Woolley & Wallis

WOO L LE Y & WA L LI S SA L I S B U R Y SA L E R O O M S

Clarice Cliff, Art Deco & 20th Century Design

Wednesday 5th March 2014

Specialist Departments Please dial +44 (0)1722 followed by the number listed below

20TH CENTURY DESIGN Michael Jeffery

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424505

ASIAN ART John Axford MRICS ASFAV Sophie Lister Alex Doméracki Freya Yuan

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CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS Richard Price — 07741 242421 Gemma Bush — 339752 ENGLISH & EUROPEAN CERAMICS & GLASS Clare Durham — 424507 FURNITURE Mark Richards Jim Gale JEWELLERY Jonathan Edwards FGAA Marielle Whiting FGA

ACCOUNTS Janice Clift (Office Manager) — Ruth Pike

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MARKETING Tamzin Corbett

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GENERAL OFFICE Linda Garthwaite Pauline West Sharon Ringwood Nicola Young

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SALEROOM MANAGER David Jordan

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BOARD OF DIRECTORS Paul Viney ASFAV Chairman

PAINTINGS Victor Fauvelle Jo Butler

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SILVER Rupert Slingsby Lucy Chalmers

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TRIBAL ART, ANTIQUITIES, ARMS & ARMOUR Will Hobbs — 339752 Gemma Bush — 339752

Members of The Society

VALUATIONS FOR INSURANCE & PROBATE Paul Viney ASFAV — 424509 Clive Stewart-Lockhart FRICS FRSA 424598

John Axford MRICS ASFAV Deputy Chairman Clive Stewart-Lockhart Managing Director

FRICS FRSA

COMPANY SECRETARY Jim Macarthur CA ASSOCIATE DIRECTORS Will Hobbs Michael Jeffery Mark Richards Rupert Slingsby Jonathan Edwards FGAA Janice Clift Clare Durham

of Fine Art Auctioneers

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU Tel: 01722 424500 Fax: 01722 424508

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424599

CLARICE CLIFF, ART DECO & 20TH CENTURY DESIGN

Wednesday 5th March 2014 at 10.00am

Viewing Times Saturday 1st March Monday 3rd March Tuesday 4th March Wednesday 5th March

10.00am – 1.00pm 10.00am – 4.30pm 10.00am – 4.30pm 9.00am – 10.00am

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

ENQUIRIES Michael Jeffery 01722 424505 michaeljeffery@woolleyandwallis.co.uk

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/ LIVE BIDDING

Please register by 4pm on Tuesday 4th March.

There is no surcharge for using this service.

Front cover: Lot 135 Back cover: Lot 535 Catalogue £10.00 (£12.00 by post) Images and a catalogue word search facility are available at www.woolleyandwallis.co.uk

CONDITION OF LOTS Reports on condition may be available on request.

The absence of condition reports in the catalogue does not imply that the lot is free from imperfections or faults.

Please note all items of furniture will be removed to the Old Sarum warehouse on Monday 10th March.

INDEX

ART DECO 1-26

Clarice Cliff

43-50

Stella Crofts

111-127

Lalique Glass

128-137

Dorte ‘Dodo’ Burgner

158-164

Alvar Aalto Furniture

20TH CENTURY DESIGN 207-254

Glass

255-527

Ceramics

528-551

Works on Paper

555-586

Furniture

587-650

Metal Ware

2

CLARICE CLIFF 1. A Clarice Cliff Novelty Hen and Chick cruet stand, modelled as a hen, painted in colours, and a ‘Crocus’ flowerbrick printed factory marks, 13.5cm. high £80-120

1 2.

‘Delecia Oranges’ a Clarice Cliff Bizarre Crown jug, painted in colours printed factory mark, 18cm. wide £100-200 2

3.

‘Crocus’ a Clarice Cliff preserve pot cover, painted in colours, and a Ruskin Pottery Kingfisher lustre ginger jar jar impressed marks, dated 1911, lid 9.5cm diam. £80-120

3

4.

‘Honeydew’ a Clarice Cliff Lynton part tea service, painted in colours, comprising; tea pot and cover, two various jugs, sugar sifter, one Windsor shape cup and saucer, six side plates, one serving bowl, six side bowls, a tray, dinner plate and a small breakfast bowl various marks, teapot 15cm. high £100-150 4

5.

‘Autumn’ a Clarice Cliff Bizarre sugar basin with electroplated cover and tongs, painted in colours printed factory marks, 9.5cm. high £150-200

6.

‘Oranges’ a Clarice Cliff Bizarre sugar basin with electroplate cover with tongs, painted in colours printed factory marks 9.5cm. high £150-200 5

6

7.

‘Berries’ a Clarice Cliff Fantasque Bizarre Cauldron, painted in colours printed factory marks, 7cm. high £250-350

8.

‘Oranges’ a Clarice Cliff Bizarre Cauldron, painted in colours printed factory marks, 7cm. high £250-350 7

8

3

9

9.

‘Poplar’ a Clarice Cliff Bizarre Conical bowl, painted with a radial design to the interior, the exterior banded green with the pattern repeated on the feet printed factory marks, small chip to outside of the top rim 19.5cm. diam. £200-300

10A

10. ‘Poplar’ a Clarice Cliff Bizarre wall charger, painted in colours inside a blue band, printed factory marks, professionally restored 34cm. diam. £600-800 Provenance The Barry Jones Collection Christie’s South Kensington lot 327

10

10A. ‘Sunrise’ a Clarice Cliff Fantasque Bizarre Isis vase, painted in colours between orange and yellow bands printed factory marks, 24.5cm. high £300-500

11. ‘Rudyard’ a Clarice Cliff Bizarre 362 vase, painted in colours inside pink, green and blue bands printed factory marks, restored 20cm. high £300-400

4

11

13

12 12.

‘Applique Eden’ a rare Clarice Cliff Bizarre Heath fern pot, painted in colours printed factory mark, 9.5cm. high

£800-1,200

13.

‘Applique Palermo’ a rare Clarice Cliff Bizarre Heath fern pot, painted in colours printed and painted marks, 9.5cm. high

14.

‘Pastel Autumn’ a Clarice Cliff Bizarre Tolphin vase, painted in colours between pink, blue and green printed factory marks, 25cm. high £1,000-1,500

£600-800

14 front & back

5

17

18

16

15

15. ‘Blue Chintz’ a Clarice Cliff Fantasque Bizarre vase, shape no.265, painted in colours between green and blue bands printed factory marks, 15.5cm. high £150-200 16. ‘Original Bizarre’ a Clarice Cliff 265 vase, painted with blue and green triangles between orange and blue bands printed factory marks 15.5cm. high £100-200 17. A Clarice Cliff Bizarre Globe tea set for six, painted with graduated green and black bands, comprising teapot and cover, two graduated jug, six cups, saucers and side plates, three cake plates, a preserve pot and cover and two slop basins, printed factory marks, teapot 13cm. high £200-300 19

18. ‘Bizarre Wild Flowers’ a rare Clarice Cliff Tankard coffee set for six, painted in colours on a honeyglaze ground, comprising coffee pot and cover, milk-jug and sugar basin, six cups and saucers printed and painted marks, flat chip to foot of coffee pot 19cm. high £300-500

20

19. ‘Rhodanthe’ a Clarice Cliff Bizarre trumpet vase, shape no.280, painted in colours printed factory mark, 15.5cm. high £100-200 20. ‘Cherry Tree’ a Clarice Cliff three vases garniture, modelled in relief and painted in shades of pink, blue and green on a cream ground printed factory mark, small chip to foot of one vase 20.5cm. high £150-200

22

21

21. ‘Pine Grove’ a Clarice Cliff Trieste coffee can and saucer, painted in colours unmarked 8cm. high £50-80 22. ‘Pine Grove’ a Clarice Cliff Bizarre Trieste part tea for two, painted in shades of orange, green and blue, comprising; teapot and cover, milkjug and sugar basin, one cup, saucer and side plate printed factory marks, teapot 13cm. high £350-450 23. ‘Tibetan’ a Wilkinson’s Pottery plate designed by John Butler, painted in colours and highlighted in gilt printed and painted marks, 22cm. wide £80-120

23

6

24. ‘Bobbins’ a Clarice Cliff Fantasque Bizarre plate, painted in colours inside a yellow band printed factory marks, light scratches to pattern 23.5cm. diam. £200-300 24

25. ‘Umbrellas and Rain’ a modern Midwinter pottery limited edition Conical bowl, originally designed by Clarice Cliff, painted in colours, in original presentation box with certificate, printed and painted marks, 94/250 20cm. wide £150-200

26. ‘Blue Firs’ a modern Wedgwood limited edition YoYo vase, originally designed by Clarice Cliff, painted in colours, in original presentation box with certificate, printed marks, 38/200 23cm. high £100-150

25

26

27. ‘Daventry’ a Wedgwood Fairyland lustre bowl designed by Daisy MakeigJones, printed in gilt on a red lustre ground, the well with central roundel on a lemon lustre ground, another ‘Daventry’ pattern Wedgwood Fairyland lustre bowl and two other bowls printed and painted marks, largest 13cm. diam. £150-250 Literature Una des Fontaines Wedgwood Fairyland Lustre page 253 figure 122 for the Daventry pattern.

27

28. A set of Wedgwood Moonstone cocktail goblets designed by Keith Murray, the ribbed foot decorated with red enamel bands printed marks, KM monogram 7.5cm. high £120-150 Literature Andrew Casey 20th Century Ceramic Designers in Britain, ACC page 200 for a comparable set.

28

29 29. A Wedgwood Pottery Butterfly Lustre bowl designed by Daisy Makeig-Jones, octagonal form, decorated to the interior with butterflies, the exterior with animals and Chinese characters, in gilt on a maroon ground printed and painted marks, 12.5cm. diam. £100-150

30

30. ‘Duiker Lying’ a Wedgwood Pottery figure designed by John Skeaping, covered in a matt mushroom glaze impressed marks, 16.5cm. wide £100-200

31. ‘Ferdinand The Bull’ a Wedgwood Pottery bull designed by Arnold Machin, painted with flowers and foliage in blue and yellow printed and painted marks, 31cm. wide. £200-300

31

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32. A pair of Ashtead Pottery book ends, model M.96, each modelled as a ram, glazed green impressed and printed marks, one restored to base 20cm. wide £100-200 33. ‘Corn Girl’ an Ashtead Pottery figure designed by Allan G Wyon, dated 1927, covered in a sand coloured glaze printed and cast marks and date, professionally restored, 20cm. high £100-150

32

33

34. A Crown Ducal twin-handled Granada vase designed

by Charlotte Rhead, model no.3321, tubeline decorated with fruit and foliage in pink, green and blue on a mottled ground and a Burleigh Ware vase by Harold Bennett tubeline decorated with trees in a landscape printed and painted marks, facsimile signature 16cm. high £80-120 35. A Crown Devon wall charger, pattern M.93, tubeline decorated with a galleon at full sail, in colours on a pale yellow ground printed and painted marks, original paper label 30cm. diam. £80-120 36. A Carlton Ware model of a policeman designed by John Hassall, with articulated head printed mark, facsimile signature, repaired damages 14.5cm. high £100-200

34

37. A Carlton Ware model of a policeman designed by John Hassall, with articulated head carlton mark obscured, facsimile signature, repaired damages 14.5cm. high £100-200 35

38. A Carlton Ware porcelain model of woman designed by John Hassall, with articulated head, modelled wearing apron, and a Carlton Ware model of a Policeman by John Hassall, printed mark, damages and repairs 12cm. high £100-200 39. A Carlton Ware vase, printed and painted in colours and gilt on a black ground, with gilt rims, and a Carlton Ware twinhandled bowl decorated in the Imari palette printed and painted marks, hairline to top rim 11.5cm. high £80-120

37

36

40. ‘Dresden Spray’ a Susie Cooper dinner service, printed in colours, comprising; three graduated platters, two tureens and covers, two serving bowls, a sauce boat, ten dinner plates, twelve entree plates, six side plates, six dessert bowls, eight coffee cans and saucers printed marks, wear and damages largest platter 35.5cm. wide £100-200

38

41. ‘Crocus’ a Shelley Pottery dinner service for six, pattern 119652, printed and painted in colours, comprising; three graduated platters two tureens and covers, sauce boat, six dinner, entree and side plates, printed and painted marks, largest platter 41cm. wide £200-300 42. ‘Blue Flag Iris’ a Shelley Queen Anne tea set for six, pattern 11561, printed and enamelled in colours, comprising; teapot and cover, stand, milk-jug and two slop basins, six cups, saucers and side plates, a small twin-handled dish and a sandwich plate printed and painted marks, one slop basin sprung hairline teapot 28cm. wide £150-200

39

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40

41 42

43

STELLA CROFTS

44

45

43. ‘Herring Gull’ a rare tile by Stella Crofts, painted in colours, titled and monogramed SRC to front 15.5cm. square £50-100 44. A rare Stella Crofts stoneware wall plaque, modelled in low relief with a pride of lions, glazed in ochre incised Stella R Crofts 34 x 18cm. £400-500 Provenance 20th Century Design, Woolley and Wallis, 22nd March 2007 lot 291 45. A rare Stella Crofts stoneware wall plaque, modelled in low relief with a tower of giraffes, glazed in brown and translucent white incised Stella R Crofts, minor chips to back 40 x 21cm. £400-600 46. A Stella Crofts pottery figure of two Herring gulls, modelled seated on a rock in the sea, painted in colours, incised Stella R Crofts, restored beak 17.5cm. high £200-300

46

47

47. A Stella Crofts pottery lion cubs figure group, dated 1928, modelled play-fighting glazed in colours incised signature and date 17cm. wide £150-250 48. A Stella Crofts figure of a Clouded Leopard, modelled resting on a branch looking down ready to pounce, glazed in black and blue on a brown body incised and painted marks 12cm. wide £200-400 Provenance British Art Pottery Woolley and Wallis Auctioneers, 26th November 2008 lot 188. Private collection

48

49. ‘Night Watch’ a pottery figure of a fox by Stella Crofts, modelled seated on its haunches, on rectangular base, incised Stella R Crofts, small chip to one ear 22cm. wide £300-500 Provenance British Art Pottery, Woolley and Wallis Auctioneers, 30th November 2006 lot 983.

Literature The Studio Yearbook, 1926, reproduced in 20s Decorative Arts edited by Charlotte and Peter Fiell, Taschen, page 496.

50. ‘American Bison’ a pottery group by Stella Crofts, dated 1928, painted in colours incised marks, minor chips, 19cm. wide £200-300

49

Provenance British Art Pottery Woolley and Wallis Auctioneers, 25th November 2003 50

9

51

53 52

51. A Poole Pottery biscuit barrel and cover, pattern GPA, painted with geometric flowers and foliage in shades of green, grey and black on a white ground, two Poole Pottery bluebird vases and three other items impressed and painted marks, damages 15cm. high £100-200 55 54

52. A Carter Stabler & Adams Poole Pottery vase, pattern HE, painted in colours on a white ground impressed and painted marks, 22cm. high £80-120 53. A Poole Pottery vase, pattern WN, painted with geometric flowers and foliage in colours on a pale green ground impressed and painted marks, 15.5cm. high £60-100 54. A Carter Stabler & Adams Poole Pottery model of a bird on a rocky outcrop

by Harold Stabler, covered in a cream glaze impressed marks, restored beak 19cm. high £100-200

56

57

55. ‘Carter’s Tiles Poole London’ an unusual Poole Pottery advertising dish, the well cast in low relief with a dolphin leaping over a distant bottle kiln, the rim inscribed, covered in a mottled cream glaze signed to front rim, small chip to foot rim 15cm. diam. £80-120 56. A Carter Stabler & Adams Poole Pottery vase by Ann Hatchard, pattern CO, painted with flowers and foliage in colours impressed and painted marks, 16.5cm. high £80-120 57. A Carter Stabler & Adams Poole Pottery charger by Anne Hatchard, pattern YO, painted to the well with a band of fuchsia in colours inside an endless wave band, on a white ground impressed and painted marks, 37cm. diam. £250-350 58. A Carter Stabler & Adams Poole Pottery vase by Truda Rivers, pattern ZW, painted with flowers and foliage in colours on a white ground impressed and painted marks, 36cm. high £500-600

10

58

59. ‘The Bull’ a rare Hammersmith Bridge stoneware sculpture by Phoebe Stabler, later produced by Poole Pottery, glazed in colours, impressed Hammersmith mark, incised inscription 34cm. wide £2,500-3,000

CONTINENTAL CERAMICS 59 60. A Robj pottery pipe holder, modelled as a seated Chinaman, his arms raised up, glazed in colours printed marks, professional restoration to base 13.5cm. high £50-100 61. A Primavera Pottery box and cover, modelled as a stylised figure, holding a fan, glazed white printed mark to base, restored 21cm. high £50-100 62. ‘Boites a Bonbons’ a Robj box and cover, modelled as a stylised female head in exotic headdress, matt glazed face with gilt lustre decoration, impressed marks to base, hairline to rim of cover, 28cm. high £300-400 Literature Vanna Brega Le Ceramiche Robj 1921-1931, catalogue number 162 this design illustrated dated 1926.

60

61

62

63

63. An English Goldscheider Pottery model of a figure on a horse, glazed in colours printed factory marks, 21cm. high £80-120 64. A Goldscheider Pottery model of a lady, designed by Josef Lorenzl/Stephan Dakon, model no.5532, dressed as a pierrot and holding a mask, impressed and printed marks, restored finger 32cm. high £800-1,200 Literature Robert E Dechant/Filipp Goldscheider, Goldscheider Arnoldsche page 409 for a comparable example.

64

11

65 66 66A

65. A pair of Sarreguemines baluster vases, decorated with renaissance foliate panels in colours impressed and printed marks, 35.5cm. high £150-250 66. A La Salamandra Perugia Italian Pottery vase, shouldered cylindrical form, painted with trailing blue wisteria to the shoulder on a sand ground painted marks, hairline to top rim 31cm. high £200-300 66A. A Goldscheider Pottery figure of a dance designed by Josef Lorenzl, model no.

5715, modelled holding the hem of her dress, painted in colours impressed and printed marks, cast signature to back 39cm. high £500-1,000 67

68

67. A pair of Aesthetic Movement Bordeaux lamp vases, compressed form with slender, swollen neck, decorated with a crane flying past clouds, panels of flowers, in blue, yellow, aubergine and ochre impressed and painted marks, hairlines, 42cm. high £500-700 68. A Choisy le Roi vase, ovoid with tall cylindrical neck and open base, surface decorated with panels of geometric decoration in blue, green and brown printed and impressed factory marks, 51cm. high £80-120 69. A Lenci Pottery model of the Madonna praying, model no.307, glazed in colours impressed and painted marks, 22cm. high £300-400 70. A pottery model of two nudes, cast from a model by Fanny Roset, modelled one kneeling and kissing the others hand, partially draped in a white cloth, glazed in colours, painted signature to base 34cm. high £200-300

69

12

70

71. A J Wellard & Co Bordeaux vase, model D.46, waisted cylindrical form with inverted rim, enamelled with panels of flying exotic birds, inside foliage cartouche impressed marks, overpainted top rim 32cm. high £200-300

72

71 72. A J Wellard & Co Bordeaux vase, flaring cylindrical form, painted with panels of exotic ducks, in colours inside foliate borders impressed marks, overpainted top rim 32cm. high £200-300

73

73. A Boch Freres vase shouldered form with flaring rim, enamelled in colours with panels of bell flowers, in colours on a cream ground impressed and printed marks, 24.5cm. high £150-200

74. A Boch Freres Keramis vase, designed by Charles Catteau, pattern no.1620, swollen cylindrical form, painted with flowers and foliage on a blue ground, and a Longwy footed bowl printed factory mark, 29cm. high £100-200

74

75. A Longwy Pottery vase, hexagonal form, enamelled in colours with two birds flying above a stylised cloud printed marks, F:Vaz 23cm. high £500-800 75

13

GLASS 76. A Hukin & Heath metal mounted cocktail shaker, the glass body enamelled with cocktail recipes and cockerels, and two Doulton leather jacks, stamped marks, shaker 24cm. high £80-120

76

77

77. A James Powell & Sons Whitefriars glass vase by William Wilson, gold amber glass, cut with geometric panels and arched column design, unsigned 22.5cm. high £150-250 Literature Lesley Jackson Whitefriars Glass the Art of James Powell & Sons Richard Dennis Publications, page 128 plate 124 for a comparable form 78. A Stevens & Williams Chunky Crystal glass vase designed by Constance Spry, urn shape on applied foot, the body with moulded ripple decoration unsigned 22cm. high £80-120 Literature Charles Hajdamach British Glass of the 20th Century, ACC page 154 plate 312 for a comparable vase

78

79

79. A James Powell & Sons Whitefriars Cloudy vase, swollen cylindrical body mottled white and green, cased in clear and a pink footed bowl similar unsigned 23.5cm. high £80-120 Literature Lesley Jackson, Whitefriars Glass the Art of James Powell & Sons Richard Dennis Publications, page 118 plate 94 for comparable forms.

80. A James Powell & Sons Whitefriars glass lampbase, shouldered flint glass with ruby threads, 36cm. high £80-120 81. A James Powell & Sons Whitefriars Sapphire Blue ribbon trailed vase, designed

by Barnaby Powell, 23cm. high £80-120 Literature Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications page 122 plate 107 for a comparable vase 82. A James Powell & Sons Whitefriars Sea Green bowl, with blue threaded decoration and tinting 26cm. diam. £80-120

80

14

Literature Lesley Jackson, Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publication, page 121 plate 101 for an example

81

82

83

83. A James Powell & Sons Whitefriars Sea Green glass decanter and stopper, designed by William Wilson, a James Powell & Sons Sea Green tumbler vase designed by Marriott Powell, and two other Whitefriars Sea Green glass vases, decanter 32cm. high £80-120 Literature Lesley Jackson, Whitefriars Glass the Art of James Powell & Sons, Richard Dennis Publications page 131 plate 132 for an amber glass version of the decanter

84. A Gray-Stan glass candlestick designed by Mrs Graydon-Stannus, purple glass with applied blue rim, and a Gray-Stan compressed vase mottled white and green cased in clear acid etched marks, 29.5cm. high £120-180

85. A Gray-Stan glass plate designed by Mrs Graydon-Stannus, mottled orange glass decorated with white swirls, cased in clear, on patinated metal stand acid etched signature Gray Stan 27cm. diam. £120-180

84

86. A Gray-Stan glass tazza designed by Mrs Graydon-Stannus, the clear glass bowl graduating to blue rim, the bowl internally decorated with white swirls, on applied clear glass knopped stem and foot etched GrayStan mark 30cm. diam. £150-200

85

86

87. A Monart glass vase, shouldered form, pale green glass internally decorated with whorls and air bubble inclusions, and another Scottish glass vase unsigned 20cm. high £100-200

87

88

88. A Monart glass bowl, the clear glass body internally decorated in a Feather and Bubble pattern in green, highlighted in aventurine remains of paper label 22.5cm. diam. £120-180

89. A Monart glass vase, shouldered form, mottled blue glass with purple striped the shoulder with green, cased in clear, with air bubble inclusions 24cm. high £300-400 89

15

90

91

92

90. A clear and frosted glass decanter, stopper and five glasses, each cast and frosted with a geometric design etched monogram to decanter decanter 31cm. high £50-100 91. A Stevens & Williams glass vase by H Cook, flaring cylindrical form, cut and etched with an otter swimming amongst a shoal of fish etched H Cook No.79 23cm. high £150-200 Literature Charles Hajdamach 20th Century British Glass ACC, page 151 plate 305 for similar 93

92. A Verlys clear and frosted glass bowl, low flaring form, decorated with bubble design, and another Verlys blue tinted glass bowl decorated with radiating sun motif cast marks to well 38cm. diam. £80-120

94

93. A Leerdam Unica glass vase designed

by A D Copier, purple compressed glass body with slender neck and flaring rim, etched 885 Leerdam Unica A D Copier 28cm. high £150-200 94. A W.M.F Ikora glass vase, ovoid with cylindrical neck and everted rim, decorated in a Tiger Stripe pattern in orange graduating to aubergine, another similar and a footed bowl, unsigned 17.5cm. high £120-180

95

96

95. A W.M.F Ikora glass Dexel-Ei vase designed by Walter Dexel, shouldered form with inverted rim, mottled brown graduating to amber with white spots, cased in clear unsigned 17cm. high £120-180 96. A W.M.F Ikora Unica glass shouldered form streaked green glass with red and yellow striations, cased in clear, with chrome fittings stamped mark to fittings 30cm. high £150-200 97. A large W.M.F Ikora Unica glass bowl, flaring form, pale blue glass internally decorated with purple swirls and air bubble inclusions unsigned 42cm. diam. £150-250

16

98. An Art Deco Schneider electric blue glass bowl, flaring form on applied foot, acid etched with geometric pattern acid-etched Schneider signature 34cm. diam. £200-300 97

98

99

100

101

102

99. An enamelled glass scent bottle and stopper, ovoid with domed stopper, enamelled with stylised flowerhead design, and two enamelled glass powder bowls, unsigned bottle 14cm. high £80-120 100. A Coty Asuma clear and frosted glass perfume bottle and stopper, in original card and bakelite packaging, and a Schiaparelli Shocking perfume bottle in original presentation box Coty bottle 10cm. high £150-200

103

104

101. A Kosta footed glass vase by Vicke Lindstrand, engraved to both sides with a feather design etched Kosta LG 451, 21cm. high £120-180 102. A modern Lalique glass water jug and two tumblers designed by Marc Lalique, the modelled clear glass body applied with green glass roundels and band engraved Lalique France jug 25.5cm. high £200-300 103. A Daum Nancy acid-etched glass vase, the ovoid pale amber coloured glass acid-etched with bands , the flaring neck with similar band etched Daum Nancy France 24cm. high £200-300 105 104. A Schneider cameo glass ewer, tapering aubergine and yellow streaked glass body with pulled rim and applied orange glass handle, the body applied with purple tear-drop columns acid etched Schneider mark 33.5cm. high £600-800 105. A Schneider glass tazza, the mottled green glass bowl with air bubble inclusions, on applied mottled aubergine foot etched Schneider to the foot 32cm. diam. £300-500 106. A Daum Nancy mahogany Jade glass vase, footed, slender tapering cylindrical form with applied twin-handles wheel cut Daum & Nancy mark 38.5cm. high £600-800 107. A Legras acid etched vase, slender cylindrical form, etched in low relief with flying birds, mottled white and brown glass cased in clear Legras cameo signature 38cm. high £300-400

106

107

17

108

109

110

108. An Etling clear and frosted glass mode of a bison, on rectangular base, cast Etling France to side of base 17cm. wide

£80-120

109. ‘Gaite’ a Sabino opalescent glass scent bottle and stopper, cast in low relief, script signature, France 15.5cm. high

£250-350

110. A Sabino opalescent glass figure, modelled with long flowing hair signed in the cast Sabino Paris 18cm. high

£400-500

Provenance The Victor Arwas collection

LALIQUE GLASS 111. A post-war Lalique glass vase designed by Marc Lalique, cast in relief with fern fronds 19cm. high £200-300 112. ‘Volubilis’ no.383 a Lalique opalescent glass bowl, moulded R Lalique 21.5cm. diam. £350-450 113. A Modern Lalique frosted glass model of sparrow, a modern Lalique glass cendrier modelled with a boat at full sail, and a model of a bird 11cm. wide £150-250 114. ‘L’Air Du Temps’ a modern Lalique clear and frosted glass atomiser, modelled with a pair of birds, engraved Lalique France 9.5cm. wide £140-160

111

18

112

113

114

115

116 115. ‘Worth - 4 Dans La Nuit’ a large Lalique counter top display perfume bottle and stopper designed by Rene Lalique, blue enamelled surface moulded R Lalique to base 25cm. high £600-800

116. ‘Domremy’ no.979 a Lalique cased opalescent glass vase designed by Rene Lalique, with remains of staining, engraved R Lalique France no.979, 21.5cm. high £1,200-1,500

117. ‘ Drapee Statuette’ no. 181 a Lalique clear and frosted glass cachet, designed by Rene Lalique, engraved Lalique, 6.5cm. high £800-1,200 117

19

118

119 118. ‘Asters No.2’ No.10-3039, a Lalique opalescent glass plate, stencil mark R Lalique France 27cm. diam. £150-250

119. ‘Nemours’ no.404 a Lalique clear and frosted glass bowl with black enamelling, designed by Rene Lalique moulded R Lalique France to well 25.5cm. diam. £800-1,200

120. ‘Acacia’ no.949 a Lalique frosted glass vase designed by Rene Lalique, etched R Lalique France 21cm. high £300-500

120

121

Provenance Private collection, Wiltshire

121. ‘Chypre’ a Lalique frosted and blue stained glass perfume bottle and stopper designed by Rene Lalique, for Coty, cast Coty France to base 23.5cm. high £400-600 Literature Felix Marcillhac Rene Lalique page 926 this design illustrated, introduced 1914.

122. ‘Piriac’ no.2903 a Lalique clear frosted and opalescent glass lamp designed by Rene Lalique stencil R Lalique France 17.7cm. high £1,200-1,500

20

122

123. ‘Victoire’ no.1147 a rare Lalique amethyst clear and frosted glass car mascot designed by Rene Lalique unsigned, polished 23cm. wide £3,000-4,000

21

124

125 124. ‘Perles’ a Lalique clear and frosted glass atomiser designed by Rene Lalique with gilt metal fitting, stencilled R Lalique France 18cm. high £200-300

125. ‘Dahlia’ no.938 a Lalique clear, frosted and black enamelled glass vase designed by Rene Lalique cast R Lalique signature 13cm. high £2,000-2,500 126

126. ‘Soucis’ no.235 a Lalique clear and frosted glass cachet, designed by Rene Lalique, engraved R Lalique France 8.5cm. high £300-400

22

127. ‘Souris’ no.185 a Lalique clear frosted and brown stained cachet, designed by Rene Lalique, engraved R Lalique France 10.2cm. high £1,800-2,400 127

DODO BURGNER

‡ 128.

Dodo Burgner (1907-1998) Girl in a Diaphanous Dress pencil and watercolour on paper unsigned, 51.5 x 21cm.

£100-200

‡ 129.

Dodo Burgner (1907-1998) Die Liblings Frau Des Tutenchamun an early watercolour on paper poster design, with the original tracing design, unsigned 34.5 x 24cm. £100-200

‡ 130.

Dodo Burgner (1907-1998) Standing in a Carriage pencil and colour on paper, and the original tracing paper design unsigned 33.5 x 18cm.

£100-200 128

129

130

23

‡ 131.

Dodo Burgner (1907-1998) Woman in a Pink Dress a fashion study pen and ink with wash, mounted 16.5 x 11.5cm.

£100-200

‡ 132.

Dodo Burgner (1907-1998) Girl in a Purple Dress and Cloak watercolour on paper unsigned 55 x 32cm (sheet)

£100-200

‡ 133.

Dodo Burgner (1907-1998) Woman in a red hat, 1926 an original artwork design, watercolour and pencil on paper dated 1926 in pencil 36 x 25cm (image) £200-300

131

132

133

24

‡ 134.

Dodo Burgner (1907-1998) Woman Watering Cactus pen and ink on paper, unsigned 14.5 x 13cm.

£100-200

‡ 135.

Dodo Burgner (1907-1998) The Conversation a watercolour on paper, signed Dodo in pencil 27 x 24.5cm.

£300-500

‡ 136.

Dodo Burgner (1907-1998) Lovers on a Bridge watercolour on paper unsigned 28 x 22.5cm (image)

£300-500

134

135

136

‥ 137.

Dodo Burgner (1907-1998) Nightime Conversation watercolour on paper, signed Dodo in pencil 29 x 26cm.

ÂŁ500-1,000

25

138

139

140

WORKS ON PAPER 138. ‘The Connoisseur’ twenty bound volumes, circa 1910-1920 and two radios £50-100

139. ‘Modern English Furniture’ by J.C.Rogers, ARIBA, published by Country Life £80-120

140. ‘Child playing with a Kitten’ a pastel on paper by Muriel Dawson, framed, and ‘The Blue Butterfly’ and ‘The Rainbow’ two prints from paintings by Muriel Dawson main signed in pencil 39 x 36.5cm. £80-120 141 141. ‘L’Oiseau Mort’ a watercolour on board by Armand Vallee, framed signed and titled image 32 x 24.5cm. £300-400

142. ‘Barbette’ a gouache design by W Evans, probably a design for a poster, framed signed lower right 75 x 51cm. £150-200 Catalogue Notes The image is a portrait of the American performer Barbette (1898-1973) imortalised by Man Ray in his photographs.

143. ‘Pour le Drapeau! Pour La Victoire!’ a poster by Georges Bertin Scott, dated 1917, lithograph in colours printed by Devambez, Paris, framed signed in the print, losses 116 x 79cm. £50-100

26

142

143

144

145

146

147

149

148 144. ‘Lamorna Cove’ a print from a painting by Dame Laura Knight, published by Frost & Reed, 1935 signed in the print and in pencil to the margin sheet 78 x 56cm. £100-200 145. ‘The Draughtsman and His Model’ a print by William Orpen, dated 1910, framed titled, signed and dated in the print, image 23 x 16cm £50-100 146. Eric Gill (1882-1940) Dress, 1920 wood engraving on paper, printed by Clerdon 1929 framed unsigned 12 x 10cm. £80-120 147. Sir Frank Brangwyn R.A R.W.S R.B.A (1867-1956) A Street in Cirq, no.2 (Gaunt 197), 1912 signed in pencil etching 30.5 x 20cm (image) £100-200 148. Ethelbert White (1891-1972) In the Highlands, an engraving on paper, framed signed, titled and numbered 5/50 in pencil lower margin 15.5 x 10.5cm. and four other engravings

150 £200-400

149. ‘Barnard Castle’ a colour woodblock print after a design by Sir Frank Brangwyn RA, printed by Joshijiro Urushibara, dated 1903, framed, monogrammed and dated in the print, signed in pencil original paper label to reverse, 49 x 37cm. £200-300 Literature Frank Brangwyn Catalogue Raisonne, inv 0.886.III, page 155 150. ‘Garden Implements’ a rare block print on textile designed by Eric Ravilious, printed in black, framed unsigned 67 x 60cm. £300-500 151. ‘Lombardy Poplars’ a limited edition print after the original watercolour by Eric Ravilious, framed, numbered 101/500 in pencil, signed in the print 69.5 x 79cm. £200-300 Catalogue Notes This print was reproduced under licence in 2007 to raise funds for the Towner Art Collection and is taken from a watercolour by Eric Ravilious painted in 1935.

151

27

152. ‘Seated Nude’ an oil on board by Bouvier, in carved wood frame signed lower left image 40 x 31cm. £120-180

153. Norman Lindsay (1879-1969), after The Ring watercolour on paper, highlighted in gilt, framed feint signature lower left 26 x 16.5cm £200-300 Catalogue Notes Norman Alfred William Lindsay (1879-1969) was an Australian artist of merit who’s erotic paintings and etchings caused considerable controversy in the late 1930s particularly in America.

152

153

154. ‘Panier de Pommes’ an aquatint on paper by Louis Icart, published 1924 by Les Graveurs Modernes, framed signed and numbered 237 in pencil image 42.5 x 31cm. £250-350

155. An Axminster Egyptian Revival rug, decorated with winged scarab and sunray motif inside lotus flower border, in colours applied label to reverse 180 x 90cm. £100-200

156. A Biedermeier style fruitwood bookshelf, rectangular with ebonised wood rod decoration, and another smaller, 128cm high, smaller bookshelf 125cm high £300-400

154

155

157. A Biedermeier style fruitwood settee, with ebonised rod decoration, upholstered seat 201cm wide £300-400

157 156

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159

160 161

158

ALVAR AALTO (1898-1976) 158. Three Finmar stools/occasional tables designed by Alvar Aalto, one with ebonised top, applied labels 44cm. high, 35cm. diam. £300-400

159. A Finmar beech table designed by Alvar Aalto, the black painted circular top on bentwood legs, applied label 100cm. diam. £150-200

160. A Finmar table, the circular top with similar circular shelf, on four bentwood legs applied label 63cm diam, 56.5cm. high £500-800 Literature A New Design for Living Lane Publications, page 19 figure 23 for a comparable two tier table (Cat.20E)

162

161. A Finmar walnut occasional table designed by Alvar Aalto, circular top on three bentwood legs applied label 48cm diam, 44cm high £250-350

162. A pair of Finmar birch Kakkonen (no.2) armchairs designed

by Alvar Aalto, applied labels, 69.5cm. high £500-800 Literature Alvar Aalton Designer, Alvar Aalto Museum page 69 for a comparable example.

163

163. A Finmar beech drinks trolley designed by Alvar Aalto, model no.98, applied label 88cm wide, 56cm. high £1,500-2,000 Literature The Studio Yearbook, 1937 page 134 plate 2 for a comparable Finmar trolley.

A New Design for Living Lane Publications, page 20 figure 25 for a comparable trolley (Cat.20D).

Provenance sold with a letter stating the tea trolley was presented to Dorothy Crisp on the occasion of her marriage to Patrick O’Brien who later became deputy managing director of Murphy Radio.

164. A Tank Lounge Chair model 37/400 designed by Alvar Aalto, upholstered, 70cm. high, 75cm deep £1,500-2,000 Literature Alvar Aalto Designer, Lahti, page 174 for a comparable chair.

164

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167

166 165

170 168

169

171 165. A pair of chrome free-standing shelves with smoked glass shelves, rectangular form with six glass shelves 181cm. high £100-200

166. A chrome and black glass two tier table, rectangular black glass shelves, circular tube frame, and a serving trolley similar, 68cm. high £50-100

167. A chrome metal and black leather B3 Wassily chair, originally designed by Marcel Breuer 78cm. wide £50-100

168. A quartered walnut table with four quarter occasional tables, shaped, round top with locking bars, 73cm. diam. £200-300

172

169. An oak bedside cabinet, four drawers turned wood handles 75cm. high £50-100

170. A set of four Gordon Russell teak chairs, with sprung seats, applied labels £50-80

171. An Art Deco walnut chest of drawers, with stepped top and brass furniture 91cm. high £80-120

172. An oak bookcase over cupboard, with painted ebonised detailing the cupboard with carved decorative panels, 105cm high, 76cm. wide £80-120

173. A C.W.S Ltd Art Deco walnut display cabinet, central shelved display with sliding glass doors, flanked with side access shelves applied label 168cm. wide £300-500

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173

173A. A nest of three satinwood veneer tables designed by Laszlo Hoenig, each rectangular tops, the largest with upturned ends and glass cover 57 x 36cm. £150-200

173A

174. A Heal’s oak coat and umbrella hall stand, square section, with one drop in tray, one tray missing 173cm. high £300-500

174

175 175. A Cotswold School walnut dressing table mirror, probably Gordon Russell, with tapering octagonal supports, rectangular bevelled mirror, 68.5cm wide, 54cm high £300-500

176. A Cotswold School walnut dressing chest, three drawers under two short drawers with carved wood handles, 113cm high, 84cm £300-500

176

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METALWARE

177

178

177. A large Limoges enamel plaque by Pierre Bonnett, the rectangular copper panel enamelled with an autumnal woodland riverscene, framed signed P Bonnett MF Limoges lower left 35 x 24.5cm. £800-1,200 178. An enamel on copper plaque by Paul-Louis Mergier, dated 1938, framed signed and dated in the enamel 40 x 32.5cm. £800-1,200 179. A Limoges enamel bowl by J Betourne, enamelled with blue, silver and yellow radiating design, signed J Betourne Limoges to reverse, 15cm. diam. £80-120 179

180. A small Faure enamelled copper vase, shouldered form, enamelled with scroll design on graduated blue ground signed to top rim 10cm. high £150-200

180

λ 181. A patinated bronze and ivory figure of a masked man, cast and carved from a model by Roland Paris, on stepped black marble base, etched Roland Paris to base 35cm. high £400-500 λ 182. A patinated bronze model of a dancer cast from a model

by Marcel-Andre Bouraine, modelled her arms outstretched balancing ivory balls on her hands, balancing on black veined marble ball set on red marble tray signed Bouraine to the ball, 42cm. high £1,000-1,500

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181

182

183

184

183. ‘Radha’ a gilt patinated bronze of an exotic dancer cast from a model by Paul Philippe, with enamelled decoration to dress, on waisted onyx base etched P Philippe to base 37.5cm. high £1,000-1,500

184. A large patinated metal model of a dancer, in the manner of Josef Lorenzl. modelled with arms raised out and lifting her dress, on rectangular base unsigned 34.5cm. high £800-1,200

185. A large silvered bronze model of a scarf dancer cast from a model by Josef Lorenzl, modelled standing on one foot with arms raised holding a scarf, on octagonal onyx base, signed in the bronze Lorenzl, 33cm. high £1,600-2,200 185

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186 187

188

186. A gilt bronze model of a terrier dog cast from a model by Lemo, on marble base signed to the foot Lemo dog 9cm. wide £150-250

189

187. A patinated bronze model of a lioness drinking from a pool, on onyx base 16cm wide £200-300

188. Leda and the Swan a bronze plaque in fitted case cast from a model by Ray Pelletier10.3 x 6.3cm. £80-120

190 189. A patinated bronze group of three Jazz musicians, modelled as African American musicians, mounted on green onyx base, unsigned 14.5cm. diam. £80-120

190. A patinated terracotta model of a nude cast from a model by Amadeo Gennarelli, on rectangular base, signed in the cast 45cm. high £150-200 Provenance The Victor Arwas collection

λ 191. Sailor Boy a patinated bronze and ivory model cast from a model by H Laurent, on stepped pink veined onyx base etched signature to base 23cm. high £500-700 Catalogues Notes The figure is possibly by the French Art Deco sculptor Georges H Laurent

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191

192

193

194

λ 192. An Austrian burr thuya inlaid box and cover, octagonal form on ball feet, the cover inset with marquetry floral panel, the keyhole set with ivory unsigned 26cm. wide £300-400

λ 193. A shagreen and ivory mounted wooden box, circular section, the cover inset with white metal initials MHH, and a silver mounted red glass perfume bottle and stopper unsigned £60-100 195

λ 194.

A shagreen wall mirror, oval on wooden frame unsigned 65cm. wide

£700-900

195. A patinated metal ceiling light, in the manner of Edgar Brandt, circular section, decorated with a pierced frieze of foliage and sunray motif, 97cm. high £400-600 196

196. A pair of Etling silvered metal lamps, twin branch form with Muller Luneville frosted glass shades, acid etched marks to shades 33.5cm. high £600-800

197. A patinated metal and alabaster table lamp in the manner of Edgar Brandt, cylindrical hammered stem on three flat, scroll feet, with flaring leaf terminals, flaring cylindrical alabaster shade unsigned 30cm. high £700-900 Literature The Collecting Eye of Seymour Stein, Sotheby’s New York, 11th December 2003, page 22 lot number 8 for a comparable form

197

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201 198

199

200 198. A pair of Odeon style patinated metal wall lights, the U shaped cylindrical stem with swollen cylindrical sconces, 36cm. high £300-400 199. A chromed metal table lamp, stepped circular foot with cylindrical stem and perspex disk, and shallow domed shade, and six other lights £100-200 200. A Christofle electroplated metal ice bucket, flaring cylindrical form with loop handles, stamped mark, 20.5cm. high £200-300

202 203

201. A chrome, rosewood and perspex tray, rectangular form, mirrored glass with rosewood panels and perspex cylindrical handles on chrome frame unsigned 62cm. wide £80-120 202. An enamelled silver Egyptian Revival brooch, cast as a Pharaoh head with lotus flowers, enamelled red, white and blue, in velvet lined presentation box stamped 900, 3cm wide £150-200

λ 203. A small ivory box and cover, circular section the cover inset with an enamel portrait roundel, inside stylised foliate and Greek Key border, and a Japanese small ivory box and cover decorated with insects unsigned 6cm. diam. £100-200 204 205

204. A Collingwood & Sons silver sugar sifter, bombe form with flame finial, stamped marks, Birmingham 1935 13.5cm. high £100-200 205. A rare Mappin & Webb electroplated nickel cocktail shaker designed by Keith Murray, shouldered, flaring cylindrical form with stepped cover and strainer to interior, the foot and shoulder with turned band decoration, stamped marks, 13cm. high £120-180

206

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206. A Joseph Rodgers & Sons Modernist chrome plated three piece tea service, angular form with ebonised handles, comprising tea pot with hinged cover, hotwater pot and hinged cover, milk-jug, stamped marks and registration mark , tea pot 17cm. high £400-600 Literature Martin Battersby The Decorative Thirties page 50 for a comparable set.

20TH CENTURY DESIGN

GLASS 207. A Daum Nancy cameo glass vase, shouldered form, orange glass, cameo decorated in green with trees on a lakeside setting cameo signature Daum Nancy to foot 23cm. high £700-900

207

208

208. An Art Nouveau Galle cameo glass vase designed by Emile Galle, shouldered form, pale purple overlaid with purple decorated with a mountain lake scene came Galle signature 19cm. high £1,200-1,800

209. A pair of Richards cameo glass vases made by Loetz, swollen cylindrical form, decorated with honeysuckle in orange on a yellow ground, cameo signature Richards 26cm. high £600-800

209

210

210. A Degue cameo glass vase, shouldered form with everted rim, mottled orange body cased with red and blue flower stems acid etched cameo mark to body 23cm. high £400-600

211. A Daum Nancy enamelled glass vase, elliptical form, enamelled with violets, in purple and green on a mottled ground cameo Daum Nancy France signature 8.5cm. high £2,000-2,500

212. A Daum Nancy enamelled glass beaker vase, enamelled with sweet-peas in pink and green on a mottled ground cameo Daum Nancy mark 9cm. high £1,600-1,800

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211

212

213

214

213. A rare Daum Nancy miniature enamelled vase, elliptical section, painted with silver birch trees before a sunset sky painted Daum Nancy mark 5.5cm. wide £1,000-1,500

214. A Daum Nancy enamelled glass Winter Landscape vase, elliptical section, acid-etched in low relief and enamelled with trees in a snowy landscape enamelled Daum Nancy mark, 12cm. high £3,500-4,500

215. A Daum Nancy enamelled glass Winter Landscape bowl, quatrelobed section, acid-etched in low relief and enamelled with trees in a snowy landscape enamelled Daum Nancy mark 15.5cm. wide £1,500-2,000 215

39

216. A rare Daum Nancy enamelled cameo glass vase, ovoid with flaring neck, enamelled with Rowan berry fronds, cameo signature 8.5cm. high £1,600-2,000

217. ‘Monnaie du Pape’ a Daum Nancy cameo glass vase, square section, decorated in low relief with honesty stems, cameo signature 12cm. high £1,200-1,800

216

218. A rare Daum Nancy miniature enamelled glass vase, elliptical section, painted with a tropical scene of houses before palm trees painted Daum Nancy mark, 5cm. wide £700-900

219. A Daum Nancy enamelled glass trinket dish, painted in blue to the well with a Windmill in a landscape painted Daum Nancy mark 12cm. wide £180-220 217

218

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219

222

221

220

223

227 224 225

226

220. An Art Nouveau Auguste Jean glass vase, the blown pale blue glass with applied column decoration and impressed decoration, on tripod foot impressed seal mark, 26cm. high £80-120 Provenance The Victor Arwas collection 221. A small Tiffany Favrile glass vase by Louis Comfort Tiffany, swollen cylindrical form with applied teardrop prunts, with golden iridescent finish engraved L.C.T M.6251, minor loss to one prunt trail 8cm. high £100-200 222. Am Art Nouveau Moser etched glass vase, flaring triangular section, etched with flower stems, highlighted in gilt, a blue overlaid glass vase in the manner of the Wiener Werkstatte and another overlay glass beaker vase unsigned 18.5cm. high £100-200 223. A Loetz glass vase, on applied foot, decorated with white enamel to the surface and green threading 17cm. diam. £80-120 Literature Hatje Kantz Loetz Glass, Neue Gallerie, page 283 plate 250

228

224. A part set of enamelled wine glasses possibly decorated by Gertrude or Jessie Bayes, comprising two decanters, two wine goblets and two water goblets each enamelled with floral swags and animals, the glasses dedicated to Gertrude and Gilbert Bayes, the decanters with GB roundel chips, losses to enamel, decanters 22cm high £80-120 225. A Moser amber glass Kirsche cherry jar with silver cover, fork and ladle the faceted glass body with internal glass cover, the cover surmounted with a sprig of cherry fruit stamped marks, 28cm. high £200-300 226. A clear and frosted glass vase, probably Bohemian, octagonal, footed form, enamelled with panels of women bordered by rose garlands 26cm. high £50-100 227. A Schott & Jena glass teapot and cover, clear glass with internal infuser, and two glass cups with 2 wooden holders, another Schott & Jena teapot, two continental electroplated metal leaf dishes and two other metal items acid etched marks, pot 13cm. high £50-100 228. A Moser Karslbad enamelled glass vase, ovoid with tall cylindrical neck and flaring floriform rim, clear graduating to purple, enamelled with flowers and foliage unsigned 60cm. high £600-800 229. An enamelled glass vase and cover designed by Josef Hoffman, tapering cylindrical form, with knopped body and tapering cylindrical cover and ball finial, painted with sprays, of foliage in white, with red banding after a design by Hilde Jesser, unsigned 40cm. high £800-1,200 Literature Klinkhardt & Biermann Glas Kunst Der Moderne, page 118 and 119 for an identical example illustrated 229

41

230. A large stained glass triptych window, in iron frames, the leaded windows depicting the Crucifixion of Christ, flanked by Mary and a Saint Crucifixion panel 266cm. high ÂŁ2,000-4,000

42

232

231

233

235

236

237

234

238

231. A large Dartington blue glass FT35 Floor vase designed by Frank Thrower, modelled in low relief with a flower stem unsigned 39cm. high £180-220 232. A cylindrical glass vase by Anthony Stern, milky-white glass with brown striations cased in clear, a Patrick Stern iridescent glass bowl and two other glass vases etched marks, 24cm. high £100-200 233. Four Strathearn glass bar tools, comprising a corkscrew, bottle stopper and two bottle openers, each set with glass weight with internal cane decoration, two twin-branch candlesticks and a vase unsigned corkscrew 10cm. long £100-200 234. A Seguso Murano glass vase, tall, teardrop form with flaring neck, green cased in thick amber, 40cm. high £200-250 235. An Orrefors glass bowl by Vicki Lindstrand, the thick clear glass with martele hammered finish etched Orrefors 24cm. wide £150-200 236. A large Barbini Glassworks Murano glass vase, dated 1958, shouldered form, streaked yellow and white glass cased in clear etched signature and date to base 60cm. high £100-200 239 237. A Seguso Murano glass vase, twin handled for, the flaring pale green glass body internally decorated with fine air bubbles unsigned 31.5cm. wide £120-180 238. A Venini glass baluster vase, white glass cased in pale green applied label, etched Venini Italia 85 to base rim 35.5cm. high £200-400 239. A Venini Occhi glass vase designed by Tobia Scarpa, shouldered form with yellow and olive square Murrine decoration engraved Venini Italia to base 23cm. high £300-500 Literature Franco Deboni Venini Glass plate 165 for a comparable vase 240. An Orrefors Arial glass vase by Ingeborg Lunden, thick blue glass body internally decorated with air bubble horizontal panels engraved marks and signature base 16cm. high £300-500 240

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241

242

243

244

246

245

241. Two glass sculptures by Zanetti, one modelled as a diving shark, the other a wading heron, signed Zanetti to base 30cm. high £50-100 242. A Crystal Maastricht glass vase, flaring cylindrical thick clear glass, internally decorated with pink and blue striations, original paper label, etched marks to base 31cm. wide £100-150 243. A Flygsfors glass vase, flaring organic form, purple and white glass cased in clear, another Flygsfors vase and a glass lampbase probably Murano engraved marks, 25cm. high £80-120

247

248

244. A Flygsfors Coquille cased glass vase, flaring form, purple and opaque glass cased in clear, a Daum, France clear glass vase and another vase etched marks Flygsfors 46cm. wide £80-120 245. A Moser Organica vase, irregular, amethyst glass form acid etched signature 20.5cm. high £150-200 246. A large Italian glass vase, mallet form with flaring neck, blue glass with internal darker streaks, and two other vases, applied Lavorazione a mano (handmade) label 48cm. high £100-200 247. A Leerdam glass vase by Floris Meydam, green and blue bands cased in clear engraved Leerdam M 13cm. high £180-220 248. A modern Daum pate de verre photograph frame, the pate de verre base modelled with fish leaping from turbulent waves, etched Daum France, 21cm. high £200-300 249. A Iittala Kantarelli (Chanterelle) vase designed by Tapio Wirkkala, model no. 3280, flaring form with etched veins, engraved signature and number 12.5cm. high £200-300 Literature Jennifer Opie, Scandinavian Ceramics and Glass in the Twentieth Century, V&A Exhibition catalogue page 71 catalogue number 196 for a comparable vase Iittala 125 Years of Finnish Glass, Arnoldsche page 243 for comparable vases.

249

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251A 250

251

250. A Murano glass bird sculpture, modelled as four birds resting on a branch, black glass cased in clear with silver aventurine inclusions, applied paper label Vetri Artistici Arte 80 Murano 33cm. wide £50-100

252 251. A pair of Murano glass figural candlesticks, possibly Seguso, each modelled as a figure supporting a column candlestick, white and latticino glass with aventurine inclusions, unsigned 35cm. high £500-600

251A. A pair of Murano glass figural candlesticks, possibly Seguso, each modelled as a kneeling figure in elaborate costume offering up two sconce, in white and black glass with aventurine inclusions, unsigned 23cm., high £300-400

252. A Murano glass figural lamp base, possibly Seguso, modelled as a young couple in medieval dress wearing tricorn hats, before a column lamp, red, amber and white glass unsigned 55.5cm. high £300-500

253

253. A Murano glass Blackamoor candlestick, possible Seguso, modelled as a Blackamoor kneeling down, in elaborate costume with headdress, holding up twin candle sconce, in red and clear glass with aventurine inclusions, unsigned 37cm. high £300-400

254. A Murano glass Blackamoor candlestick, possible Seguso, modelled as a Blackamoor in elaborate costume, holding up twin candle sconce, in red and clear glass with aventurine inclusions, unsigned 38cm. high £300-400 254

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255

256

257

CERAMICS

255. A William De Morgan Double Carnation tile panel, the large central tile painted in shades of blue and green on a white ground, inside blue tile border, framed, central tile 20.5cm. square £300-500 Literature Martin Greenwood The Designs of William De Morgan, Richard Dennis Publications, page 144 catalogue number 647 (variation) 256. A Sunflower pattern Dutch tin-glazed tile designed by William De Morgan or William Morris, probably retailed by Morris & Co, glazed in blue and white unsigned 15cm, square £100-200 258

259

Literature Richard & Hilary Myers William Morris Tiles, Richard Dennis Publications, page 105 figure 165 for comparable tiles 257. Four tin-glazed earthenware Daisy tiles designed by William Morris, probably retailed by Morris & Co, painted in shades of yellow and blue on a white ground, in cast iron frame from a fireplace, each tile 15.5cm. square £150-200 Literature Richard and Hilary Myers William Morris Tiles, Richard Dennis Publications, page 36 plate 4c for comparable tiles

260

261

258. A rare Flaxman Tile Works tile designed by Eleanor Fortescue Brickdale, painted with an Art Nouveau maiden, glazed blue unsigned 15.5cm. square £400-600 Literature Fired Earth - 1000 Years of Tiles in Europe, TACS/ Richard Dennis Publications, page 129 figure 410 for an identical tile glazed green Daryll Bennett Shapland & Petter Ltd page plate 5.30 for this tile included in a smokers cabinet.

259. A plaster panel of a winged cherub in the manner of Della Robbia, coloured red and ochre, framed unsigned 29 x 31cm. £200-400 260. A large architectural tile, attributed to the Leeds Fireclay Company, cast in low relief with scrolling formal flowers and foliage design in sand on a sky blue ground unsigned 39cm. square £100-200

262 263

261. Twenty-eight Art Nouveau tiles, slip decorated with a flower design in purple and green on a cream ground losses 15.5cm. square £100-150 262. A pair of Doulton Faience solifleur vases, painted with panels of daisy flowers and butterflies in colours on a yellow ground impressed and painted marks, MMA artist cipher, top rim restored to one, 28.5cm. high £200-300 263. A Doulton Lambeth stoneware jug by Hannah Barlow, dated 1874, the ovoid body incised with donkeys resting, glazed ochre and brown, the handle brown and blue impressed and incised marks, restored top rim 26cm. high £100-200

46

264 front & back

264. A large Doulton Lambeth Faience Moonflask, flattened disk form with collar neck, on four crescent feet, painted with sprays of fruiting Blackberry to both sides, in colours on a graduated blue-green ground, the reverse on sand impressed and painted marks, 36cm. high £300-500

266

268

267

265

272

271 269

270

265. A Fulham Pottery stickstand by Jean-Charles Cazin, cylindrical form, incised with foliage panels in green, ochre and blue, incised Fulham JC, minor glaze chips, 64cm. high £200-300 266. A Doulton Lambeth Natural Foliage Ware stoneware vase, slender, baluster form, painted in autumnal colours, a Royal Doulton Brangwyn Ware jug and a collection of Doulton Ware impressed marks, 32cm. high £200-300 273 267. ‘Old Charley’ a Royal Doulton Musical character jug, painted in colours, ‘The Paisley Shawl’ M3 a Royal Doulton miniature figure and a collection of items various marks, 14cm. high £100-200 268. A Royal Doulton flambe model of a leaping salmon, designed by Charles Noke, modelled in relief, covered in a flambe glaze, printed factory mark, painted FM monogram 29cm. high £200-300 269. ‘The Parson’s Daughter’ HN.564 a Royal Doulton figure, painted in colours printed and painted marks, 24.5cm. high £100-200 270. ‘The Perfect Pair’ HN.581 a Royal Doulton figure, designed by Leslie Harradine, painted in colours, printed and painted marks, fine hairline £300-500 271. ‘Green Woodpecker’ 1218 and ‘Thrush’ 2303, two Beswick figures, painted in colours impressed and printed marks, 22.5cm. high £100-200

274

272. ‘Chestnut Hunter’ a Beswick Pottery horse, painted in colours, and Champion of Champions a Beswick Bull and cow printed and painted marks, 21cm. wide £100-200 273. A Doulton Lambeth Silicon Ware jug, decorated in low relief with Edwardian children playing, two other Doulton Lambeth items and a collection of glass, ceramics and tiles impressed marks, 14.5cm. high £50-100 274. A Doulton Lambeth stoneware vesta, modelled as a small drum standing on a tambourine, ‘The Queen of Hearts’ a Royal Doulton stoneware jug, a salt-glaze Doulton hunting scene tobacco jar and cover, and a collection of Doulton and other stoneware items including miniatures and two reference books on Doulton various marks, vesta 8cm diam. £300-500 275. An Art Nouveau Royal Doulton vase by Eliza Simmance, ovoid with knopped neck and everted fluted rim, incised and painted with flower stems in blue, ochre and green impressed and incised marks, incised monogram, professional restoration to top rim, 21.5cm. high £180-220 275

47

276 277

281

280

278

279

282

283 276. An Ault Pottery vase designed by Dr Christopher Dresser, shouldered form, painted with a butterfly perched on grasses, in colours on a pale yellow ground, and an Ault Pottery flowerbrick designed by Dr Christopher Dresser impressed marks, facsimile signature to both, restored rim to vase, vase 11.5cm wide £80-120 277. A Linthorpe Pottery vase the design attributed to Dr Christopher Dresser, shape no.376, shouldered form, painted with berried foliage design in ochre on a mustard ground, and a pair of Bretby Pottery wall plaques impressed marks, 30cm. high £80-120 278. A Wedgwood Creamware tripod vase after a design by Dr Christopher Dresser, the conical vase flanked with three tapering legs with paw terminals, impressed Wedgwood mark, small chip to foot rim, 13.5cm. high £80-120 279. A Torquay terracotta vase, slender urn form, with simple blue glazed bands, and a decanter with impressed banding, impressed and printed marks, 27cm. high £50-100 280. A C.H. Brannam pottery toby jug, modelled as a seated medieval man in tricorn hat, holding a tankard, glazed blue, green and brown incised marks, dated 1909, losses 15.5cm. high £60-100

284

285

281. A C.H. Brannam Barnstaple pottery jug retailed by Liberty & Co, tapering cylindrical form, painted with a fish swimming in turbulent waters in green on a green ground impressed Liberty mark, minor restoration to base rim, 19.5cm. high £100-200 282. A pair of C.H. Brannam spill vases, cylindrical form with applied scroll handles, slip decorated with scaly fish, in colours on a blue ground, a jardiniere and another spill vase impressed marks, restoration 10.5cm. high £100-200 283. An English Art Nouveau vase designed by Spencer Edge, probably manufactured by Frank Beardmore & Co, Fenton, tapering cylindrical form with knopped neck, printed and painted with a maiden reading from a book whilst walking in a formal garden, and a white metal mounted, etched glass bowl printed factory marks, hairline and overpainting to top rim, 27cm. high £50-100 284. A Minton Secessionist solifleur vase model no.32, slip decorated with flowers in green on a mottled purple ground printed marks, restored neck 18cm. high £80-120 285. A Pilkington’s Lancastrian Pottery solifleur vase by William S Mycock, painted with columns of foliage and chequered panel, in shades of red, yellow and brown impressed marks, painted artist cipher and datemark, possibly impressed mark for 1908, professionally restored chip to top rim 16.5cm. high £250-350 286. A large Mintons Secessionist jardinere, designed by John Wadsworth and Leon Solon, tubeline decorated with Art Nouveau flower stems in sand, green, blue and red printed factory mark, flat chips to base rim 33cm. high £500-600

48

286

290 287

288

289

287. A Mintons porcelain flower vase, modelled as four swollen bottles with arched crown handle, painted with panels of birds and insects inside berried flower border, in colours, highlighted in gilt impressed marks, restored handle 21.5cm. high £120-180 288. A S. Hancock & Sons Morrisware vase designed by George Cartlidge, model no.C3-1, tubeline decorated with clover flowers in purple and blue on a streaked blue and green ground printed factory mark, painted facsimile signature, professional restoration to top rim 18cm. high £150-200 289. A Martin Brothers stoneware vase by Robert Wallace Martin, slender, solifleur form, incised with a butterfly amidst fruit bough, in green, blue and brown on a buff ground incised R W Martin London & Southall, restored top rim, 21cm. high £200-300

291

292

290. A pair of Compton Pottery book ends, each circular, cast in low relief with an archer figure, glazed in colours Bristol Guild paper retail label 18.5cm. high £300-500 291. A Ruskin Pottery carafe vase, dated 1922, covered in a yellow lustre glaze, and a Ruskin Pottery vase covered in an orange lustre glaze impressed marks, 28cm. high £100-200 292. A Ruskin Pottery high-fired stoneware Elephant’s Foot vase, dated 1903, sang de boeuf graduating to purple under speckled mint green glaze on silver-grey ground impressed marks, kiln kiss 21cm. high £500-700

294

293

293. A large Ruskin Pottery high-fired stoneware vase, dated 1922, compressed form with tapering neck, covered in a sang de boeuf and speckled lavender glaze on a silvergrey ground impressed marks, museum restored crack to body 28cm. high £600-800 294. A Ruskin Pottery stoneware vase, shouldered form with collar rim, covered in a sang de boeuf glaze speckled with mint, unsigned, restored top rim 8cm. high £150-200 295. A Mintons Art Pottery Studio moonflask by W Morgan, painted with Venus disarming cupid, in colours inside a formal border, printed, impressed and painted marks, signed in the design, professional restoration 43cm. high £850-950

295 front & back

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297

296

298 296. A Copeland Pottery charger, printed to the well with a medieval figure carrying a boar’s head on a serving platter, the rim with scrolling foliage, in colours impressed marks 36cm. diam. £50-100 297. ‘St George and the Dragon’ a painted plaster roundel, in white painted plaster frame unsigned 49cm. diam. £150-200 Catalogue Notes This design of St George slaying the Dragon was used on the reverse of the gold medal, presented to members of the organising committee at the Great Exhibition, Crystal Palace, 1851

299

298. Seven Midsummer Night’s Dream Wedgwood tiles designed

by Helen J.A. Miles, each printed with a Shakespearean character, in green on a cream ground impressed marks 20.5cm. square £200-300 Literature Maureen Batkin Wedgwood Ceramics 1846-1959, Richard Dennis Publications, page 112 plate 245.

300

299. ‘Snowdrop’ and ‘Adam & Eve’ two Minton plates designed by John Moyr-Smith, printed in brown on a white ground, and a Brownfield part service printed with elves, comprising tazza, two low tazza and four plates impressed marks, wear and damages 22cm. diam. £100-200

301

300. A Linthorpe Pottery vase designed by Dr Christopher Dresser, compressed body with slender neck and everted rim, sand glaze with brown spider’s web design, a Liberty pottery oil lamp and a Ruskin vase impressed mark, facsimile signature, professionally restored neck, 23cm. high £80-120

302

301. A Fulham Pottery flower vase probably designed by Constance Spry, footed, fluted form, covered in a matt white glaze, and another Fulham Pottery flower vase impressed marks, 34cm. wide £50-100 302. A Fulham Pottery twin-handled flower vase designed by Constance Spry, footed form, impressed marks, 44cm. wide £50-100 303

304

303. A pair of Packard & Ord tiles by Rosalind Ord, painted with fox hunting scenes painted marks to reverse 10.5cm. square £50-100 304. ‘Touriera’ a limited edition Ratton tile designed by Paul Rego, printed in colours signed and numbered 68/150 to reverse 14cm. square £200-300 305. A Ratton limited edition tile designed by Paula Rego, printed in colours with a figure running with a torch in hand signed and numbered 68/150, 14cm. square £200-300 306. A Ratton limited edition tile designed by Paula Rego, printed in colours with a pheasant flying past yellow grasses painted signature, numbered 126/150 14cm. square £200-300

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305

306

307. A Wemyss Ware Cabbage Rose pattern heart-shaped dish, painted in colours, and five other items decorated in the Cabbage Rose pattern, impressed marks to main item, damages 29cm. wide £100-200 308. A Wemyss Pottery quaich, twinhandled form, painted with rose flowers in shades of pink and green on a white ground impressed and painted marks, T Goode painted mark 26.5cm. high £80-120 308

307

309. A ‘Jazzy’ Wemyss Pottery vase, waisted form, painted with the Cabbage Rose design on a mottled green, yellow and blue glaze, and a Wemyss ‘Sweet-pea’ vase painted marks, 11cm. high £100-200 310. A Wemyss Ware model of a pig, modelled seated on its haunches, glazed pink impressed Wemyss Ware mark 18cm. wide £100-200 311. A Wemyss Wild Strawberry pattern preserve pot and cover, cylindrical form, painted in shades of pink, yellow and green, a small Wemyss Raspberry pattern preserve and cover and three other preserve pots and covers painted Wemyss T Goode & Sons, chips 12cm. high £100-200

310

309

312. A Wemyss Ware Sweet Pea bowl, painted in colours, a Wemyss Apple Blossom vase, and three other Wemyss items various marks, damages 19cm. diam. £100-200

312 311

313. A Wemyss Cabbage Rose biscuit box and cover, cylindrical form, painted in pink and green, the cover inscribed Biscuits, a Wemyss vase in the same pattern and another similar main unmarked, second vase impressed marks, hairlines 16.5cm. high £100-200 314. A Wemyss Ware heart-shaped tray, painted with stylised panels and foliage sprays, in brown, green and blue, and a collection of Wemyss style ware by various factories including a Bristol Pottery fluted tray, a Villeroy & Boch cherry pattern plate, two Wemyss cockerel plates by Brian Adams and five Plichta animals various marks, heartshaped tray 31cm. wide £100-200

313 314

315. A Wemyss Cockerel pattern teapot and cover, milk-jug and matched sugar basin, painted in colours, and five other Cockerel pattern pieces various marks, damages teapot 11cm. high £100-200 316. A Wemyss heart-shaped double inkwell, painted with a chickens and cockerel design in colours, a Wemyss Beehive pattern preserve pot, and a covered painted with foliage impressed mark, restored 16cm. wide £100-200

316 315

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MOORCROFT POTTERY 317. ‘Honesty’ a James Macintyre Florian Ware jardiniere designed by William Moorcroft, swollen cylindrical form with fluted rim, painted in shades of blue printed factory mark, painted green signature 18.5cm. high £1,000-1,500

317

318. ‘Eighteenth Century’ a James Macintyre & Co vase designed by William Moorcroft, waisted square section body, painted in colours, highlighted in gilt printed mark, painted green signature 17.5cm. high £300-350

318

319. ‘Claremont’ a Moorcroft Pottery vase designed by William Moorcroft, retailed by Liberty & Co, painted in shades of green, blue and red printed and painted marks, painted green facsimile signature, professional restoration to top rim 10cm. high £1,000-1,500

319

320. ‘Pomegranate’ a Moorcroft Pottery jardiniere designed by William Moorcroft, painted in colours on a mottled green ground painted green signature 22.5cm. high £800-1,200

52

320

321. ‘Moonlit Blue Pansy’ a rare Moorcroft Pottery vase designed by William Moorcroft, painted in shades of blue and green impressed mark, painted green signature, minor professional restoration to top rim, 22cm. high £600-900 Provenance Richard Dennis Gallery Private collection

321

322. ‘Spanish’ a rare Moorcroft small baluster vase designed by William Moorcroft, painted in shades of pink, purple and blue on a streaked green and blue ground, painted green monogram, impressed marks, restored top rim, 10.5cm. high £400-600

322 front & back

323. ‘Moonlit Blue’ a Moorcroft Pottery inkwell and cover designed by William Moorcroft, painted in shades of blue and green impressed marks, painted signature 8cm, high £700-1,000

323

324. ‘Flambe Big Poppy’ a Moorcroft Pottery bowl designed by William Moorcroft, painted in colours under a flambe glaze impressed marks, painted blue signature, professionally restored to top rim 21.5cm. diam. £350-450 324

interior

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325 two sides

326

325. ‘Rose, Thistle and Shamrock’ a pair of Moorcroft Pottery salt-glaze vases, baluster form, painted in shades of pink and green on a streaked green and blue ground impressed marks, painted blue signature restoration to one 22.5cm. high £300-500

327

328

326. ‘Salt-Glaze Feather’ a Moorcroft Pottery vase designed by William Moorcroft, shouldered baluster form, tubeline decorated with feathers in blue on a graduated blue ground impressed marks, painted blue signature 16.5cm. high £250-350

327. An unusual Moorcroft Pottery vase, ovoid with cylindrical neck, tubeline decorated with carnation flowers in blue and pink on a green ground impressed factory marks, painted signature, professionally restored base rim, 17cm. high £100-200

328. ‘Peacock Feathers’ a Moorcroft Pottery vase designed by William Moorcroft, ovoid, tubeline decorated with an abstracted feather design in blue on a celadon ground impressed factory marks, painted blue marks, professionally restored, 10.5cm. high £100-200

329. ‘Celadon Cornflower’ a rare Moorcroft Pottery vase designed by William Moorcroft, painted in shades of blue and green on a green ground impressed factory marks, painted blue signature 25.5cm. high £350-450

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329

332

330

331

333

330. ‘Springflowers’ a Moorcroft Pottery vase designed

by William Moorcroft, painted in colours on an ivory ground, impressed marks, painted signature 27cm. high £150-250

331. ‘Springflowers’ a Moorcroft Pottery vase designed

by William Moorcroft, painted in colours on an ivory ground, impressed factory marks, painted signature 28cm. high £150-200 334 335

332. ‘Eventide’ a Moorcroft Pottery candlestick designed by William Moorcroft, painted in shades of green, ochre and blue with a light flambe sky impressed marks, painted blue signature with original paper label 8.5cm. high £250-300

333. ‘Hibiscus’ a Moorcroft Pottery lamp base designed

by Walter Moorcroft, painted in colours under a flambe glaze impressed mark, painted blue signature 27cm. high £200-300

334. ‘African Lily/Fresia’ a Moorcroft Pottery vase designed by Walter Moorcroft, ovoid with collar rim, painted in colours on a blue ground impressed marks, painted blue signature 21cm. high £400-600

336 front & back

335. ‘Cornflower’ a Moorcroft Pottery vase designed by William Moorcroft, painted with flowerhead frieze in shades of purple, yellow and green on a graduated green to blue ground impressed marks, professional restoration, 15.5cm. high £250-350

336. ‘Flag Iris’ a Moorcroft Pottery lamp base designed

by William Moorcroft, shouldered and footed cylindrical form, painted in colours on a blue ground, impressed marks, painted green signature 21.5cm. high £150-200

337. ‘Waving Corn’ a Moorcroft Pottery vase designed

by William Moorcroft, shouldered baluster form, tubeline decorated and painted in shades of pale blue, buff and pink impressed marks, painted signature, light star to base 28cm. high £250-350 337

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340 339

338

338. A Moorcroft Pottery solifleur vase, covered in a speckled red flambe glaze impressed marks, 25.5cm. high £150-200 339. ‘Bougainvillea’ a Moorcroft Pottery flambe vase designed by Walter Moorcroft, painted in colours on a flambe red ground impressed marks, painted blue signature 18.5cm. high £200-300

341

342

340. ‘Magnolia’ a Moorcroft Pottery vase, painted in colours on a blue ground, a ginger jar and cover, an ‘Anemone ginger jar and cover, and a Hibiscus jar and cover impressed and painted marks 17.5cm. high £100-200 341. ‘Yacht’ a Moorcroft Pottery cup and saucer designed by William Moorcroft, painted in blue and red on an ivory ground and a ‘Summer Seasons’ a Moorcroft Pottery vase designed by Sally Tuffin, impressed marks, Moorcroft Museum label, hairline to top rim of cup, saucer 14cm. diam. £100-200 Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 122 plate 1 for comparable examples.

342. A Moorcroft Pottery Collector’s Club limited edition solifleur vase, dated 2011, decorated with panels of pink flowers on a green and blue ground, and a Moorcroft Pottery model of two pigs impresed and painted marks, numbered 2/3 21cm. high £80-100

343

344

343. A modern Moorcroft vase, dated 2000, tubeline decorated with flowers and foliage in blue on a pale blue ground impressed and painted marks, 19cm. high £80-120 344. A Moorcroft Collector’s Club limited edition vase, dated 2010, shouldered form, tubeline decorated with leaves in shades of yellow and green on a blue ground, impressed, printed and painted marks, numbered 2/3 23cm. high £100-200 345. A Moorcroft Collector’s Club vase, dated 1996, slender baluster vase, tubeline decorated with flowers, in colours on a deep blue ground impressed and painted marks, 31cm. high £80-120 346. ‘Chestnut Leaves’ a Moorcroft Pottery vase designed by Walter Moorcroft, dated 1987, shouldered cylindrical form, painted in autumnal colours on a cream ground impressed marks, painted green signature 32cm. high £80-120 Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 168 plate 1 for a comparable vase.

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345

346

347. ‘Pelicans’ a Moorcroft Pottery Collector’s Club vase designed by Jackie Rowe, dated 1999, painted in colours on a pale yellow ground impressed and painted marks, 24cm. high £150-250

348. ‘Swamp Hen’ a Moorcroft Pottery limited edition ginger jar and cover designed by Nicola Slaney, dated 1998, tubeline decorated with a bird amongst exotic flowers and foliage, in colours on a deep blue ground impressed, printed and painted marks, 39/50 15.5cm. high £200-300

348

347

349. ‘Coral Hibiscus’ a Moorcroft Pottery bowl designed by Walter Moorcroft, painted in shades of pink and green on a green ground, 26.5cm. diam. £80-120

350. ‘Cat’ a Moorcroft Pottery plate designed by Sally Tuffin, painted in colours on a terracotta ground painted green monogram dated 1991 25.5cm. diam. £150-250

350

349

351. ‘Plum’ a Moorcroft Pottery colour variation vase designed by Sally Tuffin, painted in shades of blue and green on an ivory ground impressed marks, painted green monogram 24.5cm. high £80-120 Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 175 plate 4 for the design illustrated 352 352. ‘Honeycomb’ a Moorcroft Pottery vase designed by Philip Richardson, ovoid, painted in shades of yellow and black on a graduated blue ground impressed marks, painted green monogram, paper retail label 17.5cm. high £100-200

351

Literature Paul Atterbury Moorcroft Pottery, Richard Dennis Publications, page 171 plate 2 for examples of this range

353. ‘Carp’ a large modern Moorcroft limited edition vase designed by Sally Tuffin, painted in colours on a green ground painted J Moorcroft signature, ST design numbered 7/100 £1,500-2,000 Literature Paul Atterbury Moorcroft Revised Edition 1897-1993 Richard Dennis Publications page 185 for a comparable vase Provenance Richard Dennis Gallery Private collection 353

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DENNIS CHINAWORKS 354. ‘Red Flower’ a Dennis Chinaworks Trial stepped vase designed by Sally Tuffin, dated 2006, painted with geometric foliate design in pink, red and yellow impressed and painted marks, 24cm. high £100-200

355. ‘Leaf and Berry’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 1997, painted in shades of yellow and green on a pale green ground impressed and painted marks, numbered 13, 21cm. high £150-200

354

355 356. ‘Midnight Hare’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2005, painted in colours on a banded pale blue and purple ground impressed and painted marks, 13.5cm. high £80-120

357. ‘Sunburst Egyptian’ a Dennis Chinaworks limited edition vase designed

by Sally Tuffin, dated 2002, painted in shades of grey, brown and black impressed and painted marks, numbered 9, 16.5cm. high £80-120 356

357

358. ‘Fish’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2000, painted in colours on an ivory ground, impressed and painted marks, 13.5cm. high £80-120

358

359

359. ‘Sea Bream’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2001, painted in colours on a green ground impressed and painted marks 18.5cm. high £100-200

360. ‘Tulip’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1999, painted in colours on an ivory ground impressed and painted marks 19cm. high £80-120

361. ‘Lily’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2005, painted in colours on a pale yellow ground impressed and painted marks, 21cm. high £80-120

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360

361

362 363 364 362. ‘Angel’ a Dennis Chinaworks Trial plate designed by Sally Tuffin, dated 2001, after a design by William Morris, painted in colours on a blue ground, and a Dennis Chinaworks fish vase impressed and painted marks, 15.5cm. diam. £100-200 363. ‘Owl’ a small Dennis Chinaworks jug designed by Sally Tuffin, dated 1997, painted in colours on a celadon ground, a Dennis Chinaworks ‘Parrot’ small plate and a Dennis Chinaworks Bonzo mug impressed and painted marks, 16cm. high £150-250 364. ‘Owl’ a Dennis Chinaworks jug designed by Sally Tuffin, dated 1994, painted in colours on a impressed and painted marks, 24cm. high £150-200

365

366

365. ‘Puffin’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 2006, painted in colours printed and painted marks, 20.5cm,. high £120-180 366. ‘Blue Footed Booby’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2000, made for Neville Pundole, painted in colours on a yellow ground, impressed and painted marks, 19.5cm. high £80-120 367. ‘Swans’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2010, ovoid form painted with black and white swans on a rainbow ground impressed and painted marks, 18cm. high £100-200

367 368

368. ‘Elephant’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2008, painted in shades of black, green and blue, impressed and painted marks, 17cm. high £100-200 369. ‘Penguin’ a Dennis Chinaworks tazza designed by Sally Tuffin, dated 2006, painted in colours on a marbled blue ground printed and painted marks, 15.5cm. diam. £120-180 369

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370. ‘Bats’ a Dennis Chinaworks limited edition charger designed by Sally Tuffin, dated 2008, painted by Adam White, painted in colours on a deep blue ground printed and painted marks, numbered 6/40, 29cm. diam. £200-300

371. ‘Cedrus Libani - Cedar of Lebanon’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1994, painted in colours on a streaked pink and blue sunset ground impressed and printed marks, 25cm. high £150-250

370

372. ‘Butterfly’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2001, painted in colours on a pale blue ground impressed and painted marks, 28cm. high £200-300

371

372

373. ‘Stag Beetle’ a Dennis Chinaworks vase designed by Sally Tuffin, dated 1999, painted in shades of blue, green and brown on a pale purple ground impressed and painted marks, 14.5cm. high £80-120

374. ‘Illyria - Lycidas’ a Dennis Chinaworks limited edition vase designed by Sally Tuffin, dated 1998, painted with a school of dolphins, in shades of blue, pink and ochre on a pale blue ground impressed and painted marks, 19cm. high £100-200 373

374

375. ‘Hare’s’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 2001, painted in brown and green on a yellow ground impressed and painted marks, 14cm. high £80-120

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375

376. Llama’ a Dennis Chinaworks Trial vase designed by Sally Tuffin, dated 1998, slip decorated in white and black on a sand ground impressed and painted marks 24cm. high £100-200 376

377

379

378

381

380

382 383 384

377. A Wilfred Norton R.A. pottery bust of a devil, covered in a mottled yellow and green glaze, and a Wilfred Norton figure, glazed blue incised marks, paper label to one 22cm. high £100-200 Catalogue Notes An identical figure entitled Earthbound Man, purchased from the artist directly in 1925 for 3 guineas is held in the Aberystwyth University Collection of Ceramics (C476) 378. Bernard Rooke a stoneware lamp base, cast in relief and glazed in shades of green and brown on a buff ground stamped Rooke tallest 30cm. high £100-200

385

379. Bernard Rooke a stoneware vase, cylindrical form, cast in low relief with roundels, glazed grey over ochre, four other vases and a pot and cover impressed marks, 27.5cm. high £150-200 380. A collection of ten Peggie Foy figures, painted in colours, including; two workers resting beside baskets of fruit painted Foy, damages tallest 12.5cm. high £80-120 381. A Radford Pottery vase, painted with ducks flying past bull rush leaves, and three other Radford items, printed marks, 20cm. high £60-100 382. A Carn Pottery vase modelled in relief with an owl, glazed white and blue, another modelled with a cat and three other vases printed marks, 15cm. high £100-200 383. A Chelsea Pottery model of a exaggerating fisherman, modelled standing arms outstretched describing the one that got away, glazed in colours, and two Chelsea Pottery surgeon figures, printed marks and paper label to one 18cm. high £80-120 384. A Modern Denby Origins pattern vase, designed by Richard Eaton, shouldered form, sgraffito decorated in Suede with a chevron design, a Denby Origins pattern lamp base and a smaller vase, printed mark, 36cm. high £100-200

386

385. A Highland Stoneware rectangular tray, painted with a four whistling frogs, one fishing with a line whilst a dragonfly looks on, in colours on a pale blue ground printed marks, 38cm. wide £80-100 386. A Moorland Pottery vase, dated 2000, made as a sample, decorated with dragonflies in blue on a white ground painted marks, 26cm. high £50-100 387. A rare Denby Pottery Cheviot vase designed by Glynn Colledge, pattern CH.502, tall, tapering cylindrical form, painted with abstract panels in colours on a black ground painted signature to base 47cm. high £800-1,200 Literature Irene & Gordon Hopwood, Denby Pottery 1809-1997, Richard Dennis Publication, page 126 for the original Cheviot advert from the 1950s reproduced.

387

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388. A Carter’s Poole Pottery lustre vase designed by Owen Carter, dated 1906, shouldered form with waisted collar rim, covered in a streaked green lustre glaze incised marks, chips, 32cm. high £200-300 Literature Leslie Hayward and Paul Atterbury Poole Pottery, Richard Dennis Publications, page 25 for an identical vase covered in a red lustre glaze 389. A Poole Pottery Beardsley Ware jar and cover, printed in black on a white ground printed factory mark 19cm. high £80-120

388

390. A Poole Pottery Freeform vase designed by Alfred Read and Guy Sydenham, waisted cylindrical form with pulled rim, covered in a white glaze printed mark, 36.5cm. high £80-120

389

391. A Poole Pottery Atlantis lamp base by Catherine Connett, model A101, tapering cylindrical form with oval aperture, incised decoration covered in a speckled glaze impressed and incised marks, 23cm. high £80-120 392. A Poole Pottery Atlantis vase by Guy Sydenham and Susan Dipple, cylindrical form with impressed decoration, glazed pale green and white impressed and incised marks, 20.5cm. high £120-180 393. A Poole Pottery Atlantis vase by Guy Sydenham, cylindrical form with impressed decoration, glazed matt browns impressed and incised marks, 17cm. high £120-180

390

394. A Poole Pottery Atlantis helmet lamp by Guy Sydenham and Beatrice Bolton, the exterior incised with chain-mail the interior a portrait glazed orange impressed mark, incised monograms 30cm. high £200-300

391

395. ‘Magnified Dragonfly’ a Modern Poole Pottery Studio sixteen tile panel by Tony Morris, painted with an abstracted dragonfly design, framed, total dimensions 80cm. square (tile panel 61.5cm square) £400-600 Provenance Poole Pottery Richard Dennis Gallery, catalogue 81 B49, December 1999.

Private collection 395A. A Poole Pottery Studio charger by Janice Tchalenko, dated 1999, painted with a pointillist design in blues on a red ground, and two other Poole Studio chargers printed and painted marks 41cm. diam. £80-120 Provenance The Albert E Wade Collection 392

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394

393

395

395A

396

398

399

397

400

396. A Poole Pottery Aegean wall charger, shape 5, resist decorated with a medieval knight jousting on horseback, another Aegean charger decorated with a sunset scene and an Aegean vase, shape 93 printed and painted marks, 35cm. diam. £80-120

401

397. ‘Bumblebees’ a modern Poole Pottery vase by Nicky Masarrella, slender baluster form, painted in colours on a red ground impressed and painted marks, numbered 1/1 33cm. high £120-180

398. A Poole Pottery Studio plate, painted with a geometric design in green and blue on an orange ground, and a small Poole Pottery Studio bowl decorated with a spray glaze printed Poole Studio script mark 20.5cm. diam. £80-120

399. A Poole Pottery Atlantis vase by Catherine Connett, ovoid with cylindrical neck, simple brushstroke design in green on a speckled green and white ground, and a Poole Atlantis vase

by Guy Sydenham impressed and incised marks, 18cm. high £80-120 402 400. A Long Island Pottery vase by Guy Sydenham, ovoid with solifleur, pulled neck, incised hatch decoration glazed brown, and a curved tube vase with impressed decoration and face design to top rim incised marks, 16cm. high £100-200

401. A modern Poole Pottery plate by Nicky Masarrella, painted with variations on the Tearoom tiles by Edward Bawden, impressed and painted marks, 23cm. diam. £50-100

402. A modern Poole Pottery Studio Kink vase, by L Whitmarsh, painted with citrus fruit in colours on a blue ground impressed and painted marks, 35cm. high £80-120

403. ‘Tree of Life’ a modern Poole Pottery limited edition charger by Jane Brewer, painted with tree of life to well and inscription to rim, in colours printed and painted marks, paper certificate 40cm. diam. £100-200 403

63

405

404

407

406

408

410 409

TROIKA POTTERY

411

404. A Troika Pottery Urn vase, painted in shades of brown and black painted marks 25cm. high £80-120 405. Two Troika Pottery Coffin vases, modelled in low relief and painted in shades of blue, green and brown, painted marks, 17cm. high £100-200 406. Three Troika Pottery small Cylinder vases, stencil decorated in blue, green and bluff painted marks, 14cm. high £80-120 407. A Troika Pottery Spice Jar, by Alison Brigden, modelled in low relief and painted in shades of green on a brown ground, the shoulder bronze glazed, and three Marmalade pots painted marks, 15cm. high £100-200

412

413

408. Three Troika Pottery Textured Cube vases, glazed in shades of blue, green and brown painted marks, 8cm. high £100-200 409. A Troika Pottery Wheel lamp base, by Annette Walters modelled in low relief with geometric panels, in shades of ochre and brown on a green-blue ground painted marks 27.5cm. high £100-200 410. Two Troika Pottery small Wheel vases, modelled in low relief and painted in shades of blue, brown and green painted marks, 12cm. high £80-120 411. A Troika Pottery Rectangular vase, modelled in low relief with figures, glazed brown on a buff ground, and a cylindrical vase painted marks, 22.5cm. high £100-200 412. A Troika Pottery Smooth Square dish, covered in a bronze glaze, and two rectangular vases similar painted marks, 12.5cm. square £100-200 413. A Troika Pottery Smooth Square dish, by Anne Lewis, glazed white the central well glazed bronze, and another glazed white painted marks, 13cm. square. £100-200 414. A large Troika Pottery Pillar vase by Anne Lewis, totem form with cast and incised decoration, glazed ochre painted marks, 55cm. high £200-300 415. A Troika Pottery Double Base lamp base, modelled in low relief with geometric panels in blue on a buff ground painted marks, EW monogram 35.5cm high £200-300

64

414

415

416

417

418 front & back

416. Three Troika Double Egg cups, painted to the base in shades of blue on a white ground, and two Troika mugs, printed marks, 9cm. high £100-200

417. A Troika Pottery Footed Smooth Cube vase, resist decorated to each side with a flowerhead roundel in blue and black on a white ground, and two other rectangular vases painted marks, 10cm. high £100-200

419 418. A Troika Pottery Chimney vase, modelled in low relief with abstract mask and figure, painted in brown and blue on a blue ground painted marks 20cm. high £100-200

419. A Troika Pottery Anvil vase, modelled in low relief and painted in shades of green and brown painted mark and artist cipher 22cm. high £200-300

420. A Troika Pottery Cube vase modelled in low relief with mask panels, covered in a green glaze highlighted in brown painted marks, firing flaw to top rim, 14.5cm. high £80-120

420 421

421. A Troika Pottery Footed Cube vase, modelled in low relief on two sides with geometric design in brown on a green ground painted marks, 18cm. high £100-200

422. A Troika Pottery dish, rounded square section, enamelled with a central flowerhead motif and radiating leaves, in bronze and blue impressed trident mark, 18.5cm. square £100-200 422

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STUDIO POTTERY A PRIVATE COLLECTION 423. Bernard Forrester (1908-1990) a stoneware beaker vase, painted in colours on an oatmeal ground, a Derek Davis solifleur vase and three other items painted marks, 10.5cm. high £200-300

423

Provenance Mr K Taylor 424. Geoffrey Whiting (1919-1988), attributed An Avoncroft Pottery cut-sided teapot and cover, milk-jug and sugar basin, covered in a deep tenmoku glaze, and a vase and a cutsided bowl covered in Tenmoku, impressed A seal mark teapot 14cm. high £200-300

424

425. Alan Caiger Smith (born 1930) eight Aldermaston Pottery goblets, glazed in colours, and an Aldermaston Pottery footed bowl, painted marks, chip to foot of one, 13cm. high £150-250 426. William Staite Murray (1881-1962) a woodblock print on paper, dated 1933, framed, signed and dated in pencil 18.5cm. square £150-200 425 427. Micki Schloessingk (born 1949) a salt-glaze stoneware platter on four feet, textured glaze, another smaller, and six other items impressed M seal 18cm. square £100-200 428. Tatsuzo Shimaoka (1919-2007) a stoneware charger, the well decorated with three foliate roundel in ash glaze, the rim rope inlay pattern, glazed bronze, in fitted box, impressed mark, Galerie Besson label 31cm. diam. £200-300 Provenance Galerie Besson 426

427

429. Takeshi Yasuda (born 1943) a monumental stoneware tray on eight feet, the applied handles and well glazed ash green with Chun splashes unsigned 80cm long x 37cm wide £250-350

429 428

66

430

431

430. Lucie Rie (1902-1995) a sgraffito decorated coffee cup and saucer, covered in a bronze pitted glaze, the cup with vertical sgraffito lines, impressed seal marks, small chip to saucer 12.5cm. diam. £200-300

431. Geoff Fuller (born 1936) a Terracotta figure group of two figures in a boat, a man swimming before, glazed in colours unsigned 44cm. high £150-250

432 front & back

‡ 432.

Janet Leach (1918-1997) a large Leach Pottery stoneware vase, shouldered form with pinch handles, matt black with splashed speckled white brushstroke and neck, impressed seal marks, 51cm. high £500-800

433. Peter Hayes (born 1946) a tall Raku vase, textured split surface, glazed matt white incised marks, dated 1989, exhibition number 53cm. high £300-500

433 front & back

67

436

435

434

434. Bernard Leach (1897-1979), attributed a Leach Pottery slip decorated earthenware dish with piecrust rim, impressed seal mark, 19cm. diam. £300-500 435. Janet Leach (1918-1997) a Leach Pottery stoneware vase, shouldered, cut-sided form, covered in a rich tenmoku glaze over oatmeal glaze to the foot impressed seal marks, 13.5cm. high £300-500 Provenance Contemporary Ceramics, Bonham’s London The Cornuelle Collection

438

436. David Leach (1911-2005) a Lowerdown Pottery vase, shoudlered octagonal form covered in a streaked green-white glaze, and three John Leach Muchelney Pottery pieces impressed seal marks, 12cm. high £100-200 437. David Leach (1911-2005) a Lowerdown Pottery stoneware Willow box and cover, with incised decoration impressed seal marks, 11.5cm diam. £100-200

437

Provenance Contemporary Applied Arts, 1988, London The Cornuelle Collection 438. David Leach (1911-2005) a Lowerdown Pottery stoneware bowl, covered in a tenmoku glaze impressed seal mark, 27cm. diam. £100-200 Provenance J K Hill British Studio Ceramics, London The Cornuelle Collection 439

439. David Leach (1911-2005) an unusual Lowerdown Pottery porcelain rice grain footed bowl, with flaring rim, the body pierced and glazed with celadon under tenmoku, impressed seal mark 19cm. high £100-200 Provenance Contemporary Ceramics, 13th November 1991, Bonham’s London The Cornuelle Collection 440

440. David Leach (1911-2005) a Lowerdown Pottery stoneware vase, bottle form, covered in a rich tenmoku glaze impressed seal mark, 25cm. high £200-400 Provenance Contemporary Ceramics, 9th December 1991, Bonham’s London The Cornuelle Collection

441 441. Lowerdown Pottery a stoneware vase, square section painted with an abstracted ear of corn design, and another Lowerdown Pottery vase impressed seal marks 12.5cm. high £80-120 442. David Leach an Aylesford Pottery stoneware tea set designed by David Leach, covered in a tenmoku glaze, comprising; teapot and cover, milkjug and sugar basin, six cups, saucers and side plates impressed marks, teapot 11cm. high £80-120

68

442

443

444

443. William ‘Bill’ Marshall (1923-2007) a slab built stoneware vase, speckled white glaze with tenmoku brush stroke design impressed seal mark, 33.5cm. high £400-600 Provenance Bettles Gallery, Ringwood Private collection 444. Michael Cardew (1901-1983) a good Winchcombe Pottery earthenware cider jar, decorated with a painted wavy line band in green on a brown ground impressed seals marks 42cm. high £500-1,000

445 446

Provenance Given to the vendor’s parents as a wedding present in 1939.

445. Katherine Pleydell-Bouverie (18951985) a compressed stoneware vase, with everted rim and incised decoration, covered to the foot with a celadon glaze, and another Katherine Pleydell-Bouverie vase impressed seal mark, 2nd vase with hairline crack 10.5cm. wide £100-200 Provenance The Cornuelle Collection 446. Richard Batterham (born 1936) a stoneware storage jar and cover, with incised fluted body, and slightly domed cover, covered to the foot in a running ash glaze unsigned, small chip to top rim 26cm. high £100-200

448

447

447. Richard Batterham (born 1936) a cut-sided stoneware vase, covered in a tenmoku glaze to the foot, the shoulder with ash glaze unsigned 28cm. high £150-200 448. Richard Batterham (born 1936) a cut sided stoneware vase, covered to the foot in an ash glaze unsigned 28.5cm. high £150-200 449. Richard Batterham (born 1936) a massive stoneware storage jar and cover, the fluted body covered in a tenmoku and ash glaze, the slightly domed cover with an ash glaze unsigned 43cm. high £400-600 449

69

452 450

451

453

450. Richard Batterham (born 1936) a large ovoid stoneware teapot and cover, incised with vertical flutes, covered to the foot in an ash glaze unsigned 20cm. high £100-200 451. Mike Dodd (born 1943) a stoneware storage jar and cover, with incised flute decoration, glazed to the foot in ash, and another Mike Dodd storage jar and cover smaller flooded seal mark 21.5cm. high £100-200 452. Richard Batterham (born 1936) a stoneware cut-sided footed bowl, covered to the foot in an ash glaze, and three various storage jar and covers unsigned, crack to bowl 22.5cm. diam. £100-200

454 455

453. Mike Dodd (born 1943) a stoneware storage jar and cover, with incised column decoration, covered in an ash glaze, and a Richard Batterham storage jar and cover impressed seal mark flooded to Dodd 22cm. high £100-200 454. Richard Batterham (born 1936) an unusual pedestal bowl, the exterior covered in a running brown glaze, the interior ash green unsigned 28.5cm. diam. £80-120 455. Phil Rogers (born 1951) a large Marston Pottery stoneware jar and cover, with impressed roundel decoration, covered to the foot with an ash glaze impressed seal mark, 33cm. high £150-200

456

457

456. Mike Dodd (born 1943) a stoneware storage jar and cover, incised and applied column decoration, glazed to the foot impressed seal mark, 29cm. high £100-200 Provenance Bettles Gallery, Ringwood 1999 457. Mike Dodd (born 1943) a stoneware storage jar and cover, with incised fluted finish, covered to the foot in an ash glaze impressed seal mark 33cm high £100-200

458

459

458. Mike Dodd (born 1943) a stoneware storage jar and cover, decorated with a band of incised coulmn decoration, glazed ash, and a Mike Dodd single-handled vase impressed seal mark, 22cm. high £100-200 459. Mike Dodd (born 1943) a stoneware unomi, the swollen body with incised decoration, covered to the foot in a thick glaze, a vase by Mike Dodd and two other items impressed seal marks, small chip to the footed pot 9.5cm. high £100-200 460. Mike Dodd (born 1943) a cut-sided stoneware vase, shouldered form, covered in an ash glaze impressed seal mark flooded 25cm. high £100-200

461

70

460

461. Mike Dodd (born 1943) a stoneware ovoid vase, with collar rim, vertical cut ribs, covered in an ash glaze, and a Richard Batterham cut-sided stoneware jar and cover impressed seal to Mike Dodd vase 18cm. high £80-120

462

466

463

464

465

467

469

468 462. Petra Reynolds (born 1972) a soda glazed stoneware twin-handled vase, with painted decoration, 19cm. high £100-200 463. Marie Farmer a stoneware cylinder vase, tapering form the top rim glaze blue, another two similar and two smaller vases covered in a golden iridescent glaze impressed seal mark to one, some paper exhibition labels 32.5cm. high £80-120 464. Joy Trpkovic a porcelain petal pot, glazed pink and peach to the exterior with ruby lustre brush strokes painted JT monogram 9.5cm. high £50-100 465. Carolyn Genders (born 1957) a stoneware swollen vase, square section, resist decorated with strata design incised Carolyn Genders 14cm. high £80-120

470

466. Ann Delphine Brown a porcelain flower stem form, glazed pale blue, a box form and two split vase forms, unsigned stem cup 15cm. high £50-100 467. Ann Delphine Brown two porcelain pyramid forms, glazed blue with gold highlights, and a split spherical form unsigned 13cm. high £50-100 468. Carolyn Genders (born 1957) a flattened stoneware vase, resist decorated with block design, incised Carolyn Genders, 21cm. high £80-120 469. Carolyn Genders (born 1957) a flattened stoneware vase, resist decorated with a leaf motif incised Carolyn Genders, kiln blow to side, 20cm. high £80-120 470. Jayne Lucas an earthenware vase with applied wirework, 2004, incised and painted decoration in green and white painted marks, dated 04, 23.5cm. high £80-120 471 471. Mark Griffiths a tall stoneware jug, shouldered cylindrical form, incised with simple grass stem motif, covered with an ash glaze impressed seal mark below handle 42cm. high £120-150 472. Richard Phethean (born 1953) a tall slipware beaked jug, with incised grass decoration, glazed with ash and blue, painted monogram 56.5cm. high £150-200 472

71

474

476

473

475

478

477

479 480 473. Mark Griffiths a stoneware footed bowl, incised with simple grass stem design , covered in an ash glaze impressed seal mark 26.5cm. diam. £80-120 474. Greta Parry A Mousehole Pottery stoneware vase, ovoid with waisted neck, resist decorated with an ash glaze, another similar, and a plate by the same artist impressed seal marks 15cm. high £100-200 475. Carole Scott a salt-glaze stoneware teapot and cover, with applied decoration, and two jugs similar impressed seal marks, 18cm. high £50-100 476. Carole Scott a salt-glaze stoneware vase, twin-handled form, glazed in colours, another smaller and a tureen and cover impressed seal mark, 26.5cm. high £50-100

481

477. Bryan Newman (born 1935) a large stoneware charger, painted to the well with abstract splashed and brushed design in colours impressed seal mark, Peter Dingley label 49cm. diam. £100-200 Provenance Peter Dingley Gallery Private collection

482

478. Stephen Jones RCA a porcelain box and cover, the cover inset with crystalline glazed roundel etched SRJ 14cm. wide £50-100 479. John Gay a stoneware vase, shouldered form with everted rim, covered to the foot with a textured ash glaze, another smaller and a stoneware vase by Ann Kempley, painted JG monogram 21cm. high £50-100 480. Glynn Hugo (born 1934) a tall waisted cylindrical vase form, with incised bands to the base, covered in matt black and ochre glazes incised Hugo 51cm. high £80-120 481. Julian King-Salter (born 1954) a stoneware bowl, teardrop from covered in a volcanic blue and turquoise glaze impressed seal mark 18.5cm. high £100-200 Literature Alpha House Gallery, Sherbourne 482. Joy Bosworth ‘Platter with Silver Leaf’ a stoneware vessel, the matt back body applied with rectangular panel of silver, impressed seal mark, 31cm. wide £100-200 Provenance Rufford Craft Centre Private collection 483. Sasha Wardell (born 1956) a biscuit fired vase, shouldered fluted body with flaring neck, covered in a matt white glaze impressed seal marks, 15.5cm. high £80-120

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Provenance Ombersley Gallery, Worcestershire, 1993 483

Private collection

484. Yasahuru Tajima-Simpson a slab built candlestick, glazed in colours impressed seal mark 45cm. high £80-120

485. Yasahuru Tajima-Simpson an earthenware basket form, glazed blue, green and terracotta impressed seal mark 34cm. wide £80-120 485

486. Robin Welch (born 1936) a stoneware cylindrical vase. painted with bronze and rust bands above a textured white glazed band, highlighted with green impressed RW seal 16.5cm. high £100-200

484

487. Robin Welch (born 1936) a stoneware shouldered, cylindrical vase, with applied and painted decoration impressed seal mark 22cm. high £150-200 Provenance Beaux Arts, Bath

486

487

Private collection

488. Robin Welch (born 1936) a stoneware cylindrical vase, glazed with bands in shades of black and white, the black band overglazed in matt white and applied with surface decoration impressed RW seal 26.5cm. high £150-200

489. Robin Welch (born 1936) a stoneware cylindrical vase, incised and applied decoration, the neck glazed blue impressed seal mark 22cm. high £150-200

488

489

Provenance Beaux Arts, Bath Private collection

490. Amanda Popham ‘I Will Give Thanks..’ a slender pottery ewer, 2005, painted with an acrobat performing a handstand, the reverse incised with a verse, in colours painted signature and date to neck, 30cm. high £80-120

490 front & back

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491. Aki Moriuchi (born 1947) a stoneware charger, covered in a volcanic off white glaze impressed seal mark, 41cm. diam. £100-150 Provenance Bettles Gallery, Ringwood Private collection

492. Aki Moriuchi (born 1947) a ribbed cylindrical vase, covered in an off white volcanic glaze impressed seal mark 25.5cm. high £100-200 491

492

Provenance Bettles Gallery, Ringwood Private collection

493. Aki Moriuchi (born 1947) a stoneware jug with applied loop handle, covered in a volcanic off white glaze, and a stem cup by the same artist impressed seal mark, jug 15.5cm. high £100-200 493

494

Provenance Bettles Gallery, Ringwood for the jug Private collection

494. Aki Moriuchi (born 1947) a slender, ovoid organic form vase, covered in a pitted, volcanic white glaze, another tripod vase by Aki Moriuchi and a beaker vase by the same artist impressed seal marks, 11.5cm. high £120-180

495. Peter Beard (born 1951) a flaring, footed charger, covered in a radiating bronze lustre glaze impressed seal mark, 35.5cm. diam. £100-200

495

496

496. Peter Hayes (born 1946) a stoneware sculptural bust, covered in a pitted, pale grey glaze, on slate base incised Peter Hayes 1989 32cm. high £300-500

497. Peter Hayes (born 1946) a raku sack form vase, covered in a textured buff glaze incised marks, impressed seal mark, 30cm. high £150-200

498. Peter Hayes (born 1946) a raku sack form vase, dated 1988, covered in a textured white glaze incised marks and date, impressed seal mark, 22cm. high £100-200

74

497

498

499

500

499. Walter Keeler (born 1942) a salt-glaze stoneware teapot and cover, with gun-barrel spout and over-slung handle impressed seal mark to side 23cm. high £300-500 Provenance purchased in 1997 from the artist directly.

Literature Emmanuel Cooper & Amanda Fielding Walter Keeler page 98 a comparable pot illustrated in detail form.

501

‡ 500.

Gabriele Koch (born 1948) a large textured sphere vase, burnished terracotta and black surface, with elliptical aperture incised signature to base 36cm. high £800-1,200

501. Chris Carter (born 1945) a tall, stoneware spade form vase, covered in a textured and pitted off white glaze impressed seal mark 58.5cm. high £200-300

502. Sotis Filippides (born 1963) a tall stoneware vase, cylindrical form with flaring neck, matt black, the flaring top sections a matt grey glaze impressed seal mark, 63.5cm. high £600-700

503. Sotis Filippides (born 1963) a tall stoneware vase, cylindrical form with flaring neck, matt black, the flaring top a matt grey glaze impressed seal mark, 63.5cm. high £600-700 502

503

75

504

505

504. Alan Caiger-Smith an Aldermaston Pottery tin-glaze cider set comprising; six goblets and a jug, painted in red and blue on an off white ground painted monogram, hairlines to two goblets 25cm. high £200-300

505. Alan Wallwork (born 1931) a split-form stoneware vase, ovoid with incised decoration, glazed off white and a totem vase incised mark, 13cm. wide £80-120

506. Ron Hitchens an eighteen tile panel, each cast in low relief with geometric design glazed copper-bronze, framed signed Ron Hitchens to reverse frame 51.5 x 31.5cm £80-120 506 507. John Maltby (born 1936) a stoneware unomi, enamelled with crosses and stylised flowers in colours on buff ground impressed seal mark 10cm. high £100-200

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507

508

508. John Maltby (born 1936) a stoneware bowl, enamelled with crosses and stylised flowers in colours on buff ground impressed seal mark, 12cm. diam. £100-200

‥ 509.

Alison Britton OBE RA (born 1948) Black Green Pot, 1998, a fine, large earthenware vessel, painted decoration, incised Alison Britton, 1998 46cm. high

ÂŁ1,800-2,400

Provenance Alison Britton, Barrett Marsden Gallery, 1999 Private collection Literature Linda Sandino, Complexity and Ambiguity, Barrett Marsden Gallery, this vase illustrated page 20

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512

513

511

510

CONTINENTAL CERAMICS 515

514

516

510. A Pierrefonds stoneware twin-handled vase, shape no.476, covered in a blue and sand crystalline glaze, impressed marks, 34.5cm. high £100-200 511. An Art Nouveau Amphora Pottery vase, model no. 8357, shouldered form, applied with four loop handles, cast in low relief with stylised chrysanthemums, in colours, highlighted in gilt, impressed marks, 14cm. high £400-500 Provenance The Victor Arwas collection 512. A Royal Dux centrepiece, modelled with two maidens beside a trunk with lily stems, in colours applied pink triangle 34cm. high £80-120 513. A Royal Dux Pottery centrepiece, modelled with a shepherd boy piping a tune to his sheep, a maiden listens on from afar, with central bowl applied pink triangular, restoration to horns and ears, 39cm. high £200-300 514. ‘Lovers’ a pottery figure designed by Michael Powolny and Berthold Loeffler, glazed in colours impressed mark minor glaze chips, 32.5cm. high £500-800

517

Literature Waltraud Neuwirth Wiener Keramik, Klinkhardt & Biermann, page 316 and 317 for another example illustrated.

515. An Art Nouveau Purmerend earthenware jug, painted with flower panels in colours painted marks, 17cm. high £250-350 516. An Art Nouveau Societe Parisienne de Ceramique bust designed by H Jacobs, model no.806 modelled with upward gaze, modelled wearing a gilded Art Nouveau pendant necklace, glazed matt green impressed marks, 55cm. high £350-450 517. An Art Nouveau Amphora Pottery vase, model no.5610, shouldered, twin-handled form, cast in low relief with Art Nouveau maiden panels amongst pendulous flowers and foliage in colours, highlighted in gilt impressed marks, minor glaze chips, 43cm. high £300-400 Provenance The Victor Arwas collection 518. A large Art Nouveau Amphora Pottery vase, model no. 3604, twin-handled form, cast in low relief with Art Nouveau maiden in profile, in panels inside chestnut sprays impressed number, minor glaze chips, hairline to body, 53cm. high £500-600

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Provenance The Victor Arwas collection 518

‡ 519.

‘Pichet Tête Carrée’ Ramie No.233 a Madoura Pottery jug designed by Pablo Picasso, limited edition, incised with abstract square heads, glazed black and white impressed Madoura mark, painted 293/300 Edition Picasso 13.5cm. high £2,000-3,000 Literature Picasso Ceramics The Attenborough Collection, Leicester Museum & Art Gallery page 21, catalogue no. 68 for a comparable jug.

79

520 522

521

523

524

525 520. A Fulper Pottery vase, ovoid with three looped handles to shoulder, covered in a streaked purple glaze, and another small Fulper Pottery vase, impressed marks, small glaze fault to foot rim, 16.5cm. high £100-200

521. Thirty encaustic floor tiles, decorated with geometric design in black, grey and brown indistinct impressed mark, chips, each tile 14.5cm. square £50-100

526

522. A Royal Copenhagen solifleur vase, slender, swollen form, covered in a crackled celadon glaze, a box and cover similar, a Faience mug and four other items printed and painted marks, minor damages, 19cm. high £50-100

523. An Upsala Ekeby stoneware vase, By Anna-Lisa Thomson, incised with stylised foliate design glazed white, on a matt brown ground, a Shorter & Sons jug

by Mabel Leigh and a collection of ceramics £100-200

524. An Arabia Pottery teapot and cover, designed by Ulla Procope-Nyman, covered in a matt black glaze, and another covered in a matt white glaze, with wicker handles, printed marks, 16cm. high £80-120

525. A Rosenthal Pottery vase designed by Bjorn Wiinblad, decorated in low relief with dancing figures amongst flowers and foliage printed mark and inscription to base 30cm. high £50-100

526. A near pair of Primavera earthenware candlesticks, waisted form, painted with dot and line motif, in green, cream and brown impressed Primavera mark, minor glaze loss and professional restoration, 19cm. high £200-300

527. A large Fornasetti Foot ceramic umbrella stand designed by Pierro Fornasetti, modelled as a right lower leg and foot in Roman sandal, highlighted in gilt, printed Fornasetti mark, minor professional restoration to the top rim, 57.5cm. high £500-800 Literature Patrick Mauries Fornasetti Designer of Dreams, page 184 for a comparable form.

80

527

528

529

532

WORKS ON PAPER

530

531

533

534

528. ‘British Design Since 1880’ by Fiona MacCarthy, and a collection of books and catalogues on design and and art £80-120 529. Meissen Porcelain of the Art Nouveau Period, Orbis, a reference book, and a collection of books on Art Nouveau and Art Deco £50-100 530. ‘The Andy Warhol Collection’ April 23-May 3rd 1988 a Sotheby’s catalogue box set, in slip case £80-120 531. Peter Heard Sea Breeze, a limited edition print on paper, signed, titled and numbered 165/300 51 x 43.5cm. £200-300 532. An erotic pen and ink drawing on paper in the manner of Aubrey Beardsley, framed unsigned image 23 x 16cm. £80-120 533. ‘The Weaver of Dreams’ a pen and ink by T Dossett, dated 1919, framed signed and dated in ink lower left, pencil title image 31 x 27cm. £80-120 534. ‘The Dramatists Guild Fund - Young Playwrights Festival 1982’ a poster designed by David Hockney, printed by The Petersburg Press, framed facsimile signature and monogram 103 x 76cm. £100-200 535. ‘Leben Und Sterben Lassen (Live and Let Die)’ a German issue James Bond poster, printed in colours 118 x 84cm £400-600 535

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536. LAURENCE BRODERICK (born 1935) The Otter, signed, titled and numbered in pencil lithograph on paper, and two other prints by the same artist 43.5 x 57cm. £80-120

537. GEORGE BISSILL (1896-1973) Miner signed pen and ink 18 x 23cm Provenance England & Co

£100-200

536

538. JOSEF HERMAN (1911-2000) two figures in a landscape, untitled drawing ink wash on paper, unsigned 19.6 x 11cm £100-200

537

538

539. PATRICK PROCKTOR R.A. (1936-2003) Marcus and a Pink, 1972 signed and numbered 200/500, with a gallery label verso aquatint on paper 60.5 x 41cm £150-200 Provenance Redfern Gallery, 1972 bought by Colin Sparks

540. VAL ARCHER (Born 1946) Spanish Chillies, 1996 oil on board, framed and two others by the same artist initialled and dated 13.5 x 19cm. £150-200 Provenance Christie’s Contemporary Art

539

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540

541

542 ‡ 541. SANDRA BLOW R.A. (1925-2006)

Side Effect signed, titled and numbered 27/50 screen print on wove paper 119 X 119cm

£400-600

Provenance Private collection

542. MICK ROONEY R.A. (b. 1944) Casino colour lithograph on paper, framed signed, dated 1984 and numbered 31/100 in pencil 63.5 x 43cm

£100-200

‡ 543. WILLIAM BAILLIE R.S.A. P.R.S.W. R.G.I. (1923-2011) figure in Tibetan Headdress, acrylic on canvas, framed signed, also signed verso 44 x 29cm

£100-200 543

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LESLIE GOODAY O.B.E. 544. Leslie Gooday O.B.E (1921-2013) The Artist acrylic and Collage on paper, framed initialled LG, paper labels to reverse, 20.5 x 11.5cm. £80-120 Provenance: Leslie Gooday OBE

545

544

545. Leslie Gooday O.B.E (1921-2013) Concept 54 acrylic and collage on card, framed signed lower right, paper labels to reverse 19cm. x 19cm. £100-200 Provenance: Leslie Gooday OBE 546. Leslie Gooday O.B.E (1921-2013) Three Pears acrylic on board, framed signed lower right 20 x 20cm. £100-200 Provenance: Leslie Gooday OBE 547. Leslie Gooday O.B.E (1921-2013) Pebble acrylic on card, framed signed lower left, paper label to reverse 20.5 x 20.5cm. £100-200 Provenance: Leslie Gooday OBE

546

547

548. Leslie Gooday O.B.E (1921-2013) Black Beck Pass watercolour on paper, framed signed lower left, paper labels to reverse 36 x 25.5cm £100-200 Provenance: Leslie Gooday OBE 549. Leslie Gooday O.B.E (1921-2013) Studio Shelf 5 acrylic on board, framed signed lower right, paper label to reverse 66 x 37.5cm. £200-300 Provenance: Leslie Gooday OBE 550. Leslie Gooday O.B.E (1921-2013) Model and Paints acrylic on card, framed signed in the design,paper labels to reverse 37.5 x 25cm. £150-200 Provenance: Leslie Gooday OBE 551. Leslie Gooday O.B.E (1921-2013) Concept 25 acrylic and collage on board, framed signed lower right, paper labels to reverse 65 x 29cm. £200-400 Provenance: Leslie Gooday OBE

548

84

549

550

551

552. A printed silk Kimono dress possibly retailed by Liberty & Co, all over abstract floral design, a silk scarf decorated with a Picasso female portrait, and a collection of silk scarves £100-200

552 553. Twenty five Liberty silk scarves, signed in the print, various sizes £100-150

554. A massive pair of Sanderson Chrysanthemum pattern curtains originally designed by William Morris, screen printed, annotated selvedge, each 275cm high x 404cm wide. £150-250

553

554

FURNITURE 555. A painted wood three fold screen, painted with three panels of aquatic scenes 169cm high, 147cm wide £200-300

555

85

557

558

556

559

561 560

556. A pair of Gothic Revival oak fonts, possibly Scottish, on cruciform foot, with patinated copper bowls, 92cm. high £300-500 557. A small Liberty & Co oak wall cabinet, rectangular with single cupboard, the hinged door carved with a dragon motif applied paper label to reverse 39cm. wide £250-350 558. A Liberty & Co carved mahogany wall mirror, rectangular, carved to two corners with simple entrelac design 102 x 61cm. £200-300

563

562

559. A pair of oak armchairs probably Dutch, D shaped bentwood back and seat, with carved detailing to front legs and three square peg panels to the front, 74cm. high £300-400 560. An Arts and Crafts oak inlaid carver and chair probably retailed by Liberty & Co, inlaid with boxwood borders, the back splat inlaid with Art Nouveau flower stem design in pewter and ebonised wood, with modern Liberty Peacock Feather upholstered seat pad unsigned 100cm. high £150-200 Provenance The Victor Arwas collection 561. An Arts and Crafts walnut corner armchair, turned tripod legs with plank back rest carved with Nordic dragon design, with black leather seat unsigned 90cm. high £100-200 562. A Heal’s oak bedside cupboard with drop flaps, with turned wood handle, applied label 74cm. high £150-200

564

563. A Glasgow School oak armchair, the back carved with Art Nouveau flower stem, drop in seat 115cm. high £80-120 564. A mahogany settle, the back carved with foliate panel, scrolling arms with bent strut supports, 109cm. wide £150-200

86

568 565

566 567

565. A pair of Thonet bentwood chairs, with faux tooled leather seats applied paper labels 86.5cm. high £60-100

566. An Aesthetic Movement ebonised wood armchair, the design attributed to Charles Bevan, turned legs and arms, with padded seat 95cm. high £150-200

569

567. An Arts and Crafts black stained wood armchair, with trellis back and seat 109cm. high £100-200

570 568. A pair of Medieval Revival wrought iron and brass fire dogs and a grate, with applied floral panels and scroll and loop terminals, 83cm. wide, 65cm. high £200-300

569. An Aesthetic Movement ebonised wood hanging shelf the design attributed to Charles Bevan, with central two door cabinet, pierced roundel decoration, 105cm. wide £300-500

570. Two luggage stands/benches, one oak, one cherry wood 60cm wide £100-200

571. A pair of Carl & Friedrich Jonas Austrian Secessionist wardrobes, with inlaid chevron panel decoration, brass fittings 205cm. high £500-800 Provenance Bel Etage Gallery 571

87

573 572

574 575

576

577

572. A black leather two seat sofa, probably Danish, 145cm wide, 74cm high £200-300 573. A Knoll Bastiano ebonised wood sofa designed by Tobia Scarpa, with black leather loose cushions, 212cm wide £100-200 574. A Swann teak wall mounted display cabinet, rectangular, with glazed sliding doors applied label and Design Centre label 78.5cm. wide £50-100 575. A pair of lacquered wood Lyre chairs designed by Elizabeth Garouste and Mattia Bonetti, designed 1989, 88cm. high £200-300

578

Literature Elizabeth Garouste & Mattia Bonetti 1981-2001, Vedrenne, page 10 for comparable chairs 576. A set of Four G-Plan chairs, ebonised wood frames with white and black padded seats, and a stool printed labels 88cm high £80-120 577. A Castelli Vertebra chair designed by Emilio Ambasz and Giancarlo Piretti black leather padded seat applied label 102cm. high £50-100 578. A dining table and four chairs probably American, comprising aluminium, glass topped table and four perspex chairs with white leather seats, table 73cm high, chairs 90cm. high £300-400

88

579

579. A Danish mahogany compact bureau unit, the case opens and expands to create a central desk with wing bookcases, storage trays 114cm. high, 82cm wide, 54cm deep £200-300

580 581

583 582 584 580. A pair of cylindrical stainless steel coffee tables with inset glass top and base, unmarked 46cm. high £80-120

581. A tile-topped table, square section on metal frame, the tiles with painted abstract design 78cm. square £200-400

582. A pair of Arkana fibreglass stools, with rotating padded seats 42cm. high £80-120

583. A set of ten Cassina chairs designed by Vico Magistretti, painted black frames with tan leather seat applied label, 74.5cm. high £100-200

585

584. A pair of gilt metal and glass occasional tables, the column modelled as a stack of corn, with circular glass top, 51cm. high £200-300

585. A large Merrow Associates polished steel and walnut occasional table, near square section, on casters 86 x 84cm. £400-600 586

586. A glass topped low table on industrial coasters, attributed to Fontana Arte, unsigned 119 x 101cm. £200-300

89

590 588

589

587

591

592 593

METALWARE

594

587. An Aesthetic Movement cast iron hall stand, simple, scrolling foliage frame with inset mirror, 196cm. high £200-300 588. An Aesthetic Movement wrought iron stickstand, model no.7, cast with floral panels cast regd diamond 86cm. high £100-200 589. A Benham & Froud Aesthetic Movement brass coal scuttle, hammered in relief with stylised flowers, the cast handle stems with ebonised wood handle stamped mark, 48cm. high £100-200 590. A cast and worked brass vase on wrought iron tripod stand, by V Mugarits, signed to the shoulder 24cm. high £100-200 591. A pair of patinated copper roundels, possibly by the Bromsgrove Guild, cast in low relief with St Mark and St John the Evangalist, in wooden frames, panels 16cm diam. £100-200 592. A pair of brass candlesticks, in the manner of Owen Jones, domed tripod foot with knopped cylindrical stem and flaring drip pan, the foot and stem enamelled in black with stylised foliate panels unsigned 24cm. high £100-200 593. An Aesthetic Movement ebonised wood mantle clock, with painted floral panels, circular dial with Roman numerals, 24.5cm. high £100-200 594. A Keswick School of Industrial Arts copper plate, repousse hammered with panels of a bird and fish, amongst foliage borders stamped KSIA mark 26cm. diam. £100-150 595. An Arts and Crafts repousse hammered copper mirror, probably retailed by Liberty & Co, rectangular, hammered to the rim with lighthouse, large scaly fish, crab and shells below a ship at full sail unsigned 73 x 36cm. £700-900

90

595

596 599 597

598

602 600

603

601

596. A W.A.S Benson copper tray, slender elliptical form with scrolled back handles unsigned 48cm. wide £100-200 597. An Arts and Crafts copper wall sconce, the domed rectangular back decorated in low relief with a fruiting vine unsigned 24cm. high £80-120 598. A Newlyn copper dish, hammered to the well with a lugger at sail, stamped Newlyn 27.5cm. diam. £50-100 599. A Newlyn patinated copper rose bowl and cover, hammered in relief with scaly fish stamped Newlyn mark 14cm. diam. £150-200 600. Five brass panels the design attributed to Lewis F Day, stamped in low relief with fruiting apple, floral design and a sunset landscape design stamped regd diamond to two 15cm. square £200-300

604

601. A large brass ewer in the manner of Dr Christopher Dresser, footed form with angled cylindrical body, neck and spout with angled stem unsigned 33cm. high £80-120 602. An Art Nouveau etched glass and gilt metal liquor set for two, cast in low relief with flag iris, comprising decanter with hinged stopper and two glasses on a twin-handled square tray tray marked W.M.F decanter 20cm. high £50-100 603. A brass wall plaque of a Kookaburra, stamped in relief and set with green glass eye, mounted on ebonised wood panel unsigned 34 x 24cm. £50-100 604. An Arts and Crafts brass dish the design attributed to William Neatby, circular stamped to the well with a stylised tree and butterfly motif, the rim with etched shields unsigned 35cm. diam. £300-500 Literature The Studio 1901 page 131 for a comparable hammered copper dish with tree and bird motif 605. A brass flower vase designed by Margaret Gilmour, waisted, square section, stamped in low relief with floral panels to each side unsigned 30.5cm. high £200-300 605

91

607

606

606. A white marble sculpture of The Birth of Venus, modelled surrounded by drapes in a clam shell with an attendant putti, on alabaster base unsigned 21cm. wide £80-120 Provenance The Victor Arwas collection 607. A set of four Art Nouveau graduated patinated metal vases, cast from a model

by C Bonnefond, cast in low relief with maiden smoking signed in the cast, largest 14cm. high £150-200 608. An Art Nouveau patinated spelter bust, modelled with flowers in her hair unsigned 46cm. high £200-300 609

608

609. ‘Pan’ a carved walnut sculpture, modelled seated on a tree stump playing pan-pipes stamped G J R to base of back 54cm. high £350-450 610. An Art Nouveau patinated bronze cast from a model by Henri Godet, issuing from a flower stem, modelled with a maiden wearing flower petal bonnet and dress, on red veined marble base signed in the bronze, stamped Gold Medal, 100 Exhibition Paris mark 23cm. high £400-500 Provenance The Victor Arwas collection 611. Theresa a patinated bronze bust of a maiden in tricorn hat cast from a model by Georges Van Der Sraeten, on integral plinth, signed in the bronze, foundry mark 54cm. high £300-500 Provenance The Victor Arwas collection

610

Literature H Berman Bronzes, Sculptors and Founders Abage, plate 1232

611

612. An Art Nouveau patinated bronze and gilt highlighted vase cast from a model

by Charles Korschann, cast to the shouldered with three Art Nouveau maiden portraits, signed in the cast Ch Korschann 12.5cm. high £800-1,200 Provenance The Victor Arwas collection

92

612

613

613. ‘Night and Day’ a patinated bronze by Terry Stringer, dated 2008, on hardwood stand, etched signature Terry Stringer, 2007 numbered 20/70 12.5cm. diam. £250-350

614 614. ‘Wrestlers’ a patinated bronze figure by Terry Stringer, dated 2008, on rectangular base etched signature Terry Stringer 2008 numbered 1/3, 71cm. high £1,500-2,000 Catalogue Notes Terry Stringer was born in Cornwall in 1946 and emigrated to New Zealand in 1956. He graduated from the University of Auckland School of Fine Arts in 1967 and has exhibited his bronzes in both solo and group exhibitions from 1975 to the present day. His works are seen as at the forefront of contemporary art in New Zealand and he received the Officer of the New Zealand Order of Merit in 2003.

615. ‘She-Goat’ a bronze cast from a model by Pablo Picasso on black marble unsigned 31cm. wide £1,500-2,000 615

93

619 616

618

617

616. An Art Nouveau clock, possibly French, cast in relief two maidens amidst serrated foliage, with circular enamelled porcelain dial indistinct cast signature 53cm. high £350-450 617. A tall patinated metal vase cast from a model by M Petizan, cast with floral panels in high and low relief, signed in the cast 62cm. high £300-400

621

620

618. A patinated metal figural comport, modelled a maid carrying wooden buckets, with three Austrian iridescent glass bowls, probably Kralik 45.5.cm. high £200-300 619. A pair of Kayserzinn twin-branch pewter candelabra, cast in low relief with flowerhead design to the base, with flaring pierced whiplash branches, the three sconce with berry decoration, stamped marks, 44.5cm. high £450-550 Literature Style & Spirit Christie’s South Kensington 21st November 2012 lot 676 for an identical candlestick

622

620. A Liberty & Co English Pewter box and cover designed by Archibald Knox, model no.0194, swollen square section, cast in low relief with Art Nouveau flower stems, stamped marks, 14.5cm. wide £50-100 621. A Liberty Solkets English Pewter and glass preserve pot and cover designed by Archibald Knox, model no.01031, and a preserve pot stamped marks, 12.5cm. high £80-120 622. A W.M.F Art Nouveau pewter stamp box, rectangular on pierced flaring feet, cast in low relief with clover on long sinuous stems, stamped mark, 13cm. wide £80-120

623

94

623. An Art Nouveau W.M.F electroplated tea set, cast in low relief with whiplash berried foliage, comprising teapot with hinged cover, hot-water pot and hinged cover, milk-jug and sugar basin on a twinhandled tray stamped marks tray 47.5cm. wide £300-400

624. An enamel topped box attributed to the Wiener Werkstatte and designed by Max Snischek , the panel depicting a reclining figure 17 x 11cm. £400-600 Literature Waltraud Neuwirth Wiener Werkstatte Avantgarde, Art Deco Industrial Design, page 227 catalogue number 179 for the original watercolour design for this panel, entitled design for a box 625. An enamelled metal magazine rack by Paolo Poli, enamelled with three fish swimming amongst waterweed, with tripod wirework stand etched Paolo de Poli 42cm. high £300-400 626. A Sabatini polished metal mask sculpture designed by Gio Ponti, stamped Sabatini Italia 37cm. high £300-500 627. A tall limited edition perspex sculpture by Mark Wilkinson, dated 2001, ice crystal form, cameo cast with a naked ice maiden raising her arms aloft, signed and numbered 14/250 85cm. high £500-800

625

624

626

627

95

628 629

630 632 628. A carved hardwood model of a Hippopotamus, modelled standing with mouth open, distressed ebonised finish 53cm. long £50-100 629. A Burr Mountain Beech centrepiece by Kemp Lenihan, dated 2002, three others similar and three graduated wooden bowls incised marks 47cm. wide £100-200 630. A Viners Studio canteen of stainless steel cutlery designed by Gerald Benney , comprising six knives, forks, butter knives, dessert forks, tea spoons and two serving spoons stamped marks, canteen 36 x 29cm. £150-200 631. A Lenci felt doll, dressed in national costume, 35cm. high £80-120 632. A pair of Trylon torcheres wall lamps designed by Giles Derain, slender, tapering form, enamelled cream metal 76cm. long £200-300

633 one of two

631

633. A pair of enamelled metal wall lights, the slender, tapering form on angled supports, unmarked 76cm. high £80-120 634. A pair of Aluminor desk lamps, designed for the Societe Generale bank, 49cm. high £200-300 635. An Elkington & Co silver cruet, cast in low relief with flag iris stems, comprising; two salts, a pepper pot and a mustard pot and cover, with remains of blue glass liners stamped marks, Birmingham 1905 pepper 8cm. high £300-500

634

635

96

636. A Barker Brothers silver bowl, the hammered bowl with three wirework foliage feet rising to form handles, stamped marks, Chester 1911 12.5cm. wide £150-200

636

637

638 640

639

643 641

642

637. A Liberty & Co silver bowl and spoon, model no.2309, the hammered bowl inscribed Mireile, the spoon with cast foliate terminal stamped marks to bowl Birmingham 1907, the spoon 1906, bowl 14cm. diam. £100-200 Provenance Ernest Yarrow-Jones, (1872-1951) artist, thence by descent 638. A Liberty & Co silver christening cup and saucer, model no.225, the hammered, slightly waisted body inscribed Yvonne, stamped marks, Liberty 1907 cup 8cm. high £300-500 Provenance Ernest Yarrow-Jones, (1872-1951) artist, thence by descent 639. A pair of Theo Fennell silver candlesticks, pillar form on flaring square section, in retailers box with a compliment card ‘with our love Elton & David’ stamped marks, Birmingham 1994, Fennell, 16cm. high £200-300

644

640. A silver and malachite brooch, central cross flanked with malachite squares, stamped regd diamond for 1867 3cm. wide £80-120 641. ‘Women’s Suffrage’ a W. Lewis enamelled metal badge, circular form, enamelled with a central green and red flowerhead, inside ‘Women’s Suffrage’ stamped marks to reverse 3.2cm. diam. £100-200 642. A silver Celtic buckle probably by Robert Cawley, with pierced interwoven design, stamped marks, RC Birmingham 1906 8.5cm. wide £80-120 643. A Murrle Bennet & Co yellow metal and abelone shell hatpin, cast with stylised flower terminal set with abelone shell petals, and eight other hatpins stamped marks 21cm. long £80-120 644. A Secessionist silver and lapis lazuli belt buckle designed by Patriz Huber, retailed by Murrle Bennett & Co, pierced and cast decoration stamped import marks for Murrle Bennett & Co London 1901 4cm. wide £500-600 Literature Patriz Huber 15th May -28th June 1992, Ateliers im Museum Kunstlerkolonie, Darmstadt, page 77 plate XXVIIa for a comparable example.

645. A Le Collier enamelled metal necklace, the rectangular plate enamelled with abstract panels, with wirework links and drops on collar necklace unsigned panel 10cm long £80-120 Literature Soraya Feder Le Collier, Paragon, page 86 for an identical necklace illustrated

645

97

647 646

646. A Georg Jensen silver and Hematite ring, model no.46B, and a Georg Jensen stainless steel moneyclip stamped marks, ring size K £80-120 647. A Georg Jensen silver bangle bracelet, model no.38, with tsimple cast geometric design stamped marks 6.5cm. wide £120-180 648. An Anton Michelsen Danish silver brooch modelled as a calla lily, by Nougee, an en suite necklace and bracelet, and a brooch and a pair of clip earrings, similar by the same maker stamped marks, 7cm. high £100-200 649. A Georg Jensen silver brooch, model no. 42, circular cast in low relief with flowers and foliage set with two amber colour stones, a bar brooch and a Georg Jensen silver bangle stamped marks, 5cm. diam. £100-200 650. A Georg Jensen silver brooch, model no.318, cast in low relief with a deer resting before a squirrel amongst foliage, and another Georg Jensen silver brooch of two birds, model no.250 stamped marks, 4cm. square £100-200

648

649

650

98

Furniture & Works of Art Tuesday 1st April 2014

Georges Marie Valentin Bareau (1866-1931) ‘L’Histoire’ Parcel gilt and patinated bronze 49.4cm high.

Estimate: £3,000 - £4,000

ENQUIRIES Mark Richards Tel: +44 (0)1722 411854 markrichards@woolleyandwallis.co.uk

Arts & Crafts Wednesday 18th June 2014 Closing date for entries Wednesday 16th April

ENQUIRIES Michael Jeffery Tel: +44 (0)1722 424505 michaeljeffery@woolleyandwallis.co.uk

A fine pair of Martin Brothers Aquatic wall plaques, dated 1887.

Estimate: ÂŁ8,000 - ÂŁ12,000

Silver Tuesday 29th & Wednesday 30th April 2014 Entries are now being accepted for this sale

ENQUIRIES Rupert Slingsby Tel: +44 (0)1722 424501 rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers Tel: +44 (0)1722 424594 lucychalmers@woolleyandwallis.co.uk

The Hornby Casket, a fine Edwardian silver Arts and Crafts silver freedom casket,

by The Bromsgrove Guild of Applied Arts, Birmingham 1902.

Estimate: ÂŁ10,000 - ÂŁ15,000

Jewellery Thursday 1st May 2014 Closing date for entries Friday 28th February

ENQUIRIES Jonathan Edwards FGAA Tel: +44 (0)1722 424504 jonathanedwards@woolleyandwallis.co.uk Marielle Whiting FGA Tel: +44 (0)1722 424595 mariellewhiting@woolleyandwallis.co.uk

A 9.68ct untreated Kashmir sapphire.

Estimate: ÂŁ80,000-120,000 A 33.15ct, 16mm natural saltwater pearl.

Estimate: ÂŁ80,000-120,000

English and European Ceramics and Glass Wednesday 7th May 2014 Entries are now being accepted for this sale

ENQUIRIES Clare Durham 01722 424507 claredurham@woolleyandwallis.co.uk

Items from a private collection of Caughley porcelain included in the sale.

Asian Art Wednesday 21st & Thursday 22nd May 2014 Entries are now being accepted for this sale

A large Chinese cizhou guan, Song dynasty 960-1279 AD, 29.5cm.

Provenance: an English private collection.

Est: £50,000 – 80,000

ENQUIRIES John Axford MRICS ASFAV Tel: +44 (0)1722 424506 johnaxford@woolleyandwallis.co.uk Sophie Lister Tel: +44 (0)1722 424591 sophielister@woolleyandwallis.co.uk

Auction Information OPENING HOURS Monday to Friday 9am – 5.30pm and 10am to 1pm on Saturdays.

VIEWING All our auctions are on view at least two days prior to the sale and details will be found in the relevant catalogues.

BIDDING IN THE ROOM To bid at auction you will need a paddle number. This can be obtained from the office either during the view or on the day of the sale. We now provide permanent paddle numbers which can be used for any future sale, once registered.

REGISTERING WITH US All first time buyers need to register with us. Once registration is complete you will be provided with a permanent paddle number which can be used in all future sales.

To register, you will need to provide two forms of identification:

LIVE ONLINE BIDDING Live online bidding is now available for most of our auctions via the-saleroom.com, enabling you to take part in the bidding from anywhere in the world, live as it happens. To bid online you need to register at www.the-saleroom.com In completing the bidder registration on www.the-saleroom.com and providing your credit card details and unless alternative arrangements are agreed with Woolley and Wallis Salisbury Salerooms Ltd, you: 1. authorise Woolley and Wallis Salisbury Salerooms Ltd, if they so wish, to charge the credit card given in part or full payment, including all fees, for items successfully purchased in the auction via thesaleroom.com, and 2. confirm that you are authorised to provide these credit card details to Woolley and Wallis Salisbury Salerooms Ltd through www.the-saleroom.com and agree that Woolley and Wallis Salisbury Salerooms Ltd are entitled to permit the shipping of the goods to the card holder name and card holder address provided in fulfilment of the sale.

1. a passport or photographic driving licence 2. a utility bill or document showing your name and address You can register in person or by contacting the office on 01722 424500 or emailing enquiries@woolleyandwallis.co.uk You will be asked to show your documents, or fax or email copies.

PLEASE NOTE: Registering with the-saleroom.com or through our website does not automatically register you with us.

COMMISSION BIDDING If you are unable to attend the sale you can leave a commission bid. This will be executed on your behalf by the auctioneer who will purchase the lot as cheaply as possible bearing in mind any reserve price and other bids.

TELEPHONE BIDDING It is usually possible to bid on the telephone by prior arrangement with the office.

106

CONDITION REPORTS The relevant department will be pleased to give condition reports on any lot, where practical. All weights and measures given in the catalogue should be regarded as approximate.

The colours printed in the catalogue are not necessarily true.

SALE RESULTS These will be posted on our website shortly after the sale.

BUYER’S PREMIUM Each lot is subject to a Buyer’s Premium of 22% + VAT on the first £500,000 of the hammer price and 12% + VAT thereafter.

PAYMENT AND CLEARANCE Payment is due immediately after the auction in pounds sterling. If you are a first time buyer we will need your name, address and bank details and will require funds to be cleared before purchases can be released.

The following methods of payment may be made: Bankers draft, cashiers cheque, personal cheque, travellers cheques, debit and credit cards and cash up to a sterling equivalent of €15,000. We are no longer able to accept card payments of over £1,000 where the card-holder is not present.

Wire transfers should be sent to: Lloyds TSB, Blue Boar Row, Salisbury SP1 1DB. Account no. 00957707 Sort code 30-97-41 IBAN no. GB20LOYD30974100957707 BIC code LOYDGB21063 Credit cards: Visa or Mastercard for which there is a 2% surcharge + VAT Debit cards: Delta, Switch, Connect Where practical, payment can be made and purchases collected during the auction.

Please note that furniture and clock lots will normally remain in our salerooms for three working days following each sale, after which they will be removed to our store and arrangements for collection must be made in advance with the office.

Storage charges will be levied on all lots in the furniture and works of art and clock sales not collected within 30 calendar days of the sale. This will include a handling fee of £20 (+ VAT) per consignment and a storage charge of £2 (+ VAT) per lot per day. No goods will be allowed to be collected until these charges have been paid.

VAT Lots marked with an asterisk (*) are subject to VAT on the hammer price. Lots marked with an omega (Ω) have been temporarily imported from outside the EU and are subject to VAT at 5% on the hammer price and the buyer’s premium. In online catalogues, the Sales Tax % column indicates the rate of VAT on hammer price.

CITES REGULATIONS Please note that lots marked λ may be subject to CITES Regulations when exported.

The CITES Regulations may be found at www.defra.gov.uk/ahvla-en/imports-exports/cites/

ARTIST’S RESALE RIGHT / DROIT DE SUITE Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500 Lots marked with a ‡ symbol are potentially subject to the levy.

PACKING AND SHIPPING Woolley & Wallis do not offer a packing and despatch service but the following are carriers in our area.

Alban Shipping

01582 493 099 info@albanshipping.co.uk www.albanshipping.co.uk

APS

0800 118 5868 sales@apservices.info 07736 544 362 www.apservices.info

Mailboxes

01264 360 333 info@mbeandover.co.uk www.mbe.co.uk/andover

Pack & Send

0845 465 0564 sales@packsend.co.uk www.packsend.co.uk

Please note that we cannot be held responsible for any damage or loss to items once they are in the hands of a carrier.

107

SOCIETY OF FINE ART AUCTIONEERS AND VALUERS and the ROYAL INSTITUTION OF CHARTERED SURVEYORS CONDITIONS OF BUSINESS INFORMATION FOR BUYERS 1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted on our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed.

Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price and certainly will not be below it.

Estimates do not include the Buyer’s Premium or VAT (where chargeable).

Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. The purchase price. The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VAT. (*) indicates that VAT at the current standard rate is payable by the purchaser on the hammer price as well as being an element in the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK. The double symbol (**) indicates that the lot has been imported from outside the European Union and the present position is that these lots are liable to a reduced rate of VAT (5%) on the gross lot price (i.e. both the hammer price and the buyer’s premium). Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the Premium is not recoverable as input tax.

12. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay may involve the buyer in paying storage charges.

TERMS OF CONSIGNMENT FOR SELLERS 1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission is charged to sellers at the following rates: 15% + VAT on each lot sold for up to £999, 10% + VAT on each lot realising £1,000 and above.

3. Removal costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and damage waiver. We are not regulated by the FSA for the provision of insurance to clients. However, we for our own protection assume liability for property consigned to us at lower pre-sale estimate.

To justify accepting liability, we make a charge of 1.5% of the hammer price plus VAT or, if unsold, our mid estimate of the hammer price. If the owner of goods consigned instructs us in writing not to take such action, they then remain at owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4 is inapplicable.

5. Illustrations. The cost of any illustrations is borne by you. If we consider that the lot should be illustrated your permission will usually be asked first.

The copyright in respect of such illustrations shall be the property of us, the auctioneers, as is the text of the catalogue.

6. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical objects of any age are not guaranteed to be in working order. However, in so far as we have examined the goods and make a representation about their condition, we shall be liable for any defect which that examination ought to have revealed to the auctioneer but which would not have been revealed to the buyer had the buyer examined the goods. Additionally, in specified circumstances lots misdescribed because they are ‘deliberate forgeries’ may be returned and repayment made. There is a 3 week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

6. Minimum bids and our discretion. Goods may be offered subject to a reserve agreed between us before the sale in accordance with clause 7.

7. Electrical goods. These are sold as ‘antiques’ only and if bought for use must be checked over for compliance with safety regulations by a qualified electrician first.

8. Electrical items. These are subject to detailed statutory safety controls.

Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

8. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required for the goods to leave the U.K. and (b) whether there is any specific prohibition on importing the goods in question into the destination country because, e.g. they may contain prohibited materials such as ivory. Charges may be applicable for export licences. Ask us if you need help.

The denial of any permit or licence shall not justify cancellation or rescission of the sale contract or any delay in payment.

9. Bidding. Bidders will be required to register before the sale commences and lots will be invoiced to the name and address on the registration form.

Some form of identification will be required if you are unknown to us.

Please enquire in advance about our arrangements for telephone bidding.

10. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for the leaving of commission bids by telephone or fax.

11. Methods of Payment. As a general rule any cheques tendered will need to be cleared before removal of the goods is permitted. Please discuss with our Office in advance of the sale if other methods of payment are envisaged (except cash).

7. We may sell lots below the reserve provided we account to you for the same sale proceeds as you would have received had the reserve been the hammer price. If you specifically give us ‘discretion’ we may accept a bid of up to 10% below the formal reserve. .

Reserves. (a) You are entitled to place prior to the auction a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve (in which case goods carry the storage and insurance charges stipulated in these Terms of Consignment). (b) A reserve once set cannot be changed except with our consent. (c) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

9. Soft furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request.

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds.

The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery but we are or ought to have been aware of it.

11. Unsold and withdrawn items. If an item is unsold it may with your consent be re-offered at a future sale. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. We reserve the right to charge for storage in these circumstances at a reasonable daily rate.

12. Withdrawn and bought in items. These are liable to incur a charge of up to 10% plus VAT of the reserve or low estimate on being bought in or withdrawn after being catalogued.

13. Conditions of Sale. You agree that all goods will be sold on our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to deduct commission and expenses and retain premium and interest. (a) You authorise us to deduct commission at the stated rate and all expenses incurred for your account from the hammer price and consent to our right to retain beneficially the premium paid by the buyer in accordance with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement. (b) You authorise us in our discretion to negotiate a sale by private treaty not later than the close of business on the day of the sale in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient sale instructions and reserve the right to make minimum warehousing charge of £2 per lot per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within three weeks we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Subject to our normal trading conditions, payment will be made by BACS or cheque four weeks after the sale unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

CONDITIONS OF SALE Woolley & Wallis Salisbury Salerooms Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. DEFINITIONS In these Conditions: (a) ‘auctioneer’ means Woolley & Wallis Salisbury Salerooms Ltd or its authorised auctioneer, as appropriate; (b) ‘deliberate forgery’ means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description; (c) ‘hammer price’ means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer; (d) ‘terms of consignment’ means the stipulated terms and rates of commission on which Woolley & Wallis Salisbury Salerooms Ltd accepts instructions from sellers or their agents; (e) ‘total amount due’ means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions; (f) ‘sale proceeds’ means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising. (g) ‘‘You’, ‘Your’, etc. refer to the buyer as identified in Condition 2. (h) The singular includes the plural and vice versa as appropriate.

2. BIDDING PROCEDURES AND THE BUYER (a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid; (b) the maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise. The auctioneer shall act reasonably in exercising this discretion. (c) Bidders shall be deemed to act as principals. (d) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. INCREMENTS Bidding increments shall be at the auctioneer’s sole discretion.

4. THE PURCHASE PRICE The Buyer shall pay the hammer price together with a premium thereon of 22% on the first £500,000 and 12% thereafter + VAT at the appropriate rate.

5. VALUE ADDED TAX Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant lots. (Please refer to ‘Information for Buyers’ for a brief explanation of the VAT position).

6. PAYMENT (a) Immediately a lot is sold you will: (i) give to us, if requested, proof of identity, and (ii) pay to us the total amount due in pounds sterling (b) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. TITLE AND COLLECTION OF PURCHASES (a) The ownership of any lots purchased shall not pass to you until you have made payment in full to us of the total amount due (b) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges. (c) No purchase can be claimed or removed until it has been paid for.

8. REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES (a) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: (i) to proceed against you for damages for breach of contract; (ii) to rescind the sale of that lot and/or any other lots sold by us to you; (iii) to resell the lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller; (iv) to remove, store and insure the lot at your expense and, in the case of storage, either at our premises or elsewhere; (v) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale; (vi) to retain that or any other lot sold to you until you pay the total amount due; (vii) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted; (viii) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of any of your property in our possession for any purpose until the debt due is satisfied. (b) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions 9. THIRD PARTY LIABILITY All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements.

Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. COMMISSION BIDS Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition, we will if so instructed clearly and in writing execute bids on their behalf. Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so save where such failure is unreasonable.

Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

11. WARRANTY OF TITLE AND AVAILABILITY The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

12. AGENCY The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. TERMS OF SALE The seller acknowledges that lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the lot.

14. DESCRIPTIONS AND CONDITION (a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description applied to a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 ‘information to buyers’. (b) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. FORGERIES Notwithstanding the preceding Condition, any lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the lot is a deliberate forgery we shall refund the money paid by you for the lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition. The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

PAINTINGS, DRAWINGS, LITHOGRAPHS, ENGRAVINGS AND PRINTS In accordance with long standing practice in Fine Art Sale Rooms certain terms used in descriptions in the Catalogue have the meanings ascribed to them in the glossary below.

Glossary Any statement as to authorship, attribution, origin, date, age, provenance and condition is a statement of opinion and is not to be taken as a statement of fact. The Company reserves the right, in forming their opinion, to consult and rely upon any expect or authority considered by them to be reliable. (a) Edward Lear: In our opinion a work by the artist. (When the artist’s forename(s) is not known, a series of asterisks, followed by the surname of the artist, whether preceded by an initial or not, indicates that in our opinion the work is by the artist named. (b) Attributed to Edward Lear: In our opinion probably a work by the artist but less certainly as to authorship is expressed than in the preceding category. (c) Studio of Edward Lear: In our opinion a work by an unknown hand in the studio of the artist which may be or may not have been executed under the artist’s direction. (d) Circle of Edward Lear: In our opinion a work by an as yet unidentified but distinct hand, closely associated with the named artist but not necessarily his pupil. (e) Style of ...; Follower of Edward Lear: In our opinion a work by a painter working in the artist’s style, contemporary or nearly contemporary, but not necessarily his pupil. (f) Manner of Edward Lear: In our opinion a work in the style of the artist and of a later date. (g) After Edward Lear: In our opinion a copy of a known work of the artist. (h) The term signed and/or dated and/or inscribed means that in our opinion the signature and/or date and/or inscription are from the hand of the artist. (i) The term bears a signature and/or date and/or inscription means that in our opinion the signature and/or date and/or inscription have been added by another hand. (j) Dimensions are given height before width. (k) Pictures are framed unless otherwise stated.

BOOK AUCTIONS If, on collation, any named item in this catalogue proves defective in text or illustration, the lot may be returned within 14 days of the sale with the defects stated in writing. This proviso shall not apply to defects stated in the catalogue or announced at the time of sale; nor to the absence of blanks, half titles, tissue guards or advertisements, damage in respect of bindings, stains, spotting, marginal tears or other defects not affecting completeness of text or illustration; nor to drawings, autographs, letters or manuscripts, signed photographs, music, atlases, maps or periodicals; nor to books not identified by title; nor to books sold not subject to return.

GENERAL 16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. (a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate. (b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

18. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or Swiftmail in which case it shall be deemed to have been received by the addressee 48 hours after posting.

19. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.

20. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

ARTIST’S RESALE RIGHT / DROIT DE SUITE

21. English law applies to the interpretation of these Conditions.

Lots marked with a ‡ symbol are potentially subject to the levy.

Droit de Suite is a royalty payable to a qualifying artist or the artist’s heirs each time a work is resold during the artist’s lifetime and up to a period of 70 years after the artist’s death.

Royalties are calculated on a sliding percentage scale based on the hammer price excluding the buyer’s premium. The royalty does not apply to lots selling below the sterling equivalent of €1,000 and the maximum royalty payable on any single lot is the sterling equivalent of €12,500.

Droit de Suite, which is not subject to VAT, will be added to the buyer’s purchase price and then passed on to the relevant collecting agency by the auctioneer.

Please enquire for the accepted exchange rate on the day of the sale.

Royalties for Droit de Suite are as follows: 4% Up to €50,000 3% €50,000.01 - 200,000 1% €200,000.01 - 350,000 0.5% €350,000.01 - 500,000 0.25% In excess of €500,000 Up to a maximum levy of €12,500

Valuations PROBATE VALUATIONS We offer a speedy and professional service for executors and trustees and provide bound valuations for probate and duplicate copies when required.

Since security is often a consideration, we can usually arrange for a house to be cleared and sent for auction, our Valuations Department ensures that executors are informed of which sales are involved and the results thereof.

Valuations are a core part of our business and are usually carried out by a senior specialist or directors.

Accuracy, speed and above all confidentiality are paramount.

INSURANCE VALUATIONS Written valuations for insurance can vary from a single item to a large estate. Before starting we discuss the various options available so that the valuation is specifically tailored to individual client’s needs.

We also carry out valuations for Family Division, Capital Gains Tax, and Private Treaty Sales.

Contact Christine Johnson 01722 424509

For valuations of an entire house contents an itemised bound valuation is produced and can be accompanied by photographs when required. In addition to providing an inventory, written valuations can prevent painful arguments with a loss adjuster in the event of a claim.

FREE AUCTION VALUATIONS Free verbal valuations of items for sale are available at our Castle Street salerooms. Please telephone the relevant specialist or call our office on 01722 424500.

Woolley & Wallis valuations are accepted by all leading insurance companies.

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Woolley & Wallis Salisbury Salerooms Ltd. 51-61 Castle Street, Salisbury Wiltshire SP1 3SU Registered in England No. 2998482 VAT No: 631 9832 29 in association with Woolley & Wallis, Chartered Surveyors Design & Production by Jamm Design Tel. 020 7424 7830 www.jammdesign.co.uk

WOO L LE Y & WA L LI S Absentee Bid Form Clarice Cliff, Art Deco & 20th Century Design

PLEASE PRINT CLEARLY IN BLOCK LETTERS Lot Number in numerical order

Brief Decription

Price Excluding buyer’s premium & VAT

Wednesday 5th March 2014 Please bid, on my behalf, for the undermentioned lots up to the prices shown which do not include the buyer’s premium or any V.A.T. payable on lots. These bids are to be executed as cheaply as is permitted by other bids, and/or reserves if any, and subject to the Conditions of Sale printed in the Catalogue. Please note we cannot guarantee that bids received after 4pm on the day prior to the auction will be executed.

Billing Name (please print)

Address

Postcode Daytime telephone Email All accounts must be settled within 21 days. There is no surcharge for debit card payments, but for credit cards there will be a 2% (+VAT) surcharge. ID is required for all first time bidders.

Signature

Salisbury Salerooms, 51-61 Castle Street, Salisbury, Wiltshire SP1 3SU • Tel: 01722 424500 Fax: 01722 424508

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www.woolleyandwallis.co.uk

AUCTION CALENDAR CLOCKS, WATCHES & SCIENTIFIC INSTRUMENTS 19th February 30th July Richard Price +44 (0) 7741 242421 • richardprice@woolleyandwallis.co.uk ENGLISH & EUROPEAN CERAMCIS & GLASS 25th February – Fine Porcelain & Pottery 7th May Clare Durham +44 (0) 1722 424507 • claredurham@woolleyandwallis.co.uk 20TH CENTURY DESIGN 5th March – Clarice Cliff & Art Deco 18th June – Arts & Crafts Michael Jeffery +44 (0) 1722 424505 • michaeljeffery@woolleyandwallis.co.uk PAINTINGS 19th March 4th June – Modern & Contemporary Victor Fauvelle +44 (0) 1722 424503 • victorfauvelle@woolleyandwallis.co.uk Jo Butler +44 (0) 1722 424592 • jobutler@woolleyandwallis.co.uk FURNITURE & WORKS OF ART 1st April 8th July Mark Richards +44 (0) 1722 411854 • markrichards@woolleyandwallis.co.uk SILVER 29th & 30th April 22nd & 23rd July Rupert Slingsby +44 (0) 1722 424501 • rupertslingsby@woolleyandwallis.co.uk Lucy Chalmers +44 (0) 1722 424594 • lucychalmers@woolleyandwallis.co.uk JEWELLERY 1st May 24th July Jonathan Edwards +44 (0) 1722 424504 • jonathanedwards@woolleyandwallis.co.uk Marielle Whiting +44 (0) 1722 424595 • mariellewhiting@woolleyandwallis.co.uk ASIAN ART 21st & 22nd May 12th & 13th November John Axford +44 (0) 1722 424506 • johnaxford@woolleyandwallis.co.uk Sophie Lister +44 (0) 1722 424591 • sophielister@woolleyandwallis.co.uk TRIBAL ART, ANTIQUITIES, ARMS & ARMOUR 19th June Will Hobbs +44 (0) 1722 339752 • willhobbs@woolleyandwallis.co.uk

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