull-off cover engraved with a crest within foliate scroll mantling, diameter 8.5cm, approx. weight 7oz. £200-300

481. A mid 18th century commemorative silver snuff box,

by Robert Cox, London circa 1752, circular form, the hinged cover embossed with the busts of Charles I and Henrietta Maria, bombé sides, gilded interior, diameter 7.5cm, approx. weight 3.5oz. £600-800

The crest is that used by a number of families including: Chandos, Holton, Hubbard and Wynne.

76

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 77

482. An 18th century silver triple snuff box, unmarked, circa 1740-50, formed by three navette shaped boxes, the hinged covers with three gentlemen, gilded interior, length 7cm, approx. weight 4.2oz. £1,000-1,500 Provenance: Lawrence’s Crewkerne, Silver Sale, 11th October 2001, lot 1568.

483. A George III silver snuff box,

by Peter Carter, London 1786, rectangular form, canted corners, flush-hinged cover, bright-cut engraved radiating decoration, with swags and festoons, the sides with urns and cornucopia, the cover initialled and scratch initialled, gilded interior, length 7.8cm, approx. weight 3.9oz. £400-600

For a similar example see, Culme, J., British Silver Boxes, The Lion Collection, Antique Collector’s Club, 2015, page 147, ref 158.

reverse 484. A Victorian silver ‘castle-top’ cheroot case,

by Nathaniel Mills, Birmingham 1839, rectangular form, the front with a scene of Windsor Castle, the reverse with a scene of Abbotsford House, within foliate scroll borders, hinged cover, length 12cm, approx. weight 2.3oz. £200-300

485. A George IV silver raised relief Pedlar snuff box,

by John Linnit, London 1823, rectangular form, the hinged cover with a scene of a standing pedlar with a tray of his goods, silver-gilt interior, plain sides and base, length 10cm, approx. weight 6.9oz. £1,500-2,000 Provenance: Phillips, New Bond Street, London July 1996, lot 83.

77

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 78

486. A 17th century silver squeeze-action spice / snuff box, maker’s mark of DS crowned, circa 1680-90, oval form, the hinged cover with a scene of a fisherman walking across a bridge, with houses behind, and sides with engraved decoration, the base with foliate scroll decoration, length 3.8cm, approx. weight 0.5oz. £500-700

487. A 17th century silver-gilt squeezeaction spice / snuff box, unmarked circa 1680, oval form, the hinged cover with an engraved scene of a cupid with a townscape behind, inscribed ‘VNI ME SEVFIT’, and sides and base with engraved foliate scroll decoration, length 4.8cm, approx. weight 0.7oz. £600-800

488. A 17th century silver squeeze-action spice / snuff box, maker’s mark of TT crowned, circa 1680-90, oval form, the hinged cover engraved with a cupid blowing a horn, with a townscape behind, inscribed ‘AMOVR SAN REIOVI’, and sides with engraved decoration, the base with foliate scroll decoration, length 3.6cm, approx. weight 0.5oz. £500-700

489. A 17th century silver squeeze-action spice / snuff box, maker’s mark of TT crowned, circa 1680-90, oval form, the hinged cover engraved with a cupid with his bow, and a snake by his feet, with houses behind, and sides with engraved decoration, the base with foliate scroll decoration, length 4.4cm, approx. weight 0.5oz. £600-800

490. A Queen Anne silver counter box, unmarked, circa 1710, cylindrical, the base with a counter, the pull-off cover set with a counter, plus thirty-two counters, length 5.8cm. £600-800

491. A 17th century silver squeeze-action spice / snuff box, maker’s mark of DS crowned, circa 1680-90, oval form, the hinged cover and sides with engraved foliate scroll decoration, length 3.8cm, approx. weight 0.4oz. £500-700

492. A George I silver snuff box,

by Joseph Simcoe, London 1716, rectangular form, canted corners, flush hinged cover, engraved border, the cover with a later crest and initial, length 6.6cm, approx. weight 1.7oz. £600-800

493. A James II silver squeeze-action spice / snuff box, maker’s mark R.B, London 1685, shaped oblong form, the cover with engraved foliate decoration, plain sides and base, length 4.8cm, approx. weight 0.6oz. £800-1,200

494. A George I silver snuff box, maker’s mark worn, London 1720, rectangular form, canted corners, flush hinged cover, engraved scroll and foliate decoration, scratch initialled ‘J.R’, the cover with a crest and initial, length 6cm, approx. weight 1.5oz. £600-800

The crest is possibly that for Carnegie, Cheltenham, Chipchase or Cockman.

78

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 79

495. A 17th century continental parcelgilt silver pomander, circa 1640, with a foliate engraved finial and ring terminal, with a segmented globular body engraved with three images of figures, the finial unscrews allowing the eight segments to fall open to reveal sliding covers engraved: 1 Ranel, Moscat (later), 3 Rosmarin, 4 Schlag, 5 Negelren, 6 Rosen, 7 Citron, and 8 Lavendel on a spread circular foot which unscrews to reveal a miniature spatula, wear to gilding, height 5.5cm, approx. weight 1oz. £3,000-4,000 Provenance: Bonhams, New Bond Street, Fine Silver and Objects of Vertu, 22 November 2006, lot 38.

495 496. A 17th century continental parcelgilt silver pomander, circa 1640, with a foliate engraved finial and ring terminal, with a six section segmented globular body engraved with birds and flowers, the finial unscrews allowing the six segments to fall open to reveal plain sliding covers on a spread circular foot which unscrews to reveal a miniature spatula, height 5cm, approx. weight 0.9oz. £1,500-2,000 Provenance: Christie’s King Street, Important Silver, The Property of a European Collector, 5th July 2005, lot 97.

496 497. A continental silver-gilt pomander, unmarked, probably first half of the 17th century, with a foliate engraved pierced terminal, with a six section segmented globular body engraved with figures and foliate decoration, the finial unscrews allowing the six segments to fall open to reveal plain sliding covers on a spread circular foot, height 6.3cm, approx. weight 1.7oz. £1,500-2,000 Provanance: Christie’s South Kensington, 29th March 2009, lot 168.

497

79

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 80

498. A set of six George II/III silver ‘picture-back’ Hanoverian pattern teaspoons, maker’s mark E.O, for Elizabeth Oldfield, London circa 1755-60, the reverse of the bowl with Masonic emblems, approx. weight £200-300 1.4oz. (6)

499. A set of six George III silver ‘picture-back’ Hanoverian pattern teaspoons, maker’s mark T.D, London circa 1760, the reverse of the bowl with a squirrel within an acorn and oak-leaf border, approx. weight 2.4oz. (6) £300-400

Provenance: Fine Silver, Phillips New Bond Street, 30 November 2001, lot 347.

500. A set of six George III silver ‘picture-back’ Hanoverian pattern teaspoons,

by Coker and Hannam, London circa 1760, the reverse of the bowl with Prince of Wales’ feathers issuing from a crown, approx. weight 1.8oz. (6) £200-300

501. A set of six George III silver ‘picture-back’ Hanoverian pattern teaspoons, maker’s mark T.W, possibly for Thomas Woodhouse, London circa 1760, the reverse of the bowl with a wheatsheaf and ‘PLENTY’, the bowls with traces of gilding, in a later fitted case, approx. weight 2.1oz. (6) £150-200

502. A set of six George III silver ‘picture-back’ Hanoverian pattern teaspoons, maker’s mark IB, London circa 1760, the reverse of the bowl with a basket of flowers, the terminal with a crest, in a later fitted case, approx. weight 1.8oz. (6) £150-200

503. A set of six George III silver ‘picture-back’ Old English pattern teaspoons,

by Eley, Fearn and Chawner, London 1810, the reverse of the bowl with bird sitting on an open birdcage, and ‘I LOVE LIBERTY’, approx. weight 2.6oz. (6) £200-300

The crest is that used by several families including: Barwell, Lovatt, Northam, Waterhouse and Welsh.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 81

504. A set of six George III silver ‘picture-back’ Old English pattern teaspoons, maker’s mark W.C, for William Chawner, London circa 1775, the reverse of the bowl with a heart, and ‘BRITISH’ within an oakleaf and acorn border, the terminals with scratch initials, approx. weight 2.8oz. (6) £200-300

505. A set of six George III silver ‘picture-back’ Hanoverian pattern teaspoons, maker’s mark T.E, possibly for Thomas Evans, London 1760, the reverse of the bowl with a leopard’s head, the reverse of the terminals with scratch initials, approx. weight 1.9oz. (6) £250-300 Provenance: purchased in these rooms, 25 July 2007, lot 178.

Provenance: Christie’s South Kensington, 28-29 November 2006, lot 473.

506. A set of six George III silver ‘picture-back’ Old English pattern teaspoons,

by William Bateman, London 1815, the reverse of the bowl with a galleon in full sail, the terminals with scratch initials, approx. weight 2.5oz. (6) £300-400

507. A set of six George III silver ‘picture-front’ Hanoverian pattern teaspoons, maker’s mark W.W, London circa 1760, the terminals with a rococo male mask, also marked with a French import mark, approx. weight 2.7oz. (6) £200-300 Provenance: Christie’s South Kensington, 15 April 1998, lot 48.

508. A set of six George III silver-gilt ‘dragon-end’ teaspoons, unmarked circa 1760, shell bowl, the handle with a forked tail, and a dragon head, approx. weight 2.7oz. (6) £200-300

509. A matched set of six George III silver ‘whip-end’ teaspoons, two makers, London circa 1760, the reverse of the bowl shell motifs, the terminals with whip-ends, approx. weight 2.5oz. (6) £200-300

81

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 82

510. A Victorian silver-mounted ivory handled five-piece carving set,

by Joseph Rodgers, Sheffield 1888, the handles with carved leaf and foliate mounts, in a fitted case. £200-300

511. A pair of Victorian silver fish servers,

by George Adams, London 1863, the simitar shaped blade pierced and engraved with various fish amongst reeds, the handles with fish and shells, in a fitted case, length of knife 36.5cm. £500-700

512. A pair of Victorian silver harlequin grape scissors,

by Messrs. Lias, London 1878, tapering blades, snake ring handles, in a fitted case, length 14.8cm, approx. weight 2.7oz. £150-200

513. A Victorian silver cheese scoop,

by Aldewinckle and Slater, London 1891, engraved foliate decoration, ball finial, in a fitted case, length 12.8cm, approx. weight 1.7oz. £100-150

514. A Victorian silver fruit cocktail set,

by Henry Holland, London 1879, comprising: a fruit knife, six sugar crushers and a pair of sugar tongs, twisted stems, in a fitted case, approx. weighable 6oz. £100-150

515. A set of twelve Norwegian silver-gilt teaspoons and a tea strainer,

by David Anderson, Oslo, circa 1900, with blue enamel decoration with white beaded borders, in a fitted case, approx. weight 5.9oz. £150-200

82

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 83

516. A collection of silver Venetian pattern flatware, various dates and makers including Frederick Elkington, London 1884, some with crests and initials, comprising: twelve table forks, twelve tablespoons, six dessert forks, six dessert spoons, six fish knives, six fish forks, twelve teaspoons, a cased pair of grape scissors, a pair of berry spoons, a sauce ladle, a pair of butter knives, a cased set of eleven teaspoons, tongs and caddy spoon, a cased set of six teaspoons and tongs, six fruit knives and forks, (filled handles), six fish knives and forks, (filled handles), six table knives, plus twelve modern table knives and twelve dessert knives, by Arthur Holder, approx. weighable 135oz. (qty) ÂŁ2,000-3,000

517. A collection of electroplated Venetian pattern flatware, various makers, some crested, comprising: twenty table forks, twenty dessert forks, twenty dessert spoons, twelve tablespoons, eighteen teaspoons, three soup ladles, three basting spoons, a sauce ladle, six fish forks, and six fish knives. (qty) ÂŁ300-500

83

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 84

518. A pair of Victorian silver Fiddle, Thread and Shell pattern asparagus tongs,

by The Lias Brothers, London 1842, the blades with pierced scroll decoration, length 25.2cm, approx. weight 8oz. £150-200

519. A George III silver fish slice,

by William and Samuel Knight, London 1810, the blade with a gadroon border and pierced decoration, engraved with a crest, shell shaped joint, agate tapering handle, £150-200 length 30.5cm.

The crest is that used by several families including: Aldham, Jefferson, Haigh, Tanner and Morham.

521. A George III silver Beaded pattern basting spoon,

by Walter Tweedie, London 1776, the terminal with an initial, the bowl with a pierced straining section, length 28.9cm, approx. weight 3.6oz. £150-200

522. A George III silver Fiddle pattern fish / serving slice,

by William King, London 1819. the blade with pierced decoration and a hinged pierced cover, length 28.3cm, approx. weight 7oz. £200-300

520. A pair of George III silver Bright-cut asparagus tongs, maker’s mark I.B, possibly for John Bucket, London circa 1770, the circular terminal with an armorial and motto, length 27.3cm, approx. weight.

4.1oz. £150-250

523. A George II silver Hanoverian pattern straining spoon,

by Edward Pocock, London 1734, the reverse of the terminal with a crest, the oval bowl with pierced decoration, length 29.3cm, approx. weight 3.5oz. £300-400 The crest is that used by several families including: Amos, Arundel, Popham, Westall and Whateley.

524. A George III silver meat skewer,

by George Smith, London 1775, tapering form, shell and ring terminal, with an initial, length 31cm, approx. weight 3oz. £150-200

84

525. A set of seven 19th century plated meat skewers, unmarked, tapering form, plain ring handles, engraved with a crest and crown, lengths 21.3cm and 18.9cm. (7) £100-150

526. A George III silver meat skewer,

by Hester Bateman, 1784, tapering form, ring terminal, with an initial, length 30.4cm, approx. weight 2.7oz. £200-300

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 85

527. A Victorian silver commemorative sifting spoon,

by George Adams, London 1852, the handle with military arms and a bust of The Duke of Wellington, the gilded bowl with pierced foliate decoration, engraved with a crest, length 16cm, approx. weight 1.4oz. £100-150 Provenance: Fine Silver, Phillips New Bond Street, sale number 787, lot 337.

528. A 19th century American silver cream ladle,

by William Wilson McGrew, Cincinnati, circa 1870, tapering tub shaped bowl, the handle with a baluster handle and beaded borders, gilded interior of bowl, initialled, length 18.5cm, approx. weight 1.4oz. £80-120

529. A Victorian cast silver sifting spoon,

by George Adams, London 1854, the handle with palm decoration and a pierced terminal, pierced shell shaped bowl, length 19cm, approx. weight 2.7oz. £100-150 Provenance: Fine Silver, Phillips New Bond Street, 30 November 2001, lot 295.

The Duke of Wellington died on September 14th 1852.

530. A pair of silver scissor egg toppers,

by William Hutton and Sons, Sheffield 1924, plain ring handles, the arms with spikes, length 10cm, approx. weight 1.7oz. £150-200

531. A French silver ham bone holder, maker’s mark of R and C in a lozenge, baluster handle, ribbon-tied and fluted decoration with a cone finial, length 12.7cm, approx. weight 9oz. £200-300

532. A pair of George III provincial silver Fiddle pattern sugar tongs,

by Prince and Cattles, York circa 1805, inscribed ‘Judges House, York’, length 14.2cm, approx. weight 1.4oz. £100-150

533. A three-piece Victorian silver folding knife, fork and spoon set,

by Robert Hutton, Sheffield 1873, tapering ivory handles with a monogram, the knife with a steel blade, the handle with a corkscrew, in a case. £150-200

534. A pair of George III silver scissor snuffers,

by Urquhart and Hart, London 1789, gadroon borders, pierced handles with ring terminals, on three bun feet, initialled, length 17.3cm, approx. weight 3.3oz. £150-200

535. A 19th century French silver folding fork and spoon, maker’s mark of CZ in a lozenge shaped punch, plain tapering rounded handles, length of spoon 21.8cm. (2) £100-150

85

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 86

536. A George III silver Old English pattern straining spoon,

by William Sumner, London 1796, the terminal with a crest and initial, the bowl with a pierced strainer, length 30cm, approx. weight 3.8oz. £100-150 The crest is that used by several families including: Ivey, Vygor, Staff and Hartsink.

537. An 18th century Dutch silver fish slice, maker’s mark ?B, Amsterdam 1797, the oval blade pierced and engraved with fish within foliate scroll decoration, the socket with a crest and beaded border, turned wooden baluster handle, length 37.5cm, approx. weight 5oz. £300-400

538. A William IV silver Scroll Rosette pattern straining spoon,

by William Eaton, London 1833, the terminal with a crest, length 30.8cm, approx. weight 7.3oz. £200-300 The crest is that used by several families including: Francis, Gage, Shepherd, and Stayning.

The crest is that used by several families including: Alington, Anderson, Barwell and Saxon.

539. A Victorian silver moustache spoon,

by Messrs. Lias, London 1877, the terminal with a crest and initials, the oval bowl with a swing-section clip-in moustache guard, length 22cm, approx. weight 2.4oz. £150-200 The crest is that of Lane, Lester, Lowe, Leslie and Lucas.

542. A George III silver Kings Hourglass pattern fish / serving slice,

by Eley and Fearn, London 1806. the blade with pierced decoration and a hinged pierced cover, length 2.8cm, approx. weight 8.2oz. £150-200

86

540. A George III silver fish slice,

by Kirby, Waterhouse and Co, Sheffield 1818, the shaped oval form, the blade pierced and engraved with a mythical dolphin, carved ivory handle, length 32.4cm. £100-150

541. A 19th century silver Fiddle, Thread and Shell pattern straining spoon,

by L.B and Co, possibly Canadian, the oval bowl with a screw-out detachable strainer, length 29cm, approx. weight 7.4oz. £200-300

543. A George III presentation silver telescopic toasting fork, maker’s mark unidentified, London 1800, wooden cylindrical handle with a ring terminal, with two telescopic sections, inscribed ‘To St. John Fagg Bar.t in remembrance of Mrs Ann Macaree ob. 28 July 1803 a.78’, length fully extended 56cm. £200-300

544. A George III silver fish slice,

by William Plummer, London 1770, triangular blade, pierced and engraved with foliate scroll decoration, and with fish amongst reeds, Feather-edge handle with pierced decoration, length 28cm, approx. weight 4.3oz. £300-400

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:06 Page 87

545. A George III silver-mounted ivory cucumber slicer,

by George Pearson, London 1818, shaped rectangular form, the handle with rosette finials, detachable blade, length 21.8cm. £600-800

546. A Victorian electroplated cucumber slicer, shaped rectangular form, with an adjustable steel blade, the top with a pierced hole, length 17.8cm. £100-150

547. A George III silver-mounted ivory cucumber slicer,

by Abstainando King, London 1798, rectangular form, plain silver mounts, length 22.8cm. £600-800

Provenance: The James Walker Collection, Christie’s South Kensington, 13 July 2006, lot 221

Provenance: The James Walker Collection of Silver and Vertu, Christie’s South Kensington, 13 July 2006, lot 222.

548. An 18th century continental silver folding fork / spoon, marked with a Dutch tax mark and indistinct maker’s mark, tapering square handle, with a bird finial, the pull-off bowl reveals the three tines of the fork, inscribed to bowl, plus another similar spoon, with an apostle finial, length 19.5cm and 19.3cm, approx. weight 3.9oz. (2) £400-600

549. A three-piece Victorian silver Canova pattern Christening set,

by George Adams, London 1872, approx. weight 3.8oz. (3) £100-150

550. A rare set of six George III silver Duty Draw-back Bright-cut dessert spoons,

by George Smith, London 1784, the terminal with scratch initials ‘S.W’, approx. weight 6.8oz. (6) £600-800

551. An early 19th century silver poultry skewer, maker’s mark G.M, plain tapering form, ring terminals, plus another early 19th century silver poultry skewer, maker’s mark I.W, lengths 20cm and 22.5cm, approx. weight 1.6oz. (2) £100-150

552. A 19th century Indian colonial silver Fiddle,Thread and Shell pattern marrow scoop,

by Pittar and Co, Calcutta circa 1840, the reverse of the bowl with a shell heel, length 21.4cm, approx. weight 1.6oz. £100-150

553. A pair of George IV silver grape scissors,

by William Chawner, London 1821, pierced handles with ring terminals, gadroon and reeded border, length 18cm, approx. weight 2.5oz. £150-200

Provenance: Lawrence’s, Crewkerne, 14 April 1988, lot 327.

87

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 88

reverse

554. A Queen Anne West Country Dog-nose spoon,

by Francis or Henry Servant, of Barnstable, with Exeter marks for 1710, the oval bowl with a beaded rat-tail, the reverse of the elongated dog-nose finial prick-dot initialled ‘GM’ over ‘ID’ and dated ‘1711’, the front of the stem later inscribed ‘Edward Victor Harris, Born April 8th, 1875’, length 21cm, approx. weight 1.6oz. £200-300

reverse

556. A William and Mary silver Trefid spoon,

by Lawrence Coles, London 1691, the oval bowl with a plain rat-tail, the reverse of the terminal scratch initialled ‘R.P to R.B’, length 18.4cm, approx. weight 1.4oz. £200-300

88

reverse

555. A William III silver Dog-nose spoon,

by Benjamin Watts, London 1701, the oval bowl with a beaded rat-tail, the reverse of the terminal scratch initialled ‘E’ over ‘IA’, length 20cm, approx. weight 1.9oz. £200-300

reverse

557. A William and Mary silver Trefid spoon,

by Lawrence Coles, London 1691, the oval bowl with a plain rat-tail, plain terminal, length 18.3cm, approx. weight 1.1oz. £200-300

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 89

558. A set of six early 19th century Scottish provincial silver Fiddle pattern teaspoons,

by James Erskine, Aberdeen circa 18001810, the terminals with a script initial, length 13.8cm, approx. weight 3oz. (6) £100-150

559. An early 19th century Scottish provincial silver Fiddle pattern soup ladle,

by William Ferguson of Elgin, with Edinburgh marks, date letter worn, circa 1835, the terminal with a script initial, length £200-300 34cm, approx. weight 9oz.

560. A set of six George III Scottish provincial silver Celtic-point pattern teaspoons,

by John Keith, Banff circa 1795, the terminals with script initials, approx. weight 2.6oz. (6) £100-150

561. A pair of early 19th century Scottish provincial silver Fiddle toddy ladles,

by David Gray, Dumfries 1810-20, the terminals with a script initial, length 16cm, approx. weight 2oz. (2) £100-150

562. A set of three early 19th century Scottish provincial silver Oar pattern teaspoons,

by John McKenzie, Dumfries circa 1820, the terminals with a script initial, length 13.7cm, approx. weight 1.4oz. (3) £100-150

563. A small collection of early 19th century Scottish provincial silver flatware from Perth, comprising: a pair of Oar pattern toddy ladles, by Robert Keay, circa 1820, the terminals with a script initial, a Celtic point pattern dessert spoon, by William Ritchie, circa 1810, the terminal with a script initial, plus two Fiddle pattern teaspoons by Robert Keay, approx. total weight 4oz. (5) £150-200

564. A pair of George III Scottish provincial silver Hanoverian pattern tablespoons,

by William Byres, Banff circa 1785, the reverse of the terminals with a script initial, length 20.2cm, approx. weight 4oz.

(2) £150-200

565. An early 19th century Scottish provincial silver Fiddle pattern soup ladle,

by George Booth, Aberdeen circa 1820, the terminal with an initial, length 36.5cm, approx. weight 7oz. £200-300

566. An early 19th century Scottish provincial silver Fiddle pattern preserve spoon,

by Thomas Stewart, Elgin circa 1820, rounded rectangular bowl, the terminal with script initials, length 16cm, approx. weight 0.6oz. £100-150

Provenance: Phillips, London, January 1999, lot 159.

89

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 90

567. A small George II Scottish silver-mounted ivory snuff mull, unmarked, circa 1730, waisted oval form, plain silver hinge and cartouche, height 4.3cm. £300-400

568. A George II Scottish silver mounted dark hardwood snuff mull, unmarked, circa 1730, waisted oval form, plain silver mounts, height 6.5cm. £300-500 Provenance: sold in these rooms,18th October 2006, lot 1666.

Provenance: sold in these rooms, 19 October 2006, lot 1662.

569. A George II Scottish silver mounted tortoiseshell snuff mull, circa 1733, waisted oval form, with alternate panels of decoration, the hinged cover with a plain thumb-piece, the base inscribed ‘Job Rawlinson 1733’, engraved cipher, height 5.8cm. £800-1,200 Provenance: sold in these rooms, 31st October 2007, lot 1233G. Previously with How of Edinburgh.

90

570. A George II Scottish ivory and dark hardwood snuff mull, circa 1740, waisted oval form, with alternate panels of tapering decoration, the hinged cover with a pierced hinge and vacant cartouche, height 7cm. £600-800 Provenance: sold in these rooms, 19 October 2006, lot 1667.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 91

571. A George II Scottish silver-mounted ivory and dark hardwood snuff mull, circa 1750, waisted oval form, with alternate panels of decoration, the hinged cover with a pierced and elaborate hinge, an oval cartouche, with a crest and motto, the oval base inscribed ‘ Dona: 7mo. Ob: 10mo Feby 1755 atat: Suae 85’ plain thumb-piece, the base with an engraved cipher, height 6.3cm. £1,000-1,500

572. A George II Scottish silver-mounted mother-of-pearl and dark hardwood snuff mull, circa 1735-40, waisted oval form, with alternate panels of decoration, the hinged cover with a plain thumb-piece, the base with an engraved cipher, height 5.2cm. £600-800 Provenance: sold in these rooms, 31st October 2007, lot 1234.

Provenance: sold in these rooms, 31st October 2007, lot 1235.

The crest is that of Bothwell, Lord Holyroodhouse, a Scottish title created in 1607 and deemed dormant in 1634, although claimed by Henry Bothwell of Glencorse a hundred years later.

573. A mid 18th century Scottish-silver mounted tortoiseshell and mother-of-pearl snuff mull, unmarked, circa 1750, oval waisted form, with alternate inlaid panels, ivory lining, the hinged cover with a plain thumb-piece, height the base inscribed, ‘J.Bruce’, height 6.5cm. £3,000-4,000 Provenance: sold in these rooms, 8 October 2009, lot 8.

574. A George I silver-mounted tortoiseshell snuff mull, unmarked, circa 1720, waisted tapering oval form, the front and back with an inlaid foliate scroll cage-work cartouche, engraved with an armorial, the hinged cover inlaid with birds and foliate scroll decoration, height 5cm. £600-800 Provenance: sold in these rooms, 19 October 2006, lot 1654.

The shield is that for Stanley of Derbyshire.

91

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:08 Page 92

575. A collection of nineteen late 18th/early 19th century Scottish provincial silver teaspoons, various towns and makers, including: a set of four Bright-cut Celtic-point teaspoons, by Edward Livingstone, Dundee circa 1790, plus four Dundee Fiddle pattern teaspoons, two Aberdeen teaspoons by George Sangster and James Smith, an Inverness teaspoon by Charles Jamieson, one by Thomas Stewart of Elgin, one by Robert Keay of Perth, one by Thomas Shannon of Dundee, one by Joseph Pearson of Dumfries, one from Greenock, and three others, approx. weight 8.2oz. (19) £200-300

576. A small collection of late 18th/early 19th century Scottish provincial silver flatware from Banff, comprising: a Fiddle pattern tablespoon, by George Elder, circa 1840, the terminal with a script initial, a set of three Old English pattern teaspoons by John Keith, circa 1795, plus nine various old English pattern teaspoons by the same maker, approx. weight 6oz. (13) £150-250

577. A small collection of late 18th/early 19th century Scottish Provincial silver flatware, comprising: a toddy ladle, probably by William Kermath, Dundee circa 1830, plus an Old English pattern toddy ladle, by Alexander Cameron of Dundee, a Celticpoint condiment ladle by John Heron of Greenock, plus a pair of sugar tongs, an unascribed spoon and a converted fish fork, approx. weight 8oz. (6) £100-150

578. A set of eleven George III Scottish silver Celtic-point toddy ladles, maker’s mark of M.C, Edinburgh circa 1800, circular bowls, plain terminals, approx. weight 5oz. (11) £300-500

579. A set of eight Scottish silver Fiddle pattern dessert forks,

by Robert Gray and Son, Glasgow 1834, the terminals with a script initial, approx. weight 11.5oz. (8) £100-150

580. A set of six early 19th century Scottish provincial silver Fiddle pattern dessert spoons,

by Thomas Stewart, Elgin circa 1820, the terminals with a script initial, length 18cm, approx. weight 6oz. (6) £200-300

581. A George III Scottish provincial silver Hanoverian pattern tablespoon,

by Alexander Shirras, Banff circa 1760, plain terminals, length 21cm, approx. weight 2.3oz. £100-150

582. A Scottish silver cream skimmer,

by Hamilton and Inches, Edinburgh 1897, turned wooden baluster handle, length 24.5cm, plus a late-Victorian silver cream skimmer, by Frazer and Haws, London 1897, turned wooden baluster handle, length 26.5cm. (2) £200-300

583. An early 19th century Scottish provincial silver Fiddle pattern fish slice,

by William Ferguson, of Elgin, with Edinburgh marks for 1839 the terminal with a script initial, length 33.5cm, approx. weight 6.5oz. £200-300

92

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:08 Page 93

584. A Victorian Scottish ‘Marrow Bone Club’ silver marrow scoop,

by J. Mackay, Edinburgh 1852, the terminal with the applied marrow bone motif below the motto ‘Nil Nisi Bonum’, the front with a crest, the reverse of the terminal inscribed ‘William Mackenzie’, length 23.4cm, approx. weight 3.5oz. £200-300

585. A Victorian Scottish ‘Marrow Bone Club’ silver marrow scoop,

by William Cunningham, Edinburgh 1840, the terminal with the applied marrow bone motif below the motto ‘Nil Nisi Bonum’, the front with an armorial and dated ‘1835’, the reverse of the terminal inscribed ‘Cosmo Innes’, length 23cm, approx. weight 3.3oz. £200-300

586. A Victorian Scottish ‘Marrow Bone Club’ silver marrow scoop,

by William Cunningham, Edinburgh 1840, the terminal with the applied marrow bone motif below the motto ‘Nil Nisi Bonum’, the front with an armorial and dated ‘1835’, the reverse of the terminal inscribed ‘Robert Ainslie’, length 23.2cm, approx. weight 3.6oz. £200-300

587

588

Provenance: Christie’s South Kensington, 14 December 1999, lot 25.

587. A George III Scottish silver wax jack, maker’s mark worn, Edinburgh 1798, lyre form, on a raised circular base with a scroll handle and plain thumb-piece, engraved with a crest and motto, with a later conical snuffer, height 14cm, approx. weight 5.3oz. £700-900 The unicorn head is that of Cunningham of Scotland.

588. A Victorian Scottish silver ewer,

by William Shaw, Glasgow 1851, baluster form, embossed and chased foliate scroll and lozenge decoration on a matted background, leaf capped scroll handle with ivory insulators, with two vacant cartouches, on a raised circular foot, height 31cm, approx. weight 32.5oz. £1,000-1,500

589. A similar pair of George III/IV Scottish silver luggies,

by James McKay, Edinburgh 1819/1820, circular tapering form, reeded bands of decoration, side handles, gilded bowls, length 13.8cm, approx. weight 12.8oz. (2) £600-800 589

93

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 94

590. A late 18th/early 19th century Scottish silver-mounted snuff mull, unmarked, circa 1800, conventional form, the border inscribed ‘Robert Wright to David Wright’, the hinged cover Masonic emblems and inscribed ‘Gift of John Ross to AAA’, length 11cm. £200-300

591. A Victorian Scottish novelty silver purse,

by Mackay and Chisholm, Edinburgh 1881, modelled as a sporran, velvet lined, with a chain and ring attachment, total length 14.5cm, approx. weight 1.2oz. £150-200

592. A 19th century Scottish silvermounted snuff mull, unmarked, conventional form, the border inscribed ‘AMOUR AVEC LOYAULTE’, the hinged cover with a thistle and inscribed ‘William Parr’, the front with a shield cartouche, engraved with a crest, length 9.5cm. £200-300 The crest and motto are those for Parr, of Lythwood, Shropshire.

593. A 19th century Scottish silver-mounted snuff mull, unmarked, circa 1848, conventional form, the hinged cover with thistle decoration and set with a Cairngorm, the front applied with a foliate scroll cartouche inscribed ‘To Mr. W.B Seal from a few of his Leith friends, 1848’, with four hanging chains with an ivory gavel, a spoon, a rake, a spike and an animal foot, length 10.5cm. £300-500

underside 595. An early 19th century silver mounted cowrie shell snuff box, unmarked, circa 1809, the flush hinged cover inscribed ‘J. Sinclair, Queensferry 1809’, length 8.5cm. £200-300 Provenance: sold in these rooms, 28th October 2009, lot 10.

94

594. A 19th century Scottish silver-mounted Luggie / quaich, unmarked, tapering circular form, with alternate dark and light covered staves, plain mounts, height 5cm. £800-1,200

underside 596. A George III Scottish provincial silver-mounted cowrie shell snuff box, maker’s mark of NG, for Nathaniel Gillet, Aberdeen circa 1800, the mount with engraved borders and with a hinged cover with an initial, length 7.3cm. £300-400

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 95

underside 597. A George III Irish silver-mounted cowrie shell snuff box, maker’s mark only, that for Aeneas Ryan, Dublin circa 1800, the shell with a plain mount, the hinged cover with initials, length 7cm.

£300-400

Purchased August 1986.

599

598. An 18th century Irish silver-mounted coconut cup, make’s mark only J.L, for John Laughlin, Dublin circa 1790, the plain mount with a wavy-edge border, the nut body with carved decoration, with an applied oval cartouche, engraved with a crowned B, on a raised circular foot, height 18.2cm. £400-600

599. An 18th century Irish silver drinking bowl,

by John Gumley, Dublin circa 1740, plain circular form, on a circular foot, engraved with a crest, diameter 6.5cm, approx. weight 1.4oz. £400-600 The crest is that of Carr.

The insignia is that of the Barons Blayney, of Monaghan.

600. A George III Irish silver snuff box,

by James Keating, Dublin 1795, oval navette form, bright-cut radiating decoration, the sides with foliate and oval decoration, the cover initialled, with traces of gilding, length 8.4cm, approx. weight 2.3oz. £300-500 Provenance: Mary Cooke Antiques, January 1994.

95

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 96

601. A George III Irish silver ‘hook-end’ basting spoon,

by Francis Jones, Dublin 1765, the terminal with a crest and monogram, the base of the stem scratched ‘4.0 1/2’, length 31.3cm, approx. weight 3.7oz. £200-300

602. A pair of George III Irish silver hookend basting spoons,

by James Douglas, Dublin probably 1763, the hook terminals with a worn crest, length 25.5cm, approx. weight 5.9oz. (2) £200-300

603. A George IV Irish silver Fiddle pattern straining spoon,

by Stephen Bergin, Dublin 1821, the terminal erased, the bowl with a pierced strainer, length 33cm, approx. weight 5.4oz. £150-200

605. A small collection of George III Irish provincial silver flatware, Cork, comprising: a Bright-cut Celtic point pattern tablespoon, by John Nicholson, circa 1790, the terminal with a crest and initials, plus four matching teaspoons, by the same maker, plus a pair of Old English pattern dessert spoons, by Carden Terry and John Williams, circa 1800, and a Bright-cut Star pattern teaspoon by the same makers, approx. weight 6.2oz. (8) £200-300

606. A set of ten William IV Irish silver Fiddle pattern teaspoons,

by James Brady, retailed by Neill, Dublin 1830, the terminals with initials, approx. weight 6.3oz. (10) £100-150

The crest is that of Waldron of Dublin and Worcestershire.

604. A set of eight George III Irish provincial silver Old English pattern small dessert spoons,

by Carden Terry, Cork circa 1800, the terminals with an armorial, approx. weight 6.5oz. (8) £300-400 The crest is that used by several Irish families including: Audouin, Bott, Frazer, Rotheram and Vigors.

Provenance: Lawrences, Crewkerne, 14 April 1988, lot 185.

The crest and initials are those of Paret of Dublin.

607. A set of three William IV silver Fiddle pattern toddy ladles,

by Edward Power, retailed by John Twycross, Dublin 1935, the circular bowls with a lip, the terminal with a crest, approx. weight 3oz. (3) £100-150 The crest is that of Bickerstaff of Ireland.

96

608. A George III Irish silver Bright-cut straining spoon,

by Michael Keating, Dublin 1785, the terminal with a crest, the bowl with a detachable strainer, length 29cm, approx. weight 2.7oz. £200-300

609. A set of four George III Irish provincial silver Fiddle pattern teaspoons,

by John Nicolson, Cork, circa 1790, the terminals initialled, approx. weight 1.6oz. (4) £100-150

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 97

610. A George III Irish silver counter dish,

by William Bond, Dublin circa 1796, plain circular form, engraved with a crowned initial, length 8.8cm, approx. weight 1.3oz. £150-200 The Viscount’s coronet above the initial ‘C’, could be for Clonmel, Clifden, Chetwind or Cullen.

613. A George III Irish silver cream jug, maker’s mark T.W, possibly for Thomas Walker or Thomas Williamson, Dublin circa 1760, circular form, central girdle, embossed foliate scroll decoration, leaf capped scroll handle, wavy-edge border, on three mask capped scroll feet terminating in webbed feet, engraved with a crest, height 11cm, approx. weight 5.9oz. £200-300

611. A pair of George III Irish silver scissor snuffers,

by James Stoyte, Dublin 1799, bright-cut decoration, pierced handles with ring terminals, on three bun feet, initialled, length 16.8cm, approx. weight 3.8oz. £200-300

612. A George III Irish silver counter dish,

by Matthew West, Dublin circa 1770, circular form, fluted decoration, punch border, engraved with a crest, length 9.4cm, approx. weight 1.4oz. £150-200

The crest is that of Lynch of Dublin.

614. A George IV Irish silver Kings Hourglass pattern part canteen,

by Samuel Neville, Dublin 1823/24, the terminals with a crest, comprising: six table forks, six dessert forks, and six dessert spoons, approx. weight 37.5oz. (18) £250-300 The crest is that of Daniel.

615. A George III Irish silver cream jug,

by Samuel Walker, Dublin circa 1760, circular form, scroll handle, central girdle, on three lion mask scroll legs with hoof feet, engraved with a crest, height 10.5cm, approx. weight 4.9oz. £300-500 The crest is that used by a number of families including: Caldwell, Jeffery, Loane, and Wilkes.

The crest is that used by a number of families including: Bomford, Joyce, Reed and Kennedy.

616. An Irish silver dish ring,

by The Goldsmiths and Silversmiths Company, Dublin 1917, circular form, pierced and embossed with animals, people, buildings and foliate scroll decoration, initialled, diameter of base 17.5cm, approx. weight 7.5oz. £300-400

617. A pair of George III Irish provincial silver tablespoons, and sugar sifting spoon,

by John Nicolson, Cork circa 1790, the bowls with later gilded berry decoration, in a fitted case, approx. weight 5.8oz. £150-200

618. A George III Irish silver sugar bowl,

by John Sheils, Dublin circa 1770, circular form, embossed with foliate decoration, punch-bead border, gilded bowl, on three shell capped hoof feet, engraved with a crest, plus a silver sugar bowl, in the Irish manner, circular form, embossed with animals, buildings and foliate scroll decoration, on three shell capped hoof feet, with London Assay Office marks for 1977, diameter 12.7cm, approx. total weight 12oz. (2) £300-400 The coronet is probably for Fitzgerald, Marquess of Kildare.

97

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:10 Page 98

619. A Victorian silver Worshipful Company of Fishmongers’ badge,

by Reily and Storer, London 1841, modelled as the Company’s arms, the back with four attached rings, length 7.2cm, approx. weight 2oz. £200-300 Christie’s South Kensington, Selected Silver and Plate, 10 June 2003, lot 110.

620. A Victorian silver Worshipful Company of Vintners’ livery badge, unmarked, circular form, with the Company’s arms, gadroon border, plain ring attachment, the reverse inscribed ‘Christopher Man’, diameter 4cm, approx. weight 1oz. £150-200

621. A George IV silver Sea-Coal Meter badge, unmarked circa 1824, the ring attachment with maker’s mark AD, shaped form, foliate scroll decoration, with an armorial, the reverse inscribed ‘James Jacks Deputy Sea Coal Meter, elected 20th Feb 1824’, with a ring attachment, length 8.2cm, approx. weight 1.6oz. £300-500 The armorial bears the symbols of a three-masted collier, two cauldrons, a balance and an imperial crown above the shield of the City of London. It is believed to be the authorized insignia of an early 19th century City of London Sea-Coal meter.

622. An early-Victorian silver Worshipful Company of Vintners’ livery badge,

by William Knight, London 1837, circular form, with the Company’s arms, gadroon border, beaded ring attachment, the reverse inscribed ‘John Aste’, diameter 4cm, approx. weight 1oz. £150-200

623. A Victorian silver-gilt Worshipful Company of Coopers’ livery badge, unmarked, circa 1878, circular form, with the Company’s arms, the reverse inscribed ‘George Thomas Rait, Livery 1878, Assistant 1910, Master 1911-12’, with a ribbon holder, diameter 3.8cm, approx. weight 1.2oz. £200-300

624. A George III silver-gilt Worshipful Company of Cooks’ livery badge, unmarked, circa 1817, circular form, with the Company’s arms, the reverse inscribed ‘Michael Plimpton, admitted to the Livery, 25th July 1817’, diameter 4.5cm, approx. weight 0.9oz. £200-300

98

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 99

619

620

622

621

623

624

99

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 100

625. A Victorian silver-gilt Westminster Magistrate’s badge,

by D and J Wellby, London 1862, shaped form, pierced scroll border, and with a central coat-of-arms and motto, length 8cm, approx. weight 2.9oz. £250-300 Provenance: Christie’s South Kensington, 10th June 2003, lot 113.

626. A Victorian silver-gilt Westminster Magistrate’s badge,

by William Cumming, London 1854, shaped form, pierced scroll border, and with a central coat-of-arms and motto, the reverse inscribed ‘William Bird Esq. 1854’, length 9.3cm, approx. weight 1.1oz. £250-300 Provenance: purchased from Tim Millet, June 2003.

627. A George III silver Worshipful Company of Carpenters’ livery badge,

by J. Milton, circa 1815 circular form, with the Company’s arms, the reverse inscribed ‘James Browne, elected 1815’, with a ring attachment, diameter 4.8cm, approx. weight 1.5oz. £200-300

628. A Victorian silver-gilt Worshipful Company of Turners’ livery badge, unmarked, circa 1847, oval form, with the Company’s arms, the reverse inscribed ‘Mr. James Cooper admitted on the Livery 13th May 1847, Mr. William Harry Sadgrove, Master, Mr Thomas Rowley, Mr Geo. Wm. Killett, Wardens, in the Mayoralty of John Kinnersley Hooper, elected on the court 6th July 1859’, length 7.5cm, approx. £200-300 weight 1.5oz.

629. A George III silver-gilt Worshipful Company of Distillers’ livery badge, unmarked, circa 1767, circular form, with the Company’s arms, within a rope work border, the reverse inscribed ‘Anthony Facer Kemp’, with a ring attachment, diameter 4.8cm, approx. weight 1.2oz. £300-400

630. A George III silver-gilt Worshipful Company of Cutlers’ livery badge, unmarked, circa 1770, oval form, with the Company’s elephant, within a laurel border, the reverse inscribed ‘Jas. Looker, Livery, Oct 18th, 1770’, length 5.7cm, approx. weight 0.7oz. £400-600

631. A George III silver Worshipful Company of Cutlers’ livery badge,

by George Taylor, London 1818, oval form, with the Company’s elephant, within a laurel border, the reverse inscribed ‘Edward Marlborough, Livery, Oct 20th, 1818’, length 5.8cm, approx. weight 0.9oz.

100

£300-500

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 101

625 626

627

629

628

630

631

101

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 102

632. A George III silver livery badge,

by Robert Garrard, London 1812, oval form, rope-work border, the centre with the crest of The Earls of Cork and Orrery, the reverse dated 1813, and with four ring attachments, length 11.7cm, approx. weight 3oz. £400-600 Provenance: Sanda Lipton, 10th June 2003.

633. A Victorian cast silver armorial badge,

by E and J Barnard, London 1859, crowned oval form, foliate border the centre with an armorial, on a matted background, length 12.8cm, approx. weight 2.5oz. £150-200 Provenance: Selected Silver and Plate, Christie’s South Kensington,10th June 2003, lot 111.

The crest is that of Boyle, ensigned by the coronet appropriate to Viscount Dungarvan, courtesy title of the heir apparent to the Earl of Cork. Edmund William Boyle, eldest son of the 8th Earl held the title from his birth in 1798, but died without succeeding in 1826.

The arms of Denison quartering Conyngham. Albert Denison Conyngham, (1805-1883) sometime diplomat and Liberal MP, changed his name to Denison on succession to his uncle’s great estate. He was created Baron Londesborough in 1850 and held the post of Vice-Admiral of the Yorkshire Coast and President of the Archaeological Society. His son was elevated to an earldom in 1887, the title becoming extinct in 1937.

634. A late-17th century silver livery badge, unmarked, circa 1680, oval form, foliate border, the centre embossed with an armorial within a widow’s lozenge, length 12.7cm, approx. weight 2oz. £300-400

635. A Victorian silver arm badge,

by Creswick and Co, Sheffield 1863, oval form, applied with the portcullis of Westminster, dated ‘1864’ and applied ‘PRESENTED BY THE INHABITANTS OF WESTMINSTER’, length 17.8cm, approx. weight 6.6oz. £800-1,200

The lozenge is for Verney of Middle Clayton, Buckinghamshire, Borough of Sandwich, Kent, and Randall of Aylesford, Kent.

102

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:22 Page 103

636. A Victorian silver rowing prize coat and badge,

by Stephen Smith, London 1883, the oval silver arm badge with laurel and ribbon border, chased with a shield-shaped cartouche depicting the arms of the City of London and the various parishes named in the inscription, centred by an anchor on a heraldically shaded gold ground, encircled by inscribed ribbons, the inscription reading ‘Watermen & Lightermens Apprentices Annual Regatta’, the number ‘22’ chased between, ‘Ferdinand J. Phillips’, ‘Presented by the inhabitants of the City of London, St. Dunstan, Temple, Lincolns Inn, St. Clement Dane Strand, and St. Martin in the Fields, Treasurer Mr. John Child’ and ‘Managers and Collectors John W. Audsley, City Waterman, W.H. Campbell, Waterman to Her Majesty’, the badge mounted on the arm of a scarlet coat with green facings and wings, silver braid and green piping in the back seams, the badge mounted on a green oval backing patch edged in silver braid, length of plaque 18.5cm. £1,500-2,000 Provenance: The James Walker Collection, Christie’s South Kensington, 13th July 2006, lot 233.

103

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 104

637. A Victorian silver arm badge

by P. Firmin, London 1845, the oval form, leaf and ribbon-tied reeded border, the centre applied with a depiction of London Bridge, the date ‘1850’ and applied ‘London Bridge’, below the cipher of Victoria and Albert, height 16.2cm, approx. weight 7.8oz. £800-1,200 Provenance: Selected Silver and Plate, Christie’s South Kensington,10th June 2003, lot 91.

638. A Victorian silver rowing prize arm badge,

by W. R. Smily, London 1848, oval form, with chased oak leaf and acorn border, the centre chased with the crest and arms of the Company of Watermen and Lightermen on a matt ground, within a leaf and berry border, inscribed “Given by the United Parishes of St. Botolph Aldgate, St. John’s Wapping and St. George’s in the East. Sept. 19th. 1822, Won

by Andw. Walker”, the reverse with one ring attachment, length £800-1,200 17.4 cm, approx. weight 4.9oz.

Provenance: The James Walker Collection, Christie’s South Kensington, 13th July 2006, lot 231.

September 19th, 1822, would have been the date that this prize was established. The use of the arms of the Company of the Watermen and Lightermen on this badge suggest that freedom of the Company was part of the prize as was sometimes the case.

104

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 105

639. A Victorian silver Garibaldi rowing prize arms badge,

by P. Firmin and Son, London 1864, oval form, foliate ribbon and reed border, applied with a portrait bust of Giuseppe Garibaldi and dated ‘1864’ also applied ‘GIUSEPPE GARIBALDI GUERRA D’ITALIA 1859, TO COMMEMORATE HIS ENTRY INTO LONDON, APRIL 11TH.’, on a matted background, with a cartouche inscribed ‘Won by RATCLIFFE-PICK, Oct.er 18th. 1864’, the reverse with three ring attachments, length 18.4 cm, approx. weight 6.9oz. £400-600 Provenance: The James Walker Collection, Christie’s South Kensington, 13th July 2006, lot 233.

This badge was originally one part of a 4-part prize (coat, badge, cash and Freedom of the Thames), in the sculling race at the City, Southwark & Lambeth Apprentices Regatta held on 18/10/1864. There were five entries for the event; Ratcliffe-Pick of Thames Bank beat C. Parker of Westminster by 3½ lengths in the final with two of the other entrants not completing the race. This was an annual meeting to commemorate Garibaldi’s arrival in London where, on the 11th November 1864, the Illustrated London News records he was greeted by a crowd of 500,000 people. The next day he was given the honorary Freedom of the City.

Giuseppe Garibaldi (1807-1882) was one of the heroes of the struggle for the unification of Italy. Active in the 1848 uprising and an elected deputy in the Roman Assembly, he proclaimed Victor Emanuel king of a united Italy in 1860, at that time holding the rank of general in the Piedmontese army, but it would not be until 1870 that he would see his old adversary, Pope Pius IX, defeated and Rome liberated to become capital of a unified country. London apparently shut down for 3 days when he visited the city in 1864, already feted for his exploits four years earlier when with his 1,000 volunteers, he had landed in Sicily, intent on marching on Rome to liberate it from the reactionary Papacy.

105

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 106

640. A rare 18th century silver copy of the Goldsmiths’ Hall Bargemaster’s badge, unmarked, London circa 1760, oval form with chased leaf-embellished reeded rim, the centre finely embossed and chased with the Goldsmiths’ Company coat of arms, supporters, crest and motto ‘JUSTITIA VIRTUTUM REGINA’ on a matted ground, the rear with four ring attachments, height 24cm, weight 12.5oz. £5,000-7,000 Provenance: Defining The Interior, Bonhams, New Bond Street, 3 June 2015, lot 90.

Bonhams footnote reads; ‘Though unmarked, the present lot has been declared by the Antique Plate Committee at Goldsmiths’ Hall to be: “a genuine high quality item dating from around the time of the one in the collection, which was made in 1761.”

The post of Bargemaster within a Livery Company has its origins in the 15th century with processions of boats along the Thames. The City Livery companies revelled in the waterborne pageantry, it asserted their importance and civic pride and the focus was Lord Mayor’s Day. The Brewer’s Company records in 1422: ‘That William Walderne was chosen Mayor of St Edmunds Day, when it was ordered that the Aldermen and Craft should go to Westminster with him to take his charge, in barges without minstrels.’

By the 16th century, the precedence of the Companies was carefully regulated. First, was The Lord Mayor’s Barge, followed by the barge of his own company. Then followed the other companies in the traditional order: Mercers, Grocers, Drapers, Fishmongers, Goldsmiths, Skinners, Merchant Taylors, Haberdashers, Salters, Ironmongers, Vintners and Clothworkers.

In the 17th centuries the Livery Companies built their own barges and painted them with the companies’ emblems and insignia. The bargemaster was an important personage not only in the companies but also in royal and noble households.’

106

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 107

640

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 108

641. A George III silver badge of office for the town bailiff of Scarborough, maker’s mark of George Gray over-stamping another, London circa 1784/5, oval form, chased with the lymphad or galley on a matted background, with a punched bead border, inscribed ‘APRIL 6.1786’, and pierced with three pairs of holes for stitching to wearer’s coat, length 8.9cm, approx. weight 1oz. £300-400 Provenance: The James Walker Collection, Christie’s South Kensington, 13th July 2006, lot 243.

642. A William IV silver officer’s badge, Royal Victoria Arcade, Ryde, Isle of Wight,

by John Harris, London 1835, circular form, mounted with an engraved royal crown, the centre engraved with a view of the Arcade, and inscribed ‘Royal Victoria Arcade, Ryde’, in a strap-work border, the reverse inscribed ‘W. H. Banks Esq.’, length 13cm, approx. weight 2oz. £800-1,200

643. A rare James II silver arm badge, possibly for a night watchman or constable, unmarked circa 1688, circular form, embossed with a representation of the seal of Scarborough, divided vertically in two, a tower on the left, a lymphad on the right, inscribed ‘Ville de Scarburgte (sic)1688’, the reverse with two £800-1,200 ring attachments, diameter 8.5oz, approx. weight 1.3oz.

Provenance: The James Walker Collection, Christie’s South Kensington, 13th July 2006, lot 244.

644. A George IV silver London Land Coal Meter’s badge,

by Thomas Smith and Thomas Merryweather, London 1824, oval form, reeded border, engraved with the arms of the City of London, and inscribed ‘LAND COAL METER’ and ‘49’, with a ring attachment, length 8.8cm, approx. weight 0.7oz. £300-500 Provenance: The James Walker Collection, Christie’s South Kensington, 13th July 2006, lot 245.

These were officials of the Corporation of London, appointed under a Law of 1807 to measure and assess the quality of coals imported into the Port of London. These positions were abolished in 1831 as it was decided that due to the difficulty of applying the legislative regulations for preventing fraud in relation to the qualities of coals which were found to be continually varying, the public were not obtaining the security or benefit as regards quality or quantity. In short, the advantage to the public was not equivalent to the cost of administering the regulations. By abolishing the office of Land Coal Meter it was estimated that a direct saving of four pence per cauldron was made.

108

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 109

641

643

642

644

109

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 110

645. A Victorian silver-gilt presentation plaque, The Grand Hotel, Charing Cross,

by George Angell, part-marked, London circa 1880, chased with a view of the Grand Hotel, Charing Cross, with the base of Nelson’s Column to left and the statue of Charles I at Charing Cross to right, a carriage and hansom cab in foreground, inscribed ‘A Souvenir presented to Frederick Gordon Esq.re by a few sincere friends to commemorate the completion of this; his latest Great Enterprise, May 29, 1880’, mounted on a later blue velvet backed easel mount, diameter 24cm. £600-800 Provenance: The James Walker Collection, Christie’s South Kensington, 13th July 2006, lot 241.

By early 1876, Northumberland House, built in 1605, had been demolished and a new 30 metre-wide thoroughfare created along which by the 1880’s, new buildings including several hotels, The Grand, The Metropole and The Victoria, were built by the Northumberland Avenue Hotel Company. These palatial hotels were especially popular with American visitors, with their central position providing easy access to the City and the West End, to Parliament, the gentlemen’s clubs and major railway termini.

110

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 111

646. A James II silver Waits’ badge, unmarked, dated 1688, oval form, the centre with the arms of Wakefield, engraved around the rim ‘Wakefield Waits 1688’, with two ring attachments, length 12.6cm, approx. weight 2oz. £500-700

647. An 18th century French silver arm badge, probably for Livery dress,

by Jacques-Pierre Marteau, Paris circa 1762 - 68, pierced, embossed and engraved with the arms of The Earl of Fife, height 15.5cm, approx. weight 5oz. £600-800

Provenance: The Oakwood Collection, Centuries of Style, Christie’s, London 17th November 2009, lot 230.

Provenance, Fine Silver, Bonhams, New Bond Street, 4th July 2007, lot 78.

This Waits’ badge was worn around the neck of one of the town Waits, corporation minstrels or musical watchmen who sang the hours of the night and warned the towns people of fire and other dangers in “rude rhyme”.

The arms are possibly for the second Earl of Fife, James Duff, who succeeded his father to the title in 1763.

The Waits would have played every morning and night and at all major feasts. They supplemented the gratuities and stipends they received from the townspeople and council by playing at weddings.

They received the badge on their appointment to the office, having provided two sureties for the safekeeping of the badge. The badges were returned to the council upon death or dismissal from the office.

111

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 112

648

649

650

648. A George III silver-gilt Royal Waterman’s/ushers badge, maker’s mark only, that of Philip Rundell, London circa 1825, the front gilded, lacking cross finial, length 13.5cm, approx. weight 6.3oz. £600-800

650. An early 19th century Old Sheffield plated Waterman’s badge, unmarked, circular form, with the arms of the City of London and the Watermans’ Company, numbered ‘3773’ and stamped ‘FREE WATERMAN, AT COMMAND OF OUR SUPERIORS’, mounted on a wooden plaque, the £200-300 reverse of plaque inscribed 1803-1837, total length 18cm.

Provenance: purchased in these rooms, 24th April 2007, lot 295.

For a similar example by John Bridge, see: The James Walker Collection, Christie’s South Kensington, 13th July 2006, lot 234.

649. A 19th century silver armorial badge, Uruguay unmarked, oval form, with the coat of arms of Uruguay, length 16.5cm, approx. weight 3.2oz. £400-600 The state coat of arms of Uruguay depicts the Sun of May overlooking symbols for equality, strength, liberty and abundance.

112

Provenance: purchased in these rooms, 20th July 2003, lot 424.

The Watermen were initially employed by the insurance companies to act as firemen, not least because many of London’s serious fires were near the docks which were packed with wooden ships and highly flammable goods in the warehouses. In 1796 there were about 12,000 Watermen plying their trade in London. From 1707 an Act of Parliament exempted those employed by the insurance companies from the naval press-gangs but only for 30 men per company and subject to other conditions. The badges helped to distinguish them to the press-gangs but the Watermen were also required to carry their certificates upon their person at all times as a back-up.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 113

651. An Edwardian silver-gilt seal box and cover,

by Sebastian Garrard, London 1903, circular form, the hinged cover embossed with the Royal Coat of Arms, the interior with a wax seal of Victoria, diameter 17.8cm, approx. weight 21.9oz. ÂŁ700-900

652. A George IV silver-gilt seal box and cover,

by John Bridge, London 1825, circular form, the hinged cover embossed with the Royal Coat of Arms, diameter 17cm, approx. weight 18.4oz. ÂŁ1,000-1,500

113

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 114

reverse 653. A George III silver Freedom box,

by Joseph Creswell, London 1771, circular form, the pull-off cover engraved with the arms of the Corporation of the City of London, the base inscribed ‘In testimony of the high sense entertained of the Honourable Conduct of MR. ROBERT BROWN, Jeweller, The Corporation of the City of London, bestows this day 4th June 1771. The Freedom of the City’, diameter 7.8cm, approx. weight 3.3oz. £1,000-1,500 Provenance: sold in these rooms, 17th July 2002, lot 253.

reverse 654. A George III Irish silver Freedom box, maker’s mark worn, Dublin 1769, circular form, the pull-off cover engraved with the arms of the Corporation of Dublin, the base inscribed ‘EASTER ASSEMBLY 1769, The Corporation of the City of DUBLIN, unanimously voted this box accompanied with a suitable address to WILLIAM SUPPLE, as a mark of the Corporation’s esteem for the execution of his profession in a neat and masterly manner, and of his superior talents and integrity’, diameter 8cm, approx. weight 2.5oz. £1,500-2,500

reverse 655. A George IV provincial silver seal box,

by James Dunsford, Exeter 1824, circular form, the cover engraved with the arms of the Earl of Exeter, the base inscribed ‘Brownlow Cecil, 12th Earl of Exeter Anno Domini 1825’, and engraved with another coat of arms, gilt interior, diameter 12.3cm, approx. weight 8oz. £2,000-3,000 Provenance: Lawrence’s, Crewkerne, 17th April, 2012, lot 282.

114

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 115

reverse

656. A George III silver presentation silver box,

by John Reily, London 1822, circular form, the cover engraved with a coat of arms, the base engraved: ‘To Sir John Henry Pelly on his appointment as Governor of the Hudson Bay Company from his friend & Colleague Earl Bathurst Secretary of State (War & Colonies) 1822’, gilt interior, the side with a crest, diameter 9cm, approx. weight 4.9oz. £2,000-3,000 Provenance: Fine Silver and Objects of Vertu, Bonhams, 25th November 2009, lot 28.

Bonhams footnote: ‘John Henry Pelly of Upton, Essex (31 March 1777-13 August 1852) was Governor of Hudson’s Bay Company for 30 years.

He was a fourth-generation sailor turned London merchant appointed to the Hudson’s Bay Company at the time of its merger with the North West Company. Instrumental in enlarging the company’s trading rights and active Arctic exploration led to Pelly’s name commemorated on many geographical features in the Yukon and Arctic.

He was created baronet in 1840, eighteen years after the date on the present lot. As a director and, finally (1841-2), Governor of the Bank of England, Pelly solidified the deep relationship between the Company and the Bank.

By his marriage (1807) to Emma Boulton of Thorncroft, Surrey, he had nine sons, six of whom also reproduced vigorously, and two daughters who did not. Pelly inherited the Upton estate from the family of his grandmother, née Hinde’.

115

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 116

657. A George III Irish Provincial silver Freedom box, maker’s mark only, WR conjoined for William Reynolds, Cork, circa 1768, rectangular form, with bombé side, the cover with the arms and motto of Corke, and with foliate scroll decoration and with a basket of flowers, the base inscribed ‘The Freedom of the City of Cork presented in this box to the Right Honourable Isaac Barré as a publk. testemony (sic) of his distinguished abilities and his constant attention in the british (sic) house of commons to the interest of his native country Ireland 13 Aug. 1768’, gilded interior, (some damage to cover), length 8.5cm, approx. weight 5.3oz. £2,000-3,000 Provenance: Fine Silver, Bonhams, New Bond Street, 23rd July 2004, lot 210.

Bonhams footnote: ‘Isaac Barré was a soldier and politician, born Dublin 1726, gazetted ensign 1746, rose under Woolf to Lt. Col., wounded in the cheek at Quebec, 1759. He sat in Parliament 17611790 and held office under Lord Bute, Pitt, Rockingham and Shelburne. He died 20th July, 1802.’

reverse 657 658. A William and Mary silver tobacco box and cover, maker’s mark only, that of IS with an arrow between, London circa 1690, oval form, the pull-off cover engraved with the arms of Sandys, with narrow rope-work border, later crudely scratched to base ‘R.R.B’, length 9.4cm, approx. weight 4.9oz. £1,000-1,500 Provenance: Christie’s, South Kensington, 20 May 2014, lot 315.

658

116

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 117

659. A matched pair of 18th century silver presentation tobacco boxes, one by Edward Cornock, London 1712, the second, by James Phipps I, London 1773, plain oval form with a raised pull-off cover, each engraved with an armorial shield, the earlier example engraved to the underside ‘Haycock of Reading’, the latter engraved ‘Ann Heycock’, length 10cm, approx. total weight 9oz. (2) £2,000-3,000 The arms are those of Heycock.

Provenance: Britain-Defining The Interior, Bonhams, New Bond Street, 3 June 2015, lot 91.

Bonhams footnote: Joseph Heycock was an apothecary in Reading, though the engraver mistakenly used the wrong spelling. Joseph left his estate and this box to his younger brother Nicholas (1679-1763). Ann Heycock (1711-1788), was Nicholas’s eldest daughter and it is through her brother John (1711-1803), of East Norton Leics, that these boxes then passed through five generations to the vendor at Bonhams.

659 660. An 18th century Irish silver Freedom box, unmarked, circa 1770, circular form, the pull-off cover engraved with the arms and motto of the City of Cork, below ‘Corke Arms’, gilded interior, diameter 7.6cm, approx. weight 2.5oz. £1,000-1,500 For a similar example see: Culme, J., British Silver Boxes, 1640-1840, The Lion Collection, The Antique Collector’s Club 2015, page 156, entry 171.

660

661. A pair of George III silver seal boxes, maker’s mark R.C, probably for Robert Cox, London circa 1760, oval navette form, the pull-off covers engraved with the arms of The University of Oxford, within foliate mantling, one box containing a wax seal, length 9cm, approx. weight 2.2oz. (2) £800-1,200

661

117

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:36 Page 118

662. A George IV silver goblet,

by William Bateman, London 1824, campana form, fluted decoration, engraved with ribbon-tied garlands of flowers, on a raised circular foot, gilded bowl, height 15.5cm, approx. weight 10.5oz. £200-300

663. A suite of three modern silver timers,

by Barker Ellis, Birmingham 2000-01, wooden bases, comprising: an hour glass, another smaller example (approx. six minutes) and a smaller similar egg timer (approx. two minutes), heights 23.2cm, 15.2cm and 9.6cm, (3) £400-600

664. A large George III silver goblet,

by Smith and Hayter, London 1803, urn form, later embossed foliate scroll decoration above sheaves of corn, with a monogram, gilded interior, on a circular foot with a reeded border, height 23.5cm, approx. weight 18oz. £300-400

665. A George II silver tankard,

by Richard Guerney and Co, London 1749, tapering baluster form, later embossed foliate scroll decoration, domed hinged cover with a pierced thumb-piece, scroll handle with a heart-shaped terminal, on a circular foot, height 20cm, approx. weight 25.5oz. £800-1,200

666. A modern Britannia standard silver coffee pot,

by Payne and Son, of Oxford, London 1968, in the Queen Anne manner, tapering circular form, the spout with a hinged cover and cut-card decoration, scroll handle, fluted domed cover with a scroll thumb-piece and knop finial, height 28cm, approx. weight 33oz. £300-500

667. A George III provincial silver mug,

by Christian Ker Reid, Newcastle 1803, tapering circular form, scroll handle, later embossed foliate scroll decoration, with initials, height 16cm, approx. weight 14.5oz. £300-500

118

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 119

668. An Edwardian silver mounted claret jug,

by William Hutton and Sons, Birmingham 1905, tapering circular form, hob-nail cut decoration, scroll handle, the plain mount with a domed hinged cover, height 24.3cm. £200-300

669. A George III silver two-handled tea urn,

by John Robins, London 1793, tapering rectangular form, incurved corners, fluted loop handles, raised pull-off cover with an urn finial, with an ivory handled tap, on a raised rectangular base on four bracket feet, height 42.3cm, approx. weight 58oz. £1,500-2,000

670. A late Victorian silver overlay blue glass claret jug,

by William Mammatt and Son, Sheffield 1900, shaped square tapering form, with over-lay pierced foliate scroll decoration, caryatid scroll handle, the mount with foliate scroll decoration and with a flame finial, height 27.2cm. £600-800

671. A Victorian silver Cellini pattern ewer,

by Frederick Elkington, Birmingham 1872, tapering circular form, caryatid scroll handle, hinged cover, the front with an oval cartouche, inscribed, on a raised circular foot, height 29.5cm, approx. weight 32.9oz £400-600

672. A pair of modern parcel-gilt commemorative silver goblets,

by Hector Miller for Aurum, London 1980, numbers 203 and 204 of an edition of 500, celebrating the founding of Exeter Cathedral, circular bowls, on raised fluted square bases, height 16.5cm, approx. weight 18.5oz. (2) £300-400

673. A Victorian silver Cellini pattern ewer,

by Alfred Ivory, London 1863, tapering circular form, caryatid scroll handle, hinged cover, the front with an oval cartouche with a lion mask, on a raised circular foot, height 30.5cm, approx. weight 34oz. £700-900

Provenance: The James Walker Collection, Christie’s South Kensington, 13 July 2006, lot 112.

119

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 120

674. A George III silver-gilt wax jack,

by Charles Aldridge and Henry Green, London 1770, circular form, pierced and engraved with foliate scroll decoration, gadroon borders, sprung scissor action wax holder and drip pan, engraved with a crowned K, height 13.5cm, approx. weight 5.3oz. £1,000-1,500

675. An unmarked silver harlequin taper stick, possibly 18th century, the harlequin holding the fluted drip pan and spool-shaped capital, height 13.8cm. £100-150

676. A George III silver wax jack, maker’s mark T.L, unidentified, London 1770, on a circular base with a leaf capped scroll handle, and gadroon border, with a scissor action capital/cutter, on three claw and ball feet, height 14.5cm, approx. weight 8.6oz. £700-900

678. A George II silver harlequin taper stick,

by John Cafe, London 1751, the harlequin holding the fluted drip pan and spool-shaped capital, height 13.8cm, approx. weight 5.5oz. £700-900

679. A George III silver wax jack, marks worn and lost in piercing, London circa 1770, on a hexagonal base, with pierced scroll decoration, gadroon border, with a leaf capped scroll handle, with a scissor action capital/cutter, on three paw feet, height 14.5cm, approx. weight 6.7oz. £700-900

Provenance: sold in these rooms, 21 October 2014, lot 1010, previously Christie’s South Kensington, 30 September 2008, lot 262.

677. A silver wax jack,

by S. Blanckensee and Sons, Birmingham 1931, in the 18th century manner, on a shaped circular base pierced with foliate scroll decoration, gadroon border, scroll handle, with a scissor action wick holder/cutter, on four claw and ball feet, height 14cm, approx. weight 6oz. £200-300

120

Provenance: Christie’s South Kensington, 10 May 2005, lot 167.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 121

680. A pair of modern cast figural silver salt cellars, one by E. Barnard, London 1978, one apparently unmarked, modelled as a standing gentleman and lady, both holding baskets, the interiors with traces of gilding, on shaped circular bases, height 17.5cm, approx. weight 32oz. (2) £1,500-2,000

681. A pair of Victorian silver figural epergne bases,

by Charles and George Fox, London 1853, modelled as standing gentlemen holding a basket of flowers, foliate scroll support, on a raised circular foot with rocaille and scroll decoration, height 17.5cm, approx. weight 26.5oz. (2) £1,500-2,500 Provenance: Phillips, New Bond Street, The Fox Collection, 23 September 1988, lot 18.

682. A modern cast silver four-light candelabrum,

by C. J. Vander, London 1966, in the Paul de Lamerie manner, shaped square baluster stem, foliate shell and fish-scale decoration, with four leaf-capped scroll arms with spool shaped capitals, on a raised square base with canted corners, height 44.5cm, approx. weight 151oz. £1,500-2,500

683. A Victorian silver epergne,

by Charles and George Fox, London 1859, the stem modelled as three playful putti, holding a pierced wirework basket, on a circular pedestal base with foliate decoration, on four bracket feet, with a later glass dish, height 28.8cm, approx. weight 39oz. £1,000-1,500 Provenance: Phillips, New Bond Street, The Fox Collection, 23 September 1988, lot 67.

121

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 122

684 684. A pair of George III silver tea caddies,

by Smith and Sharp, London 1762, rectangular bombé form, embossed foliate scroll decoration, pull-off covers with a cone finial, on four pierced scroll feet, engraved with a crest, in a fitted shagreen case, velvet lined with brass mounts, with a lock and key, on four paw feet, with a silver caddy spoon, height of caddy 13cm, approx. weight 14oz. £1,500-2,000 Provenance: purchased March 1974.

The crest is that of Gregory.

685. A Victorian silver figural taper stick,

by Charles and George Fox, London 1842, modelled as a gentleman holding a basket of flowers and a large flower bud capital, on a raised shaped circular base with scroll and rocaille decoration, height 15cm, approx. weight 8oz. £500-700 Provenance: Phillips, New Bond Street, The Fox Collection, 23 September 1988, lot 13.

685

122

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 123

686 686. A pair of Victorian silver epergnes,

by Thomas White, Birmingham 1881, on shaped oval bases, with vine supports, each holding a young girl on a swing, with cut-glass oval glass dishes, on bun feet, height 23.8cm, approx. weight 58oz. (2) ÂŁ2,000-3,000

687. A Victorian silver honey skep,

by Francis Dexter, London 1844, beehive form, the pull-off cover with a bee finial, the base with a clear glass liner, height 11.5cm, approx. weight 6.5oz. ÂŁ2,500-3,000

687

123

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 124

688. A George III silver double beaker, maker’s mark three times SW, possibly for Samuel Whitford, London circa 1770, the two beakers of tapering circular form, with coopered and bands of fluted decoration, scratch initialled ‘Ex Dono Fratris C.C.C to I*W’, height 17cm, approx. weight 9oz. £800-1,200

688 689. A Victorian silver travelling carriage lamp,

by Thomas Johnson, London 1865, retailed

by Leuchars, Piccadilly, London, oval form, the hinged cover and back with two hinged hooks, pull-out oval stand, the front with two hinged flaps which open to reveal the candle and glass cover, the front with a hinged compartment, possibly for vestas, height 22.2cm, height closed 15cm, approx. weight 15oz. £600-800

689 690. A George III silver double beaker,

by Aldridge and Green, London 1768, the two beakers of tapering circular form, with bands of fluted decoration, height 15.2cm, approx. weight 11oz. £800-1,200 Provenance: Christie’s London, Important Silver, The Property of a European Collector, 5 July 2005, lot 10.

Christie’s London, 14 December 1962, lot 93.

690

124

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 125

691. A George III silver Argyle,

by Andrew Fogelberg, marks worn, London circa 1775, cylindrical form, beaded borders, domed hinged cover with a cone finial, wicker-bound scroll handle, height 11.2cm, approx. weight 12.5oz. £800-1,200

692. A Victorian silver Argyle,

by Charles Stuart Harris, London 1898, plain cylindrical form, beaded border, straight tapering spout, scroll handle, the pull-off cover with a cone finial, height 13cm, approx. weight 14.7oz. £300-400

693. A George III silver Argyle,

by Aldridge and Green, London probably 1782, vase form, scroll handle, beaded borders, on a raised circular foot, the interior compartment lacking cover, engraved with a crest, height 17.8cm, approx. weight 13.4oz. £700-900

694. A George III silver Argyle,

by Andrew Fogelberg, London 1774, plain cylindrical form, gadroon borders, wicker-bound scroll handle, the hinged cover with a cone finial, shaped spout, the water compartment with a hinged cover, height 12cm, approx. weight 11.5oz. £800-1,200

The Insignia is that for Edwin Lascelles, (1712-1796), MP for Scarborough, Northallerton and Yorkshire 1761-90, created 1st Baron Harewood of Yorkshire in 1790.

125

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 126

695. An Edwardian silver ‘castle-top’ card case, Salisbury Cathedral,

by J. Gloster, Birmingham 1905, rectangular form, the front and back embossed with a raised scene of the Cathedral, with a cart and horses in the foreground, within foliate scroll decoration, initialled, length 9.7cm, approx. weight 1.9oz. £200-300 696. A William IV silver card case,

by Joseph Willmore, Birmingham 1836, rectangular form, chased with birds and foliate scroll decoration, on a textured matted background, with two cartouches, one initialled, length 9.5cm, approx. weight 2.5oz. £250-300

697. A late 19th century Chinese silver card case,

by Chincheong, rectangular form, the front embossed with a dragon, on a matted background, with a vacant shield £200-300 cartouche, the reverse with bamboo decoration, length 10.5cm, approx. weight 2.9oz.

698. An Edwardian silver Art Nouveau card case,

by The Levesley Brothers, Sheffield 1902, rectangular form, embossed with a female bust, possibly Sarah Bernhardt, scroll borders, length 10.4cm, approx. weight 3.2oz. £200-300

699. A late 19th century Indian silver card case, unmarked, circa 1880, rectangular form, heavily chased with a man fallen from an elephant being attacked by a lion, with surrounding trees, on a matted background, the reverse with a scene of a man on horse-back about to throw a spear at a tiger attacking the fallen man, the hinged cover chased with animals, length 10.3cm, approx. weight 4.6oz. £200-300 Provenance: Brian Beet, June 1996.

700. A 19th century American silver card case, Second American Bank, Philadelphia, possibly by Leonard and Wilson, of Philadelphia, circa 1860, rectangular form, scroll borders, embossed with a scene of the Bank, embossed foliate scroll decoration, the reverse with foliate decoration, and with a vacant scroll cartouche, length 9.2cm, approx. weight 1.5oz. £600-800

701. A 19th century American silver card case, Holy Trinity Church, Wall St. New York, unmarked, circa 1860, rectangular form, scroll borders, embossed with a scene of the Church, embossed foliate scroll decoration, the reverse with foliate decoration, and with an oval cartouche inscribed ‘C.W. Brown’, length 9cm, approx. weight 1.3oz. £600-800

702. A 19th century American silver card case, Washington’s Tomb and Holy Trinity Church, Wall St. New York, unmarked, circa 1860, rectangular form, scroll borders, the front with an embossed scene of the Tomb, with trees around, the reverse with a scene of the Church, embossed and engraved foliate scroll decoration, with an oval cartouche, length 8.7cm, approx. weight 1.4oz. £600-800

126

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 127

696

695

697

698

700

699

701

702

127

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 128

703. A Victorian silver engraved ‘castle-top’ card case, Crystal Palace,

by Nathaniel Mills, Birmingham 1850, rectangular form, the front with a view of the Crystal Palace, scroll borders, engraved scroll decoration, the reverse with similar decoration, and with an initialled cartouche, length 10cm, approx. weight 2.1oz. £700-900 704. A Victorian silver engraved ‘castle-top’ card case, The Houses of Parliament,

by Foxall and Co, Birmingham 1850, rectangular form, the front with a view of Parliament and the River Thames with boats in the foreground, engraved foliate scroll decoration, the reverse with similar scroll decoration, and with a vacant cartouche, length 10cm, approx. weight 2.oz. £700-900 Provenance: Phillips, New Bond Street, November 1995, lot 119.

705. A Victorian silver engraved ‘castle-top’ card case, Calton Hill, Edinburgh,

by Nathaniel Mills, Birmingham 1849, rectangular form, the front with a view of the hill, scroll borders, engine- turned decoration, the reverse with similar engine-turned decoration, and with a vacant cartouche, length 10cm, approx. weight 2.2oz. £800-1,200 Provenance: Christie’s South Kensington, 28-29 November 2006, lot 296.

706. A Victorian silver engraved ‘castle-top’ card case, Holy Trinity Church, Hull,

by Nathaniel Mills, Birmingham 1844, rectangular from, the front with a view of Church, scroll borders, engine-turned tartan decoration, the reverse with similar decoration, and with a vacant cartouche, length 10cm, approx. weight 2.3oz. £1,000-1,500 707. A Victorian silver engraved ‘castle-top’ card case, Glasgow Cathedral,

by Nathaniel Mills, Birmingham 1842, rectangular form, the front with a view of the Cathedral, with the Bridge of Sighs, and the John Knox statue in the background, scroll borders, engine-turned tartan decoration, the reverse with similar decoration, and with a cartouche, inscribed ‘From A.T to M.C.L 1844’, length 10cm, approx. weight 2.2oz. £700-900

708. A Victorian silver engraved ‘castle-top’ card case, The Palace of Holyroodhouse, Edinburgh,

by Nathaniel Mills, Birmingham 1852, rectangular form, the front with a view of the Palace, scroll borders, scroll borders, engine-turned decoration, the reverse with similar decoration, and with a cartouche with later chased decoration, length 9.8cm, approx. weight 2oz. £700-900

709. A Victorian silver engraved ‘castle-top’ card case, Brighton Old Chain Pier,

by Nathaniel Mills, Birmingham 1851, rectangular form, the front with a view of the Pier, scroll borders, engine-turned decoration, the reverse with similar decoration, and with a vacant cartouche, length 10cm, approx. weight 2.1oz. £800-1,200 Provenance: Christie’s South Kensington, 13 December 2007, lot 1654.

710. A Victorian silver engraved ‘castle-top’ card case, Aberystwyth sea front,

by Yapp and Woodward, Birmingham 1852, rectangular form, the front with a view of the sea front, scroll borders, engraved scroll decoration on an engine-turned background, the reverse with similar decoration, and with an initialled cartouche, length 9.8cm, approx. weight 2.1oz. £800-1,200

128

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 129

703

705

708

704

706

709

707

710

129

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:12 Page 130

711. A Victorian silver ‘Castle-top’ card case, Walmer castle, Kent, and Windsor Castle, maker’s mark only, that of Yapp and Woodward, Birmingham circa 1850, rectangular form, scroll borders, the front with a raised scene of Walmer Castle, the reverse with scene of Windsor Castle, on a matted background, within foliate scroll decoration, length 8.6cm, approx. weight 1.6oz. £1,000-1,500

712. A Victorian silver ‘castle-top’ card case, Warwick Castle,

by Nathaniel Mills, Birmingham 1839, rectangular form, scroll borders, the front with a raised scene of the castle, the reverse with another scene, on a matted background, within pierced foliate scroll decoration, length 9.2cm, approx. weight 2oz. £600-800

713. A Victorian silver-gilt ‘castle-top’ card case, Burns Monument, Alloway, rectangular form, scroll borders, the front with a raised scene of the monument, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with an initialled cartouche, length 10.2cm, approx. weight 2.6oz. £1,000-1,500

714. A Victorian silver ‘castle-top’ card case, Buckingham Palace,

by Nathaniel Mills, Birmingham 1848, rectangular form, scroll borders, the front with a raised scene of the Palace, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a cartouche engraved ‘GERTRUDE’, length 9.3cm, approx. weight 1.9oz. £800-1,200 Provenance: J.H. Bourdon-Smith Limited, July 2006.

715. A Victorian silver castle-top card case, Eddistone lighthouse,

by Nathaniel Mills, Birmingham 1849, rectangular form, scroll borders, the front with a raised scene of the lighthouse, with two ships behind, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 10cm, approx. weight 2.3oz. £1,500-2,000 This version of the lighthouse was the 3rd to be built and lasted from 1759 until it was replaced in 1877.

716. A Victorian silver ‘castle-top’ card case, Arundel Castle,

by George Unite, Birmingham 1858, rectangular form, scroll borders, the front with a raised scene of the castle, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a cartouche engraved ‘SD, from her father, Quebec August 21,1860’, length 10.2cm, approx. weight 2oz. £1,500-2,000

717. A rare Victorian Irish ‘castle-top’ card case, Trinity College, Dublin,

by John Scriber, Dublin 1864, rectangular form, scroll borders, the front with a raised scene of the College, on a matted background, within foliate scroll decoration, the reverse with similar decoration and an initialled cartouche, length 10cm, approx. weight 2.1oz. £2,000-3,000

718. A Victorian silver ‘castle-top’ card case, Westminster Abbey,

by Taylor and Perry, Birmingham 1848, rectangular form, scroll borders, the front with a raised scene of the Abbey, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 9.2cm, approx. weight 1.5oz. £800-1,200

130

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 131

711

712 713

714

715

718 716

717

131

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 132

719. A Victorian silver engraved ‘castle-top’ card case, The Law Courts, Dublin,

by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of The Law Courts with the River Liffey, embossed foliate scroll decoration, on a matted background, scroll borders, the reverse with similar decoration, and with a vacant cartouche, length 8.8cm, approx. weight 1.5oz. £1,000-1,500

720. A Victorian silver engraved ‘castle-top’ card case, Chatsworth House, Derbyshire,

by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of the House, scroll borders, engine-turned decoration, the reverse with similar decoration, and applied with an initialled cartouche, length 10cm, approx. weight 2.3oz. £700-900 721. A Victorian silver engraved ‘castle-top’ card case, Trafalgar Square,

by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of the National Gallery, Nelson’s Column, and St. Martin’s in the Fields, engine-turned decoration, the reverse with similar decoration, and with an initialled cartouche, length 8.5cm, approx. weight 1.4oz. £800-1,200 Provenance: Lawrence’s Crewkerne, 14th October 2014, lot 735.

722. A Victorian silver engraved ‘castle-top’ card case, St. George’s Church, Brandon Hill, Bristol,

by Nathaniel Mills, Birmingham 1847, rectangular form, the front with a view of the Church, and inscribed ‘How amiable are thy tabernacles O Lord of hosts!’ and ‘A day in thy courts is better than a thousand’, engraved foliate border, the reverse with similar decoration, and engraved with a bible on a cushion, and inscribed ‘Feed My Sheep’, and ‘Lo I am with you alway(sic) even unto the end of the world’, and ‘A remembrance to my much esteemed and faithful Pastor Rev. R.L. Hopper, 1st January 1848’, length 8.3cm, approx. weight 1.5oz. £1,000-1,500 Provenance: purchased in April 1984 for £145.

723. A Victorian silver engraved ‘castle-top’ card case, Warwick Castle,

by Edward Smith, Birmingham 1845, rectangular form, the front with a view of the Castle, engraved foliate scroll decoration, the reverse with similar decoration, and with an initialled cartouche, length 9.2cm, approx. weight 1.9oz. £600-800

724. A Victorian silver engraved ‘castle-top’ card case, St. Columb’s Cathedral, Londonderry, from the river Foyle,

by Nathaniel Mills, Birmingham 1847, rectangular form, the front with a view of city, scroll borders, engine-turned decoration, the reverse with similar decoration, and with an applied vacant cartouche, with a chain and ring attachment, length 10cm, approx. weight 2.6oz. £800-1,200

725. A Victorian silver engraved ‘castle-top’ card case, buildings by a lake,

by Edward Smith, Birmingham 1853, rectangular form, the front with a building by a lake, with a boat in the foreground, engraved foliate decoration, the reverse with a similar scene with a bridge, and a boat on the horizon, scroll borders, £300-500 length 10cm, approx. weight 2.1oz.

726. A Victorian silver engraved ‘castle-top’ card case, Norton Hall, Sheffield,

by H. Wilkinson, Sheffield 1851, rectangular form, the front with a view of the house, with engraved foliate scroll decoration, the reverse with similar scroll decoration and engraved with a crest, length 10cm, approx. weight 3.2oz. £1,500-2,000 Provenance: Christie’s Interiors, South Kensington, 12 March 2003, lot 94.

132

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 133

719

720

722

724

721

723

725

726

133

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 134

727. A Victorian silver ‘castle-top’ card case, King’s College, Cambridge,

by Alfred Taylor, Birmingham 1854, rectangular form, scroll borders, the front with a raised scene of King’s College, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 10.2cm, approx. weight 2.2oz. £1,500-2,000

728. A Victorian silver ‘castle-top’ card case, Osborne House, Isle of Wight,

by Edward Smith, Birmingham 1851, rectangular form, scroll borders, the front with a raised scene of the House, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 10cm, approx. weight 2.6oz. £800-1,200 Provenance: Christie’s Interiors, South Kensington, 12 March 2013, lot 103.

729. A Victorian silver ‘castle-top’ card case, The Royal Exchange,

by Nathaniel Mills, Birmingham 1844, rectangular form, scroll borders, the front with a raised scene of the Exchange, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 10.2cm, approx. weight 2.3oz. £1,000-1,500

730. A Victorian silver ‘castle-top’ card case, York Minster,

by Nathaniel Mills, Birmingham 1848, rectangular form, scroll borders, the front with a raised scene of the Minster, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 10cm, approx. weight 2.4oz. £1,000-1,500

731. A Victorian silver ‘castle-top’ card case, The Post Office, Dublin,

by Alfred Taylor, Birmingham 1860, rectangular form, scroll borders, the front with a raised scene of the Post Office, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a cartouche engraved with a crest and ‘Helen’, length 10cm, approx. weight 2.6oz. £1,500-2,000 Provenance: Christie’s Interiors, South Kensington, 12 March 2013, lot 89.

The crest is that used by a number of families including: Arthur, O’Fallon, O’Donovan, Marlay and Stratton.

732. A Victorian silver ‘castle-top’ card case, Salisbury Cathedral,

by Frederick Marston, Birmingham 1847, rectangular form, scroll borders, the front with a raised scene of the Cathedral, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, with a £1,000-1,500 chain attachment, length 9cm, approx. weight 1.9oz.

733. A Victorian silver ‘castle-top’ card case, Brighton Chain Pier and Brighton Pavilion,

by Joseph Willmore, Birmingham 1844, rectangular form, scroll borders, the front with a raised scene of the Chain Pier, the reverse with a scene of the Pavilion, on a matted background, within foliate scroll decoration, length 10.6cm, approx. weight 3.2oz. £1,000-1,500 Provenance: Lawrence’s Crewkerne, 12th April 2011, lot 548.

734. A Victorian silver ‘castle-top’ card case, Exeter Cathedral,

by Frederick Marston, Birmingham 1847, rectangular form, scroll borders, the front with a raised scene of the Cathedral, on a matted background, within foliate scroll decoration, the reverse with similar decoration and with a vacant cartouche, length 9cm, approx. weight 1.6oz. £1,500-2,000 Provenance: purchased in these rooms, 28 October 2008, lot 359.

134

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 135

727

728

730

729

731

732

734

733

135

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 136

735. A Victorian silver engraved ‘castle-top’ card case, Leeds Town Hall,

by Charles Deakin, Birmingham 1857, rectangular form, the front with a view of the Hall, and engraved foliate scroll decoration, the reverse engraved with an urn of flowers and foliate decoration, length 10cm, approx. weight 2oz. £800-1,200

736. A Victorian silver engraved ‘castle-top’ card case, London Bridge,

by Nathaniel Mills, Birmingham 1848, rectangular form, the front with a view of the Bridge with St. Paul’s behind, engraved foliate scroll decoration, the reverse with similar scroll decoration and a vacant cartouche, length 10cm, approx. weight 2.1oz. £600-800

737. A Victorian silver engraved ‘castle-top’ card case, Windsor Castle,

by Alfred Taylor, Birmingham 1856, rectangular form, engraved foliate scroll decoration, with a view of the Castle from the river Thames, the reverse with similar decoration and a cartouche engraved with initials, length 10cm, approx. weight 1.9oz. £600-800

738. A Victorian silver engraved ‘castle-top’ card case, Warwick Castle,

by Nathaniel Mills, Birmingham 1844, rectangular form, the front with a view of the castle, engraved foliate scroll decoration, the reverse with £400-600 similar scroll decoration and a vacant cartouche, length 10cm, approx. weight 2.2oz.

739. A Victorian silver engraved ‘castle-top’ card case, Scott Memorial,

by David Pettifer, Birmingham 1855, rectangular form, the front with a view of the memorial, engraved foliate scroll decoration, the reverse with similar decoration and an initialled cartouche, length 10.1cm, approx. weight 1.7oz. £400-600

740. A Victorian parcel-gilt silver engraved ‘castle-top’ card case, buildings by a lake,

by Taylor and Perry, Birmingham 1847, rectangular form, the front with buildings by a lake, with boats in the foreground and a bridge and hills behind, with a setting sun, engine-turned decoration, the reverse with similar decoration and a vacant cartouche, length 10.1cm, approx. weight 2.3oz. £300-400

741. A Victorian silver engraved ‘castle-top’ card case, The High Level Bridge, Newcastle,

by Nathaniel Mills, Birmingham 1850, rectangular form, the front with a view of the bridge and the Tyne, with boats in the foreground, engraved foliate scroll decoration, the reverse with similar scroll decoration, and with a vacant cartouche, length 10cm, approx. weight 2.oz. £1,000-1,500

742. A Victorian silver engraved ‘castle-top’ card case, an abbey by a lake,

by Cronin and Wheeler, Birmingham 1846, rectangular form, the front with an abbey by a lake, with boats in the foreground and a bridge and hills behind, engraved foliate scroll decoration, the reverse with similar scroll decoration and engine-turning, and with a vacant cartouche, length 9.6cm, approx. weight 2.1oz. £600-800 Provenance: Objects of Vertu and Miniatures, Christie’s, South Kensington, 12 May 1998, lot 209.

136

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 137

735

737

740

736

738

741

739

742

137

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 138

743. A Victorian silver mustard pot,

by Hayne and Cater, London 1853, octagonal form, scroll handle, pierced with scroll decoration, the raised hinged cover with a knop finial, with a blue glass liner, height 10cm, approx. weight 4.2oz. £200-300

744. A Victorian silver mustard pot, possibly by Yapp and Woodward, Birmingham 1848, hexagonal form, scroll handle, pierced with foliate decoration, the hinged cover with engraved decoration and a raised finial, with a blue glass liner, height 8.5cm, approx. weight 3oz. £200-300

743

744

745. A Victorian silver mustard pot,

by Charles and George Fox, London 1853, octagonal form, scroll handle, pierced with foliate decoration, the hinged cover with engraved decoration and with a crest, with a blue glass liner, height 8cm, approx. weight 4.5oz. £200-300 The crest is that used by a number of families including: Belcher, Foote, Gell, Halford and Walker.

746. A Victorian silver mustard pot,

by John Figg, London 1841, circular form, scroll handle, pierced with foliate scroll decoration, the hinged cover with a flower finial, with a later blue glass liner, height 6.5cm, approx. weight 4.2oz. £200-300

745

746

747. A Victorian silver mustard pot,

by Charles Fox, London 1839, circular form, scroll handle, pierced and engraved with birds and foliate decoration, the hinged cover with a bird finial, with a blue glass liner, height 9cm, approx. weight 5.9oz. £200-300 Provenance: Phillips, New Bond Street, The Fox Collection, 23 September 1988, lot 11.

748. A Victorian silver mustard pot and spoon,

by George Fox, London 1863, the spoon London 1866, shaped circular form, scroll handle, pierced decoration and applied with lion masks with drop rings, the hinged cover with engraved decoration and a pierced thumb-piece, with a blue glass liner, the spoon with a lion mask finial, height 7.3cm, approx. weight 4.8oz. £200-300 Provenance: Phillips, New Bond Street, The Fox Collection, 23 September 1988, lot 4.

138

747

748

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 139

749. A George III silver mustard pot, maker’s mark obliterated, London 1787, urn form, scroll handle, pierced and engraved with foliate decoration, the hinged cover with an acorn finial, beaded borders, on a raised circular foot, with a blue glass liner, height 13cm, approx. weight 3.6oz. £150-200

750. A Victorian novelty silver drum mustard pot,

by Charles and George Fox, London 1855, the drum with rope bindings, strap scroll handle, the hinged cover with drumstick thumb-piece and engraved with a crest and motto, with a blue glass liner, height 8.3cm, approx. weight 6.9oz.

The crest and motto are those of Garroway. £600-800 749

750

751

752

753

754

751. A George III silver mustard pot,

by John Watson, Sheffield 1806, rectangular form, pierced and engraved with a Greek key girdle, scroll handle, engraved and gadroon borders, the hinged cover with a ball finial, initialled, with a later blue glass liner, height 9cm, approx. weight 3.7oz. £200-300

752. A large Victorian silver mustard pot,

by Charles and George Fox, London 1841, tapering circular form, with pierced decoration, domed hinged cover with large flower finial, and engraved decoration, bifurcated scroll handle, on a raised circular foot, with a blue glass liner, height 10.5cm, £300-500 approx. weight 9.3oz.

Provenance: Phillips, New Bond Street, The Fox Collection, 23 September 1988, lot 36.

753. A Victorian silver mustard pot,

by George Richards, London 1849, octagonal form, pierced decoration, the hinged cover with engraved decoration and with a pierced thumb-piece, on four scroll bracket feet, with a red glass liner, height 9.5cm, approx. weight 3.8oz. £150-200

754. A large Victorian silver mustard pot,

by Charles and George Fox, London 1843, tapering circular form, with pierced trailing vine decoration with bunches of grapes, domed hinged cover with scroll decoration and a scroll thumb-piece, bifurcated scroll handle, with a blue glass liner, with traces of gilding, height 10.5cm, approx. weight 7.3oz. £300-500 Provenance: Phillips, New Bond Street, The Fox Collection, 23 September 1988, lot 41.

139

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 140

755. A 17th century unascribed two-handled silver wine taster, maker’s mark WG four times, circa 1677, circular form, wire-work scroll handles, length handle to handle 11.8cm, approx. weight 1.8oz. £800-1,200 For mark see Jackson’s, Ian Pickford Edition, The Antique Collector’s Club, 1989, page 520.

757. A George I silver chamber stick, marks worn, circa 1720, circular form, flat baluster handle with scroll supports, spool-shaped capital, diameter 12.5cm, approx. weight 7.4oz. £400-600 Purchased in these rooms, Early Spoons, Fine Jewellery and Silver, 30th April 2003, lot 783.

759. A George I silver spoon tray,

by James Goodwin, London 1718, oblong form, fluted border, length 16cm, approx. weight 2.8oz. £500-700

140

756. A William III silver footed waiter, maker’s mark partially worn, London 1701, circular form, rope-work border, on a raised circular foot, the underside inscribed ‘This salver belongs to y Corporation of Newport, Decemr. 24 1707’, diameter 15cm, approx. weight 4oz. £1,000-1,500

758. A George I silver footed waiter,

by John White, London 1724, circular form, on a raised circular base, the underside of the base engraved with an armorial, diameter 16.8cm, approx. weight 10oz. £600-800 The Widow’s lozenge is for a widow of a baronet in succession to Sir William Connor, of Trevorgy, Cornwall.

760. A George I silver spoon tray, maker’s mark possibly I.M, probably London 1724, shaped rectangular form, the centre with a crest, length 17.5cm, approx. weight 2.5oz. £400-600 The crest is that of Blennerhasset, Cuddion and Todd.

761. A George I silver spoon tray, probably by Gabriel Sleath, London 1721 or 1723, oblong form, fluted border, length 15cm, approx. weight 2oz. £300-400

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 141

762. A George I silver sponge box, maker’s mark only, that of Robert Cooper, London circa 1720, spherical form, the hinged cover with pierced decoration, on a raised circular foot, height 7.5cm, approx. weight 4.9oz. £800-1,200 Provenance: purchased in these rooms 17th July 2002, lot 388.

763. A George II silver sugar bowl and cover,

by William Justis, London 1747, circular form, pull-off cover, on a raised circular foot, engraved with an armorial and crest, diameter 10.8cm, approx. weight 9.4oz. £700-900 The arms are those of Dickenson of Lincolnshire, quartering Harrison of Copford Hall, Essex.

764. A set of four George I silver trencher salts,

by Edward Wood, London 1723, rectangular form, canted corners, engraved with a cipher, length 8cm, approx. weight 10oz. (4) £1,500-2,000 Provenance: purchased in these rooms, 25 April 2006, lot 549.

765. A Queen Anne silver snuffer’s stand and a pair of later scissor snuffers,

by Joseph Bird, London 1712, the snuffers by Joseph Stewart, London 1739, the snuffer holder with a scroll handle, knopped octagonal baluster stem, on a raised octagonal base, engraved with an armorial within foliate mantling, the snuffers with ring handles, total height 17.8cm, approx. weight 9.8oz. (2) £3,000-5,000 The crest is that of Penrose.

141

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 142

766. A George III silver cheese warming dish and cover,

by William Stroud, London 1801/2, rectangular form, the raised hinged cover with an urn finial and engraved with an armorial, and with a chain and hook attachment, turned wooden baluster handle, the interior with six rectangular removable dishes, length 22cm, approx. weight 49oz. £1,000-1,500

767. A George III silver six section cheese serving dish,

by N and G Smith and J Creswick, Sheffield 1799, rectangular form, the wire-work frame with scroll handles and bracket feet, with six removable square cheese dishes, each with a carrying handle, and a crest, length 25cm, approx. weight 14oz. £700-900

The arms are those of Richdale impaling another.

768. An Edwardian silver two-handled tray,

by Robert Pringle, London 1901, oval form, inset handle, fluted and gadroon border, the centre engraved with ribbon tied foliate decoration, length 52cm, approx. weight 60oz. £700-900

769. A Victorian silver butter dish and stand,

by Charles and George Fox, London 1843, circular tapering form, coopered and banded decoration, with side handles, the pull-off cover with a crest, the base and stand engraved with a crest, diameter 16cm, diameter from base 17.8cm, approx. weight 31oz. (3) £800-1,200

770. A matched pair of George III silver butter shells,

by Rebecca Emes and Edward Barnard, London 1808-09, shell form, gadroon border, engraved with a crest, on three shell feet, length 12.4cm and 12.6cm approx. weight 9.8oz. (2) £400-600

771. A pair of George III silver butter shells,

by Rebecca Emes and Edward Barnard, London 1817, shell form, gadroon border, engraved with a crest, on three shell feet, length 13.3cm, approx. weight 11.5oz. (2) £500-700

The crest is that of Collyer and De Anvers.

The crest is that used by a number of families including: Adams, Bery, Donne, Gower and Leck.

142

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 143

772. A Victorian silver mustard pot and matched set of six salt cellars,

by Charles and George Fox, London 1841-43, tapering circular form, pierced decoration, foliate scroll border, the mustard pot with a domed hinged cover, engraved with a crest, leaf capped scroll handle, with various blue glass liners, diameter of base 11.8cm, approx. weight 32oz. (7) £800-1,200 Provenance: Phillips, New Bond Street, The Fox Collection, 23 September 1988, lot 37.

773. By Stratford Applied Arts Studies, an Arts and Crafts silver Monteith bowl, Birmingham 1920, circular form, castellated border, embossed with galleons and fluted decoration, lion mask drop ring handles, the front embossed with the arms of The Royal Exchange Assurance Company, on a raised circular foot, inscribed ‘THE CORPORATION OF THE ROYAL EXCHANGE ASSURANCE. BICENTNARY 22nd JUNE 1920’, diameter 28cm, height 24cm, approx. weight 56.5oz. £1,000-1,500

The crest is that used by a number of families including: Aird, Blackstone, Perrin, Rigg and Tunstall.

774. A Victorian silver ‘castle-top’ swing-handled basket,

by Yapp and Woodward, Birmingham 1847, fluted circular form, the centre embossed with a scene of St. Paul’s Cathedral, foliate scroll decoration, the swing-handle with an armorial, diameter 16.4cm, approx. weight 5oz. £300-500

775. A Victorian silver ‘castle-top’ swing-handled basket,

by Yapp and Woodward, Birmingham 1845, fluted circular form, the centre embossed with a scene of Windsor Castle, the swing-handle inscribed ‘L.M. Godfray’, diameter 14.2cm, approx. weight 4oz. £300-500

The arms are those of Kemp impaling Kelsal.

Provenance: The James Walker Collection, Christie’s South Kensington, 13 July 2006, lot 184.

143

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 144

776 776. A set of six William IV silver plates,

by Robert Garrard, London 1836, circular form, gadroon and foliate shell borders, the centres with an armorial within foliate mantling, diameter 25.7cm, approx. weight 138oz. (6) ÂŁ2,500-3,000 The arms are for Ketley Grant (1859-1928), Chancellor of an Australian university, who was made a C.M.G.

777 arms 777. A Queen Anne silver chocolate pot, probably by Samuel Lee, London 1703, tapering circular form, scroll handles, detachable domed cover with a hinged knop finial, engraved with an armorial within foliate mantling, on a circular foot, height 24.5cm, approx. weight 22.5oz. ÂŁ2,000-3,000 Provenance: Phillips, New Bond Street, July 1993, lot 261.

The arms are possibly those of Lillie.

777

144

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 145

778 778. A set of three George II silver tea caddies,

by Daniel Smith, London 1759, rectangular bombé form, embossed foliate scroll and rocaille decoration, later engraved with an armorial, the pull-off covers with cone finials, on four pierced paw bracket feet, in a fitted shagreen case, with brass fittings and red velvet lining, height of larger central caddy 13cm, height of smaller 12.5cm, approx. weight 20oz. (3) £3,000-4,000 Provenance: Lawrence’s, Crewkerne, April 2012 lot 473.

The arms are those of Mitchell impaling another.

779. A George III silver honey skep,

by Thomas Hobbs and James Taylor, London 1798, beehive form, the pull-off cover with a ribbon and reed circular finial, gilded interior, height 12cm, approx. weight 7.7oz. £3,000-5,000 779

145

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 146

780. A George II silver Warwick cruet frame,

by Samuel Wood, London 1737, conventional cinquefoil form, wire-work frame, central carrying handle, on four scroll legs with webbed pad feet, applied with an oval cartouche engraved with an armorial, the underside with a scratch weight 25=13, with a large caster and two smaller casters, engraved with an armorial, and two unmarked silver-mounted glass bottles, height 25.5cm, approx. weighable 54oz. ÂŁ3,000-4,000 Provenance: sold in these rooms, 30 April 2008, lot 1033.

The armorial is that of Scott.

146

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 147

781. A fine George IV presentation silver regimental ewer,

by John Bridge, London 1828, the base engraved ‘Rundell Bridge and Rundell, Aurifices Regis London’, lobed circular bellied form, with acanthus and vine leaf decoration, twisted vine scroll handle, the front applied with two Bacchus heads, hinged cover with a bunch of grapes finial, inscribed ‘Lieutenant Blood from the Officers of the 16th Lancers’, height 26.8cm, approx. weight 46oz. £2,000-3,000

END OF SALE

147

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 148

ARMS & ARMOUR, MEDALS & COINS AND MILITARIA Wednesday 19th October 2016

A rare Proof Two Pounds, 1826, edge SEPTIMO, 27.69mm.

Estimate: £3,000 - £5,000

ENQUIRIES Ned Cowell | Tel: +44 (0)1722 341469 | nc@woolleyandwallis.co.uk

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 149

FINE SILVER & OBJECTS OF VERTU Wednesday 26th October 2016

A large pair of Victorian silver-gilt ewers by George Fox, London 1861, 45.8cm high.

Estimate: £4,000 - £6,000

ENQUIRIES Rupert Slingsby | Tel: +44 (0)1722 424501 | rs@woolleyandwallis.co.uk Lucy Chalmers | Tel: +44 (0)1722 424594 | lc@woolleyandwallis.co.uk

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 150

FINE JEWELLERY

Thursday 27th October 2016

A rare antique fancy coloured diamond ring, late 17th century, GIA certification.

Estimate: £20,000 - £30,000

ENQUIRIES Hannah Galbraith | Tel: +44 (0)1722 424586 | hg@woolleyandwallis.co.uk

WW102-392 Listing.qxp_Layout 1 19/09/2016 12:17 Page 151

ASIAN ART

Tuesday 15th November 2016

A fine Chinese silver tea service, mid 19th century, impressed marks to the base ‘KHC’ for Khecheong, length from handle to spout 30cm, 164oz.

Estimate: £15,000 - £20,000

ENQUIRIES John Axford | Tel: +44 (0)1722 424506 | jea@woolleyandwallis.co.uk

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 152

BRITISH ART POTTERY

Wednesday 30th November 2016

Paul Young (born 1961), a large earthenware Wassail pot and cover, 55cm high.

Estimate: £600 - £1,000

ENQUIRIES Michael Jeffery | Tel: +44 (0)1722 424505 | mj@woolleyandwallis.co.uk

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 153

MODERN BRITISH & 20TH CENTURY ART Tuesday 13th December 2016 Entries are being accepted until 22nd October

Julius Olsson RA (1864-1942) Moonlit waves on the shore with the Longships Lighthouse, Cornwall Signed, oil on canvas, 128 x 177cm Estimate: £4,000 - £6,000

ENQUIRIES Victor Fauvelle | Tel: +44 (0)1722 424503 | vf@woolleyandwallis.co.uk Jo Butler | Tel: + 44 (0)1722 424592 | jb@woolleyandwallis.co.uk

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 154

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification: 1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com, subject to approval.

There is a 3% + VAT charge for this service.

In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 155

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of 15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds Bank plc, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega ( ) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 156

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first. The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 157

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due. (b) You shall at your own risk and expense COLLECT any lots that you have purchased and paid for from our premises not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment (IF LATER) after which you shall be responsible for any COLLECTION, storage and insurance charges. (c) No purchase MAY be COLLECTED AND WE SHALL NOT RELEASE ANY LOT TO YOU OR YOUR AGENT until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 158

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of 1,000 and the maximum royalty payable on any single lot is the sterling equivalent of 12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to 50,000 3% 50,000.01 - 200,000 1% 200,000.01 - 350,000 0.5% 350,000.01 - 500,000 0.25% In excess of 500,000 Up to a maximum levy of 12,500

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 159

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

Contact Christine Johnson 01722 424509 FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

H

W MARLBOROUGH & SWINDON

CENTRAL CAR PARK

N SCOTS L SALISBURY ST WE

MI

RD

F IS

HER TO N

CHIPPER

ST

T WIN S BED

WOOLLEY & WALLIS

L SALT

LN

N

WINCH ESTER ST

NEW

LL R O AD

Salisbury Salerooms e

ark eP hiv

id &R

e

A3

45

Be

A36 Ch

WILTON & WARMINSTER

S

N

Sarum Business Park

A

A36(T) CH URC HIL L

36

S OUT H

Westover Garage

AY

T) C

Old Sarum Park

W

A 3 6(

ND WY

O MR HA

E

Woolley & Wallis 2 Danebury Court Old Sarum Park SP4 6EB

A36 C HUR CH ILL WA YN OR TH D

urchill W ay

LW AY W ES T IL

D SR SE VI DE WILTO NR DA

UR

CH

EET STR TLE CAS

A3 60

Old Sarum Kia Motors

ST

RD

D OA

AMESBURY & MARLBOROUGH

EA

E LS

H AS

YR LE

WOOLLEY & WALLIS

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

LONDON, ANDOVER & WINCHESTER

CASTLE RD A345

HU

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO OLD SARUM

ay

tw

r Po

A345 Castle Rd

L CANA

SALISBURY A36

AMESBURY NEW STR EET

Old Sarum

Follow A345 for 1.7 miles. At Beehive Park & Ride follow the signs for A338 Swindon and Marlborough.

UR

CH

I

OA D

DIRECTIONS FROM WOOLLEY & WALLIS CASTLE STREET TO SALT LANE PEDESTRIAN ROUTE DRIVING ROUTE TO SALT LANE DRIVING ROUTE TO CASTLE ST.

D

D PAY AN Y DISPLA RK CAR PA

A30

94 NEW H

D

OW

NT O

N

RO

AD

A33 8

ROLLES

WOOLLEY & WALLIS Salt Lane

Woolley & Wallis Carter House 6 – 10 Salt Lane SP1 1EE

EET

ENDLESS STR

Registered in England No. 2998482

Salisbury Salerooms

CHIPPE

WOOLLEY & WALLIS

SCOTS LANE

Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU

R LANE

C

O

OM

BE

R O AD

A354 DORCHESTER WEYMOUTH & BLANDFORD

A338 BOURNMOUTH & RINGWOOD

REET

TONE ST

Woolley & Wallis Salisbury Salerooms 51 – 61 Castle Street SP1 3SU

ARN HAM

LANE

CH

A

IN S

RO A

( T)

W

SALT

UT SO

Y A36

LL

A36(T) SO UTHA MPT ON R

W BED

HAR NH AM

H

W OOLLEY & W ALLIS S ALEROOMS

ET

SOUTHAMPTON CATHEDRAL

TRE

ST AN

N ST

Qudos CASTLE STREET

VAT No: 631 9832 29 TESCO

Design & Production by Jamm Design Ltd. Tel. 020 7424 7830 www.jammdesign.co.uk

Due to the one-way system of Salisbury, please follow the red route when driving from Salt Lane to Castle Street.

WW102-392 Listing.qxp_Layout 1 19/09/2016 11:37 Page 160

WOO L LE Y & WA L LI S Absentee Bid Form The Arthur Holder Collection of Silver & Vertu (Part I)

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Tuesday 25th October 2016 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

160

www.woolleyandwallis.co.uk

Project6_Layout 1 19/09/2016 13:24 Page 1

Auction Calendar FURNITURE, WORKS OF ART & CLOCKS 5th October 11th January 2017 Mark Richards +44 (0) 1722 411854 • mr@woolleyandwallis.co.uk 20TH CENTURY DESIGN 18th October – Design 30th November – British Art Pottery Michael Jeffery +44 (0) 1722 424505 • mj@woolleyandwallis.co.uk ARMS & ARMOUR, MEDALS & COINS AND MILITARIA 19th October Ned Cowell +44 (0) 1722 341469 • nc@woolleyandwallis.co.uk SILVER 26th October – Fine Silver & Objects of Vertu 24th & 25th January 2017 – Silver & Objects of Vertu including The Arthur Holder Collection Part II Rupert Slingsby +44 (0) 1722 424501 • rs@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lc@woolleyandwallis.co.uk JEWELLERY 27th October – Fine Jewellery 26th January 2017 – Jewellery & Watches Jonathan Edwards +44 (0) 1722 424504 • je@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mw@woolleyandwallis.co.uk ASIAN ART 15th November John Axford +44 (0) 1722 424506 • jea@woolleyandwallis.co.uk PAINTINGS 13th December – Modern British & 20th Century Art Victor Fauvelle +44 (0) 1722 424503 • vf@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jb@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 28th February 2017 Clare Durham +44 (0) 1722 424507 • cd@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES 7th March 2017 Will Hobbs +44 (0) 1722 339752 • wh@woolleyandwallis.co.uk

Project6_Layout 1 19/09/2016 13:24 Page 2

www.woolleyandwallis.co.uk