Woolley & Wallis

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Furniture & Works of Art Tuesday 1st April 2014

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Doméracki Freya Yuan

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CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Mark Richards Jim Gale JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

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MARKETING Tamzin Corbett

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GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young

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SALEROOM MANAGER David Jordan

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman

PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers

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TRIBAL ART & ANTIQUITIES ARMS & ARMOUR Will Hobbs — Gemma Bush —

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

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John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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FURNITURE & WORKS OF ART Tuesday 1st April 2014 at 10.30am Viewing Times Friday 28th March Saturday 29th March Monday 31st March Tuesday 1st April

10.00am – 4.30pm 10.00am – 1.00pm 10.00am – 4.30pm 8.30am – 10.15am

ENQUIRIES Mark Richards 01722 411854 markrichards@woolleyandwallis.co.uk

FREE LIVE BIDDING

Please register by 4pm Monday 31st March.

There is no surcharge for using this service.

Front cover: Lot 511 Back cover: Lot 334 Catalogue £10.00 (£15.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

FIREPLACE FURNITURE

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1.

A large brass club fender, with leather seats and turned supports, 52.1cm high, 189cm wide, 50.3cm deep. £400-600

2.

A pair of cast iron andirons, decorated with lion’s masks and on paw feet, 51.6cm high, 21.7cm wide, 51.5cm deep. (2) £200-300

3.

A pair of Dutch brass andirons in late 17th century style, each with a lion’s mask on claw and ball feet, 45.8cm high, 25.7cm wide, 49cm deep. (2) £300-400

4.

Two 19th century copper log bins, each with a swing handle, 34.8cm high, 45cm wide, max. (2) £180-220

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3

5.

Two 19th century copper log bins, each with a swing handle, 31.3cm high, 39.7cm wide, max. (2) £150-200

6.

A brass extendable club fender, with studded fabric seats, 48.8cm high, 132.3cm wide, 43cm deep. £300-500 5 4

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3

7.

An early 19th century polished steel bowfront fender, bead and paterae decorated, 16cm high, 127.2cm wide. £150-250

8.

A polished steel and gilt metal mounted bowfront fender, 17.7cm high, 146.7cm wide. £100-150

9.

A late 19th century gilt brass fender, with urn and cone finials to a pierced frieze, 37.2cm high, 140.9cm wide, 12.7cm deep. £250-350

10. A Victorian brasss fender, with a turned spindle gallery, 21.7cm high, 144.3cm wide, 42.7cm deep. £150-250

11. An early 19th century polished steel serpentine fender, 12.4cm high, 129cm wide. £150-250

12. An early 19th century polished steel bowfront fender, with bead and paterae decoration, 16.2cm high, 111cm wide. £100-150

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13. A George III cast iron firegrate in Adam style, with urn finials to a pierced fan, the frieze decorated with ribbon tied husks and urns flanked by ho-ho birds, on paterae headed tapering legs, the fire box later, 70.8cm high, 82.5cm wide, 30.5cm deep. £800-1,200

14. A Victorian brass fender, 108cm wide, a fan shape firescreen, a pair of brass andirons, three fire tools, a pair of bellows and a pair of tongs. (9) £150-250

15. A set of Edwardian brass fire tools, together with a brass fender, 106.3cm wide. (4) £80-120

16. Three Dutch copper wine coolers / jardinières, including an oval example on paw feet, 18th / 19th century, 64.3cm wide. (3) £600-800

17. Three Dutch copper wine coolers / jardinières, one with loop handles on paw feet, the largest with scroll handles, 76cm wide. (3) £600-800

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18. A Scottish cast iron fireback, decorated a thistle above a lion en passant, 67 x 78.7cm. £250-300 19. A 19th century French gilt brass firescreen, 82.3cm high, 63.8cm wide, 20.1cm deep. £100-150 20. A set of three 19th century French brass fire tools, with urn, leaf and fruit cast handles. (3) £200-300

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21. A Victorian brass log bin, with lion’s mask ring handles and repoussé decorated a coat of arms for Lord Carisfort, on claw and ball feet, with liner, 38.6cm high, 44.5cm wide. £100-200

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22. A late 19th century Dutch coal bucket, with a twin lidded top and repoussé decorated with a coat of arms, 53.5cm high, 43cm wide. £80-120 23. A cast iron fire back, dated ‘1669’ and with a crowned shield with three fleur-de-lys, 57.7 x 55.8cm. £200-300

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24. A large copper log bin, 40.2cm high, 92cm diameter. £300-400 25. An Arts & Crafts copper box and cover, with an ebony handle, the underside of the lid stamped with a monogram ‘TH’ and ‘REGISTERED MARK’, on a wrought iron frame with ring handles, 59.7cm high, 49.3cm wide. £80-120 25

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26. A pair of George III brass trivets, each with a circular pierced top with engraved and punched decoration, 31.7cm high, 27.5cm wide. (2) £150-200 27. A cast iron fireback, dated ‘1622’ and with a talbot above the initials ‘I H’ and a cross, 59.2 x 69.5cm. £100-150 28. A large cast iron fireback, dated ‘1662’ and decorated with the Royal Coat of Arms, 75.7 x 93cm. £300-500 29. A late 19th century copper log bin, with a hinged lid and ring handles, 55.8cm high, 63.5cm wide. £200-300

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30. A late 19th century walnut and beech eight division stickstand, with ebonised decoration, the base with a hinged flap to access the metal drip tray, 60.6cm high, 124.3cm wide, 29cm deep. £300-500

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31. A brass six division stickstand, with a cast iron base, modern, 63.6cm high, 31cm wide. £80-120 32.

A Victorian brass and wirework fender, 68cm high, 137cm wide, 30.5cm deep. £200-300

33. A late Victorian cast iron and copper mounted fender, with griffin finials, the front centred a vacant cartouche, 23.7cm high, 132.3cm wide, 35.8cm deep. £80-120 34. An Edwardian brass club fender, with leather seats and four utensil hooks, together with three fire tools. 48.2cm high, 151cm wide, 40.5cm deep. (4) £200-300 33

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35. A George III cast iron ‘Carron’ hob grate, the fluted front centred a patera, 62.1cm high, 96.4cm wide, 28.5cm deep. £200-300

36. A George III cast iron hob grate, decorated with floral sprays and Greek key bands, 55.6cm high, 74.9cm wide, 27.3cm deep. £200-300

37. A Regency cast iron and brass mounted firegrate, with a turned rail above paw feet, 55.1cm high, 81.7cm wide, 35.2cm deep. £200-300

38. A George III cast iron hob grate, with serpentine rails above a front decorated with ribbon tied husk swags and vases issuing paterae and palmettes, 64.3cm high, 83.5cm wide, 30.1cm deep. £200-300

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OAK & COUNTRY FURNITURE

39. A mid 18th century oak dresser, with a raised plate rack with reeded uprights, the base with three frieze drawers fitted replaced handles above three raised ogee panel doors, 218.7cm high, 189.2cm wide, 51.2cm deep. £2,000-3,000

40. A 19th century Orkney Islands pine armchair, with scroll arms, a drop-in seat and stretchered supports. £300-400

41. A pair of 19th century elm and fruitwood Windsor open armchairs, each with a pierced splat back centred a rondel.

(2) £200-300

42. A 19th century elm and ash stick back Windsor armchair, on stretchered supports. £100-150

11

43. An early 18th century oak gateleg table, the elm drop-leaf top above an end frieze drawer, on block and turned supports and scroll feet, 68.8cm high, 91 x 130cm open. £400-600

44. A continental oak gateleg table, the oval drop-leaf top above a single end frieze drawer on baluster turned supports, with split ends and peripheral stretchers, probably Flemish 17th century and later, 69cm high, 94 x 124.2cm open. £200-300

45. An oak bureau on stand, the fitted interior with pigeon holes, drawers and a well with a sliding cover, the stand fitted with three drawers on square section cabriole legs, mid 18th century and later, 108cm high, 99.4cm wide, 55.4cm deep. £300-400

46. A late 18th century Dutch oak bombe bureau, the interior with pigeon holes, drawers and a cupboard, above three frieze drawers and three long drawers, fitted replaced brass handles and escutcheons, 101.1cm high, 89.5cm wide, 53cm deep. £300-500

Provenance: Westwood, Worcestershire.

47. A late 17th century oak chest, the later hinged top above an open till, to a triple panel ‘honeycomb’ front, with applied ebonised split mouldings, 64cm high, 127.8cm wide, 53.8cm deep. £200-300

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48. An oak mule chest, the hinged top to a later carved triple panel front, with the initials ‘I N’, above a long base drawer the interior with a locking peg, early 18th century and later, 78cm high, 126.9cm wide, 58cm deep. £200-300

49. An oak court cupboard, extensively carved with strapwork, flowers, an arch and leaves, the frieze centred a panel with initials ‘RP BP’ and the date ‘1692’ above a pair of panelled doors with cupboards below, 17th century and later, 153.1cm high, 214cm wide, 58.7cm deep. £2,000-3,000

50. A pair of late 17th century beechwood and cane high-back side chairs, together with a similar chair. (3) £80-120

51. An 18th century oak plate rack, with three shelves flanked by fluted pilasters, 105.8cm high, 122cm wide, 14.8cm deep. £150-250

52. A 19th century ash and elm hoop back Windsor chair, with traces of green painted decoration, the supports united by a crinoline stretcher and with additional sleigh supports. £150-250

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55

54

53. A French fruitwood and elm wine tasting table, with a circular folding top on trestle ends, late 19th century, 69.1cm high, 101cm diameter. £200-300 54. A 19th century continental walnut Gothic cabinet, with carved and pierced decoration, with an open front and sides with four galleried shelves, 227.4cm high, 96.5cm wide, 50.8cm deep. £1,000-1,500 55. A pair of French cherrywood benches, each on turned supports, 49.9cm high, 202.4cm wide, 29.5cm deep. (2) £400-600 56. A 17th century Flemish oak cupboard, with ebonised decoration, the detachable cornice above a pair of geometric panelled doors with lion’s masks, enclosing shelves, on ball feet, 193.7cm high, 170cm wide, 64.5cm deep. £600-800

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57. A late 18th century French fruitwood candlestand, 86.5cm high, 28cm diameter. £200-300

58. A late 18th century French provincial oak buffet a deux corps, with moulded and carved decoration, the plate rack with a detachable cornice and with three shelves above two frieze drawers fitted iron handles and cupboard doors enclosing a shelf, 220cm high, 157.4cm wide, 47.3cm deep. £800-1,200 57

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59 top

60

59. A large 19th century French cherrywood wine tasting table, the oval folding top on stretchered trestle supports, 75.8cm high, 132 x 201.3cm. £600-1,000

59 60. A late 18th century French provincial cherrywood and oak buffet, with a pair of panelled drawers above conforming cupboards enclosing a later shelf, 108.8cm high, 133cm wide, 62.4cm deep. £1,500-2,000

15

61. An 18th century iron rushnip and candleholder, on an octagonal painted wood base, 27.1cm high, 11cm wide. £100-150

62. A wrought iron rushnip, with a twist stem to a leaf shape base and scroll feet, possibly late 18th century Scottish, 24.1cm high, 15.2cm wide. £100-150

63. An early 19th century pewter rushlight, with a scroll handle and a hinged holder, the circular base engraved ‘W. B. 1824’, 27.4cm high, 12.4cm diameter. £80-120 61

62

64. An oak and fruitwood Selsey type mouse trap, the circular welled base with a notched platform (bait nibbler) and a pair of supports and a solid drop weight, 19th century, 25.5cm high, 14cm diameter. £200-300 Cf. Pinto, Treen and other Wooden Bygones, plate 175, C for a similar example.

65. A pair of 19th century continental candlesticks in ‘Gothic’ style, each with a turned and castle stem, 44.8cm high, 15.7cm wide. (2) £300-400

66. A pair of 19th century pewter candlesticks, with twin sconces and turned stems, 19.2cm high, 20.3cm wide. (2) £100-150

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67. A Charles II oak panel back armchair, carved with lunettes and a diamond lozenge with leaves, on turned stretchered supports. £500-700 Provenance: By family repute Arborfield Grange, Arborfield.

68. A mid 17th century oak panel back armchair, the scroll carved surmount centred a stylized tree flanked by tassels above an arch panel, the seat rail with lunettes, the front of the legs branded twice ‘JB 8’. £600-800 Provenance: By family repute Arborfield Grange, Arborfield.

69. A 19th century mahogany candle box, with a sliding panelled cover, 40.8cm high, 15.3cm wide, 11.5cm deep. £100-150

70. A 19th century oak salt box, with a base drawer, 50.5cm high, 26cm wide. £60-100

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71. A mid 18th century pine dresser, with three frieze drawers fitted replaced brass handles, on turned front legs and pad feet, with replaced back legs, 82.5cm high, 181.7cm wide, 43cm deep. £500-700

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72. A 19th century brass snuff box, the hinged lid engraved with a horse and trap inscribed ‘THE LOAD ‘AINT TOO MUCH YOU WANT AN ‘EAVIER ‘OSS’, 7.6cm wide. £100-150

73. An 18th century Dutch tobacco box, with engraved decoration, the lid depicting the Annunciation of the Virgin, 15.7cm wide, together with a brass snuff box the lid inscribed ‘Forget Me Not’. (2) £100-150

74. An early 17th century Malines carved alabaster panel of the Road to Emmaus, in a carved and moulded outer gilt frame, re-gilt, and a 19th century ebony and glazed frame, the reverse with a printed paper label for ‘Rudolph Ackermann, Dealer in Works of Art, 203 Regent Street ...London, W.’, 24 x 21.7cm. £800-1,200 75. An 18th century brass mortar, with engraved decoration and lug handles, 15cm high, 18.5cm wide. £40-60 76. A 19th century Dutch brass jardinière, with repoussé decoration of flowers and leaves, with lion’s mask ring handles and paw feet, 20.2cm high, 31cm wide. £50-100 77. A plaster plaque depicting the murder of David Rizzio, 30.5 x 19.4cm. £30-50

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78. A mid 18th century oak standing corner cupboard, with a broken arch swan neck pediment, above fielded panel doors enclosing shaped shelves and three spice drawers, above a pull-out slide, the base with a one shelf, flanked by fluted pilasters, 202cm high, 95.5cm wide, 50.5cm deep. £400-600

79. An oak panel back armchair in Charles II style, carved with a portrait of Charles II flanked by mythical beasts above an inscription ‘ACTUM EST DE REPUBLICA’, above a rectangular panel with Hera in her winged chariot with two peacocks, above twin arches relief carved with crowns and inscribed ‘CH REX D G’ and the date ‘1660’, 19th century. £400-600

78

80. An oak court cupboard, in two sections, the frieze carved with scrolling foliage and dated ‘1693’, above a pair of carved cupboards, with panelled cupboards below, 17th century elements, 163.3cm high, 138.5cm wide, 56.8cm deep. £1,000-2,000

81. An early 18th century oak bureau, in two parts, the hinged fall with a rest enclosing pigeon holes and drawers to a well, above a pair of false drawers and three long graduated drawers fitted replaced brass plate handles, on later bracket feet, originally on bun feet, 97cm high, 98.9cm wide, 59.2cm deep. £200-300

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82. A carved and painted wood heraldic shield, bearing the arms of Walpole and Robsart, the reverse with an inscribed paper label, 38.5 x 31cm. £100-200 83. A pair of 19th century Dutch brass alms dishes, each with a tulip border, the centres with mythological scenes, 50cm diameter.

(2) £100-150 83A. A late 17th century Dutch pewter beaker, wrigglework decorated the portraits of William & Mary, the base stamped with a crowned rose, 17.2cm high, 11cm wide. £1,000-1,500

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83A

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84. A 17th century German limewood Corpus Christi, 31.7cm long, 7.5cm wide, later mounted. £300-500 λ 85. An early 19th century coconut and Sheffield plate goblet, 16.5cm high and a coconut and turned rosewood goblet, 19th century. (2) £100-200

85 84

85A. A pewter flask in the form of a fish, with wrigglework decoration and dated '1664' and with initials 'CMOK', with two screw-off lids, 21.8cm long. £400-600

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86. A pair of George IV cut and painted card coaching pictures by H. E. C. O’Connor, of the ‘EXETER & LONDON TELEGRAPH’ and ‘EXETER LONDON ROYAL MAIL’, the reverse of each inscribed ‘H. E. C. O’Connor. Inmox Hill, nr Frome, April 26th 1821’, 21.3 x 39.3cm, within later glazed frames. (2) £200-300

87. An early 19th century sailor’s carved coconut bugbear flask, with white metal mounts and glass eyes, the body carved with a stag hunt and with a sarcophagus with a pair of doves, musical trophies and banners, 12.3cm long. £200-250

FURNITURE & WORKS OF ART

88 open

λ 88. A Flemish rosewood table cabinet, crossbanded and inlaid stringing with a pair of doors revealing an arrangement of nine drawers around a central arch, one locked, originally with secret drawers, each inlaid an ivory crowned fruit crest, on a later associated stand, late 17th / early 18th century and later, 102.4cm high, 58cm wide, 33cm deep. £400-600

89. A William and Mary style walnut stool, with a Bargello style needlework seat, on turned and carved stretchered supports, late 19th century, 54.4cm high, 49.5cm square. £150-250

90. A pair of 17th century crewelwork style curtains by Paul Everington, quilted and lined, modern, 248cm long. £200-300

89

Provenance: Made for Barrington Hall, Norfolk.

90 91. A walnut side chair in George I style, covered in gros point needlework, on carved cabriole legs and claw and ball feet. £100-200

92. A two seater walnut settee in early 18th century style, upholstered in green plush fabric on carved front cabriole legs, 94cm high, 111cm wide, 63.5cm deep. £400-600

92 91

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93. A burr elm bachelor’s chest, the cross and feather banded fold-over top with re-entrant back corners, revealing a walnut veneered surface, above two short and three long graduated drawers fitted replaced brass handles, together with a previous set of brass handles, on bracket feet, early 18th century elements, 73.2cm high, 77cm wide, 33cm deep. £6,000-8,000

93

94. An early 18th century japanned hanging corner cupboard, the door decorated with a chinoiserie scene, enclosing three shelves, 82.3cm high, 53.7cm wide, 25cm deep. £100-200

95. An early 18th century black japanned dressing table mirror, gilt decorated with chinoiserie, the later arched bevelled plate to a lockable back, the base with seven drawers around a central cupboard, on later bracket feet, 80.8cm high, 41.4cm wide, 19.8cm deep. £600-800

96. A pair of early 18th century cherry side chairs, each with a curved splat back with carved scroll decoration in the Chinese manner, to a later drop-in seat, on leaf capped cabriole legs and later stretchers. (2) £150-250 Cf. Bowett, Adam, ‘Early Georgian Furniture 1715-1740’, Chapter 4, pp. 144-199, for a discussion of the Chinese influence on English chair making in the early 18th century.

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97. A wing armchair in George II style, on shell and leaf carved walnut cabriole front legs. £400-600

98. A wing armchair in early 18th century style, on carved walnut front legs, late 19th century. £100-200

99. A walnut chest on stand, with stringing and fluted and ribbed angles, early 18th century and later, 171.5cm high, 102.2cm wide, 58.5cm deep. £400-600

97

100. A near pair of George II style painted and parcel gilt stools, each with a drop-in seat on shell capped cabriole legs and claw and ball feet, 49.9cm high, 66.5cm wide, 50cm deep.

(2) £500-800

99

101. A George III leather and brass studded trunk, with metal banding, the top with initials ‘E R’, the front with tassels, the interior lined with red striped material and with a lidded compartment with two secret drawers with brass handles, 46.3cm high, 90cm wide, 53cm deep. £400-600 Provenance: By family repute Elizabeth Robertson, Hollyrood House, Edinburgh

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101 detail

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102. A mid 18th century mahogany secretaire linen press, the dentil cornice above a pair of fielded panel doors enclosing four slides above a secretaire drawer fitted with pigeon holes and drawers, above two short and two long drawers with brass handles on ogee bracket feet, 211cm high, 132cm wide, 62cm deep. £1,000-1,500

103. A George II mahogany bureau bookcase, with a pair of later glazed doors enclosing three adjustable shelves above pull-out candle slides, the interior with pigeon holes, drawers and a cupboard flanked by secret pilaster compartments, the fall with a rest above two short and three long graduated drawers, fitted brass plate handles, 215.5cm high, 112.6cm wide, 59.3cm deep. £800-1,200

104. A George II walnut demi-lune triple top tea / games table, the hinges stamped ‘H. TIBATS’, with a baize lined surface to a single gate on club legs and pad feet, 74.5cm high, 63.5cm wide, 30cm deep. £800-1,200

106. A George III mahogany tripod table, the circular top revolving on a birdcage, 70cm high, 85cm diameter. £100-200

105 105. A George III mahogany tripod table, the circular tilt-top revolving on a birdcage, on a turned and part fluted stem, on brass castors, 72.8cm high, 90cm diameter. £300-400 104

106

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107. A 19th century mahogany breakfront library bookcase, the base with a pair of cupboard doors enclosing three adjustable slides, with replaced brass handles, 227.5cm high, 216cm wide, 63.5cm deep. £1,000-1,500

108. A mahogany wash stand, fitted with two drawers, with a blue and white pottery bowl and jug, 82.3cm high, 54cm wide. (3) £80-120

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109. A George III mahogany dumb waiter, with three graduated, dished and revolving tiers, on later brass castors, 105cm high, 60cm diameter. £300-500

110. A George III mahogany pole firescreen, with a needlework panel of an urn of flowers, dated ‘1750’, 132.3cm high, 40cm wide. £150-250

111. A set of eight walnut side chairs in George II style, each with a padded back and seat upholstered damask fabric on cabochon capped cabriole legs carved with leaf scrolls and husks to hairy paw feet, two back rails numbered in white paint ‘54’, 2nd half 19th century. (8) £4,000-6,000

112. A George III mahogany hall chair, with a leaf wrapped scroll back and fan splat above a solid seat, possibly Scottish. £100-150

113. A mahogany dumb waiter, with two dished tiers on a turned stem and tripod supports with scroll brackets, George III and later, 95.8cm high, 66cm diameter. £500-700

114. A George III mahogany hanging corner cupboard, the frieze inlaid later paterae and a conch shell above an astragal glazed door enclosing later painted shaped shelves, 118.3cm high, 87.5cm wide, 52.8cm deep. £100-150

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λ 115. A George III mahogany ‘D’ shape tea table, the hinged top crossbanded in rosewood, on tapering legs, 74.5cm high, 91.3cm wide, 45cm deep. £200-300 116. A late George III mahogany chest, the applied moulded edge top above two short and three long drawers, fitted replaced handles, on bracket feet, 87.5cm high, 94.7cm wide, 52cm deep. £300-400 117. A set of six late 18th century mahogany shield back side chairs, four with original buttoned red leather covered seats, distressed. (6) £150-250 116

118. A George III mahogany tea table, inlaid stringing, the crossbanded canted top on twin gate supports, with later brass caps and castors, 76cm high, 91.4cm wide, 43.4cm deep. £400-600 119. A three seater sofa, with downswept arms on mahogany supports to brass caps and castors, George III elements, 86cm high, 168.5cm wide, 63cm deep. £200-300

118

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120. An early 19th century mahogany and oak hanging display cabinet, inlaid stringing with shell paterae, with a pair of astragal glazed doors enclosing two shelves, the base with two drawers, 91.4cm high, 88.8cm wide, 23cm deep. £100-200

120 119

121 detail

121 top

λ 121. A George III satinwood and harewood Pembroke table, banded in kingwood and rosewood, the serpentine drop-leaf top with an oval panel above a frieze drawer, with a false front to the reverse, flanked by paterae, on square tapering legs decorated with penwork stiff leaves, on brass caps and leather roller castors, 72.7cm high, 71 x 92.5cm open. £600-800

121

122. No lot

123 top

123. A painted sewing table, the oval hinged top decorated with a bead and laurel border, the legs with applied parcel gilt husks, with an ‘X’ stretcher, originally with a bag, 72cm high, 50.2cm wide, 35cm deep. £150-200 124. A George III satinwood Pembroke table, the crossbanded top above a frieze drawer with a false front to the reverse, on square tapering legs to applied ankles, and brass caps and castors, 71cm high, 47.3cm wide closed, 75.8cm deep. £150-250 123

124

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125. A 19th century mahogany Gainsborough armchair, upholstered damask plush fabric, with blind fret carved decoration in ‘Chinese Chippendale’ style. £800-1,200

125

λ 126. A George III rosewood writing table, with burr oak panels, the serpentine moulded edge top inset tooled leather above a slide with an end frieze drawer fitted with ink and pen compartments, on cabriole legs united by an undertier, originally with a pull-out screen, 75.5cm high, 63.1cm wide, 41.2cm deep. £150-250 λ 127. A George III mahogany bookcase cabinet, with a broken swan neck pediment above a pair of oval panel doors banded in rosewood, enclosing nine short shelves above a pair of curved front drawers, above a pair of conforming doors enclosing two shelves, on ogee bracket feet, 217.8cm high, 125.4cm wide, 64cm deep. £1,500-2,000

127

126

λ 128. A late George III rosewood and satinwood ‘D’ shape card table, inlaid stringing, the banded hinged top on twin gate supports, 71.9cm high, 89cm wide, 44cm deep. £300-500

30

129. A set of eight late George III mahogany dining chairs, each with a shield shape back, with lance and tassel splats centred an oval patera of war trophies, carved with an eagle surmount, with ribbon tied husks and laurel leaves, to a dipped stuffed-over seat on stretchered supports. (8) £1,000-1,500

130

130. A set of six Louis XV style beechwood fauteuil, each with damask upholstery to moulded and flower carved frames, late 19th century. (6) £1,200-1,500

131

131. A late 19th century French amboyna and ebonised jardinière stand, with gilt metal mounts, 76cm high, 54cm wide, 34.7cm deep. £150-200

132. A French mahogany and brass mounted table en chiffoniere in Louis XVI style, with a rosso antico marble top above three drawers, late 19th century, 82.3cm high, 48.4cm wide, 36cm deep. £200-300

132

133. A French mahogany and gilt brass mounted occasional table, with a quatrefoil rouge marble top, late 19th / early 20th century, 79.7cm high, 33cm wide. £80-120

133

134. A late 19th century French amboyna and ebonised bijouterie table, inlaid floral marquetry with tripod supports, 78cm high, 45cm wide. £150-250

134

31

135. A 19th century Dutch mahogany demi-lune tea table, inlaid stringing, the hinged top above a pull-out support with a pair of hinged drawers to a pierced apron on square tapering legs, 75cm high, 73.8cm wide, 37.3cm deep. £300-400

136. A late 19th century French walnut centre table in Louis XVI style, the parquetry top above a leaf carved and pierced frieze, on tapering legs united by curved ‘X’ stretchers applied an urn and flowers, the underside stencilled ‘L1724’, 75cm high, 77cm wide, 52cm deep. £200-300

137. An 18th century continental carved walnut firescreen, the surmount with two cherubs, to a moulded and leaf decorated frame, with a later glazed woolwork panel, 106.2cm high, 64cm wide, together with an Edwardian mahogany firescreen. (2) £40-60

138. A late 19th century French child’s bergère in Louis XV style, with painted and parcel gilt decoration to the moulded and carved frame. £200-300

139. An early 19th century Italian walnut kneehole dressing table, inlaid stringing and marquetry, with five drawers fitted replaced brass handles and a pull-out slide, on square tapering legs and brass feet, 77cm high, 110.3cm wide, 46.7cm deep. £300-500

140. A French kingwood and walnut centre table in Louis XVI style, with gilt brass mounts and amboyna panels, the moulded edge top above a frieze drawer, early 20th century, 75cm high, 99.1cm wide, 61.7cm deep. £300-400

32

141. A pair of 19th century Italian mahogany armchairs by Henry Thomas Peters of Genoa, each with button upholstery to scroll arms and an egg and dart frieze, on turned front legs to brass caps and castors stamped ‘COPE’S PATENT’, the underside stamped ‘PETERS MAKER GENOA’, the seat frame with iron brackets stamped ‘I&H SORBY’, c.1840. (2) £2,000-3,000 Henry Thomas Peters (d.1852) was active in Genova around 1830-1850 and was one of the leading cabinet makers of the period. He was appointed cabinet maker to the Court of Savoy and produced furniture for the Palazzo Reale in Genova. Peters produced furniture with the technical accuracy typical of English pieces but adapted it to a late Italian Empire style.

142. A leather three-fold screen, painted with fruit and foliage, 175.7cm high, 46.1cm wide each panel. £200-300

143. A leather four-fold screen, the arched top panels decorated with scrolling leaves and flowers, 196.3cm high, 55.6cm wide each panel. £300-500

33

144. A French mahogany and brass mounted breakfront open bookcase by Grohe Paris, the arched cornice to a frieze applied with a gilt brass laurel wreath and burning torches, above three sections of adjustable shelves, stamped ‘GROHE A PARIS’ in several places, mid 19th century but later adapted from a bibliotheque with later shelves and back, 227.3cm high, 203cm wide, 55.5cm deep. £1,500-2,000

145 144 145. An early 19th century Dutch mahogany secrétaire à abattant, with marquetry panels and chevron stringing, the interior now with a later shelf and mirror back, 150cm high, 99cm wide, 52.7cm deep. £100-200 146. A late 19th century Dutch walnut and ebonised bookcase cabinet, with a pair of glazed arch doors enclosing four adjustable shelves, the base with a pair of panelled doors enclosing three graduated drawers with ring handles, 209.2cm high, 99.7cm wide, 46.2cm deep. £500-700

147. A 19th century continental fruitwood breakfast table, the circular fixed top above a fluted and leaf carved baluster stem to a triform base with lobed mushroom finials and bun feet, 72.5cm high, 125cm diameter. £500-700

34

146

148. A 19th century French oak breakfront bookcase in Gothic style, the crenellated cornice above astragal glazed doors, enclosing adjustable shelves, the base with carved linen-fold doors enclosing drawers and slides, with panelled sides, 201.4cm high, 251cm wide, 58cm deep. £3,000-5,000 Provenance: Purchased from Talisman Antiques.

149. A late 19th century Italian Florentine giltwood wall mirror, the replaced oval plate to a leaf carved frame with an urn surmount, 47.5 x 34.7cm. £150-200

150. A 19th century Italian Florentine giltwood wall mirror, the replaced circular plate to a foliage carved frame, 74.3 x 75.3cm. £300-400

151. A late 19th century Italian Florentine giltwood wall mirror, with an oval plate to a leaf and berry carved naturalistic frame, 45.6 x 36cm. £100-150

35

154

152

154. A pair of carved wood and parcel gilt Blackamoors in 18th century style, each holding a cornucopia and wearing a plumed headdress, on a stepped base with vacant cartouches, 152.7cm high, 44cm wide. (2) £2,000-4,000

153 152. A French pine and gilt composition wall mirror, with a basket of flowers, leaves and trophies surmount, 148.5 x 74cm. £50-80 153. A 19th century Italian giltwood and gesso rectangular wall mirrror, with marginal plates, 58.3 x 49.9cm. £80-120 155

156

155. A carved giltwood wall mirror in Rococo style, decorated with ‘C’ scrolls, shells and rocaille, 19th century 69.9 x 63.7cm. £200-300

36

156. A 19th century Italian Florentine giltwood wall mirror, the later plate to a scrolling leaf carved frame, 54.7 x 48cm. £150-200

SELECTED CONTENTS REMOVED FROM CADNAM LODGE, HAMPSHIRE

158

157

157. A William IV mahogany twin pedestal partner’s desk, the moulded edge top with a later gilt tooled leather writing surface surface, the front with nine drawers, the reverse with three frieze drawers above cupboards, on castors, 77cm high, 158.6cm wide, 95.9cm deep. £800-1,200 Provenance: Cadnam Lodge, Cadnam, Hampshire.

158. Two 19th century mahogany bergère armchairs, each with the same upholstered padded seats and armrests. (2) £1,200-1,500 Provenance: Cadnam Lodge, Cadnam, Hampshire.

159. A George III style wing armchair, upholstered in buttoned green leather. £300-400 Provenance: Cadnam Lodge, Cadnam, Hampshire.

159

37

160. A mahogany serpentine kneehole dressing table in George III style, fitted with five drawers on square tapering legs and spade feet, 81.8cm high, 94cm wide, 45.8cm deep. £400-600 Provenance: Cadnam Lodge, Cadnam, Hampshire.

161. A George III mahogany cellaret, inlaid with boxwood edging and feather banding, the interior with later baize lining and divisions for eighteen bottles, with brass side carrying handles, on brass castors, 51.8cm high, 68cm wide, 36cm deep. £200-400 Provenance: Cadnam Lodge, Cadnam, Hampshire.

162. A William IV mahogany occasional table, the rectangular top on a turned stem and a quatreform base, 74.5cm high, 52.1cm wide. £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

163. An early 19th century mahogany tripod table, the circular fixed top on a ring turned stem, 72.7cm high, 60.4cm diameter. £100-150 Provenance: Cadnam Lodge, Cadnam, Hampshire.

162

163

164. A mahogany tray table, the centre inlaid a conch shell, 56.5cm high, 65cm wide. £50-100 Provenance: Cadnam Lodge, Cadnam, Hampshire.

165. A kidney shape mahogany tray table, inlaid a conch shell, 56.8cm high, 60.3cm wide. £50-100 Provenance: Cadnam Lodge, Cadnam, Hampshire.

164

38

165

166. A Regency mahogany demi-lune sideboard, the raised scroll back applied with gilt brass flowerhead rondels, above a central frieze drawer flanked by two deep drawers, one divided, and two cupboards, fitted later brass handles, on square tapering legs and spade feet, 108cm high, 148.9cm wide, 67cm deep. £800-1,200 Provenance: Cadnam Lodge, Cadnam, Hampshire.

167. A mahogany cabinet, with a pair of cupboard doors above two drawers, the back branded ‘W L’, adapted from a George III commode chest, 78.9cm high, 65.6cm wide, 42cm deep. £200-300

168. A William IV mahogany occasional table, the circular tilt-top with a nulled edge, on a turned stem with a triform base and metal castors, 72.3cm high, 68.5cm diameter. £400-600

Provenance: Cadnam Lodge, Cadnam, Hampshire.

Provenance: Cadnam Lodge, Cadnam, Hampshire.

169. A late Victorian mahogany bowfront side table, inlaid stringing and with satinwood banding, above two short and one long drawer, on stretchered supports, 74cm high, 46.2cm wide, 32.4cm deep. £300-400 Provenance: Cadnam Lodge, Cadnam, Hampshire.

39

170. A pair of 16th century style Italian wrought iron and parcel gilt open armchairs, with woven leather backs and seats. (2) Provenance: Cadnam Lodge, Cadnam, Hampshire.

171. A bronze urn table lamp in late 18th century style, with lion’s masks on a rouge marble base, 37.7cm high excluding fitting, with shade. £80-120 Provenance: Cadnam Lodge, Cadnam, Hampshire.

172. A bronze urn table lamp, formerly a 19th century samovar, 39.3cm high excluding fitting, 32.5cm wide, with shade. £50-100 Provenance: Cadnam Lodge, Cadnam, Hampshire.

172

171 173. A pair of stained pine urn table lamps, 27.3cm high excluding fitting, 19.4cm wide, with shades. (2) £80-120 Provenance: Cadnam Lodge, Cadnam, Hampshire.

174. A pair of glass urn table lamps, modern, 34.8cm high excluding fitting, with shades. (2) £80-120 Provenance: Cadnam Lodge, Cadnam, Hampshire.

173

40

174

£400-600

175. After Victor Clive Hayton (b.1945). Mallard flying in the wind, bronze with green patination, mounted on a polished marble plinth, 68.2cm high, 52cm wide. £800-1,200 Provenance: Cadnam Lodge, Cadnam, Hampshire.

175

176. After Georgij Dmitrievic Lavroff (1895-1991). A cock pheasant standing on a rocky base, bronze with cold painted decoration and parcel gilding, signed ‘G. Lavroff’, 49.3cm high, 57.3cm wide. £500-700 Provenance: Cadnam Lodge, Cadnam, Hampshire.

176

177. After Victor Clive Hayton (b.1945). A model of a wild boar, bronze, the base signed ‘Hayton ‘98’, limited edition 2/12, with Pangolin pastille, 32.4cm high, 54.5cm long. £500-700

178. After Victor Clive Hayton (b.1945). A model of a Cape buffalo, bronze, the base signed ‘Hayton ‘97’, limited edition 2/12, with Pangolin pastille, 28.3cm high, 52cm long. £500-700

Provenance: Cadnam Lodge, Cadnam, Hampshire.

Provenance: Cadnam Lodge, Cadnam, Hampshire.

41

179

179. A Howard & Son style two seater sofa, on beech supports, modern, 83cm high, 164cm wide, 95.3cm deep. £300-500 Provenance: Cadnam Lodge, Cadnam, Hampshire.

180. An early 19th century mahogany tripod table, the rectangular fixed top on a ribbed baluster stem, 61cm high, 53.2cm wide. £100-150 Provenance: Cadnam Lodge, Cadnam, Hampshire.

181. A tripod occasional table, the canted rectangular top with boxwood edging on a vase turned stem, 18th century and later, 67.1cm high, 46.3cm wide. £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

180

182. A George II style mahogany and parcel gilt fret-frame wall mirror, with a ho-ho bird surmount, 19th century, 83.3 x 46.4cm. £100-150 Provenance: Cadnam Lodge, Cadnam, Hampshire.

181

183. A continental giltwood pier mirror in 18th century style, the arched plate to a shell and scroll carved surmount, 95.1 x 42.3cm. £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

184. A Victorian mahogany hall table, the scroll and leaf carved back centred a vacant cartouche above a simulated marble top on turned legs, 105.5cm high, 107.3cm wide, 50.5cm deep. £100-200 Provenance: Cadnam Lodge, Cadnam, Hampshire.

182 184

42

183

185. A pair of early 19th century bronze urns and covers, each with a pineapple finial on a square stepped base, 23.2cm high, 10.8cm wide. (2) £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

186

187

188

186. An early 19th century mahogany tea caddy, with a gilt brass handle and escutcheon to a twin lidded interior, 13cm high, 22cm wide. £50-100 Provenance: Cadnam Lodge, Cadnam, Hampshire.

187. A pair of continental Art Nouveau mahogany armchairs, with foliate carved decoration. (2) £300-400 Provenance: Cadnam Lodge, Cadnam, Hampshire.

188. A Regency penwork box, of canted form the lid with a monogram, ‘F H’, on bone ball feet, 7.2cm high, 20cm wide. £100-150 Provenance: Cadnam Lodge, Cadnam, Hampshire.

189

189. A 19th century French kingwood commode in Transitional style, with gilt brass mounts and chequer banding, the moulded edge marble top above three long drawers, 86.7cm high, 108.2cm wide, 46.8cm deep. £1,000-1,500 Provenance: Cadnam Lodge, Cadnam, Hampshire.

43

190. A Regency burr elm sarcophagus shape caddy, with ebonised stringing, the interior with pull-out twin hinged lidded canisters flanking a glass sugar bowl, 21.3cm high, 32.5cm wide. £50-100 Provenance: Cadnam Lodge, Cadnam, Hampshire. λ 191. A Napoleon III rosewood and and ivory inlaid tea caddy, with brass stringing the lid inscribed ‘THE’, to a vacant interior, 16cm high, 30.2cm wide. £50-100 Provenance: Cadnam Lodge, Cadnam, Hampshire.

192. An Edwardian oak stationery box, locked, 24.1cm high, 34cm wide. £50-100 Provenance: Cadnam Lodge, Cadnam, Hampshire.

190 193. A Victorian walnut games compendium, with ebonised edging, the interior with a leather folding, now broken, games board, for backgammon, chequer and a horse racing game, with a boxwood and ebony chess set, with lift-out trays with dice and horse and jockeys, 17.7cm high, 33.3cm wide, 22.7cm deep. £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

194. A cut glass vase and cover, 30.9cm high and a modern cut glass decanter and stopper with a silver mount on a turned mahogany base. (3) £40-60 Provenance: Cadnam Lodge, Cadnam, Hampshire.

195. A pair of 19th century French gilt and patinated bronze twin light candelabra, each with a standing cherub holding aloft an urn of flowers, on a white marble base, 36.5cm high. (2) £200-300 191

Provenance: Cadnam Lodge, Cadnam, Hampshire.

192 193

195

44

194

196 196. A Regency style giltwood overmantel mirror, with three rectangular plates, to a baton and bead moulding, the frieze decorated with classical figures painted en grisailles, late 19th / early 20th century, 79 x 159.3cm. £800-1,200 Provenance: Cadnam Lodge, Cadnam, Hampshire.

197. An early 19th century mahogany billiard cue stand, with an open urn finial and apertures for eighteen cues, with eight further apertures, with six cues, on a tripod base with brass caps and castors, 158cm x 42.5cm. £600-800 Provenance: Cadnam Lodge, Cadnam, Hampshire.

198. A George II style giltwood and gesso wall mirror, with a leaf and scroll carved frame to a diaper ground, 19th century, 133.7cm high, 69.7cm wide. £500-700 Provenance: Cadnam Lodge, Cadnam, Hampshire. λ 199. A late Regency mahogany sofa table, with ebonised stringing, the drop-leaf top crossbanded in rosewood, above two frieze drawers fitted lion’s mask handles, with false fronts to the reverse, with solid trestle ends united by a turned stretcher on gilt brass paw sabots and castors, 72.1cm high, 101cm closed, 76cm deep. £1,000-1,500 Provenance: Cadnam Lodge, Cadnam, Hampshire.

198

197

199

45

200. A 19th century French silvered wall mirror, with an arched plate to a foliate decorated moulded frame, 107.2 x 70.8cm. £80-120 Provenance: Cadnam Lodge, Cadnam, Hampshire.

201. An early 19th century mahogany bookcase cabinet, the detachable cornice with a pendant moulding above a pair of lancet astragal glazed doors enclosing three shelves, the base fitted with two slides, 210.6cm high, 108.7cm wide, 56.5cm deep. £400-600 Provenance: Cadnam Lodge, Cadnam, Hampshire.

200 202. A mahogany tripod table, with a circular dished tilt-top, on a turned stem and cabriole legs to pad feet, 18th century but top and base associated, 69.3cm high, 57.3cm diameter. £300-400 Provenance: Cadnam Lodge, Cadnam, Hampshire.

201

202

203. A mahogany two tier table, with ring turned supports, the base fitted a drawer, 82cm high, 66cm wide, 43cm deep. £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

46

204. A late Victorian mahogany window seat in Adam style, upholstered with gingham fabric, the frame carved with paterae and ribbon tied husks, 64cm high, 77cm wide, 35cm deep. £300-400 Provenance: Cadnam Lodge, Cadnam, Hampshire.

205 206 205. An early 19th century mahogany bowfront chest, the satinwood and tulipwood banded top above four long graduated drawers fitted later brass handles, on swept feet, 90.6cm high, 94.5cm wide, 52.7cm deep. £800-1,200 Provenance: Cadnam Lodge, Cadnam, Hampshire.

206. A Louis XVI style wall mirror, the oval plate to a painted moulded frame and with a gilt gesso crossed torch and dove surmount and a laurel pendant, late 19th century, 89 x 51cm. £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

207. A George III mahogany tripod table, the oval tilt-top on a vase turned stem, top and base possibly associated, 69.5cm high, 64.3cm wide. £100-150 Provenance: Cadnam Lodge, Cadnam, Hampshire.

208. A late Regency mahogany open armchair, with scroll arms to a later upholstered stuffedover seat. £100-150 Provenance: Cadnam Lodge, Cadnam, Hampshire.

209. A Regency mahogany tripod table, the rectangular fixed top on a ribbed vase turned stem, 61cm high, 53.2cm wide. £100-150 Provenance: Cadnam Lodge, Cadnam, Hampshire.

207

208

209

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210. A giltwood overmantel mirror in George III style, with a bevelled central plate flanked by marginal plates, with a scrolling leaf surmount, late 19th / early 20th century, 80.8 x 86.3cm. £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

211. A 19th century Chinese porcelain vase, decorated a battle scene in a wooded rocky landscape, 61cm high. £200-300 210

211

Provenance: Cadnam Lodge, Cadnam, Hampshire.

212. A pair of brass and turned mahogany candlestick table lamps, 35.3cm high excluding fitting, with shades. (2) £80-120 Provenance: Cadnam Lodge, Cadnam, Hampshire.

213. A large pair of Chinese blue and white porcelain vases and covers, of baluster shape decorated with lions in watery landscapes, 114.7cm high. (2) £500-700 Provenance: Cadnam Lodge, Cadnam, Hampshire.

212 213

214. A pair of modern walnut fluted candlesticks by Linley, with chrome detachable holders, the bases stamped ‘LINLEY’, 30cm high. (2) £50-100 Provenance: Cadnam Lodge, Cadnam, Hampshire.

215. A pair of brass candlesticks, with faceted stems and dodecagonal bases, 18th/19th century, 28.8cm high, 12.8cm wide. (2) £80-120 Provenance: Cadnam Lodge, Cadnam, Hampshire.

215

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214

216. After J. Clark 'The City of Edinburgh' and 'The Town of Tain' Coloured aquatints Published by Smith & Elder, London, 1824 and 1828 48.5 x 65cm Mounted, framed and glazed (2)

£150-250

217. After J. M. W. Turner R. A. Four landscape views: 'Battle Abbey', 'Ashburnham', 'Beauport' and 'Rosehill' Coloured aquatints 43.3 x 59.3cm Mounted, framed and glazed (4) £100-200

Provenance: Cadnam Lodge, Cadnam, Hampshire.

Provenance: Cadnam Lodge, Cadnam, Hampshire.

218. After John Francis Sartorius ‘Shooting’ Coloured mezzotint Published July 4th 1801 by John Jeffryes, Clapham Road for S. W. Reynolds 44.5 x 55.5cm Mounted, framed and glazed £100-150

219. Three coloured engravings Still life of flowers 44.5 x 37.5cm Mounted, framed and glazed (3)

£80-120

Provenance: Cadnam Lodge, Cadnam, Hampshire.

Provenance: Cadnam Lodge, Cadnam, Hampshire.

220. A pair of terracotta horse’s head circular plaques, 59.5cm diameter. (2) £50-100

220

Provenance: Cadnam Lodge, Cadnam, Hampshire.

49

221. Augustus Jules Bouvier (1825-1881) Mother and child Signed lower right Oil on canvas 19.6 x 14.7cm Gitlwood frame with 'Charles Daggett Gallery' label £500-700 Provenance: Cadnam Lodge, Cadnam, Hampshire.

222. Dutch School late 18th century Still life of flowers Oil on board 33.2 x 27cm Framed £500-700 222

221

Provenance: Cadnam Lodge, Cadnam, Hampshire.

223. French School late 18th / early 19th century An amourous couple in a glade Pastel 50 x 53.5cm Framed and glazed, with an old stencil mark to verso £150-250 Provenance: Cadnam Lodge, Cadnam, Hampshire.

223

224

224. Manner of John Anthony Park (1880-1962) Harbour scene Unsigned Oil on board 38.5 x 28.5cm Framed, verso with a label for 'TONY SANDERS GALLERY, PENZANCE' inscribed in pencil 'JOHN ANTHONY PARK' £400-600 Provenance: Cadnam Lodge, Cadnam, Hampshire.

225. David Stribbling (b.1959) Elephants at the foot of Kilimanjaro Signed lower left Oil on canvas 49.6 x 59.7cm Framed Together with a gouache of an elephant by Victor Hayton. (2) £200-300 Provenance: Cadnam Lodge, Cadnam, Hampshire.

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225

SCULPTURE

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226. A late 19th century gilt bronze model of a recumbent great dane, 18.3cm long. £100-150

227. An Austrian bronze model of a ‘GESCHUTZT’, early 20th century, 7cm high.

228. A painted metal pepperette in the form of a spaniel, with a pierced screw-off head, 10cm long. £40-60

229. An Austrian cold painted bronze foxhound, stamped ‘GESCHUTZT’, 11.3cm high, 12.6cm long. £150-250

230. An Austrian cold painted bronze model of a great dane, sporting a collar, early 20th century, 7.6cm high, 9.8cm long. £80-120

231. An Austrian cold painted bronze vesta in the form of a pug dog, smoking a pipe, with a hinged neck and a strike on its back, stamped ‘GESCHUTZT’, late 19th century / early 20th century, 6.1cm high. £150-200

52

puppy,

stamped £100-150

232. A 19th century bronze model of a spaniel, mounted on a wooden plinth, 17.3cm long. £80-120

233. A bronze model of a poodle, together with a bronze model of a terrier, previously mounted, 19th century, 7cm long, max. (2) £80-120

234. An Austrian cold painted bronze model of a kingfisher, stamped ‘GESCHUTZT’, early 20th century, 6cm high. £80-120

235. A late 19th century French gilt bronze paperweight modelled as a dead game bird, signed ‘ARVIS’, 17cm long. £80-120

236. Two Austrian cold painted bronze models of pheasants, 8.1cm long, max. (2) £100-150

237. An Austrian cold painted bronze model of a seated dog, stamped ‘GESCHUTZT’, late 19th century, 11.4cm high. £150-250

53

239

238. A bronze model of a hare, 40cm high, 40.3cm long. £150-250 238

239. A bronze model of a lizard, 15.8cm long.

£50-80

λ 240. Two late 19th century bronze models of Scottie dogs, each on a rosewood plinth, 6cm high, max. (2) £80-120

241. A late 19th century French bronze model of a fox with a vase, on a rouge marble plinth, 7.3cm high. £100-150

242. A late 19th century bronze model of an elephant, with bone tusks, 20.2cm long. £150-250

243. A pair of bronze and marble cat bookends, the bronze stamped ‘JULE MOIGNIEZ’, modern, 19.7cm high, 17.4cm wide. (2) £100-200

54

244. An Austrian cold painted bronze model of a stork, with her five chicks, late 19th century / early 20th century, 9.3cm high. £250-350

245. An Austrian cold painted bronze figure of a Whirling Dervish

by Franz Bergman, the back of his robes stamped with a ‘B in a vase’, late 19th century / early 20th century, 19.7cm high. £350-450

246. An Austrian cold painted bronze model of a snarling tiger, mounted on a rocky base, late 19th / early 20th century, 11.8cm high, 16cm wide. £500-600

246

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247. After the antique. A large late 19th century Italian bronze model of Hermes, seated on a marble rock, 53.5cm high, 52.5cm wide. £1,200-1,500

247

248. After Giambologna. Fortuna, bronze, on a black marble plinth, late 19th century, 75.1cm high, 14.4cm diameter. £400-600

249. After Giambologna. Fortuna, bronze, with the remains of a green patination, on a black marble plinth, late 19th century, 53.3cm high, 13.3cm diameter. £150-200

248

249 250. Donadello (20th century). Bust of a putti, bronze, signed, 23.5cm high. £30-50

251. A 19th century bronze bust of a classical philosopher, on a gilt base and a later wood plinth,19.8cm high, 11.3cm wide. £100-150

56

250

251

252. After the antique. An Italian carved alabaster model of the Crouching Venus, with a separate base, 66.3cm high, 32cm wide. £200-300

253. After Michelangelo. Lorenzo de Medici, alabaster, Italian late 19th century, 42.9cm high, 18cm wide. £200-300

253

252

254. An Italian carved white marble bust of a Roman lady, 12.3cm high, 10cm wide, on an associated giltwood stand. (2) £150-200 255

254

255. A pair of 19th century French bronze cherubs, personifying Autumn and Summer, standing on Siena marble plinths, 22cm high, 9cm wide. (2) £300-400

256. A Victorian plaster figure of Ariadne and the panther, stamped ‘45’, under a glass dome and on an ebonised base, 46cm high, 47.1cm wide. £150-200

256

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257. An Austrian cold painted bronze model of a snarling fox, stamped indistinctly ‘..DEK’, on an onyx base, early 20th century, 14.7cm wide. £200-250

257

258. An Austrian cold painted bronze model of a snipe, mounted on an onyx ashtray, early 20th century, 8.1cm high, 17cm wide. £100-150 258 259. After Pierre Jules Mêne (1810-1879). A standing horse, bronze, the base signed ‘P.J. MENE’, 10.2cm high, 12.7cm wide. £200-300 Provenance: Purchased from the Wilton House Antiques Fair, c.1994.

260. A bronze model of a roaring lion, the base inscribed ‘ONT. FICZEK. K. BPT.’, mounted on a marble plinth, late 19th / early 20th century, 17.7cm high, 26.4cm wide. £200-300

259

260

261. Pierre-Jean David, called David d’Angers (French 17881856). Two bronze bas-relief portrait medallions, one of Hughes Felicite Robert de Lamennais (1782-1854), priest, philosophical and political writer, dated 1834, the other of Casimir Delavigne (1793-1843) poet and dramatist, dated 1833, both signed,15cm diameter, max, later mounted on wood plaques, with brass suspension loops. (2) £100-200 Provenance: Ex collection Ralph Holland (1917-2012), art historian.

262. After Auguste Nicolas Cain (1822-1894). A pair of relief plaques of pheasants and a hen with her chicks, bronze, signed ‘A. CAIN’, 10.4 x 23.2cm, in moulded oak frames. (2) £120-180

261

262

58

263. Georges Marie Valentin Bareau (1866-1931). L’Histoire, gilt and patinated bronze, signed ‘GEORGES BAREAU’ and stamped ‘F. BARBEDIENNE Fondeur’, ‘H’ and numbered ‘62749’, 49.7cm high, 42.5cm wide, 19.2cm deep. £3,000-4,000

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264. A pair of Victorian bronze busts of gentlemen, each on a turned ebonised socle, 20.6cm high, 11.4cm wide. (2) £120-150

265. B. Lillian Link (1880 - ). Pan, bronze, signed ‘Copy B.L.Link,’ 13.4cm high. £150-250

264

266. Susan Ruth Canton (late 19th century). Hebe, bronze, signed and dated ‘S. R. CANTON 1896’, titled ‘HEBE’ and ‘EXECUTED IN PARIS FOR THE ART UNION OF LONDON’, on a rouge marble plinth, 30.6cm high, 13cm wide. £300-500

267. An early 20th century bronze model of a naked young girl holding a cat, the circular base signed ‘JU 13’, previously mounted, 15cm high. £150-200

268. Ruffino Besserdich (Austrian fl.19001920). A boy holding a basket of fruit, bronze, signed ‘Ruff’, 15.3cm high. £200-300 266 269. A bronze statue of a stylized nude female figure, mounted on a perspex base, 57.5cm high. £100-200 265

267

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268 269

270

270. A Regency mahogany chaise longue, the scroll frame carved with anthemion, leaf and rondel decoration, 85cm high, 206cm wide, 64.7cm deep, together with a footstool. (2) £600-1,000

270 detail

271. A George IV mahogany sarcophagus wine cooler, with nulled mouldings and brass ring handles, the turned stem on leaf carved and moulded legs and brass castors, 70cm high, 52.1cm wide, 39.7cm deep. £800-1,200

271

λ 272. A George IV rosewood sewing table, with nulled decoration, the hinged top on a brass ratchet to a divided interior with pin cushions, above a frieze drawer with ink compartments above a pull-out bag, on stretchered trestle ends on scroll feet and brass castors, 70.5cm high, 55.4cm wide, 41.3cm deep. £500-700

272

273

273. A George IV simulated rosewood and marquetry inlaid settee, with bolster cushions, 88.3cm high, 204.5cm wide, 66cm deep. £300-400 274. No lot

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λ 275. An early 19th century rosewood sofa table, inlaid stringing and satinwood banded above a pair of frieze drawers fitted replaced brass handles, with false fronts to the reverse, 70.5cm high, 95cm closed, 61.3cm deep. £300-400

276. An early 19th century mahogany side table, inlaid ebonised stringing, the crossbanded top above two frieze drawers, 72.8cm high, 91.3cm wide, 51.5cm deep. £100-200

277. A Regency mahogany side table, the applied reeded edge top above a frieze drawer fitted replaced ring handles, 76cm high, 86.8cm wide, 49cm deep. £100-200

278. A William IV chaise longue, with a carved mahogany show frame on tapering lappet carved legs and later brass castors, with squab and bolster cushions, 89.2cm high, 201.8cm wide, 63.5cm deep. £250-350

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279. A set of six Regency ebonised and parcel gilt open armchairs, each with a lyre back decorated with ribbon tied drapes and crossed arrows with a laurel wreath, with spiral fluted arm supports to a cane seat and squab cushions, on turned supports, the seat rails stamped with workmen’s marks ‘R’, ‘SB’, ‘H’, ‘E H’, ‘AC’ and ‘E R’. (6) £2,000-3,000 Provenance: By repute the Arkwright Family, Derbyshire. Purchased from Millhouse Antiques, Halfway Bridge, Near Petworth.

280. A Regency ebonised and parcel gilt three seater sofa, with a pierced top rail decorated with ribbon tied drapes, to fluted twist arms, with a cane seat, sides and seat, and a squab cushion and bolsters, the frame stamped ‘TF’, 88.8cm high, 195.2cm wide, 75cm deep. £1,500-2,000 Provenance: By repute the Arkwright Family, Derbyshire. Purchased from Millhouse Antiques, Halfway Bridge, Near Petworth.

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281. An early 19th century mahogany Canterbury, with a pierced handgrip, above four dipped divisions and a frieze drawer, fitted replaced handles, on brass castors, 50cm high, 49.5cm wide, 35.7cm deep. £300-500

282

281

λ 282. A William IV rosewood Canterbury after a design by J. C. Loudon, with three ‘X’ shape divisions decorated with laurel wreaths, above a frieze drawer on brass castors, 48.9cm high, 53.5cm wide, 41cm deep. £300-500

283. An early 19th century mahogany tripod table, the circular tilt-top on a turned stem, 68.7cm high, 47.4cm diameter. £200-300

284 283

284. A William IV fiddleback mahogany teapoy, the interior with a pair off hinged lidded pull-out canisters flanked by an aperture for a sugar bowl, on a ribbed and lobed stem and sunken brass castors, 86.8cm high, 47.5cm wide, 36cm deep. £200-300

285. A Regency mahogany hall chair, with a gorget back to a dished bell seat and ring turned supports. £100-150

286. A George IV mahogany occasional table, with a frieze drawer originally with divisions, on a turned stem and lappet carved legs, with sunken brass castors, 70.2cm high, 47cm wide, 53.2cm deep. £300-500

285 286

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287. A William IV oak and brass mounted rent table by Benjamin Sayles Esq., constructed from timber and stone donated by amongst others the Duke of Norfolk and Earl Fitzwilliam from Roche Abbey, Tankersley Hall, York Minster and Pontefract Castle, the circular revolving top with a central brass plaque within a cicular section of oak, inscribed ‘PONTEFRACT CASTLE 1074’, to a moulded edge applied with a brass band with the remains of an inscription above four frieze drawers and four false fronts, with applied stone panels with inscriptions, on a turned stem, quatreform base and sunken wood castors, together with letters and documents relating to the table and the donation of the oak and stone, 75.5cm high, 123.2cm diameter. £1,500-2,500 Provenance: Made by Benjamin Sayle Esq, Yorkshire, c.1835-40 and by descent to General Sir Henry C. Jackson K.C.B. of Piddletrenthide, Dorset and thence to the present owner.

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288

289 288. A George III mahogany stool, with a drop-in seat on moulded and chamfered legs united by an ‘H’ stretcher, 45.6cm high, 47.8cm wide, 37.5cm deep. £60-80

λ 289. A William IV rosewood centre table, the circular tilt-top with an applied scrolling leaf edge above a carved lappet stem and a leaf and petal base with conforming scroll feet to castors, 75.3cm high, 147.7cm diameter. £400-600

290. A William IV goncalo alves occasional table, the circular fixed top on a turned stem and a triform base with disc feet, the underside with a White & Co. Ltd depository label for the ‘Earl of Portsmouth’, 69.4cm high, 51cm diameter. £200-300 Provenance: The Earl of Portsmouth.

290

λ 291. A William IV rosewood Ottoman, on carved paw feet and ceramic castors, 47.6cm high, 52.8cm square. £250-350

66

292. A William IV goncalo alves centre table, the rectangular fixed top on a lappet carved stem, the quatreform base with scroll carved feet and castors, 69.8cm high, 145cm wide, 85.6cm deep. £300-500

λ 293. A George IV rosewood corner drop-leaf table in the manner of Gillows, the satinwood and rosewood banded hinged top to a vacant part divided interior with a brass lock stamped ‘GR Crowned PATENT’ and a metal trade label for A. Stair & Co. New York, on ribbed legs, one support now fixed, united by a shaped undertier, on brass caps and castors, 73.3cm high, 89.8cm wide, 46.4cm deep, closed. £600-800

293

294

295 294. A George IV mahogany serving table, inlaid ebonised stringing, the banded hinged top on lopers, above a panelled cupboard door, enclosing a shelf, flanked by carved lioness masks on waisted and fluted tapering columns on carved paw feet, 92cm high, 91.5cm wide, 56cm deep. £600-800

295. A 19th century satinwood bergère, with cane back, sides and seat, button upholstered cushions, to urn arm supports on turned front legs and brass castors. £300-500 296 296. A large Victorian walnut serpentine edge stool, the button upholstered and tasselled seat, to a moulded and carved frame and cabriole legs, 40.5cm high, 128.5cm wide, 61cm deep. £200-300

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297. A Regency style mahogany centre table, on reeded splay legs and brass castors, 73.6cm high, 90.8cm wide, 59cm deep. £150-250

298. A William IV mahogany work table, with a cedar lined frieze drawer above a pull-out bag, with a ‘U’ shaped support, on sunken brass castors, 75.7cm high, 81.3cm wide, 45cm deep. £200-300

299. A late George III mahogany card table, inlaid stringing, the hinged top on twin gate supports, 74.4cm high, 91.4cm wide, 45.2cm deep. £350-450

300. A late George III mahogany hall table, with a three quarter gallery above an oak lined frieze drawer, fitted replaced brass handles, 80cm high, 93.6cm wide, 56.7cm deep. £100-200

301. A mahogany tripod table, the circular tilt-top on a vase turned stem and cabriole legs, George III and later top and base possibly associated, 68.3cm high, 72.3cm diameter. £100-200

302. A Regency mahogany tripod table, the circular fixed top on a ring turned vase stem 72cm high, 66.5cm diameter. £300-400

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303. A Regency mahogany side cabinet, with a frieze drawer above a pair of doors enclosing a shelf, 136.3cm high, 72.2cm wide, 45.8cm deep. £100-200

304. A William IV mahogany pedestal writing cabinet, the reeded hinged top revealing a tooled leather slope, a pen tray and inkwell compartments, one present, the panelled door enclosing two short and three long drawers with turned bone handles and a cupboard, on lobed tapering feet, 89cm high, 47.3cm wide, 49cm deep. £400-600

λ 305. A George IV mahogany card table, the rosewood banded hinged and swivel flame veneered top, to an applied carved frieze with nulled mouldings, on a leaf carved stem and hipped swept legs terminating in moulded brass sabots and castors, 74.7cm high, 91.3cm wide, 45.3cm deep. £400-600

306. A Regency mahogany sofa table, the crossbanded drop-leaf top inlaid stringing, above a pair of frieze drawer with false fronts to the reverse, with replaced handles, with a high stretcher on splay legs and brass caps and castors, 71.1cm high, 101.8cm wide closed, 68cm deep. £200-300

307. A Regency mahogany reading table, the hinged top on a ratchet, originally with a rest, with a brass candle sconce, on tripod supports, 76cm high, 39.9cm wide, 34.4cm deep. £200-300

λ 308. A quartetto nest of George IV rosewood occasional tables, each with a beaded top on ring turned tapering legs, united by a curved stretcher, 76.1cm high, 46.5cm wide, 32.8cm deep. (4) £800-1,200

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310. A Victorian brass doorstop in the form of a woodsman with his dog, 35.3cm high, 21.7cm wide. £200-300

309. A Victorian brass doorstop in the form of Lord Nelson, standing on a stepped base and on paw feet, 39cm high, 23.5cm wide. £250-350

311. A near pair of Victorian brass doorstops modelled as stags, with a leaf handle, one with a cast iron base, 40.4cm high, 18.5cm wide, max. (2) £250-350

312. A Victorian brass doorstop in the form of a bust of Bacchus, 24.8cm high, 14cm wide. £120-180

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313. A Victorian bronze doorstop in the form of Punch, 29.7cm high, 22.1cm wide. £120-180

314. A pair of 19th century brass centaur andirons, each on a pierced scroll base, 39.1cm high, 26cm wide. (2) £250-350

315. A pair of late 19th century brass wall brackets, dated ‘1560’ and inscribed ‘MR DUGDALBE’ above a portrait bust inscribed ‘T. BRISSON’, with griffins and gargoyles, the base with a castle, the reverse indistinctly stamped, 32.5cm long, 22cm wide. (2) £300-400

316. A 19th century graduated set of nineteen copper pans, five with brass handles, the other steel, some numbered, 24.4cm high, 57.5cm wide, max. (19) £500-700

317. A Victorian copper jelly mould by Benham & Froud, with maker’s mark and numbered ‘607’, 11.3cm high, 17.2cm wide, and three other copper pots and jugs. (4) £80-120

318. A William IV copper samovar, with a brass tap and ebonised wood handles, the underside of the lid stamped ‘BARRON & SONS STRAND LONDON’, 42.6cm high, 31.5cm wide. £60-80

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319

320

319. A 19th century Chinese export lacquer lady’s writing desk, with fitted interiors including: a lift-out tray and a drawer, in three parts, 166.4cm high, 63.5cm square. £200-300

321

320. A Chinese hardwood desk, in two sections, carved with dragons, flowers and foliage, fitted with cupboards, drawers and pigeon holes, 1st half 20th century, 140.7cm high, 115.4cm wide, 68cm deep. £400-600 321. A pair of Chinese lacquered jardinière stands, the undertiers with pierced galleries, 19th century, 83cm high, 44.7cm wide, 38.5cm deep. (2) £200-300

322. A Chinese hardwood stool, late 19th century, 56.5cm high, 63.5cm wide, 30cm deep. £100-150

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323. A Chinese padouk centre table, with a leaf and fruit carved frieze, late 19th century, 69.5cm high, 80cm wide. £200-300

324. An 18th century teak tea table, the faded hinged top on twin gate supports, above a drawer the frieze with fluting and carved paterae, on stop fluted tapering legs, possibly AngloChinese, 75cm high, 86cm wide, 42.3cm deep. £300-500

324

325

λ 325. A Chinese amboyna and brass mahjong set, inlaid ivory, the hinged lid to a fall front containing five drawers of ivorine tiles and counters, early 20th century, 19.1cm high, 22.6cm wide, 16.6cm deep. £50-100

326 top

326. A nest of three early 19th century Anglo-Chinese padouk occasional tables, each with a burr top with ebonised beading on turned supports with curved stretchers, the undersides with printed paper labels ‘MAJOR IRVINE’ and with Chinese characters, 74.5cm high, 38.4cm wide, 32cm deep. (3) £1,500-2,500 327. A Chinese horn bowl, carved with buildings in a rocky landscape, 4.7cm high, 8.7cm diameter and a Chinese celadon jade vase, relief carved with flowers and foliage. (2) £30-50

326 327

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328

328. A Thai carved wood and polychrome decorated temple dog, 103cm high, 123cm wide. £200-300 329. An Indian hardwood and bone inlaid octagonal occasional table, the top with ebony banding and inlaid urns of flowers with a star, on a folding base, late 19th century, 52.6cm high, 54.5cm wide. £200-300

329

331. A Kashmiri lacquer tray, with a glazed top on an associated English chinoiserie stand, early 20th century, 64.5cm high, 57cm wide. (2) £200-300

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330. An Indian hardwood occasional table, on three elephant’s head and trunk legs, late 19th / early 20th century, 39.1cm high, 37.3cm diameter. £80-120

332. Two Moorish octagonal occasional tables, both inlaid with mother of pearl, one with marquetry and with a hinged top revealing a padded silk lined interior, 51.8cm high, 43cm wide. (2) £100-200

330

333. A Moorish cypress and inlaid occasional table, with chevron banding, the circular top with mother of pearl inlay, on a folding base with turned spindles, late 19th century, 71.6cm high, 58.9cm wide. £150-200

334

334. A pair of Mughal carved buffalo horn models of recumbent camels, with inset bone and horn eyes and white metal ears and horns with traces of gilding, each on a canted base with a rondel border, 2nd half 19th century, 7.3cm high, 10cm wide, max. (2) £200-300

335. An early 20th century Indian silk and metal thread embroidered panel, decorated with lions, elephants, stags and trees, 47 x 78.2cm. £80-120

337. A collection of eighteen brass fish incense burners, each with loops for suspension and some with hinged heads and a similar turtle incense burner, possibly Indian, 29.1cm long, max. (19) £300-400

λ 336. A 19th century Anglo-Indian calamander workbox, the divided sandalwood and sadeli work interior with bone and ivory thread holders, above a base drawer fitted with a baize lined slope with compartments, with white metal handles, 13cm high, 44.5cm wide, 29cm deep. £200-300

338. A relief carved and polychrome decorated hardwood panel, depicting the the city of Lhasa and the Potala Palace, with remains of inscription, 28 x 51.5cm. £40-60 Provenance: Ernest Ohly, Berkeley Galleries, London.

339. An Indian carved horn figure of a priest, holding a flower, 22.4cm high. £100-150

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λ 340. Eleven ivory gentleman’s toilet items, two hand mirrors, four brushes, a pair of boot-pulls, a button hook, a shoe horn and a leather cased razor strop, ten with the Smyth double crest of a unicorn and stag, ducal coronet and the motto ‘EXALTABIT HONORE’, late 19th century, 26.7cm long, max. (11) £50-100

λ 341. A Japanese carved ivory box and cover, decorated with tigers, 9.7cm high, 10.5cm wide. £100-150

λ 342. Two ivory handled walking canes, one with a horn collar, the other with a white metal braided collar, hardwood shafts, 86cm long, max. (2) 40-60

λ 343. A late 19th century continental carved ivory Corpus Christi, 44cm long, 21.4cm wide, hung on a purple velvet panel. £400-600

λ 344. A 19th century turned ivory seal, the conical body with a screw-off cover and with a hatched matrix, 9.5cm high, two ivory sewing shuttles and a carved bone brooch of a recumbent stag. (4) £40-60

λ 345. A Victorian turned ivory gavel, with the initials ‘A.F.Q’, 15.9cm long. £80-120

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346. A late 19th century Chinese lacquer games box, with chequer and backgammon boards, decorated with dragons, 8.2cm high, 42cm wide, 21cm deep, together with an associated part chess set and four bone dice. (38) £20-40

λ 347. A late 19th century Japanese ivory and white metal server in the form of a shovel, the handle carved with monkeys, 26.3cm long and a cased pair of gilt metal and mother of pearl fork and shovel servers. (3) £50-80

λ 348. A late 19th century Chinese carved ivory part chess set, the king: 8.8cm high, the pawn: 4cm high. (30) £40-60

λ 349. A 19th century ivory Staunton pattern chess set, natural and stained red, the king: 8.5cm high, the pawn: 3.9cm high, together with a Chinese lacquer folding games board, with chequer and backgammon boards, 49.5cm wide. (35) £400-600

λ 350. A Staunton pattern ivory chess set in the manner of Jaques, natural and stained red, the king: 11.3cm high, the pawn: 5.2cm high, with a plush fabric lined mahogany box, late 19th / early 20th century. (33) £1,000-1,500

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λ 351. A late 19th century French Dieppe carved ivory handle, of a well attired lady, 14cm long. £80-120

351

λ 352. Five ivory rulers, by Hudson & Kearns, Heywood, Stanley, Army & Navy, J.P. Hall, 31.3cm long, max. an unmarked ivorine example, and two boxwood rulers, by Army & Navy and Winsor & Newton. (7) £80-120

λ 353. Four ivory billiard balls, colour faded, early 20th century, 5.8cm diameter, max. (4) £200-300

λ 354. A sailor’s scrimshaw whale tooth, engraved with a three masted sailing ship, with initials ‘F H’ and ‘RYE NOV ‘74’, 13.5cm long. £100-200

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355. A 19th century sailor’s woolwork picture, of a three masted ship flying the white ensign, 38.9 x 51.7cm, in a glazed maple frame. £400-600

356. An early 19th century Napoleonic Prisoner of War bone automaton group, with two ladies wearing bonnets and a young girl, with a cradle and a birdcage, with traces of painted decoration, with a later glass dome and oak plinth, 21cm high, 21cm wide. £800-1,200

357

356

357. An early 19th century French Prisoner of War bone and baleen model of a ninety gun ship of the line, fully rigged with pinned and planked hull and brass cannon, standing on a stepped straw-work marquetry base within a glazed and brass framed octagonal case, 16cm high, 23.3cm wide, 11.6cm deep. £1,500-2,000 Provenance: Hampton & Littlewood, 21st June 2006, lot 259.

358. An early 19th century Napoleonic Prisoner of War bone and baleen model of a ninety gun second rate ship of the line, with a carved figurehead, restored, 14cm high, 20cm long on a later stand and base, under a glass dome, 19.7cm high, 28.5cm deep. £1,000-1,500 Provenance: Admiral The Honourable Duncombe Pleydell-Bouverie.

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359

361

360

359. A Victorian papier-mâché writing slope, the hinged lid painted with flowers and inlaid with mother of pearl, the interior with a plush lined writing surface, a pen tray and an inkwell compartment, 10cm high, 34.2cm wide, 28.6cm deep. £100-150 360. A George III harewood and marquetry tea caddy, of canted form with panels of flowers, the interior with a single lid with a brass handle, 11.2cm high, 15cm wide. £200-300 361. A 19th century mahogany and brass writing slope, the lid and front with vacant plaques, the base with a drawer with sunken brass handles, 17cm high, 45.3cm wide, 25.4cm deep. £100-150

λ 362. A Regency rosewood and penwork sewing box, the lid with a classical engraving, to bands of scrolling foliage and parquetry, the divided interior with a paper label inscribed ‘BETTISON’S MARGATE LIBRARY’, with a lift-out tray, with later lion’s mask handles, originally on feet, 13cm high, 30.3cm wide, 24.8cm deep. £180-220

80

λ 363. A Victorian rosewood and mother of pearl inlaid writing slope, with brass stringing and sunken carrying handles, the satinwood veneered interior with a plush and leather lined writing surface, with a lidded pen compartment and divisions for inkwells, 15cm high, 40.7cm wide, 25.7cm deep. £100-200

364. An early 19th century Mauchline ware sycamore and penwork snuff box, of curved form, the hinged lid decorated with a scene taken from Robert Burns’ poem the Whistle, with Sir Robert Lawrie of Maxwelton seated and the Dane under the table, inscribed ‘The Whistle- vide Burns’ and ‘Then uprose our bard like a prophet in drink.’, the body and base decorated with vine leaves and grapes, 8cm wide. £100-200

365. A collection of Mauchline ware, including: egg cups, card cases, boxes, a glove stretcher, a string box, a letter rack, printed with various views including 'SOUTH PIER BLACKPOOL', 'WEST PORT ST. ANDREWS' and 'CASTLE STREET ABERDEEN', 27cm long, max. (24) £300-400 366. A collection of Mauchline ware, including: a cauldron, an egg cup, a watch stand, various boxes, a page turner, a letter opener, a needle case, a barrel, printed with various scenes including: 'NEW LANDING PLACE & PIER MARGATE', 'BURNS' COTTAGE', and 'BUNKER HILL MONUMENT', 26.7cm long, max. (29) £300-400

366

365

367. A collection of treen, to include: a money box, perfume cases, a needle case, three eggs, two rolling pins one marked 'J. E. WHITLEY', a wine barrel marked 'PORTUGAL', a quaich, pots and covers, two oriental page turners, two lacquer boxes, 45.3cm long, max. (31) £300-400

368. A set of late 19th century pine skittles, each decorated with Mauchline type transfer printed topographical views of Paris, titled ‘LE PALAIS DE L’INDUSTRIE ET LES CHAMPS ELYSES’, ‘CHATEAU ET PARC A VERSAILLES’ and ‘COLONNE DE LA PLACE VENDOME’, with two balls, 23cm high, within a pine box. (12) £150-200

369. A collection of Mauchline ware, including: a pair of vases printed with 'BRIDGE OF ALLAN' and 'NATIONAL WALLACE MONUMENT' 'MADE OF WOOD GREW ON THE ABBEY CRAIG', 29cm high, a cauldron, two napkin rings, an egg cup and various boxes. (26) £300-400

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λ 370. A Regency rosewood and brass mounted portable inkstand by Edwards, London, with a turned wood handle to three glass inkwells each with a silver lid engraved a lion passant over a crown crest, hallmarked for 1817, with two pen trays above a frieze drawer the base with a printed paper label for ‘EDWARDS REAL Manufacturer, to H.R. HIGHNESS THE DUKE OF YORK, 21 King Street & Bloomsbury Square, LONDON’, 10.7cm high, 30.8cm wide, 24.5cm deep. £300-500

371. A 19th century French kingwood and amboyna liquor set, with brass mounts, the hinged lid and sides to a serpentine front revealing a lift-out amaranth and ormolu mounted decanter stand with four decanters and thirteen glasses, one damaged, all with etched and gilt decoration, 27.2cm high, 34.3cm wide, 26.6cm deep. £400-600

λ 372. An early Victorian rosewood portable deskstand, with a turned handle the twin hinged top revealing a pen tray and three ink compartments, with one associated glass well with a brass lid, the hinges stamped ‘P.M. & Co.’, with a long base drawer, 14.5cm high, 23cm wide. £80-120

373. A Regency mahogany paint box, with barber’s pole stringing to the hinged cover, with a printed trade label for ‘W.J.REEVES & WOODYER, late T.Reeves & Son...’ with a single division and a drawer below, 5.6cm high, 22.2cm wide, 10.7cm deep. £50-100

374. An early 19th century mahogany sarcophagus shape tea caddy, with boxwood edging, the ring handle with a basket of flowers plate, feet lacking, 15cm high, 28.5cm wide. £80-120

Reeves & Sons, supplier of artist’s materials since 1766. The partnership of Reeves and Woodyer ran from 1800-1816.

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375. A William IV tooled leather writing box by Bramah & Prestage, with a sunken brass handle inscribed ‘W. H. RICHARDS’, the flame mahogany veneered interior with a writing surface and a twin lidded compartment the underside with pen loops and a letter pouch a further hinged lidded compartment with a lift-out tray and an inkwell compartment, with a green printed maker’s label inscribed ‘BRAMAH & PRESTAGE, 124 Piccadilly, MANUFACTURERS, By Appointment, To their Royal Highnesses THE DUCHESS of KENT and THE PRINCESS VICTORIA’, the brass lock stamped ‘I. BRAMAH 124 PICCADILLY’, 9.5cm high, 35.5cm wide, 25.3cm deep. £300-400 Bramah & Prestage set up a partnership and took out a lease on premises at 124 Piccadilly in 1836 and they parted company in 1841.

W.H.Richards (1816-1885), a mining engineer at Cuiaba and Morro Velhos gold mines in Brazil during the 1840s. Perhaps this was a 21st birthday present before he set out overseas.

λ 376. A 19th century rosewood and brass writing slope, the lid and front with vacant plaques, the interior with a later leather writing surface, with sunken brass carrying handles, 16.7cm high, 40cm wide, 23.3cm deep. £180-220

377. A 19th century mahogany and brass writing slope, the interior with three baize lined hinged lids / writing surfaces, revealing divisions, a pen tray and ink compartment, the front edge stamped ‘H.STEVENS’, with side carrying handles, 17.7cm high, 53.4cm wide, 27cm deep. £100-150

λ 378. An early Victorian rosewood sewing box, inlaid mother of pearl and brass stringing, the silk and leather lined interior with a pouch to the underside of the lid, to a compartmented lift-out tray fitted with utensils and bone cotton reel holders, 12.2cm high, 30cm wide, 21cm deep. £100-150

379. A 19th century mahogany and brass bound writing slope, the lid with a brass plaque inscribed ‘Mrs McConnal’, the interior with a later baize lined slope, with divisions for ink and pens, with later lids, with sunken brass carrying handles, 12.5cm high, 37.9cm wide, 25.5cm deep. £150-250

83

380. A late Victorian mahogany miniature linen press, inlaid stringing and with satinwood banding, possibly an apprentice piece or for use by a travelling salesman, 27.8cm high, 24.2cm wide, 12.7cm deep. £150-250

381. A mahogany miniature bureau bookcase, inlaid barber’s pole stringing, the interior with pigeon holes, drawers and a cupboard, with a leather lined writing surface, 20th century, 53.8cm high, 32.3cm wide, 22cm deep. £400-600

382. A George III burr yew tea caddy, inlaid stringing with oval panels, the interior with twin lidded compartments, with brass handles, 12.7cm high, 18.7cm wide, 11cm deep. £100-200

383. A Japanese red lacquer work box, decorated with cranes, bamboo and prunus, the hinged lid fitted a mirror to a twin hinged front revealing an arrangement of six drawers and two lidded compartments, late 19th / early 20th century, 22.7cm high, 28cm wide, 36.3cm deep. £80-120

384. Two George III mahogany knife boxes, one with kingwood banding and a converted interior, the other with a part adapted interior, 37.7cm high, 23cm wide, 27.7cm deep, max. (2) £120-180

385. A Regency sycamore box, the hinged lid with a printed view of ‘Priory Bridge Farm, Hastings’, together with three other early 19th century boxes including a French / Swiss example with a painted lid and inscribed ‘Chapelle de Guillme Tell sur le lac des 4 cantons.’, 10.2cm wide, max. (4) £150-250

84

λ 386. An early 19th century French pressed burr maple circular snuff box, titled ‘Frederick the 11nd, King of Purfsia,’ Frederick the Great on horseback, marked ‘DE NAYES’ and indistinct text, the interior tortoiseshell lined, 7.6cm diameter. £250-300

387. An early 19th century French burr maple snuff box, the lid pressed with a view of the ‘COLONNE DE LA PLAC VENDOME’, the base with engine turned decoration, 8cm diameter, together with two 19th century papier-mâché snuff boxes. (3) £80-120

388

389 388. Four 19th century Stobwasser style papier-mâché snuff boxes, the lids painted with a man with a cup of coffee, a shooting party, a lady with roses in her hair and a comical scene of a horse in an interior with figures, 9.5cm diameter, max. (4) £100-200 389. An Italian papier-mâché oval snuff box, painted with Venetian scenes, a Russian papier-mâché snuff box, the lid decorated with fairytale figures, signed and dated ‘N.2888 Tanex 1965’, a Regency disc shape sycamore snuff box, with an ode ‘TO A FRIEND’ and a continental papier-mâché snuff box, 14.5cm wide, max. (4) £50-100 390. A late 17th century continental pressed horn oval snuff box, with brass mounts, the lid with a crucifix scene, the body of the box with various possibly Masonic symbols: ladders, a cockerel, a hammer, spears, crosses, flags, possibly Spanish or Italian, 9.5cm wide. £150-250 390

85

391 392 393

394

395

397 396

398 399

86

391. A Regency painted box of nine miniature books, the sliding cover decorated with the front of a secretaire bookcase and titled ‘THE BOOKCASE OF KNOWLEDGE’, the card bound volumes covering ‘ENGLISH GRAMMAR’, ‘ARITHMETIC’, ‘GEOGRAPHY’, ‘NATURAL HISTORY’, ‘Scripture History’, ‘STORIES’, ‘THE HISTORY OF ENGLAND’ and ‘BOTANY’, with some engraved plates, printed for ‘J. Wallis, No.16 Ludgate Street, by J. Cundee, Ivy-Lane, London 1800’, the reverse with the remains of a paper trade label, 16.6cm high, 10cm wide, 7.6cm deep. £100-150 392. A Victorian gilt tooled leather jewellery box, 30cm wide, a French pine miniature armoire, 33.7cm high, a 19th century mahogany box, an ebonised cruet stand, with a pierced gallery and a double sided bookstand. (5) £150-250 393. A late 19th century French bronze and enamel stationery casket, the domed lid revealing a divided silk lined interior together with a leather stamp box, 15.2cm high, 23.3cm wide. £150-200 λ 394. A George V tortoiseshell page turner, inset a white metal plaque engraved ‘GR’ below a crown, the reverse with a silver sixpence, 30.5cm long, a pair of carved mother of pearl devotional plaques, an 18th century brass seal of Christ carrying the cross, the matrix engraved ‘A’, a pair of jadeite and enamel earrings and a 1950 Bermuda crown. (7) £80-120

400

λ 395. A 19th century French ivory and brass telescopic two drawer opera glass, engraved with a coat of arms and inscribed ‘PATTE OPTN A BOULOGNE’, 10cm long, in a leather case, a 19th century marine ivory alphabet, painted with lower and upper case letters, in a turned ebony box and cover, a set of prisoner of war bone dominoes in a drum box and cover, a Chinese carved ivory box, a turned ivory example, a bone snuff box inscribed ‘S. MARIA’ and an Anglo-Indian ivory and sadeli box. (7) £150-200 λ 396. First World War interest. A teak tumbler cup, applied with a brass plaque inscribed ‘FROM THE TEAK OF H.M.S. IRON DUKE ADMIRAL JELLICOE’S FLAG SHIP JUTLAND 1916’, 5.2cm high, a treen and glass inkwell, 15.7cm diameter, a leather desk calendar inscribed ‘THE SEA INSURANCE COMPANY, LIMITED, LIVERPOOL & LONDON.’, a rosewood and bone inlaid photograph frame and two framed engravings. (6) £60-100 397. Two Huntley and Palmers biscuit tins, one in the form of a satinwood display cabinet, the underside of the lid inscribed ‘HUNTLEY & PALMERS, BISCUITS, READING & LONDON, ENGLAND’, the other as a sentry box ‘RUSSIA, FRANCE, BELGIUM and ENGLAND’, together with a German Gebr. Seim biscuit tin, the lid inscribed ‘Feinfte Nurnberger Seim Eliren-Lebfzichen’, 18.4cm high, max. (3) £100-200 398. An early Victorian dissected map of the World by J. Passmore, the sliding lid with a chromolithographed pictorial cover inscribed ‘A NEW SERIES OF DISSECTED MAPS BY J. PASSMORE ‘WORLD’ and ‘Sold at LEUCHARS LATE DUNNETT’S CHEAPSIDE, LONDON’, the map originally published by ‘G. F. Cruchley, Mapseller and Globe Maker, 81, Fleet. Street.,’, complete with seventy-four handcoloured engraved on wood pieces, the reverse inscribed in pen ‘Ellen Cottley Kemble from Mrs Hulbert February 5th 1862’, a Victorian jigsaw titled ‘OUR SAILOR PRINCES, GOD SAVE THE QUEEN’, in its original box with chromolithograph puzzle diagram together with a German hunting paper jigsaw and an Indian hunting jigsaw, with diagram inscribed ‘JOHN BETIS 115 STRAND’, contained in the same box. (3) £40-60 λ 399. A Victorian rosewood and brass mounted portable card dispenser, the centre with an ebony veneered press flanked by four boxes, the tops with oval panels of the card Kings, 14.6cm high, 31.2cm wide. £250-300 400. A George III papier-mâché oval tea caddy in the manner of Henry Clay, with a later gilt brass handle and painted with figures and cows in an arcadian idyll with Roman arches and buildings, 12.7cm high, 12.7cm wide. £1,000-2,000 401. A George IV penwork octagonal playing card box, the lid decorated with a central panel of playing cards the back of one inscribed ‘GIV REX GIBSON’, with a leaf outer border, the divided interior with four sets of later cards and counters, 7.5cm high, 27cm wide, 21cm deep. £100-150

401

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LIGHTING

402. An Edwardian cut glass four light chandelier, hung with lustres and drops, on a white metal frame, with moulded arms, 134cm high, 84.5cm wide. £600-800

404. A brass Corinthian column table lamp, 47.8cm high excluding fitting. £50-100

403. A late 19th century gilt brass twenty light chandelier, hung with cut glass lustres and drops, with a pierced stem to leaf scroll arms, 118cm high, 76cm wide. £500-700

405. Three brass column table lamps, two with Corinthian capitals, 42.4cm high, max.

(3) £150-200

406. A late 19th century Regency style bronzed spelter table lamp, with a fluted stem with a leaf capital, on a classical triform base, later fitted for electricity, 44cm high excluding fitting, 17.3cm wide. £100-150

89

407. A Dutch brass eighteen light chandelier in late 17th century style, with a a baluster and ball turned stem to scroll arms, 63.5cm high, 82.5cm wide. £200-300

408. A Dutch brass fifteen light chandelier in late 17th century style, with a baluster and ball turned stem to scroll branches, 58.5cm high, 85cm wide. £50-100

409. A late Victorian Corinthian column brass standard lamp, with an adjustable stem on a stepped base and paw feet, 132cm high unextended, 36.5cm wide. £200-300

410. A pair of Dutch brass wall lights in 18th century style, with crenellated and turned backs with three scroll arms, 30.5cm high, 61.5cm wide. (2) £200-300 Provenance: By repute Oxford University.

411. A pair of late 19th century French bronze urns in the manner of Clodion, decorated with Bacchanalian putti, each with a cover and a lift-out liner, on an ebonised wood plinth, later adapted into table lamps, 38.6cm high, excluding fitting, 22.8cm wide. (2) £150-200

90

412. A pair of polished and patinated bronze figural candlesticks, each with a Blackamoor figure holding two pricket candle holders, on a baluster turned stem and circular foot stamped ‘SITAS’, 32.3cm high, 12cm wide. (2) £150-250

413. A lacquered brass hall lantern, with leaded and part stained glass panels, to a leaf scroll frame, 1st half 20th century, 117.5cm high, 55cm wide. £800-1,000

414 413

414. A pair of 19th century French lanterns, glass sides, set inside a painted metal frame, one with a trade label for ‘A. ROBERT, 25 RUE DROUOT PARIS’, one with a wrought iron mount, 74cm high, 36cm wide. (2) £500-600

416 415 415. A pair of Italian painted metal and stained glass lanterns in Venetian style, each on a reconstituted stone base, together with a similar lantern, 225.5cm high, max. (5) £300-500 416. A Regency style gilt brass octagonal hall lantern, with scroll supports, to glass panels, one missing, 59cm high, 29.4cm wide. £100-200

91

417. A pair of 19th century patinated and gilt bronze andirons, modelled as rampant roaring lions holding a winged scroll, later mounted on giltwood bases and adapted into table lamps, 33.4cm high fitting, 24cm wide, max. (2) £500-700 Provenance: By repute, the Duke of Sutherland.

418. A late 19th century French rouge marble and gilt brass mounted urn table lamp, 35.6cm high including fitting, 16.5cm wide. £80-120

417 418

419. An oriental porcelain baluster vase table lamp, on a hardwood stand, 55cm high excluding fitting, with shade. £150-200

420. A 19th century French ormolu lamp base in Regence style, leaf and scroll decorated, 54cm high excluding fitting, with shade. £300-400

419

420

421. A pair of 19th century brass seven light menorah, with faceted sconces and stepped hexagonal bases, 36.6cm high, 25.9cm wide. (2) £100-200

421

92

422

422. A pair of late 19th century French porcelain twin handled vases, decorated in gilt with bees, an eagle and ‘N’, later converted to twin light table lamps, 24.7cm high excluding fittings, 17cm wide. (2) £200-300

423. A pair of Empire patinated and gilt bronze wall lights, each with a stiff leaf moulded sconce with detachable drip-pans above three scroll branches with cockerel head terminals, with grape, vine and anthemion back plates, one stamped ‘VIII’, 21.6cm high, 27cm wide. (2) £600-800

424. A set of six 19th century French ormolu wall lights in Regence style, each with a leaf wrapped shield backplate with a bearded male mask issuing twin branches, 34cm high, 34.5cm wide.

(6) £1,000-1,500

425. A set of four late 19th century ormolu wall lights in Louis XV style, each with twin leaf scroll branches, 43.1cm high excluding fittings, 24.5cm wide. (2) £500-700

426. A pair of gilt brass wall lights in Louis XVI style, each with a flaming urn to ram’s masks and leaf scroll branches and six lights with turned holders, 46.7cm high, 67.8cm wide. (2) £400-600

Provenance: Lot 50, The Contents of Fairlawn, 89 Parkside, Wimbledon, S.W.19, sold by Hampton & Sons, 13th & 14th November 1950.

93

427. A pair of Regency style gilt brass and porcelain candlesticks, each hung with cut glass drops, on a plinth base decorated with gilt swirls, on ball feet, 31.4cm high, 12.2cm wide. (2) £400-600

428. A pair of Regency style cut glass and gilt brass candlesticks, hung with drops, 30.2cm high, 12.3cm wide. (2) £200-300

429

430 429. An Edwardian alabaster ceiling light in 18th century style, relief carved with ribbon tied swags and bands of acanthus, with a bud pendant and bronze wreath handles, 39.5cm high, 35.8cm diameter. £500-700 430. A pair of gilt brass ceiling lights, with three leaf branches to a bud pendant, 29cm high, 23.5cm wide, together with another ceiling light with winged beast arms. (3) £200-300 431. A pair of late 19th century ormolu and white marble candelabra in Louis XVI style, the ovoid bodies with ram’s masks to leaf scroll branches with three lights, 45.4cm high, 32cm wide. (2) £400-600

94

431A. A pair of 19th century ormolu wall lights, each backplate with a flaming finial to four leach scroll branches and hung with glass drops and lustres, 37cm high, 44.8cm wide. (2) £400-600

432

433

432. A pair of ormolu wall lights in Louis XV style, each with twin leaf scroll branches, stamped ‘SM 87’, 37.5cm high excluding fitting, 25.7cm wide. (2) £200-300 433. A pair of Venetian style carved wood Blackamoor eight light candelabra, with parcel gilt and polychrome decoration, each holding a cornucopia issuing scroll arms, modern, fitted for electricity, 195cm high, 39cm wide, 25.5cm deep. (2) £800-1,200 434. A pair of turned brass table lamps, 49.3cm high excluding fitting, together with a simulated marble urn table lamp, all with shades. (3) £60-100 435. A pair of 19th century ormolu candlesticks in Louis XV style, the shell and scroll cast stems to a spreading foot with ‘C’ scrolls and male masks, 24.9cm high, 13.7cm wide. (2) £300-500 436. A pair of Thai turned brass table lamps, with large drip-pans, the undersides stamped ‘MADE IN SIAM’, 59.3cm high excluding fittings, 27.4cm diameter. (2) £200-300 434

435 436

95

437

437. A set of six George IV mahogany dining chairs, each with a lappet carved splat back to a drop-in seat on ribbed tapering legs. (6) £800-1,200

438

438. A William IV rosewood chiffonier, with nulled decoration, the raised mirror back with a turned spindle gallery, above a frieze drawer, above a pair of arch panel doors enclosing a shelf, flanked by leaf scroll pilasters, 130.7cm high, 97.7cm wide, 561cm deep. £400-600 439. A William IV rosewood chiffonier, with a raised mirror back to a marble top above a pair of frieze drawers and arched cupboard doors enclosing two shelves, flanked by lappet carved columns, 144.3cm high, 113.8cm wide, 47.5cm deep. £50-100 440. A 19th century mahogany waterfall bookcase, with reeded edges, with five graduated shelves above a pair of base drawers with later brass lion’s mask handles, on later brass paw front feet, 149cm high, 153cm wide, 39.5cm deep. £600-1,000

439

96

440

441. A Victorian mahogany pedestal desk, the moulded edge top above an arrangement of drawers with brass swan neck handles, to a central cupboard and on a plinth base, 77.5cm high, 168cm wide, 71cm deep. £500-800

442. An early Victorian rosewood stool, with a needlework seat on a scroll moulded frame and cabriole legs, 50.7cm high, 49.5cm square. £200-300

442

443. A late Regency rosewood Canterbury, with four dipped divisions, one with a carrying handle, two that pull-out, above a frieze drawer, on turned legs and brass castors, 52.7cm high, 51.3cm wide, 37.4cm deep. £400-600

443

444. A George III mahogany dressing table mirror, inlaid barber’s pole stringing, the replaced bevelled oval plate to a serpentine base fitted with three drawers, with turned bone handles, 59cm high, 43.5cm wide. £150-250

444

445. An early Victorian mahogany Ottoman, with a needlework hinged seat on disc feet and brass castors, 53.4cm high, 61.3cm square. £200-300

445

97

446

446. Six 19th century faux bamboo chairs, with upholstered seats, some previously caned, comprising: a pair of armchairs and four side, together with a painted armchair and a French cherrywood armchair with a rush seat. (8) £80-120 447. No lot

448

448. A cream and gilt painted side cabinet, the raised back with two shelves above a pair of pleated fabric doors enclosing a shelf, on bun feet, 127.5cm high, 97.4cm wide, 32.7cm deep. £100-150

449. A Regency style faux bamboo and cane four piece suite, comprising a throne chair with double caning and hinged sides, a two seater settee and a pair of armchairs, with loose cushions, modern, 127.3cm high, 146.3cm wide max. (4) £400-600

98

450. A mahogany twin pedestal partner’s desk, with a leather inset top, with three frieze drawers and three further drawers to each pedestal, the reverse with cupboards, on a plinth base and castors, 19th century, 77.5cm high, 153.5cm wide, 107cm deep. £400-600

451. A 19th century mahogany and upholstered chamber horse or exercise chair, with a sprung concertina action seat to a pull-out footrest, 91.5cm high, 75.4cm wide, 47.2cm deep. £100-200 452. A late Regency mahogany open armchair, with a scroll carved top rail and a green leather stuffed-over seat. £300-500

451

453. A Victorian ash desk or Captain’s chair, with a pierced splat back to a cane seat, the underside with a registration kite mark for 8th December 1856, on turned stretchered supports. £100-150

452

454. An early 19th century ebonised tripod table, with a parquetry specimen wood tilt-top on a vase turned stem and roller castors, 73.3cm high, 45.4cm wide. £200-300 455. A Victorian carved oak hall bench, with a pair of turned lifts, 48.7cm high, 28.5cm deep. 133cm wide. £200-300

453

454 455

99

457 456

456. An early 19th century mahogany chest, the reeded edge top above two short and three long graduated drawers, fitted replaced brass handles, 104.3cm high, 108.3cm wide, 55.8cm deep. £200-300 457. A William IV mahogany portable water closet by Marriott, the hinged lid to an interior with brass fittings and a turned cover to a pearlware blue and white pan inscribed ‘MARRIOTT PATENTEE 26 LUDGATE HILL and 89 FLEET St. LONDON’ and ‘BY HIS MAJESTY’S ROYAL LETTERS PATENT, MARRIOTT’S PATENT WATER CLOSET’S’, with brass side carrying handles, 49.1cm high, 55.5cm wide, 44.4cm deep. £200-300 458. A mahogany hanging display cabinet, inlaid stringing, with a glazed door enclosing four shelves, 64.4cm high, 43.6cm wide. £80-120 459. An early 19th century mahogany three tier whatnot, of tapering form, inlaid ebonised stringing with ring turned supports to a frieze drawer on brass castors, 124cm high, 43.4cm wide, 44.5cm deep. £50-100 460. A Victorian mahogany open bookcase, in three sections, with adjustable shelves, 153cm high, 229cm wide, 39.5cm deep. £300-400 458

459 460

100

461. A mahogany extending dining table, with a replaced top and five additional leaves on a telescopic frame, with a central support, on brass castors, 72.5cm high, 104cm wide, 434.5cm extended. £500-600

462. A Victorian rosewood octagonal games table, the top inlaid a chequer board in rosewood and bird’s eye maple to a pierced fretwork frieze on a spiral twist stem and scroll supports, 74.4cm high, 54.5cm wide. £500-600

463. A mahogany and marquetry octagonal wine cooler, brass bound with satinwood banding and inlaid swags of bell flowers and panels of flowerhead paterae, with carrying handles, the stand with castors, 19th century, 68.5cm high, 48cm wide. £500-700

463

462

464. A Victorian mahogany collector’s cabinet, the moulded edge top above twenty four graduated drawers with turned knob handles and twin locking bars, on a plinth base, 109.1cm high ,136.8cm wide, 63.3cm deep. £800-1,200

101

465

465 detail

465. A late Victorian satinwood and painted Pembroke table, with kingwood and tulipwood crossbanding, decorated a vase and baskets of flowers, ribbons, trophies, vines and peacock feathers, above a frieze drawer and false reverse with replaced handles, the legs with applied ankles with brass castors, 72.5cm high, 99cm wide open, 78.6cm deep. £1,000-1,500 466. A Victorian walnut and marquetry Davenport, the upper section with a pair of doors enclosing pigeon holes and two drawers, above a frieze drawer fitted with a leather line ratcheted slope, a pen tray and a compartment for an inkwell, above a cupboard with four shelves, on ceramic castors, 107.3cm high, 60.7cm wide, 45.3cm deep. £300-500 467. An Edwardian mahogany cased Aeolian Vocalion phonograph, with kingwood banding and inlaid stringing, with a hinged top, the underside inscribed in gilt lettering ‘AEOLIAN VOCALION GRADUOLIA, The Aeolian Co. Ltd., AEOLIAN HALL, 135/7 New Bond Street, W.’, ‘REG. NO. 653251’, 90cm high, 124cm wide, 54.5cm deep. £40-60 Provenance: Newby Hall, Yorkshire.

468. Howard & Sons. A late Victorian mahogany centre table, fitted a frieze drawer, stamped ‘HOWARD & SONS, BERNERS ST.’ and with a paper label numbered ‘127 2499’, on ring turned legs united by chamfered stretchered supports, on brass castors, 73.3cm high, 121.8cm wide, 60.8cm deep. £400-500

466

468 467

102

469

469. Howard & Sons. A late Victorian Chesterfield sofa, upholstered in vintage linen, the back with initials ‘S E’, on walnut supports, the brass castors stamped ‘HOWARD & SONS LONDON’, the back left leg stamped ‘3031 3048’, 65.4cm high, 180cm wide, 84cm deep. £2,000-3,000

470

470. A Victorian walnut centre table, the serpentine edge burr veneered top on turned and carved supports united by a stretcher, on ceramic castors, 74.5cm high, 106.4cm wide, 58.3cm deep. £400-600

471

471. A Victorian walnut occasional table, the shaped burr veneered top on turned supports with applied prunts, the underside with the remains of a paper trade label ‘...S. MORE...UPHOLSTE..121 PLAZZA HIG...WINC...’, 68.3cm high, 57.4cm wide, 40.1cm deep. £200-300 472 detail 472. A late Victorian mahogany and marquetry bijouterie table, on square tapering legs united by a curved ‘X’ stretcher, 74cm high, 61.7cm wide, 42cm deep. £300-400

473. A painted pine bookcase cabinet, with fixed open shelves above a pair of panelled doors, 247.8cm high, 127cm wide, 45cm deep. £300-400 472 473

103

474. An Italian giltwood prie-dieu in 18th century rococo style, carved with ‘C’ scrolls and rocaille, together with a foot-stool. (2) £200-300

475. A late Victorian oak centre table, the octagonal top with two frieze drawers with Hobbs & Co brass locks, the pierced brass plates with registration lozenge for 28th Marsh 1882, and on quadruple square column supports to an ‘X’ stretcher, on reeded scroll legs with brass crescent sabots and castors, 75.5cm high, 91.4cm wide. £200-300

476. A 19th century mahogany whip and boot stand, 100cm high, 55cm wide, 33cm deep, together with a mahogany folding luggage stand. 53cm wide. (2) £100-200

477. A late Victorian walnut luggage stand, with an ivorine plaque inscribed ‘PONTINGS OF KENSINGTON’, 45.8cm high, 66.8cm wide, 39.7cm deep. £100-150

478. An early 20th century mahogany pub / brewery sign, for ‘WATNEYS ALES ‘ and ‘REIDS STOUT’, 63 x 144cm. £100-150

479. A polished steel coffee table, with an inset glass top, on turned and stretchered supports, 39.2cm high, 109.8cm wide, 49.7cm deep. £400-600

104

480. An Edwardian mahogany display stand in Chinese Chippendale style, in two sections with leaf carved and blindfret decoration, the base with a pierced frieze on stretchered supports, 198.3cm high, 185.8cm wide, 38.8cm deep. £600-1,000

480

481

481. A polished brass and glass display cabinet, the mirror back with two sliding panels, with two shelves, 1st half 20th century, 83.8cm high, 59.5cm wide, 36cm deep. £200-300 482. An Edwardian mahogany and satinwood banded bijouterie table, 70.3cm high, 48cm wide, 34cm deep.

£200-300

483. A pair of 18th century style painted and carved wood rondels, each decorated with war trophies, 93cm diameter, 5.3cm deep. (2) £1,000-1,500

482 483

105

484 485

486

487 488

489

490

106

491

484. A mahogany lazy susan, 12.7cm high, 60.5cm diameter.

£80-120

485. A 19th century bronze inkstand in Renaissance revival style, with twin candle sconces above a pen tray and a hinged lidded compartment flanked by divisions for inkwells, 21.5cm high, 40.9cm wide, 17.6cm deep. £150-250 492 486. A Victorian mahogany lazy susan, 12.6cm high, 55cm diameter.

£200-250

487. A 19th century brass inkwell in Renaissance revival style, 16.8cm high, 24.6cm diameter. £100-150

488. A late 19th century French champlevé enamel and marble mounted inkstand, 9.8cm high, 20.8cm wide. £100-150

489. A pair of Victorian mahogany and gilt brass girandoles, each with an oval plate, one very worn, to an inlaid swing frame and a single sconce on a foliate decorated hinged arm, 26.7cm high, 30.4cm deep. (2) £150-200

493

490. A late 19th century French gilt bronze photograph frame in Rococo style, with an easel back, 27.3cm high, 19cm wide, together with a gilt brass photograph frame. (2) £100-150

491. A Victorian gilt brass portrait bust of Van Dyke, titled, within a glazed rosewood frame, 44.5 x 41.7cm. £50-100

492. A late 18th century copper inkwell, with a hinged lid with a flaming finial with ribbon tied swag decoration, the front centred an oval black enamel plaque with a baton and halberd, originally gilded, 18.7cm wide, together with a copper photograph frame, with an easel back.

(2) £80-120 494 493. A pair of late 19th century French champlevé enamel and gilt brass holders, each with three putti supports, 8.7cm high, 8cm wide. (2) £100-150

494. Two Victorian brass bar lighters, one modelled as Punch, the other of a seated dog wearing a hat and a ruff, originally fitted for gas, 19cm high. (2) £200-300

495. A set of five Louis XVI style ormolu door plates, decorated with ribbon tied swags of musical trophies, stamped ‘5924’, 30.3cm long, 7.5cm wide, together with two pairs of pierced door plates and ten gilt brass plates. (19) £100-150

495

107

496. Jaeger LeCoultre. A military watch, frosted gilt keyless lever movement signed Jaeger LeCoultre, black dial also signed and with luminous numerals and hands, in a nickel plated case, the back inscribed G.S. / T.P., 004249 and with War Department arrow, 50mm diameter. £80-120

496

497. John Speed. Somerset Shire, a hand coloured engraved map, ‘SOMERSET_SHIRE, Described: adinto HUNDREDS devided, with the plott of the famous and most wholsom waters and citie of the Bathe. by I. S.’, dated ‘ANNO 1610’, with text to the verso with glass back, 42.3 x 53.4cm, in a later glazed and moulded frame. £100-150

497

498. A Victorian Berlin woolwork picture, depicting a biblical scene of a huntsman bowing to a king, 42 x 39.5cm, in a later glazed, gilt and gesso frame. £100-150

499

498

499. An early 19th century mezzotint ‘A Country Attorney and his Clients’, ‘Avocat dela Campagne avec les Clients’, ‘Printed for & Sold by Bowles & Carver, No.69 in St. Paul’s Church Yard London’, 34.7 x 24.7cm, together with ‘A MAPP of the PARISH of St. GILE’S in the Fields’, a hand coloured engraving ‘The Prospect of Lincoln’s Inn’, ‘A View of the Royal Exchange London’, an engraving of ‘FURNIVAL’S INN HOLBORN’, together with five other maps and prints, all framed and glazed. (10) £100-200

500. A pair of late 19th century frames, each with a giltwood moulded slip to a plush fabric border, glazed and with mahogany outer frames, 44.4 x 38.1cm. (2) £80-120

501. A 19th century French embroidery of a three masted sailing ship, ‘ALLIANCE des PEUPLES’, ‘TRAVAIL COMMERCE INDUSTRIE UNION, TAPISSIER fils & DEBRY, LYON FRANCE’, within a glazed bird’s eye maple frame, 54.2 x 64.8cm. £100-150

500

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501

502. An early 19th century tôle peinte tray, painted with ‘A View of High Street, Birmingham’ after T. Hollins, the aquatint by J. C. Stadler, published 1st July 1812, with a gilt border and pierced handgrips, 55.7 x 77.5cm. £1,000-1,500 Cf. Y. Jones, Japanned Papier Mâché and Tinware, c.1740-1940, p.89 for a similar tray in the collection of David and Rosemary Temperley.

502

503. Two early 19th century tôle peinte jardinières, black and gilt painted, each with a scalloped edge one decorated with exotic birds the other with ribbon tied swags of flowers, 22.5cm high, 29cm wide, max. (2) £250-350

504. A continental patinated and gilt bronze pastille burner, the pierced cover with a cone finial, with dolphin handles and fluted stem, 29.1cm high, 10.3cm wide. £100-200

505. A pair of late Regency bronze pastille burner candlesticks, each with a screw-off sconce to a pierced foliate body and scroll handles, 17.6cm high, 14.5cm wide. (2) £200-300

506. An 18th century reverse glass picture of the Royal Coat of Arms, in an oval giltwood and gesso frame, 23.2 x 28cm. £50-70

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507. A pair of 19th century French ormolu and porcelain mounted ornaments, each with a putto playing a flute on pierced scroll bases, 33cm high, 16cm high. (2) £200-300

508. A pair of late 19th century Italian latticino glass and gilt metal tazza, each decorated with exotic birds with cold painted decoration and with porcelain flowers, the stem with a birds nest, on a scroll and mask base, Venice, c.1880, 22.5cm high, 18.9cm wide. (2) £300-400

509 509. A collection of thirty-five hardstone eggs, including: serpentine, marble, alabaster and onyx examples, 13cm long, max, in a treen bowl, 49.3cm diameter. £150-200 510. Eleven 19th century bronze oval relief busts of Roman Emperors, with traces of original gilding, the majority inscribed with the Emperor’s name and numbered to the verso, previously mounted, 16 x 12cm. (11) £200-300

510

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511. A fine early 19th century Italian micromosaic of the Roman Forum, depicting from the left the Arch of Septimius Severus, the church of S. Francesco Romano, the Arch of Titus, the Column of Phocas, the three columns of the Temple of Castor and Pollux, the remains of the Temple of Vespasian and the Temple of Saturn, Rome c.1800, 4 x 6cm mounted on copper and in a plated frame, with a gilt tooled leather case. £1,500-2,000

512. A 19th century Italian micromosaic circular plaque, depicting two doves standing on a draped table, 6.3cm diameter, in a copper frame previously silver plated. £100-200

513. A late 19th century Italian pietra dura plaque of flowers, 13.6 x 8.8cm, in an ebonised and parcel gilt frame with Greek key and flower mouldings. £200-300

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514. A collection of Victorian brass bullion and standard weights by W. & T. Avery for the County of Middlesex, comprising: eight standard weights from 28lb to 4oz, stamped with maker’s and portcullis marks, in an oak and iron bound case, with a plaque inscribed ‘STANDARD WEIGHTS 28LB TO 1/2 DRAM, COUNTY OF MIDDLESEX, W. & T. AVERY Ltd. BIRMINGHAM’ and two mahogany and brass cases of Troy bullion weights, ‘TROY 300oz and 200oz’ in one case, both with maker’s marks, and eleven weights from ‘TROY 100oz’ to ‘1oz’, these dated ‘1857’, all with portcullis marks, the cases with brass plaques inscribed ‘Troy Bullion Weights, MIDDLESEX DISTRICT No. 2’ and ‘YOUNG & SON, BY SPECIAL APPOINTMENT TO THE QUEEN, LONDON’. (3) £600-800

516 515

515. A set of brass standard weights by W. & T. Avery, sixteen weights 56lb to 1/2DR, 8oz to 1/2 DR in a separate box, in an ebonised metal bound case, with a brass plaque inscribed ‘STANDARD WEIGHTS 56LB TO 1/2DR 1953 21C/634, W. & T. AVERY LTD., BIRMINGHAM ENGLAND’, the case 53.8cm wide. £1,000-1,500

516. A set of fourteen graduated brass weights, 2kg-1g, in a stained pine box. (15) £100-150

517. A collection of French glass jars, comprising: four jars with covers, two domes and a jar without its lid, 40.4cm high, max. (7) £200-300

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517

518. A late 19th century walking cane, the ivory handle carved a Japanese grotesque head, with a white metal belt ferrule to a palmwood shaft, 93.9cm long, a gilt metal mounted walking cane with a malacca shaft, a burr root cane, a palmwood cane with a crook handle, with silver mounts, a briar cane with a basket weave ferrule, two umbrellas, one with an ivory handle the other with a silver handle and three riding crops /whips, one with an agate handle, one inscribed ‘Ellam Maker Piccadilly, London’, with a whalebone part shaft. (10) £350-450

518

519. A late 19th century French walking cane, the bone / ivory handle capped with a Toledo work badge centred a Griffin, to a white metal ferrule inscribed ‘COMTE DE FAYOLLE’, to an ebony shaft and brass tip, 80.8cm long. £200-300

521. A late 19th century briar riding crop, the handle well carved and painted with a horse’s head with glass eyes, with small label inscribed ‘LONDON H&R’, the continental silver ferrule inscribed ‘VON KIELCE BIS ZUR LIPA HR’, with a leather loop handle, 66.2cm long. £60-80

520. Nelson interest. A Victorian oak and copper carved walking cane, the handle inscribed ‘OAK & COPPER FROM VESSEL AFTER BREAKING UP’ and ‘FOUDROYANT NELSON’S FLAGSHIP’ with a portrait of Lord Nelson, 66cm long. £60-80

522. A Victorian oak artist’s travelling easel, with brass mounts, inscribed ‘THE ENGLISH EASEL-ETTE’ and with an ivorine retailer’s plaque inscribed ‘O. ROBERSON & CO. 99 LONG ACRE & 154 PICCADILLY LONDON’, Patent no. ‘414695-6’, 76.3cm long, 8.7cm wide folded. £80-120

523. A 19th century brass library book grab, with a carved horn handle, 127.4cm long. £100-150

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524. A late 19th century ‘Challenge Globe’ by Philips’, marked ‘PHILIPS’ CHALLENGE GLOBE, Diameter 10inches, LONDON, GEOGRAPHICAL INSTITUTE, GEORGE PHILIP & SON LTD. 32 FLEET STREET, PRINTED IN GREAT BRITAIN, Copyright’, on a turned walnut stand, 45.6cm high, 25.6cm diameter. £200-300

525. A George V miniature ‘Coronation Globe’ by Philips’, marked ‘ PHILIPS’ GRAPHIC GLOBE, GEORGE PHILIP & SONS LTD, THE LONDON GEOGRAPHIC INSTITUTE’, on a brass tripod base, 22.3cm high, 10.1cm diameter, in its original box. (2) £300-400

526. A brass mounted ship’s wheel, 78.3cm diameter, together with a diver’s torch by Siebe Gorman & Co. Ltd., with maker’s mark, 28.4cm long. (2) £200-300

527. A 19th century steel and niello work folding knife, fork and spoon set, decorated with scrolling foliage, possibly campaign, Persian or Indian, made for an English officer, 20.5cm long open. £100-150

528. A 19th century carved hardwood model of a tapir, 20.6cm high, 34.3cm long. £50-100

529. Three beechwood and aluminium salmon serving platters, modern, 89.2cm long. (3) £100-150

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530. A collection of sea shells, including: cowrie, starfish, a dried seahorse, conch, nautilus, abalone and cassidae, 38.3cm high, max., in a pine and iron trunk, 86.7cm wide. (A lot) £200-300

531. A collection of minerals and fossils, to include a section of fossilised mammoth tooth, two dried seahorses, a petrified wood sample with a paper label inscribed ‘Petrified Wood from Sidmouth’, a petrified fern sample, two horns, a section of agate, pebbles, shells and claws. (A lot) £40-50 532. A Coco de Mer (Lodoicea Maldivica), 13.5cm high, 25.3cm wide, 35cm deep. £300-400

531

533. Two late 19th century continental papier-mache and painted wood botanical specimens, ‘Hordeum’ and ‘Secale’, each with printed labels to the bases, German or Bohemian, 35.3cm high, max.

(2) £300-400

532

534. After John Tennent (b.1932). Two coloured silk screen prints, ‘Green Woodpeckers’, limited edition 17/31 and dated 1970 and ‘Pheasants Fighting’, limited edition 38/95, dated 1978, each signed and titled in pencil, 45.3 x 36.5cm, max, framed and glazed. (2) £80-120

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535. A French mahogany and brass roulette wheel by G. Caro, with a kingwood inner band, with maker’s mark ‘G. CARO Fabricant PARIS’, 79.5cm diameter. £600-800

535

536. A wooden hat maker’s stand, with a leather strap, the edge stamped ‘SHARP W. PLANT ROCHDALE’ and ‘7 5/8, 40281’, 47.2cm high, 35cm wide. £200-300 537. A late 19th century brass mounted elephants’s foot stickstand, with six divisions and three lift-out trays, the back stamped ‘MOUNTED BY THE A & N C.S.L.’, 96.5cm high, 43.8cm deep. £300-400

536

539

538

538. A carved horn powder flask, decorated with oak leaves, acorns, flowers and foliage, with rabbits and a horse, with an initial ‘R’, 54.5cm long. £250-350

537

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539. An Edwardian silver plated bell push in the form of a running fox, 9cm long. £350-400

540. A set of twelve point red deer antlers, mounted on an oak shield, numbered ‘2794’ to the reverse, 105.8cm wide. £250-350

541. A set of Scandinavian fourteen point elk antlers, mounted on a carved wood shield , with a parcel gilt crest, 116.4cm wide. £400-600

542. A Victorian novelty hunting wall mounted letter / paper rack, modelled as a riding whip with a beechwood shaft with a thermometer, to a horseshoe and a brass model of a woman on a horse, 84.7cm long. £350-400 543. An Eland skull and horn mount, on a an oak shield, titled ‘ELAND, N. E. RHODESIA’, the reverse with the remains of a paper label for Gerrard, Camden, London, numbered ‘5013’, 107cm long, 38.5cm wide. £250-350

542

543

544. A leather and brass bound double shotgun case, the oak lined interior with a printed paper label inscribed ‘James Purdey & Sons, Gun & Rifle Makers, Audley House, South Audley Street, London, W.’, 8.9cm high, 84.3cm wide, 34cm deep. £400-600

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545

545. Louis Vuitton. An early 20th century leather bound travelling case, with brass clasps and locks, the interior with a lift-out tray and with a paper label ‘LOUIS VUITTON 767739, PARIS 70 CHAMPS ELYSEES, 149 NEW BOND ST. LONDON W., NICE 4,JARDIN ALBERT 1er, LILLE 34, RUE FAIDHERBE’, the lock stamped ‘149 NEW BOND STREET LONDON, 70 CHAMPS-ELYSEES PARIS’ and numbered ‘058127’, with a canvas outer case, 19.3cm high, 45.4cm wide, 30.7cm deep. £200-300

546. A crocodile skin lady’s handbag, 25.5cm wide, a lizard skin lady’s handbag

by Marquessa, two leather suitcases, with initials, E. C. B-S’ and ‘R. M. K.’ and an 18th century gros point needlework seat cover, decorated with a shepherd. (5) £80-120

547. A late Victorian teak and iron wall mounted saddle rack by Musgrave, stamped ‘MUSGRAVE PATENT BELFAST’, 25.3cm high, 50.7cm wide. £150-200 546 547 548. An oak boot jack, with a copper retailer’s label ‘487 Oxford Street, PEAL & CO., LONDON’, 82cm high, 53cm wide. £50-80

549. A painted pine saddle horse, for two saddles, with an American style saddle, stamped ‘GENUINE BUENAVISTA SADDLE

BY SOUTHERN SADDLE COMPANY, CHATTANOOGA, TENN. USA.’, 71.8cm high, 91.9cm wide, 66.9cm deep. £200-300 548 549

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Silver Tuesday 29th & Wednesday 30th April 2014

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

The Hornby Casket, a fine Edwardian silver Arts and Crafts silver freedom casket,

by The Bromsgrove Guild of Applied Arts, Birmingham 1902.

Estimate: £10,000 - £15,000

Jewellery Thursday 1st May 2014

ENQUIRIES Jonathan Edwards FGAA Tel: +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

A 9.68ct untreated Kashmir sapphire.

Estimate: ÂŁ80,000-120,000 A 33.15ct, 16mm natural saltwater pearl.

Estimate: ÂŁ80,000-120,000

Asian Art Wednesday 21st & Thursday 22nd May 2014

A large Chinese cizhou guan, Song dynasty 960-1279 AD, 29.5cm.

Provenance: an English private collection.

Est: £50,000 – 80,000

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

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CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

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SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 7424 7830 www.jammdesign.co.uk

WOO L LE Y & WA L LI S Absentee Bid Form Furniture & Works of Art

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Thursday 1st April 2014 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

www.woolleyandwallis.co.uk

AUCTION CALENDAR FURNITURE & WORKS OF ART 1st April 8th July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 29th & 30th April 22nd & 23rd July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 1st May 24th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMICS & GLASS 7th May Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk ASIAN ART 21st & 22nd May 12th & 13th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk PAINTINGS 4th June – 20th Century & Contemporary Paintings Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk 20TH CENTURY DESIGN 18th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk TRIBAL ART & ANTIQUITIES ARMS & ARMOUR 19th June Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 30th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk

www.woolleyandwallis.co.uk